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Are you a Marketing or Business Development Executive with legal or financial services experience? Do you have the confidence to work closely with decision makers, to bring in new business and put the client at the centre of the firm?
An award-winning national law firm is looking for a BD Executive to work on a unique project to bring in clients to the firm. You'll be confident in building relationships, managing processes and hosting events.
You will:
Assist the team with strategic planning and budgeting
Draft and update marketing collateral
Raise the profile of the firm's network by attending events and seminars
Identify and introduce potential sponsors for events
Promote activities on social media platforms
Be given the chance to travel between offices
Your skills and qualities:
You will have excellent planning, management and communications skills
You'll have a keen eye for detail and a confident telephone manner
You'll be able to work under pressure with good time management skills
You will have a driving license with access to your own vehicle
The role is open to both Watford and Birmingham candidates. For more information, send your CV to Esther at Flair for Recruitment.
Job Overview
Offered Salary


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Anderson Tours / Cussing, rude tour guide, shortened tour length
On Wednesday, March 28th my two children, my mother and I took a tour to Stonehenge, Avebury and Glastonbury with Anderson Tours. We paid 246 pounds ($388.70) for the tour.
Although the designated pickup time was between 7:25 and 7:45 AM, the coach didn't arrive until 8:15. We received a brief good morning and were told that we needed to be back in London by 6 or 6:30. The website and tour information says we were to be back around 6:30, and since we were already over an hour late getting picked up, and this was a long distance tour, we were concerned as to why our tour had suddenly been shortened by at least a half hour on the front end and a half hour on the back end.
We received a quick introduction to Stonehenge as we aapproached the site. It was visibly crowded and we were all shocked when the tour manager said we needed to be back on the bus within 45 minutes. We took our audio guides and did our best to hurry around Stonehenge through the crowds. There were very long lines in the gift shop and at the toilets, and we were unable to do both, so we bought a postcard and hurried back to the coach. Right outside of the coach was a toilet and two people from our tour ran to use them. They returned 1-2 minutes after the designated return time and the tour manager was somewhat critical, saying that next time we should all use the toilet before going on our tours in order to prevent a delay.
During the drive to Glastonbury the tour manager made a loud, personal phone call in which he complained about his job. He discussed an incident where the "damned company" sent him to meet an American couple on a Sunday, but really he should have met them on Monday. He complained incessantly about tour bus drivers, working conditions, and stated that he "disliked working with Americans."
We arrived in Glastonbury, and our tour manager told us to please keep it quick; we only had an hour and 45 minutes until we had to be back on the bus. At the entry to the Abbey he handed me the admission stickers and told me to hand them out to everyone. He had no advice as to where to start, or whether we had time to take the walk to the Tor. He did say that the Chalice Well was 15 minutes away, but he simply left us all standing there. We were all a bit confused and two women on the tour did not speak English; they were becoming distressed. By the time we got into the Abbey and figured out where we were going we were down to an hour and half until we had to be on the bus.
One of the women was 8 minutes late getting back to the bus and as she boarded the coach she immediately said she was so sorry, she could not find the coach. The tour manager was clearly angry at her, telling her that she needed to apologize to the rest of the travelers, and that due to her lateness we now had less time at the next stop.
He began urging the driver to hurry, urging him to take short cuts and to drive faster in order make up for lost time. At this point he became agitated at the traffic, often cussing and complaining. Please remember that my two children and my mother were on the coach. In trying to please him, the driver began driving much more quickly and the ride became very rough. Because of the rough ride and the fact that the air conditioning vents were not working over our seats, my youngest child and I began to feel quite sick.
Once again, as we aapproached Avebury, he delivered a brief and uninterested commentary. He explained that we needed to be back on the bus in 30 minutes or else our driver would have to be replaced. He said he would have to call for another driver to drive our coach home and that we would have to wait by the side of the road for 45 minutes until a new driver could reach us. As the coach pulled into the lot, the manager jumped up saying "Well, go, get out, be quick!" but he didn't tell us where to go. As soon as we got off the bus my son vomited, whereupon the tour manager commented "I see your son has trouble on coaches." The bus driver kindly brought us a bottle of water and fixed our air conditioning vents.
Once again we were left wandering around without maps or directions, not knowing where to go. At the Red Lion we were a little surprised to see the tour manager drinking wine and smoking, as that is not considered professional behavior in the United States. At this time we stumbled upon The Henge Shop, and learned that there were guides, maps and commentary that would have been available to us, had we known. Boarding the coach, a female passenger said she needed to use the toilet. Our tour manager acted irritated and asked her if she could wait for two hours. She could not.
Back on the highway the manager continued to berate the driver, becoming argumentative and arrogant. Once again he placed a
loud and personal call, suggesting that he and his friend take Monday off so they could go out and get "### faced, " sleep until 11 the next morning, visit an amusement park and ride roller coasters. He continued to swear, and did not check in with the passengers or inquire about anyone's comfort, safety or enjoyment. By this time, the tour group was quietly making comments about his behavior and attitude.
When we reached the outskirts of London he had the driver pull over. He stood up and announced that it would be quicker if everyone got off the coach and took the tube back to their hotels, as that's what he planned to do. Unbelievably, he jumped off the bus and left us, once again, in stunned surprise.
This was especially distressing to the woman who did not speak any English. In his frustration in being abandoned by his tour manager, the driver began yelling at the woman for her inability to communicate which hotel she needed to be taken to. My mother intervened, remembering which hotel the woman had been picked up from. The driver apologized for the tour manager's behavior and began to point out some sites in London for us. It was the first time we had received commentary all day.
I needn't go into too much detail as to how upset we all were by this experience, because our distress should be obvious. Not only were we yelled at, but we had to witness others being berated too. My children were introduced to inappropriate language and concepts such as "getting [censored]faced." We had very little commentary and learned next to nothing. Although I understand that this is a long tour, we were rushed around more than we should have been, considering the fact that the tour started at least a half hour late and pushed to end a half hour earlier than advertised. That "extra" hour would have made the whole experience much more enjoyable. The manager was completely unprofessional, rude and arrogant and was quite honestly an embarrassment to Anderson Tours and to London tourism as well.
