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Blue Letter Bible offers several daily devotional readings in order to help you refocus on Christ and the Gospel of His peace and righteousness.
Recognizing the value of consistent reflection upon the Word of God in order to refocus one's mind and heart upon Christ and His Gospel of peace, we provide several reading plans designed to cover the entire Bible in a year.
This psalm, as the former, is a psalm of instruction, not of prayer or praise; it is a psalm of reproof and admonition, in singing which we are to teach and admonish one another. In the foregoing psalm, after a general demand of attention, God by his prophet deals (v. 3) with the children of this world, to convince them of their sin and folly in setting their hearts upon the wealth of this world; in this psalm, after a like preface, he deals with those that were, in profession, the church's children, to convince them of their sin and folly in placing their religion in ritual services, while they neglected practical godliness; and this is as sure a way to ruin as the other. This psalm is intended,
These instructions and admonitions we must take to ourselves, and give to one another, in singing this psalm.
A psalm of Asaph.
It is probable that Asaph was not only the chief musician, who was to put a tune to this psalm, but that he was himself the penman of it; for we read that in Hezekiah's time they praised God in the words of David and of Asaph the seer, 2 Chr. 29:30. Here is,
God is here dealing with those that placed all their religion in the observances of the ceremonial law, and thought those sufficient.
God, by the psalmist, having instructed his people in the right way of worshipping him and keeping up their communion with him, here directs his speech to the wicked, to hypocrites, whether they were such as professed the Jewish or the Christian religion: hypocrisy is wickedness for which God will judge. Observe here,
The Blue Letter Bible ministry and the BLB Institute hold to the historical, conservative Christian faith, which includes a firm belief in the inerrancy of Scripture. Since the text and audio content provided by BLB represent a range of evangelical traditions, all of the ideas and principles conveyed in the resource materials are not necessarily affirmed, in total, by this ministry.
Blue Letter Bible study tools make reading, searching and studying the Bible easy and rewarding.
Blue Letter Bible is a 501(c)(3) nonprofit organization
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Listing Provided Courtesy ofPark Life Real Estate Tour
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Imperial Beach's newest and nicest home with gorgeous white water ocean views! Private roof top deck fully furnished with refrigerator, sink, built in barbecue, fireplace, built in speakers & post card sunsets nightly. Enormous great room with La Cantina doors on to private patio, 10 foot ceilings, chefs kitchen w tons of custom cabinetry, high end appliances, quartz counters & more. Master retreat is very large w walk in closet, BIG/beautiful bathroom. 5 private outdoor patios. Laundry room, see supp... Neighborhoods: Beach Equipment: Fire Sprinklers,Garage Door Opener, Range/Oven Other Fees: 0 Sewer: Sewer Connected Topography: LL Bed 2 Dimension: 11x15 Bed 3 Dimension: 11x15 Dining Room Dimen: 0x0 Family Room Dim: 0x0 Kitchen Dim: 17x11 Living Room Dim: 25x21 Master Bedroom Dim: 15x14
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Traditionally in fairytales, the heroine wins her prince, evil stepmothers get their comeuppance and abducted children escape the witch.
Into The Woods keeps turning the pages on these archetypal characters, imagining what might happen as they come to terms with their actions and suffer the repercussions.
Light comedy and heartrending tragedy skip hand in hand in James Lapine's screenplay and Stephen Sondheim's music and lyrics.
The Baker (James Corden) and his wife (Emily Blunt) yearn for a child but cannot conceive.
The Witch (Meryl Streep) next door promises the couple a family if they bring her four objects before the blue moon: a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold.
The Baker and his wife head into the woods with six magic beans and encounter 12-year-old Jack (Daniel Huttlestone), who is off to market to sell his cow Milky White, Cinderella (Anna Kendrick), who is fleeing from a ball thrown by a charming Prince (Chris Pine), Little Red Riding Hood (Lilla Crawford), who intends to visit her Granny (Annette Crosbie) but would make a tasty snack for the lascivious Wolf (Johnny Depp), and Rapunzel (Mackenzie Mauzy), who is consigned to a tower which can only be accessed by lowering her flaxen hair to a smitten lover (Billy Magnusson).
As the fated hour approaches, the childless couple resorts to desperate measures to collect the objects for the Witch.
Everything has a price, especially your heart's desire, so be careful what you wish for.
It is on at the Hollywood Plaza from Friday January 16 to Thursday January 22


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Don't trust Aaron
Even after last night's episode of The Walking Dead I still can't help but feel this way about Aaron. So far he seems like he has the best interest of the group in mind, but I still don't trust him. Also, I don't know much about the comic so I don't really know who he is in the show, but I just have a bad feeling about the guy. Anyways, what do you guys think about Aaron from The Walking Dead? Do you think the group should trust him? Leave me a comment below, on the Facebook page, or on Twitter. Happy Monday Nerd Nation


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Purchase this article with an account.
G Bhanuprakash Reddy, Ganugula Raghu, Puppala Methenna, Chandrasekhar Akileshwari, Palla Suryanarayana, Jonathan Mark Petrash; Inhibition of ALR2 and AGE formation by ellagic acid: Prevention or treatment of diabetic cataract and retinopathy. Invest. Ophthalmol. Vis. Sci. 2014;55(13):1056.
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© ARVO (1962-2015); The Authors (2016-present)
Accumulation of intracellular sorbitol due to increased aldose reductase (ALR2) activity and increased formation of advanced glycation endproducts (AGE) due to non-enzymatic glycation are implicated in the development of diabetic ocular complications such as retinopathy and cataract. We have identified a few dietary sources that have the potential to inhibit ALR2 and AGE formation. Ellagic acid (EA), a bioflavonoid is present in many of these dietary sources. In the present study, we described the inhibition of ALR2 and AGE formation by EA and investigated its potential to prevent diabetic cataract and retinopathy in rat model.
Antiglycating potential and mechanism of action of EA was investigated using in vitro protein glycation systems. Inhibition of ALR2 by EA was assessed using recombinant ALR2 assay and sorbitol estimation in RBC. Further the effect of EA to prevent diabetic cataract and retinopathy was investigated using streptozotocin-induced diabetic rat model.
EA inhibited ALR2 with an IC50 of 48 nM in a non-competitive manner. Further, EA suppressed sorbitol accumulation in human RBC, rat lens and rat retina under high glucose conditions. EA was effective in inhibiting the formation of AGE, predominantly inhibition of Nε-(carboxymethyl)lysine through scavenging of dicarbonyl compounds. EA also inhibited the formation of glycosylated Hb in human blood under high glucose conditions. The significance of EA against loss of eye lens transparency was demonstrated in lens organ culture system. Finally, physiological significance of EA was demonstrated in terms of delay of diabetic cataract and retinopathy in rats.
These findings together establish the antiglycating and ALR inhibitory potential of EA and its in vivo utility for controlling diabetic ocular pathologies. Thus, these observations suggest that EA holds a therapeutic promise to prevent or treat ocular complications of diabetes.
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Meet the Board
2016 - 2017
Board of Directors
Robert Muller, Ph.D, President
Robert (Bob) Muller received his doctorate in Ecology from Yale University. Bob served as the Director of Research at the Santa Barbara Botanic Garden, where he focused on California forest trees, chaparral, fire, and urban forestry. He also taught courses in the Vegetation and Flora of California as well as Introductory Biology at UCSB. He is widely published in the areas of energy flow and nutrient dynamics, soil chemistry, and ecosystem relations in hardwood forests, having over 40 publications in refereed journals from Ecology to Oecologia to Science. He co-authored "Trees of Santa Barbara" with Garden Instructor Bob Haller.
Sally Fouhse, Vice President
Sally Fouhse has served as Associate Director for Business Affairs for the Santa Barbara Trust for Historic Preservation since 1999 where she is the administrator for operations with an annual budget of $2.5 million. Sally earned her Bachelor's Degree in German with a minor in history from the University of California at Davis. She also earned a Professional Accountant Certificate and TESOL Certificate from the University of California at Santa Barbara. Sally is also active in community organizations such as the Santa Barbara Music Club and Santa Barbara Downtown Organization. She has many personal interests including hiking, writing, and travel. Sally was elected to the Board in 2015.
Jaime Kuczkowski, Treasurer
Jaime Kuczkowski is a founding partner at Balance Financial Management, providing consulting services, accounting and business operations for a wide range of clients, with a specialization in federal grant compliance for non-profits. Jaime graduated from the University of California at Santa Barbara with a degree in Communication and holds a CPA license from the State of California. She is a member of the American Institute of Certified Public Accountants and the California Society of CPAs. She was elected to the Board in 2016 and serves on the Finance and Development Committees.
Marshall Tibbetts, Secretary
Marshall Tibbetts is COO of Applied Cavitation, Inc. He is a Goleta native and grew up roaming the grounds of Stow House. He earned is Bachelors Degree in Economics at the University of California, San Diego in Economics and an MBA at Azusa Pacific University. During his college years he had a construction job that involved restoration of the packing shed at Rancho La Patera, now the History Education Center. He currently serves on the Board of the Clean Business Investment Summit. Marshall was elected to the Board of GVHS in 2017 and serves as Chair of the Buildings and Grounds Committee.
Catherine Cavaletto, Historian
Catherine Cavaletto, a native of the Goleta Valley, is descended from grandparents who immigrated to the area in 1892. Catherine retired from the University of Hawaii in 2003 where she was a researcher, department chair, and interim associate dean. She earned her Bachelor of Arts degree at UC Davis and earned a Master of Science in Food Science at University of Hawaii at Manoa. Catherine has served on the GVHS Board since 2009.
Jacque Hilliard
Jacque Hilliard is Manager of Operational Services at UCSB and serves on the Operations Management Team for Housing & Residential Services. She is a Goleta native and has been a docent at Stow House since 2013. Jacque was elected to the GVHS Board in 2016 and serves as Secretary and a member of the Buildings and Grounds Committee.
Cheryl Jimenez-Frei
Cheryl Jiménez Frei is a Ph.D. candidate in Latin American History and Public History at UC Santa Barbara, where she is currently completing her dissertation on public commemorations and memory in Buenos Aires, Argentina. Trained as a public historian, Cheryl brings interest and expertise in museum curation, collections management, and historic preservation to the GVHS Board. She has experience working with local nonprofit organizations, including the Santa Barbara Mission Archive Library and the Ventura College Foundation. Cheryl joined the Board in 2016.
Karen Ramsdell
Karen Ramsdell served as the Director of the Santa Barbara Airport from 1987 until her retirement in 2013. Karen earned a Bachelor of Arts degree in history from UC Santa Barbara. In 1992 Karen was named Santa Barbara County's Woman of the Year (Third District). In 2011 she was awarded the Heritage Oak Award for Lifetime Achievement by Santa Barbara Beautiful. Karen has served on GVHS Board since 2010 and was elected President in 2013.
Carol Wilson
Biography forthcoming
Advisory Board
Mike Edwards
Gil Garcia, A.I.A.
Kim Kimbell, Esq.
Larry Miller, Jr.
Fermina Murray
Ron Nye, Ph.D.
Ida Rickborn
Jennifer Tice, Esq.
David Van Horne, Esq.
Katie Van Horne


