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Composting Events and news
Composting Perennial Weeds
We are often advised that as perennial weeds will survive home composting using cold composting techniques, they should not be composted at home but put in the "Green" bin to be collected by the Council as part of their kerbside collections. This will mean that the weeds are hot composted by the council and can then be purchased back by the home gardener as part of commercially available composts.
However, in most cases there are two simple relatively quick options available to the home composter faced with perennial weeds involving pre-treated to make them safe to be cold composted. These options include drowning and desiccation. Both of these techniques can be seen at the Leicester Stokes Wood Allotment Composting site.
Drowning is one of the quickest ways of dealing with perennial weeds and it has the advantage of producing a compost activator that can be added to the compost bin or used as a liquid plant food.
The perennial weeds are put into a lidded bucket, old Bokashi bin or water butt depending on the quantity involved and weighed down with a brick or stone. The weeds are covered with water, the lid put in place to exclude light and the soup left for four weeks. The liquid is then strained off to be used diluted and used as a plant food (see Plant Liquid Feeds) with the sludge being added to the compost bin or the complete contents of the bucket can be added to the compost bin.
This method requires a hot sunny summer to work most effectively. Spread the perennial weeds, or their roots, on a dry flat surface such as a concrete paving slab in full sun. To be on the safe side, if there are not too many of them, I like to smash and flatten them with a club hammer at this stage to assist the drying process. Once smashed they can be left on the concrete slab, moved to dry on a wooden cover on the top of the compost bin if a New Zealand or pallet bin is being used or dried on a rack made of discarded plastic bread crates (see photo). After two or three weeks in hot sunny weather the roots will be sufficiently baked to be safely added to the compost bin. If damp and dry the time should be extended.
More techniques are given on the www.carryoncomposting.com perennial weed page
Beehive compost bins are often chosen for use in small gardens where the bin will be highly visible as they look more attractive than conventional plastic bins. The early bins tended to be small, as where the gardens in which they were to be used and were sometimes criticized as being too small to work effectively. However, they are now available in a variety of sizes.
On our Stokes Wood Leicester Composting site, we have chosen to use one of the small bins a 211 litre Rowlinson Beehive, donated by GardenSite.co, comparing it with the most popular small plastic bin the 220litre black Compost Converter provided under the Council subsidised scheme.
The Blackwall 220 Litre Black Compost Converter was voted best "Budget Buy" in Gardeners' World is the UK's best-selling home compost bin. It has sold over three million sold to date. It is made out of UV stabilised recycled plastic. This is a low-cost entry-level bin and does not need assembly. It has a removable lid which can be a little tight to remove when the empty bin is first installed. The plastic bin is quite light and needs to be set into the ground to prevent being blown away when it is empty. I must declare an interest here for as a Master Composter I have been promoting Compost Converters for years as a good entry level bin and have owned six of the large 330l bins at home and on the allotment.
Wooden Beehive compost bins are relatively expensive, but this is the price of buying a garden feature rather than just a compost bin. The model we are testing has to be assembled but the instructions are easy to follow and gave no problems. It has a hinged lid with a support to hold it open. Being wood it weighs more than the plastic bin and is less likely to be blown away in strong winds.
We started both bins with approximately the same amount of garden waste and over the next month or so will be cold composting garden waste adding waste in small quantities as it become available. The photo shows the two bins side by side
Stokes Wood Ament Composting Demonstration Site
Work has started on putting a concrete path round the front of the plot so that visitors can gain access from the entrance to the outdoor seating area for the pavilion. Once this work is completed most of the plot will be covered in woodchip to provide an environmentally friendly surface, clean surface that can be kept weed free. This surface will also be provided for the tumbler bins and the area round the raised beds.
The pallet and plastic bins will be on cultivated area of annual flowers to add colour to the site while providing easy access to the bins.
Stokes Wood Allotment composting demonstration site. More "greens" left in the Reception bay for the composting today. The first batch was added to the two Hotbins while the rest was shared between the cold composting bins shown in the background of the photo.
The Jora food composter is also ready to harvest. Photos are available at http://www.carryoncomposting.com/142941482
We are on track to have a good supply of compost for visitors to the Compost Awareness Week Open afternoon on 5th May to make Seedbombs and enjoy a good Compost Safari. Visitors in advance of the Opening date are welcome on Wednesday mornings. Cooked breakfasts are available for only £3
The www,carryoncomposting page on Rats in Compost Bin (http://www.carryoncomposting.com/416920198) has been updated to include more information on Leptospirosis (Weils Disease). A shorter version is given below
Leptospira is spread in rats' urine and can survive in water for several months which plays an important role as a source of transmission of leptospirosis to man and other animals. There is a small risk of catching Weil's Disease from contact with soil or compost contaminated by rats but by far the highest risk is to farmers and vets is from contact with infected urine or blood followed by fishermen, water sports enthusiasts following contact with contaminated.
While in the UK the risk to humans is small, with less than 40 cases reported in England and Wales every year it is probably a good idea to wear gloves when handling garden compost and to cover cuts or grazes and to reduce the risk of contamination of compost by rat urine .
Temperatures below 4°C and above 37C° will kill Leptospira which has an optimum temperature of 25˚C, needs a moist atmosphere and a pH near neutral.
In general compost does not present a problem as even if rats have contaminated the bin. Once the compost is applied to and mixed with the soil, the level of bacteria will be so low that vegetables grown in it will be safe to cook and eat as normal. However, if a cold compost bin or heap is known to have been rat-infested it might be advisable to use the compost in the flower garden or as a mulch round established trees. It is best not to use it round low growing fruits or vegetables that are going to be eaten raw and the edible parts may be in contact with the soil or compost e.g. radish, celery, cucumber, strawberry.
Vegetables, fruit and herbs should always be washed Temperatures below 4°C and above 37C° will kill the leptospira bacteria.


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I have been working hard on the second group of red donation blocks. I have about 7 more to go. I need to decide what background fabric to use. One thing at a time.
Painting by Mom
My mom does a variety of different kinds of paintings. She is working on a backyard fence mural right now that is coming out beautifully.
In the image (right) she is about halfway finished.
Progress on Flying Geese Quilt
I spent a very happy day on Sunday working on my Flying Geese quilt. I really have to think of a better name for it, but for now, that is what I am calling it.
