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Category: Guest Speaker
11th October 2018 – Arthur Kingdon
Arthur Kingdon was our guest speaker and a very well received evening of his (mainly) underwater pictures. Our own Julie Kaye introduced us to this genre last year. Arthur took us around some of the worlds hotspots for underwater photography and took us back a few years too.
The equipment needs to keep a diver live aside, the hostile environment, and days when a diver cannot see their hand in front of their face, aside, pretty much most sorts of cameras can be used given a functioning housing. This is an equipment heavy branch of photography.
But all that equipment does, plus a heap of research and local knowledge, is get us to the photo opportunity. Then the photography begins. Less light to no light depending on depth, colour shifts also dependent on depth and things with big teeth and a bad attitude looming in the dark.
So among the other environmental factors and the need to master shooting close up using wide angle lenses (fish eye lenses are not uncommon but that is not where they got there tag from), there is also a need to shoot at high ISO's. And high ISO's mean noise in the image. So, something common to us all.
Our personal attitude to noise is the key to its perception and thereafter our attitude to an image that contains it. Noise in digital photography is caused by the action of electricity passing threw circuitry where it encounters impurities and as a result generates signals that are not part of the designed outcomes. It is just part of the physics of electrical circuits.
When we increase the ISO we boost the signal. When we boost the signal we boost the noise in that signal. At low ISO's, that is around the base ISO that the sensor was designed for, usually 100, there is so little noise that we cannot or do not perceive it. Double the ISO to 200 and we double the amount of noise in the image. This maybe equally undetectable but eventually it does become obvious.
There are two sorts of noise we can detect in our images. Luminance, which manifest as little points of light and which we are likely to be far more tolerant of because their visual impact is less, and chromatic or colour noise, which can be hideous over fairly limited levels.
Luminance noise, as the name suggests, comes about under restricted light conditions. It can be caused by bumping up the signal via the ISO or through long exposures. Its source is the sensor heating up as it does its complex job very rapidly using very small channels which create resistance and therefore heat. It produces "Hot pixels", little squares of white, which are usually quite easily dealt with in post.
Chromatic noise manifests itself as tiny worms of colour, especially in very dark or very light areas in an image. It comes across as tonal aberrations in an image. It can be lessened in post production through noise reduction software, but it comes at the price of a certain smudging of the image.
Whereas it is true that the newest sensors are a lot, lot better at handling noise than they were even five years ago it is still a by-product of boosting the signal and causing heating of the circuitry. It is also true that the situation of the photograph is also important to our perception of noise in an image from a sensor of pretty much any size or age.
Getting the focus spot on is probably the greatest distractor from noise that there is, especially when we fill the frame with it. It is also the easiest of the solutions to our perception of noise in any given image to enact. It doesn't alter the amount of noise in a frame but it does fool our senses about the amount of it.
A correctly exposed image will draw less of our attention to high ISO image noise than an underexposed one – though there is lesser noise obvious in an overexposed exposed one.
So a frame filling, sharply focused, correctly exposed image will go a long way to positively influencing our perception of any photograph, a high grain one just as much lower, though, again, none actually reduce the physical amount of noise but does diminish our perception of it.
JPEG is also, because of the nature of its algorithms, not a good option for shooting in, especially when you further process it. Shooting in RAW is a better option if any post processing is going to be involved. The reason being JPEG applies noise reduction, giving that loss of fine detail we alluded to above, RAW comes with everything left in. That means we can apply noise reduction manually as we see fit. With JPEG we have to take what we are given.
101 Corner
Light is everything in photography, but to make a photograph we have to do something with it. Basically we have a frame, what the viewfinder shows us, and we move around or move what is in the frame around to make an image that shows us something interesting.
Arranging things in the frame, however we do it, is called composition. Composition is the second most important thing in photography after light. Every photograph ever taken, or ever will be taken, combine these two things. Consciously using these two things is the absolute basis of making better pictures and they have evolved over centuries.
Although they are usually referred to as "The Rules of Composition" that is not helpful, as rules imply something that is absolute. They are better thought of as the Tools of Composition. We select the appropriate tools to make a photograph, just as we would select a hammer not a screwdriver to drive a nail into a plank of wood.
There are many such tools, some get used more often than others, some in combination. We will revisit this several times, but at the moment get your camera out for 20 minutes every day over the next week and use these three tools: "Thirds", "Frame within a frame" and "Leading lines" to make half a dozen images a day. It can be in doors or out, with your phone or another sort of camera, the important thing is to go looking for these opportunities, or making them.
27th September – 4th October Club Exchange and Tony Cooney
This week three for the price of one: an exchange visit with fellow WCPF club Hanham, things being helped by the clubs regular meetings being on consecutive nights. So we showed them ours at Hanham on Wednesday and they reciprocated on Thursday. This was followed by the return of former member Tony Cooney this week, who, last year, graced us with his pictures from his time serving in Iraq and this time showing his work with portraiture and a variety of models.
These three events set themselves squarely in our development as photographers of whatever level. Looking at, thinking about, talking about our and other people's pictures is an absolute essential of developing not just appreciation but also a store of looks, effects, puzzles and things to try out.
In order to so we need to have some sort of method to regularise and make useful comparisons. This is generally known as a critique and is something we have used before (using some prints leant to us by Hanham by coincidence). It is what we have competition judges do for us, where they give is feed back from an outside perspective, and a great deal of experience.
We can use this to our advantage by rationalising our own reactions to others opinions. Nobody rational is going to like 100 percent of our output equally (nor dislike). In that we can garner likes and views and favourites on social media that has as much, if not more, to do with niche marketing than actual photography. And a lot of people seem to make it an end in itself. It, like the histogram of our last image, lies between perceptions of absolute light and dark because the image and our true opinion lie in the range in between. We critique to articulate these ranges. We learn by applying this through the viewfinder.
And we do this over time. Tony showed us a development line going back several years and made the point that the single biggest early improvement came from investing in a lighting course. Now there are good courses and there are mediocre ones and price is not really a good indicator of anything other than this is what your provider can afford to charge and still get enough people to engage.
Personally I rate these things, among others, by the number of people on the course. One where you get 20 minutes a day, if you are lucky, with a superstar of that genre is worth far far less in terms of personal development and value than one where you get an hour or two hours individual attention. You might get some excellent photographs, much time in course development is spent on making sure of that because then your customers become your champion marketeers, but unless you develop the faculty of seeing rather than looking, that is not going to teach you much.
Of course we are in a position nowadays that access to opinion and information is instantaneous and in volumes we cannot hope to handle. The self taught route can be very rewarding, of course, but the accelerating the pace needs some sort of external input. Quality not quantity and when you have grasped the basics that provide quality, consistency, was something that came across from Tony's set and certainly this was evident across both the evenings he has done with us.
