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The Research Center for Arts and Culture has compiled this bibliography as part of an ongoing effort to raise awareness about individual artists through research on their personal and economic status within society, cognitive and physical development, training and education, and relation to other issues pertinent to the arts field and society-at-large.
The goal of the bibliography is to create an overview of available research about artists. The parameters for inclusion in the bibliography are relatively simple. The first parameter can be eloquently described as "no puff pieces". That is, the articles and books must be based on research, empirical or otherwise, and included in journals or publications known for producing such work. To that end, we limited articles from newspapers, weekly magazines or other journals lacking a research or academic underpinning unless the article in question clearly was based on research.
The second parameter is even simpler than the first. All citations must deal with individual artists. This omits data collected about arts organizations, public participation in the arts, economic impact studies, or other arts-related topics unless the publication discussed the ramifications of the research for individual artists. The bibliography does include research that has been conducted on artists from all artistic disciplines and fields, including arts administration, sociology, medicine, law, arts education, economics and psychology.
Columbia University's vast system of 27 libraries provided the foundation for our research. Its databases were culled by cross referencing Library of Congress subject categories. Categories included a diverse array of artistic professions, such as musicians, painters, dancers, etc. These artistic categories were cross referenced with varying fields of study, including social science, psychology, arts education, arts administration, economics and law. For example, a search was run under the classification of "dancer—psychology". All listings that fit these subject categories and also indicated a Library of Congress category of individual artists were researched further to justify its inclusion in the bibliography.
After the initial search, other databases were explored, including Lexis/Nexis Academic Universe and EUREKA systems, using the same or similar Library of Congress categories. Additional information was provided by the Center's board members, the National Art Education Association, the National Endowment for the Arts, and from organizations and individual researchers across the country and the world. As our research progressed, we noted that many citations contained some form of annotation. Therefore, in the interest of providing as much information as possible to assist users of this document, pre-existing annotations are incorporated into the bibliography.
While the listing is extensive, it is not comprehensive. Instead it serves as a beginning reference point for those interested in research about artists. Because this document is a work in progress, we look to its readers to help us locate additional references. As more users of the document provide additional citations, the bibliography will expand as a developing resource for those wishing to do further research on artists.
(For further details, visit the RCAC's annotated bibliography …)
Browse by title:
A Dancer's Regime: Life After Performance Career. Eye on Dance 231. Videotape. Dir. Richard Sheridan. Arc Videodance, 1987. 28 min.
Abercrombie, Nigel. Artists and Their Public. Paris: Unesco Press, 1975.
Adair, Christy. Women and Dance: Sylphs and Sirens. New York: New York University Press, 1992.
Adler, J. "Artists' Job Market Experience." Journal of Arts Management and Law. 13 (1983): 177-183.
Adler, M. "Stardom and Talent." American Economic Review. 75 (1985): 208-212.
AFL-CIO. Professional Workers and Unions: A Reference Manual. Washington, DC: Dept. of Professional Employees AFL-CIO, 1993.
Albright, Thomas and Beverly Hennessey, eds. On Art and Artists: Essays. San Francisco: Chronicle Books, 1989.
Alper, Gerald. Portrait of the Artist as a Young Patient: Psychodynamic Studies of the Creative Personality. New York: Insight Books, 1992.
Alper, Neil, et al. Artists in the Workforce. Santa Ana, California: Seven Locks Press, 1996.
Alper, Neil and Galligan, A. "Recession to Rennaissance: A Comparison of Rhode Island Artists 1981 and 1997." Journal of Arts Management, Law and Society 29:3 1999: 178-203.
Alper, Neil and Gregory Wassail. The Write Stuff: Employment and Earnings of Authors, 1970-1990. Washington, DC: National Endowment for the Arts, 1994.
Alper, Neil and Gregory Wassail, and Rebecca Davidson. Art Work: Artists in the New England and Labor Market. Cambridge, MA: The New England Foundation for the Arts, 1983.
Alper, Neil and Gregory Wassall. Art Work. Cambridge: New England Foundation for the Arts, 1983.
Alper, Neil and Gregory Wassall. "Determinants of Artists' Earnings." The Economics of Cultural Industries. Hendon, et. al., eds. Akron: Association for Cultural Economics, 1984.
Alper, Neil and Gregeory Wassall. "Occupational Characteristics of Artists: A Statistical Analysis." Journal of Cultural Economics 9 (1985): 13-3.
Alper, Neil and Gregory Wassall. "T oward a Unified Theory of the Determinants of the Earnings of Artists." Cultural Economics. Ruth Towse and Abdul Khakee, eds. Heidelberg: Spranger-Verlag, 1992.
Alper, Neil and Gregory Wassall. "When Is an Artist an Artist: An Analysis of Factors Related to Claiming Membership to this Profession." Journal of Arts Management and Law 19 (1990): 37-50.
American Federation of Musicians. Wage Scales and Conditions in the Symphony Orchestra, 1979-80 Season. New York: American Federation of Musicians, 1980.
American Symphony Orchestra League. The Participation of Blacks in Professional Orchestras: Survey and Study. Washington, DC: The League, 1990.
Apostolos-Cappadona, Diane and Lucinda Ebersole, eds. Women, Creativity, and the Arts: Critical Autobiographical Perspectives. New York: Continuum, 1995.
Apresian, Z. G. Uniform Title: Svoboda Khudozhestvennogo Tvorchestva. English Title: Freedom and the Artist. Trans. Bernard Meares. Moscow: Progress Publishers, 1968.
Arnheim, Daniel D. Dance Injuries: Their Prevention and Care. St. Louis: Mosby, 1980.
Australia Council. Visual and Crafts Artists: A National Study of the Australian Crafts and Visual Arts Industry. Sydney: Australia Council, 1989.
Balos, Karen. "Crazy Maybe, But Not Insane." Artweek Dec. 1994: 25.
Balos, Karen. "Why Is It So Hard For Me to Sit Here and Pay Attention to Myself?"Artweek Apr. 1995: 33.
Balos, Karen. "Working Artist: Coping with Criticism." Artweek Aug. 1996: 5.
Banes, Sally. Dancing Women: Female Bodies on Stage. New York: Routledge, 1998.
Barnett, Ivan. "Isolation: Artist's Friend or Foe?" Crafts Report 24.265 (1998): 28-30.
Barron, Frank X., et. al. Artists in the Making. New York: Seminar Press, 1972.