This is a difficult quilt on which to work, because when it is unsewn it looks messy and the pieces look out of place. When it is partially sewn, pieces still seem out of place. Still, seeing the Friendship Star block starting to come together is a good thing. It still a bit confusing, because the other pieces around it are not sewn together. I can start to see what is happening with that one section.
I am pleased with how the blue section is coming together. I am not sure if I like the Flying Geese so close to the top of the Friendship Stars, but in that case, I guess it looks ok.
You can see, also, that I have cut a lot more of the grey background squares, which is helping to make it possible to put the pieces together.
This piece is making me think about Kelly's Round Robin. I don't know if she every put it together or what she thought of my work. Anyway the piece has been on my mind.
Finished: Red Strip Donation Top
I finally finished the first red strip donation top. I say first because I am well into making the blocks for a second. I have a lot of red scraps. I haven't even started the improv red scrap quilt yet. So many donation quilts to make!
I used a variety of Bonnie & Camille aquas for the background. My choice of border looks fine, but I was going for a fabric that would blend in more with the background. I didn't have enough of the others left. Still, someone will like it.
It is fun to be making this series. I enjoy reducing my scraps, but I also enjoy seeing how the same pattern looks in different versions.
New Red Donation Quilt
I am nearly finished with the first Red Strip Donation Quilt, but started blocks for a new one anyway. I am still trying to use up red scraps.
I have pretty much decimated my stash of red strips, which is why the new blocks won't all be made from strips as the others have been. I also find that there is also no point in doing something I have already done. I know I make the same patterns over and over, but somehow I feel like this change is needed.
Santa Clara Valley Quilt Association Show, May 4-5, 2019
I was contacted earlier this week about the SCVQA Quilt Show. Sadly, I won't be able to attend, but I hope you will be able to attend and will share photos on social media.
Message re: the show:
I am writing from the Santa Clara Valley Quilt Association, we are one of the largest quilt organizations in the bay area. We are about to host our biennial quilt show featuring hundreds of quilts made by local quilters and artists, Quilts Celebrating Creativity is May 4-5 at the Santa Clara Convention Center. We wanted to invite you especially to attend, since we know you support the quilting arts with an active blog and online presence.
We will be showing over 300 quilts, our guild is very diverse and there will be many different forms of quilts, from traditional to modern, large to small and everything in between. On display will be two special exhibits showcasing nationally renowned local artists Therese May and Randa Mulford. We have a large vendor mall feature a unique shopping opportunity with local vendors selling fabric, tools, patterns and other one of a kind crafts. There will be raffle baskets, demonstrations, art on display from the San Jose Museum of Quilts and Textiles, and a scavenger hunt for children.
Show hours are Saturday May 4th 10 a.m. to 5 p.m. and Sunday May 5th 10 a.m. to 4 p.m. Admission is $12, children 12 and under are free. More information can be found at www.scvqaquiltshow.org.
Santa Clara Valley Quilt Association is dedicated to the preservation and promotion of the art of quilting.
If you would like to know more or have any questions, feel free to reach out to the Quilt Show Committee at email@example.com.
Best regards,
Quilt Show Committee
Half Hexie Section
I am never going to get this project finished if I don't work on it, so I work on it whenever I can. Lately, I have just been making stars. I have a whole Scone container full of the little stars and some pieces in my Sew Together Bag cut to make more. I decided I had better put some stars together to make a section that will increase the size of the main piece before I made more stars. As a result, I have been beavering away at that task.
It doesn't look very impressive, I know. That takes a bit of the wind out of my sails, because all of that piecing is handwork and it took quite a while, though not years, to get that much done.
I am still trying to think of this as my slow quilt project, but it is hard. I am kind of ready to be done with this project and move on to something else. At least I finished one hand project this year.
Flying Geese
I was a very good girl on Sunday and spent most of my sewing time making sleeves. I am entering a couple of quilts in the Fair and they need sleeves. Also FOTY 2017, now finished will need a sleeve. Since I was doing finishing tasks anyway, I made a sleeve for it as well.
Partway through the drudgery, I decided to branch away from my UFOs and project lists. I decided to start on a new, fresh quilt project that I designed. I decided I would set the Flying Geese from the exchange I did. the photo, left, is a selection of the FGs I made and received in the exchange.
I did the Flying Geese Exchange with a friend in 2015. We might have started in 2014. I don't really remember. I have been hoarding these FGs since then waiting for the right time to start.
I thought a lot about designs and looked at many inspirational photos of Flying Geese blocks. I was particularly enamored of a block shown by Moda that has its roots in the Dutchman's Puzzle block, a block I like very much and is usually in my sampler quilts. I created the design on my way home from the North Coast while DH drove. I was inspired by the Round and Round quilt by Camille Roskelly and have incorporated her reimagining of the Friendship Star block into my design. I am really excited about it, especially now that some FGs are on the design wall.
So, as I was working on the sleeves, which, have I mentioned, can be quite tedious, I did little tasks on the FGEQ (not sure what I will name this quilt yet). First, I got out the boxes of FGs. Then I printed the design, then with FOTY 2017 off the design wall, I started following my design to put FGs in place on the design wall. The photo doesn't make it look like much, but getting all the FGs on the design wall helped me realize that I needed also to put the HSTs on the design wall. I thought I could hold off, but I needed to do it.
Using my Triangle Technique, I starting making HSTs. I just thought I would make a few to get the idea, but the more I made, the more I wanted. This quilt is evolving in such an exciting way. The layout of the Flying Geese does work! That is really great. The Friendship Star blocks really fit in. They look great.
I used some Queen Street fabrics I had leftover from my Queen Street mania from a few years ago and the BAMQG IRR. I have started in on a selection of those for the blue area. I am thinking of a color wheel kind of effect, though I don't know if I will put them in color order.
There will be a lot of fiddly sewing and, perhaps some partial seams to get this baby together. I posted the last picture on IG and got some great responses. I can't wait to see how it looks with more finished.
Right now I know I have to face the following challenges:
- Sizing everything. Math isn't my forte and I think I have selected a size HST that will fit with the FGs, but one can never be sure.
- Right now it looks like I have more than plenty Flying Geese. What do to with the extras will be something to consider. I'd like to use them all, but that may not be possible. There could be possibilities for a half border or something.
- Perhaps I should double up the FGs so they stand out more? That is a 'make visual decisions visually' problem and I will have to look and see.
- How big? I want to put more Friendship Star blocks in the corners. Will that make the quilt too big?
Red Strip Top – Ready Set
I worked very hard on the red strip blocks and have as many as I need for a quilt. They are on the wall and ready to set.
