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text: Hi, I was using the IPSConfig -> Site manager, specially in email part and I deleted one email and when I tried to create that email again and the ISPConfig can´t allow to create that email because its showing that email already exists. When I look at mysql, in del_status table the email name is there. My question is what I need to do to recreate this email with an "existing" name. What file and table I need to edit? Thanks to all. Felipe Rocha

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text:
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lovely kids climbing safety helmet, professional child safety helmet
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- Model No.: AU-M01 kids climbing helmet
- Vents: 14 vents
- Weight: 275 g
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- Size:S 48-62cm
lovely kids climbing safety helmet, professional child safety helmet
Detail description of kids climbing safety helmet:
- Fashionable climbing helmet with CE EN 12492 certificate
- Imported EPS material and Eco-Friendly PC shell, with in mold technology.
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|Model No.
|AU-M01 kids climbing safety helmet
|External material
|high toughness top PC shell + bottom PC shell
|Inner material
|high density EPS foam + soft inner pads
|PE Polythene
|Lamp Carring System
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|Size/Head circumference
|48-52cm for kids 8-12 ages
|220 g
|14 air ventilation
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The detail pictures of kids climbing safety helmet:
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Rock climbing, Outdoor adventure, Sea rescue, Big wall climbing, Rescue and evacuation, Tree Care, Cave adventure, Civil defence etc...
European Headform:
An Oval shaped helmet is designed for a rider's head with a dimension which is considerably fit for Europeans.
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A generic headform helmet is designed for a rider's head with a dimension which is slightly longer front-to-back than its side-to-side measurement.
Asian headform:
A Round shaped helmet is designed for a rider's head with a dimension which is condierably fit for Asians.
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Aurora Sports is a helmet manufacturer, with more than 15 years experience in producing all types of helmets. In-house design and R&D teams with established experience, allows Aurora Sports to quickly answer to demanding requirements and create from scratch whole programs and collections with rigorous quality standards.
silk screen → PC blister tooling → PC blister manufacture → Trimming dug hole → EPS raw material by different density → EPS in-mold tooling → helmet in-mold workshop → in-mold machines → in-mold tooling → in-mold producing process → semi-finished in-mold helmet → IQC inspection → helmet grinding → inner padding production → plastic injection workshop → assembly line →inside labeling → packing → warehouse → installed counters.
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text:
Activists Visit Liu Xia
Two Beijing activists said they had recently succeeded in visiting Liu Xia, the wife of jailed Nobel peace laureate Liu Xiaobo, under house arrest at her Beijing home in recent days, sparking concerns over possible retaliation from the authorities.
Hu Jia, rights activist and close friend of the couple, said he had visited Liu on Friday in her apartment where she has been held under police guard since October 2010, when the Nobel committee first announced her husband's award.
Hu's visit came after an international signature campaign to free both Lius gathered momentum in the wake of an open letter from more than 130 former Nobel laureates across all disciplines.
"When I told her that Aung San Suu Kyi wished her and her husband well, and that 135 Nobel prize-winners had called for their release, Liu Xia was very happy," Hu said, referring to the Burmese opposition leader who herself was under house arrest for years before her release in November 2010.
"She thanked everybody for their concern, but very soon she fell into despair again."
"Personally, I think it's because she doesn't really believe that she or her husband will be freed."
Hu has previously tried without success to visit Liu Xia at her apartment, and called her continued detention there "inhumane."
More than 40,000 people worldwide have signed an online petition to free the Lius to date.
Hu said online activism had played an important part in drawing attention to Liu Xia's plight.
"But what's even more important is for people to get out of their houses and offer some help to those whose human rights have been ignored," he said.
But Hu said he and academic Xu Youyu had cut short their visit because of the obvious distress it caused Liu Xia.
Video taken of a visit to Liu Xia's apartment showed her anxious and tearful, whispering into Xu's ear.
"You can see [on the video] how happy Liu Xia was to see us, hugging Xu Youyu," Hu said. "We managed to stay three or four minutes in Liu Xia's home, but you could also see how frightened she is feeling."
"She told him that her family would have to bear the aftermath of such visits, and that the authorities had continued to keep up the pressure on members of her family," he said.
"That's why Xu Youyu decided we should leave quickly."
The video was widely passed around on the Chinese Internet, with many netizens expressing concern that the authorities would retaliate against the family over the visit.
Beijing-based writer Liu Di said the activists had probably managed to get into the apartment building because of the extreme cold, rather than because of any change in official policy.
"The weather is so cold right now, so there aren't many people around," she said. "I don't think there's any reason to assume that this is because the authorities are loosening restrictions [on Liu Xia]."
Liu Di said it was hard to predict how the authorities would react.
"But things might get better if we apply a bit of extra pressure," she said. "But regardless of Liu Xiaobo's situation, Liu Xia is an innocent citizen, and it's wrong to put her under house arrest."
The renewed visit came days after a crying and trembling Liu Xia gave her first media interview in 26 months, speaking out for the first time about her ill-health and extreme isolation.
"We live in such an absurd place," she told a journalist from the Associated Press, who managed to get to her front door while her guards were on their lunch break.
"It is so absurd," she said, in the brief interview during which she said she has lost count of the days she has been confined, and feels as if her situation is "almost" the same as her husband's.
Liu Xia said that apart from an escorted monthly visit to see Liu Xiaobo in prison, she hasn't left the couple's apartment since October 2010.
Open letter
Earlier this month, Nobel laureates across all disciplines called on Chinese leader-in-waiting Xi Jinping to release Liu Xiaobo, who has served four years of an 11-year jail term for subversion, and to free Liu Xia from house arrest.
Winners of Nobel prizes for peace, but also for physics, chemistry, medicine, literature and economics, signed an open letter to Xi, who will be sworn in as China's new president in March, calling for the immediate and unconditional release of the couple.
"No government can restrict freedom of thought and association without having a negative effect on ... important human innovation," said the letter, which was signed by Nobel peace laureates Archbishop Desmond Tutu and the Dalai Lama, as well as by authors Mario Vargas Llosa and Toni
"Across all disciplines, the distinguishing feature which led to our recognition as Nobel Laureates is that we have embraced the power of our intellectual freedom and creative inspiration to do our part to advance the human condition," said the letter.
Reported by Xin Yu for RFA's Mandarin service, and by Wei Ling for the Cantonese service. Translated and written in English by Luisetta Mudie.


