text:
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A cost-conscious customer is exploring Isilon for their PACS archive. The workflow consists of one hundred cases a day, each including fifty 60 MB image files. However, each image will have five-hundred 64 kB metadata files associated with it. They currently have six years worth of archived data. They will need to migrate to the new solution and they need to plan for an additional three years of archive capacity. Which solution would you recommend to fit their capacity needs?
A. 24 NL-Series nodes with N+3 protection policy providing 2597 TiB of useable capacity.
B. 18 NL-Series nodes with N+2:1 protection policy providing 2078 TiB of useable capacity.
C. 24 X-Series nodes with N+3 protection policy providing 2597 TiB of useable capacity.
D. 12 NL-Series nodes with N+2 protection policy providing 1300 TiB of useable capacity.
Answer: A
You are sizing an Isilon cluster for a new customer. Analyzing their workflow you determine that they have a large block random read workload. What is the most important factor to consider when sizing this solution?
A. Bandwidth
C. Latency
D. Headroom
Answer: A
A customer is inquiring about expanding their primary cluster consisting of six S-Series nodes in order to improve performance. They have a second cluster with 11 X-Series nodes. Both clusters leverage 1GbE, but the customer recently installed a 10GbE network that can be utilized. They also have multiple Fibre Channel SAN arrays in their environment. They have a variety of workloads on each cluster and are in the process of determining which workloads belong on which cluster. They have discovered that one of the workloads – a SQL database that resides on the X-Series node cluster – is experiencing timeouts due to latency. The database vendor has suggested limiting latency to 5ms or less to eliminate these timeouts. How do you advise the customer?
A. Consider migrating data from Isilon to one of their SAN platforms or proposing a new solution to handle the performance requirements of SQL.
B. Merge the S-Series nodes and X-Series nodes into one cluster, upgrade the 1GbE to 10GbE, and leverage SmartPools to allow for the cluster to determine where data should reside.
C. Suggest the customer consider leveraging SSDs in the new nodes they purchase and GNA to boost the performance of each cluster.
D. Recommend they increase the amount of DRAM in the cluster or consider an Accelerator node in order to increase the amount of cache in their cluster.
Answer: A
You are designing a new Isilon system to store mobile device video clips. The files average 800 MB in size and the application team tells you to plan for up to 15000 new files per day. The product manager for this new service wants enough capacity for the first year and reminds you that response time for storing and retrieving the files is important for customer satisfaction. The files will be accessed frequently for the first 48 hours after creation, and then very infrequently after seven days. You plan to use N+2:1 protection, and will configure a SmartPools policy to move inactive files to an archive tier within the cluster. Which configuration best fits the project requirements?
A. 4 x X200 nodes with SSD; 36 x NL400 nodes with 4 TB drives.
B. 38 x X400 nodes with 4 TB drives and SSD.
C. 4 x S200 nodes with SSD; 45 x NL400 nodes with 3 TB drives.
D. 4 x X400 nodes with 1 TB drives; 36 x NL400 nodes with 4 TB drives.
Answer: A
You have been working with a customer to size a new Isilon cluster for their environment. You recently determined that a cluster with three X400 nodes with 1 TB drives and 48 GB RAM would be a perfect starting point for their workflow, but will have extra capacity. The customer just informed you that they have decided to also use the cluster for a small home directory environment and implement SmartQuotas. Which configuration changes should you consider?
A. Increase the memory and add SSDs to the configuration.
B. Add an additional X400-Series node to the configuration.
C. Add three NL-Series nodes with 1 TB drives with 48 GB RAM, and use SmartPools.
D. Add three S-Series nodes with 300 GB drives with 48 GB RAM, and use SmartPools.
Answer: A
Your customer has an existing Isilon cluster comprised of five NL-Series nodes. They have a new project that will quadruple their current throughput requirements. Upon reviewing reports in InsightIQ, you see that the aggregate external network throughput is peaking at 600MB/s. The customer states that data is only active for the first 7 days, but they keep it indefinitely. Which recommendation best supports their growth requirements?
A. Add X-Series nodes to the cluster, and use SmartPools to migrate inactive data to the NL-Series nodes.
B. Use the Isilon Sizing Tool to determine GNA requirements, and add NL-Series nodes with SSD to the cluster.
C. Add a VNX Unified array for the new project, and use rsync to migrate data to the Isilon cluster for archiving.
D. Add A-Series nodes to the cluster to boost combined network performance.
Answer: A
A potential customer has about 540 TB of NetApp running in ONTAP 7-Mode. They are willing to let you gather some workload data. They have LDAP and Active Directory authentication and primarily Windows Clients. They are very interested in Automated Tiering and Large Scale Archives. They are not certain about the workflows from the Marketing Department. The Content Team will only say they need to acquire 300 TB within 90 days. They do not know the average file size or the number of aggregates they are managing. Which tools would you use to gather information to do your Isilon sizing?
A. MiTrend WPA, Autosupport, and PerfCollect.
B. isi status, isi_netlogger, and PerfMon.
C. Wireshark, isi statistics, and iostat.
D. Isilon Insight IQ, OnCommand Insight, and nfsstat.
Answer: A
A potential customer has 540 TB Raw capacity of NetApp running in ONTAP 7-Mode. They are willing to let you gather some workload data. Their authentication sources are LDAP and Active Directory. Their users are primarily Windows Clients. They are very interested in Automated Tiering and Large Scale Archives. They are not certain about the workflows from the Marketing Department. The Content Team will only say they need to acquire 300 TB within 90 days. They do not know the average file size or the number of aggregates they are managing. Which tool(s) would you use next to complete your sizing?
A. MiTrend WPA, Autosupport, and PerfCollect.
B. Isilon Cluster Sizing Tool.
C. Wireshark, isi statistics, and iostat.
D. Isilon Insight IQ, OnCommand Insight, and nfsstat.
Answer: A
A potential customer uses a solution from an EMC competitor for NFS storage in their main data center. The existing arrays are five years old, and the customer would like to consolidate them into a single new system. The entire workload is generated by eight Linux hosts connected to the arrays that process video files. The customer informs you they are not able to collect performance information from the existing arrays. Which tools can capture the workload requirements?
A. iostat and nfsstat
B. MiTrends and netmon
C. netstat and esxtop
D. Wireshark and sysstat
Answer: A
You get a call from a customer that has just added 200 user connections to the cluster. They want to know how fast they are writing data with these new users. What tool would you use to gather this information?
A. InsightIQ
B. Network Monitor
C. Wireshark
D. Watch4net
Answer: A
You are called into an opportunity, you would like to get more information on the data skew of the filer. The customer has a supported filer. What assessment tool would you use to generate this information?
A. Workload Profile
B. Workflow Proflie
C. InsightIQ
D. SupportIQ
Answer: A
A customer has grown 2 PB in the last year. The cluster performs well most times of the day, but occasionally during the day, the customer notices a decrease in performance. You have been told that `tree-deletes' are taking too long and can only be run on weekends. What would you recommend to speed up the `tree-deletes'?
A. Add an SSD node tier for metadata to account for at least 2% of RAW capacity.
B. Use an A100 node for added CPU performance to help with `tree-deletes'.
C. Add 20% more nodes to the cluster to help with degraded performance.
D. Add an SSD tier for metadata, ensuring all nodes have SSDs.
Answer: A
A customer has eight X400 24 GB RAM that supports 400 client connections today The customer plans to add 400 more clients in the next few months. They are looking at adding an A-Series node to the cluster to help with client connections. Before they start adding client connections, what hardware change do you recommend?
A. Add RAM to offset concurrent client connections.
B. Add an A100 to offset concurrent client connections.
C. Add nodes with SSD to help with connections.
D. Add more network switches to increase the number of connections.
Answer: A
You are asked to size a cluster for a file sharing environment. nfsstat indicates that no more than 10% of the requests are namespace operations (e.g. GETADDR, SETADDR). There will be 10000 active Linux users, connecting over NFS. Which cluster configuration would you recommend?
A. Ten X200 (27 TB) 48 GB RAM, 600 GB SSD, N+2:1.
B. Five X400 (120 TB) 96 GB RAM, 2.4 TB SSD, N+2.
C. Ten X400 (60 TB) 48 GB RAM, 2.4 TB SSD, N+2:1.
D. Eight X200 (36 TB) 24 GB RAM, no SSD, N+2:1.
Answer: A
Your customer's site uses an old X-Series cluster, and they are interested in consolidating their two primary workflows. iostat shows that one of the applications is sensitive to latency, while isi statistics indicates sensitivity to disk response times. There are approximately 1000 users accessing 70 TB of file data. Which node type would you recommend?
Answer: A
A customer is making a decision between Isilon and a competitor's offering. They currently have 100 TB of usable capacity and are forecasting 100% growth per year for the next three years, which will require them to lease additional space in their co-located data center. The CFO finds ROI and TCO to be important decision criteria. Which statement best emphasizes the value of Isilon for this customer?
A. Isilon's OneFS data protection policies offer substantially lower overhead than competitive RAID based NAS solutions.
B. An IDC study found that Isilon requires 95% less down time hours per year compared to other competitors.
C. The competition cannot offer a scale-out NAS so as capacity is added to the array, performance may degrade.
D. Isilon's OneFS allows administrators to manage much larger amounts of capacity than competitive offerings.
Answer: A
A potential customer requires 4 PB of usable capacity to store media files. The workloads are a combination of streaming video delivery and long term archive of video assets. There is very little space available in the customer's datacenter, so physical density is very important. The customer is concerned about performance impact and potential data loss when using 3 TB or larger drives. What Isilon capabilities can address the customer's concerns?
A. Isilon does not perform rebuilds – data reprotection is typically 2x-3x faster than traditional RAID rebuilds.
N+3 and N+4 Protection Levels exceed traditional RAID6 availability.
Data redistribution runs faster with more nodes in the cluster.
B. N+3 and N+4 Protection Levels exceed traditional RAID6 availability.
Proactive hot sparing eliminates most drive rebuilds.
Endurant Cache reduces the overhead for write operations.
C. Isilon does not perform rebuilds – data reprotection is typically 2x-3x faster than traditional RAID rebuilds.
Data recovery is consistent, taking the same amount of time regardless of cluster size.
Isilon 'short strokes' 4TB drives to reduce rebuild time.
D. Isilon nodes have more drives per rack unit so fewer shelves are required.
Proactive hot sparing eliminates most drive rebuilds.
N+3 and N+4 Protection Levels exceed traditional RAID6 availability.
Answer: A
A potential customer requires 800 TB of usable capacity to store medical images for their network of health clinics. The IT department has limited staff and currently manages four storage arrays from other vendors. During a meeting with the Director of IT you learn that the company is considering a solution from a competitor of EMC using two of the existing arrays and two new arrays. Which Isilon capabilities would show a better ROI for the customer?
A. Isilon has 6%-12% less filesystem overhead than traditional clustered filesystem solutions.
With a single filesystem and virtual capacity for drive and node failures, Isilon utilization is typically 80% or higher.
Isilon utilization is typically 80% or higher due to use of a single filesystem and virtual capacity for drive and node failures.
B. With a single filesystem and virtual capacity for drive and node failures, Isilon utilization is typically 80% or higher.
OneFS compression results in higher effective capacity within the cluster.
Traditional clustered filesystems require 4%-10% internal overhead compared to Isilon virtual capacity.
C. Forward Error Correction overhead is 7% lower than traditional RAID.
Isilon has 6%-12% less filesystem overhead than traditional clustered filesystem solutions.
According to an IDC study, Isilon improves IT productivity by nearly 50% compared to traditional competitors.
D. Isilon has 15%-20% less overhead than traditional clustered filesystems.
According to an IDC study, Isilon utilization is nearly 50% higher than traditional competitors.
Isilon QOS headroom and multiple node pools ensures consistent performance up to 80% utilization.
Answer: A
Your customer's initial use case was Home Directories. They implemented the cluster with four 1Gbps ports and LACP. They are planning to expand their cluster to support their core file services. They plan to upgrade their network infrastructure to 10GbE to facilitate this. What are two design impacts this change will have?
A. Maximum performance is obtained by only using a single 10GbE interface per node.
LACP and multiple links may be used to increase redundancy, but will not provide more overall performance to the system.
B. LACP and multiple links may be used to increase redundancy, but will not provide more overall performance to the system.
FCoE should be considered for the External Network Ports on the nodes.
C. Dual 10GbE ports on each node will enable throughput of 20Gbps.
Only connect half of the nodes to the network.
D. Maximum performance is obtained by only using a single 10GbE interface per node.
Isilon can support up to 400MB/s per node.
Answer: A
You have 1000 users for an application that reads and writes files averaging between one and four MB in size. Each user requires 24 MB of RAM. You want to add another 1000 users for this application, and in preparation for them, you run the isi statistics command. You discover that the average CPU utilization is 20%; aggregate throughput averages 700 MB/s and the disk QueueD average is 1.5. Your cluster currently has five X200 (12 GB RAM, 1 TB drive) nodes, uses N+2:1 protection and 1 GigE networking. What should you do to accommodate the next 1000 users?
A. Add five additional X200 (12 GB, 1 TB drive) nodes.
B. Upgrade each X200 node to a total of 24 GB of RAM.
C. Upgrade two of the 1 GigE NICs to 10 GigE on each node.
D. Add five A100 (24 GB RAM) accelerator nodes.
Answer: A
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text:
Christmas is traditionally a time of joy and merriment. But, for many Big Bend Cares' clients—who are also parents— it can be a time of worry and extreme stress. Many of our clients struggle to afford necessities like nutritious food, keeping the utilities on, keeping up with rent, reliable transportation, and medical care.
Buying their children gifts for the holidays may be an impossible burden or result in extreme financial and emotional strain.
Become a Holiday Angel and help Big Bend Cares create happy memories for these children.
How does Holiday Angels work?
- The program matches community members with our clients' children in need.
- Families range in size from 1 to 10 kids and for each child, this program may be the only time that they receive new toys or new clothes that fit and are meant just for them.
- To sponsor a family with 1 to 10 children in the home, please complete the form below.
- You will then be sent information about the child's or children's clothing sizes and interests to help you pick out their gifts.
- Drop off the wrapped presents or have them shipped to the Big Bend Cares' office by December 12th and know that you've made a positive impact on a family's Holiday Season!
- No time to shop for gifts? Big Bend Cares' staff is happy to shop for you! Just click here (https://bigbendcares.org/donate/) to make a Holiday Angels donation. Please be sure to say "Holiday Angels" in the Comment Section.
Have questions or need more information?
Please email Serene Smallwood at email@example.com
(850) 656-2437 ext. 224
Thank you SO much for helping make Christmas morning truly magical for these children!
Please remember that gifts to Big Bend Cares are deductible from your federal income taxes. Consult the Internal Revenue Service or your tax advisor for more information.
"A copy of the original registration and financial information may be obtained from the division of consumer services by calling toll-free (800-435-7352) within the state or at www.800helpfla.com. Registration does not imply endorsement, approval, or recommendation by the state." Registration ch#1673