I am pleased with how they look and am thinking of setting them with aqua or turquoise. I have also started in on making some new blocks for the Red Strip n.2. As I said before, there is no appreciable diminishment of red scraps.
The meeting in on Saturday and I may be able to finish the top by then. We'll see.
FOTY 2017 Top Finished!
Well, I did it. After what seemed like a lot of trauma, I finished the top last Wednesday in a couple of hours of free time after I finished my chores and work.
I thought I would just sew more chunks together, but it turned out that the quiltmaking goddess smiled on me and all my seams were straight and there was no (or minimal) ripping required.
Now we can really see the gradation and I make no bones about how hard I worked at it this time. It is interesting to see some areas that appear lighter IRL appear darker in the photo (check on the blues next to the bird in the middle of the quilt). I do like the way it looks like the columns are fading in and out. It also has that skyline effect, which is great.
I buckled down and made the back, binding and sleeve on Sunday. Yep! Even the sleeve. I feel quite virtuous.
This is a really hard exercise and I challenge you to do something similar.
Bonnie & Camille Donation Top/Back (Ends n.8)
I spent the day sewing with Tim yesterday. I went over to his house, so he wouldn't have to crate his dogs all day.
I didn't bring my machine, which was really nice! Tim has a couple of machines, one similar to my Janome 6600 and I used that one all day. He worked on an old Kenmore – not THAT old, maybe early 2000s. Despite the sort of tight space, we worked together very well.
I had some Bonnie & Camille 'ends' from the Stepping Stones n.2 quilt, I think, that were bugging me, so I took them plus my Bonnie & Camille fabric and made that my project. I brought other projects as well so I would have enough to work on, but only got this piece done.
Tim said he would quilt it and wanted me to make a back. He prefers plain backs, so looked for some wideback fabric in his collection before we decided I should make the back.
In the course of assembling all the supplies for this quilt, I realized how much Bonnie & Camille fabric I have. I am pretty much done with it, so if you want yardage or charm packs of some of the older collections, let me know and I'll tell you what I have. Contact information is on the About page.
Various & Sundry 2019 #4
Doing Good
After the tragic events in New Zealand, Angels in Gumboots has created a project to make 100 heart quilts. You can find the information on their Facebook page. Basically, make 6″ finished (6.5 inch unfinished) heart blocks in green on white backgrounds. No novelty prints. You can find the Cluck Cluck Sew pattern (we used it for the Pulse quilts) on her site. My heart is breaking at this latest horror. How often do we have to make these blocks for more quilts which will never take the place of a loved one?
Yes, you have to send the blocks or tops or quilts to NZ. The post office will help you.
Charlotte also writes about white supremacy and white nationalism in her blog post. The post provides some resources on identifying how these ideas/movements (? not sure of the right word) affect societies and the people in them.
Mister Domestic has a YouTube Channel. One of the things he does is unboxes quilt subscription boxes. He laughs a lot during these videos, so if you need a laugh, watch his silliness and get a chance to check out various quilt subscription boxes. I really liked what was in the Modern Quilter's Box.
I was referred to SuzyQuilts by an article in an older issue of Love of Patchwork & Quilting about Lindsey Neill. This is a really cheerful sounding blog. I also found some really useful posts such as "does batting have a right and wrong side?" If you sign up for her newsletter or mailing list, you get a free pattern. I didn't so I don't know what it looks like.
Another article on the healing effects of sewing. This time, it's from the Guardian. It is written by Clare Hunter who has written a book called Threads of Life: a History of the World Through the Eye of a Needle.
Ronni of Road Home Quiltin' mentioned a podcast search engine, Listen Notes. I did a search for quilt and came up with a number of the relevant podcasts, such as Quilt Cabana Corner, Off Kilter Quilt, etc. Good job!
Rafael Araujo, a Venezuelen architect, is in the process of publishing an amazing coloring book about the Golden Mean. This article shows a number of photos of the images. There is a link to the Kickstarter campaign and a pre-order on Amazon from the article.
Barbara Brackman, quilt historian, discusses fabric and pattern in a post on her Material Culture blog.
Fabric, Notions, Supplies & Tools
I found the Ruby Star Society catalog and more information about these former Cotton & Steele designers forthcoming fabric lines.
Gretchen was extolling the virtues of the laser that was included with her relatively new sewing machine. Wherever she posted this information someone came up with an aftermarket solution for those of us with regular machines. You can add a laser to your own machine regardless of make or model. Slice of Pi Quilts has a tutorial on the virtues as well as how to install it.
I found an interesting article about thread.
Projects, Patterns & Tutorials
Barbara Brackman has a blog about block patterns, which someone told me was new. I found that it went back to June of 2016, so it is just new to me and there is a lot of inspiration there. It is, basically, an index of quilt blocks, like her Encyclopedia of Pieced Quilt Patterns, but in blog form. This is good since it looks like the Encyclopedia of Pieced Quilt Patterns is out of print, or now difficult to find, and people are charging a lot for it. She only posts once a week and her recent post is about Ohio Stars and Nine Patch Stars. There are examples of the quilts. While the fabrics are faded and not bright or cheerful, you can see some trends that show up in Modern quiltmaking. There is a box to subscribe via email.
The Spring 2019 Riley Blake fabric challenge is now full. You can still participate by purchasing the fabric yourself somewhere.
Groups & Guilds
The MQG has the QuiltCon awards ceremony online. I don't know if you have to be a member to watch. I am a member, but I haven't watched it. Yet.
2019 Cutting Chart
Once again, it has been awhile since I showed my cutting chart. It is something I meant to do in January, but it never seemed to get done. The same thing happened last year, so it has still been a year, which is my actual goal. Once a year.
- Spin Wheel – 3.5×4.5 rectangle – all fabrics except background fabrics
- Blue Lemonade – 2×2 square – blue, green and purple
- 30 Something – 2.5 x 4.5 rectangle – foreground and background
- 30 Something -1.5 x 2.5 rectangle
- 30 Something – 2 7/8 x2 7/8 square
- 30 Something – 1.5 x 1.5 square. I also cut one of these for a friend and send those off when I have a chance.
- 2.5″ squares for different projects. One square is for the 16 patch donation blocks, one is on spec and one is for FOTY 2019
- 5″ squares – no particular project, but I thought it might be a good idea to start storing some up for a future project. The impetus was that DH got me a 5″ square keeper for my birthday. That's as good a reason as any, right?
