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View Homs for Sale in Nocatee from $300,000 - $400,000
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© 1998-2019, Palestinian Media Watch, All Rights Reserved.
Reproduction permitted, with the following attribution:
© Palestinian Media Watch – www.palwatch.org
Entire Page
PA depicts a world without Israel
Denying Israel's right to exist
"Jews are cowards" and "the British are a snake" – in PA TV series for Ramadan about 1948
Official PA TV, special TV series for the month of Ramadan Children of the Village Chief, on the end of the British Mandate and the establishment of the State of Israel
Subhiya: "I don't know from where they came to us! We have always said that the Jews are cowards, they would not dare to do anything."
Abd Al-Sattar: "The weapons in their hands are unlimited, and the British are a snake in the grass – before they left they gave [the Jews] everything."
Official Palestinian Authority TV
May 7, 2019
(1 min)
View chronologically
"Jews are cowards" and "the British are a snake" – in PA TV series for Ramadan about 1948
May 7, 2019
"There is no such thing as Israel"- Israeli Arab boy's message to Palestinian children
Apr. 26, 2019 (1min)
Uncle teaches nephew to shoot Jews - "the enemy" – in PA TV series for Ramadan about 1948
May 11, 2019 (1min)
PLO official: "Jews… knew only to make money, trade, weave plots, corruption… The European nations and Russia were sick of them"
Nov. 4, 2018 (1min)
Girl in poem on PA TV: "A Zionist stole the land of Palestine," TV host: "Soon, Allah willing, we will return to our land"
Nov. 1, 2018 (1min)
"[Europe] was sick of the behavior of the Jews and planned to get rid of them" - PA Minister of Education posts video explaining Balfour Declaration
Nov. 2, 2018 (1min)
PA TV teaches kids to stay refugees: "From generation to generation, there is no alternative to the return"
May 10, 2018 (1min)
Holocaust "was a lie," "the Jews conspired with Hitler to create a gate to Palestine to bring the settlers," says Palestinian political analyst
Apr. 10, 2018 (1min)
Abbas: Israel "is a colonialist project that has no connection to Judaism... The Jews were used as pawns"
Jan. 14, 2018 (1min)
PA radio host: Israel is "cancerous entity… everyone knows [the Jews] have no right to this land"
Jan. 1, 2018 (1min)
Fatah official emphasizes Fatah "has never recognized Israel"
Jan. 1, 2018 (1min)
Trump's recognition of Jerusalem as Israel's capital is second Balfour Declaration, says PA official
Dec. 7, 2017 (1min)
PLO official: Jewish historical ties to the land is "a Zionist invention," Jews are in "Palestine" because "Europe wanted to get rid of them"
Nov. 15, 2017 (1min)
Collection: The PA demonizes Britain and the Balfour Declaration
Nov. 2, 2017 (1min)
PA TV News quotes Deputy Chairman of Fatah: The Balfour Declaration "is a crime... [and] Britain is committing another crime by celebrating the ominous anniversary"
Oct. 30, 2017 (1min)
Abbas' advisor: Balfour Declaration was an "ugly crime," giving Palestine to "undeserving" Jews
Oct. 20, 2017 (1min)
Abbas to Britain: "You committed a crime against the Palestinian people… the Balfour Promise - a promise of one who is not the owner to one who is undeserving"
Apr. 11, 2017 (1min)
PA Minister of Foreign Affairs: Abbas has instructed the PA to sue Britain over "the ominous Balfour Promise" – "the beginning of the disaster… the establishment of the Zionist entity"
Oct. 22, 2017 (1min)
Fatah Spokesman: Fatah will never recognize Israel
Aug. 23, 2017 (1min)
Palestinian boxer forced to forfeit rather than compete with Israeli, by order of Palestinian Olympic Committee
Aug. 17, 2017 (1min)
Mahmoud Abbas: Israel`s right to exist is a "lie"
May 15, 2017 (1min)
PA Radio: Lod, Haifa, and Ramle (i.e., Israeli cities) are "my land and not the land of the Jews"
Apr. 29, 2017 (1min)
PLO official: "We will not relinquish one grain of sand from Jaffa, Haifa, Lod, or Ramle (i.e., all Israeli cities)"
May 15, 2017 (1min)
Fatah official delegitimizes Israel's right to exist, calls it "'Israel' in quotation marks"
Apr. 22, 2017 (1min)
Fatah official: "To this moment, Fatah does not recognize Israel"
Mar. 26, 2017 (1min)
PLO's Hanan Ashrawi rejects Israel as a Jewish state, rejects Jerusalem as Israel`s capital
Jan. 3, 2017 (1min)
PA TV: Balfour Declaration was Europe`s "solution to get rid of them (the Jews)"
Jan. 3, 2016 (1min)
PA asks Arab League to help sue Britain for issuing Balfour Declaration, Britain should apologize for the Balfour Declaration like Germany did for the Holocaust
July 25, 2016 (1min)
PA TV Ramadan lesson teaches that Islam prohibits Israel's right to exist: "Holy Palestine is a waqf... It is forbidden to relinquish a single grain of its soil"
June 11, 2016 (1min)
Abbas: All of Israel is occupation: "We have been under occupation for 67 or 68 years" since 1948
Mar. 11, 2016 (1min)
Official PATV host: "What Israel? It's our land"
Oct. 4, 2014 (1min)
Hanan Ashrawi attacks Obama for acknowledging Jewish history
Aug. 10, 2014 (1min)
Palestinian girl's family teaches her that Israel has no right to exist
Jan. 3, 2014 (1min)
Abbas defined Jewish history in Jerusalem as a "delusional myth"
Jan. 17, 2014 (1min)
Woman in PA TV documentary: "Jews can live on Mars"
Dec. 27, 2013 (1min)
Scriptwriter on PA TV: Israel is "foreign entity" implanted in Greater Syria
June 20, 2012 (1min)
PA TV: "I will return to it [Jaffa]," "let every person know that I do not compromise"
May 12, 2013 (1min)
The Galilee in northern Israel is "occupied land," on PA TV for kids
Mar. 30, 2012 (1min)
PA TV for kids rebroadcasts clip calling northern Israel "occupied" land
Sept. 17, 2011 (1min)
Fayyad's political advisor: Israel uses Hamas missile attack on school bus as excuse for war crimes
Apr. 8, 2011 (1min)
PA TV broadcasts song teaching children denial of Israel's right to exist
Aug. 8, 2010 (1min)
PA TV presents a "prisoners' play" in which Israeli cities are "Palestine"
Sept. 25, 2005 (1min)
Northern Israel is "occupied" land says PA TV host to kids
Oct. 22, 2010 (1min)
PA TV teaches kids Israeli cities are occupied Palestine
Aug. 25, 2010 (1min)
Palestinian Authority denies Israel's right to exist
May 7, 2010 (1min)
PA TV kids' host: All of Israel is "occupied"
Feb. 26, 2010 (1min)
Fatah still refuses to recognize Israel, 2009
Mar. 16, 2009 (1min)
Maps teach children to envision world without Israel
July 25, 2000 (1min)
Palestinian children taught to deny Israel's right to exist
Sept. 11, 2005 (1min)
Abbas: "I will not accept a Jewish State"
Apr. 27, 2009 (1min)
Jews have no connection to Jerusalem
June 9, 2009 (1min)
PLO did not remove denial of Israel from charter
Apr. 24, 1996 (3min)
PA youth reject Israel's legitimacy
Feb. 20, 2008 (1min)
Abbas: Neither Fatah nor Hamas need to recognize Israel
Oct. 3, 2006 (1min)
PA TV teaches children that Israel is stolen "Palestine"
Nov. 1, 2008 (1min)
Facebook group demanding no recognition of Israel
Mar. 9, 2008 (1min)
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PMW report: The Rajoub File
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subset: commoncrawl


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Puzzle Levels
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Pillowed Dino Cube - Black Body
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|Mix it up and put back to start
|Level 7 - Challenging
|Calvin's Puzzles
|Evgeniy Grigoriev, Other Rotational Puzzles
|2.24 in x 2.24 in x 2.24 in / 5.7 cm x 5.7 cm x 5.7 cm
|Clear Plastic Box
Product Description
The Pillowed Dino Cube is a twisty puzzle. The goal is to scramble the puzzle and then restore each face to it's original colour. This cube turns smooth with its pillow shape and 8-armed ball core.
