text:
BMW's M division has given the eagerly anticipated second-generation M6 coupe and convertible significantly enhanced straight-line performance, thanks to the adoption of the 560-hp, twin-turbocharged 4.4-liter V8 engine and a seven-speed, dual-clutch gearbox from the latest M5—a car with which the M6s share much of their mechanical packages.
Set to make their world debuts at the Geneva motor show in March, followed by North American reveals at the New York auto show in April, the M6s are described by BMW as its fastest-ever two-door road cars, achieving a maximum speed limited to 155 mph both in fixed roof and open-top body styles. An optional M Driver's package takes top speed to 189.5 mph.
Mirroring the approach taken with the third-generation 6-series, the first to go on sale in North America will be the M6 convertible, which is scheduled to head into showrooms in June as a 2012 model. It will be followed in short order by the coupe, with the first U.S. deliveries expected to get under way in September as a 2013 model.
Pricing has not been revealed, but BMW North American sources say they don't expect significant increases compared with the first-generation model.
A series of typical BMW M division styling cues helps distinguish the M6, giving it an instantly more aggressive appearance than lesser 6-series models, alongside which they will be produced at BMW's Dingolfing factory in Germany.
Included is a deep front spoiler housing larger honeycomb-fronted air ducts and a shallow lip, a unique M-specific double-slat grille insert with a small M6 badge, widened front wings, a traditional air vent aft of the front wheel arch with integrated indicator-repeater units, uniquely shaped exterior mirrors and beefed-up side sills.
At the rear are new horizontal reflector elements integrated into a reshaped bumper, which also houses a more prominent diffuser element, signature quad-chromed exhausts and, as a finishing touch, standard 19-inch wheels, 9.5 inches wide up front and 10.5 inches at the rear. They're shod with 265/40R-19 and 295/35R-19 rubber.
The exterior changes are largely functional, aimed for the most part at providing sufficient cooling air for the engine. With an increased front area, the drag co-efficient in both models increases to 0.33.
The new models are longer, wider and lower than before. The M division implemented a series of weight-saving measures, some brought over from the standard 6-series along with solutions first developed for the M3 CRT (carbon racing technology).
Among them is a unique clear lacquered carbon-fiber-reinforced plastic roof for the M6 coupe, together with aluminum-skinned doors and hood, composite-plastic front wings and a glass-fiber-composite trunk lid for both. Despite this, curb weights have increased, owing to increased levels of standard equipment and more substantial rear seats.
It is not only the new turbocharged engine that drives the gain in straight-line performance. BMW also adopted a significantly lower 3.15:1 final drive ratio against the older model's 3.62:1. The individual gearing of the dual-clutch gearbox was also altered, with a 4.81:1 first gear replacing the former M6's 3.99:1, giving it more explosive acceleration. Drive is channeled to the rear wheels via the M division's active differential, as on the M5.
Underpinning the M6 is a heavily reworked version of the standard 6-series' double-wishbone (front) and multilink (rear) suspension.
Standard electronic driving aids include uniquely calibrated antilock brakes, dynamic stability control, antiskid control and cornering brake-control systems. Helping to rein in the enormous performance is a steel-disc braking package featuring 15.7-inch vented-and-cross-drilled discs at the front and 15.6-inch discs at the rear. They are gabbed by six-piston calipers at the front and single-piston floating calipers at the rear, which, in line with all new M cars, are painted blue.
For the first time on the M6, BMW is offering optional carbon-ceramic brake discs. Available in combination with optional 20-inch wheels, they measure 16.1 inches up front and 15.6 inches at the rear and are claimed to weigh less in total than the standard steel items, for significantly lower unsprung mass. The new carbon-ceramic brakes are distinguished by six-piston and single-piston floating calipers painted gold.


text:
Sale Food Network Carbon Steel Kitchen & Dining
Food Network Kitchen
Food Network Dining
Food Network Linens
Sponsored Links
Outside companies pay to advertise via these links when specific phrases and words are searched. Clicking on these links will open a new tab displaying that respective companys own website. The website you link to is not affiliated with or sponsored by Kohls.com

subset: commoncrawl


text:
Connecting a mobile phone to your vehicle via Bluetooth is the safest and most comfortable way to speak on the phone while on the road. This is why BMW was the first automobile manufacturer to introduce the Bluetooth communication standard for mobile phone integration as early as December 2002. The wireless connection enables drivers to operate their mobile phones via the multifunctional steering wheel, the iDrive Controller or voice control. The mobile phone's telephone book is synchronised with the on-board computer and can be accessed via the radio display or the on-board monitor.
Software update with BMW ConnectedDrive - other compatible devices.


text:
Truckee man, 54, arrested after hash-oil explosion at home
TRUCKEE, Calif. — A local man was arrested Wednesday after he was hurt in a house explosion caused when a marijuana hash oil operation backfired, officials said.
According to the Truckee Police Department, authorities responded at about 4:45 p.m. to a report of an explosion in a house in the Ponderosa Palisades subdivision, at 10463 Ponderosa Drive.
There, officers found James Douglas Hall, 54, with burns to his face and hands.
Also on scene were Hall's girlfriend and her young child, who were in the house at the time of the explosion.
Neither the 7-year-old girl nor her mother were injured, TPD Capt. Rob Leftwich said Thursday.
The house sustained extensive damage. An investigation revealed the blast was the result of a butane honey oil extraction process.
Hall told police Wednesday he was using butane — often used in the manufacturing of hash or honey oil — to extract the chemical THC from marijuana, when fumes ignited.
In the home, officers found finished product with a street value of $1,200 to $1,500, several pounds of marijuana that had yet to be processed and over 1,000 empty cans of butane.
Hall was arrested on suspicion of possession of concentrated cannabis, manufacturing controlled substances with chemicals, and felony child endangerment. He was booked Wednesday evening at the Wayne Brown Facility in Nevada City on $35,000 bail.
According to police, Hall admitted to manufacturing and selling hash oil to cannabis clubs in the San Francisco Bay Area.
"The medical marijuana community might not like or agree with the analogy, but BHO (butane honey oil) is to marijuana what crack is to cocaine," Leftwich said in a statement. "Putting the debate about medical use aside, there is no argument that the BHO extraction process is incredibly dangerous to everyone in the household."
Wednesday's incident marks the second reported hash-oil explosion in Truckee in the past 16 months.
According to police, BHO use and manufacturing is a "growing trend which is soon to reach epidemic proportions."
"The truly disturbing trend is the growing number of teens and young adults who use BHO," Leftwich said.


text:
New to a cappella? Here's a quick rundown of everything you need to know.
What is a cappella?
A cappella is not a genre but a style of musical performance: any music performed by voices alone (or, to be a bit more inclusive if a bit less precise, by the human voice, vocal apparatus, and sometimes body alone). Although any type of music may be performed a cappella -- and every type has been! --, thanks to the popularity of contemporary a cappella, the term is often used to mean voices-only performance of modern genres of music from the 20th and 21st centuries, including barbershop, doo-wop, hip-hop, jazz, pop, R&B, and rock and its derivatives.
Historically, the Italian term a cappella referred to music performed "in the style of the chapel": vocal music either without instrumental accompaniment or, at most, with instruments only duplicating the vocal line(s). As "chapel" implies, one strong tradition of such vocal music was non-secular or sacred in subject-matter; it was often liturgical, performed as part of religious service. Whether sacred or secular, the earliest attested vocal music was monophonic, consisting of a single vocal line or melody.
Over time, Western vocal music developed traditions of polyphony (multiple vocal lines or voices) and harmony (with those multiple voices sounding different notes simultaneously). At the same time, the range of subject-matter expanded to include secular topics. Both harmony and topics were -- and are -- subject to traditional constraints; alongside differentiated styles of vocal delivery and visual performance, this resulted in recognizable genres of a cappella music, eventually leading to those mentioned above and to others.
Grounded in those musical traditions and genres, contemporary a cappella is old enough now to have traditions of its own. These include groundbreaking groups in each of those genres (for example, and respectively: Boston Common and OC Times; The Mighty Echoes and The Persuasions; Duwende and Kickshaw; mpact and Take Six; Blue Jupiter and The Flying Pickets; Naturally 7 and Schrödinger's Cat; and Fork and The House Jacks; as well as genre-defying and artform-defining groups like The Bobs, Chanticleer, and The King's Singers); producers and engineers specializing in a cappella (Bill Hare, diovoce, Liquid 5th Productions, VocalSource); annual festivals (like the Los Angeles A cappella Summit, SingStrong, SoJam, and the Vermont A cappella Summit); annual competitions (ICCA and ICHSA); national and international organizations (including BHS, CAL, CASA); recording awards (BOCA, CARAs, Voices Only); and a growing number of third-party critical and review organizations (Mouth Off, RARB).
A cappella music -- not the term, but the style of musical performance -- has been part of every human culture, and must be as old as humankind! Think of the naturally audible and meaningful harmony resulting from difference in basic pitch, or formant, between male and female voices, or adult and child voices.
Listen to A Cappella Music
A Cappella Albums: A Cappella Mega-Sale, singers.com and Amazon.com
Digital Downloads: iTunes, acaTunes and Amazon MP3.
Compilation Albums: The best of the best.
A Cappella Podcasts
Watch A Cappella Performances
A Cappella YouTubes Videos
Festivals: SoJam, LA-AF and more.
Competitions: ICCAs and Harmony Sweepstakes
CASA Calendar: Keep track of all events going on the a cappella world
Learn from the Professionals
CASAcademy: the comprehensive online learning portal for all things a cappella!
Getting A Cappella Arrangements: Total Vocal, Joseph Bates
Producing an A Cappella Album: Bill Hare, Dave Sperandio, VocalSource, Liquid 5th, and more.
Master Classes: available at all major festivals.
Get Involved / Find a Place to Sing
The Contemporary A Cappella League: Sing for Your Life!
The Collegiate A Cappella Directory
The CASA website
The Contemporary A Cappella League (CAL)
Ambassador Program: Volunteer at CASA.
A Cappella Originals Podcast
A Cappella Originals mp3 Library
CASA Festivals
Tunes To Teens (TTT)
Contemporary A Cappella Recording Awards (CARA)
musicPosted by wateradept8 on 11/04/2010
where can i get sme a capella music?!


