text: Business Photographer Polesworth. YRSCommercial YRSCOMMERCIAL FOOD | PRODUCT | INTERIORS | ARCHITECTURE | COMMERCIAL PHOTOGRAPHER & STUDIOS [[[null,null,null,null,null,null],[null,null,null,null,null,null],[null,"<\/a>","<\/a>","<\/a>","<\/a>",null],[null,"FOOD & MENU COLLECTION<\/span><\/div>","PRODUCT & ECOMMERCE COLLECTION<\/span> <\/div>","INTERIORS & ARCHITECTURE,PROPERTY COLLECTION<\/span> <\/div>","CORPORATE & PRCOLLECTION<\/span> <\/div>",null],[null,"Creating images the length of the food chain and in hospitality.<\/span><\/p>","Creating clipped, advertising or lifestyle images for products.<\/span><\/p>","Creating images for construction hospitality, designers and architects.<\/span><\/p>","Creating images for branding, promotion and communications.<\/span><\/p>",null]],[{"row":0,"col":0,"visualRow":0,"visualCol":0,"prop":0},{"row":0,"col":1,"visualRow":0,"visualCol":1,"prop":1},{"row":0,"col":2,"visualRow":0,"visualCol":2,"prop":2},{"row":0,"col":3,"visualRow":0,"visualCol":3,"prop":3},{"row":0,"col":4,"visualRow":0,"visualCol":4,"prop":4},{"row":0,"col":5,"visualRow":0,"visualCol":5,"prop":5},{"row":1,"col":0,"visualRow":1,"visualCol":0,"prop":0},{"row":1,"col":1,"visualRow":1,"visualCol":1,"prop":1},{"row":1,"col":2,"visualRow":1,"visualCol":2,"prop":2},{"row":1,"col":3,"visualRow":1,"visualCol":3,"prop":3},{"row":1,"col":4,"visualRow":1,"visualCol":4,"prop":4},{"row":1,"col":5,"visualRow":1,"visualCol":5,"prop":5},{"row":2,"col":0,"visualRow":2,"visualCol":0,"prop":0,"className":"htCenter"},{"row":2,"col":1,"visualRow":2,"visualCol":1,"prop":1,"className":"htCenter"},{"row":2,"col":2,"visualRow":2,"visualCol":2,"prop":2,"className":"htCenter"},{"row":2,"col":3,"visualRow":2,"visualCol":3,"prop":3,"className":"htCenter"},{"row":2,"col":4,"visualRow":2,"visualCol":4,"prop":4,"className":"htCenter"},{"row":2,"col":5,"visualRow":2,"visualCol":5,"prop":5,"className":"htCenter"},{"row":3,"col":0,"visualRow":3,"visualCol":0,"prop":0,"className":"htCenter"},{"row":3,"col":1,"visualRow":3,"visualCol":1,"prop":1,"className":"htCenter"},{"row":3,"col":2,"visualRow":3,"visualCol":2,"prop":2,"className":"htCenter"},{"row":3,"col":3,"visualRow":3,"visualCol":3,"prop":3,"className":"htCenter"},{"row":3,"col":4,"visualRow":3,"visualCol":4,"prop":4,"className":"htCenter"},{"row":3,"col":5,"visualRow":3,"visualCol":5,"prop":5,"className":"htCenter"},{"row":4,"col":0,"visualRow":4,"visualCol":0,"prop":0,"className":"htCenter"},{"row":4,"col":1,"visualRow":4,"visualCol":1,"prop":1,"className":"htCenter"},{"row":4,"col":2,"visualRow":4,"visualCol":2,"prop":2,"className":"htCenter"},{"row":4,"col":3,"visualRow":4,"visualCol":3,"prop":3,"className":"htCenter"},{"row":4,"col":4,"visualRow":4,"visualCol":4,"prop":4,"className":"htCenter"},{"row":4,"col":5,"visualRow":4,"visualCol":5,"prop":5,"className":"htCenter"}],[],[]][]FOOD & MENU COLLECTIONPRODUCT & ECOMMERCE COLLECTION INTERIORS & ARCHITECTURE,PROPERTY COLLECTION CORPORATE & PRCOLLECTION Creating images the length of the food chain and in hospitality.Creating clipped, advertising or lifestyle images for products.Creating images for construction hospitality, designers and architects.Creating images for branding, promotion and communications. YRSCOMMERCIAL. BUSINESS PHOTOGRAPHER, POLESWORTH. YRSCOMMERCIAL. POLESWORTH & TAMWORTH COMMERCIAL PHOTOGRAPHY STUDIO YRSCommercial (Your Reflection Studio) is a leading Midlands and Staffordshire commercial, business and industrial photography studio – it is successful throughout the area, indeed UK wide. As a professional commercial and food photographer business, we help companies, business owners, entrepreneurs and media with our simple approach to commercial image production and our fixed price business photography service packages. Currently the facilities in our commercial photography studios, lets us produce a range of business and commercially needed images for product and packaging as-well-as our specialist work for food subjects and publishing. As for gear we have studio and portable rigs which means we use the right tools for the right commission – not one set of rigs across all. A lot of our other commercial client work, is done 'on-site' – on or in our client's premises. Thanks to a significant investment in our 'portable photography' studio environment, we bring our studio to the client – this means a studio environment is maintained at all times – lighting quality assured. As for specialist product, we have refrigeration for perishable product, CCTV for more valuable products installed and if delicate – we fetch the product from your premises free of charge – this takes the risk of the courier out of the shoot and we can also check the product for you on site to make sure it is perfect for photography purposes. However, all this said, much of our work is done on-site from corporate portraits to event work, building interiors to architectural installations and then their is the wide and varied aspect of engineering and industrial commissions. YRSCOMMERCIAL. A BUSINESS, INDUSTRIAL & COMMERCIAL PHOTOGRAPHY STUDIO. We only work with businesses – perhaps a strange thing to say? Well not really.. As you would expect from a professional commercial photographer and studio, we have a wide range of business driven and industrial photographic experience, which we bring to all our clients. Beyond this commercial image knowledge, we also offer advice on product and food styling and the creation of set-piece and lifestyle images as well as arrangements for model use. As a photography studio, we also have a wide and extensive knowledge of marketing and public relations. This experience was gained over 25 years prior to starting the commercial photographer studios and it helps us with both client-side and agency-side commissions – improving our commercial photographic services -focusing images, commercially driven and sales proposition orientated. YRSCOMMERCIAL. NOT A GENERALIST STUDIO, A SPECIALIST. We are renowned for being only business to business that is our specialism and our focus. Isn't all photography the same you ask? Well to put it simple – no it's not. We think 'commercial', how to sell your product, service or property and then capture a visual to make this proposition – we're marketing consultants through a camera, commercial through and through. We don't take weddings and the only portraits we take, are commercial, for business and balance sheets. It's simple – we're only business to business or business to owner! If you're in doubt ask for a client list and a portfolio – we'd be delighted to send you one. As for partners – we work with website designers, print design communications consultants and media agencies in and around Polesworth & Tamworth. But not just there – we do this UK and Euro wide. EVENT & CONFERENCE PHOTOGRAPHY. ARCHITECTURAL, PROPERTY & INTERIOR DESIGN. PRODUCT, CATALOGUE, PACKAGING & PROMOTIONAL PHOTOGRAPHY CLICK TO MAKE LARGER [[["<\/a>","<\/a>","<\/a>","<\/a>","<\/a>"],["<\/a>","<\/a>","<\/a>","<\/a>",""]],[{"row":0,"col":0,"visualRow":0,"visualCol":0,"prop":0,"className":"htCenter"},{"row":0,"col":1,"visualRow":0,"visualCol":1,"prop":1},{"row":0,"col":2,"visualRow":0,"visualCol":2,"prop":2},{"row":0,"col":3,"visualRow":0,"visualCol":3,"prop":3},{"row":0,"col":4,"visualRow":0,"visualCol":4,"prop":4,"className":"htCenter"},{"row":1,"col":0,"visualRow":1,"visualCol":0,"prop":0,"className":"htCenter"},{"row":1,"col":1,"visualRow":1,"visualCol":1,"prop":1},{"row":1,"col":2,"visualRow":1,"visualCol":2,"prop":2},{"row":1,"col":3,"visualRow":1,"visualCol":3,"prop":3},{"row":1,"col":4,"visualRow":1,"visualCol":4,"prop":4,"className":"htCenter"}],[],[]][]::::: ABOUT YRSCOMMERCIAL YRSCommercial (Your Reflection Studio) is a commercial photography studio and specialising in interiors, architecture, product and food images, based in the West Midlands and Scotland and working throughout the United Kingdom. We work with businesses, producers, restaurants, media, designers and property owners, creating images for commercial, editorial, promotional, business and industrial needs, as-well-as for media and agencies and marketing designers all over the