text:
DISCLAIMER: Rizzoli & Isles and its characters are the property of Tess Gerritsen, Janet Tamaro and TNT television network.
ARCHIVING: Only with the permission of the author.
FEEDBACK: To ems89[at]hotmail.co.uk
By Loopyem89
Although a relatively warm night in Boston I still feel a shiver pass through me as a gentle breeze blows in across the rooftop where I'm currently stood. It's a place I had come across when I was a just a child on one of those days where I would wonder off on an adventure. As a young girl I had used it as a hideout away from all the crazy Rizzoli family drama but then as I grew up, it soon became the place where I would come to wallow in the anguish after a bad case or to simply be left alone in peace with my thoughts.
As I breathe in the night air my mind goes back to the Boston marathon case that had taken place a few months ago. I find myself replaying the words I had spoken to Maura as we argued about stopping the runners while we tried to come up with a plan to solve the case. We don't give into fear Those were the words I had spoken but yet here now with my service weapon tightly gripped in my hand, that's exactly what I am doing.
Following the precinct shootings life hasn't been the same; sure it wasn't exactly a walk in the park to begin with, not when I was constantly looking over my shoulder in fear that Hoyt or some other psychopath would be coming to try and kill me. But now it feels even worse, in the mornings I look in the mirror and I no longer recognise the woman staring back at me.
Innocent lives were lost on that fateful day; my brother came close to being one of them and even I almost didn't make it. The doctors told me afterwards I had crashed on the table twice as they struggled to repair the injury I had inflicted upon myself. Following the initial days of the incident I was nothing but grateful to still be alive but then as the days turned into weeks and life began to turn back to normal for people, I came to realise that mine was forever changed.
I became angry and frustrated at those around me, easily snapping at people who had just been trying to help me as I went through a painful recovery. I've always been an independent person, so to then have someone constantly hovering over me just enraged me even more. I would make some comment and then immediately feel guilty afterwards for saying it; all they were trying to do was to lend a hand.
Even after I had returned to work I naively thought things would just be the same as they were before, all be it with new faces around me. Yet I couldn't have been more wrong as I found myself feeling like the odd one out, just as I was when I became the only female in the homicide unit. People were treating me differently; some called me the hero cop while others viewed me as the crazy woman who shot herself in front of friends and colleagues. Many have now taken up to babying me throughout cases, constantly checking to see if I'm ok, almost afraid that something is going to tip me over the edge and send me off to the nut house. I can't even escape from it at home, ma has become more and more vocal about her disapproval of my decision to join the force; we can't get through one Sunday dinner without the subject being brought up at some point.
I have now become an expert at wearing a mask during the day, hiding my inner turmoil as I struggle to find a purpose in life, to find the sense of belonging I once had before this whole mess began. But as I stand alone on this deserted rooftop I can now castaway this façade and let my body weep under the weight of the guilt I feel and the burdens I am faced with.
Unwanted tears come to my eyes as I lightly brush the barrel of the gun down my cheek and then up towards my temple. Emotionally drained is not enough to describe how empty I'm feeling inside, It's like being stuck at sea, I'm lonely and nothing but ocean lies before me, it goes on and on, with no end in sight. I just don't see a way out of this mess. I have thought it all through a hundred times night after night, I can be as logical as hell and yet I always come to the same conclusion. Save myself and all those around me the pain and hassle and just end it, be done with it for good.
I look across Boston's skyline and I can't help but imagine Hoyt and what he would be thinking if he could see me now, gun in hand. There is no doubt that he has played a role in leading me up to this point, he was the catalyst so to speak that started me on this downward spiral. I take some pleasure in knowing that at least he won't get the satisfaction of being the one to finish me off as he desires.
As I stand there willing myself to pull the trigger, I suddenly let the gun drop to my side as I hear the door behind me open. I turn and see the face of someone I had not expected to be there staring back at me. Her name is but a whisper as it falls from my lips.
"Maura "
She remains rooted to the spot, I can see she wants to come closer but is hesitant to do so, probably unsure about my mental stability which I can't blame her for given the fact I currently have gun in my hand. I turn back around to look into the night as I lean to rest against the ledge in front of me. She approaches and remains a couple steps behind just out of my line of sight.
"You shouldn't have come here Maura, go and let me be."
I expect her to say something, to start trying to reason with me or demand answers to questions I know she has but instead she moves forward to stand beside me and reaches out to cover my hand with her own.
Maura won't leave, won't walk away. She's a good, loyal friend who has been by my side ever since Hoyt re-emerged into my life. I turned up on her doorstep in the middle of the night and she welcomed me without hesitation. She came face to face with the monster and confronted him in order to help me and when I screamed at her to do something for Frankie she did it despite doubting her skills. Most importantly she came when I needed her most, when I was lying on the ground bleeding onto the street she was there doing everything possible to save my life. Even after it was over she stayed at my hospital bed until she knew I would be ok and then throughout my recovery she was the only one who understood that I needed my space. Maura Isles has been there throughout it all, she is the only one to treat me as the Jane Rizzoli everybody once knew. Now in my darkest hours, she is here again.
We stay there like that for a few moments; the silence scares me a little. I keep expecting her to say something and then it crosses my mind that maybe she is waiting for me instead to initiate conversation. So I take the leap, I keep my gaze locked on the city but my voice trembles as I try to find the courage to speak the words.
"How did you find me here?"
She turns her head slightly to look at me; I choose to remain as I am.
"I knew something was wrong, I thought if I left you alone you would eventually thrash it out in your mind and then come to me. But I've seen you sink further and further into yourself so I made the choice to follow you tonight, I had expected a confrontation but never did I think it was so bad you would be here holding a gun to your head."
I let out a sad sigh.
My dear Maura I never could hide from you.
"Talk to me Jane."
My resolve to stay quiet, to put the mask back in place slowly crumbles as I turn to look at her with tears falling down my face. I try to brush them away but they are soon replaced with more and I can no longer hide or runaway from what I feel.
"It hurts Maura, it hurts so much and I want it to go away."
"Oh Jane."
I see the sadness in her own eyes as she wraps her arms around me and pulls me in closer; I readily accept the comfort she is giving me and I bury my head into the crook of her neck. Maura doesn't attempt to pretend that everything is alright; she doesn't try to tell sugar coat it with words, instead she just holds me as I breakdown and weep; the gun I had tightly gripped now disregarded on the ground next to us. Never since I was a child have I allowed myself to be so open, so vulnerable in front of anyone; not even with my family or former lovers.
My sobs subside and we stay there just listening to the sounds of the city, it is then the guilt sets in. Maura should never have had to witness this, my mess is mine and mine to deal with alone and yet now I've forced it upon her. I have no words to say to her though and so I do the only thing I can think of and start repeatedly apologising.
"I'm sorry Maura, I'm so sorry. This is not your problem."
I can't help but cry again and I try to pull myself away from Maura. She instead grasps my head, placing her hands on either side where she gently caresses my face and brushes the tears away.
"It is my problem Jane; I can't stand by and watch it destroy you anymore. I refuse to do so."
"I don't know if I have any strength left to fight it."
"But you've got me. I'm here and I won't let go; we're going to get you through this, I promise."
She places a tender kiss upon my forehead before pulling me into her arms again. Maura's words replay in mind and as they do the darkness that has clouded my thoughts, my judgement begins to shift. It is still there but now there are patches of light. We are going to get through this; I know she's telling the truth because Maura can't and wouldn't lie to me.
"Let's get you home Jane, tomorrow is a new day, a new beginning."
She directs that beautiful smile of hers towards me, a smile which I have not seen it since that fateful day when we stepped into the elevator and departed ways. It's now that I realise how much I have missed it and it makes me happy to see it again.
She brings us up to stand but doesn't loosen her hold on me. I look into her eyes, feel the warmth of her arms around me and for the first time I recognise the glimmer of something I have not seen in a long time. Hope.
The End
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Saturday, May 15, 2010
I really think that Baked Doughnut pan was one of the best gifts I've ever received. (See Sunday's Mother's Day post.) My older son was off school yesterday, so we made the first batch, using the recipe on the product sleeve. Josh said it was so good that he lay back on the floor sighing with pleasure. Then his brother came running to make sure his favorite person was ok. That's chocolate at the corner of J's mouth - I've been reading too many teen mysteries lately and wanted to make sure you all knew it was a happy photo!
We added melted chocolate chips and coconut to some of them, but these are really good plain. Remember they are baked - so I justified eating a couple...Josh and I want to experiment with flavors. This is our test Saturday Sample post we are planning on running all summer. He wants to make his own cookbook this summer with recipes and decorate it. Sounds like fun to me!
Cake Donuts
2 cups flour
3/4 cup sugar
2 tsp. baking powder
1 tsp. salt
1 tbsp butter, melted
2 eggs, beaten
3/4 cup milk
1 tsp. vanilla
1/4 tsp. nutmeg
1/4 tsp. cinnamon
Preheat oven to 325F. Spray donut pan with cooking oil. In bowl mix together flour, sugar, baking powder, salt. Add butter, eggs, milk, vanilla, nutmeg and cinnamon. Beat until well blended. (I used a fork and a whisk.) Fill each Donut space 2/3 full. Bake 8 minutes or until tops spring back when lightly touched. Cool. Remove from pan and dip into glaze. (I didn't do that.)
Makes only 9 donuts, though, so you may want to double this one. However, the pan has space for only 6 so how long do you want to be working on this?
I'm in a mystery dinner at work tonight, for the library's Relay for Life Team. I hate being in these things, but we were a female short and I have only 5 lines. Which I still haven't memorized. I am a romance novelist in the play, and will likely carry a notebook for 'inspiration' and put my script in there...
Soon I am going to be starting a Vintage Arts and Crafts blog and have been gathering projects and information. Just out of curiosity, what crafts did you do in decades past? Macrame? Sequin or String Art? Post in the comments if you will to help me!
2 comments:
macrame, filet crochet (I've published some original patterns for this), milk-filter dolls, bargello needlepoint. . .
- Rochelle R. said...
Wow those look really good! I bought that pan for my husband a couple of years ago and he never used it. I showed him your photo so maybe he will be inspired.
Has far as crafts go, the flower loom raffia flowers were really popular and also decoupage on plaques. Wish I still had my loom they are pricey now.
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subset: commoncrawl