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State Office
Lorrie Andrew-Spear
Central Office, Central Region, Northern Region PIO
Virginia Department of Health
10850 Pyramid Place
Manassas, VA 20110
Office: 703-530-2627
Fax: 703-530-0510
Counties: Arlington, Caroline, Clarke, Culpeper, Fairfax, Fauquier, Frederick, King George, Loudoun, Madison, Orange, Page, Prince William, Rappahannock, Shenandoah, Spotsylvania, Stafford, Warren
Cities: Alexandria, Falls Church, Fredericksburg, Manassas, Manassas Park, Winchester and the Towns of Dumfries, Haymarket, Herndon, Leesburg, Luray, Occoquan, Purcellville, Quantico, Sterling, Vienna and Warrenton.
Counties: Chesterfield, Powhatan, Henrico, Halifax, Hanover, Goochland, New Kent, Charles City, Prince George, Surry, Sussex, South Boston, Mecklenburg, Brunswick, Charlotte, Nottoway, Amelia, Prince Edward, Cumberland, Buckingham, Fluvanna, Louisa, Nelson, Albemarle, Greene
Cities: Richmond, Petersburg, Hopewell, Dinwiddie, Greensville, Farmville, Lunenburg, Charlottesville.
Marian Hunter
Public Relations Coordinator
Office of Emergency Medical Services
Virginia Department of Health
1041 Technology Park Drive
Glen Allen, VA 23059
Office (804) 888-9116
Fax (804) 371-3108
Regional PIOs
Want to find out what VDH is doing to keep your community healthy and prepared for emergencies? Contact a regional public information officer in your area for breaking news on local health issues.
Robert Parker
Southwest Virginia PIO
Virginia Department of Health
210 South Pepper St., Suite A
Christiansburg, Va. 24073
Phone: 540-580-2960
Fax: 540-381-7108
Counties: Alleghany, Amherst, Appomattox, Bedford, Bland, Botetourt, Buchanan, Campbell, Carroll, Craig, Dickenson, Floyd, Franklin, Giles, Grayson, Henry, Lee, Montgomery, Patrick, Pittsylvania, Pulaski, Roanoke, Russell, Scott, Smyth, Tazewell, Washington, Wise, Wythe, Augusta, Rockbridge, Bath, Highland, Rockingham
Cities: Bristol, Covington, Danville, Galax, Lynchburg, Martinsville, Norton, Radford, Roanoke, Salem, Waynesboro, Staunton, Lexington, Harrisonburg, Buena Vista
Larry Hill
Eastern Region PIO
Virginia Department of Health
830 Southampton Avenue, Suite 200
Norfolk, Va. 23510
Office (757) 683-9175
Fax (757) 683-2494
Counties: Accomack County, Chincoteague, Franklin, Isle of Wight, James City County, Northampton County, Poquoson, Southampton County, York County
Cities: Chesapeake, Gloucester, Hampton, Newport News, Norfolk, Portsmouth, Suffolk, Virginia Beach, Williamsburg


text:
ZWSTAT - Z-Wave Thermostat
Honeywell, the number one choice of homeowners and the world's leading brand for temperature control, continues their tradition of excellence and quality with the ZWSTAT Z-Wave(R) Thermostat. ZWSTAT communicates with the 5800ZBRIDInterlogix Z-Wave(R) Energy Management Module to enable automatic control with Honeywell's leading security systems, making it an ideal addition to any Z-Wave connected home or building. Precise temperature control enables ZWSTAT to provide better comfort, fewer temperature swings and conserve more energy. Users can create keypad lockouts in homes and businesses- an excellent way to save money and energy by curtailing children and unauthorized personnel from adjusting the thermostat. Other notable features include the ability to alternate between heating and cooling based on temperature settings, alerts to change air filters and pads, fan circulation and more.
Exclusive ZWSTAT Features
Adaptive Intelligent Recovery
Allows the thermostat to "learn" how long the furnace and air conditioner take to reach programmed settings, so the temperature is reached at the scheduled time.
Keypad Lockouts
Optional "range stops" can be created to keep temperature settings limited to a minimum/maximum setting-ideal for retail and residential applications where employees and children may attempt to adjust thermostats.
ZWSTAT can alert homeowners to clean and change air filters and humidifier/dehumidifier filters and pads-helping to maximize performance and efficiency while conserving energy. ZWSTAT Z-WAVE(R) THERMOSTAT
Auto Change Over
ZWSTAT can automatically change between heating and cooling based upon indoor temperature. As a result, the homeowner will not have to manually change the thermostat to turn on the heat during early morning cool periods and turn off the heat during warmer periods of the day. (User can also select Manual Change Over)
Fan Circulation
The fan circulation feature moves air when heating or cooling is not required-saving energy and helping to eliminate hot and cold spots.
Additional Features
- Seamlessly integrates with Z-Wave systems
- Universal application (see compatibility chart)
- Effortless, menu-driven programming
- Guides users through programming by responding to their choices
- Allows users to easily customize the thermostat for their own unique schedules
- Choose from a seven day programmable or non-programmable schedule
- Up to four daily periods
- Energy savings
- Program to save up to 33% on annual heating and cooling costs*
- Allows consumer to put thermostat into an energy savings mode separately from other Z-Wave devices
- Multiple HOLD options
- Fixed, temporary hold
- Adjustable temporary hold
- Vacation hold
- Real-time clock
- Keeps time during power failures
- Automatically updates for Daylight Savings Time
*When used as directed, Honeywell programmable thermostats can save homeowners up to 33%, or up to $200 a year, on annual heating and cooling costs. Numbers based on average annual utility costs of $1500 with 50% going to heating and cooling costs and 33% savings if used as directed. Savings may vary depending on geographic region and usage. See www.energystar.gov for more information.
Additional Info
Additional Info
|Part Number
|What's in the box
|(1) Honeywell Z-Wave Thermostat
Write Your Own Review
ZWSTAT - Z-Wave Thermostat
|Temperature Ranges
|Heat: 40° F to 90° F (4.5° C to 32° C)
Cool: 50° F to 99° F (10° C to 37° C)
|Operating Ambient Temperature
|0° F to 120° F (-18° C to 48.9° C)
|Shipping Temperature
|-30° F to 150° F (-34° C to 66° C)
|Operating Relative Humidity
|5% to 90% (non-condensing)
|Physical Dimensions
|4.92" H x 6.4" W x 1.19" D
125 mm H x 166 mm W x 36 mm D
|Electrical Ratings
|Terminal Voltage (50/60 Hz) Running Current
W Heating 20-30 Vac 0.02-1.0 A
(Powerpile) 750 mV DC 100 mA DC
W2 Heating 20-30 Vac 0.02-0.6 A
Y Cooling 20-30 Vac 0.02-1.0 A
Y2 Cooling 20-30 Vac 0.02-0.6 A
Aux Auxiliary heat 20-30 Vac 0.02-1.0 A
O/B Changeover 20-30 Vac 0.02-0.6 A
E Emergency heat 20-30 Vac 0.02-1.0 A
L Heat pump reset 20-30 Vac 0.02-0.6 A


text:
Global Aircraft lightning protection Market evaluates the growth of the market, the latest trends in the industry through historical study and estimates future prospects based on comprehensive research. The intelligence research report extensively provides the market growth, share, trends, and forecasts for the period 2018-2027.
This all-inclusive Aircraft lightning protection Market research report includes a detailed on these share, trends, a size that can help the businesses operating in the industry to figure out the market and strategize for their business development accordingly. The research report analyses the growth, market size, industry share, key segments, and Application, key drivers.
Request a sample Report of Aircraft lightning protection Market: https://marketresearch.biz/report/aircraft-lightning-protection-market/request-sample
Leading Players Of Aircraft lightning protection Market Are:
Cobham plc, Saab AB, NTS Pittsfield, Dexmet Corporation, Astroseal Products Manufacturing Corporation, Dayton-Granger Inc, Pinnacle Lightning Protection LLC, Honeywell International Inc, L3 Technologies Inc, Avidyne Corporation
Global Aircraft lightning protection Market Segmentation:
Segmentation by aircraft type:
Rotary-wing Aircrafts
Fixed-wing Aircrafts
Unmanned Aerial Vehicles (UAVs)
Segmentation by fit:
Segmentation by application:
Lightning Detection and Warning
Test Service
Lightning Protection
Static Wicks
Expanded Metal Foils
Transient Voltage Suppressors
Segmentation by end user:
The study objectives are:
-To analyze and research the Global Aircraft lightning protection Market status and future forecast involving, production, revenue, consumption, historical and forecast.
-To present the Global Aircraft lightning protection Market Key players, production, market share, revenue, SWOT analysis, and development plans in the next few years.
-To segment the Global Aircraft lightning protection Market breakdown data by geographic regions, vendors, type, and applications.
-To analyze the global and key regions market potential and advantage, opportunity, and challenge, restraints, and risks.
-To identify significant drivers, trends, influence factors in global and regions.
-To strategically analyze each submarket with respect to individual growth trend and their contribution to the market.
-To analyze competitive developments such as agreements, expansions, new product launches, and acquisitions in the market.
Have any query? Ask our Experts at: https://marketresearch.biz/report/aircraft-lightning-protection-market/#inquiry
In this study, the years considered to estimate the market size of the global Aircraft lightning protection market are as follows:
History Year: 2013-2017
Base Year: 2017
Estimated Year: 2018
Forecast Year 2018 to 2027
Global Aircraft lightning protection Market report includes the estimation of market size for value (million USD) and volume (K Units). Both top-down and bottom-up approaches have been used to estimate and validate the market size of Aircraft lightning protection market, to estimate the size of various other dependent submarkets in the overall market. Key players in the market have been analyzed through secondary research, and their market shares have been resolved through primary and secondary research. All percentage shares split, and breakdowns have been determined using secondary sources and verified primary sources.
Finally, Aircraft lightning protection Market report is the believable source for gaining the market research that will exponentially step up your business. The report gives the principle regions, economic situations with the item value, limit, supply, benefit, generation, request and Market development rate and figure and so on.


