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The following Terms and Conditions apply to the use of this Web site as well as all transactions conducted through the site.
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We maintain this web site as a service to our customers, and by using our site you are agreeing to comply with and be bound by the following terms of use. Please review the following terms and conditions carefully, and check them periodically for changes. If you do not agree to the terms and conditions, you should not review information or obtain goods, services or products from this site.
Acceptance of Agreement. You agree to the terms and conditions outlined in this Terms and Conditions of use Agreement ("Agreement") with respect to our site (the "Site"). This Agreement constitutes the entire and only agreement between us and you, and supersedes all prior or contemporaneous agreements, representations, warranties and understandings with respect to the Site, the content, products or services provided by or through the Site, and the subject matter of this Agreement. This Agreement may be amended by us at any time and from time to time without specific notice to you. The latest Agreement will be posted on the Site, and you should review this Agreement prior to using the Site.
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The Regina Police Service is looking to identify the individuals in this series of images, in relation to a robbery that occurred at a restaurant on the 400 block of Broad Street N on October 16th at approximately 11:55 p.m. Two males armed with a firearm entered the lounge demanding cash from an employee, put it in their bag, and left.
The suspects are both described as male, approximately six feet tall, dressed in black hoodies and ski masks.
If you know the identity of these individuals, please leave your tip in the box below (anonymous) or call Crime Stoppers at 1-800-222-TIPS (8477).

subset: commoncrawl


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To connect women with God, and each other.
Glorifying God through worship, prayer, study, service and fellowship. Celebrating who we are as women in Christ.
This ministry is guided by the Women's Ministry Lead Team, a group of volunteers who plan ministry offerings that nurture and focus on the deepening of our spiritual lives in alignment with the mission of WHPC: To invite people into God's larger story as we follow Christ together.
For questions contact Teresa Ward or Pat Buchanan


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Online Casinos & US Law
Laws in the US regarding online gambling are very unclear. Some people would argue that technically online casinos are illegal but others would also point that no federal law exists which prohibits US citizens from participating in the activity. Professor I. Nelson Rose, the oft-quoted 'expert' on the legal issues surrounding internet gambling goes so far as to say that "no United States federal statute or regulation explicitly prohibits Internet gambling, either domestically or abroad." Illustrating further the ambiguity of the situation, it is estimated that 70% of all online wagers originate in the US and Americans account for over 80% of online poker players and over 55% of all internet gamblers. Are all of these people 'breaking the law'?
Despite the popularity of online casinos in America, there are different State laws on the subject which can affect citizens attempting to play in those regions and attempts have been made at the federal level to prohibit the activity altogether. As with so many legal issues in the US, it all depends on the laws of the State in which you live. Nevada, Louisiana, Michigan and Illinois have passed laws outlawing Internet gambling, and similar bills are pending in many other state legislatures. California, Massachusetts, South Dakota, and Utah also have enacted laws which outlaw some forms of online gambling while permitting others. However, most of these laws contain significant loopholes, allowing legal local operators to take bets online. Things are even more problematic since citizens are generally participating in online casinos which are legal in their base countries or where they originate. How can state governments, or even the federal government, prosecute such activity or the operators themselves?
The Federal Wire Act of 1961 (18 U.S.C. § 1084) is the most often cited federal statute which could possibly be said to deal with online gambling. This act, however, which prohibits betting from one state to another over phone lines connected to the Internet, only specifically mentions and prohibits 'sports betting'. On top of that, the legislation is targeted more at the organizers of gambling activities and was designed initially with the intent of combating organized crime. While efforts have been made to extend the act's provisions, the only actual effect(s) thus far which concerns online casino participation has been an increased difficulty, or inability, for US citizens to make gambling transactions outside of their state using their American credit cards. However, even here, with the emergence of online payment processing companies, one sees the difficulty in enforcing any such prohibition of online gambling.
As we've said, most US laws aimed at gambling were designed with organized crime and the operators of gambling schemes and activities in mind. In other words, a regular player, even playing in an illegal game, would find it very difficult, if not impossible, to get in trouble with the government unless he/she were to do something that directly helped the illegal business. Other evidence illustrating the difficulty of satisfactorily answering the question of online casino legality in the States comes from the recent WTO ruling (April 2005) which upheld the conclusions from a previous case in which it ruled that US legislation prohibiting online betting violated international laws. Some states as well, such as North Dakota, have even tried to pass legislation which would explicitly legalize online poker in the region and encourage operators to relocate to the state. While such legislation didn't pass, neither has other federal legislation which has been aimed at prohibiting online gambling. Experts predict as well that even the most recent legislation being drafted at the moment (the 7th attempt at prohibiting online gambling!) has about as much of a chance as passing or being effective as "drawing 4 Aces in a game of 5-card stud." So, for the moment, as has been the case in the US, there is no specific federal law prohibiting most online casino activities and even many state laws are very unclear, and/or open to interpretation. GamblingPlanet.org highly recommends that in any case, you check with the local laws in your state or region to be sure of that jurisdiction's policies before you place a wager at any online casino.
Disclaimer: GameClash.org is not a legal authority. In no way should the information presented here be regarded as formal legal advice. All of the information given on these pages has been taken from several assorted news releases and articles and its accuracy is not guaranteed. For more accurate and formal information considering the legality of online poker, consult the specific laws of the area in which you reside or jurisdiction in which you are playing.


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This is Cherie Priest:
Here are some books she has written:
I first heard of her because of the popularity of her Clockwork Century series (that'd be the first four pictured above), and I think she is probably most famous for these steampunk/alternate history books. She had her very own spotlight panel at Phoenix Comicon on Friday morning, and I was there to record, take notes, and have fun (she's a very funny person, so lots of laughter).
The panel was pretty much Q&A for an hour, with lots of digression (the good kind!) in between Qs—as Cherie herself said, "I can ramble about anything for like an hour…just point me in a direction, I'm like a bottle rocket of nonsense!" Here were some of the highlights of the panel, in eyeball-friendly bulleted format.
• An audience member asked, why zombies in Boneshaker? To which she replied, "I really like zombies." She continued on to talk about the inspiration behind the gas that turns people into zombies in the book, which she explains as Mt. Rainier being right there (the book is set in Seattle), and it's a volcano, so the idea of the underground gas came from that.
• Another author, Charles Stross, made a post online about how steampunk shouldn't be categorized as science fiction because it isn't really scientific, and said, "I'm looking at you, Cherie Priest, with your gas-powered zombies" (she assured us that he is a lovely man, and the way she was telling the story it was clear that she didn't take any offense). She told us how she had made a response post stating that it had been called to her attention that her zombies were unscientific, and said "Charlie's right, and I am so embarrassed. If only I had consulted more zombie scientists! I need your help, then. I need for you people to buy my books and read my books and tell me what I've done wrong so that I can fix it in the future." She said most of the commenters on the post saw the humor in it, but a few did leap to her defense. :)


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Please note, Bandera Adventure Day Camp is pending decent weather.
If the forecast shows the weather becoming too cold and wet,
the Day Camp Hosts may choose to cancel the program
since there's nowhere to get your children out of the weather. If you don't hear anything, assume it's on as planned!
Look for the Camp Eagle Tent for all Check-In, Pick-Up, and to speak to Camp Eagle staff.
8:00am-9:00am: Adventure Day Camp Check-In (at the Finish Line, near the Main Aid Station)
8:00am-10:00am: Adventure Activity
10:00am: Youth Trail Run
10:30am-12pm: Adventure Activity
12pm (noon): Lunch
1:00pm-6:00pm: Adventure Activities
6:00pm: Pick up at (add location)
In order to keep your kids safe, we have specific times you can pick up and/or drop off your kids.
These times are listed below:
12 noon:
6:00pm: Final pick up for all kids