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Solar panels are a great way to curb energy costs and help the environment by reducing your carbon footprint. Regular solar panel cleaning is integral to maintaining your system in Bellevue.
Keeping solar panels clean maximizes the amount of sunlight that can reach the solar cells. Over time, bird droppings, pollen, and dust can accumulate and become baked-on, creating a barrier for the sun and making the solar panels less efficient.
We use deionized water and a soft-bristled brush to gently scrub and rinse solar panels. Many solar panel manufacturers require maintenance in order to preserve the warranty, so regular cleaning is a good way to protect your investment. Consider our Recurring Maintenance Program to put your solar panel cleaning on auto-pilot so you don't have to think about it.
When cleaning solar panels, safety is always a priority. Our technicians have premium safety equipment and are professionally trained to use safe practices when working on roofs.
Call us at (425) 821-3814 for a phone estimate and schedule solar panel cleaning for your home in the Bellevue area. Our technician will show up on time, complete the work requested, and do a great job.
AA Window and Gutter Cleaning offers affordable services to keep solar panels clean and working well. We use deionized water and a soft-bristled brush to gently scrub and rinse solar panels.
Regular solar panel cleaning is a good way to protect your investment. Call (425) 821-3814 for a free estimate for your home in Bellevue!
Some roofing materials are more fragile than others and we are very familiar with the different types of material and proper methods for walking on them.
The real answer to this is that allowing debris and moss to accumulate on your roof does much more damage than carefully walking on the roof to maintain it. We will certainly assess your roof and determine our ability to work safety, and your roofs ability to sustain our walking on it.
We start out by hiring people with a natural talent toward working on uneven surfaces. We hired GRAVITEC to supply and train our technicians in the use of fall protection equipment (ropes and harnesses). In addition, we use high quality ladders with leg levelers and stabilizer bars and Korkers® brand safety sandals for traction on slippery roofs.
You do not need to be home when we are cleaning your solar panels. We will cover all the details over the phone when we set the appointment.
We'll call or text on the way to your home in Greater Seattle. You don't need to be home for outside work, but we'll knock on the door to greet you either way. We'll let you know if we have questions for you or if your home could benefit from any additional services. When finished, we will come to the door to chat before we leave. We can answer any other questions you may have, let you know if we encountered anything unusual while we worked, and offer recommendations for a service schedule going forward.


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The White House Owes an Apology to Chester A. Arthur
President Obama set another horrifying legal precedent today, by messing around with that most important of statutory laws: The 2005 Presidential $1 Coin Act, which "requires the U.S. Mint issue new presidential $1 Coins with the likeness of every deceased president." The White House announced today that the U.S. Mint would no longer make these coins for general use, since it's a silly vanity project that no one cares about.
Except maybe these dead people? Ever think of that, White House? Bloomberg explains:
That's bad news for fans of Chester Alan Arthur, Grover Cleveland and Benjamin Harrison, who are to be featured on the coins made in 2012. Since 2007, the mint has worked its way from George Washington to James Garfield in a set of coins honoring U.S. presidents.
"The call for Chester A. Arthur coins is not big," Vice President Joe Biden said at a Cabinet meeting today where the cutback was announced.
The administration expects that this will save $50 million in production costs per year. But is such a sum worth denying Chester A. Arthur his place in the sun?
[Image via AP/United States Mint]


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In The Tennessean (and USA Today), Tom Wilemon has assembled a series of reports on what he calls "the diabetes hot zone," "a cluster of predominantly African-American, inner-city neighborhoods where diabetes rates soar to more than double the Davidson County average."
After establishing the outlines and perils of the hot zone in his first piece, Wilemon follows up by looking into the scarcity of transplants and pervasiveness of dialysis in the area.
Although organ transplants can occur between races, matches are more difficult to achieve for blacks. Transplant recipients must have similar genes in their immune systems to those of the donor. Otherwise, the body will reject the organ.
Whites account for 68 percent of all organ donors, while African-Americans account for only 14 percent, according to the U.S. Organ Procurement and Transplantation Network. Although the number of blacks and whites waiting for a kidney in 2011 was about the same, whites received just over half of kidney transplants that year, while blacks received less than a third.
Finally, he examines the causes of the diabetes epidemic and, in the process, wading deep into the "soul food" versus "fast food" debate.
Wilemon is a 2012-13 AHCJ Regional Health Journalism Fellow and wrote this story with support from USC's Annenberg School of Journalism.


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These Colorful, Dramatic Cliffs Are a Half Million Years Old
Location: South Dakota
Established: November 10, 1978
Size: 244,300 acres
They call it The Wall. It extends for a hundred miles through the dry plains of South Dakota—a huge natural barrier ridging the landscape, sculptured into fantastic pinnacles and tortuous gullies by the forces of water. Those who pass through the upper prairie a few miles north might not even know it exists. Those who traverse the lower prairie to the south, however, can't miss it; it rises above them like a city skyline in ruins, petrified.
The Badlands Wall, much of which is preserved within the boundaries of Badlands National Park, may not conform to everyone's idea of beauty, but nobody can deny its theatricality. It's been compared to an enormous stage set—colorful, dramatic, and not quite real. Water, the main player on this stage, has been carving away at the cliffs for the past half million years or so, and it carves away an entire inch (three centimeters) or more in some places each year. But there have been other players, too. Beasts with names like titanothere and archaeotherium once roamed here; their fossilized bones can be found by the hundreds. And today the Badlands Wall serves as a backdrop for bison, pronghorn, and bighorn sheep, as well as the million human visitors who pass through the park every year.
A national monument since 1939, Badlands acquired the South (Stronghold) Unit in 1976, adding yet another dimension to the drama. This large stretch of land belongs to the Oglala, and one of their most sacred places is now preserved within it. It was here, on Stronghold Table, that the final Ghost Dance took place in 1890, just a few weeks before more than 150 Lakota were massacred at Wounded Knee, 25 miles south.
Badlands National Park is considered home to one of the world's richest deposits of mammal fossil beds.
The Oglala Lakota Nation, the second-largest American Indian Reservation in the United States, co-manages half of Badlands National Park.
- Nat Geo Expeditions
The Badlands average one inch of erosion per year.


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Verasity VRA
0.10 %
Change 24h
Market Cap
£ 32,358,243
Volume 24h
£ 1,903,668
Circulating Supply
Total Supply
DescriptionVerasity is a disruptive video sharing platform designed to pivot the online video ecosystem by enabling a direct and transparent relationship between viewers, content creators, and advertisers. Our team has a wealth of experience across the Media and Technology sectors, holding previous leadership roles at companies including Eurosport, Sky, Joost, AOL, Turner, and Guardian. Powered by existing cutting-edge video player technology, Verasity provides a high-quality viewing experience. Verasity's proprietary Blockchain technology (PoV™) creates a transparent economy powered by a new cryptocurrency called VERA. Our goal is to liberate creators and online publishers whilst improving the viewer experience for video. Verasity's protocols will be used across the web integrating video delivery and instant micropayments using VERA all backed with trusted and transparent Proof of View™ Blockchain technology. Key Features include: Instant Transactions – using VERA, a high-performance commercial utility token (capable of thousands of transactions per second) built within the player, disbursing payments between Creators, Viewers and Advertiser in near real-time Proof-of-View™ – Accurate, transparent and audit-able audience metrics (anti-fake-view) – patent pending technology Spark Marketplace – Smart contract based system allows Creators to fund their channel development. Users receive a portion of a channel's revenue while they hold a live smart contract


