text:
|4.7.x form.inc
drupal_get_form($form_id, &
|5.x form.inc
|6.x form.inc
|7.x form.inc
Retrieves a form from a constructor function, or from the cache if the form was built in a previous page-load. The form is then passed on for processing, after and rendered for display if necessary.
$form_id: The unique string identifying the desired form. If a function with that name exists, it is called to build the form array. Modules that need to generate the same form (or very similar forms) using different $form_ids can implement hook_forms(), which maps different $form_id values to the proper form constructor function. Examples may be found in node_forms(), search_forms(), and user_forms().
...: Any additional arguments are passed on to the functions called by drupal_get_form(), including the unique form constructor function. For example, the node_edit form requires that a node object be passed in here when it is called. These are available to implementations of hook_form_alter() and hook_form_FORM_ID_alter() as the array $form['#parameters'].
Return value
The rendered form.
Related topics
- block_admin_display in modules/
block/ block.admin.inc
- Menu callback for admin/build/block.
- book_outline in modules/
book/ book.pages.inc
- Menu callback; show the outline form for a single node.
- comment_admin in modules/
comment/ comment.admin.inc
- Menu callback; present an administrative comment listing.
- comment_delete in modules/
comment/ comment.admin.inc
- Menu callback; delete a comment.
- comment_form_box in modules/
comment/ comment.module
- Theme the comment form box.
- aggregator_menu in modules/
aggregator/ aggregator.module
- Implementation of hook_menu().
- block_menu in modules/
block/ block.module
- Implementation of hook_menu().
- blogapi_menu in modules/
blogapi/ blogapi.module
- book_menu in modules/
book/ book.module
- Implementation of hook_menu().
- contact_menu in modules/
contact/ contact.module
- Implementation of hook_menu().
- includes/
form.inc, line 70
function drupal_get_form($form_id) {
$form_state = array(
'storage' => NULL,
'submitted' => FALSE,
$args = func_get_args();
$cacheable = FALSE;
if (isset($_SESSION['batch_form_state'])) {
// We've been redirected here after a batch processing : the form has
// already been processed, so we grab the post-process $form_state value
// and move on to form display. See _batch_finished() function.
$form_state = $_SESSION['batch_form_state'];
else {
// If the incoming $_POST contains a form_build_id, we'll check the
// cache for a copy of the form in question. If it's there, we don't
// have to rebuild the form to proceed. In addition, if there is stored
// form_state data from a previous step, we'll retrieve it so it can
// be passed on to the form processing code.
if (isset($_POST['form_id']) && $_POST['form_id'] == $form_id && !empty($_POST['form_build_id'])) {
$form = form_get_cache($_POST['form_build_id'], $form_state);
// If the previous bit of code didn't result in a populated $form
// object, we're hitting the form for the first time and we need
// to build it from scratch.
if (!isset($form)) {
$form_state['post'] = $_POST;
// Use a copy of the function's arguments for manipulation
$args_temp = $args;
$args_temp[0] =& $form_state;
array_unshift($args_temp, $form_id);
$form = call_user_func_array('drupal_retrieve_form', $args_temp);
$form_build_id = 'form-' . drupal_random_key();
$form['#build_id'] = $form_build_id;
drupal_prepare_form($form_id, $form, $form_state);
// Store a copy of the unprocessed form for caching and indicate that it
// is cacheable if #cache will be set.
$original_form = $form;
$cacheable = TRUE;
$form['#post'] = $_POST;
// Now that we know we have a form, we'll process it (validating,
// submitting, and handling the results returned by its submission
// handlers. Submit handlers accumulate data in the form_state by
// altering the $form_state variable, which is passed into them by
// reference.
drupal_process_form($form_id, $form, $form_state);
if ($cacheable && !empty($form['#cache'])) {
// Caching is done past drupal_process_form so #process callbacks can
// set #cache.
form_set_cache($form_build_id, $original_form, $form_state);
// Most simple, single-step forms will be finished by this point --
// drupal_process_form() usually redirects to another page (or to
// a 'fresh' copy of the form) once processing is complete. If one
// of the form's handlers has set $form_state['redirect'] to FALSE,
// the form will simply be re-rendered with the values still in its
// fields.
// If $form_state['storage'] or $form_state['rebuild'] has been set
// and input has been processed, we know that we're in a complex
// multi-part process of some sort and the form's workflow is NOT
// complete. We need to construct a fresh copy of the form, passing
// in the latest $form_state in addition to any other variables passed
// into drupal_get_form().
if ((!empty($form_state['storage']) || !empty($form_state['rebuild'])) && !empty($form_state['process_input']) && !form_get_errors()) {
$form = drupal_rebuild_form($form_id, $form_state, $args);
// If we haven't redirected to a new location by now, we want to
// render whatever form array is currently in hand.
return drupal_render_form($form_id, $form);
Snippet for returning a node form
To get a node edit form, you need to include node.pages.inc.
// required for Drupal 6
module_load_include('inc', 'node', 'node.pages');
// which nodeform you want
$node_type = 'YOURNODETYPE';
$form_id = $node_type . '_node_form';
// maybe add current users info
global $user;
// create a blank node
$node = array(
'uid' => $user->uid,
'name' => (isset($user->name) ? $user->name : ''),
'type' => $node_type,
// Invoke hook_nodapi and hook_node
// Or you can also use an exiting node, for example
// $node = node_load(123);
// and the display the form:
$output = drupal_get_form($form_id, $node);
Your comment was very helpful
However, the node_object_prepare() function takes an object (as the name implies), and your $node is an array.
Something like
$node->uid = $user->uid;
$node->name = (isset($user->name) ? $user->name : '');
$node->type = $node_type;
instead of
$node = array(
'uid' => $user->uid,
'name' => (isset($user->name) ? $user->name : ''),
'type' => $node_type,
would be better.
FYI - AFAIK - you can pass additional arguments to this func..
if the form you're asking for requires them... (I'm using Drupal 6.15)
took me a while to figure this out... maybe it'll help someone else.
HEre's an example with the watcher module that I'm using successfully...
module_load_include('inc', 'watcher', 'watcher.db');
global $user;
print drupal_get_form('_watcher_user_settings', $user );
where I'm passing the $user to the function. Looking at the function (from watcher.module)
function _watcher_user_settings(&$form_state, $account) {
// ... super usefull code here - thx author!!!
we can see that it is expecting an argument ' $account ' ( a user object ). If I fail to pass the argument as listed in the first code segment, I get errors.
Hope this helps someone...
To get rid of the errors, I
To get rid of the errors, I think you just have to declare the $account variable in the function. If you include it, your array will override the empty one.
function _watcher_user_settings(&$form_state, $account = array()) {
// ... super usefull code here - thx author!!!
Extra Arguments Confusion
You can call this function without extra arguments like so:
function module_form() {
// whatever
Notice that module_form() does not have any arguments.
If you need an extra argument like so:
drupal_get_form('module_form', $extra_arg);
function module_form(&$form_state, $extra_arg) {
// whatever
Notice that module_form() must add &$form_state and then $extra_arg.
This is an essential note
I lost an afternoon (and the noon) trying to figure out why my form doesn't contain $node object (when created with drupal_get_form), .
So i think this is reasonable mistake (having in mind drupal 5.x functionality) and this comment has to become a link where ever the drupal_get_form is applied on documentation. That will save afternoons from a lot of people, investigating possible (syntax) errors . I'm sure!
Thank you, thank you, thank you!!!
All of you who are learning drupal by the Pro Drupal Development from Apress beware of the mistake in the source code from the second chapter.
When you call your annotate_entry_form() function remember to use the method Scott McCabe described above:
function annotate_entry_form(&$form_state, $node) {
// Your code goes here and you will have an access to those
// $node->annotation and $node->nid values at last!
I have spent hours fighting it!!! Thank you very much!
Extra Arguments in D7
For D7, the argument is now in a new array.
function module_form(&$form_state, $extra_arg) {
// whatever
Instead of calling $extra_arg directly (like in D6), it's now $extra_arg['build_info']['args'][0]
Will call registered theme functions
I'm working on submitting a patch to an existing module, and this module has a theme function that was being called, but I couldn't figure out where in the world it was being called from. I found my answer in this function.
You'll notice in the code above that
drupal_get_form returns
return drupal_render_form($form_id, $form);. You can track down drupal_render_form in form.inc. That function adds the #theme callback to the form array if the #theme callback is registered but not already set in the current form array. (It might be already set if the theme function was being overridden by some *other* module). In this case, however, the module I want to patch *had* registered the theme function, but had not added it to the form array yet. The #theme callback is added in this step, and so the theme function from my module gets called from drupal_render. Mystery solved.
Does not support passing arguments by reference
Not sure why this isn't in the documentation yet. Anyway, due to the nature of how this function grabs arguments (
func_get_args()), it is currently not possible to pass an argument by reference through this function. This means this code won't work:
function someForm_form(&$form_state, &$my_list) {
//... various code here
Anytime this function is called (regardless of whether an array, variable or reference [using the & operator to get the address of a variable] is used), one will get this error:
warning: Parameter 2 to someForm_form() expected to be a reference, value given in /...../drupal/includes/form.inc on line 377..
There is currently no way around this little annoyance. Additionally, passing an array by value can destroy its structure (say you have numeric keys that are strings, a pass by value resets the keys and renumbers them starting at 0, destroying all keys and their relevance). Thus, a pass by reference is required to get around this issue. To do so, one has to use the
$GLOBALS array. That can be done like:
function form_caller() {
global $theList;
$theList = array();
//code to populate $theList
$output .= drupal_get_form('someForm_form');
function someForm_form(&$form_state){
$theList =& $GLOBALS['theList'];
Now you can use the array as you intended, with its structure. And the source variable is changeable too (as it should be in a pass by reference scenario).


