text:
Routers and Firewalls
Physical Security
Content Filtering
Internet Security
Operating System Security
Passwords & Password Managers
Identity Theft
Using Encryption
Social Engineering
Secure the Human (SANS)
Cybersecurity Sites
Anti-Virus Software
Free Online Virus Scanners
Content Filtering
Encryption & Anti-Keyloggers
Password Managers
Anti-theft & Laptop Recovery
Physical Security
Popular Open Source Software
Secure Email | VPN Services | Secure Browsers
Mobile Computing & Security Apps
Blogs & Podcasts
Cybercrime Reporting
Data Breaches
This page will contain links to some of the resources we used when researching our book on
Cybersecurity for Everyone
. The web sites are not under the control of the author, and the author is not responsible for the contents of any website, including without limitation any link contained in a referenced web, or any changes or updates to a referenced website. The author is not responsible for webcasting or any other form of transmission received from any referenced web site. The author is providing these links to you only as a convenience, and the inclusion of any link does not imply endorsement by the author of the site or any association with its operators.
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text:
Published 4:00 am, Sunday, February 27, 2005
Merce Cunningham's dauntingly beautiful ballets beg for explication, but don't look to the choreographer for answers.
At 85, the avuncular sage of modern dance isn't about to impose a narrative on his intricate creations, constructed through the chance procedures that he developed in the 1940s with the late composer John Cage, his life partner and longtime artistic soul mate.
"Our idea is to leave the meaning free to the individual spectator," Cunningham said in a conversation several years ago. "I'm not trying to tell them how they should feel, so that they might discover something about themselves."
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The perpetual invitation to discovery is part of what makes Cunningham such an enduringly relevant artist, one whose creative world stretches far beyond dance to visual arts, music and technology. It's why Cunningham is both the subject and catalyst of the largest interdisciplinary arts project that Stanford University has ever undertaken.
Since last fall, various departments, schools and centers at Stanford have been exploring Cunningham's work and philosophy in "Encounter:Merce," a sprawling undertaking that involves classes, research projects, exhibitions, lectures, discussions and site-specific performances, the majority of which are free to the public.
From the Center for Computer Research in Music and Acoustics (CCRMA), which is staging a Cagian musical happening on March 8 at Cantor Arts Center including students, faculty and members of the Merce Cunningham Dance Company, to the School of Medicine, where an Anatomy of Movement class is dissecting Cunningham's movement vocabulary, the choreographer is serving as a launching pad for enterprising investigations.
"Encounter:Merce" builds to a climax in early March, during a weeklong residency in which Cunningham and his dancers participate in numerous campus events, culminating with the Merce Cunningham Dance Company's performances at Memorial Auditorium on March 11-12.
A celebration of the company's 50th anniversary, the program includes his classic 1950s ballet "Suite for Five," the West Coast premiere of "Split Sides, " featuring a score by Radiohead and the Icelandic band Sigur Ros, and the North American premiere of "Views on Stage," which was co-commissioned by Stanford Lively Arts and features a score by Cage.
With its emphasis on new works, the program is typically Cunningham. Though hobbled by arthritis induced by years of performing on unsprung floors, Cunningham is still passionately searching for new possibilities of the human body in motion.
"I'm interested in finding ways to make us all move in a way we don't know yet, rather than just keeping to the same thing," he says. "So that by the use of these various methods, the use of chance operations, and working with films or video, each of those experiences has brought me different ideas, and rather than saying 'no,' I always say 'yes,' and try it."
Conceptually, Cunningham's signal innovation was in forging a choreographic approach that liberated dance from narrative and symbolism.
With elements of antic humor, dry wit, absurdist comedy and subtle beauty, his work is often breathtaking, while inviting viewers to participate as co- creators.
"He has, to my eyes, the most beautiful stage of any choreographer working today," says Trisha Brown, the commanding postmodern choreographer whose Trisha Brown Dance Company performs on Wednesday at a UC Santa Cruz Arts & Lectures Presents event and Friday and Saturday at Zellerbach Hall for Cal Performances.
It's not that she sees every Cunningham creation as a masterpiece, but his compositional sensibility continually delights and inspires her. "It's like exquisite poetry, the placing, the timing, the moves, the entries," Brown says. "It's impeccable aesthetic judgment. For me, it's nourishment."
Stanford is a particularly apt location for "Encounter:Merce," considering Cunningham's canny use of technology in dancemaking. He was among the first choreographers to employ video to document and invent new ways of looking at dance.
More recently, he's employed Life Forms software to create new works, such as "Biped," which debuted in a 1999 Cal Performances production. He travels with his laptop computer and is in regular contact with the software maker to be sure he has the latest Life Forms upgrade, using the computer to start working on a new piece when his dancers are not available.
In "Encounter:Merce," science is training its eye on Cunningham. In the School of Medicine, Dr. Jessica Agramonte, assistant professor of orthopedic surgery and director of the Motion and Gait Lab at the Lucile Packard Children's Hospital, is taking time off from her usual work analyzing walking disorders to explore the physics of Cunningham's dance using three-dimensional motion analysis.
"This is what we've come up with," Agramonte says. "Merce Cunningham uses the torso as a limb. There's a tremendous amount of motion and rotation in his choreography, with an economy of movement. We think his use of space is tremendous. We have a program that will analyze the volume of space in a given dance phrase relative to other kinds of dance."
In many ways, rhythm is the key to Cunningham's choreography. He had trained in Martha Graham's rigorous technique and had been a star of her company in the early 1940s before he began developing his own vocabulary.
Cage had already been using his chance method of composition for several years, often employing the I Ching, when he approached Cunningham about employing similar techniques in choreography to help him break through a creative rut.
By the time Cunningham formed his company in 1953 at Black Mountain College in North Carolina, he and Cage were well on their way to refining their system of working independently, which meant that Cunningham had to learn to create his own metrical structures for his dancers.
"John had a marvelous sense about the independence of people and things," Cunningham says. "I think that's held all the way through our work, that you could be both free and strict at the same time. And the music does not support the dance, nor the dance illustrate the music."
From a choreographer famous for the precision with which he insists his dancers perform his works, it might seem paradoxical that Cunningham is so comfortable premiering a dance without having seen or heard the finished work.
But trust in his collaborators and the rewards of mutual discovery have served him well. "Years ago, I was working on a dance called 'Summerspace,' and I was with my company in New London, Conn.," Cunningham says. "Robert Rauschenberg was in South Carolina doing the drop for it, and Morton Feldman was in New York composing the music. A friend of Marty's asked him how could it all come together. Marty said, 'Suppose your daughter's going to get married, and I tell you that her wedding dress won't be ready until the morning of the wedding, but the dress is by Dior.' "
It's a charming story that he's told often, but one that conceals more than it reveals. A wonderful raconteur, he can be disarmingly oblique when it comes to the details of his creative process.
Maybe John Rockwell, the New York Times' chief dance critic, will coax more revealing stories from Cunningham in their conversation at Dinkelspiel Auditorium on March 9 than Trisha Brown has managed during several onstage interviews.
"I can tell you that what he says when you ask him a question about how he choreographs is always unique and extremely interesting," Brown says, "and doesn't get anywhere near the secret of how he makes dance."
ENCOUNTER:MERCE: Through March 12 at Stanford University and other venues. (650) 723-2551, livelyarts.stanford.edu .

