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Moderators: Three Stars, dagny, pfim, netwolf
Eismann wrote:Chin up there, Marky
Isles got four lucky goals
Nizzy wrote:I'm just going to make a list of points to help relieve the stress:
----Bylsma, shades of last years first round. 0-2, okay drink your water bottle buddy. While other coaches are drawing up new formations. Just standing around looking stern again. Get it together please. Get on it, please. I'm not even hating on you right now, just show us something.
----Fleury, got a great backup to keep MAF in line. It's time to keep him in line. Fleury is soft again. Put in Vokoun next game. Fleury needs to know his job is on the lines and I think he forgot that. I get that the defense is trash right now, but he can't keep letting in these bad goals.
----Despres, completely ruined. This is EXACTLY why he would have started, and stayed in my top 6 the entire season. Kid has been in and out of the lineup and Bylsma cut him out this game. Engelland should have never got minutes of Despres in the regular season. Now you are seeing how bad Engelland is: Not even good enough to play in the playoffs...and Despres hasn't had the chance all year to get consistent long term minutes. How do you expect to plug him right into the playoffs and be "up-to-speed". If we have prospects that are going to bust, we will never know under Bylsma's watch.
----Eaton, I already proved my point with him. His speed is going to get us in trouble the entire post season. Great #7 defenseman for this playoff run, nothing more at this point. He's on his last wheels and both of them are already flat.
----Defense, The Penguins have 2 number 7 defenseman Eaton and Engelland playing in the top 6. Despres is still raw. This team is in trouble...they need Orpik back fast, but he's paired with Martin. This is why you can't juggle 3 defenseman in and out of the lineup the entire season. No chemistry. The best Chemistry line pairing is Murray and Niskanen. They are a decent 3rd pairing. The top 4 is a complete mess. Niskanen cannot handle the top 4, they've tried it multiple times and it failed. It failed in Dallas too.
Look at what the Islanders are doing to this defense besides Martin. What do you think the Bruins, Caps, and Blackhawks might do? hahaha
----Morrow & Iginla, both great pickups, I can already Morrow getting worn out. IT's easy to look back and say what we should have done...I kind of wish we just got Iglina, and used the Morrow trade for a veteran defenseman. I think i'd rather have a Bouwmeester at this point in time over Morrow. But like I said, you can't look back and say that now. Morrow was awesome in the regular season.
This defense looks soft so fast again. Brooks is needed.
Nizzy wrote:sorry i was so upset i just clicked the top thread and went off, my bad
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Beautiful Phrases
Hi everyone, I'm Joan and I'm returning to the Zombies fold after almost totally folding on 2666! I first read Moby-Dick as an adult and I'm really glad that it was never required reading for me. I approached it the first time with open arms and I fell in love. It was the pick of the reading group I was in at the time in Brooklyn, and although we extended the time-frame by a month I was the only one to finish it. So I had only myself to discuss it with. Now, around 12 years later, I'm already way ahead in terms of discussion and analysis and it's only week 1!
This time around I'm doing side reading, working my way through a number of the books Daryl reviewed here, particularly Hoare's The Whale, Delbanco's Melville, and soon Beachy-Quick's A Whaler's Dictionary which should arrive today. Additionally I'm dipping into Eric Jay Dolin's Leviathan. I feel as though I'm completely immersing myself in Moby-Dick and what a rich world it is.
In what is looking like a bit of a theme for the first week here, I'm going to touch on one of the elements of the work that I truly love. I'm a total sucker for beautifully crafted phrases, the ones that take your breath away and make your heart sing, the ones that you stop, read again, underline and star in the margins, the ones that can in just a few words speak a universal truth. Many years and so many wonderful books have come and gone since my first time with Moby-Dick I had almost forgotten just how poetic and beautiful Melville could be. Sure, it's an adventure story, and there are so many styles and tones woven together, but it's those beautiful phrases that keep me coming back. Here are just a few of my favorites so far.
Chapter 12, regarding Queequeg's native land:
It is not down in any map; true places never are.
Chapter 14, right at the end regarding Nantucketers:
For years he knows not the land; so that when he comes to it at last, it smells like another world, more strangely than the moon would to an Earthsman. With the landless gull, that at sunset folds her wings and is rocked to sleep between billows; so at nightfall, the Nantucketer, out of sight of land, furls his sails, and lays him to his rest, while under his very pillow rush herds of walruses and whales.
Chapter 16, regarding the Pequod, the well known but still wonderful to me, and beautifully illustrated by Matt:
She was a thing of trophies. A cannibal of a craft, tricking herself forth in the chased bones of her enemies
Which ones are moving you?
May 26, 2010 at 9:38 am
Exactly! I love how he mixes it all together – the beautiful poetry, the comedic set pieces, the Shakespearean (to me at least) passages, the fascinating technical detail we'll come to later – and it all works.
May 26, 2010 at 12:14 pm
The sheer lyrical quality of Melville's writing is one of the aspects that appeals to me, too. I can't wait to get home to my self-annotated edition and fish out a few of my favorites in the first 18 chapters to comment upon. More anon!
May 26, 2010 at 4:44 pm
I've read more than half the book now (couldn't slow down and stay on schedule), so some of these quotes may be from beyond the assigned reading. I love how much humor he sprinkles in there, but usually the humor isn't totally captured in a short phrase. When they are, I try to tweet them… here are some:
"He was nothing but a humbug, trying to be a bugbear."
"More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile."
And this one was just a hauntingly apt description: "While his one live leg made lively echoes along the deck, every stroke of his dead limb sounded like a coffin-tap."
This one is classic: "All loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low power of enjoyment."
Of course, there is much more, but those are the ones short enough to share.
May 26, 2010 at 4:48 pm
PS – has anybody else noticed that Melville uses semicolons in a different way from the traditional usage of them? He seems to use them almost like super-commas. His semicolons break incomplete phrases up in a list; traditionally semi-colons are used to set two contrasting and complete sentences together (as in this sentence).
May 27, 2010 at 4:20 am
May 27, 2010 at 7:31 am
I'm so glad folks have picked up on the humor too – it's a surprisingly funny book. And Daryl I really love that connection to Poe – I'll look forward to hearing more about that!
August 16, 2016 at 12:07 pm
Your style is so unique in comparison to other folks I have read stuff from.
I appreciate you for posting when you have the opportunity, Guess I will just book
mark this page.
August 29, 2017 at 10:52 pm
wh0cd580353 motrin 600
May 27, 2010 at 9:11 pm


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Safe Swim Defense
From MeritBadgeDotOrg
(Redirected from Safe swim)Before a BSA group may engage in swimming activities of any kind, a minimum of one adult leader must complete Safe Swim Defense training, have a commitment card with them, and agree to use the eight defenses in this plan.
Safe Swim Defense must be renewed every 2 years.
See the BSA Video: Safe Swim Defense (requires Apple QuickTime).
The Eight Defenses
- Qualified Supervision
- All swimming activity must be supervised by a mature and conscientious adult age 21 or older who understands and knowingly accepts responsibility for the well-being and safety of youth members in his or her care, who is experienced in the water and confident of his or her ability to respond in the event of an emergency, and who is trained in and committed to compliance with the eight points of BSA Safe Swim Defense. (It is strongly recommended that all units have at least one adult or older youth member currently trained as a BSA Lifeguard to assist in the planning and conduct of all swimming activity.)
