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The NEW Small UAS Rule (Part 107), including all pilot and operating rules, will be effective in August 2016. For more detailed information, please see:
Note: This document, when on public display at the Office of the Federal Register, may contain minor changes based on edits to format for publication.
Need more information? Read about how to fly a UAS for your work or business.
Product 21/113
This product was added to our catalog on Friday 17 December, 2021.

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Bubble Symmetry and Housing
If bubbles eventually revert to their starting level, Phase 3--capitulation and a return to pre-bubble prices--still lies ahead for the housing market.
Special "the end of the world as we know it" sale on seeds from our longtime supplier Everlasting Seeds:TEOTWAWKI SALE! 20% OFF!
In light of the calamitous predictions regarding the Global Coastal Event [Clif High], Korean Nuclear tensions, and Solar/EMPs "Kill Shot" {Ed Dames}, we thought we'd offer folks the largest discount we've ever given. We're not 'fortune tellers' here, or Seers, or 'Intuitives': but if even ONE of these predictions come to pass, it'll definitely make for a 'bad hair day' {week/month/year...} for all of us...
Things are falling apart--that is obvious. But why are they falling apart? The reasons are complex and global. Our economy and society have structural problems that cannot be solved by adding debt to debt. We are becoming poorer, not just from financial over-reach, but from fundamental forces that are not easy to identify or understand. We will cover the five core reasons why things are falling apart:
1. Debt and financialization
2. Crony capitalism and the elimination of accountability
3. Diminishing returns
4. Centralization
5. Technological, financial and demographic changes in our economy
Complex systems weakened by diminishing returns collapse under their own weight and are replaced by systems that are simpler, faster and affordable. If we cling to the old ways, our system will disintegrate. If we want sustainable prosperity rather than collapse, we must embrace a new model that is Decentralized, Adaptive, Transparent and Accountable (DATA).
We are not powerless. Not accepting responsibility and being powerless are two sides of the same coin: once we accept responsibility, we become powerful.
Kindle edition: $9.95 print edition: $24 on Amazon.com
To receive a 20% discount on the print edition: $19.20 (retail $24), follow the link, open a Createspace account and enter discount code SJRGPLAB. (This is the only way I can offer a discount.)
|Thank you, G. Wayne A. ($25), for yet another wondrously generous contribution to this site -- I am greatly honored by your steadfast support and readership.
|Thank you, Stuart T. ($5), for your most generous contribution to this site -- I am greatly honored by your support and readership.
Read more...


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3x4 Vintage Indian Caucasian Design Square Rug
Item ID: mc001760
- Cited measurements in description are accurate within a few inches of actual size for room size and smaller. Large and oversize carpet measurements may carry greater disparities depending on finishing process, and inherent variation found in hand knotted carpets. Contact us for most accurate dimensions charting all when critical for your space. All cited measurements exclude fringe.
- // Contact us for additional details on in-person viewing at our Katonah, NY showroom. //
- Feet + Inches:
- Metric:
- Inches:
Specialty in genuine, authentic, old hand knotted antique and vintage hand knotted rugs for sale including Anatolian and Turkish Oushak rugs, Caucasian rugs and Persian rugs.
Kindly see our full return policy here
Unless we have been contacted prior to purchase with questions or concerns relating to return, buyer will be responsible for original shipping at cost + return shipping. Custom items, artwork or items made from paper or wood are not returnable. Rugs have a firm 3 day return policy which is specified by drop off tracking and tracking back to us. Sunday is the only exempt day for shipping policies. Kindly also see details and terms in our return section. Due to the nature of international shipments, all sales outside of the contiguous USA are all sales final and free shipping may be limited in insurance amount, delivery method and in some cases to the nearest metropolitan area. Kindly contact prior to purchase for any and all questions.


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Registered Nurse – Continuing Care
Carolinas HealthCare System is Atrium Health. Our mission remains the same: to improve health, elevate hope, and advance healing – for all. The name Atrium Health allows us to grow beyond our current walls and geographical borders to impact as many lives as possible and deliver solutions that help communities thrive. For more information, please visit atriumhealth.org/about-us.
The Clinical Nurse, Resource Team, provides comprehensive nursing care through skillful assessment, diagnosis, outcomes identification, planning, implementation, and evaluation in accordance with facility or department policies procedures, and/or protocols under the supervision of the nursing leader. Assists in maintaining a safe work environment and performs all related job responsibilities in a safe manner. Maintains clinical and professional competency as appropriate to the population of patients served. Must be available to provide nursing services in all patient care areas of expertise and knowledge, at all elected CHS facilities.
• Collects data pertinent to the healthcare consumer's health or the situation.
• Analyzes the assessment data to determine actual or potential diagnoses, problems, and issues.
• Identifies expected outcomes for a plan individualized to the healthcare consumer or the situation.
• Develops a plan that prescribes strategies to attain expected, measurable outcomes.
• Implements the identified plan, coordinates care delivery, and employs strategies to promote health and a safe environment.
• Delegates elements of care to appropriate healthcare workers in accordance with any applicable legal or policy parameters or principles.
• Evaluates progress toward attainment of goals and outcomes.
• Practices in a manner that is congruent with cultural diversity and inclusion principles.
• Communicates effectively in all areas of practice.
• Collaborates with healthcare consumer and other key stakeholders in the conduct of nursing practice.
• Demonstrates leadership in the professional practice setting and the profession.
• Seeks knowledge and competence that reflects current nursing practice and promotes futuristic thinking.
• Integrates evidence and research findings into practice.
• Contributes to quality nursing practice.
• Evaluates one's own and other's nursing practice in relation to professional practice standards and guidelines, relevant statutes, rules, and regulations.
• Utilizes appropriate resources to plan, provide, and sustain evidence-based nursing services that are safe, effective, and fiscally responsible.
• Practices in an environmentally safe and healthy manner.
• Promotes shared governance, or facility decision-making activities, developing and nurturing research to positively affect clinical outcomes and promotion.
Physical requirements:
Work requires walking, standing, sitting, lifting, reaching, stooping, bending, pushing, and pulling. Must be able to lift and support the weight of 35 pounds in handling patients, medical equipment, and supplies. Must speak English in good, understandable terms. Intact sense of sight, hearing, smell, and touch. Finger dexterity. Critical thinking and ability to concentrate. Must be able to respond quickly to changes inpatient and/or unit conditions. Physical Abilities Testing required.
• Graduate from an accredited School of Nursing. 1 year of nursing experience in specialty area required.
• Current BLS for Healthcare Provider status according to AHA.
• Current RN license or temporary license as a Registered Nurse Petitioner in the state in which you work and reside or; if declaring a National License Compact (NLC) state as your primary state of residency, meet the licensure requirements in your home state; or for Non-National License Compact states, current RN license or temporary license as a Registered Nurse Petitioner required in the state where the RN works. Advancement complies with the requirements of the Professional Nurse Clinical Advancement Program. Experience, approved certification, and nursing education as outlined in the Professional Nurse Clinical Advancement Program
At Atrium Health, formerly Carolinas HealthCare System, our patients, communities, and teammates are at the center of everything we do. Our commitment to diversity and inclusion allows us to deliver care that is superior in quality and compassion across our network of more than 900 care locations.
As a leading, innovative health system, we promote an environment where differences are valued and integrated into our workforce. Our culture of inclusion and cultural competence allows us to achieve our goals and deliver the best possible experience to patients and the communities we serve.


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|Be Ye Separate
|Born-Again Evidence
|Doctrines Desk
|Faith—Can It Be Lost? Pt 3
|Faith—Examine Self Pt 2
|Faith—Examples Pt 4
|Faith Is Pt 1
|Hell And The Lake Of Fire
|Jesus Only
|Judgment—Great White Throne
|Judgment Of Fallen Angels
|Judgment Of Israel #1
|Judgment Of Israel #2
|Judgment Of Israel—Millennium
|Judgment Of Satan
|Judgment Of The Heathen
|Judgment Of The Nations
|Judgment Of The Nations—Millennium
|Judgment Seat And Rewards
|Salvation—Can It Be Lost?
|Salvation—Can It Be Lost? Pt 1
|Salvation—Can It Be Lost? Pt 2
|Serving, Witnessing, Gifts
|Serving God
|Spiritual Gifts
(Subjects in this Section)
GRACE is mentioned in the Bible many times, yet Jesus never spoke the word "GRACE" as recorded in English. GRACE is a result of "faith in Jesus Christ."
word "GRACE" appears in the Old Testament approximately
38 times.
The word "GRACE" appears in the New Testament approximately 128 times.
The word "GRACE" as it is used in the Old Testament
can mean the following:
GRACE can mean: graciousness, kindness, favor, well-favored, highly favored.
GRACE can also mean: to beseech, to give, grant, to entreat, merciful, to have pity upon, and make supplication.
GRACE can also mean: to stoop in kindness to an inferior, to bestow, to implore, and to move to favor by petition.
GRACE can also mean: pleasant and precious.
word "GRACE" in the New Testament can mean the
GRACE can mean: divine influence upon the heart, and its reflection in life; benefit, favor, gift, and divine favor.
GRACE can mean: God's goodness, love, mercy, and kindness toward people without regard to their work, deeds, and in spite of what they deserve.
GRACE can also mean: GRACEfulness, good suitableness, good, well, well-done, to be suitable or proper, graciousness, acceptable, joy, liberality, pleasure, thankworthy, happy or well-off, farewell, be glad, God speed, greeting, hail, joy, rejoice.
It also has other meanings in the English language that do not apply to the usage of the biblical word of "GRACE."
GRACE is an expression or demonstration of God's love.
The most commonly used meaning for the word "GRACE" appears to be "unmerited favor."
GRACE, regarding salvation, conveys the meaning of the greatest free gift that can be given to someone totally separated from any effort or from anything one might do to deserve it.
GRACE may be said to be the greatest most wonderful gift, paid for with the greatest price in history, and given freely to those who do not deserve it.
GRACE may be said to be the culmination of all the past covenants. It does not destroy the Law, but fulfills it. It is the fulfillment of the Old Testament.
Salvation is given based on what Christ did at the cross. It is a free gift that cannot be earned through the works of the Law, through our own good works, or by any other method. It is a free gift that is given as a result of our faith and repentance towards God.
It is written, Eph 2:8-FOR BY GRACE ARE YE SAVED (or delivered)
THROUGH FAITH (or trusting); AND THAT NOT OF YOURSELVES (this is not your accomplishment-JNT):
Eph 2:9-NOT (as a result) OF WORKS (or your own actions), LEST ANY MAN (therefore) SHOULD BOAST.
Eph 2:10-FOR WE ARE HIS WORKMANSHIP (or making), CREATED IN (union with) CHRIST JESUS UNTO (or to do) GOOD WORKS (or actions), WHICH GOD HATH BEFORE (or in advance) ORDAINED (or prepared) THAT WE SHOULD WALK IN (or do) THEM.
us again look at Eph 2:8-10.
