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Support Scott Lively
Our Mission
Dr. Scott Lively has advocated and modeled the Biblical worldview as a writer, speaker, attorney, pastor, human rights consultant, and missionary for more than 30 years on five continents.
This website is devoted to converting Scott's extensive and growing catalogue of books, articles, commentaries, interviews, and other materials into accessible free resources for use by those who share the goal of restoring a Judeo-Christian consensus in America and advancing the Biblical worldview around the globe.
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text: By David Crane defrev (at) gmail (dot) com All photos contained in this article were taken by DefenseReview.com, and are copyrighted. DefenseReview.com owns the copyright on these photos. The photos were shot with a Canon PowerShot S90 10-megapixel digital camera (still camera with video capability). February 15, 2010 We here at DefenseReview make no secret of being big fans of …Read More »


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Friday, June 29. 2012
Why the UK Should Not Heed the Finch Report
Materials You Are Invited To Use To Promote OA Self-Archiving:
The American Scientist Open Access Forum has been chronicling and often directing the course of progress in providing Open Access to Universities' Peer-Reviewed Research Articles since its inception in the US in 1998 by the American Scientist, published by the Sigma Xi Society.
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You can sign on to the Forum here.
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Document Feedback
You have accessed the document feedback interface. This interface allows you to provide feedback regarding the document listed below. Feedback collected via this interface will be sent to the document author to inform the next scheduled review of the document.
Please note, this interface is not to be used for enquiries. General enquiries and/or requests for assistance should be directed to the Enquiries Contact noted on the Status and Details page. You can access that page using the link in the above menu (located just under the page banner).
Document Title
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Vicky Baxter-Wright


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Standard Test Method for
Rebound Number of Hardened Concrete1
This standard is issued under the fixed designation C 805; the number immediately following the designation indicates the year of
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This standard has been approved for use by agencies of the Department of Defense.
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Opel Navigation System Product
CD70 Europe
Map data collected by HERE at the Q4/13.
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- Austria
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On business days, orders placed before 3.00pm Central European Time will be processed and shipped that same day. Same day shipping is also dependent on stock availability and the successful receipt of payment or credit card authorization. Note: If you place an order during the weekend, it will be shipped the next business day.
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0031 555 384 245 (not toll free)


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Collins Mini Gem Norwegian-Czech & Czech-Norwegian Dictionary is an up-to-date, easy-reference dictionary, ideal for learners of Norwegian and Czech of all ages. The dictionary covers about 10,000 words from each language with Collins pre-recorded audio pronunciation for each word.
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A tropical rainforest climate, also known as an equatorial climate, is a tropical climate usually (but not always) found along the equator. Tropical rainforest climate is a type of tropical climate in which there is no dry season - all months have mean precipitation values of at least 60 mm (2.36 in). Tropical rainforest climates have no pronounced summer or winter; it is typically hot and wet throughout the year and rainfall is both heavy and frequent. One day in an equatorial climate can be very similar to the next, while the change in temperature between day and night may be larger than the average change in temperature between "summer" and "winter".
The K�ppen Climate Classification subtype for this climate is "Af". (Tropical Rainforest Climate).
The average temperature for the year in Calcutta is 78.0°F (25.6°C). The warmest month, on average, is August with an average temperature of 80.0°F (26.7°C). The coolest month on average is January, with an average temperature of 77.0°F (25°C).
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The XSetRGBColormaps function replaces the RGB colormap definition in the specified property on the named window. If the property does not already exist, XSetRGBColormaps sets the RGB colormap definition in the specified property on the named window. The property is stored with a type of RGB_COLOR_MAP and a format of 32. Note that it is the caller's responsibility to honor the ICCCM restriction that only RGB_DEFAULT_MAP contain more than one definition.
The XSetRGBColormaps function usually is only used by window or session managers. To create a standard colormap, follow this procedure:
- Create a colormap (unless you are using the default colormap of the screen).
- Determine the color characteristics of the visual.
- Allocate cells in the colormap (or create it with AllocAll).
- Call XStoreColors to store appropriate color values in the colormap.
- Fill in the descriptive members in the XStandardColormap structure.
- Attach the property to the root window.
- Use XSetCloseDownMode to make the resource permanent.
XSetRGBColormaps can generate BadAlloc, BadAtom, and BadWindow errors.
The XGetRGBColormaps function returns the RGB colormap definitions stored in the specified property on the named window. If the property exists, is of type RGB_COLOR_MAP, is of format 32, and is long enough to contain a colormap definition, XGetRGBColormaps allocates and fills in space for the returned colormaps and returns a nonzero status. If the visualid is not present, XGetRGBColormaps assumes the default visual for the screen on which the window is located; if the killid is not present, None is assumed, which indicates that the resources cannot be released. Otherwise, none of the fields are set, and XGetRGBColormaps returns a zero status. Note that it is the caller's responsibility to honor the ICCCM restriction that only RGB_DEFAULT_MAP contain more than one definition.
XGetRGBColormaps can generate BadAtom and BadWindow errors.
/* Hints */
0 0>=40 .vs 0u 0<=39 .vs 0p typedef struct { Colormap colormap; unsigned long red_max; unsigned long red_mult; unsigned long green_max; unsigned long green_mult; unsigned long blue_max; unsigned long blue_mult; unsigned long base_pixel; VisualID visualid; XID killid; } XStandardColormap;
The colormap member is the colormap created by the XCreateColormap function. The red_max, green_max, and blue_max members give the maximum red, green, and blue values, respectively. Each color coefficient ranges from zero to its max, inclusive. For example, a common colormap allocation is 3/3/2 (3 planes for red, 3 planes for green, and 2 planes for blue). This colormap would have red_max = 7, green_max = 7, and blue_max = 3. An alternate allocation that uses only 216 colors is red_max = 5, green_max = 5, and blue_max = 5.
