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James Lavadour
Self-taught artist James Lavadour considers himself an "abstract action painter," translating land into physical erosion of paint on surface. "My object has been to display the occurrence of landscape inherent in the act of painting," Lavadour has written. "In paint there is hydrology, erosion, mass gravity, mineral deposits, etc.; in me there is fire, energy, force, movement, dimension, and reflective awareness." A recipient of the Joan Mitchell award, James Lavadour showed at the Venice Biennale 2013 and has co-founed Crow's Shadow Institute for the Arts in 1990, a non-profit organization dedicated to the cultivation of the arts in and around the Umatilla Indian Reservation.Collections include the National Museum of the American Indian at the Smithsonian Institute in NY, Crystal Bridges Museum, Seattle Art Museum, and many more.
Selected Solo Exhibitions
2017 Recent Findings by James Lavadour, Cumberland Gallery, Nashville, TN
2016 Ledger of Days, PDX CONTEMPORARY ART, Portland, OR
2015 MAC Gallery, Wenatchee Valley College, Wenatchee, WA
2014 Fingering Instabilities,PDX CONTEMPORARY ART, Portland, OR
2013 Cumberland Gallery, Nashville, TN
2012 The Interior, PDX CONTEMPORARY ART, Portland, OR
2011 Paintings, Grover/Thurston Gallery, Seattle, WA
2010 Cumberland Gallery, Nashville, TN
Geographies of the Same Stone: for TT, PDX Contemporary Art, Portland, OR
2009 Grover/Thurston Gallery, Seattle, WA
The Properties of Paint, Hallie Ford Museum, Willamette University, Salem, OR
Close to the Ground, PDX CONTEMPORARY ART, Portland, OR
Sun Spots, PDX CONTEMPORARY ART, Portland, OR
Rain, Cumberland Gallery, Nashville, TN
Magic Valley, Gail Severn Gallery, Ketchum, ID
Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN
Grover/Thurston Gallery, Seattle,WA
Walk, PDX CONTEMPORARY ART, Portland, OR (shown at 219 NW 12th)
Cumberland Gallery, Nashville, TN
Romantic Landscape, PDX CONTEMPORARY ART, Portland, OR
New Camp, Grover Thurston, Seattle, WA
Gail Severn Gallery, Ketchum, ID
Intersections II, PDX CONTEMPORARY ART, Portland, OR
Intersections, Maryhill Museum of Art, Goldendale, WA
Retrospective, Northwest Museum of Arts & Culture, Spokane, WA
Grover/Thurston Gallery, Seattle,WA
Abstracts,PDX CONTEMPORARY ART, Portland, OR
Grover/Thurston Gallery, Seattle,WA
Abstracts, PDX CONTEMPORARY ART, Portland, OR
Grover/Thurston Gallery, Seattle, WA
PDX CONTEMPORARY ART, Portland, OR
Sacred Circle Gallery, Seattle, WA
Philip Feldman Gallery, Pacific Northwest College of Art, Portland, OR
PDX CONTEMPORARY ART, Portland, OR
Grover/Thurston Gallery, Seattle, WA
Elizabeth Leach Gallery, Portland, OR
Greg Kucera Gallery, Seattle, WA
Elizabeth Leach Gallery, Portland, OR
Wentz Gallery, Pacific Northwest College of Art, Portland, OR
Elizabeth Leach Gallery, Portland, OR
Elaine Horwitch Gallery, Scottsdale, Arizona
Cliff Michel Gallery, Seattle, OR
Portland Art Museum, OR
Elizabeth Leach Gallery, Portland, OR`
Boise Art Museum, ID
Elizabeth Leach Gallery, Portland, OR
C.N. Gorman Museum, University of California, Davis
Carnegie Center for the Arts, Walla Walla, WA
Museum of Art, University of Oregon, Eugene, OR
Sacred Circle Gallery, Seattle, WA
Sacred Circle Gallery, Seattle, WA
Oregon State Governors Office, Salem, OR
Visual Arts Resources/ Museum of Art, University of Oregon, Eugene, OR
Landscapes and Interiors: James Lavadour (traveled)
Visual Arts Resources, Museum of Art, Eugene, OR
Selected Group Exhibitions
State of The Art: Discovering American Art Now, Traveling exhibition, First Center for the Visual Arts, Nashville, TN
Artists Select, Cumberland Gallery, Nashville, TN
Portland Biennial, Disjecta, Portland, OR. Curated by Michelle Grabner
State of the Art, Crystal Bridges Museum of American Art, Bentonville, AR
Venice Biennale, Personal Structures, Palazzo Bembo, Venice, Italy
Range, PDX CONTEMPORARY ART, Portland, OR
The New American Landscape, Kahnaway Art & Ecology, Washougal, WA
oomph,PDX CONTEMPORARY ART, Portland, OR
2011, PDX CONTEMPORARY ART, Portland, OR
Vantage Point: The Contemporary Native Art Collection, Smithsonian Institute National Museum of the
American Indian, Washington, DC (September 25, 2010 through August 7, 2011)
Catch-All, PDX Summer Group Show, PDX CONTEMPORARY ART, Portland, OR
Off-the-Map: Landscape in the Native Imagination, Smithsonian Institute National Museum of the American Indian, New York, NY (catalogue)
18 Painters, Mt. Hood Community College, Gresham, OR
Into the Fray, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN
Next, PDX Contemporary Art, Portland, OR
Site Unseen: A Contemporary Look at Landscape, Savannah Gallery, Savannah College of Art and
Design, Atlanta, GA
A Sense of Place: Selections from the Tacoma Art Museum Collection, Tacoma Art Museum, Tacoma, WA
New Tradition, Archer Gallery, Clark College, Vancouver, WA
Native Views: Influences of Modern Culture, Art Train USA, Ann Arbor, MI (traveling USA by rail)
Wood Work, J.G. Contemporary, New York, NY
Seattle Perspective, Seattle Convention Center, City of Seattle Portable Works Collection, Seattle, WA
The Grand View: Brierstadt to Brophy, Museum of Northwest Art, La Conner, WA
Clatsop Community College, Astoria, OR
2003 Oregon Biennial, Portland Art Museum, Portland, OR
Extreme Landscape, Hunterdon Museum of Art, Clinton, NJ
Earth, Wind, Fire and Water, Boise Art Museum, Boise, ID
Selections from the Elwood Collection, Archer Gallery, Clark College, Vancouver, WA
Northwest Masters, City Space, City of Seattle Portable Works Collection, Seattle, WA
The Beta Press Collection: A Decade in the Northwest, Tacoma Art Museum, Tacoma, WA
Indian Time Millennial Project, Institute of American Indian Art, Santa Fe, NM
From Benton to Bartlet: Recent Acquisitions, Washington State University Museum of Art, Pullman,
Physical Manifestations, PDX Contemporary Art, Portland, OR
Whatcom Museum, Bellingham, WA
Contemplating Eternity, Seattle Art Museum, Seattle, WA
Redefining Tradition: First Nations Artists and Their Work, Whatcom Museum, Bellingham, WA
Gathered Into Earth: Contemporary Landscape Painting, Sheehan Gallery, Whitman College, Walla Walla,
Gerald Peters Gallery, Santa Fe, NM
THE LABYRINTH: Visions and Interpretations of the Eternal Myth in Contemporary Art, 2nd International
Triennial of Graphic Art Inter-Kontakt-Grafik Prague '98, Czech Republic
Twentieth Anniversary of the Betty Bowen Artist Award, Washington State Convention Center, Seattle, WA
Rediscovering the landscape of the Americas, Gerald Peters Gallery, Santa Fe, NM
A Common Thread, Gail Severn Gallery, Sun Valley, ID
Rising from Tradition, The High Desert Museum, Bend, OR
Rediscovering the landscape of the Americas, Gerald Peters Gallery, Santa Fe, NM
Traveled: Tucson Museum of Art, Tucson, AZ; Ar Museum of South Texas, Corpus Christi, TX; Western Art Gallery, Western Washington University, Bellingham, WA; Memorial Art Gallery, University of
Rochester, Rochester, NY; Gibbes Museum of Art, Charleston, SC.
Shared Visions: Native American Painters and Sculptors in the Twentieth Century, The Heard Museum, Phoenix, Arizona (traveled): Museum of New Zealand, Wellington; Sarjeant Gallery, Wanganni;Auckland City Art Gallery, Auckland; Robert McDougall Art Gallery, Christchurch; Wailato Museum of Art and History, Hamilton; Romance of the Land: Native Northwest Visions, The Bellevue Art Museum, Bellevue, WA
Twenty-five American Print Artists: La Jeune Gravure, Mairie du Sixieme Arrondissement de Paris, France
Native Papers: Joe Fedderson, James Lavadour, Kay Walkingstick, Phil Young, Gallery 210, University of Missouri, St. Louis, MO
Gail Severn Gallery, Ketchum, ID
Grover/Thurston Gallery, Seattle, WA
From The Earth X, American Indian Contemporary Arts, San Francisco, CA
The Sacred and the Profane, Jan Baum gallery, Los Angeles, CA
1993 Biennial, Portland Art Museum, OR
Land, Spirit, Power: First Nations at the National gallery of Canada, National Gallery of Canada, Ottawa
(traveled): Mackenzie Art gallery, Regina, Saskatchewan, Canada; The Contemporary Arts Museum,
Houston, TX; Nickle Arts Museum, Calgary, Alberta, Canada; The Print Club, Philadelphia, PA
Crossing Over/Changing Places: Artists and Collaborators (traveled): Anderson Gallery, Virginian