FOR BY GRACE, that is, by God's loving kindness, goodness, mercy, and His undeserved divine favor,
ARE YE SAVED (or delivered). A person is delivered from the darkness to the light. He is saved from eternal death to eternal life. He is delivered from the shackles of the law of sin and death, to the freedom of the law of liberty and the eternal life. He is delivered from the power of the devil, to the GRACE of God. He is delivered from the second death. He is delivered from the old man and becomes a new man. The list could go on and on.
THROUGH FAITH. The faith that saves has to be centered in the person of Jesus Christ, God's only begotten Son, Who came in the flesh; Who is the middle Person of the Trinity. Jesus Christ is to be a person's ONLY hope of salvation. As it is written, THERE IS NONE OTHER NAME UNDER HEAVEN GIVEN AMONG MEN, WHEREBY WE MUST BE SAVED-Acts 4:12.
AND THAT NOT OF YOURSELVES (this is not your accomplishment-JNT). There is absolutely nothing any person can do to earn his way into heaven. GRACE is totally dependent upon the work that Jesus Christ did at the cross. It is Jesus that gave His life, a ransom for many.
IT IS THE GIFT OF GOD. GRACE through faith is a gift given to us by God. It is the greatest gift there is.
NOT (as a result) OF WORKS (or your own actions). No works or actions that a person can do can earn them the gift of GRACE. There is an absolute requirement, however. That requirement is true faith which produces good fruit.
LEST ANY MAN (therefore) SHOULD BOAST. If a person could earn their way into heaven, then great boasting could take place. However, all are under sin. All have sinned. There is none righteous, no not one. Thus, it is by GRACE. It is a gift. Salvation is dependent upon the work that Jesus did. If a person is misled into thinking they can earn their way into heaven by being a good person; then the question is asked, "Why the cross?"
FOR WE ARE HIS WORKMANSHIP (or making). We are the workmanship of Jesus.
CREATED IN (union with) CHRIST JESUS UNTO (or to do) GOOD WORKS (or actions), WHICH GOD HATH BEFORE (or in advance) ORDAINED (or prepared) THAT WE SHOULD WALK IN (or do) THEM. We are created to do the will of God. We were created to do the works that God has ordained for us, before we were even born. God sets up circumstances and determines where we will live; all in accordance with His will. He then puts us in circumstances in which the works He has ordained for us to do become evident. We are to walk in the works God gives us to do.
The number one work all Christians should be involved in, is study, and study, and study the Word of God.
2 Tim 2:15-STUDY TO SHEW THYSELF APPROVED UNTO GOD, A WORKMAN THAT NEEDETH NOT TO BE ASHAMED, RIGHTLY DIVIDING THE WORD OF TRUTH. Mt 11:29-TAKE MY YOKE UPON YOU, AND LEARN OF ME; FOR I AM MEEK AND LOWLY IN HEART: AND YE SHALL FIND REST UNTO YOUR SOULS.
We are to minister the what?
Eph 3:2-DISPENSATION OF THE GRACE.
Acts 20:24-THE GOSPEL OF THE GRACE OF GOD.
Acts 20:32-THE WORD OF HIS GRACE.
You are called:
Gal 1:15- BY HIS GRACE.
are saved by what? We are saved by:
Eph 2:8-BY GRACE.
Acts 14:3-THE WORD OF HIS GRACE.
Ro 3:24-GRACE THROUGH THE REDEMPTION THAT IS IN CHRIST JESUS.
Eph 1:7-REDEMPTION…ACCORDING TO…HIS GRACE.
Col 1:6-THE GRACE OF GOD IN TRUTH.
Rev 1:4-GRACE…FROM HIM WHICH IS, AND WHICH WAS, AND WHICH IS TO COME.
is what? Jesus is:
Jn 1:14-FULL OF GRACE AND TRUTH.
came by, is by, and is of who?
Ro 5:17-GRACE…BY…JESUS CHRIST.
Jn 1:17-GRACE AND TRUTH CAME BY JESUS CHRIST.
Acts 15:11-GRACE OF THE LORD JESUS.
Eph 2:7-GRACE…THROUGH CHRIST JESUS.
1 Tim 1:14-GRACE OF OUR LORD.
Gal 1:6-GRACE OF CHRIST.
Jude 4-GRACE OF OUR GOD.
1 Cor 1:3-GRACE…FROM GOD…AND…JESUS CHRIST.
2 Thes 1:12-GRACE OF OUR GOD AND THE LORD JESUS CHRIST.
Eph 1:6-HIS GRACE…HATH MADE US ACCEPTED.
Gal 1:15-GOD…BY HIS GRACE.
1 Pe 5:10-THE GOD OF ALL GRACE.
We can only come to God by Jesus Christ; by the GRACE He extends to us; by the GRACE which is in Him, by Him, through Him, of Him, and from Him.
Bible tells us that:
Heb 13:9-IT IS A GOOD THING THAT THE HEART BE ESTABLISHED WITH GRACE.
is a good thing that the heart be established with what?
Col 3:16-GRACE IN YOUR HEARTS.
1 Pe 3:7-THE GRACE OF LIFE.
Ro 11:5-THE ELECTION OF GRACE.
Ro 5:2-FAITH INTO THIS GRACE.
Ro 4:16-OF FAITH.
Eph 2:8-THROUGH FAITH.
please note the following very carefully:
Ro 1:5-RECEIVED GRACE…FOR OBEDIENCE TO THE FAITH.
A person receives GRACE for obedience to the faith; for obedience to Jesus Christ (the Word).
Then obedience is unto righteousness, as it is written:
Ro 6:16-OBEDIENCE UNTO RIGHTEOUSNESS.
And finally:
Ro 5:21-GRACE REIGN(s) THROUGH RIGHTEOUSNESS.
As already stated, we received GRACE for "obedience" to the faith, to Jesus, to the Word; for obedience unto righteousness, and GRACE reigns through righteousness.
If we turn from our righteousness, it means that we have stopped being obedient to the Gospel. The Scriptures tell us that GRACE reigns through righteousness. He that hath ears to hear, let him hear.
are told in:
1 Pe 1:13-HOPE…FOR THE GRACE.
2 Thes 2:16-HOPE THROUGH GRACE.
Acts 18:27-BELIEVED THROUGH GRACE.
Titus 3:7-JUSTIFIED BY…GRACE.
Titus 2:11-GRACE…BRINGETH SALVATION.
Eph 2:7-GRACE…THROUGH CHRIST JESUS.
1 Cor 1:4-GRACE…BY JESUS CHRIST.
1 Tim 1:14-GRACE…IN CHRIST JESUS.
Acts 15:11-THROUGH…GRACE.
2 Tim 1:9-ACCORDING TO HIS…GRACE.
Jn 3-GRACE…IN TRUTH AND LOVE.
Eph 2:7-GRACE IN HIS KINDNESS TOWARD US.
2 Cor 9:14,15-GRACE…HIS UNSPEAKABLE GIFT.
Ro 12:6-GRACE…GIVEN.
Ro 3:24-FREELY.
Ro 5:15-GIFT BY GRACE.
Eph 3:7-GIFT OF…GRACE.
Eph 2:8-GIFT OF GOD.
Eph 4:7-GIVEN GRACE ACCORDING TO THE MEASURE OF THE GIFT OF CHRIST.
Eph 3:8-GRACE is GIVEN.
2 Tim 1:9-BEFORE THE WORLD BEGAN.
Ja 4:6-GRACE UNTO THE HUMBLE.
Ro 11:6-NO MORE OF WORKS.
Eph 2:9-NOT OF WORKS.
1 Pe 5:12-THIS IS THE TRUE GRACE OF GOD WHEREIN YE STAND.
And in:
2 Pe 1:2-MULTIPLIED…THROUGH THE KNOWLEDGE OF GOD, AND…JESUS.
2 Pe 3:18-GROW IN GRACE, AND IN…KNOWLEDGE.
Eph 6:24-GRACE BE WITH ALL THEM THAT LOVE OUR LORD JESUS CHRIST IN SINCERITY.
In 2 Cor 8:7, we ABOUND IN…GRACE.
2 Cor 9:8-ALL GRACE.
2 Cor 4:15-ABUNDANT GRACE.
Ro 5:17-ABUNDANCE OF GRACE.
2 Cor 9:14-EXCEEDING GRACE.
Eph 2:7-EXCEEDING RICHES OF HIS GRACE.
And in:
1 Tim 1:1 His GRACE…is EXCEEDING ABUNDANT.
Ro 5:20-GRACE DID MUCH MORE ABOUND.
Col 4:6 tells us-LET YOUR SPEECH BE ALWAY WITH GRACE.
2 Cor 8:19-GRACE…ADMINISTERED BY US.
And in:
Eph 4:29-we MINISTER GRACE UNTO THE HEARERS.
We are warned regarding God's precious GRACE, so that we do not do the following:
Gal 1:6-I MARVEL THAT YE ARE SO SOON REMOVED FROM HIM THAT CALLED YOU INTO THE GRACE OF CHRIST UNTO ANOTHER GOSPEL.
Gal 5:4-WHOSOEVER OF YOU ARE JUSTIFIED BY THE LAW; YE ARE FALLEN FROM GRACE.
Have you:
Heb 10:29-DONE DESPITE UNTO THE SPIRIT OF GRACE?
Gal 2:21-DO NOT FRUSTRATE THE GRACE OF GOD: FOR IF RIGHTEOUSNESS COME BY THE LAW, THEN CHRIST IS DEAD IN VAIN.
2 Cor 6:1-WE…BESEECH YOU ALSO THAT YE RECEIVE NOT THE GRACE OF GOD IN VAIN.
Acts 13:43-They PERSUADED THEM TO CONTINUE IN THE GRACE OF GOD.
2 Cor 12:9-MY GRACE IS SUFFICIENT FOR THEE.
Ro 1:5-BY WHOM WE HAVE RECEIVED GRACE AND APOSTLESHIP, FOR OBEDIENCE TO THE FAITH AMONG ALL NATIONS, FOR HIS NAME.
Ro 4:16-(Righteousness-verse 13) THEREFORE IT IS OF FAITH, THAT IT MIGHT BE BY GRACE.
Ro 5:2-BY WHOM ALSO WE HAVE ACCESS BY FAITH INTO THIS GRACE WHEREIN WE STAND, AND REJOICE IN HOPE OF THE GLORY OF GOD.
Lk 2:40-AND THE CHILD GREW, AND WAXED STRONG IN SPIRIT, FILLED WITH WISDOM: AND THE GRACE OF GOD WAS UPON HIM.
Jn 1:14-AND THE WORD WAS MADE FLESH, AND DWELT AMONG US, (AND WE BEHELD HIS GLORY, THE GLORY AS OF THE ONLY BEGOTTEN OF THE FATHER,) FULL OF GRACE AND TRUTH.
Jn 1:16-AND OF HIS FULNESS HAVE ALL WE RECEIVED, AND GRACE FOR GRACE.
Jn 1:17-FOR THE LAW WAS GIVEN BY MOSES, BUT GRACE AND TRUTH CAME BY JESUS CHRIST.
Acts 4:33-AND WITH GREAT POWER GAVE THE APOSTLES WITNESS OF THE RESURRECTION OF THE LORD JESUS: AND GREAT GRACE WAS UPON THEM ALL.
