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Yesterday West London outfit Chelsea were branded a joke because of the dismissal of double-winning manager Roberto Di Matteo, and then replacing him with Rafael Benitez, a man despised by many Blues fans.
Today they have been condemned by many after the FA dropped their investigation into allegations that referee Mark Clattenburg abused two Chelsea players during the 3-2 defeat to Manchester United last month.
Chelsea midfielder Ramires will come under scrutiny as a result of the statement released by the FA about the incident. It is clear that it was the Brazilian, not John Obi Mikel as many first thought, that made the accusation. It is the latest chapter of an ongoing racism saga that has blighted the Premier League over the last 12 months.
Recent racism problems in Premier League football:
October 2011
Chelsea captain John Terry is first accused via Youtube by an anonymous spectator of abusing QPR defender Anton Ferdinand.
December 2011
Liverpool forward Luis Suarez is handed eight match ban for calling Manchester United defender Patrice Evra 'negro' seven times in two minutes.
October 2012
John Terry handed four match ban for saying 'f***ing black c**t' to Ferdinand, having also been stripped of the England captaincy.
October 2012
Several black Premier League players refuse to endorse a 'Kick It Out' campaign by not wearing promotional T-shirts.
October 2012
Referee Mark Clattenburg accused of abusing two Chelsea players during match against Manchester United at Stamford Bridge.
Novermber 2012
The FA clear Clattenburg of any wrongdoing and investigation is dropped.
The FA said in their statement: "Equally The FA is satisfied that the allegation against Mark Clattenburg by Ramires was made in good faith. It is entirely possible for a witness to be genuinely mistaken and convincing in his belief."
Although it appears that Ramires did make the allegation for the right reasons, there will be many people who feel that players and people within football are far too quick to point the finger at others. Ramires' first language is not English, and what he heard was clearly a mistake as no other player, not even Mikel, heard the apparent words 'shut up you monkey' uttered by Clattenburg. All the other match officials were wearing headpieces connected to the referee and they all vehemently denied the allegations.
Although Ramires must have thought he heard something, he should have confided in other players and the match officials before making such outrageous accusations.
Once again this is poor press for Chelsea as their troubled week continues. Rafael Benitez's job seems to be getting harder and harder with every couple of hours and a win on Sunday against Manchester City is now paramount. With this article being written just minutes before Benitez's first press conference it has become obvious that he is going to have even more tricky questions to face than he would have first expected, indeed, if he does not speak about milk again than it may be seen as a success.
On the other hand this is exactly what the FA needed and Clattenburg will most likely be returned to refereeing duties this weekend after four weeks on the sidelines.


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There are many ways you can get connected to a bible study!
Men's bible study ~ Friday mornings 9:00 a.m. at the church office ~ now studying the book of Amos. Contact Steve Sagan for more information
Women's bible study ~ Thursdays at the church office. There are two options: 9:00 a.m. and 6:30 p.m. "Honest to God; A Master Class in the Lord's Prayer." Contact Kim Myers for more information. Embrace Bible Study lessons can be downloaded by clicking here
Shepherd's Gate bible study ~ Wednesday evenings, 7:00 p.m. at the church office. Shepherd's Gate Flyer

subset: commoncrawl


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Hampton Farms Premium Roasts
The main provider of in-shell peanuts in the United States recently updated their branding and packaging to evoke a fresh from the field feeling in a fun and friendly way. Hampton Farms was expanding their portfolio with a premium line of bold flavored nuts.
I had the challenge of designing the packaging and visual language for the new offering while still maintaining the equities of the core brand. The typography is bold and playful and I showcased each of the flavors with sensorial illustrations.
Packaging, Art Direction


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Steve Pleau to Springfield?
Submitted by pete on May 12, 2006 - 09:33
According to the Peoria Journal Star Head Coach Steve Pleau of the Peoria Rivermen [url=http://www.pjstar.com/stories/051106/RIV_B9PGUQC1.077.shtml]has decided not to return as the team's coach next season and is said to be interested in pursuing the vacancy in Springfield.[/url] Peoria finished 46-26-3-5 last season, Pleau's first as a head coach, good for 100 points and third in the AHL Western Conference's ultra tough West Division. Pleau had spent 7 years as the assistant coach with Worcester and has spent 8 years in total coaching at the AHL level for the St. Louis Blues organization. His father Larry Pleau is the Blues GM. Steve Pleau will not be able to speak to the Lightning, however, until his contract expires with the Blues on July 1st.
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We're excited to announce the promotion of several key members of the Slover Linett team and a new structure designed to enhance our ability to serve both higher education and arts & culture institutions.
Effective this week, all three of the firm's senior associates have assumed new leadership roles.
Bill Hayward has been named Vice President for Higher Education and will lead our work with colleges, universities, graduate schools, and other educational organizations. Hayward, a research and assessment veteran joined the firm in 2009 after 12 years as head of Northwestern University's Office of Institutional Research.
Sarah Lee has been named Vice President for Arts & Culture and will lead the firm's work with museums, performing arts organizations, and other cultural nonprofits and informal learning institutions. Lee has been affiliated with Slover Linett since 2004, first as a part-time research analyst while pursuing her doctorate in public policy at the University of Chicago, and since 2009 as senior associate for museums.
Chloe Chittick Patton has been appointed Vice President of Research Services, a role in which she will continue to oversee research projects for select arts and museum clients and also direct the firm's Chicago-based staff below the vice president level. Chittick Patton joined the firm in 2005 and most recently served as senior associate for the performing arts.
In addition, two of the firm's research analysts are taking on new responsibilities. Mike Hanus and Anne Lee have been named Associates, a position in which they will direct research, assessment, and evaluation studies in both sectors, with Hanus focusing on higher education and Lee (no relation to Sarah Lee) focusing on arts & culture. Hanus has been with Slover Linett since 2005, first on a freelance basis and since 2007 as a full-time research analyst. Lee joined the firm in 2007 and, like Hanus, has worked on a wide range of qualitative and quantitative projects.
The new structure, folding museums and performing arts together under the arts & culture banner, will encourage knowledge-sharing across different arts disciplines and organizational types. It also makes sense in light of the firm's increasing involvement in multi-institution and pan-sector research studies.
"It's no exaggeration to say this is a new era for the firm," says founder Cheryl Slover-Linett. "Bill, Sarah, and Chloe will be a new leadership team to help us continue the growth we've seen in recent years and extend ourselves in exciting directions in the future. And Mike and Anne have become such gifted, thoughtful researchers, it's a pleasure to see them step up to work in a more strategic role with our clients."
Slover-Linett's partner, Peter Linett, agrees. "The deepest rewards of our professional lives have come from watching these amazing people grow," he says. "We learn from them every day, and in these new roles our clients will be able to learn from them even more."
Please join us in congratulating Bill, Sarah, Chloe, Mike, and Anne on their new positions. (And stay tuned for an announcement of our newest research analyst, who will fill one of the vacancies left by Mike and Anne's promotions.)
Category: General


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1. CHICAGO (62-20) vs. 8. INDIANA (37-45)
Season series: Chicago, 3-1.
Key stat: The Pacers would have been No. 12 in the West, two games ahead of No. 13 Golden State.
Outlook: The Bulls were the best team after Thanksgiving (54-15 to the Spurs' 48-19), but they're about to see how different the playoffs are.
With real game-planning and focus, teams will walk away from non-shooting guards Keith Bogans and Ronnie Brewer and gang up even more on MVP-in-waiting Derrick Rose.


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Browsing Through The Online Mall To Find Fabletics
The internet can be a lot like a mall sometimes. For one thing, the whole world is right behind the computer screen. In some cases, it is right in the palm of a person's hands. Therefore, they can not only look at all of the different clothing stores that are available online but also learn about the different facts behind the stores. One thing about the internet is that it exposes information about almost every store which gives customers a better idea as to whether or not they want to do business with the company that sells clothes or other products.
One company that has a lot of information released about it is Fabletics. This is the star child of the TechStyle family. This company has used technology and fashion in order to bring about a change in fashion. Fabletics has taken a look at the activewear category and made some adjustments in the category in order to bring more attention to athleisure. This type of style takes the traditional clothing styles of activewear and mixes it up with different styles of clothing. This results in more variety in clothing for athletes. Even men get to experience more of a sense of adventure with the outfits that are offered by the brand.
Customers will find that the uniqueness does not stop with the products. They are also going to find that the website offers a lifestyle quiz for people who decide to register an account. Fabletics takes the membership seriously and expects each member to take it seriously because they are paying for the membership.
The approach of Fabletics is a lot different to the approach of online retailers. For one thing, Fabletics is a lot similar to club stores such as Costco. They have their customers sign up for memberships so that they can take advantage of the savings they could get from the items that are for sale. Then the customers get a free outfit each month as a bonus for their loyalty. This encourages customers to keep up with their shopping at TechStyle brands for their styling needs.


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Organise your system with our universal connector panels for the front and back of your rack in order to have the necessary interfaces easily accessible at all times,
clearly labelled and in the correct plug standard. The Neutrik connector panels are available with 12 or 16 holes that can be used to mount any different components.
The front panel with 1 RU is made of black anodised aluminium. The 3-mm panel is supported by a profile. A solid brass bracket serves as protection against contact
from behind and as strain relief for the soldered wiring.
Aluminium plate with reinforcing angle, cable strain relief bracket and designation strip.
Can be equipped with:
Receptacles of the A, B & D-series and other compatible series. The connector panels can be delivered fully assembled on request.
All necessary mounting screws are included.


