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The private Madison Room can accommodate up to 26 guests, and is ideal for both intimate celebrations and high-level business gatherings. The full restaurant is also available for large-scale receptions and seated events of up to 220 guests.View Private Dining Details
The service was lovely and the food nice... wouldn't say outstanding food, but good.
But at the price point... felt a little scant. Lots of white space on the plates. (All have been there multiple times before, didn't leave thinking that at other meals.)
And not just because it's a room full of botoxed, upper east side, social x-ray, ladies who lunch (although it is).
The ambiance is lovely, and we were able to catch up without distraction of noisy neighbors.
Food was ok but not stellar. Service was friendly but a lot of leaning over people to serve which normally you fo not expect with a restaurant of this class.
Very fine food !
Fantastic wine list
Perfect service
Great service despite last minute booking. Menu is hitting the right spot balancing comfort with novelty. Relaxing yet luxurious brunch experience. Neighborhood gem.
Impeccable service and delicious filling food. The staff here always makes you feel welcomed
Incredible service, attention and delicious food.
The Mark is better than I remembered. The delicious food and the amazing service just really made our day.
Service and food were amazing! looking forward to returning.
Food was served at room temperature
Broccoli rabe bland and cold forget the chili flakes and lemon zest , lobster burger not hot, service was very good
A great disappointment to all 8 of us. The food opinions ran from run of the mill to poor and some was delivered at room temperature rather than hot. The service was mediocre. I had indicated it was a birthday party, but there was no recognition by the staff.
The best as always in every way
We go a lot!
The quality of cooking has dropped significantly since I last went to this restaurant in September 2017.
It took 2-1/2 hours to deliver 2 J-G Hamburgers and a Veal Milanese. Service, which is pleasant, sort of dies in the middle of dinner, once the order is placed. Very expensive.
Service not attentive food not worth none.
Sommelier excellent
Wine list was crazy expensive. Food was very good. Service was great. We enjoyed our time but we were bummed at the $700+ bottles of wine on the menu. Cheapest wine was $90. We would eat there again for a special occasion.
Excellant as it always is.One of our favorites
Customer service was first rate; staff very attentive especially since we had a 19 month old child with us. Dinner, lunch, and breakfast options excellent.
I eat often at the Mark . I like atmosphere of relaxed elegant atmosphere and good food and excellent service
The appetizer was served at the same time our salads and main courses. The table wasn't big enough for all the plates and no attempted to help us. A few of the orders were messed up and not one speck of dressing on our Caesar salads. Extremely disappointed.
As always, perfect dinner with great food, setting and service. Hamid is the best!!
Great service, very good food, great ambience
A perfect evening. The food and service were excelent . The evening was a little pricey but I guess worth it. It was a special evening.
Outstanding and attentive,unobtrusive service coupled with a delicious menu yielded a wonderful dining experience,one not to be missed
Butternut squash soup with mushrooms was both original and exceptional. Brussels sprouts with pecans was equally inventive and tasty. Nice restaurant and exceptional service as the entire group works for your dining pleasure. Sour cream cheese cake was either a disappointment or poorly executed which is likely since everything else is very good, so good, the good overcomes a misstep.
I love The MarK, They have food for all types of foodies. Big choice. ,It's causal yet classy. The tables are not on top of one another. Noise level is good,Service is good and the food is good. Good night had by all. Love the Mark.
Very disappointed, especially because of our fond memories of a dinner here with friends several years ago. On our recent visit we were again entertaining friends, and had booked well in advance through Open Table, but instead were treated like a last minute arrival with no reservation. The hostess sat us at a bar table, with low chairs and no tablecloth, outside the main dining room. When we requested a proper table, we were then taken to a location squeezed next to the kitchen door, as the main dining room appeared to be too busy to accommodate us. Enough effort on that front, we accepted our noisy, busy location and moved on. Next came an interminable wait for service. No one took our guests' drink orders (my husband and I had already ordered drinks from the very nice bartender- probably the only highlight of the evening). The oysters were great, but the rest of the food was not. A soggy, soaked in dressing salad and a $50 tenderloin ordered medium that arrived so well done I could barely cut it. The first bottle of wine we ordered had turned, however the sommelier insisted that it was fine and that he had tasted it. His boss later tried the bottle and agreed with our opinion, at which time we ordered another bottle. This endless dinner stretched for almost 3 hours, at which point we had to ask for the check, rather than enjoy coffee and dessert with our friends. It is not fun to plan a special occasion, spend a lot of money, and feel taken advantage of. We will not return The Mark, and instead try some of the other high end restaurants in the neighborhood next time.
This restaurant is strong on food and strong on service. We love going here.
I love The Mark. It's one of the few great places on the UES. Terrific food, service and ambience.
We LOVE this restaurant. The food and staff are top notch.
I had heard a lot about how wonderful Jean Georges' restaurants are. We went to The Mark for their prix fix menu on Valentines day. It was 150 a person for an appetizer, entree and dessert. The food was mediocre and I found they used fresh truffles to try and account for a lack of flavor. The fresh fettuccine with truffles was woefully under seasoned. The chicken dish was gross almost tasted like a wet sock. The only redeeming part of the night was the dessert. However at 150 a person, I could have bought several cakes and enjoyed them.
The waiters themselves were very kind but the manager who was taking care of us left halfway through our service, delaying our later courses and did not inform us this was happening. We waited about 30 minutes between our entree and dessert courses. I just found this place to be immensely overrated.
Always a great experience and the food and service excellent!
Everything you'd expect from a Jean-Georges restaurant. Top notch service, beautifully presented and delicious food, and elegant decor.
always a good time here. it was packed and busier as the afternoon went on and so the servers had many demands; they handled it well.
We can't say enough about how great our experience was. The staff were warm and welcoming which really sets the tone. Our cocktails and food were delicious. Looking forward to be back.
Try the lamb baeckeoffe - It's a special item they serve in winter. Amazing!
My gf really loved the design of the space. Our experience was exceptional thanks to our lovely server and the delicious food. Can't wait to be back.
Lovely restaurant in UES. We love the decor and the service was one of the best we've had. Our food was amazing!
Jonah was our server. He was excellent and attentive. We were celebrating a 50th birthday and obviously chose the best spot in New York.
Delicious! Great place to be able to have a conversation and outstanding food. Service is the best / they check in when needed but also allow you the luxury to talk and enjoy. For dessert I highly recommend the Profiteroles which are spectacular! It is pricey but, if you don't mind the expense it is worth every penny.


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Friday July 21st 2017 - 20h30
Eglise St. Jean-Baptiste
Please note the programme may be subject to change
Hugh Webb
Hugh Webb studied with Renata Scheffel-Stein, Sioned Williams and Susan Drake. He has worked extensively in the contemporary music field and Javier Alvarez, Robert Keely and Ian Dearden have all written solo works for him with funding from the Arts Council of England. Recent CD recordings include Bax's Concerto for Flute, Oboe, Harp and String Quartet with the Academy of St Martin's Chamber Ensemble (Chandos), a collection of French music for flute and harp, Villa Lobos' Quartet (Clarinet Classics) and Bax's Fantasy Sonata (Koch International). He gave the first performance of Cyril Scott's Celtic Rhapsody as part of Sidonie Goossens' 100th Birthday Celebrations at the Wigmore Hall.
Hugh Webb also plays jazz on the harp and has given recitals at the European Harp Symposium and the World Harp Congress. He is active in the commercial world of television, film and popular music. He has given many masterclasses and has lectured at London's Royal Academy of Music, the Paris Conservatoire, The Sweelinck Conservatoire in Amsterdam and with Telynor Morgannwg in Wales.More >>
Anna Noakes
Anna Noakes has given recitals at all the major London concert halls, making many festival appearances, including City of London, Brighton, Salisbury, Leicester and Dartington.
She has recorded numerous CDs featuring music by Martin Yates, Cecilia McDowall, Jean-Claude Damase, Andre Jolivet & Astur Piazolla, receiving Gramophone Magazine's coveted 'Critics Choice' a number of times.
As well as broadcasting for BBC Radio3 and Classic FM she works as Guest Principal Flute with the London Philharmonic Orchestra, Philharmonia, Royal Philharmonic Orchestra, Academy of St Martin in the Fields, the Orchestra of the Royal Opera House among others and is Professor of Flute at Trinity College of Music.More >>
Organisé par Aujols Culture et Loisirs
Association loi 1901 enregistree sous le n° 1/04145
Siége social: Maison des Associations Aujols

subset: commoncrawl


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Did YOU Know?