The "Studio" portrait conjures up images of large format cameras, assistants, assistants to assistants, big lighting rigs, expensive clothes on professional models and an equipment bill most of us don't have sufficient kidneys to sell to pay for. Try scaling down expectations a little and the basics become more do-able. When learning a new skill it pays to Keep It Short and Simple (an extension of Kappa's If-it's-not-good-enough-you-are-not-close-enough mantra) and in something practical like this, plenty of do and review. Improvisation is part of the fun and the skills set of photography.
Of course there are the intermediate courses that you can buy on line and these range from good to bad as does anything else. In these cases finding people who have used them and have something to say about them and explain why they came to that conclusion (not testimonials) are few, far between and invaluable. In this case forewarned is fore armed. Managing our own expectations is also part of the process. It isn't just about talent and it is also about recognising that hard work is a talent in its own right. If we have this capacity then a little direction is what we need.
101 Corner
Sooner or later we end up taking photographs of people. Before the days of mass photography that was almost the soul purpose of the art. OK, a bit of landscape thrown in. Today's social media probably hasn't done a huge amount to change that ratio, neither has it done a huge amount for the overall quality of photographs taken. Being in it counts for more than the quality of it.
There are things we can do to improve this easily enough. Last post we talked about the effect of sensor size on quality in the main part of the post. It has another impact too – depth of field or how much of the image is acceptably sharp. This is important because of the requirement to make the eyes (both eyes) the point of focus. That is the area of a face we will look to first. Not in focus? No second thought.
A camera phone has a deep depth of field. Shooting with a wide open aperture on a larger sensor means that that which we perceive as being acceptably sharp is far more limited. Both eye-focus is easier if we fill the frame with our subject, photographer Robert Capa once famously remarked, "If your photographs aren't good enough, it's because you aren't close enough". Aperture controls depth of field.
This applies to all sorts of cameras. With that in mind try replicating this video.
14th June 2018 – Roy Jacobson On Wildlife and Aeroplanes
You know you can make a great landscape even better by having something animate in it. Like wildlife. Our latest speaker, Roy Jacobson CPAGB, showed us that patience, knowledge and persistence certainly pay off when you put the fauna in the flora. And aeroplanes too, though they are better in the sky. In both cases fortune favours the prepared.
Wildlife photography isn't all about safaris in Namibia (I wouldn't turn one down if anyone is offering a free one), it can be found much closer to home, like in your garden or local park. The key is to start small, get to know your kit really, really well, and know, I mean really know, your location and the sort of wildlife it attracts and when it attracts it.
Whereas there is definitely a case for having a 600mm telephoto in your bag when photographing shy or skittish animals, your back and your wallet will not thank you for it after lugging it around for the day. And that's before we even consider the stuffed ant eater or who owns the copyright when the wildlife presses the shutter release. Start with the kit you have, was Roy's advice and find somewhere local.
We have, of course, the benefit of Slimbridge under an hour away, if birds are your chosen subject, and it is set out for walking and observation. Roy suggested picking a spot and sticking with it, rather than wandering around and looking for something to happen. When it does happen it tends to happen quickly and be over just as quick: feeding, fighting, preening, breeding, taking to wing, coming into land or some other photo opportunity.
Much, as has been said already, is down to being prepared. As movement is going to be a big factor in most of the (airborne) shots then a fast shutter speed is going to be necessary, starting at around 1/1000th. To facilitate this it is probably best to select shutter priority/auto ISO and let the camera pick the aperture. Focal length is probably going to be long, metering and focus turned to spot (though that is questionable if you are composing on the thirds) continuous autofocus (depending on age and speed of your system), motor drive as we used to call it on as we are going to be shooting in bursts.
We might also use a monopod or tripod and if we have saved our pennies or do a lot of this sort of photography, maybe use a gimbal on the tripod. The problem quickly becomes how much gear do we want to lug around? How much can we practically use even, or especially, in an urban environment? Well, the happy medium is our own to find and is going to be dictated by subject, location and environment.
Birds aren't the only option, of course. There are larger animals in most urban areas. Locally we have many different parks in which foxes can be seen with a little patience. There are two deer herds (Fallow and Red) at Ashton Court, the Red, in particular, are used to people being around, as are the grey squirrels around Cabot Tower on Brandon Hill if you get bored with shooting the Peregrine Falcons down by the River. There are plenty of pigeons and gulls to practice on whilst you wait. There are also some quite rare species of bird to be found (depending on the time of year) at the Arnos Vale cemetery as well as bats and foxes and badgers.
Now aeroplanes in flight that is a completely different matter. Actually only completely different from the earth-bound subjects as far as the mechanics go. Generally, aircraft are far more predictable than wild-life, especially at air displays (Weston Air Day this Saturday and Sunday by the way) through knowledge of the behaviour of each still sets the photographer in better stead.
The basics are exactly the same, fast shutter speed, single point meter and (possibly) focus. Don't be afraid to boost the ISO and shoot Raw as we are probably going to see a fair whack of dynamic range within the frame, especially if the aircraft is dark and the sky bright.
In the stands at air shows, you will often see a forest of tripods and monopods. There are issues with doing this. The Mono/tripod will cut down on the flexibility that we have to move and pan. There can also be safety issues, especially when shooting around other 'Togs using similar set-ups in relatively tight spaces. Better tuck your arms into your chest, deep breath and brace, takes more practice but it gives us more manoeuvrability and there is less gear to carry.
Air displays have a defined centre and also defined edges. If we know where these are (in front of where the crowds are thickest, basically) then we have the chance to hit peak action (centre) but at the edges is where the aircraft will turn in. Here we can get some great shots that aren't aircraft flying straight and level.
And it takes practice, practice, practice, like any other form of photography. Above all it's fun and there is a great deal of fun to be had and a great deal to learn and maybe profit from.
17th May 2018 – Stephen Spraggon
Landscape the year round was Stephen Spraggon's topic in his presentation "Four Seasons In One Day". Stephen has been to Reflex before and this was another high quality session. A locally based photographer Stephen makes a substantial part of his income from the Somerset countryside and across the south-west. He showed us that time spent on reconnaissance is seldom wasted and is a regular user of The Photographer's Ephemeris (TPE also on IOS and Android) and OS Maps. Above all time, patience and a lot of practice are key, as, I would imagine, are a decent set of notes.
The essential piece of equipment, aside from glass and body, is a sturdy tripod. Stephen related that all his landscape photographs are tripod mounted, necessitated by shooting at low ISO's, 50, 100, sometimes 200 chasing minimal noise, which when combined with deep depths of field mean low shutter speeds.
There are hundreds of different tripods on the market and choosing the right one is as much about perceived need, experience and value for money as it is weight or brand. Basically tripods come in two parts. The legs and the head. As with everything else photographic you can spend as much as you like as design and function are moderated by the materials of construction: aluminium; carbon fibre; magnesium and alike. The heads can have pistol grips or a selection of knobs and locks to keep them steady and again money is no object.
