text:
How To Paint Wood Furniture White
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As adverb
in what way or manner; by what means?:How did the accident happen?
to what extent, degree, etc
?:How damaged is the car?
in what state or condition?:How are you?
for what reason; why?:How can you talk such nonsense?
to what effect; with what meaning?:How is one to interpret his action?
what?:How do you mean? If they don't have vanilla, how about chocolate?
(used as an intensifier):How seldom I go there!
by what title or name?:How does one address the president?
at what price:How are the new cars going, cheaper than last year's models?
by what amount or in what measure or quantity?:How do you sell these tomatoes?
in what form or shape?:How does the demon appear in the first act of the opera? How does the medication come?
As conjunction
the manner or way in which:He couldn't figure out how to solve the problem
about the manner, condition, or way in which:I don't care how you leave your desk when you go
Be careful how you act
in whatever manner or way; however:You can travel how you please
that:He told us how he was honest and could be trusted
As noun
a question concerning the way or manner in which something is done, achieved, etc
:a child's unending whys and hows
a way or manner of doing something:to consider all the hows and wherefores
a word formerly used in communications to represent the letter H
As Idioms
and how!, Informal
certainly! you bet!:Am I happy? And how!
Here's how, Informal
(used as a toast)
how come?, Informal
how is it that? why?:How come you never visit us anymore?
how so?, how does it happen to be so? why?:You haven't any desire to go? How so?
As preposition
(used for expressing motion or direction toward a point, person, place, or thing approached and reached, as opposed to from):They came to the house
(used for expressing direction or motion or direction toward something) in the direction of; toward:from north to south
(used for expressing limit of movement or extension):He grew to six feet
(used for expressing contact or contiguity) on; against; beside; upon:a right uppercut to the jaw; Apply varnish to the surface
(used for expressing a point of limit in time) before; until:to this day; It is ten minutes to six
We work from nine to five
(used for expressing aim, purpose, or intention):going to the rescue
(used for expressing destination or appointed end):sentenced to jail
(used for expressing agency, result, or consequence):to my dismay; The flowers opened to the sun
(used for expressing a resulting state or condition):He tore it to pieces
(used for expressing the object of inclination or desire):They drank to her health
(used for expressing the object of a right or claim):claimants to an estate
(used for expressing limit in degree, condition, or amount):wet to the skin; goods amounting to $; Tomorrow's high will be to °
(used for expressing addition or accompaniment) with:He added insult to injury
They danced to the music
Where is the top to this box?
(used for expressing attachment or adherence):She held to her opinion
(used for expressing comparison or opposition):inferior to last year's crop; The score is eight to seven
(used for expressing agreement or accordance) according to; by:a position to one's liking; to the best of my knowledge
(used for expressing reference, reaction, or relation):What will he say to this?
(used for expressing a relative position):parallel to the roof
(used for expressing a proportion of number or quantity) in; making up: to the dozen; miles to the gallon
(used for indicating the indirect object of a verb, for connecting a verb with its complement, or for indicating or limiting the application of an adjective, noun, or pronoun):Give it to me
I refer to your work
(used as the ordinary sign or accompaniment of the infinitive, as in expressing motion, direction, or purpose, in ordinary uses with a substantive object
raised to the power indicated:Three to the fourth is ( = )
As adverb
toward a point, person, place, or thing, implied or understood
toward a contact point or closed position:Pull the door to
toward a matter, action, or work:We turned to with a will
into a state of consciousness; out of unconsciousness:after he came to
As Idioms
to and fro
fro (def )
As noun
a substance composed of solid coloring matter suspended in a liquid medium and applied as a protective or decorative coating to various surfaces, or to canvas or other materials in producing a work of art
an application of this
the dried surface pigment:Don't scuff the paint
the solid coloring matter alone; pigment
facial cosmetics, especially lipstick, rouge, etc
, designed to heighten natural color
Chiefly Western U
a pied, calico, or spotted horse or pony; pinto
As verb (used with object)
to coat, cover, or decorate (something) with paint:to paint a fence
to produce (a picture, design, etc
) in paint:to paint a portrait
to represent in paint, as in oils, tempera, or watercolor:to paint an actress as the Muse of tragedy
to depict as if by painting; describe vividly in words:The ads painted the resort as a winter wonderland
to color by or as if by painting:Sunset painted the clouds pink
to apply a substance to, as a liquid medicine or a cosmetic:to paint a cut with iodine
As verb (used without object)
to coat or cover anything with paint
to engage in painting as an art:She has begun to paint in her spare time
to put on or use facial cosmetics
As Idioms
paint the town red, Informal
to celebrate boisterously, especially by making a round of stops at bars and nightclubs
Also, paint the town
As noun
the hard, fibrous substance composing most of the stem and branches of a tree or shrub, and lying beneath the bark; the xylem
the trunks or main stems of trees as suitable for architectural and other purposes; timber or lumber
the cask, barrel, or keg, as distinguished from the bottle:aged in the wood
woodblock (def )
a woodwind instrument
the section of a band or orchestra composed of woodwinds
Often, woods
(used with a singular or plural verb) a large and thick collection of growing trees; a grove or forest:They picnicked in the woods
a club with a wooden head, as a driver, brassie, spoon, or baffy for hitting long shots
Compare iron (def )
As adjective
made of wood; wooden
used to store, work, or carry wood:a wood chisel
dwelling or growing in woods:wood bird
As verb (used with object)
to cover or plant with trees
to supply with wood; get supplies of wood for
As verb (used without object)
to take in or get supplies of wood (often followed by up):to wood up before the approach of winter
As Idioms
have the wood on, Australian Slang
to have an advantage over or have information that can be used against
knock on wood, (used when knocking on something wooden to assure continued good luck):The car's still in good shape, knock on wood
Also, especially British, touch wood
out of the woods, out of a dangerous, perplexing, or difficult situation; secure; safe
no longer in precarious health or critical condition; out of danger and recovering
As noun
the movable articles, as tables, chairs, desks or cabinets, required for use or ornament in a house, office, or the like
fittings, apparatus, or necessary accessories for something
equipment for streets and other public areas, as lighting standards, signs, benches, or litter bins
Also called bearer, dead metal
pieces of wood or metal, less than type high, set in and about pages of type to fill them out and hold the type in place in a chase
As adjective, whiter, whitest
of the color of pure snow, of the margins of this page, etc
; reflecting nearly all the rays of sunlight or a similar light
light or comparatively light in color
(of human beings) belonging to a group marked by slight pigmentation of the skin, often of European descent
for, limited to, or predominantly made up of white people:a white neighborhood
pallid or pale, as from fear or other strong emotion:white with rage
silvery, gray, or hoary:white hair
snowy:a white Christmas
lacking color; transparent
(politically) ultraconservative
blank, as an unoccupied space in printed matter:Fill in the white space below
composed entirely of polished steel plates without fabric or other covering; alwite
wearing white clothing:a white monk
Older Use: Offensive
decent, honorable, or dependable:That's mighty white of you
auspicious or fortunate
morally pure; innocent
without malice; harmless:white magic
(of wines) light-colored or yellowish, as opposed to red
(of coffee) containing milk
As noun
a color without hue at one extreme end of the scale of grays, opposite to black
A white surface reflects light of all hues completely and diffusely
Most so-called whites are very light grays: fresh snow, for example, reflects about percent of the incident light, but to be strictly white, snow would have to reflect percent of the incident light
It is the ultimate limit of a series of shades of any color
Compare black (def )
a hue completely desaturated by admixture with white, the highest value possible
quality or state of being white
lightness of skin pigment
a person with light-colored skin, often of European descent
a white material or substance
the white part of something
a pellucid viscous fluid that surrounds the yolk of an egg; albumen
the white part of the eyeball:He has a speck in the white of his eye
white or nearly white clothing, as in tennis whitestop-grade white flour
white wine:Graves is a good white
a type or breed that is white in color
Usually, whites
a blank space in printing
(initial capital letter) a hog of any of several breeds having a white coat, as a Chester White
any of several white-winged butterflies of the family Pieridae, as the common cabbage butterflies
white fabric
the outermost ring of the butt
an arrow that hits this portion of the butt
the central part of the butt or target, formerly painted white but now painted gold or yellow
a target painted white
Chess, Checkers
the men or pieces that are light-colored
(often initial capital letter) a member of a royalist, conservative, or reactionary political party
As verb (used with object), whited, whiting
to make white by leaving blank spaces (often followed by out)
to whiten (areas of artwork) in retouching preparatory to photoengraving (often followed by out)
to make white; whiten
As Verb phrases
white out, to cover (errors in copy) with a white correction fluid
to censor, as by obliterating words or passages with white ink
As Idioms
bleed white, Informal
to be or cause to be deprived of all one's resources:Dishonesty is bleeding the union white
in the white, in an unfinished state or condition, as furniture wood that has not been stained or varnished
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Dr. Glenn Steffin (D.D.S.)
GDC No. 85949
Dr. Glenn Steffin graduated in Dentistry in 2003 at the Humboldt University of Berlin, Germany. He has then been working for 3 years in several practices in and around Berlin. Glenn has been working in England since 2006. Previous to owning his own surgeries he worked for 3 years in a practice in Lancing. 2009 he and his wife opened the East Preston Dental Clinic followed 2010 by the Ferring Dental Clinic. This breath of postgraduate experience in both the UK and Germany, gives him an extensive scope of clinical skills to utilise in private practice, and the knowledge to clearly explain a range of treatment options to patients to ensure they are fully informed about their dental treatment and various options available. Glenn was a finalist in the Dental Awards 2016 as the 'Dentist of the Year' and 2015 as the 'Dentist of the Year South'. He is passionate about his work, interested in incorporating new products and techniques to make dental treatment as pleasant as possible. Glenn has also written a Dissertation about composite materials which earned him his title. His main field is Cosmetic Dentistry, he enjoys the outcome of a new smile. Glenn is a member of the General Dental Council, British Dental Association, German Association of Dental Implantology, Confederation of Dental Employers and Denplan.
Glenn also has interests in surfing, snowboarding and fishing, if his two daughters allow it.
Michelle Steffin
GDC No. 129452
Michelle Steffin qualified as a dental nurse in 2003. She trained at Northbrook College studying Dental Nursing and Oral Health and qualified with NVQ Level 3. Michelle, originally from Shoreham, has both nursed and managed dental practices for over 10 years and brings an outgoing and friendly personality to this environment. She is also the infection control lead within the practice and ensures everywhere is kept to the highest standards of hygiene and cleanliness. Her great knowledge along with empathy and understanding for nervous and phobic patients helps people feel comfortable and at ease within the practice especially children or nervous patients. Michelle has worked alongside Dr. Steffin since 2006 and is continuously developing her knowledge in all aspects of dentistry to give you the best possible care. As Practice Manager Michelle is taking care of all aspects within the clinic.
Michelle enjoys art, cooking/baking, travelling and spending time with her daughters Ava and Summer.
Dr. Mohamed Kamar (B.D.S Lond)
GDC No. 194064
Mohamed graduated in Dentistry at Barts and The Royal London Hospital. He has a clear passion for his job, ensuring he has gone the extra mile to perfect his work and making sure everyone is as comfortable as possible. Mohamed was born in Eastbourne and has worked in London, but for the past 4 years he has worked locally between Worthing and Rustington. Mohamed has always loved putting things together, making a masterpiece, flying model aeroplanes and helicopters. He is passionate about cooking and eating out, but otherwise you only have to mention cars to get him talking!
He loves most adrenaline related activities, mountain biking, snowboarding, as well as a good swim in the sea.
Chloe Collier
Chloe has joined our team in June 2014 straight after finishing her A-levels in Fine Art, Health and Social care and Biology. Chloe soon will be completing a Diploma in Dental Nursing and Oral Health. She is showing a great interest in all aspects of Dentistry and is enjoying working along side all members of staff.
In Chloe's spare time she enjoys socialising with family and friends as well as going out for meals and shopping.
Simona Franklin
Simona has joined our team in August 2014.She is a qualified translator and is able to speak in four languages. For the last 6 years Simona has been working in catering, and after giving birth to her son in January she decided to have a career change and join the dentistry field. Simona has always had a lot of interest in dentistry and is very keen to learn all about it. She is hard working and currently is on her way to completing a diploma in dental nursing to become a qualified GDC registered nurse.
In her free time Simona likes spending time with her son Eduardo. She also likes travelling, learning languages and doing sports like cycling, swimming, aerobics and Zumba.
Kate Allum
Kate joined our team in May 2014. She has a lot of dental Receptionist experience from working in a local Dental practice in Rustington for over 7 years. Kate is always keen to learn to aid in helping our patients. Kate is a friendly, caring person and will make sure all patients are made to feel welcome; she knows how difficult it can be to visit the Dentist if you are a nervous patient. She loves to chat so will quickly put you at ease.
At the weekend Kate enjoys spending time with her 3 grown up children, doing D.I.Y with her Husband, cycling and going for long walks with her dog Roxy.
Joanne Birch
Joanne joined the team in May 2012. She comes to us with an extensive background in Administration and Customer Service and enjoys working in a people facing environment. Joanne has really fitted in with the team and is enjoying learning all aspects of dentistry to provide the best possible help to our patients.
In her leisure time you can find her up the stables helping with her daughter's horse. Joanne also likes shopping and cooking.
Fiona Simpson
Fiona joined our team in December 2009, she is friendly and very caring with our patients. She qualified as a Dental Hygienist and Therapist back in December 2008. Fiona studied at The Eastman in London and went on to win the tutors prize for 'Best consistent clinical work and patient care'.
Fiona enjoys going to museums in her spare time, especially The London Transport Museum. She also likes cooking and eating at celebrity restaurants!
Emma Smith
Emma joined the team in August 2009. Her bubbly personality and infectious laugh she will never fail to make you smile! After qualifying as a Hygienist in Birmingham in 1992 she moved to London and worked in private preventative and cosmetic practices. In 2004 she moved to Brighton but still commutes to London once a week to work in a dental practice where she was been for 13 years. Emma also works as a hygienist in Southwick.

