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Franang zine on line
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Joined: 12 Oct 2008
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Location: FRANCE
Posted: Sun Oct 12, 2008 12:33 pm
Post subject: Franang zine on line
Franang zine is on line with interviews and reviews at :
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Joined: 12 Oct 2008
Posts: 19
Location: FRANCE
Posted: Mon Oct 27, 2008 10:28 am
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interview with Swedish Gehennah on line
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Joined: 07 Aug 2007
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Posted: Mon Oct 27, 2008 10:37 am
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Do you have a starting page, or is everything to be sought in the sub-directoires-browser-style ? The upper link only leads me to a directory, but no index.html-like file
EDIT: link works now somehow, but still nothing visible
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Joined: 10 Jan 2008
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Posted: Mon Oct 27, 2008 11:06 am
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Here is the English version of the interview I did with Ronnie Ripper in my Hebrew fanzine, which is also an appetizer for the next issue, which I'm planning to release in January, this time IN ENGLISH! It's gonna feature this one and the other 2 (Golgolot and Apokalyptic Raids) translated as well!
Hi Ronnie! How are you there? What are you doing lately?
Hey man! Well, I'm just chilling out and record some new stuff for Private War at the moment since I lost my job by New Years Eve, nothing much really.
You've been involved in many varied bands over the years, please describe the readers a bit about each. How were they formed? What were the inspirations? Which one is your favorite?
This might be the hardest question you can get after all these years, he he. I first started out in Vomitory back in October 1989 and for starters I handled bass and vocals but since I was piss poor at both I had to decide what to focus on, that's why I ended up just a vocalist in that band. The main object in forming Vomitory was that no one around here was playing the music we listened to and we knew that it was needed here to put some quality in our lives, nothing more, nothing less. I left the band in January 1997 due to personal differences, we had simply grown apart I guess. Due to the fact that I had put the bassguitar on the shelf I had to find another way to fulfill my needs and after a few lousy attempts Gehennah found the right lineup in December 1991 (first rehearsal actually took place in February 1992 so we count the days from that year though) and started our rocky way to the Hall of shame, ha ha! This story is still to be finished so the band is still around but not active, time shall tell what happens from here on. Since Gehennah sort of faded out somewhere along the way after we were stranded without a record deal back in 1998 and nothing much happened in any way I had to form a new project and during a really fucked up drunken binge Turbocharged was formed in March 2000. This is what I have put mostly all my efforts in the last 8 years and after some lineup changes and a shitload of recording sessions we unluckily lost our guitarist just before X-mas last year and since then things have moved really slow, this also due to the fact that we all have families by now and really struggle with having a schedule for the band that suits us all. The low season in Turbocharged again made me come up with another way to burn my bridges and one day I just sat down and recorded the first tracks with "Ronnie Ripper's Private War" a bit cheesy putting your name in the bandname like that but at least I'm alone with a band called that, right?
I could probably go on forever with more details and such stuff but this is the story of my life if you cut some corners. I have no favourite among these bands, the only thing that makes any project closer to my heart is RRPW and that's simply because I can do whatever I want with it and I don't need to compromise in any way but on the other hand: you can't go down to the rehearsal place and crank up the decibels and just blow out your thoughts with a solo project. All of the above has their own place in my golden book.
Are you married? Didn't know that... Do you have any kids? Are they already into Metal?
Ha ha, me, married? That'll be the day! No, I'm not married but I do have a son who just turned 9. Unfortunately he's not into any kind of music yet, guess my burning interest has scared him off for now but of course I hope he'll pick up the flag one day.
Do you play all the instruments yourself in RRPW or do you have any guest musicians that take part in the recordings?
I play everything in the fashion that I do so until I have something in mind that I can't handle, like guitarsolos there I have had help so far from Old Nick from Turbocharged but I slowly get there myself, some half assed solos has been recorded by yours truly and I hope they will do even the day when the final mix is set. And, I hate to admit this, the drums, piano, horns, etc, are computer based since I don't have the knowledge or the urge to learn how to play every instrument I decide to add on a recording. I can only handle vocals and guitar or bass guitar live so if I need to add those instruments on stage one day I'll just have to look up the right people to play it, right?
Since today's technology allows you to get the really dirty sound even with midi, why not use it as long as it sounds cool? Ha ha, I find myself defending my own stuff now but that's simply because I have always really hated fakes like drum machines and such crap which I now have to admit comes in handy every now and then.
Well, I'm far from being an expert in sound, but the drums in RRPW sound way better than in many other bands that used drum machines and I wouldn't say that they sound FAKE! It's better in my opinion to have well done drums, rather than calling your one-man project BURZUM and playing stuff that really sucks monkey balls, even if it's all done with real instruments
Well, that's true - but I have one foot in both camps when it comes to this question... I happen to like the first Burzum album and in musical terms it's no master piece but the album is good much because of the raw and unpolished aura around it... If I had pulled it off i that extent I would have gone for playing real drums myself but I never learned to play ANY drums what so ever so it's quickly out of the question. I know EXACTLY how it should sound and how I want the drums but I couldn't perform it even if my life depended on it..
Why didn't Osmose want to have another contract with Gehennah? And how come that you weren't able to find another label (like Necropolis for example) that would agree to release Gehennah's stuff? Is there any new stuff written by Gehennah, or does this band only play live from time to time lately?
The reason they gave us was that we didn't generate enough money for them to put any more time or cash in the band, just simply a matter of finance I guess. Why we didn't look for another label is a damn good question, I'm not sure if the reason was that we had a bad reputation and we knew it all too well and gave up or if we just were to lazy to get anything done I don't have a proper answer for that, I only know that I really tried to get the band together for rehearsals for a few years but gave up when nothing happened
Why did Gehennah change its name from Gehenna to GehennaH back in..... 1994?
We came across a copyright issue and rather than risking a court battle or changing our name totally we decided to spell it wrong instead - the fun part is that nowadays I see our mis-spelling everywhere so it seems that a lot of people out there think it's the right one, ha ha! We have made the scene just a little bit more ignorant
Nocturnal Breed seems for to be just the perfect Norwegian parallel band to Gehennah, though their stuff started to be released around 1997, when you already had 2 albums and some demos and EP's. There were many good new Scandinavian bands that played great Oldschool Thrash those days, like Aura Noir, Infernö, Audiopain, Nifelheim, Bewitched, Guillotine etc... But fuck - even their original NO RETREAT... NO SURRENDER... album cover art seems to be inspired by your song "Bombraid Over Paradise"!
What do you think about these similarities? Have you ever been in contact with the guys from NB by the way?
Hmm, could be influenced by us, sure, but it could also be a product of similar thinking and that we got our influences and ideas from the same bands you know. Sodom sure made the theme of war a part of the scene and posing like that with sunglasses and denim vests full of patches are a common thing though... I can see what you mean but I have no good answer, Nocturnal Breed released their stuff in the end of our official album career so they could easily have copied some details but I never speculate like that, you should ask them about it, he he... The only band we've been in touch with a lot is Nifelheim, they showed up on every gig for a while and we ended up on the floor together every now and then. Then we had some contact with Bewitched but that's another hostile episode and nothing good ever came out of it, just a minor detail in the old battle between bands trashing eachother - but they got off easy cause our drummer would have taken them apart if he got his hands on them back then, ha ha! We also had some contact with Infernö but I personally never had any real contact with them. Looking back at it I can't understand why there was never any tour/gigs played with our bands all together, Gehennah never fitted into any festival or gig (too much punk for metal gigs and too much metal for punk gigs) and putting the bands you mentioned together for a tour would have been really cool...
When did you start listening to Metal?
Hmm, hard to say really I have older brothers who listened to Alice Cooper, Kiss and Black Sabbath when they released their first albums as well everything after that up until about 1983 when they lost their interest for music I guess, they "grew up" you know. I guess I first was on my own in metal around 1981 (8 years old) and kept it going for a few years until I lost the perspective and didn't listen to any music at all for a while, I watched old war movies instead. Then I guess it was around 1987 that I really found my place and I have listened ever since. It took me about a year before I played any instrument though.
War movies only, or are you also deeply into westerns? I'm asking it because of the song "Mr. Callahan told me", which's based on this cult movie, that features maybe the most cult Westerns' actor Clint Eastwood?
Well, of course I'm into westerns as well, especially the ones you're referring to! If you look back to the 60:es the war movies and the westerns were quite alike in the sense that the actors were often the same so there was no possibility to like one genre and not the other. The "Callahan" song is of course based on the old Clint Eastwood-classics just because there hasn't been enough tributes for them, just some wishful thinking that I one day can be as cool as Harry Callahan, he he
Hehe, who needed more varied actors back then, if there were such actors as Clint and suсh directors as Leone?
That's exactly the point - they didn't have the computer animations and all this shit to rely on back then and the actors had to do their part to 100% to pull the story off, now they have to put all their skills in fighting something that's not there in front of a green screen. I like a lot of the movies of today too, don't get me wrong, but there are no true heroes in cinema today - you know they couldn't fight their way out of a paper bag but 30 years ago you really felt the possibility that Clint could shoot the legs of a mosquito flying in the horizon, ha ha!
Are you into any other musical genres? Have your musical tastes changed much over the years?
Not really, I like good music and I could listen to anything if it only "does it" for me but I must say that I'm quite old fashioned when it comes to the details that makes me tick. I listen to anything from old rock and roll to extreme metal but I prefer the kinds of bands that circle around the Motörhead-vein in some way, that's what really matters. My taste has only changed in the sense that new styles have come and I have broadened my horizon but when the day is over and I want something really close to home I always end up listening to something old and approved.
In Gehennah's song "We Love Alcohol" it was said "We won't get reach on Rock N' Roll, but we have fulfilled our dreams!". As a lifetime Metalhead who played in many bands who actually became famous (I'm talking about Gehennah and Vomitory, who are surealy not the most unknown Death Metal band nowadays) but never actually made a liveing from it - do you agree with this sentence?
Well, I'm actually the bastard who wrote those lyrics so I'd have to say that it's taken out of real life, the amonts of time and money I/we have put into metal can never be measured in money and if I ever got it all back I'd be a millionaire for sure! I've bought two studios, one for home and one for the rehearsal place, and on top f that we have a few bassguitars and a really expensive amplifier so the cash spent is quite much and counting all the hours I spend EVERY DAY, just imagine what a contractor would take for putting the same time in refurnishing your bathroom. But then again, I never got into this for the cash so it's not something I spend my days worrying about, it takes time and money to build yourself the world you really want. As for the albums I've been involved in releasing and the merchandise/royalties: they may have paid my first bass guitar but not a single penny more.
By the way, talking about alcohol and Gehennah - who's idea was to form the HOD campaign? Was it the band's idea, or Primitive Arts' kinda "commercial trick" in order to promote the HAD 7"'s series better (though they aren't sold out until today!) ?
That's a story no one knows what the hell happened I guess: I came up with the phrase on some party and I told the others that we should start this campaign called "Headbangers against disco". Nothing happened until Mr. Violence and Rob Stringburner had been drinking beer one evening and setting the rules for the membership issues a few months later, they started promoting it as a kind of Mafia movement and suddelny we had requests from all over the world. Somewhere along the way Paulo at Primitive Art had come up with the idea to put together the coolest bands from the scene and release a series of EP's that, put together, would form a short comic strip. It was all just another strange idea between drunken brothers and not a commercial stunt what so ever, the popularity it actually reached was nothing we would have guessed, we all did it because we thought it was a cool idea at the time.
What's your opinion about the mass-access to free music D/L?
This is the question that divides the scene in two categories: those who download and those who lie about NOT downloading. Face the fact, everyone who has a PC has in one way or another got their hands on music illegally, then if they complain about others doing the same thing with their stuff, that's their problem. I check for stuff to download on a more or less daily basis but at the same time I have everything I have ever done available for others to get at the same time. It's a blessing in the sense that your stuff spreads across the world in a way we've never seen before but it's also a curse for the professional musicians who depend on their sales. But if you think about it: metal has never been a genre you could live off so why should we even wonder about the do's and don't's in piracy, we're fucked anyway! If your stuff spreads better, then you should also be able to play more live and draw a bigger crowd than if everyone had to buy your CD for a huge amount, then you could sell T-shirts and other merchandise that could never be put out as a torrent and I think I speak for a lot of us when I say that I'd rather put money on a shirt that I can wear with pride than putting the same money on a CD just to hear something you only can talk about to a few metalheads in your town. I'd rather eat noodles and go on tour once a year than to eat roastbeef and just see a sheet of paper how many has bought the CD. I want it up front and intimate, numbers are for math-teachers.
I agree with you about that, though I'm not really glad to see that there're so many (if not most of them) metalheads that have NEVER bought any CD's. I think that it's better to buy CD's/Vinyls/Tapes/DVD's at least if not in order to support the artist financialy (it's well known that there are really FEW musicians in Metal who earn well from their CD's sales) - than at least to support good labels (like NWN!, Iron Pegasus etc.) so they could survive financially and release more good albums and re-release more forgotten classics... Do you agree with me about that?
Of course I agree to a hundred percent! The problem is that the scene and labels and bands needs to catch up on reality and the new generation metalheads will probably not even know what a vinyl is, they just haven't grown up with the same things we have and they're not to blame really. But of course we all should buy the albums and DVD's we like because someone has put a lot of money and time into producing it and they really deserve to get their hard earned cash back somehow but since it's all oout in the open and just a click away for free it's hard to resist clicking that icon and take part of a new release the same day you hear about it, you know I can only speak for myself and state the idiotic but all too true fact that if I had spent my money on buying CD's/DVD's we wouldn't have had this interview now, I could never have bought my studio and Private War had probably never even existed more than in my head until the day I die. I hope my contribution counts for some kind of balance in my piracy but I would never use it as an excuse, I'm killing the music industry just as much as the kid next door who will never pick up an instrument The part I feel the most sorry for is that the whole magic around collecting vinyls and such is getting lost in a digital flash, you're never a true metalhead unless you have a few vinyls in your collection, right?
Personally I think that it's just the perfect format for Metal, cuz analog sound and production fits this music much more than the modern digital production (think old classic Destruction's stuff VS "Thrash Anthems" and you get the point!). It's the format which all the best Metal albums we released on originally, and it also has the biggest cover art layots, so I prefer it over CD's for sure! But it's also great when utter posers have good Metal vinyls, since they usually sell them to me for rediculous prices when they decide to take off their disguise and get back to their roots of Rap and Trance!
