text:
Good Day Live "Young Inspiration Contest" Official Rules:
1. Prizes: Each month one student in grades K-12 will be named the "Good Day Live" Young Inspiration. Student must live and attend a school in the "Good Day Live" viewing area. This contest has a zero cash value.
2. Eligibility: No purchase necessary to enter. Good Day Live "Young Inspiration Contest" is open to U.S. residents, grades K-12, except for current and former employees of Nexstar Broadcasting, Inc., Mission Broadcasting, Inc. (Nexstar, Mission, WTWO, WAWV and mywabashvalley.com are collectively the "Sponsors" of this contest), employees of the donating advertiser during the week of such donation, other television and radio stations or multichannel video programming distributors in the Terre Haute market, the respective affiliates, subsidiaries, agents, advertising or promotions agencies (if any) of all of the foregoing, and members of the immediate families (spouse, parent, child, sibling and their respective spouses, regardless of where they reside) or persons living in the same household (whether or not related) of all the foregoing. Contestants are eligible to win a WTWO, WAWV or mywabashvalley.com contest only once every sixty (60) days. Only one winner per household is permitted in any contest. Contestants are eligible to win a prize valued at $600.00 or more only once every six months.
3. This contest is subject to all federal, state and local regulations and laws and is void where taxed, restricted or otherwise prohibited. By entering, contestants agree to abide by these Official Rules and the decisions of the Sponsors, which will be final and not subject to appeal.
4. The contest is open to individuals only. Corporations, associations or other groups may not participate in the contest.
5. By entering the Good Day Live "Young Inspiration Contest", participants agree to the use of their personal information as described in the Privacy Policy located at www.mywabashvalley.com.
6. Entry and Award:
a. Entry Dates: Nominations start August 26, 2013 – April 15th, 2014 on mywabashvalley.com. Only one entry per student and must be in grades K-12. Entries will roll over each month.
b. One student will be named the Young Inspiration each month from September 2013 – May 2014. A total of nine students will be awarded Enter by filling out the entry form on mywabashvalley.com. Winner will picked by the "Good Day Live" staff. Entry will be judged by how the student has inspired their local community.
c. Sponsors may substitute prizes for prizes of like value in Sponsors' sole discretion. Prizes may not be substituted or redeemed for cash and prizes may not be assigned or transferred to any other party.
d. Only a winning contestant will be allowed to claim the prize. Prizes must be picked up at the WTWO/WAWV studios within 30 days of the date of the award or such prize will be forfeited. In the event the prize needs to be used by a certain date, the winner will need to pick it up before the date.
All winners agree to accept all responsibility for any prize mailed to winner at winner's request, but no prize will be mailed until Sponsors receive completed and signed confirmation of eligibility and releases.
e. Failure to adhere to any of the terms and conditions outlined herein will result in a forfeiture of a prize.
f. Prize winners are liable for any and all tax, title or licensing resulting from their acceptance of any prize associated with this contest. Winners may receive a IRS Form 1099 or equivalent from Sponsors.
g. Copies if these rules or a list of winners may be obtained at WTWO/WAWV studios during regular business hours or by mailing a written request along with a self-addressed stamped envelope to GDL "Young Inspiration Contest " c/o WTWO/WAWV, P.O. Box 9268, Terre Haute, IN 47808. Sponsors reserve the right to change these rules at any time.
h. Failure to comply with these contest rules may result in a contestant's disqualification, at the sole discretion of Sponsors. Sponsors reserve the right to award any prizes that are not claimed by the end of contest in future promotions conducted by Sponsors.
i. Sponsors reserve the right to discontinue the participation privileges of any participant (and void his/her entry) who engages in any fraudulent activity or uses the contest in a manner inconsistent with official rules or in violation of any federal, state, local laws, statutes or ordinances or with the intent to annoy, harm or abuse the Sponsors, their representatives or any other participant. In addition to discontinuance of participation privileges, Sponsors have the right to take appropriate administrative and/or legal action, including criminal prosecution, as they deem necessary in their sole discretion.
j. Sponsors are not responsible for technical or computer failures, errors or data loss of any kind, lost or unavailable internet or SMS connections, failed, incomplete, garbled or deleted computer or network transmissions, inability to access any website, cellular or online service, any disconnection or loss of call, any other error or malfunction, late, lost, illegible or misdirected entries, or for printing errors in any advertisement, entry form or these rules. Should any portion of contest be, in Sponsors' sole opinion, compromised by non-authorized human intervention or other causes which, in the sole opinion of Sponsors, corrupted or impair the administration, security or fairness, of this contest, Sponsors reserve the right at their sole discretion to suspend, modify or terminate the contest and, if terminated select the potential winner for the contest from all eligible, non-suspect entries received for the contest prior to such action using the judging procedure outlined above.
k. Each winning participant: (i) except where legally prohibited, by acceptance of a prize, grants permission for Sponsors (and agrees to confirm such agreement in writing) and its designees to use his/her name, entry material, voice and/or likeness and prize information for advertising, trade and promotional purposes without further compensation, at any times or time, in all media now known or hereafter discovered worldwide and on the Internet and/or World Wide Web without notice or review or approval; (ii) will be required to execute and return a release and wavier of liability; and (iii) will be required to provide their Social Security Number and current government-issued photo identification reasonably satisfactory to Sponsors. If a winning participant refuses or does not complete and fully-execute the release, or if a potential winner is found to be ineligible or not in compliance with these Official Rules, or if prize notification or prize is returned as undeliverable, the prize will be forfeited.
l. Participants agree that Sponsors and their affiliated companies, and advertising and promotion agencies, and each of their respective officers, directors, employees, representatives, licensees, assignees and agents (collectively, the "Released Parties") will have no liability whatsoever for, and are released and shall be held harmless by participants from and against any liability, for any injuries, losses or damages of any kind, to persons, including death, or property resulting in whole or in part, directly or indirectly, from acceptance, possession, misuse or use of any prize or from participation in this contest or in any contest-related activity.
m. Released Parties are not responsible for typographical, printing or other errors or problems relating to or in connection with the contest, including, without limitation, errors or problems which may occur in connection with the administration of the contest, the processing or judging of entries, the announcement of the prizes or in any contest-related materials.


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Fried: Agrave la carte no more in Albemarle
Students immediately noticed: the most popular cafeteria offering in Albemarle high schools, an order of french fries, is no longer available, at least not a la carte. Now a burger or pizza comes with the fries, and some students aren't a bit happy about the change.
"Ridiculous," sneers Thomas Meert, a junior at Albemarle High School. "They're punishing the people who just buy fries. Now you have to buy a burger with them, and it's the greasiest thing you've ever seen. The cheese is pure fat."
"Ridiculous," echoes Ryan Birckhead at Western Albemarle High. "I can drive a car, but I can't decide to buy just fries."
Birckhead, who packs his lunch, is particularly incensed. Because of his food allergies, french fries are the only food at Western he can eat.
And there's one other thing: "Western's fries are quite tasty," says Birckhead.
The reason the fries at county high schools are so delicious is why they're in hot water– or at least hot oil. They're deep fried, unlike the city schools' baked fries, which are still available a la carte. But no one at CHS is getting in line to buy just an order of fries, according to Alicia Cost, who's in charge of nutrition for Charlottesville schools.
"The calorie difference is significant," she says. "There's a huge amount of calories" in fried fries.
"The one thing we heard about high school students was that all they ever buy was a plate of french fries every day," says Albemarle's executive director of support services Diane Behrens, who stresses that french fries are still available.
And with a growing national concern about obesity, "that's the reason parents have come to us and asked us to do something," says Behrens.
Over at Western, cafeteria manager Ty Johnson says he's heard some grumbling, but students "have accepted it fairly well. They understand we're doing it for health reasons, not to punish them."
And he points out that economically and nutritionally, "It makes a whole lot more sense to buy the whole meal." Last year, a large order of fries cost $1.25. "For 50 cents more, you can get a wrapped sandwich, milk, a small salad, and a fruit."
County high schoolers aren't the only ones enduring the nutritional push. Now middle schools have limited sales of cookies and ice cream to one day a week. And Jack Jouett Middle School has cut its Little Debbie snack line entirely.
"I've gotten maybe a dozen comments from kids, and they were certainly disappointed," says Jouett principal Dave Rogers. But he hasn't heard any complaints from parents about the rationing.
The fryers have been taken out of county middle schools– and eventually it could happen at the high schools, says Behrens. And county cafeterias are offering baked or reduced fat chips. "We're slowly improving things," says Behrens.
But not everyone believes forcing teenagers to buy a meal with their fries is going to slow obesity. "Now they have to eat pizza they wouldn't eat if it wasn't on their plate," complains one parent.
"Western students are pretty creative," says Birckhead. "It's a matter of time before somebody brings in their own fryer."
And for those like Meert who just want fries, there's the traditional "buy and ditch" used by school kids over the ages.
"I usually give the burger to someone or throw it away," he says. "The burger is the most disgusting thing you've ever tasted."
You can't eat just one. Now Albemarle insists high schoolers have a burger or pizza along with their fries.
Western Albemarle 11th grader Ryan Birckhead resents the county not having enough faith in his ability to choose a nutritious meal.
Most students aren't happy about the fry fracas in county schools, reports Albemarle junior Thomas Meert.