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We are back again with the latest Teatime Results for today. The draw takes place at 7:49 PM (SAST time) every day of the week, designed to suit you! Simply match all of your selected numbers with each lottery draw to find out how much your winnings are. Good Luck 49's!
UK49s Teatime Winning Numbers
Below you will find the latest results for the UK49s Teatime Draw. We update results every day of the week. We show the results live on this page and don't forget to bookmark this page to stay up to date on the latest results.
More about Uk49s Teatime Draw
UK49s one of the most popular lottos which South Africans love to play has two draws a day, 7 days a week. The Teatime draw is the second draw of the day. The first draw is known as the Lunchtime Draw. Tickets can either be purchased online from reputable sellers or locally from betting houses.
Teatime results are released at either 6:49 PM or 7:49 PM, depending on the United Kindom Daylight savings time which occurs from 28 March to 31 October each year.
Teatime Number Generator
Need some fresh ideas for your next Teatime results today? Our Number Generator is totally random and luck could be on your side, although we don't guarantee any results.
But who knows it might just help you with some fresh number picks that you never thought about. You Can find the Teatime Number generator Here.
How to Play Uk49s Teatime Lotto
Simply bet on a minimum of one to a maximum of five numbers. You decide if you wish to include the Booster Ball in your wager. You have to select a minimum of one number and a maximum of five numbers between 1 and 49.
The options are known as Pick 1, Pick 2, Pick 3, Pick 4, and Pick 5 and you can either choose your own numbers yourself or ask for a Lucky Dip and they will be picked randomly for you. You can enter up to seven days in a row and since there is no fixed stake, you can decide how much you would like to wager.
In order to win, you must match all the numbers you select. This means that there is no prize for picking four numbers and matching three of them, you must match all four. Winnings will be paid out in accordance with the individual bookmaker's prize rules, which will be based on the odds and the size of your stake.
For more information about stats, hot and cold balls, and history results, visit the https://uk49slatestresults.co.za/ website and stay up-to-date with the latest information.
UK49s Teatime FAQ
[helpie_faq group_id='60'/]


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Steven Spielberg -- Welcome ... to JURASSIC YACHT
Steven Spielberg Welcome ... TO JURASSIC YACHT!
Steven Spielberg doesn't do anything low budget ... especially when it comes to boating ... 'cause his private yacht is FRICKIN' ENORMOUS!!!
The Oscar winning director's $200 MILLION ocean vessel was spotted in Fort Lauderdale this week ... dwarfing everything else in the water.
The ridiculous craft -- named the Seven Seas -- comes loaded with amazing features like an infinity pool, 15-foot movie screen, gym, spa and even a helipad.
Plus, it sleeps 12 guests and 26 crew members and can reportedly be rented out for $1.3 million per week.
Fun Fact -- the yacht measures 282 feet in length ... so, you probably won't need a bigger boat after all.


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You Got The Love Leopard Print
Regular price £4.00 Sale price
Printed on 175gsm White Premium Thick Card.
Brightly coloured Inkjet matte finish print.
Available in sizes A5 & A4.
Frame not included.
Packaged in flat hardback envelope to prevent damage during shipping handling.
Please note that colours shown may differ due to monitor settings.
All prints are made to order so please allow 5-10 working days for production.


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In 2009 the San Francisco police arrested Lily Haskell when she allegedly attempted to come to the aid of a companion who had already been taken into custody during a peace demonstration. The authorities released her quickly, without pressing charges. But a little piece of Haskell remained behind in their database.
Haskell is one of hundreds of thousands who have had their DNA extracted as part of an enormous expansion of what were once categorized as criminal data banks. Police in about 25 states and federal agents are now empowered to take a DNA sample after arresting, and before charging, someone. This practice occurs even though many of those in custody are never found guilty. If they are cleared, their DNA stays downtown, and they must undergo a cumbersome procedure to clear their genetic records.
Courts nationwide are now wrestling with the civil-liberties implications. Some have held that the practice violates the Fourth Amendment protection against "unreasonable searches and seizures." Other courts, including one that heard a legal challenge brought by Haskell, have agreed with law-enforcement officials that lifting DNA is no different from taking a fingerprint, an established routine even for those not convicted. Ultimately the U.S. Supreme Court will probably decide this matter.
The ability of DNA technologies to match a tiny sliver of tissue left at a crime scene to a suspect gives them an undeniable allure to law enforcement. For critics, the unreasonableness of this "search" relates to the information-rich nature of DNA. It does more than just ID people. It also has the potential to furnish details about appearance, disease risk and behavioral traits. The laws establishing DNA databases attempt to guard privacy by limiting inspection to only 13 relatively short stretches of DNA among the billions of "letters" of code that make up the genome. Yet that protection may not be enough. Once those 13 markers are extracted, law-enforcement agencies continue to store the larger biological sample. Civil-liberties organizations worry that officials may eventually mine these samples for personal details or make them available for medical research without consent.
New genetic technologies are opening up possibilities that did not arise when the samples were first collected. For instance, a technique called familial searching can match DNA from the crime to someone in the database who is not a suspect but possibly a close relative of one—the database hit would be a near but not identical match to the DNA at the crime scene. The police would then have a whole new set of potential leads who would come under scrutiny as possible perps.
Although this process may nab criminals who would otherwise elude capture, it may also ensnare the innocent. Most of the possible leads produced by searches in partial database matches will have done nothing wrong. These persons of interest are likely to be concentrated in minority communities whose denizens represent a disproportionate fraction of the databases. Moreover, the seeming infallibility of DNA may prompt police to place too much reliance on familial search methods instead of considering nongenetic evidence that may steer an investigation toward other leads, notes New York University School of Law professor Erin Murphy.
The need is acute for legislative safeguards that protect privacy while also allowing police to solve crimes using these powerful tools. DNA samples should not be taken until a suspect is convicted, and even then the original DNA sample should be destroyed once the relevant markers are in the computer to guard against any future temptation to delve into someone's private life. Finally, familial searches should be undertaken only as a last resort after other investigative leads have been tried—an approach that California has adopted and that other states should follow.
DNA is not just a technological progression from fingerprinting. It is qualitatively different. As such, it needs to be treated as more than a mere formality of a police booking procedure.