text:
Yesterday was not my best day. I went to work with all the best intentions, but felt standoffish as soon as I arrived. Maybe that was a sign I was destined for a cranky day.
From there, things just got worse (for me). I felt like I was being pulled in a million different directions, and that no one was happy with the work I was putting out. Nothing is more disappointing than feeling like others are disappointed in what you're doing.
When I got home yesterday (late!), I went for a punishing run by myself. And I felt SO much better afterward. Sometimes you just need to exercise off some steam.
Today, I'm choosing to wipe my slate clean and pretend yesterday didn't happen the way it did. No use dwelling in the past on things you can't change. I can only try harder today!
Happy Tuesday, everyone. Be kind. Be humble. Be willing to learn. Accept your mistakes. Apologize when necessary. And do your very best today, no matter what you're doing.


text:
"We're gonna be best friends"
Yesterday there was a new guy in my Spanish class, and when he found out that I was a Swedish exchange student, he said exactly what the rubric says. Kinda funny.
After school I did nothing, just slept. Then I watched Hannah Montana the movie before I went to bed for the night. Couldn't fall asleep until like 4 though and then I had a bad dream. So no sleep for me.
Now I'm sitting in English class writing something about Thomas Jefferson. After school at 5 we're gonna go to the gym. FINALLY!!!! I miss the gym so bad!
Me and Tia on the bus on our way home yesterday.


