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The letter on "Tannhäuser" in Paris was originally published in the supplement to the Deutsche Allgemeine Zeitung for April 7, 1861, and reprinted in the Neue Zeitschrift five days later.
Paris, 27th March, 1861.
I PROMISED to give you a full report, some day, of my Tannhäuser affairs in Paris; now that they have reached a climax, and can be surveyed in their whole extent, it is some satisfaction to myself to come to a final settlement by a calm review of their leading features—as it were for my own behoof. But none of you can rightly grasp the nature of this business, unless I also touch upon the true motive of my coming to Paris at all. Let me therefore begin with that.
After wellnigh ten years' preclusion from all possibility of reinvigorating myself by assisting at good performances of my dramatic compositions—if only periodically—I felt driven at last to contemplate removal to a spot which might bring this needful living contact with my art within my reach, in time. I hoped to be able to find that spot in some modest nook of Germany itself. The Grand Duke of Baden had already promised me, with most touching kindness, the production of my latest work at Carlsruhe under my personal direction; in the summer of 1859 I pressed him most importunately, in lieu of the projected temporary sojourn, to use his influence to forthwith procure me a permanent domicile in his country, (01) as there would otherwise be nothing for me to do but settle down in Paris for good. My plea's fulfilment was—impossible.
However, when I removed to Paris in the autumn of that same year, I still kept in sight the production of my "Tristan," for which I hoped to be summoned to Carlsruhe for the 3rd December. Once brought to performance under [350] my own supervision, I believed I then could entrust the work to the other theatres of Germany. The prospect of dealing in the same way with the rest of my works, in future, sufficed me; and on this assumption Paris offered me the solitary interest of hearing an excellent quartet, an admirable orchestra, from time to time, and thus keeping myself in refreshing touch with at least the living organs of my art. All this was changed at a blow when I received notice from Carlsruhe that it had turned out impossible to produce my "Tristan" there. My sorry plight at once inspired me with the notion of inviting certain firstrate singers of my acquaintance to Paris for the following spring, so as to bring about the desired model-performance of my new work, with their assistance, on the boards of the "Italian Opera"; to this I also meant to invite the Directors and Regisseurs of friendly German theatres, in order to compass the same result as I had had in eye with the Carlsruhe production. Since the execution of my plan was impossible without the assistance of the larger Paris public, I was bound to bespeak its interest for my music, and to that end I undertook the well-known three concerts in the Théâtre des Italiens. The highly encouraging result of these concerts, in the matter of applause and interest, unfortunately could not help forward the main enterprise I had in view; for it was just these concerts that plainly shewed me the difficulties of any such undertaking, whilst the impossibility of gathering at one time in Paris the singers I had chosen was sufficient in itself to make me abandon the plan.
Hemmed in on every hand, and once more casting a longing look on Germany, I learnt to my intense surprise that my lot had become the subject of animated discussion and advocacy at the court of the Tuileries. It was to the extraordinarily friendly interest—almost unknown to myself before—of several members of the German embassies here, that I had to thank this propitious turn of affairs. It went so far that the Emperor, having also heard the most flattering account of my "Tannhäuser" (the work most spoken of) from a German princess for whom he entertained [351] a particular esteem, (02) at once gave orders for the performance of that opera in the Académie impériale de musique.
Now I don't deny that, though highly delighted at first by this quite unexpected evidence of my works' success in social circles from which I personally had stood so distant, I soon could think with naught but grave misgivings of a performance of "Tannhäuser" at that particular theatre. To whom was it clearer, that this great opera-house had long estranged itself from every earnest artistic tendence; that in it quite other claims, than those of Dramatic Music, had brought themselves to currency; that Opera itself had there become a mere excuse for Ballet? In fact, when of late years I had received repeated invitations to think about the performance of one of my works in Paris, I had never dreamt of the Grand Opéra, but rather—for a trial—of the unassuming Théâtre Lyrique. And for two definite reasons: firstly, that here no special class of the audience prescribes the tone; secondly, that—thanks to the poverty of its exchequer—the Ballet pure and simple has not as yet become the focus of its whole art-doings. But, after many times returning to the idea, of his own accord, the Director of this theatre had been obliged to renounce a performance of "Tannhäuser," mainly because he could find no tenor competent to fill the difficult chief rôle.
As a matter of fact, my first conference with the Director of the Grand Opéra shewed me that the introduction of a ballet into "Tannhäuser," and indeed in the second act, was considered a sine quâ non of its successful performance. I couldn't fathom the meaning of this requirement, until I had declared that I could not possibly disturb the course of just this second act by a ballet, which must here be senseless from every point of view; while on the other hand I thought the first act, at the voluptuous court of Venus, would afford the most apposite occasion for a choreographic scene of amplest meaning, since I myself [352] had not deemed possible to dispense with dance in my first arrangement of that scene. Indeed I was quite charmed with the idea of strengthening an undoubtedly weak point in my earlier score, and I drafted an exhaustive plan for raising this scene in the Venusberg to one of great importance. This plan the Director most emphatically rejected, telling me frankly that in the production of an opera it was not merely a question of a ballet, but of a ballet to be danced in the middle of the evening's entertainment; for it was only at about this time that the subscribers to whom the ballet almost exclusively belonged, appeared in their boxes, as they were in the habit of dining very late; a ballet in the opening scene would therefore be of no use to them, since they were never by any chance present for the first act These and similar admissions were subsequently repeated to me by the Cabinet-minister himself, and all possibility of a good result was made so definitely dependent on the said conditions being fulfilled, that I began to believe I should have to renounce the whole undertaking.
But while I thus was thinking again, more actively than ever, of my return to Germany, and spying out for a foothold to be granted me for the performance of my new works, I was now to discover the full value of the Emperor's command; for he placed the whole institute of the Grand Opéra at my disposal, without conditions or reserve, and allowed me carte blanche for whatever engagements I deemed needful. Every acquisition desired by me was forthwith carried out, without the slightest counting of the cost; to the mise-en-scène a care was devoted such as I had never conceived before. Under circumstances so entirely novel to me, I soon was more and more persuaded of the possibility of seeing a thoroughly complete, nay, an ideal performance. The vision of such a performance, wellnigh no matter of which of my works, had long occupied my mind since my withdrawal from our Opera-house; what nowhere and never had stood within my power, was unexpectedly to greet me here in Paris, and at [353] a time when no efforts had availed to procure me an even remotely similar privilege on German soil. I openly admit that this thought inspired me with a warmth unknown for many a day, a warmth only intensified, perhaps, by a bitter feeling mixed therewith. I soon had eyes for nothing but the possibility of a splendid performance, and in the absorbing care to realise that possibility I allowed no other sort of consideration to influence me: if I attain what I may dare hold possible—said I to myself—what care I for the Jockey Club and its ballet?
Henceforth my eveiy thought was for the performance. There was no French tenor to be had, so the Director told me, for the rôle of Tannhäuser. Informed of the brilliant talents of the youthful singer Niemann, though I had never heard him myself, I cast him for the title-rôle; after the most careful preliminaries, his engagement was concluded at great expense, especially as he was master of a very fluent French pronunciation. Several other artists, and in particular the barytone Morelli, owed their engagement to nothing but my wish to acquire them for my work. Moreover, instead of certain first singers already popular here, whose too settled method alarmed me, I gave the preference to youthful talents whom I might hope to mould more easily to my style. I was surprised by the carefulness, quite unknown among ourselves, with which the voice-and-pianoforte rehearsals are here conducted; under the intelligent and sensitive guidance of the chef du chant, Vauthrot, I soon found our studies progressing at a rapid pace. In particular was I rejoiced to see how the younger French artists arrived at a better and better understanding of the thing, and caught a genuine liking for their task.
Thus I myself was taken with a new liking- for this earlier work of mine: I most carefully revised the score afresh, entirely re-wrote the scene of Venus and the ballet-scene preceding it, and everywhere sought to bring the vocal parts into closest agreement with the translated text.
Now, as I had made the performance my unique aim, [354] and left every other consideration out of count, so my real trouble at last began with the perception that this performance itself would not attain the height expected by me. It would be hard for me, to tell you exactly on what points I had finally to see myself undeceived. The most serious, however, was that the singer of the difficult chief rôle fell into greater and greater disheartenment the nearer we approached the actual production, in consequence of interviews it had been thought necessary for him to hold with the reporters, who assured him of the inevitable failure of my opera. (03) The most promising hopes, which I had harboured in the course of the pianoforte-rehearsals, sank deeper and deeper the more we came in contact with the stage and orchestra. I saw that we were getting back to the dead level of ordinary Operatic performances, that all the requirements meant to bear us far above it were doomed to stay unmet Yet in this sense, which I naturally had disallowed from the first, we lacked the only thing that could confer distinction on such an Operatic show: some noted 'talent' or other, some tried and trusted favourite of the public; whereas I was making my début with almost absolute novices. Finally what most distressed me, was that I had not been able to wrest the orchestral conductorship, through which I might still have exercised a great influence on the spirit of performance, from the hands of the official chef d'orchestre; and my being thus compelled to mournfully resign myself to a dull and spiritless rendering of my work (for my wish to withdraw the score was not acceded to) is what makes out my genuine trouble even to this day.
Under such circumstances it became almost a matter of indifference to me, what kind of reception my opera would meet at the hands of the public: the most brilliant could not have moved me to personally attend a longer series of performances, for I found far too little satisfaction in the thing. But hitherto you have been diligently kept in [355] ignorance of the true character of that reception, as it seems to me, and you would do very wrong if you based thereon a judgment of the Paris public in general, however flattering to the German, yet in reality incorrect. On the contrary, I abide by my opinion that the Paris public has very agreeable qualities, in particular those of a quick appreciation and a truly magnanimous sense of justice. A public, I say: a whole audience to which I am a total stranger, which day by day has heard from the journals and idle chatterers the most preposterous things about me, and has been deliberately set against me with wellnigh unexampled care—to see such a public repeatedly taking up the cudgels in my behalf against a clique, with demonstrations of applause a quarter of an hour long, must fill me with a warmth of heart towards it, were I even the most indifferent of men. But, through the admirable foresight of those who have the sole distribution of seats on first nights, and had made it almost impossible for me to gain admission for my handful of personal friends, there was assembled on that evening in the Grand Opera-house an audience which every dispassionate person could see at once was prejudiced in the extreme against my work; add to this the whole Parisian Press, which is always invited officially on such occasions, and whose hostile attitude towards me you have simply to read its reports to discover: and you may well believe that I have a right to speak of a great victory, when I tell you in all sober earnest that this by no means exquisite performance of my work met with louder and more unanimous applause than ever I experienced personally in Germany. The actual leaders of an opposition perhaps almost universal at first—several, nay, very likely all of the musical reporters here—who up to then had done their utmost to distract the attention of the public, were seized towards the end of the second act by manifest terror of having to witness a complete and brilliant success of "Tannhäuser"; and now they fell on the expedient of breaking into roars of laughter after certain cues, pre-arranged among themselves at the [356] general-rehearsals, whereby they created a diversion sufficiently disturbing to damp a considerable manifestation of applause at the curtain's second fall. These selfsame gentlemen, however, had observed at the stage-rehearsals, which I had also not been able to hinder them from attending, that the opera's real success lay guaranteed in the execution of its third act. At the rehearsals an admirable 'set' by Mons. Despléchin, representing the Wartburg valley in the light of an autumn evening, had already exerted on everyone present a charm which irresistibly gave birth to the Stimmung requisite for taking-in the following scenes; on the part of the performers these scenes were the bright spot in the whole day's work; quite insurpassably was the Pilgrims' Chorus sung and managed; the Prayer of Elisabeth, delivered in its entirety by Fraulein Sax with affecting expression, the 'fantasie' to the Evening-star, rendered by Morelli with perfect elegiac tenderness, so happily prepared the way for the best part of Niemann's performance, his narration of the Pilgrimage—which has always won this artist the liveliest commendation—that a quite exceptional success seemed assured for just this third act, even in the eyes of my most determined adversaries. So this was the act the aforesaid leaders fastened on, trying to hinder any onset of the needful mood of absorption (Sammlung) by outbursts of violent laughter, for which the most trivial occasion had to afford the childish pretext. Undeterred by these adverse demonstrations, neither did my singers allow themselves to be put out, nor the public refrain from devoting its sympathetic attention, and often its profuse applause, to their valiant exertions; and at the end, when the performers were vociferously called before the curtain, the opposition was at last entirely beaten down.
That I had made no mistake in viewing this evening's outcome as a complete victory, was proved to me by the public's demeanour on the night of the second performance; for here it became manifest with what opposition alone I should have to do in the future, to wit, with that of the [357] Paris Jockey Club—whose name I need not scruple to give you, as the public itself, with its cry "à la porte les Jockeys," both openly and loudly denounced my chief opponents. The members of this club—whose right to consider themselves the rulers of the Grand Opéra I need not here explain to you—feeling their interests deeply compromised by the absence of the usual ballet at the hour of their arrival, i.e. towards the middle of the representation, were horrified to discover that "Tannhäuser" had not made a fiasco, but an actual triumph at its first performance. Henceforth it was their business to prevent this ballet-less opera from being given night after night; to this end, on their way from dinner they had bought a number of dog-calls and such-like instruments, with which they manœuvred against "Tannhäuser" in the most unblushing manner directly they had entered the opera-house. Until then, that is to say from the beginning of the first to about the middle of the second act, not a single trace of the first night's opposition had been shewn, and the most prolonged applause had undisturbedly accompanied those passages of my opera which had become the speediest favourites. But from now on, no acclamation was of the least avail: in vain did the Emperor himself, with his Consort, demonstrate for a second time in favour of my work; by those who considered themselves masters of the house, and all of whom belong to France's highest aristocracy, the condemnation of "Tannhäuser" was irrevocably pronounced. Whistles and flageolets accompanied every plaudit of the audience, down to the very close.
In view of the management's utter impotence against this powerful club, in view of even the State-minister's obvious dread of making serious enemies of its members, I recognised that I had no right to expect my proved and faithful artists of the stage to expose themselves any longer to the abominable agitation put upon them by unscrupulous persons (naturally with the intention of forcing them to throw up their engagements). I told the management that I must withdraw my opera, and consented to a third [358] performance only upon condition that it should take place on a Sunday: that is to say, on a night outside the subscription, and thus under circumstances which would not incur the subscribers' wrath, while on the other hand the house would be left completely clear for the public proper. My wish to have this performance announced on the posters as "the last" was not allowed, and all I could do was to personally inform my acquaintances of the fact These precautionary measures, however, were powerless to dissipate the Jockey Club's alarm; on the contrary, it fancied that it detected in this Sunday performance a bold stratagem against its dearest interests, after which—the opera once brought to an unqualified success—the hated work might be forced quite easily down its throat. In the sincerity of my assurance, that in case of such a success I should still more certainly withdraw my work, people hadn't the courage to believe. So the gentlemen forsook their other pleasures for this evening, returned to the Opéra in full battle-array, and renewed the scenes of the second night. This time the public's exasperation, at the attempt to downright hinder it from following the opera at all, reached a pitch unknown before, as people have assured me; and it was only the, as it would seem, unassailable social standing of Messieurs Disturbers-of-the-peace, that saved them from positive rough handling. To put the matter briefly: astonished as I am at the outrageous behaviour of those gentlemen, I am equally touched and moved by the real public's heroic exertions to procure me justice; and nothing can be more distant from my mind, than to entertain the smallest doubt of the Paris Public whenever it shall find itself on a neutral terrain of its own.
My withdrawal of the score, at last announced officially, has placed the Directors of the Opéra in great and genuine perplexity. They frankly and openly confess to regarding my opera as one of their greatest successes, for they cannot remember having ever seen the public side so actively in favour of a contested work. The most abundant receipts appear to them assured with "Tannhäuser," the house [359] being already sold-out for several performances in advance. They are informed of a growing irritation on the part of the public, which sees its rights of hearing and judging a new, much-talked-of work in peace and quietness, denied it by an infinitely small minority. I learn that the Emperor remains thoroughly well-disposed, that the Empress would gladly take upon herself the protection of my opera, and demand guarantees against further disturbances of the peace. At this moment there is circulating among the musicians, painters, artists and authors of Paris a protest against the unseemly occurrences in the Opera-house: a protest addressed to the Minister of State and, as I am told, already numerously signed. Under such circumstances folk think I might well feel encouraged to let my opera proceed. But a weighty artistic consideration holds me back. Hitherto my work has had no quiet, no collected hearing; its intrinsic character—lying in its intentional appeal to a Stimmung foreign to the customary opera-public, a Stimmung compassing the whole—has not dawned as yet upon the audience; up to the present they have only been able to catch at certain glittering points which served me, strictly speaking, merely as a garnish (Staffage), and to single these out for ready sympathy. But should they once arrive at a calm, attentive hearing of my opera, then, after what I have hinted to you about the character of the performance here, I fear they would soon unearth the latter's inner feebleness and want of verve— for these evils are no secret to those who really know my work, though I have been debarred from intervening personally for their removal; so that I could not dream for this time of a radical, not merely an external, success for my opera. Wherefore let all the inadequacies of this production lie buried decently beneath the dust of those three evenings' warfare, and may many a one, who bitterly deceived my hopes reposed in him, save his honour for the nonce with the belief that he fell fighting for a good cause!
So let us hold the Parisian "Tannhäuser" as played-out [360] for the present. Should the wish of earnest friends of my art be fulfilled; should a project, seriously entertained of late by people who know their business, and aiming at nothing less than the speedy foundation of a new opera-house for the realisement of reforms which I have mooted here, as well as elsewhere—should this be carried out, then perhaps you may hear from Paris itself yet once again of "Tannhäuser."
As to what has been done with my work in Paris till to-day, rest assured that you now have heard the strictest truth. One simple thing may be your warranty: that it is impossible for me to content myself with a semblance, when my inmost wish stays unfulfilled; and that wish is only to be stilled by the consciousness of having evoked a really intelligent impression.
Hearty greetings from yours,
Referring to his exile; for the first, the partial, amnesty was not granted until the summer of 1860.—TR.02
Princess Metternich, née Countess Pauline Sandór, wife of the Austrian ambassador.—TR.03
The clause about the reviewers was omitted in the Deutsche Allgemeine Zeitung, and therefore in the Neue Zeitschrift.—TR.
Projects for Tristan at Carlsruhe in 1859; amnesty impossible then; removal to Paris in autumn, for sake of hearing good orchestra etc. at last; Carlsruhe plan falls through. Idea of Tristan at Théàtre des Italiens, inviting German Directors to a model-performance; the three Paris concerts were to prepare the public, but they proved the plan's impossibility (350). Princess Metternich and the Emperor; order for Tannhäuser at Grand Opéra a complete surprise. Difficulties about a ballet in act ii for the late diners; plan for new Venusberg scene; carte blanche for engagements and mise en scene; Niemann, Morelli and young talents; Vauthrot and his pains with pianoforte rehearsals; taken with a new liking for this early work, I carefully revised the .score (353). Gradual disheartenment; reporters prophesy failure to Niemann; spiritless orchestral conducting; offer to withdraw score (354). Performance and false accounts; magnanimity of Paris public proper. First night: clique of reviewers, cues and roars of laughter, especially in third act, which promised so well; uproar, but opposition beaten down at end by public—in reality a victory for the work (356). Second night: Jockey Club and dog-calls for the ballet-less opera. Second offer to withdraw the work, but management persisted, and refused to announce third night as "final." Jockey Club's alarm at stratagem of Sunday performance; scenes of second night renewed, indignation of public; only social standing of Messieurs Disturbors-of-peace saved them irom rough handling (358). Definite withdrawal prompted by artistic considerations—the house was sold-out for several nights in advance; circular protest signed by musicians, authors etc.; Empress's offer to intervene. Let the inadequacies of this production lie buried beneath the dust of its three nights' war! Project for a new theatre in Paris, to realise my reforms (360).