I would like to point out that even with a full refund and an apology, (I'd like to point out that Anderson Tours did not respond to my email) the tour manager stole from us a once in a lifetime experience that we simply cannot repeat. We came from the United States, which was a very time and cost intensive endeavor. The opportunity to travel to the UK with my mother and my children will not happen again. With the Olympics starting soon, and with the increased amount of tourism that will take place, that Anderson Tours is NOT a reputible, or even a "real" tour company.

subset: commoncrawl


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Are you a lover or owner of a classic car or even what some refer to as a Modern Classic? No, I don't mean old cars, I mean the type of cars that bring a smile to your face, help you reminisce of when you were growing up and saw it driving down the road, or maybe you remebr it from being in that Video (ok now we're going back...lol). Join us by sharing your knowledge, passion, anecdotes, info, buying tips, maintenance hacks, advice, or just to revel in the glory your love of your "classic motor".Owners, enthusiasts, and those that don't take themselves too seriously when someone disagrees with them are more than welcome to join what I hope will be a mixed, fun group of like minded individuals. We'll be arranging regular meetups to discuss and celebrate different classics and topics over the forthcoming months, and our only criteria for this group is that all members have a view, know they are entitled to it and, all views will be respected pertaining to our love of Classic Cars and the associated topics that surround it.So come on, what are you waiting for? Get moving, take the plunge and join us and our love for the Classics......See you soon!
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Theatre & Dance: Next 7 Days
Join acclaimed children's writer and illustrator Nick Sharratt and draw along with him!
All About Eve tells the story of Margo Channing. Legend. True star of the theatre.
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James Rowland – Team Viking
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Don't miss this rare chance to see a West End quality show in Kendal!
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122a Highgate


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What does the name Baltasan mean? Find out below.
B is for befriend, it is so easy for you.
A is for accepting, your forgiving nature.
L is for life, that you live so well.
T is for teacher, you truly are.
A is for adventure, take a new one today
S is for sweet, your pleasing way.
A is for admirers, and all that you have!
N is for natural, the genuine side of you.
I do not know how you feel about it, but you were a female in your last earthly incarnation. You were born somewhere around the territory of Portugal approximately on 1325. Your profession was jeweler and watch-maker.
As an inquisitive and inventive person, you liked to get to the very bottom of things and to rummage in books. Talent for drama, natural born actor. The world is full of ill and lonely people. You should help those, who are less fortunate than you are.


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Men in Trees
Men in Trees is an American romantic television comedy-drama series which premiered on September 12, 2006 on ABC and starred Anne Heche who played relationship coach Marin Frist. The series was set in the fictional town of Elmo, Alaska and concerned Marin Frist's misadventures in relationships. The premise showed at least superficial similarities to the HBO television series Sex and the City, which also featured a romantically-oriented, female writer. The protagonist's apparent "fish-out-of-water" feeling in a remote, small, Alaskan town can be likened to CBS's Northern Exposure. The protagonists in both series were New Yorkers thrust into small town Alaska societies. Filming for the series was based in Squamish, British Columbia.
Five episodes of the first production season, which were not yet shown on ABC, debuted in New Zealand on the TV2 network in June 2007 and July 2007. The five carryover episodes aired on ABC after the first episode of the second production season, beginning October 19. Men In Trees was cancelled on May 4, 2008. Its final episodes aired in the summer of 2008 as a burnoff.
Casts: Abraham BenrubiAnne HecheCynthia StevensonDerek RichardsonEmily BerglJames TupperJohn AmosLauren TomSarah StrangeSeana KofoedSuleka MathewTimothy Webber
Creators: Jenny Bicks
Networks: ABC
Original Title: Men in Trees
IMDb Rating: 7.1
IMDb Votes: 13
Status: Ended
Runtime: 60
Watch Seasons :1
All Episodes
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txt_h1_search_page_1 "Glasses"
Հայտնաբերվել 28839 անվճար պոռնո աստղ
Tube Porn Classic - free vintage porn tube, classic xxx movie, retro porn, Italian vintage porn movie, American vintage films, German vintage nude, French retro porno and many more top adult movies with Seka, Ron Jeremy, John Holmes, Traci Lords, Kay Parker and others.
Another sinfully entertaining solo 60's edition! Mostly color! Get a grip on yourself and enjoy the shapely, relaxy, Cher-ish brunette in a red lop and polka-dot panties... And the Marcia Brady-ish blonde in peasant dress getting groped by the hands of a mostly off-camera beau... Then a short-haired blonde with firm cupcakes brushes her hair... A tousled brunette sexpot in a pink mini and green hose reveals formidable cones and a dimpled behind!... A sultry pixie-hair brunette shows off her shape... A blonde in sunglasses preens on her balcony... Then moves inside to reveal her other, even more impressive balcony; and a very sultry blonde with an oral fixation plays with her pussy(cat)! Hold on, as a pretty blonde spreads her charms and unveils impressive breastworks... And a brunette with a nice body shares her inner feelings... Then, WOW! A dynamite, very pretty blonde with a creamy curvy body beamingly enters the Bucky Honor Roll-In-The-Hay!... Then a Cher-ish brunette lolls on pillows... And a groovy, sexy blonde chick in black mini and nylons with garter belt boogies on her back. Later, a zaftig Barbara Hershey-ish hippie honey licks leaves... And a bouffant, exotic chick in an All-American girl outfit removes it to show off a pair that would be lovely in any land!
