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Golden State Warriors (9 - 22) @ Portland Trail Blazers (20 - 13)
Start time: 7:00 PM PST @ The Rose Garden
Local TV: CSN Bay Area
Probable starters for the Golden State Warriors:
C - Andris Biedrins
PF - Anthony Randolph
SF - Corey Maggette
SG - Monta Ellis
PG - Stephen Curry
Probable starters for the Portland Trail Blazers:
C - LaMarcus Aldridge
PF - Juwan Howard
SF - Martell Webster
SG - Brandon Roy
PG - Andre Miller
Team leaders:
PPG - M. Ellis (25.6) | B. Roy (22.8)
RPG - A. Biedrins (6.6) | G. Oden (8.5)
APG - M. Ellis (5.2) | B. Roy (5.0)
SPG - M. Ellis (2.3) | R. Fernandez (1.6)
BPG - A. Randolph (1.5) | G. Oden (2.3)
Game Thread: Warriors @ Portland Trail Blazers 2010-01-02
Talk about the upcoming Warriors game here
Moderators: Mr. Crackerz, JREED, Guybrush, 32
actually i don't think we can lose against this depleted team if we play like the last games, yesterday i saw some really amazing team play and powerful offense (yes, because of NELLIE), keep it going and we will have way more wins since our bigs are back.
and i predict there will be much small ball against this small team.
and i predict there will be much small ball against this small team.
- Posts: 2562
- Joined: Sun Nov 09, 2008 12:40 am
All Star
Anthony Randolph will go for 20/10 for sure
martin wrote:without oden and joe przwhatever, yes, they are small, especially knowing that maggette is aldridge killer, baisically their front court is not imposing in any way (juwan can't move howard?!), so i predict nelson go small quite much.
You been watching? Howards been great for them this year
i saw some stretches of portland play, i do not like their team, maybe becuase of unis, i don't know, howard hasn't impressed me in any way. i see no prob for randolph to handle him and have atremendous mismatch on the other end. aldridge has been terribel against maggette. so, i predictED lots of maggete/randolph/rad in frontcourt. since it seems aldridge is out with sprained angle, i don't know what bad play it would take from us to lose to blazers without their three bigs and guards in batum and fernandez. they simply won't be able to run with us.
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- Joined: Sat Mar 15, 2008 3:30 pm
All Star
Aldridge sprained his ankle, but I'm sure he'll be back for the game.
drazz wrote:Wait.
That W's roster almost looks like a real NBA roster.
Until you realize it probably starts like that but everything goes to hell once Nellie inserts CJ Watson for Randolph in the lineup, leaving us with a Curry, Watson, Monta, Maggs, Beans lineup...
Nothing against Watson, really... I just can't stand Nellie-ball anymore.
martin wrote:http://www.veetle.com/viewChannel.php?cid=4b3e8f2eee8b9
that ones strugglin for me. This ones ok
http://www.atdhe.net/10917/watch-golden ... nd-blazers
but is Portland broadcast


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|2011-03-29, 20:09
|Link #2062
Join Date: Jan 2009
Location: USA
Age: 32
Episode 11 was very good. Not too over the top. And the maid outfits, although strange, were awesome. <3 Sera.
And to have one more episode to return to the normal fun is great. And to make it the swimsuit episode, awesome.
How does Eu talk now though? I am confused on that...
|2011-03-29, 20:21
|Link #2064
twuth it EASY.
Join Date: Jun 2010
did anyone else notice the last two episodes (10/11) being a bit gray and down? 11 has the Tokyo tower (and a bit of its destruction,) the entire town under attack by KotN, everyone coming together, and the sun in the end... How much of these eps were written or done after the earthquake/tsunami? I think it had a really good vibe to it...
|2011-03-29, 20:23
|Link #2065
Tenshi's Defense Squadron
Join Date: Dec 2005
Location: Fighting against those who oppress the system
Great use of symbolism imo.
|2011-03-29, 20:30
|Link #2066
Senior Member
Join Date: Mar 2008
|2011-03-29, 20:45
|Link #2067
Senior Member
Join Date: Oct 2009
That still doesn't make sense why she would talk then out of all the other times she's had talks with him. She uses the notepad and does not talk at all for a reason.
Now if it was okay for her to talk in small amounts, then they should have established that from thebeginning. If she's talking there because she was being worked up even though her words are still powerfully effective.. then she's being selfish and going against her entire philosophy up until now. The whole entire series up until now emphasized the restraint and difficulties she's placed on herself because of her powers, but conveniently at the end, she is able to put them aside to express her feelings to him. Not to mention a similar thing happened back in the mid series but she still refused to talk back then.
I mean, I'm completely fine if the animators wanted to do it for dramatic effect, but just pointing out at the inconsistency it created.
I'm not quite sure what you meant by before the end... she said "it hurts", he let go, and then Haruna came crashing down.. and then she spoke, and they all became surprised. Then it was the next ep preview and the end message?
|2011-03-29, 20:53
|Link #2068
Senior Member
Join Date: Mar 2008
|2011-03-29, 21:44
|Link #2069
Classics never age
Join Date: May 2010
Location: Italy
LoL, after having seen screencaps for ep12, I'm even more baffled at the choice of not having nipples in this anime and leave the censorship in.
but what irks me the most is definitely the choice of not packaging it with some kind of specials/ovas/whatever... such a wondeful potential utterly wasted.
it could've been an incentive to buy too, despite the high price.
|2011-03-29, 23:11
|Link #2071
Tsukiyomi -Moon Phase-
episode 12 was pretty good. Haruna and Euu duo > Sera and Sara duo
Euu took off all her armor and wears a nice dress
Is it me or is there some error @ around 22:15?
I see a man walking up the stairs but at 22:20 it's a female with pink hair
I don't see anyone else walking up the stairs and at 22:24 Ayumu is only half way so there's no way she could have walked so fast up to the top of the stairs. Unless ...
|2011-03-29, 23:17
|Link #2072
Senior Member
Join Date: Mar 2008
|2011-03-29, 23:31
|Link #2073
User of the "Fast Draw"
I suppose the only question I have is what happened to Kyouko? Last we saw she was taken away by the guy who just got annihilated in episode 11. Has she just turned into an unresolved question?
Anyways the last couple episodes were fun. 12 was just hilarious and they definitely avoided seriousness there. I didn't think spotting Saras singing would end up sucking up the rest of the episode as everyone save Yuki went for their debut. Still some nice songs especially with Eu at the end.
Episode 11 was a bit all over the place. They used a Vampire Ninja sympony to stop the megalo which I guess is fine. But Ayumu and the other guy were just throwing powered up punches for a while until Eu just decided to do what the guy had been asking for all along. Was there a point to all of this? If Eu had just done that to begin with then we'd have saved time. Suppose it was important to send a message about Eu's feelings before.
A good end to the series and definitely feels like a season 2 hint. If they decide to make another season I'll definitely be there to watch. It's been a fun show with good characters, action, and humor. Definitely one of my favorites of the season.
|2011-03-29, 23:37
|Link #2074
Senior Member
Join Date: Feb 2011
Anyone else feel episode 12 was a bunch of stills thrown together with a little arm movement xD? Still, it was quite funny and very enjoyable. This is probably the area Zombie does it best --- not trying to be serious at all and dropping random events. Nice random bits (who am I kidding...whole episode + more Ayumu service) of fan service for everyone including randoms!
Hope for a season 2
|2011-03-30, 00:29
|Link #2077
Senior Member
Join Date: Sep 2008
Location: Houston
Age: 31
The hell are you talking about. It built up exactly how it said it was going to build up. It said this episode was to be a fan service episode and it delivered that. Calling it anti-climatic doesnt fit because if what it is trying to build up to falls through at the end, that is anti-climatic.
|2011-03-30, 00:46
|Link #2078
Okuyasu the Bird
Join Date: Sep 2009
Location: Alberta, Canada
Age: 27
It's stuff like this last episode that just makes me wonder "why?"
First of all, you devote the ENTIRE final episode to nothing but sexual fanservice and song numbers when you COULD have WISELY spent it doing something WORTHWHILE with the plot of the series, like maybe filling in some holes and make the pacing a little less rushed and give it an actual emotionally impactive ending. Though I suppose it's just cause I really could care less about such things, so I'm obviously not going to find it great. (Also if you wanna have a "metal" themed idol, how about actually having them actually sing a metal song?)
Also I usually do find randomness funny, but this episode was doing it wrong cause I didn't laugh even once. It's pretty sad when your episode that isn't supposed to be taken seriously isn't even entertaining.
The ONE good thing I liked through all of this episode was Ayumu's rational thinking and sensibleness. I really want to brofist him for it, t'was just marvelous.
This episode didn't bring the series down with it though. Can't really blame it if the worst episode wasn't even originally part of the series. Shame it had to get such a bad adaptation though.
|2011-03-30, 01:18
|Link #2080
Senior Member
Join Date: Jul 2010
I'm having so much fun blast watching that last episode.Lol all the way from the begining to the end.What a way to end this series.Fan service galore
..and Yay more Saras.
never expected Kurisu at the end there.......second season?.
and poor mr anderson got relegated to an intermission section of the anime
|comedy, light novel adaptation, romance, shounen
|Thread Tools

