text:
Finding Aid for the Book Artifacts Collection, circa 2345 B.C.-1993 A.D. (bulk circa 1510-1976)
Finding Aid for the Book Artifacts Collection, circa 2345 B.C.-1993 A.D. (bulk circa 1510-1976)
Collection number: BART 1The Bancroft Library
- Finding Aid Author(s):
- Regena Rosati
- Date Completed:
- August 2012
- Finding Aid Encoded By:
- GenX
Access Information
Removed or Separated Material
Scope and Content Note
The book : artifacts related to the development of writing and the production of books : register and index. 1986 E13.B23 R44 1986
The book : artifacts related to the development of writing and the production of books : register and index (Volume 1) 1986 E13.B23 R44 1986 v. 1
The book : artifacts related to the development of writing and the production of books : register and index (Volume 2) 1986 E13.B23 R44 1986 v. 2
The book : artifacts related to the development of writing and the production of books : register and index (Volume 3) 1986 E13.B23 R44 1986 v. 3
The book : artifacts related to the development of writing and the production of books : register and index (Volume 4) 1986 E13.B23 R44 1986 v. 4
Alphabets, Writing Materials, and Writings in Various Forms A5
Scope and Content Note
Alphabets: Letterforms A5A57
Baskerville slate (facsimile) A5A57, No. 1
Hermann Zapf plate: alphabet in rustic capitals A5A57, No. 2
Cuneiform Writing on Clay A5C53
Sumerian [ca. 2028 B.C.] A5C53, No. 1
Sumerian [ca. 2300-2100 B.C.] A5C53, No. 2
Sumerian [ca. 2033 B.C.] A5C53, No. 3
Sumerian [ca. 1860-1830 B.C.] A5C53, No. 4
Sumerian [ca. 2038-2030 B.C.] A5C53, No. 5
Ink A5I35
Iron gall ink (modern recreation) A5I35, No. 1
Book Curiosities: Microscopic and Miniature Books A5M53
Ostracon A5087
Demotic hierogylphic [Egyptian] inscription [75-100 B.C.] A5087, No. 1
Ostraca A5088
Varied Pieces A5088, No. 1-26
Papyrus A5P27
Fragments (for students to touch) A5P27, No. 1
Modern examples A5P27, No. 2-3
Parchment A5P28
Phylactery fragment A5P28, No. 1
Sample A5P28, No. 2
Pens A5P36
Goose quill A5P36, No. 1
Pen-holder and pen: red wood and steel-plated brass [188?] A5P36, No. 2
Pen-holder and pen: mother-of-pearl inlay A5P36, No. 3
President Coolidge Boulder Dam pen A5P36, No. 4
Seals A5S39
Scope and Content Note
Chinese [1910] A5S39, No. 1
Stone A5S86
Rune stone: Harald Bluetooth, ca. 950 A.D. (facsimile) A5S86, No. 1
Limestone fragment: [Egyptian] hieroglyphic inscription [ca. 2345-2330 B.C.] A5S86, No. 2
Vellum A5V35
Samples A5V35, No. 1-3
Wax A5W28
Roman tablet (facsimile) A5W28, No. 1
Wood A5W66
Mummy docket [ca. 200 B.C.-200 A.D.] A5W66, No. 1
Bookbinding Equipment: Case Binding B5
Scope and Content Note
[Case binding (miscellaneous)] B5C2
Cased book in component parts B5C2, No. 1
Case binding with unsewn signatures B5C2, No. 2
Cased book partially dissected to show details of construction B5C2, No. 3
Book in parts, with illustrations tipped-in B5C2, No. 4
Advance sheets folded and collated for publisher's approval B5C2, No. 5
Unbound signatures with prospectus B5C2, No. 6
Book ready for case B5C2, No. 7
Unbound signatures: Cowan's Bibliography of California B5C2, No. 8
Unbound signature: Grabhorn King Lear B5C2, No. 9
Cases: specimens B5C3
Embroidered B5C3, No. 1
Wood: carved B5C3, No. 2
Calf: tooled B5C3, No. 3
Cloth B5C3, No. 4
Calf: tooled B5C3, No. 5
Pigskin: Byzantine style B5C3, No. 6
Pigskin: blind stamp B5C3, No. 7
Calf: Mottled B5C3, No. 8
Bookbinders' dummies B5D8
Oregon Historical Society, Portland B5D8, No. 1
Cross, Ralph Herbert B5D8, No. 2
Shirk, David Lawson B5D8, No. 3
Cloth binding: title-label pasteup and press proof B5E2
Godfrey, Edward Settle B5E2, No. 1
Electrotypes, Bookbinder's B5E5
Tommasini, Amadee R. B5E5, No. 1
Merrymount Press Collection B5E5 M38
[Bookbinding equipment miscellaneous] B5E6
Brass Die B5E6, No. 1
Merrymount Press Collection B5E6 M38
Bookbinding Equipment: Hand Binding B6
Scope and Content Note
[Display of Hand Binding Process by Stella Patri] B6A5
Display Set: Stella Patri B6A5, No. 1-16
Gluing Equipment B6B24
Double iron glue pot B6B24, No. 1
Glue B6B24, No. 2
Patterns and examples of trial tooling B6D3
Patterns B6D3, No. 1
Patterns B6D3, No. 2
Trial tooling with black morocco B6D3, No. 3
Trial tooling on brown calf B6D3, No. 4
Trial tooling on blue morocco B6D3, No. 5
Trial tooling on blue morocco B6D3, No. 6
Forwarding and finishing equipment B6F5
Burnishing tools B6F51, No. 1-3
Gilding Material B6F512
Gilding Boards B6F513, No. 1-3
Letterforms (alphabets) mounted in handles B6F52, No. 1-8
Gouges (curved lines) mounted in handles B6F54, No. 1-5
Line pallets mounted in handles B6F55, No. 1-4
Numerals and punctuation marks mounted in handles B6F56, No. 1-8
Ornaments mounted in handles B6F57, No. 1-8
Merrymount Press B6F575, M1-M24
Fillets (rolls) mounted in handles B6F58, No. 1-5
Fillets (rolls) with special designs mounted in handles B6F582, No. 1-5
Handles B6F59, No. 1-37
Edging knives B6F61, No. 1-3
Paring knives B6F612, No. 1-3
Pointes B6F613, No. 1-3
Skiving blade mounted in Stanley holder B5F614, No. 1
Polishing irons B6F62, No. 1-2
Finishing boards B6F64, No. 1-2
Gas tooling stoves B6F65, No. 1-3
Polishing sheets B6F67, No. 1-9
Backing boards B6F71, No. 1
Hammers B6F73, No. 1-2
Binder's types in binder's cabinet B6F85
Lettering pallets B6F853, No. 1-6
Transfer materials B6F854, No. 1-3
Paring stones B6L5
Lithograph stone B6L5, No. 1
Lithograph stone B6L5, No. 2
Granite stone: rectangular, with bale handle B6L5, No. 3
Binder's materials B6M3
19th C. materials B6M32, No. 1-4
Leather samples B6M33, No. 1-22
Cover board samples B6M34, No. 1
Cloth sample books and price lists B6M35, No. 1-5
Mull (muslim) samples B6M355
Metal accesories: bosses, clasps, nails and brads B6M36, No. 1-5
Paper samples B6M37, No. 1-7
Marbled paper samples B6M372, No. 1-5
Dealers' sample booklets, marbled and decorated papers B6M374, No. 1-8
Binder's presses B6P7
Standing Press, French B6P7, No. 1
Nipping Press B6P7, No. 2
Lying Press, French B6P7, No. 3
Nipping press (small, homemade standing press) B6P7, No. 4
Pressing boards B6P71, No. 1-16
Ploughs and blades B6P72, No. 1-3
Extra Blades B6P721, No. 1-2
Cutting boards B6P73, No. 1-6
Pressing tins B6P74, No. 1-6
Trindles B6P77, No. 1-3
Weights B6P78, No. 1-10
[Miscellaneous sewing equipment] B6S3
Sewing frame B6S3, No. 1
Sewing supplies: threads, cords, tapes, and needles B6S35
Sewing stick B6S38
General equipment, tools and supplies B6T7
Mixing tray B6T7, No. 1
Cup: metal B6T7, No. 2
File: metal B6T7, No. 3
Metal polish B6T7, No. 4
Almond Oil B6T7, No. 5
Coconut Oil B6T7, No. 6
Gum arabic B6T7, No. 7
Punches B6T7, No. 8
Dye: red B6T7, No. 9
Straight edge: metal B6T7, No. 10
T-square: metal B6T7, No. 11
Design and Production of Books D4
Scope and Content Note
Peter Koch: Cheri archive D4K6
Introductory papers D4K6, No. 1
Character count D4K6, No. 2
Selecting paper and figuring quantity D4K6, No. 3
Title-page design D4K6, No. 4
Title design proofs D4K6, No. 5
Page design D4K6, No. 6
Printing procedures D4K6, No. 7
Binding D4K6, No. 8
Spine label D4K6, No. 9
Brochure D4K6, No. 10
Costs D4K6, No. 11
Format, Imposition, Register and Folding F6
Scope and Content Note
Imposition examples: printed sheets F67 G46-60
Additional Note
Early 19th C. printed sheet F67, No. 1
Folio: outer and inner forms in sixes F67 G46
Quarto: outer form F67 G47, No. 1
Quarto: outer form F67 G47, No. 2
Quarto: outer and inner forms with three varients. Unbound book: Pallsay, Bernard. A Delectable Garden F67 G47, No. 3
Quarto: outer and inner forms of two half-sheets worked together F67 G48
Quarto: outer and inner forms imposed for work-and-turn F67 G49
Octavo: outer and inner forms F67 G50, No. 1
Octavo: outer and inner forms with tipped-on end sheets F67 G50, No. 2
Octavo: outer form F67 G50, No. 3
Octavo: outer and inner forms, except last gathering, which has folio tipped-on end sheet. Dishbound book: Ruiz, Juan. The Book of Good Love F67 G50, No. 4
Sextodecimo: outer and inner forms of two half-sheets worked together before cutting F67 G60
Imposition examples: blank sheets F672, G1-G60
