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Chapter 34
And the word of the LORD came unto me, saying,
Son of man, prophesy against the shepherds of Israel, prophesy, and say unto them, Thus saith the Lord GOD unto the shepherds; Woe be to the shepherds of Israel that do feed themselves! should not the shepherds feed the flocks?
Ye eat the fat, and ye clothe you with the wool, ye kill them that are fed: but ye feed not the flock.
The diseased have ye not strengthened, neither have ye healed that which was sick, neither have ye bound up that which was broken, neither have ye brought again that which was driven away, neither have ye sought that which was lost; but with force and with cruelty have ye ruled them.
And they were scattered, because there is no shepherd: and they became meat to all the beasts of the field, when they were scattered.
My sheep wandered through all the mountains, and upon every high hill: yea, my flock was scattered upon all the face of the earth, and none did search or seek after them.
Therefore, ye shepherds, hear the word of the LORD;
As I live, saith the Lord GOD, surely because my flock became a prey, and my flock became meat to every beast of the field, because there was no shepherd, neither did my shepherds search for my flock, but the shepherds fed themselves, and fed not my flock;
Therefore, O ye shepherds, hear the word of the LORD;
Thus saith the Lord GOD; Behold, I am against the shepherds; and I will require my flock at their hand, and cause them to cease from feeding the flock; neither shall the shepherds feed themselves any more; for I will deliver my flock from their mouth, that they may not be meat for them.
For thus saith the Lord GOD; Behold, I, even I, will both search my sheep, and seek them out.
As a shepherd seeketh out his flock in the day that he is among his sheep that are scattered; so will I seek out my sheep, and will deliver them out of all places where they have been scattered in the cloudy and dark day.
And I will bring them out from the people, and gather them from the countries, and will bring them to their own land, and feed them upon the mountains of Israel by the rivers, and in all the inhabited places of the country.
I will feed them in a good pasture, and upon the high mountains of Israel shall their fold be: there shall they lie in a good fold, and in a fat pasture shall they feed upon the mountains of Israel.
I will feed my flock, and I will cause them to lie down, saith the Lord GOD.
I will seek that which was lost, and bring again that which was driven away, and will bind up that which was broken, and will strengthen that which was sick: but I will destroy the fat and the strong; I will feed them with judgment.
And as for you, O my flock, thus saith the Lord GOD; Behold, I judge between cattle and cattle, between the rams and the he goats.
Seemeth it a small thing unto you to have eaten up the good pasture, but ye must tread down with your feet the residue of your pastures? and to have drunk of the deep waters, but ye must foul the residue with your feet?
And as for my flock, they eat that which ye have trodden with your feet; and they drink that which ye have fouled with your feet.
Therefore thus saith the Lord GOD unto them; Behold, I, even I, will judge between the fat cattle and between the lean cattle.
Because ye have thrust with side and with shoulder, and pushed all the diseased with your horns, till ye have scattered them abroad;
Therefore will I save my flock, and they shall no more be a prey; and I will judge between cattle and cattle.
And I will set up one shepherd over them, and he shall feed them, even my servant David; he shall feed them, and he shall be their shepherd.
And I the LORD will be their God, and my servant David a prince among them; I the LORD have spoken it.
And I will make with them a covenant of peace, and will cause the evil beasts to cease out of the land: and they shall dwell safely in the wilderness, and sleep in the woods.
And I will make them and the places round about my hill a blessing; and I will cause the shower to come down in his season; there shall be showers of blessing.
And the tree of the field shall yield her fruit, and the earth shall yield her increase, and they shall be safe in their land, and shall know that I am the LORD, when I have broken the bands of their yoke, and delivered them out of the hand of those that served themselves of them.
And they shall no more be a prey to the heathen, neither shall the beast of the land devour them; but they shall dwell safely, and none shall make them afraid.
And I will raise up for them a plant of renown, and they shall be no more consumed with hunger in the land, neither bear the shame of the heathen any more.
Thus shall they know that I the LORD their God am with them, and that they, even the house of Israel, are my people, saith the Lord GOD.
And ye my flock, the flock of my pasture, are men, and I am your God, saith the Lord GOD.
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How did we ever have babies without our smartphones? I'm joking, of course. But with the array of fertility and pregnancy tracking apps available, there's now a plethora of customized information at your fingertips showing you everything from the best days to try to conceive a baby to what your unborn child probably looks like in utero.
Trying to conceive a baby? Forget about counting out days on a paper calendar. These apps will track your most fertile days for you. The most basic conception apps track a woman's menstrual cycle. If you're willing to pay a little something extra, there are apps that provide you with more specific information about the best time to try for that baby.
The Period Tracker | Android, iOS; free
Enter the start and end dates of your last period and this app will estimate your next period, ovulation, and most fertile days for the next three months on a calendar. You can mark "intimate" days and note symptoms. Upgrade to the "Deluxe" version ($1.99) and you can join social groups from your app focusing on specific issues.
Ovulation Calendar and Fertility Calendar | Android, iOS; free
This somewhat simpler app cuts to the chase: Enter the dates for your last period and it will tell you your most fertile days. It will also tell you your baby's due date should you conceive on one of those days.
Maybe Baby 2013 | iOS; $4.99
A quick glance will tell you if you're fertile today, when to expect your next period and when you'll ovulate next. Click over to the calendar and they'll predict whether you'll have a boy or girl based on the date you conceive, though I wouldn't put money on those predictions.
Get Baby | Android; free
Like Maybe Baby, Get Baby shows you at a glance if you're fertile today and what dates your period and ovulation are most likely to fall. It also predicts the gender of your baby based on conception date.
Pink Pad Period Tracker | Android, iOS; free
Don't be put off by the name — not all of the graphics in this app are pink. This calendar app tracks your period and most fertile days as well as letting you take note of symptoms. You can set up discreet reminders alerting you to your fertile days. And you can join communities to discuss specific issues.
So you're already pregnant? What else do you want to know? When I was pregnant with my son I was consumed with curiosity about his development. What body parts was he growing now? What did he look like? A sonogram will only tell you so much. Now there are apps that can provide you with much more information, at least based on where you are in your pregnancy. Something to keep in mind: These apps are not going to be 100 percent accurate for you and are meant to be mostly for fun. They are not a substitute for doctor's visits or real medical tests.
BabyBump Pregnancy | Android, iPhone; free
This app tracks each week of your pregnancy, showing you illustrations and diagrams, and suggesting symptoms you may be feeling. There's a countdown to your due date, and you can join discussion forums from the app.
WebMD Pregnancy | iOS; free
This app gives you information about your baby's development and your own body through your pregnancy. You can snap photos of your growing belly and place them in a slideshow. The app also provides you with a list of suggested questions for your next doctor's visit.
Pregnancy++ | Android, iOS; $2.99
Get daily and weekly updates and graphics for your baby's development and your body's changes.
BabyCenter My Pregnancy Today | Android, iOS; free
Get daily information and advice for your pregnancy and see your baby's development with medical illustrations and 3D animations. You also get pregnancy checklists, a nutrition calendar and access to forums.
