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Nash for Sale
Selected Filters:Make: Nash Type of Ad: Vehicles for Sale
1956 Nash Ambassador Custom
Volo, IL
41,000 mile, sweetheart of a car. This is the top of the line that Nash had to offer. It is such an interesting car... More
Advertiser since 1971
1957 Nash Metropolitan
Grand Rapids, MI
The British Nash Motor Company noticed that post-WWII American automotive producers were all under the spell of ''bigger is better''. Nash sought to develop... More
Advertiser since 2009
1960 Nash Metropolitan
Denver, CO
Worldwide Vintage Autos is pleased to present this 1960 Nash Metropolitan Convertible. This unit was built in April of 1960 and is near the... More
Advertiser since 2012
1937 Nash Lafayette 2-Door Sedan
Manitowoc, WI
All vehicle trades considered, including classics and performance. I can assist with financing and transport as needed. Here is an original 1937 Nash Lafayette 400... More
1957 Nash Metropolitan Convertible
Pomona, CA
To be sold at the Los Angeles 2018 auction, Pomona, CA, February 16-17, 2018. To consign a car or to register to bid, visit... More
1933 Nash 1121 Cabriolet with rumble seat
Fort Mill, SC
This 1933 Nash is a beautiful body style & is the only model 1121 cabriolet in existance of that body style from that year.... More
1951 Nash Statesman Super Coupe - 2 Door
Waikiki, HI
1951 Nash Statesman Super Coupe - 2 Door I have collected and driven only vintage cars all my life, and this one is without doubt... More
1958 Nash Metropolitan
honolulu, HI
1958 Nash Metropolitan, Beautiful and astonishingly charismatic - this is without doubt the cutest car I have ever seen. Our little Metro was our daily... More
1961 Nash Metropolitan Convertible
La Vergne, TN
For sale in our Nashville showroom is a super rare 1961 Nash Metropolitan Convertible . With the cease of Nash sales in early 1962... More
Advertiser since 2012
1957 Nash Ambassador Sedan
Dearborn, MI
For sale in our Detroit Showroom is this super rare 1957 Nash Ambassador. Available Nash Ambassador models in 1956-1957 were dramatically re-styled in... More
Advertiser since 2012
1955 Nash Rambler
Atlanta, GA
Motorcar Studio is pleased to offer this 1955 Nash Rambler Custom Sedan. An honest and original driver, this example looks charming in two-two turquoise... More
Advertiser since 2012
1951 Nash Statesman
Martindale, TX
1951 Nash Statesman, Rare, vintage car. Rebuilt engine. Runs great. Complete and all original, no rust. Back seats make into a bed. Original radiio... More
1960 Nash Metropolitan 2dr convertible
Woodbury, CT
This 1960 Nash Metropolitan Convertible has 5,039 miles showing, no reason to belive its not original, I have owned this car for about 20... More
1939 Nash Lafayette Convertible
Walkerton, ON
1939 Nash Lafayette Convertible, Inline six-cylinder engine Manual transmission Bold grille with appealing trim Optional foglights Color-keyed steel wheels with bright caps and... More
1958 Nash Metropolitan
Southampton, NY
This is a 1958 Nash Metropolitan in very nice condition. The Nash Metropolitan was an American automobile sold from 1953 to 1961. Car runs... More
Advertiser since 2000


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The Passion of Molly T.
first edition
1984 · New York
by SANDERS, Lawrence
New York: Putnam, 1984. Very Good/Very Good. First edition. Very good in very good dustwrapper. Dustwrapper is lightly yellowed around the edges, shelf-rubbing, embossing stamp. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. (Inventory #: 247563)

subset: commoncrawl


text:
SEVIER COUNTY, Tenn. (WKRN) – More than a week after the deadly Sevier County wildfire, clean-up crews are continuing to work hard.
Many volunteers and rescue crews from all over the country, including locally, have helped Sevier County recover.
Among those includes a small, but dedicated group of remediation experts who are literally on the riverbank vacuuming up soot and fire debris so it doesn't get into the water system and cause an ecological disaster.
"It's unprecedented how everyone is working together. It doesn't matter what part of the country they came from, we are all here for Gatlinburg," said Matt Church of Premier Protective Services.
PHOTOS: Wildfires in East Tennessee
Church has sent News 2 pictures of his crews working. At times, the video looks like a moonscape with burned out buildings and vehicles.
"There are some areas of Gatlinburg that looks like a war-zone and you head down the streets and it looks like nothing happened," Church said.
In one of the videos, he walks down a charred corridor that was once a motel that opened on the river bank of the Cliff Branch River.
"It is a disaster, so there are heavy contaminants, but at this time, it is minimal in the creek," Church said. "Water quality is good, and our goal is to keep it that way."
As far as clean ups go, Church said it is a tough job on many levels, including the now-cold and wet conditions, for his five man team. Besides the weather, the ground is slippery and the structures looming over the river are not always stable.
"We are working under a structure completely destroyed. There is falling rocks. A little bit of everything," he said. "This is not an everyday job, so you have to prepare for the elements."
There's also the logistics of stretching a five-inch hose from one side of the river to a vacuum truck parked 50 feet away.
"We got a guy in the creek and the truck is across the creek," Church explained. "It's in a safe spot across the street and the operations are on this side of the street."
Church's crew plans to be in Gatlinburg for several more weeks. He added their 40-foot command trailer will arrive next week.
Click here for complete coverage of the Sevier County wildfire.


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Module 11 Body Language
Unit 1 They touch noses!
一.听Activity 2录音,完成选择题
1. Maybe ________ people are kissing.
A. German B. British C. French
2. Russian people are ___________.
A. smiling B. shaking hands C. bowing
3. What are Japanese people doing?
A. They are smiling.
B. They are smiling at each other and bowing.
C. They are shaking hands.
二. 听录音,根据对话内容判断对错
1. Russian usually kiss the visitors three times, right, left, right.()
2. Chinese often shake hands and smile when they meet visitors.()
3. Chinese never kiss.()
4. Americans shake hands, and some kiss or hug each other.()
5. People put their hands together and nod their heads in Germany.()
6. Maori people touch faces when they meet.()
例句: -------What do people do in China when they meet visitors? -------They shake hands and smile.