Acts 11:23-WHO, WHEN HE CAME, AND HAD SEEN THE GRACE OF GOD, WAS GLAD, AND EXHORTED THEM ALL, THAT WITH PURPOSE OF HEART THEY WOULD CLEAVE UNTO THE LORD.
Acts 13:43-NOW WHEN THE CONGREGATION WAS BROKEN UP, MANY OF THE JEWS AND RELIGIOUS PROSELYTES FOLLOWED PAUL AND BARNABAS: WHO, SPEAKING TO THEM, PERSUADED THEM TO CONTINUE IN THE GRACE OF GOD.
Acts 14:3-LONG TIME THEREFORE ABODE THEY SPEAKING BOLDLY IN THE LORD, WHICH GAVE TESTIMONY UNTO THE WORD OF HIS GRACE, AND GRANTED SIGNS AND WONDERS TO BE DONE BY THEIR HANDS.
Acts 14:26-AND THENCE SAILED TO ANTIOCH, FROM WHENCE THEY HAD BEEN RECOMMENDED TO THE GRACE OF GOD FOR THE WORK WHICH THEY FULFILLED.
Acts 15:11-BUT WE BELIEVE THAT THROUGH THE GRACE OF THE LORD JESUS CHRIST WE SHALL BE SAVED, EVEN AS THEY.
Acts 15:40-AND PAUL CHOSE SILAS, AND DEPARTED, BEING RECOMMENDED BY THE BRETHREN UNTO THE GRACE OF GOD.
Acts 18:27-AND WHEN HE WAS DISPOSED TO PASS INTO ACHAIA, THE BRETHREN WROTE, EXHORTING THE DISCIPLES TO RECEIVE HIM: WHO, WHEN HE WAS COME, HELPED THEM MUCH WHICH HAD BELIEVED THROUGH GRACE.
Acts 20:24-BUT NONE OF THESE THINGS MOVE ME, NEITHER COUNT I MY LIFE DEAR UNTO MYSELF, SO THAT I MIGHT FINISH MY COURSE WITH JOY, AND THE MINISTRY, WHICH I HAVE RECEIVED OF THE LORD JESUS, TO TESTIFY THE GOSPEL OF THE GRACE OF GOD.
Acts 20:32-AND NOW, BRETHREN, I COMMEND YOU TO GOD, AND TO THE WORD OF HIS GRACE, WHICH IS ABLE TO BUILD YOU UP, AND TO GIVE YOU AN INHERITANCE AMONG ALL THEM WHICH ARE SANCTIFIED.
Ro 1:5-BY WHOM WE HAVE RECEIVED GRACE AND APOSTLESHIP, FOR OBEDIENCE TO THE FAITH AMONG ALL NATIONS, FOR HIS NAME.
Ro 1:7-TO ALL THAT BE IN ROME, BELOVED OF GOD, CALLED TO BE SAINTS: GRACE TO YOU AND PEACE FROM GOD OUR FATHER, AND THE LORD JESUS CHRIST.
Ro 3:24-BEING JUSTIFIED FREELY BY HIS GRACE THROUGH THE REDEMPTION THAT IS IN CHRIST JESUS.
Ro 4:4-NOW TO HIM THAT WORKETH IS THE REWARD NOT RECKONED OF GRACE, BUT OF DEBT.
Ro 4:16-THEREFORE IT IS OF FAITH, THAT IT MIGHT BE BY GRACE; TO THE END THE PROMISE MIGHT BE SURE TO ALL THE SEED; NOT TO THAT ONLY WHICH IS OF THE LAW, BUT TO THAT ALSO WHICH IS OF THE FAITH OF ABRAHAM; WHO IS THE FATHER OF US ALL.
Ro 5:2-BY WHOM ALSO WE HAVE ACCESS BY FAITH INTO THIS GRACE WHEREIN WE STAND, AND REJOICE IN HOPE OF THE GLORY OF GOD.
Ro 5:15-BUT NOT AS THE OFFENCE, SO ALSO IS THE FREE GIFT. FOR IF THROUGH THE OFFENCE OF ONE MANY BE DEAD, MUCH MORE THE GRACE OF GOD, AND THE GIFT BY GRACE, WHICH IS BY ONE MAN, JESUS CHRIST, HATH ABOUNDED UNTO MANY.
Ro 5:17-FOR IF BY ONE MAN'S OFFENCE DEATH REIGNED BY ONE; MUCH MORE THEY WHICH RECEIVE ABUNDANCE OF GRACE AND OF THE GIFT OF RIGHTEOUSNESS SHALL REIGN IN LIFE BY ONE, JESUS CHRIST.
Ro 5:20-MOREOVER THE LAW ENTERED, THAT THE OFFENCE MIGHT ABOUND. BUT WHERE SIN ABOUNDED, GRACE DID MUCH MORE ABOUND.
Ro 5:21-THAT AS SIN HATH REIGNED UNTO DEATH, EVEN SO MIGHT GRACE REIGN THROUGH RIGHTEOUSNESS UNTO ETERNAL LIFE BY JESUS CHRIST OUR LORD.
Ro 6:1-WHAT SHALL WE SAY THEN? SHALL WE CONTINUE IN SIN, THAT GRACE MAY ABOUND?
Ro 6:14-FOR SIN SHALL NOT HAVE DOMINION OVER YOU: FOR YE ARE NOT UNDER THE LAW, BUT UNDER GRACE.
Ro 6:15-WHAT THEN? SHALL WE SIN, BECAUSE WE ARE NOT UNDER THE LAW, BUT UNDER GRACE? GOD FORBID.
Ro 11:5-EVEN SO THEN AT THIS PRESENT TIME ALSO THERE IS A REMNANT ACCORDING TO THE ELECTION OF GRACE.
Ro 11:6-AND IF BY GRACE, THEN IS IT NO MORE OF WORKS: OTHERWISE GRACE IS NO MORE GRACE. BUT IF IT BE OF WORKS, THEN IS IT NO MORE GRACE: OTHERWISE WORK IS NO MORE WORK.
Ro 12:3-FOR I SAY, THROUGH THE GRACE GIVEN UNTO ME, TO EVERY MAN THAT IS AMONG YOU, NOT TO THINK OF HIMSELF MORE HIGHLY THAN HE OUGHT TO THINK; BUT TO THINK SOBERLY, ACCORDING AS GOD HATH DEALT TO EVERY MAN THE MEASURE OF FAITH.
Ro 12:6-HAVING THEN GIFTS DIFFERING ACCORDING TO THE GRACE THAT IS GIVEN TO US, WHETHER PROPHECY, LET US PROPHESY ACCORDING TO THE PROPORTION OF FAITH.
Ro 15:15-NEVERTHELESS, BRETHREN, I HAVE WRITTEN THE MORE BOLDLY UNTO YOU IN SOME SORT, AS PUTTING YOU IN MIND, BECAUSE OF THE GRACE THAT IS GIVEN TO ME OF GOD.
Ro 16:20-AND THE GOD OF PEACE SHALL BRUISE SATAN UNDER YOUR FEET SHORTLY. THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU. AMEN.
Ro 16:24-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU ALL. AMEN.
1 Cor 1:3-GRACE BE UNTO YOU, AND PEACE, FROM GOD OUR FATHER, AND FROM THE LORD JESUS CHRIST.
1 Cor 1:4-I THANK MY GOD ALWAYS ON YOUR BEHALF, FOR THE GRACE OF GOD WHICH IS GIVEN YOU BY JESUS CHRIST.
1 Cor 3:10-ACCORDING TO THE GRACE OF GOD WHICH IS GIVEN UNTO ME, AS A WISE MASTERBUILDER, I HAVE LAID THE FOUNDATION, AND ANOTHER BUILDETH THEREON. BUT LET EVERY MAN TAKE HEED HOW HE BUILDETH THEREUPON.
1 Cor 10:30-FOR IF I BY GRACE BE A PARTAKER, WHY AM I EVIL SPOKEN OF FOR THAT FOR WHICH I GIVE THANKS?
1 Cor 15:10-BUT BY THE GRACE OF GOD I AM WHAT I AM: AND HIS GRACE WHICH WAS BESTOWED UPON ME WAS NOT IN VAIN; BUT I LABOURED MORE ABUNDANTLY THAN THEY ALL: YET NOT I, BUT THE GRACE OF GOD WHICH WAS WITH ME.
1 Cor 16:23-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU.
2 Cor 1:2-GRACE BE TO YOU AND PEACE FROM GOD OUR FATHER, AND FROM THE LORD JESUS CHRIST.
2 Cor 1:12-FOR OUR REJOICING IS THIS, THE TESTIMONY OF OUR CONSCIENCE, THAT IN SIMPLICITY AND GODLY SINCERITY, NOT WITH FLESHLY WISDOM, BUT BY THE GRACE OF GOD, WE HAVE HAD OUR CONVERSATION IN THE WORLD, AND MORE ABUNDANTLY TO YOU-WARD.
2 Cor 4:15-FOR ALL THINGS ARE FOR YOUR SAKES, THAT THE ABUNDANT GRACE MIGHT THROUGH THE THANKSGIVING OF MANY REDOUND TO THE GLORY OF GOD.
2 Cor 6:1-WE THEN, AS WORKERS TOGETHER WITH HIM, BESEECH YOU ALSO THAT YE RECEIVE NOT THE GRACE OF GOD IN VAIN.
2 Cor 8:1-MOREOVER, BRETHREN, WE DO YOU TO WIT OF THE GRACE OF GOD BESTOWED ON THE CHURCHES OF MACEDONIA.
2 Cor 8:6-INSOMUCH THAT WE DESIRED TITUS, THAT AS HE HAD BEGUN, SO HE WOULD ALSO FINISH IN YOU THE SAME GRACE ALSO.
2 Cor 8:7-THEREFORE, AS YE ABOUND IN EVERY THING, IN FAITH, AND UTTERANCE, AND KNOWLEDGE, AND IN ALL DILIGENCE, AND IN YOUR LOVE TO US, SEE THAT YE ABOUND IN THIS GRACE ALSO.
2 Cor 8:9-FOR YE KNOW THE GRACE OF OUR LORD JESUS CHRIST, THAT, THOUGH HE WAS RICH, YET FOR YOUR SAKES HE BECAME POOR, THAT YE THROUGH HIS POVERTY MIGHT BE RICH.
2 Cor 8:19-AND NOT THAT ONLY, BUT WHO WAS ALSO CHOSEN OF THE CHURCHES TO TRAVEL WITH US WITH THIS GRACE, WHICH IS ADMINISTERED BY US TO THE GLORY OF THE SAME LORD, AND DECLARATION OF YOUR READY MIND.
2 Cor 9:8-AND GOD IS ABLE TO MAKE ALL GRACE ABOUND TOWARD YOU; THAT YE, ALWAYS HAVING ALL SUFFICIENCY IN ALL THINGS, MAY ABOUND TO EVERY GOOD WORK.
