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No. 1-seed Kops-Jones Advances to Singles Quarterfinals at NCAA Championships
May 26, 2004
ATHENS, Ga. - Cal senior Raquel Kops-Jones, seeded No. 1 in the NCAA singles championships, advanced into the quarterfinals today at the 2004 NCAA Women's Tennis Championships in Athens, Ga. by virtue of a walk-over in a Round of 16 singles match over BYU's Barbara Zahnova. Zahnova was forced to default the match due to injury.
Kops-Jones will play Miami's No. 6-seeded Megan Bradley tomorrow in a quarterfinal match at the Dan Magill Tennis Complex. The winner of that match will move forward into the semifinals.
Bradley, ranked No. 4 in the nation, defeated Florida's Jennifer Magley, 6-2, 7-5, to advance to tomorrow's match. Earlier this season, Kops-Jones defeated Bradley, 6-3, 6-3, in the first round of the ITA All-American tournament on Oct. 9, 2003.
Kops-Jones, the No. 1 ranked player in collegiate tennis, improves to 31-7 overall in singles competition this season. Last season at the NCAA championships, Kops-Jones advanced as far as the singles quarterfinals before falling. The only Cal player to ever advance past the quarterfinals in the NCAA singles championship is former Golden Bear great Lisa Albano, who reached the finals in 1991.
For updated results on the 23rd-annual NCAA Women's Tennis Championships hosted by the University of Georgia, please visit www.georgiadogs.com.
California Women's Tennis Results2004 NCAA Women's ChampionshipsDan Magill Tennis ComplexAthens, Ga.
SinglesRound of 16 - May 26, 2004(1) Raquel Kops-Jones (Cal) def. Barbara Zahnova (BYU) - w/oSecond Round - May 25, 2004(1) Raquel Kops-Jones (Cal) def. Michelle DaCosta (Michigan) - 6-3, 7-5First Round - May 24, 2004(1) Raquel Kops-Jones (Cal) def. Jennifer McGaffigan (Illinois) - 6-1, 6-3(5) Alexis Gordon (Florida) def. Sasha Podkolzina (Cal) - 7-6, 6-4, 6-2
DoublesFirst Round - May 25, 2004Jessica Johnson / Ashley Kroh (Marshall) def. (2) Raquel Kops-Jones / Jieun Jacobs (Cal) - 6-4, 6-3
Tue 12/17 | 6:00pm PTLive
Airing on:
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Pac-12 PlaylistTue 12/17 | 10:00pm PTLive


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Mortar attack on Enniskillen barracks
|Enniskillen Mortar Attack
|Part of the Troubles
|Enniskillen, County Fermanagh, Northern Ireland
|54°20′39″N 7°38′3″W / 54.34417°N 7.63417°WCoordinates: 54°20′39″N 7°38′3″W / 54.34417°N 7.63417°W
|4 September 1985
07:50 am (GMT)
Attack type
|Lob bomb, Mortar attack
|Provisional IRA Fermanagh Brigade
On 4 September 1985, the Provisional IRA fired mortar bombs at a Royal Ulster Constabulary (RUC) base and training centre in Enniskillen, County Fermanagh. Nobody was killed, but 30 people were injured in the attack and the base, which was mainly used to train new recruits, was very badly damaged.[1] The IRA hoped to repeat the success they had earlier in the year when Newry RUC station was attacked with mortars and nine RUC officers were killed and almost 40 injured.[2] It was one of numerous IRA mortar attacks on British Army and RUC bases around this time period.
Volunteers from the IRA's south Fermanagh brigade hijacked a lorry and fitted it with a baseplate and improvised mortar tubes. They parked the lorry on waste ground outside a pub about 300 yards away from the RUC base.
At around 07:50am, the IRA unit launched the mortars at the base, three of the mortars hit the main building in the base badly damaging the building, and one hit a car park right beside the building, where the recruits usually sleep, causing damage to a watch tower beside it. Luckily for the recruits the IRA's intelligence was faulty; they believed the recruits would be sleeping at the time of the attack but were instead having breakfast in a different part of the base. Some of the mortars went off target – one of them hit a garage injuring a number of people and wrecking a number of cars. In total, 30 people were injured, 20 of them from the RUC and 10 were civilians and all taken to hospital. Most of the injuries were not serious but one civilian and training cadet had to stay over night in hospital as they had more serious injuries.[3]
Séamus McElwaine was the Officer commanding of the South Fermanagh Brigade at the time and it's likely his unit was involved in the attack as he was very active around the Fermanagh and County Monaghan border area at this time.[4]
A RUC spokesman said "It is absolutely incredible that no one was seriously hurt or killed." and that "They had a lucky escape." There was 150 people in the base at the time of the attack.[5]
The IRA kept on targeting RUC and British Army bases. In December, the IRA's East Tyrone Brigade took over the Ballygawley RUC base and destroyed it with a 200lb bomb and shot dead two RUC men in the process. They also mortared two other RUC stations in December at Castlederg and Carrickmore.[6][7]
News footage aftermath[edit]
- "IRA Fermanagh Brigade mortar attack on Enniskillen RUC Barracks - 4 September 1985 - YouTube". youtube.com. Retrieved 31 January 2019.
See also[edit]
- Chronology of Provisional Irish Republican Army actions (1980–89)
- Attack on Ballygawley barracks
- 1985 Newry mortar attack
- Attack on UDR Clogher barracks
- Attack on RUC Birches barracks
- Glenanne barracks bombing
- ^ "CAIN: Chronology of the Conflict 1985". cain.ulster.ac.uk. Retrieved 2019-01-31.
- ^ "CAIN: Chronology of the Conflict 1985". cain.ulster.ac.uk. Retrieved 2019-02-23.
- ^ Bishop, Patrick; Mallie, Eamonn (1987). The Provisional IRA. Corgi Books. pp. 420–421. ISBN 0-552-13337-X.
- ^ The Provisional IRA. Corgi Books. 1987. p. 419. ISBN 0-552-13337-X.
- ^ "IRA MORTAR BOMBS HIT POLICE TRAINING CENTER - Chicago Tribune". webcache.googleusercontent.com. Retrieved 2019-01-31.
- ^ Mark Urban - Big Boys Rules: The SAS and the Secret Struggle against the IRA p.221,222
- ^ "Mortar attack on police station". UPI. Retrieved 2019-02-23.
Further reading[edit]
- Moloney, Ed: A secret history of the IRA. Penguin Books (2002).
- Urban, Mark: Big Boys' Rules: The SAS and the Secret Struggle Against the IRA. Faber and Faber (1992).
- Explosions in 1985
- Attacks in 1985
- 1985 crimes in the United Kingdom
- 1985 in Northern Ireland
- 20th century in County Fermanagh
- Conflicts in 1985
- Improvised explosive device bombings in Northern Ireland
- Military actions and engagements during the Troubles (Northern Ireland)
- Military history of County Fermanagh
- Provisional Irish Republican Army actions
- Royal Ulster Constabulary
- The Troubles in County Fermanagh
- September 1985 events
- Attacks on police stations

subset: commoncrawl


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Gloria DeoBenjamin Harlan - Hal Leonard Corporation
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From majestically triumphant to quietly worshipful, Gloria Deo weaves rich carol arrangements with scripture lessons for a moving Christmas worship experience. �This appealing and accessible work will heighten your church or community's celebration of the Incarnation with a blend of classic Christmas favorites and new texts.
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This story starts at the University of Washington, heads off to Europe, comes back to the Seattle art world, then moves on to New York City, the fierce battles of the Culture Wars, and his life in Bali today, while reminding us of our continuing need for vigilance, activism, and courage.
Fifty years ago, David Mendoza and I graduated in the same year from the same university with undergraduate degrees in the same subject, art history.1 As the official "Alum in Residence" at the University of Washington's School of Art + Art History + Design for the 2016-2017 academic year, I invited David, who has remained a friend, to come back to the school and join me in a conversation about what he's done with the years since we graduated.