Commonwealth University, Richmond, VA
Decolonizing of the Mind, Center on Contemporary Art (COCA), Seattle, WA
The Betty Bowen Legacy: Fourteen Years of Award Winning Art, Security Pacific Gallery, Seattle, WA
MASTER PRINTS from the Rutgers Center for Innovative Printmaking: The First Five Years, The
Gallery at Bristol-Meyers Squibb, Princeton, NJ
Shared Visions: Native American Painters and Sculptors in the Twentieth Century, The Heard Museum, Phoenix, AZ (traveled): The Eiteljorg Museum of American History and Western Art, Indianapolis, IN; The Thomas Gilcrease Institute of the American History and Art, Tulsa, OK; The Portland Art Museum, Portland, OR; The National Museum of the American Indian, Smithsonian Institution, Washington, DC; The Customs House, New York, NY
Northwest Tales: Contemporary Narrative Painting, Anchorage Museum of History and Art, Anchorage, AK
The Undiminished Landscape, Security Pacific Corp. Gallery, San Francisco, CA
NORTHWEST x SOUTHWEST: PAINTED FICTIONS, Museum of the Desert, Palm Springs, CA; (traveled):
Yellowstone Art Center, Billings, MT; Western Gallery, Western Washington University, Bellingham, WA;
Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Celebrated Selections, The Heard
Museum, Phoenix, AZ; Tradition and Spirit: Contemporary Native American Art, Maryhill Museum of Art,
Goldendale, WA; Windhorse Gallery, Seattle, WA
Printed in America, Walters Hall Gallery, Rutgers, The State University of New Jersey, New Brunswick, NJ
Roll on Columbia: Historic and Contemporary Landscapes of the Columbia River Gorge, Maryhill Museum, Goldendale, WA
Figurative Show, Elizabeth Leach Gallery, Portland, OR
Crossed Cultures: Five Contemporary Native Northwest Artists, Seattle Art Museum, WA
Artists of the Blue Mountains: 1910-1988, Sheehan Gallery, Whitman College, Walla Walla, WA
Non-Objective Landscape, Marylhurst College, Marylhurst, OR
Seattle Art Museum, Seattle, WA
Recent Generations: Native American Art 1910-1987, The Heard Museum, Phoenix, AZ
New Directions Northwest: Contemporary Native American Art, Portland Art Museum, OR
Beyond Blue Mountains: A Traveling Collection of Contemporary Native American Artworks,
Washington State Arts Commission, Olympia, WA
Contemporary Visions: Fifteen Native American Artists, Read/Stremmel Gallery, San Antonio, TX
Native American Art: Our Contemporary Visions, Stremmel Galleries, Reno, NV
The Artist Interprets the Landscape, Blackfish Gallery, Portland, OR
Oregon Artist Exhibition, Oregon Pavilion, Expo '86, Vancouver, B.C., Canada
Artist of Eastern Oregon on Tour, Eastern Oregon State College, La Grande, OR; (traveled): Tacoma Art
Museum, Tacoma, WA; Oregon Artists Show, Sacred Circle Gallery, Seattle, WA
Seattle Urban League: Minority Artist Show, Seattle Center House, WA
No Beads No Trinkets: An Exhibition of Contemporary American Indian Artists, Palais de Nations, Geneva, Switzerland
Elizabeth Leach Gallery, Portland, OR
Contemporary Native American Art, Touchstone Gallery, Spokane, WA
Innovations: New Expression in Native American Painting, The Heard Museum, Phoenix, AZ
1983 Oregon Biennial, Portland Art Museum, Oregon
Indian Artists of the 1980's, Sacred Circle Gallery, Seattle, WA
Selected Awards, Fellowships and Commissions
Oregon Department of Transportation, Salem OR
Artist Fellowship, Eiteljorg Museum, Indianapolis, IN
Commission, Ashforth Pacific Inc., Portland, OR
Award for Visual Arts, Flintridge Foundation, Pasadena, CA
Oregon Arts Commission, North Mall Office Building, Salem, OR
Honorary Doctorate of Human Letters, Eastern Oregon University
"Public Art Project." Washington State Football/Soccer Stadium and Exhibition
Center Project, Seattle, WA
"1998 Joan Mitchell Award," Joan Mitchell Foundation, New York, NY
"1994 Oregon Governor's Arts Award ," Oregon Arts Commission, Salem, OR
"Betty Bowen Memorial Recognition Award ," Seattle Art Museum, Washington
"Fellowship to the Rutgers Center for the Innovative Print Making" Rutgers,
The University of New Jersey, New Brunswick,1989
"Northwest Major Works Award," Seattle Arts Commission, Washington
"Art in Public Places," Washington State Arts Commission, Olympia, WA
"Oregon Arts Fellowship," Oregon Arts Commission , Salem, OR
"Art in Public Places," Washington State Arts Commission, Olympia, WA
Pendleton Arts Council, OR, "Artist Advocate Project (sponsored to paint for one year)"
"Art in Public places," Seattle Arts Commission, Seattle, WA
"Public Art Project." Washington State Arts Commission. Olympia, WA
"Artist in Schools Program," Eastern Oregon Regional Art Council, La Grande, OR
"Artist in Residence," Confederated Tribes of the Umatilla Indian Reservation, Pendleton, OR
Selected Catalogs and Books
Della Monica, Lauren P. Painted Landscapes: Contemporary Views. Schiffer Publishing, Ltd.: Atglen,
Personal Structures: Culture, Mind, Becoming, Global Art Affairs Foundation, Leiden, Netherlands
James Lavadour: the properties of paint. Hallie Ford Museum of Art, Willamette University. Salem, OR
Off the Map: Landscape in the Native Imagination, National Museum of the American Indian,
Smithsonian Institution, New York, NY
Into the Fray: the Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum of American
Indians and Western Art; In Association with the University of Washington Press. Seattle, WA.
Helper, Vicki. James Lavadour: Landscapes. Northwest Museum of Art & Culture: Spokane, WA.
Sayre, Henry M. A World of Art. Edition: 2, Prentice-Hall Inc., Simon & Schuster Co. New York, NY.
Zevitas, Steven T. New American Paintings: a quarterly exhibition. Open Studios Press, vol. 1, No. VI,
Spring 1996. Boston, MA.
Allen, Lois. Contemporary Art in the Northwest. Copyright 1995, Craftsman House G + B Arts
International. Sydney, Australia.
Spanbauer, Tom. L'homme qui tomba amourux de la lune/The Man Who Fell in Love With the Moon
(cover). STOCK (ÃDITIONS), Paris, France.
Sayre, Henry M. A World of Art, Prentice-Hall Inc., Simon & Schuster Co. New York, NY.
Penney, David and George Longfish. Native American Art. Hugh Lauter Levin Associates, Inc. New York,
Brodsky, Judith. Master Prints from the Rutgers Center for Creative Printmaking: The First 5 Years. The
Gallery at Bristol-Meyers Squibb, Princeton, NJ.
Nemelroff, Diane. Land, Spirit, Power: First Nations at the National Gallery of Canada. National
Gallery of Canada, Ottawa.
Farmer, Jane and Charlotte Townsend-Gault. Crossing Over/Changing Places: An Exhibition of
Collaborative Print Projects and Paperworks. The Print Club, Philadelphia, PA.
Rynd, Chase W. The Betty Bowen Legacy: Fourteen Years of Award-Winning Art.
Security Pacific Gallery, Seattle, WA.
Archurlera, Margaret. Shared Visions: Native American painters and Sculptors in the 20th Century. The
Heard Museum, Phoenix, AZ.
Chelette, Iona et al. NORTHWEST X SOUTHWEST: PAINTED FICTIONS. Palm Springs Desert
Museum, Palm Springs, CA.
Evens, Linda E. The Undiminished Landscape. Security Pacific Gallery, San Francisco, CA.
Roberts, Prudence. Northwest Viewpoints: James Lavadour. Portland Art Museum, OR.
Sims, Patterson. Crossed Cultures: Five Contemporary Native Northwest Artists. Seattle Art
Seattle, WA.
Longfish, George et al. New Directions Northwest. Portland Art Museum. Portland, OR.
Selected Articles and Reviews
Hicks, Bob. "ArtsWatch Weekly." Oregon ArtsWatch, October 4, 2016.
Speer, Richard, "James Lavadour: The Interior," Willamette Week, March 30, 2012
Row, D.K., "Review: James Lavadour's paintings at PDX Contemporary Art," The Oregonian, March
29, 2012
Nickell, Joe, "James Lavadour explains being, painting nature," Missoulian, March 30, 2012
Graves, Jen, "James Lavadour at Grover/Thurston Gallery," The Stranger, July 2, 2011
Kangas, Matthew, "James Lavadour at Grover/Thurston Gallery," art ltd., Sept. 2011.
Upchurch, Michael, "The desert blooms with color, feeling in James Lavadour's work," The Seattle
Times, June 16, 2011.
Logue, Susan, "Exhibit Explores Modern Native American Art," VOANews.com, November 2010
Row, D.K., "Review: Gabriel Liston at New American Art Union and James Lavadour at PDX
Contemporary Art," The Oregonian, April 29, 2010
Melrod, George, "Eden is Burning," Art Ltd., March/April 2010
Andrews, Scott, "Without Reservation," Art Ltd., March/April 2010
Row, D.K., "Art on view: Some new and familiar names," The Oregonian, April 3, 2008