text:
patterns > Baby Cocktails
> Greyhound Shawl
Greyhound Shawl
My latest foray into shawl design is assymetric, and I'm hooked!
I wanted an easygoing wear-everywhere project for summer and this shawl was just the thing. The pattern is rhythmic and soothing and perfect for knitting in the car, at the beach, or sipping a cocktail poolside.
Knit in A Verb For Keeping Warm's gorgeous Annapurna, it's warm and soft and lightweight - the exact thing you want to throw over your shoulders when the sun goes down. And I know I'll still be wearing this with a light jacket after Summer has passed and we go into Fall.
You can easily alter the pattern for more or less stripes, add a different lace or play with size as your stash and taste dictates. You can knit this in one color, or two, or even a whole bunch of different ones (gradient?).
But if you want one JUST LIKE MINE, Kristine over at AVFKW is dyeing up some special skeins. She's a total genius - using organic, sustainably raised fibers and extracts to create delicate and distinct yarn that you will just fall in love with!! I"m already thinking about a next one….. Go here for more information…
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"The Dhaka Art Summit was a revelation. Sharply insightful exhibitions, expansive and generous conversations and panel discussions, and a deeply satisfying experience. I learned a great deal, made unexpected connections, and enjoyed being with so many artists, curators, and scholars whose collective energy animated the Summit."
-Glenn Lowry, Director, Museum of Modern Art New York (DAS 2018)
"The Dhaka Art Summit 2018 has been an intense, exhilarating and thought provoking experience. The curated exhibitions at DAS 2018 offer opportunities to rethink global histories of contemporary art while remaining anchored in a cogently and sharply expressed South Asian context. I had many wonderful experiences and exchanges and was able to get a clear sense of the energy and enthusiasm of the Bangladeshi Contemporary Art scene. The production values of the entire show set a very high standard. DAS is emerging as probably the most significant intersection of creative and discursive energies in the region. With DAS, the artistic and creative communities of Bangladesh stake their claim to being the incubators and custodians of a contemporary cultural sensibility that is truly planetary. This initiative's continued success is crucial for the health of culture in the entire South Asian region."
-Shuddhabrata Sengupta, Artist, Raqs Media Collective (DAS 2018)
"DAS is not only a show, it is a self-learning apparatus, which changes the patterns of understanding, recognition and global dissemination from the South Asia region. DAS is a polyphony of voices, resonating deep in the contemporary art world but also locally, triggering the imagination of diverse audiences and touching upon the most urgent social, political and economic issues of our times. DAS might be defined also as a free academy, conceptual playground and a carnival. DAS is also a story-teller. One can learn a lot just from listening carefully."
-Sebastian Cichocki, Deputy Director and Chief Curator, Museum of Modern Art in Warsaw (DAS 2018)
"For me the Dhaka Art is a welcome alternative to the biennale circuit. Assuming in a discursively resposible way that such initiatives become more and more condensed events, in a global competition for attention, the Dhaka Art Summit, advances the notion of the "summit" which allows for very different, yet all interesting projects and initiatives, to share a venue, in which conceptual diversity is preferred over the constraints of one curatorial premise. Talks, exhibitions, prizes, documentaries, and even a fair of artist initiatives enrich each other in new surprising ways. Maybe the Dhaka Art Summit is not only an interesting answer to the often fatigue perceived in the biennale circuit but also to the global inflation of art fairs."
-Philippe Pirotte, Dean of the Staedelschule, Frankfurt (DAS 2018)
"I almost gave up reading art writing. I have come to reconsider this through the Summit..."
- Maria Lind, Critic and Artistic Director, Gwanju Biennale 2016 (DAS 2016)
"I thought the Dhaka Art Summit 2016 was a splendid affair of critical clout and great programming. There is literally nothing like it in Asia and I am certain the next one will be an even bigger success."
- Lucas Huang, The National Gallery, Singapore (DAS 2016)
"The Dhaka Summit proved to be an invaluable interface with a number of key artists, discourses, and histories that suggest the increasingly urgent voice South Asia has in the current global cultural discourse....We look forward to developing many of these conversations as we deepen our engagement in the region."
- Stuart Comer, Chief Curator of Media and Performance, Museum of Modern Art, New York (DAS 2016)
"I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region."
- Dayanita Singh, DAS Solo Project Artist, India (DAS 2016)
"The Dhaka Summit has rapidly become an important focus for artists from South Asia and beyond and this year is attracting widespread international attention."
- Frances Morris, Director of Tate Modern, London, UK, On her second trip to Dhaka, Bangladesh (DAS 2016)
"Dhaka Art Summit has set the gold standard for the visual arts in South Asia"
- Bunty Chand, Director of Asia Society, India (DAS 2016)
"The care, curiosity, and passionate engagement of local visitors was one of the reasons for the incredible success of the Dhaka Art Summit. The Summit's platform as a liaison between the art and the local community and its role as a facilitator in the South Asian context generated a spirit of generosity and openness which was both refreshing and inspiring."
- Internationally acclaimed artist, Shahzia Sikander (DAS 2014)
"It's intense and you can feel lot of energy - this is somehow logical when you think of Bangladesh as a country with 160 million inhabitants and a very young population - you can actually feel the energy in the exhibition."
-Alain Berset, President of Switzerland (DAS 2018)
"Visiting Dhaka Art Summit 2018 was an interesting and challenging experience. A great opportunity to get more insight in contemporary art from e.g. Bangladesh, Nepal, Sri Lanka, in the recent 'art history' of South Asia and in the 'cultural' discourse going on. I am more than impressed by the level and richness delivered by the Art Summit as well as by the open and transparent atmosphere. I learned a lot. The visit broadened my insight into cultural developments in South Asia, and enriched my professional network at different levels. I am looking forward to the next edition!"
-Elisabeth van Odijk, Director, Rijksakademie van beeldende kunsten, Amsterdam (the Netherlands) (DAS 2018)
"DAS 2018 gave us a great opportunity not only to learn about South / South East Asian Art but much more to learn how we can engage in our time through art. The manifold conversations, guided tours and lectures challenged and expanded not only the knowledge about art from Asia but also about the Bengal region and its historical and contemporary cultural richness. The educational complexity of DAS gives young people such an important opportunity to learn thinking out of the (academic) box."
-Sophie Goltz, Assistant Professor, NTU Centre for Contemporary Art, Singapore (DAS 2018)
"There is so much to share from this stimulating, inspiring, politically engzged, art historically facinating, sensual, joyful and last but not least simply beautiful show that is the Dhaka Art Summit. Bringing together nine tightly curated exhibitions by a group of the most talented curators practicing today, as well as a though provoking series of screenings, conversations, presentations, performances and symposia; not to mention the incredible education programme with some of the most critically practicing artists, artist's collectives and thinkers, amazing Diana has completed yet another tour de force for which she can only be highly commended for its curatorial, intellectual, historical and contemporary scop, depth of research and unlimited sense of hospitality."
-Koyo Kouoh, Founding Artistic Director, RAW Material Company (DAS 2018)
"What a memorable experience the Dhaka Art Summit and Samdani Art Foundation organised. An amazing attendance of artists, curators, art professionals and collectors and the challenging and thought provoking panel discussions enabled meetings of people, intensive exchange and an insight not only into how art is integrating in Dhaka and Bangladesh but all of South Asia."
- Beatrix Ruf, Director, Stedelijk Museum, Amsterdam (DAS 2014)
"I leave Dhaka, carrying with me a whole lot of generative ideas, great thoughts and memories.I feel what I witnessed is truly historic and will be discussed as a key transformative catalyst for the entire region in the many years to come. Congratulations to Rajeeb and Nadia Samdani and Diana Campbell Betancourt on this whole-hearted visionary effort."
- Internationally renowned artist and curator of Kochi-Muziris Biennale 2014, Jitish Kallat (DAS 2014)
"I heard over and over that Dhaka Art Summit had managed the complicated and sometimes impossible by bringing together artists, thinkers and curators from South Asia, providing a meeting place and a discursive space which is really to be applauded. The entire event was outstandingly well organised and installed. It was really exceptional to have the live encounter with Nikhil Chopra's performance and without doubt it was the presence of works like his, Shilpa Gupta, Naeem Mohaiemen, Rashid Rana and Mithu Sen, among others, who made work specially for the event, that brought a unique aspect to Dhaka Art Summit."
- Jessica Morgan, The Daskalopoulos Curator, International Art, Tate Modern (DAS 2014)
"The Summit was a surprisingly personal, low key and highly focused gathering of many amazing individuals from several countries in South Asia. A variety of experiences brought under one roof was what I really appreciated as it exceeded the usual monoforms of a "biennial", "art fair", "conference" etc., offering instead a holistic experience of being with the artists, seeing their work and discussing it on the spot. Unpretentious and intelligently designed in skillful hands of Chief Curator, Diana Campbell Betancourt, the Summit felt like it was a labour of love and not a dull cultural marketing exercise."
- Adam Szymczyk, Artistic Director, Documenta 14 (DAS 2014)


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December 23, 2007 – December 24, 2007 Charles Dickens lamented, " Would that the spirit of Christmas could live within our hearts every day of the year? "
Perhaps the Christmas spirit is our souls ' knowledge that things, no matter how beautiful, are only things; that we were created, not always to do, but sometimes simply to be. Perhaps the Christmas spirit is a loving reminder that we must make time for the long slow journey across the desert; we must take time to discover our own star; we must honour the time necessary to brood over the coming of the authentic self we were created to become. So this is my Christmas wish for all of us: that behind the toys, tinsel, carols, cards and chaos, there will come a moment of quiet reflection and peace. That it may be truly said of each of us that we know how to keep Christmas well. Sarah Ban Breathnach


