text:
Sonia Girgis is of counsel in the London office of Morrison & Foerster. She provides corporate and international tax advice on a wide range of issues to public and private companies, international banks, venture capital houses, and high-net-worth individuals.
Ms. Girgis has advised on cross-border and domestic U.K. corporate and banking taxation matters, including mergers and acquisitions and private equity transactions, corporate reorganisations and structuring, international joint ventures, and cross border financing and investment transactions. Her transactional experience involves companies across a broad range of industries, including finance, technology, life sciences, pharmaceutical, industrial, and consumer products.
Ms. Girgis advises companies in connection with employee equity participation issues, including advising on HM Revenue & Customs tax advantaged share option schemes, unapproved option schemes, long term incentive plans, and direct issue of shares to employees and directors.
Ms. Girgis has also advised in connection with tax audits and litigation.
Ms. Girgis was the winner of the "Rising Star: Tax" award at the Euromoney European Women in Business Law Awards 2015 for the second year running.
Ms. Girgis joined Morrison & Foerster in 2007. Prior to this time, she worked in the London office of Simmons & Simmons and the Sydney offices of PricewaterhouseCoopers Legal and PricewaterhouseCoopers. She graduated in 2002 from the University of Technology, Sydney, with both LL.B with first class honours and B.Bus (Mgt), and in the same year received her Graduate Certificate in Legal Practice. She qualified in 2003 and is admitted to practice in England & Wales.
Unsolicited e-mails and information sent to Morrison & Foerster will not be considered confidential, may be disclosed to others pursuant to our Privacy Policy, may not receive a response, and do not create an attorney-client relationship with Morrison & Foerster. If you are not already a client of Morrison & Foerster, do not include any confidential information in this message. Also, please note that our attorneys do not seek to practice law in any jurisdiction in which they are not properly authorized to do so.
©1996-2019 Morrison & Foerster LLP. All rights reserved.


text:
1224 2nd Street N.E. | Minneapolis, MN 55413 | 612.617.9965 | Contact Us
Danny Saathoff, Garden Bracelet
This entry was posted on Friday, March 26th, 2010 at 2:01 pm and is filed under Uncategorized.
You can follow any responses to this entry through the RSS 2.0 feed.
You can leave a response, or trackback from your own site.
Name (required)
Mail (will not be published) (required)
Copyright ©2009 Frank Stone Gallery
This site runs like Clockwork
1224 2nd Street N.E., Minneapolis, MN 55413 | 612.617.9965 | Contact Us

subset: commoncrawl


text:
I love my friends and love the fact that every now and again i get the chance to share something truly beautiful with you all. Here's a gorgeous unreleased remix of Bowie's 'I Can't Give Everything Away', an Xmas gift to you all.Can't disclose who did it (I didn't) so please download it now before someone at EMI decides to arrest me. X
― dan selzer, Thursday, 5 January 2017 15:56 (two years ago) link
James Murphy?
― vmajestic, Thursday, 5 January 2017 16:09 (two years ago) link
How can you download from soundcloud? Do you need to be logged in?
― Hey Bob (Scik Mouthy), Thursday, 5 January 2017 16:14 (two years ago) link
They have it enabled for download, so just click More > Download. Otherwise you need to rip it (there are somewhat shady sites that do this, or use Audacity).
― sam jax sax jam (Jordan), Thursday, 5 January 2017 16:19 (two years ago) link
David Bowie, "The Last Five Years" documentary: https://www.youtube.com/watch?v=FjPcaiVWNRM
― Everything Moves Towards The Sun (Ross), Sunday, 8 January 2017 20:15 (two years ago) link
looks great, thanks for the heads up!
― niels, Monday, 9 January 2017 07:42 (two years ago) link
oh, this too
(it's not that new, but first time it's officially released I think)
― niels, Monday, 9 January 2017 11:13 (two years ago) link
No Plan EP
Features The Single 'Lazarus' From Blackstar, As Well As The Three Final David Bowie Studio Recordings From That Album's Sessions
Pressed On 180-Gram Vinyl
Side B Features A Special Lazer Etching (No Music)
The No Plan EP was originally released digitally on January 8th, 2017 the day after would have been David Bowie's 70th Birthday. The release reached #1 on the iTunes charts of 11 countries including the UK, Netherlands, Denmark, Ireland, Norway, Finland and Sweden, and broke the Top 20 in more than 30 territories. The No Plan EP is now being pressed on heavyweight 180g black vinyl that includes a special laser etching on side B and is housed in new artwork designed by longtime collaborator Jonathan Barnbrook.The No Plan EP features the single 'Lazarus' from, and the three final David Bowie studio recordings during the sessions for his 28th and final album - "No Plan," "Killing A Little Time" and "When I Met You." The track "No Plan" was hailed by Rolling Stone who ranked it at #4 in their 50 Best Songs of 2016 as "a magnificent coda... one last transmission from the Bowie universe."
― blonde redheads have more fun (upper mississippi sh@kedown), Tuesday, 7 February 2017 19:00 (two years ago) link
not surprised they'r eputting these out by themselves, but none of those three "new" songs do much for me at all.
― akm, Wednesday, 8 February 2017 00:22 (two years ago) link
They grew on me, needed repeat listenings.
― Gerald McBoing-Boing, Wednesday, 8 February 2017 04:31 (two years ago) link
No idea who did this but it's wonderful. Heard it on Sweeney's 2016 best of set on beats in space.https://soundcloud.com/thisisthenumbernineteen/i-cant-give-everything-away-farewell-mix
― willem, Thursday, January 5, 2017 4:45 AM (six months ago) Bookmark Flag Post Permalink
NIN played the remix in concert: Reznor said the band had processed Bowie's death in the studio, working out their own version of Blackstar song "I Can't Give Everything Away." "We didn't release it," Reznor said, "but we will play it for you tonight."
so that suggests the remix is actually a NIN cover???
― na (NA), Thursday, 20 July 2017 13:57 (one year ago) link
Oh wow, would never have guessed that!
― change display name (Jordan), Thursday, 20 July 2017 14:08 (one year ago) link
Several of the guys who played on this are on the recently released vocalese album The Passion of Charlie Parker, which sounds great on first listen.
― Under Heaviside Manners (James Redd and the Blecchs), Thursday, 20 July 2017 14:12 (one year ago) link
Lazerus still gives me chills every time.
― chap, Thursday, 20 July 2017 14:58 (one year ago) link
It's all about those drums on 'Sue'
― The Anti-Climax Blues Band (Turrican), Thursday, 20 July 2017 15:18 (one year ago) link
This secretly might've turned out to be my aoty of '17. About two years on the day of its release now, after Bowie dying soon after, it was this moloch I mostly avoided, in 2016. I dipped my toes in it, sure, but it wasn't until that I felt comfortable to really dive in, trod down the many dark alleys and stumble through the many dream/nightmare scenes hidden within. It's absurdly beautiful and brilliant.
And the 'New Career' harmonica part in 'I Can't Give Everything Away' gets to me every fucking time.
― ♫ very clever with maracas.jpg ♫ (Le Bateau Ivre), Wednesday, 10 January 2018 00:29 (one year ago) link
When we heard it, those few days before he passed, my girlfriend said after "I Can't Give Everything Away" that she felt like it was a farewell message, a departure. She called it.
― Ned Raggett, Wednesday, 10 January 2018 00:45 (one year ago) link
As austere and coldly beautiful as a late Stevens poem, this album. I listened it to last week driving home from work.
― morning wood truancy (Alfred, Lord Sotosyn), Wednesday, 10 January 2018 00:49 (one year ago) link
yeah I need to return to this
― gbx, Wednesday, 10 January 2018 00:50 (one year ago) link
love this lyric
"I know something's very wrongThe pulse returns the prodigal sonsThe blackout hearts, the flowered newsWith skull designs upon my shoes"
commmunicates the awareness of his own impending death so well it's heartbreaking
― kolakube (Ross), Wednesday, 10 January 2018 00:57 (one year ago) link
― morning wood truancy (Alfred, Lord Sotosyn), Wednesday, January 10, 2018 12:49 AM (nine minutes ago) Bookmark Flag Post Permalink
That's as beautiful as it is true, re Stevens. I need to spin this in the car, at night, too.
― ♫ very clever with maracas.jpg ♫ (Le Bateau Ivre), Wednesday, 10 January 2018 01:09 (one year ago) link
Listening for the first time in a while now. Still so chilling and awe-inspiring. The final WOO!'s in Tis a Pity. Can't make it thru Lazarus.
― flappy bird, Wednesday, 10 January 2018 04:54 (one year ago) link
"lazarus" is fucking haunted, song and video
― flamenco drop (BradNelson), Saturday, 13 January 2018 21:43 (one year ago) link
every time Bowie comes in with that baritone guitar, especially in the last minute (GA-RUNG) -- it's like bells in a churchyard.
― morning wood truancy (Alfred, Lord Sotosyn), Saturday, 13 January 2018 21:45 (one year ago) link
Listened to it yesterday, and it more than hold up. I love how the horns are like a distorted version of the Let's Dance ones.
― ... (Eazy), Saturday, 13 January 2018 21:54 (one year ago) link
...yeah I dunno about this.
― Ned Raggett, Sunday, 14 January 2018 15:31 (one year ago) link
he's not a film star
― morning wood truancy (Alfred, Lord Sotosyn), Sunday, 14 January 2018 15:39 (one year ago) link
that soundsawful
― pee-wee and the power men (bizarro gazzara), Sunday, 14 January 2018 16:32 (one year ago) link
xp of course not, he's a black star
― sleeve, Sunday, 14 January 2018 16:34 (one year ago) link
― ♫ very clever with maracas.jpg ♫ (Le Bateau Ivre), Sunday, 14 January 2018 16:35 (one year ago) link
Culshaw's a reasonable mimic but idk if he's an actor
― MaresNest, Sunday, 14 January 2018 16:51 (one year ago) link
xp failed pun, sorry
― sleeve, Sunday, 14 January 2018 17:30 (one year ago) link
We got it. Well, I did.
― Mark G, Sunday, 14 January 2018 20:13 (one year ago) link
― reggie (qualmsley), Wednesday, 7 February 2018 02:03 (one year ago) link
OK I'm flagging you for sharing that
― El Tomboto, Wednesday, 7 February 2018 02:19 (one year ago) link
i had a premonition you would
― reggie (qualmsley), Wednesday, 7 February 2018 02:32 (one year ago) link
Garson's an interesting guy but...yeah.
― Ned Raggett, Wednesday, 7 February 2018 03:09 (one year ago) link
In the Jones oral bio, Garson's attitude is, "Well, I never did drugs, ever, and...well, David didn't call me for years. Then he acted weird when I'd say something."
― morning wood truancy (Alfred, Lord Sotosyn), Wednesday, 7 February 2018 03:30 (one year ago) link
I'm not one for tributes or covers etc, but this (Dutch, soz) sounds promising: a live tribute and reinterpretation of Blackstar at the Holland Festival, with vocals by Laetitia Sadier, Anna Calvi and Anja Plaschg (Soap&Skin). The newly arranged music will be performed by stargaze, a classical ensemble that I only know because they performed with Owen Pallett at Berghain some years ago.
― Le Bateau Ivre, Thursday, 8 February 2018 00:36 (one year ago) link
with vocals by Laetitia Sadier,
― flappy bird, Thursday, 8 February 2018 00:47 (one year ago) link
I know right?!
― Le Bateau Ivre, Thursday, 8 February 2018 00:55 (one year ago) link
cause it's impossible to search for: ★
― Jeff the grown man (voodoo chili), Wednesday, 12 June 2019 17:13 (one month ago) link
Came on my music player today after listening to another album and...wasn't prepared. I haven't listened to it in about two years but, God, what a great, elegiac yet defiant piece of work this album is. Bowie Forever.
― Carly Jae Vespen (Capitaine Jay Vee), Monday, 8 July 2019 16:02 (one week ago) link