Ovia Pregnancy Tracker | iOS; free
Ovia claims to be "smarter" than the average pregnancy tracking app because it can give you more personalized information about your pregnancy. You provide more information about your health and age, and Ovia will give you health and risk alerts based on that data. The app also dispenses advice on nutrition, vitamin supplements, tracks your sleep, and it lets you record everything from your moods to your baby's kicks. You can even collect photos.
CineMama | iOS; free
Looking for something a little light and fun? This app lets you snap photos of your growing belly throughout your pregnancy. After you give birth, the app will compile all your photos into a little movie with the soundtrack of your choice.
And there you go — everything you need to track your pregnancy. Just remember, these apps are just to satisfy your curiosity and help you plan for your baby. They are no substitute for a real doctor's advice. However, they can help you engage more actively in your pregnancy in a multitude of different ways.


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Download/Install Android 8.1 Oreo On Vernee Apollo Lite Via MadOS 8.1.0: Finally, an Android 8.1 Oreo custom ROM made its way to Vernee Apollo Lite.The MadOS 8.1.0 based on Android 8.1 Oreo is now available for the Vernee Apollo Lite.The Vernee Apollo Lite comes with Android 6.0 Marshmallow.It is a 4G+ Phablet which comes equipped with a large 5.5 inch Full HD Screen.The device is powered by an MTK6797 ( Helio X20 ) Deca Core Processor coupled with 4GB of RAM and 32GB of internal memory which can be expanded via microSD.It sports Fingerprint Sensor and USB Type-C.
Android is the most used and popular mobile operating system in the world. There are more thousands and thousands of manufacturers which are making Android devices. The popularity of Android OS is because of the freedom of customization it offers. Unlike iOS, everything on an Android device (software related) can easily be modified to match users taste.
Android users can root their device easily and can install TWRP or any other recovery. The rooting process on Android is easier compared to iOS. Once custom recovery is installed, users can flash Custom ROMs which are modified Android Operating systems developed by an Android developer or a group of developers.
There are tons of things which users can do after rooting their device like flashing Custom ROMs, kernels and Mods. Most of the Custom ROMs are feature rich. They provide loads of customization options compared to the Stock ROM. Some of the Custom ROMs are well optimized for battery and performance. So, users are always in search of good custom ROMs for their Android smartphones.
What is Custom ROMs On Android?
Custom ROMs are based on Official Android source codes which are customized or developed by developers or a community of developers. Custom ROMs come with loads of extra customizations which makes them unique and popular among the android lovers. Remember, Custom ROMs are not provided by Google or other mobile vendors but are developed and maintained by the community and its contributors.
Some example: Lineage OS (Previously known as CyanogenMod), Paranoid Android etc.
Benefits Of Custom ROMs
1) Vanilla Android (Pixel Style)
Most Of the AOSP Based Custom ROMs are bloatware free and have very close to the stock look and feel which makes them super snappy. These ROMs are very optimized for battery and performance.
2) Root Access
Most of the Custom ROMs are pre-rooted. The process of gaining full admin control of the Android device is called Rooting On Android. It's similar to running programs as administrators in Windows.
After rooting your device you can install different MODs, kernel, ROMs on your device. You can install latest Android updates (like the Android 8.0 Oreo) On old device by installing third party ROMs like EXTENDED or 15.You can overclock the CPU and GPU of your device to get the best performance. You can hibernate any app you want. You can underclock the CPU to get better battery life.
For more information about Android rooting, check out our detailed post here > What Is Rooting Android Phone? Advantages And Disadvantages
3) Regular Updates
Most of the Android smartphone manufacturer provides 2-year software support and after that, the devices won't get any official update. In that case, users have to fully depend on Custom ROMs to test the latest Android on their devices.
Most of the developers of the Custom ROMs provide a 4)regular update which is one of the best things about Custom ROMs.
4) Customization
Android is famous for Customization and Custom ROMs take this to another level. Unlike Stock vanilla android Custom ROMs come with various customization options. We are sharing few of them below
- Users can enable or disable navigation bar
- Users can customize navigation bar and Status bar icons
- Some Custom ROMs come with different MODs
- Some Custom ROMs come with Custom Kernels which allow users to Overclock or underclock the CPU and GPU.
- Some Custom ROMs come with support for Third party themes
5) Battery and Performance
Most Of the Custom ROMs are very close to stock vanilla android in look. The Custom ROMs are very optimized which results in better battery life and smooth performance.
[su_heading size="18″ align="left" class="Bold"]Related Posts[/su_heading]
- [Download Links Added] Official Lineage OS 15.0 Device List | All Android Devices (Android 8.0)
- [Official List] Android Oreo Device List- List of the devices which will get official Android 8.0 update
- Top 5 Best Nintendo 3Ds Emulators for Android, Windows and Mac
- Top 50 Must Have Root Apps For Android 2017
- 5 Best Text Editor Apps for Android
- Top 5 Best Texting Apps For Android 2017
- Enable root for apps on lineage Os (Supersu zip)
- Make sure the bootloader on your device is unlocked and your device is rooted and you have a custom recovery installed.
Guide: How To Unlock Bootloader Of Any Android Using Fastboot
- Make sure your device has more than 50% battery.
- Make sure you have taken a backup of your important data. Now proceed To Install MadOS On Vernee Apollo Lite.
RootMyGalaxy.net is not responsible for any damage happened to your device(s) while following this guide, proceed at your own risk.
Download MadOS on Vernee Apollo Lite
- Download The ROM | Credit: Xda Development Page
- Download Gapps
- Download latest Magisk v13.5 (If you want root access)
Steps To Install MadOS on Vernee Apollo Lite | Android 8.1 Oreo Update
- Make sure your device is rooted and have the latest TWRP recovery installed. (Check the Pre-Requirement Section Above)
- First, download the files from the above link.
- Now transfer the downloaded files to the internal storage of your device.
- Now reboot to the TWRP recovery by holding your Armor and volume down buttons together for a few seconds.
- Take a backup by selecting the option from the home screen and then your data and cache from the recovery menu.
- Guide: How To Create & Restore Nandroid Backup On Android Devices
- Now select install and then browse for the downloaded ROM file and then select it.Next flash the Gapps file and then Magisk (optional).
Guide 1 > How To Install A Custom ROM Via Recovery On Any Android
Guide 2 > How To Flash GApps (Zip) via TWRP Recovery
Guide 3 > How To Install Magisk On Android Oreo To Gain Root
- Once the flashing process is completed, reboot your phone and you will be booted into the latest Android
If you have any doubts regarding this article, feel free to comment below.
Note: Image used in this post is not owned by us.It is the property of its respective owner


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If you are going to employ Fitness centre managers, you will need to sign an employment agreement with them. This means you need to think about the terms of the contract of employment as well as your obligations as an employer before your employee starts working for you. Here we look at what the key points to include in yourFitness centre manager employment agreement are as well as the nature of the Fitness centre manager role.
An employment agreement allows an employer to hire an employee. An employment contract specifies the rights and obligations of the employer and the employee. An employment contract will specify key information such as the employee's role, salary, work location, hours and holidays.
A career as a fitness centre manager combines an interest in sport and leisure with great people skills and business acumen. Find out more about the role and job openings at Prospects.
A full-time employee will work between 35 and 40 hours a week usually spread over 5 days whereas a part-time employee will work less than 40 hours.
