text:
- Inside Athletics
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AUGUSTA, Ga. (March 17, 2012) – Freshman Gabrielle Wahl (Heidenheim, Germany) carded a team-best score of 1-over-par 73, leading the ETSU women's golf team to its current fifth place standing following second round play at the Insperity Lady Jaguar Intercollegiate Saturday at the Forest Hills Golf Club.
Individually, Wahl moved up three spots on the leaderboard to a tie for ninth place as the event moves into its third and final round on Sunday.
As a team, ETSU carded a round of 299 and holds a one stroke lead over Indiana for fifth place. The Bucs are just four strokes back of fourth-place Kennesaw State, while Texas-San Antonio continues to lead the event by four strokes over host Augusta State.
Wahl is six strokes back of individual leader Casey Kennedy of Augusta State, who holds the lead by just one shot over Purdue's Paula Reto.
Along with Wahl, ETSU got a solid 2-over-par 74 effort from sophomore Sian Evans (Gillingham, England), who rebounded from a tough outing during Friday's opening day. While Evans is currently tied for 36th, senior Mayte Vizcarrondo (Cadiz, Spain) enters the final round tied for 24th after posting a 76 on Saturday.
Other ETSU results included another tie for 36th by sophomore Larissa Steinfeldt (Eschweiler, Germany) and a tie for 39th by junior Chloe Garner (Somerset West, South Africa).
The ETSU women will conclude play at the Insperity Lady Jaguar Intercollegiate with third and final round play on Sunday. Fans can follow live scoring from the event by visiting Golfstat.com, while ETSUBucs.com will provide a full wrap up following the day's action.
For more on ETSU women's golf throughout the 2012 spring season, visit ETSUBucs.com and click on the women's golf link.


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Responding effectively to the needs of culturally and linguistically diverse clients and stakeholders enables the ABS to produce relevant statistical products and services to encourage and assist informed decision making for culturally and linguistically diverse communities.
Minimum Obligations:
5.1 Standards - Any whole-of-government standards and guidelines developed by the agency must address Multicultural Access and Equity considerations.
5.2 Policy, program and service delivery - Provision to ensure that policies, programs, community interactions and service delivery (whether in-house or outsourced) are effective for culturally and linguistically diverse communities.
5.3 Outsourced services - Provision for incorporation of Multicultural Access and Equity requirements in funding agreements with states or third-party service deliverers.
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Car News
2014 Chevrolet Impala Offers Advanced Valet Mode
- Valet mode lets drivers lock valuables, info
- Included in newly available MyLink
- Available this spring in 2014 Impala
Many car owners are familiar with valet keys, which limit access to a car's trunk or glove box. But the 2014 Chevrolet Impala takes the valet key one step further. The new sedan will offer a valet mode, which includes locking storage and restricts access to personal information.
The Impala's valet mode uses the sedan's available center-mounted MyLink touchscreen. When drivers activate it, valet mode locks the screen in place, restricting access to a storage compartment behind it. The bin can fit mobile phones and other electronics. That keeps away valets, car wash attendants and others who may briefly drive the car.
But the Impala's valet mode doesn't just lock the screen in place. It also prompts users to enter a code before they can access MyLink's functions. That means a driver's phone contacts and stored destinations are protected when valet mode is activated.
To enable valet mode, drivers must go to MyLink's settings menu and press "valet mode." There, they create a 4-digit PIN code, which they re-enter to verify. Turning off valet mode requires re-entering the PIN code, which is prompted before other MyLink operations are possible.
According to Chevrolet, valet mode is standard with the Impala's MyLink infotainment system. MyLink also syncs with mobile phones, allowing drivers to use apps and enjoy Internet radio. MyLink is optional on all base-level Impala LS models, and standard on the mid-level Impala LT and high-end Impala LTZ.
MyLink is a central feature in the Impala's dashboard, which was designed to include the system's 8-inch touchscreen. MyLink also features a navigation system, marking the first time Chevrolet has ever offered navigation in its full-size Impala.
Unveiled at last year's New York Auto Show, the 2014 Impala will offer three engines. Base models use a 2.5-liter 4-cylinder that makes 195 horsepower. Hybrid eAssist models use a 182-horsepower four. At the top end of the sedan's range is a 3.6-liter V6 that produces a muscular 303 hp.
The 2014 Impala goes on sale this spring. Pricing starts at $27,535 with shipping for an Impala LS. The Impala LT starts at $29,785, while the base price of an upscale Impala LTZ is nearly $35,000.
What it means to you: Valet mode gives drivers peace of mind when they drop off their 2014 Chevrolet Impala with a valet.


text:
Carl Heumann
Born: July 12, 1898
Hellenthal, Germany
Carl was one of nine children born to Jewish parents living in a village near the Belgian border. When Carl was 26, he married Joanna Falkenstein and they settled down in a house across the street from his father's cattle farm. Carl ran a small general store on the first floor of their home. The couple had two daughters, Margot and Lore.
1933-39: I've moved my family to the city of Bielefeld, where I'm working for a Jewish relief organization. Requests from this area's Jews to leave Germany have multiplied since a night last November [Kristallnacht] when the Nazis smashed windows of Jewish stores and burned synagogues all over Germany. Unfortunately, the United States and other countries have immigration quotas so that only a fraction of the Jewish refugees can get visas.
1940-44: We've been deported to the Theresienstadt ghetto in Czechoslovakia. As a special privilege, we've been sent here rather than to a concentration camp further to the east because I earned the German Iron Cross in World War I. Still, the threat of deportation to a camp hangs over us daily, and we're always hungry. Our 15-year-old, Margot, has been assigned to a detail that leaves the ghetto each day to work on a farm: Sometimes she smuggles back vegetables to us by hiding them under her blouse.
In May 1944 Carl was caught stealing food, and he and his family were deported to Auschwitz. Everyone is believed to have perished there except Margot, who survived the war.


