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This week we get to introduce another of our new ArtFire Chainmaille Guild members. This week it is Candy from EyeCandy Chainmaille. Let's go and learn more about Candy.
1) How long have you been a Chainmailler? I have been mailling for about 3.5 years now. There is an odd story behind why I started, but the fact is that I was interested in belled pieces and was not able to find what I wanted. I somehow ended up at mailling sites and was off and running.
2) Why do you like Chainmaille? Honestly, because it is tedious to do. It requires thought, effort and creativity that is constrained to the way the rings attach and interact. Making a peice requires not only a spark of creativity, but some idea of how to engineer the peice in such a way to have it lay correctly. That can be harder than one thinks when the piece shows itself in their heads. For example, I like beads to look like they are floating, meaning flowing with the design rather than being attached as afterthought. I also like clasps to stay on the bottom of the wrist instead of wheeling up. Assymetry is also a good study in engineering, because with chainmaille, which is heavier and much more solid than commercial grade necklace chain, you have to consider how to even the weight of the silver with the stones and which style of stone will flow with the design you are trying to achieve. Yeah, okay, lecture done... Sorry!
4) What kind of items do you prefer to make? Jewelry pieces. I really like bracelets but I make lots of earrings and pendants because those are easier to sell.
5) Which weave would you like to learn that you dont currently know? JPL and Elfweave.
6) Which piece are you most proud of? Uhm... well there are two. My Crosses, of course. Anyone who sees them knows they are on my site, my blog... of that it is my sending a message to them. I am also really proud of the Goddess Necklace I made for Sophia. It is Forads Keade weave with set stones with handmade settings, wrapped cabs that have handmade prongs hiding inside the HP-4 surround for security and because she did not want glue, wire-wrapped strand seperators, handmade nuggets with the stones set on them, and it features black opals, black pearls, tourmalines, and some stones that she had from rings she sold as scrap. The thing that really makes me proudest is the engineering of it all. Even with all that unlike material, the whole piece lays perfectly even across the front weightwise and when she puts it on, it so incredibly forms, almost melting, to her skin that no one can say the peice was not made just for her.
Thanks so much for answering our questions Candy, and welcome to the guild.
Wednesday, October 13, 2010
Introducing Eyecandy Chainmaille
Posted by Unknown at 3:45 AM
3 comments:
- Liz said...
Your items are beautiful! I'm very impressed. I can tell you take pride in each piece :)
- October 13, 2010 at 1:19 PM
- MikiCatDesigns said...
Great interview and beautiful work. I appreciate the advice even though I'm no longer a newbie. Would love to see the piece you made for Sophia. Got a pic?
- October 13, 2010 at 7:57 PM
- The ChainMaille Lady said...
Fabulous interview! I love your crosses!
- October 16, 2010 at 6:15 AM
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From the Forum
Photo by PoPville flickr user johnmcochran2012
Anyone know anything about RegRose Plaza near the zoo?
Looking for violin maintenance/repair.
Is it more expensive to ride to Maryland from DC on the green line than it is to ride to VA from DC on the green line?
Have you seen my stolen bike?
You can find all the forum topics here and items for sale in the classifieds here.

subset: commoncrawl


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Justin Blue: Graphic Designer. Illustrator. Mensch.
Justin Blue has been producing innovative graphic design since 2002. The following year, he graduated with honors from SUNY Oswego, with a BFA and some graduate work under his belt. Mr. Blue's love of great design is a constant revitalizing influence on his own work. He currently works full time in graphic design and website creation, bringing his talents to clients nationwide.
When not designing, Mr. Blue can usually be found engaged in intense tickle fights with his 3-year-old daughter, attempting to teach his Corgi to lay down, or in the kitchen perfecting his world famous lasagna. Mr. Blue also enjoys growing his expansive comic book collection and creating his own comic book inspired illustrations.


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We often feel disappointed when we fall short of an expectation we've set ourselves and it can feel like we've let ourselves or others down.
The "good parent" expectation is a common one that we create in our heads and then watch as it shatters when we lose the plot with the kids….again!
There are lots out there; "Good wife / husband / sister / business person / leader" – fill in the blank! Full Podcast Description


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The first six months of 2017 produced a remarkable turnaround in some of the key indicators of the health of the UK's retail locations.
"Across the half year Retail and Leisure vacancy improved and more businesses opened on the high street than closed. In 2016 the net loss in numbers of units had been more than -1,600 but in H1 2017 it returned to growth." Introduction, 'Retail and Leisure Report: Turning Point (H1 2017)'
To download your copy of the report summary please complete the form on this page. You will receive an email with your report shortly.


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Think of this: from your belly button, your strength of movement extends out like a spiderweb. Once you've engaged and braced your core muscles, EVERY other movement is an extension of that and becomes easier.
Pull your abdominal muscles IN and UP towards your belly button as if you are trying to squeeze into your skinny jeans! There - feel it?
There are numerous "core training" classes out there now. Be wary - if these are not instructed by someone qualified, you might be doing more damage than good.
I advise you to SEEK a personal trainer who can teach you how to SAFELY and EFFECTIVELY strengthen your abdominal, glutes and back muscles (like....ME!) and THEN get along to...
|mountain climber
- pilates
- yoga
- Ab Blast


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Effectiveness of neural mobilization and low level laser therapy for patients with cervical radiculopathy
Methodology: A total of 30 patients were selected and pre test values were measured by using as outcome measures and neural mobilization and laser therapy were given for 3 weeks and 5 days per week and the evaluator blinding was done. Numerical pain rating scale (NPRS), Neck disability index (NDI) are used as outcome measures. The collected data was tabulated & analyzed using descriptive & inferential statistics. To all parameters mean & standard deviation (SD) were used. Paired t-test was used to analyze significant changes between pre-test and post-test measurements.
Results: The P values of Numerical Pain Rating Scale and Neck Disability Index are less than 0.001 and high statistical significant differencemseen when compared within the group differences.
Conclusion: This study showed that there is beneficial effect in reducing pain and improving functional ability of the patients with cervical radiculopathy with a combined treatment of neural mobilization and low level laser therapy.
Full Text:PDF
Ayman Ali Galhom, Franklin C Wagner,Hassan Al- Shatomy. Cervical Spondylosis. 2005 october
Lishman WA, Russel WK. The brachial neuropathies. Lancet. 1961; 2:941-47.
Radhakrishnan K, Litchy WJ, O'Fallon WH, Kurland LT. Epidemiology of cervical radiculopathy. A population-based study from Rochester, Minnesota, 1976 through 1990. Brain. 1994 Apr; 117(Pt 2):325-25.
Rebecca Reisch, Kimberly Williams, Robert J. Nee, Richard A. Rutt. ULTT2 median nerve bias-examiner reliability and sensory responses in asymptomatic subjects. Journal of manual and manipulative therapy.2005; Vol 13, No 1:pp 44-55
Robert J Nee, David S Butler. Management of peripheral neuropathic pain , integrating neuro biology, neurodynamics and clinical evidence. Physical therapy in sports . 2006 ; 7(2): pp 110-111
Saranga J, Green A, Lewis J, Worsfold C. Effect of a cervical lateral glide on the upper limb neurodynamic test 1: a blinded placebo-controlled investigation. Physiotherapy. 2003; 89(11):678-84.
Saal J S, Sall J A, Yurth E F. Non operative management of herniated cervical intervertebral radiculopathy. Spine 1996; 21(16): pp 1877-1883
Vicenzino B, Collins D, Benson H, Wright A. An investigation of the interrelationship between manipulative therapy-induced hypoalgesia and sympathexcitation. J Manipulative Physiol Ther. 1998 September; 21(7):448-53.
Vernon H, Mior S. Neck disability index- a study of reliability and validity. Journal of manipulative physiological therapeutics.1991September;14(7):pp409-415
Michel W Coppieters , David S Butler. Do sliders slide and tensioners tension- an analysis of neurodynamic techniques and considerations regarding their application. Journal of Manual therapy. 2006
Albright J, Allman R, Bonfiglio RF, Conill A, Dobkin B, Guccione AA et al. Philadelphia panel evidence-based clinical practice guidelines on selected rehabilitation interventions for neck pain. Phys Ther. 2001 October; 81(10):1701-17.
Christopher R Showalter, Eric Van Doorne. The role of neurodynamics in carpel tunnel syndrome with double crush syndrome . Maitland Australian Physiotherapy Seminar
Allison GT, Nagy BM, Hall T. A randomized clinical trial of manual therapy for cervico-brachial pain syndrome- a pilot study. Man Ther. 2002; 7(2):95-102.
Hunt C. Peripheral nerve biomechanics- application to neural mobilization approach. Physical therapy reviews.2002 June;Vol 7:pp 111-121
Gerald E Malanga . the diagnosis and treatment of cervical radiculopathy.Medical science sports exercise.1997 July;29(7 Suppl):pp 236-245
Murphy DR, Hurwitz EL, Gregory A, Clary R. A nonsurgical approach to the management of patients with cervical radiculopathy: a prospective observational cohort study. J Manipulative Physiol Ther. 2006; 29:279-87.
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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.


