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Pipeline & Gas Journal...March 2010
The Mobil/Exxon purchase of XTO Energy has sparked new congressional interest in the environmental safety of horizontal shale gas drilling, a concern also lately exhibited by the Environmental Protection Agency (EPA) which has urged New York State to expand its analysis of the impact of shale gas drilling in the Marcellus area. A House energy & environment subcommittee held hearings on the XTO saloe on January 20 where the heads of both companies--Exxon Mobil and XTO--said they had a problem with a new piece of congressional legislation requiring natural gas producers to disclose the chemicals they use when fracturing gas deposits in shale. Both men said they had no problem making the disclosure; however, they would oppose including that disclosure requirement in the Safe Drinking Water Act, a law enforced by the EPA.
That is what the Fracturing Responsibility and Awareness of Chemicals Act (FRAC ACT) would do. It was introduced in both the House and Senate last summer. Both Rex Tillerson, Chairman and CEO, ExxonMobil Corporation and Bob R. Simpson, Chairman of the Board and Founder, XTO Energy Inc. opposed the bill. Tillerson explained he opposed EPA's involvement because "the devil is always in the details." Pressed by Rep. Diana DeGette (D-CO), one of the key sponsors, on what he meant by that, Tillerson expanded on his original statement by saying, "It means I don't know how the EPA is going to enact or implement the regulation that you are promoting in your bill." Neither the House nor the Senate has held hearings on the FRAC Act much less has a vote been taken.
The back-and-forth between DeGette and Tillerson is important because Exxon-Mobil insisted that a clause be put in the contract allowing ExxonMobil to cancel the deal if Congress passes a law making hydraulic fracturing "illegal or commercially impracticable." Neither Tillerson nor Simpson said the DeGette bill would do that; but Tillerson clearly implied that EPA regulatory involvement in hydraulic fracturing could be a problem.
Any congressional legislation seen as hamstringing new shale gas development would be a crimp in some pipeline expansions, undoubtedly. For example, Texas Eastern has announced two separate projects in anticipation of bountiful Marcellus shale gas. One expansion project could handle 300 million cubic feet of gas a day, the second 500 million cubic feet. According to Spectra Energy Corp. (which owns Texas Eastern) spokeswoman Wendy Olson, Marcellus gas would account for 80 percent of the first project's contracts and "a significant amount" in the second instance.
The production of Marcellus gas in New York State is already a red-hot political issue there.
There are only 15 shale gas wells in New York State, all of them vertical, according to Yancey Roy, spokesman for the NY Department of Environmental Conservation. That is what makes New York's draft Supplemental Generic Environmental Impact Statement (dSGEIS) for horizontal shale gas fracturing so important. It was published last September 30. The comment period closed at the end of December. Roy says the department is going through the 13,000 comments it received, some of them "ganged" signatures on single pieces of correspondence. Once the document becomes final, natural gas companies will be able to drill horizontally in Marcellus, and for the first time. The dSGEIS proposes first-time permitting conditions for horizontal hydraulic fracturing, including disclosure of liquids used.
New York City has already weighed in against drilling in sections of Marcellus containing drinking water sources for the city. Steven Lawitts, the city's top environmental official, said hydraulic fracturing represented "unacceptable threats to the unfiltered fresh water supply of 9 million New Yorkers." Roy explains that New York City water sources account for a small portion of the Marcellus area.
Chesapeake Energy, a major producer in New York but not yet in the shale game there, complained that the dSGEIS's proposed regulatory requirements and mitigation measures "are both costly and, in some cases, unnecessarily onerous...and have left New York with relatively few producers willing to devote scarce capital to New York." However, the comments went on to say "Chesapeake is prepared to meet the extraordinarily high bar proposed in the dSGEIS."