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Hotel & Leisure
The Integrated in Marina Bay and Sentosa Resorts of Singapore
Integrated Resorts obviously are resorts with mixed development like hotels, restaurants, convention center, amusement park, shopping center, casino etc. Due to the gaming component – casino, integrated resorts development has stirred an excellent debate one of the Singaporeans.
The Pm of Singapore, Lee Hsien Lengthy announced the cabinet's decision to build up 2 integrated resorts in Marina Bay and Sentosa. The Singapore Government mentioned that the purpose of the Integrated Resorts would be to boast the nation's tourism industry. There's been very keen competition in the neighboring countries like Malaysia, Thailand and Hong Kong. Based on the Government, the Integrated Resorts are anticipated to produce some 35,000 jobs directly and not directly.
There's been debate one of the Singaporeans of the routine to construct Integrated Resorts. Religious groups and social workers voiced their disapproval in the negative social impact of gambling.
The Federal Government however, guaranteed to possess a proper and strict safeguard to limit the social impact of gambling, amongst others exorbitant entrance fee and also the casinos wouldn't extend credit to local population.
Marina Bay Sands
It's found at the Marina South of Singapore. Presently, there's a couple of pretigious hotels operating like Ritz Charlton Yrs, Oriental Hotel, Marina Mandarin and Pan Off-shore Hotel. It'll have a breathtaking look at the ocean and tranquil atmosphere.
The Federal Government of Singapore known as for request concept in December 2004. It received overwhelming response in the industry. As many as 19 bids were posted throughout the request concept.
Within the formal bids later, 4 companies/consortiums posted their tender including:- (i) MGM Mirage/Capital Land, (ii) Harrah's Entertainment/ Keppel Land, (iii) Vegas Sands and (iv) Genting Worldwide/Star Cruises.
Eventually, Vegas Sands been successful within their tender, by committing the greatest development investmetn of S$3.85 billion. The idea was created by Moshe Sofdie composed of three layers shells that contains conference halls, 3 hotel towers associated with top floor of the sky garden.
Resorts World at Sentosa
Sentosa meaning transquility in Malay is a well-liked island resort in Singapore. Formerly, it had been referred to as Pulau Belakang Mati (Island of Dying from Behind). Statistics implies that it's been visited by a few two million people yearly. It features a sheltered beach in excess of 2 km long around the Southern coast, historic Fort Siloso from The Second World War, two courses and a pair of 5-stars hotels.
The area comes with an section of 5 square kilometres. 70% from it is included by secondary rainforest. It's the habitat of monitor lizards, apes, peacocks, parrots in addition to native plants and creatures.
Since its beginning of rise in 1972, some S$420 million of non-public capitals and S$500 million Government fund happen to be invested to build up the area.
3 consortiums posted their proposal on 10 October 2006. They're: (i) Kerzner Worldwide with Capital Land (ii) Genting Worldwide with Star Cruises Universal Studios and (iii) Eight Question with Publishing and Broadcasting Limited, Melco Worldwide Development Limited, Isle of Capri Casinos Corporation.
The bid were reviewed with a ministerial committee along with a tender evaluation committee and outcome was announced on 8 December 2006. Genting Worldwide and Star Cruises won the bid. Genting dedicated to an improvement investment of S$3.85 billion.
Using these 2 Integrated Resorts completed as well as in operation by late 2009, Singapore is going to be placed in a totally stronger position in tourism industry in the area compared to its competitors.


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The Faculty History Project documents faculty members who have been associated with the University of Michigan since 1837, and the history of the University's schools and colleges. This project is part of a larger effort to prepare resources for the University's bicentennial in 2017. Find out more.
William A. Hunt
William A. Hunt
|Years at Michigan:
1974 - 1977
| History |
Assistant Professor of History and African and African American Studies


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Undergraduate Degrees, Majors and Concentrations
LITO2030 - African American Literature
Summer 2019
This course focuses on texts created by African Americans which reflect the diverse thoughts, beliefs, customs, struggles, achievements, and visions of African American writers. This course teaches students the process of close reading, analysis, and interpretation of literature and invites students to make connections between literature and their experiences. The course stresses in-depth reading and concentrates on the interrelationships of literary works and the social and cultural values and beliefs reflected in and affected by those works. Some attention is given to the terminology basic to literary study and to the place of literature in a well-rounded education. The course is designed for students without prior coursework in literature.
Prerequisite: COSK1221 or COSO1221
3 Credits
Schedule Book for All Active and Available Future Terms, Course starting with LITO2030
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Collection Items
MapBirds eye view of Alexandria, Va. "Ent. according to Act of Congress A.D. 1863 by Chas. Magnus in the Clerk's Office of the Southern District of New York." LC Panoramic maps (2nd ed.), 950.4 LC Civil War maps (2nd ed.), 522.3 Available also through the Library of Congress Web site as a raster image. Indexed for points of interest. DCP Vault Phillips. Washington, 7 Reduced photocopy cataloged separately: G3884.A3A3 1863...
- Contributor: Magnus, Charles
- Date: 1863


text:
The reason this radio show exists, is to share Richard's talks about a God who is alive. A God who loves you. A God who wants to give you hope and a future. Hear Richard talk. Feel God. And if you'd ever want to find out more about who God is, and how to get to know Him a little better, we'd love to connect with you, at www.RichardEllisTalks.com, or call us anytime at 855-6-RICHARD. Of course, Richard and his team would love to stay in contact with you on all the social media platforms. Just search for "Talk With Richard", so we can keep the conversation going!
Authentic... Genuine... Sincere... This guy is the real deal. He loves God. He loves his wife Rebecca and his 3 daughters. He loves people. He loves his job. He loves Texas BBQ. He loves an occasional round of golf. And he loves the Dallas Cowboys (but don't hold that against him!).Richard grew up as a missionary kid in Brazil, coming back to the states to finish his education. He graduated from Baylor University in 1982 with a BA in Oral Communications, and earned his MDIV in 1985 from Southwestern Baptist Theological Seminary, making him the sixth generation of pastors in his family. His early days of ministry included serving for three years as the Single Adults Pastor at the First Baptist Church of Dallas.Then in 1997, Richard Ellis founded Reunion Church, a multi-cultural, multi-ethnic, non-denominational church in the heart of Dallas,Texas. Dallas needed a church like it. And it would need a pastor like Richard. So Reunion Church was born. And now the radio show and the website (www.RichardEllisTalks.com) join the Reunion Church community under the leadership of this guy. And we're all the better for it!
Mailing Address Richard Ellis Talks P.O. Box 191269 Dallas, TX 75219


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Buddhism and Violence
Brad is at Tassajara Zen Monastery where there's no Internet access. Here is an oldie but goodie written for SuicideGirls to tide you over till he gets back.
While I was in Phoenix, a friend turned me on to an article called "Spaces in the Sky" written by Stephen Batchelor in response to the events of September 11, 2001. It originally appeared in the Winter 2001 issue of Tricycle magazine and is now on-line at Batchelor's website. My friend recalled the article as stating that our right to practice Buddhism is underwritten by violence. That's not what the article says exactly, but it's easy to see how he could have remembered it that way. What Batchelor actually says is, "Our freedoms and privileges in a liberal democracy are ultimately guaranteed by the willingness of the state to use violence to protect them." Later he asks, "Is an open society that tolerates dissent even possible without its being underwritten by violence?"
Batchelor points out that the Buddhist dictum in the Dharmapada that, "Hatred will not cease by hatred but only by love alone" is often used by Buddhists to justify a complacent attitude when their freedom to practice was threatened. Batchelor gives examples of cases where Buddhists have allowed themselves to be massacred in order to uphold their commitment to non-violence. He also points out that Tibet accepted military protection from China hoping they would be allowed to continue practicing their faith without having to protect it militarily themselves. This strategy backfired big time.
Whether Batchelor actually said it or not, the idea that our freedom to practice Buddhism is underwritten by violence is an important one. It's worth looking at closely especially for practitioners in the United States today. In my travels around the country I've noticed that most American Buddhists are strongly opposed to President Bush and his military policies. This opposition seems to stem from their notion that, as Buddhists, we must stand opposed to all forms of violence. But I wonder if it's realistic for Buddhists to be opposed to all forms of violence in the way that most Buddhists in the US conceive of that notion.