subset: commoncrawl


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The other night my family and I sat down and watched a special on sex slaves in America. The show was about girls actually young ladies who were brought to America from places such as the Ukraine, El Salvador, China and Guatemala under the guise of being offered jobs in industries such as restaurants or housekeeping here. Now I find this abhorrent and extremely sinister and interesting that none of these criminals were black and no phrases were used like white enslavers. But the one thing that struck me was the fact that there were even discrepancies as to how these sex slaves were treated when the deal was busted by the cops. I am also curious as to how these slaves differ in treatment from the American slaves.
I found it interesting that the prosecutor in one of the cases for them said that this was slavery except it was the most egregious kind of slavery, they were sex slaves. As opposed to your run of the mill African slave who was your sex slave and full worker slave. I guess the fact that they got paid cash made their slavery more egregious. Or maybe it was the fact that they weren't black made the slavery just that much worse than that of the 400 years of black slavery.
There were sex slaves who were brought in from the Ukraine and Russia that were making a thousand dollars a day, not including what was given to the pimps. They were hiding this money and were told that they had to pay the pimp so much money for bringing them to this country. Owing the pimp seemed to be the underlying theme for ALL the women in this situation no matter where they were originally from. The girls from the Ukraine were told that they would be able to pay their pimp off in about six months. Yet before the six months was up a couple of them had fled in the night with a "John" who promised to bust the pimps, which he loyally did.
The girls had been kept in a condo or townhouse and could come and go at will. They did however tell tales of being raped by the pimps whenever they had the inclination. Now that they were freed they were able to find a good life living off the thousand dollars a day bonus they amassed due to their services. They must have had about ninety thousand dollars saved up that was not taken by the government because the story teller explained how they hid the money first. Now they are free American citizens and able to live life like they wanted to in the first place. Or maybe even better since they had planned on being waitresses who I doubt would have taken home ninety thousand dollars in three months barring some side gig as a sex slave.
Now there is a far different tale from those ladies that were tricked into America from Guatemala, Mexico and Asia. They were making only thirteen dollars from each "John" they were with compared to whatever the girls from the Ukraine etc. were bringing in per "John" to make a thousand dollars a night take home for themselves. These ladies were going to spend years working off the debts they incurred to be brought to America. Yet when the deal was busted instead of being able to go free and tell their tales they were arrested and sentenced to prison. Not only were they forced into being sex slaves they were then jailed for being duped.
I thought this is so indicative of how hypocritical the United States is. People with brown skin will be not only forced into a bad situation but then blamed and punished for it. All the while the white skin people not only got to keep the ill gotten gains, they were treated like the victims they were plus given the help and care they deserved. They were even able to have an audience with congress to discuss the sex slave industry. In contrast the Hispanic slaves were treated to the same disdain that they are treated with from America on a daily basis which is you don't belong here and you are not worth our help or care but, hurry up and pick our vegetables.
Now to throw a twist in each and every time I talk about and even when I don't talk about slavery people who comment on my Blog are constantly telling me that blacks should get over slavery it happened it is over so move on. Well I did not once here anyone telling these ladies that had been sex slaves or their children for that matter to move on it's over and they are now free to live good lives. They told their stories over and over with the same pain they felt having been there. They told of how they don't feel safe, their children don't feel safe etc. Their children are forever scarred by this traumatic event and want everyone to know their harrowing stories.
No one told the sex slaves from the Ukraine that they should pull themselves up by their bootstraps and stop crying over something that is clearly over for them. They shouldn't be rehashing the past and begging for a hand out. They shouldn't be asking for their captors to be held captive in prisons now in some sort of reverse captive taking akin to some reverse discrimination. No one would be as rude and callous as to say any of these things to these ladies or their children who have suffered so much. Yet saying this to blacks who are still feeling the affects of the trauma is not a big deal. As we have seen from this show it is fine to harass the victim just so long as that victim is a person of color.


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Can I Transfer Car Tax
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El Dia de los Ninos/El Dia de los Libros
Have you ever wanted to go on an adventure like the characters in your favorite children's books? On April 21 from 1 to 3 p.m., the Waukegan Public Library will host its annual El Dìa de los Niños/El Dìa de los Libros family festival featuring games and activities from classic children's books including "Charlotte's Web", "The Giving Tree", "The Cat in the Hat" and "Harry Potter".
Library books will come alive as children of all ages make Wild Things monster masks for a bonfire dance, taste apples from the Giving Tree, balance a stack of household items with the Cat in the Hat, cast spells at Hogwarts, go on a pirate treasure hunt and meet well-known book characters. Every 15 minutes, families will be entertained with bilingual storiesin the library's Early Learning Center and then have a chance to explore the Farm Fun exhibit, milk a life-size fiberglass cow, and hold real baby chicks.
The library will also highlight mariachi culture from the bilingual children's book "Delicious Hullabaloo/Pachanga Deliciosa" with an interactive student performance by Milwaukee's award winning Latino Arts Strings Program. In partnership with Lyric Unlimited, Lyric Opera of Chicago's multifaceted community engagement program, the student mariachi group will educate families about music and Latino culture as a preview for the 7:30 p.m. performance of "Cruzar La Cara De La Luna" at the Genesee Theatre. "Cruzar La Cara De La Luna" is presented by Lyric Opera of Chicago and is the world's first mariachi opera. Four tickets to the evening's performance will be raffled off during the festival.
Each family will take home a free bag of books while supplies last, courtesy of Bernie's Book Bank. Partner organizations also include the Green Youth Farm, the United Way and Words on Wheels. Complimentary refreshments will be served.
"In the past, our El Dia celebrations incorporated themes surrounding the environment, Earth Day, and Latino culture. This year, we placed the focus on books so children can relate to the classic stories they love through hands-on play," said executive director Richard Lee. "Hopefully this will inspire families to interact with books in a fun and creative way at home."
For more information about El Dia de los Niños, contact Rena Morrow, Marketing, Programming, and Exhibits Manager, at (847) 623-2041, ext. 231.


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Renee Zellweger & Bradley Cooper: Progress Pair
Bradley Cooper checks on the construction and progress of his new home with Renee Zellweger in Los Angeles on Thursday (March 4).
It was recently announced that the 35-year-old Hangover actor will be starring with Robert De Niro in an upcoming thriller, The Dark Fields.
According to Variety, De Niro recently signed on to play a financial mogul who is tracking down a Gotham writer, played by Bradley. Filming will begin in May near Bradley's hometown of Philadephia.
FYI: Bradley is wearing a Gypsy 05 hoodie!
15+ pictures inside of Bradley Cooper and Renee Zellweger checking out the progress on the house…


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Thread: Democrat Vs Democratic
Results 1 to 2 of 2
#1 Democrat Vs Democratic09-12-2008, 04:27 PMAldebTX (213 posts) Fri Sep-12-08 02:37 PM
Original message
Democrat Vs Democratic
Ok, I know this has been discussed before. However, watching the forum last night I found myself getting very irritated when McCain kept referring to the Democratic Party as the "Democrat Party".
Is it unseemly or beneath our candidates to correct them? A snide comment during the debate of "Perhaps Senator McCain is unaware that its the Democratic Party" might work wonders. Make it seem like another mistake made by McCain although we all know its intentional.
I heard the start of this mis-statement was back when the Republicans took control of the congress and they wanted to irritate Democrats. Does it weaken us to call them out for the jerks they are?OmahaBlueDog (1000+ posts) Fri Sep-12-08 02:46 PM
Response to Original message
1. It's an old righty saw.
The theory is that, by their wisdom, we may be Democrats, but we aren't democratic. However, the real reason they like to do it...is that advertising/marketing studies (made back in the 70s, I think) showed that the flat sounding "crat" ending sounds bad to a listener. It creates unattractive mental associations with words like "crap" and "fat" .OmahaBlueDog (1000+ posts) Fri Sep-12-08 02:46 PM
Response to Original message
If it were up to me, we'd re-brand. I think the current name and the donkey need to be replaced with something that better conveys progress and prosperity.
I love how this bugs them
- Join Date
- Aug 2008
- Location
- Midwest USA
- Posts
- 228
As always the DUmmies wallow in frivolity. Oh but wait, they're smarter than the rest of us.
|« Previous Thread | Next Thread »


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Cisco Admits That Foreigners Afraid Of NSA Revelations May Have Hurt Latest Earnings
from the and-so-it-begins dept
"I do not think it is the major factor across all of emerging. I do think it is a factor, however, in China," Chambers said.And this is why the tech industry needs to be a lot louder on these issues, and to actually take it seriously. There's a very real economic impact. The more recent revelations about the NSA hacking into Google and Yahoo's data centers should be a wake up call to even more tech companies, though, unfortunately it appears that many still want to hide under the radar.
"It's not having a material impact. But it's certainly causing people to stop and then rethink decisions, and that is, I think, reflected in our results," said Rob Lloyd, president of development and sales.


