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UK's first stealth jumpjet rolls off line – but we don't want it
First of three supersonic Harrier replacement orphans
The first ever supersonic stealth jumpjet to be built for the British armed forces has rolled off the assembly line. There's just one snag: Britain decided last year that it would no longer have jumpjets, meaning that the aircraft will never serve with the Royal Navy or RAF.
Regular readers will no doubt recall that ever since the 1990s, the Ministry of Defence (MoD) had planned to replace the famous Harrier jumpjet with the Short Takeoff and Vertical Landing (STOVL) version of the upcoming F-35 stealth fighter-attack aircraft, now in flight test, which will equip US forces and many others in coming years. In fact, Britain's interest in the F-35B meant that the lead test pilot on the type is a Brit (Graham Tomlinson, filmed above carrying out the F-35B's first vertical landing.)
But last year the incoming Coalition (in effect, Prime Minister David Cameron, as UK service chiefs need take orders from nobody below that level) decided that the Royal Navy will in future get a carrier equipped with catapults and arrester wires, meaning that it can operate jets fitted with a comparatively simple tailhook and strengthened for deck landings. The UK will now be purchasing the "C" carrier version of the F-35, not the jumpjet B model – though probably in very limited numbers given budget constraints and the decision to keep flying cripplingly expensive Eurofighters and Tornados as well.
The F-35C is probably a good idea as it will be cheaper to own and operate than the F-35B – and will have superior performance as it doesn't need to carry the jumpjet's complex vertical-thrust hardware.
But before the decision last year, the UK had already ordered three F-35Bs, and it is the first of these that has just come off the production line in the USA. Blighty will still get three jumpjets to replace the lost Harriers – now sold off at bargain prices to the US Marines, who can't believe their luck – even if they never go operational. ®

subset: commoncrawl


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I am not a second guesser and won't start tonight. So let me go on record now – and again – before the game to denounce the move of Jose Reyes to the third spot in the order.
It will be the first time since 2005 Reyes will bat anywhere other than leadoff.
I don't care if Reyes gets on four times tonight, I believe in the long term this move will inevitably backfire because eventually it will force the speedy shortstop outside his game.
Reyes, arguably the game's premier leadoff hitter, is being asked to take his skills to the third slot under the guise of getting more fastballs for the struggling Jason Bay.
You see, explains Manuel, Bay's problems stem from not getting enough fastballs, and putting a base stealer ahead of him theoretically will get those fastballs. Just out of curiosity, who was the great base stealer ahead of him in Boston? Was it David Ortiz?
For years, the Mets have been telling anybody who would listen Reyes is their offensive catalyst, that him at the top of the order is what gets the team going. So, naturally, when Reyes is just starting to feel comfortable they move him to a position with the high potential of inducing bad plate habits.
However, Reyes insists he's not going to do all the things when one plays outside himself after being moved to a run-producing slot in the order. There will be no poor pitch selection, no trying to loft the ball and pull, no trying to hit home runs.
Throughout his career Reyes has fallen into these habits after hitting a home run or two. Willie Randolph used to cringe whenever Reyes homered.
"I'm going to be me,'' Reyes insists. "I'm going to take it like I'm going to be leadoff. He explained it to me. I said, `I don't have a problem Jerry.' ''
Easier said than done. When thrust into an unfamiliar role it is human nature to want to live up to the dynamics of that role. The No. 3 hitter is supposed to be your best hitter, one with the combination of average and power. It is not a speed position.
For the Mets, that player is a healthy Carlos Beltran, and in his absence, David Wright.
But we're going to get Reyes, who even under ideal circumstances sometimes swings too long.
It will be very easy to fall into bad habits in this role.
A less dramatic solution would be to move Bay out of the clean-up slot, perhaps to No. 2, or maybe temporarily sixth. Instead of moving the player with the problem, the Mets' solution is to juggle the entire line-up. Not only will Reyes move, but also Wright, Jeff Francoeur and Angel Pagan.
There are other options, but none would fill the leadoff slot as well as Reyes. So, in essence the Mets are weakening two slots in the batting order with this gamble.
The Mets' offense hasn't been doing well, but the team had won three of its last four games. Most of the Mets' problems when they lose have been pitching related.
If John Maine spits the bit tonight, it probably won't matter what Reyes and Bay do.
Nobody with the Mets – not just Bay – failed to hit against the Cardinals. So, why didn't Manuel do this then? Oh yeah, because Reyes said he was uncomfortable in that role.
Here's tonight's line-up for the Mets:
Angel Pagan, CF
Luis Castillo, 2B
Jose Reyes, SS
Jason Bay, LF
David Wright, 3B
Ike Davis, 1B
Jeff Francoeur, RF
Rod Barajas, C
John Maine, RP