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With the rise of so-called reality television in recent years (proving that
truth is tawdrier than fiction, too), it might well be asked what all of
the TV writers are up to these days. Some, it would seem, have lent their fertile
imaginations to a TV-industry lobbying and litigation campaign that, like the
medium itself, often strains credulity.
How else to explain industry's argument that the modest federal caps on
ownership of stations and other media outlets violate corporate free-speech
rights? Never mind the public's right to "the widest possible dissemination of
information from diverse and antagonistic sources," in the words of the Supreme
Court, which in 1945 deemed that such a free flow of information is "essential"
to our welfare. That principle, apparently, is now to be superseded by a
corporation's right to corner whatever markets it can.
This raises the specter that other media will follow the path of radio and
publishing toward oligopoly. Five conglomerates command 80 percent of all book
sales, while a mere two radio giants--with well over a thousand stations
between them--control more than a third of all radio advertising revenue
nationally, and up to 90 percent in some markets. Even a cursory tour up and down
the radio dial reveals the homogenization that has leveled that medium--a
sobering portent of what may soon become television's fate.
"Radio is the model," warns Reed Hundt, former chairman of the Federal
Communications Commission (FCC). "That's the harbinger for what's going to happen
to TV." And if that sounds implausible, it shouldn't. For once the safeguards
preventing further consolidation and sale of broadcast, cable, and newspaper
empires are dismantled entirely--and they are currently under court challenge and
FCC review--the "Let's Make a Deal" live tour will be off to a rousing start.
Wave the Flag, Waive the Regs
If any additional evidence of life imitating entertainment is needed, look
no further than Mel Karmazin, president of CBS's parent, Viacom, whose company's
profits will merely match last year's $5 billion rather than reaching its
projected $5.6 billion. In a recent stand-up routine at a Goldman Sachs investor
briefing, Karmazin suggested that given the current state of war (with media
advertising revenues dropping faster than bombs over Afghanistan), his industry
merits special consideration from Washington regulators. Such consideration would
include relaxing the restrictions that bar companies such as his from owning
stations that reach more than 35 percent of the viewing public (or from owning a
TV station and a cable system, or a TV station and a newspaper, in the same
community). Ever the optimist, Karmazin not only expressed confidence that
Washington would accede to these demands but also managed to find a silver lining
in the tragic events of September 11, citing the depressed media stock prices
that will allow Viacom to scoop up new acquisitions at bargain-basement rates. If
it wasn't exactly "What's good for Viacom is good for the country," Karmazin's
remarks nonetheless made clear that his conception of the public interest
revolves narrowly around the interests of Viacom shareholders.
And so it goes at the corner of Hollywood Boulevard and Pennsylvania Avenue
these days, a time when the terrorist attacks have become a convenient leitmotiv
to the media titans' expansionist plans. It's a not-so-subtle quid pro quo--we'll
wave the flag, you waive the regulations--that couldn't ask for a cozier setting
than contemporary Washington. After lining the campaign coffers of both sides
of the aisle (contributing more than $131 million in the 2000 election cycle
alone), the media and technology giants are now answering the government's call
for more patriotic, responsible fare in the ongoing war against terrorism. And
the conglomerate soldiers couldn't have asked for a kinder, gentler drill
sergeant over at the FCC than they have in the person of Michael Powell, son of
Secretary of State Colin Powell. The media companies haven't had such a friend in
Washington since Ronald Reagan appointed Mark Fowler as FCC chairman. (It was
Fowler who deflated expectations all around, calling television a mere "toaster
with pictures" that didn't really require regulatory oversight and defining the
public interest as "whatever interests the public.")
Seemingly bent on trumping Fowler and becoming the James Watt of the
electronic environment, Powell was named the new administration's FCC chairman in
January of this year (having been one of President Clinton's Republican
appointees to the commission three years earlier). With some clever writing of
his own, the 37-year-old Powell is clearly one of the rising young Republican
stars in Washington. Eager to distance himself from his predecessor, William
Kennard (also black, but whose maddeningly cautious FCC stewardship now appears
almost radical in retrospect), Powell dismissed the "digital divide" that
separates minority households and poorer neighborhoods from the fruits of the
technology revolution as little more than a "Mercedes divide": "I would like to
have one," he scoffed. "I can't afford one." Powell has made clear his misgivings
about the FCC's traditional regulatory function. He discounted the
broadcast-ownership cap as one based on "a romantic notion... an emotional one,"
for example, suggesting that such limits on corporate market size "are almost
always poorly calibrated." According to Powell, "there is something offensive to
First Amendment values about that limitation."
Powell took no such offense, curiously enough, when his agency slapped a
$7,000 fine on a Colorado radio station for playing an expurgated version of
an off-color Eminem rap song. That little dent on the Bill of Rights was
presumably designed to curry favor with more conservative Republicans, whose
strict-constructionist constitutional scruples never extended to either political
protest or artistic license. Chairman Powell's explanation was
uncharacteristically simple: "I don't believe [the First Amendment] is some
cynical 'Get out of jail free' card for broadcasters."
But what's truly cynical is Powell's apparent complicity in idly watching as a
handful of mass-media giants invoke the First Amendment in an effort to gain even
greater sway over the airwaves. First recognized by the Supreme Court in 1976,
the free-speech rights of corporations were traditionally accorded less
protection than traditional speech. But through court challenges and extensive
lobbying campaigns, the First Amendment has gradually assumed its place, along
with tax credits and government contracts, as a key weapon in the corporate
arsenal. "Increasingly," notes AOL Time Warner CEO Gerald Levin, who should
certainly know about such things, "through the help of the courts--that is, the
reach of the First Amendment--we'll have opportunities." And that, of course,
is a euphemism for the enormous payoff that companies such as AOL Time Warner
will reap from their constitutional sleight of hand. First they succeeded in
stretching the concept of commercial speech to include virtually any transaction,
however pedestrian or crass, and then they managed to elevate such putative
"speech" over the public's right to choose from the broadest possible range of
"Corporations are artificial entities," observes Andrew Schwartzman, president
of the Media Access Project and a longtime public-interest advocate. "Yet they
are being afforded speech rights as if they were living, breathing, voting
citizens." Of course, they do have living, breathing, free-spending lobbyists.
Under the First Amendment, Schwartzman explains, it's reasonable to argue that
the government may not block companies from expressing viewpoints that it finds
offensive. But it's unreasonable to interpret the First Amendment as blocking
government regulations designed to protect the range of voices that can be heard.
Courts taking that view, notes Hundt, "defeat the very goal of the First
Amendment by putting the free-speech rights of powerful companies ahead of the
free-speech rights of everyone else."
Time Warner Entertainment (TWE) attempted as much in its recent oral arguments
before the U.S. Court of Appeals in a case challenging the FCC's broadcast-cable
cross-ownership rule. TWE attacked the policy (which, in the interest of
preserving a measure of diversity, prevents a company from owning a television
station and a cable system in the same market) as a "ban on speech." And with
logic that effectively stood the First Amendment on its head, the company went on
to chastise the FCC for daring to promote "speech of a particular content: news
and public affairs programming with regard to local issues and events." That was
a patent effort by the government, or so Time Warner claimed, "to manipulate
In support of their rereading of the First Amendment, media
moguls are apt to point to the emerging new media system. With its seemingly
unlimited sources of online information and opinion, and with the broadband
revolution nigh upon us, we are supposedly relieved of the obligation to monitor
the concentration of power and control in the old media. It's a handy brush-off
of responsibility, made all the more deceitful by the media giants' designs on
the Internet, too. The vast majority of Americans, in any case, still get their
news from television and the daily newspaper, and that's not likely to change
anytime soon.
"The recent explosion of media and communications technology was expected to
deliver consumers a brave new world of competition across all telecommunications
and media markets," explained the Consumers Union's Gene Kimmelman in
congressional testimony last July. "There is no doubt that today, consumers have
the option of receiving news, information, entertainment from a far greater
variety of media--newspapers, radio, television, the Internet--than ever before.
Unfortunately," Kimmelman told the lawmakers, "this growth in variety has not
been accompanied by a comparable growth of independent, diversely owned
competitive communications services and media voices."
The Internet may yet provide a viable platform for such diversity and
competition, fulfilling its potential to be the "most participatory form of mass
speech yet developed," as the Supreme Court once described it. But right now it
seems headed in quite the opposite direction, with AOL Time Warner controlling
fully a third of all user time spent online and Microsoft and Yahoo angling to
bring the total share of the top three up to 50 percent or more. As New York
Times columnist Frank Rich once asked: "If you believe that the Internet is
the greatest explosion of free expression and cultural resources of the past
century, what happens when it is merchandised as a mass-market product by the
biggest corporations in history?"
The current spate of deregulation in Washington, unfortunately, will only
hasten this merchandising trend, with the broadband Internet increasingly falling
into cable's closed marketplace of subscription, pay-per-view, and premium
services. "If our only media policy is enthusiastically pro-consolidation," the
Consumer Federation of America's Mark Cooper has observed, "it is unlikely that
this new technology will ever achieve its real potential." The battle for a more
democratic media in the digital age is not over, certainly, but the political and
legal challenge is daunting.