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Mirage i9S
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A cart designed specifically for inflatable models takes the effort out of getting the boat to the water's edge after inflating.
Add sail power using the sail mount and attaching a few shrouds to the fully-collapsible mast.


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CISPA Sponsor Claims Opposition Is '14 Year Olds In Their Basement'
from the taking-the-high-road? dept
Update: Sina Khanifer has uploaded a video of Rogers making these comments.
Second, the comment about Silicon Valley CEOs is not true. Yes, there are some tech companies who are in favor of CISPA, mainly because of the liability protections they would get. But it is hardly an across the board belief. Many, many tech companies are all quite concerned about CISPA and what it will mean for the privacy of their users. Both Mozilla and Reddit have strongly spoken out against CISPA. Do they not count?
Third, the idea that because some Silicon Valley CEOs support CISPA, it means that there couldn't possibly be any concern. This is a outgrowth of the myth that SOPA was only stopped because tech companies spoke out. As such, politicians like Rogers think all they need to do is appease tech CEOs, and not the public, whom they're supposed to represent. That Rogers would so outwardly admit that as long as a small group of tech CEOs favor the bill (which is already a highly questionable statement), that he can ignore the public and insult them, is really stunning.
Of course, what this really shows is Rep. Mike Rogers' absolute disdain for privacy. He doesn't take the concerns of the public, of privacy advocates, and even of the White House seriously. Instead, he sees privacy as something that should be mocked and those who support it insulted. Why should such a person be in charge of wiping out privacy laws on the internet?


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Oakley Dispatch Sunglass,Lightweight O Matter? frame material is the secret to all-day comfort, and Dispatch takes advantage of Oakley's patented Three-Point Fit to keep the lenses in precise optical alignment. High Definition Optics? (HDO?) is the reason why its clarity exceeds ANSI Z87.1 standards. Notice the lens curvature that extends peripheral vision. Our pure Plutonite? lens material blocks 100% of all UV and helps this design meet ANSI Z87.1 basic impact standards.
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Minnesota Statutes Chapter 333
Filed May 6, 2008
The filing of an assumed name does not provide a user with exclusive rights to that name. The filing is required for consumer protection in order to enable consumers to be able to identify the true owner of a business.
1. State the exact assumed name under which the business is or will be conducted: Midwest Matadors
2. State the address of the principal place of business. A complete street address or rural route and rural route box number is required; the address cannot be a P.O. Box: 2280 Caulfield Plaza, Woodbury, MN 55125
3. List the name and complete street address of all persons conducting business under the above Assumed Name or if an entity, provide the legal corporate, LLC, or Limited Partnership name and registered office address: Tyson Allison, 2280 Caulfield Plaza, Woodbury, MN 55125 and Justin Deleon, 4836 38th Ave South, Minneapolis, MN 55417
4. I certify that I am authorized to sign this certificate and I further certify that I understand that by signing this certificate, I am subject to the penalties of perjury as set forth in Minnesota Statutes section 609.48 as if I had signed this certificate under oath.
Dated this 29th day of April, 2008.
s/ Tyson J. Allison, Partner
Contact Person: Tyson Allison
(612) 964-5787
(Published in the Woodbury Bulletin on Wednesday, May 28, 2008 and Wednesday, June 4, 2008.)


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Hot on the heels of the Optimus G, LG's exciting Snapdragon S4 Pro-powered range-topper, comes another new smartphone from the Korean company: The Optimus L9.
While not quite as high-spec as the Optimus G, the L9 still sits at the top of LG's L Series line-up — introduced during Mobile World Congress earlier this year, and consisting of the L3, L5 and L7 handsets — meaning style and design is equally as important as the phone's specification.
Like the other L Series phones, the Optimus L9 is a slim, square slab that uses metal throughout the construction of its chassis. The 125 gram overall weight is still low, although the 9.1mm thick handset may feel a little more chunky than many of its rivals, and is even slightly thicker than the 8.7mm L7.
What separates the L9 from its siblings is its massive screen — a 4.7-inch IPS panel, however at this early stage, LG hasn't provided any information on the resolution. It's probably a little too much to hope it'll be the same 1280 x 720 screen seen on the Optimus 4X HD, especially as there's no mention of it being a TrueHD display, so expect it to share the same 480 x 800 resolution as the L7.
Dual-core power for the Optimus L9
Inside the new phone beats a 1Ghz dual-core processor along with 1GB of RAM, which considering the L7 has a single-core Snapdragon chip and 512MB of RAM, makes it a considerable upgrade.
A 5-megapixel camera and a VGA forward facing lens take care of imaging duties, plus the 2150mAh battery should be tough enough to keep the phone up and running for a sensible amount of time.
Google Android 4.0 Ice Cream Sandwich is its operating system, and LG has included several new software features to accompany it, such as the QTranslator, the My Style Keyboard and QMemo.
QMemo is a note-taking app and is similar to that seen on the Optimus Vu and other LG phones, while the QTranslator lets you scan foreign language documents with the camera, then uses OCR technology to translate the text. Finally, the My Style keyboard alters itself to make typing easier, based on the way you're holding the phone and whether you're typing with one or both hands.
LG hasn't provided a release date or retail pricing for the Optimus L9 yet, but we'd expect to hear more about it during the IFA 2012 show, which begins in Berlin at the end of this week.