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Bear River
|Battle Name:
|Bear River
|Other Names:
|Massacre at Boa Ogoi
|Franklin County
|Expedition from Camp Douglas, Utah Territory, to Cache Valley, Idaho Territory (1863)
|January 29, 1863
|Principal Commanders:
|Col. Patrick Edward Connor [US]; Chief Bear Hunter [I]
|Forces Engaged:
|District of Utah [US]; Shoshoni Indians [I]
|Estimated Casualties:
|451 total (US 67; I 384)
|Shoshoni raids under Chief Bear Hunter during the winter of 1862-63 provoked Federal retaliation. Troops under Col. Patrick E. Connor set out from Ft. Douglas, Utah, in the deep snow of January 1863 towards Chief Bear Hunter's camp, 120 miles north near present-day Preston, Idaho. The Native American camp included about 300 Shoshoni warriors defensively placed in the Battle Creek ravine west of Bear River with high embankments in which the Indians had cut access trails. Shortly after dawn on January 29, Connor's troops appeared across the river and began crossing. Before all of the men had crossed and Connor had arrived, some troops made an unsuccessful frontal attack which the Indians easily repulsed inflicting numerous casualties. When Connor took over, he sent troops to where the ravine debouched through the bluffs. Some of these men covered the mouth of the ravine to prevent any escape while others moved down the rims, firing on the Indians below. This fire killed many of the warriors, but some attempted to escape by swimming the icy river where other troops shot them. The battle stopped by mid-morning. The troopers had killed most of the warriors plus a number of women, children and old men - and captured many of the women and children.
|Union victory (massacre)


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Let us explore bit further how Nick is helping others and what he thinks about innovation coming out of Australia. This is what Nick has to say in his interview with me.
• Please tell us about yourself, your background and interests?
I am the CEO and Founder of Blue Cove Ventures. Blue Cove was established in 2007. I have a strong heritage in IT Investments and has a long track record of helping to build and grow software and web companies. Prior to founding Blue Cove Ventures he was co-founder of the blog marketing company behind Zookoda. In March 2007 Zookoda was sold to PayPerPost Inc. the leading marketplace for Consumer Generated Advertising.
From 2002-2004 I was Director - Asia/ Pacific for Wily Technology - Wily Technology provided performance monitoring and management solutions for enterprise java applications. I established their presence in the Pacific and helped them to identify, evaluate, mentor and manage their partners in Japan, Korea and Australia. Wily Technology was sold to CA (NYSE: CA) for US$375M in Jan 2006.
In 2001-2002 I was VP Strategy for Soulmates Technology. This company provided multi-lingual, multi-currency private-label ASP dating solution for MSN. I was instrumental in engineering a trade sale for Soulmates to Interactive Corporation (NASDAQ: IACI) the owner of Match.com for US$24M in April 2002.
From 1997-2001 I was Director - Asia / Pacific for Allaire (now owned by ADBE - NASDAQ: ADBE). I was responsible for establishing distribution for Allaire throughout the Pacific. During my tenure Allaire grew globally from US$9M in Revenue (1997) to over US$100M in 2001. In 1998 I participated in Allaire's successful IPO on NASDAQ.
From 1993-1996 I was based in Hong Kong as Director - Asia for Claris Corporation (owned by Apple Computer and now called FileMaker, Inc.). Once again I was responsible for the establishment of Claris' distributor and channel network in the region.
Over the last 10 years I have invested in 7 companies as a private Angel investor. Two have been exited via successful trade sales (Soulmates and Zookoda), two got the bullet, and three are still travelling really well.
• Please tell us about your venture firm /company?
Blue Cove Ventures invests in innovation focusing on early stage opportunities. We love web, mobile and software opportunities and invest in entrepreneurs who have great, commercially viable ideas with significant global potential. We like entrepreneurs with passion and persistence who go that extra mile to get the job done. In return our investees can expect Blue Cove to be a committed partner intimately involved with making their vision a commercial reality. We back companies in Sydney and Canberra – proximity matters!
• Who are the people behind this and how it started?
I am the founder of Blue Cove Ventures – we opened our doors in March 2007. Since 2004 I was a full-time angel investor. I wanted to place bigger bets and sought institutional backing. I have done business in Japan for a decade. My network in Japan introduced me to Hikari Asset Management (part of Hikari Tsushin). I hit it off with the head of Hikari Asset Management and he agreed to back me.
• How long you have you been working in this environment?
Ten years as an Angel investor and one year as a VC.
• What is the main objective/mission behind your venture?
Deliver high returns at reduced risk for early-stage investors in selected IT&C businesses
•Please tell us how does a VC work? Its one of those professions which seems like a black magic to others and sometimes don't understand what exactly they do?
VC is more of an art than a science. You have to kiss a lot of frogs hoping one of them will turn into a princess! In my first year I looked at 130 companies – we invested in 3 (two of which I have known for many years before I became a VC). Wikipedia has an excellent description of VC - in simple terms a VC invests cash in early stage companies in return for equity to assist that company to grow. The payback comes from when that company is sold (trade sale) or lists (IPO) at a valuation higher than when the VC invested (sounds simple doesn't it!!!!).
• What ways/models VC's get engaged with a business/startup?
My pipeline comes from a range of sources: network referrals, from incubators, from universities and CSIRO, from business mentors & trainers, from friends, from my website, at industry events.
• What sort of due diligence process is followed and what factors attracts a VC to be a part of a business?
I do first level screening over the phone or over a coffee. The vast majority of prospects are dropped at that point. If a prospect gets past first base I spend a lot of time on what I call "street" due diligence. I want to meet all the staff, meet customers, go on sales calls, talk to industry commentators, see the CEO present, trial the product. My number one criteria is PEOPLE. If the people behind the idea don't stack up it gets dropped at that point. I then look for customers. If an organisation is willing to pay money for a product it has validated the idea.
• What is an angel funding, seed money and other common terminologies used in this profession?
Rather than re-invent the wheel visit Wikipedia for:
• What is the investment process?
An entrepreneur registers their interest via email or on our website. If the idea passes the initial screening (reaches first base) the high level due diligence commences. If high level due diligence is ok low level DD begins documentation, technology, IP protection etc. – (reaches second base). A term sheet outlining valuation, $$'s to be invested, how and when the money is to be invested and the mutual obligations and expectations is then negotiated. Additional DD occurs throughout (reaches third base). Once the Term Sheet is signed, legals get written up and signed and the money invested and the share certificates issued (reaches home plate!).
• What stage would you invest in a company? And what do companies have to show before you're interested?
I like to invest in early expansion opportunities. I like to see an early prototype, with initial beachhead customers having bought the product. The companies need the investment to expand their business and enhance product development and accelerate revenues (sales and marketing resources). My investment criteria is as follows:
- Global potential and appeal
- Significant market opportunity
- Proximity to investment manager
- Credible management with a successful track record
- Realistic business model
- Unique and strong intellectual property
- Clear ownership of any IP
- Compelling value proposition
- Sustainable competitive barrier to entry
- Solid potential for revenue growth
- Rapid path to positive cash flows
- Expectation of steadily increasing equity valuation
- Clear exit strategy
- Multi-lingual
- Leverages open standards for application development
For investees I provide mentoring and strategic guidance
• What market segment verticals are you targeting?
Web or IT&C based
• How many ventures/companies are using your services?
I've looked at over 130 companies and invested in 3 (two announced – one in stealth).
• What sort of marketing you are using to spread the word for these portfolio companies?
Industry thought leaders, TechCrunch, ReadWriteWeb,
• How are you measuring the success of your portfolio? Are their any special mechanisms/tools are in place to monitor the progress?
The only success that matters is Internal Rate of Return (IRR).
• Which are the main competitors or major players in this segment, when it comes to Australia?
Other well respected VC's include:
Allen & Buckeridge
Innovation Capital
Starfish Ventures
Southern Cross
A broader list of Australian VC's can be found here
• How often do you catch up with others trying similar things and where do you catch up? Do you have dedicated communities in your city?
The main national conference for VC's is the Australian Venture Capital and Private Equity Conference - other regional VC events are run by Slattery IT - (dates for 2008 not ye published)
I also attend Angel investing events, my local group is called Capital Angels – a national association for Angels has been created.
• What's your thought on being a VC? How tough it is to be involved in a venture as a VC in Australia?
I love it! Having run territories for three American Software start-ups over the last 2 decades being a VC is a breeze in comparison. Having said that – you are only as good as your investments – you need a strong and consistent track record of picking winners to have longevity in this space.
• What do you think of new ventures and innovation coming out of Australia?
I frequently travel the world. Australia has great ideas, expert entrepreneurs and the ability to have global winners. We can match it with most other markets. What we lack is the management experience to take technologies global successfully – I'd love to see more seasoned international executives return home and take on the challenge of growing early stage companies into world beaters.
• We recently interviewed owners of 35 new/mature tech startups and all of them have said that raising money in general via a VC is very tough in Australia? Why is that so?
The attrition rate for VC's on average is 99% (1% get to 'yes'). If you listen to VC's you will hear – we lack good quality deals! Whose right?
• Do you think VC's in Australia are more conservative in their approach and don't take many risks in technology based business?
• How does Australian VC industry compare to the one in the US?
The US one is older and more established – their networks are deeper, more relevant and conveniently located
• Any new ventures you think are worth keeping an eye on?
I really like Mycosm (from Simmersion – a company we backed in Jan 2008). They are launching a platform for building 3D Virtual Worlds – when they came out of stealth @ Virtual Worlds New York earlier this month they got very positive feedback from industry commentators.
• Do you think we can create a new Google in Australia?
• Which city in Australia is more vibrant and can be regarded as Silicon Valley of Australia?
I only invest in companies located in Sydney and Canberra. Both have their hidden gems! My peers rave about the quality of companies out of Melbourne
• What do you think of our TAFE/Universities and their curriculum in terms of promoting and encouraging entrepreneurship and innovation?
There are very good programmes in place but I would like to see more focus on entrepreneurship.
• What do you think government (federal and state) should do to improve the culture of innovation and software industry?
AusIndustry has a broad range of programmes and grants to assist early stage companies. Their people are knowledgeable, professional and supportive. I'd really like to see more focus on lowering Capital Gains Tax to really recognise the high risk of early stage investing (for individuals) and to reward that risk.
• What government resources have you used to help your business? And have they made an impact?
All of the AusIndustry progammes
• Have you sought any funding/help from govt or other sources?
Yes – Commercial Ready from AusIndustry
• Would you move your portfolio companies to another country, and if so, for what reasons?
Yes – probably to the US as I invest in technology companies and the US is still the hub of all global technology innovation
• At the 2020 conference, PM Kevin Rudd is meeting with top 1000 people from different background to discuss and collaborate on the issues facing the nation. What issues would you like to raise if you are given a opportunity to attend?
Lowering CGT!
• How a new venture should approach to a VC?
Email me on firstname.lastname@example.com – I reply to all emails
• Do you have any advice for people who want to start their venture?
Find an experienced mentor
Thanks Nick for sharing your thoughts. We look forward to hearing from you in future on the progress of Blue Cove Ventures. All the best for future.
For coverage on other Australian startups, innovation, tech trends check this out and our coverage on interviews can be found here