subset: commoncrawl


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there is no spoon Forum Index
Posted: Sat Sep 03, 2005 3:11 pm
Well, on to the next two interesting concepts. Once again one seems to lead to the other, in the same sense of one maturing into the next.
Knowing is the preable to acting. One can know something, can know the problems or a horrible thing that is being done, and yet still not act. Knowing is not enough to provoke change. One must act on that knowledge and do something about it.
Once one has obtained the means of acting, one can then embark on it. It does not even have to be done directly by oneself. It could be through the legal system, some kind of underground action, but regardless if it needs to be done then this is the only method by which it will be accoplished: acting.
again, thoughts?
*opinions subject to change without notice*
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Posted: Sat Oct 08, 2005 3:45 pm
yeah, i agree if theres going to be a change, something needs to be done.... like kicking a dog (did thoth mention this before...??) if you see someone kicking a dog and think "oh my!!! thats not nice, poor doggy" then your a hypocrit unless you go to the maggot who's kicking it and say "listen mate thats not on!!!"
thats the only way things can get better in this world!!
and i suppose i am a hypocrit too,
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Posted: Sun Oct 09, 2005 9:49 pm
I did mention kicking a dog. But, I don't think you're hypocritical if you do nothing about it. You're just useless.
if you kicked a dog yourself, then you're hypocritical.
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Posted: Tue Nov 01, 2005 11:17 am
well a coward would sit/stand by and watch an evil act take place.....
to me thats hypocritical.....
if its not right, and you know its not, then why do nothing???
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Posted: Tue Nov 01, 2005 11:46 am
fear for yourself.
Plain and simple. If you don't want to be kicked, you're not going to stand up for a strange dog.
The self always comes before others, truthfully.
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Posted: Fri Dec 30, 2005 7:32 pm
I'd have to agree with thoth, its not hipocrisy, simply fearing for ones own well being. It takes a very brave and altruistic person to be more concerned for someone else over themselves, and as such is a truly remarkable thing to see around.
It is, however, an incredible feeling to be able to help someone else in such an incredible way, even if it be stopping a dog from being kicked.
*opinions subject to change without notice*
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Posted: Tue Jan 31, 2006 3:32 pm
Yeah, Maybe the kicking a dog theory isnt right, I know what you mean tho; but to what extent would you help someone...???
I personally would stop someone kicking a dog, I would help a kid or person if they were being attacked, If a gun was involved though... or if it was say physical I wouldnt get involved.
It a mum was smackin their child, I wouldnt get involved, you know... Id think it was rude and nosey.
there are circumstances when you do and dont interfere...
now that ive thought about it I understand...
I want to interfere but You either think you shouldnt or yeah.... your scared
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Posted: Wed Feb 01, 2006 8:13 pm
Me, I'm not sure degree of severity of the intervention would matter to me much at all. I'm rock hard in my belief and my ability to help someone if they needed the assistance. I've been beaten up pretty bad both physically and mentally because of it some times, but *shrug* price you pay for it. Besides, better to risk it and save someone's life than sit on the sidelines and regret not ever trying, no?
*Opinions subject to change without notice*
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Posted: Mon Feb 13, 2006 10:35 pm
if a gun is invovled, then it's over.
You need to be calm and cool, and deffinately try and talk your opponent down if possible. If not possible, then get the defnended out of the way.
But don't stand by.
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Giant Gorillas Fascinated by Tiny Caterpillar
The nice part about being a gorilla in a zoo is that you're safe from poachers. OH! And the first time you see a caterpillar is going to be freaking awesome, because you don't really get out very much.
These Calgary Zoo gorillas are pretty much obsessed with the tiny caterpillar on the bars of their enclosure, and it's great.


text:
There are a lot of water-repellent surfaces, but nothing as incredible as this new miracle material that—according to research published in Nature—repels water way beyond "what was previously thought possible." As you can see in this clip, the water bounces completely off the surface as fast as possible, leaving nothing behind.
Its inventors say it's inspired by lotus' leaves and butterfly's wings design, which are the most efficient water repellent surfaces in the planet, way more than any artificial material—until now.
Their method is quite clever: Instead of reducing the contact surface of the material, as is traditionally done, they altered its texture at the nano level to change the water drop's hydrodynamics. The surface's morphology redistributes the water's mass, they say, which "reduces the overall contact time between a bouncing drop and a surface" and therefore keeps things dry.


text: CAO La Traviata cigars present another full-flavored, high-scoring selection from CAO. Introduced in 2009, the blend starts with a core of diverse, twin Ligero longfiller tobaccos (one from Pueblo Nuevo in Nicaragua, the other from The DR), and a Cameroon binder rolled in a dark, shimmering Ecuadorian Habano wrapper. These marvelously smooth cigars hit on all cylinders, offering a complex smoke with earthy tobacco flavors, dark woody notes, and an appealingly sweet finish. A don't-miss! Order yours now.


text:
Press Release
December 11, 2012
Most Environmentally Sustainable Building in Virginia Gets Green Light from Virginia Beach
City Council Vote Plus $3.5 Million Lead Gift Enable CBF Brock Environmental Center to Move Forward as Fundraising Campaign Progresses
(Virginia Beach, VA)���The Virginia Beach City Council has voted to approve a Conditional Use Permit for the Chesapeake Bay Foundation (CBF) to construct what will be the most environmentally sustainable building in Virginia, located at Pleasure House Point. Tonight's city council action clears the way for CBF to move forward with the Brock Environmental Center, named in honor of Macon and Joan Brock of Virginia Beach, who provided a $3.5 million leadership gift toward the $20 million project.
"Virginia Beach is very pleased to advance the Chesapeake Bay Foundation's plans for an environmental center at Pleasure House Point," Mayor Will Sessoms said. "The Foundation was instrumental in helping preserve this important property and now will use a small portion of it as a teaching tool for environmental stewardship. The Chesapeake Bay Foundation's Brock Environmental Center is an exciting project and one that will enhance the Pleasure House Point experience."
"We are extremely gratified that the Virginia Beach City Council and the community support our new venture at Pleasure House Point," said CBF Hampton Roads Director Christy Everett. "The CBF Brock Environmental Center will be a model of sustainable design, demonstrating how it is possible to build responsibly and make a substantial environmental difference without sacrificing comfort or aesthetics."
The CBF Brock Environmental Center will feature cutting-edge green construction practices to meet the "Living Building Challenge," a set of stringent, specific environmental standards established by the International Living Future Institute. These standards require the facility to have "net zero" impact on the environment, not only during construction but during its daily operation. It will be the first of its kind in Virginia. Additionally, CBF will seek the U.S. Green Building Council's Leadership in Energy and Environmental Design (LEED) Platinum rating for the project.
"CBF is excited to raise the bar and move green building to a higher level. We owe a world of thanks to the Brocks and many others for their generous support, and we hope their generosity inspires others also to be part of something truly exceptional," Everett said.
The center will become the hub for CBF's Hampton Roads staff, and the foundation's award-winning environmental education programs, which take thousands of students and teachers onto local waterways each year for in-depth Bay learning experiences. It will also provide office space for Lynnhaven River NOW and Virginia Beach Parks and Recreation staff, and serve as a venue for community meetings and collaboration.
Of the 118 acres recently preserved at Pleasure House Point, the CBF Brock Environmental Center footprint will encompass approximately one acre. CBF also intends to enhance nine acres of surrounding land for educational programming and habitat restoration, using native landscaping and employing nearby waterways for high quality, hands-on field trips.
"The Chesapeake Bay Foundation is a leader in environmental initiatives, championing collaboration with local groups to support clean waterways and the Chesapeake Bay itself," Macon Brock said. "To foster this important work, the CBF Brock Environmental Center will be a destination for environmental education and cooperation in the Hampton Roads Community. This project is an unparalleled opportunity for conservation, education, restoration, and community-building, one that we are honored to support."
Partnering with CBF to create the Brock Environmental Center are SmithGroupJJR, one of the largest architecture, engineering, and planning firms in the nation and the designer of CBF's LEED Platinum headquarters building in Annapolis, Md.; Hourigan Construction, an award-winning builder that has constructed multiple projects in the Hampton Roads region and across Virginia; Skanska (owner's representative), one of the nation's largest, most reputable construction and project management service providers with exceptional credentials in green and sustainable construction; and WPL Site Design, a Virginia Beach-based environmental landscape architectural, surveying, and civil engineering firm.
Capital Campaign Details
An ongoing fundraising campaign includes goals of $10 million to acquire the land and construct the center; $5 million for programs to improve water quality, including environmental education, restoration, and outreach; and $5 million to endow the center and its education and community programs.
Groundbreaking for the CBF Brock Environmental Center is slated for late summer 2013 with a target completion date of autumn 2014.
For more information, contact Kate Wilson, CBF Hampton Roads Development Director, 757-622-1964, send an e-mail to firstname.lastname@example.com, or visit cbf.org/brockcenter.


text:
Develop an incentive system for people to refer other users to nanoHUB
We want to increase our number of registered users so we can help them with their user experience and follow-up. What if we introduce a referral system like DropBox where the referrer gets a bonus for referring other users.
At DropBox you get more disk space. Why not at nanoHUB? Or you get nanos/points for T-shirts?