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Delight as first snow of winter falls in Suffolk – with more on the way
PUBLISHED: 12:52 30 November 2017 | UPDATED: 14:46 30 November 2017
The first snow of winter has fallen in the Suffolk towns of Saxmundham, Bungay and Southwold. Is it snowing where you are? Send your pictures to us.
This morning a light dusting of snow was captured by residents in Southwold, including staff at Saint Felix School in Reydon.
As temperatures continue to fall to -1C and -2C, several snaps picturing the first snowfall of the season have emerged.
Jeremy Reeve managed to capture a series of photographs on the seafront in Southwold, while Liam Galway took an image from his window in Oulton Broad.
Weather forecasters are predicting that snow showers seen in Suffolk will continue throughout the afternoon and into the evening.
Phil Garner, from Weatherquest, said: "We will see showers continuing as we go through the afternoon. There is likely to be frequent snow showers falling, particularly over the east of the county.
"We may see some snow settling towards the end of the day and into the evening, perhaps a centimetre or two.
"Temperatures are likely to stay below freezing overnight but into tomorrow morning it's more likely we'll get rain and sleet.
"There could be a touch of frost tomorrow morning so icy roads could be a problem."
Met Office forecaster Helen Roberts said wintry showers most likely in eastern and northern parts of the UK.
She said: "As the showers push further inland by this afternoon and this evening, we could see them pushing as far inland as the Midlands, and it could turn to sleet and snow.
"There could be an accumulation but probably not a lot, like the North York Moors, where we have already got a few centimetres.
"Otherwise it will feel cold, with temperatures in the low to mid single figures.
"With the wind chill factor particularly it will feel quite a lot colder in some places.
She added: "It will definitely feel sub-zero and a temperature of 3C could feel more like minus 3C."


text:
Furniture ManufacturersNew(07) 3208 6345Send to mobile
Automatic SolutionsUnit 5/ 10 Compton Rd, Underwood, QLD, 4119Automatic Solutions Underwood is a locally owned business servicing the local Residential, Commercial and Industrial area. We specialise in the following * A complete turnkey install (electrical, concrete, automation) * Automation of existing gates * Servicing of existing gate and motors * Custom design to suit your house and tastes * Readymade gates to suit level driveways * Auto Access Control * Repairs and maintenance We pride ourselves on offering superior customer service and a stress free installation of your gates. If you are busy person and don?t have time to organise and complete any part of the install take advantage of our full turnkey installation. We have our own electricians and experienced installers to complete your install with ease. Please view our website for i...read moresponsored listing
Kitchen RenovationNew
CUT ABOVE Kitchens & CabinetsShed 1/ 63 Briggs Rd, Raceview, QLD, 4305sponsored listing
Electronic Equipment & Appliance ManufacturersNew(07) 3209 4201Send to mobile
Air Equipment (Sales) Pty Ltd36 Randall St, Slacks Creek, QLD, 4127sponsored listing
Furniture StoresNew(07) 3279 3188Send to mobile
Complete Cane Repairs & French PolishingRedbank, QLD, 4301sponsored listing
Building SuppliesNew0413 253 468Send to mobile
Ipswich Garage Doors19 Mining St, Flinders View, QLD, 4305sponsored listing
Furniture ManufacturersNew(07) 3812 7552Send to mobile
Options Cabinets QLDTivoli, QLD, 4305sponsored listing
Furniture StoresNew
Silglen Services Pty Ltd11 River Rd, Dinmore, QLD, 4303sponsored listing
Building SuppliesNew
GT Garage MotorsDrewvale, QLD, 4116sponsored listing
Office Fitout & InstallationNew(07) 3299 6614Send to mobile
MIB Men In Building Pty LtdMeadowbrook, QLD, 4131sponsored listing
Furniture ManufacturersNew(07) 3208 0428Send to mobile
K-Jay Kitchens49-53 Allgas St, Slacks Creek, QLD, 4127sponsored listing
Furniture ManufacturersNew1800 063 136Send to mobile
Shoji Screens & Doors9 Nevilles St, Underwood, QLD, 4119sponsored listing
Plastic & Fibreglass ManufacturersNew(07) 3209 9733Send to mobile
Paradise PVC Welding Pty Ltd90 Chetwynd St, Loganholme, QLD, 4129sponsored listing


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WELCOME to the website of InAbba.
May you also feel a welcome into the love of God, the Father, "Abba," the
Son, Jesus Christ, and the Holy Spirit. InAbba is
simply a team of people who are seeking to know this love more and
more and to share
the journey with others. This website will give you basic information
about who we are, our mission and our services. Our prayer for you
is this: "May the Lord direct your hearts into God's love
and Christ's perseverance." (Bible: 2 Thessalonians 3:5,
Olson, for the InAbba Team.
InAbba exists to serve individuals, groups and organizations who desire to direct their lives and communities from the center point of a relationship with God. InAbba is based on the revelation of God, "Abba," in the Bible: One God who is Father, Son Jesus Christ, and Holy Spirit. InAbba is an education, consultation and training service for those who are pursuing a stronger relationship with God. A primary service of InAbba is spiritual direction, available in person to residents of the San Francisco and Seattle areas, USA, and via telephone, e-mail, or Skype to persons living anywhere.
InAbba operates in a simple business model, based in San Francisco,
California, USA. It does not hold non-profit status and earns its
income through sales and fees for service.


text:
With worldwide partnerships, cutting-edge system technology and service quality with high standards, AirTrip provides customers with variety and quality at an incomparable price.
Worldwide Partnerships & Cutting-Edge System Technology
The AirTrip system was designed to speedily match the best combination of travel products to meet our customers' demands.
Our large pool of exclusive fares with airlines and our strong connections with low cost carriers provide optimal pricing that is beyond compare.
Service Quality with High Standards
With over 35 years of experience as one of the top travel agencies in Japan, we bring a high-standard of service quality to places all over the world. We are constantly improving the user interface of site and customer support to insure an easy and satisfying booking experience.


text:
Spice up your pizza with our Butter Chicken Curry Mix!
An ideal vegetable pakora recipe for a snack or side.
Red Chillie, Turmeric, Cloves, Coriander… Daksha's Gourmet Spices offers a wide variety of fresh, clean and delicious spices.
Experience authentic flavours of the finest gourmet spice blends and recipes handed over centuries in our family.
Keep in touch with Daksha to find out about events and classes... plus you don't want to miss her latest recipes!
Use our Butter Chicken Curry Mix to add a spicy twist to your pizza.