text:
Supplied with all necessary fixing brackets. Very easy to Install
FREE delivery for UK Mainland on orders over £75.00
Quality strong durable aluminium tube
Delivery 7-8 Working Days
Hand manufactured in UK
Measuring Tip 1: Most customers measure the Window Width: To work out the roller blinds width we normally deduct 6mm (1/4 inch) in total so the roller blind easily goes into the gap in the window. Therefore if your window width is 44 inches (111.6cm) your roller blind width is going to be 43.75 inches (111 cm)
Measuring Tip 2: If you enter the size of your blind as the "Blind Size". Please note this is the width of the blind including chords on the side and the brackets. The difference between the blind width and the width of the fabric on your blind is approx 1.5 inches (38mm). So for example if your blinds width is 48 inches or 122cm, the fabric width on your roller blind is going to be 46.5 Inches (118.2cm)
|137cm x 117cm
The Dawn Beige blackout roller blind is made to measure therefore will fit your windows perfectly. This blind is ideal for the bedroom as it will block out the light helping you to have a good nights sleep. You can choose which side you would like to have your controls fitted. All Roller Blinds come with a child safety bracket. Therefore keeping the Chords safe and away from children.
Be the first to review Dawn Beige Blackout Plain Roller Blinds. Write a review


text:
Everything about Contraband can best be summed up in the word "average." There's nothing too great about this B-movie action/heist flick, but nothing too terrible about it, either. While it is overly ambitious in some respects, it ultimately lands in that middle ground of mindless (and instantly forgettable) genre entertainment, despite its shortcomings.
Mark Wahlberg channels his usual soft-spoken tough guy screen persona as Chris Farraday, a former master smuggler who has settled down into a law-abiding life as a working dad and loving husband to his gorgeous wife, Kate (Kate Beckinsale). When Kate's little brother Andy (Caleb Landry Jones) is forced to dump a shipment of cocaine during a high-stakes smuggling run, he lands himself, Chris, and Kate on the hook of local thug Tim Briggs (Giovanni Ribisi).
Chris' attempt to negotiate with Briggs is…less than successful, leaving him just two weeks to get back into the smuggling game and come up with the money owed to Briggs.With help from his best buddy Sebastian (Ben Foster), Chris rounds up a small crew of deckhands to help him pull off a scheme involving counterfeit bills waiting to be smuggled out of Panama. Of course things don't go as planned, and there are a few of the standard heist film twists and double-crosses that leave Chris and Co. in tight spots and facing long odds.
For a glorified B-movie, Contraband has an impressive lineup of actors. Foster and Ribisi are accomplished character acting talents, and their respective characters are definite standouts (especially Ribisi's high-pitched drawling thug). Caleb Landry Jones and Luke Haas are both young actors gaining notice, though they're mostly window dressing here; Kate Beckinsale, on the other hand, is almost too hot to be convincing as the blue-collar Mrs. of a seasoned criminal. At this point most people know whether they like Mark Wahlberg's bad boy persona or not, and he's definitely playing to type in this film. Other familiar faces like J.K. Simmons (Spider-Man), Diego Luna (Y Tu Mama Tambien) and Sons of Anarchy star William Lucking all pop up here and there for some brief (but welcome) bit roles.
Contraband is, in fact, the American remake of the Icelandic film Reykjavik-Rotterdam, and while I haven't seen that film to know for sure, the script for this American version (adapted by Aaron Guzikowski) tries to do too much with some of the subplots and supporting characters – which would've been more of a pronounced distraction if director Baltasar Kormakur (who produced the Icelandic version) and his team of editors hadn't cut them down to size.
The first act of Contraband is awkwardly clipped – almost as if Kormakur had shot longer scenes but had to truncate them to keep things moving (a choice I wholeheartedly support). The main narrative unfolds at a nice pace without dragging too much – though, as stated, the moments of subplot development later in the film are often cumbersome, disjointed, and never feel effective or necessary.
The other odd thing about the film is that it doesn't really offer a whole lot of any one element: for an action film, there's very little action (basically one shootout/chase sequence), and for a heist film, it's not particularly inventive or clever in its twists and surprises (most of them you can see coming way in advanced). The plot is pretty much a standard point A to point B to point C progression, while we watch Wahlberg and his blue-collar cohorts breeze through the complicated process of international smuggling with such ease that it's hard to suspend your disbelief for too long. Look for plot holes with any kind of critical eye and you will find many.
However, for all its mediocrity, most of the audience interested in Contraband will likely be satisfied with what the film delivers: Mark Wahlberg looking tough, acting tough, and delivering choice one-liners like "You think you're the only guy with a gun?" or "I'm coming for you!" And even though some of the subplots wedged into the second and third acts venture into darker and more serious dramatic territory, thankfully they aren't so much of a drag as to keep the film from ending on a fun (if not entirely plausible) note.
All things considered, if you enjoy seeing modern action stars like Wahlberg or Jason Statham in pulpy B-movie flicks, then Contraband will be a suitable distraction. Those with more discerning action movie palates should probably wait to catch this one on home video or basic cable.
Kofi Outlaw blogs at Screen Rant.


text:
MeritBadgeDotOrg:Current events/2016
From MeritBadgeDotOrg
February 08, 2013
Wiki Updates
Advancement changes for rank and merit badges based on the new 2013 Boy Scout Requirements have been completed.
July 08, 2012
Unscheduled maintenance
|There may be some occasional, unscheduled site maintenance during "normal hours" today... i.e., due to upgrades, off-site back-ups, etc. We'll try to limit downtime to just a few minutes at a time. (See MeritBadgeDotOrg:Maintenance for details.) — The Staff
April 23, 2012
New BSA Health and Safety guidance
Just released:
- Service Project Planning Guidelines BSA Pub. 680-027 (2012 Printing) (5 pgs) — Note: Fillable, savable
|— Service Project Planning Guidelines, BSA Pub. 680-027
- Age Guidelines for Tool Use and Work at Elevations or Excavations, BSA Pub. 680-028 (2012 Printing) (3 pgs)
|— Age Guidelines for Tool Use and Work at Elevations or Excavations, BSA Pub. 680-028
March 25, 2012
All merit badge worksheets have been updated
I've just finished uploading all Merit Badge Worksheets (workbooks), which were recently reviewed and updated by User PaulSWolf. —RWSmith (Bureaucrat), 16:53, March 25, 2012 (EDT)
|Special thanks to... PaulSWolf and the U.S. Scouting Service Project (USSSP) for allowing us permission to use his work and re-format (wikify) it for our use here. Paul is a Sysop (here and on our forums), as well as Secretary of the USSSP.
February 21, 2012
New Sysop
Congratulations to User Miksmi, who has been nominated for and approved for promotion to Sysop status. —RWSmith (Bureaucrat), 14:58, February 28, 2012 (EST)
If you are interested, see: Can I become a Sysop on this wiki?


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Mplus Home
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Control variables in mediation model
Mplus Discussion
Structural Equation Modeling
Eleanor Mackey
posted on Wednesday, March 02, 2011 - 7:42 am
I am evaluating a mediation model with an independent variable, two mediating latent variables, and a dependent variable. I have three control variables (age, SES, and ethnicity)for which I want to account in the model based on significant bivariate correlations with indicator variables. Where is it best to include them of the following options?
1. Regress the indicator variables with which these are correlated directly on the control variables?
2. Regress the latent variable with which at least one indicator variable is correlated with a control variable on that control variable?
3. Some other method?
Is it correct to have these control variables in multiple places in the model (i.e., regressed on both latent variables if appropriate)?
Thank you!
Linda K. Muthen
posted on Wednesday, March 02, 2011 - 9:12 am
You should use the approach in number 2.
Zsofia Ignacz
posted on Monday, April 16, 2012 - 2:44 pm
Dear Professor(s) Muthen,
I would like to follow up on this thread.
I would be interested in the answer to the second question:
Is it correct to have control variables in multiple places in the model (i.e., regressed on both latent variables if appropriate)?
My example is the following:
What is the difference between the following two syntaxes:
PRmeri BY eqOPP rewEFF IQ;
PRmeri on male edu age age2 empl;
rJP on PRmeri male edu age age2 empl;
PRmeri BY eqOPP rewEFF IQ;
PRmeri on male edu age age2 empl;
rJP on PRmeri;
Are the controls for my second equation needed? Or had Mplus already "done the job"?
Does Mplus work with already the partial correlations?
Thank you in advance for your help,
Zsofia Ignacz
Linda K. Muthen
posted on Tuesday, April 17, 2012 - 10:06 am
In you second option, you leave out male edu age age2 empl. Mplus will not control for these variables if they are left out. I suggest using option 1.
Zsofia Ignacz
posted on Wednesday, April 18, 2012 - 3:38 am
Dear Professor Muthen!
Thank you very much for your quick answer!
Kind regards to you,
Zsofia Ignacz
Gargi Sawhney
posted on Tuesday, April 19, 2016 - 4:56 pm
Dear Dr. Muthen,
Please I regress my DVs and mediators on control variables, my fit decreases substantially. Is there a way to fix this?
Bengt O. Muthen
posted on Friday, April 22, 2016 - 8:45 am
Unless you also have moderation involving the mediator, you could look at the Modification indices.
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summer series #39
22x30 INCHES | ACRYLIC INK ON WATERCOLOR PAPER
Signed and titled on the back of the piece.
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I got this gigantor scarf for Christmas and it is amazing. It is so cozy and chunky and warm and HUGE! My neck will never feel a winter draft again. And that, my friends, is something to celebrate.
p.s. I never realized how big my tweed blazer is without a million layers under it.


