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The five year forecast might be the best part of any Multichannel Forensics project. Seriously, name one executive who wouldn't want to be able to predict what the future holds?
Consider the business model in this image. Telephone sales are forecast to decrease by more than thirty percent over the next five years. Store sales are generally flat. Online sales are projected to increase significantly, due to a steady influx of new customers.
How might you change your strategic business plan if you knew that you'll need to reduce your call center staff by nearly half over the next five years?
How might you change your capex expenditure in new stores if you knew that comp store sales are forecast to decrease?
Multichannel Forensics allow you to catch a glimpse into the future of your business, allowing you to literally alter the future trajectory of your products, brands or channels.
Helping CEOs Understand How Customers Interact With Advertising, Products, Brands, and Channels
July 23, 2008
Multichannel Forensics A to Z: Future
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Hillstrom's Targeting: Value of Primary / Secondary / Tertiary
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FALL IN LOVE WITH MESSIAEN'S Turangalîla Symphony AT AUCKLAND ARTS FESTIVAL IN MARCH
Sat 23 March, 2019
Great Hall, Auckland Town Hall
More info and tickets here
Frenchman Olivier Messiaen was one of the most important and influential composers of the 20th century and everything about his astounding Turangalîla Symphony is exuberant, colourful and monumental.
In the 2019 Auckland Arts Festival in March, the Auckland Philharmonia Orchestra (APO) and musicians from Australian National Academy of Music (ANAM) will unite to form a massive line-up of over 100 players and two soloists for a rare performance of the 20th-century orchestral masterpiece.
The symphony's name was coined by the composer from two Sanskrit words – turanga meaning "time which flows, movement or rhythm", and lîla, meaning "a kind of cosmic love involving acts of creation, destruction and reconstruction"[1]. The composer therefore saw this work as a song of love or a hymn to joy1. Either way, Turangalîla Symphony is an extravagant celebration of love and life, and centres around a blissful movement called The Garden of Love's Sleep.
Auckland Arts Festival Artistic Director Jonathan Bielski says, "This grand masterpiece of 20th century music locates the majesty of the APO at centre stage in the 2019 Festival programme. It is the first time the orchestra have performed it and we are delighted to share this spectacular moment with them."
"A milestone of
20th-century music."
– New York Times
Along with the huge orchestra, Turangalîla Symphony requires a mesmerising electronic instrument with an ethereal sound, called the ondes martenot. The world's finest ondes martenot player Cynthia Millar and other soloists, including innovative pianist Joanna MacGregor, will join the APO and ANAM under the baton of Maestro Stefan Asbury.
The wider orchestra includes a brilliant array of instruments, including glockenspiel, celesta and vibraphone, whose combined sounds reproduce a similar sound to a Balinese gamelan ensemble, along with triangle, temple blocks, wood block, cymbals, Turkish cymbal, Chinese cymbal, tam-tam, tambourine, maracas, tubular bells, bass drum, side (snare) drum and a Tambourin Provençal.
Rarely performed, the opportunity to experience the Turangalîla Symphony live may only come along once in a lifetime. This historic event will be a highlight of Auckland Arts Festival 2019.
To open the concert, music expert Graham Abbott will "unwrap" Messiaen's Turangalîla - an insightful and informative presentation to enrich the audience's understanding of this monumental work.
Tickets are on sale now.

subset: commoncrawl


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Review: Pitbull, The Boatlift3.0
Instead of arguing with Lil Jon's defiantly bejeweled "Crunk Aint Dead" neckpiece, we might only suggest adding the word "yet" to the end. Certainly the Atlantan aesthetic of slinky synthesizer riffs and twittering drum loops no longer has a reputation as preeminent national fad; the parade of saccharine nonsense passing in and out of teenagerdom's port of fascination continues unabated. But the question remains as to whether crunk will be something people choose to forget or whether it can evolve to stay relevant, and Lil Jon could do worse for his career and legacy than to hang around Pitbull.
The Boatlift is Pitbull's third studio album and proves once again that the Cuban-American rapper is a savvy curator of Latin-inflected rhythms, classic crunk, and dance-floor R&B. On last year's underappreciated El Mariel, he extended himself as an MC, showing a deft lyrical touch and a talented flow that could both reach Twista-worthy speeds and match Bun B's slow-reeling snarl. Here Pitbull seems less willing to rap at length, a decision that is a disappointment if not necessarily a misstep. The beats supplied by Lil Jon, Mr. Collipark (the Southern minimalist behind Ying Yang Twins' "Wait" and David Banner's "Play"), and a handful of less-notable producers are a diverse lot, as if to show that Pitbull is intent on compiling the perfect party mix.
Although Pitbull has released a number of Spanish-only tracks, and an all-Spanish version of El Mariel was planned but never realized, the songs on his albums lack an air of exclusivity; every song on Boatlift waxes bilingual. Instead, Spanish becomes another slang subset in Pitbull's poetic arsenal, no more off-putting than the tamest Ghostface gibberish. In a move especially ambitious given today's fractured music market, Pitbull has put together an album that could be played in clubs everywhere from South Beach to South Central. "Un Poquito" samples Spanish flamenco guitar and layers it underneath a menacing choral keyboard to dizzying, beautiful effect.
"Ying & the Yang," a squeaking ascension of flute backed by thumping bass, is nothing new from Lil Jon, yet it satisfies instantly and unexpectedly, the way so much of his music can. On the mid-tempo "I Don't See Em" and the reggaeton-tinged "The Anthem," Pitbull successfully merges Southern crunk with Latin dance rhythms. The calculation behind each of these is clear: It's as if you can see Pitbull moving down a list of target demographics. Only rarely does the plotting fail: "Secret Admirer" and "Tell Me" gushingly attempt the rap romance ballad, which by definition is always a terrible idea.