2 Cor 9:14-AND BY THEIR PRAYER FOR YOU, WHICH LONG AFTER YOU FOR THE EXCEEDING GRACE OF GOD IN YOU.
2 Cor 12:9-AND HE SAID UNTO ME, MY GRACE IS SUFFICIENT FOR THEE: FOR MY STRENGTH IS MADE PERFECT IN WEAKNESS. MOST GLADLY THEREFORE WILL I RATHER GLORY IN MY INFIRMITIES, THAT THE POWER OF CHRIST MAY REST UPON ME.
2 Cor 13:14-THE GRACE OF THE LORD JESUS CHRIST, AND THE LOVE OF GOD, AND THE COMMUNION OF THE HOLY GHOST, BE WITH YOU ALL. AMEN.
Gal 1:3-GRACE BE TO YOU AND PEACE FROM GOD THE FATHER, AND FROM OUR LORD JESUS CHRIST.
Gal 1:6-I MARVEL THAT YE ARE SO SOON REMOVED FROM HIM THAT CALLED YOU INTO THE GRACE OF CHRIST UNTO ANOTHER GOSPEL.
Gal 1:15-BUT WHEN IT PLEASED GOD, WHO SEPARATED ME FROM MY MOTHER'S WOMB, AND CALLED ME BY HIS GRACE.
Gal 2:9-AND WHEN JAMES, CEPHAS, AND JOHN, WHO SEEMED TO BE PILLARS, PERCEIVED THE GRACE THAT WAS GIVEN UNTO ME, THEY GAVE TO ME AND BARNABAS THE RIGHT HANDS OF FELLOWSHIP; THAT WE SHOULD GO UNTO THE HEATHEN, AND THEY UNTO THE CIRCUMCISION.
Gal 2:21-I DO NOT FRUSTRATE THE GRACE OF GOD: FOR IF RIGHTEOUSNESS COME BY THE LAW, THEN CHRIST IS DEAD IN VAIN.
Gal 5:4-CHRIST IS BECOME OF NO EFFECT UNTO YOU, WHOSOEVER OF YOU ARE JUSTIFIED BY THE LAW; YE ARE FALLEN FROM GRACE.
Eph 1:2-GRACE BE TO YOU, AND PEACE, FROM GOD OUR FATHER, AND FROM THE LORD JESUS CHRIST.
Eph 1:6-TO THE PRAISE OF THE GLORY OF HIS GRACE, WHEREIN HE HATH MADE US ACCEPTED IN THE BELOVED.
Eph 1:7-IN WHOM WE HAVE REDEMPTION THROUGH HIS BLOOD, THE FORGIVENESS OF SINS, ACCORDING TO THE RICHES OF HIS GRACE.
Eph 2:5-EVEN WHEN WE WERE DEAD IN SINS, HATH QUICKENED US TOGETHER WITH CHRIST, (BY GRACE YE ARE SAVED;).
Eph 2:7-THAT IN THE AGES TO COME HE MIGHT SHEW THE EXCEEDING RICHES OF HIS GRACE IN HIS KINDNESS TOWARD US THROUGH CHRIST JESUS.
Eph 2:8-FOR BY GRACE ARE YE SAVED THROUGH FAITH; AND THAT NOT OF YOURSELVES: IT IS THE GIFT OF GOD.
Eph 3:2-IF YE HAVE HEARD OF THE DISPENSATION OF THE GRACE OF GOD WHICH IS GIVEN ME TO YOU-WARD.
Eph 3:7-WHEREOF I WAS MADE A MINISTER, ACCORDING TO THE GIFT OF THE GRACE OF GOD GIVEN UNTO ME BY THE EFFECTUAL WORKING OF HIS POWER.
Eph 3:8-UNTO ME, WHO AM LESS THAN THE LEAST OF ALL SAINTS, IS THIS GRACE GIVEN, THAT I SHOULD PREACH AMONG THE GENTILES THE UNSEARCHABLE RICHES OF CHRIST.
Eph 4:7-BUT UNTO EVERY ONE OF US IS GIVEN GRACE ACCORDING TO THE MEASURE OF THE GIFT OF CHRIST.
Eph 4:29-LET NO CORRUPT COMMUNICATION PROCEED OUT OF YOUR MOUTH, BUT THAT WHICH IS GOOD TO THE USE OF EDIFYING, THAT IT MAY MINISTER GRACE UNTO THE HEARERS.
Eph 6:24-GRACE BE WITH ALL THEM THAT LOVE OUR LORD JESUS CHRIST IN SINCERITY. AMEN.
Phil 1:2-GRACE BE UNTO YOU, AND PEACE, FROM GOD OUR FATHER, AND FROM THE LORD JESUS CHRIST.
Phil 1:7-EVEN AS IT IS MEET FOR ME TO THINK THIS OF YOU ALL, BECAUSE I HAVE YOU IN MY HEART; INASMUCH AS BOTH IN MY BONDS, AND IN THE DEFENCE AND CONFIRMATION OF THE GOSPEL, YE ALL ARE PARTAKERS OF MY GRACE.
Phil 4:23-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU ALL. AMEN.
Col 1:2-TO THE SAINTS AND FAITHFUL BRETHREN IN CHRIST WHICH ARE AT COLOSSE: GRACE BE UNTO YOU, AND PEACE, FROM GOD OUR FATHER AND THE LORD JESUS CHRIST.
Col 1:6-WHICH IS COME UNTO YOU, AS IT IS IN ALL THE WORLD; AND BRINGETH FORTH FRUIT, AS IT DOTH ALSO IN YOU, SINCE THE DAY YE HEARD OF IT, AND KNEW THE GRACE OF GOD IN TRUTH.
Col 3:16-LET THE WORD OF CHRIST DWELL IN YOU RICHLY IN ALL WISDOM; TEACHING AND ADMONISHING ONE ANOTHER IN PSALMS AND HYMNS AND SPIRITUAL SONGS, SINGING WITH GRACE IN YOUR HEARTS TO THE LORD.
Col 4:6-LET YOUR SPEECH BE ALWAY WITH GRACE, SEASONED WITH SALT, THAT YE MAY KNOW HOW YE OUGHT TO ANSWER EVERY MAN.
Col 4:18-THE SALUTATION BY THE HAND OF ME PAUL. REMEMBER MY BONDS. GRACE BE WITH YOU. AMEN.
1 Thes 1:1-PAUL, AND SILVANUS, AND TIMOTHEUS, UNTO THE CHURCH OF THE THESSALONIANS WHICH IS IN GOD THE FATHER AND IN THE LORD JESUS CHRIST: GRACE BE UNTO YOU, AND PEACE, FROM GOD OUR FATHER, AND THE LORD JESUS CHRIST.
1 Thes 5:28-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU. AMEN.
2 Thes 1:2-GRACE UNTO YOU, AND PEACE, FROM GOD OUR FATHER AND THE LORD JESUS CHRIST.
2 Thes 1:12-THAT THE NAME OF OUR LORD JESUS CHRIST MAY BE GLORIFIED IN YOU, AND YE IN HIM, ACCORDING TO THE GRACE OF OUR GOD AND THE LORD JESUS CHRIST.
2 Thes 2:16-NOW OUR LORD JESUS CHRIST HIMSELF, AND GOD, EVEN OUR FATHER, WHICH HATH LOVED US, AND HATH GIVEN US EVERLASTING CONSOLATION AND GOOD HOPE THROUGH GRACE.
2 Thes 3:18-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU ALL. AMEN.
1 Tim 1:2-UNTO TIMOTHY, MY OWN SON IN THE FAITH: GRACE, MERCY, AND PEACE, FROM GOD OUR FATHER AND JESUS CHRIST OUR LORD.
1 Tim 1:14-AND THE GRACE OF OUR LORD WAS EXCEEDING ABUNDANT WITH FAITH AND LOVE WHICH IS IN CHRIST JESUS.
1 Tim 6:21-WHICH SOME PROFESSING HAVE ERRED CONCERNING THE FAITH. GRACE BE WITH THEE. AMEN.
2 Tim 1:2-TO TIMOTHY, MY DEARLY BELOVED SON: GRACE, MERCY, AND PEACE, FROM GOD THE FATHER AND CHRIST JESUS OUR LORD.
2 Tim 1:9-WHO HATH SAVED US, AND CALLED US WITH AN HOLY CALLING, NOT ACCORDING TO OUR WORKS, BUT ACCORDING TO HIS OWN PURPOSE AND GRACE, WHICH WAS GIVEN US IN CHRIST JESUS BEFORE THE WORLD BEGAN.
2 Tim 2:1-THOU THEREFORE, MY SON, BE STRONG IN THE GRACE THAT IS IN CHRIST JESUS.
2 Tim 4:22-THE LORD JESUS CHRIST BE WITH THY SPIRIT. GRACE BE WITH YOU. AMEN.
Titus 1:4-TO TITUS, MINE OWN SON AFTER THE COMMON FAITH: GRACE, MERCY, AND PEACE, FROM GOD THE FATHER AND THE LORD JESUS CHRIST OUR SAVIOUR.
Titus 2:11-FOR THE GRACE OF GOD THAT BRINGETH SALVATION HATH APPEARED TO ALL MEN.
Titus 3:7-THAT BEING JUSTIFIED BY HIS GRACE, WE SHOULD BE MADE HEIRS ACCORDING TO THE HOPE OF ETERNAL LIFE.
Titus 3:15-ALL THAT ARE WITH ME SALUTE THEE. GREET THEM THAT LOVE US IN THE FAITH. GRACE BE WITH YOU ALL. AMEN.
Phile 1:3-GRACE TO YOU, AND PEACE, FROM GOD OUR FATHER AND THE LORD JESUS CHRIST.
Heb 2:9-BUT WE SEE JESUS, WHO WAS MADE A LITTLE LOWER THAN THE ANGELS FOR THE SUFFERING OF DEATH, CROWNED WITH GLORY AND HONOUR; THAT HE BY THE GRACE OF GOD SHOULD TASTE DEATH FOR EVERY MAN.
Heb 4:16-LET US THEREFORE COME BOLDLY UNTO THE THRONE OF GRACE, THAT WE MAY OBTAIN MERCY, AND FIND GRACE TO HELP IN TIME OF NEED.
Heb 10:29-OF HOW MUCH SORER PUNISHMENT, SUPPOSE YE, SHALL HE BE THOUGHT WORTHY, WHO HATH TRODDEN UNDER FOOT THE SON OF GOD, AND HATH COUNTED THE BLOOD OF THE COVENANT, WHEREWITH HE WAS SANCTIFIED, AN UNHOLY THING, AND HATH DONE DESPITE UNTO THE SPIRIT OF GRACE?
Heb 12:15-LOOKING DILIGENTLY LEST ANY MAN FAIL OF THE GRACE OF GOD; LEST ANY ROOT OF BITTERNESS SPRINGING UP TROUBLE YOU, AND THEREBY MANY BE DEFILED.
Heb 12:28-WHEREFORE WE RECEIVING A KINGDOM WHICH CANNOT BE MOVED, LET US HAVE GRACE, WHEREBY WE MAY SERVE GOD ACCEPTABLY WITH REVERENCE AND GODLY FEAR.