text:
TheOneRing.net confirmed on Friday that Ian Holm, who played Bilbo Baggins in The Lord of the Rings trilogy, will return to play older Bilbo in The Hobbit.
Director Peter Jackson revealed the news on Facebook following his Easter update yesterday:
One comment that came up from the recent video blog was the Bilbo voice at the end—many of you assumed it was Sir Ian Holm. Whilst Ian will be returning as the older Bilbo Baggins in The Hobbit, that recording was actually Martin Freeman's voice, taken from a script read through we recorded when the cast first arrived. I have to admit, I wasn't sure who it was when I first heard it, either.
There has been plenty of speculation concerning which actors from the original trilogy will return. Ian McKellan has already begun filming as Gandalf, and Andy Serkis will return as Gollum and as the second unit director. Cate Blanchett (Galadriel), Elijah Wood (Frodo Baggins), and Christopher Lee (Saruman) have also been confirmed by TheOneRing to return. It is rumored that Orlando Bloom (Legolas) and Hugo Weaving (Elrond) may make appearances as well, but nothing is for sure yet.
You can check out TheOneRing's cast list here.

subset: commoncrawl


text:
|Farmers block road for fertilizer
|Friday, 01 February 2008
Benapole Farmers blocked the road to traffic for three hours at Shankarpur under Jhikargacha upazila in Benapole demanding supply of fertiliser.
Alleging sale of fertiliser in the black market the angry farmers confined two junior agriculture officers — Jibon Babu and Siddique Hossain. Later, the police rescued them.
The blockade was withdrawn after the upazila agriculture officer Abu Bakr Siddique assured the agitating farmers that he would supply 10kg fertiliser to each farmer.


text:
Date: Jan 18, 2013 6:33 AM Author: email@example.com Subject: Re: Finitely definable reals. On 17 Jan., 23:59, Virgil <vir...@ligriv.com> wrote:
> > Which term of PPP...PPP(N) is prohibited?
> Why should any of them be prohibited?
> NO matter how many times one iterates it, it will never lead to a set of
> all sets, or anything else that is a problem.
Infinitely many iterations are not different from oo + 1 iterations.
That means the power set operation will no longer increase the
Regards, WM


text:
It is Saturday and our theme tonight is Bunny Hop Shake your Booty. We just want to celebrate the Easter holiday with flair. As always you don't have to dress up but it is always fun. We will have sodas, mixers, waters, cups, ice, food, towels and lockers. You bring the alcohol and a great attitude. DJ Chino will be spinning the hits on the dance floor. The party starts at 9pm and ends at 3am. It is $45 per couple and that covers both Friday and Saturday nights. If you aren't a member of the Couples Oasis Society the activation is $35 per couple.
Call us for info 702-617-8033
13 members are attending this event.
Click Las Vegas Swingers to find local swingers


text:
Not as funny as the guy who took Rahm Emanuel's Twitter handle, but the person behind Anthony Weiner's campaign Twitter is dusting it off for the first time since 2009.
Weiner's official Twitter-musings are here.
[h/t Reid…
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text: One of the UK's leading flooring retailers, Carpetright should be every homeowner's first choice for quality carpets, laminates and vinyl. Embracing all the latest home decor styles, Carpetright is the ideal place to find both modern and traditional looks …to suit any home with products at prices to suit every budget. Whatever colour shoppers are searching for, they will be inspired by Carpetright's attractive range in a choice of styles including loop pile, twist and Saxony. To complement the retailer's selection of beautiful laminates, there is also a great choice of rugs in a selection of sizes and shapes to suit all rooms. Carpetright also stocks bedframes, mattresses and divans in all sizes, from single to super kingsize and from all the best known brands like Silentnight, Sealy and Sleepeezee. Carpetright only charges one delivery price no matter how many items are ordered and handmade beds will be produced to order and delivered direct to the purchaser's home. » more


text:
This year's Theme: Gold Rush Days of Dayton
Celebrating Nevada's First Gold Discovery
Thank you to the Historical Society of Dayton Valley for the following information.
|In the Spring of 1849 frontiersman Abner Blackburn joined a group of emigrants heading from Salt Lake City to the gold fields of California. His handwritten journal records that "In the spring, (March), I joined a pack train for the gold mines." The prospectors followed the Carson River route and camped at the mouth of Gold Cañon—at the site of today's Old Town Dayton—to await the opening of Sierra passes.
Blackburn took a bread knife and pie pan and went prospecting. His discovery of gold in several places in the canyon is the first documented discovery of gold in the Silver State. He describes the experience in his journal. (The quote retains his spelling.)
"I took a bread pan & a butcher knife & went out in the raveins to prospect & found gold in small quantities in 3 places. Went to a larger raveine, whear the watter run down over bed rock a little on the side of the gulch. Dug down in the slate & found a fair prospect & kept panning for an hour or more. Went to camp & all hands grabbed up pans, knives, kettles & started out. We scratched, scrapped and panned until nearly sun down & took nine or ten dollars worth of gold. Being without tools & nearly out of provisions, we were compeld to abandon the place but calculated to return."
A year later. in 1850, Mormon pioneers again stopped at Gold Canyon. A nugget weighing 19.4 grams was found by John Orr. It is now part of the Nevada State Museum Collection, but is on display at the Oakland Museum.


text:
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Thread: Free Shout Wipes - New Offer FB
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text:
My name is Matt Rafalow and I am a Sociologist (PhD, University of California-Irvine) and a social scientist at Google (YouTube). I currently lead YouTube's research program on all things gaming and live experience. Before working at Google I was an ethnographer for many years with the Connected Learning Research Network. I have also been a researcher at Yahoo! Labs and GovLab. I strive to conduct research that blends academic inquiry with applied solutions that have a meaningful impact on users' lives.
In my academic work, I primarily study how youth/young adults adopt digital technologies, though I also examine particular uses of tech with colleagues in other research areas (education, dating, organizations, and innovation).
My largest project to date explores how digital technologies are taken up and evaluated in different educational contexts. For this study, I compared how members of three technology-rich middle schools perceived the value of innovative new technologies and use them to teach so-called 21st century skills. I found that teachers drew on organization-level understandings of student race and class to construct students as either risky hackers or Steve Jobs potentials. Contrary to popular belief, digital technologies were not magic bullets to address educational inequities — rather, teachers adopted very similar technologies quite differently depending on the race and class of their student body. As a consequence, the playful experiences young people pursued online among their peers were differently welcomed by schools in ways that informed their affinity as creative producers within institutions. A paper based on this work is forthcoming in American Journal of Sociology, and a book is currently under review.
I was very fortunate during graduate school to be supported by such a great PhD committee: Cynthia Feliciano, Francesca Polletta, Ann Hironaka, and Mimi Ito. My research in education also benefits from my collaborative work with other scholars on youth peer practices with digital media. With other graduate students and faculty from research teams around the country, I have studied youth interaction across networked environments as part of the Connected Learning Research Network. From this work I have written on games, gamification, and reputation online; gender differences in online participation; and design supports for parent engagement with their children. I recently released a report with Katie Tekinbaş on game-based learning online, and another with Kylie Larson on DIY fashion camps. We currently have a book under review on learning in the networked era that I'm really excited about.
When I'm not doing research, I'm quite active with LGBTQ outreach both locally through mentorship and more broadly via the internets. I'm also really into cooking, and I am most certainly a dog person (especially when it comes to my own).