For better or worse, the story of Boatlift concerns more the production and song structures than Pitbull's own rapping. It's clear he'd rather be a chorus-shouter than a verse-spitter, or at least he believes that will help him sell more records. Maybe it depends on whether the listener is lying reclined or standing dance-ready, but I know I would rather hear Pitbull vocalize weird, witty couplets like "I bet they see me/Only little Cuban on TV" and "These are things I have to get off my chest/Sometimes I feel all I can give you is sex—I'm sorry" than the perfunctory "Get nasty, get freaky" or "If you didn't come to dance, then what did you come for?"—all of which are found on Boatlift, though the latter two are more representative. If the immensely talented Pitbull wants to continue to release music as a party-organizer, more power to him. He should know, though, that a pure rap album would find an audience just as easily.
Label: TVT Release Date: November 30, 2007 Buy: Amazon
Madonna Unveils Carnivalesque "Medellín" Music Video Featuring Maluma
The video for Madonna's new single is steeped in Portuguese and Latin-American influences.
Today MTV took a break from its around-the-clock programming of mind-numbing reality TV to air the exclusive world premiere of Madonna's new music video, "Medellín," like it's 1995 all over again. In the video, Madonna dons a white wedding dress reminiscent of her iconic look in the clip for "Like a Virgin" and the VMA performance of the song that helped make her a household name nearly 35 years ago. And like "Like a Virgin," which was shot in Venice, Italy, the new video is also an international production, filmed in Portugal, where the queen of pop has lived on and off for the past two years.
But that's essentially where the similarities end, both in terms of Madonna's less-than-virginal mien—the wedding dress is accessorized with a cowboy hat, a red leather glove, and a safety-pin-covered eye patch—as well as the video itself. The nearly seven-minute "Medellín" is the official introduction to Madame X, the persona Madonna has adopted for her 14th album of the same name, out on June 14, and features the singer in various guises, including a cha-cha instructor and a bride to Colombian reggaeton star Maluma.
An extended intro finds Madame X delivering her manfesto via prayer:
"Dear God, how can I trust anyone after years of disappointment and betrayal? How could I not want to run away again and again, escape? I will never be what society expects me to be. I have seen too much. I cannot turn back."
Reportedly shot at the Quinta Nova de Assunção palace near Lisbon, and co-directed by Diana Kunst, who was raised in Spain and has helmed videos for A$AP Rocky and Rosalía, "Medellín" is steeped in Portuguese and Latin-American influences that culminate in a carnivalesque wedding reception. Watch below:
Madonna and Maluma will perform "Medellín" for the first time at the 2019 Billboard Music Awards on May 1.
Watch: FKA twigs Drops Trippy "Cellophane" Music Video
The singer-songwriter returns today with "Cellophane," her first single in over three years.
Singer-songwriter FKA twigs returns today with "Cellophane," her first single in over three years. Written and produced by FKA twigs, Jeff Kleinman, and Michael Uzowuru, the track is the first taste of her as-yet-untitled sophomore effort, the follow-up to her Mercury Prize-nominated LP1. "Cellophane" is a delicate, piano-driven ballad that finds FKA twigs more vulnerable than ever before: "Didn't I do it for you?/Why don't I do it for you?" she begs at the very top of her vocal range.
The trippy music video for "Cellophane" was directed by Andrew Thomas Huang, best known for his work with Björk. The striking clip juxtaposes the song's emotional lyrics with images of FKA twigs pole dancing in nothing more than platform heels and a bikini. She encounters a CGI winged creature at the top of the pole, sending her plummeting into a pit, where she's bathed in red mud by several masked women. Watch below:
Review: Lizzo's Cuz I Love You Is a Vessel for Pure Exuberance
The singer-rapper's third album wastes no time going for the pop jugular.4
Several times throughout her third album, Cuz I Love You, singer-rapper Lizzo can be heard breaking into laughter, as if the joy she's taking in a well-delivered punchline, or simply in the act of music-making itself, has become momentarily impossible to repress. It's a hard trick to pull off without sounding self-infatuated or contrived. But Lizzo gets away with it, delivering in Cuz I Love You a vessel for pure exuberance.
Coming on the heels of last year's buzz-building singles "Fitness" and "Boys," Cuz I Love You wastes no time going for the pop jugular. With its infectious, wordless hook, lead single "Juice" is a 1980s-inspired confection so on point it could turn Bruno Mars green with envy. Both "Like a Girl" and "Soulmate" boast precision-engineered hooks and perky, pop-feminist missives: "Woke up feelin' like I just might run for president," Lizzo crows on the former, "Even if there ain't no precedent…I'm about to add a little estrogen."
The album saves its most lasting pleasures for its second half—notably "Crybaby," an oozing Minneapolis funk-rock groove that channels Prince's "Darling Nikki" while Lizzo lays on the big diva vocals. Indeed, it's her voice that's Cuz I Love You's biggest revelation. She was a rapper first and foremost on 2013's Lizzobangers and 2015's Big Grrrl Small World, but here she lets her singing come to the fore, belting out the opening title track so hard it threatens to come apart at the seams, and turning "Jerome," the mid-album kiss-off to an unworthy man, into a retro-R&B tour de force. Even on the songs that most resemble her earlier work, like the trunk-rattling "Tempo," she raps with an ear for vocal timbre over lyrical flow, letting her Houstonian accent spread languidly over the words, "I'm a thick bitch, I need tempo."
Expertly sequenced in a concise, 33-minute package, Cuz I Love You moves from strength to strength. Even its more minor tracks feature standout moments, like Gucci Mane's typically energetic verse on "Exactly How I Feel" and the soaring trap-gospel coda (complete with flute solo) to "Heaven Help Me." Lizzo's talent has always been evident, but this album's material, her strongest to date, allows her put it on full display. By the languorous, seductive neo-soul of closing track "Lingerie," her enthusiasm is as contagious as it is well-earned.
Label: Atlantic Release Date: April 19, 2019 Buy: Amazon
Review: Anderson .Paak's Ventura Fuses the New School and Old School
The album serves as a reminder of the magic that can result from looking to the past to inform the future.4
At the heart of Anderson .Paak's music has always been an emotional unburdening of exuberant proportions. It's present in the shades of intensity his voice carries between croon and rasp, the luxurious kinetics of his funk-laden instrumentals, and his starry-eyed joie de vivre. On his fourth album, Ventura, Paak alters this blueprint by mastering the equilibrium between exactitude and ease, between vintage soul and new-school fusion.