text:
All skyline poster prints are professionally made and printed on fine art paper with ChromaLife100+ inks. Each printed piece contains a thin white border for handling or framing purposes.
For personalized skyline posters, we will send you a digital proof within 48 hours for your approval (Please check your email spam).
Skyline posters are shipped within 1-2 business days of payment receipt. For personalized skyline posters, please allow 2-3 days for printing and shipping after your final proof has been approved. Your print will be held sturdy photo document mailer with a 100% recycled backing board and protected in a cello sleeve.
8.5 x 11: Image Size Measures Approx. 8 x 10".
11 x 14: Image Size Measures 10.5 x 13.5".
13 x 19 : Image Size Measures 12.5 x 18.5".
20 x 24 : Image Size Measures 19.5 x 23.5".
Set of 4 8.5x11 Prints
Starting at $66.00
Set of 3 City Skyline 8.5 x 11 Prints. Pick your mix and colors. Any City or Landmark.
To order, simply click "Add to Cart". Proceed to checkout page and leave your color choices in the "Special Instructions" box. If there are multiple versions of the same city, please leave a note of the version you like in the "Special Instructions" box during checkout.
See more Bundle Sets


text:
Sports Website Templates
We have a collection of 277 designs in this area!
Attention sports enthusiests! If you're in to boxing, baseball, football, basketball, soccer, tennis, wrestling, yoga, or any other types of sports, then these sport website templates are the boost your sport website needs. Sports writer? Soccer Mom? Yoga instructor? Body Builder looking to show off? You're covered!
Our Sports Website templates are premade web designs that can be used as a starting point for an internet website. The majority of these sports templates consist of HTML and static images. Some of these sports templates may use Adobe Flash in the headers, but all of the templates will have a non-Flash version included. The templates are completely customizable and ready for immediate download once purchased.


text:
Let $F\subset\mathbb{R}$ be a measurable set of finite Lebesgue measure. Find the limit $$ \lim_{n \to \infty} \int_{F} \frac{dx}{2-\sin nx}.$$
Let $f_{n}(x)=\frac{1}{2-\sin nx}$. This function is bounded and continuous. Thus, it is integrable. I even use Mathematica to compute the Riemann integral.
However, since we don't really know what is $F$. So we don't know $\int_{F}\frac{dx}{2-\sin nx}$. Or this could be seen as a hint, suggesting that the limit does not exist.
I want to use the dominated convergence theorem to show that since $\lim \limits_{n \to \infty}f_{n}(x)$ does not exist, $\lim \limits_{n \to \infty}\int_{F}\frac{dx}{2-\sin nx}$ does not exist.
However, the condition of that theorem is that $\lim \limits_{n \to \infty}f_{n}(x)$ exists. So I guess I can not use this theorem.


text:
'For a while, it didn't look like Pittsburgh would get that feeling. Trailing 2-1 in the third period, the Penguins looked absolutely lost. Buffalo got to every loose puck, and Pittsburgh looked ready to mail it in. Mario Lemieux and Jaromir Jagr were completely ineffective, amassing a combined zero shots through two periods, and the second line wasn't clicking either.'
You are here: Home / SabresBeat / Penguins capture Game 7


text:
It turns out that, while adorable, Australian shepherd puppies don't always make the most diligent herders, but, hey, they're learning so back the the fuck off. Quite frankly, I don't even think they got this duck-herding gig on their merits — I think they got it on their looks, but that's bound to happen when we're living in culture so focused on an unachievable standard of pure-bread beauty.
[via Buzzfeed]


text:
Glenn Beck Is Undeterred By Reality On Saudi Nationals And The Boston Bombings
Blog ››› ››› EMILY ARROWOOD
Hours after it was debunked, Glenn Beck continued to beat the drum of a conspiracy theory that the Obama administration is deporting a Saudi national who was behind the tragic bombings at the Boston marathon.
The conspiracy theory arose when Steve Emerson, a guest on Fox News' Hannity, accused the Department of Homeland Security (DHS) of preparing to deport a Saudi national "person of interest" in the bombings at the Boston marathon. Right-wing blogs like Glenn Beck's The Blaze, Breitbart.com, WND, and Infowars quickly latched on to the story, alleging President Obama wishes to cover up Saudi Arabian and Al Qaeda ties to the attack.
The myth pretends that a Saudi national who was hospitalized after sustaining injuries in the bombing -- initially reported to be a "person of interest," though he never was -- is the same man DHS is allegedly in the process of deporting for visa violations.
DHS soundly discredited the conspiracy theory this afternoon, explaining to CNN's Jake Tapper that the rumors are confusing two very different men.
Still, hours later, Beck continued to run with the debunked conspiracy on his television program, claiming his "sources" knew better (emphasis added):
We at the Blaze know that this Saudi national is a bad, bad, bad man ... This administration is playing an extraordinarily dangerous game. They have very little regard for what it takes to be a citizen. Before the sequester cuts happened, they opened the prison and let illegals out. Who does that? Remember also, the Saudi national that was -- is about to get on a plane -- involved in blowing the legs off of American citizens, being held in protective custody or being protected, at least, by our administration. He will be put in protective custody and the plans are to deport him.
Beck's claims, of course, are far from true.
One Saudi national is in a Boston hospital and "is not a suspect, nor is he a person of interest. He was an individual at the marathon, and therefore, like so many individuals, has been questioned," DHS clarified today, according to Tapper. He went on:
There is a second Saudi national from the Boston area who is in U.S. Immigration and Customs Enforcement custody for being in violation of his visa. This case has nothing to do with the Boston Marathon.
The FBI was contacted regarding the Saudi national who was taken into ICE custody, but DHS tells CNN that individual is in no way connected to the Boston Marathon bombing.
A DHS official concluded to Buzzfeed.com, "The rumor is one hundred percent false ... One hundred percent false."
The aftermath of the Boston bombing has been marked with inaccurate reporting from right-wing media.
- Posted In
- Cabinet & Agencies, The Presidency & White House, National Security & Foreign Policy, Terrorism
- Person
- Glenn Beck
- Show/Publication
- The Blaze
Instructions for signing up and claiming your comment history are located here.
Updated rules for commenting are here.


text:
Dan Pearson, operations/program development director for CFCA, explains how CFCA programs are moving toward greater autonomy and partnership with those being sponsored. Rather than seeing them as "beneficiaries," we see them as "partners."
Nonprofit organizations often divide their stakeholders neatly into two categories: donors and beneficiaries. But CFCA has always viewed things a little differently.
Dan Pearson
CFCA has always seen sponsors as more than simply donors. Sponsors are first and foremost human beings with a desire to connect with other human beings.
Part of CFCA's mission is to give sponsors a way to grow in love through a personal connection to a child or elderly person in another part of the world. In that sense, sponsors are also beneficiaries of sponsorship because we can receive emotional and spiritual benefits as we provide encouragement and material support to a friend in another country.
Similarly, CFCA has never seen sponsored children and their families as simply beneficiaries. The word "beneficiary" implies someone who passively receives assistance from another person. But sponsored members and their families are not passive. In fact, they are some of the most active people I have met.
Sponsored children often get up early and walk long distances just to receive an education. Their parents work long days (often in jobs that are physically demanding) to provide for their childrenís basic needs. Yes, these families benefit from the program. But they are much more than beneficiaries.
Sponsored child Sai, second from right, and his family in Hyderabad, India.
Part of the message in CFCA's Hope for a Family program is that the families of sponsored children are our partners.
The mother of a child partners with a sponsor to achieve a childís goals for the future. She is a trustworthy partner because:
a) she has demonstrated her absolute commitment to her child's future,
b) she understands her child's unique gifts and the particular challenges her child faces, and
c) she is extremely skilled at overcoming challenges.
The proof of a motherís trustworthiness as a partner in the development of her child is in her tireless dedication. She spends nearly every waking hour dedicated to the cause of her children. Then she goes to bed, wakes up early, and starts over again.
The label "beneficiary" doesnít do justice to that kind of active dedication to a cause.
When one sponsor and one family join forces to change one child's life, all other labels dissolve. They are simply human beings working together to make one small piece of the world a better place.
We welcome your feedback! In the comments below, please tell us how you view the "beneficiaries" vs. "partners" distinction. If you're a sponsor, have you always viewed sponsorship as a way to partner with others? Why or why not?