Basista, P. (ed.) Graphic Artists Guild Handbook: Pricing and Ethical Guidelines, 9th edition. New York: Graphic Artists Guild, 1997.
Batschmann, Oskar, Uniform Title: Ausstellungskunstler. English Title: The Artist in the Modern World: The Conflict Between Market and Self-Expression. New Haven, Connecticut: Yale University Press, 1997.
Baumol W. and W. G. Bowen. Performing Arts: The Economic Dilemma. New York: Twentieth Century Fund, 1966.
Bayles, David and Ted Orland. Art & Fear: Observations on the Perils (and Rewards) of Artmaking. Santa Barbara: Capra, 1993.
Becker, Carol, and Ann Wiens, eds. The Artist in Society: Rights, Roles, and Responsibilities. Chicago: New Art Examiner Press, 1995.
Becker, Carol, ed. The Subversive Imagination: Artist, Society, and Social Responsibility. New York: Routledge, 1994.
Becker, Carol. Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety. SUNY Series. Albany: State University of New York Press, 1996.
Becker, Howard Saul. Art Worlds. Berkeley: University of California Press, 1984.
Becker, Howard Saul. Outsiders: Studies in the Sociology of Deviance. New York: The Free Press, 1973.
Beckerman, Bernard. Theatrical Presentation: Performer, Audience, and Act. New York: Routledge, 1990.
Bejjani, Fadi J. Current Research in Arts Medicine. New Jersey: Cappella Books, 1993.
Bellow, Rachael Newton. "What Artists Want." Deciding What to Do. Cambridge: Center for Effective Philanthropy, December 1986.
Berardi, Gigi M. "Case Studies of Older-Aged Dancers and the Factors that are Critical to Injury Prevention: Part One." Kinesiology and Medicine for Dance 12.1 (1989-90): 12-19.
Bergman, Charles and Sanford Hirsch. "Artists Remembering Artists-A Tale of Two Foundations." Vantage Point (1986): 9-13.
Berry, Wendell. "People, Land and Community." In Standing by Words. Berkeley: North Point Press, 1983.
Bielby, Denise D., William T. Bielby. "Audience Aesthetics and Popular Culture." The Cultural Turn. Friedland, Roger and John Mohr (eds.), Cambridge, England: Cambridge University Press, forthcoming, 2000.
Bielby, Denise D., C. Lee Harrington, and William T. Bielby. "Whose Stories Are They? Fans' Engagement with Soap Opera Narratives in Three Sites of Fan Activity." Journal of Broadcasting and Electronic Media. 42: 2 (1999).
Bielby, William T. and Denise D. Bielby. "Organizational Mediation of Project-Based Careers: Talent Agencies and the Careers of Screenwriters." American Sociological Review. 64: 1 (1999).
Bielby, William T. and Denise D. Bielby. The 1998 Hollywood Writers' Report: Telling ALL Our Stories. Los Angeles, CA: Writers Guild of America, West, 1998.
Bielby, Denise D. and William T. Bielby. "Women and Men in Film: Gender Inequality among Writers in Culture Industries." Gender & Society. 10: 3 (1996).
Bielby, William T. and Denise D. Bielby. "'All Hits are Flukes:' Institutionalized Decision-Making and the Rhetoric of Network Prime-Time Program Development." American Journal of Sociology. 99: 5 (1994).
Bielby, Denise D. and William T. Bielby. "The Hollywood 'Graylist'? Audience Demographics and Age Stratification Among Television Writers." (eds.), Current Research on Occupations and Professions (Creators of Culture). Cantor, Muriel G. and Cheryl Zollars (Eds.) Greenwich, CT: Jai Press, 1993.
Bielby, William T. "Aging in the Television Industry." Age Has A Future: Maturity and the Media. Conference Proceedings published by the American Association of Retired Persons, Washington, DC. (1993): 34-37, 74-76.
Bielby, William T. and Denise D. Bielby. The 1993 Hollywood Writers' Report: A Survey of the Employment of Writers in the Film, Broadcast, and Cable Industries for the Period 1987-1991. West Hollywood, CA: Writers Guild of America, West, 1993.
Bielby, William T. and Denise D. Bielby. "Cumulative Disadvantage in an Unstructured Labor Market: Gender Differences in the Careers of Television Writers." Work and Occupations. 1992.
Bielby, William T. and Denise D. Bielby. The 1989 Hollywood Writers' Report: Unequal Access, Unequal Pay. West Hollywood, CA: Writers Guild of America, West, 1989.
Bielby, William T. and Denise D. Bielby. "Agency Representation and Writers' Employment in Television and Film." Report prepared for the Writers Guild of America, West, West Hollywood, CA, February 1995.
Bielby, William T. and Denise D. Bielby. "Employment Opportunities for Television Writers: Continuity and Change from 1960 to the Present." Report prepared for the Writers Guild of America, West Hollywood, CA, 1987.
Blake, Nayland, Lawrence Rinder and Amy Scholder. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. Horizons (Radio program). San Francisco: City Lights Books, 1995.
Blaug, Mark. "The Empirical Status of Human Capital Theory: A Slightly Jaundiced View." Journal Of Economic Literature. 14 (1976).
Bowness, Alan. The Conditions of Success: How the Modern Artist Rises to Fame. Walter Neurath Memorial Lectures 21. New York: Thames and Hudson, 1989.
Boyd, Jenny and Holly George-Warren. Musicians in Tune: Seventy-Five Contemporary Musicians Discuss the Creative Process. New York: Simon & Schuster, 1992.
Braden, Su. Artists and People. London: Routledge and Kegan Paul, 1978.
Bradshaw, Thomas F. "Predicting Artist Employment in the Year 2000." Cultural Economics '88: An American Perspective. Volume II of the proceedings of the Fifth International Conference on Cultural Economics and Planning, Ottawa, Canada, September 27-30, 1988.
Bradshaw, Thomas F. "Forecasting Artist Employment to the Year 2000." The Modern Muse: The Support and Condition of Artists. Proceedings of the American Council of the Arts (ACA) Arts Research Seminar, "The Individual Artist: Condition and Support", Baltimore, MD, March 29, 1988.
Bradshaw, Thomas F. "Projections sur l'evolution de l'emploi le secteur artistique." Economic Et Culture: Les Outils De: 'Economiste A L'Epreuve. Volume 1 of the proceedings of the Fourth International Conférence on Cultural Economics, May 1986.