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Glowing Tree - SOLX83
Everyone's favourite christmas colour mixed with a little creativity and voila, a great design choice this festive season.
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Philippe Starck's designs for Alessi have steadily assumed the look and name of lively presences on the domestic front: the "Max le chinois" colander is an ironic object that takes its place in the rituals of cooking. It's big, beautiful and expensive because of its aesthetics: but its design has a strong impact, which you can't say for any other colander.
Born in Paris in 1949, he is one of the most original and creative designers of our time. He has obtained many important acknowledgements such as the Grand Prix National de la Création industrielle and the Honor Award of the American Institute of Architects, he considers himself as "a Japanese architect, an American art director, a German industrial designer, a French artistic director, an Italian furniture designer".


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TUESDAY, April 26, 2011 (HealthDay News) -- Every time her teenage daughter Jordyn leaves the house, Nancy Geller worries about the food her daughter might choose to eat. Jordyn has a severe peanut allergy, and exposure to even a small amount of a peanut-containing food could cause a life-threatening allergic reaction.
"It's a big worry, especially now that she's a teenager and is eating out with her friends," said Geller, who lives in Croton on Hudson, N.Y.
Geller isn't alone with her concerns. According to the Food Allergy and Anaphylaxis Network (FAAN), as many as 12 million Americans have a food allergy. Milk, eggs, peanuts, tree nuts, shellfish, soy and wheat are responsible for most food allergies, according to FAAN.
While it's easy to control your environment at home to be sure you or your allergic children aren't exposed to the offending food, many people choose to eat food prepared in restaurants, where the risk of being exposed to a food allergen is much greater.
Still, many feel if they let the waitstaff know about the allergy, they can be assured a safe meal. But new research indicates that that's not always the case.
In a study that included managers, waiters and chefs at 90 restaurants in Brighton, a popular British resort town, researchers found that just a third said they'd had specific food allergy training. However, 81 percent said they still felt confident they could provide a safe meal to a customer with food allergies.
When the researchers pressed for more specific information, they found that 38 percent of restaurant workers erroneously believed that people with food allergies could drink water to dilute the allergen and lessen the severity of the allergic reaction. Another 23 percent mistakenly thought that eating a small amount of a food allergen would be safe.
About one in eight restaurant workers didn't realize that food allergies could cause death. Sixteen percent believed that cooking food could prevent food allergies, and 21 percent mistakenly thought they could simply remove the food allergen from the finished meal and it would be safe.
Results of the study were published in the May issue of the journal Clinical and Experimental Allergy.
Christopher Weiss, vice president of advocacy and government relations for FAAN, said the U.K.'s study results are similar to those of a study done in the United States.
"I wasn't overly surprised by the results. But, if you look at today versus five years ago, we've made significant advancements. Overall though, we've still got a way to go before the vast majority of restaurant workers understand food allergy," he said.
There was some good news from the U.K. study: Almost half of those surveyed expressed an interest in learning more about food allergies. In the U.S. study, Weiss said that figure was 60 percent.
"So, we developed a training guide with the National Restaurant Association along with a video that's easy to watch. The more restaurants that take advantage of these tools, the better," said Weiss.
Sue Hensley, a spokesperson for the National Restaurant Association, echoed Weiss' sentiments, and said her organization "is working diligently to address the issue of food allergic customers in restaurants by educating our restaurants and their employees on food allergens."
Geller said that there has been a noticeable difference in food allergy awareness where she lives -- the New York metro area -- in the past few years. "In the past, many restaurants just wouldn't take any responsibility. It was very tough to feel comfortable in a restaurant. Now, we definitely see more understanding," she said.
For others dealing with food allergies, Geller advised talking to the waitstaff and letting them know what your specific needs are.
Weiss added that a lot of people with food allergies also call restaurants in advance, or go in and visit before they go to eat so that they can "gauge whether or not that facility would be able to serve them a safe meal."
More information
The Food Allergy and Anaphylaxis Network, in cooperation with the National Restaurant Association, has educational materials available for restaurants on its Web site.