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C. M. San Giovanni, A. G. Pashayan, R. A. Gater, V. P. Roan, J. S. Gravenstein; INTRALUMINAL GAUGE PRESSURE OF TRACHEAL TUBES AND RISK OF FIRE FROM CO2LASERS—CLINICAL MODEL. Anesthesiology 1991;75(3):A399.
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© 2019 American Society of Anesthesiologists
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I haven't seen Dr. Who in a while, but I'm no stranger to the series. For those of you that don't know what it is, it's a long running science fiction show that gives the main character, the Doctor, regenerative/rebirth properties allowing the show to continue beyond current characters and story lines. A clever mechanic allowing for an adaptive show. Before yesterday there had been 12 people who have played The Doctor, and they do seem to have a lot in common:
That board would make for a rough game of Guess Who. That being said at least since the twitter age I can remember people griping about why the next Doctor was 'wrong' and when I found out they were announcing the new one yesterday, there was no doubt that there would be people unhappy regardless of the choice. Enter the choice:
and cue some negative reactions:
Now I don't know who Jodie Whitaker is, but you can chalk that up with quick Google search showing I just don't watch British TV. But again, I've seen a couple Doctor changes and the reactions are literally the same every time:
Every. Single. Time, Twitter. Give it a year people and you'll have all the folks who are rebelling now writing sexual fan fiction and weird drawings on DeviantArt accentuating her breasts. Now honestly the show had gotten old for me, which is why I stopped watching. A female casting doesn't inject the feeling that I HAVE to check it out again, but I'm sure I'll be in the mood someday and peep the deets. It will probably be a good thing. Nerds, your show will be fine. Besides, you don't have to parallel park a TARDIS.
The Naysh


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Orange Slices
Just a little slice of life in Orange, Connecticut.
Saturday, May 21, 2016
Peony III with fly
This could be a Snow Lotus
Xue Lian
or White Screen Reflects a Blue Jewel
Bai Bi Lan Duan.
Who knows. But really I was going for the fly who was taking a moment to smell the peonies. I love bug eyes. So complex! Below is a blown up version of the guy above. Notice his compound eye, how large it is. That's because it's not one large sphere but many, many tiny lens in spherical shape. I can't quite get the definition here. But these large eyes have a wide range (360 degrees) and can detect and react very quickly to movement. That's why it's so hard to swat a fly!!!!
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Last weekend we took off for a wedding in Excelsior Springs, MO. The wedding was very nice and everyone had a good time. The night before I had only two hours of sleep so I was a bit ready to be done around 10 PM but after a few glasses of tequila and ice I was ready to go until 2. Our hotel room was about two blocks away and was very warm so it was hard to leave in the morning.
A friend of mine moved to a new house in Kansas City the day after the wedding so while he was busy moving his stuff in and the lady was busy feeling hungover I spent the day loving the Kansas City Zoo. Unlike most zoos I've been to, there was no aquarium. Boo! I have to say the primate selection was magnificent even though they didn't label some of the animals. I have no idea what the cute monkeys were that climbed all over their tiny, restricting cages. Most of the animals we saw were ready to go in for the night and were clawing at the door to their luxurious homes. The warthog was pounding his head into the door either to let his roommates know he was home and wanted in or because he has become sick of living and was trying to do himself in. I don't know but it was not fun to watch. The sea lions were very entertaining and can catch fish in the air like none other. If you go to the KC zoo you must see the sea lions, camels, kangaroos, elephants and the hippos. Make sure you get to see the hippos eat. You will not believe how big those ping pong balls are!


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Everything You Need to Know About the Energy We Use
What do you know about adhesive dispensing systems? These systems are used for many companies today in a variety of huge industries – even those in the energy industries. You can use these types of systems for insulating the technology you are working with, which truly changes the way that we see solar panels and more. The dispensing solution makes sure that all technology is built to last and an easy cartridge dispenser will get the job – no matter how big or small.
Why You Need a System for Solar
Today we want to focus on a certain type of energy that is changing the world: solar power. Many people are switching to solar. Did you know that, today, there are 1.6 million solar installations in the U.S.? They are expected to pass 4 million by 2022, which means it is on the rise. This is probably due to the fact that the price of solar has dropped over the years, making it more afforda