subset: commoncrawl


text:
Welsh Tradition in December - Mari Lwyd
Written by Anne Newman - 8th January 2020
The Mari Lwyd is an ancient mid-Winter tradition which is unique to Wales. The custom was performed during winter festivities, specifically around Christmas and New Year. However, the precise date on which the custom was performed varied between villages, and in a number of cases the custom was carried out for several consecutive nights and some regions wait until January.
The Mari Lwyd translates as the Grey Mare.
The Mari Lwyd is a horse's skull, which is decorated with colourful reins, bells and ribbons and the skull is then wrapped in a white sheet and placed on a pole and someone goes underneath the sheet to carry it around the village accompanied by a procession of people who are often dressed in traditional costume.
The Mari and her group call to houses and try to gain access by performing a series of verses, known as pwnco, challenging families to a battle of rhyming insults in Welsh. The home owners respond with their own rhymes, in a fake battle to outwit the creature and prevent her from entering the house.
One common opening went:
Wel dyma ni'n dwad - Well here we come,
Gy-feillion di-niwad - Innocent friends,
I ofyn am gennad - To ask leave,
I ofyn am gennad - To ask leave,
I ofyn am gennad i ganu - To ask leave - to sing.
The battle can continue for as long as the two parties wish, but once it's over, the Mari is let inside - as this brings the household good luck for the future year.
The Mari and her followers are then given refreshments as the celebration continues inside before moving on to the next house.
This tradition is associated with South Wales and is rumoured to be the strongest and most unbroken tradition is in Llangynwyd, Brigend.
Although the tradition declined in the early to mid-twentieth century, in part due to opposition from some local Christian clergy and changing social conditions, it was revived in new forms in the mid-to-latter part of the century.
Anne is sharing a series of events throughout the year - you can find them listed by clicking to the link Other Notable Dates and Festivals.


text:
iHeartRadio Adds Dave Ramsey Channel
August 6, 2012 at 4:52 AM (PT)
Syndicated financial talker DAVE RAMSEY is getting his own channel on the iHEARTRADIO platform TODAY (8/6), with a 24/7 stream of his show available and updated daily at 5p (ET). RAMSEY is the first independently syndicated host available via CLEAR CHANNEL's digital platform.
"We are very proud of what 'THE DAVE RAMSEY SHOW' has achieved with the help of our 500+ existing radio affiliates. This new partnership with iHEARTRADIO provides the perfect platform to expose DAVE's straight talk on life and money to a new audience that now consumes media through mobile and online applications," said RAMSEY's VP/Broadcast BRIAN MAYFIELD.
"We're thrilled to add 'THE DAVE RAMSEY SHOW' to iHEARTRADIO's current lineup of stations across the country," said CLEAR CHANNEL MEDIA + ENTERTAINMENT DIGITAL Pres. BRIAN LAKAMP. "The show features financial topics that resonate with listeners, and we are excited to offer another premium program for our iHEARTRADIO users."


text:
Arzinger & Partners Belarus "Climbed up" in the Rating IFLR 1000
And again October, and again the time of the rating IFLR1000.
In the company section of IFLR 1000 Financial & Corporate we have gone up and take a worthy place in Tier 2! Similarly, we are located in the section Project Development, which replaced Energy & Infrastructure.
Sergey Mashonsky, Dmitry Viltovsky and Klim Stashevsky are marked in the category Highly Regarded, and Maksim Slepitch – in the category Rising Star. Alexander Korsak has also received positive feedback. The rating provides the following comments of our Clients:
"Arzinger & Partners is an effective, dutiful and skilled law firm, even if it is not large".
"Arzinger follows high standards of legal services and is a reliable partner. This company has a great experience, employs highly qualified professionals and has deep knowledge and understanding of the local market".
We are grateful to our Clients for kind words, trust and support – exactly You let us move forward!


text:
August 18, 2021
We are already into the middle of August. We know that there is lots more summer to come but the Holidays are fast approaching. Do you change your decor to match the season? I know that I do and I love the fall colors. Fall is such a great time to get out the warm browns, the tangy oranges, ivories, and tantalizing greens and decorate your table with these wonderful colors. It just gives your home a very warm welcome! Table runners, table toppers, lap quilts and wall hangings are just a few of the wonderful things you can make to decorate your home. Got an embroidery machine? There are lots of designs out there for pumpkins, corn shucks, gourds etc. Enhance your table runner with one of these designs. If you own a Janome embroidery machine (and we hope you do!), Janome has wonderful projects on their website and tutorials to help you accomplish these beautiful designs. Check out their site!
Speaking of embroidery/sewing machines….have you ever wanted one? Or do you have an older one with outdated technology? Have we got a deal for you! The Janome MC15000 is on SALE!! This machine has 510 built-in stitches and 980 embroidery designs and it's WI-FI certified. This machine comes with an Apple Mac Book Air, and it is PC and Mac compatible. This machine has so much to offer! It is top of the line. Come in and see what it will do.
September 4th: We will be closed for the Labor Day Weekend and will reopen on the 7th at 10a.m.
Also we will NOT do our "Ladies Night Out" on Friday, September 3rd due to the Labor Day Weekend. We will see you in October!!
September 11th: Sharynn's Stitching Friends at 9 a.m. here in our classroom.
September 24th and 25th: Our In-Store Retreat. Call the shop for more info. We have a few spots left open so be sure to come and join in the fun.


