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|January 18, 2018, 01:16 PM
Junior Member
Join Date: January 18, 2018
Posts: 3
Question about laws regarding transferring Firearms.
I live in CT, so considering the relatively strict gun laws for the state, I wanted to question those of you more knowledgeable about Firearms and gun related laws in general.
Basically, my father has a small Sundance 25acp handgun that was purchased legally sometime in the 80s and an older Side-by-side Shotgun that was handed down from my grandfather. He doesn't really want them anymore, and I am wondering what exactly needs to be done legally in order for him to give them to me.
He seems to think he can just hand them over, but I doubt that is the case in the current gun climate. I have a license to carry in CT, but I don't think that alone makes a hand off legal. I assume the Shotgun may be a non-issue as I don't believe they need to be registered and as I said I have the CT carry permit. The handgun, on the other hand, I believe needs some kind of official paperwork to be transferred, no? Does it need to be done through an official dealer or is there some method of private sale? How do people go about this kind transfer without ending up on the wrong side of the law?
Last edited by Ddriscoll90; January 18, 2018 at 01:37 PM. Reason: Spelling
|January 18, 2018, 02:33 PM
Join Date: March 11, 2006
Location: Upper US
Posts: 18,918
OK, I'm not a lawyer, so my advice is worth what you paid for it.
Father has a pistol and a shotgun he wants to give you. Are you both in the same state??
If yes, then STATE laws apply. You need someone familiar with CT state laws. The old shotgun, probably no big deal, but the pistol could be. If the pistol is registered (to him) then he can still give it to you, but state regulations covering the change of ownership must be followed.
Go talk to an FFL dealer in your area. Their advice is generally pretty sound, since its their business to know such things. If you've got $ talk to a firearms lawyer, their professional (paid for) advice you can take to court,
If your father is in a different state, then FEDERAL laws must be complied with, THEN State laws. Usually what this means is that the out of state guns must be transferred to you through an FFL dealer in your state.
Do NOT attempt to skirt or bypass any laws, no matter how much of a PITA it seems. States can have long memories. I had a NY pistol permit, once...almost 30 years after I had permanently moved out of NY state, they contacted me, and besides informing me that my permit was no longer valid, THEY WANTED IT BACK!!! (a non laminated wallet size paper license from over 30 years ago, and they wanted it back...) ALSO, they wanted to know where the guns listed on that permit were...
SO, if CT has registered your Father's pistol, they're going to remember that, eventually, so him giving it to you has to be "by the book" or you might have hassles even years later.
Go to a reputable FFL dealer, tell him what you want, and he'll walk you through the process. Pay him for his time, and assistance. All should go smoothly if you do that.
Hope this helps
All else being equal (and it almost never is) bigger bullets tend to work better.
|January 18, 2018, 03:11 PM
Junior Member
Join Date: January 18, 2018
Posts: 3
Thanks for the information! Yes, my father and I live in the same state. I'm going to do some more research on CT's laws before I do anything, obviously. I don't intend to skirt any laws regardless of what a pain they may or may not be. Your example of the State of New York coming after an expired license and asking about the listed firearms 30 years later is exactly the type of thing that spurred me to come here and ask first.
I've only ever purchased new firearms directly from licensed dealers prior to this, so I wasn't sure about the transfer laws. I'll most likely head down to the nearest dealer this weekend and get the answer straight from the horse's mouth as you suggested. Thanks for the advice.
Last edited by Ddriscoll90; January 18, 2018 at 03:17 PM.
|January 18, 2018, 04:48 PM
Senior Member
Join Date: September 25, 2008
Location: CONUS
Posts: 11,377
If the state police approve the transfers, they will assign a number to each transfer. He can then transfer the guns to you. He then has to fill out -- for each transfer -- a Form DPS-3, in quadruplicate. One copy is sent to the state police, one copy is sent to the police department in your town or city of residence, you get one copy (which you must keep), and he keeps one copy (and he must keep it).
It's a felony to transfer a firearm without a state police authorization. Don't do it.
Option 2 is to do the transfers through an FFL and let him do the paperwork.
Last edited by Aguila Blanca; January 18, 2018 at 08:58 PM.
|January 19, 2018, 09:18 AM
Junior Member
Join Date: January 18, 2018
Posts: 3
Aguila Blanca, Thanks for your reply. Does all that apply to the Shotgun as well, since those don't require registration, or just the handgun?
|January 19, 2018, 05:32 PM
Senior Member
Join Date: September 25, 2008
Location: CONUS
Posts: 11,377
A shotgun is a long gun.
Prior to the aftermath of the Sandy Hook school massacre, long guns could be transferred face-to-face without paperwork. As part of the 169-page public act that was enacted in the dead of night following sandy Hook, now all transfers (both handguns and long guns) in Connecticut must have prior approval from the State Police.
Note on the DPS-3 form: Second row, 4th box from the left. Also note the title -- "Sale or Transfer of All Firearms."
|February 19, 2018, 08:19 AM
Join Date: November 19, 2015
Posts: 54
I can attest to the CTSP's seriousness in enforcing their firearms registrations process. Recently an FFL in CT told me he got a call from the CTSP. They were looking for a copy of the DPS-3 for a rifle sold in October 2013, before Sandy Hook. The rifle is an AR15. The FFL was surprised because the sale took place before the new law so no DPS-3 was required or filed. All he had was a receipt. His assumption was that the gun was involved in theft or some other shenanigans and the CTSP was tracing it's origins. Although they never stated their reasons....
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Tainted trust vote in Karnataka
The BS Yeddyurappa Govt in Karnataka 'won' the motion of confidence in the assembly by a voice vote after the Speaker disqualified 16 legislators — 11 dissident BJP MLAs and five Independents — amid unprecedented chaos in the House. Salil Mekaad reports. Graphics: The story so far | How the drama unfolded | Listen to podcast: what next in Karnatakaindia Updated: Oct 12, 2010 03:29 IST
The BS Yeddyurappa government in Karnataka 'won' the motion of confidence in the assembly by a voice vote after the Speaker disqualified 16 legislators — 11 dissident BJP MLAs and five Independents — amid unprecedented chaos in the House.
The Opposition Janata Dal (Secular) and Congress dubbed Speaker KG Bopaiah's move, under provisions of the anti-defection law, as "a ploy to muzzle democracy".
Governor HR Bhardwaj recommended President's Rule in the state on the ground that the trust vote was "improper".
It was touch and go for the BJP. The "disqualification" of 16 MLAs reduced the strength of the Karnataka assembly to 208 (from 224) and the majority mark to 105 (from 113). The BJP, which had 117 members before the present crisis broke out two weeks ago, had the support of 106 members after the dissidents were disqualified – one more than the majority mark.
The dissident MLAs challenged their disqualification in the Karnataka High Court, which adjourned the case till Tuesday.
The current crisis appears to have been sparked by the cabinet reshuffle in the state on September 22 when some BJP legislators, denied ministerial berths, rebelled against the party.
The five Independents — PM Narendraswamy, Shivaraj Thangadagi, Gulihatti Shekhar, Venkataramanappa and D Sudhakar — who were barred from entering the House, forced their way in, broke window panes and assaulted the House marshals, 16 of whom were injured, said Bangalore Police Commissioner Shankar S Bidari, who was also roughed up. A case was registered against them.
Shekhar went to the extent of unbuttoning his shirt, climbing on to a desk and screaming slogans against the BJP as policemen entered the House.
Constitutional experts said they could not recall any occasion in the country when the police entered a legislature.
"This is the blackest day in Karnataka's history," Leader of the Opposition Siddaramaiah of the Congress said.
However, defending his move to hold the voice vote, Bopaiah said: "Nobody demanded (division). So, where is the question of division of votes? The motion was passed by voice vote."
Launching a counter-attack, Yeddyurappa said he will order an inquiry to expose the "money power" used to lure the rebel MLAs. "I know from which source the money has come and how much money was distributed by each (source)," he said.
(with PTI inputs)
First Published: Oct 11, 2010 10:30 IST

subset: commoncrawl


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Yelp Reviews Get The Dramatic Reading They Deserve
This is Chris Kipiniak. You might recognize Chris from his work on "The Good Wife", "Law & Order", and "Delocated". But after this dramatic reading of a Yelp review, you'll never forget him.
This comes courtesy of Joe Plummer, who took a look at the ridiculous reviews that some places sometimes get on Yelp, and decided they really needed a dramatic reading. Yelp, for those who don't know, is a site that allows users to offer their uncensored opinions about businesses from dry cleaners to diners. It's a controversial site for many reasons, not least because of its user base. Many accuse Yelp of being frequented solely by cheap entitled college students and sneering hipsters... and honestly that's sometimes borne out by the reviews.
Plummer will be doing one video a week of professional actors reading these reviews until Yelp sues him. Hopefully they'll choose to let Plummer continue. And hopefully Kipiniak will get another review to read.