- Half Hexie Stars – 3.5 x 12.5 rectangle
- Blue Gradation quilt – 2.5 x 4.5 rectangle – this has been on the Dream Projects list since at least 2014. It might be time to put up or shutup.
- Pink Gradation quilt – 2.5 x 4.5 rectangle –
- – this has been on the Dream Projects list since at least 2014. It also might be time for me to put up or shutup about this project. I am not sure how many gradation type projects I can do in a row.
As you know, one of the major aspects to my quiltmaking is hunting and gathering. I prefer to make quilts, usually, that use a lot of fabrics. I think many different aquas will be more interesting than just one. This means that many projects, I need to cut a lot of patches from a wide variety of fabrics. It doesn't work for me to decide to start such a project, open up a fabric bin and start cutting. I don't want to always stand that long, I get bored and the whole situation results in me hating the project or just stopping about halfway through. Also, if I use that strategy, I get tend to have too many of one color and not enough of others. None of this is good for my stress level and definitely not they way I want my quiltmaking to be.
My system, which I have explained in similar terms before, is that once a project is in my queue, I decide if it requires a ton of cutting. If it does, I can figure out what kind of cutting I need to do (coordinated fabrics or scrappy fabrics as well as size). Either requirement can work with my system. Then I put the shape and color on my list, which I keep the list near my cutting table. When I have a new piece of washed and ironed fabric I have a good list of exactly what to cut.
Also, I don't know of another way to really randomize this type of fabric selection. Cutting from fabrics I buy new or pull out to use seems like as good a way as any. Also, as an added bonus, I use fabrics that I like right now -> immediately.
Another problem I had was that I would take fabrics out of bins and find that NOTHING would be cut from them. Not one square. Shameful! This problem was alleviated by the Fabric of the Year project. You can read about the beginnings of that project for me in a post from 2008. Using this method for cutting started the solution to my Hunting and Gathering.
As I got use to cutting one shape, the Fabric of the Year shape, out of new fabrics, it became easier to cut more than one shape. I thought it was a good idea and it became easier to use this new system to make progress on projects I was not yet ready to start sewing. Pretty soon I was up to the number of pieces I am cutting now. And the stacks of those pieces were piling up.
I also found that the fabrics became less precious. I started not to save them for a better project. This meant that fabrics that I loved RIGHT NOW were in a project RIGHT NOW. I also found out, which I have talked about in terms of the FOTY projects, which fabrics were going to work for other projects. I could go and buy more before it was 3 years later and too late to buy more.
Now, there are many fewer fabrics that not been cut into. When I buy fat quarters, there is not much of them left after all this cutting.
One of the great things about cutting pieces from new fabrics is that it is a great warm-up. Sometimes when I need to get started, pressing fabric and cutting new pieces from new fabrics is a good way to get started. If I have 10 minutes, I can cut, feel like I made progress and got a little stress relief in.
FOTY 2017 Update
I spent all day Sunday working to get the FOTY 2017 top together. I have big chunks, but not a top.
I will soon. I still can't tell if I am going to like the way it looks, but I hope so. I do like the skyline sort of effect
Finished: Scarf
Last year, during or after the Sisters trip, I started knitting a scarf. I had my usual ups and downs with the knitting, ripping out quite a bit, not knitting on it, etc.
Lately, when DH is out at a meeting on a Wednesday evening, I go to a knitting circle at a local shop in order to see people and have some human contact. I have been 3-4 times. I just sit there, knit and listen. This activity has helped to get this scarf finished. I still have to weave in the ends, but I am calling it done. This project is for me and I will wear it as a summer scarf, for those foggy days in August.

subset: commoncrawl


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With vivid options like adventure, culinary, wedding options and easier Visa availability.
With the recent stats of India becoming 2nd highest source market for tourism to the Sultanate of Oman, and with an increase of 12.37% in tourist arrivals. The Oman Tourism is bringing more opportunities for Indian Travellers, keeping in mind the India palate, Spokesperson Ms. Lubaina Sheerazi, India Representative, Ministry of Tourism, Oman, gives us more on luxury offerings at the Sultanate of Oman.
- Oman is looked up to as one of the finest destinations for luxury travellers. What according to you are the distinguished experiences that one should look forward to when travelling to Oman? What are the most popular 'favourites' for Indian travellers visiting Oman?
Oman is an exotic, adventurous, historic and geologically stunning country offering the most authentic Arabian experience and we are seeing a lot of evolved travelers from India visiting Oman for its authenticity. The country's stunning landscape- mesmerizing beaches, majestic mountains and desert glamping experience appeals to every kind of holiday seeker: from families looking for group joint activities, to a perfect honeymoon getaway or a group of friends in quest for an adventure of a lifetime.
Below are some of the distinguished experiences that Indian travelers can look forward to:
Discover iconic locations to go camping in Oman: Choose from camping in the deserts of Sharqiya Sands or the Empty Quarter, on the mountain tops in Jabal Shams (Sun Mountain) or Jabal Akhdar (Green Mountain) or on the magnificent beaches across Oman.
Watch an opulent opera: Watching a world class opera or musical performance at the state-of-the-art Royal Opera House in Muscat is a privilege one should not miss out on.
Discover the underwater magic: The waters of Oman are home to countless species of fish, turtles, sharks, rays, dolphins and vast stretches of exotic coral reefs. Travelers who love beaches and some water adventure must try scuba-diving, snorkeling, kayaking and surfing.
Go glamping in the desert: Stay at any of the luxury camping resorts, gaze at the infinite starry desert skies, experience the perfect Arabian Night gourmet dinner and engage in exciting activities like Sand Boarding, Dune Bashing, Quad Biking, Camel Safari among others.
Explore art and culture: The historical forts and castles of Oman are the country's most striking cultural landmarks and a major draw for visitors today. Walk up to the gates of the Sultan's ceremonial 'Al Alam Palace', visit the Jabreen Castle or get an insight into Omani life by visiting the Bait Al Zubair Museum or National Museum.
Cruise along the beautiful coastline: Choose cruising to experience the spectacular mountains, incredible rock formations, turquoise waters, picturesque scenery, bespoke luxury and warm Omani hospitality. Also spot hundreds of dolphins jumping in the air acrobatically and swimming along in the blue waters or enjoy some private moments on one of the secluded beaches.