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Acerca de
I was born in Canberra, Australia in 1980 and founded illume photography in 1997. My first camera was given to me by my father at the age of 10.
I decided on a life of photography at a young age and was inspired by my parents' history and journey to Australia. My greatest passions in life are photography and travel. Experiencing other cultures and communities broadens one's view of the world, this allows me to capture scenes and events as I see them.
I am humbled to have had work printed in various publications and my photography receiving praise including an 'Outstanding Achievement' for my Life series.
'My World' is my first publication that includes a selection of photographs from 1997 to present.
"Photography is to speak without speaking. Investing time allows you to see your surroundings differently, and its qualities allow you to truthfully photograph. Photography gives me the freedom to uncover what is taken for granted and be a better person" Ante Badzim


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Part# CH27660
Mfg# FR315KT
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OPGI Price: $2,799.99
Part Type: (P) High Performance, designed to improve performance
Years: 1968-1972
Sold As: KIT
2018 GTO Catalog Page: 393
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Any package that measures over 48" in length, and/or 30" in width or height, is subject to an additional handling surcharge of $15.95 per package. Unusually shaped packages such as cylinders or drums are also subject to this charge, as are unusual exterior packaging materials such as plastic or cloth.
All drop-shipped orders must be prepaid. Rates vary depending upon weight.
Improve the steering of your classic A-body with this complete rack and pinion conversion from Flaming River. This unique system utilizes the "Travelbar" which connects new tubular inner tie rod ends at the original pivot points, reducing bump steer. Each cradle system is welded in a jig for accuracy and comes ready to bolt in.
Kits include the following components:
-Complete rack cradle
-Mounting hardware
-Steering shafts
-Tilt steering column (where applicable)
-Power steering pump and pulley (where applicable)
-Polished aluminum reservoir (where applicable)
-Sway Bar (1964-67)


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by MICHAEL CARUSO
When Donald Nally succeeded Mark Anderson a year ago as director of music at the Presbyterian Church of Chestnut Hill, the appointment was made on an interim basis. As early as October of 2011, the Rev. Cindy Jarvis, the church's pastor, knew that Nally could very well receive an offer to teach at Northwestern University in Chicago. In the spring of 2012, the offer was made ("the sun, moon and stars" in Jarvis' words), and Nally accepted.
Nally has been a familiar figure in both the local and international classical music scenes. Here in Philadelphia he has been the music director of the Choral Arts Society, director of the chorus of the Opera Company of Philadelphia and music director of St. Mark's Episcopal Church in center city. He has been choral director of the Chicago Lyric Opera and choral director of the Welsh National Opera in Cardiff, Wales. Founder and director of the now defunct Bridge Ensemble, he will continue as artistic director of The Crossing, a choir specializing in contemporary choral music that regularly performs at Chestnut Hill Presbyterian Church.
In a letter to the congregation sent earlier this summer, Jarvis explained that the church's session appointed Daniel Spratlan as director of music and Ken Lovett as assistant director of music. Lovett is best known for his 25 years as music director of the Episcopal Church of St. Martin-in-the-Fields in Chestnut Hill. When Nally was appointed interim music director last fall, Lovett was appointed interim church organist.
Jarvis explained that Spratlan is currently an adjunct professor of choral music at Rutgers University, where he will complete his doctoral degree in choral conducting in June of 2013. He already holds degrees from Earlham College and Westminster Choir College. He has worked at St. James' Episcopal Church in Scarsdale, N.Y. and is also a member of The Crossing.
"When I met Dan during the interview process," Jarvis said, "I was taken with his genuine excitement about our church, our choir and our church's place in the musical life of Philadelphia. I had no doubt that he was eager to lead our music ministry into a new and lively future. As we talked about planning worship together, I discovered that he not only brings a deep knowledge of the church's worship but also an understanding of the interplay of word and music in the service that made sparks fly in my own imagination. Beyond Sunday morning, Dan would like us to consider returning to a music festival that features our own choir, maybe even twice a year."
Commenting on his expanded role at Chestnut Hill Presbyterian, Lovett said, "I'm pleased to tell you that the session has invited me to become a permanent member of the staff. I'm very much looking forward to working with our new director of music, Dan Spratlan, who is an incredibly talented conductor and a nice guy, to boot.
"I'm having so much fun playing the organ! This is the first time in my professional career that I've actually had time to practice. For most church musicians involved with recruiting and conducting choirs, choosing music, planning services, etc., organ practice often falls to the bottom of the list. What a joy to have practice time as my first priority. I'm very thankful to be working for Cindy Jarvis and the folks at PCCH, where they take very seriously their call to support the arts, especially music and musicians.
"This coming season, in addition to playing the organ and accompanying the choir, I'm going to be developing a new music component for the children in the church school. Rather than starting a choir and building repertoire, we're adding time onto the Sunday Church School hour to focus on music."