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Lake View is a online secret things game by Games2Rule. It's the time to use your observing skills to discover the hidden items in the lake view. Find the hidden objects in short duration to get high score. Avoid clicking wrongly, as otherwise you will lose 20 seconds in given time duration. Good luck and have fun.
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Browse by Medical Category
Tuesday, July 16, 2013
Mass General again ranks highly among America's top hospitals
Massachusetts General Hospital is again ranked among the top hospitals in the nation inU.S. News & World Report's Best Hospitals 2013-2014. Of the nearly 5,000 hospitals evaluated, Mass General has consistently placed among the top hospitals on the Honor Roll since the survey began in 1990. This year, Mass General is ranked #1 in New England and #2 in the United States.
Mass General receives the honor of having eight specialties ranked among the Top 5 in the nation, including: Gastroenterology (GI), Nephrology, Pulmonology, Diabetes and Endocrinology, Neurology, Ophthalmology, Orthopedics and Psychiatry. Another seven specialties, including Cancer, Cardiology, ENT (Ear, Nose and Throat), Geriatrics, Gynecology, Rehabilitation and Rheumatology are ranked among the Top 10.
The oldest and largest hospital in New England, Mass General also conducts the largest hospital-based research program in the U.S., and this year was redesignated a Magnet hospital, the highest honor for nursing excellence awarded by the American Nurses Credentialing Center.
Mass General's ranking in all 16 specialty areas on the U.S. News survey:
Cancer –6
Cardiology & Heart Surgery – 7
Diabetes & Endocrinology – 3
Ear, Nose & Throat (with Massachusetts Eye and Ear Infirmary) – 7
Gastroenterology – 4
Geriatrics – 6
Gynecology – 7
Nephrology – 5
Neurology & Neurosurgery – 4
Ophthalmology (with Massachusetts Eye and Ear Infirmary) – 4
Orthopedics – 4
Psychiatry – 3
Pulmonology – 5
Rehabilitation (with Spaulding Rehabilitation Hospital) – 6
Rheumatology – 6
Urology – 12
A detailed list of the rankings, including the methodology used by U.S. News & World Report, is available at www.usnews.com/besthospitals.
About the Massachusetts General Hospital
Founded in 1811, Massachusetts General Hospital (www.massgeneral.org) is the original and largest teaching hospital of Harvard Medical School. The 950-bed medical center each year admits approximately 48,000 inpatients; handles nearly 1.5 million visits in its extensive outpatient programs at the main campus, four health centers and satellite facilities; and records more than 90,000 visits to its Emergency Department. The surgical staff perform more than 38,000 operations annually, and the MGH Vincent Obstetrics Service delivers more than 3,600 babies a year. MGH conducts the largest hospital-based research program in the United States, with an annual research budget of more than $750 million. The largest nongovernment employer in Boston, the MGH has more than 23,000 employees, including more than 3,700 registered nurses. In 1994, MGH and Brigham and Women's Hospital – also one of the top 10 hospitals on the U.S. News Honor Roll – affiliated to form Partners HealthCare, an integrated health care delivery system.
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subset: commoncrawl


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I have been reading this site the past few weeks and have been absolutely baffled at the level of criticism and hatred thrown Russell Wilson's way for what has been nothing but expected rookie qb play. I realize Seahawks fans are excited over our awesome defense and desperately want to win NOW. But I've read a lot of Russell Wilson hate on this site that I really do not understand. If one were to only read this site or listen to sports radio and not watch the games, you would think we were watching one of the worst rookie qb's of all time. That Ryan Leaf was reincarnated in the body of a midget.
Russell Wilson is a rookie qb starting from week one. Here is a quick and simple recap of all qb's who have done the same over the past 20 years and started their team's first five games.
http://seattletimes.com/html/seahawksbl ... _comp.html
If you analyze these #'s closely, you'll note the crazy similarities between Wilson's #'s (pass attempts and yardage, especially) to that of Matt Ryan and Joe Flacco's. And guess what differentiates Ryan & Flacco from the rest of the qb's on the list? They played on playoff caliber teams with really good defenses that were able to carry their teams and allow their team to play conservative on offense. Sound familiar? But then again, hey, Wilson could be putting up passing #'s like Cam Newton, Sam Bradford, and Matt Stafford, whose teams sucked, were usually losing, and led to them thowing the ball an extra 75 times compared to Ryan, Flacco & their playoff teams. Yeah, Wilson could be doing that, right? Then he would be putting up the #'s fans are demanding, yes?
I have read more than a few on this site talk of Wilson as if he has zero future and as if his play right now is 100% indicative of his ultimate future potential. Really? If so, was this the case for Peyton Manning, Drew Bledsoe, Matthew Stafford, Matt Ryan, & Joe Flacco? Did those guys never grow beyond their first 5 start #'s?
One interesting thing to note is Wilson has the 6th best qb rating of the entire 20 year list (also interesting is that 2 of the 5 better ratings belong to Luck and RG3). Not to mention Wilson is tied for the most wins of anyone. Most here can agree that at least a couple of Wilson's int's this year were mostly on his receivers (McCoy, Baldwin, Lynch). Do away with just one or two of those, and his qb rating goes up drastically. Not to mention if Braylon Edwards catches a game winning TD in AZ. Yes, those things didn't happen. But even so, Wilson measures up fairly with just about every qb that has been in the same circmstances over the past two decades.
And yet Seahawks fans demand more! Really? Would Atlanta, Baltimore, or Detroit be better off today had they benched their rookie qb's in favor of possibly more ready at the time, safer, but ultimately lower ceiling qbs? Would they be better off today in 2012 had they back in 2008 and 2009 felt it was all or nothing for their franchises and had to do whatever possible to win then, future be damned? I'm sure their fans wanted desperately to win right away. But I'll also venture to guess they as they are now, look back and are more than glad they took the route they did.
The "only" differences I can see between Matt Ryan/Joe Flacco and Russell Wilson through 5 games is perception. Not play, stats, or winning by any means. They are all basically the exact same. Rookie qb's, whose teams asked very little of them, in effort to let their superior defense lead the way. No, the only difference I see is Ryan and Flacco were highly praised 1st rounders, and Ryan and Flacco were of prototypical height. Russell Wilson is neither. Yet he to this point is matching his taller, higher drafted counterparts to the letter. But fans thought more of Ryan and Flacco. Because they were 1st round draft picks with high expectations and didn't have every expert in the land saying they are physically incapable of every being anything more than they had shown in their first 5 games in the NFL.
So that's it. The only difference between Russell Wilson's first five games and those of Matt Ryan and Joe Flacco is the people who continue to doubt and degrade this no good, 3rd round, midget who will never be any better than Mel Kiper or Hugh Millen say he will be. And this includes a good portion of Seahawks fans.
It's a polarizing debate to say the least. But when you really study the #'s, it starts to paint a much more accurate picture as to how people are seeing what they want to see. Because I can say say with 1000% certainty, that if Russell Wilson had played these exact 5 games, but was 6'4" and drafted in the first round, that most Seahawks fans would be comparing his numbers to all the other rookie starters with great pride and esteem, and confidently proclaiming that he was only to get better.