text:
Information on the Nosferatu is forthcoming.
Main Page
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Something's Gotta Give: The REAL house!
Almost everyone interested in interior design, knows that the movie Something's Gotta Give sparked a huge interest in set decorating. Was there anyone who didn't love the Southampton interiors designed by Beth Rubino, Jon Hutman and Nancy Meyer's personal designer, James Radin? Something's Gotta Give ignited such devotion, that I suspect if a class was given on this house hoards of blog readers would sign up for it. I know I would.
The timeless living room with its blue and white dhurri rug. The interiors still seem fresh and current despite the movie being made almost nine years old!
I know I could look at the movie and pictures of the house over and over again and still never get bored.
Of course, Something's Gotta Give wasn't director Nancy Meyer's first great movie house. She has also given us Private Benjamin, Baby Boom, Father of the Bride I & II, The Parent Trap, and What Women Want – all of which featured beautiful houses. But it was her last three movies that labeled her the director of "architecture porn." Something's Gotta Give and The Holiday houses caused a huge expectation for her next movie - It's Complicated. Many of us were more interested in seeing the house rather than the movie.
Google: The REAL Southampton house from Something's Gotta Give.
And its back view right on the beach. The house's interior is nothing like the movie set. The movie house is U shaped with the pool located in between two wings.
The set of Something's Gotta Give, built on a sound stage, shows the swimming pool that sits between Jack's bedroom and Diane's bedroom. You can see it looks nothing like the "real" house.
The precious cottage in The Holiday was built for the movie. Because of this, the exterior matched the interior perfectly. The interiors were, again, shot on an L.A. sound stage. The road, the wall, and the trees were all put in by the movie crew.
The inside of the cottage matched the outside. The fireplaces and windows were in the same place inside and out since the house was created expressly for the movie.
The other house in The Holiday is Wallace Neff's own home built in 1928. Of course, only the exterior was used. The interiors were created on a sound stage.
The back of the Wallace Neff house.
The interiors of the LA. Holiday house. Just as with the Something's Gotta Give house, the interiors do not exactly match the exteriors.
The dreamy Santa Barbara It's Complicated house was found in Hidden Valley, California – not Santa Barbara.
The last Nancy Meyers movie, It's Complicated, was widely anticipated for its Santa Barbara house. Of course, the house was used only for the exteriors – the interiors were shot on a NY sound stage. Stalkers tried to locate the "real" It's Complicated house without much success. What threw people off the trail was they were looking for the house in Santa Barbara. Instead, the REAL It's Complicated house is located in Hidden Valley – not Santa Barbara. The cute adobe ranch house is off Ventura Freeway in Thousand Oaks, 45 miles north of L.A. It was built in the 1920's and was once the home of W.C. Fields. Meyers chose this particular house because it had an "almost identical" look to a house she had lived in for many years. "If I'd searched forever, I couldn't have found a house that duplicated my own house more. It was definitely the environment I'd imagined Jane would live in." Also, the house was surrounded by acres of land that allowed for the massive amount of equipment and trailers that would be needed during filming.
A famous stalker of Hollywood locales "I Am Not A Stalker," blogged about trying to find the It's Complicated house. She was clued into its location by the presence of the white wooded fence that surrounds the property. About her hunt, she writes:
Potrero Road is an extremely long, meandering street that cuts through numerous ranch-style properties in the Thousand Oaks, Hidden Valley, and Westlake Village areas and, as you can see in the above photographs, is bordered on each side by low, white wooden fences just like Jane's. So, I decided to begin my search there. And sure enough, about ten minutes into the hunt, I located Jane's house! As it turns out, it is situated less than half a mile east of JMJ Ranch, which was featured in fave movie Win A Date With Tad Hamilton and the more recent Back-Up Plan with Jennifer Lopez.
Actually, though, I Am Not A Stalker could have spared herself the long search. On IMDB, under It's Complicated filming locations, the address for the house is plainly given: 714 West Potrero Road, Hidden Valley, California. For movie devotees, the house was recently sold, and lots of delicious photos are available to study and contrast between the REAL house and the movie house!!! So enjoy!!!
Here, in a scene from the movie, is the house with its lush landscaping and vines. To the left, behind the gates is the garage courtyard and a tower.
And here, is the REAL house. You can see that the landscaping and vines hanging from the movie house are absent here. The landscaping was probably not real, or was removed because the house certainly does not have that magical, lush look anymore. The gate and tower are visible here. But the famous hanging swing is missing – probably a prop from the movie.
A close up of the REAL house, showing the absence of the flowering bushes and vines that made the movie house so romantic looking.
The property is located on over 100 acres that is shared by three lots. All three lots were recently packaged together for sale, but apparently, three different families bought each separate lot. Here, you can see the white fences that surround the house, just like shown in the movie.
The tower and gate to the REAL property. The house is not visible from the street.
The front porch of the REAL house. Here you can really see how barren the landscaping really is. I wonder why the owners didn't keep the bushes and vines? Notice the fancy chandelier on the left side of the porch. In the movie, that was exchanged for a more rustic one. The rocks around the beds were also removed during the filming.
In this scene from the movie, you can see where woven window shades were added along with a lantern. Inside the door is the kitchen where the pendant lights were added to the REAL house. Remember though, the interiors were actually shot in on a NY soundstage. But when Meryl walks out the house, it needs to look the same as the interior sound stage. Thinking about it, that must be hard to film. You do the scene inside the kitchen in the NYC sound stage. Then a month later, you continue the same scene – walking outside – in California!! Must be so strange!!!
In this shot, you can see how the landscaping beds with the large rocks were removed for the movie. Also, notice how they changed the front door. It looks like they added fake white brick to make the door smaller and then they added the two lanterns to make it prettier. And notice the hanging iron chandelier instead of the owners' more dressy one.
The REAL house – here you can see the wide front door that wasn't used in the movie. In the picture below, you can see how they dressed up this front porch for the movie.
From the movie: In a night time shot, here is the front porch dressed up with great furniture, lanterns, and fruit trees. The ceiling fan is gone too. I wonder why the owners didn't keep this furniture? It looks so pretty here – I love this! Do you think the movie offered to sell it back to them at a discounted price?
The gorgeous vegetable garden was built in the grassy area across from the house. After shooting, the garden was donated. In real life, vegetable gardens are not usually this beautiful and manicured! Nature is not quite as cooperative.
A close up shot of the beautiful garden. I love the fence with the vines and flowers covering it.
In this shot from the movie, you can see where the tower and the garage and the wing off the house meet to form a courtyard behind the gate.
In this important scene, the area is set up to review the floor plans. There are no pictures of this area in the REAL house, but I'll wager it doesn't look anything like this! I would guess they added all the gravel and maybe even added the white brick against the back wing.
A close up of the back building in the garage courtyard. I wonder if the arch is real and if the gate came with the house or the movie?
In this picture of the REAL house, you can see the garage is not quite that charming! It's amazing what a little gravel and paint can do.
The back of the REAL house with the swimming pool. The house is a square, built around a central courtyard that you can't see in this picture.
Close up of the REAL house shows the pool area with the stone terrace around it. In the photo below, you can clearly see where the film crew covered up all the stone with grass.
This was taken in the back yard. You can see the large tree behind Meryl that is in the REAL backyard. The movie crew added all the lush plants around the tree. And of course they added lots of furniture to make it much prettier than it really is.
Here you can see where they added all the hanging vines and landscaping to the back of the house. It's amazing how much more romantic the house looks like with those hanging vines. I hope the new owners plant some – they look so pretty!!! This scene is where the architect takes Meryl "upstairs" to see the view from her new bedroom. The view is of the ocean, but you can see that you can't really see the ocean from here – it's all Hollywood magic. To the left is her new kitchen. Since her old "kitchen" is at the front of the house by the garage, it makes no sense why the new kitchen would be added all the way to the back of the house! A plot flaw of the movie that critics mentioned in reviews is why she would be adding a new kitchen any way. Her kitchen as it is now, is considered the focal point of the house and seems more than adequate.
All the extra landscaping and vines created a very lush and soft appearance to the house. Production designer Jon Hutman recalled that during the editing process of the backyard "a water view was created where none existed. Nancy wanted all the dead trees edited out. Then it was on to the spiky plants. 'Every plant that is spiky is removed from this movie,' she announced, a note of hard-won triumph in her voice. 'You have no idea. Keep it all soft.'"
In the REAL house, the entrance leads to the courtyard that is surrounded by the house on all four sides. Pretty doors lead into the living area.
The movie house: the main hall leading from the front door into the living area. Since the interiors were done on a sound stage, they don't have to match the REAL house's interiors at all. Interestingly, they used wood and similar terra cotta tiled floors as found in the REAL house . And note that the arches found in the REAL house are repeated in the movie house.
The REAL house's living room has a beautiful beamed ceiling and overlooks the central courtyard.
Looking the other way, the room is large enough for a piano and different seating arrangements. Several different Fortuny light fixtures illuminate the space.
In the movie house – the living room has a similar beamed ceiling, but it is arched here while it is flat in the REAL house.
The movie set living room: Nancy explained that she wanted the design to relate to the warmth and sunshine of Santa Barbara. She chose the color orange as an accent because it reminded her of all the terra cotta in that region. I love the décor – the slipcovered furniture, the seagrass rug and all the Belgian touches – the coffee table, and the painted armoire. I just noticed something I never saw before – the stacked baskets by the side of the sofa. Cute!
I personally never really cared for the orange and the blue touches though. I think the accents were too jarring. Beth Rubino the set decorator listed her sources for this room. The two arm chairs in front are from 1st dibs and wear Calvin fabric. The coffee table came from Lucca Antiques. The back chair and ottoman are George Smith (only the finest for Nancy Meyers.) The various antique accessories came from such well known shops as Joseph Stannard Antiques, Berkshire Home & Antiques, Treillage, Dessin Fournir, and Cupboards and Roses Antiques. The blinds came from American Screen & Window Coverings.
Off the living room and dining room is this patio. This is actually a set created on the NY soundstage. In the REAL house, there is a courtyard off all the rooms in the house.
The REAL house: here is the four sided courtyard in the middle of the house. You can see the one wing on the right that was enclosed at one point. You can imagine if the movie had used this courtyard as part of the set – how beautiful they would have made it! I wonder if they would have put down gravel or left the mismatched brick exposed. I'm sure they would have put up all the hanging vines and plants and pots full of flowers. There would be fabulous new furniture, like on the front porch. And lanterns would have been added on the brick walls.
The porch that was enclosed in the picture above. Again, I would love to see see what Beth Rubino would do to this space if the movie had used the REAL house for its interiors!!! I love those high, beamed ceilings – and that lantern is so exotic.
There is no dining room shown for the REAL house – so let's look at the movie house dining room. The dining room lies between the living room and the kitchen. These three rooms all face the front porch and this setup coordinates with the REAL house. It's apparent that the person who designed the set house used the REAL house layout as inspiration so that the exterior shots would line up. Here you can see the son in the kitchen looking into the dining room. I always loved the French windows that separate these spaces.
Facing the other direction, you can see the back porch on the right. Notice the antique shelf on the right. I love those so much and wish I had the space for one in my dining room. It's great to use when you are out of cabinet space. Notice the attention to detail the Beth gave the room – the shelves are filed with extra plates instead of left bare.
In this view, you can see the beautiful kitchen, although this is the room Meryl wants to demolish and rebuild on the other side of the house!!! Notice the darling vignette on the left side with the limed table and lanterns and tall lamp. So cute! Rubino designed the dining room chairs herself and had Berkshire Home and Antiques make them. The oval table is from Lucca Antiques. In the kitchen the island's iron table is by Robert Ogden. The marble top was custom made. Plates are the very beautiful Astier de Villate. The light fixture over the table is by Paul Ferrante.
I love this side of the dining room which overlooks the back patio. The large stacked baskets, the unstained table and chair, the lamp, the sconces, and the unlined sheer linen curtains.
The REAL House: the kitchen in the REAL house is so pretty! I think it's my favorite room. What's interesting is it is in the same exact spot as the kitchen in the movie house. The window and door to the left lead out to the front porch and the side window over looks the garage courtyard. In the scene mentioned previously, Meryl walks out of the kitchen on the soundstage through this door onto the front porch. Because the door is opened and the movie goer gets a glimpse inside, the homeowner's chandelier was removed and the same pendant lamps in the movie house were placed in this kitchen. Also, they added the same textured shades to the REAL house to match the movie house. The attention to detail is amazing and so intricate.
Looking from the dining room into the kitchen. Another difference in the two houses is the windows. In the movie house, the windows are black steel. In the REAL house, they are mostly white. I assume they painted them, then repainted them when the movie was over. What a mess. Why would anyone want a movie filmed at their house? I wonder if they pay a lot? That must be the only reason you would put up with all that destruction to your house. I wonder how much they do pay?? hehe.
The garage doors that are seen through the kitchen window are so cute. They look like carriage doors. Everything about this house is so cute!!! Do you think her kitchen is too small for a professional cook that it would need to be totally replaced?
The marble top was custom made for the iron base. Beyond the French doors is the laundry room.
This side of the kitchen is so cute with the linen curtain instead of cabinets.
Meryl's bedroom is small, so I can understand why she might want a new one, especially one that would be on the second floor with a view of the Pacific ocean. Again, the colors are taupe and sand and orange – influenced by Santa Barbara. I love the way Rubino added the antiques – such as the chest and the Louis Philippe mirror.
A larger view from movie of the bedroom – right before the funniest scene. When the movie came out last Christmas, I was disappointed in it and didn't like it all that much. Certainly not anywhere near as much as I liked The Holiday or Something's Gotta Give. But, since then, after watching it a few more times on cable TV, I actually truly like it a lot more! I think I was just so excited about the moving coming out and probably expected too much from it to be objective about it. I would definitely recommend seeing it if you haven't yet.
Her bathroom is so pretty – with the claw foot tub, antique mirror and marble countertops. According to Hooked on Houses, Meryl is actually not sitting in water. They built a wood shelf for her to sit under. On top of the shelf was a pan of water where she kept the wet washcloths. This allowed her to sit in the tub for the many days it took to film this scene without turning into a prune. Notice how the floor is subtly checkerboard by using a lighter and darker marble.
A larger view of of the bathroom. Here, it looks like the floor is actually painted wood, not marble. Remember in Something's Gotta Give how the kitchen soapstone countertops were actually painted plywood? I love the linen shower curtain too!
The REAL House: The master bedroom is pretty with its fireplace and arched doorways. Again, I would love to see what this room would look like under Beth Rubino's touch.
The REAL House: I like the sink and the floor. I love terra cotta floors with wide, white grout. The wider, the better! Ben and I built in a house in Ft. Worth and we had terra cotta floors. The builder made the grout extra wide for me. To me, it makes it look older – but some people prefer tiny grout. It's a personal preference.
The REAL House. The daughters bedroom actually has more charm than the master bedroom because of the vaulted beamed ceiling! I think this room is so architecturally pretty. I would love to decorate it! How would you decorate it?
The daughter's bedroom in the movie. Meryl's oldest daughter is living in a darling cottage where they have a garden party for her brother. But it is bedroom that really caught my eye. I love the carpet – which you get a quick glimpse of when Meryl enters the room.
The room is so cute because of the wallpaper – a taupe Farrow and Ball paper called Melrose. The paper goes so well with the Indienne bedspread.
Melrose by Farrow and Ball comes in many colorways. It is a charming paper – I wish it also came in a fabric!
What it looked like filming outside the REAL house in California.
And this amazing picture is of the house built on the NY soundstage. It looks exactly like the REAL house. Notice the fake trees in front. And notice the hanging mural of trees to the very right of this picture. Hard to believe they built the entire house on a soundstage.
So, where exactly IS the REAL movie house? Located in Thousand Oaks off the famous Ventura Freeway, the house is north of Malibu and south of Santa Barbara. The actual house is where the orange lollypop is.
The original property is over 100 acres divided into three estates. The REAL house is at 714. Recently, all three properties were available for sale. Each was sold to three different owners. You can see the house on the map where the red square is, right above the blue swimming pool.
Here is a Bing picture of the REAL house – here you can see how it is a square surrounding a center courtyard. The swimming pool is behind the house. Extending off to the left of the house is the garage courtyard where Meryl and Steve Martin looked over the floor plans. In front of the house, past the trees and the street is a patch of grass. This is where the vegetable garden was. Horse pastures are to the left of the house.
Here is where you turn onto the property off Potrero.
The gate house at Potrero where you gain entrance into the estate.
The long drive up to the house.
The riding arena. You can see the gate house in the back, right.
The area is known for its white fences which keep the horses corralled.
On the property is a large stable. Too bad Meryl didn't ride horses in the movie! The three properties are filled with miles of trails to ride on.
So, what is Nancy Meyers working on now? There has been no notice of what her next movie is going to be. Last November there was a press release that she had left her long time agent ICM and a few days later it was announced she was now at WME. (Whatever THAT all means!!!??) It's been over a year since It's Complicated was released and usually by this time, we would know what new script she is working on. Perhaps with the change of agents, she isn't writing one now. It was reported that she was building her dream house, though her present house is pretty dreamy itself. I wrote a story about her house HERE. To read I Am Not A Stalker's account of her stalking of the REAL house, go HERE. Read Hooked on Houses account of It's Complicated HERE. To read Cinema Style's story on It's Complicated, go HERE. AND, to listen to Beth Rubino on the Skirted Roundtable (it's a good one!) go HERE. Interesting too is that It's Complicated is the last movie that Beth Rubino worked on. Jon Hutman worked on The Tourist and another movie that hasn't been released yet. I can't wait to hear about Nancy's next movie!!!!! Something tells me that soon she will be writing a movie about grandparents. Finally, to see all the real estate pictures of the REAL house, go HERE.
Notice for Houstonians:
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Jenhao YehAfter Graduation
pricing and edition information
about life support japan 3
Natural disasters happen all the time, like landslides, floods, earthquakes. We live on a planet that isn't static. Friday, March 11th, we witnessed a natural disaster with a very human toll. The earthquake in Japan was of such magnitude that even the most prepared nation in the world to handle a disaster of this type was overwhelmed. It wasn't the earthquake alone, which was devastating enough but watching a 30 foot high wall of mud and debris wipe entire communities away was beyond any ability I personally had to comprehend.
I had to do something. Aline Smithson, one of our gallery artists wanted to do something too. Ryan Nabulsi and Jennifer Schwartz joined the effort. Soon I was hearing from every part of our creative community that we wanted to reach out to help the people of Japan. Life Support Japan was created to bring assistance to those in Japan who need it.
We have selected two charities to benefit from the sales of these limited edition prints.
Direct Relief International, http://www.directrelief.org/ for help with medical supplies.
Direct Relief works closely with the United Nations (U.N.) Office for the Coordination of Humanitarian Assistance (OCHA), which has activated to assemble the international response. Direct Relief has mobilized and staged materials at our headquarters, which are standing by ready for airlift to Japan.
Habitat for Humanity Japan, http://www.habitat.orgto/ help in the rebuilding of communities in and around Sendai and northern Japan.
Artists from around the globe have donated limited editions, over 200 to date, and we will be consistently updating the images available.
Thank you for your support and for being part of a global community.
Crista Dix + wall space gallery.
wall space gallery | 805-637-3898 | email@example.com
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Site Alert -- is a device that connects to the serial port of a UI-DIGI[A] APRS[B] Digipeater. It is used to provide local site information from a remote Digipeater site via APRS Telemetry data.
The data is transmitted every 30 minutes and includes the average of four supply voltage readings, the current in-building temperature, number of PTT's and the current mode of the Site Alert. The Parameter, Unit and Equation messages are sent once a day.
Should the average voltage fall below a pre-programmed value Site Alert will turn off the Low Battery output until the average voltage reaches the upper pre-programmed value. This output can be used to control an external relay to remove power from the TNC and Radio.
SiteAlert provides protection from 'locked Digipeaters'. If the Digipeater does not transmit within a set timeframe it can be automatically reset.
The battery alarm or the external alarm inputs will cause an APRS Item and an APRS Message to be transmitted. Alarm Messages can be extended to an Email or SMS notification gateway.
Site Alert uses an Atmel AT90S2313 micro-controller, ADC0831 Analog to Digital converter, Dallas Semiconductor's DS1820 Temperature sensor and DS1307 Real Time Clock.
Further information on SiteAlert can be found at SiteAlert Web page.