Bradshaw, Thomas F. "Projecting Growth in Artist Occupations." Artists and Cultural Consumers. Proceedings of the Fourth International Conference on Cultural Economics, 1986.
Bradshaw, Thomas F. "An Examination of the Comparability of 1970 and 1980 Census Statistics on Artist Occupations." Economics of Cultural Industries. Third International Conference on Cultural Economics and Planning, 1984.
Breda, John and Patrick Kulesa. Stress and Job Satisfaction among Symphony Musicians. Enanston, IL: Symphony Orchestra Institute, 1999.
Brighton, A. and N. Pearson. The Economic Situation of the Visual Artist. London: Calouste Gulbenkian Foundation, 1982.
Buckland, Theresa J., ed. Dance in the Field: Theory, Methods, and Issues in Dance Ethnography. New York: St. Martin's Press, 1999.
Burkey, Evelyn F. "The Creative Artist's Problems." Broadcasting and Bargaining: Labor Relations in Radio and Television. Allen B. Koening, ed. Madison: University of Wisconsin Press, 1970.
Burlingham, Michael J. "Anatomy of a Sculptor" American Artist 64.692 (2000): 52-58.
Burns, Sarah. Inventing the Modern Artist: Art and Culture in Gilded Age America. New Haven: Yale University Press, 1996.
Cabanne, Pierre. Outlaws of Art. Trans. Denis George. London: Elek Books, 1963.
Canada Council. A Canadian Dictionary and Selected Statistical Profile of Arts Employment. Working Document 525, Research and Evaluation.
Canada Council. Trends in Support to Individual Artists by Discipline, Program and Sex. Document 520, Research and Evaluation, 1982.
Canada Council. Trends in Support to Artists by Discipline, Gender, Language, Citizenship and Program. 7th Edition. Ottawa: Canada Council, 1992.
Canada, Ministry of Culture and Communications. The Status of the Artist. Canada: Ministry of Culture and Communications, 1990.
Canaday, John. The Artist as Social Critic/The Artist as a Visionary. Slide. Metropolitan Seminars in Art 5. Center for Humanities, 1972.
Cantor, Muriel and Anne Peters. "The Employment and Unemployment of Screen Actors in the United States." Economic Policy for the Arts. W.S. Hendon, et. al., eds. Cambridge: ABT, 1980.
Cantor, Muriel and Cheryl Zollars, eds. Creators of Culture: Occupations and Professions in Culture Industries. Greenwich: JAI Press, 1993.
Centeno, Augusto, ed. The Intent of the Artist. New York: Russell & Russell, 1970.
Chadwick, Whitney. Women, Art, and Society. London: Thames & Hudson, 1997.
Changing Images of Men and Women Dancing: ABT and NFL. Eye on Dance 68. Videotape. Dir. Richard Sheridan. Arc Videodance, 1982. 28 min.
Chartrand, Harry Hillman. "Architecture and Design Arts Occupations, 1940-1990." Washington, DC: National Endowment for the Arts, 1994.
Cheatwood, D. "The Private Muse in the Public World." Public Policy and the Arts. K.V. Mulcaby and C.R Swaim, eds. Westview Press: Boulder, 1982.
Chmelar, Robin D. "Health Insurance and Workers' Compensation Issues for Performing Artists, Part I." Medical Problems of Performing Artists 5 (1990): 67-71.
Chmelar, Robin D. "Health Insurance and Workers' Compensation Issues for Performing Artists, Part II." Medical Problems of Performing Artists 5 (1990): 101-105.
Cholst, Sheldon. The Psychology of the Artist. New York: Beau Rivage Press, 1977.
Chong, J., C. Zaza, and F. Smith. "Design and Implementation of a Performing Artists' Health Program in Canada." Medical Problems of Performing Artists 6 (1991).
Clark, Kenneth. The Artist Grows Old Series. London: Cambridge University Press, 1972.
Clark, M.A. "Counseling Artists in the Acquisition and Use of New York City Cooperative Housing." Columbia-VLA Journal of Law and the Arts 14 (1990): 165-
Cleveland, William. Art in Other Places: Artists at Work in America's Community and Social Institutions. Westport: Preager, 1992.
Collins, G. C. "Women and Art: The Problem of Status." Studies in Art Education. 21.1 (1979): 57-64.
Considine, Maryellen Peters. "Internal Dynamics and Environmental Influences in the Work of an Artist." Diss. Teachers College, Columbia University, 1990.
Contemporary Artists at Work. Dir. Nahum Zilberberg. Videocassette. Harcourt Brace Jovanovich Films, 1975.
Crozier, W. Ray. "The Personality of the Artist: Current Psychological Perspectives." The Structurist 25/26 (1985-1986): 36-40.
Csikszentmihalyi, Mihaly and Jacob W. Getzels. The Creative Vision: A Longitudinal Study of Problem Finding in Art. New York: J. Wiley & Sons, 1976.
Csikszentmihalyi, Mihalyi, Jacob Getzels, and Stephen P. Kahn. "Talent and Achievement." Chicago, 1984. Unpublished report.
Cwi, David, ed. "Research on the American Artist and Craftsman." Research in the Arts. Baltimore: The Walters Art Gallery, 1978: 72-97.
Dancers' Bodies: Physical and Emotional Change. Eye on Dance 120. Videotape. Dir. Jeffrey C. Bush. Arc Videodance, 1984.
Dancers' Health Alert: Maturing Patterns. Eye on Dance 154. Videotape. Jeffrey C. Bush, Susan Buirge, and Margalit Oved. Arc Videodance, 1985.
Dancers' Survival Tactics: Growth and Varying Patterns. Eye on Dance 138. Videotape. Jeffrey C. Bush. 1984.
Data Use and Access Laboratories. Minorities and Women in the Arts, 1970: A Study. Research Division Report 7. Washington, DC: National Endowment for the Arts, 1978.
Davis, D. J. and E. P. Torrance. "How Favorable Are the Values of Art Educators to the Creative Person?" Studies in Art Education 6.2 (1965): 42-53.
DiMaggio, Paul. Cultural Boundaries and Structural Change: The Extension of the High-Culture Model to Theatre, Opera and the Dance. New Haven, Connecticut: Program on Non-Profit Organizations, Institution for Social and Policy Studies, Yale University, 1991.
DiSpirito, Anna Maria. "An Exploration of the Relationship Between the Artist and the Nude Model." Diss. Western Washington University, 1991.