The salt and sand of the California beach towns where Paak grew up comprise the lifeblood of his albums. Whereas last year's insular Oxnard paid tribute to the city of his birth, Ventura is more expansive. Dr. Dre, Paak's longtime mentor, served as executive producer on Oxnard, lending that album its heavy-hitting funk-rap skylarks, but on Ventura, Dre allows his protégé to take the reins. Paak certainly doesn't shy away from the challenge, as the album is awash in golden timbres and spacious, full-blooded textures. It's lush yet artfully edited, unforced yet deliberate—a far cry from the overwrought architecture that got the best of Oxnard.
In many ways, Ventura represents a return to form for Paak, as he channels the neo-soul of 2016's Malibu, which was sorely absent from Oxnard. But while Paak was comfortable residing in the clearly defined contours of traditional verse-bridge-verse song structures on Malibu, he allows those boundaries to blur and shift here. The cinematic opener "Come Home," which boasts a particularly nimble and clever verse from André 3000, unfolds like an overture, anchored by a choir of angelic voices and hair-raising drumrolls. Staccato trumpets puncture the disco glitz of "Reachin' 2 Much" before, in one of the most fabulous transitions of the album, giving way to a chilled-down groove equally fit for a backyard BBQ and a dance floor.
Too many tracks on Oxnard felt as if they were carried by noteworthy features like Snoop Dogg, Kendrick Lamar, and Q-Tip, leaving Paak as a supporting character at best. By contrast, Paak is never overshadowed on Ventura, working off a tight and balanced chemistry with his guest artists, and he embraces an endearing transparency when he treats topics as disparate as dealing with a nosy girlfriend ("You stay here too much, baby/You know it's not your place"), reigniting a dormant love ("When you take somebody for your own/It can't survive on history alone"), and uplifting community in the face of racism and poverty ("The people that you came with? You're coming with me"). Throughout it all, Paak maintains an optimism that, though some might deem naïve, is undeniably infectious.
The foundations of Paak's sound—disco, funk, '70s soul, California G-funk—cast an air of nostalgia over his music. But he's shrewd enough in the design and construction of his music to prevent the amalgamation of these influences from slipping into pastiche or kitsch. Although Ventura is replete with anachronisms—theatrical strings fit for Earth, Wind & Fire ("Reachin' 2 Much"), nightclub-ready slap bass ("Jet Black"), quiet storm ("Make It Better")—Paak fuses the old school and new school seamlessly, producing a sonic palette that hasn't quite been replicated by any of his contemporaries. Ventura serves as a reminder of the magic that can result from looking to the past to inform the future.
Label: Aftermath Release Date: April 12, 2019 Buy: Amazon
Review: Madonna and Maluma Drop Sultry New Single "Medellín," from Madame X
The lead single from Madonna's 14th album is driven by a decidedly unhurried tropical rhythm.
Last month, Page Six of the New York Post published an article titled "How Madonna is using younger stars to cling to relevancy." The infamous tabloid swiftly revised its headline to the marginally softer "How Madonna is using younger stars in hopes to stay relevant" after receiving blowback for what some perceived to be a double standard. But as the gulf between the 60-year-old pop queen's age and that of the average radio star has continued to widen, it's true that she's increasingly leaned on collaborations with younger artists like Justin Timberlake and Nicki Minaj.
You'd be forgiven, then, for assuming that "Medellín," the first single from Madonna's upcoming 14th album, Madame X, is an attempt to cash in on the ever-growing popularity of reggaton. While the 25-year-old Maluma is a huge star in Latin America, however, he's yet to cross over beyond the Latin-pop market in the U.S., so the partnership appears to be a mutually beneficial one. And Madonna has lovingly appropriated Latin culture in her work for decades, as far back as 1986's "La Isla Bonita," and as recently as her torero-inspired music video for 2015's "Living for Love." In fact, one could argue it's the single most consistent musical theme of her career outside of, say, dance music more broadly.
Co-produced by Mirwais, who was previously at the helm of Madonna's Music and American Life albums, "Medellín"—named after the city where Maluma was born—is a sultry midtempo track driven by a decidedly unhurried tropical rhythm and Madonna's catchy refrain of "one-two cha-cha-cha." The singer's inexplicably Auto-Tune-drenched verses are nostalgic and wistful, nodding to the breezy escapism of "La Isla Bonita": "I took a sip and had a dream/And I woke up in Medellín."
Vocally, Maluma does most of the heavy-lifting on the bilingual track, with inuendo-filled verses that reference both Colombia and Madonna's hometown of Detroit. But Madonna's sugary harmonies, particularly during the song's rousing hook, balance out Maluma's gigolo routine with a dreamy sweetness.
Listen here:
The music video for "Medellín" will premiere on April 24. Madame X is out June 14 on Interscope Records.
Review: The Chemical Brothers's No Geography Resembles Loving Fan Fiction
The album displays elements of all stages of the duo's career yet retains the same playful inspiration found in their best work.3.5
To call the Chemical Brothers's No Geography a kind of impeccable fan service is to suggest a criticism entirely unintended. If the U.K. duo's ninth album resembles loving speculative fiction, it's of an urgent, exciting sort that the electronic pioneers have more than earned over their relatively consistent 25-year career. In fact, save for the wonky sequencing choice of front-loading the two most negligible songs—the boilerplate big-beat intro of "Eve of Destruction" and "Bango"—No Geography could easily pass for a collection of epic B-sides to some of Tom Rowlands and Ed Simons's signature classics.
"MAH" (short for "Mad As Hell") is a dopamine-surging mash of familiar sounds, its frenzied, vaguely tribal beats and grinding noise reminiscent of "It Began in Afrika" and "Chemical Beats," respectively. "Gravity Drops" gives the 808s-on-Salvia drum thunder of "Come with Us" a modern production spit-shine, with some additional sprinkling of Kraftwerk's "Computer Love" and Aphex Twin's "Windowlicker." "We've Got to Try" similarly resurrects the hip-hop-based car-stereo thump of the Chemical Brothers' first two albums, and even raises a glass to two of the stronger tracks ("High Roller" and "Busy Child") by their early American counterpart the Crystal Method.