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Thanks for stopping by 'SIBOL' today.
Over the past few weeks I have been getting the Blankets ready to deliver to St. Bernards Residential Care Home near to where I live. I have to thank you for the most beautiful Squares I have received over the months which have enabled me to make really pretty Blankets.
When our 'Sunshine Blankets' were first thought of way back in January 2010 I never thought then that I would be making so many. My first target was 6, We have now made 68.
So over the last few weeks I have been getting the Blankets ready, piling them up, putting their ribbons on and making the Gift Cards.
Where I met Gwen and one of the other assistants . My husband is off work this week and so I asked him to come along. We met Staff and some of the lovely Residents. I must tell you how everyone loved our Blankets. They thought all the Blankets were so beautifully made. They loved the Squares and I showed them in particular the themed Blankets.
The Ladies took such an interest in the Blankets especially the 'Young At Heart' Blanket, with beautiful Squares depicting things from our childhood, they also loved the Flower Blankets too.
I would like to thank Gwen and her Staff for hospitality shown to myself and Colin. We were offered tea and biscuits and it was lovely to have a chat with the Residents. It's so nice to know that our 'Sunshine Blankets' have gone to a home where they will be appreciated and the Residents will enjoy having them beside them.
I also told Gwen and her Residents that I have made these Blankets in Memory of my own Grandmother who lived to the age of 103.
Thank you so much 'SIBOLETTES' and thank you also to St. Bernards Residential Care Home.
Thank you for visiting 'SIBOL' today!


