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It was revealed late last month that nurse Elet Neilson, also known as Elet Hamblin, who has a confirmed case of hepatitis C, was fired by McKay-Dee Hospital of Ogden, Utah in November 2014 ("Hospital acting cautiously," Oct. 31). At least one of the 4,800 patients who had contact with this nurse during her tenure at the hospital, June 2013 to November 2014, has been infected with the same genotype of hepatitis C as Neilson.
On behalf of HONOReform, a national patient advocacy organization with a focus on safeguarding the medical injection process, I join these patients and their family members in hoping and praying that none of these patients has been infected with this life-threatening disease. I encourage all of these patients to contact the Utah Department of Health and get tested.
As I urge these patients to follow up and verify that they are not affected, I also feel compelled to ask some burning questions. Why did it take so long, almost a year, to send these notification letters to all of these patients? Considering the level of this theft and the number of people who have been put in harm's way, by not receiving the proper medication dosage or by a vulnerability to infection, how was this nurse only charged with a misdemeanor?
Additionally, what has the leadership of McKay-Dee done to make necessary changes to protect its patients and its staff? The venerable Massachusetts General Hospital was recently fined $2.3 million dollars for employee infractions involving drug diversion. Is this what it's going to take, large fines levied against health care centers, to begin to fix this problem?
Drug diversion among health care workers is a national problem. And it may be the most enormous elephant in the room in health care. According to reporter Peter Eisler, writing in USA Today in April 2014, "100,000 doctors, nurses, medical technicians are abusing or dependent on prescription drugs in a given year, putting patients at risk."
At a recent drug diversion prevention meeting sponsored by the New Jersey Department of Health at Rutgers University, Mitch G. Sobel, director of pharmacy services at the St. Joseph's Healthcare System in Paterson, N.J., said the New Jersey Division of Consumer Affairs Prescription Monitoring Program estimated this number at 370,000.
Experts tell us it isn't long, for many drug addicts, before their addiction compels them to inject drugs. When covert injecting occurs in a health care setting, many aspects of the injection process are violated. Any time an injection is given improperly, there is a risk that one patient or more will be infected with a life-threatening bloodborne illness, including hepatitis C and HIV.
Just one drop of blood in a reused syringe or medication vial can be enough to infected a patient. There is also the impact on the care of the patient who may remain in unnecessary pain during his or her recovery process.
There is a current discussion among federal leaders and others on assembling a national meeting to have a full conversation on drug diversion prevention, and outline and recommend next steps. It is the right thing to do, not only for patients throughout the country but for the addicted health care workers who need and deserve protocols and regulations that prevent drug diversion.


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Continuity Inspection
1. Verify that the CPP switch is installed properly..
2. Remove the battery cover..
3. Disconnect the negative battery cable..
4. Disconnect the CPP switch connector..
5. Verify that the continuity between CPP switch terminals A and B when the clutch pedal is depressed and when it is released is according to the following table:
If not as verified, replace the CPP switch..
Crankshaft Position (CKP) Sensor Inspection [Mzr 2.0, Mzr 2.5]
Visual Inspection CAUTION: When foreign material such as an iron chip is on the CKP sensor, it can cause abnormal output from the sensor because of flux turbulence and adversely affect the engine control. Be sure there is no foreign material on the CKP sensor when replacing. ...
License Plate Light Removal/Installation
1. Disconnect the negative battery cable.. 2. Remove the lens.. 3. Insert a tape-wrapped fastener remover to the position shown in the figure, release the tabs. 4. Pull the rear bumper in the direction of the arrow (1) in the figure, and pull out the license plate lights in the directi ...
Stop Vehicle in Safe Place Immediately
If any of the following warning lights turns on, the system may have a malfunction. Stop the vehicle in a safe place immediately and contact an Authorized Mazda Dealer. ...

subset: commoncrawl


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For more information about Amy Tapp Realty visit our company website at amytapprealty.com
This welcoming Apex Construction property features a gorgeous brick outer, soaring ceilings, and exquisite lighting features. Small details are what make a home come witness the beautiful granite countertops and tasteful color combinations! And don't forget the stunning flooring, which perfects the aura of the property!
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Could have been a better experience.....
Added: 15th of November 2013
- 2004
- 1900
- Semi-automatic
- Diesel
- Estate
- 5
Bought from new with options of driver's information pack and sports seats. From new the "ride" in the car was inferior to another identical model bought just a few months earlier. The car functioned normally in terms of reliability, performance and economy but the radio and the overall ride had problems. What's good: Good performance. Quite good fuel economy (44mpg) Good finish inside (which has lasted). Reliable so far (in terms of no breakdowns). What has been bad: 1. The rear hatch has deceptive limitations, restricting what can be placed in the load area. For example the hatch opening is too small to allow plastic garden chairs to be loaded. 2. My radio can only be relied on for Radio 2. Stations like Classic FM are only usable in high signal areas, whereas the identical example car has far superior radio reception (identical model of radio) in a wide range of signal areas. The fault was pointed out to the Audi main agent "yes, the radios do vary sir" was the response. In the end, gave up. 3. The tyre noise varies significantly between the two A4 examples, and despite trying different makes of tyre, one of the cars (yes it's mine) has persisted with higher road noise throughout its whole life. 4. At high speeds a my car also suffered some vibration, which persisted after wheel rebalancing, renewal of tyres and replacement of one alloy wheel. No constructive feedback from the Audi main agent, but after 5 years the problem was mostly sorted by an independent tyre specialist who said the rear tracking was badly out of alignment (note the car was supplied in this state by Audi). The realignment sorted the vibration (and an accompanying body creak), although some rumbling (as if one of the tyres has a "bump" on it) remains. 5. The gearbox control unit failed at 90,000 miles - a common problem I've learnt. Audi will only replace, but I've subsequently learnt that repairs are possible. One plus here - as the car had been serviced throughout at an Audi agent, Audi provided the part free, leaving only the labour to be paid (£300 instead of £1500). 6. Headlights seem much worse than other cars I drive (e.g. Honda, Peugeot) In summary, these cars are better than many, but the quality of build (in 2004) was variable and the service from (at least one) Audi main agent is more focussed on "ticking boxes in a service schedule" rather than doing what is needed to the car. Would I buy another? Quite possibly, but would probably go for used and give it a thorough road test, remembering that "sales" are only interested in selling a car, rather than ensuring the car being sold is problem free.


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I'm the first to love a good deal, but as I've gotten older I've really begun to appreciate the value of a good splurgeworthy piece. For me, a good hat is at the top of the list when it comes to splurgeworthy investments. It's a versatile piece, you can wear with anything, and will definitely get your pay-per-wear out of.
I recently discovered a brand called Lack of Color, which is where I got this ivory hat. They are a company based out of Australia and could make me go broke if I let them. (This hat is on my summer wish list for sure.)
white crop jeans. This wide leg crop jean style is definitely the style to wear this year. It's a great piece to wear now through fall, as you can style them with boots and sandals or sneakers. You won't regret the purchase. You can expect this style to be on trend for the next few years.


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Until Mickey's co-guardian, gorgeous Dr. Logan Pascale, moves into their home—determined to sell up! His heart is on lockdown but soon, united in their love for Mickey, Logan and Karina are falling for each other, too! Can Karina persuade Logan that everything he needs is right under her roof…already?.
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'I'm afraid it's a no from this bank, Miss Brown.' The manager stood abruptly, indicating the interview was over.
Karina gritted her teeth to hold back a sharp retort. Miss Brown? In a town where everyone from millionaires to bag ladies was on first-name terms, she had just been insulted. She'd lived in Motueka for a little under a year but no one called her Miss anything. She was Karina Brown. End of. Had been since the day she'd left Auckland in a blaze of flashing media cameras and pushy reporters shoving microphones in her face as they demanded answers to questions she'd had no intention of answering. The day she'd gone back to her maiden name and left her old life behind to go and reinvent herself.
'Thank you for your time, Mr Pederson.' She gave the same back through clamped jaws.
Rising from the chair, she was astonished to feel her legs shaking. Smoothing down her kneelength pencil skirt and tugging her shoulders back tight inside her tailored jacketnot worn since AucklandKarina strode out of the bank manager's office with all the aplomb of her old persona. She would not grovel for the money she desperately needed to buy the other half of the housenot yet. Being told no just increased her determination to achieve her goal.
'How'd that go?' Rebecca called, only loudly enough for her to hear.