text:
Ganta Free Icon
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Picture SquaresStyle
1.000 2011 initial releaseCompany
Paulo W, Intellecta DesignTrademark
Picture Squares is a trademark of Paulo W, Intellecta Design.Copyright
Copyright (c) 2011 by Paulo W, Intellecta Design. All rights reserved.Description
Copyright (c) 2011 by Paulo W, Intellecta Design. All rights reserved.
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Grixel Acme 5 Wide XtndStyle
Nikos GiannakopoulosTrademark
Grixel - Greek Pixel Fonts Developed by Nikos Giannakopoulos 2006 Visit www.grixel.gr for more Greek pixel fonts.Description
Read the guidelines on the website [www.grixel.gr] or on the pdf that came along with the font, for proper use.
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Marianina XWd FY is a trademark of FONTYOU.Copyright
Copyright (c) 2014 by FONTYOU. All rights reserved. www.fontyou.comDescription
A copy of the END USER LICENSE AGREEMENT to this font software can be found online at shop.fontyou.com/#url=/contents/terms/03072013
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SUDTIPOS. Disenada por Alejandro Paul y Alfredo Graziani. Todos los derechos reservados. Buenos Aires, ArgentinaCopyright
Copyright 2004, SUDTIPOS. Disenada por Alejandro Paul y Alfredo Graziani. Todos los derechos reservados. Buenos Aires, Argentina.Description
Copyright 2004, SUDTIPOS. Disenada por Alejandro Paul y Alfredo Graziani. Todos los derechos reservados. Buenos Aires, Argentina.
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Luke Turvey, OkayCat!Author
Luke Turvey, OkaycatTrademark
LOLO Dingcats is a trademark of Luke Turvey, OkayCat!.Copyright
Copyright (c) 2008 by Luke Turvey, OkayCat!. All rights reserved.Description
Copyright (c) 2008 by Luke Turvey, OkayCat!. All rights reserved.
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Ayar TakhuStyle
Ayar Unicode GroupAuthor
Ayar Unicode GroupTrademark
Ayar is a trademark of Ayar Unicode Group.Copyright
Copyright (c) 2009 by Ayar Unicode Group. All rights reserved.Description
This is Copyright2008 byAyar Unicode Group. All right reserved.
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Torleiv Georg SverdrupAuthor
Torleiv Georg SverdrupTrademark
P22 Speyside Pro Smbd is a trademark of Torleiv Georg Sverdrup.Copyright
Copyright (c) 2010 by Torleiv Georg Sverdrup. All rights reserved.Description
Copyright (c) 2010 by Torleiv Georg Sverdrup. All rights reserved.
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Dino dos Santos _DSTypeAuthor
Dino dos SantosTrademark
Large-Extra is a trademark of Dino dos Santos _DSType.Copyright
Copyright (c) 2006 by Dino dos Santos _DSType. All rights reserved.Description
Copyright (c) 2006 by Dino dos Santos _DSType. All rights reserved.
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Alan MeeksAuthor
Alan MeeksTrademark
Spartacus is a trademark of Alan Meeks.Copyright
Copyright (c) 2014 by Alan Meeks. All rights reserved.License
1.Definition 'Software' refers to the electronic data contained within the files provided. AlanMeeks.com is the sole owner of this software. 2. Grant of Licence In consideration of payment of the licence fee, AlanMeeks.com grants to you (the Licensee) and the Licensee agrees to accept a non-exclusive right to use this software. This software may be installed on the agreed number of personal computers, at a single location, paid for at the time of purchase. To use this software on more that this number of personal computers or at multi-sites the Licensee must purchase a new license from AlanMeeks.com. 3. Ownership and Proprietary Information AlanMeeks.com retains all rights, title and interest to the Software and its design. This title and ownership extends to copies of the data installed on any computer, downloaded to any output device or retained on other media by the Licensee as a backup. This Licence does not constitute an exclusive sale of the original product to the Licensee. The Licensee agrees to protect the Software and proprietary information of AlanMeeks.com by establishing reasonable procedures regulating access to and use of the software. The software is licensed only to the Licenses, and may not be re-assigned, transfer or sub-licence to a third party at any time without prior written consent from AlanMeeks.com. 4. Permitted Use The Licensee agrees not to duplicate, modify, translate, adapt, disassemble, reverse engineer, or create derivative works based on the electronic data or printed hard copy of this software without written consent from AlanMeeks.com. AlanMeeks.com should be given first option to carry out any said modifications of the font. 5. Limited Warranty If the electronic data contained in this software is found to be defective within 90 days of the date of delivery to the Licensee, AlanMeeks.com will replace the product at no charge to the Licensee, providing that there is proof of purchase. The entire risk of performance and quality of this product is with the Licensee. AlanMeeks.com does not warrant that this software will work with all other software products, future operating systems or that it will satisfy your requirements. 6. Disclaimer The product is provided as is. AlanMeeks.com does not make any warranty of any kind, either expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. No oral or written information or advice given by AlanMeeks.com will create a warranty or in any way increase the scope of this warranty. AlanMeeks.com shall not be liable for any direct, indirect, consequential, or incidental damages (including damages from loss of business profits, business interruption and loss of business information) arising out of the use or inability to use this product. 7. Termination This Agreement is effective until terminated. This Agreement will terminate automatically if the Licensee fails to comply with the terms of this Licence and such failure not remedied within thirty (30) days after notice from AlanMeeks.com. When this Licence expires or is terminated, the Licensee shall immediately cease all use of the Software and shall either return to AlanMeeks.com or provide written verification that the product has been destroyed. 8. General You agree to ensure that your employees or any person having access to the software or copies, are informed of and abide by the terms and conditions of this licence agreement. This licence is governed by the laws of England and any dispute concerning this Agreement shall be submitted to the Courts of England.BY PROCEEDING WITH THE PURCHASE OF THIS SOFTWARE AND PLACING YOUR ORDER, YOU ARE AGREEING TO BE BOUND BY THE LICENCE TERMS ABOVE. ONCE PURCHASED THIS SOFTWARE IS NON REFUNDABLE.AlanMeeks.com Tel. +44 (0) 1494 763 012 Fax. +44 (0) 1494 765 810 www.alanmeeks.com
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SF Automaton ExtendedStyle
ver 1.0; 2000. Freeware for non-commercial use.Author
ShyFonts Type FoundryTrademark
SF Automaton Extended is a trademark of the ShyFonts Type Foundry.Copyright
Copyright (c) ShyFonts Type Foundry, 2000. All rights reserved.Description
SF Automaton Extended is a trademark of the ShyFonts Type Foundry.
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Enhanced LED Board-7Style
Sizenko AlexanderCopyright
Copyright (c) 2013 by Style-7. All rights reserved. http://www.styleseven.comLicense
Freeware for personal using only.
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Jonathan Barnbrook and Marcus McCallionAuthor
Jonathan Barnbrook and Marcus McCallionTrademark
Melancholia Regular is a trademark of VirusFonts.Copyright
Copyright (c) 2004 VirusFonts. All rights reserved.Description
Copyright (c) 2004 VirusFonts. All rights reserved.License
====================================End User License Agreement (EULA)====================================By downloading and/or installing Virus Fonts software you agree to the following terms:1. The Virus Font Software is licensed for use at one (1) location with a maximum of five (5) devices. For example: five (4) CPUs and one (1) printer.2. Use of the Virus Font Software at more than one (1) location or with more than six (5) devices requires a Multi-Device Site License upgrade. To determine the number of devices, add up all CPUs, workstations, printers, and other devices that use the fonts. A device may be, but is not limited to, a printer, rasterizer, video display terminal, CPU, workstation or any device where the font software is rasterized or display of the Virus Font is generated from font software outlines using Adobe Type Manager or similar software. For example, a display terminal shall be considered a device if the Virus Font outline is embedded or otherwise included for viewing by end users in a multimedia CD.3. Except as permitted herein, you may not modify, adapt, translate, reverse engineer, decompile, disassemble, alter or otherwise copy the Virus Font Software.4. You are permitted to make a single back-up copy. The Virus Font Software or documentation may not be sublicensed, sold, leased, rented, lent, or given away to another person or entity.5. The Virus Font Software may be returned or exchanged only if defective. Defective software will be replaced when accompanied by a valid sales receipt and Virus is notified within one (1) week of purchase.6. You agree that any derivative works created by you from the Virus Font Software, including, but not limited to, software, EPS files, or other electronic works, are considered derivative works and use of the derivative work is subject to the terms and conditions of this License Agreement. Derivative works may not be sublicensed, sold, leased, rented, lent, or given away without written permission from Virus. Virus shall not beresponsible for unauthorized, modified and/or regenerated software or derivative works. Embedding of the Virus Fonts Software in any form is strictly prohibited without an additional license.7. The Virus Font Software is protected under domestic and international trademark and copyright law. You agree to identify the Virus fonts by name and credit Virus's ownership of the trademarks and copyrights in any design or production credits.8. Any breach of the terms of this Agreement shall be cause for termination. In the event of termination, and without limitation of any remedies under law and equity, you agree to immediately return the Font Software to Virus and certify that no copy remains in your possession or control.9. VIRUS MAKES NO WARRANTIES, EXPRESS OR IMPLIED AS TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR OTHERWISE. WITHOUT LIMITING THE FOREGOING, VIRUS SHALL IN NO EVENT BE LIABLE TO THE LICENSED USER OR ANY OTHER THIRD PARTY FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF NOTIFIED IN ADVANCE. UNDER NO CIRCUMSTANCES SHALL VIRUS'S LIABILITY EXCEED THE REPLACEMENT COST OF THE SOFTWARE.License UpgradesThe Virus Font Software is licensed for use at a single location for use with a maximum of six (6) devices. For example: (1) printer with up to five (5) CPUs. The Virus Font Software may not be shared between locations or business entities. Each additional location and/or entity must purchase a separate license to be used in accordance with the terms of the Virus Font Software License. License upgrades may be purchased for use with additional devices. The upgrade price is calculated as a percentage of the original price of the software.Some states or jurisdictions do not allow the exclusion or limitations of implied warranties and incidental, consequential or special damages. The exclusions or limitations contained in the Virus Font Software License Agreement may not apply to you. Restrictions to exclusions and/or limitations of the Virus Font Software License Agreement shall only be effective to the minimum extent permitted by your state or jurisdiction and only if required by your state or jurisdiction. Under no circumstances shall the exclusions and/or limitations of the Virus Font Software License Agreement be greater than thirty (30) days after the date of purchase or the minimum time allowed by your state or jurisdiction, whichever is shorter. Thereafter, all the exclusions and/or limitations of the Virus Font Software License Agreement shall apply. The Virus Font Software License Agreement gives you specific legal rights and you may have other rights that vary from state to state.
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Alex Kaczun, dba Type InnovationsTrademark
Misses Twiggs is a trademark of Alex Kaczun, dba Type Innovations.Copyright
Copyright (c) Alex Kaczun, dba Type Innovations, 2010. All rights reserved.Description
The digitally encoded machine readable software for producing the Typefaces licensed to you is copyrighted (c) 2010 Alex Kaczun, dba Type Innovations. All Rights Reserved. This software is the property of Alex Kaczun, dba Type Innovations, and its licensors, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Alex Kaczun, dba Type Innovations.
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Expanded StripesVersion
Daniel AngermannAuthor
Daniel AngermannTrademark
Drebiek Expanded Black is a trademark of Daniel Angermann.Copyright
Copyright (c) 2008 by Daniel Angermann. All rights reserved.Description
Copyright (c) 2008 by Daniel Angermann. All rights reserved.
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Monotype Imaging Inc.Trademark
Gothic No 1 is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions.Copyright
Copyright 1993 Monotype Imaging Inc. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:www.monotypeimaging.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.monotypeimaging.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.monotypeimaging.com/html/type/license.htmlPara obtener informacin acerca de los trminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.monotypeimaging.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.monotypeimaging.com/html/type/license.html
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1.00 January 5, 2013, initial releaseCompany
FontStruct is a trademark of FSI FontShop International GmbHCopyright
Copyright imagex 2012Description
Star Dots was built with FontStructLicense
Creative Commons Attribution Share Alike
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Dieter HofrichterAuthor
Dieter HofrichterTrademark
EpocaClassic is a trademark of Dieter Hofrichter.Copyright
Copyright (c) 2012 by Dieter Hofrichter. All rights reserved.License
Hoftype Standard LicenseBy buying this font you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Hoftype, constitutes the complete agreement between you and Hoftype.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact email@example.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Hoftype' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to the foundry owning the font. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of the foundrys intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Hoftype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesHoftype may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyHoftype warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Hoftype' entire liability and your exclusive remedy as to a defective product shall be, at Hoftype' option, either return of purchase price or replacement of any such product that is returned to Hoftype with a copy of the invoice. Hoftype shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. Hoftype DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Hoftype does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.Hoftype SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF Hoftype HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of Germany.
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Ray LarabieAuthor
Ray LarabieTrademark
Uniwars is a trademark of Typodermic FontsCopyright
Copyright (c) 2009 Typodermic Fonts. This font is not freely distributable. Visit typodermic.com for more info.Description
Please read the current Typodermic Fonts license agreement at http://www.typodermic.com/license.html
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Pleasingly Plump NFStyle
Nick's FontsAuthor
Nick CurtisCopyright
Copyright (c) 1999, 2006 Nick Curtis. All Rights Reserved. Distributed under non-exclusive license by 1001 Free Fonts.License
By using or installing this font data, you (or you on behalf of your employer) agree to be bound by the terms of this Agreement. This Agreement constitutes the complete agreement between you and Nick's Fonts.YOU MAY:-Send a copy of any Nick's Fonts font data along with your documents to a commercial printer or other service bureau to enable the editing or printing of your document.-Use this font data to embed fonts within PostScript files or PDF files for distribution, viewing, and imaging to third parties.-Use this font for personal projects or for projects for which you are paid including, but not limited to, artwork, logotypes, personalized apparel, word art and web graphics.YOU MAY NOT:-Modify, adapt, translate, reverse engineer, decompile, disassemble or create derivative works based on the Nick's Fonts font data without Nick's Fonts's prior written consent.-Sell this font data AS FONT DATA to a third party under any circumstances including, but not limited to, rubber-stamp alphabets, die-cut alphabets, rub-on alphabets, or digitized fonts for embroidery. NICK'S FONTS SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL OR INCIDENTAL DAMAGES ARISING OUT OF THE USE OF OR INABILITY TO USE THE NICK'S FONTS FONT DATA.
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Phil's Fonts, IncAuthor
Phil's FontsTrademark
Freight is a trademark of Phil's Fonts Inc & Joshua DardenCopyright
Copyright 2004-2013, Phil's Fonts Inc & Joshua Darden. All rights reserved. Published by Garagefonts USA 301-879-9222 www.garagefonts.comLicense