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Amy Ropple
Amy Ropple
Reading, MA, United States
About Amy Ropple
I am primarily a textile artist who combines my love of fabric art techniques with a serious bead addiction to create unique, highly embellished, expressive works of art. My work contains images of people, places, and things I find meaningful and important in my world, embellished to the hilt! Additionally, I also explore drawing, painting, mixed media, and digital embroidery as part of living the creative life. I live in Reading, Massachusetts with a wonderful assortment of critters that include dogs, cats, and parrots, some of which have appeared in my artwork. I teach Visual Art to the best, most creative and fun middle schoolers in the world at W.S. Parker Middle School, also in Reading. I also teach textile workshops and art classes to adults, and have taught a course in Art Quilting at Massachusetts College of Art. Since the age of 35 I've fought an ongoing battle with RA (rheumatoid arthritis) and see creativity, both my own and that of my students, as a way to elevate the soul out of the continual discomfort that this disease brings.
I hold both Bachelor's and Master's degrees in Studio Art Education (combining personal artistic development and production with a full art education program) from Massachusetts College of Art in Boston, Mass.
My quilted work has been exhibited in local, national, and international exhibits, including "On the Surface" at the New England Quilt Museum in Lowell, Mass. Several publications have included my work, including Quilting Arts Magazine and Quilters' Newsletter Magazine. My work is in private collections in the States, Europe, and Australia.


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Spirited freshmen give Flames' ski and snowboard team a lift
January 5, 2018 | Lynchburg, Va.
Youthful exuberance, spiritual focus, and unlimited upsides on the slopes are characteristics of Liberty University's ski & snowboard team this season.
"It's a new year, a growing year, with guys going out there to have fun and focus on being a good example on the hill," Flames Head Coach Ryan Leeds said. "A lot of the guys understand skiing and snowboarding is really just a means to an end — to form relationships and have intentional conversations" to lead others to Christ.
There are now more newcomers than veterans on the roster, with 10 freshmen and nine sophomores forming the foundation for a team that returns a total of just eight juniors and seniors.
"One of the cool things about the team this year is that they're really positive and they do a great job of building each other up," Leeds said. "It's really cool to watch everyone get along and encourage one another, pushing each other to be better."
Two freshmen who exemplify the culture Leeds is looking to create at the Liberty Mountain Snowflex Centre (LMSC) are West Coast products — snowboarder Trent Laubach and skier Cole Loomis.
"Trent Laubach is really positive," Leeds said. "He comes into practice really excited and amped up every day, loud and boisterous and excited to be part of the team, and his attitude is contagious. He grew up riding mostly on big mountains and doesn't have much freestyle experience, but he's very coachable and he's learning fast."
He enjoys the freedom and creativity snowboarding fosters.
"I grew up playing competitive sports and a lot of times you get burned out," Laubach said. "The cool thing about snowboarding is it's pretty laid back. You can express yourself and put your style to your riding and it's still very much fun, even though we are competing and getting better."
Like many of their teammates, Laubach and Loomis are using the Christmas break to train at their home resorts — in Lake Tahoe, Calif., and Wenatchee, Wash., respectively — in preparation for the Flames' USCSA Southeast Conference season opener on Jan. 21, a slopestyle competition at Beech Mountain (N.C.) Resort.
Loomis is a strategic communications major who grew up around the ski industry and wants to use slopes as stages for sharing testimonies through video productions.
"I'm a film skier, and I edit and I film ski edits," Loomis said. "It's what I love to do. My goal is to use strategic communication to learn to tell stories, using individual skiers and snowboarders as a platform."
|Trent Laubach is featured in one of the snowboarding videos produced by him and his brother, Chase.
Laubach and his brother Chase have dabbled in videography as well, through a series of adventure stunt features posted on YouTube.
Loomis looks forward to opportunities to train at the LMSC, a shining light on Liberty's sprawling East Campus.
"It's really cool that we have Snowflex and we bring the freestyle skiing and freestyle snowboarding community to Liberty because generally the freestyle riding community is not necessarily something that you would associate with Christianity," he said. "It's noticeable when you ride with the Liberty freestyle team because we create a really fun atmosphere and a Christian community as well, and when riders come and notice that, it's different from what you get at just any other ski hill."
In December, Leeds and assistant coaches Isaac Gibson and Kevin Hoff traveled to Breckenridge, Colo., for a Snowboarders and Skiers for Christ (SCC) conference, sharpening their spiritual edges to help train the Flames to share their faith through their sport.
"Any time you can get around like-minded individuals who have a similar passion to make disciples in the ski and snowboard industry, it was a good opportunity to hear from people all over the United States, Canada, and Britain," Leeds said, noting he and his staff picked up tactical tips on "how to approach people and to implement the Gospel in everyday conversation."
Laubach and Loomis have captured the vision of communicating God's Word through their actions and interactions on the slopes.
"At the end of the day, whether it's skiing or snowboarding or anything, God gives us gifts and this team is obviously a platform for us right now to be lights and just to love on other people," Laubach said. "It's an awesome opportunity and hopefully we can use it to glorify God."