Crossing to her friend, who was more commonly known as Becca, despite her name badge, stationed at the bank's customer service desk, Karina shook her head. 'A big fail. Apparently I'm not a good prospect for lending money to.'
Ironic, considering her background. Once upon a time several hundred thousand dollars had been chickenfeed to her. Nowadays she lived on the wages she earned as a nurse at the medical centre she jointly owned in the small rural town of Motueka, far removed from that glamorous life. She had a tiny nest egg, put aside for rainy days, but nothing big enough to buy out Logan Pascale.
'Don't you dare think like that,' growled Becca.
'I showed him the property valuation and suggested I could spread the loan out for thirty years.' She'd be sixty-four and nearly ready to retire by then, but it would be worth it.
Becca leaned closer. 'It shouldn't mean a thing, but half the problem is you're not a local. Here, coming from the Big Smoke up north is like coming from another country.'
'I've heard that enough to know it's true.' But it didn't explain the malicious gleam in Peder-son's eyes as he'd told her no. He'd been enjoying himself at her expense. 'Bet he's looked me up online.'
'Are you sure you want a mortgage hanging over your head? Couldn't you ask someone in your family for the money this once?'
'What?' Karina shuddered. Prove to her father that what he believed had been right all along? That she couldn't make it on her own? 'No!' she barked, too loudly.
Becca wouldn't understand her need to stand on her own two tiny feet and do what was right for a little boy who relied entirely on her for everything.
'I can't do that,' she reiterated, more quietly. This was the toughest test she'd faced so far in her stand to be independent. So suck it up and beat the odds.
'I figured that'd be your answer, but don't let your pride get in the way of what's right.'
Jeepers, Becca, be blunt, why don't you?
'Anything I do will be what's right for Mickey.'
Mickey. The boy she loved as if he were her own. As one of his two guardians, she intended doing everything within her power to make sure she kept the only home he'd known. She'd promised his parents no less.
'How is that bundle of mischief? I haven't seen him for days.'
'Mickey's cool.'
Damn, but this was hard. She also needed to keep everything exactly as it was for herself. She'd crafted a new life in which she was in control and happy, in a quiet, comfortable way.
'Just the usual hiccups. Not enough honey on his toast and me putting the wrong shirt out for him to wear to kindergarten.'
'I bet you give him everything he wants.'
'How can I refuse when he gives me that gappy grin? But this morning he was very clingy and didn't want to go to kindergarten. Most unusual. Said his tummy was sore.'
'Did you insist on him going?'
Karina shrugged. 'Jonty's looking after him while I'm here.'
Becca returned to the original problem. 'What are you going to do about buying out Dr Pascale now?'
'Know a millionaire with lots of cash stashed under his bed?' A few hundred thousand was all she needed but, hey, in for an apple, in for a sack full of dollars.
'You want a sexy hunk to go with those millions?'
'Rich and sexy? All in one package? What's the catch?' Because she'd had that package and knew the pitfalls all too well.
'I don't know any guy around here fitting the description.' Becca grinned.
'Just as well.' Karina smiled back, thankful that her friend hadn't pointed out which of them actually knew the most millionaires.
'You still don't want to put your toe in the dating pond?'
'That's the last thing I want. I'm enjoying being in charge of my own life. Why would I want to give that up to be told which functions to attend and who to invite to dinner?'
Becca chose not to answer that. Instead she went with 'Heard when the good doctor's actually arriving?' A gleam of excitement lit up her eyes.
'Not a dickey bird. I don't even know if he's left Africa yet.' Hopefully he was still out in the wilderness, working with people who needed his medical skills. 'The longer I hear nothing, the longer I've got to come up with a solution for the house.'
But the days were running outfast.
'Wonder what he's like? Even if he doesn't have millions under his bed he could be sexy.'
'Like that's going to make a difference to anything.'
The situation was complicated enough, with them sharing guardianship of Mickey and having joint ownership of the house and attached medical centre. They'd never met, which suited her perfectly. She'd kept everything ticking over since Maria and James had died. Dr Pascale hadn't made it home for his brother and his sister-in-law's funeralhadn't talked to Karina at all, even by phone. Their only communication had been through the lawyers acting for the unusual partnership put in place solely to protect Mickey.
When a letter had arrived from the estate lawyers stating that Dr Logan Pascale wanted to sell the property and invest the money for Mickey's future, she'd felt a familiar punch in her stomach. Only this time she refused to fold. This time she would stand up to anything being thrown at her and would not be told what to do. Mickey shouldn't be moved away from all his memories of his parents.
When Maria and James had approached her about becoming a guardian if the unthinkable happened, she'd promised to do everything to make Mickey happy. Maria, her best friend ever, had hugged her and said that was exactly why they were asking. Now she had a promise to keep.
Putting that aside, Karina said, 'Guess I'd better be getting home.' She turned to stare out through the glass doors and shivered at the sight. 'It wasn't raining when I walked up here.' Though the sky had been grey and threatening. 'My car needs two new tyres.' It sat in the driveway going nowhere in the meantime.
'I'd offer you my truck, but my brother's borrowed it.' Becca handed her a large umbrella with bright blue logos splashed across it. She winked. 'Compliments of the bank. They're only for our most important clients.'
Karina couldn't speak for the sudden lump in her throat. Thank you, she thought as she stared at this woman who'd unexpectedly become a good friend. Thank you. Hopefully Becca understood.
The wind blew rain into her face as she headed down High Street towards home. Home, Mickey, the surgery: her life. The life she liked to think she controlled.
'Mostly ' she muttered as the rain got worse.
Within minutes her skirt was soaked and her blouse was getting damp down the front. Her jacket hadn't been designed to be closed across her breasts. Very classy, but totally impractical for her newer, more prosaic lifestyle. She hurried along the footpath, quickly giving up on avoiding the puddles. She'd have jogged all the way, but given she was wearing three-inch narrow heelsall to impress an unimpressionable goat of a bankershe figured that might be a little crazy even for her.
The cooler air did nothing to chill her anger at being refused a loan. She should have asked on what grounds she'd been turned down, but giving Mr Pederson the pleasure of knowing he'd upset her hadn't been an option. Now she'd have to think of another way to raise the capital. Oh, yeah, like how? Short of selling herself down at the wharf, there weren't any ideas shining out at her.
Shoving the disappointment and her sense of unfairness down deep, where she kept insurmountable problems, she focused on reaching home as soon as possible. Before lunch she needed to change Jonty's wound from when he'd fallen in the chook pen and caught his forearm on a stake.
Dear old Grumpy Jones. Secretly, she adored Jonty. Underneath all that griping he was such a sweetheart, and so helpful. Without him she'd never have got the garden dug in time to plant spuds and onions. He'd complained about it with every turn of the soil, but when she'd tried to wrest the spade from him he'd given her an earful.
A gust of wind slammed into her and caught the umbrella, turning it inside out. The heavens poured water onto her carefully styled hair and turned her blouse see-through. So much for trying to look half-decent for once. Of course the bank's umbrella was rubbish. Went with the miserable manager's image.
Locking the gate at the bottom of her driveway, she turned for the house and groaned. The hole in the asphalt had overflowed, sending water streaming out to the road. Water, water everywhere
'It's so tempting.'
Despite her angst with the world she felt a flicker of mischief unfurl deep inside, and she raised a grin. Might as well get some fun out of the day and act like the delinquent Mr Pederson believed her to be. This hopelessness needed stomping onand stuff the shoes. It was doubtful she'd be wearing them again anyway.
Karina breathed deep and leapt into the air to land in the shallow hole. Splashes of murky water shot in every direction, including up her legs. Up, down, splash, splash. She pretended the tears leaking from the corners of her eyes were from pure pleasure, and not exasperation at her inability to fix the current crisis.
'I want to do that!' Mickey yelled from the veranda.
'Come on, then.'
So the sore tummy had recovered. She watched anxiously as he leapt off the steps and charged towards her.
'Go easy,' she muttered. She hated that he believed he was invulnerable. But she also acknowledged that his condition mustn't hold him back.
Splash. Mickey's round face split wide into a grin. Bending his knees, he bombed his feet into the deepest water he could find. His shrieks filled the air, and soon Karina was laughing hard. To hell with banks and money and everything. This was what life was about: enjoying the little things, and especially having fun with this boy she loved so much.
When Mickey was totally soaked she grabbed his hand and started for the house. 'Let's get into dry clothes and then I'll make us hot chocolate drinks.'
'Can we?' Mickey shouted. 'Really?'
'I reckon.' She bounded up the steps and kicked off her shoes. 'Is Mr Grumpy here or out in the shed?'