UK. [[["","","","","",""],["<\/p>","<\/p>","<\/p>","<\/p>","<\/p>","<\/p>"],["","","","","",""]],[{"row":0,"col":0,"visualRow":0,"visualCol":0,"prop":0,"className":"htCenter"},{"row":0,"col":1,"visualRow":0,"visualCol":1,"prop":1,"className":"htCenter"},{"row":0,"col":2,"visualRow":0,"visualCol":2,"prop":2,"className":"htCenter"},{"row":0,"col":3,"visualRow":0,"visualCol":3,"prop":3,"className":"htCenter"},{"row":0,"col":4,"visualRow":0,"visualCol":4,"prop":4,"className":"htCenter"},{"row":0,"col":5,"visualRow":0,"visualCol":5,"prop":5,"className":"htCenter"},{"row":1,"col":0,"visualRow":1,"visualCol":0,"prop":0,"className":"htCenter"},{"row":1,"col":1,"visualRow":1,"visualCol":1,"prop":1,"className":"htCenter"},{"row":1,"col":2,"visualRow":1,"visualCol":2,"prop":2,"className":"htCenter"},{"row":1,"col":3,"visualRow":1,"visualCol":3,"prop":3,"className":"htCenter"},{"row":1,"col":4,"visualRow":1,"visualCol":4,"prop":4,"className":"htCenter"},{"row":1,"col":5,"visualRow":1,"visualCol":5,"prop":5,"className":"htCenter"},{"row":2,"col":0,"visualRow":2,"visualCol":0,"prop":0,"className":"htCenter"},{"row":2,"col":1,"visualRow":2,"visualCol":1,"prop":1,"className":"htCenter"},{"row":2,"col":2,"visualRow":2,"visualCol":2,"prop":2,"className":"htCenter"},{"row":2,"col":3,"visualRow":2,"visualCol":3,"prop":3,"className":"htCenter"},{"row":2,"col":4,"visualRow":2,"visualCol":4,"prop":4,"className":"htCenter"},{"row":2,"col":5,"visualRow":2,"visualCol":5,"prop":5,"className":"htCenter"}],[],[]][]:::::::::::: YRSCOMMERCIAL (YOUR REFLECTION STUDIO). Commercial, Business, Industrial, Food, Architectural, Interiors , Press & Product Studio YRSCommercial (Your Reflection Studio), a business and corporate photography studio is based in the Midlands and Scotland, working throughout the UK. We work with business, media and editors, creating images of interiors,architecture, product and food, all over the UK. YRSCommercial (Your Reflection Studio), Commercial Photographer. YRSCOMMERCIAL. POLESWORTH COMMERCIAL PHOTOGRAPHER. Commercial Photographer Polesworth | Polesworth Commercial Photographer| Commercial Photography | Polesworth Business Photographer | Food & Beverage Photographer | Food Photography | Hotel Photographer | Commercial Advertising Photographer Polesworth | Restaurant Photographer | Polesworth Event & Conference Photographer | Freelance Photographer Polesworth | Product & Catalogue Photographer | Website Design Polesworth Photographer | Packaging Photographer | Property Photographer | Interior Photographer | Architectural Photographer | Industrial Photographer Polesworth | Polesworth Corporate Photographer CONTACT US The Studio, Pye Green Road, Cannock, WS12 4HS. 07790 545990 or 07436 596343 Email us: enquiries @ your-reflection.co.uk or use our contact form here. YRSCOMMERCIAL. WORKING THROUGHOUT THE UK ©YRSCommercial. All images and content are copyright protected. See here for more information and our licensing details. Share This: Link to this post! About YRSCommercial, Commercial Photography Specialists. Business Photographer Aldridge. YRSCommercial Business Photographer Altrincham. YRSCommercial Business Photographer Ashbourne. YRSCommercial Business Photographer Ashby del la Zouche. YRSCommercial Business Photographer Atherstone. YRSCommercial Business Photographer Bewdley. YRSCommercial Business Photographer Birmingham. YRSCommercial Business Photographer Bloxwich. YRSCommercial Business Photographer Bolton. YRSCommercial Business Photographer Bridgnorth. YRSCommercial Business Photographer Bromsgrove. YRSCommercial Business Photographer Brownhills. YRSCommercial Business Photographer Burnley. YRSCommercial Business Photographer Burntwood. YRSCommercial Business Photographer Burton on Trent. YRSCommercial Business Photographer Buxton. YRSCommercial Business Photographer Cannock. YRSCommercial Business Photographer Cheadle. YRSCommercial Business Photographer Cheslyn Hay. YRSCommercial Business Photographer Chester. 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YRSCommercial Business Photographer Wilnecote. YRSCommercial Business Photographer Wolverhampton. YRSCommercial Business Photographer Worcester. YRSCommercial Business Photographer Wrexham. YRSCommercial Commercial Photographer Aberlour. YRSCommercial Commercial Photographer Aldridge. YRSCommercial Commercial Photographer Alloa. YRSCommercial Commercial Photographer Alness. YRSCommercial Commercial Photographer Altrincham. YRSCommercial Commercial Photographer Arbroath. YRSCommercial Commercial Photographer Ashbourne. YRSCommercial Commercial Photographer Ashby de la Zouche. YRSCommercial Commercial Photographer Atherstone. YRSCommercial Commercial Photographer Auldearn. YRSCommercial Commercial Photographer Aviemore. YRSCommercial Commercial Photographer Ayr. YRSCommercial Commercial Photographer Banff & Buchan. YRSCommercial Commercial Photographer Barrhead. YRSCommercial Commercial Photographer Bathgate. YRSCommercial Commercial Photographer Beauly. YRSCommercial Commercial Photographer Bewdley. YRSCommercial Commercial Photographer Birmingham. YRSCommercial Commercial Photographer Bishopbriggs. YRSCommercial Commercial Photographer Black Isle. YRSCommercial Commercial Photographer Bloxwich. YRSCommercial Commercial Photographer Bolton. YRSCommercial Commercial Photographer Bridgnorth. YRSCommercial Commercial Photographer Broadford. YRSCommercial Commercial Photographer Bromsgrove. YRSCommercial Commercial Photographer Brownhills. YRSCommercial Commercial Photographer Buckie. YRSCommercial Commercial Photographer Burnley. YRSCommercial Commercial Photographer Burntwood. YRSCommercial Commercial Photographer Burton on Trent. YRSCommercial Commercial Photographer Buxton. YRSCommercial Commercial Photographer Cheadle. YRSCommercial Commercial Photographer Cheslyn Hay. YRSCommercial Commercial Photographer Chester. YRSCommercial Commercial Photographer Chesterfield. YRSCommercial Commercial Photographer Coalville. YRSCommercial Commercial Photographer Coatbridge. YRSCommercial Commercial Photographer Coleshill. YRSCommercial Commercial Photographer Congleton. YRSCommercial Commercial Photographer Coventry. YRSCommercial Commercial Photographer Crewe. YRSCommercial Commercial Photographer Cromarty. YRSCommercial Commercial Photographer Cumbernauld. YRSCommercial Commercial Photographer Derby. YRSCommercial Commercial Photographer Dingwall. YRSCommercial Commercial Photographer Droitwich. YRSCommercial Commercial Photographer Drumnadrochit. YRSCommercial Commercial Photographer Dudley. YRSCommercial Commercial Photographer Dumfries. YRSCommercial Commercial Photographer Dundee. YRSCommercial Commercial Photographer Dunfermline. YRSCommercial Commercial Photographer Ellon. YRSCommercial Commercial Photographer Evesham. YRSCommercial Commercial Photographer Falkirk. YRSCommercial Commercial Photographer Fazeley. YRSCommercial Commercial Photographer Fife. YRSCommercial Commercial Photographer Fochabers. YRSCommercial Commercial Photographer Forres. YRSCommercial Commercial Photographer Fort Augustus. YRSCommercial Commercial Photographer Fort William. YRSCommercial Commercial Photographer Fraserburgh. YRSCommercial Commercial Photographer Gairloch. YRSCommercial Commercial Photographer Glenrothes. YRSCommercial Commercial Photographer Grangemouth. YRSCommercial Commercial Photographer Grantham. YRSCommercial Commercial Photographer Grantown on Spey. YRSCommercial Commercial Photographer Greenock. YRSCommercial Commercial Photographer Haddington. YRSCommercial Commercial Photographer Halesowen. YRSCommercial Commercial Photographer Hamilton. YRSCommercial Commercial Photographer Hednesford. YRSCommercial Commercial Photographer Huntly. YRSCommercial Commercial Photographer Invergordon. YRSCommercial Commercial Photographer Inverurie. YRSCommercial Commercial Photographer Irvine. YRSCommercial Commercial Photographer Kidderminster. YRSCommercial Commercial Photographer Kilmarnock. YRSCommercial Commercial Photographer Kinross. YRSCommercial Commercial Photographer Kirkaldy. YRSCommercial Commercial Photographer Kirkwall. YRSCommercial Commercial Photographer Leek (Staffordshire). YRSCommercial Commercial Photographer