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Thursday, March 25, 2010
Hello, Gorgeous! Vogue Summer 2010
My other new favorite is 1176 from Top American Designer Michael Kors. (Anyone who watches Project Runway knows that Michael Kors must always be referred to as Top American Designer Michael Kors, preferably in a chipper German accent.)
Isn't Vogue killing it with the retro styling this season? (Killing it being a positive thing in this instance.)
There are two cute new Vintage Vogues too! What's not to love about 1172?
Well, I'll admit that I don't love the styling of it on this model:
I still love the hair, don't get me wrong. I just think the fabric looks . . . cheap or something. And also - a Vintage Vogue gripe - if they're updating everything else about the pattern, couldn't they include a more modern length? It's practically to her ankles! Just think how much cuter and more accessible this would be in a knee-length!
I very much like 1171 as well - it would make a sweet summer dress.
So those are my favorites! As for the ones I'd be least likely to buy? This is always fun, so let's have at it. (Yes, I know there's a demographic for these, and they can't please everyone all the time and all that, but just let me have my little amusement.)
Guys, it's caftan madness! By Chado Ralph Rucci in mauve-ish shiny satin! 1181 is simply amazing.
AKO never disappoints for a little, um, artsy flair. Behold 1185:
And lest we forget the asymmetrical hem-loving demographic (because apparently it is quite vast and influential) here's 1188:
But all in all, I think there are some real jewels here, and I am definitely buying the first two from this post.
How's about you, lovely friends? Any must-haves? Any complaints? I was interested to see that Carolyn found this collection lacking in stylish choices for the plus-size seamstress, and I'd have to agree. I'd love to hear more perspectives on the selection, so please share!
50 comments:
- AnonymousMarch 25, 2010 at 7:18 AM
I want a 'wiggle skirt' version of Vintage 1172. That big skirt doesn't fit into my lifestyle, but I love the bodice. maeReplyDelete
- AnonymousMarch 25, 2010 at 7:22 AM
Is your 'worst pattern of all time' competition still open? I nominate V1185 and V1188. I simply can't decide which is the worst. maeReplyDelete
Holy cow, Batman - I have to have that strapless dress pattern! I can't find anywhere in the UK that's selling it yet... must.. be.. patient!ReplyDelete
Thanks Gertie! x
I'm old enough to remember the blousy jumpsuit frights from the 80s. Awful then. Awful now.ReplyDelete
- AnonymousMarch 25, 2010 at 7:37 AM
The big shiny dress looks like its trying to evoke the 30's, but it looks like it doe's it a little too much, it looks good for costume, but not much else.ReplyDelete
These are all great. My fav is 1176, the wiggle dress. I agree that 1172 would look better knee length. I think the artsy 1185 looks better on the model than it would on me. I think I would look like a clown. And the asymmetrical hem on 1188 would definitely hide some problem areas.ReplyDelete
Oh man! I do love that first dress! My favorite though is that Ralf Rucci number... I mean c'mon! Its like a satin Snuggie that is acceptable to wear out of the house! What's not to love?! =)ReplyDelete
My only complaint against 1172 is that is takes over 6yrd of 45 wide. Vintage Vogues are so wasteful of fabric compared to actual vintage patterns. The other one is cute and I'll probably get it.ReplyDelete
So no one's rushing out to buy 1187? LOL. What was the designer thinking on that one? I have better-looking bathrobes! Heck, even the Satin Snuggie is better ;-) And I'm with Toby on the blousy jumpsuits ... not flattering, and a total PITA when you need a bio break.ReplyDelete
- AnonymousMarch 25, 2010 at 8:25 AM
I love the 1176. I would probably want to wear it with a shrug or cardie and my only fear is that the bow detail might make it difficult to wear with something over it. But I'd love to give it a go!ReplyDelete
Hello from the Netherlands, I have recently discovered your blog and I love it!ReplyDelete
Regarding the new patterns, my wish list in VP is already quite full but, alas, I'll have to wait till the next sale. Just one comment about the fabric choices of VP: awful. I mean, that caftan right now looks like a Snuggie. But imagine it in a light transparent batiste, ooh, perfection. Cheers!
- AnonymousMarch 25, 2010 at 8:40 AM
I would love to see the strapless dress on a model with a bust. It just doesn't suit her at all and it looks like it could just slip off her.ReplyDelete
Gertie, I can see you in that dress, along with the hair. Stunning!
Hello Gertie! Thanks for remarking that Vogue Patterns shows new patterns only 4 times a year. now I have told my little electronic agenda to remind me every 3 months.ReplyDelete
My question is: Do you know the times of the year when other pattern sites show their novelties? (I mean: Burda Style, Simplicity, Butterick, McCalls and any others that I don't know about)
- AnonymousMarch 25, 2010 at 8:54 AM
Looking at the new Vogue collection was the last thing I did before bed last night. Even though I was super tired I still squealed a little "hooray!" to myself for new Vogue patterns.ReplyDelete
My faves are the same as your first two. I MUST have them!! I wasn't too wowed about either Vintage ones, and I'm sure I have something very like 1172 in my vintage pattern collection already. I totally agree about the length they keep making them, it's not that long in the illustration!