You're an interesting pyschological study, Seahawks fans. At the very least, I can say that. Thanks for the case study.


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|Les voiliers PDF or ePub books
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text: As the home for independent and minor league sports, OurSports Central's message boards are the perfect place to discuss your favorite teams and leagues with other fans, players and team and league administrators. Our boards cover all the leagues represented on OSC including independent and minor league baseball, indoor and Arena football, outdoor and indoor lacrosse, mens and womens basketball, junior and minor league hockey, outdoor and indoor soccer and more. Before posting for the first time, please consult our FAQ. Contact us with any questions.


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Optometrist – Lease
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- Career Area Optical
- Job Function Optical
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e2 - Eye on Earth
e2 - Eye on Earth, a service of World Watch Magazine in partnership with the Blue Moon Fund, provides our community with a unique perspective on current events, newly released studies, and important global trends. This update service offers context to critical world events that are seemingly disparate yet often closely related, highlighting the connections between human consumption and the natural world, while telling the stories of individuals and organizations that are supporting new approaches to resource use, energy use and urban development. Eye on Earth presents the news of today with an eye towards tomorrow, illustrating how current events will shape our own future and that of generations to come.


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With more than seven million people squeezed in to around 1,100sq km of land space—and property prices regularly ranking among the highest in the world—Hong Kong realizes it needs to get inventive if the city wants to attract more big IT business. The answer: cavernous underground data centers that remain naturally cool.
Plans are already in motion to start digging deep according to Cordells property law firm partner Hilary Cordells, reports The Register.
"Rock cavern development can be done, and datacentre use is a particularly good one," she said at the Datacentre Space Asia Conference this week. "It's on the government's radar screen and it's taking active steps but it's not easy and some sites will be more suitable than others."
According to a feasibility study by the special administrative region's (SAR) Civil Engineering and Development Department and engineering firm Arup, two-thirds of the land space in the region have a "high to medium suitability" for cave-digging. Five regions more than 20 hectares (over 49 acres) large have been homed in on as ideal starting points. Arup's report went on to say 400 government facilities have already been identified as possessing the "potential for rock cavern development," so it might not just be data centers taking the journey down under. In fact, the report suggests a whole raft of potential other uses, including cave research labs, rail maintenance depots, or even crematoriums. For scientific research or secret government projects, cave bases make sense given their indiscreet and secure nature. (Just ask Bruce Wayne.)
The report does acknowledge the environmental disruption such a drastic measure would cause but argues that it's been done sensitively before, citing Tai Lam Country Park where a train tunnel runs underneath (the local ecology was saved, with trees replanted etc). It also refers to successful, mainly leisure-based, international projects including Norway's incredible Gjøvik Mountain Hall. (That sounds a lot like a dwarf kingdom but is in fact a sports and music venue accommodating 5,500 people.)
Hong Kong is well known for its banking sector, but the city has been attracting more and more IT business in recent years. Clearly, it wants a chunk of the market share in the region. This year Hong Kong is hosting the first International IT Fest, which is being used as a forum for IT businesses to see Hong Kong's skills, infrastructure, and handy vicinity to mainland China. "We have a very good legal and banking system, good IP protection, free flow of information and few natural disasters—this is the competitive advantage Hong Kong can offer," the government's chief information office Daniel Lai told The Register last year about announcing financial incentives for IT companies converting disused factories into datacentres.
However, with land and property prices being among the highest in the world, Hong Kong is not exactly the obvious choice for moving a data-heavy business—hence the underground burrowing. As such, the government is not expected to be in involved with repurposing the land. According to the Arup report, the government's "hands off" approach to business means the weight of responsibility lies with the private sector. "To generate interest and involvement from the private sector, incentives would be required to make the developments attractive," reads the report, "the incentives could comprise preferential land premiums, enhanced development potential or tax incentives."
This story originally appeared on Wired UK.


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Alumni Pool
The building is a two-story, steel-frame, flat-roof structure. Clad in yellow brick on three sides, its most striking feature is the wall of glass on the south elevation. Two small blocks are stepped away from the building's main volume at the northwest corner. A block containing coaching offices and a smaller entrance lobby distort the otherwise rectangular form of the structure. Inside, the building consists of a 125 feet-long room, containing the main, six-lane, 42-by-74 feet pool and a secondary, 20-by-40 feet practice pool. There is a gallery with seating for approximately 340. As originally planned, shower and locker rooms for men are located on the first floor, with women's changing rooms and showers on the second.
Steel-frame construction, clad in brick and glass.
Although the original context has been significantly altered by later buildings, Alumni Pool was intended as the centerpiece of a "back" court on the MIT campus, and envisioned by the architects to be a nucleus of a much-larger athlectic complex. The placement of the main pool volume is such that the south elevation's large wall of glass was orignally a natural-light source for the pool, and the adjacent walled garden served as an outdoor sunbathing location in the summer months. As part of the construction of the Stata Center, designed by Frank Gehry, and scheduled for completion in 2003, required the demolition of later (1943, and 1955) additions to the pool.
The building was designed to best meet the functional needs of the swimming pool, offices, and bleachers, and therefore adhers to the modern-movement tenet of form following fuction.
Intended to serve the athletic needs of the MIT campus, and planned as part of a larger program to improve athletic facilites at MIT. "Second unit in the Institute's program for better facilities for building the man as well as the mind, the new structure is the fist unit of the great recreational center planned for the future."
Along with the adjcent Briggs Field House, also designed by Anderson and Beckwith and completed in 1939, Alumni Pool is recognized as one of the first buildings on a college campus built in the modern style. The pool's two-dimensional grid pattern of the glass-and-steel frame is an early example of what will later become a hallmark of Anderson and Beckwith's so-called I-Style Modernism, as defined by Henry-Russell Hitchcock and Philip Johnson.
The building represents a collaboration between several alumni of MIT. Both Anderson and Beckwith, the architects, graduated from the Institute's School of Architecture in 1930 and 1926, respectively, and served on the School's faculty. In 1937, Anderson and Beckwith formed a firm with William E. Haible, although neither Haible nor the firm is credited with any involvement with Alumni Pool. In 1965 Anderson was appointed dean of the School of Architecture and held that position until 1972. Several of the building's engineers and consultants were also MIT alumni and faculty: James Holt, 1919, associate professor of Mechanical Engineering; Walter C. Voss, 1932, Head of the (then) newly formed Department of Building Engineering and Construction; Donald W. Taylor, 1934, Assistant Professor of Soil Mechanics; Kenneth C. Reynolds, 1925, Associate Professor of Hydraulics; Thomas R. Camp, 1925, Associate Professor of Sanitary Engineering; and Parry Moon, 1927, Associate Professor of Electrical Engineering.
At the time of the structure's completion in 1940, Alumni Pool was judged as "second to none in ability to serve the purpose for which it was designed." The materials selected for construction represented the most economical and efficient products available. Such features included tempered glass, special acousic materials, and double glazing, and radiant heating in the pool-deck tiles.
Orginal plans for the building remain in the archives of the MIT Facilities Department. The MIT Museum has the records of the Alumni Pool and its architects.