Males include Jacques Vinair (who plays Jerome), the man who plays a sheikh, the hotel manager (non-sex) and an extra or two. Jerome spends the winter season at a French ski resort where he works as a bellboy. Because of his natural charm and good looks, female staff and guests can hardly resist him. Just arrived at his room he eavesdrops on Flore Soller and Mika Barthel next door who explore each other in their toilet cubicle. There, Flore, who's wearing only boots and a bobble hat, dips her head into the toilet bowl. She 'resurfaces' with a big smile on her face which is totally wet. Mika, who's sitting upside down on Flore's back, bursts out laughing as she wipes her lover's face with her hand. A strange scene - even for French porn of that time. In the meantime Jerome has put on his uniform and surprises the black maid (XNK2981) in the laundry room. He takes her doggy and shoots his load on her back. Next he takes a lady (Sophie Duflot) to her room, carrying her luggage. There she removes her fur coat and reveals her naked body. She then kneels down and rewards him with a blowjob. After he has left she slides one of her heels into her spread pussy, not noticing that she's watched by Dominique St. Claire from outside through the window. Simultaneously Dominique is fucked from behind in the standing position until the guy spurts his load on the window pane to finish the scene. Jerome, who has been instructed by the director to provide him with two experienced professionals for a special guest, visits Flore and Mika who run some kind of BDSM fetish studio or health club. While Flore serves a client, Jerome fucks Mika on a stationary bicycle and deposits his sperm on her back. When he returns to the hotel he serves the guests in the restaurant where two attractive girls (Sophie Duflot and Julia Perrin) arouse his curiosity. They expect him in their room where Julia (with sun glasses) already lolls in the bath tub enyoying a hot bubble bath. He climbs in and gets spoiled orally by them till he's milked on Julia's tits. The threesome continues in bed with Julia being fucked before their faces share his load. After that he has a short scene with another maid (XNK2982) before he meets Julia at her home. They fuck in various positions including a short titfuck sequence but without a money shot. The movie finishes with an extended sex orgy at the hotel which begins with Flore, Mika and a sheikh. This is spied on by the staff and other guests who then join in.
Combining the talents of John Holmes and Candy Samples - two of the greatest Adult Film legends ever to lend their gargantuan attributes to the pleasing of so many, 'Down and Dirty' is destined to fulfill the fantasies of even the most demanding fan of the X genre. Janey Robbins adds just the right filthy touch as she recalls this sultry tale of a young couple's search to fill their sexual voids. So grab your 3-DD glasses and sit back for proof positive that size does matter.
Get out your fiddle and banjo, start beating on them thar drums and don't stop pickin' til ya get the beat of the beds creakin'. Ya all see, what we got here it e surprise sex sequel of the year, Debbie Does Dallas Part II. And there ain't nothin' here but sex. It's hotter than Texas in August – it'll leave you with a sunburn. Put on then thar sunglasses. Here's a movie that's more fun than a hoedown at a Dallas Bar-B-Que. Some of the producers of them thar normal films should take a hint here. They ain't repeatin' themselves in the new Debbie video release. The characters do differin' things. You see, Debbie (played by that luscious blonde Bambi Woods) didn't make that cheerleadin' squad. So R. Bolla picks her up in his pick-up as she travels southward. She's headin' to her Aunt Xavier, who owns a gen-u-ine Texas whorehouse. Now I didn't see no Dolly Parton down thar but they got chippies with big tits anyway. Now Debbie gets down thar after getting' thrown in jail for hitchhiking and learns the whorin' business from her Auntie. But when some dummy cops wanna close the chicken ranch down, ol' Debbie comes to her rescue and gets these guys the best head this side of Dixie. Weee-ooooh. There's another of them thar wet shots. Anyways, Bambi Woods ain't as young as she was when the original Debbie Does Dallas came out, but she sure does get into her role this time. Hey, and she's still pretty. The sex takes off where the original left off and it looks like it isn't stoppin' everyhow. She gets a bath and dildoes by two of the other gal whores. And she gets done up real well by the deputy sheriff when she's in prison. R. Bolla returns as the legendary Mr. Greenfelt, while Ron Jeremy stars as head coach and, boy does he, Debbie and another brunette get it on. Lucky Ron! Then there's a scene with Debbie and another of them whores and this big, thick double dildo. Oh, yah, and there's a surprise sex scene at the end that I ain't gonna di-vulge 'cause it'll be real fun for those people who remember the first Debbie Does Dallas movie. Sexually speakin', this movie has everythin' the first one didn't – and that's a lot of wild, wooly, wall-to-wall sex with lots of hoe-down country music and old fashioned lovin' sound effects. Slow motion, flyin' shots too. Weee-oooo, ya better duck! Hey, bad actin' too, but who cares. Better lookin' whores you ain't findin' anywhere. Hey, and this girl in the film Lisa Cintrice, gives deep throat action that'd make most cowgirls choke. Debbie's naivety is still cute, too. She ain't lost non-a-that baby-faced charm. She's a whorin' now, but still relaxs with her teddy bear. There's a great all-girl scene in a darkly lit "fantasy room" and Debbie's thar a-watchin' with wide eyes and askin' questions. Then she masturbates. It's great to see those hands a-rubbin' all over her voluptuous, round body. Finally, the football team visits the ranch and a wild sexual extravaganza goes on. Ya know now the movie's almost over and ya realize there ain't been nothin' but sex from start to finish – it's succulent, erotic and full of life. I watch my horses do it in the hay and they ain't been as wild as these women, no how. These girls wrap thar legs around anythin' and scream and jump and come all over. So if you're lookin' for pure sex to show yer wife or girlfriend, I suggest you keep yer eyes on Debbie and her pals. It won't tell ya a story, but it should turn ya on real fast. Hey, I wonder if there'll be a Debbie Does Dallas, Part III. If not, I'd sure like to see this here Bambi Woods do some more of these adult films. She's a lot fun and she'll blow your mind real good.