Yep, you took the words right out of my brain there, mate! Metal is vinyl and vinyl is metal, that's all there is. The smell of a new vinyl could never be replaced by the shiny plastic box of a new CD and what should we say about MP3:s?? They don't smell, they don't shine - they just sound like shit if the rip is too poor - enough said
So if it's not a secret, it seems that Gehennah didn't see much cash from their releases on Osmose, despite the fact that it's a pretty big and well known label, did you? And by the way - do you have any information about the Gehennah's albums print runs that Osose did (I'm not tlaking about the limited vinyl LP's, but the CD's)? Because this stuff is goddamn rare and pricy nowadays...
No, we didn't get much cash through that deal but we knew all along that the royalties weren't that big in their deal, the bigger part of it went to promotion and such (even though we never saw much promotion but it might have reached everywhere but here, who knows?). I have only a vague guess/memory in how many CD's they printed and I think there were 5000 each of our two releases there ("King of the sidewalk" and "Decibel Rebel"), then if they printed more than this afterwards I have no idea. I also had no idea that they have gone up in price, last time I saw our stuff it was on budgetsales and on fleamarkets, ha ha! Sorry to hear that you should pay a lot to get our stuff but still a quite good sign that there are people fighting eachother to get their hands on it.
What do you think about MySpace?
Myspace is as good as it is bad, just the same as the downloading: You can spread your music and get the reactions in no time and you can build the network you need to get around with a band but you can also get lost among all bands that are out there hell, I have got 4 different space myself out there so I prove my own point right now! And, not trying to sound rude or ego, but there are a lot of bands out there that should have never been heard at all at the same time as the best are all out there. It's all a matter of good vs. bad but I think Myspace is a good forum for us metallers.
Are you planning to release (or re-release) any stuff by any of your current projects? If you are, then what can we expect for?
Yeah, I'm planning to release the whole works but I just don't know how or when though. I'm gonna send out some copies to labels but if I don't get any response I'll release it myself as a demos as soon as I can afford it being unemployed in Sweden equals total poverty at the moment so I see no solution in the nearest future I'm sorry to say. What you can expect is hard to say, your guess is as good as mine, ha ha!
Well, I would recommend you that you contact NWN! Prod. or Osmose in order to negotiate a re-release of Gehennah's stuff, whether the rights belong to the band or to Osmose. NWN! make the greatest and most dedicated high quality vinyl releases nowadays and it's cooperation with Osmose brought to the killer re-release of BLASPHEMY (CAN)'s stuff last year. NWN! Also re-released the first 2 Nifelheim's albums on CD's a few months ago, so Yusuke (NWN!'s owner) might be interested...
The thought has never occurred to me that anyone wants to see a re-release with Gehennah so I don't know if this will happen but I sure thank you for the tip, maybe there could be something figured out among the two and someone out there might get their hands on the old stuff again Time shall tell.
If people are ready to cut one another's throats on eGay just in order to get this stuff for such prices as 40$ for a HARDROCKER's CD or 80$ for its vinyl version - it means that there's an interest in your stuff for sure! Even in IsraHell hehe...
I gotta check this out, it sounds totally sci-fi to me but if you say so I must believe you! Cool to know that our legacy lives on and that we have become collectors items but you should pay high prices for lowlife metal, he he.
Do you know any Israeli bands? (If you do - which ones and what do you think about them?)
I'm sorry to say that I don't know much about the Israeli scene, I guess I only know about Salem but they never caught my attention very much. Could you give me a few hints maybe? Something worth checking out?
Salem degradated a lot musically in my opinion. They did sign a contract with Season of Mist, but their new album features low-tuned sound in the MeshuggaY way and this stuff would make your oldschool ears bleed... There used to be some great Death Metal bands here in the early 90's, such as Scaffold for example, but these bands disbanded more than a decade ago, and most of them have never even released a single demo (though the demos that were released are totally impossible to find nowadays, so there's no big difference hehe). I could recommend you only that you give a listen to TANGORODRIM, who've been desecrating their listeners' years with great Darkthrone/Hellhammer influenced alcoholic Black Metal for more than a decade already. They're signed in Southern Lord records, so they're pretty famous worldwide, in terms of underground Black Metal of corpse
There used to be also some killer Thrash Metal act named Hangman here between 2003-2006, they released to 2 demos and took participated in the Thrash MetalBlietzkrieg 7" compilation, with bands like Witchtrap (Col) and signed a contract with Witches Brew, but they split up. Hopefully their vokiller's new project's stuff will see the light of day soon, and as someone who heard some raw versions of this sruff - I can only tell you that it's gonna be REALLY worth to hear! Beside that - you can find only crappy Metalcore stuff, wannabe Norwegian 2nd wave BM rip-off projects and in the best case some Iron Maiden/Metallica cover bands that always come and go.
Seems like I have some catching up to do but also like you have the same 2:nd grade bands as any other country then, he he. I must say that black metal was watered out for me when the major wave came all those years ago and these days I just can't find the interest in giving such bands the time to even judge for myself, sorry to say though I still hang on to some old stuff like Darkthrone and Mayhem and such but I'd rather fuck to the rhythm of Motörhead, if you know what I mean, he he.
Many Israeli former Metal bads members have changed their ways of life in many original and varied ways (some became religious, so gone crazy and went to an assylum, some started to sell vegitables on the market). Are you still in contact with members of once killer Swedish bands, who you played and got drunk with back in the early/mid 90's?
Sure, the whole internet thing has made it possible to get in touch with "the old gang" again and I have some of them in reach again but we don't talk on a daily basis though. I don't have any stories like the ones you just said though, here some of the people has dropped out and you never knew what happened to them, the rest are still in the scene and are still going strong. Sometimes I feel like I'm almost alone in the scene here but then I bump into a familiar face out on the web and it's clear that we are still here but we just don't meet up like before.
What's your opinion about the young bands that play retro-thrash? Do you think that these kiddies are just ripping off the old and good bands, or do you prefer their recycle of classic stuff over utter newschool crap?
Of course I prefer anything that has the intent to do it the old way, the new "metal" ain't worth shit if you ask me, they should stick to the hardcore scene or the rap scene. You can hear in 10 seconds or less if the band knows what they are doing and that's what I judge everything by. For me and the bands I've played in there has never been any "retro", we've listened to the same stuff since it was released and that's not really retro I think, it's just a late start in playing it yourself. We got a lot of shit from those "true" metal bands in the beginning since "we were copying the stuff that you listened to in first grade in school", then a few years later the same assholes showed up in bands that "had always listened to that stuff", quite pathetic really. Other than those stupid facts I prefer retro before new shit any time.
I agree about it... When a lifetime Metalhead plays oldschool stuff, it's absolutely natural. When young guys play Metal the old way - it's either because it's not their fault that they were born too late or they just wanna rip off some classic stuff. Do you listen to many new bands that keep the old traditions alive?
True, no one can be held responcible for being born too late, that's just bad luck. But it's also hard not to rip off something in 2008 since everything is more or less done already, there are only so many ways to play a guitar or drums and whatever you come up with is bound to sound like something else. I've been doing the same thing for about 19 years by now and everything I ever do is connected with either Venom or Motörhead, I just can't get away from it so I go for the winning line with these things I have picked up along the way and if I make the first place or fall halfway through is not up to me to judge, that's for the scene to decide, I just make sure to have a damn good time while it lasts. About playing old school or whatever, there's one thing I would like to add though: If you're going for the old school, don't take your influences from the new bands doing the same thing, go back to THEIR influences and you'll find the TRUE origins!
I saw some pictures of your recording studio at home. Did you record/produce any other bands with it, or is it only for your projects' needs?
As I mentioned earlier, I've got two "studios": one full scale covering a whole room and one small computer based one at home, the bigger one is for anyone and any band who wants to record something and trusts me as a sound engineer and the smaller one is for me only so far, simply because I can only record two tracks at a time. I hope that one day these two quite primitive studios will somehow emerge into one proper full scale studio but due to lack of money I will have to take it day by day and see what opens up further along the road. I actually produced the "10 years of fucked up behavior" EP from Gehennah in my own studio as well as some THE COFFINSHAKERS-tracks released on some vinyl a while ago. Other than that there's not much produced there except for my own stuff. Both Turbocharged and Private war has been recorded on my gears though, Turbocharged on the big rig and Private War on the smaller one.
What are your favorite 10 Metal albums of all times?
Damn, you really like to see me sweat, don't you, ha ha?? My first thought is to say that it's too hard and too many albums to choose from but I'll give it a shot in no particular order spanning from pure metal to pure rock and roll:
1. Venom: "Welcome to hell"
2. Motörhead: "Ace of spades"
3. Sodom: "In the sign of evil"
4. Rose Tattoo: "Rock'n'roll outlaw"
5. Celtic Frost: "Morbid tales"
6. Bulldozer: "IX"
7. Slayer: "Reign in blood"
8. Mayhem: "De Mysteriis Dom Satanas"
9. Warfare: "Pure filth"
10. Macabre: "Gloom"
I have forgotten tons of albums and avoided a few to give a broad spectra of what I think are the best bands/albums now but I think I got it right.
I almost forgot to ask you to recommend some good alcohol as well! So what are you favorite drinks?
My absolute favorite is FREE BEER, ha ha! No, really, I don't have any specials like that, whatever tastes good and gets you drunk is the perfect drink. I have always wanted to be cool enough to drink whiskey but I just don't have it in me, sorry boys but I'm not a whiskey person. Wine makes me stupid and puking and champaign is awful - I guess there's only beer left then, huh? Oh, Alcohol and soft drinks works as well but then I get too drunk too early so I just stick with beer - it takes a while longer to pass out and behave like an asshole but I'm in no hurry, I always get there sooner or later...
What are the last words that you'd like to tell me and the readers?
Those famous last words, huh? Well, I used to have a lot of clichés to put here but I guess I'm getting old, I want these words to count these days, ha ha! The one thing I wanna tell all of you out there is: NEVER COUNT ME OUT - I'll always be here and play some dirty metal/rock and roll, no matter how many bands I have to form and watch'em burn I will never quit doing this. I just wouldn't know how to live my life without metal, this is the only thing I know and the only thing that matters. Other than that I don't have any cool statements or bombastic expressions so I use the old but oh so true phrase "...and remember: only death is real".
Thanks for the interview, man, I've had a blast answering it!"
Infernal Rock N' Roll:
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Posts: 3967
Location: IsraHell
Posted: Mon Oct 27, 2008 11:08 am
Post subject:
By the way, it was the second interview I've EVER made, so looking back - I think I might doit even betetr, but I'm still pleased with the result. And it's one of the last interviews Ronie did prior to Gehennah's break up, if not the last.
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Posted: Fri Oct 31, 2008 8:11 am
Post subject:
Didn't anyone like this interview?
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Posted: Fri Oct 31, 2008 8:25 am
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The interview is fine - but Gehennah were nothing more than a mildly amusing joke band to me., could be the case for others as well?
A nobody in a world of somebodies.
A little debil ain´t enough.
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Posted: Fri Oct 31, 2008 8:25 am
Post subject:
Was a very nice one, good work.
Sad to see that they split up. Their lyrics and bandpictures belong to some of the best.
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Posted: Fri Oct 31, 2008 10:36 am
Post subject:
Thanks Peter!
They never claimed to be a serious band, they just played what they wanted, instead of painting their faces like pandas and trying to pretend to be very serious as grim. Does that make GEHENNAH a joke?
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Posted: Sun Nov 02, 2008 3:35 am
Post subject:
Interview with RESISTANCE added
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Posted: Sun Nov 02, 2008 4:44 am
Post subject:
franang wrote:
Interview with RESISTANCE added
read a couple of your online-interviews. Also very good and informative ones. It is just a bit hard to find the way through the webpage to these interviews
The Gehennah and the Iron Pegasus ones are really good.
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Posted: Mon Nov 03, 2008 9:49 am
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Werewolf wrote:
Didn't anyone like this interview?
I liked it a good deal. Cheer up now!
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Friday, July 13, 2012
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Author Notes: The dish I have to share with you today is like a really good song that's stuck in my head and I need to share it. It's a simple salad, really. Nothing special. But it just works so well: Thin discs of crisp, peppery radish, tossed with crumbles of soft, salty feta cheese, married by a healthy slap of tangy red wine vinegar and speckled with green onion. I'm not talking about fancy Easter egg or watermelon radishes; just your Plain Jane radish, the kind that works well in the early days of spring.
This is one of those salads that you'll make over and over and won't need to measure it, but I tried to get rough numbers tonight when I made it so I could share it with you. A mandolin, although fun and exciting, is not necessary for this. All you need is a good, sharp knife and cutting board. —CheapBeets
Serves: 4 as a side salad
bunch radishes, sliced thin
cup feta, crumbled
tablespoons olive oil
tablespoons red wine vinegar
green onion, chopped into thin slices
- Toss everything together in a bowl. Because I love things puckery, and I know many don't, my advice is to start with 2 Tablespoons of vinegar, give it a taste, and add more if you think it's necessary. As a side, this salad serves 4, although I've taken to eating it as a main dish.
- This recipe was entered in the contest for Your Best Radishes or Turnips
- This recipe was entered in the contest for Your Best Dish in the Raw
More Great Recipes:
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The goal of home modification is to achieve a better fit between the abilities of the people living in the home and the demands posed by the environment.
Following are several articles to guide in assessing and implementing modifications that may be helpful for your household.
A Kitchen Makeover: Making cooking simpler and safer
Preparing and cleaning up after meals and handling groceries can be challenging for stroke survivors. Many effective modifications don't cost much and won't cause too much disruption. Some require professionals with special expertise, but many can be implemented by non-professionals or "handypersons."
Starting a Kitchen Remodel
Major improvements in independence are possible and a range of needs can be accommodated with a modified kitchen. For example, a dishwasher mounted on a pedestal base is easier to load and unload.
The Bathroom: Modify the room to match your abilities
For many survivors, a few bathroom modifications can significantly reduce the difficulty, effort or risk associated with personal care activities. In many cases, these changes require an investment of only a few hundred dollars and the skills of a handyperson. Although there are many modifications possible, at various levels of complexity, it is seldom necessary to do a major remodel.
The Bedroom: Modify the room to match your abilities
Learn how to work around the most common challenges of getting around with ease and safety in the bedroom.
Make Your Home Work for You: Moving around the house
A home's features, fixtures and floor plans can pose challenges for stroke survivors. But moving around and accessing all or most areas of your home can be easier or less risky with some simple changes, and most of them are low- or no-cost
The Cost of Not Modifying
Home modifications are usually not considered a medical expense, which means they are usually not covered by health insurance either. So it's no surprise that people often forgo home modifications and seek less expensive alternatives. But while this option costs less up front, other unforeseen costs may present themselves later on. That's why it's important to consider all the ways not modifying may cost you.
This content was last reviewed on 03/18/2013.