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- Martin Briggs
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1 BREAKFAST RECIPES OVERNIGHT CHOCO OATS 1 cup almond milk ½ cup oats ½ ripe banana sliced (can use strawberries or blueberries) ½ tbsp. Chia seeds or flax seed 1 scoop chocolate protein powder (or strawberry or vanilla flavour) Add milk, oats, chia seeds, banana, protein powder a container with a lid, mix or shake. Place in fridge overnight. 434 calories, 62.4g carb, 8 g fat, 36g protein BREAKFAST RICE PUDDING 2 cups basmati rice 2 cups almond milk and 2 cups water 6 dates diced ¼ cup natural/ raw pecan halves 1 tsp cinnamon 2 tbsp unsweetened coconut 2 tbsp flax seed 2 tbsp chia seeds Serves calories, 17.4 g fat 19.4g carbs 4.7 g protein (1cup) SLOWERCOOKER APPLE PIE STEELCUT OATMEAL 1 cup steel cut oats 4 cups almond milk 2 medium apples diced 1 tsp coconut oil 1 tsp cinnamon 1 tsp nutmeg 2 tbsp maple syrup Serves calories, 4.9 g fat 30.7 g carbs, 4.6 g protein Add all ingredients to your slow cooker, stir, cook on low for 8 hr
2 POWER YOGURT ½ cup Greek Yogurt On-the-go Nordica cottage cheese. 1 tbsp Hemp Hearts 1 scoop natural whey protein powder blended 1 tbsp. chia seeds 1 tbsp crushed nuts of choice 431 calories, 18.9g fat, 23.9g carbs, 40.7g protein PUMPKIN SPICE BREAKFAST QUINOA ½ cup milk - I used almond milk but any milk will work ½ cup water ½ cup uncooked quinoa, rinsed and drained ¼ cup + 2 tablespoons pumpkin puree 2 tablespoons pure maple syrup ½ teaspoon vanilla extract 1 teaspoon pumpkin pie spice Pinch of salt 2-4 tablespoons chopped pecans 333 cal, 2.8g fat, 74.6g carb. 4.9g protein Bring milk and water to a boil in a small to medium sized saucepan. Add quinoa, cover, reduce heat to simmer, and let cook 15 minutes. Remove from heat and let stand 5 minutes. Uncover and fluff with a fork, then stir in the pumpkin, maple syrup, vanilla, pumpkin pie spice, and salt. Taste and adjust any amounts to your liking (i.e. add more sweetness or spices). Divide into two bowls (add milk if desired) and top with desired amount of pecans. CHOCOLATE BANANA BREAKFAST QUINOA ½ cup raw quinoa 1 cup + ¼ cup almond milk ½ cup water Dash of sea salt 1 banana, ½ mashed, ½ cut into slices 2 teaspoons honey 2 teaspoons cocoa powder ½ teaspoon vanilla extract 250 cal, 2.7g fat, 52.6g carb. 8g protein Bring ½ cup of quinoa, ½ cup water, 1 cup almond milk, and dash of sea salt to a boil in a small pot. Once boiling, reduce the heat to a simmer and cook stirring occasionally until all the liquid has been absorbed (about 10 minutes). Remove quinoa from stove and transfer to a bowl. Mix in the mashed banana, cocoa powder, vanilla, and honey. Stir until evenly combined. Pour the remaining ½ cup of almond milk over quinoa, garnish with sliced banana and enjoy. BANANA BREAD BREAKFAST QUINOA 1 very ripe banana - mashed ½ cup dry quinoa ½ cup almond milk (or milk of your choice) 2 Tbsp walnuts ½ tsp pure vanilla extract ½ tsp cinnamon 458 cal, 14.9g fat, 66.5g carb, 10.2 protein Cook the quinoa on the stove to package instructions. After the quinoa has finished cooking (while over low heat), stir in the almond milk, mashed banana, vanilla, and cinnamon. Mix the walnuts into the quinoa or add on top. Transfer to a bowl and enjoy warm.
3 NUTTY SIX-INREDIENT GRANOLA 6 cups (81 grams) rolled oats (certified gluten-free if ncessary) ½ cup (109 grams) mild-flavored cooking oil (such as canola or melted coconut oil) ½ cup (170 grams) honey 2 teaspoons vanilla 2 teaspoons cinnamon 2 cup (234 grams) of walnuts, roughly chopped (almonds work well too) ¼ teaspoon salt (optional) Cal: 189; fat: 11g; saturated fat: 1g; monounsaturated fat: 4g; cholesterol: omg; sodium: 26mg; carbohydrate: 21g; dietary fiber: 3g; sugar: 6g; protein: 2g Preheat oven to 300 Degrees Fahrenheit. In a separate bowl, add the oil, honey, vanilla and cinnamon. Heat in microwave for 30 seconds to soften the mixture, and whisk until well combined. Pour over dry mixture and stir to coat thoroughly. Add in chopped walnuts and other desired seeds or nuts. Spread on a baking sheet coated with nonstick cooking spray and bake at 300 degrees F for 25 minutes, stirring frequently (every 10 minutes) to ensure even baking. It should be golden brown when it is done. Add in dried fruit and coconut flakes after granola is done baking (optional).allow granola to cool on baking sheet-break up large pieces as needed-and store in an airtight container for up to 1 month. PUMPKIN PIE SMOOTHIE 1 frozen banana 1 scoop vanilla protein 1 cup silk light almond milk ½ cup canned pumpkin puree 1.5 cups water ½ tsp pumpkin pie spice 1 tbsp pure maple syrup Pinch cinnamon Serves 1: 364 calories, 3.6g fat, 67.6 g carbs, 24.1g protein THE ULTIMATE GREEN SMOOTHIE 1 handful spinach 1 handful kale ½ avocado 2 inch piece cucumber ¼ cup diced celery Juice from half a lemon ½ tsp fresh ginger 1 scoop protein powder 1 cup water Serves 1: 262 calories 17.5g fat, 21.6g carbs, 24.4 g protein APPLE PIE SMOOTHIE 1 scoop vanilla protein powder ¾ cup greek yogurt ½ tsp apple pie spice or cinnamon ½ apple cored Serves 1: 302 calories, 5.4 g fat, 39.9g carbs, 24.2 g protein
4 APPLE CINNAMON BREAKFAST BARLEY 1 cup uncooked pearled barley ¼ cup chopped walnuts 1tsp ground cinnamon ¼ tsp nutmeg 1 cup low fat milk 6 tbsp chopped fresh apples. Bring 3 cups water to a boil, add barely, boil then reduce to low heat. Cover and cook minutes, Or until liquid is absorbed. Stir in walnuts, cinnamon, nutmeg, and add ½ cup milk. Stir until creamy, barley is tender and most of the liquid is absorbed. Add an additional ½ cup milk, dived into 3 bowls and top with apples. Serves 3: 348 calories, 47g carbs, 8g fat, 16g protein FRUIT & YOGURT PARFAIT ½ cup dried-cooking farro 1 ½ cup plain Greek yogurt ¼ cup honey (optional) 2 cups berries of choice ½ cup slivered almonds Boil farro for 10 minutes, then drained. Once cooked let cool completely. In a medium bowl combine yogurt and honey, mixing well, to assemble parfaits, layer the grains, yogurt, fruit and nuts in a jar or container. 471 calories, 14g fat, 63g carbs, 30g protein CHIA & EGG FLOURLESS PANCAKE 1 large egg 1 tbsp chia seeds 1 banana ¼ tbsp. coconut oil 1 tbsp peanut butter (or honey, low sugar jam or pure maple syrup) Put egg, chia seeds and banana in a bowl and mix well, or use immersion/ hand blender, Heat pan, use coconut oil and pour in batter, cook until both sides are golden brown, top with peanut butter, honey, jam or maple syrup. Serves1: 368 calories, 20.9g fat,35.1g carbs, 13.5g protein OMELETTE 2 whole eggs 1 oz shredded mozzarella or goat cheese 1 cup sautéed spinach and mushrooms Serves 1: 368 calories, 14.5g fat, 17.4g protein
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GORGEOUS NEW DECK AND KITCHEN! More house than meets the eye, this authentic log home is a diamond tucked into the woods. Impeccable up-keeping and new furnishings are hallmarks of this 2-bedroom, 2-bathroom home, featuring an up-to-date kitchen and bathrooms, a wood fireplace, and much more. A perfect spot for a romantic get-away or a family vacation, this home is the perfect mix of charm and convenience all wrapped in one. Not suitable for children under six.
Only Stowe Vermont combines a classic 200-year-old village with Mt. Mansfield, Vermont's highest peak. This unique juxtaposition imbues Stowe with a character reminiscent of great European mountain resorts. Stowe has consistently rated tops by travelers worldwide. Here's just some of the more recent reviews on Stowe, Vermont...
"Stowe is a wonderful destination in summer, fall, or winter..." Frommers
"Stowe, a magical name in American skiing...is a quintessential Vermont village..." NY Times Stowe, Vermont: Top 5 Best Ski Towns for Summer Vacations Family Circle Magazine
"From high-end spas to skiing and hiking, Stowe seems to offer something for everyone in all seasons..." Boston.com
"...a chic resort with a surfeit of clapboard churches..." The Guardian
"Stowe is the "quintessential Vermont spot..." Newsday
Stowe, Vermont rated Top 9 Mountain Getaways Sharing Travel Experiences
"Stowe is the prototypical Vermont resort town..." National Geographic Magazine
Outdoor Sports & Year-round Activities in Stowe Vermont. At 4,395 feet, Stowe's Mt. Mansfield is- literally- the high point of Vermont. This spectacular mountain forms the centerpiece of a region that is legitimately world famous for its outdoor activities and adventures.
Summer Activities
While Stowe is well-known as the winter sports capital of the East, summer is our most popular time to visit! Activities abound: perhaps you'd like to go dog-carting or try your hand at zip lining. Summer in Stowe is a time to enjoy all that Vermont has to offer, from fabulous Green Mountain views along the world-famous Recreation Path to great shopping and dining.
Fall Activities
Fall in Stowe brings the explosions of autumn color for which Vermont is internationally famed. The brilliance of Stowe's fall foliage adds an extra dimension of enjoyment to every outdoor pursuit, from serene strolls on the world famous recreation path to nerve-jangling rock climbs on the faces of Smugglers Notch and everything in between.
Winter Activities
In winter, skiers and snowboarders come from around the world to experience Mt. Mansfield's storied terrain. Stowe also offers sleigh and dogsledding, snowmobiling, snowshoeing, and ice skating. Stowe is especially famous as one of North America's premier cross country skiing destinations, with hundreds of kilometers of groomed and backcountry trails.


