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White: Shinohara Masami 8 dan
Black: Sakata Eio 9 dan
Komi: none
Date: 1955–06–01,02
Shinohara Masami 8 dan, played white here and I black. For many years Shinohara was famous for his powerful game. Against my redoubtable elder colleague, I played black 41 with the intention of killing the white group in the upper right. Before this, the hugging turn of black 37 was the overture to the killing: without laying the groundwork like this, preparations would have been incomplete.
Without the move at 37, after black 41 white could play 1 through 9, and avoid being shut in and blockaded.
When black 37 is in place, black can follow the preceding sequence with a move at 1, slapping a lid on.
Even so, had white neglected to play 38, black would have taken the vital point of A, which would have been unbearable.
White's group in the upper right died and then black aimed at the stones clustered with white 50. The intention was to attack this group and with a single stroke decide the outcome of the game.
But again, it was necessary to prepare the ground before embarking on that course of action. Black 73 and 75 comprise the first step and then black 77 through 81 form the second step. Had white defended at A with 76, the seven stones would have practically safe, but then black B, white 76 and black C, extending out thickly (nobikiri) would make black thick all over the board, leaving white with little hope to salvage the game. The leaning tactic (motare) of black 77 and the rest is one of the most common "killing" techniques and is often employed. It would be devastating if white allowed black to block at 82, so white 80 and 82 are unavoidable. At this point, preparations are complete. Black can finally begin to attack white's seven stones in the center.
Black's all-out attack begins with 83. If black responds to white 84 with a move at A, white will follow with a play at 85, making it highly unlikely that the group will die.
Therefore, in hindsight white should have previously, by devising some particular move order, contrived to play this move at 84 as a forcing move (kikashi).
One of the charms of go is that getting in a move like this or else failing to do so, can completely alter the situation on the board. Mr. Okame Sanjin has composed Ten New Commandments of Go, one which states: Force (kikashi) without regret, but preserve all the nuances. In this situation, white should have played at 84 before and left it at that without regret. Black 85 is the strongest attack and I read the variations through to the end before playing it. Although the enemy is allowed into the right side position, this was justified by my confidence in being able to annihilate the group.
White 96 and black 97 are a matched pair (miai) of vital points.
Consequently, if white 96 is played at 97, black plays at 96, to be followed by white 3 through black 10: and with 11, in general white's group would manage to live, if only barely. But while allowing this, black next has the cut at 12 and white is left with a lost position.
In this variation, black must take care not to play stubbornly at 1 in an attempt to attack white's eye space: after white 2 through black 9, white plays 10 and the group in the corner that black worked so hard to kill enjoys a rebirth.
The upshot of both sides reading out these diverse variations was that white chose to try to escape below but…
Once the course is set for the "kill" and an all-out assault is mounted, halfway through one cannot get cold feet.
If black nonchalantly pushes out with 1 at A, white will play at 1 and there is a danger of an upset.
Black 7 and 9 are designed to unconditionally separate white's groups.
That is, the continuation is black 3 to white 6: then black 7 and white 8 make the point of A and the one at B a matched pair (miai), leaving black in trouble.
Also, if instead of pushing out at 3 in Sequence 5, black turns at 3 in this sequence, white 4 to 12 set up a race to capture (semeai), a failure for black.
With this the aim of killing white's group is realized, securing 100 points of territory on the right side and deciding the win.
Now, following this, two representative games from the earliest stage of go history have been selected from the praxis of the go saint Dosaku.
The following does not strictly relate to the theme of this book, but I would like to write a bit concerning Dosaku.
In my opinion, within the history of go there have been two principal revolutions. The first revolution originated with this man, the fourth hereditary Honinbo, Dosaku Meijin. Dosaku was born in 1645, during the suzerainty of the third Tokugawa Shogun, Iemitsu, and died during the rule of the fifth generation Shogun, Tsunayoshi, in 1702 at the age of 58. In his early thirties he became Meijin-godokoro and facing the masters of the other traditional go houses, that is: Yasui Santetsu, Chitetsu, Shunchi. Inoue Inseki, Hayashi Monnyu, etc., he was practically unbeatable, though those opponents played with the fixed advantage of the first move. It was said that, "Dosaku's power at go is equivalent to 11 dan."
As opposed to the disparate methods of play prevalent up to then, Dosaku developed a rational approach which established the foundation of logic for today's go world. In short, he devised the parsing analysis used today for breaking down the component parts of a sequence of moves (tewari analysis) and for this Dosaku is truly deserving of the honor he is accorded as a go saint.
If the reader is next wondering what the second revolution in go was, it occurred in 1933, when Messrs. Kitani and Go Seigen developed and began playing the New Fuseki.
When the New Fuseki was publicized, amateur players everywhere began playing on the star points, on the fourth line, on the fifth line, initiating battles in the center of the board; it was a glorious revelation. The current popularity of high pincer moves is attributable to the spirit of this movement.
115 moves. Sakata Eio wins by resignation.PK 鰃N.�!�� � OPS/ch0.xhtml
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© 1994, 2011 Yutopian Enterprises
Sakata Eio, Honorary Honinbo
Buy the full book at gobooks.com
A legendary work by a legendary player.
"Razor-Sharp" Sakata, so long at the forefront of the go world, produced, when he was at the height of his powers, a classic text on the theme of killing stones.
This work went through more than 100 printings during the late 60s! The English translation has been out of print for a number of years; we're excited to bring this book back to life in SmartGo Books.
Sakata conveys, with exquisite erudition, the thrill of the chase and the satisfaction of the winner when a well-planned attack bears fruits. At the same time, he offers a thumbnail sketch of the history of Go through the ages, masterpieces of attack from his own and others' games, fascinating glimpses into the nature of offbeat joseki and the shape of stones, as well as classic games which he fully annotates. One is the famous game between Meijin Shusai Honinbo and Karigane Junichi, hailed as a "group-capturing masterpiece played between the top players" of the day.
Sakata also fully annotates the first game he played without a handicap against Go Seigen.
The SmartGo Books edition of this tour de force makes it easy to replay the games directly in the diagrams. In addition, twenty-seven additional diagrams replace long sequences of letters that were hard to follow.PK 鰃N OPS/css/PK 鰃NH���� � OPS/css/style.css/* CSS for Go Books – https://gobooks.com */ /* Copyright © 2019 Smart Go, Inc. 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OPS/ch2.xhtml
Throughout the thirty-odd years of my career as a professional go player I have unwaveringly harbored one ambition concerning the publication of work concerning go.
Specifically, material on the opening, the middlegame, invasions, or else, life and death problems, tesuji, or, then again, a game collection, is not the framework that I have had in mind; instead, a completely new type of format. A work that can be read enjoyably, yet the reader would thereby, in the process of reading, assimilate at a single bound, a tremendous increase in aesthetic sense and power at the game. Only thus could a book satisfy my long-cherished desire.
The game of go offers boundless fascination.
If some of that limitless fascination could be communicated to the reader in an interesting way and from the standpoint of practical measures applied in real game situations… that has been my intention.
At this time, the publisher Ikeda Toshiko has responded to my wishes and after all these years I am at last able to freely fulfill my desire to my heart's content.
It is my fervent hope that the reader of "Killer of Go" will pause thoughtfully and reflect upon the idea that, well, this way of thinking, this way of playing, is a viable option, and approach his or her own game with freshly opened eyes.
Nothing equals the thrill of killing a large group of one's opponent's stones, but there are ten steps that one must master in order to understand the techniques involved, and, conversely, there is an art to knowing how to defend against these techniques as well. Please try to extract the essence of this book, take it to heart and make it your own, using the knowledge to beat the living daylights out of your favorite go rival! I am confident that this book will open vistas in the game of go that you perhaps have never, before now, been able to contemplate and savor.
The material offered here has been assembled and edited by Messrs. Okame Sanjin and Mihori Masa. They are the ones deserving of all acclaim and gratitude.
December 1967
Sakata Eio