subset: commoncrawl


text:
A 23-year-old motorcyclist was killed Sunday in a head-on collision in Gig Harbor.
Parker F. Raft was driving on Sehmel Drive NW at 3:30 p.m. when he drifted into oncoming traffic and hit the front of a Ford pickup truck, said Pierce County sheriff's spokesman Ed Troyer.
Raft was thrown from his bike. He was taken to Madigan Army Medical Center, where he was pronounced dead.
Speed is believed to have caused the crash.
Raft was driving on a suspended license and had a warrant for his arrest on suspicion of reckless driving, Troyer said.
The occupants of the pickup truck were not injured.


text:
Wer war/ist Autumn ? - CDs, Vinyl LPs, DVD und mehr
Weitere Informationen zu Autumn auf de.Wikipedia.org
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(2010/AZTEC) 15 tracks (55:23) digipac with 24 page booklet. One of the great lost treasures of Australian 70's music. Although Autumn began as a bubblegum band in the late-60's, the early-70's found them, after various line-up changes, a markedly different band....
23,95 € *


text:
As a Memorial Sloan Kettering patient, you benefit from the experience and compassion of a team that treats nearly 400 people with bladder cancer each year. We're committed to getting you the best outcome possible — and maintaining the relationship after you complete treatment, so you get the follow-up care you need not just to survive but to thrive.
Working as a team, our bladder cancer specialists in urology, medical oncology, urologic surgery, radiation oncology, pathology, and radiology will shape a treatment approach that makes sense for you. When you schedule your first appointment with us, we'll likely have you start by meeting with the specialist who can best explain your diagnosis and answer your and your loves ones' questions.
Select from the list below to learn more about our how our bladder cancer experts can help you.


text:
An Alaska Reader Is Cold-Called By Amnesty-Pushers
From: Ryan Kennedy (e-mail him)
Today I had a cold-call from someone peddling "immigration reform". He asked me if I was aware of the bill pending before Congress on immigration. I told him I was well aware of the bill but I asked him what he meant by "reform". He went down the usual talking points of "enforcing the borders" and "making sure everyone is legal". He was definitely pitching the current amnesty bill as if it was an enforcement bill.
I wanted to get my views across to him in no uncertain terms. I asked him directly. "Is this for the proposed bill to "reform" immigration?" He replied yes. I said "OK, let me tell you what I think. I think all immigrants should be thrown out of the country. We have double digit unemployment and we don`t need any more of them!"
He laughed and said, "can I patch you through to your Senator?" I said, you betcha!. And then I laid the same spiel on an unwitting staffer.
Funny thing, I think the guy who called me was just a hired gun and was amused by my vitriolic response. I wonder how many more of us are out there giving these cold-callers hell.
Ryan Kennedy (email him) has written us many letters and articles. He lives in Anchorage, Alaska.
James Fulford writes: I can tell you there's one in Montana—see Paul Nachman's post Beware: The Treason Lobby Is Calling; Let`s Make It Unpleasant For Their Flunkeys.


text:
Milking equipment in Belarus
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From one hectare oilseed rape 2000 litres of premium rapeseed oil is produced. That's enough for frying 10 tons French Fries or for making a marinade for 50.000 green salads. In addition to that: according to the nutrition physiology rapeseed oil contains the best fatty acid composition of all oil plants because of its high content of ...
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Academic Conduct Essentials (ACE)
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Within the traditional bureaucratic mode of regulation, knowledge is mobilized to provide credible foundations for the substance of specific policies. Afterwards, these policies are to be put into practice through laws, legal norms and injunctions. Their implementation by the "street-level" actors is then controlled through inspection mechanisms and disciplinary measures.
Within the 'pos-bureaucratic' mode of regulation, knowledge is mainly used to produce and circulate instruments, such as guidelines for action, examples of best practices, comparative data, benchmarks and argumentation templates. The goal is to manage the way actors think about reality, namely about a public problem within a specific policy sphere. Therefore, the intended regulatory outcome presupposes autonomous and reflexive actors using, reproducing and transforming the instruments' knowledge, inscribed in texts and (or) enacted by mediators. This way, these actors are expected to embody, re-inscribe and re-enact that knowledge, within their social interactions and work processes, namely through the production of documents and the performance of roles.
The empirical data is taken from a research on the design and implementation of a public school evaluation policy in Portugal. The study was conducted within a European Union funded project (KNOWandPOL).
In 2005, a new government was appointed following a landslide victory in the parliamentary elections. The Education Minister, an outspoken sociology professor, stressed the need to define and adopt evidence-based policy measures aiming at the rationalization and modernization of the education system. A key element of her strategy was the reinforcement and refinement of the system's evaluation structures and mechanisms, in order to produce data to support policy decisions. Within this strategy, a new model for the evaluation of public schools was announced. It was commissioned to a team of experts (academics and senior civil servants) who produced and tested an evaluation framework that included indicators, criteria, data collection guidelines, reporting templates, scripts to conduct meetings, as well as theoretical and institutional references within the scientific literature and the professional know-how of inspectors and evaluators. Starting in 2006, the Ministry's Inspectorate was given the responsibility to put the new policy into practice. From then until the 2010-2011 school year, every public school was subjected to the process. It required the production of a school self-evaluation report, including the collection and analysis of specific data demanded by the Inspectorate, the organization of the school visit by the evaluators' team, including meetings and interviews with specific audiences and stakeholders, and the elaboration of the final school evaluation report to be published in the Inspectorate's website.
The framework characterizing the knowledge transformation phases (embodied, inscribed, enacted) in the policy process provide the heuristic tool to understand the micro-transactions going on throughout the design and implementation of the school evaluation policy. It is used to describe how the knowledge based regulation tools making up the policy (such as indicators, guidelines, templates for discourse and action, meetings, interviews) mould the way the actors involved (policy designers, field inspectors, principals, teachers) think about education and schooling and perform their assigned roles in the school system. This way they achieve their regulatory function within the policy under consideration. On the other hand the same heuristic tool provides the means to understand how the school evaluation policy itself changes throughout its implementation, as a result of the changes occurring during the knowledge transformation cycles, as the actors (policy designers, inspectors, principals, teachers) go through their work of embodying, re-inscribing and re-enacting knowledge.
AFONSO Natércio & COSTA Estela (2011), Knowledge transformation in the policy process; the design and implementation of a knowledge based regulation instrument, unpublished paper.


text:
This may be a stupid question but how do you delete something if you make a mistake? Specifically, I made part of my background a background when it should have been an object. I looked around but could not find an answer.
- tonicinnovations asked 3 years ago
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Use the Delete or Backspace key to delete an object. Check out the manual for a full list of key commands on page 26:
- Trey Smith answered 3 years ago
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text:
A good start to 2012
Norway Post has had a good start to 2012. The first quarter results show higher revenues and earnings.
The first quarter earnings before non-recurring items and write-downs came to NOK 271 million – 15.9 per cent higher than that reported for the same period last year. The increase is due to extensive efficiency improvement measures in the mail segment.
"I'm very pleased with the quarterly results. They show that we deliver both high quality and satisfactory financial results despite market challenges," says Norway Post CEO Dag Mejdell.
The volume of addressed mail fell by 4.2 per cent during the first quarter and the decline was greatest for A-mail. The Group's revenues nonetheless rose due to volume growth in the logistics segment and the acquisition of new companies. The first quarter operating revenue amounted to NOK 5,802 million, an increase of 1.4 per cent compared to the first quarter 2011.
The Group's efficiency programme, Spinnaker, which started in 2008, has produced an accumulated effect of just over NOK 2.5 billion so far.
Digital mailbox
Last year, Norway Post launched a digital mailbox, Digipost, in order to participate in the changeover from physical to digital mail. More than 200,000 people have registered as users and around 50 companies have contracted to send mail using the digital mailbox. At the same time, the Norwegian government is considering whether the public sector should develop its own digital mailbox when all public mail is to be transferred from physical mailboxes to a digital mailbox.
"We know that people like things to be simple and to gather all their mail in one mailbox – both on the garden fence and online. Norway Post is striving to ensure that the public sector chooses Digipost to send digital mail in the future in the same way as Norway Post has sent physical mail for 365 years," says Mr Mejdell.
White Paper
In the White Paper on Norway Post which is to be discussed by parliament before the summer, the government states that Norway Post has succeeded in implementing major reorganisation measures over time and allows for the possibility that Norway Post can continue to reorganise and develop the Group.
"It's gratifying that the Government recognises the changes Norway Post has implemented and also supports us in continuing to reorganise and develop the Group," says Mr Mejdell.
Growth strategy
Norway Post acquired Fredrikstad Transport & Spedisjon in April. This acquisition is part of the Group's efforts to strengthen its positions in cross-border transport to and from Norway.
"Norway Post's strategy is to strengthen and develop its mail operations with services that are adapted to new customer needs. New companies outside the traditional mail sector are intended to help improve the Group's range of services and market positions and, over time, make a positive contribution to the results," says Mr Mejdell.
Norway Post wants to be able to utilise attractive opportunities in the market when they arise. At the same time, it stipulates that individual Group companies must contribute to Group synergies and be independently profitable over time.
Download 1st quarter 2012 report (PDF file)