'Inside our place.'
She untied Mickey's laces and tugged his shoes and socks off. 'Straight to the bathroom, please. Get out of those clothes while I find you some dry ones.'
'What about my hot chocolate?'
'After you've changed.'
She ruffled his hair and gently pushed him inside, before banging the door shut behind them. Dropping her sopping bag and the useless umbrella into the bucket in the corner, she spun around to head to her bedroom and pulled up short at the sight of a man walking towards her.
'Who are you?' she gasped, though from the way goosebumps were lifting her skin she already had an inkling. So much for hoping he was weeks away. But, hey, it was that kind of day.
'Logan Pascale.' The long and lean, tanned man held a hand out to her. 'You're Karina Brown?' His eyes were very wide, and definitely not focused on her face.
Automatically putting her hand in his, she tried to lock eyes with him, but he was staring at something below her chin. When she followed the direction of his gaze she gasped again. Every last scrap of her clothing was wet, clinging to her like plastic wrap, and her blouse was more see-through than if she'd worn nothing. Her breasts pushed hard against her bra her very lacy, transparent bra.
Open up, floor, right now. Gobble me up.
When nothing happened she dredged deep for what little pride she could muster. 'Yes, I'm Karina.' She lifted her head to study the stranger who held the future of Mickey's home in the warm, strong hand she was still holding. Snatching her hand free, she stepped back and returned to scrutinising him.
'Jonty let me in. He's popped home for a moment.'
Despite the chill settling over her due to all that wetness, warmth eased through her body, touching her tummy, her toes, her face. He might be too lean for her taste, but her body didn't seem to care if the way it responded when she looked at him was an indicator. His face was gaunt, as if he needed feeding up. But those eyes were what really caught at her. Piercing, yet guarded, while also holding a hint of humour and compassion. A disturbing mix.
Oh, man, this was so wrong. The guy should come with a warning label. Don't come near unless you hold all the aces. She was short on aces today. Worse, she couldn't stop staring.
Tall Okay, anyone was tall compared to her. Oh, and he had the most gorgeous crop of over-long black hair, while his day-old stubble made her mouth water.
'Karina, I want my clothes!' Mickey yelled.
'Coming,' she called back, far more quietly.
'I'll wait for you in the kitchen,' her distracting visitor told her. 'Want me to make that hot chocolate I heard you mention?'
'With marshmallows, ta.'
He was already acting as if he lived here. She shrugged. Get over it. Logan Pascale owned half the place; he could come and go as he pleased. Was that good or bad? That warmth he'd engendered evaporated, leaving her shivering with cold and apprehension as she opened drawers to find Mickey some clothes.
Logan did hold all the aces. He wanted to sell the place she'd made her home and had believed she'd live in for many years to come. He had as much right to make decisions about the property and Mickey's future as she did. But had he even heard of joint decisions? Her sigh was filled with annoyance and frustration of the most irritating kind. If he thought selling up would help his nephew's cause then he didn't know damn all about Mickey.
But of course he didn't. Visiting briefly once a year meant he hardly knew his nephew. Hadn't seen the day-to-day growing up stuff, didn't know what he liked and hated, wouldn't understand how the Down syndrome affected him.
No doubt Logan intended getting things done fast so he could fly away again, leaving her to cope with the mess he'd created.
Well, think again, Pascale. I'm made of stron- ger stuff. You won't get away with it. I've grown a backbone because of men like you. Men who charm women out of their three-inch-high shoes all because they have a hidden agenda.
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Arrives cradled by our exclusive, black velvet bag.
This Christmas ornament is not a toy, nor is it intended for small children.
Global Rating: 5.00 from 1 reviews
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|For my brother and his son
|Dec 18, 2014
|Kimberly H.
|Cool 'super hero' design like the Incredibles which my nephew loves. I bought 11 ornaments from Russell Rhodes this year (I waited for a coupon) and got a... more...


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Figure 7-11. Adsorption of wetting agent by shale particles in oil as indicated by interfacial tension of diesel oil against water. (From Simpson, etal.9 Copyright 1961 by SPE-AIME.)
Oil-wetting agents may also be used to make a mechanical invert emulsion with linely-divided chalk. Chalk particles are normally water-wet, but by adding a small quantity of a fraction of tall oil, which consists mostly of oleic and linoleic acid, the particles may be made partially oil-wet.10 Upon agitation the particles are adsorbed at the oil-water interfaces around the water droplets, resulting in a mechanical emulsion whose continuous phase is oil.
When water is encountered in air or gas drilling, foaming agents are added to facilitate its removal. Foam formation is quite a simple matter: it merely requires the injection into the air stream of a surfactant that sufficiently lowers the surface tension of the water. Foams, however, tend to collapse in a short time because the surface free energy of the system is therby reduced. In drilling foam longevity must be considered when selecting a foamer.
Foams and Mists
Foams and mists are colloidal systems in which the two phases are a gas and a liquid. Distribution of the two phases depends on the relative amounts of each present. This ratio is usually expressed as either the volume fraction of the gas (foam quality)11 or the volume fraction of the liquid (LVF).12 In the loam quality range from 0 to about 0.54 the foam consists of independent
bubbles dispersed in the gas (see Figure 7-12); in the range from 0.54 to 0.96 the system is analogous to an emulsion with gas as the internal phase and the liquid as the external phase. Above a quality of 0.96 the system consists of ultramicroscopic droplets of water dispersed in the gas, and is termed a mist or an aerosol.
The factors governing the formation and stability of foams is not well understood. Obviously, since foaming involves a huge increase in surface area, the reduction of surface tension by the addition of a surfactant is essential. However, reduction of surface tension is not the only pertinent factor: The molecular structure of the surfactant also appears to be significant. One theory is that the anions are oriented normal to the surface of the film, and the cations are distributed in the solution between the walls.13 Thus the walls carry an electrostatic charge, and repulsion between these charges hinders coalescence. Because of the lack of basic theory, foaming agents must be evaluated by empirical tests (see Chapter 3).
Foams are used for three purposes in the drilling industry: (1) to remove formation water that enters the borehole when drilling with air, (2) as a low density fluid to remove drill cuttings and other solids when completing or working over wells in depleted reservoirs,14 and (3) as an insulating medium in Arctic wells.15
Solar Power Sensation V2
This is a product all about solar power. Within this product you will get 24 videos, 5 guides, reviews and much more. This product is great for affiliate marketers who is trying to market products all about alternative energy.


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Now for the fun part
Everything you need to know to make the projects
Stepby-steps for the craft projects
from pages 166 and 188 PLEASE BE SEATED Gather your supplies 1.5m x 115cm cotton print fabric; 1m x 115cm contrasting cotton fabric for piping; 4.5m piping cord, 5mm dia.; 53cm zipper; 53 x 53 x 15cm square foam cushion insert
You'll also need Sewing machine with zipper foot and general sewing supplies; matching sewing threads
Here's how STEP 1 From main fabric, cut:
2 top and bottom pieces 56 x 56cm;
3 side pieces 56 x 17cm;
2 zip pieces 56 x 10cm; then set aside. STEP 2 With right sides facing, fold cut edge of piping fabric over to selvedge edge to create a triangle shape. Cut along fold, then cut 5cm-wide strips from each side of this cut, along bias. Square off ends of each strip. You'll need combined length of all strips to total 4.5m. STEP 3 Place 2 strips, right sides facing, at a 90° angle. Sew across the 'square' they make, along diagonal. (Make sure, before you sew, long edges line up and bias of fabric is in same direction.) Trim seam allowance back to 5mm and press seam open. Repeat to sew together half of bias strips to make 1 long strip, then repeat with other half to make 2 long strips in total.
STEP 4 Cut a strip of piping cord to same length as a bias strip. Fold strip around piping cord with wrong sides facing and sew along length using zipper foot. Repeat with second bias strip.
STEP 5 Pin 1 piece of piping around all 4 sides of top cushion piece, right sides facing and aligning raw edges. Cut into seam allowance at corners to help it curve around, then sew (still using zipper foot), leaving ends of piping cord unsewn.
STEP 6 Overlap 2 ends of piping cord and cut so they butt up against each other with no overlap. Trim bias strip so ends overlap by approximately 8cm, then fold over end of 1 piece to wrong sides by 2cm. Position this over top of raw edge, then pin in place and sew.
STEP 7 Repeat Steps 5 and 6 with remaining strip of piping and bottom cushion piece.
