text:
Paint Grade Cabinet Doors
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As noun
a substance composed of solid coloring matter suspended in a liquid medium and applied as a protective or decorative coating to various surfaces, or to canvas or other materials in producing a work of art
an application of this
the dried surface pigment:Don't scuff the paint
the solid coloring matter alone; pigment
facial cosmetics, especially lipstick, rouge, etc
, designed to heighten natural color
Chiefly Western U
a pied, calico, or spotted horse or pony; pinto
As verb (used with object)
to coat, cover, or decorate (something) with paint:to paint a fence
to produce (a picture, design, etc
) in paint:to paint a portrait
to represent in paint, as in oils, tempera, or watercolor:to paint an actress as the Muse of tragedy
to depict as if by painting; describe vividly in words:The ads painted the resort as a winter wonderland
to color by or as if by painting:Sunset painted the clouds pink
to apply a substance to, as a liquid medicine or a cosmetic:to paint a cut with iodine
As verb (used without object)
to coat or cover anything with paint
to engage in painting as an art:She has begun to paint in her spare time
to put on or use facial cosmetics
As Idioms
paint the town red, Informal
to celebrate boisterously, especially by making a round of stops at bars and nightclubs
Also, paint the town
As noun
a degree or step in a scale, as of rank, advancement, quality, value, or intensity:the best grade of paper
a class of persons or things of the same relative rank, quality, etc
a step or stage in a course or process
a single division of a school classified according to the age or progress of the pupils
In the U
, public schools are commonly divided into twelve grades below college
the pupils in such a division
grades, elementary school (usually preceded by the):He first began teaching in the grades
a letter, number, or other symbol indicating the relative quality of a student's work in a course, examination, or special assignment; mark
a classification or standard of food based on quality, size, etc
:grade A milk
inclination with the horizontal of a road, railroad, etc
, usually expressed by stating the vertical rise or fall as a percentage of the horizontal distance; slope
Building Trades
Also called grade line
the level at which the ground intersects the foundation of a building
an animal resulting from a cross between a parent of ordinary stock and one of a pure breed
As verb (used with object), graded, grading
to arrange in a series of grades; class; sort:a machine that grades two thousand eggs per hour
to determine the grade of
to assign a grade to (a student's work); mark:I graded forty tests last night
to cause to pass by degrees, as from one color or shade to another
to reduce to a level or to practicable degrees of inclination:to grade a road
to cross (an ordinary or low-grade animal) with an animal of a pure or superior breed
As verb (used without object), graded, grading
to incline; slant or slope:The road grades steeply for a mile
to be of a particular grade or quality
to pass by degrees from one color or shade to another; blend:See how the various colors grade into one another
As Verb phrases
grade up, to improve (a herd, flock, etc
) by breeding with purebreds
As Idioms
at grade, on the same level: A railroad crosses a highway at grade
(of a stream bed) so adjusted to conditions of slope and the volume and speed of water that no gain or loss of sediment takes place
make the grade, to attain a specific goal; succeed:He'll never make the grade in medical school
up to grade, of the desired or required quality:This shipment is not up to grade
As noun
a piece of furniture with shelves, drawers, etc
, for holding or displaying items:a curio cabinet; a file cabinet
a wall cupboard used for storage, as of kitchen utensils or toilet articles:a kitchen cabinet; a medicine cabinet
a piece of furniture containing a radio or television set, usually standing on the floor and often having a record player or a place for phonograph records
(often initial capital letter) a council advising a president, sovereign, etc
, especially the group of ministers or executives responsible for the government of a nation
(often initial capital letter) (in the U
) an advisory body to the president, consisting of the heads of the executive departments of the federal government
a small case with compartments for valuables or other small objects
a small chamber or booth for special use, especially a shower stall
a private room
a room set aside for the exhibition of small works of art or objets d'art
Also called cabinet wine
a dry white wine produced in Germany from fully matured grapes without the addition of extra sugar
New England (chiefly Rhode Island and Southern Massachusetts)
a milk shake made with ice cream
a small room
a small cabin
As adjective
pertaining to a political cabinet:a cabinet meeting
private; confidential; secret
pertaining to a private room
of suitable value, beauty, or size for a private room, small display case, etc
:a cabinet edition of Milton
of, relating to, or used by a cabinetmaker or in cabinetmaking
designating a method of projection (cabinet projection) in which a three-dimensional object is represented by a drawing (cabinet drawing) having all vertical and horizontal lines drawn to exact scale, with oblique lines reduced to about half scale so as to offset the appearance of distortion
Compare axonometric, isometric (def ), oblique (def )
As noun
a movable, usually solid, barrier for opening and closing an entranceway, cupboard, cabinet, or the like, commonly turning on hinges or sliding in grooves
a doorway:to go through the door
the building, house, etc
, to which a door belongs:My friend lives two doors down the street
any means of approach, admittance, or access:the doors to learning
any gateway marking an entrance or exit from one place or state to another:at heaven's door
As Idioms
lay at someone's door, to hold someone accountable for; blame; impute
leave the door open, to allow the possibility of accommodation or change; be open to reconsideration:The boss rejected our idea but left the door open for discussing it again next year
lie at someone's door, to be the responsibility of; be imputable to:One's mistakes often lie at one's own door
show someone the door, to request or order someone to leave; dismiss:She resented his remark and showed him the door
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Monday, April 11, 2016
Made with Little Smilemakers Studio Fabric // April 2016
It is so exciting to see a finished project after working hard on a new collection or a series of illustrations for our clients. But with finished fabric designs it is even a bigger surprise to see what customers create. To see how final products evolve when people put their own creative energy in there is amazing.
If you browse around on Etsy for some kids fashion you are very likely to stumble upon some Little Smilemakers prints. Most creatives with small home based businesses sell their projects via internet and tag us via Instagram. So we see some amazing things in our feed every month. We love how Little Smilemakers creations are the foundation for other creatives all around the world to work with. So here is our monthly blog post that features some creative results from the USA, UK, France and Poland. This month we selected a whole bunch of adventurous boys themes. Take a look and see if there is something for your little one too. This is our top 5 for April.
Hen House Apparel
Nicole is a mother of two boys living in sunny California who runs a small etsy shop with organic materials and unique prints. You can find a small selection of our designs in her shop, mermaids, guitars, polar bears and our cool umbrella rain design. With our umbrella print she has made some cute boys leggings and these are also available in her shop in different sizes. Take a look and enjoy her fun collection of leggings, shorts, head bands and more.
Sew Kuddly
A few weeks ago some cute lions popped up in our Instagram feed. Jasmin is based in Hertfordshire, UK and handmakes boys and girls clothing using cute, fun and trendy patterns. For this months 'made with' we selected her adorable lion leggings, one of our favorite designs exclusively made for Hemmers/Itex Germany. Jasmin also has some of our other baby animals in her shop. Curious? Take a look and get your little one a pair of these!
We have been working with Morgane for a little while now. Morgane is the driving force behind
Madkouch Boutik a colorful French webshop for kids clothing. She had licensed our tropical tucan, hot air balloons and inky texture cactus design. For this post we selected this cute cactus baby romper from the boys western collection. This cactus fabric is also available as harem pants, leggings, shirt and for adventurous girls: there is also a dress available! If you are looking for girls clothes, do check out the tropical toucan collection. We are so in love with this range too! Take a look into her shop, and check out all products.
Baby & Mother Poland
One of our favorite prints is our our dino palm tree design. A while ago we licensed this design to a company in Poland that has a whole bunch of Little Smilemakers designs available on fabric. if you are located in Eastern Europe this is a great shop to score some of our original design per meter. Take a look!
RoJo Apparel
Rose started her shop because she was having a hard time finding stylish things for her son Joshua (such a beautiful name!). She started out making bow ties but soon expanded her Etsy shop with clothing. For this monthly 'made with' post we selected her geometric dino t-shirts. We just simply fell in love with these cute little boys and had to have her in this April feature. Take a look at her shop for some stylish boys and girls clothes.

subset: commoncrawl


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See my full disclosure policy here.
I thought it would be fun to create a photo collage of the past year for my family. I've seen them floating around, and it didn't look to difficult. Some places will print them up for you, but why pay someone else to do it when you can do it for free yourself?
I used Picasa, which is free to download.
Here's what I did.
1. Pick 66 pictures you want to use and create a collage in Picasa. I used the 5x7 format.
2. Use these files to add the year. They are separate files, so you'll have to download each one separately. 2, 0, 1,3
3. Rearrange the pictures if you want. It may crop pictures in ways that you don't like. Try to select photos where the subject is somewhat centered. There were a few pictures that chopped off heads; I just replaced them. You could also try cropping them square and re-adding them.
4. Adjust the border so that you have white space around the pictures.
And that's it! Mine took me less than 1/2 an hour to make. Here's our 2013 in pictures. And since it's in 5x7 format, it will be easy to print and frame.