The key terms of a Fitness centre manager employment agreement are:
To create your employment agreement, create a Legislate account and select the employment agreement from the list of available contracts. Set the terms of the agreement and invite the apprentice to e-sign the contract directly from Legislate. Watch a Legislate tutorial of the employment contract creation process.
How to protect your ideas and your business
How small businesses save time and costs by automating their high volume contracts
4 key stages in implementing a change of employment terms
Does a contract actually need to be in writing?
Why you should be careful when downloading a template online.
Making a decision to hire a solicitor can be difficult, particularly if money is an issue.
An article for all those interested in creating and managing contracts
Is it illegal to not have a contract of employment?


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360° Experience.
For the
800-volt architecture.
¹ Optimum conditions: CCS speed charging pedestal with >270kW, >850V, battery temperature 30 to 35°C and output state of charge 5%.
Drive concept.
The interaction of the drive components results in impressive performance figures, both technically and emotionally: when up to 560kW (761PS) overboost is activated with Launch Control, both motors accelerate the
Dynamic flyline.
We instantly know what is good for our soul – and what inspires it. The
Porsche Advanced Cockpit.
We never forget the most breathtaking experiences of our life. The
¹ In conjunction with Sport Chrono Package; as standard on the
With the range indicator, you can determine the estimated range for your journey. The calculation is based on your personal driving profile, your travelling conditions and the respective model equipment. Please select the options relevant for you. Range calculation. The range indicator only gives estimated values, as not all factors that can influence the range of the vehicle are considered (e.g. driving style, age and condition of the battery, etc.). Therefore, the actual range achieved may be greater or less than the determined value.
310 km
Your driving profile Your driving profile Using the driving profile, you can individually depict your everyday life and specify whether you are travelling in city traffic, on country roads or on the motorway. The different driving profiles have an impact on the estimated range.
Travelling conditions
Travelling conditions
With the outside temperature regulator, you can test how the outside temperature impacts the range. The air conditioning and heating greatly influence the energy consumption of your
Taycan. When calculating the range influences, it is assumed that you have set the interior temperature to 22°C and that the vehicle is preconditioned at the start of the journey. Alternatively, the air conditioning can be set to 'ECO PLUS' or completely switched off.
Model equipment
Explore the
Taycan and Taycan Cross Turismo models in detail.
Learn more about the highlights of the
View exterior and interior images and wheels.open chapter
Learn about the drive, chassis and brakes.open chapter
Discover more about the charging concept, charging at home and charging on the road.open chapter
Explore the interior comfort, infotainment and assistance systems.open chapter
Experience even more intense
Taycan Models Design.
Two cars that reflect the future – and yet instantly reveal the
Taycan exterior design.
Lateral air intakes ahead of the front wheels – so-called aircurtains – also improve the aerodynamics, by guiding incoming air over the wheels like a curtain, thereby reducing turbulence.
Four-point LED headlights.
Directly above these is the highlight of the front: four-point LED headlights¹ with matrix beam that combine all the light functions in a single component and appear to be floating.
¹ Optionally available. Standard on the
Automatically extending door handles.
The silhouette is characterised by a dynamic, flat flyline. Flush, automatically extending door handles open the vehicle interior with its deep, sporty seating position.
Panoramic fixed glass roof.
There are two roof options: the contoured variant made of lightweight aluminium with an indentation in the middle creates a shape that is known to us from motorsport. Alternatively, a panoramic fixed glass roof provides an open, airy feeling.
Rear design.
The rear design boasts a seamless light strip and 'PORSCHE' logo made of three-dimensional letters in a glass look. Above these are the
Taycan Cross Turismo exterior design.
Turismo design.
Front and rear aprons and sideskirts have a distinctive design. The external appearance is perfectly complemented by wheel arch mouldings and unique wheel designs.
Ground clearance.
With 20mm more ground clearance than the
Off-road design package.
The optional off-road design package also provides a further 10mm of ground clearance at the 'middle' chassis level as well as integrated off-road design flaps for the lower valance, sideskirts and rear diffuser.
The profile reveals not only the iconic
Panoramic fixed glass roof.
It reaches way beyond the second row of seats and offers spectacular views of the passing sky. Optionally available roof rails makes it possible to install a practical roof box.
Optional rear-mounted bike carrier.
For joint expeditions into the countryside, the rearmounted bike carrier, which is available on request, means you can take with you up to three additional bicycles. A weight-dependent damping system ensures smooth folding – even when fully loaded – and thus convenient access to the boot.
Mechanical buttons have been almost entirely replaced by digital ones. This makes the interior look extremely tidy. The same principle of tidiness also applies to the displays, of which there are up to four – intuitive, distraction-free and easy to use.
The arrangement is also driver-focused, as is typical of
In addition, the optional head-up display projects the main driving information directly in the driver's field of vision.
And if you look to the right in the
Your central control unit for audio, navigation and communication:
This provides access to navigation, media, telephone, settings and
The interior in detail.
Interior design.
From the outside, it is a mere formality to quickly identify a
The ascending centre console underlines the unmistakable
¹ Standard in the
² Standard in the
Multifunction sports steering wheel.
If the standard multifunction sports steering wheel including recuperation button is not sporty enough, you can maximise the motorsport feel with the optional multifunction GT sports steering wheel¹. It features a mode switch, as well as a top centre marking.
¹ In conjunction with Sport Chrono Package; as standard on the
Sustainable materials.
The carpet and floor mats are made of sustainable Econyl thread. This is recycled fibre that is manufactured from used fishing nets, among other things.
Ambient lighting.
On request, the
Advanced Climate Control.
The innovative Advanced Climate Control air conditioning (dual or four-zone) may not be visible, but is certainly noticeable – the logical evolution of traditional automatic climate control systems. Slat-free air outlets are electrically controlled via
© 2023
Battery and drive.
Performance battery.
The battery is also based on 800-volt technology instead of the usual 400 volts. The effect: improved charging and drive performance with smaller cable cross-sections, which has a positive impact on the overall weight. The cooling system ensures that the drive is optimally supplied with energy in any situation. And an extremely robust battery frame ensures maximum safety even in the event of an accident.
Permanent Magnet Synchronous Motors.
The key to designing an outstanding drive to start with a clean sheet and a purpose-led approach: no compromises with the perfect interaction of drive components. Two Permanent Magnet Synchronous Motors are therefore installed in the
¹ Optionally available for the
Switching two-speed transmission.
A newly developed, automatically switching two-speed transmission on the rear axle ensures noticeably improved dynamics. The extremely short-ratio first gear benefits initial acceleration, while the long-ratio second gear holds acceleration reserves for high-speed manoeuvres.
The interaction of the drive components produces impressive performance figures, both technically and emotionally: with up to 560kW (761PS) overboost is activated with Launch Control, both machines accelerate the
For brake energy recuperation in all
So you significantly improve your car's stopping power and the maximum possible amount of kinetic energy is transformed into additional miles of driving pleasure: with an outstanding recuperation output of up to 275kW, energy can be fed back into the battery. Or to be more precise: during sporty, everyday driving, for example, you could achieve up to a third of your range exclusively from recuperation. With recuperation braking from 200km/h to 0, electrical energy can be recovered for a range of up to 4km.
Driving modes.