The caftan-thingy made me cringe when I first saw it, though I think it could be kinda cool if instead they more directly channeled cocoon coats of the 1920s.
The jumper/romper suit thing......there are no words.
- AnonymousMarch 25, 2010 at 9:23 AM
The Rucci pattern is insane. Imagine someone making that out in an Amy Butler print. Oy, my eyes!ReplyDelete
Andrea, great point about the yardage required for 1172! Yet another reason for Vogue to include a knee-length variation on their vintage offerings - that would probably save two yards of fabric!ReplyDelete
Rebeca, I'm not entirely sure it's 4 times a year, I admit that was kind of an educated guess, knowing that they release new patterns each season. All of the other companies do as well, excepting BurdaStyle, who releases a new pattern or variation on a pattern every Monday.
Thank you, Gertie! And by the way, thank you for devoting so much time and efforts to this blog! You're one of my greatest inspirations and I actually learn something from every post! Your videos are of great help for a beginner like me. So, thanks again!ReplyDelete
Maybe these appeal to younger, thinner women, but there was really nothing for me, a middle aged woman who could lose some weight.ReplyDelete
I love 1171, the vintage dress with the square collar. This is one that would be really flexible as well - you could use the bodice for all kinds of different styles, e.g. on its own as a top, with a tight skirt as a statement wiggle dress, with a short pouffy skirt as the kind of thing all the teenagers are wearing for summer, and (the one I would make first) with loose-fitting shorts to be a sailor-style jumpsuit.ReplyDelete
- AnonymousMarch 25, 2010 at 11:12 AM
Not sure I could pull 'em off, but I do love those bizarre asymmetric pants.ReplyDelete
- AnonymousMarch 25, 2010 at 11:12 AM
pockets, skirts must always have pockets! Yay!ReplyDelete
I love the look on the model's face in the picture of the mauve caftan. She looks miserable! I too was disappointed that these patterns aren't drafted for plus size people. But I swear I am going to learn how to grade up successfully! I am not going to let Vogue or anybody else dictate what I can or cannot wear - so there :)))ReplyDelete
It's nice to see some vintage-inspired looks by Vogue's summer collection. Although I do get enthusiastic, I also have to remind myself of the fact that I don't fit commercial patterns very well, and I'm still a poor tissue fitter... Anyhow, patterns will always be of great inspiration!ReplyDelete
I actually had a great-aunt named Dotty who was a priestess in the Unitarian church and she wore a dress EXACTLY like that caftan for every service. She also dyed her hair(which was eternally in a huge beehive) and her poodle pink, had a pink house, pink jewelry, pink fingernails, a pink 60's-something pinto, pink everything! Some people can pull off the craziest stuff! You'll never catch me dead in that thing, but I do appreciate that vogue offers these patterns for those people who are just more, um...liberated? to wear the impossible. As for your picks gertie, I love them! I do think the first one looks wierd on the modelIt just looks too short on both ends for her body. Love the hair, but I think it would look smashing on you.ReplyDelete
The Cynthia Steffe is all mine. all mine. I can't wait to have it in my hands. I've dreamt about that pattern. It's mine, mine mine!ReplyDelete
- Perhaps, Maybe.March 25, 2010 at 12:22 PM
First thoughts:ReplyDelete
- 1174 is almost identical to 107 from the March Issue of BurdaStyle (http://www.burdastyle.de/chameleon/mediapool/9e85386f-9a6b-2829-51e9-16bb3d8e98ed.png).
- I'm glad to see a few more vintage reproductions, but I'm not entirely thrilled with the selection this season.
- Someone over at Vogue has been watching too much Rhoda, but continues to ignore 1970s tailored suits.
I think I'm moving away from pattern companies towards my Burda magazine collection. I just can't get on board the sack train.
Thanks for the update!
I love everything you posted but I have to admit something. I own that first dress. It's by Milly and I bought it to wear to a wedding in 2007. And one of the things I loved most about the dress, the pockets. Take a look and tell me its not incredibly similar:ReplyDelete
I admit, mine has a higher waist and its a bit fuller but otherwise, it is pretty darn similar.
So that brings me to a topic for you...what constitutes inspiration vs. copying? Forever 21 & Steve Madden have been in the center of several lawsuits from higher end designers on this specific topic. And the designs in question are spot on, down to the buttons & trim.
Obviously, on this, it was the strapless design & the fabric that jumped out to me.
1174, just amazing. All other projects will have to be put on hold to make this one! Now to just wait for Joanne's to have another pattern sale, argh. (That red rose fabric you posted yesterday would be adorable for that dress!)ReplyDelete
And 1171-I love the sailor-esque neck. I have a vintage dress just like it that I wear all the time-I am so happy there is now a pattern to make more!
But um, yeah, those other patterns-what the what?! The season's collection goes from gorgeous fitting to ghastly frump wear. I am ashamed to admit in the 90's my mom made me a few versions of 1185 in a Laura Ashly pattern, luckily I have enough sense now NOT to wear that!