text:
Friday, March 23, 2018
An Aardvark's Road to Animated Success
To paraphrase Sir Arthur Conan Doyle, there remains one fixed point in an ever-changing world of television animation: the desire to sell a show. Those (you know who you are) who are ... Continue Reading →
The Unkindest Oscar Cut of All
The Academy Awards are over for another year, and as often happens, some of the occurrences taking place behind the scenes were potentially more entertaining than the show itself (granted, ... Continue Reading →
Will Oscar Love Maggie?
Some who read this will be doing so after the 2013 Academy Awards have already been handed out, making Daniel Day-Lewis, Jennifer Lawrence, Anne Hathaway, Tommy Lee Jones, and Ben Affleck ... Continue Reading →
The Elephant Not in the Room (or Anywhere Else)
Last week's announcement DreamWorks Animation that it was shutting off the lights on its CG/2D mix Me and My Shadow might have surprised some. But it was hardly the first time ... Continue Reading →
Iron Man the First (and Cheapest)
Super Bowl fans who tuned in last Sunday solely for the commercials were treated to an "extended look" at the upcoming summer tentpole blockbuster Iron Man 3, on which Marvel ... Continue Reading →
More Enduring Than the Average Bear
This week marks the 52nd anniversary of the premiere of The Yogi Bear Show on television, and it would seem that the smarter-than-the-average bear is busier now than he has been in ... Continue Reading →
A Legendary 'Calamity'
I am writing this week's blog on the day that President Barack Obama is being sworn in for his second term. What has that to do with the Toon Trenches? Outwardly, nothing, except ... Continue Reading →
Love Him or Hate Him, This Guy Changed TV Animation
At a time when yet another national fistfight…um, I mean, debate…is heating up over who is responsible for the horrific gun violence in this country, one of the usual suspects has ... Continue Reading →
Hey, Arnold… Where Have You Been?
Not every successful animated series goes on to become an enduring classic. To put it another way, anyone remember when Rugrats was the hottest thing on TV and one of the hottest licensing ... Continue Reading →
Iwao and Party Time at Disney
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My name is Stacey Young and I have been teaching step by step painting for over 17 years. I live in the New London , N.H. area and have 2 sons in their 20's. Some of the classes being taught are in different locations and I teach 2 1/2 hr classes in acrylics (Sip & Paint) days or nights and 5 hr. classes in oil paint (days only) . There is no experience necessary for either sip & paint or oils , I will walk you through it all. If I am coming to you for a paint party you can decide if you want to do oils or acrylics ( keep in mind oils are 5hr classes)
If you have a request for me to paint something for you as a gift or for yourself. The size of painting, medium and cost will be worked out with you.


text:
The proven entrepreneurial model that breaks all the rules
Build your audience first. Then create your product.
This is the simple but profoundly successful entrepreneurial approach of one of today's most creative business minds.
A pioneer of content marketing, Joe Pulizzi has cracked the code when it comes to the power of content in a world where marketers still hold fast to traditional models that no longer work. In Content Inc., he breaks down the business-startup process into six steps, making it simple for you to visualize, launch, and monetize your own business. These steps are:
Pulizzi walks you step by step through the process based on his own success (and failures) and real-world multimillion-dollar examples from multiple industries and countries.
Whether you're seeking to start a brand-new business or drive innovation in an existing one, Content Inc. provides everything you need to reverse engineer the traditional entrepreneurial model for better, more sustainable success.
©2016 Joe Pulizzi (P)2016 Joe Pulizzi
a very insightful overview of what it takes to get a content marketing programme up and running.
"good advice"
the first part of the book was more relevant to me. I was looking to get advice for starting my own co tent venture and Joe certainly gave me that. the later stages were a bit deep as I haven't really started. so when my blog takes off I'll come back to read it again.
"Great content"
It has re- invigorated me to look at my blog and refine my niche into something that is in line with my passions but also of massive value to my readers.
"content marketing here I come!"
great for learning how best to leverage web, social media and content to market your business or organisation, and make maximum impact, whilst gaining a quality audience full of customers and fans.
"Decent, but could be better"
I enjoyed it and nice narration but i did feel some of the advice was maybe a bit unrealistic - either that or maybe just too centred on the US markets or something? Decent book tho
"A Most for any Content Marketers! "
Excellent listen. Very insightful and I took a lot from Joe's words. I will certainly be implementing a large proportion of what was discussed in the audiobook to my current business. A must listen for any Content Marketers!
"Good general info"
Narrator difficult to listen to. Good general info, too many ads. Bottom line is do not expect success overnight, it will take years.
"The best content marketing book you will ever buy"
This book is engaging from start to finish and my favourite marketing book by far (& I have lots of them!)
"content is king - Joe shows how"
Joe shows how you can build a fantastic business around content. this has given me fantastic ideas for scaling my business.
"nothing new, even to a newbie like me. 20 words,"
so I can' review with less than 20 words? I wasted my time listening to a guy promoting his busness and now I must write more than 20 words for my review to be posted? Thank you Audible Not!!
"A complete content inc"
I've read many books, as well as consumed a lot of other content on content marketing. I've also read Pulizzi's previous book.
This book is one of the absolute best on the overall strategy of your business as a content machine. You will not learn how to create a killer social media post, but you will learn a complete content strategy.
I am working in a startup now, and have also read a lot of books on that topic, such as lean startup. The big difference here is the audience focus instead of product focus, which I think is a winning long-term strategy.
"Don't believe the hype."
Ok, so before I start this review, I want to be clear that this is not a 'terrible' book. It isn't great though, if I'm being brutally honest, and I'll give my explanation for that opinion.
Here's some things I didn't like about it - firstly, Joe uses far too many quotes and "he said, she said" content. We don't want to know what they think Joe, if we wanted to know that, we would have gone and bought their book instead of yours. It almost seems like Joe isn't sure of his own opinions so he tries to weave them through the opinions of known quantities in the industry.
Additionally, the information is quite basic and theoretical. There is nothing particularly ground breaking here, unless you do not already know what content marketing refers to.
The performance is a bit weak. When reading URL's with "CI" in them, Joe frequently says "all in capitals" after stating the URL. Obviously it doesn't make a difference if its capital or not, that's the nature of a web address. I know this is really specific and may seem petty, but it's hard to take advice from somebody who claims to be a reliable source of content marketing information who doesn't even understand internet basics.
There is a point where Joe claims that he used multiple editors while writing the book. I really think that the editing in this book is lacking. There is a lot of repeated information and the writing does not flow well in some sections. Again, it's scary that somebody like this is giving book development advice. Anyway, I digress.
It isn't the worst book I've ever read by any stretch. With that said, you can be sure that there are many more useful books that you could get your hands on. Sometimes I wonder if the people reviewing these books have any idea why they are even awarding 5 stars.
"Narrator is ok but information is super redundant"
Yes, listen to the first couple of chapters and then stop. Everything else is super repetitive or fluff, he is elaborates on the same stories repeatedly.
"Content Marketing"
I wasn't exactly sure what content marketing was but I was intrigued when I saw the title of the book come up when searching for new business titles on Audible. After reading the summary, I figured it was worth a shot. Content Inc. takes a different and very intriguing approach to building a business through the one thing people can't copy, your original content. While it can seem overwhelming to undertake at times, I'm excited about starting my content journey with my clothing company. It could be a vital ingredient to spur some additional growth.
"Useful and actionable information"
I listened to Joe's book twice. Like he mentions in the book it's useful for a renge of people - from those getting familiar with what content marketing is to those looking for actionable tips on improving their efforts. As Joe mentioned the book is geared towards entrepreneurs but corporate communicators will find large portions of it relevant and useful.
"More than I hoped for"
I had no idea I would get this much value! I feel like a Ph.D. In content marketing.
Not at all what I was expecting. Unless you're looking for an infomercial on a get rich quick scheme, ignore this book.
"Good content"
Overall the book was informative but it mainly applied to larger companies. Spending $40K on a magazine issue is not something I can do but the concepts are good.
"the great and informative book on content marketin"
I have read this book and now I have listened to it. There is so much information that is top-tier you have to listen to it or read it more than once and take notes. This is recommended for anyone who is involved with content marketing.
"Content Marketing is all the craze"
Excellent book to get into. If you work in Marketing or have a business that hinges on getting people to know you, this is what you need to study.
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BART STRIKEAdd to Lightbox Download
Ferry riders wait to board a boat at Jack London Square, as BART commuters scrambled to find alternative routes to San Francisco on the first day of a strike by workers of the mass transit system, Monday, July 1, 2013 in Oakland, Calif. (Photo by D. Ross Cameron)
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County probate records are filed at their respective county courthouse usually under the county clerk's jurisdiction. Probate records include wills, estates, administrators, executors, inventories, settlements and many other documents. This database is an index of wills found in the six southern Kentucky counties of Cumberland, Christian, Russell, Logan, Todd, and Trigg. The time span covered by this volume is 1815 through 1840. Each entry lists the book, page number, name of the testator, and date of probate of the original record. This database will prove useful to many seeking ancestors in southern Kentucky.
For further information about individuals in this index you may contact the appropriate county court house or your local LDS family history center.