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- October 14, 1986 - February 17, 2018
- Melrose, Massachusetts
of Lisa's Passing
Ariella Pollard c/o Eastern Bank
605 Broadway
Saugus, MA 01906
Share This Obituary
Message from the Family
Thank you for your support during this difficult time. Please enhance this tribute to Lisa by adding your memories.
Arrangements made by
Gately Funeral Home
79 West Foster Street
Melrose, MA 02176
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Memories & CandlesPrevious
"So sorry to the family left behind... you are next to my sister Mia at Melrose Wyoming. You will be taken care of, she's so funny too. I'm glad you...Read More »
1 of 20 | Posted by: Jessica Rodriguez - Melrose, MA
"Just found out the other day. I am so sorry to hear the passing of Lisa. I remember her well from summers at the Lebanon park. It's terrible to hear...Read More »
2 of 20 | Posted by: Sam Fernandes - Lynn, MA
"I am sad,,when I share this, Lisa Marie Pollard we all love you & and still do..god took a special Angel away, one super special lady with whom we...Read More »
3 of 20 | Posted by: Cheryl ( AUNTIE) Terry ENGLAND.
"Fly with the angels as you are now one
4 of 20 | Posted by: Janet Carbone - Revere, MA
"Donna, I was so sorry to hear about the loss of your beautiful daughter. I can't imagine the sadness you are feeling right now. Please know that...Read More »
5 of 20 | Posted by: David Nickerson - Carver, MA
"Donna, Words can't express how sorry I am for your loss. You and your family are in my prayers
6 of 20 | Posted by: Mary Fortier - Andover, MA
"I will always remember Lisa's contagious smile when she came in the Guidance Office at MHS. My heartfelt condolences to the Pollard Family.
7 of 20 | Posted by: Connie OConnor - Melrose, MA
"My deepest condolences go out to the family and her little girl. She will be missed by many..
8 of 20 | Posted by: Inez Goulet - Haverhill, MA
"Lisa, it saddens me that you are gone. While working with you at Johnnies Foodmaster, you were a very great person to work with and also a great...Read More »
9 of 20 | Posted by: Jonathan Dodge - Windham, ME
"Oh Lisa, you were a special loving girl. So sincere and funny. My heart misses you. Love and prayers to your family always. Donna tarquinio
10 of 20 | Posted by: Donna Tarquinio - Melrose, MA
"Thinking of all of the family !!!! Prayers R.I.P.
11 of 20 | Posted by: Elizabeth Perez Barani - MA
"Heartfelt thoughts and prayers are with you all at this sad time
12 of 20 | Posted by: Judy Campatelli - Stoneham, MA
"Heartfelt thoughts and prayers are with you all at this sad time
13 of 20 | Posted by: Judy Campatelli - Stoneham, MA
"We are so sorry for your loss Rob and family. We are always here anytime you need us. Your all in our thoughts and prayers.
14 of 20 | Posted by: Patrice Izzo - St.Augustine, FL
"Truly a heartbreaking moment, and so sorry to hear about this. She will be truly missed, and mate if there is anything I can do let me know
15 of 20 | Posted by: Mike Izzo - SAINT AUGUSTINE, FL
"Peace be with you today and memories of Lisa comfort you everyday.
16 of 20 | Posted by: Susan Malaab - Coral Gables, FL
"We were all so sad to hear the news. Sending all of our love and thoughts to you all. ❤
17 of 20 | Posted by: Nicole Usher
"Donna and Family, I am so sorry to hear about Lisa passing!❤May she Rest in Peace
18 of 20 | Posted by: Patricia Varney - Milton, VT
"Donna so sorry for your loss. Thinking of you and your family, god bless
19 of 20 | Posted by: John Rodriguez( provost) - Salem, NH
"The Gately Family and Staff wish to express our sincere sympathy to you. It is our hope that we may be able to make a difficult time more bearable....Read More »
20 of 20 | Posted by: John W. Gately, John H. Gately & Fred Sprague
Lisa M. Pollard, of Melrose, passed away on Feb. 17, 2018 at the age of 31. Lisa was born & raised in Melrose and a graduate of Melrose High School, Class of 2004. She went on to graduate from the Bryman Institute and worked as a Medical Assistant. Lisa cared about everyone else, was a very compassionate, adventurous, funny, had a "Big Heart" and was a "Goof Ball". She was very family oriented and enjoyed posting funny videos, cooking, Disney movies and Revere & Hampton Beach. Lisa loved to spend her time with her fiancé' Jason and daughter Ariella going to fairs, bike shows and being in the outdoors. Lisa's family and many friends were the most important part of her life and she will be greatly missed. Lisa was the loving fiancé of Jason K. Mistretta & devoted mother of Ariella C. Pollard. Loving daughter of Robert T. & Donna C. (Curley) Pollard. Caring sister of Michael Curley & his fiancée Allison of Westborough, Christine "Teeny Bop" Pollard & her fiancé Mike Mahoney of Pelham, NH, Thomas Pollard & his girlfriend Catherine Bridgeford of Melrose and Harry Pollard of Melrose. Cherished granddaughter of Pauline Curley and the late James Curley of Hampton, NH & Muriel & Bill Pollard of England. Niece of Mark "Uncle Buck" O'Neill of Roslindale. Also survived by loving aunts, uncles, cousins & many friends. Visiting hours will be held at the Gately Funeral Home, 79 W. Foster St., Melrose on Thursday, Feb. 22nd from 4-8PM. Procession from the Gately Funeral Home on Friday, Feb. 23rd at 8:45AM, followed by a Mass of Christian Burial in St., Mary's Church, 9 Herbert St., Melrose at 10AM. Relatives & friends respectfully invited to attend. Burial in Wyoming Cemetery, Melrose. In lieu of flowers contributions can be made in check form made payable to Ariella Pollard c/o Eastern Bank, 605 Broadway, Saugus, MA 01906 to be put towards her savings account. Money can all be deposited into her account at any Eastern Bank by providing her name to the teller. Or cash can be given to the immediate family and Jason Mistretta and will be put into the account.


text: No, it is not necessary to sand the surface between coats of SEAL-ONCE® ACRYLIC POLY, if the proper application procedures have been followed. If the first coat has been allowed to cure for more than 24 hours, lightly sand the surface with 220 grit sandpaper. Remove all dust after sanding to ensure a clean, debris-free surface prior to applying the second coat of SEAL-ONCE ACRYLIC POLY.


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We will host a number of events in various locations and would like to meet you when we are in your area. Please click on the event to view more information and to register for the event. Some events are open to the public or are specifically for students who attend that high school. If you have specific questions about an event, please feel free to contact your admissions representative.
To search for events in your area, enter your ZIP code or select a country/region below.


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Clinical spectrum of hemiplegic migraine and chances of finding a pathogenic mutation
Citation Manager Formats
This article requires a subscription to view the full text. If you have a subscription you may use the login form below to view the article. Access to this article can also be purchased.
Objective To investigate whether the clinical characteristics of patients with hemiplegic migraine with and without autosomal dominant mutations in CACNA1A, ATP1A2, or SCN1A differ, and whether the disease may be caused by mutations in other genes.
Methods We compared the clinical characteristics of 208 patients with familial (n = 199) or sporadic (n = 9) hemiplegic migraine due to a mutation in CACNA1A, ATP1A2, or SCN1A with those of 73 patients with familial (n = 49) or sporadic (n = 24) hemiplegic migraine without a mutation in these genes. In addition, 47 patients (familial: n = 33; sporadic: n = 14) without mutations in CACNA1A, ATP1A2, or SCN1A were scanned for mutations in novel genes using whole exome sequencing.
Results Patients with mutations in CACNA1A, ATP1A2, or SCN1A had a lower age at disease onset, larger numbers of affected family members, and more often attacks (1) triggered by mild head trauma, (2) with extensive motor weakness, and (3) with brainstem features, confusion, and brain edema. Mental retardation and progressive ataxia were exclusively found in patients with a mutation. Whole exome sequencing failed to identify pathogenic mutations in new genes.
Conclusions Most patients with hemiplegic migraine without a mutation in CACNA1A, ATP1A2, or SCN1A display a mild phenotype that is more akin to that of common (nonhemiplegic) migraine. A major fourth autosomal dominant gene for hemiplegic migraine remains to be identified. Our observations might guide physicians in selecting patients for mutation screening and in providing adequate genetic counseling.
- ICHD-3 beta=
- International Classification of Headache Disorders, 3rd edition (beta version);
- Leiden University Medical Centre
Go to Neurology.org/N for full disclosures. Funding information and disclosures deemed relevant by the authors, if any, are provided at the end of the article.
↵* These authors contributed equally to this work.
- Received August 8, 2017.
- Accepted in final form November 9, 2017.
- © 2018 American Academy of Neurology
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Disputes & Debates: Rapid online correspondence
- What is the practical value of genetic analysis to comprehension of migraine?Vinod K. GuptaPublished April 01, 2018
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text:
2335 - Writing from the Reader's Perspective
Course Description
Leave your writing manual at home! This is not a workshop on split infinitives and grammar but one about ensuring that you are communicating with clarity, coherence, and accuracy to achieve the results you desire. Dr. Gopen's approach is stated simply: Readers take the majority of their clues for the interpretive process not from word choice nor from word meaning, but rather from the structural location of words. Thus, where a word appears in a sentence will control most of the use to which that word will be put. We all know this intuitively as readers. Dr. Gopen will make it conscious in us as writers.
Most people assume that reading and writing are 85% word choice and 15% structure when it is really 15% word choice and 85% structure. Readers need to be able to answer five essential questions to understand the message correctly. If the reader gets even one wrong, the interpretation arrived at will not be the one the writer intended. The five questions are:
- What is going on here?
- Whose story is this?
- How does this sentence connect to the previous sentence?
- How does this sentence lead into the next sentence?
- What pieces of information should be read with special emphasis?