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Château Haut-Bailly Pessac-Léognan 2017
Bordeaux wine Rouge
Robert Parker : 97+ points
Red wine 2017
- Area : Bordeaux
- Name : Pessac-Léognan / Graves
- Grape variety : Cabernet-sauvignon, Merlot, Petit-Verdot
- Structure : Complex, Dense, Lush, Sappy, Satiny, Silky, Suave
- Families of flavor : Chocolat, Coffee, Licorice, Mokka, Spices, Tobacco, Truffe
- Conservation : A maturité 2025-2040
- Temperature of service : 16°
- Mets/wines agreements : Bécasses rôties en cocotte, Côte de boeuf braisée, Perdreau truffé
- Capacity : Bottle (0,75 L)
Description of the Château Haut-Bailly
Gorgeous wine, so well crafted. Good dark-ruby color. Aromas of cherry, spice and cocoa. Full-bodied, firmly tannic and a long finish of fruit and tannins. Needs time to mellow.
Robert Parker : 97 points
"Composed of 60% Cabernet Sauvignon, 36% Merlot and 4% Petit Verdot, the deep garnet-purple colored 2015 Haut-Bailly offers up a tantalizingly savory nose of smoked meats, chargrill, tapenade, unsmoked cigars and black truffles with a core of black currants, black cherries and wild blueberries plus wafts of iron ore and bouquet garni. Medium to full-bodied, very firm and yet wonderfully plush with a powerful core of fruit—this vintage is truly an iron fist in a velvet glove. The finish goes on and on with persistent earthy/minerally notes and savory/sweet fruit. Although it is tempting and indeed delicious right now, the wine still possesses many restrained layers and should handsomely reward the patient."
Léoville Poyferré
Château Montrose
The 2014 Montrose builds on the promise it showed in barrel with gorgeous blackberry, raspberry, cedar and orange sorbet scents that are extremely pure and refined
Château Figeac
Château Pavie
The 2016 Pavie a blend of 60% Merlot and 40% Cabernet Franc. Very deep purple-black in color, it needs a little coaxing to begin, slowly unfurling to reveal a fragrant perfume of violets, chocolate-covered cherries
Château Troplong Mondot
Château Lynch Bages
Château Haut-Brion
La Mission Haut-Brion
Château Eglise Clinet
The 2014 L'Eglise Clinet was tasted from a single bottle but from two glasses, each poured at different times before I arrived for the tasting


text:
Chapter 36: The Forest After Rain
Translated by Addis of Exiled Rebels Scanlations
Editor: Sulo
Myka and Sylar were walking on the forest path. After breakfast, they left his Majesty's castle. Myka was going back to the store, and the elves wanted him to stay and help. Finally, they came up with a compromise: let Morning Mist continue to live in the castle. Once they find a suspicious person, they would let her throw magic to blow him up. If there is a strange appearance related to pink magic, they would contact Myka with feather charms, and Sylar would send him directly.
In this way, Sylar had to be with Myka in a way that they could be found.
The forest was very wet after the rain. Probably because it was hard for long hair to stick on the neck, Sylar tied up his hair with a leather rope, held his cloak and leather armor in his hand, and only wore loose cotton clothes that fit his body.
This Sylar looked fresher than usual. He was taller than Myka, because he had lived in the forest and wilderness for a long time, and his physique was much stronger. When he first met Sylar, Myka thought of him as "a shy muscled druid". Now Sylar had no grass crown and little wildflowers on his head, no green cape matching his red hair, so he was no longer full of girlish flavor, and looked like a handsome ordinary young man.
The only surprise was that Sylar had a clear scar on the back of his neck and upper back, which was a disordered shape. It was speculated how terrible the wound would have been. Fortunately, it looked like it was from a long time ago.
"Why do you look at me like this?" Sylar asked.
Myka pointed to the scar, "What happened…"
"I was picked up by a wolf when I was a child," Sylar said, touching the scar. "Actually, I don't remember the details of things. I was very young at that time. It was Lord Atan who saved me. He had to bite the wolf in the pack… "
"Yeah, it's rare in druids," says Sylar. "In principle, we don't interfere with the hunting of wild animals. Like the antelope, we will try our best to protect our cousins and cubs, but we will not take extra revenge on the beast, but do all kinds of efforts to save the victims, or try to avoid such things happening again."
"So what happened?" Myka asked.
"It seems that I was born in a nomadic tribe on the wasteland, I don't remember," said Sylar, who was raised by Atan and other druids and only heard about it. "The livestock was attacked by wolves, so people drove them away and killed some of them. Later, somehow, the wolves got on with them. They chased and ambushed them, and they began to hunt and kill. I don't know how old I was. Anyway, I was too young to remember things. My family died from the wolves, and I was almost killed by wolves. Atan saved me. He became a wolf with a silver back line and then, with the leader of the wolves, he dueled."
Myka thought it was incredible. He'd heard of Druids' ways of doing things. They usually communicate with beasts to make them timid or isolate them from humans without causing too much damage. In a word, they would use divinity to solve it, because this was the ability that nature gives them. And fight with the wolf in person… This was unheard of.
"It's not the most exaggerated," said Sylar, who knew how surprised Myka was, as he had just heard about it. "You should understand that the wolf transformed from the high-level Druid is still stronger than the ordinary wolf, so in order to be fair, Atan even deliberately hurt himself. In the end, he won. He didn't kill the wolf, but he took over the wolves… He became the leader of the wolves "
"So, some people call him 'silver wolf.'"
"Yes, since then, his thinking has been very strange. Generally, druids do not choose this approach. Later, you also heard that he raised me and followed his younger brother, Sylander. If it wasn't for the purpose of following Sylander, Atan would not be so close to the society of ordinary people as he is now."
"He didn't live with Sylander?"
"No, they were separated for a while when they were children," says Sylar. "I don't know exactly. In a word, Atan and he were separated, but they met again by the token left by their parents. Atan began to track and protect Sylander. He said it was an instinct, just like adult animals protect young animals. As a result, Atan is getting closer to the society of ordinary people."
"I see," Myka nodded. "So when the priest got married, Atan stopped following him? I thought it was… "
"What did you think it was?"
Myka didn't explain. He thought that Atan had special feelings for his brother, so he was disappointed to see his brother married. He realized that although his speculation seemed complicated, it was very consistent with the concept and logic of ordinary people. But in Atan's and even Sylar's logic, 'when he has a spouse and his own family, he will no longer belong to the original family, and no longer need to be protected' is more natural, just like the idea of wild animals, rather than human beings.
Similarly, many of Atan's behaviors cannot be understood with the common sense of urban people. And Sylar had a little bit of this tendency.
"Sylar, have you ever realized you're weird." Myka asked.
"I've been told about my style of dress…"
"No, it's not about clothes. You can wear whatever you like, and you can wear flowers," Myka said, glancing at Sylar's red hair. In the morning, his little flowers fell out, and now he hadn't found any new flowers on the ground. "I'm talking about tracking. I've always wanted to say that before. You always switch subjects."
Sylar lowered his head and didn't speak, walking in front of Myka in silence. He had planned to spend some time patrolling the forest since Atan captured Sovili and Illican, and even wanted to fight against the Lansuo elves, he needed at least a place to live.
Igor, the seal, couldn't say the route, but from the conversation with him, Sylar knew that Atan was indeed in the nearby forest.
Sylar was going to find him alone, but Myka had to go with him, saying it was better that way.
"Sylar, do you think I'm a human or a tree?" Myka asked.
"Human, of course."
"Humans talk and communicate with each other. Trees don't respond to people around them."
Sylar stopped. "I didn't make you unresponsive…"
"You didn't want me to follow you."
They had now left the footpath that had been trodden on by people for years, and walked to the dense forest full of moist plants and weeds. Sylar used a wooden stick to remove the sharp plants and let Myka follow him.
"I just don't think you should come and do this with me…" Sylar sighed.
"Then what do you think I should do?"
"Live a mage's life? Copying spells and doing research is what mages usually do, just like the people in northern Fenglin or mage college," says Sylar. "Because you're a mage, you shouldn't be affected by my business."
The more advanced the forest was, the more dense it was, and the sky was almost blocking out the sun. Myka took out a lighting stick and polished it. The cold light was as bright as the light of a torch.
"I'm a mage, but before that, I'm a normal person," Myka said. "What do you think I should do? Don't eat or drink for magic? Or spend decades turning myself into a lich? If there were a lich that was a pink robed mage, it would be shocking… There are many great or evil mages in a hero's story, but I'm not that far. I'm just a businessman living in a small village. I mean, you didn't affect my life. Why don't you understand?"
Sylar stopped, put on the expression he often used when he was confused, and slightly frowned with his head askew. "But you will accompany me to find Atan, and he caught you with the wall of roses, which was caused by my influence."
Myka almost tried to grab the stick and hit him on the head. "So, are you following me because of my interference? Did I make you go to the cave of King Hollis to find me? Are you helping Sovili with me as a result of my interference? Didn't you volunteer?"
Sylar turned to explain, "No, of course I did it voluntarily! I have been… It's not your problem that I wanted to do it out of my own desire… "
"Then why don't I have the right to 'volunteer'?" Myka asked. As soon as he finished, he felt as if there was something wrong. It's as if he was digging a big hole for himself and pouring sand into it.
Sylar looked at him in surprise. "Myka, don't you understand? I thought you knew. I like you. I told you how I feel. You should understand what I mean. But you can't accept me, can you? First of all, I've liked you for nine years, and you've only known me for a few months; second, I am a man, obviously you are also; finally, I know that I am strange in the eyes of ordinary people," now he answered the question from Myka, "because I can never be separated from being a wild son, and I know that my custom and character are not compatible with the city. And you are mage, who studies Pink Magic. You can't accept it…"
"So, do you think I am a human or a tree?" Myka said in a fretful voice, "You'll run away after you've finished speaking. You're not going to ask me what I think. Do you think I have no idea like a tree? Or have read my thoughts and knew that I couldn't accept anything without asking?"
This time, as soon as he finished speaking, Myka found that he was actually digging a big hole and filling it with fine sand.
And… now he had stepped in.
Sylar's crooked head was slowly realizing it as well, his eyes were shining more and more.
"Well, I'm finished. We should keep looking," Myka said awkwardly, pointing to the front. "The map of the Lansuo elves says that there's a low cliff ahead, and there's a stream under it. After that, it's not the area of Lansuo Valley…"
Sylar looked in the direction he was pointing, but instead of rushing forward, he came over. Myka felt that he had started to sink in the 'quicksand pit' he dug himself. The mage stepped on the soft soil and stepped back a step, behind which was the crooked trunk covered with moss. Sylar came up with a look reminiscent of a hungry wolf.
Sylar put one hand on the bark and stood in front of Myka.
In Myka 's mind, there were numerous vulgar love comedies performed by poets and singers in taverns. He didn't figure out what to say next. He was trapped in a quicksand pit dug by himself and couldn't get out.
"Myka, I see," said Sylar, looking down at him slightly, while Myka looked away from him. "I shouldn't have… Thank you. I'll start asking you what you think."
He showed his shy expression again and reached out his other hand to touch the trunk. Myka feels like he was about to be overwhelmed by the pit – he was now enclosed between Sylar's arms.
"But I have to point out," said Sylar, closing his eyes gently and smiling softly. "You may not know. In fact, I can talk to trees, they are not without ideas."
"Ha?" Myka was surprised at the direction of the conversation.
"Young trees often don't know what's going on around them, and there are a lot of trees that don't care," says Sylar, "and older trees sometimes want to talk to us…"
Well, now Myka finally has the courage to look up at him and felt awkward.
Sylar was propping his hands on the tree trunk, closing his eyes slightly, as if communicating`with the tree behind Myka.