Phils Fonts/GarageFonts End User License AgreementSoftware means the computer program contained in this package (which may include digitally en- coded, machine readable, scalable outline font data as encoded in special format), together with all codes, techniques, software tools, formats, designs, concepts, methods and ideas associated with the computer program and all documentation related thereto.Phils Fonts, Inc./GarageFonts (Phils), hereby grants you, and you agree to accept a non-exclusive, non-transferable, limited license (the License) to use the Software solely for your own customary business or personal purposes. Under the terms of this License Agreement, you have the right to use the software on up to five (5) CPUs.If you need to have access to the Software on more than five (5) CPUs, you must pay Phils the ap- plicable fees for typefaces used in a multi-system environment. You acknowledge that licensing fees for the Macintosh and PC formats are separate and individual fees.You may embed the Software into electronic documents for use on computers that are not Licensed Computers, subject to the following restrictions: (a) the electronic documents are distributed in a se- cure format that allows only printing and viewing, and prohibits editing, selecting, enhancing or modi- fying the text; and (b) the electronic documents are for personal or internal business use. If you are unable to limit access to the document to view and print only, then the electronic document may not be used on computers that are not Licensed Computers.You may embed the Software into electronic documents for use on computers that are Licensed Computers provided that the electronic documents are for personal or internal business use.Without the purchase of an additional license, you may not otherwise embed the Software. For ex- ample and without limitation: (i) You may not embed the Software into your hardware, software or other products, such as, application programs, electronic games, e-books, kiosks, printers, etc.; (ii) You may not embed the Software into your web pages; and (iii) You may not embed the Software into electronic documents that permit editing, selecting, enhancing or other modifying of the text.This means that the Software may not be embedded or otherwise used in non-static files (e.g. web animation or movies) that may be accessed by computers that are not Licensed Computers. For example: (A) you may not use the Software in an Adobe Flash file, Microsoft Silverlight file or similar file format and post on, or incorporate into, your web site; (B) you may not use the Software with Avid, Chyron, Harris, Vizrt or application software for broadcast graphics without a custom license.Depending upon the desired usage of the Software, Phils Fonts will allow embedding of the Software in certain situations with the purchase of an additional license.No rights are granted to you other than a License to use the Software on the terms expressly set forth in this Agreement.You agree to maintain the Software and other proprietary information in strict confidence and to es- tablish reasonable procedures regulating access to and use of the Software.You will not make or have made, or permit to have made any copies of the Software or portions there- of, except as necessary provided, however, that you may make one copy for back-up purposes for its use with the authorized number of systems hereunder. You agree that any such copies shall contain the same proprietary notices which appear in the Software.Except as stated above, this Agreement does not grant you any right to patents, copyrights, trade secrets, trade names, trademarks (whether registered or unregistered), or any other rights, franchises or licenses in respect of the Software.You agree that you will not modify, alter, disassemble, decrypt, reverse engineer or decompile the Software.This License shall continue until the last use of the Software, unless sooner terminated. This License may be terminated by Phils if you fail to comply with the terms of this License and such failure is not remedied within thirty (30) days after notice from Phils. When this License expires or is terminated, you shall either return to Phils or destroy all copies of the Software as requested.You agree that you will not export or re-export the Software in any form without the appropriate United States and foreign government licenses.The parties agree that all warranties, express or implied, including warranties of fitness for a particular purpose, merchantability and noninfringement are excluded.Your sole and exclusive remedy and the sole liability of Phils in connection with the Software is re- pair or replacement of defective parts, upon their return to Phils. In no event will Phils be liable for lost profits, lost data or any other incidental, or consequential damages, or any damages caused by abuse or misapplication of the Software.You shall not sublicense, sell, lease or otherwise transfer the Software without the prior written con- sent of Phils.Use, duplication or disclosure by the Government is subject to restrictions as set forth in subpara- graph (c)(1)(ii) of the rights in Technical Data and Computer Software clause at 252.227-7013. Mary- land, USA law governs this agreement.You acknowledge that you have read this agreement, understand it, and agree to be bound by its terms and conditions. Neither party shall be bound by any statement or representation not contained in this agreement. No change in this agreement is effective unless written and signed by properly au- thorized representatives of each party. By opening this package or downloading these font files from the internet you agree to accept the terms of this agreement.Call Phils Fonts if you need to purchase additional licensing. In USA and Canada call 1-800-424-2977, all others call 1-301-879-9222. Fax: 1-301-879-9227.Phils Fonts/GarageFonts License Upgrade ScheduleEach Phils Fonts/GarageFonts Font package is automatically licensed for use with five (5) computers (CPUs) at a single (1) location(site) in a single format (e.g. Mac PostScript). Licenses for additional CPUs must be purchased. Individual sites, persons or business entities must purchase individual licenses beginning with the original price. The following upgrade cost schedule is calculated based on multiples of the original list price of each font or family:------------------------------------------------- 6 to 25 CPUs, multiply original font or family price by 1 ------------------------------------------------- 26 to 50 CPUs, multiply original font or family price by 2 ------------------------------------------------- 51 to 75 CPUs, multiply original font or family price by 3 ------------------------------------------------- 76 to 125 CPUs, multiply original font or family price by 4 ------------------------------------------------- 126 to 175 CPUs, multiply original font or family price by 5 ------------------------------------------------- 176 to 250 CPUs, multiply original font or family price by 6 ------------------------------------------------- 251 to 375 CPUs, multiply original font or family price by 8.5 ------------------------------------------------- 376 to 500 CPUs, multiply original font or family price by 11 ------------------------------------------------- 501 to 625 CPUs, multiply original font or family price by 13.5 ------------------------------------------------- 626 to 750 CPUs, multiply original font or family price by 16 ------------------------------------------------- 751 to 875 CPUs, multiply original font or family price by 18.5 ------------------------------------------------- 876 to 1000 CPUs, multiply original font or family price by 21 ------------------------------------------------- For more than 1,000 CPUs use the following formula to get multiplication factor:CPUs: In increments of 250. (maximum number of CPUs divided by 100) plus 11 (=Multiplier). Example: End user has 1350 CPUs, so the Multiple User License price is to be calculated as follows: (1500 divided by 100) + 11 = 26 (= MultipPhil'sFonts,Inc: FreightNeo Pro Semi: 2013
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ParaType, Inc.Author
Morris Benton, Dmitry KirsanovCopyright
Copyright (c) 1990-2003 Bitstream Inc. Partial Copyright (c) 2005, ParaType Inc. All rights reserved.Description
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Active ImagesAuthor
John 'JG' RoshellTrademark
CCSignLanguage is a trademark of Active Images.Copyright
Copyright (c) 2013 by Active Images. All rights reserved.License
Active Images Font License AgreementPlease read this license agreement carefully before youinstall your fonts. By installing fonts sent to you byACTIVE IMAGES, you accept this license agreement. If you donot accept the terms and conditions of this license, do notinstall the fonts in question.1. LICENSE Active Images is the exclusive owner of theelectronically transferred computer lettering fonts. Wegrant you, and you accept, a non-exclusive license to usethe electronically transferred fonts, but you are not theowner of them. Your right to use the fonts under thislicense agreement is called the license. By fonts, we referto the electronically transferred fonts and any embodimentor use that you make of the fonts in any form.2. AUTHORIZED USER AND USE You alone, as the purchaser ofthe fonts, are authorised to use the fonts under the licensefor personal, business or distributed projects. With fewexceptions: fonts are licensed for use on 5 CPUs and/or 1output device. Additional licenses are available on a ratioof 5 CPUs to 1 output device. Call us if you are not clearon whether you require additional licenses. Any otherduplication or use by any other person or entity constitutessoftware piracy, a criminal offense.3. LIMITED WARRANTY Active Images makes no warranties,express or implied, regarding the electronically transferredcomputer software, its merchantability or its fitness forany particular purpose.Active Images warrants the magnetic media to be free fromphysical defects for 90 days, after purchase. Active Imageswill replace the disk free of charge should it fail withinthis time. These fonts are sold for use only on the computerplatform indicated on the packaging. Use of these fonts onany platform other than that for which it was originallyintended is not recommended and invalidates any warranty.Active Images reserves the right to terminate this Licenseat any time and void your license if you fail to comply withthe terms and conditions of this License.If you have any questions about the License Agreement, ourreturn policy, security and on-line ordering, or anythingelse, please feel free to contact us email@example.com, or at the telephone number below.ACTIVE IMAGES8910 Rayford DriveLos Angeles, CA 90045Tel: 310 215-0362Fax: 775 890-5787www.activeimages.com
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Ramiz GuseynovAuthor
Ramiz GuseynovTrademark
Octa Stencil is a trademark of Ramiz Guseynov.Copyright
Copyright (c) 2008 by Ramiz Guseynov. All rights reserved.Description
Copyright (c) 2008 by Ramiz Guseynov. All rights reserved.
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David KerkhoffAuthor
David KerkhoffTrademark
Sunday Monday is a trademark of David Kerkhoff.Copyright
Copyright (c) 2010 by David Kerkhoff. All rights reserved.License
END USER LICENSE AGREEMENTBy installing, copying, or otherwise using fonts by David Kerkhoff, you agree to be bound by the terms of this EULA. This license agreement represents the entire agreement, concerning the font, between you and David Kerkhoff (a.k.a. Hanoded Photography), (referred to as licenser), and it supersedes any prior proposal, representation, or understanding between the parties. If you do not agree to the terms of this EULA, do not install or use fonts by David Kerkhoff. Any font by David Kerkhoff is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The fonts are licensed, not sold.1. GRANT OF LICENSE.The font is licensed as follows:(a) Installation and Use.David Kerkhoff grants you the right to install and use the font(s) for any purpose you see fit (except those mentioned in (d) exceptions), commercial or non-commercial, on websites or in print, as long as you do not sell or resell the font(s) on their own, or claim them as your own. You can install the font(s) on one computer only.(b) Backup Copies.You may make copies of the font(s) as may be necessary for backup and archival purposes.(c) EmbeddingFonts by David Kerkhoff may not be embedded in software, games, computer programs or the like. For this a special license is required. Embedding in PDF or print, in graphics, images or vectors is granted and no special license is required.(d) Exceptions Fonts by David Kerkhoff may NOT be used for pornographic, derogatory, defamatory or racist material (in any form, printed or virtual); fonts by David Kerkhoff may NOT be used by individuals or companies involved in child abuse, child pornography or child labour; fonts by David Kerkhoff may NOT be used by individuals or companies involved in destruction of natural resources and/or habitat, logging (even legal), palm oil exploitation/harvesting, tuna fishing, whaling, animal trafficking (be they wild or domesticated), oil and/or gas drilling or transporting and mining. Fonts by David Kerkhoff may NOT be used by missionaries, individuals or institutions of any creed or faith for the purpose of converting others to their creed or faith. Fonts by David Kerkhoff may NOT be used to instigate terror, hate, intolerance, fear or racism.2. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS. (a) Maintenance of Copyright Notices. You must not remove or alter any copyright notices on any and all copies of fonts by David Kerkhoff and you may not alter any information contained within the font itself. (b) Distribution. You may not distribute registered copies of fonts by David Kerkhoff to third parties in any way; not for free/as a gift, nor for money/exchange of goods. (c) Prohibition on Modifications, Enhancements, Alterations. You may not alter, modify, enhance or decompose any fonts made by David Kerkhoff, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.3. TERMINATIONWithout prejudice to any other rights, David Kerkhoff may terminate this EULA if you fail to comply with the terms and conditions of this EULA. In such event, you must destroy all copies of David Kerkhoff's fonts in your possession.4. COPYRIGHTAll title, including but not limited to copyrights, in and to fonts by David Kerkhoff and any copies thereof are owned by David Kerkhoff or his suppliers. All title and intellectual property rights in and to the content which may be accessed through use of fonts by David Kerkhoff is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants you no rights to use such content. All rights not expressly granted are reserved by David Kerkhoff.5. NO WARRANTIESDavid Kerkhoff expressly disclaims any warranty for the font(s). Fonts by David Kerkhoff are provided 'As Is' without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, non-infringement, or fitness of a particular purpose. David Kerkhoff does not warrant or assume responsibility for the accuracy or completeness of any glyph, character, picture or accent within the fonts. David Kerkhoff further expressly disclaims any warranty or representation to Authorized Users or to any third party.6. LIMITATION OF LIABILITYIn no event shall David Kerkhoff be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) rising out of 'Authorized Users' use of or inability to use fonts by David Kerkhoff. David Kerkhoff shall have no liability with respect to the content of any fonts by David Kerkhoff, or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information. 2010/2011 David Kerkhoff / Hanoded Photographywww.hanodedphotography.com
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SF Archery BlackStyle
Derek VogelpohlTrademark
SF Archery Black Oblique is a trademark of ShyFoundry.Copyright
Copyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.Description
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.License
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
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SF Alien Encounters SolidStyle
Derek VogelpohlTrademark
SF Alien Encounters Solid is a trademark of ShyFoundry.Copyright
Copyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.Description
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.License
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
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Ramiz GuseynovAuthor
Ramiz GuseynovTrademark
Haggard SC is a trademark of Ramiz Guseynov.Copyright
Copyright (c) 2010 by Ramiz Guseynov. All rights reserved.Description
Copyright (c) 2010 by Ramiz Guseynov. All rights reserved.
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Jonathan HillAuthor
Jonathan HillTrademark
Teletex is a trademark of Jonathan Hill.Copyright
Copyright (c) 2010 by Jonathan Hill. All rights reserved.License
By Installing any of The Northern Block fonts on your computer, you agree to the terms of use set forth by The Northern Block. Details can can be found at: http://www.thenorthernblock.co.uk/fonts_faq.htm. Use of this font software by unlicensed parties is expressly prohibited.
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Jeremy DooleyAuthor
Jeremy DooleyTrademark
Ainslie is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.Description
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.
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Ray LarabieAuthor
Ray LarabieTrademark
Vibrocentric is a trademark of Ray Larabie.Copyright
(c) 1999 Ray Larabie. See attached license agreement for more information. If EULA is missing, visit www.larabiefonts.com for an updated version of this font.Description
To see more fonts by Ray Larabie, visit Typodermic.com and LarabieFonts.com
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Ascender CorporationAuthor
Steve MattesonTrademark
Ascender Serif is a trademark of Ascender Corporation which may be registered in certain jurisdictions.Copyright
Digitized data copyright (c) 2005 Ascender Corporation. All rights reserved.License
This font software is the valuable property of Ascender Corporation and/or its suppliers and its use by you is covered under the terms of a license agreement. This font software is licensed to you by Ascender Corporation for your personal or business use on up to five personal computers. You may not use this font software on more than five personal computers unless you have obtained a license from Ascender to do so. Except as specifically permitted by the license, you may not copy this font software.If you have any questions, please review the license agreement you received with this font software, and/or contact Ascender Corporation. Contact Information:Ascender CorporationWeb http://www.ascendercorp.com/
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Ramiz GuseynovTrademark
Centima Mono Light Italic is a trademark of TipografiaRamis.Copyright
Copyright (c) 2012 by TipografiaRamis. All rights reserved.Description
Copyright (c) 2012 by Ramiz Guseynov. All rights reserved.
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Chic Chalk is a trademark of Kustomtype.Copyright
Chick Chalk (c) 2015 by Kustomtype. All rights reserved.Description