DANCE | Performances | Classes | Screenings | Workshops | Residencies
During 2011-12 Pavilion Dance South West: • Presented 100 performances • Hosted 1,514 participatory activities • Employed 122 freelance practitioners • Supported 17 professional dance companies through residencies • Commissioned 10 new dance works "It would normally take years to achieve the amazing professional results that have been delivered in just a few months by the dynamic team at the magnificent Pavilion Dance." Mark Smith, Director for Tourism and Corporate Communications, Bournemouth Borough Council
"Pavilion Dance South West has been instrumental in supporting me... and this means a great deal in terms of encouragement and the feeling that my work was valued and esteemed." Jane Mason, South West Regional Dance Artist
"People who don't normally like dancing could see how it could be fun. It was inspirational." Pupil from St Luke's Primary School
Pavilion Dance South west
"Marvellous for families", "Invigorating and made me want to dance", "So many different people got involved", "It will add to my beautiful memories of Bournemouth." Audience participants from our Dancing Terraces – free, mass participation outdoor dance classes
Autumn / Winter 2012
Box Office: 01202 203630 Book online: www.paviliondance.org.uk
Bournemouth's National Dance Centre Supporting dance across the South West
Box Office: 01202
| Book online: www.paviliondance.org.uk
Karla Shacklock, South West Regional Dance Artist, see page 33 for details. Photo: Irven Lewis
To Pavilion Dance South West and our first ever full season brochure We have filled it with creative treats to entertain, surprise and invigorate you. We want to use these regular publications to share more of what we do with you. Yes, we present exciting dance and offer masses of opportunities to participate in Bournemouth at our beautiful venue by the sea. But did you know that we also support and champion dance across the whole of the South West and work in partnership with others to develop the art form across the nation? Come on in and find out more ... Deryck Newland Artistic Director, Pavilion Dance South West
Contents Our Values Page 4-5 Thursday Night Is Dance Night Page 6 – 15 More Performance Page 16-18 Exhibitions Page 19 Bolshoi Live Page 20-21 Events Calendar Page 22-23 Family Friendly Page 24-27 Creative Community Page 28-29 Take Part Page 30-35 Supporting Artists Page 36-37 Across The South West Page 38-39 All About Us Page 40-41 Find Us And Book Tickets Page 42-43 Did You Know? Page 44
Pavilion Dance South West is:
Generous Passionate Inspiring Inclusive Fresh
06 Pavilion Dance South west | THURSDAY NIGHTS
T: 01202 203630 www.paviliondance.org.uk
THURSDAYS Thursday night is dance night
PAVILION DANCE SOUTH WEST PRESENTS THE BEST PROFESSIONAL DANCE FROM ACROSS THE COUNTRY AND ABROAD Every Thursday night throughout October and November at 7.30pm
Photo from: Agnes and Walter - see page 12
All performances are followed by a post-show chat with the company £10 full price £8 for groups of 5+ £6 for groups of 15+ and 16th ticket is free £50 Golden Ticket gets you in to all 9 Thursday night performances
T: 01202 203630 www.paviliondance.org.uk
THURSDAY NIGHTS | Pavilion Dance South west
When the Sky Breaks A TRIPLE BILL by Decadance
Thursday 4 October 7.30pm See page 6 for prices
www.paviliondance.org.uk, 01202 203630 Like what you see and want to get involved? You're invited to hear more about our Autumn/Winter performance programme on Thursday 27 Sept, 6.30-7.15pm where you can also share your views about us and our programme. If you fancy becoming a volunteer, stick around between 7.15-8pm for a quick induction and to find out about the opportunities and benefits on offer. Arts Award Arts Award is a great way for children and young people to be inspired by and enjoy the arts. that's why we've become a Supporter. Young people can watch a dance performance and review it for their friends, take part in a class, workshop or masterclass or do work experience and volunteer. They might even choreograph a new piece of work and film it or perform it on stage! www.artsaward.org.uk For more information contact our Youth and Education Coordinator: firstname.lastname@example.com
"A performance that is intensely emotional and casually streetwise" The New York Times
Put on your 3D glasses and enjoy a visual feast. Brooklyn based all female group, Decadance, takes women out of the background of music and hip-hop videos and into the forefront of theatrical performance. Old school hip-hop fuses with cutting edge 3D video technology and b-boying (breakdance), popping and house come alive.
T: 01202 203630 www.paviliondance.org.uk
T: 01202 203630 www.paviliondance.org.uk
08 Pavilion Dance South west | THURSDAY NIGHTS
by Aakash Odedra
Thursday 18 October 7.30pm
See page 6 for prices
Rising is an evening of new work, performed by extraordinary dancer Aakash Odedra and featuring solos choreographed by dance heavyweights Russell Maliphant, Sidi Larbi Cherkaoui and Akram Khan (of London 2012 Opening Ceremony fame).
A DOUBLE Bill
Thursday 11 October 6.30pm & 7.30pm See page 6 for prices
Indian dance styles Kathak and Bharatanatyam are blended to create a new and exhilarating flavour of contemporary dance.
Between followed by Duet for a Bed of Leaves starts at 6.30pm Duet for a Bed of Leaves followed by Between starts at 7.30pm
Aakash Odedra will be leading a masterclass on 18 October - see page 33 for details.
An evening of two powerful up-close performances. Duet for a Bed of Leaves is about love, power and searching. Enter a world where the floor is made of leaves, where the dancers are close and the atmosphere is electric.
Photo: Steve Tanner
Angela Praed and Angela Woodhouse will be leading masterclasses on 10 & 12 October respectively - see page 33 for details.
"It is the highest form of theatre...even the slightest movement becomes enormous" Oxford Dance Writers on Between
Between and Duet for a Bed Of Leaves
Between is quiet and powerful, minimal and intense and delves into intimate, yet emotionally charged interactions. You can choose whether to stand and spectate or to interact with the performers.
THURSDAY NIGHTS | Pavilion Dance South west
"It's the dance equivalent of a red carpet event to get [these] choreographers on the same programme. It says much for Aakash's talent that all three have created solos for his new show" The Guardian
Photo: Chris Nash
10 Pavilion Dance South west | THURSDAY NIGHTS
T: 01202 203630 www.paviliondance.org.uk
THURSDAY NIGHTS | Pavilion Dance South west
The Chinaski Sessions
by Hetain Patel
by David Hughes Dance
Thursday 25 October 7.30pm
"Savage and elegant dance theatre" Lyn Gardner The Guardian for The Red Room
Thursday 1 November 7.30pm
See page 6 for prices
Seamlessly weaving storytelling and movement, Hetain creates a humorous, engaging and refreshingly unpretentious interrogation of cultural identity. By asking what makes him Indian, he explores how identity is created. Assisted by two percussionist performers, they immerse us in rhythmic Indian vocals, heartfelt anecdotes and moments of simple, visual beauty.
T: 01202 203630 www.paviliondance.org.uk
Ages 12+ contains adult content
"Exquisitely constructed... an unusual, fresh and honest work of art" Three Weeks
See page 6 for prices
Produced by Dance4. Commissioned by Dance4 and New Art Exchange. Supported by Lakeside Arts Centre and Arts Council England, East Midlands. Hetain Patel will be leading a masterclass on 26 October - see page 33 for details. Join seven testosterone-fuelled rock band members as they try to finish their new album in their home studio. Is it a live concert or a dance show? It's a nod to Charles Bukowski's cult character Henry Chinaski in an evening of debauchery and revelations. Surprisingly beautiful dance choreographed by Kylie Walters is set to a red-hot soundtrack performed live by I Love Sarah.
Photo: Oliver Dalby
David Hughes Dance will be leading a masterclass on 1 November - see page 33 for details.
Photo: David Hughes
Pavilion Dance South west | THURSDAY NIGHTS
T: 01202 203630 www.paviliondance.org.uk
Agnes and Walter: a little love story by SMITH dancetheatre
"It is at times funny, at other times heartbreaking. It is what modern dance should be: beautiful" Three Weeks
Thursday 8 NOVEMBER 7.30pm See page 6 for prices
A story of secret wishes, suppressed desires and a garden shed, inspired by The Secret Life of Walter Mitty. Agnes and Walter dance, sing and breathe life into their private worlds of daydream and fantasy to ensure their relationship survives.
Photo: jmaphotography
Set to cinematic scores and popular songs, a cast spanning three generations performs poignant and comic storytelling, dance, physical theatre and clowning. SMITH dancetheatre will be leading a masterclass on 8 November - see page 33 for details.
T: 01202 203630 www.paviliondance.org.uk
THURSDAY NIGHTS | Pavilion Dance South west
50 Acts by Wendy Houstoun
Thursday 15 November 7.30pm See page 6 for prices
50 Acts is a warm, intimate and affecting dance-theatre show, written and performed by the inspirational Wendy Houstoun. Well-known for challenging, as well as engaging her audiences, 50 Acts sees Wendy retaliating against ageism and other modern rubbish such as big ideas, random acts, apologies and errors. Combining movement with text, and meaning with humour, Wendy communicates loudly and clearly about our culture and the mad world we live in. Wendy Houstoun will be leading a masterclass on 16 November see page 33 for details.
"Hilarious, touching, charming and wise. 50 Acts… marks its creator as one of the most forthright and gifted independent performers of her generation" Donald Hutera - Dance Magazine Photo: Chris Nash
14 Pavilion Dance South west | THURSDAY NIGHTS
SMALL TALK by PROBE
Thursday 22 novEmber 7.30pm See page 6 for prices
"Modern dance goddess" Antonia Grove embodies real life American B-movie actresses, whose interviews are fed to her through earphones. Antonia undertakes a series of edgy, sexy and unpredictable transformations which border on disguise and derangement. Small Talk is a brave and compelling solo made in collaboration with Wendy Houstoun. It's both funny and darkly disturbing.
"So sexy that it should have come with a health warning" ballet.co.uk Photo: Matthew Andrews
T: 01202 203630 www.paviliondance.org.uk
T: 01202 203630 www.paviliondance.org.uk
THURSDAY NIGHTS | Pavilion Dance South west
The Incredible Presence of a Remarkable Absence by Lîla Dance
Thursday 29 November 7.30pm See page 6 for prices
A re-imagining of Samuel Beckett's world in Waiting For Godot, four peculiar personalities wait for their salvation while brimming with frenetic impulses. Riveting, unpredictable and acutely humorous, it will have you on the edge of your seat one moment and laughing out loud the next. The evening includes the duet A Readiness by Lîla Dance and two short performances from The Bishop of Winchester Academy, Bethany Junior and St Peter's Schools who have worked with Lîla Dance with the support of the Cultural Hub for Bournemouth and Poole.
"An altogether gripping little slice of dynamic intelligence" Donald Hutera The Times
Photo: Sam Taylor Photography
16 Pavilion Dance South west | MORE Performance
T: 01202 203630 www.paviliondance.org.uk
T: 01202 203630 www.paviliondance.org.uk
More Performance | Pavilion Dance South west
Hatch & Scratch Thursday 6 December 7.30pm
An evening of new dance where we invite up to five artists to present up to 15 minutes of work which is in development. We invite you to stick around afterwards to tell the artists what you thought and support the work on the next stage of its journey. Part of Hatch & Scratch's intention is to encourage a conversation between artists and audiences, to support the development of the work, so we look forward to hearing your views, ideas and suggestions during the evening. Hatch & Scratch will be a chance for the artists we are supporting to share work being developed at Pavilion Dance South West. This season will include Bristol-based performer, Karla Shacklock, who will be in residence to start making her latest work between 4 and 7 September and is offering a free morning warm-up session each day for artists of all disciplines and skill levels. See page 33 for more details.