Doig, Adrienne and Tess Horowitz, eds. Endangered Spaces: Artist Run Initiatives in New South Wales. Sydney: Artspace Sydney, 1989.
Earl, William L. A Dancer Takes Flight: Psychological Concerns in the Development of the American Male Dancer. Maryland: University Press of America, 1988.
Egan, Sue. Framing the Visual Arts in Newham: The Report of a Feasibility Study into the Establishment of Studio & Exhibition Space in the London Borough of Newham. Newham: Newham Arts Council, March 1989.
Ehrlich, Cyril. "Profession or Job? Musicians in Late Nineteenth Century Britain." Economic Policy for the Arts W.S. Hendon, et. al., eds. Cambridge: ABT, 1980.
Ennis, P. and J. Bonin. Understanding the Employment of Actors. Washington, DC: National Endowment for the Arts, 1977.
Farnell, Brenda, ed. Human Action Signs in Cultural Context: The Visible and the Invisible in Movement and Dance. New Jersey: Scarecrow Press, 1995.
Feldman, David. Nature's Gambit. New York: Basic Books, 1986.
Feldman, Edmund Burke. The Artist. Englewood Cliffs, New Jersey: Prentice-Hall,1982.
Feldman, Edmund Burke. The Artist: A Social History. Englewood Cliffs, New Jersey: Prentice Hall, 1995.
Felton, M.V. "The Economics of the Creative Arts: The Case of the Composer." Journal of Cultural Economics 2 (1978): 41-61.
Felton, M.V. "Policy Implications of a Composer Labor Supply." Economic Policy for the Arts. W.S. Hendon, et. al., eds. Cambridge: ABT, 1980.
Ferguson, Julenda L. Black Choreographers Moving. Berkeley: Expansion Arts Services, 1991.
Filer, Randall K. "Arts and Academe: The Effect of Education on Earnings of Artists." Journal of Cultural Economics 14 (1990): 15-40.
Filer, Randall K. "The Economic Condition of Artists in America." Cultural Economics 88: An American Perspective. D. Shaw, et al., eds. Akron: Association of Cultural Economists, 1989.
Filer, Randall K. "The Effects of Nonpecuniary Compensation on Estimates of Labor Supply Functions." Quarterly Review of Economics and Business 16 (1986): 17-30.
Filer, Randall K. "The Price of Failure: Earnings of Former Artists." Artists and Cultural Consumers. D. V. Shaw, W.S. Hendon and C.R. Waits, eds. Akron: Association for Cultural Economics, 1987.
Filer, Randall K. "The 'Starving Artist' – Myth or Reality? Earnings of Artists in the United States." Journal of Political Economy 94 (1986): 56-75.
Fisher, Mark and Ursula Owen, eds. Whose Cities? London: Penguin, 1991.
Fisher, Seymour. Pretend the World is Funny and Forever: A Psychological Analysis of Comedians, Clowns, and Actors. Hillsdale, New Jersey: L. Erlbaum Associates, 1981.
Flender, Nicole. "Dancing Across Time." Dance Teacher 21.10 (1999): 70, 72-73.
Fliegel, Norris and Bernard Rosenberg. The Vanguard Artist. Perennial Works in Sociology. New York: Arno Press, 1979.
Fohrbeck, K. and A. J. Wies. The Social Status of the Artist in the Federal Republic of Germany. Bonn: Inter Nationes, 1980.
Forbes, Jonathan. "Artists and the Workplace: The Pilot Phase." A Report From the Ontario Arts Council. Ontario: 1990.
Fraleigh, Sondra Horton and Penelope Hanstein, eds. Researching Dance: Evolving Modes of Inquiry. Pittsburgh: University of Pittsburgh Press, 1999.
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Franklin, Margery B., and Bernard Kaplan. Development and the Arts: Critical Perspectives. Northvale, New Jersey: Lawrence Erlbaum Associates, 1994.
Freeman, Mark Philip. Finding the Muse: A Sociopsychological Inquiry into the Conditions of Artistic Creativity. New York: Cambridge University Press, 1993.
Friedler, Sharon E. and Susan B. Glazer, eds. Dancing Female: Lives and Issues of Women in Contemporary Dance. Choreography and Dance Studies, 12. Amsterdam: Harwood Academic, 1997.
Galenson, David W. Old Masters and Young Geniuses: The two lifecycles of artistic creativity. Princeton University Press: New Jersey, 2006.
Gardner, Howard. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1985.
Gardner, Howard. Multiple Intelligences: The Theory in Practice. New York: Basic Books, 1993.
Garfunkel, Gloria. "The Improvised Self: Sex Differences in Artistic Identity." Diss. Harvard University, 1984.
Garoian, Charles R. Performing Pedagogy: Toward an Art of Politics. Interruptions-Border Testimony(ies) and Critical Discourse/s. Albany, New York: State University of New York Press, 1999.
Gedo, John E. Portraits of the Artist: Psychoanalysis of Creativity and its Vicissitudes. New York: Guilford Press, 1983.
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Hughes, Jim. Altered States: Creativity Under the Influence. New York: Watson-Guptill, 1999.
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IJdens, T. "Van kunstenaarsverzet tot politieke vakbond. Over de ontwikkeling van de BBK in de periode 1945-1973." Bulletin Nederlandse Arbeidersbeweging. nr 33, 1994.
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IJdens, T., S. Janssen, L. Vos. Auteurs en hun oudedagsvoorziening. Rotterdam: Erasmus Centrum voor Kunst- en Cultuurwetenschappen, 1995.
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IJdens, T. "Cameretten 1966-1993: van studentenleven naar theaterpraktijk." 1995.
IJdens, T. "Brief aan een jongen van 14 die artiest wil worden." Sketch. Vakblad voor thea-teramusement 1 (1996): 4-12.
IJdens, T. Het effect van werkervaringsplaatsen op de arbeidsmarktpositie van podiumkun-stenaars. Rotterdam: Erasmus Centrum voor Kunst- en Cultuurwetenschappen, 1997.
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Throsby, David. "Disaggregated earnings functions for artists." Essays in the Economics of the Arts. Amsterdam: North Holland (1996): 331-346.
Throsby, David. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on." Journal of Cultural Economics 20:3 (1996): 225-240.
Throsby, David. "De la supervivència econòmica d'actors i músics." Revista Econòmica de Catalunya. 31 (May 1997): 71-75.