Kimball, Francis H. "Sports Buildings." ARCHITECTURAL RECORD 89 (February 1941): 68-71.
Cambridge (MA) Historical Commission. "Alumni Pool." File available at the Cambridge Historical Commission, 831 Massachusetts Avenue, Cambridge, MA 02139-3068. Referenced 16 May 2003.
Burks, Sarah. "Memorandum to the Cambridge Historical Commission: D-757: 6 rear Vassar Street (Building 57, Additions Only)." Cambridge, MA, Cambridge Historical Commission, 1999. Photocopied


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Crockpot Vegetarian Black Bean and Tomatillo Soup with Lime and Cilantro
|My Dad loved this Vegetarian Black Bean and Tomatillo Soup!
This is a recipe that I came up with in late August, in anticipation of the possibility that having braces might seriously change my eating habits. Although it's true braces have made some of my favorite foods seem like more trouble than they're worth, this soup is worth making even if you don't have a newly-developed fondness for soft foods. The starring ingredient here, and one that makes this a good candidate for Weekend Herb Blogging, is the tomatillos, which my garden is still producing like crazy.
Tomatillos are a member of the nightshade family, along with tomatoes and eggplant. Also called "tomato verde," they're an ingredient in many Southwestern or Mexican dishes. And since the host for this Week's Edition of Weekend Herb Blogging is Susan from The Well Seasoned Cook, and since she has a long-running legume love affair, it seems fitting that there are also black beans in the soup. Here is the new Weekend Herb Blogging index page with all the information you need to participate if you've been cooking with some type of herb or unusual plant ingredient this week.
You could probably skip this step, but before I put them in the crockpot, I sauteed the tomatillos in olive oil with some minced garlic.
Crockpot Recipe for Vegetarian Black Bean and Tomatillo Soup with Lime and Cilantro
(Makes about 6 servings, recipe created by Kalyn)
1 T olive oil
1 onion, finely chopped
8 tomatillos, chopped in 1/4 inch pieces (about 2 cups chopped tomatillo)
1 T finely minced garlic
1 T dried cilantro (optional, but recommended, available from Penzeys)
2 tsp. dried Mexican Oregano
2 tsp. ground cumin
2 cans (15 oz.) black beans, rinsed well
2 cans (14.5 oz.) diced tomatoes with juice
4 cups vegetable broth
1 cup water
1/2 cup uncooked brown rice
1/2 cup fresh squeezed lime juice (or a bit less if you don't love lime like I do)
1 cup chopped fresh cilantro, plus more for garnish if desired
Put tomatillo-onion mixture into large 4-5 quart crockpot. (I used a 5 1/2 quart crock pot, but it was not completely full.) Add beans, tomatoes with juice, chicken stock, water, and brown rice. Cook on high for 4 hours (This could also be cooked on low for 8 hours.) Slow cookers can vary, so check and adjust the cooking time accordng to how hot your crockpot gets.)
After 4 hours (or 8 hours if using low) turn the crockpot to low setting, and let it cook 15 minutes to lower the temperature, then add the fresh lime juice and cilantro and cook 10 minutes on low. Serve hot, with additional chopped cilantro for garnish if desired.
This recipe could be cooked on the stove. Follow directions above, but put ingredients into medium sized soup pot and add one cup more water. Cook at very low simmer for about one hour, then reduce heat for five minutes, then add lime juice and cilantro and simmer five minutes more.
Serve hot, with additional chopped cilantro if desired.
South Beach Suggestions:
With low-glycemic black beans and lots of vegetables, this soup is a perfect dish for Phase 2 or 3 of the South Beach Diet, or any type of low-glycemic eating plan.
More Recipes with Tomatillos:
(Recipes from other blogs may not always be South Beach Diet friendly; check ingredients.)
Tomatillo and Black Bean Salsa
Chicken and Tomatillo Soup
Nick's Chipotle Grilled Shrimp with Black Bean Salsa
Tomatillo Salsa Verde from Simply Recipes
Roasted Green Tomatillo Salsa from Andrea's Recipes
Rick Bayless' Purslane, Tomato and Tomatillo Soup from Kitchenography
Tomatillo Salsa for Hot Water Bath Canning from Tigers and Strawberries
Chickpea and Tomatillo Soup from Cookworm
Pork and Tomatillo Stew from Daily Bread Journal
Simmered Tomatillo-Serrano Chile Sauce from Cafe Johnsonia
Want even more recipes?
I find these recipes from other blogs using Food Blog Search.


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Beyond Buildings
At The Neenan Company, we create innovative buildings. But first, we tear down walls. We specialize in developing spaces that work for people, and we start by removing the barriers that obstruct your view and block your path to progress. With Archistruction®, We don't design for you, but with you. People-centric planning. Vision versus division. Constructing community through collaboration. This is the foundation upon which, together, we build a legacy, not just a landmark. Working with Neenan means partnering with the best minds in the industry to create facilities that facilitate: everything from improved student test scores to reduced energy consumption to faster patient recovery rates . We get to the heart of what matters most to you – creating a place where good people can be better.


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New Urban Farms is your best source for wholesale nuts, dried fruits, snack mixes and candy online. In business for more than 40 years we are a well established business trusted to provide premium products and top of the line customer service. Family owned and operated, our business is proud to have two "nutty" generations working side by side to continue to bring you the freshest and best snacks around.
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1.004;PS 001.004;hotconv 1.0.88;makeotf.lib2.5.64775Company
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Copyright 2015 by Reto Moser. All rights reserved.Regular Reto Moser138.39 KB
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1.003;PS 001.003;hotconv 1.0.88;makeotf.lib2.5.64775Company
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Lapis W03 Bold Italic
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NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of International Typeface Corporation (ITC) and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from ITC or together with software distributed by one of the licencees of ITC.This software is a valuable asset of ITC. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact ITC for a copy of the license agreement.General information:www.itcfonts.comFor license terms and usage rights, please visit our web site at:www.itcfonts.com/license
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Foro-MediumItalic is a trademark of Dieter Hofrichter.Copyright
Copyright (c) 2012 by Dieter Hofrichter. All rights reserved.License
Hoftype Standard LicenseBy buying this font you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Hoftype, constitutes the complete agreement between you and Hoftype.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact firstname.lastname@example.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Hoftype' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to the foundry owning the font. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of the foundrys intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Hoftype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesHoftype may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyHoftype warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Hoftype' entire liability and your exclusive remedy as to a defective product shall be, at Hoftype' option, either return of purchase price or replacement of any such product that is returned to Hoftype with a copy of the invoice. Hoftype shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. Hoftype DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Hoftype does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.Hoftype SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF Hoftype HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of Germany.
Mythica W01 Medium
Keith BatesTrademark
Mythica is a trademark of the K-Type FoundryCopyright
2012 K-Type Mythica is a Roman typeface with small pointed serifs based on twentieth century monument inscriptions.Description
Mythica is a Roman typeface with small pointed serifs based on twentieth century monument inscriptions.