A roving camera crew, doing a documentary on peeping toms, haunt garbage-strewn back alleyways. They interview a variety of degenerates (who look a little like Johnny Legend) The first lunk is outfitted in a tattered straw hat, trenchcoat and huge dark shades. They catch him in the act and give him the third degree. ("How long have you been peeping? Ever watch your girl get undressed?") He briefly discusses his filthy habits then panics and runs away1 The camera pans into the window he was eyeballing and focuses on some hardcore lust courtesy of Rene Bond and a hired schlong. After Rene blows his fuse we meet another bearded loon with glasses (do I detect a pattern here?). This guy's much more amiable. He prefers "college girls" and gives us a few helpful hints. Time for another sex tryst. A couple improvise some dialogue (bad move) then do the deed. Right in the middle the crew start asking questions. "Excuse me. do you mind people watching7" "Not as long as they don't interrupt." says loverboy. The next prowler says peeping keeps him in shape. (He has taken up logging for easy getaways!) He prefers climbing up on rooftops with binoculars ("If you don't see any action at least the view is nice ...") This leads to another gash bash as two well-nippled tramps bump bushes. The End.
This is a rather strange, yet funny movie. It is a Jewish Comedy set in New York, and also a Fantasy and Sex movie. Confused yet? The movie centers around Melvin, a Nebbish who runs a small store from the house he shares with his mom. And his single pleasure in life seems to be going to porn theatres in Times Square {which he watches with silly Groucho Marx type glasses so nobody recognizes him}. The one day he finds a flask, and when he rubs the inside of the jar, a genie appears. He is given 5 wishes, and then proceeds to use them to wish himself to appear as several different porn stars, each enacting a different fantasy. This movie is unique, in that the main character himself never has sex, but does it in the image of several different performers. Harry Reems, Levi Richards, and Marc Stevens. Will Melvin find love? Will he find lust? Watch the movie and find out.
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Starring Rene Bond as Sarah Bennett, another dissatisfied California housewife on the verge of succumbing to furor uterimus. The film begins with a fantasy sequence in which Sarah and her neighbor (played again by Susan Fause, this time with dirty feet) double-saddle a mysterious, supine stud. Back in reality - sort of - we are introduced to Sarah and her husband Dexter by a white-coated narrator who suddenly appears in their dining room, his horn-rimmed glasses reeking with clinical authority. 'Schizophrenia is one of the oldest and most perplexing maladies,' he informs us, and although she does not realize it, Sarah is about to submit to the evil urgings of an 'alter ego'...
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History Specials: America's Greatest Prison Breaks
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America's "Supermax" prisons are supposed to be inescapable fortresses, designed to keep the worst of the worst safely locked away from society. But with enough time, preparation and sheer guts it's amazing what convicts are capable of pulling off.
Additional Information
Year: 2015
Language English
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Year: 2015
Language English
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Centre's move is aimed at expanding existing Patna airport terminal building which was built to handle 0.5 million passengers every year against the current footfall of 1.5 million annually
GN Bureau | January 25, 2017
The centre has approved the proposal to transfer 11.35 acres of land to airports authority of India (AAI) by way of exchanging equivalent land of AAI with Bihar government to expand the Patna airport.
The Bihar government has also agreed in principle for transfer of the land for the said purpose.
The proposed land at Patna airport will be used for expanding the airport and constructing new terminal building along-with other associated infrastructures.
According to a press statement, the new airport terminal building will be able to handle rush of three million passengers per annum.
Notably, the existing terminal building at Patna airport was developed to handle 0.5 million passengers every year which is currently facing space crunch and gets deluged with huge number of passengers. The airport is currently handling rush of 1.5 million passengers annually.
Abright yellow van with figures of children playing with a whirligig, a Newton's cradle, a magnetic compass rolls into the Government Higher Primary School in Kittaganahalli, on the outskirts of Bengaluru. Students in the playground leave what they are doing and mill about it in excitement. For they
Not many children dream of starting an idyllic school of their own when they grow up. But Ramji Raghavan, founder of the Agastya International Foundation – which fosters the creative learning of science in stude
While the entire nation is agog with political grapevine, political parties are weighing on all options to lure voters by touching upon issues that impact their lives. Several parties, including the BJP and the Congress have released their manifestos while many are about to join the bandwagon. The
Urmila Matondkar joined the Congress party and within just two months into politics, the actor is already surrounded by controversies – from being accused of making anti-Hindu comments to inappropriate poll campaigning. Fielded against BJP's Gopal Shetty in the Mumbai North constituency, Ma
Dressed in white shirt and pants, three time Bhartiya Janta Party (BJP) corporator Manoj Kotak is now contesting from Mumbai north-east constituency. Kotak, representing BJP in the BMC, is ready to rally around Ward 125 in Ghatkopar east area. It's about 7:30 pm on a hot April e
Sunil Bhatt, a Gujarat-based professional, has completed what is possibly the first PhD thesis on prime minister Narendra Modi. The thesis, titled 'Leadership, Governance and Development: A case study of Shri Narendra Modi', has been accepted at the Veer Narmad South Gujarat Universit


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This is an extraordinary interview, and everyone should watch it. I have something important to tell humanity.
—Joseph Suglia
This is an extraordinary interview, and everyone should watch it. I have something important to tell humanity.
—Joseph Suglia
SO LONG, PLANET EARTH!: An analysis of ODE TO THE WEST WIND (Percy Bysshe Shelley)
by Dr. Joseph Suglia
Dedicated to Clive Hazell
Bad news, humans! The Andromeda Galaxy is barreling toward the Milky Way, the sun of our solar system will explode, will extinguish itself, as all stars do, and, long before either of these things happen, most of the Planet Earth will become uninhabitably hot. All of the planets within our galaxy, with the exception of Earth, are unlivable, which means that the human species, if it is to survive at all, will have to trickle away the rest of its existence in spacecraft. Otherwise, we are hurtling toward our extinction and oblivion as if we were a suicide of lemmings.