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About Golden State Foods
Golden State Foods is one of the largest diversified suppliers to the Quick Service Restaurant and retail industries. Headquartered in Irvine, California, GSF is values-based with proven performance in superior quality, innovation and customer service in both manufacturing and distribution. Established in 1947, GSF currently services more than 120,000 restaurants from its 41 locations on five continents. GSF's core businesses include: processing and distribution of liquid products, meat products, produce, dairy, and other services, providing a variety of networked solutions for the total supply chain spectrum. The company also runs the GSF Foundation for kids, a non-profit organization to help children and families in need.
Executive Committee
Mark Wetterau
Chairman and Chief Executive Officer, Golden State Foods
Bill Sanderson
Corporate Executive Vice President and Chief Administrative Officer
Joe Heffington
Corporate Senior Vice President and Chief Financial Officer
John Page
Corporate Senior Vice President, Chief Corporate Social Responsibility and Legal Officer
Bob Wolpert
Corporate Senior Vice President and President, Logistics
Brian Dick
Corporate Senior Vice President and President, Global Liquid Products and GSF Fresh! Produce
Larry McGill
Corporate Vice President, Golden State Foods and President and Chief Executive Officer, KanPak U.S.
Dr. Wayne Morgan
Corporate Vice President and President, Protein Products
Ed Rodriguez
Chief Human Resources Officer
Management Committee
Carol Fawcett
Corporate Vice President and Chief Information Officer
Ryan Hammer
President, Quality Custom Distribution
John Maguire
Corporate Vice President and President, Liquid Products North America
Guilda Javaheri
Chief Technology Officer
John Murphy
Group Vice President, Risk and Benefits
Shellie Frey
Group Vice President, Corporate Communications
Ed Savard
Group Vice President Food Safety, Compliance and Engineering
Eric Treon
Senior Business Director, Global Liquid Products – McDonald's
Board of Directors
(L to R) Ms. Sharon Davis; Mr. Frank Listi; Mr. Dick Gochnauer; Mr. Mark Wetterau; Mr. Conrad Wetterau; Mr. James Williams; Mr. Mike Waitukaitis; Mr. Nabil N. El-Hage; Mr. Thomas Haggai; (not pictured) José Armario


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2005 Riviera 58 Flybridge
- Description
- View Full Specifications
- Year:
- 2005
- Length:
- 64'
- Engine/Fuel Type:
- Single / diesel
- Located In:
- Australia
- Hull Material:
- Fiberglass
- 74452-2294572
- Current Price:
Step aboard Pescador on her immaculate teak-laid rear deck and find yourself on one of the best kept fly-bridge Riviera's of her size. Sleeping accommodation presents as new, with two double suites and single sleeping for four more. All of the suites are beautifully upholstered with flawless timberwork, fittings and accessories throughout. The galley features Eutectic fridge, freezer, upgraded Rivtec ice box and an electric stove. The additional utilities include washer/dryer, dishwasher, garbage compactor, 200lph desalinator, central vacuum system electric BBQ and remote control air-conditioning. The comprehensive additional features include game poles, bow thruster, 500kg Opacmere davit, dive compressor and camera monitoring system. She is powered by twin CAT C18s, shaft driven and offering a cruise speed of 21 knots and just 1000 hours on the clock. A 4.2m tender, superbly equipped helm and all the entertainment extras any owner could wish for, complete this perfect Riv package.
Please contact Master User at +61 (0)7 5526 4144
Additional Specs, Equipment and Information:
Boat Name
Hull Shape: Modified Vee
LOA: 58 ft 0 in
Beam: 17 ft 9 in
Maximum Draft: 5 ft 2 in
Dry Weight: 67200 lbs
Total Power: 2030 HP
Engine 1:
Engine Brand: Caterpillar
Engine Type: Inboard
Engine/Fuel Type: Diesel
Engine Power: 2030 HP
Fresh Water Tanks: (264 Gallons)
Fuel Tanks: (1506 Gallons)
Number of single berths: 2
Number of double berths: 2
The Company offers the details of this vessel in good faith but cannot guarantee or warrant the accuracy of this information nor warrant the condition of the vessel. A buyer should instruct his agents, or his surveyors, to investigate such details as the buyer desires validated. This vessel is offered subject to prior sale, price change, or withdrawal without notice.
Manufacturer Provided Description
Intelligent use of space and light, onboard technology, quality fittings, robust construction. Sheer power and agility. Everything harmonises to create a vessel that is so elegantly functional and exceptionally luxurious and exhilarating. The Riviera 60 Flybridge Convertible is not simply a boat for those who appreciate quality; it is for those who appreciate quality time. Time with family and friends. The Riviera 60 has been designed to offer you the best possible environment to enjoy your time with the people close to you. Be seduced by its dynamic, modern look, the sweeping style of the fully enclosed flybridge.
Engine Warranty
Manufacturer Website
Visit Website