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Every couple weeks, MailChimp does a recruiting meetup in Atlanta. In the past, we've posted job descriptions and online announcements, but we wanted to experiment, try reaching a different group of people. We decided to try placing three ads in Atlanta's alt-weekly, Creative Loafing.
One of our designers mocked up ideas with some images from our archives paired with a few punchy phrases ("Smile @ Work," "Night Owls Welcome," "Make Dad Proud") we wrote on the spot. Everyone felt like we were on the right path to weirdness. I set out to photograph a few people around the office. Then we decided to try more of a handwritten type style, so I took out my sharpies and pens.
The result? 112 people showed up! (For some perspective, our talent scout Chris says the events usually draw around 20 people. The record turnout before this one was 53.) Needless to say, this experiment surpassed every expectation. We reached all kinds of personalities with a more diverse work experience than ever before. You might say we made dad proud.


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Floral bouquet I invitation card template
Floral bouquet I invitation card template
This is an instant digital downloadable file of a printable invitation card with watercolor florals on. No text is included in the download.
The original watercolor flowers are handpainted by Anna Hedeklint and can be used for a multitude of different occasions: for wedding invitations, save-the-date cards, birthday cards, stationery, invitation letters.
You will receive a ZIP-file including 2 downloadable files (JPG, PNG) with the watercolor floral template. Terms of use: These files are only to be printed for personal use, the files must not be shared or distributed for free and no commercial gain should be made nor should they be re-sold in any shape or form.
You will be able to print via your own personal printer, a photo developer, online or any professional printing resource.
These links are not to be shared with anyone who has not purchased.
No physical product will be sent to you.


text:
We use cookies on our website to help us offer you the best online experience. We've already placed some of these little packets of information on your browser to do this. By continuing to use our website, you're agreeing to our use of cookies.
Reach More Of Your Audiences: at Global, we are passionate about engaging urban audiences. The unique characteristics of this audience make them invaluable to advertisers. We believe capturing the urban audience whilst they are out of home is the most effective medium to reach, influence and inspire these consumers.
Who, What, Where, Why? National | Regional | Commercial Sector | Events | Public Sector
Whilst these characteristics and demographics make them a hugely valuable audience, it also means that it can be costly to reach them using other media because they spend more time out of home due busy active lifestyles. See also Experiential Marketing.
BUT 87% of the urban audience have seen outdoor advertising in the last week.
At Global, we have invested in the insight tools to help you understand these urban audiences. Our work.shop.play audience panel means that we have a regular dialogue with over 10,000 member's and gain exclusive insight into this valuable audience, and our London Worker Planner Tool is the only quantitative study of its kind to understand the London workers who are drawn to the capital to work, shop and play.
So whether you are looking to reach the urban audience locally, regionally or nationally we can help you understand your audience and offer you the advertising solution allowing you to engage with them. See all our latest and greatest campaigns.
Source: TGI, ONS
See also Global | Urban Socialising Outdoor Audience Report 2019.
We have touchpoints up and down the country giving plenty of opportunity to reach the urban audiences of the UK
We have dedicated sales teams across the UK who know their local area and understand the needs of local businesses. Find out more about how we can help you reach your consumers in their local area across the UK
At Exterion Media we can give you the opportunity to dominate a number of locations to align your brand with some of the UK's top events.
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This summer I visited the Chicago Botanic Gardens and was completely inspired by the butterfly exhibit! I also found this lux yarn base that is a blend of BFL, Cashmere and Silk, and I started dyeing it. This top-down pattern is a result of the combination of my inspiration and yummy yarn. I hope you enjoy the unique shape and textures!
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Dr. Kevin Wallace
I have been a lecturer in English at IADT since 2011 on the English, Media + Cultural Studies degree. I also taught on IADT's MA in Public Cultures + Society. I am the Head of Dept of Humanities and Arts Management for 2015-2017 and the chair of the Quality Enhancement Committee during that period.
I have published widely in the field of contemporary Irish drama and am working on a monograph on the Irish playwright Marina Carr and the British playwright Sarah Kane.
|'Irish Plays in Other Places – Bush, Royal Court, Broadway, + Steppenwolf' in The Palgrave Handbook of Contemporary Irish Theatre and Performance, by Eamonn Jordan and Eric Weitz (London: Palgrave).
|'Through a Glass Darkly: Identity, Language and Performance in Enda Walsh's Chatroom' in The Theatre of Enda Walsh', ed. by Ian Walsh and Mary P. Caulfield (Dublin: Carysfort Press)
|'Review of Trauma Tragedy by Patrick Duggan' in the Journal of Contemporary Drama in English, 2.1
|''Fintan O'Toole: Power Plays' and the high art / low art discourse in the Narrative of Irish Theatre' in Ireland and Popular Culture, ed. by Sylvie Mikowski (Bern: Peter Lang)
|'"Shame shame shame": Masculinity, Intimacy and Narrative in Conor McPherson's Shining City' in The Theatre of Conor McPherson: 'Right beside the Beyond' ed. by Eamonn Jordan and Lillian Chambers (Dublin: Carysfort Press)
Research projects
'New Technologies, Space, and Memory'. Funded via the Spatial Arts and Visualisation programme (supported by the HEA, UCD, NCAD and IADT). Part of the research team collaborating with Dr Maria Parsons (IADT), Dr Jenny MCDonnell (IADT) and Dr Emile Pine (UCD).
|'The Fractured Self: Trauma, Language and Subjectivity in Marina Carr's Portia Coughlan and Enda Walsh's Disco Pigs' Delivered at Irish Society for Theatre Research conference 2014: at University College Cork
|'Fringe Theatre as "Low Art": An Analysis of the Structures of Symbolic Power in the Narratives of Irish Theatre'. Delivered at the Ireland and Popular Culture Conference at the Centre de Recherches C.I.R.L.E.P. at the Université de Reims Champagne-Ardenne, Rheims, France
|'The failure of desire and the failure of language in Kane's 4.48 Psychosis'. Delivered at the Performance Identity Community Working Group as part of the Theatre and Performance Research Association (TaPRA) Annual Conference at the University of Kingston, Kingston upon Thames, Surrey, UK
Professional Affiliations
- Theatre and Performance Research Association (TaPRA)
- Irish Society for Theatre Research (ISTR)
- International Federation for Theatre Research (IFTR)
- International Association for the Study of Irish Literatures (IASIL)
- Member of the Centre for Public Cultures


text:
Applied Cryptography 2
This lecture aims to give you some in-depth knowledge of several recent state-of-the-art topics in cryptography, with a focus on cryptanalysis. Topics to be covered:
- Modern algorithms for factoring
- Cryptanalysis of block ciphers
- Cryptanalysis of hash functions
- Algebraic attacks
- Lattices and continued fractions in cryptanalysis
- Multi-party computation
In addition, selected topics may be presented by participating students. Possible seminar topics include, but are not limited to:
- Discrete Logarithm Problem
- Block Ciphers: MitM Attacks, Biclique, etc.
- Block Ciphers: Lightweight Crypto
- Block Ciphers: Statistical Attacks
- Block Ciphers: Division Property
- Hash Functions: Multi-Collisions
- Hash Functions: Rebound Attack
- Authenticated Encryption: Modes, Robustness, Security notions, etc.
- Authenticated Encryption: Permutation-based Cryptography, Tweakable Block Ciphers, etc.
- Algebraic Attacks: Gröbner Basis, etc.
- Elliptic-Curve Cryptography: Advanced topics
- Lattices: The NTRU cryptosystem
- Lattices: Learning with errors
- Selected Topics: Tools in Symmetric Crypto (MILP, SAT, etc.)
- Selected Topics: Backdoors in Cryptography
- Selected Topics: Password Hashing
- Selected Topics: Secure Multi-Party Computation
- Selected Topics: Homomorphic encryption
- Selected Topics: Error correcting codes and cryptography
Lecture (VO)
|Thu 15:00–16:30+
|HS i1
There are 2 ways to get a grade for the VO:
- Exam mode: Write exam on 27 June 2019 or oral exam later
- Seminar mode: Participate actively in KU+VO and give a seminar presentation in June (45 minutes)
You can find the exam dates and registration in TUGRAZonline.
Exercises (KU)
In the exercises, you implement cryptanalysis techniques from the lecture in teams of 2. To get a grade, you submit your implementations for 2 assignments, which we will discuss with you in a final interview ("Abgabegespräch"). Use the Student Tick System (STicS ») to register your team and upload your submissions. We usually won't need the 16:30–17:15 KU timeslots (except for question times and seminar presentations).
Important dates and deadlines
|VO/KU registration deadline (TUGRAZonline)
|Team registration deadline (STicS)
|Assignment 1 release
|Assignment 1 question time
|Assignment 1 submission
|Assignment 2 release
|Assignment 2 question time
|Assignment 2 submission
|VO written exam
Title: Applied Cryptography 2
Course-Number: 705.064, 705.065
Lecturer: Maria Eichlseder, Lorenzo Grassi, Daniel Kales, Christian Rechberger, Markus Schofnegger
Newsgroup: Newsgroup
TUGRAZonline: VO, KU
Lecture slides are available for download.View downloads »
Student Tick System
Use the Student Tick System to register your team, upload your submissions, and (optionally) select a topic for the seminar.View STicS »