Percy Bysshe Shelley saw all of this coming and wrote a poem about the destruction of our world, in the autumn of 1819, when the poet was twenty-seven, entitled "Ode to the West Wind." It recalls an earlier poem by Albrecht von Haller entitled "Incomplete Poem on Eternity" (1736), which was quoted by Immanuel Kant in his youthful essay "Observations on the Feeling of the Beautiful and of the Sublime" (1764). (It is not entirely certain whether Shelley read Kant, much less Haller. See Hugh Roberts' article "Shelley among the Post-Kantians.") Both poems—that of Shelley and that of Haller—are chillingly apocalyptic and yet also celebratory of the apocalypse, the coming of what Haller described as "the second nothingness" that will "bury" us all.
The ode is divided into five groups. Each group contains five stanzas. The first four stanzas in each group are three lines long; the last stanza of each group is a rhyming couplet. The entire poem is written in iambic pentameter: Each line has ten syllables; the first syllable is unstressed, the second is stressed. It begins thus:
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh, hear!
The West Wind is like an invisible exorcist that expels leaves in the way that an exorcist expels ghosts. Thus far, the poem seems to be nothing more than the description of a natural phenomenon that uses a supernatural simile: A natural phenomenon (the West Wind) is likened to a supernatural force (the enchanter) that drives away another supernatural force (ghosts). Until we read of the "pestilence-stricken multitudes" who are escorted to their mass-death. "Multitudes" evokes human beings, not leaves—sick human beings, poor human beings.
When the Napoleonic Wars ended in 1815, England was horribly impoverished. It was a time of famine, grave poverty, and deep unemployment. Thanks to the Corn Laws of 1815, the import of corn was blocked, and the multitudes were starving.
At this point, one of the meanings generated by the poem is clear: This is an ode that welcomes the death of humanity (as it was in the early nineteenth century) and the birth of a new humanity. The poem suggests that the Apocalypse might not be such a bad idea, after all. It is not a misanthropic poem, however, since Shelley is not opposed to humanity as such; indeed, he (the paper Shelley) affirms the advent of a better humanity. I hesitate to use the word nihilistic, since the poem is not absent of value. Value-building is all that the poem does. There is a value presented in the poem, and it is the value of preservative destruction: The westerly wind is named a "Wild Spirit," at the close of the first section, and both a "destroyer" and a "preserver." It is the unseen presence that destroys the immiserated multitudes and the regal chariot that bears the seeds of a new humanity to their wintry sleep, to be awakened by the Spring Wind. The West Wind, then, has two functions: to destroy lost contemporary humanity and to plant the seeds for a stronger future humanity.
At the close of the first stanza, as at the close of the second and the third, the narrator sounds a clarion call, a plangent summons to the West Wind (which is apostrophized by the familiar "Thou"): "oh, hear!"
Thou on whose stream, mid the steep sky's commotion,
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aery surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh, hear!
The focus of the poem shifts from the ground to the sky. To be precise: The view of the poem moves from the leaves that are being dispersed, like rioters in a mob, to the clouds that are being dispelled by the aerial force of the West Wind. No longer does the poem look down upon the poverty-stricken multitudes; now, the poem looks up at the Castlereaghs and the Eldons. No love is shown for the upper classes, which are likened to a bacchante's tresses.
It is important to place the poem in the age in which it was written. Shelley had already condemned the government of Lord Liverpool for butchering the British people at Peterloo, Manchester (16 August 1819), in a rage-incented and rage-incenting poem entitled "The Masque of Anarchy." Shelley was no nihilistic, ennui-drowsy elitist wishing for the death of the poor and uneducated masses. The paper Shelley, at least, wishes for the West Wind to sweep away everyone and everything that currently exists, both low and high.
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,
Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh, hear!
The tyrannies of the world—the violently repressive British government among them—are overthrown by the annihilating gust. The great wind dreamed, and this is what it dreamed: The wind envisioned the "old palaces and towers" reflected in the waters of the Mediterranean Sea. And these "old palaces and towers" were "all overgrown with azure moss and flowers." Swathes of invasive vegetation colonize the city, which is transmuting into a jungle—an ever-growing, ever-flourishing, ever-blossoming jungle.
This is the last time that the prophet will summon the West Wind. Now, it is the prophet himself who will become the focus of the poem. I use the masculine pronoun because it is clear that the narrator is a he in the fourth section:
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne'er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.
The prophet, far from exempting himself from the wind's sweepings, calls to the wind to carry him along as if he were a leaf, a cloud, or a wave. At first, it seems as if the prophet were calling for his own self-negation, but then notice how he quickly calls himself a "comrade" of the wind in Stanza Three and then identifies himself with the wind in the second line of the couplet: "[o]ne too like thee: tameless, and swift, and proud." One cannot escape the impression that the prophet sees himself as something more than a leaf, a cloud, or a wave. If anything, this is self-deification, the raising of the Self to the godhood. This is anthropotheism, similar to the anthropotheism that Feuerbach saw in Christianity: Christians attribute the best parts of themselves to God.
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth
The trumpet of a prophecy! O, Wind,
If Winter comes, can Spring be far behind?
Translation: Let my leaves emerge from the nothingness that the wind will leave in its wake. Le me be revivified after the wind's many destructions and annihilations. Let my poems revitalize the dead Earth. Like any good Romantic figure, Shelley's prophet desires to unify himself with nature, but this does not mean that he would be swallowed up by nature — it means, rather, that he would swallow nature, engulf nature, interiorize nature, transform nature into the Self: "Be thou me." This is, again, not self-obliteration; it is anthropotheism, the aggressive self-assertion of the human will. The poet's song will outlast the wind.
Concluding Unscientific Postscript. German Romanticism (of the Jena period) is nostalgic for the reunification of subject and object, self and world. English Romanticism seems to want the same thing, except, in the English Romantic imagination, the Self dominates Nature. It wants Nature to capitulate to the Self.
