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Today, your ADC needs to support not only legacy architectures for application delivery, but also new Devops-driven microservices architectures as well.
How can you provide consistent capabilities and management for both types of architecture at once?
Download "7 ADC Essentials to Bridge the Gap Between Traditional and DevOps Application Delivery" to learn more. Fill out the form below to receive this infographic.
This infographic identifies ADC considerations for:


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Podcast: 21st Annual Environmental Lecture and Luncheon main content.
by AMNH on
On April 12, 2011, the American Museum of Natural History hosted the 21st Annual Environmental Lecture and Luncheon, "A New Food Culture for a Sustainable Future."
The luncheon featured a panel of sustainable food experts who addressed topics ranging from urban agriculture to how eating locally can affect the community, environment, and the planet. Moderated by Lynn Sherr, a former "20/20″ correspondent, the panel included Nevin Cohen, assistant professor of Environmental Studies at The New School and urban food policy expert; Dickson Despommier, emeritus professor at Columbia University and inventor of the vertical farm concept; and Nancy Easton, founder and executive director of Wellness in the Schools.
Listen to a portion of the 2011 lecture in this podcast.

subset: commoncrawl


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Below are some extras from the portraits and rider bio's section of the new site that did not make it to the site.These are a few snap shots on the bike while riding around with the crew. I shot with Fuji Provia on my Contax T-2 and pushed a stop or two depending on the light. Click on image for full size.
Josh is a character while still remaining professional at all times, he means business on and off of the bike. Moving up in the local road race scene and ally cat events he's also traveled all over the globe racing his bike. He's very focused and quite possibly one of the funniest, most positive guy's I know.
BODA BODA for race events and clever takes on traditional NYC icons.
Harrison was raised upstate and is a really funny dude. I first met him in King Kog, I sold him a signed Eddy Merckx frame, he keeps his life classy both on and off of the bike.
Cheers to all the guys for letting me ride around and stick cameras in your faces, it's a pleasure to know all of you both on and off of the bike after all these years.


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Amazed .. I really like it
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Do you like to move it, move it?
Trade in the urban jungle for lush African rainforests and wild lemurs this summer. Get your hands dirty in conservation areas, or work with children in communities.
It's not too late to apply
Summer is fast approaching and you have no plans yet? Don't panic! We can still organise your volunteer trip, but there are 7 things to take in consideration.
Meet us in person
Join one of our upcoming information events and learn about the projects we offer and the countries you can work in directly from our staff and alumni.
Discover what you're capable of
Projects Abroad is the world's largest international volunteering and internship provider. We've been running for over 25 years and have sent over 115,000 people on incredible projects throughout the world.
People choose us for our gold standard of safety and staff support. We take care of everything so you can focus on making the most of your time abroad.
We believe everyone has something to offer and we want to help you find out what you're capable of. With our help you'll learn new skills, meet new people, make a real difference, and have the experience of a lifetime. You'll grow as a person and become a truly global citizen.
What makes us different?
The Gold Standard of Staff Support
Safety is everything to us and has been for over 25 years. We would never dream of contracting-out your safety to agents and third parties, as some do. Instead, we employ, thoroughly vet, and train all our own staff. Together, we provide a world-class support network to help you thrive.Read about our unique approach to safety
Hassle-free approach
We take care of everything, so you don't have to. Shopping around for insurance, organising airport pickups, and finding safe, clean accommodation all takes time and extra money. We take care of it all for you, and it's included in the price as standard.Find out how easy it is to travel with us
Make a Real Impact
This isn't just a holiday and we don't want to waste your time. That's why we invest in planning, measurement tools, and training resources. This means any project you choose is meaningful and creates real change where it's needed most.Read about how you can make an impact
Projects Abroad Madagascar have incredible staff members. They were able to improve on previously established projects and develop them into something that the community needed, wanted and benefited from. Additionally, they were there for us 100% of the time.
Brandon P
Volunteer with Children in Madagascar
I would highly recommend Projects Abroad to anyone as they're well organised and take the stress off of you especially when you have to travel far from home. It's comforting knowing they're always only a phone call away if anything goes amiss.
Mairi C
Don't believe words can truly describe the unforgettable experience I had. From the people, cultures and trips, the memories I gained will forever remain with me. Not once did I feel unwelcome and Projects Abroad worked very hard to make sure everyone felt safe and happy.
Jenny G
Volunteering with Children in South Africa for Teenagers
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If you're looking to volunteer with 5 or more friends or colleagues, we can provide a bespoke project to suit your exact requirements, including evening and weekend activities and a tailor-made itinerary.
Some of the media Projects Abroad has featured in:


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From inside the book
50 pages matching types in this book
Where's the rest of this book?
Results 1-3 of 50
What people are saying - Write a review
We haven't found any reviews in the usual places.
h aJt e r the nature
h at e r alternative theories
Climate and the Need for Shelter Materials Construction and Technology
Other editions - View all
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affect Africa American Amos Rapoport architect architecture areas aspects attitudes Bamileke basic needs become Bruno Taut builders built form California Cameroons Chicago choice climate complex concept constraints construction Cultural Geography defense Deffontaines determined differentiation discussed dwelling economic elements environment Eskimo example factors Fiji forces frame Geographie et Religions heat house form houses and settlements humid huts Igloo important Indians Iquitos Japan Japanese Kabylie Landscape linked living materials Melanesia Mircea Eliade nature peasant Peru physical pile dwellings Press primitive and vernacular problem Pueblo Raglan Redfield relation religious Richard Weiss ritual Robert Redfield roof sacred San Giminiano scale shade shelter Siegfried Giedion similar social societies socio-cultural solutions South space specific stone street stress structure symbolic Temple tent thatch tion town traditional types University urban values variations vernacular buildings village walls wind winter Yagua York Yurt


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St. Patrick's Day is just around the corner and it's time to start thinking "green".
One year I sent my kids to school and my daughter wasn't wearing any green. What was I thinking?
She came home from elementary school crying and I felt horrible and vowed never to let that happen again!
Today I'm sharing 16 really fun ways to add that pinch of green to your {or your child's} outfit…
1. Knit Shamrock Headband by Lisa Storms
2. St Patrick's Day Pin
3. St Patrick's Day Gumball Necklace
4. Shamrock Korker Hair Bow Tutorial by Running with Glitter
5. DIY Ruffled St. Patricks Day Top by Being Brook
6. How to Make a Bowtie by Paper n Stitch Blog
7. Four Leaf Clover Hairstyle by Cute Girls Hairstyles
8. St. Patrick's Day Leg Warmers Tutorial
9. Lucky Charm Onesie Tutorial by Naptime Crafters
10. Lucky 4-Leaf Clover Headband by Kailo Chic
11. St. Patrick's Day Nails at Linda's Nail Art
12. DIY Shamrock Clips by Pink Suede Shoes
13. Lucky Leprechaun Hat by Fickle Pickle
14. Felt Shamrock by Paper & Ink
15. Shamrock Tee Tutorial by iCandy Handmade
Polka Dot Shamrock Tee Tutorial by U Create


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CANBERRA, Australia, Dec. 15 (UPI) -- New Zealand says it won't join legal action against Japan over its whaling in the Southern Ocean but will still try to persuade Japan to end it activities.
Although New Zealand will not be filing as a party to the legal action being brought by Australia, Australian Foreign Minister Kevin Rudd said the New Zealand government remains a strong partner of Australia in the bid to end Japan's scientific whaling program, the Australian Broadcasting Corp. reported Wednesday.
New Zealand will make submissions to the International Court of Justice in support of Australia's case, Rudd said.
New Zealand Foreign Minister Murray McCully said Australia indicated it would prefer New Zealand not file as a party to the action, as such a move would result in Australia losing its entitlement to appoint a judge to the case because New Zealand already has a judge on the International Court of Justice.
New Zealand will continue its efforts to convince Japan to stop whaling in the Southern Ocean, McCully said.
Darren Kindleysides, director of the Australian Marine Conservation Society, says New Zealand must back up Australia's position.
"They need to be very clear, starting with this announcement today, that they are foursquare behind Australia's case," he said.