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Dear Gossips,
Over the next couple of weeks, as we approach the end of 2020, we'll be sharing some of our favourite 2020 content, entertainment that got us through this f-cked up year. If you asked me at the end of 2019, if we could have predicted that we'd be on lockdown for several months, what I'd spend most of my time doing, I would have said reading and my recommendations would be books. But then I got the inlectio and now I'm anxious that my inlectio will last longer than this pandemic.
Instead of reading, 2020 for me was all about East Asian entertainment. I got a Viki membership about a year ago – because it was about a year ago that Crash Landing On You premiered on Netflix, which is when my Chinese and Korean drama obsession really got out of hand. Viki, if you're not familiar, is a streaming service with a huge library of subtitled East Asian content. And I initially signed up for it to look for more Hyun Bin content after getting impatient for new Crash Landing On You episodes. Then I ended up getting sidetracked by a Taiwanese time travel drama called Someday Or One Day which is definitely in my Top 5 series of the year, like overall, not just out of East Asia.
Around the same time though, I read a headline about Ryan Reynolds on a South Korean variety show, Running Man. Koreans produce a LOT of variety shows (they produce a LOT of TV period) and Running Man has been around a long time, I think maybe a decade? Running Man features a regular cast with special guests joining to complete missions over the course of an episode. The missions are basically games – and some of the games are bonkers. Like ridiculously stupid and also, at times, unnecessarily complicated. This, of course, is intentional, because the cast is hilarious and the whole point is to put them in situations that bring out the comedy.
Running Man wasn't Ryan's first Korean show. You may remember, in 2018, while in SK to promote Deadpool 2, he actually participated as a contestant on King of Masked Singer, which most of you probably know in North American now as The Masked Singer, which premiered on Fox in early 2019; the network signed off on the series after Ryan's appearance went viral. No doubt he had a good time – but he's also, as we've seen, great at marketing and branding, and knows good content. He knew King of Masked Singer would be good content. And he must be somewhat familiar with a lot of the good content and the value of the Korean market, especially where Netflix is concerned, because when he returned to SK a year later to promote Netflix's 6 Underground, he once again made it a point on the press tour to do another Korean variety show. And he brought along his co-stars.
Here are a couple of clips which don't give you the complete picture but you do get a sense of how random and silly it is and the key to everyone having a good time is to be game to play along.
YouTube has so many Running Man Clips. And you can find the Tom Cruise Running Man episode there too.
There's also another variety show called 2 Days & 1 Night that also cracks me up. It's similar except that 2 Days & 1 Night has a travel theme to it where their regular cast members and guest stars go around to different places in Korea to complete their missions. I got into that one because there was an episode where three hot actors and the cast members had to jump rope while continuing to take their clothes off, lol. Obviously that alone is a thing but what also makes Korean variety shows so funny is that they sometimes insert the shadiest comments on the screen and whoever's doing the captions also becomes a silent character.
Anyway, those are some of my recommendations and more from other team members will come over the next few weeks.
Yours in gossip,


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LinkedIn ads have been around for years, but until now any sponsored content on the professional platform was restricted to the ad-heavy sidebar. Starting this week though, LinkedIn advertising opportunities are expanding beyond the righthand column. Brands will be able to purchase a new type of ad called the "Sponsored Update," which will appear right alongside organic content in users' news feeds.
The Sponsored Update format will mirror that of organic updates, but will be marked with the "Sponsored" label. Whereas your company's LinkedIn posts were previously only visible to those who follow your company page, that reach can now be amplified to a much larger (and targeted) audience.
In a blog post announcing the new feature, LinkedIn described that ads as an opportunity for marketers to "distribute this content directly to relevant professionals in a place their customers and prospects are already consuming professionally relevant content." LinkedIn seems like a logical setting for content-backed B2B ads — that white paper, deck or instructional video is probably more enticing in this environment than it would be in your Facebook newsfeed. But oddly enough, the first example cited by LinkedIn is this overview for the Mercedes 2014 E-Class — not exactly useful business-related content.
In a separate post geared toward the consumer side of the equation, LinkedIn promises users that "most of your updates will continue to be organic information from your network." Users will also have the option to hide "irrelevant content" from their feed.
The ads will have rich targeting and analytics options. Viewers can interact with the ads in a number of ways, from following the company to liking, commenting, sharing, or clicking the ad itself.
Ads will be visible across devices, including desktop, smartphone and tablet. They will available in the CPM or CPC model, and will be supported in twenty languages across 200 countries. Sponsored Updates are currently available to companies with account reps, but will roll out to all users by the end of July.


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Kibuye, Burundi
Eric and Rachel McLaughlin both grew up all across the United States. They met during medical school and were both interested in international long-term missions. They were married in 2005, then in 2007, while Rachel was completing her residency in OB-GYN and Eric in Family Practice in Ann Arbor, MI, they joined up with two other medical families from their church and decided to pursue medical missions as a community that went together to Tenwek Hospital in Kenya from 2009-2011, where they added a few team members, as well as decided to pursue working longterm in Burundi.
They joined Serge in 2011, before being sent to French language school for a year, and arriving in Burundi in the summer of 2013. They live at Kibuye Hope Hospital in the impoverished rural interior of Burundi, in the heart of central Africa, where they care for patients while training national doctors as professors for Hope Africa University, a Christian Burundian University.
They have the distinction of having three children born on three continents. Maggie was born in 2009 in Michigan. Ben was born in 2011 in Kenya, and Toby was born in 2013 in France.
Please automatically charge my future gifts on the following day:
Please write "In Memory Of -Name-" | ex. "In Memory Of Betty Herron"


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Fort Bragg, CA
While a professor at Wittenberg, Luther devised this seal which he declared was meant to be expressive of his theology. This explanation is the gist of a letter written to his friend, Herr Spengler, town clerk of Nuremberg.
"The first thing expressed in my seal is a cross, black, within the heart, to put me in mind that faith in Christ crucified saves us.
For with the heart man believeth unto righteousness.
"...Now, although the cross is black, mortified, and intended to cause pain, yet it does not change the color of the heart, does not destroy nature- i.e., does not kill, but keeps alive. For the just shall live by faith,-by faith in the Savior.
" But this heart is fixed upon the center of a white rose, to show that faith causes joy, consolation and peace. The rose is white, not red, because white is the ideal colors of all angels and blessed spirits.
"...This rose, moreover, is fixed in a sky-colored ground, to denote that such joy of faith in the spirit is but an earnest and beginning of heavenly joy to come, as anticipated and held by hope, though not yet revealed.
"...And around this groundbase is a golden ring, to signify that such bliss in heaven is endless, and more precious than all joys and treasures, since gold is the best and most precious metal. Christ, our dear Lord, He will give grace unto eternal life."
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Feb. 6, 2008— -- Doctors say the cocktail of drugs that killed Health Ledger — a deadly mix of powerful prescription painkillers, anxiety drugs and a sleeping pill — was not a combination that any single physician could have reasonably prescribed.
According to a statement issued by the New York City medical examiner's spokeswoman, Ellen Borakove, Ledger "died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine."
A statement later issued by Ledger's family suggests that all of the drugs found in the actor's body were in therapeutic levels, contributing to the notion that it was no single medication that directly caused his death.
Both oxycodone and hydrocodone (known by the trade names Oxycontin and Vicodin) are powerful opioid pain medications. Diazepam (Valium), temazepam (Restoril) and alprazolam (Xanax) are prescribed to treat anxiety. And doxylamine (Unisom) is a sleep aid.
But considering the powerful nature of the drugs in the mix, say doctors, it's little surprise that the drug combination turned out to be fatal.
"Any one of these drugs, in the right amount, could be dangerous or fatal," says Dr. Vatsal Thakkar, clinical assistant professor of psychiatry at New York University Medical Center.
"The fact that he was taking a number of them at the same time makes them even more dangerous," Thakkar says. "When you add in a number of classes [of drugs] that all have a sedative effect, you increase the chances of 'quieting down' the brain to the point that the victim stops breathing."
"Certainly, there is no need to be taking two opiates, the oxycodone and the hydrocodone, at the same time," adds Lynn Willis, professor emeritus in the department of pharmacology and toxicology at the Indiana University School of Medicine. "Similarly, there is no justification for taking more than one benzodiazepine — diazepam, temazepam and alprazolam — at the same time, unless under a physician's direction."
Ledger's death may even serve as a warning sign for those who take prescription medications regularly for both pain relief and anxiety.
"The interesting aspect of this combination of drugs, prescribed for pain and anxiety, is that people develop tolerance to them," says Dr. Donna Seger, associate professor of medicine and emergency medicine at Vanderbilt University Medical Center in Nashville. "If one takes these drugs chronically, the drugs will cause minimal depressant effect. To continue to have effect, doses have to be increased."


