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PadLock Display screen Locker
"Just download automatic PadLock Screen Locker removal tool to get rid of its serious infections to prevent your PC from further damage."
Ways by which PadLock Screen Locker Enters Inside The Windows System
PadLock Screen Locker can penetrate inside your system through numerous ways that are not easily noticeable by the users. This infection can get inside the Windows based systems by browsing the internet or using some kind of ad-supported software. By spoiling some system vulnerabilities, it makes themselves successful in getting installed on the host computer. Some of the ways by which it can sneak onto your Windows PC are explained under the following headings:
Chain Installation: Sometimes PadLock Screen Locker can come along with downloading third party software. For instance, Rx Toolbar, programs from GAIN network and Cydoor gets installed automatically while downloading Kazaa which helps the remote users in marketing by advertising their products. Many softwares are bundled with these malicious programs by the hijackers so users installs it unknowingly.
Continual Prompting: Once you have rejected the installation prompt, do not get tension free that you have successed in restricting the malwares from entering inside your system. These malwares irritates you by popping up non-stop prompting unless and until you agree to install or somehow accidentally install it.
Social Engineering Banner Ads: Virus designers attracts the users by showing messages with flasy content like "check out this message" so that users will execute their creation. But these messages are of no use to them as they are attached with malicious programs instead of any valid content. Thus virus vendors makes use of the bogus banner ads with the main purpose of cheating the users for entering onto their system.
Drive By Downloads: Virus vendors tricks the users by convincing them to download certain programs while they surf the internet. In this way they gain victory in injecting PadLock Screen Locker infection to the user's PC. This process is generally called upon by ActiveX control installers or automatic website page refresh.
PadLock Screen Locker Infection: Its Symptoms
Once your system gets affected with this infection, you will observe the following weird behaviors of the PC while running it:
- several files, registry keys and services get hidden
- taskbar or tray icons becomes invisible
- disables the antivirus programs or other security measures
- alters default Windows system settings
- fake system file names and resources appears
- uninstall functions gets unclear
- PadLock Screen Locker fails to uninstall ortakes too much time to get deleted
PadLock Screen Locker: Its Associated Risks
- uses large amount of CPU storage memory to slow speed
- drops infections to your system like trojan, spyware and viruses
- excessive redirection to the unknown sites
- steals user's sensitive information and transfers them to the cyber criminals
- changes homepage and shows numerous undesirable pop up ads
- default settings of the internet browser gets altered
- hijack the search engine settings
How PadLock Screen Locker Affects Your PC After Getting Installed
These infections comes in the format of .exe files or many other files to hide themselves so that they cannot be easily detected and deleted. Once it gets installed, it performs various evil changes and uses the load point so that it can start automatically whenever you restart your PC. It usually makes use of the load point that is contained in the Run Registry Key called HKEY_LOCAL_MACHINE\Software\Microsoft\CurrentVersion\Run. It can damage the system badly as it contains various other components. Moreover, your personal financial information will not remain safe and secure. There is huge risk in getting it stolen and sent to the remote hijackers for their own benefits. Apart from this, it gains full access over your famous web browsers and all network traffic. Thus it is really a dangerous infection which should be removed quickly.
Consequences Of PadLock Screen Locker Infection
As soon as PadLock Screen Locker gets installed in your PC, it performs lots of dreadful activities. Some of the possible consequences that users have to face from this infection are:
Identity Theft: Most of the users use online banking, stores their personal informations on the PC or even buy or sell products online. But unfortunately PadLock Screen Locker can collect these sensitive information from the PC through keylogging, proxying, etc and might put you in huge trouble.
Weakened Security Level: This infection can deactivate all your firewall and browser sevurity settings so that it can easily drop infected codes to your PC. By making use of the hacking tools and vulnerability scanners, it degrades the performance of the compromised system.
Intellectual Property Theft: User's intellectual property might get stolen due to the presence of this noxious infection. For instance, in the year 2003, Valve Software makers of Half Life Game had the source code of their game which got stolen by some malware and displayed on the internet by keyloggers.
High Resource Consumption: PadLock Screen Locker consumes large amount of CPU memory and disk space and clutters your menus and favourites with junk. It freezes the PC by displaying numerous Windows pop ups. In short, it weirdly uses system's huge resources which could have been used by users for their own purpose.
PadLock Screen Locker Connects The System Online For Performing Bogus Spyware Scans
After getting installed on your system, it redirects your web browser to other sites which warns you to scan your computer online. But users should not believe on it as these are just fake scans which is performed to fool the innocent users.
You will get the fake message such as "Wait a Minute! This is important – We check your devices" which convinces you to scan your system. Once you open the webpage, you will get the notification that various infected files have been found inside your system which must be checked immediately.
As soon as you click on OK, the webpage follows My Computer folder with hard disks and other folders but the truth is that they do not represent your real PC.
After the completion of bogus scanning, you will get the message that your system is infected badly so it must be cleaned for keeping it safe.
When you click on the Remove All button, the file will get downloaded. Users think that these are legitimate antivirus program but they are unaware of the fact that instead of giving protection to their PC, they have invited a huge risk to them. By scaring you, it will force you to buy its full licensed version which is actually a trick used by the cyber criminals to make money illegally. Therefore this is one amongst the way of promoting rogue applications as soon as PadLock Screen Locker attacks your PC.
PadLock Screen Locker: Its Malicious Behaviours
The major six different types of behaviors are observed by this infection and they are explained below under the following headings:
Injection: penetrating onto the system in an inconspicuous way and getting inside the code of legitimate processes for achieving concealment, delivering payload or gaining additional privileges. Surveying: searches for another Windows based computers to spread the function. Installation: after silently getting inside your system, it performs numerous modifications in such a way that its code executes automatically every time the computer starts. Replicating: secretly getting installed in those new Windows based systems and decrementing the overall system performance. Payload: transferring data from the system hard drive to third parties for illegal use or receiving commands from them. Concealment: disables the firewall settings or the anti virus program in order to hide itself and perform malicious processes.
PadLock Screen Locker: Safe For PC And Browsers Or Not?
Obviously PadLock Screen Locker is not safe for PC or browsers!!! Once your system is attacked by this infection, you will face numerous problems that involves spoiling user's privacy, degrading the overall system performance, and unethical practices. This infection is a highly severe threat that can be justified by following the below mentioned statements:
displaying irritating ads, pop ups and fake notifications continuously
removing it from browsers is quite tough as it keeps on returning again and again gets installed without the awareness of the user
traces the online behavior and internet activities of the user
How PadLock Screen Locker Is Dangerous To Your PC?
PadLock Screen Locker can affect the overall performance of your system by redirecting your browsers to unauthorized sites, installing infectious applications, slowing down the internet speed, changing homepage and even interfering in your security measures. While user surfs the internet, it displays excessive undesirable pop ups which covers almost half of the screen. If accidentally you click on those links, you will be redirected to malicious sites by which it becomes successful in dropping additional infected codes to your system. By keeping record of all your online activities, it transfers your data to the advertisers that are sufficient for bombarding plethora of ads. PadLock Screen Locker is capable of stealing all your sensitive information such as bank account details, user name, passwords, etc. and sends it to the cyber criminals which is really a tough task to cope up with. Moreover it consumes a large amount of your CPU space and system resources and its extremely hard to detect its evil activities as it runs in the background. It can even crash your system or makes it inaccessible to the users.
Using Task Manager:
The greatest advantage with this tool is that it is supported by all Windows versions and user's are not required to download anything. This application might provide only a little bit of control or might be disabled. Follow the below mentioned steps for killing malicious processes using Task Manager:
- First of all open the Task Manager by pressing Ctrl+Alt+Del or Ctrl+Shift+Esc
- If it still does not open, then go to Start > Run and type in taskmgr
- Now if again it fails to open, then go to C:\Windows\System32 and rename it to 1.scr, 1.com or other name. Then launch that file
- Finally end the malicious processes by selecting the process TAB
Unfortunately sometimes this Task Manager gets deactivated by PadLock Screen Locker. In such situations, users must go to C:\Windows\SYstem32, then make a copy of taskmgr.exe and rename it to 1.exe or iexplore.exe. Then finally start the file which will enable the tool.
Remove PadLock Screen Locker Manually From Web Browsers
Use Add/Remove Program To Get Rid Of PadLock Screen Locker:
First of all go to Start >> Control Panel >> Program and Features Then find PadLock Screen Locker, select it and uninstall
Remove PadLock Screen Locker From Google Chrome:
Start the Google Chrome and click on the "Wrench" or "Bar" icon which appears at the top right corner Then go to Settings >> Search >> Manage Search Engines
Now click on "Make It Default" by selecting the search engine of your choice Click on cross marks at the end of unwanted search engines to delete it Finally restart your browser to make the changes so as to complete the process
Delete PadLock Screen Locker From Mozilla Firefox:
Firstly you need to start the Firefox and then in its address bar type about:config and press Enter
In the search box, type keyword.url, then right click on it and select "Modify" You must empty the parameter box or write something else other than what is set Now in the search box, type browser.search.defaultenginename to search this entry and then reset it to your preferred search engine
Then in the search box, type browser.search.selectedEngine and reset it to some other thing than what is set to initially Find browser.newtab.url for replacing it with about:newtab Finally restart the browser to apply the changes
Uninstall PadLock Screen Locker From Internet Explorer:
By opening the Internet Explorer browser, select Tools and select the Internet option Go to General >> Change Search Defaults >> Settings Now select the search engine provider of your own choice and Set it as default by clicking o "Set as Default" Then restart the browser so that the modifications can be applied
Use PadLock Screen Locker Removal Tool To Remove PadLock Screen Locker
PadLock Screen Locker removal tool has been certified to be the best powerful anti-spyware application by the West Coast Lab's Checkmark Certification System. It has been designed by the experts with powerful technologies to delete PadLock Screen Locker and all the other related malicious programs. This is so effective that it can detect the keyloggers, worms, adware and Trojans and is capable of blocking the spyware threats from Windows based systems. It uses the system guard which can end the malicious processes that corrupts your Windows registry for auto starting the malware entries. All you need to do is just to download the PadLock Screen Locker removal tool for giving complete protection to your PC from PadLock Screen Locker and its related components.
Differences Between Anti-virus Software And PadLock Screen Locker Removal Tool
The free anti-virus software attracts the users but the fact is that it is not much powerful as it can protect your PC only to a limited extent. They are free for a limited time period say 14 days and after that it automatically stops its execution. It possesses just few features that are not enough to remove malicious threats from your computer. For providing full protection to your PC, you must purchase the licensed version of PadLock Screen Locker removal tool. The advantages of PadLock Screen Locker removal tool over anti-virus software is discussed under the below mentioned headings:
Timely Tech Support: You will get quick response to your queries through phone or via email messages if you have purchased the licensed version of PadLock Screen Locker removal tool. But with free anti-virus programs, you need to visit the forums for getting replies to your queries.
Automatic Scanning: It acts just like a bodyguard who protects you before someone attacks you. PadLock Screen Locker removal tool protects your computer by neutralizing any infected code as soon as they are detected. But free anti-virus software does not exhibit such feature. Users are required to manually perform the system scan.
Link Checking: When you open any page, it checks each webpage for infectious codes, before it gets loaded onto your system. Once any malicious threat is found, it will stop the page immediately from getting loaded on your PC. But the free anti-virus software does not provide such facilities.
Email Protection: The licensed version of PadLock Screen Locker removal tool performs line checking to your email also. As soon as you get any mail that is attached with certain link, it will scan it deeply to check if any malevolent content is found and then stop the virus from reaching your inbox. But email protection is not provided by free anti-virus software.
Personal Data Protection: It provides security to the user's privacy by protecting their confidential information from getting stolen by remote servers. It blocks all unauthorized connection to your PC which is not done by free anti-virus software.
PadLock Screen Locker Removal Tool: Complete User Guide
Step 1: First of all download and install the PadLock Screen Locker removal tool which takes just a few seconds. Now click on the "Scan Computer" button which enables the tool to start searching for the malicious threats present in your system.
Step 2: It completely scans the hard drive for finding the threats and all the detected threats appear in a thumbnail format along with description that how badly your PC is infected.
Step 3: The software contains a built in feature called the "Spyware Removal Tool HelpDesk" which gives you the complete knowledge about the spywares or viruses found in your system.
Step 4: Finally "System Guard" option is activated to prevent any malware from coming inside your system and thus protects your PC from any future attacks by vicious items.
Few Tips To Protect PC From Threats Like PadLock Screen Locker
Users must follow few simple tips to protect their PC from future attacks by infections like PadLock Screen Locker. Few simple tips are explained here which enables you to prevent your computer from being infected without any cost:
- Use good quality anti-spyware software and update it on a regular basis
- Download softwares from legitimate sites such as SnapFiles, FileHippo.etc.
- Decline the warez (pirated softwares), programs from P2P and keygens
- Secure DNS services like Google DNS or OPENDNS must be used
- Do not get scared by every virus warning as many of them are fake
- Programs having bad security track record must be disabled (e.g. Adobe Reader, Outlook, IE)
- Avoid opening emails from unknown sites or files sent from instant messenger
- Install Windows updates (service packs, security fixes, software update, patches)
- To keep your PC safe from activeX exploits and malicious scripts, disable the undesirable plug-ins
- Minimum of 8 character passwords should be used which must contain lowercase letters, uppercase letters, numbers and symbols (@, &, %, #, !, *)
"Just download automatic PadLock Screen Locker removal tool to get rid of its serious infections to prevent your PC from further damage."