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Review of Stephen Greenblatt's SWERVE
Swerving toward Limbo:
Stephen Greenblatt's The Swerve: How the World Became Modern
by Gideon Rappaport
[originally published in Washington Independent Review--now no longer available there]
In Inferno Canto IV Dante meets the souls of virtuous pagans, who suffer no punishment but hopeless sighing. Their placement in limbo allegorizes the eternal condition of those who choose to believe that the human intellect is the sole vehicle of truth and that pleasure is man's highest good. In a note translator Dorothy Sayers writes:
It is the weakness of Humanism to fall short in the imagination of ecstasy; at its best it is noble, reasonable, and cold, and however optimistic about a balanced happiness in this world, pessimistic about a rapturous eternity.
In The Swerve Shakespeare scholar Stephen Greenblatt records that in 1417, Poggio Bracciolini, papal secretary and seeker of manuscripts of lost classical works, discovered in a German monastery the long poem De Rerum Natura (On the Nature of Things) by the Roman Epicurean poet Lucretius (c.96–c.55 B.C.). Lacing facts (about ancient Rome, Herculaneum, the Renaissance papacy, and manuscript copying) together with conjecture—within one page of text we find "must have known," "perhaps feeling," "evidently," "probably," "seems to have," "would not have known"—Greenblatt argues that Poggio's discovery contributed significantly to Western Civilization's "swerve" from religion to secular pragmatism. He celebrates that "swerve." His purpose is to confirm in the minds of the "circle of those likely to be reading [his] words" the truth of Lucretius' vision of reality: the very atheistic humanism against whose spiritual limitations Dante's limbo was meant to warn us.
In the chapter called "The Way Things Are," Greenblatt culls from Lucretius' long and complex poem the following teachings :
Everything is made of invisible particles, which are eternal, infinite in number, limited in shape and size, and moving in an infinite void.
The universe has no creator or designer; everything comes into being as a result of an unexplained and minute but presumably natural "swerve" of the particles from the path of mere falling, the swerve being the source of free will.
Nature ceaselessly experiments, but the universe was not created for human beings, who are not unique, whose beginning was not a Golden Age of tranquility and plenty but a primitive battle for survival, and whose souls die without afterlife.
Death is nothing to us.
The highest goal of human life is the enhancement of pleasure and the reduction of pain, achieved by the avoidance of superstitious delusions such as organized religions, which are invariably cruel.
Understanding the nature of things generates deep wonder.
The list is worded to make Lucretius the articulator of precisely the modern secular humanist's vision of life—atheistic, pragmatic, and cocksure.
Everyone is entitled to his opinion about the essential mysteries, but Greenblatt's embrace of Lucretius' vision is exasperating in three particular ways: It is self-contradictory, prejudiced, and condescending.
The contradictions include these:
Greenblatt informs us that Lucretius ends his poem with a hymn to Venus, the source of all things. This worship of a divine underlying reality represented by Venus (or, as Greenblatt calls her, sex) bespeaks a religious belief as faithfully held as the Christian's.
He praises Lucretius for believing ahead of his time (i.e., agreeing with us) that atoms of irreducible matter are the foundation of all things including the human soul. In doing so, he ignores the actual physics of our time, which finds that there are no irreducible particles of matter but rather patterns of energy that invisibly incarnate information for which no material substance can account.
Greenblatt asserts that "all attempts to fashion a life worth living . . . must start and end with a comprehension of . . . atoms and the void and nothing else." But to measure the worth of anything is to measure it in relation to something else known to be valuable. If all values are merely "atoms and the void," the phrase "worth living" is nugatory. Similarly "trial and error" applied to nature's "long, complex process" implies an end aimed at. If all is matter and void, no one end can have more significance than another. "Trial and error" is another nugatory phrase.
Skeptical about the faith of others, Greenblatt, following Lucretius, is not nearly skeptical enough about his own, which flies in the face of the testimony of human beings in all places throughout human history. His certainty that "all organized religions are superstitious delusions" is itself a breathtaking act of faith.
Greenblatt writes, "Humans do not occupy the privileged place in existence they imagine for themselves" for "many of the most intense and poignant experiences of our lives are not exclusive to our species." It is of course true that like plants we grow and like animals we feel pleasure and pain. But who but a human being would write a book to convince other beings to think as he does? Greenblatt's Lucretian principles are paradoxically contradicted by the human nature they discount, for as writer and scholar Greenblatt evidences precisely the human privilege he takes pleasure in denying. To be human is above all to seek meaning in the "nature of things." It is what drives us to write and study poems and histories. Can Greenblatt seriously believe that his own soul's passion for Shakespeare and Lucretius is accounted for by "atoms and the void and nothing else"? Talk about cognitive dissonance!
To reinforce his polemic, Greenblatt prejudicially slants history and literature. To judge from The Swerve one would think that the Medieval period were an age of nothing but darkness, filth, and self-interest and that Christianity were nothing but a fear-ridden swamp of venality and oppression. Certainly the Catholic Church has much crime to answer for. But Greenblatt seems blind to the historical influence of Christianity in promoting kindness, patience, humility, brotherly love, self-sacrifice, justice, political responsibility, and the value of the individual he implicitly holds dear—he implies Jefferson was nothing but an Epicurean—let alone the art of the great cathedrals, of Rembrandt, and of that monumental Commedia our civilization has rightly called "Divine."
On the basis of one use of the word "atomies" and limited reference to the afterlife in Romeo and Juliet, Greenblatt gives the impression that Shakespeare too was an Epicurean and no Christian, to believe which requires that we ignore the themes and many speeches of Henry V, Hamlet, Measure for Measure, Macbeth, Othello, King Lear, The Winter's Tale, and The Tempest. To defend the principle that "Religions are invariably cruel," he imports the biblical story of the binding of Isaac, ignoring the story's establishment of the principle that man is to serve God with a faithful will rather than the sacrifice of children. To Greenblatt Christianity and Judaism, "Religious cults originating in far-off places like Persia, Syria, and Palestine," do nothing but "arouse wild fears and expectations, particularly among the plebs."
Then there is Greenblatt's tone. Though he would not burn anyone at the stake for misbelief, he sneers as self-righteously as the inquisitors of the Catholic Church at heretical disbelievers in his religion of atheistic atomism. He presumes "ritual" and "conversation about the meaning of life" to be antithetical (preferring, of course, the latter). He identifies himself and his enlightened readers with that ancient Epicurean elite who, being neither "insecure" nor "of a pious disposition," "would have regarded [the prophecies of Christ] as the overheated fantasies of a sect of stiff-necked Jews." (Why disapprove of the enjoyment of piety and overheated fantasy if they too are products of the merely natural swerving of atoms?)
The best thing about The Swerve is Greenblatt's honesty about the psychological reason for his being moved by the vision of Lucretius. In an important preface, Greenblatt tells us that he grew up terrorized by his mother's "brooding obsessively on the imminence of her end" as a way "to compel attention and demand love. . . . [M]y dread of her dying had become entwined with a painful perception that she had blighted much of her life—and cast a shadow on my own—in the service of her obsessive fear." When he reads in Lucretius that "to spend your existence in the grip of anxiety about death . . . is mere folly," he realizes that "to inflict this anxiety on others is manipulative and cruel."
Following his own method of conjecture, we may reasonably conclude that Greenblatt's denial of any spiritual authenticity to organized religion is a way of breaking the emotional bonds of his mother's obsession. Instead of having to reject his mother, he projects her fear of death and cruel manipulation onto the convenient scapegoat of organized religion and rejects it instead. The greatest value of this book may thus be to raise the question whether the modern world's "swerve" away from God and toward Epicurean pleasure worship is similarly rooted in the longing to escape the fear of death. Whether that fear can be escaped by denying the significance of death is another question it raises. The reader will decide which is the more precious antidote: Lucretius to the delusion of religion or Dante's limbo to the delusion of Epicurean humanism.
Finally, arguing that "the gods quite literally could not care less" about human beings, Greenblatt asserts that "the serious issue is that false beliefs and observances inevitably lead to human mischief." This is certainly a true statement. As applied to organized religion, it is now a cliché. But Greenblatt chooses to ignore the human mischief to which his own Epicurean beliefs have led in our enlightened and rational age: the torture and murder of countless millions effected by those who have been sure that there is no God, no divine justice, no afterlife, only atoms and the void. If cruelty and oppression are the measure of a doctrine's value, Greenblatt's has far more to answer for than that of Mother Theresa.


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|Papua New Guinean artist Fabian Paino carves the wooden part of a Tatanua Mask.
Chapter Two of Evelyn Payne Hatcher's Art as Culture is titled "The Geographical Dimension." The chapter consists of two parts: the first is a worldwide survey of traditional cultures and the physical environments in which they live, with an emphasis on the art forms of each society. The second (and shorter) part is called "Art and Environment," which explores how physical environments may affect indigenous culture and visual art forms. The first section is far too short to be of much value, though it might provide a beginning point for further research.
The second section is much more interesting. Hatcher attempts to summarize various ideas about the relationship of the physical environment to the form and imagery of indigenous visual art. She emphasizes three main points:
First, the local physical environment provides societies with the raw materials for making visual art, and these materials influence what each culture can produce artistically (except in more technologically advanced cultures where there is access to more materials, tools, etc.). Hatcher states that "some of the qualities in a style are inherent in the material from which the artifacts are fashioned, and this is related to geographical factors" (50).
|Breastplate by Don Standing Bear (Sou' West Nova Métis)
at the Autry's American Indian Arts Marketplace.
(photo by Abel Gutierrez)
(3) Probably the ultimate source of subject matter for indigenous artists is their worldview and beliefs. Hatcher writes,
As art forms are often expressive of belief systems, and belief systems tend to be concerned with the chief problems and dangers of life, visual symbols are likely to be parts of systems that relate to adaptation and survival in a given habitat, although the way the visible forms relate through the belief system to that habitat is not always obvious (50).
|Detail of pictograph panel, Crow Canyon.
(photo by Tom McCarthy, Museum of New Mexico)
Therefore, when indigenous art depicts subject matter from the local environment, it often relates to that society's biggest fears and concerns, i.e., basic survival, as well as other important challenges of life (food, childbirth, fertility of people and crops, etc.). Hatcher summarizes her thoughts by writing,
To perceive the relation of a people's symbolic forms to the environment in which they live, we need to undersand the problems and dangers of that environment. The question "From whence comes death?" can illuminate the way the religious ideas of a people are structured... the Unknown, the Invisible, is defined in terms of metaphors and images that reflect responses to fears and hopes in the physical world (54).
In any case, a culture's visual artwork can reveal much about what they value and fear, and how they express those concepts. Those hopes and fears can reveal much about their heart cries, as well as possible redemptive analogies and/or barriers to the message of the Gospel. But remember: (1) don't assume that everyone in a society completely understands the imagery of a local art form; and (2) don't misinterpret the meaning of a symbol or imagery by assuming that it means the same to them as it does to you– verify everything with members of that society before you procede with making any conclusions about iconography and meaning.


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A Recycling Bin with a Great New Design.
Decorative yet Functional.
Made of Lacquered Steel in an Easy to Clean White Ivory Finish.
The four inside Containers are Manufactured from Anti-Odour Plastic and are in Different Colours for Ease of Recycling. Complete with a Handle to aid Emptying.
The Top of the Bin opens for Storage of Bin Bags and Waste Batteries.
Size 52 W x 28 D x 96 H cm


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Possum Tale
Lucienne Noontil is a writer and illustrator who understands and empathizes with the effect of habitat loss on possums. And she knows how to explain it simply enough so children can understand. Maybe even adults will get it. Because the effect of habitat loss on possums is that they become homeless.
My 3 year old grandson read this book and quite reasonably assumed that it was a story about the possum in my garden. It could be. The story tells of the many dangers that Rusty the ringtail possum faces while he searches for a safe home in the suburbs. Eventually he finds a nesting box just like the one in my garden. He moves in, and at last has a place he can call home.


text:
Letter to the Editor
Gas still overpriced at exit
Tuesday, December 23, 2008
To the editor:
A few weeks ago I submitted a letter to your opinion column on the gouging price of gas at the three gas stations at the Interstate 70 Cloverdale/Greencastle Exit.
Update: On November 26, the per-gallon cost for gas at the exits east and west of this exit was $1.59 to $1.65, while at the BP station the price was $1.89, 24 to 30 cents more per gallon.
As usual, customers are being gouged by these 3 stations, but in particular citizens who live in the area. I for one will never stop at this exit unless it is an emergency. You folks who live in this area -- Why not refuse to patronize these 3 gas stations; perhaps they will get the word?
Ron Martin
Terre Haute