This comment has been removed by a blog administrator.ReplyDelete
I haven't sewn with a Vintage Vogue release yet, but personally I'm glad they don't update the skirt length or anything else about the pattern. It would null the whole point of it being a Vintage Vogue. There's plenty enough of vintage-inspired dresses out there that provide a shorter length. You know that there's a demographic as well for people who want to sew from original, unadulterated vintage patterns, whether it's for an event or how they like to dress all the time. I could see the length being a little improved more around her calf, but I always think these things look better at the hem that was intended - the proportions always look off when they're shortened, especially to above the knee (which, hey, is easy enough to do on your own if you don't want the tea length).ReplyDelete
I think they made a mistake picking that print, or any at all. You can't notice the details or princess seaming at all.
No, it's not "like" my birthday - is really IS my birthday! (I made a birthday dress and everything!)ReplyDelete
The only thing I liked in this corral of U-G-L-Y was the Issey Miyake jacket pattern. When Issey Miyake is doing tailored and everyone else is doing shapeless, something is wrong with the world.
No...no...too much work today! Must not look at the Vogue site until later. MUST NOT LOOK...!ReplyDelete
Oh god not another pants jumper! I've seen those in several fashion articles lately. Please don't tell me the 80's are trying to make a comeback!ReplyDelete
- AnonymousMarch 25, 2010 at 3:26 PM
Speaking of Vogue Patterns they will be 3.99 at Hancock Fabrics March 27th-31stReplyDelete
- San Antonio SueMarch 25, 2010 at 4:16 PM
I agree with Mae and some other posters: there are some real dogs (V1175) V1187, etc) in this collection. When did the saque dress come back in fashion? In fairness, there are a couple of good ones here too: V1181 and V8659. Come, on Joanne's/Hancock sales!ReplyDelete
- AnonymousMarch 25, 2010 at 5:28 PM
I love the Cynthia Steffe and Kors patterns. The two new Kay Unger patterns are really nice too, if not precisely my style. I like the vintage vogues, and I am really appreciative that Vogue continues to release them while the other companies seem to have stopped, but I wish they would choose some more imaginative patterns - there are some really great patterns from the 50s, if that's the favorite era, that aren't so plain. I'd also love to see an occasional vintage vogue that is for separates like Simplicity occasionally does. I know they made separates because I have some of the patterns - some great blouses and skirts!ReplyDelete
I really don't know where Vogue gets the idea that people will make the crazier designs. I'm certain there had to be some beautiful designer looks they could have licensed - but these aren't it!
The last Vogue pattern release had me hiding my wallet for fear of breaking the bank and although there are several here I love and will be buying asap, the majority are an resounding flop ~ yes, the bank is safe. I'm interested in fashion forward or cutting edge looks, not dowdy drunkard, aged artiste, child's programming character or sail.ReplyDelete
The strapless dress is beautiful, vogue did pretty well this season, a few questionable designs but they have given a a few beauty's too!ReplyDelete
I agree with Rachael there are some people who love and can pull off some of the "crazy" stuff, it may not be to my taste but just think if we were the minority and wanting a full skirted strapless number and all we could find were snuggies? A little something for everyone :-)
Ruby Slippers
I would agree with your comments, but I can't help but feel a little bit that I wish I was awesome enough to pull off that caftan!ReplyDelete
Pockets in a sexy dress? My prayers are answered.ReplyDelete
I always find the Vintage Vogue 'real-life' pictures so off-putting. The dresses never seem to fit the models properly, nor do they ever seem to get the original look quite right -- 1172 being a case in point. That bodice all but swamps the poor model, and what is with that length? I'm very much a New Look girl and like my hems mid calf, but this is ridiculous. And I agree about the yardage. It's the kind of dress that might have originally required that amount of fabric, but that would have been in a 36" width. Also when you think how many fabulous original vintage Vogue patterns there are out there, yet Vogue always seem to mine exactly the same look in their 'Vintage Vogue' range. All a bit disappointing really. Makes me want to hit eBay for some of the real stuff!ReplyDelete
Of all of the ones you showcased I think the Michale Kors is my favorite. I love 1172, and when I saw it I immediately thought of you. Same with 1171. Not loving the caftan at all, even if it does come with the Rucci label.ReplyDelete
I think we are being a bit mean about the Chado Ralph Rucci. Think of the money it will save you in airfares! Is it a bird, is it a plane, no it's a Chado Ralph Rucci.ReplyDelete
I love Vintage Vogue, but agree they are starting to have a similarity about them. I adore a full skirted frock, I really do, but there's a limit to how many a girl can have in her wardrobe. When are Vogue going to release the bow-tie blouse?
Love your blog Miss Gertie, it's one of my daily habits. When are you coming to Sydney for tea?