Gravel mode is reserved for the Cross
The Launch Control function also produces maximum acceleration from a standing start. It can be activated in both Sport and Sport Plus mode to prepare all systems for a rapid get-away – and delivers incredible power to the tarmac: in the first 2.5 seconds, the
¹ Optionally available. Standard in the
Or you can choose the extremely light
Adaptive air suspension.
Adaptive air suspension¹ ensures the perfect balance between comfort and performance. For optimum aerodynamics and, last but not least, an improved drag coefficient: increased range with maximum performance.
Standard in the
Porsche Active Suspension Management.
The chassis with
Smart Lift.
The new Smart Lift¹ function provides additional convenience. This innovative feature allows the chassis level to be automatically lifted at locally programmable points. In addition, an efficiency-based levelling strategy is automatically deployed on motorways.
¹ Availability varies by country.
Rear-axle steering.
Rear-axle steering steers¹ the rear wheels in the same or the opposite direction to the front wheels, depending on the speed. This has the virtual effect of shortening or extending the wheelbase – depending on the situation. For increased stability at high speed, improved lateral acceleration on country roads and a reduced turning circle in everyday situations.
¹ Optionally available. Standard in the
Porsche Dynamic Chassis Control Sport.
The roll stabilisation of
¹ Optionally available for the
Torque Vectoring Plus.
¹ Optionally available. As standard for the
4D Chassis Control.
To ensure that these systems interact perfectly, we have developed
Increased ground clearance.
© 2023
Taycan Models
Top speed. Even when at a standstill.
In terms of charging time and range, the
Charging at home and on the road.
Because we not only think about the product, but also about the environment in which it is used,
Mobile Charger.
Use the standard Mobile Charger Plus to charge the vehicle – connected to your mains supply. Or the optional intelligent Mobile Charger Connect with touchscreen. You can also conveniently attach the Mobile Charger Connect to your garage wall in the optionally available Charging Dock. The My
Home Energy Manager.
To enable you to charge your vehicle quickly and easily at home, we have developed the
Porsche Turbo Charging.
¹ Optimum conditions: CCS speed charging pedestal with >270kW, >850V, battery temperature 30 to 35°C and output state of charge 5%.
² Optionally available, depending on the country.
Porsche Intelligent Range Manager.
Furthermore, you can use the
Porsche Charging Service.
Thanks to the
Start the Pre-Check
© 2023
Taycan Models
But the
¹ May be lower, depending on the specification.
This not only makes it possible to create weekends that include a wide range of activities, but also to master the demands of everyday life.
Assistance systems.*
*Assistance Systems service availability depends on country. For more information on availability in your vehicle, please log in to the
Porsche InnoDrive including adaptive cruise control.
As part of
Active Lane Keeping.
Another feature of
Lane Change Assist & Night Vision Assist.
Lane Change Assist indicates whether a vehicle is in your blind spot as you move to change lanes. And at night, Night Vision Assist uses an infrared camera to provide support–pedestrians and wildlife are displayed as thermal images.
Porsche Entry & Drive.
Comfort Access allows you to leave your car key in your pocket, by recognising the encrypted access code stored on the key. All
Surround View and Active Parking Assistance.
If you prefer your
© 2023
Taycan Models
The LED main headlights with matrix beam in black including
The sporty appearance is further enhanced by other design elements in black, such as the light strip with 'PORSCHE' logo, the rear '
Panoramic Roof with Variable Light Control.¹
¹Available for all
The variable segments can be individually dimmed in real time via PCM or via Direct Touch Control in the centre console.
Partial shade.
Partial shading is also possible – depending on your needs and the weather conditions.
For protection from the sun, the panoramic roof can be completely shaded.
The adaptive air suspension with a GTS-specific tune and
Maximise the sports driving experience: with the GT multifunction sports steering wheel and mode switch with a choice of five driving modes, including Sport Plus mode with performance-oriented settings for the suspension,
¹Only available in conjunction with GTS interior package in Crayon or Carmine Red.
Other GTS highlights.
Adaptive Sports seats.
For a perfect fit, the GTS features standard Adaptive Sports seats (18-way, electric) including memory function for adjusting the seat position, the steering column, both exterior mirrors and other vehicle parameters.
Performance Battery Plus.
At the heart of the new all-electric GTS models lies the Performance Battery Plus fitted as standard. With a capacity of 93.4kWh (gross), it ensures you have plenty of range for any journey. Its modern 800-volt technology delivers relentless performance and enables exceptional charging speeds.
PTV Plus.
© 2023
Select and configure
Taycan models.
|Power up to (kW) (Performance Battery)
|320 kW
|Power up to (kW) (Performance Battery Plus)
|360 kW
|Power up to (PS) (Performance Battery)
|Power up to (PS) (Performance Battery Plus)
|Overboost Power with Launch Control up to (kW) (Performance Battery)
|390 kW
|Overboost Power with Launch Control up to (kW) (Performance Battery Plus)
|420 kW
|Overboost Power with Launch Control up to (PS) (Performance Battery)
|Overboost Power with Launch Control up to (PS) (Performance Battery Plus)
|Max. torque with Launch Control (Performance Battery)
|640 Nm
|Max. torque with Launch Control (Performance Battery Plus)
|650 Nm
|Max. wheel torque with Launch Control (Performance Battery)
|7,700 Nm
|Max. wheel torque with Launch Control (Performance Battery Plus)
|7,900 Nm
|Electric range combined (WLTP)
|370 - 454 km
|Electric range urban (WLTP)
|454 - 540 km
|Long-distance range
|345 km
|Electric range combined (ECE)
|413 km
|Gross battery capacity
|79.2 kWh
|Net battery capacity
|71.0 kWh
|Charging time for alternating current (AC) with 9.6kW (0 to up to 100%)
|9.5 h
|Charging time for direct current (DC) with 50kW for up to 100km (WLTP)
|31.0 min
|Charging time for direct current (DC) with 50kW (5 to up to 80%)
|93.0 min
|Charging time for direct current (DC) with maximum charging power for up to 100km (WLTP)
|5.5 min
|Charging time for direct current (DC) with maximum charging power (5 to up to 80%)
|22.5 min
|Top speed
|250 km/h
|Acceleration 0 - 60 mph with Launch Control
|3.8 s
|Acceleration 0 - 100 km/h with Launch Control
|4.0 s
|Acceleration 0 - 160 km/h with Launch Control
|8.7 s
|Acceleration 0 - 200 km/h with Launch Control
|13.3 s
|Acceleration (80-120km/h) (50-75 mph) with Launch Control
|2.3 s
|1/4 mile with Launch Control
|12.3 s
|Max. ground clearance air suspension (normal ride height)
|127 mm
|4,963 mm
|1,966 mm
|Width (with mirrors)
|2,144 mm
|1,379 mm
|2,900 mm
|Unladen weight (DIN)
|2,140 kg
|Unladen weight (EU)
|2,215 kg
|Permissible gross weight
|2,880 kg
|Maximum load
|740 kg
Maximum permissible roof load with
|75 kg
|Luggage compartment volume, front
|84 l
|Luggage compartment volume, rear V210-2
|407 l
|Warranty period
|4 Years
|Main service interval
|4 Years
|CO2 emissions combined
|0 g/km
|Electrical consumption combined
|25.4 kWh/100 km
|Performance Battery
|For price inquiries, please contact your official local
|Performance Battery Plus
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Author: Mona C.