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An 1898 edition of John Keats, His Poems, generously gifted to GSA Library by the Antiquarian Booksellers Association on the recommendation of antiquarian bookseller Cooper Hay, offers a markedly rare example of a binding designed by GSA alumna and esteemed staff member Ann Macbeth (1875-1948). Her illustrious career at the school lasted between 1897 and 1929, coinciding with the School's development of what was then a burgeoning art movement – now recognised internationally as 'Glasgow Style'.
The handsome volume is a compilation of John Keat's romantic verse and features a frontispiece, title page, and illustrations by Robert Anning Bell, appointed Chief of the Design Section of the School in 1911. Anning Bell was the designer of the book-binding for an 1897 edition of Poems by John Keats that is also held in the Library's Special Collections. Since both editions are published by George Bell & Sons, it is intriguing to consider whether Anning Bell would have recommended Macbeth as the most suitable designer for the second edition's binding. Produced by James Maclehose & Sons, it is set in green Morocco leather elaborately gilt-tooled in the Glasgow Style with exquisitely wrought details to the spine, inside front and back covers, and edges. The distinctive Glasgow Style rose motif is repeated in the form of a crest on the front cover. An almost identical binding design for John Bunyan's Pilgrim's Progress, (illustrated in The Studio in 1901), was exhibited at both the Arts & Crafts Pavilion at the Glasgow International Exhibition (1901) and the International Exhibition of Decorative Art (1902) in Turin for being exemplary of the Glasgow Style.
Beautifully decorative book covers were an effective method of exporting the designs of artists such as Talwin Morris, Jessie M. King, Archie Campbell and Ethel Larcombe to mass audiences at relative low cost. The trademark bold, geometric style of Mackintosh's architecture, for example, is replicated in his own book-cover designs. Glasgow Style covers were frequently published by local firm Blackie & Sons (for whom Morris worked as head of the Art department) and its subsidiary the Gresham Publishing Company.
As successor to Jessie Newbury as the Head of the Needlework and Embroidery section in 1909, Macbeth is renowned for her pioneering teaching techniques in art embroidery and furthering the School's international reputation in needlework. Her theories of needlework instruction and the 'needle as artistic tool' were disseminated in textbooks published between 1911 and 1929. A digital surrogate of the first and most famous of these books, Educational Needlework (1911), is available through the GSA Library catalogue. This classic text, co-authored with assistant tutor Margaret Swanson, became a paragon of instruction and remained on the Scottish school syllabus until the 1950s. Macbeth's talents also extended to other decorative art forms including bookbinding, metalwork, ceramics decoration, and pottery.
The ABA's donation is a distinguished and extremely welcome addition to the Library's growing Glasgow Style section and will take pride of place among our Special Collections. It also complements the School's archival holdings on Ann Macbeth including hand-written correspondence to the School's Secretary, and images of Macbeth teaching in the studio.
- Browse books on Ann Macbeth from our Lending Collections
- View our digitised Ann Macbeth volumes on Internet Archive


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Our Knowledge Centre combines a unique set of useful tools to assist ALL office movers. Use our moving guides, office space calculator, dynamic rental map and other tools to get an idea of what type of office your company needs. We'll make sure you get there.
Register for FREE now and get full access.
Oxford Street sees a staggering half a million pedestrians a day walk its famous pavements, and with nearly 170 buses an hour rumbling down the street, alongside endless ranks of taxis, it's no surprise that it bears the title "Europe's busiest street". Thankfully, it has been car free between 7am and 7pm every day for a long time. However, news on the block is that mayor Sadiq Khan wants to ban vehicles altogether as soon as 2020.
The long-awaited opening of Crossrail in 2018 is already set to increase retail spend by over 27%, while estimates on the impact a fully pedestrianised Oxford Street would have on the market put figures in the region of a 22% increase in footfall, with shopper dwell time and resulting sales predicted to grow by an impressive 38% compared to current levels. Which of course will increase shop profits, attract new retailers and generate rental uplift for landlords.
However, there will have to be a serious reduction in congestion, as simply shifting the traffic will create problems elsewhere; heavily affecting the nearby streets, along with a whopping 10,000 residents and businesses. Bus routes will need to be revised, and solutions generated around deliveries to buildings along Oxford Street itself, as well as how office and retail workers' commutes will be affected. City management needs to be carefully reviewed, with sustainability playing a key role.
This news was brought to you by Morgan Pryce, a specialist tenant acquisition agent with offices in Oxford Circus and the City. Morgan Pryce specialises in search, negotiation and project management and works exclusively for tenants.
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Visiting Modesto for a few days? Planning some nights out with friends and family? Perhaps a few sightseeing trips? Modesto is a wonderful place to check out. Not only do you have so many historical sites, such as the McHenry Mansion and the State Theatre, but you will be able to enjoy great artistic performances, bars, clubs and restaurants. There is always something fun to enjoy in Modesto.
Getting Around the Area
The only downside to visiting is that you cannot rely on public transportation in the area. It is okay if you know all the routes and need to get to work. But if you are visiting the area or planning a fun night, you do not want to deal with buses and long walks. Traveling in style is much preferred!
Ditch Uber
It is tempting to just Uber everywhere in Modesto. But you will soon find that Uber can be unreliable. Your driver may not know the best routes, they can take 15 or 20 minutes to show up, and the rates shoot up during busy hours.
Hire a Luxury Limo
The best way to get around the Modesto area is by renting a limo. If you are planning a trip for a few days, renting a limo for the duration is the safest bet. You will get an upfront rate for the driver and car. You will know what you are paying. And you can use the service as much as you want during that period.
Whether you go to five or ten places during the day, you pay the same amount. And you can easily have some wonderful nights with your friends too. Bar and club hopping is so much better when you have a limo waiting for you outside. You never have to worry about whether the Uber driver is arriving. And you certainly will not need to deal with the possibility of someone driving after drinking.
Enjoy Your Vacation in Modesto
You are only here for a few days. You are getting some friends together to relive your high school or college days. Or you are visiting family. Either way, it is a special trip you should enjoy. Stressing about transportation can interfere with that enjoyment. Rent a limo for the duration of your trip and you can get around the area in style – and worry-free! You will have the time of your life in Modesto!