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To the Editor,
Rock Island Clean Line LLC (RICL) proposes to build a high voltage transmission line across northern Illinois. The proposed route will cross prime farmland, forever removing about 12,000 acres from production.
Placing towers and lines across some of the best farmland in the world will forever prevent and/or alter normal farming operations. These are economic and operational burdens that farmers — and ultimately consumers — will have to bear. The line will also permanently decrease actual and aesthetic property values. In contrast, RICL's private, for profit venture will be backed by the power of eminent domain (if the ICC grants them a certificate of public necessity) and subsidized by our federal tax dollars. This seems patently unfair.
RICL argues the transmission line is needed per Illinois's Renewable Energy Standards. This rationale is problematic: the standards were intended to promote development of in-state renewable energy generation, not justify construction of transmission lines that import power from elsewhere without providing connection to renewable energy projects in Illinois. Furthermore, the proposed lines would bypass most of the Illinois Smart Grid, one that residents are paying $3.2 billion to upgrade in the name of efficiency and enabling local renewable energy generation.
We need renewable energy. I disagree, however, with a for-profit entity being granted status of a public utility so that it may construct its transmission lines at the expense of landowners and the general public. Alternative routes along already-disturbed corridors such as I-80 and I-39 should be considered. Landowners who do lose property to the lines should be compensated in perpetuity. The next hearing date is Sept. 27. Please contact your state and federal legislators and the Illinois Commerce Commission and voice your opinion. The docket number is 10-0579.
Paul Litow
Homedale, Idaho,
formerly of Earlville