Compare Shelley with Byron's Childe Harold's Pilgrimage:
Are not the mountains, waves, and skies, a part
Of me and of my soul, as I of them?
Dr. Joseph Suglia
A commentary on "Eveline" (1904-1907; published in 1914), from James Joyce's Dubliners
by Dr. Joseph Suglia
She sat at the window watching the evening invade the avenue.
Notice that Eveline is not named at the beginning of the story. Her name is given in the title, it is true, but not in the first sentence of the text. She is a nameless passive percipient, rather than an agent (an actor). She does not act; she observes. It is the evening that is performing an action; it is the evening that is acting. The evening is invading—Eveline is already paralyzed, immobile, static at the very opening of the story, as she will be at the story's close.
Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.
Joyce does not write, "She leaned her head against the window curtains…" He writes that her head was leaned. The head is described as an object, as the object of an action. The head was leaned—this means that Eveline was not leaning her own head; someone or something was leaning her head against the window curtains. The use of the passive voice illuminates Eveline's own passivity and immobility.
In her nostrils was the odour of dusty cretonne: The odour of the heavy fabric enveloping the furniture was invading Eveline's nostrils. Again, an image of invasion, of infiltration, of violation. She was tired: This was Kurt Vonnegut's favorite of all sentences, presumably because the simplicity of the language is a red herring, distracting the reader from the complexities of the text-web.
Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses.
The last house where? Where is the cinder path? Where are the new red houses? It is difficult to locate any of these things. Joyce is generally very good with space and with describing the placement of objects within spaces, but here, he leaves it to the reader to imagine where the last house is, where the cinder path is, and where the new red houses are.
One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it—not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field—the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters.
Notice that Eveline places herself after the Devines, the Waters, the Dunns, and little Keogh the cripple. "Devine" is assonant with "Eveline," and yet Eveline is subordinate to the Devines. Already we have a sense that this girl has abysmal self-esteem.
Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming.
"In" and "out" are a strange coupling of prepositions. What does it mean to hunt children in out of the field? Shouldn't the independent clause read: Her father used often to hunt them out of the field? Incidentally: "To keep nix" means "to be on the lookout."
Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.
If Eveline's father was not so bad then, just imagine how bad he is when the story takes place.
Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from.
Eveline identifies herself as a duster-of-inanimate-objects.
Perhaps she would never see again those familiar objects from which she had never dreamed of being divided.
She does not distinguish herself from the static objects that surround her. At the end of the story, when she has the opportunity to realize her human freedom and spontaneity, she imitates the inertia of inactive objects.
And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque.
Beloved of Irish Catholics, St. Margaret Mary Alacoque was a French Catholic nun who was the embodiment to pious devotion to tradition—much in the same way that Eveline is piously devoted to her family and her homeland.
He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:
"He is in Melbourne now."
She had consented to go away, to leave her home.
The fact that she describes her decision to escape Dublin as one of consent implies that she does not see that decision as her own, but rather as one that has been made for her and one to which she has assented.
Was that wise? She tried to weigh each side of the question.
Apparently, she assented reluctantly. Her mind has not yet been made up. The reader also is invited to weigh each side of the question: Should she leave? Should she have left? No answer is given. A literary work of art, "Eveline" provokes questions that it never answers; it never gives readers the means of answering these questions.
In her home anyway she had shelter and food; she had those whom she had known all her life about her. Of course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.
"Miss Hill, don't you see these ladies are waiting?"
"Look lively, Miss Hill, please."
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would not be like that. Then she would be married—she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations.
At this point, one has to wonder why any person of sense would want to stay in the Hill household. Her father is abusive; this much is clear. She is treated derogatorily by her employer, Miss Gavan. Her brother Ernest and mother are dead. She is suffering from violent paroxysms, tremors brought on by her father's abuse. What is there to keep her in Dublin? And trying her luck in the open air of Buenos Ayres would afford her a new possibility. Though not everything that is possible is positive, at least she would have the possibility of something positive in her life.
When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And now she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages—seven shillings—and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to her charge went to school regularly and got their meals regularly. It was hard work—a hard life—but now that she was about to leave it she did not find it a wholly undesirable life.
She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians.
Now, the bit about the Patagonians makes me wonder if Frank is a liar. A chronicler of Magellan's expeditions wrote that the Patagonians were a race of giants. Is Frank repeating the same myth of the "terrible Patagonians"? If Frank is telling Eveline such nonsense, this should lead us to question the integrity of his intentions.
He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him.
"I know these sailor chaps," he said.
Is the father necessarily incorrect? As dour as Eveline's life is in Dublin, is it not preferable to being seduced and abandoned in South America? There is no way to know with authority whether or not Frank is a reptilian seducer. He very well might be a boa constrictor in human form. Not even Frank might know if he is a seducer, if we consider the unconscious sources of human cognition and activity. Frank is inscrutable to us, and perhaps Frank is even inscrutable to himself. The inscrutability of Frank summons forth the indeterminacy of life itself.
One day he had quarrelled with Frank and after that she had to meet her lover secretly.
The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mother's bonnet to make the children laugh.
The atypical tenderness of the father only serves to underline his general abusiveness.
Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne.
The grammar changes here: Now, Eveline is playing a more active role: She was leaning her head, she was inhaling the odour of dusty cretonne.
Down far in the avenue she could hear a street organ playing. She knew the air. Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy.
The song of the Italian organ-player conjures the most dominant figure in Eveline's life. Neither her father, her surviving brother Harry, nor Frank, her lover, but rather her dead-yet-deathless mother. The mother is resurrected, invoked by the organ-player's song, and reminds Eveline of the latter's death-bed oath to glue together the unglueable pieces of their shattered family. As if to hook and draw Eveline into the tomb. To save her from life.
The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:
"Damned Italians! coming over here!"
The father's hatred of itinerant foreigners stands in contrast to the Wanderlust of Frank, an émigré from Ireland who travels to the "good air" of Buenos Ayres.