Fans of the Chemical Brothers tend to have their own favorites among the many genre styles the pair use to generate their panoramic sonic palette. If you love the group's bouncing, THC-fried detours into crisp, disco-infused pop, singles like "Got to Keep On" and "Free Yourself" are made to order. For this listener, it's the moody dance-floor psychedelia, and in this vein, No Geography thrills as well: "The Universe Sent Me" gives "Star Guitar" a darker, more meditative spin with its humming baseline, ethereal Liz Frazier-esque vocals, and fire-damaged guitars, and "Catch Me I'm Falling" winds down the BPMs while turning up the intergalactic lovesickness. These songs, like the album as a whole, display elements of all stages of the duo's career yet retain the same playful inspiration found in their best work.
Label: Astralwerks Release Date: April 13, 2019 Buy: Amazon
Watch: Madonna Unveils Teaser Trailer for New Concept Album Madame X
The secretiveness surrounding the project isn't surprising given that Madonna has been the victim of rampant leaks.
Certain discrete corners of the internet lost their collective minds earlier this month when Madonna's Instagram page, alternately littered with posts featuring the singer's adopted twin daughters or snapshots of her recent photo and video shoots, was taken over by nine indivudal images comprising a large red "X." The typically prolific celebrity 'grammer remained relatively quiet over the next two weeks, intermittently posting images of the letter X in her stories, and slowly revealing the manifesto for Madame X, her first album in four years:
Madame X is a secret agent
Traveling around the world
Changing identities
Fighting for freedom
Bringing light to dark places
She is a cha cha instructor
A professor
A head of state
A housekeeper
An esquestiran
A prisoner
A student
A teacher
A nun
A cabaret singer
A saint
A prostitute
The album's lead single, which could be out as soon as this week, is rumored to be a duet with Colombian reggaeton singer Maluma, but details are scarce. The secretiveness surrounding the project isn't surprising given that Madonna has been the victim of rampant leaks since at least the turn of the century. The studio recordings for her last album, 2015's Rebel Heart, leaked like a sieve, resulting in the arrest of an Israeli hacker.
This time out, the queen of pop has successfully kept things under wraps, but it seems that Madame X—a character perhaps inspired by the 1966 film of the same name starring Lana Turner—is ready for her close-up. Watch the teaser for the new album, directed by Steven Klein, below:
Madonna will reportedly perform new material from Madame X at the Eurovision Song Contest on May 14.
Review: Craig Finn's I Need a New War Soars When It Rises Above the Mire
If there's one thing that squarely separates the album from the Hold Steady singer's previous work, it's the consistent mellowness.3.5
The artistic growth Craig Finn has displayed over the course of his four solo albums is comparable—in terms developing a lyrical and production style—to his progression as a songwriter across the Hold Steady's first four albums. The difference is that rather than sketching out narrative party epics set to huge power-and-glory guitar riffs, Finn is now mostly writing tightly focused character studies to go with his largely understated indie rock songs—music, in other words, that's harder to latch onto and easier to overlook.
Despite its title's connotations, I Need a New War—the third in a retconned trilogy of albums—finds Finn further entrenching himself in the stylistic hallmarks of 2015's Faith in the Future and 2017's We All Want the Same Things. The album's ties to its two predecessors are, however, largely implicit rather than explicit. Counter to past Hold Steady albums, there are few, if any, recurring characters, and unlike Holly, Charlemagne, and the whole crew of divinely inspired party hounds who Finn sings about with that band, his subjects here are mostly just regular folks doing their best to muddle through their day-to-day lives. It takes one hell of a good writer to turn that kind of subject matter into compelling rock n' roll, and Finn—practically in his own category as a lyricist—is up to the task.
Produced by Josh Kaufman, who also helmed Faith in the Future and We All Want the Same Things, I Need a New War retains many of those albums' sonic traits: watery guitars, pillowy keyboards, and a stuffed-nose Finn singing in a lower, relaxed register. But it's also a departure, introducing new wrinkles like silky backing vocals by Annie Nero and Cassandra Jenkins and a liberally employed brass section that gets downright jazzy on the lounge-y "Her with the Blues." Several songs, particularly "Magic Marker" and "Indications," unexpectedly adopt a '50s doo-wop sound, continuing Finn's penchant for introducing new stylistic approaches on each of his solo albums that we haven't heard from him before.
If there's one thing that squarely separates I Need a New War from Finn's previous work, it's the consistent mellowness. With its dreamy atmosphere and loitering tempos, the album is more reliant than ever on Finn's wordplay. This is rarely an issue for a lyricist of Finn's caliber, as his eye for detail can turn seemingly mundane scenarios—a simple favor that becomes hard to repay ("A Bathtub in the Kitchen"), an office drone who daydreams of driving away from a dead-end relationship ("Carmen Isn't Coming in Today")—into resonant vignettes.
At the same time, Finn can get too bogged down in minutiae, such as devoting an entire verse of "Holyoke" to binge-watching TV shows. But even then, the aside serves the song's larger purpose of illustrating the anxiety-ridden narrator's vain attempts to distract himself from the omnipresence of death: "Massachusetts, man, you've got a lot more graveyards than we're used to/I swear to god they're every other mile."
I Need a New War soars when Finn dares to rise above the mire. This includes "Something to Hope For," whose optimistic title is mirrored in its peppy, infectious hooks. And lead single "Blankets" is Finn's most rousing solo effort to date, an account of a desperate search for an old flame that's as sweeping and powerful as the "thunder in the canyon" that the musician sings about on the chorus. The song's concluding thought—"You live your whole life/Just to travel to the place you're gonna die"—is as bleak and resigned as anything else on the album. But like almost everything that Finn sings, it's also invigorating.
