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*Fevers: once to stress and once to let it take its course
Baby Has Fever Over 103 - Not terribly way back — once my folks were kids — a high fever during a kid may simply mean the tip for that kid. High fevers leading to death were common. Today, most of the devastating sicknesses inflicting these high fevers are either treatable (thanks mostly to antibiotics), or higher however preventable (thanks mostly to vaccines). still, for a generation when generation on our planet, a high fever during a kid was a chilling terror to the oldsters — their dream, their darling would possibly slip from them despite everything they may do. Fever as the enemy is deeply planted in our cultural memory.
|Baby Has Fever Over 103
I was shocked to find out in grad school that fever, far away from being Associate in the Nursing enemy, is a very important a part of the body's defense against infection. whereas a fever during a kid signals to America that a battle may well be happening during a child's body, the fever is fighting for the kid, not against.
*/Causes of Fevers
Most bacterium and viruses that cause infections in humans thrive best at ninety eight.6 degrees F (37C). Raising the temperature some degrees will offer the body the winning edge. additionally, a fever activates the body's system, fast the assembly of white blood cells, antibodies, and lots of alternative infection-fighting agents.
|Baby Has Fever Over 103
Cold-blooded animals alter their temperatures by moving to a special spot. whereas a pupil, I weekday fascinated as I learned that lizards, once infected, can move to a hotter place to present themselves a fever. If they're prevented from finding a hotter spot, they're going to possibly die.
How many infections are too many?
*/Fevers and Brain Injury
Many folks worry that fevers can cause brain injury. Brain injury from a fever won't occur unless the fever is over 107.6 degrees F (42C) for Associate in the Nursing extended amount of your time. several additionally worry that untreated fevers can keep going higher and better, up to 107 degrees F or maybe additional. Untreated fevers caused by infection can rarely think again one hundred and five degrees unless the kid is clad or unfree during a hot place. The brain's thermostat can stop the fever from a climb on top of 106 degrees F. Some folks worry that fevers can cause seizures. For the good majority of youngsters, this is often not the case. concerning four-dimensional of youngsters, though, can generally have seizures with fever. These febrile seizures are caused by a fast increase in temperature, not essentially by the peak of the temperature. Once a toddler already contains a high fever, a febrile seizure is unlikely with the present malady. In any event, straightforward febrile seizures are over in moments while not lasting consequences.
*/What temperature constitutes a fever?
While 98.6 degrees F is taken into account the conventional core temperature, this price varies between people and throughout the day. The variation is tokenish in kids but six months elderly, concerning one degree in kids six months to two years previous, and step by step will increase to two degrees per day by age six. A person's baseline temperature is typically highest within the evening.
Body temperature, particularly in kids, is often raised by physical activity, sturdy feeling, eating, significant consumer goods, elevated temperature and elevated humidness. A body part temperature up to a hundred.4 degrees F (38C) could also be entirely traditional (no fever). A body part temperature of a hundred.5 or on top of ought to be thought-about a fever. Lower values may well be a fever, looking on the kid.
*/When and the way to Treat Fevers in kids
A fever oughtn't essentially to be treated. If a toddler is teasing and comfy, drinking many fluids, and ready to sleep, fever treatment isn't possible to be useful. Steps ought to be taken to lower a fever if the kid is uncomfortable, vomiting, dehydrated, or having issue sleeping. The goal is to bring the temperature between concerning a hundred and 102 degrees F — to not eliminate the fever.
When making an attempt to scale back a fever, initial take away excess consumer goods or blankets. The setting ought to be well cool (one layer of sunshine weight consumer goods, and one light-weight blanket to sleep). 2 medicines are helpful for reducing fever in children: anodyne (Tylenol) and isobutylphenyl propionic acid (Children's Advil or Motrin). anodyne is given each 4-6 hours and works by turning down the brain's thermostat. Don't use beneath 3 months elderly while not initially having the kid examined by a doc. isobutylphenyl propionic acid is given each 6-8 hours and helps fight the inflammation at the supply of the fever. it's not approved for kids beneath six months. each medicine could also be given for stubborn fevers, however, be terribly careful concerning mistreatment the right dose of every.
A lukewarm tub or ablution might facilitate cool a febrile kid (after the medication is given — otherwise the temperature bounces right back up). Cold baths or alcohol rubs cool the skin, however usually create the case worse by inflicting shivering, that raises the core temperature.
Baby Has Fever Over 103 - Fever may be a signal that one thing goes on in your kid. typically this is often a minor malady, however, it is a heavy infection, like an infectious disease. Any kid but ninety days previous with a fever >100.4 degrees Fought to be examined by a doc at once, to rule out a heavy infection (unless there was a DTaP shot within the previous twenty-four hours). kids of any age WHO have a fever >105 degrees F ought to even be seen unless the fever comes down pronto with treatment and also the kid is snug. Any kid WHO contains a fever and is extremely irritable, confused, has issue respiration, contains a stiff neck, won't move Associate in Nursing arm or leg, or WHO contains a seizure ought to even be seen at once. Also, if you have got serious issues concerning your child's condition for any reason, don't hesitate to contact your medical specialist or to hunt medical attention for your kid.
*/Fevers in Infants
Even while not obvious symptoms, kids beneath six months elderly with a fever ought to be examined by a doc at intervals twenty-four hours (again unless they simply had a DTaP), since they will have some infection that must be treated. Older kids with a fever (6 to twenty-four months old) whom are acting well and don't have any alternative symptoms ought to be seen if the fever lasts forty-eight hours (or seventy-two hours if they are doing have a minor cold or respiratory illness symptoms).
While caring for your son with a fever, bear in mind the shadows of the various generations before ours once a fever would break a mother's heart. The fever was the body's desperate conceive to save the kid. bear in mind currently, that fever may be a friend — alerting America to potential issues, activating the system, and fighting bacterium and viruses.


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Christian Book 'Power and Glory Unveiled in Mark's Gospel' is Released
Dr. Raymond J. Zeman details the "Power and Glory Unveiled in Mark's Gospel" (published by Xlibris) to convey to his readers his steadfast belief that Jesus Christ is the fulfillment of both Old and New Testament prophecies, that these are occurring now and that the end times have come. He gives them reason to rejoice as he explains that those who trust in God are to receive peace and abundance in their next lives.
According to Zeman, Mark's Gospel is the briefest of the four gospels, but is frequently more vivid and detailed than the parallel accounts in Matthew and Luke. Written principally for the Roman world, this Gospel presents Christ as the Servant of the Lord, emphasizing the Passion of Jesus, sent to minister and to give his life a ransom for many. It is a book of deeds and contains short discourses and few parables. Christ fulfills Messianic prophecies as found in Isaiah 42:1-21; 49:1-8; 50:4-11; 52:13-15; 53:1-12, and Zechariah 3:8-10. Those verses encompass Christ's ministry of miracles, fellowship with sinners, selection of disciples and teaching multitudes, all of which in turn revolved around self-giving love.
"This then climaxed at the cross followed by His glorious Resurrection with His mission unveiling His Power and Glory," according to Zeman. By providing line-by-line descriptions of each verse, he shares his insights on current events. He offers the fruit of his reflections to those seeking to deepen their understanding of the Bible.
"Power and Glory Unveiled in Mark's Gospel"
By Raymond J. Zeman, D.B.S., Ph.D.
Hardcover | 6 x 9in | 390 pages | ISBN 9781499007824
Softcover | 6 x 9in | 390 pages | ISBN 9781499007831
E-Book | 390 pages | ISBN 9781499007817
Available at Prophecies Unveiled Inc. (http://www.PropheciesUnveiled.org), Amazon and Barnes & Noble
About the Author
Dr. Raymond J. Zeman received his BSMS degree from Case Western Reserve University School of Engineering. He received his Master of Business Administration degree from Baldwin-Wallace College and a Doctor of Biblical Studies and Ph.D. degrees from Bethany Theological Seminary. He has served as a corporate executive and director of numerous companies and as a visiting lecturer at various colleges and universities. In addition, he was a pastor of two Massachusetts churches, retired from both, and moved his consulting, Bible teaching, and writing to North Carolina. He is currently a member of the Advisory Board Case Western Reserve University, School of Engineering, and a Bible teacher for various North Carolina churches. He and his wife live in Davidson and have three children, two grandchildren, and three great grandchildren.