Flamenco Intimo by Amarita Vargas
Friday 14 December 7.30pm £10 full price £8 for groups of 5+ £6 for groups of 15+ and 16th ticket is free
Enjoy an evening of pure Flamenco, presented by Amarita Vargas and guests and packed with the energy and expression of the south of Spain. Flamenco evokes fervent feelings from the fiery and joyful to the dark and sombre. The evening features live dance, guitar and song in an intimate cabaret-style setting in our Ocean Room Theatre. Plus! Join us for a Flamenco and Figure Drawing Workshop on Saturday 15 December, 10am-4pm. Ages 16+. £15.
Karla Shacklock Photo: Irven Lewis
Photo: Judie Waldmann
"Every inch the Flamenco doyenne" Dance Today
18 Pavilion Dance South west | MORE PERFORMANCE
T: 01202 203630 www.paviliondance.org.uk
Pavilion Dance Cabaret Sunday 16 December 6pm
A fantastic way to start the Christmas festivities! At the end of each season we're hosting a Cabaret evening which presents a diverse selection of performances created by our regular class and workshop participants, our youth dance company, 2BU and our adult contemporary dance company, Coevo. See page 35 for more details. Plus, there'll be professional performances, short dance films and live music, all topped off with a social shindig to get us moving and partying!
T: 01202 203630 www.paviliondance.org.uk
EXHIBITIONS | Pavilion Dance South west
Exhibitions We have a unique gallery space leading up to our Ocean Room Theatre. You are invited to enjoy our exhibitions during our opening times. Make it part of your visit before your class or as part of our Thursday Night is Dance Night season.
Dancing Light
by Paul Spencer aka LaceMaster Friday 24 August - Thursday 20 September
This is an exhibition of Light Art Performance Photography by local photographer Paul Spencer. He captures still images which show the passing of time and the complex dynamic movements of different dance disciplines. This is only made possible by opening the shutter of the camera and capturing the paths of light as the artists move.
Dance-themed Exhibitions by Dorset Visual Arts
Wednesday 3 October - Monday 17 December FREE
We've been working with artists across Dorset, inviting them into our dance studios to observe residencies from professional companies. See the result of this unique relationship which includes Rita Brown's latest exhibition, Waiting for Godot, created in response to Lîla Dance's The Incredible Presence of a Remarkable Absence that was developed here. The performance is on Thursday 29 November (details are on page 15). Plus! Visual artists can join us for a Flamenco and Figure Drawing Workshop on Saturday 15 December, 10am - 4pm. Ages 16+. £15.
20 Pavilion Dance South west | BOLSHOI LIVE
T: 01202 203630 www.paviliondance.org.uk
T: 01202 203630 www.paviliondance.org.uk
Bolshoi Live SUNDAY 30 SEPTEMBER 2012 - SUNDAY 12 MAY 2013
Live screenings direct from Russia to Bournemouth ... with love ... from Pavilion Dance South West! Presented by Pathé Live in partnership with picturehouse entertainment £15 £12 for groups of 5+ people
Prepare to be dazzled as our live satellite screenings of the exquisite Bolshoi Ballet are beamed live, straight from the Moscow stage to the comfort of our Ocean Room Theatre. The events are specifically shot for the big screen and filmed in high definition by 10 cameras. Enjoy unprecedented proximity with the world's most renowned ballet company.
BOLSHOI LIVE | Pavilion Dance South west
La Sylphide Sunday 30 September 4pm Choreographer: August Bournonville Production and new choreography: Johan Kobborg A magical tale of love and loss. A Scotsman is captivated by a beautiful winged Sylph on the morning of his wedding and follows her deep into her woodland realm. La Fille du Pharaon Sunday 25 November 3pm Choreographer: Pierre Lacotte First choreographed by Maurice Petipa in 1862 and since re-worked. An English lord is mystically transported back to Ancient Egypt where he falls in love with the Pharaoh's daughter. La Bayadere* Sunday 27 January 2013 Choreographer: Maurice Petipa New Scenic Version: Yuri Grigorovich Fate is determined to ruin the eternal love between a temple dancer and her warrior love. Rite of Spring* Sunday 31 March 2013 Choreographer: Wayne McGregor This ballet has been entirely recreated by the British choreographer for the Bolshoi's 100th anniversary. Romeo and Juliet* Sunday 12 May 2013 Choreographer: Yuri Grigorovich Sergei Prokofiev's famous ballet has been reproduced by living ballet legend Grigorovich. *Times are yet to be confirmed, please check our website for details.
T: 01202 203630 www.paviliondance.org.uk
22 Pavilion Dance South west | Events Calendar
EVENTS CALENDAR Thursday Night is Dance Night Creative Community
SEPTEMBER Tues 4 Wed 5 Thur 6 Fri 7 Sat 15 Tue 18 Sat 22 Mon 24 Thurs 27 Thurs 27 Sat 29 Sun 30
More Performance Masterclasses
Family Friendly
Take Part
Page 9.30am 9.30am 9.30am 9.30am 3pm
33 33 33 33
Morning Warm-up with Karla Shacklock Morning Warm-up with Karla Shacklock Morning Warm-up with Karla Shacklock Morning Warm-up with Karla Shacklock
André Rieu Screening 29 5.30pm 2BU Youth Dance Company Auditions 35 11am Yoga Masterclass 29 10.30am 33 State of Flux Masterclass 6.30pm 06 Learn about our Autumn performances and events 7.15pm 06 Find out about becoming a volunteer 10.30pm 30 Silent Disco 4pm 20 Bolshoi Live: La Sylphide
October Thu 4 7.30pm When the Sky Breaks 07 Fri 5 9am Silicon Beach 28 Sat 6 9am Silicon Beach 28 Sun 7 7pm Carnival of Objects - The Nose 28 Wed 10 10.30am Angela Praed Masterclass 33 Thu 11 6.30pm 08 Between / Duet for a Bed Of Leaves - A Double Bill Thu 11 7.30pm 08 Duet for a Bed Of Leaves / Between - A Double Bill Fri 12 10.30am Angela Woodhouse Masterclass 33 Sat 13 3pm André Rieu Screening 29 Tue 16 10.30am Theo Clinkard Masterclass 33 Thu 18 10.30am Aakash Odedra Masterclass 33 Thu 18 7.30pm Rising 09 Mon 22 7.30pm Weevil in the Biscuit 28 Thu 25 7.30pm TEN 10 Fri Fri Sat
26 26 27
10.30am Hetain Patel Masterclass 33 6pm Journeys Through Film 28 10am Write Now 28
Sun Mon
28 29
6pm 7pm
28 28
Peter Greenaway Double Bill Meet the Director Peter Greenaway
T: 01202 203630 www.paviliondance.org.uk
NOVEMBER Thu 1 Thu 1
10.30am 7.30pm
Fri Sat
2 3
6pm 9.15am
Sun Thu
4 8
Thu Sat
Events Calendar | Pavilion Dance South west
Page 33 11 31
David Hughes Dance Masterclass The Chinaski Sessions
Reclaim the Street Reclaim the Street
9.15am 10.30am
31 33
Reclaim the Street SMITH dancetheatre Masterclass
8 10
7.30pm 1.30pm
12 24
Agnes and Walter: A Little Love Story The Selfish Giant
15 16
7.30pm 11am
29 13
The Glenn Miller Story Screening
Thu Fri Thu Fri
22 23
Fri Sun Thu
50 Acts Wendy Houstoun Masterclass
7.30pm 10.30am
14 25
Small Talk We Are The Monsters
23 25
11.30am 3pm
25 20
We Are The Monsters Workshop Bolshoi Live: La Fille du Pharaon
The Incredible Presence of a Remarkable Absence
December Thu 6 7.30pm Sun 9 3pm & 7pm Fri 14 7.30pm Sat 15 10am Sat 15 8pm Sun 16 6pm Sat 22 3pm & 7.30pm
16 29 17 17 29 18 29
January 3 4 27
26 Boing! 26 Boing! 20 Bolshoi Live: La Bayadere
Thu Fri Sun
11.30am & 3pm 11.30am & 3pm TBC
Hatch & Scratch Academy of Dance Presents SHOWTIME Flamenco Intimo Flamenco and Figure Drawing Workshop Love Soul Choir Pavilion Dance Cabaret André Rieu Screening
ONGOING EVENTS Fri 24 Aug - Thu 20 Sep Exhibition: Dancing Light by Paul Spencer aka LaceMaster - p.19
Wed 3 Oct - Mon 17 Dec Exhibition: Dance Themed Art by Dorset Visual Artists - p.19
Mon 10 Sep - Sat 15 Dec Autumn term of weekly classes - p.32 Every Friday 14 Sep - 14 Dec Parkinson's Dance - p.35
Every Tuesday 2 Oct - 11 Dec Coevo - adult contemporary dance company - p.35 Every Tuesday 2 Oct - 11 Dec 2BU - youth dance company - p.35
T: 01202 203630 www.paviliondance.org.uk
The Selfish Giant
by Colette Sadler
Friday 23 November 10.30Am Suitable for ages 4-7 £5 per person, babes in arms free Duration 30 minutes
This big-hearted production, combining storytelling, puppetry and dance, will charm audiences from 4 to 104. It's based on the much-loved tale by Oscar Wilde. One day, a Giant returns home to find children playing in his beautiful garden. He puts up a high wall and a notice saying "TRESPASSERS WILL BE PROSECUTED". His garden remains locked in a wintery chill. But one morning the Giant finds something is different… Watch the trailer on our website.
"The story of the transforming nature of love was beautifully brought to life" Exeter Express and Echo
Did you know...it's OK to be different? No two people (or monsters) are the exactly the same. A playful, humorous and inventive response to the idea of things and people being different.