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Mayer Brown has experience in many specific matters. Search the entire list.
Mayer Brown has more than 250 lawyers ranked by Chambers worldwide and more than 150 Peer Review Rated lawyers in Martindale Hubbell.
In 2007, the Arrangement on Mutual Recognition and Enforcement of Arbitral Awards Made in the Mainland and Macau SAR came into force. However, there has been no special arrangement between the Hong Kong SAR and the Macau SAR for mutual recognition and enforcement of arbitral awards.
At present, awards made in Macau are enforceable in Hong Kong only with the leave of the Hong Kong courts. Section 86 of the Arbitration Ordinance (Cap. 609) sets out the grounds for refusal of enforcement of arbitral awards (such as invalidity of the arbitration agreement, lack of legal capacity to enter into the arbitration agreement, lack of proper notice of the appointment of the tribunal etc.). Enforcement may also be refused for any other reason the Hong Kong courts consider to be justified. This raises uncertainties about the enforceability in Hong Kong of awards made in Macau. However, this position will soon change.
On 7 January 2013, the Department of Justice of the Hong Kong SAR Government concluded an arrangement with the Macau SAR on reciprocal recognition and enforcement of arbitral awards (the "Arrangement").
Under the Arrangement, the courts of Hong Kong and the courts of Macau will mutually recognise and enforce arbitral awards made in the Macau SAR and the Hong Kong SAR. When a party fails to comply with an arbitral award, the other party may apply for recognition and enforcement of the award to the appropriate court in the other special administrative region where the defaulting party is domiciled, or where the property of the defaulting party is situated.
The Department of Justice has indicated that amendments to the Arbitration Ordinance will be introduced in the 2013 legislative session to implement the Arrangement. The Department of Justice will also take the opportunity to work in collaboration with the arbitration sector to make further improvement to the Arbitration Ordinance.
The Arrangement will provide a more straightforward and effective mechanism for the enforcement of arbitral awards between the two special administrative regions. It will also provide a higher degree of certainty with regard to the enforcement of the arbitral awards in commercial transactions involving Hong Kong and Macau and further enhance Hong Kong as the arbitration centre of choice in Asia.
For inquiries related to this Legal Update, please contact David Boyle, Venna Cheng or your usual contacts with our firm.
Mayer Brown is a global services provider comprising associated legal practices that are separate entities, including Mayer Brown LLP (Illinois, USA), Mayer Brown International LLP (England), Mayer Brown (a Hong Kong partnership) and Tauil & Chequer Advogados (a Brazilian law partnership) (collectively the "Mayer Brown Practices") and non-legal service providers, which provide consultancy services (the "Mayer Brown Consultancies"). The Mayer Brown Practices and Mayer Brown Consultancies are established in various jurisdictions and may be a legal person or a partnership. Details of the individual Mayer Brown Practices and Mayer Brown Consultancies can be found in the Legal Notices section of our website.
"Mayer Brown" and the Mayer Brown logo are trademarks of Mayer Brown. Attorney Advertising. Prior results do not guarantee a similar outcome.
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from The American Heritage® Dictionary of the English Language, 4th Edition
- n. Any of several plant diseases, especially a disease of peach, plum, apricot, cherry, and related plants, characterized by wilting and browning of the flowers and leaves and rotting of the fruits.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- n. A fungal disease of stone fruit such as peaches and nectarines, caused by the fungus Monilinia fructicola
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. any of certain fungous diseases of plants characterized by browning and decay of tissues
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Our licensed specialists sincerely enjoy what they do and this is reflective on the smiles and repeat business of our clients.
Beautiful salon opened by Stylist and Make Up Artist, Becki Bryce. We carry YOUNGBLOOD makeup, which is made for photo finishes, including HD. Our staff is constantly updated with the latest trends and techniques in hair and makeup artistry. We just want to make you perfectly beautiful for your perfect day..
Please visit our website and facebook to see pictures of our work! We service all events, Weddings.Bridals.Engagement.Birthdays.Anniversary.Prom and much more. www.facebook.com/powdernpaintmakeup.com ------ www.powdernpaint.com Hashtag us on FB,Twitter & instagram---- #powdernpaint
Our beautiful facilities offer a perfect balance between modern style and services with a vintage touch. Our salon is truly unique; our staff is creative and friendly.
We specialize in a variety of hair care services and extension applications.
We have a variety of services that we provide here at Head Hunter's Salon including hair, nails, tanning and massage.
Self Salon provides a comforting, yet stimulating atmosphere in which guests can relax both body and mind. We are a dependable destination to rejuvenate your look, your soul and your energy.
We in our salon, serve our guests with energy and enthusiasm and a level of individual care that transcends their expectations and fosters ongoing relationships of trust.
Deana Kale has emerged as a styling force in the ever-changing world of hair and makeup. Her passion for detail leaves clients speechless..
Wedding Styist, Airbrush Makeup, On site Wedding Stylist
My haircuts are uniquely planned and free from routine. I do my best work when shaping the hair accordingly to the client's face shape, hair texture and life-style.
Airbrush makeup, bridal hair styling, false lashes. Bride Guide brings the beauty to your venue or resort. Destination wedding specialists. Contact us for your beauty vision quote.
We strive to create the hair design you are envisioning for your wedding.
Experience dedicated professionalism with our talented artists. Your appearance is their highest priority. You will find true satisfaction with any of the variety of services we offer.
Master stylists and colorists combine creativity, education and artistry to provide you with a beautiful, cutting edge hair style for your wedding day.
With over 30 years of experience in the beauty industry, Body Creations offers the latest styles and techniques for creating the perfect bridal hair style for your wedding day.
Tracy Perry Salon is located in Gulfport, MS and is proud to be a Framesi Elite Moda Capelli Salon.
Visit Escape's Hair Studio for a fresh cut or an entirely new look. We are proud to feature the European Goldwell color system with an extensive selection of our seventy colors.
The Ranch Fitness Center & Spa is your all-in-one destination for preparing yourself for your wedding day. Whether you need a good workout and a massage or your hair and makeup done, we got you!
We offer you creativity, professionalism, value, timeliness, and hospitality as you plan your bridal hair style.
Tera Lane Salon offers a team of hair and make-up that have the expertise Tuscaloosa can trust. When it comes to your hair, you don't have to choose cost over quality for your wedding!
Sanctuary is known throughout the city and state as being a place for outstanding hair care services delivered by an artistic and caring staff. Let us bring out your beauty for your wedding day.
Opened in 2011. Since its inception, we have been committed to customer service, quality work, a professional atmosphere with a successful staff. These goals are accomplished through constant awareness of customer needs, and the continuous education and training of staff members.
Hala Salon Seventh Avenue provides a you-centered salon experience. It is our mission to help realize the most beautiful you. We do beautiful updos for weddings and any occasion.


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I loved Mark Gatiss's contribution to last year's Doctor Who, a chilling tale featuring Charles Dickens and ghost-like aliens who inhabited human corpses. It was a cracker so I held up high hopes for this one.
How disappointing.
This time round, we are in 1953 and as television takes off in time for the coronation an evil alien presence is taking away people's faces via the new box in the corner. Even poor Billie Piper has to spend most of the episode devoid of both face and personality.
The main problem here, apart from the fact that I'm sure this story, or something very much like it, has been done before, is that it felt more like a pastiche of Doctor Who than the show itself. I don't want to be too insulting but it felt very much like a Sylvester McCoy episode.
Maureen Lipman is much loved but I didn't think much of her turn as The Wire, which really did lack menace while the whole subplot with Jamie Foreman as a bullying dad was an annoyance and the episode as a whole felt underdeveloped.
It's such a pity after all that great parallel universe stuff with the Cybermen - let's hope the pace picks up soon.
Soap dopes
Talking of parallel universes, I wonder of I'd drifted into one when Ross Kemp picked up Best Actor. Best Macho Posturing perhaps or Best Self Ridicule but Best Actor?
These awards were odd to say the least but seem to be designed so that almost everyone went home happy, since so many gongs were being awarded to so few shows. I can't understand why Holby City, Casualty and The Bill didn't qualify for consideration. These are easily as soapy as Doctors and why wasn't the now defunct Family Affairs allowed to feature? I'd have thought that Pete Callan's exit featuring Bob out of Blackadder would have been worth a nomination.
Devil child
So it was Demonic David who'd been sending those Hillman cards all along. Predictable and boring.
Life in Coronation Street isn't exactly riveting these days is it? Does anyone care about Kelly's court case. Not even Kelly very much judging by the expression on her face.
Not caring seems to be the case on the cobbles these days. Did Gail rant and rave having been driven nearly mad by her deranged son. Not a bit of it. The only mildly intriguing storyline on the show seemed to have been left to peter out. Such a waste.
It's time for a major shake up down Weatherfield way and to get back to the shows strengths. There simply aren't enough characters that we care about anymore and trusty old stagers are being let down with storylines and scripts that just remind us how good the show used to be.
This show used to be must see telly. Now it's the sort of show you catch if there's nothing better on. It should be ITV's flagship show but it needs to be produced with less cynicism and more care. As viewers we've invested decades of our viewing lives into the show. We deserve a bit better in return.
Little Mo no more
The Slaters quickly came to dominate EastEnders and gave the show a much needed shot in the arm when they joined. Now the last and most put upon Slater sister has left the square and wasn't even granted a fairytale ending though at least she was allowed to in control of her own destiny.
Mo chose a new life in Barnstaple, giving writers an easy exit for characters in the future, in much the same way as characters in Neighbours always used to leave for Queensland for some unexplained reason.
Kacey Ainsworth has been marvellous in this role but I don't think we could have born it if she'd continued on her endless cycle of misery and it probably was time for the character to move on. She'll be missed though.
Ego Aid
I know they were doing their bit for UNICEF but Soccer Aid came across as a massive piece of self-indulgence from Robbie Williams and his showbiz and footballing mates.
Following the success of Sky One's The Match, this was always going to be on fairly safe ground ratings wise and to be fair thanks to the hosting talents of Ant and Dec the shows throughout the week were quite entertaining but at the end of the day it did feel like a load of rich celebrities massaging each other's egos.
The actual match itself was nothing special though it was great to see England nemesis Maradona and to be fair to the little footballing genius, he was fit enough to last the ninety minutes.
You can catch my views on Big Brother in Hogan on the House