Xlibris Publishing, an Author Solutions, LLC imprint, is a self-publishing services provider created in 1997 by authors, for authors. By focusing on the needs of creative writers and artists and adopting the latest print-on-demand publishing technology and strategies, we provide expert publishing services with direct and personal access to quality publication in hardcover, trade paperback, custom leather-bound and full-color formats. To date, Xlibris has helped to publish more than 60,000 titles. For more information, visit xlibris.com or call 1-888-795-4274 to receive a free publishing guide. Follow us @XlibrisPub on Twitter for the latest news.

subset: commoncrawl


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Watch: Manuel Neuer vs Bernd Leno
Two of the finest goalkeepers in the land take centre stage on Matchday 12 when FC Bayern München entertain Bayer 04 Leverkusen.
Bayern No.1 Manuel Neuer is widely regarded as the best custodian of his generation, but Leverkusen counterpart Bernd Leno - his understudy at international level with Germany - is hot on his heels.
Hit the play button on the video below to see how the two shot-stopper supremos compare:


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What does 'When pigs fly' mean?
Meaning you will not get something when you want it or someone doesn't want something for you. say you are selling an item and some one doesn't want it. they might say 'I'll buy it when pigs fly'. it just means you will never get someone to say yes to you when you ask for something.
- Category: Animals
- Contributed By: Briallen rees
Idioms similar to 'When pigs fly'
All idioms have been editorially reviewed, and submitted idioms may have been edited for correctness and completeness.
Idiom eBooks from UsingEnglish.com
Buy our lists of British English, American English and Animal idioms in PDF format. They're perfect to use offline for reference or for use in class!
See also:
- View examples in Google: When pigs fly
- Discussion Forum: English Idioms and Sayings
- Idiom Definition
- Idiom Quizzes


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Current position : Home > LED Traffic Solution > TRAFFIC CONTROL SYSTEM
OminConTMis a VMS management software based on the Internet.Users can manage and control multiple VMS in the software at the same time to check the current status and send contents to the VMS.
GPS Function
VMS Status Checking
VMS Setting
Battery Management
SMS Setting
Traffic Jam Warning
Visualized Displaying Schedule
Radar Data Statistics and Analysis
100% customized interface
Easy access to OmniCon™ for users.
No need to install software in advance, user friendly management.
Different access to various levels of users: Super Admin/Admin/User
Status of each module can be monitored and recorded
Flexible scheduling function
Encrypted data package for transmission via internet
Monitor VMS on Google Map
Diagram of the software system
Designed and Developed by Chainzone Technology(Foshan)Co., Ltd.
Real-time monitoring of all VMSs where users can check real-time displaying contents, temperature status, Camera (if connected), connection signal status
Adding VMS, setting VMS group, System setting, requiring help online etc
Set the selected images in different playing schedule modes: Week, Month-Day, Month-Week
Easily check all VMS displaying schedules in one interface
Showing the battery voltage, discharge voltage, charge current and discharge current
Monitoring hourly battery status in different date, Checking battery historical Analysis
Users can edit the images online, including drawing, adding text, setting color and size
Users can preview images , set images staying time, set entry and exit playing mode
Uploading images to VMS from Library directly
Uploading images to VMS from Personal library directly
The overall information detected by radar including :The average speed, the number of vehicles at normal/abnormal speed, the total number of vehicles
Checking radar data report in different date


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International education and training (IET) is Queensland's second largest service export and one of Australia's top service exports, valued at over $19 billion in 2015 (including fees and associated expenditure).
A strong IET industry drives innovation, builds a stronger economy and creates more jobs, and is vital to the future prosperity of Queensland.
In 2015–16, Queensland's IET sector:
- Generated $3 billion in export revenue; and
- Supported around 20,000 jobs (with one third of these in Queensland's regions).
The contribution of IET to the Queensland economy takes a variety of forms and materialises across an array of sectors. Students contribute via their expenditure on tuition fees and study materials as well as their expenditure on accommodation, transport and their broader living costs. IET also spurs economic activity via the flow-on tourism it stimulates. This includes, most directly, expenditure by friends and relatives who travel to Queensland to visit an international student (estimated at $11 million in 2015).
A strong and sustainable IET industry also enhances global engagement, with alumni becoming lifelong ambassadors who understand Queensland and are likely to return and invest.
However, the value of international education goes far beyond this. It enriches communities, enhances Queensland's global standing, facilitates international diplomacy, creates global business networks and improves our research status. Queenslanders also benefit from a global outlook and improved understanding of cultures through engagement with international students.
In 2015, Queensland hosted more than 100,000 students from primary school to tertiary education, coming from over 160 countries. These students were based across our state, from the Gold Coast to Cairns, Toowoomba to Townsville, Brisbane to Bundaberg and the Sunshine Coast to Rockhampton. This represents 16% of Australia's international student numbers. At the HDR1 level Queensland is doing even better: our 3,200+ international HDR candidates constitute 19% of numbers Australia-wide.
A defining feature of Queensland's IET industry is the way the industry's activities are dispersed across Queensland. In the financial year 2014-2015, around 34% of all international student nights in Queensland were outside the state capital of Brisbane, compared to just 12% of similar students in New South Wales studying outside Sydney, and 4% in Victoria studying outside Melbourne.
Opportunity for improvement
IET has been identified as one of the fastest-growing industries in the global economy and Australia is expected to be a major beneficiary of that growth.
Growth of the middle class of key markets is likely to increase demand for a 'global' education, with a projected global shortage of 85 million medium-skilled and highly-skilled workers by 2020. As a result, 1.1 billion learners are expected to be participating in education by 2026 just from Australia's key source markets. Deloitte Access Economics estimate that if Australia reaches just 1% of these global learners, Queensland could reach over 675,000 learners by 2026 if we maintain our current market share.
Under 'business as usual' assumptions, onshore international student visa enrolments in Queensland have the potential to increase from 103,200 in 2015 to 150,600 by 2026. By applying the forecasted cumulative increase in onshore student visa enrolments, the export revenue is forecast to rise from just over $2.8 billion in 2015 to $4.6 billion in 2026 for the Queensland economy.
Economic modelling also demonstrates that increasing Queensland's share of Australia's international student numbers by just 4% will lift potential export revenue to $7.5 billion and deliver an additional 6,800 jobs across the state.
For regional Queensland (outside of Brisbane), the 'business as usual' scenario projects student-related expenditure to rise from $937 million in 2015 to $1.5 billion in 2026. Under the aspirational target, student related expenditure outside Brisbane could rise to $2.4 billion in 2026. Given the opportunity to leverage tourism and the visiting friends and relatives (VFR) market, we also aspire to increase the number of student visitor nights in Queensland regions generated from international education.
Ensuring Queensland provides international students with the most positive and rewarding experience is crucial to the ongoing sustainability of the sector. This applies to the student experience both in and out of the 'classroom'.
Prospective students are known to consider Queensland's high-quality education and training institutions, including their:
- Academic reputation (via rankings);
- Employment outcomes; and
- Word-of-mouth recommendations.
However, when considering an education and training provider, the vast majority of students will also investigate factors that contribute towards the total lived experience including:
- Accommodation;
- Cost of living;
- Transport;
- Location;
- General living conditions; and
- Day-to-day practicalities.
1 HDR stands for Higher Degree Research. In Australia, our HDR students (known as 'candidates') are completing a research degree, usually referring to a PhD. Click here for more information on what this means.
Note: Some content on this page has been extracted and modified from the following sources
- Trade and Investment Queensland (2016). International Education and Training Strategy to Advance Queensland 2016-2026. Queensland Government; Australia.