text:
Beer Wars is back!
Beer Wars IPA Fest is back today, August 12th at the 10 Barrel Bend Pub on Galveston Ave!
If you've been to a previous Beer Wars, you'll know to come early and thirsty. This year come and taste 30 different IPA's from 5 different states – Oregon, California, Washington, Colorado and Idaho! Many of these breweries don't even distribute in Oregon so this is your chance to try their best IPAs!
How much does it cost to get in? It's FREE! You are more than welcome to walk around and enjoy the view of others imbibing fantiastic IPAs, all at no charge to you. However, if you do wish to partake, you can purchase a tasting glass and tasting tokens to try the various IPAs.
Details & Official lineup of breweries
› Blind tasting and voting is from 4pm to 7pm.
› Results revealed and live music from 2nd Hand Soldiers from 7pm to 9pm.
-21st Amendment
-Ballast Point
-Firestone Walker
-Green Flash
-Stone Brewing
-Pizza Port
-Epic Brewing
-Comrade Brewing
-Cannonball Creek
-Ska Brewing
-Great Divide
-Avery Brewing
-Boise Brewing
-Sockeye Brewing
-Woodland Empire
-Silver City
-Naked City
-Bale Breaker
-Everybody's Brewing
-10 Barrel
-Barley Brown's
-pFriem Family Brewers
And starting Thursday, it's the Bend Brewfest!


text:
President Muhammadu Buhari has congratulated the Team Nigeria, who came second in the overall medals table at the just concluded All Africa Games in Congo Brazzaville.
The president also hinted that the team will be hosted at the Aso Rock presidential villa 8n due course.
In a statement issued by the President's Senior Special Assistant on Media and Publicity, Garba Shehu, in Abuja on Sunday, Buhari expressed satisfaction and appreciation at the performance of the team at the continental event.
Buhari also urged the Nigerian athletes to improve on their performance.
He, therefore, expressed deep joy that several members of the team did Nigeria proud and singled out for special commendation the men's basketball team, D'Tigers.
D'Tigers had earlier earned the nation the Afrobasketball trophy for the first time in 50 years, which earned the country an automatic ticket to the Rio Olympic Games in 2016.
Buhari noted that the performance of Team Nigeria at the Congo games had yet again brought the massive potential of Nigerian sportsmen and women to excel in their chosen areas against all odds.
He implored the country's athletes to do all they could to ensure that "Nigeria regains its number one position in Africa and the world at large''.
The president, who noted that a presidential delegation had attended the closing ceremony and conveyed his congratulations to Team Nigeria and its officials, promised the team a fitting ceremony.
He also assured Nigeria's sportsmen and women that his administration would accord priority to sports, in addition to boosting the morale of the players and enhancing training for future challenges.
He reminded the sportsmen and women not to rest on their oars "because the challenges grow bigger and more complex each day".
AAG: Buhari Congratulates, Promises To Host Team Nigeria
President Muhammadu Buhari has congratulated the Team Nigeria, who came second in the overall medals table at the just concluded All Africa Games in Congo Brazzaville.
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- Creative
- Animation
- Film Production
- Fine Art
- Graphic Design
- Illustration
- Music Production
- Photography
- UI/UX Design
- Writing
I have worked with watercolors before but I never really learned how to use them. I want to start to learn my tools so I can become a better artist.
At the beginning of this class I only had a pan set of fairly cheap watercolors which is what I used for my Gradients, Pulse and Precision, and Monochromatic excercises.
Not the best quality scan but you get the idea.
I definitely need some work when it comes to straight lines so I will be practicing this more!
I really love how my monochromatic excercise turned out! I would like explore this a little more as well.
Now after watching the lesson on experimenting with different media like salt and bleach I decided I wanted to get a different kind of watercolor so I went to the store and bought a whole set of Dr. Ph Martin's and let me tell you, I was SO excited to start painting with them. I also ended up buying some white ink and a really pretty pearlescent periwinkle.
And then I began the experimenting..
Had a lot of fun with that. I noticed that the bleach mixed with my pan set just lightened the colors but mixed with my Dr. Ph Martin's it actually changed the color of the ink!
I was super excited to work on the Jellyfish assignment because I think they are so beautiful and it's something you can kind of just have fun with because there are so many different kinds out there.
I definitely had some issues with keeping the line weight the same which I realized was due to other tings on the page being wet and I was positioning my hadn in a way to avoid them which made it hard to create smooth lines. I am still happy with how this turned out, the colors are evn brighter in person.
Here is my final galaxy image. I had a little trouble with keeping the white pure white it kept showing the other color so I will have to experiment with different inks and paints. I really had so much fun doing this and I will definitely be doing more!


