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by Jakub Han | 27th May 2019
The BMPCC4K Controller app is available for Android devices and it enables controlling of almost all aspects of the camera. It is very quick and responsive without any noticeable delay and it offers customizable minibar for quick settings. BMPCC4K Controller App from SayEffect The Blackmagic Pocket Cinema Camera 4K (or shortly BMPCC4K) was introduced last year. Despite not being as portable as the first generation, the camera brings high image quality with internal recording for an unprecedented price tag. Watch and read our detailed assessment of the camera in our hands-on review. The BMPCC4K features a Bluetooth wireless communication module, which can also be used to control various functions of the camera. Since Blackmagic Design does not supply any remote control app on their own, there is a place on the market for apps from third-party developers. One of those apps is the BMPCC4K Controller from SayEffect Tech Solutions. Firstly, the app is only available on Google Play for Android devices. It's not for free – the app costs €6.99. I downloaded the app and briefly tested it on my Samsung Galaxy S9 (SM-G960F) phone with Android 9 installed. BMPCC4K Controller App from SayEffect To my surprise, the app needs location service to be turned on to connect to the camera. I don't like that, because turning on the GPS location on the phone just drains the battery faster. This has, however, something to do with the Bluetooth communication and would probably be the case for any app which uses Bluetooth. Controlling the camera with the app is really responsive. There is no noticeable delay whatsoever. When adjusting the functions through the dials and buttons, everything worked instantly. BMPCC4K Controller App from SayEffect The app provides fast access to recording, setting up exposure, white balance, lens focus and more. Based on the information from the app developers, the features include: start/stop recording choose recording codec/formats – ProRes and BRAW choose the resolution, frame-rate (off-speed framerates toggle with a single click), dynamic range, detail sharpening (in ProRes) manage Iris, shutter and ISO and auto exposure (if your lens supports it) manage white balance and tint lens control – focus and zoom (if your lens supports it) play last clip manage camera LCD frame guides manage clip/slate + project and lens information I can confirm, that all of the functions were really available and quite intuitive to control. I tested the app with the BMPCC4K with the Olympus M.ZUIKO 25mm f/1.2 lens. When adjusting the IRIS of the lens through the app, it works well and the aperture changes instantly. The app, however, does not know what is the minimum and maximum aperture of the lens, so I could move the sliding controller in the app all the way from f/1.0 to f/22 although the lens of course only goes between f/1.2 and f/16. The camera itself has this data, so the app could also have it in my opinion. That is, however, only a minor issue and does not affect the actual usage. BMPCC4K Controller App from SayEffect One important thing to mention – the app does not have a live preview. It can trigger a review of the last filmed clip, but that will only be played on the camera's display. The app also offers Slate mode only. There is a customizable minibar to view and speed click to a particular setting. The bar can be positioned on the left side of the phone screen, on the right side, or turned off. BMPCC4K Controller App from SayEffect The BMPCC4K controller app requires the camera to be updated with the latest firmware version 6.2. As I mentioned earlier, the app is only available on the Google Play store (link here) and it costs €6.99. There are more BMPCC4K control apps in Play store with different ratings, but they are all paid apps. I only found one free app, which can only start/stop the recording with the camera though. What do you think of this BMPCC4K controller app? Have you tried some app to control your Pocket 4K? Let us know in the comments underneath the article.Read more
by Jakub Han | 20th May 2019
ReelSteady GO is a standalone desktop application, which can automatically stabilize footage from GoPro cameras (HERO5, HERO5 Session, HERO6, and the new HERO7). It uses the information from GoPro's gyro sensor to provide much better results than simple image analysis. Its creators claim it is even better, than GoPro's own HyperSmooth stabilization built-in in the HERO7. It is now available for $99 US. ReelSteady GO can stabilize GoPro footage in post production. You might still remember the impossible drone shots from Robert McIntosh. He filmed a couple of fly-through videos with his tiny custom-built drone with stripped-of GoPro HERO4. The footage straight out of camera was of course not stabilized. The resulting clips were stabilized in post production using ReelSteady plugin for Adobe After Effects. The level of stabilization is really impressive. If you missed our articles about the impossible drone shots, you can check them – first video and second video. The professional ReelSteady stabilization plugin for After Effects is being sold for $399 US. Since this price tag may seem a bit too high for some filmmakers, the company now introduced a more affordable alternative in form of ReelSteady GO. It is a simple standalone desktop application, which will automaticaly stabilize clips from GoPro HERO5, HERO5 Session, HERO6, and the new HERO7. How does it work? ReelSteady GO Just like the ReelSteady After Effects plugin, ReelSteady GO app too looks like a very capable stabilization. It uses gyro data from GoPro cameras instead of traditional image analysis. That gives great results on virtually any shot. In fact, ReelSteady creators claim their stabilization beats GoPro's own HyperSmooth included in the HERO7. To support this claim they showcase few comparison shots in their promotional video. The user interface of the app is very simple and straightforward. With one button, you can load the desired video, the app will automatically stabilize it. With another button, the video can be then rendered and exported. Camera model, settings, and sync points are automatically detected and applied. ReelSteady GO features a very simple user interface. The sync points in the video can also be adjusted in case you are not satisfied with the result of the automatic stabilization. More on this in the ReelSteady GO tutorial video. As I already said above, the app only works for footage from GoPro HERO5, HERO5 Session, HERO6, and the new HERO7. I personally welcome an app like this, because I own the GoPro HERO6 and I filmed a lot of clips with it in 4K50p in H.265, which is a mode that does not support any stabilization with that camera. Now with ReelSteady GO I can stabilize it in the post. The ReelSteady GO desktop app is available for both Windows and Mac computers and it costs $99 US. There is also a free trial version available, so you can try it out before purchasing. The trial version has full functionality, but it will burn a "DEMO" watermark in the resulting stabilized clip. What do you think of the ReelSteady GO? Do you have some unstabilized GoPro footage which needs a treatment? Let us know in the comments underneath the article.Read more
by Jakub Han | 13th May 2019
