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The perfect size for tiny grasps, Latitude Enfant's Mouse Rattle features a silly mouse face, long spiral tail, and a handle ideal for babies to grip. Its cooling colors and soft texture are added features that babies will find delightful. When it is shaken it makes a wonderful rattling sound that will stimulate babies' auditory development.
Suitable from birth.
Mouse Rattle |
Discontinued by vendor |
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Comments about Mouse Rattle:
I bought this for my baby girl, but she seldom uses it. She prefers a rattle with loose objects like beads and/or something that makes more of a noise.
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Guide your tiny flea through tons of levels, avoiding spikes and picking up coins along the way!
Either scripts and active content are not permitted to run or Adobe Flash Player version 13.0.0 or greater is not installed.
Use the arrow keys to move and Space to jump. Reach the end of each level to progress.
Is this game not working? Any suggestions? Send your comments.

subset: commoncrawl


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New Orleans Hornets Coach Monty Williams concerned about Utah Jazz's depth
The New Orleans Hornets will try to snap an eight-game losing streak Monday night when they play Utah Jazz at New Orleans Arena.
Read the full article at NOLA.com... |
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Digital Pocket Memo 9350
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The brand's unique identifier for a product. Multiple product codes can be mapped to one mother product code if the specifications are identical. We map away wrong codes or sometimes logistic variants.
Small devices which records audio (normally speech) and can play it back at a later time.
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Long product name Philips Digital Pocket Memo 9350 dictaphone:
The short editorial description of Philips Digital Pocket Memo 9350 dictaphone
Digital Pocket Memo 9350
Marketing text Philips Digital Pocket Memo 9350 dictaphone
:The official marketing text of Philips Digital Pocket Memo 9350 dictaphone as supplied by the manufacturer
The 4-Position Switch has always been met with much acclaim from users of dictation equipment. The Digital Pocket Memo® 9350 now integrates this useful feature into a state-of-the-art digital device. Single-handed use allows you to continue working in the most familiar way. Workflow management capabilities enable your PC to identify different jobs easily and can dramatically speed up the turnaround of work. A range of other features makes the 9350the most complete and reliable Pocket Memo® in anyone's memory.
Key Benefits
- 4-Position Switch for single-handed use enables you to continue working in the most familiar way.
- Exchangeable Multimedia/SD Card for simple, efficient data transfer, and flexibility when on the move.
- DSS file format: This industry standard file format for digital recording devices offers minimum file sizes whilst maintaining crystal clear sound quality.
- Workflow Management capability enables your PC to clearly display file/job labels, author information or job type (2x 20 keywords).
- End-of-Letter Index to mark a dictation file as finished and to automatically generate a new file (button can also be disabled).
- Priority Index to mark a dictation file as urgent.
- Voice-Activated Recording for hands-free dictation.
- Insert, overwrite and delete functions allow full editing and continuity of dictation (buttons can also be disabled).
- Internal Recharge option enables rechargeable batteries to be replenished during use, when connected to the mains power supply (use only Philips rechargeable batteries 9144).
- Backlit LC-Display makes reading the display in poor light conditions easier.
- Two Display settings allowing selection which information should be displayed on the screen (numeric or graphical).
- 3 Level Adjustable Microphone Sensitivity for conference or close range recordings.
- Easy, automatic download of dictations to your PC via USB connection (10 min. dictation in 1.5 sec.).
- E-mail function for manual and automatic dictation transfer.
- User defined label entry enables you to label a dictation without being connected to your PC.
Short summary description Philips Digital Pocket Memo 9350 dictaphone:
This short summary of the Philips Digital Pocket Memo 9350 dictaphone data-sheet is auto-generated and uses the product title and the first six key specs.
Philips Digital Pocket Memo 9350, 3.9 h, Long Play (LP), Standard Play (SP), 300 - 6000 Hz, 16 MB, LCD, USB
Long summary description Philips Digital Pocket Memo 9350 dictaphone:
This is an auto-generated long summary of Philips Digital Pocket Memo 9350 dictaphone based on the first three specs of the first five spec groups.
Philips Digital Pocket Memo 9350. Maximum recording time: 3.9 h, Recording modes: Long Play (LP), Standard Play (SP), Frequency range: 300 - 6000 Hz. Internal memory: 16 MB. Display type: LCD. Interface: USB. Recording battery life: 10 h
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Maximum recording time*
The longest time that can be recorded by the device.
3.9 h
Recording modes*
The different ways in which this device can record.
Long Play (LP), Standard Play (SP)
Frequency range
The lowest and the hightest frequencies that can be inputted/produced.
300 - 6000 Hz
Internal memory
The amount of memory, usually measured in bytes (e.g. MB, GB), which is installed in the system's hardware.
Display type
Type of display (screen) e.g. LCD.
Ports & interfaces
Interface ports to connect pieces of equipment. USB (Universal Serial Bus) has become the most popular wired interface to connect peripherals. USB 2.0 supports speeds up to 480 Mbit/s (USB 1: 12 Mbit/s). The interface FireWire is also known as the IEEE 1394 standard. Enhanced IDE (EIDE)is sometimes referred to as Fast ATA, Fast IDE or ATA-2.
Microphone in
The socket where a microphone is connected to the device.
Headphone out
The socket for connecting headphones to the device.
Recording battery life
10 h
Technical details
USB mass storage
Travel lock
Weight & dimensions
Weight of the product without packaging (net weight). If possible, the net weight is given including standard accessories and supplies. Please note that sometimes the manufacturer leaves out the weight of accessories and/or supplies.
3.07 oz (87 g)
End-of-memory warning
LED record/playback
Bundled software
Software distributed with another product such as a piece of computer hardware or other electronic device, or a group of software packages which are sold together. A software suite is an example of bundled software, as is software which is pre-installed on a new computer.
Other features
Battery type
Description of battery supplied with the product, such battery form factor (e.g. AA/AAA).
Dimensions (WxDxH)
Dimensions of the product (Width x Depth x Height).
5 x 2.03 x 0.638" (127 x 51.5 x 16.2 mm)
Compatible operating systems
List of desktop operating systems tested as compatible with this product.
Windows 98SE/Me/2000/NT/XP


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Monday, August 01, 2011
10 comments:
- Tamra {walkswithBella} said...
Happy Monday to you as well!! Beautiful quote.
- August 1, 2011 at 9:18 AM
- Clare Christine said...
Happy Monday and Happy August is right! Thanks for the quote today, have a wonderful week xoxo Clare http://twirlingclare.blogspot.com/
- August 1, 2011 at 9:39 AM
- I Dream Of said...
Yes, it is! Thanks for the lovely reminder to start off the week and the month. Happy August!
- August 1, 2011 at 9:57 AM
- Karena said...
Have a great week Ahead Patrica!! Everyone stay cool!
Art by Karena - August 1, 2011 at 11:01 AM
- Michelle said...
It's a holiday here in BC, and expecting about 75 degree weather all week...I love that. Planning on spending some time on the new deck.
I am imagining you living without a kitchen...poor thing...how was your trip?
Michelle - August 1, 2011 at 11:15 AM
- pretty pink tulips said...
Indeed it is!!! Happy Monday and Happy August to you!
xo E - August 1, 2011 at 1:04 PM
- Nelle Somerville said...
It's a beautiful day in Baltimore. Happy Monday to you too!
- August 1, 2011 at 1:43 PM
- Formerly known as Frau said...
Yes Life is beautiful....especially today! Hope you have a wonderful week.
- August 1, 2011 at 3:36 PM
- The Buzz Blog said...
It certainly is and I'm nack from a week at the beach feeling rested and happy! Definitely going to make the best of every day this week...
xxoo - August 1, 2011 at 3:50 PM
- Purple Flowers said...
Yes it is.
- August 1, 2011 at 4:51 PM


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I've given that some thought. I'm thinking it could be a variety of orange and brown things. So, given that it would be a large cake we might have different sub-cakes for different bits (head, neck, ears, body, legs, etc.). Possible flavours for inclusion in the giraffe mega cake:
* coffee
* marmalade
* carrot cake
* chocolate
Of course, if it were going to be a purple giraffe then it should taste of purple things... um. Beetroot?


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Stormwater Management
475 S. Nelson Avenue
(937) 382-2413
The US EPA mandated Storm Water Management Program traces its roots back to the formation on the Federal Water Pollution Control Act of 1972. The amended, and renamed, Clean Water Act of 1977 gave birth to the National Pollutant Discharge Elimination System (NPDES). This permit system is used to control water quality, originally through municipal and industrial wastewater discharges and sludge disposal practices.
In 1990, Phase I of the EPA's storm water program was promulgated. This program relied on NPDES permit coverage to regulate stormwater runoff from medium and large municipal separate storm sewer systems (MS4), generally any municipality over 100,000 people.
The Storm Water Phase II Final Rule, promulgated in 1999, is the second step at combating municipal storm water discharge. The Phase II program regulates additional MS4 operations that are located within urbanized areas, as defined by the United States Census Bureau.
The NPDES Storm Water Phase II permit program is administered by the Ohio EPA. Designated MS4s within the State of Ohio were required to submit to Ohio EPA for Phase II permit coverage by May 1, 2007. The City of Wilmington's Stormwater Management Program (SWMP), developed by City personnel and HDR/Quest Engineers was sent to Ohio EPA for approval in 2008. On June 5, 2009, the City received notice that the SWMP had been accepted and the City was now covered under Ohio EPA General Permit OHQ000002.
The City of Wilmington Stormwater Management Program is administered by the Wastewater Department, in cooperation with each of the City's service and safety departments, as well as the parks and recreation, and building departments.
For information contact the Wastewater Treatment Plant at 937-382-2413 or email firstname.lastname@example.com