Date: 07-11-2009
Views: 8,352
Word Count: 113
Questions Received: 11
Testimonial ID: 3632-OR
Brand Neutral: No
Scientific Studies: 8
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|Supporting Scientific Studies
|Associated topics: emotions-/-feelings — "The present study indicated that lavender aromatherapy as a potential therapeutic modality could alleviate premenstrual emotional symptoms, which, at least in part, is attributable to the improvement of parasympathetic nervous system activity. This study further implies that HRV could evaluate the efficacy of aromatherapy using various fragrances to relieve premenstrual symptoms, and ultimately, support the mind and body health of women."
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CCRMA Colloquium
The CCRMA Colloquium is a weekly gathering of CCRMA students, faculty and staff. It is an opportunity for members of the CCRMA community and guests to share the work that they are doing in the field of Computer Music. The colloquium typically happens every Wednesday during the school year from 5:15 - 7:00 and meets in the CCRMA Classroom, Knoll 217 unless otherwise noted.
2011-2012 CCRMA Colloquim Schedule
Spring 2012
Apr 4 -
Apr 11 - [lac?]
Apr 18 -
Apr 25 -
May 2 -
May 9 - Ikue Mori [Bruno]
May 16 -
May 23 -
Winter 2012
Jan 11 -
Jan 18 -
Jan 25 - Joshua Kit Clayton [Bruno]
Feb 1 - Larry Polansky [Bruno]
Feb 8 -
Feb 15 -
Feb 22 - Matt Ingalls [Bruno]
Feb 29 -
Mar 7 - Jaap Blonk [Bruno]
Mar 14 - Subotnick / La Barbara [Bruno]
Autumn 2011
Oct 5 -
Oct 12 - [Christopher Willits https://ccrma.stanford.edu/events/ccrma-colloquium-christopher-willits] and Jonathan Berger
[enter info here]
2010-2011 CCRMA Colloquim Schedule
Spring 2011
Winter 2011
Autumn 2010
Older Info on Past Colloquia
10/17/07 ---------- Keith McMillen -------------Mapps: A persistent performance score for modern music
Title: Mapps: A persistent performance score for modern music
Abstract: A brief history of the effects of technology on music followed by a description of the problems facing modern technical composers and performers with the persistence of any performable repertoire. Progress on this front as characterized by the software program MACIAS as used by TrioMetrik and plans for a more enduring format. http://www.beamfoundation.org/
Presenter: Keith McMillen has been working his entire adult life on one single problem – how to play live interactive music in an ensemble using extended instruments moderated by computer intelligence. This goal has required him to create dozens of new instruments, patented technologies and multiple successful companies in order to advance the technology sufficiently to reach his musical objectives. Keith began his audio career in 1979, when he founded Zeta Music. The company's revolutionary electronic instrument designs created a new market in the music industry, and the brand "Zeta" is synonymous with the modern violin. Later, as Vice President of R&D at Gibson Guitars, Keith worked with UC Berkeley's CNMAT and created a new technology group focusing on audio networking, synthesizers and string instruments. As Director of Engineering at Harman Kardon, he formed an innovative new software product division dealing with audio processing and distributed networks. Keith founded Octiv in 1999 to solve major issues with live audio and led the company as both technologist and business guru raising over $20M from VCs such as 3i and Intel Capital. In April of 2005, Keith successfully sold Octiv to Plantronics (NYSE:PLT) and is personally funding the current operations of the BEAM Foundation. Keith received his BS in Acoustics under James Beauchamp from the University of Illinois where he also trained in classical guitar and studied composition with Herbert Brun, Scott Wyatt, and Sal Martirano. Keith has spent 25 years developing MACIAS – an integrated composition performance system that is the foundation of TrioMetrik's music. He now works full time at composing, creating and performing while pursuing his original goal of a next generation music he has termed NuRoque and a method for creating a persistent performance score for modern music called MAPPS.
10/24/07 ---------- Flo Menezes --------------- Maximal Music
Title: Maximal Music
Abstract: The purpose of the lecture is to give an insight on the compositional aesthetics of composer Flo Menezes. Aspects such as pitch polarization, directionalities, musical references, sound spatialilty and interval techniques will be exposed along with 22 musical examples, which go from purely instrumental to electroacoustic compositions.
Presenter: Flo Menezes (São Paulo, 1962) studied Composition at the University of São Paulo with Willy Corrêa de Oliveira (1980-85), Electroacoustic Music with Hans Humpert at the Studio für elektronische Musik of Cologne (1986-90) and Computer Music at the Centro di Sonologia Computazionale in Padova, Italy (1991), besides courses in France with Pierre Boulez (1988) and Brian Ferneyhough (1995), in Austria with Luciano Berio (1989), and in Germany with Karlheinz Stockhausen (1998), who has invited him as Professor of his International Stockhausen Courses in 1999 and 2001. In 1992, he concluded a PhD on the work of Berio in Liège under the supervision of Henri Pousseur and worked on Berioâ's manuscripts at the Paul Sacher Stiftung in Basle, Switzerland. His analysis of Visage by Berio was awarded in 1990 at the 1st International Musicology Competition, Italy.
Menezes was awarded significant international prizes for composition: UNESCO in Paris (1991); TRIMALCA-Prize (1993); Prix Ars Electronica in Austria (1995); Luigi Russolo Contest in Italy (1996); Prêmio Sergio Motta in São Paulo (2002); Bolsa Vitae de Artes in São Paulo (2003); Giga-Hertz-Preis at ZKM in Karlsruhe (2007). He was invited by many institutions such as Fondation Royaumont (1995), IRCAM and GRM (1997), BEAST in Birmingham (2001), CRCA in San Diego (2007), Experimental studio of Freiburg (2008) etc. and his works have been played in many festivals and theaters around the world (Carnegie Hall in NY; Salle Olivier Messiaen in Paris; Walt Disney Hall/Redcat in Los Angeles; Sala São Paulo; Maison de la Suisse Romande; etc.)
Author of several books, he is founder and Director of the Studio PANaroma in São Paulo and of the PUTS: PANaroma/Unesp Teatro Sonoro, the first loudspeaker orchestra in Brazil, and is currently Professor of Electroacoustic Music at the State University of São Paulo (Unesp) and Visiting Professor at the University of Cologne, Germany.
10/31/07 ---------- Craig Sapp ----------------- Measuring Similarity in Performances of Chopin Mazurkas
Title: Measuring Similarity in Performances of Chopin Mazurkas
Abstract: Recent work in performance analysis being done at the Centre for the History and Analysis of Recorded Music (CHARM) at Royal Holloway, University of London will be presented. Performance features, such as note timings and loudness are extracted from audio files from various performances of the same work. These musical features are then compared between performers in isolation, in combination, and in subcomponents to get a feeling for where a performer might be getting their inspiration. One pianist was found to have gotten her inspiration in an unusual way: http://www.newyorker.com/reporting/2007/09/17/070917fa_fact_singer?currentPage=all
Presenter: Craig Sapp has been working on performance analysis of Chopin mazurkas with Nicholas Cook and Andrew Earis at CHARM in London for the past two years.
