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Eventide H3000 Band Delays - Simple compositions can sound complex and three-dimensional
by on 09-17-2019 11:09 If you want to get freaky, then the H3000 Band Delays (derived from the H3000 Harmonizer studio processor) is the ticket. You can take a sound, separate it by frequency bands, change the filter ty...Read more on Audiofanzine
Hufschmid Guitars Assorted Hufschmid Plectrums - HUFSCHMID POLYSULFONE PLECTRUMS
by on 09-16-2019 13:11 I wanted to take a minute to write a review of the Hufschmid plectrums, specifically made from the material POLYSULFONE. I am a HUGE fan of the work of Patrick Hufschmid, I own a fair amount o...Read more on Audiofanzine
Eventide Octavox - Huge sounds and clear complexity
by on 09-15-2019 09:21 A massive diatonic harmonizer, you can output up to eight voices based on a chosen key and timing interval (I also demo the Quadravox later in the demo, which offers similar presets, but with four ...Read more on Audiofanzine
Eurolite AKKU Mini PARty RGBW Spot - Very fragile
by on 09-14-2019 04:08 I've had three of these battery powered DMX lights running 2-3 single act shows every weekend since January and there are a handful of issues. The main problem is that the power/recharging is c...Read more on Audiofanzine
Eventide H3000 Factory - A Plethora of Effects and Customization for Unique Tones
by on 09-12-2019 15:34 The H3000 Factory is a DAW plug-in that re-creates several key algorithms from the H3000 Harmonizer® effects processor (rackmount unit). There are over 450 presets, along with 100 artist presets (a...Read more on Audiofanzine
Eventide SP2016 Reverb - A Multitude of Reverbs that Sound Utterly Real
by on 09-09-2019 14:14 This overview considers the 2016 Stereo Room, the SP2016 and the Blackhole plug-ins by Eventide, which with its own demo. [b]2016 Stereo Room [/b]Natural and organic sounding, Eventide's 2016 S...Read more on Audiofanzine
Eventide Elevate Bundle - Complete Mastering Bundle Worth Every Cent
by on 09-05-2019 11:22 [b]EQuivocate[/b] Part of the Elevate software bundle by Newfangled Audio, Equivocate is such an easy tool to use when adjusting frequencies and for two reasons. First, and although you can use a...Read more on Audiofanzine
Line 6 Spider V 60 MkII - With New Firmware, the Spider V sets a new Standard for Integrated Amps
by on 08-30-2019 04:08 [b]SOUND[/b] The Spider V MkII is the latest in the Spider line of amps and with a big difference. First, you can select a more produced sound for any of the presets, which is how the original Sp...Read more on Audiofanzine
UVI Digital Synsations 2 - Awesome sound value in sample libraries
by on 08-30-2019 03:39 I use the UVI libraries on two of my PC's. My main touch screen pC desktop, and also on my pc laptop. Since my laptop doesn't have the largest hard drive, I keep all of my UVI sample libraries on a...Read more on Audiofanzine
Night Owl Industries Q the EQ - Sweeping EQ Abilities in a Wah Style Pedal
by on 08-28-2019 05:30 [b]SOUND[/b]: EQ can do a lot for your tone, but when you consider applying EQ in a dynamic sense you then enter a different realm. With Q you can set the Treble and Bass (two knobs), but then fl...Read more on Audiofanzine
Hotone Audio OMNI IR - Authentic Sounding with a Wide Array of Guitar and Bass Cabinets
by on 08-20-2019 04:55 [b]SOUND[/b]: The sound you produce (using the same gear) with a 1x12 cabinet as opposed to a 4x10 cabinet can be significantly different and particularly when comparing a Fender cabinet to a Mars...Read more on Audiofanzine
Fender Deluxe 900 DSP - A Diamond in the Rough!
by on 08-17-2019 10:14 This amp was produced from about 04 to 07 and was around $550 new....a bit expensive,but considering the Celestion G12T-100 speaker that really gives its great tone,I believe its worth it.The amp h...Read more on Audiofanzine
Ananashead Effects Bolt - From Transparent to Just a Little Dirty, Bolt is a Versatile Drive
by on 08-17-2019 05:42 [b]OVERALL IMPRESSION & SOUND: [/b]Whether adding some clean boost, turning a clean channel into a crunch channel, or pushing a dirty channel for added bite and clarity in the mix the Bolt is a fa...Read more on Audiofanzine
Doc Music Station Blues Delight II - Diverse Overdrive Serves More than Just the Blues
by on 08-17-2019 04:20 [b]OVERVIEW[/b]: This pedal may be dedicated to the Blues (and the tones associated with the genre), but Blues Delight II certainly acts as an effective drive to push higher-gain amps, due to its ...Read more on Audiofanzine
Pro USA Auto-Tune EFX 3 Crack For Mac + Window - Auto-Tune EFX 3 Crack For Mac + Window Is Here
by on 08-16-2019 08:03 [b]Auto-Tune EFX 3 Crack free download[/b] Auto-Tune EFX 3 Crack For Mac + Window Is Here Auto-Tune EFX 3 Crack is a useful plug-in to improve pitches of vocals in live-time. Additionally, this 6...Read more on Audiofanzine
Hooke Hooke Verse - Record Live Music & Sounds in 3D Audio
by on 08-13-2019 12:36 Recently I came across an in-ear recording/playback device (ear bud headphones) that produces 3D audio. Before listening to the demo I created, make certain you have your headphones in – otherwise...Read more on Audiofanzine
Laney CUB12R - Laney Cub 12
by on 08-10-2019 13:33 I purchased this amp because it sounded great and the price was right. After a week or so the power supply would go off and on. I returned it and received another and the same thing happened. So I ...Read more on Audiofanzine
Carvin VL2100 LEGACY II - Great Amp- Boutique Tones
by on 08-06-2019 17:31 Vai, Ben Fargen, & Carvin deserve credit for delivering boutique tones at production prices. Ive had Soldanos, Bogners (still have my Ecstacy), Carvins, Peaveys, Marshalls, etc, and the Legacy 2 is...Read more on Audiofanzine
Peavey Firenza - Used, mint condition Peavey Firenza P90 electric guitar
by on 08-05-2019 19:44 Bought an excellent condition, barely used, USA made Peavey Firenza P90 with original hardshell case for $330 about a month ago. I can't put it down. Plugged it into a turn of the century American ...Read more on Audiofanzine
Martin & Co OMJM John Mayer - Basically A Dream Custom Shop OM-28V Amazing
by on 08-03-2019 12:19 What can I say about this guitar other than I have been playing Semi professionally for over 20 years now and this is probably one of the best guitars I've ever played and owned Martin has nothing ...Read more on Audiofanzine
Marshall 1923 - Really Great Amp!!
by on 08-02-2019 17:27 I own it for a couple of month from now, i've use the DSL before and it's kind of the same but even with the same setting it does't sound exacly the same. I do prefer my 1923 but it's not a huge di...Read more on Audiofanzine
Hufschmid Guitars Tantalum - Hufschmid Guitars Tantalum Blue Burst
by on 07-25-2019 09:49 I wanted to share my thoughts on the guitar that Patrick Hufschmid built for me recently. I noticed Hufschmid guitars a few years back online and then more recently a friend of mine ordered one. H...Read more on Audiofanzine
Hufschmid Guitars Helldunkel model 6 string - Hufschmid Helldunkel Strat Inspired 6 String
by on 07-23-2019 11:41 This is the second guitar I had custom built for me by Patrick Hufschmid, the luthier and artisan from Aigle, Switzerland. Patrick proves that old world craftsmanship and top quality are alive and ...Read more on Audiofanzine
DeArmond Jet Star - DeArmond & Guild...magical synergy!
by on 07-19-2019 14:05 I tested the DeArmond Guild with a Crate amp, on both dirty and clean channels. I've been playing Guild acoustics since 1970 and have the highest respect for Guild quality. This is my first experie...Read more on Audiofanzine
Doc Music Station Val Drive II - Best Overdrive I've Used!
by on 07-17-2019 13:09 [b]SOUND[/b]: Val Drive II has found a home on my pedalboard. With a drive that ranges from mild to moderate, it provides a good 'zing' to clean channels, so that you have something between clean...Read more on Audiofanzine
Doc Music Station British Bender - Thick and Heavy Fuzz that Mimics the Tones of Led Zep, The Who and The Stones
by on 07-15-2019 05:05 [b]SOUND[/b]: An aggressive fuzz with an edgy distorted quality, British Bender definitely is more boisterous than it is smooth, although that depends largely on how clean your clean amp channel i...Read more on Audiofanzine
Hohner SE35 - Hohner as good as 1960's ES 335 or Epiphone
by on 07-14-2019 02:43 I have'Gibson-ised' it as I love the '58 era dot inlay 335's, but could NEVER afford genuine one! What astonished me, apart from build quality is there is even the oval orange paper copy of model t...Read more on Audiofanzine
Seymour Duncan SH-8B Invader Bridge - Seymour Duncan SH-8B Invader Bridge
by on 07-11-2019 21:06 I purchased the invader pickup for my Eddie Vanhalen custom Stratocaster that I built. And the power and tone is unreal! It sound's better than Eddie's I kid you not. It even sound's as good as my...Read more on Audiofanzine
Hotone Audio OMNI AC (Acoustic Sim) - Mimic the sounds of a Jumbo, Grand Auditorium, Steel String, Nylon String and others
by on 07-10-2019 08:29 [b]SOUND[/b]: Your acoustic guitar will sound like an acoustic when combined with the OMNI AC (it does not sound artificial) You are taking your raw acoustic tone and customizing it so that it so...Read more on Audiofanzine
Akai Max49 - Expecting allot but flaws in design
by on 07-09-2019 05:08 I so loved this keyboard, - Looks good - great quality feel keybed - good functions and controllers But unfortunately: - I had my second gig with it, now in open air and the touch faders be...Read more on Audiofanzine
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Heart of the Wild: Stamina bonus changed to 2/4/6/8/10%.The important thing to note is that it's from 4/8/12/16/20% on live. So it's about a straight 10% nerf.
What does this mean? Does it change gemming strategies or gearing strategies? Eh, not really. Not for most things. Druids still have a very substantial stamina edge over other tanks if they want it.
For normal tanking, we'll still be looking at around 40-42k in BiS gear even after this, depending on what you're gearing for. That's still very high. I'll do more analysis of this later. My suspicion is that DKs will have more armor, better cooldowns, much more avoidance and a bit more stamina than a druid using similar strategies, which should be more alarming. But I don't want to say that definitively until I've actually talked with some DKs and seen how they gear.
For Sarth3D - that really hurts the notion of a druid safely tanking without external cooldowns, at least unless they have jewelcrafting and leatherworking. Well, almost. If you can get to 47k and 345 FR, you should be able to survive with one barkskin and one survival instincts. But the nightmare seed + fire resist pot is out unless you're a JC and a LW.
For antitank: in order to keep the same level of health, you'll need to have something like essence of gossamer equipped. Really, that's about it. You lose about 2-3% DPS from that, and that sucks, but it's not so horrible that you'll be seriously disadvantaged. You'll still be able to tank well and DPS decently in the same gear.