"It grasped the children's attention straight away. It opened their minds and really allowed creativity" Karen Ross Teacher
There are scratchy creatures and mini monsters playing and interacting with one another with their arms and legs moving in strange and impossible ways.
Workshop Friday 23 November 11.30Am Suitable for ages 4-7 £5 per child Duration 60 minutes Children can use puppets and costumes to learn what it means to change shape. Grown-ups will need to accompany their child. School booking line for our performances and workshops 01202 203630
Photo: Patrick Burnier
Suitable for ages 4+ £5 per person, babes in arms free Duration 45 minutes
FAMILY FRIENDLY | Pavilion Dance South west
We Are The Monsters
by Springs Dance Company Saturday 10 November 1.30pm
T: 01202 203630 www.paviliondance.org.uk
Photo: Tramway Glasgow
24 Pavilion Dance South west | FAMILY FRIENDLY
26 Pavilion Dance South west | FAMILY FRIENDLY
T: 01202 203630 www.paviliondance.org.uk
BOING! by Travelling Light Theatre Company and Bristol Old Vic Thursday 3 and Friday 4 January 11.30am & 3pm
T: 01202 203630 www.paviliondance.org.uk
PARTIES Let us help you to celebrate! Here at Pavilion Dance South West our private party packages are a great way to have fun. From hen parties and children's birthday parties, to corporate team-building sessions, we can tailor a package to suit your needs. Prices start from £8 per head and include a minimum one hour dance class of your choice in our spacious studios, led by one of our professional dance teachers. For more information or to make a booking email firstname.lastname@example.com or call 01202 203630.
Suitable for ages 3+ £5 per person, babes in arms free Duration 50 minutes
Who wants to sleep on Christmas Eve? Two boys, too restless to sleep as they wait for Father Christmas, turn their bed into a trampoline. BOING! is a Christmas show with a difference and features acrobatics, breakdance and comedy by one of the UK's leading b-boy companies, Champloo Dance Company.
"One of the most charming, heartwarming and visually breathtaking shows of the year" Venue
Photo: Farrows Creative
FAMILY FRIENDLY | Pavilion Dance South west
"What a wonderful party! All ages had a lovely time. You have a unique facility for the difficult requirements of a children's party. We were very impressed... thank you" A Mum
28 Pavilion Dance South west | Creative Community
T: 01202 203630 www.paviliondance.org.uk
Creative Community Independently Promoted Events
Bournemouth Arts by the Sea Festival 29 September to 29 October 2012 Pavilion Dance South West is delighted to include the first four of its own Thursday Night is Dance Night performances within the umbrella of the Festival this year. See pages 7 – 10 for details. In addition we are pleased to host the following events on behalf of Bournemouth Arts by the Sea Festival. For information and booking for all festival events visit www.artsbournemouth.org.uk. Silicon Beach marketing conference Friday 5 - Saturday 6 October 9am - 5pm £199 Carnival of Objects The Nose performance Sunday 7 October 7 - 8pm £7/£5 Weevil in the Biscuit performance Monday 22 October 7.30 - 9pm £8/6 Journeys Through Film short films Friday 26 October 6 - 9.30pm £3 - £6
Write Now: How to be a Writer seminars Saturday 27 October 10am - 5pm 1st event free, then £10 per event Peter Greenaway Double Bill screening Sunday 28 October 6 - 10pm £7/£6 double bill £5/£4 single film Meet the Director Peter Greenaway talk & screening Monday 29 October 7 - 10pm £10
T: 01202 203630 www.paviliondance.org.uk
Creative Community | Pavilion Dance South west
The following events are being hosted at Pavilion Dance by people hiring our spaces. Book tickets and find out more: www.paviliondance.org.uk André Rieu: A Midsummer Night's Dream screening Saturday 15 September 3pm £9.50
The Glenn Miller Story Remembrance Day screening Sunday 11 November 3pm £9.50
Yoga Masterclass with Keith Grant Saturday 22 September 11am - 5pm £55
Academy of Dance Presents SHOWTIME 2012 performance Sunday 9 December 3pm & 7pm £10 /£8 concessions
André Rieu: Roses from the South screening Saturday 13 October 3pm £9.50
Love Soul Choir performance Saturday 15 December 8pm £7.50 / £6 André Rieu: Christmas Around the World screening Saturday 22 December 3pm & 7.30pm £12.50 including buffet
Other professional dance performances in Bournemouth and Poole this autumn/winter that might be of interest... Lighthouse POOLE
BIC & Pavilion Theatre
Wayne McGregor / Random Dance: FAR Tuesday 25 September 7.45pm £16.50
Moscow Ballet - La Classique The Nutcracker Monday 22 October 7.30pm £22.50
Ballet Black: A Mixed Bill Saturday 6 October 7.45pm £16.50
Western Association of Ballet Schools: Dancing into Christmas Showcase Sunday 25 November 2.30pm & 7.30pm £10/£12
Russell Maliphant Company: The Rodin Project Tuesday 13 November 7.45pm £16.50
UK Dance Championships Tuesday 15 - Thursday 17 January 9am/10am & 7.30pm Day £10 - £15 Eve £15 - £39
30 Pavilion Dance South west | TAKE PART
T: 01202 203630 www.paviliondance.org.uk
by SilentArena
Listen via wireless headphones to tracks spun by DJs from the UK's top festivals. Dance the night away on our terraces and enjoy views of the Lower Gardens while listening to your favourite tracks, new and old, from a massive range of genres. We provide everyone with a set of wireless headphones and then have two DJs playing simultaneously on separate channels. If you don't like what the first DJ is playing, just flick the switch and listen to the second DJ!
TAKE PART | Pavilion Dance Southwest
Reclaim the Street
SILENT DISCO Saturday 29 September, 10.30pm - 2am
T: 01202 203630 www.paviliondance.org.uk
"It was such a giggle dancing around in my own little world. Absolute genius" Lorraine, previous Silent Disco-er
Friday 2 - Sunday 4 November FriDAY 6 - 10pm Sat & Sun 9.15am - 7.15pm Anyone with a passion for learning street dance Ages 16+ £75 for the full weekend
Reclaim the Street is a response to the widespread commercialisation of street dance. Authentic street dance is becoming an endangered species worldwide and it's time to return to its roots. Discover the rich history and culture of Hip-Hop and House and learn the basic foundations of both in their true form. You will have six hours of practical sessions for each style including foundation and technique classes, choreography creation and feedback sessions. Plus seminars, jams, demonstrations and documentary films. If you're a dancer or teacher into street dance, this is unmissable!
"I learnt so much about street dance's foundation, history and technique. Kashmir and Corina are probably the best teachers around" Angela Reece, All Elements
32 Pavilion Dance South west | TAKE PART
T: 01202 203630 www.paviliondance.org.uk
Classes We're not just a beautiful theatre you know; we've two spacious studios and over 40 weekly classes for all ages (0-90) and all abilities (so that includes you!)
Pilates Salsa Fit New Wave Broadway Tap - Basic & Basic Plus Hip-hop All Styles Dance The Musicals
Yoga Bellydance - Basic 40+ Fit 4 Dance Contemporary - Intermediate 1940s Social Dance Ballet - Intermediate
Mini Movers Under 5s Professional Dance Class Broadway Tap - Basic & Basic Plus with afternoon tea Ballroom with afternoon tea Bollywood Ballet - Basic Plus Bellydance - Basic Plus Contemporary - Basic Argentine Tango Jazz
Tuesday 6pm 6pm 7.15pm 7.15pm 8.30pm 8.30pm
6pm 6pm 7.15pm 7.15pm 8.30pm 8.30pm
10.30am 11.45am-1.15pm 1.30pm
2.45pm 6pm 6pm 7.15pm 7.15pm 8.30pm 8.30pm
Yoga Burn to Beats African Dance Irish Dance Broadway Tap - Intermediate/Advanced Caribbean Dance
6pm 6pm 7.15pm 7.15pm 8.30pm 8.30pm
T: 01202 203630 www.paviliondance.org.uk
Mini African Movers Under 5s Music Video Dance 8-13 yrs Music Video Dance Ballet - Basic Pilates Ballroom Tai Chi Ballroom Practice Ballroom
Funky Performers 5-9 yrs Breakdance 5-9 yrs Parkour - Basic 10-15 yrs Parkour - Intermediate 10-15 yrs
10.30am 4.45pm 6pm 6pm 7.15pm 7.15pm 8.30pm 8.30pm 9pm
9.30-10.30am 10.45-11.45am 12-1.30pm 1.45-3.15pm
Classes £5 or £3.50 when bought as a Pavilion Passport (£42), redeemable against any 12 classes and valid for 6 months. Classes are one hour long unless otherwise stated. Under 5s classes are 45 minutes long and £2.50 per child. Speak to us, ask for a classes leaflet, or visit our website for full details and class descriptions.
MASTERCLASSES 4 September - 16 November
Take part in a series of masterclasses by world-leading choreographers and professional artists including some of those who are performing in our Autumn programme. See pages 6-16, or our website, for performance information. Develop your skills and ability, gain a deeper understanding of choreographic techniques and learn company repertoire from a wide range of renowned performers. Masterclasses are for dance students aged 14+, undergraduates and professional dancers unless otherwise stated. Morning Warm-up with Karla Shacklock* Tue 4-Fri 7 Sept, 9.30-11am. Free For all abilities
A vigorous cardiovascular session with solo/group improvisation, conditioning and a lengthy stretch.
TAKE PART | Pavilion Dance South west
State of Flux* Masterclass Mon 24 Sept, 10.30am-12.30pm. £8
A dynamic, contemporary technique class including repertoire from the show, Forgetting Natasha.
Angela Praed Masterclass Wed 10 Oct, 10.30am-12.30pm. £8 For dance students, undergraduates and professional dancers aged 16+
A contemporary session with a discussion around the choreographic process and audience relationships.
Angela Woodhouse Masterclass Fri 12 Oct, 10.30am-12.30pm. £8
Delve into improvisation, partnering, solo and group work and unravel the themes in Angela's current work.