Heb 13:9-BE NOT CARRIED ABOUT WITH DIVERS AND STRANGE DOCTRINES. FOR IT IS A GOOD THING THAT THE HEART BE ESTABLISHED WITH GRACE; NOT WITH MEATS, WHICH HAVE NOT PROFITED THEM THAT HAVE BEEN OCCUPIED THEREIN.
Heb 13:25-GRACE BE WITH YOU ALL. AMEN.
Ja 1:11-FOR THE SUN IS NO SOONER RISEN WITH A BURNING HEAT, BUT IT WITHERETH THE GRASS, AND THE FLOWER THEREOF FALLETH, AND THE GRACE OF THE FASHION OF IT PERISHETH: SO ALSO SHALL THE RICH MAN FADE AWAY IN HIS WAYS.
Ja 4:6-BUT HE GIVETH MORE GRACE. WHEREFORE HE SAITH, GOD RESISTETH THE PROUD, BUT GIVETH GRACE UNTO THE HUMBLE.
Pe 1:2-ELECT ACCORDING TO THE FOREKNOWLEDGE OF GOD THE FATHER, THROUGH SANCTIFICATION
1 Pe 1:10-OF WHICH SALVATION THE PROPHETS HAVE INQUIRED AND SEARCHED DILIGENTLY, WHO PROPHESIED OF THE GRACE THAT SHOULD COME UNTO YOU.
1 Pe 1:13-WHEREFORE GIRD UP THE LOINS OF YOUR MIND, BE SOBER, AND HOPE TO THE END FOR THE GRACE THAT IS TO BE BROUGHT UNTO YOU AT THE REVELATION OF JESUS CHRIST.
1 Pe 3:7-LIKEWISE, YE HUSBANDS, DWELL WITH THEM ACCORDING TO KNOWLEDGE, GIVING HONOUR UNTO THE WIFE, AS UNTO THE WEAKER VESSEL, AND AS BEING HEIRS TOGETHER OF THE GRACE OF LIFE; THAT YOUR PRAYERS BE NOT HINDERED.
1 Pe 4:10-AS EVERY MAN HATH RECEIVED THE GIFT, EVEN SO MINISTER THE SAME ONE TO ANOTHER, AS GOOD STEWARDS OF THE MANIFOLD GRACE OF GOD.
1 Pe 5:5-LIKEWISE, YE YOUNGER, SUBMIT YOURSELVES UNTO THE ELDER. YEA, ALL OF YOU BE SUBJECT ONE TO ANOTHER, AND BE CLOTHED WITH HUMILITY: FOR GOD RESISTETH THE PROUD, AND GIVETH GRACE TO THE HUMBLE.
1 Pe 5:10-BUT THE GOD OF ALL GRACE, WHO HATH CALLED US UNTO HIS ETERNAL GLORY BY CHRIST JESUS, AFTER THAT YE HAVE SUFFERED A WHILE, MAKE YOU PERFECT, STABLISH, STRENGTHEN, SETTLE YOU.
1 Pe 5:12-BY SILVANUS, A FAITHFUL BROTHER UNTO YOU, AS I SUPPOSE, I HAVE WRITTEN BRIEFLY, EXHORTING, AND TESTIFYING THAT THIS IS THE TRUE GRACE OF GOD WHEREIN YE STAND.
2 Pe 1:2-GRACE AND PEACE BE MULTIPLIED UNTO YOU THROUGH THE KNOWLEDGE OF GOD, AND OF JESUS OUR LORD.
2 Pe 3:18-BUT GROW IN GRACE, AND IN THE KNOWLEDGE OF OUR LORD AND SAVIOUR JESUS CHRIST. TO HIM BE GLORY BOTH NOW AND FOR EVER. AMEN.
2 Jn 1:3-GRACE BE WITH YOU, MERCY, AND PEACE, FROM GOD THE FATHER, AND FROM THE LORD JESUS CHRIST, THE SON OF THE FATHER, IN TRUTH AND LOVE.
Jude 1:4-FOR THERE ARE CERTAIN MEN CREPT IN UNAWARES, WHO WERE BEFORE OF OLD ORDAINED TO THIS CONDEMNATION, UNGODLY MEN, TURNING THE GRACE OF OUR GOD INTO LASCIVIOUSNESS, AND DENYING THE ONLY LORD GOD, AND OUR LORD JESUS CHRIST.
Rev 1:4-JOHN TO THE SEVEN CHURCHES WHICH ARE IN ASIA: GRACE BE UNTO YOU, AND PEACE, FROM HIM WHICH IS, AND WHICH WAS, AND WHICH IS TO COME; AND FROM THE SEVEN SPIRITS WHICH ARE BEFORE HIS THRONE.
Rev 22:21-THE GRACE OF OUR LORD JESUS CHRIST BE WITH YOU ALL. AMEN.


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City of Bones
- Synopsis
- When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder -- much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It's hard to call the police when the murderers are invisible to everyone else and when there is nothing -- not even a smear of blood -- to show that a boy has died. Or was he a boy? This is Clary's first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It's also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace's world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know. . . . Exotic and gritty, exhilarating and utterly gripping, Cassandra Clare's ferociously entertaining fantasy takes readers on a wild ride that they will never want to end.
- Copyright:
- 2007
Book Details
- Book Quality:
- Publisher Quality
- 9781416995753
- Publisher:
- Simon & Schuster Children's Publishing
- Date of Addition:
- 07/26/11
- Copyrighted By:
- Cassandra Clare, LLC
- Adult content:
- No
- Language:
- English
- Has Image Descriptions:
- No
- Submitted By:
- Bookshare Staff
- Usage Restrictions:
- This is a copyrighted book.


text:
The Effects of the Pending 'Fiscal Cliff'
Saturday, November 24, 2012
What is this 'fiscal cliff' everyone is talking about? Is it important to prevent 'going over the cliff' and how will if effect everyone?
Among the laws set to change at midnight on December 31, 2012, are the end of last year's temporary payroll tax cuts (resulting in a 2% tax increase for workers), the end of certain tax breaks for businesses, shifts in the alternative minimum tax that would take a larger bite, the end of the tax cuts from 2001-2003, and the beginning of taxes related to President Obama's health care law. At the same time, the spending cuts agreed upon as part of the debt ceiling deal of 2011 will begin to go into effect. According to Barron's, over 1,000 government programs - including the defense budget and Medicare are in line for "deep, automatic cuts."
In a nutshell, Everyone who pays income tax — and some who don't — will feel it.
So will doctors who accept Medicare, people who get unemployment aid, defense contractors, air traffic controllers, national park rangers and companies that do research and development.
The package of tax increases and spending cuts known as the ''fiscal cliff'' takes effect in January unless Congress passes a budget deal by then. The economy would be hit so hard that it would likely sink into recession in the first half of 2013, economists say.
And no matter who you are, it will be all but impossible to avoid the pain.
Middle income families would have to pay an average of about $2,000 more next year, the nonpartisan Tax Policy Center has calculated.
Up to 3.4 million jobs would be lost, the Congressional Budget Office estimates. The unemployment rate would reach 9.1 percent from the current 7.9 percent. Stocks could plunge. The nonpartisan CBO estimates the total cost of the cliff in 2013 at $671 billion.
Collectively, the tax increases would be the steepest to hit Americans in 60 years when measured as a percentage of the economy.
''There would be a huge shock effect to the US economy,'' says Mark Vitner, an economist at Wells Fargo.
Most of the damage — roughly two-thirds — would come from the tax increases. But the spending cuts would cause pain, too.
The bleak scenario could push the White House and Congress to reach a deal before year's end. On Tuesday, Congress returns for a post-election session that could last through Dec. 31. At a minimum, analysts say some temporary compromise might be reached, allowing a final deal to be cut early next year.
Still, uncertainty about a final deal could cause many companies to further delay hiring and spend less. Already, many US companies say anxiety about the fiscal cliff has led them to put off plans to expand or hire.
A breakdown in negotiations could also ignite turmoil in financial markets, Vitner said. It could resemble the 700-point fall in the Dow Jones industrial average in 2008 after the House initially rejected the $700 billion bailout of major banks.
Since President Barack Obama's re-election, nervous investors have sold stocks. The Standard & Poor's 500 index sank 2.3 percent last week, its worst weekly drop since June. The sell-off resulted in part from anxiety over higher tax rates on investment gains once the fiscal cliff kicks in.
Last week, Obama said he was open to compromise with Republican leaders. But the White House said he would veto any bill that would extend tax cuts on income above $250,000.
Republican House Speaker John Boehner countered that higher tax rates on upper-income Americans would slow job growth. Boehner argued that any deal must reduce tax rates, eliminate special-interest loopholes and rein in government benefits.
The US government has run annual budget deficits in excess of $1 trillion in each of the last four fiscal years. A report Tuesday showed the government started the 2013 budget year with a $120 billion deficit in October, suggesting a fifth $1 trillion annual deficit is likely.
That adds pressure on Obama and Congress to reach a budget deal.
Still, most economists want an agreement that would lower the deficit gradually over several years, rather than a sharp cut that could rattle the still-weak economy.
More than 50 percent of the tax increases would come from the expiration of tax cuts approved in 2001 and 2003 and from additional tax cuts in a 2009 economic stimulus law.
The first set of tax cuts reduced rates on income, investment gains, dividends and estates. They also boosted tax credits for families with children. Deductions for married couples also rose. The 2009 measure increased tax credits for low-income earners and college students.
About 20 percent of the tax increase would come from the expiration of a Social Security tax cut enacted in 2010. This change would cost someone making $50,000 about $1,000 a year, or nearly $20 a week, and a household with two high-paid workers up to $4,500, or nearly $87 a week.
The end of the Social Security tax cut isn't technically among the changes triggered by the fiscal cliff. But because it expires at the same time, it's included in most calculations of the fiscal cliff's effects.
And it could catch many people by surprise.
''Every worker in America is going to see a reduction in their paycheck in the first pay period of 2013,'' Vitner noted.
An additional 20 percent of the tax increase would come from the end of about 80 tax breaks, mostly for businesses. One is a tax credit for research and development. Another lets companies deduct from their income half the cost of large equipment or machinery.
Mark Bakko, a Minneapolis accountant, says many mid-size companies he advises are holding off on equipment purchases or hiring until the fate of those tax breaks becomes clear. Bakko noted that the research and development credit typically lets a company that hired an engineer at a $100,000 salary cut its tax bill by $10,000. The credit has been routinely extended since the 1980s.
The rest of the tax increase would come mainly from the alternative minimum tax, or AMT. It would hit 30 million Americans, up from 4 million now.
The costly AMT was designed to prevent rich people from exploiting loopholes and deductions to avoid any income tax. But the AMT wasn't indexed for inflation, so it's increasingly threatened middle-income taxpayers. Congress has acted each year to prevent the AMT from hitting many more people.
Under the fiscal cliff, households in the lowest 20 percent of earners would pay an average of $412 more, the Tax Policy Center calculates. The top 20 percent would pay an average $14,000 more, the top 1 percent $121,000 more.
All this would lead many consumers to spend less. Anticipating reduced sales and profits, businesses would likely cut jobs. Others would delay hiring.