Yesterday I got to talk to the members of the band Millions of Dead Cops, a group that the band I was in, Zero Defex, opened up for numerous times in 1982-83. Back then the subject of anarchism used to come up a lot in our discussions of punk philosophy. The idea of anarchy sounded very cool. But, as much as we hated the cops, all of us knew the truth. Our ability to walk down the streets of Akron, Ohio in 1982 in our green Mohawks and leather jackets was largely underwritten by the threat of violence. The many rednecks in the area who would likely have massacred us gleefully if not for fear of reprisal by the police. The cops were there to protect our freedom of expression. Were it not for them, the less forward thinking elements of the community might not have been so tolerant of the way we flaunted their conventions. We found this out in a very concrete way when we played a show in a rural town in Southern Ohio and had to be saved by the cops from an angry mob of bearded bikers who didn't care for the way we looked or the music we played.
In much the same way in the world at large today the freedom we have in Western countries to practice Buddhism is guaranteed to a large extent by the fact that we are protected by the biggest and scariest military force the world has ever known. There are certainly plenty of folks out there who would like to see us stop practicing whatever beliefs we have and be forced to adopt theirs or die.
The world is a sandbox in back of an elementary school. The exact same dynamics that play out in the playground play out in the world of politics and nations.
It is true that Buddhism seeks to end the need for the use of violence. However, we can't jump to the conclusion that if we only just all disarmed right now everybody would be cool. The problem is to understand why we still need violence to underwrite freedom.
We won't stop violence by dressing up in paisley frocks and sticking daisies in the barrels of AK-47s. Such action is still motivated by ego. It is based on the idea that I, Mr. Buddhist Pacifist, am better than you, you nasty Republican warmonger. The very same force that makes violence an unavoidable part of human life is the one that tries, through a different kind of violence, to overcome violence. This is really what Buddha meant by saying that hatred is not overcome by hatred. We need to find a way to completely step out of our habitual modes of reaction in order to find the real solution to our very pressing problems.
The only way to do this is to truly understand who we are and to allow that understanding to spread gradually throughout the world. As Buddhists it may not be necessary for we, ourselves, to go out and participate in the violence perpetrated to protect our right to practice — though there is certainly nothing at all wrong with being a practicing Buddhist and member of the military. But it also does not benefit our practice to stand in the way of the necessary steps being taken to uphold our right to practice.
War is bad. I'm going to write that again just so no one mistakenly thinks I believe otherwise. War is bad. War is very, very bad.
It's a tragedy when non-combatants are injured and killed by war. It's also a tragedy when combatants are injured and killed by war. I want war to end just as passionately as anyone else. But unrealistic solutions only serve to delay the real solution to the problem. This is an urgent problem, one that requires serious attention. What I see in the pacifist movement more often than not these days, I'm afraid, is a lack of serious commitment to the real ending of war.
Batchelor states that, "One can imagine this verse (about hate only being overcome by love) being intoned by Indian Buddhist monks while their monasteries burned, just as now devout e-mail messages are dispatched to the White House urging restraint and compassion. And just as its sentiments were ineffective in turning back the tide of Muslim aggression in India, so they may be equally ineffective in halting the course of violent retaliation against latter-day Islamic terrorism."
Right on, brother.
The solution to the problem of violence is complex and I'm not even going to try to outline some course of action right here on Labor Day on Suicide Girls. But I think it's vital that we understand the way the threat of violence, as well as real violence itself, makes it possible for us to practice. Nuff said, for now.


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Undergraduate Degrees, Majors and Concentrations
BIOL4270 - Immunology
Summer 2019
This is an upper level advanced topics course for Biology majors. The topic of this course varies each semester. For this particular iteration of the courses, the focus will be on an introduction to the principles of Immunology, in both the lecture and laboratory portions of the course. The course will incorporate current relevant research topics and methodologies in immunology, as well as an application of medical case studies. Topics to be covered in the lecture and laboratory portions of the course may include, but not limited to: Elements of the Immune System and Their Roles in Defense Innate Immunity Adaptive Immunity Antibodies and B Cells Development of B Cells and T Cells T Cell Mediated Immunity Hypersensitivities Vaccinations Organ/Tissue Transplantation Cancer and the Immune System Various laboratory techniques and instructional technologies will be employed throughout the course to foster discovery and to gain insights into these concepts.
Prerequisites: BIOl3370 and BIOL3375 or permission of the department head Co-requisite: BIOL4275
3 Credits
Schedule Book for All Active and Available Future Terms, Course starting with BIOL4270
No Courses Found


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Upon completion of this module, the learner will be able to:
Access the module (NOTE: Before accessing the module, you will be prompted to set up a user account on the Academy's Online Learning Center.)
*Optional module
In 2015, the Society for Pediatric Dermatology's Education Committee and the AAD's Basic Dermatology Curriculum work group collaborated to develop pediatric dermatology specific modules to complement the Basic Dermatology Curriculum. These modules were identified based on research conducted by SPD members as topics primary care providers should know about pediatric dermatology but were not addressed in the Basic Dermatology Curriculum.
The American Academy of Dermatology, through the efforts of a group of dermatology educators, has created an online medical student core curriculum, a series of online modules and videos that encompass the core principles of dermatology that all physicians should know. These online modules were designed to meet the needs of all dermatology learners, including those engaged in a clerkship as well as those studying independently.
Access the suggested order of learning module:


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Music is important to me. I don't play an instrument, but I like to listen.
At varsity in Dunedin the gigs kept me warm.
Over the years I built up my record collection, boxes and boxes of LP's, EP's and 7 inch singles, only to lose everything in a burglary.
Travel and family commitments intervened. Time passed. CD's replaced records, and records gave way to MP3's.
I miss records.
A disk crash deleted the MP3 collection, and I started again from scratch.
Starting again was difficult. I found myself buying the same music. Boring. I read music magazines to find out what I might like, but I didn't learn much. The radio wasn't much better. I visited record stores but just got lost, rows of bands I had never heard of.
I resolved to spend 12 months listening to as much music as I could; where possible avoiding bands that I knew, trying to find out what was out there, and what I liked.
By 2007 there was no shortage of music to listen to. Music blogs share the tastes of 1000's of music lovers. I joined Emusic.
To keep track I burn MixCd's, 21st Century mixtapes. The CD's catalogue my exploring. I give them to friends. Sometimes they email me back with comments and suggest other bands to listen to.
Eleven years on (good grief) here is a website to share my love of music.
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|Head Coach/Director of Cross Country
|Thirtieth Season
|Previous College:
|UC Santa Barbara
|Head Coach
Dolan By the Numbers
2012 USTFCCCA West Region Outdoor Head Coach of the Year
* 2 Big West Track and Field Team Titles (Women '05, Men '12)
* 11 Big West Cross Country Team Titles
* 97 Big West Track and Field Champions
* 18 NCAA Track and Field All-Americans
* 54 NCAA Track and Field National Qualifiers
* 2x Big West Track and Field Coach of the Year
* 11-Time Big West Cross Country Coach of the Year
* 10 Big West Cross Country Individual Champions
* 3 Cross Country All-Americans
* 18 Cross Country All-Regional Honors
* 21 Years in a row that UCSB Athletes have been awarded All-Big West honors (leads Big West) Dolan's runners hold UCSB school records in every distance race from 800m-10,000m
Model Program
Pete Dolan, now in his 30th year with the Gauchos, is the Head Coach for Track and Field and Cross Country. Dolan has led a remarkable championship run at UCSB- evident by his teams winning Big West Championships in Men's and Women's Cross Country as well as Men's and Women's Track and Field.
As a Head Coach, he has captured a Big West Team Title in all four Championships.
UCSB has become a sought after destination for distance runners looking to train in a competitive group and develop in their respective events.
Over the past decade UCSB has been the top-all around program in the Big West Conference factoring in performances in cross country and track and field, on both the men's and women's side. Coach Dolan has dedicated his program to the development of all the areas of a track and field team. PDF
Since Dolan's arrival in Santa Barbara in 1987, both the men's and women's distance programs have become highly regarded in the Big West Conference and have helped put UCSB in position to consistently contend for team championships. Illustrating that point, since 2005 the UCSB women's track and field program has finished in the top-2 at the Big West Championships 7 times, winning in 2005. The 2013 season ended with both men's and women's teams finishing runner-up at the Big West Championship although individually it was the best year under Dolan's watch with Gauchos winning 10 event titles. One of those champions, Jennifer Carey, went on to represent Ireland running the 400m in the IAAF World Championships.
Athlete Development
2015 was another banner year for Dolan's harriers. Finishing with a school record low-score of 21 points. the UCSB men won the Big West Cross Country title putting five men in the top-nine- including four of the top-five. Bryan Guijarro captured the cross country win with teammate Anthony Ortolan close behind in second.
