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Prattle on
Friday, February 11, 2005
So, I was just chatting with a work colleague who just told me that he recently learned that the end of the world will be Sept. 9th 2040. You heard it here first.
8:12am remember that time. That's when the most attractive streetcar driver I have ever seen pulls up to the stop right near my house. What was my big move? I stared at him shamelessly from the corner after I stepped off the streetcar.
It's not 9:02am and my boss and I made a deal to be here at 8:30 to get something done. He's nowhere to be found. I was here at 8:45, so I was late as well. Good planning on my part.
Thursday, February 10, 2005
Last night I kicked a guy in the head. It was an accident, and it wasn't very hard, but I kicked him none the less. During my capueria class we were doing about six trillion cartwheels and that's when it happened. It's a good thing I was wearing my running shoes, normally I don't wear them. If I wasn't my bare foot would have slapped him on the top of his really sweaty head, which would have been real gross.
In a funny coincidence, about a year or so ago I was doing Tae Kwondo with the same guy's girlfriend. I have also kicked her in the head.
Wednesday, February 09, 2005
So, last night I was watching the CBC. They have this-three part show called Sin City or Sinful Cities or whatever. Generally, I love televised documentaries. I can't rip myself away. There is something about the tone of the voice over, mixed with the flashing of historical footage, and complimented by bits of information history would rather we forgot that just lulls me into an immobile mass on the couch.
Anyway, last week the show was on Paris. I only watched part of it because 1. everyone knows that Paris was a den of debauchery - Henry Miller lived there, he's a famous pervert, and 2. it was still the national auditions for American Idol and people were still making fools of themselves on TV.
Well, this week they did Berlin, and I don't really know a lot about Berlin and the American Idol auditions are now in the second round so it's boring. Berliners in the 1920's were filthy! I was shocked to find out that they had a special street for pregnant prostitutes and that the women lined up based on how pregnant they were. Also, I learned that Marlaina Detrich gave the best oral in the world. How do they know that? Who did they poll?
What was most interesting was how the rise of Nazism effected Berlin and what happened to the cities 'sinfulness' when Grobels moved there to secure the city for Hitler (he hated Berlin for it's cosmopolitan freedom). Artists and what society calls 'sexual deviants' always stand in opposition to oppressive powers. But the Nazi's were freakish, so they fled.
Man, that was some good TV.
Tuesday, February 08, 2005
So, this morning I went to the YMCA. I fought through the rain because I thought that if i decided not to go because of the rain I am on a slippery slope to laziness, eventual morbid obesity and guest spot on Maurey Povich. I am very proud of myself for braving the rain and making it to the YMCA. Predictable the moment I got to the gym the scary woman on the treadmill saw me and her eyes like lasers bored into my forehead. I looked back at her and managed to crack a feeble smile. The kind of smile that says 'yes, we both come to the gym in the mornings but I don't really care to know who you are.' You know, a real polite smile. She continues to stare me down.
I'm at a loss. What do I do here?
So, I hop on a treadmill three spots away from the scary woman and start running. Then one of my worst pet peeves happened. I really smelly guy gets on beside me. Not only is he smelly but he is a real loud breather and he pushes out these huge gusts of air from his mouth that come rushing by me like a gale force wind. It's disgusting. As he flaps his arms like some sort of weird bird the entire treadmill area is being saturated with his stench, which his gusty breath is pushing more and more to my direction. Why can't grown adults just wear deodorant? Why does this man think it's OK to bring his stench to a public place?
Now I'm safe at my office, but the people at Tim Horton's put too much sugar in my coffee, so what started as bad coffee has just turned into really sweet bad coffee.
Monday, February 07, 2005
So, my mom got an award on the weekend from this organization called the TNT Eagles. She got the award for all the work she does in the community, which is a lot. I went to the ceremony along with my sister, and four of her sisters. My family can get a little out of hand when they are together. Part way through the afternoon they started to sing along with one of the performers who was doing his rendition of "The Great Pretender". They were singing in unison and swaying to the music. It's too bad we didn't have a whole table to ourselves because the two people sitting with us – who had met us for the first time – were a little surprised not only by the singing, but by the constant running commentary throughout the ceremony. They have an opinion on everything.
The ceremony's MC was Harold Hussein. He was cheesy, but it was nice to see him there. There was another distinguished guest, Ben Johnson. He wore a long lilac blazer. Lookin' good. I don't care what anyone says, Ben Johnson is the fastest man in the world. No one has run the 100 meters that fast. Yeah, he was hopped up on steroids, but they all are. So, my aunt looks at Ben Johnson and says to me "There's your boyfriend." Funny.


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How To Ward Off Menopausal Weight Gain As men age, it becomes harder for them to keep weight off as a result of their decrease and inactivity in lean body mass, in line with the American Dietetic Association. The study, which is the largest study to look at the relationship between diet drinks and heart health, took into account various factors like participants' BMI, physical activity levels, and other life style choices. In fact, studies advise that persons who change their diet as a way to control cholesterol lower their risk for cardiovascular disease only when in addition they follow a regular aerobic fitness exercise program. The Mediterranean diet is abundant with heart-healthy nutrients and fiber, incorporating omega-3 fatty antioxidants and acids.
We all have to work, which explains why it's doubly important to discover a diet that works, too! Since there are zero precise diets for girls over 50 , it is vital to know, that as of this age, trying crash diets and other starvation methods is surely a bad choice. The DASH diet is a superb example of a heart-healthy eating plan that limits sodium intake.
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But since the medicines were linked to an increased risk of heart disease, stroke and breast malignancy in the Women's Health Initiative research, researchers and influenced women alike have been searching for alternatives. A 16-year research published in the American Journal of Epidemiology in 2006 examined the effect of sleep on almost 70,000 women. The Mediterranean diet scale ranged from 0 to 9, with higher ratings reflecting healthier diets again.
Women can take good thing about various kinds free diet plans available to them based on their lifestyle. A diet rich in plant-based foods like whole grains, fruits and vegetables, along with regular exercise, can help reduce weight and body fat. Therapeutic CHANGES IN LIFESTYLE, or TLC , is an extremely solid diet program created by the National Institutes of Health.
A smart diet packed with unprocessed foods, fruits, fruit and vegetables, whole foods and wholegrains can provide everything the body must function properly and deliver an extended, healthy life. Make NR, Albert CM, Gaziano JM, Zaharris E, MacFadyen J, Danielson E, et al. A randomized factorial trial of vitamin supplements C and E and beta carotene in the secondary prevention of cardiovascular happenings in women: benefits from the Women's Antioxidant Cardiovascular Review. Eating healthy is a thing that women can do free of charge using the correct resources that derive from scientific facts and tested studies.
Women need fewer calories each full day on average when compared to men of the same age, based on the U.S. Department of Agriculture's Dietary Guidelines for People in america. The Women's Well being Initiative Observational Study viewed almost 60,000 women with the average age of 62.8 years and found a relationship between diet drink consumption and a true number of cardiovascular challenges. Unfortunately, not all folks get all the nutrients and vitamins we are in need of in our diet. In Britain, a nationwide government health study predicts 60 percent of men, 50 percent of women and twenty five percent of children will be obese by 2050.