Additional Note
Broadside. Discussed in Gaskell, p. 81. [Not illustrated in Gaskell] F672 G1
Folio F672 G46, No. 1
Folio: three sheets of folio quired in sixes F672 G46, No. 2
Quarto F672 G47, No. 1
Quarto, quired. Discussed in Gaskell, p. 82 F672 G47, No. 2
Octavo, common. F672 G50, No. 1
Octavo, common. F672 G50 No. 2
Octavo, quired. Discussed in Gaskell, p. 82 F672 G50, No. 3
Octavo with cancels. Discussed in Gaskell, p. 134-135, 351 F672 G50, No. 4
Long duedecimo, folded F672 G54
Duedecimo, common, cut. F672 G55, No. 1
Duedecimo, common, cut. F672 G55, No. 2
Sextedecimo in two half-sheets worked together in two signatures F672 G60 No. 1
Sextedecimo in one sheet with one signature F672 G60, No. 2
Sextedecimo in two half-sheets worked together, cut and quired F672 Go 60, No. 3
Register F673
Signatures with faculty register F673, No. 1
Signatures F674
[Blank Signatures] F674
Folding tools F678
Brown plastic F678, No. 1
Bone F678, No. 2
Design, Decoration, and Illustration: Hand Illumination I4
Scope and Content Note
Early printed texts: sample pages I4A5
Book of Hours, France, ca. 1510 I4A5, No. 1
Design, Decoration, and Illustration: Intaglio and relief processes I5
Scope and Content Note
Dealers' catalogs I5A5
Boulevard du Montparnasse, by H. Calmels-paris XIV I5A5, No. 1
Reduced Prices on Tools of Craftsmanship, by Arthur A Crafts & Co., Inc I5A5, No. 2
Diamonds used in Tools, by Arthur A. Crafts & Co., Inc I5A5, No. 3
Price List Catalogue Supplement, by Arthur A. Crafts & Co. , Inc. I5A5, No. 4
Print Maker's Materials, Graphic Chemical & Ink Co. I5A5, No. 5
Printmaker's Materials, by Graphic Chemical Ink & Co. I5A5, No. 6
Etching Materials, by Graphic Chemical & Ink Co. I5A5, No. 7
Haddon's List of Litho Materials, by John Haddon & Co. I5A5, No. 8
Etching and Plate Printing Materials, Tools and C. by John Haddon & Co. I5A5, No. 9
310 Copper plates, by John Haddon & Co. I5A5, No. 10
Catalog Number 1 of Etcher's Materials, by Johnson-King Co. I5A5, No. 11
Abridged Artist's Nett Price List, by WIlfred C. Kimber I5A5, No. 12
The Etcher's Store, by Wilfred C. Kimber I5A5, No. 13
Price List of Second-Hand Copper Plate Presses, by Wilfred C. Kimber I5A5, No. 14
Arts Decoratifs, by Lefranc I5A5, No. 15
Sierra Brand Copper and Zinc, by Pacific Sheet and Copper Plate Co. I5A5, No. 16
Graphic Arts Equipment and Supplies, by Rembrandt Graphic Arts Co., Inc. I5A5, No. 17
Graphic Arts Equipment and Supplies, by Rembrandt Graphic Arts Co., Inc. I5A5, No. 18
Equipment I5A6
Various Instruments and tools I5A6, No. 1-27
[Miscellaneous supplies for intaglio and relief processes] I5A7
Supplies I5A7, No. 1-11
Brass engravings I5B6
Monogram printing plate I5B6, No. 1
Copperplate etchings, U.S. I5C6
Blank plates, commercially prepared I5C6, No. 1-5
Etched plate: landscape, unsigned I5C6, No. 6
Trial etching with ground I5C6, No. 7
Plates (chiefly for bookplates) designed and etched by Sheldon Cheney I5C6 C3, No. 1-14
Plates designed and etched by Roi Partridge I5C6 P2, No. 1-3
Copperplate drypoint, U.S. I5C7
Plate: head of unidentified woman, designed and executed by Sheldon Cheney I5C7, No. 1
Plate: country scene, designed and executed by Roi Partridge I5C7, No. 2
Copperplate engraving, U.S. I5C8
Plate: visiting card I5C8, No. 1
Plate: wedding invitation insertion I5C8, No. 2
Plate: bookplate, designed and engraved by Sheldon Cheney I5C8, No. 3
Linocut blocks, U.S. I5L48
Barton, Rick I5L48 B2, No. 1-94
Fabilli, Mary I5L48 F3, No. 1-18
Fowler, Mel I5L48 F7, No. 1-18
Grabhorn Press artist I5L48 G7, No. 1
Hoff, Lloyd I5L48 H6, No. 1
Luca, Mark I5L48 L8, No. 1-2
Quick, Robert I5L48 Q4, No. 1-5
Robertson, Mark I5L48 R72, No. 1-5
Thomas, Fredrick Folger, Jr. I5L48 T5, No. 1-5
War Relocation Center artist I5L48 W4, No. 1-5
Rubber engravings, U.S. I5R82
Evans, Patricia Healy I5R82 E8, No. 1-8
Fowler, Mel I5R82 F7, No. 1-13
Thomas, Fredrick Folger, Jr. I5R82 T5, No. 1-19
Purcell, William Gray, designer; F.F. Thomas, Jr. engraver I5R82 T5, No. 20-21
"Ti-Pi" rubber engraving tools I5R821, No. 1
Steel engravings, European I5S83
Plate: portrait of Joseph Steffens, engraved by John ? of Sheffield I5S83, No. 1
Steel engravings, U.S. 15S88
Die: Sutro Library stamp 15S88, No. 1
Monogram printing plate 15S88, No. 2
Dies: Kaiser Company 15S88, No. 3-10
Woodcut blocks, European I5W66
Illustration from Italian Edition of Vergil's Aeneid I5W66, No. 1
Woodcut blocks, Oriental I5W67
Text of Chinese classical examination, 1909 I5W67, No. 1
Illustration for Japanese novel, 19th century I5W67, No. 2
Block in Japanese style from Grabhorn shop I5W67, No. 3
Tibetan prayer board from Lama Temple, Peking I5W67, No. 4
Tibetan prayer board from Lhasa, Tibet I5W67, No. 5
Manchurian block used at Jehol for the sacred books of the Lamas I5W67, No. 6
Mongolian prayer board from Lama Gagen I5W67, No. 7
Kim, Hui-jui I5W67 K6, No. 1
Masanobu, Okamura I5W67 M2, No. 1-2
Shigemasa I5W67 S4, No. 1
Woodcut blocks, U.S. I5W68
Representation of an angel by an unknown artist I5W68, No. 1
Angelo, Valenti I5W68 A63, No. 1
Barton, Rick I5W68 B2, No. 1
Boynton, Ray I5W68 B6, No. 1
Dean, Mallette I5W68 D32, No. 1
Everson, William I5W68 E75, No. 1-7
Wood engravings, English I5W73
Bewick, Thomas (see also Merrymount Press Collection) I5W73 B38, No. 1-2
Catterson-Smith, Robert (Ashendene Dante) I5W73 C22, No. 1-43
Gere, Charles (Ashendene Dante, Malory, St. Francis) I5W73 G43, No. 1-40
Maynard, R.A. (First Home of the Ashendene Press) I5W73 M26, No. 1
Powell, Louise (Initial letters for Ashendene Don Quixote) I5W73 P52, No. 1-9
Wood engravings, French I5W74
Paneled pages, Renaissance style I5W74, No. 1-2
Initial letters, Renaissance style I5W74, No. 3-8
Book illustration: L'Impromptu de Conde I5W74, No. 9
Wood engravings, U.S. I5W78
Blank end-grain boxwood block I5W78, No. 1
Wood engraving preparation I5W78, No. 2-4
Adams, Tate I5W78 A32, No. 1-11
Berkeley Albion Press mark I5W78 C2, No. 1
Cheney, Sheldon I5W78 C3, No. 1-9
[Hopson, William Fowler] I5W78 H6, No. 1
Merrymount Press Collection I5W78 M38
Nahl, Charles Christian I5W78 N3, No. 1
San Francisco Call artists I5W78 S26, No. 1-3
Wood engravings, country unknown I5W80
Hart Collection I5W80 H37, No. 1-40
Zinc etchings, U.S. I5Z4
Hagedorn, Edward I5Z4 H24, No. 1-2
Zinc engravings, U.S. I5Z6
Trial engraving on photoengraver's plate I5Z6, No. 1
Design, Decoration and Illustration: Electrotyping and Stereotyping I52
Scope and Content Note
Electrotyping: procedural materials I52E4
Foundry photoengraving: "Micro-metal" (zinc) I52E4, No. 1a
Bakelite mold for color process printing: yellow I52E4, No. 1b
Foundry photoengraving: with removeable sections for two colors I52E4, No. 2
Bakelite mold for color process printing: blue I52E4, No. 3a
Bakelite mold for color process printing: red I52E4, No. 3b
Electrotypes I52E5
Berkeley Albion Press mark I52E5, No. 1
Sheldon and Maud Cheney bookplate I52E5, No. 2
Merrymount Press Collection I52E5 M38
Halftone plates: Tiffany windows honoring J.H. Nash I52E5 T4
Stereotypes I52P68
Halftone photoengravings with matrices (flongs) for newspaper portrait of unidentified man I52P683
Halftone plate cast from matrix (flong) for newspaper portrait of leaders of California Republican Party in 1906 I52P684
Stereotypes of wood engravings I52P685
Hart Collection I52P685 H37, No. 1-7
Design, Decoration, and Illustration: Photographic Processes I53
Scope and Content Note
Brass photoengravings I53B5
Advertising plates for Kaiser Company I53B5, No. 1-2
Copper photoengravings I53C6
Halftone portrait: Joseph Winfred Spenceley I53C6, No. 1
Halftone portrait: William Fowler Hopson I53C6, No. 2
Halftone manuscript page: Obregon's History of the 16th Century Explorations...,ed. by G.P. Hammond & A. Rey. Los Angeles: Wetzel, 1928 I53C6, No. 3
Halftones for four-color process printing of bird paintings by Andrew Jackson Grayson I53C6 G7, No. 1-60
Norman H. Strouse, Silverado Press Bookplates, by W. O. Holt I53C6 H4, No. 1-2
Merritt, Warren Chase I53C6 M4, No. 1-8
Portrait of Peter Stackpole by Diego Rivera I53C6 P6, No. 1