text:
|Thread Tools
Before & After:
Existing Floor Plan
Proposed Floor Plan (orientation rotated clockwise 90 degrees from existing floor plan). Click on image to open larger version.
Changes to the design since printing this plan image include:
1. Moving the left and right front speakers behind the screen and extending the false wall until it hit both corner bass traps.
2. This allowed me to go from a 100" 16:9 to a 115" 2.35:1 screen.
3. Shifted the 4 HVAC supplies so each one sits directly in front of one of the columns.
4. Relocated HVAC return from side wall to back right corner of room.
5. Added a 2nd can light to the equipment closet and 2 can lights to the media closet.
Proposed Ceiling Plan
Screen Wall-Before
Screen Wall-After
Back Wall-Before (was originally going to be the screen wall)
Back Wall-After
Left Wall-Before
Left Wall-After
Right Wall-Before
Right Wall-After
Ceiling-during construction
Ceiling with painted star mural by Night Sky Murals
Room Summary
2nd floor build to replace builder-grade media room. Scope of work included:
-removal of existing wetbar, carpet, & drywall
-removal of all existing electrical wiring, including outlets, switches and fixtures
-temporary removal of insulation in ceiling & exterior walls
-adding a new dedicated 20A circuit
-upgrading existing 15A circuit to 20A and rewiring entire room (new outlets, switches, dimmers and fixtures)
-installing conduit to equipment closet, projector, speakers, riser and stage
-adding new wall to create screen wall/media closet
-adding perimeter soffit
-changing vaulted ceiling to coffered ceiling
-relocating entry door
-creating arched opening to new media closet
-adding 3 additional hvac supplies and 1 return
-adding insulation to interior walls and reinstalling insulation in ceiling and exterior walls
-new drywall
-adding stage, riser and false wall
-adding acoustic treatments to front, side and rear walls
-building 4 decorative columns. 1 hides equipment rack, 2 hide side surrounds and 1 contains lighting controls
-installing 7.1 speaker system
-hiding acoustic treatments/speakers behind custom-made fabric panels
-installation of baseboards, wall trim & light trays
-painting soffit and ceiling
-painted star mural
-installing new carpet
-installing new door & threshold
-installing screen, projector, & related av equipment
Dimensions (original room)
Width: 12'-7"
Length: 19'-2"
Height: 7'-9" at walls, vaulted to 10' in center of room
Finished dimensions (after installing treatments/panels)
Width: 12'-4"
Length (back wall to front wall): 18'-7"
Length (back wall to screen): 17'-10"
Height: 7'-9" at perimeter soffit, 9' at bottom of coffers, 10' to top of coffers
Color Scheme
Dark brown wall fabric: Guilford of Maine FR701-Chocolate
Light brown wall fabric: Acoustex Designer Series-#60 Cocoa
Black fabric on screen wall: SyFabrics Plush Triple Velvet-Black
Trim & Door: Behr Premium Plus Interior Eggshell-Mouse Ears Black
Ceiling: Behr Premium Plus Interior Flat Enamel-equivalent to SW Jute Brown
Light tray: Behr Premium Plus Interior Flat Enamel-Bitter Chocolate
Soffit: Behr Premium Plus Interior Flat Enamel-Mouse Ears Black
Carpet: Main floor/riser: Masland, Style:Quadrate I, Color:Times Square Stage: Masland, Style: Signet, Color: Black
AV Equipment Summary
Projector: JVC RS45
Projector Mount: Chief 5" Designer Ceiling Plate #CMA-101, 3" Fixed extension column #CMS-003, RPA281 mount and SLB281 bracket
Screen: 115"wide 2.35:1 SeymourAV frame w/CenterStage XD screen fabric
LCR Speakers: (3) Atlantic Technology 727 In-wall
Side surround speakers: (2) Triad In-wall Bronze
Rear surround speakers: (2) Triad In-wall Bronze
Subwoofer: (1) Hsu Research VTF-2 MK3
Receiver: Denon 4311CI
Blu-Ray player: Panasonic DMP-BD655
CD-Changer: Technics SL-PD888
Power Console: Belkin PureAV AP21100-12 (PF31)
Remote: URC R40
Lighting Summary
Side & Rear Soffits: 4" recessed housing with 4" black baffle trim
Front Soffit: 4" recessed housing with 4" black eyeball trim
Light Trays in Coffered Ceiling: 24" Black light #7020BL
Speaker uplights behind AT screen: Kvart wall/clamp spotlight
Step Lights: Royal Pacific 8905WH Mini Indoor Incandescent Step Light
Lighting Control:
1. Master Keypad: Insteon 8-Button KeypadLinc Dimmer, wired directly to the side can lights and remotely controlling items 2-6.
2. Insteon ToggleLinc Relay Switch wired directly to step lights
3. Insteon ToggleLinc Relay Switch wired directly to black lights in light trays
4. Insteon SwitchLinc Dimmer wired directly to front can lights
5. Insteon SwitchLinc Dimmer wired directly to rear can lights
6. Speaker uplights behind screen plugged into Insteon OutletLinc Dimmer
7. Insteon IR Linc to operate all zones via universal remote
Soundproofing: None (besides adding insulation to 2 interior walls)
Acoustic Treatment Summary
Front wall: (2) 17"x17"x24" corner bass traps cut from 2" Knauf unfaced insulation board (3 pcf), 1 layer of 3.5 mil poly sheeting sandwiched between (2) 1" layers of JM Linacoustic (floor to ceiling between bass traps)
Side walls: 1" JM Linacoustic inside fabric panels, floor to ceiling from screen to 1st row, floor to ear-height from first row to back wall
Back wall: (2) 2" layers of 3pcf insulation board. First layer against wall consists of Knauf unfaced insulation boards. 2nd layer facing room consists of Certainteed CertaPro boards with FSK facing. Prior to placing fabric panels over back wall, the FSK facing was covered with black fabric to prevent the FSK from reflecting through the fabric panels. 1 of the back corners includes (1) 17"x17"x24" corner bass trap cut from 2" Knauf unfaced insulation board (3 pcf). The corner without a bass trap contains an HVAC chase for a return duct that passes through the theater.
Riser as bass trap: 2x12 perimeter frame with 2x8 joists, fully insulated with 2 layers of R19 insulation and (7) 4x10 vents along back wall
Cost Breakdown:
Project was all DIY, with the exception of adding a dedicated breaker, adding 3 additional HVAC supplies and 1 return, hanging and finishing drywall and installing carpet.
Room Improvements: $13,370.34
AV Equipment: $9,667.05
Seating: $3,124.93
Tools & Supplies: $1,267.81
Project Total: $27,430.13 (as of 1/1/13)
For a complete line item breakdown, refer to the attachments below.
Excel Spreadsheet:
Home Theater Expenses.xls 91k .xls file
PDF Version:
Home Theater Expenses.pdf 22k .pdf file
Build Timeline & Index:
Phase 1: Research & Design - 2 Years
12/3/09 - 12/1/11
Phase 2: Demolition/HVAC modifications - 2 months of actual work spread over 2 years
1/2/10 – 2/7/10 – begin demo (wetbar, walls)
2/18/10 - hvac modifications
2/19/10 – 12/1/11 – project on hold
12/1/11 – 12/31/11 – complete demo (ceiling, electrical, doors)
Phase 3: Construction - 1 Year +/-
1/1/12 - 2/10/12 - framing: walls & coffered ceiling, soffits & ceiling, curved soffit at screen
1/28/12 – revised floor plan and preliminary elevations
2/10/12 – 2/29/12 – electrical, including low voltage conduit
3/1/12 – 3/30/12 – insulation
4/1/12 – 4/12/12 – drywall
4/11/12 – revised plan to include 2.35:1 screen
4/16/12 – 4/26/12 – riser
4/27/12 – 5/1/12 – stage
5/11/12 – 5/21/12 – corner bass traps - 1, 2
5/24/12 – front wall acoustic treatments
5/27/12 – front wall speaker boxes
5/29/12 – 6/21/12 – revise fabric panel design, fabric & carpet research (round 1)
6/24/12 – 7/2/12 – rear wall acoustic treatments, surround speaker boxes
7/3/12 – 7/13/12 – coffered ceiling trim/light trays, more light trays, more light trays, completed light trays
7/16/12 – columns
7/17/12 – 7/30/12 – furring strips for fabric panels
7/30/12 – 8/15/12 – fabric & carpet research (round 2)
8/17/12 – 9/10/12 – begin fabric frames
9/5/12 – final selection of fabric & carpet
9/9/12 – 9/12/12 – false wall
9/12/12 – 10/2/12 – more fabric frames
10/3/12 – fabric panel color schemes
10/7/12 – 10/18/12 – painting of soffit and fabric frames
10/10/12 – lighting control concept
10/18/12 - ceiling paint
10/19/12 – fabric dispenser
10/23/12 – 11/4/12 – adding fabric to frames, more fabric, more fabric
10/26/12 –bulb selection for soffits
11/5/12 - 11/11/12 – door threshold/hardware research
11/11/12 - 11/12/12 – repaint ceiling, paint door
11/13/12 – 11/15/12 – carpet bids
11/19/12 – paint ceiling & floor registers & return grill
11/30/12 – star ceiling
12/11/12 – carpet install
12/17/12 – mount projector & screen
12/19/12 – temporary rack
12/20/12 - seats installed
12/29/12 - LCR speaker uplights
01/06/13 - Insteon switches installed
01/22/13 - mini riser
01/27/13 - screen wall fabric
Original 1st Post:
Well...I officially broke ground on my theater last weekend, if laying plywood in the attic counts. I also ripped down some drywall to see what was lurking behind a wall I want to remove. Before I get too much further with demo, I'd like to get the rest of my plan on paper. In order to do that, I need some constructive criticism. I'm attaching a plan of the existing room as well as a plan showing some options I have in mind. Because my room is not very deep, I am having to place the 2nd row fairly close to the back wall, so I have some concerns with acoustics. I'm also not sure where to locate the rear speakers since the 2nd row is so far back. I'm also fairly close to the screen in one option and I'd like to hear from those of you who are sitting at 9' or less to hear how large your screens are. I have a few questions/comments included on the attachments, so any feedback would be appreciated.
I'm looking forward to many more posts as I plan to document my build as it moves along. Hopefully some more demo this weekend.
Last edited by Spaceman; 11-30-2014 at 07:00 PM.
You have a number of questions about screen size. First thing to determine is what you will will be watching the most and whether a 16:9 or 2.35:1 screen is best for you.
Another consideration is with a length challenged space whether you might be better served by getting some nice upright REAL theater seats for the back row and go with the HT recliners for the front row. It would save you 2-3 feet and your first row would be better positioned for a nice large screen. If your watching is going to be 90% limited to the front row something to think about. They have some nice uprights on www.seatsandchairs.com. Also you show a 7 ft riser, you could get by with a 6.5 ft. That would move your first row back a smidgen.
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
Our viewing will be a mix of movies (60%), tv (30%) and video games (10%). Not sure which format best lends itself to that mix.
I like the idea of losing the recliners in the back row (since I won't ever be back there). I'm 6'-5", so it would have been tight anyway, even with a 7' riser. And it would allow me to bump up my screen size.
I think I'd prefer a 7.1 system but since I was having trouble finding a place for the rears in a 5.1 setup, I wasn't quite sure how to handle the 7.1. Need to research that as well.
But most importantly, I need to learn how to post actual images instead of links.
Time to get back to work so I can actually pay for my "little" project.
Thanks BIG. I need to read up some more on screen sizes and the benefits of the various ratios. I've been too busy looking at everyone's great photos, yours included. Wish I had room for a bar like that.
Our viewing will be a mix of movies (60%), tv (30%) and video games (10%). Not sure which format best lends itself to that mix.
Sounds like a 2.35:1 screen since moview are the priority. Use masking for TV and games.
For 7.1 you would place the rear speakers on the back wall and the side speakers on the side walls between the two rows of seats. You could use in walls if you are worried about aisle space.
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
Entry to Theater (pic taken from adjacent gameroom)
North Wall, with entry from gameroom
West wall
South Wall
East Wall
In an effort to widen my room, I have removed the existing wet bar and closet (minus framing). This would make the room wide enough for 2 rows of 4 seats instead of 2 rows of 3. The plan was to move the angled part of the ceiling from the exposed 2x4's to the bottom of the 2x8's running under the roof sheathing. However, after seeing the framing, I'm not sure I can remove the front wall of the closet as it may be load bearing. Can someone with more framing experience than me take a look and let me know what you think?
The ceiling joists in the attic run all the way to the 2x8's under the roof sheathing and are secured to the sides of the 2x8's. I would think this would make the outside wall of the house load bearing and not the front wall of the closet. However, there are 2x4 vertical members between the ceiling joists and the top of closet wall that would indicate that wall is bearing some of the load of the roof/ceiling joists. Is it wishful thinking that I can remove this wall?
It appears to me that the closet wall is not load bearing but the vertical 2x below the ceiling joist concern me. They were probably added to help carry some load. They are there for a reason.
If that section needs to be beefed up you could add another rafter along side of the existing and make a better joist to rafter connection.
If in doubt, talk to an engineer. Its cheap insurance.
I really don't want to lose two seats by sticking with the current room width.
OK, that makes sense. The doubler is butted into the bottom of the rafter, thats why the verticals are there. Nail the two joist together with a bunch of 16,s spaced every 3" or so. Then add a metal plate or plywood gusset where the joist and rafter butt together. On the joist that scabs along side the rafter install a few SDS 1/4 - 3" screws.
Is there any load from the roof onto those double joists in the ceiling? If not, then you should be ok. The framers might have added the second joist because the span is long and the rafters are 24" o.c. to decrease the chance of the ceiling sagging. The ceiling is probably 5/8" drywall (needed for 2' oc framing).
Support of left hip over double joist
Support of right hip over double joist
Thanks for the feedback Steve. As you can see in these photos, there is a load being transferred from the roof to the double joists. The end of the ridge has a vertical support running to a double joist (with some interesting framing at the ridge) and each hip has a vertical support. I'll be calling a structural engineer to come by and take a look. Regarding the joist to rafter connections, both of the double joists supporting the hips are secured to the side of the rafters. The double joist supporting the ridge has one joist secured to the side of the rafter while the other butts up against the bottom of the rafter. I still think beefing up these connection points would do the trick but I'll check with an engineer just to be safe.
After deciding not to remove my closet wall, I'm proceeding with the existing room width. This should still yield 7 seats but the back row will be a little closer to the side walls than I'd like. It's a little close to the back wall too, but that's another story.
With the width of my room decided, I've started designing my fabric panel layout. Using GPowers theater as my inspiration, I'll be going a similar route but introducing different sized panels as well as contrasting colors. I'll also be adding movie posters to the side walls. I know my acoustics will probably suffer with the posters but my wife & kids like the idea. I'll be talking to BPape to see what we need to do to optimize the sound.
Let me know what you think about the layout and colors. I was originally thinking earth tones (beige, brown, rust) but blue makes the wife happy. It works for me too.
Option 1-Screen Wall with continuation of blue panels
Option 2-Screen Wall with no blue panels
The screen seems large but is not far off from many of the guidelines. It puts me back 1.3x screen width when viewing 1.78 material. For 2.35 material, I would be back 1x screen width or 2.3x screen height. It exceeds the recommended 45 degree viewing angle by a little bit. I may bring it in a little bit so I can widen the blue panels on the front wall and make more room for corner treatments. Does 115" wide screen seem excessively large for a 12'-5" wide room, sitting back 9'-6"? I'm having a hard time deciding between a wide enough scope screen to make 16:9 still enjoyable or just a large 16:9 screen. I think if I get much smaller than this with a scope screen, I won't like 16:9 viewing.
I'd appreciate your comments/suggestions.
Note to self:
screen would be 95" using 20th Century Fox 1.21x screen width at 9'-6" seating distance
I don't imagine there are many people with 95" scope screens out there!?
This seems like it would be really small for those sitting in the 2nd row at 16'. Should I cheat the 20th Century Fox std to 1.1x, which would at least get me a 100" wide screen.
Of course, maybe it's time to consider whether or not the guests in the back row should be given the option of reclining their seats. Then I could push the front row back a bit.
Thinking ahead to my star ceiling, the original plan was to do the flat part of the vaulted ceiling. Final dimensions of the flat section will be approx. 8'x16' after screen wall gets framed. I'm now considering bringing the stars down the angled sides of the ceiling and ending them above the soffit. When the room is dark and the angles disappear, I think bringing the stars all the way down will look better. Has anyone done this before or seen pictures of it done on a vaulted ceiling. I will have rope lighting in my soffit that highlights the angled sections of ceiling, if that makes a difference.
EDIT-Visited a 105" setup today which had seating at 11'. Looked great. I moved up to 9 1/2' and it was still fine. I think I should be ok in the 100-108" range.
My "Old Vic" Theater Build | Screen Build | HT of the Month | Contest Win
My 8 year old daughter: "are contractors the people that mess up your house for money?"
Windows to the sky....I could change the name of my theater to The Greenhouse Theater.
I could do a scaled down version of the beams Swithey did in his theater. The one thing I like about Switheys is it gave him a convenient place to put his cans without interrupting the field of stars. If I don't go with the beam approach, I guess I just need to space the stars at a density that allows the cans to disappear. I don't want a dense star field with black holes where the cans are located.
My "Old Vic" Theater Build | Screen Build | HT of the Month | Contest Win
My 8 year old daughter: "are contractors the people that mess up your house for money?"
Your ceiling is looking great. I just got a quote for a Fosi package and it seems pretty reasonable. I took the family to a demo theater today that had a star ceiling and it passed the WAF test with flying colors.
I'd be interested to see some detailed pics of the end of your ceiling install, particularly the fiber attachment to the lamp assembly. I'm not sure I've figured that out based on the photos I've seen of various installs.
I'd prefer to put everything behind. Not only is it a cleaner install, but I could then look at squaring up the front corners of my screen wall. I'm not sold on the 45 degree corners but would probably have to go that route if the speakers were on the side. Bass trap installation would be much easier with the speakers behind as I would not have to trim around any speaker framing. Any thoughts?
I'm leaning towards the Klipsch 7800 THX or 6502 THX in-walls. The 7800 comes with a sealed enclosure. The 6502 does not, but it's half the price so I might consider doing my own backer boxes. In-walls seem the best for the "beside the screen" option. Acoustically, would bookshelves work behind the screen or would the proximity to the sidewalls of the recessed cavity cause problems?
In addition to the bass traps beside the screen, should I consider them in the corners behind the screen and possibly in the back corners of the room?
EDIT-Bass trap was removed from rear corner to allow for door to equipment room. Door will be treated like rear wall.
If you have the space, I would do it. They will be hidden, so they don't need to be pretty. Some folks just use a big roll of pink insulation still in the bag. Others cut up 703 into triangles shapes and stack it up. This is something you can get to later, but I would keep it on the plans....
-Screen moved to 9'-3" from 1st row
-Existing wall removed from around duct. Duct to be wrapped in insulation and bass trap to be placed in corner.
-Mains moved beside screen, 9'-11" apart in 60 degree cone. Toe-in perpendicualr to 60 degree cone.
-Center moved back from screen wall to be same distance from listener as mains.
Are in-walls the right way to go? Getting the acoustics to work with bookshelves or even towers seems problematic with all of the framing that occurs at the angle points in the screen wall. I'd be looking at around $1500 for (3) Klipsch 6502 THX in-walls without sealed enclosures. Going to (3) 7800 THX in-walls with enclosures is going to run $3300. I'm pretty confident I could find better sounding bookshelves or towers for much less but can't seem to come up with a configuration that works.
View looking down existing chase to theater floor
View looking up from 1st floor return vent. In addition to the notations, I would also be able to slide the duct 8" away from the theater side wall before hitting the next joist if that made a transition to a different profile easier.
Not an expert
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
I was thinking of cutting a new hole for a more rectangular duct and transitioning back to the 12" duct up in the attic. If I can do a shallow rectangle with the same cross-sectional area (maybe 8"x14" or a little longer) and push it up against the front wall, that would help. If I could cheat some of that so it runs between the studs, it would help even more. I think that is what you were getting at in your first post. It was also a suggestion in a PM.
Your approach would be simpler though so I'm going to have to think about it. I like simple!!
My theater won't be done for some time but I'll have my seats soon
many of your questions are covered. RE: in wall spkrs: he is a fan - but - buy good ones. For the required ctr channel, look for a cone alignment that is woofer/mid and tweeter in line, vertically, and then the other woofer. he claims woofer/ tweeter / woofer in a horizontal row introduces many ugly sonic properties. [so, there are four cones in the preferred arrangement, as opposed to the more typical three cones]
also, as a bye the bye, save some space in a ceiling for sound treatments. the newer thinking is that the more "up there" the better.
also do not locate a hvac duct in the area of the projector.
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New World warbler
|New World warbler
|Prothonotary warbler (Protonotaria citrea)
|Scientific classification
Wetmore et al., 1947
See text
The New World warblers or wood-warblers are a group of small, often colorful, passerine birds which make up the family Parulidae and are restricted to the New World. They are not closely related to Old World warblers or to Australian warblers. Most are arboreal, but some, like the ovenbird and the two waterthrushes, are primarily terrestrial. Most members of this family are insectivores.
It is likely that this group originated in northern Central America, where the greatest number of species and diversity between them is found. From there they spread north during the interglacial periods, mainly as migrants, returning to the ancestral region in winter. Two genera, Myioborus and Basileuterus, seem to have colonized South America early, perhaps before the two continents were linked, and together constitute most warbler species of that region.
The scientific name for the family, Parulidae, originates from the fact that Linnaeus in 1758 named the northern parula as a tit, Parus americanus, and, as taxonomy developed, the genus name was modified first to Parulus and then to Parula. The family name derives from the name for the genus.
All the warblers are fairly small. The smallest species is the Lucy's warbler (Oreothlypis luciae), at about 6.5 g and 10.6 cm (4.2 in). Which species is the largest depends upon which are to be included in the family. Traditionally, this was considered to be the yellow-breasted chat, at 18.2 cm (7.2 in). Since this may not be a parulid, the Parkesia waterthrushes, the ovenbird, the russet-crowned warbler and Semper's warbler, all of which can exceed 15 cm (5.9 in) and 21 g, might be considered the largest.
The migratory species tend to lay larger clutches of eggs, typically up to six, since the hazards of their journeys mean that many individuals will have only one chance to breed. In contrast, the laying of two eggs is typical for many tropical species, since the chicks can be provided with better care, and the adults are likely to have further opportunities for reproduction.
Many migratory species, particularly those which breed further north, have distinctive male plumage at least in the breeding season, since males need to reclaim territory and advertise for mates each year. This tendency is particularly marked in the large genus Setophaga (formerly Dendroica). In contrast, resident tropical species, which pair for life, show little if any sexual dimorphism. There are of course exceptions. The Parkesia waterthrushes and ovenbird are strongly migratory, but have identical male and female plumage, whereas the mainly tropical and sedentary yellowthroats are dimorphic. The Granatellus chats also show sexual dimorphism, but due to recent genetic work have been moved into the family Cardinalidae (New World buntings and cardinals).
There are a number of issues in the taxonomy and systematics of the Parulidae.
- The New World warblers are closely related to the tanagers, and some species like the conebills Conirostrum and the bananaquit have been placed into either group by different authorities. Currently, the conebills are normally placed in Thraupidae and the bananaquit in its own family.
- The green-tailed warbler, yellow-breasted chat, and white-winged warbler are other species about which there have been questions as to whether they should be considered as warblers or tanagers. Current data suggest they are neither, but rather, in their own families.
- The pardusco, Nephelornis oneilli is also of uncertain affinities.
Genera and species[edit]
- Genus Seiurus
- Ovenbird, Seiurus aurocapillus
- Genus Helmitheros
- Worm-eating warbler, Helmitheros vermivorus
- Genus Parkesia
- Northern waterthrush, Parkesia noveboracensis
- Louisiana waterthrush, Parkesia motacilla
- Genus Vermivora
- Bachman's warbler, Vermivora bachmanii
- Blue-winged warbler, Vermivora cyanoptera
- Golden-winged warbler, Vermivora chrysoptera
- Genus Mniotilta
- Black-and-white warbler, Mniotilta varia
- Genus Protonotaria
- Prothonotary warbler, Protonotaria citrea
- Genus Limnothlypis
- Swainson's warbler, Limnothlypis swainsonii
- Genus Leiothlypis
- Tennessee warbler, Leiothlypis peregrina
- Orange-crowned warbler, Leiothlypis celata
- Nashville warbler, Leiothlypis ruficapilla
- Virginia's warbler, Leiothlypis virginiae
- Colima warbler, Leiothlypiscrissalis
- Lucy's warbler, Leiothlypis luciae
- Genus Oreothlypis
- Flame-throated warbler, Oreothlypis gutturalis
- Crescent-chested warbler, Oreothlypis superciliosa
- Genus Leucopeza
- Semper's warbler, Leucopeza semperi
- Genus Oporornis
- Connecticut warbler, Oporornis agilis
- Genus Geothlypis
- Common yellowthroat, Geothlypis trichas
- Belding's yellowthroat, Geothlypis beldingi
- Altamira yellowthroat, Geothlypis flavovelata
- Bahama yellowthroat, Geothlypis rostrata
- Olive-crowned yellowthroat, Geothlypis semiflava
- Black-polled yellowthroat, Geothlypis speciosa
- Masked yellowthroat, Geothlypis aequinoctialis
- Grey-crowned yellowthroat, Geothlypis poliocephala
- Hooded yellowthroat, Geothlypis nelsoni
- Kentucky warbler, Geothlypis formosa
- Mourning warbler, Geothlypis philadelphia
- MacGillivray's warbler, Geothlypis tolmiei
- Genus Catharopeza
- Whistling warbler, Catharopeza bishopi
- Genus Setophaga
- Plumbeous warbler, Setophaga plumbea
- Elfin woods warbler, Setophaga angelae
- Arrowhead warbler, Setophaga pharetra
- Hooded warbler, Setophaga citrina
- American redstart, Setophaga ruticilla
- Kirtland's warbler, Setophaga kirtlandii
- Cape May warbler, Setophaga tigrina
- Cerulean warbler, Setophaga cerulea
- Northern parula, Setophaga americana
- Tropical parula, Setophaga pitiayumi
- Magnolia warbler, Setophaga magnolia
- Bay-breasted warbler, Setophaga castanea
- Blackburnian warbler, Setophaga fusca
- American yellow warbler, Setophaga petechia
- Chestnut-sided warbler, Setophaga pensylvanica
- Blackpoll warbler, Setophaga striata
- Black-throated blue warbler, Setophaga caerulescens
- Palm warbler, Setophaga palmarum
- Olive-capped warbler, Setophaga pityophila
- Pine warbler, Setophaga pinus
- Yellow-rumped warbler, Setophaga coronata
- Myrtle warbler, Setophaga coronata coronata
- Audubon's warbler, Setophaga coronata auduboni
- Black-fronted warbler, Setophaga coronata nigrifrons
- Goldman's warbler, Setophaga coronata goldmani
- Yellow-throated warbler, Setophaga dominica
- Bahama warbler, Setophaga flavescens
- Vitelline warbler, Setophaga vitellina
- Prairie warbler, Setophaga discolor
- Adelaide's warbler, Setophaga adelaidae
- Barbuda warbler, Setophaga subita
- St. Lucia warbler, Setophaga delicata
- Grace's warbler, Setophaga graciae
- Black-throated grey warbler, Setophaga nigrescens
- Townsend's warbler, Setophaga townsendi
- Hermit warbler, Setophaga occidentalis
- Golden-cheeked warbler, Setophaga chrysoparia
- Black-throated green warbler, Setophaga virens
- Genus Myiothlypis
- Citrine warbler, Myiothlypis luteoviridis
- Santa Marta warbler, Myiothlypis basilica
- White-striped warbler, Myiothlypis leucophrys
- Flavescent warbler, Myiothlypis flaveola
- White-browed warbler, Myiothlypis leucoblephara
- Black-crested warbler, Myiothlypis nigrocristata
- Pale-legged warbler, Myiothlypis signata
- Buff-rumped warbler, Myiothlypis fulvicauda
- Riverbank warbler, Myiothlypis rivularis
- Two-banded warbler, Myiothlypis bivittata
- Golden-bellied warbler, Myiothlypis chrysogaster
- White-lored warbler, Myiothlypis conspicillata
- Grey-throated warbler, Myiothlypis cinereicollis
- Grey-and-gold warbler, Myiothlypis fraseri
- Russet-crowned warbler, Myiothlypis coronata
- Genus Basileuterus
- Fan-tailed warbler, Basileuterus lachrymosus
- Grey-headed warbler, Basileuterus griseiceps
- Golden-crowned warbler, Basileuterus culicivorus
- White-bellied warbler, Basileuterus culicivorus hypoleucus
- Three-banded warbler, Basileuterus trifasciatus
- Rufous-capped warbler, Basileuterus rufifrons
- Golden-browed warbler, Basileuterus belli
- Black-cheeked warbler, Basileuterus melanogenys
- Pirre warbler, Basileuterus ignotus
- Three-striped warbler, Basileuterus tristriatus
- Black-eared warbler, Basileuterus melanotis
- Tacarcuna warbler, Basileuterus tacarcunae
- Genus Cardellina
- Red-faced warbler, Cardellina rubrifrons
- Wilson's warbler, Cardellina pusilla
- Canada warbler, Cardellina canadensis
- Red warbler, Cardellina ruber
- Pink-headed warbler, Cardellina versicolor
- Genus Myioborus (often, less accurately, named as redstarts, but they have conspicuous white, not red, feathers on the tail sides)
- Painted whitestart, Myioborus pictus
- Slate-throated whitestart, Myioborus miniatus
- Tepui whitestart, Myioborus castaneocapillus
- Brown-capped whitestart, Myioborus brunniceps
- Paria whitestart, Myioborus pariae
- White-faced whitestart, Myioborus albifacies
- Guaiquinima whitestart, Myioborus cardonai
- Collared whitestart, Myioborus torquatus
- Spectacled whitestart, Myioborus melanocephalus
- Golden-fronted whitestart, Myioborus ornatus
- White-fronted whitestart, Myioborus albifrons
- Yellow-crowned whitestart, Myioborus flavivertex
- Curson, Quinn and Beadle, 1994. New World Warblers. 252 p. ISBN 0-7136-3932-6
- Dunn, Jon. 1997. A field guide to warblers of North America. Boston : Houghton Mifflin Co., x, 656 p. : ill. (some col.), col. maps ; 19 cm.
- Harrison, Hal H. 1984. Wood warblers' world. New York : Simon and Schuster, 335 p., 24 p. of plates : ill. (some col.) ; 25 cm.
- Lovette, I. J. and E. Bermingham. 2002. What is a wood-warbler? Molecular characterization of a monophyletic Parulidae. The Auk. 119(3): 695–714. PDF fulltext
- Morse, Douglass H. 1989. American warblers : an ecological and behavioral perspective. Cambridge, Massachusetts : Harvard University Press, xii, 406 p. : ill., maps.
External links[edit]
|Wikimedia Commons has media related to Parulidae.
|Wikispecies has information related to Parulidae
- New World warblers (Parulidae) information, including 81 species with videos and 100 with photographs at the Internet Bird Collection
- "Chasing Down Warblers" National Geographic News story on seeing 30 warbler species in May 2002