The red_mult, green_mult, and blue_mult members give the scale factors used to compose a full pixel value. (See the discussion of the base_pixel members for further information.); For a 3/3/2 allocation, red_mult might be 32, green_mult might be 4, and blue_mult might be 1. For a 6-colors-each allocation, red_mult might be 36, green_mult might be 6, and blue_mult might be 1.
The base_pixel member gives the base pixel value used to compose a full pixel value. Usually, the base_pixel is obtained from a call to the XAllocColorPlanes function. Given integer red, green, and blue coefficients in their appropriate ranges, one then can compute a corresponding pixel value by using the following expression:
0 0>=40 .vs 0u 0<=39 .vs 0p (r * red_mult + g * green_mult + b * blue_mult + base_pixel) & 0xFFFFFFFF
For GrayScale colormaps, only the colormap, red_max, red_mult, and base_pixel members are defined. The other members are ignored. To compute a GrayScale pixel value, use the following expression:
0 0>=40 .vs 0u 0<=39 .vs 0p (gray * red_mult + base_pixel) & 0xFFFFFFFF
Negative multipliers can be represented by converting the 2's complement representation of the multiplier into an unsigned long and storing the result in the appropriate _mult field. The step of masking by 0xFFFFFFFF effectively converts the resulting positive multiplier into a negative one. The masking step will take place automatically on many machine architectures, depending on the size of the integer type used to do the computation,
The visualid member gives the ID number of the visual from which the colormap was created. The killid member gives a resource ID that indicates whether the cells held by this standard colormap are to be released by freeing the colormap ID or by calling the XKillClient function on the indicated resource. (Note that this method is necessary for allocating out of an existing colormap.);
The properties containing the XStandardColormap information have the type RGB_COLOR_MAP.
Table of Contents


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Testing page.
Battle #39
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Comments: Maneely, Romita
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Between March 5th and April 2nd, 1966, "The Ballad of the Green Berets," an RCA single by Special Forces soldier Barry Sadler, was the No. 1 song on the U.S. Billboard pop music charts. The song, whose record sleeve is shown at right, commemorated the fighting men of the U.S. Special Forces then doing battle in the Vietnam War.
"The Ballad of the Green Berets" became a monster hit, selling more than two-million copies in its first five weeks of release. The song spent five weeks at No. 1, and on some lists it was also rated the top single for the entire year of 1966.
Sadler's Green Berets tune rose to the top of the music charts at a time when America's pop music scene was dominated mostly by rock, soul, and various British groups. Among those with top hits at the time were the Mamas & the Papas, The Association, The Supremes, The Four Tops, The Lovin' Spoonful, the Beatles, the Rolling Stones, and others. The arrival of "The Ballad of the Green Berets" on the American music scene also came at time when American involvement in the Vietnam War had popular support – before mainstream opposition to the Vietnam War had taken hold. More on that later.
There's more to this story, however, than just the music. Some politics are involved, a paperback book, additional music, and a Hollywood film. Two of the 1960s most famous politicians – John F. Kennedy and Robert F. Kennedy were involved, and so was legendary Hollywood actor, John Wayne. This story may also hold some parallels for the Navy SEALs who took out Osama bin Laden in 2011, as similar cultural attention will surely follow them in the wake of their success. What is covered below, however, is primarily about the 1960s' Green Beret "moment" in popular culture. First, a little history.
JFK & Green Berets
The U.S. Army Special Forces was created in 1952, and like today's elite forces, it was kept in somewhat low profile. By 1961, however, newly elected President John F. Kennedy became interested in using the Special Forces to help challenge Communist influence, bolster pro-American regimes, and to counter guerrilla fighters in Vietnam. In May 1961, Kennedy sent 400 American Green Beret "special advisers" to South Vietnam to train South Vietnamese soldiers in "counter-insurgency" to fight Viet Cong guerrillas. The Green Berets would also help establish remote outposts made up of fierce mountain fighters known as the Montagnards, to help thwart North Vietnamese infiltration.Kennedy was also influential in pushing the official adoption and wearing of the green beret by Special Forces units. Preparing for an October 12, 1961 visit to the Special Warfare Center at Fort Bragg, North Carolina, Kennedy sent word to the center's commander, Brigadier General William P. Yarborough, that all Special Forces soldiers should wear the beret as part of their uniform. Kennedy felt that since they had a special mission, the Special Forces units should have something to set them apart. In 1962, he called the green beret "a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom." (In 2012, the JFK-Yarborough meeting was commemorated with a statue of the two men at the U.S. Army John F. Kennedy Special Warfare Center and School at Fort Bragg. The statue was commissioned by Ross Perot).
In November 1963, after Kennedy was assassinated, Special Forces troopers wearing their green berets formed part of Kennedy's funeral honor guard. A Green Beret soldier in the Kennedy funeral detail later placed a green beret on Kennedy's gravesite, which became a famous photo. The Green Berets, meanwhile, were soon to receive more prominent mainstream cultural attention following publication of a popular book in 1965, which was then followed by some Green Beret music in 1966-67, and a Hollywood film in 1968.
But in 1965 and 1966, American public opinion on the Vietnam War had not yet turned against U.S. involvement there – nearly 60 percent of Americans in one March 1966 Gallup poll felt that sending troops to Vietnam was not a mistake. Anti-war demonstrations and college protests had begun, but had yet to affect broader, mainstream public opinion. That would change, however, and change most decidedly after the Tet offensive in Vietnam in 1968, when American public opinion began shifting the other way, helping convince President Lyndon Johnson not to run for reelection. But in 1965-66, most Americans still supported U.S. involvement in Vietnam. It was in this climate that the American military, and the Green Berets in particular, would enjoy a period of popularity and public support.
The BookRobin Moore of Boston, Massachusetts had flown some combat missions over Germany during the closing days of World War II. After returning to the States and graduating from Harvard in 1949, he helped produce a few television shows in New York. Then he went to work in Boston for the Sheraton Hotel chain, a company co-founded by his father. Moore was also writing novels at the time, and had published a few without great notice.