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APUA Gambia
STATUS OF ANTIBIOTIC RESISTANCE Antibiotic resistance problems in The Gambia stem from:
These problems challenge the ability to effectively treat infectious diseases that are prevalent in The Gambia, such as acute respiratory infections. CHAPTER OVERVIEW APUA Gambia was established in 2005. Chapter Objectives and Priorities: APUA Gambia's main priority is to raise awareness among key stakeholders about the menace of antimicrobial resistance. CHAPTER ACTIVITIES APUA Gambia has been involved in advocacy, conferences and poster sessions, the development of peer-reviewed publications, and collaboration with other organizations. CHAPTER LEADERSHIP Dr. Adama Sallah – Chairman Mr. Momodou Cham - Vice Chairman Dr. Chidi Nweneka – Secretary Ms. Ndey Tapha-Sosseh - Asst Secretary Mr. Olatunde Sesan - Treasurer Updated May 2011
APUA Chapter Network
Latin America
Middle East


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Thursday, September 08, 2011
Memories of the Silk Road
Memories of the Silk Road, made by yours truly in 2005. measures 18.5x15" is it's currently in my JaneVille Etsy shop. This is one of the first quilts I made and still one of my faves. It's made from old prayer flags (the Tibetan kind) and bits of silk and all hand stitched. I don't think I owned a sewing machine at the time.
10 comments:
This is lovely, Jane - there is just something so pure about hand stitching. Of course, being a quilter of the 21st century, I started with a machine and am only recently getting back into hand work, which I haven't done since childhood. Thanks for all your beautiful work and inspiration!!
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Breaking News
A petition calling for a "revote of the Scottish Referendum, counted by impartial international parties" has been signed by more than 93,000 people on change.org.
Man with a Bag of YES Votes - video ~ link
SNP enjoys incredible membership surge ~ link ~ Too bad the SNP MSP don't seem to be able to fight back against the vote rigging and the improper behavior on the eve of the election by the Westminster Government. They are just laying down taking it!!! Stirling
Analysis of opinion polling this week has provided the latest indication of the strong growth in support for the SNP ahead of next year's Westminster election.
How the Media Controls Britain ~ link ~ The Establishment was caught red-handed rigging the vote in Scotland and the media lied and lied and they got by with it!!! Stirling
We have yet to read Owen Jones' "The Establishment... And how they get away with it", although Russell Brand's take of the author has certainly piqued our interest: ''Owen Jones may have the face of a baby and the voice of George Formby but he is our generation's Orwell and we must cherish him." We do know, however, that the young author and Guardian columnist is one of those who are not afraid to think critically while accepting there is far more than meets the eye, and certainly than the controlled media would like revealed. To wit, from the book's official blurb:
Behind our democracy lurks a powerful but unaccountable network of people who wield massive power and reap huge profits in the process. In exposing this shadowy and complex system that dominates our lives, Owen Jones sets out on a journey into the heart of our Establishment, from the lobbies of Westminster to the newsrooms, boardrooms and trading rooms of Fleet Street and the City. Exposing the revolving doors that link these worlds, and the vested interests that bind them together, Jones shows how, in claiming to work on our behalf, the people at the top are doing precisely the opposite. In fact, they represent the biggest threat to our democracy today - and it is time they were challenged.
Being Irrelevant ~ link ~
Yeah! We're irrelevant again. So we had this wee referendum thingy and Scotland scared the shiters out of the Westminster establishment – which was a lot of fun – and the UK media and political classes have gone back to ignoring us in the hope we don't go away. Now they're far too busy talking about UKIP, English devolution, and starting World War Three to bother themselves over much about Scotland. And there was me thinking that George Robertson had told us that it would be Scottish independence that started that. I must have missed something. Anyway, Scotland now gets to sit unobtrusively at the back of the class watching World War Three start without it being our cataclysmic fault, and we can plot how escape the clutches of the Westminster system without anyone paying us too much attention, which is pretty much the situation we've been in for the past 30 years.
On a Clear Day you can see Armageddon ~ link ~
The Zio Satanic Mass Murder Cabal is the hardest working junta in show business. They are the James Brown of gratuitous slaughter and applied genocide. They don't normally give out awards for this kind of thing but if they did, the walls of the Zio-Satanic clubhouse would be lined with trophy cases on all sides. Wait a minute... they gave Howdy Doody the Ignobel Peace Prize! They gave it to that porcine Nosferatu Kissinger too. How amazing is it that things like this can go on, that absurdity can be heaped upon absurdity, until the Tower of the Ridiculous disappears in the clouds? On a clear day it shimmers in the Chemtrails. There are no more clear days. On a clear day you can see Armageddon, cue whoever it was that sang that insipid song; probably the same person that did, "Feelings." 'nothing more than feeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeelings'
Now they're bombing Damascus while using their Banker financed terrorist group ISIS, which was the simple pretext for them to be able to attack ASSAD, who has nothing to do with ISIS. It's been clearly established by now that ISIS is a CIA-Zio-Banker construct designed to be used as an all purpose fear escalator and a cover for whatever massive false flag The Mossad and CIA seek to carry out. They're creating huge camps of displaced people all over the map and my guess is that they will send in people infected with Ebola at some point as part of the Rockefeller eugenics program, which usually follows Little Georgie Sorrows color revolutions, so that the bloodthirsty god he serves can be appeased with all the human sacrifices delivered up on the dark altar of his eternally damned soul.