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Out and back loop on the Steep Hollow XC Trail System from the Omega rest stop.
6.78 Miles
1033 Feet Climbing
3:23 Hours
1822 Calories
108 Average HR
133 Max HR
Great ski day with the wifers. Beautiful sunny and warm weather. Snow wasn't great, but the company was. :) I love that woman!
Crosstraining: BC XC Skiing at Steep Hollow
at 4:21 PM
1 comment:
i love you more xxoo
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I love the clean, crisp lines striping tape can achieve, I just dislike how long it takes! But today I had lots of time to just relax and play around, and here is the result:
I like the combination of bright colours against a black background because it makes each colour look vibrant. There's a few smudges where I applied too much paint and it ran over the lines into the next section, but overall I'm happy with how they turned out. And I got compliments from so many strangers whilst I was at work, so I shall count these as a success. :)
If you want to create a similar look with striping tape, here are a few things to remember:
- Make sure your base coat is COMPLETELY dry before you stick any tape on your nails
- Using a dotting tool can make it easier to keep polish from spilling into other sections, especially if the gap is small (I didn't do that here, but I wish I had)
- After painting over the tape, remove the tape quickly before the polish dries, otherwise you will remove the polish too and make a right old mess.
- Remove the pieces of tape in the reverse order of application to avoid tugging at different pieces and causing smudges.
Do you like to use striping tape? Or are you steady enough to paint lines freehand?