text:
Bradley Cooper
Bradley Cooper images Bradley- Failure to Launch stills HD wallpaper and background photos
Bradley- Failure to Launch stills. . HD Wallpaper and background images in the Bradley Cooper club tagged: bradley cooper movies bradley hot cooper actor photo failure to launch.
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Keyword: bradley cooper, movies, bradley, hot, cooper, actor, failure to launch
This Bradley Cooper photo might contain portrait, headshot, and closeup.


text:
Messed and entwined.
Like a promise to hold on.
Much like you made,
That night in the lawn.
One soul, you wowed.
Like a root,
Letting her children.
Branch out and bow.
On your knee you sat.
Messed everything up so bad.
Proposed me nonetheless.
Fool that i was, i said yes.
Beautiful as a sunny day.
Our marriage grew every day.
Not the way you would expect.
But, like the waist cut from a belt.
Kicked in the nerve so hard.
You shoved a blow.
I fell away too far.
Moment struck, we hit the low.
Now it's just a mess.
I wait for your minute,
To confess.
But you won't, knowing so, i leave my side of the bed.


text:
What do think of when I say 'elevator pitch'?
Do you think of brazen sales people pitching uninterested buyers?. Probably - and I want to dispel this myth - and in fact show that having an elevator pitch can be useful tool to more than just the sales force.
"The purpose of an elevator pitch isn't to close the sale. It's to describe a situation or solution so compelling that the person you're with wants to hear more even after the elevator ride is over." Seth Godin