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text:
I just talked with my regular OB. He was under the impress that I had a Mullerian Anomaly (such as a septate uterus) and a major contributor to my recurrent pregnancy loss. I've seen a Reproductive Endocrinologist recently who came up with his own recommendation. He suggested that my 1-1/2 inch fibroid was distorting my uterine cavity and causing the recurrent pregnancy loss. He said that he would be "very concerned" about that fibroid.
I double-checked my obstetric records from my 2004 pregnancy. The fibroid was discovered during a 10-11 week ultrasound (a first-time mom, I was nervous that the midwife didn't find my baby's heartbeat). The fibroid was roughly 4.5 cm then and is therefore about the same size now. However, I don't believe it to be a cause of my recurrent losses. Rather, it is a symptom. It is a symptom of imbalanced hormones, usually too much estrogen.
Anyway, my OB's nurse called me today to say that he (my OB) would NOT recommend a myomectomy for a non-symptomatic small fibroid. I don't bleed without stopping; I don't have unmanageable pain. Since I already have a cesarean scar, he sees no reason to add to that. Phew!
So, if anyone tells you that you definitely need a myomectomy, please do seek other opinions. Your uterus may just say "thank you." In my case, it should be thankful that I'm saving it from at least two more uterine surgeries.


text:
SOUTH BERWICK, Maine — Brett Gerry wasn't alone in feeling disappointed about Marshwood High School's sluggish first half against Cape Elizabeth in the Western Maine Class B football quarterfinals on Friday.
The top-seeded Hawks fumbled the ball six times, had some costly penalties and gained only 79 yards of offense as No. 8 Cape Elizabeth led 7-0 at halftime.
Gerry, who had two of those fumbles, made sure the Hawks would live to fly another day with an improved second half.
The sophomore running back had touchdown runs of 39, 31 and 30 yards as the Hawks rolled into the semifinals with a 27-7 victory. Gerry finished with 142 yards on 15 carries, while Nick Janes added a 65-yard touchdown run and finished with 92 yards rushing.
"The seniors picked me up, because I was down after those two fumbles; I was basically out of the game and they got me back together," Gerry said. "Our coach told us in the second half that we can win this game and we were shooting ourselves in the foot. We came out pretty determined in the second half."
Marshwood (8-1) will face the only team it lost to in the regular season next Saturday when it hosts defending Class B champion Wells in the regional semifinals. The fifth-seeded Warriors (7-2) advanced with a 9-7 win at No. 4 Greely.
Wells defeated Marshwood, 36-6, in a heavy rain on Sept. 28.
"Their defensive line controlled us in the first half and we couldn't do anything, but fortunately our defense played well and kept us in the game," Marshwood coach Alex Rotsko said. "In the second half, I think we started wearing them down. We had some great individual efforts by our running backs."
Cape Elizabeth (3-6) took advantage of Ryan O'Neil's fumbled punt return in the first quarter, taking over at the Hawks' 18-yard line. Capers quarterback Noah Wolfinger immediately threw an 18-yard touchdown pass to Cam Wilson to give the Capers a 7-0 lead with 3:04 left in the quarter.
Marshwood's Dan Lizotte lost a fumble on the next possession, but the Capers' drive stalled at Marshwood's 15 after a touchdown run by Nate Weare was called back on a holding penalty.
The tide started to turn after Marshwood's Kyle Markham intercepted Wolfinger in the third quarter. Gerry took the ensuing carry 39 yards into the end zone to tie the score at 7-7 with 8:21 left in the quarter.
Marshwood forced a punt on the Capers' next possession, and Gerry took the first play 31 yards for the score to give the Hawks a 13-7 lead with 6:05 left in the third.
The Hawks broke open a cushion when Janes took a pitch 65 yards down the sideline for a 19-7 lead early in the fourth.
"We just ran out of bullets," said Cape Elizabeth coach Aaron Filieo, who lost starters Nick Moulton and Ethan Murphy to injuries early in the game. "We had some turnovers that hurt us in the second half and we wanted to keep pressure on them with our passing game, but we had a hard time protecting our quarterback today. We gave them good field position and they capitalized."
Gerry capped off his night with a 30-yard touchdown run to give the Hawks a 27-7 lead with 5:26 remaining. He also contributed at linebacker, as the Hawks limited Cape Elizabeth to 167 total yards.
"He's probably our best defensive player, as far as taking care of his responsibilities," Rotsko said. "Offensively, he's out there every play — returning punts, returning kicks — and he made some great individual efforts with the ball."
Marshwood quarterback Cameron Roll was limited due to a leg injury and couldn't do much in the running game. Rotsko was pleased with the way he still directed the team, and Roll said he hopes to be at full strength next week.