As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being—that life of commonplace sacrifices closing in final craziness.
Notice the use of the verb to close. Three sentences before, Joyce used close as an adjective. Here, he is using close as a verb. This is paronomasia (punning). An adjective in one sentence is used as a verb in another. The fact that Joyce is using close twice in proximity means something: Close evokes the sepulchral narrowness of the life that Eveline will choose.
She trembled as she heard again her mother's voice saying constantly with foolish insistence:
"Derevaun Seraun! Derevaun Seraun!"
This is, apparently, corrupt Gaelic for: "The end of pleasure is pain! The end of pleasure is pain!" It is as if the mother were admonishing her daughter from beyond the grave to avoid pleasure—to live in a narrow life of nun-like self-renunciation, to stay mired in the misery in Dublin, to languish in Dublin, to duplicate the self-negations of her mother's life and the insanities of her mother's dying. These are irenic words, sibylline utterances. They are necrotic commandments, words spoken from the tomb, words spoken from deathness.
She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.
And she would not, then, save herself? This passage highlights, more than any other, why Eveline is immobilized. Rather than will to escape, she wills not to have a will. She wills to let someone else make the decisions for her. Her absence of self-determination is the reason that she is likely condemned to the self-negating boredom and insanity that marked her mother's life.
She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes.
Joyce, again, is very good at describing place—particularly, at describing blockages. A less talented writer would have merely pointed to the existence of the boat. A less talented writer would have merely described the boat. Joyce describes the visual impediments, the obstructions that impede the view of the ocean liner. The black mass of the boat is seen through the wide doors of the sheds—an image of blockage, of separation. The sheds are emblematic of the self-imposed barriers that divide Eveline from freedom.
She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.
A bell clanged upon her heart. She felt him seize her hand:
All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing.
No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish.
It is difficult to believe, but Joyce—one of the greatest literary artists who ever lived—makes a usage error in this passage. Amid, which means "in the midst of," should only be placed before singular nouns. Seas is a plural noun and should take among.
"Eveline! Evvy!"
He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.
Nothing has changed within Eveline since the opening of the story. She is immobile from the beginning of the story unto its end. The blankness of her eyes—their illegibility, their incomprehensible nothingness—can be interpreted to signify anything. Readers may introject their own meanings into those null eyes.
Dr. Joseph Suglia


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The Duplex - Sunday November 4, 2018 Comic Strip Licensing and Permissions
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eno: how is this lifetime movie any different from all the rest? woman: Well, duh-in this one, the woman who marries the millionaire finds out he's been cheating with the babysitter father his jealous ex-girlfriends tries to kill him with the potato peeler.


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A high-ranking member of the Nine Trey Bloods street gang was sentenced to 20 years in prison on Tuesday for his involvement in a drug operation and his participation in two shootings. 33-year-old Michael "Bum Jew" Smith had pleaded guilty on November 9, 2015.
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Added by Gangsters Inc. on April 18, 2019 at 12:40pm — No Comments
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Esposito is the…Continue
Added by Gangsters Inc. on April 12, 2019 at 5:00am — No Comments
It's hard to run an honest loansharking business these days. Just ask Colombo Mafia family soldier Jerry Ciauri. Together with several other mobsters he ran gambling and loansharking operations in Brooklyn and Staten Island. He was doing okay until a rat in his crew began nibbling on money and then ran off…Continue
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A female leader of the "Billie East Side Bloods," a gang that is part of the United Blood Nation, and several gang members were sentenced to prison on drug and gun charges on Tuesday. At sentencing, the judge characterized the group as one of the most dangerous criminal organizations the federal…Continue
Added by Gangsters Inc. on March 22, 2019 at 10:33am — No Comments
The recent death of Frederick "Fritz" Graewe (photo above), a feared mob associate in Cleveland, Ohio, shows that it's possible to live by the sword but not die by the sword. Graewe, 66, seemingly enjoyed a peaceful suburban lifestyle until passing away of natural causes in February. He had been at home…Continue
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Greed kills more people than cancer, the street saying goes. It is especially true in the murder of Vincent Zito, prosecutors say. They arrested 59-year-old Anthony Pandrella, an alleged associate of the…Continue
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Colombo crime family boss Carmine Persico has passed away. He was 85. The New York Mafia boss was known for his tenacity and ruthlessness. Despite being locked up for life, he maintained an iron grip on his mob family from behind bars. He was a pure survivor. Right up until the moment he sighed his last…Continue
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A stupid question, of course, but one that needs to be addressed. With his gray hair,…Continue
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Added by Gangsters Inc. on March 1, 2019 at 2:47am — No Comments
Justice never forgets. Two members of the New York drug crew Black Rain were indicted for their role in two 1992 murders. Both men are now into their 50s and 60s but will face charges for these cold case murders and other crimes dating back to the early 1990s.
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They were rounded up in a bust said to be "a major disruption of La Costra Nostra's activities on Long Island". Now, mobsters John "Johnny Boy" Ambrosio, an acting captain in the Gambino family; Frank "Frankie Boy" Salerno, a soldier in the Bonanno family; and Anthony Saladino, an associate of the Gambinos…Continue
Added by Gangsters Inc. on December 22, 2018 at 2:00am — No Comments
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Added by Gangsters Inc. on November 16, 2018 at 8:35am — No Comments
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Added by Gangsters Inc. on November 15, 2018 at 3:30am — No Comments
Esteban Alvarado-Bonilla was hard at work inside El Campesino Deli in Central Islip, New York, when MS-13 gangster Mario Aguilar-Lopez entered the deli, approached him from behind and shot him multiple times. One bullet exited his head and seriously injured one of his coworkers standing in front of him.…Continue
Added by Gangsters Inc. on November 10, 2018 at 6:07am — No Comments
It helps to have friends in high places. It enables one to have more opportunities, but also to get away with mistakes or grave crimes even. If one's friend is powerful enough, one could get away with anything. Until that friend is gone, of course. Like in the case of…Continue
Added by Gangsters Inc. on November 8, 2018 at 9:58am — No Comments
By David Amoruso
Posted in 2001
Read the obituary and most up-to-date profile of Carmine Persico here.