subset: commoncrawl


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Doctor Who: The Tenth Planet (UK - DVD R2)
The Wilson Bros examine this partially-animated William Hartnell swansong...
The year was 1966 and things were about to change for Doctor Who; although the introduction of two young companions had freshened the show, the failing health of the leading man was causing problems not only for the actor himself, but also for the production. Change was afoot, and this change would set up the a system to allow Doctor Who to continue indefinitely.
It is 1986 and the TARDIS materialises in the South Pole; The Doctor (William Hartnell), Ben (Michael Craze) and Polly (Anneke Wills) soon discover that things are amiss at the Snowcap Base, which is supervising the Zeus IV space mission. A new planet is discovered in the solar system, uncannily Earth-like in appearance, and an emotionless enemy, part organic, part machine, begin to attack the base as their ruthless plans for Earth begin to unfold...
There is no getting around it, William Hartnell was looking increasingly frail by this story; he was written out episode three because he was too ill to work, which is unfortunate, as this was his last story and he is absent for a quarter of it. Though he looks undeniably frail at times (especially when looking at the remaining clips of the last episode) and the fluffed lines were symptomatic of his worsening arteriosclerosis, there are still moments when Hartnell dazzles us with his powerful delivery; Hartnell's mannerisms were still first-rate during this final story, where you can see his thought processes at work whilst he is in the foreground, taken in everything that is happening and his eyes darting back and forth as he determines what to do and how to do it - it's wonderful to watch. Like a well-maintained navel, Hartnell is fluff-free during the first episode and gets to deliver a belter of a repost when asked "if he can be more specific" about the increasingly bleak situation that the population of the base (and Earth for that matter) - "yes, I'm afraid I can" replies Hartnell, in a triumph of ominous understatement, both in writing and delivery. There is a moment during episode two where Hartnell tries to convince General Cutler that there are visitors from another planet at large, and Cutler duly scoffs at him, the look that Hartnell - in the foreground - has a look that screams "oh well, I tried to tell him..." It's easy to poke fun at Hartnell's shortcomings (these were mainly due to illness, rather than age), but he was very much underrated as an actor during his later years.
If we're talking about stumbling over lines, then the biggest culprit has to be Michael Craze, who trips over his dialogue so often that you would have thought someone had tied his shoelaces together - the best one has to be when he describes the Cybermen's home world as "grotty plonet Mandos". Despite these verbal bear-traps, Craze demonstrates that he was a great companion - there is a scene in episode four where he deduces that the Cybermen have a weakness, despite a scientist scoffing at his ingenious deductive reasoning. It's a pity that so little of his time on Doctor Who survives in the archives.
Poor old Anneke Wills really doesn't have much to do in this story, apart from screaming now and again and going to make coffee whilst the men do all the problem-solving - truly a case of Polly put the kettle on.
Robert Beatty is suitably grizzled as General Cutler; Beatty was one of those Canadian-born actors who settled in Britain and for a period of three decades, seem to be the go-to people for portraying Americans on film and television. Though Americans and Canadians would have little trouble picking out (or should that be "oot"?) a Canadian masquerading as an American, most UK ears will merely register it as a US accent. Beatty is good in the role, being the perfectly authority figure for the very antiauthoritarian First Doctor to lock horns with. There is an amusing scene during the first episode where Cutler looks at The Doctor dismissively and barks "I don't like your face and I don't like your hair!"; this is almost certainly a reflection on the fact that young people were growing their hair long at that point and despite The Doctor's age, he was very much against authority - well, that and it could have been an in-joke about Hartnell's wig. Cutler has an untimely departure at the beginning of episode four and his gruff demeanour is sorely missed, but allows the story to concentrate on the real antagonists during the final act - the Cybermen.
As well as having the distinction of serving as the template for the "base under siege" storyline that dominated the Troughton era that was waiting in the wings, The Tenth Planet also sees a group of people made up of different nationalities all working for a common goal in a confined area, which echoes Troughton's first Cybermen story, The Moonbase. There's a couple of Americans, an Australian (you would have thought that Bill Kerr would have played him, as he had pretty much cornered the market at the time) and an Italian, amongst others. The actor playing the Italian doesn't have the most convincing accent, merely applying vaguely Mediterranean tones, sticking an "a" suffix to words now and again, along with exclaiming "mamma mia!" every so often.
Director Derek Martinus (who was something of an old-hand on Doctor Who by this point) manages to make the most of the limited budget and resources at his disposal; the scenes aboard the Zeus IV spacecraft are surprisingly effective; despite the not particularly convincing interior, there's something about the way these scenes are filmed that present an eerily calm atmosphere to them and really help to sell the illusion that the two people in the ship (played by Alan White and Earl Cameron) are really in space. There is a nice use of a moving camera, providing what is essentially a tracking shot that culminates in the TARDIS materialising in the middle of a blizzard in the South Pole; it would have been easier to just lock-off the camera and have a static shot, but Martinus takes a more inventive approach and his efforts pay off and bring a cinematic freshness to the shot which helps to establish a unique, other-worldly atmosphere, despite being on Earth. The reveal of the Cyberman at the end of episode two is an iconic moment that is made even more exciting by having the camera pan up from the Cyberman's hand to his face, rather than just cutting to his visage. Speaking of the scenes set out in the bleak wilderness, the shot of the disguised Cybermen walking off and having the hand of one of the freshly-deceased humans sticking out of the snow is wonderfully effective.
Speaking of the Cybermen, the most kindly description that can be applied to the design of them in this story is "basic"; another description of their design is that it looks like they got dressed up out of the kitchen drawer (or the shed, looking at the lamps on their heads). There IS something to their design, though as they look more like part-man, part machine being and their black, empty pools for eyes and a mouth that opens wide to have a disembodied voice come out, then almost snap shut afterwards (when the guys in the suits can get the synchronisation correct, of course). What IS a problem is the silly voices that they have, are mainly supplied by Roy Skelton; Skelton is a fine voice actor, but the lilting, almost sing-songy tones they are afflicted with sound silly and are reminiscent of Zippy from Rainbow (later voiced by Skelton) - there is a scene during episode four where numerous Cybermen are talking at once and it sounds like they are on football terraces.
There is an interestingly downbeat cyclical note in this story, where William Hartnell is wearing the same coat, scarf and astrakhan hat that he wore in his first story, An Unearthly Child. Whilst it makes sense that he would want to wrap up warm in such a freezing, inhospitable environment, it also seems to suggest that Hartnell wanted to go out the same way he came in, in much the same way that Eric Morcambe always used to be seen wearing a brown Mac, flat cap and carrying shopping bags at the end of an episode of The Morcambe and Wise Show.
The last couple of scenes with William Hartnell have a sense of eeriness to them, as you can see that The Doctor really isn't well and he cryptically says something to Ben and Polly before heading off into the TARDIS and falling over shortly afterward; it's easy to imagine that young viewers at the time must have been scared when they watched it, as the concept of regeneration hadn't been mentioned then, let alone stuck in the public consciousness like it is today and Toyah Wilcox said it best in Thirty Years in the TARDIS, when she said "in my eyes, he was dying". In our opinion, the original regeneration (or "renewal", as it basically was then) is the best and you have to take your hat off to whoever decided to make use of a fault in the gallery that caused the image to white-out. This regeneration is the original and still the best in our opinion.
As most of you will know, episode four of The Tenth Planet went AWOL from the BBC archives sometime in the seventies and it is the only episode where the exact nature of its disappearance cannot be traced. As with all other missing Doctor Who episodes, dedicated fans recorded the soundtracks for posterity and they have since become invaluable for reconstructions and, as is the case here, for animating the missing episodes. As this is quite possibly the most single-most sought-after episode out of the lot, what's the animation like - especially after so many people were under-whelmed with the previous efforts on The Reign of Terror?
We are pleased to reveal that though the animation is in the same style as the aforementioned Reign of Terror, it has been toned down considerably, and the results are much closer to how the episode would have looked (ignoring one or two instances of JJ Abrams-like reflections and/or lens flare) and the fact that the work is less "showy" than last time, it means that the viewer is not distracted and will be able to enjoy it more. The representations of the actors are great, with Anneke Wills looking particularly scrummy and Hartnell doesn't look as "glassy-eyed" as he did in The Reign of Terror. There is some nice rotoscoping of the surviving clips and we are pleased to report that the regeneration scene is faithfully replicated in animation form. In short, we are VERY pleased with the work that has been put into that - if we were to put this in politician's speak "mistakes have been made, lessons have been learnt and we are now taking a more robust approach in future".
The three surviving episodes weren't in that great shape (we consulted with one of the guys at the Doctor Who Restoration Team, who confirmed this) and whilst the results are much better than the VHS release, there are going to be some fans who will be disappointed by what is presented here. The VIDFire process has been applied and every effort has been made to remove visual debris and various imperfections; image detail is marginally lower than what we have seen in some recent sixties stories, but it's not ghastly by any stretch of the imagination. The animated episode four is, not surprisingly, flawless.
The first three episodes sound fine, but seeing as the audio for the missing fourth episode has been pieced together from the existing fan-generated audio recordings, there are moments when fidelity and clarity in general varies considerably.
Audio Commentary: This might well be the penultimate track to be found on a Doctor Who release, with The Moonbase sealing the vault when it comes out in the new year, and it's with a heavy (or at least enlarged) heart that we put this sucker on, knowing that there's only one more to go, as they have been a source of genuine entertainment for us over the God-knows how many years we have spent reviewing these things. Along for the ride on the SS Nostalgia are Anneke Wills (Polly), Christopher Matthews (Radar Technician), Earl Cameron (Williams), Alan White (Shultz), Gregg Palmer (Shav/Gern) Christopher Dunham (R/T Techician) and Designer Peter Kindred. With Toby Hadoke at the helm, we're pleased to report that his steady hand on the tiller, it's a romp of educational proportions as they all look back at the story which lead to much less fluffs from The Doctor.
Right from the off, Hadoke reveals that his first job was on stage as Mattews' sidekick, and great amusement is had by all when it reveals the thespian also appeared in Eastenders, as the boyfriend of homosexual character Colin, and political correctness flies out of the window when Mathews recalls that he used to get a lot of people yelling "woofter!!" at him in the street because of the role. In spite such things, he was OK about the public interest regardless of the nature of it; "I didn't mind," he fondly reflects, "…a little boy came up to me once in the street and said: 'you're a poof, ain't ya?' and actually I'm not!" There is a certain generation where the notion of being PC didn't really register, but such instances can be amusing on a few different levels, though.
Wills really is a delight, and a fountain of knowledge about her time on the show, coming from the unique perspective of being the only surviving actor to be a companion during the reign of both black-and-white era Doctors. She keenly points out where the stand-in was deployed at the start of episode three, and the extra work it entailed for her; "That's Gordon Craig collapsing," she interjects, "…Bill has actually completely collapsed, and has gone off to Cornwall to have a deep rest, so now we are all being given his lines, so we're supporting the whole show without Bill". Dunham grabs the baton from Wills, and explains his plunge into the deep-end on his first piece of television; "I arrived on the set," he recalls with some fondness, "…and Bill Hartnell suddenly disappeared - he was very ill - and I was most impressed how the sort of just gave his lines to these two cohorts, and they just did it. It seemed to me most impressive." She also goes on about how the show was [I]"dying on its legs" just before The Tenth Planet, but we'll leave it to you to find out why Hartnell's take on the show was the wrong one.
If ever there was a question/generalisation which keeps coming up to bite the show on the arse, it's that of the quality of the sets, and their inherent stability. This comes up once again, and it's up to the uber-fan to get to the bottom of the mystery if they were as wavy as many folk claim; "I think they wobbled a bit…" recalls Matthews, shortly before Hadoke tries to defend the honour of the show by asking the loaded question of if it was typical of TV at the time, or just on the one particular show; "I think it was unique to Doctor Who," the actor affirms, before quickly softening things, "…well, not unique to Doctor Who, but I think they wobbled more on Doctor Who than anywhere else."
As well as providing a load of fascinating stuff about the aesthetics employed on The Tenth Planet, Kindred is rather frank about how the atmosphere on the set was impinged by the lead actor, how change, my dear, would be for the better: "William Hartnell had been doing it…" he flatly states, "…for three years, and - actually - when he wasn't very well, he was a very irascible old boy, and I think it came across… as a rather bad-tempered character, and I think possibly it was time for him to be changed to someone a bit more loveable."