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Outrun must go on.
Questa volta suono a Legnano (MI) al "Circolone" (via S. Bernardino 12) come ospite della serata Vaporwave v. 1.6 in compagnia di Pinnacle. C'è anche una bellissima zona retrogame.
Link dell'evento: proprio qui.
italo disco
Il 9 Marzo suono a Bologna!
Bologna 不快感 disagio – UNKNOWN EVENT
00:30 MOBILE SUIT : Basmati Paradise [LIVE SET]
01:30 Vincenzo Salvia [LIVE SET]
Link dell'evento: CLICCAMI.
This is not the same blah blah blah interview.
I had this beautiful interview with Neon Order and there are lots of things which I never said before!
1. When and why did you start playing?
I started to play when I was still a child. My parents had a Phil Collins vinyl and I fell in love with "In the air tonight", that drum fill of course, so I stole my mother's wood spoons and played them on our straw chairs, until I broke them.
2. Which instruments do you play?
I can play guitars, piano, a little bit bass and drums. I'd love to improve with drums, I love them so much.
3. What was the first tune(s) you learned?
Well, "In the air tonight" on drums! I perfectly remember I learned Eric Clapton's "Cocaine" on guitar as my first tune, but I can't remember on piano.
4. Is your family musical?
Well, yes, it is.
5. Describe your family member's musical interests and abilities.
My mother loves to sing and sometimes she goes with her musician friends to play in some pubs. They play acoustic jazz covers.
My brother plays electronic music, from trap to house, techno, nu disco. He's really good with production.
6. Which famous musicians do you admire? Why?
I admire and love everything what belongs to my childhood: Phil Collins, Michael Jackson, Italo Disco, Tears for fears. They're like a part of me.
7. Which famous musicians have you learned from?
I've learned a lot of from The Cure and Ludovico Einaudi. Strange to say them together 'cause they're totally different, but they're definitely my "teachers".
8. Who was your first teacher? Other teachers?
I had a piano teacher on music school and she was a milf. Yeah.
9. Describe your first instrument. Other instruments.
Are the wood spoons an instrument? If not, my first one was a cute Casio keyboard (can't remember the model, something similar to a Casio CT-680) where I learned to move my little fingers. I still have it in my mother's flat.
10. What are your fondest musical memories? In your house? In your neighborhood or town?
Sure my first band where I played in my teenage. We played some Green Day, Oasis, Rem, Blur. It was my first experience to play with someone and it was just a hobby, we never performed live and never wanted, but it was a wonderful way to learn and spend time with company who shares a common passion.
11. Were you influenced by old records & tapes? Which ones?
Definitely all the tapes from my parents but especially all the 80s hits collection from my father. He had those compilations to listen to them in his car and I couldn't wait to grow, to get my driving licence and driving by night!
12. Who are your favorite musicians? Groups? CD's?
I don't have my all-time favourite, just because I think music is the soundtrack of our life, so every moment must have its best music. 80s music is strong in my music background but I loved bands like Explosions in the sky, Dark Tranquillity, Death, The Cure and Ludovico Einaudi (in random order).
13. Have you been in competitions? Fleadh's? Any prizes?
Yeah, I've been in a competition with my ex metal band. We played in a Transylvania Horror Rock Cafè in middle Italy (Civitanova Marche). I don't remember very good, so probably we didn't pass it haha!
14. Do you perform in public? Describe those occasions? Concerts, radio, TV?
I performed in different bands many times in public, most of all with metal bands, with my guitar. One of my favourite live was in Calabria, Southern Italy on a beach just few meters near sea. It was a metal festival, we were dressed in black with our face painted in white under the hot August sun. Woooh.
15. Do you play for dances? Step-dancers? Describe the differences.
I want my music be various. I love the Italo Disco and I have lots of songs inspired by that style, but I also made lots of tracks for workout, or "romantic moments". Well, that's a kind of dance too.
16. How do you handle mistakes during a performance?
I don't make mistakes because my tracks have the same chords and melodies.
Ah, no, maybe 1 or 2 have different chords. But I never play them live.
17. Do you get nervous before a performance or a competition?
Yeah. And I love it.
18. What advice would you give to beginners who are nervous?
A glass of beer could help. If not, two glasses should. Ad libitum.
19. Do you attend sessions? What makes a good session?
Well, first is the music you play, second is how you communicate with your public, third is how you play.
20. How often and for how long do you practice?
I play almost every day for hours, maybe 4-5, depending on my other commitments, but I play only on keys. It's sad I'm not that good anymore on guitars, there's lot of rust on my fingers now, because I'm focusing especially on the electronic compositions.
21. What do you practice – exercises, new tunes, hard tunes, etc.?
The best thing for practice is to play on other artists' tunes. No tabs, everything by ear and harder and harder. This is how I try to improve.
22. Do you teach music?
Yes, to my dog G. She's a horror composer and she's already good.
22. How do you balance your music with other obligations – mate, children, job?
Well, I can invert the question. Sometimes while I'm playing I can find some time for other obligations.
Many secrets unveiled in this interview for Sir K Magazine
My wife Powder Slut and I had a funny talking at our home with a friend from Sir K Magazine. We tell about our private life, music and project. You can also read it here on the free PDF version of the magazine.
Hello Yana and Vincenzo and thank you for allowing us into your house and answering our questions!
Y: It's a pleasure, we're always happy to have friends here!
Let's start from the very beginning. You are an unusual couple. How did you meet?
Y: May I start? Then Vincenzo will tell you his version, if he disagrees.
The beginning of our story started right at the beginning of my music career, when I discovered my passion for synthwave music and I started to listen to a lot of retrowave music, original 80s music, something like glam rock, soundtracks, porn music from the
80s… at a certain point I felt like my library was finished, so I decided to look around and listen to new artists. I didn't know Vincenzo Salvia. I knew he was Italian and I pictured him as an old guy, because, you know, his music sounded like something great
produced by some famous artist. It sounded original, analog.
How long ago was it?
Y: It was maybe three years ago. Four, actually. To be honest I didn't really like his music, it was too fun for me, but anyway… I started to play music, I started to compose
and learn how to do it. Doing so, I also moved towards the synthwave scene, chatting on socials with other composers. People started to add me on Facebook and I don't
know how Vincenzo ended up in my friend list. I probably asked him for his friendship (you know, just to have a good quantity of friends), but he never talked to me, so I
removed him. He was annoying, always promoting some new tracks.
I thought,"I don't want you here". Then, on the 18th August something very funny happened. I published a photo in which I was half naked (I used to like modelling very much). A common friend of Vincenzo and I commented on my photo, which therefore appeared on Vincenzo's timeline.
V: And so I also commented with some jokes about the photo. She was eating a biscuit in a sexy position, showing a bit of breast… But she answered.
Y: I said, "If you guys are so cool, try to repeat my pose" and they did! Vincenzo was the first. He did a parody of my photo, in the bath with biscuits on his body, which was not a perfect figure… V: I used Macine, Italian great biscuits, but I was still thin back then.
Y: We started to chat step by step. I think it was destiny, because for me it was like lightning. I immediately understood that there was something special. I thought, "OMG, he will be my husband". The first time we spoke on Skype he was on his knees with flowers in his hands, telling me that he loved me.
V: The first time we chatted we both felt something powerful between us.
It was sudden and confusing. After that day we started to go to sleep together, with our webcams on, like we were in the same room.
Like in movies?
Y: I swear! It was the two of us and G, my pechinese dog.
V: Exactly, I remember waking up during the night and thinking, "Oh God, Yana snores quite a lot", but it was G! So we can say it was an unpredictable beginning for you.
V: When she first added me on Facebook I thought it was a fake profile. That's why I never spoke to her. I didn't know about her music, but she had a lot of professional
photos and so I thought it was one of those fake profiles with stolen photos you can find on social networks.
How did you meet, in person?
V: In a short time we decided to meet. I went to Ukraine in December.
Y: He was so little, so cute with his luggage! I met him at the airport and knew he had to be mine.
V: Even though we had never met before, everything was so simple and normal, like we had known each other for ages. I was fascinated by her life and it was beautiful for
me to be able to witness it. It was such a different culture compared to the Italian one.
Y: If you think about it, we took a very big risk, because we met online. The chances to be unhappy and disappointed were very high, but you know, we went through
bad moments because of our differences, but we are here! I think it's thanks to our common passion, which puts together the pieces and makes everything work.
Y: Yes. If I was only a designer and not a musician like he is, I wouldn't be able to understand him and vice-versa. Our music is a little bit different, but we're on the same line, same references, same lifestyle. I've always wanted a musician as my partner.
V: We share the same sensitivity.
Y: But I'm fire and he's water. We cause the same reaction when we fight. He's my water, he always tries to calm me down and I'm his fire. I always try to kick him and poke him. Anyway: on the 18th December he proposed to me. That was very quick! How did he do it?
Y: It was unbelievable. He came to Kiev without even knowing me for real. I could have been a prostitute, who knew… But he came with a ring in his pocket. He bought a ring
before meeting me in person. Of course I said a big YES!
V: In May we got married. It was a small, intimate ceremony.
In Italy?
V: Not in Italy, in Potenza.
Y: Exactly! In the deep south of Italy…
Was the wedding in English?
V: No, in Italian, but a friend of mine translated everything for Yana.
Y: They were translating so many laws, but I didn't really care. I just wanted to put my signature and "arrivederci, I want to celebrate with my husband". I call our wedding an espresso wedding: very fast, but the more we stay together, the more interesting it gets.
Let's start speaking about your music. Vincenzo, when did your passion for synthwave begin?
V: I've always been interested in 80s music, I didn't even know what synthwave was, because when I started, in 2011, my music was not labeled as synthwave or outrun or any of the names that are used today. I grew up with my father's tapes, so 80s music was in my blood. Only later I discovered there was a whole movement of this style.
I put my music on Soundcloud and so I discovered a lot of related artists. From that moment I started to enter this community of people, I connected with other artists and discovered a few labels. One of these labels, from America, contacted me on Soundcloud. That's how I released my first EP, in August 2012 and that was the moment when my career as a synthwave music composer started officially.
When did you find out about Yana's music?
V: It was only when we spoke for the first time. Then I started to appreciate her music. We even worked on a track together after a few months.
Y: We tried, but it's very difficult for us to work together. First of all my experience wasn't so much, but that wasn't the main problem. I think we hear music in different ways, we have different directions and focus on different aspects. Later we also tried, a million times, to play together, but it's impossible. I know he can play with everyone, but not me.
Did you study to be a musician?
Y: Music and I had bad karma, at the beginning. My mother had the idea that every girl had to prove herself with some kind of elevated knowledge, by learning to dance or
to play instruments. So she took me to a music school telling me that we would "just have a look around," but it ended up with me attending for 7 years. I finished music school, but I still wasn't able to hear music, even though I could read it. The headmaster told my mum that I had no talent and no future in music. I was fine with it and I didn't really care about music, at the time. At that time I wasn't able to understand the value of music studies; if someone asked me today to attend a music school, I would certainly run for it. Also now, I play music my way, but I do it and people like it. I would like
to meet the director of that school and tell him "look at me! I'm doing it, I compose music". I hated every subject of music school. For me it was like going to hell. I never
connect that experience with what I do now.
V: My story is very funny: I started to study piano at 8/10 years of age, in a music school near the church of my town. I started the first lessons and when it was time to repeat the exercises at home… I didn't have a piano. I should've thought to buy one before starting the lessons. I had this beautiful book with empty music sheets and I used it to draw a piano keyboard to exercise the chords, even though there was no
sound. I studied piano on paper. My teacher asked me if I had a piano, and when I said no, I answered that I was playing on paper. They forced me to buy something and so
I got my first keyboard, a 6-octave CASIO. During an exam, a teacher told me to put the music sheets on a piece of cardboard so that it wouldn't fall during the test. I forgot
to do it and, obviously, the sheet fell during my exam and I was shocked about it. I kept on playing without reading music and understood I could feel it and had a good talent
for improvisation. The experience was such a shock that I stopped playing for a couple of months. From that point on, for the rest of my life, I self studied music.
Y: Every track you play is like learning, because it will always force you to study something new. Virtual instruments are like a big library of knowledge you will never
finish to learn. You will always have something new to discover.
V: When I was 14 years old, I started to self-study guitar and started to play in little bands. The experience was like an afternoon hobby for me. Then I started to make my concerts in squares and I really enjoyed the sensation that kind of life gives. I started playing with a bigger metal band and started touring around the south of Italy.
After a while I left the band because the kind of music we were playing didn't excite me any longer, and I hated keeping my hair long. Then I jumped into electronic music, it was around 2005.
Have you always used virtual instruments?
V: No, I started with my keyboard, even though it wasn't a synth. I connected that keyboard to my guitar effect pedals and I started to create some sounds and discovered how to record with virtual instruments, improving my technique
with time.
What about you, Yana?
Y: I've always used virtual instruments, but it wasn't all planned. I didn't want to compose Synthwave at the beginning. I was collaborating with a guy who was
composing some freestyle music for break-dance. Back then I had little experience with the programming world, and he introduced me to it. The programs that were used
back then were terrible and so difficult to interface with. But yes, I've always used virtual instruments, even though I asked Vincenzo to buy me that wonderful Yamaha DX7 you see over there, which is just an epic synthesiser. I'm not fond of real machines, because you must do concerts with them, but they are not very practical to be used at
home. Virtual instruments can do everything. Of course, being able to use analog instruments is a plus, but I really think they are useful just for concerts.
Vincenzo, you created a label, right?
V: Yes, in 2013, I met some friends which played the same style and
were under the same American label, because we were having some bad experiences with that label. We started to think that maybe we could create our own label, contact some other artists, create our own brand, because no one was doing anything like that at the time in Italy. And so we organised a concert in 2013, but our first compilation was released in 2014 under the title of Italo Disco Is Back. It was about the renaissance of Italo disco, renewed. Everyone forgets the importance of Italy, especially Italians, for this kind of music. Now we have a very large catalogue of artists, stretching from synthpop to outrun, to Italo disco, some chillwave and many other things.
Why don't you have Powder Slut under your label?
Y: Because I don't want to be under his label. Anyway, I don't want people to think that I'm a musician just because I'm his wife. At the beginning, I was very angry about this, because I think that a lot of people thought that Vincenzo was helping me with my music. They used to think, "She's a woman, so obviously he has to be helping her".
The truth is that Vincenzo's hands are never in my workspace. I ask for his opinion, but I never really care about the answer. I just ask to be polite. It's a matter of principle: I
don't want to be part of his label just because he's my husband.
V: Also, her style is darker than the sound of my label. We have a different focus: more fresh and fun.
Y: Now, I'm going to ask different labels to find the right one for my music. If I am not able to find anything that is appropriate for my style, I will just self-produce myself.
What do you think about the importance that Italy has in your music style?
V: 50% of my tracks are considered to be Italo disco. I have the melodic influence that comes from the Italian tradition so, even if I wanted to hide my heritage, I would not be able to. You can immediately hear that I'm Italian, thanks to my powerful choruses.
Y: I'm very proud of residing in Italy because it's a country that helped a lot for the development of this kind of music, horror soundtracks come to mind, Fabio Frizzi, he's
my Italian god, he created really crazy soundtracks. He's my greatest inspiration, but you need a lot of experience to be able to create something of that level. Now that
I live in Italy I feel very proud of people like Fabio Frizzi or Goblin, or even unknown composers who made really good soundtracks. I think Italian people should be prouder of their talent, and what they did during the 70s and the 80s. It was a wonderful moment. Italy was the beginning of so many things. Cinema, music, amazing cars like Ferrari and Lamborghini, lifestyles like paninari.
When did Italy stop being influential?
V: After the end of the 80s. In the 90s a decadence started, even though the first half was still quite interesting with Eurodance. But that wasn't exported everywhere, while
Italo disco spread worldwide.
Y: Russia was crazy for Italo disco.
What are you up to at the moment?
V: At the moments I have parallel projects. Of course I continue my original project, but I also want to capture this moment in Italy, since the 80s influence seems to be back.
For this reason, I created a project with a friend, a very talented singer, and we are trying to recreate in a modern way music from the end of the 80s and the beginning of
the 90s. We sing in Italian, which is already something interesting because this kind of music is generally only in English. We'll soon release our first video, and I hope
people will love it.
Are you also playing live?
V: Yes, I started my live shows for Vincenzo Salvia in January and I have already 6 more dates around Italy and in Europe. On the 2nd and 3rd February I will be in Firenze
and Vicenza. On March 9th I have a concert in Bologna. On the 15th March Berlin. 15th April Milano. 28th July London. Many other dates could be added.
When will we see Powder Slut on stage?
I already have 14 tracks for my new complete album. It's a very thematic album and I hope to be able to play live shows after its release. I want to use my connections to propose my music and to start to go out. I want to create very visual shows with big
screens. I don't care about people dancing, but you can just stay, drink and relax while listening to my music.
The last question, a very important one, is about your dog, G, who's also known online as G Dog Composer.
V: She started to love 70s porn and horror music, when we watched Lucio Fulci's movie, Paura della città dei morti viventi. She loved the soundtrack and decided to start her own project, as a horror musician, and so she released her first album of only 2 tracks, with Sunlover records.
So you don't have your wife under your label but you have your dog?
V: Yes, it was a Halloween release. She was very successful and she's now going to play with me on stage in Vicenza. At the end of the concert she will close my set with our
collaboration, playing the keyboards.
Live, seconda tappa: Firenze, 2 Febbraio
Come già anticipato, quest'anno si fa sul serio. Annuncio la seconda tappa a Firenze presso il Titty Twister Club (Via del Fosso Macinante, 13). In mia compagnia ci sarà anche Automan e un dj set per riscaldare il dance floor.
Link dell'evento qui: CLICCA CON DECISIONE.
DJ set @ Ohibò (Milan) – 17 Gennaio (Warning, post in Italian)
Ciao a tutti, questa volta scrivo in italiano per i miei amici milanesi e per chi si trova nei dintorni.
Mercoledì 17 gennaio partirò con il mio primo DJ set dell'anno, metto musica bella all'Ohibò di Milano (Via Benaco, 1, all'angolo con via Brembo). Farò girare miei pezzi (tra cui qualche inedito) e qualche classico della Italo direttamente dagli anni '80 ma anche tanta Synthwave. Free entry, non accetto scuse. Serve solo la tessera Arci.
Start: ore 21:00
Link dell'evento: QUI
Italowave = Italo + Synthwave!
I'm back again with my latest single for the tanned Sunlover Records Compilation Vol. 3: ITALOWAVE!
Featuring the amazing voice of Heclysma, here is my new track "In Paris Again", available for download and streaming in all the main stores:


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Have you ever thought about the 3rd amendment to the US Constitution? My guess is that you have never given it another thought since your last US History exam. Basically, the 3rd amendment (part of the original 10 amendments call the Bill of Rights) made it so that a private citizen could refuse to quarter or house soldiers. You see, during the Revolutionary War (while we were still considered British subjects), Quartering Acts were passed by British parliament that allowed British soldiers to demand room and board. In effect, this made US sympathizers house the enemy soldiers or die.
The 3rd amendment assured the new United States citizens that they would no longer be forced into this position. The wording says "without their approval". Citizens can always offer the room and board, but would no longer be forced into it.
Ironically, we have allowed enemy soldiers to take up room and board in our lives, and we're not even paying attention. When you "quarter" the enemy, they are around you night and day. This impacts how you live, act and even worship.
Today, those enemy soldiers are new cultural realities. By accepting and adopting cultural realities that fly in the face of our Christian faith, we are allowing those 'enemies' to be quartered in our lives, in our own mind.
This is what Paul was telling the people of Philipi.
"Brothers, join in imitating me, and keep your eyes on those who walk according to the example you have in us. 18 For many, of whom I have often told you and now tell you even with tears, walk as enemies of the cross of Christ. 19 Their end is destruction, their god is their belly, and they glory in their shame, with minds set on earthly things. 20 But our citizenship is in heaven, and from it we await a Savior, the Lord Jesus Christ, 21 who will transform our lowly body to be like his glorious body, by the power that enables him even to subject all things to himself." (Phil 3:17-21)
We are no longer citizens of this world, we are citizens of heaven. When we allow these 'enemies of the cross of Christ' to take up residence in our minds, in our lives… we are quartering the enemy.
Turn away the enemy. When Peter allowed these thoughts to enter his mind and out his lips, Jesus replied to him ""Get behind me, Satan! You are a hindrance to me. For you are not setting your mind on the things of God, but on the things of man." (Matt 16:23)
Remember well His words. Cast out the enemy and refuse to quarter him.