Carmine Persico was born in 1933 in Brooklyn, New York. His father, Carmine senior, was a soldier in the…
Added by Gangsters Inc. on November 3, 2018 at 9:30am — 1 Comment
Philadelphia mob boss Joseph "Skinny Joey" Merlino joked around with reporters outside Manhattan federal court yesterday. How could he not? Two years ago, he was indicted in a huge conspiracy case involving members and captains of five different Mafia families. On Wednesday, he was sentenced to just 2…Continue
Added by Gangsters Inc. on October 19, 2018 at 8:00am — 3 Comments
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text: Eat and Drink Blue Ribbon Bakery's matzo: So good, you'll want it year-round Blue Ribbon Bakery is serving up matzo throughout Passover. Photo Credit: Ariel Kanter By ARIEL KANTER/ Gilt City April 15, 2014 2:45 PM Print Share fbShare Tweet Email By now, you might be in the depths of Passover blues. The (traditional) Seders are over, so the excuse to drink four glasses of wine in one sitting is completely null. And even if you're not "keeping" Passover (meaning no leavened bread plus a variety of other gastronomically depressing rules), you've probably had your fair share of matzo, which may be the driest, most unsatisfying carb on the planet. Luckily, there is a solution to the Passover plague of dry mouth. It's Blue Ribbon Bakery's (35 Downing St., 212-337-0404) homemade matzo, a variety so delicious, you may even want to eat it year-round. Start first with the savory variety. This version is brushed with garlic oil and topped with Parmesan cheese and plenty of herbs. It's basically the matzo pizza you've been trying to master forever. It's crisp and crumbly but also pleasingly chewy around the edges. It's actually satisfying and markedly more delicious than the boxed version. Then you can lean sweet with Blue Ribbon's cinnamon-sugar matzo. Top it with a little butter and it's the perfect dessert (or breakfast). Starting next week, the bakery will also start selling a chocolate version, which will be available into the summer. You can even call in to special order this one, which is a good idea, because I'm positive it'll sell out quickly. Then, of course, you have the original flavored matzo. And you know what? It's great. It's super crisp and not at all dry mouth-inducing. My favorite thing to do is pick up a big circle of this matzo -- the restaurant only bakes 40 rounds per day, so I'd call ahead or get in early -- and Blue Ribbon's signature hummus and get dunking. Ariel Kanter is an editor at Gilt City. By ARIEL KANTER/ Gilt City Share on Facebook Share on Twitter Comments We're revamping our Comments section. Learn more and share your input.


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Foodie Review: Downtown Prescott's Casa Alvarez is cheery, tasty and affordable
Located discreetly behind the Dinner Bell Restaurant right on Granite Creek at 321 W. Gurley sits Casa Alvarez. This traditional Mexican restaurant shares a kitchen and an owner, the Alvarez family, with the Dinner Bell Cafe, a long-standing Prescott tradition.
A short walk on a boardwalk along Granite Creek past the Dinner Bell gets you to Casa Alvarez. It's a small restaurant with a good-sized menu of traditional, reasonably priced Mexican fare. There are eight appetizers ranging in price from $4.50 to $12.95 for their Fiesta Platter containing six different items. There are about 40 entrees ranging in price from $10.50 to $15.95. Interestingly 10 of these are seafood entrees. There are specialties, combo platters, salads, and kids' entrees. In addition to the entrees, there are nine burrito selections ranging from $5.95 to $9.95 and a small dessert selection that rounds out the menu. They also have a full bar with beer and wine as well as soft drinks, coffee and tea. Imported beer is $3.95, wine is $4.95 per glass, and the house margarita is only $4.95 with a Cadillac margarita a $1 more.
Now getting to the food. They brought out warm tortilla chips with regular and tomatillo salsas. The tomatillo salsa is especially flavorful. I selected the Fish Vallarta, which is grilled cod in lemon butter. It is covered with Vallarta sauce and topped with cheese. The Vallarta sauce is a delicious combination of red peppers, onions and spices. And in this case cheese does go very well with fish. The fish was perfectly cooked and it was excellent. This entrée also comes with a salad, which was huge. And you must try the jalapeno cilantro dressing. What a great combination of flavors. There is also a choice of rice and fried beans or corn a la Mexicana. I chose the beans and corn ala Mexicana. The beans were very flavorful and are boiled and then smashed, no lard, bringing the full flavor of the beans to the forefront. The corn a la Mexicana is corn cooked with tomatoes and served with a subtle buttermilk based white sauce. Very simple but incredibly tasty.
My wife ordered the steak picado burrito, which is tender sautéed sirloin steak with onions, tomatoes, and green peppers, topped with enchilada sauce, cheese and sour cream. There is a lot of meat in this burrito and it comes with the delicious fried beans and rice on the side. She also ordered the same huge salad I had for only $3.25 extra. For dessert we ordered the Mexican standard, flan. It was the perfect ending to a great meal. Topped with whipped cream the flan was delicious and the perfect consistency.
You will not leave Casa Alvarez hungry, the portions are large and very reasonably priced. The atmosphere is cheery and scenic next to Granite Creek. Casa Alvarez is open for dinner Wednesday through Sunday from 5:30 p.m. to 8:30 or 9 p.m. It's family friendly, and if you are looking for great Mexican food, give it a try.
- Archie
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Join us tomorrow at @RegulatorBooks for a reading and book signing by Orin Starn and @Miguel_La_Serna! Hear them discuss their new book, an exquisitely detailed account of a little-remembered war that must never be forgotten. You won't want to miss it! @unccollege @DukeFSP https://t.co/ic65FmPUB0— UNC History (@UNChistory) April 17, 2019
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