Causing some confusion is actor Gregg Palmer, as he appears here under his real name of Donald Van der Maaten, having the distinction of being one of the original breed of Cybermen. His is an interesting tale of how the industry can be rather prejudice, leaving even most dedicated out in the cold; "I had moved back to Holland," starts van der Maaten, on his descent from the 'biz, "…where I was in a Dario Fo play, where I had an accident. I had to jump off a table, where some water was spilled, and my leg went sideways, and I required a knee and a back operation, and that's when I stopped acting and I became a teacher… I had to stop, because being about thirty-five/thirty-six, you have to have the power of your body, and with a bad back and a gammy knee, you can't do much, can ya?"
There are a lot of folk who aren't proud of their work on the show, so when you get someone in who is quite taken by it when they look back, it really does the heart good, even more so when it's one of the cast, those prone to grumbling about how the lack of resources changed their performances; "I'd forgotten how good it was," says White, with a measure of admiration, "…because nowadays, they have a black room with one [light] on someone's face, and that chiefly goes on for five minutes, but [back] then, you had to light everything, and in this particular case, It's sometimes VERY well-lit, by an standards - even film standards". Along with the late Jim Kelly, he might be one of the coolest guys ever to play a character named Williams.
At this point, we have to say that Earl Cameron has an absolutely amazing voice on him, with the kind of gravely, rasping quality that should have casting agents knocking down his door for voiceovers. As if he couldn't be any more loveable, he has nothing but nice memories about his time spend in front of the camera for Britain's favourite teatime show. "For me," he fondly encapsulates, "…it was a great thing to be called on such a prestigious series, you know… and I was flattered that I could be in a Doctor Who". If only more thespians were that gracious about it.
This is a really nice commentary, with a good mix of people involved, all pleased to have been associated with it to various degrees, with a nice warmth between them in spite of such a frozen story: when Hadoke asks Matthews if the memories of the project come flooding back when watching the show, and is swiftly answered when he gets the response of: "Not really. I think it's 'cause I spent too much time in the pub with Anneke." Our boy with the microphone doesn't sound too depressed that he's soon to be out of a job doing these things, and the top-participant award jointly goes to Earl Cameron and Anneke Wills - keep a listen-out for Cameron jokingly taking credit for Hartnell becoming a father-in-law, as it's pretty neat. File it under "treasure and enjoy".
Information Subtitles: The storage of data and facts is a tricky thing to get a hold on. Sure, its shape has been many and varied over the years, as discs went from floppy to proudly hard as they became engorged, before cast aside for CD and DVD capacity. Hell, for a few years, the DAT was storage king paedophiles rejoiced at the evidence-concealing zip-drive, and then came data-sticks before all formats were killed off and went up to the Cloud. The way to preserve such valuable information is a process of change, but all serve to the furthermost of knowledge. Or porno. Thankfully, another incredible fact-track avoids such pleasures of the flesh and does what it does with peerless ease: to further knowledge whilst providing a damn good time for all, and with Hartnell's last chance to fluff his lines this time around, you know it'll be something special.
Be it the origins of the title, the various influences on the story during the writing process, just about every angle is thoroughly covered on this one. Which special cameras where used, the names of certain pieces of library music employed throughout the story, that the seamstress who made the Cybermen suits was from Islington, the unscripted ad-libs are all documented. We even get the original idea to replace Hartnell that of the half-jokingly suggested way of having the TARDIS crash-land and a new actor come out through the smoke!
Speaking of which, there is a lot of detailed information about the increasing inability of Hartnell to deliver the goods, and the compromises which were being made to keep him aboard. Included in this is how they originally wanted to replace him at the end of The Celestial Toymaker, where he would walk out with a new face at the end of the final episode. Every single influence which went into the process of regeneration is catalogued with dynamite studiousness, including everything you could ever want to know about the cross-fade system used for the recording, in aching detail, but this is exactly what dedicated Who fans would put at the top of their Christmas list!
This has the lot, once again. Not even the Okudas get their hands on this much material when they do text-commentaries for the Star Trek releases - not by a long chalk. It even points out the spelling mistake on one of the writers' names "That should be Gerry Davis," as opposed to the "Davies" which appears on the screen. The trademark humour is interlaced through the proceedings, giving the proceedings some welcome levity with the assurance of Bernard Bresslaw on a Kirby wire in Moon Zero-Two! It's almost hard to write a review of this particular fact-track, as there are almost none left to come, and it'll be a case of "pass the Prozac" when the final one pops out of the tray. Until then, just enjoy this little cracker, as it keeps up the lofty standards attained over the last decade, and wonder if Stephen James Walker, the man who put this whole thing together, is some kind of organic data-storage unit, able to carry around vast quantities of information, ala Johnny Mnemonic. Like Keanu Reeves, but with less splinters.
Episode Four Reconstruction: The original recon that featured on the VHS release has been included here to try and satiate (i.e. shut up) some of the more hardcore fans who were not happy that the surviving clips from this missing episode weren't included in the animated version. It's nicely done, with all of the existing footage being incorporated, bringing a sense of life and vibrancy to the proceedings now and again. There are some people who aren't that keen on recons, but have always thought that if they are done correctly and have a degree of ingenuity to them, then they can be very entertaining and a perfectly valid way of experiencing missing Doctor Who episodes.
Frozen Out: Beginning with some cool snowy animated Cybermen and Anneke Wills explaining that her "hubby" had warned her in advance that William Harnell could be difficult, this documentary starts as it means to go on. The falling ratings, Hartnell's cantankerous nature and the desire to keep the show going all combined to come up with a remarkable way of writing out the leading man, which would ensure the perpetual continuation of Doctor Who.
Wills reveals that it was Kit Pedler's wife who came up with the wonderful – and fantastically intriguing – title. Wills is the key speaker in this documentary, and her keen memory, combined with her enthusiasm means that things aren't nearly as dry as they could have been.
The distinctly international flavour to the cast is discussed and it's great to see an interview with Earl Cameron, who played astronaut Williams in the story – he is one of the last surviving members of the cast, who speaks about his surprise when his agent called him up and told him about the gig. Having read Hartnell's biography, we knew about the degree of racial prejudice that he had, but it will come as something as a shock for those who just know Hartnell has the loveable-yet-crotchety Doctor; Wills is pretty frank about Hartnell's racism, which is something we were surprised to hear addressed whilst watching this and she speaks of how it came to the surface with Earl Cameron and how she and Michael Craze were ashamed for Hartnell. Cameron is tactful about the subject, saying that it if happened, he was never aware of it during his time on Doctor Who and going on to say that racial prejudice never bothered him. The man must be a saint of some sort.
Designer Peter Kindred gives a welcome perspective on the physical creation of the Cybermen, essentially being the Cybermen's equivalent of Raymond Cusick, having taken the basic design and coming up with the physical look of them and he reveals the reason why lamps were stuck on their heads was simply to give them more height and although the look of the Cybermen have evolved over the years, there is still a manifestation of this attempt of the Cybermen equivalent of the Cuban heel.
Michael Craze broke his nose on stage and nearly died due to a burst blood vessel – such a senseless death was narrowly averted, it's a terrible shame that he would eventually pass away from falling downstairs and subsequently having a heart attack. Anneke Wills also points out that Craze having to put up with fake snow flying up his hooter during the filming of the blizzard scenes would have it's compensations, as he met the Edwina Vanner, the production assistant, whom he would later marry.
Wills impresses how blown away she was with the main set for the story and the designer Peter Kindred reveals some of the ways of making something much more impressive than a humble budget would allow. An unfortunate oversight also worked in the favour of the design of the Cybermen as there were no gloves for the Cybermen on the first day of filming, so it was decided that they would have fleshy, human hands, making them more creepier than originally intended.
Hartnell's bout of bronchitis is brought up (no phlem-related pun intended), along with the sudden need to write out The Doctor from episode three; Hartnell's dialogue was hastily rewritten and shared amongst other members of the cast and Hartnell's double from the location filming on The Smugglers was drafted in at short notice. Peter Kindred reveals that although director Derek Martinus thrived on the challenge of trying to work around this potentially catastrophic problem, he and many others felt that the show was "falling apart".
The inevitable filming of the regeneration (or renewal, if you like) is spoken of, with Wills describing the meeting of Hartnell and Patrick Troughton as being very poignant, but puts forward the opinion that the outgoing actor was probably "quite tickled" that he was being replaced by someone of Troughton's Thespian stature. A welcome interview from someone else involved with the production pops up when the regeneration is being discussed; Shirley Coward was the vision mixer charged with the video transition between Hartnell and Troughton,and Wills provides an enthusiastic perspective on this moment from people watching in the studio - "it was blooming magic!", she chuckles. There is a helpful animated representation of exactly how the transition was achieved in the gallery, which is a lovely little touch and it's great to hear from Coward, who was directly responsible for such an iconic moment in British television history.
The moment of Hartnell's departure is reiterated by Wills, saying that he fought right up until the end, but eventually just let himself go and conceded to the inevitable fact that it his time on Doctor Who was over. Peter Kindred – who played a Cyberman in The Tenth Planet – recounts a story right at the end of the production, which demonstrates the frustratingly bi-polar nature of Hartnell, in which he tap-danced across the studio, ending in a flourish and said to Kindred that when he can do that, he can call himself an actor.
This documentary is great fun and really helps to add colour to the stories about the filming and the behind-the-scenes issues that we have all read about. It's great to hear from the few people remaining and addressing the thorny issue of Hartnell's racism is something to be commended.
William Hartnell Interview: This is it. This is what could be looked upon as the Holy Grail of Doctor Who interviews, as William Hartnell appears on-camera and speaks about his time on the show as he in his dressing room making himself up for panto.
It's sad to say it, but there is an offhanded arrogance prevalent during in the interview, which is probably a little taste of the "difficult" Hartnell that so many of those who worked on Doctor Who with during his tenure have spoken of. Though he is filmed making himself up for a role in panto, he refuses to see pantomime as "legitimate theatre", which is a little hypocritical of him, seeing as he was prepared to take the money for appearing in something that he obviously considered beneath him as an actor.
Hartnell's association with Doctor Who seems to run hot and cold, as he starts off fairly cantankerously cursing the Daleks, referring to them as "a distraction" and he seems to think that it would be easy to shake off the role of The Doctor by doing other roles, but with only one more stage role after that panto and only two or three TV appearances (as well as The Three Doctors) – one can only speculate if Hartnell could have truly shaken off Doctor Who, but ultimately Hartnell's rapidly declining health meant that he would never shake off Doctor Who. It's a fascinatingly candid glimpse of Hartnell and we can't thank highly enough the people who were able to bring this rarity out for fans to enjoy.
Doctor Who Stories - Anneke Wills: The actress who portrayed Polly "put the kettle on" Wright gets the chance to give her perspective on the pitfalls and the pleasures of working on Doctor Who. This interview was conducted in 2003 for the 40th anniversary documentary, The Story of Doctor Who and - quite frankly - is an absolute delight, as Ms Wills displays a wonderful enthusiasm and an occasional arched eyebrow as she highlights numerous memorable moments from her time on the show.
From the original contrasting personalities of the characters of Polly and Ben ( "the Dolly Deb and the Yobbo Sailor"), to the transition between William Hartnell and Patrick Troughton, Wills' sense of love and enthusiasm for Doctor Who and many of her co-stars (especially Troughton) oozes from every pore. Wills decided to go against the type of tough female character that had emerged from shows like The Avengers and just react to monsters in the same way she would - scream very loudly, which she eventually regretted because it became a fairly regular occurrence (she would arguably tie with Deborah Watling for Doctor Who's screamiest companion).
The cantankerous nature of Hartnell is discussed, with Wills mentioning that she had been warned beforehand by her-then husband Michael Gough just how bad-tempered her co-star could be and Wills also explains that she had worked with "old duffers" such as Herbert Lom and Eric Portman, who were volatile and she was better able to handle his irascible nature better than some - you have to wonder if she was secretly including her distinctly volatile then-husband, Michael Gough in that list of "old duffers"? Her glee at Hartnell's departure and Troughton's arrival is something that will put a smile on your face as you watch it.
The best Anneke-dote has to be when she had just left the show and was sitting on a bench in Hampstead Heath with her children and Peter Cook (Wills hung out at The Establishment and was friends with Pete and Dud), when a small child comes up and sits next to her, seeing her not as actress, but as Polly herself - the decision not to pretentiously waffle about Polly being a character she played and instead speaking as Polly and replying to the child's question about the TARDIS changed her perspective about Doctor Who and the magic it was (and still is) able to create.