- Physical Fitness
- Require evidence of fitness for swimming activity with a complete health history from physician, parent, or legal guardian. The adult supervisor should adjust all supervision, discipline, and protection to anticipate any potential risks associated with individual health conditions. In the event of any significant health conditions, an examination by a physician should be required by the adult supervisor. Those with physical disabilities can enjoy and benefit from aquatics if the disabilities are known and necessary precautions are taken.
- Safe Area
- When swimming in areas not regularly maintained and used for swimming activity, have lifeguards and swimmers systematically examine the bottom of the swimming area to determine varying depths, currents, deep holes, rocks, and stumps. Mark off the area for three groups: not more than 3 1/2 feet deep for nonswimmers; from shallow water to just over the head for beginners; deep water not over 12 feet for swimmers. A participant should not be permitted to swim in an area where he cannot readily recover and maintain his footing, or cannot maintain his position on the water, because of swimming ability or water flow. When setting up a safe swimming area in natural waters, use poles stuck in the bottom, or plastic bottles, balloons, or sticks attached to rock anchors with twine for boundary markers. Enclose nonswimmer and beginner areas with buoy lines (twine and floats) between markers. Mark the outer bounds of the swimmer's area with floats. Be sure that clear-water depth is at least 7 feet before allowing anyone to dive into the water. Diving is prohibited from any height more than 40 inches above the water surface; feet-first entry is prohibited from more than 60 inches above the water. For any entry from more than 18 inches above the water surface, clear-water depth must be 10 to 12 feet. Only surface swimming is permitted in turbid water. Swimming is not permitted in water more than 12 feet deep, in turbid water where poor visibility and depth would interfere with emergency recognition or prompt rescue, or in whitewater, unless all participants wear appropriate personal flotation devices and the supervisor determines that swimming with personal flotation equipment is safe under the circumstances.
- Lifeguards on Duty
- Swim only where there are lifeguards on duty. For unit swims in areas where lifeguards are not provided by others, the supervisor should designate two capable swimmers as lifeguards. Station them ashore, equipped with a lifeline (a 100-foot length of 3/8-inch nylon cord). In an emergency, one carries out the line; the other feeds it out from shore, then pulls in his partner and the person being helped. In addition, if a boat is available, have two people, preferably capable swimmers, take it out?one rowing and the other equipped with a 10-foot pole or extra oar. Provide one guard for every 10 people in the water, and adjust the number and positioning of guards as needed to protect the particular area and activity.
- Lookout
- Station a lookout on the shore where it is possible to see and hear everything in all areas. The lookout may be the adult in charge of the swim and may give the buddy signals.
- Ability Groups
- Divide into three ability groups: Nonswimmers, beginners, and swimmers. Keep each group in its own area. Nonswimmers have not passed a swimming test. Beginners must pass this test: jump feetfirst into water over the head in depth, level off, swim 25 feet on the surface. Stop, turn sharply, resume swimming as before and return to the starting place. Swimmers must pass this test: jump feet first into water over the head in depth. Level off and swim 75 yards in a strong manner using one or more of the following strokes: sidestroke, breaststroke, trudgen, or crawl; then swim 25 yards using an easy resting backstroke. The 100 yards must be completed in one swim without stops and must include at least one sharp turn. After completing the swim, rest by floating. These classification tests should be renewed annually, preferably at the beginning of the season.
- Buddy System
- Pair every youth with another in the same ability group. Buddies check in and out of the swimming area together. Emphasize that each buddy lifeguards his buddy. Check everyone in the water about every 10 minutes, or as needed to keep the buddies together. The adult in charge signals for a buddy check with a single blast of a whistle or ring of a bell, and call "Buddies!" The adult counts slowly to 10 while buddies join and raise hands and remain still and silent. Guards check all areas, count the pairs, and compare the total with the number known to be in the water. Signal two blasts or bells to resume swimming. Signal three blasts or bells for checkout.
- Discipline
- Be sure everyone understands and agrees that swimming is allowed only with proper supervision and use of the complete Safe Swim Defense. The applicable rules should be presented and learned prior to the outing, and should be reviewed for all participants at the water's edge just before the swimming activity begins. Scouts should respect and follow all directions and rules of the adult supervisor. When people know the reason for rules and procedures they are more likely to follow them. Be strict and fair, showing no favoritism.
Requirement resources
- Swimming
- Your handbook is your primary reference. See Swimming skills for step-by-step instructions and lesson video links.
- See also: Swimming & Lifesaving merit badge pamphlets • Guide to Safe Scouting • Safe Swim Defense • Safety Afloat
Related awards
|Aquatic-related awards
|Emergency Preparedness-related awards
External links
- Boy Scouts of America: Safe Swim Defense
- BSA Safe Swim Defense - The BSA Online Learning Center e-learning course for the Safe Swim Defense program
- Guide to Safe Scouting: Aquatics Safety


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I normally put way more stock in the matchups than the other stuff, but this games feels different. Kind of like the first St Louis game felt all wrong, and Miami felt all wrong coming off the bye.
Except opposite.
I just heard Pete on 710. he was Kite high. loose. giddy. This is an opportunity, and he is going to put Irvin in a position to succeed. Screw the early start east coast thing, it doesn't matter. Pete is hyped.
The big balls Pete is going to Atlanta.
Atlanta is tight.
The coaching staff in Atlanta has tried three different approaches to the first playoff game now. They are searching after coming up snakeyes twice in a row. They don't fear the Seahawks, but they really do fear having another post season failure.
They are feeling pressure. "We have to stop the run" were some of the words the head coach used. They spent last week trying to work on some fundamentals they feel were weak, things like better tackling. There are no padded practices now, so how they do that is beyond me. They want to work on attack angles, which is directly tied to not letting Wilson extend plays.
Mike Smith begged fans to show up on time and be in their seats for warmups. The players are begging fans to make noise in their interviews. Promises of eyes on Wilson at all times. Saying how physical Seattle plays, so we have to make sure we play physical. We have seen enough teams try to manufacture physicality to know it isn't that easy.
I know, there is nothing to hang your hat on in any of those things. Nothing real or tangible. But after getting all angsty this week over some stuff, I am just convinced that Seattle will be the much looser team on Sunday. And I think "Lets do what we do" beats "Don't eff it up" every time.


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The line has been used as a fundamental form of visual expression in art history since times immemorial. Influential pieces of art have been created by many artists including photographers, sculptors that have delighted the audiences in huge numbers. Line art normally is featured in black and white and color hues and shading elements are absent. The major reason for this used to be to let the lines remain the focus of attention. Sketches form the main element of line drawings though they can be complete standalone artwork pieces too. Line is basic to arts and the first exercise generally given to art students is to use a single line to draw a form without lifting the medium of drawing.
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text: St.Paul's Hill (A'Famosa) ADD TO TRIP PLANNER REMOVE FROM TRIP PLANNER The Portuguese colonised Melaka from 1511 to 1641. The first thing they did was build a fort overlooking the river, calling it A'Famosa. As Melaka was the centre of struggles between super powers of the time, and suffered the constant threat of attack, the A'Famosa fort was critical in Portugal maintaining its colonial foothold in the Far East. Within the fort walls were housing and food stores, a castle, a meeting room for the Portuguese Council and five churches. A seven-month attack by the Dutch just about destroyed the entire fortress, leaving only the entrance faade and the structure of a church at the top of the hill. Go for a stroll up St. Paul's Hill on a cool late afternoon and wander among the majestic trees and historical remnants. Here, you can almost imagine the glories and miseries of the besieged lives the Portuguese would have led right here all those years ago... Getting Here By Foot or TaxiBecause of St. Paul's Hill's very central location, it is very easy to get to and from if you are staying in Melaka. Who To Contact Department of National Heritage Phone: +606 - 288 3599 Tourism Malaysia Melaka Office Phone: +606 - 288 3304/ 1549/ 3785 Related Brochure View all brochure


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Most Muslin are painted to be hung at approximately 10' (3 meters). Spot clean only using a damp cloth. Typically darker colors tend to fade slightly.