So, on November 21, 2016, he and I sat in the school's Jacob Lawrence Gallery with an assembled group of students, faculty, staff, and community members. My opening question to David was, "So, what have you done with your art history degree?" As he told us the story that follows, it was clear that he'd given the question a lot of thought in advance. And no one wanted him to stop once he got started.
A resume can tell you that David has been director of the Foster/White Gallery, executive assistant to the chair of the New York State Council on the Arts, the first director of Artist Trust, the first executive director of the National Campaign for Freedom of Expression, and a long-time board member of Art Matters foundation. He has lived on Bali since 1998, where he produces a line of clothing and home goods with a focus on natural dyes, handmade batik, and preserving traditional craft techniques of Southeast Asia.
But the real story can't be captured in a resume. It's full of twists and turns that affect a life forever, of people and events encountered unexpectedly, and of the power of following both your dreams and your intuition and fighting for what you believe in.
You can read his story below or download it here.
Anne Focke
What did you do with your art history degree? – a memoir
David Mendoza
November 21, 2016
Fifty-three years ago today, November 21, was a Wednesday. The next day about noon, and late as usual, I was running across the Quad to a class in Parrington Hall when I ran into one of my pals running in the opposite direction. He said, "JFK has been shot," and kept running. That was 1963.
I graduated in 1967 during a tumultuous time in our nation and on campus. I started at the UW as a Business major, switched to Architecture, then to Interior Design, and, after being called to a meeting with Professor Warren Hill, switched one more time to Art History. Warren – we became friends later – was a professor in Interior Design, and he, shall we say, urged me to switch majors. I couldn't draft – same problem in architecture. So I surveyed my accumulated credits. Not only did I have quite a few credits in Art History – including architecture and design history – but I'd earned good grades and loved the subject. So, here I am, all these years later, talking to you as an ancient alum.
I was trying to finish my art history thesis for our brilliant professor, Lawrence D. Steefel, while experimenting with pot and listening to Sgt. Pepper. The topic of my paper was Dada, and in retrospect it was a very Dada time with the Vietnam War (or American War as the Vietnamese call it) and the cultural revolution (the eve of the "Summer of Love"). Studying the Dada artists, their performances, and their anti-war positions all tossed together with the world around me meant that, in early May 1967, I found myself unable to fashion a coherent thesis paper. As the month rolled by and the deadline for turning it in approached, I had pretty much decided that after five years of university and lots of credits, I was not going to graduate and get a degree. My focus turned to how I would explain all this to my parents who had struggled to help pay college costs for me – the first in our family to attend.
The topic of my paper was Dada, and in retrospect
it was a very Dada time.
Probably through a combination of wine, pot, angst, and itchiness to get out of school and into the "real world," I decided to make an appointment with Professor Steefel. I still can remember clearly that day – nervous, resigned to reality, and eager to get it over with. I actually prepared some notes to try to explain what had happened to me. These included references to lyrics on Sgt. Pepper as well as Dada history. It was a long meeting, maybe two hours. He asked me questions, and we had a very expanded discussion. I thanked him and left, feeling relieved that the meeting and my college career and degree were over.
About a week later, grades were distributed. When I opened mine, I found that Professor Steefel had given me an A and the five credits I needed for my degree. I was in shock. In just a moment, my whole life turned a new corner.
After working as a waiter to make money, I left for my grand tour of Europe in the fall of 1967. It was time to see all the paintings, sculpture, and cathedrals I had only seen projected from slides on a screen. Being the romantic that I realized much later I was, I decided to go to Europe by ship. So I took a train across the U.S. to New York City and Grand Central Station, never having been before. Once there, I immediately got off the train and into a taxi that took me to the 40th Street piers to board the S.S. France. Nowadays, the only place you see the scene I encountered is in old movies – crowds of people, some boarding and some saying good bye to departing loved ones. Like in the movies, the France departed in the late afternoon and, as we passed the Statue of Liberty, we were all standing at the railing admiring New York City.
My eight months in Europe started in London visiting museums and castles and seeing some theater, and then continued on to Amsterdam and Vermeer, Rembrandt, and Van Gogh. My plans to take a train from there to Paris changed at a party hosted by someone I met in Amsterdam where I met a good friend of the host. An American woman, older than me, she had just arrived from Stuttgart where she had bought a new Porsche. Apparently, she did this every year. I told her my plans, and she said, "Why don't you ride with me instead to the south of France?" I hesitated, but my host said, "Don't be crazy. Marilyn knows France very well. You would be lucky to have her as a guide, and you'd get a free ride as well!" So I did.
This is just what the doctor ordered for my romantic
"tour de France."
Marilyn had rented an apartment in a small village near Nice named Haut-de-Cagnes. She had visited several times before and had fallen in love with a woman who lived there. I stayed with her until she helped – pushed – me to find a room. The village was magical, one of the so-called villages perchés, or "perched villages," high above the Mediterranean. There were no cars, only steep and winding walkways, and a gathering of expats and French, Bohemian and worldly. This is just what the doctor ordered for my romantic tour de France.
One rainy day about a month after I arrived, I was walking across the plaza in front of the Chateau. I saw a black man with a suitcase and typewriter case talking to one of the old French women in black who lived there. As I approached I heard he was American and did not speak French so I approached to ask if I could help. He said, "Oh, are you American? Do you speak French?" I said yes and helped him find the apartment he had rented in the village. He had just arrived via Marseilles from Africa and had come to write a book. His name was Alex Haley, and he was grateful for my help.
Being an "old timer" in the village by then, I helped Alex get settled and, over the next few days, showed him around and introduced him to Marilyn. We three had dinners and wine and chats. Alex told us he was writing a book that traced his African-American ancestors back to Africa before they were brought as slaves to the U.S. Marilyn and I looked at each other skeptically, but Alex was a great storyteller and he proceeded over these meals to tell us bits and pieces of what he had found. His stories were filled with people who had names like Chicken George, Kunta Kinte, and Izzie. While in Africa, he told us, he had recorded griots, storytellers who were the keepers of family and tribal history.
Sometimes, when I visited him for a meal and wine, he would tell me more of these stories sitting in front of the big stone fireplace, and I still found his tales far-fetched and unbelievable. I began to think of him as "Uncle Remus." At that time, Alex had a reputation as a celebrity interviewer for Playboy magazine and also as the author of The Autobiography of Malcom X. This meant that, from time to time, he had to return to the U.S. to interview someone for Playboy – and to make some money. When he left he offered me his apartment to save money from my travel budget. In exchange I helped transcribe some of his audio tapes on his old typewriter.
One time, when Alex was away the phone rang and a hoarse voice asked, "Alex?" I replied that he was in the U.S. The caller was James Baldwin, on his way to the south of France. He wanted to meet up with Alex who had discussed doing an interview with him. James had a bad cold and was in a bad mood. His French then-boyfriend had left him in London. James was looking for the boyfriend, whom he suspected was somewhere down here near Nice. After that trip, James fell in love with the area and rented a villa in Saint Paul du Vence, a village higher in the hills than Haut de Cagnes and famous for a Matisse Chapel. Baldwin lived there until he died.
"Thank you for your help and friendship here in Haut de Cagnes
while I am writing Before this Anger." – Alex Haley
Although I was very happy in that village and didn't want to leave, Alex encouraged me to continue my journey and my adventure. He was right. On departing he gave me a paperback copy of The Autobiography of Malcolm X and signed it, "Thank you for your help and friendship here in Haut de Cagnes while I am writing Before this Anger." That was his original title for the book that later became famous as Roots: The Saga of an American Family.
When I returned to Seattle in April 1968, the "anger" that Alex referred to was in full force. Continue reading →


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Mpc 2000 classic tips to winning
Bymaxlifo Thu Oct 27, am. When you're naming a sample, program, or whatever It's just like the iconic status and blind brand loyalty to Technics As for the Metronome sound, I knew you can do that, but would it be possible to store those sounds and have em load up upon boot I'd use the ones from cubase probably? Bylank Fri Oct 28, am. ByPhiba Optix Wed Oct 26, pm.