STEP 8 To make handles, cut two 35 x 10cm pieces from main fabric. Fold each piece in half along length, wrong sides facing, and press. Open out, fold over all 4 edges on each piece to the wrong sides by 1cm, press, then fold in half again. Topstitch around all 4 sides, 5mm in from edge.
STEP 9 With right sides up, place a handle centrally onto 1 side piece. Pin, leaving some slack in handle so it's easy to pick up, then secure in place by sewing a rectangle, about 4 x 3cm, at each end. Reinforce by stitching diagonally from corner to corner in each direction within the rectangle. Repeat the step with your remaining handle and a second side piece. STEP 10 Pin 1 side piece with a handle and 1 without, right sides facing. Sew along 1 short edge. Sew other side piece with a handle onto remaining short edge of piece without handle, in same way, to make 3 sides of cushion.
STEP 11 With right sides facing, pin edge of zip along length of a zip piece. Sew using zipper foot. Open zip, then repeat to sew other half of zip to remaining zip piece.
STEP 12 Close zip, then pin and sew short ends of zip piece to short ends of cushion side, right sides facing, to form a loop. Open zip again.
STEP 13 Pin side piece to cushion top, right sides facing, aligning raw edges and encasing piping as you go. Using zipper foot, sew around all 4 sides, keeping close to piping. Repeat with bottom cushion piece.
STEP 14 Turn cushion cover right sides out through zip opening and press. Insert foam cushion then close zip to finish.
ROPED IN Gather your supplies Silver end caps, 8mm dia. (2); strong glue; 65cm cotton rope, 8mm dia.; hot-glue gun and glue sticks; flat faux suede cord, 3mm wide: 25cm each of coral, burnt orange, pink, fuchsia; 25cm narrow neon orange cord; 30cm narrow gold cord; 5 x 3cm brown faux leather; pompom, 2cm dia.; pliers; 6mm silver jump rings (2); silver lobster clasp
Here's how STEP 1 Fill silver end caps ¼-full with strong glue, press each end of rope firmly into an end cap, ensuring glue comes into contact with rope. 10cm down from 1 rope end, dot hot glue onto rope. Attach end of coral cord. Wind around rope, leaving a small space between each wrap. Secure cord end to rope with a dot of hot glue.
STEP 2 Place a small dot of hot glue directly after wrapped cord and attach burnt orange cord. Wind this around rope, making sure each wrap butts up to previous wrap. Secure end of cord as before.
STEP 3 Repeat Step 2 using gold cord after burnt orange cord.
STEP 4 Fold pink cord in half to find centre. Add hot glue onto rope just after gold cord and stick down centre of pink cord. Wrap 2 ends of cord around rope, alternating in a crisscross fashion along rope. Secure ends in place with hot glue.
STEP 5 Repeat Step 2 using fuchsia cord after pink cord, then neon orange cord.
STEP 6 Snip a series of 2cm lines, 5mm apart, along 1 long side of faux leather to create a fringed effect. Dot hot glue onto rope after last wrap of orange cord. Wrap uncut section of leather around glued rope, with fringing hanging over orange cord. Secure end of fringing with hot glue. Attach pompom to top of fringing with hot glue.
STEP 7 Using pliers, open a jump ring. Hook it onto a silver end cap, hook lobster clasp onto jump ring and close. Repeat with second end cap and remaining jump ring.
PATCH IT UP Finished size 40 x 60cm
Gather your supplies Small amount of 10 or more coordinating fabrics for cushion front; water soluble pen; 41 x 61cm backing fabric; 90 x 70cm batting; 40 x 60cm cushion insert; 8 x 10cm Kraft-tex paper (optional, see Notes below); stamp and black Staz-on inkpad (optional)
You'll also need Sewing machine and general sewing supplies; matching sewing threads
■ Use a 5mm seam allowance unless otherwise stated. ■ Kraft-tex paper looks and feels a little like leather but you can cut, sew and wash it like fabric. It can be bought in a choice of natural colours from craft shops on Etsy or kraftkolour.net.au.
Here's how STEP 1 Cushion top is made from 24 patchwork squares using 3 styles of patchwork squares: half square triangles (HST), drunkard's path quarters and plain squares. (Your cushion can use as many or few of each patchwork square style as you choose, so long as there are 24 in total.) Following instructions below, cut out and make 24 patchwork units from cushion front fabrics.
Making a half square triangle (HST)
STEP 2 To make 2 HSTS, cut two 12 x 12cm squares from different fabrics.
STEP 3 Place them right sides facing, then draw a diagonal line across centre using a water soluble pen.
STEP 4 Sew fabrics together, stitching 5mm on either side of line.
STEP 5 Cut along line. Open 2 joined pieces out. Press seams open then to 1 side to complete.
Making a drunkard's path quarter STEP 6 Cut an 11 x 11cm square. Using a photocopier, enlarge templates A and B (below) by 240% then cut out. Place template A in 1 corner on wrong side of 1 square. Draw around it then cut out.
STEP 7 Repeat Step 6 using template B.
STEP 8 Fold both pieces A and B in half and crease to find centre mark. With right sides facing, pin pieces together, matching edges and centre marks. Use plenty of pins to match curves.
STEP 9 Sew pieces together around curve. Press carefully.
Making a plain square STEP 10 Cut an 11 x 11cm fabric square.
Cushion front
STEP 11 With right sides facing stitch 2 units together down 1 side. Continue adding units to make a row of 6. Make 3 more rows. Press seams, pressing each row in an alternate direction. Join rows together to make panel of 6 x 4 units. Press well.
STEP 12 Cut batting in half, each piece measuring 45 x 70cm. Lay 1 piece flat with patchwork panel right side up on top.
STEP 13 Rule a 2.5cm square grid on patchwork panel with water soluble pen. Quilt patchwork along ruled lines. Trim batting back to match patchwork panel.
Making label (optional) STEP 14 Trim Kraft-tex paper to size and stamp it
using inkpad and stamp. Stitch label in place in bottom right-hand corner.
Assembling the cushion
STEP 15 Place backing fabric right side up on top of other piece of batting then mark and quilt, as for cushion front as done in Step 12. Trim backing piece even with patchwork front.
STEP 16 With right sides facing, pin and stitch cushion front and back together, leaving 1 short side open.
STEP 17 Turn right sides out. Remove water soluble pen from both front and back. Place cushion insert inside, fold in raw edges, then slip-stitch opening closed.
GAME, SET AND MATCH Gather your supplies Towel, hand towel or washer; cotton fabric; contrasting fabric for binding
You'll also need Sewing machine and general sewing supplies; matching sewing threads
Use a 5mm seam allowance unless otherwise stated.
Here's how STEP 1 Measure length across towel or face washer. Measure proposed width of feature panel (here width of woven section on towel). STEP 2 Cut cotton fabric to these measurements, adding 1.5cm either side of length across (for hemming). Width doesn't need extra as it will be bound.
STEP 3 Cut two 2cmwide strips of binding fabric, to same length as cotton fabric.
STEP 4 Place 1 strip right sides facing along 1 long edge of cotton fabric, matching raw edges. Stitch together.
STEP 5 Turn binding strip over to wrong side of cotton fabric and press then pin into place on right sides.
STEP 6 Repeat Step 4 and 5 to bind other long edge of cotton fabric with binding strip.
STEP 7 Place bound strip onto right sides of towel over woven section, or in chosen position, and pin.
STEP 8 Turn short sides of bound strip under to meet edges of towel and pin. Slip-stitch short edges in place with matching thread. Topstitch each bound edge in place.
Gather your supplies Mod Podge; paintbrush or glue applicator; coloured feathers; gold glitter; gold clamp findings; jewellery pliers; string; scissors; beads and small beach finds, such as shells (optional); embroidery hoop
Here's how STEP 1 Using a paintbrush or glue applicator, apply Mod Podge to tip of feathers, covering roughly a quarter of surface. Place feathers in a plastic container and sprinkle glitter all over gluecovered area. Shake off the excess and leave to dry.
STEP 2 Fix gold clamp findings to end of each feather, placing bottom of quill inside finding, then use pliers to bend each side over and secure.
STEP 3 Attach a length of string to loop of gold clamp and tie a knot at back. Tie another knot slightly further up string, then thread on a bead (or beach find). Repeat, knotting string before adding each item, to separate.
STEP 4 Take inner ring of embroidery hoop and secure each piece of string to it with a knot. Start at centre and work outwards, making string either side slightly shorter each time and keeping it symmetrical. Add a string loop for hanging.
Use your crafting powers for good beauties and give these handmade to the special people in your life!