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© 1994, 2011 Yutopian EnterprisesPK 鰃N OPS/js/PK 鰃N����M M OPS/js/gobooks.js// Replay diagrams in Go books – https://gobooks.com // Copyright © 2019 Smart Go, Inc. All rights reserved. var runEPubScripts = function() { var ePubCheck = document.getElementById('epub-check'); if (!ePubCheck) { return; } var ePubInfo = "This ePub reader supports JavaScript, but not the full ePub reading system. Interactive diagrams may work."; ePubCheck.innerHTML = ePubInfo; var rso = navigator.epubReadingSystem; if (!rso) { return; } ePubInfo = ""; var name = rso.name; if (name) { ePubInfo += name; } var version = rso.version; if (version) { ePubInfo += " " + version; } var hasDomManipulation = rso.hasFeature("dom-manipulation"); var hasMouseEvents = rso.hasFeature("mouse-events"); var hasTouchEvents = rso.hasFeature("touch-events") if (!hasDomManipulation || !(hasMouseEvents || hasTouchEvents)) { if (!hasDomManipulation) { ePubInfo += "
I have to begin with a word of explanation. The impulse of this book, "Killer of Go", is not to incite wholesale, indiscriminate killing of one's opponent's stones.
One kills what is there for the killing. Also, if unprotected stones are there for the taking, one is compelled to batten down the hatches and then use precision in executing the death blow. For this purpose, I would like to speak of the various and sundry techniques one must master.
And naturally, on the other side of the coin, amateur players aspiring to a higher level will necessarily want to read this book, "Killer of Go", in order to learn the best way to avoid having one's stones killed, and this matter too is addressed.
In the final analysis, there are two principal ways of winning at go. The first is to play slowly and deliberately, taking one's time and sparing no pains, something that comes naturally to the aged, something like a tree withering, in the same way as a smothering death creeps up; step by step the opponent is directed into a losing situation. For the most part, when professional players give teaching games, playing against a handicap, it is usual for them to adopt this strategy. The reason for this is that in the opening it is apparent that the handicap stones possess their greatest power and precipitating a pitched battle will be disadvantageous to white. Therefore, white will play in a restrained manner, seeking move by move, little by little, to readjust the balance of power in white's favor. In the process, the opponent typically will play lax moves or even ones that incur a minus, and it is not unusual for a handicap game to draw close in the endgame, with white winning in the late stages.
Among us professionals, the playing style of the late Takagawa Kaku was representative of this slow but steady method. Takagawa absolutely refused to resort to unsound play, and perfected the art of the long, drawn-out battle. In general, go differs from chess in that go is a game in which this kind of marathon-style strategy is appropriate. In chess, power points differ according to the pieces in play and the game is decided when one side's king is cornered. Therefore, it is not unusual to see blitzkrieg tactics used. However, in go each stone has the same value as any other one, with the outcome decided by the overall balance across the board. An impetuous, headlong rush into battle will not necessarily lead to success. As long as one's opponent does not make an egregious mistake, there is a long way to go before one is able to kill a large group of stones; this may be considered the true nature of the game of go.
But on the other hand, occasionally, as the situation demands, an early win comes one's way. In contrast to the long, drawn-out strategy, this is the second case referred to above, which in the world of boxing would be called a knockout. In other words, elaborating on the theme of a 15 round boxing match, fighting through to the end of that 15th round, and winning a decision on points is equivalent to the drawn-out winning strategy just discussed. The second winning style does not wait until the 15th round, but lands a fatal blow in the early rounds, flattening the opponent to the mat.
It is just this kind of knockout blow that appears in go as a slaughter of one of the opponent's important groups of stones. In such cases, there are various techniques that must be mastered in order to kill a group of stones, and one must also develop the necessary playing strength. This book has been written for this purpose: the 15 round boxing match is shown to be winnable early, in the third round perhaps, or maybe it is in the fifth when matters are settled; the point is that in go the game ends with a short number of moves. Spectators are also delighted and the participants are spared a difficult endgame to play out. And with a stirring win to savor, this kind of knockout should be sought, if possible, instead of the drawn-out win.
However, one cannot always land such a knockout blow on the opponent: things do not always proceed in that kind of ideal manner. No matter how superior a "killer of go" one might be, if the opponent offers no chink in the armor one cannot kill a group of stones.
Perhaps the reader is a lover of films and can anticipate another analogy. It is in Western movies that a "professional killer" appears.
Upon a barren landscape that stretches as far as the eye can see, beneath a scorching sun, the professional killer appears as a lone, solitary figure. With a six-shooter strapped to his hip, he sits atop a powerful stallion, reigning it in while stroking a three day growth of beard. Sand is kicked up by the wind. As he drifts through a prairie town he passes a wall filled with bounty posters offering dollar rewards. "Wanted dead or alive!" "Track down the varmint!" Then he leisurely sidles up to a saloon bar and tosses down a potent slug of whiskey. A lone wolf of a man, fast as lightning on the trigger, staking his life on being quicker on the draw than anyone. This wandering loner might be a famous fugitive from Texas or a vagabond from Minnesota…
In this book we will take this familiar figure of the Western hero whose special skill is in "killing" and use the context of go to examine the matter together.
In a real sense, as one plays a game of go, one may begin with the intention of playing the first, drawn-out strategy, but if the opponent pulls no punches, playing powerful moves, one must arouse oneself as well and rise to the occasion, not backing down a single step; not infrequently this will result in an unexpected capturing race (semeai).
It is said that when an author writes a novel, the pen may take over, leading the plot line into unexpected directions, but for the author, working alone, it is an inanimate pen which drags the story along. When there is a living opponent, and especially over the go board where fighting spirit is given great consideration, the very stones may seem to acquire a life of their own, and one can be plunged unexpectedly into a melee.
There is an expression: "forced by circumstances", which we professional go players use while giving our impression of a game we have played. "That two-step hane was forced by the circumstances." This is the kind of context in which the expression appears.
Undoubtedly go is a living thing and it is not compulsory for a game to proceed in the drawn-out style or for it to be dictated that the decision be established on points in the endgame.
Related to this is the agreeable circumstance that a "killer" never knows when opportunity may knock. In boxing, the opponent may let down his guard, sticking his jaw out for an instant, offering a perfect opportunity. This is the pride and joy of the "killer": taking advantage of a momentary lapse to flatten the adversary with a powerful punch of deadly impact.
There seem to be tremendous numbers of chances like these available, especially in amateur games. One constantly sees examples of players neglecting to secure life for large groups of stones.
If a large group ends up dead like this, the game is over. However, there are any number of cases where an opponent's group has been driven to the brink of destruction only to be let off the hook and allowed live at the last moment; or perhaps an unconditionally dead group finagles its way to become ko.
Actually, in the case of amateurs, and particularly in the beginner class, there are even more opportunities to kill large groups of stones. The principal explanation for this is that beginners tend to unreasonably try to rescue heavy groups of stones from dangerous situations. In an exchange of profit and influence (furikawari) for instance, stones that end up butting against the opponent's wall are just dead weight: their usefulness has ended and should be regarded as throwaway stones. Despite this fact, there are some who will grunt, roll up their sleeves and recklessly try to drag these stones to safety. This is precisely the case in which the "killer" is given a perfect target, and just like a fattened calf, the stones are afforded every opportunity to increase in size and desirability until they are finally lead to slaughter with no quarter given. The point here is that under no circumstances should a group of heavy stones be clung onto in a misguided attempt at rescuing them. Even if they should escape by the skin of their teeth, in the process the opponent is often given an ideal chance to build a large territorial framework (moyo). Remember the go proverb: "Knight's moves win running battles."
The next consideration is to make sure that one determines one's own move in accordance with the move of the opponent. A "killer" may aim at a vulnerable group of central stones, but immediately going for the kill may well fail due to insufficient preparation, so one tact might be to play forcing moves (kikashi) to the right, while on the left capping plays might be used. Should all of these moves be meekly answered, one may find that when the "killer" draws his pistol, that large central group of stones' escape routes have been cut. This often happens during handicap games, and if one merely responds to the stronger player's beck and call, one will never develop one's own game. One must play elsewhere (tenuki) at some point; if one can adjust one's thinking to the idea of ignoring an opponent's move, one can score a success at a single bound.