Label: Partisan Release Date: April 26, 2019 Buy: Amazon
The 25 Best Chemical Brothers Songs
To celebrate the release of the duo's ninth album, No Geography, we ranked their 25 best songs.
This week, the Chemical Brothers will release their ninth studio album, No Geography, a notable feat for a group that was first propelled into the mainstream via electronica's so-called big bang in the late 1990s. Here's how consistently rich the duo's vast catalogue has been throughout their near-25-year career: Given the task of choosing our individual favorite tracks, we came up with over 50 contenders worthy of inclusion. As you read—and better yet, listen—to this list, you'll discover some unexpected omissions (pour one out for one of their biggest crossover hits, "Blocking Rockin' Beats," which didn't make the cut), but also some equally surprising additions that more casual fans may find unfamiliar. Regardless of your level of immersion, though, what you'll find here are 25 of the most explosive, head-bobbing, ass-shaking anthems in electronic music history. Blue Sullivan
Editor's Note: Listen to the entire playlist on Spotify.
25. "Saturate"
The Chemical Brothers's 2007 album We Are the Night is rightly maligned for containing a few of the duo's rare missteps (here's looking at you, "Salmon Dance"), but it also contains one of their most propulsive house bangers. Built on ping-ponging keys and a bassline so deep and dirty it almost qualifies as subliminal, "Saturate" builds to a surge of hammering snares that sound like crashing waves. A frequent late-set addition to the duo's live show over the last decade, the track is just as deserving of its inclusion here as any of their early classics. Sullivan
24. "Life Is Sweet"
But is it? Structured as a call and response, "Life Is Sweet" first finds the Chemical Brothers radiating in an unambiguously optimistic vibe, to the point you can almost feel UV rays emanating from the speakers. And then, suddenly, everything clouds over and you find yourself dancing in a haze of primal doubt that winds up in a denouement of existentialist angst. Eric Henderson
23. "Loops of Fury"
Best video game soundtrack of all time? WipeOut XL, without a doubt. And the Chemical Brothers's "Loops of Fury" was but one of the crown jewels of a compilation that also included Underworld's "Tin There," the Prodigy's "Firestarter," Photek's "The Third Sequence," and Fluke's "Atom Bomb." Even in that company, the relentless "Loops of Fury" comes about as close as any of them to feeling what it would be like to barrel down an anti-gravity race track at more than 200 kilometers per hour. Henderson
22. "Three Little Birdies Down Beats"
There is perhaps no other song on the Chemical Brothers's 1995 debut, Exit Planet Dust, that defined the duo's developing sound more efficiently than the unrelenting "Three Little Birdies Down Beats." The track is a torrent of increasingly complex layers: breakbeats, soul samples, and an onslaught of screeching guitars and distorted vocals that would become the group's signature over the course of the next decade. Sal Cinquemani
21. "My Elastic Eye"
Based around a sample of electronic composer Bernard Estardy's 1973 piece "Tic Tac Nocturne," "My Elastic Eye" sounds at once cinematic and classical, fusing prog-rock and jazz influences, and boldly employing the filtered basslines of French techno and electroclash, which was peaking in popularity around the time of the song's release. The result is a mélange of styles that cohere into a spooky musical score that wouldn't sound out of a place in an Argento giallo. Cinquemani
Review: Khalid's Free Spirit Embraces Self-Inquiry to Hackneyed Effect
The album feels more like an American Eagle ad than a documentation of an authentic transformational experience.3
With his butter-smooth two-octave vocal range, megawatt smile, and candid, sincere commitment to portraying millennial love—replete with boozy Uber rides and text-message mind games—Khalid has swiftly become a pop fixture, carving out a seemingly permanent place on the Billboard charts. But there's a sense of guardedness, an almost antiseptic quality, to the 21-year-old singer's produced-to-perfection R&B. And on his sophomore effort, Free Spirit, he can't seem to shake that predilection for playing it safe, despite the album's calls to lose our inhibitions and be free.
Whereas his 2016 debut, American Teen, played like the soundtrack to teenage romance and misadventure, Free Spirit sees Khalid embracing more mature self-inquiry, albeit to hackneyed effect, as he does on "Self": "I've ran away for miles, it's gettin' hard for me to breathe/'Cause the man that I've been runnin' from is inside of me." And no less inspired are lyrics like "So if you're gonna love me/You gotta love all of me" (from "Bad Luck") and "Life is never easy when you need it to be/Try to knock me down, but I get back on my feet" (from "Hundred").
Free Spirit brims with potential radio hits, like the broody, laidback "My Bad." The Disclosure-produced lead single, "Talk," is bright and electric, with a galaxy of heavily textured synths underpinning the track's buoyant chorus, in which Khalid shows off his seemingly effortless falsetto. A spacey guitar solo from guest John Mayer elevates the grounded groove of "Outta My Head" into something a little more out of this world. Multiple tracks, however, feature the same reverb-drenched guitar and airy synths, sucked dry of vitality by too-pristine production. For a burgeoning artist still establishing his signature style, Khalid settles into a surprising complacency here, failing to experiment with the template of his debut.
A fleet of 1970s-era vans emblazoned with the Free Spirit logo were deployed to colleges across the U.S. to promote the album's release, and a band of disillusioned teens taking a weed-stoked road trip are the subject of a short film that accompanies the album. The title track grapples with the tantalizing and distressing prospects of freedom, but Khalid never seems to reconcile the depths of that freedom throughout Free Spirit. Perhaps it's because, at 21, his journey is just beginning. But with all of the lyrical platitudes that abound on the album, the cover art of which depicts the artist overlooking a desert from the top of a dusty van, Khalid's coming-of-age odyssey feels more like an American Eagle ad than a documentation of an authentic transformational experience.
Label: RCA Release Date: April 5, 2019 Buy: Amazon
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I'm currently developing a YaaS builder module and when adding the cockpit_utils.js to my builder module's index page (as I want to use some standard builder functionality in my own module) I see an exception in the console log:
Uncaught SecurityError: Blocked a frame with origin "http://localhost:8081" from accessing a frame with origin "http://localhost:8080". Protocols, domains, and ports must match.