text: Sometimes I wonder if we're completely crazy doing what we do with Yellowtrace, and this feeling significantly intensifies in the lead-up, during and just after the annual Salone del Mobile & Milan Design Week. The sheer magnitude of this design event shocks me each year, and attempting to tackle the enormous beast in order to bring you the best without missing anything is a seriously daunting task which sometimes leaves me feeling paralysed. But then I snap out of it, pick myself up, brush off any dust and get on with it.There is no doubt Salone is bigger than Ben-Hur, and giving you a full rundown of what you can expect from this year's events is an impossible task. Having said that, I couldn't help but share some of the products, events and installations of note to help you plan your Milan Design Week 2017 itinerary (or alternatively allow you to live vicariously through this list).Catch you on the flip side! x COME TO OUR MILANTRACE TALKS! Related Post: Milan Design Week 2017 Survival Kit & Our Must-See Milan Itinerary. Team Yellowtrace are flying to Milan courtesy of Cathay Pacific, who fly to Italy several times each week. Cathay's great connections from Australia allow getting from Sydney to Milan in under 24 hours, including transit times. For more information visit cathaypacific.com.au. Bloc studios presents Marble Matters // Curated by Bloc studios, "Marble Matters" is a project at the intersection of design, craftsmanship and sensorial perceptions, realised in collaboration with designer Sabine Marcelis and photographer Carl Kleiner. The pair have explored themes such as flowers interactions and light paths, both linked by the undiscussed material of Bloc Studios universe: marble and natural stones. Kleiner worked with Bloc studios to create "Posture Vases", a collection where flowers are mounted on a construction of metal wires and marble bases. Marcelis presents the collection Voie Lights – The Stone Edition, the result of an investigation into the manipulation of light-paths, through the addition of an extra material as the marble.bloc-studios.com Gulla Petal Chair by The Los Angeles Conversation.Left: Keramis by Nicolas Bovesse. Right: Undecided Sofa by Mangiarotti Suppanen for Manerba. Bee Gold by Xavier Lust.Left: Industry+ New Old Divider. Right: Shigeru Ban Chaise Lounge for Wb form. Max Bill Table from Wb form.A Matter of Perception – Linking Minds Exhibition at Palazzo Litta // The 2017 edition of 'A Matter of Perception' will see Mosca Partners and DAMN° return to Palazzo Litta together again with some of the most interesting protagonists in international design. The third edition of the exhibition will explore the theme of LINKING MINDS. Very often good ideas are generated by closed encounters and long lasting collaborations. The goal is to create an exhibition that extends from the creative process between two or more people. Ideas that grow from scratch through a mix of friendship, mutual trust and experience.Palazzo Litta Corso Magenta, 24 GOD – A project by Alberto Biagetti & Laura Baldassari, Curated by Maria Cristina Didero // Laura Baldassari and Alberto Biagetti of Atelier Biagetti continue their analysis of contemporary society's greatest obsessions with another immersive, experiential design project, the third of the so called Biagetti saga, curated by Maria Cristina Didero. If in 2015 Body Building examined power and beauty through the seemingly skin-deep subject of the human body and NO SEX in 2016 addressed human psychology through the first basic element – sex, then the title of the 2017 project is a logical progression: GOD.Piazza Arcole 4 atelierbiagetti.com Left: Textiles by Irene van Vliet. Photo by Sunna and Marc van Praag. Right: Carpet by Nicolette Brunklaus. Photo by Arjan Benning.Left: Cabinet by Jasser van Oort. Right: Result chair by Royal Ahrend.Masterly Dutch Pavilion 2017 // Nicole Uniquole, the Dutch curator and initiator of Masterly, returns to Palazzo Franceso Turati. Much like last year, Masterly 2017 is an interdisciplinary group of exhibitions of Dutch Design, Art, Craft, Fashion and Photography, as you have never seen them blended before.Palazzo Franceso Turati Via Marevigli 7 masterly.nu Pudica Chair by Pedro Paulo Venzon, Centina Totem by Oeuffice, Arca chandelier by Philippe Malouin & Puffball by Faye Toogood.MATTER MADE at Galleria Il Milione // Matter Made is an American manufacturer of contemporary lighting, furniture and objects, making a debut in Milan with the launch of its new collection. Born as the in-house collection for Matter, the NYC design destination, Matter Made is presenting new works by Faye Toogood, Pedro Paulo Venzon, Philippe Malouin and Oeuffice.Galleria Il Milione Via Pietro Maroncelli, 7 New Venue for Paola Lenti // After many years of showing in the same place during Salone, Paola Lenti is branching out and leaving the old monastery behind in favour of a derelict warehouse in the outskirts of town. This new location is very close to the extremely fabulous Fondazione Prada, so plan your itinerary accordingly.Via Orobia, 15 paolalenti.it MINDCRAFT17 // The Danish Arts Foundation's annual flagship exhibition for Danish craft and design, will this year be curated by Henrik Vibskov. The inspiration for this year's MINDCRAFT, TIME, sprang directly from the historic setting for the exhibition, the San Simpliciano cloister, where time plays a central role in structuring the flow and rhythm of life. Time thus also formed a key focus for the 18 makers and designers selected to take part in MINDCRAFT17.Chiostro Minore di San Simpliciano Piazza Paolo VI 6 mindcraftexhibition.com MULTIPLEX by Tom Dixon // Tom Dixon is bringing his successful MULTIPLEX concept to Milan – in the iconic Cinema and Galleria on via Manzoni – the epicentre of the city's cultural and luxury shopping district. Against the backdrop of 50's Italian glamour, Tom Dixon will tell the stories and show the products of Yesterday, Today and Tomorrow. The enormous 840-seat cinema and historic Galleria will play host to a combination of culture, entertainment and commerce – the very essence of Milan Design Week.Teatro Manzoni Via Manzoni, 42 'Everything is Connected' Norwegian contemporary crafts and design // Norway returns to Ventura Lambrate to present a fresh and far-reaching insight into the country's culture of craft and design. Curated by designer and interior architect Katrin Greiling, Everything is Connected brings together the biggest contemporary talents in Norwegian design and craft to tell the story of the country's creative scene today. Designed by Norwegian-Italian studio Kråkvik & D'Orazio, who also created the exhibition space for Structure in 2016 and Norwegian Presence in 2015, Everything is Connected promises to be one of the highlights of Milan 2017 – an immersive and ambitious attempt to represent the creative culture of a country – and explore the infrastructure that supports it.Ventura Lambrate Via Ventura, 6 contemporarycraftsanddesign.no Petrified Carpets by Studio Ossidiana // 'Petrified Carpets' is a collection of concrete architectural objects inspired by the ideal garden found in Persian carpets. Experimenting with different techniques of casting, colouring, and texturing concrete, Studio Ossidiana has translated these elements into tactile concrete forms. Through the collaboration with high-end prefabricated concrete manufacturer Hurks, the objects expose the lively and bright character of a material that has, in the building industries, progressively lost its expressive potential. The project combines pigments, stones, sand and cement in different ratios in each object, making reference to the contours, tones, and shades of gardens.5VIE Design District, Milan studio-ossidiana.com Studio Formafantasma Foundation at Spazio Krizia // Studio Formafantasma will occupy and re-open the Milanese venue of Spazio Krizia after a few years of absence. The space is traditionally known to be one of the most prominent locations of the Fuorisalone, hosting significant cultural events and art presentations over the years. 'Foundation' will be presented in conjunction to the launch Formafantasma's first commercially produced objects with the lighting company Flos at Euroluce, and it is conceived as a way to give a deeper insight into the designers' thinking about lighting.Spazio Krizia Via Manin 8 Rose Gold Collection by Paolo Rizzo for Spotti Edizioni // Rose Gold Collection includes a sideboard and a dresser, and will be presented during Milan Design Week 2017 within the colourful space of The Box, with an installation by Paolo Gonzato. spotti.com paolorizzoarchitect.com Stone Age Folk by Jaime Hayon for Caesarstone. Photo by Vicky Lam. Jaime Hayon's Valencia Studio. Photo by Andrew Habeck. Jaime Hayon's Sketches for Caesarstone installation during Milan Design Week 2017.Caesarstone presents Stone Age Folk Installation by Jaime Hayon at Palazzo Serbelloni // Caesarstone returns to Palazzo Serbelloni to unveil "Stone Age Folk" by Jaime Hayon, the pinnacle event of their year-long collaboration with the world renowned Spanish designer for the 2017 Designer Collaboration Programme. Inspired by flora, fauna and folklore from different cultures, Jaime Hayon designed an architectural pavilion, which references the famous Crystal Palace built in Hyde Park, London for the Great Exhibition of 1851, combining over 48 Caesarstone colours with metal and stained glass.Palazzo Serbelloni Corso Venezia 16, Milan jaimehayon.caesarstone.com Fritz Hansen presents "Fritz Hotel" // Speaking of Jaime Hayon, the prolific man-of-the-moment will also curate the imaginary hotel lobby of "Fritz Hotel", which will will set the scene for Fritz Hansen's product launches designed by Hayon. Jaime Hayon shares his thoughts about the hotel installation – "I wanted to create an environment that blends the Northern heritage and craftsmanship of Fritz Hansen, with a lively, Southern attitude – I call this "Scandinavian Tropical." I have put in key pieces from Fritz Hansen's classics, along with some of my creations from our eight-year collaboration, including a new piece. I have filled the space with art, whimsical touches, and areas to grab a drink or just relax." As a sponsor of the world-renowned Louisiana Museum of Modern Art, Fritz Hansen will also feature an exclusive video installation from the museum's collection when we open the doors to our imaginary world at the Fritz Hotel.Fritz Hotel Via San Carpoforo 9 COS x Studio Swine Installation at Salone del Mobile 2017 // For this year's edition of Milan Design Week, COS will partner with London-based Studio Swine, an artistic collaboration between Japanese Architect Azusa Murakami and British Artist Alexander Groves. Studio Swine will create an ephemeral installation centred around a focal blossoming sculpture at Cinema Arti, a decommissioned cinema built in the 1930s by Italian architect Mario Cereghini. The installation will draw upon the natural and the industrial, while making minimal use of resources to create an immersive multi-sensory experience.Cinema Arti Via Pietro Mascagni, 8 Laufen Celebrates 125 Years with a curated art show // The Swiss bathroom specialist Laufen will showcase its rich heritage as well as its future in the exhibition "Milestones. Curated Art Show. What?" at La Posteria in the Brera Design District. Laufen will feature an exclusive viewing of the new SaphirKeramik collections, designed by Konstantin Grcic, Toan Nguyen, Ludovica and Roberto Palomba and Peter Wirz. Displaying for the first time the third generation of SaphirKeramik designed by Patricia Urquiola who takes the revolutionary material to new dimensions.La Posteria, Via Giuseppe Sacchi, 5/7 Left: Lee Broom Time Machine – Carrara marble grandfather clock with solid brass pendulum, weight and hands, Limited Edition of 10. Photo by Arthur Woodcroft. Right: Lee Broom 10 Year Ring Lights. Photo by Beth Davis.Lee Broom's Time Machine // British furniture and lighting designer Lee Broom will unveil his landmark tenth anniversary collection. Entitled 'TIME MACHINE', the 10-year show is a unique and immersive installation set inside a derelict vault in the famous and historic Milano Centrale train station. The vaults, which have been unused for over thirty years and previously never been open to the public before, form the brand new Ventura Centrale Design District in the heart of Milan launching during Salone del Mobile 2017. The installation will feature an edit of furniture, lighting and accessories from Lee Broom's ten-year career.Ventura Centrale Via Ferrante Aporti 17 Dimensione Domestica II at Fondazione Castiglioni // Fondazione Achille Castiglioni continues their exhibition series that explores the work of two brothers, Achille and Pier Giacomo Castiglioni, set within the rooms of the Foundation. A series of physical installations replicate the rooms previously designed by the brothers, displaying rare and original materials and archives, allowing the visitors a deeper insight into the brothers' design philosophy. Entry and tickets only by prior reservation.Fondazione Achille Castiglioni Piazza Castello 27 achillecastiglioni.it IKEA Festival- Let's Make Room For Life Festival in Lambrate // The world has seen more change in the last twenty years than in the two hundred years before that. Urbanisation, technology and changed social needs have reformed our lives, including the living room as we know it today. Looking ahead, the living room needs to be many things. During this year's Salone del Mobile, IKEA will showcase the future living room – a room for life. The installation we will showcase some of company's ongoing and new collaborations, six new collections and much more.Ventura Lambrate Officina Ventura 14 ikea.today Equilibrium by Made In Ratio // Celebrating Made in Ratio's fifth exhibition at the annual Italian design event, designer and founder Brodie Neill will launch four new designs presented alongside some of the company's most recognised pieces. The Elements Light is one of the pieces making its debut. A a triangular solid marble base, an elongated, bent, stainless steel mast and a linear LED tube bulb are carefully arranged to create a dramatic juxtaposition of the three materials. A continuation of the Elements family, the Elements table unifies three distinct geometries to form one function. The almost primitive geometry gives the table a nimble versatility whilst being able to mix and match the tones of marble allows it to suit any interior.Brera Design District Via Palermo 11 Ross Gardam's Ora Lamp, Limited Edition of 2, Finished in 23K gold.Left: HOLO by Tom Skeehan. Right: Sir Burly by Dowel Jones.Left: Anna Varendorff for A.C.V studio. Right: Farfala Rug by Emma Elizabeth.LOCAL DESIGN // LOCAL DESIGN presents 'LOCAL MILAN', a showcase of 11 established Australian designers. Curated by creative director of LOCAL DESIGN, Emma Elizabeth, 8000 white bricks will be hand placed within Oratoria della Passione, to create the scenography within the Sant'Ambrodgio district in 5Vie. This will be the second year Australia has had such a large presence during Milan Design Week and 5Vie. You lil ripper!Oratorio Della Passione Piazza Sant'Ambrogio, 15 Halfie tables by LIDO for My Home Collection // LIDO has designed a coffee table with it's stone top divided in two halves and suspended on a thin metal structure reminiscent of an open drawer. The result is Halfie, a small piece of furniture that acts as a giant pocket with multiple purposes: magazine rack, cocktail cabinet, coffee table or bedside table. studiolido.com Daydream multi-functional seat by Joynout // Daydream sculptural seat is inspired by the lemniscate (symbol for infinity), offering users new and unexpected ways of sitting, lounging and interacting. Created in reaction to the current trend of perpetually moving forward, the Daydream is inspired by the human experience, encouraging users to disengage with external distractions and find themselves in the space. joynout.com New Collection by Resident // New Zealand design house Resident will release it's seventh collection of Furniture and Lighting at Euroluce 2017. The exhibition entitled "Dark Matter" will feature some bold and significant lighting innovations, designed to add value to the places where people live, work and play. Also for release will be products from Residents first collaboration with London based designers Philippe Malouin and Tim Rundle. resident.co.nz New Collections by e15 // e15 introduces a series of distinct tables by Philipp Mainzer in presentations at Salone del Mobile and in its showroom on Via Tortona. The brand moreover debuts at Euroluce, exhibiting the e15 lighting collection.Exploring the interplay of solid wood and metal, TRUNK II is a one of a kind highlight in e15's presentation in Milan. Emphasising the fusion of architecture and craftsmanship, the 4100mm long table top is made from a single european walnut trunk. The sculptural base of the table is manufactured from solid polished brass. Since its launch in 2016, KERMAN lounge by Philipp Mainzer and Farah Ebrahimi has been extended by additional modules, increasing the scope of application. Also on display is product family ELBE by Eva Marguerre, Marcel Besau and Daniel Schöning, which was originally conceived for concert hall Elbphilharmonie by Herzog & de Meuron architects and is now available as part of the e15 collection.E15 Showroom / Via Tortona 34 E15 at Salone del Mobile Fiera Milano / HALL16 STAND E53 Soft Props by Konstantin Grcic for Cassina's Contemporanei Collection // Following the presentation of the architectural elements Props in 2016, Konstantin Grcic develops the concept of defining space based on the needs of the user. Freestanding and versatile, Soft Props is made up of modular seating elements in two sizes that can be combined in various arrangements. "I wanted to make a piece of furniture that is spatial, something more abstract, without compromising comfort," says Grcic.Fondazione Giangiacomo Feltrinelli, Viale Passubio 5 And Cassina Showroom, Via Durini 16 Kite by GamFratesi for Porro // The creative bond continues between Porro and Gamfratesi with the release of a new classic, the Kite armchair designed for the 2017 collection. This soft, generous and feminine product, can inhabit an office waiting area, as well as a heritage home thanks to its timeless charm.Porro at Salone del Mobile Fiera Milano HALL7 STAND D15-E18 New Gear from La Chance // In addition to presenting the Carapace armchair designed by Arianna and Chiara of Studiopepe (which I cannot wait to see!), La Chance has taken a punt on creating an update of Bump zinc cabinet. Designed by Czech duo Jan Plechac & Henry Wielgus of Jan and Henry, the cabinet was another personal favourite from last year, where it was originally presented at Spazio Rossana Orlandi. La Chance will also present the work of Jenny Nordberg who's a Swedish conceptual artist working on unique mirrors.La Chance at Salone del Mobile Fiera Milano HALL7 STAND D15-E18 Tacchini's New Collection Anteprima of new Designs and Re-Editions // Designed by Gianfranco Frattini in 1957, Oliver sofa has achieved a huge success over the years. Minimalist and elegant, it features a lightweight structure in steel with timber feet and tufted upholstery. Designed by London-based firm Pearson Lloyd, Nebula screens are covered with 18th-century interiors of Lucia Pescador. Soap low table by Gordon Guillaumier is a new design being released this year, while the super cool E63 table lamp is a re-edition of Umberto Riva's design from 1963. Photography by Andrea Ferrari.Tacchini at Salone del Mobile Fiera Milano HALL16 STAND C25 Chignon by Lucidi Pevere for Gebruder Thonet Vienna // The design of the new Chignon chair by Lucidi Pevere offers balance between softness and lightness with a touch of retro note. This deliberately feminine armchair is not slender, but rather shapely and curvilinear, characterised by a strongly iconic presence.GTV at Salone del Mobile Fiera Milano HALL20 STAND E07 Living Divani // The design of the new Chignon chair by Lucidi Pevere offers balance between softness and lightness with a touch of retro note. This deliberately feminine armchair is not slender, but rather shapely and curvilinear, characterised by a strongly iconic presence.Living Divani at Salone del Mobile Fiera Milano HALL5 STAND E19-F18 Sissi Chair by DRIADE // Ludovica+Roberto Palomba have designed Sissi chair due to be released by DRIADE – a modern, vain, sculptural design. Reminiscent of the ultimate Vienna chair, its soft rings merge sensually, conjuring up an aristocratic atmosphere.DRIADE at Salone del Mobile Fiera Milano HALL20 Stand E05-F08 NAIA table mirror by CTRLZAK // CTRLZAK presents a series of beautiful table mirrors titled NAIA. The mirrors feature back with diverse marble finishes, polished brass bases and matte brass frames.JCP at Salone del Mobile Fiera Milano HALL7 Stand H25 Laurent Collection by Lambert & Fils // In keeping with its foundations, Lambert et Fils Studio drew from the past to create Laurent, its most contemporary collection to date. The initial inspiration was Marianne Brandt's classic milk globe, designed at the Bauhaus. The Laurent Collection distills the milk globe to its essential relationship between circle and sphere. A series of thin forms compliment the Laurent globes — forms that carve through space, moving between line, surface, and volume. These forms combine in endless patterns, making it possible for an installation of Laurent lamps to inhabit any space with subtlety and quiet strength.Lambert & Fils at Euroluce HALL15 Stand B37 Left: Cipher by Yabu Pushelberg. Right: Yakisugi by Kengo Kuma.Left: Neverending Glory collection by Jan Plechac and Henry Wielgus. Right: Eve by Zaha Hadid Design.The Laterna Magica exhibition by Lasvit // The Laterna Magica exhibition builds on the mutual relationship between objects, light and space, while looking at glass from an architect's point of view. The name is derived from an early type of image-projector developed in the 17th century. The device used hand-painted sheets of glass, a lens and a bright light source to project images. Using video mapping, Lasvit simulates this principle through glass objects and light to tell the unique stories of artistic visions revealed through glass.Lasvit at Euroluce HALL9 Stand E19 INFINITO by Davide Groppi // INFINITO is the third and last episode of the Davide Groppi trilogy that deals with the fundamental state of light. INFINITO is thinner, almost wanting to become something else, or disappear all together. Light is expressed by dematerialising the lamp, changing it into something more than just an object of attention, leaving only a trace, a line.Davide Groppi at Euroluce HALL11 Stand B29-C32 Sol_03 by Daniel Rybakken for Luceplan // The successful collaboration between Daniel Rybakken and Luceplan continues, after bringing the Milan-based company two Compasso d'Oro awards, in 2014 with the Counterbalance lamp, and in 2016 with Ascent. For the 29th edition of Euroluce, Luceplan presents Sol_03, an evocative lighting solution of great visual impact. Halfway between design and art, Sol_03 has a decorative character that conceals surprising technological complexity. "The Sol 03 project is about making a pendant light that occupies a large physical space with a minimal physical volume, for easy orientation in space. A translucent white film or a metallised mirror membrane is stretched inside a circular aluminium profile. Like a solar sail, an incredibly powerful light source projects a beam of light onto the large, almost weightless disk, either diffusing or reflecting the light. Thin rods connect the two main elements together. By altering the length and the connecting points of the two supporting wires the rotation of the disk can be set in any angle."Luceplan at Euroluce HALL13 Stand C18 [Images courtesy of designers / Press Office.] 2 Responses Designs of Interest – uni blog August 29, 2017 […] https://www.yellowtrace.com.au/milan-design-week-salone-del-mobile-2017-preview/ […] Reply Salone del Mobile. Milano, el gran show del diseño | onthe50road April 12, 2018 […] este link del blog Yellowtrace, dedicado a inspirar con los espacios más bellos del mundo, dejo una […] ReplyLeave a Reply Cancel reply