subset: commoncrawl


text:
Liverpool's unsurprising Groundhog day style defeat to Leicester will have inevitably brought up the typical question of "why do Liverpool struggle against teams battling relegation", a question Klopp sniggered at during the post-match press conference, presumably because he saw that question coming.
The style of the question may be simplistic and cliche, but the alternative isn't even to ask "why do Liverpool struggle against defensive counter-attacking teams" considering Leicester implemented a different game plan to the likes of Burnley, Hull and Swansea when they faced Liverpool. Granted, Leicester had their 2nd lowest possession stats of the season in that game, but they took it to Liverpool in the opening stages rather than sit back and try and pick them off.
The question should be, similarly to the criticisms leveled at Brendan Rodgers during his Anfield stint, why the unhealthy obsession with playing a style of football that is far too open? Why is there almost an arrogance to thinking somehow your team won't get punished if they leave huge spaces behind the defence for Vardy to run into, or big space between the centre backs and full backs? Look at the picture above and compare the difference between Leicester and Liverpool's back 4 - one is very tight, narrow and close together, and the other one is Liverpool's.
Every team in the league has figured out against Leicester that you don't give massive spaces behind and between your defence for Vardy to run into. You don't concede endless throw ins down Fuchs' side, and if you do then the second ball is perhaps even more important than the first. You don't leave Mahrez in a one on one situation with your left back, and you show him out onto his right foot. You don't turn a game against Leicester into a chaotic energetic midfield battle where one intercepted ball can be immediately punted long. You don't give their goalkeeper the chance to freely pick out a long ball over the top. You don't hoof and lump in endless crosses towards Huth and Morgan especially if you have someone with electric pace like Sadio Mane who can punish them and make them look average. Yet Liverpool fell into every single one of those traps.
In fairness, Klopp's comments of "it was almost as if we didn't speak about the strength of Leicester" speaks volumes. Perhaps the players were forewarned, but in the last few years their autopilot mode isn't to focus on a defensive outlook. They clearly don't possess the nous and hours and hours of match practice in keeping a defence tight and narrow, few gaps between and behind the defence, sitting deep against pacy counter attacking forwards and anticipating long balls. Liverpool this season attempted to do this on 3 occasions - away to Chelsea and Man Utd, and at home to Man City. Although it can be argued it somewhat worked, you couldn't help but feel they were doing a shaky impression of a team that knows how to defend and frustrate, rather than actually be a team that has a reputation in being well versed in playing that way if necessary.
Liverpool even lack the ability to make a defensive substitution and seriously try and protect a lead. Some may say it's a risky strategy to protect a 1 or 2 goal lead in a tricky game, but the truth is the risk is minimized by a huge amount if you're actually good enough defensively to close out a game. Liverpool's most serious title challenge in 08/09 saw them concede just 27 goals, and if people think Rafa Benitez' style compromised attack, then they should be informed Liverpool were also the highest scorers in the league by a distance.
A team that defends well, no matter how good or bad that team is, will always stand a chance to win almost any game of football. It's time Liverpool prioritized this method of approaching football.


text:
Aluminum Mod Plaque, 29mm (1.14") x 16mm (.63"), 18g
Aluminum Mod Plaque, 29mm (1.14") x 16mm (.63"), 18g
- 29mm (1.14") x 16mm (.63")
- Thickness: 18g
- Durable yet stamps like butter!
- Requires lighter hammer strike.
- Lightweight.
- Does not tarnish.
- One side now has a peelable plastic film on it to protect from scratching.
- Remove film before stamping on blank.
- Not for soldering, but great for riveting!
- We recommend a Sharpie or Gilders Paste to darken impressions.
- Silver Black and Liver of Sulfur are NOT recommended.
- We recommend using the screw-down hole punch rather than hole punch pliers.
- This blank was designed by Beaducation.
I purchased this design recently and just love how cute it looks! Great material to stamp on!
Great blank to modify and shape to your liking!
I love these aluminum plaques! I had not been a big fan of aluminum for stamping until I bought these plaques. I think this shape is great attached to a 1/2 inch wide leather cuff. I really like making designs on these using my smaller design stamps. They look FANTASTIC when you finish them with steel wool!
I bought two and just love the shape. Perfect little size
Love them
Love the shape. Great for stamping then riveting to a copper or brass cuff.
Frequently Purchased Together


text:
Arlington Committees to Form
Arlington residents are invited to hear a major announcement concerning the future of Arlington at 12 p.m. on Friday, September 22, in the Mack Performing Arts Center at Arlington Memorial High School, when Colonel James Baker (Vermont State Police, Ret.) will discuss the creation of six separate committees to bring back the shine in Arlington. The committees will address the Arlington School district, town government, the town's economy, including artistic history and tourism, townscape and appearance, the recreation park and public safety (fire, rescue and police). The goal is to reverse apathy and engage community volunteerism; the Town and School District's elected leaders, as well as local state representatives and business leaders have been invited to attend this critical kick-off announcement. Members of the public are encouraged to attend. Call Colonel Baker at 802-375-6469 for additional information.