Douglass, Arcy, "Between Heaven and Earth: The Work of James Lavadour," First Thursday
Picks, PORT, March 31, 2008.
Cowan, Ron, "Artistic Cataclysm: Exhibit at Hallie Ford Showcases the Talent of Painter James
Lavadour," Statesman Journal, February 10
Murry, Terry "Letting the Paint Speak," The East Oregonian, February 10
Peterson, Vernon, "James Lavadour: Landscapes of Change," Art Scatter, February 10
Row, D.K., "Art Review: James Lavadour at Hallie Ford," Oregonian, January 30
Silver, Laura, "Putting native artists on the map," downtown express, vol. 20, no. 9, July 13-19
Baker, R.C., "Numbers by Painting," Best in Show, Village Voice, June 6-12, 2007
Glueck, Grace, "Lands You Can't See in a Guidebook," The New York Times, March 23
Fogarty, Mark, "Landscapes of the imagination featured in new exhibit," Indian Country Today, March 14
Bovee, Katherine, "James and Joey Lavadour at PDX," PORT, September 2
Motley, John, "James Lavadour," Portland Mercury, Aug. 31-Sept. 6, 2006
Row, D.K, "Master of the picturesque," Friday's A&E, The Oregonian, August 25
Jahn, Jeff, "What to see?" PORT, August
Farr, Sheila, "Desolation, transformation: James Lavadour's landscapes of the mind," The Seattle
Times, September 16, 2005
Lake, Eva, "The Event of Painting: an Interview with James Lavadour," April 21, 2005
Row, D.K. "High Voltage Theatrics," The Oregonian, April 2005
Dirks, Ryan, "Visual Arts," Portland Mercury, March 17
Row, D.K, "A&E Shows of Note," The Oregonian, Friday March 4
Row, D.K., "2005 in Review," The Oregonian, 2005
Portland Life, Portland Tribune, March 1
O'Scannlain, Gerry Stroph, "James Lavadour: A Man In Love With Paint," Open Spaces, August 14, 2004
Row, D.K., "James Lavadour," The Oregonian, July 23, 2004
Row, D.K., "Painting like jazz," The Oregonian, January 2, 2004
Jahn, Jeff, "Critical i," the nw drizzle, January 2004
Van Dongen, Susan. "An Exhibit at the Printmaking Council Captures Native American Imagery and
Mythology." PacketOnline. October 11
Genocchio, Benjamin. "Landscapes That Push The Boundaries," The New York Times. Sunday,
September 14
Farr, Sheila, "Lavadour's landscapes move into new territory," The Seattle Times, September 12, 2003
Wagonfeld, Judy, "Lavadour's earth grows vibrantly with energy and spirit," The Seattle
Post-Intelligencer, September 12, 2003
Speer, Richard, "Bi-Furious," Willamette Week, July 2, 2003
Taylor, Sue, "James Lavadour at Maryhill Museum of Art and PDX," Art in America, April 2003
Baker, Kenneth, "Mass Apeal: S.F. International Art Fair," San Francisco Chronicle, January 18, 2003
Atiyeh, Meagan, Art Reviews, The Organ, Vol. 1, Issue 2, November/December, page 3
"WW Pick," Wilamette Week, September 4, 2002
Rushing, Jackson W., "What the Ground Says: The Art of James Lavadour," Art Journal
Row, D.K., "Lavadour on Lavadour", The Oregonian, November 9
Gibson, Daniel, "James Lavadour, Alchemist of Light" ,Native Peoples Arts & Lifeways, vol. XIII,
"Artists of Change: James Lavadour," Native Peoples Magazine, April/May
Duford, Daniel, "The Deep Interior," Willamette Week, August
Row,D.K. "The lay of his land", The Oregonian, September
Cohn, Terri. "Conquistadors of the Void", Artweek, April
Gragg, Randy, "Ascending past regionalism," The Oregonian, September
Row, D. K., "Native Fire", Willamette Week, Vol. 29, No. 48, September 17
Smith, Tracy, "James Lavadour at PDX," Art in America, March
Updike, Robin, "Galleries: From Landscapes, Artistic Inspiration." The Seattle Times, Feb. 18
Parr, Debra, "Reviews: Native Paper: Gallery 210, University of Missouri", New Art Examiner, Vol. 24,
No. 8, May
"Selected Works of Famous American Printmakers." Chinese Printmaking Magazine, No. 12
Chambers, Lori. "Lasting Impressions", Rutgers Magazine, vol. 75, No. 5, Spring
Roberts, Prudence, "Profile: James Lavadour," VISIONS, Summer 1994
Watson, Scott, "Whose Nation?" Canadian Art, vol. 10, No. 1, Spring
"Contingent Histories, Aesthetic Politics," New Art Examiner, vol. 20, No. 7, March
Fiedler, Nadine;"Spirit Negatives: James Lavadour at Wentz Gallery, PNCA/Elizabeth Leach Gallery,"
Reflex, vol. 7, No. 1, January/February
"Grounded in Oregon: Nature and Culture as the Local Ethnology in Portland." VISIONS, vol. 6, No. 2,
pp. 30-32, Spring 1992
"Crow's Shadow, a Foundation for Art at the Umatilla Reservation", Artweek, August 20, vol. 23, No. 22
Nixon, Bruce; "Contemporary Landscape Painting" , Artweek, vol. 23, No. 23, September 3
Strickland, Rennard; "Shared Visions- Part III" , Native Peoples Magazine, vol. 5, No. 2, Winter
Jackson, Rushing W.; "Recent Native American Art", Art Journal, vol. 51, No. 3, Fall 1991
Whittemore, L.I. ; "On Home Ground", The Oregonian, August 16
Smallwood, Lyn; "Reviews: James Lavadour at Cliff Michel, Seattle" ARTnews, vol. 90, No. 1, January
Failing, Patricia. "Sex, Landscape, and Videotapes: The Pacific Northwest", ARTnews, vol. 90, No. 10,
December 1990
Allen, Lois. "Looking at the Land" , Artweek, August 12
"Land Forms", Willamette Week, August 12
Bryant, Elizabeth."James Lavadour: Anatomy of a Landscape." Reflex, vol. 4, No. 5, September
Glowen, Ron; "Review of Exhibitions: James Lavadour at Cliff Michel, Seattle", Art in America, vol. 78, No. 6, December
Gragg, Randy ;"James Lavadour: Merging Man and Nature" , Portland Oregonian, July 15
"Landscapes of the Mind" Seattle Weekly, May 16
"Presence as Absence: James Lavadour at the Oregon Art Institute", Artweek, San Francisco, September
Tarzan-Ament, Deloris; The Seattle Times, May 14
Berger, David. "Crossed Cultures", Seattle Times, April 12
Manuel, Bruce; " Art Spawned by a Clash of Cultures", Christian Science Monitor, June 12
"James Lavadour's Mountain View" Northwest Magazine/Portland Oregonian, November 26
Hackett, Regina; "Crossed Cultures", Seattle Post Intelligencer, April 12
Dana, Gail. "Waiting for the Muse", Willamette Week, February
Barden, Renardo. "Visual Arts: James Lavadour at Elizabeth Leach", Willamette Week, July
Carlson, Jay. "Amoral landscape: James Lavadour at Elizabeth Leach," Reflex , vol. 2, No. 5, September
Kangas, Matthew; "Un-representative Samplings: Northwest '87", The Seattle Weekly, August/September
"Spirits in Time: Portfolio." Oregon Magazine, February/March 1986
Berkson, Bill."The Northwest Art Scene", Art in America, vol. 74, No. 7, July/September
"Northwest Now: Tacoma Art Museum," Artweek, April 1984
Anderson, David Charles; "Innovations: New Expression in Native American Painting", Artspace, Spring
Bank of America Corporation, San Francisco, CA
Boise Art Museum, Boise, ID
Cheney Cowles Museum, Spokane, WA
Confederated Tribes of the Umatilla Indian Reservation, Pendleton, OR
Crystal Bridges Museum of American Art, Bentonville, AR
Eiteljorg Museum, Indianapolis, IN
Federal Reserve Bank, San Francisco, CA
Frank Russell & Company, Tacoma, WA
Hallie Ford Museum of Art, Willamette University, Salem, OR
Heathman Management Corporation, Portland, OR
The Heard Museum, Phoenix, AZ
The Hood Museum, Dartmouth College, Hanover, NH
Hilton Corporation, Portland, OR
Jane Voorhess Zimmerlie Museum, New Brunswick, NJ
Microsoft Corporation, Redmond, WA
Montclair Art Museum, Montclair, NJ
Oregon Health and Science University, Portland, OR
Oregon State Capitol Art Collection, Salem, OR
Oregon State University, Corvallis, OR
Pacific Northwest Bell Corporation, Seattle, WA
Perkins Coie, Seattle, WA
Portland Art Museum, Gilkey Print Center, Portland, OR
Portland Art Museum, Portland, OR
Regional Arts and Culture Council (RACC), Portable Works Collection, Multnomah County, OR
Seattle Arts Commission, Seattle, WA
Seattle Art Museum, Seattle, WA
Seattle Seahawks Stadium, Seattle, WA
Smithsonian National Museum of the American Indian, Washington, D.C.
Tacoma Art Museum, Tacoma, WA
Washington State Arts Commission, Olympia, WA
Western Heritage Savings and Loan, Pendleton, OR
West One Bank Corporation, Portland, OR
University of Oregon Library, Eugene, OR
University of Washington Medical Center, Seattle, WA
U.S. Department of Interior, Indian Arts and Crafts Board, Washington, D.C.
U.S. Embassy of Islamabad, Pakistan
Community Art Services
Crow's Shadow Institute for the Arts: Founder, past president and current board member (1990-
present). Located on the Confederated Tribes of the Umatilla Indian Reservation. Pendleton, OR