text: tag:blogger.com,1999:blog-3546929075247768223.post7880308193629766431..comments2014-06-17T10:34:48.651-04:00Comments on Social Networking for Genealogists: Even more sites - LinkedIn and TwitterDrew Smithhttps://firstname.lastname@example.com:blogger.com,1999:blog-3546929075247768223.post-41595088586770799932009-04-10T11:28:00.000-04:002009-04-10T11:28:00.000-04:00I use Twitter as a way to see what is on the minds...I use Twitter as a way to see what is on the minds of genealogists when their workday is done. I read my Tweets on my iPod touch, using an app called Tweetie, while relaxing on the couch in the evening. Many of the genealogists I follow are friends at Facebook but I have been finding some new blogs and Web sites previously unknown to me. My husband says I work 24/7. LOL.Midge Frazelhttps://email@example.com


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- Firefox 3.0.3 from Mozilla updates the popular Web browser to fix a number of bugs, including some "Mac-specific issues" that aren't further described. A number of fixes focus on improved security and stability. 3.0.3 follows hard on the heels of 3.0.2, fixing a problem that prevented users from saving or retrieving passwords. (Free, 17.2 MB)
- iPDA 4.2 from ZappTek is an update to the company's software for syncing documents, email, RSS feeds, and a variety of other data to normal iPods. New to this version is support for the 4G iPod nano's contact grouping, improved Entourage contact processing, and improved RSS feed processing. Needless to say, iPDA does not support the iPhone or iPod touch, both of which can already do what iPDA brings to other iPod models. ($19.95 new, free updates for 4.0 owners or $10 to upgrade from an earlier version, 1.1 MB)
- Java for Mac OS X 10.5 Update 2 from Apple improves the security, performance, and compatibility for Java SE 6, J2SE 5.0, and J2SE 1.4.2 on Mac OS X 10.5 Leopard. This update requires Mac OS X 10.5.4 or later. Released simultaneously, Java for Mac OS X 10.4, Release 7 improves reliability and compatibility for Java 2 Platform Standard Edition 5.0 and Java 1.4 on Mac OS X 10.4.11 and later. (Free, 136.4/79.7 MB)
- ShareTool 1.2.3 from Yazsoft enables two computers to connect remotely and securely for Bonjour networking. With ShareTool, you can access resources that typically only work over a local network connection, like iTunes sharing, over the Internet. To prevent snooping, the software utilizes SSH encryption. Version 1.2.3 overhauls the interface, exposes more information about the connection, logs connection attempts, and fixes a variety of minor problems. ($20 single user, free upgrade, 9 MB)
- WireTap Anywhere 1.0.2 from Ambrosia Software updates the recently released audio software with a variety of bug fixes and enhancements. Additional down-mixing capabilities, performance optimizations, and software source muting features are among the changes. ($129 new, free update, 9.7 MB)
- NoteBook 3.0 from Circus Ponies is a major upgrade of the information management software. Notable additions include diagramming and sketching capabilities, PDF annotation tools, handwriting recognition features, the capability to open multiple pages at once, and a redesigned interface. ($49.95 new, $19.95 upgrade, 14.77 MB)
- Art Text 2 from BeLight Software is a major upgrade of the graphics and text editing program. High on the list of changes is the addition of a template gallery with over 200 new templates, more than 120 new vector icons, and a collection of nearly 200 texture samples. Additionally, the interface has been redesigned, there is support for multiple layers, two gradient fill options have been added, and you can now control stroke properties for every outline. ($39.95 new, free upgrade for purchase since 01-Jul-08 or $19.95 otherwise, 36.3 MB)
- PageSpinner 5.1 from Optima System is a relatively minor update to the Web development package. Changes include cosmetic improvements to match Mac OS X 10.5 Leopard, an option to auto-check HTML and PHP syntax on save, and a variety of other interface enhancements and bug fixes. ($29.95 new, free update, 4.9 MB)
- PDFpen 4.0 and PDFpenPro 4.0 from SmileOnMyMac get a major update with the addition of OCR (optical character recognition) when running on an Intel-based Mac with a 1.8 GHz or faster CPU. The new versions of these PDF editing tools also come with an improved user interface featuring a document sidebar, improved file compatibility, Microsoft Word document import, additional document markup capabilities (including underline and strikethrough), save as TIFF, and the capability to print notes and comments. PDFpenPro can also create and edit document tables of contents. ($49.95/$99.95 new, $25 update, 10.8/11.0 MB)
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Tagpage #EIJC16
News - A Data Desk Is Not An Island — The Data Track at #EIJC16
From Friday 3 until Sunday morning 5 June, the annual Dataharvest European Investigative Journalism Conference took place in the city of Mechelen, Belgium. Squeezed into those two and a half days were over 80 sessions, divided into 8 different tracks. Here's a closer look at the Data track.
News - The end of Gollum journalism – Mar Cabra's keynote at #EIJC16
The Panama Papers, Cabra stated, mark the end of Gollum journalism. Instead of holding on to the documents they received, the journalists who received the leaked data opted for radical sharing. Why? Because it was the only way to go.