text:
"I am your worst nightmare and you get out of here"!!!!!
"Oh no lets get out of here"!!!
"Get out of my property scoundrels".
"I'm going to be every where you go".
"No, that's not fair".
"That's the point".
"You'll never do that never".
" You'll be bullied by me because of this scoundrels".
"My life will be ruined because of you".
"I don't care".
This was just the beginning of what was about to happen to the people who trespassed on the man's property for no good reasoned. They were followed for 2 minutes then…..
"I'm going to go to the….


text:
etiquette/ethics requirements for meappropriatestyle.com, Huffington Post UK articles, meappropriatestyle contact, meappropriatestyle facebook page, meappropriatestyle pages, meappropriatestyle profile page, meappropriatestyle.com, pinterest account, the 'me' in meappropriatestyle, twitter account, what is meappropriatestyle?
meappropriatestyle.com has donned a new and exciting look:
a background architectural image, a more colourfully presented layout, new pages under a red title banner
New pages:
-Read a little about me in, About the 'me' behind meappropriatestyle
-Have a look at, What is meappropriatestyle?– to view an outline of the interesting contents covered
-Read, Huffington Post UK articles … by 'me' with the links to each of my articles, which appeared in the Huff Po UK
-Note the page, Contact meappropriatestyle which lists the links to meappropriatestyle facebook page, meappropriatestyle facebook profile, twitter and pinterest accounts and the meappropriatestyle e-mail
-And peruse the page, Etiquette/Ethics which is brief but important
I hope you enjoy the new look
Enjoy. Innovate. Share.


text:
Beast Academy provides a fun, rigorous, challenging, complete curriculum for aspiring math beasts. Unit 3A includes chapters on shapes, skip-counting, and perimeter & area.
The Guide book is written in an engaging comic book style, and the Practice book provides over 300 problems ranging from introductory level exercises to very challenging puzzles and word problems.
The website appears to not have loaded correctly. Please try again later.


text:
Expert bodies are likely to be set up in each government department to anticipate construction bottlenecks.
Government departments are set to establish public–private advisory boards to help manage the timing of large building programmes after a review of construction market capacity.
The Office of Government Commerce, the Treasury's procurement arm, told construction leaders this week that many departments had failed to brief them properly about their plans for big building programmes.
The effect of this had been that contractors and materials suppliers had not been able to anticipate periods of high government demand, and this had led to delays and extra expense.
The OGC's Kelly Review team recommended that departments involve the industry earlier to ensure that firms had the products and resources required. This could be done by setting up public–private reference groups, in which leading suppliers and contractors would meet officials to agree the timings of build programmes. The OGC would then monitor these groups.
Sally Fryer, OGC director of government market, said: "Departmental engagement with the construction market is inconsistent. We don't want to be prescriptive, but for every major construction programme there could be a reference group.
"When a project is a twinkle in a department's eye it needs to be thinking of the best way of getting the industry to help plan the construction programme – the industry can then give its view on whether the plans are feasible."
This recommendation follows the review team's assessment of project demand and industry supply over the next few years. It found that the North-west was a potential "pinch-point" because a large number of projects were coming on-stream but the number of construction companies had declined.
Fryer said: "There might be a capacity problem in the North-west. We need to investigate. We don't want a knee-jerk reaction, but need to verify our findings. If they are right we will have to get the great and good together to decide what to do, which could be to encourage more firms into the North-west or streamline projects."
John Connaughton, the partner in QS Davis Langdon that developed the OGC database, said: "The data indicates that the proportion of new projects to population initially indicates capacity problems."
The OGC is now looking to broaden its database. At the moment it concentrates heavily on projects that are valued at more than £5m, but is going to contact local authorities to include data on smaller schemes.


text:
Saturday, November 22, 2014
YouTube Saturday
Good evening Lovelies,
It's Saturday, yayyyyy!!!! I hope you had and having a great day. I have spent my day watching YouTube videos. I have totally enjoyed them and in the process added a lot of items to my "To Do" list and my "To Buy" list. I'm excited because I have so many ideas. My goal is to use one of my Talkative Tuesday to do my room tour before the year is out.
I don't want to keep you long, I just wanted to update you on what's going on. Also, if you do not watch YouTube, please start. You can actually start by watching
RubyRules' YouTube channel
by the way, you can win the necklace I'm wearing in the last Talkative Tuesday video, all you have to do is subscribe to the blog, like the video and let me know you want the necklace.
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text:
Architecture is a life project
By Cameron McEwan | October 2014
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Most of the architects whose work is included in this exhibition graduated from architecture schools in the period between the late 1990s and the early 2000s. Angela Deuber, Emanuel Christ and Christoph Gantenbein (Christ & Gantenbein Architects), Rolf Jenni and Tom Weiss (Raumbureau), Raphael Zuber, and Pascal Flammer graduated from ETH Zürich. Their mentors included Hans Kollhoff, Jacques Herzog, Elia Zenghelis, Pier Vittorio Aureli and Valerio Olgiati. The project itself revisits the tradition of using a client to advance the formal and conceptual preoccupations of an individual architect through the design of a private house. However, the works are not merely solutions to a given client brief but use the brief to define an architectural language that exceeds the particular site, brief and the desires of the client. As will be seen, the designs challenge the formal preconception for houses designed for the Highlands and Islands – all are sited on the Isle of Harris in the Outer Hebrides, Northwest Scotland. One of the aims was to bring together a group of architects with mutual respect for one another and who hold a will to intelligently discuss as well as purposefully investigate the core principles of architecture – historical consciousness, formal and spatial manipulation, programmatic invention – to advance architecture as a distinct body of knowledge. At the same time each of the architects asserts their authorial role. The purpose of the following text is to first appraise each of the eight designs then to briefly reflect on the category of authorship. The analysis focuses on space and form rather than style or experience and is intentionally abstract rather than figurative because this is a way to discuss the shared characteristics of a series of designs as spatially and formally varied as those compiled here. As a way to read space the category of "spatial force" is borrowed from Peter Eisenman and refers to the particular direction in which space is predominantly composed: either as centripetal from the edge to the centre, or centrifugal from the centre and out.
I will start my appraisal with Angela Deuber's design, a house for a client who wanted a space to listen to music and read books. A long wall divides the ground floor plan in two, recalling Mies' brick house plans. The ground above the wall contains cellular spaces including the bedroom, bathroom and a stair core. Below the central wall lies the dining space enclosed by glazing so that the cellular rooms contrast with the open and light space. A column in the glazed wall anchors this latter space and provides a static counterpoint to the extending wall. The long wall and the singular column serve to contain the spatial force of the plan. In section, Deuber's house is terminated by a sharply pitched roof with deep eaves that turn up at the end. The upper storey is envisioned as the space for listening to music and reading. While the implied spatial force is contained within the limits of the ground floor plan, in the upper floor the direction of space extends outward into the landscape. The sequence of spaces leads from outdoor to cellular space, from edge to centre, from ground to upper storey and views to the landscape beyond resulting in an episodic architectural promenade. While Deuber responds to the landscape condition of the island by conceiving the house itself as a landscape, Christ and Gantenbein use the house project to further their investigation into architectural types. The design – a house for two artists – takes the metal clad farm buildings found in any rural location as its typological reference and is divided into three longitudinally planned bays. The central bay is an outside courtyard with a triangular shaped pool to one end. On one side of the court is the cellular living accommodation. Opposite this and across the court is the open plan working accommodation containing the artists studio and office. The bays are articulated in section with three pitches. Two of these are extruded to form the roof of the living and working accommodation, while the elevation to the court is left free standing. Space is contained in the court and forced inward. By contrast, in the house designed by Neil Gillespie (of Reiach and Hall Architects) the spatial force stretches into the landscape and up to the sky. The house is conceptualised as combining the two architectural types of pavilion and tower. The pavilion is low lying and rectangular in plan with a square courtyard positioned off centre. On axis with the court, a balcony is extruded into the landscape emphasising the horizontal extension of space. By contrast, the tower rises from one corner of the pavilion plan with spatial force directed vertically.While it is possible to read these designs as responding to the island conditions they are ultimately autonomous inquiries into, on one hand the architectural promenade (Deuber) and on the other into architectural type-forms (Gillespie, and Christ and Gantenbein). The remaining designs seem to insist more forcefully on investigating architecture in vacuo. Raphael Zuber's design consists of a series of volumes arranged around a central longitudinal space with deep walls and is aligned parallel with the coastal edge. The bedroom spaces are positioned on the long side that faces the coast and open up to the views. They are accessed via a tight corridor connected to the main long volume. The other side of the main volume is closed in its formal language with only one opening from a triangular alcove space defined by a "floating" column. The column provides a focal point to the composition and serves to centre a non-centralised space. We can be reminded of Peter Eisenman's spatial decompositions. The presence of a non-structural column suggests that before architecture is structure or construction, architecture is first a spatial representation of any given structure or construction.Zuber's design is an architecture of space and edges. Returns, extrusions, rotations and penetrations define volumes which are then assembled. The main volume refuses to open up to views of the landscape and coast. Instead, views are implied by a top lit alcove to the west edge of the long volume. We can imagine a diffuse light reminding the visitor of the land and water beyond, heightening the tension. While in Zuber's design, the spatial force extends from the longitudinal volume primarily in one direction, in Raumbureau's design for a house with distinct family and guest accommodation, the spatial force is centripetal upon initial consideration. The square plan contains and centralises space within a courtyard which frames a portion of landscape before space breaks into a circular outdoor pend. In elevation, spatial force pushes the house down into the landscape. Each side of the plan is divided in the following way: reception with entrance rooms to one side; then guest rooms; then family rooms; and finally the dining area, kitchen and an open terrace. Raumbureau force the use of the courtyard by using it as entrance to each side of the house, thus continuously exposing man to nature. Like Raumbureau, Johannes Norlander investigates the square plan. It addresses the nine square problem and centralises circulation and service core, reversing the Palladian model of a square plan villa with circulation around a central open hall. Glazing wraps around the ground floor until it is interrupted by a single wall which closes the bedroom space. The corners of the house are defined by over-scaled columns, which the shallow pitched roof touch at the column edge. In doing so the house reads as composed by singular elements: shallow roof sitting precariously on over-scaled columns with planes as either glazed or solid and a singular chimney. The last two designs by Pascal Flammer can be understood as in dialogue. In the first, a large circle encloses and frames a landscape of rocks. This connects with a small semi-circle that defines a living space from which views are directed to the expanse of the sea beyond. Flammer positions a circular fireplace and polygonal hall within the poche where the large circle and the small semi-circle meet. While the large circle contains and frames the land, the semi-circle is open implying that space is directed outward to the sea. Disrupting the absoluteness of the circle and the openness of the semi-circle is the rectangularly planned slab of cellular accommodation, which is positioned between land and sea. If spatial force is conceptually contained in this house, in Flammer's second design, space explodes, in the first instance, centrifugally. Flammer's second design is an ensemble of carefully composed fragments which appear to explode outward from a centrally located circular fireplace. Cellular volumes recall on one hand miniature versions of the colliding forms of James Stirling's museum projects and on the other John Hejduk's Wall Houses. A carport and garage are positioned on one side of the wall while on the other side are bedroom spaces. Where the wall meets the circular fireplace the plan inflects inward thus countering the centrifugal composition of the initial reading. At this point the figure of the circle is duplicated in the following two ways: on one hand as a curving wall, and on the other as a roof plane. The concave side of the curving wall encloses a living space and defines one of two external courtyards. The convex side defines the second external court and an atelier arrived at via the living space then the two courts in sequence. A monumental over-scaled square column structures the circular roof plane and conceptually reflects the spatial force from the centre out and back. With the roof tilting upward and toward the centre along the axis of the long wall, space is composed centrifugally once more. Flammer's two houses are necessary counterpoints to one another. In the first a centripetal composition is emphasised while in the second spatial force is largely centrifugal; the first exaggerates a rationalistic tendency and the other puts this rationale into crisis; one evokes silence, the other noise. It is possible to see in the projects compiled here a reference to the "battle remnants" of the historical and neo avantgarde from say Le Corbusier and Kahn to Stirling, Hejduk, Rossi, Ungers and Eisenman: we can see the tradition of architectural promenade, non-figurative geometric forms, typological reduction and constructivist compositional complexity. Freed from the messy reality of clients, users, site, procurement and economy, the designs are autonomous architectural investigations into pure space and the purposeful manipulation of space resulting in the conceptual silence of strong architecture.
By way of conclusion it is interesting to briefly reflect on the category of authorship because each of the architects here believe in the status of the architect as singular author. I am reminded of an opposition put forward by Carpo in his book The Alphabet and the Algorithm (2011) which traces a genealogy of architectural production from the Medieval master-builder through the Renaissance to today. Carpo identifies artisanal authorship as extending from Filippo Brunelleschi, whose authorship was based on the strict step by step direction of construction whereby Brunelleschi would personally inspect – according to the myth – each brick and stone of the building by being continuously present on site and visible at all times. By contrast, Carpo distinguishes intellectual authorship as belonging to Leon Battista Alberti, who proposed that a building be conceived in the mind of the architect, expressed in drawings and then executed by someone else upon instruction. Alberti thus posited the complete disembodiment of the architectural design as a drawing from the actual construction of the building. By recalling Brunelleschi and Alberti – both of whom in different ways were fiercely authorial and forcefully committed to their specific position – we take a longitudinal view of the architects authorial role; a role that, in the years since the turn of this century in particular, has suffered by participatory tendencies and of consensus driven design decisions. What is at stake in current architecture is not the production of new forms but the atomisation of the architect-author and the fundamental cultural value of architecture itself. The point being that the architects social purpose, their intellectual role as critical thinker and their contribution as form giver to culture is now replaced by a technocratic and managerial role within the weak pluralist ethos of today. As the history of architecture shows us, we need committed individuals – uncompromising architects – to produce strong architecture to develop the discipline with a view to overcoming the current architectural impasse. As Pascal Flammer commented in a discussion with this author, architecture itself is a life project.