In short, this is 13 minutes of sheer bliss - we could have listened to her for hours. Though so many of Anneke Wills' Doctor Who episodes are missing and Polly is often overlooked as a companion (and in effect, so are Ms Wills acting abilities), it's good to hear the actress speak with such enthusiasm and it makes you want to dive back into your mid-to-late sixties Doctor Who collection and see Polly in action. This featurette truly IS a triumph of the Wills. Forget it.
Boys! Boys! Boys!: In what could be looked upon as an effort to redress that balance that was slanted in favour of the female companions in Doctor Who ( Girls! Girls! Girls! had three instalments), this documentary has three of the male actors who played assistants to The Doctor. Peter Purves (Steven Taylor), Frazer Hines (Jamie McCrimmon) and live, via satellite, Mark Strickson (Vislor Turlough) all chat about their experiences on Doctor Who.
Each of them describes how they got the Doctor Who gig (Purves originally played redneck Morton Dill in one of the earlier episodes of The Chase and made a good enough impression on the producer that he was kept on to play Steven toward the end of that same story) and they all have a sense of humour about their time on the show.
What quickly becomes clear is that each actor knows very little about the era that the others were from, with Purves knowing only the most scant info about Hines' time on Doctor Who and knowing pretty much nothing about Strickson's run.
There is a good degree of chemistry between Purves and Hines, it's just a pity that Strickson couldn't have been in the studio with them, as the three of them would have gotten along famously – as it is, it's still good fun, but there is the feeling that Strickson exists in this ethereal glass bubble, like that typing chair trap thing in Time and the Rani.
The outfits each of them wore are put under the spotlight, with Purves loathing the stripy jumper that he wore in The Celestial Toymaker, Hines being perfectly fine with sporting a kilt and Strickson loving the dark school uniform that he had – Strickson was allowed to pick out the items himself, apart from the socks, which were multi-coloured and garish, courtesy of a certain flamboyant producer...
The essential function of the male assistant is discussed, with only Purves being the only one of the three of them who was able to perform the basic function – taking care of the more action-orientated demands of the story, as Purves served an older actor playing the Doctor; Hines came aboard just after Hartnell was replaced by a considerably younger man and Strickson appeared on the show during the era of an actor who was in his early thirties.
Doctor Who has long been dismissed as a children's show, but Strickson is quick to dismiss that, as it was aimed at a family audience, with certain aspects to bring in all the family to watch (including Hines saying that he was essentially acting as eye-candy for young women) and he just looked upon Doctor Who as drama, calling it "gold-plated... true family entertainment". We couldn't have put it better ourselves.
Unlike Girls! Girls! Girls!, this looks it like it will be the only instalment of Boys! Boys! Boys!, as there were comparatively few male companions on the show, unless someone wants to make a documentary with Matthew Waterhouse where he defends both the character of Adric and his time on the show? Thought not. What we have here is great fun and although there are a few stories and anecdotes that you may have heard before (mainly because Frazer has honed them to perfection over the years), they're always welcome and you'll enjoy this romp through the barren landscape that was the domain of the male Doctor Who companion.
Companion Piece: Arthur Darvill, Nicola Bryant, Louise Jameson, William Russell, Elisabeth Sladen (taken from the 2003's The Story of Doctor Who) all appear in this examination of the role of the companion and the possbible psychological workings of the various characters who have hopped aboard the TARDIS for an extended stay.
There is the degree of pretentious waffle from psychologist Tomas Charmorro-Premuzic, who seems to have been prepped for this documentary in the same manner as C-list celebs are primed for those ghastly "100 All-Time Greatest Ever..." list clip-shows, being shown a small selection of items from a large reserve and being asked to comment upon them. At one point, he describes The Doctor's need for having companions as "narcissistic", that they are "trophies" and that The Doctor is incapable of maintaining long-lasting relationships – this is all well and good, but the practical aspects of television production means that the average companion is only around about two or three years before the actor wants to move on and do something else. It is interesting that the good Doctor picks up the fact that having Ace facing her fears near the end of the original run of Doctor Who was essentially cognitive behavioural therapy – this was supposedly sewing the seeds of having Ace packed off to Gallifrey to become a Time Lady or whatever, but we'll never truly know if this would have happened.
Nicola Bryant provides the main voice of the companion during this documentary; it could be argued that she could be one of the quintessential companions, so giving her a voice here provides a welcome window into the world of the companion. Bryant insists that she portrayed Peri with a degree of resilience, otherwise it would have been completely out of touch with reality, but concedes that she still needed to scream, and William Russell pops up to confirm that Carole Ann Ford left Doctor Who because it seemed as though all she was required to do was scream (well, that and twist her ankle and/or fall over. Bryant should have reiterated her words on the function of the companion that she amusingly rattled off in More Than 30 Years in the TARDIS, which summed the whole thing rather nicely.
It's also nice to see Arthur Darville being interviewed; he has a quiet introspectiveness about him and provides a modern-day perspective on what it means to be a male companion in the 21st century, with him amusing saying that Rory is the kind of questioning character who would insist upon taking out travel insurance before going off (presumably to an alien world).
Writer Nev Fountain brings up an interesting point in that the original concept of the companion on Doctor Who was all-important, with Ian and Barbara being the focus of the show (which Russell T Davies seemed to take on-board when he brought the show back. He also notes that Frazer Hines ceased to be Jamie McCrimmon a few episodes in and simply became Frazer Hines in a kilt.
This documentary has to manage the tricky balancing act of being entertaining and being informative and it seems to manage this quite well; even if you happen to disagree with the swarthy psychologist, there is still plenty of other stuff in this to entertain and inform.
Some of the various departures of companions are brought under the spotlight, including the frankly ludicrous decision to soften the exit of Peri during the Trial of a Time Lord season by hastily revealing that she wasn't dead after all and had decided to shack up with Brian Blessed. Bryant herself speaks of her dislike of this last-minute interference and certainly didn't know that her character was going to end up being married to The Human Megaphone.
The Golden Age: Historian and smarmy know-it-all Dominic Sandbrook (did you ever see his series looking at the 1970s? Jesus...) is your host for this look at the parallels between events happening during the run of the original series and New-Who. Sandbrook - speaking the words of Doctor Who author Simon Guerrier) sees if there was truly a "Golden Age" of Doctor Who, delving into the Audience Appreciation Index in order to get a better perspective on how "good" the show was at any given point. Cue the infamous clip of John Nathan-Turner - from the 1986 episode of Open Air - explaining how he thinks that "the memory cheats" in terms of looking back on something through rose-tinted glasses, along with the footage of a young Chris Chibnall saying that Doctor Who had great capacity for adult drama from that same programme. Hmm, wonder if that ever worked out...?
Sandbrook turns his attention to reaction from the press and certain influential members of the public including that old witch Mary Whitehouse (she's dead, she can't sue and we genuinely cracked open a bottle of champagne when she croaked) and her mindless hoard of unquestioning sheep-like God-botherers. Sandrook puts forward the notion that Whitehouse's James Anderton-like "God-on-my-side" meddling could have resulted in a noticeable shift in tone relating to on-screen violence between seasons fourteen and fifteen, but this was probably due to a change of producers and a departure from the "gothic" trappings that were indicative of the Philip Hinchcliffe era.
The budgetary deficiencies that were turned into triumphs are exalted and a certain Pip and Jane Baker debut story is shat upon and Sandbrook (along with writer Guerrier) conclude that the show's constant evolution was what has kept it going and that the so-called "Golden Age" of Doctor Who is, in fact, all of it. There will be many fans who disagree with this opinion - to the point that Character Options Lazlo figures and Dapol Tetrap figures will be hurled at screens across the land - but we are all entitled to our own opinions and the world would be a rather dull place if this wasn't the case.
Blue Peter: Well, we suppose that it HAD to be included in this set. To celebrate the show's 10th anniversary, Blue Peter ran a piece about Doctor Who and the nine minutes you see here could be looked upon as the reason why episode four of The Tenth Planet is still missing from the BBC archives, as it was borrowed to get the regeneration clip to show on Blue Peter; if there is any bright side to this extract from Blue Peter, it's that an extended clip from an otherwise missing episode of The Dalek's Master Plan is also included. Given that there were clips from The War Games, it's nothing short of a bloody miracle that all ten episodes survive to this day.
Hosted by Peter Purves, Leslie Judd and John Noakes - who rather modestly mentions his involvement in Doctor Who - there are a host of clips and a little bit of light-hearted banter between Purves and Noaksie about the haircut Purves had as Steven, along with a rather superficial look at the effects that have been used in the show (mainly ones from The War Games) and the handy list of adversaries that Patrick Troughton rattled off during his final episodes. Purves is required to mention a few of the monsters that had been seen during the early part of Jon Pertwee's era and it seems bloody obvious that he hadn't much of a clue what he was talking about, being thankful that he was either reading off an autocue or idiot-boards. This is fun, nostalgic stuff that at some points will have you almost watching from behind the sofa (because of Purves' toe-curling monsters roster), but it's nice that it has finally been included in it's entirety.
Photo Gallery: Well, you know that this is going to be an enjoyable romp through the various selection of images from The Tenth Planet the very second you hear realise that the tune most associated with the Cybermen, Space Adventure. will accompany them a lot of them! There are some cool pictures from the studio filming of the blizzard scenes, along with some interesting pictures of the Cybermen being touched-up (not in the molestation sense, of course) by members of the production team. Elsewhere, there are some nice pictures of the sets and some portrait pics of the cast. It's always nice to see pictures like this, but it's a pity that there are no images from the filming of the regeneration.
Coming Soon Trailer: It's The Moonbase. Again. There's no denying that it's a nice trailer, but it's been seen before.
PDF Materials: As well as the usual Radio Times listing, there is a reproduction of a small article to publicise the first episode of the story and also a little teaser about the return of the Daleks. It's interesting to note that at no point during this Radio Times material is any indication giving that Hartnell was leaving the series nor that Patrick Troughton was going to replace him.
This story may have it's detractors, but there it is impossible to deny that it is an incredibly important one; it sees William Hartnell leave Doctor Who, it establishes the concept of what would later be termed "regeneration", allowing the show to potentially run indefinitely (in our opinion, this was the first and the best regeneration). It also introduced the Cybermen, even if the original depiction is somewhat rough around the edges and also was the first Doctor Who story to feature what would become a staple of the Troughton era - the base-under-siege!
The Doctor Who Restoration Team have done the best they possibly can to try and restore the picture to how it should have looked when originally transmitted and we - as always - applaud their sterling efforts. The animated episode four is very enjoyable and well executed. The extras are plentiful and wonderfully enjoyable, with the William Hartnell interview being the jewel in this particular crown. This story may have already been released in the Regeneration box-set, but the extensive array of extras presented here make it far easier to justify a double-dip.
Review by Wilson Bros
Faltskogian Member Join Date: February 2006 Location: United Kingdom Posts: 26
Great entertaining review, good news about more "lost" episodes being found, more loot for the BEEB & even better a few more reviews from you fine chaps!
General viewing, but some scenes may be unsuitable for young children
Disc Details
Release Date: 14th October 2013
Discs: 2
Disc Type: Single side, dual layer
RCE: No
Video: PAL
Aspect: 1.33:1
Anamorphic: No
Colour: No
Audio: Dolby Digital 2.0 English
Subtitles: English
Extras: Audio Commentary, Frozen Out, William Hartnell Interview, Boys! Boys! Boys!, Companion Peice, The Golden Age, Blue Peter, Information Subtitles, Coming Soon Trailer, PDF Materials
Easter Egg: No
Feature Details
Director: Derek Martinus
Cast: William Hartnell, Anneke Wills, Michael Craze, Patrick Troughton, Zippy From Rainbow
Genre: Sci-Fi
Length: 98 minutes
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Has 11 musically-tuned tubes and a cool stand. Only from Woodstock!
The XR stands for eXtended Range (the Chimalong has 8 notes, the Chimalong XR has 11). This product is lively and fun. Kids stand and play, just like a professional musician. The Chimalong XR is tuned to a diatonic scale starting on the note G, one octave and a fifth above middle C on the piano. The scale is: G A B C D E F G A B C. This is a C Major scale starting on G. The upper 8 notes are those found on the original, award-winning Chimalong. A xylophone-style instrument, the Chimalong XR comes with a 28-page instructional songbook that contains 16 songs arranged especially for the extended range of this instrument. It also comes with 2 mallets and a detachable music stand.Only from Woodstock!The Chimalong XR is a multi award winner:Oppenheim Toy Portfolio Gold Seal Award WinnerTDmonthly.com Top Toy Award Winner Watch Woodstock Chimes founder and owner Garry Kvistad introduce and play the Chimalong.Watch TDmonthly.com VideoDownload additional songs to play on your Chimalong XR!Download Chimalong XR setup instructionsDownload the Chimalong XR ringtone, it's Garry playing Bach's famous piece, "Jesu, Joy of Man's Desire."