text:
Tuesday, January 5, 2010
Point of View (The Debate Rages On)
I hear you all talking (especially you, Khy) about your point-of-view preferences…first versus third person. As a reader, I'd never really given it that much thought, a book worked if it worked. Meaning, the point of view didn't matter to me if the writer was capable of telling the story, no matter which perspective they'd chosen.
But as a writer, I've had to consider this, to think about it, to delve deep into my psyche. Okay, really? Maybe not so much with that last part, I mean it's not that deep a question. But it does spark some (somewhat) heated discussions, and some varied opinions, even (I've discovered) within myself.
I'm not sure I have a strong enough opinion to jump on my soapbox and make a broad proclamation that "I" is better than "he" or "she." Or vice versa. I think there are benefits to both. (And, yes, I realize there is that pesky second person narrative, but, honestly, I don't really get-it, so for argument's sake, I'm going to pretend it doesn't exist. Just go with me on this one.)
It really comes down to personal choice, to what works best for you. Some writers prefer one point of view over the other, tending to write all (or at least most) of their work from that perspective. Personally, I like to dabble. Switch hit, you might say. The Body Finder is third person, my current project is first, and I really liked writing both of them. Equally, but in completely different ways.
One thing I've noticed about first person is that it's easier to get inside of your character's head and flesh out their personality. You're freer to express their internal dialogue, which can add humor/drama/impact. Sometimes. It can also give you a bad case of TMI, so you have to be careful just how much "sharing" you do (you don't want your character to come across as whiny or bitchy or just plain unlikeable). Also, I think it would be easy to get stuck in that internal world, leading to far too much telling and not enough showing.
And, in my opinion, a writer can just as easily bring their characters to life (in High-Def & Technicolor) in third person, all while adding a broader view than just that one character's perspective. Sometimes. If not employed properly, it can also lead to flat, cardboard cutout-type characters, and in some cases allow for too many POVs which can muddy the waters.
So what's the answer? There isn't one. There is no clear winner. Don't believe me? Then check out each of these lists and tell me which list we could do without.
(I triple-dog dare you!)
To Kill a Mockingbird (I have to include this one because it's one of my all-time faves)
The Hunger Games
Beautiful Creatures
Hush, Hush
The Forest of Hands and Teeth
Harry Potter
The Golden Compass
Wicked Lovely
The Graveyard Book
The Uglies
Wondrous Strange
(Oh, and what's this…?) The Body Finder (Sorry, I had to do it.)
(And, okay, yes, I did not search far and wide for these books; I simply turned and looked at my bookshelves. Clearly, I write YA.)
But here's what I want to know: As a reader or a writer, do you have a preference? Would you rather be inside (or outside) of the character's heads? Spying on their innermost thoughts and feelings, or trying to decipher their emotions by gathering clues in their actions and studying their reactions?
And which list could you do without???
19 comments:
- Bethany Mattingly said...
Hi Kimberly! I got my swag packages in the mail today and I must say everything looks ten times better in person! I'm so excited for March to come. Thank you so much!
Growing up, I always preferred 3rd person because I like that it seems more like a storytelling. Now, I find I like them both almost equally (I still tend to go for a 3rd person novel than 1st, but it's not a determining factor :) I couldn't live without either list.
- January 5, 2010 at 1:38 PM
- Khy said...
Teehee. :D I think you are aware that I like first person better. xD I just like it more because I can get in to those book easier; they're more personal and I feel like I know the main character better. :D But the again, some books I love (Harry Potter, Uglies, Suite Scarlett some book called The Body Finder ;]) are in third person and I knew the main characters well, so maybe I do like them equally but am convinced I like first more. WHO KNOW.
- January 5, 2010 at 1:49 PM
- Steve Brezenoff said...
I think tomes could be written on this subject, but to sum up: each POV (including second, my current pet project) has its benefits. First person is very limiting. We can never really know what any other character is thinking, deep down, and as a writer, we cannot rely on secondary characters to expand on the story. EVER. (Unless we switch whose POV we're in, but that's a whole other spiel.) Third, of course, allows omniscience, and if used well, the author need not lose out on the intimacy of first person. (John Green, I think, uses third person very intimately, for example.)
But yeah. The whole point is, depending on what story you want to tell, and how you want to tell it, you must choose the appropriate POV to use.
All that said, I write in first person almost exclusively. I probably should challenge myself a little to use 3rd now and then.
- January 5, 2010 at 1:54 PM
- Megan Petty said...
The POV doesn't matter to me when I'm reading a book. Either works for me. My WIP is 1st person. I find it easier to write in 1st and I think it just works better for the story I'm trying to tell.
- January 5, 2010 at 2:01 PM
Both as a reader and a writer, I much prefer third person. When first person PoV is done well, it can be fun to read. However, sometimes, I have much less tolerance for the narrators when a book is written in first person. If I cannot like their voice, it is very difficult for me to like the character, and thus the book.
Third person poses the same problem, potentially. But I am a step removed and sometimes can come to like a book despite the narrator. It's much more difficult with first person.
- January 5, 2010 at 2:04 PM
- NotNessie said...
I love both POV's, if they're used well. Each has a unique way of bringing you into the story, and there are great examples of both.
The one thing that often bothers me is when a book switches from one to the other... I haven't often seen that done well.
- January 5, 2010 at 2:16 PM
- Patti said...
Like you, I don't have a preference. If the story works is all that matters.
I've typically written in 3rd person, but one of my new projects is 1st. We'll see how it goes.
And no we couldn't do without either list.
- January 5, 2010 at 2:20 PM
- PJ Hoover said...
Great post! I've been stuck on first for a while, but am considering trying a third again soon.
- January 5, 2010 at 2:24 PM
I can read 3rd person stories but I've noticed that I can usually get into the story more if it is done through 1st person. Sometimes the writer will have done a great job with 3rd person and I can get into it.
As far as writing it is A LOT easier for me to write in 1st person. I can figure out the emotion better. I'm trying to work on writing 3rd person though so that I'm not limited as a writer.
- January 5, 2010 at 2:45 PM
- Book Monster said...
I really like first person, but recently I've started to develop a interest in third person. A story I'm writing, right now really feels better in third person then first.
- January 5, 2010 at 2:48 PM
- Leigh said...
My preference for the longest time has been to write in (and read) 3rd person limited so it feels like 1st. But I have been writing lately in 1st and it definitely feels more intimate.
I think it all depends on the context of the book.
Bigger question: how do you feel about switching first POVs? I'm so tempted to try that...
- January 5, 2010 at 3:38 PM
- Frankie Diane Mallis said...
Lately Ive had a preference for first person just because it lets you usually jump right into the story head first and the way my schedule is--I need that. But I love them both, though third can at times take longer to get into. I used to only write in 3rd person limited which felt like 1st person but a bit a removed and then I finally decided to switch to 1st person which totally allowed my story to come life. I might try 3rd again, but I know for awhile Ill be in 1st (especially if Im lucky enough to write the other books I have planned for my 1st person narrator). Man this debate used to rule my life! But as for reading other books it doesnt matter as much to me. Like for example The Body Finder was a pretty rockin 3rd person. Man...I wish we hadn't given away our ARC at the FNC...I feel like spending time with Jay...
- January 5, 2010 at 4:48 PM
- Lisa and Laura said...
This is going to sound crazy, but as a reader I don't even notice POV as long as it's done well. As a writer I gravitate towards first person for the reasons you site in the post. It's just easier for me to get into a character's head that way.
- January 5, 2010 at 4:59 PM
- Shelli said...
i love both - i just want good books.
- January 5, 2010 at 6:08 PM
- Kimberly Derting said...
Steve - Your answer cracked me up because I was going along thinking you were totally defending third person, and then you end with "I write in first person almost exclusively." You completely threw me :)
Leigh - I tried to find examples of this online (because they weren't on my bookshelf), and the only book I saw that I'd read was Christine by Stephen King. But I didn't recall the viewpoint change. If anyone knows of any examples, I'd love to hear them!
I kind of adore the switching POVs (and have dabbled in that too). I do think it could be jarring if it's not handled carefully, as NotNessie pointed out earlier. But talk about the best of both worlds...you get inside someone's head AND get alternate viewpoints (from a more detached perspective).
- January 5, 2010 at 6:36 PM
- Heidi Willis said...
I recently read a book that had both. it weirded me out a bit the first few chapters but then I got used to it and thought it really worked. (There were three major characters. One was first person and the other two were third).
I always wrote in third until this last one. I didn't really choose 1st - it chose me. And scared the bejeebers out of me. But it didn't work any other way, so I went with it.
I think first helps you create a really strong voice for the book a little more easily. As for reading it, I don't really care as long as it's done well.
- January 5, 2010 at 7:33 PM
- booksarelife said...
Before reading this as a reader I had never thought about Point Of View really but now I'm kind of intrigued.
I think for the most part the books that I read are from the first person persepective, but then when I write it's always third person.
I think I like the general perspective though one receives from a third person outlook. With first person you see things almost one dimentional and at times, and especially with certain situations I feel like I want that broader view. I love it when a book in first person switches POV from character to character - I just feel like a intense insider when this happens haha.
I feel though all in all I like them equally. Both bring different things to the table.
- January 6, 2010 at 10:20 AM
- Stephanie C said...
Hi Kimberly,
I'm attempting to write a book now and I'm having this debate internally. As a reader, you're right I couldn't live without either sets of books, and I don't prefer one POV over the other if the writing is good and gets me feeling and thinking. H/E I have noticed the merits and disadvantages of both. I feel like some of the most profound YA books I've read were in the first person (Matched, Delirium) and I think its b/c you really connect to the main character on a deeper level when you can see whats going on internally and really feel and live their reactions. At the same time you can't get that for any of the other characters in the story. How cool would it have been to know what was going on with Edward in Twilight, or Alex in Delirium.
That said, I'm personally finding it difficult to NOT write in the third person as its kind of been drilled into me through all my years of college and I feel like I have story to tell from the perspectives of the other main characters. Its a difficult choice indeed!
- October 15, 2011 at 5:31 AM
- Kimberly Derting said...
Stephanie - I think what I'm realizing more and more is that when done right you actually stop noticing which POV a book is written in. Third person can be close-third, in which you get a much better internal view of the character's perspective. I just started Daughter of Smoke and Bone, and all of a sudden it dawned on me (around page 50) that it was third person. She did a great job with getting inside her character's head!
- October 16, 2011 at 9:50 AM


text: What's the best College Football Stadium in the nation? Impossible to decide. So many variables, so many opinions. But pictures and photographs say a 1000 words, sometimes even more. It doesn't sound like Death Valley in Clemson or LSU, but pictures, colors and incredible backdrops (BYU) make for some of the best stadium moments in any sport. More