text:
The street artist ABOVE creates pieces where timing and location are fundamental.
ABOVE is an international street artist who has been painting the streets since 1995. His style has evolved over the years, from tagging his name ABOVE to his trademark arrow icon pointing 'above'. His bold interventions transmit direct messages about social, political or international current events, showing the artist's personal take on today's society.
But the most peculiar aspect of ABOVE's work is the importance of location and timing. In many of his murals and interventions both are crucial for the construction, meaning and completion of the work. Whether he is placing strategic murals that interact with electric wires or the shadows of street signs, or whether he is installing his wooden arrows in places where the overhead wires are perfectly arranged, ABOVE explores the city is search of a corner where his art and the urban surroundings can relate to one another. This way, the artist seeks to create not only a site specific work but a piece that can relate intimately with the social context where it is found.
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Index Tutorials
Adobe Tutorials
Autodesk Tutorials
Microsoft Tutorials
Corel Tutorials
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Software GNU Tutorials
Others Tutorials
DVD Architect Pro Tutorial
DVD Architect Pro Tutorial
Tutorial in pdf format so you can save it to your PC, e-book reader or print.
Sponsored link
The tutorial you are about to download is compressed format. Rar, if you do not have a decompressor rar files you can download 7-zip and you can display the Foxit PDF Reader.
Index DVD Architect Pro Tutorial
Welcome to DVD Architect software!
System requirements
Installing DVD Architect software
Getting help
Online help
Context-sensitive help
Help on the Web
Learning the DVD Architect Workspace
Main window
Main window components
Project Overview window (Ctrl+Alt+1)
Workspace (Alt+0)
Editing toolbar (Alt+1)
Text toolbar (Alt+2)
Window Docking Area (F11)
Explorer window (Alt+3)
Themes window (Alt+4)
Buttons window (Alt+5)
Backgrounds window (Alt+6)
Compilation window (Alt+7)
Properties window (Alt+8)
Timeline window (Alt+9)
Playlists window (Ctrl+Alt+2)
DVD Scripts (Ctrl+Alt+3)
Getting Started
How it works
Preparing files for DVD Architect software
AC-3 audio (.ac3)
PCM audio (.wav)
NTSC MPEG video (.m2p, .mp2, .mpg, .mpeg, .mpv)
PAL MPEG video (.m2p, .mp2, .mpg, .mpeg, .mpv)
Starting a new project
Opening an existing project
Choosing your media files
Using Explorer window views
Downloading media from the Web
Previewing media files
Adding files to your project
Setting the DVD start item
Setting the DVD introduction (first play) media
Setting your project properties
Disc properties
Copy protection
Summary tab information
Optimizing your project
Determining whether menus and titles are compliant
Using the Optimize DVD dialog to fine-tune your project
Editing a media file's source project
Saving your project
Saving a copy of your project (Save As)
Creating a Menu-Based DVD
Building menus
Adding a submenu
Adding a submenu from a file
Reapplying a file's layout to menu objects
Inserting pages
Adding pages
Deleting pages
Changing page order
Editing menu page properties
Background Media
End Actions
Remote Buttons
Color Sets
Adding titles
Inserting a picture compilation
Inserting a music/video compilation
Inserting a single-movie title
Editing title order
Adding graphics
Editing graphics properties
Color Sets
Inserting and editing text
Inserting text on a menu or page
Setting a menu's title text object
Formatting text
Editing text
Moving text
Setting loop points
Inserting a scene selection menu
Continuing playback after playing the selected scene
Returning to the menu after playing the selected scene/chapter
Creating a scene selection only DVD
Inserting a setup menu
Adding navigation buttons
Creating menu transitions
Creating custom menus
Using color sets
Editing a color set
Applying color sets
Changing an object's size
Resizing an object
Making all selected objects the same height or width
Cropping and adjusting video and graphics
Displaying the Crop and Adjust window
Using the toolbar
Crop and adjust properties
Cropping graphics
Crop and video effects keyframes
Adding keyframes
Deleting keyframes
Navigating between keyframes
Changing interpolation curves between keyframes
Moving keyframes
Editing crop settings
Viewing and editing media properties
Displaying the Media Properties window
Editing media properties
Opening in Graphics Editor
Moving and arranging objects
Changing the position of an object
Transformation keyframes
The Keyframe tool
Editing button order for a menu
Aligning objects in a menu
Automatically aligning objects based on current theme
Centering objects
Adjusting object spacing
Deleting objects
Enabling snapping
Snapping to the grid
Snapping to other objects
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Using automatic button actions
Button properties
Color Sets
Button Region
Copying and pasting attributes
The Navigation tool
Setting object order
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Changing object order
Creating a Music/Video Compilation
Adding a music/video compilation to a menu
Adding audio
Replacing an audio file
Adding and editing images or videos
Inserting images or videos
Replacing an image or video
Setting image stretching or scaling
Rotating an image
Adjusting brightness and contrast or editing the image
Adding and editing text
Adding text
Formatting text
Moving text
Deleting text
Setting thumbnail display
Music/video compilation properties
End Action
Remote Buttons
Color Sets
Creating a Picture Compilation
Adding a picture compilation to a menu
Adding and editing images
Inserting images
Replacing an image
Generating slideshow animation
Setting image stretching or scaling
Rotating an image
Adjusting brightness and contrast or editing the image
Setting display duration from the Picture Compilation Properties window
Setting display duration from the timeline
Inserting an empty slide
Adding and editing text
Adding text
Formatting text
Moving text
Deleting text
Inserting a graphic
Inserting audio
Setting thumbnail display
Picture compilation properties
Track Media
End Action
Remote Buttons
Color Sets
Creating Playlists
Adding a playlist to a menu
Adding a playlist without a link
Adding titles to a playlist
Deleting titles from a playlist
Rearranging titles in a playlist
Renaming a playlist
Playlist properties
End Action
Playlist Item
Creating a Single-Movie DVD or Title
Adding a movie title to a menu
Setting in and out points
Working with markers
Inserting scene/chapter markers
Inserting chapter markers
Inserting buttons-on-video markers
Renaming markers
Moving markers
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Loading markers
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Track Media
Remote Buttons
Color sets
Adding buttons to videos
Editing button order for a video
Animating buttons with keyframes
Adding Audio, Video, and Subtitles
Audio tracks
Adding audio tracks
Replacing audio in a track
Setting the audio track for timeline playback
Changing audio track colors
Video tracks
Adding video tracks
Adding video to tracks
Setting the video track for timeline playback
Changing video track colors
Video event properties
Adding a subtitle track
Adding subtitle text
Creating a graphic subtitle
Inserting a graphic subtitle
Importing subtitles from a file
Exporting subtitles
Creating subtitles from regions in a Vegas project
Adjusting subtitle event timing
Adjusting a subtitle event's length
Copying formatting across subtitle events
Setting a subtitle to display automatically
Editing a subtitle event's color set
Setting the subtitle track for timeline playback
Changing subtitle track colors
Subtitle properties
Subtitle Event
Color Sets
Generating music with Cinescore
Generate a new soundtrack
Edit an existing soundtrack
Using Masks, Menus, and Themes
Creating custom masks
Thumbnail masks
Frame masks
Highlight masks
Creating custom menus and buttons using layered graphics
Naming requirements for layers
Creating a layered .psd menu
Creating custom menus and buttons using single-layer graphics
Working with themes
Applying themes
Choosing a theme
Applying a theme's alignment to menu objects
Deleting a theme
Creating custom themes
Exporting menu as a theme
Learning about positional and grid themes
Working with positional themes
Working with grid themes
Modifying grid layout properties
Using Scripting
Adding an existing script to a menu or title
Creating a script
Inserting a statement in a script
Appending a statement to a script
Removing a statement from a script
Rearranging statements in a script
Editing a script's statements in the Script Properties window
Testing a script
Renaming a script
Deleting a script
Setting a DVD start script
General Purpose Register Memories (GPRM)
System Parameter Register Memories (SPRMs)
Language codes
Region codes
Previewing Projects
Preview window
Preview toolbar
Previewing your project
Previewing on an external video monitor
Setting up an external monitor
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Preparing your project
Burning your projects
Burning 8 cm discs to 12 cm discs
Burning multiple copies
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Customizing DVD Architect Software
Changing grid settings
Using the toolbar
Hiding and displaying the toolbar
Reordering toolbar buttons
Adding buttons to the toolbar
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Setting DVD Architect software preferences
General tab
Video tab
Video Device tab
Editing tab
Display tab
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Burning tab
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Project file
Magnification and view
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Mouse shortcuts
Download the file decompressor
Download the PDF reader
Foxit PDF Reader
© 2008 - This work is licensed under a
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text:
Not knowing where I am
I move around a fair bit. It gets me in trouble sometimes: 'You're never here.' It doesn't really feel like I can help it. Once or twice I have tried to stay put and inertia silted up my gills, making breathing difficult. I've lost count of the times I've woken up gasping, not knowing where I am.
There was the time last summer when I'd stranded myself in east London, before I lived round that way. I'd organised this thing and forgotten to arrange anywhere to stay over at after the thing ended. Anxious phone calls to a friend led to me following a blue dot in circles around a google map to a flat somewhere where a stranger lived, a nice stranger who offered me a drink and gave me a bed to sleep in overnight. The bed was one of those that's high up in the ceiling with space for a desk underneath, except in this room there was no desk underneath. I'll admit right now I'd drunk a few gulps of free whiskey that night so it was an effort, both slightly comedic and shakily dangerous, to climb into the bunk. The next morning I woke up gasping. My heart beat almost broke a rib. I knew I was alone in the room and I knew that I wasn't in any danger but I couldn't remember where I was. I know this makes me sound feckless; it's not that bad, I knew that I wouldn't have stayed somewhere dodgy. I had to say out loud, 'Where am I?' and I had to peer out of the top of the window next to the bed. Even with these memory jolting measures it still took a handful of long minutes before I remembered where I was.
I think it was a few weeks ago I made a new friend in a friend of a friend. By the time we'd had a few of his beers and talked and bickered a bit in his kitchen, the temperature had plummeted outdoors. I only live maybe twenty minutes from his house; anyway I didn't fancy the walk in that cold. I could've worn one of his jumpers home but he'd already lent his thick jumper to our mutual friend some days or weeks before. So the long and short of it is that I ended up staying at his until daylight warmed things up. I woke up with a Big Gasp but, remembering quite quickly this time where I was and embarrassed to have possibly woken the other person in the room with my Big Gasp, I ended up giggling myself back to a more restful napping. Feeling less dramatic than the night before, I got up after the nap and walked the short distance back home under cheerful blue north London sky.
The other day I woke up in a room in Birmingham, my head between the legs of a rocking chair. I gasped, but without even looking out from the opening of my sleeping bag I could tell that my friends were sleeping in the same room. The remembrance of where I was came back into view. Later on when two of my friends went out I got in their bed, so that day I woke up twice in unfamiliar places. Look at the picture. No one would worry waking up in such a beautiful room.
In the past weekend I've woken in three different beds, the last of which was my own. I woke up feeling the familiar confusion, the not knowing where I am muscle spasm, before I remembered. My books and my reading light and my desk and the paperchains along my wall came into morning focus. I remember saying, 'Oh yes, yes. It's you, oh good,' I fell back asleep, patting my pillow in the way you pat an old companion's back when it's been a while.
I guess it's a bit like when you want to say something but you don't know how to say it, and then you manage to say it or you start writing and eventually the something unravels itself. Or when you have so much to do that it's all nagging at the back of your mind and you don't know where you're going to begin or how you'll manage it all, and contrasted to that how it feels when a chink of maybe enters your reasoning and you begin to see a way out. It's a bit like that, tugging on a string that leads you back to knowing where you are.
… oh pants – I've just remembered that it's dead cheesy to write about waking up. Too late now. Sorry, I'm sorry.