text: A new Request for Comments is now available in online RFC libraries. RFC 6387 Title: GMPLS Asymmetric Bandwidth Bidirectional Label Switched Paths (LSPs) Author: A. Takacs, L. Berger, D. Caviglia, D. Fedyk, J. Meuric Status: Standards Track Stream: IETF Date: September 2011 Mailbox: attila.takacs at ericsson.com, lberger at labn.net, diego.caviglia at ericsson.com, donald.fedyk at alcatel-lucent.com, julien.meuric at orange.com Pages: 11 Characters: 23329 Obsoletes: RFC5467 I-D Tag: draft-ietf-ccamp-asymm-bw-bidir-lsps-bis-03.txt URL: http://www.rfc-editor.org/rfc/rfc6387.txt This document defines a method for the support of GMPLS asymmetric bandwidth bidirectional Label Switched Paths (LSPs). The approach presented is applicable to any switching technology and builds on the original Resource Reservation Protocol (RSVP) model for the transport of traffic-related parameters. This document moves the experiment documented in RFC 5467 to the standards track and obsoletes RFC 5467. [STANDARDS-TRACK] This document is a product of the Common Control and Measurement Plane Working Group of the IETF. This is now a Proposed Standard Protocol. STANDARDS TRACK: This document specifies an Internet standards track protocol for the Internet community,and requests discussion and suggestions for improvements. Please refer to the current edition of the Internet Official Protocol Standards (STD 1) for the standardization state and status of this protocol. Distribution of this memo is unlimited. This announcement is sent to the IETF-Announce and rfc-dist lists. To subscribe or unsubscribe, see http://www.ietf.org/mailman/listinfo/ietf-announce http://mailman.rfc-editor.org/mailman/listinfo/rfc-dist For searching the RFC series, see http://www.rfc-editor.org/rfcsearch.html. For downloading RFCs, see http://www.rfc-editor.org/rfc.html. Requests for special distribution should be addressed to either the author of the RFC in question, or to rfc-editor at rfc-editor.org. Unless specifically noted otherwise on the RFC itself, all RFCs are for unlimited distribution. The RFC Editor Team Association Management Solutions, LLC


text:
November 1916 began well for 11th DLI. They marched out of The Citadel and took a train from the railhead to Sailleux on their way for a much-needed rest. Unfortunately their first night was in a rough bivouac, as there were no available billets. The next morning they marched 16 miles in rain to Bourdon along bad roads. The next few days were spent there, cleaning billets, doing drill, PT, having lectures and church parades. On 8 November they marched out for Picquigny, where they stayed for a further week of recuperation, but only after 'cleaning some very dirty billets' recently occupied by Aussies. The issue of succeeding to dirty billets is a constant refrain in the battalion diary. Rest at Picquigny consisted mostly of drill, PT, instruction, and a battalion sports day.
Picquigny is a quiet place, a neat stop-off point for modern day travellers on the way from Dieppe to Amiens and the old Western Front areas. We visited it on a Saturday lunchtime and there was hardly a soul about, apart from a funny, harmless old guy trying to beg change. But we found a great little auberge where they served up a brilliant salmon salad. Even in out of the way places like this, the French do wonders with simple food.
It was good for the battalion to have a proper rest, as the subsequent weeks would be close to hell. On 16 November they set off for a further week in Corbie (cleaning very dirty billets) and back to the Citadel, which was deep in cloying mud several inches deep. From here they moved on in pouring rain to Montauban, setting up a new camp, improving accommodation, building a light railway and doing much needed drainage – the roads were practically impassable. There was worse to come.


text:
Tuesday, June 30, 2009
Scared Silly - A Confession
This fear is so great that even the word bothers me. The the sight of it paralyzes me. A mere photo creates such anxiety that I couldn't even post one in this blog.
I consider myself a logical person. Level headed and intelligent. I have overcome much in my lifetime. I have undertaken projects that aren't for the faint of heart. I have actually watched a filmed autopsy without flinching. What is this phobia? The thing that horrifyingly nauseates me, renders this able-bodied, independent woman to a lily-livered coward??............... spiders. Just typing that brought water to my mouth.
I've always thought my ideal home would be in a country setting, with acres of land and stable for horses. Of course in this dream I am independently wealthy and employ a team of Insect Assassins.
Once when I was first married and my husband was working out of town, I was getting ready for bed and spotted 'one' on the bedroom wall. As expected, arachnophobia prevents me from getting close enough to kill it (like I would want to anyway??) I sat and watched it........... for hours. I knew I couldn't sleep in the same room.. GOD No! I couldn't leave the room... it would disappear and be creeping through the house somewhere and I'd have to sell and move. So I sat and watched. Eventually, after a few good shoe tosses from across the room, I managed to slay the beast, got the shovel from the garage and walked it outside to the curb. Even now in my home I am the head of the house, but by no means the fearless one. My courageous youngest daughter does the deed. The sad thing is, if Nadia's not around, myself and my other daughter, (another arachnophobic) are doomed.
House protocol states that when the monster is exterminated, it must be taken outside, at the very least, disposed of in the toilet which must be flushed at least twice. At work, after the guys chase me around the office with it, I make them flush it in the men's toilet.
As I sit and type this, I have the feeling of something creeping up my legs. It's terrible.
I know, I'm gutless. I would feel so much better if I were afraid of something substantial; large man-eating snakes or crocks, maybe large sewer rats. But they just don't bother me at all. Will I ever conquer this fear? I doubt it. I'd gladly trade it for doughnutaphobia (?)
Perhaps I suffer from just plainwierdaphobia.
2 comments:
- AnonymousJuly 8, 2009 at 9:37 PM
Congratulations Nadia -- well done.ReplyDelete
I haven't been faithfully following this blog so just catching up tonight.
Love cousin Rose.
Lisa, I understand every single word you wrote. I suffer of "snakes phobia". (it took me 3 times to be able to write the S word!)...and I have a PhD in Psychology!!! You are brave enough to stay in the room and look at the beast, I will call 911! I even called the police when someone came in the store with a "S" on his arm!!!!I know what you mean about being an intelligent person and not being able to conquer this. I know, when I think about it, I know its crazy, but as soon as a "S" appears even in TV I have to close my eyes!! Well, I least I know now that there is someone, as smart and crazy as I am!!! LOL!!!ReplyDelete
Thank you so much for visiting my Sister and I, we really appreciate it,


text:
Europe › Hungary › Sumeg › Sumeg Things To Do
Castle of Sümeg
Along the main road Nr. 84., Sumeg, Hungary
Castle of Sümeg Sumeg Reviews
22 reviews
Castle of Sumeg Jul 19, 2010
Sümeg is located 20 km from Balaton, along the mainroad nr.84, wich connects Sopron (Austrian border) and Balaton.Sümeg castle in its present, nearly completely form offers inimitable experience to every visitor.Today the Castle and its surroundings have many spectacular programs all year round, expecting those who would like to taste the everyday life of the warriors of the border fortress, and who would like to travel through the time to the glorious Hungarian Middle Ages.
Join TravBuddy to leave comments, meet new friends and share travel tips!