Leicester. YRSCommercial Commercial Photographer Leven. YRSCommercial Commercial Photographer Lichfield. YRSCommercial Commercial Photographer Livingston. YRSCommercial Commercial Photographer Lossiemouth. YRSCommercial Commercial Photographer Loughborough. YRSCommercial Commercial Photographer Macclesfield. YRSCommercial Commercial Photographer Manchester. YRSCommercial Commercial Photographer Mansfield. YRSCommercial Commercial Photographer Market Drayton. YRSCommercial Commercial Photographer Matlock. YRSCommercial Commercial Photographer Motherwell. YRSCommercial Commercial Photographer Musselburgh. YRSCommercial Commercial Photographer Nairn. YRSCommercial Commercial Photographer Nantwich. YRSCommercial Commercial Photographer Newark on Trent. YRSCommercial Commercial Photographer Newcastle under Lyme. YRSCommercial Commercial Photographer Newport (Staffordshire). YRSCommercial Commercial Photographer Newtonmore. YRSCommercial Commercial Photographer Northwich. YRSCommercial Commercial Photographer Nottingham. YRSCommercial Commercial Photographer Nuneaton. YRSCommercial Commercial Photographer Oldbury. YRSCommercial Commercial Photographer Orkney. YRSCommercial Commercial Photographer Oswestry. YRSCommercial Commercial Photographer Paisley. YRSCommercial Commercial Photographer Penkridge. YRSCommercial Commercial Photographer Pitlochry. YRSCommercial Commercial Photographer Polesworth. YRSCommercial Commercial Photographer Portree. YRSCommercial Commercial Photographer Redditch. YRSCommercial Commercial Photographer Rugby. YRSCommercial Commercial Photographer Rugeley. YRSCommercial Commercial Photographer Rutherglen. YRSCommercial Commercial Photographer Sandbach. YRSCommercial Commercial Photographer Sandwell. YRSCommercial Commercial Photographer Shinfal. YRSCommercial Commercial Photographer Shirley. YRSCommercial Commercial Photographer Shrewsbury. YRSCommercial Commercial Photographer Skye. YRSCommercial Commercial Photographer Solihull. YRSCommercial Commercial Photographer St Andrews. YRSCommercial Commercial Photographer Stafford. YRSCommercial Commercial Photographer Staffordshire. YRSCommercial Commercial Photographer Stockport. YRSCommercial Commercial Photographer Stoke on Trent. YRSCommercial Commercial Photographer Stone (Staffordshire). YRSCommercial Commercial Photographer Stornoway. YRSCommercial Commercial Photographer Stourbridge. YRSCommercial Commercial Photographer Stratford upon Avon. YRSCommercial Commercial Photographer Sutton Coldfield. YRSCommercial Commercial Photographer Tain. YRSCommercial Commercial Photographer Tamworth. YRSCommercial Commercial Photographer Telford (Shropshire). YRSCommercial Commercial Photographer Thurso. YRSCommercial Commercial Photographer Tipton. YRSCommercial Commercial Photographer Ullapool. YRSCommercial Commercial Photographer Uttoxeter. YRSCommercial Commercial Photographer Walsall. YRSCommercial Commercial Photographer Warrington. YRSCommercial Commercial Photographer West Bromwich. YRSCommercial Commercial Photographer West Midlands. YRSCommercial Commercial Photographer Whitchurch. YRSCommercial Commercial Photographer Willenhall. YRSCommercial Commercial Photographer Wilnecote. YRSCommercial Commercial Photographer Wishaw. YRSCommercial Commercial Photographer Wolverhampton. YRSCommercial Commercial Photographer Worcester. YRSCommercial Commercial Photographer Wrexham. YRSCommercial Food Photographer Aberlour. YRSFood. Food Photographer Aldridge YRSFood. Food Photographer Alloa. YRSFood. Food Photographer Alness. YRSFood. Food Photographer Altrincham YRSFood. Food Photographer Applecross. YRSFood. Food Photographer Arbroath. YRSFood. Food Photographer Ashbourne YRSFood. Food Photographer Ashby de la Zouche. YRSFood. Food Photographer Atherstone. YRSFood. Food Photographer Auldearn. YRSFood. Food Photographer Aviemore. YRSFood. Food Photographer Ayr. YRSFood. Food Photographer Ballater. YRSFood. Food Photographer Banchory. YRSFood. Food Photographer Banff & Buchan. YRSFood. Food Photographer Barrhead. YRSFood. Food Photographer Bathgate. YRSFood. Food Photographer Beauly. YRSFood. Food Photographer Bewdley. YRSFood. Food Photographer Birmingham YRSFood. Food Photographer Bishopbriggs. YRSFood. Food Photographer Black Isle. YRSFood. Food Photographer Bloxwich. YRSFood. Food Photographer Bolton. YRSFood. Food Photographer Bridgnorth. YRSFood. Food Photographer Broadford. YRSFood. Food Photographer Bromsgrove. YRSFood. Food Photographer Brownhills. YRSFood. Food Photographer Buckie. YRSFood. Food Photographer Burnley. YRSFood. Food Photographer Burntwood. YRSFood. Food Photographer Burton on Trent YRSFood. Food Photographer Buxton. YRSFood. Food Photographer Caithness. YRSFood. Food Photographer Cannock YRSFood. Food Photographer Catton YRSFood. Food Photographer Cheadle (Staffordshire). YRSFood. Food Photographer Cheslyn Hay. YRSFood. Food Photographer Chesterfield. YRSFood. Food Photographer Coalville. YRSFood. Food Photographer Coatbridge. YRSFood. Food Photographer Coleshill YRSFood. Food Photographer Congleton. YRSFood. Food Photographer Coventry. YRSFood. Food Photographer Cromarty. YRSFood. Food Photographer Cumbernauld. YRSFood. Food Photographer Dingwall. YRSFood. Food Photographer Dornoch. YRSFood. Food Photographer Droitwich. YRSFood. Food Photographer Drumnadrochit. YRSFood. Food Photographer Dudley YRSFood. Food Photographer Dufftown. YRSFood. Food Photographer Dumfries. YRSFood. Food Photographer Dundee. YRSFood. Food Photographer Dunfermline. YRSFood. Food Photographer Dunvegan. YRSFood. Food Photographer Edinburgh. YRSFood. Food Photographer Elgin Morayshire YRSFood Food Photographer Ellon. YRSFood. Food Photographer Evesham. YRSFood. Food Photographer Falkirk. YRSFood. Food Photographer Fazeley YRSFood. Food Photographer Fife. YRSFood. Food Photographer Fochabers. YRSFood. Food Photographer Forres. YRSFood. Food Photographer Fort Augustus. YRSFood. Food Photographer Fort William. YRSFood. Food Photographer Fradley YRSFood. Food Photographer Fraserburgh. YRSFood. Food Photographer Gairloch. YRSFood. Food Photographer Glasgow. YRSFood. Food Photographer Glenrothes. YRSFood. Food Photographer Grangemouth. YRSFood. Food Photographer Grantham. YRSFood. Food Photographer Grantown on Spey. YRSFood. Food Photographer Greenock. YRSFood. Food Photographer Haddington. YRSFood. Food Photographer Halesowen YRSFood. Food Photographer Hamilton. YRSFood. Food Photographer Harrogate YRSFood. Food Photographer Hednesford. YRSFood. Food Photographer Huntly. YRSFood. Food Photographer Invergordon. YRSFood. Food Photographer Inverness YRSFood. Food Photographer Inverurie YRSFood. Food Photographer Irvine. YRSFood. Food Photographer Keith. YRSFood. Food Photographer Kidderminster. YRSFood. Food Photographer Kilmarnock. YRSFood. Food Photographer Kingussie. YRSFood. Food Photographer Kinross. YRSFood. Food Photographer Kirkaldy. YRSFood. Food Photographer Kirkwall. YRSFood. Food Photographer Knowsley YRSFood. Food Photographer Kyle of Lochalsh. YRSFood. Food Photographer Lasswade. YRSFood. Food Photographer Lauder. YRSFood. Food Photographer Laurencekirk. YRSFood. Food Photographer Leamington Spa. YRSFood. Food Photographer Leicester YRSFood. Food Photographer Leith. YRSFood. Food Photographer Leven. YRSFood. Food Photographer Lichfield YRSFood. Food Photographer Little Haywood (Staffordshire) YRSFood. Food Photographer Liverpool YRSFood. Food Photographer Livingstone. YRSFood. Food Photographer Lochmaddy. YRSFood. Food Photographer Lossiemouth. YRSFood. Food Photographer Loughborough. YRSFood. Food Photographer Ludlow YRSFood. Food Photographer Macclesfield. YRSFood. Food Photographer Mallaig. YRSFood. Food Photographer Manchester. YRSFood. Food Photographer Mansfield. YRSFood. Food Photographer Market Drayton. YRSFood. Food Photographer Matlock. YRSFood. Food Photographer Melton Mowbray YRSFood Food Photographer Merchiston. YRSFood. Food Photographer Morningside. YRSFood. Food Photographer Motherwell. YRSFood. Food Photographer Musselburgh. YRSFood. Food Photographer Nairn. YRSFood. Food Photographer Nantwich. YRSFood. Food Photographer Newark on Trent. YRSFood. Food Photographer Newcastle under