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250-316 Royal Pack Testengine pdf
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2016 May 250-316 Study Guide Questions:
Q71. Where are the Symantec Backup Exec Job Log files stored by default?
A. \Program Files\Symantec\Backup Exec
B. \Program Files\Symantec\Backup Exec\Data
C. \Program Files\Symantec\Backup Exec\Logs
D. \Program Files\Symantec\Backup Exec\Log
Answer: B
Q72. Global active alerts are located on which tab in Symantec Backup Exec 2012?
A. Storage tab
B. Reports tab
C. Home tab
D. Backup and Restore tab
Answer: C
Regenerate scsa cx-310-200:
Q73. An administrator is using Symantec Backup Exec 2012 to protect an Exchange server. The administrator must be able to recover individual application objects, such as emails and attachments, from the backup sets captured from the Exchange server. The administrator would like the process of granular recovery to happen as quickly as possible. Which best practice should the administrator follow when configuring the backup definition for the Exchange server?
A. manually stop all Exchange services before backup using scripts
B. use the VSS Full backup method when configuring backup properties
C. run the Granular Recovery Optimization Utility (GROU)
D. store the Exchange server backup sets to disk storage
Answer: D
Q74. Symantec Backup Exec 2012 database catalogs allow an administrator to perform which two functions? (Select two.)
A. maintain information about all storage devices
B. search for files to restore
C. define the file deduplication process
D. contain file and directory information on each backup set
E. maintain file information from other Symantec Backup Exec media servers
Answer: BD
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A. /etc/init.d/VRTSralus start
B. service start VRTSralus
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D. /sbin/init.d/VRTSralus
Answer: A
Q76. Which Symantec Backup Exec 2012 option allows the user to load balance across Managed Media Servers in the environment?
A. SAN Shared Storage Option (SSO)
B. Central Administration Server Option (CASO)
C. Advanced Disk-Based Backup Option (ADBO)
D. NDMP Option
Answer: D
Q77. What is the recommended method to back up the deduplication storage folder on a Symantec Backup Exec server?
A. stop all services and manually copy the deduplication folder to another server
B. back up the deduplication folder through Shadow Copy Components
C. schedule a backup through BEUtility
D. under Symantec Backup Exec Settings, choose Storage, then check the box next to "Enable Scheduled Backup job"
Answer: B
Q78. What is required in order to perform a Simplified Disaster Recovery from a deduplicated backup set?
A. Before recovery, the deduplicated data must be staged to the local server.
B. The deduplication storage folder must be locally attached to the target server.
C. The deduplication storage folder must be disabled before Simplified Disaster Recovery.
D. The target server must connect to a Symantec Backup Exec Server with the deduplication storage.
Answer: D
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Event description
Come visit the Brewster-By-the-Bay Flea Market at Drummer Boy Park in Brewster Massachusetts. Vendors are selling collectibles, jewlery, crafts, art, antiques, clothing and much more! Playground and open space for your kids to play while you shop!
If you are a vendor we have space for you!!!!
All proceeds benefit the Brewster Elementary PTO.
Here is the 2019 Schedule
June 25
July 2
July 9
July 16
July 23
July 30
August 13
August 20
August 27
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No words this time – just the pictures and smiles. Follow **At times you'll find some affiliate links scattered within my post, which means I receive a small am... Read More
Day: November 5, 2010
When Heppner Volleyball makes it to State, there is apparently a tradition I was unaware of until this year. I have only known about it for a week, and I love it! It is the Spirit Boxes that the m... Read More
When I go to Cove to visit my parents, I very rarely have time alone to visit places I love from my childhood. At the end of October, Harley and Katelyn attended the Girls in Science Camp at Eastern... Read More