In 1963, Moore became interested in writing about the U.S. Special Forces, and wanted to get up close and personal with the units in Vietnam. The Army, however, was not keen on the idea. But Moore had been a friend in former Harvard classmate Robert F. Kennedy, then U.S. Attorney General.
Kennedy made it possible for Moore, 38 years old, to join the Special Forces as a civilian. The Army agreed on condition that Moore go through Airborne and Special Forces training before he could join Special Forces in South Vietnam. Moore completed the training and went to Vietnam, living with Special Forces units there to get the material he needed for his book.
In 1965, Moore published The Green Berets as fiction since he had covered some sensitive material about America's presence in North Vietnam and Cambodia. The Army, in any case, was still not happy with Moore's book."The Green Berets has stirred a fuss in Washington," wrote Hanson W. Baldwin in a New York Times review of the book. "The official objection to the book apparently is that it is too close to fact." Others praised the book for its true grit. A St. Louis Post Dispatch reviewer wrote: "Almost unbearably real and vivid… An honest book, one that respects the individuals in it, and never loses sight of the larger issues and implications of the struggle." The London Sunday Telegraph described it as, "One of the most exciting war books of recent years… gives the first intelligible account of what is going on in Vietnam."
Readers of Moore's book found it to be fact-based while reading like a fast-paced thriller. He included stories of Green Berets defending remote outposts against over- whelming odds; one account of a lone Green Beret who "went native" fighting with local Laotian tribesmen; and another of Green Berets recruiting a beautiful Vietnamese woman to help lure and capture a Viet Cong Colonel.
The hardback edition of The Green Berets appeared in May 1965 and it became a best-seller, followed by an even more successful paperback version in 1966. Some paper- back versions of the book by Avon used a photo of Green Beret balladeer, Barry Sadler on the cover. The book would go on to sell millions of copies. In fact, Moore was quoted in the press in early March 1966 saying the reason Americans had then bought nearly 3 million copies of his book was because of the need for a "hero image" in the confusing Vietnam War situation. Moore, who would go on to write other books on the Special Forces and other topics, including The French Connection, also wrote a 1965 newspaper comic strip under the title, Tales of the Green Beret, which was also published in paperback book form. Dell Publishing would also issue a "Green Berets" comic book a few years later.
The BalladAt about the time Moore's book began its climb on the best-seller list, something else happened to elevate Green Beret lore and also help give Moore's book an additional boost.
A Special Forces Staff Sergeant named Barry Sadler, while leading a patrol in Vietnam in 1965, was injured in a jungle booby trap (punji sticks treated with feces). Sadler's leg became badly infection and he nearly had it amputated.
During his recuperation, Sadler, who had been aspiring musician prior to the war, sang and wrote songs, sometimes performed for the other wounded soldiers in the hospital. Sadler also submitted one of his songs – a 12-verse epic military ballad – to music publishers. This ballad made its way in printed form to The Green Berets book author Robin Moore, who worked with Sadler to cut his original song down to a shorter length suitable for pop radio play (Moore's name appears with Sadler's on the recording).Sadler recorded the song himself in late 1965, and it had limited distribution at first, only within the military, where it became quite popular. Another report includes an account of a TV news crew filming Sadler during his hospital stay singing "The Ballad of the Green Berets" to fellow patients. When this TV news segment was aired, Sadler gained increased public notice. RCA, in any case, signed Sadler to a recording contract, re-recorded and released his single, and also recorded a full-length album, Ballads of the Green Berets, which was released in early 1966. Sadler debuted "The Ballad of the Green Berets" on the nationally-televised Ed Sullivan Show of January 30, 1966, viewed by millions.
"Ballad Of The Green Berets"
Fighting soldiers from the sky
Silver wings upon their chest
Trained to live, off nature's land
Silver wings upon their chest
Back at home a young wife waits
Put silver wings on my son's chest
Within two weeks of its major-label release, "The Ballad of the Green Berets" had sold more than a million copies. Sadler and his song also received favorable coverage in Life, Time, Newsweek, Variety, Billboard and Cash Box magazines. The song became one of RCA's fastest-selling ballads ever, with only some of Elvis Presley's 1950s songs doing better. The song also became Billboard magazine's No. 1 single for all of 1966. Sadler's album of Green Beret ballads topped the charts as well.
"The Ballad of the Green Berets" was a top hit during a time when British rock groups, led by the Beatles and the Rolling Stones, dominated the charts. At least one chart historian and analyst, Fred Bronson, ranking top 100 hits year-by-year in the book, Billboard's Hotest 100 Hits, puts "The Ballad of The Green Berets" at No. 2 for 1966, ahead of such well-known songs from that year including: "We Can Work It Out" by the Beatles, "Cherish" by the Association, "Good Vibrations" by the Beach Boys, and "Monday Monday" by the Mamas & the Papas. Only "I'm A Believer" by the Monkees was ranked higher by Bronson as the year's top song. As mentioned above, Billboard magazine ranked "The Ballad of The Green Berets" as the top song for 1966. On another list, the song was also ranked as the No.21 song, by sales, for the entire decade of the 1960s. The song is also heard, as a choral version, in the 1968 John Wayne film The Green Berets, which was based on Robin Moore's book. More about the film follows below. There was also a children's album titled, The Story of the Green Beret, released by Hanna-Barbera Records. This recording was available to members of the G.I. Joe club, as the album was also a "tie-in" for a G.I. Joe Green Beret "action figure" that appeared in 1966.Sadler, meanwhile, had other TV appearances, too – on The Jimmy Dean Show, NBC's Home Front, and Martha Raye's ABC-TV Hollywood Palace program. On Martha Raye's show, Sadler received two industry gold records – which marked sales of one million copies each for both the single and the album.
Sadler also had a second minor hit with a follow-up single, "The 'A' Team." Two more albums were produced as well: Back Home in 1967 and The 'A' Team album in 1968.
In addition to his music, Sadler published an autobiography, I'm a Lucky One, which was reportedly dictated to author Tom Mahoney. Robin Moore wrote an introduction for this book, which was published by MacMillan in 1967.