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2012 ACC Tournament Seeding ScenariosPosted by mpatton on March 2nd, 2012
With the ACC Tournament quickly approaching with one game separating everyone from Atlanta. Right now that means there's a real traffic jam of schools going for the fourth seed (Virginia, Miami, NC State and Clemson) and the ninth seed (Boston College, Virginia Tech, Georgia Tech and Wake Forest). Below is a chart that hopefully makes sense of everything. A big shout-out to Patrick Stevans, who put together the scenarios.
Warning: it gets pretty complicated.


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FHBM #662: Trampling Grandma for a FiverFive Hundy By Midnight add
Tons of entertainment and F&B updates, plus a reminder to check room rates now because deals abound
FHBM #661: Name SpeculationFive Hundy By Midnight add
We ponder the name for 18 Fremont and discuss some new stuff at The Linq, Palazzo and Park MGM, plus new sports books coming to downtown
Puuttuva jakso?
FHBM #660: Friday Night is Killing MeFive Hundy By Midnight add
Boyd Gaming hates you; Resorts World's eventual plans include 10,000 rooms; Fremont Street is getting some new bars; Rio is getting a Winter Wonderland
FHBM #659: I Can Feel It In My MouthFive Hundy By Midnight add
Updates on Resorts World, I Love the 90s, Park MGM and Venetian restaurants, and Flamingo's revamped bar
FHBM #658: I Like Whimsical ShitFive Hundy By Midnight add
Post-trip reviews and reports about Hell's Kitchen, Palms, Gilley's and a bunch of other stuff, plus Aerosmith details and other Vegas news
FHBM #657: Vegas in My BloodFive Hundy By Midnight add
Lady Gaga makes it official, Aerosmith is up next, MGM Resorts can't get out of its own downward spiral, plus lots of other news and Vegasy thoughts
FHBM #656: Getting Pegged in the Audience of a Las Vegas ShowFive Hundy By Midnight add
Lady Gaga may have two shows planned for her Park Theater engagement, Bally's is getting a new bar, A Mob Story suffers another delay
FHBM #655: A Shitty ViewFive Hundy By Midnight add
Paris dumps Inferno, announces I Love the 90s, get drunk for $50, MGM's legal move looks bad
FHBM #654: Rise of the Room Service RobotsFive Hundy By Midnight add
SLS beings Grand Sahara Resort transition, BSB ends residency, Vdara has room service robots, Casa de Shenandoah closes...
FHBM #653: Patented SloppywearFive Hundy By Midnight add
A little news, a few email questions and a couple phone calls plus the usual nonsense. Mostly about Vegas.
FHBM #652: Some PimpageFive Hundy By Midnight add
Divas closes unexpectedly, Plaza delays new show, Wynn's holiday show could be cheesy fun, Spiegelworld is taking on disco, Neon boneyard offers a new tour option
FHBM #651: Canal FishingFive Hundy By Midnight add
A couple Las Vegas shows hit snags, Park MGM is getting a nightclub, restaurant and bar news, plus some other Vegas updates and snappy banter
FHBM #650: The Process at WorkFive Hundy By Midnight add
Wynn Plaza will have more high-end shops most of us will ignore. 18 Fremont has a plan for Uber and Lyft. Baz closes. Boy George rumors return.
FHBM #649: Summer HiatusFive Hundy By Midnight add
Wynn ditches parking fees for guests and customers, Marilyn the New Musical performs as expected, Spago reopens in improved location, plus more trip reviews
FHBM #648: I Like Free SnacksFive Hundy By Midnight add
Reviews of Hell's Kitchen, Pronto, Bruxie, The Golden Tiki, strike update, Pink's closes, Aria introduces new lounge/room options, Cosmo social hour dies
FHBM #647: 40 Grit SandpaperFive Hundy By Midnight add
Tons and tons of Las Vegas news from the past couple weeks, plus some reviews and observations from our latest trip
FHBM #646: Chili's Presents Cats!Five Hundy By Midnight add
Queen + Adam Lambert at Park Theater, Tony n' Tina's Wedding at the saddest venue in Las Vegas, more Linq renovation rumors and free pool parties at Influence
FHBM #645: Three Inches of JunkFive Hundy By Midnight add
18 Fremont plans galore, rumors, rumors and more rumors, plus Mariah returns, Cosmo gets a bunch of new restaurants and much more
FHBM #644: A Threesome with Las VegasFive Hundy By Midnight add
Wynn scales back redevelopment plans, Mob Museum opens a speakeasy, Monte Carlo becomes Park MGM, Barry is back, plus lots of other news and reviews
FHBM #643: This Shit is BananasFive Hundy By Midnight add
Gwen Stefani show and Star Wars virtual reality details, horrible ideas coming to downtown, including a weed museum and an interactive football league
- Näytä enemmän


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Airman finds luck on her 'unlucky day'BStory and photo by Staff Sgt. Wayne Woolley, DMAVA Public Affairs
Airman 1st Class Olivia Roberts, center, poses with rescuers Tech. Sgt. Anthony Winfield and John Buckley in front of the New Jersey Youth ChalleNGe Academy building at Joint Base McGuire-Dix- Lakehurst. Roberts was driving home from a dentist appointment on May 13, when she lost control of her vehicle on Route 537 in North Hanover Township.
"It was my luckiest unlucky day," said Roberts, an Airman with the 87th Logistical Readiness Squadron. "What they did for me is beyond amazing."
The afternoon sky was cloudless as Roberts made her way down Route 537 in Hanover Township on the way home from the dentist on May 13. Tech. Sgt. Anthony Winfield, an Airman with the 421st Combat Training Squadron, was on an outing with his wife and son, heading the opposite direction on Route 537. He saw Roberts's car make a sudden, sickening swerve, leave the road, go over a small hill and end up several hundred yards away on its side on Sykesville Road, just off the intersection with Route 537.
John Buckley, a registered nurse with the New Jersey Youth ChalleNGe program, was making his way down Sykesville Road, on his way to his daughter's high school lacrosse game when he came across Roberts's 2007 Daytona Challenger with the driver's side down. Winfield had just called 9-1-1 and was inspecting the car.
"One of the tires was still spinning," Buckley said. He pulled over and both men began tearing at the Challenger's sunroof, Roberts was still buckled up and motionless inside. In an explosion of glass, the roof gave way. Buckley climbed inside. From the way Roberts's head was turned, it was unclear if she was breathing.
Buckley realized two things. The first -- If Roberts needed CPR, he couldn't deliver it in the car. The second: If she was still alive, she might not stay that way if she was not moved. Buckley undid her seatbelt, and he and Winfield carefully pulled Roberts through the sunroof opening.
Roberts regained consciousness almost immediately after being pulled from the car.
"I had no idea where I was or what happened," Roberts said. "All I knew is that these guys kept telling me I would be OK and I believed them."
The ambulance arrived. Buckley, now sure Roberts was going to be OK, left for his daughter's game. Winfield rode with Roberts in the ambulance to the hospital. Roberts's fiancé, Senior Airman Sean Watkins of the 87th Logistic Support Squadron, met her at the hospital.
Roberts's uniform was covered in blood. It wasn't hers. Buckley and Winfield had cut themselves tearing open the sunroof.
"We were going on adrenaline," Winfield said. "We even tried to push the car back to its tires before going for the sunroof.
Roberts was not found at fault for the crash. Although she was behind the wheel of a muscle car, she wasn't driving it like one.
Police accident investigators calculated her speed at the time she left Route 537 to be between 41 and 43 mph – well below the 50 mph limit.
Although a medical evaluation continues, doctors told Roberts it's likely she lost consciousness due to a drop in blood sugar. She had major dental work done 10 days before the crash and had been unable to eat much. She returned to duty four days after the crash.
Although she loved car, which was totaled, Roberts knows that's not what matters.
"What matters is that I'm alive," she said. "And people helped me when I needed it most."
Buckley said his first thought when he saw Roberts's face was that she bears a striking resemblance to his oldest daughter.
"Every parent hopes that if their kid is in the same situation, somebody stops to help," he said.
|(c) 2011 NJ Department of Military and Veterans Affairs