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A Northern Monkey, travels from England to Canada then back to England and now back to Canada like a yo-yo whilst working in the Games Industry as an Animator, follow my adventures...
Andy wishes Justin a very Merry Christmas
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Hey, welcome to my blog, I'm an Animator, originally from Liverpool. I wanted a change, and moved to Montreal via Bristol in June of 2005, then back to Bristol in 2007, then onto Liverpool for a new challenge and now back to Canada and Toronto with my wife. Questions and comments are always welcome.
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Auteur: Goldman, Emma
Titel: Living my life - Volume 1
Sub titel:
The strong feelings she aroused are understandable. She was an alien, a practicing anarchist, a labor agitator, a pacifist in World War I, an advocate of political violence, a feminist, a proponent of free love and birth control, a communist, a street-fighter for justice - all of which she did with strong intellect and boundless passion. Today, of course, many of the issues that she fought over are just as vital as they were 75 years ago. Emma Goldman came from Russia at the age of 17. After an encounter with the sweat shop and an unfortunate marriage, she plunged into the bewildering intellectual and activist chaos that attended American social evolution around the turn of the century. She knew practically everyone of importance in radical circles. She dominated many areas of the radical movement, lecturing, writing, haranguing, and publishing to awaken the world to her ideas. After World War I she was deported to Russia, where she soon discovered that anarchists were no better liked than in America, despite Lenin's first gesture of welcome. She escaped with her life, but never was allowed to return to the United States.
1970, 503 pag., Euro 14,05
Dover Publications, New York, ISBN 486225437
This page last updated on: 13-1-2015