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E-MAIL THE AUTHOR | ARCHIVES By Christopher Stipp
October 14, 2005
The name Harold Perrineau should look familiar.
The name may not sound familiar but you see his name every week as throngs of people study every scene from ABC's Lost. Harold plays Michael Dawson, the man who seemingly has nothing going for him. His wife left him, gets himself into an accident, has his kid taken away, gets him back only to find out the kid doesn't much care for him one way or the other, gets caught up in the middle of plane crash, survives only to have said kid still not want to have anything to do with him, builds a boat to get himself off the island he's marooned on, watches it burn right in front of him, re-builds it only to have his kid snatched away by unshaven and unkempt salty dogs, watches his second boat get blown up real good, makes it back to the island by the grace of God and gets imprisoned into an earthen hole with little hope that his life is going to get any better.
Harold has contended with having a character that's seemingly beset on both sides by bad luck and bad karma. Whether any of this is going to get better for the man Harold is simply happy developing a believable, emotionally strong man who knows that his life may not be easy but it's worth fighting for every single day of his life.
Getting to talk to Harold about his involvement with Lost was just a small fraction about what I was really interested in. Here is a guy who played in one of the biggest franchise films to date, THE MATRIX REVOLUTIONS and THE MATRIX RELOADED, one of the most galvanizing cable television shows on HBO, Oz, a full year before Sex and The City and a good two before The Soprano's made their dent into the viewing habits of people turning their attention to network television. Talking with someone of his acting pedigree was, for lack of a better superlative, most interesting because he has been there, he has seen it all but there's still that gnawing feeling, as you see, that he would like you to know him by his name and not just recognize the letters as they roll on and off the screen every Wednesday night.
We talk abut Lost, to be sure, but we also delve into issues of how he develops a character that is seemingly lost, himself, when it comes to connecting with his only son. What is it that drives a father who's not quite of how to be a father and of an actor who wants to create a role that might be able to achieve some sense of quietude in a landscape that's filled up with a host of obstacles that won't relent? Harold was generous enough to field all these questions and gave me an idea of where he'd like to go from here.
You can now purchase Season 1 of Lost by going HERE and you can catch Harold on Lost every Wednesday night on your local ABC station.
| One of the things that I saw that interested me when I was at the Comic-Con this year was the panel discussion with Josh Holloway, Maggie Grace and others from the show was how the producers simulated the plane crash in the airliner. It wasn't on a lift but it was done real TWLIGHT ZONE style with everyone moving in tandem at the exact moment. Yeah, they do a lot of those homage kind of things which I think is pretty cool. So what else did they show? Was it the stuff that that was going to be on the DVD?Yeah, although I think you may have been saved because some of the questions asked to Josh and Maggie were a little…
Right, right.
Were you able to take the summer off?
Yeah, it was strange, and not strange in a bad way, but my wife is an actress as well and because she opted to come to Hawaii where there is no real work for her to get, like she got to do two episodes of Lost, that was it, we opted to go back to LA to give her time to go audition.
So, while she was here auditioning I started this whole new workout program, get in great shape, and by the time it was all done there were hardly any auditions and I was really tired.
It wounded up not being really a vacation at all.
I know you're the father of a 10 year-old girl…
Which means there is never any vacation time.
Have you been able to spend time together, as a family, through all of this?
Yeah, we got to do a few things, We've been to Disneyland, which is a good thing. Her best friend came in from New York and we all got to go Disneyland. And because Lost is a Disney show we got to get a guide who would take us on the Fastpass. She got to go on all the rides she wouldn't have otherwise been able to go on which was really cool.
We just got to do a lot of things you just can't do when you're on the island. We got to jump in the car and go to San Francisco; you can't do that when you're on Ohau. Like, over there, you can jump in the car and go from one end to the island to the other end of the island and go back home so we got to do a few things like that. She got a lot of horseback riding in, some pottery, she had fun.
But now her summer really begins because she has a lot of friends in Hawaii from school and they're all off for the summer so, when we go back next week, they'll all be running around all summer. She's got an extended summer which is really good for her.
I can relate only because when I'm not around my little girl I like to know that she's occupied.
How old is she?
She just turned 2 on July 4th.
I'm just learning this. I think I see that it's all well and good to mentally prepare to be a parent but once you have one something changes inside of you..
You sound like my brother whose daughter is 1 now and he's so like, everything, that's all he can think about. It's an amazing thing to be able and watch.
It is and that's one of the things I was thinking about when I was setting up this interview. Your character on the show has a troubled, real troubled, relationship with his son. How hard was it to get into that mindset? Obviously, a part is a part, an actor is an actor, but how did you get to the point of where you could play the part of someone who was a dad but not a father?
That really wasn't so hard.
There is that one part of me, Harold Perrineau, that really enjoyed his bachelor life, you know what I mean? And once I tapped into that feeling of, "I'm a bachelor! I'm a bachelor! Aww…I've got this…"
It makes it really helpful for that process. Sometimes I was less of a method actor than I am as I think I give myself more trouble in my life than I need to but that's the only way I can do it. Sometimes it can be a little painful walking around with it but because Malcom [his son in the series] is a really good and we're in Hawaii it was worth it, It was good timing.
And this season I think, depending how it goes, I think it will be a little bit more, once he gets the kid back, after him being lost, who knows where it will go…
And that's the kind of thing I was getting from Josh and Maggie was that every week you really don't know what is going to happen. Are you really just flying by the seat of your pants with a few hours notice?
Well, we have more than a few hours, with the exception of the last episode. We literally got the lines for the scenes the night before we shot but normally we get about a week of preparation. And luckily for me, this year, there weren't huge sweeping stories that I had to prepare for. So, luckily for me, when it did come you had to wrap your mind around a bunch of stuff really really quickly.
I'm not used to working that way, in that way that I like to try different things, but it was good for me. And it will be good for me this year to see how creative I can actually be.
I know you have no control over it but do you have aspirations of where your character should go? Like do you think, "You know, I hope this guy comes around…"
I totally do. I have aspirations that not only does he come around but that he gets to be the hero and eventually gets to have some luck. A lot of what happens to Michael Dawson is that he's had a lot of bad luck. Bad things keep happening over and over and over. So, there's a part of me that hopes he has some good luck, that some good things happen to him. Then there's that other part of me that wants to explore what happens to people who have bad luck like that all the time. Like, what kind of person does that make them and then, on the island, what kind of person does that make them on the island? Because none of the rules apply anymore.
The only rule that applies to Michael is that his bad luck will continue.
He gets hit by a car, his girl leaves him, she takes his kid, he has a hard time working, gets into a plane crash…whatever.
Don't forget about the boat…
Oh, and his boat gets burned down…What is good in this man's life?
Have you got to the point where you look at the script and say, "Are you serious? You're gonna have this thing happen to him this week?"
I did, I did say that when he first almost gets drowned but then when I started to read his backstory I thought, "You've got to be kidding me…No one has luck that bad."
And when I found out that they were kidnapping the kid I asked them if they were serious because what did he do in a past life to deserve this?
Yeah, they obviously kidnapped him at the end of the episode, and speaking of aspirations, are you concerned of where this might go?
Yeah, absolutely I'm concerned about what it's going to be like. All I can think of is what would happen if for five minutes someone took my daughter.
Exactly. Exactly. You're exactly right. And so I've got to imagine this is going to be the first couple of episodes, however long it is, and I can only imagine this is going to be heart-wrenching, gut-wrenching kind of agony.
I can't imagine…
Exactly. It's almost unimaginable. So, I've been reading things lately about people who've had kids who were taken. What they did, how they responded, just to give me an idea of what to feel but I've never, thank God, been in that position.
Are the shooting days long? Are you ever shooting late and having to call home to say you're not going to be there?
Well, it's different, because she's 10 and is becoming more of an individual so that's pretty helpful. And since they're there with me on the island, on days that it's light they come to the set with me and they get to hang out and get to know the whole cast. Or, if I have a half day of shooting I'll go and meet them somewhere or I'll go pick her up from school.
The days that I don't work I wake up early and go to school with them so I just, when we do have the time, to make the time to be there with them. And then there's still, not just time for work and for the family, but for myself.
So there's a bit of me trying to make it all work. That's the part that I get the least amount of and I got to figure out a way to get a little bit more.
Oahu is certainly small so where does one go to get that kind of personal time? To get away from everyone else?
I usually just park my car.
We live on the east end of the island and sometimes I literally just park the car at a beach in-between. It's like, "I can't go home right now."
Filmic aspirations. You've got this great thing happening on television and did great things in THE MATRIX films. Do you actively seek out projects you could do in your downtime?
Lost is a particular thing for me. I didn't really pick it because I thought it was a good job. I took it because I felt I needed to make a change in the way my career was going and what I mean by that is that I've been doing pretty well in movies and TV stuff and everything I seem to do is fringe stuff.
The MATRIX films are like the biggest things I've done and it did well but they didn't do as well as the first one. And so what I felt like was that what I needed…I didn't realize it before but part of being a part of acting is how many people know your name and how much audience you can bring in and that's how you get a chance to work. And before it was like I didn't care, I was just like "whatever, I just want to do the work." Now I want to do more work and so I feel like my contemporaries, the Don Cheadles and Jeffrey Wrights, those guys, those guys whose names are out there a little more and get the films, I figured I needed to have my name out there a little more. That was part of the reason I decided to take Lost.
So, that's a long way of saying that between seasons I do actively look for work but this year there was nothing that came up and I didn't want to do stuff just to do stuff but I do want to continue to move forward. I really want to have a long career as far as films go because I really love making films. And even as far as going back to New York and doing Broadway, doing things like that, I am just trying to put myself in the position where my name will ring just like when you hear Don Cheadle's name.
Yeah, even when I was telling people that I was going to have the chance to interview Harold from Lost everyone pretty much needed me to explain who you were on the show before they understood it was you, the actor, I was talking about.
And that's why I thought this was a really great project to do.
You bring up theater and one of the first things that came to my mind was that you are classically trained, as I know you've done Shakespeare, Baz Lurhman's ROMEO AND JULIET and guys like Hugh Jackman are up there winning awards for the work they're doing OFF the screen. Is that an avenue you'd like to go down?
Oh yeah, it's totally an aspiration of mine to create, or recreate, a great role on Broadway. I love being in New York and that's the community I grew up in, of doing theater and things like that. I'd love to, and not that I haven't already got to work with some fantastic pieces of theater throughout my life, and I'd like to continue that.
I like the venue. I like the live-ness of the theater. I like the unpredictability. That moment, that night, with these people. I love that.
I love that I'm in a mass medium where if you ask me to put up a picture a billion people all across the world…but I like the special-ness of theater. I really really do.
And that's the other thing: you can have a career in theater but until you make a NAME in theater you can't really make a living.
I know everyone else on the show has their own animal, their own beast, their own past but since you're really the only one on the island with a kid how you create a dynamic between yourself and Malcom where there seems to be constant friction? Did the two of you talk and say to each other, "Well, this is where I'm coming from…"
Well, with Malcom I felt it was my job to analyze where he was coming from and I assessed that pretty quickly that he's really an innate actor. His stuff just comes. He just learns his lines, he comes and he does it. And that's how it works for him. So, we didn't have to talk about it. You can give him a direction and he can just figure it out and go that way.
In the first couple of weeks I explained, to his mom at least, not that I wouldn't be friendly but we wouldn't be hanging out so much because he's really charismatic and a lot of fun and kids, you begin to almost immediately, unless they're a pain in the ass, most kids you almost immediately find a fondness for. I just let him know in the beginning that I'd stay away more than I would be around. I wouldn't be so talkative and we would just go and do our work.
And as that plan began to fall apart…(Laughs)…Like a kid, he just keeps coming…I realized I had to just be really specific when I did do things. Like when I would touch his hand or touch his hair or he would stand there with his hand on my shoulder and I would say, "Hey, Malcom, in this scene we can't…" and he would be all, "Right, right, right…."
And then when there were moments of fondness or tenderness, because we already had that with each other those moments were bigger, they were greater because we already had an affection for one another. So, that we didn't have to talk about. We just had to be there and do it.
I just had to watch it when I could. The difficult thing is that he's such a great kid, and he likes me, that whenever I had to yell at him he would just start laughing. (Laughs) I would say, "C'mon, Malcom, come on, man, cut it out." In those first five months if I had to say anything negative he would just start laughing. Especially on my close-ups. Not his. That? No laughter. Mine? Cracking up.
I know that when my editor, last summer, said that if there was one show I should be watching in the fall it should be Lost. And I know that as the weeks grew on there was an aggravation level built into each week. You'd know more about X but you would just be introduced to Y. When you watch the show is there a frustration level on your part as well as you see how these puzzle pieces all seem to be random? Or do you start thinking, "Oh, they should've tied this story up in this place."
I can't speak for everyone but I know, for me, I am pretty satisfied. There is one thing that does frustrate me endlessly, and I don't know if it is you I should be saying this to, or to the writers, is that the script we do get when we finally do get it, you make choices on your character based on the scenes and the lines that are in the script. But then, inevitably, whenever they go back and edit the show or do those things, like "This doesn't work, that doesn't work…" or they run out of time or, "This is too long," and they start editing it. And then, what inevitably happens, is that every time you see something, you realize you made all these choices, the choices don't necessarily make sense anymore. Because they've cut them in a really funny way. They've cut out a line or they've cut out a word.
There was a scene with a hatchet that I had with Daniel. And there's a huge part of it that they completely took out which justifies most of what I did. But with that being cut out it looked really different to me. If I knew those were the words I would've played it different.
So, that winds up being a little frustrating. Or you see something you go, "Oh! They ended it this way now? If I knew they were going to end it like this I would've…" Know what I mean? And that's the biggest frustration but I understand it's part of the process of them making the best show they can make. That's the part that's difficult.
We're pretty satisfied but in every show, every actor, every time goes, "Why'd they cut that out?"
I know talking with Josh and Maggie they both mentioned how close all of you are. How important is that to you, that closeness? With this being a seemingly large, ensemble cast, does your relationship with your other actors impact your performance?
I think so. I think it makes it easy to do the hard stuff. The best way I can describe it is when I did the show "Oz." And it's a show about prison and everyone is doing horrible things to each other. The only way you can really go far, and be really awful, is if the other actor trusts you so that it never feels like, "Oh, you just did that because you feel that way personally." So, if the other actor trusts you and the both of you are really secure that you're both acting then you can let it all fly and be really crazy, weird and nasty. And because you're on this island where things go bad and go wrong and sometimes you do this heinous stuff and sometimes you do great stuff but what we need is to be able and trust each other.
And we don't know where anything is going. So, not only do we need to trust each other for the bad stuff but we need to trust each other for the stuff that is seemingly good if my character and Yoon-jin Kim's character actually do get together we need to trust each other enough to know that this doesn't cross, like, into my personal life. And if we lose that trust, I don't think it will help the show out if that ever goes away, it will only make it worse. From the acting point of view it will only seem forced and weird and you'll always look at it and go, "Why is that…that's just awful…"
I believe that if the people are off then the scene never hits you. I just hope we always stay close and that it never gets weird. Hopefully we can always be close and tight.
| THE SQUID AND THE WHALE (2005) Director: Noah Baumbach
Cast: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline, Halley Feiffer
Release: October 5, 2005
Synopsis: The patriarch (Jeff Daniels) of an eccentric Brooklyn family claims to once have been a great novelist, but he has settled into a teaching job. When his wife (Laura Linney) discovers a writing talent of her own, jealousy divides the family, leaving two teenage sons to forge new relationships with their parents. Linney's character begins dating her younger son's tennis coach. Meanwhile, Daniels' character has an affair with the student his older son is pursuing. View Trailer:
* Medium (QuickTime) Prognosis: Next… I'm not quite sure if this intro does anything for me.
It doesn't convey anything about the narrative, it's a little odd and the static way it's presented, no voiceover or provided context, just leaves me feeling distant from the whole thing.
When we open, we get a lonely looking boy, strumming his guitar all alone in his bedroom. He's not the greatest player since Hendrix but he's practicing off of some sheet music. The camera feels a need to get real close and tight on the title although I haven't a clue why. It doesn't really inform anything nor does the subsequent scene of said boy, strumming his guitar, except this time he has his brother, wearing those 80's style short shorts. I'm convinced that due to the size of those Daisy Dukes For Men that the reason they went the way of the dinosaur for one reason: accidental sac slips. They were obnoxious and I am glad to have them shoved right in front of my face in this trailer. His brother's pair aren't as bad but they are just prelude to the next scene.
Tennis, anyone? So yeah, the Sac Slippers are in full display here as Laura Linney and Jeff Daniels play a round with their young boys. Daniels gets off a sweet shot into Laura's chest, hilarity ensuing, but I get the vibe of the trailer. There is something not quite right about this household and there's some very bad electricity making its way between the four of them.
Daniels and Linney tell the boys they're breaking up. What gets me is that this movie "feels" like a serious ORDINARY PEOPLE kind of film, and there's everything present to substantiate that but when one of the boys makes a crack, after being told how visitation will work between the father and the mother, about what kind of visitation the cat will get I'm yanked back. Further, when Daniels takes over the voiceover to tell how he's found a wonderful space for the three of them to share, that it's one of the best on the block, we eventually see that it's a crummy crap hole. Again, one of the boys, after being told that the house comes with a writing desk, those single wooden plates attached to a rickety metal chair, cracks wise that the chair's for a lefty. Oh, the comedy.
As the trailer progresses the older brother has a stand-off with his mother as he confronts her about her infidelity, driving the family to the situation it's in right now. After this trailer tries hard to be glib, the boy calling their once happy home a brothel, men coming in and out, Laura doesn't deny anything but comments that he sounds just like his father. Is it witty, is this some kind of black comedy that isn't hitting me right? I'm not sure but when the younger brother wants to take up tennis and gets into it with the dad the two of them have a giggly back and forth about the nature of a philistine.
I do give it up for throwing Anna Paquin into the mix, there obviously being some sort of thing going on between her and Daniels. Disregarding that the two of them share a nice moment as they kiss I hope you can put it out of your head that he played her father in FLY AWAY HOME. The eww factor is only counter-balanced by the older boy's run at trying to find a girl of his own.
I'm not sure the world needs another movie that is fixated on the lives of college professors who have this uncontrollable urge to bed their students. It's almost like the profession is beset on both sides by nubile, hot looking chicks who want to give it up to a wrinkly old prune of a professor. From WONDERBOYS to ANIMAL HOUSE the life of an English teacher must be a hot one. Who knew? Oh yeah, and before I forget, as the trailer comes to a close I must add this: if you do plan on getting wild with college chicks and you're thinking of being an English teacher you have to, absolutely have to, get a brown, rumpled, corduroy jacket.
| THE PRODUCERS (2005) Director: Susan Stroman
Cast: Nathan Lane, Matthew Broderick, Will Ferrell, Roger Bart, Gary Beach
Release: December 21, 2005
Synopsis: Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical Springtime for Hitler. Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Will Ferrell also brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written.". View Trailer:
* Medium (Flash) Prognosis: Positive. I've never been one to catch a lot of company theater.
There is something to be said about the safety of multiple BEAUTY AND THE BEAST, LION KING, MISS SAIGON, JOSEPH AND THE TECHNICOLOR DREAMCOAT productions which hit sinkholes like Phoenix, Arizona. It is indeed rare to get anything of any great substantive thematic weight around these parts. You may get an occasional Eric Bogosian production but these are usually limited to a one-night stand, one-time only kind of deal. That's why I wasn't so sure about the filmic potential of yet another play turned into film. Sure, CHICAGO did wonderfully, critically speaking, but can this kind of production translate well into a format which lends itself to subtlety? With Mel Brooks behind the project you have a better chance than anyone else in the business to make something that's funny yet has that certain deadpan style which this production lends itself to.
Everyone pretty much knows what this is all about and I am glad that we launch into this trailer at the beginning without a lot of exposition. The first words out of Matthew Broderick's mouth quickly explain that a producer could make more money with a flop than with a hit. The jaunty music in the background is just right as Nathan Lane takes the reigns from here in stating, dramatically and obnoxiously, that they need to find the worst play ever written. This much we already know but Brooks takes the chance here to add in really zany moments. The framing and the way we're looking at our players all point to his work but it's somehow transcendent. The minutiae, little scenes, which rapid fire in front of us isn't at all distracting as it is genuinely funny. The kick I get out seeing Will Ferrell in a Kaiser helmet outweighs any negativity that I might feel for this being a shameless, cash-in rehash of a remake.
It isn't a shameless anything as I think this movie is coming from a place that is at once a project of love for a few involved and the fact that Nathan here has one of the best moments of the trailer, a really old woman wants him to fulfill her every need and the two of them have a "moment" at a hot dog cart where a long, dripping wiener stands-in for an amusing double-entendre, just shows that this isn't a phone-in, either.
Matthew Broderick and Uma Thurman, who, I have to admit, didn't really click with me as I pondered what in hell she could bring to something like this, really pair up well together as Matthew has some impressive pipes with Uma providing the kind of sex appeal that's really needed to bring in the younger sect. Nathan, as well, plays his straight magic a second time in this trailer as he comments on Uma's dancing inside their office.
Ferrell's impromptu singing is also a thing of beauty. Who would've thunk that Gene, the cowbell behind Blue Oyster Cult, would be such an amazing presence on the stage? What I also think is important to point out that because now that there is some Hollywood dollars behind this production you can expect the dance numbers to be more robust, more exaggerated. This can only mean good things when you see a line-up of dazzling dancers using walkers as props.
Let the comedy begin.
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Main → Afghanistan → Velayat Nurestan → Komagal Khwar
Map of Komagal Khwar Velayat Nurestan, Afghanistan
Other Names: Kamagal'khvar,Kamagal'khvar,Komagal Khwar,Kumagal Khwar,Kōmagal Khwar,Kōmagal Khwaṟ,Kūmagal Khwaṟ,کومگل خوړ, Kōmagal Khwaṟ
Komagal Khwar
Welcome to the Komagal Khwar google satellite map! This intermittent stream is situated in Velayat Nurestan, Afghanistan. Original name (with diacritics) of the place is Kōmagal Khwaṟ. See Komagal Khwar photos and images from satellite below, explore the aerial photographs of Kōmagal Khwaṟ area. This placemark was added 2010-08-10.
Map of Komagal Khwar
- Country: Afghanistan
- Province: Velayat Nurestan
- Category: intermittent stream
- Altitude: 0 m
- Population: 0
Asia/Kabul +4.5
- Local Time: 00:10
- Sunrise: 06:50
- Sunset: 17:03
Wiki articles near Komagal Khwar
Places near Komagal Khwar
Online Dating
Komagal Khwar Singles. Date and find singles is the best online singles dating directory of local dating sites and personals for meeting and dating singles in your area.
Komagal Khwar, Afghanistan, From cheap hotel rooms to luxury hotel deals, discount 5 star hotels. Read reviews & descriptions, see maps & quality photos. Make a booking today. Find hotels in Komagal Khwar, Afghanistan