Theo Clinkard* Masterclass Tue 16 Oct, 10.30am-12.30pm. £8
Develop repertoire, awareness and connection within the body through improvisation and phrase work.
Aakash Odedra Masterclass Thu 18 Oct, 10.30am-12.30pm. £8
A challenging class exploring Aakash's unique Indian Kathak and contemporary training.
Hetain Patel Masterclass Fri 26 Oct, 10.30am-12.30pm. £8
Fuse voice with movement and learn Indian vocal rhythms from Hetain's performance TEN.
David Hughes Dance Masterclass Thu 1 Nov, 10.30am-12.30pm. £8
Learn feisty company repertoire by world-leading choreographer Kylie Walters and develop techniques.
SMITH dancetheatre Masterclass Thu 8 Nov, 10.30am-12.30pm. £8
For younger dancers aged 11+ and older dancers aged 40+ A unique chance for younger and older dancers to share creative studio space, led by Neil Paris.
Wendy Houstoun Masterclass Fri 16 Nov, 11am-1pm. £8 For undergraduates, graduates and professional dancers aged 16+
Following Wendy's 50 ACTS, this session will involve improvising with language and movement.
All masterclasses have limited spaces and so please book early to avoid disappointment. Please start warming up 15 mins before each class. Wear comfortable, loose clothing. Black-soled shoes aren't allowed as they damage our floors. * These artists are in residence developing work at Pavilion Dance South West this autumn. Look out for their performances here during 2013.
34 Pavilion Dance South west | TAKE PART
T: 01202 203630 www.paviliondance.org.uk
Natasha Z Player is our African and Mini African Dance teacher and was the first person to perform on our terraces for our launch event back in September 2010. She's since taught hundreds of people young and old, and our customers always tell us how much they love her warm personality and uplifting classes (see page 32). We had a quick chat to get to know her better. "I discovered African Dance when I was visiting family in Tanzania. I had previously studied ballet, but I found African Dance fitted my movement and rhythm perfectly. I started training regularly in London and Bristol, before studying intensively in Canada and taking study trips to Ivory Coast, Senegal and Gambia. From initiation, coming of age and warrior dances, African Dance doesn't stand still, it's evolving all the time. I love teaching at Pavilion Dance South West as there's a real mixture of people. One day I'm helping young children create new movement and the next, meeting language students from a completely different culture. I'm lucky to have the opportunity to perform, most recently in Obey The Wind at Bristol's Circomedia and multi-cultural festivals."
T: 01202 203630 www.paviliondance.org.uk
TAKE PART | Pavilion Dance South west
Parkinson's Dance
with Sophia Hulbert and Aimee Smith
Fridays, 14 September - 14 December 3.15 - 4.45pm, followed by 30min social in foyer £3.50, free for carers to watch or join in
A fun and therapeutic class, where you can move, meet others and share experiences. Both teachers have extensive experience of working with people with Parkinson's disease, both therapeutically and in the creative environment. They will help, support and guide you, using movement that is specifically designed for the symptoms of the condition. Live music means you can be entertained while you develop your movement and vocal projection. The class will be followed by an optional social gathering.
with Arturo Robles Tuesdays, 2 October – 11 December 7.30 – 9.30pm £75 per term
Coevo is our adult contemporary dance company for those people who want to take their interest in dance further than our regular classes. You'll develop new dance works, explore your own choreographic voice, perform in our termly Pavilion Dance Cabaret (see page 18) and also get to work with guest choreographers.
Tuesdays, 2 October – 11 December 5.30 – 7.15pm £50 per term
2BU is our youth dance company for dancers aged 14-19 who want to create new innovative work and break the mould. You'll develop new dance works as well as explore your own choreographic style. You'll perform all over the country as well as in our termly Pavilion Dance Cabaret. Audition for 2BU on Tuesday 18 September 5.30 - 7.15pm
Supporting ARTISTs
Pavilion Dance South West strives to create a structure to support dance through new approaches to producing, presenting and educating. We're interested in physical adventures and new movement and are committed to developing dialogue and understanding between artists and audiences. We endeavour to create fertile and significant experiences for our audiences by engaging them in ways that can sometimes be intimate and thoughtprovoking and sometimes expansive and exhilarating. Our engagement with artists' development embraces three stages and we view our engagement with them as a generous and collaborative relationship.
T: 01202 203630 www.paviliondance.org.uk
1. FIRST DATE is an opportunity for us to get to know artists better. We'll provide up to five days' studio space, accommodation and travel expenses. The company will commit to two informal chats with us during the week where we learn about each other, understand the aspirations for the work and offer ideas for the future. The company will also get to test their ideas in front of an audience at our regular Hatch & Scratch nights. See page 16.
2. COURTING begins to refine our relationship as we bring creative influences in to help feed the work and let it grow. We'll provide up to five days of studio space, access to our theatre and a technician for one day, accommodation and travel, as well as a small bursary to support the making process.
demonstrates our belief in the artists as we become advocates of the work. We'll provide a cash investment to help enable the work to be made and tour. We'll be credited as co-commissioners and receive a performance of the new work. We will provide technical production space and time and may support with dramaturgy, marketing or other significant inputs.
"Pavilion Dance South West has been instrumental in supporting me...and this means a great deal in terms of encouragement and the feeling that my work was valued and esteemed" Jane Mason, South West Regional Dance Artist
These steps could act as a ladder but the right artist can also begin a relationship with us at any point depending on their experience and needs and our priorities.
To find out how we decide who to work with and if we can support you as an artist contact Ian Abbott: email@example.com
Laila Diallo's Hold Everything Dear, co-commissioned by Pavilion Dance South West after a residency in 2011. Photo: arno-image.com
Supporting ARTISTS | Pavilion Dance South west 37
Photo: Kevin Clifford
T: 01202 203630 www.paviliondance.org.uk
Jane Mason's Singer, co-commissioned by Pavilion Dance South West after a residency in 2011.
36 Pavilion Dance South west | Supporting ARTISTS
38 Pavilion Dance Southwest | Across the South West
T: 01202 203630 www.paviliondance.org.uk
Across The South west Pavilion Dance South West is a National Dance Agency with responsibility for developing and championing professional dance and dance practitioners across the south west, working alongside a broad range of partners, who collectively form the "Dance Matters South West Action Network". This developing network will form Action Groups to drive the shared priorities of the network and help to make things happen. The Engine Room for this network is a grouping of local dance development organisations and initiatives. These are:
1. Rise Youth Dance Company Photo: Irven Lewis 2. Cleo Lake Photo: Irven Lewis 3. Dancing on Dartmoor. Photo: Pat Barker 4. Neshima Dance Company. Photo: Irven Lewis
T: 01202 203630 www.paviliondance.org.uk
Activate Performing Arts (DORSET) Bath Dance Creative Ecology Wiltshire (CEW) Dance in Devon Dance South Gloucestershire G Dance (Gloucestershire)
Plymouth Dance Swindon Dance Take Art (Somerset) Theatre Bristol The Works, Dance and Theatre Cornwall
Across the South West | Pavilion Dance South west
During this autumn and spring Pavilion Dance South West is working with a number of network partners to develop a range of dance projects, supporting delivery of dance for children and young people in the region including: A training package for day centre staff and SEN teachers to support the delivery of dance in their contexts, beginning in Dorset and Gloucestershire ➢ A new youth dance company for the Bath and North East Somerset area Professional development for primary and secondary school teachers in Devon to facilitate dance experiences in schools ➢ Developing dance participation and audiences in Cornwall primary schools ➢ Film and live performance created and toured by ex-members of Taunton Youth Dance Company, now working professionally, as a way of celebrating the value of youth dance ➢ Developing a comprehensive schools' dance programme for Somerset In future editions of this brochure we will continue to celebrate the network's activities and development across the South West
5. Dance in Devon. Cockwood Primary School learn Big Dance choreography with students from University of Exeter at Princesshay School 6. Golowie Donsya - Marazion. The Works Dance and Theatre Cornwall. Photo: Celine Smith
If you are a professional arts organisation, artist or practitioner and would like to join the "Dance Matters South West Action Network" please contact our Regional Producer, Zannah Doan: firstname.lastname@example.com
Big Dance
Pavilion Dance South West has just finished coordinating a fantastic range of dance activity across the South West as part of Big Dance, a national Cultural Olympiad programme. These images represent a tiny taste of what took place. 5
ALL ABOUT US We exist to: Offer diverse opportunities to engage with dance and movement as audiences and participants Encourage high quality-dance and movement-led performance to be made, presented and seen Share and increase resources for dance, and support awareness and understanding of dance
Our priorities are: Bounce: Grow: Shift: Share: Breathe:
Engage and enthuse children and young people Develop dance artists, practitioners and companies Present and commission performance across the South West and beyond Build audiences and deepen their understanding of dance Support people to access dance as a way of keeping physically and mentally well
Use our spaceS "The venue was perfect for our Summer School. The staff were very accommodating and helped us out in every way possible. The facilities were always clean and accessible for the students" Charlotte George Royal Academy of Dance If you're looking for a unique venue to hold your performance or event then look no further. With two bright and airy dance studios and a state of the art 200-seat theatre and performance space all situated right next to Bournemouth's beautiful sandy beaches and gardens, this flexible venue can be tailored to suit your needs. To find out more and to create your bespoke and memorable event, please email: email@example.com or call 01202 203630.
42 Pavilion Dance South west | FIND US & BOOK TICKETS
T: 01202 203630 www.paviliondance.org.uk
Find us and book tickets HOW TO BOOK Address:
Pavilion Dance, Overlooking Lower Gardens, Westover Road, Bournemouth, BH1 2BU
01202 203630
Box office hours: Mon-Sat 10am-5pm (no classes on), 10am - 10pm (during classes). In person:
Visit us and book your tickets at reception.
Credit / Debit cards
There is a 50p transaction fee.