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They caught him after he had killed the second man. The law would never connect him to the first murder. So the victim—a stocky fellow Caesar Matthews shot in a Northeast alley only two blocks from the home of the guy's parents, a man who died over a woman who was actually in love with a third man—was destined to lie in his grave without anyone officially paying for what had happened to him. It was almost as if, at least on the books the law kept, Caesar had got away with a free killing.
Seven months after he stabbed the second man—a twenty-two-year-old with prematurely gray hair who had ventured out of Southeast for only the sixth time in his life—Caesar was tried for murder in the second degree. During much of the trial, he remembered the name only of the first dead man—Percy, or "Golden Boy," Weymouth—and not the second, Antwoine Stoddard, to whom everyone kept referring during the proceedings. The world had done things to Caesar since he'd left his father's house for good at sixteen, nearly fourteen years ago, but he had done far more to himself.
So at trial, with the weight of all the harm done to him and because he had hidden for months in one shit hole after another, he was not always himself and thought many times that he was actually there for killing Golden Boy, the first dead man. He was not insane, but he was three doors from it, which was how an old girlfriend, Yvonne Miller, would now and again playfully refer to his behavior. Who the fuck is this Antwoine bitch? Caesar sometimes thought during the trial. And where is Percy? It was only when the judge sentenced him to seven years in Lorton, D.C.'s prison in Virginia, that matters became somewhat clear again, and in those last moments before they took him away he saw Antwoine spread out on the ground outside the Prime Property night club, blood spurting out of his chest like oil from a bountiful well. Caesar remembered it all: sitting on the sidewalk, the liquor spinning his brain, his friends begging him to run, the club's music flooding out of the open door and going thumpety-thump-thump against his head. He sat a few feet from Antwoine, and would have killed again for a cigarette. "That's you, baby, so very near insanity it can touch you," said Yvonne, who believed in unhappiness and who thought happiness was the greatest trick God had invented. Yvonne Miller would be waiting for Caesar at the end of the line.
He came to Lorton with a ready-made reputation, since Multrey Wilson and Tony Cathedral—first-degree murderers both, and destined to die there—knew him from his Northwest and Northeast days. They were about as big as you could get in Lorton at that time (the guards called Lorton the House of Multrey and Cathedral), and they let everyone know that Caesar was good people, "a protected body," with no danger of having his biscuits or his butt taken.
A little less than a week after Caesar arrived, Cathedral asked him how he liked his cellmate. Caesar had never been to prison but had spent five days in the D.C. jail, not counting the time there before and during the trial. They were side by side at dinner, and neither man looked at the other. Multrey sat across from them. Cathedral was done eating in three minutes, but Caesar always took a long time to eat. His mother had raised him to chew his food thoroughly. "You wanna be a old man livin on oatmeal?" "I love oatmeal, Mama." "Tell me that when you have to eat it every day till you die."
"He all right, I guess," Caesar said of his cellmate, with whom he had shared fewer than a thousand words. Caesar's mother had died before she saw what her son became.
"You got the bunk you want, the right bed?" Multrey said. He was sitting beside one of his two "women," the one he had turned out most recently. "She" was picking at her food, something Multrey had already warned her about. The woman had a family—a wife and three children—but they would not visit. Caesar would never have visitors, either.
"It's all right." Caesar had taken the top bunk, as the cellmate had already made the bottom his home. A miniature plastic panda from his youngest child dangled on a string hung from one of the metal bedposts. "Bottom, top, it's all the same ship."
Cathedral leaned into him, picking chicken out of his teeth with an inch-long fingernail sharpened to a point. "Listen, man, even if you like the top bunk, you fuck him up for the bottom just cause you gotta let him know who rules. You let him know that you will stab him through his motherfuckin heart and then turn around and eat your supper, cludin the dessert." Cathedral straightened up. "Caes, you gon be here a few days, so you can't let nobody fuck with your humanity."
He went back to the cell and told Pancho Morrison that he wanted the bottom bunk, couldn't sleep well at the top.
"Too bad," Pancho said. He was lying down, reading a book published by the Jehovah's Witnesses. He wasn't a Witness, but he was curious.
Caesar grabbed the book and flung it at the bars, and the bulk of it slid through an inch or so and dropped to the floor. He kicked Pancho in the side, and before he could pull his leg back for a second kick Pancho took the foot in both hands, twisted it, and threw him against the wall. Then Pancho was up, and they fought for nearly an hour before two guards, who had been watching the whole time, came in and beat them about the head. "Show's over! Show's over!" one kept saying.
They attended to themselves in silence in the cell, and with the same silence they flung themselves at each other the next day after dinner. They were virtually the same size, and though Caesar came to battle with more muscle, Pancho had more heart. Cathedral had told Caesar that morning that Pancho had lived on practically nothing but heroin for the three years before Lorton, so whatever fighting dog was in him could be pounded out in little or no time. It took three days. Pancho was the father of five children, and each time he swung he did so with the memory of all five and what he had done to them over those three addicted years. He wanted to return to them and try to make amends, and he realized on the morning of the third day that he would not be able to do that if Caesar killed him. So fourteen minutes into the fight he sank to the floor after Caesar hammered him in the gut. And though he could have got up he stayed there, silent and still. The two guards laughed. The daughter who had given Pancho the panda was nine years old and had been raised by her mother as a Catholic.
That night, before the place went dark, Caesar lay on the bottom bunk and looked over at pictures of Pancho's children, which Pancho had taped on the opposite wall. He knew he would have to decide if he wanted Pancho just to move the photographs or to put them away altogether. All the children had toothy smiles. The two youngest stood, in separate pictures, outdoors in their First Communion clothes. Caesar himself had been a father for two years. A girl he had met at an F Street club in Northwest had told him he was the father of her son, and for a time he had believed her. Then the boy started growing big ears that Caesar thought didn't belong to anyone in his family, and so after he had slapped the girl a few times a week before the child's second birthday she confessed that the child belonged to "my first love." "Your first love is always with you," she said, sounding forever like a television addict who had never read a book. As Caesar prepared to leave, she asked him, "You want back all the toys and things you gave him?" The child, as if used to their fighting, had slept through this last encounter on the couch, part of a living-room suite that they were paying for on time. Caesar said nothing more and didn't think about his 18k.-gold cigarette lighter until he was eight blocks away. The girl pawned the thing and got enough to pay off the furniture bill.
Caesar and Pancho worked in the laundry, and Caesar could look across the noisy room with all the lint swirling about and see Pancho sorting dirty pieces into bins. Then he would push uniform bins to the left and everything else to the right. Pancho had been doing that for three years. The job he got after he left Lorton was as a gofer at construction sites. No laundry in the outside world wanted him. Over the next two weeks, as Caesar watched Pancho at his job, his back always to him, he considered what he should do next. He wasn't into fucking men, so that was out. He still had not decided what he wanted done about the photographs on the cell wall. One day at the end of those two weeks, Caesar saw the light above Pancho's head flickering and Pancho raised his head and looked for a long time at it, as if thinking that the answer to all his problems lay in fixing that one light. Caesar decided then to let the pictures remain on the wall.
Three years later, they let Pancho go. The two men had mostly stayed at a distance from each other, but toward the end they had been talking, sharing plans about a life beyond Lorton. The relationship had reached the point where Caesar was saddened to see the children's photographs come off the wall. Pancho pulled off the last taped picture and the wall was suddenly empty in a most forlorn way. Caesar knew the names of all the children. Pancho gave him a rabbit's foot that one of his children had given him. It was the way among all those men that when a good-luck piece had run out of juice it was given away with the hope that new ownership would renew its strength. The rabbit's foot had lost its electricity months before Pancho's release. Caesar's only good-fortune piece was a key chain made in Peru; it had been sweet for a bank robber in the next cell for nearly two years until that man's daughter, walking home from third grade, was abducted and killed.
One day after Pancho left, they brought in a thief and three-time rapist of elderly women. He nodded to Caesar and told him that he was Watson Rainey and went about making a home for himself in the cell, finally plugging in a tiny lamp with a green shade which he placed on the metal shelf jutting from the wall. Then he climbed onto the top bunk he had made up and lay down. His name was all the wordplay he had given Caesar, who had been smoking on the bottom bunk throughout Rainey's efforts to make a nest. Caesar waited ten minutes and then stood and pulled the lamp's cord out of the wall socket and grabbed Rainey with one hand and threw him to the floor. He crushed the lamp into Rainey's face. He choked him with the cord. "You come into my house and show me no respect!" Caesar shouted. The only sound Rainey could manage was a gurgling that bubbled up from his mangled mouth. There were no witnesses except for an old man across the way, who would occasionally glance over at the two when he wasn't reading his Bible. It was over and done with in four minutes. When Rainey came to, he found everything he owned piled in the corner, soggy with piss. And Caesar was again on the top bunk.
They would live in that cell together until Caesar was released, four years later. Rainey tried never to be in the house during waking hours; if he was there when Caesar came in, he would leave. Rainey's name spoken by him that first day were all the words that would ever pass between the two men.
A week or so after Rainey got there, Caesar bought from Multrey a calendar that was three years old. It was large and had no markings of any sort, as pristine as the day it was made. "You know this one ain't the year we in right now," Multrey said as one of his women took a quarter from Caesar and dropped it in her purse. Caesar said, "It'll do." Multrey prized the calendar for one thing: its top half had a photograph of a naked woman of indeterminate race sitting on a stool, her legs wide open, her pussy aimed dead at whoever was standing right in front of her. It had been Multrey's good-luck piece, but the luck was dead. Multrey remembered what the calendar had done for him and he told his woman to give Caesar his money back, lest any new good-fortune piece turn sour on him.
The calendar's bottom half had the days of the year. That day, the first Monday in June, Caesar drew in the box that was January 1st a line that went from the upper left-hand corner down to the bottom right-hand corner. The next day, a June Tuesday, he made a line in the January 2nd box that also ran in the same direction. And so it went. When the calendar had all such lines in all the boxes, it was the next June. Then Caesar, in that January 1st box, made a line that formed an X with the first line. And so it was for another year. The third year saw horizontal marks that sliced the boxes in half. The fourth year had vertical lines down the centers of the boxes.
This was the only calendar Caesar had in Lorton. That very first Monday, he taped the calendar over the area where the pictures of Pancho's children had been. There was still a good deal of empty space left, but he didn't do anything about it, and Rainey knew he couldn't do anything, either.
The calendar did right by Caesar until near the end of his fifth year in Lorton, when he began to feel that its juice was drying up. But he kept it there to mark off the days and, too, the naked woman never closed her legs to him.