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In my church, babies (and sometimes older children) are given a name and a blessing before the congregation. So I've been working on a blessing gown for Ivy. Blessing gowns are just christening gowns, just to clarify the vernacular. Anyway, I'm making one. Slowly.
My normal way to work on a project is to throw it together while ignoring everything and everyone else in my life until it's completed. Even if I haven't procrastinated (rare), I still much prefer to see my sewing through to completion all at once. This is why I don't knit, well, that and the complete lack of talent for it. But having a newborn messes with things, as does a three year old in need of a Jedi sparring partner for his light saber practicing. And so I've been working on the gown on a schedule. And I think I kind of like it. The pattern I'm working with is Simplicty 2457, view B. It took me way too long to decide on a fabric for the dress. I wanted something heirloomy and classic, but also locally available. The decision seriously kept me up at night. I finally went with a linen blend. Tell me it was a good choice. Even if it's not. Please.
Earlier in the week I cut out the tissue pattern pieces. Then I carefully folded them back up and put the envelope aside to make dinner. It felt weird, but right.
Yesterday I cut out the fabric, organized the pieces by specific project (gown, slip, bonnet, shoes), and again, folded them up nicely and put them away for the rest of the day. Today I hope to sew the slip and put in the tucks and pleats for the gown. Even if things are going well, and the baby sleeping, I'm making myself put it up and walk away. Painfully slow, but I'm hoping this way I'll get better sewing results and my house will stay running relatively smoothly instead of falling to complete chaos while I pound out a project all in one or two days. Wish me luck.