HUG-ME-TIGHT TED Finished size about 28 x 19cm
Gather your supplies 1 x T-shirt; sewing matching and general sewing supplies; fibrefill; felt scraps
For a child under three, omit bow tie detail for safety.
Here's how STEP 1 Using a photocopier, enlarge template (right) to 260%. Cut out. Turn T-shirt inside out, pin on template. Allowing 5mm around template for seam allowance, cut through both layers of shirt. Pin fabric front and back together, right sides still facing.
STEP 2 Using zigzag stitch, sew around outside edge, leaving a 4cm gap on 1 side for turning through. Using straight stitch, stitch around again, inside zigzag stitch, leaving opening unstitched.
STEP 3 Turn bear right side out. Stuff firmly. Turn fabric allowance at opening through to inside. Slip-stitch closed.
STEP 4 To make bow tie, cut felt to 4 x 6cm. Pinch felt in middle, fold a T-shirt scrap around centre and sew in place. Stitch bow tie firmly onto bear.
STEP 5 For nose, use template for positioning and sew on a piece of felt. For eyes and mouth, make 1 long stitch for each eye and mouth and work loops over to make them curved and for eyelashes. IN THE BAG Finished size 25 x 30cm
Gather your supplies Water soluble pen; 14 x 14cm square plain fabric; stranded embroidery cotton; embroidery needle; 1 fat quarter cotton print (see Notes, below); 26 x 31cm pieces lining fabric (2); 80cm narrow cotton cord
You'll also need Sewing machine and general sewing supplies; matching sewing thread
■ A fat quarter is a piece of fabric about 50 x 55cm.
■ Use a 5mm seam allowance unless otherwise specified.
■ If you want a double drawstring, unpick casing opening in opposite side seam and thread a second piece of cord from this opening. If cord is thick, make casing a bit wider than 1cm.
Here's how STEP 1 Using water soluble pen, sketch a decorative letter onto centre of plain square. STEP 2 Using 3 strands of embroidery thread, work over outline in chain stitch (see below). Dab away any marker residue with a damp cloth or cotton bud.
STEP 3 From print fat quarter, cut 2 rectangles 26 x 31cm and 1 square 14 x 14cm.
STEP 4 With right sides facing, stitch embroidered square to print square around all edges, leaving a small opening on 1 side for turning through. Trim corners then turn through and press, pressing in raw edges of opening.
STEP 5 Centre pocket on 1 print rectangle, positioning a few cm up from bottom. Topstitch pocket in place, stitching close to edge on 3 sides (not top side), securing pressed opening at same time.
STEP 6 With right sides facing, stitch 1 lining piece to 1 print rectangle along one 26cm edge. Press seam open. Repeat for second pair of rectangles.
STEP 7 Place joined pieces right sides facing, putting lining pieces together and seams matching, then stitch bottom and side seams, leaving an opening along short side of lining to turn through. Turn right sides out through opening and slip-stitch opening closed. Push lining down into outer bag and press well, especially around upper edge.
STEP 8 To create casing (see Notes, left), make a line of stitching around top edge of bag 3cm below top. Stitch a second line 1cm below first. Where casing crosses side seam, reinforce both lines of stitching by sewing back and forth a few times before continuing.
STEP 9 With a seam ripper, carefully unpick side seam stitches between casing lines, taking care to unpick outer bag seam only and not through reinforced stitches.
STEP 10 Thread cord through casing, knot the ends and trim.
JUST IN CASE Gather your supplies 1 fat quarter fabric print (about 50 x 55cm); 25cm zipper; ribbon scrap
You'll also need Sewing machine with zipper foot and general sewing supplies; matching sewing thread
Use a 1cm seam allowance unless otherwise stated.
Here's how STEP 1 Cut fat quarter into 4 rectangles 17 x 27cm (2 are for case outer, 2 are for lining).
STEP 2 Place 1 rectangle right side up then place zip across 1 long side, centred and right sides down, matching raw long edge of fabric to edge of zip tape.
STEP 3 Stitch zip into place along this pinned edge using zipper foot.
STEP 4 Repeat Step 3 with a second rectangle to attach other side of zip tape.
STEP 5 With 2 fabric/zip pieces right sides facing, stitch together along bottom long edge. Press joined pieces flat, matching up zip with bottom seam.
STEP 6 Sew across both short ends, catching zip ends in centre. Turn right sides out and press.
STEP 7 To make boxed corner, turn case wrong sides out. Pinch 1 corner, so seam runs up centre to form a triangle.
STEP 8 Measure 3cm up from point of triangle, rule a line across corner at this point, then sew along ruled line, making a boxed corner. Cut off corner, 1cm outside stitching.
STEP 9 Repeat Steps 7 and 8 to make 3 more box corners.
STEP 10 To make lining with remaining 2 rectangles, turn 1 long edge on each piece under by 1cm to wrong side and press.
STEP 11 With 2 rectangles right sides facing, stitch together along long raw edge. Press flat, matching up turned-under edges with bottom seam.
STEP 12 Box corners of lining as done in Steps 7–9.
STEP 13 Pin lining inside pencil case outer, wrong sides facing, and topstitch together along zip edge to hold lining in place and neaten.
STEP 14 Loop ribbon through zip pull to finish.
CAPED CRUSADER Gather your supplies For mask: 1 fat quarter soft fabric (about 50 x 55cm); 30 x 30cm iron-on double-sided fusible bonding web; fabric scraps in contrasting colours; 30cm matching elastic For cape: 60 x 115cm soft fabric; 1 fat quarter fabric (about 50 x 55cm) in contrasting colour; fabric scraps in contrasting colours; 30 x 30cm iron-on doublesided fusible bonding web; 60 x 115cm lining fabric in contrasting colour (see Note); 2cm piece velcro You'll also need Sewing machine and general sewing supplies; matching sewing threads
Cape lining is cut from a single length of fabric, but you can cut into panels like outer cape, if you prefer.
Here's how Mask
STEP 1 Using a photocopier, enlarge Caped crusader mask template (opposite) to 220% or size to suit your child. Make 2 copies. Cut out 1 copy along outer outline.
STEP 2 Prepare enough fabric for front of mask by backing it with bonding web, using a dry iron according to pack instructions. Peel paper backing away and stick on second piece of fabric. Using mask template, lightly trace its outline onto 1 side of fabric.
STEP 3 Trace appliqué template pieces (from second template photocopy) onto paper side of more bonding web, tracing backto-front (so they're right way round when bonded). Cut out, leaving a 5mm margin, then bond to back of contrasting fabric scraps. Cut out along traced lines and carefully peel off backing paper. Assemble appliqué pieces in position on mask front, adhesiveside down. Cover with paper or a soft cloth and press into place until bonded, taking care not to overheat sensitive fabrics.
STEP 4 Topstitch 2mm in from edge of all appliqué shapes using matching thread. Sew around traced lines for outer edge of mask and eyes.
STEP 5 Carefully cut out mask 2mm from stitching.
STEP 6 Cut out eyes using smaller scissors. Sew elastic into place at back of mask, either by hand or machine.
Cape STEP 7 Using Caped crusader cape diagram (right), prepare a
paper pattern to scale. Using photocopier, enlarge Cape motif templates to 400% and neckband to 220%. For cape panels, pin paper patterns to soft fabric and fat quarter fabric then cut out, adding 1cm seam allowance. Cut out 2 neckbands, adding 1cm seam allowance. (Do not cut lining yet.) STEP 8 Trace motif templates onto paper side of bonding web, tracing back-to-front, and cut out, leaving a 5mm margin. Use a dry iron to bond pieces to back of various contrasting fabrics. Cut out and carefully peel off paper backing. STEP 9 With right sides facing and with a 1cm seam allowance, pin and stitch cape panels together along straight edges. Press seams to 1 side, then topstitch close to seam on right side. Lay cape on lining fabric, right sides facing, and cut 1 lining piece to match (see Note, opposite). STEP 10 Position motif pieces on right side of cape, adhesive-side down. Cover with paper or a soft cloth and press into place until bonded, taking care not to overheat sensitive fabrics. Topstitch around motifs, 2mm from edges. STEP 11 Place cape and lining right sides facing and sew 1cm from edge, stitching at start and finish to secure and leaving neck edge open. Snip corners, turn right side out and press. STEP 12 Place neckband pieces right sides facing and sew along shorter ends and top. Trim corners then turn right side out and press. Mark centre back of neckband with a pin. With right sides facing and matching centre back of neckband with centre back of cape, pin 1 raw edge of neckband to cape lining and sew in place (ends will extend at front edges). Press under 1cm on remaining raw edges of neckband. STEP 13 Fold remaining raw edge of neckband over seam allowance at neck edge, pin and topstitch into place 2mm from edge along entire edge. Sew velcro fastening into place at each short end of neckband and press to finish.