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Viral videos…we love to watch them and share them. Sometimes, however, some folks get the wrong idea that any video content can be made to "go viral". Social media strategists (no matter how good they are) don't have some magic button that makes a video something that the masses will share.
Is Going Viral The Right Goal For Your Blog Content?
Filed Under: Blogs, Facebook, Featured, Humor, Instagram, LinkedIn, Pinterest, Snapchat, Social Media, Twitter, YouTube Tagged: comic, comic strip, content, content management, humor, infographic, social media, social networking, strategy, video, viral, YouTube
New Featured Video: Heather Knight Blends Robotics With Reactive Content
In this featured video, Heather Knight of MarilynMonrobot.com does a great demonstration of a robot that tells jokes and adjusts the content it delivers based on audience feedback.
Filed Under: Featured, Social Media, Tech Tagged: predictive content, reactive content, robot, social media, TED, video


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Nice finding. Here's the direct link to the excerpts you quoted Local assembly of Toyota Fortuner commenced in Pakistan CKD duty in Pakistan is not exactly 40%. It varies between 32.5% and 50%.
Here's another link. Look at the bottom of the article. That's what we have been arguing all along that if Corolla could be cheaper than other countries then why not Fortuner? Daily Times - Leading News Resource of Pakistan Following is a snippet from this article. The price comparison is almost similar to what I posted in my review.
"Busting the myth that new car prices in Pakistan are highest in the region, he said that the factual position is that the prices of the locally manufactured car brands are lower than the prices of similar brands made in region and other countries.He said that Toyota Corolla basic has RSP (less taxes) of approximately Rs 1.69 million in United Arab Emirates whereas similar Toyota model (XLi) has RSP (less taxes) of Rs 1.01 million when made in Pakistan.Corolla top's RSP (less taxes) in UAE is Rs 1.95 million while Corolla Altis (full spec) in Pakistan has RSP (less taxes) of Rs 1.38 million."
Any update on Fortuner? Anyone booked or got a delivery yet? I saw 2 Fortuners in DHA, Lahore in one week; one is silver and other one in dark gray (Gun metallic). For some reason it didn't look good in both these colors and also looked small. I guess we are used to seeing Prados and LCs on roads most of the time. White and Black would probably look good. We'll have to wait until more people get deliveries.
well my cousin bought fortuner 3 days agojust had a test ride
over all looks r good2.7l engine is also good enough to pull but engine sound is too much noisy
steering is bit hard as compared to prado
ride is too much bumpy
less space at last row seats
comes with fectory fitted navigation that good
full average shows 4km/ltr (vs my prado 3.4l gives 6.5km/ltr)
road grip is ok according to me
according to me a brand new suv 2013 model worths 5.2 million as compared to a brand new prado 2013 worth approx 12.5 million
still i preferd my prado 2003 3.4l tz that is in awesome condition in all aspects
enjoy few pix
3.9 se 4.5 tk ki average ha iski... much less than an old 3.0 ltr prado.... i hav seen in 4 fortuners.
That's an average you'd expect from a 5L engine. Is Toyota behind new technology? My 6L Escalade gave me 12 miles per gallon which is almost 4 km per Liter. 5.4L Navigator also has almost same average.
People will always compare it to Prado and it can never be as comfortable and joy to drive like a Prado. Anyone who has driven or owns a Prado is never going to prefer Fortuner even if it is brand new.
Since I have been thinking of buying a Mercedes I have been noticing a lot of C180s in DHA, Lahore area. It's the most popular car that I see in this area after Civic. I think I now see less Prados when comparing it to Mercedes on the road. It has become a popular car in the past one year or so and that's what I was talking about. IMC should have targeted this market segment.
What I want to know is why we got the 65L tank and not the 80L?!
I had a detailed look at it on Lahore car show Toyota display. To me it was a good machine with right ingredients for our environment. Quality issues were there like all PKDM cars, but overall, not bad. Comparing it with prado or old LC's is unjustified as it is a budget version SUV all over the world. Cheaper alternatives can never be as good as costly cousins
3litre prado wale b ye lekr pashta rhe hain....itni jldi flop hgai i cant believe. did anybody see many of these on the road?
To be honest, I was asking myself exactly the same question today. Why I don't see any of these on the road, is it because Toyota still have these in production and couldn't deliver much or is it a flop already? Total number of Fortuners seen on road in 2 weeks is 3 and I am talking about DHA area.It also looks like that NCP scheme is also killing it's sales. People are going for bigger Land Cruisers at half the price.
Poor Pakistanis, paying 5 million plus on this 3rd class SUV!!!
The earlier Fortuner was available in 4 speed automatic transmission which is now replaced by a five speed automatic transmission box. The new toyota Fortuner comes with in the competitive price range of rs. 18 lac to 20 lac. As per toyota fortuner review, the interior of the car are elegant and stylish interiors. The safety that one can find in the new Fortuner are ABS with EBD with EBD, dual front airbags. Performance wise as well looks, toyota fortuner is a stunner.
They should sell the single cabin hilux as a workhorse and the double cabin as a family budget SUV. With a Fortuner platform, suspensions, cabin interior and the hilux's D4d engine with the open bed; it would make one very capable ride.
We stop looking for monsters under the bed when we realize they're inside of us.
These guys are paid to do the reviews. None of the reviews sites are neutral. How do you think they make money from a site; of course it's sponsorship and Ads.
May be what you said is true but by reading these reviews you should also take a test drive and decide whether the reviews are true or just fake. Only by two or three test on these reviews made you clear whether they are true or not.
I think every review site is not fake, most of the reviews are genuine there on the various review sites.
This review might not be fake but I have yet to find a big reputable review site that's not put for the purpose of making money. Being in the IT business I know for a fact that there's nothing called "free review".
Did anyone check Fortuner Ad in Jang today? For the first time in the history of Pakistan automotive industry a company listed price of a vehicle with GST mentioned separately So the approx. cost of Fortuner is 4.4 million without GST. What's IMC trying to say? Are they saying that the price was actually 4.4 million but because of the GST it went up? Nice try IMC, we are still not buying it
The word you're supposed to be using is 'biased' not fake or false.
As for 4.4 mil, when you're getting ckd kits instead of manufacturing them over here through t.o.t; well then you can make up any number of stories to explain your high prices. People won't mind, care, or even bother to know why they're being made to pay almost twice the price than people in other countries for buying a lesser spec vehicle.
It is sad but our lack of applied intelligence, height of ignorance of the world around us has given a few individuals in our society the (intellectual) power to take all of us for a ride on our money.


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Original AMF
Along with our butters, we also produce a range of Anhydrous Milk Fats (AMF), also known as concentrated butter. Campina Original AMF consists for 99.9% of milk fat, made from fresh cream. It's produced according to the highest-possible quality demands, especially tailored to applications in the food industry. The pasteurized cream we use for Campina Original AMF comes from our own dairy farm members, guaranteeing both its traceability and outstanding natural taste.
Original AMF is processed in our butter factories in the Dutch cities of Lochem and Noordwijk, meant to serve as an ingredient for a wide variety of foods, from ice cream and chocolate to oils and bakery products. In accordance with its wide usage, we offer an equally flexible range of packaging and delivery options. Original AMF can be shipped in boxes (of different sizes), IBC's, drums and even tank trucks. The liquid variants (shipped in drums, IBC's or tank trucks) are primarily delivered to producers of ice creams, margarines, chocolates and dairy foods (such as recombined milk drinks). The boxed portions of Campina Original AMF mostly find their way to bakeries, but are also widely used by ice cream and chocolate producers.
For more information about AMF's features and benefits: Product Sheet | Campina Original AMF (pdf)


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"The Grand Duke and Grand Duchess are very happy to announce the birth of the first child of their royal highnesses Prince Félix and Princess Claire. The baby was born on 15 June 2014 at the Grand-Duchesse Charlotte Maternity Wing at the Centre Hospitalier de Luxembourg.
The young princess will bear the names Amalia, Gabriela, Maria Teresa. She weighed 2.95kg and measured 50cm at birth.Classy & Fabulous
Prince Félix and Princess Claire with Princess Amalia Gabriela Maria Teresa of Luxembourg...!