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St John's Catholic Church & Cemetery
Welcome to St. Anthony's Catholic Church & Cemetery
Sunday Mass: 8am & 10am
Sacrament of Baptism:
Please contact Father David Coon
Sacrament of Matrimony:
Please contact Father David Coon at least 6 months in advance. Participation in a Marriage Preparation program is required.
Sacrament of Reconciliation:
By appointment, contact Father David Coon
Tuesday 6:00pm till 6:25 pm
Saturday 4:00 pm till 4:30 pm
Glennon History
Parish Council
Cemetery History
Cemetery Plot Map
Cemetery Records
Florists Info
Funeral Homes
Rules & Regulations
Contact & Location
Visitors Online:


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California Faucets - 1206-45.20-MBLK - Contemporary Wall Mount Tub Filler
Originally $1,667.00 - Save 25%
Price: $1,250.25
Questions about California Faucets - 1206-45.20-MBLK
The plumbing professionals at Great Western Supply Inc. are available to assist you with your selection of California Faucets products.
Special Order Item - Contact us for availability:
|Ogden, UT
|Orem, UT
|Salt Lake, UT
California Faucets - 1206-45.20-MBLK
|Matte Black
|Online Product ID:
8-15/16" spout center to center ; 6-1/16'' to 7-15/16'' inlet center to center ; 1/4 turn ceramic disc cartridge(s) ; spout max flow rate: 15 gpm ; handshower max flow rate: 2.0 gpm ; handshower bracket mounts to wall
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1206-45.20-MBLK - California Faucets
Great Western Supply Inc. is proud to present this matte black finished deck mounted tub filler, by California Faucets. The 1206-45.20-MBLK is made from premium materials, this Deck Mounted Tub Filler offers great function and value for your home. This fixture is part of California Faucets's decorative Bolsa Collection, so make sure to check out other styles of fixtures to accessorize your room.
Unlike much of the mass produced fare that floods the market today, each California Faucet fitting is custom made. Starting with good old-fashioned craftsmanship featuring solid brass construction, we add state-of-the-art ¼ turn ceramic disc valves with lifetime warranties, the world's largest offering of decorative PVD finishes and quality controls that meet or exceed government codes, including national and local lead-free and water conservation standards.
California Faucets Warranty