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Item Description
Journal of the Council of the Territory of Kansas, At Their First Session
Author: No authors specified.
Date: July 2 through August 30, 1855
This printed document contained the actions of the First Territorial Council (Senate). It first met at the town of Pawnee near Fort Riley on Monday July 2, 1855. On July 6, 1855, the House of Representatives approved a resolution sent to them by the Council that moved the meeting of the Legislature to Shawnee Manual Labor School beginning July 16, 1855. This session of the Council concluded this first session on August 30, 1855. Included in the volume are various messages from the Governor and Acting Governor. The appendix contained reports of various committees--judiciary, special committee on exempting slaves from execution, bounds of counties and districts, elections, convention, public printing. The appendix also had the "opinion of the Supreme Court in regard to the legality of the present session" by Samuel Lecompte and Rush Elmore, a memorial from the legislature of Kansas to the President of the United States requesting the removal of Andrew Reeder, and the Rules and Orders under which the House of Representatives conducted business. The last 52 pages were an index to the volume. The members of the Council were Thomas Johnson and Edward Chapman, 1st Council District; A. M. Coffey and David Lykins, 4th Council District; William Barbee, 5th Council District; John W. Forman, 7th district; William P. Richardson, 8th district; D. A. N. Grover, 9th district; L. J. Eastin and Richard R. Rees, 10th district. The elections in the 2nd, 3rd, and 6th Council Districts were disputed but Andrew Macdonald, 2nd Council district, H. J. Strickler, 3rd district; and John Donaldson, 6th district were sworn in as members of the Council. John A. Haldeman served as the Chief Clerk.
Location of Original: KSHS Call Number: SP 328.1 K13
Item Number: 102914 Number of images: 340
Keywords: Barbee, William; Chapman, Edward; Coffey, A. M.; Courts; Donaldson, John; Eastin, Lucian J.; Elmore, Rush; Forman, John W.; Geary County, Kansas; Grover, D. A. N.; Halderman, John Adams; Johnson County, Kansas Territory; Johnson, Thomas; Kansas Territory. Governor; Kansas Territory. Legislature; Lecompte, Samuel D. (Samuel Dexter), 1814-1888; Lykins, David; Macdonald, Andrew; Pawnee, Kansas Territory; Reeder, Andrew H. (Andrew Horatio), 1807-1864; Rees, Richard R.; Richardson, William P.; Shawnee Manual Labor School; Strickler, Hiram Jackson; Woodson, Daniel
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Browsing British Columbia » Armstrong » Active Living » Travel For Seniors
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Their Saucisson Sec is a pork sausage, naturally air-dried. Made from a time-honored recipe from the mountains of France. The inclusion of porcini mushroom makes this cured sausage a must-have for any mushroom lover. A time honored recipe from the Pyrenees mountains of France, now handmade in the USA!
Refrigerate after opening.


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Manuel Corradine - Sergio RamirezAuthor
Manuel Corradine - Sergio RamirezTrademark
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Busoni Ornaments TT W95 Regular
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Copyright (c) 2009 by Jonathan Barnbrook & Marcus Leis Allion. All rights reserved.Description
Copyright (c) 2009 by Jonathan Barnbrook & Marcus Leis Allion. All rights reserved.License
====================================End User License Agreement (EULA)====================================By downloading and/or installing Virus Fonts software you agree to the following terms: 1. The Virus Font Software is licensed for use at one (1) location with a maximum of five (5) devices. For example: five (4) CPUs and one (1) printer. 2. Use of the Virus Font Software at more than one (1) location or with more than six (5) devices requires a Multi-Device Site License upgrade. To determine the number of devices, add up all CPUs, workstations, printers, and other devices that use the fonts. A device may be, but is not limited to, a printer, rasterizer, video display terminal, CPU, workstation or any device where the font software is rasterized or display of the Virus Font is generated from font software outlines using Adobe Type Manager or similar software. For example, a display terminal shall be considered a device if the Virus Font outline is embedded or otherwise included for viewing by end users in a multimedia CD. 3. Except as permitted herein, you may not modify, adapt, translate, reverse engineer, decompile, disassemble, alter or otherwise copy the Virus Font Software. 4. You are permitted to make a single back-up copy. The Virus Font Software or documentation may not be sublicensed, sold, leased, rented, lent, or given away to another person or entity. 5. The Virus Font Software may be returned or exchanged only if defective. Defective software will be replaced when accompanied by a valid sales receipt and Virus is notified within one (1) week of purchase. 6. You agree that any derivative works created by you from the Virus Font Software, including, but not limited to, software, EPS files, or other electronic works, are considered derivative works and use of the derivative work is subject to the terms and conditions of this License Agreement. Derivative works may not be sublicensed, sold, leased, rented, lent, or given away without written permission from Virus. Virus shall not be responsible for unauthorized, modified and/or regenerated software or derivative works. Embedding of the Virus Fonts Software in any form is strictly prohibited without an additional license. 7. The Virus Font Software is protected under domestic and international trademark and copyright law. You agree to identify the Virus fonts by name and credit Virus's ownership of the trademarks and copyrights in any design or production credits. 8. Any breach of the terms of this Agreement shall be cause for termination. In the event of termination, and without limitation of any remedies under law and equity, you agree to immediately return the Font Software to Virus and certify that no copy remains in your possession or control. 9. VIRUS MAKES NO WARRANTIES, EXPRESS OR IMPLIED AS TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR OTHERWISE. WITHOUT LIMITING THE FOREGOING, VIRUS SHALL IN NO EVENT BE LIABLE TO THE LICENSED USER OR ANY OTHER THIRD PARTY FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF NOTIFIED IN ADVANCE. UNDER NO CIRCUMSTANCES SHALL VIRUS'S LIABILITY EXCEED THE REPLACEMENT COST OF THE SOFTWARE. LICENSE UPGRADES The Virus Font Software is licensed for use at a single location for use with a maximum of six (6) devices. For example: (1) printer with up to five (5) CPUs. The Virus Font Software may not be shared between locations or business entities. Each additional location and/or entity must purchase a separate license to be used in accordance with the terms of the Virus Font Software License. License upgrades may be purchased for use with additional devices. The upgrade price is calculated as a percentage of the original price of the software. Some states or jurisdictions do not allow the exclusion or limitations of implied warranties and incidental, consequential or special damages. The exclusions or limitations contained in the Virus Font Software License Agreement may not apply to you. Restrictions to exclusions and/or limitations of the Virus Font Software License Agreement shall only be effective to the minimum extent permitted by your state or jurisdiction and only if required by your state or jurisdiction. Under no circumstances shall the exclusions and/or limitations of the Virus Font Software License Agreement be greater than thirty (30) days after the date of purchase or the minimum time allowed by your state or jurisdiction, whichever is shorter. Thereafter, all the exclusions and/or limitations of the Virus Font Software License Agreement shall apply. The Virus Font Software License Agreement gives you specific legal rights and you may have other rights that vary from state to state.
BioPlasm W01
Linotype GmbHTrademark
Linotype BioPlasm is a trademark of Linotype GmbH and may be registered in certain jurisdictions.Copyright
Copyright 2005 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype BioPlasm is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Mauro Carichini. The design may be protected in certain jurisdictions.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
nils merkelTrademark
HYPE is a trademark of nils merkel.Copyright
Copyright (c) 2012 by nils merkel. All rights reserved.Description
Copyright (c) 2012 by . All rights reserved.