Experience majestic mountains: Rent a 4×4 and go on a off-road drive to explore countless tracks through the mountains in Jabal Akhdar or Jabal Shams. Hiking, trekking, mountain biking, cycling, caving, scaling via ferrata routes are some of the must try activities for adventure junkies. Stay at any of the luxury resorts to experience breathtaking views of the canyon.
- What makes Muscat a hub for luxury destination weddings, especially for the Indian market?
Oman comprises of beautiful beaches, picturesque mountains and golden desert sands. A destination with the most amazing landscape, excellent air connectivity from India, short flying time, simplified visa process, availability of Indian food and flexibility in adapting to the needs of the Indian weddings; has made Oman an ideal destination for weddings. Muscat is a well-endowed city with modern infrastructure and provides a perfect set up for weddings with various urban world class hotels. The country offers plenty of picture-perfect backdrops that are ideal for pre-wedding photo and video shoots as well.
- Keeping in the mind the vivid palate of Indian Travelers, what are specialties one can try in Oman?
Oman's culinary tradition offers an interesting blend of Arabian and Indian influences and is a paradise for meat lovers. Shuwaa is one of the popular dishes in Oman. It consists of meat marinated with variety of Omani spices, then wrapped in banana or palm leaves and put in an underground sand oven, where it gets cooked. Another must try dish is Majboos also called Kabsa and Makboos, which is a rice dish flavored with saffron and cooked over spicy meat. Apart from these, try Meshkak the Omani kebab made of mutton or chicken that is marinated with different spices, grilled on sticks and served with Omani bread. Harees is another unique Omani traditional dish available at various restaurants in Oman. It is made from wheat mixed with meat and is usually served with a special sauce.
Also, vegetarians travelling to Oman will definitely get impressed with the variety of lip-smacking vegetarian food available there. Apart from Omani food, the country also offers authentic cuisines from South India, North India, Greece, Lebanon and Turkey among others. The classic mezze platter which includes Baba Ghanoush (tastes like Baigan ka Bharta), Tabouleh (vegetarian salad), Fatoush (pita bread salad) served with Hummus (chickpeas paste with olive oil and seasoning) and Pita Bread; is a must try dish. Relish this meal at any Middle-Eastern restaurant or try Falafal served in Arabian-style flatbread (khubz). Dates are another Omani specialty available in different varieties with subtle variations in taste, size and colour. The Omani coffee 'Kahwa' mixed with cardamom powder is available at high-end restaurants; often served with dates and classic Omani dessert 'halwa'. It's worth a try.
- What are the plans to facilitate the ease of travel for Indians planning on visiting and exploring Oman, like visa-on-arrival, or other such facilities?
The significant increase in incoming tourism has been the result of the economic diversification strategy adopted by the government of Oman. Last year saw the opening of the state-of-the-art Muscat International Airport, giving the country a plush gateway offering unrivaled service and earning the prestigious best new airport in the world. Also, to attract more travelers to visit the country, Oman announced a new short-term tourist visa at 5 Omani Riyal (OMR) equivalent to approximately INR 900, for a 10-day visit. Indians who hold a valid visa to any one of these countries – United States of America, Canada, Australia, United Kingdom, Japan and Schengen States can avail the Oman visa through an e-visa process by simply logging on to https://evisa.rop.gov.om/ and make the 5 OMR payment online, whereas other Indian travelers can get a sponsored visa by paying 5 OMR plus processing fee through their tour operators. This is in addition to the existing e-visa for Oman which is available at 20 OMR with a validity of one month. Also, Oman Air, the national carrier is connected via direct flights with major Indian cities such as Delhi, Mumbai, Bangalore, Hyderabad, Chennai, Lucknow, Kozhikode, Kochi, Goa, Jaipur and Thiruvananthapuram. Besides, Air India, Jet Airways, SpiceJet and IndiGo are also well connected to Oman from various cities of India that gives Indians a wide range of flight options to choose.


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Intro to Java: Instance variables Assigment
Question Description
For this assignment, you are expected to infer some of the requirements from the unit tests. This includes string formats, exact names of methods, the order or arguments and the constructors required.
Create a Customer class with the following:
1. Instance variables with appropriate getter and setter methods: name, which is a String, and a customerID, which is an integer.
2. A toString() method which provides a well-formatted string representation of the instance variables in the Customer class.
3. Appropriate constructors for the class.
Update BankAccount class to:
1. Add an instance of the Customer class to your BankAccount class as an instance variable with a getter and setter method. The name of the instance variable should be accountHolder.
2. Add appropriate constructors to allow creation of bank accounts to specify an account holder.
3. Update the toString method such that the string returned includes account holder information.
4. Add a method called transfer that takes an amount to transfer and an account to transfer to as arguments. The transfer should only take place if the account has enough funds.
A JUnit test is provided below for both the updated BankAccount class (20 tests) and the Customer class (5 tests). To qualify for the full team grade you must pass at least 20/25 tests.
Run JUnit test!! to check the work.
Use JUnit Test to test the code. (When it's run, it should say that there are no errors/failures)
- Create a new folder.
- Put junit-4.12.jar and hamcrest-core-1.3.jar in this folder (available below).
- Copy the test code with possible supporting files in this same folder.
- Create the file with code as required.
- Compile your code and the test code using the command javac -cp .;junit-4.12.jar:hamcrest-core-1.3.jar *.java
- Run the test using the command "java -cp .;junit-4.12.jar:hamcrest-core-1.3.jar org.junit.runner.JUnitCore BankAccountIA3Test" and "java -cp .;junit-4.12.jar:hamcrest-core-1.3.jar org.junit.runner.JUnitCore CustomerIA3Test"
Take a screenshot of cmd to show that file is working properly. If you need more information leave a question and I'll try to answer them ASAP. Thank you.
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Great location deep setback from the road. Garage is 2 car wide extra deep and then an entertainment cave with bar and wine racks attached to the garage. It can be a hobby room, office or even a work shop. There is an under ground propane tank as well as baseboard electric heat. Sold is "AS IS" condition buyer responsible for all certifications.The basement was remediated for mold and the certifications are in the media.
1 Car Width, Additional Parking, Blacktop
Finished Garage, Garage Door Opener, Detached Garage
Refrigerator, Cooktop - Gas, Dishwasher
Wood Stove-Freestanding, Family Room
The data relating to real estate for sale on this website comes in part from the IDX Program of Garden State Multiple Listing Service, L.L.C. Real estate listings held by other brokerage firms are marked as IDX Listing.
Information deemed reliable but not guaranteed.