Access: We welcome visitors with disabilities to all our productions and events. Wheelchair users: We have a lift and accessible facilities which include backstage. Level access is via the seafront entrance of the Lower Gardens. If you are a wheelchair user please advise us when booking so we can ensure seating is available for you and a companion.
T: 01202 203630 www.paviliondance.org.uk
FIND US & BOOK TICKETS | Pavilion Dance South west
HOW TO FIND US Pavilion Dance is located at the back of Bournemouth's Pavilion Theatre and is accessed through the Lower Gardens or via Pier Approach, underneath the flyover. By train:
20 mins walk from Bournemouth Station. South West Trains T: 0845 6000 650.
By bus: Close to major bus routes. Main bus stops on Westover Road and Gervis Place. Yellow Buses T: 01202 636000 or Wilts & Dorset T: 0845 0727 093. By bike: Lock up your bike outside, or on Westover Road and Pier Approach. Dorset Police recommend D-locks to ensure your bike is more secure. By car: Parking is available nearby at several car parks. Town centre parking can be very limited during busy times, so please plan accordingly. We recommend Central Car Park, Hinton Road; it's not so busy and a short walk away. The taxi rank is by the Tourist Information Centre, Westover Road. Visitor Information: Find out where to stay, eat and have a good time T: 0845 051 1700 W: www.bournemouth.co.uk
Companions: For audience members who are unable to attend a performance unless accompanied, a seat is available for a companion free of charge. Please ask when booking. Hard of hearing: We have a hearing loop system. Please ask when booking. P
Pavilion Theatre
LET'S GET TO KNOW EACH OTHER Subscribe to our e-newsletter to keep up to date with news and events. Sign up online, in person, or by calling us on 01202 203630.
LOWER Gardens
Bournemouth Pier


text:
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text:
The Christian community, the world and the true church finds a season upon them that is demanding of them to give an accounting. This accounting manifests itself as those whom God has sent are speaking the words of God in the Spirit without measure. John 3:34, "For He whom God has sent speaks the words of God, for God does not give the Spirit by measure". Speaking here of the Christ Jesus as well as a people who are making up the remnant body of Christ. This body of Christ also known as "the man-child" is to make an appearance before humanity, to manifest the nature of Christ unto a crying world. The question asked by the Christian community as well as the groaning carnal world is, will there be a many member body of Christ, and will there be a man-child coming into the world in these last days bringing deliverance to the earth from heathen rule.
II Peter 3:2-5a, That you may be mindful of the words which were spoken before by the holy prophets, and of the commandment of us, the apostles of the Lord and Savior knowing this first: that scoffers will come in the last days, walking according to their own lusts, and saying, where is the promise of His coming (Jesus the head and His body, many in number being birthed as a man-child)? For since, the fathers fell asleep, all things continue as they were from the beginning of creation. In this they willfully forget: …". These conditions continue to exist today because of the blindness of people's understandings and the hardness of their hearts, the results of unbelief. Nevertheless, God who is not silent, is willing to reveal unto a seeking people the coming forth of His man-child according to that which He has purposed.
Even as God purposed in the beginning to make a man for Himself in His likeness and image, He speaks again through the prophet Isaiah, of a remnant, His man-child (read Isa. 26:17-21). Note the condition of the people, a time of trouble even as it is in the earth today. As a cry ascended before God, events begin to happen for correction. Does not a like kind cry, even now, ascend before God from the earth? In verse 17, this troubled people chastened, find themselves likened unto a woman in travail. This travail speaks of the happenings of that day and applies to the church of today. A time when a people begin to know deliverance, "As a woman with child is in pain and cries out in her pangs, when she draws near the time of her delivery, so we have been in your sight, O Lord".
Note here that God's man-child birthing is with a two-fold purpose. First, the need for deliverance, where humanity is concerned, is not yet accomplished. Secondly, the wicked, which is the carnal world continues in their place of ruling over the earth. This wicked order continues in its place of influence over every realm of society. Verse 18, "We have been with child, we have been in pain, we have, as it were, brought forth wind; we have not accomplished any deliverance in the earth, nor have the inhabitants of the world fallen".
Now let us notice the change concerning deliverance, seeing bondages not yet delivered changed into that which now knows deliverance. A people, a man-child coming forth, arising from the realm of death, the old Adam cursed realm, to manifest life. This people, knowing a transformation which is taking place by moving man from a realm of death into God's realm of life. Life, birthed from the travailing woman, to make an appearance in the earth (self-first) to affect all the earth (entire world). Verse 19, "Your dead (all carnality and the Adam world which is dead to God) shall live; together with my dead body (a people in complete union with Jesus Christ) they shall arise. Awake and sing, you who dwell in dust; for your dew is like the dew of herbs, and the earth shall cast out the dead".
God speaks further concerning this time of the man-child being manifest. He reveals that the time of the man-child's appearance shall be a time of great trouble. A time of trouble, that affects every kingdom of man, every nation, and every religious group. A time of trouble such as the world has never seen but also a time of divine protection for those who take refuge in Christ, having peace and safety during the coming judgment. Verse 20, "Come my people, enter your chambers (Christ nature, one of divine protection) and shut your doors behind you (a people who receive the man-child's word of deliverance, the man-child is God gates, His doors given for a place of hiding); Hide yourself, as it were, for a little moment, until the indignation is past".
Who is this that brings deliverance? In concurring with the above verses, God speaks of a time when His people shall know a vindication concerning their hope and faith placed completely and totally in God and His word. A true church now purified, impregnated with a holy seed, and she shall birth God's promised man-child. This man-child, birthed because of the Christ seed planted into the womb of the church, now brought forth as God's deliverers. Along with God's first-born son, the many other sons shall respond to Christ as ministers of restoration to bring forth God's kingdom throughout the earth. Isa. 66:7-8, "Before she was in labor, she gave birth; before her pain came, she delivered a male child. Who has heard such a thing? Who has seen such things? Shall the earth be made to give birth in one day? Or shall a nation be born at once? For as soon as Zion was in labor, she gave birth to her children".
While many feel that the message of the man-child written of in Rev. 12 is the message of the birthing of Jesus, the first verse of Rev. 1 makes this statement. Rev. 1:1, "The Revelation of Jesus Christ (Jesus the head to be manifest through His many member body), which God gave to Him (Jesus) to show His servants – things which must shortly take place (note that Jesus was already born). And He sent and signified it by His angel to His servant John". Thus, this verse points to the writing of things to come after the birth of Jesus and revealed in Revelation. (Now read Rev. 12:1-5).
Today, among the Christian community, a certain people are finding themselves becoming large because of the life growing within that is now ready for it's time of birthing. These find themselves groaning with travail as a transformation takes place. This transformation is a changing from within that takes them into the Holy of Holies as they stand before God in His throne room. These sit down with Christ in His throne for establishing God's kingdom on the earth. These move into that place of authority in Christ as King/Priest ruling with Christ in God's kingdom. Let us take note of verse 1 of Rev. 12 with the understanding that the woman is the church of transformation. "Now a great sign appeared in heaven (the invisible, spiritual realm); a women (soul) clothed with the sun (God's glory is her covering, the Christ nature), with the moon under her feet (moon – the carnal church which she has conquered by placing its power under her feet), and on her head a garland of twelve stars (by conquering the perverse carnal church she receives the authority of God's divine government)". This, the woman church, cleansed and having conquered, has become the wife worthy of Christ as her husband. Having received the seed of Christ within, she now is pregnant with God's man-child. This woman is the true church removed from the harlot system to know the reality of a life, which is no longer self-living life but is the Christ that now lives from within.
In verse 2, the Holy Spirit gives another sign concerning this pregnancy as travail increases. The spirit prepares and positions the woman for the time of this birthing. "Then being with child, she cried out in labor and in pain to give birth". Then at the time of the birthing of God's man-child, another sign appears. This sign points to the condition and the order that dwells upon the earth in its rulership of harlotry and perversion. This order points to that one world government, the political and religious order that wars against the governmental order of God. Verse 3, "And another sign appears in heaven (same heaven as the women, the heaven within the soul); behold, a great, fiery red dragon having seven heads and ten horns, and seven diadems on his heads". This detailed sign speaks of the seed of Satan that wages war against the Christ seed. War that continues until the head of the serpent is bruised, unable to continue its war against the seed of the woman. Gen. 3:15, "And I will put enmity between you (serpent) and the woman, and between your seed and her seed; He (Christ and His seed) shall bruise your head, and you shall bruise His heel".
Let us notice the affect the dragon has upon the stars of heaven that are the ministers of the church order. Satan with His time being short, spearheads His attacks upon the elect of God, those who attempt to ministry God's gospel. Within the ranks of these ministries, some with carnal persuasions, during Satan's attack, are as stars cast to the earth. The earth speaks of men with carnal minds who give themselves over to carnality and its influence. These ministers fall as they succumb to Satan's deceiving devices. These ministers no longer minister by the Spirit but follow the dictates of the humanistic philosophies and perverted psychologies produced from the carnal realm. These rob the people of God's true blessings for the sake of carnal success. Verse 4, "His tail (dragon) drew a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was ready to give birth, to devour her child as soon as it was born".
Let us remember, from Genesis it was declared that Satan desires to kill the seed of the woman. Pointing to this man-child birthed from the church that is to rule with Christ over the earth. One method used by these fallen stars, the carnal ministers of deception is to keep revelation of God's word from the church, especially the teaching of the man-child. Satan's biggest tool is ministers within the church system who rob and steal from the people the truths of God's Word. Escapism is not God's method for His church, but for them to have victory and protection in the midst of righteous judgment. God's Word is to bring freedom in becoming the fulfilled manifesting man-child of God. A man-child God uses to bring down the kingdoms of the world and build up the kingdom of God. I Cor. 22-24, "For as in Adam all die, even so in Christ all shall be made alive. But each one in his own order: Christ the firstfruits (Jesus and the man-child), afterward those who are Christ at His coming (Christ the head and His body of saints). Then comes the end (after the millennial reign) when He delivers the kingdom to God the Father, when He puts an end to all rule and all authority and power".