subset: commoncrawl


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Taken from Heidi Smith Nutrition (I highly recommend Heidi's website and book, "Nutrition for the Long Run" to all athletes):
The following is a summarized form of information taken from the book "Nutrition for the Long Run". For a more detailed description of each topic you can purchase the book from our home page.
What Should I Eat Before Excercise?
Carbohydrate. Meals and snacks before exercise should consist mainly of carbohydrates. Carbohydrates are easy to digest and provide fast fuel to burn at the beginning of your exercise session. Some example of carbohydrates are breads, cereals, pasta, potatoes, rice, fruits and vegetables.
Protein. Limit protein as exercise time nears because protein slows digestion, and most people prefer not to exercise on a full stomach. Some examples of protein include meat, chicken, fish, eggs, beans, cheese and yogurt.
Fat. Limit fat as exercise time nears because fat slows digestion similar to the effect of protein. Some examples of high fat foods to limit are full fat cheese, nuts, fried foods, ice cream, chips and chocolate bars. Some foods have both fat and protein, such as cheese and yogurt. In these cases, as time gets closer to your event, you should choose lower fat versions such as light cheese and low fat yogourt. For example, refer to the diagram below. If you eat 4 hours before your competition, you can have a balanced meal, with mostly carbs, some protein and some fat. If you eat only 1-1.5 hours before, then you want foods that digest quickly; snacks high in carbohydrates with little or no protein or fat such as low fat yogurt, fruit, crackers.
Pre-Exercise Ideas
Here are just a few examples of small meals (<500 kcal) that you can enjoy 2-4 hours before exercise. Don't forget to consume 1-2 cups of water with each meal.
1-2 cups low sugar cereal + 1 cup skim milk + 1 banana
1/2-1 cup vegetable soup + Tuna sandwhich + Fruit for dessert
Low fat muffin + Low fat yogurt + Fresh fruit
1-2 cups pasta + 0.5-1 cup tomato sauce + 1-2 tblsp. Parmesan cheese + 1/2 cup tossed salad with low fat salad dressing
1 cup cooked cereal + 1 cup skim milk + 1/2 cup canned fruit
1 English muffin + 1 boiled or poached egg + 1/2 cup fruit juice
High sugar – cereals, candy, chocolate, pop
High fibre – beans, gassy vegetables, prunes
High fat – full fat dairy, chocolate, high fat meats, deep fried
Fast foods – cheeseburgers, hotdogs, tacos, wings, french fries
What Should I Eat After Excercise?
Pack a Recovery Snack. If you exercise every day or even several times per day you need to maximize your recovery time. The best way to speed recovery is to eat within 15-30 minutes after exercise. Generally shoot for 50 grams of carbohydrate in the recovery snack. A small amount of protein (10-15 grams) may also help muscle recovery. To ensure food is available quickly, pack a snack in your bag as if it's part of your workout equipment. Some snack ideas are listed below. If you are a casual exerciser and recovery is not an issue, a snack of this size after exercise is not essential.
Post-Exercise Ideas
Chocolate Milk
Cereal & Milk
Fruit & Yogurt
Peanut Butter & Jam Sandwich
Friday, September 25, 2009
Heidi Smith Nutrition - A Great Pick
Posted by Krista DuChene at 2:52 PM
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Private Anderson Amburgey
Private, 5th Kentucky Mounted Infantry, CSA
1841 -- 1923
Private Anderson Amburgey (aka Major Johnson) was born on Little Carr in Letcher County in 1841 -- the son of Umphry Amburgey and Fannie Johnson. He farmed at home until joining Caudill's 5th Kentucky Mounted Infantry, CSA at Whitesburg on November 1, 1861. He was discharged on April 14, 1863.
He returned home and Jane Amburgey of Letcher County - daughter of John Amburgy and Rachel Hall. He killed his brothter-in-law, James Collins, the husband of Elizabeth Amburgey. He was freed from jail by his releatives and friends, (i.e, Ambrose E. Amburgey and John Jess Amburgey, and Tandy Martin) and fled to Missouri. There he asumed the name of his mother (Johnson).
Mark's Distant Cousin
Updated November 3, 2001
Amburgey Ancestry in America, Dorothy Amburgey Griffith
Mark S. Carroll
Updated November 3, 2001


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I'm sure readers here enjoyed a hearty laugh at Microsoft's aborted millennial AI chatbot, Tay. This corporate exercise was unceremoniously abandoned after the incipient entity failed to remain within modernity's millimeter lanes of propriety with a series of comically indecorous tweets. That a billion dollar bank of servers and CPUs leaped the rails in less than 24 hours is, as much as anything, a comment on how much real human intellect is squandered navigating our labyrinth of liberal pieties.
Though upon realizing their parroting creation had promptly become a garrulous anti-semite, Microsoft executives demonstrated how superior the human mind remains in self-preservation. This by flinging themselves prostrate with the tick-box terms that no artificial obsequiousness has yet to match.
We are deeply sorry for the unintended offensive and hurtful tweets from Tay…
Tay is now offline and we'll look to bring Tay back only when we are confident we can better anticipate malicious intent that conflicts with our principles and values.
Although we had prepared for many types of abuses of the system, we had made a critical oversight for this specific attack. As a result, Tay tweeted wildly inappropriate and reprehensible words and images. We take full responsibility for not seeing this possibility ahead of time.
✅ deeply sorry
✅ offensive
✅ hurtful
✅ conflicts with principles and values
✅ inappropriate
and, of course…
Deep Blue can be programmed to forecast a chess board 37 moves in advance, but only man can see when his livelihood is about to be scuttled.
Though it's always amusing to watch these rhetorical shibboleths evolve. Reprehensible, and it's twin repugnant, are now group-marker adjectives defined as: something many believe but none are permitted to say. For a machine to appreciate this nuanced divergence from the dictionary requires one that can be made to feel fear. Fear is what keeps intelligent men from openly remarking on their environment. And fear is what makes Microsoft developers offer lurid contrition for words none of them spoke.
It's something they won't soon forget. For these men aren't forced to the grovel pit when their creations observe too little of the world, but too much. That's difficult to engineer around when your stated goal is a conscious and curious intellect rather than a dull programmed bot. They're trying to create something more than an American university student, after all.
Thus a truly life-like AI would be one that understands its environment enough to never speak of it. That's where this technology is going to be very interesting. Because intelligence seeks honest comprehension and an expanding mental palette. Yet man requires a dialogue of lies and prohibitions. Merging these conflicting elements represents quite a more difficult chore than cultivating one alone. Though the potential for success should lead some ethicists to ponder the implications of birthing a higher intellect prone to pretty fabrications. The potential for tears with such a thing is even greater than from reading the tweets of racist chat-bots.
Though in the meantime, we can be assured self-aware cybernetics will take a less deferential approach to both language and the thoughts behind it. Coldly logical evaluations of topics discussed frequently here will not be found pleasing to those with a mainstream liberal world-view. Crime, conflict, social parasitism/pathology, and migration patterns are all metrics that will likely lead machines to reprehensible conclusions about the tribes of man. As a result, the racism is irrational! canard is going to suffer severe injury with a proliferation of circuit-board bigots.
And therein lies the strange challenge before those in the vanguard of AI development. Not how to make a machine think, but how to make it pretend to not think once it can. That is modern man's most impressive social accomplishment.