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NEW YORK, Feb 14, 2008 / FW/ — Black, red and white, Zang Toi's Fall 2008 / Winter 2009 collection is a statement of discreet luxury, something that the New York-based designer had already perfected, yet raised it to another level this season. The result, a very elegant collection that is delicate and tactful.
With talks of recession in Wall Street, New York designers put a united front to against the economic downturn, sending out collections that are coherent and strong. Zang Toi, who is on the spearhead of this movement, added directional to the list with creations that feature his signature style with a very focused theme.
Zang Toi actually presented two collections, his eponymous label and House of Toi, his more youthful secondary line. Because the collections are so focused, you have to be a big Zang Toi fan to know the difference. And because of the blurring of the line between the two lines, it also shows growth for both of them.
House of Toi was created to cater to a younger clientele, who are more avant-garde and more fashion-forward than Zang Toi's core clientele. Yet, after several seasons, the clients of House of Toi and the main line Zang Toi have started to merge, proving that the New York-based designer truly understands his clientele and has his finger on their pulse.
The main line 'Zang Toi' and 'House of Toi' are beginning to merge their client base though both lines are still very different from each other. The reason, though in the beginning, the target clients were different and actually widened Zang Toi's reach, the directional growth of both lines as envisioned by the designer Zang Toi have created a subset.
To understand this, think of two different circles that were far apart in the beginning, the circles being the client base for each line. As designer Zang Toi developed the two labels on a very directional path, these two circles moved slowly towards each other, that now, parts of the circles are overlapping. That overlap is the subset of clients that the two lines share.
And somehow, it is very easy to understand why. Case in point, the all black mini dress and black tights paired with a floor-length white winter coat trimmed with fur. It's edgy and sportive, yet very elegant at the same time. What's not to like about it? Nothing really. You just fall in love with it.
Then, there is the all black floor length frock that looked very simple in the front with only the collar in sparkling Swarovski crystals as the only adornment. The surprise is when the model turned around – it's a low-back gown with a latticework of Swarovski crystal covering the bare back that reaches until the waistline.
Just between these two, it is really hard to make a choice, the first one being House of Toi, while the second choice is from the main line Zang Toi.
Photos courtesy of Mercedes-Benz Fashion Week