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Register for all 16 modules (14 Seminars and 2 Research projects) to get started today.
Aug 17-18, 2019 - Drew Rubin
Campus Map
Seminar Hours:
Saturday 8:30 AM - 5:30 PM
Sunday 8:00 AM - 12:00 PM
View Seminars by City
Approved for 12 Hours of CE
Fee: $45 per seminar
Auto-Approved: CO, CT, DC, DE, IA, ID, IL, IN, MA, MD, MI, MS, MT, ND, NE, OH, OR, RI, SC, UT, VA, VT, WA, WY
Approved: FL, NC, NJ, NY, PA
AB is approved for Dr. Ohm's seminar only
CA: Visit California Chiropractic Board Website for approved hours per seminar
WV is approved for Dr. Ohm's seminar only
ICPA CE Policy
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50 Christians burned to death in pastor's home
Nation becoming 'killing fields' as Islamists declare, 'Convert or die'
Fifty members of a northern Nigerian church were burned to death in their pastor's house.
The attack by armed gunmen was only the first in a 12-village spree of violence that left over 100 dead in northern Nigeria's Plateau State, a region that had previously been outside Islamic terrorist group Boko Haram's operational area and is the largely Muslim Fulani tribesmen's homeland.
Yet Boko Haram claimed responsibility for the attacks and threatened even more violence.
Open Doors, USA spokesman Jerry Dykstra says the recent wave of attacks is rapidly turning Nigeria into a deadly religious battlefield, where Boko Haram is declaring Christians must convert … or die.
"Nigeria is truly becoming the new killing field for Christians. Hundreds of Christians have already been brutally murdered – including women and children – by the Boko Haram," Dykstra said. "The Boko Haram earlier this week said that all Christians need to turn to Islam or 'they would never know peace again.' Their goal is make all of Nigeria a country run and dominated by Shariah law."
Church of Christ of Nigeria officials report that all of their denomination's church buildings were burned to the ground in the 12-town rampage.
Plateau State is home to the nomadic and largely Muslim Fulani tribesmen, the group that some Nigerian security officials say was originally blamed for the attack.
Nigerian criminal justice consultant Innocent Chukwuma is reported as saying the logistics suggest that Boko Haram could not have acted alone.
"I don't think that Boko Haram could, out of nowhere, have raided these villages. They couldn't do that without local support and collaboration," Chukwoma said according to the report.
Fulani spokesmen denied responsibility and had no response to a potential alliance with Boko Haram.
Heritage Foundation Africa analyst Morgan Roach leans against Boko Haram's involvement because of the Fulani tribe's violent track record.
"Attacks on Christian villages are not new in Plateau State, as Fulani tribesmen are known to have raided Christian communities in the past," Roach said.
Roach says because Plateau State is out of Boko Haram's normal territory, she tends to agree with Nigeria's security officials. She also says these church burnings are a deviation from the terrorist group's typically advanced methods.
"Should Boko Haram be responsible, this would deviate from its past tactics, which have tended to be more sophisticated," Roach said.
"Two questions I think would be fair to ask: Is Boko Haram trying to capitalize on the instability in plateau and partner with Fulani tribesmen? Maybe, but I need more evidence," Roach said. "If this incident is confirmed to be Boko Haram-related, it would be a worrying development for the country's security."
American Enterprise Institute Middle East and Terrorism analyst Michael Rubin, however, says he believes Boko Haram is responsible.
"No one should be surprised that Boko Haram's range of actions is growing broader. Jihadists cannot be appeased; they are expansionists," Rubin said.
Roach worries about the consequences if Boko Haram really is moving into the Plateau State and Fulani territory.
"Is Boko Haram looking to expand its influence throughout other parts of the country? It's likely," Roach said. "It would certainly jive with its ultimate objective to create an Islamic state."
Dykstra believes Nigeria's biggest need is to protect its Christian citizens and work on increased national security.
"The Nigerian government needs to step up and protect Christian worshippers," Dykstra said. "Our State Department needs to recognize what is happening in Nigeria is not just from poverty and injustice."
Dykstra was referring to a July 11 Reuters story on a World Council of Churches' report on Nigeria.
"Poverty, inequality and injustice are threatening to trigger a broad sectarian conflict in Nigeria, an international Christian-Muslim task force said on Wednesday," Reuters said, quoting from the report. "The report identified dozens of separate problems whose resolution could contribute to overall peace."
Citing the WCC report, the Reuters story continued: "The wealth gap between the oil-producing states in the south and the resource-poor north was a leading factor in regional tensions, as were land disputes such as the lack of recognized grazing land for nomadic Fulani cattle herders."
The report also quotes former Nigerian Justice Minister Prince Bola Ajibola saying, "In Nigeria, three things are intertwined – religion, politics and ethnicity – and the three are beclouded with corruption, poverty and insecurity."
Dykstra disputes the report's conclusions, including the statement blaming, "well-funded missionaries from both Islam and Christianity" for increasing tensions.
"How ridiculous," Dykstra said.
Dykstra also says that Christians need to pray for their persecuted brothers and sisters.
Rubin warns that dire consequences will result if Nigeria's government doesn't put an end to Boko Haram's self-announced civil war.
"If Boko Haram isn't countered and defeated, they could transform Nigeria into the world's largest failed state," Rubin said.


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A middle-aged woman named Becky is stuck in her monotonous life until a man walks into the car dealership where she works.
When he mistakes her for a widow, she faces life-changing decisions that are explored in "Becky's New Car." The Kentwood Players production opens Jan. 10 at the Westchester Playhouse.
"One of the themes is cars," said director Susan Stangl. "The idea is getting in your car and going. There are days when you just want to get in your car and drive away."
The play by Steven Dietz is a mix of comedy, drama and romance, with a small cast playing characters who are going through different struggles in their lives. The play allows the audience to interact with cast members.
"It's not a gag comedy," Stangl said. "It has humor and interesting themes that people of any age will relate to."
Kentwood Players is a nonprofit community theater funded by subscriptions, membership dues, grants and single-ticket sales. Stangl said this makes lesser-known plays like "Becky's New Car" less likely to be staged.
"A lot of theaters are struggling," Stangl said. "They want to put on shows that people want to come to. When it's a play like this, I commend them for taking a little bit of a chance. I'd much rather see something that is newer and fresher than something that has been done a million times."
Because the play's rehearsal schedule was during the holidays when many people leave town to visit family, Stangl said she encountered difficulty finding a cast that could attend all the rehearsals. But once she found the right people, rehearsals began to go smoothly.
"Most of our cast have other jobs they work during the day, so trying to learn their lines in between can be quite a challenge," Stangl said. "But because it was over the holidays, it was easier because people weren't working as much."