subset: commoncrawl


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September 15, 2009 at 6pm to September 9, 2012 at 7pm – On line The Department of Kinesiology at the University of North Carolina at Charlotte is hosting a survey to gather information about how lifeguards respond to all types of water-related incidents on the jo… Organized by Roy Fielding | Type: on, going, survey
May 24, 2011 to May 11, 2012 – Aquatic Therapy University main campus 6x/ year training offered through Aquatic Therapy University. Also available as a distance learning DVD and manual. Click here for more information on distance learning. Click here for more informati… Organized by Aquatic Therapy University | Type: aquatic therapy seminar, aquatic therapy training, aquatic therapy education, continuing education, aquatic therapy
January 14, 2012 at 9am to June 30, 2012 at 4pm – Two locations noted so far this spring Two Adapted Aquatics Instructor Courses have been schedule so far in 2012 spring. The first is in Toledo (my location) on March 17 and 18 from 9:00am-4:00pm at a cost of $125. Includes pool time with… Organized by Jim Beeson | Type: instructor, course
March 26, 2012 at 6pm to April 21, 2012 at 7pm – Online Learning The 2012 class schedule for the only two-year Associate of Science college degree program for pool and spa professionals is now available. Keiser University offers students a flexible program for wor… Organized by Connie Sue Centrella, MBA, Dept. Chair | Type: education
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Hi there! I'm Cara from CaraQuilts and I've got a great pattern for you all today! Film Strip will work with any fabric line, and any solid or contrasting color can be used in place of the black. I think this would be very striking in any of the new Batiks Moda is coming out with soon. And of course, I love it in Prayer Flag!
Leah at Burgundy Buttons is offering a kit!
I've done a scrappy look, using all of the colors in the line, but this could also be done in just 3 color groups, the teal, lemon, and coral would give you a warm feel, the grass, aqua, and white would result in a cooler, beachy feel.
1 Jelly Roll and 1 Layer Cake in Prayer Flag
1 Bella Solid Jelly Roll in black, or 2 yards.
1/2 yard Bella Solid Black for binding.
Pick 14 layer cake squares for the film "frames". Trim each to an 8½" square.
Separate 21 Jelly Roll strips and trim (2) 19" x 2½" from each strip. Or, use all 40 and have (1) 19" x 2½"strip from all but 2 strips which you will cut (2)19" x 2½"strips.
Regardless, a total of (42) 19" x 2½" strips are needed.
Regardless, a total of (42) 19" x 2½" strips are needed.
Separate 3 Bella Solids black jelly roll strips and trim them to make (12) 8½"x2½" strips.
Take 22 Bella Solid strips and join them into (11) long strips using the flip and stitch method. Place strips right sides together at a 90 degree angle and stitch from one corner to the other. Open and press well. Trim to a ¼" seam allowance.
Starting with the "frames"(8 ½" squares), sash 8 of them on two opposing sides with the 8½"x2½" strips, and the remaining 6 on just one side. Join these into 3 sets: 2 with 5 frames and 1 with 4.
Using the jelly roll strips, make 2 strip sets with 21 strips each. If you can, alternate direction when sewing strips together to avoid stretching. Press all in one direction. Trim the sides so the sets are 18 3/4″ wide.
Take the 4 frames section and measure its length. Attach one Bella Solids black strip along each side.
Now it's time to start putting everything together. Layout the two strip sets with the 4 frames section.
Take 6 of the long black strips and stitch together lengthwise into pairs. These are the wide long black strips and should be 4 1/2″ wide.
Take the 5 frames sections and attach one wide long strip to the top and one to the bottom of the each of the 5 frame sections and press.
Stitch one 5 frame section to the bottom and one to the top of the center section. Press.
Measure the length of the quilt. Cut the remaining wide long black strips to this length. Stitch one to each side of the top. Press towards the strips.
And now for the most loved and hated words in every quilt pattern…Baste, Quilt and Bind!
One 56 1/2″ x 74″ quilt ready for cuddling under while watching your favorite movie!
PS Be sure to check out my blog for a giveaway, and for ideas for the left over fabrics!