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- Overall Length:8.50"
- Blade Length:3.60"
- Blade Style:Tanto
- Finish:Stonewash
- Edge Type:Serrated
- Handle Length:5.00"
- Handle Material:Aluminum
- Color:Black
- Weight:4.20 oz.
- Knife Type:Single-Action OTF Automatic
- Opener:Push Button
- Brand:Microtech
- Model:Exodus
- Country of Origin:USA
- Best Use:Collection
- Blade Material:Stainless Steel
- Product Type:Knife
We just got this Exodus knife from a collector. The knife is in great condition with just small marks from handling. The knife fires and locks up well. It does not include the original box or paperwork. The handle is dated of 06/2001. Pictured above is the actual knife for sale.
The Microtech Exodus is a single action OTF automatic knife. The Exodus differentiates itself from most other OTF knives with a "liner-lock" type lock which secures the knife open. Instead of pushing the button to retract the knife, like the Halo, you push the liner lock over and pull down on the charging handle.
This Exodus knife has a stone wash finished Tanto blade (serrated) and an anodized aluminum handle that features a bead blast finished firing button, safety, charging handle and hardware.


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It's easy to get caught up with what's going on in our lives and what's going to happen, but sometimes a lot of good can come from reflection. With 2015 coming to a close, I wanted to take a quick look back and highlight a few of my main takeaways from the past year. But before we do that…
Annual RSG Survey
Every year I send out one, and only one, survey to all of my readers. I do informal polls from time to time, and I'm always trying to talk to as many drivers as I can, but this survey is a little different since it helps shape the direction of my site. I use the results to help me decide everything from which advertisers I should work with to who I hire and what I should write about.
This year's survey should take no more than a few minutes, and I will actually read every single response that comes through (anyone who's ever e-mailed me knows that this is something I take a lot of pride in). There's also a fun section at the end where you get to tell me everything you love/hate/want to see changed with the site so make sure you stick it out until the end. And last but not least, if you leave your e-mail, I'll enter you into a drawing for some RSG swag!
Track Your Miles for Free with Stride DriveSmart drivers know they need to track their mileage from start to finish. Stride Drive is a free app you can use to track your mileage, which will help you save money at tax time.
Please click here to fill out the survey. [Read more…]


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I like free software because even though I don't have time to write many programs these days, I like fiddling with software and I like sharing software with my friends, and free software positively encourages you to do both.
GNU/Linux is also a natural choice in our household as it's multilingual - it allows us all to run the operating system and applications in whatever language that suits us whenever it suits us.
Recently I've been testing the Beta and Release Candidates of the latest version of Ubuntu - version 9.10 or "Karmic Koala" as it's known. As you read this I hope to be sat in front of the full release version.
I've noticed that there is a new feature that makes my life a lot easier in Karmic, and that is the font previews you get in the Nautilus file browser.
Font previews in Nautilus - invaluableThis is a lovely feature and saves me hours of work in an average week when I'm hunting for a font I've forgotten the name of out of a collection of thousands.
For those of a typographical persuasion there is also an excellent article about using fonts on Ubuntu here.
If you've never tried GNU/Linux, doing so - even for just an hour or two - is easier than ever and I do recommend you give it a whirl.


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A HANDFUL of opposition party officials held an informal meeting last night to discuss details surrounding self-exiled leader Sam Rainsy's return, though the party continued to remain tight-lipped regarding specifics.
Some three days after Rainsy's bombshell announcement, neither he nor his party have announced a date.
"He will arrive soon," is all lawmaker Mu Sochua would say yesterday.
Reached following the meeting, party spokesman Yim Sovann said no date had yet been decided upon.
On Saturday, Rainsy announced that he would return to Cambodia before the election, though he faces over a decade of jail time barring a last-minute deal.
In 2006, an almost identical situation ended with Rainsy's return from self-imposed exile after the government gave him a royal pardon for an 18-month conviction in exchange for an apology.
Rainsy has not answered questions as to whether he would be willing to apologise to the government for removing a border post and faking public documents – charges his supporters maintain are politically motivated.
Ministry of Justice chief of cabinet Sam Prachea Meanith said they had received no pardon order as of yesterday.
"[Sam Rainsy] is still a convicted person according to the court decision," he said.
On July 13, Rainsy claimed to have sent a letter to King Norodom Sihamoni requesting a pardon, but palace officials denied the letter's existence.
"There's no pardon," said Oum Daravuth, secretary of state at the Ministry of Royal Palace, adding that he did not know if any letter had been sent.
The CNRP promised yesterday that thousands would turn up at the airport upon Rainsy's return, but police remained adamant that – crowds or not – they intended to arrest Rainsy upon landing.
"We are law enforcers and he is the target who the court has ordered us to arrest. So, we have no choice, we must enforce according to the law."
Rainsy has reportedly been seeking assistance from US and European officials. On Monday, the Associate Press reported that a US State Department spokesperson addressed his case, saying that the US was pushing for his return.


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June 19, 2012
For Tanit-Isis
It just so happens to be that several of the patterns she considers for this treatment are vintage ones... And by hearing 'full skirted dress', we immediately think 50's anyway, don't we?
And it just so happens to be that my (alarmingly growing) collection of vintage fashion and sewing magazines has shown me ample proof of that very style being in fashion in the mid-1950's...
I'll show you some of the options offered by sewing magazine Marion here (most of the fashion magazines are either bound into books or too large to fit under the scanner and it's too dark for picture of things in books. If you'd like I'll show some from those later).
This one, from July 1954 is the earliest one I could find tonight. It's more like a waistlength bodice with a yoked skirt attached to it but it's definately going in the drop-waist direction.
By 1955, the look had definately gained in popularity and this cocktaildress, with the lowest waistline of them all, proves the point. This is, quite clearly, a real drop-waist design.
This one is my favorite. It appeared on the cover of the Januari 1956 issue of Marion. It almost looks like those are princess seams opening into pleats, but there really is a horizontal seam there. I know, because it's on the pattern sheet (though unfortunately, in their size 40. The blue dress I made was a size 36...)
The same magazine also offers this, somewhat less appealing, dress in size 38. It does show another fairly common feature (of which I thought I had seen a great example in Marion, but I can't find it now): a decoration of that dropped waist seam with a strip of fabric. It's usually done in the dress fabric, but can be used to great effect when combined with stripes.
Somehow this picture always makes me think of Mad Men's Peggy...
Generally, the dropped waist was seen as a youthfull look, so it's no surprise to see it offered in the teenager section in December of 1956.
There is another design in the same issue which had a dropped waistline but is definately not intended for teenagers. It is also the only example I've found in Marion where the the lengthened bodice is not teamed with a pleated or gathered skirt. I think this dress is so sophisticated with it's sleek skirt. At the back, the bodice actually continues in a free-hanging panel which is what you see peeking from the back of skirt (and could be mistaken for a deep pleat).
There are other clever designs in which the long line of the bodice is really incorporated into the whole look, like this one in which the space between the darts gets a different kind skirt.
This is a look which appears fairly often: it's not a single bodice which reaches till about 10 cm below the waist, it's a waist-piece with a gather bust-piece on top and a pleated skirt on the bottom. Designs like this are, unlike 'real' drop waist ones, often shown worn with waist belts and they are, also unlike some of the other ones, always closely fitted.
Finally, these short wedding dresses (a length described as 'foot-free') are the only examples I've found in which the seam between bodice and skirt is shaped. The one on the left is just a waistlength bodice with a slight dip at center front, the other two are a bit more serious, with the middle one once more showing a waist-piece design.
I hope you all enjoy this little voyage through the fashions of our mothers or grandmothers. As said, I can show you examples from mid-1950's RTW as well, if you'd like.
As it turns out, the 50's were not just about huge skirts from the waist...
3 comments:
- AnonymousJune 20, 2012 at 1:08 AM
that was definitely a lot of fun to read. I hadn't given much thought to whether this silhouette would be flattering or if I would wear it but I think I could pull it off, if styled in the right way!ReplyDelete
I don't know if you are aware but white text on a black background is very hard to read for most peope who don't have 20/20 vision. I wear varifocals and your blog "swims" in my vision. I put up with it because I really enjoy your posts, but you might get more readers if you used the more usual (and easy to read) black on white.ReplyDelete
oh, thank you! Those are lovely---I think my favourite is the one where the princess seams look as if the're opening into the pleats. I have one actual fifties pattern with the yoke-below-waist feature that I will get to one of these days, too (when I have time to grade it up...)ReplyDelete


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In a combined hearing of four appeals against the orders of the Registrar of the EAT not to allow registration of appeals, the EAT have summarised some useful reminders about appealing and time extensions to appeal. Some useful (if not rather obvious) lessons include:
- If you can appeal on time, do – time extensions are very much the exception rather than the rule
- Read what the Tribunal sends you – the Tribunal's booklet "The Judgment" explains the time limt for appealing and points one in the right direction for further information and a form 1 (appeal form).
- Send all the correct documents. When lodging a form 1, the judgment and reasons of the Tribunal, the ET1 and ET3 must also be included. If they are not, the appeal is not lodged validly (the EAT's Practice Statement 2005 is very clear on this point).
- Being a litigant in person is no excuse for being late.
- Don't be economical with the truth – one Appelant was and he didn't get his time extension! The EAT expects a full and frank explanation for the delay.
- Waiting for the outcome of an application for review is no excuse for delaying an appeal. Once the appeal is validly lodged it can (and normally will) be stayed pending the outcome of a review.
The full judgment can be found here.