text:
South Melbourne
Do you fancy a delicious snack or would like to visit a cosy fun-filled pub for a few hours on a lazy afternoon? Don't worry about .05 especially with the transport conveniences found within a short walk of our pub, enjoy yourself and know you are safe. Maybe you would rather short walks along the beach while experiencing the breeze blowing freely through your hair. Just take a casual walk after lunch with your loved one to the Esplanade. The waves are only a few blocks away. What a delightful way to walk off that delicious meal. We must not forget the Market place in, a well- known frequently visited area where a maze of colourful stalls, spicy aromas, and bargains galore can be found. People from all over flock to the South Melbourne Market throughout the week to run errands, buy fruit, and perhaps even to pick up a new dress or foodstuffs for their party that night. The Rising Sun is the place to sit for a few moments after your hectic shopping spree. Have a quiet beer while chatting with the locals or friendly pub staff, or maybe a cocktail is more to your liking. Anything is possible at 'The Riser" especially when located in the middle of the hub-bub of the energetic exciting city of South Melbourne.


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Westgate, Canterbury
West Gate Towers Museum
|Part of Canterbury city wall
|St Peter's Street, Canterbury, Kent CT1 2BQ
|60 feet (18 m)
|Site information
|Canterbury City Council
|Site history
|Built by
|Archbishop Simon Sudbury
|In use
|Kentish ragstone
The Westgate is a medieval gatehouse in Canterbury, Kent, England. This 60-foot (18 m) high western gate of the city wall is the largest surviving city gate in England. Built of Kentish ragstone around 1379, it is the last survivor of Canterbury's seven medieval gates, still well-preserved and one of the city's most distinctive landmarks. The road still passes between its drum towers. This scheduled monument and Grade I listed building houses the West Gate Towers Museum.
4th–18th centuries[edit]
Canterbury was walled by the Romans around 300 AD. This has been consistently the most important of the city's gates as it is the London Road entrance and the main entrance from most of Kent. The present towers are a medieval replacement of the Roman west gate, rebuilt around 1380. There was a gate here at the time of the Norman conquest, which is thought to have been Roman. From late Anglo-Saxon times it had the Church of the Holy Cross on top, but both church and gate were dismantled in 1379, and the gate was rebuilt by Archbishop Simon Sudbury before he died in the Peasants' Revolt of 1381.[1][2][3] It has been suggested that it was built primarily as an entrance for pilgrims visiting the shrine of St Thomas Becket at the cathedral.[4] However the rebuild as a defensive status symbol was paid for partly by Sudbury and partly by taxation for military protection against expected raids by the French.[5]
Canterbury's mayor and corporation were grateful to this martyr to the Revolt who had built them an additional attraction for pilgrims, and they would pray at his tomb or under the Westgate. The head of the rebellious Bluebeard the Hermit was displayed on Westgate in 1450 after he was caught by local people and sent to Henry VI. It is thought that Geoffrey Chaucer may have undertaken a pilgrimage and passed through the gate.[1][5]
In 1453 Henry VI permitted the Mayor and Commonality to keep a jail at the Westgate, so the building was Canterbury's prison from the 15th to the 19th century, while Canterbury Castle was the county jail. In January 1648, after the Christmas Day riot, Parliamentarians burnt down all the wooden doors of the city's gates. They were all replaced in 1660, but these replacements were removed at the end of the eighteenth century. They were similar to the surviving wooden Christ Church gates at the cathedral.[1][5] After repairs to the Westgate and jail in 1667, a pound was built on the north side for the hail; this is now gone, but Pound Lane remains. The guard rooms, heavily wood-lined in the eighteenth century, became cells for both debtors and criminals, and the room over the arch became the condemned cell with the portcullis now laid on top. Until 1775 there was a grated cage in the prison gateway, where certain prisoners were allowed to beg for alms and speak with passers by. Capital punishment was normally the gallows, plus the stake at Wincheap for religious martyrs in the time of Queen Mary.[1]
19th–21st centuries[edit]
In the 19th century, the city walls that joined the gateway to the back of the drum towers were removed. Following this, in 1823–1829, a jailer's house was built on the north side, and this became the headquarters of Canterbury City Police. It is now a bar and cafe, whose dining room is still known as "The Parade Room", with a police truncheon used as its badge. The disused iron bridge which connects the Westgate with the bar and cafe dates from this time. Contemporary with this work was the building of St Peter's Place on the south side of the Westgate, along with passages around the Westgate and a new road across the Stour, to cope with increased traffic.[5] At the end of the 19th century the Westgate was used as a temporary repository for the city archives, and a museum was opened in the gatehouse in 1906.[6]
In 2009–10, Canterbury City Council considered closing the museum, now called the Westgate Towers Museum, which proved to be a controversial option.[7][8] An additional year's funding was made available to give time to examine alternative operating models, and in 2011 the museum was reopened by Charles Lambie, the chairman of the trustees of Canterbury Archaeological Trust, who intended to build an extension to the building focusing on the penal history of Westgate.[9][10][11][12][13][14][15][16][17][18] Lambie died in 2012, having invested £1 million in the project, causing the closure of the museum and generating fresh questions about the building's future. In 2014, the council agreed to assign the lease to the One Pound Lane company, who stated that they intended to reopen the existing museum and develop a restaurant and bar in the premises.[19] The Westgate reopened to the public on 3 August 2015.
In the 21st century, Westgate is the largest surviving city gate in England.[1][2][3][5] The gateway is protected under UK law as a Grade I listed building, and a trial to ban road traffic from passing through the gate was undertaken in 2012.[20][21][22]
The gatehouse is expensively faced in coursed ashlar of Kentish ragstone. It has battered plinths to the drum towers, battlements, machicolations and eighteen gunloops: a high number for a gateway, and among the earliest gunholes in Britain. The gunloops would have been added by the beginning of the fifteenth century. It had a drawbridge over the Stour, a portcullis and wooden doors.[5]
The gateway has three floors. The ground floor was designed so that the gateway and vaulted passage had entrances to the towers on each side. Each tower had a ground-floor room with fireplace and four gunloops. The north tower's ground-floor room had a spiral staircase to upper floors. The first floor contains a large room with fireplace and, originally, the portcullis mechanism over the vaulted entranceway. This room had doors to the upper room of each tower, each with fireplace and three gunloops, and a northern door to a spiral staircase leading to the roof. Repairs were carried out due to an invasion scare during the 1470s and 1480s. In 1491 or 1492 a large, two-light, transomed, perpendicular east window was added to the large first-floor room, with a view towards the cathedral and along St Peter's Street.[5]
The roof over the large first-floor central room has a battlemented parapet walk, originally with access to the tops of both towers and machicolations, as well as to the two low chambers, each with two gunports, in the tops of both towers. This part of the tower was less well-built than the lower storeys, either due to haste during the Peasants' Revolt or because it was built later. In 1793−1794 the hall over the gate was split into three and the present square lantern added to the roof, along with the wooden doors and cell linings which are visible today; the cost was £400.[5]
Museum exhibits[edit]
These are 17 six-foot, painted, plaster-cast maquettes for the sixteen bronze barons and two bishops which today stand in the Lords Chamber at Westminster Palace; cast in 1847−1851.[23][24] These were made by various named sculptors, and represent the men who signed Magna Carta: each of the fifteen barons and two bishops is named at the base. In 1908 three of the maquettes were displayed in the museum (see photo below),[original research?] and two remain on show. The rest were put in storage and forgotten in the ground floor room of the north tower in 1987, along with several other museum exhibits, before being brought to the attention of museum staff in May 2008 after the building was flooded. The City of Canterbury museums department was said to have been attempting to remove them to safety for restoration, but was inhibited by logistics and funding.[25] As of May 2011, ten of the maquettes in the basement have been photographed; the fate of the remaining five is unknown.[26]
The sculptors of the maquettes are as follows:[25] John Evan Thomas who made the maquette of Stephen Langton, as of 2013 in Canterbury Heritage Museum; Patrick MacDowell; Henry Timbrell; James Sherwood Westmacott; J. Thorneycroft (possibly Thomas Thornycroft); Frederick Thrupp; Alexander Handyside Ritchie; and William Frederick Woodington.
Civil War armour
19th century maquette of Knight Templar St Maur who signed Magna Carta
See also[edit]
- ^ a b c d e Bax, Stephen (2000). "Canterbury buildings". Westgate Tower. Retrieved 28 January 2010.
- ^ a b William Urry (1948). Canterbury Mayoral Quincentenary.
- ^ a b "City gates".
- ^ "Canterbury City Council Online". Canterbury West Gate Towers. CCC. 2009. Retrieved 28 January 2010.
- ^ a b c d e f g h Tatton-Brown, Tim (September 1985). The Westgate (museum leaflet). Westgate Museum: Canterbury City Council.
- ^ Kentish Gazette and Canterbury Press, June 1906
- ^ Eyb, Lynette (8 February 2010). "The Independent". Canterbury's Roman Museum could fall victim to the credit crunch. Independent News and Media Limited. Retrieved 8 February 2010.
- ^ "Canterbury Museums & Hall". City of Canterbury budget 2010−2011. April 2010. Retrieved 22 April 2010.
- ^ Gilbey, John (10 February 2010). "Canterbury City Council Online". Museums budget statement. CCC. Archived from the original on 19 February 2010. Retrieved 11 February 2010.
- ^ "Canterbury City Council Online". Budget Consultation: Council sets next year's budget - 19 February 2010. 19 February 2010. Archived from the original on 18 February 2010. Retrieved 19 February 2010.
- ^ Finch, Graham (19 February 2010). "Canterbury City Council Online". Agenda Council Thursday, 18th February, 2010 7.00 pm. CCC. Archived from the original on 8 October 2011. Retrieved 19 February 2010.
- ^ Warren, Gerry (19 February 2010). "Kentish Gazette". Siege of Canterbury City Council. Retrieved 21 February 2010.
- ^ "This is Kent: Herne Bay Times". Budget cuts approved by Canterbury City Council. 19 February 2010. Retrieved 25 February 2010.
- ^ Liz Crudgington, "Bitter debate over 'realistic' budget", Herne Bay Times (Kent Messenger), p.7, 25 February 2010
- ^ Blower, Nerissa (20 January 2011). "Prices soar in bid to save museums". Herne Bay Times. Retrieved 22 January 2011.
- ^ Nerissa Blower (15 April 2011). "This is Kent". Open for visitors. Retrieved 9 May 2011.
- ^ "This is Kent". The £1m museum tipped to be city's towering success. 18 February 2011. Retrieved 9 May 2011.
- ^ Nerissa Blower (11 February 2011). "This is Kent". Retrieved 9 May 2011.
- ^ L. Crudgington (4 July 2014). "Shock as Canterbury businessman not granted Westgate Towers". Retrieved 8 March 2015.
- ^ "Exploring Kent's Past". HER number TR 15 NW 155. Kent County Council: Kent County Council. Retrieved 28 January 2010.
- ^ Canterbury City Council Online St Dunstans and Westgate traffic management trial – 27 March 2012
- ^ Kentish Gazette 17 November 2011 Plans to ban traffic from passing through Westgate Towers revealed, by Alex Claridge
- ^ "Parliament.co.uk". Living Heritage: Architecture of the palace: the Lord's Chamber. 2010. Retrieved 18 February 2010.
- ^ "ThisIsKent.co.uk". Mystery statues found at Canterbury's Westgate Towers Museum. 23 February 2010. Retrieved 1 March 2010.
- ^ a b Information from records at the Museum of Canterbury[unreliable source?]
- ^ "Canterbury Westgate Towers". Panorama of ten maquettes in Westgate Towers basement. Archived from the original on 9 June 2011. Retrieved 31 May 2011.
- Urry, William (1948), Canterbury Mayoral Quincentenary booklet (historical notes)
- Tatton-Brown, Tim, et al., (1985), The Westgate museum leaflet
External links[edit]
|Wikimedia Commons has media related to Westgate Museum.
|Wikimedia Commons has media related to Canterbury West Gate.
- BBC panorama (showing Westgate towers, Church of the Holy Cross and River Stour)
- BBC panorama (showing Westgate towers from High Street)
- Buildings and structures completed in 1380
- Museums in Canterbury
- Museums established in 1906
- Scheduled Ancient Monuments in Kent
- Buildings and structures in Canterbury
- Grade I listed gates
- City walls in the United Kingdom
- Fortifications in England
- Military and war museums in England
- Prison museums in the United Kingdom
- Town Gates in England
- Grade I listed buildings in Kent
- Gatehouses (architecture)