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Xdialog error using either remaster method
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[11 Posts]
Joined: 15 Nov 2006
Posts: 185
Posted: Thu 10 May 2007, 22:14
Post subject:
Xdialog error using either remaster method
Subject description: Neither remaster method has worked for me since 2.14
I get the following "Usage for Xdialog" message right after I chose the simple method option. I get an orange box indicating it is calculating then get the long dialog message below. I keep thinking someone else would post with the same error, guess I am the only one having the problem.
Dougal, is there anyway to run your remaster utility from an Xterm and not use the GUI. If not, what would be the best way to debug this problem?
Xdialog v2.3.1 by Thierry Godefroy <firstname.lastname@example.com> (v1.0 was
written by Alfred at Cyberone Internet <email@example.com>).
Xdialog home page available at: http://xdialog.dyns.net/
Usage: Xdialog [<common options>] [<transient options>] <box option> ...
Common options:
--wmclass <name>
--rc-file <gtkrc filename>
--backtitle <backtitle>
--title <title>
--allow-close | --no-close
--screen-center | --under-mouse | --auto-placement
--center | --right | --left | --fill
--no-wrap | --wrap
--cr-wrap | --no-cr-wrap
--stderr | --stdout
--separator <character> | --separate-output
--buttons-style default|icon|text
Transient options:
--password (may be repeated 2 or 3 times before --2inputsbox or --3inputsbox)
--password=1|2 (for --2inputsbox or --3inputsbox)
--time-stamp | --date-stamp
--interval <timeout>
--timeout <timeout> (in seconds)
--item-help (if used, the {...} parameters are needed in menus/lists widgets)
--default-item <tag>
--icon <xpm filename>
--help <help>
--print <printer> (1)
--check <label> [<status>]
--ok-label <label>
--cancel-label <label>
--begin <Yorg> <Xorg>
Box options:
--yesno <text> <height> <width>
--msgbox <text> <height> <width>
--infobox <text> <height> <width> [<timeout>]
--gauge <text> <height> <width> [<percent>]
--progress <text> <height> <width> [<maxdots> [[-]<msglen>]]
--inputbox <text> <height> <width> [<init>]
--2inputsbox <text> <height> <width> <label1> <init1> <label2> <init2>
--3inputsbox <text> <height> <width> <label1> <init1> <label2> <init2> <label3> <init3>
--combobox <text> <height> <width> <item1> ... <itemN>
--rangebox <text> <height> <width> <min value> <max value> [<default value>]
--2rangesbox <text> <height> <width> <label1> <min1> <max1> <def1> <label2> <min2> <max2> <def2>
--3rangesbox <text> <height> <width> <label1> <min1> <max1> <def1> ... <label3> <min3> <max3> <def3>
--spinbox <text> <height> <width> <min value> <max value> <default value> <label>
--2spinsbox <text> <height> <width> <min1> <max1> <def1> <label1> <min2> <max2> <def2> <label2>
--3spinsbox <text> <height> <width> <min1> <max1> <def1> <label1> ... <min3> <max3> <def3> <label3>
--textbox <file> <height> <width>
--editbox <file> <height> <width>
--tailbox <file> <height> <width>
--logbox <file> <height> <width>
--menubox <text> <height> <width> <menu height> <tag1> <item1> {<help1>}...
--checklist <text> <height> <width> <list height> <tag1> <item1> <status1> {<help1>}...
--radiolist <text> <height> <width> <list height> <tag1> <item1> <status1> {<help1>}...
--buildlist <text> <height> <width> <list height> <tag1> <item1> <status1> {<help1>}...
--treeview <text> <height> <width> <list height> <tag1> <item1> <status1> <item_depth1> {<help1>}...
--fselect <file> <height> <width>
--dselect <directory> <height> <width>
--colorsel <text> <height> <width> [<red> <green> <blue>]
--fontsel <font name> <height> <width>
--calendar <text> <height> <width> [<day> <month> <year>]
--timebox <text> <height> <width> [<hours> <minutes> <seconds>]
Special options:
--version (prints version number to stderr and exits).
--print-version (same as above in a cdialog-compatible way).
--print-maxsize (prints maximum menu size in characters and exits).
Note that <height> and <width> are in characters and may be replaced by a single
XSIZExYSIZE[+/-XORG+/-YORG] parameter (like the one passed in the -geometry option
of X) which will represent the size of the Xdialog window in pixels. Specifying
a size of 0 0 (or 0x0) will auto-size Xdialog, while a size of -1 -1 (or -1x-1)
will maximize it.
(1) This Xdialog binary compiled with: lprshell -P<printer>
as the print command. If <printer> is "" (an empty string), the -P
option is not used.
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Joined: 19 Oct 2005
Posts: 2504
Location: Hell more grotesque than any medieval woodcut
Posted: Fri 11 May 2007, 06:37
Post subject:
Try this.
730 Time(s)
What's the ugliest part of your body?
Some say your nose
Some say your toes
But I think it's your mind
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Joined: 15 Nov 2006
Posts: 185
Posted: Fri 11 May 2007, 09:19
Post subject: Attached pupremaster.sh worked great! Thanks!
Subject description: pupremaster.sh fixed Xdialog error
Will this version of pupremaster be in the 2.16 final?
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Joined: 19 Oct 2005
Posts: 2504
Location: Hell more grotesque than any medieval woodcut
Posted: Fri 11 May 2007, 14:11
Post subject:
Beats me... There's been a similar version on the "updated remaster script" thread for a long time.
What's the ugliest part of your body?
Some say your nose
Some say your toes
But I think it's your mind
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Joined: 02 Sep 2013
Posts: 4
Posted: Tue 03 Sep 2013, 00:20
Post subject:
Wow, this is an ancient bug. Sorry to bring this thread back to life but the bug is still current for puppy 528 at least and this thread is at the top of the Google results so I think it's better to post the solution here. There's a little bug in remasterpup versions 2 & 3 that causes it to abort with an Xdialog usage error message whenever there is an ISO image mounted.
In particular, there's a botched regex in the handling of the VIRTUALCD variable. To fix it, replace where it says:
sed -e 's/on[ ].*+//'
with this:
sed -e 's/on [ ]*//'
(mind the blanks).
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Karl Godt
Joined: 20 Jun 2010
Posts: 4208
Location: Kiel,Germany
Posted: Fri 06 Sep 2013, 20:24
Post subject:
sed tends to exhibit problems with LANG or LC_ALL settings other than "", "en_US" or "C" .
if [ "$NEW" = "yes" ]; then ###### long skip if, cleating new sfs
VIRTUALCD=$(mount -t iso9660|grep '^/dev/loop' | sed -e 's/on[ ].*+//' -e 's/[ ]type[ ]iso9660[ ].*$//')
#VIRTUALCD="`grep -E "loop.*iso9660" /proc/mounts | cut -f 1-2 -d ' ' | tr '\n' ' '`" #110808 PANZERKOPF bug fix. 110822 reverted.
I personally think that grep /proc/mounts is the better code line.
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Joined: 28 Dec 2009
Posts: 858
Posted: Mon 09 Sep 2013, 21:51
Post subject:
Welcome to the forum. And thanks for the bug report and the fix for older Puppies. Barry rewrote this part of the code last February, so this bug is gone from new Puppies. But your fix will be useful for anyone who runs into this problem on an old Puppy.
Actually, the problem was not a "botched regex". That line of code did just what it was expected to do. The problem was that the expectations were unrealistically limited.
Here is why.
In Puppy, clicking on a the icon for an .iso file in the file manager will mount the iso image using Puppy's filemnt script. That script mounts the file at a mount point it creates using a name which is based on the filename of the image file. For instance, clicking on /mnt/sdb1/precise-5.7.1.iso will mount the image at /mnt/+mnt+sdb1+precise-5.7.1.iso, which is also the case if filemnt is run from the command line, like so:
filemnt /mnt/sdb1/precise-5.7.1.iso
When an .iso file was mounted like that, remasterpup2 worked fine.
So the real problem was that remasterpup2 once expected all .iso files to be mounted that way, when in reality many people simply call mount, like so:
mkdir /mnt/iso
mount -o loop /mnt/sdb1/precise-5.7.1.iso /mnt/iso
In the line that had the bug, the first s command existed to change this:
/dev/loop1 on /mnt/+mnt+sdb1+precise-5.7.1.iso type iso9660 (ro,relatime)
to this:
/dev/loop1 precise-5.7.1.iso type iso9660 (ro,relatime)
The second s command then changed it to this:
/dev/loop1 precise-5.7.1.iso
This provided an easy to read item in remasterpup2's "Choose the CD/DVD drive..." list, showing the actual name of the .iso file, with no need for the user to horizontally scroll through "/mnt/+mnt+sdb1+" to bring the full name into the window.
But, as you discovered, if one just used the mount command to mount the .iso file, and the mount point didn't happen to contain a plus sign, what happened is that
/dev/loop1 on /mnt/iso type iso9660 (ro,relatime)
didn't get changed by the first s command, so after the second s command this remained:
/dev/loop1 on /mnt/iso
which confused Xdialog.
As Karl's post shows, an earlier attempt was once made to fix this bug. Unfortunately, that fix caused a failure for someone, and the fix was reverted. I don't know what circumstances caused the fix to fail, and the user didn't provide details. That fix looked OK to me. (See:
Anyway, that is just history now, since the code for choosing $VIRTUALCD has been rewritten for new Puppies. And your suggested fix should make remasterpup2 compatible with .iso files that have been mounted with the mount command on any old Puppy that still has the bug.
By the way, in order to prevent confusion I should point out that although the bug you found in Puppy Lucid 5.2.8's remaster script has similar symptoms to the bug for which this thread was created, this is not the same bug. This thread refers to a 2007 version of a 2006 fork of the remaster script, pupremaster.sh, while the bug you found is in remasterpup2, and in a block of code that wasn't added until July 2009.
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Karl Godt
Joined: 20 Jun 2010
Posts: 4208
Location: Kiel,Germany
Posted: Mon 09 Sep 2013, 22:59
Post subject:
Hi Norman !
I have switched to leave the /+ -crap behind in filemnt , instead added a .$$ PID to the end of the mount point .
This is not the most perfect way but until now had no double .$$ PID .
Didn't liked the view of all these long directory names .
My current way of grep ing :
grep -e '^/dev/loop[0-9]*.*iso9660' /proc/mounts | awk '{print $1 $2}'
NOTE: cut would do also like awk , because special chars like ' ' space are escaped in /proc/mounts with ascii numbers .
bash-3.00.16 unfortunately seems not to work nice using inbuild echo -e to translate special chars back into the original characters - I am using busybox echo -e to do this .
NOTE : The is tr '\n' ' ' ' is nearly never been needed in practice , takes code space and resources .
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Karl Godt
Joined: 20 Jun 2010
Posts: 4208
Location: Kiel,Germany
Posted: Mon 09 Sep 2013, 23:15
Post subject:
And sed would look like :
S="/dev/loop1 on /mnt/+mnt+sdb1+precise-5.7.1.iso type iso9660 (ro,relatime)"
echo "$S" | sed 's%\(/dev/loop[0-9]*\) on \(/.*\) type iso9660 (.*)%\1 \2%' | sed 's%/mnt/.*+%%'
/dev/loop1 precise-5.7.1.iso
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Karl Godt
Joined: 20 Jun 2010
Posts: 4208
Location: Kiel,Germany
Posted: Mon 09 Sep 2013, 23:55
Post subject:
And so looks the code in precise-5.5.0 :
#130222 fix this...
#VIRTUALCD=$(mount -t iso9660|grep '^/dev/loop' | sed -e 's/on[ ].*+//' -e 's/[ ]type[ ]iso9660[ ].*$//')
##VIRTUALCD="`grep -E "loop.*iso9660" /proc/mounts | cut -f 1-2 -d ' ' | tr '\n' ' '`" #110808 PANZERKOPF bug fix. 110822 reverted.
#VIRTUALCD="$(busybox mount | grep -E 'type udf|type iso9660' | cut -f 1,3 -d ' ' | tr '\n' ' ')"
#130301 crap, earlier was using losetup-FULL from util-linux git, now using older 2.21.1, it needs -a param,
#but also truncates long lines (same as bb losetup) -- what a nuisance...
#BBLOSETUP="$(losetup-FULL -a | tr '\t' ' ' | tr -d '[:()]' | tr -s ' ')" #130301
for ONELOOP in `cat /proc/mounts | grep -E '(^/dev/loop.*)( udf | iso9660 )' | cut -f 1 -d ' ' | tr '\n' ' '` #130308 /dev/loop only
oPTN="^${ONELOOP} "
#ONEISO="$(echo "$BBLOSETUP" | grep "$oPTN" | rev | cut -f 1 -d '/' | rev)"
ONEISO="$(cat /proc/mounts | grep "$oPTN" | cut -f 2 -d ' ' | rev | cut -f 1 -d '+' | cut -f 1 -d '/' | rev)" #130301
[ "$ONEISO" = "" ] && continue #130301 precaution.
Mainly for udf ...
BTW my puppy-4.3 remasterpup2 does not use any VIRTUALCD variable nor sed command
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Joined: 28 Dec 2009
Posts: 858
Posted: Tue 10 Sep 2013, 09:04
Post subject:
Thanks for sharing your methods. It's always nice to learn about alternative ways of doing things. I especially liked your use of back references to the parenthesized subexpressions in your sed command. I often forget that cool stuff like that can be done.
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text:
Did you read today's front page stories & breaking news?
Today's Top SOA Links
From the Wires
Weatherford Announces Conference Call
By: PR Newswire
Jan. 7, 2013 05:51 PM
GENEVA, Switzerland, Jan. 7, 2013 /PRNewswire/ -- Weatherford International Ltd. (NYSE/Euronext Paris/SIX: WFT) today announced that it has scheduled a conference call for Wednesday, February 27, 2013 at 8:30 a.m. ET. The purpose of the conference call is to discuss results for the company's fourth quarter ended December 31, 2012. The call will be open to the public.
(Logo: http://photos.prnewswire.com/prnh/19990308/WEATHERFORDLOGO)
To access the call, please contact the conference call operator at 866-393-8572, or 706-643-6499 for international calls, approximately 10 minutes prior to the scheduled start time, and ask for the Weatherford conference call. The passcode is "Weatherford". A replay will be available until 5:00 p.m. ET, March 14, 2013. The number for the replay is 855-859-2056, or 404-537-3406 for international calls; passcode 87067137.
An enhanced webcast of the conference call and replay will be provided by Thomson Reuters and will be available through Weatherford's web site at http://www.weatherford.com. To access the conference call and replay, click on the Investor Relations link and then click on the Enhanced Audio Webcast link. The webcast requires Microsoft® Windows Media Player. If you experience problems listening to the broadcast, send an email to firstname.lastname@example.com.
Weatherford is a Swiss based, multi-national oilfield service company. It is one of the largest global providers of innovative mechanical solutions, technology and services for the drilling and production sectors of the oil and gas industry. Weatherford operates in over 100 countries and employs over 60,000 people worldwide.
SOURCE Weatherford International Ltd.
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text:
Touched at Lehmann Maupin
Photos by G.
Lehmann Maupin in New York has a great exhibition called "Touched" that is currently showing. This exhibit is a mixed media presentation of painting, ceramics, sculpture and works with paper that is a treat for the eyes. The artists featured in the exhibit are Noriko Ambe, Klara Kristalova, Brett Lund, Maria Nepomuceno, Angel Otero, and Allison Schulnik and their works, as you can see above and below are very interesting. See some more images of "Touched" after the jump.
"Touched" runs through August 13, 2010 and Lehmann Maupin is located at 540 West 26th Street in New York.


