text: This paper attempts at evaluating the systemic risk contributions of GIIPS-block (Greece, Ireland, Italy, Portugal, and Spain) banks on the rest of major European countries' banking systems. To quantify systemic risk, a Conditional Value-at-Risk (CoVaR) approach has been employed. In order to empirically calculate the magnitude of risk, CoVaR measure is further evaluated by quantile regression and Dynamic Conditional Correlation (DCC). Our results firstly indicate a significant spillover effect of GIIPS banking on the examined banking systems. Second, larger systemic risk is evident during the recent financial crisis. This period is highly volatile and uropean banking indices have higher correlations with GIIPS banking index. A robustness analysis is made between the two estimated CoVaR measures and a simple non-conditional VaR measure. Finally, the Guntay-Kupiec test is employed to distinguish between systemic risk and systematic risk. Our findings indicate that the non-parametric method, such as quantile regression, yields larger CoVaR values than the parametric method based on the Gaussian distribution.


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Spring Quarter 2016
These Home and Family Life seminars are FREE for adult members of SSC Cooperative Preschools. Attending one seminar fulfills the requirement for one quarter – but you may attend as many as you like. Partners welcome! Adults only please unless noted on the class description.
Members register through your parent instructor. Non members at email@example.com
I've Been Wondering Huntley
Mar 21, Mon 7:00 – 9:00 PM
Missing the toddler discussion group? Hardly see your parent educator? Not comfortable talking in a large group? Wanting more ideas that fit your situation specifically? Haven't found any parent ed classes on the right night or subject this year? Lots of reasons to come to this informal time where we will talk about whatever is on your mind.
Fireside Room
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Building Sibling Relationships: A Two Part Class Danforth
Mar 23 & Mar 30, Weds 7:00 – 9:00 PM
Are you frustrated by the constant verbal and physical battles between the siblings in your home? Learn ways to respond to your children so that competition and arguments will decrease while cooperation skills increase. This class is designed for parents with two or more children over the age of one. Class size is limited. Attendance at both sessions is required.
Admiral Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Boys Will Be Boys Schill/Giomi
Mar 29, Tue 7:00 – 9:00 PM
Boys will be boys…so the saying goes. What does that really mean? How can we support our boys' growth into loving, independent, confident men of the future? Join Jen Schill and Jen Giomi, mothers of 4 boys in total, to explore the nature of boys and the pop and educational culture our boys are growing up in today. Come away feeling capable of honoring your son where he is and advocating for his needs.
Alki Cooperative Preschool
Alki United Church of Christ, 6115 SW Hinds St 98116
Have a Play Date With Your Child Hirshberg/Huntley
Apr 18, Mon 7:00 – 9:00 PM
Swimming lessons, mini-gym, dance class…how about staying home? But what would you DO??? Wear your play clothes, remember what it was like to be a kid, and come play with us! Take home lots of ideas for special time with just you and your kids..or when other kids come to your house to play. No batteries included. Information will be age appropriate for age 3 -5.. Adults only please
Arbor Heights Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Ask a Parent Instructor – A Virtual Parent Education Opportunity: Schill
Mar 17, Thu all day
Visit the SSC Preschool Facebook page with your burning questions and areas of concern or interest. Ask your question and at the end of the day, Parent Instructor Jen Schill will respond with ideas, options, advice, and all-around support. Facebook
Let's Be Friends Danforth
Apr 20, Wed 7:00 – 9:00 PM
One of THE main tasks of preschool age kids is to learn how to develop friendships and connections with people outside of home. The desire to have a friend may be inborn but the friendship skills are learned. We will explore how to help children choose good friends, how to take that first step and successfully enter into play, and what to do in order to keep friends.
Admiral Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Living Between the Races Ushimaru
Apr 21, Thu 7:00 – 9:00 PM
Let's get together and talk about raising multi-racial and transracially adopted children. Most parents do not have firsthand experience of what it is like being multiracial or of a different race. At this seminar we will talk about educating ourselves, how to teach our children to live in an ethnically diverse area, learn about local resources and how to educate others when you receive unkind statements or unwanted questions. Bring photos of your children to share for this evening of questions, answers and discussion.
Arbor Heights Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Children Learn What They Live Ushimaru
Apr 25, Mon 7:00 – 9:00 PM
As a parent, you have values that you are passing on to your child in the decisions you make every day. So, what are these values? Are they honesty, kindness, generosity, self-worth, respect, patience, tolerance? In this class we will talk about the ways you can identify and clarify your values as well as discuss how to inspire values through your parenting.
Arbor Heights Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116
Movie Screening: Screenagers Schill/Giomi
Apr 26, Tue 7:00 PM
Are you watching kids scroll through life, with their rapid-fire thumbs and a six-second attention span? Do you worry how the siren-song of screen media is affecting their development? Are you anxious to bring some peace to your family life around this issue? Come join us as we watch Screenagers, a new documentary, focusing on the increasing amount of time young people spend looking at screens, how that affects their development, and how it impacts the lives of families as they struggle to limit these effects. The film probes into the vulnerable corners of family life to explore struggles over social media, video games, academics and internet addiction. Through poignant, and unexpectedly funny stories, along with surprising insights from authors, psychologists, and brain scientists, SCREENAGERS reveals how tech time impacts kids' development and also offers solutions on how adults can empower their kids to best navigate the digital world to find balance. Register at firstname.lastname@example.com
West Seattle High School Auditorium, 3000 California Avenue SW, 98116
Hope for the Best, Prepare for the Worst Danforth
Apr 27, Wed 7:00 – 9:00 PM
Preparing for a disaster can seem like a daunting task but will be easier with help from a pro. Join a representative from the American Red Cross as they explain how to create a plan for different types of disasters and what supplies you need to have at home and in your car. If you have been putting it off, now is the time.
Admiral Cooperative Preschool
Tibbetts United Methodist Church, 3940 41st Ave SW 98116

subset: commoncrawl


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Nail Art
Do you love adding designs to your nails? We have some of the best nail art in the city. Our nail experts are very talented. They are skilled in creating bold and brilliant designs to suit every taste. Our nail art is designed with you in mind!
With an ever-changing industry, our nail techs are highly qualified and experienced. They will make your nails look amazing. From shapes to jewels, we can do it all. We consistently keep up with hottest new design trends so your nails are guaranteed to look exceptional. Your wish is our command.


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I have listed a new property at 388 Prince Of Wales Dr in Mississauga.See details hereOne Park Tower, 1 Br + 2 Wr Suite Comes With A Spectacular View Of Lake & Park, A Very Spacious Layout, A Separate Den, Granite Counter And Stainless Steel Kitchen Appliances. One Parking + Locker Is Included In Rent. Amenities Include Roof Top Club 38, Indoor Pool, Gym, Exercise, Billiards, Movie Room, Outdoor Bbq Area & A Full Time Recreation Coordinator To Keep You Always Active!
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or otherwise provide any personal information to us online, your
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with enhanced services related to the site. It will never be sold or
shared with any third party.
We may, for instance, contact you to offer assistance, provide
information or otherwise help with your real estate search or sale. We
may also provide you with enhanced services such as an e-newsletter or
instant alerts when homes that match your search criteria come on the
market. You may opt out of any communications at anytime.
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Like most sites on the Internet, we also collect anonymous data on how
our visitors use our site for the purpose of calculating aggregate site
statistics. This data reflects site usage patterns gathered during
thousands of customer visits each month and does not contain any
personally identifying information whatsoever. We reserve the right to
share this anonymous data, provide log files and other databases of user
information to third parties for analysis, and use this information to
better understand client traffic and improve online services.
For more information about our privacy policy, please feel free to contact us.
Saved Properties


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Publicado el
Introduction to Amazon Web Services and cloud computing and how it supports the Digital Marketing industry. AdRoll CEO, Aaron Bell, describes their success story on AWS using DynamoDB for retargeting.
In today's world, consumer habits change fast and marketing decisions need to be made within seconds, not days. Delivering engaging advertising experiences requires real time, high performing architectures that provide digital advertisers the ability to measure and improve the performance of their campaigns and tie them more closely to corporate goals. The insights gleaned from the massive amounts of data collected can then be used to dynamically adjust media spend and creative execution for optimal performance. The AWS Cloud enables you to deliver marketing content and advertisements with the levels of availability, performance, and personalization that your customers expect. Plus, AWS lowers your costs. Join us to learn about how big data and low latency / high performing architectures are changing the game for digital advertising.


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Gabriel Technologies Corp has purchased majority interest in Transportation Solutions, Risk Management & Safety Consultants Ltd (TRSC) to offer logistic, risk elimination, and injury reduction products for the transportation industry. This deal will expand Gabriel's product offerings to include the industry knowledge of TRSC's problem-solving experts.
The two founding principals for TRSC, Bob Bonnett and Harry Cafcules, have extensive transportation industry experience. Bonnett has been a logistics executive, and his background includes operations, sales, safety, risk management, business development, and project management. Cafcules has been with three Class 1 railroads and is certified as a hazardous materials instructor in the rail and trucking industry.