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Rose-Hulman Human Powered Vehicle Team
2013 ASME HPVC West Champions
Rose-Hulman Institute of Technology's Human Powered Vehicle Team placed first overall at the American Society of Mechanical Engineer's West Coast Challenge.
There were 28 teams competing at the West coast event, including stiff competition from University of Colorado, Missouri S&T, and others. The 2013 Rose-Hulman vehicle, named Celeritas, took third place in the design report and first place in the innovation section for a anti-lock braking system.
The team won first place for both men and women's sprint, and twelfth place in the endurance event.
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CGA's Neer sets 5K indoor national record at New Balance Nationals
NEW YORK — Waverly Neer had a feeling it might take a record pace to win the women's 5,000-meter run at the New Balance High School Indoor Track & Field Championships.
She was right.
The Culver Girls Academy's star senior and 2010 IHSAA state cross country champion set a national high school indoor record of 16:35.15 Friday night at New York City's famed Armory Center and still had enough gas left in the tank for a PR in the mile race Sunday.
"Before the race, my coach and dad were talking about how strong the field was, and I said it might take a national record to win," said Neer by telephone shortly after her record-breaking effort Friday. "I'm really happy, but (knowing the other runners in the race) I guess I'm only a little surprised we ran that fast."
"I can't honestly put an emotion with it," she said. "This is so surreal. I can't believe I broke a national record and now I own it."
There were 35 runners in the field, circling a 200-meter track. Neer bided her time until 1200 meters remained, then surged to the front, claiming her first high school national championship by an eight-second margin over Florida's Kathryn Fluehr (16:43.7) after the two dueled for much of the remaining 1800 meters.
"It was back and forth after the two of us broke off from the rest of the pack," Neer said. "I think we both probably knew we were on record pace, and it was just a really cool battle between the two of us."
"It was very, very exciting to see her be in the thick of things and see her take the lead in the last 800," said CGA head track and field coach Michael Chastain.
"It was a privilege to watch her do that. She just looked so graceful."
Feeling the aftermath of that championship run Sunday, Neer was still able to clock a personal-best 4:53.67 for an 11th place finish in the mile.
"She was feeling pretty rough but she performed well today,"said Chastain. "She didn't break the top two, which we were disappointed in, but she ran a personal best and she ran it basically all alone."


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Loyal Or Foolish? Wife Of NFL Legend Lawrence Taylor Defends Her Husband Against Rape Allegations On Larry King Show!
Lawrence Taylor's wife stood by her man Thursday, denying that
her famous linebacker husband raped a teenager. "He didn't rape
anyone. He didn't have sex with anyone. He didn't call a pimp."
Taylor, a Hall of Fame linebacker, pleaded not guilty this week to charges that he raped a 16-year-old girl.
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Customer Reviews
All reviews are from people who have redeemed deals with this merchant.
What You'll Get
The Deal
- $30 for $60 worth of backpacks, sleeping bags, and other kids' accessories
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Promotional value expires 90 days after purchase. Amount paid never expires. Limit 1 per person, may buy 1 additional as a gift. Limit 1 per visit. Valid online only. Must use promotional value in 1 visit. Shipping not included. Not valid with any other offer except clearance page. To receive the Clearance discount, enter the Groupon voucher code at checkout, and email email@example.com with the order number and voucher number, as well as the list of qualifying items, and the discount will be applied to the clearance items. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Wildkin
Outfitted with pint-sized Wildkin gear, kids ages two and up can conquer any environment, from bustling school hallways to the great outdoors. And whichever brightly-colored accessory their kids love best, parents can rest assured it's been rigorously safety-tested.
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Jessica Alba is a Golden Globe–nominated actress and the founder of The Honest Company, but it's her role as mother to two small daughters that matters to her most. It's also what led her to join the board of Baby2Baby, a non-profit organization that provides low-income children, ages 0-12, with diapers, clothing and all the basic necessities that every child deserves. To support the organization, we've curated a special collection of family-friendly deals, including an opportunity to donate to Baby2Baby. Everyone who donates is automatically entered to win tickets to the organization's star-studded annual gala in Los Angeles. Click here to enter the sweepstakes.


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Celebrate end of the year with your colleagues in style at the waterfront Museum Cafe located at the National Museum of Australia. Enjoy a delectable three course Christmas-themed lunch by Broadbean Catering & Events.
$60 per person
(minimum 4 guests)
Antipasti share plates on arrival
Marinated olives (v, gf, df)
San Danielle prosciutto & sauteed chorizo (gf, df)
Heirloom tomato, fresh basil & Vannella mozzarella (v, gf)
Balsamic pickled roasted field mushrooms (v,gf,df*)
Chef's selection of freshly baked breads
Main Course share plates
Tarator baked Tasmanian salmon, tahini yoghurt, herb & walnut crust (gf)
Slow cooked chermoula marinated lamb shoulder w/ fresh mint & harissa yoghurt (gf, df*)
Seared halloumi, shaved savoy cabbage, crimson grapes & pomegranate salad (v)
Baby cos & avocado salad w/ sun dried tomato dressing & shaved parmesan (v, gf)
Rosemary & garlic roasted potatoes (v, gf, df)
Dessert individual plated
Individual Pavlova Eton mess w/ fresh summer fruits (v,gf)
Price includes glass of white/red wine or beer on arrival. Additional drinks available for individual purchase at the register.
After selecting your date we will contact you to confirm your preferred arrival time and discuss any further questions or queries you may have.
All dietary requirements are catered for.


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If you are a new customer this is probably because of a setup error.
If you are an existing customer this is because you have gone over your limit for disk space or allotted monthly transfer.
If you are the owner of this site, please contact our support department at 1-800-232-4335, option 4.


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UNITAR Hiroshima Office holds the 75th Public Session on Women and the Constitution [1]
3 May 2013, Hiroshima, Japan - The UNITAR Hiroshima Office held a Public Session on Japan's Constitution Day, to pay tribute to the life and work of Beate Sirota Gordon. The event was held in partnership with ANT-Hiroshima [http://www.ant-hiroshima.org/], and titled "In Memory of Beate SIROTA GORDON: Women and the Constitution."
On 30 December 2012, Beate Sirota Gordon, an expert on the performing arts of Asia and for decades director of programs at the Japan and Asia Societies, passed away peacefully in New York, sparking hundreds of obituaries around the world, praising the contributions of this modest but extraordinary woman. Despite Sirota Gordon's original and path-breaking work in bringing the traditional arts of Asia to American audiences, it is the historical role she played in drafting Article 24 of the Japanese Constitution, on women's rights, that has made her such an icon for women in Japan and around the world.
One of the most far-reaching equal rights clauses of its time, set in the context of the unique peace constitution, Article 24 and the person who drafted it remain as relevant and important as ever. The Public Session discussed the life of this historic figure, and the legacy she has left behind. It was attended by participants comprising local citizens, academics, NGO representatives, students, and others. Nassrine Azimi, Co-founder of Green Legacy Hiroshima, and Senior Advisor and Former Director of the Hiroshima and New York Offices of UNITAR, had been working with Beate Sirota Gordon on a book over the last two years, and facilitated the Public Session. Beate Sirota Gordon's daughter, Ms. Nicole Gordon, participated from New York via Skype.