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Alex E. Krueger - Cumberland
Alex E. Krueger - Cumberland
Alex E. "Red" Krueger, 85, of Arnolds Mills Road, Cumberland, passed away Wednesday, May 8, 2013, at the Philip Hulitar Hospice Center in Providence.
He was the husband of the late Elaine F. (Parmeter) Krueger. Born in Providence, he was the son of the late Alexander Krueger and Jeannette (Turner) Hardman. He resided in Cumberland for the past 60 years, previously residing in Pawtucket.
He was a member of the United States Merchant Marine, and a member of the Lafayette Lodge of Masons for 51 years.
He was a Captain for the North Cumberland Volunteer Fire Department. He was honored in 2009 as the Grand Marshall of the Arnold Mills Fourth of July Parade for his many years of service to the parade committee.
Mr. Krueger was employed as pressman for the Paramount Greeting Cards of Pawtucket for 35 years, retiring in 1990.
He leaves his children, Denise DeHertogh and her husband Ken of Cumberland and William Krueger and his wife Pat of Narragansett; four grandchildren, Ally DeHertogh and Billy DeHertogh, both of Cumberland, and Kelsea Krueger and Deanna Rossi, both of Narragansett.
Visiting Hours will be held Sunday, May 12, 2013, from 6-8 p.m. at the J. J. Duffy Funeral Home, 757 Mendon Road, Route 122, Cumberland. Relatives and friends are kindly invited. Funeral service will be held Monday, May 13, 2013, at 11 a.m. at the funeral home. Burial will be private.
In lieu of flowers, donations may be made in his memory to the Visiting Nurse Homecare, 6 Blackstone Valley Place, Lincoln, RI 02865 or to Home and Hospice Care of RI, 1085 North Main Street, Providence, RI 02904. Directions/Guestbook: jjduffyfuneralhome.com


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Staff writer
Neal Kaiser of Lehigh and a junior at Kansas State University won high individual honors at the Chicago CME Group Collegiate Crops contest in November. He is part of the Kansas State University crops judging team that recently captured the national title for the fourth consecutive year.
To win the 2012 national title, the team won both the Kansas City Board of Trade and the Chicago contests. Participants identified 200 different plant or seed samples of crops and weeds, graded eight different grain samples according to federal standards, and analyzed 10 seed samples for contaminants.
Kaiser was second high individual overall in the Kansas City competition, first in grain grading, and second in identification and seed analysis. In the Chicago contest where he was high individual, he placed first in grain grading, third in identification, and fifth in seed analysis.
The six team members, coached by Kevin Donnelly, are all agronomy majors at K-State. The team received a team scholarship award from sponsors at the Kansas City contest, while the top five individuals received scholarships at the Chicago contest.


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juillet 10, 2018@10:00
Sovereign Community Church/Yoga Magnificat
302 Big Ferry Rd
Miramichi, NB E1V 6K1
302 Big Ferry Rd
Miramichi, NB E1V 6K1
Yoga Magnificat
506 836 2131
Enjoy the benefits of yoga seated on and standing behind a chair! No getting up and down off the floor. We explore strength, flexibility and balance postures for a well-rounded workout. Lots of options for different abilities and fitness levels! Ideal for beginners and seniors but open to all. Drop-in at $8/class or $30 for 5 classes/$60 for 10. Ongoing every Tuesday & Thursday!


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Get a gorgeous sparkle finish in all of your cake photos with this beautiful backdrop.
The design features a glitter style pattern on over a rich pink hue, great for wedding cakes and other elegant cake projects.
All of our photography backdrop range is printed in high definition colour and personally overseen by us to ensure that you get the finest quality backdrop available.
The traditional way to use a backdrop, is to hang it or tape it to a wall and photograph your cake in front of it, however it can also be used in other ways, Why not take a shot looking down on the backdrop or at a jaunty angle? Not only will it give you an original image, it is also good for photography smaller treats such as cookies and cupcakes.
Using a backdrop to take photos of your cakes provides a professional finish and helps build a diverse portfolio of great looking cakes that you can show off to the world, whether that's to potential customers or simply family and friends. Adding new photos is also a great way to raise your profile awareness on Facebook, Instagram and other social media sites.
This backdrop is made from high quality vinyl and printed with eco solvent inks. It has a white border so you can use the maximum amount of backdrop for your photo.
To use, tape your backdrop to a wall using double sided tape or create your own stand. For the best photos, make sure there is a good amount of natural light, then snap away until your heart is content.
To avoid getting shadows when photographing your cake, use a large piece of white paper or card as a reflector on the opposite side to the light source.
Very occasionally you may get a slight crease or wrinkle in your backdrop, but this is nothing to worry about.
To fix it: Lay your backdrop on a flat surface, print side down and place a damp towel over the top. With an iron on medium temperature and NO steam, gently iron over the towel until the crease has been removed from the backdrop.
To help avoid creases, roll and store in the tube the backdrop arrives in.
Backdrop sizes:
Large: 137cm x 90cm - Suitable for 4+ tier cakes.
Medium: 98cm x 65cm - Suitable for up to 3 tier cakes.
Cupcake: 50cm x 33cm - Suitable for cupcakes, cookies and other small treats.
Dispatch Time & Price
Orders which are placed before 4pm (3:30pm for edible images) will be dispatched on the same working day (Monday - Friday). Please note that this does not include Bank Holidays.
3 Days (Mon-Sat)
£2.99 (Free - spend over £40)
2 Days (Mon-Sat)
£3.99 (£1.99 - spend over £40)
Hermes - Next Day Delivery (Mon-Sat)
£4.99 (£3.99 - spend over £40)
DPD - Next Day Delivery (Mon-Fri)
£6.99 (£5.99 - Spend Over £40)
Pre 10:30am (Mon - Fri)
Pre 12:00pm (Mon - Fri)
Saturday or Sunday Delivery*
£6.99 (£5.99 - spend over £40)
International Delivery Pricing
*Weekend deliveries are only possible for orders placed Mon-Fri before 4pm.
Please note, there may be additional postage charges if your order consists of unusually large or heavy items. If this is the case, you will be contacted prior to dispatch.
Next Working Day Delivery (UK)
Any order placed before 4pm (3:30pm for edible images) Monday - Friday, with the Next Working Day Delivery option selected, will be dispatched for delivery the following business day (Monday - Friday), between the hours of 8am - 9pm. A signature is required for this method, so you will need to be at the delivery address to sign for it. Please allow an additional 24 hours for any order to be delivered to the Scottish Highlands.
If delivery cannot be made, DPD will try again on the next working day. If this is unsuccessful, it will be held at the depot for an additional 5 working days. After this, the parcel will be returned to us, at a surcharge of £5.
Please Note: None of our services are a guaranteed service. DPD have a 98% success rate on next day deliveries.
Any order containing a product that is listed as a preorder, will be held until the preordered item has arrived in stock. Orders containing a preorder cannot be split, if other items are needed before the expected delivery date, these items should be ordered separately.
Weekend Deliveries (UK)
Any order placed before 4pm* on Friday, with the "Saturday Delivery" or "Sunday Delivery" option selected, will be dispatched on the same day for delivery between the hours of 8am - 6pm on the selected day. A signature is required for this method, so somebody will need to be at the delivery address to sign for it. If the order is placed after the 4pm cut-off on a Friday, the order will be dispatched for delivery on the following weekend.
Please note we are unable to guarantee any order being dispatched to the Scottish Highlands to arrive within the quoted time frame.
*Orders for edible images have a cut-off time of 3:30pm – orders placed after this time will be dispatched for delivery the following weekend.


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Weekend Plumbers in Arcadia, IN 46030 – (877) 967-1585
Why Choose Our Plumbing Services?
Emergency Plumbers Arcadia IN has been operating for many years, serving domestic, commercial and industrial clients. Your problem solved Guaranteed! and your satisfaction is very important to us.
As our name suggests we specialize in 24 hour emergency plumbing services for your home, business or commercial property providing solutions for ALL your plumbing needs.
For a plumber in Arcadia IN that you can trust, call Emergency Plumbers Arcadia IN. We specialize in Emergency Plumbing 24 hours a day.
Pipe Repair in 46030 – (877) 967-1585
If your home's toilets, pipes, showers, or other plumbing fixtures are in need of service, you need the most reliable residential plumbing team in Arcadia, IN 46030: Pro Source Plumbing! Since 1993, we've brought our unmatched expertise to households throughout Arcadia, IN 46030, offering professional services at every stage of the process. From initial inspection and diagnosis to spot repairs and full system replacements, nothing is beyond the scope of our residential plumbing pros.
Just a few of our many household plumbing services include:
Drain Cleaning
Sewer Line Cleaning
Sump Pump Repair
Our landscapers in Arcadia, IN can do a lot more than just plant trees and water your flowers. They can easily get that picket fence worthy green grass, that water-efficient rock garden, and even help you get that organic garden ready just in time for spring/summer.
- Blocked Drains
- Hot Water Systems
- Leaking Taps
- Bathroom Plumbing
- Sump Pumps Arcadia, IN 46030
- Leaking Taps
- Water Pipe Repair
- Leaking Toilets
- Garbage disposal Arcadia, IN 46030
- Leaking Toilets
- Kitchen Plumbing Arcadia, IN 46030
- Designer Taps
Call us at (877) 967-1585
Arcadia-IN-46030-Emergency Plumbing-Clog Repair
Cicero-IN-46034-Emergency Plumbing-24 Hour Plumber
Atlanta-IN-46031-Emergency Plumbing-Pipe Repair
Westfield-IN-46074-Emergency Plumbing-Overflow Prevention
Noblesville-IN-46060-Weekend Plumbers-Overflow Prevention
Carmel-IN-46032-Emergency Plumbing-Pipe Repair
Sheridan-IN-46069-Emergency Plumbing-Overflow Prevention
Tipton-IN-46072-Emergency Plumbing-Pipe Repair
Sharpsville-IN-46068-Emergency Plumbing-Pipe Repair
Lapel-IN-46051-Weekend Plumbers-Pipe Repair


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Computer with large display in Hackatorium can be used for presentations, pair programming, etc.
Guidelines for respectable/responsible/reasonable usage along same lines as other classroom areas: Be excellent, or begone with ye.
Best to schedule in advance if more than an hour or so of uninterrupted use is expected:
Saturday 27 July 2013
11 AM until 2 PM - Mark & collaborators. 2 PM until 7 PM - EEG data acquisition / development group
Wednesday 6-10 PM DreamTeam research discussion / EEG hacking


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Selling Erw Steel Pipe
ERW welding round pipesalso are called as Electric Resistance Welded Pipes.This type of steel pipes and tubes are widely used in various fields such as engineering purposes, fencing, scaffolding, line pipes etc. ERW steel pipes and tube are available in various qualities, wall thicknesses, and diameters of the finished pipes.
1) Minimum order quantity: 10 tons
2) Price: FOB or CIF or CFR at Xingang port in Tianjin
3) Payment: 30% deposit in advance, the balance against the copy of B/L; or 100% L/C, etc
4) Lead Time: within 10-25 workdays normally
5) Packing: Standard seaworthy packing or as per your request .(as pictures)
6) Sample: Free sample is avaible.
7) Individual Service: can print your logo or brand name on steel pipe/carbon steel pipe/steel pipe price.
20ft GP: 5898mm(Length)x2352mm(Width)x2393mm(High)
40ft GP: 12032mm(Length)x2352mm(Width)x2393mm(High)
40ft HC: 12032mm(Lengh)x2352mm(Width)x2698mm(High)
20 feet container load 25 tons steel pipe/carbon steel pipe/steel pipe price whose length is under 5.8m.
40 feet container load 25 tons steel pipe/carbon steel pipe/steel pipe price whose length is under 11.8m.