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Roof Installation and Replacement Houston, TX
M & M Roofing, Siding & Windows specializes in residential roof installation, roof repairs, re-roofing, replacement roofing, leak detection, roof shingles, and much more. Our core team has remained much the same since we opened our doors in 1983. And after 30 years and 30,000 roofing projects, we have installed almost every kind of roof imaginable:
- * Composition roofing
- * Metal (standing seam, slate style, wood shake style, and more)
- * Shingles & tiles (concrete and clay)
- * Energy-efficient roofs (including Eco-Star products)
- * Special materials (Decra stone coated steel roofing, slate, and more)
Our team of professional roofing contractors will help you find the perfect style, color, and type of roof for your Houston home.
M & M Roofing, Siding & Windows lasting quality through our lifetime warranty on labor defects and a no-money-down policy. Also, you won't be billed until your roof repair is completed to your satisfaction.
Replacing Your Roof
Excessive energy costs indicate that itps time to replace your roof. Call M & M Roofing, Siding & Windows if your energy bills seem unnecessarily high or if you notice any of these visible warning signs:
- * Exterior decay, mildew or mold
- * Dark spots on your roof
- * Missing, cracking, or curling shingles
- * Leaking in the attic
- * Interior ceiling or wall stains
- * Blistering or peeling paint
Helping the Community
As a family-owned business, M & M Roofing proudly supports our local community through a number of charities:
- * Roofs for Troops (we offer discounts on roofing projects for active and retired military personnel)
- * Habitat for Humanity (we assist in building homes for displaced families)
- * Extreme Makeover (our roofers have been featured on the "Home Edition")
As a family-owned business, M & M Roofing, Siding & Windows is also dedicated to providing unsurpassed customer service. We appreciate our customers and welcome your phone calls anytime you have questions. A member of our fully-staffed office is happy to speak with you at (713) 880-8210, Houston Area Manager and Owner Doug Moncure is available at (832) 606-9503, and you'll have the direct cell number for your lead roofing professional.
Our owner, Doug, takes your job personally. He follows up with every customer, once the project is complete, to verify that the workmanship and service were up to your satisfaction
Checking Your Insurance
Did your roof suffer damage after a storm or a fire? Your homeowner's insurance will likely cover your roofing project. Let us help you work with your insurer to see if you're eligible for a claim.
Our contractors install, replace, and repair roofs in the Houston, TX area, including Katy, Sugarland, Missouri City, Pearland, Spring, Cypress, Galena Park, Richmond, Rosenberg, Stafford, The Woodlands, Baytown, Clear Lake, Galveston, La Marque, Pasadena, Deer Park, Sealy, La Porte, Brookshire, and Columbus.