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Why Madison Presidential LIstening Tour: College of Business Leadership Council
President's Journal —
College of Business Leadership Council
CoB300 is the result of a College of Business that dreams bigStudent teamwork obvious in Showker Lobby
Walking through the lobby today on my way to the "Why Madison?" Listening Tour meeting with the leadership council of the College of Business, I was met with a burst of energy --students raising money for causes, socializing with friends and working on group projects. Through the glass I could see a professor leading a class in the Gaglioti Capital Markets Lab, where students are able to analyze the impact of financial events and decisions by plugging into the same data that Wall Street traders use. I have heard so much from employers and alumni on the "Why Madison?" Listening Tour about how our graduates have the ability to work well in teams. I saw firsthand today how our students acquire and practice these skills.
This student energy is indicative of a college that is nationally recognized—in the top 5 percent of undergraduate business schools in the nation. As one participant mentioned, this college is not afraid to dream big—which is a theme I have been emphasizing on the listening tour. The faculty got behind the concept of a hands-on, team-taught course requiring students to work in groups to create business plans that could compete in the business world. The course has become the famously successful CoB300. Students say that the course is grueling to experience, but is also the best preparation for the business world of their academic life. Other business schools have tried and dropped the JMU model because they couldn't make it work, which takes extra time and commitment from the faculty to plan and work together for the benefit of the students. The business alumni with whom I have spoken on the tour identify faculty-student relationships as the key to the college's ranking and to their own personal success. We can further strengthen and distinguish JMU's business education offerings with additional focus on ethics and civic engagement (in keeping with the Quality Enhancement Plan and the university's mission).
The faculty is critical to university decision-making
There were strong opinions on increasing the role of the faculty in university decision-making, with one suggestion that instructional faculty should form the majority on all university committees. I agree that the efforts and reputation of our faculty will help lead JMU to the next stage of JMU's development, which is one of the reasons I have embarked on this "Why Madison?" Listening Tour. We have arrived at a key moment in the history of JMU, and we must take the time to review together where we have been and what makes us special—and then to chart where we want to go together in the future through the strategic planning process. Faculty are a critical part of these discussions.
I have asked the Compensation Task Force to think creatively
One of the consistent challenges I am hearing about on the listening tour is acquiring the funding to retain our world-class faculty members and recruit new ones. As I have explained in almost all of my meetings with the faculty, last spring, even before I became president, I identified the need for a task force to focus on compensation issues. I asked Jerry Benson and Charlie King to form the Compensation Task Force, which is looking at the compensation issue now. I have asked that group to think creatively and broadly and to collaborate on developing a range of ideas to address these challenges. I've asked the task force to come up with short-term, medium-term and long-term proposals.
Faculty suggests differential tuition and revisiting tuition/fee priorities
While the university is not a business per se, I am looking forward to some innovative ideas for developing university funding models from the College of Business faculty, because they especially know the value of sound planning, innovating, financing, budgeting and managing. One suggestion was that JMU revisit the concept of differential tuition, which has had broad support in the past, and would allow for JMU to charge tuition on a program-by-program basis, based on the cost of the program and the earning potential of its graduates. Another suggestion was to revisit the balance between tuition and fees. I would like us to get as many constructive ideas as possible on the table as we begin the next phase of our strategic planning process.
Nov. 8 presentation will offer transparency in the budget process
This CoB leadership council would like to see transparency in the university budgeting process, and we are already making strides on that front. Jerry Benson and J.W. Myers will be making a presentation Nov. 8 on the university budget to faculty, sponsored by the Faculty Senate.
Comprehensive campaign will be high on JMU's list
High on JMU's list in the near future will be a comprehensive campaign to augment tuition and state support with substantial private support. The College of Business has enjoyed a strong start in fundraising, not least of all because our business alumni understand better than most the necessity of investing back in the enterprise—so to speak. The CoB can help teach the rest of the university as we focus on dramatically increasing our endowment and, specifically, ways to increase private giving that can offer the faculty and curriculum support we need at JMU. One business faculty member specifically requested the resources to hire an experienced fundraiser as the college's next dean.
Space is at premium for the College of Business
Also on the resource front, I could tell from my walk through Showker Hall lobby that space is at a premium for this college. Purposeful student activity took up every square inch. Showker remains a fine facility today, but it was built 20 years ago, before the college's core emphasis on collaboration and group projects took hold. Today, not only has the CoB outgrown Showker, but it is in special need of spaces that allow for the group projects that are the centerpiece of courses like CoB300—which students and employers say is one of the prime reasons for the success of JMU alums. Today professors say they witness a literal stampede of students to claim a room where they can work together. This is something that we must and will address. We can't have multiple students squeezing together into a faculty member's office to participate in JMU's hallmark mentoring relationships with professors. The space crunch, along with a good hard look at student-faculty relationships and resources, are examples of how we must take this collective moment in our history to see where we stand as an institution in delivering on our core values and describing our brand.
It will take a large, diverse and inclusive family to help create economic opportunity
On the "Why Madison?" Listening Tour, I have been consistently hearing JMU described by alumni, faculty, students and parents as a university with a warm family feel. I have been underscoring the need for us to make that family diverse and inclusive. We will have to work intentionally to find ways to identify and develop underrepresented students with academic potential to access the College of Business—e.g., perhaps by building on the CyberCity program and looking into our own very diverse public school system (among other strategies). It is key that we educate future business leaders who can in turn create economic opportunity for a broader population.
Published: Wednesday, November 7, 2012
Last Updated: Wednesday, May 24, 2017


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01.13.13: The CCRI Knights men's basketball team took on another DI opponent in the high-powered Mustangs of Monroe College form New Rochelle, NY at the Vincent A. Cullen Fieldhouse on Sunday as they concluded the 2013 CCRI Invitational Tournament. The Knights fell to the Mustangs 75-59. With the loss the Knights fall to 11-8 on the season and the Mustangs improve to 18-3.
The Knights were able to stay within striking distance of the visiting Mustangs but Monroe's superior size was ultimately too much to overcome. Monroe's up-tempo game plan lead them to leads of up to 13 points in the first half but CCRI always found a way to make a run of their own. Monroe took a 12 point lead into halftime with the score 37-25. They extended that lead to 19 points, 56-37 with 11 minutes left in the game. From there, CCRI used full-court pressure to create transition scoring opportunities to get the lead down to eight points, 65-58 with just five minutes remaining. But that is as close as they would get. The final score was 75-59 which was not indicative of how close the game actually was.
CCRI was led by its four Sophomore Captains: Desmond Williams (Torrington, CT) scored 18 points and grabbed four rebounds, Isaac Medeiros (Johnston, RI) scored 16 points and grabbed nine rebounds. Bryan Yarce (Cranston, RI) scored 11 points with five assists and three steals and Steven Bevilacqua (Exeter, RI) scored six points on two long-range 3-pointers.
Head Coach Rick Harris commented after the game "We played a very good DI team tough today. Our intensity was good on both ends of the floor. Games like these against high caliber opponents are scheduled to get our team battle tested for the Region XXI tournament and beyond. Overall this was a good tournament for our team and now it's on To the next game."
The Knights will face the Wyverns of Quinsigamond Community College form Worcester, MA in a Region XXI non-league game Tuesday at 7:00pm at the Vincent A. Cullen Fieldhouse in Warwick.
The Community College of Rhode Island, New England's largest comprehensive community college, enrolls nearly 18,000 students in credit courses and thousands more in non-credit and job training classes. Its athletic program boasts 12 varsity programs and an academic support program for all student-athletes.
This page developed and maintained by CCRI Athletics. Send comments and suggestions to firstname.lastname@example.com.


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Judd Apatow will not remove child murder line from new film
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Jonny has been playing really well in the last few games, as the team has been impressive
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The children shout out "Murder me!", prompting the character to add, "All right. The kids are murdered. That will save us some money."
After 20 children were slain at Sandy Hook elementary school by suspected gunman Adam Lanza, Apatow was asked whether he would cut the line out of the movie - but the director insists the joke will stay.
He tells TheWrap.com, "I wrote this script two years ago. That line is spoken by a sarcastic father kidding with his children. In light of recent events, I understand if some people might make an unfortunate association or put it in a context in which it was not intended."
Several film premieres, including Django Unchained, Jack Reacher and Parental Guidance, as well as episodes of Family Guy and American Dad, have been scrapped following the tragedy, which claimed the lives of 20 school children and six staffmembers.


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In case you were so submerged in football this weekend (RG3! Peyton!) that you blissfully forgot there's a presidential election upon us, you may have missed some of the strangest photos of the season.
The first photograph shows Florida pizza parlor owner Scott Van Duzer, a Republican, lifting President Barack Obama off the ground in a bear hug.
What??? How did the Secret Service let this happen? Well, the hug may not have been quite as spontaneous as it appears. (Read More: Did the Pizza Shop Owner Tip Off His Obama Hug?)


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Here is where I got mine and I'm quite happy with it. http://caloreequipment.com/ I'll reiterate what Pinski mentioned, be sure the length/diameter you select can support the BTU's of your burner(s).
Try http://www.tejassmokers.com/NatGasHoses.htm. I have not tried their hoses but I am happy with the burner I bought from them.