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Country House Designs Inspiration : Country House Plans Nottingham Associated Designs
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text: Verkoper: 199963wands (22.321) 99.6%, Objectlocatie: Saitama-si, Saitama-ken, Verzending naar: Worldwide, Objectnummer: 323542411704 Welcome to my store! You are bidding on Japanese LP item: QUEEN SAVE ME Platform: LP language: japanese condition: very good (initial operation OK.) ・A few is scratched on case and disk Check Photo !(Only Photo's Item) Payment: Paypal only. Payment is due 72 hours after auction end. shipped to Paypal verified address. Shipment: Item will be shipped from Japan either by EMS or SAL SAL [$10.00 Destination]: Worldwide 14-30days (!!※Africa/South America can't use Airmail) ・ I will not be responsible for any lost, damage, missing, or stolen if Express Mail Service (EMS) is not used for your shipment. ・ ★ Add to Trakking Number EMS[$35.00 Destination]: Worldwide 7-14days ・EMS is more expensive than standard airmail, but service is generally faster. ・ ★ Add to Trakking Number International Buyers ? Please Note Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Condition: Used, Condition: A few is scratched on case and disk. Please check photo !!, Artist: Queen, Country/Region of Manufacture: Japan, Style: Hard Rock, Duration: LP, Record Grading: Good (G), Speed: 33RPM, Record Size: 12", Genre: Rock, Sleeve Grading: Good (G)


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This was shot on my second day in Mandalay.
I woke up early and went for a wander. I came across a market, took my camera out, and started snapping photos. I was a bit apprehensive at first, but it didn't take me long to realise that the Myanmar people are very friendly, and are not in any way bothered by me taking photos.
These three motorbike taxi drivers, and this image, is an example of that friendliness. As I walked past them they shouted "Taxi?".
I said "no thanks" and then said to them "Photo?".
This was the reaction, big smiles.
Myanmar 2015
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Hi everyone! I'm making a super quick post today. I'm working hard on some graphic design projects and one of them is this blog and it's future webpage :) This blog will remain and you can find it here, or thru my webpage (soon to be) as a link. Such big changes in a few days, hope time stretches out.
For today's card I used this stamp set from Maya Road with umbrellas and a cute bird. I used the umbrellas as flowers, the water drop as the disk flower or center of the flower and finally the cane as flower stem.
TIP: turn your stamps upside down to see another shape that you can use besides the obvious one!
As a graphic designer I work from home for many clients through email or skype and one feature I want to talk to you about is time. Many graphic designer charge by the hour, and they might take a week or two for a specific project. Since I started working back in 2002 I was in a hurry every day! It was an in-house graphic design department, where EVERYTHING was done in hours or days tops. Thanks to this training for almost 5 years I develop this ability to create the final product or at least a version of it while I'm talking to the client. I grasp very easily what the client wants and make something I know they will love and works best in less time.
I usually work with a client at a time, sometimes I got crazy and work with 3 but I always deliver and keep up to whatever the client needs. That's why I decided to open this Graphic Design Express to the world through my (again, soon to be) website. I'll have a portfolio, some tutorials and my personal info for quote. Most of the time the price is set and I will include it on the website along with some terms to make this freelancing smooth as possible.
Some of the work you can expect from me is corporate identity, POP, any paper publicity and some web banners and minimum web design. Depending on how this website turns out I will be offering some web design for blogs or self-maintained webpages.
I'm also working on a digital design for cardmakers and scrapbookers. I will let you know when it's on my shop. Hope you share your projects here.