Lyme. YRSFood. Food Photographer Newington. YRSFood. Food Photographer Newport (Staffordshire). YRSFood. Food Photographer Newtonmore. YRSFood. Food Photographer Northwich. YRSFood. Food Photographer Nuneaton. YRSFood. Food Photographer Oban. YRSFood. Food Photographer Oldbury. YRSFood. Food Photographer Oldmeldrum. YRSFood. Food Photographer Orkney. YRSFood. Food Photographer Oswestry. YRSFood. Food Photographer Paisley. YRSFood. Food Photographer Penkridge. YRSFood. Food Photographer Perth. YRSFood. Food Photographer Perthshire. YRSFood. Food Photographer Peterhead. YRSFood. Food Photographer Pitlochry. YRSFood. Food Photographer Polesworth YRSFood. Food Photographer Portree. YRSFood. Food Photographer Portsoy. YRSFood. Food Photographer Queensferry. YRSFood. Food Photographer Redditch. YRSFood. Food Photographer Renfrew. YRSFood. Food Photographer Rothes. YRSFood. Food Photographer Rugby. YRSFood. Food Photographer Rugeley. YRSFood. Food Photographer Rutherglen. YRSFood. Food Photographer Sandbach. YRSFood. Food Photographer Sandwell. YRSFood. Food Photographer Selkirk. YRSFood. Food Photographer Shifnal. YRSFood. Food Photographer Shirley YRSFood. Food Photographer Shrewsbury YRSFood. Food Photographer Skye. YRSFood. Food Photographer Solihull YRSFood. Food Photographer Speyside. YRSFood. Food Photographer St Andrews. YRSFood. 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The story of this iconic British outerwear label begins in 1894 in South Shields, where the family-owned business is based to this day. Championing the unique values of the British countryside, Barbour's famous waxed cotton jackets provided all-weather protection for a range of outdoor pursuits on land and at sea, even developing standard issue gear for submariners in the Second World War. Today, the label's stylish ranges encompass sought-after outerwear which references those original designs, including the Barbour Liddesdale quilted jacket and Beadnell wax jacket. Signature trims come in Barbour tartan, alongside lightweight raincoats, leather jackets, tops and knitwear. Launching the award-winning Northumberland shooting range in 2004, Barbour has also created covetable collaborations with Land Rover, William Morris and more.more
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An aneurysm is a bulging, weak area in the wall of a blood vessel. It may occur in any blood vessel, but most often develops in an artery rather than a vein. An aneurysm can be characterized by its location, shape, and cause.
An aneurysm may be found in many areas of the body, such as the brain (cerebral aneurysm), the aorta (the largest artery in the body), the neck, the intestines, the kidney, the spleen, and the vessels in the legs (iliac, femoral, and popliteal aneurysms). The most common location of an aneurysm is the aorta, which carries oxygenated blood from the heart to the body. A thoracic aortic aneurysm is one that occurs in the chest cavity. An abdominal aortic aneurysm occurs in the abdomen.
An aneurysm may be caused by factors that result in the break down of the artery wall. The exact cause isn't fully known. Atherosclerosis (hardening of the arteries) is thought to play an important role. Risk factors associated with atherosclerosis include:
Risk factors you can't control:
Risk factors you can control:
Other specific causes of aneurysms are related to the location of the aneurysm. Examples of aneurysms in the body and their additional causes may include:
Type of aneurysm
Causes of aneurysms
Abdominal aortic aneurysm (AAA)
Cerebral aneurysm
Common Iliac artery aneurysm
Femoral and popliteal artery aneurysm
Aneurysms may have no symptoms. If symptoms are present, they will depend on the location of the aneurysm in the body. Pain is the most common symptom regardless of the aneurysm location.
Symptoms that may occur with different types of aneurysms may include:
Constant pain in abdomen, chest, lower back, or groin area
Sudden severe headache, nausea, vomiting, visual disturbance, loss of consciousness
Common iliac aneurysm
Lower abdominal, back, or groin pain
Pulsating of the artery in the groin (femoral) or on the back of the knee (popliteal), pain in the leg, sores on the feet or lower legs
The symptoms of an aneurysm may look like other medical conditions or problems. Always see your doctor for more information.
What tests you'll need depends on the location of the aneurysm. Along with a complete medical history and physical exam, tests for an aneurysm may include:
Treatment options for an aneurysm may include:
The biggest complication of an aneurysm is that it may tear (dissect) or rupture.
Because an aneurysm may continue to increase in size, along with progressive weakening of the artery wall, treatment is required to prevent rupture of an aneurysm. The larger an aneurysm becomes, the greater the risk for rupture (bursting). Rupture can cause life-threatening bleeding and possibly death. Loss of blood flow to the area the artery provides circulation to can cause organ and tissue death, which may lead to amputation of the dead tissue.
Until your aneurysm reaches the point where it needs to be repaired, it's very important to follow your healthcare provider's recommendations closely.
If your symptoms get worse or you have new symptoms, notify your healthcare provider. Get immediate medical attention if you have a sudden, severe pain in the area of the aneurysm. This could be a sign that the aneurysm has ruptured.
Tips to help you get the most from a visit to your healthcare provider:


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In a ruling yesterday which denied IBM's motion for summary judgment in its long-running battle with SCO, US District Judge Dale Kimball voiced strong reservations about SCO's case. For now, the case will continue through discovery. Once discovery is over, IBM will be able to once again refile for a summary judgment against SCO.
From the judge's ruling, it appears he is well aware of the gaping holes in SCO's case.
"Despite the vast disparity between SCO's public accusations and its actual evidence--or complete lack thereof--and the resulting temptation to grant IBM's motion, the court has determined that it would be premature to grant summary judgment," Kimball wrote Wednesday. "Viewed against the backdrop of SCO's plethora of public statements concerning IBM's and others' infringement of SCO's purported copyrights to the Unix software, it is astonishing that SCO has not offered any competent evidence to create a disputed fact regarding whether IBM has infringed SCO's alleged copyrights through IBM's Linux activities."
To quote a 1980s commercial for a large fast-food chain, "where's the beef?"
Judge Kimball also pointed out other inconsistencies in SCO's position, especially on the question of IBM's alleged violation of SCO's copyrights. When the case was first filed, SCO said it would prove IBM infringed their copyrights by incorporating Unix code into Linux. However, when the main claim was filed, SCO changed its argument, stating that IBM actually infringed by continuing to ship its own flavor of Unix (AIX) after SCO supposedly revoked its license. Since that time, SCO has continued to make the code-copying argument in both the IBM case and in its lawsuit against AutoZone, a move that the judge called "puzzling."
In late January, SCO won a small victory from the Magistrate overseeing the case, when IBM was told to turn over heaps of source code to AIX and Dynix. However, that means SCO has to hire outside experts to pore through the code, as they are barred from looking at it themselves. That's another legal expense for a company that is increasingly cash-strapped.
In reading comments from attorneys specializing in intellectual property around the web this morning, the general consensus seems to be that SCO's case is in its last throes. It is apparent that the judge has come to realize that SCO has no real case, and it could be that he is now shepherding the lawsuit through his court in a manner that will make the final verdict as airtight as possible, and unlikely to be overruled on appeal. Until that point comes, SCO continues on its slow death spiral.