text:
1) How much for the split faced garden edging 180 x 100 – 110 ?
3) Cost for approx 20 cubic metres delivered to little mountain
Little Mountain
4) Hi, Can you please provide a quote for approx 25m2 of Sandstone Pavers – either 400x400x40 or 600x300x40. Delivered to Mitchelton 4053. Thank you
5) Hi i am after some manhandleables for an adging to a garden bed approximately 8 linear metres do you have any if so at what price I can pick up .
6) I am interested in something like the square rustic letterbox.
7) I was wondering what sandstone letterboxes you have and the pricing. Is it possible to view some of the letterboxes on site?
8) Can you please provide a quote for 40m of Sandstone Blocks?
9) 12 Linear meters Sandstone Bricks 200mm high .Delivered to Kallangur
Tinbeerwah QLD
18) I need a quote for 20-40 charcoal black,12 ton and crushed peaches & cream
Thank you
23) Just spoke to you regarding quote for 40 B grade blocks delivered to Murwillumbah.For Community Centre. Thankyou await your reply
26) Hello, can l please get a quote for 115 premium B grade blocks 400mm x 400mm x 1000mm. The street at the site is a wide street with easy parking either side that would take a b-double with access each end with no need for turning. The blocks would need to be on pallets as we cant tip them on the front. There is a fork lift on site.
We're in the process of relandscaping our garden and would love to use some of the Helidon Sandstone in a gabion wall, but only need approx 3m3. Please can you let us know of any suppliers in Brisbane where we can purchase the 50-150mm gabion stone.
We're also interested in the wheel sawn stepping stones.
We will be buying some tumbled sandstone pebbles, which we can get readily
45) 80 m2 , 26m of pool coping
Price should include delivery to Woombye, Sunshine Coast.
136) Id like to get a price on the loose sandstone block cladding. Its on the cladding page on the right of the fire place.
I would need approx. 35m2 and I would need it delivered to the clients place in Cornubia.
Would you kindly call with your address if that is okay.
163) What size are the rockfaced pieces as these would suite the front of my fish pond….they need to be 600 long.
184) Can you give me a price on the following in Sandstone
300 X 300 X 780 mm x 2 smooth finish with each end parrelel as they are for a table
Can price include delivery on pallet to narangba, or I can pick up
208) Hi, I'm looking to build a sandstone retaining wall/seating area for a Fire Pit located at a school camp setting. We have approximately 55m of retaining required. Can you please provide a price for the supply of A-grade and B-grade sandstone blocks in the following sizes: 400 x 400 x 1000 500 x 250 x 1000 Thanks
Are you able to provide an approximate cost including the possibility of delivery to Wellington Point 4160.
267) Price on a sandstone block 1800x1100x400 wheel sawn B grade premium block
29 sqm in 40 mm, 92 sqm in 20 mm
We also need approx. 20 lineal metres of bullnose pool coping (inclusive of the 29 sqm)
These measurements may increase.
322) How much would cost a 4T of the 20m White Ash delivered?
We would like wheel sawn steps. Can you please advice what the cost would be please?
397) Hello I am looking for some rough blocks of sandstone 400x400x500 or similar size delivered to Eatons Hill 4037
Could I get 2 separate quotes 1 for B grade premium & one for A grade 500 x 500 x 1100.
How much is delivery & is it delivered i.e. tipper or crane?
Also how much is a standard mailbox with no extras.
448) Hi can I have a quote for 1m3 of white ash 20-40mm delivered to 4051 (grange) please.
449) I'm looking at doing a 15 metre retaining wall. Needs to be 1 metre high. Can you give the an approx price plus delivery also do you have installers


