text:
The Secret? It's Not the Potatoes
By JULIA MOSKIN
Published: November 14, 2007
T O the brave gladiators of the Mashed Potato Wrestling Federation, it does not matter whether the potatoes are peeled beforehand or if the cooking water is correctly salted.
''You just want to make sure you don't breathe it into your lungs,'' said Steve Barone, a video producer in Minneapolis and the reigning champion of the sport, which takes place in a pit of squishy mashed potatoes. ''That stuff is like concrete,'' said Mr. Barone, whose pit name is Steve-O Gratin.
On Thanksgiving, cooks have more refined concerns. Mashed potatoes are a cornerstone of the meal, and even great culinary minds give conflicting advice on how to perfect them. Waxy or floury? Mashed or riced?
Tradition calls for beating them until your arm goes numb; molecular gastronomy insists on simmering the potatoes twice, at different temperatures, to control the starch cells. Improving on the research would seem to require biceps like baseballs and access to a particle accelerator.
But why bother? Having recently mashed 32 pounds of potatoes over a three-day period, I can say that they are good cooked in plain water, in salted water and in water mixed with milk, wine or chicken stock.
They are good made with yellow-fleshed, red-skinned, all-purpose, fingerling, organic, new-dug and supermarket potatoes.
Potatoes mashed the easy way (in a stand mixer) and the hard way (in a ricer) were more or less equally delicious.
''Mashed potatoes are very forgiving,'' said Michael Chu, a California software designer with a love of garlic mashed potatoes and a Web site called Cooking for Engineers. ''As an engineer, I strive for the most efficient path to an application. In this case the application is mashed potatoes that people will love. In my experience there are a variety of ways to get there.''
With a good masher, hot potatoes and enough butter and salt, cooks can accommodate religionists of the fluffy style and partisans of the creamy and dense. (This is, no doubt, as our founders would have wanted it.)
Freedom begins with the plentiful potato. Making the choice can seem dizzying, but it does not have to be.
''I've tried a lot of the different breeds mashed and, to tell you the truth, after a few they all start tasting pretty much the same,'' said Albert Wada, chairman of the United Potato Growers of America. ''I'd say the difference is subtle.''
Mr. Wada is one of the biggest potato farmers in Idaho and a third-generation grower of Russet Burbanks, the classic Idaho baking potato, so next week his inevitable choice will be an all-russet mash that is fluffy and slightly grainy and that holds up well for hours after mashing. ''And no garlic or other exotic flavorings, either,'' he said.
For many cooks, the compulsion to add to the mash is irresistible. It starts with a few parsnips, some carrot and celery root, a little Web research. Next thing you know, fresh lavender and goat cheese are on the shopping list.
Some cooks prefer a mash with coarse chunks of potato and bits of peel, but that is a different entity from the classic, gravy-loving American mash. So is the puddled, creamy, butter-infused French pur?fashionable in restaurants; this style should be given a rest on Thanksgiving.
One recipe I tried last week called for caramelized onions, cream cheese, brown sugar, sour cream, cream, soy sauce, dried parsley and chicken bouillon granules in addition to potatoes. It took almost an hour and a half to prepare, and tasted exactly like an onion soup sour cream dip: savory, creamy and chemical.
With all these distractions it is easy to forget that a plain bowl of smooth, simple mashed potatoes can be both easy and celestial. ''There are a lot of things you don't have to worry about,'' Mr. Chu said. ''And a few things you do.''
First, choose your potato: floury (high in starch, like a thick, brown-skinned baking potato) or waxy (low in starch, like a thin-skinned red, white or yellow potato). Both kinds will work, together or separately (I am loyal to a combination of russets and yellows), although many recipes, especially older ones, sternly demand one or the other.
''In the past there was more variation in flavor, in how potatoes were harvested and stored and brought to market,'' said Jim Cook, a potato farmer in northern Maine. Today, he said, ''there can be all kinds of flavor variations, and a yellow potato that's been bred for production might not taste as good as a white that's been bred for taste.''
His suggestion: buy from local farmers, so you know the potatoes were grown for a home kitchen and not for a McDonald's deep fryer. Mine: buy ''A'' grade potatoes, the largest ones on the market. Fingerlings and other twee potatoes are nice for roasting, but not for peeling.
Peeled, cut potatoes performed much better in my laboratory. They cooked more evenly and were less waterlogged than those boiled whole and unpeeled.
The cooking water should be plentiful and salted, but it does not seem to matter a bit whether the potatoes are started cold or dropped into a rolling boil. Boil until they are very soft, when the pointed tip of a knife goes all the way through the center; rescue them before they get shaggy around the edges, a sign that they are dissolving in the pot. Meanwhile, heat the butter or a butter and milk mixture (again, a matter of personal taste and house style).
Steam the potatoes dry as soon as they are drained: this is not the moment to check the turkey or e-mail. Shake them around in the hot pan or over very low heat for a minute.


text:
Jul 21, 2009
Over the past few years, relational databases have fallen out of favor for a number of influential people in our industry. I'd like to weigh in on that, but before doing so, I'd like to give my executive summary of the events leading up to this movement:
In the late nineties and early thousands, websites were mostly read-only--a publisher would create some content and users would consume that content. The data access patterns for these types of applications became very well-understood, and as a result many tools were created and much research and development was done to further develop these technologies.
As the web has grown more social, however, more and more it's the people themselves who have become the publishers. And with that fundamental shift away from read-heavy architectures to read/write and write-heavy architectures, a lot of the way that we think about storing and retrieving data needed to change.
Most people have done this by relying less on the features provided by traditional relational databases and engineering more database logic in their application code. Essentially, they stop using relational databases the way they were intended to be used, and they instead use them as dumb data stores.
Other people have engineered new database systems from the ground up, each with a different set of tradeoffs and differences from their relational database brethren. It's these new databases that have some in our industry excited, and it's these databases that I'm going to focus on primarily in this post.