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Previous Challenge Entry (Level 1 – Beginner)
Topic: Enter (02/27/06)
TITLE: Finding Hope
By Angelica Valero
So, she shuffled down the sidewalk, alone, huddling against the wind her arms wrapped tight around her chest. Her once lustrous, chestnut hair fell limp and greasy across her back. Her emerald green eyes once that once danced with happiness now were bottomless pits of pain. She turned and stumbled down the narrow alley and slowly slid down the wall, scraping her back against the brick. "I don't know what to do. Please, somebody tell me what I should do," she whispered quietly. Tears slowly began to drip from her eyes, sliding down her cheeks. She felt so empty, so hopeless. What was she going to do, she had no home, she had no money. She didn't know where she was supposed to go.
The hateful things her boyfriend had said came rushing back. She had been so sure he would hold her and tell her it would be okay but instead he had been full of hate. She had thought that he would be there for her, that he would grow to love their baby but he had been furious. He had told her that she was worthless and that she meant nothing to him. He said he never loved her, that she was just his high school girlfriend. Just get rid of it, he shouted venomously, he never wanted to see her again. She ran the few blocks home, tears streaming down her face. Her mom had held her, stroking her hair until she calmed down. Then she had calmly told her the only thing to be done was to end the pregnancy. She was simply too young to take care of a baby. When she had refused, her mother's eyes had hardened with bitterness and anger. She had rose from the couch and icily informed her that she was no longer welcome in her home. That if she thought she was grown up enough to have a baby at seventeen then she was old enough to take car of herself. Miranda could only stare in disbelief. She still could not believe what either of them had done. How they could so callously tell her to kill a living being? She let her hands drift to cradle her stomach. She wanted this child, she could not kill it. She could not end its life, he or she deserved a good life, deserved to be loved. Now, if only she could find someway to survive.
Slowly, she forced herself to her feet and began to walk once more. She stared at her feet, ashamed of what she must look like, ashamed of what her life had become. How was she going to make it, not only without money but without a friend to support her, without anyone to help guide her, without anyone there to hold her hand while she had this beautiful child? They would be alone. They would have no one but each other.
Suddenly, she noticed music playing from somewhere, it was so peaceful, it calmed her soul. She glanced around curiously, where was it coming from. She walked down the street slowly, stopping every few seconds to glance around. Then, she saw the sign, Enter, all are welcome here. It was a small brownstone building, with a tiny cross perched on the roof. Miranda looked at it thoughtfully, then began to walk once more. "Wait," she heard someone call. A man pushed open the door and walked briskly down the steps. Wait, she heard him call again. Miranda watched him warily as he approached her. Wait my child, he said once more. His voice was so kind, his eyes seemed peaceful, welcoming. You look as if you could use some help, some comfort. Please, come inside, just for a moment. I don't know, Miranda said softly, I should get going. He held out his hand to her, I don't know what's wrong but I promise I know someone who can help. Enter the kingdom, enter happiness, enter into your new life, he told her. She let him guide her inside and she knew somehow, that everything was going to be alright, she was about to start a better life.
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The Lost Present (Bristol)
Petra Schofield • Bath, Bournemouth, Bristol, Cardiff, Exeter, Plymouth, Poole, Portsmouth, Salisbury • 20 Dec 2012
This is a hugely entertaining tale, told through story, song and some of the most inventive and simplistic props around. The opening rhythmic section utilising scissors, stapler, ruler, clothes peg, cardboard tube, mugs and spoons is mesmerising for the young audience and no doubt many households will see this repeated across the festive season.
There is great energy from Ed and Vic, this is a simple idea which masks the skill and evident talent behind the concept. Directed by Emma Williams with music and lyrics from Kid Carpet this crazy vision will not fail to please the very young and give accompanying bigger kids lots of ideas to play with at home.
The full house thoroughly engaged and audience interaction buoyant; this is a perfect introduction to theatre and given that the happy ending is anticipated early on the children truly enjoy the journey.
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Re: Bassfield, MS
In reply to:
Bassfield, MS
Hi I'm E kerley most of my family on my father's side are kerley's but my great grandmother and grandmother were daley's . I would be interested in any information you could provide me with I've just started looking in to my family history. I do know that a lot of the Daleys come from carson ms. but thats as far as i've gotten My screen name is shadylady5041 if you would like chat some time I hope to here from you soonsincerely e kerleyP.s. i'm trying to find out my ggg grandmother and ggg grandfather.


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- Artist
- Period Active
30 Nov 0002 KOREA, REPUBLIC OF
- Type
Male Group
- Genre
K-POP > Rock
- Debut
30 Nov 0002
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AN-38 / Light Multipurpose Aircraft
The AN−38−100 light multipurpose aircraft is intended to transport passengers, mail and cargoes along regional air routes.
The AN−38−100 was developed as a major modification of the AN−28 production aircraft retaining the latter's better qualities and featuring a stretched fuselage, more powerful engines, and improved cockpit and passenger cabin comfort. The payload weight has been brought up to 2,500 kg, number of passengers up to 27 and maximum cruising speed up to 405 km/h.
High takeoff and landing performance, the landing gear with low−pressure tires enable the AN−38−100 (−110, −120) operation from/into small airfields including the unpaved, ice− and snow−covered ones.
The aircraft is easily and reliably controlled throughout the flight envelope and has a high safety level: it would not stall at high angles of attack and retains stability and controllability even in the event of ice formation on the wing and empennage.
The AN−38−100 is equipped with an up−to−date integrated navigation system and a weather radar, and is capable of flying by night and under adverse weather conditions.
The aircraft can operate within a wide temperature range from −50 ° up to + 45 °C. In order to improve comfort when operating in hot regions of the world, an air conditioner can be installed in the aircraft at Customer's option.
The AN−38−100 structure allows in−service passenger−to−cargo or cargo/passenger cabin conversion by the crew at any intermediate aerodrome.
To provide for cargo handling operations, the aircraft is equipped with a hand−driven overhead−track hoist with 500 kg cargo capacity. The 'on−condition' maintenance concept has been implemented for the AN−38−100.
The АN−38−100 and 38−120 aircraft are supplied with the Honeywell ТРЕ 331−14GR−801Е engines. The AN−38 can be equipped with avionics of the foreign or CIS production.
In April 1997, Type Certificate was issued to ANTONOV ASTC by IAC AR for the An−38−100 transport category aircraft in compliance with the certification basis developed within the framework of Aviation Rules Part 25 (AP−25), in March 2001 — Supplement №1 to the Type Certificate allowing to provide international flights. In May 2004 Supplement №2 to the Type Certificate increasing life time of AN−38−100 (−110, −120) to 10,000 flight hours, 10,000 flights and assigned service life to 15 years was issued.
Apart from basic An−38−100, the following aircraft versions can be developed:
- 8 to 10−seat VIP version;
- patrol/transport version for forest fire patrol operations, delivery of smoke−jumpers and special−purpose cargoes;
- patrol version for land and sea zone patrolling;
- military airlift version for transportation of cargoes, troops and casualties, inflight delivery, paratroop training and for Extraordinary Ministry;
- AN−38K with increased to 3200 kg cargo capacity intended for transportation of cargoes in 4 standard containers, on pallets and in bulk.
AN−38−200 modification with Ukrainian turboprops also exists.