11/7/07 ------------ Jonathan Middleton ----- The Algorithmic Foundations of My Instrumental Music
Title: The Algorithmic Foundations of My Instrumental Music
Abstract: In the book "Atlas" one can see the original photographs Gerhard Richter collected as inspiration and source material for his photo-paintings. In my CCRMA colloquium, I'd like to make a similar attempt to reveal my creative sources and the artistic strategy I have developed to make these sources the foundation of my music. I will present the early stages of my creative process that provide a basic thread and musical themes for Redwoods Symphony (Kiev Philharmonic), Radiant Peaks (Coeur d'Alene Symphony), Reciprocal Refractions (Spokane Symphony), and Dreaming Among Thermal Pools and Concentric Spirals (Paradox duo). Each process begins with the algorithmic transformation (or translation) of things I care about: redwood trees, bull trout, spirals, topographical maps... things that serve as a creative launching point. Algorithmic examples will be presented from http://musicalgorithms.ewu.edu/, the user-friendly freeware I designed in 2004-05.
Presenter: Jonathan Middleton is an Associate Professor of Theory and Composition at Eastern Washington University, where he teaches undergraduate and graduate courses in composition, counterpoint, theory, orchestration, and computer music. During the 2007-08 academic year he is on professional leave at Stanford University serving as a visiting scholar at the Center for Computer Research in Music and Acoustics (CCRMA). Jonathan Middleton's creative interests include spontaneous approaches to composition through stream of consciousness and algorithmic composition. His music has won awards and performances throughout the Pacific Northwest, the U.S. and Europe. In the year 2000, Jonathan Middleton became Washington State's "Composer of the Year," an award sponsored by the Washington State Music Teachers Association. In 2004, he was awarded a regionally competitive grant to develop a Web-based application that explores algorithmic composition and interdisciplinary learning: http://musicalgorithms.ewu.edu/. The program provides a creative environment where composers can create music from integer sequences and DNA. In 2005 he completed the first movement of Redwoods Symphony, a work that uses themes created from DNA of redwood trees. The first movement of Redwoods Symphony has been recorded by the Kiev Philharmonic under the direction of Robert Winstin. The recording is available on ERM Media's "Masterworks of the New Era" vol. 11. The "musicalgorithms" program was also used to complete Dreaming Among Thermal Pools and Concentric Spirals available on "Soak," sold through CD Baby (www.cdbaby.com) and iTunes. In 2007 he will be completing commissions for the Coeur d'Alene and Spokane Symphonies. Jonathan Middleton's background includes studies with numerous composition teachers, most notably those with Frederic Rzewski, William Kraft, Fred Lerdahl, Emma Lou Diemer, Ann Kearns, Peter Golub and two Pulitzer Prize winners Roger Reynolds and Lewis Spratlan. He also studied twentieth century compositional techniques with Kyle Gann and Tristan Murail. He obtained his Doctor of Musical Arts in 1999 from Columbia University where he was an Andrew W. Mellon Fellow at the School of the Arts.
11/14/07 ---------- Jesper Nordin ------------- "calm like a bomb"
Title: "calm like a bomb" - Jesper Nordin
Abstract: Jesper Nordin's music is largly influenced by his background in rock music and the traditional Swedish folk music. These influences are always present in his music, be it orchestral pieces or works with live electronics. His focus on the audible aspect in composition has made the computer his foremost tool in composing. Usually he builds up very detailed sketches/maquettes with recorded and treated sounds that he then transcribes. The use of improvisation during composing is also important and can include everything from himself singing to letting different programs treat his material in controlled or random ways. Lately he has also started to incorporate different control surfaces to be able to improvise but still keep control over musical materials and techniques. His piece "calm like a bomb" for violin and electronics will be performed by Greame Jennings of the SFCMP on November 19th at the Yerba Buena Center for the Arts Forum.
Presenter: The music of Jesper Nordin, with its clear traces of traditional Swedish folk music, rock music and improvised music, is played throughout the world by major soloists, ensembles and symphony orchestras. His international break-through came in 2000 with the piece "calm like a bomb" that is regularly performed by ensembles like ASKO, l'Itineraire and San Francisco Contemporary Music Players. He has been awarded prizes in many composition competitions in Europ and North America, for instance at UNESCO's Rostrum of Composers. His music is broadcast around the world and has been played at festivals such as ISCM, Gaudeamus, ICMC and Resonances. After studies at the Royal College in Stockholm, Stanford University and at IRCAM in Paris he was appointed Composer in Residence at the National Swedish Radio 2004-2006. In 2006 the Swedish Radio Released the portraid CD "Residues" that include some of his major orchestral works. For more info see www.jespernordin.com
11/28/07 ---------- Hans Tutschku ------------ The electronic studio as instrument
Title: The electronic studio as instrument
Abstract: My compositional work is very much informed by the practice of performance. Many of my musical ideas emerge from playing an instrument. I'm interested in the human gesture and how it can be analyzed and used to influence electroacoustic treatments. The piece « Zellen Linien » for piano and live-electronics, presented on the Thursday nights concert program, is a result of such a research, where the pianist is controlling many aspects of the live-electronics by the way how he/she interprets the score.
But also in non-real-time settings, during my work in the studio, I search for possibilities to transform the studio into an instrument, which reacts as spontaneously as possible to my ideas. The colloquium will provide an analysis of « Zellen Linien » with practical examples.
Hans Tutschku Born 1966 in Weimar. Member of the "Ensemble for intuitive music Weimar" since 1982. He studied composition of electronic music at the college of music Dresde and had since 1989 the opportunity to participate in several concert cycles of Karlheinz Stockhausen to learn the art of the sound direction. He further studied 1991/92 Sonology and electroacoustic composition at the royal conservatoire in the Hague (Holland). 1994 followed a oneyear's study stay at IRCAM in Paris. He taught 1995/96 as a guest professor electroacoustic composition in Weimar. 1996 he participated in composition workshops with Klaus Huber and Brian Ferneyhough. 1997-2001 he taught electroacoustic composition at IRCAM in Paris and from 2001 to 2004 at the conservatory of Montbéliard. In May 2003 he completed a doctorate (PhD) with Professor Dr. Jonty Harrison at the University of Birmingham. During the spring term 2003 he was the "Edgar Varèse Gast Professor" at the TU Berlin. Since September 2004 Hans Tutschku has been working as composition professor and director of the electroacoustic studios at Harvard University (Boston). He is the winner of many international composition competitions, among other: Bourges, CIMESP Sao Paulo, Hanns Eisler price, Prix Ars Electronica, Prix Noroit and Prix Musica Nova. In 2005 he rezeived the culture prize of the city of Weimar.
NOTE: The first three colloquiums of the quarter will be talks presented by applicants to the Music Department's faculty position in composition. These presentations will occur from 4:15 - 6:15 on January 9, 16 and 23 in Cambell Recital Hall in Braun Music Center. Application letters and curriculum vita can be found at: https://www.stanford.edu/dept/music/private/CompSearch.html.
1/9/08 Dr. Marcelo Toledo Application letters and curriculum vita can be found at: https://www.stanford.edu/dept/music/private/CompSearch.html.
1/16/08 Dr. Jaroslaw Kapuscinski Application letters and curriculum vita can be found at: https://www.stanford.edu/dept/music/private/CompSearch.html.