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Oaks Bluff Revegetation Project
The Oaks Bluff Restoration Project removed invasive plants and restored native plants along the eastern bank of the Willamette River. During the project invasives were removed on seven acres and over 3,800 native trees and shrubs were planted. There is ongoing invasive and plant control and plant maintenance continued through 2012. The project spans from south of the Ross Island Bridge to the Oaks Bottom Wildlife Refuge. This is some of the most valuable Oregon oak woodland and floodplain riparian and wetland habitat in this reach of the lower Willamette river.


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Video cards are launching left and right these days and it's been a confusing time for many consumers. Trying to tell people that many of the latest GeForce 8 series cards have the same core as the GeForce 9 series isn't an easy thing to do. To complicate things even more, NVIDIA has been reducing the frame buffer size on the latest video cards. This is not only confusing to consumers, but the media as well. Today is no different, so sit back and we will try to walk you through what is going on.
The video card that is being launched today is the GeForce 9800 GTX, which has 754 million transistors that are manufactured on the 65nm process. This will be the direct replacement of the GeForce 8800 GTX, which has been the high-end work horse for NVIIDA since 2006. The GeForce 9800 GTX sounds like it isn't too much of an upgrade over the GeForce 8800 GTX, but NVIDIA claims that this GPU is this is the most complex GPU ever created and the specifications can be seen below. The GeForce 8800 GTX has a 768MB frame buffer with a 384-bit bus and the just released GeForce 9800 GTX just a 512MB frame buffer on a 256-bit bus. On paper this doesn't seem to be an improvement, but NVIDIA says they have optimized the G92 core so much that it doesn't need a larger frame buffer. NVIDIA atually said that internal lab testing has showed that a larger frame buffer doesn't significantly improve performance.
The reference design features 128 processors cores operating at 1688 MHz, which produces an astounding 432 GigaFLOPs of processing power. Each processor core is capable of being dynamically allocated to vertex, pixel, and geometry operations for the utmost efficiency in GPU resource allocation, and maximum flexibility in load balancing shader programs. Working alongside the processors cores are 64 texturing processors (eight texture processors per shader block) each capable of one addressing and filtering operation per clock. With a peak bilinear fillrate of 43.2 gigatexels, it offers unprecedented texturing performance for any GPU. The chip features sixteen render back-end units (ROP) with full support for 128-bit high-dynamic-range rendering and NVIDIA's exclusive 16x Coverage Sampling Antialiasing (CSAA) algorithm. The ROP compression system has also been enhanced to improve performance at extreme resolutions such as 2560 x 1600. The enhanced compression will help keep memory usage in check and help performance in high resolution, antialiased scenarios.
Both Palit and XFX sent us graphics cards, but NVIDIA forgot to mail out a third card for triple SLI testing. They overnight mailed us a card that should arrive today, so for now let's take a look at just these two cards.
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Fránçois & the Atlas Mountains | WIG280 | Released: 23/01/12
The first ever French Domino signings are ready to spread their wings over indie pop's vast international landscape. With vivid looks and a slender body, Fránçois builds up castles in Saintonge, France, with Moroccan mountains, British phlegm and sturdy friendships. After seven years of passionate gigs and road trips across Europe which has seen them tour with Electrelane, Camera Obscura and most recently with Mercury-nominated King Creosote & Jon Hopkins, Fránçois & The Atlas Mountains convey a magnetic presence on stage. A deep sense of lightness and sincerity sets in as voices, keyboards and African percussion blend into instant pop.
E Volo Love (which is a palindrome), is comprised of eleven elegant, fragile, velvet-plush songs on an album that is heart-meltingly delicate, enchanting and otherworldly. Delicately poised between sunnily feel-good and wistfully melancholy, E Volo Love has a poignant, end-of-summer feel to it. The grand theme on this dual-language album – sung in both French and English – is simply love.
An open collective, Fránçois & The Atlas Mountains has become a four-piece band over the years. Besides Fránçois who gives the band its name and soul, Amaury Ranger embodies its vibrating body thanks to the sheer intensity of his percussive skills. A new recruit, Scottish Gerard Black made a name for himself playing with Bill Wells and Findo Gask before joining forces with the band and leading an underground dolce vita in Bordeaux. Another Bordeaux stalwart, Pierre aka Petit Fantôme is a local musical treasure.
E Volo Love was written whilst Fránçois Marry surfed, cycled and wandered through the countryside, and was recorded in a church in Saintes, his hometown near La Rochelle in south west France.
The album's hot buttered sound comes from its wide range of influences, from French chanson, traditional indie pop and Aphex Twin to African and Middle Eastern sounds, which can be heard in particular on "Les Plus Beaux" and "Do You Want To Dance", which bookend the album.
WIGCD280 | Out nowAdd to cart: £10.99
- 01. Les Plus Beaux
- 02. Muddy Heart
- 03. Edge Of Town
- 04. City Kiss
- 05. Azrou Tune
- 06. Buried Treasures
- 07. Cherchant Des Ponts
- 08. Slow Love
- 09. Bail Eternel
- 10. Piscine
- 11. Do You Want To Dance
WIGLP280 | Out nowAdd to cart: £15.99
WIG280SP | Out nowAdd to cart: £18.99
Limited Edition Screen Printed Poster with Album Download Code.


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The Village of Colle Secco
The village of Colle Secco belongs to the municipality of Narni, in the province of Terni, region Umbria.
The village of Colle Secco is 9,09 kilometers far from the same town of Narni to whom it belongs.
To the municipality of Narni also belong the localities of Altrocanto (6,68 km), Borgaria (4,35 km), Capitone (8,06 km), Case sparse (-- km), Castelchiaro (7,21 km), Castello (5,92 km), Castelvecchio (8,34 km), Cipiccia Vecchia (6,55 km), Colle di Sopra (5,35 km), Colle Palazzo (8,92 km), Confini (7,77 km), Convento Lo Speco (10,61 km), Erbapigia (4,71 km), Fabbrucciano (4,17 km), Fiaiola (9,42 km), Gobbi (8,16 km), Grotta Murelle (13,99 km), Guadamello (11,60 km), Gualdo (8,66 km), I Pollacci (5,04 km), Il Molino (4,61 km), Itieli (6,58 km), La Cerqua (3,63 km), La Cerquetta (7,62 km), La Scogliara (1,12 km), Le Mole (4,92 km), Le Valli (4,69 km), Lo Speco (10,60 km), Madonna delle Treie (5,49 km), Madonna Scoperta (3,66 km), Mallione (9,11 km), Maratta (3,60 km), Massa (4,82 km), Massa Bassa (5,12 km), Miriano (2,55 km), Montini (8,30 km), Montoro (6,40 km), Moricone (6,24 km), Narni Scalo (2,22 km), Nera Montoro (5,62 km), Pollacci (4,75 km), Ponte San Lorenzo (6,51 km), Recentino (1,88 km), San Casciano (1,81 km), San Faustino (6,01 km), San Liberato (10,34 km), San Mauro (6,37 km), San Pellegrino (4,57 km), San Vito (12,42 km), Sant'Urbano (9,04 km), Schifanoia (6,44 km), Simeoni (6,98 km), Stifone (3,84 km), Taizzano (3,71 km), Testaccio (2,10 km), Vigne (6,02 km), Visciano (5,60 km).
The number in parentheses following each village name indicate the distance between the same village and the municipality of Narni.
The locality of Colle Secco rises 256 meters abobe sea level.
The population of Colle Secco counts 21 inhabitants.
Please find in what follows:
- Weather and weather forecast for the municipality of Narni, to whom Colle Secco belongs.
- Map and road map of Colle Secco
- A selection of videos about Colle Secco
In the hamlet of Colle Secco there is no bank.
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The parishes in Colle Secco
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Where to stay in Colle Secco and its neighborhoods
Hotels, Resorts, B&B in Colle Secco and its neighborhoods.
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Free ads in Colle Secco
Most recent free ads in Colle Secco, municipality of Narni, province of Terni, Umbria region, updated at 15:10:45, 22 January 2019. Place your free ad on Colle Secco: no registration needed. Place your free ad.
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Map and road map of Colle Secco
Look at the interactive map of Colle Secco and get the road maps, the satellite maps and the mixed ones too. Interactive maps of Colle Secco also allow an immediate view of: bar,restaurants,pubs,pizzerias,dancing,night clubs,banks,jewellers,beauty centers,hair stylists,supermarkets,pharmacies.