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Our company is expanding and growing. We are therefore seeking committed and independent sales partners or agents for our high-quality EDS wall drying systems. Would you like to talk to us with regards to cooperation?
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Region Bern, Ostschweiz, Innerschweiz, Tessin, Wallis, Graubünden
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Are you often in houses with damp cellars? Help the residents and receive something from us in return.


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Jimmy Ledbetter
Midway High Woodway, TX Class of 1998
Personal Info
- Name:
- Jimmy Ledbetter
- Graduation Year:
- 1998
Register to view Current location, Gender, Birthday, Relationship Status, Children, Employer, Military, College, and Interests
Photos (7)
Memories of Jimmy Ledbetter
What I'm doing now:Register to see what Jimmy Ledbetter is up to now!
Jimmy Ledbetter's Latest Activity:
|- Added photos to the Graduation page. 2017
|- Updated his profile. 2017
|- Updated his profile picture. 2017
|- Added photos to their personal photo gallery. 2017
|- Registered as a MHS Class of 1998 alumni. 2015


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This is an excerpt (first 20 pages) of a completed screenplay. "Stiletto Sisters: Vendetta" - screenplay by Derek Paterson. FADE IN: EXT. WOODLAND CLEARING - NIGHT Shovels SCRAPE into earth and men PANT with effort. "BIG LOU" SOLAZZI, 40s, ruggedly handsome, leans against his car smoking as EDDIE and VITO, 30s, dig a waist-deep hole. Big Lou throws down his cigarette and moves to the back of the car. He opens the trunk. A WOMAN (40s) and a MAN (20s) lie in the trunk, wrists and ankles bound, gags covering their mouths. They stare up at Big Lou, afraid. BIG LOU I only got to look at you two lovebirds to know you were made for each other. That's good. Because you're gonna spend eternity together. The Man struggles but it's no good. The Woman closes her eyes and sobs. BIG LOU Eddie! Vito! Come on over here! Eddie and Vito climb out the hole and come running. BIG LOU Him first. Don't bother being gentle. They lift the Man out of the trunk. The Man struggles and they drop him, but they pick him up again and carry him to the hole. One-two-HEAVE and he disappears. EDDIE Fuck you! The Woman stares up at Big Lou, pleading with her eyes. He shows no emotion as Eddie and Vito lift her out and carry her to the hole. One-two-HEAVE and she's gone. Muffled YELPS from the bottom of the hole. VITO I bet that's the best fuck they ever had! They laugh. Big Lou comes up behind them, puts a gun to Eddie's head. BANG! Eddie topples into the hole. Vito stares dumbly at the smoking gun. BANG! Vito falls in. Big Lou picks up a shovel. Feeble MOANS come from the bottom of the hole. Tears run down Big Lou's cheeks as he fills the grave with earth. FADE TO BLACK: The gut-shaking RUMBLE of a powerful sports car engine. Title: FIVE YEARS LATER. FADE IN: EXT. ROAD TO SOLAZZI ESTATE - DAY A gleaming Dodge Viper screeches to a stop on a tree-lined road leading to a big house. INT./EXT. ROSETTA'S CAR - DAY At the wheel, ROSETTA SOLAZZI, 20s, an Italian-American beauty who could cause a major traffic accident just by smiling. She wears black dress, hat, sunglasses. She studies the house for a time... and seems to make her mind up. She puts the Viper into gear and burns rubber making a U-turn, heading away from the house. She's barely gone a hundred yards before she SKIDS to a stop. ROSETTA Fuck it! She spins the Viper around and ZOOMS back to the house. EXT. SOLAZZI ESTATE - MAIN GATES - DAY Crowded with REPORTERS and TELEVISION CAMERAS. Behind the closed iron gates, scowling SECURITY GUARDS in suits. The swarm of reporters turns as Rosetta's Viper comes ROARING into view. She hits the brakes hard. They scatter like startled birds, then flock back to her car snapping photos from every angle. Rosetta punches her horn, warning them to get the hell out her way! She leans out her window and tries to catch the eye of the GUARD on the other side of the main gate. The Guard recognizes her and windmills his arm. The gates open. Rosetta nudges her Viper through and the gates close again, trapping the reporters outside. The Guard talks into his cell phone as he watches the Viper head for the house. EXT. SOLAZZI HOUSE - DAY A hearse stands empty and waiting at the head of a row of black cars. Eight UNDERTAKERS wait by the hearse in black suits with RED ROSES in their lapels. DRIVERS smoke and talk among themselves. They watch as Rosetta drives by. Rosetta parks, gets out, smooths down her dress, fixes her hat. She looks at the entrance -- then heads for the rear of the house. The Undertakers take notice when NICO, 20s, appears at the front door. He nods to the Undertakers. Two of the Undertakers move to join Nico and go inside. EXT. SOLAZZI HOUSE - REAR - DAY Rosetta takes off her sunglasses and stares at the house. INT. KITCHEN - SOLAZZI HOUSE - DAY Rosetta peers in through the window. She tries the door, it's unlocked. She enters. She passes through the empty kitchen, reaches a stairway leading up. Muted VOICES from upstairs. Rosetta starts climbing. INT. DOWNSTAIRS HALLWAY - SOLAZZI HOUSE - DAY Rosetta stops near the Living Room which is crowded with men and women dressed in black. MOURNER (O.S.) What can anyone say about Big Lou Solazzi? This was a man who loved his family and his friends. A man who took care of those who loved him, or needed his help. You know he gave to charities, to orphanages. His generosity knew no limits... Rosetta frowns, not happy. She heads for the stairway. INT. UPSTAIRS HALLWAY - SOLAZZI HOUSE - DAY Rosetta climbs up. She walks along the hallway, looking at each doorway. Remembering... INT. ROSETTA'S BEDROOM - SOLAZZI HOUSE - DAY A girl's room. Dolls and ornaments displayed on shelves. A crystal lamp on a bedside table tinkles as Rosetta enters. She takes off her hat, throws it on the bed. Walks around the room, touching familiar things, enjoying them. She sits down on the bed, leans back on her elbows and closes her eyes. Remembering... ROSETTA'S CHILDHOOD FLASHBACK: The low POV of a young girl. Rosetta's MOTHER (the woman we saw in the trunk of Big Lou's car in the opening scene, some years younger here), bends down toward Rosetta, smiling. MOTHER Your hair's fine, honey. The car's waiting to take you to school. Off you go now. Rosetta's twin sister MARIETTA stands in the doorway wearing school uniform. Marietta scowls and taps her wristwatch. BACK TO SCENE: Instead of Marietta, LUCA SOLAZZI stands in the doorway. 60s, silver hair, he's still as strong as a bull. LUCA Rosetta. What the hell are you doing, sneaking into the house like this? ROSETTA I got here late. I didn't want to walk in while you were in the middle of something, Uncle Luca. LUCA Late, early, who cares? You should be downstairs saying goodbye to your old man. Don't you have a kiss for your uncle? Rosetta springs up, kisses Luca on the cheek. ROSETTA It's good to see you again, Uncle Luca. LUCA Same here, Rosetta. You look beat, like you could use a drink. And I don't mean coffee. ROSETTA I don't want to hold you back... LUCA Everyone's getting ready to leave for the cemetery. We got a few minutes. The priest ain't gonna start without us, that's for sure. Luca motions to the door. They exit together. INT. UPSTAIRS HALLWAY - SOLAZZI HOUSE - DAY As Rosetta passes a door, she pauses. Luca goes on ahead, not knowing she's stopped. ROSETTA'S TEENAGE FLASHBACK: Rosetta (17) stares into the room from the hallway, her expression sheer disbelief. Her sister Marietta is being screwed from behind by what appears to be Big Lou Solazzi (BLURRED so we can't be sure). Colored pills lie scattered on the floor. The buck naked couple are so high they don't notice Rosetta. BACK TO SCENE: Luca stops and looks back, puzzled. LUCA Rosetta? Rosetta hurries after him. INT. STUDY - SOLAZZI HOUSE - DAY An impressive desk