text:
The Perforce Sample Depot provides you with a working example of a Perforce Server that can be used for testing or training. The Sample Depot demonstrates a typical depot organization along with some sensible naming conventions. It provides enough files and revision history to enable you to perform interesting and meaningful SCM tasks.
The Sample Depot contains several example projects, such as Jam, a software build tool written in C. The Sample Depot is not, however, intended to be a current archive of source code. For the latest Jam source code, see the Jam project in the Perforce Public Depot.
The Sample Depot also contains several streams, showing the Jam product's most recent development and release efforts. These streams were branched from the original Jam codelines. Other streams show new development for a product called PB, the Dynatable sample project from the Google Web Toolkit, and documents for an internal department.
The Sample Depot demonstrates several methods for arranging your source code or Web development repository. Both the source code and Web development directories are organized to support a "mainline" development model. Perforce advocates use of a mainline model for concurrent development. More information on the mainline model can be found in white papers on the Perforce Web site. For further reference, see the book Practical Perforce.
The Sample Depot requires a Perforce Server version 2011.1 or later. Installation instructions are below.
For information on the Sample Depot without Streams, see The Perforce Sample Depot Without Streams.
The Sample Depot contains five software development projects:PB, Jam, Jamgraph, Talkhouse, and GWT.
Ongoing development work occurs in the MAIN or trunk branch under each software project's name. For example:
or, in the case of the Talkhouse project, a main-dev branch:
Branches are created for feature development. Such branches isolate development work that might destabilize the MAIN branch. For example:
When code is ready for release, a release branch is created under the project name. For example:
For Web site development, the example workflow is as follows.
Web page authors edit files under:
Files are copied to a staging area for final review before going live:
After passing review, files are copied to a live branch for publishing:
For document management, the example workflow is as follows.
HR staff submits drafts under:
Files are copied to a review area before going live:
After passing review by the HR manager, files are copied to a live stream for publishing:
Perforce can be used to store files that are shared between your development and corporate staff. For example, manuals and marketing documents are stored in the following path:
Word documents, Excel spread sheets, and Powerpoint slides can be managed using the Perforce Plug-in for Microsoft Office (P4OFC) available from our Web site.
The installation of the Sample Depot assumes that you have first installed a Perforce Server and client application. A 2011.1 or later version Perforce Server is required. To download Perforce for your platform, go to the Perforce Downloads page. For instructions on how to install Perforce, see the Downloads page.
To install and use the Sample Depot:
or as a gzipped tar file for non-Windows platforms
Again, if you use a case-insensitive platform, such as Windows, use sampledepot.zip. If your are using a case-sensitive platform, such as Linux, use the gzipped tar file, sampledepot.tar.gz.
The size of the sampledepot archive file is about 15MB and uncompresses to just over 25MB.
An older, non-streams-enabled Sample Depot is still available as a .zip file only. This older Sample Depot requires a version 2006.2 or later Perforce Server.
Uncompress the sampledepot.zip file using a standard compression utility such as unzip or WinZip. For example, on Windows, select Start > Program Files > Accessories > Command Prompt from the menu. When the DOS command shell appears, issue the following command:
cd C:\<sampledepot.zip directory>
unzip sampledepot.zip
Again, if you don't have the unzip program on your computer, use WinZip or another compression utility that can extract .zip format files. On non-Windows platforms, extract the package using:
gunzip sampledepot.tar.gz
tar xvf sampledepot.tar
When the file is uncompressed, it creates a directory named PerforceSample. The PerforceSample directory contains nine items:
copy p4d.exe "C:\PerforceSample" cd "C:\PerforceSample"
cp p4d /tmp/PerforceSample
To create your sample Perforce database, restore the checkpoint file by issuing the following command where C:\PerforceSample is replaced by the location of the PerforceSample directory:
p4d -r C:\PerforceSample -jr C:\PerforceSample\checkpoint
./p4d -r /tmp/PerforceSample -jr /tmp/PerforceSample/checkpoint
The preceding step creates the Perforce database files in your C:\PerforceSample (P4ROOT) directory. Your Perforce database is now installed.
To ensure that the database format is consistent with the Perforce Server version that you are using upgrade your Sample Depot. To upgrade to p4d 2013.2 or earlier:
cd P4ROOT_directory
p4d -r . -xu
If the command is successful, you will see the message:
...upgrades done
Start the Perforce Server.
On Windows, start the Perforce Server by issuing the following command at the command prompt:
p4d -r C:\PerforceSample -p 1492
When the server starts, it displays the message "Perforce Server starting...". The Perforce Server is now started and listening for client connections on port number 1492. The command prompt will not return until you stop Perforce.
NOTE: The DOS command shell window remains open and appears inactive when the Perforce Server is running and listening for client connections. For the purpose of simplicity, this installation example uses the command shell start method. In most cases, however, Windows users start the Perforce Server as a Windows Service, not from a DOS command shell. When running as a Windows Service, the service listens for Perforce client connections in the background.
On UNIX, assuming you unzipped the sampledepot.tar.gz file in your /tmp directory, start your Perforce Server by issuing the following command:
./p4d -r /tmp/PerforceSample -p 1492 -d
You are now ready to use Perforce Sample Depot! You can inspect the contents of the Sample Depot using either P4V, a graphical user interface, or P4, the command line interface. Specify your server as localhost or the name of your machine. Choose port 1492. Specify your name as the user, or use the supplied user, bruno, with no password. Create your own client workspace, or create a directory c:\P4DemoWorkspaces\bruno_ws and use the supplied bruno user. On non-Windows platforms, choose a new workspace root directory or make a new workspace.
To verify your connection to the Sample Depot using P4, open a new command shell instance and issue the following command:
p4 -p 1492 info
For help with Perforce command syntax and options, issue the following command:
p4 -p 1492 help
To stop the Perforce Server, issue the following command:
p4 -p 1492 admin stop
For basic instructions on using P4V to connect a Perforce Server, see the P4V Manual, or consult the P4V Help menu.
For additional information on setting up the Perforce Server or using Perforce applications, see the main documentation page on our Web site. If you encounter any problems installing or using the Sample Depot, please contact Perforce Support at firstname.lastname@example.com.
Please tell us how we can make this article more useful.


text:
An officer was going S/B on Paint st. approaching 11th St. Another vehicle was n/b. As the other vehicle approached the cruiser, the vehicle went left of center nearly striking the cruiser.
Pills or alcohol? No, texting while driving. A situation that was totally avoidable, but is very dangerous and could have ended tragically if both vehicles were closer.


text:
- Artist: The Corn Fed Girls
- Format: CD
- Release Date: 4/10/2007
|your cart is empty
The Corn Fed Girls can best be described with a simple statement: Heartwarming acoustic music with enduring themes that capture the imagination and fill the soul. They possess a unique ability to inject their live show with humor while performing original songs that simultaneously challenge and comfort the listener. Their instrumental line up can be considered traditional however their musical arrangements most certainly span the gap between old and new, and sharing the lead vocal duties between all six members of the band definitely puts them in a league all their own. Darcy Wilkin plays rhythm guitar while Sarah Fuerst keeps time on the upright bass. Ira Cohen's banjo style blends perfectly with Phil Barry's innovative lead guitar work. Rounding out the group are John Campos on mandolin and Mike Fuerst on fiddle. Their personal ties span decades and they have common bonds of family and musical influence. While Kalamazoo Michigan is usually called home, they have been known to hang their hats in many places, actively touring the Midwest. The Corn Fed Girls weave a musical cloth that is durable and comfortable; familiar yet mysterious.


text:
Posted on September 08, 2014
Brand: Zildjian
Designed by World Percussion Master Trilok Gurtu. Unique thumb groove at the fulcrum point, jazz dimensions and tip, and a double yellow DIP handle for exceptional control. This highly visible stick feels unlike any other. U.S. Select Hickory with a Walnut stain.
No reviews available.
Posted on September 08, 2014
Posted on September 15, 2015
Posted on June 16, 2012