text:
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WildFire Farms
We raise our cattle with no antibiotics or animal by-products because we know that organically raised Angus and Galloway beef is better for you and your family. Our cattle are 100% grass fed and are higher in omega-3, vitamin A, vitamin E and have significantly higher levels of CLA (Conjugated linoleic acid – which could prove to be a powerful tool in the fight against cancer and atherosclerosis*). We're confident that the taste of real organic beef will make you a repeat customer!
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text:
It's our eight year anniversary today....wow.
I found this cute packet of Love Heart fizzy sweets (in the English food section) at Pak n Save Masterton and I surreptitiously took a photo of my favourite ones and placed them in the shape of a heart with specific phrases for him to read. And so it became his anniversary card with the sweets wrapped up inside for him to eat in that order. The boys and I quite happily scoffed the rest of the rejected phrase sweets!
And um...I wasn't flavour of the month as while I was busy making the card, I was meant to be watching the roast veges that were going in our pasta salad on Saturday night when we had visitors coming and I completely forgot to get them out and burnt the lot. It's a good thing there's some things I am good at, like creating cute cards for you though aye Markie?
And eight is definitely not nearly enough years to spend with the love of my life. Here's to the next eight, and the next and the next and the next hey honey!
Love you Dear One, and I hope you still love me....burnt veg and all!
21 February 2012
Eight ain't enough
Posted by Meghan Maloney Photography at 8:00 AM
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text:
1) Make sure to your face is thoroughly clean with a sensitive cleanser. Then apply a good toner to close up all the pores and smoothen out the skin.
2) Dab your skin with a good quality moisturizer. Keep massaging in round circular motions, avoiding tugging at your skin. Allow the moisturizer to dry for a few minutes.
3) Apply a face primer with the help of a proper makeup brush. This will prevent unnecessary smudging and fading. This will help in creating a smooth base for the application of your foundation.
4) The most important tip when applying foundation is to choose the right colour for your skin. Make sure to test it by applying it on your jaw line and then blend it with a sponge.
5)The colour that mixes with your skin is the right colour for your skin.
6) To get the best results, choose a foundation that is right for your skin texture. For dry skin, choose liquid foundations. As they also double up as moisturizers and don't have powder pigments, liquid foundations are a good choice for dry skin.
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Saskatoon Co-op is currently accepting applications for part-time Pharmacist positions at our new location in Warman. The successful candidate will work in a supportive professional environment, which is characterized by a high volume of prescriptions in a first class dispensary. Primary responsibilities will include patient counseling on prescription and non-prescription products, dispensing, as well as being a member of a professional team which delivers a high standard of Care+ Pharmacy practice to its customers.
The position offers competitive advantages along with the chance to be part of a Member Owned and Truly Canadian company. The great benefits of working at the Saskatoon Co-op include:
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Central Air Conditioning.
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To the fullest extent permissible pursuant to applicable law, this web site and the materials are provided on an "as is" and "as available" basis. LuxuryRealEstate.com expressly disclaims all warranties of any kind, whether expressed, implied, or statutory including, but not limited to, the implied warranties of merchantability, fitness for a particular purpose and non-infringement. We do not warrant that this web site or the materials are completely error free, will operate without interruption, are compatible with all equipment and software configurations, free of viruses, errors, or other harmful components, or will otherwise meet your needs.


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Colonial Apartments Near Me
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text:
Celebrity Alimonée, Novelist Manqué, 43
FASHION PHILOSOPHY: Putting on the glitz.
HAIR: Apparent!
NEVER SEEN IN: Jeans.
Adorable? Deplorable? Or should we say Gabor-able? Former Queen of the Plaza Ivana has the money (including a $14 million settlement from The Donald) and the looks (especially since her surgeon-assisted make-over in 1989)—not to mention a cadre of big-name designers, from Versace to Ungaro to Thierry Mugler. So why does Eastern Europe's most famous export always seem, well, off? Author-authority James Brady thinks it's a case of unfortunate fashion influences. "In 20 or 25 years, she has the potential to be Zsa Zsa," he fears. Echoes image consultant Susan Bixler: "She doesn't understand understatement." Even Boaz Mazor, an executive at Oscar de la Renta—and a friend of Ivana's—says: "She should leave the canary yellow and the shocking pink to the royals."


text:
My Loves.
So this one day I was in a serious Phantom of the Opera mood.
I mean serious.
Bates must have caught onto this because he made himself quite at home for the whole day right here.
I was quick to snap a picture and post to my Phantom crazed Insta story.
Im wholly unapologetic.
Leave a Reply.


text:
Building a stock application in Shiny
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text: This time of year presents a fantastic opportunity to ensure that your staff are fully onboard with your big strategic goals. By now, you've no doubt considered what you need to do to tap into the general feeling of renewed motivation. But are there things going on beneath the surface that you need to consider? And are there potential threats that could harm your business as we kick off a new year?


text:
Sunday, January 10, 2010
I Guess it Must be Summer Again.
It's a very interesting experience to condense your most precious possessions to a pile big enough to put into a car. Photos are always included, though nowadays most of them are on a portable hard-drive rather than in paper form. Toys for the boys are an obvious feature - as many as we can possibly take, as are portable and important items like cameras, old (and sentimental) books, drawings and stories from my childhood, documents, and a few changes of clothes. In the end, it comes down to what we will absolutely need, and what we will absolutely never be able to replace, should the worst happen.
I don't really think we'll have much to worry about. Apparently, our region is not in the high-danger list. But we can't lose anything by getting out anyway, just in case.
And now, I think I'll go and look at tomorrow's weather forecast for London. That's sure to cool me off.
5 comments:
And we're cooling day after day with -30 degrees C !ReplyDelete
Seriously, I can't even imagine -30! The last time I saw snow was 1977, and that would only have been a bit below freezing. I hope you keep as warm as I keep cool!ReplyDelete
You know, the summer temperatures (and the bushfires!) are one thing I am definitely not looking forward to about my new hometown :/ReplyDelete
(Also, why oh why do I live in a flat without aircon?!)
Yep, we had the ducted reverse cycle put in our boys arrived. Expensive, but well worth it!ReplyDelete
There's always the library :-)
I hope for the best. If I could send you some of the snow that's gently falling outside my window in Munich, I would! Look at the weather report at the top of my favorite glacier: -18C tonight. http://www.snow-forecast.com/resorts/Hintertux/6day/topReplyDelete


text:
Friday Devblog 43
Level visual effects
The system I've created makes it possible to have different post processing effects per level. This enables us to use the filters Lenn has been working on. You've aleady seen these filters in the past blogs for the U-352 and Lockheed levels.
Until now, all post processing effects were the same in each game level. This means we couldn't really give you the feeling that you're under water. To get this feeling, a number of things must happen, one of which is changing the color of the scene. If we were to change the color in, for example, the Lockheed level, we would change it so that everything would become a little more blue. The problem with this, is that everything would become a little more blue in levels like the Okavango too. With this new system, we can make every level look exactly the way we want it to look.
I've also been working with the artists this week to fix some of the issues that popped up over the last few weeks, like the density of the under water fog in the levels being way too high, the water being drained from the U-352 level and the 2D interfaces being too dark. You can expect an update with these fixes some time next week.
Lockheed in its current state:
Previous blogs:read more...
- Devblog 42 July 3
- Devblog 41 June 26
- Devblog 40 June 19
- Devblog 39 June 12
- Devblog 38 June 5
- Devblog 37 May 29
- Devblog 36 May 22
- Devblog 35 May 15
- Devblog 34 May 8
- Devblog 33 May 1
- Devblog 32 April 24
- Devblog 31 April 17
- Devblog 30 April 10
- Devblog 29 April 3
- Devblog 28 March 27
- Devblog 27 March 20
- Devblog 26: March 13
- Devblog 25: March 6
- Devblog 24: February 27
- Devblog 23: February 20
- Devblog 22: February 13
- Devblog 21: February 6
- Devblog 20: January 30
- Devblog 19: January 23
- Devblog 18: January 23
- Devblog 18: January 17
- Devblog 17: January 9
- Devblog 16: December 19
- Devblog 15: December 12
- Devblog 14: December 5
- Devblog 13: November 28
- Devblog 12: November 21
- Devblog 11: November 14
- Devblog 10: November 7
- Devblog 09: October 31
- Devblog 08: October 17
- Devblog 07: October 10
- Devblog 06: October 3
- Devblog 05: September 26
- Devblog 04: September 19
- Devblog 03: September 12
- Devblog 02: September 5
- Devblog 01: August 29
I wait and see... this is
I wait and see... this is very good news ! the picture looks good but I will be able to say how it looks only when I'll see the real stuff :)
I don't know if you are able to do it, but a color filter per depth (example : color change with depth of the player) or at least different color filters underwater and above water would help you a lot !
That's looking a lot better.
That's looking a lot better.
The changes sound good. I'm
The changes sound good. I'm looking forward to seeing them next week.
There's a different color
This sounds great, but will
This sounds great, but will this effect mac? My water is blurry, and makes this game unplayable. I can't see where I am going. Please help!
This bug will be also be
Looking forward to the fixes
Looking forward to the fixes in the upcoming update. Still having fun doing the dailies ,also looking forward to getting xp in the Okavango level. haven't been there for a while, no reward for going there?
The daily mission in Okavango
Thanks for your reply, was
Thanks for your reply, was wondering when this would be fixed. and by the way is the ocean of water coming back to the U-352 site?
probably this coming friday!
probably this coming friday!
Patch is live, 1.4gb.
Patch is live, 1.4gb.
Figures, now that I'm at work
Figures, now that I'm at work. Guess I'll be playing at midnight.