with a high-backed leather chair. Luca ushers Rosetta to a guest chair. LUCA What's your poison? ROSETTA Not for me, Uncle Luca. Thanks anyway. Luca pours himself a Scotch. He sits down behind the desk. Raises his glass in a toast. LUCA Here's to your pop, wherever he is. ROSETTA'S ADULT FLASHBACK: Her father, Big Lou, sits behind the desk in the exact same pose as Luca, holding up a glass. BIG LOU Here's to your bitch of a mother, wherever she is. Jesus, she didn't even send you and Marietta a birthday card. It's a crying shame. BACK TO SCENE: LUCA The coffin's next door if you want to, you know, say goodbye. ROSETTA I think I'll skip that part, Uncle Luca. I came back for old time's sake, you know? I'm just gonna leave now, if it's okay with you. LUCA That's your choice, Rosetta, but I can't say I'm not disappointed. I know he would have wanted you and Marietta to be at his funeral. Luca takes a cigar from a box. He clips off the end and lights it using a gold lighter. Rosetta watches his every move. Luca blows smoke toward the ceiling. LUCA Your pop always did have good taste when it came to cigars and booze. Outside, people leave the house, heading back to their cars. A KNOCK at the door. Nico enters. Lock-up-your-daughters handsome. He stares admiringly at Rosetta. LUCA Jeez, Nicky, don't stand there with your mouth hanging open. Ain't you gonna say hello to your cousin Rosetta? NICO Jesus. Is that really you, Rosetta? ROSETTA Hi Nico. LUCA What is it, Nicky? Nico has trouble dragging his eyes off Rosetta. NICO Phone call for you, Uncle Luca. It's Vacchio in L.A. Something passes between Nico and Luca but Rosetta doesn't see it, she's looking out the window. LUCA Why can't I take it in here? NICO Maybe Paulie don't know how to switch the phone through to the study. You get to Paulie's age, everything gets cloudy. LUCA I'm Paulie's age, you punk. NICO I didn't mean no disrespect, Uncle Luca. Luca stubs his cigar out, gets up and heads for the door. He stops beside Nico. LUCA Clean this up, huh? Nico's smile vanishes. He looks at Rosetta. Luca nods, a confirmation. Then he exits. Nico closes the door. NICO How you doing, Rosie? ROSETTA I'm doing fine, Nico. You? Nico draws a gun from an underarm holster. He screws on a fat black silencer. NICO Not so good. I wish I could say I'm glad to see you, Rosie, but you caught me on a bad day. ROSETTA Nico baby, you got a weird sense of humor. NICO I ain't laughing, Rosie. No one expected you or Marietta to show up. You and your sister hated Big Lou's guts, everybody knows that. Why did you have to come back here, today of all days? And looking good enough to eat, too. ROSETTA Nico...? NICO Sorry Rosie, we're on a tight schedule. You got to know, this ain't nothing personal. Nico extends his arm, taking careful aim at Rosetta. She stares at him, shocked! CUT TO BLACK: BANG! A loud SHOT from an UNSILENCED pistol! FADE IN: EXT. BRUCE'S HOUSE - DAY A desirable property set amid the wealth of Hollywood. The kind of place tour buses pass by every day. EXT. UPPER FLOOR BALCONY - BRUCE'S HOUSE - DAY MARIETTA SOLAZZI, Rosetta's twin sister, lies on a couch, sunbathing in a revealing bikini while reading a glossy magazine. BRUCE NEVADA, 30, square-jaw handsome, limps out of the house, wincing at the pain from his leg. He wears an Army vest and black jogging pants, and carries a large pink milkshake. He sits down awkwardly. MARIETTA You should be strapped up. BRUCE And have some camera jockey take a snap of me with a telephoto lens? No way. Bruce Nevada isn't going to appear in some gossip 'zine sporting bandages, no sir. MARIETTA Bruce Nevada will need therapy if he keeps talking about himself in the third person. BRUCE I am who I am, and I'm not ashamed to admit it. He sips his 'shake. BRUCE Damn, this is good. MARIETTA You're due to start shooting next month. How are you going to do that if you don't look after your leg? BRUCE Don't worry, I'll be okay. MARIETTA You keep doing your own stunts you won't be okay, you'll be dead. BRUCE I gotta do my own stunts. Who's gonna believe in me if they know a stand-in is jumping off a rooftop or getting blown to pieces? MARIETTA So tell me what happens in this one? BRUCE It's a really hot science fiction thriller. Here's the story: there are aliens in the White House, running the world. But my character, Bruce Shard, a Secret Service agent, finds out the President's a bughead and decides to do something about it. MARIETTA That's it? That's the best script Jody could find for you? BRUCE It's not as bad as it sounds. There are depths I can explore with Shard that I've been denied in my previous movies. His girlfriend becomes one of the bugheads and he has to kill her. That's pretty heavy, you know? I can take that and run with it. Jody says he expects me to give much more this time. He says I have a well of untapped emotions. He drinks more 'shake, wipes his lips and BURPS loudly. MARIETTA You sure have. What's the movie called? BRUCE They're still using a working title, "All The President's Bugs," but the producers will probably change it. Jody says Van Damme might be interested. If he signs, the script will be altered to write him in as my partner. We'll kick some alien butt together. Bruce fires some punches at an invisible opponent, giving a reasonable impersonation of a martial artist. BRUCE Listen, Jody wants me to look at some script changes. I'm gonna head on over to his place, okay? MARIETTA I know all about Jody and those big- titted bunnies of his. You can look all you want but if you touch, I'll cut your dick off and stuff it down your throat, Sicilian style. Bruce chokes on his shake, sprays it everywhere. BRUCE Jesus! MARIETTA And tell Jody I was asking for him. You should bring him over for dinner. BRUCE He doesn't like Italian food. MARIETTA You mean he doesn't like me. BRUCE I never said that. But you never show him any respect. MARIETTA The day he tells me he's putting you in a movie alongside Julia or Nicole I'll show him plenty of respect, believe me. BRUCE That guy who came to see you yesterday looked pretty mean. Marietta turns the pages of her glossy magazine. MARIETTA Here's something: "How to keep your husband interested in ten easy lessons." One, shave down below. Two, always wear black lace underwear. BRUCE Who was he, what did he want? MARIETTA You will not believe what Number Ten is. Is that even legal? BRUCE Don't try to change the subject. MARIETTA He was just a message boy, okay? I told you to forget about him. BRUCE Message boy my ass. He was packing heat. I saw the bulge under his jacket. A real, honest-to-goodness live Mafioso. MARIETTA Nobody says "Mafioso" any more. You sound like a gangster in a "B" movie. BRUCE Why won't you tell me what it's about? A wife shouldn't keep secrets from her husband. MARIETTA When did we get married? I don't even remember a proposal, never mind walking down the aisle. BRUCE Jody thinks it would be bad for my image. Most of my fan mail comes from teenage girls. They all want me for themselves. He flexes a biceps. BRUCE Can't blame 'em, huh? MARIETTA Nope, can't blame 'em. What I want to know is, what size is Jody's new yacht and how much did he take from your earnings to pay for it? BRUCE You're changing the subject again. Who was that goddamn Mafioso, what did he want? MARIETTA It's my business. Keep out of it. BRUCE You mean it's family business. So, what did Daddy's message boy want? Was he just delivering the morning paper, or letting you know in advance who's going to die of natural causes next week? Marietta throws her magazine down. MARIETTA For God's sake, Bruce, get a new script. She storms inside. INT. BEDROOM - BRUCE'S HOUSE - DAY Bruce follows Marietta inside. He grabs her wrist and spins her around. BRUCE Don't walk away from me. And don't get picky over names. I asked you a question. What did he want? Are you going to give me a straight answer? MARIETTA No. BRUCE Baby, you gotta be kidding me. The Mafia comes calling, packing hardware, and