On the track, Dolan's men scored 81 points in the distance events at the Big West Championship, winning the 3,000m Steeple (Bryce Rausa) and the 10,000m (Guijarro). Rausa had a season best steeple time of 8:51.24 and Guijarro lowered his 10k best to 29:11.20.
Also in 2015, Dani Moreno captured her first conference title in the 10,000m and Tori Tsolis lowered her 1500m best to 4:21.95.
In total, sixteen different UCSB runners scored in the distance events at the 2015 Big West Track Championship.
In 2012 the UCSB Men captured their first Big West Track and Field Championship- scoring in 18 of 21 events. After the Championship meet, Dolan was awarded his 12th Big West Coach of the Year honor- A fitting number matching his 12th Big West team title.
Known for balanced teams with a flair for the distances, the 2012 Gaucho squad was led by two-time All-American Ryan Martin who arrived at UCSB with a 1:53.23 800m personal best. Martin finished his last Big West Championship 800m in 1:44.77, notching his place as the 8th fastest runner in NCAA history in the 800m. Martin would go on to take fourth place at the NCAA Championships, setting the stage for an epic 800m show down in Eugene in late June. Under the Hayward Field lights, lining up in Lane 4, Ryan Martin took to the line in the Olympic Trials 800m final. Martin held on to the pack and charged hard to the tape breaking the finish line in fourth place at 1:44.90, narrowly missing an Olympic bid by .25 seconds.
For the efforts of the 2012 squad, Dolan was named 2012 USTFCCCA West Region Coach of the Year
Since the 2000 season, 24 distance athletes from 800 meters to 10,000 meters have qualified for the NCAA Championships.
The success UCSB has enjoyed under Dolan stems from his desire to encourage his teams to strive for excellence by constantly challenging his athletes and staff. One would only need to look into the UCSB all-time lists to see the impact Dolan has had on the Gaucho distance program. In the 800m up to the 10,000m on both the Men's and Women's all-time top 10 lists, all but 11 marks belong to Dolan's athletes with his former runners owning the school record in every category. Those lists provide a glimpse into the exception rate of improvement Dolan's athletes have enjoyed over their UCSB careers.
From 2009 to 2011, Dolan's runners captured 11 Big West Individual Championships on the track. The 2010 Gaucho squad was one for the record books, qualifying 6 athletes for the NCAA Championships- bringing home 5 All-American awards. Danielle Domenichelli took 7th place in the 10,000m with her time of 33:32.31. Domenichelli, then a senior showed her range in adding a 10,000m All-American certificate to go with her 2008 honors in the 5,000m. Julian deRubira placed 9th in the 3,000m steeplechase in 8:49.34. deRubira is the school record holder in the 3,000m steeplechase at 8:43.92. 2010 was also Ryan Martin's initial breakout into the national scene taking 4th in the 800m with 1:47.02.
Three athletes advanced to the NCAA Championships in 2008 under Dolan's guidance. Michael Powers and Danielle Domenichelli each earned All-American honors, and Chris Ashley battled his way to the NCAA Championships in the 5,000m after having a tough 2007 season. Powers best time of 8:48.18 in the 3,000m steeplechase is third all-time in UCSB history.
In 2007, Dolan led the Gaucho men's and women's teams to second-place finishes in a competitive Big West Conference. Six athletes competed in the NCAA Championships, which included Stephanie Rothstein's 5th place All-American performance in the 10,000 meters. Rothstein was named the Big West Athlete of the Year after closing out her marvelous career with a top-five national finish. Rothstein's best 10k, 33:23.33 still stands as the school record at UCSB.
Dolan took the program to new heights in 2005. The Gaucho women claimed their first Conference Championship and broke school records in all the distance races from 1500 meters to 5000 meters. The 5000 meters squad was particularly dominant, setting the Big West conference record, sweeping the first four spots in the Conference Championships, qualifying four athletes to the NCAA Regionals, and qualifying two athletes to the NCAA Championship 5000m finals.
The men had several impressive feats of their own in 2005. The 1500 meters school record was broken, Tetlo Emmen was named All- American at 800 meters, and the top-10 board continued to be re-written. During the cross country campaign, Chris Ashley won the men's individual Big West title and was named Big West Athlete of the Year.
Cross Country #9 at NCAA's
In cross country, the women had their highest placing in school history in the 2006 season, when they advanced to the NCAA Championships and took ninth place. After scoring 26 points at the Big West Championship, the lowest winning total since 1997, the Gaucho's went on to a runner up NCAA Regional finish in Portland's Blue Lake Park, after placing 4 runners in the top 15. On a muddy course in late November, the Gaucho Women had a historic showing. The five women, Lauren Christman (32), Stephanie Rothstein (47), Megan Lewis (67), Lindsay Christman (98) and Bethany Nickless (153) helped propel UCSB to a 9th place NCAA Finish- losing to only 1 Pac-10 squad (eventual winner Stanford).
With Dolan's guidance the women have won seven Big West Cross Country Championships: 1993, 1994, 1996, 2003, 2004, 2006 and 2007.
Under Dolan's watch the Gaucho men have had their share of success as well, claiming the Big West Cross Country Championship three times: in 1995, 1997 and 2001. Dolan has mentored 3 individual men's champions (Brad Glosser '95, Eric Gans '01, Chris Ashley '05). Twice his athletes have taken the top-2 spots, on both occasions propelling UCSB to team titles (Glosser and Dave Cullum '95 and Eric Gans and Josh Horton '01). His 2001 team ranks as one of UCSB's all-time greats, not only did they snap Cal Poly's three year conference win streak, they went on to finish 17th at the NCAA Division I Championships (there are over 300 NCAA Div. I men's teams).
In his 28 years with the Gauchos, Dolan has guided athletes to the following achievements:
- No. 8 all-time NCAA collegian in the 800m (Ryan Martin - 1:44.77)
- 9th Place NCAA Cross Country Finish in 2006 (Women)
- 17th Place NCAA Cross Country Finish in 2001 (Men)
- 3 Men under 1:48 in the 800m (Martin 1:44.77, Emmen 1:47.60, Locklin 1:47.73)
- Men's 10,000m Big West Conference record (Scott Smith 28:35.71)
- Women's 5,000m former Big West Conference Record (Amanda Moreno 15:58.08)
- 2006 and 2007 Big West Track Athlete of the Year (Stephanie Rothstein)
- 2012 Co-Freshman of the Year (Shyan Vaziri)
- 4 Men's Cross Country Big West Champions
(Dave Cullum '95, Eric Gans '01, Chris Ashley '05, Guijarro '15)
- 7 Women's Cross Country Big West Champions
(Appenrodt '01, Rothstein '03, Christman '04, '06, Lewis '07, Domicelli '08, Moreno '10)
As an undergraduate of UCSB, Dolan was named All-Big West in the 10,000 meters in 1982, and was named UCSB's Most Valuable distance runner in the same year. He received his bachelor's degree in business economics from UCSB in 1982, and his master's degree in sports science from the United States Sports Academy in 1987.


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Prices in your local currency are based on the current USD conversion rates and are subject to change. Also, we ship to and from 100+ countries.
Choose from a wide-ranging selection of 7 original portrait pastel drawings and prints ranging in subject, style and media from figurative to abstract, monochromatic to multicoloured, and charcoal to pencil.
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Hi y'all! I'm here today to share a lovely traditional pattern. When I made my first Jewel Box Quilt, I didn't even know what it was called. I went off of a picture of an antique quilt. My ignorance was bliss because instead of making it the traditional way (1 complicated repeating block), I made this quilt using 2 simpler blocks. This quilt is traditionally made in jewel tones, but I think it looks even better in the dusty pastels of the Sunkissed line.
1 Layer Cake (Sunkissed 5440 LC)
2 Bella Solid Charm Packs (White)
1.5 yds Bella Solid (White)
1/2 yard inner border (5443 21)
1 1/4 yds outer border (5446 11) * If using a directional print, be safe and order 1.5 yards *
5/8 yard binding fabric (5447 11)
5 1/4 yards backing fabric (5444 11)
If you choose a background fabric that Moda does not carry in charm packs, purchase 3 yards total of background fabric (instead of 2 charm packs + 1.5 yds of yardage).
The Cutting
First things first… remove the white on white print from the layer cake. It just doesn't provide enough contrast for this design (but it would make a wonderful label for your back).