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King Arthur: Legend of the Sword (Film)
'King Arthur: Legend of the Sword' is Guy Ritchie's telling of the story of the legendary and some would say mythical life of Arthur who was orphaned at a young age but who became a King and the man who would become synonymous with the Excalibur myth. Charlie Hunnam plays King Arthur in this film which is visually spectacular yet leaves a lot to be desired for it's silly plot and poor casting choices.
When Arthur's father the King (Eric Bana) is murdered (in a scene played over and over and over again), his uncle Vortigern (Jude Law in a very meaty role) seizes the crown. But the very young Arthur, who was cast adrift on a boat during the murder, has to grow up the hard way, and from the very beginning is unaware that he is the son of a murdered King. As he grows up, he is helped along the way by a band of warriors, but it's when he pulls the sword from the stone is his mission clear – he needs to get back the crown from his uncle, no matter at what cost.
No expense was sparred in this film, which cost $200 million to make, and it shows in every clip. From the most amazing costumes to the glorious scenery to the spectacular special effects, and even down to the monsters and serpents that provide this film an amazingly dark and scary and fun tone. We even get to see an old Londonium – shown to great effect. But there are some distractions and poor choices that take you out of the story (and will make you unintentionally laugh). David Beckham's two minute scene as a soldier who prompts Arthur to pull the sword is disastrous because Beckham can't act and his voice too soft for the part. Another bit of bad casting are most of the men who make up Arthur's coterie – they all have geezer accents! It must be a case of Ritchie casting all of his friends to be in the film, and while these men can act, their accents are all alike! And Hunnam, while nice to look at, is a very wooden King Arthur.
But don't worry about all of this. It will only cost you £15 to watch this film – it's worthy because it's a film fully of fantasy and mythology that while doesn't quite live up to it's hype, it is, for the most part, entertaining and escapist – and that's the experience we all want when we to go the cinema.


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A clinical study on Vitamin E uses in breast pain (cyclical mastalgia) at Mayo Clinic reveals the significant results of using Vitamin E in treating this pain.
Cyclical mastalgia is a premenstrual breast pain and tenderness associated with swelling with regular occurrence in menstrual cycle and have resolution symptoms during mensuration. It is reported that an estimated 70% of premenopausal women are affected by breast pain. For most of the women it is successfully controlled by support bra and medication. Under severe pain use of other drugs which have long term and short term adverse effects.
Herbal and dietary supplements are sought for alternative therapies for women with moderate to severe breast pain. Vitamin E and Evening Primrose Oil(EPO) are commonly used dietary supplements for management of cyclical mastalgia.
Vitamin E is most commonly used in managing cyclical mastalgia where its mechanism of action is its role as an antioxidant. Many researchers suggests that it protects the tissue against the harmful effects of free radicals generated during metabolic processes. EPO is an essential fatty acid used by many women to reduce cyclical mastalgia. Its mechanism of action is its involvement in inhibition of prostaglandins that contribute to breast pain.
Investigators studied the effects of Vitamin E and EPO alone and also in combination in managing the breast pain as clinical study. They studied with different dosages of Vitamin E and EPO and both in combination and out come measured.
The said research concludes saying for pre menopausal women with severe cyclical mastalgia can have a short duration trial of Vitamin E at 1,200 IU, EPO at a daily dose of 3,000 mg or the combination of both at the same dose may help. This study shows the potential benefits of complementary and alternative therapies to escape out of adverse effects of drugs.
(Please note – article is for information purpose only and you are advised to consult therapist or doctor for any such treatments. All credits to http://www.altmedrev.com/)


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Manchester United legend David Beckham thinks the appointment of Jose Mourinho will bring success back to Old Trafford.
Having won just one major trophy since the departure of Sir Alex Ferguson in 2013, an FA Cup triumph last season, the reds have fallen behind the other top Premier League sides and have qualified for Champions League football just once in the past three seasons.
But with the self-proclaimed "special one" now at the helm, Beckham believes that the reds will soon again be lifting trophies at the end of their campaigns.
The former United number seven told Sky Sports: "I fully expect it to work, for me it's a great move.
"I had huge respect for Louis Van Gaal (United's former boss) but it did not work out the way people expected. It is a new start for United."
Fear factor to return
Beckham, who made 394 appearances for the club before moving to Real Madrid in 2003, enjoyed major success at Old Trafford under Ferguson, including six league titles and a Champions League winners medal.
The 41-year-old now believes that with Mourinho in charge, a proven winner, a fear factor will be reinstalled in other teams as they visit Manchester knowing that taking a result away from Old Trafford will be no easy task.
He continued: "They need to get back to being feared again."
"We were always a club- and are still a club- that when teams come to Old Trafford, they know they are going to be up against it and they know they are probably going to lose. That is what we need to get back to."
Galatasaray next on United' agenda
The reds are currently in China on their pre-season tour, where Mourinho is fine tuning his squad in preparation for the new season, as they look to get back to the top of the Premier League.
With a 4-1 defeat against Borussia Dortmund a setback for the reds they were due to face Manchester City in Beijing in another warm up match, but due to adverse weather conditions and a poor playing surface the match was cancelled.
The red devils will now face Galatasaray in Sweden this weekend.


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Yesterday, Warner announced that they are moving Batman v Superman: Dawn of Justice from it's original May 6, 2016 opening to March 25, 2016. This was done seemingly to avoid a showdown between Marvel's Captain America 3, which is also slated to open that weekend. I was scratching my head when I first heard this news yesterday. You mean to tell me that DC decided to move it's first huge superhero mash up film to March because one of Marvel's "individual" superhero sequels will be opening the same weekend? It does seem like maybe DC blinked in the face of competition.
However, DC made more news than just announcing the shift in dates for Batman v Superman, they also announced their roadmap for nine untitled DC pics as well as two "untitled WB event film" slots that take the DC Comics series of movies into 2020.
Batman V Superman: Dawn Of Justice – 03/25/16
Untitled DC Film – 08/05/16
Untitled DC Film – 06/23/17
Untitled DC Film – 11/17/17
Untitled DC Film – 03/23/18
Untitled Warner Animated Film – 05/25/18
Untitled DC Film – 07/27/18
Untitled WB Event Film – 11/16/18
Untitled DC Film – 04/05/19
Untitled Warner Animated Film – 05/24/19
Untitled DC Film – 06/14/19
Untitled DC Film – 04/03/20
Untitled DC Film – 06/19/20
Untitled WB Event Film – 11/20/20
What's interesting is that all these untitled works have specific dates to which they are attached. We know that a Justice League movie will be one of those Untitled films somewhere around 2017/2018. As far as the others go who knows? Perhaps Wonder Woman will get her own film, Aquaman, etc.
I still criticize Warner a bit for blinking because I think they would show more confidence in their first big superhero mash up film by directly challenging Marvel to duke it out with both films being released on the same day. I find that idea fascinating, but I also understand that someone had to move first and that was DC. By unveiling a whole slew of films through 2020 they are challenging Marvel Studios power over the competition so far.
The Warner Bros. spin department is claiming that the move proves that movies are a 12 month a year proposition. Indeed, Zack Snyder has had quite a bit of success with 300 and Watchmen, which both opened in March. As a matter of fact, the recent success of Captain America: Winter Soldier proves that you don't have to release "Summer Movies" in the Summer necessarily.
"If you have a great film, people will come no matter when it's dated," said Veronika Kwan Vandenberg, president of Warner Bros. international distribution. "It's a bold move, but we're taking it because we think it's such a great film."
That statement does make sense. After all, the Summer movie season can get a bit packed, and many films like The Amazing Spider-Man 2 and Godzilla, had steep drop offs during their second weekend because of the crowded blockbuster Summer. Warner Bros. points out that they released Gravity and The Lego Movie in October and February respectively, and they were massive hits in part because of the lack of competition.
"We think these movies can open any time of the year," said Patrick Corcoran, a spokesman for the National Association of Theatre Owners. "We're seeing a lot more of an expansion of the calendar."
That March period which Warner moved Batman v Superman to will help the film capitalize on some spring school holidays and Easter, a strategy that reaped dividends for blockbusters such as The Hunger Games and Alice in Wonderland, both of which were unveiled that month.
I think it was smart for Warner to wait until after Comic-Con to make this announcement, because by all reports the Batman v Superman: Dawn of Justice panel was a huge success. Many fans were buzzing about the teaser trailer unveiled during the Con. Warner Bros., instead of shying away, is taking the initiative by announcing how they plan on changing the box office perception during the next 6 years. While you could say they're giving away their hand too early (I don't think all those dates are set in stone), it's also a challenge to Kevin Feige and the Marvel Studio powers that they are ready for a battle.
Only one question remains. By the time 2020 comes around with all these comic book movies, will audiences be tired of them? Will this "fad" eventually wear itself too thin?