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After 24 years of business, it is time for Spiedo Ristorante to celebrate its Grand Closing.
San Mateo, CA (PRWEB) July 01, 2015
Spiedo Ristorante served as a landmark in downtown San Mateo for more than two decades, serving up some of the best rustic, Italian cuisine in the Bay Area. But after 24 years of business, it is time for Spiedo Ristorante to celebrate its Grand Closing.
To thank all of Spiedo's guests for their patronage since 1991, a new menu has been made up for the occasion to feature all of the Ristorante's most well-known and popular dishes. Plus, all of the fine Italian and California wines are marked at an additional half-off.
For lunch and dinner, an exclusive three-course menu will be available. Additionally, during their Grand Closing celebration, private events will still be held on site, so don't wait to book your last hoorah at Spiedo Ristorante!
The staff at Spiedo Ristorante looks forward to seeing guests stop by for the celebration of these final months of business at Spiedo in downtown San Mateo. As a thank-you to all of the guests and customers, indulge in the special menus and limited-time-offer wines! From everyone at Spiedo Ristorante, Cent'anni e Mille Grazie!
About the Company:
Spiedo Ristorante has been the destination for traditional Italian food since 1991, located in the heart of downtown San Mateo on the San Francisco Peninsula in Silicon Valley.
Rustic Italian Cuisine includes dishes from our famous Mesquite-fired Grill and Rotisserie and Oak-burning Pizza Oven. Housemade pasta, local produce, and the freshest seafood are featured on our menus. We have an impressive Wine List including wines from Umbria, Toscana, Sicilia, Piemonte, the Veneto, and California.
Private Dining Rooms can accommodate groups from 8 to 140 guests for Banquets, Luncheons, Celebrations, and Cocktail Parties!


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Robb Report
Robb Report is dedicated to providing relevant information and news to purveyors of luxury goods and to those people and entities that have the desire and financial means to purchase, maintain, and enjoy the finest things in life. - Renewals available.
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A massage client came in the other day whose first name started with the same sound as his last name. And his last name was a country. It WASN'T Eddie England, or even close, but that's what I'm going to call him because it has the same effect, because it's inappropriate and a violation of privacy to use client's actual names, and because I need the name for the purposes of this post.
Eddie England. OH Eddie England. You slay me.
He swaggered into the office while the internet was giving me grief, and said, "I'm Eddie, but I guess you already know that."
I could feel the charm pumping out of him. I think he has woo. But I also have woo.Who knew two woos were bad boos? What? Oh, what I mean is, he's PROBABLY used to "working" a situation. But so am I. And when you get two of us together, there's usually a little bit of awkward. Back to Eddie.
"Oh, actually I just started my shift (an exaggeration, but I didn't want to make the business look bad by saying the internet was out), so I didn't know."
"Well maybe you should," he stare-said at me. Predator eyes and all.
"Hmm. Maybe you need a massage to calm down."
And with that, he sat, finally broke eye contact, and sheepishly admitted, "Yeah. I, uh…I do."
So I started his on his paperwork and busied myself with attempting to lure the interweb back into communication with the front desk computer.
Because if a man (person regardless of gender, race, ability, etc) wants to be friendly and interact and be fun, I'm all in. If a man wants to be all-up-in-my-space with his overpowering "notice-me" energy, ,
I'll probably sass him back down. Just sayin'. (For the record, I've been sassed back down, too. It's not as though I'm a better WOO than others. I just won this round.)
After his massage, he came out with a totally different energy and behaved himself. That's right, Eddie. Be nice, now ;)


text:
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The Ultimate Moving Abroad Check List
Posted by Dannielle Noonan
Moving overseas. It's stressful, time-consuming and there are a million and one things to think about. Thankfully, the international health insurance experts at Medibroker speak to soon-to-be expats and those already happily settled into expat life every day, and we've put together a comprehensive check list to help you prepare for your move.
The paperwork
Find accommodation
Buy flight tickets & organise transport to your accommodation
Check everyone's passports are valid
Leaving your property: find tenants
Organise visas
Find out if your driving license is valid in your host country
Research which medical vaccinations you may need and speak to your doctor
Create and safely store both virtual and paper copies of important documents
Get Health Insurance compliant to your expat country
Create a tax and finance folder with any information which can be claimed back on tax. If you are getting your expenses paid for you, put all receipts in this folder
Change your address with credit card companies etc
Tell your bank you are moving abroad
Set up internet banking to make standing orders/direct debits easier
Leave a small amount of money with someone at home in case you have forgotten to pay any bills
Ask utilities companies to disconnect your power if necessary
Ask your doctors, vet and dentist for copies of yours, your families and your pets' medical records.
Sell your car or furniture if this is something you have decided to do
Research TV, phone and utility companies in your host country
Cultural preparation
Research standards of local healthcare facilities
Make sure you understand the local currency and have enough to get by in the first few days
Learn basic phrases and the alphabet of the local language so you know how to pronounce words
Culture: research etiquette and differences. If you're moving for work, our guide to international business etiquette may help
Research local amenities
Google map the area and plan your route to the local shop, doctors, school etc
The personal stuff
The big announcement
Say your goodbyes
Collect contact details & make sure post office knows new address
Decide whether the entire family will move at the same time or whether one parent will go first
Make a repatriation plan
Have a full medical check
Find out if any prescription medicine is available in your host country and stock up
Put all your essential items in your suitcase as your shipment may take a while to arrive
Household items: choose an international moving company or find suitable storage
Buy packing materials and bubble wrap etc
Create a list of everything you will pack/ have packed. Take photos and list estimated value
Find out about travel restrictions for your host country
Buy a phone or sim card that works in your new country
Eat or give away food in the house and defrost the fridge/freezer
Clean the house
On the last day at home, take readings of gas meters & lock doors/windows
Moving abroad with kids
Inform your children's school that you will be moving abroad and ask for transfer certificates
Choose a local or international school for your children. Our guide may help
Decide which of their toys will accompany you to make the transition easier
Teach children about their new country with books, games and pictures
Moving abroad with pets
Check that your breed of animal is legal in your host country
Check quarantine rules in your new country
Do they need vaccinations?
Make transport arrangements
Moving abroad on an international assignment
Evaluate your relocation package. Our guide may be useful.
Find out if expat spouses are legally able to work in the host country
Meeting other expats: find local forums and websites
Read our guide to cultural business etiquette around the world
Decide on whether this will be a permanent move and if not, when you will return home
Plan for family emergencies
Plan for what will happen if your circumstances change. Will you stay?
What's your minimum test period?
It's wise to start planning at least 90 days in advance to ensure you get everything covered. Most expats benefit from an introductory trip to the host country to see if they like it.
Why not print this list out and stick it on your fridge while it's still yours?
Pin this list:


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Friday, March 15, 2013
Time to Give Back - Penang Shan's Children Home Association
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Keyed To Masculine Comfort$30.00
Keyed To Masculine Comfort
320 pages, 6x9 inches
Edition of 125
Keyed to Masculine Comfort is a mingling of archives, constructed from a selection from gay hardcore magazines (scanned with care and made available for download by an anonymous "archivist") and my personal collection of interior design manuals. These images speak to a desire by proxy, where personal fantasies are expressed by the meticulously constructed reality of others.
Premiered at the 2016 New York Art Book Fair and the 2016 NADA fair


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|George Szell, Baton-naire.
From the very first tutti of the 5th Piano Concerto it feels like the heavens are opening up.... This was the only piano concerto that Beethoven didn't premiere himself - sadly his hearing had deteriorated too much by this time... Fortunately piano-genius Friedrich Gulda is here to help us muddle through instead with his friend George Szell (no slouch in the musical muscles department either):
Wiener Festwochen 1966 -
Friedrich Gulda, Piano
Vienna Philharmonic Orchestra
George Szell, Conductor
Musikvereinssaal Wien, 5. Juni 1966
Beethoven, Piano Concerto 5 "Emperor" Op.73
41 minutes
Sadly the video is not embeddable in the blog page, but click HERE and you should be able to watch the full concert.
OR you can watch Gulda perform AND conduct it HERE at "Classical TV":
"Austrian Piano virtuoso Friedrich Gulda, plays Beethoven's Concerto for Piano and Orchestra No. 5 in E flat Op. 73 (Emperor) with the Munich Philharmonic Orchestra, which he also conducts."
I don't like to embed their videos because everytime the page loads the "logo" theme comes up - Ack! Another great concert tho with a somewhat more "unbuttoned" Gulda.
(HERE's a previous post on the 5th Piano Concerto with Annie Fischer on the ivories.)
An earlier work is the 3rd Piano Concerto. This one seems to get less exposure than the others for some reason. However some say that it heralds Beethoven's break from the more classical stylings of Mozart and Haydn and signals the beginning of his mature "heroic" period. Karl Böhm conducts and I featured some rehearsal footage of Maestro Böhm here in the past.
I couldn't figure out how to embed this one on the blog either - so I might as include it in today's "no-hitter"...
|Karl Böhm, Baton-sensei
Karl Böhm, 1978, probably Vienna Philharmonic
Piano: Maurizio Pollini
Karl Böhm Conducts Beethoven's 3rd Piano Concerto


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So, if you've been reading my series of posts so far, I hope that I've convinced you that science does sometimes ignore good ideas. This post is going to answer a simple question: so what? If this problem is true, what should we do about it?
My answer: we should ignore science's positive pronouncements—only pay attention to what science says is wrong, not what it says is right.
But before explaining why I think that, I've realized a big problem. The ignoring-good-ideas-when-they-are-not-made-loudly issue needs a better name, and not only because I'm tired of typing all that out. More importantly, when we give a concept a short, manageable name, we "crystalize the pattern." An idea becomes a lot easier to talk about when it has a usable name (that doesn't have eight hyphens). So, I'm officially calling this problem science has of ignoring good ideas that aren't made loudly the "haystack problem." Science may be right about what ideas are awful when it holds them up for scrutiny, but it sucks at finding the needle-in-a-haystack good ideas in the first place.
So, why should weFN 1 react to science's haystack problem by only paying attention to the scientific establishment when it says something is wrong?
Well, to answer that, I've been thinking of a contrived hypothetical. Imagine that, for some reason (let's say you're captured by a mad social scientist conducting a psychology experiment) you are presented with ten theories you've never heard before, along with all the true facts you need to evaluate the theories. The mad scientist tells you that five of the theories are standard ones held by the scientific establishment and five are alternative theories that the establishment has not weighed in on, either positively or negatively. The mad scientist forces you to evaluate the plausibility of each theory, and you come to some conclusion about each one.
After the experiment is over, the mad social scientist mentions (while untying your ropes) which of the ten theories were the establishment ones. How much should this change your estimate of how likely those theories are to be true? Or, to be more concrete: say you had evaluated one theory as seeming 70% likely to be true before the scientist released you. Once you find out that it's an alternative theory, how likely should you then think it is?
Here's what I'd think: I'd think back to Gregor Mendel, Ralph Baldwin, and the oil companies that knew about continental drift. I'd think about all the papers that are never published, and all the published ideas that are never followed up on. I'd remember that science has a bad haystack problem, and I'd think that the fact that science has not embraced this theory ought not count against it. True, the scientific establishment might not have embraced the theory because it's incorrect. But it's much more likely that the reason the scientific establishment hasn't addressed the idea is that science fails to address the vast majority of ideas that aren't brought to its attention.
In short, I'd keep estimating the odds of that theory being true as pretty much 70%.
If we take the haystack problem seriously, we should pay very little attention to the positive pronouncements of the scientific establishment. We can and should agree with scientists when they've looked into a question and come to a firm decision ("vaccines don't cause autism"), but we shouldn't think that scientists have the best answer out there for any given issue they haven't looked into. In particular, if some outsider (whether that's a non-scientist or a scientist outside the academic establishment) comes up with a new idea, we should evaluate that idea on its merits, and not dismiss it because it's outside the mainstream. Unless and until science looks into it and determines that it is bunk, the fact that science has failed to agree with it provides approximately zero evidence that it's wrong.
I want to defend my argument from two opposite objections: first, that it is right but obvious, and second that it is dangerously wrong.
On the right-but-obvious point: it is likely true that most people who've thought about the issue would agree that science can ignore good ideas. In fact, even the post I started off disagreeing with acknowledges this issue. In the same post that states that "scientific consensus is almost always an accurate reflection of the best knowledge we have at the time," also included a parenthetical disclaimer:
(and I'm making it even easier for myself in that I say "scientific consensus for" when I probably mean "no scientific consensus against". I don't claim that 90%+ of scientists always believe true things, only that there are very few cases where 90%+ of scientists believe things which smarter people know to be false.)
And the author of that post, Scott Alexander, wrote elsewhere about medical advances that seem promising but don't get more research. Scott wondered whether "everyone mutually assume[s] that if something this revolutionary were true, someone would have noticed beyond a single article," and so no one bothers to investigate the idea. He also wrote about how the scientific establishment often ignores contrarians who are right until someone more abrasive comes along to make the same point more stridently. In short, if Scott were to read these posts, there's a pretty good chance he'd agree that the haystack problem is something that happens in science. And I bet a lot of other people who still place their faith in the scientific establishment would agree too that the haystack problem exists.
So, they could reasonably object, if we all agree that the haystack problem exists, what are you adding to the conversation? If you're not telling us anything we didn't already know, what justifies posting about it (much less in a five-part series!)?
My reply: it's not really a question of knowing about the haystack problem's existence. The issue is emphasis.
My argument is not just that the haystack problem exists, it's that it's a big deal. My claim is that basically every scientific theory could be badly wrong in all sorts of ways—even in ways that smart people have pointed out—but that science just hasn't noticed. My claim is that we should take the haystack problem seriously, and be very willing to consider ideas outside the scientific mainstream but that aren't contradicted by strong evidence.
Another way of putting this point is that, as Overcoming Bias has pointed out, "there are two kinds of 'no evidence.'" There's the "no evidence" that means someone has looked into a question, and all the evidence comes out the other way. And then there's the "no evidence" that means no one has bothered to look. I think the haystack problem is a prominent example of science not bothering to look, and I think that many people—even people who would acknowledge the existence of the haystack problem—don't take issue seriously enough. And as a result, they err by treating science's type-2 no evidence as type-1 no evidence, and place far more weight on the scientific establishment's positive views.
The other objection to my suggestion of discounting the science except for when it's telling us something is wrong is that my idea is dangerous. Sure, my view lets me share in the scientific establishment's view that vaccines don't cause autism now, once the British Medical Journal wrote a long review of the evidence against the theory. But back when it was just a fringe idea, wouldn't my view of the haystack problem have committed me to taking this theory seriously and prevented me from pointing to the silence of the scientific establishment as good evidence against the theory?
I have three responses to this objection:
First, zero evidence doesn't mean negative evidence. Even if I didn't count the scientific establishment's silence as a reason to object to the vaccine-autism theory, I might still have rejected it on its merits and because it did not have strong evidentiary support or a convincing theoretical justification. There are lots of junk theories out there; I'm not saying we should start believing every crackpot who comes along. I'm just saying that we should evaluate—on their individual merits—any ideas that science hasn't shouted down.
Second, I guess I am saying, at least a bit, that people should have taken that theory seriously before the science came in to reject it. When I hear about new theories—"freeze-dried poop capsules may help fight obesity," for example—thinking about the haystack problem makes me a bit more inclined to give them real thought. Yes, this means taking the anti-vaxxers of the world seriously until they are shouted down by science. But it also helps not to miss the Mendels of the world. And the whole point of our haystack-problem discussion is that science will get around to disproving the anti-vaxxers pretty quickly, but may miss the Mendels for decades or forever.
Third, I want to emphasize that I'm talking about what we ought to do when we're really trying to figure out the truth of the matter. We may not always be doing that, and that's fine. Sometimes, we may be motivated to fit in or avoid looking foolish—and it might be better to avoid the unusual errors that look dumb even if the price is making a bunch of common errors that no one will care about. One thing that following the scientific establishment has going for it is that it is the scientific establishment, and you're unlikely to look like an idiot if the only ways you're wrong are the same ways that a bunch of fancily credentialed experts were also wrong.
Another thing the scientific establishment has going for it is that it's usually not trying to sell you anything.FN 2 If the people pitching alternative theories are trying to sell you something, then adopting a sort of epistemic learned helplessness may be the safer course of action. This is especially true if you lack some combination of the time, educational background, energy, and patience that it would take to evaluate the question on its merits (with "on its merits" here understood to include accounting for biases in the sources of available information).
* * *
In sum: if what you really want is to get at the truth, the haystack problem should cause you to treat the scientific establishment as a rare sort of creature that is only ever capable of saying "no." If science tells you it has studied something, and that thing is definitely wrong, then believe it. But if science tells you some theory is right, and there are no improvements out there, well maybe. And if science tells you what to do, take very seriously the idea that science just hasn't looked at the better option.
Because of the haystack problem, we ought to be much more open to ideas outside the scientific establishment, so long as science hasn't yelled those ideas down. And maybe we won't miss the next Mendel, even if science does.