In that fifth year, someone murdered Multrey as he showered. The killers—it had to be more than one for a man like Multrey—were never found. The Multrey woman who picked at her food had felt herself caring for a recent arrival who was five years younger than her, a part-time deacon who had killed a Southwest bartender for calling the deacon's wife "a woman without one fuckin brain cell." The story of that killing—the bartender was dropped head first from the roof of a ten-story building—became legend, and in Lorton men referred to the dead bartender as "the Flat-Head Insulter" and the killer became known as "the Righteous Desulter." The Desulter, wanting Multrey's lady, had hired people to butcher him. It had always been the duty of the lady who hated food to watch out for Multrey as he showered, but she had stepped away that day, just as she had been instructed to by the Desulter.
In another time, Cathedral and Caesar would have had enough of everything—from muscle to influence—to demand that someone give up the killers, but the prison was filling up with younger men who did not care what those two had been once upon a time. Also, Cathedral had already had two visits from the man he had killed in Northwest. Each time, the man had first stood before the bars of Cathedral's cell. Then he held one of the bars and opened the door inward, like some wooden door on a person's house. The dead man standing there would have been sufficient to unwrap anyone, but matters were compounded when Cathedral saw a door that for years had slid sideways now open in an impossible fashion. The man stood silent before Cathedral, and when he left he shut the door gently, as if there were sleeping children in the cell. So Cathedral didn't have a full mind, and Multrey was never avenged.
There was an armed-robbery man in the place, a tattooer with homemade inks and needles. He made a good living painting on both muscled and frail bodies the names of children; the Devil in full regalia with a pitchfork dripping with blood; the words "Mother" or "Mother Forever" surrounded by red roses and angels who looked sad, because when it came to drawing happy angels the tattoo man had no skills. One pickpocket had had a picture of his father tattooed in the middle of his chest; above the father's head, in medieval lettering, were the words "Rotting in Hell," with the letter "H" done in fiery yellow and red. The tattoo guy had told Caesar that he had skin worthy of "a painter's best canvas," that he could give Caesar a tattoo "God would envy." Caesar had always told him no, but then he awoke one snowy night in March of his sixth year and realized that it was his mother's birthday. He did not know what day of the week it was, but the voice that talked to him had the authority of a million loving mothers. He had long ago forgotten his own birthday, had not even bothered to ask someone in prison records to look it up.
There had never been anyone or anything he wanted commemorated on his body. Maybe it would have been Carol, his first girlfriend twenty years ago, before the retarded girl entered their lives. He had played with the notion of having the name of the boy he thought was his put over his heart, but the lie had come to light before that could happen. And before the boy there had been Yvonne, with whom he had lived for an extraordinary time in Northeast. He would have put Yvonne's name over his heart, but she went off to work one day and never came back. He looked for her for three months, and then just assumed that she had been killed somewhere and dumped in a place only animals knew about. Yvonne was indeed dead, and she would be waiting for him at the end of the line, though she did not know that was what she was doing. "You can always trust unhappiness," Yvonne had once said, sitting in the dark on the couch, her cigarette burned down to the filter. "His face never changes. But happiness is slick, can't be trusted. It has a thousand faces, Caes, all of them just ready to reform into unhappiness once it has you in its clutches."
So Caesar had the words "Mother Forever" tattooed on his left bicep. Knowing that more letters meant a higher payment of cigarettes or money or candy, the tattoo fellow had dissuaded him from having just plain "Mother." "How many hours you think she spent in labor?" he asked Caesar. "Just to give you life." The job took five hours over two days, during a snowstorm. Caesar said no to angels, knowing the man's ability with happy ones, and had the words done in blue letters encased in red roses. The man worked from the words printed on a piece of paper that Caesar had given him, because he was also a bad speller.
The snow stopped on the third day and, strangely, it took only another three days for the two feet of mess to melt, for with the end of the storm came a heat wave. The tattoo man, a good friend of the Righteous Desulter, would tell Caesar in late April that what happened to him was his own fault, that he had not taken care of himself as he had been instructed to do. "And the heat ain't helped you neither." On the night of March 31st, five days after the tattoo had been put on, Caesar woke in the night with a pounding in his left arm. He couldn't return to sleep so he sat on the edge of his bunk until morning, when he saw that the "e"s in "Mother Forever" had blistered, as if someone had taken a match to them.
He went to the tattoo man, who first told him not to worry, then patted the "e"s with peroxide that he warmed in a spoon with a match. Within two days, the "e"s seemed to just melt away, each dissolving into an ugly pile at the base of the tattoo. After a week, the diseased "e"s began spreading their work to the other letters and Caesar couldn't move his arm without pain. He went to the infirmary. They gave him aspirin and Band-Aided the tattoo. He was back the next day, the day the doctor was there.
He spent four days in D.C. General Hospital, his first trip back to Washington since a court appearance more than three years before. His entire body was paralyzed for two days, and one nurse confided to him the day he left that he had been near death. In the end, after the infection had done its work, there was not much left of the tattoo except an "o" and an "r," which were so deformed they could never pass for English, and a few roses that looked more like red mud. When he returned to prison, the tattoo man offered to give back the cigarettes and the money, but Caesar never gave him an answer, leading the man to think that he should watch his back. What happened to Caesar's tattoo and to Caesar was bad advertising, and soon the fellow had no customers at all.
Something had died in the arm and the shoulder, and Caesar was never again able to raise the arm more than thirty-five degrees. He had no enemies, but still he told no one about his debilitation. For the next few months he tried to stay out of everyone's way, knowing that he was far more vulnerable than he had been before the tattoo. Alone in the cell, with no one watching across the way, he exercised the arm, but by November he knew at last he would not be the same again. He tried to bully Rainey Watson as much as he could to continue the façade that he was still who he had been. And he tried to spend more time with Cathedral.
But the man Cathedral had killed had become a far more constant visitor. The dead man, a young bachelor who had been Cathedral's next-door neighbor, never spoke. He just opened Cathedral's cell door inward and went about doing things as if the cell were a family home—straightening wall pictures that only Cathedral could see, turning down the gas on the stove, testing the shower water to make sure that it was not too hot, tucking children into bed. Cathedral watched silently.
Caesar went to Cathedral's cell one day in mid-December, six months before they freed him. He found his friend sitting on the bottom bunk, his hands clamped over his knees. He was still outside the cell when Cathedral said, "Caes, you tell me why God would be so stupid to create mosquitoes. I mean, what good are the damn things? What's their function?" Caesar laughed, thinking it was a joke, and he had started to offer something when Cathedral looked over at him with a devastatingly serious gaze and said, "What we need is a new God. Somebody who knows what the fuck he's doing." Cathedral was not smiling. He returned to staring at the wall across from him. "What's with creatin bats? I mean, yes, they eat insects, but why create those insects to begin with? You see what I mean? Creatin a problem and then havin to create somethin to take care of the problem. And then comin up with somethin for that second problem. Man oh man!" Caesar slowly began moving away from Cathedral's cell. He had seen this many times before. It could not be cured even by great love. It sometimes pulled down a loved one. "And roaches. Every human bein in the world would have the sense not to create roaches. What's their function, Caes? I tell you, we need a new God, and I'm ready to cast my vote right now. Roaches and rats and chinches. God was out of his fuckin mind that week. Six wasted days, cept for the human part and some of the animals. And then partyin on the seventh day like he done us a big favor. The nerve of that motherfucker. And all your pigeons and squirrels. Don't forget them. I mean really."
In late January, they took Cathedral somewhere and then brought him back after a week. He returned to his campaign for a new God in February. A ritual began that would continue until Caesar left: determine that Cathedral was a menace to himself, take him away, bring him back, then take him away when he started campaigning again for another God.
There was now nothing for Caesar to do except try to coast to the end on a reputation that was far less than it had been in his first years at Lorton. He could only hope that he had built up enough good will among men who had better reputations and arms that worked a hundred per cent.
In early April, he received a large manila envelope from his attorney. The lawyer's letter was brief. "I did not tell them where you are," he wrote. "They may have learned from someone that I was your attorney. Take care." There were two separate letters in sealed envelopes from his brother and sister, each addressed to "My Brother Caesar." Dead people come back alive, Caesar thought many times before he finally read the letters, after almost a week. He expected an announcement about the death of his father, but he was hardly mentioned. Caesar's younger brother went on for five pages with a history of what had happened to the family since Caesar had left their lives. He ended by saying, "Maybe I should have been a better brother." There were three pictures as well, one of his brother and his bride on their wedding day, and one showing Caesar's sister, her husband, and their two children, a girl of four or so and a boy of about two. The third picture had the girl sitting on a couch beside the boy, who was in Caesar's father's lap, looking with interest off to the left, as if whatever was there were more important than having his picture taken. Caesar looked at the image of his father—a man on the verge of becoming old. His sister's letter had even less in it than the lawyer's: "Write to me, or call me collect, whatever is best for you, dear one. Call even if you are on the other side of the world. For every step you take to get to me, I will walk a mile toward you."
He had an enormous yearning at first, but after two weeks he tore everything up and threw it all away. He would be glad he had done this as he stumbled, hurt and confused, out of his sister's car less than half a year later. The girl and the boy would be in the back seat, the girl wearing a red dress and black shoes, and the boy in blue pants and a T-shirt with a cartoon figure on the front. The boy would have fallen asleep, but the girl would say, "Nighty-night, Uncle," which she had been calling him all that evening.
An ex-offenders' group, the Light at the End of the Tunnel, helped him to get a room and a job washing dishes and busing tables at a restaurant on F Street. The room was in a three-story building in the middle of the 900 block of N Street, Northwest, a building that, in the days when white people lived there, had had two apartments of eight rooms or so on each floor. Now the first-floor apartments were uninhabitable and had been padlocked for years. On the two other floors, each large apartment had been divided into five rented rooms, which went for twenty to thirty dollars a week, depending on the size and the view. Caesar's was small, twenty dollars, and had half the space of his cell at Lorton. The word that came to him for the butchered, once luxurious apartments was "warren." The roomers in each of the cut-up apartments shared two bathrooms and one nice-sized kitchen, which was a pathetic place because of its dinginess and its fifty-watt bulb, and because many of the appliances were old or undependable or both. Caesar's narrow room was at the front, facing N Street. On his side of the hall were two other rooms, the one next to his housing a mother and her two children. He would not know until his third week there that along the other hall was Yvonne Miller.