text:
NEW HAVEN, Conn. – After defeating Penn and Columbia last weekend at home in both the varsity and second varsity races, the Yale lightweight crew, currently ranked No. 3 nationally, faces a pair of tests this Saturday on the Housatonic River. In the morning, the Bulldogs will race Cornell and Delaware before squaring off against Dartmouth for the Durand Cup. With two races scheduled for one day, the lightweights will use Saturday as a preparation for the Eastern Sprints, which consist of prelims in the morning and finals in the afternoon.
Cornell raced for the first time last weekend at home against Princeton, with its fourth-ranked varsity eight falling to the Tigers by 3.1 seconds. The Big Red also lost the second varsity race by 2.5 seconds, but it defeated Princeton in both the third varsity and first freshman races, winning by 11.6 and 2.6 seconds respectively.
Delaware was off last weekend after its race with Georgetown and Navy was cancelled due to severe conditions on the Potomac. The Blue Hens, whose varsity eight is ranked seventh nationally, are the only non-EARC crew currently ranked in the top 10, but they have proved themselves against the nation's top lightweight league so far this year. Delaware's varsity eight has notched victories over Penn and Columbia this year, while its freshman eight defeated Harvard.
Dartmouth's eighth-ranked varsity eight lost narrowly to No. 2 Harvard last weekend, losing by only 1.9 seconds on the Charles River. Its second varsity maintained contact with the Crimson as well, losing by only 2.8 seconds. Additionally, the Big Green will be looking to settle the score from last year's Durand Cup, which ending in an unusual dead heat, with both Yale and Dartmouth crossing the finish line in 5:31.6.
Racing with Cornell and Delaware is scheduled to begin at 8:00 a.m. The afternoon racing with Dartmouth is scheduled to begin at 3:00 p.m. but is subject to change due to forecasts of high wind and a heavy chop.
Tentative Racing Schedule
vs. Dartmouth and Delaware
8:00 a.m. 1F
8:20 a.m. 1V
8:40 a.m. 2V
9:00 a.m. 3V
vs. Dartmouth
3:00 p.m. 4V/2F Exhibition
3:20 p.m. 3V
3:40 p.m. 1F
4:00 p.m. 2V
4:20 p.m. 1V-The Durand Cup
Report Filed by Trey Chandler '11, Yale Sports Publicity


text:
DETROPIA is a labor of love, over 3 years in the making. In 2009 Heidi - a native Detroiter - and Rachel set out to explore the rise and fall (and rise again?) of Detroit, one of America's most iconic cities. The birthplace of the middle class, it is truly a former "Utopia" of innovation and ideas.
Our pledgers have done the unthinkable and brought us to our goal in only 14 days. We don't know how to express to you how that makes us feel. Every documentary filmmaker toils for years with the hopes that eventually the work will be shared.
Every penny that continues to come in for the remainder of this campaign will go towards more cities, more screenings. Nobody likes being called a "secondary market." Cleveland, Akron, Madison, Baltimore, Tucson, Santa Fe, Pittsburgh...the list goes on and on. It's a big country! Independent films rarely see the light of day in these awesome places that need and want to join the discussion. We have a huge opportunity now to change that with DETROPIA.
The story of Detroit is the story of all of us. The city and this country are both at a crossroads. Which way will we go? The story of this epic city and its struggles can act as a springboard for a productive conversation so many of us want to have.
We have little over a week left. You have been so generous and supportive so far - please help us in these final days. If you haven't given yet, please consider. If you have already contributed - THANK YOU! - then please pass on to at least 5 friends and encourage them to join this movement.
With gratitude,
Heidi and Rachel
Here is more about DETROPIA:
While the city of Detroit continues to face real and serious challenges there is still so much hope there. Optimism, pluck and grit lies within the citizens themselves, as described so eloquently by Caroline Libresco of Sundance Film Festival where we had our World Premiere earlier this year (and won the Documentary Editing Award):
"The film's vibrant, gutsy characters glow and erupt like flames from the ashes. These soulful pragmatists and stalwart philosophers strive to make ends meet and make sense of it all, refusing to abandon hope or resistance."
This film is our truly most independent (and visual) work and a creative departure for us – we wanted it to be a springboard for conversation about where we are headed as a nation. In order to do that, we need people to see the film as far and wide as possible. That's why we've decided for the first time in our careers as filmmakers to go "Direct to Fans" and distribute our work independently, starting with a premiere at the IFC Center Theatres in New York City on September 7.
For the first time we will be directly involved in managing the life of our own film. With DETROPIA<https://twitter.com/#!/detropiathefilm> we plan to go beyond the usual coastal cities that consume indie film and into regions, theaters and venues that want to see the movie but can't -- unless we bring it directly to them with your help.
The story of Detroit has both appalled and attracted many of us as we've watched it unfold and there is already a lot of interest in screening our documentary. Our plan is to build an independent release of at least 25 American cities. At the same time we'll be doing more screenings with communities and educational institutions where spirited debates and discussions can take place around the story of DETROPIA<http://filmguide.sundance.org/film/120093/detropia>.
This all takes resources. Your contribution will go directly into the theatrical distribution of this film, including the costs of a trailer, prints of the film, shipping materials, local and national publicity and some travel for outreach and community screenings in several cities.
We are so genuinely lucky -- we already had help getting this film completed by the Ford Foundation, ITVS, Sundance Institute, Impact Parters, Vital Projects, and more (and we are so grateful). Now we need you - our friends, families, supporters, future audiences, and friends unknown - to help us do the rest. Please help us bring the story of DETROPIA<https://www.facebook.com/DETROPIATHEFILM> to the world. We've been waiting so long to share it.
Heidi and Rachel
Poster by Rob Jones (off-set plate printed on 80lb matte text)
Questions about this project? Check out the FAQ
Funding period
- (30 days)


text:
Financial Health of Nation's Railroads Supports America's Leading Role in Global Marketplace
WASHINGTON, D.C. – April 28, 2010 – The Association of American Railroads (AAR) today said the U.S. Departments of Agriculture (USDA) and Transportation (DOT) study on rural transportation shows how the vital link between railroads and agribusiness supports the U.S. economy, and our nation's economic recovery.
"USDA took a comprehensive look back and reinforced what railroads are seeing in the marketplace — since deregulation, the health of railroad industry has improved, in turn benefiting America's farmers and rural areas," said AAR President and CEO Edward R. Hamberger. "Railroads provide that vital link for our nation's grain and coal to be sold on the global marketplace, and our efficiency and cost-effectiveness make that possible."
USDA noted that since the railroad industry was partially deregulated in 1980, rates for most shippers fell. However, the report also noted findings from the recent independent Surface Transportation Board study from Christensen Associates that showed recent price increases for some customers were in line with overall increases in the cost of doing business. While rail rates in recent years have gone up, the increase pales in comparison with other price increases farmers have seen from other inputs, particularly fertilizer costs, up 304 percent, fuel costs up 244 percent and seed costs up 154 percent. (See Chart)
"As USDA said, rail is the most cost-effective mode of transportation available to many agricultural producers. So maintaining a healthy rail industry is vital to meeting President Obama's goal of doubling exports," Hamberger said, noting that carloads of grain have been on the increase for the past five straight months. "Without railroads bringing America's high-quality, low-priced grain to the global market, we'll never achieve the President's goal and continue on our road to economic recovery."


text:
We've heard talk about changes for a while at LinkedIn, when I logged in today the facebook-style changes had gone into overdrive. Found myself a bit confused about navigation at first.
There's more focus on the newsfeed and the q&a element, and even a status update (what are you working on?... answer 'connections'... though I found it horrible to use).
I like the new encouragement to self-form groups. But as colleague BadgerGravling pointed out - how do you find them? Take a look for yourself.


text:
Miranda Kerr is a self-described "free-spirit," as she not-so-subtly demonstrated in a racy Instagram picture March 2. The sexy supermodel shared a topless photo of herself frolicking in the ocean to promote her latest KORA Organics beauty products.
"It's so rejuvenating for the skin and revitalizing," the 29-year-old Aussie told Us Weekly of her cosmetics line during a Victoria's Secret event in New York City Feb. 26. "The rosy face oil at night is a must have for me because it puts back all the essential fatty acids back into the skin and it's anti-aging and super revitalizing."
"We've had such wonderful feedback," Kerr added. "For my own skin I see how it helps me, but the amazing response we get back on a daily basis has been so lovely."
Kerr told Us she was quite proud of how popular her beauty brand has become since it launched in November 2009. "It was my idea, it was my vision, my concept, so I went and found a lab and started working with all the organic chemists," she explained.
When she's not working, the brunette beauty spends her days tending to Flynn, her 2-year-old son with husband Orlando Bloom. "He has his own little baby grand piano and he likes to sit on there and play around with it," Kerr told Us of her little boy. "He has a little plastic flute that he plays on."
Should their son choose to pursue a career in music one day, Kerr and Bloom would support Flynn's decision. "I feel like whatever Flynn chooses to do, we'll encourage it," she explained. "We'll push him to be anything that he wants to be and I don't want to be putting any demands on him at all. I just want to be supportive of him and let him thrive into the amazing human that he already is."
Kerr also revealed that she has no immediate plans to give her son a sibling. "We love it just the three of us," she told Us of life with Flynn and Bloom, 36. "It's so intimate."
Sign up now for the Us Weekly newsletter to get breaking celebrity news, hot pics and more delivered straight to your inbox!
Want stories like these delivered straight to your phone? Download the Us Weekly iPhone app now!


text:
Morrisville-Eaton girls volleyball sweeps Waterville to advance to final
CAZENOVIA - A week ago Morrisville-Eaton's girls volleyball team needed to beat Waterville twice to wrap up a league championship and did. Coach Brian Ellithorpe's top-seeded team needed to beat its Central State Conference rival once again Wednesday, only the stakes were a shot at a berth in the Class C-2 title match.
M-E did so in workmanlike fashion 25-19, 25-19, 25-20. Waterville, the No. 5 seed, had a better showing in the third meeting but M-E's depth was the difference in the end.
"They played great," Waterville coach Lori Ann Storey said after her team became the first to reach a sectional semifinal for the school.
"They've been steadily getting better," Storey said. "If we just had a little more hitting..."
Waterville didn't because M-E blocked a little better and defended a little better. Jessica Chandler, Hayley Brown and Danielle LeBlanc led the way for the winners with a combined 23 kills, LeBlanc leading with 12.
"At the beginning we were anxious and needed to settle down," LeBlanc said. "We just needed to play for awhile."
Waterville (10-9) took a 9-7 lead in the first game on an ace by Ally Murray then M-E (16-2) went on a 15-6 run to take control. Hayley Brown and Sandy Clark had kills to start the run and Chandler had an ace to close it then the teams traded points to close out the game.
The second game was tied 5-5 when M-E took control with a 9-0 run. Hayley Brown did most of the damage at the net for the CSC champs, but a string of errors tightened the game up moments later. Murray had another ace to cap Waterville's rally to cut M-E's lead to 19-16 then M-E pulled away thanks to errors by its foe.
With Shelby Brown setting up Chandler and Sara Collier, M-E grabbed a 6-1 lead to start the third game, saw Waterville close the gap behind Ashley Ellis' play, then regained control with a 5-0 run to make it 17-8.
Miranda Stockbridge had a kill to help Waterville go on a 5-1 run to make things close at the very end, but Collier had a kill to end the match.
"They came to play," LeBlanc of Waterville. "That's the best they've played against us."
Sandy Clark had one of her best matches for M-E, leading the team with 17 digs while adding five assists a kill and an ace.
"I thought Sandy was awesome on defense," Ellithorpe said. "Her and Shelby got to a lot of stuff."
M-E will play the winner of the Sandy Creek-Dolgeville match at noon on Saturday at Chittenango for the title.
Waterville (10-9): Alexis Stetson 7k, 1b, 6d; Alicia Barnes 2k, 1d; Ashley Ellis 4k, 7d; Nichelle Kelley 1ac, 11as, 2d; Miranda Stockbridge 6k, 8d; Sally Crawford 6d; Ally Murray 2ac, 3as, 7d; Kenna Williams 1d; Jenna Bloomquist 1ac.
M-E (16-2): Hayley Brown 6k, 4b, 1d; Jessica Chandler 5k, 4b, 3ac, 1d; Rebecca Davis 2d; Hayley Klein 4d; Danielle LeBlanc 12k, 3ac, 8d; Shelby Brown 1k, 1ac, 22as, 5d; Sandy Clark 1k, 1ac, 5as, 17d; Jenna Kent 13d.