text:
Difference between revisions of "Ponce"
Revision as of 03:35, 18 February 2011
Ponce is a city on the south coast of Puerto Rico.
Ponce is the second largest city in Puerto Rico. The city was founded by Ponce de Leon's grandson Juan Ponce de León y Loayza in 1692, but not much seems to have happened since then, and it's far less touristy in character than San Juan. Ponce's draw is its rich history and unique architecture. The atmosphere is charmingly laid-back, a stark contrast to the bustling economic and nightlife districts of San Juan. Even as the island's second largest city, tourists may be shocked or refreshed to find that Ponce's downtown is a single quaint city square with no steady nightlife.
Get in
By plane
Mercedita International Airport, a quick cab ride from downtown, offers daily flights to the USA. Jet Blue have directs flight to New York - JFK Int. Airport and Orlando airport. For intra-island service, Cape Air has many daily flights to the capital in San Juan.
By car
Ponce is reachable via the main island expressway. It's located about 64 miles from San Juan. The drive takes about one hour. The road is modern and convenient and restaurants and shops are readily available throughout the trip.
By público
Ponce has a large público terminal (787-842-1222) at the intersection of Calle Union and Calle Vives, a few blocks north of Plaza las Delicias. Públicos to San Juan (2 hrs, $20) depart from pier 5A, mostly early in the morning. Call Chóferes Unidos de Ponce at 787-764-0540 to make a reservation; they can also pick you up for a small extra fee.
Get around
The downtown area is compact and very attractive to explore on foot. Cabs are cheap and plentiful, should you need one, although many museums and restaurants are within a very short distance of the central plaza. The historic center has quality sidewalks. Public transportation in Ponce is pretty much non-existent, although there's a touristy "train" that does a loop of the downtown. Parking can be quite a challenge at times.
Most of Ponce's sights are tightly packed around the main square of Plaza las Delicias.
Central Ponce has a number of bars around the main square. Note that many are closed Monday nights and Holidays.
Most hotels are clustered around Plaza Degetau, easy walking distance to the downtown sites and museums but far from the water and beach. Most have private parking.
Guests at the Hilton Ponce usually enjoy day trips to Caja de Muertos (Coffin) Island for a snorkel or Scuba Diving adventure, visit "La Guancha" nearby boardwalk for a friendly interaction with Ponce's people, and explore the museums and spanish revival architectural jewels in downtown.
Get out