I've got to pretend it didn't happen? Pretend my girl's father isn't a Mafia hood? MARIETTA Go to Hell, Bruce. But first, let go of me. BRUCE Let go of me, or else? Isn't that what you mean? MARIETTA That's exactly what I mean. BRUCE Let me guess. You'll phone Daddy and he'll send a couple of his boys over to measure me for concrete overshoes, right? MARIETTA Jesus, it's like talking to somebody from the 1930s. He's dead, you asshole. That's what the guy came to tell me. My father's dead. Bruce lets go. Marietta rubs her wrist. BRUCE Why didn't you just tell me? MARIETTA Because it's like you said, it's family business. BRUCE When's the funeral? MARIETTA Today. Now. I don't know. It doesn't matter because I'm not going. They can bury him without me. BRUCE You can't be serious. MARIETTA I am serious. I hated the bastard, Bruce. You've no idea just how much I hated him. Enough to have wanted to kill him myself. Enough to want to piss on his grave. Bruce exits back out onto the balcony. Marietta leans back against the wall, closes her eyes and sighs. Bruce come back inside. BRUCE There's a car in the driveway. I think it's the same guy, your message boy. Maybe this time I'll tell him to fuck off, hey? Marietta pushes past him and goes out onto the balcony. MARIETTA'S POV: a black sedan sits in the driveway. Marietta comes back inside. BRUCE Hey, your family wouldn't get pissed off with you just because you didn't attend your old man's funeral, would they? A CRASH of breaking glass from downstairs. BRUCE What the hell was that? He heads for the door but Marietta stops him. MARIETTA Stay here. BRUCE Like hell I will. I want to talk to these guys. Who the fuck do they think they are? He tries to push past her. Marietta kicks him in the nuts. Bruce groans and collapses, she jumps over him and runs into the hallway. INT. UPSTAIRS HALLWAY - BRUCE'S HOUSE - DAY Marietta creeps toward the stairs. She reaches the top and listens. Movement from below. She silently runs to the other end of the hallway. INT. EXERCISE ROOM - BRUCE'S HOUSE - DAY Marietta runs to a locker, pulls out a sports bag. She tosses out a crumpled tennis shirt, shorts, a pair of shoes. Finally she pulls out a revolver. She stands just inside the door and peeks out. A man stands at the top of the stairs, looking the other way. BLONDIE, a bronzed surfer, carries an Uzi. Marietta pulls back as GIANCARLO VACCHIO climbs the stairs. Mature, distinguished, a ruthless killer. FRANKIE (O.S.) Ain't nobody down here, Mr. Vacchio. VACCHIO Shut the fuck up, Frankie. (to Blondie) That way. She's with that actor, the pussy. Find her. BLONDIE Sure thing, Mister Vacchio. Blondie sets off toward the bedroom. FRANKIE climbs upstairs. He's huge, bulging with muscles, a typical enforcer. Vacchio points toward the exercise room. VACCHIO Frankie, check that way. FRANKIE Okay, boss. Frankie enters like he's having a gentle stroll in the park and comes face to face with Marietta. Tough to tell who's more surprised. Frankie reaches inside his jacket-- FRANKIE She's in here! CUT TO BLACK: THREE LOUD GUNSHOTS. FADE IN: EXT. TAGLIA HOUSE - DAY Set amid green lawns. Electronic gates decide who comes in and who leaves. An open-top sports car approaches the gates, driven by CARLOS RIVA, early 30s, a handsome, manicured professional accountant who always wears the sharpest suits. The GUARD on gate duty recognizes Riva and opens the gates. Riva waves to him and drives toward the house. A GARDENER rides a lawn mower nearby, trimming the grass. EXT. TAGLIA HOUSE - ENTRANCE - DAY Riva climbs the steps, carrying an envelope. The door is opened by ALFREDO, an elderly house servant. ALFREDO Good afternoon, Mister Riva. RIVA Hey Alfredo, I'm believe I'm expected? INT. ENTRANCE HALL - TAGLIA HOUSE - DAY Riva is stopped by LUIGI, a huge guard, who frisks him. INT. OUTSIDE TAGLIA'S STUDY - DAY Alfredo knocks the door, pauses, then opens the door for Riva to enter. INT. STUDY - TAGLIA HOUSE - DAY Sitting behind his desk, DON TAGLIA, 60s, tough as old boots. With him, IRON MIKE RUSSO, same age, even tougher, looks sour as Riva comes in. TAGLIA Carlos. Come in, sit down. Riva sits down beside Russo who isn't a big fan. TAGLIA I'd offer you a drink, only this ain't no friendly meeting. Let's get down to business. Show me what you got? Riva opens the envelope, pulls out a computer print-out. He's about to place it on the desk but Russo snatches it and starts reading. Riva examines the photographs hanging on the walls. Thickset men smile and shake hands. A who's who of organized crime. Russo looks up at Taglia, and nods. TAGLIA You're sure about this? You're absolutely sure Jules Capella has betrayed me? RIVA Each of the transfers is recorded there. There's no mistake. It all adds up to 160 million dollars. TAGLIA The little prick. Being married to my daughter wasn't enough for him. Being on my payroll wasn't enough for him. He had to have more. (to Russo) Mike, find out where that no-good weasel son-in-law of mine is hiding. RIVA I can tell you where he is, Mr. Taglia. He booked two seats on a plane to South Africa, scheduled to take off from JFK at 21-hundred hours tonight. He's in a room in the JFK Hilton registered under the name of Calvetti. RUSSO How the fuck do you know that? RIVA A friend of mine has been on Capella's tail since yesterday. Russo's fit to explode but Taglia makes a calming gesture. TAGLIA Two seats? RIVA He's traveling with a woman named O'Rourke, his personal assistant. The office manager says Miss O'Rourke has yet to turn up for an honest day's work. RUSSO Who's the guy that's watching him? RIVA I didn't give him any details, just Capella's description. I pay cash, he doesn't ask questions. RUSSO Fuck not asking questions, you're an accountant, not a secret fucking agent. You should have turned this over to me instead of sticking your fucking nose into-- But Taglia holds up his hand, demanding silence. TAGLIA Yeah, that sounds like Jules, all right. Stealing my money isn't enough, the prick also has to betray my daughter. Mike, what can you do about this? RUSSO I can have my people there in ten minutes. Taglia nods. Russo gets up and exits. TAGLIA What about my money? RIVA Capella converted the 160 million to bearer bonds, which are good anywhere in the world. My guy at the airport said he's carrying a locked attach� case. I'd say it's a good bet the bonds are in that case. He wouldn't want to let them out of his sight. Russo comes back into the study and sits down. RUSSO My people are on their way. They know what to do. TAGLIA (to Riva) How the fuck did you find out Jules was shafting me? RIVA I like to check the accounts to ensure everything's transferred on schedule. Even a day's delay can lose you considerable interest. But the numbers didn't balance. I couldn't see how Capella had done it, so I called in some people I know. They hacked into his office computer system. He had everything encrypted and password-protected, but these guys are pros. Capella had set up a string of bogus client identities that allowed him to transfer the money to himself. RUSSO You're using people we don't know. I don't like that, not when Don Taglia's money is involved. Who the fuck are these guys? RIVA A couple of friends I met among the sand dunes. They were with the Agency back then, breaking Iraqi military codes as quickly as Baghdad changed them. Now they're security consultants working for banks and the stock exchange. RUSSO Tell me, Riva, are you ever going to have one conversation in your entire life where you forget to mention your heroic role in Saddam's downfall? TAGLIA Calm down, Mike. Carlos wasn't blowing his own trumpet. You asked him, remember? Taglia gets up and comes around his desk. TAGLIA Carlos, thank you for letting us know about this. We'll handle things from here. RIVA Sure thing, Mister Taglia. Taglia escorts Riva to the door. TAGLIA Expect to find a "thank-you" in the mail soon. RIVA That's not necessary, Mister Taglia. You already pay me. This