Gianotten LT W01 Italic
Linotype GmbHTrademark
Linotype Gianotten is a trademark of Linotype GmbH and may be registered in certain jurisdictions.Copyright
Copyright 2000 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype Gianotten is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Antonio Pace. The design may be protected in certain jurisdictions.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
P22 Garamouche W95 Ornaments
P22 type foundry, Inc.Author
Richard Kegler, James GrieshaberTrademark
P22 Garamouche Ornaments is a trademark of P22 type foundry, Inc..Copyright
2007 by P22 type foundry, Inc. All rights reserved.Description
2007 by P22 type foundry, Inc. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
Kubikajiri W00 Regular
David KerkhoffAuthor
David KerkhoffTrademark
Kubikajiri is a trademark of David Kerkhoff.Copyright
Copyright (c) 2011 by David Kerkhoff. All rights reserved.License
END USER LICENSE AGREEMENTBy installing, copying, or otherwise using fonts by David Kerkhoff, you agree to be bound by the terms of this EULA. This license agreement represents the entire agreement, concerning the font, between you and David Kerkhoff (a.k.a. Hanoded Photography), (referred to as licenser), and it supersedes any prior proposal, representation, or understanding between the parties. If you do not agree to the terms of this EULA, do not install or use fonts by David Kerkhoff. Any font by David Kerkhoff is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The fonts are licensed, not sold.1. GRANT OF LICENSE.The font is licensed as follows:(a) Installation and Use.David Kerkhoff grants you the right to install and use the font(s) for any purpose you see fit (except those mentioned in (d) exceptions), commercial or non-commercial, on websites or in print, as long as you do not sell or resell the font(s) on their own, or claim them as your own. You can install the font(s) on one computer only.(b) Backup Copies.You may make copies of the font(s) as may be necessary for backup and archival purposes.(c) EmbeddingFonts by David Kerkhoff may not be embedded in software, games, computer programs or the like. For this a special license is required. Embedding in PDF or print, in graphics, images or vectors is granted and no special license is required.(d) Exceptions Fonts by David Kerkhoff may NOT be used for pornographic, derogatory, defamatory or racist material (in any form, printed or virtual); fonts by David Kerkhoff may NOT be used by individuals or companies involved in child abuse, child pornography or child labour; fonts by David Kerkhoff may NOT be used by individuals or companies involved in destruction of natural resources and/or habitat, logging (even legal), palm oil exploitation/harvesting, tuna fishing, whaling, animal trafficking (be they wild or domesticated), oil and/or gas drilling or transporting and mining. Fonts by David Kerkhoff may NOT be used by missionaries, individuals or institutions of any creed or faith for the purpose of converting others to their creed or faith. Fonts by David Kerkhoff may NOT be used to instigate terror, hate, intolerance, fear or racism.2. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS. (a) Maintenance of Copyright Notices. You must not remove or alter any copyright notices on any and all copies of fonts by David Kerkhoff and you may not alter any information contained within the font itself. (b) Distribution. You may not distribute registered copies of fonts by David Kerkhoff to third parties in any way; not for free/as a gift, nor for money/exchange of goods. (c) Prohibition on Modifications, Enhancements, Alterations. You may not alter, modify, enhance or decompose any fonts made by David Kerkhoff, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.3. TERMINATIONWithout prejudice to any other rights, David Kerkhoff may terminate this EULA if you fail to comply with the terms and conditions of this EULA. In such event, you must destroy all copies of David Kerkhoff's fonts in your possession.4. COPYRIGHTAll title, including but not limited to copyrights, in and to fonts by David Kerkhoff and any copies thereof are owned by David Kerkhoff or his suppliers. All title and intellectual property rights in and to the content which may be accessed through use of fonts by David Kerkhoff is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants you no rights to use such content. All rights not expressly granted are reserved by David Kerkhoff.5. NO WARRANTIESDavid Kerkhoff expressly disclaims any warranty for the font(s). Fonts by David Kerkhoff are provided 'As Is' without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, non-infringement, or fitness of a particular purpose. David Kerkhoff does not warrant or assume responsibility for the accuracy or completeness of any glyph, character, picture or accent within the fonts. David Kerkhoff further expressly disclaims any warranty or representation to Authorized Users or to any third party.6. LIMITATION OF LIABILITYIn no event shall David Kerkhoff be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) rising out of 'Authorized Users' use of or inability to use fonts by David Kerkhoff. David Kerkhoff shall have no liability with respect to the content of any fonts by David Kerkhoff, or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information. 2010/2011 David Kerkhoff / Hanoded Photographywww.hanodedphotography.com
Tribal Butterflies
Tribal ButterfliesStyle
1.00 April 23, 2012, initial releaseCopyright
Typeface TattooWoo.com. 2012. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.com


text:
Down by the riverside there is a quaint little teahouse run by our heroine, Geraldine, who's only desire is to spread her love of the golden beverage - But what's going to happen to her business when a new coffee house springs up right next door?! And what is the meaning of Cafe Suada? Find out in this story of tea, coffee and romance!
Hullo there! I'm Jade, a Lincoln based illustrator and comic artist. I really like tea, dogs and old books.
I graduated from the University of Lincoln in 2011 with a first class honours degree in Illustration, and I started self-publishing my teastained comic series Cafe Suada shortly after that. My style is a fusion of British roots with Japanese influences, and combines digital and traditional techniques. In 2013 I was nominated for Best Emerging Talent in the British Comic Awards, and in 2014 I won the Myriad Editions First Graphic Novel competition with an extract from my graphic novel For the Love of God, Marie!, published July 2016.
I'm also a keen exhibitor, workshop leader and charicaturist and I can often be found at comic events such as Comic Con, Thoughtbubble, Comiket and others.
Betcha didn't think you'd see the fortuneteller and her amazing nails again.


text:
Note:Top Gainer - Nifty 50
Note:Top Loser - Nifty 50
Expiry Dt:More
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text:
- 10cm x 8cm
- 3D PVC Patch
- Velcro Backed
A Velcro backed 3D PVC vanity patch designed to be attached to rigs, vests, bags, and pretty much anywhere with spare Velcro panels.
The patch features a dark maroon background, raised 3D text in a mix of greens saying 'SLUT HUNTER' and a loose lady of the night in a provactive and submissive position that provides excellent defensive buffs against attacks. Show the world that you're a true gentleman, and that it's not your fault you repeatedly end up 'friendzoned' - it's their loss! This patch would be perfect when mounted on some kind of tactical fedora.
- Raised 3D text
- Distinct image outlines
- Large sized patch
- Eyecatching design
Package Includes:
- 'Slut Hunter' PVC 3D Patch
Tactical Equipment Type
Product Height
Approx. 8cm
Product Width
Approx. 10cm
Approx. 0.03kg
Patch Specific
Free Form
Delivery & returns
Postage Estimates
Below are some rough postage prices for orders. Please note these are subject to change, and are only a rough guide. For more accurate postage estimate please use the Postage Calculator at the basket.
UK Standard
UK Next Day
Highlands / Islands
* Please note that Scottish Highlands, Islands and EU post prices can vary wildly. Prices range from £8.99, up to £29.99, so please ensure you refer to the Postage Calculator at the basket for the lowest possible price.
For more detailed information please see our Delivery Information.