text:
Daily Archives: October 5, 2011
Woody Allen
Louise Brooks in publicity still for Pandora's Box (1929, dir. G.W. Pabst)
During the filming of Pandora's Box, [G.W. Pabst] asked Louise Brooks, as Lulu, just emerged from taking a shower and coming into the living room to greet her lover, Alva (portrayed by Franz Lederer), "What do you have on under that robe?"
"My slip," answered Miss Brooks.
"Go back in the bathroom and take it off," said Pabst, which she did.
When she returned, wearing just the robe, she asked her director, "Mr. Pabst, why did you make me take my slip off? The audience won't know that I have nothing on under my bathrobe."
"That's right," he replied. "The audience won't know, but he'll know," he said, pointing at Lederer, "and he'll play the scene with you differently, knowing that, than he would if he didn't know it. And that's what I want, that difference."
Miss Brooks told me this story and I think it underlines the point I'm trying to make that the director must do everything he can think of to feel that the scene is ready to be played to the maximum that he can feel. If he feels it, the audience will feel it. Ergo – the director as psychologist."
-Herman G. Weinberg, excerpted from The Complete Wedding March (1975)


text:
Fifty years from his rookie season, the Pro Football Hall of Fame welcomed Dave Robinson in the door.
And it was a long road for Robinson, who played for legendary coaches, and broke barriers.
He began his speech by wishing happy birthdays to friends and relatives, and leaned on the impact of his family throughout his speech. He thanked his wife for supporting him when they went to Green Bay, when they were one of the few African American families in that part of Wisconsin.
"For me, this is the biggest day ever, the biggest day of the 21st century for the Robinson family," he said.
Robinson followed the lead of Jonathan Ogden by keeping things light, and keeping it moving, talking for 14 minutes, and joking that some of friends that have passed "may be looking up at me."
Robinson, one of the keys to Vince Lombardi's Packers defenses (and the 12th from those teams to make the Hall), was voted in as a veteran's committee candidate.
He was part of the NFL's All-Decade team of the 1960s, and finished his career with two seasons with the Redskins.
After playing for Joe Paterno at Penn State, Robinson played for Lombardi and then George Allen.
That kind of coaching helped make him the player he was, but his skills got him to Canton on a special anniversary.


text:
Fawcett Columbine, 1991 - Family & Relationships - 339 pages
A long overdue book by a psychologist who has extensive clinical experience treating male victims of child sexual abuse, it explodes the myth that sexual abuse of male children is rare, or that the consequences are less serious than for girls. Hunter examines the physical and emotional impact of abuse on its victims and the factors affecting revovery. With personal case histories of victims and their families, this is a powerfully written and meticulously researched book that is a landmark in the field of child sexual abuse literature.
From inside the book
17 pages matching victim mentality in this book
Where's the rest of this book?
Results 1-3 of 17
What people are saying - Write a review
LibraryThing ReviewUser Review - louis.arata - LibraryThing
I read this book about 20 years ago, as research for a novel. A lot of the content has stayed with me, particularly the personal stories. At the time the book was written (1990), it appears that this ... Read full review
LibraryThing ReviewUser Review - LTW - LibraryThing
A long overdue book by a psychologist who has extensive clinical experience treating male victims of child sexual abuse, it explodes the myth that sexual abuse of male children is rare, or that the ... Read full review
Understanding Sexual Abuse
Frequency of Sexual Abuse
Factors Affecting the Impact of Childhood Sexual Abuse
23 other sections not shown
Other editions - View all
Common terms and phrases
adult afraid Al-Anon alcohol Alcoholics Anonymous anger angry Anonymous asked become began behavior believe body Child Abuse child molesters Child Sexual Abuse childhood sexual abuse client compulsive compulsive overeater David Finkelhor dissociation effects example experience family members father fear feel felt female Finkelhor forgive friends frightening fucking going grandparents Greg happened healing homosexual hurt identify your thoughts incest issues knew learned look loved one's male masturbate memories mistreated molested mother never offender oral sex Overeaters Anonymous pain parents partner penis percent physical Questions to help rape recovery relationship remember reported response seemed sense session Sex Addicts Sex Addicts Anonymous sexual abuse victims sexual addiction sexual contact shame someone Sonny started stop story survivors talk tell therapist therapy things thoughts and emotions told touch trust trying Twelve-Step Twelve-Step program victim blames victim mentality victimized person women writing
References to this book
Child Abuse Trauma: Theory and Treatment of the Lasting Effects
John Briere
No preview available - 1992
All Book Search results »
The Healing Power of Play: Working with Abused Children
Eliana Gil
Limited preview - 1991


text:
Psi Chi at The University of Akron
What is Psi Chi?
Psi Chi is the National Honor Society in Psychology, founded in 1929 for the purposes of encouraging, stimulating, and maintaining excellence in scholarship, and advancing the science of psychology.
Membership is open to graduate and undergraduate men and women who are making the study of psychology one of their major interests, and who meet the minimum qualifications. Psi Chi is a member of the Association of College Honor Societies and is an affiliate of the American Psychological Association (APA) and the American Psychological Society (APS).
Psi Chi functions as a federation of chapters located at 1,000 senior colleges and universities in the USA.
Psi Chi serves two major goals. The first of these is the Society's obligation to provide academic recognition to its inductees by the mere fact of membership. The second goal is the obligation of each of the Society's local chapters to nurture the spark of that accomplishment by offering a climate congenial to its creative development.
Purpose Statement
Psi Chi is a national honor society whose purpose shall be to encourage, stimulate, and maintain excellence in scholarship of the individual members in all fields, particularly in psychology, and to advance the science of psychology.
Mission Statement
The mission of Psi Chi is to produce a well-educated, ethical, and socially responsible member committed to contributing to the science and profession of psychology and to society in general.
Goals for accomplishing above mission:
A. Advance science and the profession of psychology
B. Promote an educational experience consistent with the mission
C. Promote ethical and socially responsible members and leaders
D. Define and establish an organizational structure that promotes our mission
For more information please visit the national site (www.psichi.org). Join the listserv to receive updates on events and happenings by sending an e-mail to our Secretary (email@example.com).


text:
I spent some time repairing the metal chopping bandsaw. Cut a new temporary bracket with oxyacetylene.
Sharpening took a while. I tried using a file on each tooth at first, which worked for maybe six cuts before it dulled again. Then I took a dremel to each tooth to deepen the valley between teeth, before simply running a sharpening stone backwards over the flats of the teeth. That did the trick and I got a lot more cuts out of it.
There is still something wrong with how the blade is held, as it cuts everything at a funny angle. But it's good enough for now.


text:
Adobe Creative Suite 3 Web Premium All-in-One Desk Reference For Dummies
Table of Contents
Author Information
Book I: Dreamweaver CS3.
Chapter 1: Introduction to Dreamweaver CS3.
Chapter 2: Creating Basic Web Pages.
Chapter 3: Creating and Using Dreamweaver Sites.
Chapter 4: Punching Up Your Pages with Forms and Frames.
Chapter 5: Laying Out Pages with AP Divs and AP Elements.
Chapter 6: Advanced Web Page Design Techniques.
Chapter 7: Adding Interactivity with Spry.
Book II: Photoshop CS3.
Chapter 1: Exploring New Features in Photoshop CS3.
Chapter 2: Getting into Photoshop CS3 Basics.
Chapter 3: Messing with Mode Matters.
Chapter 4: Creating a Selection.
Chapter 5: Using the Photoshop Pen Tool.
Chapter 6: Thinking about Resolution Basics.
Chapter 7: Creating a Good Image.
Chapter 8: Working with Painting and Retouching Tools.
Chapter 9: Using Layers.
Chapter 10: Saving Photoshop Images for Print and the Web.
Book III: Fireworks CS3.
Chapter 1: Introduction to Fireworks CS3.
Chapter 2: Fireworks CS3 Basics.
Chapter 3: Working with Text, Shapes, and Images.
Chapter 4: Transforming Text, Shapes, and Images.
Chapter 5: The Power of Layers and Frames.
Chapter 6: Slicing Up Content for the Web.
Chapter 7: Advanced Fireworks CS3 Tools.
Book IV: Illustrator CS3.
Chapter 1: What's New in Adobe Illustrator CS3?
Chapter 2: Discovering Illustrator CS3.
Chapter 3: Using the Selection Tools.
Chapter 4: Creating Basic Shapes.
Chapter 5: Using the Pen Tool and Placing Images.
Chapter 6: Using Type in Illustrator.
Chapter 7: Organizing Your Illustrations.
Chapter 8: Using Layers.
Chapter 9: Livening Up Illustrations with Color.
Chapter 10: Using the Transform and Distortions Tools.
Chapter 11: Working with Transparency and Special Effects Tools.
Chapter 12: Using Filters and Effects.
Chapter 13: Using Your Illustrator Images.
Book V: Flash CS3.
Chapter 1: Introduction to Adobe Flash CS3.
Chapter 2: Using the Graphics Tools.
Chapter 3: Working with Symbols.
Chapter 4: Making Your Life Easier with Layers.
Chapter 5: Creating Animation.
Chapter 6: Adding Sound and Video.
Chapter 7: Publishing Movies.
Chapter 8: Using Flash's Components.
Book VI: Contribute CS3.
Chapter 1: Introduction to Contribute CS3.
Chapter 2: Basics for Contributors.
Chapter 3: Contribute CS3 Administration.
Book VII: Acrobat 8.
Chapter 1: Discovering Essential Acrobat Information.
Chapter 2: Creating PDF Files.
Chapter 3: Adding Interactivity to PDF Files.
Chapter 4: Editing and Extracting Text and Graphics.
Chapter 5: Using Commenting and Annotation Tools.
Chapter 6: Securing Your PDF Files.