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A 10-Point Plan for Deals (Without Being Overwhelmed)
Activities to Enjoy in Pattaya, Thailand
Bangkok is different from Pattaya, Thailand although it just lies only two hours from southeast of the capital. Pattaya is a beach in the city and it is much more laid back. The city is more laid back when it comes to liveliness, nightlife, and other things that you can see or do. Depending on who you are and what you are ready to see Pattaya will be an interesting question to ask. Some of the things that you should so in Pattaya, Thailand include the following.
One of the best activities that you can never miss in Pattaya, Thailand is the Muay Thai Boxing. Muay Thai Boxing match is one of the greatest activities that you can never fail to watch when you are in Pattaya, Thailand. In most cases, the matches are carried out on a weekly basis if not on daily basis. In Pattaya, Thailand, Muay Thai Boxing is one of the popular matches. If you have an interest in viewing the match you can ask around or enquire from the hotel that is offering you accommodation. If you enquire from the hotel you are staying, they will provide you with the direction and offer transport services to the boxing match and back to the hotel. Secondly, you can go to a 4 -4.5 star hotel if you can afford to pay 60-80 dollars per night You should book a hotel that is strategically located because you will enjoy the best viewing points, great amenities, pools and everything else at a greater price. It is worth pay those dollars especially if you are visiting with your family.
The third activity that you can carry out in Pattaya, Thailand is walking street. You can check out the nightlife on walking street. Activities in Pattaya, Thailand are carried out 24/7 as compared to Bangkok where businesses are closed at 2.00 am There are so many little bars in Pattaya Thailand where you can enjoy the nightlife that suits you. In the Walking street you will find all sort of people from different cultures and different tourists from all over the world that is why it is a famous walking street. Art in paradise the another great activity that you should carry out especially if you have children. This is a museum that is filled with amazing art and optical illusions. When you are in Pattaya, Thailand you should visit the floating market. There are so many activities carried out in the floating market that is found both in Pattaya, Thailand and Bangkok. When you are in Pattaya, Thailand you should visit the beach and the island that surrounds it. If you are touring Pattaya Thailand for the first time these are some of the activities that you should carry out.
Citation: try these out