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Cast: Cal Barnes, Matthew Bohrer, Shelley Hennig, Moses Storm Director: Levan Gabriadze Genre: Horror, Thriller Rated: MA Synopsis: Whether it's a casual status update, a shared family photo or a short video to a group of friends, modern communication has made our on- and offline lives virtually indistinguishable. And while the majority of the hourly stream of digital media we receive and distribute is welcome and exciting content, some of it is deeply, deeply disturbing. And some of it can be deadly. Ushering in a new era of horror, Unfriended follows what happens when a seemingly innocent online prank starts a sequence of events that spirals out of control. A first-person exploration of the terror that can emerge when our connected experiences transform into our deadliest fears, the film unfolds over a teenager's computer screen as she and her friends are stalked by an unseen figure who seeks vengeance for a shaming video that led a vicious bully to kill herself a year earlier. On the anniversary of her death, the very same friends who thought there would be no consequences to their actions will find out just how deadly wrong they are. It's an average school night as Blaire (Shelley Hennig of Ouija) and her boyfriend, Mitch (Moses Storm of Hulu's The 4 to 9ers: The Day Crew), start a somewhat intimate video chat. Suddenly, they're interrupted by their friends, Jess (Renee Olstead of TV's The Secret Life of the American Teenager), Adam (Will Peltz of Men, Women & Children), Ken (Jacob Wysocki of Pitch Perfect) and Val (Courtney Halverson of HBO's True Detective), who are ready to launch into a group chat session. Before long, the group is joined by a user known only as 'Billie227." They think it's just a glitch and go about their conversation…until Billie begins typing. What comes next devolves into their worst nightmare. As Blaire begins receiving messages on Facebook and e-mails from someone or something claiming to be Laura Barns (Heather Sossaman of TV's NCIS: Los Angeles)"the girl who killed herself exactly one year ago"she frantically tries to figure out who has intruded into their group chat. Meanwhile, Billie's games force the friends to confront their deepest, darkest secrets and lies. If they find out who posted the shaming video of Laura that led to her death"even if that means these friends suffer in the process"they will appease their tormentor and survive the night. Stories once thought to be hidden are exposed and relationships are tested to the ultimate degree as the group is tormented by an evil spirit who will not let them free…until it gets the ultimate revenge. Unfriended
Release Date: April 30th, 2015
Creating a New Genre: Unfriended Begins A new genre in the world of horror has a fascinating origin... Producer Timur Bekmambetov's penchant for innovative, intelligent and sophisticated filmmaking elevates the horror genre to an unexpected level with Unfriended. A filmmaker who splits his time between the U.S. and Russia, running companies in both countries, Timur Bekmambetov is almost always on his computer, which is how the idea for Unfriended came to life. For 15 years, the thought kept coming up: 'Somebody's got to make a movie about the part of our lives we spend digitally connected." Timur Bekmambetov elaborates: 'Over the years, I've shared this idea with many filmmakers, trying to find someone to help me make this movie. I was shared this idea, hoping it would spark something inside them. It was hard to convince anyone to take a break from traditional filmmaking and take a risk like this. I knew that the only way to achieve this movie would be to stop thinking and just do." Jason Blum, the film's executive producer whose company, Blumhouse, is presenting the film, said about the idea: 'What is so fun and scary about Unfriended is that the filmmakers came up with a new way of making a movie that actually elevates and serves the story." One night, writer/producer Nelson Greaves and co-executive producer Alan Khamoui, another executive from Bekmambetov's production company, Bazelevs, were sitting around the office spitballing ideas for new projects with their boss, and the idea for Unfriended came back around. Nelson Greaves shares: 'We said: -What if this was a horror movie?' At that point, the idea clicked with me. Found-footage films are frightening because of the constraints and limits. What's more limiting than being trapped on your computer as you're attacked and terrorized?" Nelson Greaves, who was an assistant at the time, needed a reason to still be employed at the company after his supervisor had left, so he jumped into the dark and fleshed out a story that could thrive in this world and still be grounded and relatable. After he wrote the script, he handed it off to Timur Bekmambetov. A colleague of Bekmambetov's, director Leo Gabriadze, just happened to be in Los Angeles at the time filming a commercial, and the Russian producer knew he'd take to the material. Nelson Greaves recalls: 'Timur Bekmambetov physically handed the script to Leo and told him to read it. Leo went next door and, for the longest two-and-a-half hours of my life, he read the script while I sat there nervous. Good news is that he loved it." After getting the thumbs-up from Gabriadze, Nelson Greaves reached out to a former classmate and roommate, Adam Sidman, who was working in unscripted television production. As soon as Greaves walked him through the story line, Sidman came aboard and wore every production hat possible"production coordinator, locations manager, hiring the crew, director of photography, creative producing, you name it"and Adam Sidman, Nelson Greaves and Gabriadze shot a test of the script. Soon after, Timur Bekmambetov gave it his seal of approval and green-lit production. Still, one challenge that presented itself right away was geography. Timur Bekmambetov was in Russia for most of the production and, coincidentally, the majority of his involvement had to take place over Skype. He met the actors, visited the set and even spent hours editing with the team, all over Skype. Bringing it fullcircle, when the movie finally premiered at the Fantasia and SXSW film festivals, Timur Bekmambetov also greeted audiences via this medium. The production of Unfriended was no small feat for a group that started with three people. Gabriadze shares: 'We had a very small team. In the beginning, it was only Timur, Nelson and me. We were all on the same page of bringing the story to the big screen. It was quite a challenge, but we all strongly believed in the vision. The team grew but still stayed small and engaged. Timur helped and supported us, from day one. Nelson Greaves is a man of great energy and devotion"a gifted writer and a producer. He was the driving force of our production." Timur Bekmambetov returns the kind words: 'Nelson Greaves and Leo made a great team for the movie. Leo has the wisdom and experience, and Nelson Greaves is young and hasn't yet learned what's -impossible.' They worked together with Adam Sidman, who served as the responsible adult, allowing Leo and Nelson Greaves to dream big and try new things." One area in which Timur Bekmambetov challenged the team was to discover this new language of filmmaking through trial and error. He reflects: 'Normally, when I make movies, I can draw on references from a long history of moviemaking. For this, we were completely on our own. We had to invent. We had to try and fail and try again. We had to have discipline to stay within the limitations we had set for ourselves, and trust that people would connect with it." Throughout the process, Timur Bekmambetov continued working with the team to keep the concept in check. Nelson Greaves provides: 'Whenever we would have a moment of doubt, Timur Bekmambetov reminded us to be brave, be bold and just go for it." In presenting Unfriended, Blum was excited to push the envelope once again with moviegoers. He notes: 'The best horror films speak to audiences' primal fears, and Unfriended goes deep into the exploration of those fears in an extremely innovative manner of filmmaking. Here, a group of teens who think they're immortal begin to realize the consequences of actions they were so flippant about only one year earlier. When they are tested, will they stand together or will their group be torn apart by the very decisions that once brought them so close?" Want to Play a Game? Casting Unfriended The principal cast of Unfriended consists of six characters who become trapped in a game of cat and mouse, as Billie torments them with secrets they thought would never be uncovered and pushes them into horrifying actions. Working on tight time constraints, casting director John Mcalary brought talented actors in for auditions, but, as the performers would soon learn, they weren't average auditions. In the beginning, the team had actors read in the room with them, but it soon became quite clear that they needed to audition in front of a computer. So, the casting process took place just that way, in two different rooms, via video chat, and the cast was chosen based upon those auditions. Once they assembled their top choices, Gabriadze and his key crew conducted a mix and match of sorts, in which they took different groups of six people and had them do a scene together. In this, each was asked to find their character's personality and place in the group. Indeed, it was crucial that each actor was comfortable with improv and quick changes. After that, the final group of six was chosen. In auditioning actresses for the role of Blaire, the team knew the moment they saw Shelley Hennig that she was their Blaire. For Hennig, the chance to engage in improv was a primary draw for her. She shares: 'The audition was totally unconventional, compared to other projects I've auditioned for. I was in an office, Skyping with an actor in a separate room, while John [McAlary], Nelson Graves and Leo watched us from their monitor. They let us be free to improvise, which made it much easier to connect and build chemistry with the actors I was auditioning with. That process instantly hooked me, and went on to be how we actually shot the entire film." Shelley Hennig, who is well-known for her role as Malia Tate on TV's Teen Wolf, walks us through a quick description of Blaire: 'She's that girl in high school who makes it a priority to do the right thing, and keep life pretty simple. She's usually satisfied to spend her time hanging out with her crew on Skype, and being totally in love with her high-school sweetheart, Mitch." Of his leading lady, Gabriadze commends: 'When we met Shelley Henning, we all agreed she would make the perfect Blaire, as she is an extremely talented and hardworking actress. We also arranged a couple auditions to see how other actors got along together. Dynamics among them were very important for us, as they all are close friends in the movie. From that, we felt that Shelley Henning and Moses Storm would make a perfect couple on screen." As they never actually make physical contact throughout the film, it was important that Blaire and Mitch have palpable chemistry. After seeing several actors for the role of Mitch, the core team found him in Moses Storm. The performer, who will star in and is writing his directorial debut, #ModernMillennial, shares his experience: 'What drew me to the project was how innovative the concept of the film was. I'd never seen anything like it using this format. It seemed like a challenge, almost impossible to do, and the concept is what sparked my interest. During the casting process, I was in a long-distance relationship where our only contact was through Skype, so that definitely aided in the audition process and drew me to this as a unique way to tell a story." Renee Olstead, known for her co-starring role on the critically acclaimed coming-of-age series The Secret Life of the American Teenager, landed the role of the lovable-but-dim-witted Jess. Renee Olstead shares what intrigued her the most about being part of the film: 'What I love about this movie is that we flesh out every possible scenario. Initially, something scary happens, and in every other scary movie, the audience would say: -Well, why don't they just shut off their computer?' That's something we show right off the bat, exactly what happens when someone tries to leave the conversation. The filmmakers did their homework and created something that's authentically scary." For the role of tech-savvy Ken, who is arguably the biggest joker in the group, the team selected actor/comedian Jacob Wysocki. Much to the friends' terror, Ken finds out firsthand what happens when you disobey Billie. On what attracted him to the project, Wysocki gives: 'The concept was something that had never been attempted. In the audition process, they said there was room for improv"and I come from a background in that"so it was tantalizing to be part of something that was pitched as a play that never cuts." The actor shares that he drew inspiration from one of film's most recognizable hacker characters. He divulges: 'My inspiration for the character of Ken was Samuel L. Jackson's Ray Arnold in Jurassic Park." Actor Will Peltz, who recently starred in Men, Women & Children, was selected for the role of the crass, hard-partying Adam. Will Peltz, too, felt the relevance of the film and was intrigued with the manner in which the script put a twist on a contemporary topic. The actor shares his experience: 'Auditioning over Skype is something I've never done before. Using Skype in that way helped inform my character because it gave me a real-life experience that I could draw on during production. Almost everything we shot was done at our own little stations, except for a few select scenes." For the role of Val, the production chose actress Courtney Halverson, who will next be seen on HBO's groundbreaking series True Detective. Courtney Halverson shares: 'Val is that friend you have in your circle that you don't necessarily like hanging out with, but you have such a history together that it's hard to get rid of her. She's bossy, opinionated and can be a bit abrasive." Much like the others, Courntey Halverson was excited about the new take on the horror genre. She shares: 'When I came back in for a callback, we were each placed in separate rooms, given laptops and asked to improv a scene. I loved being able to play around in the audition process because it can get a bit stale having to deliver the same lines. This felt very fresh and new." Rounding out the cast in the role of Laura Barns, a fellow classmate who committed suicide after she was ridiculed over an embarrassing video of her passed out at a party, is Heather Sossaman (TV's Days of Our Lives). Mastering Improv: Pushing Their Limits With the six cast members locked-in and ready to go, the Unfriended director and producers realised that the script, as written, wasn't taking on the life that they needed and translating on screen. Therefore, they decided to push it further toward what they wanted it to be: a bunch of friends chatting on Skype and being terrorized by some otherworldly entity in the form of a cyberbully. To do that, they needed to tap deeper into the cast's improvisation skills. Before principal photography began, the cast rehearsed at Timur Bekmambetov's Bazelevs production offices, sitting in a circle and going through the script. As it became the norm with this production, the cast, Nelson Greaves and Leo Gabriadze began noting where they could truly improvise. Will Peltz shares: 'The shape of everything changed so much during the process of rehearsals, as well as during filming. Being able to create these moments on-the-fly became an exciting journey. It's cool to see this era that we live in come to life in a dark, twisted way." The way the film was shot, the cast members were completely separate from one another, each operating from a desktop in a separate room in a house in Santa Clarita, California. Still, they had to react to each other as though they were in the same space, which meant that each take was a little different. It was a bit like filming a live play, and each had only one camera pointed at him or her. As there weren't clear cuts, some takes went on for almost an hour and a half. Adam Sidman, who also served as director of photography, created a special network for the crew and actors to interact and film with their GoPros. Nelson Greaves walks us through his process: 'The script is structured like an 85-minute play, so we did long takes, including a few that were the full length of the movie. We have these actors who are trapped in separate rooms for this period of time, not speaking to anyone"except into the GoPro. You get to a place of truth that is so beyond what you could get if we did it in multiple takes and breaks. At the end of 85 minutes, the cast is seeing these things happen and they're so in the moment that these reactions couldn't have happened otherwise." Shelley Hennig describes the moment in which she suggested an attempt at filming the entire movie in one sitting: 'Once we began shooting, I was becoming confused as to why we weren't running the script from start to finish, since all of our rooms were well-lit for it. I ultimately suggested it to Nelson Greaves and Leo, and they loved the idea. I wasn't sure what I'd gotten myself and the rest of the cast into, but it wound up being one of the most satisfying experiences of my career. I have to give major credit to rest of the cast"I don't think it would have worked if everyone involved weren't great improvisers, including Leo and Nelson, who played -Laura' for us, on earpieces, as we shot in real-time." In addition to the lengthy takes, another innovative aspect of the filmmaking process was that each cast member had an ear piece in his or her ear, for Nelson reaves and Gabriadze to communicate line changes or offer suggestions for certain reactions as the scenes unfolded. Halverson discusses this process: 'During filming, each of us had headphones in, with Nelson and Leo giving live notes and instructions for different ways to play the scenes. I would get little sentences in my headphones like -Try to pick a fight with Jess,' or -Act like you can't stand being online with the rest of them,' and I had to try to implement them live." Every time Gabriadze and his team would change their minds on a scene or certain dialogue, it wasn't because they were uncertain of themselves; it was because they were inspired by a particular actor's movement or reaction to something that had just occurred. Storm elaborates: 'The filmmakers kept us in the dark about a lot of elements of the movie because it was somewhat improv-based, so we were all finding out the information at the same time the audience is." The only contact that the cast had with the outside production was via the actual desktop and the earpiece. A result was that they would sometimes forget they were on a movie set, which allowed them to embrace the organic nature of the project. Halverson explains: 'You're alone in a room filming all day, but it was kind of cool because you start to believe you're this character and this is your room, but you also have people in your ear telling you things in real time, so concentration was key." Even though each cast member was secluded in a different room, whenever they took breaks, they would reconvene and discuss what to do differently. Even during filming, any time there'd be a small break, the cast would stay plugged in on their computers, which allowed them to get to know each other. Peltz shares: 'We'd show up to set every day and have breakfast together and then we all went to our separate rooms, talking to each other over the computer. That's where we really got to connect, because we'd be spending nearly 10 hours a day in front of the computer. Then, we'd all come back together in reality over lunch. Then it was back up to the computers." Throughout the filming, the cast understood and embraced that cooperation, from all aspects of production, was key. Wysocki gives: 'The best part was the collaboration. Nelson and Leo listened to our thoughts and ideas, and it was a supportive environment. They were down with bold choices." Trapped Inside: Editing, Locations and Design The production assembled a stellar below-the-line team to bring this vision to life. Production designer Heidi Koleto crafted varying looks for each room, while director of photography Sidman was tasked with making sure each camera captured intricate moments for editors Parker Laramie and Andrew Wesman to assemble. Editing The filming of Unfriended is unconventional in that each cast member was his or her own camera operator. Each was individually recorded by the GoPro attached to his or her computer. The key to bringing the vision of Unfriended to the screen was in the editing hands of Laramie and Wesman. This began with Laramie's unrivaled skills working with AVID, a digital nonlinear editing system. Greaves shares: 'This is a very unusual movie in that you can look at it as one giant animation. We gave up trying to do it ourselves and brought Parker on board. He designed the most complicated AVID timeline that we have ever seen; it blew everyone away. He designed a functionality for making this movie that is so intensely intuitive. It could've never happened without that. It's a strange movie in that, because of the layering, you make the majority of it in postproduction." With the unique filming style, video footage was used in a way that few other productions could. Any video glitching or nonsynching sounds would be a disaster anywhere else, but with the subject matter of Unfriended, the filmmakers were able to use all 'mistakes" to their advantage. Laramie shares how he joined the project: 'They had a rough cut before I came on, which was basically a six-screen split of just the webcams. The naked performances were so raw and casual; I could tell Leo and the cast really got it. They understood what this needed to be. It reminded me of the first act of Alien, the way everybody talked to each other with such familiarity and ease." The editors weeded through six video layers from the GoPros, with Blaire's desktop as an additional layer. The audience sees the film primarily through Blaire's perspective, so it was important that everything be timed perfectly. Laramie and Wesman ended up mixing and matching from different takes to ensure the tension was maintained. Wesman provides why the work was so incredibly meticulous: 'The film is essentially one big 90-minute visual-effects shot, which is difficult because no nonlinear editing software is designed for that task. On the other hand, it was liberating how much control I had in postproduction to craft new moments from on-the-spot computer-screen captures, which allowed us to think up additional moments or plot elements and have them quickly visualized." With all the challenges presented in bringing the film to life, there were also many good surprises with the manner in which the film was shot. Wesman, for one, was surprised by how much character a computer mouse can actually have. He shares: 'The -performance' of the mouse could determine one's entire reaction to a scene, in the most subtle of ways. Things like how long the mouse hovered over a certain word or the speed with which the mouse moved from one button to the next can tell an intimate story in a way that is totally unique to this medium. 'A good story features an active character constantly making decisions," he continues, 'and this film lets the viewer become a voyeur into Blaire's decision-making process. Every time she types a word or deletes it, you not only read what she types, but also the subtext of what she deleted, which fascinated me. Initially, it was challenging to create a sense of dread and horror on a computer screen, but I soon realized that the experience of using a computer is so relatable and so personal that it connects readily with our everyday fears of exposure or the unknown." Describing his process of working with Nelson Greaves, Timur Bekmambetov and Levan Gabriadze, Laramie shares: 'These three are patient, tenacious and talented. The vision they had for such an off-the-wall film still baffles me. From day one, they were all so inviting and earnest. They have such a profound and passionate relationship with the creative process. Nelson Greaves has a great eye for the bizarre and off-kilter, and yet never forgets everything you need to get from A to B. Leo treats everything so delicately. A film with this much detail would never have gotten done without it. Timur Bekmambetov is on a different wavelength. He was always seeing things we couldn't, which unlocked the movie for us." Locations and Design For a film taking place in various rooms in the homes of six teenagers, utilizing one location was the most reasonable way to shoot the movie. The house, located in Santa Clarita, California, is an actual residence. During their search, Nelson Greaves and Levan Gabriadze knew they had to have a place that could accommodate the crew, as well as have separate rooms for each cast member. To create the illusion that each room was in a different location in the teens' fictitious town, these rooms needed to be designed differently. As the production's man of many talents, Sidman worked with production designer Koleto to take the lead on locations and find the perfect house. Koleto explains her process of designing for the feature: 'I focused on dressing the walls, since that was the bulk of scenery in the shots with the GoPros. I approached the design by breaking down each of the characters and creating a personality for their rooms. I also worked with Adam and Leo to get a feel of how they saw each character. Once you figure out what a character likes, it's easy to start to picture what they would fill their room with or how messy or neat they would be." As were all aspects of production, this process was not without its complexities. Filming in only one location, the issues were aplenty. Nelson Greaves explains: 'The challenges were cabling and sound…and us. We had to have video village somewhere. So, for most of the shoot, we were actually in the living room with Will Peltz, hanging big sheets of duvetyn and hiding behind them. But, what was nice about being in one location was the ease of production. We would never have gotten the level of truthful performances had that not been the case, because moving around from location to location gets actors out of character and the headspace we needed." Still, the challenges only strengthened the cast and crew. Levan Gabriadze shares: 'Filming in one location made us all feel as a family and helped the cast to open up and act freely without burdens. We were lucky to get to know each other closely and bring deep emotions into the movie, as well as have the ability for the cast to incorporate improv." Koleto also worked to hide the basic architectural elements of the house to ensure that each room looked like a different location. Additionally, the production designer and another team member had to provide all of the lighting in the room through practical lighting. Because the 360-degree shots would show the entire room, stage lighting couldn't be used. The house, which became home base for Shelley Hennig, Moses Storm, Renee Ostead, Will Peltz and Courtney Halverson, had five rooms to accommodate each person. But Wysocki wasn't as fortunate. He divulges: 'Everyone else was in the air-conditioned, gorgeous house. My room was in a shed in the backyard, which we called -the sweat box.' In addition, there was a nest of birds that was living in the shed that I could not disturb because there were baby birds in it. So, I definitely got the short end of the stick." Nelson Greaves pauses, then laughs: 'I'm glad he has forgiven us."
Unfriended Release Date: April 30th, 2015