Just fill in the free text search box placed on top of the map with any of previous categories and then press enter.
Please feel free to use the same free text search box placed on top of the map to find any kind of business activities you're interested into.
Videos about Colle Secco Narni, Terni, Umbria
Several videos about Colle Secco, Narni, Terni, Umbria.
A first video is shown: clicking on the PLAY button the video will start.
Inside the video window there are several commands and a Playlist button: .
Press the Playlist button to access the complete listing of the available videos, along with their titles. It will suffice to scroll through the list using the cursor to select any of the videos.
Once the video started you can use the and buttons to scroll through the videos. Each video can be displayed in full screen.


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data Vect k b = V [(b,k)]
Elements of Vect k b represent formal sums of scalar multiples of elements of b, where the scalars are taken from the field k. (For example, V [(E1,5),(E3,2)] represents the formal sum 5E1+2E3.) Thus b is the basis for the vector space.
We saw that there is a functor (in the mathematical sense) from the category Hask (of Haskell types and functions) to the category k-Vect (of k-vector spaces and k-linear maps). In maths, we would usually represent a functor by a capital letter, eg F, and apply it to objects and arrows by prefixing. For example, if a, b are objects in the source category, then the image objects in the target category would be called F a and F b. If f :: a -> b is an arrow in the source category, then the image arrow in the target category would be called F f.
Haskell allows us to declare a type constructor as a Functor instance, and give it an implementation of fmap. This corresponds to describing a functor (in the mathematical sense), but with a different naming convention. In our case, we declared the type constructor (Vect k) as a Functor instance. So the functor's action on objects is called (Vect k) - given any object b in Hask (ie a Haskell type), we can apply (Vect k) to get an object Vect k b in k-Vect (ie a k-vector space). However, the functor's action on arrows is called fmap - given any arrow f :: a -> b in Hask (ie a Haskell function), we can apply fmap to get an arrow fmap f :: Vect k a -> Vect k b in k-Vect (ie a k-linear map).
Haskell allows us to declare only type constructors as functors. In maths, there are many functors which are not of this form. For example, the simplest is the forgetful functor. Given any algebraic category A, we have the forgetful functor A -> Set, which simply forgets the algebraic structure. The forgetful functor takes the objects of A to their underlying sets, and the arrows of A to the underlying functions.
For example, in our case, the forgetful functor k-Vect -> Hask consists in forgetting that the objects Vect k b are vector spaces (with addition, scalar multiplication etc defined), and considering them just as Haskell types; and forgetting that the arrows Vect k a -> Vect k b are linear maps, and considering them just as Haskell functions.
(Notice that when working in Haskell, the category Hask acts as a kind of stand-in for the category Set. If we identify a type with its inhabitants (which form a set), then Hask is something like the computable subcategory of Set.)
So we actually have functors going both ways. We have the free functor F: Hask -> k-Vect - which takes types and functions to free k-vector spaces and linear maps. And we have the forgetful functor G: k-Vect -> Hask - which takes free k-vector spaces and linear maps, and just forgets their algebraic structure, so that they're just types and functions again.
Note that these two functors are not mutual inverses. (G . F) is not the identity on Hask - indeed it takes b to Vect k b, both considered as objects in Hask (and similarly with arrows). The two functors are however adjoint. (I'm not going to explain what this means, but see Wikipedia, or most books on category theory.)
Whenever we have an adjunction, then in fact we also have a monad. Here's the definition for our case:
instance Num k => Monad (Vect k) where
return a = V [(a,1)]
V ts >>= f = V $ concat [ [(b,y*x) | let V us = f a, (b,y) <- us] | (a,x) <- ts]
This monad is most easily understood using the monad as container analogy. A free k-vector space over b is just a container of elements of b. Okay, so it's a slightly funny sort of container. It most resembles a multiset or bag - an unordered container in which you can have more than one of each element. However, free k-vector spaces go further. A free Q-vector space is a container in which we're allowed to have fractional or negative amounts of each basis element, such as 1/2 e1 - 3 e2. In a free C-vector space, we're even allowed imaginary amounts of each element, such as i e3.
These oddities aside though, free k-vector spaces are monads in much the same way as any other container. For example, let's compare them to the list monad.
- For a container monad,
return means "put into the container". For List, return a is [a]. For k-Vect, return a is 1 a (where 1 is the scalar 1 in our field k).
- For container monads, it's most natural to look next at the
join operation, which combines a container of containers into a single container. For List, join = concat. For k-Vect, join combines a linear combination of linear combinations into a single linear combination (in the obvious way).
- Finally there is bind or
(>>=). bind can be defined in terms of join and fmap:
x >>= f = join ((fmap f) x)
For lists, bind is basically concatMap. For k-Vect, bind corresponds to extending a function on basis elements to a function on vectors "by linearity". That is, if f :: a -> Vect k b, then (>>= f) :: Vect k a -> Vect k b is defined (in effect, by structural induction) so as to be linear, by saying that (>>= f) 0 = 0, (>>= f) (k a) = k (f a), (>>= f) (a + b) = f a + f b.
So k-Vect is like just a strange sort of list. Think of them as distant cousins. Incidentally, this is not only because they're both containers (if you believed my story about k-Vect being a container). There's another reason: Both the List and k-Vect monads arise from free-forgetful adjunctions. In the case of lists, the list datatype is the free monoid, and the list monad arises from the free-forgetful adjunction for monoids.
That's most of what I wanted to say for now. However, there's one small detail to add. Last time we defined a normal form for elements of Vect k b, in which the basis elements are in order, without repeats, and none of the scalars are zero. In order to calculate this normal form, we require an Ord instance for b. Unfortunately, Haskell doesn't let us specify that when defining the Monad instance for (Vect k). So whenever we use (>>=), we should call nf afterwards, to put the result in normal form.
For this reason, we define a convenience function:
linear :: (Ord b, Num k) => (a -> Vect k b) -> Vect k a -> Vect k b
linear f v = nf $ v >>= f
Given f :: a -> Vect k b, linear f :: Vect k a -> Vect k b is the extension of f from basis elements to vectors "by linearity". Hence, linear f is guaranteed to be linear, by construction. We can confirm this on an example using the QuickCheck properties we defined last time.
> let f (E 1) = e1; f (E 2) = e1 <+> e2; f _ = zero
> (linear f) (e1 <+> e2)
> quickCheck (prop_LinearQn (linear f))
+++ OK, passed 100 tests.
Acknowledgement: I'm partially retreading in Dan Piponi's steps here. He first described the free vector space monad here. When I come to discuss the connection between quantum algebra and knot theory, I'll be revisiting some more material that Dan sketched out here.
Exercise for next time: What does Vect k (Either a b) represent? What does Vect k (a,b) represent?


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Please join Laura Waterman Wittstock and Miguel Vargas on First Person Radio as they talk about SOPA & PIPA with three experts from the field. Don't know what SOPA and PIPA are?
(from Whatis.com) The Stop Online Piracy Act (SOPA), also known as House Bill 3261, is legislation introduced in the United States House of Representatives to enforce current laws that make stealing intellectual property and trafficking in counterfeit goods illegal.
The legislation will provide a way for United States courts to penalize foreign websites that are currently outside the reach of United States courts. If SOPA becomes law, Internet service providers (ISPs) will be required to filter domain names to identify sites that are found by federal courts to be in violation of the law. ISPs will be required to redirect traffic from such sites. The legislation also specifies that a federal court can order a direct payment company to sever ties with a site that has been found in violation.
Proponents of the legislation are eager to shut down sites that break United States laws, pointing out that online piracy and the trafficking of counterfeit goods deprives the United States economy of a highly significant amount of revenue each year.
Critics of the legislation and its United States Senate equivalent, the Protect IP Act, are concerned that legislators do not fully understand how the Internet works. On the technical side, IT security professionals throughout the world have raised concerns that PIPA's domain name system (DNS) filtering is incompatible with DNSSEC. DNSSEC is a set of Internet Engineering Task Force (IETF) standards that address vulnerabilities in the Domain Name System (DNS) and protect it from online threats.
Continue reading about SOPA and PIPA:
The United States House of Representatives website has more information about SOPA.
The United States Senate website has more information about PIPA.
Steven Renderos leads Main Street Project's media justice and community building efforts, including the Minnesota Digital Justice Coalition and our collaborative work with the nationwide Media Action Grassroots Network (MAG-Net). He brings more than seven years of community organizing and training experience, and more than ten years of filmmaking and media production experience.