text:
~~Last day to sing the O'Antiphons~~
December 23, 2010 O Emmanuel, Come
By now perhaps we are beginning to realize that we are among those people who are dwelling in partial darkness. We also need to remember that we are waiting for someone we already possess. The partial darkeness suggests a hiddeness. Sometimes what is hidden from us is our own goodness, our own light, our Inner Christ.
O Emmanuel, Beautiful Savior, Come into the partial darkness of our lives and reveal your face. You are Emmanuel: God-With-Us. Liberator of all who are in bondage. You are our hope. Come and save us. Make of us your own intimate face of "Joy for the World," O Emmanuel, Desire of the Nations, Come and set us free. O Come.
Go now and become God's personal JOY TO THE WORLD!


text:
CRESTVIEW � As summer workouts draw to an end in a little more than a week the Crestview football team is looking forward to fall practice that starts Aug. 5. First-year Bulldog coach Tim Hatten is pleased with the team's progress.
CRESTVIEW � As summer workouts draw to an end in a little more than a week the Crestview football team is looking forward to fall practice that starts Aug. 5.
First-year Bulldog coach Tim Hatten is pleased with the team's progress.
"Things have been good," he said. "We are right on schedule. We've had good throwing sessions and good installation sessions.
"We are working three groups, the varsity group, the JV group and the ninth grade group. We have the run session the installation session and the lift session. It has worked exactly as I planned."
Hatten said any changes he makes in workouts between now and the start of fall practice will be minor. The Bulldogs will run a little more and throw a little more. Fans dropping by at the end of practice won't see a lot of extra running.
"If you are a football team -- I don't care who you are -- you don't run your way into shape," he said. "You play your way into shape." "I think you play your way into shape and figure out how you need to condition yourself as a player. When the season starts that's what generally happens."
No matter how much running a team does for conditioning players are going to cramp up during the first few weeks of the season as players get acclimated to the heat.
"It's still humid and it's still hot, but they have played their way into shape," he said. "Their bodies get accustomed to playing 12 minute quarters (three or four weeks into the season). You are out there all time and resting some for 30 seconds (between plays) and their bodies become acclimated to that."
By the same token, once practice starts, the Bulldogs probably won't be doing two-a-days.
"I'd rather beat my hand with a hammer than I would go through two-a-days," Hatten said. "Would you prefer eight weeks to work in the summer or six days of two-a-days? You're trying to accomplish the same goal (during summer workouts as in two-a-days).
"We've had all summer to work with them. I don't think busting them four days with two-a-days is going to be the answer to the question."
Two-a-days used to be the time for installing schemes and player conditioning -- the things the Bulldogs have been working on throughout the summer.
"In the old days you left school at the end of May and you came back in August and nobody saw you in June or July," Hatten said. There were no team workouts, no conditioning, no seven-on-seven. Now you've got basically eight weeks to work kids and do the same thing you did during the two-a-days."
The first week the Bulldogs will practice in the morning and then they'll move to afternoon practices when teacher work days start Aug. 12.
His biggest concern heading into the season is minimizing the turnovers.
"It's just one of those things where you throw it up and go and hope you don't make mistakes and hope (quarterback) Khalil (Foster) has learned a lot," he said. "Corey (Armstrong) has looked good in the summer, sometimes. Sometimes he hasn't (looked good)...
"If you control turnovers and don't any problems in the kicking game and the rest of it will take care of itself."
Randy Dickson is the Crestview News Bulletin�s sports editor. Email him at firstname.lastname@example.com, tweet him @BigRandle, or call 682-6524.


text:
Executive MSc in International Finance (MIF): General track
Executive Master of International Finance programme offers you the best skillset needed to excel in an international career as a Finance professional. We equip you with knowledge needed to become a frontrunner in Finance. We research and apply the latest developments in the Finance industry like Fintech/Blockchain and Behavioural Finance. We foster critical thinking to prepare you for the next step in your career. All in keeping with Amsterdam's entrepreneurial spirit and independent thinking.
Our MIF is internationally renowned, playing to ABS's core strengths in corporate finance, banking and asset management; 90% of our students are hired by top 100 firms before graduation. We are ranked #5 of worlds best International Masters in Finance according to recent Financial Times Ranking.
The MIF juggles business relevance with academic excellence, inviting guest input from leading finance academics, policy makers and global figures. Our approach is uniquely personal, from small classes and hands-on workshops, to an international study trip, mentor programmes and lifetime membership of the MIF alumni network.
At the forefront of Finance Education
Programme Director Dr Jens Martin: "We at the Master of International Finance strive to be at the forefront of education in Finance. We see technological changes are disrupting the finance industry and we research how these changes work, how they affect the finance sector of the future. To equip our students with the necessary tools and understanding to successfully face these disruptions we are expanding our curriculum with FinTech courses".
We welcome applicants from all over the world; more than 15 countries are represented in our current intake. Combined with a mix of full-time students and working part-timers, and an international faculty, this makes for an exciting melting pot of cultures, professional backgrounds and academic skills. What will you bring to the table?
Small classes
To help develop your skills as a finance specialist, we keep class sizes deliberately small. Professors can focus keenly on individual students, personally guiding them towards their specific goals, while learners bounce off one another during interactive seminars and lectures. Learning is a dialogue, not a monologue.
- Degree programme
- MSc International Finance
- Type
- Contract teaching
- Mode
- Full-time, part-time
- Credits
- 65 ECTS, Full-time 12 / Part-time 24 months
- Language of instruction
- English
- Starts in
- September
- CROHO code
- 75016
- Accreditation