How can I add the necessary CORS headers to the builder's dev server running locally on my machine so that I can functionality and re-use some builder functionality locally
I hope that makes sense
Hi Darrell,
YaaS is the space to ask those questions - moved it!
Thank you.
Answer by Max Friedmann · Oct 02, 2015 at 08:38 AM
Hi Darrell,
for external Builder Modules we created a separate file called "builder.js" which replicates most of the functionality of the cockpit_utils.js. The cockpit_utils.js is only for internal usage and apparently contains some things that even can't be executed from outside (that's why you see those security issues). You can find the file here : https://builder.yaas.io/public/js/builder.js. Maybe we should take the cockpit_utils.js out of the public folder.....
When you create a new module with the Builder CLI you should already have the builder.js included in the sample index.html's.
Cheers, Max
Thanks Max, I appreciate the answer and I'll make sure to use the correct file :-)
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The most common ankle sprain is of the outside of the ankle – twisting it on an uneven surface or with a sudden turn or fall during sport (or in the pub!) This results in sudden pain in the outside of the ankle, swelling, increased temperature and, if severe, difficulty...Read More
Clicking or crunching in the hip can be caused by a number of things. Most people fear that the clicking is caused by bone hitting bone. However, thankfully nowadays this is rare. If you have this, it is likely that for many years you have been suffering severe pain and...Read More
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Please ask your Physiotherapist or Osteopath to show you how!Read More
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Jordan has one of the fastest growing university systems in the world. Currently 4.6% of the population is enrolled in a higher education program. The system serves over 300,000 students, and there is speculation that this rapid growth will continue over the coming decades.
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Because they fight everything. Face it no one on the island wants change. Try to build something and see how many hurdles your face. Want proof look at the hotel that the owner of the Spot wanted to build. If your not Tillman or a Moody you are screwed trying to build in Galveston. The local…
Bobby Pope
Bobby Pope commented on Galveston County still growing, but not as quickly
Bobby Pope commented on Some worried about growth of limited-service hotels in Galveston
I like full service hotels. Bur some folk on a budget will choose a cheaper hotel and their is none on the island the will stay somewhere else. You can stay at the Hilton by NASA for $120.00 per night on the weekends or even South Shore Resort. The weekend rates in Galveston are stupid high.…
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When is the last time the Kemah police had to pull their guns? They are almost like mall security.
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When passing new laws no one ever looks at the third outcome. As I golf cart owner I saw this new speed limit and was overjoyed. I knew there would be a bunch of people that never took this into consideration
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They will all be drinking together this weekend.
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Set up the Octagon and have a battle royal. Last man standing wins.
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Everyone on the island seems to be mad about something. New Hotel on seawall, summer fireworks, short term rentals, traffic, and the list goes on and on.
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CAVE people. Citizens Against Virtually Everything
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- Tuesday, April 9th | 3:00pm - 3:45pm | Booth #8967


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text: Declan wrote on the 28.8.05 > I would first try compiling binutils-2.14 as per ch.6 of the book (i.e. > --prefix=/usr --enable-shared or whatever the instructions were > I fail to see the value of the chroot. The idea of that is to point at > the new root dir, so your new system won't be installed over the old one > which is what you want when you're making a new LFS. You are simply > employing the compiler, hoping against hope that it will fix your old > system. > > For this compile, I would add /tools/lib and any other /tools lib > directories on top of /etc/ld.so.conf, and rerun ldconfig. I would also > mangle the path on the console you are building with thusly > PATH=/tools:$PATH; > > Then try the make install. > > It may well barf on the includes(/tools/include), which I reckon means > another compile option (--INCLUDEDIR=/tools/include ?) or else hacking > the makefile Can't get it any further than 'configure' at present, I'm getting the following error. Is this a glibc mismatch, can't be, there're both the same? /tools/lib/libc.so.6: undefined reference to `___tls_get_addr at GLIBC_2.3' collect2: ld returned 1 exit status *** The command '/tools/bin/gcc -o conftest -g -O2 conftest.c' failed. *** You must set the environment variable CC to a working compiler. thanks MAC -- ___________________________________________________________ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm


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If you are a fan of Dr Blake Mysteries then there are the buildings they use in the the TV series... read more
If you are a fan of Dr Blake Mysteries then there are the buildings they use in the the TV series... read more
A chance to stroll down one of Ballarat's finest streets. The unique historical buildings offer... read more
Raining today and we did not feel like walking in the rain so we drove down this very interesting street and found it sufficiently of interest to drove back down the other way to get the full experience - need to go slow to take it all in
Stroll this street a few times and get your camera out. great architecture and gives you a real feeling of old time Ballarat.
Good to see many of the old original buildings still on Lydiard street as well as film locations for the Dr Blake series
Hi Diane! We take great pride in the heritage of Lydiard Street.
We came here on the train and strolled down Lydiard street. It is a beautifully preserved streetscape from the 1880s. Very interesting buildings. According to our guide, the end of the street near the station had the surface level raised by about one storey. Have a walk along both sides and from the station to the university so that you get the whole picture.
Hi CorvettePete! It certainly a sight to behold after exiting the train. We're glad to hear you took the time to see the whole street and enjoyed what you saw.
I loved the old buildings, everywhere I looked there were more beautiful buildings to see and be in awe of
Hi andiec704! We appreciate your comments and are glad you loved Lydiard Street.
I agree that this street has a lot of Historical Structure, but I just wish somehow make the street a little more modern, But I guess that's Ballarat for you


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Helmut LangRibbed Baby Tee in .
Helmut Lang Ribbed Baby Tee in White. - size L (also in S,XS) Self & Trim: 100% cotton. Made in China. Hand wash. Rib knit fabric. HLAN-WS313. I02HW526. About the designer: Established in 1986, Helmut Lang is one of the fashion's most influential brands, known for its pioneering minimalism, engagement with artists, and surprising challenges to orthodoxy. Today, the brand taps into its rich...