It doesn't work on the classic tho which sucks for me, cuz I think the metronome sound is annoying as ****, I'd love to change mine. HOW TO AUTO CHOP ON THE MPC & MPCXL.
Akai MPC Forums Tips, tricks, functions that go unnoticed MPCxl, MPC
1. Now tap your 16 pads and you will hear its playing your sample at different start. 22nd December How does note repeat work on the mpc classic This mpc works perfectly outside of the the note repeat as far as I can tell. Share The sequence has to be playing in order for it to work this killed me too when i got.
You're very one dimensional, noiserot.
Video: Mpc 2000 classic tips to winning SEM TUTORIAL : AKAI MPC 2000
Posts : But lately, I've got my hands on a new MPC Don't feel like you need to jump ship yet. Bylank Fri Oct 28, am.
I'm a Chicagoan until Chicago-wins, 'till we blow like Chicago wind To the OP.
It's a classic piece of equipment. Push discussion · Users' Help Exchange - closed · Feature Wishlist · Tips & Tricks.
Video: Mpc 2000 classic tips to winning Building beats with Akai's MPC 2000 & Ableton Live
You loved your MPC, but not Akai software, but you made music with it They speak of MPC timing, swing, and classic sound. That it's not who he is, but how he is.
If the winner is seen smashing bananas on his head and wearing the As I type this (going left to right), I am staring at an MPC XL.
Ohh I didn't know you could do that metronome thing. Of course I am gonna wait for 2. Would they have done anything but sat on their cash cow? You can set your empty sequences to default at whatever tempo you want - not just bpm. I have Maschine.
Is a MPC worth $ Ableton Forum
Mpc 2000 classic tips to winning
|Above all, keep making music! Only had my MPC a month so not much to add I'm afraid but Or at least your posts just say the one thing. The one thing that always stayed true was that jog wheel how easy it was to create something.
They will not pick you up for going hard at me.
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text:
The Nigerian Senate has given additional time to the ad-hoc committee set up to probe Senator Elisha Abbo on the alleged assault case.
The chairman of the committee, Sam Egwu, was given extra time at the floor of the Senate on July 17, 2019.
Read also: You are not a patriotic Nigerian, Buhari replies Obasanjo
Senator Elisha Abbo was seen in a video exclusive to Premium Times allegedly assaulting a nursing mother in an adult toy shop in Abuja.
The news which received both local and international condemnation is currently being investigated by the Senate and prosecuted by Nigeria Police.


text:
Earth Changes
Eruption warning for Russian city as volcano Avachinsky sitting on the Pacific ring of fire wakes up
The Siberian Times
Mon, 09 Dec 2019 20:19 UTC
Recent days have seen signs of activity on stratovolcano Avachinsky - 2,741 metres (8,993 ft) - prompting warnings to locals and tourists to stay away.
Vulcanarium website warned: 'Today, December 9, early in the morning, the first outbreaks were recorded in the crater of the volcano.
'Avacha has high gas contamination, you cannot get to the top.'
Comment: Another volcano on the ring of fire erupted just today: White Island Volcano erupts in New Zealand: At least five people dead & cruise ship tourists missing - UPDATE
Backcountry skier killed in northern Colorado avalanche - record or near-record snowfall since September
The Washington Post
Mon, 09 Dec 2019 20:18 UTC
The unidentified woman from Fort Collins was buried in the powerful slide Sunday, authorities said. Other members of her ski party her dug her from the snow, but found that she wasn't breathing, according to the Larimer County Sheriff's Office.
The woman, whose name was not immediately released, was declared dead at the scene.
The avalanche happened at Diamond Peak just north of Rocky Mountain National Park. A 2- to 3-foot (.6- to 9.-meter) sheet of snow, ice and rock plummeted 500 vertical feet (152 meters) over a wide area, according to the Colorado Avalanche Information Center.
Heavy rainfall, floods wreak havoc in Pretoria, South Africa
Mon, 09 Dec 2019 18:48 UTC
Tshwane motorists, in particular those driving in the flood prone suburb of Centurion, have been moving at tortoise pace as the rain renders numerous rads unsafe to drive on.
Pedestrians also had their fair share of challenges as many could be seen trying to jump over flooded areas.
Traffic congestion was caused by accidents that occurred on busy roads like the N1 highway through Centurion.
Severe storm hits Northern California, causing flooding and rock slides
Sun, 08 Dec 2019 18:28 UTC
The storm system will track from the Rockies to the Great Lakes through Monday, the National Weather Service said. The storm is expected to bring heavy snow, gusty winds and hazardous travel conditions.
Storm total snowfall of 4 to 8 inches is expected by Monday evening from North Dakota into north-central Minnesota and northern Wisconsin, the National Weather Service said. Some of the snow will be heavy at times, with accumulations approaching 1 foot over northern Wisconsin and Minnesota.
Delays in citrus and leaf vegetable deliveries due to storms in southern Spain
Fresh Plaza
Mon, 09 Dec 2019 14:36 UTC
The worst damages have again been recorded in the Region of Murcia and Alicante, where roads have been cut to traffic and classes have been suspended. The most affected Murcian municipalities have been San Javier and Los Alcázares, where there have been significant floods.
Campo de Cartagena is the area where agriculture has been most affected, even though the rain actually seems to have been beneficial for some producers. Hail has fallen in San Javier, where more than 120 liters per square meter have been recorded.
Another storm delivers up to 28 inches of snow on mountains at Lake Tahoe in 3 days
Tahoe Daily Tribune
Sun, 08 Dec 2019 13:37 UTC
Mt. Rose Ski Tahoe received 16 inches Saturday and leads the Tahoe Basin with 28 inches of fresh snow heading into Sunday.
Several mountain resorts received a foot or over Saturday including Northstar California with 16 inches, Heavenly got 15, Homewood received 13 and Kirkwood got a foot of fresh snow overnight. Sierra at Tahoe received 6 inches.
Over 12 dead dolphins found washed up on King Island, Tasmania, Australia
The Advocate (Australia)
Mon, 09 Dec 2019 12:31 UTC
The bodies were reported to the Parks and Wildlife Service several weeks ago but came to public attention when photos were shared on social media by King Islander Anne Marie Sutor-Micic.
Mrs Sutor-Micic said she stumbled upon the carcasses last weekend while walking on the remote coastline between Disappointment Bay and Three Sisters.
"We went for a fish with my husband and our daughter and we saw these dead dolphins on the beach," she said.
Adapt 2030 Ice Age Report: China begins to isolate itself, mega yachts sales sink, subliminal food price signals
Adapt 2030
Mon, 09 Dec 2019 06:05 UTC
White Island Volcano erupts in New Zealand: At least five people dead & cruise ship tourists missing - UPDATE
Mon, 09 Dec 2019 07:49 UTC
"We are working to confirm the numbers involved. At this stage, it is too dangerous for police and rescue services to go to the island. However, we continue to assess the conditions which would allow us to go onto the island", Police Deputy Commissioner John Tims said.
CEO of the New Zealand Cruise Association Kevin O'Sullivan confirmed that 30 to 38 of the victims are passengers of the cruise ship Ovation of the Seas.
The eruption began about 2:11 p.m. local time (0111 GMT) on White Island, about 50 kilometres from the east coast of North Island, authorities said, sending up smoke visible from the mainland.
Police is working with National Emergency Management Agency to coordinate the search and rescue operation.
Comment: Just a day earlier, New Zealand experienced a record in lighting strikes:
In the 24 hours leading up to 7am this morning, 109,000 lightning strikes were recorded over New Zealand and our surrounding waters, with 18,000 over the land.Update: New Zealand Herald reports:
Previously our records had only seen 44,000 strikes over both land and sea.
At least five people are dead after Whakaari/White Island erupted today, and "a number" of people are still unaccounted for.
National Operation Commander Deputy Commissioner John Tims told a press conference at 9.10pm that New Zealanders and tourists are involved.
A number of the tourists are from the Ovation of the Seas cruise ship, but police cannot confirm nationalities.
Police do not know if there are people on the island alive tonight. The five people dead are people who were taken off the island today. The other 18 rescued all have injuries to some degree.