Adobe has announced changes to their Creative Cloud applications. From now on, Creative Cloud customers will only have direct download access to the two most recent major versions of Creative Cloud desktop applications. Creative Cloud changes applications availability. Source: Adobe For Creative Cloud users it was possible to download older versions of the applications included in their subscription. Not anymore. On Wednesday, May 8th, Adobe's CC communications team published the following note on their blog: A Creative Cloud subscription offers numerous benefits, including frequent product updates with new features and capabilities, critical bug fixes and important security updates. We recommend all customers use the latest release of Creative Cloud for optimal performance and benefits. Please note that going forward, Creative Cloud customers will only have direct download access (from the Creative Cloud Desktop app and Adobe.com) to the two most recent major versions of Creative Cloud desktop applications.* Focusing our efforts on the latest two major releases of Creative Cloud applications, which the vast majority of Adobe customers are already using, will further enable us to develop the features and functionality most requested by customers and ensure peak performance and benefits across Windows and Mac operating systems. Business customers in need of an older version of a Creative Cloud application should contact their IT Administrator to see if one is available. *Exception: Only the most recent version of Adobe Acrobat is available for download. This decision might cause some problems for some Creative Cloud users who wanted to continue using an older version of Premiere Pro or other CC applications. Adobe, of course, always wants their customers to use the latest version of their applications. With Premiere Pro there is, however, a lot of feedback from filmmakers reporting about stability issues with the latest versions. Personally, I also use Premiere Pro CC and I usually don't download the latest version right away, as I am worried it may contain stability issues. Source: Adobe What do you think of Adobe's recent decision? Is it going to be limiting for your work? Let us know in the comments underneath the article.Read more
by Olaf von Voss | 20th April 2019
The popular checksum-powered file transfer software Hedge acquires Postlab, an easy-to-use collaboration solution for Final Cut Pro X. So here we go: What is it, who might benefit and why Postlab might be the perfect fit for Hedge. Hedge X Postlab NAB 2019 is over and tons of new cameras, accessories, gadgets, solutions to problems I never had and lots of other stuff were announced, shown off and introduced. You can't see everything of course and this one we missed, unfortunately: Hedge acquires Postlab. If you are a Mac user you probably know Hedge, the easy and fast file transfer and backup solution for offloading your footage (read our coverage here and here). But what's Postlab you might ask. Well, it's an open source app that lets you easily collaborate on Final Cut Pro X projects with version control, file sharing, and comments.. Both apps focus on simplicity, ease of use and a robust feature set without any clutter. Hedge Acquires Postlab Postlab is developed by Jasper Siegers with support from Felipe Baez, who takes care of user support and putting together tutorials. Both of them were doing this as a side project but as part of the acquisition both of them are now working full-time at Hedge developing the future of Postlab. Here's Jasper Siegers take on the matter: For existing Postlab users this is great news. Jasper and Felipe join Hedge in order to work on their software and add more features. Such as a so-called Postlab Cloud, extended support for FCPX as well as a simplified setup. However, there's a catch of course: The former open-source version of Postlab will become closed-source and it won't be free to download anymore. But, and that's a nice move, the current open-source app will remain available (but won't get any more updates). Here's Jasper Siegers again: Postlab was open-source because it was funded by a Dutch non-profit broadcaster, and didn't cost them anything as you had to set up your own servers. With Postlab Cloud, this is of course very different. So you still can use Postlab for free but you have to run your own server infrastructure and the setup process is a bit tricky.. With Postlab Cloud this will be much easier and you can ditch your own servers in favor of the new Postlab Cloud. Furthermore, features like deeper Frame.io integration, support for other NLEs and DAWs, and a proxy workflow are in the making. Here's Hedge CEO Paul Matthijs: Availability The new version of Postlab as member of the Hedge family won't be ready until the end of April but only for selected (Beta) teams. Here's Felipe Baez: The last couple of months, we've been steadily building a new platform which is going live end of April as a concierge service. Until opening the doors for everyone later this year, we'll be taking on FCPX teams of 5+ users. For those interested, please email [email protected] The final (public) version will be available later this year. Pricing is yet to be determined. Building an easy yet efficient post production workflow is key for nowadays indie filmmakers and production companies alike. Hedge and Postlab might be a very appealing solution for daily duties such as fast and secure offloading, backups and collaboration tasks. I would like to see extended support for more NLEs such as DaVinci Resolve fo sure but for now I think this is good news for people who like straightforward solutions. Links: Blog Entry | Postlab Website Are you a Hedge User? What about Postlab? Share your thoughts in the comments below!Read more
by Bato Prosic | 5th December 2018
It's the time of the year again, when Red Giant, a company specializing in software tools for filmmakers and motion designers has its annual 40% off everything blowout sale, which is ending at 8am PST on December 6th, meaning it has been extended! Red Giant is known for creating high quality effects, motion graphics and transitions plugins for host applications like Adobe Premiere Pro and After Effects, Apple Final Cut Pro X and Motion, Davinci Resolve, Avid and many more. Red Giant's software has been known and popular in the industry for a long time now, with Universe being a standard for creative transitions and PluralEyes, which is part of the Shooter Suite, practically being synonymous with audio sync. Just recently they have updated all their products to be compatible with the newest release of Final Cut Pro X 10.4.4, Adobe Creative Cloud's current versions and macOS Mojave. A few days ago we covered the introduction of the Trapcode Suite's new version 15, featuring the introduction of dynamic fluids for After Effects. Red Giant's software is structured in a highly flexible way. All products are bundled into six major suites that can be bought as a whole, with the components also being available in standalone versions, without the suite. The only exception to this is Universe, which is only available as a Suite, and in a yearly subscription model. All products also offer business, volume and education pricing – which is already 50% off. The suites and my personal standout products available right now are the following: Trapcode Suite – Particle simulations, 3D VFX – 11 tools included Was: $999.00 Now: $600.00 Magic Bullet Suite – Color correction and looks – 7 tools included Was: $899.00 Now: $540.00 Universe – Transitions and effects – 79 tools included Was: $99.00 Now: $59.00 Shooter Suite – Post utilities for shooters – 4 tools included Was: $399.00 Now: $239.00 Keying Suite – Chroma keying and compositing – 3 tools included Was: $799.00 Now: $479.00 Effects Suite – VFX and motion graphics – 9 tools included Was: $499.00 Now: $299.00 PluralEyes – automatic audio/video syncing Was $299.00 Now: $180.00 To get the 40% discount, you will have to purchase with the code "YEAREND40" through the Red Giant Website no later than 8am PST on December 6th, 2018 (the sale has been extended – it originally was going to end on the 5th). Note that the volume program is not included in the sale. Do you already use Red Giant products? Will you use the sale to get to know some of these products a little better? Let us know in the comments!Read more
by Bato Prosic | 17th October 2018