The third reason a beginner's large group of stones frequently die is that it is not uncommon for amateurs to badly misread situations.
One may be convinced that one's stones have plenty of scope for finding two eyes and is consequently lulled in the belief that no matter how one plays they will live, but when the surrounding areas are blocked, one then finds vital points being probed and that life cannot be secured. Or else, one may believe that all the stones of a group are connected, but then a stunning diagonal attachment appears from nowhere, splitting the group and leaving each of the separated portions with a single eye and death. This kind of thing happens all the time. We professional players also make mistakes in reading, so it is understandable how it can happen, but during a game the most frightening thing to contemplate is the possibility of such a misreading and the smacking of the "killer's" lips, the "killer" who has been patiently waiting for such a mistake.
The preceding discussion has explored the three principal reasons why beginners' stones can be killed. At the same time, it might be wondered whether we professionals never have stones killed, but that is decidedly not how it is. In the case of handicap games it is often said that —
"Sensei's stones cannot be captured."
— With these words, it is obvious that one is unwilling to go after the white stones, but one could hardly commit a greater mistake. No matter how great a teacher of go the Sensei may be, one-eyed groups of stones cannot live, and if one discovers that sort of weak point, one must attack it relentlessly. To do so is a concrete manifestation of one's developing skill.
Of course, if one's attack misfires one is left with a position that in chess is called "exhaustion of resources", while in go it is called "over-developed shape" (amarigatachi); so one cannot indiscriminately attack and still expect good results. But if an opponent's stones can be killed and one avoids to do so through fear or mistrust of one's ability, nothing could reek more of cowardice. That bane of handicap go: "Sensei's stones cannot be captured," should be banished from this day forward, to be replaced by: "Set to killing Sensei's stones." I heartily recommend this courageous attitude as being the best way to approach handicap go.
Among amateur players and then again, also in games between amateur and professional players, these circumstances prevail, but when considering the situation of professionals playing each other, the death of large groups of stones is quite an uncommon occurrence. Typically, professionals will read out life and death questions deeply before making a move, and if there is a suspicion that some stones may die, there is no attempt to cling to them: they are abandoned while the loss is small, and compensation is sought in an exchange (furikawari). Thus knockouts in these games are rare. This is perhaps natural: professional go players have the tenacity of sumo wrestlers, with low centers of gravity, difficult to topple, and avoid at all costs stepping outside the ring, spinning and grappling their way back to the center.
Despite this fact, various "killing game records" have been passed down since olden times, prominent among them the challenge match game between Honinbo Shusai Meijin and Master Karigane Junichi presented fully annotated in the latter half of this book, where the life and death of a large group of stones hinged on the result of a ko fight.
Ever since I was a youngster it has been my own style of play to always seek the greatest activity for my stones, even at the expense of creating thin positions and thereby giving my opponent an object of attack. The result of the game would depend on the life or death of these stones, and it often happened that my stones would pull through (shinogi) to decide the win; often enough that I was given the nickname of "Shinogi Sakata". Since shinogi has been a principal theme in my games, it is natural that "killing" would occur less frequently than in other players' games, but there too I have my share of "killing" games to my credit.
Besides selecting representative examples from among those games for the reader's perusal, other games from the time of the go saint Dosaku are offered, as well as those from the time of the other go saint, Shusaku. Ten games have been selected in which the outcome has been decided at the point of life and death and it is hoped that the reader enjoys them.
Even though in the final analysis "killing" is the theme, each of those games differs as to the exact cause of defeat. At the same time, the "killing" method differs in each case.
From that standpoint, I hope that the reader will savor these points while examining the individual games.PK 鰃N:g��J J OPS/ch1.xhtml
Published by
Yutopian Enterprises
2255 29th street, Suite #3
Santa Monica, CA 90405
ISBN of print edition: 0–9641847–0–2
© 1994, 2011 Yutopian Enterprises. All rights reserved according to international law. This book or any part or parts hereof may not be reproduced in any form without written permission from the publishers, except for short excerpts as a part of a written review.
Originally published in Japanese by Ikeda Shoten under the title of Go no Koroshi-ya
Photo on cover courtesy of Harry Fleener
I will teach you the way you should go;
I will instruct and advise you.
Ps. 32:8 GNB
Conversion to SmartGo Books by John Mifsud
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// Articles
How to Blow People's Minds at Your Gigs
Article Series: Mewzo vs Monkey
Seamus Anthony's blog is about how the Musician (aka Mewzo) must first win "the battle" in the mind. Old Zen geezers call the problematic aspects of the mind "The Monkey". If you can tame the Monkey by getting your thinking right then happiness and success as a musician, on your own terms, are within your grasp. It's Mewzo Vs Monkey - let the battle begin!
How to Blow People's Minds at Your Gigs
You can turn the innate human desire for love, appreciation and acceptance around and use it to blow minds at your gigs. How? By realising that when you play gigs, you are servicing this need for Love in your audience.
If you look out at the crowd and ask yourself "Why are they here?" you will come to realise that underlying all their conscious, superficial motivations, lies the same desire to be loved. So by giving them what they want you can draw the audience in to truly listen and pay attention to you and your music by … loving them.
OK that sounds wishy-washy right? But in fact it's not.
Consider this: How do you actively show someone that you love them?
Respect Them
"There is no respect for others without humility in one's self" – Henri Frederic Amiel
Loving someone has a lot to do with respecting them. People crave this, so give it to them. Respect your audience.
If they just want to talk, let them. If they yell something out, respond in positive way. If you are having a shitty time on stage, respect the audience by resisting the urge to pout and sook. If they paid to get in – thank them in advance and then play your heart out for them – give them their money's worth.
Serve Them
"You will get all you want in life if you help enough other people get what they want" – Zig Ziglar
Love is, in essence, all about service. The best way to satiate the audience's desire to be loved is to serve them with all your might. Entertain them as best you can. Ease their stress by making them laugh. Sing or play so passionately that you move them to tears, helping them to cope with the pressures of their lives.
Play some songs they know. Play any requests. If they just need backing music tonight while they chat amongst themselves, then service that need without letting your ego get in the way (not always easy, I confess).
Remember: the way to get what you want is to give people what they want.
Set Them Free
"If you love somebody, set them free" – Sting
Love serves people by giving them what they need and people have a fundamental need to be free.
Try to cage a lover in, to posses them by manipulating them – you will probably lose them. Same goes for audiences.
If your audience can tell that you are trying to manipulate them, which is surely not an act of love, they will reject you. Be authentic; don't just say things because you read about how to work a crowd. The crowd is not stupid, it has many brains, each one highly tuned to detect bullshit a mile away.
If you try to squeeze them for adulation, attention and respect, they will be repelled and refuse to give it you. It's just like a relationship: if you're desperate and demanding, you tend to turn your lovers away, if you just let them love you however they see fit, you attract love like a magnet.
Lead Them
People crave authentic leadership, leadership that is love-based in that it has the best interests of everyone concerned at heart. If you have enough self-belief and self-respect, you will innately believe in and respect every person in the audience, and this confident, liberated energy will attract people like flies to honey.
People are attracted to those who vibrate with enlightened energy. They are attracted to this energy because they need it for themselves, and because this energy, which is wholly composed of love, freely gives of itself – and that's what people want, remember? Love!
So lead with love and your audiences will willingly eat from your hand. Word.
Listen to and/or download Seamus Anthony's brand new single at www.SeamusAnthony.com and come see him "blow minds" at the all-new Melting Pot "Songwriters In The Round", July 1, 2pm, Wesley Anne, Northcote.
The views expressed in this article are the views of the author and not necessarily the views of Melting Pot.
Author DetailsSeamus Anthony
Seamus Anthony makes music in the Bar Romantic genre. His sound is similar to Tom Waits, Nick Cave, Leonard Cohen and Johnny Cash – but more Australian. Enjoy with a twist of black funny.