(By the way, there's a whole lot more theory behind the movement away from SQL. Primarily of interest is the CAP theorem and the Dynamo paper. Both of these illustrate the necessary tradeoffs of between different approaches to designing databases.)
I love SQL. More than even that, I love my precious ORM and being able to query for whatever information I want whenever I want it. For the vast majority of sites out there (we're talking 99.9% of the sites out there, folks) it suits their needs very well, providing a good balance of ease of use and performance.
There's no reason for them to switch away from SQL, and there's no way they will. If there's one thing I don't like about this whole NoSQL movement, it's the presumption that everyone who's interested in alternative databases hates the status quo. That's simply not true.
But we're not talking about most sites out there, we're not talking about the status quo, we're talking about the few applications that need something totally different.
Tokyo Cabinet (and its network interface, Tokyo Tyrant) is the logical successor to Berkeley DB--a blazing fast, open-source, embeddable key-value store that does just about what you would expect from its description. It supports 3 modes of operation: hashtable mode, b-tree mode, and table mode.
(Table mode still pretty much sucks, and I'm not convinced it's a good idea for the project since it's added bloat and other systems like RDBMs are probably better for storing tabular data, so I'm going to skip it.)
Essentially, the API into Tokyo Cabinet is that of a gigantic associative array. You give it a key and a value, and then later, given a key, it will give you back the value you put in. Its largest assets are that it's fast and straightforward.
If your problem is such that you have a small to medium-sized amount of data, which needs to be updated rapidly, and can be easily modeled in terms of keys and values (almost all scenarios can be rewritten in terms of keys and values, but some problems are easier to convert than others), then Tokyo Cabinet and Tokyo Tyrant are the way to go.
CouchDB is similar to Tokyo Cabinet in that it essentially maps keys to data, but CouchDB's philosophy is completely different. Instead of arbitrary data, its data has structure--it's a JSON object. Instead of only being able to query by keys, you can upload functions that index your data for you and then you can call those functions. All of this is done over a very simple REST interface.
But none of this really matters. None of these really set CouchDB apart, because you could just encode JSON data and store it in Tokyo Cabinet, you can maintain your own indexes of data fairly easily, and you can build a simple REST API in a matter of days, if not hours.
What really sets CouchDB apart from the pack is it's innovative replication strategy. It was written in such a way that nodes which are disconnected for long periods of time can reconnect, sync with each other, and reconcile their differences in a way that no other database (since Lotus Notes?) could do.
It's functionality that allows for interesting and new distributed types of applications and data that I think could possibly change the way we take our applications offline. I imagine that some day every computer will come with CouchDB pre-installed and it'll be a data store that we use without even knowing that we're using it.
However, I wouldn't choose it for a super high scalability site with lots of data and sharding and replication and high availability and all those buzzwords, because I'm not convinced it's the right tool for that job, but I am convinced that its replication strategy will keep it relevant for years to come.
Wow, looking at the bullet points this database seems to do just about everything, perfectly! Yeah, it's a bit prone to hyperbole and there are some great things about it, but a lot of it is hot air. For example, it claims to support sharding but really all it does is have the client run a hash function on its key and use that to determine which server to send its value to. This is something that any database can do.
When you get down to it, Redis is a key-value store which provides a richer API than something like Tokyo Cabinet. It does more operations in memory, only periodically flushing to disk, so there's more of a risk that you could lose data on a crash. The tradeoff is that it's extremely fast, and it does some neat things like allow you to append a value to the end of a list of items already stored for a given key.
It also has atomic operations. This is honestly the only reason I find this project interesting, because the atomic operation support that it has means that it can be turned into a best-of-breed tally server. If you are building a server to keep real-time counts of various things, you would be remiss to overlook Redis as a very viable option.
It's good to save the best for last, and that's exactly what I've done as I find Cassandra to be easily the most interesting non-relational database out there today. Originally developed by Facebook, it was developed by some of the key engineers behind Amazon's famous Dynamo database.
Cassandra can be thought of as a huge 4-or-5-level associative array, where each dimension of the array gets a free index based on the keys in that level. The real power comes from that optional 5th level in the associative array, which can turn a simple key-value architecture into an architecture where you can now deal with sorted lists, based on an index of your own specification. That 5th level is called a SuperColumn, and it's one of the reasons that Cassandra stands out from the crowd.
Cassandra has no single points of failure, and can scale from one machine to several thousands of machines clustered in different data centers. It has no central master, so any data can be written to any of the nodes in the cluster, and can be read likewise from any other node in the cluster.
It provides knobs that can be tweaked to slide the scale between consistency and availability, depending on your particular application and problem domain. And it provides a high availability guarantee, that if one node goes down, another node will step in to replace it smoothly.
Writing about all the features of Cassandra is a whole different post, but I am convinced that its data model is rich enough to support a wide variety of applications while providing the kind of extreme scalability and high availability features that few other databases can achieve--all while maintaining a lower latency than other solutions out there.
There are many other non-relational databases out there: HBase and Hypertable, which are replicating Google's BigTable despite its complexity and problems with single points of failure. MongoDB is another database that has been getting some traction, but it seems to be a jack of all trades, master of none. In short, the above databases are the ones that I find interesting right now, and I would use each of them for different use cases.
What do you all think about this whole non-relational database thing? Do you agree with my thoughts or do you think I'm full of it?

subset: commoncrawl


text:
2012-10-02 — huffingtonpost.com
"Piece of shit," you've been replaced by "shit breather" in the lexicon of dumb Wall Street emails. Because if there's a Wall Street scandal, you can bet there are some dumb emails involved.
The latest example is brought to you by the lawsuit New York Attorney General Eric Schneiderman filed Monday evening against Bear Stearns (via JPMorgan Chase & Co., which purchased Bear during the crisis) alleging it knowingly stuffed mortgage-backed securities full of subprime garbage and then foisted them on unsuspecting investors.
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Students and the future.
September 11 2007 at 7:15 PM
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Mike Corsello
from IP address 220.127.116.11
I tried to talk to my students today about the anniversary of 911. I tried to impress on them that they were the future and that growing up with all of that hate(Like some of the children in the middle east are brought up with) was not worth it. I hope they listened. I was wondering if any one else mentioned anything to their students and what did you say?