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The men and women who have served and fought for our great country's freedom are America's true heroes. Many have lost their lives for our freedom.
May God grant you the peace you deserve and may you get the reward you truly deserve. No country can come close to America, and you made it all possible. America must never fall. We back down from no one.
For all the men and women who have fought and served our great country; for all those who made the ultimate sacrifice; we thank you.
In reading the article, "Man wanted for attempted murder," in the Nov. 12 edition of The Lancaster News, it's obvious someone is not doing his or her job. A person who has been arrested and pleaded guilty 10 times in a seven-year period should never have been released to the public. Who keeps giving him probation?
Ramond Johnson
Indian Land
Thank you to all who voted in this year's election. Your vote is your right to choose who you think will do the best in that position.
I will do my best to serve on the Cane Creek Watershed Board. I will do what I can to make sure that your tax dollars are spent in an appropriate manner for the upkeep of our county's watershed dams, basins and spill-ways. I would also like to thank Amanda Roberts, district manager, for all her help and for the great job that she does for our county.
Tony Sistare
Cane Creek Watershed Board
For as long as I can remember, listening to 1560 WAGL has been a Sunday morning tradition in the households of many families throughout our city, county and beyond under the ownership of Leonard "Len" Phillips.
The station was upgraded in transformer power and well-maintained, according to standards.
With a lot of ambition and hard work, Phillips took WAGL to another level. And our little station became the center of mass communication, information and music in our little city and county.
Please give us a community update on the convenience center or trash dump for Indian Land.
We can now see that Lancaster County has sold the land at the old school site to someone so they should have lots of money now to give us back a trash dump.
Yes, I am aware that lots of folks use trash pickup services, but there are still some old country folks here who do not want to pay for something that we pay taxes for.
Isaiah was right when he said woe to those who call evil good and good evil. That time is now. Truth is subjective.
The voters of Houston elected a lesbian mayor. Now we see that the devil and his children do not play fair; they play dirty.
There was enough uproar to cause her to remove the subpoena request for sermon notes.
The progressives will not let up and are going to make your church marry homosexuals or you will be thrown into jail and your church siezed.
In 2010, we were tired of Congress voting for more taxes and more spending and voted for a change.
Mick Mulvaney was part of that change because we knew we couldn't keep doing more of the same in Washington.
Guess what? We can't keep doing the same kind of tax-and-spend in Lancaster County either.
That's why I like John Hess. He's a career financial planner who can help our county plan its finances better. He's active in the community and helps manage the finances of individuals and businesses in our county.
Some time ago, the Holiday Inn chain's TV advertising campaign featured the slogan, "No, but I did stay at a Holiday Inn Express last night."
After years of not knowing anything about the Lancaster County Probate Court, I had the chance to meet Jerry Holt, the Republican running for probate judge.
In 10 minutes, he told me all about the office and showed me he has the knowledge and business experience we need for the office.
I'm also excited to see our nation's veterans stepping up to serve in public office. We can trust people who defended our country in offices like probate judge, where they will be responsible for protecting our families.
John Hess is running for Lancaster County Council because he knows times have changed in Lancaster County.
We need someone who will work hard to bring new jobs and industries to Lancaster. Our county has great hard-working people, we just need someone who will work to attract companies to Lancaster County.
We need someone to give the youth a future in Lancaster. Our young people need jobs here, not in Charlotte or somewhere far away. They need hope and a future here. The youth of the county are the future of the county.
Copyright © 2019
The Lancaster News is your source for local news, sports, events, and information in Lancaster County and Lancaster, South Carolina, and the surrounding area..


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To begin with Spades Plus can be obtained free of cost. Therefore, you shouldn't fear about any concealed charges. Alternative versions are available for either Android and iPhone, therefore this is another concern that you can put off your shoulders.
The following point that must impress you about Spades Plus is that it is relatively risk-free. There's no need to get worried about your private details being leaked if this is the game that you opt for.
Also, it offers you a broad selection of Free Coins, and as a result you would be spoilt for options. It is unlikely that you would not be able to find something that would match your need as the option of Free Coins is also readily available.
If you do not like a certain game, you have all opportunities to switch to a different one.
By the way, I strongly recommend checking our Facebook.


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Rated People's fuel card partnership deal with The Fuelcard People means that you can now enjoy real fuel cost savings, with free credit and reduced administration, backed by personal service and security.
When you fill up with diesel or petrol, you can ignore the price shown on the pump. Even better, you do not have to pay for the fuel there and then.
*Working with us can help you control your fuel and fleet management costs. All savings are estimated based on fuel spend, credit rating, account type, market prices and ensuring that your vehicles are fully maintained. Savings cannot be guaranteed.