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NEW YORK - General Electric is pledging to invest $1 billion in cancer research over the next five years and the company announced an innovation challenge to spur development of cancer diagnostics and treatments.
GE CEO Jeff Immelt launched a six-month $100 million project as part of the company's "healthymagination" initiative at a press event here on Sept. 15. GE plans to fund promising ideas to improve breast cancer diagnostics, Immelt said at the event. Winning ideas will receive $100,000 in seed grants to bring the products and tools to market.
The goal is to help health care professionals better understand tumors associated with triple negative cancer, a type that is less responsive to standard treatments and typically more aggressive. The challenge will also focus on finding molecular similarities between breast cancer and other solid tumors, which would improve early detection, allow more accurate diagnoses and help doctors make treatment decisions, according to GE.
"We want to push the accelerator on innovation and research" on breast cancer treatment, Lisa Kennedy, director of strategic marketing at GE's healthymagination, told eWEEK. "Eight million people die each year of cancer. We feel that is unacceptable," she added.
Further reading
GE will also invest in research and development programs to expand its suite of technologies for cancer detection and treatment, beginning with breast cancer, Immelt said.
GE envisions "a day when cancer is no longer a deadly disease," but a chronic one that patients can manage with targeted treatment, Immelt said.
While the current initiatives focused on breast cancer, the company plans to expand research initiatives into other types of cancer. Breast cancer was picked because of the sheer number of patients stricken with the disease worldwide and also because GE already had a "strong knowledge" of breast cancer diagnostics, treatment and monitoring, said Kennedy.
Cancer research is at a "tipping point," and what is discovered in the next five years will "change treatment more than anything that has been done in the past 100 years," Kennedy said. The challenge will bring together researchers from around the world to collaborate and share information, "because someone out there already has the answer," she said.
There are several tracks to the challenge, including a data track, Kennedy said. The data track will consider proposals based on analyzing the volume of data that is currently being collected. Oncologists and radiologists told GE that they are frustrated that there's no way for them to look at a cohort of patients and figure out trending data to predict treatment results and what the disease will do next, according to Kennedy.
GE is investing in a "super database" that will consolidate clinical, pathology, therapy and outcomes data in one place to enable analysis and further accelerate innovation. The database would be available in collaboration with leading cancer research, nongovernmental organizations and government organizations.
GE will also look for promising ideas that are unlikely to get traditional funding because they are too early in the stage to have any immediate commercial advantage and the time to market is still several years out, Kennedy said.
A committee of representatives from GE and participating venture capital partner firms will evaluate entrants. Selected entries will be judged by a panel of GE executives, venture capital firms and "health care luminaries," including former Food FDA Commissioner and National Cancer Institute Director Andrew von Eschenbach, Professor of Surgery and Director of the University of Michigan Breast Care Center Lisa Newman, and cancer medicine specialist and Professor of Cancer Medicine at Imperial College Justin Stebbing. The competition is already open to entries, and winners will be announced in the first quarter of 2012, GE said.
"As we saw through the success of the ecomagination challenge, innovation can be transformational, and good ideas that drive change can come from anywhere," said Risa Stack, partner at Kleiner, Perkins and Caulfield & Byers, one of the venture capital firms involved with the challenge.
GE also discussed innovations to improve screening and breast cancer diagnosis, as well as to help doctors identify the right therapy for patients. SenoCase is an ultra-portable mammography device concept that will shrink the traditional system into an affordable unit the size of a suitcase. SenoCase will potentially transform access to breast health screenings for millions of women around the world. While it's still a concept, Kennedy said SenoCase is on the product roadmap and the company expects to have something to market in the next five years.
GE previewed SenoBright, a Contrast Enhanced Spectral Mammography technique that provides more precise identification of breast cancer, which is currently pending clearance by the Food and Drug Administration. The imaging technique combines digital mammography, low- and high-level X-rays and a common contrast agent to better detect incidences of cancer and to select candidates for biopsies. SenoBright will reduce unneeded procedures and improve the doctor's ability to treat patients. Although not available in the United States, GE has installed SenoBright in 17 care centers across Europe and Asia.


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— Another Malaysian driver of a Honda City has been killed in a crash that involved an exploding Takata airbag.
Honda confirmed a Takata single-stage driver-side airbag inflator blew up in a September 24 crash that killed the driver of a 2009 Honda City, although no official cause of death has been determined. The automaker says the crash occurred in Johar state, but information about the victim has not been released due to privacy issues.
About 100 million vehicles have been recalled worldwide to replace Takata airbag inflators that can explode when the airbags deploy. The metal inflators inside the airbags contain an explosive chemical called ammonium nitrate that can become unstable due to heat, humidity and moisture. Sharp pieces of metal are shot out of the airbag and into the passenger cabin and anyone in the cabin.
At least 14 people have been killed by Takata airbags and more than 140 occupants have been injured.
Honda says the City vehicle was included in a Malaysian Takata recall that was announced on July 10, 2015, and a recall notice was sent to the registered owner. The recall required dealers to replace the single-stage inflator for the driver's side airbag, but Honda says its records show the repair was never completed.
The 2009 Honda City was also included in a June 2016 recall to replace the passenger-side frontal airbag inflator, and although the airbag hadn't been repaired, Honda says the airbag deployed correctly in the crash.
Honda vehicles in Malaysia have been involved in other Takata-related crashes that caused deaths, including deaths that occurred in Honda City vehicles.
In June 2016, a 2005 Honda City was involved in a minor crash in Petaling Jaya where the 44-year-old woman driving the car was killed by metal that shot out of the Takata inflator. The woman suffered from wounds to her chest and investigators said metal from the airbag was sticking out from the center of the steering wheel.
In May 2016, Honda confirmed two people were killed in two Honda City crashes where the Takata airbags exploded, and in June 2015, a wrongful death lawsuit was filed concerning a 2014 crash of a 2003 Honda City.
The lawsuit alleges the driver, Law Suk Leh, 42, was eight months pregnant and driving her 2003 Honda City car in East Malaysia when she hit another vehicle at an intersection.
The Takata airbag exploded, allegedly causing the woman to suffer a wound to her neck from a 1-inch diameter piece of metal. She died while being transported to the hospital.
Although Leh was deceased, her unborn daughter (Elsa Mia Law Caido) was delivered at the hospital but sadly died three days later from injuries sustained in the crash.


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Benoit Mahe wrote: The first one need a RedirecterFrame [1], the second one a RelocateFrame [2]. But note that using a RedirecterFrame does not work if your servlet uses extra path info. If my servlet is at /servlets/GetTrade and a redirect frame is at /t I can call my servlet using http://www.trade-submit.com:8001/servlets/GetTrade or http://www.trade-submit.com:8001/t I can also call my servlet (using pathInfo) as http://www.trade-submit.com:8001/servlets/GetTrade/0001.html but not as http://www.trade-submit.com:8001/t/0001.html -- Chris Turner, http://www.cycom.co.uk/Received on Thursday, 29 April 1999 08:07:13 UTC
This archive was generated by hypermail 2.3.1 : Tuesday, 6 January 2015 21:25:34 UTC


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Dear Valued Subscriber,
We are pleased to announce that the two leading Romanian TV distributors within United States and Canada Romanian Satellite Network – RSN and nTouchTV have finalized the merger process and now officially operating under the new company GLOBAL CONNECT NETWORK, Inc.- GCN, with its headquarters located in Atlanta, GA.
Your existing TV programs will remain unchanged, soon followed by an upgrade to the existing platforms of a 24 channel platform, as follows:
1.TVR International
2.Pro TV International
3.Antena International
4.Realitatea TV
5.The Money Channel
7.Speranta TV
8.National TV/ Favorit TV
9.Prima TV/Kiss Tv
10.Kanal D/UTV
12.Credo TV
14.B1/Party TV
15.Sport 1
16.Children's Channel
17.Etno TV
18.Taraf TV
19.Trinitas TV
20.Neptun TV
22.TVR Cultural
23.RCTV/RTN Chicago
24.Global Connect Sport channel
There will not be any disruption to your service as a result of this gradual process. Please stay tuned for further updates on our progress, via email or by visiting our website www.itvgcn.com.
As we continue working hard to earn your business, we want to thank you for your loyalty and support!
This text will be replaced


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Vrouhas is a quiet village with picturesque scenery, ideally for those seeking a tranquil getaway.
The village of Vrouhas is a small village situated a little north of Elounda and Aghios Nikolaos on the Agios Nikolaos - Elounda - Plakias - Vrouhas route. It is a quiet village and just outside the village on a hill there is an interesting row of old windmills.
Suits mainly families & couples who wish to relax amongst beautiful scenery.