Proud to be an American,
Mike Corsello 2nd Dan /School Owner
CKF Member
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September 11 2007, 10:30 PM
I did not do a large discussion, the whole 911 thing makes me sad and angry. we did have small discussions here and there. Hard to discuss it, many different views...whole thing goes to what we are doing now right/wrong blablabla. I will say a prayer for all of the victims and families of 911 and the brave soldiers who are fighting for us. Being hateful is not a good thing and teaching hate is worse. I do believe that we need to think about what happened all the time and never forget. we can never forget what happened to these people in this country on that day.
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Beta 92 is an archive system for enterprise-wide batch output. Job logs / files from z/OS, UNIX, Windows and SAP can be read in and archived according to a number of different rules, based on a VSAM database. All connected systems are administered centrally in the z/OS STC. Beta 92's architecture is designed to handle large quantities of data. More than 1,000,00,000 jobs can be read into the archive system daily. Job logs containing errors are analysed during reading in and escalated using a certified Tivoli interface or email. An index of the data can also be created while the job logs are being read in, which can then be used for selection criteria. Beta 92 Enterprise is accessed via 3270, Web interface or JAVA-based GUI. Beta 92 is the next logical step in Beta 92's development and is designed for enterprises wanting to store this application and its related batch processes externally on UNIX or Windows.
- More reliable production thanks to central control and monitoring of cross-platform jobs
- Beta 92 can be integrated into parallel Sysplex with the XCF cross-coupling facility
- Generate non-z/OS workload for Discovery products with ease
- Reduce costs with the integrated agent technology, which replaces unwieldy, multi-component third-party products
- Improved audit-compliance thanks to dedicated audit path for cross-platform job networks
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Functional details
Beta 92 searches logs from all platforms for errors, thus ensuring smooth production throughout the entire enterprise. You can employ the proven advantages of the mainframe - reliability and productive efficiency - as well as tried and tested infrastructure data centre batch processing throughout the enterprise, at the same time guaranteeing the highest level of production security for all platforms.
New Features
- Managed Agent update
- Various extensions for improved event & e-mail handling
- Improved audit-compliance for cross-platform job networks
- Robust information transfer to z/OS
Business problem
Your batch production staff manages several thousands of jobs daily. They need to be informed of errors in these jobs instantly. Manual checking is tedious, time consuming and error prone. Also you need to have the results of the jobs for viewing on-line and archived for audit trail purposes.
Business opportunity
With Beta 92 Discovery and Beta UX Log Master for open systems customer it is possible to save/view/retrieve jobs from all platforms. Different queues and different pools are assumption to manage the jobs in the database. A direct interface from TWS to Beta 92 Agility is helpful for the operating staff to analyse jobs in error.
Competitive advantage
This software enhances the performance of a company's IT in terms of its availability, scalability and flexibility.
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text:
At the same time units are preparing annual faculty evaluations, each unit's Committee A, with
input from the faculty and staff, must prepare an evaluation of the chair or director.
The evaluation includes (1) the Summary Report of Annual Faculty Evaluation and (2) a narrative review summarizing the chair/director's administrative performance based on input from the entire faculty and staff of the unit. The evaluation form should evaluate the chair/director in the areas of teaching, research, and service, including service as chair. The percentage of effort the chair devotes to each category should be noted, with at least 50% under the service category
typically devoted to duties as chair/director. Both the annual evaluation form and the narrative
evaluation must be given to and discussed with the chair/director before the final versions are
forwarded to the Dean's Office. Original documentation gathered from faculty and staff to
prepare the review should not be shared directly with the chair/director, but it should be attached
to the materials submitted to the Dean's Office.
The Dean also asks chairs and directors to prepare a list identifying their previous year's goals,
progress toward those goals, and a list of goals for the coming year. After receiving these goals
and after the Committee A meeting with the Dean or Associate Dean about the entire unit, the
Dean meets privately with each chair and director. These meetings take place in late April
through June.
NOTE: If the chair/director is being reviewed for reappointment for a term ending the following
year, Committee A does not need to conduct a separate review or prepare a separate narrative
evaluation for the annual review. Similar reviews will take place as part of the reappointment
process; elected Committee A members will be notified if they should be following the
reappointment process rather than the annual evaluation process.
The University of Oklahoma, 660 Parrington Oval, Norman, OK 73019-0390 (405) 325-0311.
Copyright © 2018 College of Arts and Sciences | The University of Oklahoma. All Rights Reserved.


text:
Life Renewing Center Life Renewing Center
Here's a sample of our volunteer opportunities:VIEW AS
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Mission Statement
Through education, natural healing arts and community service, we empower people to take charge of their physical, emotional and spiritual well-being.
Life Renewing Center offers weekly free classes on wellness and wisdom, natural healing arts for quick stress reduction and common health complaints.We teach Qigong, TaiChi and Meditations, and share the knowledge of food remedies from Chinese home cooking. We provide education and service to anyone who is seeking natural health, sound mind and harmonious life. We are working on making the earth a more loving and compassionate place to live one family and one community at a time.
Would you recommend Life Renewing Center?


text:
The striking copper miner who
-isn't an American citizen is lucky
for he can get protection through his
Uncle Sam has to protect the rights
of foreigners even if he won't pro
tect the rights of American citizens.
- The Austrian government is about
to step in and protect some of her
citizens who have been . forced to
work in the copper mines against
their will.
By the way, what is government
It appears that the copper barons
of Massachusetts can do as they
darned please in Michigan.
And all either state or national
government appears to be able to do
is to plead with them.
What they need is a swift kick!
Why not grant the miners belliger
ent rights, let them have guns and
fight it out with the imported gun
men? State's Attorney Hoyne evidently
doesn't suit the trust newspapers.
If he can keep the trust press down
on him and refuse to be' bossed by
them, some people who opposed his
election may revise their opinion of
Yes there is some hope for
Hoyrie, with the high-brow bunch
down on Him.