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|IMDb rating
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|Vikas Bahl
Rajesh Bajaj (uncredited)
Vijay Maurya
Nitesh Tiwari
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2012 Film Festival Zlín
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Kishan Malhotra finds his life turned upside down, when he returns home one day to find that his place has been taken over by a look-alike imposter. When he attempts to assert his identity, no one including his very own mother, or even his dog, belie...
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Ensamble Gurrufío is one of the most interesting instrumental groups from Venezuela, formed in 1984 by virtuosos Cheo Hurtado (cuatro player), Cristóbal Soto (mandolinist) and Luis Julio Toro (flutist). David Peña (double bassist) completed the ensemble in 1989. They focused on the research, arrangement and reinterpretation of Venezuelan Folk music with a classical-educated approach, but allowing for improvisations as a fundamental element for their performances. Throughout the years the band has performed with many different artists from Venezuela and other countries. The music moods vary from melancholic and sentimental up to festive and cheerful pieces.
An additional member Juan Ernesto Laya (maracas) joined the ensemble since 1998, when Cristóbal Soto left the group. Ensamble Gurrufío has occasionally incorporated guest members, such as Jaime Martínez (oboe) and Moisés Torrealba (bandola).
Artist descriptions on Last.fm are editable by everyone. Feel free to contribute!
All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.


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As home prices in the Greater Toronto Area become higher, people who are looking to buy a home but find the majority of Toronto-area real estate outside of their price range may want to buy a fixer-upper, or a home that needs some work. According to the Ontario Real Estate Association, the costs involved with a fixer-upper home that needs extensive renovation work may still provide you with big savings compared to buying a more expensive home that doesn't need work.
"Everyone wants a house or condo that will be perfect the minute they move in so they only have to do the minimum amount of work to it," said the president of the Ontario Real Estate Association in a press release. "But with the price of houses continuing to rise, and some buyers desperately looking for a family home in a seller's market, it may not be an option for all buyers. Buying a property that needs work can be a way to save on the overall cost even when you factor in the cost of an extensive renovation."
However, home buyers should weight the pros and cons of fixing up a home, and make sure they know they'll be able to sell it for a decent price later to recoup their investment.
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This site is owned & operated by: Royal LePage Real Estate Services Ltd Johnston & Daniel Division,477 Mount Pleasant Road, Toronto, Ontario, M4S 2L9, 416.489.2121. The content is provided by a number of sources as referenced in the contribution list.


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Vodafone Healthline, if you have spent time to watch is a combination of various elements to make everyone learn, get inspired and motivated.
As I sat to watch an episode of this program, I realized that when people give money and see what their
money is being used for, they are motivated to give more and more to support that good cause.
Being a witness of how most adults complain of buying phone credits, I was amazed to find out that some of these adults voluntarily bought more credits just to send to the Vodafone Healthline short code to support them.
The program is a perfect initiative. It makes you know that people could help others smile in our community and make them the beautiful people they once were before the pain of sickness and discomfort crossed their path.
After I watched the episode on the young girl who had hurt her pelvis, I was immediately touched. I took my phone and sent a message. I just couldn't hide the inspiration, the joy and overall, the absolute professionalism these four young doctors exhibited on the screen.
Vodafone Chose Doctors We'd All Love
The four doctors we see almost every week come with some energy and calm. The absolute encouragement is that they exhibit the art of medicine through their words and calmness.
After introducing the problem, these doctors assure the viewers and patients of how complicated but solvable their conditions are.
They may not be doctors over fifty, but their 'young' minds send information to the thousands of doctors across the country. Sitting patients down, detailing them of their problems and giving them possible solutions would calm them down and bless their diseased bodies with a renewed hope.
Their in depth knowledge of what they talk about radiates the illuminations of the medical profession. They pick the topic or disease, tell you the risk, symptoms and cure in a period of thirty minutes, minus the adverts. Can't others do same? Not to say all doctors aren't that patient. I have met some beautiful ones, I always remember them and pray for them.
The show's segments are intelligently scheduled. My favourite part is the 'Sexual Health' segment, that's if I had it right. Then the part where the audience get to share their views by asking questions on topics that matter.
In all the program is highly educative and everyone loves this Vodafone has done, it's admired, it's welcomed and it's superb.
Checking up on beneficiaries is another thing the show brings. They give hope, they change lives and advise us on how we could make lives better.
My Thoughts
I watch this program on so many stations. Coupled with Kokui's sweet voice, let me commend greatly the producers of the show; You're the spelling of QUALITY in Ghanaian health.
And they asked us to call 255 too. Well done Vodafone, you've given Ghanaian citizens a big hug; We cherish this!
Photo credit: vibeghana.com


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Hey Reader,
Merry Christmas! Today's the last day of our book review and tips… day ten of ten. I like writing things like this, but I think I'm better at going into more relatable problems in writing.
Since I'm editing, this was sort of way to go back and check on all of our stories. By looking at things in successful books, we can see if we are doing something wrong. And remember, just because we might do something differently from all of those successful and famous authors doesn't mean it is wrong. It's just different. And that's good.
That's why we write. To make us happy. And most of the time it isn't fun if we are just copying others in order to make our stories better.