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The Westerville City Schools Board of Education is seeking a community member to replace Richard Bird, who submitted his resignation effective October 31, 2018. Our goal is to find a new member to serve the remainder of Richard Bird's term, which runs through December 31, 2019.
School district residents interested in applying for the vacancy must complete and submit their online application materials no later than NOON (12:00 p.m.) on Friday, November 2, 2018. No paper copies will be accepted. To apply please click on the application link below.
The application itself consists of two components:
The completion of the online application and questionnaire will be submitted automatically however, applicants will need to also email their resumes to board president, Gerrie Cotter at email@example.com with a copy to Jill Beck at email@example.com
Board of Education Application
The application process will generally be as follows:
Applicants must be U.S. citizens at least 18 years of age, residents of the school district, and registered voters. Please note that all application materials are subject to public record.
If you have questions about the process, please contact Gerrie Cotter, President of Westerville City Schools Board of Education, at firstname.lastname@example.com or by phone at (614) 797-5713.


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text:
It is almost unfair to criticize the producers of the III Festival. Obviously, this was the first year, a beta-test of sorts, and glitches and fails were bound to happen. They should rightfully be applauded for concept: a festival celebrating music, art, film and technology -- sort of a SXSW in Miami. And they should be applauded for spreading the love across the neighborhood, bringing together gallerists and subcultures of Wynwood that normally don't collaborate, and giving local artists commissioned work. All good stuff. But, at the end of the day, let's tell it like is: the first fest was a fail, and here's III points why.
1. They charged too much money for their first year. An all-inclusive ticket was $155, plus fees. That's a lot for what they offered. More importantly, once you charge that much money, you've now raised expectations to a level where what you produce better be organized and worth the price of admission. It just wasn't. It was dope, but not that dope. Even more importantly, people who are from Miami do not like to pay for things. We like our art and music free, with a side of free drinks, please.
Locals don't like to pay for Ultra, which has its act together. Locals would rather literally swim across the Bay and hop a fence than pay to get into Ultra. And people are going to dish out $160 plus $12 drinks for a first-year-festival with no major headlining acts?
2. Logistics. There were just stupid fails. For example, there were no maps. I arrive at Bonnaroo or Ultra and the first thing I get is a map so I know who is playing where and when. How could you have a festival and not have a map or a schedule? Especially when the festival is spread out across 20 different locations. Duh. We were walking around asking people do you where this is?
We arrived at a party called "Disco Nap" two hours before it was supposed to end and the door was locked. We wanted to see Krisp play at Brisky Gallery but since there was no schedule we missed them. We wanted to see James Murphy but since we didn't know what time he came on, we were eventually too tired and bailed. You could maybe excuse these things, but then you can't, not when they were asking the public to pay what most paid.
3. Don't believe the hype. There were some events that were just terrible. We went to Gab Gallery for the Bro Gaming Lounge. I'm expecting like a retro arcade with tons of video games. There were like three Xboxes and a Sega Genesis. Really? Then, there's the Mana thing. Mana Miami Production Village is an awesome space, and they did a great job with the sound and lighting, but it's just too big for what they were offering. You put 300 people in ten football fields with huge elevated roofs and the optics look and feel awkward.
III Points. Three I's in its name. Ay-yi-yi is more like it.
It probably should've been free, while they work out issues. Maybe they should've held all the events at Mana so people weren't wandering around lost. They could've used more of the huge space. It probably could've been promoted better. There was no buzz. It was more like, is that this weekend?
Still, at the end of the day, although the first III Points Festival was a fail, it wasn't an epic fail, and there's room to grow. South by Southwest started in 1987 and it took them years before they really blew-up. The first SXSW attracted 700 visitors and that's probably close to what III Points drew, so let's see where this thing goes, which is always the case when it comes to defining the future of Wynwood.


text:
2 tablespoons soy sauce
2 tablespoons mirin
2 tablespoons yakisoba sauce (found in Asian grocery stores – look for the bottles that are labeled, yakisoba sauce."
2 tablespoons Mirin
2 cloves minced garlic
1/2 teaspoon minced ginger
yaki udon:
8 ounces uncooked cubed chicked breast or other protein cut into thin strips
salt and pepper
2 – eight ounce bundles frozen udon noodles
2 tablespoons olive oil
1/2 medium yellow onion, chopped
1/2 red bell pepper, seeded and cubed
2 cups partially cooked broccoli florets or other vegetables
2 green onions,slivered
In a small bowl, whisk the soy sauce, mirin, yakisoba sauce, garlic, and ginger together.
In another bowl, season the chicken with salt and pepper.
Add one tablespoon of sauce to the chicken quickly massage the chicken with your hand for one minute. Set the chicken aside.
In a medium pot, boil 10 cups of water. Add the noodles and cook the noodles for 2-3 minutes. Just long enough for the noodles not to be frozen.
Strain the noodles and set aside.
In a large frying pan or wok, add the oil and heat on medium high heat.
Add the chicken and onions and cook for 3 minutes until almost the chicken is no longer pink on the outside and the onion is partially soft. Add the bell pepperand broccoli.
Season the chicken and broccoli (and other vegetables) with additonal salt and pepper if necessary.
Carefully add the cooked noodles to the pan and slowly add the sauce, stirring as you go. As the vegetables and chicken cook, continue to add more sauce until it is gone.
Turn off the heat and add the scallions.
Serve immediately.
More in Popular Recipes


text:
I have recently read or am currently reading all of these:
I am only about a third done with Shoe Dog, and I am loving it. If only one nugget from Shoe Dog sticks with me it will be this bit, from page 117. As Phil (Buck) is explaining his reasons for leaving a stable job at the accounting firm to pursue his shoe dreams, he says: "I wanted what everyone wants. To be me, full time." So true.
as a lovely balance to how wrapped up I got in this one


text:
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