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BOOK DETAILS Kindle: 303 pages (estimated) Publisher: Crowbar Press Cover: Full color ISBN: 0-9745545-3-7 Item #: cbp03-jh-kindle Price: $9.95 |
Get information about the printed edition HERE.
Excerpt from "Assassin: The Man Behind the Mask" Copyright © Joe Hamilton and Scott Teal When Barnett told (Ric) Flair that (Rick) Rude was really angry, Flair didnt want to go. He tried to talk his way out of it until Barnett just about pushed him into the dressing room. We were in the room next door and heard everything that was said. When the door shut behind him, we could hear Rick Rude cussing and calling Flair everything but a human being. "Dont just sit there with your head down, you gutless mother fuer! Get up out of that chair and do something about it, you yellow son-of-a-bitch!"
The abuse went on for several minutes, with Rude relentlessly screaming at Flair, telling him to stand up. Flair just sat on the chair with his head down. Of course, if Flair had done as Rude asked, Rude would have killed him. Get behind the mask and into the head of one of professional wrestling's most famous masked men. This autobiography of Joe "Jody" Hamilton takes the reader behind the scenes for a personal glimpse behind the mask of one of pro wrestlings hottest attractions: When Joe Hamilton was just 19 years old, he and his brother, Larry, headlined a show at Madison Square Garden, drawing a record 20,335 people to see them wrestle Antonino Rocca and Miguel Perez. To this day, Joe remains the youngest wrestler to ever headline a main event in the Garden. In 1961, Joe hooked up with veteran wrestler Tom Renesto to form a team called the Assassins, and for the next eleven years, they were considered to be one of wrestlings hottest attractions, drawing sellout crowds to arenas in California, Georgia, Florida, Oklahoma, North Carolina, South Carolina, Virginia, and Washington, in addition to foreign countries like Japan and Australia. Joe takes readers on a journey as he tells about life both in and out of the wrestling ringbeing attacked, stabbed, and shot at by angry wrestling fans; wrestling under a mask and trying to keep his identity a secret; legitimate fights and confrontations behind the scenes in the dressing rooms; a war between two wrestling promotions in Atlanta, Georgia; and never-before-told stories about legends like Ric Flair, Andre the Giant, Giant Baba, Toyonobori, Pedro Morales, Bill Goldberg, Ray Gunkel, and their biggest rivals, the Kentuckians. An extra bonus is the inclusion over 278 photographs, most of which are from Chuck Thornton's massive wrestling memorabilia collection.
Get information about the printed edition HERE. Copyright © Joe Hamilton and Scott Teal After he recovered from the accident, Bucky came up with the brilliant idea of promoting semi-professional fights in the St. Joe area. He offered 25 dollars if you won and 15 dollars if you lost. I thought that was a great idea, so I entered and had about 20 professional fights in the area. It was called semi-pro, but there wasnt a whole lot of finesse about what we were doing. We were just a bunch of kids beating the hell out of each other. What I didnt know was that if you got paid for competing in any professional sports, then you were no longer eligible to compete in any amateur sport. My brother was in Canada during that time, but when he came home for a visit and heard about what I was doing, he blew his top. "You stupid, little bastard! Dont you know what theyll do if they find out you were out there gettin paid for that sh? Youll be kicked off the high school football team if anyone finds out. Dont tell anyone about it. Keep it a secret and dont do that again." Copyright © Joe Hamilton and Scott Teal One day in the summer of 1956, we took the ring to Graceland College in Lamoni, Iowa. We set up the ring, worked out in it for a couple of hours, then went to the dressing room and took a shower. An old carny named Bob Craddock, who ran most of the spot shows for Gust, was promoting the show that night. Craddock always talked in carny. About 8:15 p.m., Craddock walked up to me and said, "Hey, Slick. You got your gear?" I always took my gear with me because I never knew when I would have an opportunity to work out with the guys. "Yeah, Ive got it." "Well, get it on," he said. "Were gettin your cherry tonight." One of the wrestlers didnt show up, so I had to go out and wrestle Rip Hawk. That was how my first match came about. Copyright © Joe Hamilton and Scott Teal There is no way that I could have prepared myself for the feeling that washed over me when we walked down the aisle. It wasnt too bad at first because they had turned the house lights out and had the big spotlights shining on us. The rest of the building was in pitch blackness, so we couldnt see anything until we got into the ring. I could see the people on the floor at the end of the aisles out of the corner of my eye, but I couldnt see the interior structure of the building. When Larry and I climbed into the ring, the house lights were still down. The only lighting was the spotlight on the ring, so I still couldnt see anything outside of the ring. Of course, the house lights stayed down while Rocca and Perez made their grand entrance to the ring. I didnt see the people until they cut the spotlights and brought the house lights up. This is no exaggeration. Im not just saying this. My jaw actually dropped and I stood there with my mouth open. I thought, "My God! Ive never seen this many people in one place in my entire life." There were more than 20,000 people there that night, and if the Fire Marshal had let them pack more in, there would have been a lot more. To me, it looked like there were almost as many people in that building as there was in St. Joe, Missouri. I was absolutely awestruck. I stood there like a dope and gawked. I had been to professional baseball games when the Kansas City team was still called the Kansas City Athletics. They didnt have that many people at the baseball games, and that was outdoors. Here I was, looking at over 20,000 people, on the inside of a building. It was unbelievable. From that point until the match was over, and I was back in the dressing room, I never gave my ankle another thought. It was such an adrenalin rush. Copyright © Joe Hamilton and Scott Teal Dory had a body that looked like a sack of broken doorknobs. He had no hair on his head and he resembled a grizzled, broken-down, old cowboy. But he was a good worker who had great timing, personality, and a ring presence that won the hearts of the fans in west Texas. The fans in that part of the country just loved Dory. One of the principal reasons he was so popular is that he had joined up with the former Amarillo promoter, Cal Farley, to make the Boys Ranch in Amarillo a going concern. Dory always had a big, big civic presence in Amarillo. In addition to all of the above, Funk was as tough as nails. I saw him beat the hell out of more than one cowboy in the bars. Dory never sat down with me and talked wrestling, but I learned so much just by watching him. He never did anything fancy in the ring, and I dont remember him ever throwing a flying drop kick, but he did a good bit of close wrestling. He wasnt much for teaching, although Im sure he spent a lot of time working with his kids, but he had flawless timing in the ring. The things he did in the ring were very convincing. Funk would sell in a manner that made his matches undeniably believable. He taught me that theres a difference between selling and dying. Funk would sell and sell for his opponent, and yet he would never be completely dead. Just when you thought he was on deaths doorstep, he would throw a desperation punch, or he would double leg dive his opponent, just to show some sign of life, or work into the spot they were going to use for him to make his comeback. I cant say enough that I learned an awful lot about timing from him. Copyright © Joe Hamilton and Scott Teal Before I left Eddies office, he told me that I would be working in Atlanta as the Iron Russian. I talked to myself all the way up to Atlanta, trying to come up with some semblance of a Russian accent. My grandparents came to the United States from Russia, but I couldnt speak a word of Russian. I didnt know anything about the City Auditorium in Atlanta, and nobody had bothered to tell me anything. I didnt know what door to use, where to park my car, or anything else, so I walked directly to the front entrance. That was my first mistake. In the old downtown City Auditorium, the wrestlers always entered through the back door. I walked into the Auditorium wearing a black mask that sported a small, red star in the center of the forehead. In my best Russian accent, I growled, "Vere ees dressink room?" The old man at the door looked at me like I was a nut and pointed towards the back. I had to walk all the way through the auditorium. Of course, those country boys taking tickets were like, "Guddam! Hooz this dum bastard here?" When I walked into the dressing room, I learned that the Atlanta office had changed the name they wanted me to use. Instead of the Iron Russian, they were going to call me the Assassin. The date was October 13, 1961. It was, without any doubt, the most important night of my career. It was the night the Assassin gimmick was born. Copyright © Joe Hamilton and Scott Teal There were several combinations of Von Brauners in wrestling, but the team we worked with consisted of Jim Brawner and Doug Donovan. They were managed by Gentleman Saul Weingeroff. Doug and I had been friends since Amarillo, so up to that time, I had never had any problems with him. I liked both Doug and his brother, Red. Unfortunately, Jimmy and Saul were jealous of the Assassins and they let their feelings get in the way of doing business. They also kept Doug stirred up. Before we went to the ring, Ray (Gunkel) told us the match would have a one-hour time limit, and he wanted us to wrestle to a draw. The Von Brauners were really pissed because they wanted to beat us. Gunkel looked Brawner in the eye and said, "You guys aint beating them. If anybody gets beat, itll be you mother fuers." It was obvious from the moment we stepped into the ring that they had made the decision to manhandle us. When Brawner hit me, I gave him a shot to the stomach. It looked good, but it was a working punch. He came back with a stiff punch to my jaw and said, "Dammit! When I tell you to hit me, fuing hit me." He didnt have to tell me again. I buried my fist so far into his solar plexus that I thought I could feel the ridges of his backbone. Brawners eyes bugged out and he went down, gasping for breath. He was selling, but this selling job wasnt a work. He was struggling to get air to his lungs. I snatched him in a headlock and tagged out with Tom. As Tom got into the ring, Brawner jerked away from me and stood facing Tom in a fighting stance, like he was ready to shoot. When Tom closed in, Brawner shot in on him ... Copyright © Joe Hamilton and Scott Teal A few weeks after we arrived in Charlotte, we made a deal with Crockett to bring Grizzly Smith and Luke Brown into the territory. I didnt know it at the time, but Tom had to talk like a Dutch uncle to get them in there because Crockett hadnt been too impressed with them when they were there before, and Crockett was very opposed to bringing them in. He didnt want them back. His exact words were, "Aw! Those guys wont draw a damn dime." Tom said, "Oh, yes, they will. You guys just didnt know how to use em right. Give us a chance with them. If you let us do things our way, they will draw." And that was true. When Griz and Luke wrestled in Charlotte before, the bookers didnt know how to use them. They didnt know how to utilize their gimmick. They didnt know how to get them over. And the wrestlers didnt know how to work with them. The problem was, the bookers were trying to take two giant men and make average workers out of them. They told them to work a regular match, just like the normal-sized workers. Griz and Luke were doing headlock takedowns, arm drags, and stepover toe holds. Luke could work that style, but Griz couldnt. Their opponents did nothing to make Griz and Luke look outstanding. They were taking them off of their feet and doing all of the normal things that wrestlers do to their opponents. The way Tom and I worked with them was to make super-strong giants out of them. We never took them off their feet. Never! They didnt punch anybody. They didnt kick anybody. All they would do was manhandle their opponent. Since they were so tall, we could emphasize their size and strength by putting them with shorter guys. They could stand in the middle of the ring, put their left hand on their opponents head, and hold them at arms length. Their opponent could swing their fists at them and never touch them. When it was time for the finish, Griz would use the upside-down bearhug. Luke would hit the ropes and come down on top of them with a big splash. Crockett let us do it our way, and he told everybody else who worked with the Kentuckians: If they deviated from that formula, their ass was gone. Needless to say, nobody took them off their feet from the day they arrived in the territory. Copyright © Joe Hamilton and Scott Teal When you left the gym, you had to walk along the back wall of the gym. It was like we were in a valley. The wall was on our right, and to our left was a grassy area that sloped upwards for about 20 yards, with a sidewalk at the top. Just as we reached the halfway point along the building, Tom looked up at the sidewalk and said, "Uh, oh." That was the only thing he said. When I looked at him and turned my head to follow his gaze, I saw what had to be at least a hundred people clustered on the sidewalk. I suddenly knew how General George Armstrong Custer felt when he was surrounded by the Indians. All of a sudden, the people started to chuck things at us — rocks, clumps of clay, and coins. I owned a 1962 Oldsmobile 98 at the time. Just as we slid into the car and shut the doors, a rock the size of a softball smashed through the window and landed in my lap. Shards of glass flew everywhere, including through the eyeholes of my mask. Fortunately, none of it got into my eyes. I turned the ignition key to start the engine and we drove away with the tires squealing. As we put some distance between ourselves and the crowd, we heard two loud pops. It wasnt until later that we discovered two bullet holes in the trunk lid. It was then that we decided to tell Mr. Crockett that we wouldnt be making any more of his spot shows. And thats exactly what we did. We walked into the office the next day and told him, "Look, no more spot shows." Copyright © Joe Hamilton and Scott Teal The Vancouver territory wasnt doing all that well. Sandor Kovacs was Fentons booker, but he couldnt book the library. Tom and I would go to Fenton with ideas and scenarios that the Assassins could do with different guys, but he wasnt interested in taking our suggestions. He wouldnt listen. It all came to a head when I went to Fentons office one Monday afternoon to pick up my mail. While I was there, I said, "Rod, tonight would be a good opportunity to shoot an angle for next week in Vancouver with us against Don Leo Jonathan and Don McClarity." Fenton stood in front of me with that big cigar stuck in that little face and said, "Nah, we cant shoot anything tonight. We got the damn Academy Awards being shown on TV next week. Next weeks house will be the sh—s. We dont never draw nothin on that night. There isnt any sense in shooting any angles or doing anything important when people wont be watching our show." "Now wait a minute," I interjected. "This weeks house was the sh—s. Are you saying its gonna get worse than this?" Before he could answer, I plowed on. "If youre bucking the Academy Awards, dont you think that would be the reason for us to shoot something hotter than normal? We need to give the people something that will make them forget the Academy Awards and come see our product." When he stood his ground, we had some heated words. He got really pissed because I had pinned his ass to the wall. He said, "Well, by God, you guys arent as fu—ing great as you think you are. In fact, youre the sh—s!" I responded in kind by telling him that he sucked as a promoter. "If you arent going to utilize us to our potential, then theres no sense in us wasting our time here. Wed rather be in a territory where they appreciate our talent and will give us an opportunity to make some money. Since were the sh—s, and we can easily be replaced, then you shouldnt have any problem replacing us by tomorrow." "What do you mean by that?" he asked. "Under the circumstances, I think the best thing for us is that I give you our two-week notice." He got mad and said, "You dont even have to give me that. You can give me your notice right now." I said, "Fine. Id love to leave right now. Consider this to be our last fu—ing night." I went back to the dressing room and told Tom what had happened. "I just gave Fenton our notice." Copyright © Joe Hamilton and Scott Teal I didnt go to Rays funeral. Tom and I took good care of our gimmick and we would have been spotted. I would have stood out like a sore thumb. Beyond that, I didnt want to be labeled as one of the hypocrites. An hour or so after Rays funeral was over, Tom called to let me know who was there. His first words were, "The vultures are beginning to descend on the carcass." On the afternoon of the funeral, Buddy Fuller, Eddie Graham, Lester Welch, and Paul Jones were in Rays office, plotting their plan of action. The following day, they closed down Rays company, ABC Booking, and started a new company, Mid-South Sports, Inc. The four of them had majority control and ignored the fact that Ann, as Rays survivor, owned Rays percentage points. In fact, they neglected to put those percentage points into the new corporation. When Ann walked into the office, Lester Welch was sitting in Rays chair with his feet on Rays desk, and the partners were sitting around laughing and carrying on. They told Ann that they were going to run the company and that she didnt have a thing to worry about. In their words, "You can go home, tend to your children, and well send you a check each week for your percentage." They never offered to buy her out or suggested any other deal. It was a power-play and a conspiracy to rob her of what was rightfully hers. The promoters all had their personal "bag men" who would skim money off the top in the box office. The bag men went to the towns and collected the money from the box office, but skimmed off a percentage of the proceeds for the promoter before reporting it to the commission. Ann knew that by the time the partners got through with the count, whether it was in the box office or in the wrestling office, there wouldnt be anything left for her. Charlie Harben, who worked in the office, had been the "bag man" for Ray Gunkel for years. Charlie took it upon himself to stand near the door of the City Auditorium one night and use a clicker to count the number of people coming in. The next morning, when he read the report of the box office take, he discovered that they had skimmed nearly two grand. When Charlie told Ann about it, it led to a confrontation between Ann and the partners. Ann knew that Buddy Fuller, Eddie Graham, Lester Welch, Paul Jones, and even Fred Ward, all hated Ray Gunkel. When I say hated, I mean it was a real, passionate feeling. They werent going to do anything to support Rays family. In other words, even though they were all in business together, when he died, they werent going to recognize any member of his family as being a part of it. They were going to take it all. To put it in as few words as possible, what they wanted to do was push Ann Gunkel out and steal the territory. If anybody says anything different, theyre either a liar or they dont know what theyre talking about. I was there and I know what was going on. I didnt trust them, either. I knew many of the boys that they had dealings with, and I knew how the partners had screwed them over. I had experienced it first hand in 1959. Buddy Fuller enticed me to come into Memphis by promising me the moon, but when I got there, the sun was already up.
Get information about the printed edition HERE.
Get information about the printed edition HERE.
Get information about the printed edition HERE.
Legacy. The word legacy is used a lot in professional sports, especially in professional wrestling. When one reads an autobiography, we typically think of it as reading about the legacy of the superstars we admire and have enjoyed watching throughout the years. Many times books by professional wrestlers are spit out at an alarming rate, leading one to seriously consider their purchase of such books, one needs only to look at the printing schedule of the WWE at one time, to see that legacy is an almost meaningless term in their vocabulary and most certainly is in regards to the majority of the books they've printed. However, Mr. Scott Teal and Crowbar Press have set a new standard for professional wrestling publishing and allowing fans to experience the legacies of many superstars firsthand.
I finished reading Joe's book, Assassin: The Man Behind the Mask, a short while ago.
Sometimes it just can't be helped. You can't live in every era. You can't see every match or performer at his peak. Even for a seasoned wrestling fan (or old fart, take your pick) like myself, the name of Joe Hamilton and The Assassin doesn't instantly provoke memories of matches or times gone by. I was but a mere babe when Hamilton was one half of the hottest touring tag team of the 60s, The Assassins. Yet when I did first see him on TV two decades later, he left me with a twitch that'll never be cured.
A compelling read from start to finish, and the way it flows, it is very easy to hear Hamiltons voice telling the stories as your eyes follow the words. He goes very deep into his past, sparing very little. The only thing lacking is details into the early version of Deep South Wrestling, and I felt more could have been said about the Power Plant days. However, as a bigger fan of the old days than the more recent ones, he didn't disappoint. Hamilton's best partner may have been Tom Renesto, but co-author Scott Teal is perhaps close behind.
I received the book on Tuesday and immediately delved into what I consider one of the best autobiographies written by any wrestler. I loved the stories about he and Tom Renesto and the various territories they worked, and since I'm a big Missouri Mauler mark, I especially loved seeing the pics of Larry Hamilton in his youth. I've always considered Joe tremendously underrated (one of the best interviews and kneedrops ever in the business), but hopefully with this book, he'll get exposure with a whole new audience and get the due he so justly deserves. This ranks up there with Seagulls as one of the top five wrestling related books published in the last two decades.
I had to fly from California to the East coast today and instead of starting with client work on the plane, I began reading just a little bit of Assassin: The Man Behind the Mask. That little bit turned into reading the whole book, word for word and cover to cover, as I flew from Los Angeles to Columbus, Ohio via Houston. I found this read to be the most enjoyable of the Crowbar Press series and I believe I have read them all.
Just by reading its table of contents, and knowing that Joe Hamilton has been in the wrestling business for a half century, I knew going in that this book would have plenty of insight, and sure enough, it did not fail to deliver. Scott Teal, the Tennessee Titan, has brought forth yet another fine effort when it comes to wrestling history — Assassin: The Man Behind the Mask (not to be confused with Alice Cooper's rockin' tribute to mad slashin' Jason).
I just finished reading the book and it was excellent. Jody's stories were great and there were a lot of super photographs from his glory years. I learned alot about the Hamilton and Renesto team (I never saw that version of the Assassins). Also, Jody was funny as hell many times during the book. I got the impression as I was reading that I was being directly talked to by the great Masked Assassin, as opposed to reading a book by him. Just an excellent read.
Assassin: The Man Behind the Mask is the latest book to come from Scott Teal and Crowbar Press (www.1wrestlinglegends.com). As usual for Teal and company, this book is an enjoyable and excellent account of the days of old-school.
Another great story. I guess the most striking thing about his career was his ability to focus on business and not get caught up in politics — the mark of a true professional. Obviously, he was confident that his ability would make the next venue a successful venture.
The best wrestling book thus far. Growing up in Florida from age 13-26, the Assassin was a mainstay on West Palm Beach cards. I found the Gunkel war very interesting, and as another reviewer said, it was almost as if I could hear Jody's reading the book to me. So many tidbits, and I thought I had heard it all.
Get information about the printed edition HERE.