Sadler, meanwhile, became a symbol of American patriotism in a turbulent era. His songs, however, didn't really make political or social statements, only praise for the Green Berets and patriotic sentiments, which proved to have wide appeal. In one July 1966 interview with Beat magazine, published by Los Angeles radio station KRLA, Sadler did offer some comments on the times and his musical preferences. He acknowledged that he wasn't particularly fond of rock 'n roll music, calling it loud and not his style. He preferred ballads and country music.
Sadler told KRLA writer John Michaels that he disapproved of Vietnam War protests and the burning of draft cards. He said such actions had provided part of the motivation for writing his "Ballad of the Green Berets," a song that was also popular in communist East Germany, where it was banned.
Beat magazine also noted that Sadler accepted no fees, or gave such fees to charity, when he traveled around the country performing in uniform with the Army. However, on private tours in civilian clothes, plus his recording income, Sadler was then making an estimated $500,000 in earned income. Sadler joined the USO tour for a time, but he would fade from the music scene and move on to other endeavors.And by 1967, the music had changed as well, as more songs were turning toward protesting the war. In January 1967, a Stephen Stills song by the singing group Buffalo Springfield was released using the title "For What It's Worth," also known from part of its verse as, "Stop, Children, What's That Sound?" That song became something of an anti-war anthem, as did any number of others expressing the general angst of the times, some with specific anti-war and/or peace themes.
Protest music had been in the air before and after Sadler's "Green Berets" tune – including some songs by Joan Baez and Bob Dylan, as well as others such as Barry McGuire's "Eve of Destruction" dating to July 1965. There is, in fact, quite a cannon of protest music that came out at that time, as well as songs with patriotic themes and/or pro-military sentiments.
"The Ballad of the Green Berets," in any case, was certainly one of the more prominent examples of patriotic music in that era. It was a song that hit the times and the public sentiment at just the right moment, with lyrics and appeal that made it a top hit and a giant commercial success, and certainly part of that period's cultural milieu.
The FilmThe final part of the Green Beret culture-fest in the 1965-1968 period came with the Hollywood film, The Green Berets, which also used a choral version of the Barry Sadler song. Interest in making a Holly- wood movie on the Green Berets began when Columbia Pictures purchased the film rights to Robin Moore's book even before the book was published. The idea initially was to develop a story around the training of a Special Forces team and their deployment in Southeast Asia. However, Columbia dropped the project after the U.S. Army put a number of conditions on the making of the film, plus the fact that public disfavor with the Vietnam War was then growing. Still, another producer, David L. Wolper, purchased the film rights, but he backed out as well, much for the same reasons. Wolper later did produce The Devil's Brigade in 1968, a film that also depicted Special Forces soldiers. Then came John Wayne. Wayne had gone to South Vietnam in 1965, and had thought then about a film to honor the Special Forces men fighting there. By then, Wayne already had a long history as an anti-communist. In the 1950s he had joined Clark Gable,Walt Disney, James Stewart and other entertainers to aid the House Un-American Activities Committee in investigating alleged Communists working in the film industry. He joined political organizations like the Motion Picture Alliance for the Preservation of American Ideals to support causes he deemed worthy. He also played film roles which fit his political beliefs such as that in the 1952 film Big Jim McLain.
In the 1960s, Wayne was bothered by the social unrest and rising protest over the war, and by 1966-67, he had purchased the film rights to Moore's Green Berets book. In 1967, he then wrote U.S. President Lyndon Johnson requesting military assistance to do the film. Jack Valenti, an adviser to Johnson, told the President, "Wayne's politics are wrong, but if he makes this film he will be helping us." Wayne would later tell Variety magazine,"I think our picture will help reelect LBJ because it shows that the war in Vietnam is necessary."
– John Wayne "I think our picture will help reelect LBJ because it shows that the war in Vietnam is necessary." Wayne was then still a prominent Hollywood movie star, having recently appeared, for example, in two World War II films — The Longest Day in 1962 and In Harms Way of 1963. But Wayne still had trouble getting his Green Berets film into production. The Army would not allow Robin Moore, The Green Berets author, to work on or be associated with the film. (However, in the end, the film was still advertised in ways that referenced the book). In addition, Universal Pictures and Paramount Pictures would not film the movie, and Wayne's preferred film composer refused to work on the project as well. But Wayne, a conservative and strong anti-communist, was determined to make a pro-war film. He finally used his own money and production company to make the film. Wayne, also the film's director, shot much of The Green Berets in the summer of 1967 at Fort Benning, Georgia. The U.S. Army provided several helicopters and a light transport for use in the film, while the U.S. Air Force also supplied two C-130 transports. Authentic uniforms and jungle fatigues were also supplied to the actor by the U.S. Army. Warner Brothers released the film on the 4th of July, 1968, but Wayne had attended an earlier special premier in Atlanta on June 25, 1968.
Although The Green Berets made money for Warner Brothers, John Wayne reportedly lost "a small fortune" on the project. And that wasn't all. Critics savaged the film. Wayne, who was sometimes known as "America's soldier" from his many fine WWII film roles, was roundly criticized for an "errant sense of patriotism" and worse in the film. In 1968, evening news TV broadcasts of the war contrasted sharply with John Wayne's film version of the Green Berets. Many viewed his film as propaganda and an oversimplification of the Green Berets story and covert military operations in Southeast Asia. And certainly by mid-1968, evening news TV broadcasts of the Vietnam War had been exposing Americans to the horrors of that war for months. These broadcasts contrasted sharply with Wayne's film version, which many saw as romantic, "gung-ho," and out of touch with the realities of the Vietnam conflict. By then, the anti-war movement was also much stronger. In fact, at the film's opening in New York, Los Angeles, Paris, and London, demonstrations were held. Still, the controversy was believed to have helped the film. Wayne's film had also arrived right the middle of one of America's most turbulent and contentious political seasons – the 1968 presidential elections, infused primarily by the Vietnam War. Sitting Democratic president Lyndon Johnson, wounded badly by the war, had surprised his party by deciding not to run for re-election in March of that year. And Democratic candidate Robert F. Kennedy would be assassinated the night of his California primary victory, June 5th, 1968. In August of that year came the raucous and bloody Democratic National Convention in Chicago. John Wayne by then was a supporter of Republican candidate Richard M. Nixon and would speak at the Republican National Convention that August in Miami, Florida. As for The Green Berets film, nearly twenty years later in 1986, Oliver Stone, who had served in Vietnam, would make the film Platoon, which for many viewers presented a more realistic portrayal of the Vietnam War and American involvement there. John Wayne, meanwhile, returned to acting and starred in another 1968 film that fall, Hellfighters, about oil well fire-fighter Red Adair. In 1969, Wayne would win the Best Actor oscar for his role in True Grit.