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I remember the day well. The high school girls were coming to my first grade class to select the cutest girls to compete for the coveted title of Little Miss Merry Christmas.
I was a tomboy. I had chosen to wear corduroy pants, a flannel shirt, and penny loafers. I had brushed my hair and shined the coins in my shoes. I was looking fine.
The only glitches were my oversized lips and the loss of my two front teeth. But that didn't stop me from marching myself to the front of the classroom and smiling my heart out.
Snickers and lots of whispering rippled across the room when I took my place. Making matters worse was the "irritant" standing right beside me.
Her name was Debra Sue, and she was the class diva. Her momma had put her in a "stick-out" (crinoline) dress and poodle socks. She was wearing her Easter shoes. Bright red lipstick coated her lips. (I'm sure she had used the tester tube left by Miss Ann, the local Avon lady.)
Debra Sue's hair was a mass of ringlets and bows, glued in place by Extra-hold Aqua Net. As we say in the South, "Her hair was jacked up to Jesus." A Category Five hurricane couldn't have ruffled her "do." To make matters worse, she had all of her teeth.
Of course, she was picked to be in the pageant.
Something strange happened to me that day. I became more determined than ever to be "better." I was motivated. Debra Sue was my first grain of sand.
My brother was helping with the pageant, and he told me they needed a fishbowl because the contestants were going to select questions out of it. I flushed my fish and cleaned up my fishbowl for the pageant.
The night of the pageant was magical. I sat on a broken chair on the front row of the old high school auditorium. I was mesmerized by the wannabe beauty queens as they glided across the stage, wearing Mike Benet empire waist gowns with matching shoes. My heart pounded as my fishbowl was brought to center stage. The big-hair girls each put their long, white-gloved hand into my fishbowl and retrieved a small slip of white paper.
That night irritated me enough to redirect my young mind. It was the beginning of something big, something special. A seed pearl began to form in my soul. I heard God say, "Jane, you will be doing this one day."
Little did I know that seventeen years later, I would walk across the stage competing for one of the most prestigious titles of all, Miss America. Sometimes life isn't fair, but those occasions can allow God to give us a holy nudge. Irritants can take our lives to the next level and actually plant dreams. And it all started with a girl who was my first irritant.
Columnist Ann Landers wrote, "If asked to give what I consider the single most useful bit of advice for all humanity, it would be this: Expect trouble as an inevitable part of life and when it comes, hold your head high, look it squarely in the eye and say, 'I will be bigger than you. You cannot defeat me'."1
The Bible says: Consider it pure joy, my brothers, whenever you face trials of many kinds, because you know that the testing of your faith develops perseverance. Perseverance must finish its work so that you may be mature and complete, not lacking anything (James 1:2-4 NIV)
Here's my paraphrase of that passage: You do not know who you are until you have to be what you think you are.
Thank you, Debra Sue. But I still don't like you.
1 Wake Up and Smell the Coffee. Ann Landers. New York: Random House Value Publishing,
(Excerpted from Bury Me with My Pearls by Jane Jenkins Herlong, published by Lighthouse Publishing of the Carolinas. Used by permission.)
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Your Turn
Has someone in your life acted as an "irritant" that helped to shape you? We'd love to hear about it in the comments below!
Bury Me with My Pearls: Humor with a Spiritual Twist
by Jane Jenkins Herlong
Normal Price: $12.95 (print)
Amazon Price: $7.95
Professional humorist, singer and best-selling author Jane Jenkins Herlong finds the funny in dysfunction while entertaining folks with her comedy and singing heard on Sirius XM Satellite Radio and Pandora. From the tomato fields of her native Johns Island, South Carolina all the way to the runway of the Miss America Pageant, Jane's contagious optimism helps audiences learn how to handle difficult life situations with a sense of humor and grace. Through original Southern stories and award-winning singing, audiences learn life skills dealing with stress to achieve more success. Jane travels across the country and has spoken in New Zealand and Germany. She is fluent in four languages: English, Southern, Northern and Gullah. Her story of overcoming being labeled dyslexic and other challenges gives audiences a recipe for balancing their own personal journey with humor and hope, and her book Bury Me with My Pearls: Humor with a Spiritual Twist was a Gold Medal Winner of the 2015 Illumination Book Awards.


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kelly made. — the shop.
stella luv. — SOLD!
a couple of weeks ago, we finished up the last bits for my shop! that is right. my own shop. on my own website! now aren't i a big girl. but in the middle of all the excitement, we had a dear one from our family become very sick and then i was gone for a week. so i didn't really say much. today i added in a couple more originals, stella luv and lesson no. 2. the only down side is that stella just sold. (i just love her.) but don't fret, soon i will have prints all ready. so stay tuned. in the meantime, i have added a couple of my holiday wood slices and prints on the shelves. oh and baubles. we just can't forget about the baubles. check back often, each week i will be sharing new items! hint: pillows!
my etsy shop will remain open too! but feel free to hop over here and check out the newest love that i am working up.
happy friday!


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Skills of Bocce: Training Tips
Training Tips From Lugano, Switzerland
On Lagging:
- Think of the target ball as a speed limit. If the target ball is close, the speed limit is slow. The further away, the faster the speed limit.
- Relax. Concentrate. Set yourself up. Line up. DON'T RELEASE. Relax again. Then release.
- Concentrate on the lay of the court. Watch others balls. Plan where you are going to roll.
- Follow through. Take 1 or 2 steps forward after you release to assure your follow through. Never turn away after you release – eventually you will turn your hand/arm.
- Watch your ball as it rolls. Follow through up to the next line (C line). It gives your opponent the sense that you are very much into the game and have the concentration and power to win.
- Think about the shot and relax.
- ALWAYS lag directly on your target, spot or ball. If your court slopes slightly, mentally adjust your target or spot, but only aim for your target or spot. Concentrate on your distance.
On Shooting:
- Start your movement slowly – with a walk – building your momentum naturally.
- Never go too fast on the take off.
- Reach out when releasing your shot. It will help keep your arm straight and in the direction you are aiming.
- Keep your ARM in line with your target. Your body should not be in front of your target.
- Align your position so as to give yourself the best view or opening at the target.
- In attempting to shoot a ball to a particular side to maximize points, do not aim to the side of the ball. Move your body a step to the side you want the struck ball to travel, but always aim for the center of the ball. (Because of the centrifugal force of the ball there is a natural tendency for the ball to turn "in" –i.e. left if you are right handed.) Take a slight step to the right if you want to maximize your chance to hit the ball on the right. This technique is accentuated the longer the shot is. This enhances your possibility for the struck ball to go in the direction you want.
Playing Techniques:
- Discuss pallino placement. It may end up affecting the result of the round.
- Sometimes it may appear that a lag is the appropriate tactic. However, if you have potentially good point ball(s) at the back of the court, give consideration to shooting the pallino.
- Conversely, if your opponent has the point and you have one ball left and no balls at the back of the court and the pallino is exposed, consider rolling a ball close to the back for defensive reasons and to deter your opponent from shooting the pallino as mentioned above.
- Practice everything 1000 times! Don't get discouraged. Relax and concentrate on every ball as if it meant the game.