text:
The Arduino Team recently posted a video of Massimo Banzi introducing the new Arduino Leonardo, which is now available for sale. The Leonardo uses an ATmega32u4 microcontroller, which runs your sketches and also communicates with your computer directly via serial. (Whereas previous boards used a separate chip to handle the serial communication.) This change allows the Arduino to behave as a mouse or keyboard and makes interfacing with computer programs much easier. The new board also has a few more improvements including more analog inputs, one additional PWM output, and an IOREF pin so that expansion shields can determine what voltage level the board is operating on. This last feature becomes important when the Arduino Due comes out, since it will run at 3.3 volts. Those of you who really want to dig into the nitty gritty, check out the official Arduino Leonardo page, which outlines all the differences in this new and less expensive board.
Massimo Introduces Arduino Leonardo


text:
What is your character name? Joebear
How much do you typically play Sun-Thurs? (You need to at least be able to make a regular appearance 8-11pm EST) i work casual and im off uni atm, so anytime im not doing these ill be on (im aest +10/11 [australian])
What is your age? 19
Do you have a working mic to talk on TS3? yes
Do you know any of our members from a previous game or real life (list who)? i played against/with perma/crogger/gundorf on archeage
How long have you played MMORPGs? about 9years
What games? 5years of runescape playing in jagex cups and running multiple high rated GvG guilds, guild wars 2, league of legends, wildstar, elder scrolls online, archeage on both ollo and kyrios <Untamed>, more elder scrolls online, and bunch of other stuff i cant remember
What is your main gear set? cloth flame/frost caster
What other sets are you considering? heavy driver set, heavy utility build, basically anything im flexable
Are you interested in crafting? kind of lol
Haiku--PfB Tribute:
man i like failed grade1 english (+its 4am) but here we go....
by joining ganked again
joebear wishes to rek some noobs
outskilled or outnumbered thou shall fear our words
and the comms shall echo silence as thou driver speaks
while the fallen sleep quietly


text:
Get a firsthand account of life at Saint Michael's College right from the source. Our student, faculty and staff blogs are anecdotes told from their perspectives, and in their own words, on everything from an outdoor adventure with the Adventure Sports Center, a service trip with MOVE, or hearing a Nobel Prize Winner speak on campus.
If you'd like to chat with our bloggers, check out our KnightChat schedule for dates throughout the semester.


text:
Getting Started With Diabetes
What is Type 2 Diabetes?
When you eat, your food is broken down into a sugar called glucose.
Glucose gives your body the energy it needs to work. But to use glucose as energy, your body needs insulin.
When you have type 2 diabetes, your body does not make enough insulin or use it well.
Since your body's cells can't use the glucose from your food as energy, the glucose stays in your blood, where it can cause serious problems.
You Can Manage Your Diabetes
There is no cure for type 2 diabetes, but it can be managed. Balancing the food you eat with exercise and medicine (if prescribed) can keep your blood glucose in a healthy range.
Many people with diabetes live long and healthful lives.
Enroll in the FREE Living With Type 2 Diabetes program to get information and support to help you live well with diabetes.
Who's on My Diabetes Care Team?
Your diabetes care team may include:
- your doctor
- nurse
- dietitian
- pharmacist
- diabetes educator
- any other health care provider working to help you care for your diabetes.
And remember, you and your family and friends are the most important members of your diabetes care team.


text:
Union Square Office Space for Rent
Looking for centrally located office space in Midtown South? If you want to work among some of the greatest minds in technology and media while surrounded by rich history and culture, Union Square may be the place for you and your business.
Union Square Office Space | Lease Data & Trends
Union Square is at the heart of NYC's burgeoning tech community, which is now ranked as the second largest startup ecosystem in the world. Tech companies now account for nearly 30 million square feet of NYC's office space inventory, or around eight percent.
On average, Union Square office space for rent costs less than $70 square foot for a direct lease, and upwards of $80 per square foot for office space in a Class A building. These prices are comparable to other prominent Midtown South neighborhoods including Chelsea, Greenwich Village, and SoHo. And with more than 32 million square feet of inventory, there's office space to accommodate businesses of all industries and sizes.
What Our Brokers Say About Union Square Office Space for Rent
Union Square's convenient location in the heart of Manhattan, excellent hotels, vibrant outdoor space, and multiple subway options make it a popular place to work or meet clients. The neighborhood boasts a population of more than 25,000, and nearly 350,000 business professionals, students, and artists come and go during an ordinary workday. The area is bordered by the Flatiron District to the north, Chelsea to the west, Greenwich Village to the southwest, East Village to the southeast, and Gramercy Park to the east.
Union Square provides a fun environment for foodies and proponents of farm-to-table. The area features a special program to provide fresh food in the city. Since 1976, the Greenmarket program in Union Square has allowed regional farmers to sell fruit, vegetables, and other farm-grown items to city inhabitants. Come to the market Monday, Wednesday, Friday or Saturday between 8 a.m. to 6 p.m. to purchase fresh food and experience Union Square culture. Do you fancy a more traditional city dining experience? Visit one of the many surrounding cafes, restaurants or vendors. Our favorite restaurants in the area include Bowery Road, Ichabod's, Villanelle, Gotham Bar and Grill, and Taboonette.
Get to Know the Union Square Neighborhood
Union Square, which rests at the junction of Broadway and Fourth Avenue, represents the southern border of Silicon Alley, an area earning its name because of its impressive tech business and startup boom in the past few years. In 2015, venture capital firms invested more than $7 billion in Silicon Alley businesses. Dozens of global tech, media, and advertising businesses have offices in the area, including Facebook, Hulu, and Buzzfeed. Union Square is also home to more than 6,000 small businesses.
This charming historic area is known for the adjacent park that shares its name: Union Square Park, which built in 1839 and redesigned in 1872. This bustling park and plaza, located between 14th Street and 17th street, provides space for professionals, New York University students, street performers and the occasional protestor to mingle. One can also find art, historic landmarks, and the longest-running farmer's market in New York City.
Union Square features several prominent artistic landmarks. One is the Metronome and Countdown Clock, a large digital clock over 14th Street that shows hours, minutes, seconds and tenths of a second. Union Square also includes an equestrian statue of U.S. President George Washington, which was the first public sculpture displayed in New York City since 1770. The bronze-cast equestrian sculpture represents Evacuation Day, when the British departed from the city, and Washington and his troops returned to it. Other statues include Abraham Lincoln and Mohandas Gandhi.
The United States' national holiday of Labor Day originated in Union Square neighborhood. The first Labor Day parade took place on Sept. 5, 1882. Workers marched from City Hall to Union Square. The Central Labor Union of New York then suggested Labor Day be celebrated throughout the country on the first Monday of every September. Union Square also hosted the first Earth Day celebration on April 22, 1970.
Interested in finding the right Union Square office space for your business? Feel free to reach out and we'll connect you with one of our commercial real estate brokers.


text:
Program outline
Love getting out and about with Go Team? Try Go Team Indoors for your next conference, evening event or in-house team training session to enliven and enthuse.
Go Team Indoors is a fun, competitive and challenging team event using a technology interface to guide the teams through the activity. With nearly 100 tasks spread over 5 progressively more difficult levels, a bonus round and a double or nothing round there is plenty to do. The tasks are split into 3 main categories - mental, creative and physical meaning there is something for everyone and as only 5 from 8 tasks in each round are chosen it's possible to avoid anything that looks too tricky. Focusing on delegation, leadership, working as a team and problem solving Go Team Indoors is a fun high energy event that keeps all team members constantly involved and engaged.
Learning and development outcomes
In Go Team Indoors participants engage and have fun together while learning key business skills. Leadership and delegation are key to making sure a team is working in parallel and to its strengths. Coolness under pressure and assessing risk and reward are fundamental to success. Use it to energise your conference, motivate & enthuse delegates, unify the group, explore specific learning outcomes or simply just to have a fun shared experience. The applications for Go Team Indoors are boundless including employee engagement, staff training, product launches, marketing & promotions, or gathering feedback.


text:
At some point, novel and forward-thinking concepts and practices become standard and commonplace, and the terms associated with them go by the wayside. Where special terminology had been in use to differentiate the old from the new, the new becomes the old, and the specific qualifiers drop from the conversation. When was the last time you heard someone ask for unleaded gas? There's no longer a need to qualify the concept because unleaded is the new regular.
So should it be with server virtualization. During the Great Virtualization Pilgrimage of the last five years, the number of virtual servers has exploded, whereas the number of physical servers not running virtualization hypervisors has fallen. In most infrastructures I've seen in the past year or so, virtual servers vastly outnumber their physical counterparts, including the very physical hosts that give them life. Maybe it's finally time to begin the process of flushing the "virtual" qualifier when discussing projects and apps.
[ InfoWorld's expert contributors show you how to get virtualization right in this 24-page "Server Virtualization Deep Dive" PDF guide. | Get the latest practical info and news with InfoWorld's Data Center newsletter. ]
Why bother? To avoid confusing the nontechnical, for one. Most people understand what a server is in gross terms. As with an automatic transmission in a car, they get the idea it does something, and you interact with it, but the underlying functions might as well be ancient Greek.
However, when you start discussing a virtual server, that understanding begins to teeter. Visions of futuristic Hollywood virtual reality nonsense begin to cloud the issue, and sometimes even concern over the viability of this "virtual" server because it doesn't really exist since it's virtual, right?
In any case, it's vastly simpler to dispense with the notion of virtual servers in nontechnical overview discussions and just label them servers. In fact, it's generally OK to forgo the qualifiers even in technical discussion. In many places, it's just assumed that virtual servers will be deployed rather than physical servers, unless the project has a clear and documented need for physical hardware. That coin has been flipped for the vast majority of working IT shops.
There are other reasons to celebrate the passing of "virtual." The past year or two has seen a softening of the most egregious software vendor cop-out in recent memory: that their product won't work on a virtual server. This drove me mad for years. When discussing a bug or a problem with some vendor's product, it was of the utmost importance to obscure the fact that we were working with a virtual server, not a physical box. In many cases, this involved going through the VM and removing tell-tale signs that the server was virtualized by uninstalling VMware tools or at least hiding the icon and fervently hoping that a remote session with a support tech didn't require bringing up the device manager that would show all the emulated devices.
This charade was stupid but necessary. If something slipped into the conversation that might indicate the server was a VM, it would serve as an instant trigger for support to back out of the problem and claim the software wasn't working because it was on a virtual server. Never mind that it had been working fine for a year before this and nothing else had changed. Nope, it's a VM, and we can't help you.
"Aggravating" isn't strong enough a term to convey those situations, especially when one memorable problem that the vendor insisted was due to the virtualized nature of the server turned out to be an errant internal debug flag set in an update that caused a process to lose its mind after running for more than 24 hours. But no, that wouldn't have happened on a physical box.
My, how the tide has turned, with many vendors now preferring to distribute their products as VM images and eagerly displaying compatibility with many virtualization solutions, and talking all about cloud stuff like they invented it. At this point, with rare exceptions for extremely heavy computational workloads and specialized products that require oddities, such as high-end GPUs, a software vendor who doesn't support virtual servers will get laughed out of most meetings. It's just not done like that anymore.
So let's junk the modifier and move forward with our servers -- just servers. They're faster, more agile, more reliable, and more capable than ever before, whether they're riding on bare metal or the back of a hypervisor. The virtual server is the new server. And that's a great thing for IT.
This story, "Let's kick 'virtual' to the curb," was originally published at InfoWorld.com. Read more of Paul Venezia's The Deep End blogat InfoWorld.com. For the latest business technology news, follow InfoWorld.com on Twitter.