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As white-collar crime goes, 19-year-old Titilayo Olaifa's theft while on work experience at Freshfields Bruckhaus Deringer is small potatoes. Nevertheless, by managing to steal £13,500 and attempting to steal £46,500 more, Olaifa attracted a jail term of five months for her theft and "fraud by abuse of position" (as reported on TheLawyer.com, 10 July).
Olaifa was originally introduced to Freshfields in July 2005 through a work placement arranged by the Career Academies UK internship programme – although her thefts were committed two years later after she approached the firm independently in June 2007 and was given a work experience placement in the accounts department.
The report of Olaifa's crime attracted a barrage of comment from readers of TheLawyer.com, with some slating Freshfields for allowing the theft to take place and questioning the processes within its accounts department.
Every year Freshfields takes on around 50 work experience students via community programmes such as Career Academies UK, and another 50 or so through other avenues, such as the children of staff or friends.
The magic circle firm, whose bank covered the financial loss incurred by Olaifa's activities, stressed in a statement that "all work experience people are closely supervised and, in this instance, our internal processes and team very quickly picked up that something was wrong".
Freshfields added that it does not intend to re-evaluate its HR policies or relationships with Career Academies UK or similar schemes.
Its statement continued: "This situation was an unfortunate but completely isolated incident and is not going to affect our willingness to continue our work experience programmes, which the firm regards as very worthwhile."
While some feel that Freshfields should shoulder some of the blame for the theft, others point out that there was little the firm could have done to stop a determined thief.
A City law firm source said: "If someone's come with the intention of doing something untoward, you'll always, unless you're handcuffed to your supervisor, be able to do something."
Despite the fact that Olaifa had not been placed by Career Academies UK at the time she committed the theft, her name is now associated with the charity, which aims to raise the aspirations of 16 to 19-year-old middle-achievers from underprivileged inner-city schools.
Freshfields is one of many law firms involved with the organisation, with Allen & Overy, Clifford Chance, DLA Piper in Leeds and Newcastle's Ward Hadaway also supporting the scheme.
Career Academies UK chief operating officer Martyn Drain explains how the charity works, saying: "Our students are not the highest-flying academic students, but rather the almost forgotten middle. The real high-flyers get serious assistance and, ironically, so do the ones at the bottom. It's all about raising their aspirations and helping them realise that opportunities do exist."
The charity provides 'academies' for these students, enabling them to gain an extra two A-level equivalents over a two-year period. Students also receive mentoring from the 500-plus organisations involved in the scheme.
Drain hails the work placements offered by these organisations – typically in a support function – as the "jewel in the crown" of the programme.
While Olaifa's actions may have tarnished the reputation of Career Academies UK, regardless of the fact that she had arranged her most recent work placement independently, it is clear that little could have been done differently.
Anyone within an organisation can gain access to chequebooks, confidential information or the stationery cupboard. At Freshfields work experience students sign employment contracts and confidentiality agreements.
At Career Academies UK individual schools and colleges select and put forward students. The only step that could be taken to decrease the likelihood of such incidents would be to increase the supervision of temporary staff or to carry out criminal record checks on work experience students. Or cancel their placements altogether.
None of these actions would be likely to send the right message to aspirational students ;from ;'non-traditional' backgrounds.
Read more than 40 comments from readers or join the debate here


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Miley Cyrus: "I Kind of Already Feel Married"
Walking down the aisle isn't high on Miley Cyrus' to-do list.
At the MTV Video Music Awards in L.A. September 6, the 19-year-old singer admitted she hasn't done much wedding planning since accepting Liam Hemsworth's proposal in early June.
"I'm really excited to obviously get married, but I kind of already feel married," Cyrus told Us Weekly and other reporters on the red carpet. "I know we are forever. I don't really need the paper right now, so I'm just really trying to work."
PHOTOS: Miley Cyrus and Liam Hemsworth's love story
Indeed, Cyrus is laying down tracks for her upcoming fourth studio album, due in 2013. "I'll have a single out this year," the singer promised. "This is the first time I get to tell people about it, so I'm really excited!"
PHOTOS: 2012 MTV Video Music Awards red carpet
"I'm really proud of the album," Cyrus added. "It's my favorite thing I've done probably ever." The disc will feature collaborations with rapper/producer Pharrell Williams, 39, and hip-hop star Mac Miller, 20, among others. "It's all really different."
Cyrus' new sound isn't the only making headlines. After she unveiled a platinum blonde pixie cut in mid-August, the former Disney Channel star said she's getting more accustomed to her makeover.
PHOTOS: Miley Cyrus' hair evolution
"It's so easy. The only thing that's hard is that it's the only thing that people want to talk about," Cyrus, wearing Emilio Pucci, said. "People are like, 'Oh, I didn't recognize you!' I'm like, 'I know, but I love it, and it's really me and it's good."
This article originally appeared on Usmagazine.com: Miley Cyrus: "I Kind of Already Feel Married"


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Chad Valley Bowl 'Em Over Half Price @ Argos
The original price for this Chad Valley Bowl 'Em Over game was £6.99; Argos are currently selling it for £3.49 (the small print says this selling price is valid until the 21 January).
I do like simple games. Computer and consol games, iPad and iTouches have lots of fantastic games for kids too, but sometimes you can't beat something that doesn't need to be plugged into the mains or need any batteries, which are invariably not included.
This Chad Valley Bowl 'Em Over game ticks all the fun and simplicity boxes.
The clue of the concept is in the title - it's a traditional bowling game with the only objective being to bowl over as many pins as you can; no complicated rules, no need for instructions - just aim, bowl, knock over and have FUN!
Chad Valley Bowl 'Em over comes with a bowling alley, 12 pins to knock down, a pin setter, two bowling balls, a score sheet (this is VERY important if your household is as competitive as mine) and some instructions...not that you'll need them, I'm sure.
Both in-store collection and home delivery options are available, but really - just pop into town and pick this up, otherwise you're going to pay £5.95 for delivery.
Thanks to shadow1 at HUKD
TOPICS: Gaming Deals


text:
Oct 17, 2013
We are delighted to be part of this year's Cinekid Festival (see http://www.cinekid.nl/ for more info) in Amsterdam, the Netherlands. In among a host of awesome content and highly engaging interactive kid-oriented experiences, we have installed our Living Timeline project. It feels great to give the piece its first international audience, and to be in this cool exhibition. Bring on the kids!
The original is on permanent exhibition at At-Bristol in the UK.
There's a video of the project below, and more info here.


text:
The flush is just a bit easier to get than a full house. It is a hand well worth trying for in a poker game. To find out what the chances are of being dealt a flush we must resort to a bit of mathematics.
The 4 in our equation comes from the number of suits. The 1287 is the number of combinations possible of the thirteen cards within each suit. Now, in previous hands the number of possibilities have been small enough that we could simply lay them out on a piece of paper. But 1287 combinations is more than most people want to puzzle through. But there is a simple mathematical formula for getting this number. It goes something like this:
"Okay," you may ask, "what are these excamation points?" The answer is very simple ... they are factorials. And factorials are the multiplication of a bunch of numbers in a series. For example, 4! = 4 X 3 X 2 X 1. The "n" in our equation is the number of different cards to choose from within a set. And the r is the number of items we are trying to find. So this is how we got 1287:
The (n - r)! part of the equation allows us to get rid of the lower end of our n! numerator. What we are really doing is mathematically mimicking reality in our choices. Take a look at our choices possible in the full house when we were looking at the possibilities of getting 3 of the 4 cards in any designation. You will notice that the order of the arrangement is rigid here, but there are many "permutations" or orders possible. The numerator of our fraction is actually giving us all the possible orders those cards might appear in. Our denominator allows us to reduce this figure to pick the number of combinations in any order.
If you go back to our first formula on the page you are probably wondering where that 40 came from. That is easy. Since straight flushes are also a species of the flush, they have to be taken out in order to come up with our chances of getting just a regular flush. You will see the same thing when we look at the straights. Now for the formula that gives us the actual odds of getting a flush:
The numerator is the number of flushes possible, while the denominator is the number of all possible hands. The flush is one of the easiest hands to fill as the number of other cards available is pretty high. If you are dealt 4 of a suit and go for one card the chances of getting it are 9/47 (number of cards remaining in the suit over the number of unknown cards). This is nine times better than wishing for a single card out of the pack.
Visit Quiddler: A fun word game blended with a fast paced card game.
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from Wiktionary, Creative Commons Attribution/Share-Alike License
- adj. Alternative spelling of pro forma.
Sorry, no etymologies found.
That's called "proforma" in this business, but "pretend" is a better word.
So, by all measures, this is a great deal … some common sense and some simple number-crunching tells me that, no 'cap rates', 'proforma's, or any other complex financial manipulations necessary.
Putting the one off items to the side, and adding full-year results from Yellow's Finda division (bought from APN in February for an undisclosed sum), Mr Cotterill puts forward a sunnier "proforma" ebitda profit of $166 million - up 0. 6% on the previous year by this measure.
However, several prominent Republicans are arguing that Congress isn't technically in recess thanks to the briefest of "proforma" sessions.
Jon Stewart Slams Republicans' Recess Appointment Outrage (VIDEO)
With this issuance, OHSU's proforma maximum annual debt service (MADS) is estimated at $47.8 million, with an adequate historical proforma MADS coverage by EBITDA of 2. 7x for the obligated group and 3. 8x on a consolidated basis, at FY-end 2008.
The Clinton fundraiser is being described as 'strictly proforma', and he may be willing to do one for the incumbent too from the sounds of it.
A proforma series of letters between lawmakers and the White House exchanged hands late Monday, culminating in Office of Management and Budget Director Peter R. Orszag formally expressing the Obama administration's support for the repeal.
When they said to me they didnt understand how to do a departmental policy I wrote a proforma document, gave them a databaseof risk assessments and a brief training session where I gave on the spot advice by asking them to start the policy.
Patrol and Neighbourhood Sergeants and Inspectors have to ring members of the public who have used their "services" and go through a set proforma of question.
The HRW message is a legalistic apology that straightforwardly backtracks on what was probably a proforma attempt at even-handness — and explictly adopts the Counterpunch/Norman Finkelstein view that Barud was merely a guy exhorting others to Gandhian nonviolence.
The Volokh Conspiracy » Are Human Rights Watch Officials Just Thin-Skinned? (No!):
proforma invoice
that which could be?
an example