text:
1990-95 Nissan Axxess Wheel Bearing Rear - 1ASHX000181ASHX00018
Part Details
- Bearing Type: Ball Bearing
- Front or Rear Location: Rear
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text:
Visualizing structural geometry from outcrop patterns
This activity was selected for the On the Cutting Edge Reviewed Teaching Collection
This activity has received positive reviews in a peer review process involving five review categories. The five categories included in the process are
- Scientific Accuracy
- Alignment of Learning Goals, Activities, and Assessments
- Pedagogic Effectiveness
- Robustness (usability and dependability of all components)
- Completeness of the ActivitySheet web page
For more information about the peer review process itself, please see http://serc.carleton.edu/NAGTWorkshops/review.html.
This page first made public: Feb 11, 2008
Skills and concepts that students must have mastered
How the activity is situated in the course
Content/concepts goals for this activity
1. Students will be able to interpret the geometry of planar dipping layers from the outcrop pattern
2. Students will be able to recognize different rock units based on their characteristics as seen on satellite images
3. Students will be able to draw a geologic map and interpret structure based on the map pattern of different units
Higher order thinking skills goals for this activity
Other skills goals for this activity
Description of the activity/assignment
Google Earth offers the ability to view topography in 3D, and in areas of good exposure, the interaction between topography and rock bodies can be clearly visualized by manipulating the viewer's perspective. Through this user interaction, a much clearer understanding of how outcrop patterns related to rock structure can be gained.
Determining whether students have met the goals
Download teaching materials and tips
- Activity Description/Assignment (Microsoft Word 38kB Feb11 08)
Other Materials
- Location file for Google Earth ( 3kB Feb11 08)


text:
A.W.O.L. indeed. I took the week off — most certainly without leave — and it was glorious. I passed the oral exam on Monday morning, then quickly proceeded to realize just how much of a relief it was to be finished. Again.
That "again" was causing a lot of anxiety, but now … I get to write "with distinction" on my C.V. and, well, that feels really good. Really, really good.
Wool-buying good, in fact.
I picked up this lovely EcoWool in the hopes of some kind of wooly, neutral cardigan. This was my inspiration, but in the end I went with another try at OWLS, this time in my size. The Mawrtyr in me is very partial to the idea of sporting a parliament of wooly owls.
This might all end in disaster, of course, since my gauge is all kinds of off. And I'm attempting to fashion this as a cardigan … because Nashville and pullovers just don't seem to work. Despite the current cold weather and snow, this is a "humid subtropical climate" — with BBQ and fried chicken — so, you know, layers of wool aren't all that necessary most of the time.
It's a modest start, but today's schedule of reading just might be the perfect opportunity to make a dent in the waist shaping. If it turns out even half as flattering and easy-to-wear as twenty eleven, I'll be a very happy camper.
More to remind myself that anything, here's selbu two … languishing. I really need to finish this.
The other evening, I made Alice a wooly yarn ball, just to see … and, yep, she's a cat. It's pretty darn adorable watching her bat this around the house.