We are proud of our rapid delivery which, comprises of Royal Mail 1nd class recorded and courrier next working day to mainland UK. We also ship to EU countries; Scottish Highlands and Islands which are a minimum of a two day service and are shipped by land / sea. Our deliveries are made by DPD and Royal Mail recorded 1st or 2nd class signed for, and Royal Mail Standard.
We deliver from Monday to Friday, and Saturday with a special service. If more than 7 days have passed since we confirmed dispatch and your order has not arrived, then please call our Customer Care team on 01484 644709. If we don't have stock of an item then we will call and email you letting you know that it is out of stock, and we will send it to you as soon as stock becomes available. If you want to cancel any item/s that are out of stock once order you can. For most UK deliveries postage & packing is based upon the value, size and weight of your order.
We always look to fulfil every order in full on time, but on the odd occasion an item is missing we will attempt to contact you prior to shipping. If your order is a Next Day service, and we cannot contact you, we will refund the missing item(s), and ship the rest of the order immediately.
Upon signing for the delivery you are accepting the correct delivery for your items, however, we do understand that you might not be able to open your package straight away so you have up to 48 Hours to advise us of missing / incorrect items.
Please note we do not compensate in any way for time spent waiting in for deliveries that do not arrive, we do however accept that in life, mistakes and circumstances happen that can unfortunately mean that your item may not be delivered next day as requested e.g. bad weather, computer error etc. If such mistakes do occur we will refund your postage charge in full and by agreeing to the previous sentence and proceeding with the order you accept that we have done everything we can to help you obtain the package.
For orders outside of the UK Mainland please specify your location when calculating postage.
For all international orders there may be an additional postage charge on top of that quoted. You will be contacted if this applies for your order. If the postage costs are too high, you may cancel your order at any time prior to dispatch.
Courier Specific Information
You will receive tracking information when your order has been processed for shipping.
Please note that UPS will make one delivery attempt to deliver your parcel.
If no one is available to receive the package at the address, then at the drivers discretion, the parcel will either be re-scheduled for the next working day or sent to a UPS Access Point.
If the parcel is too large to be left at a UPS Access Point (eg a package containing a large plate carrier or replica) then it will be returned to the sender, in this case us, Patrol Base Ltd.
It is the customers responsibility to check tracking, and if a parcel is taken to an access point it will need to be collected within 10 days.
Further delivery attempts may incur additional delivery costs.
You will receive tracking information when your order has been processed for shipping.
Please note that DPD will make up to two delivery attempt to deliver your parcel.
After the first attempt the parcel will be taken back to their depot and attempted the next day, if after this the parcel is not delivered it will be returned to the sender, in this case us, Patrol Base Ltd.
Further delivery attempts may incur additional delivery costs.
For more detailed information please see our Returns Policy Page.
You can cancel any order that has not been dispatched. Please call our Customer Care team on 01484 644709 between 9:30am and 5:00pm or log onto the website and check the status of your order in your account.
If you do want to arrange the return of an item, simply call our friendly Customer Care team on 01484 644709 from 9:30am to 5:00pm and they will explain how to return the items.
Alternatively you can get in touch with us via our Contact Us Page.
If you are returning a product because it is faulty or something is wrong then we will pay for it to be returned to us. The Customer Care Team will arrange for cost you incur to be refunded.
You can return any item for any reason whatsoever, even if you have just changed your mind, within 14 days of receipt of the order. This is in addition to your rights under the Consumer Protection (Distance Selling) Regulations 2000.
We want you to be absolutely happy with our products and services, so we provide the simple Patrol Base guarantee: if on receiving your item you are unhappy with your item for any reason then simply send it back to us. We will replace or refund the item.
This guarantee ensures that if you are unsure about what you are purchasing you have the peace of mind of knowing that we are here to help. In addition, if you decide that you made a mistake or you change your mind then please send the goods back within 14 days of receipt. Sadly, this can only apply to standard range products; we cannot accept back any item that has been made to order i.e. Two Tone Airsoft equipment.
Upon signing for the delivery you are accepting the correct delivery for your items, however, we do
understand that you might not be able to open your package straight away so you have up to 48 Hours to
advise us of missing / incorrect items.
If you do decide to return anything for whatever reason then please get in touch with us via our Contact Us Page for a copy of our returns form.
If you do send goods back for any reason other than a fault you will normally be asked to pay the carriage charges, we would just have to recover the costs in our prices. We would rather be completely straight with you, keep our prices as low as possible, and just ask you to pay if you choose to return anything.
Any none faulty return must be shipped back in full re-saleable order with original undamaged packaging.


text:
[no description entered]
Alaska Fire Portal
The Alaska Fire Portal provides information about fire science and technology relevant to Alaska. Our goal is to provide "one-stop shopping" for resource managers, decision makers, scientists, students, and communities who want access to the results of efforts to understand and manage fire and fuels on lands in Alaska. Content may also be relevant to boreal forests of western Canada.
A substantial amount of the Alaska-related content was originally compiled through the FIREHouse project (the Northwest and Alaska Fire Research Clearinghouse), funded by the Joint Fire Science Program, and its two related projects: the Alaska Reference Database, (which was merged the FRAMES Resource Catalog, accessible through the "Catalog Records" tab below) and the Alaska Fire and Fuels Research Map, hosted through the AICC ArcIMS mapping website.
Check out the JFSP Fire Exchange(s) located in this region
Highlighted Content
Alaska Fire and Fuels Research Map
The Alaska Fire and Fuels Research Map provides online site-level information and locations for fire and fuels-related studies through a map interface. Funding was provided by the Joint Fire Science Program and it is hosted through the Alaska Interagency Coordination Center.
Alaska Reference Database
The Alaska Reference Database provides a listing of fire research publications relevant to Alaska and a venue for sharing unpublished agency reports and works in progress. The Joint Fire Science Program provided initial funding.
Upcoming Events
- Related FRAMES Sites
- Catalog Records
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Job: Postdoc Position in Interdisciplinary Analysis of Economic Impacts of Climate Change in Alaska - University of Alaska / ACCAP - Fairbanks, AK (posted Sep 18, 2019)
The Alaska Center for Climate Assessment and Policy (ACCAP) seeks a post-doctoral research fellow to explore the social and economic impacts of climate change in Alaska from an interdisciplinary perspective.
Possible sectors of analysis include but are not limited to:
- fisheries (including ocean acidification),
- transportation (and trans-Arctic shipping),
- infrastructure, mineral,
- oil & gas resource development,
- mixed-subsistence economies, and
- the provision of related climate services.
- We are also interested in an analysis of the economic impacts of ACCAP's work.
This post-doctoral fellowship includes opportunities to directly engage ACCAP's partners and stakeholders in use-inspired basic research and knowledge co-production. The person in this position will work closely in an interdisciplinary team environment that includes a spectrum of senior scientists, junior scientists, graduate students, and research professionals. Collaborating organizations include the Center for Arctic Policy Studies (CAPS) at UAF, the Institute of Social and Economic Research (ISER) at the University of Alaska, Anchorage, and other ACCAP partner organizations.
- Desired state date: Negotiable. As soon as possible.
- Duration: 2 year, term funded
- Location: International Arctic Research Center, University of Alaska, Fairbanks
- Open until filled.
How to apply: please submit CV, contact information for three references, and a cover letter to Sarah Trainor, ACCAP Director with "Econ Post-Doc Application" in the subject line. The cover letter should include:
- A description of the candidate's PhD research,
- A statement of interest outlining potential research project, including sectors of interest, and research approach, and
- A description of past experience with research in Alaska and/or the Arctic.