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There's never been as many choices for the kids of today. Our guide will tell you what's available for children of different age groups, from 3 to 12 yrs old. It will tell you what to look for, what to buy, and more importantly, what not to buy!
Typically you start on this size at approx. 3yrs old and come off at approx. 5yrs old, so you could get about 2 years usage from it. At this size level there are basically 2 styles: BMX and Mountain Bike (MTB). The main difference between the two is the style and shape of the handlebars. BMX style handlebars are curved and higher up from the ground than mountain bike handlebars, which are low and straight. From a safety point of view, BMX style handlebars are preferred because of their "sit up and beg" style of cycling which makes for a more comfortable riding position, and helps focus a child's vision ahead rather than down at the ground! Having said that, mountain bike bars are seen to be a bit more fashionable than the traditional BMX bars.
All bikes in this category will have at least one brake, in the form of a front caliper mounted over the front wheel, and operated via a right handed brake lever on the handlebars. A lot of bikes will also feature a rear brake, either in the form of another caliper (over the rear wheel) or as a back pedal brake, whereby anticlockwise pressure on the pedals will operate a variable brake inside the hub built into the rear wheel. Both systems have pros and cons, and it is often a personal choice as to what you think is the best option.
There are 3 types of chain drive found on the bikes of this size. Firstly, fixed wheel: this is when the bike will advance forward when pedalled forwards, and backward when pedalled backwards. Secondly, freewheel: this is when the bike will advance forward when pedalled forwards, but won't go anywhere when pedalled backwards, ie. it freewheels (neutral). Thirdly, back pedal brake: as mentioned earlier, this is when the bike will advance forward when pedalled forwards, and operate the rear brake, which will stop the bike, when pedalled backwards. Which system is best? Again, personal preference probably dictates, but the freewheel system is the most popular, and is used on larger bikes as standard.
Finally, a word of warning. Don't buy kiddies bikes which have plastic wheels with solid tyres and plastic bushes in the headset and bottom bracket! These are classed as toys and will probably fall apart after a very short period of time, and are not generally repairable. Yes, they are cheap, but frankly are a waste of money. A good kiddies bike should always have metal wheels with FULL BALL BEARINGS, adjustable spokes, and pneumatic tyres. The headset and bottom bracket should be metal, be adjustable, and include full ball bearings.
Virtually all our bikes have these features, and as you can see from our prices, there's no need to spend any less on an inferior machine - a ridiculously cheap bike is also likely to be a cheap quality bike!
All bikes with 12" wheels are single speed, and most come with stabilisers as standard and feature a fully enclosed chainguard
You start on this size at approx. 4yrs old and come off at approx. 6yrs old, so you could get about 2 years usage from it. For choices on style, braking systems and chain drive systems, look at the details given in the 12" wheel for 3-5yrs section as the same rules apply. Stabilisers also come as as standard on this size of bike.
You start on this size at approx. 5yrs old and come off at approx. 8yrs old, so you could get about 3 years usage from it. There are basically 2 styles, BMX and mountain bike, but in the case of the mountain bike, there are 3 further categories. Firstly, the standard mountain bike with traditional boys or girls frames. Secondly, the standard mountain bike with Y-frames for boys and girls. This is the latest style of frame which uses thicker tubing, and is also used in the third category, which is dual suspension mountain bikes. Yes, you can now get 16" wheel bikes with dual suspension, fully workable! These bikes cost more but are the bees knees in terms of design and fashion.
There are 2 types of braking systems fitted to bikes in this category.
Caliper brakes: Often found on BMX bikes. Generally work fine and are easy to maintain, but since this is the oldest design they are the weakest performer in terms of stopping power.
V-type brakes: This is the newest design and is found on many of the latest mountain bikes. It is easily the most powerful braking system, though a little more difficult to maintain.
All bikes in this size category should have full ball bearings throughout, 2 brakes and a freewheel system, but will probably only feature a chain disc or half chainguard, as opposed to a fully enclosed chainguard. All bikes will still be single speed. Stabilisers don't usually come as standard, but if the bike is suitable for stabilisers our website will give you the choice of selecting them as optional extra.
You start on this size at approx. 6 yrs old and come off at approx. 9 yrs old, so you could get about 3 years usage from it. This size of bike is a relatively new addition to slot between the 16" and 20" wheel and as a result, you will probably have less choice than some sizes, and should expect to pay about the same as a 20" bike of similar specification. You will find the same styles as in the 16" wheel, although dual suspension 18" mountain bikes are still a rarity. What you can get though, for the first time, are gears! Usually, you will be limited to 5 or 6 gears, but all the systems are indexed via a twistgrip (called a gripshift) for changing up and down the gear range. The advantage of gears is that it makes the bike more efficient in terms of pedal power, which means children will be able to keep up with parents on a bike ride! The disadvantages are bikes with gears cost more, the rear derailleur itself can sometimes be damaged, and generally, stabilisers cannot be fitted. You will only find gears on a mountain bike (with the low-rise handlebars) and not a BMX (with the high-rise handlebars). This is the biggest size of bike to which stabilisers can be fitted successfully.
You start on this size at approx. 7 yrs old and come off at approx. 10 yrs old, so you could get about 3 years usage from it. The only exception to this is the 20" BMX freestyler which has a starting age of approx. 10 years old, but has no age limit (adults who professionally race and stunt-ride use these bikes!) There are generally 6 types of bike in this category: mountain bikes without gears; mountain bikes with gears (5-18 of them); mountain bikes with gears and front suspension; mountain bikes with gears and dual suspension; standard BMX bikes; freestyler BMX bikes.
Freestyler BMX bikes differ from standard BMX bikes in a few key areas: the frames and forks are generally stonger; the wheels are more robust, especially if they have 48 spokes (instead of the usual 36); the headset unit is a GYRO type, which means that the handlebars can continuously be spun round without the brake cables tangling up. Finally, freestylers usually have stunt pegs fitted to the rear wheel axle and if you are lucky, to the front as well! BMX bikes are always single speed (ie. no gears).
Almost all the bikes in this size category will have either calipers or V-type brakes, a few may even have a front disc brake! Although cable operated disc brakes don't work any better than V-type brakes, there is no denying they certainly look the part!
HERE'S A TIP: If you wish to buy a bike with gears, try to buy one which features Shimano or SRAM branded items as these are widely regarded as the best quality components for your money. A cheap bike with cheap equipment suggests cheap quality. A bike whose rear derailleur, gear shifter and, if applicable, front derailleur are Shimano or SRAM branded is a sign of a no compromise, good quality bike.
Most our bikes are fully Shimano or SRAM equipped, and as you can see from our prices, there's no need to spend any less on an inferior machine.


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Difference between revisions of "Clearinghouse of Government Documents Digital Projects"
From GODORT
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Revision as of 20:03, 4 September 2007
The Clearinghouse of Government Documents Digital Projects was created by the Ad Hoc Committee on Digitization of Government Information "to provide information to librarians and others about digitization projects for local, state, federal, and international government documents that are currently planned, in progress, or already completed..." in hopes that the sharing of information would "facilitate cooperation and partnerships between libraries for digitization projects." In 2007 GODORT's Government Information Technology Committee agreed to cease updating the database, which was housed at the Illinois Institute of Technology, and transfer the information on local, state, and international government projects to the GODORT wiki.


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Article on Republican debate was fair and unbiased
A big thank-you to Vicky Gits for her unbiased reporting of the GOP debate between Loren Bauman and Justin Everett.
I found it very refreshing to read a straightforward news story without the writer editoralizing. Maybe the major media writers could take a lesson from you about factual reporting without editoralizing.
Jerry Menikheim
If you currently subscribe or have subscribed in the past to the Columbine Courier, then simply find your account number on your mailing label and enter it below.
Click the question mark below to see where your account ID appears on your mailing label.
|ZIP Code:


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shafnutz05 wrote:I am a stay at home defenseman that pinches at the right times, has a murderous slapshot, and can put pucks in the net and produce odd man rushes. I was also the 2nd leading scorer as a forward
In other words he scored 3 goals as a dman one night. Last night was a much different story.


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a peaceful sleep begins with peace of mind. our collection of pure, non-toxic mattresses ensures a cleaner, greener bedtime with sustainable and organic fabrics that are free of harmful chemicals.
make an appointment for a personal mattress consultation with one of our trained specialists to experience the highest standards in pure comfort.