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For more views of the church and our campus, both interior and exterior, click here.
Album ~ The People of St. Bart's
Click on the album title or cover picture to open the album. You can then view each picture in the album individually, or sit back and enjoy an automated slideshow. Controls for the slideshow are embedded in the lower frame of each picture.
The people of St. Bart's — Today
Assorted pictures of the people who call St. Bart's home.
The people of St. Bart's — Recent History
Parishioners from earlier times.
Work Day
Parishioners hard at work during our monthly work days.


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I found this recipe for Chicken with Mustard Cream Sauce in a newly purchased cookbook, Everyday Food: Great Food Fast (from the kitchen's of Martha Stewart Living). It's my new favorite cookbook. I love it so much I subscribed to Everyday Food magazine!
I almost always have the ingredients on hand for this recipe, which is great for the nights I haven't really planned anything for dinner and don't want to spend a lot of time figuring out what to cook.
It's not a bad idea to double the sauce, as that gives you plenty for the chicken, plus some left to spoon over a side of rice. This meal is easy enough for a week night dinner, but fancy enough for company. My favorite kind of recipe!
Chicken with Mustard Cream Sauce
This easy chicken dish, with a creamy mustard sauce, is on the table in about 20 minutes!
- 4 boneless skinless chicken breast halves
- 2 tablespoons olive oil
- Salt and pepper, to taste
- 1/4 cup chicken broth
- 1/2 cup heavy cream
- 2 tablespoons Dijon mustard
- 1 teaspoon dried tarragon or oregano
- Add olive oil to a large skillet and preheat over medium-high heat.
- Season chicken breasts with salt and pepper.
- Add chicken to skillet and saute until cooked through, about 10-12 minutes, turning once. Transfer to a plate and keep warm.
- Pour chicken broth into hot skillet.
- Whisk in the cream, mustard and tarragon or oregano. Cook and stir for about 2 minutes.
- Pour sauce over chicken and serve.
Be sure to save this easy but elegant chicken recipe to your favorite Pinterest board for later.
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If you love this recipe, you might also like:
Easy Honey Mustard Chicken
Chicken with Rosemary Butter Sauce
Easy Garlic Chicken
Who Dished It Up First: Martha Stewart, in her Everyday Food series of recipes.