There was one main entry door for each of the complexes. In the big room to the left of the door into Caesar's complex lived a man of sixty or so, a pajama-clad man who was never out of bed in all the time Caesar lived there. He could walk, but Caesar never saw him do it. A woman, who told Caesar one day that she was "a home health-care aide," was always in the man's room, cooking, cleaning, or watching television with him. His was the only room with its own kitchen setup in a small alcove—a stove, icebox, and sink. His door was always open, and he never seemed to sleep. A green safe, three feet high, squatted beside the bed. "I am a moneylender," the man said the second day Caesar was there. He had come in and walked past the room, and the man had told the aide to have "that young lion" come back. "I am Simon and I lend money," the man said as Caesar stood in the doorway. "I will be your best friend, but not for free. Tell your friends."
He worked as many hours as they would allow him at the restaurant, Chowing Down. The remainder of the time, he went to movies until the shows closed and then sat in Franklin Park, at Fourteenth and K, in good weather and bad. He was there until sleep beckoned, sometimes as late as two in the morning. No one bothered him. He had killed two men, and the world, especially the bad part of it, sensed that and left him alone. He knew no one, and he wanted no one to know him. The friends he had had before Lorton seemed to have been swept off the face of the earth. On the penultimate day of his time at Lorton, he had awoken terrified and thought that if they gave him a choice he might well stay. He might find a life and a career at Lorton.
He had sex only with his right hand, and that was not very often. He began to believe, in his first days out of prison, that men and women were now speaking a new language, and that he would never learn it. His lack of confidence extended even to whores, and this was a man who had been with more women than he had fingers and toes. He began to think that a whore had the power to crush a man's soul. "What kinda language you speakin, honey? Talk English if you want some." He was thirty-seven when he got free.
He came in from the park at two-forty-five one morning and went quickly by Simon's door, but the moneylender called him back. Caesar stood in the doorway. He had been in the warren for less than two months. The aide was cooking, standing with her back to Caesar in a crisp green uniform and sensible black shoes. She was stirring first one pot on the stove and then another. People on the color television were laughing.
"Been out on the town, I see," Simon began. "Hope you got enough poontang to last you till next time." "I gotta be goin," Caesar said. He had begun to think that he might be able to kill the man and find a way to get into the safe. The question was whether he should kill the aide as well. "Don't blow off your friends that way," Simon said. Then, for some reason, he started telling Caesar about their neighbors in that complex. That was how Caesar first learned about an "Yvonny," whom he had yet to see. He would not know that she was the Yvonne he had known long ago until the second time he passed her in the hall. "Now, our sweet Yvonny, she ain't nothin but an old girl." Old girls were whores, young or old, who had been battered so much by the world that they had only the faintest wisp of life left; not many of them had hearts of gold. "But you could probably have her for free," Simon said, and he pointed to Caesar's right, where Yvonne's room was. There was always a small lump under the covers beside Simon in the bed, and Caesar suspected that it was a gun. That was a problem, but he might be able to leap to the bed and kill the man with one blow of a club before he could pull it out. What would the aide do? "I've had her myself," Simon said, "so I can only recommend it in a pinch." "Later, man," Caesar said, and he stepped away. The usual way to his room was to the right as soon as he entered the main door, but that morning he walked straight ahead and within a few feet was passing Yvonne's door. It was slightly ajar, and he heard music from a radio. The aide might even be willing to help him rob the moneylender if he could talk to her alone beforehand. He might not know the language men and women were speaking now, but the language of money had not changed.
It was a cousin who told his brother where to find him. That cousin, Nora Maywell, was the manager of a nearby bank, at Twelfth and F Streets, and she first saw Caesar as he bused tables at Chowing Down, where she had gone with colleagues for lunch. She came in day after day to make certain that he was indeed Caesar, for she had not seen him in more than twenty years. But there was no mistaking the man, who looked like her uncle. Caesar was five years older than Nora. She had gone through much of her childhood hoping that she would grow up to marry him. Had he paid much attention to her in all those years before he disappeared, he still would not have recognized her—she was older, to be sure, but life had been extraordinarily kind to Nora and she was now a queen compared with the dirt-poor peasant she had once been.
Caesar's brother came in three weeks after Nora first saw him. The brother, Alonzo, ate alone, paid his bill, then went over to Caesar and smiled. "It's good to see you," he said. Caesar simply nodded and walked away with the tub of dirty dishes. The brother stood shaking for a few moments, then turned and made his unsteady way out the door. He was a corporate attorney, making nine times what his father, at fifty-seven, was making, and he came back for many days. On the eighth day, he went to Caesar, who was busing in a far corner of the restaurant. It was now early September and Caesar had been out of prison for three months and five days. "I will keep coming until you speak to me," the brother said. Caesar looked at him for a long time. The lunch hours were ending, so the manager would have no reason to shout at him. Only two days before, he had seen Yvonne in the hall for the second time. It had been afternoon and the dead light bulb in the hall had been replaced since the first time he had passed her. He recognized her, but everything in her eyes and body told him that she did not know him. That would never change. And, because he knew who she was, he nodded to his brother and within minutes they were out the door and around the corner to the alley. Caesar lit a cigarette right away. The brother's gray suit had cost $1,865.98. Caesar's apron was filthy. It was his seventh cigarette of the afternoon. When it wasn't in his mouth, the cigarette was at his side, and as he raised it up and down to his mouth, inhaled, and flicked ashes, his hand never shook.
"Do you know how much I want to put my arms around you?" Alonzo said.
"I think we should put an end to all this shit right now so we can get on with our lives," Caesar said. "I don't wanna see you or anyone else in your family from now until the day I die. You should understand that, Mister, so you can do somethin else with your time. You a customer, so I won't do what I would do to somebody who ain't a customer."
The brother said, "I'll admit to whatever I may have done to you. I will, Caesar. I will." In fact, his brother had never done anything to him, and neither had his sister. The war had always been between Caesar and their father, but Caesar, over time, had come to see his siblings as the father's allies. "But come to see me and Joanie, one time only, and if you don't want to see us again then we'll accept that. I'll never come into your restaurant again."
There was still more of the cigarette, but Caesar looked at it and then dropped it to the ground and stepped on it. He looked at his cheap watch. Men in prison would have killed for what was left of that smoke. "I gotta be goin, Mister."
"We are family, Caesar. If you don't want to see Joanie and me for your sake, for our sakes, then do it for Mama."
"My mama's dead, and she been dead for a lotta years." He walked toward the street.
"I know she's dead! I know she's dead! I just put flowers on her grave on Sunday. And on three Sundays before that. And five weeks before that. I know my mother's dead."
Caesar stopped. It was one thing for him to throw out a quick statement about a dead mother, as he had done many times over the years. A man could say the words so often that they became just another meaningless part of his makeup. The pain was no longer there as it had been those first times he had spoken them, when his mother was still new to her grave. The words were one thing, but a grave was a different matter, a different fact. The grave was out there, to be seen and touched, and a man, a son, could go to that spot of earth and remember all over again how much she had loved him, how she had stood in her apron in the doorway of a clean and beautiful home and welcomed him back from school. He could go to the grave and read her name and die a bit, because it would feel as if she had left him only last week.
Caesar turned around. "You and your people must leave me alone, Mister."
"Then we will," the brother said. "We will leave you alone. Come to one dinner. A Sunday dinner. Fried chicken. The works. Then we'll never bother you again. No one but Joanie and our families. No one else." Those last words were to assure Caesar that he would not have to see their father.
Caesar wanted another cigarette, but the meeting had already gone on long enough.
Yvonne had not said anything that second time, when he said "Hello." She had simply nodded and walked around him in the hall. The third time they were also passing in the hall, and he spoke again, and she stepped to the side to pass and then turned and asked if he had any smokes she could borrow.
He said he had some in his room, and she told him to go get them and pointed to her room.
Her room was a third larger than his. It had an icebox, a bed, a dresser with a mirror over it, a small table next to the bed, a chair just beside the door, and not much else. The bed made a T with the one window, which faced the windowless wall of the apartment building next door. The beautiful blue-and-yellow curtains at the window should have been somewhere else, in a place that could appreciate them.
He had no expectations. He wanted nothing. It was just good to see a person from a special time in his life, and it was even better that he had loved her once and she had loved him. He stood in the doorway with the cigarettes.
Dressed in a faded purple robe, she was looking in the icebox when he returned. She closed the icebox door and looked at him. He walked over, and she took the unopened pack of cigarettes from his outstretched hand. He stood there.
"Well, sit the fuck down before you make the place look poor." He sat in the chair by the door, and she sat on the bed and lit the first cigarette. She was sideways to him. It was only after the fifth drag on the cigarette that she spoke. "If you think you gonna get some pussy, you are sorely mistaken. I ain't givin out shit. Free can kill you."
"I don't want nothin."
" 'I don't want nothin. I don't want nothin.' " She dropped ashes into an empty tomato-soup can on the table by the bed. "Mister, we all want somethin, and the sooner people like you stand up and stop the bullshit, then the world can start bein a better place. It's the bullshitters who keep the world from bein a better place." Together, they had rented a little house in Northeast and had been planning to have a child once they had been there two years. The night he came home and found her sitting in the dark and talking about never trusting happiness, they had been there a year and a half. Two months later, she was gone. For the next three months, as he looked for her, he stayed there and continued to make it the kind of place that a woman would want to come home to. "My own mother was the first bullshitter I knew," she continued. "That's how I know it don't work. People should stand up and say, 'I wish you were dead,' or 'I want your pussy,' or 'I want all the money in your pocket.' When we stop lyin, the world will start bein heaven." He had been a thief and a robber and a drug pusher before he met her, and he went back to all that after the three months, not because he was heartbroken, though he was, but because it was such an easy thing to do. He was smart enough to know that he could not blame Yvonne, and he never did. The murders of Percy "Golden Boy" Weymouth and Antwoine Stoddard were still years away.
He stayed that day for more than an hour, until she told him that she had now paid for the cigarettes. Over the next two weeks, as he got closer to the dinner with his brother and sister, he would take her cigarettes and food and tell her from the start that they were free. He was never to know how she paid the rent. By the fourth day of bringing her things, she began to believe that he wanted nothing. He always sat in the chair by the door. Her words never changed, and it never mattered to him. The only thanks he got was the advice that the world should stop being a bullshitter.
On the day of the dinner, he found that the days of sitting with Yvonne had given him a strength he had not had when he had said yes to his brother. He had Alonzo pick him up in front of Chowing Down, because he felt that if they knew where he lived they would find a way to stay in his life.
At his sister's house, just off Sixteenth Street, Northwest, in an area of well-to-do black people some called the Gold Coast, they welcomed him, Joanie keeping her arms around him for more than a minute, crying. Then they offered him a glass of wine. He had not touched alcohol since before prison. They sat him on a dark-green couch in the living room, which was the size of ten prison cells. Before he had taken three sips of the wine, he felt good enough not to care that the girl and the boy, his sister's children, wanted to be in his lap. They were the first children he had been around in more than ten years. The girl had been calling him Uncle since he entered the house.