text:
Having problems with your Jazz VidKam JDK231 Digital Camera ?
My son has a Jazz VidKam JDK231. Everytime we
\015 My son has a Jazz VidKam JDK231. Every time we turn it back on all his pictures are gone. At first I thought he was pressing enough buttons that somehow the combination erased them but then I did it myself and they are still gone. It also seems to run through batteries like water and I do not know if the 2 are connected that every time the batteries run down the pictures go too.\015
Answers :
Repair Help & Product Troubleshooting for Jazz VidKam JDK231 Digital Camera
Tips for a great answer:- Provide details, support with references or personal experience .
- If you need clarification, ask it in the comment box .
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My son has a Jazz VidKam JDK231. Everytime we
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text:
Define Boundary Value Analysis with Examples
A test data selection technique in which values are chosen to lie along data extremes. Boundary values include maximum, minimum, just inside/outside boundaries, typical values, and error values. The hope is that, if a systems works correctly for these special values then it will work correctly for all values in between.
Password field accepts minimum 6 characters and maximum 12 characters. [Range is 6-12]
Write Test Cases considering values from Valid region and each Invalid Region and Values which define exact boundary.
We need to execute 5 Test Cases for our Example 1.
1. Consider password length less than 6
2. Consider password of length exactly 6
3. Consider password of length between 7 and 11
4. Consider password of length exactly 12
5. Consider password of length more than 12
Note : 1st and 5th Test Cases are considered for Negative Testing
Test cases for input box accepting numbers between 1 and 1000 using Boundary value analysis:
1) Test cases with test data exactly as the input boundaries of input domain i.e. values 1 and 1000 in our case.
2) Test data with values just below the extreme edges of input domains i.e. values 0 and 999.
3) Test data with values just above the extreme edges of input domain i.e. values 2 and 1001.
Name text box which allows 1-30 characters. So in this case writing test cases by entering each character once will be very difficult so then will choose boundary value analysis.
So in this case at max 5 test cases will come:
Test case1: minimum -1 character: Validating not entering anything in text box
Test case2: minimum +1 character: Validating with only one char
Test case3: maximum -1 character: Validating with 29 chars
Test case4: minimum +1 character: Validating with 31 characters
Test case1: any one middle number: validating with 15 chars
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It is crucial to look into insurance coverage matters after a divorce to make sure that you and your youngsters are nonetheless correctly lined. Be open to attempting numerous sleeping arrangement, including welcoming your baby into your bed – a nighttime parenting style called sharing sleep. Each single considered one of them wants an excellent house and individuals who will love and cater their needs, adopting is a really beautiful act a person can do to somewhat youngster in want. Observing the impression that parents have on child development has been a fascination for researchers and sociologists all through the years; however, it was the work of Diane Baumrind that outlined the idea of distinct parenting types and the results every methodology has on conduct, social abilities, and maturity.
But do not be too hard on your dad and mom because odds are their dad and mom acted the same approach towards them and so did their parents' mother and father and so forth. This is the detrimental Sample of Parenting that it's essential to forestall from continuing. TIM: That is precisely what I talk about within the supply system of grace-primarily based parenting. In line with the case of Pearce f/okay/a Valente v Valente, COA 318819, March 24, 2015 (Unpublished) the court docket does not have an obligation to interview the child the place the request will solely modify parenting time but not change a custodial setting.
My sister is going by means of divorce and I've tried to … Read More . . .


text:
The Golden Bough A study of magic and religion
Page: 37Again, magic may be wrought on a man sympathetically, not only through his clothes and severed parts of himself, but also through the impressions left by his body in sand or earth. In particular, it is a world-wide superstition that by injuring footprints you injure the feet that made them. Thus the natives of South-eastern Australia think that they can lame a man by placing sharp pieces of quartz, glass, bone, or charcoal in his footprints. Rheumatic pains are often attributed by them to this cause. Seeing a Tatungolung man very lame, Mr. Howitt asked him what was the matter. He said, "some fellow has put bottle in my foot." He was suffering from rheumatism, but believed that an enemy had found his foot-track and had buried it in a piece of broken bottle, the magical influence of which had entered his foot.
Similar practices prevail in various parts of Europe. Thus in Mecklenburg it is thought that if you drive a nail into a man's footprint he will fall lame; sometimes it is required that the nail should be taken from a coffin. A like mode of injuring an enemy is resorted to in some parts of France. It is said that there was an old woman who used to frequent Stow in Suffolk, and she was a witch. If, while she walked, any one went after her and stuck a nail or a knife into her footprint in the dust, the dame could not stir a step till it was withdrawn. Among the South Slavs a girl will dig up the earth from the footprints of the man she loves and put it in a flower-pot. Then she plants in the pot a marigold, a flower that is thought to be fadeless. And as its golden blossom grows and blooms and never fades, so shall her sweetheart's love grow and bloom, and never, never fade. Thus the love-spell acts on the man through the earth he trod on. An old Danish mode of concluding a treaty was based on the same idea of the sympathetic connexion between a man and his footprints: the covenanting parties sprinkled each other's footprints with their own blood, thus giving a pledge of fidelity. In ancient Greece superstitions of the same sort seem to have been current, for it was thought that if a horse stepped on the track of a wolf he was seized with numbness; and a maxim ascribed to Pythagoras forbade people to pierce a man's footprints with a nail or a knife.
The same superstition is turned to account by hunters in many parts of the world for the purpose of running down the game. Thus a German huntsman will stick a nail taken from a coffin into the fresh spoor of the quarry, believing that this will hinder the animal from escaping. The aborigines of Victoria put hot embers in the tracks of the animals they were pursuing. Hottentot hunters throw into the air a handful of sand taken from the footprints of the game, believing that this will bring the animal down. Thompson Indians used to lay charms on the tracks of wounded deer; after that they deemed it superfluous to pursue the animal any further that day, for being thus charmed it could not travel far and would soon die. Similarly, Ojebway Indians placed "medicine" on the track of the first deer or bear they met with, supposing that this would soon bring the animal into sight, even if it were two or three days' journey off; for this charm had power to compress a journey of several days into a few hours. Ewe hunters of West Africa stab the footprints of game with a sharp-pointed stick in order to maim the quarry and allow them to come up with it.