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Addressing the media in Chennai, Yash spoke fluently in Tamil and impressed everyone. "I prefer speaking in Tamil because wherever an artist goes, he should first respect the culture and values of the people in that region. In the past, got a lot of offers to act in Tamil but I didn't act in those films because personally felt that an actor should understand the culture and tradition of the people before acting in a film catered to them," said Yash.
"Films are references and it will stay in the history. For example, if we want to know the lifestyle of people in the '80s and '70s, would watch films released at that time. So I was cautious to not commit any mistake by acting in a Tamil film without knowing Tamil culture," added Yash.
"I was the one who suggested my producers to release KGF in five languages because the film has a global content. We partnered with various eminent distributors in other languages. In Tamil, I only asked Vishal to guide us in the distribution process. Being my close friend, he didn't get even a single penny but promoting KGF like his own film. I should thank him for his kind gesture," said the Kannada hero who politely asked the media to not compare him with legends like Rajinikanth, Arjun, and Prakash Raj who hail from Bengaluru.
Yash also revealed that he heard a lot of interesting stories about Rajinikanth when he worked as a conductor in Bengaluru. Interestingly, Yash's dad used to work as a bus driver despite his son became a superstar in Kannada cinema. "I feel proud that my dad loves his job and he refused to retire despite my films became big hits in Kannada," said Yash.
"Though I'm a star in Kannada, it feels refreshing now to go to various places across India as a newcomer," smiled Yash who is confident that language won't be a barrier for KGF. "Today, we are watching Spanish and Iranian films in India through Netflix. The Tamil I'm speaking right now is what I learned by watching Tamil films in Bengaluru so language will not be a big hurdle," said the actor.
Directed by Prashanth Neel, KGF is all set to release on December 21 in five languages. Asked him about the huge competition on that day, Yash said: "Well, if the film is good, the number of screens will be increased and audiences will definitely see it. We are confident about the content so not worried much. It's a holiday season so there is a scope for all films to do well at the box office.Text & Images: Moviebuzz


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Elise's coaching is the gift that keeps on giving. As CEO of one of the largest human service agencies in Louisiana, I felt great impact on staff and clients after the storms of 2005 and a need to build consensus as to how we would go forward. Elise worked with our senior managers and helped me form an Executive Leadership team that has redefined the art of communication, a direct result of her collaborative method of consulting.
CEO, Non-Profit
About Us
Founded by Elise Yanker, Organizational Development Consultant, with over 20 years experience in hospitality, service, telecommunications, technology, banking, government, military and intelligence communities. Experienced in corporate, non-profit, operations and business development environments. She holds a master's degree in Organization Development from the American University and National Training Laboratories program in Washington, D.C.
Collaborative Consulting organizes and implements individual and organizational coaching, team building, off-site retreats, and large-scale organizational change. The work of Elise Yanker is reflective of an entirely independent operationas opposed to a large consulting firm. Her clients generally have contracted Elise exclusively. Her business has been built on referrals and repeat business. Clients seek out her services and retain them out of a respect for her high-quality deliverables, reliability, work ethic and recognized credibility in many industries. Elise Yanker has an extensive 12-year portfolio of clients built entirely on referrals, word-of-mouth and networking. More than 90% of Elise's clients retain her for multiple engagements.
Elise Yanker and Collaborative Consulting offers custom designed programs with a high degree of integrity, exceptional follow-through, and sustained results. Her consulting is grounded in core behavioral studies or work, etc conducted by psychologists such as Kurt Lewin, Karen Horney, Will Schutz and Carl Jung. Elise's Master's degree in Organization Development was obtained at the highly regarded partnership program between American University and National Training Laboratories. Elise maintains membership in NTL and also facilitates a core component of the AU/NTL Masters Program.
Associations & Memberships
International Coaching Federation Member
|Copyright © 2008 COLLABORATIVE CONSULTING INC. All rights reserved.


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West Yarmouth Cocktail Recipe via The Whelk's Jeff Marron
When I was a kid, my family had a vacation home in West Yarmouth, Cape Cod. Just east of Hyannis, West Yarmouth is a small town on the south shore of the Cape. It was only about four hours from where we grew up in Connecticut. So, it was an easy trip to make if we wanted to just zip up there for the weekend. My brother and I had a small group of 10-15 friends all around our age that all seemed to go to the Cape the same weeks every year. Sometimes, we all used to sneak out at night to go sit on the beach and look for satellites or shooting stars. When we got a little bit older, maybe there was a beer or two involved. But, I beg of you, don't tell my mother. She'll ground me for a week!
There was a large overgrown field with a radio station tower in our neighborhood. Well, just as kids do, we explored it. During one of our reconnaissance missions, we stumbled upon someone's secret stash of liquor. I can only assume it was some kids from other weeks in the summer that we had not met yet.
Here is where I had my first taste of Bourbon.
Again, don't tell my mother, please.
So, forever in my mind,
I will associate Bourbon with my summers on the Cape.
This is where I got the inspiration for the West Yarmouth cocktail - currently on the cocktail list at The Whelk. The West Yarmouth is a technically a ginger whiskey sour. It's a well balanced and refreshing cocktails. The Ginger liqueur adds a little spicy kick that is counter balanced by the Bourbon and lemon. It's definitely a summer favorite, in my humble opinion. This is a fairly easy drink to make. So, don't be afraid to try this at home. The King's Ginger liqueur really makes this cocktail sing. I tried subbing in Domaine de Canton ginger liqueur. It just didn't give it the same depth of flavor. If you do make this at home, let me know the next time You are dining at The Whelk.
West Yarmouth
1 1/2 oz Four Roses Yellow Label Bourbon
1 oz King's Ginger Liqueur
1/2 oz Freshly Squeezed Lemon Juice
Add all ingredients to an ice filled shaker
Shake and strain into a Rocks Glass with fresh ice
Garnish with a lemon wedge


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We love a good ghost story here, it's our favourite form of horror. Partly because one of us is a little on the squeamish side. So the presence of a good old fashion ghost story at the Festival was a winner. Especially when it's a translation to screen of the much respected play Ghost Stories.
Andy Nyman and Jeremy Dyson have adapted their hit stage play to the screen and for the most part have done an impressive job of it. Little on screen looked as if dragged from the stage and the three tales work well set up as three cases.
Nyman's Professor Phillip Goodman has spent his life debunking fake paranormal activity and is delighted and intrigued when a long missing expert in the field contacts him. Arriving at a caravan perched precariously on a rapidly dissolving cliff, Goodman is literally thrown a file of three cases that it is claimed cannot be solved with logic and reason. Scoffing, Goodman heads off to visit the three people and to investigate their 'incidents'.
Paul Whitehouse, proving he can act in something other than bloody insurance commercials, is Tony Matthews. A borderline alcoholic and former night watchman who had a very nasty experience in an abandoned mental institute, Alex Lawther is young Simon Rifkind who had a very nasty experience whilst out illicitly driving his parent's car and Martin Freeman is Mike Priddle, a boorish stockbroker who has a nasty experience whilst 'working' from home. Each of the tales are nicely put together and firmly grounded on the realistic side of horror and they build a wonderful sense of creeping dread where even a suburban home in daylight seems way too creepy.
There are one or two slips where, for example, a loitering presence is focused on way too obviously and on the whole, there isn't a huge amount here that's wildly new but the package is put together so expertly, that I found myself not wanting to pick at the threads but just to get on with gripping my seat arms with fear.
Ghost Stories succeeds in its mission to capture that good old fashioned M R James feel of terror. The low budget, everyday set up is perfect and though it loses it's way a little as it tries to bash you with The Twist at the end, I had a whale of a time watching this. Laugh out loud funny in places, and with a good four of five proper scares, this is proper old fashioned spooky fun.


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Registrations and Fee
Emil Breistein
Updated: 23.09.2015 (First published: 12.06.2015)
Semester Registration
Studentweb is the students' online registration service. All students must register on Studentweb at the beginning of each semester and this is also where you sign up for classes and exams.
Changes of Name, Date of Birth and Submission of Norwegian ID number
The name registered at Studentweb is the name that will appear on your transcript of records, diploma, semester card, student card, and other UiB documents.


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In a new video by Screen Rant, host Rob Flis shares ten movie outtakes that ended up making it into the final version of the films. They feature the scene from Star Wars: Episode IV A New Hope where Luke excitedly screams out "Carrie!" to Princess Leia after returning from destroying the Death Star, the part where Star-Lord (Chris Pratt) accidentally dropped the orb in Guardians of the Galaxy, and more.
Follow Laughing Squid on Facebook, Twitter and Flipboard


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One of my best friends came over this morning to help me bake and hang out. Since my family is celebrating thanksgiving this evening instead of yesterday, I hadn't made the gluten, dairy and egg free pumpkin pie, so made it with her. I had found a recipe from Kids With Food Allergies for pumpkin pie filling without any eggs, and my friend and I made a GF crust (sorry, we don't have a recipe for that… we kind of just mixed a bit of this and that :P). Because we made more pie filling than we needed, we debated what to do with what we had left, and by accident, came up with GF pumpkin dip!
So, here's the recipe (slightly modified from the original you can find here):
1 can pumpkin (1 3/4 cups)
2/3 (generous) cup sugar
1 1/3 cup water
5 2/3 Tbsp potato starch (or corn, tapioca or other starch)
3/4 tsp allspice
1/4 tsp salt
1/8 tsp ground cloves
1/4 tsp ginger
1/2 tsp cinnamon
Mix together in a sauce pan and cook till it begins to thicken. Thick enough that it's got texture to it, but not too thick that it's totally cooked and a solid block. 😉
It's quite simple, and my friend and I (and my sister too) loved it. We decided it should be something we make more often, especially during the holidays and winter months. It's certainly mmmmmm good! Crackers or bread dipped in this stuff is amazing.