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Brand Name: belle home Technics: Nonwoven Use: Christmas,Home,Hotel,Car Seat,Decorative,Chair,Floor,Bedding,Seat Pattern: Printed Shape: Square Applicable Sofa: Sectional Sofa Pattern
Type: Cartoon
Type: Cushion Cover/Pillow Cover/Seat Cushion Cover Style: Mediterranean Unpick and Wash: Removable and Washable Specification: 45x45cm Age Group: Adults Applicable People: Universal
Model Number: bh0010 Filling: not including pillow core Size: 45cm*45cm
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Products description [Fabric products] Cotton Linen Pillow [description] Not including the pillow core, containing only the cushions cover [Pillow Specification] Cushions size 45CM*45CM(About 18in*18in) Cushions size because the manual sewing reason may have errors of 2 to 3 cm(About 0.8in~1.2in) [Products Printing] Pillow cover is single-sided printing, the back is pure hemp color [Zipper Location] Invisible zipper on the bottom side of the Pillow cover [Remark] Photo shoot out effect may exist a certain color, cushion covers product printing is very firm, not easy to fade, can washing machine wash, do not use detergent with bleach cleaning fluid functions [Keywords] Cushion & Pillow & Sofa cover & Cushion cover & Pillow cover & pillows Customer Satisfaction
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How To Value Your Diamonds
Friday, 27 April 2018 | AnneHave you ever looked at your diamonds and wondered what its worth? Heres how to value your diamonds, the way the professionals do it. Diamonds are evaluated and quantified by the 4 "C's which together help to determine their value. These are Colour, Clarity, Cut and Carat weight. Anyone of these factors can reduce or increase the value of the diamond. The best high-value diamonds are large, flawless, and white and cut to show its brilliance to best advantage - it has high ratings on each of the 4 "C's". An undesirable low-value diamond would be small, yellow have visible flaws and poorly cut - has low ratings on each of the 4 "C's". Most diamonds we see are somewhere in between these two extremes, it requires expert knowledge to determine the exact desirability (value) of a diamond.
How to Value Your Diamonds
Colour:The colour of a diamond is determined relative to the colour of other diamonds. There are several different scales which can be used to ascertain the colour of a diamond, the best known and the one used here is from the Gemological Institute of America (GIA). This scale starts at D (the best white diamonds) and goes through the alphabet to Z for distinctly yellow diamonds. The ones seen in out shops normally range from G to K. The higher up the scale the diamond is the more desirable and more valuable.
Clarity:Clarity refers to how clear a diamond is, how many internal flaws can be found under 10x magnification. The most desirable diamonds are flawless, these are very rare. The GIA scale has 7 steps of clarity: - flawless, - very, very slightly included, - very slightly included, -slightly included, - imperfect 1, - imperfect 2, - imperfect 3.
Carat Weight:Diamonds are measured in carats, one carat being 0.2 grams. The most accurate way of weighing a diamond is without its setting when it can be put on a balance and measured to the second decimal place. Most of the time diamonds need to be valued when they have been set into jewellery, at this point, it is possible to measure a diamonds and then work out its carat weight using complex formulae. There are diamond measuring tools which allow us to estimate the weight of round brilliant cut diamonds but these do not take the depth of the diamond into account, just the top surface.
The cut if a diamond refers to the manner in which the rough stone has been turned into a sparkling gem, it does not refer to its shape. The best cutting brings out the best brilliance and fire in a diamond; it makes the most of its reflectivity. Cutting is a highly skilled process, the cutters aim is to eliminate as many imperfections as possible from the rough stone but to keep the maximum weight. One of the most delicate parts of the cutting process is faceting, the angles of the facets are crucial for the final appearance of the diamond. If this is done badly they will not reflect the light properly and the diamond lacks brilliance


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Monday, January 10, 2011
guess what guess what guess what guess what!!
the best part is that mama doesn't have to go to work for at least the morning...hopefully her work will close for the whole day since it's still snowin'!
here's a video from early this mornin' when we went outside. asa wasn't very happy with the cold 'n wind 'n snow, but i thought it was grrreat!! teehee.
here's what it looked like from our front door at 7:00am!
59 comments:
- Mack said...
Wow! That's a lota white stuff! Have fun with your mom!!
- January 10, 2011 at 8:09 AM
- Priscilla said...
Angels came and played a lot of pillow fights last night??? Lucky you!!! I'm so sorry that Asa doesn't really like the wind and the snow.
- January 10, 2011 at 8:31 AM
- A MilShelb Mom said...
Yay! We have snow too! We're going to post about it once we go out in it. We're now very excited, but Mom is! haha! All the schools are closed, so Mom has a snow day and gets to be home... that's the best part!
~Milly and shelby
- January 10, 2011 at 8:38 AM
- 3 doxies said...
I rusheded right overs...hehehe! Ain't da snow just beautifuls?Mum said hers can't remember when we has gotten so much...news people say 1988 but whtevers.
I am having da unfortunate problem in not being ables to walk in it...hehehe...my leggies are too short.
- January 10, 2011 at 9:06 AM
- Minna Krebs said...
How pretty!!! Butt I kinda agree with Asa........Brrrrrrrrr
Hope your mom gets to stay home and snuggle all day!
- January 10, 2011 at 9:16 AM
- Madi and Mom said...
LOL Booker Labra-boys know how to have fun for sure. Asa didn't want to get her dainty tootsies wet.
You all must be expecting tons of snow. Great video!!
We are glad Puddles blankie arrived before the snow. MOL
Hugs madi
- January 10, 2011 at 9:18 AM
- Santa, Minnie and Christmas said...
That picture is beautiful! Enjoy your time with your Mom.
- January 10, 2011 at 9:19 AM
- Maggie Mae said...
Booker Man,
You gots snow!!!
Don't you just luvs it? Snow zoomies is da best! I hopes dat Asa starts to like it soon too cuz den you both can have fun together in it. :)
Woofs and Licks,
Maggie Mae
- January 10, 2011 at 9:26 AM
- Jazzi said...
WOW!! THat was quite the pillow fight last night huh?? have fun in the snow today and will Mom hopefully ALL day!! Poor Asa!!
- January 10, 2011 at 9:56 AM
- Jake of Florida said...
That's a beautiful sight -- as long as one can stay inside and snuggle, right?
Our dad was to fly right into the middle of the stuff in Alabama -- but he decided to stay home too!
Wirey woofs,
Jake and Just Harry
- January 10, 2011 at 10:01 AM
- Anny said...
Wowwwwwheeeeeeeeeeeeeeeeeee..tats a whole lotta of snow... Booker Booker email me some snow email me some snow.. hehhehehee
Your hoomans are sooooooo nice to play with you at 7am and it was snowing... you sure loves the snow Booker.
woofs n licks,
peeeeeeeeesss send me some snowwwwwwwwwwwwwwwwwwwwwwwwwwww
- January 10, 2011 at 10:04 AM
- giantspeckledchihuahua said...
That looks like great fun, Booker! Stumpy, however, will join Asa on the couch inside where it's warm!
- January 10, 2011 at 10:05 AM
- Doris Sturm said...
How WONDERFUL - playing ball in the snow...you looked like you're having fun, Booker Man, I'd like to try that too one day - I've never played in the snow, but I have the coat to do it ;-)
Gizzy and his mommy
- January 10, 2011 at 10:06 AM
Wowee! That looks like soooo much fun! We got snow here, too, but I don't think we got near as much as you did. Plus, mom won't let us go play in it cuz the high temperature here today is only gonna be EIGHT! And mom says we might freeze our toesies off. Pawsonally, I think she might be exaggerating a little but since I kinda like my toesies, I guess I'll stay inside just to be on the safe side.
Wiggles & Wags,
- January 10, 2011 at 10:49 AM
- Frankie Furter said...
WHAT..... I guessed it. BaWaaah
I'm just yankin your walkin string. hehehe
Now I am like Asa... I don't like it... BUTT since YOU do....
- January 10, 2011 at 11:03 AM
- rottrover said...
Booker, it's so beautiful! You had fun snow zoomies!! Hope it lasts a little while.
-Gizmo, Bart and Ruby
- January 10, 2011 at 12:09 PM
- Two Pitties in the City said...
That's a ton of snow. We don't even have that in Chicago right now.
- January 10, 2011 at 12:13 PM
- Wyatt said...
Sigh....We love looking at everybody's snow....but this does not seem to be the winter for us Airedales in Portland!
Wyatt and Stanzie
- January 10, 2011 at 12:38 PM
- Terrorzinhos said...
Such a beautiful image!
Hope you have lot's of fun!
- January 10, 2011 at 1:12 PM
- CreekHiker / HollysFolly said...
Snow zoomies!!!! So cool! Hope Mama is off all day! Whoo Hoo!
- January 10, 2011 at 1:14 PM
- houndstooth said...
Our snow is supposed to get here tonight! I was hoping it'd give Mom a snow day on Wednesday and keep her home another day, but it looks like we're out of luck. I hope we get to go out and play in it, though!
Poor Asa!
- January 10, 2011 at 1:19 PM
Booker Man, what fun! We're supposed to get some snow tonight and tomorrow. Good thing for Mom that it came on a Monday and not on the weekend because then she wouldn't have gotten any time off of work! We hope she got to stay home all day and play with you in the snow! What's wrong with Asa--not liking the cold snow...? Oh well. At least you were having fun!
Elyse and Riley
- January 10, 2011 at 2:00 PM
- Benny and Lily said...
Oh we love seeing pictures of the beautiful snow. We will keep our feets crossed momma will stay home
Benny & Lily
- January 10, 2011 at 2:21 PM
- Corbin said...
Oh, snow is so fun! Hope you enjoy it while you have it!
- January 10, 2011 at 2:34 PM
- ♥♥♥ The OP Pack ♥♥♥ said...
We got some too, Booker, and we have been outside almost all day. It stops and then it starts again - woo hoo for snow!!!
Woos ~ Phantom, Thunder, and Ciara
- January 10, 2011 at 2:59 PM
- Aksharaa said...
What fun!Must be wonderful to play fetch in that snow.
We haven't evr seen snow, but Mummy had during her childhood when she lived in a way colder place.
Wish we could come over...
Everything around looks like a picture post card!
wags, Bud n Gin n Shadow
pee ess: Hope it snows forever if it means Mummy can stay at home with u!!
- January 10, 2011 at 3:03 PM
- Scout 'n Freyja said...
Snow is so furry mucho funs ta play in an' our momma yikes it lots 'cause we don't track dirt into the house! A win-win fur alla' us, BOL!
- January 10, 2011 at 3:06 PM
- January 10, 2011 at 3:06 PM
- scotsmad said...
Poor Asa. It is a shame she wouldn't join you for wild snow zoomies. That would have warmed her up!
SHE remembers the delight of waking up in the morning to muffled sounds and hearing No School! Enjoy.
XXXOOO Daisy, Kendra & Bella
- January 10, 2011 at 3:37 PM
- JD and Max said...
Awww, poor Asa! Sensible girl to stay in the warmest and dryest part of the garden. And oooh, we were mesmerised by the sexy swish of her tail - oh la la, Brodie is a lucky pup!
But hey, we're impetious boy pups just like Booker and we admit we'd have been JUST like him, dashing out there totally excited and going slightly nuts too, he he he!! So good to see him having so much fun!
Schnauzer snuggles - JD and Max.
- January 10, 2011 at 3:49 PM
- Rudy - The dog with a blog said...
Oh Booker Man - we hope you have a whole lot of fun with the snow!
Rudy woke up to a LOT of snow this morning too - and he is quite happy with it all!
Rudy's Raiser
- January 10, 2011 at 4:27 PM
- BRUTUS said...
That looks like a snow day if we ever saw one! Did everyone get to stay home from work? If not I hope they had snowmobiles or sleighs to drive! Keep toasty warm there, ya hear?
Brutus & Carmen
- January 10, 2011 at 5:05 PM
- Sagira said...
Wow, that is a lot of white stuff. Looks like you were having a great time playing ball though. Poor Asa. :(
- January 10, 2011 at 5:08 PM
- Oskar said...
For me, no thank you, but I'm glad you like the snow.
Nubbin wiggles,
- January 10, 2011 at 5:16 PM
- Inky and Molly said...
Wow, what a wonderland!!
Stay cozy!
- January 10, 2011 at 6:10 PM
- Ann said...
You were having a blast playing in the snow. Loved the video.
I wish that much snow would close things down around here. Unfortunately we're pretty used to snow so it takes a lot to close things around here. Since I work in a grocery store we NEVER close.
- January 10, 2011 at 7:15 PM
- sprinkles said...
We only got teeny tiny flakes that you had to really look to be able to see today. We're supposed to get more as the week progresses.
My boys are like Asa, they don't like snow.
- January 10, 2011 at 7:16 PM
- Tucker said...
We are getting more snow on Wednesday... ugh...
and if I can putt 100lbs on your lap...where will I put my other 40lbs?
woof - Tucker
- January 10, 2011 at 7:23 PM
- Ettel, Charlie Poodle, and Emma Pitty said...
My goodness!!
We're supposed to get like 15" tomorrow, I think it's the same storm just movin' through.
Funny how the weather does that . . .
Enjoy it while it's pretty and soft and pretty soft!
- January 10, 2011 at 7:57 PM
- K9friend said...
There's white stuff coming our way tonight, too. Will I go to work tomorrow or not?
- January 10, 2011 at 8:09 PM
Now that is some snow!
woo woos, Tessa
- January 10, 2011 at 9:23 PM
- Lorenza said...
All white and beautiful!
But too cold for me... Brrrrr
Kisses and hugs
- January 10, 2011 at 10:44 PM
- Levi Mac said...
Ooooo great snow! I love snow! :) Play messy and watch out for the snow people!
- January 11, 2011 at 12:58 AM
Booker Man! SNOWWWWWWWW :D
Your front yard looks like a postcard :)
OOOOOOO I want to play with yaz in the snow soooooooooo badddddd!
Waggin at ya lucky dogs,
- January 11, 2011 at 5:46 AM
- K9 + Grace said...
Hi my Asa! Brrrrr! That looks cold! But Booker looks like he is enjoying the snow! I read that Pibbles get cold easily. If I was there i would snuggle close to you to keep you warm!
- January 11, 2011 at 3:03 PM
- KB said...
I hope that you had a blast romping in the snow Booker! We love the snow around here. Try to cheer up Asta - she could learn to like it!
- January 11, 2011 at 9:17 PM
- Kristin G. said...
I'm glad you're having fun!! Maybe Asa will warm up to it. Stay warm!
- January 11, 2011 at 10:02 PM
- bichonpawz said...
Snow zoomies are SOOOO much fun! We don't like the cold either...but the zoomies are a riot!! xoxo Chloe and LadyBug
- January 12, 2011 at 12:08 AM
- The Strawberry Mallard said...
Well we know a couple of crazy dogs that are gonna be zoomin' outta control here tomorrow....pure joy!!!!!
- January 12, 2011 at 3:27 AM
- Remington said...
Snow fun is the BEST! Enjoy!
- January 12, 2011 at 11:00 AM
- Autumn & Jasmine the Maltese said...
I found your blog from a friend of mine and what a coincidence!!! You share a same birthday date and month with my mom!! I bet she would smile happily when she knows that she finally found a four legged friend who share the same birthday date and month with her..
On the other hand, we love your picture! All we could get her is just a raining and muddy all around instead of a pretty snow...
Happy New Year and nice to meet you
Autumn & Jasmine
- January 12, 2011 at 11:57 AM
- Sarge said...
Hey Booker Man!
Wow, that' a great bunch of snow! Aren't snow zoomies the very best?!?! I love them too.
Grr and Woof,
Sarge, COP
- January 12, 2011 at 12:28 PM
We got snow too--us labs do love the cold stuff. Enjoy!
- January 12, 2011 at 6:24 PM
- Jed and Abby in MerryLand said...
Glad you're enjoying the snow, Booker. Might be a while before you get that much snow again as far South as you live. Poor Asa has much shorter furs than you, plus you don't know what memories being outside in the cold might dredge up for her, so give her a slurp and let her snuggle inside.
Jed & Abby
- January 13, 2011 at 1:24 AM
- Sam said...
We hope your Mom got to stay home and you all had a day together!
- January 13, 2011 at 8:32 PM
- sophie...^5 said...
Too much fun goin' on there, I'd say...way to much! :-)
- January 14, 2011 at 10:41 AM
- Doris Sturm said...
My comment is gone - I thought I had left one because I like the way you were playing in the snow.
Gizzy wants to play in the snow. He doesn't even know what it is...and he wants to anyway ;-)
Have fun and keep your sister warm!
Love you,
Gizzy and his mom
- January 15, 2011 at 5:07 PM
- Sugar the Golden Retriever said...
Woof! Woof! Happy New Year! YES Got lots of SNOW coming back from our long Holiday break. And Guess What???? more snow this week and for sure you'll get it too. Be safe. Lots of Golden Woofs, Sugar
- January 15, 2011 at 9:23 PM
- hero said...
That's pawsome stuff out there, Booker... hope you and Asa have lots of fun playing in the snow... just be safe though.
Licks, hero
- January 16, 2011 at 2:20 AM