Ray Cruz. Published by GarageFonts USA. - -Copyright
Copyright (c) 1999, Ray Cruz. Published by GarageFonts USA. 301-879-6955.License
---------------------GARAGEFONTS---------------------Phil's Fonts/GarageFonts End User License AgreementSoftware means the computer program contained in this package (which may include digitally encoded, machine readable, scalable outline font data as encoded in special format), together with all codes, techniques, software tools, formats, designs, concepts, methods and ideas associated with the computer program and all documentation related thereto.Phil's Fonts, Inc./GarageFonts (Phil's), hereby grants you, and you agree to accept a non-exclusive, non-transferable, limited license (the License) to use the Software solely for your own customary business or personal purposes. Under the terms of this License Agreement, you have the right to use the software on up to five (5) CPUs.If you need to have access to the Software on more than five (5) CPUs, you must pay Phil's the applicable fees for typefaces used in a multi-system environment. You acknowledge that licensing fees for the Macintosh and PC formats are separate and individual fees.Fonts can be embedded in files such as Adobe Acrobat PDF files for viewing and printing purposes only.No rights are granted to you other than a License to use the Software on the terms expressly set forth in this Agreement.You agree to maintain the Software and other proprietary information in strict confidence and to establish reasonable procedures regulating access to and use of the Software.You will not make or have made, or permit to have made any copies of the Software or portions thereof, except as necessary provided, however, that you may make one copy for back-up purposes for its use with the authorized number of systems hereunder. You agree that any such copies shall contain the same proprietary notices which appear in the Software.Except as stated above, this Agreement does not grant you any right to patents, copyrights, trade secrets, trade names, trademarks (whether registered or unregistered), or any other rights, franchises or licenses in respect of the Software.You agree that you will not modify, alter, disassemble, decrypt, reverse engineer or decompile the Software.This License shall continue until the last use of the Software, unless sooner terminated. This License may be terminated by Phil's if you fail to comply with the terms of this License and such failure is not remedied within thirty (30) days after notice from Phil's. When this License expires or is terminated, you shall either return to Phil's or destroy all copies of the Software as requested.You agree that you will not export or re-export the Software in any form without the appropriate United States and foreign government licenses.The parties agree that all warranties, express or implied, including warranties of fitness for a particular purpose, merchantability and noninfringement are excluded.Your sole and exclusive remedy and the sole liability of Phil's in connection with the Software is repair or replacement of defective parts, upon their return to Phil's. In no event will Phil's be liable for lost profits, lost data or any other incidental, or consequential damages, or any damages caused by abuse or misapplication of the Software.You shall not sublicense, sell, lease or otherwise transfer the Software without the prior written consent of Phil's.Use, duplication or disclosure by the Government is subject to restrictions as set forth in subparagraph (c)(1)(ii) of the rights in Technical Data and Computer Software clause at 252.227-7013.Maryland, USA law governs this agreement.You acknowledge that you have read this agreement, understand it, and agree to be bound by its terms and conditions. Neither party shall be bound by any statement or representation not contained in this agreement. No change in this agreement is effective unless written and signed by properly authorized representatives of each party. By opening this package or downloading these font files from the internet you agree to accept the terms of this agreement.Call Phil's Fonts if you need to purchase additional licensing.In USA and Canada call 1-800-424-2977, all others call 1-301-879-0601.Fax: 1-301-879-0606.Phil's Fonts/GarageFonts License Upgrade ScheduleEach Phil's Fonts/GarageFonts Font package is automatically licensed for use with five (5) computers (CPUs) at a single (1) location(site) in a single format (e.g. Mac PostScript). Licenses for additional CPUs must be purchased. Additional formats and/or platforms may be purchased at the same time as the original purchase for 50% of the price of the first format. Individual sites, persons or business entities must purchase individual licenses beginning with the original price. The following upgrade cost schedule is calculated based on multiples of the original list price of each font or family:--------------------------------------------------------------------------------------6 to 25 CPUs, multiply original font or family price by 1--------------------------------------------------------------------------------------26 to 50 CPUs, multiply original font or family price by 2--------------------------------------------------------------------------------------51 to 75 CPUs, multiply original font or family price by 3--------------------------------------------------------------------------------------76 to 125 CPUs, multiply original font or family price by 4--------------------------------------------------------------------------------------126 to 175 CPUs, multiply original font or family price by 5--------------------------------------------------------------------------------------176 to 250 CPUs, multiply original font or family price by 6--------------------------------------------------------------------------------------251 to 375 CPUs, multiply original font or family price by 8.5--------------------------------------------------------------------------------------376 to 500 CPUs, multiply original font or family price by 11--------------------------------------------------------------------------------------501 to 625 CPUs, multiply original font or family price by 13.5--------------------------------------------------------------------------------------626 to 750 CPUs, multiply original font or family price by 16--------------------------------------------------------------------------------------751 to 875 CPUs, multiply original font or family price by 18.5--------------------------------------------------------------------------------------876 to 1000 CPUs, multiply original font or family price by 21 --------------------------------------------------------------------------------------For more than 1,000 CPUs use the following formula to get multiplication factor:CPUs: In increments of 250.(maximum number of CPUs divided by 100) plus 11 (=Multiplier).Example: End user has 1350 CPUs, so the Multiple User License price is to be calculated as follows:(1500 divided by 100) + 11 = 26 (= Multiplier)(c)Phil's Fonts/GarageFonts14605 Sturtevant RoadSilver Spring, MD 20905USA1-301-879-6955
Coventry ITC TT Medium
Style : MediumPackages
Coventry ITC TTStyle
International Typeface CorporationAuthor
Brian SooyTrademark
ITC Coventry is a trademark of International Typeface Corporation.Copyright
Copyright (c) 1998 International Typeface Corporation. All rights reserved. ITC Coventry is a trademark of International Typeface Corporation.Description
Please review the description of this font at http://www.itcfonts.com.License
Please refer to the URL listed below for the most current ITC End User License agreement.
Runstop Restore
Runstop RestoreStyle
1.1 08-06-2002Author
.:ck!:. [freakyfonts]Trademark
Copyright ck! [freakyfonts] 1999-2002. All rights reserved.Description
Original Desgin by Crossbow / CrestFree for personal use only! Commercial use? Redistribute? Please contact me first.


text:
Marty Noble is a senior member of the Baseball Writers Association of America and editor of SCOREBOOK, the annual journal of the BBWAA's New York chapter.
|On Saturday the Baseball Hall of Fame announced another replacement. Ozzie Smith, who made folks in all markets forget his Cardinals predecessors at shortstop -- Marty Marion, Dal Maxvill and Garry Templeton -- has been added to the Hall's board of directors.
More»The 'Wizard of Oz' up to his old tricks at Cards camp
|A different Fab Four was performing in the Hawkeye Room that sweet summer Sunday night in 2004. Kirby Puckett, Ozzie Smith, Eddie Murray and Dave Winfield provided a soulful impression of the Temptations as a combo headlined by Mudcat Grant played. Other Hall of Famers formed a perimeter in the room adjacent to the bar in the Otesaga, the hotel headquarters for Induction Weekend, and were quite entertained.