text:
The winners of the Samsung Art+ Prize were announced last night in a ceremony at the BFI Southbank. From a shortlist of 10 nominated artists, Semiconductor has been chosen as the first prize £10,000 winner, Lucky PDF as £5,000 second prize winner and Doug Fishbone has been selected by the public as the winner of the Samsung Art+ Prize audience award. It has also been announced that David Hall has been chosen by the panel of judges as the recipient of the lifetime achievement award.
[pullquote_right]"The first Samsung Art + Prize has been a great adventure and we hope that the future will present even more thrilling and intriguing new media art work."[/pullquote_right]
The Samsung Art+ Prize is the UK's first ever prize for new media art and aims to highlight artists who reveal the ways technologies can touch our lives. The Samsung Art+ Prize exhibition is on display at the BFI Southbank until 29 January 2012 and includes work by all ten shortlisted artists Neil Cummings, Doug Fishbone, Iain Forsyth and Jane Pollard, Torsten Lauschmann, Lucky PDF, Aura Satz, Hiraki Sawa, Semiconductor, Erika Tan and Thomson and Craighead.
The winning artistic duo Semiconductor (Joe Garhardt and Ruth Jarman), make innovative moving image works and create animations that pursue a quest to translate the lexicons of science into aesthetic experiences. Recent solo exhibitions include Worlds in the Making, FACT, Liverpool (closed September 2011) and their work was included in the group exhibition Watch Me Move: The Animation Show, Barbican, London (closed September 2011).
[pullquote_right]"Semiconductor are recognised as an important voice in questioning the relationship between the material and virtual world." [/pullquote_right]
LuckyPDF, the second prize winners, are an artist collective immersed in social media who make use of the fast-changing array of technologies at their disposal. Their practice is multifaceted, embracing their social network (both online and in their physical neighbourhood) and the arts ecology of London. LuckyPDF recently completed a project at Frieze Art Fair in London (October 2011).
To select the winner of the audience award the Samsung Art+ Prize hosted a public vote on the website (www.samsung.com/uk/artplus). Doug Fishbone was selected by the public as their favourite and will receive a 46" Samsung Series 8 Smart TV. Fishbone often uses satire and humour within his film, performance and installation works to examine consumer culture and the mass media in a critical and disarming way. He has recently produced and cast himself as the lead role in the Ghanaian-made film 'Elmina' to question the impact of ethnic difference within the international market of art and entertainment.
[pullquote_right]"It's been a great experience working with leading industry figures on this project"[/pullquote_right]
The £5,000 lifetime achievement award has been presented by the judges to David Hall for the outstanding contribution he has made to the UK new media art scene. Hall was a prominent sculptor of the 'new generation' school in the 1960s who later turned his attention to photography, film and video. Hall's pioneering work Interruptions from 1971 is widely acknowledged as the first artist intervention to be broadcast on British television and he has been attributed with helping video gain acceptance as a recognised art form. Hall will be presenting a major solo exhibition of his work entitled End Piece… at Ambika P3 in London from 16 March – 19 April 2012.
Andy Griffiths, Managing Director of Samsung Electronics UK & Ireland said: "Our main ambition in creating the Samsung Art+ Prize is to raise awareness of this exciting new art genre, and in doing so, inspire future generations of artists. It's been a great experience working with leading industry figures on this project and I have been hugely impressed with the exceptional standard of works from our shortlisted artists. On behalf of everyone at Samsung, I'd like to congratulate the winners, Semiconductor for their inspirational piece."
Jiyoon Lee, Director of SUUM and member of the Samsung Art+ Prize judging panel said: "The whole concept of 'new media art' remains open, but it has been fascinating process to explore this concept creatively with my fellow judges. We are delighted that all of the shortlisted artists have given us the opportunity to celebrate works that are not only about technological innovation but also focus on artists that use technology as a medium of artistic intervention and to engage audiences. The first Samsung Art + Prize has been a great adventure and we hope that the future will present even more thrilling and intriguing new media art work."
[pullquote_right]"Our main ambition is to inspire future generations of artists"[/pullquote_right]
On behalf of the Samsung Art+ Prize judging panel, Stuart Comer, Curator of Film at Tate Modern said:
"With the first and second prize for the Samsung Art+ Award, the jury is pleased to honor two collectives who highlight the decisive and quickly shifting impact of technological media on recent cultural practice.
Semiconductor are recognised as an important voice in questioning the relationship between the material and virtual world. They have developed a long term and rigorous practice that draws on innovations in science and media to form a visually and sonically rich body of work. They have crafted their own unique 'technological sublime' by reconsidering how images can be constructed and distributed through careful research and collaboration.
Lucky PDF reflect a renewed interest in collaboration and have brought tremendous energy and insight to exploring the possibilities of media, broadcast and networked production on the role of the artist. Their projects fundamentally question technology and its role in forming artistic practice and the production and performance of images.
David Hall is without question one of the crucial pioneers to understand and articulate a new world of broadcast and monitor-based media. With a legacy extending from some of the earliest video installations and interventions to the development of London Video Arts and the first chapter of video art in the UK, Hall richly deserves the Samsung Art+ Lifetime Achievement Award, which is awarded to him with a unanimous decision by the jury."


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While significant uses of mobile e-commerce, or "m-commerce" are evolving, the infrastructure development "still has a long way to go" says Frank Kaplan, vice-resident sales Asia-Pacific for wireless platform company Tantau.
Tantau was split off from Compaq's ex-Tandem operation, 18 months ago. It is best known in New Zealand for having equipped the Stock Exchange with the platform for wireless trading. Kaplan acknowledges there are shortcomings in the present form of WAP – some users report patchy communications and phones "hanging" and needing to be restarted, and it offers far from a full set of features for m-commerce.
"But this is not about WAP, or GPRS; it's about the concept of m-commerce. There are lots of other devices and protocols to come in the next few years. By 2002, every car will be a wireless [communications] device," he predicts, with navigational applications available through the internet.
Already, 70% of wireless data communication is done in the car, he says. Bluetooth, the short-range wireless communications chip, when it comes into full use, will be part of that. It will offer, for example, a "wireless wallet" that communicates with the bank through the car's internet connection.
As far as applications go, too, "we are very much in the first generation," he says. The information you get now on a WAP connection "weather, sport, [passive] stock listings, people will not pay for."
Tantau's market is exclusively among financial institutions and brokers, but even within this limited universe there are applications with a good potential market, he says, beginning by monitoring shares and executing trades on-line while waiting at the airport for the next flight.
The drawback to putting something as sensitive as a share trade on mobile is the risk of the connection dropping out momentarily halfway through the transaction, Kaplan acknowledges. But Tantau, he claims, has that problem solved with server-side session management.
"Our server knows where you're up to in the transaction and if you get back in a minute or less, it'll pick up at that point. If it's longer than that, it'll just cancel the session and you'll have to start again."
Even with current technology and currently offered services, says Kaplan, he was able - while delayed at an airport due to bad weather - to link with an airline schedule service and tell less fortunately equipped passengers whether their onward flights were departing on time or whether they were delayed too. If they found delays further along "it saved them a lot of worry," he says. "I wonder how many of them are now going to look into buying a phone like mine?"
Any internet service contemplating wireless will have to be very conscious of choosing a scalable solution, "because this market's really going to take off," he says. Traffic will not only grow in volume, it will become unusually "spiky," rising at times like smoko and lunch-breaks.
The biggest disadvantage for the user will be having to change mobile phones for a later model more frequently, because the existing one will not support new services.


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Want something, pass a tax.
Want something, pass a tax.
Rockford's mayor wanted to pay for repairing roads a different way, so he tried to pass a sales/road tax. Voters said no. Eventually the roads got bad enough that people would vote for anything to get them fixed.
Rockford is now known as the Pothole City.
Rockford approved a sales/road tax to get people outside Rockford to help repair the roads. Some aldermen are going to use that money to repair alleys. People who live outside of Rockford do not use alleys.
When someone wanted a new jail, the original vote was no. Then, they closed the satellite jail. They overcrowded the main jail. It's cheaper to build a new jail than to be sued by all those inmates.
Guess what? A new jail tax got passed, the satellite jail reopened and overcrowding disappeared. Job done.
Two new taxes that will probably never go away.
— Betty Brock, Stillman Valley