Norman H. Strouse, Silverado Press mark, by Leo Wyatt I53C6 W8, No. 1-3
Magnesium photoengravings I53M68
Blank plate I53M68, No. 1
Halftone illustrations: Harding, George. Charles A. Murdock. (Berkeley: Tamalpais Press, 1973) I53M68 M8, No. 1-7
Line and halftone illustration: Home and Vegetable Garden (U.C. Agricultural Extension Service Circular No. 26) I53M68 T46, No. 1
Photographic negatives I53N64
Negative for photoengraving or photo-offset plate I53N64, No. 1
Photogravure I53P54
Plate: Rouget de Lisle singing "La Marseillaise" I53P54, No. 1
Stone Lithography I53P55
Transfer stone I53P55, No. 1
Tools I53P55, No. 2-25
Zincography I53P56
Lithographic plate I53P56, No. 1
Photo-offset lithography (planography) I53P57
Photo-offset plate: railroad collision I53P57, No. 1
Negative and plate of stage set designed by Henry May I53P57 M2, No. 1-2
Zinc photoengravings I53Z4
Halftone: cuneiform tablet (BART A5C53 No. 1) I53Z4, No. 1
In line: map, Northwestern New Spain, 1583 I53Z4, No. 2
Halftone: Portrait of Robert Frost I53Z4, No. 3
1952-76 In line: drawings by Victor R. Anderson I53Z4 A52
In line: from proof to linocut by Rick Barton I53Z4 B2, No. 1
In line: bookplates designed by Sheldon Cheney I53Z4 C3, No. 1-10
In line: Crown Zellerbach Building I53Z4 C4, No. 1
In line: endpapers designed by Robert Eustachy I53Z4 E8, No. 1
In line: Stockton Boyhood drawings by C.E. Grunsky I53Z4 G86, No. 1-12
In line: Hart Collection I53Z4 H37, No. 1-2
In line: drawings by Lloyd Hoff I53Z4 H62, No. 1 and 1942-51
In line: Abe Martin caricatures by Frank McKinney Hubbard I53Z4 H82, No. 1-2
In line: portrait of William F. Knowland I53Z4 K5, No. 1
In line: drawings by Lois Lenski I53Z4 L35, No. 1-3
In line: pages from The Lark (with negative) I53Z4 M8, No. 1-2
Merrymount Press Collection I53Z4 M38
In line: John Henry Nash initials I53Z4 N27, No. 1
Halftone: Aerial view of Yosemite Valley I53Z4 035
In line: drawings by Joseph Paget-Fredricks I53Z4 P24 No. 1-3
In line: Christmas cards by Ernest C. Peixotto I53Z4 P37, No. 1-4
In line: Platen Press mark (Ted Freedman) I53Z4 P52, No. 1-3
In line: traditional Spanish images I53Z4 S3, No. 1-6
In line: "Lord Nelson and the Tar" by R.L. Stevenson I53Z4 S6, No. 1
In line: Aundo Press marks by WIlliam Gray Purcell and Fredrick Folger Thomas, Jr. (No. 11 Amateur Journals of the Past logo) I53Z4 T5, No. 1-11
In line: United Nations emblem I53Z4 U6, No. 1
White Labor League Boot & Shoe Makers logo I53Z4 W44, No. 1
Design, Decoration and Illustration: Photochemical processes I54
Scope and Content Note
Photopolymer printing plates for relief printing I54P52
"Scanagraph" plate: 80-line screen for newspaper illustration I54P52, No. 1
Design, Decoration, and Illustration: Prints, Proofs and Drawings I55
Scope and Content Note
Copper Engravings I55C6 G7
Four color proof: copper halftone photoengraving of a bird watercolor by Andrew Jackson Grayson I55C6 G7, No. 1
[Paste-up] I55D7 A7
Paste-up combining printed name "Alcuin Press" and original drawing of press mark of Frederick Folger Thomas, Jr. I55D7 A7, No. 1
[Drawing] I55D7 F7
Drawing of press mark for Henry Evan's Peregrine Press by Mel Fowler 155D7 F7, No. 1
[Letterpress] I55L2 C3
Bookplate designed by Sheldon Cheney and printed from zinc photoengraving in BART collection I55L2 G3, No. 1
[Letterpress] I55L2 G7
Progressive ink proofs: four-color halftone of printing of bird watercolor by Andrew Jackson Grayson I55L2 G7, No. 1-8
[Proof] I55L2 H37
Proof: routes to home of J.D. Hart I55L2 H37, No. 1
[Photo-offset proofs] I55 P37
Photo-offset proofs: dust jacket for San Francisco's Enchanted Palace I55 P37, No. 1-7
[Photo-offset proofs] I55 P57
Photo-offset proofs: stage sets by Henry May I55 P57, No. 1-2
[Proof: Orientalia] I55W67
Proof: Tibetan prayer board I55W67, No. 1
[Proofs: Orientalia] I55W67 M2
woodcut by Masanobu, 1693-1798. Proof on Japanese paper of woodcut of representation of Tenjin with pine and plus I55W67 M2, No. 1
woodcut by Masanobu, 1693-1798. Proof on Japanese paper of woodcut I55W67 M2, No. 2
[Proofs: Orientalia] I55W67 S4
Proof: woodcut by Shigemasa I55W67 S4, No. 1
[Proof] I55W68
Proof: "angel" woodcut by anonymous artist I55W68, No. 1
[Drawings and trial ink proofs] I55W68 Q4
Drawings and trial ink proofs: four-color printing of linocuts by Robert Quick I55W68 Q4, No. 1-42
[Proof] I55W68 R84
Proof: bookplate by Rudolph Ruzicka I55W68 R84, No. 1
[Proofs] I55W68 S3
Proofs: traditional Spanish images I55W68 S3, No. 1-6
[Proofs] I55W73 C22
Proofs: wood engravings by Robert Catterson-Smith for Ashendene Dante I55W73 C22, No. 3, 4, 13, 26, 28, 33, 35, 37, 38, 40, A1-A43
[Proofs] I55W73 G43
Proofs: wood engravings by C.M. Gere for Ashendene St. Francis, Morte Darthur I55W73 G43, No. 1-31, 33
[Proof] I55W78 N3
Proof: wood engraving by Charles Christian Nahl I55W78 N3, No. 1
[Proof] I55W78 S26
Proof: wood engraving for San Francisco Call masthead I55W78 S26, No. 1
Paper-making and Trade, Handmade Paper, and Machine-Made Paper P2
Scope and Content Note
Manual P23E5
Roger Levenson P23E5, No. 1
Machinery P23M4
Hollander beater P23M4, No. 1
Molds. Accessories P23M6
Laid paper mold (without deckle); 2 samples P23M6, No. 1
Wove paper mold (without deckle); 2 samples P23M6, No. 2
Laid paper mold with deckle; sample P23M6, No. 3
Deckle for No. 1 and No. 2 P23M6, No. 4
Wover paper mold without deckle P23M6, No. 5
Mold for patching paper P23M6, No. 6
Laid paper mold with deckle P23M6, No. 7
Couching tray P23M6, No. 8
Wove screens from Fourdrinier papermaking machine P23M62
Watermark: "Carnation Milk" P23M62, No. 1
Watermark: "Memorial Bond" P23M62, No. 2
Watermark: unidentified building P23M62, No. 3
Watermark: Great Seal of the State of California P23M62, No. 4
Watermark: "A K" on shield P23M62, No. 5
Section of felt from Foundrinier paper-making machine P23M62, No. 6
Supplies P23M8
Felts P23M8, No. 1
Blotters P23M8, No. 2
Paper samples: before 1800 P23S22
Laid paper: Holland, 1709 P23S22, No. 1
Laid paper: Holland, 1787 P23S22, No. 2
Paper samples: 1800-to-date P23S23
De Luxe Handmade Papers. Bergisch Gladbach, Germany: J.W. Zanders P23S23, No. 1
Wove handmade P23S23, No. 2
Tovil laid handmade. Maidstond, England: Barcham Green P23S23, No. 3
Laid handmade. Maidstone, England: Barcham Green P23S23, No. 4
Laid handmade. Maidstone, England: Barcham Green P23S23, No. 5
Wove rag (machine made) ledger bond: early 19th C. P23S23, No. 6
Japanese mending paper (2 pieces) P23S23, No. 7
Wove handmade, with unbeaten fibers added. San Francisco: Twinrocker Paper Mill, 1971-72 (Howard and Katherine Clark) P23S23, No. 8
Wove (machine made): Strathmore text P23S23, No. 9
Laid (machine made): Curtis Tweedweave text P23S23, No. 10
Magnolia Editions Stock paper. --Oakland, Calif.: "Magnolia Editions" P23S23, No. 11
"Making Paper from Mitnan" / by Joyce Schmidt and Meyer Bar-Ad. --Beer-Sheva, Israel: Visual Art Centre, 1980? P23S23, No. 12
Straw paper keepsake / by Joseph E. Brown. --Rochester, N.Y.: Rochester Institute of Technology, 1980 P23S23, No. 13
Tissue for the conservation and book arts trade / by Timothy D. Barrett.--Kalamazoo, Michigan: Kalamazoo Handmade Papers, 1980? P23S23, No. 14
"Making Paper by Hand in Korea" / by Yeong-Yon Kim. --Seoul, Korea: 1980 P23S23, No. 15
Price lists from Asao Shimura.--Ibaragi-Ken, Japan: Cannabis pressm 1980 [?] P23S23, No.16
Sample papers / by Elaine Koretsky.--Carriage house Handmade Paper Works, 1980 [?] P23S23, No. 17
Paper samples: dealers' booklets P23S24
European and Oriental Printing, Art and Parchment Papers. Andrews/Nelson/Whitehead P23S24, No. 1
3M Printing and Art Papers. Andrews/Nelson/Whitehead P23S24, No. 2
Hakone Colored Tissue. Andrews/Nelson/Whitehead P23S24, No. 3
Oriental Printing and Art Paper. Andrews/Nelson/Whitehead P23S24, No. 4
Fabriano Cover. Andrews/Nelson/Whitehead P23S24, No. 5
Paper samples: John Mason's Twelve by Eight Mill P23S25
Wove rag writing paper. Watermark: "John Mason" portrait in vignette P23S25, No. 1
Wove rag writing paper with a leaf integral with the sheet P23S25, No. 2