text:
3D Flag Up Sky
is a Cinema 4D & After Effects project file template made in: *HD (1280×720) *25 fps *12 seconds long *day and dark version
It should work on Cinema 4D 12 On newer version After effects CS5 , CS5.5 and CS6 …
5 Project files included – 2 Project files(cs5).aep (day and dark version) – 2 Project files(cs5.5).aep (day and dark version) – 1 Project files(cinema 4D).c4d ;D
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text:
Learn about the day World War II came to Australia in Darwin's historical attractions.
Before the bombs began to fall, Thursday 19 February 1942 was as a typical, steamy Darwin morning. At 33 degrees in the shade and 90 per cent humidity, Darwin's 2,000 residents - including just 63 women - were already sweating.
The heat was the least of their worries, when at 9.58am, Japanese planes released the first bomb over Darwin Harbour. Over the next hour, more than 300 bombs fell, killing 243 people and wounding 300. Many of the 188 Japanese planes had attacked Pearl Harbour just a few months earlier.
Despite its sizeable military base, Darwin was ill equipped to deal with Australia's first enemy attack. With no water, electricity, communication or clear leadership and with rumours of foreign invasion flying, the people of Darwin panicked.
Many soldiers abandoned their training, joining civilians in the stampede out of the city. People ran, rode bikes, horses and drove cars, not stopping until they reached Adelaide River, a small rural community 115 kilometers south of Darwin. Later termed the 'Adelaide River stakes', this exodus south is documented in Baz Lurhman's new film epic Australia.
The attack on Darwin, and subsequent chaos, fear and flight was largely concealed by the Australian government. Worried about national morale just a few days after Japan had claimed Singapore, it reported that 17 people had been killed and 24 injured in Darwin, a shadow of the true statistics. Over the next 18 months, Darwin lost more than 1,000 people in a total of 64 air raids. Yet news blackouts meant that most Australians had little idea of the seriousness of the country's most prolonged attack.
You can explore Darwin's World War II history in sites scattered across and around the city. There are original B52 bomber planes at the Aviation Heritage Centre and a variety of old airstrips in and around town. Visit ammunition bunkers that formed part of Australia northern defence line in Charles Darwin National Park or see the remains of a rest camp for 100,000 military personnel in Berry Springs Nature Park, 47 kilometers south of Darwin.
At East Point Military Museum, close to the city centre, you can walk through the bunker where Top End defence strategy was planned and see live footage of the bombing that brought World War II to Australia. Make your way through the war oil storage tunnels that run under the city or see artillery observation posts in the Casurina Coastal Reserve, also a sacred Aboriginal site.
You can also take in the Top End's wartime history on a tour or self drive trip from Darwin down the Stuart Highway. See military airstrips lining the highway and visit the museum and war cemetery in Adelaide River. Learn more about wartime life in Katherine and hear the local's wartime stories over a cold beer in the colorful, historic townships of Larrimah and Daly Waters.


text:
OverTheHills wraps up our series of articles on this year's 12th Invest in ME International Conference (IIMEC12) in London with some reflections on her experience as a patient attending the conference for the first time.
Discuss the article on the Forums.
Heparin Injection Therapy
Discussion in 'General Treatment' started by Dainty, Sep 18, 2010.
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text:
The rate on the most common type of mortgage inched up this week, despite the Federal Reserve's renewed efforts to push mortgage rates down. Who's to blame? Congress, for making investors anxious as it appears that lawmakers are far from reaching a deal to avert the "fiscal cliff."
Continue Reading Below
The benchmark 30-year fixed-rate mortgage rose to 3.52% from 3.5%, according to the Bankrate.com national survey of large lenders. The mortgages in this week's survey had an average total of 0.37 discount and origination points. One year ago, the mortgage index stood at 4.19%; four weeks ago, it was 3.54%.
The benchmark 15-year fixed-rate mortgage was 2.85%, the same as last week. The benchmark 5/1 adjustable-rate mortgage stayed at 2.74%.
Fed Hands Borrowers Low Rates
The Fed took a new approach Wednesday and pledged to keep a key short-term interest rate down until the unemployment rate falls below 6.5%. November's unemployment rate was 7.7%, and unemployment was above 8% most of the year.
Determined to keep rates low, the Federal Open Market Committee announced it will continue purchasing $40 billion a month in mortgage-backed securities. In addition, the Fed will pour another $45 billion a month into purchases of long-term U.S. Treasury bonds to compensate for the ending of Operation Twist this year, in which the Fed reinvested money from short-term bonds into longer-term bonds.
Higher demand for mortgage and U.S. Treasury bonds normally results in lower mortgage rates.
"If Treasuries purchases help keep long-term Treasury rates low, they should help keep mortgage rates low as well," says Paul Edelstein, director of financial economics at IHS Global Insight.
Congress Could Take Some of it Away
While the Fed's latest announcement is great news for borrowers, mortgage rates remain somewhat vulnerable to what Congress may or may not do prevent deep spending cuts and tax increases from taking effect simultaneously at the beginning of the year. Lack of action could push the U.S. economy back into recession, economists say.
"With the fiscal cliff process becoming a fiasco, many are leaving the bond market, as it may get volatile toward the end of the year," says Brett Sinnott of CMG Mortgage Group in San Ramon, Calif.
If it weren't for the Fed printing billions of dollars a month to buy mortgage bonds, borrowers would be facing higher rates today, some mortgage professionals say.
The Fed is "attempting to create stability in the economy to compensate for the fact that the government is doing such a great job of creating instability," Sinnott says.
Who Will Win the Battle?
Until Congress reaches an agreement on the cliff, which will probably happen at the eleventh hour, rates will fluctuate and could potentially rise in the short term. Eventually, they will adjust and stay low as the Fed wishes, analysts say.
So What's a Borrower to Do?
Because there are no guarantees of where mortgage rates will be a month from now or at the time you need to close on your loan, some mortgage professionals say it's wise to lock a rate soon.
"I would definitely recommend that loans get locked and closed before the end of the year, as things could get bumpy come Jan. 2," Sinnott says.
Michael Becker, a mortgage banker at WCS Funding in Baltimore, says the decision should be based on what's at stake for each borrower.
Refinancers who are switching from a rate in the 5% to 6% range should not waste a minute and lock as soon as they qualify for a mortgage, Becker says. Those who refinanced or got a mortgage recently, and have a rate in the low- to mid-4s, should probably float to maximize their savings, he says.
For homebuyers, Becker says it's usually best to lock.
"If you've got a contract in your hand, I always say lock," Becker says. "If it so happens that rates drop one-eighth (of 1 percentage point), don't beat yourself about it. And remember that rates go up much faster than they go down."


text: Grazing Improvement Act Passes House Natural Resources Committee June 12, 2013 08:47 AM Tweet TAGS: Marketing, Overseas December 18, 2014 By Drovers Guest Editor —National Cattlemen's Beef Association Public Lands Council The House of Representatives Committee on Natural Resources today advanced the Grazing Improvement Act (H.R. 657) on a bipartisan vote of 27-15. The legislation, which seeks to improve the livestock grazing permitting processes on lands managed by the Bureau of Land Management (BLM) and the U.S. Forest Service (USFS), will now go to the full House for consideration. H.R. 657 was introduced in February by Rep. Raúl Labrador (R-Idaho) as companion legislation to S. 258 in the Senate, also introduced in February by Sen. John Barrasso (R-Wyo.). Public Lands Council (PLC) Executive Director and Director of Federal Lands for National Cattlemen's Beef Association (NCBA) Dustin Van Liew said the Grazing Improvement Act will contribute greatly to providing a stable business environment to federal lands ranchers who face increasing uncertainty as to the future of their livestock grazing permits. The legislation proposes to increase the term of grazing permits from 10 to 20 years, so that the burdens of National Environmental Policy Act (NEPA) review of expired permits will be reduced, thereby giving ranchers increased certainty that they may continue grazing and their operations will remain viable. Among other provisions to reduce the NEPA burden, the bill also proposes to codify longstanding appropriations language that would allow grazing to continue under existing terms and conditions while the NEPA backlog is being addressed. "We greatly appreciate the leadership of Rep. Labrador and Natural Resources Committee Chairman Hastings for their leadership on this important issue," Van Liew said. "Ranchers can no longer afford the incredible regulatory and litigious environment created by excessive application of NEPA. If we lose ranchers, we lose the stewards of the land, job providers in the West, and a crucial part of American livestock production. Like last year, we look forward to passage through the House this session." During the committee's consideration of the bill, two amendments were offered. An amendment by Labrador, which passed, would exempt range improvements from excessive and unnecessary environmental review and clarify the intent of Congress with regard to who may appeal agency grazing decisions. Van Liew said the amendment will prevent radical environmental groups from abusing the current appeals system, and further reduce the NEPA burden. He said this amendment is especially important at a time when wildfire has ravaged hundreds of miles of fence and many range improvements crucial to the proper care of livestock and the range. An amendment introduced by Rep. Raúl Grijalva (D-Ariz.), which would have imposed an arbitrary 74 percent increase of the federal lands grazing fee on ranchers, failed. The amendment's alleged purpose was to "offset the increased cost of administering the livestock grazing program." However, Van Liew asserted that this fee increase would likely decrease revenue to the government by forcing ranchers out of business. He added that the "increased cost" Grijalva mentions is due to overregulation and predatory litigation by radical anti-grazing groups. "We are pleased that, once again, the proposal to increase the grazing fee was soundly defeated. The current grazing fee is fair, is based on market criteria and accurately reflects the cost of operating on public lands. The effects of the loss of public lands grazing on both the environment and the local economies in the West would be devastating," he said. "Altogether, the Grazing Improvement Act is now stronger than ever, and we look forward to seeing this commonsense legislation coming to a vote by the full House." Back to news