The newspapers have run the
state's attorney's office so long that
it is high time for a change.
One of the burning questions in
local politics is whether Roger Sulli
van and Billy O'Connell will play ball
on the same team this year.
In the meantime, if Johnny Evers
expects to make a hit with the Cubs
this year, he had better get busy now
taking a few lessons in managing
Sure every employer who wants to
hold wages down will think Ford
made a mistake in establishing a $5
That kind of industrial justice in
terfere with "business." .
Subways will not prevent conges
tion if over 2,000,000 people are
forced to do business in one little
patch of land called the loop.
We have surface and "L" lines now
and rotten congestion in the loop.
And the more ways you figure out
for people to get into the loop, the
greater the congestion will be.
Better wipe Loopville off the map
and build uj Chicago.
It's very evident the council finance
committee is going to have a hard
time pulling down the $2,500,000 ex
cess in the new budget.
Up to now they haven't been able
to budget L
o o '
Washington, Jan. 10. The Treas
ury Department announced today
that it will co-operate with the city of
San Francisco in finding employment
for idle men there and will shortly
begin constructing a new road
through theUarine Hospital reserva
tion there.
Such a road has been contem
templated .for some timej but tti
work will begin sooner than first
planned. This action was taken in
response to telegram received by
Assistant Secretary Newton from
James D. phelan, treasurer of the
citizens' committee, of San Francisco,
asking that the government give em
ployment to men there immediately,
if possible. JAIlj
o o
Superior, Wis., Jan. 10. Testify
ing before the vice commission ap
pointed by the last legislature, Rev.
Harry W. Knowles astounded the in-'
vestigators by declaring this City con
tains a club of boys which admits no
member but those, who have, had
some venereal disease. All ofitho
boys are under 16 years of age.
xml | txt


text:
At the 2013 Academy Awards (Oscars) which took place yesterday Sunday 24th February 2013 in California, BellaNaija Style spotted US based Nigerian fashion stockist and blogger Folake Kuye Huntoon of Style Pantry in a green dress by Jewel by Lisa.
The high neck short sleeve print dress by the Nigerian design label was displayed at the 2012 MTN Lagos Fashion & Design Week in October 2012. Folake styled her dress which features a thigh-high slit with diamond drop earrings, a silver belt to accentuate her waist and a pair of yellow ankle strap heels.
Her look was completed with smoky eyes and an afro.
Keep refreshing BellaNaija.com for all the scoop and arrival photos from the academy awards.
Photo Credit: StylePantry.com | Kola Oshalusi for Insigna


text:
I owe my mom a infinite acknowledgement. I was the most unsuitable kid in the planetary to have to upshot up in the antemeridian. I'm certain if she hadn't started waking me up 2 hours past we requisite to leave, she sure as shooting would have been fired.
She tried everything. Loud alarms, forcing me to get out of bed time she watched, making the dog leap on top of me, musical songs, the integral 9 yards. But, by the circumstance I was 10, I literary to excess of ruse to get those finishing written account of beloved nod off in.
My individualized primo was going into the bathroom, junction on the heavy shower river and curled up on the bath level for quite a lot of added snoozing. It bought me at tiniest 15 records earlier my mother knocked on the door to say "hurry up." She in the main had no opinion I was winged unawakened.Post ads:
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I am betraying my lad deferred snoozers, but here's how to resource them from fashioning you unsettled for work:
Stricter bedtimes
Between outside activities, television, the Internet, and compartment electronic equipment chats, kids are up way future than they should be. Plan meal earlier, transcription behind dark shows and put the kids to bed an hr or two nearer.
Limit caffeine intake
With sodas, brunette and coffee (yes, kids are ingestion coffee), it's amazing how some caffein youngsters proceeds in during the day. Regulate their caffeine bodily process to give a hand them spatter off to dreamland in advance.
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Prepare the period of time before
Get your kids into a nighttime royal so they'll have much antemeridian sleeping event. They should large number their backpacks, brand their meal and cast-iron their clothing for the close day. Showering the darkness back too helps. That way, they can axial rotation out of bed, into their pressed clothing and promenade out the movable barrier near their packed plenty.
Breakfast on-the-go (or at school)
Send the kids off to college next to portable meal - a muffin, yogurt, fruit, or grilled cheese sandwich. They can eat on the way or when they get in that. If conservatory serves breakfast, that's another derivative instrument.
Depending on the age range, this will change. For younger kids, you can set a dream of mortal on case for two weeks undeviating. Attach a prize to the achievements. I don't propose doing a each day deed and reward, nonetheless. Long occupancy ones slog better-quality to modify conduct. For older ones, coerce to move them at sett. Make them step or ride the bus if they're posthumous.
If you have other toddler who isn't fiddly to get up in the morning, let the different offspring see you complimentary that youth.
The world is, if you lose your job, the bills don't get paid. If kids skip too substantially school, they speculate failing out. So, tardiness is a intellectual circulate for some. That being said, the hurdle may come with to the constituent of needing fine. So, set a decrease and trademark it distinct ("If you're advanced two present in one month, you will be punished"). Punishment can be a wharf of allowance, unneeded chores, grounding, or boundaries on recreational undertakings and cellular phone instance.
Set his or her clock ahead
This doesn't lend any correct values or discipline, but it does the lure for a few days until he or she info it out. If you status your kid up at 6am, shuffle the chronometer 30 minutes leading. When he or she sees that it's 7:30, the feet may possibly swing quicker than if it says 7am.


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January 8, 2014
Habitable Zone For Exoplanets May Extend 10 Times Farther Than We Thought
[ Watch the Video: Life In The Habitable Zone ]
Lee Rannals for redOrbit.com - Your Universe OnlineA new paper published in the journal Planetary and Space Science claims planets that were once thought uninhabitable may actually be able to contain life after all.