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Black Inventors and Innovators - Meredith Gourdine
Meredith Gourdine was born on September 26, 1929 in Newark, New Jersey and died November 20, 1998 in Houston, Texas. Gourdine was an athlete, engineer and physicist.
Gourdine's father was a painter and a janitor and instilled a strong work ethic in his son. His father also taught him the importance of staying in school and emphasized academics.
Gourdine excelled in academics and athletics in high school. Gourdine was offered a swimming scholarship to the University of Michigan but chose to go to CornellUniversity. It was not until his sophomore year that CornellUniversity offered Gourdine a scholarship in Track and Field. Gourdine competed in sprints, hurdles and the long jump and Cornell took second place at the 1952 NCAA Track and Field Championship to The University of Southern California. In that same year Gourdine was chosen to represent the United States in the Summer Olympic Games in Helsinki, Finland. Gourdine won the silver medal in the long jump losing by one and half inches. Gourdine received a Bachelor's Degree in Engineering Physics and then entered the United States Navy. Following his Navy career Gourdine received a Ph.D in Engineering Science from the California Institute of Technology.
With money borrowed from family and friends Gourdine opened a research laboratory in New Jersey called Gourdine Laboratories which employed 150 people. Then 10 years later he founded Energy Innovation Inc. in Texas which produced direct-energy conversion devices that would convert coal into electrical energy. During this time Gourdine created the Incineraid system used to disperse smoke from burning buildings and fog on airport runways, a process for desalinating seawater and a high-powered industrial paint spray to name just a few. Gourdine held over 30 patents most of which were used for allergen-filtration systems similar to those used in households today.
In the years before Gourdine's death he suffered from diabetes which caused him to lose one of his legs and his sight.
Gourdine was an Olympic athlete and an inspiration to all. Not only did he excel athletically but academically as well and has helped us all to breathe a little easier.