Floods kill at least 12 people in western Uganda as country is battered by torrential rain
News 24
Sun, 08 Dec 2019 19:16 UTC
"We have recovered 12 bodies from the water and one person has been rushed to hospital with serious injuries," said Diana Tumuhimbise, Red Cross branch manager in the Bundibugyo district.
"The rain started last night and continued until 9:00 am (0600 GMT)," she told AFP on Saturday.
"Several houses have been swept away, roads have been blocked and some washed away completely."


text:
Source: https://www.bhalpaca.com/top-10-things-needed-alpaca/
Since the 1980s, the demand for alpacas has grown considerably despite the plummeting global economic status. These camelids were first imported into the United States at the beginning of 1984 from Peru, Chile, Bolivia, and Ecuador. All over the globe, people refer to them as "the world's wealthiest livestock business."
Indeed, alpacas are beyond adorable. These animals grow to about half the size of a llama and can be brown, white, black, or any other intermediate s…
To stay up to date with the latest information in the raising livestock industry to can visit our raising livestock latest news. On the other hand if you are starting livestock farming and would like to start professional livestock rearing today get a copy of our Profitable Livestock ebook.
When animals are kept in the pasture-based system they are let to graze openly and eat nutritious green grass and other green plants that are easily digested by their bodies. The animals welfare is greatly increased when they graze on pasture.
Sustainable livestock raising also helps in lowering damage to the environment plus the produces such as pork, eggs and milk is more nutritious and taste better than food from factory farms.
Animal Health Benefits:
Livestock that are raised in limited factory farms have less quality life compared to those raised on pasture. Animals when raised on pasture can move around and live an all natural life where else in factory facilities the livestock are all crowded in confined facilities. These facilities do not have sunshine or fresh air allowing bacteria to develope and affect the animals. This then results in the livestock being given antibiotics which is not great for the livestock.
Since a whole lot of livestock eat grass, grazing them on pasture has a number of benefits. Some of the benefits will be the animals are able to produce saliva which is good for neutralizing acids that is in their digestive system. Since grain fed livestock produce less saliva they generally suffer from dehydration, intestine damage and even death.
Human Health Benefits:
Livestock farmed on pasture produce more nutritious eggs, beef, milk which is ideal for consumers than livestock raised on grains. Adding to that, pasture raised foods have a more healthy balance of omega-3 and omega-6 fats then your conventional foods. Their nutritional levels are greater as well.
It's no question that sustainable livestock farming is the way to go if you wish to be a successful livestock farmer. The livestock are raised in a healthy way and the produce is good for us humans.


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Adapter lets classes work together that couldnt otherwise because of incompatible interfaces Also Known As Wrapper Motivation Sometimes a toolkit or class library can not be used because its interface is incompatible with the interface required by a ID: 3113
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The villa has a very good location, also near the Ngurah Rai International Airport (DPS), which is only 6.92 km away.
Not only well positioned, but C151 Smart Villas at Seminyak is also one of villas near the following Kayu Aya Food Village within 0.13 km and KU DE TA within 0.27 km.
About C151 Smart Villas at Seminyak
This villa is the perfect choice for couples seeking a romantic getaway or a honeymoon retreat. Enjoy the most memorable nights with your loved one by staying at C151 Smart Villas at Seminyak.
C151 Smart Villas at Seminyak is the splendid choice for you who are seeking a luxurious treat for your holiday. Get pampered with the most excellent services and make your holiday memorable by staying here.
Spa treatment is one of the main features of the villa. Pamper yourself with the relaxing treatment that rejuvenates you.
Have fun with various entertaining facilities for you and the whole family at C151 Smart Villas at Seminyak, a wonderful accommodation for your family holiday.
This villa is the best spot for you who desire a serene and peaceful getaway, far away from the crowds.
The highest quality service accompanying its extensive facilities will make you get the ultimate holiday experience.
Have an enjoyable and relaxing day at the pool, whether you're traveling solo or with your loved ones.
Get the best deal for finest quality of spa treatment to unwind and rejuvenate yourself.
24-hours front desk is available to serve you, from check-in to check-out, or any assistance you need. Should you desire more, do not hesitate to ask the front desk, we are always ready to accommodate you.
WiFi is available within public areas of the property to help you to stay connected with family and friends.
C151 Smart Villas at Seminyak is a villa with great comfort and excellent service according to most villa's guests.
Get precious and unforgettable moment during your stay at C151 Smart Villas at Seminyak.
Breakfast time start from 07:00 until 11:00.


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[Keywords = organogenesis]
Acta Biologica Cracoviensia s. Botanica (4)
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Indirect Organogenesis of Faba Bean (Vicia Faba L. Minor)
Ilona Czyczyło-Mysza
Edyta Skrzypek
Izabela Marcińska
Acta Biologica Cracoviensia s. Botanica | 2012 | vol. 54 | No 2
immature seed
in vitro culture
Vicia faba L. minor
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Using four Polish Vicia faba L. minor cultivars (Bronto, Dino, Tibo, Nadwiślański) we obtained callus from epicotyl fragments collected from 7- and 14-day-old seedlings and from cotyledonary nodes of immature seeds. Callus induction efficiency varied from 81% to 97% depending on the origin of the explant. Shoots regenerated only from the cotyledonary nodes of all tested cultivars. On average, 50% of the explants grown on MS medium containing 1.0 mg dm-3 NAA, 0.5 mg dm-3 BAP, 0.25 mg dm-3 GA3, 1.0 g dm-3 casein hydrolysate, 750 mg dm-3 inositol, 3% sucrose and 0.4% agar were able to regenerate shoots. The number of calluses regenerating shoots was highest from explants collected from fruiting nodes 6 to 9. Decapitation of donor plants increased the percentage of calluses regenerating shoots. On half-strength MS medium with 2 mg dm-3 NAA and on 1/2 MS alone, 11% of the shoots rooted; on 1/2 MS with 1 g dm-3 AC, 8.0% rooted. The regenerants were transferred to Perlite with Hoagland medium and acclimated. Ten percent of the regenerated plants survived the acclimation process, flowered and produced seeds.
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Morphology, Secoiridoid Content and RAPD Analysis of Plants Regenerated from Callus of Centaurium erythraea RAFN
Ewelina Piątczak
Aleksandra Królicka
Halina Wysokińska
Acta Biologica Cracoviensia s. Botanica | 2011 | vol. 53 | No 2
Centaurium erythraea Rafn.
somaclonal variations
shoot culture
secoiridoid glycosides
indirect organogenesis
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Centaurium erythraea plants obtained by indirect organogenesis are described in the paper. The plants were initiated from a single adventitious shoot regenerated from callus derived from the cotyledon of a 30-day-old seedling. The shoot was multiplied on MS medium supplemented with IAA (0.1 mg·L-1) and BAP (1.0 mg·L-1). The multiplication rate (28 shoots per culture within 4 weeks) was highest at the first subculture and decreased in further subcultures. The shoots were rooted on MS medium. The effect of IBA (0.1 mg·L-1) on the number of shoots forming roots differed depending on the composition of the basal medium (MS). The rooted shoots were transplanted to soil and grown in a greenhouse with 90% effectiveness. RAPD analysis was done with adventitious shoots of C. erythraea from in vitro culture. In shoots and whole plants regenerated from the callus tissue, secoiridoid content was determined by the HPLC method. We showed significant differences in morphology (leaf size, fresh and dry weight and height of plants) and changes in the DNA profiles as compared to earlier reports for shoot tip-derived shoots and plants of C. erythraea, but the two groups of plants biosynthesized the same qualitative pattern and similar levels of secoiridoids, up to 150 mg·g-1 dry weight; the increased biomass of plants regenerated from callus tissue makes them a better source of secondary metabolites.