Just in case Caped crusader
Hug-me-tight ted In the bag Chain stitch Hug-me-tight ted template Enlarge to 260%
Game, set and match Dreamcatcher delight Gold clamp findings
Enlarge both to 240%
Please be seated Roped in Patch it up
Cape motif templates Enlarge to 400%, cut 2 stars Cape neckband template Enlarge to 220%, cut 2 Caped crusader mask template Enlarge to 220%, cut 2 Caped crusader cape diagram


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Stone of the Month Diamonds are among nature's most precious and beautiful creations. Objects of lore and devotion, the April birthstone — diamonds — create an unbreakable legacy for the men and women who wear them as adornment. Since the very beginning, diamonds have always been associated with romance and legend. As early as the 1st century AD, Roman text has said that Cupid's arrows were tipped with diamonds as part of their extraordinary magic. The very word "diamond" comes from the Greek "Adamas" meaning unconquerable, suggesting the eternity of love. In ancient times, Kings were known to lead wars on the battlefield wearing breastplates studded with diamonds, as it was believed that diamonds possessed extraordinary power that could be bestowed upon the wearer. The first recorded presentation of a diamond engagement ring was in 1477, when Archduke Maximilian of Austria proposed marriage to Mary of Burgundy with thin, flat pieces of diamonds creating the letter "M". Today, more than 80 percent of American brides choose diamond engagement rings. In April, we celebrate Diamonds! https://www.bayareadiamond.com/education/diamond-buying-tips
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Sách gì mà đọc miệt mài mà mãi không thấy hết : Sách cung cấp nhiều Thông tin và kiến thức bổ ích, cho người đọc một cái nhìn toàn cảnh về thương mại nhân loại từ thuở sơ khai cho đến hiện đại. It deals with a subject that is so ubiquitous that it is hardly ever closely analyzed: trade. Although even this was tempered by a reasonable representation of opposing viewpoints from economists and politicians over the years in This was a fantastic read from start to finish. In an era when trade is defined by interminable World Trade Organization talks and offers nothing more romantic than slab-sided container ships ploughing between nondescript ports, William Bernstein's book is like a trip to the movies to watch Johnny Depp swinging through the rigging. The book made me glad to live in the here and now. He correctly asserts that we must be aware of how it has shaped the past because it will continue to have a pivotal role--for better and for worse--as we move into the future.
Lower-value cargoes travel on reasonably comfortable and safe vessels with well-stocked pantries and video collections, and both the aircraft and ship's crews are nearly always the employees of very large corporations. Tuy nhiên, lượng kiến thức trong sách khá nhiều, rất bổ ích, nhất là với một người cũng ít kiến thức về thương mại thế giới như mình, nên mình vẫn hài lòng cho 5 sao. Roughly chronological, it covers trade from paleolithic times up until today, although, given the size of the subject, it does jump back and forth in time in places. Q: Did the importance of policy, regulation, and finance as supports for successful trade change at some point? As a general survey of the subject, it works surprisingly well. To convince yourself of that, look at the twentieth century: the Smoot-Hawley Tariff probably triggered the Second World War by embittering the Germans with their inability to recover and pay the Versailles reparations. The lessons for me were: 1. Bernstein tells the extraordinary story of global commerce from its prehistoric origins to the myriad controversies surrounding it today.
As early as the sixteenth century, Madeiran sugar growers demanded, and obtained, prohibitions against cheaper sugar from Brazil. Bernstein follows free trade vs. Spice traffic trade routes are analysed in detail. Bernstein has done a wonderful job chronicling the rise of commerce and trade throughout human history, and the logistics and theories that continue to effect modern humanity. Although this may have been prudent information at the time, it does little to improve ones knowledge on the development of trade throughout history, and really should not have been included within the text. Bernstein's thesis in a way. Cotton, sugar, and tea rise as trade commodities as spices wane in profitability.
In William Bernstein's deft treatment, it becomes pretty much a history of the world. He shows how the quest for wealth through commerce, as opposed to plunder, has ordered societies for centuries - indeed as long ago as we have historical and archaeological evidence. Zheng He leads Chinese naval expeditions into the Indian ocean. A Splendid Exchangeis a splendid book. Overland routes to transport silk from China to the Mediterranean—the Silk Road—were brutal and difficult.
Corn laws - english landed aristocrats lobbied for tariffs on imported grain to their own advantage causing periodic hunger. When I think about inequities in the world now and I consider myself a have in a have-not world , it is clear that they have always been around. Roughly chronological, it covers trade from paleolithic times up until today, although, given the size o An utterly fascinating book about something that is so important to the history of the world and yet so little discussed in more mainstream works of history. For anyone wanting a painless primer in the ideas of Adam Smith, David Ricardo, or more recent economists, such as Paul Samuelson, this is the place to find it. Another subtle but great advance in trade history was the invention of a process for mass producing inexpensive high-quality steel by Bessemer, Siemens, and Martin in the mid-nineteenth century.
A great book for anyone who is interested in trade, or just in history. Bernstein's vast knowledge of trade's past is great preparation for dealing effectively with today's controversies about its future. There is considerable evidence against both claims. Từng chương sách đều mở ra những chân trời mới về hiểu biết, thú vị nhất với mình là vai trò của các nước phương Tây và đặc biệt là Hồi giáo trong tiến trình hình thành và phát triển nhân loại. A Splendid Exchange was given by the same author who liked so much--more than sufficient recommendation for me. Venice trades in slaves from the Black Sea coast to the muslims. The Dutch and the English were competing after the spices in Asia, sugar in Brazil, and slaves and gold in Africa, with mixed results as we know from history.
Primarily, the main impacts of the exchange were transformations of the people, animals, plants, food, minerals and commerce… to describe recent trade problems and examine why these problems are related to, and affected by exchange rates. How much has business changed? If it is, Bernstein does a good job not letting details distract from the big picture, like history books do sometimes. Bernstein follows the rise and fall of nations, who would have thought that Aceh was once one of the great sea faring and trading nations? I have been trying to figure out why the Moslem world thrived during the European Dark Ages. Nonetheless, the passion, insight and eloquence that Bernstein brings to the historical story of trade more than offset the shortcomings of his economic analysis. Accidentally exchanged by the Europeans, earthworms impacted the agriculture by packing nutrients in the previously worm-free soil. This history of world trade, and discussion of how trade shaped world history, lacks a bit of the ambition of Blanding's thematic reappraisal of the long 18th century: this work is more or less straight-up chronological, although that turns out to represent William J. An interesting description of how the nutmeg, sugar and spices were considered exotic and this desirable.
What really marks Bernstein out is his talent in understanding, and then explaining, international commercial linkages. But his analysis of current economic issues is selective at best, and often confused or just wrong. Bernstein spends the better part of the book chronicling the long and fascinating history of international trade. By this we taste the spices of Arabia, yet we never feel the scorching Sun which brings them forth; we shine in silks which our Hands have never wrought; we drink of Vinyards which we never planted; the Treasures of those Mines are ours, in which we have never digg'd; we only plough the Deep and reap the Harvest of every Country in the World. Readers of this compelling saga will be intellectually rewarded, enticed, and amused--and more sensitively attuned to the challenges of today's version of the globalization that has driven so much of civilization's economic growth and social progress.
The asides are annoying and often an overly simplistic summary of current affairs. This novel was barely about trade shaping the world but rather about what ancient civilizations traded. The study will explore, in detail, the agencies that determine these rates. Such is the world of trade. He was raised by an abusive….
With two exceptions, it's encyclopedic and well written. In another case with major historical ramifications, Bernstein tells of a group of wealthy smugglers and merchants who objected to a large decline in protective tariffs that would have undercut their profits but greatly benefited consumers. Bernstein is a fine writer and knows how to tell a great story well. Ice trade, leading to refridgerated shipping. Publisher's Summary Bernstein tells the extraordinary story of global commerce, from its prehistoric origins to the myriad controversies surrounding it today.