text:
- Home
- About Us
- SEO Strategy
- Design
- Case Studies
- Contact Us
For businesses looking to invest into PPC Management Services or Google AdWords Management Services on a freelance basis backed up with a one to one service, we can definitely help. No other marketing channel gives you the level of measurability, accountability and flexibility as these channels offer and for this reason, this is why so many businesses undertake marketing online via these channels.
From the campaign research, set up, implementation, development, analysis right through to reporting, we have it very much covered. We can work with businesses large and small across a great variety of business sectors to enable them to make the most of AdWords and PPC as a key means of lead generation. No matter what your business sector may be, we can deliver these services most effectively to give your business a lasting competitive advantage – and in a most straightforward manner.
Our AdWords marketing is very targeted and effective thanks in part to the systematic and well organised manner in which we work. We will help your business get more leads and grow online from harnessing this channel in the most effective manner and using the best working practices. We work hard to ensure your campaign is well set up from the offset and that your campaign has every possible chance of being a successful one.
Pay Per Click Marketing can attract high quality traffic to your website. This works for any business size and any budget. Best of all, you only pay once a potential customer clicks on your targeted ad. One thing we make full sure of is to ensure you are targeting the most relevant keywords possible. We'll look at the stats and ensure your campaign has every chance of being one which will be able to drive quality business your way.
If you are in search of services for complete Freelance Google AdWords or PPC services in Hyde Park, by all means fill out the form to the right with your requirements or simply call Innes Donaldson direct on 07878624798. We look forward to hearing from you and helping you with your efforts in getting you more out of your AdWords and PPC marketing efforts so this is able to work much better for your business.
3G Networks I.T. & Web Design
3G Networks are an IT Support, Web Design and SEO Company based in Surrey. Their customer based covers Berkshire, Hampshire, Surrey and Buckinghamshire. They required a new website to reflect the breadth of services they offer.
Based in Berkshire, Redtapedoc.co.uk came to Fresco Creative in need of an SEO Consultant to help enhance their online presence in order to increase their sales enquiries of their employment document templates.


text:
Oct 30, 2006
Oct. 30, 2006
Lauren Christman set a course record to help the UCSB women's cross country squad regain the Big West title Saturday at Cal Poly in San Luis Obispo. The senior harrier from Santa Cruz posted a time of 21:07.5 to earn the individual crown as the Gauchos totaled just 26 points, their best score ever at the Big West Championships. It was an all-around stellar effort by UCSB as seven of the top 10 spots were filled by Gaucho runners. Next up will be the NCAA Regionals in Portland, Ore. Nov. 11.


text:
Story of the day
Asia's 50 Best 2016, Top 10 Restaurants in 10 Dishes
Few days ago the Asia's 50 Best Restaurants ceremony, an event sponsored by S.Pellegrino and Acqua Panna, crowned Gaggan Anand's Gaggan as the best restaurant in Asia for the second year in a row (here you find the full list).
Not to forget the 2016 edition of the event, hosted in Bangkok, we've decided to take a look at inspirational dishes made by the top ten chefs of the year, with a slection of food amazing food pictures.
By FDL on


text:
Swift by Lexani
Product SKU: LSW15847
Swift Wheels By Lexani. Lexani wheels is known around the world as the leader in custom luxury wheels. Always up to date with the latest styles, Lexani has created a name for their brand wheich is known by every enthusiast to the everyday Joe, Thanks to trend-setting design, top-notch material, and skillful craftsmanship, Lexani become a synonym of class. GIVE US A CALL TO SPEAK TO ONE OF OUR WHEEL EXPERTS ABOUT SPECIAL FITMENTS AND PRICING (562) 977-8555.


text:
Don't judge Hagel by 1998 comment
As an openly gay career Foreign Service officer and former ambassador, I find it disappointing that the debate over Chuck Hagel's potential nomination as defense secretary has been sideswiped over — let's face it — flatly intolerant comments Hagel made half a generation ago.
In 1998, James Hormel — a prominent philanthropist who served our country in many ways — became America's first openly gay nominee to represent our country abroad as an ambassador.
Story Continued Below
Hagel opposed the nomination on grounds that Hormel is "aggressively gay" — for which Hagel has since apologized. Hormel has accepted that apology and seems willing to move on.
Why, then, should any of us freeze-frame Hagel's comments 15 years ago — even as many of us, gay and straight, gladly acknowledge that America's understanding of, and attitudes toward, sexual orientation and gender identity are changing rapidly?
I consider Hormel both a trailblazer and a mentor. Three years after his nomination, I became our country's first openly gay Senate-confirmed ambassador. At the time, a number of people commented to me or, more often, behind my back that I shouldn't serve as America's face to the world for no other reason than I am gay.
Like Hagel's apology to Hormel, many of these voices subsequently have admitted that they were wrong.
I cannot claim I know Hagel well. But as a career diplomat, I had occasions to work with him and his staff. In that work, I found Hagel to be a man of integrity — honest and direct in his assessments and willing to seek common ground.
He was true to his word. And if Hagel says he would fully implement the repeal of "don't ask, don't tell," I take him at his word.
Our LGBT community should care deeply, of course, about that issue. Should President Barack Obama decide to nominate him to serve our country at the Pentagon, as is widely reported, Hagel should be closely questioned on precisely his leadership to ensure fairness for gay and lesbian military personnel and their families.


text:
Mike Shepherd is a configuration management specialist for PureCM Software Configuration Management.
Change, then change again: It's a story familiar to developer managers everywhere. Projects are getting bigger and more complex. Developers are striving to reduce time-to-market, and squeeze releases out ever faster to keep pace with the market's demands for new functionality.
What's more, customers aren't prepared to wait until Q2 next year for a major release, to get the next batch of features built into the solution. They'd like them now, thanks very much -- while reserving the right to change the feature set at any time. In these accelerated circumstances, speed of development is not just about the coding; there's an ever-growing emphasis on how you manage your teams and the overall development process.
Keeping up with these external and internal demands means setting clear ground rules, both for individual developers and teams. For example, what should happen when a developer has finished their part of the coding? How often should new code be shared within the team? Who should review it, and when? Should the build happen every time code is checked in?
And from the manager's viewpoint, the issues go still further. There's the need to ensure the code is reproducible. To select and manage the features that will make it into the final release of the code, to set up the pre-release checklist, and perform any necessary security or compliance audits on the application.
So how do you keep serene, and keep pace? And ensure your team is working in harmony towards the same goals -- and deadlines -- without conflicts emerging, or developers getting sidetracked? The approach will depend on your development philosophy, and that of your team -- such as whether you embrace agile development or use more traditional methods. But there are techniques that can benefit any development team, and help them to be nimbler and more responsive to changing demands.
Here are my five suggestions on how developer managers (and their teams) can stay fully in control of fast-moving projects.
Give Developers Their Own (Work)space
A desirable feature is for developers to have their own sandbox, or workspace, so they can build and test changes before they are integrated. This speeds up development -- and so much the better if changes can be highlighted and reconciled automatically, enabling several developers to work on the same file concurrently. This approach enhances quality by allowing developers to build and test as they go along, prevents errors caused by incomplete submits, and increases productivity by allowing developers to work concurrently.
The right tool should also group individual file changes into a "changeset", making it easier to see and understand what has changed, and why, compared with the traditional approach of separate file changes. If changesets can be linked to the original change request to enhance transparency, even better.
This method gives the flexibility for developers to handle multiple tasks. For example, if an urgent bug fix comes in, developers can park their current work in a changeset, deal with the urgent fix, and then return to exactly where they left off, with all their files and changes preserved so they can re-start quickly.
Consistency Matters
As well as helping developers do their job more efficiently, the CM tool should also aid developer managers in ensuring processes are consistent across his teams -- giving the manager a top-level view of the status of current versions, who is working on what at a given time, and so on.
A key point is to have a configuration management (CM) solution that helps development teams work the way they want to -- and doesn't force them to change the way they work. Can the solution integrate with the build tools your team is using, to save time, give rapid feedback about successful or failing builds, and avoid the risk of errors creeping in from having to constantly switch from one application to another?
Track Packages, Not Individual Changes
In the same way that the task-based approach, described earlier, benefits developers by grouping related changes into changesets, it also benefits the manager by giving an automated, real-time audit trail of changes and the ability to retrieve a configuration when needed -- even when no label was created.
The changesets show the evolution of every project over time, including who made the change, why it was made, and to which files. This helps to put all the changes made in a project into context, in turn making it easier to match them to change requests. If the changesets are fully self-contained, they simplify rollbacks and parallel development,
As well as giving you better control of large or distributed teams, you get better transparency and easier status reporting. It's also a boon when revisiting older projects.
Parallel Lines
A common opinion about parallel development is that it's complex, lacks transparency, and creates an administrative headache in trying to track all the branching and merging.
But it doesn't have to be like that. With the workspace- and stream-based approach I've described, it's possible to isolate teams to work on different streams of a project, so they can edit, build and test separately. Then features can be merged back into the main code stream when ready. This also lets you decide what features you include in, or omit from, a release.
The key is to be able to keep different code streams in sync with each other so, for example, accepted changes could be shared automatically between streams. But done correctly, this means a broken build in one area doesn't stop the entire team from working. What's more, any bugs or unfinished changes stay contained in a stream, and don't spread to your whole project. So even if you're not a fan of parallel development, you can still use its techniques to your benefit.
Centralize and Share Code
Key to all of the suggestions I've made here is a central repository for all code in a project. As well as ensuring every developer is working on the same version, it also enables two short-cuts that can really save you time: the re-use of code and sharing components between projects.
The chances are that your team has worked on a project with elements that can be quickly adapted for a new project. If you're able to take a folder or component from one stream and share it with another, while automatically managing any changes or updates that are needed while the component is being worked on, then your team can capitalise on work it has already done, and boost its efficiency.
In conclusion, change is inevitable. But with the right processes and tools in place, you'll be better placed to take change in your stride, without it throwing you off course.