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How to Change Your Background on Twitter
Two Methods:Changing Your BackgroundChanging Your Header (Cover) ImageCommunity Q&A
Twitter allows you to customize your Home screen and profile by adding custom images. The desktop version allows you to change your Home screen background, which is only visible to you. You can also change your header image, which anyone can see when they visit your profile.
Changing Your Background
1Log into the Twitter website on your computer. You can only change the background from the desktop website, and the background will only be seen by you.
- If you want to change your header (which everyone can see when they visit your profile), click here.
2Click your profile image in the upper-right corner of the window. Select "Settings" from the menu.
3Click the "Design" option in the menu on the left. This will allow to you customize how your Twitter profile looks.
4Select from a premade theme. Twitter offers a variety of premade themes that you can choose from if you'd like. The theme will change the background image as well as the color scheme.
5Upload an image from your computer. If you want to add your own image as a background, click the "Change background" drop-down menu and select "Choose existing image". You'll be able to browse for images stored on your computer.
- Note that the background is only visible to you. See the next section for instructions on changing the header, which is visible to everyone.
6Use a solid color for your background. If you would prefer a solid color for your background, click the "Change background" drop-down menu and select "Remove". Set the color you want using a hex code in the "Background color" field.
Changing Your Header (Cover) Image
1Open your profile page. The header image, referred to as a "cover" image by some other social media networks, is the image that appears above your user name on your profile. It is visible on both the desktop and the mobile version of Twitter.
- Desktop - Click your profile image in the upper-right corner and select "View profile".
- Mobile - Tap the ⋮ button and then tap your name.
2Open the profile editor. This will allow you to change your profile information.
- Desktop - Click "Edit profile". This button is located on the far right side of the profile page.
- Mobile - Tap the "Edit profile" button to the right of your profile image.
3Open the Header editor. This will allow you to change the image.
- Desktop - Click "Add a header photo" in the center of the existing header.
- Mobile - Tap "Header".
4Select the image you want to use. The header image will be viewable by anyone, so make sure you don't use an image that could get your account banned. This means nothing pornographic or illegal.
- Desktop - Browse your computer for an image. If the image you want is online, you'll need to download it first.
- Mobile - Browse through your gallery or camera roll to find the picture you want to add. You can also take a new picture using your device's camera.
5Scale and position the image. After selecting your image, you're given the ability to move it around and zoom in or out to get the perfect header.
- Desktop - Use the slider beneath the image to zoom in or out. Click and drag the image to reposition it.
- Mobile - Pinch the image to zoom in or out. Tap and drag the image to reposition it.
6Save your changes. Your new header image will be applied immediately.
- Desktop - Click "Apply" and then click "Save changes" to confirm.
- Mobile - Tap "Save" and then tap "Save" again save your changes.
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Community Q&A
How do I do this on my mobile?Go to [https://mobile.twitter.com/account] and click on '''Edit Profile.''' Click on the camera icon on your banner to change it.
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Categories: Twitter
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Español: cambiar tu fondo en Twitter, Italiano: Cambiare lo Sfondo su Twitter, Português: Alterar seu Plano de Fundo no Twitter, Русский: изменить фон в Twitter, Français: changer son fond d'écran sur Twitter
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I had seen some photos of the PRISM coming back from DMEA, and it wasn't too long before I started to hear some very positive things about it. In fact, one of the divers I admire most decided that the PRISM was the rebreather for him. Ergo, I decided that my rebreather evaluation would be incomplete without a good long look at the PRISM. Here are the PRISM specs, as well as a nice teardown of the unit.
PRISM stands for Peter Ready's Incredible Steam Machine. Peter is, of course, the father of the PRISM, and head of Steam Machines Incorporated (SMI). Not only is this system incredibly well designed, it has two very nice features not found on either the Inspiration or the Meg. The first, of these, and the one that has everyone buzzing is the analog secondary display.
Sometimes called "the brick", PRISM secondary gives a readout of battery voltage, as well as a PO2 reading from each sensor. "Big deal" you say. Every CCR on the market can do this, right? Wrong! The thing about the PRISM's analog secondary that makes it so special is that it draws its power directly from the O2 sensors, and can continue to function even in the event of a total electronics failure. It is for this reason that the PRISM takes special, high output oxygen cells. Very very cool!
The second unique feature that the PRISM has to its credit is a radial scrubber. Unlike the more typical axial scrubbers in which the breathing gases move from top to bottom (or vise-versa) through the scrubber, the radial design moves the breathing gases from the middle to the outside (or vise-versa) through the absorbent.
TheRebreatherSite.nl is quick to tell us that "Only very complex tests show that the quantity of scrubber material, flow, form of the housing and many other factors determine the quality of a scrubber. Axial or Radial is not a general recipe for a good or bad scrubber." Radial scrubbers do, however, have the added advantage of allowing moisture to condense on the much cooler inside of the scrubber bucket, thus, arguably keeping the O2 cells dry. Or at least that's how the theory goes… It's always hard to tell how well these theories translate to real-world experience.
The PRISM has some pretty nice other features as well. It is very light, which is nice if you have to hike to your dive sites. The solenoid exists outside of the breathing loop, meaning that it would not affect the PO2 of the breathing loop should it leak. The heads up display is by far the most well developed of any on the market, and there is an even cooler one as vaporware that will give a digital readout. The PRISM also has an optional shell if that is your kind of thing.
So what are the downsides? Well, in my mind, the fact that the analog secondary display relies on jeweled movement is a pretty serious problem. In the end, this is a millevolt meter that has been waterproofed and calibrated against the high-output O2 sensors to read PO2. As an electronics geek, I can testify that these millevolt meters break pretty easily when subjected to a shock. Even though I love the idea of being able to read my PO2 independently of the electronics, I worry that "the brick" just won't stand up to the inevitable bumps and thumps on a dive boat. I also don't like the little wheel it uses to select the individual sensors. I do a lot of diving in cold water, and I worry that this might be difficult to operate with thick gloves on.
The PRISM is made of plastic. Is this a bad thing? Most likely not, but I'm just not much of a plastic sort of guy. There is just something about nicely machined alluminium that makes me happy, and this rebreather doesn't really have much of that going for it. It's nicely machined, but it's nicely machined plastic and to me, that's a downside. Granted, there are some very good arguments for using plastic as a material. It makes the PRISM the lightest rebreather I evaluated, and plastic is wonderful about not corroding in salt water. Will the fact that the unit is plastic be cause for concern about the durability of the unit? Who knows?
The tanks are attached via velcro straps. This is really not a problem, but it's certainly not as cool as the Tiger Gear hard mounts found on the Meg. From everything I've heard, the unit is very solid when put together, but I don't think I would be able to strap aluminum 80's into the thing.
Finally, and most importantly, there is something that bothers me about having only a heads up display and an analog secondary as instrumentation. Sure I can tell what the PO2 is by watching the HUD, and double check it against each individual sensor by toggling "the brick", but I really want to be able to easily see each sensor's readout on redundant digital displays. In my opinion, SMI has taken away from the usability of the unit in every day diving by making sure you can stay fully closed circuit even with a total electronics failure. It's always a balance, and I certainly appreciate the fault tolerance, but I think they've planned a little too much for the worst possible case. This is, of course, all just conjecture, as I have never even dived the thing. It's just how I imagine it would be.
So that's my feelings on the PRISM Topaz. Remember, I have never even seen the unit, let alone dived it, so please comment if I have made any glaring errors.
Rebreather Evaluation – Part 2: The Inspiration >
Rebreather Evaluation – Part 4: The Megalodon >