Tripods for landscape are probably the ones open to the most compromises and certainly involve the most decisions. This is primarily due to the weight rigidity pay off. Your average 1600mm f5.6 Leica lens weighs in at 62kg so needs a particularly rigid tripod, though, lets face it, the people who are going to lug it around are probably accommodated in its 4 x 4 Mercedes support / camera bag and do not include the photographer. The weight of what the photographer wants to support, comfortably, is the primary factor and that is going to be the heaviest combination.
The variation of weight and the requirement for good rigidity to ensure stability over fairly long exposures in sometimes hostile weather conditions. This extends to both legs and heads. A 3 way geared head, one that has knobs that finely control movement and provides sturdy locking in three planes, means a lot of engineering and materials in its manufacture. That means, to keep the weight down the serious landscaper with deep pockets is probably going to go for one made from magnesium which ensures that the cost goes in the opposite direction to the weight.
Height is also a factor. If you are going to get that vital foreground object in focus you will often have to go in low. A decent height can also save the back when using the view finder or if your live view doesn't have a tilt facility to it. An adjustable centre column is also desirable for those in between heights. Then there are the way the legs are locked into position, these days almost always via screw locks though there are still tripods around with catches.
So the rock steady, shake free image is in the bag, still or video (video 'pods tend to be more rigid, heavy, technical and expensive, especially the heads) but a tripod can also help in creating panorama's by keeping a fixed point around which the camera turns whereas hand holding it sometimes works to skew some uprights (parallax error where the lens acts as the eye). Or maybe that's just me. Either way slower shutter speeds can be selected with no penalty in terms of camera shake.
The key is in setting up the tripod on the level in the first place. Most tripods have levels built in as do most camera these days. It is always wise to check that the camera stays level throughout the pan. It is an easy technique to get good looking results from. The key is to make sure the settings on the camera are the same all the way through (meter in aperture or shutter priority first then set the camera to manual for the capture) and to leave plenty of overlap. Essentially what is on the right of frame 1 is on the left of frame 2. Most cameras have grids that can be viewed when composing, thirds being the most popular but some have fifths and other variations. These can be used to ensure a decent overlap for stitching the panorama together using the same right left pattern.
Although 180 and 360 degree pans are popular, there is good mileage in smaller three or four frame panoramas especially when the camera is used in portrait mode which allows for more ground and sky. It also allows for greater detail and much larger prints. The downside can be the size of the stitched image, especially with larger megapixel count sensors, so there can be some useful mileage in using lower resolutions when constructing, especially the wider portrait version, panoramas.
Stitching the images together is far simpler than it used to be, thanks to options within Photoshop and Microsoft's ICE (or MICE) is free and very easy to use for both horizontal and vertical panoramas.
Easy to do and fun why not give it a go?
19th April 2018 – Myk Garton
Club and committee member Myk Garton took us through fifteen years of photography last meeting, showing a wide variety of subjects and a definite progression as experience grew. Digitally a Fuji shooter from day one Myk started with an Instamatic, which many of the audience could certainly identify with.
Currently showing nearly 27,000 photographs on Flickr, Myk has had images adopted by local festivals, publications and alike and had a successful exhibition at the Totterdown Canteen last year and has organised one there for this for the club next month. He is also leader of the programme group for the club.
A lot of us, including the club, use Flickr, of course, which has suffered in terms of development from the decline of Yahoo, and is now with its fourth owner the American photo company SmugMug. SmugMug is a pay-to-use photo-sharing website and image hosting service which allows users to upload both HD photos and videos, so whether or how long the 1TB Flickr option is still available is an interesting point – and I only have 5,000 images on it at present. Not entirely sure how long that would take to download one by one.
Myk showed us the value of persistence and repetition in personal development and we have talked before of the value of doing something deliberately, critically, sometimes the same thing differently. We can end up taking the same style of images because that is what we do. It carries with it the threat of becoming stale, static, uninspired. What we need to do is to keep moving and that requires photography aforethought, not post production afterthought. "I'll fix it in post" is very different from knowing from the outset what we will need to do to an image in post production.
A lot of that comes from knowing our equipment and its limitations. Our preferred manufacturer's latest megabuck sensor may well be capable of dealing with a fifteen stop dynamic range but in the real world, where some of us live, we have to get by with our five year old sensor that was designed eight years ago and can just about handle plus or minus 3. In RAW. We learn that through taking photographs in different lighting conditions.
Then we learn to bracket and to merge to create our own HDR photographs, and what we need to do to those images to make them acceptable to our tastes. Or we learn to use on camera or off camera flash or continuous lighting to fill the darker areas allowing us to meter for the lighter ones. We learn how to modify the lighting we have to blend in with the image we want to create.
And so we fail. A lot. Fail as in laying a Firm Anchor In Learning. We learn to critique, starting with I like this because …. I don't like the way this is because …. and we do something about it next time based on that. That way we not only learn our equipment but we develop a style. That style may change over time, either as an evolution or as a deliberate attack on our comfort zones – or both, but it allows us to make the stories we capture our own and to keep on doing so.
The other key, besides persistence, is to look at the works of others with that same critical eye. Our goal is constructive criticism. That can be other club members, exhibitions, magazines, websites, tutorials, talks and other presentations, newspapers, awards, the list is as long as you want to make it, we don't lack for opportunities and it doesn't just have to be Ansel Adams for landscapes, Cartier-Bresson for street and David Bailey for fashion. There are plenty of others and it does well to look regularly and above all critically. It is, after all, the images people take that make the mark, not the camera they used.
Variety is also important. This can be in set up, composition, treatment, subject, lens, aperture, shutter speed, lighting conditions, the list is as long as you want to make it. Above all it is about taking images. That is, when all is said and done, why we bought the camera in the first place. We can get a lot more out it with just a little deliberation coupled with a little curiosity. In the digital age we have the capacity to take hundreds more photographs as very little extra unit cost compared to the days of film, but the deliberation that the costly additional frame imposed on us was and is a useful thing.
22nd, 29th March – Peter Weaver and a Practical Evening
Apologies for missing a post, IT problems. Our guest speaker was the always welcome Peter Weaver, who will be returning in a couple of weeks to judge Round 3 of the Open Competition. This was followed by a video tutorial and a table top session. Peter showed us many instances of his own photographic journey and this set me to thinking about one particular aspect which we have talked around but not directly addressed in a while, that of taking pictures of people.
There are many forms this can take from the happy snap via passport style documentary through street to high art. For all of these we are going to use the same basic formula with appropriate, or lack of appropriate, vigour, starting with the background, putting our subject in it, lighting it then recording it. We are speaking generally.
So, background. Avoiding the classic lamp post/tree branch growing out of the subject's head takes a bit of practice. Border patrol needs to become a habit when our attention is mainly on the subject, but that is easier said than done, especially when we are starting out. Choosing the background against which we will contrast our subject helps in getting this right. Not fool proof, but it works more often than it doesn't and that little equation can be affected positively by establishing a routine and sticking to it.