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Vol 6: Gastric obstruction secondary to metastatic breast cancer: a case report and literature review.
Vol 6: Gastric obstruction secondary to metastatic breast cancer: a case report and literature review. - Descarga este documento en PDF. Documentación en PDF para descargar gratis. Disponible también para leer online.
Descargar gratis o leer online en formato PDF el libro: Vol 6: Gastric obstruction secondary to metastatic breast cancer: a case report and literature review.
This article is from Journal of Medical Case Reports, volume 6.AbstractIntroduction: Gastrointestinal tract soft tissues metastasis is a well-known occurrence with invasive lobular breast cancer subtypes. Gastric involvement is more common, with reports of both diffuse and localized involvements. Usually, a gastric localized involvement presents as wall thickening with an appearance similar to that of a gastrointestinal stromal tumour; rarely does a localized metastatic deposit grow aggressively to present as a large tumour causing obstructive symptoms. Our case highlights one such unusual presentation in a patient presenting with non-specific gastrointestinal symptoms. To the best of our knowledge, there have been no previous reports on a similar presentation occurring from a localized metastasis. Case presentation: A 65-year-old Caucasian woman awaiting an outpatient oral gastroduodenoscopy for symptoms of intermittent vomiting, epigastric pains and weight loss of six weeks' duration presented acutely with symptoms of haematemesis and abdominal distension. An initial contrast-enhanced computed tomography scan showed a grossly dilated stomach with a locally advanced stenosing tumour mass at the pylorus. Our patient had a history of left mastectomy and axillary clearance followed by adjuvant endocrine therapy for an oestrogen receptor- and progesterone receptor-positive, grade 2, invasive lobular breast cancer. The oral gastroduodenoscopy confirmed the computed tomography findings; biopsies of the pyloric mass on immunohistochemistry stains were strongly positive for pancytokeratin and gross cystic disease fluid proteins, consistent with an invasive lobular breast cancer metastasis. She received a palliative gastrojejunal bypass and her adjuvant endocrine treatment was switched over to exemestane. Conclusion: Our case highlights the aggressive behaviour of a localized gastric metastasis that is unusual and unexpected. Gastrointestinal symptomatology can be non-specific and, at times, non-diagnostic on conventional mucosal biopsies. A high index of clinical suspicion in patients with a previous history of invasive lobular breast cancer can aid in an early diagnosis and treatment. A combined treatment approach with chemoendocrine therapies achieves remission and improves patient survival.
Autor: Hussain, Tasadooq; Elahi, Bilal; McManus, Penelope; Mahapatra, Tapan; Kneeshaw, Peter John
Fuente: https://archive.org/


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Sunday, 17 August 2014
Sunday Stash - For the Love of Liberty
I was lucky enough to be staying in an apartment almost diagonally across from L'uccello, and if you're reading this dear husband, that little fact was totally not planned ... promise!.
It would have been rude not to visit said paradise when I was staying so close, right?
So what did I buy?
A whole Lotta-Liberty-Love! *warning, awesomeness to follow*
I've already started playing with the fabric ... and a new glue pen ... and a new skill ... hello hexies!
I've made a little something with these ... but that deserves it's own post :)
Happy Sunday everyone!
Serena x
Linking up with Sunday Stash
12 comments:
Oh. Wow. That's an Amazing collection. They are beautiful! You are going to have such fun using those!ReplyDelete
Wow. Just sitting here and taking in the Liberty loveliness.ReplyDelete
- Anonymous17 August 2014 at 20:07
The cross stitched hexie is beautiful nestled amongst all the bright liberty prints. The gymnasts are hilarious :)ReplyDelete
So gorgeous! The green and blue on the left of the second is my favorite; good thing I am not near by to come help you use it up in person. ha! Also, the photo of your girls gazing into the bag is precious. They are going to know what beautiful fabric looks like... :)ReplyDelete
Oh, wow! So many gorgeous fabrics!ReplyDelete
It's all coming together beautifully! :)ReplyDelete
I wish I could touch right through the computer!! How fun!ReplyDelete
wow wow wow!! All so pretty!ReplyDelete
I have one of those l'uccello bags that 'followed' me home full of Liberty loveliness too. I now keep my Liberty stash in the bag.ReplyDelete
Very neat hexies!
I love the prints you've chosen Serena, different from what I normally think of when I think of Liberty!ReplyDelete
It looks like you had lots of fun in the shop!ReplyDelete
Lushous Liberty!ReplyDelete


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I was just reading everyone's Stuff & Things posts, and I decided I needed to throw together a little post and join in with Kristin & Joey for the fun!
First, thank goodness January is almost over. I loathe the month of January. Bring on February. If things continue as they are, we have Thursday, February 11th-Monday, February 15th off for Presidents' Day weekend. I. Need. A. Break.
Second, I have a boot problem. I set a goal of not spending money on unnecessary items in January. I had been spending a lot recently, and then there was Christmas, so...I did pretty well. Until this week.
I just bought two pairs of boots.
In my defense, ShoeDazzle put $20 in my account because they "haven't seen me in awhile," and I scored these two pairs for about $62. Also, I bought the black ones to replace a pair on which the heels are worn out. I wear my boots until the death.
Third, I also bought a new Thirty-One wristlet, BUT we were at our friends' house the other night, and their dog chewed my wrist strap apart. I did score it on eBay for cheap, and it's brand-new. So there's that.
What's going on with you this week?