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There are many broadband providers offering high speed Internet in Eagleville 96110 including AT&T, Verizon, CenturyLink, Comcast, Charter, Time Warner Cable, Cricket Wireless, Clear 4G Broadband, NetZero 4G Mobile Broadband.
DSL Internet service is available in most areas, specially the larger cities. We comapre high speed DSL internet service from AT&T DSL, Verizon DSL, CenturyLink DSL, EarthLink DSL in Eagleville 96110 .
AT&T is an internet provider with a range of internet services including High Speed Internet, DSL, Mobile Wireless and Broadband.
AT&T is the nation largest broadband internet provider. With broadband internet from AT&T, you will surf web at fast internet access at home with thousands of hotspots from the nation largest wireless network. Talk and surf web by adding broadband internet with existing phone line or get DSL high speed internet without the traditional phone line and enjoy the same internet access speed.
AT&T has various broadband speed options and ability to bundle your internet service with digital phone, HD TV. U-verse High Speed Internet provides faster speed along with built-in wireless home networking.
Verizon High Speed Internet is a digital subscriber line (DSL) Internet service offered by Verizon. Verizon High Speed Internet, also called DSL, uses traditional phone line to deliver broadband Internet access at home. It allows consumers to use their telephone and Internet service simultaneously over the same telephone line while benefiting from Internet connection speeds significantly faster than dial-up. Verizon High Speed Internet is available in many areas where Verizon offers telephone service.
Find Verizon high speed internet in Eagleville 96110.
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Cable broadband providers are offering high speed internet in Eagleville 96110 that includes cable internet providers like Comcast, Time Warner, Charter and Cox.
Cable internet is available through same cable modem service which enables cable operator to provide broadband internet using coaxial cables that deliver picture and sound to your TV set. Cable internet gives you average download speed between 15 Mbps to 50 Mbps, which is faster than DSL internet connection. Cable providers became prefer choice for high speed internet along with TV and digital phone service.
Cable Internet connections works by using TV channel space for data transmission certain channels are used for downstream transmission and other channels for upstream transmission. Cable providers use coxial cable to connect Cable TV modem which is faster than telephone lines.
Find High-speed Internet service with XFINITY® Internet from Comcast. XFINITY Internet delivers the fastest, most reliable in-home WiFi for all rooms, all devices, all the time. Get the consistently fast speeds you need, even during peak hours. Plus, enjoy access to millions of hotspots nationwide and stay connected while away from home.
Get XFINITY Internet from Comcast in Eagleville 96110.
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United States Air Force Academy Cadet Chapel
The United States Air Force Academy Cadet Chapel is part of a larger complex, known as the United States Air Force Academy Cadet Area. The academy was commissioned on April 1, 1954, when president Dwight D. Eisenhower signed Public Law 325, providing for the establishment of the United States Air Force Academy as the primary undergraduate educational institution for the newly established Air Force. On July 23, 1954, the firm of Skidmore, Owings and Merrill (SOM) was awarded the academy commission. Following the award of the contract, SOM established a project team. Walter Netsch was the director of the design office and played the most important role in the commission by selecting the other team members and overseeing every aspect of the Academy's design. Although he managed all of the design team, Netsch took primary personal responsibility for the Cadet Chapel, among two other structures on the site.
Netsch began working on the Chapel in 1954. The initial model was a folded plate building set on a slightly higher terrace than the Court of Honor and had an east-west orientation. It drew intense criticism from many sources, including Colorado Governor Edwin Johnson, who declared, ÒThe paganistic distortion conceived by them as a place of religion is an insult to religion and Colorado (NPS designation report). After these brutal attacks, the Air Force and SOM withdrew these plans and promised revisions. Congress approved funds for initial construction in 1955, but required a separate appropriation for the chapel.
Netsch spent several weeks in spring 1956 crossing Europe in search of a precedent for inspiration for the Cadet Chapel. He cited St. Francis of Assisi, La Sainte-Chapelle, and Chatres Cathedral as some of his inspirations. In terms of the overall form, Netsch claimed that the final design came to him through a doodle of a horizontal line, then a series of near-vertical connected lines. From this form, the idea of using tetrahedrons came to mind. He incorporated 100 four-sided structures of steel tubing to serve as the building blocks of a series of spires that would reach towards heaven, yet still flow logically from the design. "By literally placing the tetrahedrons on top of one another," stated Netsch, "I made an enclosure that embodies the concept of light and space – and that is the dominant part of church architecture" (TIME). The plan of the Protestant, Catholic, and Jewish chapels being stacked on two levels responds to a design directive to create three distinct worship areas under a single roof and Netsch's desire not to create a "supermarket cathedral," or a single chapel that can change faith at will. Since Protestants were in the majority, they received the largest chapel, with the Catholic and Jewish chapels below. The revised design was met with a more enthusiastic response. However, Netsch's design would put the chapel project over budget by $1 million. They questioned the rationale for having nineteen spires when in the past one spire per church had been sufficient. In the end, Netsch re-worked the design to only include seventeen spires and the plan and $3 million budget were passed by Congress in 1957, allowing construction to finally begin. Netsch originally specified sheet-metal flashing to prevent rainwater from entering the interior of the structure, but the Air Force Academy Construction Agency deemed it too expensive and opted to utilize caulk instead. Despite this concession, the chapel was constructed true to Netsch's plan. Its completion and dedication on September 22, 1963 marked the end of the first phase of construction of the Air Force Academy.
The Cadet Chapel is oriented in a north-south location on the southeast corner of the level of the Court of Honor. It is visually separated from the Court of Honor by a wide ramp, different surface treatments, and dissimilar landscaping to the west.
The structure consists of a tubular steel frame of 100 identical tetrahedrons. Each tetrahedron is 75'-0" long, weighs five tons, and is enclosed with clear aluminum panels. They are comprised of six-inch tubes with four-inch secondary cross-braces, which were manufactured in Missouri and shipped to the site by rail. Each tetrahedron is spaced a foot apart, which creates gaps in the framework that are filled with one-inch thick colored glass designed in Chartres, France. At the chapel level, the tetrahedrons between the spires are filled with a mosaic of colored glass in an aluminum frame. The structure rises 150'-0" from hinge to pinnacle, has an overall length of 280'-0", and is 84'-0" wide from hinge to hinge. The south-facing front façade has a wide granite stairway with steel railings capped by aluminum handrails and leads up to a one story landing. At the landing is a band of gold anodized aluminum doors. Above the doors is a glass wall. The triangular north façade consists of a glass curtain wall in an aluminum frame.
As previously mentioned, the structure contains three chapels of different denominations. The Protestant Chapel is on the main floor and is reached by exterior ascending stairs. It is designed to seat 900 cadets. Upon entering the doors, one walks through a wood-paneled narthex into the nave. This space measures 64'-0" x 168'-0" reaches 94 feet to the highest peak. The colored glass strips are comprised of twenty-four hues. The colors range in tone from violet at the narthex through red and blue to gold and the altar. Each gable end is glazed with amber glass. Above the narthex, at the rear of the chapel, is a choir balcony and organ. Both were constructed by M.P. Moller Compay of Hagerstown, MD. Harold E. Wagoner designed the liturgical furnishings for the Protestant and Catholic chapels.
The Catholic Chapel is located beneath the Protestant chapel and its nave consists of an essentially horizontal space that is 63'-0" wide by 113'-0" long and 19'-0" high, seating 500. With its gentle arches and stonework, the chapel suggests the architecture and masonry of a Romanesque Cathedral. It has a pre-stressed concrete ceiling that is coffered in a diamond pattern, which recalls the tetrahedron shape of the aluminum exterior.
The Jewish Chapel is also on the lower level and is a circular shape that seats 100. It has a diameter of 42'-0" and a height of 19'-0". The space is enclosed by a vertical grill with inserts of clear glass, which opens to the foyer. According to Netsch's design, all structural elements were eliminated, which he says, "…goes back to the ancient tents of the wandering Tribes of Israel, for each tent created…a non-structural space"(TIME).
Under the National Security Act of 1947, the United States reorganized its military, establishing the Air Force as an independent service equal to the Army and Navy. On April 1, 1954, then president Dwight D. Eisenhower signed Public Law 325, providing for the establishment of the United States Air Force Academy as the primary undergraduate educational institution for this new service. The law also included provisions to find a permanent site for the academy and to arrange for its design and construction.
By the end of April, 1954, 582 potential sites had been proposed for the academy's location. Secretary of the Air Force Harold Talbott announced the selection of Colorado Springs as the academy site on June 24, 1954. At the same time, a competition was being held to select an architectural firm for the project. On July 23, 1954, the firm of Skidmore, Owings and Merrill (SOM) was awarded the academy commission. The firm had vast experience in government projects and had been chosen from over 300 applicants. SOM oversaw the entire academy project, which cost $126 million. However, it was the Cadet Area that received the most national attention since it was recognized as one of the most important architectural projects of the Cold War era as well as one of the country's largest single educational projects ever and one of the period's largest government projects. Like the earlier academies of Annapolis and West Point, the United States Air Force Academy became a national symbol of the American Military. Yet, it broke with both of these institutions in that the Academy was the first national shrine that was designed in the modern style. Additionally, it impacted the course of American architecture, partially due to the Congressional hearings at which its design was addressed. Congress controlled the construction funds and these hearings included discussions on which, "…architectural style would most appropriately communicate the philosophical and cultural agendas that defined this country following World War II." (Future Anterior) The design for the Academy was first unveiled to Congress and invited members of the press on May 14, 1955 at the Colorado Springs Fine Arts Center. SOM's choice of an International Style modernist vocabulary was deemed controversial from the outset. SOM partner Nathaniel Owings justified the design, stating, "The challenge – our challenge – is to produce for generation to come – not just for today or for fifty years hence – an efficient, flexible, and simple solution to the design of your Academy; and yet – and above all – beautiful, lastingly beautiful. In other words, our challenge is to produce a timeless beautiful thing that works….We believe that the architectural concepts of the Academy buildings should represent this national character of the Academy, that they should represent in steel and glass, marble and stone the simple, direct, modern way of life – that they should be as modern, as timeless, and as style-less in their architectural concept, as efficient and as flexible in their basic layout as the most modern projected aircraft"(Future Anterior).
From the time Local Law 325 was signed by President Eisenhower, people understood that the creation and design of the new Air Force Academy was of national importance. The Cadet Area received the most national attention since it was recognized as one of the most important architectural projects of the Cold War era as well as one of the country's largest single educational projects ever and one of the period's largest government projects. Like the earlier academies of Annapolis and West Point, the United States Air Force Academy became a national symbol of the American Military. Yet, it broke with both of these institutions in that the Academy was the first national shrine that was designed in the modern style. The building, combined a mix of political, military, and religious symbols during the very years that the United States adopted the motto, "In God We Trust," and added the phrase, "Under God" to the Pledge of Allegiance. Additionally, it impacted the course of American architecture, partially due to the Congressional hearings at which its design was addressed. The Academy Chapel presented Congress with the nation's first major government-supported combination of religion and modern movement architecture.
Walter Netsch had a unique challenge in having to design for and satisfy more than one specific congregation and one creed. Additionally, he was required to build a private place of worship for the cadets as well as create a national monument. Netsch felt that a single-spire motif would imply one religion, and a three-spire motif would not make any sense. The ultimate problem was how to design a building that would unmistakably be a house of worship without using traditional exterior architectural hallmarks of any one faith.
When Netsch unveiled his original design, the critical reaction was brutal. Some people were outraged by the chapel's unorthodox architecture and it was referred to as "an assembly of wigwams," "a travesty on religion," and, "…an aluminum monstrosity that will look like a row of polished teepees upon the side of the mountains" (National Trust). Netsch stated that he, "…would rather people have some reaction to it, than have the cadets merely shrug and say, 'And that's the chapel'"(TIME). Many of Netsch's architectural colleagues initially criticized him for not relating the building more closely to the setting. They felt that the jagged structure clashed with the rolling mountains nearby. Netsch felt that had he tried to relate more to the mountains, he might have clashed with the campus. His main priority was the cadet community.
1964: Cadet Chapel is WAS awarded the R.S. Reynolds Memorial Award from the AIA.
1965: Cadet Chapel is WAS awarded the Silver Medal of Honor from the Architectural League of New York for Design and Craftsmanship.
1996: AIA gave the chapel its prestigious 25 Year award, which recognizes American buildings of "enduring significance."
2008: AIA conducts a poll of the country's 150 favorite works of architecture. The Chapel is ranked #51.
"Air Academy Chapel: New Design, Old Controversy." Architectural Record, v. 122 (Sept. 1957): 9-12.
"Air Academy Chapel Shapes Up." Architectural Forum, v. 114 (May 1961): 128-129.
"Air Force Academy Chapel, Colorado Springs, CO." Progressive Architecture, v. 40 (May 1959): 166-169.
"Air Force Academy Cadet Chapel restoration, Colorado Springs, CO." SOM Journal, v. 4 (2006): 92 – 105.
"Art: Spires That Soar." Time, (Friday, July 27, 1962). 3 March 2010 .
Hill, David. "Air Age Gothic." Preservation, (May/June 2008). Online from the National Trust for Historic Preservation. 28 Feb 2010 .
osington, Daniel. "National Historic Landmark Nomination: United States Air Force Academy, Cadet Area." National Historic Landmark Nomination. 2003. United States Department of the Interior, National Park Service. 14 Feb. 2010 .
Nauman, Robert Allen. "Preserving A Monument: The United States Air Force Academy." Future Anterior, v.1 no. 2 (Fall 2004): 32-41.
"The Chapel, Unites States Air Force Academy, Colorado." Architectural Record, v. 132 (Dec. 1962): 87-92.
"United States Air Force Academy – Cadet Chapel." Skidmore, Owings, and Merrill LLP. 8 Feb. 2010 .
Ò United States Air Force Academy – Cadet Chapel Restoration.Ó Skidmore, Owings, and Merrill LLP. 8 Feb. 2010 .