More»Kirby Puckett enters the Hall of Fame
|The pending baseball season, the Mets' 55th and the 113th for the Yankees, ends with a 6, and that portends something special happening. The big city is all but guaranteed an extraordinary occurrence involving at least one of its two big league franchises because of the calendar.
|The time has come for our annual salute to Sweet 16 weekend.This year, we focus on the Phillies,
More» Schmidt hits his fourth homer of the game
|When the Mets are playing, the Foxwoods Club at Citi Field is where folks congregate to watch their guys on television monitors and cheer (or moan). The Mets were playing the Yankees on Wednesday afternoon. The room was crowded.
More» Mets broadcasters remember Shannon Forde
|A void was created on Friday when Shannon Forde, the Mets' sweetheart, the passionate professional cherished by everyone in baseball's widespread family of media folks, passed.
More»Anthony DiComo on the passing of Shannon Forde
|When Billy Williams was in the on-deck circle, he'd put a stick of gum -- Wrigley's, of course -- in his mouth and chew it until he reached the plate. Then he'd remove the wad, flip it in the air and hit it with his bat. He always made contact.
|Twenty years ago, Mets pitching prospects Bill Pulsipher, Jason Isringhausen and Paul Wilson were pictured on the covers of two national publications and were the featured faces in the late March baseball sections published by three New York dailies.
|This weekend, football's final fling until after baseball's All-Star break, is all about number 50. Not the 50-yard line or Ken Strong of the New York Giants of the 1930s and '40s, the only player for whom No. 50 is retired, but for the 50th Super Bowl. You might have heard it's being contested on Sunday.
More»Highlights from the 1966 World Series
|The first nugget pulled from the pile of precious property was a personal phone book that began with Joe Altobelli, the former Orioles and Giants manager, and ended with -- who else? -- Don Zimmer.
|Ken Griffey Jr. wasn't afraid of unfair comparisons to Willie Mays when he chose to wear the Say Hey Kid's No. 24 as a 19-year-old Mariners rookie in 1989, and an examination of his Hall of Fame career shows he lived up to the Giants' legend.
More»Ken Griffey Jr. sets record on way to Cooperstown
|The latest Hall of Fame ballot arrived last month, wearing a smile, one as endearing as any put forth by Cameron Diaz, Shirley Temple, George Clooney or baseball exec Earvin Johnson, one as widely recognized in the game as the Mona Lisa smile is recognized in the world of art, a smile as much fun as Red Skelton's and as sincere as the Pope's. The ballot carried the name "Ken Griffey Jr."
More»Griffey Jr. elected to Hall of Fame for 2016
|The newspaper business has been hit hard in the last 25 years. Circulation and advertising revenue have tumbled, and the impact of the printed word has diminished dramatically. And now this. The newspaper world, particularly New York City, has been crushed. The death of Phil Pepe has brought folks in that special world to their knees.
|After a few more days of meetings, the manager who pushed his team deeper into baseball's postseason tournament than any lucid, rational baseball follower could have anticipated, will become free to enjoy all he has accomplished. And a substantial amount exists for Terry Collins.
More»Alderson, Collins look ahead to 2016 season
|The Mets had their chances. But they dropped the ball, figuratively and literally. They kicked it, missed it, bobbled it, booted it and threw it away. And in the end -- which spilled into Monday morning -- they had no means of stopping Kansas City as the Royals captured the World Series championship.
More» Mets on '15 World Series loss, look ahead
|When the Mets still dared to play Daniel Murphy in left field in 2009, a new website popped up, one that chronicled his adventures and misadventures. "Oh Murph!" was its name, and it was mostly supportive of the man the club expected to develop into a productive hitter.
More» Murphy discusses his 8th-inning error
|Late in Spring Training 1987, mere days after the Mets had acquired David Cone, he was on the mound in a game against the Cardinals in St. Petersburg, Fla., 60-feet, six inches from fearsome slugger Jack Clark. The Mets and Cardinals were familiar adversaries. But Clark knew little about Cone. The 24-year-old pitcher had little big league experience, just a cup of coffee with the Royals the previous year.
More» Wright, Granderson on Matz vs. Young
|To the dismay of Terry Collins, David Wright and those who figure to shoehorn their way into Citi Field for Game 3 (7:30 p.m. ET air time on FOX, 8 p.m. game time), the World Series is two losses old. After 23 innings, most of which have been intense, the Royals' performance has been quite strong; the Mets' has been just OK.
More» Cuddyer on the team's approach for Game 3
|Though we've had one almost every year, the World Series never gets old. It remains wonderful, special, entertaining, exceptional, terrific, breathtaking, nostalgic and extraordinary. And every so often, we get one that's even better than all of that.
More»Wright on team chemistry, forecasting Mets' success
|The Mets often have provided the unexpected and the unlikely in their 54 seasons. Herein, MLB.com presents what it considers the 41 most unlikley occurrences in Mets history. Why 41? It's a salute to Tom Seaver, of course. The Franchise became a most pleasant surprise for the franchise.
More»Relive the Mets' amazing run to the 2015 Fall Classic


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Rego Park, NY Accordion Lessons
Looking for private in-home or in-studio Accordion lessons? Our Rego Park teachers are ready to get you started. Find your teacher today!
Our online tools make booking, managing your schedule and paying for lessons easy and hassle-free.
Easily search and compare teachers in your area, including past student reviews and background checks.
If you're not completely satisfied, we'll help you find a new teacher or refund any unused lesson credits.
Why TakeLessons?
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lessons and counting!
Popular Accordion Teachers Serving Rego Park
Browse a few of our top Accordion teachers serving Rego Park, Whitestone, Westfield, Ridgewood, Woodside and Somerset.
About Alex L.Close
View Full Profile
All levels and styles from classical to contemporary music.
About Alex
Major instruments are piano, classical guitar, accordion.
Student must have own instrument and desire to learn!
*** Lesson Details ***
I believe many of my students enjoy my class and are able to achieve a higher skill level because I make it a point to personally motivate them. I give them personalized goals to reach and/or tailored practice techniques.Based on response, I may offer words of encouragement or tips such as how to ease sore muscles or an alternative way to execute a technique they are finding extra difficult.
I make it a point to not just teach music grammar and/or fundamentals of music, but to include the importance of the sound of music s
*** Studio Equipment ***
Yamaha Clavinova, piano
Classical guitar "Takamine"
Accordion "Gullietti"
*** Specialties ***
Accordion, piano, classical guitar Traditional School all styles and genres. Levels: beginner through advanced!
· Accordion · Online
· Accordion · Online
· Accordion · Online
Alex L.
Alex L.
About Shelia L.Close
View Full Profile
Beginner to Advanced. Piano Keyboard, Chromatic (B & C System), Diatonic (Hohner Style)
About Shelia
My philosophy - if it ain't fun - it ain't worth it!!!! I have over 500 accordion arrangements - that I use to teach with. All Genres, Classics to TOP Movie Themes - All Levels!
I have conducted Master Accordion Workshops all over the US and in Alaska. I have produced instructional You Tube lessons and several DVDs.