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HOME loan customers have shifted away from doing business with the major banks over the past year, despite the big four maintaining a stranglehold on the mortgage market.
New Australian and Prudential Regulation Authority figures showed about a 1 per cent drop of all outstanding home loans from major banks to other banks in November 2013 compared to November 2012.
The big four banks' market share fell from 85.3 per cent to 84.5 per cent.
This followed a jump in the market share among the big four in the previous 12 months from November 2011 to November 2012 when their grip on the mortgage market climbed by about 3 per cent from 82.2 per cent to 85.2 per cent.
Analysis by comparison website Finder found the big four banks still hold a massive chunk of the home loan market worth about $1.02 trillion.
But the site's spokeswoman, Michelle Hutchison, said smaller financial institutions had helped increase competition.
"Smaller banks are becoming more competitive in the home loan space which makes it so important to compare what other lenders are offering,'' she said.
"There have also been four new banks listed in the past year, Bank of Sydney, Police Bank, Police Financial Services Limited and Woori Bank which make up 0.21 per cent of bank market share of home loans."
The Mortgage and Finance Association of Australia's chief executive officer Phil Naylor said it was pleasing to see smaller lenders edge further into the market.
"It does indicate that some of the smaller lenders and second-tier lenders are starting to make a bit of impact,'' he said.
"The share the big four has is still extraordinarily high ... but it's good news that other lenders are starting to make a bit of an inroad into the market."
Roy Morgan research released last month found the satisfaction levels of home loan customers reached its highest level in 18 years at 81.3 per cent.
The big four banks scored 79.9 per cent satisfaction - an increase of 0.3 per cent from the previous month.
Roy Morgan said the increased satisfaction was due to interest rate reductions for mortgage customers and a high level of satisfaction with internet banking.


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Heating and Air Conditioning Technicians; Helping Us To Keep Our Cool
Heating and refrigeration has become an integral part of modern society. People rely on refrigeration and heating to keep temperatures consistent throughout the day and into the night. Cooling systems help preserve food and medicines both on site and on the road. Each time you turn up the thermostat or open the refrigerator you're benefiting from HVAC systems.
As with all regularly relied upon systems, heating and air conditioning systems need maintenance. When this happens, it's time for a visit from a skilled HVAC business near Lancaster, Pennsylvania. An experienced service provider will have the training to evaluate your issue swiftly and provide the service you need. Truly professional businesses will offer routine service check-ups to keep your cooling or heating system in order. Many HVAC companies offer annual system repairs.
Plenty of businesses rely on industrial-grade refrigeration systems. Businesses know to call in experienced technicians when there's a problem rather than allow perishables hang in the balance. Many companies will schedule regular check-ups on their equipment. In the business of commercial-level refrigeration equipment in Harrisburg, preventive maintenance can save a bundle in spoiled inventory and unexpected delays due to malfunctioning machinery. Businesses in the restaurant business can't afford disabled equipment. Wise business owners know who to call in an emergency and help prevent disaster with routine maintenance of restaurant-industry refrigeration equipment around Lancaster county.
So, whether you're staying comfortable at home or a business keeping inventory safe, you can appreciate reliable heating and air conditioning professionals. Can you recall the last time you had your system serviced? It could be time to find a HVAC service near you.


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Background Information: Dean is a hunter on the side and owns his own business. He loans people money in a deal that he gets half of everything. Dean's the ladies man and every woman and girl loves his charm. He's a very powerful man and doesn't like to hear the word 'no.' When he hears no he tries everything in his power to get what he wants.
Authors Note: Be easy on this one guys…I'm having the most horrible week ever. The reason there are new stories coming up is because a lot of the old ones are being re-written like Secrecy of Daughter, Pureblood of an Innocent Creature…etc. I noticed my stories back then had horrible grammar and I wasn't really going anywhere with the story so you will be seeing them deleted but no worries they are being re-written, re-plotted, re-bannered, re-casted (ha) and new plots and everything. So don't get mad I just want to get them back in the game and I feel that if I rewrite them they will be even better. So…here we go…
"Look Mr. Lawrence I'm just trying to run a business here you understand that right?" asked Dean as he sat back in his chair folding his hands in his lap.
"I understand-"
"And when you came to me a few months ago for help in the money department you agreed on the terms and conditions that I get half of everything."
"I understand but-"
"Mr. Lawrence do you have my money or not?"
Thomas Lawrence looked up at Dean from his lap and shook his head, "No."
"Then it looks like I'm going to be the new owner of Lawrence Garage."
"Please give me another chance!" Dean shook his head and rubbed at it feeling a migraine coming on.
"Dad what's taking so long?" asked Janelle walking into the office. Dean looked up from Mr. Lawrence about to scream at her to get out of here when he saw her. She had shoulder length brown hair, hazel eyes, full plump lips…a face of an angel. She was wearing a short pink summer dress. "Daddy we have dinner plans and we're going to be late."
"I'll be there in a minute just go sit in the car and-"
"No, no," said Dean standing up with that smirk on his face, "I wouldn't dream of having this young lady sitting in a hot car on a day like this. You know how hot it is out there."
"The car has air conditioning," said Janelle looking at him oddly.
"Right but probably not as good as the air in here. I'm Dean Winchester," he put his hand out and she took it.
"Janelle…Thomas's daughter." She shook it.
Dean turned his head to look at Thomas, "Didn't know you were even married Mr. Lawrence."
"I'm not," said Thomas getting up from his chair, "been divorced for a good 17 years now."
"Sorry to hear that," he said and looked back at Janelle with a smile. She gave him a small smile before turning back to her father, "I'll wait out in the hall-"
"Two weeks," said Dean turning back to Mr. Lawrence who looked shocked.
"Two weeks?"
"Take it or leave it."
"Take it," said Mr. Lawrence with a smile on his face and shook Dean's hand.
"Good, I'll be by in a couple days to see how things are going for you." Mr. Lawrence nodded and Dean turned his attention back to Janelle, "And Janelle if you're not doing anything later, I'm meeting a few friends down at the bar on Bishop Road. I would love if you could come."
Janelle smirked knowing his game, "Maybe…no promises." She looked back at her dad, "Ready?"
Thomas nodded and the two walked out of Dean's office. Dean walked to the doorway and watched Janelle walking away. "Damn," he said to himself.
Janelle wrapped her arm around her father, "Everything ok dad?"
Thomas looked down at his daughter and smiled, "Nothing for you to worry about."
"What was that all about? What is this place anyway?" She looked behind her and noticed Dean staring at her as she walked away.
"Like I said nothing for you need to worry about."
Janelle threw her hair up in a clip as she walked into the bar and grill. She went straight up to the bartender and the woman smiled at her, "How can I help ya sweetie?"
"My dad ordered some food last name Lawrence," she said as she stood against the bar.
"No problem be right up," she said as she walked away.
Dean was sitting at a table with a bunch of guys and a couple girls. He had his arm around one whispering in her ear. He glanced up with a smirk and saw Janelle standing at the bar. She had on a pair of black capris and a red tank top. He took his arm off the girl's shoulders and excused himself from the table. The girl looked at him shocked as he walked up to the bar.
"Glad you could make it," said Dean with a smirk as he leaned against the bar next to her and took a sip from his beer bottle.
Janelle whipped her head around and was surprised to see Dean. She didn't even pay attention to what road she was on when she pulled up to the bar and grille.
"Actually no…just came to grab dinner for my dad." She felt a little uneasy next to Dean and she looked down the bar waiting on the bartender to bring back their food so she could get the hell out.
Dean knew he had to step up his game with this one. She already looked like she was getting bored, "So…you like the bar?" He began to walk around the edge of the bar and lifted up the part of the bar to go behind it watching her look around.
Janelle had to admit it was a nice bar and grill. One of the nicest ones she's been to. She looked back at him and shrugged, "Yeah, it's nice."
"I own it." He smirked at her his hands on top of the bar.
Janelle arched an eyebrow, "Sure ok." She shook her head not believing him one bit. She saw the bartender walk back with her food and placed it next to her.
"Here ya go sweetie."
"Hey Minka," said Dean looking at her and smacks her ass asking, "Who owns the bar baby?"
Janelle watched as the bartender, Minka, rolled her eyes in annoyance, "You do Dean."
Janelle looked at Dean a bit shocked and he looked at her with a shit eating grin on his face, "See."
"Is there anything you don't own in this town?" She began to pull money out of her purse and she looked up at him catching him licking his bottom lip and slightly biting on it as he looked her up and down.
"Well, there is one thing."
Janelle scoffed and shook her head, "Keep dreaming." She went to hand Minka the money when Dean put his hand over hers.
"On the house."
"I can't possibly do that-"
"Yes you can and you will."
Janelle shook her head a slight smirk playing on her lips, "Alright Dean…whatever you say." She put the money back in her purse and grabbed the bag of food.
Dean winked at her before walking a little ways over to talk to someone. Janelle watched as Dean greeted the customer and noticed they had to have been long time friends by the handshake.
"Don't let his charm fool you," said Minka watching Dean with her arms crossed.
"What?" Janelle looked at her.
"Sure he'll give you what you want but at a price." Minka looked at Janelle and smirked, "I slept with him to get this job and after that he stopped talking to me. He got what he wanted and I got what I needed. But now he only talks to me when he wants something and I think both you and I know what I'm talking about."
"I'm not planning on doing anything with him."
"That's what they all say."
"Hey Minka, quit lounging around and get working on the customers." Dean shook his head and walked around the bar and up to Janelle. "So you need a ride back after you drop off your old man's food?"
"Actually it's dinner for two tonight."
"Alright," he sighed, "Tomorrow night."
"I don't think so." She shook her head and walked out.
Dean stood there confused. She said no to him. No one said no to him. No woman has ever said no to him!
"Looks like the Winchester charm doesn't work on everyone," said Minka with a smile on her face and Dean rolled his eyes.
"Give it time she'll warm up to me…whether she likes it or not." Dean took a swig of his beer staring at Janelle through a window as she got into her car.
"You can't make her like you."
"Who says?" Dean smirked as he watched her drive off.
Minka rolled her eyes. She's never seen Dean chase a girl like this. Then again, she never saw a girl turn down Dean.