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Hello everyone! Firstly, apologies for the delay on today's BGL: I was terribly hungover as it was my birthday yesterday and have only just managed to cobble my brain together.
A case has been reopened concerning the disappearance of a man who went missing five years ago on Valentine's Day, reports the BBC.
In a bid to make Leeds and Bradford super connected, the two city councils have joined forces to try and make services faster by bidding for government funding.
There's some fantastic images of No Redemption, a series of photos documenting the 84-85 miners' strike, over on the BBC.
Shang Ting has another instalment of the top trends in Tokyo of last year – a must read for fashion bloggers!
Cookridge Fire Station firefighters have helped raise money for a young girl who is working to raise £45,000 for an operation to help her walk again, reports Holt Park Today.
Looking for something to do this month? Kay Brown has a rundown of cool stuff wot is happening over on the Culture Vulture.
The debate over Kirkgate Market rumbles on – here's the latest news from the Guardian Northerner blog.
And finally, information on the 'Reading the Riots' community conversations that will be happening in the north of England, again on the Guardian.
Righty ho, have a wonderful rest of the day. Happy Valentine's Day, wherever you are and whoever you with, and be sure to spread a little happiness today and every day by sharing the love. Sorry, I think I appear to be drunk still…ciao darlings!


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So we set goals to be able to achieve or gain something we don't have right? Why is it so hard from going to saying "I want _____." to actually getting it done? I try to set little goals for myself and sometimes find myself avoiding it without even knowing it! For example, I was really trying to be able to do a longer plank. So I told myself I need to plank every night before bed to achieve this. Okay….GO! Yeah right, of course I would just happen to forget, not feel well, think that it was too late, it would be too hot. The list of excuses goes on. KEY WORD: EXCUSES. These horrible things I tell myself to keep from getting to my goal. Is it going to be easy to reach a goal? Nope. Why am I doing it? I want something better for myself.
Spending a 5-10 minutes a day to work towards a goal is NOTHING. The first step is realizing when we are making excuses. Realize when we are trying to "reason" that it's just our brain messing with us. We have to control our mind. Once we find that we are actually making excuses, we will be able to throw them away!
Now, are there reasons? Are there times where it is actually pretty impossible to get what we want done? Yes, of course. If you are sick, please let your body heal. BUT there are way less reasons than excuses. Reasons are rare.
Get in control of your mind. Consider what excuses you make. Drop them. Get on with it!