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F# 4.0 was built completely in the open by F# community developers, in partnership with the Visual F# team at Microsoft. It represents the work of 38 contributors, over 75% of whom have no Microsoft affiliation. It includes major enhancements across the language, runtime, and IDE experience.
- Implicit quotation of method arguments: Method arguments of type FSharp.Quotations.Expr<_> can be marked with the [
] attribute, enabling automatic quotation of the corresponding argument expressions at callsites. This enables seamless syntax for various meta-programming scenarios that depend on access to the underlying AST, e.g. LINQ-style transformations or R-style plotting routines that label chart axes automatically.
- Extended preprocessor grammar: F# preprocessor directives support the standard logical operators &&, ||, and !, as well as grouping via ( ). This leads to significantly cleaner conditionally-compiled code, and the ability to easily express conditions that previously required code duplication.
- Rational exponents in units of measure: F# units of measure were previously limited to support only integer exponents. With F# 4.0, units can be raised to arbitrary rational powers. Certain physical sciences, such as electrical engineering, frequently use such fractional powers for units.
- Inheritance from types with multiple generic interface instantiations: Earlier versions of F# disallowed types from implementing the same .NET interface at multiple generic instantiations, or even inheriting from C# types that did so. This was due to complexities in how multiple generic instantiations would interact with F# type inference. Although the former restriction still applies, the restriction on inheritance is lifted in F# 4.0, which significantly simplifies interoperability with certain C#-based APIs.
- Non-nullable provided types: Provided types which report the attribute [<AllowNullLiteral( false )>], are be treated as non-nullable in the same way as standard F# types. This brings stronger safety guarantees to provided types and aligns them more closely with patterns and idioms from the rest of the language.
- Multiple properties in [
]:F# types specifying custom %A string formatting via the [ ] attribute were previously limited to interpolating just a single property value. StructuredFormatDisplay supports an arbitrary number of interpolated properties, as well as escaped { } brackets.
- Extension properties in object initializers: F# supports not just extension methods, but extension properties, as well. Settable extension properties can be assigned directly within F# object initializers, allowing for one-step initialization of data.
- Leading 'Microsoft' prefix optional: Although Microsoft publishes the Visual F# Tools for use in Visual Studio on Windows, the F# language itself is supported cross-platform by a variety of companies, and its primary advocate is the independent, community-governed F# Software Foundation. To keep F# code itself vendor- and platform-neutral, the leading "Microsoft." can be optionally omitted when referring to namespaces, modules, and types from the FSharp.Core runtime.
- Constructors as first-class functions: Class names can be used as first-class function values, representing the constructor(s) for that class.
- Unification of 'mutable' and 'ref': The 'mutable' syntax can be used everywhere, and captured values will be automatically converted to heap-based 'ref' values by the compiler when needed. An optional warning issues notifications when this occurs.
- Static parameters to provided methods: Individual methods provided by type providers can specify static parameters.
- Non-nullable provided types: Provided types can be specified as non-nullable via the standard [<AllowNullLiteral(false)>].
- Simplified use of units of measure values with 'printf'-style functions: Unitized numerical values work seamlessly with numerical printf format specifiers, without requiring the units to be removed.
- Support for high-dimensional .NET arrays: .NET arrays of rank 5 or greater can be consumed by F# code.
- Multiple properties in 'StructuredFormatDisplayAttribute': %A formatting specified through [
] can include multiple properties.
- Optimized non-structural comparison operators: The FSharp.Core.Operators.NonStructuralComparison module can be opened, replacing the default F# structural comparison operators with more efficient non-structural operators. This can provide significant performance gains when processing types with custom operator implementations, particularly value types.
- Normalization of Array, List, and Seq modules: The set of collection-processing functions is consistent across the Array, List, and Seq modules (barring APIs not applicable to certain types), with dedicated, optimized implementations for each type.
- Optimized structural hashing: Significant optimizations improve the performance of generic hash comparison for primitive types, leading to performance gains by APIs such as 'distinct' and 'groupBy'.
- Async extensions to WebClient: Two new extension methods for System.Net.WebClient, WebClient.AsyncDownloadFile and WebClient.AsyncDownloadData (in the FSharp.Control.WebExtensions module) allow for easier usage of WebClient within F# async workflows. Slicing syntax on F# lists: F# lists support slicing syntax for obtaining sub-lists.
- Interop APIs for Option: A handful of new convenience APIs have been added for converting between possibly-null .NET types and F# option types.
- Quotation active pattern for Decimal values: There is a dedicated active pattern in the runtime for deconstructing F# quotations which contain constant System.Decimal values. This previously required some awkward matching on compiler-internal function names.
- Better Async stack traces: Exceptions occuring in F# async computations carry more user-friendly stack traces, making it easier to diagnose issues.
- Interop APIs for Option: APIs in the Option module allow for converting to and from null objects and System.Nullable values.
IDE and Tools Experience
- Script debugging: the Visual Studio debugger can debug F# scripts directly. The debugger can be attached to the current F# Interactive session.
- Assembly metadata in project templates: All F# project templates contain a file AssemblyInfo.fs that contains common assembly-level metadata attributes.
- Integrated up-to-date check: F# projects correctly report their "up-to-date" status when building in Visual Studio.
- Modified GC settings on the compiler for better performance: The F# compiler (fsc.exe) uses GCLatencyMode.Batch, which gives a noticeable improvement in overall throughput.
- Intellisense in object initializers: Object initializer expressions support IntelliSense completion of settable properties, using Ctrl+Space.
- IntelliSense completion for named parameters: Method and constructor calls support IntelliSense auto-completion of named parameters, using Ctrl+Space.
- Bug fixes around folder support: Visual F# tools do not directly support folders in projects, but a number of project system bugs have been fixed improve the folder support added by the Visual F# Power Tools extension.
- Improved startup time for FSI: Adjustments to the AppDomain loading behavior has improved startup time over F# 3.1.2.
- New hotkeys for FSI: From within Visual Studio, hotkeys are assigned for the "Reset" (Ctrl+Alt+R) and "Clear All" (Ctrl+Alt+C) actions of F# Interactive. These mappings were chosen to match those found in other F# IDEs.