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HomeLest Low Cost Landscaping Design
Lest Low Cost Landscaping Design
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Overpronation shoes
In spite of the different present day advances that make shoes more sturdy and less defenseless to the desolates of dampness and soil, the skin must be continually and appropriately kept up. And after that your dearest and elegant, and now and again pricey, boots and shoes will charm you with their appearance all through one season, as well as quite a long while. Also, regardless of what it is, winter boots or wedge shoes. Here are a few hints that will shield your overpronation shoes from harm and fast wear.
What to do if the overpronation shoes you shake?
There are a few different ways to extend your overpronation shoes to make it agreeable. Notwithstanding, all suggestions allude to items made of certifiable cowhide. Fake materials can not be extended. The overpronation shoes can be extended close to a large portion of the size. For extending regular calfskin, you can buy proficient items as froth or splash, which are sold in shoe stores or from shoe experts. Apply the item to issue zones from inside and outside (just like or calfskin skin ought to be dealt with just from within), put on socks and stroll in shoes until the point that the item is totally dry. Along these lines, the item will wind up gentler in tight places. In the event that despite everything you feel distress after this treatment, the strategy can be rehashed for a few days.
What to do if your overpronation shoes are spread?
Before treating overpronation shoes with any methods, you should initially expel all soil with a wipe, clammy material or an uncommon brush. Soil from white skin is evacuated with a delicate eraser. Smooth skin is cleaned with exceptional froth connected on a delicate fabric that will expel earth, however wont ruin the skin shading. Rub the overpronation shoes first with a firm brush to include sparkle, at that point clean with a delicate fabric or bit of felt. Granulated calfskin ought to be cleaned with uncommon wipes and consolidated brushes, and in addition versatile groups for velor and crepe brushes. Shoes made of woven calfskin ought to be cleaned with a delicate material or wipe for smooth cowhide, however just with fluid items.
What to do if your overpronation shoes get wet?
On the off chance that your overpronation shoes are wet, never put them on radiators or dry them by an open fire. After solid warming, wet skin will solidify and end up weak. Drying ought to be at room temperature or utilizing uncommon cushions, or firmly loaded down with delicate white paper. Placing overpronation shoes in the storage room after the socks, each time utilize the cushions, liners, which will reestablish the state of the shoe and smooth out the folds in the twist of the foot. In a perfect world, you should change your shoes each day so she can dry out totally subsequent to wearing, in light of the fact that the human body discharges dampness through any pores through the pores.


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The Unforgettable Fire was U2's first studio collaboration with Brian Eno and Daniel Lanois. There were several significant re-issues including one in October 1996 as part of the Island Master series and one as part of the MFSL Ultradisc series in both the 12" vinyl and 5" CD formats with a slightly longer version of 4th Of July. Other unusual releases from around the world included a Mexican release on the Bertelsmann label as part of the Rockollector series. And, in Australia, the 12" vinyl version was packaged with a bonus stickered 12" of Two Hearts Beat As One (extended)/New Year's Day (edited Version)/Two Hearts Beat As One (4.24).
The album peaked at No.1 on both the UK and Australian album charts. In the US, it peaked at No.12 on the album charts and No.39 on the Top Pop Catalog Albums chart. The album was certified multi-platinum by the RIAA with 3 million units sold. Meanwhile, in Switzerland, The Unforgettable Fire reached No.24 on the album charts and stayed in the charts a total of 3 weeks. It was also selected as Best Album at Ireland's Music Industry Awards and in the Hot Press Reader's Poll, it was voted the No. 1 album by readers.
Production Credits Produced and Engineered: Brian Eno and Daniel Lanois Additional Engineering: Kevin Killen Studio: Ireland: Slane Castle, Co. Meath and Windmill Lane, Dublin
'The Unforgettable Fire was a beautifully out-of-focus record, blurred like an impressionist painting, very unlike a billboard or an advertising slogan. ...... In America there was such a backlash when we put out The Unforgettable Fire. People thought we were the future of rock'n'roll and they went, 'What are you doin' with this doggone hippie Eno album?'
'We owe Eno and Lanois so much for seeing through to the heart of U2.'
Bono, 1987
30 October, 2014
Beautiful soundAn impressionist painting by the doggone hippie Eno? Ha..ha.. Well, I love it! …and if the mountains should crumble Or disappear into the sea Not a tear, no not I.
03 October, 2012
LOVE THIS ALBUM!!!!The albume the unforgettable fire Got me hooked to u2. The song named after the album might have been the main reason for my love of this group of mysterious lads.
29 August, 2012
The Unforgettable Fire, to meUnforgettable Fire album, to me. Unforgettable Fire' Album, this is the band and their fourth album. ' Sleep sleep tonight and may your dreams be realised (MLK),it is shadow and light, 'Coca-cola, football radio, radio, radio, radio, radio, radio.' (Promenade) offset in evidence. Sweet guitar sound, thougtful rithme of bass guitar, drums in prompt research. ' Pride'! ,there is a strong go up and echoes of fightings, and drums underlines this with a tough beat,' One man comes in the name of love' and rebellion bursts ''Throw your life away Such a nice day Let it go( Wire). ' If I could, yes I would' ( Bad), tones are softly lowered, sometimes, nuances are enriched and the way is found back ' I am wide awake ( Bad) ,'Sky, it's a blue sky ( Indian Summer Sky). 'And still we run, we run and don't look back' ( a sort of homecoming). In this album with a foot forward there are specific enviroments with special carpets of sounds just like in ' Elvis Presley and America', The Unforgettable Fire' and 4th of July.'Stay this time, stay tonight in a lie. Ever after is a long time.' ( The Unforgettable Fire). Also in this remastered album there are songs not previously released , ' Disappearing act' ,with a singular construction of the song, voice and guitar that seems so distant, amazing wise lyrics and ' Yoshino Blossom'. A 21th century song.
24 January, 2011
My 1st concert-ever!This show started a life-long passion for concert going! I saw it in Pittsburgh, PA-it was so incredible! I loved A Sort of Homecoming!!!!!! Thanks U2!!!