I am partial to the demure daydress 1171. Most designs I see are very structured and 40's/50's going out for the evening-inspired. 1171 looks a tad bit like some of the everyday-wear I saw on very old ladies growing up. I am glad to see daydresses coming into the vintage look and with shirtdresses now back in I think this one will push the envelope if you can think of a housedress doing that.ReplyDelete
I'm sure someone in the sewing blogosphere has already alerted you, but the Vogue website has a ridiculous sale on at the moment - all Vogue patterns seem to be $3.99 and McCall's $2.99. I just got 5 patterns for $25 including shipping and sales tax!ReplyDelete
I can see VV1172 as my wedding dress. It would look a lot more flattering with a petticoat/crinoline underneath :)ReplyDelete
- AnonymousApril 12, 2010 at 10:13 PM
I kind of bought 1181 today. Jo-Ann's was having a sale on Vogue and I just couldn't help myself. I have this image of myself lounging by a pool in it. It's very Lee Radziwill, I think.
Cabana Lee Radziwill.
I also got 1174, and can't wait to start on my foundation muslins! (I predict there will be several.)
Hi Gertie,ReplyDelete
I just love your blog and I am totally new to this. I just signed up and I'm happy to be here. I am so in love with the Vogue patterns and the vintage ones are so so beautiful. I teach sewing and I am going to turn all of my student's into Gertie fans.
Thank you,
Laura McCracken
Oh, I love the Caftan...I can see using a beautiful Kente/Afrocentric Print--mud cloth may be to heavy--perhaps using a linen blend and then adding some artwork (fabric paints)...I love wearable art...ReplyDelete
I love the jumper--I can see some creativity coming on...However, I realize wearable art is not for everybody...I pull it off quite well!!
I realise I'm very late to the party but I made Vogue 1172 and the review on pattern review is here. It does take a lot of fabric, even chopping off 6" off the skirt. But the dress is so NICE!ReplyDelete


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text:
Utility vehicles or ATVs designed for use on farms can increase liability. This is mainly because these vehicles are known to be associated with high-risk behaviors, such as operating the vehicle without the use of protective equipment.
If you routinely ride your ATV or utility vehicle, be sure to always use good judgment and wear proper protective equipment, such as a helmet. Additionally, avoid behaviors that are known to increase risk of injury, such as riding on roads that are intended for automobiles.
Say, for example, that the beef produced from the cows raised or kept on a farm causes illness in a consumer when it's eaten.
To combat this risk, add an endorsement that modifies your insurance policy to protect you from these potential mistakes.
Equipment used on a farm has a high risk of mechanical breakdown. For example, a farmer's combine or chopper could ingest a rock causing equipment failure.
Add Foreign Object Ingestion coverage so the repairs on your combine or chopper will be covered on your policy. Ask your agent if your policy has this coverage since it is not "automatic" on most farm policies.
During harvest, a farmer often stores grain in grain bins, and this grain usually sells within a few months. Coverage is needed while the grain is on-site, but it could get expensive to fully maintain this coverage during the rest of the year when no grain is present on the farm.
Cover the grain under peak season. This option tailors your coverage to provide increased amounts of insurance during the months in which you have grain on your farm. This type of coverage can be applied to any harvested crop, not just grains.
Pollution is an increasing risk that can occur due to the improper storage or application of pesticides and fertilizers, runoff, and above ground or underground storage tanks.
It is difficult to control pollution risks on your farm, but it is not impossible. You can protect yourself against this type of risk by obtaining environmental insurance that provides protection for both bodily injury and property damage caused by a farm pollution incident.
What happens when your farm faces a large liability loss that exceeds the basic limit of your standard policy?
A commercial umbrella insurance policy increases your liability limits by adding protection over and above your current farm policies - providing real financial value, as well as priceless peace of mind. Commercial umbrella insurance is available either by an endorsement to your farm policy or as separate coverage.
If you're caring for livestock owned by others on your farm and an unfortunate event occurs causing the death of some or all of this livestock, you may be held responsible.
To protect yourself and your farm from this type of risk, add care, custody, and control to your insurance policy as an endorsement.
Does your farm provide services for others? If so, you may be held responsible for the business activities related to these services.
To protect yourself from any type of incident relating to these business activities, add an endorsement for custom farming to your insurance policy.
There are many uncontrollable factors that affect the growth of field crops, such as weather. Are you prepared for what might happen if your crops are devastated by an uncontrollable incident?
You can protect your livelihood and investment from this type of unavoidable risk with the addition of multi-peril crop insurance.
If you have a barn or farm structure, a loss to these structures can be catastrophic, potentially putting the farm out of business.
Be sure you have adequate property coverage to protect your farm from potential catastrophic loss.
If your tractor, combine, harvester, or other farming equipment has cab glass, that glass could break. It can be an expensive repair and cause your equipment to be unavailable for an extended amount of time.
Be sure you have coverage to help pay for repairs or other service work for broken glass.


text:
dump, rdump -- file system backup
dump [-0123456789acLnSu] [-B records] [-b blocksize] [-C cachesize]
[-D dumpdates] [-d density] [-f file] [-h level] [-s feet] [-T date]
dump -W | -w
rdump is an alternate name for dump.
(The 4.3BSD option syntax is implemented for backward compatibility, but
is not documented here.)