text:
Archive for facial hair
You are browsing the archives of facial hair.
You are browsing the archives of facial hair.
"Oh my God! Look at his beard!" The exclamation echoed down from people riding the chairlift above me, followed by hoots of joy and frenzy. It was a March morning, and over two feet of creamy spring fluff had fallen overnight on Park City Mountain Resort. My friends and I knew the skiing that day […]


text:
Remember Me?
Project CARS
Members Total: 2,255,535
Slightly Mad Studios: 1,500,000
Junior: 88,180
Team Member: 254,950
Full Member: 380,270
Senior: 158,300
Manager: 487,805
Senior Manager: 886,030
Join Now !
PCARS Rank
New Posts
Advanced Search
WMD Message
New members registration and Tool Packs purchasing is not possible at the moment. We hope to welcome you as member in the future.
The Project CARS Public forum can be found here:
Project CARS
WMD Message
You are not logged in or you do not have permission to access this page. This could be due to one of several reasons:
You are not logged in. Fill in the form at the bottom of this page and try again.
You may not have sufficient privileges to access this page. Are you trying to edit someone else's post, access administrative features or some other privileged system?
If you are trying to post, the administrator may have disabled your account, or it may be awaiting activation.
The administrator may have required you to
before you can view this page.
Log in
User Name:
Remember Me?
Quick Navigation
Site Areas
Control Panel
Private Messages
Who's Online
Search Forums
Forums Home
WMD Communications
News & Announcements
Project CARS
pCARS - Audio
pCARS - API Discussion
pCARS - Bug Reports
pCARS - Console Bug Reports
pCARS - Characters
pCARS - Code
pCARS - Game Controllers
pCARS - Game Design
Post-First Release Ideas and Suggestions
pCARS - General Discussion
pCARS - Graphics
pCARS - Multiplayer
Multiplayer Event Planning
pCARS - Physics & A.I.
pCARS - Car Setup Discussion
Weekly Hot Lap Contests
pCARS - Physics Testing
pCARS - Polls
pCARS - QA
pCARS - Tools
pCARS - Tracks
pCARS - Track Development Progress
pCARS - Track Development Discussion
pCARS - Real Life Track Reference Data Collection
pCARS - User Interface
pCARS - User Interface Translation
pCARS - Vehicles
Vehicles - Ariel / BAC / Caterham / Ginetta
Vehicles - Aston Martin
Vehicles - Audi / Bentley
Vehicles - BMW
Vehicles - Ford
Vehicles - Gumpert / Mitsubishi / Ruf
Vehicles - Lotus
Vehicles - McLaren / Pagani
Vehicles - Mercedes-Benz
Vehicles - Renault
Vehicles - Various Cars
pCARS - Real Life Vehicle Reference Data Collection
pCARS - Vehicles Painting
pCARS - Vehicles Custom Paints Download Database
Help, Info, and Support
Off Topic Discussion
Other Games
Contact Us
WMD Portal
All times are GMT. The time now is
Powered by
Version 4.1.7
Copyright © 2019 vBulletin Solutions, Inc. All rights reserved.
Image resizer by


text:
'Fractal Splines: Modulated & Morphed Sequences' is an ultimate collection of 100 WAV samples consisting of synth sequences morphed and modulated recorded at 120 BPM for electronic music based projects.
Geared with the most recent technology, this new Temporal Geometry sample pack is a massive kit of cutting-edge audio elements you can use right out of the box within your projects.
As these samples are all royalty-free, you can use them into your music production, game or TV project without having to worry about any additional licencing fees.
Directly out from the Temporal Geometry studios, 'Fractal Splines: Modulated & Morphed Sequences' has been engineered to be used either in multiple projects or as a single track kit.
All the samples of this pack have been created, reworked and mastered using plenty of cutting-edge plugins like Alchemy, Omnisphere, Massive and Reaktor, which gives this pack a very modern and futuristic edge.
- 230 Mb Complete Pack Content.
- 24 bits / 44.1khz
- PC/MAC Compatible (Logic, Cubase, Live, Reason, SonyAcid, Fruity loops, GarageBand, etc...)
- Wav
All of the content is 100% royalty-free. Once purchased, you can use these audio loops in your music releases, both commercial and underground, with no restrictions.
How to Order:
Simply click BUY "Add to Cart". When you finish your order, click "checkout". If you are a new costumer you need create an account, if you are a returning costumer only fill up the form. Your Download Link will be sent in you account in Loophunter immediately after your payment has been received.
For any problem send a email email@example.com
*Note: The previews are low resolution MP3s. The quality of the files you will receive will of course be much higher, uncompressed WAV-AIFF, stereo, 44k, 16-24 bit.
Producer: Temporal Geometry


text:
SALT LAKE CITY (AP) Brandon Taylor drew a charge with 9.7 seconds left and Glen Dean hit a pair of free throws on the other end to help Utah survive a late rally and upset Colorado 58-55 on Saturday afternoon.
Jason Washburn scored 13 points and collected 11 rebounds, while Jeremy Olsen added 12 points off the bench, to lead the Utes (10-11, 2-7) to their second Pac-12 win of the season.
Spencer Dinwiddie had 18 points, while Andre Roberson chipped in 10 points and 12 rebounds, for the Buffaloes (14-7, 4-5) who added a damaging loss to their NCAA tournament resume.
After trailing by as many as 22 points, Colorado made a late second-half run to get back into the game. The Buffaloes held Utah without a field goal over the final 10:44 of the game to whittle the Utes' lead down.


text:
They Might Be Giants Tickets
|Although we have run out of They Might Be Giants Tickets, we would like to invite you to view tickets in the following places
They Might Be Giants Tickets Prices
The average They Might Be Giants tickets will cost you $66 for the event being held on 31/12/2018 at Theatre Of The Living Arts, Philadelphia. The minimum get in price is $56 at Theatre Of The Living Arts.
|Average Ticket Price
|Get In Price (Minimum Price)
|They Might Be Giants
They Might Be Giants Tickets Promo Code
Use LUCK18 as the promo code and get a 3% discount on They Might Be Giants tickets. This is a wonderful opportunity to enjoy the thrilling live performance by your favorite ALTERNATIVE category
|Promo Code
|Discount Percentage
|LUCK18 td >
|They Might Be Giants
Details of They Might Be Giants and the Ticket Luck value
They Might Be Giants
They Might Be Giants is an American alternative rock duo consisting of John Linnell and John Flansburgh that formed in 1982. The band is commonly abbreviated to TMBG. Best known for an unconventional and experimental style of alternative music, the group has found success on the modern rock and CMJ charts, in the children's music genre, and in theme music for several television programs and films.
TMBG's best-known songs include
Birdhouse in Your Soul
Don't Let's Start
Ana Ng
Their appearances on the show Tiny Toon Adventures also gained recognition for the song Particle Man. Their song Doctor Worm was a surprise hit in Australia, ranking 13th in the Triple J Hottest 100 for the year 1998. Two TMBG albums have been certified gold: Flood and the 2005 children's music album Here Come the ABCs.TMBG's song Boss of Me served as the theme to the Fox Television Network comedy series Malcolm in the Middle and earned them a Grammy Award in 2002. They have also contributed theme songs to
Comedy Central's The Daily Show
Adult Swims The Oblongs
Disney Channel's Mickey Mouse
Higglytown Heroes
Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but never officially formed a band. The two attended separate colleges after high school, and Linnell joined The Mundanes, a New Wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn to continue their career.
Then: The Earlier Years (1982 to 1989)
Taking their name from the 1971 movie They Might Be Giants, the duo began performing their own music in and around New York City Flansburgh on guitar, Linnell on accordion and saxophone, and accompanied by a drum machine and a prerecorded backing track on audio cassette. Their typical instrumentation, along with their songs which featured unusual subject matter and clever wordplay, soon attracted a strong local following. Their performances also featured oddly comical stage props such as oversized fezzes and large cardboard cutout heads of newspaper editor William Allen White.
During the pause, they began recording their songs onto an answering machine, and then advertising the phone number in local newspapers. They also released a demo cassette, which earned them a review in People magazine. The review caught the attention of Bar None Records, who signed They Might Be Giants to a recording deal.
Recent activity (2004-Present)
In 2004, the band created one of the first artist-owned online music stores, at which customers could purchase and download MP3 copies of their music, both new releases and many previously released albums. By creating their own store, the band could keep money that would otherwise go to record companies. The name of the store was TMBG MP3 Music Store.In 2004, the band released their first new adult rock work in three years, the EP Indestructible Object. They followed that up with a new album, The Spine, and an associated EP, The Spine Surfs Alone. For the album's first single, Experimental Film, TMBG teamed up with Homestar Runner creators Matt and Mike Chapman to create an animated music video. The band's collaboration with the Brothers Chaps also included several Puppet Jam segments with puppet Homestar, and the music for a Strong Bad email entitled Different Town.
Drummer Dan Hickey left the band around this timeframe and was subsequently replaced by Marty Beller, who had already played with TMBG for kids' shows and other projects.TMBG also contributed a track to the 2004 Future Soundtrack for America compilation, a project compiled by John Flansburgh with the help of Spike Jonze and Barsuk Records. The band contributed Tippecanoe and Tyler Too, a political campaign song from the presidential election of 1840. The compilation was released by Barsuk and featured indie, alternative, and high-profile acts such as Death Cab for Cutie, The Flaming Lips, and Bright Eyes.
Their most recent album, The Else, was released July 10, 2007. The album was produced by David Byrne and The Dust Brothers. Their song, Man, It's so Loud in Here, is used on Real Madrid TV to publicize Real Madrid Castilla matches.They Might Be Giants has written a commissioned piece for Brooklyn-based robotic music outfit League of Electronic Musical Urban Robots (2007).
They Might Be Giants are John Linnell and John Flansburgh, an American alternative act that has casted alternative with the most commercial appeal. Distinct and unique in every dimension; from composition, to arrangements, guitar riffs, instrumental interplay and lyrics, the band went mainstream rather quickly. Their most unconventional sound and innovative music and lyrics earned them two RIAA platinum certified albums and a double Grammy win for one of Flood the album and a feature song. Their respective version of alternative rock helped them create thematic music and inspirational lyrics. For their initial years they hit off with Birdhouse in Your Soul, Ana Ng, Istanbul and Boss of Me, making them one of the highest selling alternative acts. Their eccentric approach to music was applauded by critics and reviewed positively by creative producers. Hence they were called to venture into thematic music production that led them to the children's music genre.
Their music was featured on films, television shows and special thematic occasions to complement the mood and deliver the kick required. From the Grammy winners Flood to Here Comes the ABC's the band had made a place for themselves in mainstream and international alternative scene. Equally popular amongst children and grown ups their songs featured on Malcolm in the Middle, The Daily Show, Mickey Mouse Clubhouse and Higglytown Heroes are sensational hits. Calling for live might, their concert tours attract an extensive outreach in fanfare, bringing forward, the most enjoyable yet self defined alternative music from. They Might Be Giants Tickets presents a special live act of the band every time, all time!
They Might Be Giants Tickets Prices
The average They Might Be Giants tickets will cost you $66 for the event being held on 31/12/2018 at Theatre Of The Living Arts, Philadelphia. The minimum get in price is $56 at Theatre Of The Living Arts.
|Average Ticket Price
|Get In Price (Minimum Price)
|They Might Be Giants
They Might Be Giants Tickets Promo Code
Use LUCK18 as the promo code and get a 3% discount on They Might Be Giants tickets. This is a wonderful opportunity to enjoy the thrilling live performance by your favorite ALTERNATIVE category
|Promo Code
|Discount Percentage
|LUCK18 td >
|They Might Be Giants
Frequently Asked Questions
Are the prices for the hey might be giants royce hall negotiable?
The ticket prices on our website are not negotiable. However, you can use one of our exclusive discount codes to get an instant and a decent discount on your tickets.
Hey, does your website have cheap 930 club they giants tickets?
Yes, Ticket Luck offers very cheap They Might Be Giants 9-30 Club tickets to all its valued customers! Get them now!