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Books For Professionals
"Breastfeeding Answers Made Simple is the most useful general breastfeeding reference I have encountered. I recommend it to anyone who works with breastfeeding mothers." --Journal of Human Lactation, December 2010
This research-based counseling guide is appropriate for all levels of expertise--from beginner to advanced practitioner--and for those working with breastfeeding mothers in all settings: hospital, clinic, private practice, public health, and mother-to-mother. Its two-column format makes finding information easy when helping mothers by phone and its hardcover binding lays flat when open. Topics include the common and the rare and its practical strategies incorporate both the classic and cutting-edge studies that should inform our practice. New areas covered include: breastfeeding after gastric by-pass surgery, torticollis, baby-led solids, gigantomastia, gravity-assisted breastfeeding positions, breastfeeding with a history of childhood sexual abuse, MRSA, Group B strep, and much, much more.
2003. Now out of date, this research-based counseling guide was used for decades by lactation consultants, the medical community, public health, and those who provide mother-to-mother breastfeeding help. Its three editions have sold more than 130,000 copies worldwide and it has been translated into Spanish, French, Dutch, and German.
2004. This book has been replaced by the updated 2012 Breastfeeding Answers Made Simple: A Pocket Guide for Helping Mothers
Breastfeeding Answers Made Simple: A Pocket Guide for Helping Mothers is the latest must-have reference for those who help breastfeeding families. How does this pocket guide compare to its larger cousin, Breastfeeding Answers Made Simple (BAMS)? Both contain the basic information and strategies you need to help mothers with a vast array of common and unusual breastfeeding challenges. But to make this companion volume portable enough to keep on hand while working with families, what's been removed are the thousands of research citations and often lengthy explanations for its strategies.
Written for all levels of expertise, from beginners to advanced practitioners, BAMS Pocket Guide is an ideal resource for hospitals, clinics, medical practices, public-health offices, breastfeeding peer counselors, and mother-support groups. This up-to-date resource provides the information you need to empower mothers to meet their breastfeeding goals.


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Despite their royal sci-fi origins, the characters in Marvel's Inhumans will still be characters that viewers can sympathize with. The TV series is a long time coming for Marvel as well, following several seasons' worth of build up on Marvel's Agents of S.H.I.E.L.D. The series finally set to make its premiere later this year. But while comic book fans and industry insiders have been patiently waiting for the past few years to see when and how the property would finally be receiving the live-action treatment, the first trailer for Inhumans also spotlighted the difficulty that some audiences may have with getting to know the show's diverse array of obscure Marvel comic book characters.
After all, characters like Black Bolt (Anson Mount), Medusa (Serinda Swan), Maximus (Iwan Rheon), and Gorgon (Eme Ikwuakor) aren't even close to being as well known as the other characters in the Marvel Cinematic Universe, and with even stranger origins to explain and understand than most of those other characters. On the other hand, Inhumans wouldn't necessarily be the first time that audiences have managed to get to know obscure, previously unknown, comic book characters introduced into the MCU either.
During a recent interview with Empire, creator and showrunner Scott Buck (Iron Fist) teases how the struggles that the show's characters are facing will still be relatable for viewers who decide to tune in later this year:
"There will be plenty of humour and fantastic elements. but we're dealing with relatable people in a moment of great crisis: a royal family forced into the position of refugees. They just happen to have superpowers."
The human elements at the heart of the show were teased briefly in the first Inhumans trailer, which was released online several weeks ago to lukewarm reactions from both die-hard Marvel fans and general TV viewers alike. With the characters ending up on Earth - a world that they are unfamiliar with and in danger on - the fish-out-of-water aspects of Inhumans will likely rise to the forefront of the show's week-to-week storylines, as Black Bolt and co. spend more and more time away from their home planet.
And at this point, it's not unfair to say that Inhumans is shaping up to be one of Marvel's most ambitious TV projects to date. Not only will it feature the most obscure and unexpected lineup of lead characters of any of the previous Marvel TV titles, but Inhumans will also be making its initial premiere later this year in IMAX. Now, all that's left to be seen is if the show's limited network budget still allows it to pop in such a large visual format, or if Inhumans will fail to live up to the expectations of the fans who have been waiting years for it to make its debut.
MORE: Marvel Is Playing It Too Safe With Inhumans
Inhumans premieres in IMAX on September 1, and on ABC on September 29.
Source: Empire


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[PREMIERE] Mystery Skulls: Halloween 2015 Mix
Get ready to raise your glasses, goblins and ghouls. Mystery Skulls has cleared the foggy air above and is coming straight into your speakerbox with a bag full of tricks and treats. We get a little bit of everything in this 30 minute mix masterpiece. From halloween house to effervescent electro to spooky renditions of a few classics, there's something in this mix for everyone to have a howling good Hallow's Eve. Don't miss out. Or else. Muahahahaha.
Catch what Mystery Skulls himself has to say about this mix, as well as tour dates + ticket links below.
"Halloween is my favorite holiday and each year I like to mix some of my favorite tunes and share them with my fans. I hope you enjoy it as much as I enjoyed making it" - Luis, Mystery Skulls
11/20 - Los Angeles @ Resident (Grand Opening) 12/3 - Seattle @ Chop Suey Buy Tickets 12/4 - Vancouver @ Biltmore Cabaret 12/5 - Portland @ Hawthorne Theater Buy Tickets
Mystery Skulls on SoundCloud | Facebook | Twitter