Wove paper with two leaves integral with the sheet P23S25, No. 3
Wove experimental printing papers, formed from man-made or synthetic fibers P23S25, No. 4-14
Paper samples: Van Gelder Zonen P23S28
Booklets P23S281
Stationary in various sizes P23S282
Full size sheets P23S283
Paper samples: watermarks (Countermarks not differentiated) P23W2
"John Henry Nash" (2), "VGZ" (2), Unicorn (2), in laid paper P23W2, No. 1
"VGZ" (2) "Hearst", "Nash", Unicorns (2), in laid paper P23W2, No. 2
"VGZ", Unicorn, in laid paper P23W2, No. 3
"JHN" (2), Unicorns (2) in laid paper P23W2, No. 4
"1885 Stork All linen" is a single sheet of all linen P23W2, No. 5
"John Henry Nash San Francisco," Greek fret in wove bond P23W2, No. 6a-6c
"JHN", "John Henry Nash" in laid bond P23W2, No. 7a-7d
"John Henry Nash" (2), "VGZ" (2), Unicorn (2), in laid paper P23W2, No. 8
"Libby Owens Ford Trademark" in wove tissue P23W2, No. 9
Wood grain (2), Free form (2), in wove paper P23W2, No. 10
"International Brotherhood of Papermarks 241 Made" in wove paper P23W2, No. 11
Watermaking Dandy Rolls "Progress Jos.J.Plank & Co. Appleton Wis" Scene in light and shade technique in wove paper P23W2, No. 12
"R.L.R. Professional Parchment Rag Content" in wove bond P23W2, No. 13
"Lions International" logo in cockled wove bond P23W2, No. 14
"Voucher Bond A Butler Paper Rag Content", in wove bond P23W2, No. 15
"CSC", in wove bond P23W2, No. 16
"Shlitz Beer Trademark", in wove bond P23W2, No. 17
"CO-OP" in cockled wove bond P23W2, No. 18
"Parchment Script" in wove bond in folio P23W2, No. 19
"Wausautone", in lightweight yellow wove cover stock P23W2, No. 20
"Airdale Bond Rag Content", in cockled wove bond P23W2, No. 21
"Minute man Letter Rag Content", Minute man in vignette with check pattern in wove bond P23W2, No. 22a
"Minute Man Letter Rag Content", Minute man in outline with check pattern wove bond P23W2, No. 22b
Minute man with check pattern in wove board P23W2, No. 22c
"Tesoro Nacional de Bolivia Papel Valorado", with coat of arms in white wove bond P23W2, No. 23
"Man of the Hour General MacArthur N JIP", Profile in light and shade in white wove text paper P23W2, No. 24
"Nation Wide Mimeo" in green wove mimeograph paper P23W2, No. 25
"Nation Wide Mimeo" in buff wove mimeograph paper P23W2, No. 26
"Nation Wide Mimeo" in white wove mimeograph paper P23W2, No. 27
"Montags Extra 100 Rag" in striped pattern blue bond P23W2, No. 28
"Jos.J.Plank & Co. Appleton Wisconsin", in blue wove-paper P23W2, No. 29a
"Jos.J.Plank & Co. Appletone Wisconsin", in think blue wove-paper P23W2, No. 29b
House and cloud scend in light-and-shade in buff wove-paper P23W2, No. 30
"Hand Made in USA" in grey laid bond P23W2, No. 31
Galleon in shadow in white wove bond P23W2, No. 32
"Greetings from Appleton" in airplane in cream wove bond P23W2, No. 33
"Made with hand mold" in laid sheet P23W2, No. 34
"Jos.J.Plank & Co. Appleton, Wisconsin". Three Wise Men in light-and-shade, in folded Christmas card, pebble-finished text paper. "A Merry Christmas Happy New Year 1940" in Christmas tree cut out fold P23W2, No. 35
"Mr. & Mrs. A. Kolitsch Appleton WIs." in grey patterned bond P23W2, No. 36
"Made with hand mould by A.K. in Appleton" in gray bond P23W2, No. 37
"A. Kolitsch, Appleton Wis" in lined gray bond P23W2, No. 38
Waves in striped ivory bond P23W2, No. 39
Herald in laid bond P23W2, No. 40
"The best papers are made from rags", set within triangle reading, "Use better papers for durability and impressiveness", in gray wove-bond P23W2, No. 41
"American Legion", logo in beige wove-bond P23W2, No. 42
"Republica El Salvador en La America Central", coat of arms in white wove-bond P23W2, No. 43
"Republica Argentine Ley de Selios", coat of arms (2) in gray wove bond P23W2, No. 44
"Lincoln Letter". Lincoln in vignette on cream wove-bond P23W2, No. 45
"Made with hand mold" in gray laid bond with diagonal chain lines P23W2, No. 46
"Spend Your Vacation in Wisconsin Land O'Lakes with map of state in buff wove-bond P23W2, No. 47
Wood textured watermark in ivory bond cut to fold into envelope P23W2, No. 48
Flower textured watermark in ivory bond cut to fold into envelope P23W2, No. 49
"Peace on Earth Good Will to Men" with manger scene and soldier and sailor in relief in ivory wove-bond P23W2, No. 50
"US 1941" in blue bond No. 10 envelope P23W2, No. 51
"US 1945" in white bond No. 10 envelope P23W2, No. 52
"US 1929" in white bond No. 10 envelope P23W2, No. 53
"Clover linen bond" with bird in light and shate in pink wove-bond P23W2, No. 54
Practical Printing, Pressroom and Composing Room Equipment P7
Scope and Content Note
Brackets P7B7
Set of iron brackets for upper and lower case P7B7, No. 1
Case cabinets and case stands P7C2
Oak case stand: standard size P7C2, No. 1
Oak case cabinet: standard size, stained black P7C2, No. 2
Oak bookbinder's dust-proof type cabinet. Two Rivers, Wisc: Hamilton P7C2, No. 3
Oak dust-proof case cabinet. Two Rivers, Wisc.: Hamilton P7C2, No. 4
Oak foundry-type cabinet P7C2, No., 5
Oak case cabinet P7C2, No. 6
Oak case stand P7C2, No. 7
Oak case cabinet: two-thirds size. Ludington, Mich.: The Tubbs Mfg. Co. P7C2, No. 8
Type Storage: Cases P7C23
Upper case P7C23, No. 1
Upper case P7C23, No. 2
Lower case P7C23, No. 3
Lower case P7C23, No. 4
Upper case P7C23, No. 5
Standard lower case P7C23, No. 6
Standard lower case P7C23, No. 7
Standard Upper case P7C23, No. 8
Standard lower case P7C23, No. 9
Upper case P7C23, No. 10
Lower case P7C23, No. 11
Upper case P7C23, No. 12
Lower case P7C23, No. 13
Upper case P7C23, No. 14
Upper case P7C23, No. 15
Blank case P7C23, No. 16
Blank case P7C23, No. 17
Upper case P7C23, No. 18
Lower case P7C23, No. 19
Upper case P7C23, No. 20
Upper case P7C23, No. 21
Lower case P7C23, No. 22
Lower case P7C23, No. 23
Lower case P7C23, No. 24
Lower case P7C23, No. 25
Lower case P7C23, No. 26
Lower case P7C23, No. 27
Lower case P7C23, No. 28
Lower case P7C23, No. 29
Blank case P7C23, No. 30
Double Yankee Job case P7C23, No. 34
California Job case P7C23, No. 35
California Job case P7C23, No. 36
California Job case P7C23, No. 37
California Job case P7C23, No. 38
California Job case P7C23, No. 39
California Job case P7C23, No. 40
Upper case P7C23, No. 41
California Job case P7C23, No. 42
Upper case P7C23, No. 43
Upper case P7C23, No. 44
California Job case P7C23, No. 45
California Job case P7C23, No. 46
California Job case P7C23, No. 47
California Job case P7C23, No. 48
California Job case P7C23, No. 49
Blank case P7C23, No. 50
Lower case P7C23, No. 51
California Job case P7C23, No. 52
Lower case P7C23, No. 53
Triple Capital case P7C23, No. 54
Triple Capital case P7C23, No. 55
Yankee Job case P7C23, No. 56
California Job case P7C23, No. 57
Triple Capital case P7C23, No. 58
Upper case P7C23, No. 59
Upper case P7C23, No. 60
Lower case P7C23, No. 61
Blank case P7C23, No. 62
Blank case P7C23, No. 63
Lower case P7C23, No. 64
California Job case P7C23, No. 65
Double Yankee Job case P7C23, No. 66
California Job case P7C23, No. 67
California Job case P7C23, No. 68
California Job case P7C23, No. 69
California Job case P7C23, No. 70
Lower case P7C23, No. 71
California Job case P7C23, No. 72
California Job case P7C23, No. 73
California Job case P7C23, No. 74
California Job case P7C23, No. 75
Lower case P7C23, No. 76
Lower case P7C23, No. 77
Quadruple Capital case P7C23, No. 78
California Job case P7C23, No. 79
California Job case P7C23, No. 80
Two-thirds accent case P7C23, No. 81
Two-thirds upper case P7C23, No. 82
Quarter sorts case P7C23, No. 83
Two-thirds accent case P7C23, No. 84
Space case P7C23, No. 85
Space case P7C23, No. 86
Space case P7C23, No. 87
Space box with handle P7C23, No. 88
Bookbinder's one-half capital case P7C23, No. 89
Bookbinder's one-half capital case P7C23, No. 90
Bookbinder's one-half capital case P7C23, No. 91
Bookbinder's one-half capital case P7C23, No. 92
Bookbinder's one-half capital case P7C23, No. 93
Bookbinder's one-half capital case P7C23, No. 94
Bookbinder's one-half capital case P7C23, No. 95
Bookbinder's one-half capital case P7C23, No. 96