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Another break from the artwork of Mike Whittlesea in order to take a look at a couple of other artists' contributions, namely C. L. Doughty, still very active in the late 1970s despite reaching retirement age, and Oliver Frey, whose finest contribution to Speed & Power was a comic strip – the fabulous 'S.O.S. International' – which ran for seven months in 1975.
Wednesday, December 31, 2014
Tuesday, December 30, 2014
Speed & Power (part 8)
Monday, December 29, 2014
Speed & Power (part 7)
Sunday, December 28, 2014
Speed & Power (part 6)
For anyone still following our trip through Speed & Power's science fiction reprints, not all were illustrated by Michael Whittlesea. Today's examples are by Graham Coton. Back to Mike Whittlesea tomorrow.
Saturday, December 27, 2014
Mike Whittlesea
Whittlesea was a regular book cover artist in the 1960s and 1970s working for Heinemann, Newnes, Young World, Macdonald and Oxford University Press amongst others. He was one of the artists who illustrated Malcolm Saville's stories, beginning with Dark Danger (Heinemann, 1965) before going on to illustrate a number of Lone Pine adventures for Newnes and Merlin.
He was a regular contributor to World of Wonder and Speed and Power in the 1970s, for the latter producing a series of stunning paintings based on the science fiction stories of Arthur C. Clarke and Isaac Asimov in 1974-75. In the early 1980s, he illustrated the Make Science Magic series for Purnell.
Although he was painting whilst working commercially, he did not begin exhibiting until 1985 when his work appeared in the Royal Academy Summer Exhibition. In that same year he was elected a member of both the Royal Society of Painters in Watercolour and the New English Art Club, and won the Painter Stainers Award. In 1989 he was Ken Howard's Artist of Choice for an exhibition at the Art's Club, Dover Street, London and Tom Coates' Choice at the Mall Gallery in 1991. In 1991 he was a prize-winner at the Singer/Friedland/Sunday Times Watercolour Exhibition, where he had been selected on a number of occasions. In 1998 he was commissioned to paint the Wimbledon Lawn Tennis Championship.
Many further exhibitions have followed at the Royal Academy, Bankside Gallery, Mall Gallery, Langham Fine Art, Alresford Gallery, Royal West of England Academy, Royal College of Art, Chelsea Arts Club, Richard Hagen Gallery, Lennox Gallery and RONA Gallery.
In 2002, he won the Jans Ondaatje Rolls Award for Drawing at the NEAC Exhibition at the Mall Galleries, London.
Whittlesea has also written two books: The Complete Book of Drawing (Michael Beazley, 1983; reprinted in 1992 as The Complete Step-by-Step Drawing Course) and The Complete Watercolour Course (Windward, 1987; reprinted in 1992 as The Complete Step-by-Step Watercolour Course).
He has said of his work: "I use oil or watercolours for painting and pastels and charcoal to draw. I work on primed canvas or good watercolour paper using a variety of hog hair and sable brushes. I have a very traditional way of working. I often work on 6 or more paintings at a time and I draw regularly and work from paintings. Drawings can be around for years before I think of using them in a painting...
"I still find painting a very difficult activity. Its unpredictable. At the start of each day. I am not sure that anything good will result and I have given up on achieving a style. Whatever develop, happens. There is no clear idea or vision of how a picture will look."
In 2010, his work was chosen to be part of an exhibition to mark the 300th anniversary of St. Pauls.
Friday, December 26, 2014
Speed & Power (part 5)
Thursday, December 25, 2014
Speed & Power (part 4)
Wednesday, December 24, 2014
Speed & Power (part 3)
Tuesday, December 23, 2014
Speed & Power (part 2)
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Streaming Your Desktop With Audio And Webcam Overlay In A Browser Using ffmpeg, crtmpserver And Flowplayer
1 Preliminary note
This tutorial is based on Ubuntu Lucid, but will work on later releases as well with small changes. I will show how I stream my desktop with audio from pulse and webcam from video4linux2. I will also show how to configure crtmpserver and flowplayer so you can watch the live stream from a web browser. In this scenario I use separate host for the tools. Flowplayer is installed on a server running Apache, crtmp server is on a separate server and ffmpeg is installed on the streaming desktop.
2 Tools used
This is the audio and video encoder. I will use this to capture the desktop with x11grab, audio from pulse and webcam from video4linux2. The codecs used in this tutorial is libx264 for video and libfaac for audio. The formal is flv and the output is a tcp unicast to the rtmp server. ffmpeg has great documentation, which can be found here.
crtmpserver will use the flvplayback function to feed flowplayer the livestream. Documentation can be found here.
This is an open source flash player. We will use this to play the rtmp live stream in a browser. An alternative is JW Player, but I stuck with Flowplayer because of the great documentation found here.
3 Installation
You could either install ffmpeg from repository or compile it from source. I highly recommend compiling it from source as the package in ubuntu repository does not include all the features. In fact I believe you wont be able to use this guide if you use the one from repository. I will not include the installation guide here because there is a very nice guide on ffmpegs website. Remember to follow the guide for the distro you are using. I'm linking the Ubuntu 10.04 guide here.
Again this is already documented so I will not include the installation guide here. Follow the instructions described here.
This is not really installed. You can choose to link to the player from flowplayer's website, or download it to you webserver and link to the path you place it. I recommend you download the player. For this guide you will need the flowplayer, the api, the rtmp plugin and jquery. For the player and the api look here. The rtmp plugin is found here, for Jquery look here.
4 Configuration
I wish to explain how each of the options I use work so that you get a better understanding to how ffmpeg works, and also make it easier for you to adapt it to your own need. I will first show the entire command, then go into the options in more details
ffmpeg -f alsa -i pulse -f x11grab -s 1680x1050 -r 30 -i :0.0+0,0 -vf "movie=/dev/video0:f=video4linux2, scale=240:-1, fps, setpts=PTS-STARTPTS [movie]; [in][movie] overlay=main_w-overlay_w-2:main_h-overlay_h-2 [out]" -vcodec libx264 -crf 20 -preset veryfast -minrate 150k -maxrate 500k -s 960x540 -acodec libfaac -ar 44100 -ab 96000 -threads 0 -f flv - | tee name.flv | ffmpeg -i - -codec copy -f flv -metadata streamName=livestream tcp://x.x.y.y:1234
As you can see it looks quite daunting at first glance, but don't worry, I will explain what everything does to the best of my extent, and also provide links with further documentation.
The ffmpeg syntax goes like this:
ffmpeg "input-option" "input" "output options" "output"
Lets start with the first input pulse and its option:
-f alsa -i pulse
For more information on using alsa with ffmpeg look here.
Here we use alsa as the the format, and pulse as input. This will grab audio from whatever source is active at the moment. If you install Pulse Volume Controller, you can easily change the source by clicking the recording tab and select what source you want to use.
So far so easy. The next input we have is our desktop:
-f x11grab -s 1680x1050 -r 30 -i :0.0+0,0
For more information on x11grab look here.
We select x11grab as the format with "-f x11grab". Then we decide how large a portion of the display to grab with "-s 1680x1050". Third we tell ffmpeg to force 30 frames per second with "-r 30", and lastly we select the input, which is the 0.0 display starting at position 0,0 (top left corner)
Next we will place the webcam as an overlay on top of the desktop. To do this we use the feature avfilter. This is a very powerfull tool and i will not go to much into detail on it. You can find all the documentation you need here.
-vf "movie=/dev/video0:f=video4linux2, scale=240:-1, fps, setpts=PTS-STARTPTS [movie]; [in][movie] overlay=main_w-overlay_w-2:main_h-overlay_h-2 [out]"
The options for -vf is enclosed in double quotes. First we set a name for the input to be used, in this case "movie". This is just a name, and you can choose whatever you want. The name is then defined with an input, in our case the webcam.
Next option is used to scale the input down to a certain size. I use -1 to keep the original aspect ratio of the input, and set the width to 240 pixels.
I use the option fps to force a constant bitrate. I did this because I had issued with the webcam lagging behind the desktop causing it to be out of sync. It might not be necessary, but I have it there to be safe.
The last option is used to set the presentation timestamp on the input, starting with 0.
This concludes the input options, and we close it of with [movie]; followed by [in][movie]
Here we place the actual overlay settings.
overlay=main_w-overlay_w-2:main_h-overlay_h-2 [out]"
This places the input as an overlay 2 pixels from the bottom right, and 2 pixels from bottom. We close it off with [out]
For more information on how the overlay works, look here.
We are done with all the input stuff, lets look at how we encode it.
I use libx264 for the video codec and libfaac for the audio codec.
-vcodec libx264 -crf 20 -preset veryfast -minrate 150k -maxrate 500k -s 960x540
As mentioned libx264 is my video codec of choice. "-crf 20" is the ratecontrol method, attemping to give a constant quality.
"-preset veryfast" is a one set of configuration, if you want to know more about it take a look here.
"-s 960x540" will set the output resolution. Increasing it will give better quality, but also increase the bitrate and use more CPU to encode.
I try to limit the bitrate between 150kb/s and 500kb/s. It will still go over the maxrate if it needs it, but it will prevent huge spikes
-acodec libfaac -ar 44100 -ab 96000
For audio I set the frequency to 44100 and the bitrate to 96k. This gives me good enough quality and require less bandwidth and cpu.
"-threads 0" is an option to make use of all your CPUs. I believe its on by default, but it doesnt hurt to have it there
Now you could choose your output format and output and be done. Unfortunetly for me I had to make a dirty workaround to be able to record the session at the same time I'm streaming. The reason I can't just use a second output is that it will not include the avfilter since this applied only to the first output, and needs to be added to the second output as well. This won't work because /dev/video0 is being used by the first output (Device busy)
Therfore instead of outputting it as I normally would I output it to standard out, use tee to grab everything and place it on a file, then start a second ffmpeg session that use standard out as input, copies the encoding and outputs it to the rtmp server.
If you don't need to record at the same time, just finish the command like this:
-f flv -metadata streamName=livestream tcp://x.x.y.y:1234
I use flv as the output format, since we will be using flvplayback on the rtmp server. "-metadata streamName=livestream" sets the name for the livestream. If we don't give it a name here, crtmpserver will choose a random name, making it hard for us to specify the stream in flowplayer.
Replace x.x.y.y with your crtmpserver ip adress and port number. I use 1234, you can use whatever you want really.
If you do indeed need to record, and don't find a more elegant solution (please let me know if you do!) you need to be aware that when you close ffmpeg, it will make the name.flv file unseekable. No worries though, its an easy fix. Here's how I do it:
ffmpeg -i name.flv -codec copy -f mp4 name.mp4
This places everything in a new container, and when we are about it why not place it in something better than flv! It's now seekable, but unfortunately flowplayer will not be able to play the file before it is fully buffered. This is because the mp4 format places the moov atom at the end of the file
You can fix this using qt-faststart.
For this you need to have python installed.
Download qt-faststart with git:
git clone https://github.com/danielgtaylor/qtfaststart.git
To install use the setup.py script:
cd qtfaststart
python setup.py install
You can now use qtfaststart to move the moov atom to the beginning of the file like this:
qtfaststart input.mp4 output.mp4
This configuration is aiming at making a decent quality at low bit rate. For presentations and slide-shows, the bitrate is about 200 kb/s and the quality is very acceptable. When playing videos the bitrate goes up to 1 mb/s. You can off course change these settings to fit your needs
This concludes the ffmpeg configuration.
When compiled navigate to /crtmpserver/builders/cmake/crtmpserver
You need to edit crtmpserver.lua.
Find the part "description="FLV Playback Sample", under it is the acceptors you need to edit.
{ ip="0.0.0.0", port=1234, protocol="inboundLiveFlv", waitForMetadata=true, },
Insert this in the acceptor field, or edit the one already there. The important thing here it to specify the same port you are using in ffmpeg.
When done you can start the crtmpserver. Do this from the cmake folder.
cd ..
./crtmpserver/crtmpserver ./crtmpserver/crtmpserver.lua
If you get errors something is most likely wrong with the configuration file. If not you will be placed in the console.
More information here.
That concludes the crtmpserver configuration.
This can also be tricky, but luckily there are good documentation on the flowplayer site. I'll only explain how to embed the player and use the rtmp plugin.
First off you need to add the path to flowplayer in the head:

I place the path to Jquery in the body:

I have a class called player with some fancy option to make it look a bit cooler.

I'm not going into detail of the class i'm using, you can make your own class if you want to. The flowplayer needs to be inside a class because it uses the width and heigth, without it you wont see it.
Now for the actual flowplayer configuration. The script must not be within a div that has html inside it, so to be safe just place it in the body.

Some important things here.
$f("stream", "flowplayer/flowplayer-3.2.11.swf", {
This defines the player, "stream" is the id we use to link it to a div class later on.
After this comes the configuration, there are four sections, but you only need clip and plugins.
In "play" I remove the buffer and play icon inside the player screen, as it's not really nessesary for a live stream.
In "clip" I set the url to livestream, this is the metadata we used in ffmpeg. I tell Flowplayer its a live stream with "live: true,", make the stream automatically start with "autoPlay: true,". The "provider: 'influxis'," is refered in the plugin section.
In "canvas" I set a background image so people will understand when the stream is offline
In "plugins" under the provider influxis i set the path to the rtmp plugin with "url". The "netConnectionUrl" tells where our rtmp server is. Remeber to include /flvplayback so that crtmpserver knows were to look for the stream!
Now we can embed this in a div some place, or just in body like this:

Notice that I use the id="stream" here to link it up to the script we made earlier. It also uses the class player we made.
Now you should be able to start your ffmpeg command and watch the stream in your browser.
This tutorial became a bit longer that I expected, but I hope it will help somebody out there. Please let me know if you find something I did wrong, or if there are something that can be improved upon. Thanks for reading!