text:
Managing Nutritional Deficiencies and Loss of Bone Mass
Nutrition and vitamin supplements are sometimes necessary when:
- Intestinal damage is severe
- Intestinal damage does not heal rapidly
In cases of severe malnutrition, supplemental nutrition may be needed intravenously for a short period of time to restore your nutritional deficiencies and help prevent more serious complications from celiac disease. This is called parenteral nutrition.
Also, vitamin and mineral supplements may be necessary. A calcium supplement can help preserve bone density, while other nutrients can help correct deficiencies. Ask your doctor if you need to take vitamin and/or mineral supplements.
Revision Information
- Reviewer: EBSCO Medical Review Board Daus Mahnke, MD
- Review Date: 12/2017 -
- Update Date: 12/20/2014 -

subset: commoncrawl


text:
While the youth of Clint City are dancing the Lil Jey Style in a ghetto night-club, a group of Bangers find themselves the dumbfounded spectators of a very strange brawl; Cheep the hard guy is trying to sheer Thorpah, Prince of the Yetis, to teach him some respect. And the fight would have gone on if it hadn't been for Thorpah hitting the Sakrohm temple with his Olmnir hammer, so by setting off all Lilou's alarm systems and causing widespread panic.
Get these characters in the shop's packs
5 new missions have been added. Click here to see the list of Newblood missions.
chenkz Colossus Hip Hop Messiahz Friday 05/10/2012, 11:48
Wow that thorpah is the real deal.. just what frozn need
number01death Senior Friday 05/10/2012, 11:52
I am the first comment
nanbe da Veteran the courtyard of shadows Friday 05/10/2012, 11:57
The Archer Imperator Open Casket Friday 05/10/2012, 12:00
Cheep - A 8/4 not vulnerable to SOA is really good. It becomes a DR when hit by SOA and take the damage of cards like Methane down. Nice card but I can't see a good future for it with cards like Radek, Scopica, Nyema, Jalil in it's way except in the weeks with a lot of GHEIST/Roots.
Thorpah - Nice card. REALLY nice card. It doesn't need the bonus to be fantastic but it is completely awesome with it. Virtually a 10/7 with PR of -2 min.1 is pretty powerhouse. Frozn are really amazing in 5* now. You can choose between Kalindra (8/8-10/12) or Thorpah (8-5 w/ PR - 10/7 w/ PR). They are excellent cards and only the player will decide which is the best to use in ELO.
Lilou - The possibility of become a 7/8 with -8 attack is just powerful for a 2* but I can't predict if it will see the game or not with cards like Aleister and Nimestiec.
Lil Jey - Nice card. A potential 9/3 for 2* is really good.
Best card of the release - Thorpah.
Whitedragon11 Eternal Harbingers of Ares Friday 05/10/2012, 12:00
Blocking damage with a Stop card, that mission will be fun lol. Thorpah looks beastly and may battle Kalindra for the 5 star spot.
To check out their abilities and final arts, check out A Sheep and Yeti Go Head to Head
GWN-Hotsauce Imperator Great White North Friday 05/10/2012, 12:02
Jungo really needed another Stop card? Fml. Could have dropped his power by one and made him a -2 dmg min 1. Perfectly viable.
Awesoe Colossus aussie crusaders Friday 05/10/2012, 12:07
I love it when people say first but they're not. Anyway, Thorpah is very good but I'll stick with Dahlia. Thorpah is good without the bonus and he is great with the bonus, but you're probably not going to use the bonus on this card. It's already strong enough. But if you do, 10/7 -2 opp. pillz is probably the strongest card in the game so far.
DragoRoyal Titan E X C A L I B U R Friday 05/10/2012, 12:13
Thanks for the release of Thorpah, I'm sure majority of UR is looking forward to facing more Frozn in Elo!


text:
Who should take this class?
Anyone who would like to quickly improve your familiarity and understanding of your digital camera's basic functions and features.
What you will learn
It's a smart, one-shot introduction to digital photography, and a good place to explore the fundamentals of your camera. We'll get you up and running quickly, showing you how to correct basic problems like photos that are too dark or too light, out of focus, blurry, off-balance and other common issues.
What to bring?
Just your DSLR camera.
No prior knowledge or experience is necessary.


text: We're welcoming back Mindy Lockard of The Gracious Girl to give us some of her tips on putting your love into writing. A love letter is a gift, but let's be honest – writing them isn't always easy, right? For example, there's the time you've been together to consider. What […] Read More »


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Get To Know Us: Sarah Buchanan, Serious Eats Intern
Name: Sarah Buchanan
Location: NYC
Occupation: SE editorial intern and Small Kitchen College contributing writer
Website/Twitter: quotidiennemoi.wordpress.com / @SarahBuchanan03
Guilty pleasures? Drinking pickle juice straight from the jar or peanut butter milkshakes for breakfast!
What food won't you eat: I'm a pescetarian so that limits me somewhat. No meat, and I will not eat Funyuns. I will not even touch them. Gross!
Favorite food person: Anthony Bourdain.
When did you first realize you were a serious eater? As a baby, I was put on a low-calorie formula because I was so unnaturally large. There are pictures of me eating marshmallows covered in jam at my highchair wearing nothing but a big ole' grin. I was born loving my food!
What do your family and friends think of your food obsessions? I come from a big Southern family that values a great meal amidst pleasant company. The apple doesn't fall far from the tree. My friends here in NYC think it's funny that I love food so much. It's my quirk, I suppose. Luckily my fiancee is an avid eater himself. Together we are determined to eat the best NYC has to offer on our rather limited budgets!
Favorite food sites or blogs (besides SE)? SE obviously!! I also enjoy Food Porn Daily, Broke Ass Gourmet, Big Girls Small Kitchen (where I am a contribuing writer), and Joy the Baker.
Everyone has a go-to person they call for restaurant recommendations. Who's yours? Back in Nashville, where I am from, I call my mom or uncle, but here in NYC, I rely on the wealth of online restaurant review sites for my insider knowledge.
What is your favorite meal of the day and where do you get it? I love breakfast and luckily, it's a pretty simple one to make. When I feel like a breakfast out, I love Sunburst Espresso Bar in the Union Sqaure area. They have a delicious and reasonably priced breakfast menu offered all day long. The oatmeal, eggs Florentine, and french toast are all amazing, as are the fresh muffins, and crepes.
Do you ever cook? What's the best dish you make? I love to experiment in the kitchen but sometimes I make things that only I like. I haven't quite mastered the art of food presentation either. I make a really tasty roasted winter vegetable medley with toasted nuts and a maple syrup glaze, as well as a stand-up three bean chili and butternut squash chickpea stew.
If you woke up tomorrow as a food, what would it be? I would love to be a cute little dumpling, such nice dimensions, pleasant to look at and eat!
All products linked here have been independently selected by our editors. We may earn a commission on purchases, as described in our affiliate policy.