Take your remaining 41 layer cake squares and subcut them into:
(2) 2.25″x10″ strips
(2) 5″x5″ squares
.5″x10″ scrap (discard)
Take your white background fabric and cut into (82) 2.25″x10″strips. If you are using Bella Solid yardage instead of charm packs, you will cut the rest of your white fabric into (82) 5″ charms.
Cut your inner border fabric in 2.5″ inch long strips. You will need to join your strips for them to be long enough.
Cut your outer border in 5″ long strips. You will need to join your strips to make them long enough. You will need to pay special attention if you have chosen a directional print.
The Construction
Take 82 solid white charms and draw a diagonal line down the center. Place one on top of each of your 82 printed charms. Sew a seam 1/4″ away from both sides of the drawn line. Cut on the drawn line and press seams toward the print. Trim each half square triangle to a 4″ square. You should now have 164 half square triangles. Reserve 4 Half Square Triangles for the corners of your quilt.
Take your remaining 160 Half Square Triangles and Sew them into pairs to make (80) 7.5″x4″ triangles (see above). Reserve 14 of your newly made triangles for the edge of your quilt. You will have 66 triangles remaining.
Sew the remaining 66 triangles into 33 Diamonds like above. Each diamond should measure 7.5″ square. Now let's get started on the alternating blocks.
Sew your (82) 2.25″x10″ white strips and your (82) 2.25″x10″ printed trips into pairs.
Press toward the printed fabric.
You will have 82 white/print strip pairs.
Take 40 pairs and sew them together at the prints. Take the other 40 pairs and sew them together at the white strips (see above). You will have 20 strip sets sewn together at the print and 20 strip sets sewn together at the white. You will have 2 pair left over…reserve those in case you have a cutting error and need to replace a block.
Cut each of your newly sewn strip sets and cut them down into (4) 2.25″x10″ sections.
Pair up your strip sections like so into. You will have (80) 4×7.5″ blocks like this (these look like two 4 pack blocks sewn together. Reserve 18 of these blocks. You will have 62 of these leftover.
Sew these together in pairs so that the interior is made of 4 printed blocks. This will give you 31 blocks that measure 7.5″(before being sewn into the quilt top) that look like this:
Arrange your blocks in alternating fashion. Start with your diamond blocks. You will have 7 columns and 9 rows. If you stopped right here, you would have a 49×63 lap quilt.
Take the 4 HST and the 1/2 blocks you reserved earlier. Arrange them around your quilt top to make it appear as if the design will continue. Attach these blocks to each other then to the quilt top (the side with your HSTs in the corner will go on last).
Attach your inner, then outer borders.
Approximate fabric requirements for backing: 5 1/4 YD.
Construct 2 strips the width of the fabric and length at least 94.5. Sew strips together to form vertical seams in the backing.
Baste your quit.
Quilt as desired. I used a leafy vine free motion design.
Cut 9 strips of width 2.5″. Form 1 continuous binding strip and attach to your quilt then hand stitch to the other side.
1 73″x88″ twin sized quilt
Visit me over at my blog, The Tulip Patch, to see a jewel box quilt in another colorway, view the back of this quilt, and get details on a layer cake giveaway!


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© 1998-2019, Palestinian Media Watch, All Rights Reserved.
Reproduction permitted, with the following attribution:
© Palestinian Media Watch – www.palwatch.org
Demonization of Jews/Israelis
Jews/Israelis are evil
Israel rules the world
In Russia's pocket: "The [axis of] resistance"
In the USA's pocket: "The [axis of] moderation"
Israel stands above them.
Official PA daily, Al-Hayat Al-Jadida
Mar. 11, 2014
View chronologically
PA daily cartoon depicts dog-headed Israeli soldier biting a dove while his dog bites a child
Jan. 27, 2019
Cartoon in official PA daily shows an Israeli soldier dragging a child away from Santa Claus
Dec. 25, 2018
Cartoon showing Palestinian giving middle finger to Israeli soldier over security wall wishes a "Happy new year 2019"
Jan. 1, 2019
PA daily cartoon depicts IDF soldier setting a Christmas tree on fire
Dec. 6, 2018
Cartoon on PA TV depicts Israeli soldier "blocking" Palestinian child's access to education
Oct. 16, 2018
PA daily cartoon demonizes Israeli settlers
Oct. 18, 2018
Cartoon in PA daily demonizes Israeli settler
Oct. 15, 2018
Israel depicted as octopus in official PA daily cartoon
Sept. 20, 2018
Cartoon published in official PA daily shows caricaturized IDF soldier with a large nose pointing rifle at a Palestinian woman and child
July 25, 2018
PA daily cartoon depicts Israeli soldier poisoning a Palestinian baby
May 21, 2018
Cartoon in official PA daily shows Israeli soldier lifting young Palestinian schoolboy to throw him in the back of a military vehicle
Dec. 31, 2017
Cartoon in official PA daily shows Israeli soldier pointing an assault rifle at a young Palestinian schoolboy
Dec. 30, 2017
PA daily cartoon: Santa visits Palestinian child in prison
Dec. 24, 2017
Cartoon on Fatah Twitter depicts Israeli soldiers searching Santa
Dec. 22, 2017
PA daily cartoon depicts Israeli soldier dragging a child away from Santa
Dec. 26, 2017
PA daily cartoon: US depicted as chameleon, stepping from olive branch of peace to bloody Israeli sword
Dec. 6, 2017
Fatah FB cartoon depicts Israel as black raven that killed the dove of peace
Oct. 24, 2017
Fatah Facebook re-posts grotesque cartoon showing Israel's minister of culture as angel of death
May 19, 2017
Fatah FB posts cartoon of smiling Israeli soldier sardonically wishing "Happy Mother's Day" to mother of child he shot
Mar. 21, 2017
Fatah cartoon shows baby mobile of Israeli soldiers pointing guns at Palestinian baby
Apr. 4, 2017
Fatah cartoon claims Israel is in cahoots with ISIS
Mar. 18, 2017
PA cartoon: Israel executes prisoners through medical neglect
Oct. 23, 2016
Fatah cartoon: Netanyahu devours Dome of the Rock Mosque as Arabs fight
Jan. 10, 2017
Santa hides his eyes as Israeli soldier throws grenades down chimney on Christmas Eve
Jan. 1, 2017
PA daily cartoon: Israel shoots Santa, claims he was trying to carry out a stabbing attack
Dec. 28, 2016
Fatah cartoon: Israel, depicted as an Orthodox Jew, murders innocent Palestinians and complains to a sympathetic world that it's being attacked
Nov. 28, 2016
Fatah cartoon: Israel pees on international law
Dec. 29, 2016
Fatah cartoon shows Netanyahu holding a bleeding peace dove
Sept. 25, 2016
PA daily cartoon: Israel threatens Santa Claus, plants knife on him to create pretext of "stabbing attack"
Dec. 26, 2016
PA daily cartoon: Large-nosed Israeli soldier sets fire to Christmas tree
Dec. 25, 2016
PA daily cartoon shows Israeli soldier arresting naked baby
Sept. 24, 2016
Fatah cartoon shows Bibi flanked by Grim Reapers
Sept. 15, 2016
PA cartoon: Israel abuses prisoners
Sept. 17, 2016
PA cartoon: Jew fantasizes about blood and demolition, Palestinian fantasizes about peace
Sept. 20, 2016
Fatah cartoon: Netanyahu outwardly promotes peace while secretly planning Palestinian destruction
Aug. 14, 2016
PA Security Forces cartoon: Israeli soldiers hunt and murder Palestinians using their rifles as hunting dogs
Oct. 17, 2016
PA Security Forces cartoon: Netanyahu's hands drip with blood
Oct. 14, 2016
PA National Security Forces posts on Facebook a cartoon depicting an Israeli soldier 'boxing' the Al-Aqsa Mosque
Oct. 6, 2016
Cartoon in PA daily: Israel controls the US which controls the world
Oct. 4, 2016
Fatah reposts controversial cartoon implying Jews are behind world terror
Sept. 20, 2016
Fatah cartoon presents Former Israeli President Shimon Peres as destined for Hell
Sept. 29, 2016
Fatah cartoon: Israeli PM Netanyahu and Defense Minister Liberman are butchers slaughtering peace dove
Aug. 21, 2016
Israeli soldier eats ancient archaeological site
Sept. 6, 2016