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Museums and galleries are in Manhattan unless otherwise noted. Many institutions are closed on and around Christmas Day; see individual websites for schedule changes. Full reviews of recent art shows are at nytimes.com/art. A searchable guide to these and many other art shows is at nytimes.com/events.
★ American Folk Art Museum: 'Art Brut in America: The Incursion of Jean Dubuffet' (through Jan. 10) This extraordinary show revisits and partly recreates a little-known chapter in outsider art history: the decade (1951-61) that the groundbreaking, still-forming Art Brut collection of Jean Dubuffet — the artist and one of the field's earliest explorers — spent in the East Hampton mansion of the artist Alfonso Ossorio. While seen by a host of art world luminaries, it had little impact, as proved by how many of the impressive artists here are still unknown in this country. 2 Lincoln Square, Columbus Avenue at 66th Street, 212-595-9533, folkartmuseum.org. (Roberta Smith)
★ Asia Society and Museum: 'Philippine Gold: Treasures of Forgotten Kingdoms' (through Jan. 3) More than half a millennium before Ferdinand Magellan reached the archipelago now called the Philippines in 1521, a number of related societies thrived there. One of the few things known about them today is that they were astoundingly skillful goldsmiths. This gorgeous and historically intriguing exhibition presents nearly 120 pieces dating from the 10th through the 13th centuries, including bracelets, necklaces, pendants, collars, finger rings, bowls and a balance scale made entirely of gold. The star of the show is a gleaming, nine-pound sash made of gold beads that could be mistaken for a futuristic ammunition belt. 725 Park Avenue, at 70th Street, 212-517-2742, asiasociety.org. (Ken Johnson)
★ Bronx Museum of the Arts: 'Martin Wong: Human Instamatic' (through Feb. 14) Fervor, desire and coded insider-outsider knowledge crackle through this career retrospective of one of our great 20th-century American visionaries. Expanding on an earlier survey at the New Museum, the Bronx exhibition takes the artist from precocious juvenilia to unearthly little pictures done the year before his death from AIDS in 1999. Along with his art we have the traces of his countercultural life as mythologist, homoeroticist, existential tourist and urban resurrectionist. And all revolves around his mystical visions of ghetto New York. Neighborhood buildings are fortresslike, crushing, sinister. Yet miracles abound: windows glow gold; night skies bloom with stars. 1040 Grand Concourse, at 165th Street, Morrisania, the Bronx, 718-681-6000, bronxmuseum.org. (Holland Cotter)
★ Brooklyn Historical Society: 'Personal Correspondence: Photography and Letter Writing in Civil War Brooklyn' (through spring 2016) Symbolically, the Civil War ended when Robert E. Lee surrendered to Ulysses S. Grant in the spring of 1865. For many people who lived through it, though, the war never ended at all, and it lives on in letters sent to and from the battlefield. Thousands of these ended up half-forgotten in attics and bureau drawers; a small stash comes to light in this exhibition that consists of just one little room with a lot in it — including letters, Civil War souvenirs and explanatory texts — with everything as readily accessible as if in a well-packed suitcase. 128 Pierrepont Street, near Clinton Street, Brooklyn Heights, 718-222-4111, brooklynhistory.org. (Cotter)
Brooklyn Museum: 'Impressionism and the Caribbean: Francisco Oller and His Transatlantic World' (through Jan. 3) Francisco Oller (1833-1917) was the most celebrated Puerto Rican artist of the 19th century. For most of his career he was a facile imitator sojourning in Madrid and in Paris, where he hung out with Impressionist painters like Pissarro, Monet and Cézanne. But it wasn't until after settling down in San Juan around age 60 that he came into his own, producing haunting landscapes and some mysteriously powerful still-life paintings that can plausibly be called great. This show presents 40 paintings by Oller and 45 works by other artists, including his European and American contemporaries and his Puerto Rican predecessors. 200 Eastern Parkway, at Prospect Park, Brooklyn, 718-638-5000, brooklynmuseum.org. (Johnson)
★ Cooper Hewitt Smithsonian Design Museum (continuing) The stately doors of the 1902 Andrew Carnegie mansion, home to the Cooper Hewitt, are open again after an overhaul and expansion of the premises. Historic house and modern museum have always made an awkward fit, a standoff between preservation and innovation, and the problem remains, but the renovation has brought a wide-open new gallery space, a cafe and a raft of be-your-own-designer digital enhancements. Best of all, more of the museum's vast permanent collection is now on view, including an Op Art weaving, miniature spiral staircases, ballistic face masks and a dainty enameled 18th-century version of a Swiss knife. Like design itself, this institution is built on tumult and friction, and you feel it. 2 East 91st Street, at Fifth Avenue, 212-849-8400, cooperhewitt.org. (Cotter)
★ Frick Collection: 'Andrea del Sarto: The Renaissance Workshop in Action' (through Jan. 10) The big-guns highlights of the Frick show, this first major American exhibition devoted to the Renaissance artist Andrea del Sarto, (1486-1530) are three spectacular paintings, including "Portrait of a Young Man" from London and "St. John the Baptist" from the Palazzo Pitti, Florence. But the substance lies an array of 45 drawings, mostly in red chalk, in which we can follow del Sarto as he feels his way into compositions and molds figures into life with an angel's hand, a scientist's eye, and a striver's drive for perfection. 1 East 70th Street, Manhattan, 212-288-0700, frick.org. (Cotter)
Guggenheim Museum: 'Alberto Burri: The Trauma of Painting' (through Jan. 6) This Italian artist's prescient paintings from the 1950s and early '60s — in patched, burned and otherwise abused burlap, plastic or wood — form a lavish, beautiful and admirable, if sometimes monotonous retrospective at the Guggenheim. Unfortunately, he may also inaugurate a bane of current art: the use of found materials so inherently affecting — burlap is one — that they require little of the artist. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Smith)
Guggenheim Museum: 'Photo-Poetics: An Anthology' (through March 23) Formally complex and expressively reserved, even hermetic. the work by ten photographers in this stimulating show has roots in Conceptualism and takes language, history and speculative thinking as its raw materials. Photographs are structured with the equivalent of poetry's metrical cadences and internal rhymes, and treated less as generators of translatable ideas than of suggestive metaphors. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Cotter)
★ Jewish Museum: 'The Power of Pictures: Early Soviet Photography, Early Soviet Film' (through Feb. 7) Revolutions sell utopias; that's their job. Art, if it behaves itself and sticks to the right script, can be an important part of the promotional package. That's the basic tale told by this exhibition of photographs and vintage films of the 1920s and '30s, but with a question added: What happens to art when the script is drastically revised? Russia was an experiment in progress in the heady years following the 1917 revolution, and avant-garde art, free-spirited by definition, was officially embraced. When Joseph Stalin came to power art became government-dictated propaganda and its makers, often under threat, towed the line. Remarkably, the show presents a dozen films — some familiar, some not — full-length, on a rotating schedule of four a day, in a small viewing theater built into one of the Jewish Museum's galleries. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Cotter)
★ Jewish Museum: 'Unorthodox' (through March 27) With about 200 putatively unorthodox works crowded into tightly walled-in spaces, this lively show has the feel of an Outsider Art fair — in a good way. The paintings, drawings, collages, assemblages, ceramics, weavings and videos are variously funny, funky, quirky, eccentric, idiosyncratic and visionary. Are they truly unorthodox by the standards of a contemporary art world wherein no one wants to be thought orthodox? No, but that's O.K. It's an entertaining and intermittently exhilarating exhibition nonetheless. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Johnson)
★ Metropolitan Museum of Art: 'Ancient Egypt Transformed: The Middle Kingdom' (through Jan. 24) Ancient Egypt is box office gold: Do a show, and people will come. Why? Mummies, Hollywood and Queen Nefertiti contribute to its allure. Also, we tend to identify with Egyptians of thousands of years ago. In art, they look exotic, but not out of reach. They drank beer, collected cats and wore flip-flops. They yearned to stay young and to live forever, with loved ones nearby and snack food piled high. Who can't relate to that? Few institutions have done a better job at illuminating Egyptian art than the Met. And it returns to the subject in an exhibition low on King Tut bling and high on complicated beauty, about a broad swath of history (circa 2030 to 1650 B.C.) that has never had a comprehensive museum showcase till now. 212-535-7710, metmuseum.org. (Cotter)
★ Metropolitan Museum of Art: 'Andrea del Sarto's 'Borgherini Holy Family'' (through Jan. 10) This fascinating gem of a show runs concurrently with the larger exhibition "Andrea del Sarto: The Renaissance Workshop in Action" at the Frick Collection and adds important layers to it. It both places the Renaissance artist within the political context of his time, and it draws on modern imaging technology to reveal his method for transforming and recycling images. 212-535-7710, metmuseum.org. (Cotter)
★ Metropolitan Museum of Art: 'Celebrating the Arts of Japan: The Mary Griggs Burke Collection' (continuing) This lavish roll out of 160 objects came to the Met from the Mary and Jackson Burke Foundation last spring. The Burkes loved Japanese art — all of it — and the collection is close to compendious in terms of media, from wood-carved Buddhas to bamboo baskets, with a particular strength in painting, early and late. The quality of the work? Japan thinks highly enough of it to have made the Burke holdings the first Japanese collection from abroad ever to show at Tokyo National Museum. Some pieces on view now will be rotated out and replaced in February, making this an exhibition to visit at least twice. 212-535-7710, metmuseum.org. (Cotter)
Metropolitan Museum of Art: 'Grand Illusions: Staged Photography from the Met Collection' (through Jan. 18) With 40 works, this small, choice exhibition forms a freewheeling survey of the ways and means of staged photography — the arranging objects or people for the camera — and the many needs and sensibilities it has served. Its smart installation jumps between past and present, commercial and fine, pre- and postmodern, and is peppered with surprises by artists well-known and not. 212-535-7710, metmuseum.org. (Smith)
★ Metropolitan Museum of Art: 'Kongo: Power and Majesty' (through Jan. 3) For centuries the West assumed that African art had no history, because none had been found written down. But this tight, intense show, beautifully designed, with a stirring catalog, demonstrates otherwise. It begins in the 15th century when the rulers of Kongo peoples in Central Africa were sending luxury textiles to European courts and receiving gifts in return. It continues through the devastations of the slave trade, shifting from art made for pleasure and profit to art made to save lives and souls. It concludes with 15 sensational, just under life-size sculptures that were last-ditch responses to the slow-motion emergency of colonialism. 212-535-7710, metmuseum.org. (Cotter)
★ Metropolitan Museum of Art: 'Reimagining Modernism: 1900-1950' (continuing) One of the greatest encyclopedic museums in the world fulfills its mission a little more with an ambitious reinstallation of works of early European modernism with their American counterparts for the first time in nearly 30 years. Objects of design and paintings by a few self-taught artists further the integration. It is quite a sight, with interesting rotations and fine-tunings to come. 212-535-7710, metmuseum.org. (Smith)
★ MoMA PS1: 'Greater New York' (through March 7) With a multigenerational team of organizers, MoMA P.S. 1's every-five-years-roundup of New York art steps away from its founding premise of newness, the idea that it would be an update on the metropolitan market. The 158 artists on the roster range from 20-something to 80-something; a few are deceased. The notion that an "emerging" artist has to be young is discarded. Older artists newly in the spotlight, or back after a long delay, qualify. And history works in two directions. Art from the 1970s and '80s is presented as prescient of what's being made now, and new art is viewed as putting a trenchant spin on the past. 22-25 Jackson Avenue, at 46th Avenue, Long Island City, Queens, 718-784-2084, ps1.org. (Cotter)
★ Morgan Library & Museum: 'Ernest Hemingway: Between Two Wars' (through Jan. 31) Mounted on walls that have been painted tropical blue to suggest Hemingway's years in Key West and in Cuba, this show takes him all the way from high school to roughly 1950 with photographs, handwritten first-drafts and personal correspondence. But the largest and most interesting section focuses on the '20s, Hemingway's Paris years, and reveals a writer we might have been in danger of forgetting: Hemingway before he became Hemingway. 225 Madison Avenue, at 36th Street, 212-685-0008, themorgan.org. (Charles McGrath)
Museum of Arts and Design: 'Wendell Castle Remastered' (through Feb. 28) This eminent woodworker became noted in the 1960s for carving chic, curvy furniture out of blocks of laminated wood. In the past four years he has revived that method with the assistance of digital and robotic technologies that enable him to make bigger and more adventurous works. This engaging show focuses on pieces from those two periods. "Suspended Disbelief," made this year, has an irregularly oval, glossy black table top extending horizontally and without legs some 10 feet in the air from a trio of tall conical forms resembling the tips of monstrous tendrils. It's spectacular. 2 Columbus Circle, Manhattan, 212-299-7777, madmuseum.org. (Johnson)
Museum of Modern Art: 'Design and Violence' (continuing) Described on the museum's website as a "curatorial experiment," "Design and Violence" was and is an exhibition that exists almost entirely on the Internet. The show includes pictures, descriptions, essays and discussions about design objects used for violent purposes, including the AK-47 rifle, animal slaughter systems, bullets, plastic handcuffs and graphics depicting everything from refugee migration to incarceration demographics to violent video games. It's a heavy and heady gathering of information that leans at times toward a symposium rather than an exhibition, but remains grounded in innovative objects that have made — or could make — a cultural impact. Online at designandviolence.moma.org; 212-708-9400. (Martha Schwendener)
Museum of Modern Art: 'Endless House: Intersections of Art and Architecture' (through March 6) This scattered but enjoyable exhibition, drawn from the museum's art collection as much as its design holdings, focuses on the single-family home as a place of experimentation and regeneration; of conflict as well as dreams. Its highlight is a series of drawings and photographs by Frederick Kiesler, the Austrian-American polymath whose Endless House — never completed — fused fine art, architecture, furniture and lighting design into a bulbous, unstable whole. Several artists here echo Kiesler's theme of the house as a reflection of the psychology of its inhabitants. None is more powerful than Rachel Whiteread's sober image, made with white correction fluid, of a dwelling in East London: a preparatory drawing for a now lost sculpture crafted by filling the house with liquid concrete. 212-708-9400, moma.org. (Jason Farago)
★ Museum of Modern Art: 'Joaquín Torres-García: The Arcadian Modern' (through Feb. 15) Few artists can claim to have captured a revolution in thinking in a single image, but Joaquín Torres-García did. In 1934, Torres-Garcia (1874-1949) took a hard-won knowledge of European modernism from Paris back to his birthplace of Uruguay. He gave the transplanted movement a name — "The School of the South" — and designed for it a now-famous logo: the silhouette of the South American continent turned upside down and placed above the Tropic of Cancer, where North America was on conventional maps. And he explained the meaning: The South, as a font of creative energy, was the new North, or at least its equal. The image, and the spirit that produced it, can be found in MoMA's career survey, the artist's first major United States retrospective in four decades. 212-708-9400, moma.org. (Cotter)
Museum of Modern Art: 'Ocean of Images: New Photography 2015' (through March 20) To celebrate the 30th anniversary of its longstanding "New Photography" series, and perhaps to soften the news that the series will now change from annual to biennial, MoMa presents the largest and most cosmopolitan edition yet, with 19 artists and collectives, from 14 countries. The title refers to the infinite image blank called the Internet, and borrowed and manipulated images. So built-in delays in accessibility. Almost wherever you look you need to look twice, and consult a label, to fully understand what you're seeing. The extra effort feels more fruitful in some cases than in others, with work by Yuki Kimura, Basim Magdy, Indre Serpytyte and Lieko Shiga particular worth lingering over. 212-708-9400, moma.org. (Cotter)
★ Museum of Modern Art: 'Picasso Sculpture' (through Feb. 7) Nearly a work of art in its own right, this magnificent show redefines Picasso's achievement with the first full view here in 50 years of his astoundingly varied forays into sculpture. His materials, not his female loves, become the muses, and are different each time out. The basic plotline: After introducing sculptural abstraction and space, he spent about 50 years counting the ways that the figure was far from finished. 212-708-9400, moma.org. (Smith)
Museum of Modern Art: 'Scenes for a New Heritage: Contemporary Art from the Collection' (through April 10) MoMA's latest installation of works from its permanent collection fills the second-floor contemporary galleries with videos, installations, sculptures, drawings, prints and photographs produced by more than 30 artists during the past three decades. It's an uneven, haphazard selection, but leaving artistic quality aside, its unusually optimistic-sounding title inadvertently raises a large and intriguing question: At a time when contemporary art seems to be spinning its wheels, what could a new heritage be? 212-708-9400, moma.org. (Johnson)
★ Museum of Modern Art: 'Soldier, Spectre, Shaman: The Figure and the Second World War' (through March 20) MoMA usually stages the years after 1945 as a triumph of American abstraction, but this vital show affirms that the human figure never disappeared from art — especially not in battle-scarred Europe. With the end of the war, and the full revelation of the Holocaust, the human body became a sign of pathos and existential dread, notably in the fraught paintings of Francis Bacon and the spindly sculptures of Alberto Giacometti. The same was true of other European artists who received less American acclaim — such as Jean Fautrier, whose haunted "Otages" ("Hostages") are far better known in his native France. The show is drawn entirely from the museum's permanent collection, and its greatest surprise comes from Jan Müller, a German émigré in New York, whose ghoulish "Faust I" (1956) depicts the witches of Goethe's epic as starved, traumatized wraiths. 212-708-9400, moma.org. (Jason Farago)
★ Museum of Modern Art: 'Transmissions: Art in Eastern Europe and Latin America, 1960-1980' (through Jan. 3) Visiting this big, spirited group show is like walking into a party of intriguing strangers. For every person you recognize, there are 10 you don't know. One topic everyone's talking about, at different intensities, is the anti-institutional politics that swept Europe and the Americas in the 1960s, and almost everyone speaks the language of Conceptualism. A product of an in-house research initiative called Contemporary and Modern Art Perspectives, or C-MAP, intended to expand MoMA's narrow Paris-New York view of modernism, the show is very much the beginning rather than the end of a learning curve. But with curators exploring material new to them — just steps ahead of their audience — the show has a refreshing buzz of surprise as it takes the museum in a realistic new directions. 212-708-9400, moma.org. (Cotter)
Museum of the City of New York: 'Activist New York' (continuing) With a focus on activist tactics from the 17th century to the present, this exhibition — designed by the firm Pentagram — is a room-size onslaught of sensory stimulation, complete with videos, graphics and text. Told through 14 "moments" in New York activism, it includes a facsimile of the Flushing Remonstrance (1657), a petition for religious tolerance given to Peter Stuyvesant, director-general of the settlement, as well as contemporaneous objects, like a Dutch tobacco box, a Bible and "Meet the Activists" kiosks adjacent to each display, which identify activist groups working in the present. Fifth Avenue at 103rd Street, 212-534-1672, mcny.org. (Schwendener)
Museum of the City of New York: 'Folk City: New York and the Folk Music Revival' (through Jan. 10) Handwritten Bob Dylan lyrics, well-strummed guitars from Lead Belly, Judy Collins and Odetta, concert posters, Sing Out! magazines, video from a raucous protest over banning folk singers from Washington Square, the street sign from Gerdes Folk City and plenty of songs on headphones evoke idealism and ambition in "Folk City." The exhibition explores how New York City became a magnet for and a champion of rural styles and then the center of a pop-folk movement, from leftist "people's music" efforts in the 1930s and '40s, and the Red Scare reaction, to the civil rights rallies, coffeehouses and hootenannies of the folk revival at its peak. The tangle of tradition and change, earnestness and pop machinations are on view, along with the makings of a legacy that roots matter and a song can change the world. Fifth Avenue at 103rd Street, 212-534-1672, mcny.org. (Jon Pareles)
Museum of the City of New York: 'Jacob A. Riis: Revealing New York's Other Half' (through March 20) The Danish immigrant muckraker's stark photographs, coupled with his documents from the New York Public Library and the Library of Congress, vividly portray the changing face of poverty since Riis exposed the poor to an oblivious public 125 years ago and remind viewers of the lingering challenges. Fifth Avenue at 103rd Street, 212-534-1672, mcny.org. (Sam Roberts)
★ Neue Galerie: 'Berlin Metropolis: 1918-1933' (through Jan. 4) Another outstanding museum exhibition joins New York's autumn roster with this ambitious, expertly designed and organized account of the rich cultural ferment of the fragile Weimar Republic. With many loans from Germany, it musters an egalitarian array of mediums into a poignant, detailed view of the tragic cost — less in human life than in immeasurable human potential land achievement — of Hitler's devastating rise and rule and the shattering of a great city. 1048 Fifth Avenue, at 86th Street, 212-628-6200, neuegalerie.org. (Smith)
★ New Museum: 'Jim Shaw: The End Is Here' (through Jan. 10) In Mr. Shaw's art, form follows polymorphous perversity. A virtuoso chameleon possessing an amazing range of skills, he does Surrealism, Pop Art, Abstract Expressionism, Conceptualism, cartoons and comic strips, psychedelic posters and myriad kitschy illustration styles all with his own endlessly inventive, comedic twist. His works range from huge to miniature and from political allegories to drawings documenting his dreams. Selections from his personal collections of found paintings and wacky religious materials add to the delirium. 235 Bowery, at Prince Street, Lower East Side, 212-219-1222, newmuseum.org. (Johnson)
★ Whitney Museum of American Art: 'Archibald Motley: Jazz Age Modernist' (through Jan. 17) Let's take it as a good omen that the first solo show to appear in the Whitney's new home is a career retrospective of a still understudied artist. Motley (1891-1981) was born in New Orleans and lived in Chicago, where he painted the cultural life of the city's African-American neighborhood known as Bronzeville, portraying it with an eye for calibrations of class and race, and with a sense of his own conflicted position within its context. The show is modest in size but has features that many larger, sexier exhibitions lack: an affecting narrative, a distinctive atmosphere, and a complex and troubling political and moral tenor. 99 Gansevoort Street, at Washington Street, 212-570-3600, whitney.org. (Cotter)
★ Whitney Museum of American Art: 'Collected by Thea Westreich Wagner and Ethan Wagner' (through March 6) Two of New York's most dedicated explorers of new art set an important example by refusing the auction or private-museum route and giving almost all of their large collection to a museum. Their generous gift both signifies and adds to the Whitney's growing stature, especially going forward, as it is integrated into the museum's rich holdings. This first sampling is quite rewarding. 99 Gansevoort Street, at Washington Street, 212-570-3600, whitney.org. (Smith)
★ Whitney Museum of American Art: 'Frank Stella: A Retrospective' (through Feb. 7) This grand, high-spirited, slightly overstuffed exhibition pays overdue tribute to a prominent American artist whose 60-year odyssey through and beyond painting began in this city. It further anoints the Whitney's new building: The show could never have been pulled off at its old uptown address. And its ingenious installation — alternately dazzling, oppressive and nuts — resounds with stimulating clashes of color, style and process that bring a new unity to his contentious achievement. 99 Gansevoort Street, at Washington Street, 212-570-3600, whitney.org. (Smith)
Galleries: Uptown
★ Pierre Klossowski (closes on Saturday) The nine awkward but engrossing specimens in this exhibition date from the 1970s and 1980s, and many feature Klossowski's aggressed but steadfast heroine Roberte in compromising positions: trussed on parallel bars, or splayed out on the lap of a medieval warrior. (The model for Roberte was Klossowski's wife, Denise.) Though Sade was an influence on his drawings, Klossowski saw sex as neither a joy nor a punishment; it was a ritualized encounter, governed by complex rules of hospitality. It is an unmissable show, though you will want to leave the kids at home for this one. Gladstone Gallery, 130 East 64th Street, Manhattan, 212-753-2200, gladstonegallery.com. (Jason Farago)
★ 'Swedish Wooden Toys' (through Feb. 28) This presentation of more than 300 playthings from the late 16th to the early 21st centuries will be catnip for anyone into antique toys. The show features diminutive vehicles of all kinds from old-time wagons, trains and fully-rigged sailboats, to futuristic cars and a rocket ship. There are naturalistic and anthropomorphic animals, weapons, puzzles, games, dollhouses and architectural construction kits. While many of these items were produced by big manufacturers like BRIO and Playsam, many others are one-of-a-kind wonders like a miniature baking set from around 1900 that includes rolling pins, spatulas and other implements all lovingly carved from wood and fitting into a tray just eight inches long. Bard Graduate Center Gallery, 18 West 86th Street, Manhattan, 212-501-3011, bgc.bard.edu. (Johnson)
Galleries: 57th Street
Galleries: Chelsea
★ Gil Batle: 'Hatched in Prison' (through Jan. 9) Mr. Batle, 53, served a total of 20 years in five California prisons for fraud and forgery. Now living in the Philippines, he has been recounting his experiences in an unlikely medium. Using a high-speed dental drill, he carves miniature narratives of prison life into the surfaces of ostrich eggs. The 19 examples in this show, all made in the past two years, are amazing for their meticulous craftsmanship and detailed story telling. Ricco Maresca, 529 West 20th Street, Chelsea, 212-627-4819, riccomaresca.com. (Johnson)
★ Annu Palakunnathu Matthew: 'Indelible Memories' (through Jan. 16) Ms. Matthew was born in England to Indian parents, spent her adolescence and early adulthood in India, and has lived in the United States since. The mostly album-size photographs in this compact but far-ranging gallery survey are about the intensities and confusions of a cultural mixing that makes the artist, psychologically, both a global citizen and an outsider, at home and in transit, wherever she is. And it's about photography as document and fiction: souvenir, re-enactment and imaginative projection. A beautiful show that could too easily slip away. sepiaEYE, 547 West 27th Street, Chelsea, 212-967-0738, sepiaeye.com. (Cotter)
★ Robert Ryman (through June 18) For nearly 60s years, the Minimalist painter Robert Ryman has had few equals when it comes to doing more with less. White has been his primary, if not quite his only, color, the square his typical format. And yet within these seeming limitations a remarkably fecund and resonant body of work has evolved as demonstrated with unusual clarity (and in natural light) by this small but comprehensive exhibition. Dia: Chelsea, 535 West 22nd Street, 212-989-5566, diaart.org. (Smith)
Galleries: SoHo
★ Giorgio Morandi (through June 25) The Italian master of modern still life, and closet abstractionist, is celebrated in a large show devoted foremost to his painting from the 1930s, which are not well known in this country. They reveal a period of struggle during which the artist had settled on what to paint, how to paint was still very much up for grabs. Joel Meyerowitz's large color photographs of Morandi's still life objects – which he sometimes altered – are also on view. Reservations are required. Center for Italian Modern Art, 421 Broome Street, near Crosby Street, SoHo, 646-370-3596, italianmodernart.org. (Smith)
Galleries: Other
★ 'For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979' (through Jan. 10) This exceptionally informative exhibition presents photographs, photography books, paintings, sculptures and videos produced by 29 Japanese artists during a decade of ideological disillusionment following the utopian excitement of the 1960s. Most of the works are black and white and driven by abstract concepts, with many focused on the nature of photography itself. It's a dry show, but it's fascinating for its revelation of memes and trends that continue to resonate in photographic art around the world. Japan Society, 333 East 47th Street, Manhattan, 212-832-1155, japansociety.org. (Johnson)
★ Hollis Frampton: 'ADSVMVS ABSVMVS' (through Jan. 10) The filmmaker, photographer, essayist, poet, teacher, fabulist and proto-digital pioneer Hollis Frampton (1936-1984) eased off on producing photography after the 1960s but came back to it again at the end of his life. His final work in the medium, a portfolio of 14 pictures, makes up this exhibition, which is also his New York gallery solo debut. The premise of the series is that photography is a kind of embalming mechanism for images, with a counterpart in the everyday world: a garter snake's shed skin; edible dried fish; pressed flowers. Each item is shot against a dark ground, and accompanied by a paragraph stating its find-spot along with mixes of description, opinion, folklore and art-lore. The result is zanily moving memento mori. Room East, 41 Orchard Street, Lower East Side, 212-226-7109, roomeast.com. (Cotter)
★ 'Painting Tranquility: Masterworks by Vilhelm Hammershoi From SMK — The National Gallery of Denmark' (through Feb. 27) One of Denmark's most celebrated artists, Hammershoi (1864-1916) was known as "the painter of tranquil rooms." This beautiful show of 24 paintings includes pictures in severely muted colors of women in nearly empty rooms suffused by atmospheres of mystery and loneliness; misty, gray cityscapes, devoid of people, that are like anxiety dreams; and tenderly unflinching portraits of the artist's wife, Ida. Scandinavia House, 58 Park Avenue, at 38th Street, 212-779-3587, scandinaviahouse.org. (Johnson)
Public Art
Jeppe Hein: 'Please Touch the Art' (through April 2016) People with small children likely will enjoy Mr. Hein's three-part show. If it's a hot day, the kids will rush to be drenched by "Appearing Rooms," which has water spouting up unpredictably from a square platform of metal grating. Youngsters as well as grown-ups also may be fascinating by the perceptually confounding "Mirror Labyrinth NY," which consists of mirror-surfaced planks of stainless steel in varying heights planted in the grass in a spiral formation. Meanwhile, guardians can rest on one of 16 fanciful, shocking orange park benches while their young charges clamber about on the furniture's surrealistically altered parts. Brooklyn Bridge Park, 334 Furman Street, Fulton Ferry, Brooklyn, publicartfund.org. (Johnson)
Out Of Town
Dia:Beacon: Robert Irwin: 'Excursus: Homage to the Square³' (through May 2017) A walk-in maze with walls of white scrim lit by color-filtered fluorescent tubes, Mr. Irwin's "Excursus: Homage to the Square³" had its debut in 1998 at the Dia Center for the Arts in Chelsea. It was so popular that the curators elected to keep it on view a year longer than its originally planned run. It's reincarnation here is similarly transporting, if not as thoroughly as the original was. But to experience it at Dia:Beacon along Minimalist works by other artists that encourage heightened perceptual attention to the here and now is as spiritually calming as it is historically illuminating. 3 Beekman Street, Beacon, 845-440-0100, diaart.org. (Johnson)
★ 'Enigmas: The Art of Bada Shanren (1626–1705)' (through Jan. 3) Beginning next January, the Freer Gallery of Art in Washington will go dark for a year and a half while it's 1923 building gets an overhaul. Its Chinese painting collection will be especially missed. And as if intent on leaving a potent memory of it, the museum has served up a sparkler of final show, centered on a charismatic 17th-century superstar whose life encompassed dramatic shifts of fortune, and whose art holds mysteries yet to be understood. 1050 Independence Avenue SW, 202-633-1000, asia.si.edu. (Cotter)
★ Museum of Fine Arts Boston: 'Made in the Americas: The New World Discovers Asia' (through Feb. 15) One of the great gifts that multiculturalist thinking gave us was freedom from the tyranny of purity. Simply put, there's no such thing, at least not in art. Everything is a mix, and this has always been true. Globalism, which we take to be so 21st century, is as old as the hills. In this smallish show those hills encompass the Andes, the Alps, the Appalachians and Mount Fuji between the early 16th to the late 18th century. The main setting includes large swaths of North, Central and South America being colonized by various European powers, all of which had lucrative commercial links to Asia, and they were bringing Asia with them to the New World. The result: some of the most brilliant American art ever. 465 Huntington Avenue, Boston, 617-267-9300, mfa.org. (Cotter)
★ National Museum of African Art: 'Conversations: African and African American Artists in Dialogue' (through Jan. 24) For its 50th anniversary, this museum has brilliantly thread together work from two sources: its own holdings in African material and the Camille O. and William H. Cosby Jr. collection of African-American art. The Cosby collection, weighted toward canonical figures like Romare Bearden and Charles White, will bring in the crowds, but it is the curators and museum itself, which is in a period of renaissance, that have made the show rise well above predictability. Smithsonian Institution, 950 Independence Avenue SW, Washington, 202-633-4600, africa.si.edu. (Cotter)
★ Wadsworth Atheneum Museum of Art (ongoing) The skilled refurbishing of the Atheneum's storied Morgan Memorial Building reveals as never before the museum's splendors. The Great Hall is triple-hung with European paintings encircled by a spirited art-historical Cliff Notes from Egypt to Florence. On the second floor the fabulous Cabinet of Art and Curiosities leads to even more often outstanding paintings – Baroque to Modernism – accompanied by an array of decorative objects, especially porcelains. 600 Main Street, Hartford, Conn., 860-278-2670, thewadsworth.org. (Smith)
Last Chance
★ Georg Baselitz: 'Visit from Hokusai' (closes on Saturday) Not given much thought to the painter Georg Baselitz of late? This beautiful show of large diptychs in ink and watercolor on paper will make you think again. In each, the German Neo-Expressionist has paired one of his versions of a wonderful ink self-portrait by the great Japanese master, with a reprise of some (usually figurative) motif from his own repertory. Part homage, part self-deprecating review, these marvelously assured, emotionally felt works also have the effect of an artist's slide lecture, compressed. Bravo. Gagosian Gallery, 980 Madison Avenue, at 76th Street, Manhattan, 212-744-2313, gagosian.com. (Smith)
Meriem Bennani: 'Gradual Kingdom' (ends on Sunday) Ms. Bennani's first show at Signal might not be as funny as her other projects, which have appeared on sites like Instagram. Instead, this exhibition focuses on her hometown, Rabat, Morocco, and how the area has nearly been depleted of sand, which has been exported to build artificial islands in the Middle East. The centerpiece of the show is a colorful video projected onto pyramids that have been mounted on opposite walls. It serves as a gentle reminder of the longstanding representation of Morocco as an exotic land, now affected by its leaders' desires to make the country a player in the world economy. Signal, 260 Johnson Avenue, Williamsburg, Brooklyn, 347-746-8457, ssiiggnnaall.com. (Schwendener)
★ 'Corruption: Everybody Knows…' (closes on Wednesday) E-flux began in 1998 with an emailed news release for a one-night group show in Chinatown. Since then, it has grown to include a wide-reaching distribution system for art world information, a monthly journal and it's become one of the few galleries in the city to present politically minded global fare consistently. Its current show, organized by Natasha Ginwala, will be the last in the Manhattan space — the whole operation is moving to Brooklyn in 2016 — and is very much in the signature e-flux think-piece mode. eflux Gallery, 311 East Broadway, at Grand Street, Chinatown, e-flux.com. (Cotter)
★ Vaginal Davis: 'Come On Daughter Save Me' (closes on Sunday) The self-described intersex artist Vaginal Davis is a performer, writer, editor, composer and painter, and as this solo show confirms, a sculptor. The 16 wall reliefs here, while small, give the term multimedia a serious stretch, each having been made from (to quote the exhibition's checklist) "clay, stucco fragments, wet n wild brickhouse nail varnish, neon nail lacquer, Rival de Loop nylon nail enamel, hydrogen peroxide, glycerin, witch hazel, Pam, Aqua Net extra-strength hair spray and Jean Naté perfume." An audio recording sets the work in a bracingly feminist, prophetically anti-patriarchal narrative context. Invisible-Exports, 89 Eldridge Street, Lower East Side, 212-226-5447, invisible-exports.com. (Cotter)
Alex Ebstein: 'Form/Fit' (closes on Sunday) A young painter adept with yoga mats (of all things) makes her New York debut in the new downtown gallery of a former and a current employee of the Skarstedt Gallery venture. Ms. Ebstein exploits the mats' bumpy texture and colors with compositions that have one foot in design (think soft Formica), one in 1950s biomorphism and a third in present interests in worldly abstraction and painting-without-paint. She paints patterns on a few of her cutout shapes, and these also look promising. Cuevas Tilleard, 142 Henry Street, at Rutgers Street, Lower East Side, 917-868-1225, cuevastilleard.com. (Smith)
'Expanding Perceptions: Jack Goldstein, Beverly Pepper, Deborah Remington' (ends on Wednesday) If you've often had a feeble if not negative response to the work of these three artists, the artist and curator Andy Onderdonx is out to revise — and expand — your experience. He has brought together eight interesting, sometimes little-known examples of their efforts, creating an amazing crossfire of techniques, palettes and imagery. A certain shininess, whether real or illusive, has something to do with it, and that's not a criticism. Creative curatorial thinking is alive and well here. Marlborough Chelsea, 545 West 25th Street, 212-463-8634, marlboroughchelsea.com. (Smith)
★ Sheila Hicks: 'Ode to Roy Davis' (closes on Wednesday) Prior to going private, this storied gallery pays homage to its founder and longtime guiding light (who died last year) with a show devoted to the small but powerful weavings called "minimes" by their maker, the veteran fiber artist Sheila Hicks. Like miniatures, these pieces reward close study and in their intimacy, limited format and expressive variety sustain comparison with the small still lifes of the Italian painter Giorgio Morandi. Davis & Langdale Company, 231 East 60th Street, Upper East Side, 212-838-0333, davisandlangdale.com. (Roberta Smith)
★ Joseph Kosuth: 'Agnosia, an Illuminated Ontology' (ends on Saturday) A pioneer of 1960s-style Conceptualism, Mr. Kosuth has consistently insisted on the primacy of language as a constructor of reality over the course of his 50-year career. This philosophically provocative exhibition gathers together more than 40 works from 1965 to 2015 that feature electrically illuminated words, phrases and sentences in a visually sumptuous installation designed by the artist. Sean Kelly Gallery, 475 10th Avenue, at 36th Street, Chelsea, 212-239-1181, skny.com. (Johnson)
★ Giorgio Morandi (closes on Saturday) This exhibition of 20 paintings concentrates on the artist's mature years (1950-1963) when his experimentation with the ways of painting his beloved still lifes continued, but subtly, and his manipulations of space, scale and suggestion were especially rich. The display culminates in a wonderful theme-and-variations sequence: four canvases from 1952 that depict a nearly identical arrangement of objects. David Zwirner, 537 West 20th Street, Chelsea, 212-517-8677, davidzwirner.com. (Smith)
Seth: 'Nothing Lasts' (closes on Saturday) The acclaimed comic-book artist Seth (real name, Gregory Gallant) is a poet of the ordinary and the downbeat, a nostalgic chronicler of regret, disappointment, confusion and occasional moments of happiness. This enchanting exhibition features 80 original drawings for two chapters from an autobiography called "Nothing Lasts." Adam Baumgold Gallery, 60 East 66th Street, Manhattan, 212-861-7338, adambaumgoldgallery.com. (Johnson)
★ H.C. Westermann: 'See America First: Works from 1953-1980' (ends on Saturday) No one who cares about contemporary art should miss this terrific exhibition of sculptures, drawings, prints and illustrated letters by H. C. Westermann (1922–1981). He once said that he wanted his constructions to look as if they'd been made by a mad cabinetmaker, and they do. Made with consummate craftsmanship, his constructions mainly in wood are by turns funny, philosophical and politically vehement. He was a great American original. Venus, 980 Madison Avenue, at 76th Street, 212-980-0700, venusovermanhattan.com. (Johnson)