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Related Links
- Full Release in PDF
- Listen to Game on Yale Radio Network
- Watch Game on Big Sky Network (and listen to Yale Radio)
- Ticket Information
- Directions to Spanos Stadium
- Central Coast Weather Report
- Ivy League Football
NEW HAVEN, Conn. – The Yale football team (2-0, 1-0 Ivy), coming off a win in its Ivy League opener last Saturday, has its longest road trip of the 2013 season this weekend on the West Coast. The Bulldogs travel to San Luis Obispo, Calif., to face the Cal Poly Mustangs (2-2, 1-0 Big Sky) on Saturday at 5 p.m. EDT in a game that airs on the Yale Football Radio Network (including WELI AM-960) as well as the Big Sky Network.
This is the first meeting of Yale and Cal Poly, while no Ivy school has ever played a Big Sky Conference member on the gridiron.
The Yale football team has played in the Golden State twice, splitting the meetings with the University of San Diego in 1998 (win) and 2006.
Deon Randall scored four touchdowns as Yale broke open a halftime tie with 28 second-half points in a 38-23 win over Cornell at Yale Bowl. Three of his scores came through the air. Randall, a senior from San Diego, Calif., caught a career-high 11 passes for 148 yards and ran the ball three times for 18 yards and another score as the Bulldogs improved to 2-0, 1-0 in Ivy play. Senior QB Henry Furman, coming off three rushing TDs in the season opener, threw for 353 yards and three scores while the offense racked up 566 total yards. Furman connected on 29 of 36 attempts and did not have an interception. Junior TB Tyler Varga had another strong outing with 105 yards on 21 carries. Cornell QB Jeff Mathews, one of the top passing prospects in the country, collected 336 yards, but the bulk of them came in the fourth quarter with the game out of reach. The senior was hurried and hit all day. Yale LB Jeff Schmitgens and DB Robert Ries picked off Mathews passes, while DB Cole Champion led the way with 10 solos and 12 overall tackles against the Big Red.
Cal Poly, which has already played games against BCS schools Fresno State and Colorado State, is ranked 18th in the NCAA FCS Coaches Poll. The Mustangs overcame a 21-7 deficit at half to beat Portland State 38-34 on the road Sept. 26 thanks to Kristaan Ivory, who ran for 184 yards on 32 carries and ranks ninth in the FCS and No. 1 in the Big Sky for rushing. His team totaled 431 rushing yards in the win in Oregon last week. Cal Poly, which played at Ohio State in 2009 but has never played an Ivy school, is coached by Tim Walsh (5th year), who replaced Rich Ellerson when he left San Luis Obispo to take the Army job.
The Big Sky Conference, founded in 1963, includes membership from Arizona, California, Colorado, Idaho, Montana, North Dakota, Oregon, Utah and Washington. BSC teams have won six national championships. Cal Poly, playing its first season in the conference last fall, earned a share of the 2012 title and made it to the second round of the NCAA Playoffs.
Yale and Cal Poly players have three California high schools in common, and they will be on the field together for the first time since they were teammates. Yale's Keith Coty and Cal Poly's EJ Galvez and Aaryn Bouzos attended La Mirada High School and played football together during the 2008 and 2009 seasons. Yale's Deon Randall and Wes Gavin and the Mustangs' Ronald Jackson Jr. were teammates at San Diego's Francis Parker High School from 2007-09. Austin Reuland of the Bulldogs and Cal Poly's Colin Dzubnar were at Mission Viejo High together during the 2010 and 2011 seasons. The two former Oaks Christian High teammates facing each other Saturday are Max Napolitano (Y) and Chris Judge (CP).
Deon Randall scored four consecutive touchdowns in the second half of a 38-23 win over Cornell last Saturday at Yale Bowl that earned him the Ivy League Offensive Player of the Week. Randall, a senior wide receiver who scored his first points at Yale Bowl, helped Yale break open a halftime tie with 28 second-half points in the Elis' league opener. Three of his scores came through the air, from eight, 23 and 44 yards. Randall, a San Diego, Calif., native who was All-Ivy in 2011, caught a career-high 11 passes for 148 yards and ran the ball three times for 18 yards and another score (10 yards). The three TD receptions tied a school record, while the four scores were one shy of the Yale mark shared most recently by Mike McLeod against Holy Cross in 2007. Randall also saw his first collegiate snaps on defense and made one solo and broke up a pass.
Senior WR Chris Smith (Midlothian, Va.), a 2011 All-Ivy League pick, returned to the lineup after missing last season and has 12 catches for 119 yards and a 25.4 average on kickoff returns. He is Yale's career leader in kickoff return yardage with 1,646, while he sixth in receptions with 104. Smith's two returns for TDs at Brown in 2010 as a sophomore are an Ivy League record.
Sophomore DB Cole Champion (Ft. Lauderdale, Fla.) had a career-high 10 solos and 12 overall stops against Cornell on Sept. 28. Champion, who began 2013 with two solos at Colgate, earned a starting safety spot early in 2012 and was the leading returning tackler (46-25-71) from last fall. Champion was an all-state football linebacker and lacrosse midfielder at St. Thomas Aquinas High. He is the school's career tackles leader and helped them earn "national championships" in 2008 (with current teammate LB Dylan Drake '13) and 2010. Nine of his former teammates are playing Division I football, five in the FCS and four Ivy Leaguers.
Senior Henry Furman (Portland, Ore.) has done something so unique, there's no way to figure out if anyone has ever done it. He led scoring drives on his first five series behind center while scoring a TD on four of them. He is now third in the FCS with an average of 21 points per game responsible for. Furman, making his second straight start, ran for a 3-yard TD in the first quarter. On the day, he completed 29 of 36 passes (school-record .805 completion pct.) for 353 yards and three scores. In the opener at Colgate, he scored three times (25, 1, 33) on four rushing attempts. He got the natural hat trick by making them consecutive scores, all in the first half. They were his first career rushing TDs; he had one receiving TD in 2012. The last Yale QB to run for three scores was Alvin Cowan in 2002 vs. San Diego. Furman, who also completed 11 of 17 passes for 129 yards at Colgate, was a JV quarterback in 2010 and 2011. He made a successful transition to receiver in 2012 and had nine catches, including a TD, as a backup. After three QBs went down in the 2012 Penn game, he jumped in and played the last four Saturdays. His first collegiate start at any position came at QB against Princeton when the former Lincoln High (Portland, Ore.) School star completed 18 of 28 passes for 184 yards and a score as Yale's most valuable offensive player. Furman, who worked at the Yale Alumni Magazine last summer, threw for 5,000 yards and 43 TDs before coming to Yale.
Sophomore QB Morgan Roberts (Charlotte, N.C.) made a successful debut behind center at Colgate by engineering three scoring drives in the second half on a very windy day. He had one series in week two against Cornell. Roberts, who played at Clemson last fall, completed eight of 15 passes. As a red-shirt freshman in 2012 at Clemson, Roberts was the No. 3 signal-caller and completed two of his three passes.
Junior WR Grant Wallace (St. Louis, Mo.), who was second on the team last fall with 35 grabs for 371 yards and three scores, has six catches in two games this year. He made the school's top 10 in single-game catches with 11 for 118 yards and a score at Harvard last November. Wallace, the son of former Bulldog Bob Wallace '78, had three or more receptions in four games.