I have had my own performing combo for 22 years and a long history of strolling in Italian and German restaurants and performing at Ethnic Festivals since I was 7
I teach the piano keyboard accordion as well as the B & C system Chromatic. I also have written lesson materials for the 3 row Diatonic Accordion. Before I closed the physical studio - I had an accordion teaching staff of over 6 instructors and 125 students.
*** On-Line Lesson***
Lesson material will be emailed in advance. Min. Charge based on selections used.
*** Lesson Materials ***
I use Palmer & Hughes instruction books and personally arranged selections for the taste of the student. I use personally produced accompaniment CDs for enhanced performance of students. I train classically (you can chose to learn all your technique and chord progressions) and instruct to the style the student wants. Pop & Standards, Italian, German, French, Cajun, Tex-Mex, etc.
· Accordion · Online
· Accordion · Online
· Accordion · Online
Shelia L.
Shelia L.
About Jared J.Close
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Just to clear up any confusions, I do not own and do not teach: Diatonic Accordion, a Bandoneon, or a Bayan. All of which are accordion instruments that feature buttons for both hands and not just the left.
I do however own and teach the 120 Button Chromatic Piano Style Accordion with Stradella Bass (Left Hand Buttons/Right Hand Piano).
I can teach you how to play the accordion as a lead instrument in a group, as an instrument for accompaniment, or as a solo instrument where you use both band to create songs by yourself. I can help introduce easy songs in a variety of styles including jazz, musette (french), classical, zydeco, polka, Irish, etc...
You do not need a 120 button bass accordion; 24, 32, 60, 72 will will also work just fine - you will just have less range available.
Diatonic Accordions and Bayans often use the same left handed Stradella system as Chromatic Piano Accordions (the instrument I own and teach) but I am unfamiliar with the system in their right ...
About Jared
I have been playing an instrument since the 4th grade (cello) and, as I learned more about how music works, was slowly able to pick-up a greater variety instruments with an increasing degree of ease. In high school, I decided to pick-up the guitar just to "have fun and rock out". I joined a band, played in the high school orchestra, joined the high school jazz band and began to practice songwriting and cover songs. Still, it was not until after I took my first class on music the
I have been teaching music for over 7 years and have had the privilege of teaching children as young as 4 to adults in their late 80's. I am a very attentive teacher who can not only help get you moving in the right direction but keep you on that path until your are a self-sufficient musician. A level of musicianship that simply means you can learn whatever you want on your instrument on your own, whether it be for business, pleasure or for mere self-improvement.
Through my own student career in private lessons I had the chance to study with graduates of the Musician's Institute (MI), the California Institute of the Arts (CAL Arts) and Berklee College of Music. This has provided me with an inside look into how and what each institute teaches, as well as a first hand look at the techniques and ideas that the great players from these remarkable schools have come to produce.
My formal music education consists of 2 years at Pasadena City College where I obtained my general Associates Degree (much of the studies included music) and a semester at California State University Long Beach as a Jazz Guitar Performance Major. Additionally, I completed a great deal of California State University Long Beach's teaching credential program (focusing on the teaching of history/social studies), where I learned strategies and theories of how and what to teach my students - making me that much more knowledgable of my craft. At Pasadena City College I studied with jazz/classical guitarist, Ron Berman, who has played with such jazz greats as Herb Ellis and Jimmy Wyble. At Cal State Long Beach I studied with jazz guitarist Ron Eschete, a former teacher at MI who has toured with the likes of Ray Brown, John Dizzy Gillespie and Jim Hall.
Most importantly I hope to show you or your child a new way to love and appreciate music. And to provide you with the ability and know-how to have the most fun on your instrument as possible.
*** Lesson Details ***
Throughout my lessons, I always encourage basic skills including scales, sight-reading and technical exercises. But what I hope to give all my students is a basic understanding of music and their instrument, providing them with a practical ability to navigate the vast world of music for a lifetime.
Beyond these skills, I always have songs, styles and theory for you to work on but I am often more interested in what you as an individual want to learn on your instrument. Getting to learn concepts that you have chosen yourself will help encourage practice and will make the finished product all the more the rewarding.
I can custom tailor a teaching curriculum and/or style for any of my students: we can focus on learning songs, learning to read, how to write music, how music works, and even how to play specific styles of music (including funk, rock, jazz, Latin, flamenco, classical, country and blues). I also self tailor my own worksheets and set weekly goals with my students to help encourage practice, understanding and progress. For students interested in more advanced concepts, I can also teach ear training, music theory, advanced jazz improvisation as well as advanced playing techniques.
All this in a friendly and easy-going teaching environment.
*** Studio Equipment ***
Located in my home garage, it is equipped with a small stage, an upright piano, an electric keyboard, a PA system, amplifiers, a drum set, a lap steel guitar, a pedal steel guitar, 2 cellos, multiple guitars, 3 mandolins, a dobro, a 5-string banjo, a 4-string tenor banjo, 2 ukuleles, 2 accordions and 2 electric basses.
*** Specialties ***
Styles: Jazz, Rock, Reggae, Metal, Funk, Progressive Rock, Classical, Folk, Bluegrass, Country, Various forms of Latin Music, Blues, and a few others.
Instruments Beginner to Advanced: Drums, Accordion, Piano, Guitar, Mandolin, Cello, Banjo (5 String), Irish Tenor Banjo (4 String GDAE), Tenor Banjo (4 String CGDA), Electric Bass, Ukulele, Dobro, Lap Steel Guitar (6 String C6 Tuning), Slide Guitar, Pedal Steel Guitar (10 String E9 Tuning).
I also teach the Beginning and Advanced concepts of:
Music Theory, Ear Training, Sight Reading, and Song Writing.
· Piano · Online
· Banjo · Online
· Piano · Online
Jared J.
Jared J.
About Sam K.Close
View Full Profile
Piano Accordion
About Sam
· Fiddle · In studio
· Accordion · Online
· Fiddle · In studio
Sam K.
Sam K.
About Mark V S.Close
View Full Profile
I still don't understand why so many people laugh when you say "accordion"! Let's show them different! This is one of the most expressive, international, fun, and emotional instruments out there! So much more than just "polkas": Argentinian tangos, German beer songs, French cafe, Southern Zydeco, Irish Celtic music, Russian folk, Italian melodic, and the list goes on... Bottom line: I love this instrument because it is FUN and VERY "produceable". Half of it is an arsenal of buttons while the other half is a good 'ol keyboard, and depending on which model you have, there are many tonal buttons to thoroughly change its personality -- no electricity needed!
I can teach you how to create some fun and inspired music on it regardless of your musical tastes, as long as you have a PIANO ACCORDION -- not JUST buttons like a bayan or concertina (sorry -- please note that I do NOT teach chromatic/diatonic button accordion or "virtual/electronic accordions" such as the Roland series -- just
About Mark V
· Accordion · Online
· Piano · Online
· Arrangement and Composition · Online
Mark V S.
Mark V S.
About Mike B.Close
Teaching for 20 years. I tailor each lesson to the needs/goals of every student.
For beginners, I can write easy versions of your favorite songs for you, while giving you a well balanced music education.