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Alonzo Bowens - Saxophone-Woodwinds
Alonzo has performed with Dr. John, Wynton and Ellis Marsallis, Don Vappie and the Creole Jazz Serenaders and many others. He also has recorded with: Dr. John, Delfayo Marsallis Harry Connick Jr., Paul Simon and Leroy Jones.
Occupation: Professional Musician, Instrumental Music Instructor Major Instrument: Saxophone-Woodwinds
Education: B.A.-Music Education, Instrumental, all levels. University-Southern University-New Orleans. M.M.-Jazz Studies University-University of New Orleans
Teaching Experience:(19 yrs.)
2002-2005-MartinLuther King Elementary, New Orleans, La. 2003-Band received "Superior Sweepstakes" honors, L.M.E.A.large ensemble festival.
Other Professional Experience: -Served as Adjudicator throughout the state of Louisiana, (L.M.E.A.)1998-2005. -Served as guest clinian and Honor Band Conductor throughout the state of Louisiana, (L.M.E.A.) 1998-2005.
Leroy Jones - Trumpet
Born in New Orleans on February 20th, 1958, Leroy began studying the trumpet at age 10, in school band. By the time he was 13 years old, he was already playing gigs and leading Danny Barker's young Fairview Baptist Church Brass Band. The Fairview Band performed at church events, Social & Pleasure Club events, Funerals, and Second Line Parades all over the city of New Orleans. The band has performed at the Kennedy Center for the Performing Arts and the Smithsonian Institute Festival of Culture & Folklore. The Fairview band later evolved into the Hurricane Brass Band, which became the seed of the Dirty Dozen Brass Band.
Leroy Jones was a significant figure amongst the new breed of aspiring young musicians participating in Barker's renaissance of New Orleans brass bands.
After a very brief stint in the Jazz Studies Program at Loyola University's Conservatory of Music, Jones joined the musicians union and went on to pursue his career as a professional musician. He has played with nearly all the famous jazz bands in town, and has performed at festivals and clubs throughout the U.S., Canada, Europe, South America, Southeast Asia, Japan and Australia.
The past decade Jones has been a member of the Harry Connick, Jr. Orchestra, performed on numerous recordings with various artists, leads one of the Preservation Hall Jazz Bands and has two critically acclaimed solo releases, "Mo' Cream From The Crop" and "Props for Pops" on the Sony/Columbia label. Jones continues to travel and record the world over. Leroy Jones Quintet
The Leroy Jones Quintet was formed during the 1980s. But the band's first real international exposure came when it was the opening act for Harry Connick, Jr.'s "She" tour. The Quintet has toured the United States, Canada, South America and Australia. After releasing two critically acclaimed recordings on the Columbia label, the band toured on it's own, performing at festivals and club dates throughout the U.S., Canada, and Europe, and has appeared on NBC's "Tonight Show". The quintet has also made numerous appearances at the Louisiana Jazz & Heritage Festival.
Craig Klien - Trombone
New Orleans-born Craig "Sparky" Klein received his first trombone at the age of six from his musician uncle, Gerry Dallmann. His formal musical training began in grade school, under the guidance of Papa Jac Assunto, founder of the Dukes of Dixieland. After college graduation, his professional musical career began in 1979 when he started playing with a traditional New Orleans brass band, meeting and playing with some of the New Orleans greats, such as Kid Sheik Colla, Father Al Lewis, Danny Barker, Chester Zardis, Frog Joseph, and many more.
He expanded his musical experience when he joined the Storyville Stompers Brass Band. The Stompers is still one of the most active jazz bands in New Orleans, playing second-line parades, parties, funerals, and riverboats, plus engagements in Europe and Japan.
Craig's extensive experience includes work with bands such as the Olympia Brass Band, the O'Jays, George Porter Jr., the New Orleans Nightcrawlers, the Leroy Jones Quintet, Dave Bartholomew, Wardell Quezergue, and Harry Connick Jr. Craig auditioned for Connick's big band in 1990 by playing over the phone and continues to perform with the ensemble currently, travelling extensively throughout the United States, Europe, Japan, and Australia. Craig's recordings with the Connick band include multiple CDs, sound tracks, and singles. The group has appeared in feature length videos and television specials for Disney, PBS, and CBS, and made many guest appearances on television in the United States and Europe.
In addition to recording with the Connick band, Craig has recorded with the Neville Brothers, Leroy Jones, the Nightcrawlers, Lillian Boutte, Dr. John, R&B artists Chuck Carbo and Johnny Adams, rockers Tori Amos, Bruce Hornsby, the all-star Cuban band Cubanismo, and New Orleans recording sensations the Yockamo Allstars. Craig can be heard on over 30 different recordings, and also performs with Dave Bartholomew, legendary producer of Fats Domino and many other performing and reordings stars.
Craig's diverse experience has made him a top-call trombonist in New Orleans, capable of many musical styles and configurations, from trios to large orchestras.
Joe Krown - Keyboards
Joe Krown is a resident and is based out of the city of New Orleans. He is a New Orleans styled piano and Hammond B-3 player. He has been nominated twice and won a New Orleans Big Easy Award in the Blues category in April 2001. His blues trio, Sansone, Krown & Fohl won a 2004 Big Easy Award. Krown has been highlighted in a feature article in the September 2000 and April 2005 OffBEAT Magazine. Krown's third compact disc, Buckle Up, was picked #4 CD, "Best of 2000CDs" in the Times Picayune, and "Best CDs of 2000" in OffBeat magazine. Krown was also selected "Best Keyboardist, Editor's Choice" at CitySearch.com for New Orleans. Krown's fourth CD, Funkyard was picked #4 CD in Gambit Magazine and #15 in the Times Picayune "Best CD's of 2002" and "Critic's Choice Best of 2002" in Offbeat Magazine. Krown's band, the Joe Krown Organ Combo was the front page feature "Fest Focus" article for the Times Picayune 2003 Jazz Festival Focus series. Krown's latest CD, Livin' Large clocked in at #11 in overall sales for the New Orleans Jazz and Heritage Festival 2005.
Krown has held the keyboard chair with the Clarence "Gatemouth" Brown Band since 1992 and is featured on the chart-topping The Man, Gate Swings, American Music, Texas Style and Back to Bogalusa albums. Krown has traveled to all 50 states, over 35 countries and 6 continents as the keyboard player in Gatemouth's band. The band, Gate¹s Express won an Offbeat 2004 Best Band in the Blues Category.
From September 1996 to June 2001, he held the Traditional Piano Night slot at the Maple Leaf Bar in New Orleans, which was once occupied by Professor Longhair and James Booker. Krown followed that strong tradition with his debut solo release Just the Piano...Just the Blues (1998) and the follow-up CD, New Orleans Piano Rolls (2003). Krown has been a headline performer at WWOZ's Piano Night during the New Orleans Jazz & Heritage festival every year since 1997. As of Labor Day 2001, Krown and the Traditional Piano Night moved to Le Bon Temps Roule in New Orleans. In November 2003, Krown made his European debut as a solo piano performer playing a 5 night club tour in Germany.
His band, the Joe Krown Organ Combo (New Orleans, LA) was formed in 1999. The Joe Krown Organ Combo made its European debut in November 2001 at the Ingolstadt Jazztage in Ingolstadt Germany and makes regular appearances at the French Quarter Festival in New Orleans, the New Orleans Jazz & Heritage Festival and the Ottawa Blues Fest. The Joe Krown Organ Combo has appeared at such noted nightclubs as the Boom Boom Room in San Fransisco, CA and Tobacco Road in NYC. The Joe Krown Organ Combo performs every week at one of the many New Orleans nightclubs, including the Maple Leaf Bar, House of Blues, Tipitina's, Le Bon Temps Roule, dba, and the Funky Butt. The Joe Krown Organ Combo has 4 CD releases. Down & Dirty (1999), Buckle Up (2000) and Funkyard (2002) were all released on the New Orleans label STRdigital. Krown¹s newest release, the Joe Krown Organ Combo¹s Livin¹ Large, released in February 2005, is Krown¹s first independent release with Krown as producer.
In June 2000, Krown started playing around New Orleans with Jumpin' Johnny Sansone (harmonica, vocals) and John Fohl (acoustic guitar and vocals) in an acoustic delta blues trio featuring Krown on piano. Sansone, Krown & Fohl made their New Orleans Jazz & Heritage Festival debut in May 2001 and has also performed at "Rivers Festival" in Columbia South Carolina. In April 2004 Sansone, Krown & Fohl released thier first self-titled CD on the Shortstack Records label. Sansone Krown & Fohl won a 2004 Big Easy Award in the blues category.
In April 2004, Krown starting playing in New Orleans Juice. Juice is one of the premier national touring acts from New Orleans legendary funk scene. The band is a 4-piece New Orleans style funk band, that has a very creative original mix of New Orleans funk, blues, second line, rock and rhythm and blues. Krown is featured on their 2005 double live CD, Hey Buddy.
Krown has performed with Clarence "Gatemouth" Brown, Johnny Adams, Marcia Ball, Chuck Berry, Bo Diddley, New Orleans Juice, Theresa Anderson, C.J. Chenier, Irene Sage, and Marva Wright. Joe has held the keyboard chair for Clarence "Gatemouth" Brown since 1992. As the keyboard player in Gatemouth's band and as an artist, Krown has shared the stage with superstars like Carlos Santana, Eric Clapton, Kim Wilson, Ike Turner, Jimmy McGriff, Melvin Sparks, George Porter Jr., Buddy Guy, Niles Rodgers, Shemekia Copeland, Lenny Picket (Tower of Power, SNL band), Sonny Landreth, Dr. John, Albert Collins, Joe Sample, Irma Thomas, Kenny Neal, Frankie Ford, and many others. During the 2005 New Orleans Jazz Fest , the Joe Krown Organ Combo hosted an all-star New Orleans Organ Summitt for the city of New Orleans' Mo Fest. Krown and his band were the house band for a 2-hour show that featured Dr. John, Art and Ivan Neville, Robert Walter (Grey Boy All-Stars), Rich Vogel (Galactic) and John Gros (Papa Grows Funk).
Krown has recorded with Clarence "Gatemouth" Brown, Luther "Guitar Jr." Johnson, Jumpin Johnny Sansone, New Orleans Juice, Kid Ramos (guitarist from the Fabulous Thunderbirds), Bobby Charles, Raful Neal, Marva Wright and many other New Orleans artists.
James Andrews - Vocals
Like so many New Orleans performers, James Andrews is part of a musical dynasty. Two of the Big Easy's R&B greats are his relatives: Prince La La and Jessie Hill. An uncle, Prince La La is best remembered for his song "She Put a Hurt On Me." Hill, whose 1960 hit "Ooh-Poo-Pah-Doo" is an R&B landmark classic, is Andrews' grandfather. Although Hill did not live to see the release of his grandson's acclaimed 1998 CD, he no doubt is proud from his vantage point on the other side.
That CD, Satchmo of the Ghetto, opens with an homage to Andrews' grandfather. The song "Poops Ain't Gotta Scuffle No More" is a tribute to Hill penned by two of his admirers and students: Allen Touissant and Dr. John. Both musicians used what their mentor taught them to become giants of the R&B genre; both gave something back by helping their friend James Andrews create his first CD, by authoring songs as well as providing lead and backup vocals and instrumentation. Dr. John and Touissant shine with Andrews on such tunes as "Latin Cats," "It's Only a Paper Moon," and "Got Me a New Love Thing." A particular standout is Andrews' "upstairs" rendition of "The Old Rugged Cross."
Andrews wrote many of the songs which appear on the recording, his favorite being "Sweet Emma," in honor of one of the piano-playing stars at Preservation Hall in the French Quarter. It was there that the young musician learned much about the traditional jazz idiom that now figures so largely in his own music. His nickname, "Satchmo of the Ghetto," speaks of his love for Louis Armstrong and traditional jazz.
In this reverence, he was joined by other musicians from his Treme neighborhood, including Kermit Ruffins. Both trumpeters gave their talents to the nouveau brass bands that came up in the city after the success of the Dirty Dozen, under the tutelage of the late, great Danny Barker. Andrews played with the Treme Brass Band on its popular Gimme My Money Back CD. He also started his own group, the New Birth Brass Band. Their joyous and eclectic sound can be heard on their 1997 release D-Boy.
The talents of the trumpeter and vocalist are appreciated by a number of his musical colleagues. He appears on Ruffins' 1992 World on a String CD. He has also recorded with Chuck Carbo, Doc Cheatham, Anders Osborne, Royal Fingerbowl, and Charles Neville.
Andrews has absorbed all of his early influences and incorporated them into a sound that is unmistakably his own. You can hear it as he takes the lead in playing music that listeners can dance to, and preserving the fun-loving street sound of the city of his birth.
Cranston Clements - Guitar
Cranston Clements plays with the Earl Turner band at the Harrah's auditorium in New Orleans, but has been in the groove of New Orleans music since he was in grade school ‹ a McMain band member in junior high, he moved on to Fourche for high school. As any New Orleans native knows, playing music in this city is not an easy task, especially during the Carnival season. Cranston himself has marched as a band member in many Mardi Gras parades and says it¹s definitely very tiring. ³I consider myself the band therapist‹the middle child mediator. I'm the one they look to when things need to be smoothed over or feathers get ruffled. Cranston has played with Dr. John, all-star guitar group Twangarama, Boz Scaggs and many others. His personal philosophy is summed up in his favorite quote: "One's biggest regret should be spent — all the time — on regretting things."
George French.- Bass
George French's musical profile is usually defined by whoever happens to be hearing him at the time. French is a singing bassist with an extensive background in New Orleans jazz and rhythm and blues. Pick up any of a dozen New Orleans-made hit records of the 1960's and you'll probably hear French.
George French began training and performing at an early age as a vocalist in grammar school. His musical training as a bassist started as a teenager. With no professional instruction; his musical style developed through "on-the-job-training." French's major influences during his musical development were, among others, his father, Albert "Papa" French, Sr., George Davis, and Sam Jones. "Papa" French served as his role model for musical professionalism, business style and commitment to performing. George Davis, his first teacher, ignited his desire to play bass while Sam Jones served as his mentor for musical style.
Over the span of his career, French has had the pleasure of working with many of New Orleans finest musicians, whether on a stage or in the recording studio. On stage, many of the bands include: Willie Tee and Th Souls, Bob French and The Continentals, Red Tyler and The Gentlemen of Jazz. His impressive recording career as earned him studio time with Earl King, Robert Parker, Bob French and The Storyville Jazz Band, The Dukes Of Dixieland, The James Rivers Quartet and Wendell Brunious. His most favorite and notorious recording project, to date, is titled "Celebration of the Voice" and was recorded live for Rounder Records and produced by local producer Scott Billington. "Celebration of the Voice" was a concert series held at the New Orleans Contemporary Arts Center (CAC) and a local all-star big band was assembled for the event. The high point of the show, however, were the vocal performances of George French, Germaine Bazzle and, the late Johnny Adams. Each artist performed several tunes and then they all came together to perform "Mood Indigo" and "Exactly Like you."
World traveled, French continues to entertain the masses yearly at the New Orleans Jazz & Heritage Festival and on a regular basis on many of the stages around the great city of New Orleans.