In Pop Culture
The 1965-1968 surge of popular interest in the Green Berets and Special Forces wasn't the first or the last time such interest would occur in American culture. It was, however, one of the most intense and wide-ranging such episodes, rising to fad proportions in some cases, including not only the book, music and film already reviewed, but also newspaper comic strips and comic books, action figures and toys, "Men of the Green Berets" trading cards, other Green Beret songs ( Nancy Ames' "He Wore The Green Beret,"1966), and one or two other movies or TV shows that used or made reference to Green Beret characters. Prior to Robin Moore's first book in 1965, which kicked off the 1960s surge, there had been only snippets of Green Beret reference and image in TV shows, toys, and other venues. And as the public disenchantment over the Vietnam War grew, the Green Berets went out of favor in the late 1960s and 1970s. However, they would return in popular culture in the 1980s with Sylvester Stallone and the "Rambo" movie franchise. That film series got its start in 1982 with the film First Blood (based on the 1972 David Morrell novel of that name), which introduced the John Rambo character, a Special Forces soldier who has a hard time adjusting to civilian life after his Vietnam tour of duty. In the 1982-2008 period, the Rambo series and its tie-in products became highly successful, with four films to date. And there have been various other TV shows and films that have also referenced or featured Special Forces characters.
Robin Moore, author of The Green Berets book in 1965, would return to Special Forces writing with other books in later years on global terrorism and Special Forces operations in Afghanistan and Iraq. In 2003, he published The Hunt for Bin Laden, an account of how a vastly outnumbered U.S. Army Special Forces unit in Afghanistan in late 2001, working alongside the Northern Alliance, were able to overcome a force of nearly 100,000 entrenched al-Qaida and Taliban. This book also became a New York Times best seller. It was followed in 2004, by Hunting Down Saddam: The Inside Story of the Search and Capture, which covered some crucial operations in the Iraq war.
At the age of 78, Moore had gone to Iraq and followed a Special Operations task force there working with Kurdish armed forces, as well another task force group that was infiltrating southern Iraq. This book also covered some infantry operations at Tikrit and Saddam Hussein's capture outside Tikrit. Critics felt the book contributed knowledgeable portrayals of Special Forces work in Iraq and how Special Ops were being integrated with regular units.Barry Sadler, meanwhile, who rose to heights of fame and fortune with his Green Berets song in 1966, disappeared from the music scene a few years after his initial success. However, he went on to publish a series of paperback books – called the Casca series – focused on the life and continuing adventures of Casca Rufio Longinus, a soldier in the Roman legions. Casca is cursed to immortality by Jesus Christ for driving a spear into him at his crucifixion on Calvary or Golgotha outside the ancient city of Jerusalem. He is thereafter doomed to wander the Earth aimlessly, always as a soldier. Sadler ended up writing some 22 of the Casca novels between 1979 and 1989, a series later continued by other authors. Sadler was also an occasional contributor to Soldier of Fortune magazine. At one point in the late 1970s, however, Sadler was convicted of voluntary manslaughter for shooting another person in a dispute over a woman, but after appeal, and due to circumstances in the case, his sentence was reduced to time served, which at the time was less than month. Sadler moved to Guatemala City in the mid-1980s, but was shot in the head in a taxi in 1988 under less than fully explained circumstances and never fully recovered. Friends from Soldier Of Fortune magazine had him hospitalized in the U.S., where he remained in a coma for several months. He died at the Alvin C. York Medical Center in Murfreesboro, Tennessee in November 1989. Barry Sadler was 49 years old. The Green Berets, meanwhile, have remained a subject of more serious media attention in recent years. In 2007, the Pentagon allowed the National Geographic Channel to chronicle the lives of Green Beret Special Forces in Afghanistan for ten days. National Geographic filmed a division of the U.S. Army Special Forces charged with protecting local civilians from the Taliban. Part of the film, entitled Inside The Green Berets, shows Green Berets at work at a remote outpost in south-central Afghanistan known as Firebase Cobra. The documentary film was released in November 2007 as a DVD and is also available at the National Geographic Channel and website.
In October 2008, an explanatory and promotional Green Beret film, entitled Why We Fight Now, was released by the U.S. Army, in part, to help explain counterinsurgency and the new kind of war being fought in Afghanistan. Initially, this film was co-produced by Frank Capra Jr. (who died just as the film was being completed). Capra's father, famed Hollywood filmmaker Frank Capra, had also done a World War II film series for the U.S. War Department titled, Why We Fight. The 2008 version features Green Berets talking about their service and responsibilities in the new era of fighting. The film is directed by Mark Benjamin, a 62-year-old Manhattan filmmaker whose life was altered by the 9/11 terrorist attacks. "I've always been anti-war and never thought I would ever work for the military," Benjamin has stated about his latest project. "Because of Sept. 11," he explained, "I became this liberal hawk. My own political perspective on global conflicts, democracy, capitalism, human rights — everything changed. I certainly became more militant. I think we should go after terror wherever it is, you know. I support that." Why We Fight Now was broadcast on the Armed Forces network on September 11, 2008, and the Army was also then considering a broader release. Versions of the film can be downloaded online, and clips can also be found through Google query or on You Tube.