Adobe launched Premiere Rush CC, a NLE geared towards Youtubers and casual video users. Formerly known as Project Rush, Adobe Premiere Rush CC is available on Mac, Windows and iOS (Android version is coming). Here's what you need to know. Adobe gave a Sneak Peek into Premiere Rush CC at VidConUS 2018, we reported about it here. According to Adobe, the application is specifically geared towards online video creators, with export options not only for YouTube, but also for platforms like Snapchat, Instagram, Facebook, Twitter and Vimeo. The release of the application can be seen as part of a push to improve Adobe's software platform in general, staying up to date with mobile device usage for productivity and the requirements of the social media age. This push had previously been spearheaded by the – some might argue very chaotic – repositioning of Lightroom, splitting the application into Lightroom Classic CC (being the Desktop version) and Lightroom CC being the Cross-platform version, albeit with a reduced feature set. Adobe also recently teased a Photoshop CC version for the iPad, with a similarly reduced, yet powerful feature set. It is able to use unlimited layers and work with proper PSD files. What can Rush do? Until now, the most common editing applications on mobile platforms where Apple's offerings: with Clips being the super simple version and iMovie the more feature rich one. However, both of them are less than impressive and only geared towards the most casual of users. Adobe's Premiere Rush CC has more to offer. Here's an overview: Shoot videos with Rush right on your mobile device Able to handle and import loads of formats (ProRes, DNxHD, Gif, H.264, H.265, MXF, WAV, AIF, MP3, M4A, AAC, JPG, PND, PSD as well as native camera formats from the likes of Arri, Panasonic, Canon and Sony – full list here) Multiple tracks for video and audio Editing: Move, Trim, Split, Duplicate (Final Cut Pro X style magnetic timeline) Transitions: Dissolve, Dip to black, Dip to White Limited color grading and film presets Transforms: Position, Rotation, Scale, Crop, Opacity, Aspect ratio change Record Audio and voiceovers (with countdown timer) Audio refinement: Noise Reduction, Speech enhancement, Echo reduction, Auto volume, Auto balance, Auto ducking for music Titles and graphics: add titles and motion graphics from templates or from Adobe Stock (also images and fonts) Deep integration with Adobe CC ecosystem What's next? With a feature set this rich, one could think that Adobe Premiere Rush CC is here to someday replace Premiere Pro and more and more people think this will eventually happen. With Premiere Pro being the current marketshare king of NLEs, it still has its problems – performance being one of the major ones. This might be due to underlying software architecture decisions made by Adobe before and during the smartphone revolution. So is Adobe Premiere Rush CC here to someday replace Premiere Pro, similarly to how Final Cut Pro X has replaced Final Cut Pro 7, with iMovie being the testing ground for new developments? Or is Adobe Premiere Rush CC going to stay its own thing with a different profile? It is questionable whether even Adobe can know at this point, with the software landscape and workflows being so highly dependant on hardware developments both on the capture and edit side. Availability and Pricing Adobe Premiere Rush CC is available now on Mac, Windows and iOS, with Android versions coming soon. As part of the Creative Cloud Starter Plan you can try Premiere Rush CC for free and export up to 3 projects this way, subscriptions including Rush start at $9.99 per month. You can find out more about Rush here. Are you excited about Premiere Rush CC and are you going to try and use it? Do you think it is likely to replace Premiere Pro and will it be as big a debacle as it was with Final Cut Pro? Let us know in the comments!Read more
by Jakub Han | 16th September 2018
RØDE has just released their plugin for ambisonic audio processing – the SoundField by RØDE Plugin. It offers a new approach to ambisonic processing combined with an intuitive user interface. The plugin is supported by various applications for both, Mac and Windows. Ambisonic audio is basically 3D surround audio, which not only comes from 360 degrees around the listener, but also considers the vertical placement of the sound source. Imagine a sphere around the listener's ears where the sound can come from any point on the sphere. The popularity and importance of ambisonic audio grew hand-in-hand with the growth of VR 360 videos. Many big audio companies already have their ambisonic microphones on the market – Sennheiser, Zoom, RØDE, just to name a few. The new SoundField by RØDE plugin offers a new approach to ambisonic processing coupled with a new user interface. RØDE claims that their plugin offers the most accurate ambisonic rendering available in the world. The SoundField by RØDE plugin operates in a different way than traditional ambisonic processors. Eschewing the matrices and correction filters of previous generations, it utilises frequency-domain processing to deliver unparalleled spatial accuracy at all frequencies. As mentioned, RØDE already has their ambisonic microphone on the market. The RØDE NT-ST1 ambisonic microphone is a broadcast-grade true-condenser microphone, which captures A-Format high quality sounds. The new SoundField by RØDE plugin can work with other formats too, though. Being able to change the polar pattern of virtual microphones in post-production is a well know feature of ambisonics and it allows the user to create everything from omni through cardioid to fig-8 patterns. The new SoundField by RØDE goes beyond this – for the first-time allowing shotgun-type patterns to be created. It allows users to quickly set up mixes for all the common surround-sound formats, from 5.1 through to 7.1.4 (with-height) formats. The interface for the RØDE SoundField plugin is intuitive and has also been created using feedback from users. The simple sound level visualisation gives immediate feedback about levels and soundscape, whilst 'advanced' mode opens up all parameters and controls for the ultimate in-sound shaping. SoundField by RØDE Plugin – Specifications Input Format: A-Format™, B-Format™ (FuMa), B-Format™ (Ambix) Output Format: B-Format™ (FuMa), B-Format™ (Ambix), Mono, Stereo, 5.1, 7.1, 5.1.2, 7.1.2, 5.1.4, 7.1.4 OS Requirements: Windows 10, macOS 10.11 or higher Plugin Type: VST, AAX (Windows & macOS), Audio Units (macOS only) Supported host applications: Avid ProTools 12.8, Steinberg Cubase 9, Steinberg Nuendo 8, Cockos Reaper 5 (Windows & MacOS), Apple Logic Pro X 10.4, Apple Final Cut Pro X 10.4 (macOS only) You can download the plugin for free right now from the RØDE website. Do you record ambisonic audio? What do you think of the new SoundField by RØDE Plugin? Let us know in the comments below.Read more
by Bato Prosic | 11th September 2018
Music licensing provider Music Vine has just released a major update to their interface, reinterpreting both the way users search for music, as well as license it. The site has overhauled search categories, added focus terms and new filters and changed their licensing structure and workflow. In addition to that functional overhaul, Music Vine has gotten a pleasant, contemporary facelift. Is it useful? Let's have a look. So you have a project, maybe it's already shot and now you need some music for it, something that fits, something that underscores what you already see in the footage you have shot. Then you get to searching and two hours later you still aren't even sure you have the right category selected and you start doubting your skills, the site your on, your project and life in general – not necessarily in that order. Pardon the dramatization, but also please just accept that at some point you might face the same challenge. This is where music licensing services differentiate themselves from each other. There are those that feel like they are working against you and the rare ones, that feel like they are actually helping you. Music Vine's interface overhaul is meant to put it firmly in the latter category. What has changed? As with any music licensing services your goal will be to start with some broad strokes and then narrow down the kind of music you need, until only a few sensible options are left. The categories Music Vine offers are useful, well ordered and timely and allow you to choose from categories that are tried and tested standards like Mood, Production Type, Genre or Instrument, as well as more exotic ones like Culture, Era and Edit Style. Particularly Edit Style seems very useful, offering tracks tailored to categories like Slow-Mo, Fast Cut, Glitch or Timelapse. Of course these will be hit-or-miss for some people, but in general if you have some experience searching for music, you will know the conventions of those categories and will be able to interpret them accordingly. Offering 102 style categories, Music Vine has you covered here. Upon selecting a category you get to see the so-called Focus Terms for that category. These are meant to narrow down the selected category to a certain shade of possible moods. There are 381 unique Focus Terms. To be clear: Focus Terms can repeat across categories, but they have their own descriptive power apart from them. Testing this I wasn't sure it would be helpful so I started out with something rather easy: selecting Production Type: Education, I got the following focus terms: Aspirational, Grandiose, Fun, Intelligent, Instructional. So far so good. Those all seemed descriptive. Let's try something