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Greens focus on gay vote in Wentworth
The Greens say they will target the marginal federal seat of Wentworth in Sydney's east in their campaign for equal rights for the gay and lesbian community.
The Greens say they are committed to removing all discrimination against homosexuals, including the ban on same-sex marriage, which is supported by both the Liberal and Labor parties.
Redistribution in the seat will now see areas like Darlinghurst and Kings Cross included in the once blue-ribbon electorate.
Greens Senator Kerry Nettle says homosexual rights are an important issue for voters in the seat.
"We're calling on the Government to not only remove the discrimination that exists on our law, but be proactive about including all types of families and communities in the Government's vision for this country," he said.
Ms Nettle says more government anti-discrimination programs would help to end homophobic violence as the Greens also target the seats of Sydney and Grayndler.
"It's a very important issue for people in Wentworth and in Sydney and Grayndler and a number of other seats across the country," he said.
"People don't support discrimination and so we'll actually be doing a targeting letterbox campaign in the seats of Wentworth and Grayndler and Sydney, calling the Federal Government to remove the discrimination that same-sex couples experience in our federal law."
Topics: greens, community-and-society, gays-and-lesbians, federal-election-2007, government-and-politics, elections, federal-government, political-parties, alp, liberals, kings-cross-2011, australia, nsw


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Mesh quality
Which quality option in ICEM refers to the quality specifications in the ANSYS CFX Solver Manager
-> Minimum Orthogonality Angle
-> Maximum Aspect Ratio
-> Maximum Mesh Expansion factor
Furthermore can you give me a guideline for a good Mesh, because the guidance in the help function of ICEM is not sufficient. After i have reached the requirements(Angle >18, Determinant >0.3,Warpage <45) my simulation still does not converge.
good convergence besides good mesh quality dependeds on correct boundary conditions, timestep.
Have you looked at CFX guidance? Mesh requirements are described there also ;)
The quality requirements are just a guess for "normal" simulations. Some simple simulations work fine with much worse quality meshes. More complex simulations (eg multiphase, transonic, chemistry) often need much higher mesh quality. So the mesh quality requirements for a simulation depend on the type of simulation.
I simulate a coal combustion with particle tracking and the simulation struggles to converge the heat transfer equation and the particle source change rates. I thought the first error prone step is the mesh quality. So how can I proove if my grid quality is sufficient :confused: besides the other effects (boundary,problem, timestep)
Maybe the attached residuals can help
First look here: http://www.cfd-online.com/Wiki/Ansys...gence_criteria
If you suspect mesh quality is the issue then, as the page says, include the convergence residuals in the output file. Look at it in CFD-Post and confirm that the region of high residuals coincides with the region of poor mesh. This will tell you whether mesh quality is in fact the problem.
|All times are GMT -4. The time now is 16:50.


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Reaffirming the spirit and content of the progression and gradual repositioning of Media and Information Literacy (MIL) in previous Declarations such as Grünwald Declaration (1982), Prague Declaration Towards Information Literate Societies (2003), Alexandria Proclamation on Information Literacy and Lifelong Learning (2005), Paris Agenda-12 Recommendations on MIL (2007), Fez Declaration on MIL (2011), Moscow Declaration on MIL (2012), Framework and Action Plan of the Global Alliance for Partnerships on MIL (2013), and Paris Declaration on MIL in the Digital Age (2014);
Noting that the Sustainable Development Goal (SDG) 16 Peace, Justice and Strong Institutions – target 16.10, "ensure public access to information and protect fundamental freedoms, in accordance with national legislation and international agreements", is central to achieving all SDGs and in particular SDG 5 on gender equality;
Emphasizing that media and information literacy is a life code that can underpin sustainable development;
Recognising that this potential requires a media and information landscape, wherein freedom of expression, press freedom, access to information and the right to information, and the right to privacy, flourish, as a necessary step to a critical, people-centred, sustainable development process;
Further recognising that media and information literate people are also needed for sustainable development;
Also noting that, in order to produce sustainable development processes, media and information literacy skills are increasingly essential in response to technological and informational advancements having overtaken the available skills required to efficiently and ethically use digital technology and media resources;
Noting that MIL is indispensable to a critical process that empowers and engages people as global citizens, and that it must be at the heart of strategies for the creation of a culture of communications that is open, inclusive, and based upon respect for human rights and democracy, and which contributes to human development at all levels.
Recognising in addition that media and information literacy supports the economic growth and competitiveness of societies and the well-being of individuals, in that such competencies are in increasing demand in job markets and are vital for many sectors.
Further noting the information, media and communications landscape is a very complex and rapidly changing, and where different stakeholders and creators are in a dynamic relationship with one another.
Noting security concerns about the increasing misuse of information and media resources for aims of disinformation, propaganda, hate speech and incitement of violence, and urging a concerted effort to empower societies with stronger media and information literacy competencies;
Underscoring the importance of MIL in building a new culture of communications and improving the quality of public discourse as being particularly relevant to promoting tolerance and engagement in public affairs, and that related efforts should include the political, social and cultural leadership in society;
Recognizing the contribution of MIL to a more peaceful society – through combatting hate speech, cyber-mobbing, and cyberbullying, and promoting digital privacy and digital security;
Supporting and endorsing the petition launched by GAPMIL to call for an internationally recognised and official Global MIL Week;
Welcoming initiatives such as the Council of the European Union (19 May 2016) adoption of Conclusions on Developing Media Literacy and Critical Thinking Through Education and Training – which invites its Member States and the European Commission to "continue to cooperate with, and take into account the work done by, other multilateral fora, such as the Council of Europe, UNESCO and the OECD, since the challenges cross borders and affect countries both inside and outside the European Union".
Call on each UNESCO Member State:
To ensure that MIL programmes and policy are developed as central to national and international policies designed to promote civic participation in democratic life by spreading information, knowledge, awareness and skills that will enable people to enjoy the benefits of the new communications environment;
To address knowledge gaps between MIL mediators such as library and information specialists, teachers, parents, journalists by providing relevant resources, funding and training as a part of professional development and lifelong learning;
To provide resources and support robust empirical research in the field of MIL, across global contexts for meaningful comparison, in order to address current issues such as communications around forced migration, violent radicalization, hate speech, global warming, new propaganda wars, gender-based cyber harassment, other forms of gender discrimination;
To ensure that national, regional and international debates on privacy and security include contributions from the MIL community;
To support and promote cooperation between stakeholders who are engaged in the provision of information based on international standards of free expression, including those concerned with: academic freedom; the freedom of artistic and cultural expression; and the freedom of the media and journalism;
To promote awareness and recognition of the relevance of MIL to youth and to ageing populations, and to intergenerational dialogue, by supporting the development and implementation of related initiatives;
To provide people with disabilities with MIL resources tailored to their special needs;
To encourage educators to use media and information resources more widely in education to enhance teaching.
Call on Internet and technological intermediaries
To increase engagement in policy making, training, capacity building, and evaluation, with all MIL stakeholders;
To explore common grounds for cooperation, among themselves and in dialogue with MIL practitioners, so as to ensure that citizens have open access to MIL-related resources;
To act in respect of human rights and to ensure that their activities on MIL fit into an information commons for public good and knowledge societies;
To promote pluralism of MIL-related content and increase access to this content and to training, by capitalizing on the technological boom in digital devices, especially mobile devices.
Call on media & information providers (including public and private broadcasters, over-the-top content providers, film rights holder and distributors, games distributors, news media, advertisers and advertising agencies)
To join in partnership with the education sectors and MIL communities to make media and information content available to children and young people to foster their media & information literacy
To operate licensing schemes where content is not freely available
To build on emerging good practice of unlocking archives for use in education and find equitable solutions to rights challenges of archive material, especially for orphan works
Call on civil society (including GAPMIL members, community activist groups, charities, foundations, trade unions, academia, and researchers)
To encourage participation in GAPMIL network and put in place strong mechanisms to ensure the strengthening and sustainability of GAPMIL – and all its Regional Chapters – as a wide coalition of organizations that can build bridges for MIL development;
To ensure that the awareness of privacy competencies and issues surrounding security are included in MIL resources, training, awareness raising, and in the MIL agenda in general;
To explore cooperation with relevant international MIL platforms and networks such as the Media Education Summit;
To increase the involvement of young people as co-producers/participants and stakeholders rather than as only recipients of MIL, and to avoid imposing or generalising conceptions of MIL that fall short of being human-rights centred;
To build alliances with media organizations and professional associations of journalists to promote media and information literacy;
To ensure that MIL issues are addressed through both formal and non-formal education, paying a special attention to disadvantaged groups, such as immigrants and unemployed, and involving such actors as libraries, other memory institutions, social partners and other civic organizations providing non-formal and life-long learning to society;
To champion learning through media and information resources as well as about them. When we learn through media and information resources we also learn more about them.
Call on educators, audiovisual regulators, libraries and information specialists, journalists and other media professionals, museums, archives and publishers
To ensure that all citizens have access to reliable and quality-assured information;
To encourage media and information literacy for a critical and reflective evaluation of information and to raise the awareness of manipulations and propaganda;
To promote media and information literacy enabling all citizens to take part in political and social life in a democratic society;
To establish standards for media and information literacy and to anchor media and information literacy and its links to other social literacies, in the curricula of all education levels – ensuring non-traditional evaluation which is sensitive to different MIL approaches.
Call on UNESCO:
To initiate consultation necessary for the tabling of a resolution for an internationally recognized and official Global Media and Information Literacy Week;
To bring these recommendations forward to the Global MIL Week 2016 feature event, the Sixth MIL and Intercultural Dialogue International Conference and First GAPMIL General Assembly which will be held from 2-5 November 2016 in Sao Paulo, Brazil;
To call for a multi-stakeholder meeting with the Internet and technological intermediaries and Member States together with GAPMIL to advance the MIL agenda, find mutual grounds to form an information commons and strengthen media and information literate societies.
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On tour September 2017 with Gavin Harrison
The Pineapple Thief have announced the second leg of their European tour in support of the critically-acclaimed album Your Wilderness. The new dates will see the band venture into Poland and Switzerland along with shows in Germany, Czech Republic, The Netherlands and UK. See a full list below.
The band will again be joined by virtuoso Gavin Harrison (Porcupine Tree, King Crimson) on drums and Darran Charles (Godsticks) on guitar. As anyone who witnessed the shows earlier this year will attest, the new five-piece line-up has allowed Bruce, Steve and Jon to expand upon their signature sound, enabling the band to truly shine on stage.
Wednesday, 6 September 2017 – Dresden, Scheune
Thursday, 7 September 2017 – Warsaw, Progesja Music Zone
Friday, 8 September 2017 – Krakow, Kwadrat Music Club
Saturday, 9 September 2017 – Brno, Melodka
Sunday, 10 September 2017 – Munich, Backstage Halle
Monday, 11 September 2017 – Zurich, Dynamo
Tuesday, 12 September 2017 – Stuttgart, Universum
Wednesday, 13 September 2017 – Cologne, Luxor
Thursday, 14 September 2017 – Zoetermeer, De Boerderij
Saturday, 16 September 2017 – London, ULU
Sunday, 17 September 2017 – Bristol, Bierkeller
For more information and ticket details – http://pineapplethief.com/tour
Following a triumphant first leg, with several sold out shows, The Pineapple Thief has emerged as one of the most exciting live progressive rock acts on the circuit and a force to be reckoned with. Prog Magazine described the show as "a dynamic, dramatic experience" while Manchester Rocks commented that it's "The Pineapple Thief, like you've never heard them before".
"We can't wait to get back on the road again!" explains band leader Bruce Soord. "Personally, I am really excited that people will have another opportunity to see and hear this fantastic line-up. Darran and Gavin have brought a whole new dimension to this band."
The band will be performing Your Wilderness plus a string of re-imagined favourites from their back catalogue. These will be the last tour dates this year, and the final opportunity for fans to witness this line-up performing Your Wilderness in its entirety. Special guest support is from Kscope label mates Godsticks, who will be performing brand new material from their upcoming fourth album.