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Latest topics
Tournament Suggestion
6/9/2010, 16:03 by Unnamezz
New tournament is coming up but we will need some suggestion from you guys. Head to here to cast your vote and give your opinion. We listen to the community. GOGOGOGO....
Guest Posting
5/31/2010, 13:52 by Luftwacko
As of now, only registered users have the privilege to post in this forum.
However, there're several sections of this forum where unregistered guest can post, they are:
CoD4: 1.7 Malaysia Room 01
CoD4: 1.7 Malaysia Room 02
Malaysia Starcraft Room
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Getting to the Top
5/31/2010, 13:39 by exglade
This is a very short announcement.
Under Forumotion's video games category, a forum named Damage Done with 293 registered users is considered as the top forum under the category.
Tear them from the top, that number 1 position is more suitable for us! Let's show them what we, Garena Call of Duty players are capable of.
Over & Out,
Forum Rules and Guidelines.
5/30/2010, 12:49 by Haku =]
Given the amount of matters going on in the old Garena forums, I have decided to post a 'formal' list of rules and guidelines for acceptable content. Many of you were aware this was coming, and whatever your stance on this, it's going to happen anyway.
These rules are not necessarily set in stone. If you have any comments or questions, a thread has been created for that purpose here.
However, …
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BOOK DONATIONS need to be PAPERBACK BOOKS ONLY, please NO Romance
or True Crime books.
The mission of the Mesa County Jail Ministry is to bring the grace and healing power of Jesus Christ to broken relationships with God, with family, and with community.
Future plans include development of a ministry to transition inmates into the Christian Community. The Transition Ministry includes temporary housing and coordination of inmate transition into the local Body of Christ.
If you would like to donate to the Mesa County Jail Ministry, click on the button below. We accept Discover, Master Card, Visa, and American Express.