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In the Java world there are a few well known tools for dependency management including Apache Ivy and Apache Maven. Strictly speaking Ivy is just a dependency management tool which integrates with Apache Ant, while Maven is a set of tools of where dependency management is but just one of its specialities.
In the ADF world thanks to the inclusion of ADF Libraries (aka. modules) that can be shared across applications, dependency management is also a relevant problem. Recently I went through the exercise of including Apache Ivy into our JDeveloper 11g and Hudson mix for an existing set of applications. This blog post attempts to describe the configuration of Apache Ivy in context of our JDeveloper setup in order to assist others setting up a similar installation. The blog post will introduce a simplistic application (downloadable from here) with 1 dependency to introduce the Ivy features, in very much an A-B-C style to assist the reader's learning.
Readers should be careful to note this post doesn't attempt to explain all the in's and out's of using Apache Ivy, just a successful configuration on our part. Readers are encouraged to seek out further resources to assist their learning of Apache Ivy.
This blog post assumes you understand the following concepts:
• ADF Libraries
• Resource palette
• Apache Ant
• ojdeploy
In the beginning there was... ah... ApplicationA
To start out with our overall application contains one JDeveloper application workspace known as ApplicationA, installed under C:/JDeveloper/mywork as follows:
ApplicationA initially has no dependencies and can be built and run standalone.
Within the application we create a separate project entitled "Build" with an Ant build scripts entitled "pre-ivy.build.xml" to build our application using ojdeploy as follows:
<?xml version="1.0" encoding="UTF-8" ?>(Note the jdev.ojdeploy.path & jdev.ant.library properties that map to your JDeveloper installation. You will need to change these to suit your environment. This will need to be done for both ApplicationA and the following ADFLibrary1)
<project xmlns="antlib:org.apache.tools.ant" name="Build" basedir=".">
<property name="jdev.ojdeploy.path" value="C:\java\jdeveloper\JDev11gBuild6081\jdeveloper\jdev\bin\ojdeploy.exe"/>
<property name="jdev.ant.library" value="C:\java\jdeveloper\JDev11gBuild6081\jdeveloper\jdev\lib\ant-jdeveloper.jar"/>
<target name="Build">
<taskdef name="ojdeploy" classname="oracle.jdeveloper.deploy.ant.OJDeployAntTask" uri="oraclelib:OJDeployAntTask"
<ora:ojdeploy xmlns:ora="oraclelib:OJDeployAntTask" executable="${jdev.ojdeploy.path}"
ora:buildscript="C:\Temp\build.log" ora:statuslog="C:\Temp\status.log">
<ora:parameter name="workspace" value="C:\JDeveloper\mywork\ApplicationA\ApplicationA.jws"/>
<ora:parameter name="profile" value="ApplicationA"/>
<ora:parameter name="outputfile" value="C:\JDeveloper\mywork\ApplicationA\deploy\ApplicationA"/>
And then ApplicationA begat ADFLibrary1
Now we'll create a new task flow in a separate application workspace known as ADFLibrary1 which ApplicationA is dependent on:
We add an ADF Library JAR deployment profile to ADFLibrary1's ViewController project to generate ADFLibrary1.jar to:
Similar to ApplicationA we add a Build project to our application workspace and a pre-ivy.build.xml Ant build script using ojdeploy:
<?xml version="1.0" encoding="UTF-8" ?>From here we want to attach ADFLibrary1.jar to ApplicationA's ViewController project. Overtime we might have many JARs we want to attach, so rather than mapping to several different deploy directories under each ADF Library application workspace, we'll assume the libraries are instead available under a central "lib" directory as follows:
<project xmlns="antlib:org.apache.tools.ant" name="Build" basedir=".">
<property name="jdev.ojdeploy.path" value="C:\java\jdeveloper\JDev11gBuild6081\jdeveloper\jdev\bin\ojdeploy.exe"/>
<property name="jdev.ant.library" value="C:\java\jdeveloper\JDev11gBuild6081\jdeveloper\jdev\lib\ant-jdeveloper.jar"/>
<target name="Build">
<taskdef name="ojdeploy" classname="oracle.jdeveloper.deploy.ant.OJDeployAntTask" uri="oraclelib:OJDeployAntTask"
<ora:ojdeploy xmlns:ora="oraclelib:OJDeployAntTask" executable="${jdev.ojdeploy.path}"
ora:buildscript="C:\Temp\build.log" ora:statuslog="C:\Temp\status.log">
<ora:parameter name="workspace" value="C:\JDeveloper\mywork\ADFLibrary1\ADFLibrary1.jws"/>
<ora:parameter name="project" value="ViewController"/>
<ora:parameter name="profile" value="ADFLibrary1"/>
<ora:parameter name="outputfile" value="C:\JDeveloper\mywork\ADFLibrary1\ViewController\deploy\ADFLibrary1"/>
Experienced readers will know to setup a Resource Palette "File Connection" to map to C:\JDeveloper\mywork\lib then simply add the JARs from the palette.
Adding Apache Ivy
At this point we have a rudimentary form of dependency management setup, where a logical version 1 of ApplicationA has attached a logical version 1 of ADFLibrary1 through the use of the ADF Library JAR being attached to ApplicationA's ViewController project. Note the word "rudimentary". Currently there is no way to track versions. If we have separate versions of ApplicationA dependent on separate versions of ADFLibrary1, developers have to be very careful to check out and build the correct versions, and there's nothing inherently obvious in the generated JAR file names to gives us an idea of what versions are being used.
Let's introduce Apache Ivy into the mix with this simplistic dependency model as a basis for learning, to see how Ivy solves the versioning dependency issue.
Adding ivy.xml to each module
Ivy requires that each module have an ivy.xml. The ivy.xml file among other things describes for each module:
a) The module name
b) The version of the module
c) Determines what artefacts the module publishes
d) Track the module's dependencies including the version of the dependencies
For our existing ADFLibrary1 we'll add an ivy.xml file to our Build project containing the following details:
<?xml version="1.0" encoding="UTF-8"?>Of note:
<ivy-module version="2.0">
<info organisation="sage" module="ADFLibrary1" revision="1"/>
<conf name="jar" description="Java archive"/>
<conf name="ear" description="Enterprise archive"/>
<artifact name="ADFLibrary1" conf="jar" ext="jar"/>
<!-- <dependencies> There are no dependencies for this module <dependencies/> -->
a) The module name in the <info> tag
b) The revision/version number in the <info> tag
c) The publication of an ADF Library jar in the <publications> tag
d) And that this module is not dependent on any other modules through the commented out <dependencies> tag
(You might also note the <configurations> tag. Configurations define the type of artefacts we can possible generate for the module. In this case we're creating an ADF Library "JAR", but alternatively for example we could produce a WAR or EAR file or some other sort of artefact. For purposes of this blog post we'll keep this relatively simple and just stick to JARs and EARs).
For our existing ApplicationA its ivy.xml file under the Build project will look as follows:
<?xml version="1.0" encoding="UTF-8"?>Of note:
<ivy-module version="2.0">
<info organisation="sage" module="ApplicationA" revision="1"/>
<conf name="jar" description="Java archive"/>
<conf name="ear" description="Enterprise archive"/>
<artifact name="ApplicationA" conf="ear" ext="ear"/>
<dependency org="sage" name="ADFLibrary1" rev="1">
<artifact name="ADFLibrary1" ext="jar"/>
a) The module name ApplicationA in the <info> tag
b) The revision/version number 1 in the <info> tag
c) The publication of an EAR in the <publications> tag
d) And of most importance, a dependency of ADFLibrary1, specifically release/version 1.
It's this last point that is most important as not only does it track the dependencies between modules (which truthfully JDev was already doing for us) but the ivy.xml file also tracks the version dependency, namely ApplicationA release/version 1 is dependent on version/release 1 of ADFLibrary1.
Apache Ivy Repository
In the previously described application configuration we were assuming the build of ApplicationA and ADFLibrary1 was all on the same developer machine. It's relatively simply for 1 developer to copy the JARs to the correct location to satisfy the dependencies. Yet in a typical development environment there will be multiple developers working on different modules across different developer machines. Moving JARs between developer PCs becomes problematic. We really need some sort of developer repository to share the modules archives.
At this point we introduce an Apache Ivy repository into our solution. Simplistically the Ivy repository is a location where developers can publish JARs to, and other developers when building an application with a dependency, can download the dependencies from.
Ivy supports different types of repositories which are documented under Resolvers in the Ivy documentation. For purposes of this blog post we'll use the simplest repository type of "FileSystem".
In order to make use of the FileSystem Ivy repository all developers must have access to a file (typically called) ivysettings.xml. This file defines for Ivy where the repository resides among other settings. How you distribute this file to developers is up to you, maybe it's located on a shared network location, maybe a copy checked out to a common local location. For purposes of this blog post we'll assume it resides on every developer's machine under C:\JDeveloper\ivy:
The following reveals the contents of a possible ivysettings.xml file:
<ivysettings>Points to consider:
<property name="ivy.repo.dir" value="C:\JDeveloper\ivy\repositories\development"/>
<filesystem name="repository">
<ivy pattern="${ivy.repo.dir}/[module]/ivy[module]_[revision].xml" />
<artifact pattern="${ivy.repo.dir}/[module]/[type][artifact]_[revision].[ext]"/>
1) Note the ivy.repo.dir property. Typically this would point to your own //SomeServer/YourRepositoryLocation which all developers can access on your local network. For the purposes of this blog post, in order to give readers a single zip file that they can download and use, I've changed this setting to instead locate the repository at C:\JDeveloper\ivy\repositories\development. This certainly *isn't* a good location for a shared repository, but one that is workable for demonstration purposes.
2) The <resolvers> <chain> defines the list of repositories for Ivy to publish to or download dependencies from. In this case we've only configured one repository, but there's nothing stopping you having a series of repositories.
3) The <ivy> subtag of the <filesystem> tag defines how Ivy will store and search for it's own metadata files in the repository, of which it stores information such as the module name, versions and more that is essentially copied from your ivy.xml files.
4) The <artifact> tag defines how Ivy will store and search for the actual artefacts you generate (such as the ADF Library JARs) in the repository.
With regards the last 2 points it's best to leave the patterns as the default, as in the end the repository can be treated as a black box. You don't really care how it works, just as long as Ivy allows you to publish and retrieve files from the repository.
Configuring Ant to *understand* Ivy
With the ivy.xml and ivysettings.xml files in place, we now need to configure our Ant build scripts to interpret the settings and work with our repository during builds.
First we download the Apache Ivy and install into a location each developer's machine can access. This blog posts assumes Ivy v2.2.0 and that the associated ivy-2.2.0.jar has been unzipped to C:\JDeveloper\ivy\apache-ivy-2.2.0:
Next we modify our existing build scripts for each module. In the build.xml file for *both* ADFLibrary1 and ApplicationA we insert the following code:
(Note in the downloadable application this code resides in build.xml, not pre-ivy.build.xml which was documented earlier in this blog post).
<property name="ivy.default.ivy.user.dir" value="C:\JDeveloper\ivy"/>Items to note:
<property name="ivy.default.ivy.lib.dir" value="C:\JDeveloper\lib"/>
<path id="ivy.lib.path">
<fileset dir="C:\JDeveloper\ivy\apache-ivy-2.2.0" includes="*.jar"/>
<taskdef resource="org/apache/ivy/ant/antlib.xml" uri="antlib:org.apache.ivy.ant" classpathref="ivy.lib.path"/>
<ivy:configure file="C:\JDeveloper\ivy\ivysettings.xml"/>
<ivy:info file="./ivy.xml"/>
1) Setting the property ivy.default.ivy.user.dir changes the default location under which Ivy stores local copies of the data downloaded from the repository.
2) Setting the property ivy.default.ivy.lib.dir defines the location where the JAR files should be ultimately delivered for dependent modules to make use of.
3) The <ivy:configure> tag tells Ivy where the ivysettings.xml file is located which includes the configuration information about the repositories.
4) The <ivy:info> tag tells Ivy where the current modules ivy.xml file is located.
Configuring Ant to *use* Ivy
With the previous Ivy setup we're now ready to start building using Ivy via Ant.
Let's consider our goals. What we want to first do is build and then publish ADFLibrary1 to the Ivy repository. Then subsequently for ApplicationA we want to download ADFLibrary1 from the Ivy repository, then build ApplicationA.
To achieve the first goal, we already have a Build Ant target in the ADFLibrary1 build.xml. So we just need to add another target "Publish" which will take the artefacts generated from the Build target as follows:
<target name="Publish">Items to note:
<ivy:publish resolver="repository" overwrite="true" pubrevision="${ivy.revision}" update="true">
<ivy:artifacts pattern="../ViewController/deploy/[artifact].[ext]"/>
1) The <ivy:publish> tag that says which resolver (ie. which repository) to publish too, what to do if the exact file and revision already exists in the repository, and what revision/version to publish the file as. With regards the ${ivy.revision} this variable is derived from the ADFLibrary1's ivy.xml file.
2) The <artifacts> tag which tells the publish command where to find the artifact to publish.
3) Because of the <artifacts> tag there's a dependency that the module has already been built. This could be easily catered for in the overall build script by making an <antcall> to the Build target at the start of the <ivy:publish> tag, but for purposes of simplicity this change hasn't been made for this blog post.
At this point let's see what outputs we see if we run the Build and Publish scripts. First when we run the Build target the JDeveloper log window reports:
Buildfile: C:\JDeveloper\mywork\ADFLibrary1\Build\build.xmlAt the beginning of the output you can see Ivy being initialized but at the moment it's mostly not used. From the output you can see the JAR being built by ojdeploy and placed under C:/JDeveloper/mywork/ADFLibrary1/ViewController/deploy.
[ivy:configure] :: Ivy 2.2.0 - 20100923230623 :: http://ant.apache.org/ivy/ ::
[ivy:configure] :: loading settings :: file = C:\JDeveloper\ivy\ivysettings.xml
[ora:ojdeploy] ----build file----
[ora:ojdeploy] <?xml version = '1.0' standalone = 'yes'?>
[ora:ojdeploy] <ojdeploy-build>
[ora:ojdeploy] <deploy>
[ora:ojdeploy] <parameter name="workspace" value="C:\JDeveloper\mywork\ADFLibrary1\ADFLibrary1.jws"/>
[ora:ojdeploy] <parameter name="project" value="ViewController"/>
[ora:ojdeploy] <parameter name="profile" value="ADFLibrary1"/>
[ora:ojdeploy] <parameter name="outputfile" value="C:\JDeveloper\mywork\ADFLibrary1\ViewController\deploy\ADFLibrary1"/>
[ora:ojdeploy] </deploy>
[ora:ojdeploy] <defaults>
[ora:ojdeploy] <parameter name="statuslogfile" value="C:\Temp\status.log"/>
[ora:ojdeploy] </defaults>
[ora:ojdeploy] </ojdeploy-build>
[ora:ojdeploy] ------------------
[ora:ojdeploy] 07/12/2011 1:31:42 PM oracle.security.jps.util.JpsUtil disableAudit
[ora:ojdeploy] INFO: JpsUtil: isAuditDisabled set to true
[ora:ojdeploy] 07/12/2011 1:31:43 PM oracle.jdevimpl.deploy.fwk.TopLevelDeployer prepareImpl
[ora:ojdeploy] INFO: ---- Deployment started. ----
[ora:ojdeploy] 07/12/2011 1:31:43 PM oracle.jdevimpl.deploy.fwk.TopLevelDeployer printTargetPlatform
[ora:ojdeploy] INFO: Target platform is Standard Java EE.
[ora:ojdeploy] 07/12/2011 1:31:43 PM oracle.jdevimpl.deploy.common.ProfileDependencyAnalyzer deployImpl
[ora:ojdeploy] INFO: Running dependency analysis...
[ora:ojdeploy] 07/12/2011 1:31:43 PM oracle.jdeveloper.deploy.common.BuildDeployer build
[ora:ojdeploy] INFO: Building...
[ora:ojdeploy] Compiling...
[ora:ojdeploy] [1:31:45 PM] Successful compilation: 0 errors, 0 warnings.
[ora:ojdeploy] 07/12/2011 1:31:45 PM oracle.jdevimpl.deploy.common.ModulePackagerImpl deployProfiles
[ora:ojdeploy] INFO: Deploying profile...
[ora:ojdeploy] 07/12/2011 1:31:45 PM oracle.adfdt.controller.adfc.source.deploy.AdfcConfigDeployer deployerPrepared
[ora:ojdeploy] INFO: Moving WEB-INF/adfc-config.xml to META-INF/adfc-config.xml
[ora:ojdeploy] 07/12/2011 1:31:45 PM oracle.jdeveloper.deploy.jar.ArchiveDeployer logFileWritten
[ora:ojdeploy] INFO: Wrote Archive Module to file:/C:/JDeveloper/mywork/ADFLibrary1/ViewController/deploy/ADFLibrary1.jar
[ora:ojdeploy] 07/12/2011 1:31:45 PM oracle.jdevimpl.deploy.fwk.TopLevelDeployer finishImpl
[ora:ojdeploy] INFO: Elapsed time for deployment: 3 seconds
[ora:ojdeploy] 07/12/2011 1:31:45 PM oracle.jdevimpl.deploy.fwk.TopLevelDeployer finishImpl
[ora:ojdeploy] INFO: ---- Deployment finished. ----
[ora:ojdeploy] Status summary written to /C:/Temp/status.log
Next when we run the Publish task the following output is produced:
Buildfile: C:\JDeveloper\mywork\ADFLibrary1\Build\build.xmlBeyond the initial Ivy setup, of importance we can see the calls to <ivy:publish> pulling the JAR from the previous Build step to the repository. If we look at our C: drive where the repository is located we can indeed see files now sitting in the repository:
[ivy:configure] :: Ivy 2.2.0 - 20100923230623 :: http://ant.apache.org/ivy/ ::
[ivy:configure] :: loading settings :: file = C:\JDeveloper\ivy\ivysettings.xml
[ivy:publish] :: publishing :: sage#ADFLibrary1
[ivy:publish] published ADFLibrary1 to C:\JDeveloper\ivy\repositories\development/ADFLibrary1/jarADFLibrary1_1.jar
[ivy:publish] published ivy to C:\JDeveloper\ivy\repositories\development/ADFLibrary1/ivyADFLibrary1_1.xml
The different files are beyond the discussion here, but to say this is the structure Ivy has put into place.
At this point we've achieved our first goal of build and publishing the ADFLibrary1 to the Ivy repository. Let's more over to our second goal for ApplicationA where we want to download ADFLibrary1 from the Ivy repository, then build ApplicationA.
In order to do this we'll add a new target to the ApplicationA build.xml "Download_dependencies" as follows:
<target name="Download_dependencies">Of note:
<ivy:retrieve pattern="${ivy.default.ivy.lib.dir}/[artifact].[ext]" type="jar"/>
1) The <ivy:cleancache> tag clears the ${ivy.default.ivy.user.dir}\Cache of previously downloaded dependencies. This is only really necessary if when you're uploading dependencies you're not creating new versions, but rather overwriting an existing release. In this later case Ivy will in preference use the cached copy of the JAR rather than retrieving the updated JAR in the repository. Flushing the cache solves this issue as the JARs need to be downloaded each time.
2) The <ivy:resolve> tag which loads the dependency metadata for the current module from the associated ivy.xml file, determines which artefacts to obtain from the repository and downloads them to the ${ivy.default.ivy.user.dir}\Cache directory on the local PC.
3) The <ivy:retrieve> tag then searches the Cache directory for the required JAR files and places them in the location where the application expects to find them, namely C:\JDeveloper\lib
If we run this task we see in the logs:
Buildfile: C:\JDeveloper\mywork\ApplicationA\Build\build.xmlBeyond the initial configuration of Ivy, in the output you can see the &ivy;resolve> tag resolving the dependency of ApplicationA on ADFLibrary1 version 1, then downloading the file to the cache. Finally the <retrieve> tag retrieves the file from the cache and copies it to the local lib directory (though this isn't that obvious from the logs).
[ivy:configure] :: Ivy 2.2.0 - 20100923230623 :: http://ant.apache.org/ivy/ ::
[ivy:configure] :: loading settings :: file = C:\JDeveloper\ivy\ivysettings.xml
[ivy:resolve] :: resolving dependencies :: sage#ApplicationA;1
[ivy:resolve] confs: [jar, ear]
[ivy:resolve] found sage#ADFLibrary1;1 in repository
[ivy:resolve] downloading C:\JDeveloper\ivy\repositories\development\ADFLibrary1\jarADFLibrary1_1.jar ...
[ivy:resolve] .. (6kB)
[ivy:resolve] .. (0kB)
[ivy:resolve] [SUCCESSFUL ] sage#ADFLibrary1;1!ADFLibrary1.jar (0ms)
[ivy:resolve] :: resolution report :: resolve 109ms :: artifacts dl 0ms
| | modules || artifacts |
| conf | number| search|dwnlded|evicted|| number|dwnlded|
| jar | 1 | 1 | 1 | 0 || 1 | 1 |
| ear | 1 | 1 | 1 | 0 || 1 | 1 |
[ivy:retrieve] :: retrieving :: sage#ApplicationA
[ivy:retrieve] confs: [jar, ear]
[ivy:retrieve] 1 artifacts copied, 0 already retrieved (6kB/0ms)
If you now Build ApplicationA you will see it compiles correctly. To check it doesn't build when the ADFLibrary1.jar is not sitting in the C:\JDeveloper\lib directory, delete the JAR and rebuild ApplicationA.
Making and building with new revisions
Overtime your modules will include new revisions. You will of course be checking these changes in and out of your version control system such as Subversion. How do you cater for the new versions with regards to Ivy?
Imagine the scenario where ApplicationA release 3 is now dependent on ADFLibrary1 revision 6. This requires two simple changes.
Firstly in the ADFLibrary1 ivy.xml, replace the revision number under the <info> tag to 6, build and publish.
Second in ApplicationA's ivy.xml, update it's revision number to 3, then in the <dependencies> tag update the ADFLibrary1 dependency's revision number to 6. Forthright when you download the dependencies for ApplicationA revision 3, it will download revision 6 from the repository.
At this point we have all the moving parts to make use of Ivy with JDeveloper and ADF to implement a dependency management solution. While the example is contrived, it shows the use of:
1) The ivy.xml file to define each module, what it publishes and what it depends on
2) The ivysettings.xml file to define the location of the shared repository
3) The Ivy Ant tasks for publishing modules to the repository, as well as downloading modules from the repository
If I have time I will write a different blog post to show how transitive dependencies work in Ivy. The nice thing about Ivy is it handles these automagically so there's not much to configure, just explain a working example.
Beyond this there really isn't that much else to explain, working out the nuances of Ivy takes around a week, retrofitting it into your environment takes longer, but beyond that Ivy is pretty simple in that it does one thing and it does one thing well.
Finally note I'm not advocating Apache Ivy over Apache Maven with this post, ultimately this post simply documents how to use Ivy with JDeveloper, and readers need to make their own choice which tool if any to use. Future versions of JDeveloper (See the Maven integration section in the following blog post) are scheduled to have improved Maven integration so readers should take care not to discount Maven as an option.
This was tested against JDev 18.104.22.168.0 and 126.96.36.199.0, but in essence should run against any JDev version with Ant support.