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text:
|Rediff India Abroad Home | All the sections
Advani to make a statement on UP tape
March 04, 2003 16:34 IST
The Union government on Tuesday promised to make a statement in the Lok Sabha on Wednesday on the controversial Uttar Pradesh tape.
The Samajwadi Party on Monday had submitted a video tape to Governor Vishnukant Shastri allegedly showing Chief Minister Mayawati asking her Bahujan Samajwadi Party legislators to contribute to the party fund from their constituency development kitty.
Acting on Speaker Manohar Joshi's directive, Parliamentary Affairs Minister Sushma Swaraj said she had spoken to Deputy Prime Minister Lal Kishenchand Advani and he had sought a day's time to collect relevant information from the state government.
The issue led to uproarious scences in both the Lok Sabha and the Rajya Sabha.
In the Lok Sabha, the SP members trooped into the well of the House charging Mayawati with "encouraging corruption."
The SP members were supported in the Lower House by Rashtriya Janata Dal leader Raghuvansh Prasad Singh and�P R Dasmunsi of the Congress.
More reports from Uttar Pradesh
Read about: Ayodhya Dispute | Madhumita Murder Case


text:
Questions? 1.847.298.9200
Double D Contractors, Inc., Hicksville, NY
In this project, we gutted the existing office and warehouse to create a more friendly, efficient office and a warehouse with specific areas for the owner's helicopter parts business. The client wanted the warehouse to resemble a hangar, the project had to be as green as possible and the office couldn't look commercial. Finishing on time was the most important factor. This business is regulated by the federal government and could not totally close down. Construction took place from June through December 20 so the transition could occur between Christmas and New Year's Day.
No comments have been posted to this Gallery


text:
Faced with the World Cup mania that is invading our spaces, in Chiapas, as in Brazil, priests, women and communities go on writing history through actions and practices of freedom. We continue to make these actors visible in this issue no. 22 of the magazine BoCa en BoCa for the month of July.
Like the parish of Simojovel, that of Huíxtla is suffering threats for the social work given in faith to the most oppressed, and against legitimized corruption.
The adherents to the Sixth Declaration of the Lacandón Jungle in Tila are speaking out against the plunder and for the defence of their territory, valuing more and more what the history of Mexico brought, the ejido and communal lands, like San Salvador Atenco, State of Mexico.
As in these and other communities, women's organisations are also taking steps in defence of Mother Earth and their rights to land tenure.
This looting of natural resources is also reaching urban areas, where the awareness of citizens is leading to assemblies and organisational forms, as in San Cristobal de Las Casas and Tuxtla, creating resistance to privatisation, such as the privatisation of Water.
We cannot omit a mention for the people of Brazil, carrying on a huge battle against the tanks of multinational companies for more than 3 years, recalling that the nightmare could start all over again with the arrival of the 2016 Olympic business.
But there is still resistance. And one of the most important inspirations of autonomy, the Zapatista men and women, continue to teach us that the fight to defend our freedoms and for life must continue to build, and never lose heart, because this is the work of anyone who has faith in freedom.
Remember that through the pdf format you can have direct access to the links in the articles, to get more information on the communiqués.
If you need the magazine in another language, or can offer to translate it into any language please email us!
We invite you to follow us on the Facebook page, "Kolectivo BoKa en BoKa ".
Greetings and Resistances
Kolectivo Boka En Boka


text:
Zoonotic "Dog Show Crud" hit dogs and exhibitors coincidental to Univ. Of Florida development of a canine flu vaccine? Not Likely! The hidden mystery behind "canine flu."
"Newly Emerging Canine Flu"
When dogs and exhibitors became sick with "the crud" on the January 2005 Florida Circuit, we had no idea that we were probably the inadvertent test subjects for a canine flu vaccine, especially since no one had ever heard of nor experienced flu in a dog...
After the fact, the CDC released this statement which is still on its website: Canine influenza H3N8 virus originated in horses, has spread to dogs, and can now spread between dogs."
But the most puzzling statement by the Center For Disease Control is this quote excerpted from a Sept 2005 press briefing. "So what about the implications for public health? We must keep in mind that this H3N8 equine influenza virus has been in horses for over 40 years. In all these years, we have never been able to document a single case of human infection with this virus."
An outright cover-up or patently ridiculous statement. Many of the dog show exhibitors (otherwise known as humans) sought medical attention for "The Crud" while on the January circuit. It seems improbable that CDC would not have known that.
Here is another press release meant to defuse an explosive situation but which also reads like a time bomb getting ready to blow up.
TALLAHASSEE - Sept. 20, 2005 - Florida Agriculture and Consumer Services Commissioner Charles H. Bronson today alerted the public to an emerging canine respiratory disease that can mimic symptoms of "kennel cough" but is more serious and generally requires the attention of a veterinarian.
Known as "canine influenza" or "canine flu", the disease is caused by a virus that recently has been identified by the University of Florida's College of Veterinary Medicine researchers and has been responsible for severe respiratory disease outbreaks in the past year among racing greyhounds in Florida and other states.
The highly contagious virus is beginning to show up in dogs in shelters, boarding facilities and clinics in several areas of Florida, including Miami-Dade, Broward, Palm Beach and Duval counties. And with Hurricane Katrina evacuees accompanied by pets temporarily relocating in numerous parts of Florida, Bronson believes that the disease could increase in coming weeks.
"We already have alerted veterinary practitioners throughout the state to be on the lookout for canine flu, and we believe it is prudent at this time to advise the public to be aware of symptoms of this respiratory ailment and to respond appropriately," Bronson said.
Like "kennel cough", symptoms of canine flu include a cough and nasal discharge - and sometimes fever and listlessness. The State Veterinarian's Office, which is a division of Bronson's department, recommends consulting with a veterinarian if the dog experiences severe symptoms or fails to respond to normal "kennel cough" therapy, which generally involves antibiotics.
Because canine flu is a newly-emerging disease, all dogs, regardless of breed or age, are susceptible to infection because they have no naturally-acquired or vaccine-induced immunity. While most dogs that contract the disease experience what is regarded as the milder form of canine flu, some develop a more acute disease with clinical signs of pneumonia. Among the latter group, the mortality rate is between 1 and 5 percent.
Our writers predict this is but the tip of the iceberg of newly emerging diseases in dogs. Canines, purebred and otherwise, will be vulnerable to what appears to be an epidemic new diseases. What is going on?
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Blood clot disorders manifest within your body by affecting your platelets—components of your blood that assist with the clotting process. While usually treatable, these conditions can be extremely dangerous if left undiagnosed or untreated for long periods of time. Because of this, it's important to be aware of the symptoms of blood clot disorders.
If you feel that you or a loved one may be at risk, take a look at these common symptoms and risk factors of blood clot disorders.
Aches and pains
Many of the symptoms of a developing blood clot disorder (also called a hypercoagulable disorder) can be experienced on a sensory level during your day-to-day life. According to the American Society of Hematology, common symptoms of a blood clot may include sudden pain or inflammation of a limb, abdominal pain, diarrhea, or vomiting. Other common symptoms can involve chest pain, unwarranted perspiration, swelling or numbness in the left arm, shortness of breath, or coughing up blood.
While this is a wide range of symptoms, all of them require immediate medical attention. If you notice any of these occurring in yourself or someone around you, seek medical attention right away.
Risk factors
The risk factors that contribute to the development of blood clotting disorders are many and varied. One of the most significant factors will be the medical history of yourself and your family. If one of your parents or siblings suffered from hypercoagulable states, then you may be at higher risk for developing such a condition.
There are plenty of lifestyle factors you can eliminate or modify to mitigate your risk. Smoking, lack of exercise, long periods of sedentary behavior, some orally ingested contraceptives, and diets too high in cholesterol have all been shown to increase the risk of developing a blood clot. If any of these factors are currently present in your lifestyle, consult with a medical professional regarding what you can do to decrease your risk.
Evaluate your situation
According to the Cleveland Clinic, there are two main types of hypercoagulable disorders: inherited ones and acquired ones. As you may have guessed, inherited disorders are passed on genetically, while acquired ones are developed over time.
While both can be detrimental to one's health, it's essential to develop an understanding of the diagnosis process to ensure that either type of condition can be detected early. Doctors may choose to analyze the past medical history of your family to determine your likelihood of contracting an inherited hypercoagulable state. A physician will evaluate whether you're a candidate for proper screening after evaluating your past medical history, family medical history, and lifestyle risk factors. These screenings, which come in the forms of laboratory tests, typically involve determining how your clotting processes respond to different medications.


text: Sorry the shoulder is still causing problems. Walking has been my go-to cardio exercise since college -- 30 years now. All it really takes it good shoes and comfortable clothes. I increase the effort with hills, which are plentiful around here. And walking on a treadmill can be quite a workout if you increase the incline enough. Walking up and down stairs can also get your heart rate up if you knees are okay with it.


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Structures made from wood are known for being pretty when it comes to the real estate. This is the main reason why log cabins are increasingly gaining popularity. Lumber is used in making backyard sheds and other hot items. Numerous benefits are associated with wooden garages. You can take advantage of these benefits by getting your own wooden garage. The following are some of the interesting facts about wooden garages that you need to know before buying one.
They should be stained
Staining is one of the best methods of maintaining the wooden garages. Staining should be done after every three or five years. This will help in maintaining the health and integrity of the lumber. Failure to stain your garage will lead to cracking of the logs and attack by pests. This can also lead to warping or rotting of wood. Staining is an inexpensive investment that can be done easily. The chemicals chosen when staining wood should be environmentally friendly.
They should be cleaned regularly
Cleaning of the garage is an important task that is ignored by many people. Dirt can damage your wood if it is not cleaned. Everyone having a wooden garage should be committed to maintaining it and keeping it clean. This will also help in keeping pests away.
Pests can attack it
The following are some of the common pests that attack wood raccoons, rats, ants, mice, spiders, and termites. Cleaning and staining of wood is the best method of keeping pests away. Any hole found in wood should be filled to avoid pest infestation.
Wooden materials are expensive
You will be shocked once you realize that there is a small discrepancy between the cost of wood and that of other metallic structures. Wooden garages are also sturdy and very attractive just the metal once. Buying wooden structures is one of the worth investments that you can make.
Wooden structures can be fixed easily
You do not need to hire a contractor when fixing future problems. Working with wood is easier as compared to metal. Again, a lumber seller can help you in finding the right size, shape, colour and weight whenever you are doing some repair work. Wood repairs are also cheaper as compare to metal ones.
Wood can be ruined by dumping it
Wood can be kept moisture free by staining it. Your wood will not be capable of repelling water once the stain breakdown. Damping can lead to warping and rotting of wood causing it to break down.