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Encrypting mail in Thunderbird
Configuring Enigmail
After creating the key pair, the next step is to configure Enigmail. To do so, first launch Thunderbird. Experienced Thunderbird users will notice a new menu item, OpenPGP, which lets you access the Enigmail add-on functionality (see Figure 1).
If you used your distribution's tools to set up the components, you do not need to configure anything now. The OpenPGP | Preferences… box looks fairly spartan (see Figure 2). If you have multiple installations or Enigmail fails to find the installation, just set the right path to GnuPG here.
Also, you need to say how Enigmail should store your passphrase. For security reasons, it makes sense not to save the passphrase permanently.
The default value of five minutes is a useful compromise between convenience and security and keeps Enigmail from asking you for the passphrase for each mail.
Advanced Configuration
Clicking on Display Expert Settings takes you to the advanced configuration, which gives you some interesting – and perhaps some unnecessary – options. In the Sending tab, you can enable Add my own key to the recipients list so you can decrypt messages that you send later. In the Advanced tab, you might also want to enable the Encrypt replies to encrypted messages to avoid forgetting to encrypt a confidential exchange. Also, you should enable '--' is a signal separator and Use '<' and '>' to specify email addresses. When you are done, you can close the settings dialog.
OpenPGP Support
Finally, you need to enable OpenPGP support for the account (Figure 3). To do so, click Edit (or Tools) | Accounts…, select OpenPGP security for your account, and choose Enable OpenPGP support for this identity. Also, you will need to enable the option Sign encrypted messages by default.
This completes the configuration. Don't be surprised when you open OpenPGP again; some menu items are added after enabling the expert settings.
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To the pop cognoscenti, the French dance-music duo Daft Punk exists as an ideal, modern musicdom's most consistent, influential, enigmatic trailblazer, in addition to being crowned the major winner of the 2014 Grammy Awards by scoring record of the year and album of the year trophies.
But to another section of the population — those willfully ignorant of this year's Coachella lineup, for instance — the question Sunday might have been: Who were those masked robots?
Thanks to Daft Punk's abiding silence at the awards podium, its members' identities obscured by futuristic helmets straight out of Isaac Asimov's imagination — not to mention the mystique cultivated by remaining off camera for more than half of their performance of the ubiquitous "Get Lucky" with Nile Rodgers, Pharrell Williams and Stevie Wonder — the French duo spoke volumes about their selective embrace of the celebrity spotlight.
Contrary to misperceptions, Daft Punk's Thomas Bangalter and Guy-Manuel de Homem-Christo speak fluent English. And despite rarely granting interviews, the two are hardly shy about expressing themselves. Splitting time between their native Paris and Los Angeles, they operate their production company Daft Arts out of Hollywood's Jim Henson complex in the shadow of a giant Kermit the Frog sculpture.
Since 2001, however, they have refused to appear in public as Daft Punk without their robot disguises. Few outside of a core group of collaborators and friends could pick De Homem-Christo and Bangalter, both 39, out of a police lineup.
Grammys 2014: Full coverage | Top nominees and winners | Red carpet | Show highlights
This correspondent interviewed Daft Punk in 2010 — the year the duo abandoned funked-out Big Beat electronica to venture into symphonic music with the soundtrack for "Tron: Legacy" — and can report on what the men (who collaborator Pharrell simply refers to as "the robots") look like beneath the helmets.
Bangalter is tall and slim with a head full of corkscrew brown curls and two-days' growth of stubble. Imagine a hipster version of Michael Richards' Kramer character from "Seinfeld" — albeit one who can speak impressionistically on the merits of Japanese animé, psych-rock and violin arpeggios — and you're on the right track. Half a head shorter, matinee-idol handsome and exuding an air of Byronic melancholy, De Homem-Christo is the more intense of the two, all pensive silences and halting remarks.
Refusing to divulge their division of labor, the group members have remained in lock step regarding Daft Punk's uncompromising artistry — its avoidance of market-driven trends (basically abandoning the EDM sound that spawned a thousand imitators) in favor of pursuing their own quirky agenda (i.e., the labor-intensive, handmade disco aesthetic of their album "Random Access Memories"), rewriting the rules of mainstream pop in the process.
"We're interested in the line between fiction and reality, creating these fictional personas that exist in real life," Bangalter said in a Rolling Stone interview last year, placing their disguises within a continuum of theatrical pop performers that includes Kraftwerk, David Bowie's Ziggy Stardust incarnation and KISS. "People thought the helmets were marketing or something, but for us it was sci-fi glam."
TIMELINE: Grammy Awards through the years | PHOTOS: Best & worst moments
A full generation older than their non-mask-wearing contemporaries in the electronic dance music field — including Skrillex, 26, and Avicii, 24 — Daft Punk's relative anonymity remains intact in an era of rampant over-sharing and performers pursuing fame for fame's sake.
"Daft Punk creates music and visuals in a very pure way," the group's manager, Paul Hahn, told The L.A. Times last October. "It starts with self-identity. The band doesn't say to itself, 'This is avant garde so it should be underground. More, they ask, 'Why not? Why can't our music be a big event?'"
On Sunday, after walking off with top Grammys honors, De Homem-Christo and Bangalter finally removed their helmets to host a lavish after-party, taking over two floors at Los Angeles' venerable club venue the Park Plaza Hotel — Daft Punk's first public celebration of "Random Access Memories" since its 2013 pre-release.
Before a celebrity-studded crowd that reportedly included Jay Z and wife Beyoncé; Madonna and her teenage daughter, Lourdes; Paul McCartney; Trent Reznor; actress Ellen Page and 30 Seconds to Mars frontman-turned-Oscar nominee Jared Leto, Bangalter — or at least someone several sources identified as "the tall one with gray hair" — ascended to the DJ booth to spin choice tunes including a remix of Daft Punk's "Lose Yourself to Dance."
Was it really a member of Daft Punk? Whoever the disc jockey was, he let the music do the talking.
PHOTOS: Show highlights PHOTOS: Top nominees & winners PHOTOS: Red carpet arrivals


text:
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Lot 1254: 1781 Maria Anna Zachary Cloth European Map
Mighty Memorabilia From Cars To Guitars Day 1
by J Levine Auction & Appraisal LLC
October 27, 2016
Scottsdale, AZ, USA
Live AuctionPast Lot
Looking for the realized and estimated price?
Description: Type of Item: European map; Era or Year Produced: 1781; Materials: Cloth; Frame Approximate Measurement: 23" x 20" x 1"; Approximate Weight: 5 lbs; Note: Made by Maria Anna Zachary


text:
At 19.40 on Wednesday evening another man in his late twenties was cycling around the Olympic Park without a helmet on. What's the difference between the first man and the second? The first man is dead. The second man is me.
In one of those plunging moments that can define our family lives, my girlfriend heard on the radio that a man "around 30" had been killed near the Olympic Park. She had a sense – not because I'd told her; rather, because she's a genius – that her boyfriend might have gone for a bike ride to his former home in east London, having said for days that he wanted to take the atmosphere in.
So I suppose it is customary at this point to say "there but for the grace of God go I", though to an atheist that aphorism can be jarring.
For some mad reason I decided not to wear a helmet when I headed out on Wednesday. I was meeting my mate Kate for dinner later, and my helmet is a nuisance to carry about in a busy restaurant. I've also been known to leave my helmets behind very readily.
It's not actually known for certain whether the man who died when he was hit by a double-decker on Ruckholt Road on Wednesday was wearing a helmet. A witness said he was dragged under the bus, so a helmet may not have saved him anyway. But now Bradley Wiggins has caused an uproar by saying cycling without a helmet should be illegal.
I bow to no man in my admiration for the side-burned wonder from Kilburn, but on this he is wrong, for four reasons.
First, it will probably reduce the number of cyclists. In Australia and New Zealand, the number of cyclists fell by over half after such a law was enacted. Second, the evidence that it would reduce injuries and fatalities is mixed at best. Third, it's not the business of the state to protect us from ourselves, as long as we're not harming others. Compulsory helmet-wearing violates John Stuart Mill's harm principle: "Over himself, over his own body and mind, the individual is sovereign".
Finally, such a law would be impracticable. Imagine the amount of police time that would be wasted on stopping helmetless cyclists. Laws that cannot and are not enforced reduce the law from a means of empowering citizens to mere state-sponsored didacticism.
What we need is fewer laws and more social stigma. Rest assured I cycled to work wearing a helmet this morning.
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Below you will find a list of the yoga classes in Fountain Valley, CA. These 27 yoga classes are organized by their distance from Fountain Valley. The closest businesses to Fountain Valley are Los Caballeros Racquet and Sports Club on Newhope St (Fountain Valley) and Yoga Shakti on Beach Blvd (Huntington Beach) in the category Health & Fitness Program Consultants & Trainers and Cloud 9 Yoga Co-Op on Beach Blvd (Huntington Beach), Core Power Yoga LLC on Edinger Ave (Huntington Beach) and Huntington Beach Hot Yoga on Adams Ave (Huntington Beach) in the category Yoga.
1. orange county beach paths california beaches(949) 496-7433 (805) 650-7770. Fountain Valley- Mile Square Park 16801 Euclid Street Fountain Valley, CA. ... Yoga, 226, 317. *Based on moderate intensity. ...
2. california beaches blog ?? blog archive ?? huntington beach 3 high ...Dec 4, 2009 ... Log on to: thetiniyogini.com to learn some Yoga Tips and to register for Huntington Beach Yoga Clases lead from Sarah Stevenson, ...
3. california beaches blog ?? blog archive ?? what's happening in ...Oct 9, 2009 ... Log on to the: thetiniyogini.com to learn some Yoga Tips and to register for Huntington Beach Yoga Classes lead from Sarah Stevenson, ...
Things to do in Fountain Valley CA
Fountain Valley Hotels
Fountain Valley Attractions
Fountain Valley Shopping
Fountain Valley Restaurants
Fountain Valley Events
Book Hotels in Fountain Valley CA
Midway City
Huntington Beach
Garden Grove
Costa Mesa
Colleges & Universities
Cooking Schools
Dancing Classes
Gymnastics Schools
Martial Arts
Music Classes
Private Schools
Public Schools
Training Schools
Vocational Schools