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Perhaps the first thought someone might have hearing about outdoor theater on the lawn behind the Bridgehampton School would be that the traffic noise from the highway nearby is going to be loud. Dismiss the notion, because the huge brick building blocks nearly all sound from the vehicles rolling by on the other side — which is good, because being able to closely hear the roiling, if sometimes hard-to-follow, lovers' battles and reunions in Shakespeare's "A Midsummer Night's Dream" is essential.
The show is Josh Perl's baby, with production help from Peter Zablotsky, Peter Tolin Baker's design, and Richard Horwich as its dramaturge. Mr. Perl, familiar to theatergoers here, is the guiding force behind the Naked Stage company, which hosts readings and other events at East Hampton's Guild Hall. His staging of "Midsummer Night's" is a traditional one and uses the wide space ofhe school lawn to good effect.
The set, curiously enough, is dominated by the cast-off sails of small boats, Lasers to be precise, whose vaguely shooting-star-like logos are appropriate for this play about the intersection of fairies, woodland spirits, common laborers, and mostly hapless Athenian aristocracy. Honestly, one might be hard-pressed to argue that Shakespeare wrote a more appropriate script to match high season on the overheated South Fork than this. Simple wood risers do little more than provide means for the large cast to come and go. Most of the play is set in a woodland grove, and so the players come forward onto the grass, closer to the audience.
The company, the Hamptons Independent Theater Festival, provides a couple of rows of metal chairs; guests may bring their own low-slung beach seating or blankets. Admission is $20.
Gerard Doyle, a seasoned actor with many United States and London credits, and Clodagh Bowyer, equally accomplished with a résumé heavy with Off Broadway and Irish theater, are the obvious standouts. Mr. Doyle's Oberon, the fairy king, is as admirably lecherous and impulsive as his other role in the comedy, Theseus, the Duke of Athens, is measured and fair.
Ms. Bowyer's Titania, whose custody battle with Oberon over possession of a changeling spirit, is commanding. She also plays Hippolyta to Mr. Oberon's Theseus.
For this production, Mr. Perl put together quite the cast, 17 in all, some with plenty of stage credits; some not so much. Standouts include Ashley Brooke's Queens (as in the borough)-accented Robin Goodfellow/Puck, and Irene Stefanik as Egeus.
The players' range of styles and aptitudes means that two audience members sitting together might have widely differing opinions as to whom they liked. To one viewer, Bottom, the star of the play-within-the-play, who becomes Titania's charm-caused love interest, played by the energetic Maddie Casto, might be a tad too much. For the person sitting next to him, however, it is high comedy. Given free hand to recast the play, one might swap her for Alan Stewart or Stephan Scheck, both strong comic actors, of whom we see too little in the production.
One apparent objective in Mr. Perl's version of this "Midsummer Night's Dream" was to invert, for the most part, the Elizabethan-period casting of men as women. Here the male roles of Lysander, Demetrius, Robin Goodfellow, Egeus, Nick Bottom, and some minor parts go to women. It is mostly a painless inversion for the audience, if a little confusing at times, particularly in an era where same-sex unions are no big thing. The mind thinks, "Women holding hands? Whatever" — barely noticing that the characters are supposed to be of differing genders.
Playing a man, Kathryn Lerner's Lysander comes with a dollop of arrogance as befits a member of the Athenian upper crust. As Demetrius, Kasia Klimiuk's approach is perhaps not as forceful as this particular late-16th-century romantic comedy might require, though it is her observation that perhaps best summarizes a play about the fickle vagaries of the heart: "My love to Hermia, melted as the snow, seems to me now, as the remembrance of an idle god, which in my childhood I did dote upon. . . ."
The biggest laugh of the night was owned by Kea Trevett, who as the distraught Helena spends the play chasing Ms. Klimiuk's Demetrius through and around the grove. Paired with Licia James Zegar, who played the other Athenian love interest, Hermia, there is a notable electricity, particularly in a scene in which Helena accuses Hermia of conspiring to mock her unrequited desire for Demetrius with her counterpart's lover, Lysander.
All this is set off by Robin Goodfellow's innocent mistake, dabbing the wrong swain's eyes with the nectar of a Cupid-charmed flower that Oberon provided in a plot to force Titania to turn over the changeling for his own use as a page. (No one ever said Shakespeare's plots were easy to follow.)
Meanwhile, Nick Bottom and a troupe of working-class Athenian amateur actors are preparing a dramatic "tragedy," with which they hope to entertain guests at the planned wedding of Demetrius and Hermia. In the woods to rehearse with the other actors, Bottom is turned into an ass, ears and all, by Puck, and becomes Titania's love object when the fairy queen awakes.
Among those in the play-within-the- play, Michael Iannuzzi catches attention with his neck-strainingly funny Francis Flute, a humble bellows-maker, who portrays Bottom's love, Thisbe, in a tight skirt and cut-off top.
With a 7 p.m. approximate start time, the play drifts pleasingly from twilight into darkness. The relatively brief second act takes place against the black backdrop of the night; theatergoers Saturday may well be treated to a glimpse of the Perseid meteor shower if they look up. Toward the play's conclusion (it runs a shade over two hours), Puck leads the forest fairies in a dance effectively staged by Mr. Perl with a pleasing modern twist.
As to the point about traffic noise, almost the only distraction on a recent evening was one passing ambulance, whose sirens never quite drowned out the dialogue. Not so with a helicopter, no doubt running one of the Hamptons' ruling class to his or her summer house, which twice passed overhead, obscuring the actors' voices — a rather sweet bit of coincidence in a play about the romantic foibles of the powerful.


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Walt Whitman
Walt Whitman (31 May 1819 - 26 March 1892 / New York / United States)
» Click to list general statistics » OR, select a date :
With Antecedents
WITH antecedents;
With my fathers and mothers, and the accumulations of past ages;
With all which, had it not been, I would not now be here, as I am:
With Egypt, India, Phenicia, Greece and Rome;
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2011-11-23 / Schools/Sports
Amityville Memorial High School featured on MSG Varsity's The Marching Bands this Thanksgiving
Three One-Hour Specials Celebrate the 2010 Newsday Marching Band Festival
BETHPAGE, N.Y., November 15, 2010 – MSG Varsity is proud to present The Marching Bands premiering Thanksgiving Day, Thurs., Nov. 25, starting at 1:30 p.m. on MSG Varsity, Cablevision's iO TV (Channel 14). For the second year, MSG Varsity will celebrate the spirit and excitement of the Newsday Marching Band Festival.
You must be an online subscriber to view this story.


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Närtrafik is public transport for those who want to travel between rural and urban areas. For example, if there is not a bus where you live. Call to order!
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Start collecting
1922, gift of William Sturgis Bigelow to the MFA. (Accession date: April 6, 1922)
Credit Line
William Sturgis Bigelow Collection
Japanese, Edo period, compiled around 1843
- Compiled by Hara Yoyusai, Japanese, 1769–1845
Catalogue Raisonné
Kajima Volume 1: Chapter 8, pg. 143: no. 26
Accession Number
Medium or Technique
One of twenty-seven sheets of sketches; ink and light color on paper


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The Band Perry Debut New Songs on the Ryman's New Stage
The Band Perry took a break in the middle of their tour with Brad Paisley to step onto the new stage of Nashville's Ryman Auditorium on Monday (Feb. 20). The sibling trio was the first group to take the newly-renovated historic stage after the 61-year-old blond oak stage was replaced with one made of Brazilian teak. According to the Tennessean, the band's 85-minute set of songs included some of their crowd favorites sprinkled with a good mixture of new songs, played for the first time.
"It's going to be a bit of a musical narrative tonight," Perry told the audience, who came out to the 120-year-old venue to see the band perform. "We're going to do a couple of medleys, deeper cuts on the album, but we also wanted tonight to be about the continuing story of the Band Perry."
Leading off that story, the Perrys dove into their set with a number that Kimberly described as "a big statement from the three of us" — their song 'End of Times.' Speaking of the song, Kimberly said, "I feel like musically it has progressed us to a new level while still embracing everything we were on the first album. It's a little bit of an eerie way to start the set, very Southern gothic."
From there, the night took a turn with 'Sweet Baby Love' and then 'Hip to My Heart' from their 2010 self-titled debut. The trio also performed songs with the titles 'It Burns for You' — a "new one for the lovers" — 'Back to Me Without You,' 'Jimmy' and 'A Night Gone Wasted,' as well as several of their tried and true songs from their first record. They even threw a few covers or portions of covers into the mix, with songs like 'Free Fallin" and Queen's 'Fat Bottomed Girls,' as well as Chris Tomlin's 'Amazing Grace (My Chains Are Gone),' which resulted in a standing ovation.
Even when singing love songs, Kimberly assured the crowd where the siblings' affections truly lie: "We're hopelessly single," she said. "But we feel like the last two years have been us trying to win your hearts. We are eternally grateful to you for changing our lives."