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"The clay calls me," said Alice Chéverez, Boriken Indian woman of the Barahona Valley, in the mountains of Morovis, Puerto Rico. "El barro me llama."
Alice was just finishing a clay pot she had fashioned
over forty minutes of conversation. We were taping with Alice on the Taino pot-making techniques her mother, along with a Puerto Rican artist, reconstructed in the early 1970s. Alice allowed it was not easy to learn and get good at the craft. As a young girl,
she watched her mother's pottery making, learned the full craft and has never left it. Alice – of classic Taino physique and facial features – smiles sweetly. "I have walked away from it twice," she elaborated as a rooster pecked
at the ground underfoot. "But always after a few days, I want to feel the clay between my fingers."
We had driven for over three hours out of Mayagüez to visit her family. Puerto Rico around San Juan is heavily urbanized but go
east or west out of the capital, pass up the mountains to the central and some coastal regions, and you can still meet some families of distinguishable indigenous legacy and lineage. The Chéverez are a large, extended indo-Boriken family still living
in these precious mountains. Their place has the feel of the old campesino (jibaro) homestead – hanging hamocks, animals walking loose, barefoot children playing. Alice's parents and earlier generations held rich -- not ancient but natural
growth -- forest, a portion of which the family guards to the present day and has been designated as the Cabachuelas Natural Reserve.
Alice let us know that her mother, before she passed away, was the heart and center of a very large group of
people. "Around here, she was mother chicken. When she worked her pottery, everyone worked on something around her. If she got up to go into the field, everybody followed; the little kids, even the men. Everybody wanted to be with her."
mother, Doña Varin, was the matriarch of the large extended family for several decades. Of the Chéverez, Alice said: "We are not that many, but we are not a few either."
The family is reminiscent of large multi-family,
indo-Cuban homestead caserios found in the Cuban mountains. More than a single nuclear family at the end of a long and winding road of verdant hills, the Chéverez are a multi-family lineage. Mapping preliminarily with Alice on her family's extensions,
we could count ten families with several children each just among her siblings, while the extended genealogies of a large chain of uncles and aunts and their children's families through three living generations, took our quick kinship count to some two
hundred people. "And there are others," Alice shook her fingers. I encouraged Alice and the family to develop a count of their relations.
That day, our last full one on the island, we would walk a long way up the hills behind their
homestead, to enter huge caves that featured pictographs and petroglyphs drawn and sculpted by Taino ancestors.
In Puerto Rico with Ranald Woodaman, from the Smithsonian Latino Center, our visit to the Chéverez family and their mountain
top grounds came at the end of a week of much motoring to public encounters and think-tank at universities, visits with the Taino movement community folks and visits to numerous scholars, museum exhibitions and collections and ceremonial plazas.
is often used, particularly among Boricuas, as the more contextually autochthonous name for Puerto Rico. Boriken is also the Taino term heard by Spaniards at conquest. It describes this island's branch of what is known in archeology and in the
contemporary legacy movement as the Taino people of the Antilles.
We were there to begin discussions on themes and conceptual frameworks on our Smithsonian Grand Challenges project, "Consciousness of Taino: Indigeneity in the Caribbean."
The research project explores the popular and artistic rejection of the notion of "extinction" when describing the fate of the indigenous gens in the Caribbean islands. Beyond "extinction," it seeks to better understand the survivance
of actual practice and continuity of indigeneity among, with and in the people and general geography of the region.
There is a Taino revival and a great continuing interest in things indigenous in Puerto Rico. The revival is as intense as it is
contested, but nevertheless real and extensive. Major historians and archeologists sustain vigorous research agendas, pushing the edges of knowledge and interpretation of a substantial and growing Taino material and archival wealth. We were fortunate to meet
up with a few from this distinguished circle during our recent journey through the island.
• Caguana – the Indigenous Ceremonial Center, at Caguana, in the mountains between Lares and Utuado, bespeaks sacrality of landscape. Featuring
major ceremonial plazas -- rectangular, well defined -- it was a place where caciques, chiefstains, gathered to lead and attend the traditional Areito dance-recitals and the formal ball-game, called Batey. Most elaborate of the more than thirty Taino
plazas found in the Utuado region, one can read the visage of several important deities of the Taino cosmology in the standing stone slabs that enclose the main plaza. I had to pause at the pictograph of what we identify today, as "Madre de Aguas,"
and through the treasure of Ramon Pané's early Taino ethnography, as Atabei(ra). I have seen this persistent image and what it represents throughout the Greater Antilles; as ancient mother of the Taine Great Spirit, this Taino grandmother is symbolic
and foundational to the "Consciousness of Taino: Caribbean Indigeneity" project.
Dr. Osvaldo Garcia-Goyco, a fine teacher on the subject of Caguana, enriched our visit with deep knowledge of the plazas, his astronomical explorations
and history of the 800-year old site. Garcia-Goyco has introduced into our project a fascinating discussion on the Taino "phosphenes," a sacred iconography emerging from the "flight of the shamans" trance of the cohoba ceremony.
Highly prevalent from a grouping of some 17 iconographic phosphenes is the concentric circle called "ojo de capá," also identified as the cosmic, "fecund uterus." This concentric symbol is nearly always found with Atabei(ra)
and is prevalent in Caribbean indigenous psycho-spiritual artistic tradition.
• With Garcia-Goyco, we also visited the exhibition, "Los Huecoides en Punta Candelero," at the "Museum and Center for Humanistic Studies Dra.
Josefina Camacho de la Nuez,"
University of Turabo. Dra. Carmen T. Ruiz de Fischler, director of this Smithsonian associate museum, hosted us graciously through a tour of the state-of-the-art cultural center. Dr. Ruiz was particularly enthused
to show us their clear and object-rich exhibition on the relatively new findings – over three decades -- of Puerto Rican archeology on the eastern coast of the island.
More and more the ancient Caribbean appears as point for the migrational
thrust of indigenous peoples of the Americas. A very early migration from the Meso-American coast of present-day Belize, perhaps Guatemala is now accepted; the much-recognized main populational migrations, from Amazonian origins through the Orinoco valley
to navigate the island chain northeast and west from Trinidad to Cuba, is most studied as developmental of Taino. Now an additional, limited but early incursion, has increasingly revealed itself in excavations on the island of Vieques and at nearby coastal
sites. This one is most intriguing, pointing a trail to the Andean region with its effigy carvings of condors and jaguar incisors originating in the South American cordillera.
Dubbed the "huecoides" by archeology, American indigenous
people lived on the site for approximately 800 years, from 250 AC to 600 AD. The fine exhibition at the Museum and Center for Humanistic Studies, designed by Edna Isabel Acosta, featured some 300 objects, including fine pottery and the increasingly noted "condors"
from the Punta Candelero excavations by Turabo University. A long incisor tooth, believed to be from a jaguar, is presently being tested. There is intense anticipation about the upcoming results.
Among other visits, we stopped to see Yvonne Narganes,
Archaeologist and curator at the Museum of the University of Puerto Rico, Río Piedras, who showed us many valuable ceramics, shell and stone pieces from the collection she curates. Among these, several condor heads, some in jade, from the Huecoid site
in Vieques. Research by Dr. Narganes and Dr. Luis Chanlatte-Baik, as well as the work of Turabo University professor Dr. Miguel Rodriguez on the similar site at Punta Candelero, has signaled a new migratory trail to the Antilles.
Among the great
questions of Puerto Rican archeology, these intriguing early people, their trajectory and origins point to a new parallel migration into the Antilles.
First found on Vieques Island, and then at Punta Candelero, then at sites in other islands, the new
work traces what appears as a new migratory pattern, linked by its inter-crossed incised pottery designs and the enigmatic condor heads to the eastern slope of the Peruvian Andes. There is an actual suggested connectivity to Chavin, one of the ancient mother