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Philippe SL Swaab
Jun 10, 1920 – May 10, 2015
Philippe Simon Leopold Swaab (94) passed away peacefully the morning of May 10, 2015, concluding a remarkable life epitomized by courage, perseverance and commitment to his beloved family.
Known to friends as "Phil" or "Pim", he was born in Lombok, Indonesia on June 10, 1920. At the age of 17 he moved to Holland in an effort to further his education. When Germany invaded Rotterdam, Holland, during World War II in 1940, Phil was taken prisoner and held captive for over 4 and a half years in multiple German concentration camps. The majority of this period was spent at the Mauthausen camp in Austria, where inmates were treated to barbaric conditions and forced to carry heavy stone blocks up the notorious "Stairway to Death."
Phil endured to the camp's liberation on May 5, 1945, and returned to Amsterdam to restart his life. It was there that he met Johanna Willemina, with whom he would marry and together raise 8 children. In 1947 Phil and Johanna moved to Djakarta, Indonesia, where he became a prominent import/export shipping executive. Because of turmoil in Indonesia, the family moved back to Holland in April 1958. Rejecting several job offers that would have required him to travel abroad and leave his family in Holland, Phil instead set his sights on moving to the United States in search of a better life for his family.
Lake Burien Presbyterian Church sponsored the emigration of the Swaab family to Seattle in November 1959. Phil returned to the import/export trade, working for Balfour, Guthrie & Co. Shipping Merchants until his retirement in 1977. All 8 of the children graduated from Highline High School and many remain in the area today. Following his retirement, Phil and Johanna enjoyed traveling back and forth to Holland to see extended family and friends. They cherished time spent with their children, grandchildren and great-grandchildren.
Phil was preceded in his passing by his wife Johanna in 2006 and son Oppie in 2009. He is survived by children Marianne (Walt), Berney, Stella (Del), Philippe (Cindi), Peter (Kristy), Benjamin (Ana) and Dick (Shelley); grandchildren Philippe, Benjamin (Rebecca), Delton (Angie), Sabrina (Sean), Stephanie, Marianna (Darab), Jason (Danielle), Amanda, Ryan, Alexander, Mikey, Peter, Nicolas, Brandon, Peter Paul, and Jason; and great-grandchildren Gabriel, Ellie, Delton, Elijah, Willemina, Zachary, Lily, Alivia, Leopold, Alexa, Tessa and Esther.
The Swaab family would like to extend their gratitude to the staff at Judson Park senior living and hospice. In lieu of flowers, please consider a donation to the Highline Medical Center Foundation in memory of Philippe S.L. Swaab.
Bruno Hoolboom
BURIEN, Washington
Jun 11, 2015
On behalf of the entire Hoolboom family, please accept our condolences on the passing of dear 'Oom Pim'. He was a kind and sincere man who was such a big part of our lives growing up. The summer camping trips, boating, and Dutch get-togethers with Oom Pim and the Swaab family bring the fondest life-long memories. Oom Pim, you lived a full and wonderful life. We will miss you.
Bruno Hoolboom on behalf of the Hoolboom Family
Diane & Steve Jones
GILBERT, Arizona
May 22, 2015
He was a wonderful man. Our prayers are with all the family to help them through this sad time.
Warren Oas
Auburn, Wa
May 19, 2015
My condolences to your family.You may not remember me but I do remember when your family came here in 1959.My father and mother (Richard & Geraldine Oas knew your parents well.
Peace be with you,Warren
Raalte , NL
May 18, 2015
We will never forget you....always in our heart. Proud to have such a great uncle. . Love you.
Ellen, Jos, Liane, Jason and Melanie
James P. Crowley
Normandy Park, Washington
May 17, 2015
We enjoyed getting to know Phil at Judson Park. He was a very nice man, he had a very interesting past and he was fun to talk with at meal times. We will surely miss him!
Janie Smith and Jim Crowley
Earl & Judith Fulmer
Auburn, WA
May 17, 2015
It was a wonderful write-up in the Seattle Times for a wonderful man. It was such a pleasure knowing Philippe if only briefly in February-March 2015. Our condolences to the entire Swaab family.
King & Toni Lysen
Burien, WA
May 17, 2015
We extend our deepest sympathies to our friends Marianne & Walt and to all the Swaab family. We remember your father and grandfather as a consummate gentleman who had immense courage and inner strength to have survived his incarceration by the Nazis and who loved and enjoyed his family. May you find peace in his passing by remembering his life well-lived, happy memories and knowing you gave him loving care.
Brandon Swaab
Normandy Park, WA
May 15, 2015
I love Opa! Thank you for all the wonderful times together and being the best grandfather I could ever ask for. The things that you have been through in your life serve as motivation and strength for me to persevere through challenges in my life. You will forever be in my heart. It makes me happy to know you will finally be with Oma and my dad! Ik hou van jou Opa!
Dick Swaab
normandyPark, wa
May 15, 2015
I miss you so much and Love You!! I will always cherish all the great times we had together, you living with Shelley and I and all the great times at Desert Aire. Everybody loved you, and you touched so many lives. Pa you were my best friend and always will be. Please give mom and Oppie a big kiss and hug from me. Good bye for now Pa, until we meet again.
This obituary is provided by Bonney-Watson, providing caring and compassionate funeral, cremation and cemetery services since 1868. We have a professional staff, four funeral homes, two cremation facilities and one of the largest cemeteries south of Seattle, as well as a comprehensive grief support program.


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BOSTON -- Massachusetts' two U.S. senators were among 10 Senate Democrats who sent a letter to the White House on Monday questioning whether President Donald Trump truly wants to end the opioid crisis.
At issue is the fact that Trump's administration has not moved to formally act on the recommendations of the White House's Commission on Combating Drug Addiction and the Opioid Crisis, on which Gov. Charlie Baker serves.
"(Y)our lack of action -- coupled with your support for policies that would make access to substance use disorder care and treatment more difficult for millions of Americans -- causes us to question your commitment to ending the opioid use disorder and overdose crisis," U.S. Sens. Edward Markey and Elizabeth Warren, and eight other senators wrote to the president. "Regardless of whether you choose to declare a state of emergency, continued inaction on this issue is deeply concerning."
The president's commission issued an interim report at the end of July, in which it recommended that Trump immediately declare a national emergency because opioid overdoses were killing 142 Americans each day -- a death toll equal to that of the terrorist attacks of Sept. 11, 2001 every three weeks, the commission said.
"You, Mr. President, are the only person who can bring this type of intensity to the emergency and we believe you have the will to do so and will do so immediately," the commission wrote in its report.
Asked about the recommendation last month, the president said, "We're going to draw it up, and we're going to make it a national emergency." Trump said his administration would "spend a lot of time, a lot of effort and a lot of money on the opioid crisis," according to a pool report.
But a month later the White House has not declared the opioid crisis a national emergency, and the 10 senators who wrote to Trump on Monday asked the president to detail how his administration will work to address the opioid crisis, with or without an emergency declaration.
Though he does not support Trump and did not cast a vote for president last year, Baker accepted an invitation from New Jersey Gov. Chris Christie to serve on Trump's Commission on Combating Drug Addiction and the Opioid Crisis. The commission issued its interim report in July and is expected to release a full report of its findings in October.
"Governor Baker appreciates the senators' acknowledgement of the important work this bipartisan commission has undertaken to address the nation's opioid epidemic," Baker spokesman Billy Pitman said in an email. "While significant steps have been taken in Massachusetts, including first in the nation prescription limits and increased funding for treatment and recovery, the Baker-Polito Administration believes federal support is critical and looks forward to federal partners acting on the bipartisan commission's recommendations."
The letter, which Markey's office said he spearheaded, was also signed by Sens. Sherrod Brown of Ohio, Sheldon Whitehouse and Jack Reed of Rhode Island, Jeanne Shaheen and Maggie Hassan of New Hampshire, Richard Blumenthal of Connecticut, Cory Booker of New Jersey, and Tammy Baldwin of Wisconsin.
The senators asked the White House if its legal team is reviewing an emergency declaration, whether that review is being expedited, what actions the administration would take after declaring an emergency and whether the White House plans to implement any of the other recommendations from the commission.
The latest Massachusetts Department of Public Health quarterly report on opioid-related deaths in Massachusetts tracked 978 confirmed and estimated opioid deaths from January through June, a 5 percent decrease from the 1,031 in the first half of 2016. A separate analysis released by DPH last month found that non-fatal overdoses increased by approximately 200 percent between 2011 and 2015, and more than 4 percent of Massachusetts residents aged 11 and up had an opioid use disorder in 2015.
Last month, as some moved to distance themselves from ties to Trump, Baker's office said the governor plans to continue serving on the commission, despite his proclamation that he was "deeply disappointed" in Trump's response to white nationalist violence in Virginia.
A former health care executive, Baker has repeatedly said he thinks the Bay State's attempt to curb opioid addiction -- with methods such as mandating training by medical staff, adding treatment options and limiting first-time narcotic prescriptions -- could serve as a nationwide model. The commission's interim report included initiatives favored by Baker, including data sharing, prescriber education and access to narcan.
In March 2016, Baker signed into law a bill that limited first-time opiate prescriptions and all opiate prescriptions for minors to a seven-day supply. In addition to first-time prescription limits, the governor has worked with provider groups and the heads of medical schools to improve doctor training for pain management and prescribing practices.