Throughout dinner, which was served by his sister's maid, and during the rest of the evening, he said as little as possible to the adults—his sister and brother and their spouses—but concentrated on the kids, because he thought he knew their hearts. The grownups did not pepper him with questions and were just grateful that he was there. Toward the end of the meal, he had a fourth glass of wine, and that was when he told his niece that she looked like his mother and the girl blushed, because she knew how beautiful her grandmother had been.
At the end, as Caesar stood in the doorway preparing to leave, his brother said that he had made this a wonderful year. His brother's eyes teared up and he wanted to hug Caesar, but Caesar, without smiling, simply extended his hand. The last thing his brother said to him was "Even if you go away not wanting to see us again, know that Daddy loves you. It is the one giant truth in the world. He's a different man, Caesar. I think he loves you more than us because he never knew what happened to you. That may be why he never remarried." The issue of what Caesar had been doing for twenty-one years never came up.
His sister, with her children in the back seat, drove him home. In front of his building, he and Joanie said goodbye and she kissed his cheek and, as an afterthought, he, a new uncle and with the wine saying, Now, that wasn't so bad, reached back to give a playful tug on the children's feet, but the sleeping boy was too far away and the girl, laughing, wiggled out of his reach. He said to his niece, "Good night, young lady," and she said no, that she was not a lady but a little girl. Again, he reached unsuccessfully for her feet. When he turned back, his sister had a look of such horror and disgust that he felt he had been stabbed. He knew right away what she was thinking, that he was out to cop a feel on a child. He managed a goodbye and got out of the car. "Call me," she said before he closed the car door, but the words lacked the feeling of all the previous ones of the evening. He said nothing. Had he spoken the wrong language, as well as done the wrong thing? Did child molesters call little girls "ladies"? He knew he would never call his sister. Yes, he had been right to tear up the pictures and letters when he was in Lorton.
He shut his eyes until the car was no more. He felt a pained rumbling throughout his system and, without thinking, he staggered away from his building toward Tenth Street. He could hear music coming from an apartment on his side of N Street. He had taught his sister how to ride a bike, how to get over her fear of falling and hurting herself. Now, in her eyes, he was no more than an animal capable of hurting a child. They killed men in prison for being that kind of monster. Whatever avuncular love for the children had begun growing in just those few hours now seeped away. He leaned over into the grass at the side of the apartment building and vomited. He wiped his mouth with the back of his hand. "I'll fall, Caesar," his sister had said in her first weeks of learning how to ride a bicycle. "Why would I let that happen?"
He ignored the aide when she told him that the moneylender wanted to talk to him. He went straight ahead, toward Yvonne's room, though he had no intention of seeing her. Her door was open enough for him to see a good part of the room, but he simply turned toward his own room. His shadow, cast by her light behind him, was thin and went along the floor and up the wall, and it was seeing the shadow that made him turn around. After noting that the bathroom next to her room was empty, he called softly to her from the doorway and then called three times more before he gave the door a gentle push with his finger. The door had not opened all the way when he saw her half on the bed and half off. Drunk, he thought. He went to her, intending to put her full on the bed. But death can twist the body in a way life never does, and that was what it had done to hers. He knew death. Her face was pressed into the bed, at a crooked angle that would have been uncomfortable for any living person. One leg was bunched under her, and the other was extended behind her, but both seemed not part of her body, awkwardly on their own, as if someone could just pick them up and walk away.
He whispered her name. He sat down beside her, ignoring the vomit that spilled out of her mouth and over the side of the bed. He moved her head so that it rested on one side. He thought at first that someone had done this to her, but he saw money on the dresser and felt the quiet throughout the room that signalled the end of it all, and he knew that the victim and the perpetrator were one and the same. He screwed the top on the empty whiskey bottle near her extended leg.
He placed her body on the bed and covered her with a sheet and a blanket. Someone would find her in the morning. He stood at the door, preparing to turn out the light and leave, thinking this was how the world would find her. He had once known her as a clean woman who would not steal so much as a needle. A woman with a well-kept house. She had been loved. But that was not what they would see in the morning.
He set about putting a few things back in place, hanging up clothes that were lying over the chair and on the bed, straightening the lampshade, picking up newspapers and everything else on the floor. But, when he was done, it did not seem enough.
He went to his room and tore up two shirts to make dust rags. He started in a corner at the foot of her bed, at a table where she kept her brush and comb and makeup and other lady things. When he had dusted the table and everything on it, he put an order to what was there, just as if she would be using them in the morning.
Then he began dusting and cleaning clockwise around the room, and by midnight he was not even half done and the shirts were dirty with all the work, and he went back to his room for two more. By three, he was cutting up his pants for rags. After he had cleaned and dusted the room, he put an order to it all, as he had done with the things on the table—the dishes and food in mouseproof cannisters on the table beside the icebox, the two framed posters of mountains on the wall that were tilting to the left, the five photographs of unknown children on the bureau. When that work was done, he took a pail and a mop from her closet. Mice had made a bed in the mop, and he had to brush them off and away. He filled the pail with water from the bathroom and soap powder from under the table beside the icebox. After the floor had been mopped, he stood in the doorway as it dried and listened to the mice in the walls, listened to them scurrying in the closet.
At about four, the room was done and Yvonne lay covered in her unmade bed. He went to the door, ready to leave, and was once more unable to move. The whole world was silent except the mice in the walls.
He knelt at the bed and touched Yvonne's shoulder. On a Tuesday morning, a school day, he had come upon his father kneeling at his bed, Caesar's mother growing cold in that bed. His father was crying, and when Caesar went to him his father crushed Caesar to him and took the boy's breath away. It was Caesar's brother who had said they should call someone, but their father said, "No, no, just one minute more, just one more minute," as if in that next minute God would reconsider and send his wife back. And Caesar had said, "Yes, just one minute more." The one giant truth . . . , his brother had said.
Caesar changed the bed clothing and undressed Yvonne. He got one of her large pots and filled it with warm water from the bathroom and poured into the water cologne of his own that he never used and bath-oil beads he found in a battered container in a corner beside her dresser. The beads refused to dissolve, and he had to crush them in his hands. He bathed her, cleaned out her mouth. He got a green dress from the closet, and underwear and stockings from the dresser, put them on her, and pinned a rusty cameo on the dress over her heart. He combed and brushed her hair, put barrettes in it after he sweetened it with the rest of the cologne, and laid her head in the center of the pillow now covered with one of his clean cases. He gave her no shoes and he did not cover her up, just left her on top of the made-up bed. The room with the dead woman was as clean and as beautiful as Caesar could manage at that time in his life. It was after six in the morning, and the world was lighting up and the birds had begun to chirp. Caesar shut off the ceiling light and turned out the lamp, held on to the chain switch as he listened to the beginnings of a new day.
He opened the window that he had cleaned hours before, and right away a breeze came through. He put a hand to the wind, enjoying the coolness, and one thing came to him: he was not a young man anymore.
He sat on his bed smoking one cigarette after another. Before finding Yvonne dead, he had thought he would go and live in Baltimore and hook up with a vicious crew he had known a long time ago. Wasn't that what child molesters did? Now, the only thing he knew about the rest of his life was that he did not want to wash dishes and bus tables anymore. At about nine-thirty, he put just about all he owned and the two bags of trash from Yvonne's room in the bin in the kitchen. He knocked at the door of the woman in the room next to his. Her son opened the door, and Caesar asked for his mother. He gave her the hundred and forty-seven dollars he had found in Yvonne's room, along with his radio and tiny black-and-white television. He told her to look in on Yvonne before long and then said he would see her later, which was perhaps the softest lie of his adult life.
On his way out of the warren of rooms, Simon called to him. "You comin back soon, young lion?" he asked. Caesar nodded. "Well, why don't you bring me back a bottle of rum? Woke up with a taste for it this mornin." Caesar nodded. "Was that you in there with Yvonny last night?" Simon said as he got the money from atop the safe beside his bed. "Quite a party, huh?" Caesar said nothing. Simon gave the money to the aide, and she handed Caesar ten dollars and a quarter. "Right down to the penny," Simon said. "Give you a tip when you get back." "I won't be long," Caesar said. Simon must have realized that was a lie, because before Caesar went out the door he said, in as sweet a voice as he was capable of, "I'll be waitin."
He came out into the day. He did not know what he was going to do, aside from finding some legit way to pay for Yvonne's funeral. The D.C. government people would take her away, but he knew where he could find and claim her before they put her in potter's field. He put the bills in his pocket and looked down at the quarter in the palm of his hand. It was a rather old one, 1967, but shiny enough. Life had been kind to it. He went carefully down the steps in front of the building and stood on the sidewalk. The world was going about its business, and it came to him, as it might to a man who had been momentarily knocked senseless after a punch to the face, that he was of that world. To the left was Ninth Street and all the rest of N Street, Immaculate Conception Catholic Church at Eighth, the bank at the corner of Seventh. He flipped the coin. To his right was Tenth Street, and down Tenth were stores and the house where Abraham Lincoln had died and all the white people's precious monuments. Up Tenth and a block to Eleventh and Q Streets was once a High's store where, when Caesar was a boy, a pint of cherry-vanilla ice cream cost twenty-five cents, and farther down Tenth was French Street, with a two-story house with his mother's doilies and a foot-long porcelain black puppy just inside the front door. A puppy his mother had bought for his father in the third year of their marriage. A puppy that for thirty-five years had been patiently waiting each working day for Caesar's father to return from work. The one giant truth . . . Just one minute more. He caught the quarter and slapped it on the back of his hand. He had already decided that George Washington's profile would mean going toward Tenth Street, and that was what he did once he uncovered the coin.
At the corner of Tenth and N, he stopped and considered the quarter again. Down Tenth was Lincoln's death house. Up Tenth was the house where he had been a boy, and where the puppy was waiting for his father. A girl at the corner was messing with her bicycle, putting playing cards in the spokes, checking the tires. She watched Caesar as he flipped the quarter. He missed it and the coin fell to the ground, and he decided that that one would not count. The girl had once seen her aunt juggle six coins, first warming up with the flip of a single one and advancing to the juggling of three before finishing with six. It had been quite a show. The aunt had shown the six pieces to the girl—they had all been old and heavy one-dollar silver coins, huge monster things, which nobody made anymore. The girl thought she might now see a reprise of that event. Caesar flipped the quarter. The girl's heart paused. The man's heart paused. The coin reached its apex and then it fell. ♦