is just part of the service. Taglia nods and smiles, pleased with this answer. INT. ENTRANCE HALL - TAGLIA HOUSE - DAY Alfredo opens the front door for Riva. ALFREDO You have a nice day, Mister Riva. RIVA Thanks, Alfredo, I believe I will. INT./EXT. RIVA'S CAR (MOVING) - DAY Riva puts on sunglasses, starts the engine and drives toward the gates. There's no sign of the Guard. Riva has to stop. The Gardener riding the lawn mower weaves all over the place. That's because he's watching the house and talking into a radio microphone inside his collar. Riva pulls out his phone, speed-dials a number. RIVA (into phone) Alfredo, it's Riva. Give me Luigi. (he listens) Give me Luigi, dammit, right now! (he listens) Luigi, it's Riva. You got trouble out here. Tell Mike Russo what I just said, you hear me? Four MEN wearing black commando gear drop over the garden wall. They disappear among the bushes, then reappear moments later, running toward the house. A black van SCREECHES to a stop outside the gates. A window rolls down and a large caliber RIFLE BARREL protrudes. Riva's eyes WIDEN. He throws himself down and covers his head as the rifle BOOMS! shattering the windshield. BOOM! His car bucks up and down like a rodeo bull. BOOM! BOOM! BOOM! CUT TO BLACK: The SHOOTING continues, loud and close. Then slowly fades... JET ENGINES. FADE IN: EXT. JFK INTERNATIONAL AIRPORT - DAY Planes land and take off from the world's busiest airport. INT. HOTEL ROOM - DAY The toilet adjoining the bedroom FLUSHES. The door opens and JULES CAPELLA, 40s, emerges from the bathroom. He limps to a chair by the window. He carefully sits down, grunting with discomfort. GERI O'ROURKE, 20s, lies upon the king-sized bed, naked but for wisps of black lace underwear. She's high as a kite on coke and horny as hell, bringing herself off. CAPELLA I got no crap left in me and I'm still crapping. GERI Come to bed, Jules. I need you. CAPELLA Not now, honey. I got things to think about. Geri gasps and pants her way to heaven. CAPELLA Just wait until we get to Cape Town, baby. You'll be begging me for mercy, I guarantee it. GERI I can't wait that long, I'm red hot. CAPELLA Just another few hours, baby, and we'll be leaving our troubles behind forever. Hey, I tell you, if Mike Russo and his boys ever show up, the South Africans will bury them in unmarked graves. They don't take no shit from nobody. GERI Jules, honey! CAPELLA Ain't gonna happen, sweetie. My gut's killing me. Just keep doing what you're doing. If it helps, think about me. GERI I am, Jules, I am! The door opens, four grim-looking MEN enter. Capella's too scared to move or say anything. One guy checks the bathroom. He comes out waving his hand under his nose. They watch Geri bring herself off. Her eyes are screwed shut, she's concentrating so much she doesn't even notice them. TOMMY KNEECAPS gestures to one of his men. The guy puts a pillow over Geri's head and fires two muffled shots into the pillow. Geri slowly relaxes. Feathers fly everywhere. CAPELLA What did you have to go and do that for? TOMMY KNEECAPS Hey, at least she died happy. His men chuckle. One of them finds the attach� case. He shows the contents to Tommy Kneecaps. Piles of bearer bonds with stylish seals and watermarks. TOMMY KNEECAPS Take good care of it. You lose it, you get to tell Iron Mike. Henchman #1 closes the case and tucks it under his arm. CAPELLA What happens now? TOMMY KNEECAPS Someone wants to talk to you about the very bad thing you did. His men chuckle again. Capella wistfully watches a plane take off. Two guys grab him and pull him out the chair. FADE TO BLACK: BANG! The shot from an unsilenced pistol echoes and fades. FADE IN: INT. STUDY - SOLAZZI HOUSE - DAY Nico's pistol wavers. He staggers, falls back against the door and slides down. Rosetta takes her hand out of her purse. She's holding a smoking pistol. She fired it from inside her purse! NICO Jesus, Rosie, ya shot me. Rosetta opens his jacket, his shirt is bright red with blood. NICO Is it bad? ROSETTA Nico baby, why'd you do it? Why'd you try to pop me? NICO Orders... Nico dies. Rosetta stares at him, crushed with grief. She grabs his silenced gun, presses her ear against the door. INT. ENTRANCE HALL - SOLAZZI HOUSE - DAY Rosetta peeks out, looks left and right. Empty. She creeps along the hallway... stops at a door, turns the handle, opens the door... looks into the room. INSERT: Four OLD MEN sit upright in chairs. They've all been shot through the head. They all look very surprised. VOICES and LAUGHTER from downstairs get Rosetta's attention. INT. KITCHEN DINING AREA - SOLAZZI HOUSE - DAY Luca sits in a chair holding a bloody handkerchief to his head. Two UNDERTAKERS stand over him, laughing. LUCA You fucking punks. I'll cut off your dicks and stuff them up your asses. The Undertakers laugh some more. One whacks Luca across the face with his gun. UNDERTAKER #1 Fuck you, you old bastard. One more word out of you and we'll-- Rosetta comes downstairs and shoots Undertaker #1 between the eyes, then pops #2 as he spins around. They fall dead. Luca stares at them, shocked. LUCA Mama fucking mia. ROSETTA You okay, Uncle Luca? LUCA I'll never be okay again. Where'd you learn to shoot like that, Rosetta? And where's Nico? Footsteps from upstairs. Rosetta stands just out of sight. The feet and legs of TWO UNDERTAKERS appear. Rosetta shoots them in the legs! They tumble downstairs, screaming. Rosetta steps over them and puts a bullet into each of their heads. She stares at their bodies, remembering... EXT. ARAB DESERT CAMP - NIGHT (ROSETTA'S FLASHBACK) Israeli COMMANDOS launch an attack. The SENTRIES don't stand a chance, they're cut down by a hail of bullets. Half-asleep Arab SOLDIERS emerging from the tents suffer the same fate. Rosetta is part of the attacking force. She shoots a SENTRY fumbling for his rifle. She turns and shoots an Arab SOLDIER stumbling out of his tent. Her gun's empty, she ejects the magazine and fishes a fresh magazine from her belt. A tent flap opens behind her. Rosetta flicks her wrist and a knife SPRINGS into her hand. She spins and throws -- and then sees her target. It's a young Arab BOY. He drops his rifle and falls dead. Rosetta stares in horror. An Israeli OFFICER joins her. ISRAELI OFFICER Good. It saves us the trouble of killing him when he is a man. He pushes Rosetta on. They leave the dead boy behind but Rosetta looks back, shocked by what she's done. BACK TO SCENE: Rosetta throws Nico's gun away and helps Luca to stand. ROSETTA We gotta leave, Uncle Luca. Out the back way. My car's outside. EXT. SOLAZZI HOUSE - DAY Rosetta helps Luca toward her car, he's unsteady on his legs. LUCA Where's Nico, dammit? ROSETTA Nico's dead. LUCA Dead? What the fuck do you mean, he's dead? ROSETTA Nico was with them! As soon as you left Papa's study Nico tried to shoot me. I got him first. LUCA Jesus, I don't believe it... ROSETTA You better believe it, because we're not out of this yet. A bunch of UNDERTAKERS exit the house. They see Rosetta and Luca and move in her direction. ROSETTA Can you still hotwire a car, Uncle Luca? LUCA What the hell kind of question is that? Of course I can still-- She points to a nearby sedan. ROSETTA Get in. I'm going to make them follow me. When they do, you jump the engine and get the hell out of here. LUCA Rosetta, you can't just-- ROSETTA Just do it, Uncle Luca. Remember, Nico was in on this! Your own nephew, Uncle Peppe's son. Only call upon people you absolutely know you can trust. Rosetta pushes him toward the sedan. Luca opens the door, climbs in and lies down so no one can see him. INT./EXT. ROSETTA'S CAR - DAY Rosetta starts the engine, glances in the rear window. The Undertakers are closing in, drawing their guns. She REVERSES at full speed, scattering the Undertakers. Rosetta takes off down the driveway, leaning on her horn for MOURNERS to get out her way. They jump for their lives! EXT. SOLAZZI ESTATE - MAIN GATES - DAY The Guards open the gates and shout at the Reporters to move