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You need some? Than ask Mister Caetano Calomino sign painter, letterer, typograph an illustrator from Sao Paulo, Brazil. In 2011 he started to study calligraphy and in a few months became assistant of Claudio Gil, a renowned calligrapher and professor. Since 2013 he hold his own sign painting classes and works parallel to the educational in the commercial sector in type, design and art. He is a real specialist when it comes to fine drawn lines and modern stylish forms. Enjoy his work!
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Agencies and creatives count on FLYERALARM for their printing products – then the specialist for customer communication offers a range as creative as its customers
FLYERALARM is one of Europes leading online printing companies within the B2B sector and one of the largest e-commerce companies in Germany: customers can choose between more than three million print products on flyeralarm.com; moreover, customised products are also available. The print products are high quality, produced at an excellent price and delivered free of charge. Not only for creative agencies, but also for small and medium-sized enterprises FLYERALARM is the perfect partner. According to Stefan Constantin, board member, "we think like our customers: cutting-edge, flexible, diverse and service-oriented – we proudly present these features at DRUPA". Part of the product range are naturally print products of all kinds such as flyers, office supplies and hard cover books, but also advertising products like banners, flags, pop-up displays, bean bags, cube seats, roll-ups, backlit boxes, deck chairs – and many more. Also almost all giveaways are available: note pads, tags, lanyards, pens, sweets, buttons, bags and drink cans. Even textile printing on jackets, shirts, blouses, towels, caps, etc. is offered.
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Currently Unavailable. Scroll down for additional options. $46.00
Band For Men Invicta Cuadro 1457, Band Material Leather, Band Color Black, Band Width 28 MM, Band Length 215 MM, Buckle Type Regular, Clasp Type Regular
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As soon as I arrived in The Peak District for my week's holiday I quickly unpacked and then set off for a new location on the east side of the National Park called Curbar Edge. I have to be honest and say that it was chosen mostly because it was close enough for me to reach before sunset. However, it was facing the sunset and I knew that there would be some interesting rock formations to aid my compositions. I had most of the edge to myself and tried photographs at a few spots but it was quite grey and misty I didn't get the images that I had planned.
I had to return a couple of evenings later to capture a lovely subtle sunset setting myself in front of a wonderful stone that looked like it should be a millstone. However, whilst there was a hole in the middle the stone itself was triangular which I haven't seen before.
The other thing that fascinated me was the number of planes flying in all sorts of directions. They must have been at different altitudes but from my viewpoint they were all on a collision course.