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The sex wars are over, and the men won! Yeah! According to a study! But not just any study—a study of l'amour, a way that guys say "love" when we are being especially seductive.
Love is a word that means "an emotion felt more by men." Men know of this thing called "love," which has long been a mystery to the fairer sex. I guess that's why we men are always the ones speaking of love, while the ladies natter on about "I am pregnant" or whatever she said.
This new study—a study of, if you will, l'amour—found that men, not women, are the first ones to say "I love you" in two-thirds of all (hetero) relationships. That's right: we men, beleaguered though we may be in pop culture, are the ones bold enough to step forward and proclaim our love for you, Sharon. Shelly? Shelly, yes, that's what I said.
The study found that while men consider saying "I love you" a full six weeks before their partners, they are also more likely to enjoy hearing those words if they haven't yet had sex. On the other hand, women are more likely to enjoy hearing "I love you" if sex already has occurred... In other words, he offers intimacy because he wants sex, and she offers sex because she wants intimacy.Details, details. Did you hear me say "I love you?" I said it! Gurl U No we need to share this love in a physical manner.
[Chicago Sun-Times via Pat's Papers
Source Gawker.com May 7, 2011


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White Girl Rapper With Flow Spits Bars Over Lil Wayne's "She Will"!
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A financial felon who owned millions of shares in an energy company whose stock soared and then plummeted now is one of the funders of a heavily touted gold-mining venture.
Samuel DelPresto — a former brokerage executive who pleaded guilty to conspiracy charges in connection with a 1990s fraud scheme — has provided more than $500,000 to Southern USA Resources Inc. (OTCBB: SUSA).
Southern USA Resources went public through a reverse merger last April. It says it is developing a gold mine in Alabama, a state that has had no commercial gold production for decades.
Southern USA Resources is the focus of a promotional campaign that began earlier this month and has a budget of at least $900,000.
Our investigation found that the amount being spent to tout the company is seven times greater than the amount of cash and other current assets it listed in its latest quarterly financial report. It also is only slightly lower than the carrying value of all of the company's assets, including its land, minerals and mining equipment.
Securities and Exchange Commission filings show that DelPresto and four other funders are bankrolling Southern USA Resources in return for notes that can be converted to stock at a fraction of the current market price.
Southern USA Resources' stock closed Monday at $1.50 a share. At that price, the company had a market capitalization of nearly $45 million.
The shares underlying the $2.6 million in convertible notes that Southern USA Resources has issued to DelPresto and the other funders since the reverse merger would be worth an additional $20 million.
Although the SEC barred Del Presto in 2002 from associating with any broker or dealer, the order did not prohibit him from financing or promoting public companies.