University of Aberdeen scientists say that earth-sized planets are able to support life at least ten times farther away from stars than previously thought. This idea challenges the traditional 'habitable zone' theory because it takes into consideration life living deep below the ground. The habitable zone is the estimated distance an exoplanet needs to be from its host star in order to support life.
"A planet needs to be not too close to its sun but also not too far away for liquid water to persist, rather than boiling or freezing, on the surface," PhD student Sean McMahon said in a statement. "But that theory fails to take into account life that can exist beneath a planet's surface. As you get deeper below a planet's surface, the temperature increases, and once you get down to a temperature where liquid water can exist – life can exist there too."
The researchers created a computer model to estimate the temperature below the surface of a planet by using its size and distance from its star. So far, scientists know that the deepest known life on Earth sits at 3.2 miles below the surface, but McMahon points out that there could be more, deeper in places that haven't yet been drilled.
"Using our computer model we discovered that the habitable zone for an Earth-like planet orbiting a sun-like star is about three times bigger if we include the top five kilometers below the planet surface," explained McMahon. "The model shows that liquid water, and as such life, could survive 5km below the Earth's surface even if the Earth was three times further away from the sun than it is just now. If we go deeper, and consider the top 10 km (6-miles) below the Earth's surface, then the habitable zone for an Earth-like planet is 14 times wider."
The currently accepted habitable zone model for our solar system extends out as far as Mars, but taking into account the new considerations would mean that this zone would extend out past Jupiter and Saturn.
"Rocky planets a few times larger than the Earth could support liquid water at about 5 km below the surface even in interstellar space (i.e. very far away from a star), even if they have no atmosphere because the larger the planet, the more heat they generate internally," McMahon said. "It has been suggested that the planet Gliese 581 d, which is 20 light years away from Earth in the constellation Libra, may be too cold for liquid water at the surface. However, our model suggests that it is very likely to be able to support liquid water less than 2 km below the surface, assuming it is Earth-like."
The PhD student said he hopes this study will encourage more scientists to consider how life on other planets could be detected. McMahon also believes that it might be worth looking for signs of life outside conventional habitable zones because there could be signs at the surface that life exists deep below.
"The surfaces of rocky planets and moons that we know of are nothing like Earth. They're typically cold and barren with no atmosphere or a very thin or even corrosive atmosphere. Going below the surface protects you from a whole host of unpleasant conditions on the surface. So the subsurface habitable zone may turn out to be very important. Earth might even be unusual in having life on the surface," the researcher concluded.


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Ready to jump into today's buying guide? We've collected some pretty, pretty items that are both romantic and vintage, sleek and modern and all together make for quite the visual impact. If you fell head over heels for today's Portland Photo Shoot but aren't quite sure how to execute the same look then you are right where you need to be. Plop down and have a looky loo at some of the pieces you can incorporate for your very own Romantic City fête.
1. Invitations: The paper goods can set the tone for your affair and they are a great way to infuse some personality. For a look that is both romantic and timeless, try a pretty in pink set by a printable press. Gorgeous and easy on the wallet since you can print these invitations yourself if you so choose
2. Metal Containers: We love the combination of city and country. A great way to get this look is with a sleek, metal container for your centerpieces. Fill these babies with loads of pretty petals in soft pastel shades.
3. Flower Halo: If there is one hair piece that can transcend the boundaries of almost any style of wedding, it is this big bloom. Whether you are going boho, city glam, beachside briding it (yes, I just made up yet another word) or celebrating your nuptials in the countryside, this pretty piece will fit the bill and for a romantic urban fête? Pure perfection.
4. Shoes: Totally romantic, and the prettiest shade of blush pink – does it get any better than this pair of Badgley Mischkas?
5. Wedding Dress: The Melissa Sweet Fern dress made quite the splash in today's photo shoot. It is practically a classic in our books. For a similar look, try Ivy & Aster's Sweet Pea on for size. Nothing says gorgeous like layers of swiss dotted chiffon.
6. White Pitcher: Ikea is such a great resource for inexpensive decor and these white pitchers are no exception. They have the look of a rustic kitchen item but paired with modern decor add a whole new layer of pretty to the table
7. Branches: Flowering branches are crazy beautiful but unfortunately they aren't always available. To get the look year round, try placing manzanita branches in your floral decor. It gives the table a natural, organic vibe while adding height to your centerpieces and looks quite nice with big blooms.
8. Flowers: Blushy pinks and pale pastels are the name of this floral game. Try flowers with loads of texture like english garden roses and hydrangeas
Image Credits: Invitations: A Printable Press / Metal Vases: Jamali Gardens / Flower Halo: ban.do / Shoes: Zappos Couture / Dress: Ivy & Aster / Pitcher: Ikea / Manzanita Branch: Blooms & Branches / Flowers: Fifty Flowers


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DENTON, Texas (AP) -Eric Tramiel had a career-high 25 points and added 13 rebounds to lead North Texas to an 86-78 victory against South Alabama on Thursday night.
George Odufuwa had 16 points and 16 rebounds for the Mean Green (12-7, 5-4 Sun Belt), which had five players score in double figures.
Tim Williams and Bryan Sherrer scored 20 points each for South Alabama (12-8, 4-4).
A three-point play by Sherrer made the score 80-78 in North Texas' favor with 46 seconds remaining. But the Mean Green made all six free-throw attempts down the stretch, and Tramiel had a critical block of a 3-point shot attempt by Martino Brock.


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"Artists, at the heart of it, are trying to communicate. Be it a piece of their story, beauty, sadness or a piece of their soul: They are trying to tell the stories of who they are, who we all are and what it means to be human and alive in this world of ours." – Tamara Laporte
Hello there! I am Tam! Thank you for checking out the course information for Ever After, one of my newest babies! :) It is a course with 2 of my favourite themes/ topics: fairy-tales and style development! We ran Ever After for the first time last year and we had so much fun! It was a raving success with over 1500 people having joined it! Wow! I couldn't wait to run this wonderful course again, so here we are! I created Ever After to help many of the thousands of students who've been on my other courses and my peers' courses to develop their own style (omg the holy grail! I get the 'how do I develop my style question' so often!). Once again I've poured my heart and soul into this course and once again I've invited a FABULOUS group of celebrated mixed media artists who all can't wait to share their lessons and insights with you! :) I'm super excited about this offer to the mixed media art community. This course is a fantastic offer to those who are interested in learning how to make beautiful mixed media paintings inspired by traditional fairy-tales and myths and it has a very attractive curriculum for those interested in the hows and whats of style development.