subset: commoncrawl


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Checking in with the alternate reality versions of Arnie and the crew, transmitting from a B-movie science fiction universe. Secrets are revealed.
Arnie: Arnie Niekamp
Chant the Space Angel: Adal Rifai
Dr. Ulrich Zadore: Matt Young
Sarah: Sarah Maher
Mysterious Man: Tim Sniffen
Tricia: Kate James
Craig: Ryan DiGiorgi
High Time Queen: Brooke Breit
Producers: Arnie Niekamp, Ryan DiGiorgi, Evan Jacover
Editor: Garrett Schultz
Theme Music: Andy Poland
Hello from the Future Theme Song: Nick Gage
Magic Tavern Logo: Allard Laban
Hello from the Future Logo: J. Douglass
Audio Assistance: Jason Knox
Production Assistance: Garrett Schultz
Special Thanks to Andi Kristins. Royalty Free Music from Bensound.
4 Comments
Victor Sturm · March 11, 2019 at 7:17 am
This may be the greatest HftMT of all time. The theme alone was a thing of sublime beauty. I feel like the entire narrative arc of the show was bending to this one moment of perfection. Thank you.
Josh · March 11, 2019 at 9:29 am
This was a fantastic anniversary episode. Tim Sniffen's enigmatic narrator makes so much sense as a Klytus type. Can't wait for that pink T-shirt that says "Arnie" in big yellow letters.
Crabby · March 17, 2019 at 11:32 pm
Ugh…not a good episode. On the positive side, the intro song was SPECTACULAR!
However, far too much time was wasted on Sarah and Tricia, who just are not funny at all.
Hoping next week's episode is an improvement.
Leave a Reply to Crabby Cancel reply


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Pumpkin Spice Muffins - Gluten-Free & Dairy-Free
Pumpkin Spice Muffins - Gluten-Free & Dairy-Free
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Chef's Note
"This recipe makes a big batch (approximately 24!) of moist gluten-free, dairy-free pumpkin muffins that can be refrigerated or frozen. This recipe was designed specifically for "I Can't Believe It's Not Gluten! Gluten-Free Cake Flour Mix" as the gluten-free baking mix but you should be able to substitute any light, gluten-free flour mix that contains guar or xanthan gum."
READY IN:35mins
YIELD:24 muffins
Ingredients Nutrition
- 2 1⁄2 cups gluten-free baking mix (must contain xanthan or guar gum)
- 3⁄4 cup coconut flour
- 1 (15 ounce) canunseasoned pumpkin puree
- 1 teaspoon salt
- 1 cup vegetable oil
- 2 teaspoons baking soda
- 1 cup brown sugar or 1 cup sucanat
- 1⁄2 cup maple syrup
- 1⁄2 cup water or 1⁄2 cup milk
- 2 tablespoons pumpkin pie spice
- 4 eggs
- Preheat oven to 350°F
- Mix all dry ingredients in a large bowl.
- Whisk wet ingredients together in a separate bowl, then fold into dry mixture.
- Whisk all ingredients until combined and smooth.
- Place muffin liners into two 12-muffin pans, and spray the insides of the papers with baking spray.
- Distribute batter evenly between muffin liners (approximately 1/4 cup each). Bake for 20-25 minutes.


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Conducted by James Conlon
In French with Projected English Translations
Spoiler alert: this one doesn't end well for either of them.
Lost in the forest, a hunter encounters an ethereal beauty with a mysterious past (and the lushest locks in opera—sorry, Samson!). Returning home as his new bride, she grows increasingly close to his handsome younger half-brother. Conducted by James Conlon (who "never fails" according to Variety), Debussy's sensual, exquisitely nuanced score captures an enigmatic dream world where forbidden love blossoms.
Kate Lindsey and Yunpeng Wang star as the secret lovers, with Willard White as King Arkel.
Available as part of a package now; general on-sale begins June 20. Follow us on social media or join our email list for advance sales and updates.
Subscribe Now and Save!
Estimated running time: three hours and five minutes, including one intermission
Act IScene 1 – In a forestPrince Golaud of Allemonde has been out hunting but is now lost. He notices a young girl by a pool. There is a crown in the water. The girl refuses to let Golaud retrieve it for her. Golaud gradually learns that she too is lost, having fled an unknown place, and that her name is Mélisande. Golaud persuades her to leave the forest with him.
Scene 2 – A room in the castle, six months laterGeneviève, mother to both Golaud and his half-brother Pelléas, reads a letter to the almost-blind Arkel, King of Allemonde. It has been written by Golaud to Pelléas and relates how Golaud has married Mélisande but knows as little about her now as when they met in the forest. Golaud is worried that Arkel, his grandfather, will not accept the marriage, so he asks Pelléas to send a sign that all is well: a light in a tower signifies that Arkel blesses the couple.
Pelléas enters, crying. He wants to visit his dying friend, Marcellus, but Arkel reminds him that his own father is very ill too and that he must stay at home. Geneviève tells Pelléas he must light the lamp in the tower for Golaud.
Scene 3 – In front of the castleGeneviève and Mélisande walk together in the dark gardens, where they encounter Pelléas. They watch a ship put out to sea. Mélisande recognizes it as the one that brought her. She believes it will sink. After Geneviève has left to look after Yniold, Golaud's son from his first marriage, Pelléas offers Mélisande his hand to guide her. He says that he may have to go away the next morning. She asks him why.
Act IIScene 1 – A well in the castle gardensPelléas brings Mélisande to a shaded well, out of the oppressive heat. As she reaches out into the well, Mélisande's long hair falls into the water. Pelléas asks her about her first meeting with Golaud, but she is unwilling to answer his questions. She plays with the ring Golaud gave her; she throws it too high and it falls into the well. Mélisande asks Pelléas what she should do. He replies that she should tell Golaud "the truth."
Scene 2 – A room in the castleMélisande sits beside Golaud, who is in bed, injured. He was thrown from his horse as the clock chimed noon, the same time Mélisande lost the ring in the well. Mélisande says she is unhappy in the castle and wants to leave. As Golaud seeks to comfort her, he notices her wedding ring is missing. Mélisande says she must have lost it in a cave by the sea where she went looking for shells for Yniold. Golaud demands that she find the ring, and that she take Pelléas if necessary to help her.
Scene 3 – A caveAt night, Pelléas accompanies Mélisande to the cave. The moon casts light inside, revealing sleeping beggars. Pelléas explains that there is a famine in the land, and that these impoverished people have sought refuge in the cave.
Act IIIScene 1 – A tower of the castleMélisande combs her long hair at a high window. Pelléas appears. He intends to leave the following day and would like to kiss her hand. As Mélisande leans out, her hair falls, and he kisses that instead, trapping her by tying it to the nearby branches of the trees. Golaud suddenly arrives. He angrily tells the pair to stop behaving like children and leads Pelléas away.
Scene 2 – The castle vaultsGolaud forces Pelléas to look into a stagnant well.
Scene 3 – The entrance to the vaults, noonGolaud warns Pelléas not to continue his childish games with Mélisande. She may be pregnant and mustn't have any unexpected shocks. Pelléas should avoid her as tactfully as possible.
Scene 4 – In front of the castle, dawnGolaud questions Yniold as to what he knows about Pelléas and Mélisande. Yniold offers few answers. Golaud lifts him onto his shoulders so that he can see into Mélisande's room. She is there with Pelléas. Yniold reports that they are looking at the light. Frightened, he struggles and begs to be let down. They leave.
Act IVScene 1 – A room in the castlePelléas tells Mélisande that his father is recovering his health and has urged Pelléas to leave on his travels. Pelléas and Mélisande arrange to meet for a final time at the well in the gardens.
Scene 2 – The same roomArkel tells Mélisande that he felt deeply sorry for her when she first arrived with Golaud, but now hopes for a brighter future. Golaud storms in, bleeding—wounded apparently by a thorn. When Mélisande tries to help him, he demands his sword. Mélisande is terrified. Mocking her innocent demeanor, he grabs his wife by her hair and drags her across the floor. With her husband out of the room, Mélisande tells Arkel that Golaud doesn't love her any more.
Scene 3 – A well in the castle gardensYniold is trying to free a ball from under a stone. He sees a shepherd approach with his flock. The sheep are bleating in fear. He calls out to the shepherd to ask why. A voice replies that this isn't the way to the fold. Frightened, Yniold runs off.
Scene 4 – The same well, nightPelléas is joined by Mélisande. They finally declare their love for each other. They hear the castle doors being locked and are resigned to their fate. As they kiss, Golaud emerges from the shadows. He kills Pelléas. Wounded, Mélisande flees, pursued by Golaud.
Act VA room in the castleMélisande has given birth to a baby girl. A doctor is bewildered as to why she is fading away when her wounds are so slight. Alone with her, Golaud asks for Mélisande's forgiveness. Mélisande maintains her innocence, though Golaud continues to press her for the truth. Arkel returns with the baby. Mélisande sees that the baby doesn't cry. Mélisande dies.
Synopsis courtesy of Scottish Opera
© 2019 Los Angeles Opera. All Rights Reserved