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3 stars (out of 4)
The Los Angeles quintet has changed lineups almost as often as Lady Gaga changes outfits in concert, with Bobby Hecksher the sole constant. Yet the approach has remained consistent over six albums in 12 years, a measure of the singer-guitarist's obsession with certain sinister sounds.
"Skull Worship" (Zap Banana/Cargo) revels in slow-build dynamics: guitars strumming hypnotically over a droning foundation while tribal drums pound and Hecksher sings like he's just barely survived a car crash. "Dead Generation" lifts off on its mission to derange the senses, then crashes to a close in a squall of feedback. The steady, distortion-saturated churn of "Chameleon" and "Endless Drops" sets up the beautiful dirge, "Silver & Plastic," which drifts into the shadows alongside a mournful cello. Its companion, "He Looks Good in Space," builds its otherworldly beauty around a handful of long, sustained organ tones.
Though the thundering doomsday drive of early Warlocks classics such as "Shake the Dope Out" and "It's Just Like Surgery" is largely missing, Hecksher and his bandmates sound just as heavy at more deliberate tempos. When the guitars finally crash through in "You've Changed," it feels like a dam busting open. Unfortunately, the album limps to a close with the dirgy "It's a Hard Fall" and the reverberating backward guitars of "Eyes Jam." It's the sound of the Warlocks finally burning out on the most inward-looking album of the band's career.


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The Xperia Ion is the first Sony smartphone to run on AT&T's LTE network. It's got a 4.6-inch 720p display, a whopping 12MP camera that can come awake from standby and take a picture in 1.5 seconds, 1GB of RAM, and a 1.5GHz dual-core CPU. Shipping with Gingerbread sometime in 2012, we expect this one to be on the fast track for Ice Cream Sandwich.
The Ion is also a PlayStation certified device, and it will have access to the Sony Entertainment Network.
Announced: Jan 09, 2012
Released: Mar 31, 2012


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|The authors own nothing. Joss, UPN, WB, etc. own Buffy, the show, the characters, the places, and the backstory. The authors own any original plots.


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Bam Margera Nearly Collapses At Crash Scene Of His Best Friend "Ryan Dunn"
"Bam Margera cried so hard his body shook Tuesday night when he went to see where best friend and Jackass co-star Ryan Dunn died in a fiery crash. Margera rocked back in forth in agony at the guardrail that Dunn pierced with his Porsche Monday morning with such force that the car slammed through about 40 feet of trees before exploding into flames." - NBC. Courtesy of allflamerz.com
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China's "Kingdom of Mushrooms" has a new king.
An as-yet unidentified species of mushroom that bears some resemblance to the giant honey mushroom weighs in at a whopping 33 pounds, measuring 37 inches across.
The massive fungus was discovered in China's Yunnan province, home to more than 600 known species of mushroom. The country's fungus business mushroomed to a hefty $44 million in 2005 and is the source of some of the costliest specimens in the world.
As for world records, the new fungus will have to wait until its species is identified. The current record-holder for largest was a 2,400-year-old giant honey mushroom discovered growing underground in Oregon, measuring a whopping 2,384 acres in size.


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Mobile & Apps: "The one game almost all fans of the JRPG genre would love to see remade on both the Sony PlayStation 4 and Microsoft Xbox 720, is Final Fantasy 7. This is the game that arguably popularized JRPG outside of Japan, and could very well be the game to save the genre."
I thought this was a PS4 and PS Vita and PS3 exclusive. I don't think it would go to the Xbox because the strongest area of Sony's consoles is in Japan where FF6 is strong. The Xbox is weak in Japan so I think that it would be a PS exclusive.
Wasn't FF VII a joint Square and Sony project back in the day?
I honestly don't want it remade,current square would ruin it.
Also the person in the article mentions the ps3 and 360 ram but it isn't accurate.
It can happen only if Square dedicates $100 million budget and full FF team to FF7.
Anyone that has even started the game can easily see why.
broooo, im pretty sure we could give the FF7 remake predictions/rumors a rest until we get evidence thats a little more concrete.
im pretty sure square has gone on record to say that an actual current gen quality remake of 7 would take them till the end of the millennium.


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May 12, 2008
Boston, MA -- In an ongoing nationwide class action lawsuit against Abbott Laboratories, Inc. (NYSE: ABT), the Court in the case recently ordered the unsealing of documents regarding Abbott's four-hundred percent price increase of the HIV/AIDS drug Norvir®.
Abbott fought to keep these documents sealed, arguing that they contain 'business strategies' important to Abbott's competitive position in the HIV pharmaceutical market. But Judge Claudia Wilken ruled that because the price increase related to the "allegations that are central to Plaintiff's anti-trust claims" the documents should be unsealed. (Order, p. 3).
The ongoing lawsuit, brought by SEIU Health and Welfare Fund and others, alleges that Abbott violated federal antitrust laws when it increased the price of Norvir (ritonavir), a drug used in combination with other protease inhibitors (PIs), by 400%. It did not raise the price of Kaletra, another Abbott pill which combines Norvir and Abbott's own protease inhibitor, lopinavir. Plaintiffs allege that this price increase was engineered in order to force patients and insurers to switch from using Norvir (which is taken with several other competitors' PI drugs) to Kaletra.
The unsealed documents revealed how Abbott Labs dismissed patient considerations from their pricing considerations.
One document shows that Abbott considered making Norvir available at its original price only in a foul-tasting liquid form that Abbott executives acknowledged tastes like "someone else's vomit." Abbott also considered completely halting Norvir production, while continuing to make only Kaletra. This would have forced millions of patients to switch to Kaletra, despite the fact that it would have exposed them to Kaletra's side effects, and would have deprived them of vitally important treatment options to preserve for future stages of the disease.
Other documents show that Abbott executives planned to justify a price increase by stating that it was "no longer feasible for Abbott to continue manufacturing Norvir capsules" at their original price. Abbott executive Jesus Leal noted that this plan and rationale had a significant weakness -- "exposure on price if forced to open books."
"We're appalled by the callous disregard for HIV/AIDS patients that Abbott displayed in the documents they tried to keep secret," said Steve Abrecht, Executive Director of the SEIU Health and Welfare Fund. "We plan to continue pushing the class action lawsuit against Abbott forward, to hold them accountable for this unconscionable and cynical price gouging."
"These documents show that Abbott put profits ahead of the needs of seriously ill HIV/AIDS patients in quintupling Norvir's price" said Alex Sugerman-Brozan, director of Prescription Access Litigation, a national coalition of which plaintiff SEIU Health and Welfare Fund is a member. "This information would never have come to light if not for this lawsuit, demonstrating that litigation is sometimes the only means to uncover such schemes and hold drug companies accountable."
One of the unsealed documents contained a chart summarizing a proposed slide presentation discussing the price increase. One column in that chart described a slide titled "Public Relations and Activist slide," which tellingly contained nothing but a question mark "(?)", suggesting that Abbott was aware of the outcry that would ensue following the price increase but had no convincing explanation for it.
In the months following Abbott's price hike in December 2003, Abbott was the target of numerous protests and widespread public condemnation, shareholder resolutions, government investigations, physician boycotts, and an unsuccessful petition to the NIH and FDA to force Abbott to permit a generic version of Norvir onto the market. The class action lawsuit is the only significant challenge to the Norvir price increase that is still ongoing.
The class action lawsuit, originally filed in October 2004, has cleared numerous hurdles. The case is scheduled to go to trial in August 2008. The Court has already denied Abbott's motion to dismiss the case and certified the case as a national class action. Abbott's request that the 9th Circuit Court of Appeals review the decision certifying the case as a class action, and Abbott now also faces lawsuits brought by chain pharmacies and GlaxoSmithKline, a competitor in the HIV/AIDS drug market.
On May 1, the Court held a hearing on Abbott's Motion for Summary Judgment. The case is part of In re Abbott Laboratories Norvir Anti-Trust Litigation, 04-CV-1511, U.S. District Court for the Northern District of California. The Judge's ruling, and copies of the unsealed documents can be found at prescriptionaccess.org/lawsuitssettlements/current_lawsuits?id=0022.
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|View all
Mount Diablo State Park reopens to visitors
Aerial photo Monday of back side of Mt. Diablo shows areas damaged by Morgan fire over the past week. Photo taken from plane flown by David Alameda out of Ahart Aviation at Lovermore Airport by Mike Sedlak at firstname.lastname@example.com/
© 2018 PleasantonWeekly.com.
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Running Time: 88 min.
Release year: 2008
Current rating:
Rate Movie | Not yet Reviewed
Fifteen-year-old April is running from one bad situation into another, hoping to find an answer that doesn't involve taking off her clothes. As April navigates Los Angeles, she falls in with a group of confused kids struggling to chase their dreams.
The black widow at the centre of this web is a sexy, pot-dealing realtor named Sally St. Claire, and anyone who gets too close falls victim to her kinky entanglements.
Jason Freeland