1/23/08 Dr. Panayiotis Kokoras
Application letters and curriculum vita can be found at: https://www.stanford.edu/dept/music/private/CompSearch.html.
3/12/08----------Bruce Pennycook--------Who will turn the knobs when I die?
Title: Who will turn the knobs when I die?
Abstract: This slide & audio presentation tackles the thorny problem of interactive music composition, performance and preservation and addresses the reality that interactive works are rarely performed without the composer present as either a performer or at least as an equipment operator.
Many of my works over the past 20 years (including Praescio-VI to be performed March 13 in a modified format) have utilized a variety of technologies, some of them custom made specifically for a particular piece. One challenge has been sustaining these works against a rapidly changing hardware and software landscape. The other challenge has been to encourage performers with little or no technical skills to adopt such works into their standing repertoire. The presentation will attempt to address both issues.
Presenter: Professor Bruce Pennycook (Doctor of Musical Arts, Stanford, '78) is a composer, new media developer and media technology specialist. He taught at Queen's University in Kingston, Ontario then McGill University in Montreal, Quebec where he developed undergraduate and graduate degree programs in Music Technology and held the position of Vice-Principal for Information Systems and Technology. Pennycook moved to Austin in 2002 and was appointed Senior Lecturer at UT Austin in 2004. He teaches in the Department of Composition, School of Music and in the Radio-Television-Film Department, College of Communication.
4/9/08----------Rick Taube --Grace:A Graphical Realtime Algorithmic Composition Environment
Title: GRACE: a graphical realtime algorithmic composition environment implemented in C++ and Chicken Scheme
4/16/08--------Paul Davis-----------Ardour Stanford's AES Student Section and the CCRMA Colloqium Series presents Paul Davis, author of the Ardour, the Open Source Digital Audio Workstation.
"Paul Davis is the primary author of the open source digital audio workstation Ardour and the JACK Audio Connection Kit. Post-graduate studies in computational biology at the Weizmann and EMBL seemed too intractable in comparision to the more tangible joys of Unix. Paul alternated between research & commercial environments for several years, eventually spending 4-1/2 years in the CS&E department at the University of Washington. He left to help start Amazon.com but stayed for only a year before becoming an at-home parent. Ardour and JACK emerged from the dark nights and early mornings, and after more than 8 years dedicated to open source pro-audio and MIDI software, Paul now works fulltime thanks to the support of the user community and several audio technology companies. He also likes to race triathlons, cook and listen to music that keeps the listener in mind."
A special thanks to Stanford Institute for Creativity and the Arts for making this visit possible.
4/23/08--------Julio Estrada--------A General Theory of Combinatory in Musical Scales
Abstract: MuSIIC-Win (interactive system for research and composition) is based on "Theory d1" by Julio Estrada on the combinatory potential of scale intervals. (ESTRADA 1994) The denomination Theory d1 refers to the continuous character that is maintained in all operations based on the transformation of a minimal distance, d1. Its mathematical reference is the combinatory and its representation is done by means of graphic theory. In general terms, Theory d1 invites a free exploration of scales, not imposing any categories for systems of composition or musical aesthetics.
The program Theory d1 allows a total of 22 scales that range from 3 to 24 intervals of pitch (per octave) and duration. The program is expected to develop further and overcome the difficulties of an adequate graphic representation of scales of greater extension close to 50 intervals.
MuSIIC-Win is the result of a new design and reengineering of the program MuSIIC for MSDOS (PMMI 1990-97). Its appearance has been completely redesigned and made standard to the Windows® environment. MuSIIC-Win allows for a user-friendly exploration and interaction. MuSIIC-Win enhances the visualization of the musical notation materials, as well as listening through a multimedia computer or a MIDI interface.
Presenter: Julio Estrada was born in Mexico City, 10th of April 1943. His family was exiled from Spain in 1941. His activities are multiple: composer, theoretician, historian, pedagogue, and interpreter.
He began his musical studies in Mexico [1953-65], where he studied composition with Julián Orbón. In Paris (1965-69) he studied with Nadia Boulanger, Messiaen and attended courses and lectures of Xenakis. In Germany he studied with Stockhausen [1968] and with Ligeti [1972] He did a Ph. D. in Musicology at Strasbourg University (1990- 1994).
Since 1974 he became researcher in music at the Instituto de Estéticas, IIE/UNAM, where he was apointed as the Chair of a project on Mexican Music History and as the head of MúSIIC, Música, Sistema Interactivo de Investigación y Composición, a musical system designed by himself. He is the first music scholar to be honored as member of the Science Academy of Mexico and by the Mexican Education Ministry as National Researcher [since 1984]. He created a Composition Seminar at UNAM, where he has been teaching Compositional Theory and Philosophy of Composition.
He has written about a hundred of articles based on his research. Some have been translated into English, French, German, Italian and Japanese. He is the General Editor of the must complete publication on Mexican music history, La Música de México [Instituto de Investigaciones Estéticas, IIE / UNAM, México 1984, ca. 2000 p.] He wrote with Jorge Gil "Musica y Teoria de Grupos Finitos, 3 Variables Booleanas, with an English abstract" [IIE UNAM, Mexico 1984]. He has postulated a "General Theory of Intervallic Classes" applicable to macro and microintervallic scales of duration and of pitch. In the field of the continuum, Estrada has developed new methods of multidimensional graphic description of several parameters of sound and rhythm ("Ouvrir l?horizon du son : le continuum.")
4/30/08--------Ajay Kapur-----------21st Century Raga, Digitizing North Indian Music
This presentation describes methods for digitizing, analyzing, preserving and extending North Indian Classical Music. Custom built
controllers, influenced by the Human Computer Interaction (HCI) Community, serve as
new interfaces to gather musical gestures from a performing artist. Modified tabla, dholak, and sitar will be described. Experiments using Wearable sensors to capture ancillary gestures of a human performer will also be discussed. A brief history through the world of Musical Robotics will be followed by an introduction to the MahaDeviBot, a 12-armed solenoid-based drummer used to accompany a live sitar player. Presentation is full of video examples showing evolution of the body of work in the laboratory to the live performance stage. Live demonstrations will also be included.
After talk audience will be invited to begin brainstorming tools need to write a composition for the MahaDeviBot.
Presenter: Blending Indian Classical knowledge with the 21st century music scene, by adopting the age of computer human interface. Custom made Electronic Tabla, Sitar and wearable sensors, controlling modular robotic systems used to bring dance and tribal groove to the next dimension. Ajay Kapur is the Music Technology Director at California Institute of the Arts. He received an Interdisciplinary Ph.D. in 2007 from University of Victoria combining Computer Science, Electrical Engineering, Mechanical Engineering, Music and Psychology with a focus on Intelligence Music and Media Technology. Ajay graduated with a Bachelor in Science and Engineering Computer Science degree from Princeton University in 2002. He has been educated by music technology leaders including Dr. Perry R. Cook, Dr. George Tzanetakis, and Dr. Andrew Schloss, combined with mentorship from robotic musical instrument sculptors Eric Singer and the world famous Trimpin. A musician at heart, trained on Drumset, Tabla, Sitar and other percussion instruments from around the world, Ajay strives to push the technological barrier in order to make new music.