text:
Job categories Project Management
Vacancy code VA/2017/B5323/12748
Department/office AFR, KEOH, Kenya
Duty station Nairobi, Kenya
Contract type Local ICA Support
Contract level LICA-6
Duration 10 months
Application period 28-Jul-2017 to 06-Aug-2017
Applications to vacancies must be received before midnight Copenhagen time (CET) on the closing date of the announcement.
Background Information – Job-specific
Under the overall guidance and supervision of the Project Support Officer, the Project Associate is to support the transactional projects in the day-to-day operations of the projects. He/she is expected to meet and exceed the organization's performance and delivery goals, in the area of project management. S/he must be able to apply, independently, the below duties and responsibilities of the project success criteria
Functional Responsibilities
Summary of functions: Support implementation of operational strategies…
Secondary education required.A higher qualification such as a Bachelors degree, …
6 years' experience in similar position required, preferably with dire…
Fluency in English is required.
Develops and implements sustainable business strategies, thinks long term and ex…
Functional competencies
Skills:- Financial Reporting skills – (required) Operational Transacti…
Additional Considerations
Please note that the closing date is midnight Copenhagen time Applications …
Contract type, level and duration
Contract type: Local Individual Contractor Agreement Contract level: LICA 6 Cont…
Background Information – UNOPS
UNOPS supports the successful implementation of its partners' peacebuildin…
Prince2 FoundationCertifications is an asset Certifications Certifications


text:
Resonant activation: a strategy against bacterial persistence - Quantitative Biology > Molecular Networks
Resonant activation: a strategy against bacterial persistence - Quantitative Biology > Molecular Networks - Descarga este documento en PDF. Documentación en PDF para descargar gratis. Disponible también para leer online.
Abstract: A bacterial colony may develop a small number of cells genetically identicalto, but phenotypically different from other normally growing bacteria. Theseso-called persister cells keep themselves in a dormant state and thus areinsensitive to antibiotic treatment, resulting in serious problems of drugresistance. In this paper, we proposed a novel strategy to -kill- persistercells by triggering them to switch, in a fast and synchronized way, intonormally growing cells that are susceptible to antibiotics. The strategy isbased on resonant activation RA, a well-studied phenomenon in physics wherethe internal noise of a system can constructively facilitate fast andsynchronized barrier crossings. Through stochastic Gilliespie simulation with ageneric toggle switch model, we demonstrated that RA exists in the phenotypicswitching of a single bacterium. Further, by coupling single cell level andpopulation level simulations, we showed that with RA, one can greatly reducethe time and total amount of antibiotics needed to sterilize a bacterialpopulation. We suggest that resonant activation is a general phenomenon inphenotypic transition, and can find other applications such as cancer therapy.
Autor: Yan Fu, Meng Zhu, Jianhua Xing
Fuente: https://arxiv.org/


text:
Luxury apartments in Fremont, CA at a prime location are the best fit for your fast paced lifestyle. Fremont has seen an influx of professionals and families seeking access to its top-performing public schools, restaurants, retail, beautiful parks and open space which earned the community a rank of 237 on Forbes magazine's list of the 500 most affluent communities in the United States. Watermark Place takes the best of what Silicon Valley has to offer and brings apartments in Fremont, CA. If you're looking for a car-light lifestyle, Watermark Place has easy access to public transportation including a BART station with private access just steps away, plus it's close to I-880 and I-680 for an easy commute to major Silicon Valley employers. Call for an appointment today!
Lease terms are variable. Please inquire with property staff.