Prior to joining Main Street Project, Steven served as Project Coordinator of the Minnesotano Media Empowerment Project, an initiative of the Department of Chicano Studies at the University of Minnesota focused on improving the quality and quantity of media coverage and representation of Latinos in Minnesota. He currently serves on the boards of Organizing Apprenticeship Project, La Asamblea de Derechos Civiles, and the Center for Media Justice. Steven (aka DJ Ren) also hosts a show called Radio Pocho on KFAI Radio heard on Wednesday Nights 8pm to 10pm.
Ernesto Falcon, Director of Government Affairs. He joined Public Knowledge from the office of Rep. Bart Stupak (D-MI), where he worked for three years as the senior legislative assistant dealing with issues related to the House Energy and Commerce Committee's Subcommittee on Communications, Technology, and the Internet. Ernesto previously worked on Capitol Hill for Rep. Earl Blumenauer (D-OR) for three years as a technology manager and legislative assistant. He originally came to Washington D.C. on an internship with Congressman George Miller (D-CA) in early 2004 shortly after graduating from California Polytechnic State University in San Luis Obispo with a degree in Political Science.
amalia coordinates the media policy initiatives of the Center for Media Justice and the Media Action Grassroots Network (MAG-Net). She has over 15 years of experience in community and cultural organizing, with a specific interest in human rights, cultural rights and traditional knowledge. At CMJ, amalia uses her extensive experience for field-building, community-building, and policy advocacy.
Born in Guatemala, she worked for many years at the Main Street Project–a MAG-Net anchor–in her hometown of Minneapolis. While there, she co-directed a nationally recognized four-state rural Latino capacity-buliding initiative called The Raíces Project. Nationally, amalia is a board member of the Indigenous Women's Network, Main Street Project and the Media and Democracy Coalition.
© KFAI, 1808 Riverside Avenue, Minneapolis, MN 55454 Tel: 612-341-3144


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If, that is, perhaps, maybe, someday—but—in order to partake of this wondrous electronic cornucopia, you have to live in a metropolitan area of sufficient population density, with the latest gazillion channel fiber optic cabling, super-fast routers, etc., etc., etc. Even in these places, though, you may have to wait weeks for an installer to show up, and service may be less than stellar.
Should you be one of the multitudes of unfortunates living in Smalltown, USA, or somewhere out in the rural areas that make up most of Farm Country, forget about it. You may have the latest, greatest, gigabit Pentium processor computer, capable of zillions of calculations per second, but when you connect to the outside world to send e-mail or surf the Web, you do well to get a wheezing, creaking 56k connection over your phone line. You can go out for a five-course dinner at Burger King in the time it takes for some Web pages to download.
The capabilities of the Internet appear limitless, ranging from now routine e-mails to someday movies-on-demand and real-time videophone conversations with family, friends, and business associates worldwide. Given enough bandwidth, that is Û and at an affordable cost.
Telcom and cable TV companies are spending billions of dollars nationwide to install high bandwidth fiber optic cables that will provide ultra-fast communications, but they're concentrating first on high volume areas. Phone companies have managed to coax higher speeds from existing copper cable systems, but these services, too, have thus far been mostly in cities.
Internet access via cable TV systems is quite fast, but speed can vary according to the number of users, but rural residents are out of luck because it isn't economically feasible to run cable lines in sparsely populated areas. Fast access via phone line, in towns where it's available, also is presently limited to areas within a few miles' radius from the telephone company's central office, again shutting out those in the countryside.
For the millions of rural residents who aren't likely to be offered high speed Internet service via cable or phone line, the answer may lie in satellite systems, a technology many of them already use for receiving television signals. Satellite companies are salivating over the extra bucks they can realize by offering package deals for TV and Internet service. All that's needed for access is a clear view of the sky so signals can travel unimpeded between the 24-inch to 36-inch antenna dish and the orbiting satellite.
Costs vary all over the lot, ranging from a few hundred to several hundred dollars for installation, and $50 to $75 per month for Internet access (discounts are generally available for packages that include TV service). While cost might be a barrier now, it is expected that prices will come down as the market becomes more competitive (and most farmers could write off the Internet access fee as a business expense).
Senator Conrad Burns, R-Mont., chairman of the Senate Communications Subcommittee, recently introduced legislation aimed at increasing the availability of high speed Internet access in rural America. Among co-sponsors are Senators John Breaux, D-La., and Blanche Lincoln, D-Ark.
The bill would relieve small telephone companies from burdensome Federal Communications Commission paperwork requirements that Burns says is "strangling these small companies" and cut through red tape in order to speed deployment of high speed Internet access. The FCC opposes the measure, contending that no changes are necessary.
Burns has introduced other bills to improve Internet access in rural areas, one that would allow airwaves currently set aside only for low power TV stations to be used to provide wireless Internet service, and another that would lift the cap on universal service funding for rural telephone companies, allowing them to improve their systems and offer high speed access.
e-mail: firstname.lastname@example.com


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by Louise E. Wright
Painter and printmaker Bill Scott sees it as a means of "creating family." Bill Valerio, director of the Woodmere Art Museum, calls it a "disease" while Pam Birmingham, the museum's curator of education, describes it as a "love affair."
"It" refers to the collecting of fine art, the subject of a new lecture series running this month at the Woodmere.
Appropriately titled "The Art of Collecting," the series aims "to cultivate new collectors," according to Birmingham, who believes "people would be interested in collecting if they knew how." In addition to tempting audience members who have yet to purchase a drawing or watercolor, the series will appeal to those already bitten by the collecting bug.
Birmingham views the lecture series as a way to "test the waters," to determine interest in the subject. The 50 or so listeners present for Scott's "The Artist as Collector," the first in the series, clearly indicated that interest runs high.
Ultimately Birmingham would like to see the Woodmere "develop a collectors' group" that would meet regularly to "talk about the 'new babies' they've purchased." In addition, members would visit one another's homes to view collections as well as lend and share their treasures.
Such a group would undoubtedly win the approval of Woodmere founder, Charles Knox Smith, a collector himself. Birmingham relates that Knox added rooms onto his Chestnut Hill mansion when his collection exceeded his wall space. Furthermore, she points out, the lecture series dovetails nicely with "The Philip Jamison Collection," a current exhibition of more than 100 works amassed by the watercolorist.
Jamison collected the works of his fellow Chester County artists, his teachers and his friends. "It's a personal collection for him," Birmingham says, "which is the way it should be." Scott made the same point in his lecture, emphasizing that many of the pictures he has acquired have come from friends who are artists or artists who have become friends. Telling the stories behind his pictures, Scott offered listeners glimpses into his own life as well.
David DeAngelo, who traveled from the Bethlehem area to attend Scott's talk, offered another perspective on the same idea. While he purchases paintings for the sake of enjoyment, he also derives pleasure from "getting to know the artist and his view of the world."
Personal relationships aside, why do people collect? Dorothy J. del Bueno explores their motivations in "The Psychology of Collecting." She intends "to raise some questions" and engage in a dialogue with her audience. "I don't know the answers, but it's important for people to think about why they do what they do."
Collecting, del Bueno theorizes, "rarely has anything to do with utilitarianism." She mentions that Jay Leno collects automobiles "he's never going to drive" and wonders, "Why would somebody need those kinds of objects?"
Del Bueno began her own collection about 15 years ago, specializing in Pennsylvania artists, primarily women, from the late 1800s through the 1940s. Recently she has developed an interest in young Philadelphia artists. She collects in order to surround herself with beauty. "I like to live with my art," she says. "Everything I have is visible."
In addition to collecting for aesthetic reasons, del Bueno intends to share her works "with the public at some point in time." To this end, she has made bequests to the Woodmere as well as to the Reading Public Museum.
What about art as an investment? Birmingham dismisses the idea. "I don't think of it as an investment," she says. "When you see it that way, when you take the 'love affair' out of it, then it's best left to the brokers. I don't think our speakers think of art as an investment. It's a passion."
While collectors may not regard art as an investment, financial considerations do come into play. Birmingham, however, doesn't see the current economic crisis as an obstacle to collecting. "You don't have to spend $200," she says. "You could start by buying inexpensive small pieces."
That's how Scott got started. As a boy, he bought postcard reproductions, what he referred to as "baseball cards for artists" in his lecture. "I still buy postcards," he quipped, "but I'd rather have paintings."
Birmingham encourages those new to the game to visit artists' studios and to patronize student shows at schools like the Pennsylvania Academy of Fine Arts or the Moore College of Art. In this way, the neophyte collector would get in on the ground floor, help out an artist in need of money and access works priced less expensively than those of established artists.