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Digital IXUS
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With a digital camera all the pictures you make are stored digitally, which means you can instantly view a picture after you have taken it and take as many pictures as you like, without having to buy new films all the time. It is easy to download the pictures from your camera to your computer, either at home or at the shop and edit them before printing. Once they are on your computer, you can easily share your pics with the rest of the world by putting them on-line, or e-mailing them to friends.
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Long product name Canon Digital IXUS 60 6MP 1/2.5" CCD Silver:
The short editorial description of Canon Digital IXUS 60 6MP 1/2.5" CCD Silver
Digital IXUS 60
Marketing text Canon Digital IXUS 60 6MP 1/2.5" CCD Silver
:The official marketing text of Canon Digital IXUS 60 6MP 1/2.5" CCD Silver as supplied by the manufacturer
Blending graceful style with compelling design, the Digital IXUS 60's slender all-metal body conceals precision optics and cutting edge technology - for images as sharp as the camera that takes them.Classically IXUS
Sleek and stylish with a stainless steel body, the Digital IXUS 60 epitomises classic IXUS elegance.
6.0 Megapixels
A 6.0 Megapixel CCD sensor captures every scene with enough detail for large, photo quality prints.
Ultra compact 3x optical zoom
An Ultra-High Refractive Index Aspherical (UA) 3x optical zoom lens helps deliver crystal-clear performance in an exceptionally compact form.
Cutting edge technology
Canon's DIGIC II processor ensures fast, responsive camera performance and superior image processing. iSAPS technology analyses each scene to optimise key camera settings even before a shot is taken.
Large 2.5" LCD
The 2.5" LCD screen features a wide viewing angle for easy group viewing with friends. Quick-bright gives instant screen brightness in outdoor conditions. Night Display mode improves visibility after dark for easy night shooting.
Shooting modes and My Colors
Choose from a range of 16 shooting modes to get that perfect shot. Special Scene modes such as Beach, Foliage and Underwater help with tricky lighting conditions. My Colors allows special in-camera colour effects to be applied before and after shooting.
High quality movies
Shoot extra long 30fps VGA movies with full audio, or record QVGA movies at 60fps and analyze in sharp slow motion.
Low light shooting
ISO 800 and High ISO Auto settings allow you to shoot indoors or in low light conditions without using a flash. They also enable shooting at higher shutter speeds, reducing the risk of image blur.
Widescreen recording
Shoot stills in Widescreen 16:9 mode for playback on widescreen TV or printing on wide size paper with a SELPHY CP printer - perfect for viewing sweeping panoramas in all their original glory.
Direct printing
Connect to any PictBridge or Canon Direct Print compatible photo printer and push the Print/Share button for instant photolab quality prints.
Extend shooting possibilities with a range of optional accessories, including a Waterproof Case (40m) WP-DC4 and High Power Flash HF-DC1.
Short summary description Canon Digital IXUS 60 6MP 1/2.5" CCD Silver:
This short summary of the Canon Digital IXUS 60 6MP 1/2.5" CCD Silver data-sheet is auto-generated and uses the product title and the first six key specs.
Canon Digital IXUS 60, 6 MP, 1/2.5", CCD, 1600 x 1200, 3x, 4x
Long summary description Canon Digital IXUS 60 6MP 1/2.5" CCD Silver:
This is an auto-generated long summary of Canon Digital IXUS 60 6MP 1/2.5" CCD Silver based on the first three specs of the first five spec groups.
Canon 60, Digital IXUS. Megapixel: 6 MP, Image sensor size: 1/2.5", Sensor type: CCD. Optical zoom: 3x, Digital zoom: 4x, Focal length range (f-f): 5.8 - 17.4 mm. Focus: TTL. ISO sensitivity: 80, 100, 200, 400, 800, Auto. Flash modes: Auto, Flash off, Manual, Red-eye reduction
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Picture quality
The number (in millions) of light-sensitive picture elements known as pixels actually used by the camera's image sensor (CCD) to record light, and which are reflected to the final number of recorded pixels stored on the memory card.
Image sensor size*
Sensor type*
A sensor is a convertor than measures a physical quality (light, temperature etc.) and displays this electronically on a device.
Still image resolution(s)*
List of image resolutions that supported by device.
1600 x 1200
Lens system
Optical zoom*
Indicates the optical zoom capacity, which is the number of times that the picture can be enlarged with the optics of the camera.
Digital zoom*
Indicates the digital zoom capacity, the number of times that the picture is enlarged thanks to digital technology.
Focal length range (f-f)
Measure of how strongly the system converges or diverges light. For an optical system in air, it is the distance over which initially collimated rays are brought to a focus. A system with a shorter focal length has greater optical power than one with a long focal length; that is, it bends the rays more strongly, bringing them to a focus in a shorter distance.For an optical system in air, the effective focal length (f and f′) gives the distance from the front and rear principal planes (H and H′) to the corresponding focal points (F and F′).
5.8 - 17.4 mm
Light exposure
ISO sensitivity*
A measure of a photographic film's sensitivity to light.
80, 100, 200, 400, 800, Auto
Flash modes*
Different modes for a camera flash which are manually/automatically activated e.g. auto-flash mode, flash on with red eye reduction.
Auto, Flash off, Manual, Red-eye reduction
Video recording*
Recording moving visual images.
Maximum video resolution*
This is the maximum resolution of video images. Resolution is a measure of the degree of detail visible.
640 x 480 pixels
Video formats supported
The type of video formats that can be used by this device.
Internal memory
The amount of memory, usually measured in bytes (e.g. MB, GB), which is installed in the system's hardware.
Compatible memory cards*
Types of memory cards which can be used with this product.
mmc, sd
The description of display that can includes display type, resolution, size etc.
Display resolution (numeric)
Total number of pixels that display has.
173.000 pixels
Ports & interfaces
PictBridge is an industry standard introduced in 2003 from the Camera & Imaging Products Association (CIPA) for direct printing. It allows images to be printed directly from digital cameras to a printer, without having to connect the camera to a computer using common connectivity like USB or Bluetooth.
I/O ports
An interface on a device to which you can connect another device.
Playback zoom (max)
Battery technology
The type of battery in the device, e.g. nickel–cadmium (NiCd).
Lithium-Ion (Li-Ion)
Battery type
Description of battery supplied with the product, such battery form factor (e.g. AA/AAA).
Colour of product
The colour e.g. red, blue, green, black, white.
Operational conditions
Operating temperature (T-T)
The minimum and maximum temperatures at which the product can be safely operated.
System requirements
Mac compatibility
Product can be used with Apple Mac software and/or hardware.
Weight & dimensions
The measurement or extent of something from side to side.
86 mm
The distance from the front to the back of something.
53.5 mm
The measurement of the product from head to foot or from base to top.
21.7 mm
Other features
Video capability
Capability of video recording/playback.
Built-in flash
The product has an internal flash. A flash produces a brief very bright light, used for taking photographs in poor light.
Lens system
Type of lens in this product, expressed as its characteristics including lens, zoom capability, focal length, 35 mm equivalent focal length, and aperture range.
Lens focal range
A cylindrical piece of glass or plastic that receives and focuses light to form an image. Most cameras list an f-number and focal length for each lens. \nF-Number: Indicates the size of the lens opening (aperture). \nFocal Length: The distance between the image sensor and the optical center of the lens. \nLens Adapter: Allows photographers to use special lens attachments (Macro, Zoom, Filters, etc.) on certain cameras.
f/2.8 – f/4.9
Camera shutter speed
Determines the length of time the shutter lets light pass through the lens to the CCD. Shutter speed and aperture together determine exposure.
15 – 1/1,500
Focal length (35mm film equivalent)
35 - 105 mm
Interface ports to connect pieces of equipment. USB (Universal Serial Bus) has become the most popular wired interface to connect peripherals. USB 2.0 supports speeds up to 480 Mbit/s (USB 1: 12 Mbit/s). The interface FireWire is also known as the IEEE 1394 standard. Enhanced IDE (EIDE)is sometimes referred to as Fast ATA, Fast IDE or ATA-2.
Digital SLR
The single-lens reflex (SLR) is a type of camera that uses a movable mirror placed between the lens and the film to project the image seen through the lens to a matte focusing screen.
Compatible operating systems
List of desktop operating systems tested as compatible with this product.
Windows 98SE / Me / 2000 SP4 / XP / XP SP1-2
OS X v10.2 - 10.4
OS X v10.2 - 10.4
USB 2.0 ports quantity
Number of USB 2.0 ports (connecting interfaces) in the device. USB 2.0 was released in April 2000 (now called "Hi-Speed"), adding higher maximum signaling rate of 480 Mbit/s (effective throughput up to 35 MB/s or 280 Mbit/s), USB 2.0 ports are usually black.