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Moderator: Clan Directors
sempaispellcheck wrote:If the start is pushed back to the later proposed date (07.01.2013), the Spelunkers of Hell are in.
We've just had a change in leadership, and are taking November & December off to sort ourselves out.
Thank you!
Silvanus wrote:perch is a North Korean agent to infiltrate south Korean girls
benga wrote:mmmmm 12 clans, like it so far
silversun6 wrote:osa finished last in season 1 , finished first in season 2. i wonder if we are going to the bottom again
Vid_FISO wrote:As it doesn't say in the first post, is trench allowed?
benga wrote:Vid_FISO wrote:As it doesn't say in the first post, is trench allowed?
Well if it doesn't say it's not allowed
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Here's the thing:
Sunday is Easter. And my former-feti-now-twinsies have the freaking cutest outfits ever.
Alivyiah TreCole has the poofiest tutu in America with a bow the size of our Escalade and Tridger Kaegrin has the most darling vest and I've been practicing his special ocassion fo-hawk all week.
Sooooooo exited and seriously can't wait for their church debut and for everyone to see them and how flattering pastels are on my skinny post-pardon self.
I don't know.
I just don't know.
Just found out Lynzii is blessing her triplets on Sunday.
What to do? Go and risk letting her steal the baby spotlite, or stay home and let the Easter darlingness go to waist?
Ugh. Being a mom is sooo hard. I'm to young for these type of responsibilities!


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Sunday, May 23, 2010
What's Your Favorite Blogging Platform?
I tell you this not so much to bore you with the ins-and-outs of the Chesapeake freak life, but rather to urge you to check out a site put together using the options in Blogger-in-Draft -- featuring some nice template alternatives and customization options in addition to experiments like the 'pages' feature which allows you to run separate blog pages off your main Blogger page.
I use Blogger as our primary platform in class both due to its ease of use as well as the super-simple integration with Google widgets, Feedburner, and 3rd party stuff. Of course WordPress offers these things to varying degrees, but when working with large groups of students (like setting all of our 12th graders up with blogs for documenting their senior projects) I've found it's easiest to keep with one system; for me that's the set of tools offered by Google.
Would love to hear what blogging platforms you prefer -- especially with students.
8 comments:
I use Blog for all of my blogging (except my keyboardingresearch.org on WordPress). I agree with you that there are many Google Widgets that you can use. It is also the easiest to use with students. All they need to have is a google account and they have a blog.
I must admit that I have heard a great deal about the options with WordPress or EduBlogs. Wondered at times about converting Dr. Z Reflects over to them.
I look forward to seeing what you find in this query.
Myself and my chemistry colleagues have been using WordPress as our platform for providing a portal to all of our resources. We find it to be pretty user-friendly for our purposes. I also use it for my own personal blogs after switching them over from Blogger.ReplyDelete
Blogging is all about communities, Wordpress has the strongest community of all the blogging platforms. It's not square, which is a bonus..ReplyDelete
I have always used Blogger and love it. I tried WordPress and Edublogs. Blogger does it for me and has even before Goggle bought it.ReplyDelete
We were using Google Blogger for my 6th grade students until they began enforcing the rule that users had to be at least 13 years old. We are now using Edublogs. It works, but not with the ease of Blogger. A few teachers are campaigning to become a Google Apps district - for a California district, we are peddling backwards.ReplyDelete
I have used Blogger for quite a while and been quite satisfied with its improvements over the years. The only problem I ran into was finding a template that was wide enough for me to put a Voice Thread in the sidebar and have all of it show up. However, someone on the Voice Thread for Educatores Ning suggested the http://draft.blogger.com and I was able to find a template that fit my needs.ReplyDelete
For blogging is about content, I want to focus on content not fiddling with plug-ins, upgrades, and technical maintenance. That's why I've stuck with Blogger even though it can't do some of the cool things that WordPress can do. Now that Google has announced that Google Apps for Education users will be able to integrate Blogger into their domains, Blogger makes sense to use. That said, if I was going to have students blogging on another platform I'd take a serious look at Edublogs.ReplyDelete
- AnonymousMay 25, 2010 at 5:33 PM
This year, I've been using Posterous with the students. Setting the Posterous.com blog as private ensures compliance with district policy and the ease of use facilitates student participation. The only drawback is the absence of a threaded discussion feature.ReplyDelete


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This gripping documentary on the probable consequences of pollution and toxic waste in Swedish farmlands is sure to give pause to any viewer.
Director Stefan Jarl traveled around the countryside in Sweden filming the agonizing demise of birds and insects as they are caught in the dumping of chemical waste, and he talked to farm families whose members are suffering from neurological and other diseases (some fatal).
The farming families are certain the chemicals and pesticides they use on the farm are responsible for their health problems -- and although Jarl does not interview industry representatives for their response or negation, it is difficult to argue with the families' logic.
At times Jarl resorts to overdramatizing the differences between healthy and dying animals, or the parallels between the problem of pollution and other problems in the world, yet that does not detract from the valid points he makes in his observation of the farmers and their health problems.


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TORONTO — Rod Stewart's hit song Rhythm of My Heart was written by Canadian songwriter Marc Jordan.
The song, from Stewart's album Vagabond Heart, was recorded in 1991, but the two singers didn't meet face-to-face for 22 years. On Dec.15, they finally met at Toronto's Air Canada Centre, where Stewart was performing.
"Rod Stewart changed my life. Meeting Rod was a wonderful closing of a circle for me," Jordan said.
Jordan has penned songs for some of music's biggest stars, including, besides Stewart, Diana Ross, Cher, Joe Cocker, Chicago, Bonnie Raitt, Bette Midler, Olivia Newton-John, Natalie Cole, The Manhattan Transfer and several more.
But it was the success of Rhythm of my Heart that really set the stage for Jordan to be able to continue with his love of songwriting. "Everybody has to have the big hit to stay in the game. He gave me that big hit, so I could be who I wanted to be," Jordan said.
"I got a call from [the president of [Stewart's label], and he told me in his British accent, 'Rod loves your tune,' and that Rod had said, 'I'll sing the song – I will do a great job. I love the song!'"
Jordan spoke on the phone with Stewart over the years but never actually met him in person.
"He was lovely, warm and inclusive. He had his whole band with him backstage and he introduced me. He was very funny – just lovely. When musicians get together we have our own language. We joked around – all sorts of inside stuff," Jordan said.
They also wanted to talk about Rhythm of my Heart. "I wanted to say thank you to Rod, and… he wanted to know what my inspiration was behind the song… and I told him.
"I wrote the song as a sort of folk song. It was an anti-war song about a soldier who goes to war and wonders. He is wondering whether all humanity is gone from the world. He wonders back home if people still fall in love and if love is alive somewhere back where he no longer is. He longs to be home to find some love again because, while he remembers love, where he is there is just carnage."
Jordan's songs have appeared on some 35 million records. His songs include Marina del Rey, Survival and Waiting for a Miracle. He has recorded 14 cds of his own songs and has won ASCAP, Juno, SOCAN and jazz and pop awards. He spends his time touring solo and as a member of Lunch At Allen's (with band members Murray McLauchlan, Ian Thomas and Cindy Church), and is working on a musical with his wife, singer-songwriter Amy Sky.
Earlier this fall, Jordan released his newest album, On a Perfect Day, co-written with producer Chris Bilton and recorded in both Nashville and Toronto.
The album's cover art is an original painting by Jordan, another of his many passions.