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Already on January 2nd, the DOPA statistics website did show the registration data as of December 31, 2016 down to subdistrict level. According to these data, the population increased in 2016 by 202,452 citizen, a growth of 0.31%. To make the registration data more accessible, I have created an online sheet with the data from 1993 till 2016 for every the province, the same amount of detail which will be published later in the Royal Gazette.
One observation is that the provinces around Bangkok grew by 1 to 2 percent, the largest increase in Samut Sakhon, whereas Bangkok itself had a small decrease in population. The only other province with a significant growth was Phuket. However, as usual, the caveat is that this is the registration data, which not necessarily means the actual population number as especially migrant workers from the poorer provinces who work around Bangkok often keep their registration in their home province - the reason why the census results differ significantly from the registration data. But if keeping that in mind, one might do some nice analysis with the data in the above spreadsheet.
The population growth for the whole country is slowly decreasing, as can be seen by the below chart. Note I have omitted the number from 2004, when apparently a data cleanup was done which caused a decrease by almost 2%.
The data not yet updated is the population by age, and the table with marriages, divorces, child acknowledges, adoptions and dissolved adoptions, and foreign family status registrations. I'll add those to the XML file once I notice them becoming available.
I have already started to add the new population data to the various items on WikiData, from the country down to district level so far. I still have to look into an issue with the municipal population however before being able to cover all administrative units.


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Assess feedstock and materials
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CPI can assess feedstock and materials to see how they can be utilised to create new products. We can also perform the upfront engineering to have a handle on final operational costs and through the use of life cycle assessments we can confirm the benefits of using these new materials.
CPI has the resources to confirm the volumes and amounts of material globally available for use and assess the long term security of that supply. CPI can provide analysis of:


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Sinful Sunday!
It's Sinful Sunday! I wanted to do something fun today and share with you a hot, sexy scene straight out of my book Legends of Deceit. All my books have romance and sex scenes in them, btw. This excerpt is kinda long, you guys, but hot, hot. So if you're feeling a bit naughty check it outà
He placed his free hand on my other cheek and gently lifted my chin. I think I stopped breathing as a shock of heat went through me. "She knew."
"She knew what?" I whispered breathlessly.
He skimmed his thumb across my lips. I parted them slightly, staring into his green eyes. "How much I'm in love with you. Nothing means more to me than you, Alaris, and now after what Mardella said, I don't care if the people in Atheon know it, whereas before I was trying to adhere to the image a warrior plays in the eyes of the public."
"I'm in love with you, too," I said.
His lips pressed against mine, searing me with their heat. A tiny whimper issued from me as I kissed him back. All of the pent up desire I had for Larkin since he reentered my life exploded and my kiss turned urgent. I parted my mouth and intertwined my tongue with his. He was like a balm to my aching heart, soothing it with his touch. I ran my fingers up the back of his neck and through his hair, crushing my body against his, feeling the hardness straining against his pants. There was a wet throbbing sensation between my legs that ached for him to penetrate deep inside me.
"Please make love to me," I said.
He pulled back, his eyes hooded with desire. A spark of concern entered them. "Are you sure? I don't want to take advantage of you at your most vulnerable state."
I nodded. "I'm positive. I want you . . . unless you don't want me."
The look in his eyes turned serious with a burning yearning in them that matched his husky voice—the same tone I found unbelievably sexy from day one. "I've always wanted you and have dreamed of this very moment for more times than I can count."
He skimmed his fingers over my swollen lips. I parted them, releasing a slow breath as I ran a hand up beneath his shirt, feeling the ripples of his tight abs contract. He took his shirt off, revealing his muscular frame. I followed suit, never taking my eyes off of him, leaving on my white lacy bra. Then I pulled the elastic out from my ponytail, allowing my hair to cascade around my shoulders and back. "God, you're beautiful," he whispered.
He picked me up, and I wrapped my legs around his waist while kissing him deeply. He pushed my back against the wall in the hallway, his lips trailing down and up my neck, driving me crazy. I pointed to the spare bedroom. When we entered, he set me on my feet and unhooked the front of my bra, releasing my perky breasts. He cupped one of them into his warm hand, bent his head, and took my erect nipple into his mouth. He sucked on it and gently pinched the bud between his teeth, sending pleasurable electroshocks throughout my body. With his free hand, he undid my pants, and pulled them down along with my panties. I stepped out of them, and with my back against the wall, his mouth still on my nipple, his fingers went between my legs. They slid up and down my slick folds, over my clitoris, then inside me in a repetitive motion, slowly at first, but when a soft moan escaped me, he quickened his pace, his fingers sliding in me faster, deeper, then over my sex and clit. I moved my hips in time with his motion. My breath grew shorter and coarser, my moans louder. He moved to my next breast and paid the same attention as he had done to the other one, his fingers still working me. I couldn't take it anymore. I had to have him.
"I want you inside of me," I huffed.
His hand and mouth stopped for a split second in hesitation, giving me the opportunity to reach down and undo his pants. He took them off, grabbed my hand, and led me toward the bed. I crawled onto it and pulled him down on top of me. Placing my hands above my head, he passionately kissed me, whispering he loved me against my lips.
"I love you, too," I said, then made a sound between a whimper and a sigh when he entered me and slowly moved in and out. I gyrated my hips in time with his.
He groaned. "God, you feel good."
The room was bathed in moonlight from the twin moons being full tonight, and the sounds of our short quick breaths and pleasures encompassed us, temporarily blocking out the outside world and what lay ahead of us.
He reached down and stroked and rubbed my clit, and at the same time, his warm lips kissed down my neck, followed by his teeth scraping slowly across my collarbone. My body tensed. My stomach and vaginal walls tightened with a violent pulsing heat that radiated upward and across my body. I arched my back and cried out as my body twitched and shuddered, releasing its juices. He was still inside me, his hips still in motion. There was a coy, sexy smile on his lips, and his eyes were filled with desire. His black hair was messy, and his muscular body rippled in the bright white light, gleaming with sheens of sweat.
"Now it's my turn," I said, pushing myself up, rolling over on top of him, our connection never broken. I teased and pleasured him, driving him to the precipice of a mind-blowing orgasm, only to pull back long enough for him to slow his breathing. I straddled him and moved my hips in circles, then rocked them. A deep throaty groan rumbled in his throat. His fingers went to my sweet spot, once again, stroking and rubbing it. I quickened my pace and felt the fluttering inside me, the hot pressure exploding the same time his did, his body buckling and jerking. I fell into his arms, happy for the first time in I didn't know how long.
Grab your copy today!
Amazon US-->http://amzn.to/2u0qAwt
Amazon UK--> https://www.amazon.co.uk/dp/B07374MKJ3/
Barnes & Nobleà https://www.barnesandnoble.com/w/legends-of-deceit-rebekkah-ford/1126635394?ean=2940158583926
What readers are saying:
Grabbed me from the first page! I found it impossible to put down. ★★★★★
I loved this story! The characters are well developed and I didn't want to stop reading! Rebekkah Ford is a wonderful storyteller. I'm looking forward to more in this series. ★★★★★


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Calvin Klein has a new model for the CK Free commercial. The man is very cool, very beautiful. When watching the commercial spot, I thought he looked like Ryan Phillippe. What do you think? Enjoy the video:
Sunday, September 19, 2010
The New Calvin Klein Hunk
6:16 AM video No comments


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TSOD Conducts Multiple Workshops for Parris Island Marines
April 20, 2010
(Beaufort, South Carolina) Uniformed professionals at the Marine Corps Recruit Depot at Parris Island, SC completed a series of Training Services On Demand (TSOD) Workshops, including Team Building and Applied Team Building, Time Management, and Stress Management programs.
TSOD's Team Building program, with the Applied Team Building option, is designed to foster enhanced understanding within teams. The initial part of the workshop introduces interpersonal characteristics, and how they can naturally enhance or impede team communication, decision-making, and camaraderie. During the second part of the workshop, participants work through scenarios that bring the coursework theories to life. Through facilitated small-group exercises, participants benefit from life-changing insights regarding the composition of high-performing teams.
TSOD's Time Superstar™ workshop provides a realistic road map for the using time effectively, achieving goals, and benefiting from a life well lived. Time Superstar often is combined with Success Under Stress™, TSOD's proven approach to shedding mental distractions and focusing on self-actualization. The combination of these two half-day programs has proven particularly useful to team experiencing radical change, tight deadlines or other distracting influences.
The mission of the Marine Corps Recruit Depot at Parris Island, SC is to make Marines who are committed to our core values in service to the country. With a permanent personnel population of over 21,000 and housing 261 families, the necessary infrastructure of the Parris Island Depot is equivalent to any small municipality. The Marine Corps fulfills a vital role in national security as an amphibious, expeditionary, air-ground combined arms task force, capable of forcible entry from the air, land, and sea. It is capable of asymmetric warfare with conventional, irregular, and hybrid forces. While the Marine Corps does not employ any unique combat arms, as a force it has the unique ability to rapidly deploy a combined-arms task force to almost anywhere in the world within days.
Training Services On Demand (TSOD) is a top-tier provider of training and employee development solutions. TSOD provides onsite training at customer locations for complete teams, ensuring that its programs are adapted to meet organization-specific training needs. TSOD seminars and workshops are conducted nationwide at all-inclusive bundled tuition rates and can be procured through the GSA Schedule. Popular training course titles include Team Building, Team Leadership, Presentation Skills, Media Relations, Negotiation Skills, Business Writing, Time Management, Stress Management, Sexual Harassment Prevention, Diversity Training, and Convention Mini-Seminars.