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Samvritha Sunil - Akhil Jayarajan marriage date has been fixed to 1st November 2012.
Samvritha will share her rest of the life with Akhil Jayarajan, a software engineer who works in California, USA.
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I cry a lot these days. Good, necessary cries. Tonight I thought a lot about my Dad and cried. It's healthy.
- Me:
- Owner, "MAP Wellness" - a culinary nutrition and wellness company. Writer. Passionate cook, raw food chef, reiki practitioner, yoga teacher, and LIVE WELL educator. do yoga. enjoy good food. run. plant food. cook. savour wine. read books. buy good food. love. grow your energy. find peace. enjoy food. have passion. skip. eat food. do yoga. listen to jazz. have presence. be present. bike. read. see. hear. be. live. love.
Wednesday, August 31, 2011
I Cry
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Meet Barbara Gutstadt……
Barbara Gutstadt, Founder and CEO of Women's Golf and Travel Concierge, is an accomplished business-woman, serial entrepreneur, author and public speaker. Barbara's professional career started as a registered nurse. Barbara transitioned her health care knowledge and entered corporate America establishing a nationwide healthcare claims review company. After five years, this company was acquired by a major healthcare organization. Moving forward Barbara had an intense interest investments and protection strategies leading Barbara into the financial services industry where she developed a multi-state practice. Barbara became well known for her dynamic presentations on the topic women and investing. Within 3 years of her financial services career, Barbara achieved ranking as the number one advisor in the country.
Barbara is also CEO and President of The Gutstadt Group, LLC., a company that provides strategic direction and coaching for start up companies. One Barbara's passion to help the less fortunate led her to develop direct care facilities for individuals with developmental disabilities. Currently Barbara and her partners oversee the care of 32 individuals with disability challenges. Barbara's residential care facilities are ranked number one in the State of Florida. Barbara is additionally a Registered Nurse and serves as a Certified Medication Instructor in Florida representing the Agency for Persons with Disabilities.
Barbara's current life is all about fulfilling her passions and spending more time traveling, playing golf, and inspiring the next generation of career women that they too, can have it all with the choices they make along the way. Barbara is an avid golfer and travels extensively to establish future golf destinations for her current business, Women's Golf and Travel Concierge. She has positioned herself as a golf destination travel consultant and golf tour operator. Barbara's new company, Womens Golf and Travel Concierge is offered to non-profit associations, organizations and corporations providing services ranging from why and how to play golf to introducing golf destination packages tailored for women. Barbara's company offers "Travel with a Pro's" golf packages.
Barbara previously served as the Director of Marketing for the EWGA Palm Beach Chapter, and Membership Co-Chairperson for SWFL EWGA. Barbara is co-author of "Teeing Up For Success" dedicated to inspiring business women to become empowered through the game of golf.
In addition to her love of golf, you'll find Barbara captaining her boat through the Intracoastal waterways or biking in charitable rallies. Barbara is active in Special Olympics with her very "special family".
Barbara is a proud mother of two children and three grandsons and resides in sunny Florida in a golfing community.
Q&A with Barbara:
Golf level…Intermediate golfer
Favorite golf course…Pebble Beach. It's undeniably one of the best legendary courses to play in the world. Playing Pebble Beach can be described as a golfer's dream come true. The exhilaration of being on this spectacular course and the incredible panoramic views are breathtaking and make up for the challenge the course poses. Every golfer should experience the trill of playing Pebble Beach!
Favorite travel destination…Sydney, Australia. I had an awesome experience attending the 2000 Olympics. The atmosphere and camaraderie among all of the athletes and spectators was nothing short of amazing. Golfing along Bondi Beach was an unforgettable thrill.
Favorite golf clubs… Callaway Big Bertha's OS
Favorite golf ball…Sxiron
I play golf because…It allows me to connect socially with my family, friends and business associates. I enjoy the diversity of each course and the challenges to overcome them. My best day on the course is having the opportunity to inspire other women to enjoy the game of golf.


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I broke my leg earlier this year, so I was given a shower chair to help me out. And tonight I've made a really cool discovery: it functions as a laptop table, too!
My particular chair has a groove in it for where someone's butt is supposed to go. That groove conveniently works as a place for my laptop's protruding battery to sink into. It's perfect.
Warning: Using electronics in the bath may result in injury, e.g. electrocution. I do not recommend anyone else do this.