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The Kenya Nutritionists and Dieteticians Institute was established by an Act of Parliament No.18 of 2007 (CAP 253B), to provide for training, registration and licensing of nutritionists and dieticians, to provide for the regulation of the standards, and practice of the profession to ensure their effective participation in matters relating to nutrition and dietetics and for related purposes. continue reading......
Dr David Okeyo


text: Silver Lake 66 Maria Francis Portland Maria Francis and Jeff Overbo define modern Americana with Silver Lake 66. With a winning amalgamation of classic country, folk and blues, their songs have been hailed by numerous publications and radio stations. It's no wonder, either, given their knack for authentic, heartstring-tugging songwriting, impeccable harmonies and ardent guitar-playing. Together, they perform outstanding roots-laden duets following in the footsteps of Americana greats from Lucinda Williams to The Civil Wars. The couple first began playing music together in the Midwest. First and foremost, Francis and Overbo met in Minneapolis and lingered there for a while. Following several years of recording and performing locally, the duo decided that it was time for a change and they hit the road for SoCal with their Ford van, their guitars and their trusty dog, Bernie. For nearly a decade through the 1990s, Francis and Overbo called Los Angeles their home. During that time, they fronted a band called The Ruby Trees. As The Ruby Trees, the couple performed in a slew of local LA clubs, which includes appearances at Ronnie Mack's Barn Dance at The World-Famous Palomino Club. During this time, they also contributed a song to A Town South of Bakersfield, Volume 3 (Restless). They joined industry veterans Dale Watson, The Hellecasters and Harry Dean Stanton on the release. Life in LA wasn't all good news for the couple, however. During their stay in California, Maria Francis's battle with lupus proved to be a steep hill to climb. They faced adversity in their move to Portland, Oregon, too, when she was diagnosed with thyroid cancer. Still, the couple persisted. In the end, Francis overcame the odds and is now cancer-free! With nothing but gratitude after overcoming these trials, Francis and Overbo found themselves adopted by a likeminded tribe of Portland musicians who helped them get back into the art of music-making all over again. It was then that Silver Lake 66 was born. Together with those collaborators, they contributed to jam sessions and other performances at a honky-tonk at the edge of the city called The Barn. It was then that the duo really found their sound with their newfound duet project. The rest of Silver Lake 66's story so far is of positive change, pushing forward and doing what they do best together. In August of 2016, the super duo released a new LP, Let go or be dragged. It features a collection of songs drawn from personal experiences of travel, love, loss and adversity. A group of local veteran musicians from the Portland Americana community round out the vocally driven, warm, tremolo-laden sound. The album has been a resounding success with Americana radio, receiving airplay from over 55 stations throughout the U.S., Canada and Europe. The album hit #19 on the Roots Music Report's album chart, and the song "San Francisco Angel" reached #18 on its singles chart. The Huffington Post's Randy Radic describes Silver Lake 66's music as "elegant simplicity" and "the real McCoy." For Folk's Sake's Jonathan Frahm calls the duo "the real deal" and highlights their "sweet harmonies that mesh the entirety of their sound together." Silver Lake 66 are one inspiring, electrifying duo to keep your eye on. Make sure to catch them on tour when they hit your city in support of their new album, Ragged Heart which drops on April 5th! Silver Lake 66's tracks Don't Have To Tell Me You're Blue by Silver Lake 66 published on 2016/08/30 04:00:59 +0000 Change Your Mind by Silver Lake 66 published on 2016/08/30 03:54:54 +0000 Price You Pay by Silver Lake 66 published on 2016/08/30 03:47:07 +0000 Treat Me So Fine by Silver Lake 66 published on 2016/08/30 03:37:12 +0000 Do You Ever by Silver Lake 66 published on 2016/08/23 18:13:23 +0000 Doctor by Silver Lake 66 published on 2016/08/07 17:57:52 +0000 End Of The Day by Silver Lake 66 published on 2016/07/30 19:53:27 +0000 Sherman County by Silver Lake 66 published on 2016/07/24 22:19:22 +0000 Devil's Looking For Me by Silver Lake 66 published on 2016/07/24 22:11:38 +0000 Magnolia by Silver Lake 66 published on 2016/07/24 22:04:18 +0000


text:
On the West Coast, the rain held steady. The road was closed over Porters Pass, but we were taking the train.
The river valley made way for broom-clad hillsides, and more rain. Then Otira, a tiny settlement that gets about two hours of sun a day in winter and has denizens rather than residents. (i love Otira!) Then the tunnel, 8 kms i think, and steep as, up and up - and out - and into the snow. It was a foot deep. It looked snug and settled. Colour washed out with it. And there we were at Arthurs Pass, to unload the second engine that had pushed us so gallantly up the hill and through the tunnel, and to play in the snow.
Only the children played, really. They ventured as far as they could and squealed and wallowed. The adults photographed themselves.
A thin, older man posed with his Indian wife. He held her under one arm and in the other hand he held a lump of snow her had formed into an oblong shape the size of a concrete block.He grinned straight at the camera, snaggle toothed, his beanie astride his big ears. She cuddled into the crook of his arm and smiled. Her Indian friend took the photo.
One woman modelled for her man to photograph her. She held little snowballs and gazed at them wide eyed. She tossed snow into the air and flung her arms wide with childlike delight. She flicked her long brown hair. Her eyes sparkled and her cheeks shone in the cold. When she came back into the carriage she brought out her tablet, and uploaded the photos immediately. Now they have gone all around the world. And i noticed that she was actually quite middle aged, quite plump, unremarkable in a crowd, as most of us are.
How did we learn to be so self aware? None of the adults played in the snow. They had a being-photographed-playing-in-the-snow experience. The snow was the vehicle for the photographs. It could have been any vehicle. And the woman with her modelling moves - how did she learn that this is how one should be photographed, as if for a fashion shoot?
Family snapshot photography has always been thoroughly stereotypical. That is part of its charm. Its artistic and sociological lessons for the viewer are usually incidental. It is an innocent art. Those involved have always known that this is for the future, that soon this moment will be a memory and that this is the memory we want preserved, that when we look at photos we are looking at younger versions of ourselves, and so by their very static nature we are reminded of the passage of time. i think even with our current instant technology the same applies today. Perhaps we just want more choice about how we present ourselves to the future, and we are more informed about the conventions of looking good. Perhaps it is a less innocent art now, but it still has its charm. Seeing ordinary people turning themselves briefly into models of glamour or goofiness is indeed charming.


text:
The year 2015 saw tremendous advancements in technology, but 2016 is going to be promising. Look below for the advancements
1. Computing Everywhere
As the technology is advancing with each passing day, the use of smart phones for everything will come up. Apart from connectivity with wearable, smart phones will be able to offer screens that are connected in public and at workplaces too. The key here is for the enhanced user-experience.
- The Internet of Things (IoT)
The IoT or Internet of Things is being considered the next big thing. With the introduction of user-oriented computing this will continue to grow. In the future this will be the centre of digital business processes as well as products associated with operational and industrial contexts. So it can be rightly said that you can expect the modern technology to be embedded almost everywhere.
- 3D Printing
In the coming years, it is predicted that 3D printing will be getting a lot cheaper. There is no denying the fact that this will be the biggest expansion in various fields, namely biomedical, industrial and consumer applications. These will help the companies to cut down the costs.
- 5. Context-Rich Systems
With the advent of analytics as well as embedded intelligence the systems will be getting more responsive and alert to the surroundings.
- 6. Smart Machines
It is important to note that context and analytics will make the way for different type of smart machines. These will be able to act and learn for themselves. There will be constant evolution of the machine helpers. It is being predicted that the era of the smart machines will be the most troublesome in the field of information technology.


text:
The Orb of Azurite
The Orb is a blue crystal sphere three inches(7,5cm) across.
The Orb is a blue crystal sphere three inches across. It is a minor
artefact, cast down world, to assist the Starborn in their war against the Host. The Orb has the
following powers, with a caster level of 20 where relevant:
- The wielder is automatically aware of the direction and distance of the nearest Node or stone circle. He can also sense Nodes that have been corrupted by the Dark
- The wielder can scry on any of the signature weapons (whether they are currently wielded or not) and is aware of their location relative to him
- The wielder of the Orb can call forth daylight at will. The light is an intense blue colour but is otherwise as described in the spell.
- Once per week, the wielder of the Orb can call upon guidance, as if by a divination spell.
- The wielder is automatically alerted when any member of the Host is present within a radius of 300 feet. He is only conscious of a presence; he cannot tell how many members there are, nor their direction or distance. If he was asleep, he is instantly awoken