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Thuria and Beyond
Lord Kalina
Boyar of Sargosa
Lord Kalina is the Boyar whose family has ruled the city of Sargosa and the lands around it for hundreds of years. Reputedly, an ancestor of the current Lord Kalina won his power by subjugating the Brass Dragon which still resides in a cave under the Kalina family castle in Sargosa.
The current Lord Kalina is reputed to be a short-tempered, unpredictable and tyrannical ruler in his part of the kingdom.


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The Piazza Cavour is the main square of Como and can seem quite busy if you have come from a town where the pace is much slower. However, it is a great starting point from which to explore the streets and squares of Como.
In Como, market day is every Tuesday and Thursday morning, and every Saturday all day. Head for the rather imposing 40 metre tall Porta Torre at Piazza Vittoria (in the larger of the pictures above) and you will find the market stalls.
By the way, the "Citta Murata", the 12th century fortification which used to define the medieval town of Como and of which Porta Torre is part, is still in evidence in many places. Wander the cobbled streets and you will see an amazing variety of medieval buildings as you soak up the atmosphere of the history blended with an impressive offering of cafes and restaurants, and the full spectrum of shops to suit all budgets.
Don't forget to visit Piazza Fedele as seen in most of the images above. It is a small square where you can sit and enjoy the cafes and restaurants while you admire the ancient buildings around you which include the Basilica of San Fedele. The Piazza del Duomo is a somewhat larger area where you will, obviously, find the Duomo – Cathedral of Como. Again, this part of Como is blessed with an excellent array of restaurants and cafes, as well as some attractive shops. On that subject, the shirts and silk ties available in Como should be on everyone's shopping list.
No visit to Como is complete without riding the funicular railway Como-Brunate to take in the panoramic view from the top. In addition, although I have never managed to get around to it, there are some acclaimed art galleries to visit as well as museums to suit many interests. There are also fine dining options which we will explore another day.


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Big 12 Football Notes and Picks: Week Three
Oklahoma propelled the Big 12 from MEAC levels to national championship contenders in the eyes of many national writers with its win over Ohio State. One prominent writer did so unabashedly just a week or so after declaring the Big 12 dead in that regard. Is that all it takes?
A actual objective review of the game should note that OU appeared much faster than the Buckeyes, and that the final score didn't reflect how much the Sooners dominated play. And although it has by far the best win of the year for the league, Oklahoma isn't the only league team looking strong. Oklahoma State and Kansas State looked very good despite facing sub-par foes the first two weeks, and TCU's road win at Arkansas should also get some notice.
* * * * *
Every school except Texas Tech winds up the non-conference portion of its season this week. The Red Raiders, who were off last week, will play the last out of conference contest of the Big 12 regular season next week against Houston.
* * * * *
The league has five games against Power Five opponents this week, with four of them coming on the road. What would a respectable record be? It's tough to expect Texas to take down USC, but three of the other four games are very winnable. A 3-2 mark, though, isn't going to do much to move the national perception needle.
* * * * *
Only Baylor and Kansas have scored fewer points than West Virginia so far this year, but the Mountaineers have the Big 12's top rusher (Justin Crawford) total offense leader (Will Grier), receptions leader (Gary Jennings) and scoring leader (David Sills). It should be noted that WVU has faced one of the better defenses in the country in Virginia Tech this year. It will benefit this week, though, with a match-up against one of the worst teams in the nation.
* * * * *
TCU's defense may be back. The Horned Frogs are allowing just 76.5 rushing yards and 3.5 points per game after throttling Arkansas and Jackson State.
* * * * *
TCU and SMU have met 96 times in football, with the Horned Frogs holding a nine win advantage. The other nine games on the Big 12 slate have been played a combined 13 times.
Oklahoma State at Pittsburgh Sat Sep 16 12:00 PM* ESPN
Last year the Panthers nearly pulled off a road upset. This year, with quarterback issues and troubles scoring points, there's no way they can keep pace with the explosive Cowboys, even if they do manage to slow them a bit. OSU rolls up 40 points again and becomes the first league team with two road wins.
Iowa State at Akron Sat Sep 16 12:00 PM CBSSN
Iowa State looks improved, taking Iowa to overtime before falling. Now, can it avoid a letdown over that disappointment and go on the road to get a win at Akron? If it does, it takes another step toward a possible bowl bid, although that will still be difficult. If not, it's another building year that will have to focus on an upset or two and more program development.
Delaware State at West Virginia Sat Sep 16 12:00 PM AT&TSN
The only way to explain this game is the fact that WVU appears to have a good relationship with the Hornets, having faced them four times in men's basketball between 2001-09, and with the MEAC in general in that sport. This is only the second time the Mountaineers have faced a MEAC school on the gridiron, having brushed aside Norfolk State in 2011. That's all you need to know about this snoozer, which West Virginia will win handily.
Baylor at Duke Sat Sep 16 12:00 PM ACC
The thought was that Baylor would struggle with so much change underway in Waco. But Liberty and UTSA? Sheesh. The Bears are finding out what life is like without a stellar quarterback (they don't even have an average one right now), which makes it very tough to predict a road win over a respectable ACC foe. Unless a QB change lights a fire, it's going to be an 0-3 start for new head coach Matt Rhule. We're predicting just that outcome.
Kansas at Ohio Sat Sep 16 2:00 PM ESPN3
Every year, it's the same. Kansas looks improved in an early game, then loses to a Group of Five team, has an injury or two and becomes mired in a game of switching quarterbacks. This year, buoyed by the optimism generated from new football facilities announcements and an infusion of talent, was supposed to be different. Scratch that. KU laid another egg against Central Michigan at home, and will likely fare no better against Ohio on the road. Jayhawks fans begin the countdown to basketball season in earnest.
SMU at TCU Sat Sep 16 3:30 PM ESPNU
The battle for Dallas\Ft. Worth plays out with the Horned Frogs coming off a win over Arkansas, another previous Southwest Conference foe. The Mustangs are bigger animals than Razorbacks, but not as mean nor as accomplished on the field. TCU goes to 3-0 and lays claim to bragging rights in the Metroplex for another year.
Tulane at Oklahoma Sat Sep 16 6:00 PM SSN
Ohio State win hangover? Nope. The Sooners are playing with a lot of confidence, and it showed in the way they dominated the Buckeyes. The margin of victory is the only thing in question when the ball goes into the air in Norman.
Kansas State at Vanderbilt Sat Sep 16 7:30 PM ESPNU
Vandy is perfectly capable of knocking off good teams. The Wildcats won't be one of them. The Commodores aren't as good defensively as K-State, and don't have the offensive weapons to match the Cats' punishing ground game. Bill Snyder's guys take a 3-0 record into their open date.
Arizona State at Texas Tech Sat Sep 16 8:00 PM FSN
Mirage or real? That's the question for the Red Raiders, who allowed just ten points in Week One, albeit against an FCS foe. No one would have predicted that, given Tech's woeful defensive status of a year ago. Things ramp up against the Sun Devils after a week off, and this should be very heated for an early season contest, as both programs are fighting to save their coaches' jobs. While this game promises to be a shootout, Tech might have a bit more firepower. That, plus the home support, pushes Tech to 2-0.
Texas at USC Sat Sep 16 8:30 PM FOX
Prior to last week's win over San Jose State, a Texas assistant coach likened the game and the Horns' anticipated performance to championship levels. That bit of hype aside, UT did look more polished than it did in its week one loss, but facing Sam Darnold with quarterback questions isn't a recipe for success. The Trojans push Texas back under the .500 mark with a win.
* All Times Eastern