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Famous Lithograph prints
For art collectors there is nothing more infuriating than finding a piece of art that you've been looking for, only to find out that it's a reproduction. Consulting a qualified appraiser is the surest way to determine whether or not your treasure is a reproduction. However, here are a few quick ways to spot a typical reproduction:
Identifying a Reproduction
1. Determine what material the art is painted (or printed) on. If it is cardboard, fiberboard, poster board or paper (usually gray-colored material that's thin and stiff but lightweight as well), then the work is probably a reproduction. Most original paintings are done on canvas, wood or masonite panel.
2. Hold the picture up to the light. Sometimes, reproductions will use canvas to replicate authenticity, and it can be difficult to tell the difference. When you hold it up to the light and look through the painting from behind, however, check to see how evenly the paint has been applied. On reproductions printed onto the canvas, the "paint" seems to be applied evenly, and there is no overlapping. True paintings, however, will have a base coat laid down with colors painted over it. If there is overlap, then the painting could very well could be an original.
3. Look closely at the back of the painting or original print for copyright information and locate any labels that would indicate if the painting is a lithograph, print series or edition.. If you see a copyright symbol and date in small letters, it's a clear indication that you're looking at a reproduction. If the work is an original print or print series, in most cases the artist will have a signature and a number, such as 2/30.
4. Use the magnifying glass to examine the differences between the printing pattern on a reproduction versus an original. Reproductions will often be printed with a dot matrix pattern or parallel lines. You will not see the dot matrix pattern on an original painting, of course–it was created with brushstrokes.
5. Check the brushstrokes and texture. Manufacturers sometimes add a clear coat to the top of the printing as well as mechanical brushstrokes, which often don't match the painting. Real brushstrokes follow the flow of the piece. A brushstroke will leave a thickness of paint on the canvas for oil and acrylic works, while a watercolor painting will leave an impression on the paper. Use a magnifying glass to see any evidence of texture. Texture will reveal that the painting is an original work.
Determining the Worth of Prints and Reproductions
Some pictures are reproductions, which mean that they are photographic copies of paintings, often of famous paintings from museums. These are sometimes called 'art prints' or 'posters'. Some are of high quality and are almost identical to the original. The majority of reproductions of famous paintings have little value. This is partly because so many copies of this picture have been printed over the last 180 years. Some reproductions of paintings do have commercial value, particularly if they were published as limited editions. Supply and demand may mean that they increase in value.
Some pictures are artists' prints (sometimes called original prints), rather than reproductions. This means that the picture is not a copy of a painting. Artists' prints are not one-off pictures, but a limited number of copies exists. Methods of making artists' prints includes engraving, woodcut and etching. Artists' prints are not necessarily worth more than photographic reproductions. Signed limited edition reproductions of paintings by famous artists can fetch considerable sums, while amateur artists' prints may have no commercial value.
Limited edition prints are produced in limited numbers; this scarcity of supply can make them sought after by buyers. Some prints are produced in editions of less than 50, while some are from editions of 200 or even more. The number in the edition is often written by hand in pencil underneath the picture, or it may be printed at the bottom of the picture and be hidden by the frame. Limited editions are usually signed by the artist, which can help increase their value, particularly if the artist is famous. Some prints which are not limited editions are valuable, while some limited editions are out of fashion and are not sought after by collectors. Old cinema posters, for example, were not published as limited editions but can be highly valuable (if they are advertising famous films, are visually appealing and are in good condition).
The value of a reproduction can also depend on the type of reproduction or print, for example:
The value or price of a lithograph depends on the quality of the artwork, the quality of the paper and how successfully the print was made. The reputation of the artist who produced the print has a bearing on the price and so does the reason the print was made. Many lithographs were produced in order to inform the general public of how things looked before the camera was invented, and many of these series of illustrations are now quite valuable.
Serigraphs can be even more valuable due to the extensive process of creating this type of print. It can take a serigrapher up to 6 months to produce 1 run of as many as 500 serigraphs of the same image. The paints, sometimes over 100 colors, are applied in single applications. One paint color must then dry for at least 24 to 48 hours before the next color paint can be applied. Serigraphs are also produced in much smaller numbers than lithographs, and they are as costly to produce, and as close to the actual original painting as you can possibly get. Andy Warhol was famous for his serigraphs.
Giclee printing is a fairly new process believed to have been first used in the late 1980s or early 1990s on IRIS inkjet printers. Not as laborious as printing serigraphs, prices for giclee prints averaged from $50 to $1, 000 in 2010, depending on quality, size, paper used, framing and other factors.
To determine the value or price of a print or reproduction it is advised to seek out a qualified, fine art appraiser. At MIR Appraisal Services our qualified appraisers and researchers provide accurate valuations based on comprehensive research and examination.
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State troubadour 'in concert' with mission of Operation Hope
Published 12:04 pm, Monday, June 16, 2014
Kristen Graves, the Fairfield folk singer who is also the state troubadour, was front and center in Pequot Library's auditorium Saturday night to strum up support for Operation Hope and its mission to end homelessness.
Dozens of people were on hand to hear Graves, joined by acoustic guitarist Glenn Roth and percussionist Spencer Cohen. The three performed many of Graves' songs, which included selections from her latest CD, "Now Ain't the Time for Tears." Copies of the CD, along with tee-shirts, were available for sale, with a percentage of sales benefiting Operation Hope as was a share of the ticket proceeds.
The concert also served to highlight Operation Hope's participation in a 100-Day Campaign to End Homelessness, in collaboration with Alpha Community Services, Catholic Charities, New Reach and Supportive Housing Works. According to Operation Hope Executive Director Carla Miklos, the mission of the campaign was "to house all the chronically homeless people identified during our registration week, specifically those with the highest rate of physical and mental illness, addictions and longevity of time being homeless."
The push had been a successful one, said Miklos. "With just days to go, we have housed two-thirds of the people we identified as high needs in the population and are prepared to house eight more this week, to meet our goal of housing 45 individuals and families," she said.
Miklos explained that it was innovative to target this population because, "They are hard to find, have many barriers to success and, often times, are just invisible to the rest of us."
The partnership between the area social-services agencies was also unique. "We usually work on our own agendas and missions," Miklos said.
As to the pairing with Graves, Miklos said, "Besides being so talented, she has a real passion for social justice and doesn't shy away from supporting causes for hunger, homelessness and causes like her husband's group Simply Smiles."
With her appointment as Connecticut's troubadour by the state Office of Arts and Tourism, Graves said the honorary title lends credibility and has imparted more recognition outside the state.
Graves, born in Green Bay, Wisc., has called Fairfield home for the past six years.
She said she wanted to support Operation Hope because of its local mission. "Many other groups serve on a worldwide basis," she said. "And I like this area. It's a supportive place to be involved in music and causes."


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FJ Cruiser Toyota Suspension
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NEW Important Information Posted on: 11-28-2017
I would like to thank those that donate to our cause. I can assure you that any donations to our 501(c)3 Not for Profit are used to continue our service. So far this year I would like to thank you for your contributions that have totaled $2,240.00 through 11-28-2017. However this amount is 3,652.00 short of our expenses. This is not sustainable If by the end of the year our contributions have not covered our expense, I will be forced to recommend this stream be terminated. Please review our Donations and Expenses page and see for yourself. You can monitor our progress to achieve our goal and keep the Jones College radio stream alive. Until then…
Jones College Radio continues on the internet. You can connect and enjoy the same beautiful music format you know and love. We hope you will join the many tens of thousands who already connect daily to our broadcast on the internet.
Our previous page and web site was corrupted last week most likely by people who must like other forms of music. Our trusty staff kicked into gear today and completed what I think was a great job rebuilding the site. Thanks Clayton! Let him know what you think via email Clayton Williams.
Many of our listeners are talking about our new FREE Android App in the Google Play Store. If you have an Android phone click this link to get it Jones College Radio (JCR) from the Google Play Store.
To Listen online click the Red Radio image. Help for connecting to our stream is available on our
Help FAQ page there is a Smart Phones section. To see our Play List, showing the previous half hour, click on the Play List link.
I would like to thank Drew Dixon and the Florida Times Union for the November 6th 2014 story on our Broadcast.
For over forty-four years, the trademark Jones College sound has enjoyed a loyal following of dedicated listeners and can be heard 24 hours a day in private homes,
businesses and professional offices throughout northeast Florida and southeast Georgia.
Commentary by Dick McMeekin is enjoyed twice each weekday at 10:15 AM and 3:15 PM.
If you are an Agency or Marketing Professional looking for the elusive 35+ audience in the Jacksonville metro area,
JCR has them. We are proud of our large and loyal audience with market leading regular listener numbers. We have the highest Time Spent Listening hours of any station. Our studies show a consistent value to our sponsors, noted by many advertising experts in the area. You can view this and more information in our media kit in PDF format.
Jones College has been and continues to be the primary sponsor of Jones College Radio since its inception.
We broadcast news and information about programs and offerings of the college. More information about the programs and offerings of the College are available here.If we are to continue our beautiful music broadcasts on the Internet we must take every opportunity to convince you, the public, that we are worthy of your support. Keep beautiful music and support Jones College Radio.
Thank you to those who support us and the Beautiful Music of Jones College Radio. Here are our
Donations and Expenses.
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A 73-year-old woman was unconscious and rushed to Harborview Medical Center on Monday morning after being hit by a Smart Car in a Central District crosswalk.
Police say the accident happened about 8 a.m. at South Main Street and 18th Avenue South.
The 2008 Smart Car, driven by a 29-year-old woman, was going south on 18th. The 73-year-old woman was in a marked crosswalk at the intersection.
Police said they found no signs of alcohol or drug use by the driver.
Police released her and are continuing to investigate.


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Spicy Fish Soup Recipe
5 1 1
The addition of salsa packs a punch in this simple soup recipe. We enjoy eating it with oven-fresh bread and dessert.—Linda Murry, Allenstown, New Hampshire
Recommended: 20 Scrumptious Healthy Soups from Your Slow Cooker
VERIFIED BY Taste of Home Test Kitchen
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- 2 cans (14-1/2 ounces each) chicken broth
- 2-1/2 cups water
- 2/3 cup uncooked instant rice
- 1-1/2 cups salsa
- 1 package (10 ounces) frozen corn
- 1 pound cod, cut into 2-inch pieces
- Fresh lime wedges, optional
- In a large saucepan, bring the broth, water and rice to a boil. Reduce heat; cover and simmer for 5 minutes. Add the salsa and corn; return to a boil. Add fish.
- Reduce heat; cover and simmer for 5 minutes or until fish flakes easily with a fork. Serve with lime if desired. Yield: 8 servings (about 2-1/4 quarts).
Originally published as Spicy Fish Soup in Country Woman January/February 1998, p35
Reviews forSpicy Fish Soup
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Reviewed Jan. 6, 2014
"Very easy to do and an excellent meal. Even my husband, who doesn't care for fish, enjoyed it."