The dump utility examines files on a file system and determines which
files need to be backed up. These files are copied to the given disk,
tape or other storage medium for safe keeping (see the -f option below
for doing remote backups). A dump that is larger than the output medium
is broken into multiple volumes. On most media the size is determined by
writing until an end-of-media indication is returned. This can be
enforced by using the -a option.
On media that cannot reliably return an end-of-media indication (such as
some cartridge tape drives) each volume is of a fixed size; the actual
size is determined by the tape size and density and/or -B options. By
default, the same output file name is used for each volume after prompting
the operator to change media.
The file system to be dumped is specified by the argument filesystem as
either its device-special file or its mount point (if that is in a standard
entry in /etc/fstab).
The following options are supported by dump:
-0-9 Dump levels. A level 0, full backup, guarantees the entire file
system is copied (but see also the -h option below). A level
number above 0, incremental backup, tells dump to copy all files
new or modified since the last dump of any lower level. The
default level is 0.
-a ``auto-size''. Bypass all tape length considerations, and
enforce writing until an end-of-media indication is returned.
This fits best for most modern tape drives. Use of this option
is particularly recommended when appending to an existing tape,
or using a tape drive with hardware compression (where you can
never be sure about the compression ratio).
-B records
The number of kilobytes per output volume, except that if it is
not an integer multiple of the output block size, the command
uses the next smaller such multiple. This option overrides the
calculation of tape size based on length and density.
-b blocksize
The number of kilobytes per output block. The default block size
is 10.
-C cachesize
Specify the cache size in megabytes. This will greatly improve
performance at the cost of dump possibly not noticing changes in
the file system between passes. It is recommended that you
always use this option when dumping a snapshot. Beware that dump
forks, and the actual memory use may be larger than the specified
cache size. The recommended cache size is between 8 and 32
-c Change the defaults for use with a cartridge tape drive, with a
density of 8000 bpi, and a length of 1700 feet.
-D dumpdates
Specify an alternate path to the dumpdates file. The default is
-d density
Set tape density to density. The default is 1600BPI.
-f file
Write the backup to file; file may be a special device file like
/dev/sa0 (a tape drive), /dev/fd1 (a floppy disk drive), an ordinary
file, or `-' (the standard output). Multiple file names may
be given as a single argument separated by commas. Each file
will be used for one dump volume in the order listed; if the dump
requires more volumes than the number of names given, the last
file name will used for all remaining volumes after prompting for
media changes. If the name of the file is of the form
``host:file'', or ``user@host:file'', dump writes to the named
file on the remote host using rmt(8). The default path name of
the remote rmt(8) program is /etc/rmt; this can be overridden by
the environment variable RMT.
-h level
Honor the user ``nodump'' flag (UF_NODUMP) only for dumps at or
above the given level. The default honor level is 1, so that
incremental backups omit such files but full backups retain them.
-L This option is to notify dump that it is dumping a live file system.
To obtain a consistent dump image, dump takes a snapshot of
the file system in the .snap directory in the root of the
filesystem being dumped and then does a dump of the snapshot.
The snapshot is removed when the dump is complete. If the .snap
directory does not exist in the root of the filesystem being
dumped, the dump will fail. This problem can be corrected by
creating a .snap directory in the root of the filesystem to be
dumped; its owner should be root, its group should be operator,
and its mode should be 0770.
-n Whenever dump requires operator attention, notify all operators
in the group ``operator'' by means similar to a wall(1).
-S Display an estimate of the backup size and the number of tapes
required, and exit without actually performing the dump.
-s feet
Attempt to calculate the amount of tape needed at a particular
density. If this amount is exceeded, dump prompts for a new
tape. It is recommended to be a bit conservative on this option.
The default tape length is 2300 feet.
-T date
Use the specified date as the starting time for the dump instead
of the time determined from looking in the dumpdates file. The
format of date is the same as that of ctime(3). This option is
useful for automated dump scripts that wish to dump over a specific
period of time. The -T option is mutually exclusive from
the -u option.
-u Update the dumpdates file after a successful dump. The format of
the dumpdates file is readable by people, consisting of one free
format record per line: file system name, increment level and
ctime(3) format dump date. There may be only one entry per file
system at each level. The dumpdates file may be edited to change
any of the fields, if necessary. The default path for the
dumpdates file is /etc/dumpdates, but the -D option may be used
to change it.
-W Tell the operator what file systems need to be dumped. This
information is gleaned from the files dumpdates and /etc/fstab.
The -W option causes dump to print out, for each file system in
the dumpdates file the most recent dump date and level, and highlights
those file systems that should be dumped. If the -W
option is set, all other options are ignored, and dump exits
-w Is like -W, but prints only those file systems which need to be
Directories and regular files which have their ``nodump'' flag
(UF_NODUMP) set will be omitted along with everything under such directories,
subject to the -h option.
The dump utility requires operator intervention on these conditions: end
of tape, end of dump, tape write error, tape open error or disk read
error (if there are more than a threshold of 32). In addition to alerting
all operators implied by the -n key, dump interacts with the operator
on dump's control terminal at times when dump can no longer proceed, or
if something is grossly wrong. All questions dump poses must be answered
by typing ``yes'' or ``no'', appropriately.