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WITH THE RECENT bombings of the abortion clines around the country, the controversy surrounding this divisive issue has jumped form the back pages of women's magazines and conservative journals onto the front page and the top of the evening news. Discussions on abortion are more volatile than they have been since the Supreme Court affirmed a woman's right to terminate a pregnancy in 1972. The 71,000 "profilers" who marched in Washington on January 22, the anniversary of Roe vs. Wade, were a forceful indication of the strong attention now being paid to abortion. President Reagan took heed of the crowd and addressed the marchers directly, saying "I Want you to0 know I feel these days as never before; the momentum is with us."
Reagan also added a caution: "We cannot condone the threatening or taking of human life to protest the taking of human life by way of abortion." He was referring to the bombings and arson attacks which damaged 24 clinics in eight different states last year in addition, there have been numerous incidents of telephone and mail threats to clinics and vandalism of clinic property. Though no casualties have yet to be reported, there seems reason to believe that the explosions may be far more dangerous in the future. James Simmons, arrested in connection with three Christmas-day bombings in Pensacola Ha. Admitted that damage to one of the facilities may have been far more serious: "I had a gas can I was support to set beside the bomb, but beside the bomb, but I forgot it and left it in the car." While investigating a small blast at the National Abortion Federation headquarters in Washington this past July, police discovered an unexploded bomb that could have leveled the entire building had it gone off.
There has been some debate as to whether or not such incidents constitute terrorism. While no evidence which might link the bombings to one central organization has been uncovered by the Bureau of Alcohol, Tobacco and Firearms (BATF), which is currently carrying out the investigation, many pro-choice activists continue to insist that the alarming number of attacks last year could not have been a coincidence. But the entire question of whether or not they bombings fit the category "terrorism" has become insignificant in light of the fact that a large investigation is being carried out--500 agents from BATF have been assigned to the case--and-arrests and convictions are beginning to be made. In addition, the attacks have been condemned both by "pro-life" and "pro-choice" activists as a vigilante obstruction of a woman's constitutional right and as extremely damaging to a movement which likes to call itself "pro-life." Even President Reagan. Whose silence on the attacks had led many to believe the issues was being ignored by the Administration, finally came out with a statement on January 3 condemning "all such violent anarchist activities."
Whether the attacks are "terrorist" or not, they are indicative not merely of the violent zeal with which some pro-liters approach abortion, but of what the actual debate on abortion has come to in this country a dangerous silence broken periodically by a bomb blast and the sound of fire sterns. Also filling this brandishing graphic photographs and drawings of aborted fetuses barricading clinic doors, harassing patients and workers and even calling abortion patients at home who are about to enter the facilities. There has been no sweeping condemnation by pro-life activists of such protests which have also risen sharply in the past year. Yet this form of protest is damaging in much the same way as the bombings are, for both serve to obstruct a woman's constitutional rights by adding an unwarranted burden of fear and hostility upon a decision which is, in and of itself difficult, difficult frightening and emotionally traumatic.
The bombings, the violent protests outside facilities which perform abortions and the harassment of patients all point to the absence of civilized debate on abortion. The rhetoric of life activists has proceeded, threateningly, from appeals to protect the life of the fetus to sell righteous accusations which brand all those who do not accept their appeal "murderers." In a television interview last March, New York Bishop John J. O'Connor said, "I always compare the killing of 4000 babies a day in the United States, unborn babies, to the Holocaust." Responding to this charge at a news conference held this summer. Alfred Moran, executive director of Planned Parenthood said. "To take the position that American women who are having abortions are comparable to the people who perpetrated the Holocaust, is frightening, and I think it's irresponsible." Moran also added that "The Church, anti-abortion and Presidential rhetoric of the abortion issue has created a climate which incites terrorism-acts of violence that repeatedly endanger the lives of clinic staff And patients."
THE "IRRESPONSIBILITY" of abortion rhetoric relates to two different issues, and an understanding of both is crucial if productive dialogue on abortion is to continue. One level, the charge that those who have or perform abortions are murderers places the responsibility for abortion on those few who have been most seriously affected, or are most, directly involved with the decision to terminate a pregnancy. The fact that harassment and violent attacks-have been levelled at the literal end-points of that decision--the clinics--is symptomatic of an irresponsible evasion of the more complicated social conditions which have brought women to these facilities in the first place--an evasion of the fact (some might say necessity) of abortion in this society. The social circumstances which surround abortion range from broad historical and economic patterns (such as the increased role of women in the work force and the marked decrease of family size in urban industrialized societies) to those conditions which more obviously relate to abortion in the United States today (such as the inadequacy of sex education programs and of aid to single mothers). To focus the abortion debate upon woman and fetus is to ignore the social complexity of the issue and to deny the social realities of which abortion is only one effect.
In addition, when the debate is reduced or oversimplified into a question about the status of woman and fetus, the issue of abortion is effectively turned into a competition between opposing views (about the rights of women, the rights of the fetus) removed from the contest of community of society. And once this contest is excluded from debate rhetoric, the principle of toleration which governs opposing viewpoints in society is also excluded. The debate over abortion is no longer a debate but a two sided monologue where neither siode listens to the other because so much "pro-life" rhetoric seems to exclude the social condition under which abortion has become a problem. And in excluding this, an awareness of society as a community--where opposing views must be tolerated and heard if the members-of that community are to live with one another in peace-is also exclude.
The pro-life movement believes that Roe VS. Wade was a mistake, but to direct the rhetorical force of his protest against women as murderers is not to state a view, but to level an irresponsible accusation. It is not surprising that some individuals have acted, violently upon such an accusation. The words of the pro-life movement can be as powerful and potentially destructive as bombs-perhaps more so because they threaten not a mere building but the very foundations of a civilized society the foundations which provide a ground for debate on controversial issues in a principle of toleration.
Read more in NewsNuclear Free
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Pro-Choice: Abortion to Go?I was sitting in my room one evening a few days ago when I heard a noise outside my door.


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[Keyword='Livestock Production']
National Pig Information Database, USDA/ADDSEntry ID: USDA_ADDS_PIG
Abstract: To provide decision support to U.S. farmers, ranchers, growers,
landowners and those who work with them.
The National Pig Information Database was developed at the National
Agricultural Database Laboratory, University of Wisconsin. Updates to
the database will be made available on the Internet. This CD-ROM
incorporates much material from the Pig Disc, developed at North
Carolina AT University and in cooperation with the National
Agricultural Library.
The National Pig Information Database can be accessed from
Related URL
Geographic Coverage
Spatial coordinates
Data Set Citation
Dataset Title: National Pig Information Database
Version: Not provided
Data Presentation Form: online
Temporal Coverage
Start Date: 1970-01-01
Location Keywords
Science Keywords
Ancillary Keywords
Data Center
Extended Metadata Properties
(Click to view more)
Creation and Review Dates
DIF Creation Date: 2000-03-14
Last DIF Revision Date: 2018-11-12


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Welcome toSpectrum Dental Care
Welcome to Spectrum Dental Care, home to thousands and thousands of smiles and happy patients. We are delighted to have a team of very experienced and knowledgeable professionals provide quality, comprehensive dental care for you, your family and your friends. We strive to make every one of your visits a pleasant and rewarding experience always. We take our time to listen to your concerns, answer your questions, understand your specific needs and design your dental care accordingly. Our core mission is to provide the highest quality dental care available at affordable costs.
We have financing and payment options and accept all PPO coverages and select DMOs.
Spectrum Dental Care is located at 6270 Smithpointe Dr, Norcross, GA. We are currently accepting new patients, and you can schedule an appointment by calling 770-709-1066.
Our Team
Dr. Ifeanyi Ezunu and the staff at Spectrum Dental Care provide quality dental care to patients in the Norcross area, focusing on a comprehensive approach to oral health. By treating and educating patients, our team helps patients to stay healthy in between visits. Our staff understands the importance of listening to patients, helping them to feel comfortable and relaxed. This personal approach is evident in everything we do. From making an appointment, filling out paperwork, conducting an examination, and providing dental treatments, the staff at Spectrum Dental Care take the time to connect with patients and give them the thoughtful attention they deserve. Our team is trained on advanced dental procedures and techniques so that patients can benefit from the latest in dental care.
Our Services
Spectrum Dental Care provides a wide variety of dental services and procedures to address all of our patients' dental health needs. By combining quality patient care with up-to-date technology, we are able to treat patients of all ages in a comfortable and relaxing setting. Our website includes information on the following items: Dentist, Cosmetic Dentist, Family Dentist, General Dentist, Emergency Dentist, Dental Implants, Teeth Whitening, Dental Veneers, Dentures, Dental Crowns and more. Our Dentist and expert staff are trained to not only treat patients but to identify what caused the health concern in the first place. This comprehensive approach sets patients of Spectrum Dental Care on the road to recovery and long term oral health.
Patient Information
When you walk into the office of Spectrum Dental Care you will be immediately greeted by our friendly staff who are dedicated to making sure that you feel comfortable during your entire appointment. We understand that patients can feel anxious when going to the dentist, and our staff will take the time to listen to all of your concerns and help you understand exactly what your procedure is going to be like. At Spectrum Dental Care we pride ourselves on being an affordable family dentist that accepts a variety of insurance plans and payment options like cash and credit cards, because we want to provide a beautiful, healthy smile to everyone in the Norcross area. Call Spectrum Dental Care today at 770-709-1066 to see why we are the dentist of choice in the Norcross area.


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Pupil Premium was introduced by the Department for Education (DfE) in 2011, as additional funding for pupils who receive Free School Meals or who are Looked After Children. This is because the DfE have recognised that good education is the key to improving young people's life chances. This is particularly true for children from low-income families, or who are Looked After Children, who are far less likely to leave schools with good results than other children. The Pupil Premium, using additional resources from outside the School's Budget, is intended to address the current inequalities by ensuring that funding reaches the pupils who need it most.
There are three categories of children that qualify for pupil premium. They are:
The DfE have stated that schools have the right to spend this funding as they see fit based upon their knowledge of pupil needs
Please read the report below which gives details of our Pupil Premium Grant and how we allocate the funding for 2015-16. It also provides information about the impact of the grant in 2014-15.
All website content copyright © The Kilburn Park School
Created by PrimarySite, primary school website designers


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Product Description
Shungite is one of the most popular stones in the world due to the scientific discoveries of its powerful benefits. It is so amazing that several books have been written on this stone alone. Russia is starting to limit its exportation due to its source running out. GREAT STONE FOR people sensitive to their environment including toxic emotional energy *like grumpy people*.
They feel it will someday be worth its weight in gold.
This is possible when you consider the discoveries of its shocking abilities which you will learn as your read on.
The healing properties of Shungite have labeled it a miracle stone. Therefore, it is the one stone that everyone should have in their medicine bag, because of its ability to purify, charge, protect, (may) cure, induce recovery, stabilize, heal and promote growth to all living organisms. It also purifies water of almost all organic compounds (including pesticides), metals, bacteria and harmful micro-organisms.