Throsby, David and Claire Bardez. Similarity and Difference: Craftspeople and Visual Artists in Australia. Sydney: Australia Council, 1997.
Throsby, David. "Economic and cultural value in the work of creative artists." Values and Heritage Conservation. Los Angeles: Getty Conservation Institute (2000): 26-31.
Throsby, David. The Arts in Australia Today. Sydney: Australia Council, 1984.
Throsby, David. "Artists as Workers." Cultural Economics. Towse, Ruth and Abdul Khakee, eds. Heidelberg: Springer-Verlag, 1992.
Throsby, David and B. Thompson. But What Do You Do for a Living? Australia: Australia Council, 1994.
Throsby, David and D. Mills. Occupational and Employment Characteristics of Artists. Sydney: Australia Council, 1986.
Throsby, David and D. Mills. When Are You Going to Get a Real Job? Sydney: Australia Council, 1989.
Throsby, David and Ruth Towse. "On Labor Markets in the Arts: Some Unresolved Issues." American Economic Association Annual Meeting, 1994.
Tomko, Linda J. Dancing Class: Gender, Ethnicity, and Social Divides in American Dance, 1890-1920. Bloomington, Indiana: Indiana University Press, 1999.
Towse, Ruth. "The Earnings of Singers: An Economic Analysis." Cultural Economics. Ruth Towse and Abdul Khakee, eds. Heidelberg: Springer-Verlag, 1992.
Towse, Ruth. "The Labor Market for Artists." University of Exeter, Department of Economics, January l992.
Towse, Ruth. "The Social and Economic Characteristics of Artists in Devon." A Report commissioned by South West Arts and the Arts Council of Great Britain. Prepared in conjunction with Social Community Planning Research, 1991.
Towse, Ruth and Abdul Khakee, eds. Cultural Economics. Heidelberg: Springer-Verlag, 1992.
Tracy, Sheila. Bands, Booze and Broads. Edinburgh: Mainstream Publishing, 1996.
Turner, Victor Witter. The Anthropology of Performance. New York: PAJ Publications, 1988.
UNESCO. "Recommendations Concerning the Status of the Artist." Adopted by the General Conference at its Twenty-First Session, Belgrade, 27 October 1980.
Vigier, Rachel. Gestures of Genius: Women, Dance, and the Body. Ontario: Mercury Press, 1994.
Waits, C.R. and E. M. McNertney. "An Economic Model of Artistic Behavior." Journal of Cultural Economics 8 (1984): 49-60.
Waits, C.R. and E.M. McNertney. "Income Incentives and the Selection of Artistic Careers." Markets for the Arts. Shanahan, J.L. et. al., eds. Akron: Association for Cultural Economics, 1983.
Waits, C.R. and E. M. McNertney. "The Incomes of Cultural Providers: A Review of Current Research." Artists and Cultural Consumers. D. V. Shaw, W.S. Hendon and C.R. Waits, eds. Akron: Association for Cultural Economics, 1987.
Waits, C.R. and E. M. McNertney. "Uncertainty and Investment in Human Capital in the Arts." Economic Policy for the Arts. W.S. Hendon, et. al., eds. Cambridge: ABT, 1980.
Wallis, Brian, ed. If You Lived Here: The City in Art, Theory, and Social Activism. Seattle: Bay Press, 1991.
Walters, J. Donald. Crystal Clarity: The Artist as a Channel. California: Crystal Clarity, 1987.
Washabaugh, William, ed. The Passion of Music and Dance: Body, Gender and Sexuality. New York: Berg, 1998.
Wassal, Gregory H. Not Once in A Blue Moon: Artist Moonlighting in the United States. Santa Ana, California: National Endowment for the Arts/Seven Locks Press, 2000.
Wassal, Gregory H. Artwork: The Work and Pay of Artists in New England. Cambridge: New England Foundation for the Arts, 1983.
Wassal, Gregory H. Artists in Massachusetts. Boston: Massachusetts Council for the Arts and Humanities, 1981.
Wassal, Gregory H. "Artists Labor Market Experiences." Economics of Artists and Arts Policy. Arts Council of Finland Research Report No. 22, 1998.
Wassal, Gregory H. "The Write Stuff: Employment and Earnings of Authors, 1970 to 1990." Artists in the Work Force. Santa Ana, California: National Endowment for the Arts/Seven Locks Press, 1996.
Wassal, Gregory H. "Earnings of American Artists: 1960-1980." -Proceedings of the 1992 Association for Cultural Economics International Conference, 1993.
Wassal, Gregory H. "Toward a Unified Theory of the Determinants of Artists' Earnings." Cultural Economics. Berlin: Springer-Verlag, 1992.
Wassal, Gregory H. "When Is An Artist An Artist?" Journal of Arts Management and Law 19 (Winter 1990): 7-50.
Wassal, Gregory H. "Occupational Characteristics of Artists: A Statistical Analysis." Journal of Cultural Economics 9 (June 1985): 13-34.
Wassal, Gregory H. "Determinants of Artists' Earnings." The Economics of Cultural Industries. Akron: Association for Cultural Economics, 1984.
Weber, Lilo. "Dancer in Transition." Ballet International/Tanz Aktuell. English ed. (1995): 46-49.
Weston, Edward Henry, ed. After the Dance. Proc. of Conference on Career Transition for Dancers, Lincoln Center for the Performing Arts. New York, 1982.
White, Harrison C. Careers and Creativity: Social Forces in the Arts. Social Inequality Series. Boulder, Colorado: Westview Press, 1993.
White, Harrison C. and Cynthia A. White. Canvases and Careers: Institutional Change in the French Painting World. New York: Wiley, 1965.
Whitesel, L. S. "Comparing the Personality Characteristics of Male and Female Art Students With Those of Students in English and Psychology." Studies in Art Education 26.1 (1984): 51-55.
Whitesel, L. S. "Personalities of Women Art Students." Studies in Art Education 20.1 (1978): 56-63.
Williams, Jennifer, et. al. The Artist in the Changing City. London: British American Arts Association, 1993.
Wills, Geoff and Cary L. Cooper. Pressure Sensitive: Popular Musicians Under Stress. California: Sage Publications, 1988.
Wilson, Glenn Daniel. The Psychology of Performing Arts. New York: St. Martin's, 1985.