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Arabidopsis Cyclin-Dependent Kinase Gene CDKG;2 is Involved in Organogenic Responses Induced in Vitro
Piotr Żabicki
Elżbieta Kuta
Monika Tuleja
Katarzyna Rataj
Przemysław Malec
Acta Biologica Cracoviensia s. Botanica | 2013 | vol. 55 | No 1
Arabidopsis thaliana cyclin-dependent kinases
2 gene
callus formation
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The Arabidopsis CDKG;2 gene encodes a putative cyclin-dependent Ser/Thr protein kinase of unknown biological function. This gene shows structural similarity to animal and human cyclin-dependent (PITSLRE) kinases. This study used the homozygous knockout cdkg;2 mutant based on T-DNA insertional line SALK_090262 to study the effect of mutation of the CDKG;2 gene on explant response and in vitro plant regeneration. For callus induction and proliferation, hypocotyls and cotyledons of 3-day-old seedlings of cdkg;2 and A. thaliana ecotype Col-0 were cultured on solid MS medium supplemented with 2,4-D (2 mg l-1). Organogenesis was induced after callus transfer on MS + TDZ (0.5 mg l-1). The initiation time of callus and shoot induction differed between the mutant and control cultures. Shoot regeneration after callus transfer on MS + TDZ was delayed in cdkg;2 (31 days versus 7 days in Col- 0). Shoots formed on callus derived from Col-0 hypocotyls but not on cotyledon-derived callus; in cdkg;2, shoots developed on both callus types. Mutant shoots did not form roots, regenerants were dwarfed, and inflorescences had small bud-like flowers with a reduced corolla and generative organs. Abnormalities observed during cdkg;2 organogenesis suggest a role of CDKG;2 as a regulator of adventitious root initiation
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Phenylethanoid Glycosides in Plantago media L. Organs Obtained in In Vitro Cultures
Anna Budzianowska
Małgorzata Kikowska
Magdalena Małkiewicz
Inga Karolak
Jaromir Budzianowski
Acta Biologica Cracoviensia s. Botanica | 2019 | vol. 61 | No 1
direct and indirect organogenesis
hoary plantain
TLC densitometry
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Micropropagation of Plantago media L. and the presence of phenolic compounds in organs of multiplied plants were investigated for the first time. Multiplication of plant material was achieved in shoot-tip cultures and via direct organogenesis on Murashige and Skoog (MS) medium with four variants of plant growth regulators (M1–M4). The best multiplication coefficient – 9.2 was obtained in seedling shoot-tip cultures on MS medium M3 with BA 0.2 mg/L and IAA 1.0 mg/L. Methanol extracts prepared separately from shoots and roots of in vitroderived plantlets were found to contain typical of the genus Plantago L. phenylethanoid glycosides as the only phenolics. Acteoside and plantamajoside were the major compounds – both known to possess a wide range of promising biological activities applicable for medicinal (therapeutic) and cosmetic uses. Martynoside, as a trace constituent, was also found for the first time in the studied species. The quantitative screening of the extracts by TLC video densitometric method showed a higher content of acteoside in shoots (range 62.43–93.03 mg/g, dry weight) and plantamajoside in roots (range 22.45–44.08 mg/g); the highest recorded values – 93.03 mg/g and 44.08 mg/g, respectively, were found in the organs obtained on MS medium M4 with BA 2.0 mg/L.
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Published: September 9, 2019
Hello my name is Ebrima from The Gambia, West Africa. Am am an artist by profession (painter) and also an art educator. I am interesting in making new friends from around the world, so that i could explore new knowledge and ideas with regards to Art and craft. Please feel free to get in torch with me anytime.


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After a scorching first day of Festival of the Sun in Port Macquarie, the temperature dropped and clouds came in for day two – which was a welcome change, helping ease an undoubtedly hungover crowd into proceedings.
Musically though, the artists wasted no time to bring the energy levels up, and Ivan Ooze hit the stage at lunch time to bring hip hop to the masses early, skulling a beer or two along the way, which the growing crowd was happy to support. Rapping over solid production – including a remix of "War" (What is it good for?) – at rapid-fire speed that would impress Busta Rhymes, the young artist proved himself to be one of the most exciting emerging talents in the scene.
Royal Chant: This messy, raucous four piece from Sydney brought a world of energy and fantastic rock tunes to the stage.
Strong melodic psych is the name of the game for The Belligerents, one of the few East Coast artists who have followed in the footsteps of the likes of Pond and Tame Impala on the West and gotten it right. There is truly promising material coming out of this group, and the added cover of Fatboy Slim's "Praise You" – which they recorded for Like a Version on triple j – was welcome indeed.
Perth's Tired Lion have had an incredible year. Their rockin' grunge inspired music is some of the best rock in the country right now, and the triple j unearthed act of the year are a killer live band to boot. Speaking of boots, Sophie was convinced by the crowd to skull beer from a clown boot… don't try that at home kids. Highlights included the catchy "I Don't Think You Like Me" and "Suck".
It was my first time catching Sydney's ADKOB and I must say I was impressed. On a weekend delivering mostly straight forward rock or hip hop, this quartet felt like one of the more original entries into the lineup. Their music has elements of keys driven electronics with live bass, guitar and percussion. Lead singer Mark Piccles' vocals are solid, and though the groove was softer than Tired Lion, there was an energy to it that pulsated and made it easy to connect with. A band to keep you eye on – check out the track "Glue".
No festival is complete without The Fumes in my humble opinion. They deliver each and every time…
Three piece Woodlock delivered that sort of anthemic, catchy indie pop – really enjoyable.
Ecca Vandal'a live show has gotten so much tighter in the last six months – there's a reason we awarded her the Heatseeker award at the AU Awards this week. She's fast developing into one of the best live performers in the country… Delivering vast amounts of energy and fantastic music along the way.
Polish Club – you'd never know this was just a two piece if you weren't looking at the stage. Amazing vocals and solid tunes.
What is there to say that hasn't already been said about Bad//Dreems. Simply a great live band. Can never get enough of tracks like "Dumb Ideas", either.
I'm a big fan of Waax, they deliver just the sort of rock n roll I love – Marie is also one of the best leads in the country, or any band, of any genre…
British India delivered a set that focused primarily on their latest record Nothing Touches Me, which kills it live – I daresay its tracks are even better on stage than on record. And this was a solid record. "Vanilla" was a highlight from their earlier choices, and their cover of "Killing in the Name Of" may have just been the moment of the festival. "Wrong Direction" closed things out.
Jeremy Neale had an admittedly poor position on the stage between the festival's two biggest acts, of varying genres. Sadly this meant he didn't have the crowd support that the bands enjoyed either side – and they seemed to have a few sound issues to boot. But you wouldn't have known it – Mr Neale (our Voice of QLD at the AU Awards) delivered as rousing a performance as ever, and the backing four piece, which included a saxamaphone, were solid. A particular shout out to the track "Lone Tiger" which went out to "all the Tigers and all the people who want to be Tigers".
With his signature flow and great stage presence, Illy capped off a massive 2015 at Festival of the Sun in a big way. The sold out crowd ate it up and used it as their launchpad to party on well into the night. With its laid back vibes, solid lineup and enthusiastic crowds, FOTSUN is one of Australia's finest regional festivals. Don't miss it next year. Until then…


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Latitude: 51.8846 / 51°53'4"N
Longitude: 0.9239 / 0°55'26"E
OS Eastings: 601324
OS Northings: 224707
OS Grid: TM013247
Mapcode National: GBR SN6.SGC
Mapcode Global: VHKFZ.YWSN
Entry Name: 126 and 127, Hythe Hill
Listing Date: 2 December 1971
Grade: II
Source: Historic England
Source ID: 1337759
English Heritage Legacy ID: 117041
Location: Colchester, Essex, CO1
County: Essex
District: Colchester
Town: Colchester
Electoral Ward/Division: Old Heath and The Hythe
Built-Up Area: Colchester
Traditional County: Essex
Lieutenancy Area (Ceremonial County): Essex
Church of England Parish: Colchester New Town and The Hythe St Stephen, St Mary and St Leonard
Church of England Diocese: Chelmsford
995 (North Side)
Nos 126 & 127
Formerly the Dolphin Inn. C17 origin, No 126 2 storeys, No 127
3 storeys, timber-framed and plastered, the roofs tiled. Now much
altered externally. The upper storey projects on the south front
and has restored or renewed exposed timber-framing. The roofs are
Listing NGR: TM0132424707
This text is from the original listing, and may not necessarily reflect the current setting of the building.