Since making a dump involves a lot of time and effort for full dumps,
dump checkpoints itself at the start of each tape volume. If writing
that volume fails for some reason, dump will, with operator permission,
restart itself from the checkpoint after the old tape has been rewound
and removed, and a new tape has been mounted.
The dump utility tells the operator what is going on at periodic intervals
(every 5 minutes, or promptly after receiving SIGINFO), including
usually low estimates of the number of blocks to write, the number of
tapes it will take, the time to completion, and the time to the tape
change. The output is verbose, so that others know that the terminal
controlling dump is busy, and will be for some time.
In the event of a catastrophic disk event, the time required to restore
all the necessary backup tapes or files to disk can be kept to a minimum
by staggering the incremental dumps. An efficient method of staggering
incremental dumps to minimize the number of tapes follows:
+o Always start with a level 0 backup, for example:
/sbin/dump -0u -f /dev/nsa0 /usr/src
This should be done at set intervals, say once a month or once
every two months, and on a set of fresh tapes that is saved
+o After a level 0, dumps of active file systems (file systems
with files that change, depending on your partition layout some
file systems may contain only data that does not change) are
taken on a daily basis, using a modified Tower of Hanoi algorithm,
with this sequence of dump levels:
3 2 5 4 7 6 9 8 9 9 ...
For the daily dumps, it should be possible to use a fixed number
of tapes for each day, used on a weekly basis. Each week,
a level 1 dump is taken, and the daily Hanoi sequence repeats
beginning with 3. For weekly dumps, another fixed set of tapes
per dumped file system is used, also on a cyclical basis.
After several months or so, the daily and weekly tapes should get rotated
out of the dump cycle and fresh tapes brought in.
TAPE Device from which to read backup.
RMT Pathname of the remote rmt(8) program.
/dev/sa0 default tape unit to dump to
/etc/dumpdates dump date records (this can be changed; see the -D
/etc/fstab dump table: file systems and frequency
/etc/group to find group operator
chflags(1), fstab(5), restore(8), rmt(8)
Many, and verbose.
Dump exits with zero status on success. Startup errors are indicated
with an exit code of 1; abnormal termination is indicated with an exit
code of 3.
Fewer than 32 read errors on the file system are ignored, though all
errors will generate a warning message. This is a bit of a compromise.
In practice it is possible to generate read errors when doing dumps on
mounted partitions if the file system is being modified while the dump is
running. Since dumps are often done in an unattended fashion using
cron(8) jobs asking for Operator intervention would result in the dump
dying. However there is nothing wrong with a dump tape written when this
sort of read error occurs and there is no reason to terminate the dump.
Each reel requires a new process, so parent processes for reels already
written just hang around until the entire tape is written.
The dump utility with the -W or -w options does not report file systems
that have never been recorded in the dumpdates file, even if listed in
It would be nice if dump knew about the dump sequence, kept track of the
tapes scribbled on, told the operator which tape to mount when, and provided
more assistance for the operator running restore(8).
The dump utility cannot do remote backups without being run as root, due
to its security history. This will be fixed in a later version of
FreeBSD. Presently, it works if you set it setuid (like it used to be),
but this might constitute a security risk.
A dump utility appeared in Version 6 AT&T UNIX.
FreeBSD 5.2.1 March 1, 2002 FreeBSD 5.2.1


text:
Log InHelp for logging in, opens a new window
Welcome to Your New Catalog!
Here's what's new…
- Find what you want with a better search.
- Track your borrowing.
- Rate and review titles you borrow, and share your opinions on them.
- Get personalized recommendations.
Trouble logging in?
This is a Connected Library
If you already have an online account registered at Johnson County Library and The Kansas City Public Library, you can link your online accounts


text:
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text:
Browsing by Subject "Puarurus juvencus"
Now showing items 1-1 of 1
Corresponds to the general collection of the INFOR´s Library with bibliographic material from different publishers and institutions.
It contains the research carried out by INFOR on various sectorial topics.
It contains the articles published in the institutional scientific journal since 1987.
Access to other institutional repositories in the forestry and agriculture topics.
Now showing items 1-1 of 1
The Chilean Forestry Institute´s digital library provides information on the forestry sector in Chile and the world. This library has over than 21.000 titles compiled from the decade of the 60 onwards. Numerous studies are part of this large bibliographic collection, being part of the INFOR and the Chilean forestry sector historical heritage.
We invite you to access forestry knowledge from this platform.
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Email: firstname.lastname@example.com
Telephone: +562 2 2366 7116
For any related questions please contact:


text:
1:1 Paul, an apostle of Jesus Christ by the will of God, according to the promise of life which is in Christ Jesus,
1:2 To Timothy, my dearly beloved son: Grace, mercy, and peace, from God the Father and Christ Jesus our Lord.