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Dr Alice Weaver
Clinical Psychologist
What I can help with
- Anxiety
- Panic
- Social Anxiety
- Obsessive Compulsive Disorder
- Health Anxiety
- Other Anxiety Disorders
- Trauma/PTSD
- Stress
- Depression
- Bipolar Disorder
- Self-esteem
- Psychosis
- Personality difficulties
- Relationships
- Eating disorders
- Adjustment Disorder
- Acute Health Conditions
- Long term health conditions
- Medically Unexplained Symptoms
- Women's Health
- Perinatal mental health
- Couple Work
Therapies offered
- Cognitive Behavioural Therapy
- Compassion Focused Therapy
- Psychodynamic/Psychoanalytic Therapy
- Person Centred Therapy
- Systemic Therapy
- Cognitive Analytical Therapy
- Couples Therapy
- Acceptance and Commitment Therapy
- Dialectical Behaviour Therapy
Alice is a warm and open practitioner who believes in using evidence-based practice in order to help people explore relationships, emotions, experiences and how acceptance and change can be possible. Therapy is tailored to each individual and she works with people collaboratively to make sense of their experiences, explore how these have emerged over time and to enable people to learn skills to effectively manage their emotions in order to bring about meaningful change.
Dr Alice Weaver gained her doctorate in Clinical Psychology from the University of Exeter. She also has completed the South West Foundation Course in Group Analysis and is currently completing her training as a Cognitive Analytic Therapy (CAT) practitioner. She works within an Adult Mental Health service in the NHS providing assessment and therapeutic intervention to adults with a wide variety of mental health difficulties including severe depression, anxiety, personality disorder and has a particular interest in trauma-focused therapy and relational work.
Previously she has worked in health psychology within a multi-disciplinary team with a wide variety of medical professionals. As part of that role, she provided therapy for psychological difficulties associated with physical health conditions. She has experience of co-facilitating a number of different groups in various settings including reflective-practice groups for NHS staff. Alice has also co-written several academic papers and teaches on the PGDip Psychological Therapies Practice at the University of Exeter.


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Updated on June 1, 2021
How Tree Removal Services Is Vital For Safety
Tree Removal Louisville KY is possible for homeowners, businesses, and others. The city of Louisville KY is a historic area located in central Kentucky and is known for its history, charm, and beauty.
The area was designated as a National Historic Landmark and the city's many landmarks are found throughout the city. The National Park Service is currently looking into the possibility of protecting more of the area. Tree removal professionals have been hired to remove trees that are not being used or are not in use at this time. It is important to hire a professional service to remove trees that are not currently being used.
When a homeowner has trees on their property, or someone wants to relocate to the Louisville area, hiring a tree removal service can be a good idea. Trees need to be removed from the area and a professional service will do that work quickly and efficiently. They will also remove a tree that is too large and dangerous to remove.
The most common trees that need to be removed in the Louisville KY area are oak trees, cedars, maple trees, poplars, cypress, spruce, and many others. The number of different types of trees that are available in the Louisville KY area depends upon the geographic location. The areas that are located close to the downtown area tend to have a variety of different types of trees. Areas that are more remote, usually around the mountains will have more trees that require removal due to the limited amount of space.
A professional service will come in and remove a tree from the area for any number of reasons. Trees that are not being used may become a safety hazard in the area. In addition, trees can develop cracks and other types of damages that may result in the tree falling on the sidewalk or road. The professional service will determine whether the tree needs to be removed completely or if it needs to be trimmed down.
One of the most popular reasons to hire a professional service to remove trees is to get rid of dead trees that may be growing on the sides of buildings. These types of trees are often neglected by homeowners because they think they are safe to remove. However, these types of trees do not need to be removed because they cannot survive in an area without sunlight. A professional tree service can make sure that these types of trees are removed and replaced with healthy ones.
Trees should be left in place when it comes to the Louisville Kentucky Bluegrass, Coneflower, and the Kentucky Bluegrass Coneflower. These are all types of trees that are native to Kentucky that need to be protected and have the proper care taken for them. Removal services can also remove the trees that are located on the property lines, which can pose as a hazard or danger to the community.
Tree removal in Louisville KY is necessary for individuals who live in the city or the surrounding area. The process of removing these trees should be done quickly and effectively to prevent them from becoming a safety hazard.
Tree removal is the only way to ensure that people can live in an area where they are not exposed to any type of hazard from a tree. People who live in the suburbs should have trees in their yard to ensure that their safety is guaranteed. This means that people can have the chance to enjoy the beauty of the nature without having to worry about being in harm's way. The problem comes when homeowners allow trees to grow unchecked because they did not consider that they might someday need to remove them.
Trees that grow over the fence lines should be removed because they can create a security hazard. Many homeowners may not consider this, but trees on the outside of their homes may provide the homeowner with an advantage. Many people use the ability to watch their children while away from home while they go out with friends and family. This means that they can watch over the children and still enjoy their neighborhood while they are away.
Trees can provide great shade to a home and people who live in the hills can enjoy the beauty of the surrounding environment without being exposed to the sun. This makes for a peaceful existence, and the people who live on the hill will have no trouble breathing. A professional tree service will help families achieve a peaceful existence where they can enjoy their home while keeping their environment safe and secure at the same time.


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Happy Birthday Suite
Service Description
Price of Room or Airbnb not included. *Real flame candles are not permitted with hotel bookings. (Extra LED lights will be included in place of candles if hotel is chosen) - 2000 Silk Rose Pedals - 48 ct Candle Assortment - (2) Mylar number Ballons (i.e 35) - Complimentary Bottle of Champagne - 2 Champagne flutes - Sweet treat - Memory Lane Display - Complimentary Love Runners gift ADD ONs (Prices vary depending on the vendor) - Bottle of your choice (up charge $ varies pending bottle type) - Personal Chef - Catered Meal - Masseuse - Motion Memory Catcher (videographer) - Still Memory Catcher (photographer
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Trade Up to One of my listings and I give you a written guarantee to sell your home for at least 95% of market value !!!
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More than 500 million Africans gain money to support their families through the practice of small scale farming. As a result, healthy cattle are crucial because they offer meat, milk and labor. Keeping cattle healthy is critical to farmers who are trying to earn a living. However, many farm animals die every year in Africa from preventable diseases, especially in Ethiopia, which has the largest population of livestock in Africa. VetAfrica, a mobile app that first debuted in 2014, provides tips to farmers on how to diagnose and treat cattle with diseases.
Who Does it Reach?
VetAfrica tackles diseases in Ethiopia, Kenya and Uganda because more than 80 percent of people in those countries work in farming. Some diseases that the app included are anaplasmosis (a disease that tick bites cause) and fasciolosis (a parasitic worm infection).
How Does it Work?
There are three main parts to the app: VetAfrica Mobile, VetAfrica Hub and VetAfrica Expert. VetAfrica Mobile gives information about disease symptoms to farms in order to educate them about how to identify them in their cattle. It also allows farmers to share data with other farmers to spread awareness and possible paths to treat cattle with diseases. VetAfrica Hub is an online website to sort and evaluate data that farmers upload to the app. Through VetAfrica Hub, farmers and health care specialists can learn about cases of cattle diseases and be aware of possible disease outbreaks. VetAfrica Expert lets medical professionals add information to the app about possible diseases.
One of the main criticisms of VetAfrica is that many Africans cannot use it because they may not have access to a smartphone or WiFi. To address the problem, VetAfrica creators designed the app to work offline. Proponents for VetAfrica also explain that purchasing a smartphone to use will provide various benefits to farmers outside of just saving their cattle, such as educational tools for their children.
The VetAfrica app has diagnosed more than 2,000 cases so far and 80 percent of the app's diagnoses matched those of professional veterinarians. The app also helped farmers find quick diagnoses and treatments for their cattle, improving the quality of life and overall lifespan and productivity of their cattle. Data that uploaded to the VetAfrica database also helped spread the word about possible disease outbreaks to health care officials.
Overall, the implementation of VetAfrica to treat cattle with diseases has drastically changed the lives of East African farmers. The app provides a new perspective to farmers about cattle diseases, allowing them to be more knowledgeable and active in keeping their cattle healthy. VetAfrica, an app that is saving cattle from diseases every day has brought a newfound sense of economic prosperity to East African farmers.
– Shveta Shah
Photo: Flickr


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TAPPs Modules 1-4 are required courses for the Therapeutic Arts Practitioner Program. Certification as a Therapeutic Arts Practitioner will be granted upon completion of all four modules.
Module 1: Introduction to Therapeutic Arts
Module 2: The Media Continuum
Module 3: Group and Community Arts
Module 4: Mindfulness and Contemplation in the Arts
TAPPs Modules 1-4 are mandatory prerequisites for the Advanced Training Master Practitioner (TAMPs) Program.