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Superior Court Judge Lawton Stephens
Jeff Blake/Staff
Attorneys fighting to overturn Athens-Clarke's controversial rental regulations have refined their arguments into four main points, and county attorneys have responded.
The matter now rests with Clarke County Superior Court Judge Lawton Stephens, who must decide whether the local ordinance flies in the face of state and federal laws or whether it legally allows the government to enforce ordinances already on the books.
County commissioners voted twice in 2003 to establish a law to regulate the thousands of rental houses in Athens' single-family neighborhoods and give officers an extra way to enforce laws against over-occupancy, noise and trash offenses.
But the laws - the second of which was approved on Aug. 5 - have never been enforced, since the Athens Residential Rental Property Association sued and stopped their implementation.
Attorneys for ARRPA, which claims to represent dozens of landlords and tenants, argued in written final arguments last month that the law should be overtured, for four basic reasons.
Attorneys for the county government responded last week.
The basics of the arguments, on both sides, include:
ARRPA: A state law approved in 2003 prohibits rental registration. A line added to the end of a law passed last year says that ''in no event may a local government require the registration of residential rental property.''
Rental regulations - since they require the renter and the landlord to fill out forms and turn them over the a law officer if asked - qualify as registration of rental property, even if local officials give the requirement another name.
Athens-Clarke: Rental regulation doesn't work like registration of voters or certain types of businesses. Since it doesn't require ''permitting, central registration, or investigations or inspections without probable cause,'' it doesn't count as registration and isn't barred by the state law.
ARRPA: Requiring tenants to disclose their relationships to each other violates their right to privacy under the Georgia Constitution and makes landlords agents of the state by requiring them to collect information that may be used against their tenants.
The constitution allows people of the state to define their own ''circle of intimacy,'' but a part of rental regulations that requires renters to disclose their relationships to the government violates that right.
Athens-Clarke: The local law only requires renters to tell their relationship if they claim to be family and, therefore, can share a house with more than two adults. State and local laws often require people to explain how they are related.
ARRPA: The way the zoning code defines family also violates privacy laws and keeps people from building their family as they decide. In order to limit the way people choose to associate - whether those peopleare brought together for social, sexual, political or religious reasons - the government must be able to show that the restriction is necessary to protect the public good.
Athens-Clarke: ARRPA's two privacy challenges are basically the same argument, don't require much response and ignore the fact that judges have upheld government's right to use zoning to limit some houses to a single family.
ARRPA: Rental regulations require people to incriminate themselves, either by admitting in writing on the form that they are violating the definition of family rule or by refusing to fill out the renter/landlord form.
Athens-Clarke: Local governments can require people to fill out forms, the U.S. Supreme Court ruled, so long as the paperwork is reasonably related to an activity that the government may control.
Stephens could rule at any time, but doesn't have a deadline and is expected to mull the issues for awhile.
Published in the Athens Banner-Herald on Tuesday, February 10, 2004.
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Nidalee Build Guide by Dinzo
Not Updated For Current Season
This guide has not yet been updated for the current season. Please keep this in mind while reading. You can see the most recently updated guides on the browse guides page.
Thank You!
Your votes and comments encourage our guide authors to continue
creating helpful guides for the League of Legends community.
AP bruiser?
Nidalee Build
Jungle Role
1st back to home
late game full build example
Ability Sequence
Not Updated For Current Season
The masteries shown here are not yet updated for the current season, the guide author needs to set up the new masteries. As such, they will be different than the masteries you see in-game.
This is my first guide :) so its pretty ****ty.....
i build my nidalee a lot differently than your usual nidalee. Theres a lot of ways to build her depending on your play style. This build gives me tankienes , damage , as well as mana and kite . So with this build you are able to us your cougar form to its full extent . taking out the back line with cougar form then to deal damage with your spears .
Skill Sequence
There isn't any specific combo with nidalee but make sure that you q first then e when in cougar form . I do this because your e in cougar does damage in front of you , if your in position to q your in position to e . i have and a lot of fails from past experience .
Nidalee is a great champ to first pick in ranked but watch out for champs with life steal , because they can heal the damage from your auto attacks . Jarvan is you biggest counter and the one i have the most time with . He can soak up quit a bit of damage from his shield and can jump onto you with his e q combo .


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Why was there a disagreement between republicans and democrats as to how save the USA's economic difficulties between 1929-1941
- print Print
- list Cite
The primary disagreement between the two parties was one of economic policy. Republicans traditionally have been advocates of supply side economics, sometimes called "trickle down" economics and more recently known as "Reaganomics" (although that term was not heard of at the time of the Great Depression.) Democrats tended (and still are) advocates of Keynesian Economics, a policy first promulgated by John Maynard Keynes of Oxford University.
Supply Side Economics is the philosophy that the economy can be stimulated by reducing taxes and providing incentives to businesses which will allow consumers to have more spending money. A classic (although much later) example was President George W. Bush's tax refund which gave consumers roughly $600.00 in tax refunds. The belief was this money would be spent which would stimulate the economy.
Keynesian Economics calls for massive government spending rather than tax cuts to stimulate the economy. The New Deal is a classic example. Under this philosophy, the government undertakes massive government projects (Such as the Tennessee Valley Authority and the Civilian Conservation Corps) which put people working directly for the government.
In either instance, the end result is always an increase in government debt, regardless of whether the intended stimulus of the economy is successful. This increase in spending is an easy target for political opposition; therefore regardless of the position pursued by either party, the other party will accuse the other of increasing government debt. This was the case during the New Deal, and has been ever since.


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CHM decompiler is a program that converts the internal files of CHM files back into the HHP, HHC, and HHK, etc. used to compile the documentation.
|Software Development Documentation Utilities
|Operating Systems
Release Notes: This project makes the initial step towards moving the project to autoconf, includes deb/RPM/Win32 package/ installer making ability, adds a mingw [FILES] bugfix, and does some general cleanups.
Release Notes: This release features fixes to the language strings, proper output for large contexts, outputing of all files to [FILES] on MinGW, and the removal of internal files from [FILES] in some cases (such as VFAT on Linux).
Release Notes: It is now possible to convert the internal full-text search info back into HTML files (which is mostly useless unless you lose the original HTML). Back conversion of character entities in the HHC/HHK is also supported, and some other minor changes were made.
Release Notes: This version fixes alias/map, crash, and other bugs.
No changes have been submitted for this release.
A Fluent OpenStack client API for Java.
A TWiki appliance that is easy to use and lightweight.


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The Australian market has surged back to life after Easter with two new issues, and Westpac is set to launch a rare offering of New Zealand mortgages from AMS. The first deal was Medfin's A$151.5m securitisation of auto and equipment loans, leases and hire purchase agreements via its MTN programme. National Australia ...
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text:
Stop Smoking - This Is How I Did It
By George Marshall Woodman
Published by George Marshall Woodman at Smashwords
Copyright © 2014 George Marshall Woodman
Smashwords Edition License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you're reading this book and did not purchase it, or it was not purchased for your enjoyment only, then please return to Smashwords.com or your favorite retailer and purchase your own copy. Thank you for respecting the hard work of this author.
Table of Contents
Chapter 1 - The history from the beginning
Chapter 4 - The Attempts To Quit