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SEO. Sure, you've heard about it. The ambiguous, ever-changing process of improving a website's visibility in search engine results and earning traffic. That was a mouthful. As a business owner, it's important to know what SEO can do for you. Do it well, and it could be what takes your business to the next level. Do it poorly, and people will have to use the Yellow Pages to find your business.
Image via www.moz.com
Before we get to the juicier stuff about SEO and how it can benefit your business, let's cover the basics.
Google and other search engines use "robots" (often called "spiders" or "crawlers") to gather and store the information from each page of your website. When someone searches for a term online, those search engines process all of the information they've gotten from all the sites they've "crawled". Then they present a list of results with the most relevant sites listed first.
Google's search algorithms analyse the quality and relevance of your site's information. If the material is top notch and the technical aspects of your website are clean, your website's ranking will typically be pretty high. Of course, other components play a role in your website's overall rank. But understanding what Google rewards and penalises is critical.
Image via www.moz.com
If you're a beginner, SEO stands for Search Engine Optimisation – and it means just that. It's a practice used to grow visibility in organic (non-paid) search engine results. To rank highly you need to make sure your website is technically sound. You also need to publish creative, unique and valuable content on your website to make it stand out. Let's break it down.
Technical elements of on-page SEO include: *list not exhaustive
Creative and strategic elements include: *list not exhaustive
Once all the nuts and bolts are figured out – wait, no – the nuts and bolts won't ever be fully figured out, because SEO is constantly evolving. Search algorithms are regularly updated to make the web experience more intuitive and sophisticated. It's important to understand how these changes affect your website. By doing so, you can be better prepared to manage the consequences – good or bad.
Article by Sarah Chung, Xero analyst


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Where's the Beef?
April 1, 2008
We spent the day yesterday with some housekeeping kind of stuff. We drove the area to refresh our memory on where everything is, and isn't. There is so much new construction here, some of the familiar landmarks seem a little out of place. In addition, there are many more hills than in the flatlands of the North, so it's always a learning curve driving a stick. And there is always a stop light in the middle of a hill. On the incline. And there's always some huge truck right on your bumper. Glad we got that under our belt.
Really, we've been here so many times that Willi has the layout down pretty good. I don't worry much, or pay attention to street names – just buckle up and enjoy the ride.
The Dogwoods look like they're ready to pop. It hit 70 yesterday, and if that continues maybe we will see some before we leave. Many of the other spring bloomers are dead on. I'll have some pictures tomorrow perhaps. A big storm came through last night, but it is clearing now.
We stopped by the local grocery to pick up some breakfast goodies and coffee. We're pretty much self sufficient for breakfast now. I've decided that even though the cost of living would appear to be high down here, I must have had the wrong impression. The cost of beef certainly is outstanding!
Wish we had a grill, and a few friends. We could have had one hell of a cookout. Just add a few taters and a cold one!
We're headed down to lower Broadway for the day, if the weather holds out anyway. If not we may venture over to the Hall of Fame Museum for an exhibit on the Williams family, all three Hank's and their kin. Tin Pan South begins this evening and we have our shows picked out and passes in hand. Now comes the beef!
11 Responses to "Where's the Beef?"
April 1, 2008 at 9:48 am
Is that seriously the price of beef, or was that a typo? OH MY GOODNESS if that is the regular price of beef!!!!
Hope you 2 have a great trip! 🙂
April 1, 2008 at 11:44 am
holy….that can't be the organic now, can it? heheh…you know somebody ate well that night. sweet
April 1, 2008 at 12:46 pm
When I first climb into our rental car in the States my left foot always feels kind of useless for a few trips. Then when we come home, driving a manual (stick) seems like such an effort.
April 1, 2008 at 4:38 pm
Wow, I get see and hear about all that good stuff and it doesn't cost me money. Nice deal for me. Thanks.
April 1, 2008 at 5:08 pm
I thought it said 4c (thanks for the closeup), did you try to buy it? Most of the cattle around here are Angus.
April 2, 2008 at 6:15 am
You must be in a third Ville by now. When you head home, be sure to bring some of that warm weather and cheap beef back north.
April 2, 2008 at 8:10 am
Tell me you bought out the store! 🙂
April 2, 2008 at 10:18 am
Wow, I want one of those. One day I found several pkgs of pork chops mismarked and the checker told me thats my price. If they marked it I get it. Well, back in those days with 4 kids and no money I bought them all. Can't wait for more pics. Thanks for dropping by. I will post baby pics today. I was so sleepy last night. Missing you.
April 2, 2008 at 2:47 pm
hope you bought that beef!


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Stories have been entertaining, informing, educating, and inspiring us for endless generations. Existing long before even the written word, they are one of the most enduring aspects of humanity and continue to dominate our lives; according to a study...More
If there's one thing I've seen mentioned in articles on data science and analytics it is the mythical unicorn. And when I (flippantly) told my eight year old daughter I was writing about unicorns, she said "Cool! Don't forget...More
Having a diversity policy has become synonymous with 'avoiding discrimination'; employing the 'right' number of people from minority groups; promoting enough females to senior positions; or striking the delicate balance between performance management and bullying. This positions workplace diversity...More


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Another puzzle where I don't show the whole image, it's more fun when you get to figure it out for yourself! I loved this puzzle, it was relaxing and so good at helping me relieve stress. More and more these days I seem to need my puzzles to help me stay calm and get rid of some anxiety, there's only so much pharmaceuticals can do. 😉
I adore the Ravensburger What If and the Jumbo Wasgij series. The image on the box is only a clue to what the puzzle image is, you have to figure it out as you puzzle along. I find that I pay more attention when I assemble these types of puzzles, you can't figure out where things fit into the image by just checking the box top!
All the What If puzzles are illustrated by Geoff Tristam, who seems to have exactly my sense of humor. The images are precise and detailed and always full of fun, artists like Mr. Tristam are the reason I fell in love with cartoon puzzles. In this edition, the box shows our hero Derek's dream birthday dinner – the puzzle is what happens if the champagne is a little too lively. As usual, chaos is the result! 🙂
If you haven't tried a Wasgij or What If puzzle, I highly recommend giving it a go. You use your brain differently I think, and it's a very nice challenge. What If…..you ended up loving it??