text:
Baruch College Hosts 6th Annual Symposium on Sustainable Business: Integrated and Non-Financial Reporting
NEW YORK, NY- October 24, 2013 - Baruch College invites corporate professionals and the media to the 6th Annual Symposium on Sustainable Business on November 1. The event is co-sponsored by Baruch's Robert Zicklin Center for Corporate Integrity and CCI-Corporate Communications International in partnership with the National Investor Relations Institute, and the New York Society of Security Analysts.
Industry experts will talk about current trends in corporate non-financial and integrated reporting in three separate discussions. The day starts off with "Setting the Standards," featuring experts who set the framework for corporate disclosure of environmental, social and governance impacts. Other discussions will feature the benefits and challenges of implementing integrated/non-financial reporting and how users are leveraging this information to make better investment decisions. Panelists include representatives from the Global Reporting Initiative, the Sustainability Accounting Standards Board, American Electric Power, Prudential Financial, Domini Social Investments and more.
WHAT: 6th Annual Symposium on Sustainable Business: Non-Financial and Integrated Reporting
WHEN: 9 a.m. - 1 p.m., followed by lunch, Friday, November 1
PROGRAM: View schedule and list of panelists
WHERE: Baruch College's Newman Library and Information Building, 151 East 25th
Street (between Lexington and Third Avenues), Room 750, 7th Floor
RSVP: Complete the online registration form . For registration fees and other information, visit the registration information page for more info.
About Baruch College:
Baruch College is a senior college in the City University of New York (CUNY) with a total enrollment of more than 17,000 students, who represent 160 countries and speak more than 100 languages. Ranked among the top 15% of U.S. colleges and the No. 4 public regional university, Baruch College is regularly recognized as among the most ethnically diverse colleges in the country. As a public institution with a tradition of academic excellence, Baruch College offers accessibility and opportunity for students from every corner of New York City and from around the world. For more about Baruch College, go to http://www.baruch.cuny.edu/.
Manny Romero, (646) 660-6141, email@example.com
Mercedes Sanchez, (646) 660-6112, firstname.lastname@example.com
Celene McDermott, (646) 660-6134, email@example.com


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text:
Justin Chadwick and Idris Elba talk about bringing Mandela: Long Walk To Freedom to the big screen.
It was three years ago at the Toronto International Film Festival when producer Anant Singh first approached Justin Chadwick to direct a film about South African president Nelson Mandela.
But speaking during a press conference today following the world premiere of Mandela: Long Walk to Freedom, the British filmmaker admitted he was initially hesitant to sign onto the project, due to the responsibility that came with dramatizing the famous political figure.
"I knew how important it was to South Africa and I knew how important it was to the rest of the world," he said. "How do you even begin to tell that story?"
For Singh, the answer was simple: tell the truth.
Adapted by British screenwriter William Nicholson from Mandela's 1994 autobiography of the same name, Mandela: Long Walk to Freedom fills in the gaps left by previous Hollywood narratives, focusing on Mandela's years prior to becoming a freedom fighter, including the tumultuous divorce and reported abuse suffered by his first wife Evelyn (who is played in the film by Terry Pheto).
That proved to be a challenge for leading man Idris Elba, who was forced to portray some of the darkest periods of the peaceful political figure's life.
"I didn't want to deface Mr. Mandela in any way," Elba said during the press conference, "but I didn't want to portray him in a way that wasn't honest."
"This is a guy with a profound sadness in him," Nicholson added. "What we wanted very much to say was at the moment of his greatest victory, there was this sadness, the sense he lost what was central to his personal life."
Unable to connect with the ex-president due to his ongoing health problems, Elba began researching for the role by travelling around rural communities, speaking with generations of South Africans about the impact Mandela played in their lives. He quickly discovered their acceptance with him portraying both the "saintly" and negative sides of his early career as a political figure, but made sure he understood it had to be done right.
"I wasn't expecting to be accepted immediately as Madiba for various reasons," Elba said, "but there was certainly the sort of willingness for us to go for it, but to know that you only have one chance."
But as far as Elba is concerned, the movie wouldn't have been done properly if they hadn't covered the beginnings of the South African leader.
"He lived a very full life prior to that," Elba said. "When you understand that, then you understand how long of a walk that freedom is."


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MACON, Ga. - The Atlantic Sun Conference will revamp its basketball tournament format for the 2014 edition of the General Shale A-Sun Basketball Championships.
After six years of playing the entire men's and women's tournaments as a joint event at one pre-determined site, the conference will be taking its quarterfinal sessions across the membership. Regular season play will determine hosts for the first round games. The plan for the modified structure then calls for the winning teams, both men and women, to convene for semifinal and championship games at a still to be determined single site.
"This is about engaging our great fans all season long — making them more a part of the regular season race and rewarding them with tournament play in their communities," said A-Sun Commissioner Ted Gumbart. "We now have the opportunity to bring our premier event to multiple campuses in the same year, which will be terrific broad promotion of our teams and our basketball at the most exciting time of the year."
With quarterfinal games on campus, a minimum of four and a maximum of eight schools will host either a men's or a women's game in the General Shale A-Sun Basketball Championships.
"This change in championship format is one step in the overall plan to continue the strong and steady growth of A-Sun basketball," said conference basketball consultant Greg Shaheen. "The A-Sun is building a strong reputation for its achievements in basketball and this is a natural step in bringing the games and the fans together for the best experience possible for everyone involved."
The conference is already engaged in efforts to secure a top regional facility as the destination for the final rounds. The Atlantic Sun Conference has set multiple conference records for postseason play the past three years, culminated by Florida Gulf Coast University's historic run to the Sweet Sixteen this year. Mercer's men won the CIT last year and advanced to the second round of the NIT by knocking off Tennessee this year.
A record four women's teams participated in postseason this year (Stetson-NCAA; FGCU-WNIT, Mercer-WBI, Northern Kentucky-WBI). Record postseason totals for the past three years include participation by 11 different teams (6 men/5 women), nine different schools, 13 postseason wins, 11 games hosted by A-Sun teams, and 17 separate postseason bids earned by the A-Sun.


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NOR Now Available For The 2009 Melges 17 U.S. National Championship, August 28-30
©2009 Andy Burdick | Melges Performance Sailboats Related topics:
12 July 2009
The Notice of Race (NOR) for the 2009 Melges 17 U.S. National Championship taking place on August 28-30, hosted by the Glen Lake Yacht Club is now available!
Download A Notice Of Race (NOR)
And that's not all! Brad and Jandy Sprouse with the assistance of Melges 17 Class stalwart Jim Hilgard have also included the entry form and schedule of events also. Download The Sailing Instructions too, and get those entries in today!


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Students in Ashley Alicea�s third-grade class at W.J. Gurganus Elementary School in Havelock have been named one of five finalists in a national writing contest.
Students in Ashley Alicea�s third-grade class at W.J. Gurganus Elementary School in Havelock have been named one of five finalists in a national writing contest.
MrsP.com announced the finalists last week in its national Be-a-Famous Writer contest.
The contest, open to students from kindergarten through fourth grade, tasked the students with writing a story on the theme of magic. Classes had the option of collaborating to develop the story or picking an individual student�s story to represent the class.
In the case of Alicea�s class, the students worked together to write a story called �My Magic App.�
The four other finalists are from schools in Iowa, Arkansas, Florida and North Carolina.
The winner of the contest, to be announced on Wednesday, receives various books, audio books and digital books for the classroom as well as a bound copy of the created story. The story will also be read live on the website on World Read Aloud Day on March 5.
A panel of judges, including celebrities such as actress Melissa Peterman and television talk show host Craig Ferguson, will select the winner.
Kathy Kinney, who stars as Mrs. P and helped developed the website, played the character Mimi on �The Drew Carey Show.� Mrs. P Enterprises is designed to help spark a passion for reading as well as imagination and creativity in youth by exposing them to books and stories through celebrity storytellers.
The website, at www.MrsP.com, features those stories as well as interactive games and activities, and some stories can also be viewed on youtube.