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Ways Your Spirit Guides Might Communicate With You
Communicating with you ain't always easy...
You would think that being our spirit guides, they would be easily able to communicate with us any time they need. I mean, most spirit guides are with us from birth, and sometimes even before that. Yet even if they know us better then we know ourselves, trying to communicate with humans is probably one of the hardest things to do.
Humans have a way of being to busy to hear, feel or see what spirit guides may need them to. Which means that they have to find creative and often subliminal ways to communicate with us. It happens quiet regularly, but most people don't have the slightest clue that it's happening.
Though for those who are either looking for the signs or whom are trying to be open to the communication, the messages are almost everywhere...
Through the Radio...
Have you ever noticed that when you're sad or unhappy, the radio usually has a way of playing the comforting music that you need at the time? Or when you're happy it will usually play songs that you love to listen to?
Our guides want to help us when they can and have some leeway in how things appear to us. When we're sad they want to comfort us, when we're happy they want to help us enjoy that feeling for as long as possible. When we seek answers, they want to help us find them.
The radio is a pretty popular medium for communicating with us humans when other ways don't work, so it might be interesting to start paying attention to those songs that pop on the radio when your listening. It could be a pattern of the songs that are playing that give you the idea of an over all message. Or it might be that in each song you hear, there appears to be a particular line that sticks out to you for no particular reason. You might even find sometimes that you come across the same song over and over again, even if you change stations several times.
Cloud Charades
Symbolism has often been a great way for beings from other planes to communicate with humans. The meanings of the symbols are often easy for us to understand, even if the overall message is still a little unclear. And often even when we don't get the message consciously, our subconscious still gets the message loud and clear.
So because of the ease of communication and the fact that symbols are great communication and we humans are usually staring up at the sky, communicating through cloud shapes is an often used method by our spirit guides. The only trick on our end, is figuring out what symbol the cloud shapes are making.
Is it a turtle? A boat? A rabbit? A doughnut? A house?
Random Thoughts
Have you ever had a weird and totally random thought pop in your head that made you wonder if that was even your thought? It seems logical that if the thought popped into your head, it must be your thought... and that's often what spirit guides are hoping.
If they can get you to think about the message by putting a specific thought into the mix of your regular internal gibberish, then they might be able to get the message through to you because it won't seem so "unnatural". This often works, but that doesn't mean you won't notice. It's just that most people brush aside the feeling that it wasn't their original thought and then go about their day.
When you get "that feeling"...
It could be de ja vu, it could be when you feel the stiffening of the hairs on the back of your neck or it could even be that strange time when you find yourself liking another person for no particular reason. There are many different situations when we might notice "that feeling"...
It is at these times that we are often getting a helpful hint from out guides. It's usually very easy to get the message this way as well. If we are in danger, even if there is no way we could know it, they will send the signal. If something seems oddly familiar to your guides, they might point it out. And so on and so forth.
Seeing times on the clock like "11:11" "2:22" and "4:32"??
This is known as synchronicity and is often the result of messages from your guides. Depending on the message they might be signalling that your on the right path, that your going to experience a change coming up or even that it's time to take it easy. If you get into a basic study of numerology, the messages become quite clear, especially when you start really paying attention.
Loved it and fully agree with everything. Thankfully I've learned how to listen more carefully now...though I may not ALWAYS get all of their messages. :) Thanks for writing this.
I remember my father saying to my husband and I on our wedding day during his speech that "keeping open lines of communication was the key to having a successful marriage".
I guess the same can be said of our spiritual guides and guardian angels whether we understand what is happening or not.
Thanks for writing yet another interesting Hub Article.
Have become good friends with a younger couple. We have both been kind of mentors for one another. I'm taking care of their dogs while they are away. As I approached the front door I was startled when I saw the number 18. My birthdate.
Thanks for posting this. I'm a firm believer in these things.
Here's one that happened to me today: the phone rang with nobody there, and caller ID could not "compute" so all it gave me was 00000000. That's a first. I hope it means I'm on the right path!
I am currently keeping a spiritual journal to document my experiences with meditation, dreams, symbols and other experiences. I can recognize my spirit guides by emotions and have named each of them. I'm relieved to know it is ok if I have not seen them yet. I will continue to meditate in order to connect with their energy frequencies. More information about spirit guides would be great.
I agree that we are often too busy and self-absorbed to listen to ourselves and take heed of the signs around us. Interesting hub, glad you wrote it. Voted up and interesting
BizGenGirl, I am very much a believer in the "unknown" but very rarely experience it. For years and years I kept having a dejavu experience, whenever I was in a new town I would reach a certain street with certain "props" I would see a girl across the street, I was always "walking" in the experience, even though I usually was driving, and I would always "start" across the street and that would end it. As I said this went on for years, until I discovered that street right in my home town. I didn't find the girl but the dejavu experiences ended.
After the experiences ended I wrote a short story (about 3000 words) about it. Would you care to read it, and analyse it?
I could send it as an attachment in email....


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From the initial contact with owner Blake Neumann, through to the work being carried out, you receive a personal touch from start to finish.


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Michael Kors
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Nothing is more alluring than the rich indulgences of Gold. The ultimate symbol of luxury and glamour. Introducing The Gold Collection.
24K Brilliant Gold is feminine and seductive. It shimmers with orange mandarin, voluptuous floralcy and a rousing spark of woodiness.


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I have been waiting to get my hands on this curler ever since it came out in the market however its always OUT OF STOCK (poor me). So I ended up buying the silver one and I have been using it for 2 years now and GUESS what I haven't change the silicone but its perfectly fine. Fortunately now that I already have this GOLD curler "MAKAKAPAGPAHINGA" ang silver ko. Because I always used it and I loved it very much.
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Don't forget to watch my VLOG about this event in my youtube account


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"Birmingham has significant infrastructure in place and the proven ability to deliver world class events as we've done in our venues year after year. Collectively, we have already demonstrated our experience, credentials, reputation and capability in the market and that has been backed up by the comprehensive feasibility study which informed this bid.
"Hosting the 2022 Commonwealth Games would be a perfect celebration of Birmingham's sporting culture and excellence and a springboard for the next phase of economic development and investment opportunities for the city, and importantly, for its people. We have a track record of delivering large-scale international sporting events and great professionalism and expertise in doing so. This is our time, and we are ready."


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Sunday, 29 May 2016
#571: Malcolm Middleton - Summer of '13
Despite a complete unfamiliarity with the work of Arab Strap, Malcolm Middleton's solo material is something that's been on my periphery for almost a decade now. Seemingly built around a deft balance of hope and hopelessness, Middleton's usual solo fare dealt in feelings of the downtrodden and the desperate, all offset by major key meanderings. It's somewhat of a pleasant surprise then, that Summer of '13, his first solo outing in nine years, harbours a sunnier disposition than previous offerings, allowing optimism only previously hinted at, to flourish.
This review was originally written for Louder Than War. Click here to read in full.
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text: This is a graduate level course on parallel computing with the objective to familiarize students with the fundamental concepts, techniques and tools of parallel computing. Preerquisites are an undergraduate course in parallel programming (equivalent of CS 475) and amiliarity with analysis of algorithms and complexity theory (equivalent of CS 320, or CS 420). Participation in this course will enable you to better use parallel computing in your application area, and will prepare you to take advanced courses in more specific areas of parallel computing. The schedule tab contains the weekly schedule, links to lecture notes, quizzes, homework, etc. In addition, the actual discussions will be taking place on the Piazza, which many of us have found to be much more convenient than RamCT.


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Organizations seeking new approaches and solutions to grow their businesses and enhance employee experiences while cutting costs and delivering value to their customers should engage in collaborative...
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Two nights ago we went and picked up our new car. New-to-us, it's a 2005 Mazda 3 hatch. I drove it for the first time today and love it! Our old 3 was an automatic and I wasn't sure what driving a manual would be like. I like it better than the Yaris and it was nice to not be stuffed in the passenger seat in front of Baby J's car seat when J drives.
And yes, J was able to organize the sh!t out of the garage and both cars fit. We can only get one in and out comfortably but they're both in there avoiding the snow. Good stuff.


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|Look up ⅒ in Wiktionary, the free dictionary.
1/10 may refer to:
- 1st Battalion, 10th Marines, an American artillery battalion
- January 10 in month-day format, a date
- October 1 in day-month format, a date
See also[edit]
| disambiguation page lists articles associated with the same number.
If an internal link led you here, you may wish to change the link to point directly to the intended article.


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Bioethics is a relatively new enterprise. In the early 1960s there were no bioethicists in America. There were individuals concerned with moral questions occasioned by medicine and medical research, but they were not known as bioethicists, nor did they have the institutional support of centers for bioethics, professional journals, government commissions, or graduate programs and professorships. Today bioethics is part of the landscape of the medicine and the life sciences: "ethics committees" are now mandatory in American hospitals; all federally funded research that involves human beings or animals must be reviewed by a board constituted to protect the subjects of research; a plethora of seminars offer training in bioethics for those who need, or wish, to offer ethical advice; bioethics courses are now a regular part of the curriculum at universities, colleges and medical schools.
This appearance of bioethics raises a number of interesting sociological questions:
In this course, we will seek to answer these questions, a task that will require us to learn a bit about the sociological perspective, moral philosophy, and various approaches to bioethical reasoning. The goal of a sociology of bioethics is not to solve moral problems, nonetheless, sociology can contribute to a more moral bioethics.