Fatah cartoon: Long-nosed Jew explodes Muslim world
Oct. 18, 2016
Official PA daily cartoon depicts Israeli soldier aiming gun while standing on scales of justice
June 16, 2016
Fatah cartoon shows Israeli Prime Minister Netanyahu's hands dripping blood and UN endorsing Israel's "killing" of Palestinians
June 24, 2016
Fatah cartoon shows Israeli Prime Minister Benjamin Netanyahu having murdered 'Lady Justice'
June 17, 2016
Fatah cartoon depicts Israeli PM Netanyahu as a Nazi with a swastika tattoo
June 23, 2016
Fatah Facebook posts cartoon of Netanyahu walking on graph of rising popularity made of dead Palestinian babies
May 12, 2016
Fatah cartoon criticizes Hamas and Israel, depicts Gaza as a woman being decapitated by Israel and Hamas
May 9, 2016
Israeli drug smuggling network
June 5, 2000
Cartoon map: Euphrates to the Nile
Aug. 5, 2003
PA daily cartoon: Netanyahu taking advantage of world terror to "incite" against Palestinian terror
Nov. 23, 2015
Israeli soldier as stabber and executor
Mar. 26, 2016
PA daily cartoon shows Palestinian boy inside Israeli meat grinder
Apr. 6, 2016
Cartoon in official PA daily criticizes use of children in terror wave
Feb. 25, 2016
Cartoon on Fatah TV: Israeli soldiers hunt and murder Palestinians using their rifles as hunting dogs
Dec. 7, 2015
Cartoon on Fatah TV: Israeli soldier stages the scene of a stabbing attack
Nov. 24, 2015
Fatah cartoon: Israel considers rock throwing to be a crime
Nov. 23, 2015
Fatah website publishes cartoon with IDF soldier holding dead child on his rifle
Dec. 11, 2015
Fatah cartoon depicts Netanyahu as dinosaur
Jan. 19, 2016
Cartoon in Palestinian daily depicts Christmas trees shot to death by Israeli guns
Dec. 23, 2015
PA daily cartoon: Religious Jews crucify Palestinian boy
Dec. 2, 2015
PA cartoon: Israel is the protégé of the Angel of Death
Nov. 21, 2015
Fatah cartoon: Israel executes Palestinian children - and the US supports it
Dec. 12, 2015
Fatah cartoon: Israelis are Nazis
Nov. 11, 2015
PA daily cartoon: Israel the aggressor gives false image as peace-seeker
Oct. 28, 2015
Fatah cartoon compares Jews to ISIS
Nov. 16, 2015
Fatah cartoon depicts Israeli soldier as bloodthirsty killer while world is silent
Oct. 30, 2015
Netanyahu depicted as tank and gun
Oct. 27, 2015
Fatah Facebook cartoon shows soldier saying to a Palestinian woman: "We have killed the best of your youth."
Oct. 29, 2015
Fatah Twitter cartoon: Israel murders Palestinians and plants knives next to the bodies
Nov. 1, 2015
PA daily cartoon shows Jew planting knife on Palestinian boy
Oct. 26, 2015
Cartoon in PA daily: Israel fabricates Palestinian stabbing attacks
Oct. 17, 2015
PA daily cartoon: Israel fabricating stabbings by Palestinians in order to kill
Aug. 20, 2015
PA daily cartoon: Religious Jew uses soldier's gun to shoot Palestinian
Oct. 3, 2015
Fatah cartoon: Israel depicted as Judaizing ISIS executioner decapitating the Palestinian Dome of the Rock
Sept. 19, 2015
Fatah TV cartoon depicts Jews celebrating murder of Palestinian infant in arson attack
Aug. 2, 2015
Fatah cartoon: Palestinian child burned by menorah symbolizing Israel
Aug. 1, 2015
Netanyahu toasts Molotov cocktails with Jewish "price tag" terrorist
Aug. 8, 2015
Hamas tweets anti-Fatah cartoon of Jew raping woman and murdering children
July 31, 2015
Jew demonized as scary mosque arsonist
Oct. 13, 2011
Stereotyped Jew hides from Muslim behind tree
Nov. 17, 2012
Fatah cartoon portrays Netanyahu surrounded by grim reapers
Apr. 3, 2015
Fatah cartoon compares Israeli soldier to ISIS
July 12, 2016
Fatah cartoon portrays Israel as terrorist killer of peace
Mar. 14, 2015
Cartoon compares Netanyahu and Israel to ISIS
Mar. 4, 2015
Israel divides Arab Peace Initative cake unfairly
Mar. 25, 2007
Israel is cruel and unreasonable
Apr. 26, 2007
Israel has blood on its hands
May 22, 2007
Israel handcuffs peace
July 1, 2007
Israeli PM chokes dove of peace
Aug. 2, 2007
Star of David made of skulls
Sept. 16, 2007
Israel as Frankenstein's Monster
Jan. 20, 2008
Israeli warplane with Nazi imagery
Mar. 4, 2008
PA daily cartoon: Israeli soldier with blood on his hands creates shadow of dove on wall
Oct. 13, 2010
PA daily cartoon: Israel killing Palestinians via power outages
Mar. 6, 2015
Fatah: Islamic State = Israel
Apr. 5, 2015
Israel depicted as an IS executioner
June 15, 2017
Fatah cartoon: Israel is mirror image of ISIS
Feb. 15, 2015
Demonic Jew eats Palestinian child
Jan. 22, 2009
Netanyahu with blood on hands and mouth, holding sign: "No to terror"
Jan. 14, 2015
Religious Jew as IS fighter
Aug. 10, 2016
Jew hides behind tree
Mar. 30, 2014
Palestinian running over Jews with his car
Nov. 6, 2014
Israel as snake harming Palestinian athletes
June 14, 2014
Israel as crow eating away at Palestinian prisoners
May 22, 2014
Israel compared to IS
Sept. 10, 2014
Israel depicted as snake in PA daily caricature
Aug. 24, 2014
Israel drops Nazi bomb on defenseless Palestinian child
July 9, 2014
Jew bites hand of Palestinian child
July 3, 2014
Prime Minister Benjamin Netanyahu bathes in blood
Mar. 23, 2014
Israel rules the world
Mar. 11, 2014
Israeli tank forms part of the Olympic logo
Feb. 9, 2014
Cartoon Collection - All Topics
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PMW report: The Rajoub File
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CBS Building
By the late 1950s, the CBS Company had diversified and grown enormously. Its founder and CEO, William S. Paley, decided that the company's rented space on Madison Avenue was neither adequate to the network's need nor helpful to its image. Paley determined to build new company headquarters that could compete in architectural prestige with NBC's and that it would have to be of the highest aesthetic quality. He bought the site on Sixth Avenue, between 52nd and 53rd Streets, an area he characterized as 'emerging as the newest important business area in midtown.' Paley hired Saarinen for he believed him to be one of the country's outstanding architects, and also a creative artist in the deepest sense.
The tower of CBS headquarters is a freestanding 38-story concrete tower sheathed in dark granite and glass. The 800,000 square feet building has a 135-foot by 160-foot footprint, and stands in a sunken plaza that occupies the entire western end of the block bounded by Fifth and Sixth Avenues and West 52nd and 53rd Streets on a site that is 200'-10" x 216'-10". It rises 490 feet without setbacks, occupies almost 60 percent of the area of the plaza, and it is set back 25 feet from the building line.
For his scheme Saarinen wanted to use reinforced concrete and face it with stone, which turned out to be very economical compared to the prevalent practice of steel frame construction typically used in high-rise office buildings. In fact, the CBS Building became New York's first postwar reinforced concrete skyscraper and one of the first to use an exterior bearing wall at a time when the glass curtain wall of the International Style was in vogue.
The plaza is paved in a gray granite slightly lighter than the one used in the building's piers. It is sunken below street level by approximately two feet forming a retaining wall with parapets and vertical slits on the inside faces. The design of the exterior walls of the tower called for triangular, weight-bearing, poured concrete piers, which along with the interior service and elevator core support the building. The use of piers is what gives the building its palpable verticality and its three-dimensionality; this again was a reaction to the ubiquitous curtain wall. The piers are conceived as projecting triangular "V"s with glass recessed behind them. By sheathing the concrete with Canadian black granite and filling the bays with gray-tinted vision glass, Saarinen created the illusion of a massive slab of dark granite which earned the building its nickname, "Black Rock". At each of the building four corners the "V"s meet to form double-width piers, creating the effect of chamfered corners.