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Each year in November, I receive my home and auto insurance renewal policy. In my house, my wife looks at how the premium changed and then leaves it on the counter or nightstand for me to review. Because I have been in the industry for over 20 years, I do take a peek.
What do you do when your policy arrives? My guess is if you're like most people, you take a quick glance and then file it away until it's needed.
Because life is constantly changing, it's wise to review your policy more frequently. Here are some times when you should review your policy.
1. Policy Renewal.
- Is there any documentation from the insurance company that indicates a coverage change?
- Does it make sense to increase my deductible in an attempt to save money?
- Do I need additional policies such as flood, earthquake, or an umbrella policy?
- Do I qualify for discounts? At West Bend, we offer discounts for
- Safe and accident free drivers;
- New and updated homes;
- Multi-car families;
- Resident students; and
- Anti-lock brakes.
2. Do it yourself projects (DIY).
In addition, don't forget about improvements outside your home. In my neighborhood, gazebos, pergolas, and hot tubs are popular. In addition, a new shed may be needed so you have room to store new toys in your garage such as a boat or motorcycle.
Lastly, a new roof is a big investment. Many insurance carriers charge more for homeowners insurance if a roof is older. Replacing the roof could change your coverage from actual cash value to replacement cost. Replacement cost provides the coverage you need to replace your roof, while actual cash value provides coverage for the value of the roof at the time it's replaced; it takes into account depreciation of the shingles.
All these changes should be reported to your insurance agent.
3. Other improvements made to your home.
4. Lifestyle changes.
Do you have any tips or information you'd like to share? I'd love to hear them; please share them in the box below.