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It was ok
It was not so good
It was really bad
Does anyone else find it funny that people make comments about games, that based on their comments, they have never played before?
It is almost like players and possibly employees of certain game companies make statements on these boards just to trash a competitor. Blues must be real borred.
I saw the survey thing on Reddit but got no email. Perhaps emails were only sent to those that completed certain steps in the event.
I didn't really enjoy the event so didn't play much that weekend.
Last edited by Fencers; 2012-11-21 at 05:46 PM.
Folks complained about the zombie invasion because it had no defined end (it ended abruptly 2 weeks before Wrath launched, they never gave a timeline) and it was impossible to do much of anything on some servers. Lots of griefing (high level players getting infected and going to lowbie zones to kill folks), and in Shat (capital of the day), the zombies fell under the zones Pacifist Debuff and could not be harmed, even as they harmed you. In the end, on my server, everyone just logged off, most of my guild at the time just said "send an email when this shit is over" or "see you in Wrath". The public voted with their time and left.
Elemental Invasion was a reaction to that and sort of meh, so they just gave up for Panda and had nothing.
In any case, these "one time events" were over the course of a few weeks anyway, not a single weekend.
There were parts to write in for the BWE feedback too, and weren't there two million copies of the game pre-sold?
~Former Priest/Guild Wars 2 Moderator~
Now TESTING: ArcheAge (Alpha)
Now PLAYING: MonoRed Burn (MtG Standard)
Twitter: @KelestiMMO come say hi!
~When you speak, I hear silence. Every word a defiance~
The thought of one time events happening on a single day is a big turn off, I dont like missing these things, love getting my FoS and achieves I do not want to miss it because that day I had to work.
The new fractals are great.
The new island is beautiful.
The event was terrible.
Most if not nearly all people were lagging too much and it was buggy as hell, not to mention the start of the event was just killing the same mobs slowly.
Did not enjoy the event.


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By Hayden Wright
Over the last two years, Taylor Swift has become a vocal proponent of fair compensation for artists whose music appears on popular streaming platforms. She will now join U2 and other high-profile acts to lobby Congress with an open letter co-singed by Universal Music, Sony Music, and Warner Music. They seek legislative changes that require streaming platforms to provide the music industry a larger cut of profits.
Related: Why Did It Take Taylor Swift to Get Apple Music to Change Its Tune?
The letter urges reform to the Digital Millennium Copyright Act, established in 1998 to govern use of media and other intellectual property online. Opponents of current laws say the legislation could go further to prevent misuse of protected material: for example, unauthorized uploads of copyrighted music to open platforms like YouTube.
As recording artists win victories to secure better payment from streaming services like Apple Music, YouTube remains a point of contention for musicians invested in the movement. Earlier this year, Nikki Sixx and other artists spoke out about YouTube's profit margin delivery to artists—allegedly slimmer than those delivered by subscription streaming services. YouTube predominantly relies on its advertising model to generate revenue.


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Irish see mixed set of results
Joe Meixell | Tuesday, March 20, 2007
Notre Dame stayed active over spring break. The Irish started slowly at the UNLV Spring Invitational on March 12, finishing the first two rounds in 17th place, but they carded a season-best five-over-par 293 to end in 15th with an overall score of 906 (42-over). No. 14 BYU won the tournament with a 17-under par 847. Wednesday's team total of 293 matched the program's third-lowest 18-hole score since the second round of the 2004 Big East Tournament. Senior co-captain Noriko Nakazaki led the Irish with a 44th-place finish with an overall with a score of 224 (75-73-76). Irish freshman Julie Kim matched sophomore Lisa Maunu's mark of 229 and tied for 65th. Maunu tied freshman Kristin Wetzel with a third-round 72, the team's best mark. Wetzel ended the tournament in a tie for 81st, shooting a 233 (81-80-72). Freshman Annie Brophy shot her best round of the season on Wednesday with a 1-over par 73, leaving her in a tie for 68th with a total of 230 (76-81-73).Notre Dame then traveled to Texas for the Betsy Rawls Longhorn Invitational in Austin. The Irish started strong in the first round and eventually placed 8th with a mark of 937 (314-315-308). No. 18 Purdue made a late surge and captured the title in Austin with a tournament-best round of four-over-par 292. The Boilermakers' final-round performance erased an 8-stroke deficit. Despite the team finish, Nakazaki once again shot well, leading the Irish with a 223 (75-75-73) – good enough for a sixth-place tie. Her three round total marked the fourth time the senior has finished in the top-10 this season.Brophy finished in a tie for 20th with a 233 (78-79-76), marking her highest overall placing and best 54-hole total of the season. Kim started the tournament with two consecutive rounds of 10-over par 82 but finished with a 77, leaving her with a total of 241 in a tie for 48th.Wetzel finished the tournament with a score of 242 (80-79-83), placing her in a tie for 54th, while Maunu's mark of 245 (81-82-82) placed her in a tie for 61st.Notre Dame's heads to Indianapolis for the Indiana Invitational hosted by Crooked Stick on April 9-10.


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About the Contributor
jocelyn123Lake Mary, FL
This user has contributed 4 posts into the Teen Ink Forums.
About jocelyn123:
I love my family. Couldn't live without them. Writing is one of my favirote things to do. i feel as if i could explode everything on paper and say that is me and i wrote that and being proud and confident. i LOVE my dog, molly, softball
Articles and Art by jocelyn123:
My life...
Poetry section, Teen Ink
Following the road.....
Poetry section, Teen Ink
Good bye
Poetry section, Teen Ink
Poetry section, Teen Ink
Jocelyn123's Favorite Personal Quote:"Logic will get you from A to B. Imagination will take you everywhere."
-Albert Einstein
Jocelyn123's Hobbies & Favorites:
|Favorite books:
|charlie st. cloud, chicken soup
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|speak now
|Favorite music artists:
|taylor swift, never shout never, we the kings, anyone else
|Favorite movies:
|forest gump, iron man, toy story, blind side, into the blue
|Favorite movie stars:
|robert downy jr., tom hanks, reese witherspoon, mathew mecobahay
|Favorite TV shows:
|glee, icarly, family guy
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|itouch, nook :)
|Favorite hobbies:
|scubadiving, softball, runniing, acting
|Favorite heroes:
|mom, papa


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|Yes, You CAN Use a Computer! (FRVW)
Event Type: Technology
Age Group(s): Adults, Seniors, All Ages
Date: 1/17/2013
Start Time: 2:00 PM
End Time: 3:00 PM
Job SeekingLibrary: Fairview Branch
Yes you can use a computer! Participants will learn about some useful web sites and tips to use for job searching. The training will last one hour and will take place in a small group.
Location: Computer Area
Contact: Mary Perdue
Contact Number: 410-257-2101
Status: Closed