Also of possible interest at this website are the following stories: "The Saddest Song," which features, in part, a section on Oliver Stone's 1986 Vietnam War film, Platoon; "Kennedy History, 1954-2013," a topics page of additional stories on JFK and other Kennedys; two stories on the 1968 presidential campaign – one each on the Democrats and Republicans that year; and, "Four Dead in O-HI-O," on the 1970 Kent State protests and shootings of students there during the Vietnam War.
See also "The Pentagon Papers, 1967-2018," about the top secret Pentagon history of the Vietnam War that was leaked to the New York Times and Washington Post in June 1971, touching off one of the country's fiercest battles over freedom of the press vs. government secrecy.
Thanks for visiting – and if you like what you find here, please make a donation to help support the research and writing at this website. Thank you. – Jack Doyle
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Date Posted: 19 May 2011
Last Update: 20 July 2019
Comments to: firstname.lastname@example.com
Article Citation:
Jack Doyle, "The Green Berets, 1965-1968,"
PopHistoryDig.com, May 19, 2011.
Sources, Links & Additional Information
Hanson W. Baldwin, "Book on U.S. Forces in Vietnam Stirs Army Ire," New York Times, May 29, 1965, p. 4.
Louis Calta, "Wounded Veteran Writes Song on Vietnam War; 'Ballad of Green Berets' Best-Selling Record," New York Times, February 1, 1966, p. 27.
Jack Smith, "Green Berets Offer Vietnam 'Hero Image'," Los Angeles Times, March 11, 1966, p. A-1.
Associated Press, "20 at U. of Minnesota Fight Broadcasting of War Song," New York Times, March 2, 1966.
This Day in History, "March 5, 1966: Staff Sergeant Barry Sadler Hits #1 With 'Ballad Of The Green Berets'," History.com.
John Michaels, "Sadler Sounds Off,"Cover Story, The Beat, KRLA-Radio Magazine (Los Angeles, CA),Vol. 2 No. 17, July 9, 1966.
"Ballad of the Green Berets," Wikipedia.org.
Robert Windeler, "Defiant Wayne Filming 'Green Berets'," New York Times, September 27, 1967, p. 41.
Renata Adler, "Screen: 'Green Berets' as Viewed by John Wayne," New York Times, June 20, 1968.
"Far From Viet Nam and Green Berets," Time, Friday, June 21, 1968.
Roger Ebert, "Film Review: The Green Berets," Chicago Sun-Times, June 26, 1968
William Rice, "Wayne Leads Green Beret Into Vietnam," Washington Post/Times Herald, June 27, 1968, p. 53.
UPI, "'Berets' Triggers Sydney Protest," Washington Post/Times Herald, August 3, 1968, p. A-3.
"200 Picket London Opening Of Wayne's 'Green Berets'," New York Times, August 16, 1968.
Gene Roberts, "Green Berets Pleased by Renewed Attention; John Wayne Film and Recent Attacks on Their Camps Seem to Raise Spirits," New York Times, August 31, 1968, p. 4.
"Theater Is Closed Over 'Green Berets'," Washington Post/Times Herald, August 31, 1968, p. A-14.
"Italians Protest 'Green Berets'," Washington Post/Times Herald, September 22, 1968, p. A-19.
"'Green Berets' Film Banned in Beirut," Washington Post/Times Herald, September 27, 1968, p. B-4.
David Bowling, BlogCritics.org, "Music Review: S Sgt. Barry Sadler – Ballads Of The Green Berets," SeattlePI.com, Tuesday, April 26, 2011.
"Barry Sadler," Wikipedia.org.
James E. Perone, Songs of the Vietnam Conflict (Music Reference Collection), August 30, 2001.
"The Green Berets" (film), Wikipedia.org.
"Biography for John Wayne," The Internet Movie Data Base.
David C. Barnett, " 'Next Stop Is Vietnam': A War In Song," NPR.org, November 11, 2010.
Randy Roberts and James Stuart Olson, John Wayne: American, New York: Simon and Schuster,1995.
"United States Army Special Forces in Popular Culture," Wikipedia.org.
Robin Moore, The Hunt for Bin Laden, New York: Random House Publishing Group, March 2003, 400pp.
Robin Moore, Tales of the Green Berets (Signet, 1966), 144pp. Click for copy.
Jon Kalish, "Film Puts Spotlight On Green Berets," NPR.org , December 1, 2009 (Review of 2009 Green Beret film, Why We Fight Now; also includes links to six 10-minute clips of Why We Fight Now on YouTube ).
U.S. Army Special Forces Command (Airborne), Press Release, "USASFC(A) Premiers New Documentary – 'Why We Fight Now: The Global War on Terror'," October 2, 2008.
"The Casca Books,"Wikipedia.org.
"Why We Fight Now," Download Site.


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Carl C Fry, Inc
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Episode 96 | Wed 30 Oct 2019 | Finding Christ at the center
Due to licensing restrictions, music planned for the show could not be included in the live broadcast or on the podcast.
Disclaimer: Inclusion or promotion of any music on Joy in the Journey Radio does not constitute support for any views, beliefs, or practices of the composer, performer, or any other person associated with the production and distribution of said music.
Part 1
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Part 2
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Wednesday, January 18, 2012
A Quilter's Palette Quilt Pattern
58 comments:
That's a great quilt, Rita!ReplyDelete
What a fantastic quilt. I really love it!ReplyDelete
Love it. And I especially love the colorful pinwheels at the corners.ReplyDelete
So incredibly gorgeous, Rita!ReplyDelete
Wow! That quilt is FANtastic!! Beautiful.ReplyDelete
I have a question for you... the binding black/white strip fabric. Do you have a source and/or name of that. I'm new to quilting and have been looking for something JUST like that. I would really, really, really appreciate it!!