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Producing in the Cloud - October 11, 2011/
Oct 11, 2011
1:30 PM Registration 2:00 PM-5:00 PM Session
SCAD Atlanta-4C Events Space 1600 Peachtree Street NW Atlanta, GA 30309-2403
Come to this FREE interactive afternoon to learn how to stay ahead of technology and become more productive. "Producing In The Cloud" is designed for new and experienced film, TV, digital and commercial producers who want to stay ahead of technology, become more productive, and ultimately more profitable.
Learn how Showbiz Scheduling, Showbiz Budgeting, FrameForge3D, Quick Film Budget, CreditScout, and other software tools -all which are local computer based programs-integrate with the Scenios cloud-based platform. For more information, visit us online.
Session 1: Cloud-Based Production Management. (60 min)
"Cloud computing" technologies will have a profound impact on the way films and TV shows are produced. So, what is the cloud? How is it poised to transform your production and post-production process? What are the risks connected to the cloud and how can you protect yourself when using a cloud-based production management platform? During this session, Scenios CEO Mark Davis will give an overview of cloud-based production technologies being used today, and will present a case study of how legendary TV program Inside the Actors Studio re-imagined its production process by moving into the cloud. This session features practical how-to tips and a demonstration of Scenios' critically acclaimed "virtual production office," which allows you to collaborate on things like your script, shoot schedule and budget – and even upload rough cuts and final productions into the cloud.
Session 2: Integrating The Right Tools. (90 min)
You will also learn how to integrate the industry's leading software tools with this technology to create a virtual production office, a central location to store all production information and processes including scripts, budgets, schedules, and timecards.
This session will include software reviews of Movie Magic Screenwriter, FrameForge3D, Showbiz Scheduling, Showbiz Budgeting, CreditScout, and Quick Film Budget—all which are local computer based programs that integrate with the Scenios cloud-based platform.
Session 3: Heading For The Clouds (30 min) Our presenters will summarize the technologies that are available now, and preview some new tools that are on the horizon.
Sponsored by: Media Services, Showbiz Software, Scenios, FrameForge3D, Quick Film Budget
Industry Partners: SCAD Atlanta, AICP Southeast, Georgia Production Partnership, Atlanta Film Festival 365


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Sugar's Waste is an experimental, theatrical music performance by Rebecca Bruton. One hour in duration, it was performed on October 12th and 13th 2016 at Goldcorp Centre for the Contemporary Arts, Vancouver, BC, as her major MFA graduating project (Simon Fraser University). The work features songs, experimental choral work, and atmospheric instrumental pieces. The scores were created by hand, using a combination of traditional, durational, graphic and indeterminate notation. The piece was performed by a core ensemble of string quintet (which doubled as a vocal chorus); some pieces featured further additions, such as live digital processing, electric guitar, piano and hand-held tape recorders. The songs and scores were written concurrently with a series of poetic texts that address themes of partition, enclosure and resistance in the historical and imaginary 'range' of early post-contact North America. These themes inspired the staging, set and sound design of the work.
Sugar's Waste was performed by Rebecca Bruton (voice, violin), Tegan Wahlgren (Voice, Violin), Elliot Vaughan (Voice, Viola), Clara Shandler (Voice, Cello), Dave Chokroun (Double Bass), Matthew Ariaratnam (Electric Guitar and Speaker Feedback), Ben Wylie (Piano) and Paul Paroczai (Live Digital Processing). Tape loops hand-built by Alexandra Spence and Ben Wylie.
MAX/MSP patches created by Paul Paroczai.
Set Design by Robert Leveroos (http://robertleveroos.com)
Lighting Design by Josie Lee and Jake Lindsey.
Choreography by Gordon Havelaar


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The city was founded sometime in 800 AD, though there is plenty of evidence that suggests that the area was inhabited since 500 BC. The present day area of Niranam and Kadapra on the western part of Thiruvalla was submerged under the sea before that. The name Tiruvalla is a colloquial form of Shiruvallabhapuram which is the Malayalam version of the earlier coinage Srivallabhapuram, named after the chief deity of the central temple complex, Sri Vallabhan. It is interesting to note that the ancient name of Thiruvalla was "Valla vai". This name had some relation with the river Manimala which was known as "Vallapuzha". The mouth is known as "Valla vai". On the western part of Thiruvalla, the rivers Pampa, Manimala and Achen Kovil join for a panoramic view.
As in many other places in India,the culture and heritage of Thiruvalla are tied up with the temples. Historical evidence such as copper plates and proclamations point to Tiruvalla as a flourishing and major center of spiritual and educational prominence in AD 1100. The Sree Vallaba Temple governed a Vedic School with one thousand students and one hundred teachers. The temple also maintained a hospital in the service of the public at large. The rulers of Thiruvalla belonged to the Thekkumkoor Dynasty, which had one of its headquarters at Edathil near Kavil Temple. Today's Paliakara Palace is a branch of Lakshmipuram Palace of Changanacherry which was the branch of Alikottu Kovilakam of Pazhancherry in Malabar. Similarly, Nedumpuram Palace is a branch of Mavelikkara Palace is an heir to the Kolathiri tradition of Udayamangalam.
Christianity arrived in Tiruvalla early through St.Thomas who is believed to have come to Niranam in A.D. 52 through Purakkadu. Tiruvalla Christians were part of the autonomous Church in the unity of the Catholic Church, until the seventeenth century when due to the intervention of the Portuguese fathers a schism occurred leading to the formation of Jacobites under the Patriarch of Antioch. On September 20, 1930, the Reunion Movement took shape when the two Jacobite Prelates, the late Archbishop Mar Ivanios and the late Bishop Mar Theophilos, joined hands leading to the establishment of Archdiocese of Trivandrum and the Diocese of Tiruvalla, by Pope Pius XI.
Tiruvalla was never under direct rule and before India's independence from the British rule in 1947 it was governed by the Travancore dynasty. The Tiruvalla municipality started functioning in 1919, with Shri. M.K. Kesavan Nair as the first Chairman of the Municipal council. The constitution was officially approved on October 8, 1920. The municipal office has established several public health facilities, libraries and sports facilities.
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Loyola at a Glance
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Music faculty member and organist to perform at Temple Sinai
February 27, 2009
Marcus St. Julien, D.M.A., instructor of music in the College of Music and Fine Arts at Loyola University New Orleans, will perform the final installment of his three-part series featuring the organ works of César Franck on Sunday, March 1, at 4 p.m., at Temple Sinai Reform Congregation, 6227 Saint Charles Ave.
This concert, performed on Temple Sinai's historic 1926 E.M. Skinner organ, will showcase some of the most significant organ works of Franck including Fantaisie in A Major; Prière, Op. 20; Prélude, Fugue et Variation, Op. 18; and Chorale 1 in E Major. The concert is free and open to the public.
St. Julien is a native of New Orleans, where his earliest training included piano study with Marie Théard and organ study with Anne L. Ganucheau, Elise Cambon and Herndon Spillman. He holds a bachelor of music degree in organ performance from Loyola and a master of music degree in music theory from Indiana University. St. Julien earned a doctor of musical arts degree in organ performance from the Shepherd School of Music at Rice University, under the direction of Clyde Holloway.
St. Julien has been heard in recital throughout the South, including a program for the 1989 national convention of the Organ Historical Society in New Orleans and the 2001 dedication recital of the Dobson pipe organ at St. Joseph's Abbey in Covington, La. In 1992, he won first prize at the graduate level of the 21st annual Wm. C. Hall Pipe Organ Competition held in San Antonio, Texas.
Currently, St. Julien is an organist at Temple Sinai, Holy Name of Jesus Church and St. Charles Avenue Baptist Church. He is also an instructor of organ, music theory and voice at Loyola.
For the latest updates about Loyola University New Orleans, follow us on Twitter @LoyolaNOLANews or become a fan on Facebook at www.facebook.com/loyno.
Loyola at a Glance is written and distributed for the faculty, staff, students and friends of Loyola University New Orleans. It is published by the Office of Public Affairs, Greenville Hall, Box 909, 7214 St. Charles Avenue, New Orleans, LA 70118. (504) 861-5888.
Information to be included in Loyola at a Glance must be received 2-3 weeks in advance of the publication date. Send us your news here.


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3M Filtrete 3US-PS01 Faucet Filtration System
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The 3M Filtrete 3US-PS01 Faucet Filtration System is a quick, easy and economical way to receive healthier drinking water. Easy to install and maintain, the 3US-PS01 offers a fantastic alternative to expensive bottled water! This is a genuine 3M Filtrete Professional Water Filter.
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