Copyright © 2019 Garden State Multiple Listing Service, L.L.C. All rights reserved.
Notice: The dissemination of listings on this website does not constitute the consent required by N.J.A.C. 11:5.6.1 (n) for the advertisement of listings exclusively for sale by another broker. Any such consent must be obtained in writing from the listing broker.
This information is being provided for Consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties Consumers may be interested in purchasing.
Listing information last updated on April 22nd, 2019 at 10:48pm EDT.


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Spotify's IPO plans marred by $1.6B Wixen lawsuit
Wixen filed a copyright infringement lawsuit against music streaming giant Spotify,
Spotify has filed with the Securities and Exchange Commission (SEC) for its initial public offering (IPO) at the end of 2017. But amid the news of its plans to go public on the New York Stock Exchange (NYSE), the streaming service has been hit by a $1.6 billion lawsuit from Wixen Music Publishing.
Wixen Music Publishing licenses the works of more than 2,000 music artists such as Tom Petty, Neil Young, Black Keys and Missy Elliott. The company estimates that its clients account for 1 percent to 5 percent of the music streaming services offer. According to reports, the publishing company filed the lawsuit on Dec. 29, 2017, which is a significant timing at the back of the proposed Music Modernization Act.
The proposed Music Modernization bill aims to simplify the process of licensing music works in the digital age, but it "would eliminate important legal remedies" for any music publishing lawsuits filed after Jan. 1, 2018.
"We are very disappointed that these services will retroactively get a free pass for actions that were previously illegal unless we actually file suit before January 1, 2018," Wixen said in a statement, as reported by Rolling Stone. "Neither we nor our clients are interested in becoming litigants but we have been faced with a choice of forfeiting rights and damages, or taking action at this time."
Wixen's lawsuit claims that in a rush to be the first in the industry, Spotify has failed in many cases to obtain all the necessary musical composition information and comply with Section 115 of the Copyright Act, Variety reported.
Wixen said they just wanted to be treated fairly and reasonably compensated given that Spotify generates over $3 billion in annual revenues, pays millions in luxurious office spaces, and gives excessive salaries to its executives. Compared to its competitors, Spotify pays one of the lowest rates per stream at an estimated $0.0038 per play. Tidal pays $0.0110 per stream while Apple Music pays $0.0064 per play, according to Forbes.
Spotify, which has more than 60 million paying subscribers, has faced several lawsuits in the past year. Wixen did not join a $150 million class-action lawsuit against Spotify that was settled for only $43 million. The settlement was highly criticized by music publishers and their clients for its inadequacy and unfairness in compensating the rights holders. Wixen said that much of the settlement amount would just go to legal fees and that the go-forward license is not in the long-term best interests of the clients.
Spotify aims to be listed in the NYSE within the first quarter of this year. It would be the most prominent company yet to try a direct listing instead of the traditional stock offering. The largest paid music-streaming service is valued at $15 billion.
(Featured image by Gavin Whitner. CC BY 2.0)
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Cambodia, Myanmar back tourism deal
via Khmer Times, 21 November 2017: Plans to create direct flights between Bagan and Angkor
Cambodia and Myanmar sign a memorandum of understanding to promote tourism.
via Khmer Times, 21 November 2017: Plans to create direct flights between Bagan and Angkor
Cambodia and Myanmar sign a memorandum of understanding to promote tourism.
New paper by Lustig et al. in JAS: Reports
This paper examines the construction and design of a 7-km long embankment, probably built for King Jayavarman IV between 928 and 941 CE, as part of a new capital. We calculate that the capacities of the outlets were too small, and conclude that the embankment failed, probably within a decade of construction, so that the benefits of the reservoir stored by the embankment and the access road on top of it were lessened substantially. We explain how the design was sub-optimal for construction, and that while the layout had a high aesthetic impact, the processes for ensuring structural integrity were poor. Simple and inexpensive steps to secure the weir were not undertaken. We speculate that this early failure may have contributed to the decision to return the royal court and the capital of the Khmer Empire to the Angkor region, marking a critically important juncture in regional history.
Evidence for the breakdown of an Angkorian hydraulic system, and its historical implications for understanding the Khmer Empire
Organized by the Centre for the Study of Islamic Culture, The Chinese University of Hong Kong
March 26-27, 2018 (Mon & Tues)
Hong Kong
A vital passage between the Indian and Pacific oceans, the South China Sea, has historically been an arena of competition, as nations and empires have vied for hegemonic control over it for centuries. Tensions in the area have steadily risen in recent years and a maritime military buildup currently demands world attention as a flashpoint of geopolitical jockeying among regional and global powers. China, Vietnam, the Philippines, Taiwan, Malaysia and Brunei have all staked claims to parts of this strategic and resource-rich basin, while the United States also seeks to protect its far-reaching interests there.
Long before the current geopolitical conflicts, the South China Sea was already a center of international commerce, comparable to the Mediterranean as a conduit of wealth and a melting pot of cultures, where both goods and ideas were exchanged. Commodities and technologies from the Indian and Chinese civilizational spheres were freely transmitted, and transported as far afield as Africa and Japan. Among the cultural cargo, religious teachings were also trafficked along the ancient maritime trade routes. Arab and Iranian merchants from the Persian Gulf had long participated in Indian Ocean trade, and eventually penetrated the Malacca Straits into the South China Sea. Starting in the late 7th century, after the establishment of Islam in Arabia, Muslim seafaring traders continued this tradition.
Thus, Islam spread into the China Seas via the so-called maritime extension of the Silk Road, and from there it reached the southeast coast of the Chinese mainland, as well as the peninsulas and archipelagos of Southeast Asia, and beyond. This conference aims to explore the historical, geographic, economic, social, political, cultural and religious contexts of the introduction and development of Islam in the greater China Seas region, from a multidisciplinary perspective.
Topics of research will include: trade and religious dissemination; Muslim settlement in the China Seas region; the introduction and spread of Islam in South China; Islamisation, assimilation and indigenization; and Muslims' role in the spread of Chinese regional influence, among others. Such research represents an important component of the international and intercultural understanding underlying the "One Belt, One Road" initiative.
Dates: March 26-27, 2018 (Mon and Tues)
Submission of Abstracts:
An abstract of not more than 350 words should be submitted, with a short CV, to email@example.com before Friday, 1 December 2017. Notifications of acceptance will be sent out by Friday, 29 December 2017.
Language: English and Chinese
Contact information: For enquiries about the conference and submission of abstracts, please contact Ms Asiah Yang at firstname.lastname@example.com.