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Johnston Medical
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Didn't find what you were looking for? Try searching Alameda County's Recycling & Reuse Options.
If it is not recyclable, please assure that you dispose of material properly through your garbage collection company or a permitted Transfer Station or Landfill. To report illegal dumping, call 1-800-NO-DUMPING.
Back to Contra Costa County Waste Reduction & Recycling Home Page
County Recycling Hotline: 1 (800) 750-4096 -or- email@example.com


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Undergraduate Degrees, Majors and Concentrations
THEA2060 - Modern Trends In Theatre
Summer 2019
This course examines contemporary dramatic literature of the last 30 years and how that literature has been interpreted on the commercial and college stage. Students read a wide range of dramatic literature including musicals, dramas, and comedies with special attention given to Tony and Pulitzer Prize winners. Students also study movements in theatre such as audience interaction, puppetry, improvisation and dramatic adaptations of literature or film. Students investigate production histories, design concepts, playwrights and write literary research essays in MLA format.
3 Credits
Schedule Book for All Active and Available Future Terms, Course starting with THEA2060
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The No. 5-ranked Butler football team found itself in a scoreless tie with an unheralded Dodge City team at halftime of the season opener at BG Products Veterans Sports Complex, but eventually wore down the Conquistadors in the second half on its way to a 41-6 win.
Butler missed on three field goal attempts in the first half, and went into intermission scoreless before exploding in the second half for 17 points in the third quarter and added 24 more in the fourth quarter in front of 5,224 fans.
Robert Rawlings started Butler's scoring just three minutes into the third quarter with a 29-yard field goal to make it 3-0. Four minutes later, Butler used a jump pass from running back Ty Suggs to tight end Steven Walker from two yards out to make it 10
The Grizzlies appeared to have the momentum in the game, but Dodge City answered immediately with a 33-yard touchdown pass from Deondre Ford to William French. The extra point attempt hit the crossbar, but Butler still led 10-6.
Two minutes later, running back Chris Carson scored on a 3-tard run, making Butler's lead 17-6 and the Grizzlies would not look back.
Butler would get another Rawlings field goal, plus one-yard runs from quarterback Hunter Vaughn and fullback Miles Thomas to make the score 34-6 in the fourth quarter.
Individually, Hunter Vaughn was 12-19 passing for 183 yards. Butler got 81 yards rushing on 14 carries from Lawrence Mattison, while Chris Carson had 15 carries for 55 yards. Trey Hallman was Butler's leading receiver with four catches for 51 yards.
Phillip Williamson had six tackles including a sack and two tackles for loss. Tyler Hayes was the leading tackler for Butler with eight, seven of which were solo stops.
Butler is now 1-0 on the season and also 1-0 in Jayhawk Conference play. The Grizzlies will now hit the road for a non-conference game at Blinn College next Saturday in Brenham, Texas.


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Contractor in arson case will serve four months of eight-year prison sentence
New London — Building contractor Bruce P. "Bruno" Hayn Sr., who led two volunteer efforts to rebuild homes destroyed by fire, was sentenced Thursday to eight years in prison, suspended after four months served, for the 2011 torching of his Norwich business.
The sentence includes four years of probation and 300 hours of community service.
Hayn, 57, of Colchester was the owner and operator of Shur Fire, a company that sold wood stoves and products and pellet fuels located at 340 W. Thames St. in Norwich.
Judge Hillary B. Strackbein said Hayn's sentencing for third-degree arson was one of the hardest in her career; she commented that she had never seen so many letters in support for a defendant. The court received 45 letters in support, according to Hayn's attorney, Patrick Tomasiewicz.
Strackbein said the suspension after four months was as generous as she could allow while still fulfilling her obligation as a judge to deter business owners and others from committing similar crimes. She said that the crime actually constituted arson in the first degree.
"All of the work you've done in the community is just outstanding," Strackbein said to Hayn of his contributions to the community, which Tomasiewicz and friends and family who spoke during the sentencing outlined. "But what I can't ignore is the planned arson."
Prosecutor Lawrence J. Tytla has said that Hayn put a wad of paper towels into an electrical panel to ignite the fire that caused extensive damage to the two-story, 9,000-square-foot building.
Investigators recovered surveillance video that showed Hayn in the ground-floor warehouse where the fire originated with paper towels in hand and showed him leaving the building with smoke and particulates in the air, according to Tytla.
Hayn plead no contest to third-degree arson in April, accepting an offer from the state also involving a sentence of eight years in prison, but suspended after two years served.
In his argument for suspension after two years, Tytla said that Hayn differed from "knuckleheads" who might set a fire by accident or while drunk, in that he had a lot of "sophistication and understanding" and knew what he was doing.
"This was an intentionally set fire," said Tytla.
He described how in camera footage of the fire, Hayn is "seen in the building with smoke and particulates in the air," before closing the doors and leaving the scene. Five fire departments were called to the fire, according to Strackbein.
Tomasiewicz structured his argument around "the good book," which he defined as a metaphorical ledger of good deeds to be weighed against Hayn's crime. He brought in numerous character witnesses, including Colchester Fire Marshal Reed Gustafson, who spoke in his capacity as a private citizen, and Carol Girard of Voluntown.
As president of Home Designs by Bruno, Hayn led a team in rebuilding Girard's home, which had burned down, during an "Extreme Makeover: Home Edition" project in December 2008. Girard's husband and oldest child drowned in the summer of 2008, roughly a year after their home burned down.
Girard said that Hayn "built me a castle with a drawbridge." She said that he continued to visit her in the months after the show was filmed to check on her and the home and advise her on home insurance and other matters. She said that Hayn stayed in touch with her family and at times provided her four children with career advice.
"He was truly a gift to my family when I needed it most," she said.
Hayn's wife, Patricia, told the judge tearfully, "If I stood here all day, I could not explain how this happened." She said that preceding the fire, Hayn had damaged both his knees in an accident at a building site. She described life since the fire as "a nightmare."
Patricia told the judge that Hayn and his family were committed to making restitution to those who lost assets in the fire, which Tomasiewicz said include the owners of the building that housed Shur Fire and Travelers Insurance.
"If he is incarcerated, that will make it all the more difficult and impossible," Patricia said.
Tomasiewicz listed some of the more prominent individuals who had submitted letters on Hayn's behalf. He said that in addition to Gustafson, retired police officer Robert Kanaitis, who has served in Hartford and New London, and former First Selectman of Colchester Jenny Contois has written to the court.
He said that the real punishment for Hayn was the tarnishing of his reputation due to the fire, which he said would be an albatross for his client. He said his client had gone from living in a large home that he built himself to living in an apartment and worrying about making rent.
Hayn was a longtime member of Colchester's Board of Finance. In addition to his work with "Extreme Makeover," he was part of a volunteer effort to rebuild a family's house in Griswold that had been destroyed by fire.
In 2009, Hayn was presented the Distinguished Service Award by the Builders Association of Eastern Connecticut as well as the Toastmasters International Communication and Leadership award.
"He's lost everything — his reputation. He's lost his business. He's a pariah," Tomasiewicz said.
Twitter: @ConnecticuTess
GOP leaders want special session to correct 'badly written' meal tax law