Bookbinder's one-half capital case P7C23, No. 97
Bookbinder's one-half capital case P7C23, No. 98
Space case P7C23, No. 99
Lead and slug case P7C23, No. 100
Yankee Job case P7C23, No. 101
Yankee Job case P7C23, No. 102
Yankee Job case P7C23, No. 103
Yankee Job case P7C23, No. 104
Yankee Job case P7C23, No. 105
Yankee Job case P7C23, No. 106
Yankee Job case P7C23, No. 107
Yankee Job case P7C23, No. 108
Yankee Job case P7C23, No. 109
Yankee Job case P7C23, No. 110
Yankee Job case P7C23, No. 111
Yankee Job case P7C23, No. 112
Yankee Job case P7C23, No. 113
Yankee Job case P7C23, No. 114
Yankee Job case P7C23, No. 115
Yankee Job case P7C23, No. 116
Yankee Job case P7C23, No. 117
Yankee Job case P7C23, No. 118
Yankee Job case P7C23, No. 119
Yankee Job case P7C23, No. 120
Chases P7C4
Chase (No. 197570) P7C4, No. 1
Chase P7C4, No. 2
Chase P7C4, No. 3
Chase (No. 236880) P7C4, No. 4
Chase (No. 228) P7C4, No. 5
Chase (No. 228) P7C4, No. 6
Chase (No. 39002): with two cross-bars and two rollers P7C4, No. 7
Chase: in four places P7C4, No. 8
Chase: 17th C. replica. Cedar Crest, New Mexico: Richard Hicks, 1976 P7C4, No. 9
Chase P7C4, No. 10
Chase P7C4, No. 11
Page frames P7F2
30 picas. Chicago: Rouse, 1923 P7F2, No. 1a-1d
20 Picas. Chicago: Rouse, 1923 P7F2, No. 2a-2d
Furniture, wood P7F3
Small font (i.e. 280 pieces) P7F3, No. 10.1-60.34
Furniture cabinet P7F31, No. 1
Furniture, metal P7F4
Cast iron P7F4, No. 1
Cast lead alloy P7F4, No. 2
[Platen bearers] P7F5
Platen bearers (17th C. replicas) P7F5, No. 1-2
[Wedges] P7F6
Wedges (17th C. replicas) P7F6, No. 1-8
Furnishings: tables, cabinets P7F8
Oak filing cabinet P7F8, No. 1
Oak broadside case: two-door front, inside storage P7F8, No. 2
Oak broadside case: 7 drawers (101 cm. ea.), 8 drawers (80 cm. ea.) P7F8, No. 3
Work table with 3 shelves P7F8, No. 4
Typing table with drawer P7F8, No. 5
[Galleys and Galley Cabinet] P7G2
Galleys P7G2, No. 1-60
Galley cabinet P7G21, No. 1
Ink and inking equipment P7I6
Roller for the Berkeley Albion Press P7I6, No. 1
Ink: Janecke-Schneeman, 1951 P7I6, No. 2
Catalog: Janecke-Schneeman, 1955 P7I6, No. 3
Ink block (17th C. Replica) P7I6, No. 4
Ink balls (17th C. replica) P7I6, No. 5-8
Presses P7P7
Bobcat press (17th C. replica) P7P7, No. 1
Berkeley Albion Press (Super-Royal Albion) P7P7, No. 2
Valenti Angelo Press (Royal Octavo Albion) P7P7, No. 3
Nolan Proof Press P7P7, No. 4
Chandler and Price Pilot Platen Job Press P7P7, No. 5
Kelsey "Excelsior" Platen Job Press P7P7, No. 6
Benjamin Franklin's press (wooden model) P7P7, No. 7
Beulah Mitchell Clute Platen Job Press P7P7, No. 8
James D. Hart's Reliance Press P7P7, No. 9
Engraver's and Etcher's Rolling Press P7P7, No. 10
Crown Broadside Albion Press P7P7, No. 11
General tools P73T6
[Miscellaneous printing tools] P73T6, No. 1-52
Additional Note
Composing room tools P73T7
[Miscellaneous composing room tools] P73T7, No. 1-81
Printing types P73T9
[Over 100 Different Types Faces and Sizes of Fonts] P73T9
Office Equipment Q2
Scope and Content Note
Typewriters Q2B2
Remington manual Q2B2, No. 1
IBM Selectric Q2B2, No. 2
Computers Q2C3
Apple IIe Q2C3, No. 1
Macintosh Powerbook 180c
Computer software manuals Q2C34
[Miscellaneous software manuels] Q2C34
Mimeograph Machines Q2D1
Rotary Neostyle No. 8-F Mimoegraph Q2D1 No. 1
Custodial History
Typography T8
Scope and Content Note
Typesetting history T82
Display Folder
Historical example: Gowdy address label T82K4, No. 1
Historical examples: Portfolios and letterheads designed by Carl Puttington Rollins T82K4, No. 2
Historical examples: Portfolios and letterheads designed by G.H. Perry T82K4, No. 3
Historical examples: Portfolios and letterheads designed by H.G. McMennamin T82K4, No. 4
Type Design T83
Pattern making for matrix cutting by machine T83, No. 1
Handcast type T84
Clay-type, re-created T84C6
Historical specimans: Korean moveable type, ca. 15th C. T84K7, No. 1-2
Molds: Caslon hand type mold, 18th C. T84M7, No. 1
Punches: Punch Cutting Display T84P8, No. 1
Punches: Handcut punch, stepped for accent T84P8, No. 2
Punches: Punched matrix for hand mold T84P8, No. 3
Puches: Handcut counterpunch T84P8, No. 4
Punches: Vibert-Didot punches, 19th C. T84P8, No. 5
Punches: Roger Levenson Collection T84P8, No. 6
Modern Specimans: Teaching example handcast by Roger Levenson T84T8, No. 1
Modern specimens: Type cast from Fell matrix of 1686 T84T8, No. 2
Typesetting by hand T85
Type storage: cases: Type case, Chinese T85B8
Type storage: cases: Bellows T85B86, No. 1
Casting and setting by machine T86
Scope and Content Note
Collections: Patterns, punches and matrices display T86A1, No. 1
Collections: Matrices and type display T86A1, No. 2
Collections: Forms example: United Nations Charter, 1945 T86A1, No. 3
Collections: Electrotype: University of California Old Style (Goudy) T86A1, No. 4
Collections: Merrymount Press Montallegro type matrices T86A1, No. 5
Matrices: Accents and special characters, Oxford type, Merrymount Press (electrotyped) T86F61, No. 1
Matrices: Roman and italic, Mountjoye (Bell) type, Merrymount Press (electrotyped) T86F61, No. 2
Matrices: Japanes characters (electrotyped) T86F61, No. 3
Matrices: Japanese character (engraved) T86F61, No. 4
Molds: Body slide mold for automatic caster T86F612, No. 1
Types: Type cast in a pivotal caster T86F62, No. 1
Types: Typecast ligature T86F62, No. 2
Types: Typecast spacing material T86F62, No. 3
Exotic types: Chinese T86F623 C22
Exotic Types: Japanese T86F23 J24
Typecast ornaments T86F627
Typecast ornaments: Crown Zellerbach Collection T86F627 C4
Typecast ornaments: Ted Freedman Collection T86F627 F82
Typecast ornaments: Hart Collection T86F627 H37
Typecase ornaments: MacKellar, Smith and Jordan T86F627 M36
Typecast ornaments: Mackenzie-Harris Collection T86F627 M37
Typecast ornaments: The Merrymount Press Collection T86F627 M38
Typecast ornaments: John Henry Nash Collection T86F627 N27
Typecast ornaments: Frederick Folger Thomas Jr. Collection T86F627 T5
Linotype: Assembled linotype matrices T86L46, No. 1
Linotype: Linotype slugs T86L46, No. 2-3
Linotype: Original machine drawings for linotype model 2 T86L46, No. 4
Ludlow type casting: Ludlow slug T86L84, No. 1
Ludlow type casting: Engraved matrix T86L84, No. 2-3
Monotype: Display folder T86M66, No. 1
Monotype: Punch-cutting display T86M66, No. 2
Monotype: Composed line: University of California Old Style T86M66, No. 3
Monotype: Specimen alphabet: Univesity of California Old Style T86M66, No. 4
Monotype: Matrices, various styles and sizes, for text composition T86M66, No. 5
Monotype: Display types, various styles and sizes, for hand composition T86M66, No. 6
Monotype: Electro-matrices, San Serif Bold, for display composition T86M66, No. 7
Monotype: Engraved matrices, 72 pt. for display composition T86M66, No. 8
Monotype: Engraved matrices, 14 pt., for display composition T86M66, No. 9
Monotype: Rectangular matrix, 12pt. for text composition T86M66, No. 10
Monotype: Bembo matrices, 12 pt. for text composition T86M66, No. 11
Monotype, Computer-activated T86M667
Stereotype: Plates for book: Wolter, Robert. A Short and Truthful History...San Francisco, A. L. Bancroft, 1882 T86S84, No. 1-2
Stereotype: Published copy of book cited above T86S84, No. 3
Stereotype: Sample proofs for book cited above T86S84, No. 4
Stereotype: Matrix: China Times T86S84, No. 5
Stereotype: Stereotype Mounts T86S84, No. 6
Stereotypes: Matrices for newspaper from pages T86S84, No. 7-8
Electrotypes: United Nations Emblem T86S85, No. 1
Electrotypes: Electrotype made from handset type T86S85, No. 2
Flexographic printing: rubber stereotype T86S86, No. 1
Phototypsetting T91
Photographic negative T91, No. 1
Fotosetter matrix T91, No. 2
Second generation: linofilm: VIP T92
Font grid: Eurostyle Bold Extended typeface T92, No. 1
Font grid: Plantin typeface T92, No. 2
Music Engraving V2
Scope and Content Note
Cutting tools V22
Staff scorers V22C32, No. 1-6
Staff scoring machine V22C33
Machine heads V22C334, No. 3-7 (No. 1-2 not received)
Gravers V22G24, No. 1-17
Graver stand V22G241
Hooks V22H25, No. 1-6