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Quirky Planner for 2011Posted: November 24, 2010 Filed under: Fun and Quirky Leave a comment
I'm fond of planners. In fact, if I could just find all of them, I could fill an entire level of a bookcase. But I really don't want to settle for anything ordinary. The quirkier they are the better. That's why when I found out Witty Will Save the World's planners, I know I've found what I've been looking for.
For 2011, I'm getting their Relaks, Puso Lang Yan, Malayo sa Bituka planner (yes, that's the exact title). It's intended for everyone, especially for the brokenhearted, hopeless romantic, man and woman haters, people who consider their relationships unstable, and guys and gals who are fond of sappy movies.
I don't want to talk much about it, though. I'll just let the pictures do the talking. But before that, if you wish to get the planner, visit their Facebook Fan Page. It will cost you 350 pesos, and that's already free shipping. For more comprehensive information on how to buy, visit this page.
Photos from Spot.ph


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Why is he still speaking at hospitals? - My Brain LLC
Yes…I get such a thrill speaking to doctors, nurses, administrators, and therapists…probably, because I have exceeded what they projected what I would get back. And I LIKE that. I LIKE being back infront of the people who really don't know … Continue reading →
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Last night me and my girlfriend were makingout and I thought she was ready to do more but she wasnt and slapped me in the face when I got curious hands. What should i do?
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text: Try not to laugh and cry along with this joyful teary wedding #Real Weddings: Western US#dallas#gay#LGBTQ#loft#succulents#texas September 17 | Catherine Clark bijouxandbits Photos by: K & S Photography With the number of emotional photos at this wedding (happy ceremony tears, family hugging tears, dance floor cheers, and belly laughs), I'm secretly hoping to catch you at work and make you sniffle at your desk. Muhaha! But don't worry, we're right there with you. Andy and Doug had their commitment ceremony in Dallas at a chic former utility space, Off The Grid. Although some rain kept them inside for the ceremony, photographers K & S Photography said that it made the super roar of the cheers even more overwhelming and awesome. Vendors: Wedding planner: Rachel Events K & S Photography Venue: Off The Grid Catering: Babe's Chicken Reporter Name * Reporter Email * Original text Enter the original text here. Edited text* Enter your suggested copyedit here. Notes You can add a note for the editor here. * Required information. Fix Typo Catherine Clark Catherine Clark is Offbeat Bride's Senior Editor. In her spare time she loiters at her local library, makes art, watches movies en masse, plays video and tabletop games, poorly cooks healthy things, cuddles with her feline fur baby, and blogs at BijouxandBits.com. @enidjcoleslaw @bijouxandbits @bijouxandbits PREVIOUS How do you get someone to stop addressing things to your non-existent married name? NEXT Dynamic Wedding Stationery has nerdy wedding invitations for gamers, techies, scientists, and more! Show/Hide comments [ 7 ] …the matching vests! *le sigh* Reply That looks like such an epic, love-fueled dance party. Lemme just hop in my TARDIS and come crash that… 4 agree Reply What an amazing, joyous wedding! I laughed out loud at my desk when I got to the dance floor shots. Reply This was truly a very special ceremony and was filled with more laughter and tears and fun than one can count. Thank you so much for featuring this wonderful ceremony!!!! 3 agree Reply As one of the grooms, I wanted to say thanks to everyone for sweet comments and the great feature! K&S Photography was amazing and captured everything! It goes by so fast that it is great to have these photos to help relive the night. It was a truly special day for us and our families and we thank everyone for their love and support. 3 agree Reply I love my son and son-in- law so much!! It was a beautiful ceremony and continues to make me proud of them, both!! I will always treasure the love and commitment felt, by their union!! We are blessed!! 3 agree Reply I LOVE the centerpieces!!! Congratulations!!! Reply Join the conversation Cancel Reply Your email address will not be published. Required fields are marked *Comment No-drama comment policy Part of what makes the Offbeat Empire different is our commitment to civil, constructive commenting. Make sure you're familiar with our no-drama comment policy. Biz owners & wedding bloggers Please just use your real name in your comment, not your business name or blog title. Our comments are not the place to pimp your website. If you want to promote your stuff on Offbeat Bride, join us as an advertiser instead.


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Today's goal is 8 miles. I am so excited. And I am dressed to run it outside. That might be a little crazy because of the current temperature.
But, regardless, I am ready to go. My garmin is charged. My ipod is currently charging. I am going to finish my coffee and hit the road. My only fear is that I'll get to the middle of nowhere and have to go to the bathroom. Yikes!
I had a few handfuls of cheerios to put some fuel in my belly for the run. I don't like to eat a lot before a run, but 8 miles is a good distance and I think I will need some fuel to accomplish it.
Wish me luck. I'll report back later to let you know how it went.