harder. I selected Mood: Cool and the Focus Terms I got back were: Rebellious, Edgy, Bold, Easy and Smouldering. Of course everybody has to judge for themselves, I can say I found most of the terms rather evocative and helpful. Filter it down The last step in narrowing down your selection is filtering and sorting. Music Vine offers filters for mood, energy, vocals and duration, notably leaving out tempo. You can then sort these by relevance, undiscovered, latest and alphabetically. What comes into play here, is Music Vine's weighted tagging system. This means that tracks won't just be tagged once with a style or filter, but every track can have multiple tags assigned to them, with different priorities. That makes sense as any track could be used with different intentions in many different scenarios. Obviously it's hard to compare this to the way categorization and filtering have previously worked, so I can only say, that I was rather pleased with the outcomes. Of course you can also make playlists, or favorite tracks you liked. Licensing When you've found a track you'd like to use you get to choose a license type and then your coverage. License type will narrow down the character of usage, while coverage will offer avenue of distribution and number of edited versions, as well as usage for events. This is all pretty self-explanatory, which in itself is a commendable achievement in offering and selling licenses. You don't have to be a lawyer to understand what is going on here, and prices are updated in real time, making the whole process remarkably streamlined. A word on design: Music Vine's visual redesign is pleasant, evoking creativity with lots of icons and visual cues in handdrawn styles, yet subtle enough to never get in the way of the functional aspects. Rather it is just playful enough to be fun and not boring, but it doesn't overstay its welcome. Room for improvement The omission of the tempo filter is something I find completely understandable. There is a point where there are too many filters on your search and you will sensibly just get two tracks back, or even worse zero, thus making your search useless and prompting you to start from the beginning. In my experience the tempo filter is the most likely culprit for that on most music licensing services. On the other hand there are occasions where you might only want to select a production type and a tempo, because you know that is what you need. If there are any downsides to Music Vine's great improvements in categorization, it might that there are simple scenarios where the categorization model seems too sophisticated or opinionated. However in practice I got very good search results by just using the energy filter instead of tempo, so take this with a grain of salt. Another thing I'd like to see on more music licensing sites and Music Vine as well is better compatibility to mobile phone browsers. Better yet, why not even a dedicated application? Nonetheless Music Vine's huge overhaul, four years in the making, has definitely payed off. The whole process of searching, discovering, filtering and then licensing music is understandable, transparent and at times even pleasurable, while keeping the efficiency pretty high without hamstringing the results. If you want to try the new and overhauled Music Vine, just head over now. Celebrating the re-launch of the site! Get 20% off when downloading your music with this code: C5D20 (valid until 31st of March 2019) Do you like Music Vine's new search capabilities and the updated design? Will you give it a shot and license your next project there? What other changes would you like to see coming to music licensing? Let us know in the comments.Read more
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Evert Daniel Aalten is keyboard/guitar player, studio engineer & producer at Scandal Studios (Netherlands). He is involved in many music projects, such as Alexander McKenzie & the Underpaid, Jackie Please, Boot Recordings and Ugandan Recordings. He is more and more involved in (music)film projects, filming, editing as well as making soundtracks.
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Hello, I'm Mario and I love being creative and work with music. It lifts me up, connects to my soul, and brings about peace of mind.
As technology becomes more accessible, more musicians are able to record their music at home but there's usually one fundamental problem; it still doesn't sound professional. Our dedicated engineers know what it takes to make a professional sounding production. Send us your tracks and let us take your music to a higher level.
Produção, gravação, mixagem e masterização
T.Gatez is a an innovator of hip hop and R&B with over ten years of experience. Through his production, artistry, and live performance, he has been able to entertain the likes of Omar Epps, Christina Milian, and Ricky Bell of New Edition.
My name is James Kelly and I am a student at the University of Portsmouth. I offer quality audio services for a reasonable price.
My name is Chris. I have 5 years of audio production experience. This is in both in studio recording and sound for film.
Techno & Tech House Producer
Recent Successes
"Very Good Engineer, Professional, On-time and willing to go the extra mile !"
"Great experience. Mike took a complex song I gave him with some limited vocal performances on my part and made the song shine. He has a very good ear, a love for music, good beside manner and a very strong technical..."
"Absolutely amazing singer, total pro, vocals recorded perfectly and quickly. Total gent too!"
"I got a great mix from David. He knows how to make your song have a great sound and quality. You should try his services, you won't regret. "
"After Eric I won't look for another engineer. His mixes are beautiful and flawless. Not only are his skills exceptional but he is professional, polite, and prompt. Eric is also very willing to offer suggestions and..."
"Matt is phenomenal. How a drummer this pristine with performances so exquisite can be so humble and easy to work... now that is a mystery for the ages. Eric Greedy said it above. Matt is simply as good as it gets. ..."
"Alex Mixed & Mastered my debut E.P throughout the month of June. He was a pleasure to work with. Even when explaining my notes with sudo muso terms, you know 'a little more crunch here' type of thing, he understood. W..."
"No word to qualify Maestro Mike Makowsky, Your are just wonderful. Thank you so much for the Great Mix you did with you beat heart for me. GORGEOUS GORGEOUS BROTHER. I will back as soon as possible. GOD BLESS "
"What can I say about Mike? He takes his time. But he does it for a reason. He will work with you until you are absolutely happy with your mix/master. I would highly recommend this engineer to anyone. He will take..."
"I was very fortunate to work with Andrew. We did a mixing shootout with many engineers, and his mix was one of the best among all the other mixes. He has a great sense of intuition and aesthetics, great feeling for so..."
"It was a pleasure to work with Mike. He took my song to another level! Thank you!"
"highly recommended. very skilled, creative, and good attention to detail. quick turnaround. professional. "

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About dorintin
I'm Quinn, I'm an amateur Solidworks engineer and as such all (or at least most) of all my models will be made in such way. Most of my models are based on my imagination so don't worry about copyright unless explicitly stated.
Other things I do include animation, painting (sometimes I paint my 3d printed stuff), I also do 28mm miniatures
Any requests can be posted as a comment and I will get to them when I can.
I enjoy making models and I hope to share my love of modeling with the world
I Am A…Engineer, Artist, Designer
Tools I Use…
Printers: Athena , Ender 3
Design Programs: Solidworks
3D Design Skill Level


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- 2 beds
- 2 baths
- $89,950 price
- 18082936 mls id
Home is a Slice of Heaven. Very Spacious throughout and Kitchen has been upgraded. Newer Roof installed in 2005. AC Installed in 2016. Exterior was Painted 2015, Interior Drywalled, Textured and Painted. Enjoy your Evenings on your Never Ending Covered Deck or on your Private Patio. Home is situated in the interior of the Park and is only a half a block from Kaiser Medical Center. Alot of work has gone into this unit. check this one OUT. You will be Happy You Did.