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How do you solve #root3(2x+15)-3/2root3(x)=0#?
1 Answer
Aug 29, 2017
First, let's set the radicals equal to each other and eliminate the denominator as so.
Let's put the multipliers "2" and "3" under the radicals. Remember that
Since we are dealing with cubic roots for both sides of the equation, we can set the radicands (what's under the radical) equal to each other.
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Method for analyzing seasonal growing conditions of crops
This method uses electronic measurement of color values in aerial infrared photographic transparencies to analyze the growing condition of a crop. A series of infrared photographs are taken during the growing season, and average color values from the resulting image are plotted and compared to optimum growing conditions. Electronic measurements are made of color densities about the total field area as represented on each photographic image. Each measurement is corrected to eliminate exposure variations in the images due to photographic factors, weather factors, lighting and film conditions, and the date and time at which the photograph was taken.
This invention relates to a method for analyzing the seasonal growing conditions of crops by use of infrared aerial photography. Infrared aerial photography has been used to detect the presence and amount of growing crops. Infrared photographs are also useful in the identification of field areas subject to disease or other traumatic conditions. However, the present method carries such analysis into a time related process, by which the growing conditions of a crop can be compared from one day or week to the next with accuracy, and by which conditions in various fields can be compared accurately. Furthermore, the current growing conditions of a crop can be accurately compared to optimum conditions derived experientially from analyses of earlier growing seasons.
The analyses of crop condition is accomplished by using infrared aerial photographs of the total field area and projecting the resulting false color transparencies onto a color averager for reception by a color analyzer. The color values measured by the analyzers are segregated for three colors, (red, blue and green) and are corrected for exposure variations resulting from photographic, weather and time factors. The resulting color values can then be plotted for each field, and compared to plotted values representative of optimum growing conditions.
My first efforts in taking infrared aerial photographs of crops showed to me that there were substantial difficulties involved in normal methods used by me and others in this industry. The primary problem was that one week the slide of the subject field would appear to be one color, and the next week it would appear somewhat different in color, although I was sure that the color shift had not occurred in the field. This difference in the visual color perception of the slides resulted from five basic considerations: (a) each film batch was somewhat different, (b) colors changed depending upon whether the photograph was taken on an overcast day or not, (c) color changed with the time of day and date, (d) slight differences in exposure of the film would change color relationships, (e) color shift problems also were due to processing variations in handling the film.
To overcome the difficulties involved in visually analyzing slides of a field, I have developed a method for using an electronic color analyzer and resulting graph of the color density numbers. To provide continuity from one photograph to the next, I computed a number of corrections relating to the five basic problems related above. These corrections are applied to the analyzer readings prior to charting. The electronic color analyzer has the further ability to detect color shifts below the visual perception level, and provides substantially greater accuracy in the end result as charted.
To check this method, I have kept careful records of flight data, used color standards and other information and have plotted corrected colors from these readings each week during entire growing seasons for various crops. I then checked yield data from the analyzed fields and found that those crops which followed particular color trends through the season produced good harvests and those that deviated from these trends did not. By refining this analysis of color value trends, I have found that I can determine approximate yield of a field, quality of the crop, high or low nitrogen levels, and whole field stresses that were impossible to identify with prior infrared aerial photography techniques. It is important to note that the electronic analysis of these photographs cannot be used except in conjunction with normal visual field inspections and organic chemical crop and soil analysis. When used in this manner, the infrared aerial photography processes and electronic color analyses fill in information that is missing in agronometrical testing methods and previous methods of visual infrared photographic analyses.DESCRIPTION OF THE DRAWINGS
FIG. 1 is an illustration of an aerial photograph used in conjunction with this invention;
FIG. 2 is a schematic view of the analyzing equipment; and
FIG. 3 is an illustrative chart of the color values plotted against an optimum set of curves.Description of the Preferred Embodiment
The present method of analyzing the seasonal growing conditions of crops is adapted to row crops that substantially fill the row spacings and remain green during the growing season. This includes potatoes, sugar beets, wheat and other grains, alfalfa (until first cut), beans, peas, rice, soy beans and similar crops. The method is not applicable to crops such as corn, which produce tassles that are not green, alfalfa after it has been cut, grapes and other crops that do not fill the field area, or fruit trees, which require individual analysis for each tree.
Infrared radiation from the sun penetrates the leaf of a growing plant below the surface "green" layer and is reflected by the mesophyll layer. This layer often indicates problems in the growing condition of the plant quicker and to a greater degree than changes in the surface color of the plant. Infrared sensitive film (false color infrared positive transparency film) records infrared reflectants as red color, green reflectants as blue color, and red reflectants as green color. By relating these three colors to one another, the condition of the leaves of the plant can be determined. To measure the color values, use is made of an electronic color analyzer which is capable of measuring color and density shifts not visible or recognizable by visual inspection. Measured color values are corrected for spectral sensitivity of the film, angle of the sun, and film processing variations. These color values are then plotted on a chart and compared with an "ideal" color value for the specific crop and time during the season.
By correcting the color values to a standard, this method maintains consistency in the measurements from one period to the next, enabling the user to monitor the progress of growing conditions for an entire season. An indoor photographic standard is used to provide consistency in correcting the many variations that might occur in outdoor photographs.
The information obtained by this analysis can be used in a variety of ways, depending upon the crop involved. It can be used to determine the time, amount and pattern of fertilizer application or water application needed in the field. It also can be used to optimize the time of harvest, to compare different fertilizers and rates of application against one another, and to compare seed varieties in different fields. The analysis also allows one to compare nitrogen applications, moisture content and compaction of soil, as well as the progress rates of different fields. The accurate analysis allows the users to make quicker and better decisions about the needs of their crops. It will often pinpoint the start of a catastrophic circumstance which can be corrected at an early stage.
The process begins by periodically taking aerial photographs of the total field area. This is accomplished by conventional aerial photographic techniques, using a conventional camera. The film utilized is sensitive to both visible and infrared lightwaves. It is known as "false color transparency film", or "slide film". Because of the dominance of blue color values on such film, a filter is used to filter out the blue color values directed to the film. This is typically a No. 12 Wratten filter.
The transparency, when developed by conventional processing techniques, will have an image similar to that shown in FIG. 1. This particular photograph depicts a field 10 having a circular shape, although a rectangular or square field can be portrayed as well. Circular fields are common today in areas where circle irrigation equipment is used for irrigation purposes. In this image, the area within the circular perimeter 11 would be predominantly red in color, indicative of the infrared reflectance from a green growing crop. The border outside field 10, shown by the numeral 12, would be green in color, indicative of a dry area. The line shown at 13, which also would be green, is an access road. The irrigating equipment in the field is shown at 14. The patches shown at 15 are bare ground or windblown areas which do not support a growing crop, and also appear as green. The circular paths of the wheels for the irrigating equipment 14 are shown at 16 and are a variation of the red color, indicative of the stresses encountered by the growing plants due to the travel of the wheels over them.
It is to be noted that the bulk of image portraying the field area 10 for a growing green crop will be red. This color will predominate in evaluating any average colors. The visible red color, when projected onto a color analyser, can be broken into color values for red, blue and green. These values, when averaged for the entire field, provide the growing condition indicators desired according to this method.
After the transparency has been developed, it is placed within a conventional enlarger 17 and is projected onto the receiving plate 20 of a color averager 18. The color averager 18 is associated with a conventional electronic color analyser 21, which includes a probe 22 at the base of the color averager 18. The probe 22 is typically connected to the color analyzer 21 by means of a fiberoptic tube 23.
Electronic color analyzer 21 is conventional and is of the type used to analyze color values in photography. It has controls 24 through 27 which respectively analyze the full light spectrum, a selected red color spectrum, a selected blue color spectrum, and a selected green color spectrum. Standard "color correction units" as detected by the analyzer 21 are indicated on a dial 28. A control 30 is provided to allow the user to preset or "zero in" the total light reading detected by the analyzer 21.