So very beautiful Rita!ReplyDelete
I am in love with this!! Off to buy the pattern and if you want to sell a scrap bag of your fabrics, let me know! I would love some!ReplyDelete
Love it!! Especially the little pinwheels - they make me happy :)ReplyDelete
Oh, those little pinwheels are to die for -- You were keeping them a secret!!ReplyDelete
This turned out so great! Love all the powerful colors!ReplyDelete
It is gorgeous. I am in love.ReplyDelete
It is a stunning quilt Rita, once again your eye for colour and design thrills me! xoReplyDelete
I love that you make patterns when you release some of your quilts. I hope this is a good financial move for you as well as sharing your planning and experience through the pattern with us. Thanks.ReplyDelete
Wow, that turned out really great!!ReplyDelete
I love it!!!!!ReplyDelete
Rita it is always fun to visit your blog and see what you are up to. Another winner! Love the different color blocks.ReplyDelete
I must say that this is a totally AWESOME Quilt and I love it!!!ReplyDelete
Fun quilt--great use of fabric (like all your quilts!) ;)ReplyDelete
I love, love, love this quilt. I need another pattern like I need a hole in my head but I went to Etsy & bought it anyway (idzncolumbine on etsy). This will go to the top of my to do pile!ReplyDelete
gorgeous - I really love this quilt and all those different fabrics you've used in it - its my favourite so far this year !! probably until your next one which will be only just around the corner :)ReplyDelete
Lovely fresh looking quilt Rita. Love how the pinwheels lead the eye to the next color group. FUN.ReplyDelete
love it. as usual it has your trademark of beautiful piecing and absolutely lovely quilting...ReplyDelete
simply stunning ,love it !ReplyDelete
Oh. My. Word. I think this is my favorite of your quilts to date. And it might just make me break down and purchase my first quilt pattern ever (I'm generally more of an improv kind of gal). My absolute favorite part is how the little pinwheel corners tie together the different blocks of color- a wonderful detail! Well done!!ReplyDelete
This quilt is very insiring! I also have a big stash of fabric, and this is a great idea to use them.ReplyDelete
simply divine Rita.ReplyDelete
Lovely quiltReplyDelete
- AnonymousJanuary 18, 2012 8:48 PM
This quilt is lovely, the little pinwheels which match the colours of the squares just make the quilt perfect. It's just all done so perfectly! xReplyDelete
Stunning. Love those little squares and pinwheels :) Great colours tooReplyDelete
You have such a wonderful stash, I definitely need to stock up! Have just bought the pattern from etsy. Happy sewing.ReplyDelete
I love this quilt. The pinwheels are wonderful and the perfect touch.ReplyDelete
I love how you did the pinwheels! Nice touch!ReplyDelete
I love love love the tiny pinwheels. And the colours! I can't believe you made them in matching colours! And, of course, the whole quilt looks great!ReplyDelete
Turned out great. The pinwheels finish this quilt perfectly.ReplyDelete
I love the way you grouped these scraps by color. And those little pinwheels at the corners are perfect!ReplyDelete
This is my absolute favorite of everything I've seen of yours so far! Simple stunning! You have such a good eye for color.ReplyDelete
Oh my, those little pinwheels make my heart happy! And the binding! Beautiful!ReplyDelete
It is beautiful, love the wonderful fabric and all the gorgeous colors! Just beautiful!ReplyDelete
Your quilt is beautiful. I'm curious about the pattern, though. Just by coincidence, this was in my feed today: http://alyciaquilts.blogspot.com/2012/01/from-linda-in-ne.htmlReplyDelete
Gah, you're enabling a serious fabric and current quilting addiction (it veers between sewing and knitting) but this is just so so lovely - very inspiring.ReplyDelete
What a gorgeous quilt! It looks simply stunning!!!ReplyDelete
Spectacular! You've created yet another masterpiece in color.ReplyDelete
-- Colleen @ Made By Colleen
This is one of the most beautiful quilts I have ever seen. So simple looking and colorful. The colors make me happy! I haven't been quilting very long and don't have a lot of scraps, but I see myself saving even the little bits of fabric to do something like this some day.ReplyDelete
This comment has been removed by the author.ReplyDelete
I love it, so pretty and clean!ReplyDelete
Another fabulous quilt, as always. Wonderful sewing and perfect quilting and your signature clean lines and super fabrics. I love the addition of the wee pinwheels. Perfect!ReplyDelete
Although I love the fussy cut squares I love the little pinwheels in between the corners of the blocks. They add to the whimsy of the entire quilt. Another bright fun quilt! Excellent job!!ReplyDelete
Gorgeous! I love the little pinwheel detail. JacintaReplyDelete
I liked the quilt, then I saw the pinwheels. What a great touch!ReplyDelete
Amazing as usual.....I already have three of your patterns (fabric for one only), however, knowing me I will try to get one done first, but won't be able to get this out of my mind - then I'll go ahead and get it to get out of my mind! Thank you for sharing.ReplyDelete
Well done, I have been sorting through my scraps just today I should try using some like this. Such a striking quilt, I love the sewing machine block.ReplyDelete
WOW! I love this quilt!ReplyDelete
- AnonymousJanuary 20, 2012 12:59 PM
This is gorgeous :O!!!!!!!!!!!!!! I wish my beginner quilts could be so amazing. I'm following you now for sure!ReplyDelete
Hello Rita....thank you again for showing us all the brilliance in your life...this one is sew YOU. The only surprise here is how you keep stitching up sew treasures.ReplyDelete
wow its amazing, so many colors popping out, love itReplyDelete
This is amazing. Simply, full of colour and Your attention to detail :):):)ReplyDelete
I just love this one. Totaly gorgeous !!ReplyDelete
Greatings from Norway.
What a beautiful quilt, you've made me want to take up this hobby when I get my sewing machine back.ReplyDelete
I used to live with my mum and sew a lot, I have fabric scraps that are too big to throw away, but too small to use and this is perfect.
Thank you for stopping by and leaving a comment! I really appreciate it.
Comments are published after review.