For singers, I can show you how to easily accompany yourself and sound like a pro without reading a note.
For children, I make lessons fun and varied with learning and musical games to keep them excited and engaged.
For classical players wanting to try other styles, I can show you how to improvise and jam in several styles (I went through the transition and I know how it is!)
For everyone, I can teach you the most efficient ways to learn any musical skill based on experience and leading scientific books on learning, while keeping lessons fun!
About Mike
As a musician who was raised on classical piano but has also spent his life playing in bands, jamming, and composing in several genres, I believe that a well-rounded musical education is not only practical, but that it brings out the most enjoyment in music.
I also believe in teaching students whatever they love whether it's classical, rock, pop, jazz, world music, or a mix of everything! The more they love it, the more they will practice, and in turn the more they will love how they have improved - a circle of awesomeness!
As a professional musician, I play over 130 shows a year throughout North America as lead singer-guitarist for Celtic Rock group The Whiskeydicks, a
My compositions have been performed by the Vancouver Symphony Orchestra, The Plastic Acid Orchestra, Turning Point Ensemble, Ad Mare Wind Quintet, Vivace, The Living, The Whiskeydicks and cellist-singer-songwriter Cris Derksen.
I have a B.Mus in Piano and Music Composition from The University of British Columbia. I'm an IVA Certified Level I Voice Instructor and have studied Vocals with John Henny, Jeffrey Skouson, Guy Babusek, and Spencer Welch; piano with Terence Dawson, David Vandereyk, and Ross Taggart; composition with Dorothy Chang, Keith Hamel, and Armanini; drums with Jay Deachman and Morgan Childs; bass with David Spidel; and accordion with Jelena Milojevic.
I've just moved to LA from Vancouver where I had about 40 students, so this is the time to sign up as I have room for new students for the first time in years!
· Accordion · Online
· Ukulele · Online
By taking lessons on my lap top I can be anyplace..in the US . Having a set time for my lesson I practice every week .
· Accordion · Online
Mike B.
Mike B.
About Connor C.Close
Accordion is one of my truest loves. I've been a musician as long as I can remember. I've been playing traditional Irish accordion for 6 years and have had 5 very talented teachers myself. I can apply my performance and teaching techniques to piano or button accordion. I've also played concert piano accordion for 6 years, and can teach the fundamentals of accordion playing, advanced technique and style for accordion, basic to advanced music theory, and general performance and practice techniques. I have several accordions that can be rented as well.
About Connor
· Accordion · Online
· Accordion · Online
· Accordion · Online
Connor C.
Connor C.
About Ben R.Close
I'm a professional accordionist, composer, and improviser of klezmer, experimental, and contemporary chamber music. My accordion lessons for all levels and ages build traditional performance skills while emphasizing improvisation, creativity, and fun. All students can choose which material they would like to explore — classical, folk, klezmer, rock, experimental, and more.
About Ben
As a solo accordionist, Ben draws from contemporary chamber music, experimental improvisation, and traditional klezmer practice to create atmospheric music that explores a timeless, mystical space at the intersection of memory and imagination. As a composer, Ben creates chamber music that explores sound-worlds of constant transformation, combining subtly shifting timbres and sliding microtonal fluctuations to create music that critic George Grella has described as "a look, perhaps, into a different dimension … the music sounds like something incomprehensibly massive is passing by, slowly."
Ben has performed with The Dresden Dolls, Ghost Ensemble, SEM Ensemble, Pauline Olivero
· Accordion · In studio
· Accordion · In home
Ben R.
Ben R.
About Virginia N.Close
The Accordion is an amazing instrument you can take with you wherever you go!
About Virginia
Music: I can offer you a well rounded plan of study and you can choose what and how you would like to learn. For example, young students generally want to learn to read the notes. For these I give classes in theory, music history, ear training, and technique along with the note reading. Older students generally want to learn to play songs they know by learning notes in the right hand and putting chords in the left hand. For these students, I emphasize the theory so they will understand what notes go together to make a nice sound.
My background has been in church music. I started playing at church for services when I was 16 years old.
Virginia N.
Virginia N.
About Silvia R E.Close
View Full Profile
The beginning is important to engage student with a lesson plan 15 minutes practice every day a must!! Teach a new song from the start.
Also teaching the diatonic button box
About Silvia R
Started in Vienna Austria where I am from to teach accordion. Fluent in German and English .
Started teaching in the US in the year 2000.
Many of my students are from all over the World. Currently I teach students from all walks of life. I belong to the Washington Metropolitan Accordion Association since 2003 where I am listed as an activ accordion teacher.
Silvia R E.
Silvia R E.
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The futon you may have slept on in college or had in your first apartment may well have been little better than sleeping on the floor. That's a long way from the futons Sam's Club offers today. Through Sam's Club, you'll find futons that contain full size, inner spring mattresses made of 13 gauge springs with a 272 coil count and a natural blend of batted cotton for added comfort. You'll find futons with high density foam, and futons with hidden storage pockets. Perhaps just as important, these futons look like ordinary, attractive, comfortable couches that fit into almost any décor when not being used for sleeping purposes, and they easily pull out into bed form and slide back into couch form when sleeping is done.
Just because you're not in college any more doesn't mean it's time to give up on the futon. If you're looking for a great, affordable option for easily accommodating overnight guests comfortably, the right futon is still a great way to go.
Check out the Sam's Club catalog of futons and look at the wide selection of styles and options and decide for yourself. Don't forget, we've also got the futon mattresses and accessories you need, as well as classic convertible sofas if the futon isn't quite want you're looking for. Don't send guests out into the cold, dark night any longer. Find a great futon or sleeper sofa from Sam's Club today.


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Tools:Memory Imaging
The physical memory of computers can be imaged and analyzed using a variety of tools. Because the procedure for accessing physical memory varies between operating systems, these tools are listed by operating system. Once memory has been imaged, it is subjected to memory analysis to ascertain the state of the system, extract artifacts, and so on.
One of the most vexing problems for memory imaging is verifying that the image has been created correctly. That is, verifying that it reflects the actual contents of memory at the time of its creation. Because the contents of memory are constantly changing on a running system, the process can be repeated but the results will never--to a high degree of probability--be the same. Thus, repeating the acquisition and comparing the results is not a feasible means of validating correct image creation. Memory analysis can reveal whether the image's contents are consistent with the known layout and structure of a given operating system, as well as answering other questions, but it cannot answer the question as to whether the image accurately reflects the system from which it was taken at the time it was taken.
Memory Imaging Techniques
- Crash Dumps
- When configured to create a full memory dump, Windows operating systems will automatically save an image of physical memory when a bugcheck (aka blue screen or kernel panic) occurs. Andreas Schuster has a blog post describing this technique.
- LiveKd Dumps
- The Sysinternals tool LiveKd can be used to create an image of physical memory on a live machine in crash dump format. Once livekd is started, use the command ".dump -f [output file]"
- Hibernation Files
- Windows 98, 2000, XP, 2003, and Vista support a feature called hibernation that saves the machine's state to the disk when the computer is powered off. When the machine is turned on again, the state is restored and the user can return to the exact point where they left off. The machine's state, including a compressed image of physical memory, is written to the disk on the system drive, usually C:, as hiberfil.sys. This file can be parsed and decompressed to obtain the memory image. Once hiberfil.sys has been obtained, Sandman can be used to convert it to a dd image.