- Site Link
- Style Other Style
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This home is very spacious throughout. Starting from the Living Room, Dining Area and Breakfast Bar into the Kitchen. The Master Bedroom is very generous in size which leads into the Master Bathroom. Guest Bedroom is Spacious as Well. The Laundry Room includes Washer/Dryer and a Deep Laundry Sink....
6706 Tam O Shanter Drive #57 Stockton, CA
2 beds, 2 baths, $83,950
Courtesy of: CENTURY 21 MM
Courtesy of: MM
Office Phone: +12097851500
Listing Agent: Gary McKenney
Updated: 26th June, 2019 4:16 PM.
6706 Tam O Shanter Drive #06 Stockton, CA


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When I found out the Deluxe Utility Tote held the Fold N' File,as well as the Picnic Thermal, I had to have one and knew exactly what I was going to use it for. Are you ready for this? GROCERIES. Yes! If you shop at a "no bag" natural food store, like we do. A large, durable, yet stylish shopping bag is definitely in order! I can't even get over how much this thing holds, it's so incredible! Typically I can do a fairly large shopping trip with all my groceries fitting in my Deluxe Utility Tote, combined with the use of a Fresh Market Thermal bag for perishables. https://i.pinimg.com/originals/c8/91/cf/c891cfd8b10ce055009e0855a2d4919d.jpg
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She looks for wool and flax, and works with willing hands. She is like ships that trade. She brings her food from far away. She rises while it is still night and makes food for all those in her house. She gives work for the young women to do. She gives careful thought to a field and buys it. She plants grape-vines from what she has earned. Proverbs 31:13-16 https://i.pinimg.com/236x/7a/5d/f2/7a5df2787d62e252a75986cac790d3ed.jpg
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Cash for junk cars - Drammen, Minnesota
|Average Time To Pick Up:
|8 hours 21 min
|Highest Weekly Price Paid:
1-888-871-4488 - We pay TOP $$$ for your Junk Car!
Sell your old car to us!
With our auto cars for cash car recycling program, you can trade your damaged car for cash! Even if it doesn't run, US Junk Cars will give you cash for junk cars in Minnesota!
About USJunkCars.com
Based in Drammen, MN, US Junk Cars offers cash for clunkers of all types, including:
- car wrecks that have been damaged in an accident;
- vehicles with fire or water damage;
- old cars and trucks that don't run;
- and other cars that are unwanted and in the way!
US Junk Cars accepts all vehicles, including trucks, cars, sports utility vehicles, vans and mini vans. So rather than searching out someone who specialises in auto salvage, trying to part it out yourself or paying someone else to take care of car removal, we'll pay you with our cars for cash program.
US Junk Cars will pick up your automobile from virtually any location in the Drammen, MN area, including your home, place of employment or other location. In some cases, our team can even collect your vehicle from the side of the highway in the event that it's broken down for the last and final time and you're ready to get cash for your old car!
How It Works
How can US Junk Cars offer cash for clunkers of all makes, models and conditions? It's simple, really. Here's an overview of how the process works:
- 1. You decide you're tired of looking at that unsightly junk car on your property, or perhaps you're sick of dealing with neighbor complaints.
- 2. You call US Junk Cars to inquire about our cash for clunkers program or use our online form to request a quote.
- 3. You'll provide us with some basic information about the vehicle and our friendly staff will provide you with information on how much money we can offer for the vehicle.
- 4. We'll arrange a time and location for the car removal. US Junk Cars serves the entire Drammen, MN area. Same-day or 24-hour pickup is available in some instances, so please feel free to inquire!
- 5. One of our friendly auto removal technicians will arrive at your location to collect your vehicle and you'll get cash for your clunker! Our techs will also provide you with a receipt for your records.
- 6. Your old car will be taken to our junkyard facility, where it will be evaluated. Useful auto parts that are in good condition will be removed and offered for resale. Some wrecks may be sold as fixer-uppers.
- 7. In cases where many of the car parts are removed, the remaining car parts will be sold for scrap metal and recycled.
With US Junk Cars' cash for clunkers auto recycling program, everybody wins! You'll get rid of that old car and you'll get cash, and we'll get vehicles that we'll use for parts or scrap.
Don't pay someone for car removal services! Sell junk cars for cash with US Junk Cars! We provide free tow-away services for old cars that don't run, so you won't need to spend a dime to get rid of that old auto; we pay you cash for your car!
How to Get a Cars for Cash Quote
Are you wondering how much money you can get for your old car, truck, van or SUV?
Simply call USJunkCars.com at 888-871-4488.
Our car recycling experts will ask you a bit of general information about your auto, including:
- - Make;
- - Model;
- - Year;
- - General condition;
- - Problems and damage; and
- - Information on any missing parts or components.
Based on the information you provide, we can offer a quote for how much money you'll get for the vehicle.
Also check out US Junk Cars' online quote request form. Simply complete the form and you'll get an instant offer of cash for an old truck, car, SUV or van!
Can I Still Get Cash for My Old Car if I Don't Have a Title? Keys?
Don't have a title for your old car? No worries! US Junk Cars can still give you money for an old car providing it meets the following criteria:
- 1. You must be the vehicle's owner;
- 2. The automobile must be 10 years old or older; and
- 3. The vehicle is registered in your name.
If you meet these criteria, then US Junk Cars can give you cash for your old car. We also give cash for old trucks, SUVs, mini vans and vans.
Since we'll be towing your vehicle, then selling it for parts or scrap, we don't need the keys. Of course, the keys are helpful, but if you don't have them available, we can still remove the vehicle and give you cash for your unwanted car!
Before You Get Rid of That Old Car...
Before the vehicle is removed from the premises and towed away, you must remember to remove your personal belongings from inside the auto. In addition, you will be asked to remove the license plates, which must be returned to the Department of Motor Vehicles.
Also, if the vehicle is registered, remember to contact your insurance company to cancel the policy on your car.
If you don't own the vehicle, you must provide US Junk Cars with a title that has been signed over to you by the legal owner. In cases where an old car has been abandoned on your property, you will need to contact your local police department to obtain special paperwork that must be completed. Once this is tended to, you can sell the junk car for cash from US Junk Cars!
Don't let that eyesore sit on your property any longer! Get cash for old cars and trucks with US Junk Cars' auto salvage and recycling program.
We offer cash for clunkers to private citizens, non-profit organizations and commercial establishments.
Get Money for Your Old Car!
Selling your car's parts on Craigslist can be time consuming - it can literally take months or years to find buyers for all the parts, plus you'll need to actually remove the parts, clean them and ship them out to the buyers! It's a huge time-consuming hassle!
And leaving that old vehicle to rot on your property causes a tremendous eyesore, plus it's a liability!
Get cash for cars in Drammen, Minnesota and the surrounding area with US Junk Cars!
Use our online form to find out how much cash you can get for that old vehicle!