cultures of the Andean civilization.
The claim is not without controversy as, at least through its early Vieques phase, Yale's Irving Rouse, a definitive voice in Caribbean archeology, who judged it to be simply an early version of the Saladoid
culture, negated it. But as more similar sites have emerged, the Puerto Rican archeologists have expanded the argument.
Certainly, it is most intriguing to think that in the Caribbean would converge the three main regional civilizational currents
of indigenous Latin America: Meso-American, Amazonian and now, Andean.
• Public forums
Two public forums brought up a host of questions, issues, and perspectives.
In Old San Juan, at the Center for Advanced Studies
of Puerto Rico and the Caribbean, we shared a podium with Dr. Jalil Sued-Badillo, well-respected historian and fine detective of things Taino. Sued-Badillo's most recent book, "Agüeybaná the Brave," a biography of the heroic early
Taino cacique, is in a long-line of finely researched and elegantly written histories.
Dr. Sued-Badillo reflected for the well-attended forum on the currents of indigenous thinking and thematics in Puerto Rican history and contemporary culture.
Like many scholars, Sued-Badillo has noted the evolution and growth of Taino identity movements in the Caribbean and particularly among Puerto Rican people, both in the diaspora and the islands. "One has to grow with all this new effervescence, which
is a deep search for being Boricua. We have to understand what it means." At times Sued-Badillo has expressed the opinion that there has been no Taino biological continuity, while exploring widely cultural and ideological survivals. He allows that
since the new genetic studies have indicated a high percentage of Taino Mt.DNA for the island population, he has reconsidered this opinion.
Sued-Badillo points out the strength of the symbology of Taino for a people in search of their heroic past,
for the sense of having been an important people, which allows the possibility that "we will be so again."
"Our nostalgia for indigenousness becomes a political agenda. And we have a right to do this," he asserted. "Peoples
have a right to reconstruct and the Taino is an important cultural element for Puertoricans, here and even more in the US."
After listing a range of material culture survivals of the Taino ancestors, in language, food, agriculture, medicines,
architecture – "numerous elements to maintain alive our memory" -- Sued-Badillo, at his lecture and in previous interviews, lands on the "ideologically vibrant connectivity of this past with the present. "We do this as the
Greeks of today and the Romans of today, hark back to the ancestral strengths of the Greeks and Romans of antiquity. … They may be completely different people, but ideological constructions are always built on the past. All peoples do this. It
should not surprise us from among our own people."
We could only agree with his admonition to the young people in the Taino movement to read and study, to visit the ceremonial sites and the museum collections, to learn from the orality of
older folks. "Before you reinvent, see the reality you come from."
Sued-Badillo's refreshing and stimulating attitude well reflected the projections of our own initiative and set up our presentation on the Indigenous Legacies
of the Caribbean project, which touched on ethnographic approaches to indigeneity work in Cuba and announced our encompassing and comprehensive – wide circle -- approach to the subject of indigeneity in the Caribbean. A strong discussion with many questions
followed. As happens most often, in the standing room only crowd, a very Native looking group, including two young families with children and several older folks, all from the Taino movement. They felt welcomed, they said, greeting the NMAI project as well.
• A second public forum at the University of Puerto Rico, Mayagüez campus, gathered other scholarly minds on related subjects. Dr. Juan Manuel Delgado spoke on his research since the 1970s documenting Boriken Indigenous orality among Puerto
Rican "jibaro" populations of the central mountains. Delgado is a mountain of information on Puerto Rican history; his work on continuities of Boriken indio identity and knowledge enclaves into the 20th Century is fascinating. Juan Manuel
burrows deeply into contact and colonial times.
• Dr. Juan Carlos Martinez Cruzado is the increasingly notable UPR Mayagüez geneticist who in searching the Antillian genome surprised himself and many more -- though not all -- by finding
a 61 percent Caribbean indigenous (Taino) Mt.DNA in the general Puerto Rican population. Dr. Martinez has conducted ongoing work in Dominican Republic and stimulated similar research in Cuba. He explained his field to an audience of young biologists and social
science student and faculty. For Dr. Martinez, of course, the findings of his highly regarded scientific research serve principally the question of origins, following genetic trails in the migrations and deployment of populations throughout the Caribbean region.
The high Taino presence in the Mt.DNA – in the matrilineality – of the island's population points to an extensive, early mestizaje. Iberian and African men married indigenous women in large numbers – recalling, again, the Taino grandmother,
the encompassing, foundational culture. Martinez's work always reminds me of Atabei(ra) – the inside – psycho-spiritual story that signals the genetic trail of our peoples. Martinez Cruzado's work has anchored the discussion of Caribbean
indigeneity with the weighty structure of a hardened science, supportive as it is, by the numbers, of the early and somehow lasting indigenous linkage woven in mestizaje.
• Some misinterpret Martinez' very clear scientific interpretations,
hearing in all genetic work some kind of phantastical quality to determine "race" and derived concepts. One such concept is the exalting of a Puerto Rican "Raza Unica," a dangerous slippery slope into outright racism, voiced recently
in the Puerto Rican media by a politician who could use a good speech editor.
At the Mayagüez podium, Dra. Isar P. Godreau, brought this example forward, among others, encouraging our research project to sustain encompassing yet discerning
lines of inquiry on confusions inherent in the topic. Dra. Godreau wondered on the impact of the Taino revival movement on the image and standing of Afro-Puerto Ricans. She gave several examples of how the Afro-Puerto Rican image is denigrated in Education
department texts and readers. In some of these, the Indian image was positioned more positively or prominently than the Africano. These were poor curriculum representations all around.
Dra. Godreau challenged any lining up of a hierarchy of "races."
This is important most of all, as evidenced in the political rhetoric that misconstrued genetics (DNA) to be synonymous with "race." The "unique race" touted by the politician who misunderstood genetic science needs always be confronted.
All these good questions by Dr. Godreau enrich the thinking on "Consciousness of Taino: Caribbean Indigeneity." She reminded us to sustain our emphasis on the mutual history with Afro-Caribbean communities, throughout America, in response
to colonization.
As in San Juan, the audience in Mayagüez included several Taino people. An Indian woman and her young man son represented a Taino presence. She spoke well about her strong sense and pride in her Boriken Indian heritage. As
it became more possible, she said, she opted to wear more Native symbols and motif in her clothing and hair. She spoke of her African ancestry as well, but it is incorporated into her Indianness.
A man artist, also Taino, had driven hours to get
to the forum. He showed us several well-labored stone and shell pieces. When I inquired after a particular wooden maraca (rattle), however, he said, "I could not sell that one. It's private." When I admired it some more, he whispered modestly,
"Lo siento. But I need that for my prayers."
Thinking later on the trip's many commentaries, I recalled someone's citation of Roland Barthes, about how, "ethnicity should focus on the ethnic boundary which defines
the group – not the cultural stuff that it encloses."
Ethnic or indigenous identities, it was claimed, "are forged in a context of conflict and power struggle with other groups."
True enough, I thought.
The "other" no doubt helps define us. And it will be good to run an exercise with Taino folks on how they see themselves relative to the many "others" – Americanos, Africanos, Hispanos, etc.
But it's
not the whole story. There is also the "inside" -- cultural, eco-systemic, spiritual, familial -- that defines identity and drives a lot of behavioral aptitude (and attitude).
I was taken with the young artist at Mayagüez,
who drove half a country to show his wares, and could not bring himself to sell something because it had "private" use.
"The clay calls me," said Alice Chéverez. No matter that her pottery was revitalized by her
mother with a trained teacher, after many generations, still, "the clay in my hands, it calls to me."
One thing for sure: Across the Americas, wherever you go, the Dream of the Earth runs deep.