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Last night, Toby Haborkorn, author of the new book, Best Job Search Tips for Age 60-Plus; A Practical Work Options Resource for Baby Boomers, was our guest on the 95.9 WATD show, My Generation.
Click on the audio link below to listen to the entire show:
Toby's book is a must read for people who want to continue working past age 60! Welcome to Best Job Search Tips For Age 60-Plus: A Practical Work Options Resource for Baby Boomers where readers will learn about effective job search strategies and realistic work possibilities. Boomers have already changed many of the stereotypes our society holds. Most would say they are very different from their parents, who appeared to be much older at the same age and saw retirement as the only reward for their years of work. With so many Americans living into their 90s, working past age 60 is increasingly common. Whether working for income or looking for meaningful work post retirement, job seekers face an employment market has changed drastically in recent years. This "forever young" generation now must also confront many workplace challenges including age discrimination. In an evolving and competitive job market, proactive preparation is more important than ever before. With over 25 years of experience, employment coaches, Toby Haberkorn and Elizabeth O'Neal understand the unique skill sets Baby Boomers bring to the job market, as well as the challenges of finding employment in a youth-oriented world. Their advice and job search resources are ideal for those who want to stay in the game. • Learn to implement effective 21st century job search strategies • Make technology and internet work for you • Update your personal and digital profile • Prepare for telephone, video and in-person interviews • Neutralize age-related employment challenges.
Toby is an experienced executive-search consultant and certified job search strategist. She enjoys working with mature individuals who are at crossroads in their careers and lives. Toby is known for her job-market knowledge, strategic expertise and mentoring. She helps individuals determine and achieve their goals.
Toby's career has ranged from being the Executive Director of a Cultural Arts Center to working in Human Resources Management and retained-executive search as well as having written an industrial newsletter.
To purchase her book, please visit Amazon.com.
Categories: Podcasts, Uncategorized


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Due to the R7 construction, the Zero Large Firebird Skateboard is extremely durable and offers you the desired pop you are looking for.
Zero came to life at a time when skateboarding was feeling slightly stiff and preppy. Founder Jamie Thomas wanted to cater to the underdog, bringing back the raw and powerful ruggedness of skateboarding. With some of the most influential skate videos to date and a whole new take on graphics, Zero made it to the top of the line at the turn of the century. With a pro team that puts most other brands to shame, Jamie Thomas has been able to continue building and expanding his dream.


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Many times in many projects I had to filter some records in a list by selecting not one but multiple categories. This has been a nightmare to be done in a stored procedure since you had to have a limited numbers of parameters and it would be inefficient to have @category1, @category2, etc. What you… Read Article →
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text: 87-Year-Old Grandma Sentenced to Prison For Saying Auschwitz was Just a Labor Camp 0 11:49 PM A+ A- Print Email Revealing exactly why the U.S. Constitution's First Amendment is so crucial, an 87-year-old woman was sentenced to 10-months in jail after being convicted of violating German hate speech laws after claiming that Jews were never exterminated in Auschwitz.According to German state-run broadcaster, Deutsche Welle: A court in Detmold on Friday sentenced Ursula Haverbeck to eight months in jail on charges of sedition. The presiding judge ruled out the possibility of parole and said that Haverbeck had a lack of "any kind of respect" and that she had made more offensive comments in the courtroom.Haverbeck is expected to appeal against the sentencing. In Germany, anyone who publicly denies, endorses or plays down the extermination of Jews during Adolf Hitler's regime can be sentenced to a maximum of five years in jail.Haverbeck was found guilty of writing a letter to Detmold's mayor, Rainer Heller, saying it was "clearly recognizable" that Auschwitz was nothing more than a labor camp. She wrote her message at the time when the Detmold court was trying Reinhold Hanning, a former guard who served at the Auschwitz concentration camp.It should be noted that Ursula Haverbeck is well known for her extremist right-wing views, and has run afoul of German hate speech laws in the past—with courts having previously given her fines and another suspended sedition sentence, according to Fox News.Just last year Haverbeck went on trial for proclaiming that the Holocaust was "the biggest and longest-lasting lie in history." However, even if her speech is wrong and hateful, this woman, like everyone else, deserves not to be silenced.Wikipedia explains German hate speech laws as:Volksverhetzung, in English "incitement of the masses", "instigation of the people", is a concept in German criminal law that refers to incitement to hatred against segments of the population and refers to calls for violent or arbitrary measures against them, including assaults against the human dignity of others by insulting, maliciously maligning, or defaming segments of the population. It is often applied to, though not limited to, trials relating to Holocaust denial in Germany.In the U.S., incitement of violence is criminal, but "assaults against human dignity of others by insulting, malicious maligning, or defaming segments of the population" are considered an exercise of free speech, and are protected under the First Amendment.Essentially, German law has criminalized speech as a means of controlling political discourse—meaning the government will tell you what is acceptable to say, and who is fair game to malign.For example, during Carnival in Germany political satire and fancy costumes are common themes, with many German cities holding float parades, of which many depict political themes. Floats maligning U.S President Donald Trump were common, and in one instance depicting him with a decapitated head held up high by the Statue of Liberty.There were numerous other floats making fun of nationalist European leaders and right-wing parties. One float in Düsseldorf, showed President Trump standing next to a blond Hitler, along with France's Marine Le Pen, and the Netherlands' Geert Wilders.Germany tradition prides itself on Narrenfreiheit ("jesters' freedom") to mock the powerful—with Germany's state-run Deutsche Welle news agency proclaiming, "German jesters take on kings for 2017 Carnival."For those that found the violent depiction of right-wing politicians objectionable, prominent German journalist Christian Thiels was quick to remind the public that, "It's called 'freedom of satire'. You don't have to like it or find it tasteful but it is part of free speech."Yet, when the residents of the small German town of Bad Bergzabern attempted to mock Chancellor Angela Merkel and her refugee policy there was a starkly different response.A non-political group of locals showed up with a float of German Chancellor Angela Merkel behind prison bars, with the caption: "This is how traitors end up." Essentially, the German equivalent of the popular U.S election slogan used by many Trump supporters for Hillary Clinton: "Lock her up." Interestingly, the same German police and legal system that took weeks to open an investigation in the wake of mass sexual assaults in the city of Cologne on New Year's Eve, and eventually closed most of the cases after a year-long investigation, immediately began a criminal investigation into the group of locals.Germany's state-run Südwestrundfunk broadcaster wrote:"The float showed the head of the Chancellor behind the prison bars. According to a police statement, by Tuesday many residents had complained about the float and a case had been filed. The State Attorney's office in Landau is examining if the depiction of the Chancellor is a punishable offense.""The float was registered by a private group from South-Palatinate Kapellen-Drusweiler. The office-holders of the group told SWR that they do not belong to any right-wing group, and only wanted it to be a thought-provoking exercise."Source: http://humansarefree.com/2017/09/87-year-old-grandma-sentenced-to-prison.html Get Widget Share to:


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STOP PRESS: Who has declared war on the United States?
COVER STORY: Canberra to blame for Ansett's demise
CANBERRA: Asylum seekers bring ill tidings for Beazley and the ALP
COMMENT: Boat people reaction - echoes of the 1970s
NEW ZEALAND: Army caught in political imbroglio
STRAWS IN THE WIND: Send in the counsellors / Good morning, Vietnam
MEDIA: Out of touch with majority sentiment
LETTERS: Tristar: another view
Letter: Poor reception
Letter: Let them stay
REGIONAL AFFAIRS: Why East Timor chose Portuguese
TRADE: Lamb exports: where to now?
BUSINESS: Selling wholesome food to Australia's homes
FAMILY: Well-being of families and nation intertwined
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HIGHER EDUCATION Massification: it's the name of the game
COVER STORY The Christ child: a life lived for the whole world
CANBERRA OBSERVED Libs fish around for explanations
WATER RESOURCES Murray-Darling management delivers the worst of both worlds
ASIAN AFFAIRS Taiwanese agree to stick with nuclear power
EDITORIAL The Remnant, resistant, creative minority
COVER STORY The Natural Family as an integrative social force in American history


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I i've looked for a shell scripted forum but it's based on .nix so it doesn't apply to me .
I'm making a program that will attempt to lessen the effects of a flash drive when placed in an infected pc.
Basically it will make a folder named autorun.inf
then make a folder named "con" inside it...
the problem is that the system function ( "mkdir con" );
says "invalid directory", I know that MS prevents the end user from making Aux, con etc. but is their any way to make the folder without typing it into the command.exe window? ( to make it more user friendly )... ( .bat files don't work... same error )
Thank you in advance...


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The music of Anton Bruckner rarely turns up at Hollywood Bowl--for numerous and varied reasons.
Previous to the Symphony No. 8 played on Thursday, Bruckner's name had appeared on Bowl programs only once before, on Aug. 22, 1974. The symphony was the same on that occasion, as was the conductor, Zubin Mehta. The orchestra then was the Los Angeles Philharmonic; this time it was the Israel Philharmonic, concluding its stint of three concerts at the Bowl.
It was a brave and risky venture, for easy popularity is not to be won by Bruckner's Eighth under any circumstances. It is inhumanly long--Mehta's playing time ran to 71 minutes--and it demands superhuman concentration and endurance from performers and audience. The players survived the ordeal in total splendor. The audience did not do as well: Quite a few quitters tippy-toed out in the breaks between movements.
Artistically, it was a triumph for Mehta and the Israelis. Mehta conducted with massive authority and deep involvement. He counteracted Bruckner's lack of true melodic inspiration by imparting a sort of intense poignance to the thematic material. He had the sprawling form under such strict but never rigid control that the longueurs seemed mitigated. He gave Bruckner time to breathe.