1:3 I thank God, whom I serve from my forefathers with pure conscience, that without ceasing I have remembrance of thee in my prayers night and day;
1:4 Greatly desiring to see thee, being mindful of thy tears, that I may be filled with joy;
1:5 When I call to remembrance the unfeigned faith that is in thee, which dwelt first in thy grandmother Lois, and thy mother Eunice; and I am persuaded that in thee also.
1:6 Wherefore I put thee in remembrance that thou stir up the gift of God, which is in thee by the putting on of my hands.
1:7 For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.
1:8 Be not thou therefore ashamed of the testimony of our Lord, nor of me his prisoner: but be thou partaker of the afflictions of the gospel according to the power of God;
1:9 Who hath saved us, and called us with an holy calling, not according to our works, but according to his own purpose and grace, which was given us in Christ Jesus before the world began,
1:10 But is now made manifest by the appearing of our Saviour Jesus Christ, who hath abolished death, and hath brought life and immortality to light through the gospel:
1:11 Whereunto I am appointed a preacher, and an apostle, and a teacher of the Gentiles.
1:12 For the which cause I also suffer these things: nevertheless I am not ashamed: for I know whom I have believed, and am persuaded that he is able to keep that which I have committed unto him against that day.
1:13 Hold fast the form of sound words, which thou hast heard of me, in faith and love which is in Christ Jesus.
1:14 That good thing which was committed unto thee keep by the Holy Ghost which dwelleth in us.
1:15 This thou knowest, that all they which are in Asia be turned away from me; of whom are Phygellus and Hermogenes.
1:16 The Lord give mercy unto the house of Onesiphorus; for he oft refreshed me, and was not ashamed of my chain:
1:17 But, when he was in Rome, he sought me out very diligently, and found me.
1:18 The Lord grant unto him that he may find mercy of the Lord in that day: and in how many things he ministered unto me at Ephesus, thou knowest very well.
Created with FREE HTMLCompiler by BibleDatabase


text:
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A Tailored Pants that will fit you perfectly is a dream for everybody. We want to help you achieving that dream by creating your own Brown rustic Tweed pleated Slacks. We provide you with the design and you choose if you like it or if you want to change the details with our online configurator.
- Color: brown
- Fabric: Reque, Tweed
- Type of Fabric: Basic
- Season: Winter


text:
|UK Importers ,wholesalers and distributors of plastic model kits, jisaw puzzles, board games, embroidery, paints, tools and glues.
Product ranges we stock include AK Interactive, Cardinal Games, Castorland Jigsaws, Creative Educational Toys,
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Playbox, Popar 4D Puzzles, Revell, Shesto Tools, Trumpeter & Vallejo Acrylics
Suppliers to the UK model and hobbies, toys and games, art and craft trades.
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|Monday 11 December, 2023
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text:
Josee Pasian
direct (613) 795-1212
The trade marks displayed on this site, including CREA®, MLS®, Multiple Listing Service®, and the associated logos and design marks are owned by the Canadian Real Estate Association. REALTOR® is a trade mark of REALTOR® Canada Inc., a corporation owned by Canadian Real Estate Association and the National Association of REALTORS®. Other trade marks may be owned by real estate boards and other third parties. Nothing contained on this site gives any user the right or license to use any trade mark displayed on this site without the express permission of the owner.
powered by WEBKITS


text:
Former seven-time national champion follows Koppenberg success with Euro title
National champion Nikki Harris takes silver; Gabby Durrin also in top ten
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text:
Our editor-in-chief Nate Yapp is proud to have contributed to the new book Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks, edited by Aaron Christensen. Another contributors include Anthony Timpone, B.J. Colangelo, Dave Alexander, Classic-Horror.com's own Robert C. Ring and John W. Bowen. Pick up a copy today from Amazon.com!
Madge Bellamy
This filmography only lists films reviewed on Classic-Horror.com and is provided as a service. No connection with the subject of this page should be inferred.
Horror Movies as Actor
|White Zombie


text:
8 Santa Teddy Bears silicone chocolate / cookie baking mould.
This mould makes the cutest set of chocolates which make a stunning gift set ideal for any child. Simply pour in your tempered chocolate, allow to set and then pop out.
The small size chocolates are also ideal as cupcake toppers and hanging Christmas tree decorations, whereas the large mini slab bar makes a super novelty gift in it's own right
Overall mould size 250mm x 125mm (approx 10" x 4")This mould makes 4 of each design. Each bear measures approx 50mm high / wide
All measurements given are approximate.
Like all our silicone bakeware molds, these are made from 100% food grade silicone
They are suitable for use in the oven, microwave, dishwasher and freezer from -60deg C to +260deg C
Although this mould was designed for use with chocolate, it can be used with many other materials such as hard / boiled candy, soap, resin, wax, ice, concrete and other mediums.