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Flooding takes toll on traders
A central Queensland businesswoman says flooded roads are making it very difficult for farmers around Rolleston to come into town to get supplies.
Most roads around Rolleston have been closed for up to a month due to flooding of the Comet River.
Pauline Williams from the Rolleston General Store says some people have been using helicopters to get into town.
"If they're near the bitumen road they can drive in, then they have to get boated in to get supplies," she said.
"We've had certain ones come in with helicopters and actually helicopters lift their stuff to properties. Aeroplanes, like a few of the property owners have a decent airstrip that's still useable so they've been flying in and out of town, but mainly helicopters."
Ms Williams says it is a struggle to stay open.
"It's affecting all businesses in the fact that business flow is not occurring at the moment and general supplies and that we're actually having to go and transport them in our own personal means," she said.
"We can't keep our employees at the moment because we're not getting enough turnover and there's just not enough business, even keeping the doors open."
Ms Williams says more work on roads and bridges is needed to flood-proof Rolleston.
"They lifted the Comet River bridge up on the Injune Road and they didn't address the main one, that's Panorama Creek on the Springsure Road
"It's the Inland Way I think they're promoting it as, the major highway for all roads trains and that. Even transport companies can't get their own trucks through, local properties not being able to haul cattle all the way, if they can get into their yards anything like that."
Topics: floods, emergency-incidents, rolleston-4702


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At the heart of the George Zimmerman trial for the killing of Trayvon Martin, Kathleen Parker writes, is an issue that is overshadowed by all the complications that color people's emotional reactions to the death. The question is, Parker writes, why was Zimmerman walking his neighborhood, as the saying goes, armed and dangerous? "In what world is that normal behavior?"
Djones121 says because he could:
He was allowed to walk around armed and loaded because it is lawful to do so under both federal and state law. It was also lawful for him to defend himself by shooting someone who was attacking him. Even without a "stand-your-ground" law, Zimmerman could still have legally defended himself if he felt there was no safe way to retreat. Martin was on top of him and no one responded to Zimmerman's calls for help.
withathought disputes Djones's dismissal of Stand Your Ground's importance. PostScript determined through extensive Googling that this entire portion of the comment is an unattributed quote from an opinion piece in the South Florida Sun-Sentinel by Dan Gelber, who PostScript guesses must be withathought, because otherwise there would be plagiarism on the internet:
In 2005 the Florida Legislature fundamentally changed the analysis used by juries to assign blame in these cases. When the legislature passed the Stand Your Ground law it changed the rules of engagement. It eliminated the duty to avoid the danger and it eliminated any duty to retreat. If the Trayvon Martin killing was tried prior to the Stand Your Ground law being passed, the jury would have been told that self-defense was not available to Zimmerman unless he had used every reasonable means to avoid the danger. The jury would have been told that even if they believed Zimmerman had been attacked wrongfully by Trayvon, he could not use deadly force if he could have safely retreated or run away. Here is the actual jury instruction read to Florida juries prior to the legislature's enactment of Stand Your Ground. "The defendant cannot justify the use of force likely to cause death or great bodily harm unless he used every reasonable means within his power and consistent with his own safety to avoid the danger before resorting to that force.
The fact that the defendant was wrongfully attacked cannot justify his use of force likely to cause death or great bodily harm if by retreating he could have avoided the need to use that force."
In this case, did Zimmerman use "every reasonable means within his power…to avoid the danger" or did he follow Trayvon despite admonitions that he did not need to?
jplegend says that essentially, ineffective police departments mean we all can and should enforce order:
Zimmerman had every right to be "armed and loaded." He had every right to patrol the neighborhood and monitor strangers, with the recent history of crime in his community. He also had every right to defend himself when attacked. It would be nice if there were enough police to prevent all crime, but that isn't reality. Citizens who take it upon themselves to keep watch and protect their children and neighbors should be commended. We need more of them.
baz987 says people like Zimmerman are walking around armed because people like Zimmerman are walking around armed:
What planet are you living on? It is the world we live in. Just go to Chicago [PostScript note: or a gated community in Florida]. How do you think all the shootings happen? People are walking and driving with guns. Most of them are criminals but we apparently can't stop them. If I lived there I'd definitely want to carry a gun even though I've never owned one.
blbixler agrees and predicts more incidents like this one as a result:
Welcome to 21st century America. When empires collapse, social order and humane interaction are early casualties. The United States is becoming a conglomeration of balkanized zones, with fewer and fewer areas of commonality.
I support 2nd amendment rights, but like all rights, I feel they should only be accorded to law abiding citizens. George Zimmerman's record should have put up some red flags.
My biggest fear is that these "stand your ground" laws will lead to a lot more deaths, because the fact that dead men tell no tales is real asset for defendants. And in all honesty, the only practical advice I can see for someone living in a state with SYG laws is to buy a handgun and start carrying. Because almost everyone else will be.
And Left_Coast_Natitude cites a Tampa Bay Times study that suggests Stand Your Ground's application is unfair to black shooting victims, which undermines faith in the system even more:
All other details of a shooting being equal — including whether the shooter and victim were strangers and whether the incident took place in the shooter's home — black people who claim self defense are far more likely to be convicted than white people who claim the same.
The system isn't color blind. And the disparity is so great that it simply can't be dismissed by anyone with a basic understanding of statistics.
So, to let commenters answer Parker's question, Zimmerman's behavior is getting more and more normal in this world.


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Clooney lights up the screen in the 'The Ides Of March'
01/03/2012 - 16:00:25Back to Flat_content Home
The Ides Of March
(Cert 15, 96 mins, Thriller)
High-flying Democrat presidential candidate Governor Mike Morris (George Clooney) has a knack for spouting the perfect sound bite with a winning smile.
Flanked by his ballsy campaign manager Paul Zara (Philip Seymour Hoffman) and brilliant press secretary Stephen Meyers (Ryan Gosling), Morris seems destined for the White House.
However, an ill-advised dalliance with seductive intern Molly Stearns (Evan Rachel Wood) leaves Morris's reputation hanging by a gossamer thread as New York Times journalist Ida Horowicz (Marisa Tomei) and the other media vultures begin to circle.
Meanwhile, rival campaign manager Tom Duffy (Paul Giamatti) looks for chinks in Morris's armour, knowing full well that everything hinges on securing the endorsement of influential
Senator Thompson (Jeffrey Wright).
The Ides Of March is a hugely engrossing thriller that doesn't get too bogged down in the political process, concentrating more on the abrasive personalities responsible for getting a well-groomed mouthpiece into the Senate and hopefully onto Pennsylvania Avenue.
Clooney is charm personified and Hoffman and Giamatti are deliciously oily as rival puppet masters.
Once again it's Gosling who delivers the stand-out performance, transforming from a wide-eyed strategist, convinced that Morris is the man to affect lasting change, into an emotionally shattered husk.
The machinations of the final 20 minutes feel too neat and the dialogue doesn't drip with enough bile but Clooney's film slickly and stylishly campaigns for our attention and largely gets our vote.
In the director's chair, he gradually cranks up the tension as he depicts the Machiavellian plots of men, who will sacrifice idealism and honour at the twin altars of ambition and greed.
Rating: 4/5.