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Tag Archives: shamanic
Sasquatch and Gila Monster Wisdom: Show Me The Way
Tweet Power animals that indicate shamanic talents? Practical advice for which career paths to pursue? Giant Gila Monsters? Read about them here in this fascinating journey for Q. I journeyed for Q on the question "I have options A, B, … Continue reading
Posted in Readings Tagged ancestors, Bhutan, career paths, Gila Monster, Huichol, journey, Najavo, native american, power animals, Quatchi, Sasquatch, shaman, shamanic, shamanic talents, Southwest US, totem animals, white rabbit, Yeti 3 Comments


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Dude attempts to be a brave and heroic hunter alongside an experienced beagle hunting pack but soon finds he would much rather make friends with his prey than hunt them!
'Dude the Hunter' is the first in a series of fun-loving books for children about a sweet, ordinary beagle who lives a tremendously adventurous life - if only in his dreams. Friendship, kindness, compassion, understanding, reassurance, humor, and just plain old fun are all in here! 30 pages. Made in the USA.
Note to Parents: This book has a concentration on first to third grade vocabulary words. It will help guide your children through important learning experiences with antonyms, synonyms, homonyms, and compound words. A wonderful read-aloud for younger children.
- Item #: 1AK0984352694


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Hello All,
I have been running my new Lathe attachment on a camaster for about a month now. I'm about to do a six foot long pocketing tool path on the middle portion of a maple column, and I'd like to save myself some sanding.
When using a pocket toolpath to bring to the final thickness, what sort of cut-direction and what sort of bit have you found gives the smoothest finish? I've experimented between rastering in the direction of rotation and also parallel to the Y with a half-inch End Mill. There seems to be a trade off. More chatter when cutting around the axis, and significantly decreased rounding resolution when cutting along the y axis. I think I'll try a 45 degree raster to nearly the full depth and see what sort of result that gives. What do you prefer?
Also, I've been using the half-inch end mill. I don't think it'd be worth it to switch to a ballnose. Has anybody attempted to use a spoilboard surfacing bit on the lathe? It seems like it might not go well, but I'm hoping I'm wrong and I can use my nice Amana surfacer to give it a smoooooooth finish.
Any feedback is appreciated.
Lathe is much fun. Two-thumbs up.
-Luke Ferrell
Vine and Branches Fine Woodworks


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Stories of the Working West
SUBMIT your story starting May 10, through midnight, June 6, 2010. VOTE for your favorites through midnight, June 20, 2010.
(Read more ...)
Winning Entry
Busted Beer Cans and Baby Culture
by Hoosiermuse (Jeff Muse) — Gary Snyder, Jack Kerouac and lookout tales in the North Cascades
Busted Beer Cans and Baby Culture
Gary Snyder, Jack Kerouac and lookout tales in the North Cascades
A Deer is a Deer and an Elk is an Elk
The true story of a humble, brilliant and humorous game biologist
Sagebrush Solitaire
True story about a bittersweet, personal experience on the Arizona Strip. A sagebrush solitaire.
Is Pot Farming in My Future?
A 52-year-old organic farmer looks at the twists of fate that have brought her to a difficult decision: Should she switch from vegetables to marijuana cultivation?
Sunburnt and saddlesore in the land of shining mountains
A story of the working West, and of a West that is working. Stewardship of western rangeland, using holistic management and planned grazing as a tool for economic, ecological, and social resilience.
Catch of the Day
Adventures of a modern day bison hunter
Working Wooded Landscapes
An essay about forestry in the west.
State Park Ranger
A much too brief story about being a ranger in Northern California State Parks; they don't make rangers that way anymore.
Wilderness and The Preservation of Work
designated wilderness has paradoxically preserved methods of work that were once used in wide scale resource extraction. Such work connects us with not only the history of the frontier but also our industrial past.
Making It Work, Somehow
A short essay on what working in the West means to me. 22, Monticello Utah.
"Resilient" is often a word that is used to describe people who live and work in the American West, and many of these folks often have tough - but fulfilling - jobs. Share your ideas about how people (or animals, or machines) have helped make the West what it is today. Or, describe a person, group, project, job or idea that contributes in an important way to the West, whether it be at the local or regional level. It's easy to sum up your perspective with a few paragraphs (up to about 900 words)! We promise, this is NOT an exam, so submit your entry today!


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It's been a long while... my little princess and princes have been keeping this momma busy, busy, busy! That's the main reason the posts have been put on hold.
|My little Princess - 6 months!
|My three princes!
I hope that these are helpful. You can use them on there own or add to it. The set that I am posting is a creation theme. The first is all about creation and how God created everything. I read the children a story and ask them to find certain pictures of things God made that follows the Creation Story.
The second is "God Created Me". This lesson is all about how God made each of us special. We talked about how we are different and special.
The third is "God Blesses us with Food". This lesson is all about the food God gives us. The children learn how from a small seed we can get apples. This is one way that God blesses us - with food. We also discuss the different types of foods there are, what there favorite foods are, and how to plant and care for what we plant.
I hope you enjoy each lesson!
You can find more printables under my printable tab above.
For His Glory and By His Grace,


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This page has changed since the print version was published. View revisions here.
Sociology Course Descriptions
SOC 1301 (SOCI 1301) Introduction to Sociology
(3 semester hours) An overview of the sociological perspective and its
application to social research and social policy. (3-0) Y
This catalog is a general information publication only. It is not intended to nor does it contain all regulations that relate to students. The provisions of this catalog do not constitute a contract, express or implied, between any applicant, student or faculty member and The University of Texas at Dallas or The University of Texas System. The University of Texas at Dallas reserves the right to withdraw courses at any time, to change fees or tuition, calendar, curriculum, degree requirements, graduation procedures, and any other requirements affecting students. Changes will become effective whenever the proper authorities so determine and will apply to both prospective students and those already enrolled.
Statement on Equal Educational


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Wow, what a fantastic response to our Fall or Halloween Colours challenge, sponsored by Simon Says Stamp! We had 228 fantastic entries last week. There was so many wonderful takes on our challenge! We could not decide on a top three this week, so this week only, we have a Top Four! In no particular order:
#218 - Anne H
193 - Ruby M
166 - Tanja aka Stampin'Piper
57 - Emma
Congratulations, ladies! Please feel free to display our Top 3 Winner badge proudly on your blog!
From our 228 wonderful participants, Random.org drew number 170, Denise Lynn!
Congratulations, Denise Lynn! You have won a $15 gift certificate to Simon Says Stamp! Please contact us using the Contact Me button in the sidebar by Sunday, October 2nd!
Remember that you have until Saturday night to enter our Things with Wings challenge for your chance to win all four of the new fairy stamps from Wags 'n Whiskers' August release!
Thanks for playing along with us here at Paper Sundaes!