The piers rise uninterrupted from the ground all the way to the top, and act as both bearing walls and conduits for services. "From the second-floor level they are hollow for ducts and sheared flat in the interior. At the ground floor, they are solid and fully diamond-shaped inside and out and almost as impressive as Greek columns." The service core of the building is designed to permit circulation within its walls saving the space of a public corridor around the core. It is joined by 35- foot long clear spans to cast-in-place peripheral columns. These do not intrude to support the floor slabs, but are anchored together with the columns using steel rods running through both. The top floor and the second floor of the building are mechanical floors, which are articulated on the exterior by the use of closely spaced, dark anodized vertical grilles on the bays instead of glass. The five foot widths of piers and window bays became the module of the whole design of the building. This would enable the company to standardize executive levels by size: a presidential suite would be 20' x 20', a vice-president's office 15' x 15', and a manager's 10' x 10'.
The design for the lobby of the building shows a peculiar twist in relation to the overall sober and subdued appearance of the exterior. The dark granite is present still in the structural columns and also on the flooring of the lobby. But the core containing the elevator banks is clad in white travertine; walls, floors, overhead lighting panels, and even the ashtrays of white travertine accomplish a sharp contrast with the dark surroundings. The western portion of the lobby was originally leased to a branch of the Bank of New York. It currently houses offices for Cushman Wakefield Investments. The eastern portion of the lobby housed the Ground Floor Restaurant, which was meant to rival Seagram Building's The Four Seasons. Today it houses The China Grill.
Saarinen proposed many schemes for the CBS tower, but the executed design was the one to which he always returned. In a 1961 article published in Progressive Architecture, his partner John Dinkerloo said the design for CBS embodied the late architect's idea of what an office tower should be. He added that his former partner believed he was going back to the tradition of Sullivan in Chicago while at the same time taking a step forward in the design of tall buildings. For most of its lifetime, Saarinen's CBS tower has been qualified as somber and austere, and this is in large part due to the darkling quality of the granite. Both the architect and the president of CBS wanted a building that would differ from the glass and steel skyscrapers of the International Style, one with identity and individualism. Saarinen wanted it to be subtle and refined, and believed a dark building was more quiet, dignified and appropriate to the site. His widow suggested he was thinking of executives in their dark gray suits when choosing the dark granite for the building. Yet Dinkerloo believed that the dark stone reflected the strength Saarinen was looking for better than glass.
Critical reaction to the CBS Building was favorable from most of the architectural community. The dark, somber dignity of the tower was however, not welcomed by the general public according to Ada Louise Huxtable; it seemed funereal compared to the "bright and shiny" look of curtain wall buildings. Huxtable cited this misconception as a fault of the public eye, one she did not agree with. She did, however, faulted the architects for failing to carry the distinct design of the building's exterior inside. She blamed this on the decision, after Saarinen's death, to divide the design of interior and exterior among two firms. As a result the inside of CBS "is a solid gold corporate cliché; a lavish cocoon, complete to standardized concealed wastebaskets and accredited and almost as equally standardized abstract art...the building has been turned into the anonymous, vacuum-packed commercial shell it was never meant to be."2
The sunken plaza was perceived more as a protective border for the building lacking most public amenities such as fountains, pools, or trees. The plaza's surrounding parapet is too high to provide resting places for pedestrians; it is uninviting and seems to declare an apartness from the rest of the street. Moreover, as critic Bethami Probst declared in a 1965 article, by settling itself so firmly on the sunken plaza, the CBS Building sacrifices its ability to soar as a skyscraper should. According to critic Paul Goldberger, Saarinen's building stands "maddeningly aloof" from its surrounding because of the sunken plaza scheme. In fact, he sees it as a continuation of a trend started in the 1950s when corporate glass towers rejected any connection to, or acknowledgment of, the context on which they stood, such as Lever House and Seagram. By standing back from the sidewalk, by sinking below the street level and for lacking entrances on Sixth Avenue, the building's disconnection is emphasized. At once it could be understood that Saarinen achieved the conceptual disassociation from the International Style, but also the physical disassociation as well in light of the prevailing architectural landscape of Sixth Avenue.
Nevertheless, the building's distinction lies in its austere color and its massing, which sets it apart from its repetitive neighbors. It also lies in its articulated verticality done through structure. And finally it lies in the fact that it broke away from prevalent building systems and aesthetics.
1. Ada Louise Huxtable, Will They Ever Finish Bruckner Boulevard? (New York: Macmillan, 1970) 101.
2. Huxtable, 101-102.
Saarinen's premise was a freestanding tower in a plaza, encouraged by the new 1961 zoning ordinance. He put the CBS Building in a sunken plaza, trying in some measure to respect the street wall of Sixth Avenue, keeping the plaza small and siting the tower a little off-center. The tower occupies approximately 60 percent of the plaza's area and it is set slightly towards the east. Lacking the restriction of the old zoning, which encouraged progressively set-back towers, Saarinen used continuous reinforced concrete piers in the facades as load-bearing elements supporting the building, emphasizing the tower's verticality.
Saarinen's design for the CBS Building represented a departure from the International Style for not relying on the use of a glass curtain wall and pilotis. The architect restored the function the traditional masonry pier had before the advent of Modern minimalism by bringing it outside again. The architect's use of triangular, weight-bearing, poured concrete piers(along with an interior service/elevator core) also turned out to be very economical compared to the prevalent practice of steel frame construction typically used in office buildings. The CBS Building became New York's first postwar reinforced concrete skyscraper and one of the first to use an exterior bearing wall at a time when the glass curtain wall was the norm.
The CBS Building epitomizes Saarinen's idea of the simplest skyscraper in New York; this concrete tower sheathed in dark granite and glass reflects minimal simplicity and a sense of mass and austerity. The combination of Canadian black granite used in the cladding of the masonry piers and the gray-tinted glass in the bays creates the illusion of a massive slab of dark granite, which earned the building its nickname, "Black Rock." In addition, the uninterrupted 'V' shaped piers rising from the ground all the way to the top give the building its palpable verticality and its three dimensionality. The almost complete absence of interruption the façades give the building its austerity. The absence of set backs also gives a monumental feeling to the act of entering the building when approached from W. 52nd and 53rd streets. By leaving the Sixth Avenue façade alone, the design also gives the building the appearance of an absolutely pure slab of granite. What has been described as 'optical architecture, or a 'three-dimensional study in architecture', is Saarinen's unique and simple design for the CBS Building, which allows the building to change in appearance as one walks around it. When seen directly, the tower's bays appear open, with relatively narrow piers. However, when viewed from afar and at an angle, the piers eclipse the view of the glass creating the effect of solid mass. The building's distinction lies in its austere color and its massing, which sets it apart from its repetitive neighbors. It also lies in its articulated verticality done through structure. And finally it lies in the fact that it broke away from prevalent building systems and aesthetics.
With the CBS Building Saarinen returned to the skyscraper the sense of solidity and mass that had been its principal characteristic before the advent of Modern minimalism. But he did it in a completely Modernist way, by 'restoring function to the masonry pier'; by using concrete he could take vertical columns on the outside wall and make them do something for a change. Saarinen made the piers thicker and deep so he could set the windows in deep recesses, so that from an angle you would see no glass at all.
The new 1961 zoning ordinance had encouraged tall towers set back in plazas in New York City. Saarinen met with architects and planners who were working out the new zoning proposal to find out if a tower in a plaza could work economically. His argument for the CBS Building served as a demonstration model for the new zoning. He established that the area per floor would have to be nearly 20,000 square feet gross for a profitable structure (in contrast to Seagram's 16,000 square feet on tower floors). The proposed new zoning would still have permitted only 16,000 square feet, but working together with city officials Saarinen came up with a new formula for CBS, which would yield over 20,000 square feet and produce a pleasant plaza for the city. The 1961 New York zoning amendment reflected planners' and civic organizations' aim at limiting the height and bulk of buildings. The city granted to the developers a 20 percent density bonus for buildings that created a public plaza on a portion of the lot. If towers were to cover 40 percent of their lots, they were allowed to rise to unlimited heights. According to historians, Saarinen's meetings with planners and architects to work out the new 1961 zoning proposal and his designs and calculations for the CBS Building, helped shaped the new zoning law. His tower design begat the zoning amendment.
Christ-Janer, Albert, with a foreword by Alvar Aalto. Eliel Saarinen. Chicago: The University of Chicago Press, 1948, ill.
Lund, Nils-Ole. "U. S. A. Ambassaden i Oslo." Arkitektur Denmark 3 (1960): 81-91.