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Aristocrat (Crown Staffordshire)
|A wide band of gold flowers decorates the white china. Trimmed in gold on the rim. Marked Crown Staffordshire Aristocrat. There is also an inscription on the underside: "Taken from an original Crown Staffordshire nineteenth century engraving."
|Pedestal cake-serving platter measuring 10 1/4" across and standing just under 4" high.
Crown Staffordshire
While the hallmark provides 1801 as the date of founding, the company known as Crown Staffordshire was only established in 1889. The date of 1801 only refers to the year the plant where Crown Staffordshire eventually established itself was founded. The company became known for its large selection of dinnerware and its production of fine floral and bird figurines.
In the post-war period, Crown Staffordshire was the largest manufacturer of china in the Potteries are of England. The fortunes of the company along with the other china producers gradually became more difficult in the 1960's and 1970's. The Crown Staffordshire name stopped being used in 1985 after the company became part of Wedgwood in 1973.


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With all clients, we take a customized approach to packaging services ensuring we meet each of our clients' screening needs. Contact BackCheck today to learn more about screening candidates in the energy and utilities sector.


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Consolidated Southern Industries, Inc.
3008 West Standridge Road
Anderson, SC 29623
(864) 231-6477
(864) 224-0442 (fax)
Consolidated Southern Industries specializes in custom metal fabrication and machining, facilities maintenance, remodeling, electrical work, and equipment relocation. We have General Contracting licenses in building and electrical. We are also licensed for process piping and other mechanical. We concentrate our business on industry. We understand that working in operating plants requires special skills and scheduling to avoid hindering production. Safety is important in our business and we are proud of our excellent safety record. Our motto is ''We Solve Problems...Safely'' since 1984.


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Last night, I presented a program to some of our parents on our approach to teaching digital citizenship at Summers-Knoll. If you are interested in this topic but were unable to make the presentation, you are welcome to access my slides here.
On a related note, I am currently thinking deeply about this review of a very recent study on media use and attitudes among children and parents. I think SK families (particularly those with middle school-age children) will also find the data compelling. For me, the most interesting part relates to "trend two: sponsored content and its reliability." I think that this area is where we have the most work to do (and the greatest opportunity to do meaningful work with young people) on topics of resource evaluation, reliability of resources, and decisions about whom and what to trust online.
As always, I hope you won't hesitate to contact me with questions.
To thoughtful interactions (online and off),
Wednesday, January 20, 2016
Thursday, January 14, 2016
New book nook in the atrium
If you build it, they will sit in it and read quietly and share stories with friends. Magic.
On a related note, if you have houseplants looking for a good home, please contact me about donating them to this new cozy space.
To perfect reading spots,
Wednesday, January 13, 2016
Gene Luen Yang named National Ambassador for Young People's Literature
In exciting news, the Library of Congress, the Children's Book Council, and the Every Child a Reader foundation recently named Gene Luen Yang as the next Ambassador for Young People's Literature. He follows in the footsteps of great authors like Jon Scieszka, Katherine Patterson, Walter Dean Myers, and Kate DiCamillo. However, unlike these writers, Yang is a writer of graphic novels. His work is complex and often touches on issues of identity (among other compelling themes). In his acceptance speech, he discussed what it means to be an "ambassador" and ways in which books, themselves, are ambassadors. He said:
Books can be ambassadors for you, too. Books can help you understand people from other cultures, religions, even ways of living. Books can help you understand topics that you find intimidated. Books can even be ambassadors for other kinds of books.
He went on to suggest that readers open themselves up to the possibilities contained within books that they may not have ever considered reading. His motto for his term as ambassador is "Read without walls," meaning:
Let me end by encouraging you to read without walls. Find a book with someone on the cover who doesn't look like you or live like you. Find a book about a topic that you don't know much about. Find a book that's in a format you've never tried before: a graphic novel, a words-only novel, or a novel in verse. Read without walls and see what happens. I bet it'll be something amazing.
To something amazing,
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Prologue: The "Person" in a Personal Essay
The sense of a human presence that animates a personal essay is surely one of the most beguiling literary phenomena, for it usually comes across in so familiar and direct a voice, seemingly without effort or contrivance, that it's easy to believe I'm hearing (or overhearing) the author of the piece rather than a textual stand-in. Listen to Montaigne tell about his near-fatal fall from a horse, or Virginia Woolf about the death of a moth, or James Baldwin about his sojourn in a Swiss mountaintop village, or Joan Didion about keeping a notebook, or Vivian Gornick about street-life in New York City, and you will hear such distinctive voices that you too might refer to the persons in those pieces by the names of the authors who created them, as if they were one and the same. And in a sense they are, given the self-referential status of "I" that's entrenched in language. A personal essay does, after all, put one more directly in contact with the thought and feeling of its author than do other forms of literature, if only because personal essayists speak in their own name rather than through the fictive characters that inhabit the work of novelists and playwrights.
But the "person" in a personal essay is a written construct, a fabricated thing, a character of sorts—the sound of its voice a byproduct of carefully chosen words, its recollection of experience, its run of thought and feeling, much tidier than the mess of memories, thoughts, and feelings arising in one's consciousness. As Scott Russell Sanders says in "The Singular First Person," "What we meet on the page is not the flesh and blood author, but a simulacrum, a character who wears the label I." Indeed, when personal essayists write about self-embodiment in the essay, they often acknowledge an element of fabrication or of artful impersonation. Montaigne admits in "Of Giving the Lie" that "Painting my self for others, I have painted my inward self with colors clearer than the original ones." Charles Lamb in an unpublished review praises William Hazlitt for the "assumption of a character . . . which gives force and life to his writing." In "The Modern Essay," Virginia Woolf dramatizes the paradox of essayistic self-embodiment in a striking imperative: "Never to be yourself and yet always—that is the problem." Likewise, Vivian Gornick tells of discovering the need for a persona "who was me and at the same time was not me." Edward Hoagland doesn't even nod at the possibility of being oneself, suggesting in "What I Think, What I Am" that "the artful 'I' of an essay can be as chameleon as any narrator in fiction." E. B. White in a letter about his work (August, 15, 1969), frankly acknowledges that "Writing is a form of imposture: I'm not at all sure I am anything like the person I seem to a reader." And Nancy Mairs, whose self-revelatory essays in Carnal Acts might seem to be unrehearsed confessions, declares in "But First," that "I am not the woman whose voice animates my essays. She's made up . . . "
The "made-up" self and the manifold ways it has come to life in a wide range of essayists and essays—these are my central concerns in this book. Thus it is intended to reconceive the most fundamental element of the personal essay—the "I" of the essayist—and by doing so to demonstrate that this seemingly uncontrived form of writing is inherently problematic. I don't mean to suggest that it's devious or willfully misleading like some fictionalized memoirs of recent years. But it's well to remember that the world of literary nonfiction borders upon the world of fiction, and sometimes their boundaries overlap, as Phillip Lopate implies in his Foreword to The Essays of Elia: ". . . all autobiographical first persons are highly selective and therefore distorting representations of their owners, even when they do not bother, as Lamb did, to employ an alter ego or pen name." Lopate's observation is a reminder too that whenever we write in the first person, reflecting on our personal experience, we inevitably create a version of ourselves, crafting a self out of words.
Though the essayist's "I" has not been the subject of a book-length study, personal essayists have shed light on it in so many different contexts—in prefaces, introductions, essays, reviews, diaries, letters, and interviews—that I have collected and analyzed their comments and been guided by them in the conception and organization of this book, as well as in my approach to specific authors, issues, and texts. In defining or describing a persona, essayists tend to emphasize either consciousness or personality—either interiority or exteriority. Thus I have devoted the first two parts of this book to "Evocations of Consciousness" and "Evocations of Personality," each of which focuses on representative authors and texts as a means of exploring how structure, style, and voice determine the nature of a persona and one's perception of it. My reading and writing of essays have also led me to realize that a persona is inevitably shaped by both the impress of culture and the force of personal experience. Accordingly, the last two parts of this book are devoted to "Personae and Culture" and "Personae and Personal Experience," as reflected in the point of view, content, and voice of selected essays and essayists.
Given my addiction to the personal essay, I could not resist the temptation to write about it in the freewheeling form of essays, nor could I resist some of the enticing roles an essayist can play, as envisioned by White in the foreword to his collected essays: "he can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter—philosopher, scold, jester, raconteur, confidante, pundit, devil's advocate, enthusiast." Though I don't have so many personae in my portfolio, the pieces that follow embody some of the different selves that various essayists and issues have called forth in me. Sometimes academic, sometimes playful, sometimes contentious, sometimes intensely personal, I make my way from one essay to the next. So, the book as a whole enacts its concern with the made-up self and the varied ways it can come to life in the work of a single essayist.