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Shakespeare's Globe – until 13 October 2018
When the word 'plague' is mentioned, the chances are your first thoughts will be of the Black Death or the Great Plague that afflicted London in 1665. What you may not know is that, in the same year, an outbreak of plague made itself known in the small Derbyshire village of Eyam (pronounced like 'Ian' but with an 'm', for sake of clarity) – and what followed was one of the most inspiring demonstrations of the strength of the human spirit.
Rather than relying solely on prayer to guide them through this "challenge", the village was kept under rolling quarantine and several other practical measures (mostly designed to minimise physical contact) were put into place for the duration of the outbreak.
When Rev. William Mompesson and his wife Katherine arrive to occupy the vicarage in Eyam, all the signs seem to be telling them to turn around and go back to Scarborough: the previous incumbent was hanged as a thief, and there seem to be crows everywhere… In spite of this, they decide to stay, though their presence isn't particularly welcomed by the residents, most of whom would prefer their banished former Puritan minister to return instead.
He duly arrives, to bury his late wife, as does tailor George Viccars, looking to find some lodgings while he courts new business in the area. Because of the lack of trust shown in him by the villagers, when William recognises plague symptoms he decides to keep quiet in case it's a false alarm – but everyone's soon faced with a heartbreaking choice when they realise the best course of action against the disease…
Coincidentally running at the same time as the return of The Plague to the Arcola Theatre, Matt Hartley's play is the final opening of the Globe's summer season and another piece of brand new writing that's being tested out there. It has been programmed for a mere ten performances up until the penultimate day of the season. It sits slightly away from most of the rest of the plays performed, featuring no Emilia and not linking specifically to any of the Shakespeare plays on offer, but it definitely stands out as one of the best productions there this year. Be warned that it is another long one, which can be a test of endurance at the Globe, but it is well worth it to be part of this moving story.
I think it does need to be a bit shorter, though it would probably need to consider how the play should be focused in order to do that; there aren't many places where something can easily be cut without having a knock-on effect later in the play. One clear moment that does need work is the final scene, where Mompesson wishes for all who lost their lives to be remembered – I would advocate splitting the burden between all of the cast, perhaps dotted around the entire theatre (as in other parts of the play), to provide variety as much as to take less time, if the content of this scene is to remain unchanged. It may be that some ruthless amendments will need to be made prior to a new production, and this part could be edited out entirely.
Eyam Photo credit: Marc Brenner
What is great about the play is how it looks at religion and community. It powerfully demonstrates what, for me, is probably the only really good thing about religion (aside from the beautiful historic buildings): its ability to provide people with true comfort. This is what having faith should be about, as opposed to the bigotry & warmongering that is as prominent as it ever was – and the incredible thing is that it didn't prevent the village from coming up with some practical interventions to try and keep the disease at bay. The widespread devastation that could have been wrought had they panicked or solely relied upon prayer is almost too massive to comprehend. What also made it work was their spirit of togetherness and finding strength in community (something that 17.4 million people in the UK could've done with remembering two years ago).
Hannah Clark's design ensure the yard is made use of, with a couple of jagged paths protruding out from the main stage, which often leads to the actors mingling with the crowd. The performance space is covered in a sort of black gravel, reminding us of both the village's industry and the stench of death that lingers over it. The costume design also reflects this, keeping in mind their recent affiliation with Puritanism; the villagers frequently see "crows", but we see them as the uniform of the quack doctor, appearing almost as angels of death with their haunting singing and gliding movements.
Eyam Photo credit: Marc Brenner
The company is made up of the entire cast of The Winter's Tale, with the addition of Sam Crane and John Paul Connolly – I know it's not unusual at all to perform two plays in rep, but when they are such extended & involved plays I can't help but be impressed (they're also due to perform both on Sunday 7 October).
Rose Wardlaw definitely stands out as the ghoulish Harriet Stubbs, always the outsider and revelling in the newfound supply of dead bodies to play with; based both on this performance and her turn as Mamillius, I'd love to see her interpretation of Puck some day. Oliver Ryan is almost unrecognisable as Harriet's sometime mentor Unwin, and seemingly battling through with one arm in a sling. Norah Lopez-Holden impresses again, with a spirited portrayal of the brave Emmott Sydall, and Howard Ward provides some great moments of dark comedy as whistling sexton Marshall Howe.
Annette Badland and Sam Crane make excellent sparring partners as Thomas Stanley and William Mompesson's relationship begins as mutual antagonism, though they also come together for the sake of the village. Crane's performance is particularly affecting, especially as William begins to settle in Eyam and finds himself relied upon as part of village life.
Eyam Photo credit: Marc Brenner
My verdict? A celebration of the strength of human spirit in the face of seemingly impossible odds, highlighting the power & comfort of community – a stirring watch.
Rating: 4*
Eyam runs at Shakespeare's Globe until 13 October 2018. Tickets are available online or from the box office. Standing tickets for £5.
Tags: Annette Badland, Eyam, Globe Theatre, Hannah Clark, Howard Ward, John Paul Connolly, London, Matt Hartley, Norah Lopez-Holden, Off West End, Oliver Ryan, review, Rose Wardlaw, Sam Crane, Shakespeare's Globe, theatreCategories: all posts, review, theatre
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(RTTNews.com) - Partly reflecting favorable weather, payroll processor ADP released a report on Thursday showing much stronger than expected U.S. private sector job growth in the month of December.
ADP said private sector employment surged up by 271,000 jobs in December after climbing by a downwardly revised 157,000 jobs in November.
Economists had expected an increase of about 178,000 jobs compared to the addition of 179,000 jobs originally reported for the previous month.
The much stronger than expected job growth in December reflected the biggest jump in private sector employment since February of 2017.
"We wrapped up 2018 with another month of significant growth in the labor market," said Ahu Yildirmaz, vice president and co-head of the ADP Research Institute.
"Although there were increases in most sectors, the busy holiday season greatly impacted both trade and leisure and hospitality," she added. "Small businesses also experienced their strongest month of job growth all year."
The report said employment in the service-providing sector jumped by 224,000 jobs, as employment in the leisure and hospitality and trade, transportation, and utilities industries rose by 39,000 jobs and 33,000 jobs, respectively.
Employment in the good-producing sector also climbed by 47,000 jobs during the month, partly reflecting an increase of 37,000 construction jobs.
ADP also said employment at medium-sized businesses shot up by 129,000 jobs, while small businesses added 89,000 jobs and large businesses added 54,000 jobs.
"Businesses continue to add aggressively to their payrolls despite the stock market slump and the trade war," said Mark Zandi, chief economist of Moody's Analytics. "At the current pace of job growth, low unemployment will get even lower."
On Friday, the Labor Department is scheduled to release its more closely watched monthly employment report, which includes both public and private sector jobs.
Employment is expected to increase by 177,000 jobs in December after rising by 155,000 jobs in November, while the unemployment rate is expected to hold at 3.7 percent.
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I n the town of Florence, not far from the Piazza del Granduca, runs a little cross street, I think it is called Porta Rossa. In front of a kind of market in this street, where green stuff is sold, stands a skilfully worked bronze boar. A stream of fresh clear water gushes out of its mouth; it has turned dark green from age, only its snout shines as if it had been polished; and so it has by the many hundreds of children and poor people who take hold of it with their hands and put their mouths to its mouth to drink the water. It is a picture in itself to see the well-formed animal embraced by a handsome half-naked boy putting his fresh lips to its snout.
Most people who go to Florence find the place; one only has to ask the first beggar one sees about the bronze boar and he will find it.
It was late on a winter evening; the mountains were covered with snow, but it was moonlight, and the moon in Italy gives a light which is as good as that of a dark winter's day in the north. Nay, it is better, for the clear air seems to raise us above the earth, while in the north the cold, grey, leaden clouds press us to the ground—the cold, wet ground which one day will press upon our coffins.
Along in the ducal gardens, under the shelter of the stone pines, where thousands of roses bloom in the winter, a little ragged boy had been sitting all day. A boy who might have stood for typical Italy; he was so handsome, so merry, and yet so suffering. He was hungry and thirsty, but no one gave him a copper, and when it got dark and the gardens were to be closed the porter drove him away. He stood for a long time dreaming on the bridge over the Arno, looking at the glittering stars reflected in the water beneath the stately marble bridge. He took the road to the bronze boar, knelt before it, threw his arms round its neck, put his little mouth to its shining snout and drank great draughts of the fresh water. Close by lay a few salad leaves and some chestnuts, and these were his supper. There was not a creature in the street; he was quite alone, he got on to the boar's back, leant forward so that his little curly head rested on the animal's head, and before he knew what he was about he fell fast asleep.
It was midnight, the bronze boar moved. He heard it say quite plainly, "Hold tight, for I am going to run off, you little boy!" Then off it ran with him. What an odd ride that was First they came to the Piazza del Granduca, and the bronze horse which carried the duke's statue, neighed aloud. The many-coloured coats of arms on the old Town Hall shone like transparent pictures, and Michael Angelo's David slung his sling; it was a curious mixture of life! The bronze groups of Perseus, and of the Rape oft the Sabines, were only too the alive; a death shriek from them resounded through the stately, solitary Piazza. The bronze boar stopped by the Uffizi palace, under the colonnade where the nobles assemble during Lent for the carnival.
"Hold tight," said the animal, "hold tight, for now I am going up the stairs."
The little fellow had not yet said a word, he was half frightened, half delighted. They stepped into a long gallery, he knew it well, he had been there before. The walls were crowded with pictures, and the statues and busts were all in as bright a light as if it were day; but the most splendid sight of all, was when the door to one of the adjoining rooms was opened. The little boy remembered the splendours here, but to-night everything was positively magnificent.
Here stood the statue of a woman, as beautiful as only the costliest marble and the master hand of the sculptor could make her; she moved her lovely limbs, dolphins sprang at her feet, and immortality shone from her eyes. She is known to the world as the Venus de Medici. Marble statues of splendid men were grouped around her; one of them was whetting his sword, he is called the Grinder. The next group was the Wrestling Gladiators; the sword was whetted, and the giants struggled for the goddess of beauty.
The boy was dazzled by the glitter; the walls were radiant with colour, and everything there was full of life and move. went. The picture of Venus, the earthly Venus with her rounded limbs and glowing with life as Titian saw her, shone out in redoubled splendour. Near her the portraits of two beautiful women, stretched upon soft cushions, with heaving bosoms and luxuriant locks falling over their rounded shoulders, while their dark eyes betrayed their burning thoughts; but none of all these pictures ventured quite out of their frames. The goddess of beauty herself; the Gladiators and the Grinder remained in their places, subdued by the halo round the Madonna, with the infant Jesus and St John. The sacred pictures were no longer pictures, they were the saints themselves.
What brilliance and what beauty as they passed from gallery to gallery! the little boy saw them all; the bronze boar went slowly through all the glories. One sight crowded out the previous one; one picture only really took hold of his thoughts, and that chiefly because of the happy children in it; once by daylight the little boy had nodded to them.
Many probably pass this picture lightly, and yet it contains a treasury of poetry; it is a Christ descending to the nether regions, but He is not surrounded by souls in torment, no, these are the heathen. The picture is by the Florentine Angiolo Bronzino; most beautiful is the expression of the children's faces in their certainty that they are going to heaven. Two little creatures are already embracing each other, one little one stretches out a hand to a companion below, pointing to himself as much as to say, "I am going to heaven!" All the older people stand round doubting, or hoping, or bending humbly before the Saviour. The boy looked longer at this picture than at any of the others; the bronze boar stood still before it, a gentle sigh was heard. Did it come from the picture, or from the animal's breast? The boy held out his hand towards the smiling children; then the animal tore off with him, tore away through the open gallery.
"Thank you, thank you, you beautiful animal!" said the little boy patting the boar, which went bump, bump, down the stairs with him.
"Thank you!" said the bronze boar. "I have helped you, and you have helped me, because I only get strength to run when I have an innocent child on my back! Nay, I dare even step under the rays of the lamp before the Madonna. I can carry you anywhere except into a church, but when you are with me I can stand outside and look in at the open door! Don't get down off my back, if you do that I shall be dead, just as you see me in the daytime in the Porta Rossa!"
"I will stay with you, my beloved creature," said the little boy, and then they rushed at a furious pace through the streets of Florence to the Piazza before the church of Santa Croce. The folding doors flew open, and the lights on the altar streamed through the church, and out into the solitary Piazza.
There was a wonderful blaze of light from a sculptured tomb in the left aisle; thousands of twinkling stars formed a kind of halo round it. The tomb was surmounted by a coat of arms, a red ladder gleaming like a flame of fire on a blue field. It was the grave of Galileo. It is a simple monument; the red ladder might be emblematic of Art, signifying that the way to fame is always upwards on a flaming ladder. All genius soars to heaven like Elias of old.
In the right aisle of the church, every statue on the costly sarcophagi seemed endowed with life. Here stood Michael Angelo, there Dante, with a wreath of laurel round his brows; Alfieri, Machiavelli, these great men rest side by side—the pride of Italy. It is a very beautiful church, far more beautiful, if not so large as the marble Cathedral of Florence.
The marble garments appeared to move, as if their great wearers once again raised their heads, and looked towards the glowing altar with its many lights, where the white robed boys swung their golden censers, amid song and music, while the fragrance of the incense filled the church, and streamed out into the Piazza.
The boy stretched out his hands towards the light, but at the same moment the bronze boar rushed on again, and he had to clutch it tightly. The wind whistled in his ears, he heard the church doors creak on their hinges as they were shut, he seemed to lose consciousness, and felt a rush of icy air—and then he opened his eyes.
It was morning; he had half slipped off the bronze boar, which stood in its usual place in the Porta Rossa. Fear and trembling seized the lad as he thought of the woman he called his mother. She had sent him out yesterday to get money, and he had got none. He was hungry and thirsty, and again he flung his arms round the boar's neck, kissed its snout, nodded to it, and walked off to one of the narrowest streets, only wide enough for a well-laden ass. A big iron-studded door stood half open; he went in here, and up some stone steps by a dirty wall with a greasy rope for a hand-rail, till he reached an open gallery hung with rags. A flight of steps led into a courtyard where there was a fountain; the water was drawn up from the fountain to the different floors by means of a thick iron wire, where the buckets hung side by side. Sometimes the pulley jerked the buckets and splashed the water all over the court. Another broken-down staircase led still higher up, and two Russian sailors running down almost upset the boy. They were coming from their nightly carousals. A strongly-built woman, no longer young, with thick black hair, followed them.
"What have you brought home?" she asked the boy.
"Don't be angry!" he pleaded, taking hold of her dress as if to kiss it. "I've got nothing, nothing at all."
They passed on into a little room. I need not describe it, but only say that in it stood an earthen pot with handles for holding fire, called a "marito." She hung this on her arm, warmed her fingers, and pushed the boy with her elbow.
"You must have got some money," she said.
The boy began to cry, and then she kicked him, making him cry out loud.
"Will you be quiet? or I'll break your screaming head!" and she swung the pot at him. The boy ducked his head and shrieked.
Then a neighbour came in, and she also had her marito on her arm.
"What are you doing to the child, Felicita?" she said.
"The child is my own," answered Felicita, "and I can murder him if I like, and you too, Gianina!"
Then she swung the fire-pot again. The other woman raised hers to parry it, and the two pots clashed together, smashing them to atoms and scattering fire and ash all over the room.
The boy seized the opportunity to escape; he rushed across the courtyard and out of the gate. The poor child ran till he had no breath left. At last he stopped by the church of Santa Croce, whose great doors had opened to him last night. He went in; everything here was bright, He knelt down by the first tomb. It was Michael Angelo's, and very soon he sobbed as if his heart would break. People came and went, mass was celebrated, nobody took any notice of him, but an old citizen, who stopped and . looked at him for a moment, and then passed on like the rest. The poor child was quite overpowered by hunger and thirst; he became faint and ill. After a time he crept into a corner behind the monuments and fell asleep. Towards evening he was awakened by someone shaking him. He started up, and saw the same old citizen standing before him.
"Are you ill? Where is your home? Have you been here all day?" were some of the questions asked by the old man.
After hearing what he had to say, the old man took him with him to a little house in a side street near. It was a glovemaker's, and a woman was sitting busily at work when they entered. A little white poodle, so closely clipped that the pink skin shone through, jumped upon the table and sprang towards the little boy.
"The innocents soon make friends with each other!" said the woman, patting both the dog and the boy.
The good people fed him, and said he should stay the night. Next day old Father Giuseppe would go and speak to his mother. He only had a homely little bed, but it was regal to him, who so often slept upon the hard stones, and he slept sweetly and dreamt about the pictures and the bronze boar.
Father Giuseppe went out early next morning, and the poor boy was not glad to see him go, for he knew that he had gone to his mother, and that he might have to go back. He cried at the thought, and kissed the lively little dog; the woman nodded to them both.
What did Father Giuseppe say when he came back? He talked to his wife for a long time, and she nodded and patted the boy.
"He's a beautiful child!" she said; "what a clever glovemaker he will be, just like you; see what fingers he has, they're so delicate and flexible I Madonna intended him to be a glovemaker!" So the little boy stayed in the house, and the woman taught him to sew; he had plenty to eat, and got plenty of sleep. He grew quite merry and at last began to tease Bellissima, as the little dog was called. This made the woman angry, she scolded him and shook her finger at him, so he went sadly to his own room. It faced the street, and the skins were hung up in it to dry; there were thick iron bars across the windows. That night he could not sleep, his head was full of the bronze boar. Suddenly he heard "scramble, scramble," outside, could it be the boar? He rushed to the window, but there was nothing to be seen.
"Help the Signor to carry his box of colours," said his mistress in the morning, as their neighbour, a young artist, came down carrying his colour box as well as a huge roll of canvas. The child took the box, and followed the painter. They took the road to the picture gallery and mounted the same stairs which he remembered so well, from the night when he rode the bronze boar. He remembered all the statues and the pictures, the beautiful marble Venus, and the painted ones too. Again he looked at the Madonna, with the infant Jesus, and St John. They stopped before the picture by Bronzino, where Christ is represented as standing in the under world, with the children smiling around Him, in their certainty of entering heaven. The poor boy smiled too, for he was in his heaven.
"Now you may go home," said the painter to him, when he had put up his easel.
"Might I stay to see the Signor paint?" said the boy; "might I see you put the picture on this canvas?"
"I'm not painting yet," said the artist, taking out a piece of charcoal. His hand moved quickly and his eye rapidly took the measures of the great picture; though he only made a few light strokes, there stood the figure of the Saviour, as in the painting.
"Why don't you go!" said the painter.
Then the boy wandered dreamily home again, sat down on the table—and learnt to make gloves.
His thoughts were all day in the gallery, and therefore he was clumsy and pricked his fingers but he did not tease Bellissima. In the evening when he found the house door open, he crept out; it was cold, bright starlight, and very clear. He wandered away through the quiet streets, and soon found himself before the bronze boar; he bent over it, kissed its shining snout, and then seated himself upon its back.
"You beloved creature!" he said, "how I have been longing for you! we must have another ride to-night! But the boar remained motionless. The little boy still sat astride of it, when he felt something pull his clothes. He looked down and saw the little naked, clipped Bellissima. The little dog had followed him, without having been noticed by anyone. Bellissima barked, as much as to say "do you see I am here? what are you sitting up there for?"
A fiery dragon could not have frightened the boy more than the little dog at that place. "Bellissima in the street and not dressed I "as the old lady called it, "what would be the end of it?"
The dog never went out in the winter without a little sheepskin coat, which had been made for it. It was fastened round the neck and body with a red ribbon, and decorated with little red bows and jingling bells. It almost looked like a little kid when it went out in the winter, tripping after its mistress. Now here was Bellissima in the cold without her coat; what would be the consequences? All his fancies were quickly put to flight, yet he stopped to kiss the boar before getting down, and then he took the shivering little dog in his arms. Oh how cold she was, the boy ran off with her as fast as he could.
"What are you running off with there?" shouted two policemen he met, and Bellissima barked. "Where did you steal that pretty dog?" they asked, and took it away from him.
"Oh, give it back to me!" cried the boy.
"If you didn't steal it, you can tell them at home that it can be fetched from the police station," and off they walked with Bellissima.
This was a terrible business. He did not know whether he had better jump into the river or go home and confess everything. They would certainly kill him, he thought. "But I would gladly be killed; then I should go to heaven." So he hurried home almost hoping to be killed.
The door was fastened, and he could not reach the knocker. There was no one in the street, so he took a stone and hammered at the door with it.
"Who is there?" said someone inside.
"It is I," he said. "Bellissima is lost; let me in and kill me!"
Then, indeed, there was an uproar, his mistress was so very fond of Bellissima; she looked at the wall where his coat ought to hang, and there it was, in its proper place.
"Bellissima at the police station!" she cried; "you bad child! Why did you take him out! he will die of cold! That delicate little animal among all those rough men!"
Father Giuseppe had to go off at once, his wife scolded, and the boy cried; everybody in the house came to see what was the matter, among them the painter. He took the boy on his knee and questioned him; bit by bit he got out the whole story about the bronze boar and the picture gallery. It was rather difficult to understand; but the painter comforted the child and talked over the woman, but she would not be happy till Giuseppe came back with Bellissima, who had been in the hands of the police. Then there was great rejoicing, and the painter patted the boy on the head, and gave him a few pictures.
Oh, what splendid pictures they were! comical heads; and above all the bronze boar himself. Oh, nothing could be more delightful. It was sketched in a few strokes, and even the house behind it appeared too.
"Oh, if one could only draw and paint! one would have the whole world before one."
Next day, in his first quiet moment, the little fellow got a pencil and tried to copy the drawing of the bronze boar, and he succeeded too! it was a little crooked, a little on one side, one leg thick and another leg thin, still it was like the copy, and he was delighted. Only the pencil would not go as straight as he meant it to go. The next day another boar stood beside the first one, and this one was a hundred times better; the third one was so good that anyone could see what it was meant for.
But the glovemaking went on badly; he did the errands very slowly; he had learnt from the bronze boar that any picture might be put on paper, and the town of Florence is a complete picture-book, if you only turn over the leaves.
On the Piazza della Trinity stands a slender column, and upon it stands Justice blindfolded with the scales in her hand. She was also soon put upon paper by the glovemaker's little apprentice. His collection grew, but as yet they were only copies of inanimate objects, when one day Bellissima came hopping towards him. "Stand still!" he said. "I will make a beautiful portrait of you to put among my pictures!" But Bellissima would not stand still, so be had to tie her up. He tied her by the head and tail, and she did not like it, and barked and jumped about and strained at the cord; just then her mistress came in.
"You wicked boy! the poor animal!" was all she had time to say. She pushed the boy aside, kicked him, and turned him out of the house; and called him an ungrateful, good-for-nothing, wicked boy. She almost smothered Bellissima with her kisses and tears.
At this moment the painter came up the stairs, and—this is the turning point of the story.
In 1834 there was an exhibition in the Academy of Arts at Florence. Two pictures hung side by side attracted much attention from the spectators. In the s'maller of the two a merry little boy sat at a table drawing; his model was a closely clipped, little white poodle; as the animal would not stand, it was tied up by the head and tail with string. The whole picture was so full of life and truth to nature that it could not fail to interest all who looked at it. The story went that the painter was a young Florentine, who had been found in the streets and brought up by an old glovemaker; and that he had taught himself to draw. A now celebrated artist discovered his talent at a time when he was about to be turned out of the glovemaker's house for having tied up his mistress's favourite, the little poodle, when he wanted a model. The glovemaker's apprentice had become a great painter, as the picture plainly proved. The larger picture was an even greater proof of his talent. There was only a single figure in it, that of a handsome ragged boy, fast asleep, leaning against the bronze boar of the Via Porta Rossa. All the spectators knew the spot well. The child's arm rested on the boar's head, and he slept sweetly; the lamp in front of the Madonna near threw a strong light on the child's pale, beautiful face. It was indeed a beautiful picture. A handsome gilt frame surrounded it, and a wreath of laurel was hung on one corner of it; but a black ribbon was entwined among the leaves, and long black streamers hung down from it. The young painter was just—dead!