Wilton, Nancy Cetlin. Antecedents of Artistic Success [computer] File: A Study of the Early Lives of Women Visual Artists. Radcliffe College, Henry A. Murray Research Center. 1978.
Withers, G. "Artists' Subsidy of the Arts." Australian Economic Papers 24 (1985): 290-95.
Withers, G. "Artists' Subsidy of the Arts: A Reply." Australian Economic Papers 28 (1989): 289-90.
Wittkower, Rudolf. Born Under Saturn: The Character and Conduct of Artists. A Documented History from Antiquity to the French Revolution. New York: Random House, 1963.
Wolff, Janet. The Social Production of Art. London: Macmillan Press, 1981.
Zukin, Sharon. Loft Living. Baltimore: John Hopkins University Press, 1982.
Publications, Research Division, National Endowment for the Arts.
A. Research Division Reports
The following Research Division Reports are available from the Research Division, National Endowment for the Arts, 1100 Pennsylvania Avenue, NW, Washington, DC 20506. Single copies are available free while quantities last.
#1 Employment and Unemployment of Artists: 1970-1975.
#2 To Survey American Crafts: A Planning Study.
#3 Understanding the Employment of Actors. Data from the personnel files of Actors' Equity.
#7 Minorities and Women in the Arts: 1970.
#10 Selected Characteristics of Artists: 1970.
#12 Artists Compared by Age, Sex, and Earnings in 1970 and 1976.
#16 Artist Employment and Unemployment: 1971 – 1980.
#28 Dancemakers.
#29 Trends in Artist Occupations: 1970-1990.
#37 Artists in the Workforce: Employment and Earnings, 1970-1990.
B. Research Division Notes
The following Research Division Notes are available from the Research Division, National Endowment for the Arts, 1100 Pennsylvania Avenue, NW, Washington, DC 20506. Single copies are available free.
#2 Artist Employment in 1982 (January 24, 1983).
#3 Artists Increase 81 Percent in the 1970s (April 27, 1983).
#4 Women and Minorities in Artist Occupations (July 4, 1983).
#5 Artists in the Large Metropolitan Areas (September 5, 1983).
#7 Artist Employment in 1983 (March 15, 1984).
#9 Changing Proportions of Men and Women in the Artist Occupations 1970-1980 (March 4, 1985).
#10 Artists Real Earnings Decline 37 Percent in the 1970s (March 5, 1985).
#11 Artist Employment in 1984 (March 5, 1985).
#15 Artist Employment in 1985 (March 10, 1986).
#22 Artist Employment in 1986 (March 20, 1987).
#29 Artist Employment in 1987 (February 17, 1988).
#31 Artist Employment in 1988 (April 17, 1989).
#33 Artist Employment in 1989 (September 24, 1990).
#35 Artist Employment in 1990 (October 21, 1991).
#37 Artist Employment in 1991 (November 30, 1992).
#39 Artist Employment in 1992 (July 30, 1993).
#40 Artists Increase 54% in the 1980s (August 12, 1993).
#41 Regional and State Trends for Artists: 1970 – 1990 (August 12, 1993).
#42 Artists in Metropolitan Areas – 1990 (August 12, 1993).
#54 Artist Employment in 1993 (February 28, 1994).
#57 Artist Employment in 1994 (July, 1995).
#58 Artist Employment in 1995 (October 1996).
#60 Artist Employment in America (August 1997).
#61 Artist Employment in America – 1997 (March, 1998).
#73 Artist Employment in 1998 (April, 1999).
C. Other publications not listed as Research Reports or Research Notes
Available through ERIC. Some of these publication are not available through ERIC and are noted below.
#1 Employment and Unemployment of Artists:1970-1975. (32pp) ED 125416
#10 Selected Characteristics of Artists: 1970. (32pp) ERIC # ED 165216
#12 Artists Compared by Age, Sex, and Earnings in 1970 and 1976. (56pp) ERIC # ED 281821
#13 Craft Artist Membership Organizations 1978. (52pp) ERIC # ED 286789
#16 Artist Employment and Unemployment: 1971-1980. (44pp) ERIC # ED 282810
#18 Visual Artists in Houston, Minneapolis, Washington, and San Francisco: Earnings and Exhibition Opportunities. (48pp) ERIC # ED 287754
#19 Where Artists Live 1980. (48pp) ERIC # ED 288757
#28 Dancemakers. (94pp) ERIC # ED 379243
#29 Trends in Artist Occupations: 1970-1990. (111pp) ERIC # ED 408202
#3 Understanding the Employment of Actors. (36pp) ERIC # ED 298068
#37 Artists in the Work Force: Employment and Earnings, 1970-1990. (152pp) ERIC # ED 408487
#5 Where Artists Live: 1970. (80pp) ERIC # ED 298069
#7 Minorities and Women in the Arts: 1979. (32pp) ERIC # ED 289753
"American Dance 1992: Who's Watching? Who's Dancing?" Jack R. Lemmon. ERIC # ED 398165
"Artists By Place of Residence: 1980." (417p) Diane C. Ellis. ERIC # ED 289767
"Artists in the Workforce, 1950 to 1985." (275p). Constance F. Citro. ERIC # ED 298027
"Artists in the Workforce." C. Citro and D. Gaquin. ERIC # ED 298 027
"Artists Who Work With Their Hands: Painters, Sculptors, Craft Artists and Artist Printmakers, A Trend Report, 1970 – 1990." Joan Jeffri and Robert Greenblatt. ERIC # ED 390728
Counting Artists (December 1996) Findings from Research Report #37 – Artists in the Work Force: Employment and Earnings, 1970-1990. Tom Bradshaw. http://arts.endow.gov/pub/Researcharts/Research.html
"Craft Artists in the United States." C. Citro. ERlC # ED 287 765
"Craft-Artists in the United States: A Portrait." Constance F. Citro. ERIC # ED 287765
"Crafts-Artists in the United States." (229p) Mathematica Policy Research, Inc. ERIC # ED 226111
"Earnings of Artists." Diane Ellis. ERIC # ED 289 761
"Earnings of Artists: 1980." (45p) Diane C. Ellis. ERIC # ED 289761
"Employment and Earnings of Performing Artists: 1970 to 1990." Ruttenberg, Kilgallon & Associates, Inc. Compiled by Ann O. Kay and Stephyn G.W. Butcher. ERIC # ED 390727
"Employment Status of Performing Artists, 1970-1980." (134p) Muriel G. Cantor. ERIC # ED 298024
"Employment Status of Performing Artists, 1970-1980." Muriel Cantor. ERIC # ED 298 024
Executive Summary Report #37: Artists in the Workforce: Employment and Earnings, 1970-1990. http://arts.endow.gov/pub/Researcharts/Summary37.html
"Labor Market Earnings of American Artists in 1980. A report to the National Endowment for the Arts." R. Filer. ERIC # ED 309 109
"Methodology Report: Survey of Crafts-Artists." (260p) Mathematical Policy Research, Inc. ERIC # ED 226110
"Minorities and Women in the Arts: 1980." (64p) Diane C. Ellis. ERIC # ED 289765
"The Distribution of Artists Among Industrial Sectors." (41p). Diane C. Ellis. ERIC # ED 289768
"The Distribution of Artists Among Industrial Sectors." Diane Ellis. ERIC # ED 289 768
"The Economic Conditions and Exhibition Processes of Artists in Four Cities, 1981" (560p) Human Resources Research Organization. ERIC # ED 216990
"Trends in Artistic Occupations: 1970-1980." Diane Ellis. No ERIC # could be found.