5/7/08----------Paul Koonce-------The Performative Embodiment of Sounds Unseen
Abstract: Threading through my work is a search for an imagined performer. This talk will focus on the way real, virtual, illusory, or surreal performers have shaped the voice of my music. My comments will touch on the subjects of timbral design, microtonality, acoustic instrument simulation, feature extraction, alternative control, and spatial ambience, particularly as they have contributed to the composed escape of real and imagined bodies into sound.
Presenter: Paul Koonce (b.1956) studied composition at the University of Illinois and the University of California, San Diego where he received the Ph.D. in Music. His music focuses upon issues of representation and perception in electroacoustic sound. A software developer as well as a composer, he has explored the invention of computer technologies for the manipulation of sound and timbre, focusing on tools for exploring the parallels between musical and environmental sound phenomena. Recent work has turned to the use of data gloves and their use in the real-time compositional/improvisational control of virtual instruments. He is the recipient of fellowships from the Guggenheim and McKnight Foundations, and has received awards and commissions from the Luigi Russolo International Competition for Composers of Electronic Music, the National Flute Association, Prix Ars Electronica Electronic Arts Competition, the Electroacoustic Music Contest of Sao Paulo, the Bourges International Competition, the International Computer Music Association, and the Hopkins Center at Dartmouth College. His music is available on CD from SEAMUS, Mnemosyne, ICMA, Panorama, Innova, Einstein, Centaur, Computer Music Journal, and Mode records.
5/14/08--------Julius Smith----------Virtual Electric Guitars and Effects Using Faust and Octave
This talk, extending a recent LAC-2008 presentation, is devoted to virtual electric guitar components and associated effects in the Faust language. Faust can be compiled to conveniently generate plugins for Pd, VST, and other environments. Octave is used for signal analysis, filter design, and component testing. Components addressed include vibrating strings (including two coupled polarization planes), dynamic level filtering, distortion, amplifier feedback, and digital wah pedals.
LAC-2008 paper: http://lac.linuxaudio.org/download/papers/22.pdf LAC-2008 overheads: http://lac.linuxaudio.org/download/slides/22/ Supplementary website: http://ccrma.stanford.edu/realsimple/faust_strings/
Julius Smith is Professor of Music and Associate Professor of Electrical Engineering (by courtesy) at CCRMA, Stanford University, specializing in music/audio signal processing. For more information, see http://ccrma.stanford.edu/~jos/.
5/21/08--------Kelly Fitz--------------Techniques for Digital Sound Morphing
Sound morphing has been used to synthesize the voices of aliens and talking fish and a wide variety of sound effects in sound tracks and popular music. I will present a variety of techniques that are used to create hybrid sounds or to impart the characteristics of one sound onto another, including various sound models and techniques for interpolation in the model domain and the construction of filter and resonator systems that shape the spectrum of one sound by the spectrum of another. I will present the principles underlying the different algorithms and considerations for implementing them. Different morphing techniques are suited to different kinds of source sounds, achieve different effects, and are vulnerable to different artifacts. I will discuss the strengths and weaknesses of the various methods, and the variety of sounds and effects produced by each one. I will illustrate the capabilities of each method and give live demonstrations under real time control. I will morph machines, mammals, musical instruments, and anything else I can get my converters on.
Kelly Fitz is a software developer and audio signal processing engineer working at the Starkey Hearing Research Center in Berkeley, where he develops new audio signal processing algorithms for hearing aids, including algorithms for improving speech intelligibility and the sound of music. Fitz was a member of the Electrical Engineering faculty at Washington State University, where he developed algorithms and software for sound modeling and sound morphing, including an open source software library called Loris, and led a research program to develop sonified program debugging environments. Previously, he worked in the audio development group at the National Center for Supercomputing Applications developing a real-time sound synthesis API for virtual reality applications. Fitz has Ph.D., M.S., and B.S. degrees in Electrical Engineering from the Univerisity of Illinois at Urbana-Champaign.


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"Fall Colors Challenge" last week.
We had a fantastic turnout !
The team had an awesome time visiting your blogs to see your creativity in action! Fabulous Job!!!
We will select two winners each week 1 using QKR Stampede
or Eureka Stamps image and 1 using any image!
Our Winners For Challenge #260
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35. Lisa Lynn
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# 71034 One-Light Hanging Pendant Ceiling Light with Transitional Hardback Drum Fabric Lamp Shade, in Dark Red, 8" W
Product Detail
- Fixture Dimensions: 5 3/8" width x 88" height
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# 23098-01 Frosted Transitional Style Replacement Torchiere Glass Shade, 5-3/8" high x 15-5/8" diameter


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Source: U.S. Census Bureau
Release: Annual Estimates of the Population for Counties
Data for "Resident Population" are estimates as of July 1. Data for 1970, 1980, 1990, and 2000 are annual census.
Population estimates are updated annually using current data on births, deaths, and migration to calculate population change since the most recent decennial census. The annual time series of estimates begins with the most recent decennial census data and extends to the vintage year. Each vintage of estimates includes all years since the most recent decennial census.
U.S. Census Bureau, Resident Population in Plaquemines Parish, LA [LAPLAQ5POP], retrieved from FRED, Federal Reserve Bank of St. Louis; https://fred.stlouisfed.org/series/LAPLAQ5POP, December 11, 2023.


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Totally eye catching when you wear the rhinestone fishnet stockings. These black fishnets feature shining rhinestone diamond details.
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Commercial Landscaping Boosts Curb Appeal
The first thing people see when they approach your office or business is the outdoor area. While it may seem unimportant compared to other aspects of your work, how you maximize the outdoor space you have can impact how your business is perceived.
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From there, we will design an irrigation system that effectively delivers moisture to your new plants, making sure that they receive the care and attention they require to truly thrive. Your project does not have to involve many different types of plants, either. If you're looking for something that requires a bit less upkeep, we have a selection of striking stones and other inorganic materials that make great additions to any landscaping project. For the more adventurous business owner, we can also provide you with a fountain or water-based accent piece, to truly make you stand out.
A Maintenance Schedule to Suit Your Needs
Our job doesn't end when we've put the last plant in the ground, however. In order to keep your landscape looking its best, Cleancut Lawn & Landscape LLC recommends our clients set up a regular maintenance schedule, in order to keep your flowers blossoming and your grass even and green. After the project is complete, we'll continue delivering the same friendly and efficient service you'll have gotten used to during the construction period. You can count on us! We understand that as a business owner you have a lot on your plate, so if you opt to do your own maintenance, we'll set you up with plants that require less hands on attention, so they'll continue to flourish even if you don't dedicate whole swaths of your day to their upkeep.
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The static stimulation is safe and harmless. It is effective enough to get your pet's attention.Close
This very rare incident occurs when the collar is worn longer than designed. We recommend it not be worn more than 12 hours per day. Please discontinue using the collar until the affected area has healed and consult a veterinarian if necessary. This situation is not limited to static stimulation collars; it can happen with any collar your pet wears for too long.Close
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Here's the list of Everest Organics's futures contracts. The future contract comprises financial derivative contracts that bind parties to buy and sell an asset at a specified future time and price. Know the difference in strike price, quantity, expiration date and other details about the Everest Organics's futures contract.
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Rent top product launch spaces in Castleberry Hill, Atlanta
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