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Dr. Leonard Coldwell claims that any type of cancer can be cured in just 2 to 6 weeks. Make sure you have a look at the video bellow this article. You will be shocked when you see it. Yes, that's true, cancer can be cured. I hope you'll be amazed as I was when I watched the video for the first time.
Cancer is among the most dangerous and fatal conditions today. A great deal of families have actually lost a relative reason for this lethal condition. My papa passed away of cancer when I was 17. That was extremely painful experience for me and it had altered my life totally. The worst thing in your life is to look how the cancer eats your closest member of the family and friends from the inside and you can't do anything about it.
When I saw Dr. Coldwell's video and short article I was so delighted and astonished, since I do not wish to see individuals pass away from this dreadful disease and their closest loved ones suffer if they lose one. Cancer can assault anybody. You can never know who will be its next victim. So make sure you watch this video bellow and start thinking that there is wish for all cancer and future cancer patients.
The Cancer Market is too Flourishing to Allow a Cure for Cancer
You've probably heard the term "cancer can be treated with the convention chemotherapy treatments and prescribed medications". But do you really believe that these medications can treat cancer? I don't! We've invested everything we had to pay for my daddy's chemotherapy treatments and medications. All these treatments cost a fortune, and didn't help my dad with his condition. They even made it even worse. In the last couple of weeks, my father struggled with agonizing pains, triggered by the chemotherapy treatment. Do you know why the cancer industry still offers the chemotherapy and cancer medications to the cancer clients? It's all because of cash. Nobody from the medical market actually cares about the clients. They just care about revenue and generating income on offering medications that do not work and treat cancer clients with the conventional chemotherapy methods that are killing more great cells, than the cancer ones.
Have you ever heard about Dr. Leonard Coldwell?
Dr. Coldwell's family had some serious cancer issues. All 7 siblings and sisters, from his mother's side suffered from carcinoma. His dad and his granny also died from cancer. He saw how his closest relative and pals die from this horrible illness and he could not do anything about it. That's why he dedicated his life in discovering an efficient treatment for cancer.
In his profession up until now, Dr. Coldwell has actually seen more than 35,000 clients, around 2.2 million partakers in his workshops who compose their life stories and has more than 7 million fans who read his short articles and reports. According to some influential individuals in the medical market, Dr. Coldwell has among the leading roles in treating cancer. His website was blocked by the federal government, because of his success in treating cancer.
Dr. Leonard Coldwell claims that cancer can be cured in many patients, without utilizing the traditional chemotherapy treatments or any contact with radiation. However he is not allowed to tell this to any individual. Dr. Coldwell states that's because of individuals who make money from cancer clients and the law does not allow him to do so.
The health care and the pharmaceutical industry make millions and millions of dollars through the cancer industry. This circumstance makes lawmakers legislate laws that will eliminate us. Or they will make you sick, and the laws that are supposed to protect us will not permit the ideal treatment for this fatal condition. They will make you sick and make the illness even worse with the harmful and severe "medical" treatments.
Dr. Coldwell– The Only Answer to Cancer
Dr. Leonard Coldwell claims that any kind of cancer can be cured in 2 to 16 weeks. And there are some types of cancer, if treated with the ideal treatment can be healed in couple of minutes. He states that positivity and hopefulness that actually helps in the healing procedure.
First of all, Dr. Coldwell says that we have to consume more veggies. This type of diet provides the body lots of oxygen. And if we include calcium and other alkalizing foods we will alkalize our bodies. This is essential for all cancer patients since the development of cancer stop when the body is alkalized.
Other important experience you must understand is that our body needs to accomplish what is called a therapeutic Ph level. pH has 14 levels from 0 to 14. The lower values are the acidic area and the higher values are the alkaline region. The average neutral level is Ph 7. When the body reaches pH 7 it's alkaline. A level of 7.36 is excellent, however when it pertains to treatment, a pH of around 7.5 or greater needs to be present.
Dr. Coldwell claims that the "intravenous" injection of Vitamin C is extremely handy. 100 cc every day, 3 times a week or less will offer more than remarkable results. Believe it or not, the cancer vanishes in a few days after the Vitamin C injection.
Other experience you need to do is deal with hypoxia. Dr. Martin, Dr. Coldwell's pal provides a great solution for this– an oxygen therapy which involves numerous steps. In this method, blood is gotten, it's improved with pure oxygen and then re-injected into the body 12 times. When the blood is taken out of the body has a shade black color. But with this therapy, the blood that is re-injected has a shade of beautiful pink, like the blood of newborn. It's entirely fresh. This treatment fills the body with energy.
Vitamin C and E– the miracle cures
Dr. Coldwell says that you need to eat foods, which have high quantity of Vitamin C, such as: chili peppers, cabbage, broccoli, papaya, strawberries, cauliflower, pineapples, kiwi fruit, oranges and lemons. However, Vitamin C is not the only vitamin that has healing powers. We can include Vitamin E to this classification also. Vitamin E is very valuable with blood pressure. When it's treated quickly and effectively in any type, Vitamin E has actually shown that I can produce spectacular results. But, the best source of Vitamin E must be a natural source, and not the synthetically produced ones. A research study finished with synthetic produced Vitamin E has revealed that it was inefficient.
Keep in mind, chemicals will not help you with cancer. The nature is the one that brings all these health problems and the nature once again will pertain to the rescue. We all understand that cancer didn't exist 100 years back and there are no needs to exist now. We have triggered this severe issue by ourselves. As we said in the past, the best and the most reliable way to obtain rid of cancer is to take in fresh natural veggies and other fresh raw foods.
Drink Water with sea salt
Other important thing, according to Dr. Coldwell is to drink 4 liters of water with 1/2 teaspoon of sea salt every day– unless you deal with any kind of kidney problem. If you think that excessive amounts of salt can result in high blood pressure, Dr. Coldwell states not to fret. He states that even though we believed high amounts of salt is bad, the reality is in fact the opposite. In fact, salt is essential. Inadequate of salt can create problems in your blood. Dr. Coldwell says that the electrical signal send only if the needed quantity of salt exists in our body.
What sort of salt do you use?
The genuine problem is with the salt all of us take in. The salt we all consume consists of just a 3rd of real salt. It contains 1/3 of glass and 1/3 of sand. This can cause some severe problems for our bodies. The sand and the glass aggravate the blood vessels and they start bleeding. Then cholesterol congests to protect the blood vessels. Now you will believe that high cholesterol can cause high blood pressure, right? But you are wrong once more. This is not real, due to the fact that you cannot die from extreme cholesterol. However you can have some severe issues if you have shortage in cholesterol. Some individuals have actually had cholesterol as high as 60 and have not had any disease in their life.
HDL and LDL are proteins that move cholesterol?
To be sincere, I have actually never heard about this prior to. We all know that there is good and bad cholesterol, or the so called HDL and LDL cholesterol. But, Dr. Coldwell disagrees and says that it's not cholesterol. He says that they are proteins that move cholesterol. Everything we thought we knew about this is totally incorrect. But, how the medical professionals who state these things can be incorrect too? For this we have Dr. Neal's viewpoint. Dr. Gray Neal states that according to the data the physicians have the quickest life expectancy– they live 56 years, they suffer from alcoholism, drug abuse, as well as has the highest rate of suicides– it is greater just with psychiatrist– but we go to ask them the best ways to live longer, happier and healthier life. I believe that you ought to alter your opinion.
Source: healthycures.org