"Visual Artists in America: A Report on the 1970 and 1980 Census Data on Visual Arts." R. Orend. No ERIC number has been assigned.
Visual Artists in Houston, Minneapolis, Washington, and San Francisco: Earnings and Exhibition Opportunities. National Endowment for the Arts. Research Division 18. Washington, DC: National Endowment for the Arts, 1984.
"Women and Minorities in the Arts: A Portrait from the 1980 Census." C. Citro and D. Gaquin. ERIC # ED 298 028
"Women and Minorities in the Arts: A Portrait From the 1980 Census." (155p). Constance F. Citro. ERIC # ED 298028
1989 Sourcebook of Arts Statistics, 1992 Addendum. Washington, DC: Westat, 1992.
Census Related Sources
Beresford, Jack. Notes on Trends in Artist Occupations 1970-1990. January 28, 1993. National Endowment for the Arts.
Public Use Microdata Samples: United States 1990 Census of Population and Housing. US. Dept. of Commerce, Economics and Statistics Administration, Bureau of Census.


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Turkey Creek Lavender
Wednesday, September 9, 2015
An Update
Yes, sad as it is I have not had much time to tweak the blog. So here we are. The same as we were almost a year ago. However...we have been busy here at Turkey Creek Lavender creating and developing new products for our lavender loving friends and fans.
A year ago we entered, and WON the Great Plains Technology Center Food Fight Competition 2014 here in Lawton, Oklahoma with our Lavender Shorties. Thanks to the many of you that taste-tested these delectable little bites at various events, and clamored for more, here we are, a year later, finally renting a commercial kitchen to begin production to bring them to you.
Thanks for your patience. And for sticking with us. And for following us all over creation. And for loving the lavender and the Lavender Shorties.
The journey through the labyrinth that is the artisan food business is an exciting one, but much like Alice falling into the rabbit hole, the learning curve was a big one. We have learned so much over the course of the last year. And still there is more to learn before we can produce commercially and bring the Lavender Shorties to a wider audience.
Do not despair, kind friends, we are working with Oklahoma State University Robert M. Kerr Food and Agriculture Center to upscale the recipe and do a food analysis, part of the First Place prize package. We are getting ever closer to a professional, finished product. I promise.
Looking forward to getting back to blogging. (It beats writing a business plan any day!)
Catch me at the Lawton Farmers Market on Saturdays and occasionally at the Duncan Farmers Market on Sundays. Just follow on Facebook and you'll know where I'm likely to be!
Thanks again dear ones!
Monday, October 20, 2014
Lawton Farmers Market Harvest Festival
Clearly I'm still working on the blog, but at least I have it up and running again. The redesign will just have to evolve, so I've decided to just keep writing and changing as we go.
As most of you know, the best place to find Turkey Creek Lavender is at the Lawton Farmers Market during our market season from April-October. This Saturday we will be ending our official season with the Lawton Farmers Market Harvest Festival. Lots of fun events, crafters, artists, and craftsmen, food vendors and, of course, our wonderful regular vendors at the farmers market. If you want locally grown produce, this is the place to come in Lawton! Most of our farmers grow everything naturally, free of any pesticides or chemicals. These same farmers follow all organic practices, and live the lifestyle. We have egg vendors, hormone free meat vendors, grass fed Longhorn beef vendors, free range poultry vendors, and lots and lots of locally grown produce. When you are buying at the Lawton Farmers Market you are practicing farm to table, and supporting small farming. And we are grateful for that! Thank you!
If you didn't get a chance to visit the Lawton Farmers Market this year, we hope you'll stop in next season, which begins again in April. We have lots of events planned for next year! A huge thank you to those that made the Lawton Farmers Market part of your regular Saturday activities. We are so glad you share the experience by bringing your family and friends with you when they are visiting from out of town.
Additionally, if you are an urban gardener, or a small farmer in our southwest Oklahoma area and are producing more than you need, please join us next year. Consider developing a niche market. Everyone grows zucchini and yellow squash, but no one specializes in Chinese vegetables, or Italian vegetables. You can easily develop your business around filling the niche market need!
Glad to be back to blogging! All the best!
Wednesday, November 13, 2013
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Read Corporate
READ CORPORATE a national corporate communications consultancy specialising in financial public relations for ASX-listed companies.
Click on an interview below to view the presentation.
Company Events: 4 April 2012
Company (Stock code) | Date/time Dates subject to change |
Event Display audio events only |
ADVANCED BRAKING TECHNOLOGY LTD (ABV) | Wed, 4 Apr 2012 11:20am |
Advanced Braking Technology enters final phase of testing for garbage trucks. |


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Tagged: shadows
Photographing Albatross, something less obvious!
As regular readers will know, I spent a fair bit of time photographing seabirds, including albatross, last year. Here I am months and months later and I'm still posting the pictures (will I ever catch up?), but today something a little less obvious. This image has had very little processing, a minor crop, and of ... Read more


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mod_scheme is a Scheme module for Apache. It embeds the Tinyscheme interpreter, and makes the functions exported by the Apache Web server available to Scheme programs.
Tags | Internet Web HTTP Servers |
Licenses | Apache |
Operating Systems | OS Independent POSIX Unix |
Implementation | C Scheme |
Release Notes: The Apache version was upgraded to 2.0.54. Compilation issues in Linux were fixed, so it now compiles in FreeBSD, Linux, Solaris, and Windows 2000, and binaries are available for these platforms. The parser scripts and file layout were cleaned up.