Two easy to stick to rules for backgrounds are fill the frame with your subject (goes for all single subject photographs) and blur the rest. In the first of these we can either zoom with the lens or zoom with our feet. Perspective doesn't change the same way when we zoom with the lens as when we zoom with our feet, as different focal lengths will handle background compression in a different way (sort of, it's the subject to distance that changes in order to keep the subject the same size in the lens).
Putting the subject into a pre-selected background minimises the chances of there being unintended distractions in frame. Basically, if it doesn't add to the story you are trying to convey, get rid, either by moving to another location, cropping tighter or changing the angle between lens and subject.
In the studio we might generally light the scene at this stage and refine with the model in it, which is fine where control is total, but we don't always have this option. In more public and more chaotic situations, "Running and Gunning", we might need to see what we are lighting first but this is really a personal preference and down to the workflow we adopt – not all workflows are automatically the most efficient but we are after the most effective and that means thinking critically about them from time to time.
Where ambient light is variable it is preferable to put the model in the scene, then light. Variation is part of every point on this process as each time something changes we have a different image and opportunity. Being prepared for the opportunity is a vital step in capturing it.
Posing our model is relative to the formality of the shoot. The corporate head shot is probably the most convention bound of these as portraits of friends informal. Inflation of ego aside, it always amazes me that the item by which their audience is going to judge them most, the corporate mug shot on the annual report, on advertising, on the web, commands such little time in the executive's "busy" day. Herd instinct aside, the corporate headshot is a very conservative market. Everything can be pre-lit because so very little changes.
Admittedly there are poses to generally avoid because body language is very specific in what it conveys. Posing is also gender specific, at least by convention, so we have the idea of male poses and female poses, which, in actuality, are merely what society expects.
Then the lighting. Lighting is as straight forward or as difficult as you want to make it. Essentially it is the interplay of light and shadow and it is something over which we have varying control over depending on the environment we are shooting in.
A home photo-studio doesn't have to be expensive to build, and if we start out with flash, as many of us do, then we have a very versatile and portable light source that has many uses, the light from which can be usefully and quite cheaply modified for hard light (grids, snoots, beauty dishes and reflectors) or soft (soft boxes, umbrellas, diffusers and flags). What we get in the studio is control.
Light is by far the biggest factor in any photograph. It's in the name, as we have discussed before. Its qualities are exactly what we trade in. That balance of light and dark we control has four elements: quality, position, intensity and colour and the modifiers are how we go about it when using artificial lighting or a mix. The portability of modifiers (well the smaller ones, a seven foot octobox may not weigh a lot but the slightest of breezes will turn it into a sail) doesn't preclude them being used outside (and here).
As, more often than not, we are using a mixture of ambient and boosted light, the options for control are broad. For non-artificial lighting we have the exposure triangle, white balance and filters to affect the look of the light. We have exposure compensation, full manual too.
It is all dependent on the way things are arranged in the frame of course. Composition is no small matter. It is as important as the light, indeed it is at least half of what we do to capture our vision, that thing that grabbed our attention. It's about making a statement, or taking that statement and making it our own, but remember : "It's one thing to make a picture of what a person looks like, it's another thing to make a portrait of who they are."
— Paul Caponigro
8th March 2018 – Gerry Painter playing with light and dark
Our thanks to Gerry Painter for a very informative evening, using his photography to show how to play light and dark using a basic home studio. Gerry showed us how to get great results using a sound grasp of how light and flash work, and the basics of posing your subjects for effect.
And it doesn't have to demand a big budget. There are hacks you can take in order to get the look you want without, necessarily, spending a fortune. You certainly don't need a full-time studio so you can use flash for portraiture, but a studio does present the peak of the idea of a controlled photographic space. We have touched on this before this season with club member Steve Dyer when we talked about a basic off camera flash set up, and I would suggest that post is worth a re-read from the point of view of building the hardware side. It also links back to two earlier posts, one covering hard and one covering soft light modifiers.
Photographing people is, quite possibly the major part of photography. Certainly, it makes up a large, perhaps the largest, sector of the professional market. What people are paying for is not, necessarily, a straightforward record, but a record of a connection, one that brings out their personality, a fraction of a life, something which speaks of them and of the moment. Even though we live in the age of the selfie there is still a perception that there is something else to be had from the viewpoint of another.
Even so, the motivations behind the selfie, which love it or loathe it are massively the largest by number photographs posted online, 24 billion 2016 according to Google, are not so simple. The motivations for those so bent on broadcasting their lives to the point of dying of it, more people were killed taking selfies than in shark attacks that year, are not just narcissistic.
Within this huge volume, the data for Instagram alone, and what can be derived from it, is far from trivial, there are, apparently, three categories of motivations : Communication – those who want to inititiate conversation; Autobiography – those who are recording key moments in their lives, not necessarily to bait a response, but as a record they can look back on in a handy format; and the smallest of the groups, the Self publicists – those with a personal or professional need to be "out there" and recognised. "It's a different kind of photography than we've ever experienced before" (Steven Holiday, Brigham Young University) important because it is today's social history for the future. It can also prove expensive, in more ways than one.
Even so, the basic human form hasn't changed and that means there are more natural and flattering angles than others, and Gerry took us through some of the basics. First off there is not taking pictures square on, something you can sometimes get away with on male subjects, but almost never seem to work with female ones. And there is a big difference to be had through the simple expedient of shifting the by slightly putting one leg slightly forward, shifting your model's weight and causing an S-curve. Shifting the weight onto the back leg Leaning forward from the waist and raising the chin smoothes lines around the neck and invites the viewer into the picture. For effect this doesn't have to be exaggerated, indeed it can look slightly comical if it makes the model look overbalanced. This works for male and female models. As does crossing the arms, which with the other moves described, makes the body look more dynamic.
If the model is sitting then the relative height differences are going to become exaggerated and the crops tend to be much tighter. The leaning forward posture still applies otherwise the model looks like they are backing away. Elbows on knees will tilt someone forward and an accompanying tilt of the head makes things much more personable. In all cases, the eyes are the most important point of focus. If there is one other thing that is universal is the general advice that it is better to have the model angle one shoulder towards the camera.
Gerry packed a lot into one evening not least the need for a connection between the model and the photographer, especially with a model who might not be used to having his/her photograph taken. A lot of people don't like having their photograph taken. A lot of people buy a camera to make sure they are the comfortable side of the lens. Our job is to put them at their ease. This can be easier said than done and the reasons are pretty hard-wired because the thing we as photographers are looking for is the thing we as individuals do not want to give away.
Experience in other fields leads me to believe that the single biggest factor is the attitude of the photographer towards the person being photographed. Put simply, the attitude you give dictates the attitude you get back. If you are wound up and edgy guess what your model is going to pick up on? Give out a "This is going to be a nightmare" and you get a self-fulfilling prophecy. It's as much to do with what we do before we start shooting as it is during the shoot. It's about time spent introducing ourselves and what we have in store for our subject. It's about promoting the shoot as a joint project either side of the lens. It's about making being the model on a photo-shoot as something enjoyable. You only have to get part of the way to free things up.