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Bright Spots for the Struggling Shipping Market
The world's shipping market, in the doldrums for years because of excess capacity and weak demand, may be poised for a turnaround. Geoffrey Cheng, head of transportation and industrial research at Bocom International, speaks with the WSJ's Jeffrey Ng about what to expect in the volatile industry this year.
This transcript has been automatically generated and may not be 100% accurate.
... the the ... struggling shipping industry see any hopes of recovery this year ... this is Asia's today I'm sure freeing ... ongoing By Geoffrey Cheng head of transportation in jostle research at Bocom International and winner ... of this year's Wall Street Journal's Asia's best analysts award for the ... transportation industrial segment ... Jeffrey thank you so much for joining us today ... thank you congratulations on the morning wash desert ... of container shipping should fragrance remain very weak as we see it come to Asia and Europe rates are ... down something like fifty eight percent right now is unworthy zero go ... um are we seeing any delight at the end of the tunnel for the shipping industry ... up I'd I'd be if you look at just a GUI yet but noted that seems to be ... a bit no problem I think I thing you can look at this woman lost no money was tough ... not to send it was pretty high that Kobe beef background ... why delay Midori has been very bad but you know consists of this quarter ... aam Gashi euro for a who is set to be down in the by about one of the boy was only come to a one point nine percent ... so I I see something to do with the ... competence of the container shipping companies supple themselves ... updated the look and feel factor according to the Shanghai Shipping Exchange actually ... bubble fact delegation you're Oaktree has become quite strongly in the last week ... it was almost night time up to almost ninety percent likely ... so I we we we we believe that there was a pretty good concept over Colby was see some ... of the body in a fake tree on they should you try ... um ... on the flip side if you look at the out of the size of the of the Pacific's actually aam straws Pacific Bay has been traded ... this deal on the EU and UK says the marginal increases ... of but the shipping come he's been telling us that ... they have very good results in the late ... India Britain could concentrate negotiations of late so we both knew was see ... some low margin increases in the fake grateful with the new contract he is starting from mom wash dishes ... so this is shipping industry to clearing the container and bulk shipping have ... been spared some real rollercoaster ... ride in the last two years to clearly after the global financial crisis ... aam is ... this Avici was one of the worst downturns that you've seen in your ... in your no more than ten years experience in the oven The said I'd I'd I find I can see all the meat because he fuel back before the pay down the pic ... make the shipping years between SABMiller O'Toole tree ... up to almost I always seven oh wait this is actually before that aam ... the Bible shipping industry has been suffering fall was but thirty years that was ... up a bit downturns as the results all the talk was going to the ... the bubble butts off the Japan economy ... so we we have kind of back to where they should be something like that of coffee save you just look at the five mile ... on index Yeshua for me seeing how Paul B two s death is uncertain as ever really been a great ... area for harder for either yell you know way EU you may say so but dove depends on how are you look at the peak is up for some states a interesting phase in the look that the Bible shipping industry ... the out that as a result of the bubble buzzing Japan actually did Japanese sub say ... of treating comedy been selling some of the same ships to the Privee infested by investors ... paid unwilling to take up some of these apostles and then lend to say I'd talk to them all on the long-term atop the basis and ... to make good return on it and so was it depends on the save audio corporate logo Privee infested something I've read books and given a very vault I'll mark and shipping it's really hard to choose a winner especially when you're in a segment where there are many different types of companies airport operators to shippers to container shipper spoke Cerberus ... logistics firms ... honey you ... should pick a winner from all these ... new groups of categories of company I think I think they have ... a different investment returns characteristics of say CP that I mean biggest ... he looked at Pablo parade is so quite often the very high ... maybe the margin there are profitable ... and so we even came the bad news like the Ayatollah nian to attend the ... base of funding Don Gray does declines things like that but but you can look at them they us to paint a good dividends ... and so in no way they pay half of TV like Apple unlike ... say investment returns ... awful youth and old baby a couple bad you will come of that something like that and sold some of the lone fund this deal became known to them but ... DD should become the easiest AFP the kind of bullet aisle with a a high beta stocks and so we often call them and ... have fun like them and then that depends on how you ... stop cheerful forty sometimes they are very good to launch all sounds kind of of the strategy of stocks that you put on the shorts I sometimes get so for twenty thirteen others were ... almost five months into the into the year ... for the rest of the year than what which segments to see in shipping that might outperform ... in your view ... of some long term funds actually I think they would like to open by fall again on the deal border police BPTP said in a sense that ... well of you to rip you do get a free will the UN would be nice to soaring substantially ... the market is typically one issue on because one eighteen miles coming all from what he said the Philippine economy but going from developing Asia ... aam they container ships at the other side of that is that while ... the duo thickened initiates I think ... the ... depression is that with OBS seen it off because he feel of the supply ... of supply side of the full moon actually ... we are also of say seeing the in goal for the delivery cycle ... for the ships for the game to attend to eleven so even go to the passive might but the result of an oh well yes you know wave that has been some expectation that would probably lose says seeing that kind of a tall for The Fay Wray a beautiful because the city to seventy ... cars busy people will pick up being done to forty meters between now and into a shipping begin receiving got into the phone ... so we're more optimistic than you were ... a few months earlier but you know ... about the ... house and while ... lull between the two say of sectors begin to life I'll send contain night I kind of thing that contain air was doable but Bennett and five all ... but ... four long funds is ... the future so that they up the PP re shows which we often view was this a bicycle and yes yes the Federation the Matrix announ actually drive on seems to be a offering a bit of a longtime attractive it's good ... to ... be interesting to see how ... does really well told rollercoaster experience all will go on missions shifting money as is often helpful to think ... that that that that Jeffrey thank you so much for your child ... a Form more information on other winners of the issues this analyst award to visit us at ... the beest dot com for The Wall Street Journal I'm sure freeing


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How do you style Bermuda shorts for work and play?
Bermuda shorts have seemingly sauntered away from tourist territory and have neatly nested into fashion girls' wardrobes. And while they are refreshingly comfortable and hip, to fully embrace their glory, wear them (carefully and coolly) in one of two distinct ways.
For Work:
Firstly, for work, think: suit. A knee-length short in a crisp fabric and sophisticated colour paired with a matching blazer can feel both professional and stylish. Add a skinny belt in either a bold colour or shiny metallic and a simple pointy-toe or d'orsay heel. A printed silky blouse—perhaps in a polka-dot or cute, irreverent pattern—will both feminize and elevate the whole getup.
For Play:
?Secondly, for play, think: casual, yet ironic. Go for Birkenstock-type flat sandals, a classic crewneck grey sweatshirt (a little boy's shrunken version perhaps!) and a knot headband a la Celine. This look will turn heads as you run errands around town or meet a girlfriend for lunch. To dress this look up, be sure to accessorize your Bermudas with a polished handbag or clutch, a bold lipstick choice and a stylised—either clear or cat-eye—pair of sunglasses.
Image courtesy of Tine Andrea Storløs


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March 28, 2010
BROOKLYN, N.Y. (March 28, 2010) - Sacred Heart sophomore Kate Kmiotek (Farmingville, NY) tied her career-high with six goals as the Pioneers blew open a 4-4 game with 13-straight goals on their way to their fourth-straight win, 17-6 Sunday afternoon at Long Island University. The Pioneers out shot LIU 44-18 in the win as they remain perfect in Northeast Conference play at 4-0.
Kmiotek did half of her damage in the early going, scoring three of the Pioneers first four goals. LIU's Claire Ranney put her team up off the opening draw scoring just 12 seconds into the game before SHU's Kmiotek went on a three-goal run. The sophomore midfielder scored on a free-position attempt, unassisted and off a feed from senior Carissa Hauser (East Northport, NY). Hauser followed off a pass from sophomore Alicia Fuchs (Bay Shore, NY) to put the Pioneers up 4-1 nine minutes in.
Long Island (1-9, 0-4 NEC) pulled the game even at 4-4 with a three-goal rally started at 20:20 on a Christie Wienckowski 8meter score. Annie Kalata scored unassisted at 19:56 and Wienckowski tied it up at 14:45 with her second free-position goal.
From there it was all Sacred Heart (6-4, 4-0 NEC) as the Pioneers ran off 13-straight goals starting at 12:33 of the first half and ending with 6:05 left in the second to run away with the win. Seniors Cori Horelik (South Windsor, CT) and Hauser started the rally with scores at 12:33 and 12:07. Sophomore Kaitlin Rochler (Wading River, NY) notched the next three on her way to a career-best four goal afternoon.
Horelik and sophomore Alyssa Dorsey (Massapequa, NY) finished out the first half with back-to-back unassisted goals for an 11-4 halftime lead. Kmiotek tacked on three second half goals to match her three first half tallys while Fuchs found the back of the cage for her first, Rochler buried her fourth and Dorsey tacked on her second of the day to close out the SHU scoring at 6:05.
The Blackbirds tacked on two final scores in the closing minutes to produce the 17-6 final score. In addition to outshooting LIU, Sacred Heart held an 18-7 advantage on draws and a 25-18 advantage on ground balls. Pioneer goalkeeper Chelsea Wagner (Aurora, CO) need only make seven saves while allowing four goals to earn the victory.
The Sacred Heart defensive unit held their fourth-straight opponent under the 10 goal mark and while forcing 18 LIU turnovers and six broken clear attempts. In NEC play, SHU is outscoring opponents 61-24.
The Pioneers will play host to Mount St. Mary's on Thursday afternoon and the Monmouth Hawks on Saturday.