Feel free to ask questions and I will answer either here or by email, as is appropriate.


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"For want of a dentist," a little boy is dead.
If his mother hadn't been focused on getting a dentist for his brother, who had six rotted teeth.
"It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences." - Audre Lorde
"For want of a dentist," a little boy is dead.
What we need is the standard baseline coverage that Canada and the UK have.
Their systems are not perfect, but aside from raising taxes, I don't know how we'd pay for such an undertaking.
I took a look at my last paycheck. I pay 30% of my total income in taxes. And I make less than $30,000 a year. That's a light tax burden compared to the rest of the world.
Health costs have skyrocked because no one's been watching the store. It's the health care industry and their foolishness that have put us in this situation. Why not tax them!
- Withdraw all the troops from Iraq over the next three months. End the war there. Start negotiating a long-term solution to the issues in that part of the world. Yes, talk to the bad guys. And stop flushing those tax dollars down the toilet.
- Repeal Bush's tax cuts for those making over $125,000 a year. Put that money into health care.
- Slap a five dollar flat federal tax on cigarettes and on alcohol purchases. Put that money into health care.
- Change the system in Washington that allows outfits like Big Pharma and the insurance industry to BRIBE our lawmakers into passing the laws THEY want.
- Institute a single-payer health care system that supplies, as you said, a baseline standard of coverage, INCLUDING dental and vision care, which are especially important for kids.
For starters.
Oh, and while we're at it, since gun violence is one of the leading causes of death amongst young people, I would do what Chris Rock sort of suggested: tax the heck out of BULLETS.
Taxing bullets! I love it!
I am just so sad for my country when I hear about these things.
I pay attention to British politics and the current political football on that side of the pond is over NHS cutbacks.
Labour claims that it sped patients through the NHS much more efficiently. and the Tories claim that Labour reduced the number of beds.
I can see the same sort of arguments between Republicans and Democrats over here.
I see Democrats as being more receptive towards universal health care, but the current issue we face is, as always, where's the money coming from?
Most people who can afford it in Britain would much rather pay for private care. You are treated sooner and more efficiently.
This goes for Canada as well.
We are moving more towards a socialistic state out of necessity, but clearly we need to find a way to pay for it. I hope whomever is in power in 2008 has a better scheme than the UK and Canada.
Why don't we just go ahead and let the government take all our money and let them spread it out as they see fit.
This way the folks in Washington can appropriate the necessary health care, housing, vehicle allowance, utility needs, grocery grants and maybe some entertainment funds for the entire citizenry.
Why not just go ahead and give them control of the whole aspect of our daily lives? That s where were headed anyway; why not just expedite the inevitable?
Why stop at a 30% tax rate CK? Why not 100% and make it a true burden as opposed as a light burden?
We should live in a society where
government forcefully takes what is yours to serve the purpose of someone else.
This way, we will all be equal! The burger flipper will have just as much as the brain surgeon. The janitor will have just as much as the CEO of Microsoft.
Then, then it will be the perfect place to live!
Umm, no, I didn't say that, but I'm not surprised at that response. I never said anything about vehicle allowances or entertainment allowances. This is about health care.
I just happen to believe that health care should be a right and not seen as being a privilege which is affordable only to the upper class. We need to change this. If we are truly "pro-life," we should first be concerned with the life and health of living, breathing persons. EVERY PERSON in this country should have access to the same quality of health care given to members of Congress and lobbyists. Period.
it's also hard to get good behavioral/mental health care w/Medicaid, too.
and wayne, way to reiterate the whole "health care for all is the most socialist thing evar!" argument without once addressing the really shameful issues behind this country's pitiful system of social provision--the suffering of people like this precious child.
too bad he was born into a "poor" family--that's just the beaks, huh?
I'm sure Barbie and Jenna have no trouble getting an appointment with a dentist...
Conservative philosophy: Every child is sacred until birth. The government should force every woman by law to carry that sacred "child."
After birth, we could give a damn about you. If you are poor and lack health insurance, it's your own damn fault. If you die, oh well, not our problem!
It's no wonder that all those "socialist" countries in Europe rank highest in their standards of living. Who knew tax money could actually be used well?
Gee, what WOULD Jesus do in this situation? Pick the greedy over the needy? Or did I miss that part in the Bible where the whole conservative platform was lined out?
By the way, if we are talking about the shame of a "godless" society, let's talk about the shame of a society that worships money over people.
um, "beaks" should've been "breaks"
and i didn't mean to use "also" and "too" in the same sentence :-)
I blog off the clock. The only spelling and grammar I check or judge here will be my own.
Sarah - My point is that the government should not be the teat for the people to suckle on.
But you are right about one thing.....Christians, not the government should be the ones helping out here.
Did she seek out the local church for help? If she would have come to my church we would have been there for her as we are hundreds of people each year. That's what Christians do (are supposed to do anyway).
Tax and spend are not bad ideas if what you spend the money on is worthwhile. Having the government tax money from everyone into a vast pool can result in significant savings. Its called 'economy of scale.'
Why do economic conservatives not see that collectivisation in and of itself is not evil? Isn't the pooling of wealth to achieve economy of scale the very reason behind the concept of the corporation? But somehow the blind eye gets turned towards the similarities - agribusiness is automatically deemed better than a farmers' co-op. And what then is the difference in corporate collectives? That only a very few of the participants benefit, and the rest lose - the customers, the employees, even the stockholders sacrifice to the greed of the CEOs.
It has been said that a society's state of civilization can best be judged by the way it treats those least well off. By this yardstick the U.S.A. hovers somewhere between barbarism and savagery.
Just wanted to pop in and say I read, even if I don't comment, Dave.
And to be honest, Sarah's comments rock... and ROCK HARD... I find very little, if anything, to add to her POV.


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This year started strong. Will 2024? Watch experts discuss where the markets and economy could go next and steps you could take now to prepare.
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The Last Pictures of the Arctic arc
Who said the Arctic sea ice was flat?
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