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Latitude: 52.4371 / 52°26'13"N
Longitude: -1.8571 / 1°51'25"W
OS Eastings: 409812
OS Northings: 282138
OS Grid: SP098821
Mapcode National: GBR 69S.W7
Mapcode Global: VH9Z9.R0LJ
Entry Name: The Chalet
Listing Date: 8 July 1982
Grade: II
Source: Historic England
Source ID: 1075554
English Heritage Legacy ID: 217178
Location: Birmingham, B13
County: Birmingham
Electoral Ward/Division: Springfield
Built-Up Area: Birmingham
Traditional County: Worcestershire
Lieutenancy Area (Ceremonial County): West Midlands
Church of England Parish: Springfield
Church of England Diocese: Birmingham
Moseley B13
No 143 (The Chalet)
Early C19 cottage ornee in appearance but perhaps older in origin.
Pebbledashed; tile roof. One storey plus attic; three bays, that on the left set back a little and at a slight angle to the rest of the facade. Simple panelled door beneath a bargeboarded and tiled porch. Windows of two or three lights, all with leaded glazing and some beneath tiled canopies and with bargeboards. Bargeboards, too, at eaves level. In the roof, three tiled and gabled dormer windows, all also with leaded glazing and bargeboards.
Inside; the Minton tiles in the hall and late C19 stained glass windows.
Listing NGR: SP0981282138
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Other nearby listed buildings


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Ball Gowns Fit For a Queen
So you've been invited to your friend or relative's wedding but have no idea fashion? This is a common concern as people worry about punching the balance between formal and cozy. Your outfit must be in a appropriate colour, less than tight and less than loose to help you take pleasure in the evening meal and dance the night time away. It can also depend upon the venue as some will demand more formal attire than the others. What's important too is basically that you jump out yet don't steal the spotlight from the bride and groom. Therefore there are several tips you can planned when picking your ultimate wedding outfit.
1. Never, ever wear white with a wedding. It's the bride's perfect day, and wearing the same color as her, and even resembling her dress in anyway, is sufficient to be with her to consider you're looking to steal her thunder. Instead, try for a more fun and fresh summer color. Floral colors, including coral or mint are perfect starts.
Though for women it isn't really better to wear black to your wedding, for males it is acceptable because so many suits come in the classic colour. If you do elect to wear black, be sure to decide on a light fabric in a modern cut and get away from business suit territory. To brighten in the outfit, wear a block-coloured shirt in a very tone that meets your complexion. Don't drink too much on the brightness, but instead choose pastel or dark colour hues. Accessorise using a bow tie in a very darker or lighter tone of the colour for a creative appearance. If you're daring enough, choose to wear socks http://www.mydreamwedding.ie/weddingblog/entry/wedding-accessories/5-floral-hair-accessories-that-look-fairy-tale-stunning-for-a-spring-wedding of the same colour too. You can also jazz in the outfit using a scarf or handkerchief peeking out of your jacket's front chest http://www.mydreamwedding.ie/weddingblog/entry/groomsmen/what-men-should-wear-to-weddings-as-a-guest pocket.
In addition, tea-length dresses are another 1950's inspired look ideal for petite brides considering less formal, fun afternoon weddings, while mini dresses are among the "hottest" trends this year, perfect for the somewhat "funky" bride who desires a different more free form of dress to wear with the reception so she will dance the evening away.
What will become your wedding fashion statement? Texture is arriving on many current gown designs in asymmetrical lines, lovely deep pleats and puckers. Beautiful fabrics, ruffles, soft bustles, sheer lace, and stylish beading abound. How about colored nail polish, color around the eyes or perhaps a unique jewelry statement for a creative addition?


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Throughout every appointment with a possible customer, the new bride opens her wedding celebration coordinator as well as turns to her duplicate of the 10 essential concerns to ask a wedding celebration digital photographer. These top-ten-lists published in wedding event publications do not go much sufficient. They will substantially enhance the details you obtain from photographers.
Do you approve household picture checklists?
Every professional photographer ought to approve this listing. Evaluation the checklist with your digital photographer, and also he'll inform you just how much time will certainly be required to take every image. Every wedding celebration supplier need to have a minimal $1 million obligation plan. This insurance coverage covers mishaps or harm the professional photographer might trigger while functioning.
Will you make adjustments to the agreement?
Numerous photographers object to transforming their agreements for any kind of factor. I recommend the adhering to checklist of enhancements to every digital photography call.
- The Washington DC photography you are working with ought to be called clearly as the professional photographer that will certainly picture your wedding event.
The agreement must note any kind of early repayment as a down payment. In some states, you might have a hard time being reimbursed a retainer if the digital photographer falls short to execute the agreement.
- You need to supply constraints on points he should not photo, such as the bride-to-be or bridegroom undressed.
- If you're getting electronic downsides in the bundle, you'll require the digital photographer to give you a copyright certificate to make use of the electronic apply for limitless individual printing.
- The agreement will certainly have a "Failing to Do" area. It must specify that you are qualified to a complete reimbursement of all cash paid, consisting of the down payment, must the Washington DC photography not picture your wedding celebration.
Anything is feasible when your professional photographer has excellent electronic modifying abilities. Do not count on it being complimentary. Modifying is an extremely considerable procedure that commonly sets you back much more due to the moment that is included.


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Columns for risk factors, rows for individuals. Entries refer to genotypes (number of risk alleles as defined in the locus file, ie can also be protective alleles) or exposure levels
data frame
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Digital weigh scales have will come being widely employed by numerous industries currently, resulting from its good thing about accurately testing the actual amount of any supplied merchandise. These electric weighing machines have substituted the aged standard techniques of measuring any form of product, by way from the manual ponder scale. One particular purpose is deposited into your simple fact which the older techniques of testing have been not usually trustworthy. Prospects also are in support of electric digital weigh scales today, because from the electric display of the people machines that constantly offer an appropriate figure. The goods's extra fat will get displayed in the display from the electric weighing device, going out of no space for any kind of error. Hence the manual weigh scales have grown to be an uncommon sight as, shop house owners prevent working with it to be able to prevent discrepancies in figures often translating into losses to the part of both the client plus the store.
These e weighing machines are already designed within a number of shapes and sizes depending after the use and trade sort. Component of the relatives in the electronic weigh size machines contain a jewelry scale, infant weighing range, counter scale, personal level as well as a coin operated size. These cater to a range of professional and domestic desires of list retailers, laboratories, accommodations, shopping malls and go downs. In addition, the thickness and weight of paper along with other merchandise created from record, are also measured from some electric weighing machines. While this digital bathroom appliance is applied in a really quantity of purposes, the resources that go into its manufacturing also require being taken keep in mind. Leading quality raw materials generally consist of channels, angles, electric parts and also other metal sheets.
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PROLEGOMENA TO A LEXICO-GRAMMAR OF ENGLISH PREDICATES: THE VERB(En papel)
, 2013
- Nº de páginas: 320 págs.
- Encuadernación: Sin definir
- Editorial: COMARES
- Lengua: INGLÉS
Inseparables, comprar "PROLEGOMENA TO A LEXICO-GRAMMAR OF ENGLISH PREDICATES: THE VERB" junto con:
Datos del libro
- Nº de páginas: 320 págs.
- Editorial: COMARES
- Lengua: INGLÉS
- Encuadernación: Sin definir
- Año edición: 2013
- Plaza de edición: ESPAÑA
In the preparation of this book we deeply acknowledge the help and advice of a number of colleagues of our Departamento de Filología Inglesa (Lengua Inglesa), Universidad de Sevilla, Spain. A vote of thanks goes to Tony Dawson, our formerly active member of our research group now retired, who was able to masterly disentangle lexical nuances both in English and in Spanish. We should not forget other colleagues of our research group, especially Joaquín José Fernández Domínguez and Ángel Jiménez Fernández, whose notes and observations were always very useful. Although unaware of the mammoth task we were involved in, Jane Arnold and Anthony Bruton have also earned our gratitude as we exposed them to many tricky questions and whose answers have benefited us in the long term. Mary O'Sullivan in particular deserves our heartfelt thanks for illuminating us with her insightful comments in the numerous intricacies looming high above us in the analytical process of some verbal units. Finally, our indebtedness also to Aránzazu Ascunce, from the University of Hawaii, who spent almost six months in our Department and generously committed herself to read some parts of the draft of this book. Needless to say, all their guidance and expertise do not go hand in hand with the possible mistakes that can be found, which is our responsibility.
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