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Northern Ireland is well on the way to becoming the world's largest pothole, a major international conference was told today.
Addressing the World Holeiologist Society, Professor Gar MacAdam told his fellow experts that a lack of roads investment "combined with shite weather" mean that the entire province could disappear within 5 years.
"Not many people realise it, but Lough Neagh started out as a minor pothole on an ancient road from Antrim to Cookstown," he explained. "Sadly no one in the Bronze Age could be arsed patching it up, and it gradually expanded until it became the massive watery hole we all know today."
Recent research has revealed that our entire transport infrastructure is under threat.
"We estimate that 84% of the rural road network here is now made up of holes," says the Professor. "The remaining 16% consists of narrow slivers of tarmac held together with cow dung, with the odd cat's eye sticking out of it at a weird angle."
The claim comes on the same day that the Department for Infrastructure admitted spending nearly half a million pounds on compensating motorists whose cars had been damaged by the poor road surfaces.
"We've at least two reports of vehicles vanishing completely," revealed a DfC spokesman. "In one case a lorry load of chickens drove into a pothole near Broughshane, only re-appearing 6 weeks later in a South African diamond mine."
Professor MacAdam had one final word of warning.
"If Lough Neagh keeps expanding at its present rate, we can expect to see towns like Antrim, Crumlin and Ardboe disappear off the map completely," he concluded.
"So it's not all bad, I suppose."
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A year ago, 32-year-old Melissa Mok wasn't feeling well. She developed flu-like symptoms that quickly escalated into mysterious blisters that covered her entire body, head to toe, inside and out. Puzzled, Melissa's doctors placed her into quarantine while trying to figure out what was overtaking her otherwise healthy body.
It took several days, but Melissa was eventually diagnosed with Stevens-Johnson syndrome, an early stage of toxic epidermal necrolysis syndrome (TENS). Melissa was transferred to Sunnybrook, where she spent time in the intensive care unit and burn centre, unable to walk for weeks because of the blisters on her feet.
One out of five people will die from TENS, and four out of five people will suffer the rest of their lives from having had it
Sunnybrook's head of dermatology, Dr. Neil Shear, describes TENS as a horrible, painful and life-threatening disease that literally causes a patients' skin to burn off their body from the inside out. While rare (there are about 20 cases in Ontario every year), Dr. Shear says the effects are devastating: one out of five people will die from it, and four out of five people will suffer the rest of their lives from having had it.
So what could cause this horrible disease? Dr. Shear says they are able to determine the cause in about seven out of 10 people, and he says it's usually one of a few well-known drugs that can trigger the problem. Those drugs include allopurinol, often prescribed for gout, and carbamazepine, used for pain disorders and epilepsy. Dr. Shear says these are important drugs and help many people, but for some, they can cause TENS. And that's where a simple blood test can make all the difference.
Dr. Shear says this genetic blood test has been available for some time. The problem is, few patients know about it and it's not widely discussed. Patients need to pay for it (he says it's under $200), but knowing the possible alternative, he says it's money well spent.
If you've been on these drugs for some time, Dr. Shear says a test isn't necessary as most cases of TENS appear in the first month of treatment.
About 70 per cent of TENS cases are triggered by a few well-known drugs
So who needs the blood test? Dr. Shear says anyone newly prescribed allopurinol. And for carbamazepine, that includes anyone with origins from Southeast Asia.
These medications aren't the only cause of TENS, and Melissa still isn't sure what triggered her symptoms. But having survived TENS -- and still recovering from its aftermath -- she is a firm supporter of people being aware.
"It's not just the heartache but it's also all the time spent in the hospital," she says. "The possibility of what could have happened is scary to think about." She'll continue her care at Sunnybrook, now a leading centre in the treatment for TENS. And for anyone who will listen, she says to ask about the blood test. She's living proof that even though side effects are rare, they can still happen.
By Monica Matys, Communications Advisor at Sunnybrook.
Read more health tips & information from Sunnybrook experts at health.sunnybrook.ca