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North Carolina coach Roy Williams is now among the top 15 most victorious coaches in men's college basketball history. To get there he passed the coach whose name is on the building where Williams used to work.
UNC's 70-60 victory against Louisville in the ACC tournament on Thursday was Williams' 747th win as a head coach. He's now in 15th place all time, just ahead of Phog Allen, the former Kansas coach for whom the Jayhawks' Allen Fieldhouse is named.
Williams began his head coaching career at Kansas, and was there from 1988 through 2003.
"Wow," Williams said on Thursday upon hearing that he had surpassed Allen's victory total. "I've never even thought about that."
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Williams, who for 10 years was a UNC assistant before returning to the school in 2003, is 12 victories away from tying Henry Iba for 14th place in career wins.
"I've been very fortunate," Williams said. "Had big-time players that were willing to take all my antics and screaming at them and then turn around and play better basketball in the second half like Brice (Johnson) did today. But I didn't realize that. That's pretty neat."
Meeks' return: Kennedy Meeks returned to the lineup Thursday, and not a moment too soon as far as the Tar Heels were concerned.
The 6-foot-8 forward, who had been ill with a still-undiagnosed ailment that resulted in a fever, sat out North Carolina's second-round victory over Boston College on Wednesday after playing limited minutes in the previous two games.
But Meeks said he got the OK to play at the team hotel Thursday, and he contributed nine points, five rebounds and two blocked shots in 19 minutes for the fifth-seeded Tar Heels. His effort provided a solid 1-2 punch with forward Brice Johnson, who had 22 points and nine rebounds, and sends the Tar Heels into a semifinal meeting at 7 p.m. Friday against top-seeded Virginia.
"I felt like I could go pretty much," Meeks said. "When I first went in, I was a little tired, a little winded. Coach (Roy Williams) told me it would be like that because I hadn't played since Saturday (in the regular-season finale against Duke)."
Meeks scored some opportunistic baskets on stickbacks, none bigger than the one with just under four minutes to play. He followed on a miss by Johnson, then raced down to the other end of the court to block a baseline jumper by Terry Rozier that effectively set up the Tar Heels down the stretch.
Meeks' return provides added depth for UNC's third game in three days. Similarly, Virginia saw junior guard Justin Anderson return to the court after missing eight games with a fractured left pinkie and an appendectomy.
"Team's great either way," he said of the Cavaliers. "They play team ball either way, and he's a great player."
Getting technical: Florida State coach Leonard Hamilton downplayed a technical he received in the late stages of the Seminoles' 58-44 loss to Virginia on Thursday in the ACC quarterfinals.
Mike Tobey had given Virginia a 46-39 lead with a dunk off an inbounds pass with 6 minutes, 1 second remaining, and on the next play Seminoles guard Montay Brandon was called for an offensive foul right in front of the FSU bench.
When Hamilton voiced his displeasure, referee Sean Hull teed him up.
Malcolm Brogdon hit the two free throws for the Cavaliers to make it a nine-point advantage, and Florida State got as close as six points just once.
"Well, we lost by 14," Hamilton said. "(Brogdon) hit both of their free throws. I don't normally get technicals. I think I may have gotten two technicals in six, seven, eight, nine years, so I think my record speaks for itself when it comes down to getting technicals. But I feel fortunate that it didn't affect the game, if that answers your question."


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I'm so glad you're here!
I'm all about simple natural living and real food: sipping homemade lattes, enjoying great chocolate, and sourcing more natural cleaning and body care products.
I'm married to Dustin, my teenage sweetheart and partner in the craziness of this life for eleven years. I'm a former first grade teacher and curriculum developer turned full-time recipe developer, food photographer, and full-time mom of two spunky little people:
Piper: My adventurous, dirt-attracting, (homemade) pizza-loving seven year-old boy.
Londyn: My spunky, strawberry-loving, princess-obsessed five year-old girl.
I'm about returning to a time before processed food. A time when families worked together in the kitchen to enjoy real food that was grown and raised by trusted farms or backyard gardens. I'm constantly in search of ways to nourish my family: finding local farms, sourcing real food from every day stores, and getting back into the kitchen and around the table. I'm always exploring practical ways to provide my family with nourishing food within our budget.
I love to share my real food tips and ideas for feeding the entire family nourishing real food. Email subscribers receive exclusive information featuring my best tips and tricks for nourishing a family, a free month-long printable meal plan example, and two real food and natural crash courses. Joining the Live Simply email family is always free!
Along with simplifying real food, I love to share my recipes and tips for creating a simplified, natural home. I regularly share my simple natural-living recipes, such as: homemade facial cleanser, makeup remover balm, 5-Minute laundry soap, all-purpose cleaner, and much more. I also share tips for prioritizing what to make versus buy, along with my favorite store-bought products for cleaning and body care. Because living a more natural lifestyle isn't about "doing it all" or "making it all." Natural living is just as much about simplifying as it is about using more natural products.
I'm all about nourishing and simplifying life with good food, clean products, and simple routines. Let me help you simplify your wellness journey.
Come join and live simply!


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Founded in 2013, the Harpa International Music Academy (HIMA) is a unique summer festival in the northernmost capital of the world, an international platform with an equal focus on training and performance. HIMA is ideally located in the mid-Atlantic and draws participants from Europe, Asia and the Americas.
The year 2018 marks the 100-year anniversary of Icelandic sovereignty and independence. Our festival this year will celebrate the anniversary of the path-breaking Icelandic female composer, Jórunn Viðar, who was born on the very year Iceland gained sovereignty.
Not only do we recognize and promote uprising young musicians through performances in a world-class concert hall, HIMA also offers string, wind and piano training, including solo lessons, chamber music, orchestra, masterclasses and seminars.
Our participants range from young children to adults, and come from different continents and cultures. We come together each year during this special time of year to enjoy making music and friends under the midnight sun.
I look forward to seeing you all.
Lin Wei, artistic director


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The Problem in Oak Park
Last Year...
... 173 students were reported homeless from Districts 200 and 97
... 392 Oak Park residents received assistance from Prevail
... A total of 145 Oak Parkers were outreached by Housing Forward's street outreach team
... 24 individuals received housing or assistance from Oak Park Township
Hear the Stories of Individuals and Families Affected by Homelessness in Oak Park
So, What's the Plan?
For the initial implementation of the plan, the OPHC will be focusing on four major areas:
Increasing Support for Affordable Housing
To end homelessness in Oak Park, we must create both an affordable housing approach and leverage existing units in the private rental market.
Creating New Service Intersections and Coordination
While housing is the centerpiece of local responses to homelessness, success in housing and becoming stabilized is often a result of receiving needed services and supports. These aren't an addendum, they are crucial.
Building Community Awareness and Support
An informed public is an engaged public. Community education is important to advance this ambitious plan.
Strengthening Community Homeless Touch Points
Many of our community systems and resources touch homelessness, but are not a core part of the response, such as libraries, health providers, schools, and police. Better collaboration with these touch points will be critical to preventing homelessness and for ensuring a quick