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Yuri joins hands with Bast--the Egyptian cat goddess--to fulfill each other's needs. Along the way, they cast a mind-control spell over Medea to get closer to Fanta and the rest of the crew. Yuri simply wants Ryang back in her life, but Bast may have other motives....
Publication Details
- Publisher:
- Daewon C.I. Inc.
- Publication Date:
- 2010
- Series:
- Faeries' Landing
- Adobe PDF eBook 27.6 MB


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Whoa We all imagine people visit this page by means of the search engines from your clever search phrases. I am not sure what you are looking for the price tag on or perhaps not really.
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Hotels in Frenouville, France
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Best hotels in Frenouville
What's Frenouville Like?If you're looking for a place to get away, look no further than Frenouville. Whether you're planning to stay for a night or for the week, the area around Frenouville has accommodations to fit every need. Search for hotels in Frenouville with Hotels.com by checking our online map. Our map displays the areas and neighborhoods around all Frenouville hotels so you can see how close you are from landmarks and attractions, and then refine your search within the larger area. The best Frenouville hotel deals are here with our lowest price guarantee.
Where are the Best Places to Stay in Frenouville?
Below are the number of accommodations by star rating in Frenouville and the surrounding area:
- • 7 5-star accommodations from USD 115 per night
- • 23 4-star accommodations from USD 85 per night
- • 74 3-star accommodations from USD 51 per night
- • 57 2-star accommodations from USD 44 per night
- • 9 1-star accommodations from USD 28 per night
How to Get to Frenouville
Flights to Frenouville
- • Caen (CFR-Carpiquet), 10.1 mi (16.3 km) from central Frenouville
- • Deauville (DOL-Normandie), 24.2 mi (38.9 km) from central Frenouville
Things to See and Do in Frenouville
Things to See near Frenouville:
- • Caen Memorial (7.5 mi/12 km from the city center)
- • Caen Castle (6.4 mi/10.3 km from the city center)
- • University of Caen Normandy (6.5 mi/10.5 km from the city center)
- • Caen Exhibition Centre (6.6 mi/10.6 km from the city center)
- • Caen Botanical Garden (6.8 mi/10.9 km from the city center)
Things to Do near Frenouville:
- • Zenith de Caen (6.6 mi/10.6 km from the city center)
- • Chateau de Canon (8 mi/12.8 km from the city center)
- • Garcelles Golf (3.7 mi/5.9 km from the city center)
- • L'Ilot z'Enfants (4.1 mi/6.6 km from the city center)
- • Prairie Racecourse (6.2 mi/9.9 km from the city center)
When Is the Best Time to Visit Frenouville?
- • Hottest months: August, July, September, June (average 71°F)
- • Coldest months: February, January, March, December (average 37°F)
- • Rainiest months: August, October, January, and November (average 0.12 inches of rainfall)


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We will soon be launching our newly designed website. Please check back frequently for updates and we look forward to getting your feedback! As always, Annette and the team will be on hand to answer any queries, by phone or email.
So sad to report that Wallace the Newfoundland puppy, has returned to his breeder in Ireland. His increasingly sinister heart murmur was investigated by expert vets in Glasgow and was found to be of severity 4 out of 6.
Poor lad pants constantly and is just not comfortable unless lying outside in the rain! He'll be in good hands in Waterford and spoiled rotten, but we'll miss him!


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Roberto Duran is the real deal
By Gerardo Granados: There has never been a better fighter than Roberto "Manos de Piedra" Duran; if you saw him fight you know what I mean. The way he fought was something to enjoy watching, great boxing technique and ring smarts, body attack, great defense, chin and power, he was not a big fighter in size but he was a giant inside the ring.
Duran is considered as one of the best lightweights in boxing history.
Duran might not be considered as the greatest boxer of all times but he did enough to be enshrined in to the IBHOF and the WBHF. Manos de piedra was fearless inside the ring and outside the ring he had a magnetic personality, he was for real he was not an illusion created by a greedy promoter. The way he looked and his arrogant macho attitude were genuine; I really miss that in the current organization champions. He engaged against hall of famers, he won and he lost to them but he was never afraid to fight against anyone.
I remember this mean son of boxing and I miss him so much, now a day it is too hard to find a fighter who shares with him his bravery, his boxing style and even less his tough guy attitude. If any of his fans get to read this article they will be able to understand what am I talking about and for sure they will be able to describe him better than I can. For those young boxing fans that have no idea of who Roberto Duran was let me list some of his most notable's opponents.
Notable's victories:
On his seventeen pro bout defeated Ernesto Marcel former WBA World feather (before Marcel won the title) / W5(3)-D1* / in his last fight Marcel defeated Alexis Arguello by UD15 and then retired.
Hiroshi Kobayashi former WBA World – WBC super feather / W6(1)-L1-D1*.
IBHOF member Ken Buchanan former WBA World lightweight / W3-L2*.
WBHF member Guts Ishimatsu former WBC lightweight / W5(3)-L4-D1*.
Avenged his first defeat by KO11 against WBHF member Esteban de Jesus former WBC lightweight / W4(3)-L4*.
Saoul Mamby WBC light welter / W6(2)-L4*.
IBHOF & WBHF member Carlos Palomino / W8(6)-L1*.
Upset IBHOF & WBHF member Sugar Ray Leonard former WBC – WBA World welter, WBA World light middle, WBC middle, WBC – WBO super middle – WBC light heavy/ W10(8)-L2-D1*; by UD15 to win his second division world title, it was Leonard first loss.
IBHOF & WBHF member Pipino Cuevas former WBA World welter / W12(11)-L1*.
Davey Moore former WBA World light middle / W4(4)-L2*.
At thirty seven years old defeated three division champion Iran Barkley former WBC middle – IBF super middle – WBA World light heavy / W3(2)-L6* / Ring Magazine 1989 fight of the year award. Barkley defeated Thomas Hearns twice in title bouts.
At forty six years old Duran avenges defeat by UD10 Jorge Fernando Castro former WBA World middle / W5(3)-L4*.
At forty nine years old Duran defeats Patrick Goossen former IBO super middle / W1*.