On a slightly different note, regular club members will know that Myk Garton last year had a successful exhibition called AS I SEE IT at the Totterdown Canteen (141 Wells Rd Totterdown Bristol BS4 2BU). Myk has got the club a return gig which will be called AS WE SEE IT and photographers within the club have opted to show in the exhibition which will be in May June this year. This is a great opportunity to get and see the club in action. Opening times are 8 a.m. till 3 p.m. seven days a week, More on it as we get closer to the date.


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- ZANU PF UK , GEARS UP FOR VISION 2030 diaspora promotion,..NONSENSE.. they havent even delivered the vision 2020 scam by Mugabe Zanu pf.
- LAXITY and corruption in Zimbabwe's criminal justice system allows scores of convicted people to walk scot-free despite having lost their appeals at the High Court.
- A 'Westgate, Harare man' , who lived in wooden, tin-roofed cabin and slept on a makeshift bed of metal sheet is jailed 16 years for raping a ZBC's National FM radio show date.
- ZNA CAPTAIN SHELTON MAREWA remanded in custody at Concession District Hospital for armed robbery at Ocelia mine in Concession
- 'SALARY increases won't solve the current crisis except only serve to raise Zimbabwe's prices and inflation'-MDC treasurer-genl David Coltart.
Telecel appoints Mrs Angeline Vere as the new Chief executive
Mrs. Angeline Vere, a lady who has been employed by Telecel Zimbabwe since 2004, and also a holder of a Bachelor of Laws Honours Degree (LLB), a Masters in Laws (LLM) degree with specialization in Commercial law and a Diploma in Finance and Accounting was appointed by the Telecel Board of Directors as the new Chief Executive Officer, with effect from June 10, 2015, in line with the Telecel's equal employment opportunity and empowerment policies. Mrs Vere , has…Read More


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Event Calendar
Keep up with all the BeCause fundraising events taking place this month and throughout the year.
July 2019
Caring for a Cure Nantucket Triathlon 2019
Caring for a Cure is humbled to be a part of this event for the third year. We will again be honoring our patient, Rita Gutman. Rita passed away in August 2016 at Massachusetts General Hospital (MGH) after her battle with Acute Lymphoblastic Leukemia. Rita's two-year battle with cancer impacted so many of us, in so many different ways. Please read Sam's words below and join us for a memorable weekend in Nantucket. Throughout her battle with cancer, Rita was…Find out more »


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Caroline and Ashley had the pleasure of sitting down at Red Hare Brewing with Claire Nicholas, Jessica Miller of Reformation Brewery, Heather Layman of Gate City Brewing Company, and Jessica Wasson of Printer's Ale Manufacturing Company. These ladies are communications directors and social media managers of their respective breweries, a job that isn't frequently given the opportunity to be talked about. There's lots of laughs and beer talk with some serious talk about this side of the beer business and its pros and cons.
Upcoming Public Events
Tue 25
Goin' Local Street Dogs (Canton)
June 25 @ 6:00 pm - 9:00 pm
Tue 25
Weekly Game Night
June 25 @ 7:00 pm - 9:00 pm
Wed 26
Team Trivia Night
June 26 @ 7:00 pm - 9:00 pm
Thu 27
Take Twenty
June 27 @ 11:00 am - 9:00 pm
Thu 27
Paint Your Pet Night
June 27 @ 7:00 pm - 9:00 pm


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Employment Associate
1 day left
- Recruiter
- Taylor Root
- Location
- England, London, City of London
- Posted
- 23 May 2019
- Closes
- 20 Jun 2019
- Ref
- 1034262
- Contact
- Christopher Roberts
- Vacancy Type
- Barristers, Private Practice
- Contract
- Permanent
- Hours
- Full Time
- Practice Areas
- Employment
- Experience Level
- Junior Level, Mid Level
An international law firm are offering the opportunity for an Employment Associate to join their London office.
With a strong employment offering, the firm are growing increasingly busy, as such, they are recruiting for an Employment Lawyer, 1-6 PQE to be part of the London and national employment team. The role will have a good mix of contentious and non contentious work, advising primarily employers and employees across all sectors, servicing the firm's client base.
The ideal candidate will have at least 1-6 years' PQE within the employment practice area, gained from an equally leading private practice firm in the city. You will have exposure to both contentious and non-contentious employment matters, with experience in advising employers across a range of sectors
It's an excellent opportunity to work with a firm, who have both a domestic and international reach, in a role providing access to high value market leading matters. Alongside the quality of work, you will work alongside experienced members of the team, who are regarded as leaders in this field. The role offers a healthy work life balance and a strong remuneration package.Please note our advertisements use PQE/salary levels purely as a guide. However we are happy to consider applications from all candidates who are able to demonstrate the skills necessary to fulfil the role.
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Having called bbw granny videos up Michele to itself, I seated her directly before the person, having decided that both members will accept in themselves at once. Well, but on the released Tuesday it is possible to finish article about energy tariffs. - Mm, - it lowed, nestling lips on a lobe of her left ear. The lake was told to sit down on a sofa, and it, having lifted a skirt, obediently fell by it the naked bbw granny videos hips. They went to the yacht, it lit with a lamp a way among stones. Somehow in Mantua he walked in a book-store to look novelties, also had to spend the night in the karaulena as went in to darkness without lamp or a torch; he lost couple tsekhiny to the young to the captain O'Nilan also lost health with two maidens, which found in the karaulena. My language enters deeply, as far bbw granny videos as it is possible. - Ah, I so love it, - delighted Paul spoke, - it is so lovely, so it is fresh and fine. That eyes in half a year not to get on on a navel, obviously becoming shallow under a pressure the life serving soup with meat and on me with the device table put the opera tsionny (here the time also came), on which you at last yes "sh output granny videos bbw of the maternal passion from the deadlock also you bawl, extorting life from a wet mouth. Every time, when it lasted up, his hands of a soskalzala are slightly lower, and a skirt gathered pleated on hips. And here you, Lesh, explain to me why you have all back in vaseline. I do not know why, but now I liked to be the slave for these lewd teenagers, and I obeyed. Now its bbw granny videos language got into its mouth and touched her uvula. (I will pay!)" The goat not the little fool was and at once lifted a tail. He spoke indifferent tone, but Nezrin felt that all this the affected. The history of Earth and Nova is overflowed with examples. After five-hour march he ate in the monastery of Capuchins and around three o'clock in the afternoon approached the house which owner was called the peasant. I feel how you fill me, and I finish along with you even more strongly, than for the first time. Huge windows of library left on the West, and beams of the soft autumn sun, making the way through a haze of clouds, the light track laid down on a dresser and highlighted the bouquet standing on it fine chrysanthemums. But here I felt that I will faint soon, Pyotr accelerated the movements, bbw granny videos on - the volume suddenly moaned, stuck the tool isomer, fainting, I brosi- la to squeeze sponges and let out lumps, starting fainting. Alex having finished the next phrase, decided to pass to "business". I is bewitched watched how a tree takes my golden Lita as the girl twirls by buttocks and nestles on it. - The blonde did not understand and silly stared at the guard about. She passed in a bedroom, quickly bbw granny videos undressed and is tense the white terry dressing gown. From the offered rounds on six