With the analyzer 21 preset to zero by means of a master slide, as described below, the slide or transparency to be analyzed is then projected onto the plate 20 of the color averager 18 by means of enlarger 17. Without changing the total light setting on the analyzer 21, the aperture of the enlarger 17 is adjusted to obtain the zero reading. The enlarger aperture setting is then noted, along with the analyzer readings for each of the three colors taken in succession. The corrections described below are then algebraically added to the analyzer reading to arrive at a corrected color correction unit or color value to be plotted. These values are graphed as illustrated in FIG. 3 with the time of each photograph being arranged horizontally and the color values being arranged vertically.
To provide continuity for color analysis, a single color standard must be used. I make use of a red colored area on a wall, which can be photographed by using an electronic flash unit for lighting. A master slide of this color standard is taken, using the same film batch that will be used for the aerial photographs. These master slides are taken in a series by bracketing the exposures from two stops underexposed to two stops overexposed at one half stop intervals.
The standard slide taken at the manufacturer's recommended exposure is then used on the enlarger 17 at an arbitrary intermediate aperture setting to "zero in" the total light reading on the analyzer 21. As an example, I use an enlarger setting of f6.3 as the standard enlarger aperture reading. By comparing this setting with the aperture setting needed to attain a zero reading of the analyzer when projecting another slide, the exposures of the two slides can be emperically compared.
The master slides are also used to measure the spectral sensitivity color shifts in a film batch as detected by the color analyzer for the total range of exposures for the set of master slides. This is done by presetting the color analyzer 21 to the standard master slide, adjusting the enlarger aperture to "zero in" each of the other master slides at a range of exposure settings, and measuring the resulting differences in the analyzer reading for each color in comparison to those of the standard master slide. These are then charted for each film batch. An example of a chart showing the spectral corrections necessary for over/under exposures of a film batch are set out in Table 1 below.
TABLE 1 ______________________________________ Enlarger f-stop Settings RED GREEN BLUE ______________________________________ 2 under -22 cc -5 cc +28 cc 13/4under -18 -3 +23 11/2 -15 -2 +18 11/4 -13 -1 +15 1 under -10 0 +12 3/4 -8 0 +9 1/2 -5 0 +6 1/4 -2 0 +3 Normal 0 0 0 1/4over +4 -1 -4 1/2 +8 -2 -8 3/4 +11 -3 -10 1 over +13 -4 -12 11/4 +15 -5 -14 11/2 +18 -6 -16 13/4 21 -7 -18 2 over +23 -9 -20 ______________________________________
Empirical data can be used to determine the effect of cloud coverage and haze. Basically, this correction is directly related to the light deterioration of the total light due to cloud coverage. For instance, one half stop less light due to the presence of clouds when the aerial photograph is taken, as determined by a light meter, will result in a specific color shift. Namely, the photograph will have more red color values and less blue or green color values. Table 2 sets out correction factors relating to depletion of light from cloud cover in relation to normal film exposures at one one thousandth of a second and at a camera aperture setting of f5.6. The light deterioration due to cloud coverage is determined by the light meter built into the camera, or used in conjunction with it, and is measured in relation to the camera aperture setting.
TABLE 2 ______________________________________ f-stop Blue Red Green ______________________________________ 11/2 (f 3.5) +10 1 (f 4.0) +8 -8 0 1/2 (f 4.0) +4 -4 0 Normal B R G 1/2 (f 6.3) -7 +5 0 ______________________________________
The Air Almanac or other available tables can be used to compute the height of the sun for the area in which the photographs are to be taken for each date and time of a photograph. This sun height can be converted empirically into a correction factor, which I apply only to the red color value reading. Empirical data can be used to check the development of these corrections. The lower the sun is to the horizon, the more red and less blue or green will appear in the resulting transparcney. Table 3 shows spectral corrections due to sun altitude for areas of Eastern Washington state, which are applied to the red analyzer readings.
TABLE 3 ______________________________________ Date Time 8 8 10 11 12 1 2 3 4 5 ______________________________________ Mar 1-10 -8 -7 -7 6 6 6 7 7 8 8 11-20 7 7 6 6 5 6 6 7 7 8 21-30 7 6 6 5 5 5 6 6 7 7 Apr 1-10 6 6 5 5 4 5 5 6 6 7 11-20 6 5 5 4 3 4 5 5 6 6 21-31 5 5 4 3 3 3 4 5 5 6 May 1-10 5 4 3 3 2 2 3 4 5 5 11-20 4 3 3 2 1 1 2 3 4 5 21-30 3 3 2 1 1 1 1 2 3 4 Jun 1-10 3 2 1 1 0 0 0 1 2 3 11-20 2 2 1 0 0 0 0 0 1 2 21-30 2 2 1 0 0 0 0 0 1 2 Jul 1-10 3 2 1 1 0 0 0 1 2 3 11-20 3 3 2 1 1 1 1 1 2 3 21-30 3 3 2 1 1 1 1 2 3 3 Aug 1-10 4 4 3 2 1 1 2 3 3 4 11-20 5 4 4 3 2 2 3 4 5 5 21-30 5 5 4 4 3 3 4 5 5 6 Sept 1-10 6 5 5 4 3 4 5 5 6 6 11-20 6 6 5 5 4 5 6 6 6 7 21-30 7 6 6 5 5 5 6 6 7 7 ______________________________________
When using this process, the photographs of the fields are taken from an aircraft during daylight hours to measure the reflected infrared radiation from the growing crop. Manufacturers data should be used to attain an exposure that is as close as possible to an ideal exposure for the film. The fast shutter speed is necessary in aerial photography and the camera aperture must be varied as necessary for lighting conditions. The aircraft altitude should be adjusted so that the field area will fill as much of the film frame as practical. A zoom lens facilitates adjustment. When taking each photograph, the user should enter flight and camera data, note cloud coverage, and the date and time that the photograph was taken.
At the end of each film strip, or on another strip of the same batch, the user should take a flash exposure of the red color standard on the wall to produce a film strip standard frame for comparison to the standard master.
The exposed film, including the film strip standard frame, is then developed simultaneously according to the manufacturer's specifications. The enlarger 17 and analyzer 21 are then used to determine any differences between the film strip standard frame and the standard master frame for the film batch. Such differences relate to processing variations or film variations. This will be referred to as the "film/chemical/processing" correction.
It also might be necessary periodically to recalibrate the analyzer 21 using the master slide in order to accomodate shifts in the enlarger light color.
The "cloud cover" correction is determined from the flight log, which includes a record of the camera aperture settings for each photograph. These correction values are taken from table 2.
The over or under exposure of a particular transparency is determined when zeroing the analyzer 21 by varying the enlarger aperture. The necessary corrections, which will be termed the "spectral sensitivity" correction, is taken from Table 1.
The "date/time" correction for each transparency is taken from Table 3, and constitutes a negative number applied only to the red color correction values.
To arrive at the corrected color values for plotting purposes, one must algebraically add the color analyzer readings, the "date/time" correction, the "cloud cover" correction, the "spectro sensitivity" correction, and the "film/chemical/processing" correction. A sample of such readings and data is set out in Table 4.
TABLE 4 ______________________________________ Date: 6-9 Time: 10:00 A.M. Exposure Data Red Blue Green ______________________________________ Analyzer Reading +17 +6 -16 Date/Time Corr. -1 -- -- Cloud Cover Corr. +4 -4 0 Spectral Sens Corr. -15 -2 +18 Film/Chem/Proc. +5 +5 +5 Corrected Color +10 +5 +7 ______________________________________
The corrected color values, expressed in conventional color correction units, are plotted for each color on a graph, such as that shown in FIG. 3, with time being indicated in one direction and the unit measurements being indicated in the other. By viewing the resulting charts, one can make accurate comparisons between different fields of the same crop to spot growing conditions which can be altered to improve crop yield.