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McClelland's Speyside Single Malt Whisky
Review: McClelland's Speyside Malt Whisky 72/100
a review by Chip Dykstra (Aka Arctic Wolf)
Posted April 12, 2010
The McClelland's Speyside Single Malt Whisky is distilled and constructed to be associated with a particular Scottish whisky region. The Brand is owned by Morrison Bowmore Distillers and this whisky in their McClelland's line up is distilled in the region for which it is named, Speyside.
I found the McClelland's Single Malt Speyside to be an accurate expression of a typical Speyside whisky. It has a typical Speyside character with a spicy yet floral palate very typical of the Speyside whiskies I have tried in the past.
In the Bottle 5/5
All of the McClelland's Single Malt whiskies come in attractive cardboard canisters. The containers each feature a vivid landscape by British illustrator Kathy Wyatt. The landscape reflects the particular region of Scotland from which the whisky was distilled. The bottles themselves are typical slender whisky style bottles with labeling that reflects the same landscape as the canisters. Solid cork toppers crown the presentation. I have absolutely no complaint with the whisky presentation in the bottle.
In The Glass 8/10
The whisky is somewhat of a medium orange/gold colour in the glass. When I swirl the glass I notice only a light oil and very skinny legs on the sides of the glass. I receive distinct floral notes combined with honey and oak spices. A vague anise licorice and a hint of cocoa lie behind the floral tone, and if the glass is left to sit, the aroma of oak tannin becomes stronger in the glass.
In the Mouth 42/60
I can immediately recognize the Speyside style, with spicy oak mixed with caramel and vanilla. Unfortunately a distinct bitterness arrives in the mouth as well. Flavours of cocoa and a dark leathery burnt oak tannin seem to be prevalent in this bitterness. I taste an oily smoke and dried fruit which vainly try to bind the bitter with the sweet, but it is a failed attempt. If the bitter and the sweet were combined more effectively this could be an absolute treat. But the two flavour streams seem to stand apart.
Like the previously reviewed McClelland's Highland Malt, I find the regional flavour profile and the Speyside style is very well represented, but the artistry in combining the flavours into more than they would be alone is absent. Vegetals, fruits, floral character, and oak spiciness all are all present, but these seem diminished rather than enhanced in the whisky.
In My Throat 10/15
The finish is a little oily and has a nice length. However, it is a harsh medicinal finish that leaves bitterness in the mouth and throat.
The Afterburn 7/10
If you are looking to taste a good example of Speyside style, then this whisky is adequate for that purpose. However, just as with the McClelland's Highland Single malt I reviewed earlier, I sense that the blender was more concerned with constructing the regional flavour profile of the whisky, rather than with the artistry of making whisky.
You may read some of my other Whisky Reviews (click the link) if you wish to have some comparative reviews.
Suggested Cocktail
In an effort to bring beauty and art to the Speyside expression of McClelland's whisky, I have decide to construct a softer more feminine cocktail. My first choice in this regard is an old classic called Polly's Cocktail.
Polly's Cocktail
1 1/2 oz Scotch
1/2 oz grapefruit juice
1/2 oz orange Curacao
Mix all the ingredients with a metal shaker and strain into a cocktail glass
Garnish with a slice of Lemon or Lime
This is very nice to sip before or after dinner.
To provide something a little more original I decided to shake up this classic recipe a bite and make a drink I call The Crushed Polly.
The Crushed Polly
1 1/2 oz Speyside Scotch
1/2 oz grapefruit juice
1/2 oz Cranberry Juice
1/2 oz orange curacao
dash of Grenadine for colour
2 large cubes of ice
Mix in a blender until smooth(ish)
Garnish with a slice or wedge of lemon or lime
Definitely a sipping cocktail for a hot summer day!
I should point out that both of these cocktails taste great with Canadian Whisky or Bourbon!
As always you may interpret the scores I provide as follows.
0-25 A spirit with a rating this low would actually kill you.
26-49 Depending upon your fortitude you might actually survive this.
50 -59 You are safe to drink this…but you shouldn't.
60-69 Substandard swill which you may offer to people you do not want to see again.
70-74 Now we have a fair mixing rum or whisky. Accept this but make sure it is mixed into a cocktail.
75-79 You may begin to serve this to friends, again probably still cocktail territory.
80-84 We begin to enjoy this spirit neat or on the rocks. (I will still primarily mix cocktails)
85-89 Excellent for sipping or for mixing!
90-94 Definitely a primary sipping spirit, in fact you may want to hoard this for yourself.
95-97.5 The Cream of the Crop
98+ I haven't met this bottle yet…but I want to.
Very loosely we may put my scores into terms that you may be more familiar with on a Gold, Silver, and Bronze medal scale as follows:
70 – 79.5 Bronze Medal (Recommended only as a mixer)
80 – 89.5 Silver Medal (Recommended for sipping and or a high quality mixer)
90 – 95 Gold Medal (Highly recommended for sipping and for sublime cocktails.)
95.5+ Platinum Award (Highest Recommendation)
One Response to "McClelland's Speyside Single Malt Whisky"
January 12, 2012 at 4:22 pm
I think you gave this a very fair review. I was reluctant to try it because of the relatively low price compared to your typical Single Malt Scotch. I bought the large, 1.75 Liter for $37.00. This is a great compromise for those who want to enjoy single malt scotch on a daily basis without paying the hefty price tag of say, Glenlivet. It is priced similar to Lismore which I also found pretty decent for the price. Bargain priced Single Malt. My taste impressions were very similar to yours. Best way to tame that bitterness: Shake with water and ice and pour straight up in a martini glass. Makes an excellent Rob Roy without the vermouth or bitters. Add a cherry to tame things a bit more.


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I have a problem that in my single post page and in every page/page in first paragraph under header always displayed a blank box which in Firefox will displayed as a white-space and in IE8 is displayed as The webpage cannot be found (see the attached screenshorts for reference).
I am using Atahualpa 3.4.9 , Wordpress 3.0.1
Please anyone help me. Thanks


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Product Description
Weatherproof, water resistant, protective zip case with a RAM Bike handlebar mount for Motorcycle, Motorbike, Bike or Bicycle Handlebars.
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This universal case fits the TomTom GO 750 LIVE / IQ Routes.
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2 x u-bolt / bolts / nuts / reducer & caps)
Additional Information
Additional Information
|Bullet 1
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|Bullet 3
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Teksta Robotic Puppy
Published on Oct 15, 2014
Teksta Robotic Puppy (New Born) Toy Unboxing, Playing
Published on Oct 4, 2015
Teksta Robotic Puppy (New Born) Unboxing, Playing and testing out this new toy. This is the Mini new born version. Great little toy for children. It responds to sounds and touch, stroking. From Teksta you can also get a Robotic Kitty or Dinosaur.
Smyths Toys -Teksta Dog
Published on Aug 12, 2016
The new 5th Generation Voice Recognition Puppy is the first Teksta Puppy who actually listens and understands you! This life-like robotic puppy responds to your voice, physical gestures, touch, and sounds. Command your pet to sit, walk, cry, sing, and even do a back flip! Program Teksta to do even more tricks with an Apple iPad or Tablet for Android. His toyetic interaction offers many emotions…barking, crying, and expressive eye patterns to show you how he's feeling. With over 100 physical and interactive play features, Teksta will excite and inspire children of all ages.
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Published on Jan 16, 2017
Tekno 4.0 is a life-like robotic puppy that responds to your voice, physical gestures, lights, and sounds! With over 100 physical and interactive play features, Tekno will excite and inspire children of all ages.


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English Literature in India – Mirror of Society
Authentic, scholarly and unpublished research papers are invited from academicians and writers for publication in an edited volume. The volume will be published with an ISBN (International Standard Book Number) by Edupedia Publications Pvt Ltd, New Delhi. Authors are requested to strictly follow the submission guidelines mentioned herewith in their papers. Only electronic submission via email will be accepted for publication to firstname.lastname@example.com
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Certificate of Publication will be issued to individual contributors from reputed Academic Publication of India which is UGC approved and indexed. (Edupedia Publications Pvt Ltd)
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Submission may include but are not limited to the following post-colonial writers:
Indian English Literature works of Michael Madhusudan Dutt followed by R. K. Narayan, Mulk Raj Anand, Agha Shahid Ali, Sujata Bhatt, Richard Crasta, Yuyutsu Sharma, Tabish Khair, Vikram Seth. and Raja Rao who contributed to Indian fiction.
Works of members of the Indian diaspora, such as V. S. Naipaul, Kiran Desai, Jhumpa Lahiri, Kovid Gupta, Agha Shahid Ali, Rohinton Mistry and Salman Rushdie, who are of Indian descent.
Works of poets in English, like Ravindra Nath Tagore Derozio, Michael Madhusudan Dutt, Toru Dutt, Romesh Chunder Dutt, Sri Aurobindo, Sarojini Naidu, Harindranath Chattopadhyay, Dilip Chitre, Kamala Das, Eunice De Souza, Nissim Ezekiel, Kersy Katrak, Shiv K. Kumar, Arun Kolatkar, P. Lal, Jayanta Mahapatra, Dom Moraes, Gieve Patel, and A. K. Ramanujan, and Madan Gopal Gandhi among several others.
The younger generation of poets writing in English like Abhay K, Arundhathi Subramaniam, Anju Makhija, Arnab Jan Deka, Bibhu Padhi, Ranjit Hoskote, Sudeep Sen, Smita Agarwal, Makarand Paranjape, Jeet Thayil, Mani Rao, Jerry Pinto, K. V. Dominic[4],Meena Kandasamy, Nalini Priyadarshni, Gopi Kottoor, Tapan Kumar Pradhan, Rukmini Bhaya Nair, Robin Ngangom, Vihang A. Naik, and K Srilata.
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Authors are requested to submit their manuscript to email@example.com
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Publication will be completed in
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