Back to Rev. 12:5 it points to the birthing of this man-child who affects all nations in bringing them down in erecting the kingdom of God. "She (true church) bore a male child who was to rule all nations with a rod of iron. And her child was caught up to God and His throne". To see clearly that which God speaks forth in this scripture, the eyes of revelation exercised is to behold the temple of God that dwells in the earth. Note that the woman is pointing to the church. The church represented in earth with its many forms and fashions, its many doctrines and denominations. However, among all these things a true church is now birthing God's man-child. This man-child birthed from the womb of the pure church. This womb is not a physical womb but rather the souls of the saints. The souls of the woman church, enlarged with child, as her pregnancy is at the time of birthing. This that is born is not a natural birth but the birthing of a nature, a Christ nature from within the soul. I Peter 1:4, states the inheritance of these saints. "To an inheritance incorruptible and undefiled and that does not fade away, reserved in heaven for you". II Peter 1:4, "By which have been given to us exceedingly great and precious promises, that through these you may be partakers of the divine nature, having escaped the corruption that is in the world through lust". The man-child, the birthing of the divine nature of Christ now comes forth in the human realm to manifest a people in the likeness of Christ.
The groaning and travailing coming out of God's creation is awaiting the appearance of this man-child. Rom. 8:22-23, "For we know that the whole creation groans and labors with birth pangs together until now. Not only that, but we also who have the firstfruits of the Spirit, even we ourselves groan within ourselves, eagerly waiting for the adoption, the redemption of our body". This appearing man-child speaks of great change. A change that affects the entirety of the world as this caught up man-child now lives in the throne room authority of God. With their feet on the ground and their hearts (soul) filled with Christ' nature, they begin to rule God's kingdom on earth.
1. From the human nature to the divine nature of Christ.
2. From the corruptible flesh to the incorruptible flesh.
3. From the mortal to the immortal realms of God.
Moreover, to this we say amen.


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'Ala'ia, Limbo's Elegyby Giampaolo Agosta
Limbo is a region of the Ethereal that closely mirrors Mystara. The souls of recent dead remain there until collected by servants of their Immortal patrons. Souls of people who did not follow the teachings of any Immortal in life are not collected, and must find their own way to the Outer Plane matching their alignment. Some remain in Limbo for a long time, forming small societies for mutual protection against the predations of the Minions of Chaos, servants of the Entropic Immortals who hunt down these souls to carry them to the Pyts.
While Nyx is an Immortal of the Sphere of Entropy, she is mainly interested in unlife and new forms of it. She took notice of these small communities of souls in Limbo, and decided to make an experiment in unlife -- she planted an artefact, the A'u ke 'Ala'ia (Monolith of Elegy, in the Makai language), on the coast of Elegy. In Mystara, the monolith is merely a geographical feature, Nyx's Post. In Limbo, it appears as a giant monolith covered in carvings. It radiates a form of magical energy that has two effects. First, it confuses the senses of Minions of Chaos and similar beings, who are not able to detect souls at more than 10' while on 'Ala'ia (Elegy goes by its original Makai name in Limbo). Second, it permeates the soil of Limbo's, allowing it to grow a plant, sa'au, which can be consumed by Limbo's souls to strengthen themselves -- a soul on a regular sa'au diet slowly regenerates hit points (1/month). Due to the sense-confusing effects of the A'u ke 'Ala'ia, souls are not collected as it normally happens in the rest of Limbo. Thus, after Nyx planted the monolith, a large community of souls developed on 'Ala'ia. These souls explored the island, and soon started to build canoes to explore Limbo's seas. They therefore discovered that, out of 'Ala'ia, the Archons came to collect them. The soul population of 'Ala'ia quickly dropped after the discovery -- most of the Makai worshipped the Immortals, and were glad to leave Limbo. A few remained behind, either because they did not trust the Immortals, or because they remained to guide future souls. In time, those who remained for a longer time discovered they could develop new abilities, and became the Uncorporeal (Huaka'i in the Makai language).
The Huaka'i have slowly increased in numbers as more dead were entombed on Elegy, and a number of errant souls from the southern reaches of Brun joined them in time. 'Ala'ia now has circa 3,000 inhabitants, 70% of whom are Makai who do not follow the teachings of the Immortals (or have good reason to avoid meeting their servants). The remaining are equally divided between foreign souls, and souls of Makai chiefs and warriors who feel responsible for directing the souls of other Makai towards the afterlife.


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Zumba Classes Burnham Buckinghamshire
Zumba Classes Burnham Buckinghamshire: If you're keen to get started on a new fitness program however would still like to have fun as well, you really should look at trying Zumba classes provided you can find some in the Burnham, Buckinghamshire area. While Zumba will not be everyones idea of fun, there's little doubt that it's an awesome technique by which to improve your social life, get fit, burn a lot of calories and have a great time at the same time. So though you might not at this point reckon that Zumba meets your needs, it is generally best if you try something out before rejecting it and you might surprise yourself and enjoy it. If you do not know what Zumba is, you can get a great deal of info in this article, but in brief Zumba incorporates a series of aerobic and dance routines performed along with lively and energetic music.
Zumba - A Brief Guide: With a fun filled blend of aerobic and dance routines, a Zumba class is a wonderful way to have an amazing time while you exercise. Developed during the nineteen nineties by a dance teacher from South America (Columbia), Zumba is now enjoyed by millions of people around the world who love the music and energy of the workouts.
Zumba classes blend an aerobic workout with easy to follow and low impact dance moves creating an exercise in disguise. Have a look at any local Zumba session and you will in all probability discover plenty of smiling and happy participants who really seem to be enjoying themselves, and of course that is really what a Zumba workout is intended to do. Having a good time whilst working out and making the entire session seem like a party that's open to everybody regardless of fitness level, age, size or experience is the principal attraction for most advocates. A beginner to Zumba is going to be made welcome and be integrated into the wider Zumba community in just one class.
You'll not require any specialized apparel or equipment to participate in a Zumba workout, just comfortable clothes which you don't mind getting sweaty. You will additionally realize that there are not any levels in Zumba, you can work as much as you personally want to, whilst you have fun during the routines.
When the music starts thumping and you mirror the actions of your Zumba registered trainer the minutes will fly and before long your class will be finished. Now there are Zumba registered classes in various fitness and leisure centres, schools, sports halls and village halls all around the country and uncovering the perfect Zumba classes for you personally could not be simpler. As you get more experienced you might possibly even feel inspired to establish your own Zumba group and directing a room of like minded people through a fresh, fun filled and lively Zumba workout can be a highly gratifying experience.
Yoga classes almost always last for about an hour or so and are controlled by instructors licensed by Zumba Fitness, LLC. In one Yoga class, a person could burn somewhere between 500 and 1000 calories, dependent on the effort expended. There are currently 9 choices of class, each aimed at different levels of exertion and age: Zumba Gold is for newbies, Aqua Zumba held in swimming pools, Zumba Gold-Toning aimed toward seniors, Zumba in the Circuit combining circuit training and dance, Zumba Toning which utilizes toning sticks, Strong by Zumba which combines Synched Music Motivation with a high intensity workout, Zumba Step integrating step aerobics, Zumba Kids for kids aged 4 to 12 and Zumba Sentao which makes use of chairs.
The music utilized in Zumba workouts is a combination of: bachata, salsa, samba, merengue, hip hop, mambo, cha-cha, flamenco, axe music, reggaeton and tango. A few people even integrate pop and rock music into their workouts.
Your friendly Burnham Zumba instructor ought to be capable of helping you with all aspects of learning Zumba including: Zumba tuition in Burnham, Zumba instruction in Burnham, Zumba for dogs in Burnham, Zumba in the Circuit classes in Burnham, Zumba for arms in Burnham, Zumba classes for newbies in Burnham, Aqua Zumba classes in Burnham, Zumba workouts for seniors in Burnham, Zumba Gold-Toning classes in Burnham, Zumba sessions for guys in Burnham, Zumba fitness classes for men in Burnham, Zumba Step classes in Burnham, Zumba fitness classes for the over 70's in Burnham, Zumba for depression in Burnham, Zumba moves in Burnham, Zumba training in Burnham, Zumba for losing weight in Burnham, Zumba dance sessions in Burnham, Strong by Zumba classes in Burnham, Zumba classes for the over 60's in Burnham, Zumba toning in Burnham, Zumba parties in Burnham, Zumba courses in Burnham, Zumba fitness classes in Burnham, Zumba classes for toddlers in Burnham, Zumba exercises in Burnham, Zumba dance workouts in Burnham, Zumba for the over 50's in Burnham, Zumba classes for the obese in Burnham, Zumba for adults in Burnham, Zumba Gold classes in Burnham, Zumba for exercise in Burnham, Zumba fitness classes for rookies in Burnham, Zumba classes for older adults in Burnham, Zumba classes for the over 40's in Burnham, Zumba Sentao classes in Burnham, Zumba classes for the disabled in Burnham and any others you have heard about.
If you still consider that Zumba is not the most appropriate exercise for you, there are plenty of other dance and fitness related classes you can look for including: salsa classes in Burnham, aerobics classes in Burnham, Sweaty Betty classes in Burnham, judo classes in Burnham, pilates classes in Burnham, belly dancing classes in Burnham, jive classes in Burnham, ballet classes in Burnham, fitness classes in Burnham, karate classes in Burnham, kickboxing classes in Burnham and dance classes in Burnham. You are able to locate some of such classes and various other similar activities on Bark.com.
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Buckinghamshire Zumba: Bletchley Zumba, Iver Zumba, Burnham Zumba, Newport Pagnell Zumba, Milton Keynes Zumba, High Wycombe Zumba, Chalfont St Peter Zumba, Beaconsfield Zumba, Wooburn Zumba, Buckingham Zumba, Fenny Stratford Zumba, Great Missenden Zumba, Princes Risborough Zumba, Marlow Zumba, Hazlemere Zumba, Wendover Zumba, Amersham Zumba, Aylesbury Zumba and Chesham Zumba.