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news article
Urgent need for cleaning kit supplies
Recent flooding in Seneca County and throughout Pennsylvania has caused a shortage of UMCOR flood buckets within the Upper New York Conference.
UNY Mission Central HUB is in great need of UMCOR cleaning kit supplies and help assembling and verifying buckets. While some of these buckets are used to help our own area, they're also used around the world. According to Mike Block, Director of Missional Engagement, and Joe Auslander, UNY Conference Disaster Response Coordinator, warehouse contents are limited, and help is critical at this time.
Click here for a list of UMCOR certified supplies used in cleaning kits and click here for your closest drop-off location. If you or a few friends can help assemble kits in the very near future at the UNY Mission Central HUB, please contact Mike Block at (315) 898-2066 or email@example.com.


text: Back to list Service & repair 12 Nov 2018 09:28 'Opportunistic' fraudsters the focus for City of London Police in nationwide clampdown • IFED targeted 'opportunistic' fraudsters in week long operation across England and Wales • 20 were interviewed and eight were cautioned for their fraudulent claims • One woman claimed she'd tripped over a pothole but CCTV revealed it wasn't the case • The total reserve held by the insurers on the fraudulent claims amounted to £261,540 'Opportunistic' fraudsters, such as those who make 'slip and trip' claims or exaggerate the value of item (s) lost or stolen, were the focus for the City of London Police's Insurance Fraud Enforcement Department (IFED) in a week long nationwide enforcement operation. A total of 27 people were targeted across England and Wales* between 5 November and 9 November 2018, all of whom IFED suspected had submitted a fraudulent claim to their insurer to try and make a financial gain. This initial figure eventually rose to 32 after two interviews led to a further five suspects being identified by IFED officers. 20 were interviewed**, of which eight have been cautioned, while the other 12 denied the allegation and have been released under investigation***. The total value of the claims made by these people against the insurance industry amounts to £261,540****. In one of the cases, a fraudster claimed that he'd been involved in a road traffic collision while on his motorcycle, which resulted in loss of earnings and required medical treatment. He would've received payment of £7,500, but CCTV showed that the man wasn't in fact on his bike at the time and the claim was rejected. Officers also interviewed a woman who bought pet insurance just hours after her cat had undergone treatment for a broken tooth and then made a claim to try and get the insurer to cover the costs. IFED received referrals involving these types of claims from 15 insurers, including Admiral, Ageas and Tesco Underwriting, Allianz, AXA, Direct Line Group (DLG), Esure, Hiscox, Lloyds Banking Group, Motor Insurance Bureau (MIB), NFU Mutual, QBE, RSA, CiSCOGlobal Solutions and W.R. Berkley Syndicate. This follows a similar operation that IFED carried out in May 2018, which also targeted 'opportunistic' fraudsters. It included one man who was cautioned for submitting a fraudulent personal injury claim to his insurer stating that he'd been dragged along by a bus when he tried to get on. In reality, CCTV revealed his claim to be false and the man was seen getting on the next bus and sitting down, completely unharmed (*****Link to CCTV footage in notes to editors). In 2019, IFED have three more week-long operations planned in order to continue to target opportunistic fraudsters and also other types of insurance fraud. Detective Chief Inspector Craig Mullish, acting Head of the City of London Police's Insurance Fraud Enforcement Department, said: "'Opportunistic' fraud is different to other types of insurance fraud, such as 'crash for cash' and ghost broking, in that often the claim made by the fraudster isn't pre-mediated and hasn't involved a high amount of planning. "They see a chance to make a financial gain and go through with it, completely underestimating the severity of their dishonest actions and the impact it has on the cost of insurance premiums, which become higher for everyone. "We're confident that these week long operations will send a clear and forceful message to anyone who is thinking of making a fraudulent claim and deter them from doing so in the future." Anyone who knows or has suspicions of someone committing insurance fraud, even if it's a family member or friend, to report it online or by phone to Action Fraud 0300 123 2040 or the Insurance Fraud Bureau's Cheatline 0800 422 0421.


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Trending star Park Hyungsik (박형식) and SHINee Key (샤이니 키) will become gangster in the upcoming musical, "Bonnie & Clyde (보니앤클라이드)".
Tag Archives: Key
Korean Idols for May 2012 Magazines
April is coming to an end and the weather in Korea is getting warmer. Many Korean idols showcased the mid-spring fashion through magazine's pictorials with bright colors and flora prints. Let us take a look.
Choi Minho (SHINee)
SHINee reveal their shiny skin for ETUDE HOUSE
Say hello to SHINee as they are currently the new male spokesperson for ETUDE HOUSE (alongside with Sandara Park of 2NE1)!
Korean Fashion For Men: Airport Fashion Part 2
As mentioned from my previous Airport Fashion Post, Korean celebrities will always be the centre of attention in the Airport as reporters are waiting & ready to snap pictures of them. However, it is more important for them to dress up comfortably for the flight. In this post, I will cover awesome Airport Fashion of members of SHINee and B2ST/BEAST and how they dress up casually yet in style.
BEAST left for Japan for United Cube Concert (유나이티드 큐브 인 재팬) at about 8:30am at Gimpo Airport today (24 Aug 2011). It'll be held at Tokyo's Nippon Budokan (日本武道館) on 25 Aug 2011. BEAST displayed awesome fashion, let's check them out!
SHINee's Singapore Concert details
K-pop fans in Singapore out there. SHINee, which consists of Onew, Jonghyun, Key, Minho and Taemin, will have their concert in Singapore on the September 10th. Ticketing will commenced on July 30th.
Korean Fashion For Men: SHINee Style
SHINee made their debut in 2008 with the single "누난 너무 예뻐 (Replay)", which literally means. "Older Girl, You're So Pretty (Replay). Since their debut, SHINee has attracted older girls (and younger girls) who want to be SHINee's "Juliette". On the other hand, Korean guys follow their trend which is known as "SHINee trend" in Korea.
SHINee's style consists of bright coloured T-shirt with sweater, sneakers, colourful accessories and bright coloured skinny jeans. Let's take a look at their style.