Junior All-America candidate Tyler Varga (Kitchener, Ont.) is ranked No. 2 in the FCS after two games with 170 yards per game. He had a 236-yard rushing day(3rd best at Yale) at Colgate in the opener and then had 105 against Cornell.. For the Sept. 21 performance, he was collegesportsmadness.com Ivy Offensive Player of the Week and beyondsports.com FCS Running Back of the Week. He led the nation with 199.4 all-purpose yards per game in 2012 and was the Ivy League leader with 119 rushing yards per game (10th in FCS). Varga rushed for over 100 yards in five (most in Ivy) of his seven games (9 yards shy vs. Cornell, 4 vs. Penn) and was the only Ivy player to rush for more than 200 in a game. His 220 at Columbia was sixth best for a Bulldog player and got him FCS national RB of the week from College Football Performance Awards. He was the first Yale newcomer to run for triple digits in his debut since Mike McLeod in 2005. Varga, who played at the University of Western Ontario in 2011, also competed in track & field, swimming, basketball and baseball as a kid. Varga was a star regional sprinter and jumper, but injured his leg and was convinced by his coach to help the team by throwing the shot (45', 6.5") and javelin (110').
After two seasons as the starting punter, junior Kyle Cazzetta (Slate Hill, N.Y.) took over at both kicking spots this fall. He connected on both (46, 31) field goal attempts in week one, and the 46-yarder was the longest for a Yalie since Tom Mante split the uprights from 54 (Ivy record) in 2009. He is 3-for-4 on FGs this season. Cazzetta, who punted into the wind on four kicks and had "sky kicks" on two others, has punted nine times for a 30-yard average. He was named to numerous pre-season all-conference teams after averaging 40 per punt and landing 13 inside the 20 in 2012. His career-best outing was at Brown with a 46.1 average on seven kicks and four inside the Brown 20, including a 72-yarder (3 yards shy of school record). He is No. 16 (2nd in region) on Phil Steele's FCS pre-season national list of punters.
40 - PALIN (Captain)
Senior DE Beau Palin, a NFF Scholar-Athlete candidate and a semifinalist for the William Campbell Trophy, was elected captain of the Bulldogs at the conclusion of the 2012 season. Palin (Oconomowoc, Wis.) played TE his first two years before switching to defense in 2012. His five sacks were second on the team last fall. His best day as a Bulldog was a six-solo performance in a win over Penn in 2012. Palin is also very involved in the Warrior-Scholar Project, which helps war veterans and non-commissioned officers who are leaving the service make the transition to college life.
Two All-Ivy League seniors, a pair of juniors and a sophomore have started the first two games on the offensive line.
Seniors: LT 79 Wes Gavin (6-6, 286, San Diego, Calif.), C 60 John Oppenheimer (6-0, 264, Menlo Park, Calif.)
Juniors: RT 70 Ben Carbery (6-5, 287, Oak Park, Ill.), LG 67 William Chism (6-3, 277, Ridgeland, Miss.)
Sophomore: RG 50 Luke Longinotti (6-4, 265, Burlingame, Calif.).
Here are some other notes on Yale offensive linemen.
LT Wes Gavin had numerous scholarship offers but came to New Haven and became Yale's freshman MVP in 2010 before getting All-Ivy honors in 2012… He was named scholar-athlete by the San Diego chapter of the National Football Foundation Hall of Fame while also throwing the shot and discus in high school. Both of Gavin's parents are under 5-foot-8… John Oppenheimer, who moved over from the defense his sophomore year and became an All-Ivy center in 2012, played both sides of the line in high school. An active member of the Mandi Schwartz Marrow Donor Registration Drive at Yale, he made a live-saving marrow donation last spring and went to Washington, D.C. this past summer to speak to members of congress about the need for funding. His father, Peter Oppenheimer, is Apple's senior vice president and Chief Financial Officer… LG William Chism owns a fire wood business back home in Mississippi. His father, Brad Chism, played football at Millsap College and was a Rhodes Scholar. He is President of Zata|3 Consulting, a Washington, D.C.-based direct voter contact firm. The younger Chism had offers from every Ivy school and several other FCS institutions… RG Ben Carbery was a National Merit finalist and the captain of his high school's Scholastic Bowl team, which finished 17th at the 2010 National Academic Quiz Tournament national championship (he was 8th in the individual competition). Carbery, who was Yale's freshman MVP in 2011, is the son of Paul '83 and Sherry '83 Carbery. His aunt, Patti Carbery '86, played basketball and softball at Yale. Luke Longinotti, who played in all 10 games last year as a newcomer, was a three-sport (thrower, basketball) athlete in high school. His father, Ron, swam at Stanford and his mom, Libby, was varsity golfer at Stanford. His sister was a volleyball player at Columbia.
Yale opened the 2013 season with a 96-yard scoring drive. Last week the Blue took advantage of a long kick return by Chris Smith and then took its opening possession 49 yards for a score… Yale tight ends had their first catches last week. Senior Keith Coty and junior Adam Conklin each had one… Junior Parker Toms and freshman Bryan Holmes shared the kickoff duties last week… Yale had three players in triple-digit AP yards… Seven different Elis had rushing attempts… Twenty Bulldogs had solo tackles last week.
Yale newcomers accounted for 19 solos and 32 overall tackles in the Ivy opener. FS Robert Ries (Cincinnati, OH), the Ivy League Rookie of the Week for Sept. 28, had 4-5-9 and an interception against Cornell. CB Victor Egu (Concord, Calif.) chipped in 4-1-5. Four freshmen are starting on defense and there are six on the two-deep on that side of the line. No newcomers started on offense but three are on the depth chart. PK/P Bryan Holmes (Holland, Mich.) has served as Yale's kickoff man. CB Foyesade Oluokun (St. Louis, Mo.) made five solos and had seven overall stops on defense against Colgate. RB Candler Rich (Newnan, Ga.) is second on the depth chart and has also been productive.
1 elected team captain (Palin)
2 games scoring on its first possession
4 returning Elis who started a game at QB last fall (Williams, Russell, Furman, Varga)
5 All-Ivy players (Gavin, Oppenheimer, Randall, Smith, Varga)
20 seniors
77 points in two games (most since having 79 in 2007 to open season)
96 players on roster
99 current season of Yale football in the Bowl
167 offensive plays in two games
596 regular season games played in the Bowl
One hundred and nine former Yale students have become college football head coaches, though no Elis currently serve that role. However, the 2013 Vanderbilt University football team includes two coaches who are former Yale receivers. Bob Shoop '88, a 25-year veteran of college coaching, is the defensive coordinator. Chandler Henley '06, the captain of the 2006 Ivy Champions, is in his second year as an offensive graduate assistant coach. In addition, former Yale offensive lineman Kyle Metzler '03 is the offensive tackles/tight ends coach for Dartmouth.
Dartmouth owns the most Ivy League titles since league play officially began in 1956. Yale and Harvard trail Penn by two for second.
No. Team Last Title
17 Dartmouth 1996
16 Penn 2012
14 Yale 2006
14 Harvard 2011
9 Princeton 2006
4 Brown 2008
3 Cornell 1990
1 Columbia 1961