aside. Rosetta comes flying through the gates, screeches into the turn and powers away! The Reporters surge after her, cameras clicking. Seconds later a black sedan screams in pursuit of Rosetta. Two Reporters are knocked down! The sedan doesn't stop, it roars after Rosetta. The chase is on! INT./EXT. ROSETTA'S CAR (MOVING) - DAY Rosetta drives for her life. She glances in the rearview. The black sedan is on her tail. She puts the pedal to the metal, increasing the distance between them, but the sedan stays on her tail. LOOKING AHEAD: the unmistakable skyline of NYC. Rosetta fumbles for her phone. She thumbs in a number. It's rejected. She tries again. Another failure. Exasperated, she tries again. Third time lucky! SURLY VOICE Yeah, what the fuck do you want? ROSETTA (into phone) I want a double fucking cheeseburger with double fries, the biggest fucking shake you've got, and I want them now, asshole! The voice on the phone SQUAWKS with pleasure! FADE TO BLACK: THREE LOUD SHOTS. FADE IN: INT. EXERCISE ROOM - BRUCE'S HOUSE - DAY Frankie's face twists in agony. He holds his crotch with both hands. Blood oozes between his fingers. He lets out a WHOOSH of air and topples sideways like a felled tree. INT. UPSTAIRS HALLWAY - BRUCE'S HOUSE - DAY Marietta steps into view. Vacchio sees her, panics and runs back downstairs. Blondie comes running from the other end of the hallway. Marietta SHOOTS, Blondie's machine gun blasts holes in the hallway ceiling as he falls dead. INT. BEDROOM - BRUCE'S HOUSE - DAY Marietta stands in the doorway looking down at Bruce, dead on the floor. INT. DOWNSTAIRS - BRUCE'S HOUSE - DAY Marietta drops down from above, startling Vacchio. He reaches inside his jacket. Marietta whacks him across the head with her revolver. Vacchio hits the floor, unconscious. FADE TO BLACK: We enjoy a moment of peace with Vacchio... FADE IN: INT. LIVING ROOM - BRUCE'S HOUSE - DAY Vacchio awakens to find himself on the floor, his wrists and ankles tied with electrical cable. He struggles. No good. Marietta lounges on one of the leather chairs, still wearing her bikini. Vacchio looks her over with interest. VACCHIO You're looking good, Marietta. You're all grown up now. Marietta sticks the barrel of the revolver against his knee. Thumbs back the hammer. MARIETTA I want to know who gave the order. He grins up at her. Doesn't believe she'll do it. BANG! Vacchio SCREAMS. EXT. ROME, ITALY - DAY (MARIETTA'S FLASHBACK) The city of romance, known also for its historical cruelty. INT. WAREHOUSE - DAY Two urban TERRORISTS drag an Italian POLICEMAN inside and slam the door shut. The Cop's wrists and ankles are tied and he's gagged. Other TERRORISTS gather to kick the shit out of the Cop. A woman, ANNA, is the most violent. A younger Marietta looks on while STEFANO checks the Cop's wallet. He finds a photograph and gives it to Marietta. INSERT: A young WIFE AND BABY smile for the camera. STEFANO We threaten to kill his family. That will make him talk. Stefano puts his gun against the Cop's knee. BLAM! The Cop goes into pain spasm. The Terrorists laugh. Marietta doesn't. She looks at the photo... the Cop... the photo... Stefano unties the gag and whispers into the Cop's ear. Asks him questions. He gets angry when the Cop doesn't answer. Anna kicks the Cop in the guts. Still no answer. Stefano beckons to Marietta. Bring the photo over, now! Marietta refuses. Stefano and Anna exchange looks. ANNA (in Italian; subtitled) I told you she was too soft. STEFANO (in Italian; subtitled) I'll handle this. Stefano snatches the photo from Marietta's trembling hand. STEFANO I told them you had courage. Told them you supported our cause. Now you make me lose face. Anna lights a cigarette. MARIETTA If this is what the cause means, then count me out. STEFANO He knows the Chief Judge's security arrangements. We'll do whatever it takes to get this information. MARIETTA Then do it without me. I'm through, Stefano. I didn't sign up for this. Emotions play across Stefano's face -- anger, understanding, then finally regret. He tenderly touches her face. Wipes away the tears rolling down her cheeks. STEFANO It's best that you go now. Stefano joins Anna and shows the Cop the photo. The Cop shakes his head, he won't talk. Anna stubs her burning cigarette into his eye, he SCREAMS. Marietta winces in sympathy. Stefano shows the Cop the photo again. STEFANO (in Italian; subtitled) If you ever want to see them again, you will tell us what we want to know. Marietta turns and walks away, not looking back. BACK TO SCENE: Vacchio writhes in agony, blood pours from his knee. VACCHIO You can't do this to me! I'm Giancarlo Vacchio! MARIETTA Tell me who gave the order. A name in exchange for your life. He shakes his head -- refuses. BLAM! She shoots his ear off! Vacchio SCREAMS and writhes. Marietta opens a cigarette box and lights a cigarette. She talks into Vacchio's other ear. MARIETTA Can you hear me, Giancarlo? Your eardrum's ruptured, that's why it's so painful. I don't know if the doctors can save your hearing on that side. One thing I do know... it's going to be damn quiet in there if I shoot your other ear off. She holds the cigarette close to his eyes. MARIETTA And dark if I burn your eyes out. Tell me, who gave the order? Vacchio's a quivering wreck. His lips try to form words. MARIETTA Louder, Giancarlo. I can't hear you. She leans closer. Vacchio whispers a name (we don't hear it). Marietta draws back, staring at him in disbelief. He looks up at her, mutely pleading for his life. Marietta sticks her revolver into his mouth. MARIETTA Say hello to Dad for me. Vacchio's eyes WIDEN. CUT TO BLACK: A VERY LOUD SHOT. Fading... then blotted out by the BOOM- BOOM-BOOM! of a heavy caliber rifle. FADE IN: EXT. TAGLIA HOUSE - DAY Riva's car bucks wildly, the hood springs up, steam hisses from the radiator, glass flies everywhere. Above the deafening BOOMS and the IMPACT of heavy bullets, maniacal LAUGHTER from the van. Riva opens the glovebox revealing a gun in a leather holster. He kicks his door open and rolls out. He comes up onto one knee with his gun BLAZING. He scores hits on the window. The sniper rifle points skyward and falls silent. Riva peers over the top of his car. The Gardener runs toward the Taglia house carrying a machine-gun. He sees Riva and SHOOTS. Riva SHOOTS back, punching the Gardener down. A Commando opens fire on Riva, who crouches behind his car as bullets BANG into and WHING off the metal. The entrance explodes! The Commandos leap through the smoke, their guns blazing. Riva starts to get up but a pistol is thrust into the back of his head. The VAN DRIVER has silently crept up! The Driver's face is a mass of cuts from broken glass. DRIVER Drop the gun, dickhead. Riva drops his gun. DRIVER You fucking prick. Who asked you to stick your nose in? The Driver thumbs back the hammer. Riva drops like a stone and kicks backwards, taking the Driver's legs out from under him. Riva chops the Driver's wrist, his gun spins away. Riva wrestles him to the ground and gets his arms around the Driver's head. DRIVER No, wait--! Riva twist the guy's head. CRACK! The Driver slumps, dead. Riva leans back against his car, gasping for breath. He recovers his pistol and heads for the shattered front door. 06/05
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Morgan is our wonderfully skilled in-house photographer and videographer. She has over eight years of experience in video production and photography. With her creative skills and top-of-the-line equipment, she is able to provide amazing marketing for all of our clients. From promotion videos and 3D tours to beautiful photos, she makes your house stand out!
Her passion for photography and video was discovered in 2010 when she was promoted from specialized videographer to the executive producer of her weekly high school news show. She went on to graduate from college in2015 with her degree in Film and Video Production Technology.


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