hundred, eight hundred and one thousand foots of Planes were selected by the higher and the most expensive. Door, being opened, knocked on the suspended hand bell which announced mine emergence. Then Natasha put to me a hand between feet and started poshlyopyvat on a clitoris (then I did not even hear this word). At last I spread bbw granny videos it till the end, her smart bum rested to me a pubis. Kesten since 1945 often blamed for cliche, "tediousness" and "tendency to an opisatelnost". And suddenly the door in chamber, already again for this mad day, opened and entered. Mother obediently swallowed of my allocations, but the quantity already was much smaller. First and the relations with Lana he considered as the next love affair which can break at any time. Yesterday you bbw granny videos at first were heated at the sun, and now I want to look as eat a candy. In the morning she woke up before it, and wanted to rise and leave quietly. Casanova found the price for everything too high and agreed with the sister that for six francs will come and consider the baby in her closet, yet will not be felt by desire to lay out the demanded six hundred francs. "bbw granny videos What do you do there?" Madam Cat (her member still held apart my back) answered with a wide smile. In ten days at Casanova did not remain money; when Basadona asked where to take him money, Casanova answered: anywhere. Yes, also show me time!" - It Raskomandovatsya. - Gloria screamed, very much squeezing Nikita's hand. In a hall I whispered to it: "The room, a bed, half an hour" He understood everything and bbw granny videos gave fresh sheets. I got home at 12 o'clock in others dress, broken and hungry. He sat in a pastel all turned sour and it was visible that he is afraid in seriousness. To distract the girl from burdensome thoughts in the afternoon and fears more or less it was possible, but here at night it dreamed different nightmares, and it sobbed violently, waking up in cold sweat. Because of it not bbw granny videos one lost life after its performances in club. Light and Katya wiped towels the bodies and persons. Katharine and Laura, having taken a taxi, quickly enough reached small hotel on the suburb of the city and without problems settled for the night in small cozy number. Having removed a foot I a hand ran over vulvar lips, pulled hard on it and started striking for the first time in life. Now it excited me, bbw granny videos entering me fingers and language, and here when I was at pleasure peak, in my lips the head of his member buried. We fall asleep, having embraced each other, knowing that such nights, and others at us still will be much. Then comedian providently brought together five sons, the young pregnant wife at the bed and notable brothers of Grimani (Michele, Dzuana, Alviz). - I asked - Yes they also set laws, - granny videos bbw Vika answered. The man passed on a pier and is sure curtailed from the embankment into one of lanes - clearly as put that this route to it not in wonder. Lenka sat down to me on the person, having allowed to lick her and a droch to me pisyu. He asked it to bring a hammer and nails and, having looked after on the wooden the carved panel made between a mirror and granny bbw videos a fireplace, directly opposite to it beds, place, hammered some nails there. The patrician looked at the square o'clock hanging on a wall it is high over bed. (If, of course, she told the truth) still did not admit. The moon lit with the silvery light the road, crowns and houses in villages by which they had to go on the shining and curling highway tape. - Natali, - he told, - there bbw granny videos below was a white cardboard box, take it and bring here. If your brother had enough mind to be dragged to it on a cemetery. That I was surprised on arrival, by it that nobody met us as if anybody and did not wait. - Come, - she invited such tone as if the yacht belonged to it, and not. For some moment, at it in consciousness the crazy thought flickered that he bbw granny videos loves it, flickered and right there disappeared, under impact of ruthless arguments of mind. "No, to make the way force through a checkpoint would be too big and unjustified risk. Shadows and paints which it located now, not much more differed that it used in the lock. Zeynab resolutely gives preference to the cut-off member. - I hope, at this time anybody does not work any more, - he murmured. On the road he bbw granny videos considered numerous book shelves where among books on medicine noticed Tyutchev, Fet, Mandelstam, and also the tolstenny collection of the Russian national proverbs and sayings. In sense, to all of us to be supported", - Ivan speaks and stretches me grams hundred something light brown in a tall glass. And then she rummaged in a portfolio, turned over one also told a small notebook: - Yes absolutely forgot. Being kneeling between Fanny's bbw granny videos feet, it fitted to herself terrible priap, at a look on which Fanny's passion reached apogee. On a dam water down with a roar slides, damp from splashes, cool. And here you, Lesh, explain to me why you have all back in vaseline. Then the French slaves traded places, and Sandra the strong movement entered Lena. Igor was the good master of bed affairs and already from the second time achieved that Galya bbw granny videos learned the first in life orgasm. They had not even to get out from the machine, as they were recognized by the girls going after school home. - Time I and the Mityok got only mouths, so let we will be the first. - I still want you, - she whispered, and its fingers began the amazing dance. It happened to Guido for the first time, never before other man concerned it thus. Two days later poor Gaetano died from spasms (on December 18, 1723). I ask for permission to open fire when they will come nearer. Oh, as there is a wish to live In Western Europe. Then we played from there is nothing to do in cards and she suggested to play on desire, I agreed + and lost, she promised that she uses the desire tomorrow, i.e. And the wife after Hook Recovered: bbw granny videos "It is painfully whipped, a bough, Really loving?" And opens eyes - That on top climbed, "You look - undresses, See, energetic demon. And in serious time of day I work and I study Public Relations science. Casanova suggested to leave in Genoa, and then to Venice. After all to go somewhere with someone, means to be in some degrees obliged to this person. At some point I was returned on bbw granny videos the earth me with that Masha after all zastesnyalas and tried to refuse to write in a log hut, but the mandative voice of the hostess of the copper mountain established the order which simplified everything that only began. Lily had a strange feeling that Meit Grieg looked at her, and vi- put it through, mentally undressed her. I kissed it on the lips, and they to me seemed the most tasty on light. Making the slow measured movements, I sensitively watched its reaction, trying not to strike with the person in dirt. - If agrees - a champagne purchase, it will be possible also hemp from material evidences to take. Whereas time so left that it was forwarded by the little girl, teased and did not give. The body in the fountain of splinters of a windowpane flies on the street, where with a plyukhanye and bbw granny videos lands. The overexcited Valerka did not think that the baby for the present is not able to move apart a foot widely. Their caress caused the displaced sense of shame, fear and pleasures. - Agreed, - Nikita agreed, - we take it for hundred twenty. Earlier when mother sent me to walk, at me did not arise any suspicions, and today some mistrust crept in to me in soul and I decided to use bbw granny videos cunning. Sir Henry Ward sat on a big desk from a makhagonovy tree. - It is not necessary, I beg, - on her eyes tears welled. I reminded him about the promise not to strike in school. I and wanted to push him, that quicker, but, despite my "help" he managed to put on an elastic band quickly enough. In fifteen years Casanova saw the hometown of Venice as if for the first bbw granny videos time. On to calculations of Music for destruction of a dam there will