Next season marks the 100th anniversary of Yale Bowl, which opened for the playing of the 1914 Harvard game. The cornerstone event of the season-long celebration is the Sept. 27 contest with Army, an old rival that helped fill the famous stadium on numerous occasions. Army and Yale last met in 1996 at West Point, the last game in New Haven was 1988. The Bulldogs have played 596 games and are 373-203-20 in the Bowl.
Yale has gone five straight seasons without a tie after regulation time. The Elis are 4-3 in OT games overall since its first, a 34-31 loss at Penn in 2003.The last OT game was a 26-20, triple-extra-session win at Penn in 2007.
Tony Reno, the Joel E. Smilow '54 Head Coach of Yale Football, and some of his players are at world famous Mory's (306 York Street) every Tuesday (Sept. 17 through Nov. 19) at noon for the Dick Galiette Yale Football Media Luncheon. This event is limited to media only. Please contact Yale Sports Publicity Director Steve Conn (firstname.lastname@example.com) if you would like to attend.
Legendary coach Carm Cozza and Ron Vaccaro '04 call the action of Yale Football this fall on the flagship station - ESPN Radio (AM 1300) – for the new Yale Football Radio Network. The broadcast can also be heard on Talk of Connecticut radio stations WDRC (AM 1360 Hartford), WWCO (AM 1240 Waterbury), WMMW (AM 1470 Meriden), WSNG (AM 610 Torrington) and WDRC (FM 102.9 HD -3 Hartford). You can also hear the games on iHeart radio and on espnradio1300.com. Some of the broadcasts also air on WELI (AM-960). Cozza, who handles the color commentary, is the career victory leader among Ivy League coaches and a member of the College Football Hall of Fame. This is his 16th season in the booth after a 32-year head coaching tenure during which he led the Bulldogs to 10 Ivy League Championships. The play-by-play is done by Vaccaro (follow @yalevoice on Twitter for Yale football updates), entering his ninth season as the voice of the Bulldogs. He has been covering the team since his freshman year in 2000. Vaccaro has won five Emmy Awards for his work with NBC Sports and Olympics and is the editorial director for NBC Sports and the NBC Sports Network. He has covered a total of five Olympics. His TV on-air work includes the 2008 Beijing Olympics, the 2009 World Swimming Championships and college hockey.
The Cornell, Fordham and Brown home games and all of the road league games except Dartmouth can be seen on the Ivy League Digital Network (www.ivyleaguedigitalnetwork.com). Cozza and Vaccaro call the games from the Bowl, while the home team announcers work Yale's away games.
The home or league road games not available on the digital network are on national TV. Yale's Oct. 12 contest at Dartmouth airs on Fox College Sports. The Princeton game is on ESPN3, while NBC Sports Network has The Game on Nov. 23.
A recent tradition continues with Yale football radio broadcasts in 2013. Every third quarter, Vaccaro and Cozza are joined by a former Yale player on the Yale Football Radio Network. Ex-Bulldog running back Bill Primps '71 was in the booth at Colgate. Doug Johnson '74, an ex-Eli guard and center, came up for Cornell. Former Yale QB Chris Hetherington '96 (11 years in NFL) will be at the Cal-Poly game, while record breaking WR Ralph Plumb '05 is set for Dartmouth. Ryan Fodor '09, a QB for the Blue, could see an undefeated Fordham team at the Bowl. Jim Dwyer '80, who played on two Ivy champs, talks Lions and Bulldogs. Jake Stoller '11, in the Steelers camp two summers ago, will see the Brown game. Keith Bassi '78, a two-time Ivy champion, will talk about the Tigers. QB Kevin Rogan, 40 years after leading Yale to a 35-0 victory over Harvard in 1973 to deny the Crimson a championship, comes to the booth for The Game.
The WYBC Sports Staff, led by director Evan Frondorf '14, covers all games on wybcx.com and on AM 1340. Their coverage includes a pre-game show 30 minutes prior to kickoff and interviews with Tony Reno and different players each week.
The Bulldogs, off on Mondays, are on the field from 4 to 6 p.m. Tuesday through Thursday behind the baseball stadium. Fridays are walk-through days either at Yale Bowl or on the road and times vary. Players and coaches are available for interviews with working media following the practice if there is no student-athlete scheduling conflicts. All schedules are subject to change. Check with Steve Conn at least 24 hours in advance.
There are three 1 p.m. games confirmed for this fall: Oct. 20 vs. Milford Academy, Nov. 10 at Brown and Nov. 22 vs. Harvard.
The Yale Bowl press box has a taste of New Haven with Yorkside Pizza & Restaurant serving slices, pasta and salad to the media on home Saturdays.
Pat Graham '01, a former Yale tight end and defensive lineman, is a defensive assistant coach for the New England Patriots. He is in his fifth season at Foxboro. Graham, a Waterbury, Conn., native, was a member of Yale's 1999 Ivy title team. Michael McDaniel '05 is in his seventh NFL campaign and third with the Washington Redskins. He also coached the Houston Texans and Denver Broncos.
"Inside Ivy League Football," a weekly online radio show dedicated to Ivy League football, returns for its third year for the 2013 season but now has a new home on The Ivy League® Digital Network. Airing Wednesdays at 7 p.m. and hosted by Dan Loney and Brian Seltzer, "Inside Ivy League Football" takes an in-depth look at all the on-field gridiron action and all the news and notes surrounding football in the Ancient Eight. Each episode is packed with highlights, statistics and expert analysis in its 'Around the Ancient Eight' segment. With its interview segments 'Program Profile' and 'Alumni Spotlight,' the show visits with players, coaches and administrators who impact Ivy League football, both past and present in exclusive one-on-one conversations. Fans and alumni can engage with the show via Facebook (facebook.com/InsideIvyLeagueFootball) and Twitter (@insideivyfb, #IvyFootball) and contribute content for its 'Social Media Mash' segment with chances to win prize packs courtesy of The Ivy League. Check IvyLeagueSports.com each week for this season's episode schedule and guest lineups. Every episode from the first two seasons are also available on The Ivy League® Digital Network at IvyLeagueDigitalNetwork.com.
Be the first to know what's going on with the Bulldogs -- Follow @YaleAthletics on Twitter, become a fan of Yale Athletics on Facebook!. For more information on following specific Yale Athletics teams visit us online at www.yalebulldogs.com.
There are three significant changes in the Yale football program this season. One the fans will notice, the other two are less obvious. There are new Nike uniforms. The "Y-Dog" logo has been taken off the shirt and the stripe on the pants is nothing like the double blue stripes that ran the full length in recent years. The other two changes are in facilities. Clint Frank Field has a new FieldTurf surface, and the varsity strength & conditioning room at the Payne Whitney Gym has been completely renovated with an efficient training system and a synthetic turf track running through the middle of the room.
The following players were elected to the team's leadership council: seniors Beau Palin, John Oppenheimer, Cam Sandquist and Hank Furman; juniors Tyler Varga, Will Chism, Grant Wallace and Will Vaughn; sophomores Eric Williams, Cole Champion, Sebastian Little and Austin Reuland.
Yale's home opener vs. Cornell is Youth Day, Yale Family Weekend and Coach To Cure MD Day… The Fordham game is New Haven Chamber of Commerce and Walter Camp Football Foundation Day at the Bowl… Heroes Day and Yale Employee Day are the co-promotion when Columbia comes to town… The season finale against Harvard marks the "Fill The Bowl" campaign.
filed by Steve Conn, Yale Sports Publicity Director