Hosting Institution: Centre for the Study of Islamic Culture, The Chinese University of Hong Kong
About our center: http://cuhk.edu.hk/rih/csic/
Contact Info:
For enquiries about the conference and submission of abstracts, please contact Ms Asiah Yang at firstname.lastname@example.com.
Contact Email: firstname.lastname@example.com
URL: http://cuhk.edu.hk/rih/csic/
via The Irrawaddy, 20 November 2017: Plans are being made, but negotiations with specific hotels have not yet begun.
The country plans to relocate hotels in preparation of the ancient city's final nomination dossier to become a Unesco World Heritage Site.
Source: Govt Plans to Relocate Hotels From Bagan Archeological Zone
Darren Curnoe of the University of New South Wales is on his three-week excavation of the Niah Caves in Sarawak and he will be tweeting and broadcasting his experiences on Facebook Live. You can follow his progress here:
Darren Curnoe – Anthropologist. 80 likes. Biological anthropologist and archaeologist with an insatiable curiosity about the kind of creature we are and how we came to be this way.
Source: Darren Curnoe – Anthropologist
If you've been following the Twitter and Facebook feed of this website, you might have noticed that I've just started an Instagram feed for the website. You can follow me at @southeastasianarchaeology. If you're not on Instagram, you can also see the feed via the widget on the side of the main website.
I'll be posting photos from my archives and my ongoing work, and I'll be happy to like or repost photos with the hashtag #southeastasianarchaeology
Source: Southeast Asian Archaeology (@southeastasianarchaeology) • Instagram photos and videos
Over the past decade, archaeologists have been able to directly date rock art, particularly in Island Southeast Asia at sites in East Kalimantan, East Timor and South Sulawesi. The dates of rock art indicate that modern humans were creating rock art during the Pleistocene, comparable to similar rock art in Europe. In this paper by Aubert et al., the authors note that the presence of these sites and dates now begs the question, did the ability to create rock art move out of Africa with human migrations, or did it erupt independently in different parts of the world? Also within Island Southeast Asia, did rock art develop from a specific place and spread throughout prehistoric Sahul, or did it arise independently among different communities in the region?
Recent technological developments in scientific dating methods and their applications to a broad range of materials have transformed our ability to accurately date rock art. These novel breakthroughs in turn are challenging and, in some instances, dramatically changing our perceptions of the timing and the nature of the development of rock art and other forms of symbolic expression in various parts of the late Pleistocene world. Here we discuss the application of these methods to the dating of rock art in Southeast Asia, with key implications for understanding the pattern of recent human evolution and dispersal outside Africa.
The Timing and Nature of Human Colonization of Southeast Asia in the Late Pleistocene: A Rock Art Perspective – Current Anthropology
via The Conversation, 16 November 2017:
More than 48 shipwrecks have been illicitly salvaged – and the figure may be much higher. Museums can play a key role in the protection of these wrecks, alongside strategic recovery and legislative steps.
Source: The race to save up to 50 shipwrecks from looters in Southeast Asia
via Frontier Myanmar, 14 November 2017:
A little-known 11th century archaeological site near Bagan has been proudly conserved for years but they worry about the consequences if it attracts too many visitors.
via New Straits Times, 11 November 2017: Archaeoturism at the Sungei Batu site.
If you're now thinking that this is a recently discovered lost civilisation in the dense tropical jungles of the Yucatan Peninsula or South America, built by either the fearsome Mayans or Aztecs, well think again. This latest ground-breaking discovery predating many well-known ancient civilisations is found right here in our very own backyard. To be exact, it's located in Malaysia's northern state of Kedah.
Armed with these tantalising facts related to me recently by a friend, I make my way to the main entrance of the Sungai Batu archaeological site. I'm excited and ready to see for myself the many amazing discoveries that are set to rewrite history textbooks in the near future.
Acting on my friend's advice, I quickly sign up for a guided tour that costs only RM10 for locals. The tour, conducted by graduate students of Universiti Sains Malaysia (USM), allows visitors access into many key areas within the excavation complex which currently houses nearly 100 excavated sites. Be forewarned that most of these important sites are off-limits to those who opt for free access to the area.
Source: Old-new history of ancient Kedah | New Straits Times | Malaysia General Business Sports and Lifestyle News


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Rastafari Essay
Rastafari Essay
Length: 1604 words (4.6 double-spaced pages)
Rating: Strong Essays
Essay Preview
My research focuses on the history of Rastafarians and the birth of Rastafarianism. I will reflect our lifestyle, including our symbols and beliefs, which will include our prophet and our God.
Marcus Garvey, who was a black, Jamaican nationalists, prophet to many Jamaicans and visionary, preached a message of black supremacy and initiated the " Back to Africa" movement calling for all blacks to return home to Africa. Garvey proclaimed that a new black king would soon rise out of Africa to deliver all Africans from their oppressions all over the world. This prophecy was fulfilled at the time of the coronation of Haile Selassie I as Emperor of Ethiopia. The coming of the first Rastas, A shortened version of the word Rastafarian, was in Jamaica in the 1930. The Haile Selassie I, whose previous name was Ras Tafari, means power of Trinity. This is from where the Rasta movement took its name. "In fact, nearly every black movement in recent American history inherits some legacy from Marcus Garvey---through the Urban League, the Black Panthers, the Republic of New Africa, People United to save humanity (PUSH), the Nation of Islam, and other groups. Garvey's influence lives on. His memory certainly lives among the Rastafarians of his homeland"(Nicholas 16).
The Rasta's Haile Selassie I was more than just a political leader. Our prime belief is that Selassie I is the living Jah (God) for the black race. " When Jesus left this earth, he promised to return, not as lamb to slaughter, but as a conquering lion; not as a peasant to be spitted upon, but as a King of Kings--- the greatest title bestowed upon a man…Haile Selassie I, being of the line of Judah, root of David and on the throne ...
... middle of paper ...
...mbolizes the Rastas roots, in contrast to the straight, blond look of the white man establishment. "They shall not make baldness upon their head, neither shall they shave off their corner of their beard, nor make cuttings in the flesh"(Leviticus 21:5). Some Rastas vow never to cut their hair, as did the Nazarites. The way our hair grows represents the Lion of Judah. The Lion of Judah represents Selassie I as King of Kings, as a lion is king of all beasts. Some Rastas cover their dreadlocks out of respect when they leave their home because the police will not hesitate to cut their hair if they are brought in for questioning or any other reason.