Notables loses:
His first loss was against Esteban de Jesus former WBC lightweight / W4(3)-L4*.
The "No Mas" bout, Duran refuses to continue fighting lost to IBHOF & WBHF member Sugar Ray Leonard former WBC – WBA World welter, WBA World light middle, WBC middle, WBC – WBO super middle – WBC light heavy/ W10(8)-L2-D1*.
IBHOF & WBHF member Wilfred Benitez former WBC light middle & welter – WBA World light welter / W8(2)-L2*.
IBHOF & WBHF member Marvin Hagler former WBC middle / W13(12)-L1-D1* / lost by UD15 in a close combat, Duran was able to battle Hagler and was not knocked as other twelve were.
Was knocked out in just two rounds by future hall of fame member Thomas Hearns former WBA World welter & light heavy – WBC light middle, middle & light heavy – WBO super middle and IBO cruiser / W16 (10)-L5-D1*.
In 1989 lost to Sugar Ray Leonard by UD12, failing to conquer his fifth division world title the WBC super middle.
Forty three and forty four years old Duran lost to Vinny Pazienza former IBF lightweight – WBA World light middle – IBO super middle / W3(2)-L6*.
Forty four years old Duran lost to Hector Camacho former WBO light welter – WBC lightweight & feather / W9(2)-L4*.
Forty five years old Duran lost to Jorge Fernando Castro former WBA World middle / W5(3)-L4*.
Forty seven years old Duran lost to William Joppy former WBA World middle / W11(7)-L5*.
Fifty years old Duran lost to Hector Camacho in his last bout.
* Title fights record.
Professional boxing doesn't need the Pacquiao vs. Mayweather fight, what boxing needs is fighters willing to take a risk, boxers who are willing to prove to be the best against the best and not against tailor made opponents. No more catch weights fights that only make fans argue if the fighter was too weight drained to compete, no more greedy promoters who manufacture organization champions, no more greedy boxers who promote their own fights, no more excuses and no more title fights that are not worth to watch. Boxing needs fighters as Roberto Duran, Julio Cesar Chavez, Archie Moore, Thomas Hearns, Jake LaMotta, Carlos Monzon, Jorge Arce, Vinny Pazienza, Hector Camacho, Naseem Hamed, Mike Tyson or Arturo Gatti. Perhaps boxing purist wont agree but Boxing must be exciting to watch, it has to be fun because boxing fans pay to see a good fight between two skilled fighters trading punches, boxing must be violent and on times brutal, yes it is a sweet science but the ones who make boxing great always proved to have a heart bigger than his chest.
Do you believe Roberto Duran would have avoided Juan Manuel Marquez, Amir Khan, Manny Pacquiao, Floyd Mayweather, Miguel Angel Cotto or Sergio Martinez? Duran would have beat most of them for sure.


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The 8 most common mistakes people make when buying a car. And this is how you avoid them…
They say that after a house, a car is the most expensive thing a person will buy in their life, so it's vital you get it right. But what are the most common pitfalls to avoid?
1. Not trusting your instincts
If something doesn't feel quite right with the sale, don't go through with it. It's as simple as that. It can be easy to get caught up in the whole experience of buying a car, but it's a big investment that will become a big part of your life, so make sure it feels right.
2. Being afraid to haggle
Ever heard the phrase "If you're not embarrassed by your first offer then it's too high"? This is never truer than when it comes to car buying. Go low and let the seller meet you at a point you're both comfortable with. You'll be amazed how much you can save.
3. Not knowing your worth
If you're trading in your current car, make sure you get a couple of trustworthy valuations ahead of time. Print out the valuation reports and take them along with you as bargaining power.
4. Cracking under pressure
If you're being offered a 'Today only' special price, don't worry, it's likely to still apply tomorrow. If you need more time to think about your purchase, take it! It's a big choice and you have to be 100% comfortable with it.
5. Not getting your timing right
Dealerships have targets to hit and, if you get the timing right, you can often bag yourself a real bargain as they push to hit them. Try shopping at the end of the month, or at least at the end of the week. And bear in mind that the new plate releases are in March and September, meaning dealers are often looking to get rid of their 'old' stock around then too.
6. Not thinking about the future
The upfront cost of a car is not the only thing you have to think about during the buying process. Find out how much servicing costs, the average cost of any new parts that might need replacing, and be sure to give your insurance a call to see how the new vehicle affects your existing policy. The last thing you want is to commit to the purchase then realise you can't realistically afford it. For more information on the true cost of running a car, see our used car buying tips here.
7. Buying for the moment
It's tempting when you're in the showroom to drive away in the first car that catches your eye, but that's not always the right choice. Depreciation means you need to get your money's worth before you look to upgrade, so buying a car that might only be suitable for a year or two isn't always the wisest choice. Look for something that will be suitable for the next 3 years at least.
8. Not being prepared
Getting your dream car at your dream price is a whole lot easier when you already have the cash burning a hole in your pocket. Dealers are more likely to offer up a bargain to secure the sale, and it means you don't have to go through any applications in the final stages of the buying process.
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Last minute
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The incident occurred in the early-morning hours of April 19 outside a Taco Bell; three victims were taken to the hospital with serious injuries.
|Friday Newspaper | New York Law Journal Law.com
Click on the selected daysection to open the New York Law Journal in PDF format.
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PRINCE GEORGE — The 8th Annual Prince George Community Day is set for Saturday, May 4, from 8 a.m. to 2 p.m. at Scott Park, located at 6680 Courthouse ...
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Through three centuries, 16 presidents and six state high school hockey championships, the Warroad (Minn.) Pioneer has served this community of some 1,800 ...


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We weighted seven unrivalled SCX10 front bumpers over the recent year. Find out which SCX10 front bumper is best for you. You can also Search by model, type, Brands and part or opt for one of our SCX10 front bumper editorial picks.
As of our top of the heap pick Alloy Servo Relocation Front Bumper Mount For Axial SCX10 II AX90046/47 Black-US is a sterling place to start, it extends all the top features with a bow-wow price only at Frontbumper.org.