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CT14.IT provide quality IT solutions and support for small to medium sized businesses. Based in Deal, CT14.IT offers services to businesses based across Kent and into London.
With almost 15 years of wide ranging IT experience, CT14.IT can offer you the solution you need.
One of the most frustrating aspects of I.T. is not knowing where to start. CT14.IT will help you start.
No problem
Maybe what you're after doesn't quite fit in to any of the categories above or maybe you don't quite know how to describe it at all. Not a problem! Just give me a shout and I will be more than happy to discuss what I can do for you.


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Berry Hill Primary & Nursery School
Unlocking Talent and Fulfilling Potential
Hello! Welcome to Year 2!
HOMEWORK UPDATE: We now have an email address for the children to email their electronic homework to their class teachers. Please make sure the email contains the child's name and the name of their class teacher.
We use cookies to track usage and improve the website.
Click here for more information.


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To mark Young Carers Awareness Day (January 26), Lincolnshire County Council is calling for more young carers to come forward and give feedback on their situation and the support they need.
Debbie Barnes, Director of Children's Services, said: "I'd like to encourage all young carers and the people around them to tell us what would help in identifying and supporting them and their families. If you would like to give us your thoughts or would like to know more about the support available to young carers and their families please contact firstname.lastname@example.com. There's no need to struggle on your own – we can support you.
"With National Young Carers Awareness Day being celebrated today, across the country people will be thinking about and celebrating the achievements of young carers, as well as recognising the challenges they face.
"In Lincolnshire, we want to ensure every young carer isrecognised, valued, and supported to have good health and wellbeing, and achieve their full potential. So it's important we work in partnership with children, young people and families to help provide services and support that they need.
"With our staff and partners, we're continually inspired by stories of young carers who achieve so much not only their support to family members they care for but also in their achievements at school and contributions to their communities."
Andrew Morris, Safeguarding and Children Board Manager, added: "One of the key ways we will consolidate our support in the next few weeks is to relaunch our Young Carers Card as a way for our young people to be recognised in the important role they play.
"We want to support all young carers in their caring roles, and to achieve their aspirations for themselves. We know that the support needed should be the right support at the right time for the whole family. And this looks different for each young person and family we work with."
For more information head to the Lincolnshire Young Carers website or the Carers Trust.


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Because I am a good Virgo, I have been thinking about and planning mine and Little M's wardrobe. I thought about sewing her a mini-wardrobe, but her lovely Aunty Ruthy gave her the most amazing set of Italy-clothes - a sweet corduroy coat and matching dress, a knitted cap with a pom-pom and matching cardigan, a cute winter dress that is grey, and a long-sleeved tee. So, I will save Little M sewing til she is a bit bigger.
My wardrobe is going to be mostly pants and tops, and here is my list of sewing projects:
- wide-leg trousers;
- Colette Patterns' Jasmine blouse;
- Colette Patterns Clover cigarette pants; and
- Another Colette Patterns Beignet.
- I started with the size 12, and ended up increasing the crotch-depth to a size 16 (I must be really long-waisted).
- I also increased the size of the darts, effectively taking the trousers in by 4cm in total.
- I also lengthened the darts at the front by 1.5cm.
- I lengthened the pants by approximately 10cm so that I could use a generous hem. I think it makes the pants swing out nicely.
- I cut the size 14 along the inner leg seam - I wanted them to be really wide without losing the shaping over the hips.
- I used an invisible zipper.


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Well, here we are at Wednesday again. We've said goodbye to Rune and Luke and left them in peace for a while at least and here is a new morsel to tickle your buds.
The prompt I used was "You want me to do what?"
1 The Accident
The weather was appalling. Rain lashed against the windscreen and it was almost impossible to see in the lightless lanes.
"Shit. This is fucking nuts. Where are the houses? Where are the people?"
Lukas laughed. "You're such a city person. This is the countryside, Pasha. Miles and miles of empty space and crazy, unlit country roads leading nowhere."
"How can you stand it?"
"I love it. I've never been so happy."
"No. You've never been so happy since you moved here… with Anna. You're sickeningly in love."
Lukas looked over at his younger brother and smiled. He wasn't wrong. Anna was perfect. She was an angel, the best thing that had ever happened to him and…"
"Holy fucking shit!!"
His head snapped forward at Pasha's scream, and a flash of white light blinded him. Moments later the car hit something and skidded out of control, eventually coming to rest in the hedge.
"Jesus. Pasha, are you alright?"
"Yeah. Yeah, I'm fine, I think."
"What the fuck was that?" Lukas unstrapped his belt and massaged his shoulder.
"I don't know, lightening?"
"Could have been, but it wasn't a bolt of lightning I hit."
"No." The brothers stared at each other, frozen. Finally, Pasha shook himself and unbuckled his belt. "You know we have to check. May as well get it over with."
"Pasha, what if… What if I hit someone?"
"Then we deal with it. Come on."
Lukas got out of the car and squinted into the driving rain. Pasha had a little more trouble because he had to squeeze through the hedge.
"Right, you take the left side and I'll take the right."
Slowly they worked their way back along the road until they saw something large and white. It was surely too big to be human, and the wrong shape. Taking heart, they hurried forward.
"What the fuck is it?"
"I don't know. It looks like some kind of a bird."
"It's too big for a bird." Pasha crouched down and touched the white feathers. They trembled. "Well, it's alive whatever it is."
"Can't we just drag it to the side of the road and…"
"No, we can't. At the very least we have to see if it's hurt." Ignoring his brother, Pasha hurried around to the other side of the bird and pushed at the wings, raising them to see what was underneath. The bird groaned, just as a flash of lightening lit the sky, lighting up the pale face and mass of golden hair. Pasha dropped the wing and skittered backwards.
"Help me Luke," he gasped scrambling up off the road. "We've got to get her into the car."
"You want me to do what? Put a big, wet and possibly dead bird in my new car? I don't think so."
"It's not a bird, Luke. It's not a fucking bird. For Christ's sale help me."
Alarmed by the edge of hysteria in his brother's voice, Lukas hurried to his side. "What the hell's going on?"
"Luke, this is going to sound as crazy as hell but… but I think… I think we might have killed an angel."
"What the fuck? Don't be ridiculous." Crouching down, Luke pushed back the wings and let out a yell of shock. The long, pale body jerked under his hand and eyelids rose over colourless eyes.
"What are we going to do?"
"Get her into the car. We'll take her home, warm her up and see if she's hurt. Maybe we can patch her up and…"
"And what? What if she…? She might not be grateful. I mean, considering we hit her with the car and all."
"Well, maybe she'll be pissed. Maybe she'll smite us or whatever angels do. But I'm not going to leave her lying here at the side of the road to die."
"No, we can't do that."
"Help me." The angel's voice wasn't like any voice they'd ever heard. It seemed to resonate on more than one frequency at the same time.
"Of course we're going to help you. Are you hurt. Can you stand?" The wide eyes stared at him but there didn't seem to be much comprehension there.
"Never mind." Together, they hauled the angel to its feet. She couldn't stand and passed out again with a moan of pain.
The two brothers exchanged glances but were committed and so they dragged the angel to the car and, somehow, stuffed her into the back seat. This was not easy at all because the wings were big, incredibly heavy and not at all manoeuvrable.
"How far is the house?" Pasha asked anxiously, as Lukas pulled the car onto the road.
"About another fifteen minutes. How's she looking?"
"Big, wet and unconscious."
"Jesus, I've never seen anything like it. Do you think that flash in the sky was…"
There was no more talking and, in ten minutes flat they were pulling into the yard of Lukas' renovated farmhouse. The light from the windows spilled out onto the gravel and turned the little stones golden.
It was a lot harder to get the angel out of the car. The feathers resisted and they didn't want to break any more than they had to. Half way through, the angel woke and screeched.
It was an inhuman sound that caused the glass in the windows to vibrate.
"Fuck. Ssh… ssh angel. We're trying to help you. We want to get you warm and dry. You have to get out of the car. Please… we're trying to help you."
Big blue eyes oriented on him and the screeching stopped. Something in them made him shiver.
With the assistance of the angel they managed to get her out of the car, and Pasha put his arm around the slender waist to help support… "Oh." Scanning the angel from the crown of its head, over the inhumanly beautiful face and along the length of the pale, perfect body, he realised with a jolt that it was most certainly not a 'her'.
Now go check out the rest of our gang
Now go check out the rest of our gang
Michael Mandrake m/m
MA Church m/m
Elyzabeth VaLey m/f
Tali m/m
Lily Sawyer m/m
Julie Lynn Hayes m/m


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Royal Antwerp sign former Tottenham midfielder John Bostock on two-year deal
Former Tottenham midfielder John Bostock has signed a two-year contract with Belgian side Royal Antwerp.
Last Updated: 11/07/13 2:22pm
The 21-year-old was released by Spurs last month after failing to make an impact at White Hart Lane.
He will link up with former Chelsea and Leeds striker Jimmy Floyd Hasselbaink, who was appointed as manager of the Second Division side in May.
Bostock tweeted: "Delighted to announce that I've signed for Royal Antwerp FC today. Can't wait to start the season and really looking forward to working under my new coach Jimmy Floyd Hasselbaink."
Bostock was regarded as one of the hot prospects in English football when he joined Tottenham from Crystal Palace in 2008 for an initial fee of £700,000.
However, he failed to establish himself at Spurs, making just three substitute appearances, and had loan spells at Brentford, Hull City, Sheffield Wednesday, Swindon Town and Toronto FC.
Andre Villas-Boas decided not to offer Bostock fresh terms when his five-year deal expired last month.
Royal Antwerp finished 10th in last season's Belgian Second Division, winning just 12 of their 34 games.