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Interview date: 8/20/2008
Run date: 9/02/2008
TV Home / Entertainment Channel / Bullz-Eye Home
Although those of us who came of age during the '80s readily recognize Naked Eyes as the band responsible for such classic MTV hits as "Always Something There to Remind Me" and "Promises, Promises," the duo of Pete Byrne and Rob Fisher drifted apart after two albums, going their separate ways to work on individual projects. When the pair reunited several years later with the intent of releasing and touring behind a third Naked Eyes album, the plan was cut short by Fisher's unexpected death. After leaving the group's name behind for many years, Byrne – the voice behind Naked Eyes – decided to revive it a few years ago, releasing an album of his favorite tracks by other artists (Fumbling with the Covers). Now, Naked Eyes are on the road as part of the Regeneration Tour, alongside A Flock of Seagulls, Belinda Carlisle, ABC, and the Human League. Bullz-Eye spoke with Byrne about the history of the group, their highs and lows, the status of the new Naked Eyes album, and what's true in the group's Wikipedia entry and what's not.
Pete Byrne: Is this Will?
Bullz-Eye: It is!
PB: It's Pete Byrne!
BE: How are you, sir?
PB: I'm well, thank you. How have you been?
BE: Not bad. I don't know if you recall, but we traded e-mail through MySpace once upon a time…
PB: I know! And…we spoke as well, didn't we?
BE: No, just the e-mails on MySpace.
PB: Really? Well, I certainly remember your name and that you were with Bullz-Eye and everything, but I'd thought we'd done an interview.
BE: Nope, this is our first. But I'm glad we finally are doing one, and I'm very much looking forward to the Regeneration Tour coming to my area. I guess the last time we traded e-mail was not too long after the release of Naked Eyes' Fumbling with the Covers album, and at the time, you were still more or less getting Naked Eyes back into the public eye. How did that album succeed for you in that capacity?
PB: I'm not sure that it actually had the effect of making people more aware of the Naked Eyes name. That's been one of the things that's really sort of come home to me. I've been back on the road for about three years, and it's really amazing that people know all my songs, but not a lot of people know the name Naked Eyes. If you whistle "Always Something There to Remind Me" in a pub, everyone in there knows it, but if you said the name Naked Eyes, you might find that maybe only 5 percent know who Naked Eyes is. So that's really been my goal: to connect the dots. Because back in the '80s, of course, we were an MTV band, and I did all the promotion, we did all the TV shows and everything, and people who know music know Naked Eyes, but the mainstream population, the ones who know "Always Something There to Remind Me," don't know the name Naked Eyes. So this tour is really helping with that, I think.
BE: So how did you get involved with the tour? Did they come to you?
PB: Yeah, I got a call one day…my publicist, actually, called up and said, "I was talking to somebody, da di da di da," and then the agent called me and asked me if I wanted to do it. And at that point, it was going to be Bananarama on the show. Bananarama, Belinda (Carlisle), ABC, and the Human League. But they dropped out for some reason. I'm not sure why. So it went through a few changes, but it's still good. It's a really good tour, and it's so nice because everyone's doing a concise history (laughs) so I'm on stage for 35 minutes. The energy level's really high, and the crowds are going crazy. It's really a great show.
BE: When it comes to selecting your set list, I guess…well, to be polite, it could be said that you have less songs that the audience absolutely, positively goes in expecting to hear.
PB: (laughs)
BE: Does that free you up to break out the occasional album track to thrill the old diehard fans?
PB: No, it's almost…a couple of nights, I've thrown in new songs, because I've got a new album I'm working on called Piccadilly, which will be out next spring. It's an electronic album, like a real Naked Eyes album, as opposed to the acoustic one. And I've been trying to throw in the odd song from that, so when I get to play an extra five minutes, I'll throw in a new one. But, basically, I'm doing the hits. I'm doing "Always Something There To Remind Me," "Promises, Promises," "When the Lights Go Out," "(What) In The Name Of Love," "Voices in My Head," and…I'm there! I mean, five or six songs, and I'm there! (laughs) So that's nice. I remember going to see shows like that when I was a kid, in England, and I used to love that. I used to love seeing a band play for 20 to 25 minutes. There's a different energy about it. When you're on stage for 90 minutes, there's a whole kind of plan that goes with it, and a certain pacing, things like that. But when you're just going out there to play a hits show, it's like you're being shot out of a cannon. You're out there, and, bang, everybody's going crazy. It's fantastic, it really is.
BE: Given your druthers, is there any song from the archives that you would like to break out?
PB: Well, you know, I've grown to love these songs even more than I did when I wrote them (laughs) so I could play anything from the first album. "Emotion in Motion," I love that one. I'm thinking of re-doing "Low Life." I haven't played that one since the '80s, so I might do that at some point. But, basically, right now, our usual set involves all the ones that you would think. We open with "Voices in My Head" when I'm doing a long show, and now, because of time constraints, I'm still doing it, but I'm doing a shortened version of it. But, yeah, I love it. I'll play any of them! I'd like to do some acoustic stuff as well, but there's just no time for it. (laughs)
BE: So before Naked Eyes, you and Pete were in a band in Bath called Neon. Who else was in the line-up?
PB: Yeah, it was in Bath, and, originally, it was Curt Smith on bass and a guitarist called Neil Taylor, Manny Elias on drums, and Rob and I. And then we played around for awhile – it was a really great band, actually – and then Neil left, and we wanted another guitarist, so Curt suggested Roland (Orzabal). So Roland came and played guitar for us. But it was really Naked Eyes. I mean, they were all Rob's and my songs, and Roland and Curt were sort of players in the band. But it was a really great band. Basically, Roland and Curt had their own thing to do, so they went back to that, and Rob and I went back to a two-piece again, and, fortunately, everyone did very well!
BE: I've heard that you and Pete were childhood friends. How old were you when you first met?
PB: Well, actually, we weren't childhood friends. We met in our early 20s in Bath.
BE: (sarcastically) Thank you, Wikipedia. Again. But the irony is that I was actually going to preface a different fact from there by saying I questioned its accuracy. That one just seemed so reasonable.
PB: Yeah, there's a number of things on there that are wrong. There's another thing in there that's really cool…but really wrong (laughs) and that's that we worked with a producer named Alan Talmey, who's got nothing to do with us at all. I've never even met him! I've been tempted to do something about our Wikipedia entry, but every time I think about it, I just think, "Oh, I just haven't got the time. I'd rather be playing music than editing someone's mistakes." So I don't know where that came from, but we basically met at a session in a studio in Bath, and he had one band and I had another. We were sort of world-famous in Bath. (laughs) But as things work out, our groups both broke up at the same time, and, basically, that was it. I was walking across a bridge in Bath, and he was arguing with the girl singer, and I knew her better than I knew him, actually, so I kind of intervened in the fight that was ensuing, and at the end of it, he and I went off to the pub, and we discussed how awful it was being in bands and how tedious it was being a musician! So we decided that we'd attack it from a different angle. We would become songwriters, get a publishing deal, have loads of hits, and all that. And, then, as I like to say, four years later, we were an overnight success. (laughs)
BE: So I've read, not on Wikipedia, but in an actual interview, that "Always Something There To Remind Me" has the Burt Bacharach seal of approval.
PB: Apparently, it does now, but I don't think it did originally. I don't think he was that thrilled, because we took his song apart and reconstructed it. But, in retrospect, I think he's grown to like it. At the time, every other version of it was done with Burt's original arrangement in mind, really. I can't think of any other version that had strayed very far from the original. And we not only strayed from the original melodically and harmonically, but I even changed some of the words. So I don't think he was that thrilled in the beginning, but I think he's grown to like it.
BE: So I'm sure you've been asked this a thousand times, but was it coincidence that the second single was called "Promises, Promises," which was also the title of a Bacharach/David song?
PB: Oh, God. Y'know, actually, I haven't heard it that often. But at the time, I had no idea that Bacharach had written a song called "Promises, Promises," so it was a hell of a shock! And when I found out, I thought, "God, he must love us! He must think we're doing his whole songbook! He probably thinks we'll be doing 'Close to You' next!"
BE: Do you happen to recall what thinking went on that resulted in releasing the first album in the States under a different name and with a different track listing than from the U.K. version (Burning Bridges)?
PB: Basically, it was because, in England, for some reason, they let me do what I like…which wasn't always a good idea…but in America, they didn't. In America, they pretty much took hold of it and said, "This is what we're going to do, this is how it's going." And that was it. And by that point, I'd gotten to the point of realizing that maybe my ideas weren't always the best in terms of marketing and picking singles. I actually picked "Voices in My Head" as a single in England, and nobody agreed with me, but at that point, I was sort of young, naïve, and full of it, so I said, "Well, I don't care what you think!" Which was a huge mistake, as it didn't do anything as a single. If the point of releasing a single is to have some sort of commercial success and radio play, then it failed miserably, but it is a great song, and I love playing it live now. And things like the title of Burning Bridges, the whole thing was…"Burning Bridges" was one of the songs that was actually taken off the album when it came to America. But by that point, I'd grown up a little. Although it was only about six months difference, but I'd still gotten to the point where I thought, "Well, these guys know what they're doing, so let them do it." And they were right, of course.
BE: Tony Mansfield produced the debut. Had you been familiar with his work prior to that?
PB: Oh, absolutely. His band, New Musik, was one that Rob and I really loved, and when the idea of working with him came up, we jumped at it. Yeah, prior to meeting Rob and working with him, I was really more into sort of guitar-based bands, but Rob being right at the forefront of keyboard technology, because he had an electronics degree as well as being a classically-trained piano player, he was right there, and he kind of steered me in that direction. He put together these incredible two-track demos. I mean, we had this poxy little tape recorder, and he would do these things because he could play two keyboards at once, so it was an incredible thing. And then I'd sing over it and do harmony lines, and we'd have these demos that were just amazing. But bands like New Musik, the Buggles, M, those very early synth-pop bands were the ones that I loved, because I always loved pop songs. Even some of the bubblegum things, like Freddie & The Playboys. Things like "Judy in Disguise." I loved those out-and-out killer pop songs, and New Musik was great at that. "Straight Lines" and "This World of Water," their songs were really killer, and Tony had a way of processing it and producing it to make them really different. So we were thrilled to be working with Tony.
BE: You guys used a fair amount of Fairlight on the record.
PB: Yeah, and, actually, that bit is almost true in Wikipedia! (laughs) We were one of the fortunate synth bands from that period who, having had a hit record, the record company went, "Well, how much do you want?" And they started buying all the latest things, and so we bought that fabulous Fairlight, which was, in those days, an amazing thing. Now, of course, it's nothing compared with the technology that people have, but back then, it was really something.
BE: When I talked to Martin (Fry), I mentioned how ABC's How to be a…Zillionaire! was also very heavy on the Fairlight, and I asked him how he felt that it had fared over the course of time. How do you feel Naked Eyes' material has held up? Or, actually, since synth-pop is more in vogue now than it used to be, how had you been feeling about how it was aging?