Release Notes: The Scheme interpreter used by mod_scheme has been updated to the 1.35 release of tinyscheme. Issues with Unix compilation have been resolved. There are other minor bugfixes and cleanups.
Release Notes: Integer and pointer handling was corrected with a new data type called pointer, and there is no longer casting of void ptr to int. Most APIs are now generated using macro.pl from the *.tpl files. Better error handling was implemented.
Release Notes: The ability to write Input Filters has been added. Pipelining for filters has been fixed. Some more Apache Brigade API reflections were added. The POST data can now be read using http:content. File and Directory operations now use APR.
No changes have been submitted for this release.


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In the United States, Congress has set a limit to the amount of money that the federal government can borrow from the public or from other governmental agencies. This limit is called the debt ceiling. The United States is one of the few countries in the world to establish such a limit on outstanding public debt.
Each day, the U.S. government spends more money on items such


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This film is based on the true story of high-wire artist Philippe Petit who recruits a team of people to help him realize his dream: to walk the immense void between the World Trade Center towers.
Read Whole Story
Perseverance causes a dream to come true for Phillippe Petit in The Walk. The world celebrated "wire walker," Philippe Petit traversed the immense void between the Word Trade Center towers in 1974.
The New York Film Festival is underway and two of the biggest commercial titles of the fall are in its lineup. (They also happen to be opening this week). Neither of these lives up to the hype, though I recognize that will be a distinctly minority opinion.
For the New York Film Festival in its 53rd year, the choice of this love letter to the city could not be more perfect.
There are bungee jumpers and skydivers, solitary cliff climbers (they look like ants when you when you see them scaling rock faces from the distance) elite mountaineers, free divers (who don't use tanks), long distance swimmers (who have to worry about sharks), triathaletes and stock car racers.
Michael Jordan's high school coach told him that there is "no I in team," to which the budding superstar replied, "Yes, but there is in win." These two contradictory approaches to creative success are on display in two new books.
By the time we got there, the tent at Gardiner's Farm was chockablock with browsers and book buyers, especially at one table where Gwyneth Paltrow sig...
To do what they do, they must vanquish fear, build tremendous reserves of patience and remain undaunted by failure. But what else could these people have done with their unassailable talents?
TED Books wants to do for reading what the world-famous series of TEDTalks did for web video: provide viral inspiration. In a conversation with Huf...
Famous French aerialist Philippe Petit could reprise a Grand Central Station stunt in honor of the landmark's centennial celebration next February. ...
Philippe Petit, the high-wire artist most famous for tight-rope walking between the Twin Towers in 1974 (the subject of the movie "Man on Wire"), was...
Fascinating and comedic, Exit Through the Gift Shop features remarkable behind-the-scenes footage of the most notable street artists of this generation, including Banksy and Shepard Fairey.
In a public event at L.A.'s Hammer Museum last week, tightrope walker Philipe Petit quipped, "I never take risks. I take a long walk on a high path in the sky. That poetry is not extreme -- it's exquisite, enigmatic."
I had the chance to talk to Petit about his 45 minutes between the twin towers and the steps leading up to his daring feat.
It's that time of year again, the time when film critics and aficionados remind you of those great films - most of which you missed. Here are the top 10 movies of 2009.
The U.S. leg of Misha Baryshnikov's sold out European tour alights at the multi-purpose, multi-praised Broad Stage in Santa Monica.
The Oscar telecast was a bloated and overdone spectacle that left us bewildered, unenthusiastic and exhausted. The show wasn't a complete train wreck, but it came pretty close.
Man on Wire tells the story of Mr.Petit, a French street performer who in 1974 walked across a metal wire that was illegally mounted between the now fallen Twin Towers in lower Manhattan.
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Jan, You did a beautiful job restoring the machine, treadle, and cabinet. :thumbup:
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Jan, wow and double wow. You did a great job of restoring the machine and cabinet. You will have to do like Glen says and pat yourself on the back too.
Nancy and Jan...you've both done amazing things with machines/cabinets that even I might have hesitated to take on, and "I ain't skeered of nuthin'!!" :D
I get the best results with stepping on the gas full throttle and moving the quilt slower. You'll get smaller stitches, but they won't skip or skip as much. I've also found increasing the pressure on the pressure foot helps and maybe upping the needle size if there are any skipped stitches happening. If these things don't help, it may be slightly out of time and may need an adjustment.
Hey Charlee, adding my thoughts and prayers for you and the family at this time. My DB has the big D, and I know its just a waiting game. Sending you a big old bear hug from the cold old north! Take care, MisDixie
Charlee, I am so sorry to hear about your sister. I promise you that it will get better and easier with time. Please know tht we are here for you and we care about you. Kathie. S
I need some hindges for a New Home coffin top. I also need door pulls. Does anyone have any that they would care to sell? Kathie
Texas Jan what a great before and after picture! What year is your fiddlebase? Is it a 24? I am not that familiar with the fiddlebase Singers. I have one VS2 from 1889 with the Rose and Cornflower decal that still needs the cabinet restored. We haven't tackled that one yet. You did a great job on your fiddlebase, it gives me the inspiration to get mine done!


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Wednesday, June 15, 2011
And then the riots started. This really could not have gone any better for Calgary.
Furthermore, I think Peter Loubardias should be fired.
1 comment:
- AnonymousJune 16, 2011 at 2:17 PM
I hear Jussi Jokinen is available. I bet the Flames are al over that.
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After being apart most of the week the hubs and I were reunited at 3AM this Sunday morning. When we recovered from sleep deprivation, we headed out for an impromptu lunch with family.
I'm delighted that the weather is finally allowing me to don some dresses. (Although living on the west side is pretty much an automatic default to a light jacket year around). I love this khaki number I found back in 2010. I had no idea then that military style coats would be such a hit for so many seasons. Sometimes fashion runs behind the game as well as ahead of it.
Under my big coat, some vintage turquoise and carnelian...
And we're off!
Happy Oscars Weekend!
With Love,
Noa B
Dress: Vintage, Boots: Sam Edelmann, Jacket: Tulle, Bag: Le Sak, Necklace and Ring: Vintage, Israel
Happy Oscars Weekend!
With Love,
Noa B