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A world leader in international student placement services
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Point protectors are used to secure the stitches on knitting needles. The clover point protectors seem to last forever and are a must for every knitting bag!
We provide endless possibilities for you including yarn, knitting gifts, needles, kits, sale yarn, free knitting patterns, and more!Jimmy Beans Wool is Your Local Yarn Store... Online!


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Blazers loved great Damian Lillard solo workoutPosted by Inside Hoops
Jun 29
Lillard's workout wowed the Blazers' officials, cementing the Weber State product's spot at the top of their wish-list for the No. 6 pick, which Portland used to draft him Thursday. Even with North Carolina's Harrison Barnes — a player many ranked higher in the draft pecking order — still available when Portland's spot came up, general manager Neil Olshey said there was not strong sentiment in the draft room to shift the pick to Barnes.
"Not as much as you'd think," Olshey said.
The Blazers were that focused on Lillard as their top choice for the No. 6 spot. In fact, Portland's second choice for the No. 6 pick was gone by the time the Blazers turn came (Olshey declined to identify the player, but did confirm he was drafted ahead of Lillard).
Although the Blazers performed a lot of advance work in getting down to Lillard, the June 15 visit was the tipping point. Buchanan said the Blazers put Lillard through a variety of situations that tested his footwork and his ability to get his shot off – coming off screens, on the run, off the catch, and so on.
– Reported by Mike Tokito of the Oregonian


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Find Our Latest Video Reviews on YouTube!
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Monday June 25, 2012 1:03 pm
iOS 6 beta 2 now available
Posted by Andru Edwards - Categories: Apple, Cell Phones, Handhelds, Software
Apple has just released iOS 6 beta 2 as an over-the-air download a few minutes ago. This release comes exactly two weeks after the initial iOS 6 beta, which was released during WWDC 2012. If you're on an iPhone 4S the download is 332 MB in size, while the same update on the new iPad weighs in at 527 MB. Check Software Update in your settings app to grab it now.
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Cee Lo Green, 'Magic Moment' (out Oct. 30)
Remember when Cee Lo made music with Danger Mouse and didn't put out albums featuring a duet with Christina Aguilera on "Baby, It's Cold Outside"? Ah, the good old days. Also, is that a reindeer driving horses on the cover? Cee Lo, it's time for a serious chat.
Copyright © 2018, Los Angeles Times


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Armenia, Azerbaijan, and Georgia: Political Developments and Implications for U.S. Interests
Description: This report offers background information and recent more development in Armenia, Azerbaijan, and Georgia political and economic situation. It also discusses U.S. policy, U.S. aid, U.S. trade and investments to these countries, congressional response and other legislation.
Date: September 27, 2012
Creator: Nichol, Jim
Partner: UNT Libraries Government Documents Department


text: Using techniques handed down by his father, Paul Bucacci has been planting a vegetable garden for years, but few have been as productive as this year's. In addition to a 12-foot "tomato tree," Paul's garden has produced some giant tomatoes like the three-pound one he is holding. He attributes the success of his green thumb to coffee grinds and chicken manure. In addition he layers the fertilizer so that later in the season when the roots reach the proper depth they have the nutrients to continue producing. The Hoxsie resident, who lives on Moore Street, also has seven-foot high kale plants and an abundance of beans. (Warwick Beacon photo)


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Eels - UK tour March 2013
17th Manchester Academy
18th Glasgow Academy
19th Leeds Academy
21st London Brixton Academy
23rd Bournemouth Academy
25th Brighton Dome
26th Norwich UEA
27th Nottingham Rock City
29th Bristol Academy
30th Birmingham Academy
are already on sale - via the band's website
Bournemouth may have to be done.
Playing Belfast and Dublin too.
£30 though :(
Fuck it I might go anyway
Ticketmaster goes on sale Friday for £33 plus their fees...
I bought 2 off the Eels site last night and inclusding fees it came to £55 so saving a bit there. The Belfast prices show as euro on the Eels site so you have to pick the currency change option. Saving a few quid plus a smallish venue setting will be good. Last time in Belfast they played Mandela Hall and the last time I saw Eels was in Vicar Street so I think it's a pretty good price.
Yeah I just stumbled upon the presale on the site and snapped one up
for about £26ish, bit better. Still surprised at the venue, I haven't been in the new 'Limelight 1' yet since the renovation though, has it upped the capacity?
Was always annoyed at myself for not going to that Mandela Hall show.
- oojimaflop this'd this
I nearly set up my own thread for this
thinking there wasn't one.
Bristol for sure, even though it's a horrible venue.
You always say that
Is simply not true. It's a brilliant venue, they just sell 500 ticekts too many. When it is massively under-sold it is the best.
We are looking at Amsterdam for this tour, as Academy will be horribly full and pointless for it.
I'm not sure where we disagree here
I saw Digitalism there and there were about 500 people. That was great. But most gigs there do sell very well or sell out (at least most of the ones I find myself at), so the point applies, as you yourself admitted in your second paragraph.
So yes, to be clearer... when full, it's horrible. I was there for Ben Folds Five on Friday and that was the case. Have tickets for Orbital this coming Monday and that's sold out too...
And it's worth adding
...that it's rarely massively under-sold, because generally promoters have a reasonable idea of what sort of crowd they can draw, and book accordingly. That said, the one venue that fits halfway between the smaller venues in Bristol and the Academy, capacity-wise, is the Anson Rooms, and that's hardly used these days. I think that's about 900 capacity, Trinity Centre is something like 600... am I missing anything?
My point is, the venue isn't the problem
the promoters are.
Wedding present the other day was probably about 400 people. Was amazing. Also over the years seen lot's of poorly attended shows there that were fantastic.
I know what you mean though, just think it is an important distinction.
In fact I loaded up my basket on bristolticketshop with Ben Folds and Orbital tickets when they were announced, then looked at the costs (£120 for two nights out, for two - entry only) then remembered they would both be rammed so wouldn't be able to see a thing, and ditched both of them.
this discussion has reminded me of two very different experiences
at bristol academy. Seeing Mercury Rev a few years back, 2010 ? such a brilliant gig. Plenty of room to move, undersold massively. Then Doves when Kingdom of Rust came out. Awful experience, absolutely rammed, had to stand on a stool in the corner up against the wall by the doors to get any sort of view. Really considering not going to Eels based on this. Can anyone convince me otherwise ?
The venue is putting me off a bit too.. I hate it in there
unless, as mentioned above, it's not sold out.... My wife fainted in at an Arcade Fire gig there a number of years ago and it took me about 10 minutes to get her out from the middle of the main part of the venue... annoyingly I had to sit out the back and watch the rest of the gig on a monitor with no sound. She selfishly fainted during the first song too... annoying...
I saw
Northside there in 1991 alongside about 49 other people. Great venue.


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The American Legion Post 274 family held its installation of officers at the Post home on Buttonwood Drive on Sunday, Aug. 11.
The District 13 officers of the American Legion, American Legion Auxiliary, Sons of the American Legion and Legion Riders were on hand to conduct the ceremony. Also in attendance were many Department of Florida officers, including 2013-14 Department Commander Art Schwabe.
Commander Schwabe thanked the Post for their efforts in helping veterans and the community. He talked about the difference this Post makes in helping veterans and how the Post members, along with the Auxiliary and the Sons of the American Legion as well as the Legion Riders, exemplify his motto "Making a Difference for Veterans Every Day" through their time, talents and unwavering support.
Article Photos
New American Legion Post 274 officers were installed Sunday.
--submitted by Trudy L. Archer