"Ever After" is a mixed media art & style development course with a fairytale theme hosted by Tamara Laporte from Willowing Arts. Tam is joined by 15 popular mixed media art teachers who will all share beautiful fairy-tale inspired lessons with you AND, in style dev segment they will also divulge all their hints and tips on how they developed their own style and how YOU TOO can find your own unique voice as an artist! :) Yay!
Registration Now Open!
Class has Begun, but You can Still Join! :D
It will run over a period of 4 months and you can join 3 different packages. The first package (fairy tale lessons only) can be taken by anyone; budding beginner artists, intermediates and the more experienced. It is for those who are interested in learning how to create beautiful fairy tale inspired paintings in a variety of mixed media art techniques. Each teacher on Ever After has chosen one fairytale, myth or magical story to work with and will use the beauty, story telling, deeper meaning and symbolism of the fairy tale to inspire their lesson. The fairy tale only package on its own does not cover style development.
The second package (Fairy Tale lessons + Style Development content) contains all fairy tale lessons and all style development content. The fairy tale lessons will be used to explore and develop our styles as well as learning new techniques from the teachers. Many artists and students who've been on my courses over the years have struggled with developing their own style. There aren't really any courses out there that dedicate themselves to this element of what it means to be an artist, yet, it's one of the most frequently asked questions I get! So I felt called to finally create something! Yay! The style development content is very rich and in depth. We look at concepts such as: "the story of you", "inspiration, how to find it, how to use it", "stepping outside of comfort zones/ changing things up" and "creative blocks, like the inner critic, fears, comparison etc".
The second package is suitable for anyone interested in style development even if you are a beginning artist with an interest in this area you can join this segment, however this package is more geared towards artists/ students who already feel quite confident when it comes to making art and mixed media techniques but are feeling stuck when it comes to developing their own style and creating with their own voice. It's for those people who really want to dig into telling their own true unique story through their art. The fairy tale lessons in this package will be used extensively to study other people's styles & techniques and students will use those lessons as a springboard to explore and develop their own style. The 2nd package comes with an in depth style development workbook and several videos, PDFs and meditations by myself and guest artists.
The 3rd package is a bundled package that includes all content from the second package PLUS several of the fairy tale lessons from Ever After 2016 for extra magic in your life! :D
Package 1 (Fairy Tale lessons only)
◙ 15 in-depth fairy-tale themed mixed media art lessons.
Each lesson is inspired by a fairy-tale, myth or magical story.
◙ 15 In Depth/ Supporting PDFs
◙ 3 Bonus lessons from last year with Tam
Package 2 (Fairy Tale lessons + all Style Development Content)
◙ All 15 fairy tale lessons
◙ An in-depth style development workbook (to be printed out by student) (4 parts)
◙ Video content with Tam explaining/ demonstrating how to work through the workbook
◙ Several style development assignments
◙ 14 videos of guest teachers containing information on how they developed their own style, hints & tips on style development and some might demonstrate creatively on style development.
◙ 14 + Videos discussing monthly style development themes with Tamara Laporte:
- The Story of You – Deepening the connection with yourself and your story/ message through art. Discovering yourself and your unique message.
- "Make it Your Own" with Tamara Laporte
- Inspiration, how to find it and how to use it. Includes copying vs being inspired by.
- Productivity/ pushing ourselves/ changing things up/ stepping outside of our comfort zones to help with style development
- Dealing with inner and outer critics + how to deal with distractions and pressure to conform to popular art styles.
◙ Video content with Andy Mason (NVC Trainer/ Tam's husband) on: "How to Discover your True North"
◙ 5 Guided visualisations/ meditations by Tam: Grounding Into You/ Opening to Inspiration/ Deepening Self Confidence & Strength & Esteem/ Working Through Creative Block/ Transforming limiting beliefs into liberating beliefs
◙ 3 Bonus Time Lapse Videos with Tam demonstrating how to create Tinkerbell/ Malificent and The Happy Princess
◙ 3 Bonus Videos on style development by Flora Bowley (she is part of the Style Development segment only)
Package 3 (Fairy Tale lessons + all Style Development Content + Fairy Tale lessons from Ever After 2016)
◙ All content from Package 2 +
◙ Fairy Tale Lesson from EA2016 by Tamara Laporte: The Little Mermaid
◙ Fairy Tale Lesson from EA2016 by Micki Wilde: Little Red Riding Hood
◙ Fairy Tale Lesson from EA2016 by Effy Wild: The Ugly Duckling
◙ Fairy Tale Lesson from EA2016 by Jane Davenport: Sleeping Beauty
◙ Fairy Tale Lesson from EA2016 by Carla Sonheim: Jack and the Beanstalk
◙ Fairy Tale Lesson from EA2016 by Karine Bosse: Alice in Wonderland
◙ Fairy Tale Lesson from EA2016by Annie Hamman: Snow White
◙ Fairy Tale Lesson from EA2016by Mystele: Galadriel (Lord of the Rings)
◙ Fairy Tale Lesson from EA2016 by Andrea Gomoll: Beauty & The Beast
◙ Fairy Tale Lesson from EA2016 by Galia Alena: The Handless Maiden
◙ Fairy Tale Lesson from EA2016 by Cinnamon Cooney: Goldilocks and the 3 Bears
These additional lessons will be in 'self-study' mode and won't be referenced in the course content of Ever After 2017 but can absolutely be incorporated by the student. You will get access to the EA2016 fairy tale lessons within 24 – 48 hours after purchase.