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Year of Release: 1988
Volume 5 was a significant issue for the series, being the first ever Indie Top 20 LP to come out on Compact Disc - finally, the digital age had reached Beechwood Music, and listeners could (if they chose) listen to all manner of underproduced indie groups in high quality sound. Some of them had never even had releases on CD before. Marvellous. WERE WE NOT MEN?
Of course, I never owned this album on CD myself (or not until much, much later on when I chanced upon a second hand CD copy for £2). I didn't have the kind of money necessary for a CD Player at this point in my life, still listening to all my records on the turntable of a Saisho stereo unit my brothers bought me for Christmas. So whatever revolution this represented, it entirely passed me by.
I can distinctly remember this being a Christmas present too, at the tail end of 1988 - and I was delighted when I ripped the wrapping paper off and found this double vinyl LP waiting for me. When I finally played it at home, though, I was struck by what a gloomy sounding record it is compared to any of the previous volumes. There are obvious exceptions, but this is overwhelmingly a contemplative, moody record as opposed to a varied buffet. Despite the fact that Indiepop was a bit of a busted flush at this point and the music press had largely moved on to other concerns, it appears to be in denial about that fact, probably containing the highest number of slightly shambolic, vaguely twee, low budget bands since Volume One.
There's some good moments on the album, but no really great ones (in my opinion) and some downright baffling inclusions. Perhaps in this halfway house, this motorway travel tavern sleepover between Indiepop and Indie Dance, a slight loss of focus could only be expected. But you may well disagree as we travel through the tracks:
1. Robert Lloyd & The New Four Seasons: Something Nice (In Tape)
Robert Lloyd, normally lead singer of Brummie indie group The Nightingales (victims of endless lazy and slightly inaccurate "They're Birmingham's answer to The Fall!!!" music press reviews) and one of the heads of indie Vindaloo Records was well known as a scene stalwart. Behind numerous cult indie classics with wiry, angular guitar noises, once The Nightingales split in 1986 he clearly decided that his solo career would veer in a more pop orientated direction. The false group name Robert Lloyd & The New Four Seasons was created for this very purpose (and very quietly and quickly dropped again to become plain old "Robert Lloyd", presumably when someone got antsy that the actual Four Seasons would take legal action. Somewhere on a cutting room floor, perhaps this was even a subplot in the "Jersey Boys" film - "I cannot believe da noive of this Nightingales guy").
"Something Nice" proved Lloyd could clearly have a pop career if he wanted and had enough of a tail wind behind him. It's a stomping, bold, brassy and incredibly catchy track lyrically focused on some kind of mid-life crisis. "I get scared that something nice will fly by", Lloyd panics. "Every time I'm ill I think I'm dying" he clarifies later on, "every time I'm sad I feel like crying/ this is the state I've got myself in". For all that, this propels along in a strident, chirpy, almost festive fashion, sounding like a hit Edwyn Collins never had.
This received a strong amount of evening airplay on Radio One, and ensured that the ears of A&R staff at Virgin Records pricked up. Doubtless hoping for a whole album of glossy alternative pop, he was signed to the label and released the "Me and My Mouth" LP and the rather ace single "Funeral Stomp" which utterly and undeservedly stiffed. Virgin dropped him, and there would then be nothing much from Lloyd until The Nightingales reformed in 2006.
2. Wire: Silk Skin Paws (Mute)
We last met Wire on Volume 4, with the fantastic "Kidney Bingos". "Silk Skin Paws" also emerged from the LP "A Bell Is A Cup..." and despite being a brilliant track in its own right didn't seem as obvious a single. A gloomy, atmospheric pean apparently about bankers throwing themselves out of windows, it's again rich with atmosphere, chiming guitars and icy synths.
As an LP, "A Bell Is A Cup Until It Is Struck" created a short-lived wave of renewed critical focus for Wire, and there was a feeling that while they never truly achieved everything they could have done (in terms of sales) in the seventies, perhaps now was their time. Mute apparently hoped that they would eventually at least match their levels of success on EMI, and perhaps even usurp them. They were not without their famous supporters, either - David Bowie was even spotted buying a copy of their CD in HMV on Oxford Street.
Wire always were an awkward bunch of sods, though. A lot of their material in the eighties was sublime, but as time wore on some of their projects became either successfully or unsuccessfully experimental, and baffled critics and sometimes on occasion fans. The largely forgotten LP "It's Beginning To And Back Again" was a live-in-the-studio reimagining of other tracks of theirs, often so distanced from the originals that only the lyrics gave the game away - it's a great listen in places, actually, once the disorientation wears off. On the other hand, the "Drill" project, consisting entirely of different versions of the same song, was just completely fucking silly. An appearance from the group on an American chat show performing the track underlines their stubbornness hilariously. What would a band like Wire do with a prime time TV slot? Be as aggressively inaccessible as possible, obviously.
For Wire fans like me, this brief period is as thrilling as it is frustrating. In my opinion, the band should be on the tip of anyone's tongue when the subjects of punk or art-rock are raised, and should have managed at least one bona-fide hit, but they seem to have remained a cult act who never managed to prove their worth to a wider audience. Tracks like "Silk Skin Paws" and "Kidney Bingos" prove that even during their less fashionable, non punk scenester phase, they were more than just an arty, angular act - they were great songwriters as well. It's a shame that's talked about so infrequently.
3. New Order - Dreams Never End (Peel Session Version) (Strange Fruit)
Volume Five of Indie Top 20 is the very last time we'll be hearing New Order and Joy Division Peel Session tracks. Thank the Lord for small mercies. It's not that I don't like their work, it's just that they were clearly given slots on the albums as bait to floating voters in Our Price, and all their efforts date from a period years before the release date of these LPs. Therefore, putting them into meaningful context for the purpose of this blog is impossible.
"Dreams Never End" is a bizarre track in New Order's canon in that Peter Hook is given the mic rather than Bernard Sumner, and it makes a strange difference to the sound. His braying voice bears a slight resemblance to Andy Partridge of XTC here (even though it's probably trying to ape Ian Curtis) and almost in sympathy, the band clatter and jangle behind him. It's one of the least New Ordery sounding New Order tunes ever.
Despite this - or perhaps because of this - there's nothing remotely essential about it at all, and it's a curio rather than anything else. If New Order fans were asked to contribute to a poll of their finest work, I highly doubt "Dreams Never End" would be a prime entry unless Hooky himself rigged the contest.
4. King Blank - Blind Box (Situation Two)
As we trawl through the volumes of Indie Top 20, we're going to encounter a number of slightly baffling bands who have since been mostly forgotten, but were critically fancied for about two or three weeks in their given year. King Blank are the most obvious example so far, though I have no recollection at all of them being music magazine cover stars - I just have hazy memories of some complimentary gig reviews and the odd positive nod.
There's no way I can possibly be kind about this track, unfortunately. I lived in a small town in Essex at this point, and occasionally our local gig venue would put on a local groups gig bonanza, highlighting all the up-and-coming talent in the area. Tickets would be about £5, and you could stand all night and watch indie, rock and alt-rock talent from the regional Sunday leagues. Without exaggeration, there was always at least one band who sounded like King Blank on every bill. They would have the same bluesy swagger, the same raw sound, and similar vocals delivered through gritted teeth. None of them ended up with record deals.
King Blank, on the other hand, did, and I've never fully understood that. There's nothing exceptional occurring here at all, and the song constantly tries to bear its teeth and attack, but couldn't sound more staged and less threatening if it tried, like an amdram English take on the harder edges of the American underground. The production of the whole thing is so hollow and skeletal it also feels like it would collapse if you prodded it for long enough.
After one LP, "The Real Dirt", the group went their separate ways and guitarist Nigel Pulsford became one of the founding members of nineties grunge legends Bush, ironically becoming one of the few British bands to become hugely successful in America during that decade. King Blank give no hints away that this would ever be the case.
5. Quireboys - Mayfair (Survival)
Another truly baffling addition to the LP. The Quireboys eventually became far more successful than King Blank, of course, being a much-fancied old-school boozy rock group in the vein of The Faces. Renowned for their raucous live gigs, they gave the national scene a raw, balls-out sound it had clearly been missing for a long time by the late eighties. While they were never fashionable as such, they certainly beat Primal Scream to the Southern boogie punch bowl on a number of occasions as well.
Despite being on an indie label at this point, they really didn't have a keen indie following, attracting the long-haired denim wearing boys and girls much more keenly. They sound unbelievably out of place on this compilation as a result, like total gatecrashers.
"Mayfair" is a neat track, though, sounding like a lost piece of 1973 rock and roll. Stemming from a period when Ginger of The Wildhearts was a member of the group, it seems so authentic that you could possibly even fool someone by telling them that it's an out-take from a much more legendary band - and that bar-room piano and those growling vocals are expertly handled. It's not really surprising that their time in indieland would be limited, and EMI stepped in to sign them fairly swiftly, giving them a number two hit album in "A Bit Of What You Fancy" in the process. A long career in the limelight seemed assured, but disappointing sales of the follow-up "Bitter Sweet & Twisted" put paid to that idea and their demise was cruelly swift.
They've since undergone some line-up shuffling and reformed a couple of times, and remain active to this day.


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MLM Software will very useful to reduce work. Working a multilevel system can be very identical when it comes to monitoring sponsor and down lines, especially when you add in percentage components and it can be really problematic if the system uses a binary system strategy for every supplier promoting the products or services. Luckily, there is multilevel promotion monitoring software to help put everyone under the right mom or dad in the promotion family and keep a record of everybody's product sales.
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Any tracking software has to be able to track not only the members of the organization and their commission qualification, it will have to be able to keep track of orders and include customer names and addresses. This may seem irrelevant in calculating payments to distributors, but it provides a good back up system in the event there are concerns about the legitimacy of the sales being reported in a legitimate multilevel marketing program.


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Under the OSHA Recordkeeping regulation (29 CFR 1904), covered employers are required to prepare and maintain records of serious occupational injuries and illnesses, using the OSHA 300 Log. This information is important for employers, workers and OSHA in evaluating the safety of a workplace, understanding industry hazards, and implementing worker protections to reduce and eliminate hazards.
What am I required to report?
All employers covered by the OSH Act must orally report to OSHA the death of any employee from a work-related incident or the in-patient hospitalization of three or more employees as a result of a work-related incident within eight (8) hours.
Contact Information | 29 CFR 1904.39
Am I required to prepare and maintain records?
Employers with more than ten employees and whose establishments are not classified as a partially exempt industry must record work-related injuries and illnesses using OSHA Forms 300, 300A and 301, available here. Partially exempt industries include establishments in specific low hazard retail, service, finance, insurance or real estate industries and are listed in Appendix A to Subpart B and here.
Employers who are required to keep Form 300, the Injury and Illness log, must post Form 300A, the Summary of Work-Related Injuries and Illnesses, in a workplace every year from February 1 to April 30. Current and former employees, or their representatives, have the right to access injury and illness records. Employers must give the requester a copy of the relevant record(s) by the end of the next business day.
For more information, read the "Do I need to fill out the OSHA Log of Work-Related Injuries and Illnesses?" brochure (OSHA Publication 3169) HTML.
What is recordable under OSHA's Recordkeeping Regulation?