Job: Postdoc Position in Assessing Climate Change Knowledge Co-Production and Boundary Spanning in Alaska - University of Alaska / ACCAP - Fairbanks, AK (posted Sep 18, 2019)
Climate change is occurring more rapidly in the Arctic than any region on Earth. Its impacts are being felt by Indigenous peoples as well as throughout a range of societal sectors, including wildfire management. Recent scholarship suggests that boundary spanning, translational ecology, and the process of knowledge co-production are effective in bridging the gap between science and decision-making and calls for building capacity by developing processes for effective evaluation and for training boundary spanning professionals.
We seek a post-doctoral research fellow to explore one or more of these inter-related research areas of knowledge co-production and boundary spanning assessment related to climate change in Alaska.
- Actions, processes, and mechanisms for use-inspired science.
- Metrics of success in knowledge co-production.
- Scientist and practitioner training in knowledge co-production and boundary spanning.
Requirements: experience and/or demonstrated capacity to contribute in one or more of the following topical areas:
- Indigenous evaluation, indigenous knowledge, cross-cultural communication
- Climate change science, application, communication, and knowledge co-production
- Wildfire science and boundary spanning
- Mixed-subsistence economies and community development
The post-doctoral research fellow will work closely in an interdisciplinary team environment that includes senior scientists, junior scientists, graduate students, and research professionals. Collaborating organizations include the Alaska Center for Climate Assessment and Policy (a NOAA Regional Integrated Science and Assessment team), the Alaska Fire Science Consortium (a member of the Joint Fire Science Program Fire Science Exchange Network), and the USDA Pacific Northwest Climate Hub.
- Desired start date: September 2019
- Duration: 2 year, term funded
- Location: International Arctic Research Center, University of Alaska Fairbanks
- Open until filled.
How to apply: please submit CV, contact information for three references, and a cover letter to Sarah Trainor, ACCAP Director with "Post-Doc Application" in the subject line. The cover letter should include:
- A description of the candidate's PhD research;
- A discussion of the candidate's research interests and experience relevant to one or more of the numbered research areas listed above;
- A discussion of the candidate's research interests and experience relevant to one or more of the bulleted topical areas listed above;
- A brief proposed plan for investigating one or more of the research areas listed above. This should include the data collection and analysis methods with which you are experienced and familiar as well as possible additional methods you have an interest in learning.
Funding: FY20 USGS Community for Data Integration Request for Proposals Released (posted Sep 16, 2019)
USGS Core Science Systems and Office of Enterprise Information leadership is excited to announce the FY20 USGS Community for Data Integration (CDI) Request for Proposals.
All interested scientists and staff are urged to consider participating in this opportunity to engage with a dynamic team that spans all mission areas and regions. With more than 1300 members, a major program goal is to support the advancement of USGS science through technical innovation and data integration. This year, CDI is encouraging proposals that produce building blocks for an Integrated Predictive Science Capacity with the following themes:
- Projects that address one of the major components of the USGS Director's vision to:
a. Integrate USGS data into a comprehensive data lake;
b. Develop, test, and apply an integrated predictive science capability (EarthMAP) that incorporates data, interpretations, and knowledge spanning discipline boundaries, geographies, and sectors;
c. Provide actionable intelligence that can be used via dashboards and applications to enhance situational awareness, provide new operational capabilities, and inform decision making, using technologies such as artificial intelligence, machine learning, and high performance computing.
- Tools and methods supporting wildland fire and water prediction, aligned with the EarthMAP (Earth Monitoring, Analyses, and Projections) vision (Jenni et al., 2018).
- Producing FAIR (Findable, Accessible, Interoperable, and Reusable) data and tools for Integrated Predictive Science Capacity (see the Enabling FAIR Data site).
- Reusing or repurposing modular tools such as those that were developed by previous CDI projects, including the CDI Risk Map
One-page statements of interest are invited for submission and are due by Friday, October 11, 2019 at 5 pm ET.
Refer to the Related Event link to the right (or below) regarding a webinar that will provide more information about the proposal process.
Job: Research Environmental Engineer/Research Meteorologist - USDA Forest Service (posted Sep 11, 2019)
The USDA Forest Service, Pacific Northwest Research Station (PNW) invites applications for a permanent full-time Research Meteorologist (series 1401) / Research Air Quality Engineer (series 0819) positionat the rank of GS-12, GS-13, or GS-14. The position is located at the Pacific Wildland Fire Sciences Laboratory in Seattle, Washington and is part of the AirFire Team of the Threat Characterization and Management Program. Applications can be submitted via the USAJOBS website:https://www.usajobs.gov/GetJob/ViewDetails/544454700
The PNW Research Station is one of seven research units in the USDA Forest Service. The Forest Service conducts the most extensive and productive program of integrated forestry research in the world. Scientific information produced by the USDA Forest Service AirFire Team focuses on understanding fire-atmosphere interactions, air quality, and climate with respect to wildland fire. AirFire's research has application the across United States and in other parts of the world. The Station's programs reflect the changing character of the questions that science is being asked to help answer.
The scientist will provide expertise to generate knowledge about fire, atmosphere, and chemistry interactions that can lead to better modeling of wildland fire emissions, plumes, and smoke. The knowledge is used to develop and deliver innovative and effective strategies, methods, and tools so people can plan, manage, or mitigate the changes, causes, and consequences associated with fire emissions and smoke.
Personal research assignment: The scientist serves as a fire/meteorology/air quality modeler and as one of four permanent, principal staff scientists with the AirFire Team. The AirFire team works closely together and the scientist is expected to collaborate on team projects within their area of expertise. The scientist is further expected to become the AirFire lead for one or more of the following critical areas of knowledge and research for the team, and participate in advancing the others: fire smoke modeling frameworks and real-time tools; coupled fire/atmosphere/smoke modeling; field work; and remote sensing. In this role the scientist is expected to serve both leadership roles within the team and also to be a national and international resource for the U.S. Forest Service, Department of Agriculture, and broader air quality community.
The scientist has roles across all three of AirFire's problem areas: air quality, meteorology, and climate. Air Quality: The scientist helps lead advancements in atmospheric/air quality modeling, including acquisition and implementation of remotely-sensed data into models. The scientist has a primary role in assessing new satellite products for their utility towards the smoke modeling frameworks. The scientist is expected to participate in and potentially lead field campaigns focused on wildland fire smoke. Meteorology: The scientist works to understand the coupled dynamics of fire-atmosphere and fire-atmosphere-smoke interactions including how these dynamics affect fire behavior and consumption and lead to the development of fire plumes that loft emissions into the atmosphere. Additionally, the scientist works to understand how advances in meteorological ensemble modeling can be applied to fire and smoke and how to codify this knowledge within numeric models and tools. Climate: The scientist, as one of the lead modelers, will assist with development of improved modeling strategies to quantify the above issues and the uncertainty surrounding them in future climate projections.
The scientist is expected to work nationally and to collaborate with the broader scientific community to create specific projects that can advance these goals. The scientist is also expected to engage directly with the management community including land managers, fire managers, and air quality regulators, and to support training of managers in areas related to their individual areas of expertise.
Location: Seattle and its surrounding areas are the major population center for Washington State. It is home to a number of research institutions and universities including the University of Washington, and numerous technical and environmental companies and non-profits. It is an innovative, highly-educated city featuring outstanding schools, diverse cultural centers, many outdoor activities, a thriving arts community, acclaimed restaurants, and a temperate climate. Seattle is served by both the SeaTac International Airport and the Paine Field Regional Airport as well as by train, bus, and ferry services.