text:
No sales found matching your criteria.
Try removing some filters on the left side of this page. Or you can increase your search distance.
YardSales.net is the fastest growing yard sale site, with 0 sale photos and 0 garage sales in Crossett, Arkansas. YardSales.net offers you the best list of Crossett yard sales every week.


text:
I recently went on a colored denim bender. I had heard that The Loft was having a sale (40% off of EVERYTHING in the store) so I went to check it out. I work within walking distance of a mall. This is something that is both good and bad. It is usually bad.
I struck gold at this store with colored denim. Granted, I originally want full length colored denim pants but couldn't pass up the great deal on these cropped pants.
I bought them in green, "caribbean" blue and pink. And now I want to go out and buy lavender jeans. I'm going to get the whole rainbow, I tell ya.
I'm currently in fashion identity limbo. I go back and forth between loving trends but then preferring basics and comfort above all else. Part of my problem is that my body has changed. Apparently having a baby does that to you. Who would've thought?
While I dropped the pregnancy weight and then some really quickly, since I'm not really breastfeeding anymore (thereby reaping the benefits of the calorie burn) – weight has been creeping back on. It isn't anything extreme but let's just say I'm not the skinny minny that I was 3 months post partum. And now weight seems to be settling in my midsection. I've got the mom pouch.
Even worse? A year of breastfeeding has left my already small boobs as even tinier sad things. If you're following that means smaller boobs and a bigger waistline. Awesome.
So that brings me to fitness…
I still run 3 times a week. I have spent the last few months working my way up to run longer distances. 2 weeks ago I completed my first 10k post-baby. I wasn't pleased with my finish time (I averaged a 10:16 min/mile) but was glad that I was able to run the entire course without stopping (except for water).
I completed a 6k last week and was much happier with my time (9:30 min/mile).
So while I've conquered some distances (I'm happy just running 6 at the moment), I really need to work on getting faster again. I don't think that having a baby messed up my pace though. I think training for that marathon 2 1/2 years ago messed up my pace. I'm so used to just starting off slow to "save energy" for the distance that I'm not accustomed to pushing myself. I do this on the treadmill too.
I'm also currently dealing with some killer shin splints.
Jeremy and I were doing well with p90x but can only really do it when Annmarie is asleep. So it is hit or miss when we complete it. If she wakes up early (thereby eliminating the possibility of us working out in the morning), we try to workout in the evening.
But I'm still only doing cardio 3 times a week. I feel like I need to increase my cardio but I don't know when I'll have the time! Granted, my clothes are still fitting but I feel like I'm seeing some muffin top that I'm not happy with.
So – are you a parent? How do you squeeze in meaningful workouts?
Btw – I recognize that I could change my diet a bit, and I have started to cut down on the amount of snacking I do throughout the day. I got very used to my nonstop eating during my breastfeeding months and since I am no longer reaping the breastfeeding benefits… I need to stop the nonstop snacking.


text:
Welcome to Creative Cooking Gluten Free!
My name is Jenny, in June 2008 I was diagnosed with Celiac Disease and with that came changes in the way that I eat and live my life. It hasn't been the easiest of changes but it's been a good challenge for me as I have learned more about my life, my love for food, and love for helping others than I ever thought I would.
I am a graduate of Johnson & Wales University, Providence with an Associate in Science in Culinary Arts ('12) and a Bachelor of Science in Culinary Nutrition ('14). Beginning September 2014 I will continue to pursue my goal of becoming a Registered Dietitian by completing my Dietetic Internship at New York Presbyterian Hospital in New York City.
Here at Creative Cooking Gluten Free you will find many recipes that I have reformulated to be gluten-free along with naturally gluten-free recipes. I believe that a huge part of the gluten-free lifestyle is being able to adapt to the changes and not feel as though you have to give up what you love. Instead you need to be given the tools to adapt and adjust what you love to fit your lifestyle and diet. That is why I started by reformulation of recipes that I loved and creatively making them gluten-free.
Not only have I had to change my diet but Bryan has also had to change his as well. Thankfully he is a really good sport about it and trying all my different creations. I told him that I will not make two meals each night, so either he had to learn to cook for himself or eat my gluten-free meals. He chose to eat what I made. Don't get me wrong, we'll be having some gluten containing items in our house for him, it's not like he can never have it again, but I just won't be making any of it. He is extremely careful (sometimes even more than me) about cross contamination and cross contact. I know and understand that many people find the "split kitchen" controversial, but I don't think it is necessary to deprive him of food that he can eat. To take precautions, gluten-free items are labeled as such (peanut butter, etc.), everything is washed and sanitized very well, we have separate toasters, and utensils as well, and we just stay on top of things.
I am not the only one with a special diet, Bryan has a few food allergies and intolerances that he needs to watch out for. His include an Onion allergy, Oral Allergy Syndrome and is Lactose Intolerant. So in addition to gluten-free recipes you will also find that many of them are also onion free and instead of using milk, we use soy milk or rice milk (except for a few recipes like whipped cream). Here is a little guide to some of the food allergy acronyms you will find on the site : GF = Gluten Free, OF = Onion Free, DF = Dairy Free, NF = Nut Free, SF = Soy Free, EF = Egg Free
I've been experimenting with different recipes, flours etc. and have had some very interesting out comes…those of which have not made it to this blog but instead the trash. It's been fun and that's all that matters to me.
In the Fall of 2010 I decided to take a huge step and apply to culinary school. Not just any culinary school, but my dream school since high school, Johnson & Wales University. Even though this is not strictly a gluten-free program, I am completed my degrees as gluten-free as I possibly could. The Chefs that I had during my three years at Johnson & Wales were outstanding and were encouraging and enthusiastic about me working with gluten-free flours. The programs were challenging, but I loved them. I feel honored to be a part of JWU community, and Alumni, and to have been taught by these talented and inspiring Chefs.
In May of 2013 I was awarded both the Feinstein Enriching America Award and the Founders Award from the University. In addition to those two awards I was inducted into the Alpha Beta Kappa National Honor Society and the Omicron Delta Kappa National Leadership Honor Society, completed my AmeriCorps Service, and was awarded over $21,000 in scholarships and grants to finish my senior year (hard work pays off!). In lieu of completing my experiential education internship for my Associate Degree in a restaurant, I opted to work with the Community Service Office on campus and worked at a local soup kitchen cooking for 250+ guests in need every Thursday , preparing meals for families utilizing the Ronald McDonald House of Providence, and working with local children to decorate cookies that were then distributed to local Providence organizations and shelters. For the academic year 2012-2013 I held the position as Vice President of the Sans Gluten Club, which won Best New Club on campus, and was elected President of the club for the 2013-2014 academic year. In addition to my studies, and work with the Sans Gluten club I was a volunteer and intern at the Division of Pediatric Gastroenterology, Nutrition, and Liver Disease at Hasbro Children's Hospital in Providence, RI.
During the last five years of writing Creative Cooking Gluten Free, I have had the pleasure of working with many great companies such as Rudi's Gluten Free, Udi's Gluten Free, Canyon Bakehouse, Bakery on Maine, Le Creuset, Betty Crocker, Edgeware, and many more. You can find my recipes on EatSmart Products, Wholesome Sweeteners, and the National Foundation for Celiac Awareness.
Over the years my culinary library and skills have grown and I hope that they will continue to grow over the years to come. A mix of gluten-free cookbooks along with "regular" cookbooks and books on techniques currently reside in my library. I truly believe it is important to be able to adapt and reformulate every day recipes to meet your dietary restrictions. You will see many of the cookbooks that I love referred to on the blog.
Keep checking back for new recipes and resources for gluten-free living.
Please feel free to contact me if you have any questions about Creative Cooking Gluten Free, product reviews, giveaways etc by e-mailing CreativeCookingGF(at)Gmail(Dot)Com (firstname.lastname@example.com). All e-mails will be responded to with-in 72 business hours.
Check out my first live cooking demo for Cooking With Class with Chef Terranova – This demo was part of a five demo series that aired in May of 2013 in honor of Celiac Awareness Month!
Cooking with Class from Jenny Manseau on Vimeo.
Fall 2012 – Internship w/ Feinstein Community Service Center