Another part of the cliff is a package of across-the-board spending cuts to defense and domestic programs — cuts the CBO says would total about $85 billion. Congress and the Obama administration agreed last year that these cuts would kick in if a congressional panel couldn't agree on a deficit-reduction plan. The magnitude of the cuts was intended to force agreement. It didn't.
Defense spending would shrink 10 percent. Defense Secretary Leon Panetta has said those cuts would cause temporary job losses among civilian Pentagon employees and major defense contractors. Spending on weapons programs would be cut.
For domestic programs, like highway funding, aid to state and local governments and health research, spending would drop about 8 percent. Education grants to states and localities; the FBI and other law enforcement; environmental protection; and air traffic controllers, among others, would also be affected, the White House says.
Hospitals and doctors' offices could also cut jobs if an $11 billion cut in Medicare payments isn't reversed.
Extended unemployment benefits for about 2 million people would end. The extra benefits provide up to 73 weeks of aid.
''It would be nice if we could ... address these issues before the very last moment,'' said Donald Marron, the Tax Policy Center's director.


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Google even tests a slightly updated version of the old bar that uses the services from the new UI, more spacing and a different color scheme.
Here's how you can try the latest Google experiment. If you use Chrome, Firefox, Safari or Internet Explorer 8+, open google.com in a new tab, load:
* Chrome's JavaScript console (Ctrl+Shift+J)
* Firefox's Web Console (Ctrl+Shift+K)
* Safari's Web Inspector (how to do that?)
* IE's Developer Tools (press F12 and select the "console" tab)
and paste the following code:
document.cookie="PREF=ID=381502750b6e9119:U=aaee74aefea7315a:FF=0:LD=en:CR=2:TM=1328391998:LM=1328392000:S=yPtlCgLbEnezu5b4; path=/; domain=.google.com";window.location.reload();
Then press Enter and close the console. If you're not in the US and you're using a different Google domain, replace ".google.com" with your domain in the code (for example: ".google.co.uk" in the UK).
If you'd like to go back to the old interface and reset the Google PREF cookie, repeat the same steps, but use the following code:
document.cookie="PREF=; path=/; domain=.google.com";window.location.reload();


text:
1911 $50 Bill
|1911 Fifty Dollar Bill
|The 1911 $50 bill was printed from December of 1908 to August 1929, even though every note says series of 1902, they were not necessarily printed that year. 1911 $50 bills also feature a full date, this date is when the bank got its national charter or a variation of that date. 1911 fifty dollar bills have the portrait of John Sherman on the front left. 1911 $50 bills will all have a blue seal. They can be broken down into "date-backs" and "plain backs," generally though there is no value difference between the two. The value of a 1911 $50 bill is not set in stone, the value depends on the bank which issued the notes. See our contact information below to get a quick free appraisal on your 1911 $50 bill.
|Send us an email to find out how much your 1911 $50 bill is worth, or just to figure out what you have. If you are looking to sell we can offer you the top market value for it: firstname.lastname@example.com


text:
Conference Abstract
"The Deglacial to Holocene Paleoceanography of Bering Strait: Results From the SWERUS-C3 Program", 2017 Fall Meeting, American Geophysical Union (AGU). p. New Orleans, LA, 2017.,
Journal Article
"An Arctic Ice Shelf During MIS 6 Constrained by New Geophysical and Geological Data", Quarternary Science Review, vol. 29. Wiley, pp. 3505-3517, 2010.,
"Acoustic Mapping of Mixed Layer Depth", Ocean Science, vol. 14, 3. pp. 503-514, 2018.,
"Bathymetry and Oceanic Flow Structure at Two Deep Passages Crossing the Lomonosov Ridge", Ocean Science, vol. 14. Copernicus Publications, pp. 1-13, 2018.,
"Evidence for an Ice Shelf Covering the Central Arctic Ocean During the Penultimate Glaciation", Nature Communications, vol. 7. Macmillan Publishers Ltd., 2016. mayer-natcomm-01-2016.pdf (3.3 MB),
"Post-Glacial Flooding of the Bering Land Bridge Dated to 11 cal ka BP Based on New Geophysical and Sediment records", Climate of the Past, vol. 13. Copernicus Publications, pp. 991-1005, 2017.,


text:
Photoplay was founded in Chicago in 1911 and reached its zenith in the 1920s and 1930s, becoming quite influential in the early film industry. The magazine was renowned for its beautiful cover portraits of film stars by artists such as Rolf Armstrong, Earl Christy, and Charles Sheldon. By 1937, however, with the advancement of color photography, the magazine began using photographs of the stars.
Talmadge, shown here in an Earl Christy rendering, was one of a number of Hollywood stars whose careers were dramatically altered by the coming of "talking motion pictures."
Photoplay's cover story of December 1929 dealt with the hot topic of the new technology then upsetting the status quo in Hollywood, as one of the taglines explains: "The Microphone — The Terror of The Studios."
Photoplay's editors added another tagline on the cover's lower right hand corner: "You Can't Get Away With It In Hollywood" — meaning that the days of "image only" appeal for Hollywood's big stars were over. And for those involved in film at that time, this change was truly a terror."It was a dreadful time, believe me," explained actress Myrna Loy to New York Times writer Guy Flatley in 1977, then writing a magazine piece at the 50th anniversary of sound in film. "There was panic everywhere," said Loy, "and a lot of people said, 'This is ridiculous! Who wants to hear people talk?'" Loy added that many people at the time still "loved the silent film, the great art of pantomime perfected by the comedians and by [director, D.W.] Griffith." So much of what happened with the coming of sound "was terribly unfair," Loy charged. The studios, she believed, "should have taken the time to train those people whose voices didn't match their screen images…."
And indeed, for actors and actresses like Norma Talmadge, shown on Photoplay's cover, the problem was the sound of their voices. Often, it seemed, the image and voice didn't match up to what audiences had already cast in their minds and expected, and that's what touched off the panic among many actors and actresses, ruining some careers. But it wasn't just the movie stars with funny voices, explains Guy Flatley in his 1977 piece:
"Everyone was affected: actors, directors, studio chiefs, cameramen. For many the sound of the talkies was the sound of doom: Lionized stars, suddenly forced to speak, found their careers screeching to a halt. "Lionized stars, suddenly forced to speak, found their careers screeching to a halt." – Guy Flatley Directors accustomed to shouting orders to actors at the peak of a crucial scene heard themselves being shushed by the newly all-powerful sound technicians. Studio moguls who had reigned with supreme tyrannical confidence crumbled behind doors in solitary panic, frightened by the vast sums gambling on "talkies" required.
…Cameras could no longer move freely, since the cameraman was now cramped into a huge soundproof booth, his camera robbed of almost all action. Even the scripts were different; tea-cup dramas, literal and static translations of Broadway plays initially dominated sound films…"
"Singin' in the Rain"Some of the early technical difficulties in making film with sound are accurately captured in a hilarious segment from the 1952 movie, Singing In the Rain, a film which is in part, about movie-making in the silent-to-sound era. During the famous "sound check" scene in that film, Gene Kelley's character and female star, Lina Lamont, played by Jean Hagen, are trying to complete a key scene that contains amorous dialogue, but have repeated difficulties with sound, not least of which is the high-pitched voice of Lina, their big star. The directors and set crew try to record the scene numerous times, with each take confronting one or more of the temperamental variables now present in the new sound regime — all to the director's great hair- pulling frustration. Later, in the Singing in the Rain storyline, the resulting film preview is shown to a live audience, but proves to be a bust, revealing the new "talkie" to be an embarrassing disaster. The big fraud then undertaken in an attempt to salvage the film and the career of the "squeaky-voiced star" Lina, is the dubbing of another voice in place of her's. The new voice belongs to Debbie Reynolds (Kathy), but the fraud is later revealed. Yet in real-life Hollywood, a number of careers, including that of Norma Talmadge, came to a untimely end with the onset of sound.
Norma TalmadgeNorma Talmadge got her start in the movie business as a model for illustrated slides — the still images projected on movie house screens in the early days of film "singalongs." Her first silent film role came in 1911 with Vitagraph Studios of Brooklyn, New York when she played a seamstress in A Tale of Two Cities. With good looks and talent, plus a mother who helped promote her, Norma Talmadge rose to become a leading-lady of the silent screen. A marriage to influential movie executive Joseph M. Schenck also helped, as Talmadge was set up in her own film company.
Talmadge became known for her dramatic roles — the "two-hankie" weepers, as some were called. A big hit came with Kiki in 1926. But in 1929, after Norma ventured into her roles in talking pictures, a reversal of fortune set in. Norma Talmadge had a flat Brooklyn accent, and when this became clear with the talkies, it surprised audiences and was greatly at odds with her glamorous, big screen personality. "Norma got a coach, but as soon as she tackled sound, she realized she'd come a cropper," recalled screenwriter Anita Loos, who knew Talmadge and had worked with D.W. Griffith and other directors. "…But Norma had made over $5 million in silents," noted Loos, "and was married to Joe Schenck, a multimillionaire. So it was no tragedy."In Time magazine of November 17, 1930, a reviewer of Talmadge's sound film, Du Barry — Woman of Passion, wrote, in part: "…Norma Talmadge plays less pompously than might be expected, but people who liked her program pictures in the old days may hope that this will be the last attempt to establish her as a great figure in sound pictures," offered the reviewer. "However, her diction is improving; in her first dialog effort she talked like an elocution pupil; this time she talks like an elocution teacher." Not long thereafter, Norma Talmadge retired from film-making. And although she divorced Joseph Schenck in 1934, she was still an extraordinarily wealthy woman for the time. But once she left the world of Hollywood, she no longer felt obliged to her fans. Approached for her autograph in her post film-making years, she would wave people off, reportedly saying: "Go away, my dears. I don't need you anymore."
Norma Talmadge wasn't the only Hollywood star done in by the coming of sound. Dolores Costello, Corinne Griffith, May McAvoy, Charles Farrell, John Gilbert, and Marie Prevost, were among silent stars whose careers were ruined, shortened, or made difficult by the coming of sound. Other Hollywood hands — directors, writers, actors, etc., — had experiences, good and bad, with the silent-to-sound transition in film making. What follows below is a sampling of actors and directors offering their recollections and views on that changing era and difficult time in the film business.
Frank CapraFamous film director Frank Capra was right on the cusp of the silent-to-sound era. He worked as a prop man in silent films and also wrote and directed silent film comedies starring Harry Langdon and the Our Gang kids. Capra worked for Mack Sennett in 1924 and then moved to Columbia Pictures. He became famous for his own feature films of the 1930s and 1940s, among them: Mr. Deeds Goes to Town (1936), Lost Horizon (1937), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), It Happened One Night (1941), and It's a Wonderful Life (1946). In 1977, Capra's views and recollections of the coming of sound to film were recounted with Guy Flatley in the New York Times.