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(WRAL) -- Environmental activists say they have proof of a coal ash leak into North Carolina's Neuse River during the flooding after Hurricane Matthew, but Duke Energy says the substance visible on the water is not coal ash and is not toxic.
Pete Harrison of the Waterkeeper Alliance has been collecting evidence along the river near three inactive coal ash pits at the HF Lee Steam Plant in Goldsboro, where a white, powdery substance coats trees and still waters near the river's banks.
"I think what this shows us is it's inherently dangerous to store coal ash in unlined pits in the flood zones of major rivers," Harrison says.
Duke spokesman Jeff Brooks says the white substance ash at all. It is what's called "cenospheres."
"They freely exist on top of our ash basins. They are harvested on a regular basis from the ash basins so they are not inherently toxic by nature," he said.
Read more: http://bit.ly/2dqdQeJ


text: Work on the $40 million Sand Lake IV office complex off Sand Lake Road west of Interstate 4 in south Orange County is running ahead of schedule. The 10-story building with 117,000 square feet of office space is to be completed in February 1987. The first four floors include parking for 453 vehicles. Pizzuti Development Inc., a division of Pizzuti Inc., Columbus, Ohio, is developing the complex. At build-out, the complex will have four buildings totaling 250,000 square feet. Coldwell Banker is handling leasing.


text: Ripken will be cashing in Published on August 30, 1995. Chevrolet today confirmed that it will use baseball star Cal Ripken Jr. in print ads for its pick-ups and other trucks, beginning with congratulatory ads in newspapers Sept. 7, the day after the Baltimore Orioles shortstop is slated to break Lou Gehrig's consecutive game record. "Chevy trucks stand for dependability and durability and no one in sports better exemplifies these qualities than Cal Ripkin," said Kurt Ritter, marketing manager-trucks at Chevrolet. Ira Rainess, Mr. Ripkin's agent, said the player will also be featured in an upcoming 60-second Nike commercial and on cereal boxes of General Mills' Wheaties. Copyright August 1995, Crain Communications Inc. Most Popular In this article: News


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We are interviewing for some SQL developer positions and it seems that most people that I interviewed the past 3 weeks do not know the difference between a full outer join and a cross join.
Cross join
A cross join produces the Cartesian product of the tables involved in the join. The size of a Cartesian product result set is the number of rows in the first table multiplied by the number of rows in the second table
Here what Wikipedia has to say about it: http://en.wikipedia.org/wiki/Cartesian_product
For example, the Cartesian product of the 13-element set of standard playing card ranks {Ace, King, Queen, Jack, 10, 9, 8, 7, 6, 5, 4, 3, 2} and the four-element set of card suits {♠, ♥, ♦, ♣} is the 52-element set of all possible playing cards: ranks × suits = {(Ace, ♠), (King, ♠), …, (2, ♠), (Ace, ♥), …, (3, ♣), (2, ♣)}. The corresponding Cartesian product has 52 = 13 × 4 elements. The Cartesian product of the suits × ranks would still be the 52 pairings, but in the opposite order {(♠, Ace), (♠, King), …}. Ordered pairs (a kind of tuple) have order, but sets are unordered. The order in which the elements of a set are listed is irrelevant; the deck can be shuffled and it is still the same set of cards.
Full outer join
A full outer join includes all rows from both tables, regardless of whether or not the other table has a matching value.
Here is what wikipedia has on full outer join: http://en.wikipedia.org/wiki/Join_(SQL)#Full_outer_join
Conceptually, a full outer join combines the effect of applying both left and right outer joins. Where records in the FULL OUTER JOINed tables do not match, the result set will have NULL values for every column of the table that lacks a matching row. For those records that do match, a single row will be produced in the result set (containing fields populated from both tables).
For example, this allows us to see each employee who is in a department and each department that has an employee, but also see each employee who is not part of a department and each department which doesn't have an employee.
Time to look at some code. First create these two really simple tables
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CREATE TABLE TableA (IDA int) GO INSERT TableA VALUES(1) INSERT TableA VALUES(2) INSERT TableA VALUES(3) GO CREATE TABLE TableB (IDB int) GO INSERT TableB VALUES(2) INSERT TableB VALUES(3) INSERT TableB VALUES(4) GO
CREATE TABLE TableA (IDA int) GO INSERT TableA VALUES(1) INSERT TableA VALUES(2) INSERT TableA VALUES(3) GO CREATE TABLE TableB (IDB int) GO INSERT TableB VALUES(2) INSERT TableB VALUES(3) INSERT TableB VALUES(4) GO
As you can see both table have 3 rows but only 2 rows are common to both tables. If we do a full outer join now, we will get back a result set that has 4 rows. We get 2 rows that are common to both tables, then we get 1 row from TableA which does not exist in TableB, we also get 1 row from TableB which does not exist in TableA
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SELECT * FROM TableA a FULL OUTER JOIN TableB b on a.IDA = b.IDB
SELECT * FROM TableA a FULL OUTER JOIN TableB b on a.IDA = b.IDB
Here is the output
As you can see there are two rows that have NULL in them, these are the ones that don't exist in both tables
Now, let's look at the cross join. We will get back 9 rows since we have 3 rows in both tables, output will be 3 x 3 rows
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SELECT * FROM TableA a CROSS JOIN TableB b ORDER BY a.IDA,b.IDB
SELECT * FROM TableA a CROSS JOIN TableB b ORDER BY a.IDA,b.IDB
Here is the output
As you can see for each row in TableA, you will get back all 3 rows from TableB
I got all kind of creative answer in responds to this question, some people were describing the cross join as an inner join or describing both join as being the same
If you want to read a little more about joins and a different way of doing a cross join, check out these two posts SQL Advent 2011 Day 15: Joins and SQL Advent 2011 Day 16: CROSS APPLY and OUTER APPLY


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Australia has a wide range of higher education institutions for prospective international students, offering educational courses across most subjects at a number of different levels to suit all applicants.
Some of the most popular courses in Australia are; Business and Management, Dentistry, Medicine, Pharmacy, Physiotherapy, Veterinary Science, Law & Criminal Justice, Environmental Science, Engineering & Education.
This article will guide you through the different types of educational institutions in Australia, as well as the steps that you will need to complete to apply to study in Australia as an international student.
Applying to study in Australia - A guide to institution types
Griffith University, Gold Coast, Queensland
There are around 40 universities in Australia. Most are public, but there are some also private institutions. The most popular programmes offered by Australian universities are bachelor degrees or bachelor degrees with honours. The duration of a bachelor degree can be three or four years.
Australian universities also offer the following awards:
- Associate degrees: duration of two years
- Advanced diplomas: duration of 24-36 months
- Diplomas: duration of 18-24 months
University courses usually begin in March and end in late November, though some mid-year courses are also available on selected courses.
The Australian Qualifications Framework (AQF) assures the quality of all awards offered by Australian universities. Institutions which self-accredit courses are not permitted to use the title of 'university'. Visit Australian Qualifications Framework, for more information.
Postgraduate courses
After obtaining a bachelor's degree, postgraduates can enrol on the following courses:
- The Graduate Certificate (six months minimum) and diploma (twelve months minimum), which are designed with an occupational focus to broaden skills obtained in the bachelor degree.
- The master's degree, which entails one/two years gaining an advanced overview of a particular field.
- The doctoral degree, which requires a considerable contribution to a particular area of study.
Institutes of Technical and Further Education (TAFE) and Vocational Education and Training (VET)
TAFE institutes offer vocational programmes for students. Vocational courses offer students practical experience and a more hands-on approach to learning. Australian vocational education and training institution courses are referred to as VET.
VET programmes of study can last between four and 36 months depending on the level of study you choose. VET courses are offered in a range of subjects and, depending on the course, students can sometimes be granted credits towards a degree programme. TAFE courses usually begin in February and end in December. Universities and private colleges may also offer vocational courses.
Browse TAFE courses on www.tafensw.edu.au
Private colleges
There are a number of small private colleges that tend to offer diploma and certificate study programmes. They specialise in vocational areas like hospitality and tourism, business, journalism or design.
Foundation courses
If students do not meet the academic requirements of a university or TAFE institute, they can enrol on a foundation programme. Often referred to as bridging courses, foundation courses are one-year intensive study programmes offered by universities and VET institutes as well as high schools.
English language schools
The main types of English language courses include:
- General English - development of communication, speaking and listening
- Examination preparation - preparation for IELTS or TOEFL qualifications
- ELICOS - English Language Intensive Courses for Overseas Students to allow students to progress onto further academic studies
- English for Academic Purposes (EAP) - preparation for studies at an Australian vocational institute or university
- English for specific purposes - preparation for studies in specific subjects such as English, business or tourism
KEEP READING: How To Apply To Study In Australia