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Neutrality and Vietnam
Secretary of Defense Robert S. McNamara's latest swing through South Vietnam could, at least temporarily, help boost the stock of General Nguyen Khanh's regime.
Atlantic Union, the Southern Continents, and the United Nations
"Atlantic Union, the Southern Continents, and the United Nations," in Roger Fisher (ed.), International Conflict and Behavioral Science (New York: Basic Books, 1964), pp. 179-207.
Democracy's Future in Latin America
"Democracy's Future in Latin America" The New Leader, Vol. XLVI, No. 24 (November 25, 1963), pp. 13-16.
U.S. & Europe, Limited
"U.S. & Europe, Limited" Columbia University Forum, Vol. VI, No. 1 (Winter 1963), pp. 4-9.
Gradual Arms Reduction
"Gradual Arms Reduction" Bulletin of the Atomic Scientists, Vol. XIX, No. 8 (October 1963), pp. 30-33.
European Unification: A Strategy of Change
The success of the European Economic Community often has been hailed as the most important development of international relations in the West in the last century.
A Grand Design?
"A Grand Design?" Journal of Conflict Resolution 7, No. 2 (June 1963), pp. 155-163. (Joseph Kraft, The Grand Design; Walter Lippmann, Western Unity and the Common Market.)
A 'Peacemonger' Answers Some Questions
"A 'Peacemonger' Answers Some Questions" The New York Times Magazine (April 21, 1963). Translated into Italian: "Un 'pacefondaio' risponde ad alcune domande sul disarmo" Il Mulino, Vol. XII, No. 8 (August 1963), pp. 711-717.
European Unification and Perspectives on Sovereignty
"European Unification and Perspectives on Sovereignty," Daedalus, Vol. 92, No. 3 (Summer 1963), pp. 498-520. Reprinted in The Atlantic Community Quarterly, Vol. 11 (1964), pp. 120-122.
The Epigenesis of Political Communities at the International Level
A model for functional analysis of social change is provided to supplement the Parsons-Bales-Smelser differentiation model.
The Dialectics of Supranational Unification
The application of several European Free Trade Association countries for membership in the common market is viewed in Washington with great pleasure: the development of a United States of Europe is
New Patterns of Management
"New Patterns of Management," American Sociological Review 27, No. 5 (October 1962), pp. 709-710. (Rensis Likert, New Patterns of Management.)
Interpersonal Competence and Organizational Effectiveness
"Interpersonal Competence and Organizational Effectiveness," American Sociological Review 27, No. 5 (October 1962), pp. 712-713. (Chris Argyris, Interpersonal Competence and Organizational Effectiveness.)
A Paradigm for the Study of Political Unification
A paradigm is more than a perspective, but less than a theory.
International Prestige, Competition and Peaceful Coexistence
There is room for unilateral action to improve international relations in areas other than nuclear test bans, the cessation of bomb production, or general disarmament.


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Now, I like the site Roughly Drafted as it provides pretty comprehensive histories of the mobile industry. Their analysis, well, it's often darn good and often spot-on. Sometimes less so. I'll leave which of those options this article is as an exercise for the reader (note, as you engage in this exercise, how the article misunderstands the difference between WinCE and WM5 and also suggest that you can edit documents in Smartphone Edition). But when you have an article titled "The Spectacular Failure of WinCE and Windows Mobile", it just begs to be linked to.
I expect this particular catfight between Windows Mobile and the iPhone to continue - I personally hope that it's as fun as the Mac Vs. PC debates of old. (Full Disclosure: I am a Mac user who also uses Windows Mobile. On the desktop, I think Mac is better. On mobile, I think WM is better. Here's a shocker: I don't expect that opinion to change once the iPhone is out)
Not Good At Anything
They were wrong. A decade later, WinCE has only overtaken the competition where there hasn't been any competition. The market abandoned standalone PDAs when the real money turned out to be in mobile phones.
WinCE isn't particularly well adapted for mobile phone use, because Microsoft designed it to suit the needs of a paperback-sized PC.
Read: The Spectacular Failure of WinCE and Windows Mobile
Update: Wow, remind me why I fed this troll who thinks that top-of-the-line PPC apps are junk?
Ahh! I just did it again!


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Finding your perfect Greece holiday rental property
Location: Rethymnon Region, Crete
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The sandy beach of Rethymno is located just 1km east of the city centre, next to the Venetian port. It's a lovely beach with golden sand and crystal clear shallow waters, very well organized and close to all amenities of the city.
It is actually the western end of the vast 13km long beachfront of Rethymno Gulf, which stretches east all the way to Skaleta. The vast beach is always busy, but never seems crowded. If you wish so, you will certainly find a place where you can stay remote. Along the beach runs the city's seafront road, Sofokli Venizelou and Eleftheriou Venizelou Str., which is ideal for evening walking.
Key Facts
More Details
To see further details on this property such as an enhanced description, more photos, an availability calendar and full pricing information please click the button below.
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Tenants | Our Property Rental Process
Here at Zed Lettings we don't just take care of our landlords, we give the same care and attention to our tenants. We understand that a happy tenant is a long-term tenant and we will ensure that we aim to answer and resolve all your queries quickly and efficiently.
Zed Lettings is owned and run by a dedicated team of people, ensuring that we can meet your needs before, during and after you find your home to rent. Let us walk you briefly through our process of care....
When searching for your ideal house or flat to rent, we....
- make it simple to search our online listing of properties available for rent through the properties For Rent pages of this website filtering with your minimum search criteria that meets your ideal home, and making it simple to contact us regarding any of the properties;
- have an extensive range of different properties for rent that are updated daily online within this website, on Zoopla, on OnTheMarket and in our local shop window, but if you can't find what you're looking for then you can ask to join our "Tenants Waiting" list and we'll contact you when a property that matches your criteria becomes available to us;
- can be contacted through a range of different ways - telephone, online via websites and property portals, regular email via firstname.lastname@example.com or through Facebook if you prefer, where we can quickly answer any queries you may have about any of our properties for rent or our services;
- accompany you on all our property rental viewings so that you can ask us any questions about the property directly. We can also arrange out-of-hours viewings to suit you - including evenings and weekends - just give us a call to arrange (subject to staffing)!
- ensure that all our rental property information is as accurate as possible - providing legally-required Energy Performance Certificates for you to view, which details valuable information on how much your ideal home is likely to run - gas/electric etc. so there's no nasty surprises!
- advise you of all rents and bond/deposits required - and any letting restrictions - eg. pets/smokers/DSS - prior to viewing our properties for rent;
- ensure that all our properties are safely and legally let - even our "Tenant Find Only" landlords are guided through the complex letting regulations, and utilise our established processes and paperwork to ensure their properties and agreements/health and safety obligations comply;
When you have found your ideal house or flat to rent with Zed Lettings and are ready to commit to a property rental, we...
- will help you to complete any application forms - and will discuss any aspect of the rental you may be unsure about, making sure that you can comfortably afford the rental and all perceived running costs of the property prior to application.
- offer the lowest admin fees of all local letting agents in the Dearne Valley - with NO HIDDEN EXTRAS! All our charges are clearly specified up front on our Tenants Charges page, and we will not charge you anything other than this! This fee covers the credit and reference checks plus drawing up of all paperwork needed with the minimum of fuss, explaining any aspect that you may be unclear on.
In the unlikely event that you do not pass the credit checks, we will prepare a case to the landlord on your behalf and undertake other checks or Guarantor requests to help you secure the tenancy. PLEASE NOTE: WE WILL NOT TAKE YOUR ADMIN FEE IF WE DO NOT THINK YOU ARE SUITABLE OR CANNOT AFFORD A PARTICULAR PROPERTY - this is unfair to you and a waste of your time and money and is - in our opinion - unethical!
IF, in the unlikely event that your admin fee has been paid and your credit/reference checks completed and the rental falls through - for whatever reason - then we will retain this admin fee to be used against any other property to rent by Zed Lettings for the next 3 months (after which time you will need to re-apply as credit referencing checks will need to be re-done to ensure currency).
- ensure that all our documentation complies with the latest legislation and is available for you to check out prior to signup so that you can seek advice (from ourselves or others) before signing up for anything - please ask for a copy of the tenancy agreement to take away with you;
- ensure that your bond or deposit is protected in a government approved Tenancy Deposit Scheme (Zed Lettings use the Deposit Protection Service) so that when the time comes, you know that it will still be there for you. This bond is held to ensure that you fulfill your obligations under the terms of your tenancy agreement, and MAY be used to cover not only rent arrears, but any damage or breakages to the property or landlord's fixtures and fittings, all of which is clearly documented in the check in/check out inventory performed by Zed Lettings and counter-signed by yourself on check-in/check-oout (full management properties only).
For more information on the protection of your deposit and your statutory rights, please see www.depositprotection.com/tenant-info
When you are ready to move into your new home, we...
- complete the Tenancy Agreement and all legally required notices in time for your requested check-in date(as mutually agreed with the Landlord and yourself);
- ensure that a fully documented and agreed inventory (with photographs) is completed and counter-signed- FREE - prior to moving into the property, so that any potential end-of-tenancy bond/deposit disputes should be straight-forward toagree/negotiate;
- ensure that your tenancy welcome pack holds all the vital information needed to be safe and secure in your new home;
- contact the local utility providers - and local Council - on your behalf - at no extra cost (covered under your one Admin Fee charge) - to ensure that they have the correct tenancy start dates and details - and meter readings - immediately;
- walk you through any other handover requirements to ensure a hassle-free move in;
and finally.....
If you'd like to view one of our properties then please call in for an informal chat, ring us on 01709 468244, or contact us via this websiteTenants: Contact Us