In addition, she suggests going to auctions even though she herself feels intimidated. "I don't know how they run or when to raise the paddle," she admits. David Weiss, senior specialist at Freeman's Auction House and a frequent appraiser on "Antiques Roadshow," has the answers to those questions. In "Approaching the Auction House," the final lecture in the series, Weiss shares an insider's knowledge and offers tips for successful bidding.
The series runs on Saturday afternoons throughout February. For more information, visit woodmereartmuseum.org


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Tuesday, 12 October 2010
Making Headlines
Today is World Arthritis Day. To help promote this I agreed to do some interviews with regional media, including the Press and Journal newspaper in Scotland, a live radio broadcast with BBC Hereford and Worcester and a feature on BBC Midlands Today news programme. Scary stuff, may I add. I am confident in talking about my disease but it's slightly different when you have cameras and microphones pointing at you. The radio and TV crews arrived at my home today and were ever so polite. I was worried that sometimes the media have a way of twisting stories to make them look fake (for example asking me to sit in a wheel chair or something which is not how I operate at the moment). But they have all been truthful and realistic in their approach and I am very grateful for their support.
It was great to feel like a little bit of a star for the day, although typically my condition means I am now exhausted from all the nonsense. I have had some fantastic feedback from viewers and readers who have flooded my inbox with their stories and I couldn't have hoped for more. My mum was unexpectedly dragged into the shots for the news programme (reluctantly) but she did fantastic too! I feel an overwhelming sense of achievement today that I have done my bit to help others but by no means is this the end of my fight to teach the world about the negative and positive aspects of living with arthritis. I hope I have maybe changed some people's perceptions of the disease.
I find it therapeutic to keep my mind busy. As I've mentioned before, being out of work is no fun, so I do all I am capable of in the form of writing and campaigning. For so long I felt isolated and unworthy because of my condition. But through sheer determination, I have got to a point where I am confident that one day I will return to work and do a bloody good job!
So enough from me... I am going to retire to the comfort of my warm bed and sleep off my incredibly long day in front of the cameras. It's been emotional… Happy World Arthritis Day my friends.
Posted by Rheuma Girl at 21:01
3 comments:
well done, that's so brave!! post up the links if you have them!ReplyDelete
- Anonymous13 October 2010 at 18:18
Beautiful work your doing and may you continue with the strength to get the word out. Blessings to you as this is helping someone somewhere.ReplyDelete
Please come by for a chance to win a special GIVEAWAY I am having in honor of breast cancer awareness month. Hugs. Tammy
- Anonymous13 October 2010 at 20:40
I would like to suggest you visit www.roadback.org and look into low dose, long term antibiotic therapy.ReplyDelete
There is also a book you can read on the subject. "The New Arthritis Breakthrough, Including Dr. Brown's classic, The Road Back by Henry Scammell"
I can't offer much in the way of info, since I am new to it myself, but I sure wish someone would've told me about it years ago.
Take care,
Subscribe to: Post Comments (Atom)


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Mark Wahlberg: Norah Jones Performing 'Ted' Song at Oscars!
Mark Wahlberg and his sons Michael and Brendan hold hands as they head to a basketball court for some afternoon fun on Sunday (January 27) in Brentwood, Calif.
A new still for the 41-year-old actor's film 2 Guns, also starring Denzel Washington, was just released. Check it out below!
It was just announced that Norah Jones will be performing her Oscar-nominated song "Everybody Needs a Best Friend" at next month's ceremony. The song is featured in Mark's hit comedy Ted!
"I had such a great time recording this song with Seth [MacFarlane], and was thrilled to find out that it was nominated for an Oscar," Norah said in a statement. "Getting to perform it at such a prestigious event, which my friend is hosting, is a once in a lifetime opportunity."
15+ pictures inside of Mark Wahlberg spending time with his boys…


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Pie Bakeoff 2008 Special Mention: Most Unusual Pie Best Pie Bakeoff 2008
Voting for the best Original and Classic pies in our Best Pie Bakeoff 2008 has finished, but we wanted to also weigh in editorially with three Special Mention awards.
Read on to see why we awarded this Special Mention to Breanne and her highly unusual tart!
There were some very unusual pies in this competition. We saw grape pies, chocolate pies, peanut butter pies, and not one but two bean pies!
What put this one over the top for us was Breanne's addition of a brulee topping. We are very intrigued by her description of the creamy texture of the bean filling, and her beautiful photos of the flawless crust. But the thought of those elements married to a crispy, crackly, bruleed sugar crust was almost too much to handle. We can hardly wait to try this tart!
Good job Breanne, and enjoy your prizes.


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BEAUTY OP-ED | News flash... real women come in ALL sizes, not just plus-sizes
SINCE THE deaths of two South American models caused by complications related to anorexia, the weight of models and other aspirational types – actresses, TV hosts, singers, reality TV stars et al – has come under fire and rightfully so. The British Fashion Council set up the Model Health Inquiry. Madrid Fashion Week banned models with BMIs under 18. Essentials Magazine has decided to use REAL WOMEN instead of models and actresses in all future issues. But, man, is it about time we women -- REAL WOMEN of all shapes, sizes, colors, creeds -- took issue with the misuse of that term -- real women.
Because a woman is scarily thin doesn't make her any less of a real woman, in my book, than one who happens to be scarily overweight. It's true that the relentless march of under-nourished, under-aged and over-airbrushed girls that peer out at female-kind from every nook and cranny of visual popular culture is un-nerving at the best of times and horribly damaging – even fatal – at the worst..
But, is the backlash against them – this defining non-skinny women as the sole real women – the right way either? Sure, it's easy to indignantly smirk at the wafer-thin women as pawns in male master-minded industries, reducing them to mere objects in our minds, open game to our hate and scorn. But does being clinically obese make you more real than a woman who suffers from starving herself? How about those who don't happen to be the average size (14) but don't fit into sample sizes (0) either? Those who pleasantly fall into that no-man's land of size 6 to 8 (what I grew up believing was the ideal thanks to my Sweet Valley High books in Junior High)? Are those in that category also not considered real? And why such a narrow bloody definition based on nothing but an arbitrary (and believe me, they are arbitrary) trouser size?
It's time to stop the binary thinking, ladies.
An either-or mentality has never gotten anyone anywhere in this world. Being underweight can be unhealthy and wreak havoc on the collective female psyche when constantly championed as the female ideal. But, on the flip side, when the average size of a nation (I'm looking at you in all your sweatpant-clad glory, America, and a population where 6 out of every 10 people is overweight) starts to cost healthcare upwards of $150 billion annually, we need to man (and woman) up and realize there's nothing inherently better or more real about being bigger either.
It seems while our ideal keeps shrinking, our idea of what's average keeps ballooning so that our sense of normalcy is bordering on surreal. The bigger we get the smaller we want to be, making our aspirations and our state of reality equally dangerous.
I often hear the name of Marilyn Monroe invoked in defense of the plus-sized American woman – "Marilyn Monroe was a size 16. That says it all", said Rosanne Barr, giving women on the top end of the spectrum carte blanche to continue scorning smaller women. But she's wrong. Not only are vanity sizes de riguer (a size 4 of 2010 is approx. the same size as a 1980s size 8 and so on) but Monroe had a 22-inch waist on a good day and 23-incher on a bad day. Clearly not the measurement of today's average woman. So stop it, ladies, and face the music! We all come in different shapes and sizes and there's no justifying one's weight and worth as a real woman because of a number on a scale or invoking the name of Miss Monroe to assuage delicate egos!
You're no less of a woman if you're a size 2 than a size 12 than a size 6 than a size 24. End of story.
I agree that airbrushing, the cult of skinny (esp. paired with bolt-on boobs, surgery, injections et al) and all that nonsense is, well, nonsense, but so is pretending that you have to fit an equally absurd set of criteria to be deemed a REAL WOMAN.
Because you know what? We're all real women or so said that very crucial anatomy lesson in high school health class (and if you don't know what that means, I can't help you). Some have been more blessed by the genetic gods than others and some (many nowadays) cheat. So what? Some might have eating disorders. Some might be naturally thinner or thicker. Some might be athletic, short, tall, round, lean... whatever. There's no one-body-fits-all for womankind so this bandying about of the term real women is as mystifying as it is damaging and delusional.
Help me think of a better term for women who don't work as models or actresses. Vain, eating-disordered, carved-up-by-a-plastic-surgeon's-knife as all those ladies might be, they're still real women so let's cut the bulls**t use of that term as a way to grab the public's limited attention and find something a bit better suited, shall we?