be enough three DUVM48 blocks, as time on one on each of you. The patrician raised the head, looked to him in eyes and they merged again in long passionate kiss. Having realized it, my hands pulled out the member stone having lifted up and a mother's skirt implanted him into the expiring pizda. Here my friend, having imagined itself granny bbw videos a jackhammer, overdid and in a temper took off. A body, of course any more not girls, but still anything - not thick, harmonous even. - Having semi-embraced the sister of the killed for shoulders, the investigator felt as strongly she shivers. We caught up with it on a platform; Tit again beat her cruelly and we threw her in bathroom. When that, year approximately, in the 99th I worked practice at school. Some bbw granny videos seconds later, it promptly ran along a corridor to the room. On July 24, 1755 (this exact date Casanova, however, never did not learn) the tribunal of inquisition gave the order to seize Casanova live or dead. - As you want, - Patricia told, turned and went to a place of dances, so as music again played. Natasha who already stopped licking a vagina of mother was accepted for the boy's member. The chair fell, and having turned back, I saw that on to table bilberry jam is poured. Having moved apart feet it it was tumbled down on a sofa and about it it appeared. It was our first joint adventure with Marine. Minutes through five having roughly terminated, I was straightened out and went to the physician. If you wish I could give a lift to you to the house. I was above it bbw granny videos in blue swimming trunks from which my member almost stuck out. Not all girls could to brag of such buffers. - I will try to arrange to you a meeting with it after business. He wrote letters and cried, remaining all day in a bed. It proved to be ungrateful in relation to mothers, having accepted other name: Sofie Vilhelmina Williams, she lived at duchesses Newcastle in Lincolnshire and at lady Spencer who bbw granny videos gave it a rent in Richmond. * * * Vovochka spies in a keyhole as mummy with the daddy strike. But at the end of September, already in Ruasi, it met him again; he demanded it three days in a row to himself and, treating it is worse than with an animal, terribly tortured her. He was the great teacher deriving some wild strength from our inexperience. Lena stood in one shorts and having bbw granny videos blinked the eyes looked. Three hours in a row, reasonably selecting, he told the adventures for the last nine months. I noticed that I am able to do it incidentally not really long ago. Four opponents drop the automatic guns also scream. I, also as well as it, shivered from excitement, his small member strained and stuck out almost vertically. Shirt was dirty, I pulled down also it, then I took off from bbw granny videos it trousers and socks and wanted already to leave as paid attention that linen at it too dirty and long ago not stiranny. Sir Stephen hanged out them on hammered with him nails; thus he tried to cross lashes and switches, having created that the most quite ominous picture. So far I had a rest at our country dacha in world of optimistic hopes and expectations. Alex together with Vanka saw her to a bbw granny videos sofa, poured to drink and handed a glass with "cocktail" which so far Natasha did not see, Alex Napolinil to a half of whisky, having slightly diluted with tonic and syrup. "I of course monitor the hairstyle, but it will be interesting to me as I will look: mn-N. When felt in himself shudders of the lowering member, I derived even some pleasure. To Alyosha it was good, and we had to replace bbw granny videos our dresses on simple dressing gowns. Frankly speaking, remembering that saw in the mother's room, me long ago there was a wish for it, but I hesitated to begin the first such caress. I lowered hands on her small round buttocks and glanced to it in eyes, checking its reaction. I felt that it is close to an orgasm and here went for broke. The leader sharply ordered to become silent it and bbw granny videos Charlie ordered: - Let these and other whores wait on the square. I feel that now time which is most suitable for this purpose." Without expecting my answer, Lenka quickly took off the shorts. - Nikita was surprised, pulling down from it sandals. The second scientific work which came out from under this remarkable woman is called "In front or behind". Desk set portly And a siphon with water cold. The opposite wall bbw granny videos on a low little table had a big the player and nearby the pile of plates lay. And here the zebra on the daddy looked very effectively. The lady behind a little table rapaciously smiled to it, nearly licked lips. Yes, to wash washed in the morning, and here to shave, anxious with carnal thoughts, forgot. - To prepare the monograph about this surprising place - about its arrangement, vegetation, riches and civilization. Two bbw granny videos girls at an Aeroflot sign about something indifferently cooed - registration was not declared yet. Blue jeans on it were sprained to knees, and it barefoot passed by the girl, without having paid to her absolutely any attention. She still felt fatigue and some all body pain after yesterday's, cocaine already almost desperately was required for her, it started being in a fever, her eyes wandered on the room, hoping to find bbw granny videos the owner. Does not interest them, as it reached this cultural level. That guy with whom I then vstrechatsya, had a wheelbarrow more abruptly. Impressions that it the homosexual the photographer did not cause. Leon gave out us money "on candies" and was removed, having thanked for perfectly spent time." I remember, very well I remember, grotesque this world of a hotel room, the shivering illusive tulle, blissfully dying away heat of own body. The pavement was still wet from a rain, but the sky was such blue as if it was just washed, wrung out and hung up to dry. - Calm down, - he smiled, and put the hand on mine, but I cleaned the it is more demonstrative than because saw in it it homosexual feeble efforts are there was typical neutral a gesture. We bought milk, eggs, cheese, mushrooms, smoked sausage and sand pie bbw granny videos at "Horn and Hardart". Fanny hid under a sheet, then, as the child, realized the act which became already irreparable, bitterly began to cry, and the countess addressed to me with caustic reproach: - The sir, you for me a disgusting nechayannost. - Perhaps we will transfer continuation the next day. Nobody met him in the yard and the house looked some the lifeless. Even the skilled it was quite difficult for woman bbw granny videos to accept it in itself, and here the young untouched girl. - Buy an icon of the Mother of God, the defender of all children, and pray, and even mummy for you can come to pray. It with sigh cast away a blanket and came to be in the bedroom which is filled in with a sunlight. - But this miracle - is obvious not creation of the nature, - he objected. - 5-68 bbw granny videos - I know where it, I there passed more than once examinations … On the wide ladder curling round lift mines they rose by the fifth floor in a wing opposite to library where usually at them passed seminars. I told mother that swore with Ram and I do not want it to see any more. He sat in a pastel all turned sour and it was visible that he is afraid in bbw granny videos seriousness. At its input I is friendly smiled to it and gave towards hands. By us, a chain going on a roadside, at a full speed rushed towards to the enemy a column of the fighting vehicles sparkling pure armor. The intercourse litter of the side of the back, at such arrangement of a vagina as at Hera, was very convenient both for Shauri, and for Hera, which it was very quickly excited, and bbw granny videos on this terminated time together with Shauri. On white fabric even a certain art creation in the form of the pale yellow speck which is bearing a faint resemblance to the horse head was shown. - We will be modeled because we such beautiful, or for ours outstanding merits. A hairdress "explosion at macaroni factory" and eyes as at raccoon did not need comments. Her head thus almost buried