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At Caldea you can enjoy thermal waters, but you can also find themed areas and unique baths that separate us from conventional spas. You can bathe in a grapefruit-filled bath in the Origins spa, relax in one of our three different hammams, or even imagine that you're in the natural pools of Pamukkale, the inspiration for Inúu's indoor lagoon. And don't forget the iconic Indo-Roman baths. Are you familiar with their history, or how best to use them? Keep reading and we'll tell you everything.
The Indo-Roman baths are inspired by the Elephanta Caves located on the island of the same name, just off the coast of Mumbai. These 2000-year-old caves feature sculptures dedicated to Hindu deities carved into the rock.
You'll find our Indo-Roman baths next to Thermoludic's main lagoon, with an entrance that resembles the mouth of a cave. Inside, you'll encounter two bathing areas (one with hot water at 36º, and the other with cold water at 14º) which are complemented by the relaxation area.
Just like the rest of our centre, the Indo-Roman baths are filled with thermal water. So, in addition to benefiting from its natural properties, you'll also experience the intensity of the effects of the contrasting temperatures.
Moving between hot and cold water is perfect for toning the muscles and activating the circulation in the legs. To obtain the best results, we recommend starting with the hot water for about 10 minutes, then submerging yourself in the cold water for a few seconds, before finishing off by taking a moment to rest in the relaxation area.
As you can see, you can find unlimited spas and areas for having fun or relaxing, depending on the experience you're seeking in Caldea.
Are you ready to try these baths?


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United States & Mexico
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Less than 1% of Earth's surface water is fresh; it has shaped humankind's destiny. Kelly McEvers works with scientists and filmmakers to create this documentary.
Bonobos are unique to the Democratic Republic of Congo. The evolution of bipedalism has been hotly debated. Richard Wrangham studies bonobos and discusses the wading hypothesis.
Cairo's management of the Nile River is essential to survival. McEvers and Giulio Boccaletti discuss floods in Ancient Egypt, the Nilometer, and the end of the civilization.
World civilizations began along four major rivers. Qinglong Wu finds evidence in Jishi Gorge that proves the reality of the Great Flood. Controlling water is at the heart of Chinese civilization. Dams around the world have social and environmental impacts.
Ancient Maya attribute ground water to the gods; cenotes are a portal to another world. Freediver Camila Jaber dives into a toxic cloud at the bottom of a cenote. A stepwell in India contains 3,500 steps.
In the 1700s, the Newcomen engine allows access to ground water. In Phoenix, AZ, farmers use pumps to access deep reservoirs. Irrigation practices are shrouded in secrecy; a sophisticated farm owned by a Saudi Arabia company has a gated entryway.
Holland is committed to sustainable agriculture. Arjen Hoekstra discusses climate-controlled greenhouses and water use. Virtual water flows can have devastating consequences; the Aral Sea disappeared.
Water diversion diminishes the Colorado River. Depleted aquifers cause large cracks in the ground; fresh water demand outstrips supply. Human ingenuity and better water management can reverse ecological trends.
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Examine a new theory that puts water at the center of how humans first stood upright, investigate how the birth of civilizations are dictated by their relationship to great rivers, learn how today's "virtual water" has hidden the consequences of excess water use, find out if we can guarantee our water supplies in the future, and more.
Length: 55 minutes
Item#: BVL206190
Copyright date: ©2020
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How do you become a specialist in penguin care or in understanding sea lion behavior?
You'll hear about two people who have done just that in this STEM Pro Live! with two members of OdySea Aquarium's animal care and education team.
STEM Pro Live is a free, live, monthly broadcast of a STEM professional sharing from his or her workplace. STEM professionals tell students about their journey, then answer questions in real time from students.
STEM Pro Live contributes to creating a STEM identify in students by connecting them with diverse STEM role models.
STEM Pro Live is brought to you by the Office of the Maricopa County School Superintendent.