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April 11, 2005
CAMBRIDGE, Mass. - MIT improved to 3-2 on the year and 2-0 in NEWMAC competition after a 6-1 victory over Babson College on Saturday. The No. 3 doubles tandem of Mark Egan and Jonathan Farm dominated their counterparts, earning an 8-0 victory.
The No. 1 and No. 2 doubles matches were closely played for the first half until MIT rallied to take the final four games in each match. Evan Tindell and Thomas Dohlman along with Eric Beren and Krishna Pokala helped the Engineers complete the doubles sweep.
Tindell led off singles play with a 6-1, 6-2 victory. In the next spot, Dohlman dropped a tough match, falling 6-2, 6-4. Both Beren and Egan came through in crucial tie-breaks for wins at No. 3 and No. 4. Beren posted a final score of 6-1, 7-6 (3) while Egan finished 7-6 (3), 6-2. Kevin Durand lost only one game in the No. 5 slot as Eric Makhni recorded a 6-3, 6-4 victory.


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Colonial Rhode Island
This article originally appeared in "Colonial English Research" by Robert Charles Anderson, MA, FASG in The Source: A Guidebook to American Genealogy
Jurisdictional History
Like Hampton and Exeter among the early New Hampshire towns, all of the earliest Rhode Island towns were settled by religious refugees from Massachusetts. When Roger Williams was banished from Massachusetts late in 1635, he moved south and, in 1636, founded the town of Providence. Two years later, as a direct consequence of the Antinomian Controversy, a large number of families, mostly from Boston and mostly influenced by Anne Hutchinson, removed in early 1638 to the northern end of Aquidneck Island, or Rhode Island, where they founded the town of Portsmouth. Just a year later, a rift at Portsmouth led to the foundation of Newport at the southern end of the island. Finally, in 1643, an assorted group of malcontents began the settlement of Warwick, on the mainland just to the south of Providence.
These four towns formed the core of Rhode Island settlement for some decades. Just a year after the rift that led to the settlement of Newport, the two towns of Newport and Portsmouth settled their differences and began to hold a court jointly for the two towns. Eventually, Providence and Warwick were joined to this body, and court was held jointly among the four towns. This judicial body led to a parallel legislative body.
From time to time, this body split in two with Newport and Portsmouth operating together, separately from Providence and Warwick; however, in each case the four towns soon came back together to operate for legislative and judicial purposes as a single government. In these early years, Rhode Island did not have a charter, so in 1644, Roger Williams traveled to London to acquire such a document. At the Restoration, Williams traveled again to England and received a new charter from Charles II in 1663.
The southern part of the mainland of what is now Rhode Island led a separate existence for several decades. Known variously as the King's Province or Narragansett Country, this region was purchased from the Indians by groups of merchants, mostly from Boston. This region was incorporated in Rhode Island under the terms of the royal charter of 1663 (although this same region had been granted to Connecticut in its charter of 1662).
No counties existed in Rhode Island until 1703, when the colony was divided into Providence and Newport Counties. These jurisdictions initially had virtually no relevance for record keeping, inasmuch as land and probate records were at all times maintained by the towns. The General Court of Trials, which covered the entire colony, did not give way to county courts until 1729.
Rhode Island is, and has always been, the most localized colony or state for record keeping. With minor exceptions, each town or city holds all deeds and all probate materials. For this reason, a large proportion of the surviving records of three of the original four Rhode Island towns have been published. (Most of the early Newport records were accidentally destroyed during the Revolutionary War.)
- Providence: The Early Records of the Town of Providence, 21 vols. (Providence, 1892'1915).
- Portsmouth: The Early Records of the Town of Portsmouth (Providence, 1901).
- Warwick: The Early Records of the Town of Warwick (Providence, 1926); and More Early Records of the Town of Warwick, Rhode Island: 'The Book with Clasps' and 'General Records' (Boston, 2001).
Some of these town records are incorporated in John Russell Bartlett's Records of the Colony of Rhode Island and Providence Plantations in New England.<ref>John Russell Bartlett, ed., Records of the Colony of Rhode Island and Providence Plantations in New England, vol. 1 (Providence, 1856).</ref> This volume also includes early records of the colony court, which combined legislative and judicial functions. For example, Bartlett included sixteen pages of the early records of Portsmouth (after the split in early 1639 that led to the settlement of Newport).<ref>Ibid., 70'85.</ref> Comparison of these transcripts with the above-cited volume devoted to the early records of Portsmouth shows that the same material is presented in the latter on pages one through thirty-four but with far greater fidelity than in the former. The original is badly damaged in this early period. Bartlett took great liberties with the text, inserting text in these bad sections without editorial comment and simply omitting sections that he found difficult to read.
An excellent example of an original manuscript that has been published incompletely and in disjointed parts is 'Rhode Island Colony Records 1646'1669.'<ref>Rhode Island Colony Records 1646'1669, FHL microfilm 947, 963.</ref> Scattered through this manuscript volume are several sittings of a Court of Quarter Sessions that was held alternately at Portsmouth and Newport. These proceedings have been extracted and published in Howard M. Chapin's Documentary History of Rhode Island.<ref>Howard M. Chapin, Documentary History of Rhode Island, 2 vols. (Providence, 1916, 1919), 2:132'64.</ref> But the same manuscript volume also contains sessions of the Court of Trials held from time to time in all the towns of the colony. These have been published in a separate and unrelated pair of volumes Rhode Island Court Records: Records of the Court of Trials of the Colony of Providence Plantations.<ref>Rhode Island Court Records: Records of the Court of Trials of the Colony of Providence Plantations, vol. 1, 1647'62 (Providence, 1920); Island Court Records: Records of the Court of Trials of the Colony of Providence Plantations, vol. 2, 1662'70 (Providence, 1922).</ref>
This court material scattered over three volumes does not, however, exhaust the records in the manuscript volume. As yet, the large number of early Newport deeds also included here, some from as early as 1642, remain unpublished. Given the near-total destruction of early Newport town records, this source, once fully published, will be of great importance for early Rhode Island genealogy.
Case Studies
Bruce C. MacGunnigle, 'The Children of Chad Browne of Providence RI: Proved, Disproved, and Unproved,' American Genealogist 62 ( 1987): 193'201. This careful study of paternity relies heavily on the wide range of material preserved in the early town records of Providence, including, but not limited to, land and probate records.
William B. Saxbe Jr., 'Thomas Walling and His Way with Women: Seventeenth-Century Misconduct as an Aid to Identification,' American Genealogist 73 (1998): 91'100. Like MacGunnigle, Saxbe also heavily exploits the early Providence town records. However, he also makes good use of the colony court records.


text: Baltimore-born Jada Pinkett is an actress, rocker and wife to Will Smith. The Baltimore School for the Arts graduate started out in acting, appearing on TV's "A Different World" and the films "Menace II Society" and "Set It Off." She married Will Smith in 1997 after meeting on the set of "The Fresh Prince Of Bel-Air." She co-starred with her husband in "Ali" and became a force to reckon with in "The Matrix" films. Pinkett Smith is also lead singer of the heavy metal band Wicked Wisdom and has toured with Britney Spears and OzzFest.


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Want to sew like your favorite fashion designer? Of course you do, and BurdaStyle is here to help! We're giving away one of Brother's awesome new Project Runway Limited Edition Innov-ís 40 sewing machine to a lucky BurdaStyle member to make their fashion sewing dreams come true! Rival designer looks and show off your unique creativity with your own handmade creations. Click through to learn how you can comment to win your own fantastic Innov-ís 40 machine!
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- 40 built-in sewing stitches, including 5 one-step auto-size buttonhole styles
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