Auxilliary tools V22T26, No. 1-19
Punches V23
Braces V23B32, No. 1-17
Circles V23C24, No. 1-20
Dynamic marks V23C25, No. 2.1-5.9
Dynamic signs V23D26, No. 1-11
Shaped notes V23N34, No. 5bl-5w7
Note stems and dots V23N35, No. 1-22
Numerals V23N66, No. 10.1-20.9
Symbols: No. 3 size, long font V23S33, No. 1-73
Symbols: No. 1 size, partial font V23S34, No. 1-20
Symbols: various partial fonts V23S38, No. 4.1-14.1
Slurs V23T26, No. 1-21
Logotypes V23W35, No. 10.1-17.4
Micellaneous V23Z44, No. 1-12
Punches: alphabets V24
Small octavo No. 7 V24A7, No. 1-73
Small italic No. 8 V24A8, No. 1-73
Medium italic No. 10 V24A10, No. 1-73
Text No. 11 V24A11, No. 1-73
Medium title No. 18 V24A18, No. 1-73
Large title No. 28 V24A28, No. 1-73
Additional equipment V26
Proofing Roller V26, No. 1
Supplies V27
Ink V27P24, No. 1-3
Metal plates V27P26
Plates and proofs (samples of work) V28
Plate for page of organ music V28, No. 1
Proof: white on green V28, No. 2
Printed page: black on white V28, No. 3
Illustrative photographs: Rich B. Pettit at work in his studio (Explanatory notes and biographical sketch laid in) V29
Using roller, BART V26 No. 1, to make a relief proof V29, No. 1
Portrait of Richard Pettit V29, No. 3
Using roller, BART V26 No. 1, to make relief proof V29, No. 4
Punching into a plate V29, No. 5
Using roller, BART V26 No. 1, to make a relief proof V29, No. 6
Portrait of Richard Pettit V29, No. 8
Portrait of Richard Pettit V29, No. 9
Richard Pettit at work, surrounced by punches, BART V23 B32, gravers, BART V22G24, BART V22 G241, hooks, BART V22 M25, and scorers BART V22 C32 V29, No. 11
Final intaglio proof and plate V29, No. 12
Richard Pettit punching an accent mark into a plate V29, No. 13
Richard Pettit using a tie-graver fron assortment BART V22 G24 and BART V22 G241 V29, No. 14
Close-up of Richard Pettit using a tie graver, BART V22 G24 V29, No. 15
Richard Pettit at his rolling press (not given to Bancroft) V29, No. 16
Gravers, BART V22 G24, hoooks, BART V22 M25, and scorers BART V22 C32, in rack BART V22 G241 V29, No. 17
Richard Pettit adding a tie from relief proof V29, No. 18
Richard Pettit pulling a relief proof from plate V29, No. 19
Richard Pettit surrounded by punches, BART V23, at his lithographic-stone work bench V29, No. 20
Richard Peti using staff scoring machine, V22 C334 V29, No. 21
Map Printing V3
Scope and Content Note
[Miscellaneous Map Printing Tools] V3
Type-stamping stick V3, No. 1
Map-printing kit V3, No. 2
Specialty Printing W2
Scope and Content Note
Tin: four-color process printing W2S31
"MJB Coffee Regular:" four-color process printing W23S31, No. 1
"MJB Coffee Automatic Drip:" four color process printing W2S31, No. 2
"MJB Premium Flake Ground Coffee:" four-color process printing W2S31, No. 3
Celluloid buttons (Panama Pacific International Exposition, 1915) W2S32
"Panama-Pacific International Exposition, San Francisco, California 1915 W2S32, No. 1
Matching cuff link W2S32, No. 2
Matching cuff link W2S32, No. 3
"Edison Day Oct. 21" W2S32, No. 4
"Memorial Duilding, G. Washington," verso "This button means a brick for the George Washing Memorial Hall" W2S32, No. 5
"Apple annual Pajaro Valley 1910, Oct. 10-15, Walsonville, Cal." W2S32, No. 6
"Panama-California Exposition San Diego 1915" W2S32, No. 7
"Spokane Day, P.P.I.E. May 25, 1915 W2S32, No. 8
Italian emblem W2S32, No. 9
"Danmarks Dag P.P.I.E., 5 Juni 1915" W2S32, No. 10
"Gem of the Mountains" W2S32, No. 11
"The Netherlands Building of P.P.I.E. 1915" W2S32, No. 12
"Ua Mau Ke Ea O Ka Aina I Ka Pono Aloha" W2S32, No. 13
"Los Angeles County Day Panama-Pacific Internation Exposition April 15, 1915" W2S32, No. 14
"Judge" W2S32, No. 15
"San Francisco '1915' Modesto Butter 'All-the-time'" W2S32, No. 16
"Mississippi Day P.P.I.E. Sept 4, 1915" W2S32, No. 17
"P.P.I.E. 'See America First' Great Northern Railway Glacier National Park 1915" W2S32, No. 18
"Pacific Gas and Electric Company Pacific Courteous Continuous Service W2S32, No. 19
"Panama-Pacific International Exposition, Admit One, Opening Day, Feb. 20, 1915, Charles C. Moore, President" W2S32, No. 20
"How'dy Pap, San Francisco, Cal., Loyal Order of the Moose, Moose Day P.P.I.E. July 25, 1915" W2S32, No. 21
"Denmark Building" W2S32, No. 22
4th July Official Committee 1915" W2S32, No. 23
"Official Souvenir" W2S32, No. 24
"Panama-Pacific International Exposition, San Francisco, California, 1915" W2S32, No. 25
"Panama-Pacific International Exposition, San Francisco, California, 1915" W2S32, No. 26
"Philadelphia 1776 San Francisco 1915" W2S32, No. 27
"Oro y plata" W2S32, No. 28
"P.P.I.E., April 5, 1915, Siskiyou, The Head of California" W2S32, No. 29
Cloth ribbons (Panama Pacific International Exposition, 1915) W2S34
"Notice" [to miners] W2S34, No. 1
"Butte County, March 31, 1915" W2S34, No. 2
"Calaveras County, P.P.I.E. 1915" W2S34, No. 3
"California Orange Day Citrus Protective League, March 20, 1915" W2S34, No. 4
"California Ripe Olive Day Committee Butte County Division March 31, 1915" W2S34, No. 5
Southern Pacific, San Francisco, March 10, 1915, Panama-Pacific Internation Exposition" W2S34, No. 6
"Glenn County, Why?, Irrigation, P.P.I.E., March 30, 1915" W2S34, No. 7
"Idaho" W2S34, No. 8
"Santa Cruz County Day, P.P.I.E., San Francisco, March 2, 1915" W2S34, No. 9
"Dedication Day, April 3, 1915, Press Club of San Francisco, P.P.I.E. 1915" W2S34, No. 10
"The Living Flag of the Grand Army of the Republic for the 1915 International Exposition of San Francisco" W2S34, No. 11
"Massachusetts July 19, 1915 P.P.I.E." W2S34, No. 12
"Meet Us Here Again October First Modoc County April 7, 15" W2S34, No. 13
"Missouri Day Panama-Pacific International Exposition May 3, 1915" W2S34, No. 14
"1915 American Press Humorists 13th Annual Convention P.P.I.E. San Francisco" W2S34, No. 15
"Offficial Badge Modoc County Day P.P.I.E. April 7" W2S34, No. 16
"New England Association, Massachusets, San Francisco" W2S34, No. 17
Women's Pacific Coast Good Roads Association Convention, P.P.I.E. May 6-7-8 1915" W2S34, No. 18
"Non-smokers' Protective League of America San Francisco, Cal. 1915" W2S34, No. 19
"Vanderbilt Grand Prix" W2S34, No. 20
"Panama-Pacific International Exposition, Monterey County" W2S34, No. 21
"Placer The Gateway County Reception Committee" W2S34, No. 22
Panama-Pacific International Exposition Reception Committee, Insurance Day, April 18th, 1914" W2S34, No. 23
"San Francisco Day, San Francisco Commerical Club, Tuesday, April 18th, 1916" W2S34, No. 24
"S.F. Real Estate Board Day P.P.I.E., March 27, 1915" W2S34, No. 25
"San Francisco Retail Bakers Association P.P.I.E. June 9th 1915" W2S34, No. 26
"China Day P.P.I.E. Sept. 23 1915" W2S34, No. 27
"Sonoma County Day 1915" W2S34, No. 28
"P.P.I.E. 1915 'Year Before Opening' Celebration Committee 1914" W2S34, No. 29
"Panama-Pacific Internation Exposition, Transportation Club of San Francisco" W2S34, No. 30
"Panama-Pacific International Exposition, Southern California Editorial Asssociation, December 4-5-6 1913" W2S34, No. 31
"Panama-Pacific International Exposition, Yolo County, California" W2S34, No. 32
"Dedication, Tuolumne County, April 14, 1915 P.P.I.E. San Francisco, Cal. W2S34, No. 33
"Contra Cost County Day April 3, 1915, Agricultural and Industrial Center P.P.I.E." W2S34, No. 34
"Vallejo" W2S34, No. 35
"Wells Fargo Day June 15th, 1915 Wells Fargo & Co. Express Panama Pacific International Exposition" W2S34, No. 36
"United Artisans 1915 Convention Panama-Pacific Fair" W2S34, No. 37
"Dedication Indiana Building P.P.I.E. Hon. Chas. Fairbanks Presiding, March 8, 1915" W2S34, No. 38
"Flying Legion San Francisco 1915" W2S34, No. 39
"Dedication Day Republic of Guatemala March 15 1915" W2S34, No. 40
"Amador" W2S34, No. 41
Foil stamping on cloth ribbon (Panama Pacific International Exposition, 1915) W2S351
"The Business Men's League of St. Louis" W28351, No. 1
"Nevada Day July 7 B.P.O.E. Nevada T.P.A." W28351, No. 2
"Chicago Day July 27th" W28351, No. 3
"From Phila., Pa. to San Francisco, Cal. 1915" W28351, No. 4
"Guest Sixth Annual Convention I.A.R.C. July 1915" W28351, No. 5