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Welcome to my astronomy blog. This is intended as a companion to my main astronomy website (http://www.fjastronomy.com) and will feature stuff that won't find its way onto that site as well as observing session accounts, sketches, travels and anything else related to deep sky astronomy. I currently use a 12" dob as my main scope but I will soon be getting an 18".
Monday, 14 June 2010
Where's summer gone?
It's mid June. We know this because it says so on the calendar, there are baby birds everywhere, there's too much daylight, the Isle of Wight Festival has just happened - and it is cloudy, wet and chilly. I have tried - and failed - to get out to see comet C/2009 R1 McNaught, every time I have planned to observe it, clouds have interfered. Hopefully, the weather will improve soon; the weather forecast is looking a bit better from tomorrow.
Posted by Faith J at Monday, June 14, 2010
Labels: Weather
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Solid Oxide Fuel Cells (SOFC), also called "high-temperature" fuel cells, operate at temperatures from 600°C to 1000°C (1100°F – 1800°F). A diagram of the SOFC and its principle of operation are shown in Figure 1. The key to the operation is a thin, dense layer of Y-doped zirconia (YSZ), which separates the air-side from the fuel-side of the cell, and performs as the electrolyte. At high temperature, oxygen ions (O-2) can hop through the zircconia membrane, by this mechanism oxygen is transported from the air side of the fuel cell, through the YSZ electrolyte, to the fuel side where it reacts with H2 to make H2O. Because SOFCs operate at high temperature they can also use hydrocarbon based fuels; such as Jet fuel (JP-8), diesel and natural gas; which are converted to CO and then react with oxygen to form CO2. A X-section of a state-of-the-art (SOA) fuel cell, called anode supported, is also shown in Figure 1. The anode side of the cell is thick, on the order of 700 – 1000 microns (1.0 mm), in order to support the thin YSZ electrolyte which is only 10 microns. NASA applications for SOFCs include; Auxiliary Power Units (APUs) for commercial airlines, power sources for high altitude UAVs including reversible fuel cells (RFC) for water electrolysis; and CO2 electrolysis for Mars missions.
Figure 1. Principle of SOFC Operation (High temperature - 600-1000°C
A recent Boeing study sponsored by NASA-GRC, determined that a commercial aircraft APU requires a specific power density of 1.0 kW/kg. NASA-GRC has developed a novel cell design and a novel ceramic fabrication technique that has a predicted specific power density to meet the 1.0 kW/kg target. In a state-of-the-art (SOA) fuel cell, called anode supported, the anode side of the cell is thick, on the order of 700 – 1000 microns (1.0 mm), in order to support the thin YSZ electrolyte which is only 10 microns. The cell is then connected to a metal interconnect, which has gas channels for both air and H2, which is about 3,000 microns or 3.0 mm thick. The GRC design, called a BSC for "bi-electrode supported cell", uses a thin ceramic interconnect rather than a metal interconnect; the "all ceramic" fabrication makes it ideally suited to operate at high temperatures, in the 800 to 900°C range, which allows the BSC to take advantage of the higher power density and efficiency.
In fabrication of the BSC, NASA adapted a technique called freeze-tape casting that has been tailored specifically for SOFC materials, which creates a graded pore structure, used for the electrolyte support and the electrode gas channels. Symmetrical cells are fabricated by taking two green parts cut from the green freeze-cast tape, depositing a thin electrolyte layer between the tapes, and laminating them together with the small pores facing each other, forming the YSZ tri-layer as shown in Figure 2. The natural channels created by the freeze casting form the gas channels seen in Figures 3 and 4. The fuel electrode materials are then infiltrated into the channels and heat treated, followed by infiltration of the oxygen electrode materials and heat treatment. The stack is fabricated by coating the top and bottom of the "green" or unfired tri-layer cell, with a thin layer of LaCaCrO
(LCC) electronic conductor, producing a repeat unit, followed by applying the thin YSZ edge seals shown in grey in Figure 3. Multiple repeat units can be laminated in the green state and "fired" to produce a "unitized" BSC Stack. Figure 4 shows a cross section of three repeat units.
Figure 2. BSC cell fabrication by applying a thin electrolyte layer between the freeze-cast electrode tapes, with the smallest pores back to back, and laminating them together.
Figure 3. (right) BSC Stack: Blue layers are the electronically conductive LaCrO3 interconnect, the black layers are the YSZ electrolyte, the gray areas at the edges are the hermetic YSZ edge seals. The stack is assembled then sintered in the furnace.
Figure 4. Single Repeat Unit shown at left with the YSZ scaffold supports and gas channels, and the LCC layer at the top and bottom of the slide; Multiple (3) Repeat unit shown on the right, the electronically conductive LaCrO3 interconnect layers are black.
The BSC technology has been rigorously tested in both fuel cell mode, for power production, and in electrolysis mode, for the production of H
from steam. At present single cell and 3-cell stack development is in progress.
Special Processing and Equipment
Joining of the tape casting process and freeze casting process has resulted in a new freeze-tape casting process that has been developed as a direct means of forming and controlling complex pore structures in large area green tapes through commercially viable routes. The freeze-tape casting process not only allows engineering of pore structures through the cross section, but also allows for long range alignment of acicular pores from the surface that is not readily seen in freeze casting through the use of small dies. A standard tape caster is utilized that has been modified with a thermally isolated freezing bed to allow for uni-directional solidification of the tape after casting. As with traditional tape cast, the slip contains a significant quantity of organic binders that make the tape strong and flexible after solvent evaporation for handling and cutting. The freezing of the tape, typically solidified in several minutes, eliminates particles settling out of the suspension as opposed to the traditional process of allowing the solvent to slowly evaporate, which can ultimately result in compositional and physical changes in the uniformity of the product. Immediately following the casting process, "green" tapes are place in a freeze-dryer, where the ice crystals, which have formed the gas channels, are carefully removed.
The relationships between solids loading, freezing rates, and density have been examined as part of the development of the NASA GRC fuel cell design. The freeze-tape casting process, aside from minor variables, is a materials independent process allowing the fabrication of many ceramic materials, nano-powder ceramics, and tape thicknesses exceeding the outer bounds of traditional tape casting. The freeze-casting lab and the freeze drying equipment are shown below.
Capability Established at GRC for Fabricating SOFC Cells: (top left) Freeze-Tape caster, (top center) Screen printing unit for depositing thin electrolyte and interconnect layers, (top right) Variety of sintering/heat treatment furnaces with and without controlled environments, (lower left and right) Cell performance measurement
T.L. Cable, J.A. Setlock, S.C. Farmer and A.E. Eckel; "Regenerative Performance of the NASA Symmetrical Solid Oxide Fuel Cell Design", International Journal of Applied Ceramic Technology, 2009
T.L. Cable, S.A. Sofie, "A Symmetrical, Planar SOFC Design for NASA's High Specific Power Density Requirements", Journal of Power Sources, 174 (2007) 221
S.C. Farmer, T.L. Cable, J.A. Setlock, 'Water Electrolysis and Regenerative Tests Conducted on NASA Glenn Solid Oxide Fuel Cell Demonstrated High Efficiency', NASA/TM-2007-214479,
2006 Research and Technology Report
S.C. Farmer, T.L. Cable, J.A. Setlock, "Proof of Concept (Design, Fabrication and Testing) of a Novel High-Power-Density Solid Oxide Fuel Cell Established", NASA/TM-2006-214016,
2005 Research and Technology Report
S.C. Farmer, S.W. Sofie, T.L. Cable, S.M. Salamone, 'Process Developed for Fabricating Engineered Pore Structures for High-Fuel-Utilization Solid Oxide Fuel Cells", NASA/TM-2005-213419,
2004 Research and Technology Report
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Last Updated: February 2, 2010


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Saturday was gravel moving day on the Eagle Scout project. We'd planned a morning of moving the gravel from the area of the playground that we are installing the new equipment to the other side in hopes of creating a level surface area. Our hope is that we can now assess how much dirt we need to move into place and where to plan for the digging of the holes for the structures.
Let's just say that when both my husband and I woke up at 4 in the morning to the sound of pouring rain and thunder, we were less than optimistic that the day was going to go off as planned. When it was still raining at 8 a.m, we started coming up with plan B. Thankfully, Boy Scouts have the motto of "be prepared" because most of C's fellow scouts were prepared to move the project back an hour and work in messy conditions.
A great group of boys and dads came up to help with the project and they made steady progress of getting the area cleared and wheelbarrow after wheelbarrow moved across the playground filled with gravel. Let's just say I'm thinking there were some sore backs and muscles the next day. Playground gravel is not light, and add a few inches of water to the ground and it's down right heavy!!
While Miss M and I thought we were just on snack duty, we even got our hands dirty and moved some gravel too. Sweat equity. Of course our snacks of Chocolate Chip Cookie Bars and Pretzels seemed like a great idea when the event was scheduled for 8 to 11, but as the lunch hour approached we soon realized that hungry boys don't work as hard. Little Caesars to the rescue with their Hot and Now Pizzas. We got at least another hour off those full stomachs and the project is now ready for the next step; the digging of the holes and installation of the playground equipment.
I think the fact that by Saturday night we were all tired and ready for rest is evidence of the hard work we put into the project.