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Amouage Interlude Man Eau de Parfum (100ml) contains an aromatic blend of warm woods and comforting scents to indulge in. Give your senses a delightful break that others around you can enjoy.- K.R
Fragrance notes:Top notes- bergamot, oregano and pimento berry oil .Heart notes- amber, frankincense, cistus, opoponax.Base notes- leather, agarwood smoke, patchouli and sandalwood.
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Beautiful scent at a reasonable price. Swift safe delivery. Thank you very much!
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Double-header for Warwick School Board
Story by Lisa Rice
The Warwick Valley Central School Board kicked off the 2018-19 school year with back to back meetings on Mon., Jul. 9 at the Dorothy C. Wilson Education Center.
Davis President & Parsons Vice President
At 7 p.m. the annual organizational meeting was called to order and oaths of office were administered. The first oath was taken by District Clerk Susan Laroe who then administered the oath of office to newly re-elected Board members, Lynn Lillian and Dave Eaton. Lillian, in her last act as Board President, nominated fellow Board member, Sharon Davis, to take over the reins as President. Davis, who was not present, was unanimously elected to the position. Eileen Gagliano then nominated Keith Parsons for the position of Vice President and following the vote by all fellow Board members, he was elected.
After taking his own oath of office, Superintendent Dr. David Leach introduced the new student member, Madeline Wadeson, a senior at the Warwick Valley High School.
"What a stellar candidate Madeline was," Leach said. "She came with the utmost recommendations from her teachers, specifically her leadership teacher, Mr. Burns."
After approving the consent agenda, which included such items as new staff appointments for 2018-19, the mileage reimbursement rate, the staff student tuition rate, and the school breakfast and lunch prices, Board members were elected to County and State School Boards. Dave Eaton will be the delegate to the Orange County School Boards Association with Keith Parsons as the alternate. Eileen Gagliano will be the delegate to the New York State School Boards Association with Dory Masefield as the alternate.
Official Newspaper
Before adjourning the meeting the Warwick Valley Dispatch, the Warwick Advertiser and The Chronicle were all designated official School district newspapers.
Lillian's Leadership & Service Honored
The first regular meeting of the 2018-19 school year was called to order at 7:15 p.m., presided over by newly elected Vice president, Keith Parsons.
The Superintendent wasted no time taking a moment to honor Lynn Lillian's service to the School Board and Warwick as a whole. "Lynn has been the voice of the Board for the past five years in her role as President," he said.
He highlighted some of the endeavors Lillian spearheaded, such as Fair Funding and a commitment to academic achievement with consideration for taxpayers.
"She worked with all stakeholders to establish so much."
"I'm not going to let you have the last word," Lillian said to Dr. Leach before itemizing all the credit due to others in the District, including the superintendent. A humorous banter ensued, with Dr. Leach noting the two blue ribbon and two green ribbons schools and Lillian volleying back that it was the District's honor, not hers. The exchange gave insight into a long-standing relationship of mutual respect.
New Year Brings New Teachers
The new school year will bring several new faces to the District's teaching staff and the superintendent commented that he was excited to have outstanding additions being appointed. Each new appointee was given the opportunity to stand and introduce themselves.
New to the District are Sanfordville Kindergarten teachers Emily McGurk and Rebekah Jackson; PIE 1-2 teacher Domiana DeFelice (concentration on process writing); PIE 3-4 teacher Veronica Malloy; Park Avenue third grade teacher Camille Cappa; Caitlyn E. Giampaolo, 7-12 English; Michelle L. Gebele, who will be working with Elementary school students with disabilities; and Brett Algera, who will be teaching students with disabilities at the Middle School.
Two familiar faces will also be back in the District this year. Steve Garbey, who has been teaching at Orange-Ulster BOCES, will be teaching the fourth grade at Park Avenue Elementary. And Warwick Valley High School Class of 2014 alum, Brad Garcia, who many remember from his days on the football field, will be joining the teaching staff, working with students with disabilities in grades seven to 12.
Field trips for the Future Farmers of America for the 2018-19 school year were approved, including Leadership Training Camp, the New York State Fair, the National FFA Convention, and the NYS Farm Show. FFA volunteers were also approved.
A special meeting of the Board of Education will be held on Mon., Jul. 16 at 7 p.m. for the purpose of accepting capital bid awards for flooring and door replacements at Sanfordville Elementary, Middle School, the Administrative offices, and the High School and an environmental tank removal at the Middle School and High School.
The next regular meeting of the Warwick Valley Central School District Board of Education will be held on Mon., Aug. 6 and there will be a special meeting and work session on Mon., Aug. 20 regarding tax warrant.