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Facilitating the spread of knowledge and innovation in professional software development
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Cory House explores seven facets of life that impact software quality.
Dylan Smith discusses the architectural challenges faced turning TFS into Azure DevOps, the evolution of the architecture, and lessons learned along the way.
Max Livingston presents a case study of using Bayesian modelling and inference to directly model behavior of aircraft arrivals and departures, focusing on the uncertainty in those predictions.
In this podcast recorded at the Agile 2018 conference Shane Hastie, Lead Editor for Culture & Methods, spoke to Seb Rose, the dispassionate developer, and one of the principals of Cucumber Limited about his work at Cucumber, the Cyber-dojo charity, designing a robust certification program and involving testers in code reviews.
Adin Scannell talks about gVisor - a container runtime that implements the Linux kernel API in userspace using Go. He talks about the architectural challenges associated with userspace kernels, the positive and negative experiences with Go as an implementation language, and finally, how to ensure API coverage and compatibility.
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Lady Bucs looking for back-to-back semifinal trips
JOHNSON CITY, Tenn. (Oct. 26, 2012) – The ETSU women's soccer team will host a postseason game for the first time in program history on Saturday, welcoming Jacksonville to Summers-Taylor Stadium for the 2012 Atlantic Sun Championship Quarterfinals at 7 p.m.
ETSU (12-5-0, 6-3-0 A-Sun) earned the championship's No. 4 seed by securing 18 points in league play. Jacksonville (8-6-3, 5-2-2 A-Sun) completed the regular season with 17 points, taking the No. 5 seed and earning a spot in its eighth straight conference tournament – the longest current streak in the A-Sun.
The Lady Bucs are no stranger to the A-Sun Tournament either. Saturday will mark ETSU's seventh postseason appearance in eight years. In seven tries, the furthest the Lady Buccaneers have advanced is the semifinals, which they went to in 2011 and 2007. Saturday's meeting with JU will be ETSU's fourth against the Dolphins in the A-Sun Tournament, with all four of those meetings coming in the quarterfinals.
Atlantic Sun Player of the Year Ramey Kerns (Kings Mountain, N.C.) will look to make it a successful outing for the Lady Bucs. The junior striker entered the week leading the NCAA with 20 goals and 1.176 goals per game, and took home the conference's top honor on Friday. A key part of Kerns' individual success and ETSU's team success has been the play of newcomer Sarah Zadrazil (St. Gilgen, Austria). With a conference-leading 10 assists, along with four goals scored, Zadrazil was named A-Sun Freshman of the Year on Friday, joining Kerns as ETSU's two First Team All-Conference selections.
ETSU's Last Outing
ETSU closed out the 2012 regular season in Jacksonville, Fla. last weekend against JU and North Florida. Kerns netted a late goal against the Dolphins on Friday, but the Lady Bucs did not find the equalizer after JU scored two first-half goals, falling, 2-1. Sunday was a completely different story as ETSU dismantled the Ospreys, 5-1, thanks in part to four goals from Kerns. The nation's leading goal scorer scored three times in the first half, and added her fourth of the game just over a minute into the second stanza to tie the school record for most goals in a game. Senior Morgan Thomas (Maryville, Tenn.) added to the scoring as well, netting her third goal of the season on an assist from Kerns.
The loss on Friday took away any possibility of ETSU earning a first-round bye in the conference tournament, but the win on Sunday earned ETSU its No. 4 seed and the right to host the quarterfinal.
Scouting the Dolphins
Jacksonville went 2-0 in the final weekend of conference play, defeating both ETSU and USC Upstate at home. The two wins snapped a two-game losing streak for the Dolphins, while their four goals against the Spartans were a season high.
Marie Weckhurst heads the JU attack with five goals and three assists for a team-leading 13 points. Not far behind is Racquel Weckhurst with three goals and five assists. The Dolphins' hottest player has been Kaitlyn Bassett, who scored three goals and added an assist last weekend, including a goal and an assist in the win over ETSU.
Jill D'Amico has played in all but one game for the Dolphins in goal. With over 1,400 minutes between the posts, D'Amico has recorded three shutouts while allowing 19 goals for a season GAA of 1.20.
Series History
ETSU and JU have met 11 times in series history, with Jacksonville holding a 6-3-2 lead. Three of those meetings have come in the A-Sun Tournament, where JU has advanced past the Lady Bucs all three times. Two of those advancements have come by way of a penalty kick shootout. The last time the two sides met in postseason play was in the 2008 tournament, which ended in a, 1-1, tie before the Dolphins won the shootout, 5-4.
Although ETSU trails the series overall, the Lady Bucs are 2-2-0 when facing the Dolphins at home. The last time the two teams met at Summers-Taylor Stadium was in 2011, when ETSU picked apart JU for three second-half goals en route to a, 3-0, victory.
Live stats will be available through Stat Broadcast on ETSUBucs.com. Free live video will also be provided on ASun.TV.
Tickets for Saturday night's 2012 A-Sun Quarterfinal are $5 for general admission and $7 for reserved seating.
Once again, fans are invited to tailgate prior to the start of the game in a specially designated area. The roped off section for soccer is located in the ETSU parking lot behind Bojangles Restaurant.
Also, free food provided by Beef 'O' Brady's and Pizza Inn will be available for the first 300 fans, as well as free ETSU T-shirts. Giveaways begin at 6 p.m.
ETSU fans wanting to receive Buccaneer news, score updates, in-game promotions and much more sent to their mobile device can do so by signing up for "Buc Updates." Click here to sign up today!
For more information on ETSU women's soccer, please visit ETSUBucs.com and click on the women's soccer links.


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IV Therapy
Intravenous (IV) therapy may be used to provide nutrition or medication and/ or restore or maintain the body's normal fluid and electrolyte balance. Our nursing staff administers IV fluids according to physician orders, maintains and monitors injection sites, and changes tubing and dressing regularly.
Please contact your local facility for more information on specific services!


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Intro to Web Design & Usability Week 5: Final Project
For the final project it was opened ended and you could work on your own website to redesign or a work project. I decided to customize a little bit of my own site, since I use a theme the 1st order of business was changing to a more clean and easy to navigate theme. Customized … Continue reading
Intro to Design & Usability Week 4: Wireframe
The assignment for week 4: create a wireframe (website or mobile) and include the following – intent of site and content (found via Creative Commons). There are several web based tools to help you create your wireframe and here is a list of 10 tools that our instructor provided. I decided to use Cacoo to … Continue reading
week 3: intro to design and usability
A bit of background since I am starting at week 3 and did not write about the previous weeks. I am halfway through my Intro to Design and Usability course at Peer 2 Peer University (P2PU). P2PU "is an open community that enables learning with and from each other" all the courses are free and … Continue reading


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Bushwacker Cut Out Fender Flares 20047-02
- Made from long-lasting Dura-Flex thermoplastic
- Made for extremely large oversized tires
- Provides monster protection
- CAD designed for a custom fit
- Resists cracking or warping
- UV protected against fading
- Matte black finish is paintable
- Backed by a limited lifetime warranty
- Made in the USA - Portland, OR
If you use your truck for off-road, chances are you have some massive tires. Add Bushwacker Cut-Out style fender flares to give your truck a finished look that will still allow for the maximum wheel articulation on the trail.
All Bushwacker fender flares are made from a proprietary Dura-Flex thermoplastic material. This material allows the fender flares to remain flexible even under extreme conditions. Street style fender flares are UV protected to prevent fading and they are also resistant to cracking or warping.
Installing these cut-out fender flares will require that you cut your fenders and the matte black finish can be painted any color of the rainbow. Bushwacker Cut-Out style fender flares are made in the USA and come backed with a limited lifetime warranty.
- 2008-2010 Ford F250
- 2008-2010 Ford F350
- 2008-2010 Ford F450
- 2008-2010 Ford F550
Limited Lifetime Warranty
Bushwacker, Inc. warrants its products with a Limited Lifetime Warranty to the original consumer against any defects resulting from workmanship or materials. This warranty applies when the product is used under normal conditions for the purpose for which the product is designed, and does not apply to normal wear and tear or damage related to modification/alteration, accident, misuse, improper care or repair, negligence, or the installation of additional attachments. This warranty is in lieu of all other express or implied warranties including implied warranties of fitness for a particular purpose and merchantability. In no event shall Bushwacker be liable for direct, indirect, or incidental or consequential damages arising out of the use of the product. Some states do not allow the exclusion or limitation of incidental or consequential damages or how long an implied warranty lasts, so the above limitation or exclusion may not apply to you. This warranty gives you specific legal rights and you may also have other rights which vary from state to state.
Your cut-out fender flares can be installed right at home in your own garage. These fender flares require cutting your fenders to allow for maximum wheel articulation. The installation instructions will be clear cut and easy to read & follow along. For additional information or if you have any questions, please call us toll free at 1-877-216-5446 or 701-253-5906.
|Bushwacker 20047-02 Installation Instructions