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Friday, November 21, 2008
A Week without blogging....
Well, my "real" job dragged me kicking and screaming out of Florida this past week, so I've been unable to do any blogging. Thankfully, I'm back home for the foreseeable future, so my entries should become more consistent again.
Labels: miscellaneous blather, news
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It has been 17 years since Congress passed the Magnuson Fishery Conservation and Management Act, regulations intended to reverse the steep decline in the catches of the nation's fishing industry. But the slide continues.
Although the law imposed strict catch limits and shortened fishing seasons and all but banished foreign trawlers from American waters, fish stocks off every coast are under more pressure than ever from bigger and more efficient boats and nets.
Fisheries regulators, whipsawed by economic, environmental and political interests, are constantly struggling to minimize overfishing and, at the same time, maximize returns for boats and crews.
Worried about the outcome of this struggle, Congress has again stepped in and mandated still more fishing restrictions. In a last-minute vote before Thanksgiving adjournment, the lawmakers ordered a new set of rules imposing stricter limits and shorter seasons. Focus on Atlantic
An important difference in the new legislation is that it focuses not on the deep offshore waters regulated by the Magnuson Act but instead on shallow inshore waters, specifically the shoreline waters of the Atlantic coast that once teemed with fish. Many of the details of the new regulations will be decided by a compact of representatives of the Atlantic Coast states from Maine to Florida.Continue reading the main story
For the short term, as the new rules take effect, the fishing situation for many recreational and commercial fishermen will probably get worse before it gets better. The tighter limits and shorter seasons will mean even less opportunity for weekend anglers and even less money for already hard-pressed trawler owners and their crews. But if stocks rebound, the fun and the good times will return.
Can they rebound?
"The statistics are alarming," says Representative Gerry E. Studds of Massachusetts, chairman of the House Merchant Marine and Fisheries Committee.
Along the Atlantic Coast, the weakfish catch has fallen 85 percent since 1980, the summer flounder catch has fallen 70 percent since 1989, and the decline in landings of cod and haddock has left the New England fishing fleet foundering in economic woe.
In the Gulf, red snapper flourishes only in areas where wrecks prevent trawling.
On the Pacific Coast, there are still salmon, perch and bass to be had. But in many cases, particularly outside Alaska, now the nation's most productive fishing region, stocks exist only because hatcheries are producing fingerlings. Widespread Overfishing
"The nation's fisheries are at a crossroads," Diana H. Josephson, a top fisheries official in the National Ocean and Atmospheric Administration, recently told Congress.
Ms. Josephson said that 67 of the 236 species tracked by Federal scientists were being overfished and that 61 other species were being harvested to capacity. Some species have become so scarce, she noted, that the fishing season for them opens and closes on the same day.
"We can do better," Ms. Josephson asserted.
The Atlantic's shoreline, where the new Congressional action was focused, was once home to great schools of weakfish, sea trout, black sea bass, flounder, blues, spot, croaker, shad and herring. But in recent years, many species have become extremely scarce, partly because of pollution and unfavorable weather, but mainly because of overfishing.
Increasingly, East Coast recreational anglers have found themselves returning to dock with only a small fish or two in the cooler. And, just as many offshore Atlantic fishermen did in earlier years, many inshore commercial fishermen are now looking for jobs on land or have started trawling for sharks and other fish that previously were considered inedible nuisances.
"The stock of virtually every fish species on the East Coast is in terrible condition," said John H. Dunnigan, the executive director of the Atlantic States Marine Fisheries Commission, an interstate compact that Congress authorized a half-century ago to draw up and administer rules for Atlantic coastal fishing. Stronger Enforcement
While the aim of the new inshore regulations will be much the same as the older offshore regulations -- to halt overfishing and give fish stocks time to rebuild -- there is more.
Traditionally, it has been the states, rather than the Federal Government, that have regulated fishing in waters extending up to three miles from their coastlines. They have consulted and cooperated with each other, but some states have nevertheless been more lax than others in regulating.
Given that many Atlantic fish migrate, the disparity in enforcement takes on added importance.
The new Congressional mandate calls for the states to continue to consult with each other and to define common limits and seasons on various fish species. But to insure that enforcement is uniform, if a state refuses to go along with a particular restriction, the Federal Government will step in and declare a moratorium on the affected fish in that state.
"This provision gives the law real teeth and that will make all the difference in the world," said William J. Goldsborough, a fisheries expert for the Chesapeake Bay Foundation, a nonprofit conservation organization. "The only other time we've had that was with the striped bass law, and it's one of the great fish-recovery stories."
Striped bass had all but disappeared from the Chesapeake Bay and the Atlantic when, in the early 1980's, Congress pressured the East Coast states to impose strict fishing limits and, in some cases, fishing moratoriums. Federal agencies were authorized to step in and impose controls on states that refused to act.
There was almost universal compliance, and today striped bass are back in the bay and the Atlantic in large numbers and recreational and commercial fishermen are once more enjoying good -- though strictly regulated -- catches.
"There's no reason now why the same thing can't happen to shad and weakfish and blues and all the other depleted Atlantic coast species," Mr. Goldsborough said. Voicing Doubts
Robert West, a commercial fisherman from Buxton, on North Carolina's Outer Banks, has his doubts. So does his wife, Susan, who recently sent a letter to Congress warning that "devastating" consequences might result from tighter limits on coastal fishing.
"When it comes to fish," Mr. West said recently between forays into the wintry Atlantic, "our experience has been that government, especially the Federal Government, usually ends up doing more harm than good.
"First they said they were going to rebuild all the fish stocks way out to sea," he said. "It hasn't happened. Now they say they're going to rebuild all the inshore stocks. Any reasonable person knows that something has to be done to conserve fish. But this time, with all these new rules, I fear they're going to break us all."Continue reading the main story


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Associate Consultant (Bachelor's and Master's Degrees)
You're a recent graduate. But at Clarion, you'll learn to think like a senior executive – from day one.
Working side-by-side with colleagues at all levels, you'll sharpen your quantitative skills through immediate exposure to a range of business problems. You'll become closely familiar with the particular challenges faced by the life sciences industry. And you'll learn the foundation of consulting – to identify both the right questions and the best answers – hands on. Because the most effective way to learn is by doing.
What You'll Do
As an Associate Consultant, you will make immediate contributions to our work in key areas.
Research. Using primary and secondary sources, you'll identify information critical to understanding our clients' business problems. Whether the information relates to market trends, companies, competitors, or products, you'll learn to differentiate between essential and extraneous – a skill that will serve you throughout your career.
Analysis. You'll dig into data, prioritizing key issues, generating hypotheses and testing your theories. You'll bounce ideas around with your teammates. And you'll keep going until you're confident with your results.
Communication. You'll clearly and persuasively articulate those results, effectively using slides and verbal communication to present your key findings.
Over time, you will develop your conceptual thinking, increasingly gaining independence and the ability to structure analyses and problem-solving approaches for larger pieces of work.
What You'll Bring
You love nothing more than a seemingly impossible challenge – and the thrill of hunting for a solution. You're resourceful, an inquisitive and creative thinker who works best in dynamic, unstructured environments. And you're a great communicator, able to build trust among colleagues and clients.
Experience working with data in Microsoft Excel and presenting information in Microsoft PowerPoint is considered essential to the role. A background in science or economics is beneficial, and passion is a must.
A day in the life of an Associate Consultant >>
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Join Host Kevin Hunter as he features business owner and guest John Finn or Orange Theory Fitness, Maple Grove, MN.
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Price & Deals
Karen Kane Jeans For Women
Karen Kane Womens Dark Rinse Jegging, Indigo, 10
A sleek and streamlined fit enhances your shape in these Karen Kane jeggings; complete with an elastic waist and 5 pocket styling. Mid rise: waistband sits below natural waist Slim fit through hips and thighs Pull on style; elastic waist 5 pocket styling Skinny leg Approximate inseam: 33 inches Cotton/spandex Machine washable Made in USA Web ID: 1947805
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Website Medical University of South Carolina
The Surgical Trauma Intensive Care Unit (STICU) is a 17 bed critical care department. The STICU is an interdisciplinary department, providing care to the following specialties/sub specialties: acute surgery, trauma, transplant, neuro-trauma, otolaryngology, ortho/spine trauma. The STICU also receives admissions for the neurosurgery and medical intensive care population. The medical and surgical care of the patient population are managed by surgical critical care intensivist. The unit has a very active shared governance group, Relief staff leaders and clinical staff leaders. The unit has opportunities for mentorship and development, including: a trauma nurse specialist and leadership program.
Under general supervision, the Registered Nurse II provides individualized, goal-directed patient care to families and patients at the competent level utilizing the principles and practices of the nursing process; delivers safe and effective care and interacts with other members of the health care team to achieve desired results.
Bachelor of Nursing degree preferred. RN staff hired on or after July 1, 2013 with an Associate or Diploma degree in nursing are required to be enrolled in an accredited BSN program within two years and successfully obtain a BSN degree within four years of the RN hire or reclassification date. A minimum of one year of critical care work experience as a registered nurse required.


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Get Back
Posted by shanoah on August 28, 2009
As much fun as irritating Sean might be, I think I'll stick with mashups for the moment.
This one is billed as The Beatles vs LCD Soundsystem vs The Kinks, and is by FAROFF. I can hear You Really Got Me and Get Back, and I believe the other song is Daft Punk is playing in my house, though that's not a song I'm familiar with, so I could be wrong.
This entry was posted on August 28, 2009 at 5:07 pm and is filed under A Thought from a Sticky Mood, Batty, Blogs, bulldada, From Shanoah, Gettin' Yer Freak On, I Tunes Not U Tunes. Tagged: Daft Punk is playing in my house, FAROFF, Get Back, LCD Soundsystem, The Beatles, The Kinks, You Really Got Me. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
One Response to "Get Back"
August 29, 2009 at 2:31 pm
[…] Get Back […]