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Hey all! I am so excited to be sharing another Bake Shop Quilt with you all! It's me, Corey, from Little Miss Shabby. As soon as I saw Bonnie and Camille's Ruby line of fabric, I knew that some of it had to make its way to my house. Not only is the fabric beautiful– it also shares its name with my husband's Great Aunt Ruby. Incidentally, my husband's Grandmother's name was Opal, sister to his Great Aunt Ruby. Let's not forget their other sister, Pearl. No Joke, how cute is that?!? –So, of course we have the Ruby, Pearl, and Opal Quilt. =)
I have also included instructions for a pieced backing using your leftover fabric. I do love a great pieced backing. You will have very little fabric leftover if you opt for the pieced backing.
Without further ado… "Ruby, Pearl, and Opal".
1 Ruby Layer Cake
3 yd. Cream Solid {9900-97}
2 1/4 yd. Backing Print {55030-13}
1/2 yd. Binding Print {55037-11}
Layer Cake Cutting Instructions:
Divide the layer cake into 2 piles of 20 pieces. Make sure to distribute the colors evenly between the 2 piles.
From Pile #1 cut the following (shown above in the aqua fabrics):
~ {1} 2.5″ strip, subcut into 3″ and 5″ (pieces F and G)
~ {1} 5.5″ strip, subcut into 3.5″ and 4.5″ (pieces E and D)
*save the leftover piece from cutting this strip–it will be used for piece C*
~ Save the 2″ x 10″ leftover piece for the pieced backing
From Pile #2 cut the following (shown above in the green fabrics):
~ {1} 3.5″ strip, subcut into 3.5″ and 4.5″ (pieces A and B)
*save the leftover piece from cutting this strip–it will be used for piece C*
~ {1} 3.5″ x 8.5″ strip (piece H)
~ Save the 3″ x 10″ leftover piece for the pieced backing
~Label the cut layer cake pieces as you go.~
White Fabric Cutting Instructions:
For the Blocks cut:
–{22}strips 1.5″ x WOF (width of fabric), set aside 2, from each of the remaining 20 strips subcut as follows: {1} 12.5″, {2} 8.5″, {1} 5.5″, {2} 3.5″
From the 2 set aside strips subcut {20} 2.5″ strips
For the Sashing cut:
–{5} 1.5″ x WOF strips, subcut into {15} 12.5″ strips
–{5}1.5″ x WOF strips, sew end to end and cut {4} long strips 1.5″ x 51.5″
For the Borders cut:
–{6} 4.5″ x WOF Strips, sew end to end and cut {2} long strips 4.5″ x 59.5″ and {2} long strips 4.5″ x 64.5″
For the Pieced Backing cut:
— {4} 7.5″ x WOF strips, sew 2 pairs together to make {2} long strips 7.5″ x 88″, trim to 7.5″ x 81″
Backing Fabric Cutting Instructions:
Cut backing fabric into {2} pieces, one 12″ x 81″ and one 32″ x 81″
Binding Fabric Cutting Instructions:
Cut {7} strips 2.25″ x WOF
Piecing Instructions:
{All seams allowances = scant 1/4″}
Use the set aside pieces leftover from cutting the layer cake ( 2″ x 5.5″ and 2″ x 3.5″). Make sure not to use the pieces set aside for the pieced backing.
With right sides together, sew together {2} 2″ x 3.5″ pieces, press seams open. Repeat until all pairs are sew together. You will have 10 units. Repeat for the 2″ x 5.5″ strips.
Trim all 20 of the strip sets to 3.5″ x 3.5″ blocks. These units will be piece C.
This is the block layout.
Begin by sewing the A/B/C strip section section together with the 1.5″ x 3.5″ white strips. Piece 1/2 of the C blocks with the seam running horizontally as pictured and 1/2 with the seam running vertically as pictured. Press all seams away from the white strips. The completed strip sets will measure 3.5″ x 12.5″ and will be referred to as A/B/C strip set.
Sew together pieces D and E along with the 1.5″ x 5.5″ white strip. Press seams away from the white. These strip sets will be 5.5″ x 8.5″ and will be referred to as D/E strip set.
Sew together pieces F and G with the 1.5″ x 2.5″ white strip. Press seams away from the white strip. The strip unit will measure 2.5″ x 8.5″ and will be referred to as F/G strip set.
Sew together a D/E strip set, an F/G strip set, piece H, and the two 1.5″ x 8.5″ white strips. Press all seams away from the white strips. These strips sets will measure 8.5″ x 12.5″.
Now sew together the strip set you just completed, the A/B/C strip set, and the 1.5″ x 12.5″ white strip. Press away from the white. These will be your completed blocks and will measure 12.5″ square.
Arrange the quilt blocks 4 blocks by 5 blocks, orienting the blocks randomly as you go.
Sew together the top row using 4 blocks and 3 sashing strips 1.5″ x 12.5″. Press seams away from the white fabric. Continue with the remaining rows.
Sew together the completed rows using the 1.5″ x 51.5″ long sashing. Press away from the white fabric. Add borders–Left and Right sides first, Top and Bottom second. Your quilt top is now finished and we are ready to piece the backing.
Pieced Backing:
Sew together all the 2″ x 10″ and 3″ x 10″ extra layer cake strips into a long strip approx. 10″ x 81″. Sew a white backing strip onto the left and right of the pieced section. And finally, sew a backing print piece to the right and left of the white pieces. Trim up the backing if needed.
You are now ready to sandwich your quilt top/batting/backing, baste, quilt and bind. I opted to straight-line machine quilt my quilt.
I hope that you have a great time making this quilt! And I'd love to see you over at my blog. =)
Corey Yoder
{Little Miss Shabby}


text:
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"2 euros the pest, it is 2 euros tha insect!" she shouted her accent disclosing her illiteracy.
On his method, he saw the Greek parliament. He recognized that there would certainly be an objection running there that day. An objection versus the brand-new federal government procedures that would actually draw individuals' pension plans as well as wages.
He made a decision to take his stroll around the whorehouses for that day. He went into the very first whorehouse he discovered.
Adonis was the name he utilized to call himself and also the whorehouse location of the city was his location. A demonstration versus the brand-new federal government steps that would actually draw individuals' pension plans as well as incomes.
It was twelve noontime, near the centre of Athens. Grey clouds covered the typically bright skies as well as the gently blowing warm wind exposed the dust of the dirty city roads.
Adonis saw the faces in the group. Angry, furious people.
He had actually been there previously, attempting to elevate his voice versus the federal government. It really did not function, the objections constantly finished in squashing loss for the militants.
Fat, one-eyed as well as clothed with cloths that can barely cover her bouncingly large bottom, she marketed potatoes crammed in bags that heavy 10 kilos each.
When a demonstration takes location, a whorehouse excursion.
Passing with the objection, it took Adonis near 10 mins to show up at the whorehouses. He determined to take his stroll around the whorehouses for that day. He went into the very first whorehouse he discovered.
A boy, near thirty, slim and also high, with dark puncturing eyes, a harsh unshaven face and also black lengthy hair might be seen strolling distant. Adonis was the name he made use of to call himself as well as the whorehouse location of the city was his location. His goal; simply to having fun.
Passing with the objection, it took Adonis near 10 mins to show up at the whorehouses. Old structures were anywhere, reminiscent of the fifties, an age long because passed.
Economic austerity as well as joblessness indicated that a whole lot of young individuals, consisting of possible women companions, had actually left abroad for a much better future. All these aspects made it challenging for Adonis to discover a major connection with the contrary sex.
"Down with the federal government! Virtually as if they desired to fuck.
All of a sudden, he listened to the voice of a middle-aged lady, a voice that would certainly appear like a butt's bray to the unskilled mind.