"…When film found its larynx," Capra said, "it astonished, amazed and absolutely threw everyone into a tailspin." There was panic all around Hollywood, he explained. The studios were being asked to spend millions of dollars to revise everything. "…When film found its larynx, it astonished, amazed and absolutely threw everyone into a tailspin. There was panic all around Hollywood…"
– Frank Capra "…Men like L. B. Mayer, powerful men who were in the habit of telling everyone in Hollywood what to do, were suddenly sitting in their offices, completely stunned. They didn't understand what the hell was going on, and so they lost control of the studio to the engineers. Soon the soundmen were telling everyone what to do…"
But the real chaos, said Capra, was among the actors. "It was easy enough to accommodate those who had experience on stage," he said, "but no film actor had ever learned lines before." Working on a completely silent set was another experience most film makers and actors had never had. "In the silent days," said Capra, "the cameraman was yelling, carpenters were hammering and a director was shouting commands on the next set. Then, all of a sudden, everything had to be as silent as a tomb. It was scary. The poor actors sweated, missed their lines, cried and broke down."
Buddy Rogers
Charles Edward "Buddy" Rogers was born in 1904 in Olathe, Kansas. He became an American actor and jazz musician. He found his way into film when he was in college.
"I was studying journalism at the University of Kansas when Paramount came through looking for 10 boys and 10 girls to put together a Paramount School of Acting out at Astoria [Queens]," he later told the New York Times. "They taught us how to roll down a flight of stairs without hurting ourselves, how to wear false beards and how to hold a kiss for three minutes without laughing."
In the mid-1920s, Rogers began acting professionally in Hollywood films. A talented trombonist, and skilled on several other musical instruments, Rogers performed with his own jazz band in motion pictures and on radio.Rogers was nicknamed "Buddy," and his most remembered film role was opposite Clara Bow in 1927's Academy Award winning Best Picture, Wings, the first film so honored. Rogers recalled his experiences when sound came in:
"…To find out how the public would react to my voice, the studio put me in a movie called 'Varsity,' in which I was the star football player. It had a 12-minute talking sequence, and I don't mind telling you those were pretty serious moments for me. It worked out fine, and, of course, we had our voice coaches with whom we'd meet regularly so they could teach us how to 'e-nun-ci-ate'. They also brought out a lot of people from the New York stage, actors who knew how to project their voices — people like Ruth Chatterton and Clive Brook. They were very cool to us. All of us were at the mercy of the soundman; the director had lost control…"
In 1937, Rogers became the third husband of silent film legend Mary Pickford, a woman twelve years his senior. The couple had two children. Rogers continued his work in film for many years. He died of natural causes in Rancho Mirage, California in 1999 at the age of 94.
Walsh on Beery
Raoul Walsh, an early stage actor in New York city in 1909, became a director whose numerous films spanned the silent-to-sound era.
In 1914, Walsh went west with D. W. Griffith, and became a director of silent films such as Regeneration (1915), The Thief of Bagdad (1924), What Price Glory, and others. He also directed early talkies, including The Big Trail (1930), and other films such as They Drive by Night (1940), They Died with Their Boots On (1941), and White Heat (1949). Walsh worked with a range of actors and actresses over the period, from Gloria Swanson, Anna May Wong, and Douglas Fairbanks, to a young John Wayne, Wallace Beery, Marlene Dietrich, George Raft, Ida Lupina, Edward G. Robinson, James Cagney, Errol Flyn and others.
In 1977, Walsh recalled the transition from silent film to sound in Guy Flately's New York Times piece. "I knew we'd have problems when the actors had to learn lines," he explained. "They had drama coaches, of course. I don't know if they had conducted classes in a subway before they came west, or what, but I do know they were terrible. One of the actors who had a hard time was Wally Beery. He got the dialogue all backwards, so he just started ad-libbing. Some of what he said turned out good, but some had to be cut out…" Beery, however, was one of those actors who successfully weathered the silent-to-sound film era, in fact, becoming one the Top Ten box office draws in the early sound era, and winning an academy award for his performance in the 1931 film, The Champ. Beery was also among the stars in Walsh's 1933 film, The Bowery.
Allan Dwan
Allan Dwan, a Canadian film director, directed his first movie, Rattlesnake and Gunpowder, in 1909. After making a series of westerns and comedies, he directed fellow Canadian Mary Pickford in several very successful movies. He also worked with actors Douglas Fairbanks and Gloria Swanson during the heyday of silent film, including the acclaimed 1922 version of Robin Hood with Fairbanks in the title role.Following the introduction of the talkies, he directed child-star Shirley Temple in Heidi in 1937 and Rebecca of Sunnybrook Farm the following year. Over a career spanning 50 years, Dwan directed more than 400 films, many highly acclaimed, such as the 1949 box office smash, Sands of Iwo Jima. He directed his last movie in 1961.
Dwan recalled the surprises and perils that could come in the early days of sound recording: "…Once, I was making a picture with Doug [Fairbanks ] — a big picture that cost over a million — and I was getting worried. It was just about the last silent movie made, and all around us sound was drifting in. I advised Doug that our movie should be made with a speaking prologue and epilogue. He agreed, but to my horror, Doug — who had a good voice — came up sounding like a tinhorn tenor. The soundmen hadn't checked for decibels, so another man, with a deeper voice, read the prologue and epilogue, and the audiences accepted it as Doug."
Dolores Costello
Dolores Costello, born in 1903, was an American film actress who achieved her greatest success during the era of silent movies. Sometimes described as "delicately beautiful," Costello was a blonde-haired actress who became nicknamed "The Goddess of the Silent Screen." With her sister, she had appeared on Broadway in the 1920s, leading to a contract with Warner Brothers. After several small parts in feature films, she starred opposite John Barrymore in an adaptation of Moby-Dick titled The Sea Beast (1926). Warner Brothers soon began starring her in her own films, alternating her roles in contemporary stories and elaborate costume dramas. In 1927, she and John Barrymore starred in When a Man Loves. She and Barrymore became romantically involved and married in 1928. She became the mother of John Drew Barrymore and the grandmother of Drew Barrymore.Costello, however, spoke with a lisp, and with the onset of sound in film, she found it difficult to make the transition to talking pictures. One critic called her "a gorgeous creature who, clearly, was better seen than heard." Author Harry Carr, in the 1929 Photoplay feature story on the "terror of the microphone," wrote of Costello:
"Magnificent thing that she is… she's got something in her voice that Terrible Mike simply snarls out loud about… Headed for the heights she was, until she played in 'Glorious Betsy.' Poor Dolores — there are two opinions in Hollywood as to what her mike voice sounded like. One clique says it sounded like the barking of a lonesome puppy; the other claimed it reminded them of the time they sang 'In the Shade of the Old Apple Tree' through tissue paper folded over a comb. . . It's not Dolores's fault; it's just one of the Terrible Mike's dirty tricks."Costello, it turns out, had two years of voice coaching to help her though the process, and she soon became comfortable before a microphone. One of her early sound film appearances was with her sister Helene in Warner Brothers' all-star extravaganza The Show of Shows in 1929. That year she also co-starred with George O'Brien in Noah's Ark, a part-talkie epic. By 1931, acting became less a priority for Costello following the birth of her first child and she retired from the screen that year to devote time to her family. Her marriage to Barrymore, however, ended in 1935. She later resumed her film career for a time, most notably in Little Lord Fauntleroy (1936) and The Magnificent Ambersons (1942). Her last film was This is the Army (1943). Costello spent the remaining years of her life in semi-seclusion, managing an avocado farm. Her film career was largely ruined by the destructive effects of early film makeup, which had a bad effect on her complexion. Costello passed away in 1979. She has a star on the Hollywood Walk of Fame on Vine Street.
King Vidor was a well known director in Hollywood with a career that began in 1919 and continued to thrive well into the 1950s. In the silent era, The Big Parade of 1925 was his biggest hit, a romance epic, starring John Gilbert. The Crowd of 1928 was another of his films, considered one of the greats from the silent era. He also did La Boheme (1926), Show People (1928) and others. His first sound film, Hallelujah of 1929, was nominated for an Oscar. He also did a number of others, including "The Champ" (1931), "Our Daily Bread" (1934), and "The Citadel" (1938). Vidor also directed some sequences in The Wizard of Oz (1939), including the famous "Somewhere Over the Rainbow" number. In later years his films included Duel In the Sun (1946), The Fountainhead (1949) and War and Peace (1955).
King Vidor
Vidor's long experience with silent and sound film left him with a certain perspective. He recalled that there was more going on with the "silents" than most realized, and that a certain attentiveness was required of film viewers that made the experience different than what it would later become. Vidor also argued that the silents summoned a special kind of talent and expression from its actors, and the productions generally became a unique art form. And for a time, the coming of sound was a disruptive force, he found, in the evolution of acting and filming techniques. Here's Vidor making those comments:
"…We call them silent, but all the films in those days were played with an orchestra or an organ or piano. They never played silently. …. [I]n silent theaters there was none of this popcorn stuff, this running out to the lobby for food and drink that's done all the time now. We had to glue our attention to the screen…"Naturally, I believe in progress, and it's hard to say that movies were better in the silent days. But I can remember a distinct feeling I had in the late 20's, along with directors like Clarence Brown and Henry King, that we had achieved an art form that was unique. We felt we were bursting forth with a fresh channel of expression in each new movie. Silent techniques constituted a universal language; Chaplin, after all, was the best known man in the whole world. Then, bang, we were hit with this sound thing, and the technicians began to dominate the scene. 'You can't do that, you can't move there, you can't speak with your head down.'
"It was a good 10 or 15 years before we got back to where we had been at the peak of the silent film — the mobility and expressionism that the silent camera had achieved. In the beginning, we figured that sound would be good for singing and dancing, since musicals were kind of unreal anyway. But we didn't see the need for it in drama. The minute dialogue came in, we were conscious of what was going to happen to the universal appeal of movies. Everything became too specific, and everyone had to speak in a certain manner…"
John GilbertAnd finally, there is the case of John "Jack" Gilbert, who was a big star of the silent screen; known as a great lover, even rivaling Rudolph Valentino. However, Gilbert, in one of his first talking pictures, was "done in" when the studio sound men gave him too much treble and not enough bass, part of the peril in the new sound technology. However, in Gilbert's case there was an added twist, owing to studio politics, according to several accounts. A fight between he and producer Louis B. Mayer had erupted over Gilbert's pending marriage to Greta Garbo — the ceremony for which she failed to show for — but with Mayer adding a snide remark at the time that provoked Gilbert to punch him in the face. A humiliated Mayer vowed to get even and is believed to have had a hand in the technical sabotage of Gilbert's voice on film. Film director Clarence Brown later recalled the "terrible thing" that had befallen Jack Gilbert in his first talkie. "He came out sounding like a damned fairy," explained Brown, "his voice was way up there. The guy in the sound department said to me, 'Clarence, it wasn't Jack's fault; it was our fault'," as the sound adjusters gave him too much treble. "They put [Gilbert] in another picture where he was rough and tough," explained Brown, "but the damage had already been done." Others believe that it was not actually the high-pitched voice incident that did Gilbert in, but rather hat he had a refined and cultured manner of speech that was at odds with the visual image audiences had assumed for him.