The main and basic way of life for Rastafarians includes the maintenance among all people of divine principles of life. These principles include loyalty, honesty, fear and love of God and self-attainment. We stand together against the world of Babylon in unity. We are seeking the freedom of speech and the freedom of expression. We also seek personal and individual freedom.
Works Cited
Moodie, John. Hath… The Lion Prevailed? Chicago: RASTP, 1999.
Nicholas, Tracey. Rastafari: A way of Life. Chicago: RASTP, 1996.
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text:
Hello Amit.
I have created connectoin in DBCO.
After running small abap that tries to connect to my MSSQL
in SM21 i have error message.
"No shared library found for the database with ID SQL."
I have found that the solution of that is to install dbmssslib.dll file but it can't be installed on unix/aix sytem.
So i'am stiil unable to connect MSSQL from our AIX paltform based SAP system.
BR, Jacek
Hi Jacek
Could you explain what is a Business connector?
I'm Facing the same problem I want to conenct from an ABAP Program to MSS but our server is on AIX.
Tnks in Advance
Hi jacek,
1. its not so.
2. SAP may run on any platform, unix, windows , aix etc,
3. using DBCON
we can make connection (secondary database connection)
to any database
(which sap supports)
4. Take help of your basis team,
they will help u.
amit m.


text:
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The quantity of time that you need to keep the waste management dumpster rental in Twin Peaks will also influence the cost. The more time you keep the dumpster, the further you can anticipate to pay.
Services are another consideration that could impact your overall cost. Many firms include services like dumpster drop off and pick up in their costs. Some companies, however, fee for these services. That makes it important that you ask about any hidden fees.
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Can I haggle to get a better price?
Dumpster rental businesses commonly have set prices, but the fine art of negotiation is always in play. Should you'd like to dicker on the cost, call around to other firms first so you understand what the going rental rate is. When you are speaking to the business you wish to utilize, merely mention other prices which are better than theirs. Some firms will not only match that lower price, they'll really surpass it to suit their customers.
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Deciding where to put your dumpster can get a big impact on how quickly you finish projects. The most efficient alternative would be to pick a place that is near the worksite. It is necessary, however, to consider whether this place is a safe option. Make sure the place is free of barriers that could trip folks while they carry heavy debris.
Many folks choose to put dumpsters in their driveways. This is really a handy option because it usually means you can avoid requesting the city for a license or permit. If you have to put the dumpster on the street, then you definitely need to contact your local government to ask whether you have to get a permit. Although a lot of municipalities will let folks keep dumpsters on the road for short levels of time, others will ask you to complete some paperwork. Following these rules will help you avoid fines that'll make your project more expensive.
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Dumpster Rental Companies Near Twin Peaks
|Company Name
|Recology Sunset Scavenger
|(415) 330-1300
|Blue Line Transfer Inc
|(650) 589-5511
|Isotech Environmental Inc
|(408) 281-2927
|Westside Waste Management
|(661) 763-5135
|Discount Dumpster Rentals
|(626) 737-1614
|Waterford Place
|(408) 437-1900
|(650) 993-1481
|Ron's Hauling and Demolition
|(925) 260-3651
|Raz Hauling Services
|(415) 786-7293
|ProClean Services Inc
|(707) 542-9900
Our Service Area
Zip Codes in Twin Peaks92391
Dumpster Learning Center
More Dumpster ArticlesHow Much Does It Cost To Rent A Dumpster Twin Peaks
Dumpster Costs Twin Peaks
Dumpster Sizes Available Twin Peaks
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10 Yard
Great for small projects
- 12 feet long
- 8 feet wide
- 4 feet tall
20 Yard
For moderate sized cleanouts
- 22 feet long
- 8 feet wide
- 4.5 feet tall
30 Yard
All around good dumpster size
- 22 foot long
- 8 feet wide
- 6 feet tall
40 Yard
For the largest projects
- 22 foot long
- 8 feet wide
- 8 feet tall
*Dimensions & availability may vary by location. Call to confirm.
Thousands of satisfied customers
We take pride in providing our community with great prices and excellent customer service on dumpster rentals. Join thousands of others and get the dumpster you need, for the price you deserve!
We accept
All major credit cards accepted for dumpster rentals in Twin Peaks.


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We don't know which colour of this tiara is most beautiful – rose gold, silver, or gold, but we do know that whichever colour of LEDA that you choose, it will look classic and elegant on your head.
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Weight: 75 grams / 2.6 oz.
Our Austrian and Czech Crystals are superb for cascading dazzling light. We also employ German rhinestones to add to the glitter and panache of our bridal pieces.


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text: her campaign, had strong connections to the African-American community, voiced support for Black Lives Matter, and generally presented an inclusive and welcoming vision of the United States as a place of racial and gender diversity. In opposition to these inclusive models of leadership, Garrosh Hellscream in Patch 5.4 of World of Warcraft refers to "pitiful" allied races as inferior. His conflicts with allied races lead to a fracturing of the Horde and reformation of a racially pure "true Horde" he describes as "the Orcish Horde, the True Horde" which uses "anger, hatred, and fear" as tools of war; after Garrosh is deposed, the Horde returns to its prior racial diversity. This attitude towards "pitiful" inferior races has parallels to Trump's descriptions of Mexican immigrants "bringing drugs. They're bringing crime. They're rapists," as well as his anti-Islamic policies. One should note, though, that members of both Horde and Alliance have some legitimate reasons to be concerned about the undead. The Forsaken, as is the case with real world marginalized movements such as the Palestine Liberation Organization or the Irish Republican Army, resorted to terrorism. In particular, they are exper


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Star Wars (Japan) (Namco) [En by Mukimuki & Shinta v2.0] ROM
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Wordless Wednesday: T. Rex Eats Chicago
Ever since The Six-Year-Old adopted Grace Elvis from the Field Museum earlier this year, she has taken her responsibilities as a dinosaur parent very seriously. Things started off a bit rough, what with Grace Elvis' Super Criminal phase and all, but in The Six-Year-Old's opinion, all Grace Elvis needs is a bit of proper socialization. You know, walks and time with people, just like you'd do with puppies. As The Six-Year-Old is the world's expert on Grace Elvis, we're going along with it.
Here Grace Elvis is, on a sunny day last week, enjoying a little picnic somewhere along the lake trail at Chicago-By-The-Sea.
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