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Battle of the DJ's
This year we will be featuring multiple DJ's playing different music styles! In past years the music has been relegated to one section of the event, leaving thousands of people to wonder what they may be missing while they are in another area of the event! That problem is being solved this year, as Microfestivus flips the script and will feature EVENT WIDE music! You will be able to listen to the sounds of Microfestivus from anywhere within our footprint thanks to our addition of remote speaker technology and MULTIPLE stages. Whether it be country, rock, or EDM, you will get to hear it from wherever you are! Check back soon for our DJ list!


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Join one of the fastest growing security companies in the U.S.! Since 1998, Sunstates Security has established a reputation for providing excellent customer service and quality work environments while being recently recognized as one of the top 25 largest security providers in America. At Sunstates Security, we're committed to hiring, developing and retaining a diverse and exceptionally qualified workforce. As a result, our employees are skilled, knowledgeable and dedicated to providing clients with flawless security service and the peace of mind that comes with it.
We work hard to recruit and to retain the best and the brightest people for each client and every site location. We instill in our employees the Sunstates promise to provide a safe, disciplined and friendly work environment with an opportunity for career advancement.
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We are currently hiring for full-time Armed Security Officers in the Tamarac area. This location is a predominately female staffed jewelry manufacturer and distributor. Previous security, military or law enforcement experience is required. Officers will be responsible for using magnetometers, hand held scanners and in some cases conducting pat downs and searches of the employees. Applicants must have a Class G & D license. We offer competitive wages, benefits and direct deposit. This post requires Monday-Friday availability, as well as occasional weekend work.
A Security Officer may perform a multitude of duties as specified by the Post Orders and Standard Operating Procedures (SOP). The Security Officer will read and become extremely knowledgeable of Post Orders and SOP, and will be able to act quickly and efficiently according to such directives.
High School diploma or equivalent
Florida G License
Florida D License
Only candidates who meet our rigorous employment standards and who are excellent matches for open positions (as personally verified by Site Managers) are invited to join our security team.
We are proud to be an Equal Opportunity Employer and supporter of our military veterans!
Benefits: Medical Insurance, Life Insurance, Dental Insurance, Vision Insurance, Paid Vacation, Short Term Disability, 401K/403b Plan, Educational Assistance
Screening Requirements: Drug Screen, Criminal Background Check, Psychological exam


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Bay Search and Rescue
Specialist rescue team based on Morecambe Bay, Lancs and Cumbria - Quicksand, Flood, Snow and difficult terrain rescues working in partnership with Police, Fire Service, NWAS and HMCG
CRN: 109088026 Favourite(s)Charity ID: 61269
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