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SOURCE: Aristocrat
May 19, 2016 13:23 ET
TEMECULA, CA--(Marketwired - May 19, 2016) - When Aristocrat unleashed the original The Walking Dead™ Slot Game, the gaming industry named it "Slot Product of the Year," and players herded to the game, naming it the #1 best penny slot, among others. Now the highly anticipated follow up game, The Walking Dead II™ Slot Game, is making its world premiere today at Pechanga Resort & Casino.
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Heavily themed to the action in the show's season three, this new game includes features like a random Michonne Attack bonus, Reel Growth for up to 300 lines, and Wild Horde multipliers. Other bonus features include Governor Jackpot Bonus and Governor Free Games.
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Aristocrat's The Walking Dead II(TM) Slot Game makes its world premiere today at Pechanga Resort & Casino in Temecula, Calif.
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- This event has passed.
Super Bowl Watch Party
February 3, 2019 @ 5:30 pm – 9:30 pm
Super bowl watch party and fundraiser at American Pie Pizza Maumelle for the Brody Nosal Scholarship. $10 beer buckets, $2 drafts, $3 wells, $15 Spicy Veggies and Hog Wild pizzas! There will also be door prizes! A portion of sales will go to the scholarship in Brody's name.


text: Karate in Kinshasa and in the rest of the world, is a great sport for making children disciplined. The heat and the lack of places to run may make your child a bit nervous or on the contrary, a bit tired or slow. This is the reason why doing Karate is a great option for … More Karate


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We were so lucky to explore Baltimore with this awesome couple on their wedding day. The weather was gorgeous and they were a blast! It all started on the top floor of The Four Seasons Hotel, followed by a beautiful ceremony at Holy Cross Church, and ending at the super cool and unique Bar Vasquez. It was definitely one for the books!
Bride Prep at The Four Seasons Hotel in Baltimore
Mom's are just the best, and Catherine's managed to land them in an amazing suite on the top floor of The Four Seasons. There were windows everywhere! Catherine also had to show me the shower... and upon inspection I could totally see why, it was insane. She actually confessed to calling the front desk to turn it off, haha! The planners from Intrinsic Weddings and the hair and makeup team from About Faces were an absolute pleasure to work with, and did a fabulous job! The florals by Blush Florals and stationery by Anchor Point Paper Co. were both beautiful as well. We had some fun popping confetti while we photographed the girls in their matching robes and then grabbed some portraits and headed for the church.
Groom Prep at Home in Baltimore
Wedding Ceremony at Holy Cross Church in Baltimore
Wedding day portraits around Baltimore
We had planned on heading to a park after the ceremony, but as we always say, sometimes you just gotta go with the flow. Luckily we had these sweethearts who were up for anything, and had a flexible planner, haha! It turned out that trees and flowers were blooming all along the street where the church was so we asked Mark and Catherine if they were up for skipping the Uber, hopping in my super stylish minivan so we could jump in and out as we pleased. It worked out perfectly! We were able to make a couple of stops, and get to the reception earlier than planned. They rocked it!
Wedding Reception at Bar Vasquez in Baltimore, Maryland
We have been excited about this venue for quite a while, and it did not disappoint! The whole vibe of Bar Vasquez was just awesome, and the staff was very sweet and helpful as well. Catherine and Mark were originally getting married at a NJ venue, which suddenly closed it's doors forcing them to relocate the event. They took it in stride, and we think it might have worked out for the best...it is definitely one of our favorites to date! The members of Black Tie kept the dance floor packed and rockin'. We couldn't even contain ourselves from bopping around a little when they dropped those 90's beats, haha! It was a wonderful day from start to finish and we couldn't be happier to have been a part of it. Congrats to the newlyweds!


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Naseer Electrical Enterprises was incorporated in the year 2011 as a partnership firm, and built on the experience and hard work of its Managing Partner A. Shaik Dawood, who is ably assisted by his two sons Shaik Naseer and Shaik Firdose.
Located in its own office premises in the heart of Bangalore, Naseer Electrical Enterprises has in a short period of time earned an excellent reputation for its quality, efficiency and timely completion of both small and large electrical projects across the city of Bangalore and Hyderabad.
Naseer Electrical Enterprises has its Registered Office in Bangalore City and set up its first Branch Office in Hyderabad, and has plans to enter into other potential markets in South India
Naseer Electrical Enterprises has its own elegant Registered Office at,
#72, "NASEER PEAK", 3rd Floor, M.M. Road, Fraser Town,
Bangalore 560 005
This highly equipped office with the latest technological support is ready to meet all electrical contracting business in Software Facilities, Commercial Complex, Group Housing and Apartments, Factories and Industries, Biotechnology facilities, Hotels and Resorts, Educational Institutions as well as Sub Stations.


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Saratoga Horse Racing Travel
Saratoga is a stimulating yet relaxing destination any time of year, but never more so than during racing season. Every summer, ravenous horse racing fans flood Saratoga Springs, but your visit doesn't have to be overwhelming. Use this guide to learn about Saratoga's racing venues and places to stay, and get insider tips for how to get the most from the city.
Saratoga Horse Racing Venues
Ready for the races? Follow the links in this section to learn the ins and outs of navigating ... read more »
Saratoga Racetrack Accommodations
Before you rush to book the first available room, have a look at our insider tips and picks for less crowded, off the beaten path hotels in Saratoga that are just close enough to the racing action.
Insights for Saratoga Racetrack Accommodations
Saratoga Springs hotels and roadways are understandably packed during racing season. By staying at a hotel a bit further away but still easily accessible via highway, you'll have a less stressful trip.
Top Sites for Saratoga Racetrack Accommodations
The Century House The Century House is a good choice if you're flying into Albany International Airport, and is within 20 minutes of Saratoga by way of Routes 9 and 7. The hotel also has an intriguing history.
Hampton Inn of Clifton Park Hampton Inn of Clifton Park is a reliable choice of hotel just far enough (about 15 minutes) from the race day excitement of Saratoga.
The Desmond Hotel The Desmond Hotel in Albany is a moderately priced yet luxurious hotel about 24 miles from the racetrack via the New York State Thruway.
Saratoga Extras
Local blogs are often full of knowledge and tips you'd never find in the mainstream media. For ... read more »


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Rosanna joined the dating website 'Match.com' and met a man who called himself Marc Campbell.He said he was a widower and seemed nice and caring. Marc Campbell seemed the gentleman and possible soul mate she could spend her life with – and it appeared to be mutual.Although they never met in person, Rosanna and Marc e-mailed and spoke on the phone for months.
When Rosanna Leeman went online she hoped that the Internet would help her find love and a new partner.
After a failed marriage, the 48-year-old Ayr, Ontario resident was looking for her second chance at romance.
At first Marc Campbell declined Rosanna's offer but eventually he relented, promising to repay the money she advanced. It wasn't until weeks later that she found out that it was all a con – her money had vanished along with Marc Campbell.
"I was mortified." Rosanna told W5's Sandie Rinaldo. According to the Canadian Anti-Fraud Centre, romance fraud is the number one scam in Canada in terms of dollars lost.
"I've gone through your profile so many times," he wrote.
"You sound exactly like a woman I would love to get along with.You can flirt without the awkwardness of seeing someone face to face and if there is no love spark, you can hit delete and carry on. Many of us know couples who met online and went on to have meaningful relationship.But a joint W5- investigation found a sinister online world where crooks and conmen lurk, pretending to be lonely hearts but in reality are seeking to empty bank accounts, and quickly move on – jilting their victims.It's a lesson Rosanna and Ellen learned the hard way."It's easy to fall into the trap it really is" said Rosanna.She has the unfortunate distinction of reporting to the Anti-Fraud Centre the largest amount of money lost to a romance scam in Canada.