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Patriots Loss to Niners a Real Roller Coaster RideDecember 17, 2012
First they were plain awful.
Then they were plain awesome.
Then, with the game on the line, they reverted to their old, worst ways.
There was something for everyone in this game. If you're the pessimistic type, there were signs aplenty that the Patriots offense could be rattled and stopped, and reasons to wonder whether the Pats could play enough defense to beat a good team.
For those in the crowd who prefer to see the glass as half full, there were periods of sustained, dazzling offense, and signs that the D could hold its own when it wasn't put into deep holes by turnovers and errors.
As painful as the memory was, let's consider that horrendous first half. For the past few weeks the Patriots had been both lucky and good. In the first half they were neither. Every mistake came back to bite them, and most of their opportunities went nowhere.
Tom Brady overthrew a receiver, and the interception return almost came back all the way. The Patriots fell asleep on a fake punt, Kaepernick's numerous fumbles of the center snap resulted in zero turnovers. And the ruling on the punt return that may or may not have barely nicked Ted Ginn went the Niners' way.
And it seemed like every time they touched the ball, Stevan Ridley and Shane Vereen gave new meaning to the season of giving.
You know things are bad when your team walks off the field at halftime down 21-3, and all you can say is, "It could have been a lot worse."
And when your first third-down conversion comes with about 10 minutes left in the third quarter, all signs point to a public embarrassment on national TV.
And then the light switch went on. We'll never know whether it was due to changes in the Patriots' approach or a switch to a more conservative zone coverage instead of the man-to-man that had worked for SF so well. Maybe it was divine intervention.
But all of a sudden the Patriots broke out of their funk, and next thing we knew a 28-point deficit had turned into a tie game.
Alas, the taste of victory that was beginning to taste so sweet took all of two plays to go sour. The evening that had started with ineptitude and embarrassment and then suddenly swung to hope and elation, ultimately ended up in frustration.
So I take away from this game four lessons.
First, I get a sense of Jim Harbaugh's thoughts on his quarterback situation: Colin Kaepernick is to Alex Smith as Tom Brady is to drew Bledsoe. The veteran is a great guy, a hard worker, a talented player, but he doesn't have "it." The young guy does. We know Brady has proven that he has "it" beyond a shadow of a doubt. Kaepernick has yet to prove "it" when "it" counts.
Second, there's Bill's constant message: This is far from a perfect team and there's lots and lots of room for improvement. But I trust that this team will accept that message and get better.
Third, there's always that one clunker game that every team throws in. After getting sky high for a big challenge against Houston last Monday, we all wondered whether the Pats would show a letdown. They did, but in the second half they woke up and still threw the fear of God into the Niners.
Fourth, you get the impression that this could very well be a preview of Super Bowl XLVII. Like Ali, the Patriots played rope-a-dope, took their best shot, and still almost pulled it out.
The next time around, in the NFL version of "Survivor," the Patriots will outwit (who would you take, Harbaugh or Belichick?) and outplay (do you prefer Brady or Kaepernick?) the bad boys from the Bay Area. Only this time they will outlast them as well.


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Chinese Language and Culture Immersion Program (Taiwan)
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- Home
- Cotton Twill Regular Shirt
Delivery and Returns
Standard Delivery: £3.95 (Within 3 Working Days*)
Next Day Delivery: £5.95 (Next working day**)
*A small number of areas - Northern Ireland, Isle of Man, Isles of Scilly - may take up to 7 working days
** Scottish Highlands and Islands will take 2-3 working days on this service
International Shipping
Europe Zone 1:  £12.00 Within 5 Working Days
Europe Zone 2:  £16.00 Within 5 Working Days
Rest of the World Zone 3:  £20.00 Within 5 Working Days
About me
Are you ready for some good news? This shirt has almost any situation handled! The over-spilling inbox the numerous meetings and anything else you might face on a daily basis at work. This twill shirt is made from soft cotton and cut to a regular roomy fit - perfect for any office look. Reliable timeless and smart, what more could you ask for?
Model is 6'0" and wearing a 15.5 collar.
Model is 6'0" and wearing a 15.5 collar.
How I fit
- Regular fit
- Long sleeve single cuff
- Point collar
- Please refer to our size guide for measurements
Care for me
- Fabric Composition
- 100% Cotton
- Washcare
- Wash dark colours separately. Do not tumble dry. Steam iron to regain original appearance. Wash with similar colours


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This new Microsoft® Excel®-inspired control allows you to embed Excel document creation and editing experiences right into your WPF applications.
The xamSpreadsheet is built on top our existing Excel framework and provides an interactive control to our powerful Excel document capabilities. Powerful editing and cell formatting features are included without the need to have Excel program installed.
The xamSpreadsheet gives your users a seamless experience as a pixel-perfect match to Excel. This includes more than 100 familiar keyboard shortcuts and over 150 commands including undo/redo.


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|Siju George <sgeorge.ml@xxxxxxxxx>
|Sat, 27 Nov 2010 08:32:15 +0530
On Fri, Nov 26, 2010 at 5:14 PM, Antonio Huete Jimenez <firstname.lastname@example.com> wrote: > Hi Siju, > > When your mouse freezes again, can you please check in 'vmstat -i' > Will do that on monday because it is my office machine :-) >whether psm0 interrupts are increased when you move the mouse or stay > the same all the time? > When I move the mouse during normal operations like switching pages in fvwm or scrolling a page. > PD: I can't use my mouse on SMP kernel at all in latest master, as psm > misses all the interrupts. In UP kernel I have no problems. > Since it was difficult to use the mouse properly i switched to a USB mouse which I left because of http://leaf.dragonflybsd.org/mailarchive/users/2010-05/msg00132.html http://leaf.dragonflybsd.org/mailarchive/users/2010-05/msg00152.html http://leaf.dragonflybsd.org/mailarchive/users/2010-05/msg00166.html I find that it is working OK now except for some latence in movement some times. I will re attach the PS/2 mouse on monday and give you te results you asked Thanks again for looking into this :-) --Siju


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Craftsman DGS6500
The Craftsman DGS6500 garden tractor lawn mower is often referred to as the Craftsman 28746 lawn mower. They are both the same machine. The mower deck on the DGS 6500 has a cutting width of 54 inches. This means that it is intended for cutting the lawns in very large gardens that are at least 1 acre in size. While the cutting width of the deck is 54 inches, it's total width is a lot higher than this due to the plastic protective discharge flap located on the side. The deck itself is made from strong 10 gauge steel. Inside, 3 small blades work together to give a very even cut to your lawn.
The mower deck on the Craftsman DGS6500 can be raised and lowered over 6 different cutting positions, from a high of 4 inches above the ground to a low of 1.5 inches above the ground in 0.5 inch increments. On the deck you will find gauge wheels on the outer edges. The purpose of these is to guide the deck smoothly over the lawn without it cutting into the actually ground itself. For dealing with the cut grass clippings on the DGS 6500, you can do 3 different things. The first and easiest is to just discharge the clippings out the side of the deck onto the grass. Alternatively you can mulch them with a mulching kit that is sold separately. The last option is to collect them in a rear attached bagger to dispose of later.
The engine powering the Craftsman 28746 is a Briggs and Stratton. This gasoline powered engine pumps out 26 hp and has a total volume of 0.725 liters. The engine transfers it's power to the wheels through a hydrostatic transmission system which makes the Craftsman DGS6500 an automatic with no gear changing needed. The total weight of this lawnmower comes to 265.8 kg (586 lbs).
Return to Craftsman from Craftsman DGS6500 Garden Tractor Lawn Mower
Have Your Say! Leave A Review Do you love or hate this tractor? You can have your say below by leaving review.
2 Reviews of the "Craftsman DGS6500"
I have been using the 2008 DGS 2600 since bought new in 2008 it has been kept indoors and maintenance well.
Year of Manufacture: 2008 Pros: Drives well, starts good, controls work fair. turns good Cons: I have had to re-weld the deck brackets after about 200 hr.
I replaced two deck bearing housings
it has poor traction even with the wheel weights.
The unit is under powered I have a hard time understanding how a 26 hp will not lug down at all.
The deck does not float very well.
Now The FRAME BROKE on both sides 435 hrs. This is one thing that should never happen.
This is a glorified lawn mower and nothing close to a garden tractor
Attachments: mower deck, front bumper, wheel weights Modifications: Just welding repairs
very happy with the mower
Year of Manufacture: 2009 Pros: Very powerful machine when using to plow snow.
large 54″ deck makes short work of large lawn.
Cons: do not like transmission direct shift with clutch only Attachments: snow plow
mulcher vac trailer
Modifications: none