PB: It's always difficult when you're making a record, because you really haven't a clue about anything. You're just doing it. And then you listen to it, and you forget about it. But, now, listening to that stuff all these years later, I think it sounds pretty good. Some of the ones that were purely Fairlight…the B-side of "Promises, Promises" was called "A Very Hard Act to Follow." I don't know if you know that one, but it's on the NakedEyesMusic.com Web site. I put it up there because it really is a very cool song, but it's all Fairlight. Drums, keyboards, everything apart from the vocals. So it's a really good indication of where that stuff was, and it really is very different from all the other synth sounds, because it was the first digital sampling keyboard, where you could sample a sound and then you could play it back. We thought it was fantastic. Everybody was talking about it. "You can record a dog and then play it back on the keyboard!" (laughs) I don't know if anybody ever did that, though.
BE: Surely someone did.
PB: Yes, someone probably did! And it also had a light-pen screen, so you could draw waveforms…, which nobody ever did, either, of course! (laughs) But the main thing about it was that it had an eight-track sequencer. When you think back to when Rob and I first started, there were no sequencers, no computers, and no way for us to do the sort of things that one can do now, so when the Fairlight came out, it was an incredible thing, because it had this sequencer so you could run all your keyboards. It was mind-blowing at the time.
BE: When Fuel to the Fire came out, were you just, like, "What the hell? What's going on? Why isn't this as successful as the first album?"
PB: Yeah, there was a whole change at EMI, and I remember having a meeting because…when they released the first single, "(What) In The Name Of Love," and it just scraped into the top 40, we just got the feeling from the record company that they weren't really that interested in us anymore. And I think it was simply the way the music business works. When you're in the middle of it, you don't really realize it that much, but from the outside, you see what happens. Things change quickly, and one of your guys at the record label suddenly gets fired, then new people come in, and they put their own ideas and their own bands that they want to sign, and you get kind of left out, in a way. And I think that's what happened to us. Plus, there was the fact that I was spending so much more time in California while Rob was in London, so we were kind of, "Well, whatever." It was a frustrating period, but…it's just life, really.
BE: What led you to live in separate places like that? Was it just your lives going different directions?
PB: Well, yeah, I mean, I met an American girl…
BE: Say no more.
PB: (laughs) Yes, and I started to live in California, and, of course, once you've lived in California, it's difficult to live anywhere else. It's such a great environment, not just the climate, which is fantastic, but just creatively. And in the music business, it's the place to be. And I ended up working with Stevie Wonder (on "Part Time Lover") and producing and writing with different people, so it was a very creative time for me. And Rob was back in London, doing his thing there.
BE: So is that what led to the eventual disintegration of the band, then?
PB: Well, it wasn't even that. I would come back to London, and we would work, and at some point, we were just having lunch and he said to me, "I'm doing this thing with Simon Climie," and I said, "Well, that's fine, I'm doing this thing with Stevie Wonder." And we just decided to give it a (pauses) I mean, it wasn't even a, "This is the end of it." There were no histrionics, no drama, no Laurence Olivier acting moments. (laughs) It was pretty much just two people saying, "Okay." I mean, for about four or five years, we'd spent virtually every day together. It's like any relationship: you get to the point where you've had enough. And the record label wasn't really doing anything for us, so we thought that maybe were done. I don't know. We just left it. But, then, when we got back together, we just picked up where we left off, as if nothing had ever happened. It was amazing. We got together, and we wrote two songs in a day. My God, both of us were just…I mean, in the meantime, he'd been working with someone else, and I'd been working with other people. We just had something. You know how these things work. Some people just have a spark. It's like Burt Bacharach and Hal David. They both do things individually, but what you remember from them is what they did together. So there was a bit of that with us as well.
BE: I know that on your solo album, The Real Illusion, there were some songs that you had written with Rob for an intended third Naked Eyes album, but was that material that had been written during the era of the original two albums, or was that from the later writing sessions?
PB: No, these were done later. Yeah, we were actively working on a new album and starting to put Naked Eyes back together. We were talking about touring and all that stuff. When he passed away, that was…it was just an amazing shock to me and to everybody else. But like I said, we just picked it up from where we left it, and we wrote a lot of songs. The new album, Piccadilly, has probably five or six songs that I wrote with Rob. A couple of them were very early ones. The one that comes out on an EP…it actually comes out today…is "Movies I Dream," which was one of the first songs we ever wrote, but we never recorded it. So I finally got that one done (laughs) and it's pretty good. It's got a very '80s feel to it, because I wanted to keep it as it was supposed to be, as we saw it and intended to be back then. I didn't want it to sound contemporary. I wanted to record it like that. So that's nice. And, y'know, there are four or five others. The ones that we'd written before he passed away, a couple of them are really beautiful, and I think they're going to be really great when they're done.
BE: What happened between 2001 and 2007 to make you decide to go back to calling yourself Naked Eyes? Was it a marketing thing? Because I've talked to people who admit that it's just easier to market a recognizable name.
PB: Well, yeah, everyone was mad at me for calling that Real Illusion album by Pete Byrne. Everyone said, "You should call it Naked Eyes," and I said, "Well, I don't really think I want to." I should have done. Once again, I'm not always the best person to make all those decision about what I do! (laughs)
BE: I can imagine it was a damned-if-you-do situation, where you call it Pete Byrne and people say, "Why didn't you call it Naked Eyes?" And then you call it Naked Eyes, and people say, "You can't call it Naked Eyes! Rob's dead, so it's not really Naked Eyes, is it?"
PB: Yeah, I know, and it really is a tricky thing. I mean, although being the voice of Naked Eyes and only being a two-man band, I still seem to pick up a lot of flak for it. I got the point where…what happened was, after the Real Illusion album, I got involved with a label to release all the 12" dance mixes of Naked Eyes and all the rarities: the B-sides and a couple of things that had never been released. So I did an album called Everything and More, I put it all together, and obviously that was a Naked Eyes album. They said to me…and it was just a bit of luck, really, because they meant something else…they asked me if I could do some in-stores, which to me meant putting a band together and playing some shows. And I think what they meant what that they wanted me to go and sign CDs or something like that. But I did put a band together, and we did a show in Santa Monica and in Los Angeles, and it really was fantastic. I mean, the place was packed. And about two days later, I got an e-mail from an agent, asking if he could represent me, and I said, "Sure!" And then the next weekend I was in Detroit, playing at…I don't even know where it was! But it was at a club, and I had all of these Playboy girls there, and I was riding around in a Hummer limo with half a dozen Playboy girls. And I thought, "Well, actually, this isn't a bad gig some days!" (laughs) And that was it. And I've been pretty much out doing shows most weekends for the last three years, and the response from the crowds has been great. I mean, I still get a little of flack for calling it Naked Eyes even though Rob Fisher's passed away, but I do my best. Things like "Always Something There to Remind Me" and "Promises, Promises" I've kept like the originals, like the records, some of the other songs I've reinterpreted and made them more contemporary. My basic thing is that I'm having fun, and if I'm having fun, I'm just going to do it, and that's it.
BE: I have to say that, on the acoustic album, of the Naked Songs that you revisited, the reinterpretation of "When the Lights Go Out" was just fantastic.
PB: You know what? I agree with you. The whole thing about doing the Naked Eyes songs was an afterthought. It really came about because, when I started doing it, I would say, "I want to do a Beatles song," so I would go through every Beatles song I knew, go through the Beatles' song books looking for a song, and I love their music, so I could've known a hundred songs, but I was always looking for something I could change up a little bit and…not make mine exactly, but make a little bit different. And that's why I did "Cry Baby Cry" when I got to it, because I just went, "Oh!" And it's so totally different from John Lennon's version that it kind of works. And I felt that with all of the covers that I did, like Cat Stevens' "Sad Lisa." And about halfway through it, a friend of mine asked me why I wasn't doing any Naked Eyes songs. And it hadn't even occurred to me. So I did "Promises, Promises," which I thought turned out pretty well, and then I did "Always Something There to Remind Me," obviously. And the last one I thought of was "When the Lights Go Out," and I said, "Well, let me see if I can do it, and how would I do it?" And I was really pleased with the way it turned out, and a lot of other people have said that as well. The other thing about it is that the sound of it is really great. Although it's just an acoustic song, it's just as difficult mixing something that has four or five elements as it is mixing something with 60 elements, which is the usual thing with my songs. So I really think that one just sounds great from all those different angles.
BE: And, at least for me, I have to say that its reinvention was also helped by the fact that, of the three Naked Eyes song you revisited, it was the one I'd heard the least over the years, so it was easier to approach with fresh ears.
PB: Oh, I see. Well, that's great! And there's some stuff on there that wasn't on the original, like some low harmonies and some other bits. So it's a different song in a way.
BE: Last question: how much would it cost me to get you to play "I Am the Cute One," the song you wrote for the Olsen Twins to perform, when you come to Portsmouth?
PB: Oh, God. Um (hesitates) You know what? I'm not even thinking about the humorous aspect. I'm thinking, "Can I even remember the chords?" (laughs) Because I would play it for you! I'll see if I can remember it, and then when you come backstage, I'll play it for you. But do you know what? "I Am the Cute One," that was such a great gig, because my manager managed the Olsen Twins, and I knew nothing about the Olsen Twins. He called me up and said, "I'm managing these two young girls. Can you write a song for them?" And I said, "Well, I suppose so. Tell me something about them." "Well, they're identical twins." "Fine, okay." So I wrote this song. I had the idea, I was driving along, and I thought, "Well, what do I do about twins? I wonder if they have a little bit of conflict there." So I thought about, "I am the cute one, and you're just my sister." So I had the idea of it, and I'd also been working on this other song which was really cool and had an interesting chord sequence, and it was…well, it was a grown-up song, basically! And I thought, "You know what? I'm not going to pander to a kid's melody or anything. I'm just going to try and write a song like I normally do, but using this idea of 'I am the cute one, and you're just my sister.' And so that's what I did. I wanted to write something that the parents would listen to and think, 'This is pretty cool," but also that the kids would like because, well, it's the Olsen Twins! And it was a fantastic success, actually. At the time…I don't know about now, but at the time, it was one of the biggest selling videos of all time. So, yeah, it was one of those lucky, lucky things. I'm proud of that song, actually! (laughs)
BE: And it just goes to show you that sometimes the most preposterous thing in a person's Wikipedia entry is actually true. (laughs)
PB: I know! And do you know what it means to me? It means that you should approach everything in life with a positive angle and not treat it as a lesser thing…which one could do in a situation like that! But I think it stands on its own. It is a good song! It's difficult for me to sing it, but (laughs)
BE: Well, it's been a pleasure to have a real conversation with you rather than one via e-mail.
PB: Absolutely! And please come back and say "hi" at the show!
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