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The Brown Hotel, Louisville
Sunday, May 16, 2010
Friday, May 14, 2010
We headed to Louisville on Chloe's ninth birthday at noon. She talked us into letting her go to school that day for her class picnic and it was her birthday after all, even though we planned on leaving at the crack of dawn. We arrived in Louisville at 7 pm eastern time. Jackie booked us a queen room, which almost put me over the edge when I realized that it was one queen not two. But after taking a deep breath and looking around the beautiful lobby, I just thought I'd have to let him sleep on the floor. I did ask the guy checking us in if they had a roll away, and they did but it was $20 a night. So I voted against that and just pictured him on the floor.
Our room was on a club floor of the hotel, the eleventh floor to be exact, and had to use our key to get us up there. We had a beautiful, spacious room that Chloe immediately pronounced as "fancy". We set our bags down and ventured across the street, on the concierge's advice, to a restaurant. We loved it as we ate outside near a courtyard facing the hotel and watched the locals.
The next day we had a little time to walk around Louisville before heading to my cousin's wedding. Jackie took us down 4th street for a stroll to the Ohio River. We walked by stores, restaurants and part of a block was blocked off near some sports bars where a 5K walk was going on to benefit a charity. Louisville has a very charming and clean downtown. Chloe enjoyed seeing all the horse statues around the city.
Open in 1923, the Brown Hotel was a prominent hotel for guests and social events downtown. It closed in 1971 and then served as the Board of Education. In the early 80s, it was remodeled and reopened with 16 stories and meeting rooms and is used frequently by the University of Louisville and business professionals. It is on the National Register of Historic Places and according to Jackie, it is a preferred hotel during derby season and one of the reasons he picked the hotel. The English Grill restaurant is located on the lobby floor and we considered eating there but they don't allow cell phones, sandals or shorts, so we enjoyed walking right by it.
I did have to ask housekeeping to bring us a working hair dryer one morning and it arrived in about a minute. And it wasn't that little one on the wall, it was a full size powerful dryer. Our room also boasted a feather bed, English duvet and the bathroom had marble and granite counter tops. I personally liked the single cup coffee maker and was thrilled that housekeeping let me get extra coffees each day.
We didn't valet our car but parked in the covered lot attached to our hotel for $20 per day. There is very limited parking downtown and there really is no other choice for parking. When we checked out on Sunday I noticed a parking sign for bikes. Louisville is a very forward thinking town that has a ton of bike trails, recycling and the sort. On our walk to the river we noticed a rack of bikes attached to a box. Later I checked with my good friend from Oklahoma City that lives there, and they were Humana Bikes for their employees to use for local errands. Hmmm, if only all businesses would take this approach...
The hotel is also listed as a Preferred Hotel and Resort similar to one of my favorite Memphis hotels, the Madison. We really loved the Brown, its location, accommodations and feel of the "fancy" hotel.
The Brown Hotel, 335 West Broadway, Louisville 888-387-0498 www.brownhotel.com Check out this fancy website!
Labels: Travel
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text:
In Luke 9:61-62, a would-be disciple tells Jesus, "I will follow you, Lord, but let me first say farewell to those at my home." Jesus responds by reflecting on the radical commitment necessitated by his call: "No one who puts his hand to the plow and looks back is fit for the kingdom of God."
If you know your Hebrew Bible well, you might notice some parallels between Jesus' interaction with this would-be disciple and Elijah's call of Elisha in 1 Kings 19:19-21. In both texts we note the plow imagery, a potential disciple requesting furlough to attend to matters at home, and the dynamics of the charismatic-prophetic figure enlisting disciples into service of his mission. This isn't a coincidence. It would seem that Jesus sees the call of Elisha by Elijah as prototypical to His own call of disciples. But there is an important difference between Jesus and Elijah's interactions with these potential disciples: where Elijah permits Elisha to return home, bid his family farewell, and offer a sacrifice of the oxen, Jesus doesn't allow this would-be disciple to return home. This is Jesus' intensification of the call to discipleship.
Here's what I think is happening: Jesus is intentionally recreating this scene from the Hebrew Bible. Like other charismatic leaders of late Second Temple Period, Jesus can be counted as a scripture prophet – "prophets who searched the scripture to discover their own life and destiny in the pages of the Tanakh" (McKnight, 77). As Dodd observes, it was Jesus Himself who "directed the mind of His followers to certain parts of the scriptures as those in which they might find illumination upon the meaning of his mission and destiny…" (Dodd, 110).
The scripture prophet is guided by a self-understanding derived from some preceding religious texts or sources. In Luke 9:61-62, if Elijah's call of Elisha is prototypical, Jesus is directing his disciples to see Him as a new Elijah – or possibly one greater than, but in the same tradition as, Elijah.
Jesus isn't drawing our attention to Elijah's call of Elisha for nothing. Jesus is using the language and imagery of this classic Hebrew story to help would-be disciples understand something about His own mission. Here we have a archetypal call narrative from the Old Testament – and Jesus puts a bold spin on it. In refusing this disciple leave, Jesus is making emphatic the exclusive and disruptive nature of His call, and his own sovereign authority. The urgency of Jesus' message – and His own messianic authority – allows Him to break with social and even religious protocol. Likewise His disciples are expected to prioritize this mission above competing allegiances: comfort, safety, vocation, and even family.


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Mei makeup-test
So a couple of weeks I decided to do a makeup test on the character Mei from Overwatch, my boyfriend has in the past told me I looked like her, plus that we both say I'm sorry a lot haha. I've only played overwatch a couple of times, and though she's the face of evil I adore her. Mostly because she can self-heal which is pretty darn necessary for me since I'm absolutely worthless at the game haha. I've wanted to do cosplay for so many years now, probably since I was like 13 or something but I've never dared, thought I wasn't pretty enough or something. But it was really fun, I felt so very adorable as Mei haha.
- until next time, stay safe. Lots of love, Anna ♡


text:
Hello everyone,
I've been pondering over this update for a few days. What do I want to project from the words I write telling you of Lindseys continuing strivings to heal? How do I convey the emotions I feel without overwhelming each one of you? There is alot of information I pour into these updates and most importantly I want to remain positive so I wait until I'm not tired, exhausted, frustrated, overwhelmed, etc... I guess you can see why it's been a couple of weeks since I wrote!
First of all I want you to know that Lindsey's attitude, is as ever, unfailing in communicating happiness, love, positive emotions, and laughter. That never changes no matter what she faces each day. I wonder if we can even begin to imagine being 24 years old and be in a time in life when energy is abounding, dreams and hopes always present, and abillities and physical stature to be at your peak and be forced to deal with an illness that leaves you struggling for each one of those things. I wonder if it were me how positive I would remain on a day to day basis. Yet, despite all the restrictions this illness has placed on Lindsey, it is not only a rare occurrence, but one I never see, to see her feel pity for herself or give in the temptation of depression that I'm sure would plague most of us if this were our journey.
Josh and Lindsey experienced great healing which took place in Minnesota with the help of Master Lin, the Qiyoung ( pronounce Chi gong) master. You may remember that last time I sent an update hospice had reduced her medication and she had more sensation in her legs which was void for many months. However, we had a set back. While in MN Lindsey had some significant seizures. The doctors believe it was the reduction in medication and to treat her they put her on a very powerful anti-seizure medication that kept her very sedated. Every 3 hours they administered this drug Adavan. Pam and I flew out on Monday last week to help the kids out. They were in good hands with Brett and Lori Robinson, Lindseys aunt and uncle, but we had a very strong confirmation that we needed to be there. We were very glad we made the trip as the kids responded to their parents being there to help, love, and support them thru yet another stay in the hospital. And true to Lindsey's determination and will, she came out of the state she was in well enough to be released on Wednesday that same week! It never ceases to amaze me how deep she digs to turn each event around and smile thru the entire process. We spoke of very profound things during this time and suprisingly she remembers most of it. The embarrassing stuff she chooses to forget! haha. Very smart girl. I'm saving those for her for later :)
They chose to remain in MN and finish the healing treatments she started. I couldn't believe it when the very next day of being released from the hospital she took in an entire day of sessions. WHAT?! I would have thought maybe an hour or 2 but not 8 hours. This is the determination that drives her forward. The kids flew home this last Monday, the 21st and we are very glad they are back. She will continue with the methods that she learned while they were away and I encourage you to check out the links which were part of the last posting to the blog and see what she has been up to.
So now what? I want you all to know that if you are someone who is participating in the 5:55 moment that Lindsey literally feels your love coming her way. There is so much we don't understand in this universe. If you are a skeptic, it doesn't matter. Do it because it's what Lindsey needs. If you believe this moment each day helps then make that moment be filled with even more energy and love. Some days it's hard to stop at the very the second my phone alarm goes off. I was on the phone one day and the person continued talking and I quietly took my moment. Maybe what I should have done was include them and I will next time! I really believe that not only will Lindsey be blessed with peace but so will each person who pauses in their busy day to do something for someone else.
For the future, I don't know honestly. I'm a human being with anxieties, fears, confusion but also a person and child of God with great hope and belief. A lady who has become a dear friend of mine in a very short period of time wrote me the most beautiful thing in the midst of this journey we are all a part of and it lingers in my mind constantly each day. I hope it gives you the same peace that it gives me for I know where it comes from and whom.
"None of us knows what the future holds, but we know who holds it"
I pray we each keep in mind how blessed we are everyday. I don't care if you are a religious, spiritual, emotional, or whatever type person you believe yourself to be. If you wake up and take a breath unencumbered by pain then you are truly blessed. Make the most of each day. Don't squander how wonderful this life is and how many peoples lives you can touch because you are able to. We all experience challenges but I know without a doubt in my heart that none more so than Lindsey Karr's journey at this very moment....and she continues to smile. "He who laughs....lasts"
With love,