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Cats Coloring Pages Published by Administrator on November 16, 2018 at 9:31 am.There are 16 images in the gallery of Cats Coloring Pages. Find All Coloring Ideas for Your Inspiration Today on Uncategorized Category.
See more delightful ideas cats coloring pages cat sheet mendicharlasmotivacionalesco on Uncategorized Topics.
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Gloria Bartle
Benedictine High Detroit, MI Class of 1961
Memories of Gloria Bartle
Are you Gloria Bartle?
This page means someone is someone is looking for you. Register for free to let other alumni contact you and more:
- Let others find you
- Contact old friends
- Share photos and memories with other registered alumni
Looking for Gloria Bartle?
This is a placeholder page for Gloria Bartle, which means this person is not currently on this site. We do suggest using the tools below to find Gloria Bartle.
About placeholder profiles
You are visiting the placeholder page for Gloria Bartle. This page is here because someone used our placeholder utility to look for Gloria Bartle. We created this page automatically in hopes Gloria Bartle would find it. If you are not Gloria Bartle, but are an alumni of Benedictine High School Detroit, MI, register on this site for free now.


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Want to know more about where we operate?
Browse through the listings below to see where we work and how you can get in touch with us.
Please select region on the left
Hyderabad Office
1st Floor, Mid-Town Plaza
Road No. 1
Banjara Hills, Andrha Pradesh
Hyderabad , 500033, India


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Melvin Curry
Harlingen High
Memories of Melvin Curry
Are you Melvin Curry?
This page means someone is someone is looking for you. Register for free to let other alumni contact you and more:
- Let others find you
- Contact old friends
- Share photos and memories with other registered alumni
Looking for Melvin Curry?
This is a placeholder page for Melvin Curry, which means this person is not currently on this site. We do suggest using the tools below to find Melvin Curry.
About placeholder profiles
You are visiting the placeholder page for Melvin Curry. This page is here because someone used our placeholder utility to look for Melvin Curry. We created this page automatically in hopes Melvin Curry would find it. If you are not Melvin Curry, but are an alumni of Harlingen High School, register on this site for free now.


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Lily James cried when she met Streep for the first time
Los Angeles April 15 (IANS) Actress Lily James burst into tears the first time she met her idol and veteran actress Meryl Streep.
James 29 who portrays Streep s character Donna s younger self in the sequel of "Devil Wears Prada" and was overcome with emotion when she was waiting to meet Streep on set reports femalefirst.co.uk.
Speaking in an interview with a digital magazine James said: "Meryl was singing this song in a chapel and it was so emotional. I was sat outside knowing I was about to meet her. And crying. And it was like Hold it together Lily it was too much."
James tried not to focus on Streep while filming but in her spare time she was cramming in research into the character and her co-star.
"I tried not to focus on the Meryl Streep-ness of it all but tried to focus on the Donna Sheridan-ness of it all. Having said that I did go through all of Meryl s movies especially stuff from when she was younger. I loved watching Postcards from the Edge - there s a spunky kind of madness where she sings in that - and even Death Becomes Her ."


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An introduction by Ralph Barker
Gavin Booth and Sholto Thomas report on the weekend in Llandudno
A travelogue from Philip Wallis
A look ahead to the new format by Gavin Booth
Published five times a year and containing a wide spectrum of articles on current and past practice, of interest to enthusiasts and industry personnel alike. It is fully illustrated and has overview news of route developments from all areas, plus a diary of Society events and notices.
Cyril has been a member of The Omnibus Society since 1966 and took over as Editor of The Omnibus Magazine in 2007 following retirement from a public transport career spanning 45 years. On leaving school in 1961 he joined CIE (the Irish state transport organisation) as a clerk, working in rail, road freight, road passenger and computer departments before becoming a Press Officer in 1968. On re-organisation of CIE in 1987 he became Media & PR Manager of Bus Éireann and was Fleet Planning & Control Manager from 2004 until retirement in 2006.


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Whenever you want to perform a clean installation of Windows 10, releases to a previous version of Windows 10 as you are not ready for version 1809 (October 2018 Update), or sometimes your device is having problems with the latest version, but still it is possible to download the ISO file for the Windows 10 version 1803 to rollback.
Usually, when a new version of Windows 10 launches, Microsoft automatically updates the Media Creation Tool and then Update Assistant to upgrade devices to the latest release. This simply means that if you install the October 2018 Update, you won't be able to use these tools to downgrade if you are having issues or if you don't like the Update.
Below we discuss complete stepwise guide to download the ISO file, for this, you only need to go to the Microsoft support website that you are using an unsupported operating system.
Steps to Download the ISO File for Windows 10 Version 1803
The below given steps will guide you how to download the ISO file by using the Microsoft Edge, but you can do the same thing by just using Chrome or Firefox by using these simple steps. Here how to do it:
- Click to open a new tab on Microsoft Edge.
- Now, copy and paste the below given Microsoft support site link: https://www.microsoft.com/en-us/software-download/windows10ISO in the address bar.
- Then, hit the Enter key.
- Then, right-click on that page and choose Inspect Element option.
- After that, click on the Emulation option.
- In the "Mode "section, change the user agent string to the Apple Safari (iPad).
- Now, if your browser doesn't load automatically, then click on the Refresh tab to refresh the browser.
- Scroll down the menu, and choose the Windows 10 April 2018 Update option.
- After that, click on the Confirm button.
- Next, from the drop-down menu choose your product language.
- Again, click on the Confirm button.
- Click on the 32-but download or 64-bit download button depends on the architecture you need.
Once you completed the steps, then the ISO file for the older version of Windows 10 download on your system.
Devin Smith is a Microsoft Office expert and has been working in the technology industry since 2002. As a technical expert, Devin has written technical blogs, manuals, white papers, and reviews for many websites such as office.com/setup.