"Guest" W28351, No. 6
"Grand Council of California U.C.T." W28351, No. 7
"New Jersey Commission P.P.I.E. 1915" W28351, No. 8
"Portola Day Oct. 23, 1915" W28351, No. 9
"San Francisco, The Pacific Telephone and Telegraph Co., New York, January 25, 1915" W28351, No. 10
"Ireland's Day at P.P.I.E., March 17, 1915, San Francisco" W28351, No. 11
"Solano County 1915" W28351, No. 12
"Panama-Pacific International Exposition San Francisco 1915...Dorset Fat Pen" W28351, No. 13
"Duroc-Jersey Boar Eighteen and under Twenty Four Months" W28351, No. 14
"Hampshire Fat Wether Champion, Any Age" W28351, No. 15
"Morgan Stallion Reserve Grand Champion, Any Age" W28351, No. 16
"Morgan Stallion Senior Champion Three Years Old and over" W28351, No. 17
"Oxford Fat Pen" W28351, No. 18
"Poland-China Herd Boar and Three Sows over One Year" W28351, No. 19
"Southdown Ram One Year and under Two" W28351, No. 20
"Standard Trotter Filly Foal" W28351, No. 21
"Standard Trotter Filly Foal" W28351, No. 22
"Large Yorkshire Get of Sire Four Animals" W28351, No. 23
"Large Yorkshire Get of Sire Four Animals" W28351, No. 24
"International Grand Prix Race, President Exposition, February 27, 10 A.M. 1915" W28351, No. 25
"Floor P.P.I.E. 1915" W28351, No. 26
"Vanderbilt Cup Race, President Exposition, February 22, 10 A.M. 1915" W28351, No. 27
Bronzing on cloth (Panama-Pacific International Exposition, 1915) W2S352
"Examiner Day Committee" W2S352, No. 1
"Committee Ireland's Day P.P.I.E. March 17, 1915" W2S352, No. 2
"New Yorkers" W2S352, No. 3
"1915 Panama Pacific Internation Exposition Indiana Building Site Dedicated Oct. 23, 1912 San Francisco" W2S352, No. 4
"San Joaquin County" W2S352, No. 5
"Tracy" W2S352, No. 6
Bronzing on paper (Panama Pacific International Exposition, 1915) W2S353
"Pioneer and Old Settler's Day 'The Days of Old, the Days of Gold, the Days of '49' Oct. 16, 1915 Panama Pacific Exposition" W2S353, No. 1
"Pioneer and Old Settler's Day 'The Days of Old, the Days of Gold, the Days of '49' Oct. 16, 1915 Panama Pacific Exposition" (Same as No. 1) W2S353, No. 2
Metal pins, watch fobs, lapel buttons, reated objects (Panama Pacific International Exposition, 1915) and other items W2S36
Metal enamel pin:"Siam P.P.I.E." W2S36, No. 1
Metal enamel pin: "Idaho Panama-Pacific International Exposition San Francisco 1915" W2S36, No. 2
Medal: "Panama-Pacific International Exposition Commission" W2S36, No. 3
Medal "Maryland at Panama Pacific International Exposition 1915" W2S36, No. 4
Medal: "West Virginia" W2S36, No. 5
Medal: "Deutsch Amerikanisher Nat'l Bund August 2-8-1915" W2S36, No. 6
Pendant in shape of Liberty Bell: "Philadelphia 1915 San Francisco" W2S36, No. 7
Watch fob: "California State Legislator's Day H.I.J.M's Commission P.P.I.E. March 20 1915" W2S36, No. 8
Watch fob: "Panama Pacific International Exposition San Francisco 1915" W2S36, No. 9
"IX Universala Kongreso de Esperanto 1915" W2S36, No. 10
Medal: "International Gas Congress San Francisco 1915" W2S36, No. 11
Medal: "Panama-Pacific Internation Exposition San Francisco 1915" W2S36, No. 12
Metal pin, shape of Liberty Bell W2S36, No. 13
Lapel button: "GAA P.P.I.E." W2S36, No. 14
Lapel button: "Panama-Pacific Internation Exposition 'You Helped' May 10, 1915" W2S36, No. 15
Lapel button: "Exposition Builders Panama-Pacific International Exposition" W2S36, No. 16
Lapel button: "Panama-Pacific International Exposition Presented April 10 1915 in recognition of services" W2S36, No. 17
Lapel button: "Panama-Pacific International Exposition Presented to the Crew of the U.S.N. Auxillary Jason for bringing foreign exhibits to the Exposition 1915" W2S36, No. 18
Sterling silver miniature of spade used by William Howard Taft, President of the United States, at Ground-Breaking, Panama-Pacific International Exposition, October 14, 1911 W2S36, No. 19
Display relating to the Congressional resolution authorizing the President to invite foreign countries to participate in the Panama-Pacific International Exposition, San Francisco, 1915 W2S36, No. 20
Pop-up mailing card: Victor Exhibition Palace of Liberal Arts, Panama-Pacific International Exposition, San Francisco, 1915 W2S36, No. 21
Pop-up mailing car: Victor Exhibition Palace of Liberal Arts, Panama-Pacific International Exposition, San Francisco, 1915 W2S36, No. 22
[Brass plate for cylinder press: label] W2S37
Brass plate for cylinder press: fruit box label W2S37, No. 1
[Examples of tinting] W2S38
Examples of tinting encased in plastic W2S38, No. 1-4
Supplementary Collections Z0-Z6
Scope and Content Note
Historical artifacts Z0
Stencil set, 189? Z0, No. 1
Beulah Mitchell Clute Collection Z1
Prints, Proofs, Drawings Z1I55, No. 1-44
Linocut blocks Z1L48, No. 1-143
Zinc photoengravings in line Z1Z4, No. 1-106
Seals (wax impressions) Z2
Elizabeth I, 1586-1603 Z2, No. 200
Henry VIII, 1532-1541 Z2, No. 201
Mary I, 1554-1556 Z2, No. 202
Henry IV, 1411 Z2, No. 203
Edward IV, 1470? Z2, No. 204
Richard II, 1377-1399 Z2, No. 205
Henry VIII, 1532-1547 Z2, No. 206
Great Britain, Great Seal, 1651 Z2, No. 207
Anne of Brittany, 1499 Z2, No. 208
Henry VIII, 1542-1547 Z2, No. 209
Edward V, 1483 Z2, No. 210
Edward IV, 1469-1483? Z2, No. 211
Edward III, 1340-1372 Z2, No. 212
Elizabeth I, 1586-1603 Z2, No. 213
Edward I, 1272-1307? Z2, No. 214
Edward III, 1340-1372 Z2, No. 215
WIlliam I, 1066-1087 Z2, No. 216
Coventry Z2, No. 217
Robert de Ferrer, 8th Earl of Derby, ca. 1265 Z2, No. 218
Not received Z2, No. 219
Duchy of Cornwall Custom House, ca. 1400-1413 Z2, No. 220
Seals Z3
Scope and Content Note
Additional Note
S.CAPITVLI.LAREN.AD.CAVSIS Z3B3219 (8 and 9)
Can't read Z3B3255 (7)
S.MANSIONARIORVM.CAPITVLI.S.GVMMARI.IN.LIRA.ETC. Z3B3313 and Z3B3314 (5 and 6)
Can't read (POSITIVE SEAL) Z3B3427 (7)
Books arts medals Z4
Bodoni, Giovanni Battista, 1740-1813 Z4B61, No. 1-6
Book Club of California Z4B64, No. 1
Colt, Samuel, 1814-1862 Z4C52, No. 1
Coster, Laurens, 1370-1440 Z4C56, No. 1
Borsenverein der Deutschen Buchhandler, 1836 Z4D36, No. 1-2
Didot, Pierre, 1761-1853 Z4D52, No. 1-2
Didot, Firmin, 1764-1836 Z4D53, No. 1-3
Dürer, Albecht, 1471-1528 Z4D86, No. 1-2
Eaton, Daniel Isaac, d. 1814 Z4E17, No. 1
Francis Joseph I, 1830-1896 (Antonelli Press) Z4F63, No. 1-2
Franklin, Benjamin, 1706-1790 Z4F64, No. 1-6
Franklin, Benjamin, Boston Latin School Medal Z4F64B, No 1-6
Franklin, Benjamin and DeVinne, T.L Z4F64D, No. 1-2
Franklin, Benjamin and Montyon, A.J.P.R.A. Z4F64M, No. 1-2
Franklin, Benjamin, National Export Exposition Z4F64N, No. 1
Franklin, Benjamin and Washington, George Z4F64W, No. 1
Gutenberg, Johann Z4G76, No. 1-47
Gutenberg, Johann and Fust, Johann Z4G76F, No. 1-5
Gutenberg, Johann and Fust, Johann, and Schoffer, Peter Z4G76FS, No. 1
Gutenberg, Johann and Senefelder, Aloysius Z4G76Se, No. 1-2
Haarlam Z4H25, No. 1-5
Hawthorn, Nathaniel 1804-1864 Z4H28, No. 1
Lackington, James 1746-1815 Z4L13, No. 1-2
Longfellow, Henry Wadsworth 1807-1882 Z4L72, No. 1
Bibliopolae et Typographi, Lyons, 1723? Z4L89, No. 1-2
Newton, Alfred Edward 1864-1940 Z4N52, No. 1
Nuremberg, 1740 Z4N76, No. 1
Paris, Impremerie Nationale, 1848 Z4P12, No. 1
Bibliopilae et Typographi, Paris, 1723 Z4P122, No. 1
Cercle de la Librairie de L'Imprimerie et de la Papeterie, Paris 1847 Z4P123, No. 1
Congres des Bibliothecaires et des Bibliophiles, Paris 1923 Z4P127, No. 1
Paterson Parchment Paper Company, 1935 Z4P16, No. 1
Pfister, Albrecht, fl. 1459-1464 and Sensenschmidt, Johann Z4P28S, No. 1-2
Ratisbon Z4R28, No. 1
Materials for printing the 1985 Guide Z5
Typed Copy of the Guide to the BART Collection Z5A3, No. 1
#4 Rider, Robin, Basf Enfora "800-6250 BPI" Tape Z5B5, No. 1
Camera Ready Copy of the Guide to the BART Collection Z5B6, No. 1
Groups of Ornaments Z5C5, No. 1-50
Preliminary Paystub Z5D6, No. 1
Negatives of the Guide's pages Z5E2, No. 1-15
Materials Related to the Printing of the 1985 Guide Z5E8, No. 1-2
Leaves from the 1985 Guide Z5G7, No. 1-6
1st Edition of the 1985 Guide Z5H2, No. 1
Commemorative postage stamps Z6
Collection of 14 Postage Stamps Z6, No. 1-14