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Side View Of A Brown House Mouse Running Down A Wire On An Download Side View Of A Brown House Mouse Running Down A Wire On An Electrical Outlet How To Run Electrical Wire Through Exterior Wall #6008
Carrying out electrical wiring by yourself might be challenging. That is specially so if you deficiency the awareness along with the knowledge in electrical stuff. The detail is you cannot do a demo and error process when dealing with electrical wiring. Problems could price you a fortune or maybe your daily life. That's why before commencing any do-it-yourself electrical repair, you should talk to some electrical wiring concerns just to make sure you already know what you are undertaking. One thing about electrical wiring is the fact wires are generally colour coded. So, it truly is essentially less complicated to know which of them go with which. Down below are definitely the most commonly encountered electrical wiring issues whose solutions typically entail shades to help you you determine each individual unique wire. - Electrical Wire Types And Uses
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Electrical Circuit Simple Open Circuit Electrical Energy Circuit Components Lessons In Electric Circuits #8913
How can You Wire a Swap?
Amongst quite possibly the most popular electrical wiring queries is on how to wire a swap. Although utilizing switches at home is kind of simple, wiring one might not be that effortless for everyone. An ON-OFF switch is in fact quite simple to wire. You'll find different kinds of switches, but for this example, let's say you're setting up a single-pole toggle switch, a very common swap (as well as most straightforward).
You will find a few shades of wires inside of a normal single-pole toggle switch: black, white, and inexperienced. Splice the black wire in two and link them to the terminal screws - one on prime and also the other to the bottom screw in the swap. The white wire serves to be a source of uninterrupted power which is ordinarily related to the gentle colored terminal screw (e.g., silver). Link the eco-friendly wire to the ground screw of one's switch.
These actions would frequently be ample to make a normal switch do the job with no issue. Then again, in the event you are not confident you can attain the process adequately and safely and securely you improved enable the professionals do it alternatively. Right after all, there is a motive why this process has become the commonest electrical wiring inquiries questioned by most people.
How do You Wire a Ceiling Fan?
For many explanation, how to wire a ceiling fan is likewise one among quite possibly the most popular electrical wiring inquiries. To simplify this activity, you can utilize an individual swap for the single ceiling fan. To wire the lover, it truly is just a make any difference of connecting the black wire in the ceiling fan towards the black wire of your change. If there is a light-weight, the blue wire ought to be connected towards the black wire from the switch too.
How can You Replace a Breaker and the way Does one Insert a Sub Panel?
Though quite a few attempt to carry out these jobs by themselves, plenty of people are encouraged to hire an electrician as a substitute. It's more difficult and thus hazardous for the majority of men and women to test to replace a breaker or increase a panel. To give you an notion about this sort of widespread electrical wiring thoughts, you should really need to get the job done on the scorching electrical panel. For those who you should not even know what this suggests, you will be merely not equipped to carry out the job your self. Even though you need to invest a lot more by hiring an experienced electrician, it can be a lot safer and a lot more wise to accomplish this as a substitute. - Side View Of A Brown House Mouse Running Down A Wire On An Download Side View Of A Brown House Mouse Running Down A Wire On An Electrical Outlet How To Run Electrical Wire Through Exterior Wall #6008
You will discover explanations why they are by far the most normally asked electrical wiring issues. 1, lots of imagine it's very simple to perform, and two, these are definitely the prevalent electrical responsibilities in your own home. But then you definitely shouldn't place your basic safety in danger in your intention to save cash. The stakes could even be considerably greater in the event you make an effort to lower your expenses and do an electrical wiring job without having ample understanding or encounter.
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Mobiles QHD | iPhone X resolutions: 1440 x 2560
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Ultra HD 8K resolutions: 7680 x 4320


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Author : Georgia Castles.
Published : Fri: Apr 12 2019 :1 PM.
Format : jpg/jpeg.
Kids desks are generally reasonably priced and are available in attractive designs and colors to suit children of all ages. Most of these desks have space saving devices that enable them to store their books, files and other stationery without having to resort to other cupboards and tables which would be an extra cost for the parents.
When you are shopping for childrens desks, you will want to consider the different types of desks that are available. Some options that fold up an take up less room than the traditional or standard desk. There are also kids desks that have attached chairs to the desks and are more compact. Additionally, you can find traditional versions that are like miniature adults desks.
Another reason to give them their own kids desk furniture is so that they will not be able to come up with excuses that they do not have a place to study, or that they get distracted which according to children are valid excuses to stay away from doing their home work or studies. It will also give them the opportunity to learn to keep the desk tidy and well organized so that it will be easy for them to find anything they want in a hurry.
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Kids also need lots of space to work, and also a place to call their own where they can put their creative energies to work. A desk with lots of cubby holes, drawers and places to keep their stuff will work well for children who will be able to find things easily whenever they need something instead of having to run around looking for things which breaks their concentration and also make them lose interest. Therefore kids computer desks that are "all in one" would be the ideal desk for kids to have.
A desk can be purchased as a stand-alone item. Usually, it does not have to match with the remaining kids furniture in the room. Bedrooms with themes consist of matching furniture and accessories from the colour coordinated bedding and throw rug. A desk can actually make a statement in a room, especially matched with a funky chair!


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Engagement Director Salary
How much does a Engagement Director make in the United States?
Get the insights on the salary, benefits, education, and job description.
Salary Data for Engagement Director
$59,145 (USD)/yr
$28 (USD)/hr
$1,893 (USD)/yr
$58,427 (USD)/yr
$28 (USD)/hr
$1,893 (USD)/yr
Job Description
Appraise real property and estimate its fair value. May assess taxes in accordance with prescribed schedules.
The average engagement director salary in United States is $59,145 or an equivalent hourly rate of $28. In addition, they earn an average bonus of $1,893. Salary estimates based on salary survey data collected directly from employers and anonymous employees in United States.
Compensation Data Based on Experience
Most Popular Skills for Engagement Director
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Salary Potential
16 %
Based on our compensation data, the estimated salary potential for Engagement Director will increase 16 % over 5 years.
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About The Data
The above data is a sample of data available in ERI's Global Salary Calculator. The Global Salary Calculator provides compensation data for over 45,000 positions in 8,000+ cities in 69 countries. If you need to calculate competitive levels of salaries, incentives and total compensation by industry, organization size and salary planning date, please view a demonstration version of ERI's Salary Assessor, which is used by the majority of the Fortune 500 for salary survey data and compensation planning.
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ESCAPE ROOM. Tue. 4/30/19. Sign up by Sat. 4/20/19 to join in the fun
mer. 1 mai à 00:45
13th Hour Escape Rooms:
Rated some of the most immersive and original escape rooms in the country. The Escape rooms are 60 mins each and we have 5 escape rooms to choose from.
https://13thhour.com/ # Cost is $33 per person (incl. tax and fees). I need to reserve the room for us and pay by CC upon reserving. If possible, I would appreciate any and all efforts to get your payment to me in advance, whether it's at a Sunday Walk or we can meet (you can message me). Thank you! You can read reviews here:
https://www.yelp.com/biz/13th-hour-haunted-house-and-escape-room-wharton?sort_by=date_desc https://www.tripadvisor.com/Attraction_Review-g46924-d10297037-Reviews-13th_Hour_Haunted_House_Escape_Rooms-Wharton_Morris_County_New_Jersey.html
Source: https://www.meetup.com/fr-FR/Rockaway-Mall-Cardio-Walk-I/events/260542385/
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Industrial Roller Door Repairs Company || The Door People
Are you searching industrial roller door repairs company in Adelaide?
If yes, Contact The Door People, We provide easy replacement and maintenance services for Damage shutters. Even we make high-quality material shutters & rollers, We have a well-trained team who always ready to help our precious customers. Get more details on our webpage
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|Target State: South Australia
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Last Update : 24 April 2018
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|Item Owner : The Door People
Contact Email:
Contact Phone: +61 8 8445 8445
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A logo is just one part of a brand identity, this concept is divided and intro three sections to represent the three different services the company has to offer, the colour connection becomes apparent on their corporate stationery as items of each service are listed within their associative colour group.
Logo Design Categories: Business Logo Design, Corporate Logo Design, Modern Logo Design, Professional Logo Design
Advanced design techniques have been adopted to create the glass effect that makes this logo so attractive, the colour green is also synonymous with safety in the motoring industry and is the perfect choice for this identity.
A good logo should represent both the company name and the industry they reside in. By separating the individual letters with vertical lines of varying lengths we have provided a number of visual audio interpretations, including volume bars, a digital display, and sound waves.
It's the subtle use of perspective that makes this logo special. The perspective element allows the electrons to occupy a three-dimensional space and by containing them within the confines of a square, which is essentially a flat object, we've retained a very corporate feel.