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Download the Chrome " Hola Better Internet" extension Firefox " Hola Unblocker" Add- on. Learn here how to download & install Hotstar For iPhone/ iPad.
Jan 07 one of its long- standing rivals, · Apple AAPL recently partnered with Samsung, to make iTunes content available on the latter' s smart TVs per CNBC. That opened on April 28,, as a result of Steve Jobs' push to open a digital marketplace for music. Ready to cut the cable and free yourself from the glut of commercial programming? Here are the latest movies television shows . How to download movies in apple ipad 2 from netflix.
The iTunes Store is a software- based online digital media store operated by Apple Inc. How to download movies in apple ipad 2 from netflix. Want to know what' s new on Netflix in 4k Ultra HD and HDR? How to Use Apple TV.
Netflix has apps for pretty much every device under the sun like iPhones refrigerators ( probably) , Apple TVs, iPads, cable boxes more. Watch Netflix films & TV programmes online Mac, game console, PC, stream right to your smart TV, mobile, tablet flix is finally allowing users to download content to watch offline.
Watching Netflix on a computer is by far the easiest method. Unplug your device from power for at least 1 minute. We' d been asking for it for years, but in.
If you are looking for best movie app on your iOS device then here is the Showbox for iPad iPhone. If the Netflix app crashes live television, takes you back to your device' s menu screen , closes you may be experiencing an issue with your device. Apple approves each app individually ensuring that it ( mostly) does what it claims it will do the worst of the bugs are flix Com Activate - Easy steps to activate / activate.
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Answers to questions not yet asked: Informatics strategy applied to scientific questions
Recorded On: 02/05/2018
The amount of scientific data generated in current life science research is too large to be analyzed without informatic tools. While automation and new statistical algorithms provide useful tools for the analysis of large amounts of data, one also needs to ask the appropriate scientific questions to pursue discovery. This presentation will describe how we used different technologies to address the specific needs in various scientific domains in a sustainable way. Topics such as software architecture, data integration, visualization will be considered.
Yohann Potier
Novartis Institute for Biomedical Research
Yohann is a Senior Principal Analyst at the Novartis Institute for Biomedical Research. He studied biotechnology and informatics in France followed by a Ph.D. in computational chemistry at the University of Zurich. Yohann joined PerkinElmer Informatics (formerly CambridgeSoft) as a business analyst where he worked with various life sciences customers to deliver informatics solutions. He has been working for the past 3 years at Novartis in the Scientific Information Systems team. During this time, Yohann worked with scientists and engineers from Novartis providing Informatics tools to perform cutting edge biology research in a collaborative open science environment.


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In this post I'll discuss what a desync is, why it happens, and how to stop you from desyncing with others.
First of all, a desync occurs when something different is happening on both sides of the Netplay game. The inputs are still the same on both ends but perhaps the timing is slightly off, this ruins everything.
So how do you prevent them? Your settings with your partner must be, for the most part, identical.
Here are the most common reasons desyncs occur and how to fix them:
Different Aspect Ratios (Faster Melee/FM):
Right Clicking your melee ISO > Properties > Gecko Codes, make sure Widescreen 16:9 is deselected. 4:3 is the Ladder default:
FM5 Netplay Safe Kill Music Code not properly utilized:
As mentioned above, the Netplay Safe Kill Music Code is now functional but has changed a bit. In order for this to work, you HAVE to have either Game Music ON or Game Music OFF for it to work. You CANNOT have both selected or neither selected. These codes are found: Right Click your Melee ISO in dolphin > Properties > Gecko Codes:
Dolphin will still report a false positive desync if you have different codes checked but most likely, you can ignore it.
Memory Cards enabled
Disabling memory cards is required on newest builds of Dolphin because they do not sync like they did in 4.0-652. This is the only option you need to change when switching from 652 to the newest build. You can disable them by going to configure->gamecube->and setting memory cards to none in slots A and B. If you followed the above steps and you desync on the new builds, this is likely your issue.
Netplay Community Settings are not enabled (Melee only)
You must have these settings on to sync with your opponent. This code unlocks all characters, stages, and sets to rules to items off, 4 stocks, 8 minutes. To enable them, right click your iso in Dolphin->properties->Gecko codes->check Netplay Community Settings. If you boot to "There is no memory card in slot A", this is most likely your issue.
You have multiple cheats on (Melee/Brawl)
Make sure under AR Codes you have NOTHING selected. Under Gecko Codes, unless otherwise specified:
[Melee 5.0-321] Netplay Community Settings and 60FPS + VRH
[FM5] Faster Melee Community Settings and 60 FPS
[Brawl] Brawl Global Netplay Settings should be the only one selected.
Enable Cheats is not on (under configure)
This causes Netplay Community Settings to not get activated. If you swear you have the Netplay Community Settings enabled and it's still booting to "There is no memory card in slot A", this is most likely your issue.
***Skip EFB Access From CPU in Graphics > Hacks is not on***
Under Graphics > Hacks, make sure the top 3 checkboxes are checked. This includes: Skip EFB Access from CPU; Ignore Format Changes; and Store EFB Copies to Texture Only/
20XX (or any other modded version of Melee) in the same directory without changing the Game ID (Melee only)
Dolphin uses the Game ID to distinguish games when running Netplay. Melee's Game ID is GALE01, which other mods of Melee share. Because of this, Dolphin cannot distinguish between the two games when running Netplay. Therefore, you are very likely to desync with both of these iso's sharing the same Game ID. There are two ways to remedy, the first, is to change the Game ID. For 20XX I normally just change it to something like GALEXX. You can do this by putting your 20XX iso in the same directory as this program made by CeLL and running the program. When you put the iso back into Dolphin, be sure to hit view->purge cache. The second option is to just remove the iso from your folder when you want to play melee on Netplay. I highly recommend the former as it allows both iso's to coexist easily.
If 20xx boots up instead of melee (you may not notice it at first, check the 20XX logo over an empty character slot!), then this is your issue.
Different cheats as your opponent
You must use the same cheats as your opponents. This applies to Gecko codes as well as AR codes. For Melee, you should only have Netplay Community Settings on. If you have any other codes on, disable them by right clicking your iso in Dolphin->properties->Gecko codes/AR codes->unchecking any that aren't Netplay Community Settings. This includes using Widescreen.
If you have other cheats on, this is your issue.
Bad Dump of your game
For Melee: You must have a clean version of NTSC 1.02 Melee. If you don't have the Netplay Community Setting, it is because you do not have this version. Sometimes you may not realize you have a bad dump of melee as it works just like 1.02 NTSC, but you still desync. Right click the iso in Dolphin->properties->info->compute and you must receive the exact value "0e63d4223b01d9aba596259dc155a174". If you do not get this, you must obtain another copy of Melee.
For Project M: you must have a clean dump of the Brawl ISO (Click Here For More Details). In addition, all mods desync on Project M, i.e. you cannot have custom music or textures. For more Project M Desynch Issues, Follow This Guide.
Different revisions of Dolphin
You must be running the same build of Dolphin as your opponent. Builds will not sync with each other. If you notice you and your opponent are on different revisions in the Netplay window, this is your issue.
Wiimotes enabled (Project M/Brawl only)
Wiimotes cause Project M to desync. You must disable them by going to options->controller settings->set Wiimotes to none. If you desync in Project M, this is most likely your issue.
Framelimiter set to anything but 100%
Your framelimiter must be set to 100%. If it was anything else, this is your issue.
LLE Audio set instead of HLE
If you have a different DSP dump as your opponent, LLE audio will desync. You can switch back to HLE audio by going to configure->audio->set HLE. If you were on LLE for some reason, this is your issue.
If you are still having issues Follow this Guide: CLICK HERE
Clearing up some misconceptions:
*Ping spikes do not make you desync.
*Your router does not make you desync.


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The Township hosted its 24th Annual Earth Day celebration today at the Manor House at Prophecy Creek Park.
More than 100 elementary school students from Shady Grove, Stony Creek, Blue Bell, Lower Gwynedd, Holy Rosary and St. Helena's schools were recognized for their environmentally-focused art work and poetry. After the ceremony, children participated in a variety of environmentally focused activities.
As part of the celebration, the Arbor Day Foundation named the Township a Tree City USA for the 24th consecutive year. Additionally, The Township received a Tree City USA Growth Award for demonstrating environmental improvement and a higher level of tree care.
Whitpain is the longest running recipient of the growth award in Pennsylvania, having won this honor for 20 consecutive years. As of 2018, there were only eight Growth Award Recipients in the state.


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34 ft Obstacle Course
- Actual Size: 34'L x 13'W x 7'H
- Setup Area: 38'L x 17'W x 11'H
- Outlets: 1
- $249.00
Feeling competitive? Kids will love to bounce, dive, duck and race through all 7 elements of this course to beat their friends and have all the bragging rights! A great way to spend the day and it's perfect for any event.