The Forest Steward's Guild is looking to survey organizations that either currently practice prescribed fire or would like to in the future. This will help better understand the insurance market across the country and work with brokers and underwriters to produce a better product. They would like as broad of a sample as possible, spanning all types of fire practitioner backgrounds in order to best understand what is needed!
How you can help: take the survey and forward it to practitioners who might want insurance to implement prescribed burns or better prescribed fire insurance coverage than they currently have.
Prescribed fire is vital to ecosystems and is becoming widely regarded as a cost-effective management tool with major benefit. However, even the most carefully planned burn comes with some risk. This is an incredibly large barrier to implementation due to the lack of high-quality liability insurance available. This problem continues to grow as more agencies pull their prescribed fire insurance plans from the market.
The Forest Steward's Guild has struggled with this exact barrier and has uncovered some currently available options and potential long-term solutions. For more information on the background of this project and FAQs, please visit https://foreststewardsguild.org/prescribed-fire-insurance
In August the Environmental Protection Agency released guidance on documenting particulate matter or ozone events influenced by prescribed fire or wildland fire.
General: Nominate to join the International Association of Wildland Fires' (IAWF) Board of Directors (posted Aug 12, 2019)
Nominations are now open for new members of the International Association of Wildland Fires' (IAWF) Board of Directors. Nominations will be accepted through September 30, 2019 and successful candidates will begin their 3-year term on January 1, 2020. Individuals meeting the requirements may self-nominate.
Topics and Themes for this conference are:
The science behind restoration
- Principles of restoration ecology
- Linking restoration science and practice (outreach, extension, training)
- Ecological...
In 2008, a small group of landowners and conservation partners from the Blackfoot River valley and around the country gathered in western Montana to discuss aspects of landscape-scale collaborative conservation through public-private partnerships....
Use modern web-based geotechnologies to collect, map, spatially analyze, and explain the results of your work to others. These tools include Survey123, ArcGIS Online, Operations Dashboards, and story maps. Join geographer and educator Joseph Kerski for...
You know you need to understand your audience's perspective before you can build programming that will meet their needs (and yours), but how do you know what they're already doing on their land? What they think about your organization? What time of day...
In 2019, The Wildlife Society and American Fisheries Society will come together for the first-ever joint national conference of these two organizations. The event will likely be the largest gathering of fish and wildlife professionals ever, and will...
The 2019 NAISMA Annual Meeting will be a joint conference with the New York Invasive Species Research Institute, Cornell University, an internationally renowned center of academic research and outreach.
Conference sessions, presentations, and...
Smoke Managers Subcommittee is a collection of land and air quality managers from across North America interested in working together to facilitate an increase in prescribed burning while minimizing air quality impacts. All interested persons are...
The theme for the 2019 Alaska Wildland Fire Coordinating Group Interagency Fall Fire Review is "Transitions And What's Next – Information Gathering Is Rapidly Changing, Are We Changing How We Plan For And Respond To Fires?"
Mark your calendar for the 2019 Natural Areas Conference in Pittsburgh, PA October 8-10! The 46th Natural Areas Conference will take place at the Pittsburgh Sheraton, which is right on the waterfront at the place where the three rivers of Pittsburgh -...
Speaker: Eric Letvin, Deputy Assistant Administrator for Mitigation, Federal Emergency Management Agency
Webinar Description: This webinar will take a close look at FEMA's Building Resilient Infrastructure and...
This webinar will provide information about the USGS Community for Data Integration (CDI), the two phased Request For Proposals process for FY20, community voting, and the evaluation criteria used to select proposals. This valuable insight will...
The EPA will host a webinar providing an overview of its Guidance on Regional Haze State Implementation Plans for the Second Implementation Period.
The webinar link and call-in number can be found on the guidance website here:
Speaker: Keith Porter, Research Professor, Civil, Environmental, and Architectural Engineering, University of Colorado Boulder
Webinar Description: This webinar will explore the social challenges to implementing...
Sponsored by the Oak Woodlands & Forests Fire Consortium
The incidence and emergence of tick-borne diseases has increased dramatically in the past several decades. Thus, the need to identify practical, effective ways of reducing tick-borne...
Researchers will present results from a National Science Foundation-funded project studying management responses to Mountain Pine Beetle infestations in the western U.S. This research includes case studies of national forests and surrounding...
Speaker: Angela R. Gladwell, Deputy Assistant Administrator for the Risk Management Directorate within the Federal Insurance and Mitigation Administration, Federal Emergency Management Agency
Webinar Description:...
Co-hosted by AFSC and ACCAP, presentor Dan McEvoy of the Desert Research Institute and Western Regional Climate Center will be presenting a talk at UAF on Monday, Aug 12, 2019 11:00 AM AKDT.
Dan works on advancing drought monitoring technology,...
The community of people engaged in the science of ecology is transforming, bringing important new perspectives into the field. Inclusive approaches to ecology can build bridges between theory and practice, connect those working in disparate landscapes...
The FRI Research Symposium features forward-thinking presentations on the latest fire-based research and how it can be applied at the local level to improve fire service effectiveness. Leading researchers from around the world will present on topics...
Presenters: Shawn Carter, Acting Chief, USGS National Climate Adaptation Center, USGS and Prasanna Gowda, Research Leader, Grazinglands Research Laboratory, USDA - ARS


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The Fine Grind is known throughout
the area for its variety of community-driven events!
☕Talented authors lead book clubs and hold book signings
☕Local experts come to share their knowledge at free seminars
☕Musicians rock out two times a week
☕Our super fun Open Mics take place every Sunday evening
☕The Fine Grind supports crafty, local vendors
☕Artists display their masterpieces on a monthly basis and...
Well, there's just so much more,
you'll have to stop in and find out for yourself!
See below for our full calendar of events.
Back to All Events
Earlier Event: June 8Live Music with Nicholas Sagnella
Later Event: June 12Open Mic!


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Please fill out the field below, and we will send your friend a link to this page
This beautiful heart necklace showcases the mother's heart-shaped birthstone in the center and her family members at the bottom. You may personalize with an engraving. Most natural gemstones pictured have been subject to an enhancement process or treatment (e.g. heating, oiling, diffusion, waxing, etc.), which may not be permanent and may require special care. Generally, most treated gemstone jewelry should only be gently cleaned by rinsing in warm water and dried with a soft cloth. Please refer to the FAQ section below for more information about gemstone enhancements and special care recommendations.
Selected Style:
- How should I care for my treated gemstone jewelry?
Generally, most treated gemstone jewelry can be cleaned with mild liquid detergent mixed with warm water. Learn more about Color Stone Care .
- How should I care for my diamond jewelry?
Every Jared The Galleria of Jewelry store offers complimentary cleaning and inspection for your fine jewelry. But there are a few care and cleaning suggestions that you can use to make certain that your jewelry keeps its sparkle and shine. Over time, dirt, makeup and other substances can build up on the surface of your jewelry, taking away from its natural beauty. Generally, most diamond jewelry can be cleaned with mild liquid detergent mixed with warm water.
- What is the difference between a pendant and a necklace?
A pendant is the part of necklace that hangs down from either a chain or a strand. The term necklace refers to the total design and includes the chain, clasp and pendant. However, it is common practice for "pendant" and "necklace" to be used interchangeably.
- How do I choose the right length?
Necklaces and chains look different depending on how long they are and where they rest on the chest. Typical lengths include 16-inch choker (right above the collarbones), 18-inch princess (rests just below the collarbones), and 24-inch opera length (rests mid-chest). A necklace is measured from end to end and includes the clasp.