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|Patio chairs by Thinline of California
|Champagne cocktail with mint and lemon sorbet
|Sangria Bianca
|Patio chairs by Thinline of California
|Champagne cocktail with mint and lemon sorbet
|Sangria Bianca
Mmmmm...Sangria! Not super manly but I loves it anyway. The patio chairs are interesting. Never seen those before. They have a little "Kagan Capricorn" influence in them, looks to me. God, what I wouldn't give to find a pair of cheap Capricorn Lounges!ReplyDelete
A little Capricornish, a little birdish, a little tulipish...
And there's nothing unmanly about liking something that tastes good. I've always been a firm believer that saying you drink something that's an "acquired taste" means you repeatedly drank something that tasted awful because you thought it made you look cool. If the first sip doesn't taste good, I'm not taking a second...LOL
Mr. Modtomic, my husband loves Sangria and he's no girl! I, on the other hand, am a beer wench all the way!Delete
I'm in for the girly drinks as well. If it doesn't taste good, it isn't worth drinking.Delete
Amen, Nick. I'll leave the acquired taste drinks to the lemmings. As for me, the fruitier the better!Delete
I love the chairs Dana! The green has won me over, not fussy on the bevvie, just make it cold!ReplyDelete
The green is definitely eye-catching. One icy cold drink coming right up!Delete
Where did you find those chairs!? They remind me of Andy Warhol, for absolutely no reason. I live in New York and never see anything like these and I'm out hunting a lot. Very nice original find. I'll just have a lemonade if you're still at the bar mixing drinks.ReplyDelete
I'm not sure where he found those. I'll have to ask.Delete
Those chairs! I am in love. Of course if you have the muscle tone of the Pillsbury Dough Boy (not the new slimmed down one, either) like moi, you will HAVE to have cushions lest your end end up looking like play dough going through the Playdough fun factory!ReplyDelete
I'd be sportin' a waffle pattern for at least two weeks! :)Delete
Really digging the chairs. I wish I lived closer to the Dallas area as I think those would be making their way to my deck!ReplyDelete
I bet my SIL could figure out a way to get them to you. :)Delete
Like everyone else, I LOVE the chairs. On a hot summer day you wouldn't even need cushions, but I could imagine that sitting on the bare metal might leave certain geometric imprints on one's backside...
By the way, thanks for your comment on the hair receivers. The idea was so foreign to me before I began researching hair rats and collecting shed hair, so it's particularly fascinating for me to hear that you have a knowledge derived from "personal experience" as opposed to books or the internet.
My grandmother was born in 1902 and died in 1986, so I'm sure she must have told me about hair receivers sometime in the 60s when I spent a lot of summers with her. Of course, she and her sister wore their hair very long when they were teenagers, and they used hair rats as a foundation for their buns.
I just read your post on hair receivers, and you compiled photos of some of the prettiest ones I've seen.
I wear my hair in a Gibson fairly often, so I may need to start a rat of my own. I hear they're really handy to make liberty rolls or to create "Betty Page bangs" if your hair is all one length.
And it's in my favorite color.
My SIL made a good choice. I was a little iffy about the green at first, but it's gotten rave reviews, so he was right on the money again.Delete
What awesome chairs!!ReplyDelete
Don't they look perfect for a meal out on the patio?Delete


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Reserve online
Western Camp is a unique village in the Wild West style, located near the largest theme park in Poland EnergyLandia in the picturesque Zator. For our guests we have prepared loads of attractions, as well as comfortable accommodation in cottages, teepees or cowboy cars. Our facility is dedicated mainly to families with children who want to spend time together in an interesting, original way. We invite children for horse riding, there is also a fishery along with equipment rental, we run an outdoor cinema in the price of the accommodation, and after a day of active recreation, we offer a bonfire or a lounger relaxation zone.
ul. Oświęcimska 35
32-640 Zator
+48 334820380
+48 885044747
Booking in hours 7:00 – 19:00
Western Camp Resort - noclegi zator, zator noclegi, noclegi Energylandia, hotel zator, zator hotel, noclegi Wadowice.


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The Unification of Jewish Communal Activities
Publication Date: January 1909
Publisher(s): Kohn & Pollock Inc.
Author(s): Jacob H. Hollander
Special Collection: Berman Jewish Policy Archive
Topic: Banking and finance (Philanthropy and nonprofit sector)
Social conditions (Community life and organization)
Keywords: funding; communal organization; management
Type: Other
Coverage: United States
The author briefly reviews the history of Jewish communal organization in the United States, and how it came to be where it is. Among its chief weaknesses is the duplication of labor and the instability of financial support. He recommends a multi-step process towards the federation of Jewish charitable and social service activities under regional umbrella organizations. The transcript of the discussion of the paper follows.


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Okay, so I ran out of green paper but you have to admit that this Sierpinski tetrahedral structure made out of 256 individual tetrahedrons is pretty impressive. Each edge of the structure is 64cm long so I have had to be careful carrying it around school – it just about fits through the doors!
Two of my students also constructed a beautiful topper for our Christmas tree. Again it was done properly using a pair of compasses and consists of equilateral triangles. There are three of the snowflakes taped together to create a sort of pyramid that sits on top of tetrahedral structure.
The topper is another example of a fractal and is called a Von Koch Snowflake. You start with an equilateral triangle and draw three more equilaterals, which have sides a third of the original, in the centre of the three sides. Now do the same on the twelve new sides and repeat as many times as you like as shown in the diagram below.
Our Van Koch Snowflake began with an equilateral triangle of sides 9cm. The next iteration used 3cm equilaterals and we stopped once we'd done the 1cm triangles as this was fiddly enough using a pair of compasses.
Mathematics really is beautiful.


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There couldn't have been a better platform like IPL in India where superstars are born out of a common man over the night. This year brings another crorepati from nowhere and he is already a household name in India now by grabbing a whopping 3 crores bid in IPL 2017 auction.
T Natarajan, who rose to fame in Tamilnadu Premier league, is in the headlines for attracting huge sum of money. He has been picked by the Kings XI Punjab franchise for this season's IPL and will be still wondering about his luck.
The Tamil Nadu pacer was not a regular leather-ball player until 2012 but was a champion tennis ball player for his local team in Chinnappampatti, a place near Salem. He Eventually moved up the ladder to play in the first division league under TNCA. Later he debuted against Bengal in 2015-16 for first class cricket but luck didn't favour the guy. But he made a roaring comeback in the Tamil Nadu premier League, playing for Dindigul Dragons. T Natarajan hails from a very poor background and it is not the highlight. The highlight is that you be rich or poor but if you have talent, it is going to be recognized. If not anywhere, definitely in IPL. After all the motto of IPL was the same, encourage the local Indian cricketers and groom them for a bigger stage. T Natarajan is a left-hand pacer who can bowl the cutters and
He was not handpicked just like that but had been called for trials by five franchises. Finally, he is in the place where he would not even have dreamt of. His father is a daily-wage worker and his mother is a street-side vendor. It is difficult for parents to dream of such a huge opportunity for their children.
I must say it is not T Natarajan who is the happiest man around today but his parents are. Not just because their son has
Cricket FootBall Kabaddi
Basketball Hockey
I read often and write sometimes :)