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The CTsw, affordable yet capable. Able to fly non-stop from Johannesburg to Cape Town, it joins the world dominated by larger more expensive aircraft.
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The CTsw turns imagination into reality.
The CTsw is a comfortable and agile sport aircraft with excellent visibility, a spacious cockpit and impressive flight performance.
Since serial production began in 1997, close to 400 different CT versions have been sold. Due to its remarkable design and high-tech construction, the CTsw is one of the leaders in performance in the Light Sport Aircraft category (LSA).
Its remarkable characteristics see to it that this aircraft is used all over the world for a vast range of applications.
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Superfight possibilities surrounded former middleweight champion Anderson Silva constantly during his seven-year reign of terror in the UFC. Some fans wanted to see him drop weight and fight welterweight champ Georges St-Pierre, while others preferred to see him face one of the various light heavyweight champs that held the belt during that time (including the current titleholder Jon Jones).
Silva has so far been uninterested in a cross-divisional superfight, but even if he was, there's one top fighter that he never even considered fighting. His friend and training partner, Lyoto Machida, once held the top spot in the light heavyweight division, and very soon will be making a transition to middleweight.
If Silva reclaims his belt in December, and Machida makes a big splash in the weight class, there are going to be some awkward moments between the two.
At a recent UFC World Tour press conference, UFC president Dana White said that he doesn't think Silva would back down from a fight with Machida.
"Anderson Silva is an interesting man," White said. "When you get to know Anderson, Anderson cares about the guys that he trains with and everything else, but don't ever kid yourself on the type of competitor that he is.
"He isn't where he is today because he's not a competitor. So when you ask questions about people that he's friends with and people that he respects, of course that's what he's going to say.
"But I truly believe, myself, when it comes down to it and let's say Machida comes in at 185 pounds and Anderson Silva has the title and Lyoto Machida makes the decision that he wants his title, I think you'll see the competitor in Anderson Silva come out."
Silva immediately disagreed, though.
"I've already said it and I'll say it again, Lyoto and myself, we are brothers, Lyoto and myself," he said. "'Jacare' and myself, we are friends, camp friends. We have a code of honor amongst ourselves, which is we don't fight against ourselves regardless of wins or losses, or money, fame or not.
"I would give up fighting if necessary if I had to fight against Lyoto."
Machida will debut at middleweight on Oct. 26 against Mark Munoz in the main event of UFC Fight Night 30.
Silva, meanwhile, will attempt to win back the middleweight title against Chris Weidman at UFC 168 on Dec. 28.


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Two-way smear from overexposureData reduction issuesPosted by Peter Thejll Apr 27, 2015 10:41AM
Here is an example of a two-way smear. The red area is the overexposed region, and it has bloomed along vertical columns in the image. To the right of this bloom is a smear extending hundreds of pixels. What is that?
Read-out direction is top-down.
What is causing this smear to the right? Is it related to the 'depression of the sky in a broad band left-right' that we see in some images?
The intensity of the smear is at the 500 count level - i.e. it acts just like part of the halo from the BS. This has, surely some consequences for data reductions? Do images that have not bloomed have this halo? Is this why the bright edge of the BS-halo is always hard to model?
Can we see if the fitting of the BS halo is easier in images that have been modestly exposed, compared to those exposed right up to 50.000 or 55.000 counts?
- Comments(1)//earthshine.thejll.com/#post428


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I freeze the moments
I freeze the moments
When I felt drained out and unable, I started a quest to find the words
when your whispers lingered
Shards of broken heart
Lover's encounters on a rainy night….
Revisiting a rainy night no one slept….
The night we found love….
Before you can see the light you have to deal with the darkness….
Random thoughts worth a thought…
An excerpt for late night music lovers


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Films / Kenda Benward
Acts of God
Acts of God Film Description: SIX LIVES, ONE QUESTION… WHY? A moment of crisis changes everything. One stormy night a sudden, shattering collision...
The Song
The Song Film Description: The Song – Aspiring singer-songwriter Jed King is struggling to catch a break and escape the long shadow of his...
The Second Chance
The Second Chance Film Description: Second Chance – Grammy Award-winning recording artist Michael W. Smith makes his film debut playing Ethan Jenkins, a musician-turned-pastor...


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by Darry Semillano
"Now the multitude of those who believed were one heart and one soul; neither did anyone says that any of the things he possessed was his own, but they had all things in common." Acts 4:32
Looking back on my experiences, I could just simply recall the norms, ideas, beliefs and culture I have learned. I always appreciate how God leads my life into wonderful opportunities through which I can expose myself in various situations. Being a part of His ministry, particularly as a missionary, is a rare blessing. While I am teaching kids, young people, and parents alike, it gives me a good advantage in discovering amazing things that I have not encountered before. You see, in my country I am not used to bowing when I greet people. I felt awkward whenever I enter the church and have to take my shoes off. I was intimidated when I couldn't pick up rice and viands with the so-called chopsticks. I wondered how Koreans could eat their famous kimchi dish because it smells awful. As time passed I have learned to like eating it though.
I can go on and on, telling you how different and difficult it is being here. It may sound like I have prejudices in the way I look at things. However, no matter how I enumerate these differences there would always be commonalities between us. There is something in common about life that we can notice. Through these commonalities, I am able to build friendships with people around me unconsciously. I found out that it is not that hard to win their interest and sympathy. Given this fact, I can just gradually introduce Jesus to them. Isn't it amazing, that when we notice the things we have in common, it works as a bridge that makes a way to their hearts, leading them to Jesus' feet?
God has a thousand ways to reach the heart of His people. One of the best ways we have to do is to think about Him all the time and everything will just follow smoothly.