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There will be no British winner of the biggest prize in cinema outside of the Oscars this year. Cannes Artistic Director Thierry Frémaux has failed to include any British films in the competition line-up for the coveted Palme d'Or. British interest in the "official selection" of Cannes – made up of the Competition Films, the Un Certain Regard sidebar, and special screenings – is limited to an out-of-competition slot for Stephen Frears's Muhammad Ali's Greatest Fight, about the boxer's refusal to go to Vietnam. British director Lynne Ramsay is a member of the jury.
It's not unusual for British cinema to have limited interest at Cannes. The last time no British film was competing for the Palme d'Or was in 2008, although that was tempered by the inclusion of both Steve McQueen's Hunger and Thomas Clay's Soi Cowboy in the Un Certain Regard section, by film-makers who it was hoped would be vying for the Palme D'Or by now.
Thomas Clay has failed to make a film since Soi Cowboy. He joins a list of British film-makers who have had some success at the festival, but who have received little or no British funding after their Cannes works failed to receive critical or commercial success. The list includes Emily Young, whose Kiss of Life was selected in 2003 and Shona Auerbach, director of the 2004 romantic drama Dear Frankie.
Steve McQueen, who won the Camera d'Or prize for best first-time director with Hunger was the likely candidate to be in competition this time around. His latest, Twelve Years a Slave, is based on the autobiography of Solomon Northup and stars Chiwetel Ejiofor, Brad Pitt, Michael Fassbender and Benedict Cumberbatch. The first sign that Twelve Years a Slave wasn't going to the Croisette was the rumour last month that the film, shot in early 2012, wasn't going to be ready in time. It's a line that has often been used as code for a rejected film.
However, given that the release date is currently scheduled for early 2014 it's plausible that the Brad Pitt-produced picture is not ready. Expect to see it at the Venice Film Festival, a path taken with McQueen's controversial Shame. The response from the British Film Institute to the omission from the official list is that it's no biggie.
Ben Roberts, Director of the British Film Institute Film Fund, tells The Independent, "Given we have the benefit of some oversight of the runners and riders, and also timings of films which may or may not be ready, some that might wait for Venice or Toronto, we didn't expect the competition was going to be the home for much of this year's titles."
He adds: "Why do we care whether Andrea Arnold or Steve McQueen premiere in Cannes or Venice? It's nonsense. Besides, so much of this is down to timing and release strategies. Mike Leigh is going into production this year – if his film isn't ready by Cannes next year and on track instead for Venice/Toronto, are we going to have this conversation in April or wait until August? Personally I won't judge a year a success or failure until September."
The trouble with this argument is that comparing a Venice slot to a Cannes competition berth is like saying the Golden Globes has the prestige of the Oscars. In recent years Cannes' position as the top festival on the calendar has been compounded as Venice struggles against the more commercially minded Toronto Film Festival. And when Britain has success at Cannes, the bureaucrats working in British films are the first to shout In the parallel sections at Cannes, the Director's Fortnight and Critics' Week, there will be three British feature films. Clio Barnard's children's fable The Selfish Giant, Ruairi Robinson's sci-fi thriller Last Days on Mars and Paul Wright's drama For Those in Peril. Roberts stated: "Well done to Clio, Paul and Ruairi. It's gratifying to see three such distinctive and personal talents in the spotlight at the world's biggest film festival."
The last British winner of the Palme d'Or was Ken Loach's The Wind that Shakes the Barley in 2006, a year in which Andrea Arnold was also in competition with Red Road. The then Chief Executive of the Film Council John Woodward stated: "It's incredibly important that two British films are in competition. Their appearance is symbolic of the health of a particular section of British film production."
That's the rub. Britain has been failing to produce quality film-makers making high-end, prestige films. It's part of the industry that's on a life-support machine. The worry is not so much the failure this year of British film-makers to be in competition, but that the only working British film-makers to make regular appearances at Cannes are Ken Loach, Stephen Frears (president of the jury 2007), Mike Leigh, Terry Gilliam and, to a certain extent, Michael Winterbottom. A whole generation of film-makers has come and gone without establishing themselves on the festival circuit.
The Festival president Gilles Jacob wrote an essay on the state of British film in 2010, in which he started off by rebuking François Truffaut's claim that "there is no such thing as British Cinema". Yet it's clear he sees British film-making as having strength when showing "an empathy with the working class." The British directors Jacob cites as on the Cannes map are Arnold, Ramsay, McQueen, Peter Mullan, Shane Meadows, Young and Clay, yet the actions of the festival programmers have spoken louder than words, as only Ramsay has had a film at Cannes since the essay was written. Roberts admits: "Of course we should be aiming for at least one film in competition. But quite rightly you can't strategise Cannes competition, it's not the be all and end all."
Roberts adds: "There are other film-makers who are about to start their 'Cannes journey'. Are they competition ready? Probably not." In addition to the three in this year's Cannes sidebars, he cites Ben Wheatley, Paddy Considine, Debbie Tucker Green and Esther May Campbell as names to watch.
Yet recent history suggests that, when it comes to new British talent at Cannes, there are no guarantees that the directors will still be being supported by the industry bigwigs a decade on, as it seems Britain has forgotten how to producer auteurs.
Cannes Film Festival, 15 to 26 May
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�@by Roy Francois
When ever demonic possession is mention we naturally picture images of someone forming from the mouth and using foul language, trying to hurt themselves and others and having hatred toward Jesus Christ, but there�fs another type of demonic possession that is not as obvious. With this other type of possession, the person appears to be normal, they go about their daily business as normal human beings. According to the word of God, all demons are not of the same lever of evil, some are more evil than others. There are some demons that are chained up and locked down in deep darkness until the judgment, they are not allowed to roam the earth like the other demons because they would truly make this world hell on earth.
�gAnd when they were come to the multitudes, there came to Him a certain man, kneeling down to Him, and saying, Lord have mercy on my son: for he is a lunatic, and sore vexed: for oftimes he falleth into the fire, and oft into the water. And I brought him to thy disciples, but they could not cure him. Then Jesus answered and said, O faithless and perverse generation, how long shall I be with you? How long shall I suffer you? Bring him hither to Me. And Jesus rebuked the devil; and he departed out of him: and the child was cured from that very hour. Then came the disciples to Jesus apart, and said, why could not we cast him out? And said Jesus unto them, because of your unbelief: for verily I say unto you, if ye have faith as a grain of mustard seed ye shall say unto this mountain, remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you. Howbeit this kind goeth not out but by prayer and fasting.�h [Matt 17:14-21].
Jesus explained to His disciples that some demons are more hellish and evil than others, proving that demons come in different degrees of power and that this type of devil was more powerful than some of the others. Some possessions are not easy to detect, in most cases the person appears to be normal. Satan�fs main goal is to recruit as many people as possible into his kingdom, to do this demonic possession must be presented as something to be desired. If all cases of possession were of what I call the ugly type, where the person is disfigured, head spinning around 360 degrees, forming from the mouth, spewing out profanity and cursing Christ, it would be hard for Satan to recruit very many disciples. Who in their right mind would knowingly subject themselves to such a horrible condition for any amount of money or fame? As in all cases of deception, its not the things we see that are most dangerous, but its what we don�ft see that can cause the most problems. When Satan have an important job like recruitment for one of his disciples he can�ft have them disfigured and out of their minds. Who would be attracted to that? NO! The possession must be wrapped in an attractive package, so that those who see the demonic possessed person would desire to be possessed. Lets take a look at one case in the bible where the person that is possessed is attractive instead of being repulsive:
�gHow art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which did weaken the nations." [Isa 14:12].�h
Here we see the Lord sends a message to an angel that was once a resident of heaven, the angel is I identified by name �gLucifer�h son of the morning. There�fs no way He�fs talking to a mortal man. Here the Lord talks directly to the fallen angel, Lucifer. Then in Ezekiel 28:13, the Lord talks to the mortal man, the king, and to Lucifer through the king. Remember the king is no longer one being, he's still the king, but the fallen angel that have taken possession of him is now part of the man. So in the beginning the Lord is addressing only to the demon, Lucifer, then He addresses both the man and the devil together.
�gThou hast been in Eden the garden of God; every precious stone was thou covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and the gold: the workmanship of thy tabrets and thy pipes was prepared in thee in the day that was created. thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the mist of the stones of fire.�h [Ezekiel 28:13-14].
At this point everything is directed at Lucifer, but the king must be addressed too. The fallen angel had taken possession of the king, but the king played a roll in himself being possessed. Demons cannot just come in and take possession of a person without their permission. There was a point at which the door was open and Satan was welcomed into the soul of the king. How could God rebuke one without rebuking the other. There�fs no justice in the that. So He also talked to the king about his roll in his demonic possession, through occult initiation. People go back and forth about who God was talking to, the king or Lucifer. He had to talk to both of them, because both are guilty. Whenever Jesus expelled a demon from a person, there was always a three way communication, Jesus talked to the demon, the demon talked back to Jesus, and Jesus talked to the person and the person talked back to Jesus. There is always at lest three entities involved. The person possessed, the demon that is possessing the person and the Lord.
This demonic possession of the king of Babylon represents the attractive side of possession. It is this type of possession that the world is craving for, the possession that comes with power and fame. There is no indication the king of Babylon was disfigured by the demon, he was the king of Babylon, he controlled an empire, the most powerful man of that time. This is the kind of demonic possession the world welcomes. The world is full of people that are possessed, and are still functional for their lord Lucifer. The music industry and Hollywood in general have always been recruiting turf for souls for sale. First it was Hard Rock that was leading the young people into the arms of Satan. Many Hard Rocker have admittedly sold their souls to Satan for fame. As time went on Satan realized that he just wasn�ft reaching all the youth in America, because with Hard Rock he was reaching mostly white kids. He needed his business to grow, now with most kid going back to R&B he needed to get a foothold in soul music. It is in music where Satan's true power of deception is, remember Lucifer is the world�fs greatest musician, it was he who led the angelic host in worship of God. So music is his specialty, he knows the power of music. Satan corrupted Rock and Roll right out of the gate, but he couldn�ft corrupt soul music right away because of he origin of the two forms of music. Both forms of the music was created through the black musicians, but they came from two different sources. First Rock and Roll came from the mind of a homosexual by the name of Little Richard. His first Rock and Roll hit was, Tooty Fruity Good Booty. That was the first Rock and Roll song, �gbooty�h to most people means money or valuables seized or stolen, especially by soldiers in war. But in the black community with the young �gbooty�h means the buttock. now here is the first verse of the song:
�gTooty Fruity, Good Booty, when it�fs greased it goes with ease!�h
That was the original words to the song, but at that time it was not going to get any airtime, so they had to change the lyrics to �gTooty Fruity O Rudy Ba-ba-ba-lu-bam boom! What do you think Ba-ba-ba-ju-bam boom means? you see, Rock and Roll was corrupt from its very beginning. It was no great stretch to go from Tooty Fruity Good Booty to straight-out devil worship, because this music originated in hell. But Satan knew that to get at the foundation or the root of popular music and thereby gain the largest group of souls possible, he would need to corrupt Soul and R&B music because its at the root of popular music. But it was harder to corrupt soul music because of its origin. You see, Rock and Roll came straight from the hand of Satan, where as Soul music came as a gift from God to a people that was treated like animals, a helpless people that cried out to the Lord daily for help. Most of the soul singers were people that came out of black gospel church choirs. People like Aretha Franklin, Whitney Houston, Garvin Gaye etc�c One form of music came from as a gift from Satan, the other as a gift of God. It took some time but the devil finally succeed in corrupting soul music. The sweet soul music that was once given to a people as a soothing balm is now corrupted and is in the hands of Satan. And this is where the attractive side of demonic possession enters.
Remember the king of Babylon? Even though he was possessed he was still the great ruler, image him in all his splendor, the crown on his head studded with all the beautiful stones money could buy, his long purple king�fs robe, riding through the streets on a chariot pulled by six white �gthe horses �glimousine of the times.�h From the description of the King of Babylon it seems that the king is possessed and yet he is still attractive. He is not forming from the mouth or cutting himself with stones. This is the kind of possession that people who lust after fame and power will welcome. This is what happened with Rock and Roll and has made its way into the heart of American popular music �gR&B and Soul.�h with the rise in Hip Hop or Rap music there are many young people who are now possessed by demons. Since they are not falling out with their eyes rolling around in their sockets no one takes notice of them.
The latest victim of the attractive demonic possession is Beyonce Knole, Beyonce admits to being possessed by someone name Sasha Fierce. Beyonce says that when she is performing on stage Sasha Fierce takes over and that she is no longer in control. Beyonce says after performing she looks at the recording of her show and don�ft remember during the thing she did on stage. She says, she under normal circumstances she would never do anything like that. She says that she don�ft even recognize herself. This one physically beautiful [not spiritually] woman in the hands of Satan is drawing young girls into the occult.
How�fs that for attractively packaged demonic possession? Can you image how many young women would give anything to be the object of sexual lust the way Beyonce is? Well Beyonce�fs mission is to point the way to demonic possession, and the young people are lining up for the initiation into the kingdom of Satan. While we focus our attention on the ugly side of demonic possession, the devil is doing his most powerful work in the attractive of demonic possession. When I say its attractive, I don�ft mean its attractive to me, but that most young people find it very attractive.
It is clear that our young people are being demonically possessed because we see the evidence of it throughout the entertainment industry. But what we don�ft seem to get is that same lust for power and fame has also saturated the political world, and both Democratic and Republican Parties are full of occultist. Satan, �gAKA�h Lucifer offers the Politian the same short cut to power and riches that�fs promised to the entertainer, and all it cost is to let Satan into the soul where he will rule from. The demonic possession of the Politian is not as easy to detect as that of the Hip-Hopper or Rock and Rollers. The possessed entertainer�fs life is open to the public, success is depended on him or her being available to their fans. In their entertaining their fans they sometimes act out occult initiation rituals and display actions that give them away. But the possessed Politian must be different, they are the ones that must rule the world, the most powerful lust of them all �gto rule mankind.�h With the demonically possessed entertainer his or her desire is to be worshiped [the original desire of Satan] to be idolized. But the possessed Politian main goal is to rule this earthly kingdom of mankind. So the Politian�fs possession by necessity have to be different than that of the entertainer�fs possession. The Politian must be very educated, must know how to conduct themselves in polite company. So Satan must know what demon to send into a disciple of his to get the job done right. Satan is the smartest general man could ever face, man is no mach for him in wisdom and cunning. Satan knows that he con not send the same kind of demon causes Beyonce to fall down and on stage and debase herself, into the body of the President of The U.S. He can�ft have the demon showing up at the State of the Union Address shaking his behind before the news media, and during the humpty hump on the White House floor. Each demon is hand picked by Satan for its evil qualities which equips it for a certain mission. If that President belong to Skull & Bones or any other secret organization the changes are good that he or she are already possessed by an evil spirit, because that is the nature of their business, invoking evil spirits.
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Phil.1.28 | and not frightened in anything by your opponents. This is a clear sign to them of their destruction, but of your salvation, and that from God. |
1Tim.1.13 | though formerly I was a blasphemer, persecutor, and insolent opponent. But I received mercy because I had acted ignorantly in unbelief, |
2Tim.2.25 | correcting his opponents with gentleness. God may perhaps grant them repentance leading to a knowledge of the truth, |
Titus.2.8 | and sound speech that cannot be condemned, so that an opponent may be put to shame, having nothing evil to say about us. |