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- Home >
- Automatic Control Valves >
- Commercial Market >
- Pressure Relief, Sustaining, of Backpressure Control >
- Stainless Steel > S116-32, S1116-32
Pressure Sustaining with Solenoid (On-Off) and Hydraulic Check
Lead Free* Models Available
The Watts ACV Pressure Sustaining and Solenoid (On-Off) Control Valve with Hydraulic Check Feature is designed to permit flow when upstream pressure is above the adjustable setpoint of the control pilot, and throttle toward closed when upstream pressure falls below the adjustable setpoint. It is controlled by a normally closed control pilot designed to: 1) Open (allowing fluid out of the main valve cover chamber) when upstream pressure is above the adjustable setpoint, and, 2) Close (allowing fluid to fill the main valve cover chamber) when upstream pressure is below the adjustable setpoint. An increase in upstream pressure causes the valve to modulate toward an open position. A decrease in upstream pressure causes the valve to modulate toward a closed position.
To preview and download BIM Drawings for this product, please select a model/size from the list.
Disclaimer: Watts product dimensions in U.S. customary units and metric are approximate and are provided for reference only. For precise measurements, please contact Watts Technical Service. Watts reserves the right to change or modify product design, construction, specifications, or materials without prior notice and without incurring any obligation to make such changes and modifications on Watts products previously or subsequently sold.
Please Note: Watts literature requires Adobe Acrobat Reader to view.
*The wetted surface of this product contacted by consumable water contains less than 0.25% of lead by weight.


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The Educational and Research Foundation for the American Academy of Facial Plastic and Reconstructive Surgery is dedicated to providing meaningful and relevant educational opportunities and offers several avenues by which members can achieve their educational goals.
Each year the Academy hosts several highly successful Scientific Educational Programs which feature prominent speakers in their respective specialty. The academic sessions are expansive yet comprehensive with instructional courses and workshops. These meetings offer the opportunity to interact with peers and scores of exhibitors. If you are interested in learning more about upcoming meetings, click here to view the programs, location and dates.
LEARN is the new educational and informational portal that provides tools to serve as the personal gateway for member training and information to stay current in the field of facial plastic surgery and reconstructive surgery. LEARN is a place to find CME opportunities, articles, research papers, manage personal curriculum; connect with colleagues and peers, and stay current with industries newest innovations.
The Fellowship Program of the Educational and Research Foundation for the American Academy of Facial Plastic and Reconstructive Surgery provides postgraduate training in facial plastic surgery. The AAFPRS fellowship program is widely respected by the medical community and represents the finest postgraduate program in the world for the training of facial plastic and reconstructive surgeons


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Honey 8 oz. Glass Gift Jar - Beekeeper's Blend Wildflower
Beekeeper's Blend is a consistently rich middle range amber honey. It can used for all applications where you would choose honey as a special ingredient. It is blended from seasonally available honeys from California, West Coast to the Midwest. Since California is experiencing a significant drought, we are fortunate to be able to combine these rich natural honeys to create a perfect honey blend.
Single Jar
Price: 12.00 (USD)


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DragonPuss 2018
Please visit the 2018 Catn' Around Catskill project to view this year's fantastic litter of kitties! Look for Il Gato Di Vino, Lighthouses on the Hudson, and Dragonpus!
I'm so excited to announce that I am now a member of the ArtExposure Gallery on Rte. 17 in Hampstead, NC. Please come visit me at my studio at the gallery, and while you're visiting, take a look at all the other great art on display. Lots happening at ArtExposure - Openings, classes, and other great events. And don't forget to visit the ArtExposure website for more details!
What an honor to share that my work will be on display at this year's Art in the Arboretum from October 5th - 7th, 2018. The splendor of the gardens will be a perfect backdrop for the largest coastal outdoor art show in North Carolina. The show will feature many types of local artists' works, plus you will find art throughout the gardens and the gallery.
Save the date and visit the Art in the Arburetum website for more information!


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A Tradition of Excellence
Tradition: Continental Batteries has been a family owned business since 1932. We have been taking care of your battery needs with family pride for three generations. At Continental Batteries, we're proud of our heritage and we work hard to keep you satisfied. To find out where you can buy a Continental Battery near you, or arrange for a program consultation, Contact Us, or call 1-800-442-0081.


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A Guide to a Successful Lending ExperienceJune 8, 2019 1:59 pm
When applying for a home loan mortgage, there are many things that can affect the success of your experience. At... View Article
When applying for a home loan mortgage, there are many things that can affect the success of your experience. At... View Article
When applying for a home loan, you will need more than just an application. With today's mortgage regulations, the... View Article
It is exciting to begin searching for homes. But what will you need when you finally find "the one" and... View Article
Open houses are no longer the only way to view homes for sale or showcase your home on the internet.... View Article
Is purchasing a home one of your resolutions for this year? Whether you are buying your first home or your... View Article
Are you renting a home and wondering if you should make the transition to buy? As mortgage rates continue to... View Article
When you purchase a home, the most exciting part of the process is the day you finally are handed the... View Article
Buying a home can be the start of the best decision you have ever made. However, between finding the right... View Article
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Are you tired of giving away a large portion of your salary in rent every month? Now is a great... View Article
By entering your contact information, you are providing express written consent for Fairway Independent Mortgage Corporation to contact you at the email and number you provided via telephone, mobile device, automated means like autodialing, text SMS/MMS and pre-recorded messages, even if you are registered on a corporate, state, or federal Do Not Call list. You are also acknowledging and agreeing to our terms of service and privacy policy. Consent is not required to use our services.


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Pirates outlast Brewers on McCutchen's 12th-inning HR
Pittsburgh, PA – Andrew McCutchen's solo homer in the bottom of the 12th inning lifted the Pittsburgh Pirates to a 4-3 win over the Milwaukee Brewers in the second test of a four-game set from PNC Park.
The Pirates spoiled two late opportunities and were a whopping 0-for-15 with runners in scoring position for the game. but were still able to prevail thanks to McCutchen.
He led off the final frame, and his blast off Mike Fiers (0-2) just cleared the center field wall, giving Pittsburgh its fourth win in five games.
"I didn't know if it was going to go out or not when I hit it, so I just started running. Once I saw it was a home run, I just kept running," McCutchen said of the homer.
Vin Mazzaro (2-0) picked up the win by spinning the final two of six scoreless frames for the Pittsburgh bullpen. Starter Jeff Locke struck out six over six innings of work, yielding three runs on seven hits -- the most he's allowed in six starts.
Russell Martin had two doubles and an RBI, while Clint Barmes and Garrett Jones drove in a run apiece in the victory.
Milwaukee fell to 1-4 on its 10-game road trip. Jean Segura hit a solo homer and knocked in two runs while Carlos Gomez contributed a pair of hits and an RBI in the setback.
Kyle Lohse worked around five walks to toss 5 2/3 innings of two-run ball for Milwaukee. He left in line for the win, but Milwaukee's fourth reliever of the game, John Axford, blew the save chance.
"It's tough to lose when you have a lead late and can't hold onto it," Brewers manager Ron Roenicke said.
Axford was called upon in the eighth to try and protect Milwaukee's 3-2 lead, but couldn't get the job done. He gave up a leadoff single to Neil Walker, and after Pedro Alvarez struck out, Martin ripped a double down the left field line.
Walker rounded third as Ryan Braun fired it into the cutoff man, but the relay throw to the plate was way off the mark and Walker scored easily to knot the score at 3-3.
Pittsburgh looked to win it in the bottom of the ninth when Tabata ripped a one-out double into the right center field gap, but Milwaukee reliever Alfredo Figaro intentionally walked McCutchen to set up a double play opportunity, which he got on Jones' ground ball.
Each team stranded a runner on second in the 10th before McCutchen struck with the game-winning homer in the 12th.
Segura lifted a solo homer to left in the first inning to give Lohse some early support, but he gave the run right back in the bottom half.
Singles by Starling Marte and Tabata preceded a flyout from McCutchen, which sent Marte to third. Jones then grounded out to second to push a run home and tie the score at 1-1.
Milwaukee jumped back in front in the fourth thanks to a pair of doubles. Braun led off the frame by grounding one past third baseman Alvarez and came home on Gomez' shot off the wall in right.
Locke got a bit wild after Norchika Aoki hit a sharp grounder off the pitcher's foot. He threw two pitches past his catcher, allowing Aoki to move to second and then third. Milwaukee held a 3-1 edge on Segura's groundout to second.
After Tabata's double to lead off the third, the Pirates didn't manage another hit off Lohse until the sixth, when Martin was able to drive a double into center with a man on to put runners on second and third. The Pirates then pulled within a run, 3-2, on Barmes' groundout to short.
Game Notes
The Brewers used seven relievers in all ... Aoki and Braun each had three hits for Milwaukee. Braun sat out Monday's contest to rest a sore neck ... The Brewers saw their five-game winning streak at PNC Park come to an end ... Milwaukee was 1-for-9 with RISP.


text: Emotions are the backbone of social activities as well as they drive the cognitive processes of several living entities. This course tries to elucidate the controversial nature of emotions and their evolutionary meaning. Several animals, including humans, have emotions but…what about machines? This is a course to feel and think about.


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An event every week that begins at 4:00pm on Thursday, repeating until Thursday, May 24, 2018
Weekly, Thursdays, starting 9/21, 4-5:30pm
Want to learn to build a video game? Design an app? Change the world through code? For girls 6th – 12th grades. Join this exciting group, which meets weekly through the school year on Thursdays, from 4-5:30 with the 1st meeting on 9/21. Sign up today, as space is limited for this great opportunity!
This club is free and equipment will be provided.
More details and sign up at https://www.librarycamden.org/girlswhocode/