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Spain's Equipos Nucleares SA (Ensa) has shipped its first ENUN 24P used fuel storage and transport cask to China. The cask, which can hold 24 pressurised water reactor (PWR) fuel assemblies, arrived in Shanghai in mid-May and had been delivered to the Daya Bay nuclear plant in Guangdong province.
CGN Uranium Resources Company ordered the cask from Ensa for transporting used fuel from Daya Bay and the nearby Ling Ao nuclear power stations for interim storage at the Lanzhou Nuclear Fuel Complex in Gansu province. The ENUN 24P is a dual-purpose cask, designed for both the transport and storage of high burnup used fuel.
It has the capacity for transporting up to 24 non-damaged PWR fuel items and meets the requirements of the Chinese Regulatory Board. To meet the limitations of the transportation route through China, Ensa has had to optimise the design of the cask with "female" pins instead of the usual "male" ones. Ensa has also developed the ancillary loading equipment. Cold tests will now be performed, and the local personnel will complete training.
Ensa is part of Grupo SEPI, a corporate holding which includes a total of 15 state-owned companies and has direct minority shareholding participations in a further nine as well as, indirect holdings in more than 100 companies.


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I have yet to find a pizza like this in Toronto. Here, the pizza is thin crust, cooked in a brick oven with sparse cheese and toppings. Don't get me wrong, I love this kind of pizza. It was impossible to find on the prairies and I'm so spoiled to have access to it all the time. Nonetheless, I can't help but dream of the pizzas I grew up with.
So where can I find this pizza in the city?! Help!
What is your favorite kind of pizza?


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Of all the things that seemed like they were going to loom large in the 'OH NO OH NO OH NO' list of adjustments, driving on the other (*cough* wrong) side of the road was far less of an ordeal than I had anticipated.
Upon my arrival here, I procured myself some transportation in the form of a wasabi green VW Bug, a truly magnificent automobile, purchased primarily for its colour and the fact I wouldn't have issues in parking it.
Now, back home in Oz, I was known for my aversion to city driving. Here, however, I had no one to hand my keys to/bribe with food/have a tantrum at til they offered to be chauffer. So I have had to suck it up, put my big girl pants on and negotiate freeways, parkways, highways and byways, MY WAY.
Things I have noted about driving, Murica-style:
That big ol' 65 prominently displayed on the side of the road is not the speed limit.
It isn't.
I don't care what the sign says, according to EVERY OTHER MOTORIST, 65 is the minimum you can go without being overtaken, tailgated or otherwise cussed out.
There is some kind of tariff on indicators which charges per use.
I figure this is the case because gosh darn it, no one really wants to utilize theirs.
Which kind of licks elbow since they're a jolly good way of INDICATING that you're going to swerve in front of me posthaste.
All Americans are tutored at a young age in the super secret meaning of coloured curbs. I missed this class/memo/inherited intuitive knowledge and thusly do not know that a red stripe means fire lane, a green means 15 minute parking and a rainbow means fabulous parking only.
You know what would help distinguish these special parking zones a little more clearly? A FREAKING SIGN.
If you own a ute, sorry, a TRUCK, you will almost certainly have the following accoutrement: a very prominent US flag, waving proudly in the back of the tray. It will be bigger than a bedsheet and block my view of oncoming traffic with its patriotic glory.
Nonetheless, I have managed to negotiate the roads with minimal incidents.
I have noticed I have an allergy to peak hour traffic though.
It makes me break out in swearing
Lastly, a big shout out to my GPS lady. Gosh, she's a wonder of modern technology. I have worked at Two Men and a Truck for near on 3 weeks now and not once has she ever taken me the same way home. She's either messing with me or really wants me to enjoy every back street, alley way and obscure intersection in the Greater Sacramento Area.
**Join us every Friday for the further adventures of Tanya, our token Aussie and new Director of Sales and Marketing as she experiences the wide wild world of Sacramento in her whimsical, bumbling way.


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New Chase United TravelBank Credit Card
Chase and United Airlines have launched a new credit card, the Chase United TravelBank Card. Unlike traditional airline credit cards that earn frequent flyer miles, this no-annual-fee card earns United TravelBank cash that can be redeemed toward the purchase of a United ticket. This hybrid cash back/travel rewards card won't attract savvy points & miles junkies,… Read More »


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To the Editor:
As a Republican and former member of the New Hampshire House of Representatives, I'm writing to tell you that Anne Grassie is the right choice to represent our district in the state Senate.
I've known Anne for a long time. We met in the House of Representatives, where Anne served for 20 years. We served on the Children and Family Law Committee together, and it was there that I discovered her unparalleled dedication to protecting New Hampshire children and families.
Anne is a grandmother of 18, a mom, a wife, and a worker. She's worked in child care for over 30 years. She gets families. And because of her work, she understands better than anyone the unique set of challenges that families in our district face, especially when it comes to affording child care.
Anne knows that strong families are crucial to building strong communities, and I know she'll fight for economic policies that put children and families first. Anne knows that when parents aren't able to afford childcare, they often can't work. She knows that for parents of children with disabilities, it's terrifying to think that the life-altering services provided to their children could be taken away by a vote at any moment. As a state Senator, Anne would be exactly the kind of buffer we need between our children and anti-family legislation in Concord.
She has always put the people of our district over partisan politics. She's never been afraid to reach across the aisle to do what's best for our children and parents, and she's not going to stop now. I know that her level-headed, practical approach is exactly the kind of leadership we need and I hope you'll join me in voting for her this November.
Julie Brown, Rochester


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PurposeThis study aimed to evaluate the effect of heat treatment (at 77°C) of a silanized feldspathic ceramic on microtensile bond strength (μTBS) with a resin cement before and after being aged by thermocycling.
International Journal of Adhesion and Adhesives – Elsevier
Published: Dec 1, 2015
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City Targets Laggard Schools
12 Are Put on Hit List So Far; Political Land Mines Await the New Chancellor
The Department of Education announced the names of a dozen schools that it intends to shut down for poor performance. More names come Tuesday.
New York City stumbled in closing schools last year, and the process is loaded with political land mines for the new schools chancellor, Cathie Black.
On average, just 17% of students at elementary...


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A residential allotment near Swinburne University's Hawthorn campus has been billed for a multi-level residential or student accommodation redevelopment, as developers continue to pursue inner-eastern opportunities in blue-chip suburbs.
Colliers International's Hamish Burgess, Matthew Alderman and Ben Baines have been appointed to the sale of the 445 square metre landholding, which is expected to generate interest in the vicinity of $3 million via expressions of interest.
"The site is positioned in the Swinburne education precinct and will appeal to both residential and student accommodation developers," Mr Burgess said.
Mr Burgess said the site's flexible Commercial One zoning under the City of Boroondara, position in the Swinburne education precinct, and potential for viewlines across Central Gardens made it an "exciting" development prospect, subject to council approval.
"This is one of Melbourne's most prestigious educational precincts so buyers are encouraged to capitalise on the demand for both residential and student housing here," he said.
"The covenants in place are supportive of a multi-level development with a discretionary height allowance of 22 metres."
Mr Burgess said Hawthorn offered "unrivalled lifestyle advantages" for the end residents of the prospective development.
"The location is exceptional, with immediate access to public transport, Central Gardens and the Glenferrie Road retail precinct," he said.
"Hawthorn is one of Melbourne's most affluent suburbs, with proven success in apartment developments in the immediate vicinity and a median house price of $2.08 million."