A great illustration of a visually striking logo that echo's the company name. The fluidity of the circles, their size in relation to each other and the curves that combine them give the impression of a liquid substance fusing together, yet the overall simplicity of the design makes it unique and easy to remember.
A logo should reflect the nature of the business and this will inevitable be determined by the products they supply, security is a serious issue to most people so for this company it's important to project a very official, formal impression.
Good evidence that a logo without a clearly defined concept can be just as powerful, this logo is essentially an abstract interpretation of the letter 'M', it's professional, distinctive, the colours suit the industry and it's easily transferable to every type of media.
The primary role of a company logo is to be an aesthetically pleasing concept that will stand out from the crowd, an outstanding example of a high-quality corporate logo that is eye-catching, clean-cut, professional, and symbolic of the industry it is designed to represent.
A very busy market place like that of the extreme sports industry commands a well balanced approach to logo design, although it's important to create a logo that is unique and powerful enough to stand up on its own, it's equally important to create an identity that will not look out of place within the current trends of the industry.
An experienced logo designer will have the ability to project a company in the correct light for no apparent reason, although this is not an obvious choice of concept to denote a company producing game environments and special effects, the overall aesthetic qualities of this logo project the perfect image for this company and places them firmly in the gaming industry.
In this concept subtly textures are introduced to represent the fabric materials you would associate with interior design, a handwritten typeface compliments the style and rounds it off with a nice personal touch.
It's the subtle use of perspective that makes this logo special. The perspective element allows the electrons to occupy a three-dimensional space and by containing them within the confines of a square, which is essentially a flat object, we've retained a very corporate feel.
A skilful element of logo design is the ability to illustrate an idea in a clear manner that is both aesthetically pleasing and easy to understand, here a genie's lamp has been incorporated as it is synonymous with making a wish but it's the visual execution of this great concept that makes the magic happen.
The addition of smooth metallic surfaces to a logo can go a long way to defining the company image; here the smooth curves and polished surfaces combine to promote a hi-tech company on the cutting-edge of technology.
Creating a visual interpretation of something you cannot see, like sound, can be quite challenging in a small corporate icon, here this has been achieved by combining dynamic lighting effects with a radiating symbol and the overall appearance of this logo suggests a digital sound experience of the highest quality.
Initials are very popular in logo design as they are naturally associated with the company name and make it easier to remember, when adopting this approach it's important to remember there will be many companies out there with the same initials so it's imperative to display them in a unique way.
The concept behind this logo is to create the impression of sports equipment that is going to last, by removing a section of the basketball to reveal a solid frame we have created a piece of sports equipment with extraordinary qualities.
Fine art is an inspirational concept to work with, here soft colours are delicately blended together and combined with an elegant typeface to create a corporate brand identity that is very fitting for this industry.
When a designer embarks on a logo design project they often aim to include features that represent the company's field of expertise, in this concept the most defining feature of a cartoon comic strip, the speech bubble, has been incorporated in a modern style logo to deliver the desired effect.
Before embarking on any logo design project it's important to be aware of any possible future uses, as this logo is for the surfing industry it's designed to perform well on surf boards, clothing, and other sports related equipment, easy to interpret bold shapes also enable this logo to remain effective on very small items like the zip of a jacket or a key ring.
A graphic illustration of the damage left behind by a raging bear. The dynamic tones give this logo a menacing flavour and the overall style projects the company as a modern outfit that dares to be different.
In this concept subtly textures are introduced to represent the fabric materials you would associate with interior design, a handwritten typeface compliments the style and rounds it off with a nice personal touch.
Oudega is a building company so it makes a lot of sense to illustrate a property within their logo; it is also a picturesque little village tucked away deep inside the Netherlands, knowing this inspired us to incorporate a scenic element into this design and projects the company in a very positive light.
A great example of how minor alterations to the appearance of a company name can reflect the services they provide. Individual letters are connected together to illustrate network connections above and below the ground. As this concept is both simple and well executed it is easy to read at a glance and retains a very corporate feel.
Here we have a 3D metallic logo that along with the company name is both futuristic and mysterious. This is a favourite of ours as we feel it demonstrates our ability to combine advanced techniques with an eye for good design.
Advanced design techniques have been adopted to create the glass effect that makes this logo so attractive, the colour green is also synonymous with safety in the motoring industry and is the perfect choice for this identity.
It's fairly common that your target audience will be of a particular age group, this logo adopts a style reminiscent of classic arcade game titles to create a nostalgic effected that will appeal to an older crowd.


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Most cities or municipalities do not have many regulations regarding dumpster rental as long as you keep the dumpster entirely on your own property during the rental period. If you need to place your container on the street in any way, you will likely have to obtain a permit from the appropriate building permit office in your town. You can check with your local sanitation department to be sure.
Most dumpster rental companies will take care of securing this permit for you if you rent from them. Make sure that if you're planning to put the dumpster on the street, the company has made the appropriate arrangements. You should also ensure that you get the permit in a timely manner and at the correct cost. If you thought the dumpster company was getting a permit and they did not, you will be the one who will have to pay the fine that is issued by the authorities.
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Published at Friday, March 30th 2018 17:55:20 PM in
Spreadsheet Analysi by Vivian M. May.
A fantastic plan will offer an exceptional road map for success. As your budget program is followed closely during the calendar year, there'll be months where you won't devote a planned expense. The budget program is going to be broken up into monthly buckets. A budget is a important tool for growing the possibility you will realize your fantasies and fulfill your present day-to-day needs. No, not due to the simple fact that you've to generate a budget. It's vital to generate a budget to be able to comprehend how much you are going to want to increase and to avoid going to a deficit. You have already produced a personal budget!
Using a bit of research, it is possible to easily figure how much you should budget for each product. Developing a personal budget may be the one most important thing you can do in order to move yourself towards financial protection. Use just a few columns, so you don't need to scroll sideways so as to discover the full budget at a go.
A budget is only a tool and periodically, it should be fine tuned. Obtaining your funding more structured is a promise of placing your business increase in the perfect direction, and for that you've got to move out from the Excel. A suitable budget connects the many dots to provide a thorough picture of whether you're ready to take care of your finances well and whether your income is enough to fulfill your outgoings. Monitor your expenses to be sure you aren't overspending your financial plan. Prior to making any wedding purchase, first consult your budget to understand just how much you are able to afford to cover. To this end, here is a list of things you should contain on your hackathon budget.
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BMW i4 And iNext EVs' Driving Range To Exceed 373 Miles
The BMW i4 will go from 0 to 100 km/h in 4 seconds and max out at 200 km/h.
BMW i4 Getting Ready To Battle Tesla Model 3 And Polestar 2
It would appear that BMW has kept the i4's overall styling on the conservative side.
2021 BMW i4 Electric Sports Sedan Is Coming For Tesla's Model 3
BMW's Tesla Model 3 rival looks more like an electric 4-Series GC and less like the concept.
BMW i4 Confirmed For 2021, Will Become The Company's Fifth Core Electric Vehicle
The 2021 BMW i4 which arrive shortly after the production version of the iNext concept.


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Ebook "archy and mehitabel" by Don Marquis download EPUB file format
Book description:The book was published in 1990
Genre: Poetry
Publisher: Anchor Books.
Date: 1990.
Place: New York
This book describes the following items:Archy (Fictitious Character) > Poetry., Mehitabel (Fictitious Character) > Poetry., Cockroaches > Poetry., Cats > Poetry., Publisher: Anchor Books.
Date: 1990.
Place: New York
Number of pages: 193
We found some servers for you, where you can download the e-book "archy and mehitabel" by Don Marquis EPUB for free. The Find Books team wishes you a fascinating reading!
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text: The Kentucky Wildcats take on the Wofford Terriers this afternoon in Jacksonville, Florida with a trip to Kansas City on the line. The Big Blue crushed Abilene Christian in their tourney opener while Wofford used their sharpshooting prowess to take down Seton Hall. Will they be able to do that against the Wildcats? It's Scouting Report time. LEX 18 sports anchor Keith Farmer talks with WUKY's Alan Lytle.


text:
This year our Children's Ministry is hosting Walk with Jesus, a powerfully moving family event that guides you and your children through Jesus' last days on Earth. You will:
Travel to Jerusalem for Palm Sunday, Sit down for the Last Supper, Discover the sacrifice of Good Friday, And...Celebrate freedom from sin at the empty tomb that first Easter morning.
Your family will discover Easter and the events leading up to it in a way you'll never forget!
The event is 1 hour and 15 minutes. When you register, you will select the time you would like to start your "Walk with Jesus".
*Please arrive five minutes prior to your selected start time.