We endeavour to try and dispatch all orders placed before 12noon on the same working day.Shipping options available to you will be shown at checkout.Free shipping within the UK is available on small orders £25 and above by second class post and larger orders over £50 to mainland UK (Excluding Highlands and Islands) by courier.DELIVERY TIMES
1st Class post - UK, an average of 1 > 2 working days from dispatch2nd Class post - UK, an average of 2 > 4 working days from dispatch------------------------------------------------------------------------------------Economy Courier, to UK Highlands and Islands - an average of 3 > 5 working days from dispatchNext Working Day Courier - next working day from dispatch (note - must order by 12 noon or confirm by phone)
Air Mail to Europe, an average of 7 > 14 daysCourier Parcels to Europe - average of 2 > 7 days--------------------------------------------------------------------------------------Air Mail to Rest of World, an average of 7 > 21 days (can be very variable depending on location) - 2kg maximumPlease note - Parcels to Rest of World over 2kg need to be manually packed, measured and weighed before shipping costs can be obtained.RETURNSReturns of unwanted items are only accepted if goods are in new, unused condition, in original packaging and fit for resale. Please return within 14 days of purchase. Shipping costs are not refundable. Statutory rights are not affected.
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text:
Cote Noire
Cote Noire Perfumed Natural Touch Rose Bud - Clear - Carmine Red - GMR44
Taking inspiration from provincial village life, we have created a range of full-bodied fragrances combining patisserie favourites with succulent fruits & florals.
The fragrances in the Cote Noire range take inspiration from the idyllic Charente countryside with each scent striving to capture a portrait of traditional French life.
The fragrances encompass patisserie favourites, fragrant teas, succulent fruits and enticing florals.
The flowers have been skilfully hand crafted & uses a special, natural coating to give every petal a life like touch & appearance.
Each petals have been infused with fine fragrance & the arrangement includes a Rose Petal perfume spray inside the box.
Available Perfumed Flowers Range:
Available Colours:
- Ivory White
- Pink Blush
- French Pink
- White Peach
- Carmine Red
Enclosed Fragrance
Rose Petal: Young and fragrant rose petals warmed by the afternoon sun. Top notes of pink rose layered with notes of peony and iris. A fresh, innocent scent tamed with lingering notes of hibiscus.
Product Specifications: Click Here


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Welcome to our website! As we have the ability to list over one million items on our website (our selection changes all of the time), it is not feasible for a company our size to record and playback the descriptions on every item on our website. However, if you have a disability we are here to help you. Please call our disability services phone line at (214) 638-2681 during regular business hours and one of our kind and friendly personal shoppers will help you navigate through our website, help conduct advanced searches, help you choose the item you are looking for with the specifications you are seeking, read you the specifications of any item and consult with you about the products themselves. There is no charge for the help of this personal shopper for anyone with a disability. Finally, your personal shopper will explain our Privacy Policy and Terms of Service, and help you place an order if you so desire.
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Capital Distributing in Dallas, TX is an authorized dealer of KitchenAid Products. KitchenAid is an American home appliance brand owned by Whirlpool Corporation. The company was started in 1919 by The Hobart Corporation to produce stand mixers; the "H-5" was the first model introduced. The company faced stiff competition as rivals moved into this emerging market, and introduced its trademarked silhouette in the 1930s with the model "K", the work of designer Egmont Arens. The brand's stand mixers have changed little in design since, and attachments from the model "K" onwards are compatible with the modern machines. Dishwashers were the second product line to be introduced, in 1949.
In 1985, the company purchased the Chambers Company to incorporate its range of cookers into the KitchenAid brand. Refrigerators were added to the product line later in 1986. KitchenAid began manufacturing blenders and other small appliances in the mid-1990s. The brand was further promoted by sponsoring the PBS show Home Cooking, and by introducing the mixers to television chefs such as Julia Child and Martha Stewart.
So if you are looking for KitchenAid products in Dallas, Ft Worth, Southlake, Colleyville, Highland Park, University Park, Plano, Carrollton, Allen, Richardson and Irving, or if you have any questions about KitchenAid products, please feel free to call us at (214) 638-2681 or simply stop by Capital Distributing at any time and we would be glad to help you.


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This is meant to be a long running topic . The rules are simple and there are a zillion songs out there, so lets see what we can do with this.
You start with a song title. Let's use Love in an Elevator - Aerosmith
You look at that title, pick out one word from it and find a new song title with that word in it,( example, In & Out of Love - Bon Jovi) then post the new title as your post. The next person follows. See easy
So lets give it a try. My title is Love in an Elevator - Aerosmith.
@jd33635896 wrote:
Yesterday When I was Young... Roy Clark
Yesterday Today and Tomorrow Small Faces
@LookOverYonder wrote:
Papa's Got A Brand New Bag James Brown
Brand New Key Melanie
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From soft jazz to hard rock - discover music's mental, social and physical benefits. Learn more.


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Fairing Vintage Cafe Racer
Back Seat - MXPVCR6474
Fairing Racing and Road Production, with Painting Service and Adhesives
Fairing Vintage Cafe Racer compatible with Ducati 900 SS NCR 1978
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All you need to do is enter your car registration or details, select Car Parts from the list of parts available or type in the part description yourself,& compare the quotes, accept the quote you want, and the part is delivered to your door. It is a quick and easy route to NO OBLIGATION quotes. Phone, Email, or Text quotes can be arranged, no problem.
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