The resulting curves can be compared with curves from known crop yields in previous years to project current growing conditions that might not yet be readily visible by ground observation. Specific problems which can be dealt with by such analysis are sprinkler or water placement difficulties, initiation of disease factors, blights, insect infestations. This information is compared with inspection and agronometical testing data to make decisions for future crop action.
FIG. 3 illustrates optimum curves by the lines plotted with an X for a crop such as potatoes during the northern hemisphere growing season extending from May through September. Typical variations are indicated by the following letters:
A--The growing conditions shown by the red curve indicate a crop that is two weeks ahead of the normal schedule shown by the optimum curve. This might be caused by excessive moisture which will leach out fertilizer and cause other excessive moisture problems.
B--This curve shows slow development of the crop. It could be caused by wrong planting depth, poor fertilizer application, inferior seed quality, or lack of water. An investigation of the curves for the blue and green colors might give additional clues as to the cause.
C--This shows a decrease in foliage reflectance. The blue and green curves should be checked for other signs.
D--High nitrogen content in the field causes the leaves of the crop to turn a darker green color, which shows up as an increase in the blue values on infrared film. It does not vary the red curve.
E--Low nitrogen content in the field causes a lighter color leaf, which decreases the blue value on infrared film. Again, there is no corresponding change in the red color values.
F--Moisture stress or disease could also cause a darker leaf color, but this would be further indicated by a decreasing red value (shown at C) and an increasing green value curve (shown at I).
G--A decrease in the blue color values may be indicative of low nitrogen availability in the field, but also might be an indication of dying plants. If the plants are dying, this will be shown by a decreasing red color value curve and an increasing green color value curve.
H--Often the crossing or increase in the green color value curve will precede a decrease in the red color value curve (shown at C) or will be in conjunction with a decrease in the blue volor value curve (shown at E). An increase in the green color value curve sometimes leads the other indications by as much as two weeks, to provide better crop forcasting of problem areas, such as low nitrogen availability.
I--An increase in the green color value curve at this stage of crop growth, taken in conjunction with a prior decrease in the red color value curve (shown at C) and earlier increases in the green color value curve (shown at H) is indicative of dying plants. The exact cause must be verified by field inspection.
The above method utilizes available photographic techniques to determine the current growing condition of a crop during its growing season. It provides useful guidance to the grower and is particularly applicable to large scale farming practices where entire field analyses are advisable, such as in automated irrigated fields which normally have little manual observation during the growing season. One important aspect of this process is that it permits the user to view growing conditions of the entire field, rather than the condition of individual plants. The large scale averaging that is accomplished by projecting the photographic image of the entire field area onto the averaging attachment of the analyzer blocks out substantial anomalies in the field itself. The method attempts to average the green field condition. Sand blown areas or areas that have not germinated well should be overlooked and disregarded in conducting this analysis.
While a visual comparison of the plotted charts is presented in the accompanying drawings, it is to be understood that this step can be readily performed by electronic calculating and computing techniques. Such a comparison can be achieved through use of a properly programmed general purpose computer or by a computer specially designed for this purpose. The computer techniques involved will be readily available to those skilled in such technology.
1. A method of evaluating the current growing condition of an agricultural crop within a defined field area at a selected time during its growing season, comprising the following steps:
- using infrared photographic techniques to photograph the field area from an aircraft under known daylight conditions;
- producing a color photographic image representative of the infrared radiation emanated from the field area as photographed;
- electronically integrating and measuring the average color density values contained in the photographic image over the total defined field area for a plurality of selected colors to arrive at a measured density value for each selected color;
- and comparing the measured density value for each selected color to experientially derived density values for the respective colors representative of optimum conditions for the crop at a corresponding time during its growing season.
2. A method of evaluating the current growing conditions of an agricultural crop within a defined field area at a selected time during its growing season, comprising the following steps:
- using infrared photographic techniques to photograph the field area from an aircraft under known daylight conditions;
- producing a color photographic transparency including an image representative of the infrared radiation emanated from the total field area;
- projecting the image of the defined field area as represented on the transparency onto a color analyzing apparatus for integration and measurement of the average color density values contained in the image over the total defined field area for a plurality of selected colors as represented on the transparency to arrive at a measured density value for each selected color;
- recording the measured color density values separately for each selected color;
- and comparing the recorded values for each selected color to experientially derived density values for each respective color representative of optimum conditions for the crop at a corresponding time during its growing season.
3. A method of evaluating the current growing condition of an agricultural crop within a defined field area, over a period of time during its growing season, comprising the following steps:
- using infrared photographic techniques to photograph the field area from an aircraft at successive times during the growing season and under known daylight conditions to produce a sequence of photographs spanning the selected period of time during the growing season of the crop;
- producing a series of color photographic images which are each representative of the infrared radiation emanated from the defined field area at each time it was photographed;
- electronically integrating and measuring the average color density values contained in each photographic image over the total defined field area for a plurality of selected colors to arrive at a measured density value for each selected color at the time represented by the particular photographic image;
- recording the measured color density values in relation to the time during the growing season at which each photographic image was taken;
- comparing the recorded values for each selected color to experientially derived density values for each respective color representative of optimum conditions for the crop at a corresponding time during its growing season;
- and further comparing trends evidenced by changes in the recorded values for the selected colors in relation to changes evidenced in the experientially derived density values for each respective color during a corresponding period of time during the growing season for the crop.
4. The method as set out in claim 3 wherein the series of color photographic images are produced on transparencies, and wherein the step of electronically integrating and measuring the average color density values is accomplished by projecting the individual images of the total field area as represented on each transparency onto a color analyzing apparatus.
Type: Grant
Filed: Sep 22, 1978
Date of Patent: Oct 7, 1980
Assignee: Columbia Photografix, Inc. (Pasco, WA)
Inventor: Lynnford E. Disbrow (Kennewick, WA)
Primary Examiner: Howard W. Britton
Law Firm: Wells, St. John & Roberts
Application Number: 5/944,702
International Classification: H06N 518;


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Research using CPRD data has informed drug safety guidance and clinical practice and resulted in over 2,300 peer-reviewed publications.
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Journal Article
"Suicide risk in primary care patients with major physical diseases: a case-control study", Arch Gen Psychiatry, vol. 69, pp. 256-64, 2012.,
"Risk of self-harm in physically ill patients in UK primary care", J Psychosom Res, vol. 73, pp. 92-7, 2012.,


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Cadbury is releasing a white chocolate range of bars, giant buttons and Freddo Treasures
Good news white chocolate fans – Cadbury is releasing a whole new line made of the creamy stuff.
From September, youll be able to pick up white chocolate bars, white chocolate giant buttons and white chocolate Freddo Treasures.
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The Freddo Treasures are like the standard Treasures – a bag of chocolate buttons and a toy – but obviously in a creamy white chocolate instead.
The bar costs £2.49, while the buttons cost £1.50 and the Freddo Treasures are on sale for £1.50.
Nancy Galvin, Brand Executive for Cadbury said: Were always looking for ways to grow and innovate our Cadbury range and are delighted to be bringing the new Cadbury White Chocolate range to stores across the UK.
We cant wait to hear what our fans think about these delicious new products.
The white chocolate range was revealed on Instagram by newfoodsuk and people were pretty excited.
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Others pointed out that its a bit like the often missed Dream bar, which were launched in 2002 but discontinued a few years later.
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Kunkle OH Real Estate & Homes for Sale
1 Properties Found
The median home value in Kunkle, OH is
This is
lower than
the county median home value of $90,000.
The national median home value is $209,892.
The average price of homes sold in Kunkle, OH is $50,000.
Approximately 63% of Kunkle homes are owned,
compared to 27% rented, while
9% are vacant.
Kunkle real estate listings include condos, townhomes, and single family homes for sale.
Commercial properties are also available.
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A 1998 Fleetwood modular home with 3 bedrooms an 2.5 baths,setting on 1.5 acres of ground. Large eat in kitchen w/ patio door overlooking back yard. Family room with fireplace, large dining rm and living rm. Lg master bedroom with master bath. With some trim and carpet this would be a great home. Build equity with this one.
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