Or call USJunkCars.com today at 1-888-871-4488.
Customer Reviews:
By Jessy (Drammen, Minnesota), on April 29, 2019
One of the few companies which actually pays you in cash on the spot with no rambling back and forth about money.
By Jamie Bradburry (Drammen, Minnesota), on April 17, 2019
Easy to use, hassle free and I couldn't find a better price anywhere else. Would recommend.
By vincent harigel (Drammen, Minnesota), on May 15, 2019
They gave me a fair price and they were very professional about it. The driver arrived on time and didn't try to talk me down on the price we negotiated.
By Bob, on May 26, 2019
Fast service and overall very smooth transaction. My old car was picked up, i got paid the same amount i was initially quoted for. A+
By Amanda K, on April 29, 2019
Thanks to UsJunkCars we got rid of my husband's old car which was stuck in our garage for ages. They also were nice enough to take it out of the garage and tidy up after themselves.
By Irene, W, on May 30, 2019
Very quick service! I can't believe how much money I got for my Oldsmobile, which didn't even run anymore! It was fast and easy the way it should be.
By Zoey, on May 29, 2019
The person on the phone was really nice, plus they came by the same day so I would recommend Usjunkcars
By eric b, on May 18, 2019
great experience, all happened as expected
By Catherine Detch, on April 29, 2019
Good service. Would recommend!
By Alan Cohen, on April 29, 2019
I had my first car in my driveway for about 9 years. I thought about repairing it and giving it to my son on his 16th next year as a family tradition until I decided to start working on it a few months ago. Glad I sold it to Usjunkcars and eliminated so much possible headache from my life.
By Vanessa Baker , on May 14, 2019
Quick and easy salvage. They picked the car up when they said they would. Forgot the keys and they let me mail them in. Will work with them again in the future.
By Jane Obryan, on May 19, 2019
They were awesome, thanks guy. I'll miss the truck tho, take care of that big guy for me!
By James Hardy, on May 03, 2019
Faultless service. Would use it again.
By Vasya Petrov, on April 19, 2019
GREAT EXPERIENCE I had a vehicle that had engine failure. To put a new engine in it was going to cost too much. I did not want to just give it away, but I didn't know what to do. I let it sit in my driveway for almost 9 months and finally I decided I had to do something!! I searched the internet for salvage prices and came across USJUNKCARS.COM. I called them and explained about the car and they made me an offer right on the spot. It was a GREAT offer. Really I couldn't believe it.! So I called Paul back and told him I would accept. WOULD YOU BELIEVE THE VERY NEXT DAY THE CAR WAS GONE AND I HAD Cash IN MY HAND!!!! You just can't beat it!! All I did was make a phone call! I would highly advise you to check these guys out. Everyone I spoke with was polite and easy to talk to. THANK YOU USJUNKCARS.COM!!!!
By Vladimir, on April 06, 2019
I had a pleasure dealing with the guys from usjunkcars.com. Very happy with the service - it was fast, got paid on the spot and it was done in about 3 hours after i called.
By Peter O., on May 21, 2019
Couldn't have asked for more great team to work with. Thanks.
By Nathan, on May 29, 2019
Sold my car to them yesterday and already found a new one I fell in love with. Thanks for such convenient service!
By Ayline Salem, on May 31, 2019
Great customer service, best price offered from many other businesses, immediate payment before vehicle taken away. Would highly recommend and would use it again myself
By elizabeth , on April 29, 2019
Thankyou to the young man -representative - for being so patient and kind .
By Jack Dowson, on May 15, 2019
Came orderly and on time. Very friendly fast service.
By Aaron Shneider , on April 07, 2019
First class service, and all completed as agreed
By Sharonda , on May 10, 2019
Excellent smooth transaction everyone was so friendly the towing service they used came when they said they were everyone kept me informed throughout the whole process. Friendly excellent customer service hassle free.
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This guide will show you how to find the fortnite season 9 secret battle stars and fortbyte to earn free battle pass tiers the fortbyte from the hints found at the loading screens. Endgame ltm has finally been revealed.
Fortnite Season 8 Week 1 Secret Battle Star Location Discovery
The v850 update went live today and the fortnite x avengers.
Fortnite season 8 battle star loading screen 9. We are nearing the end of fortnite season 8 so youll be wanting to amass all the free battle stars you can to finish out that battle pass before the finale here. Were quickly nearing the end of season 8 of fortnite but theres still plenty to do before the ninth season of epics hit battle royale game rolls around. Week 2 features some of the tougher tasks in recent memory so make sure to check out our guide to help you along.
The fortnite season 9 week 2 challenges are now available to complete in game. Once you complete all of the challenges this week youll be rewarded with the week 8 discovery challenge loading screen which was leaked yesterday. The fortnite season 9 week 9 challenges will be going live soon but have been leaked ahead of time.
This week we. Heres what to expect. Battle royale season 9 epic games is mixing things up with a brand new puzzle and group of challenges called fortbyte what is a fortbyte and what does it mean for the new season.
Heres where to find it. With season 8 wrapping up with nearly three months of ballin and volcanoes behind us its time to look ahead to fortnite season 9 which is expected to be a pretty big one. By iain wilson 2019 04 30t102600z guide where to search following the knife on the treasure map loading screen to complete the fortnite season 8 week 6 challenge.
Complete nine weeks worth of season 8 challenges and youll be able to grab one more free battle star before season 9 begins. Fortnite season 8 week 8 challenges. Once youve completed all of these challenges the hidden battle star will be yours for the taking.
Week 7s challenges are now live across.
Fortnite Season 8 Week 9 Discovery Challenge Secret Battle Star
Week 9 Find 16 Free Battle Stars In Fortnite Battle Royale Free
Fortnite Secret Battle Star Location Week 3 Guide Discovery
How To Find The Secret Battle Star From Fortnite Week 6 Loading


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Cheltenham hero Tiger Roll all set for National repeat
Tiger Roll is all set to bid for his second successive Randox Health Grand National next month, trainer Gordon Elliott has confirmed.
Horse Racing Ireland launch Student Summer Internships
The HRI student summer internship programme is open to all Third Level students with a number of paid placements available, commencing June 2019
Cheveley Park reflect on successful Festival
Cheveley Park Stud's managing director Chris Richardson has reflected on an excellent Cheltenham Festival for the leading owners.
Al Boum Photo delivers Gold-en result for Willie Mullins
Al Boum Photo gave trainer Willie Mullins his first victory in the Magners Cheltenham Gold Cup following a dramatic race for the showpiece event at the Prestbury Park course.
Altior refuses to be denied in pulsating Champion Chase
Altior was made to battle in the Betway Queen Mother Champion Chase but eventually prevailed in the day two showpiece at the Cheltenham Festival to extended his unbeaten record over obstacles to 18.
Irish trainers hoping to kick on after fine Cheltenham Festival start
On a day when the highs easily outnumbered the lows, Irish-trained runners made a fantastic start to the 2019 Cheltenham Festival, winning four of the seven races on Tuesday.