Please note: Micki Wilde & Cinnamon Cooney's fairy tale lessons will be available elsewhere this year for free – this is reflected in the bundle package price, I'm just including them here because they were part of last year's bundle so you'll have access to them here and you'll be able to download them through this course.
Download the Ever After Class Schedule below:
What people have said about Ever After last year:
* Dawn Kramer: "Signing up for Ever After 2016 is the best thing I've done to for my art, and myself. Thank you, Tam! Although I haven't gotten to the first drawing yet, your own story, the meditation, and the questions (I am working through now) are sparking inspiration and opening my eyes to bits of my art I never "saw" until now. I am so grateful to the person who told me of Willowing, and to you for sharing your enlightening vision with all of us! <3"
* Summer Pettus Weber says:"Tamara Laporte, thank you so very very much for this experience. Still working on the workbook at the moment. Really profound stuff is coming from this. Resonance, so much resonance. Taking stock of choices and desires and the constant seeking. I am starting to see the why of so many decisions I've made in art. The biggest revelation coming in my desire for conflicting duality. Because my childhood had resounding positives and negatives. There is a sense of the seen and unseen I am drawn to, a consistent searching to explore things and to show that they are not always what the appear at first glance. The soul work of this process is gratifying. Andy's message about finding your true north is so liberating!! I feel like creative people already have a very strong sense of true direction. But for some reason the world at large tells us that everything else should be more important than soul, than art. Its been a day and I have already found that art is my bio-hazard suit to the pain in my life, both resolved and unresolved. The ability to use art as a safe way to explore and release, to cauterize and heal. It's been a mostly unconscious thing until now. Now that it is armor and sunshine, it is protection and celebration. I'm overwhelmed.. and it's been a day. After four months.. I am excited because the world is brimming with possibilities that I might not have been aware of till now."
* Anna Sporring: "I want to share a really, really big and loving THANK YOU to Tamara Laporte for creating this course. ♥ ♥ ♥
My inner artist has been locked away in a box for almost 50 years. I have tried to break out of it now and then during the years but always ended up back in the box again. After having gone through the first parts of the course, I can see clearly how I ended up in that box in the first place. And now I understand why it's been such a struggle to create something of my own all this time (copying others was never a problem, but I thought I needed permission to create something on my own!) Seriously this wonderful course has brought me the KEY to get out of the box and give myself permission to be an artist!"
*Cheri Elder Innocenti: "So excited about the new round of Ever After; last year's Ever After has been my favorite art class I have taken!"
- Download all class materials to your machine, keep them forever
- Learn many new mixed media techniques
- Create beautiful paintings inspired by fairy-tales and myths
- Deepen your understanding of and learn more about the history & symbolism of fairy-tales and myths.
- If you join package 2 you will learn a vast amount on how to develop your own style and how to find your true unique voice/ how to tell your unique story.
- Work from the comfort of your own home
- Access to your own private class room
- Access to a private (secret) Facebook Group
- Connect with like-minded creative people
- Make new creative connections
- Become part of a buzzing/ thriving art community for a whole year!
Some of the most celebrated mixed media teachers & artists in the community! I'm so proud and happy to have them on board as this year's Ever After team!! :D
+ Visionary Artist and Teacher Flora Bowley, will be contributing to the style development segment
Download this document to read all about them and to see some of their amazing art!
- You will need a highspeed internet connection to be able to download and the videos. If you have a slower connection you can stream the videos online and/ or learn through the PDFs, but the best option is to have a highspeed internet connection.
- It will be helpful to have a basic understanding of IT, like reading emails, navigating sites like Facebook and flickr etc. If you're having trouble with some IT related stuff some help can be given, but in depth IT guidance cannot be given.
- If you are planning on downloading and keeping the videos you will need to make sure you have approx 30-40GBs of data space available (if you are low on space on your computer we recommend you buy a separate external harddrive to which you can download all the lessons). Unfortunately I am unable to offer the entire class on DVD/ CD.
- Be aware that you will have access to the Ever After content until the 31st December 2017, so make sure you download what you want throughout the year, DON'T WAIT UNTIL THE LAST MINUTE, because the content will really disappear after Dec 31st 2017.
- You will need a printer at home or be able to go to an external printer place to print out the workbook if you are joining package 2 that includes the style development segment.
Download the suggested tentative supply list here:
- You want to spend 4 months creating beautiful fairy-tale/ myth inspired mixed media paintings
- You'd like to learn more about style development and developing your unique voice, telling your story through your art
- You enjoy drawing, painting and mixed media art
- You enjoy stories and their deeper meaning + symbolism
- Like learning more about drawing figures & faces
- You want to connect with a like-minded artsy/ creative group of people
- Like working in a kind, non-judgemental environment
- You enjoy working from the comfort of your own home
- If you do not enjoy exploring fairy-tales and myths.
- If you are hoping that each lesson will present a completely new technique and that no technique is ever repeated. Each lesson is fresh and newly created by each teacher, BUT we all work in the same field, so we will likely overlap with some techniques here and there. That doesn't mean you don't learn anything new because we all do something different with each technique, each teacher has their own unique style and creates amazing work, just be aware that some techniques may overlap.
- If you don't like drawing faces & figures. The course is mostly figurative. We will be drawing quite extensively with a focus on faces and figures. Previous drawing experience is great and helpful but not needed.
- Package 2 is not for you if you're not interested in exploring/ developing your own style and own voice.
Join us now!! :D
Just click on 'add to basket' for your chosen package and we'll get you all set up!
- All content is downloadable, yours to keep!
- You can work at your own pace at home in your comfy clothes!
- The course runs for 4 months, you get access until end of December to download everything
- We have a dedicated private Facebook group where you can connect with fellow students!
Join us now!! :D
Just click on 'add to basket' for your chosen package and we'll get you all set up!


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What does RUR mean in London Stock Exchange?
This page is about the meanings of the acronym/abbreviation/shorthand RUR in the Business field in general and in the London Stock Exchange terminology in particular.
Rurelec, P.L.C.