- Mac OS X very kindly creates a file called /var/vm/sleepimage on any laptop that is suspended. This file is NOT erased when the machine starts up. It is unencrypted even if the user turns on File Vault and enables Secure Virtual Memory. [1].
- Firewire
- It is possible for Firewire or IEEE1394 devices to directly access the memory of a computer. Using this capability has been suggested as a method for acquiring memory images for forensic analysis. Unfortunately, the method is not safe enough to be widely used yet. There are some published papers and tools, listed below, but they are not yet forensically sound. These tools do not work with all Firewire controllers and on other can cause system crashes. The technology holds promise for future development, in general should be avoided for now.
- At CanSec West 05, Michael Becher, Maximillian Dornseif, and Christian N. Klein discussed an exploit which uses DMA to read arbitrary memory locations of a firewire-enabled system. The paper lists more details. The exploit is run on an iPod running Linux. This can be used to grab screen contents.
- This technique has been turned into a tool that you can download from: http://www.storm.net.nz/projects/16
- The Goldfish tool automates this exploit for investigators needing to analyze the memory of a Mac.
- Virtual Machine Imaging
- There are numerous popular virtual machines that are in wide use such as xen, qemu or vmware. If the memory image is for a machine running in this kind of virtual environment, there are usually two methods for obtaining a memory image. The common method is to pause/suspend/stop the system and then collect the resulting memory image file, this has the disadvantage of taking the machine offline during the suspend time. Alternatively most of these systems support live dumping of a memory image. Qemu supports the pmemsave function, Xen has the xm dump-core command.
Memory Imaging Tools
x86 Hardware
- Tribble PCI Card (research project)
- http://www.digital-evidence.org/papers/tribble-preprint.pdf
- CoPilot by Komoku
- Komoku was acquired by Microsoft and the card was not made publicly available.
- Forensic RAM Extraction Device (FRED) by BBN
- Not publicly available. http://www.ir.bbn.com/~vkawadia/
Windows Software
There are many Windows memory acquisition tools. Most of them will not work on Windows Vista or 7, as user programs have been denied access to the \Device\Physicalmemory object starting in Windows 2003 Service Pack 1 and Windows Vista. Modern tools acquire physical memory by first installing a device driver, so administrative privileges are needed.
We have edited this list so that it only includes current tools:
- winen.exe (Guidance Software - included with Encase 6.11 and higher)
- included on Helix 2.0
- http://forensiczone.blogspot.com/2008/06/winenexe-ram-imaging-tool-included-in.html
- Mdd (Memory DD) (ManTech)
- http://sourceforge.net/projects/mdd
- MANDIANT Memoryze
- Can capture and analyze memory. Supports reading dumps (raw/dd format) from other tools.
- http://www.mandiant.com/software/memoryze.htm
- Moonsols DumpIt
- This utility is used to generate a physical memory dump of Windows machines. It works with both x86 (32-bits) and x64 (64-bits) machines.
- The raw memory dump is generated in the current directory, only a confirmation question is prompted before starting.
- Perfect to deploy the executable on USB keys, for quick incident responses needs.
- http://www.moonsols.com/wp-content/plugins/download-monitor/download.php?id=7
- HBGary
- Fastdump and Fastdump Pro
- Fastdump (free with registration) Can acquire physical memory on Windows 2000 through Windows XP 32 bit but not Windows 2003 or Vista.
- Fastdump Pro Can acquire physical memory on Windows 2000 through Windows 2008, all service packs. Additionally, Fastdump Pro supports:
- -32 bit and 64 bit architectures
- -Acquisitions of greater than 4GB
- -Fast acquisitions through the use of larger page sizes (1024KB) but also supports a strict mode that enforces 4KB page sizes.
- -Process probing which allows for a more complete memory image of a process of interest.
- -Acquisition of the system page file during physical memory acquisition. This allows for a more complete memory analysis.
- FTK Imager
- FTK Imager
- http://accessdata.com/support/adownloads#FTKImager
- FTK Imager can acquire live memory and paging file on 32bit and 64bit systems.
- dd
- On Unix systems, the program dd can be used to capture the contents of physical memory using a device file (e.g. /dev/mem and /dev/kmem). In recent Linux kernels, /dev/kmem is no longer available. In even more recent kernels, /dev/mem has additional restrictions. And in the most recent, /dev/mem is no longer available by default, either. Throughout the 2.6 kernel series the trend has been to reduce direct access to memory via pseudo-device files. See, for example, the message accompanying this patch: http://lwn.net/Articles/267427/. On Red Hat systems (and derived distros such as CentOS), the crash driver can be loaded to create a pseudo-device for memory access ("modprobe crash"). This module can also be compiled for any system with minor effort, see http://gleeda.blogspot.com/2009/08/devcrash-driver.html. Note that acquisition from the resulting /dev/crash driver needs significant testing as reading the wrong segments of memory such as PCI or BIOS mapped memory can easily lead to hung systems.
- Second Look
- This commercial memory analysis product has the ability to acquire memory from Linux systems, either locally or from a remote target via DMA or over the network. It comes with pre-compiled Physical Memory Access Driver (PMAD) modules for hundreds of kernels from the most commonly used Linux distributions.
- Idetect (Linux)
- http://forensic.seccure.net/
- fmem (Linux)
- fmem is kernel module, that creates device /dev/fmem, similar to /dev/mem but without limitations. This device (physical RAM) can be copied using dd or other tool. Works on 2.6 Linux kernels. Under GNU GPL.
Mac OS X
- Goldfish
- Goldfish is a Mac OS X live forensic tool for use only by law enforcement. Its main purpose is to provide an easy to use interface to dump the system RAM of a target machine via a Firewire connection. It then automatically extracts the current user login password and any open AOL Instant Messenger conversation fragments that may be available. Law Enforcement may contact goldfish.ae for download information.
- Mac Memory Reader
- Mac Memory Reader is a simple command-line utility to capture the contents of physical RAM. Results are stored in a Mach-O binary file. Mac Memory Reader is available free of charge. It executes directly on 32- and 64-bit target machines running Mac OS X 10.4, 10.5, or 10.6 and requires a PowerPC G4 or newer, or any Intel processor.
- Qemu
- Qemu allows you to dump the memory of a running image using pmemsave.
- e.g. pmemsave 0 0x20000000 /tmp/dumpfile
- Xen
- Xen allows you to live dump the memory of a guest domain using the dump-core command.
- You can list the available machines to find the host machine you care about using xm list and see the configuration.
- Dumping is a matter of sudo xm dump-core -L /tmp/dump-core-6 6
See Also
- Windows Memory Analysis
- Linux Memory Analysis
- http://blogs.23.nu/RedTeam/0000/00/antville-5201/
- http://www.storm.net.nz/projects/16
- http://www.friendsglobal.com/papers/FireWire%20Memory%20Dump%20of%20Windows%20XP.pdf