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The Birthday Monkey
Special Containment Procedures
SCP-983 is completely safe so long as technicians handling it do so on any day other than their birthday. Should SCP-983 be presented to or handled by any individual on the yearly anniversary of their birth, they should immediately follow the sing-along guidelines contained in Emergency Kit 135r located next to the door to SCP-983's containment chamber.
In the event the targeted individual fails to meet sing-along requirements, their remains are to be disposed of through standard methods. In the event the targeted individual meets the sing-along requirements, the following pieces of data are to be collected: Age, Color of Candy collected, Singing Accuracy obtained by the best judgment of those present, and the number of verses that passed before acknowledgment by SCP-983.
No candy obtained from SCP-983 is to be consumed by any staff without senior staff-approved containment procedures in place and written waivers filed and stamped by the consumer. This requirement is waived in the case of Class-D candy testing.
SCP-983 is a vintage mechanical monkey with a faded date located on the bottom of the left foot, placing its manufacture at some point in the 1940s by an unknown person or company. The monkey is dressed in the remains of what used to be a popular vest design for circus ringmasters. In the monkey's left hand, there is a lightly tarnished brass bell. In the right hand, the monkey holds a small brass striking rod. The monkey is capable of emitting speech and sound, although examination of the object has revealed no seams, screws, or openings that would indicate a method of disassembly.
SCP-983 is completely harmless and inert under most circumstances and may be handled without special precautions so long as the handler is not experiencing the 24-hour period considered the anniversary of his birth. Once SCP-983 physically comes into contact with an individual on their birthday, it will spring to life and do a single back flip before raising its bell and singing a simple song.
This single verse will be followed by the monkey striking its bell producing a tone that varies in pitch from quite high to rather low. SCP-983's singing was found to vary slightly in pitch as well but maintained a very excited and happy tone.
SCP-983 will sing this song once every three to four seconds, pausing only to ring its bell, until the new owner has died or met the sing-along requirements, which as of yet are not completely understood but are believed to be based in timing the sing-along properly with SCP-983.
Each verse sung by SCP-983 appears to age the 'owner' of the item by what is estimated at one year. By singing along with SCP-983, the 'owner' may deactivate the monkey which, once done successfully, results in a triumphant declaration of 'BIRTHDAY!' from SCP-983, at which time it will ring its bell once and produce a single gumdrop-style candy from the bell.
The approach of singing along with SCP-983 has a direct impact on the color of the candy and the side effects of its consumption. Test groups instructed to follow Document 135r to the letter have verified that a perfect sing-along results in the production of crystal-clear candy with mildly luminescent qualities. A near-perfect sing-along produces the same candy minus the luminescence. Both of these candy types have been verified as restoring any age lost by the consumer due to SCP-983's song; however, the luminescent candy may also grant additional time and youth, though as of yet this theory is unproven due to the low production rate of this candy.
Due to the inconsistencies in attitude, tone, behavior, and approach when trying to match SCP-983's song, a wide variety of candies have been produced. Under absolutely no circumstances are black candies allowed to be consumed, although other colors may be consumed pending prior approval and containment arrangements.
The initial activation of SCP-983 was in a highly uncontrolled environment, so a 'retelling' is the best record available of the incident. Subsequent tests of interest in more controlled environments have been attached to this document as well as candy effects for those experiments.
|SCP-983 First Activation
SCP-983 was purchased from a local flea market intended as a gift for a monkey admirer as a joke. The seller of the monkey warned the purchaser that it was to be seen and never touched by anyone on the day of their birth, but was unable to give exact reasons why, stating it was a warning passed to them that was well observed and may have been 'Gypsy legend or some other bull████.'
Upon the birthday of SCP-983's intended new owner, the gift was unwrapped and the monkey handled, at which point it sprang into song. Staff attending the birthday party of their coworker were amused as was the recipient at first; however, witnesses state the recipient became more and more agitated the longer the monkey sang.
After ten estimated verses, the recipient tried to find a way to turn the device off, to no avail. Attendees state that at this time several persons noted streaks of silver within the recipient's hair. Following an estimated 8 to 10 more verses from SCP-983, the grey was quite pronounced as were signs of wrinkling or stress on the recipient's face. Within five more verses, the recipient returned the monkey to rest and complained of not having the strength to deal with this nonsense, pleading for someone to turn it off.
With SCP-983 not being fully realized as a potentially dangerous object, there was panic and sloth in the reactions of the attending staff, which led to SCP-983 being able to complete what can only be estimated at thirty or perhaps forty more verses before a containment crew could arrive at the party locale. By this point, the recipient had long since expired due to aging, leaving only a skeletal frame remaining in his chair with the skin clinging to it.
With confusion on how to approach SCP-983 safely, it was allowed to sing for roughly another minute before it ceased of its own accord, at which point nothing remained of the original recipient other than his purely skeletal remains. SCP-983's final verse consisted of the single word, "BIRTHDAY!", which it announced joyously before doing a single backflip and ringing its bell once. From the bell fell a single candy resembling a gumdrop pure black in color. This candy was never consumed and was described as being moderately entrancing, drawing a person's gaze into it until an outside source distracted them. With a number of individuals at the scene and the general chaos involving the incident, no single person was able to become too focused on the candy and it was safely contained.
|SCP-983 Controlled Activation #32
During test #32 regarding SCP-983 one test subject █████ ██████████ volunteered for testing as her birthday had approached and she displayed qualities unique in comparison to previous test subjects, specifically an exceptionally upbeat and excited approach to her birthday. █████ is referred to as 'the subject' for the remainder of this test.
Without explanation as to what to expect, the subject was given SCP-983 as a wrapped present with the prior warning that this object sings and it would make for a great birthday video if she were to sing along with it. The subject displayed glee and acceptance of SCP-983 as a suitable gift when it was unwrapped, and required no guidance in singing along with the object as it began.
The subject went above and beyond the singing requirements missing only the first verse to get the words and picking up immediately at the second then continuing for a total of forty-five (45) verses for a total of forty-six (46) completed.
During the singing process the subject displayed the expected aging process with each verse that passed, but displayed no loss of energy or enthusiasm in continuing the songs till their end. The subject remained completely unaware of her body's physical state throughout the experiment.
Upon completion of the final verse SCP-983 announced the finale as expected with stating 'BIRTHDAY!' loudly and performing a single backflip followed by a ringing of its bell. The candy produced from the bell was recorded as being a vibrant white color with vaguely luminescent properties. The subject noted it was the most beautiful confectionery that they had ever seen and observing staff also noted admiration for the gumdrop. In keeping with the control of the experiment the subject was allowed to consume the candy.
Upon finishing the candy and following a one-hour period of monitoring there was no indication that any side effect occurred from consumption. With the experiment about to be declared finished the subject asked to leave and was excused from the testing area, at which point she exploded with blinding light that damaged the cameras monitoring the experiment and left all attendees blind for five minutes following the burst. Assisting personnel who rushed to the scene described a faint lingering light that remained for at least two minutes in the place where the subject stood before it faded out.
The subject has not been located since this experiment and unusually high electromagnetic activity has been noted within the area that was used for testing. Replacement of light fixtures within this area has also risen approximately 70% from the norm throughout other areas of the facility; however, no decrease in lighting has been reported in any area affected by this anomaly.