text:
Allentown is located in Pennsylvania.
Allentown, Pennsylvania 18104 has a population of 120,207.
The median household income in Allentown, Pennsylvania 18104 is
The median household income for the surrounding county is $55,681
compared to the national median of $53,482.
The median age of people living in Allentown 18104 is 40 years.
Sun, 6/23/2019 1:00 PM-4:00 PM


text:
Direct photon at RHIC-PHENIX. Kensuke Okada (RBRC) For the PHENIX collaboration Rencontres de Moriond March 13, 2012. Direct photon: a unique probe. high pT: Known source, Penetrating probe A good reference to jet quenching low pT : QGP production mechanism Spectra : A thermometer
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Direct photon at RHIC-PHENIX Kensuke Okada (RBRC) For the PHENIX collaboration Rencontres de Moriond March 13, 2012 K.Okada
Direct photon: a unique probe • high pT: Known source, Penetrating probe • A good reference to jet quenching • low pT: QGP production mechanism • Spectra : A thermometer • Azimuthal dependence to the reaction plane : Probe for the formation mechanism A new state of the matter (sQGP) Produced by HI collision. K.Okada
PHENIX detector The central arm spectrometer Fine segmented EMCal Electron identification, tracking + High DAQ rate Trigger K.Okada
Reference data (p+p) Measured up to pT=25 GeV/c. The pQCD NLO calculation is in good agreement with data. K.Okada
xT scaling pp/p+pbar, inclusive/isolated PHENIX e+e- xT2pT/s cross section scaled by s4.5 PHENIX They are on a universal curve except one experiment, from LHC to fixed target experiments. n=4.5 is in a range consistent with expectations from NLO pQCD. K.Okada
Direct photon RAA high pT PRL101,232301 (2008) PRC 82,011902(2010) Nuclear modification factor (R_AA) Photon vs. hadron There is a difficulty in high pT region in the measurement. (=0 merging BG, cosmic BG in p+p.) Various checks are done. Final results will come out soon. K.Okada
Photon = e++e-? low pT e+ They have the same quantum number. q e- g* Kroll-Wada formula connects the real and (ee) yield. g q , S=1 for photons. When Independent of the origin in the very low mass region (Mee < ~30MeV) No 0 Dalitz above the 0 mass. The key to improve the S/N ratio. Direct photon follows 1/Mee. Procedure Combinatorial and correlated pair subtraction Cocktail and direct photon shapes Normalized in the very low mass region Fit and Extract the direct photon component m K.Okada
Virtual photon spectra PRL 104,132301 (2010) Au+Au p+p: Already shown in the previous xT plot. d+Au: Consistent with scaled p+p. Little or no nuclear effects. Au+Au: Large excess in low pT region. <T> is extracted from the inverse slope. K.Okada
Initial temperature & formation time PRC 81, 034911 (2010) Tc~170MeV from lattice QCD They are all above the critical temperature. However Tinit depends on 0 in the theory calculations. Need additional experimental constraints K.Okada
Direct photon 2 (another knob) v2 < 0 Parton+medium v2= 0 Hard scattering q+g sQGP Hadron gas v2 > 0 Jet fragment v20 Amplitude for 0,Relative ratio pT The ingredients are tuned by pT Parton+medium Hadron gas Hard scat. sQGP Jet fragment K.Okada
Direct photon 2 From real photon in the EMCal with virtual photon measurement Inclusive photon v2 BG photon v2 (From 0 and other mesons v2) From virtual photon measurement K.Okada
Direct photon 2 arXiv:1105.4126 calculation from PRC 79, 021901(R) 20-40% 0-20% MB (0-92%) At high pT, v2~0. It is consistent with the hard scattering source. At low pT (thermal region), an unexpectedly large v2 is observed! early late small large It depends on the formation time. But theory predictions are too small. K.Okada
Next step: 2 of virtual photon sys. uncertainty table arXiv:1105.4126 Advantage (systematic) real photon v2 from combinatorial BG and remaining Dalitz decay can be well controlled. Disadvantage (statistics) Total statistics goes down by a factor of ~200. Even in 1-3 GeV/c bin, it's statistically challenging. virtual photon • ee are induced in a strong magnetic field in HI collisions? PRC 83, 017901 (2011) Tuchin If it is true, it affects the assumptions in all virtual photon results. Anyway it is interesting. K.Okada
Future sPHENIX project A plan to upgrade the detector. What can we add to the current RHIC detectors? Large acceptance with high /0 separation. More tracking layers, hope eID is still powerful. Hadron calorimeter for +Jet analysis. K.Okada
Summary • Showed PHENIX (selected) photon results • p+p reference measurements are on the universal curve of world's measurements. • An unexpectedly large 2 was measured in the low pT region. No theory explanation so far. • PHENIX upgrade discussion is on going. K.Okada
Backup K.Okada
Space time evolution K.Okada
Hadron contamination check • Hadron contamination can be significant • Check with an external conversion analysis • Identify photons via conversion in material to dileptons • No hadron contamination • Two measurements are consistent • Hadron contamination in the real photon (EMCal) measurement well understood K.Okada
STAR K.Okada
STAR vs PHENIX PHENIX has a little better S/B ratio. Acceptance STAR = 6*PHENIX DAQ STAR(~1kHz) vs PHENIX(~6kHz) K.Okada
PHENIX Au+Au Statistics In Run10, 11, the integrated luminosity is comparable to Run7. Can we remove Dalitz decay to reduce the combinatorial? Then small Mee will be cut out. It needs some trick for the mass shape fit. STAR has an advantage if their claim for the combinatorial BG is true. K.Okada
RHIC advantage to LHC K.Okada
System size dependence of g fraction • g fraction = Yielddirect / Yieldinclusive • Largest excess above pQCD is seen at Au+Au. • Moderately in Cu+Cu also. Excess also in Cu+Cu No excess in d+Au (no medium) K.Okada
Comparison with models. No success.. • Later thermalization gives larger v2 (QGP photons) • Large photon flow is not explained bymodels for QGP Hydro after t0 Curves: Holopainen, Räsänen, Eskola., arXiv:1104.5371v1 QM: Quark Matter HM: Hadronic Matter thermal diluted by prompt Chatterjee, SrivastavaPRC79, 021901 (2009) K.Okada


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No meetups near you? Go ahead and start your own!
Update: New version of a primary/Secondary logo for the Thunder.
This updated version i'm rebounding has updated colors, as wells tweaks to the thundering buffalo, and tweaks to the font.
For this concept, I wanted to tie the Oklahoma City Thunder to Oklahoma. I wanted to incorporate the state of Oklahoma, the meaning of "thunder', history and colors of Oklahoma.
"Thunder" & buffalo - Comes from the thundering herds that migrated through the state of Oklahoma.