Chains for men are typically longer than those for women, given that their necks are wider. Also, when purchasing a necklace for an older person or someone who may have difficulty opening or closing a clasp, a longer chain is easier to slip overhead without having to manipulate clasps.
Some designs have an extra 2-inch chain called an extender that allows you to select a more comfortable length or to give your necklace additional style versatility.
- What if I want to design my own necklace?
Personalizing your own design is easy. You can add a charm or locket to a chain, select birthstones or gemstones and choose your favorite metal with our Personalized Jewelry, have an item engraved with an inscription or build a necklace part by part.
You can even combine your two favorite names or words with Ambigrams. An ambigram is an art form that may be read as one or more words from different viewpoints.
The choices are nearly limitless.
- How should I care for my cultured pearls?
When getting dressed, cultured pearls should be the last item put on and the first item taken off. Makeup, hairspray, perfume, and other chemicals are very harmful to cultured pearls. They can be gently washed in a mild soap or wiped with a damp cloth to remove daily build up and dirt. They should also be separated from other jewelry to avoid nicks and scratches.
- Why do you measure jewelry in millimeters?
The millimeter is our standard unit of measurement for jewelry dimensions. By using millimeters, we can provide you with the most accurate height, width and length for your jewelry. To give you a better idea of your jewelry's dimensions, 25 mm is approximately 1 inch. See below for other approximate conversions.
3 mm is approximately 1/8 inch
6 mm is approximately 1/4 inch
13 mm is approximately 1/2 inch
19 mm is approximately 3/4 inch
25 mm is approximately 1 inch
50 mm is approximately 2 inches
75 mm is approximately 3 inches
- What is the difference between white gold and platinum?
White gold is pure gold that is mixed with alloys to give it a white color. Platinum is pure metal that is naturally white and much more durable and stronger than white gold.
Are you looking for more detailed information? Click here to learn more at JewelryWise.com
- What is the difference between carat and karat?
A carat is a unit of measure for diamond weight and is evaluated on a point system. One carat is equivalent to 100 points.
A karat is the standard measurement of gold, which is divided into 24 parts. Pure gold is 24 karats, meaning 24 out of 24 parts are gold.
- What are alternative metals?
Metals such as titanium, stainless steel and tungsten are considered non-traditional jewelry metals. These metals are growing in popularity and offer variety when shopping for jewelry.
Are you looking for more detailed information? Click here to learn more with our alternative metals guide.
- What determines the price of a diamond?
A diamond's value is determined by its carat weight, color, cut and clarity. To get a better understanding of the 4Cs and see how each C affects the price of a diamond, please visit our 4Cs diamond guide.
- What are the 4Cs of diamonds?
The 4Cs of diamonds are the characteristics that determine the value of a diamond. They are: Cut, Clarity, Color, Carat. For more information about the 4Cs and how to prioritize them please visit our 4Cs diamond guide.
Expert Jewelry Advice
Head to our Jewelry Education Center to get answers to your jewelry questions.


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Premium Service & Value with Princess Cruise Lines & Dream Vacations
Take a break from the everyday aboard a premium Princess Cruise. With intimate public spaces and warm, attentive service, Princess Cruises provides the comfortable elegance of a small ship with all the amenities of a large one. From the Alaskan glaciers to the Caribbean islands, choose from over 100 award-winning itineraries sailing to over 330 ports on all 7 continents. With such incredible destinations and unbeatable deals from Dream Vacations, it's easy to take Princess's signature slogan to heart and "escape completely."
Onboard, escape to The Sanctuary, an outdoor spa complete with plush lounge chairs, light snacks and beverages, relaxing music, massage treatments, and sunset yoga sessions. Join your fellow passengers for Movies Under the Stars, a 300 square foot poolside movie theater set against the backdrop of the night sky. Spend the evening sipping cocktails in one of the ship's cozy lounges, watching a comedy act in the theatre, or dancing the night away in the ballroom.
When it comes to dining, Princess Cruises gives you the freedom to choose Traditional Dining, with fixed time and reserved seating, or Anytime Dining, with the flexibility to choose when and where to eat each day. Your restaurant options are diverse: grab a bite from the 24-hour International Cafe, go gourmet at the Vines Wine and Seafood Bar, or choose a specialty restaurant for authentic Italian or Cajun fare.
With exceptional service, an array of onboard activities, and unique itineraries spanning the globe, your Princess Cruise vacation is guaranteed to be anything but ordinary. Stop dreaming, and start planning your perfect trip today with Dream Vacations and Princess Cruises.
Europe Princess Cruises
Get the most out of your getaway with a Princess Cruise to Europe. Visit the world's most diverse and exciting cities with convenient itineraries ranging from a long weekend to a month-long voyage. Escape to the Mediterranean to take a nighttime gondola ride in Venice, Italy, return to the golden age in Athens, Greece, and marvel at Picassos in Barcelona, Spain. Cruise the fjords in unbelievably picturesque Bergen, Norway, take a bike tour in Copenhagen, Denmark, or head to the British Isles to explore Ireland, Scotland, and England. With so many incredible destination options, Princess Cruises makes it easy to choose your own ideal adventure.
Departure Ports for Europe Princess Cruises:
Caribbean, Mexico & More Princess Cruises
Take the ultimate getaway to paradise on a Princess Caribbean Cruise. Dive among coral reefs and caves in Belize, explore sunken shipwrecks in Aruba, or visit the colorful floating markets in Curacao. On land, stroll the historic cobblestone streets of San Juan, Puerto Rico or take advantage of duty-free shopping in St. Thomas. Princess Caribbean itineraries range from exciting 4-day jaunts to relaxing 20-night voyages-pick your perfect island vacation below!
Departure Ports for Caribbean, Mexico & More Princess Cruises:
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Alaska Princess Cruises
For picture-perfect scenery and wildlife, look no further than an Alaska Princess Cruise. Consistently voted "Best Cruise Line in Alaska" by Travel Weekly, Princess Cruises offers 7- to 14-night sailings through Glacier Bay National Park or through the Inside Passage to the stunning Tracy Arm Fjord. Spot bald eagles, whales, and sea lions as you relax on your balcony on the way to Juneau or Skagway. Watch black bears catch salmon in Neets Bay near the port of Ketchikan. To get even more up-close-and-personal with the Alaskan wilderness, consider a Princess "cruisetour" package, which includes land tours guided by experts or extra days to explore on your own.
Departure Ports for Alaska Princess Cruises:
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Book an eligible stateroom on any qualifying sailing and receive a free upgrade! In some cases, you'll be upgraded to a more desirable location aboard your ship. In other instances, you'll be upgraded to a stateroom with extra space and/or a better view. It's also possible that you might receive all of these benefits. Select your sailing date to see which upgrades are available.


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Dogs & Cats Magazine Subscriptions
Modern Dog magazine features breed profiles, health and wellness tips, heartwarming rescue stories, informative product reviews, and advice on behavioral problems. Bark magazine is another popular option. Published under the tagline "My Dog is my Co-pilot," each quarterly issue of Bark magazine features sections on pet care, dog-friendly travel destinations, veterinarian advice, and more. You may also benefit from a subscription to a niche magazine such as Just Labs, The Pointing Dog Journal, or Gun Dog.
If you have a cat, consider subscribing to Cat Fancy or Modern Cat. Cat Fancy is filled with product reviews and timely advice. Modern Cat features giveaways, cute photo contests, and articles on how to properly care for your cat.
Pet lovers everywhere will enjoy a subscription to one of our magazines. Peruse our website to see the current deals and discounts available on cat and dog magazines. Whether you are a feline fan or a canine lover, you're sure to find a magazine you will enjoy!