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Undergraduate Degrees, Majors and Concentrations
COMM4020 - Mgmt Technol/Content Creatn Pr
Summer 2019
This course focuses on demonstrating proficiency in basis public relations writing techniques. Additionally, focuses on the application of public relations writing techniques, creative development, construction and placement in appropriate traditional and non-traditional media outlets, audience centered messages designed to solve public relations problems. Students will be required to work with a non-profit organization for the duration of the semester as a member of a public relations team. Thus, students will refine writing skills and message placement strategies while enhancing leadership, conflict resolution, and team skills.
Prerequisites: 60 credits and COMM2000
3 Credits
Schedule Book for All Active and Available Future Terms, Course starting with COMM4020
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text:
Eames House
Commission brief: John Entenza announced the Case Study House Program in Los Angeles's Arts and Architecture magazine. The magazine published and built thirteen "case study" homes. Design brief: The homes would be a built from new materials and industrial technologies developed during the war. Building/construction: The steel frame uses four inch H-columns for the walls and 12 inch deep open web joists for the roof with exposed corrugated metal decking for the roof. The exterior of the home is made of different size panels of plywood, asbestos, and pylon; a type of fiberglass. The panels are represented in different colors of blue, cream, and red. The panels are different sizes and come together to look like Mondrian painting.
The site of the building is on a three-acre parcel of land that overlooks the Pacific Ocean. The land is located on the top of a 150-foot high cliff; a flat meadow butted against a steep embankment. The long side of the house is situated along this steep embankment creating a retaining wall between the embankment and the remainder of the house. The house is organized as two volumes with two stories; the main part of the house and the studio. At one end of the home is a double height living room, followed by a single height kitchen and dining area with bedrooms above. The kitchen is separated from the studio by a flat patio. The studio is also a double height space with a loft above. Eucalyptus trees were planted along the other long wall to provide privacy and shade. The house was built of light gauge steel that contains the eight bays of the house. After steel arrives at site, Charles Eames decided to redesign the structure from a bridge form to two cubes, one for living and one for a studio. The plan uses the same amount of steel yet encases more space. It is reported in the magazine, Arts and Architecture, that it took sixteen hours to construct the frame. The intention of the program was for the house to be made of prefabricated, standardized parts that were industrial in feel such as concrete, glass, steel, insulation board on plywood, asbestos, and pylon. The house was built of light gauge steel that contains the eight bays of the house. A grid of standard factory windows and asbestos paneling make up the wall facing the ocean. Entire glazed walls make up the short ends. Some say that the house has a feel slightly reminiscent of the screen walls of a traditional Japanese house. The asbestos panels are brightly colored in blue, red, yellow, and white with black steel creating a grid on them.
Name of surrounding building: Case Study House #9 also known as the John Entenza House
Visual relations: Single-story house on the same lot as the Eames House.
Functional relations: The building was also designed by Charles Eames along with Eero Saarinen and shares the same lot as the Eames house. This house was also in the Arts and Architecture case study program, so it follows the same program elements as the Eames House. Completed situation: Charles Eames decided to redesign the structure in 1947 from a bridge form to two cubes, one for living and one for a studio. The living space was pulled back so that it is now parallel to the edge of the cliff, inline with the studio space. A retaining wall was built alongside the embankment, making a strong vertical support alongside entire length of house. The new plans were published in the March 1948 Arts and Architecture magazine. Original situation or character of site: Preliminary plans and sketches were announced in Arts and Architecture in December 1945. Charles Eames and Eero Saarinen were announced as the architects. The Eames House was designed for a three-acre parcel of land in Pacific Palisades. The house was to overlook the Pacific Ocean. The first design was divided into two volumes of residence and studios. The design was arranged in an "L" with the living area placed on stilts, perpendicular to the ocean. The design was known as the Bridge House.
The materials used for the construction of the Eames home were new for their time period. During the war, the materials were developed for use in the war but were not available for use in construction. During this time, John Entenza and others talked about the use of the materials to create a new type of residential architecture. When the war was over, Enteza got his chance and created the Case Study House Program.
The Case Study House Program, which the Eames house was an integral part, played a role in trying to create a new type of architecture. The program was created for the families starting out after the war. It was described as a new architecture for a new time that would make qualitative changes in the way that people lived and thought while making use of the materials developed for war efforts. The Case Study House Program not only introduced people to a new architecture through drawings and models, but it also opened the homes to the public. This was especially true for the Eames house because the Eames' gave tours of their homes until their deaths.
Eames designed the house out of light gauge steel. The steel forms a grid of eight bays that can be seen from the exterior of the building. This steel sets up a distinct frame of the building without having an affect on the form of the interior of the building. Canonical status: Western Europe already had many houses designed in the modern style, but the United States had not yet dialed into these stylistic tendencies. The major architectural publications were calling for a modern housing class. Los Angeles had already become a place for innovative domestic architecture. With previous houses, such as the Dodge House, a connection had been made between Modernism and the housing market. The Case Study House program further influenced the direction of the more expensive end of the housing market by making it modern. The houses introduced modular construction and prefabrication to the housing market. The Eames house was an integral part of this construction.
The case study houses form a unique type of housing especially because the majority of the houses were built in the Los Angeles area. The Eames house is one of the only houses that is open to the public, so it provides insight into the program.
Department of Building and Safety Building Records Section, 201 N. Figueroa Street, 1st Floor, Room 110<, Los Angeles, CA 90012, Fax # (213) 482-6862
National Register of Historic Places, National Park Service, 1839 C St., NW (MS 2280),Washington, DC 20240
5. 2 principal publications (in chronological order):
"Can We Expect Miracles in Post-War Housing?" Los Angeles Times, 5 August 1945, sec E.
"Case Study House for 1949." Arts and Architecture 56 (1949): 26-39.
Saatchi, Doris. "All About Eames: Their 1949 House in Santa Monica, Put Together From Prefab Parts By Ray and Charles Eames Is Now Historic High Tech," House and Garden 156, no. 2 (1984): 124.
McGill, Douglas. "Ray Eames, 72, A Founder Of The Firm That Designed the Eames Chair." New York Times, 23 August, 1988, sec. D.
Steele, James. Eames House: Charles and Ray Eames, London: Phaidon Press Limited, 1994.
Colquhoun, Alan. Modern Architecture (New York: Oxford University Press, 2002) 236.
Eames Office. "About the Foundation," Eames Foundation, 2004 (http://www.eamesfoundation.org/)(24 February 2007).
Eames Office. "Visit the Eames House," Eames Foundation, 2004 (http://www.eamesfoundation.org/visit_house.html)(24 February 2007).
"203 Chautauqua Boulevard." Property Shark 2006 (http://www.propertyshark.com/mason/Reports/showsection.html?propkey=1623...)(5 February 2007).
Los Angeles Department of City and Planning. "Parcel Profile Report," (http://www.permitla.org/parcel/)(21 February 2007).
National Park Service. "NRIS Database," National Register of Historic Places: National Information System, (http://www.nr.nps.gov/">http://www.nr.nps.gov)(21 February 2007).
Depicted item: Eames House , source: YouTube


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Longhouse Media helps indigenous artists step behind the camera and document their lives.
With over one billion views on YouTube and counting, The Young Turks prove that successful, independent, online news is possible.
With the owner of the team vowing "NEVER" to change its name, Native American tribes around the country launch a national campaign to do just that.
They call themselves "nerdfighters"—and they're unlike any movement you've seen before.
Bullying, police brutality, and everyday insensitivities are regularly lampooned with Australians Aamer Rahman and Nazeem Hussain's weapon of choice: comedy.
TED Curator Chris Anderson shares his boyhood obsession with quirky questions that seem to have no answers.
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Scientists at the Royal Botanic Gardens in Kew, London, have learned that climate change endangers Ethiopia's coffee crops. Here's what they're doing to make sure the plants will survive.


text:
Yesterday we brought you some in depth information of what will be coming in the Windows Phone 7.8 update, expected to appear in China in a few weeks (presumably with the launch of the Nokia Lumia 510). New features such as a revamped Tile design, new Tile sizes and dynamic Lockscreen wallpaper (Bing) were revealed including the current build number.
Now a new video, presumably from Winp.cn, shows the current build of Windows Phone 7.8 (8858) in action. Actually, it's less action and more of a nice, soothing stroll on some of the more superficial changes coming in the OS update. The new tiles are shown off and we even see the Bing lockscreen wallpaper working (we're hoping that third-party apps can take advantage of it too like in Windows Phone 8).
Overall, it's nothing groundbreaking but it does backup what we revealed yesterday. Here the OS is in Chinese, so it may be hard to discern some of the items in Settings but the features should be obvious. Speaking of, we're guessing that the CPU on board is only a 1GHz or so judging by the OS performance, though some of the exact and final specifications need to be confirmed yet for this device.
The Nokia Lumia 510 is expected to be for Asian markets, specifically China. It's a low-cost handset with a 480x800 4" LCD display, 5MP camera (no front facing) and just 256MB of RAM with a 1300mAh battery. Release date is expected before the end of the year.
Thanks, hengxiang32401, for the link


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Cartas Del Presidio
PublicAffairs, 2007 - 184 pages
Early in Ann Louise Bardach's Cuban voyage she came across Cartas de Presidio or The Prison Letters of Fidel Castro. Edited by Luis Conte Aguero, who was the recipient of most of these letters, they are cited in every important work from Hugh Thomas' opus Cuba to Tad Szulc's Fidel biography, and everything in between and since. These twenty-one letters (nine to Conte Aguero, six to his late sister and close collaborator, Lidia, one to his wife Mirta, one to his comrade in combat, Melba Hernandez letters, one to the great scholar Jorge Manach) are regarded as the single most valuable and revelatory document regarding Fidel Castro and the Cuban Revolution. Never before published in English, these letters were written when Castro was imprisoned for his failed attack on the Moncada from 1953 to 1955 and reveal a man of spectacular ambition and steely determination. A man, who despite being incarcerated to serve a lengthy prison term, never wavers in his confidence that he will one day rule Cuba.
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accept affection amnesty amnistía Andrés Rivero Agüero asesinados assault Batista Batista's became believe Bohemia brother Castro's circumstances civic comrades country cubanos days dead died Eduardo Chibás embrace exile faith Fidel Castro Fidel Notas Fidelito fight find first force give good government great greatest hands Havana hermano homeland honor hope hours ideal Isla de Pinos Isle of Pines José Pardo Llada July July 26 killed know known last later left letters Lidia life live love Luis Conte Agüero make Melba Hernández Ministro Mirta Moncada months mundo name need never Notas a Carta Notes to Letter order Party Pelayo people political presos políticos prison prisoners pueblo radio Raúl Castro read received regime revolutionary Ricardo Miranda right Roberto Agramonte same Santiago de Cuba sister situation soon speak struggle take tell they things think thought three time today torture understand visit want wife write written years young