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An international research group has successfully tested the use of a new type of porous material for the efficient delivery of key molecules to transplanted cells derived from stem cells. These results can lead to improvements in the way stem cell-based neurodegenerative diseases are treated.
A group of researchers based in Sweden, Denmark and Japan has successfully tested in animal models the use of a new type of porous material for the efficient delivery of key molecules to transplanted cells derived from stem cells. The researchers have developed a novel technological approach for the local delivery of exogenous trophic factor mimetics to transplanted cells using specifically designed silica nanoporous particles. This is potentially a versatile and widely applicable strategy for the efficient differentiation and functional integration of stem cell derivatives upon transplantation, and it can serve as a foundation for improving stem cell-based neuroregenerative protocols, for example Parkinson's disease.
"We are working to provide standard and reproducible methods for the differentiation and implementation of Stem Cell therapies using this type of approach, which couples material science with regenerative medicine," said Dr. Alfonso Garcia-Bennett, one of the leading authors of the study currently working at the Department of Materials and Environmental Chemistry, Stockholm University.
"We demonstrated that delivering key molecules for the differentiation of stem cells in vivo with these particles enabled not only robust functional differentiation of motor neurons from transplanted embryonic stem cells but also improves their long-term survival," said Elena Kozlova, co-director of the study and Associated Professor at the Department of Neuroscience, Uppsala University.
The researchers are already working together with two companies in order to speed up the process of commercialising their innovative approach in the form of a standard differentiation kit that will allow other scientists and clinicians to reproduce their work in their own laboratories.
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Materials provided by Stockholm University. Note: Content may be edited for style and length.
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At Patents you can conduct a Patent Search, File a Patent Application, find a Patent Attorney, or search available technology through our Patent Exchange. Patents are available using simple keyword or date criteria. If you are looking to hire a patent attorney, you've come to the right place. Protect your idea and hire a patent lawyer.
United States Patent | 4,812,671 |
Furrow | March 14, 1989 |
A circuit for disengaging an electrically actuated transmission brake of a racing car has a bank of transistors in series with the brake to hold the brake on at the beginning of a race. The bases of the transistors are connected through normally open contacts of a relay to the emitter of a transistor that can be turned on or off by an optoisolator and the brake is connected through diodes to the relay coil to isolate the transistor bases once the brake has been disengaged. The optoisolator is connected, through diodes, to the zero count terminals of two clocked, programmable counters either of which will turn the optoisolator off at the end of a count. Reset terminals of both counters are connected to the outputs of a flip-flop to disable one counter and toggling of the flip-flop is effected by closing normally open contacts of a second relay to complete a circuit between the flip-flop input and a voltage regulator output through a Schmitt trigger. The second relay contacts are also connected to preset enable terminals of the counters to enter preselected numbers into the counters and prevent counting while the relay is energized. The relay is energized by closure of a starting switch connected between the second relay coil and the car battery so that release of the switch will enable one counter to provide a preselected time delay in the release of the brake.
Inventors: | Furrow; Robert E. (Hinton, OK) |
Assignee: |
B. F. Electronics, Inc.
Appl. No.: | 07/224,542 |
Filed: | July 26, 1988 |
Current U.S. Class: | 307/10.1 ; 123/333; 123/335; 290/37R; 307/9.1 |
Current International Class: | F02N 11/08 (20060101); H01H 043/04 () |
Field of Search: | 307/9,1R 290/37R,38R,38A 123/333,334,335,349,350 180/70.1,71 |
Re32474 | August 1987 | Reid |
4209816 | June 1980 | Hansen |
4467219 | August 1984 | Reid |
4490620 | December 1984 | Hansen |
4500794 | February 1985 | Hamano et al. |
4596215 | June 1986 | Palesotti |
4651018 | March 1987 | Peterson |


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drug trade News
Shahid Kapoor finally says yes to Prabhu Deva!
Not for the sequel to Salman Khan's Wanted, but to a brand new film
Not long ago, actor-choreographer-turned-director Prabhu Deva was chasing Shahid Kapoor for a sequel to his Salman Khan-starrer Wanted. He loved the actor's performance in Kaminey, and so got in touch with him. But Sasha was just not interested. Click here to read more -


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(d) For an ICFs/MR that is licensed as a CRMNF, the total annual revenue on which the assessment is based shall be determined as follows:
(Office of the Secretary of Family and Social Services;
(1) For the initial interim rate review, available bed days times the projected occupancy rate of sixty-nine percent (69%) times the approved Medicaid rate issued to the provider.
(2) For annual rate reviews, from the provider's previous annual financial reporting period as set out in section 4(a) of this rule.
Authority: |