The colors are based off the Native American tribes colors that civilized the area of Oklahoma, and the also represent the tribes that still live in the community of Oklahoma, and the light blue pays close ties to color used in the state flag.
I will be designing a new primary/secondary mark for every NBA team. With each .gif image, you will see the new design i've created, followed by the teams current identity logo.
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This playlist, curated by TED, is courtesy of TED.com. It comprises 14 talks with a total running duration of about 3 hours and 42 minutes.
Talks in this playlist:
Raffaello D'Andrea: The astounding athletic power of quadcopters
Paul MacCready: Nature vs. humans
Massimo Banzi: How Arduino is open-sourcing imagination
Zainab Salbi: Women, wartime and the dream of peace
Henry Evans and Chad Jenkins: Meet the robots for humanity
Malcolm Gladwell: The strange tale of the Norden bombsight
Daniel Suarez: The kill decision shouldn't belong to a robot
Marc Goodman: A vision of crimes in the future
Lian Pin Koh: A drone's-eye view of conservation
Vijay Kumar: Robots that fly … and cooperate
P.W. Singer: Military robots and the future of war
Andreas Raptopoulos: No roads? There's a drone for that


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Job Search
|This posting is managed by:
RecruiterMichael Page International Japan K.K./マイケル・ペイジ・インターナショナル・ジャパン株式会社
|Company Name
|Company is not publicly visible
|Job Type
Marketing/PR - Branding/Strategic Marketing
|Food and Beverage Production
|Job Description
Lead the Portfolios of one of the biggest categories of the company and drive the success of its several brands.
Develop and deliver the category portfolio strategy in the Japanese market using a deep understanding of consumer trends and insights and aligning the strategy globally.
* Create and deliver the category portfolio strategy to achieve the agreed targets.
* Have a deep consumer insight knowledge of the market which will further support the strategies to develop.
* Work closely with the Marketing Director and lead and manage all activations regarding the category portfolio strategy.
* Be able to work closely with the Marketing teams locally, as well as globally to contribute to the development and activation of the Marketing strategies on regional and global levels.
* Be able to manage well all the agencies related to the portfolio strategy activations.
Our successful candidate should have
* Minimum of 5 years of work experience in a B2C or any other industry related experience in Marketing
* Have strong strategic and innovation skills
* People management experience and strong leadership skills
* Have a deep consumer insight understanding
* Strong communication skills in English and Japanese
Job Offer
The candidate will be able to
* Go on domestic and oversea business trips
* Strengthen their people management skills and future career progression
* Be able to influence not only local but also regional and global office with their innovative ideas
* General employee benefits
* Competitive salary
To apply online please click the 'Apply' button below. For a confidential discussion about this role please contact Maya Kondo on +813 6832 8662
|Company Info
Our client is a global FMCG company that is one of the leaders in more than one category. They own a large portfolio of many renown brands, with some that have been around for more than 100 years.
The company is based overseas and has offices all around the world.
In the Japan office our client is known for its well-balanced and positive work environment.
|English Level
|Fluent (TOEIC 865-)
|Japanese Level
|Native Level
|Depends on experience
Michael Page International Japan K.K./マイケル・ペイジ・インターナショナル・ジャパン株式会社


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TARMAC Aerosave, a subsidiary of Airbus Group, Safran Aircraft Engines and SUEZ, presents another aircraft dismantling system. The leading company in aircraft storage with maintenance in flight conditions, maintenance and recycling, is attending the Paris Air Show from the 17th to the 21st of June 2019. The new system, which complements the cutting gantry based at the Tarbes site, has the main advantage of being mobile.
150 aircraft and 130 engines dismantled in 12 years
Thanks to the use of dismantling techniques which are unique in the world and vast storage areas spread over three European sites, TARMAC Aerosave has become the world leader in aircraft recycling. The cutting gantry, based at the Tarbes site, was designed by TARMAC Aerosave.There are other systems in Teruel which can dismantle aircraft autonomously.
Once decontamination operations have been completed, such as the removal and sorting of equipment and cabin materials, the gantry cuts the wings and fuselage in a controlled way using a diamond cable, no heat is required and the system is environmentally friendly.
During the last 12 years, TARMAC Aerosave has dismantled and recycled 150 aircraft ranging from regional single-aisle jets to widebodies, as well as 130 engines.
Nevertheless, the group's main activity is still the storage of aircraft in transition, with over 760 aircraft hosted over 12 years, three quarters have returned to flying.
A cutting tunnel for single-aisle aircraft
To meet growing demand caused by fleet renewal, TARMAC Aerosave continues to develop new industrial systems in addition to the cutting gantry in Tarbes (aircraft stored at the Toulouse site are flown in for final cutting operations, other types of systems are used at Teruel).
TARMAC Aerosave has now developed a cutting tunnel for civil and military narrow-bodies aircraft. Once the wings have been disassembled, the fuselage is cut into sections which are then recycled in exactly the same way as the sections produced by the cutting gantry.
To meet the growing demand for dismantling of aircraft anywhere in the world, TARMAC Aerosave has opted for mobile and autonomous systems. "This is a world first which enables us to export our know-how. Aircraft don't just come to TARMAC Aerosave, TARMAC now goes to the aircraft.This system gives us even more flexibility in terms of improving our cutting processes", says Patrick Lecer, chairman of TARMAC Aerosave.
This machine can cut up a single-aisle aircraft fuselage in just a few hours.
One of the main topics during Caribbean Aviation Meetup was the lack of connections between island in the region. Where came the company actually offering a solution – amphibious aircraft. Tropi...
CO2 emissions in aviation, targets to reduce, alternative fuel, alternative propulsion activities and development. These are topics we hear about almost every day. In a move to accelerate the deli...
Experts of the Russian Helicopters Holding Company and United Engine Corporation (part of Rostec State Corporation) held a business meeting with representatives of the General Directora...
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Tulipa Flower Workshop (Tulipa Blomsterverkstad) – a store in the country with flowers and carefully chosen furnishings and antiques.
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Uplifting Interior Design
TEW Design Studio is a full-service interior design firm committed to artfully crafting functional residential and commercial environments in North Carolina and beyond. Our passion is to work with you to create livable spaces that showcase the beauty of your personality.
We offer a fresh approach to your residential interior design and remodeling projects. Forming distinctive spaces that are uniquely personal and exceptional quality.
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See the stunning results of our recently completed redesign at Samuel Cole Salon.
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We have learned how to listen to our Raleigh clients in order to change our unique interior design services accordingly. Here at TEW Design Studio, the customer is always right is more than a slogan to us, it is how we conduct business every day. Your needs are our priority and you will be given personalized attention and care to ensure they are met.
At TEW Design Studio, we always try to reach out and do better than we have done before for our Raleigh customers. Each new chance we get to provide unique interior design services is a new chance to prove our merit in this industry. With years of experience, we have earned a reputation for providing nothing but quality services to our clientele.
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TEW Design Studio
5409 Lumley Road
Durham, NC 27703
(984) 219-2923


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