Find a translation for RUR in other languages:
Select another language:
Discuss this RUR abbreviation with the community:
Use the citation below to add this abbreviation to your bibliography:
"RUR." Abbreviations.com. STANDS4 LLC, 2018. Web. 17 Mar. 2018. <https://www.abbreviations.com/term/603598>.


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SWARAGINI (DIL KI DOR) Part 3
Guys , thanks for your support now lets begin with the episode .
The episode starts with sanskar eyeing ragini trying to go from the crowd and he says : excuse me.
Ragini doesn't understand that he's calling her so doesn't turn .
Sanskar (loudly): excuse me.
Ragini gets afraid of this and suddenly turns dropping her bag and a few books . she gets down for picking it still afraid while sanskar says: name junior?
Ragini till that picks her stuff and stands and says still afraid: ragini
Sanskar: full name?
Ragini :…….
She's about to speak but aniket interfares thinking that sanskar will get to know her truth and then aniket in a hurry says : what we have to do with her name , lets just ask her to do what we want.
Sanskar : correct aniket , so miss ragini (and he notices her foot) oh actually i guess girls should get ready on the first day of collage and you have wore flats ?
Ragini afraidly: i can fall down in heels so thats why.
Sanskar smiles mischiviously and sees all the girls standing in the crowd .he points to a girl and asks her to come forward. The girl smiles and comes forward as if she was waiting for this opportunity. Sanskar: (pointing to her very high heels) can you please remove your heels for a while ?
Ragini is shocked and that girl smiling removes her heels and sanskar sees ragini and eyes towards heels to indicate her to wear them.
Ragini (afraidly): i don't know how to wear those sandals.
Ragini thens eyes towards aniket as if asking for help but he turns his eyes away.
Sanskar ( mischievously smiling): no problem madam , i am here.
He then sits on a knee and asks her for her foot.
Ragini is still afraid of him so she complies.
He then makes her wear the heels and then stands up. She can't even stand in those heels and he tells her to walk in those heels till a little distance . she sadly complies .
On the other hand swara to raj: i am not afraid of anybody raj see that boy she turns to see the song is also not playing and now the boy is also gone and instead there's a girl whose back is towards her.
Swara : see now they started with that girl, such ….
Raj(realising something is wrong there) : i guess you are right lets go and see.
And they both go in the crowd.
On the other hand ragini is about to fall but a helping and holds her hand to save her from falling . its swara .
Swara(angrily to ragini) : remove these heels.
Sanskar( angrily to swara): who are you to interfare in our matter wait !wait! you also look like a fresher isn't it.
Swara (full of anger ) : yaa i am. Its none of your business mr sanskar or whatever you are .
Sanskar angry holds her arm and says : don't interfare in our matter .
Swara: i am a fresher so bulley me , bulley me then i can say that you have power , ok lets see.
Sanskar holds her closer angrily and then seeing their closeness jerks her away. On right time ragini holds her .
Ragini: app log mere liye kyun lad rahe hain , (to swara )mujhe maaf kardijiye app ko lagi to nahi( why are you fighting because of me , i am sorry hopefully you didn't get hurt.)
Swara and ragini both feel a connection with each other but ignore it both times they hold each other.
Then suddenly a teacher comes there and all run to class room except for raj, aniket, swaragini and sanskar.
Teacher: whats happening here?
Swara is about to speak but sanskar hold her mouth from back a tells to teacher : nothing ma'am , we were talking to the freshers .
Swara tries to speak but teacher goes.
He leaves her and swara eyes him angrily but he smiles to the reason that she couldn't do anything.
Swara to sanskar angrily: you….
But sanskar leaves the scene with aniket without hearing her
Swara holds ragini and raj , swara take ragini to canteen.
Precap: swaragini conversation.
Credit to: Piyali


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12 June 2010
All Wrapped Up!
Hello and welcome to our Blog. Despite it being June, the weather doesn't appear to realise and so we are adding our own touch of Summer with these beautiful new wrapping papers from Milkwood. This seems a natural extension of their greeting card collection and we have chosen these nine floral designs. They are printed on pearlised paper and come, folded, complete with a matching gift tag. We hope you agree that they will make any gift that bit more special and all for only £1.30 per sheet.
Along with the giftwrap, we also have many new card designs in stock, still excellent value at £1.20.
In the past month we have sold two of Suzanne Kirk's handmade Eildon Bears: Brombeere (left) and Thorbernus (right), although I always think of him as Cuthbert! We are glad they have gone to new homes.
So we asked Suzanne to bring some more friends into the shop and are happy to announce the arrival of these three: each one unique and with very different personalities.
Art has silk "fur", wears a wooden heart pendant and costs £40. Kirsche (cherry) is made of dark-tipped pink mohair and wears a metal heart pendant and chain. She is £57. Berowalt is a miniature bear in herringbone tweed and costs £25. They are eager to meet you! Remember, you can enlarge any of the images by clicking on them.
In a week's time it will be Father's Day. Whilst we don't aim to cater for specific events of this type, we do have a variety of gift items that could be very happily received, depending on the Dad in question. It doesn't have to be socks or a tie!
Some might well love one of our new bears; for others we have cufflinks or key rings. How about a glass paperweight? We have three sizes, in either clear glass or black and white swirls, priced from only £3.50, which would make both a decorative and useful addition to a home office or study. Speaking of which, how about these decorative obelisks or even a table lamp or wall picture? They could all be the gift with a difference.
The latest addition to the ever popular WoodWick candle range is 'Trilogy'. Each jar offers three distinct but complementary fragrances as the flame burns lower. There are twelve different combinations, they burn for up to 100 hours and, of course, they all have the gently crackling wooden wick. At £12.95 we believe you won't find them cheaper locally. We still have their single fragrance candles too as well as a giftset trio, containing a mini candle, small reed diffuser and a car scent sachet at £18.95. All of them ideal for adding a little colour and fragrance to Summer.
We look forward to seeing you!
Posted by Derrick Armitage at 13:25
Labels: Eildon Bears, Milkwood, WoodWick
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