Damaz, Paul. "École de Droit de L'Université de Chicago, Etats-Unis." Architecture D'aujourd'hui 96 (1961): 93-94.
Dinkerloo, John. "Saarinen's Sophisticated Skyscraper for CBS" Progressive Architecture 42 (1961): 53-54.
McQuade, Walter."Eero Saarinen, A Complete Architect."Architectural Forum 116 (1962): 103-117.
Probst, Bethami. "CBS: Somber Power on Sixth Avenue." Progressive Architecture 46 (1965): 188-190.
Huxtable, Ada Louise. Will They Ever Finish Bruckner Boulevard? preface by Daniel P. Moynihan. New York: Macmillan, 1970.
Roth, Leland M. A Concise History of American Architecture. New York: Harper & Row, 1979, ill.
Goldberger, Paul. The Skyscraper. New York: Alfred A. Knopf, 1982, ill.
Nakamura, Toshiro, ed. Eero Saarinen. Spec. issue of Architecture and Urbanism(April 1984): 1- 240.
Saarinen, Eero. Eero Saarinen on his Work, A Selection of Buildings dating from 1947 to 1964, with statements by the architect . edited by Aline B. Saarinen. revised edition. New Haven: Yale University Press, 1988, ill.
Scully, Vincent. American Architecture and Urbanism. New York: H. Holt, 1988, ill.
Stern, Robert A. M., Thomas Mellins, and David Fishman.New York 1960: Architecture and Urbanism Between the Second World War and the Bicentennial. New York: Monacelli Press, 1995, ill.
Willis, Carol. Form Follows Finance: Skyscrapers and Skylines in New York and Chicago. New York: Princeton Architectural Press, 1995, ill.
New York City. Landmarks Preservation Commission. The CBS Building, 51 West 52nd Street, aka 51-69 West 52nd Street, 52-66 West 53rd Street, and 1300-1316 Sixth Avenue. By Anthony W. Robins. New York: Landmarks Preservation Commission, 1997, ill.


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Dymaxion "Wichita" House
The Dymaxion House was a prefabricated, single family dwelling unit that was intended to be easily transportable, erectable, and maintainable, as well as comfortable, affordable, and mass-producible.
The Wichita House, constructed by Graham in 1948, was a hybridized version of the two prototype designs built by Fuller, one in 1945 (known as the Barwise prototype) and the other in 1946 (known as the Danbury prototype) but never assembled. The Barwise prototype was shaped like a cylinder with a pointed roof. It was thirty-six feet in diameter and twenty-two feet high. The single volume interior contained a living/dining room, a small kitchen and laundry unit, and two bedrooms, each with their own bathroom and freestanding storage unit.
In March of 1946, Fuller resigned as the Chairman of the Board and Chief Engineer due to the pressure exerted on him by his fellow business associates to finalize the design and start production. As a result of his unwillingness to compromise and disagreements among the associates, the newly formed Fuller Houses, Inc. collapsed. Graham, a stockholder of the company, acquired the two prototypes as well as any additional parts and combined them into a two-story house on permanent foundations. All leftover pieces were saved for spare parts.
The Barwise prototype had just over 1000 square feet of livable space. It was suspended and supported by a central mast, from which a light shell enclosed living space was hung in tension. All utilities (heating, refrigerating, air-conditioning, laundering, dishwashing, bathroom, and kitchen units) were grouped around the central mast. The walls and roof were constructed of unfinished aluminum panels and the ribbon-like windows were made of plastic. Capping the building was a wide, aerodynamic sheet metal ventilator, designed to rotate and lift depending on the weather conditions. The ventilator drew in outside air, allowing the windows to be inoperable. The Wichita House, while still maintaining the original cylindrical form and materials, was changed drastically to fit the Graham family's needs. The house was no longer suspended in the air, but rather constructed with an additional floor below and on permanent foundations. The house was also built without the rotating ventilator. Further additions and alterations, such as a porch and building extension, were added over the years. According to Robert W. Marks in his book, The Dymaxion World of Buckminster Fuller, Fuller visited the house and disapproved, remarking that "[Graham's] architectural additions forever grounded [the] aeroplane." (Pg 133)
The Wichita house was built with a full basement on a 600 acre site near Andover, Kansas. It was built along the steep embankment of the waterfront. Andover, at that time, was a small, unincorporated town, surrounded by farmland.
Near the end of World War II, the Foreign Economic Administration had expressed interest in retooling their operations for the manufacture of prefabricated homes. War-expanded aircraft plants all around the country were worrying about a huge cut in work. The mass production of the Dymaxion House seemed like an appropriate solution to keep those plants in business. The manufacture of parts, such as the curved aluminum panels for the house, would have been easy to combine with the metal-working techniques already used to produce the curved surface of airplane fuselage during the war. Beech Aircraft in Wichita, Kansas was voted as the best facility by the International Association of Machinists for sound labor policy. Having been trained in aircraft manufacturing techniques, their skills were easily adaptable to fabricating components for the house.
The building was designed to be lightweight, easy to ship, and quick to assemble (or dissemble). The majority of the components weighed less than ten pounds each, with the total weight of the house being less than 8000 lbs. The whole house could be shipped in reusable stainless steel shipping tubes that could be transported by a truck to any part of the country. It could then be assembled in one to two days by a crew of six. The total cost, including site and assembly labor, was estimated to be approximately $6,500, about equivalent to the price of a Cadillac.
The Dymaxion House challenged the notion of home by converting the ideas of a traditional house into the most technologically advanced house of Fuller's time. It was designed when the concept of prefabricated homes was believed to be the answer to many of the housing shortage problems following the war. Not only did the Dymaxion House incorporate the newest state-of-the-art materials, it also embodied the ideals of a comfortable, efficient, and affordable home. According to Fortune magazine, the 'dwelling machine' was likely to produce greater social consequences than the introduction of the automobile (April 1946). Unfortunately the business venture collapsed before any of it was realized.
The Dymaxion House was, for a short time, one of the most sought after commodities on the market. In less than six months, between when the press reports and photographs were released until the collapse of Fuller Houses, Inc., 37,000 unsolicited orders were received. Today, it continues to be an object of excitement and curiosity, as it is one of the most visited exhibits in the museum.
Even though the realization of the Dymaxion House was prematurely abandoned, it is significant because it represents the ideals of modernity that would have been a great success if brought to its full potential. While the house never made it to mass production, Fuller's vision of a modern house that it should be easy to disassemble and relocate was proven true when it took a mere two weeks to disassemble and ship it (in one container) to the Henry Ford Museum.
Arieff, Allison, and Bryan Burkhart. Prefab. Layton, Utah: Gibbs Smith, 2002.; Ashby, James. "Re-discovering a Dwelling Machine." International Working Party for Documentation and Conservation of Buildings, Sites, and Neighborhoods of the Modern Movement. May 2000: 36-39.; Bergdoll, Barry, and Peter Christensen. Home Delivery: Fabricating the Modern Dwelling. New York: The Museum of Modern Art, 2008.; Davies, Colin. The Prefabricated Home. London: Reaktion Books Ltd., 2005.; "Dymaxion House." The Henry Ford Museum. 5 Feb. 2009 .; Eastham, Scott. American Dreamer: Bucky Fuller and the Sacred Geometry of Nature. Cambridge: The Lutterworth Press, 2007.; Fuller, R. Buckminster. Buckminster Fuller: Inventions, Twelve Around One. Cincinnati, Ohio: Carl Solway Gallery, 1981.; Fuller, R. Buckminster. Buckminster Fuller: Starting with the Universe. Ed. K. Michael Hays and Dana Miller. New York: Whitney Museum of Art and Yale University, 2008.; Gorman, Michael John. Buckminster Fuller: Designing for Mobility. Milan, Italy: Skira Editore S.p.A., 2005.; Marks, Robert W. The Dymaxion World of Buckminster Fuller. Carbondale: Southern Illinois University Press, 1960.; "Maximum Deployment in a Dymaxion World." Architectural Design 2000: 16-19.; Pawley, Martin. Buckminster Fuller. New York: Taplinger Publishing Co., Inc., 1990.; "R. Buckminster Fuller: Inventor, Designer, Architect, Theorist (1895-1983)." Design Museum. 12 Feb. 2009 .; Roth, Leland M. American Architecture: A History. Boulder, Colorado: Westview Press, 2001.; Rybczynski, Witold. "Architecture View; A Little House on the Prarie Goes to a Museum." New York Times. 19 Apr. 1992 .


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