Screenwriter Anita Loos had a somewhat different take on the Gilbert affair: "Lillian Gish told me… that Louis B. Mayer did Jack Gilbert in on purpose. Jack was getting so much money that they were looking for a way to break his contract with MGM. So Mayer told the sound technicians to manipulate things so that Jack's voice would come out funny." Gilbert was indeed one of the highest paid actors of his day, and one of the screen's most magnetic personalities, garnering $250,000 per film. He had appeared in more than 100 films. But with the onset of sound, and how audiences perceived him thereafter, he was unable to gain his former big star status. Descending into alcoholism, he later died of a massive heart attack in Los Angeles in early 1936. He was 36 years old.
Out With the Old
During the silent-to-sound transition in Hollywood, there was a gradual changing of the guard, with many actors and actresses leaving their careers for a variety of reasons, not all of which were due to voice issues and the new technology. However, with the popularity of the sound picture, audiences perceived certain silent-era stars as old-fashioned, Some actors were pushed out by the studios, then using voice issues as an excuse to fire or demote them for other reasons.even those who had no voice problems. Some actors, such as Lillian Gish, went back to the stage, while others left acting entirely. Among the latter were: Colleen Moore, Gloria Swanson, Douglas Fairbanks and Mary Pickford. Some were pushed out by the studios, then using voice issues as an excuse to fire or demote them for other reasons. Louise Brooks was more or less given an ultimatum by one Paramount studio chief who used her voice as a vague threat as to why she might not make the cut, and so, was undeserving of a salary increase. He told Brooks she could take lower pay or quit. She chose the latter, even though her contract had specified a salary increase. Clara Bow left acting too, with her speaking voice sometimes cited as the cause, when actually it was more likely her freewheeling Hollywood lifestyle that grated on some studio executives.
There was also a shift in Hollywood hiring. Demand rose for directors who understood the power of the spoken word and had experience in the theater, leading the studios to recruit directors and actors from New York's Broadway. Stage actors experienced with dialogue were also hired in large numbers during the 1930s. Several of the new medium's biggest attractions came from vaudeville and the musical theater, bringing performers such as Al Jolson, Eddie Cantor, Jeanette MacDonald, and the Marx Brothers. Edward G. Robinson, Humphrey Bogart, Paul Muni, Melvyn Douglas, Leslie Howard, and Katharine Hepburn were also among those who came to film from the stage. And the plays themselves were also acquired by the studios to be turned into films. More than 25 percent of the plays produced during the 1930s were bought by the film studios. Sound also helped change the structure of the film business leading to consolidation and the growth of the best positioned companies.
Sound & Big Hollywood
In January 1928, there were approximately 20,000 theaters across the U.S., but only 157 of them had been renovated for sound. Studio moguls were not happy with the money needed to equip Hollywood's production studios for sound, or to put the new equipment into thousands of theaters. At the studios, silent films that had already been shot, were given inserted segments of quickly-recorded dialogue so they could be billed as "new talkies." Enthusiastic public demand for talkies pushed theaters to install new sound equipment. As 1929 drew to an end, 8,741 movie houses were equipped for sound. Movie attendance increased to 110 million, almost double the movie attendance in 1927. Still, for a time, many studios produced both silent and sound versions of their films, as many theaters, especially in rural areas, could not afford the conversion. The studios, in any case, did quite well.
In 1928 and 1929, the profits of Warner Brothers, Fox, and Loew's/MGM, all surged sharply upward. Warners' profits surged from $2 million to $14 million; Paramount's rose by $7 million, Fox's by $3.5 million, and Loew's/MGM's by $3 million. A new player in the business named RKO — which hadn't even existed in September 1928 — became one of America's leading entertainment companies by the end of 1929. However, most independent studios couldn't compete with the four major studios in the production of sound films. In fact, the combination of sound's expense and the Great Depression would lead to a wholesale shakeout in the film industry, leaving essentially five big integrated companies — MGM, Paramount, Fox, Warner Brothers, and RKO — and three smaller studios — Columbia, Universal, and United Artists. These eight studios would dominate the film industry through the 1950s.The sound era also ushered in Hollywood's love affair with a new film genre — the musical. Over sixty Hollywood musicals were released in 1929, followed by more than eighty in 1930. The talkies also became a global phenomenon, with U.S. studios taking a 70 percent share of foreign markets by the early 1930s. However, the Great Depression of the 1930s did take the film industry down, as it had everything else. At first, it seemed the popularity of the talkies would keep Hollywood immune from disaster, as ticket sales and profits hit new highs in the 1929-30 season. But rougher times soon hit Hollywood, too. Still, talking motion pictures had lifted Hollywood to a new position of economic and cultural importance. By 1931, the box office share of total spending by Americans on recreation had risen from about 16 percent to nearly 22 percent, where it would remain for the next 15 years or so.
Please visit the "Film & Hollywood" and/or "Celebrities & Icons" category pages at this website to find other stories about Hollywood and film stars, or go to the Home Page or the Archive for additional stories. Thanks for visiting — and if you like what you see here, please make a donation to help support the research and writing at this website. Thank you. – Jack Doyle
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Date Posted: 19 October 2010
Last Update: 14 May 2021
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Article Citation:
Jack Doyle, "Talkie Terror, 1928-1930,"
PopHistoryDig.com, October 19, 2010.
Sources, Links & Additional Information
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"Britons Debate Value of Talking Pictures; London Times Criticizes Them, But Theatres Where They Are Being Shown Are Packed," New York Times, Wednesday, April 3, 1929, p. 22.
"Projection Jottings; Cyril Maude's Ideas on Dialogue Films– Miss Talmadge's New Picture," New York Times, Sunday, May 18, 1930, Section: Arts & Leisure, p. X-5.
Harry Carr, "Mike, the Demon Who Sends the Vocally Unfit Screaming or Lisping from the Lots," Photoplay, December 1929.
"Mary Garden Sees Opera's Doom Soon; Technical Resources of the Talkies, She Says, Will Prove Superior to Stage…,"New York Times, Tuesday, October 14, 1930, p. 28.
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Guy Flatley, "The Sound That Shook Hollywood; On The 50th Anniversary of the Talkies, Survivors of the Silent Film Era Recall The Panic of '27," The New York Times Magazine, Sunday, September 25, 1977, p. 213.
David W. Menefee, The First Female Stars: Women of the Silent Era, 2004.
Hal Erickson, "Norma Talmadge," All Movie Guide.
Donald Crafton, The Talkies: American Cinema's Transition to Sound, 1926-1931, Berkeley, CA: University of California Press, 1999, 639pp. Click for copy.
Antonia K. Colella and Luke P. Colella, Now We're Talking: The Story of Theodore W. Case and Sound-On-Film, Bloomington, IN: AuthorHouse, 2003. Click for copy.
Mark E. Vieira, Hollywood Dreams Made Real, Irving Thalberg and the Rise of M-G-M, New York: Abrams Books, 2008, 240 pp. Click for copy.
"1920's Ghirardelli's Milk Chocolate Cards," Things-and-Other-Stuff.com
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Anita Loos, The Talmadge Girls, New York: Viking Press, 1978, 204 pp. Click for copy.
Andrew Sarris, "You Ain't Heard Nothin' Yet": The American Talking Film History and Memory, 1927-1949, Oxford University Press, January 2000. Click for copy.
"Vintage: Ads For Artists, Part 3," All Movie Talk, April 26, 2007.
"Dolores Costello," Allure, Saturday, April 19, 2008.
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text: Sign In Sign-Up Welcome! Close Would you like to make this site your homepage? It's fast and easy... Yes, Please make this my home page! No Thanks Don't show this to me again. Close Wayland - Affordable Small Offices Available for Rent Wayland - Affordable Small Offices Available for Rent Home Request Information Office Location Features From Our Offices: Boston … 13 miles Cambridge … 9 miles Framingham … 3 miles Wellesley … 3 miles || Executive Office Space || If you're looking for first-class, executive-style serviced office space - look no further! A prestigious Natick location, with elegant, private offices, impressive reception area and well-trained staff are just a few clicks away. Contact Us || Professional Staff || We provide sophisticated communications technology and the highest level of personalized services. A skilled receptionist will answer your calls according to your requirements. Contact Us || Comprehensive & Affordable || Affordable rates - from $650 per month. Fully furnished executive offices, professional receptionist, custom telephone services, kitchen facilities, free parking - and much, much more! Video Conferencing … || Location, Location! Two elegantly furnished conference rooms can be reserved as needed. Catering, together with superb video-conferencing facilities, and audio/visual equipment are available for your special meetings. Contact Us Located on Route 9 in Natick, we are close to both Boston, Cambridge and Wellesley, close to all major local highways (including I90 and I495), both Natick and Framingham rail links, and easily accessible to Logan airport. Small Business Center Cheap Office Space Financial Services Office Furniture Lease Office Space Office Rental For Law Firms Office Furniture Rental Office Space Bill Office Space With Parking Commercial Office Leases DGB � copyright 2018 | Wayland Executive Office Suites, Natick | all rights reserved Wayland - Affordable Small Offices Available for Rent - Woolworth, Woolworths, Woolworths.co.uk - Online Shopping at its Best, Woolworths, Woolworths, Wicks DIY. Executive Office Suites, Natick. Location: Luxury Office Space: Natick, Framingham, BostonExecutive Suites Natick Office-Space Office Massachusetts


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Mindblown: a blog about philosophy.
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Welcome to WordPress. This is your first post. Edit or delete it, then start writing!
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It seems like you're running a default WordPress website. Here are a few useful links to get you started: Migration How to use WordPress Migrator Plugin? Migrate WordPress from Siteground to Cloudways Migrate WordPress from GoDaddy to Cloudways General How do I take my website live from Cloudways? How to manage WordPress via WP-CLI on…
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Playmobil - Racing Driver - 70812
A race car driver with a trophy.
Playmobil figures are 7cm tall and have hands that hold the various accessories, arms that move, a head that rotates and a body that bends at the waist. Plus, the ubiquitous smile of course!
Playmobil toys make the perfect collectible gift. Similar to Lego, but where Lego is for building, Playmobil is for role play and setting up dioramas. For a child Playmobil sparks the imagination and the figures are always smiling.
Playmobil Australia - Bunyip Toys is the only specialty stockist of Playmobil toys in Australia and has the largest range.
We have a simple returns or exchange program - our happiness guarantee.
Got any questions? Ask Andrew on our contact page. He is our Bunyip Toys Playmobil Guru and can answer any questions you have about Playmobil sets, or themes or what Playmobil to buy someone as a gift.
Playmobil toys are suitable for children aged 4 and up, except for the 1-2-3 range which is designed for children aged 18 months to 4 years old.
All Playmobil plastic components are made in Germany, except for the figures which are made in Malta and many accessories in Spain. All parts meet the strictest EU and US safety requirements.
We ship via Australia Post Parcel Send. This is a tracked, signature on delivery service. Please specify at the checkout if you are happy for your order to be left without a signature.
Postage is a flat $9.95 per order and free for orders over $150. We aim to ship orders within 48 hours of ordering.
Please contact us if you would like a quote for express post.
We offer gift wrapping with a gift card for $5 per item. You can choose to add gift wrapping at the shopping cart.
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