in a feather-bed, and bbw granny videos the back highly stuck out. In eight days it after a wedding will go with the husband to Dunkirk. When I remember it, I again want to test this insatiable shchekotaniye, everything devouring and the foamy. Me too zainteresova- la this scene - wanted to be recognized, on what Leah became capable. East people consider, that receptions, applied at the sexual intercourses by Europeans, are extremely primitive and are ineffective. - Two of us, bbw granny videos I and the Dream, - continued the Boss, - we will promote on hundred fifty-two hundred meters forward. I tried to reset it on a floor, but it was not reset as if having pasted to a hand. Having returned a little cooled down member on a former place we continued and in a couple of minutes Alla once again terminated and afterwards shot at it goryacheyo a sperm stream wow girls sexy in her uterus bbw granny videos from what Alla the wave of an orgasm covered and she nearly fainted. Slowly, having reluctantly fallen to feet of Syuzi, it lifted the thrown clothes, also put it in a sink. - The baby, it only the beginning, believe me, - answered her grinning the black, and sharply lifted. - You speak so as if he is a doctor, - Peggy burst out laughing. But it was uninteresting to sit, doing nothing, and bbw granny videos she at first began to caress its small eggs, and then concerned its anus. At first slowly, but each time all quicker and more deeply I thrust in you the unreasonably excited and poured trunk. Thus it slightly covered eyes and started turning the brown nipples round which there were big circles - such as though someone dripped chocolate to it on a breast. I lately such "potaskukhy" became, potosky, potosky and I bbw granny videos fall asleep one. Looking at his face, at a shirt, rasstegnuty at a collar, at an easy freedom behind which improbable advantage appears, pride and authoritativeness, I wanted to fall on knees sobbing to shower with kisses these beautiful soft hands, appealing about the love. It it wipes, washed away in a bidet, inserts a tampon, and again we see the beautiful lady leaving a toilet, going to the man to continue conversation, indifferently. Having heard as the door was closed, raised the head. Having unstitched a mattress from a wall, I hid the notes, in another there notebooks I drew the female heads and left them on a look. Yes, those long hours that I carried out with this man, gave me a lot of pleasure. Knees desperately did not find room also their prishlost to move from bathtubs, having lifted on unlimited height over a water surface.
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text:
But since the Titan's introduction, the full-size truck landscape has changed considerably. We have not yet tested an F-150 4x4 equipped with the EcoBoost, but a rear-drive model ran a 6. Drab colors and textures are particularly hard to get over if you've cross-shopped similar trucks in the class. First off, I think the interiors in these are great - the hit on plastics used is grossly overstated. It is very fun to drive! Not all interior colors are available with all exterior color choices.
It has been reliable, with the only work I needed to do was front brakes and a new battery. That number represents an 87. It is very fun to drive! We don't know precisely when a new Titan will be coming, but 2014 or 2015 is a good guess, and you can bet Nissan will improve it substantially over the current model. The V8 engine provides plenty of power when needed, and the suspension provides a relatively smooth ride. I now own the Heavy Metal Chrome model fully loaded.
I switch trucks quite often. Bumpers, side mirrors, and grille come finished in chrome, black, or body-color, depending on trim. On the road, the Titan feels smaller and nimbler than it is, maneuvering well at low speed. Owners say that despite its size, the 2012 Nissan Titan is fairly nimble for a full-size pickup. Spark plugs should be tested periodically to make sure they are not causing undue engine stress, and tires should be rotated at regular intervals to extend tread life and ensure proper weight balance.
Dated maybe but real sharp truck that has had time to iron out any past issues. Most pickups fare better in frontal than side-impact protection, and the Titan is no different. Now entering its eighth year of production, the Titan has added more power and available features since its introduction to help sweeten its appeal for full-size truck shoppers. In my state we get heavy snow and Ice in the winter. At issue: Nissan is the only manufacturer of full-size pickups sold in the U.
Solid 10-inch ground clearance puts it at the front of its class, however, and may win converts more concerned with capability than comfort. Gas mileage achieved by the 2012 Titan leaves something to be desired. Two cab styles are offered, including a two-door King Cab and four-door Crew Cab. Auto journalists also commented that the F-150 has a comfortable, well-mannered ride. Stability control and anti-lock brakes are standard, and rear parking sensors are an option, but the Titan lacks options for advanced safety features such as a rearview camera. Oil changes prevent oil from becoming clumpy and slowing down the engine parts.
I bought this truck new and have been very pleased with its dependability. Of course, pickup trucks are meant to haul things. They were also impressed with the Tundra's quick acceleration when equipped with the available 5. Hopes were high when introduced the Titan for the 2004 model year. I wouldn't say that about the Ram or Ford. Despite market movement toward crossovers and more fuel-efficient compact cars, full-size trucks like the Pro-4X we recently tested continue to be a big piece of the sales pie, although 's slice is pretty small.
If you want a V-6 option in the Titan, you're out of luck. Other Trucks to Consider Test drivers said the 's Double extended cab configuration has hospitable rear seats and that the larger CrewMax cab is exceedingly spacious. We didn't subject our tester to any heavy payloads or towing during its stay, but its 1842-pound payload and 9300-pound towing capacity should be able to handle most tasks. It's no longer one of the most powerful pickups on the planet, but we're still fans of the Nissan Titan and its sole powertrain, a rippling V-8 with more macho engine noises than those coming from some of the American entries in the class. More than seven years down the road, the American-made, Japanese-branded pickup still manages to look brawny and relatively fresh, in the way the Ram trucks still generate more of a double-take than anything in the class. All trims come standard with an Endurance 5. Although this is comparable to pickup trucks of similar size, owners can use a variety of methods to reduce the amount of fuel their hefty truck uses.
If you want good mpg's. Not everyone's a fan of the curved roofline and the very brawny front end, though. But in an indication of how far the half-ton market has changed in the last eight years, a similarly equipped can tow nearly 2000 pounds more, and will also deliver up to 3 mpg better city and 4 mpg better highway fuel economy when not towing. Our tester also had a vertical retracting rear window, but unlike the Tundra's full-width vertical slider, only the middle section of the Titan's rear window retracts. The 2012 Titan comes standard with a six-speaker audio system.
Clear your car of any unnecessary weight. Currently the Nissan Titan has a score of 7. Tires that are inflated to recommended levels lighten the workload of the engine, requiring less fuel. Don't buy any pick up period. Major available features include power windows and door locks, an upgraded audio system, upgraded cloth or leather upholstery, Bluetooth, rear parking sensors, navigation and a rear-seat entertainment system. Two cab styles are available, including two-door King Cab and four-door Crew Cab, and the truck can be had in either short- or long-wheelbase versions, which adds 20 inches of overall length. Turn the key and you'll hear the characteristic fan roar when the engine starts.


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