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Last season was a major step forward for the San Francisco 49ers, who advanced to the NFC Championship despite having a rookie head coach, no star wide receivers, and Alex Smith as QB1. Now they've signed Randy Moss to a one-year deal and maybe Peyton Manning will end up by the bay (though probably not). Point is, things haven't looked this optimistic for the 49ers in years. There's just one problem: Candlestick Park is a bone-chilling, depressing, horrifically constructed place to watch a professional football game.
Good thing is, 49ers ownership is well on its way to fixing all that with a new stadium 40 miles south in Santa Clara. The bad news? It's a $1.2 billion headache that's pissed off local residents before even a single brick has been laid down. Even better, parts of the most recent cost increases aren't even based in reality. That's because $50 million has been allocated for technology that hasn't been invented yet.
"This will be a cutting-edge, new-technology building because we're in the heart of Silicon Valley," said Larry MacNeil, the 49ers' chief financial officer. "We believe we need a significant budget to pay for things not currently on the market."
We believe we need a significant budget to pay for things not currently on the market. That's just fantastic.
Meanwhile, a few miles across the bay, the Raiders are stuck with the decrepit Oakland Coliseum until the ghost of Al Davis finally persuades local lawmakers to help pony up the money for their own new building, so hey, it could always be worse.


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About the conference
The Erlang & Elixir Factory SF Bay Area 2017 conference took place between 23 - 24 March with training between 20 - 22 March and 27 - 30 March. The conference explored the programming themes of distribution, concurrency, multicore and functional, it went deep into frameworks, delved into case studies and looked at the right tools for the task at hand. The conference has been evolving over the past few years and our community has grown beyond Erlang to encompass a more diverse range of languages from the Erlang Ecosystem. Next year, in recognition of this, we will be re-branding the conference to Code BEAM SF 2018, still in San Francisco and still with top-notch talks and speakers from the BEAM community.


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New York Yankees, Mets Top The Chart As Baseball Keeps Swinging On The Radio
August 5, 2010: Baseball, like all other sports, continues to expand the ways in which it reaches and connects with fans and consumers, including TV, Internet and mobile devices. Sometimes lost in the commotion is the original connector: Radio.
With advertisers looking ahead to the MLB playoffs and World Series, media and marketing research firm Arbitron Inc. has released the first mid-season report of radio audience listening for baseball. The Mid-Season 2010 Arbitron Sports Report: PPM Radio Listening for Pro Baseball covers in-game, play-by-play estimates for the first half of the 2010 MLB season (April 4, to June 23, 2010). It covers 28 teams in 25 markets where the company's Portable People Meter service has been commercialized.
"As advertisers look to capitalize on this year's pennant race, professional baseball on the radio delivers large numbers of listeners for every game," Chris Meinhardt, sports manager for Columbia, Md.-based Arbitron, said in a statement. "Arbitron's Mid-Season PPM Radio Listening for Pro Baseball reports the average game audience for each team." These reports are made available to subscribing agencies, advertisers, stations and teams, according to Arbitron.
According to the report, the top 15 teams individually average more than 176,100 listeners per game in their home market. The New York Yankees top the list with an average of 441,000 listeners (ages 6 and up) per game on WCBS-AM, followed by crosstown rival New York Mets with an average of 368,500 listeners per game on WFAN-AM.
The top five also includes the Chicago Cubs (259,700 average on WGN-AM0, the Detroit Tigers (193.400 on WXYT-AM and FM) and the Los Angeles Angels of Anaheim (166.600 on KLAA-AM and KSPN-AM).
In the key demographic of male listeners ages 14-54, the Cincinnati Reds top the list with a 25 share on station WLW-AM, followed by the Detroit Tigers (21.3 share). St. Louis Cardinals (19.1 share on KTRS-AM), Minnesota Twins (17 share on KSTP-AM) and the Atlanta Braves (11.7 share on WCNN-AM and WNNX-FM).
Even with TV and Internet, every MLB team has a flagship radio station in 2010. Games are also heard nationally on ESPN Radio and Sirius XM Satellite.
"Those teams with play-by-play broadcasts have believed for years radio was an integral part of a fan's experience," said Meinhardt. "Now, thanks to the level of audience detail provided by the PPM ratings service we can see that passion and loyalty quantified."
The first MLB game broadcast on radio was the Pittsburgh Pirates playing host to the Philadelphia Phillies at Forbes Field on Aug. 5, 1921 (happy 89th anniversary). Such legendary baseball broadcasters as Red Barber, Mel Allen, Harry Caray, Russ Hodges, Ernie Harwell ad Vin Scully established themselves on radio. Bud Abbott and Lou Costello performed their classic baseball routine, "Who's On First" thousands of times on the radio before bringing it to the big screen in the movie, The Naughty Nineties.


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CA-208-022-1-CH - 11/16" x 2-1/4" Cherry Casing - $2.40/ft
This is a 11/16" thick and 2-1/4" wide O.G. Casing.
Please Note:Due to Parcel shipping length limit, If you require lengths over 8', select LTL Freight for shipping.
Be sure to speak with a Live Chat agent before checking out, we want to ensure we have the lengths that you need.


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AkelPad (Portable) v4.9.7
Open source
Vista / Win10 / Win2k / Win7 / Win8 / WinXP
Vista / Win10 / Win2k / Win7 / Win8 / WinXP
AkelPad is an open source notepad-like text editor. It is designed to be a small and fast.
Features include:
Features include:
- Single window mode (SDI), multi window mode (MDI)
- Editing of files, which size is more than 64K (generally speaking, size isn't theoretically limited)
- Full support of Unicode strings on Unicode systems (NT/2000/XP/2003)
- Support of Unicode codepages (UTF-16 little endian, UTF-16 big endian, UTF-8)
- Support of any code page installed in the system
- Support of DOS/Windows and Unix newline formats
- Preview file open
- Correct pseudographics displaying
- Editing of files with "Read Only" attribute
- Multi-level undo
- Search/replace text strings, escape-sequences and also search/replace by hexadecimal code
- Remember file codepage and caret position
- Remember last opened files
- Printing of a document
- Support of language modules
- Plugins support (syntax highlighting, auto-completion, scripts execution, keyboard macros and much more).
Other editions:
HTML code for linking to this page:
akelpad text editor texteditor open source notepad unicode undo
License type Open source1
Author's homepage Visit the author's site
Date added 20 Jul 2016
Downloads 2322
File size 249.62 kB (<1min @ 1Mbps)
Supported languages English
Operating systems Vista / Win10 / Win2k / Win7 / Win8 / WinXP1
1License and operating system information is based on latest version of the software.
20 Jul 2016AkelPad (Portable) v4.9.8(Latest stable version) 19 Dec 2015AkelPad (Portable) v4.9.7 14 Sep 2015AkelPad (Portable) v4.9.6 11 Sep 2015AkelPad (Portable) v4.9.5 13 Jun 2015AkelPad (Portable) v4.9.4 26 Mar 2015AkelPad (Portable) v4.9.3 05 Jan 2015AkelPad (Portable) v4.9.2 16 Dec 2014AkelPad (Portable) v4.9.1 08 Sep 2014AkelPad (Portable) v4.9.0 21 Jun 2014AkelPad (Portable) v4.8.9 12 Apr 2014AkelPad (Portable) v4.8.8 07 Dec 2013AkelPad (Portable) v4.8.6 01 Sep 2013AkelPad (Portable) v4.8.5 11 Jun 2013AkelPad (Portable) v4.8.4 09 May 2013AkelPad (Portable) v4.8.3 24 Mar 2013AkelPad (Portable) v4.8.2 24 Jan 2013AkelPad (Portable) v4.8.1 19 Nov 2012AkelPad (Portable) v4.8.0 09 Sep 2012AkelPad (Portable) v4.7.9 19 Aug 2012AkelPad (Portable) 4.7.8 23 Jul 2012AkelPad (Portable) v4.7.7 05 Jun 2012AkelPad (Portable) v4.7.6 09 May 2012AkelPad (Portable) v4.7.5 10 Apr 2012AkelPad (Portable) v4.7.4 05 Feb 2012AkelPad (Portable) v4.7.3 16 Dec 2011AkelPad (Portable) v4.7.2 05 Dec 2011AkelPad (Portable) v4.7.1 16 Nov 2011AkelPad (Portable) v4.7.0 01 Sep 2011AkelPad (Portable) v4.6.5 07 Aug 2011AkelPad (Portable) v4.6.4 14 Jul 2011AkelPad (Portable) v4.6.3 26 Jun 2011AkelPad (Portable) v4.6.2 19 May 2011AkelPad (Portable) v4.6.0 17 Mar 2011AkelPad (Portable) v4.5.6 20 Jan 2011AkelPad (Portable) v4.5.3
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