The Merrymount Press Artifacts Collection 1986 E13.B23 R44 1986


text:
Welcome to the South Dakota Department of Tourism's web portal.
The Department is made up of two divisions: the Department of Tourism and the South Dakota Arts Council. Together, were here to serve the people of South Dakota and all who come to meet our Great Faces and explore our Great Places.
Our mission is to promote the state as a premier vacation destination to all visitors and to support and serve the South Dakota visitor industry. Whether its South Dakota's legacy attractions like Mount Rushmore National Memorial or our world-class pheasant hunting experience, its a privilege to tell people about our great destinations. We love to share the story of South Dakota's rich Native American culture and the history of pioneers like Laura Ingalls Wilder.
Are you a traveler looking for trip planning information?

subset: commoncrawl


text:
Graphic Design with GIMP
Free Geek
1731 SE 10th AvenuePortland, OR 97214, US (map)
Public WiFi
Access Notes
Please register for class via Eventbrite: https://freegeek.eventbrite.com Please check in at the front desk when you arrive to let them know you are here for the class. Bags must be checked at the front entrance.
Join us for a graphic design workshop using an a free and open source software called GIMP. GIMP is a program similar to Photoshop. You can use this program to create posters and art, edit photos, and more.
Bring your questions -- there will be plenty of time for answers!
This class welcomes beginners and advanced users alike.


text:
Cherokee Lodge 503
Location Details: Pigeon Forge, Tennessee
Price: $160 - $420
Bedrooms: 3 Bathrooms: 3 Sleeps: 8
Luxury Condo in Pigeon Forge
Located in the heart of Pigeon Forge, right behind the Parkway, this sizable condo provides guests with all their favorite amenities of home with a unique mountain twist. Visitors will enjoy the comforts of having a full kitchen, including a complete glassware, dishware and utensil set. Free high-speed wifi, cable tv, central heat and air, and a personal laundry room are also included. Guests will also enjoy being within walking distance to many popular Pigeon Forge attractions like The Old Mill and Patriot Park. After an exciting day touring the area, visitors will love coming back and relaxing in front of their condo's roaring gas fireplace, or unwinding on the private balcony as the sun sets over the mountains in the distance. During the warmer months, families will also love having exclusive access to the resort's large heated pool and water slide! Don't forget that from the balcony or living room of each of our condos, guests have a clear view to the fireworks and light displays at Patriot Park during special events and occasions.
- Area FitnessCenter
- Balcony
- Cable TV
- Close to Town
- Fireplace
- Full Kitchen
- Internet Access
- Ironing Board
- Nearby Grocery
- Pool
- Washer & Dryer
- Water Slide
What people are saying about this property
Relax in our luxurious, over-sized condos with a fireplace, jacuzzi tub and laundry room in every unit. Enjoy free wi-fi, free parking, seasonal outdoor pool, exercise room and much more while within walking distance to the entertainment of Pigeon Forge!


text:
PORTLAND, Ore. — The Oregon Fish and Wildlife Commission voted Friday to ban the use of gillnets to catch fish on the main stem of the Columbia River, relegating the primary commercial-fishing tool to side channels and tributaries.
Washington's fish commission was scheduled to decide soon on similar rules, eliminating the centuries-old practice from both sides of the river.
The gillnet ban was pushed by Oregon Gov. John Kitzhaber, who hopes to mediate a longstanding conflict between commercial and recreational fishers while transitioning to new methods of commercial fishing. Recreational fishers say gillnets are harmful to the recovery of endangered salmon.
The proposal has infuriated commercial fishers, who say it'll be impossible for them to earn a living by fishing only in the limited areas where they'll be allowed to use gillnets. They say the proposed new fishing gear won't work and see the move as a ploy by recreational fishers to eliminate competition for strictly limited fish harvests.
"Main-stem fishing should not be taken away because greedy people want more," Matthew Evans, a gillnetter from Astoria, Ore., told the commission. "There's a lot of people out of work, and I don't want to be one of them."
First used by Native American fishers long before the Lewis and Clark expedition charted the Pacific Northwest, gillnets are still the primary method of commercial fishing on the Columbia. They snag fish by the gills, preventing them from breaking free.
Critics say the nets are cruel to fish and kill thousands of endangered salmon.
"Protecting and enhancing our wild steelhead and salmon benefits commercial fishers, recreational anglers, the public at large, and, most importantly, the fish," said Dave Schamp, chairman of the Coastal Conservation Association's operations in Oregon.
Kitzhaber's proposal was advanced after Schamp's organization gathered signatures to ban gillnets altogether on the Oregon side of the river.
Kitzhaber said he was committed to improving economic benefits for commercial and recreational fishers alike. He viewed the ban as part of a larger strategy that includes increasing the availability of hatchery salmon returning to side channels and legalizing alternative gear for commercial fishing.
In a letter to the commission Friday, Kitzhaber acknowledged that a lot must go right for his plan to work and asked the commission to consider backing off if shared economic benefits don't materialize.
Washington is studying alternative fishing gear to see whether it is safer for endangered fish. The most-touted method is a purse seine, which encircles fish in the river then is pulled shut at the bottom to trap them. With fish still in the water, fishers can sort out endangered fish and set them free.
Gillnetters say seines require larger boats and may not be profitable on the Columbia or will concentrate the catch in the hands of a few fishers with extensive experience and money to buy new equipment.
Seines are illegal in Oregon, but the Legislature is expected to consider legalizing them next year.
"As a sport fisherman, I appreciate the increased opportunity to catch more fish, and as a conservationist, I thank you for giving the fish a better shot at survival for the next generations," Wallace Beck of McMinnville, Ore., told commissioners. "These fish belong to no one, and at the same time they belong to all of us."
About 200 gillnetters are active on the Columbia, many of them from families that have been commercially fishing for generations.
Kitzhaber has requested money to increase hatchery fish in areas where gillnetters would be allowed to operate, and to help them weather the economic consequences.
But gilnetters remained unconvinced, saying there's not enough money to make it work.
"We're not fighting for a job or a livelihood," said Joe Parker, a third-generation gillnetter from Astoria. "We're fighting for a way of life."
Fish recovery plans allocate a certain number of endangered fish that can be impacted by fish harvests. Such limits are divided between tribal, commercial and recreational fisheries.
The rules would steadily decrease limits allocated for commercial fisheries and increase the allocations for recreational fisheries. They also would require recreational fishers to use unbarbed hooks.
Tribal fisheries are not affected by the proposed new rules.
Commercial fishers say they're catching fish for consumers, so the commission's action will limit the public's access to valued fish originating upriver.
The commission also voted to prohibit the retention of white sturgeon beginning in 2014 because of declining populations — a move the several sport-fishing guides said would harm their income. Sport fishers will be allowed to retain one white sturgeon next year.
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