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A 'banya', in the most traditional sense, is the Russian equivalent of a hammam or sauna. Popular in both winter and summer, the banya is an age-old tradition used to cleanse the pores, lose weight and to just get away from it all. Aside from the promise of extreme heat and chit-chat, it's common to take a collection of leaves and twigs along to whip oneself to stimulate circulation. Popular throughout the former Soviet Union and the typical complement to any summer house, Bishkek is no different with its assortment of communal banyas serving the city's population.
Given the implicit Western connotations of a bathhouse in which naked grown men whip each other, I was fairly apprehensive about making a first visit. Nonetheless, with lengthy encouragement by my Russian teachers who insisted that it is a 'must do' in the Former-Soviet Union, off I went after a gym workout for a bathe.
The cost of entry was a princely 300 som (~$6), and I was afforded no shortage of Soviet hospitality at the cashier as I danced about to try and get the attendant's attention. After finally being able to pay the young woman, I wandered around the lobby until I found the entry to the Men's section. Inside I was given a sarong-like towel by a female attendant, and a locker key. Wrapped in my Polynesian-inspired loincloth I headed on into the main room, which was lined with showers on one side, small benches in the middle and the entrance to the cozy sauna. After a brief, extremely self-conscious shower, I took to the steam room wrapped in my modesty sarong.
The steam room proved to be hotter than anything I'd ever experienced and at several points I thought I might faint due to the heat. With a Soviet industrial furnace heating the oven-room, it made the outside temperature of 36 degrees seem tepid. Inside, Kyrgyz men took it in turns to whip each other with fans of oak leaves although I politely declined given my increasing fear of evaporating. Eventually one of the compatriots took it upon himself to stand on the bench and swing his towel around his head, like some sort of middle-aged Kyrgyz Ricky Martin, to force the hot air down. Despite the audible gasps for air and cries as the oven got hotter, there was definitely a sense of communal struggle to endure the intense heat which was endearing.
After several trips into the oven like an unfortunate Hansel or Gretel, with intermittent douses of icy water, I came to recognize on the wall what has become one of my favorite words in Russian, бассейн. Inside the next room was a large swimming pool filled with near-freezing water – or so it seemed after so much time in the steam room. Easily the best quality of the pool was that it was filled with fresh water, completely free of chlorine. Although it's probably unhygienic, there's nothing worse than getting into a sauna when you're covered in chlorine.
And thus the first steam room/swimming pool visit was by and large a success. I'm not sure if I'm going to forgo the modesty sarong, especially as I received quite a few stares as the only foreigner in the building, although that's another question for another time.


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Don Mackey Bmw in Tucson, AZ
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The following is provided current addresses and telephone numbers of all branches car dealer Don Mackey Bmw, and using the card, you can easily locate it visually. Also on the page provides information on dealer Don Mackey Bmw in other cities in the Arizona.
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NOTE: This article pertains to ShippingEasy's QuickBooks integration software and is useful if you installed ShippingEasy's QuickBooks software before July 26, 2017.
Starting July 26, 2017, new QuickBooks integrations with ShippingEasy will be provided by our partner Webgility via their Unify software. To integrate QuickBooks with your ShippingEasy account, please provide your information to Webgility here and they'll call you directly.
Some customers who use our Quickbooks integration already have their products defined in Quickbooks, so they do not want ShippingEasy to auto-create these products.
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If your Items on QuickBooks always match your Items in your store, you may not need us to append on the Transaction, but it's helpful to reduce the amount of work needed to keep them in sync.


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The Pediatric Surgical program is special for our pediatric patients. Recognized as the leader in community health in South Jersey, the nurses and doctors at will do their best to make your child visits to the center as pleasant as possible.
As a parent you have a very important role to play in your child's care. Children have natural fears of the unknown, and preparing your child for the operation upcoming events will help relive these anxieties and will greatly improve your child's experience. Learning about your child's anesthetic experience beforehand (by discussing with the anesthesiologist and nursing personnel) and honesty are the best ways to explain to your child what to expect.
Colonoscopy is a procedure used to see inside the colon and rectum. Colonoscopy can detect inflamed tissue, ulcers, and abnormal growths. The procedure is used to look for early signs of unexplained changes in bowel habits, abdominal pain, bleeding from the anus, and weight loss.
CLICK HERE for Colonoscopy Information & Forms
Upper GI Endoscopy
Upper GI endoscopy is a procedure that uses a lighted, flexible endoscope to see inside the upper GI tract. The upper GI tract includes the esophagus, stomach, and duodenum the first part of the small intestine. Upper GI endoscopy can be used to remove stuck objects, including food, and to treat conditions such as bleeding ulcers. It can also be used to biopsy tissue in the upper GI tract. During a biopsy, a small piece of tissue is removed for later examination with a microscope.
CLICK HERE for Upper GI Endoscopy Information & Forms
Hydrogen Breath Test
Hydrogen breath tests are non-invasive procedures used to diagnose lactose, fructose, and sucrose intolerance. Small bowel bacterial overgrowth can also be diagnosed using this test. The child will have to breath into a small tube before and after being challenged with the required sugar.
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Estonian Music Days
Tallinn, Estonia
12 - 19 April 2018
Organised already for forty years, the Estonian Music Days focuses both on the new works and golden classics of Estonian composers performed by the top musicians from Estonia and abroad. The concert programme includes chamber music and large- scale works, music of different styles and genres reaching the expectations of ever-growing proficient audiences.
The artistic directors of the festival are: Helena Tulve and Timo Steiner.
Lineup 2018
We don't know the artists yet.
Related festivals
Weekend Festival Baltic
16 - 18 August 2018
Pärnu, Estonia
29 - 30 June, 1 July 2018
Otepää, Estonia


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