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Yahsat, UAE's nationally-owned satellite operator and subsidiary of Mubadala Development Company, has secured commitments of US$1.2 billion in financing to fund the Middle East's first hybrid satellite communications system.
Yahsat's CEO Al Zaabi
believes the over-subscribed
financing facility reinforces
the company's business model.
Yahsat's CEO Al Zaabi
believes the over-subscribed
financing facility reinforces
the company's business model.
The satellite operator announced in May its intention to raise public private partnership-style project financing for its satellites, the first of which, Yahsat 1A, is currently being built and will launch in Q410. Yahsat 1B is expected to follow, launching in the first half of 2011.
"Yahsat received commitments from leading international and regional banks in excess of US$1.6 billion for the US$1.2 billion financing, which is a testament to the strength of our sponsorship acknowledging our business model" Jassem Mohamed Al Zaabi, CEO of Yahsat stated.
The 14-year non-recourse financing is divided into a US$1.014 billion term loan, US$100 million in standby facilities and US$80 million for a debt service reserve letter of credit.
Fourteen banks will participate in the transaction and Yahsat's chief financial officer Samer Khalife added that the positive funding response was an important endorsement given the challenging global financial environment.
Yahsat has already generated business through recent long-term satellite capacity leases with the UAE Armed Forces and the American company Emerging Markets Communications, operator of one of the largest teleport facilities in the world.
Yahsat's owner, Mubadala, is a public joint stock company that manages a multibillion dollar portfolio of local, regional and international investments. Its sole shareholder is the government of Abu Dhabi.


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Listing Details
This is a charming 6 room renovated duplex! This unit features 1.5 marble bathrooms, washer & dryer, and a granite kitchen with dishwasher. The apartment is accented by exposed brick, & hardwood floors.
Location: 410 E 13TH ST. #1B
Nearby Subways
Unless you're a hermit, you're going to want to get out and explore around your new digs. Check out our neighborhood guide, which will give you the scoop on places in NYC.
Getting around NYC is easier when you know how to go. Click here for easy directions.

subset: commoncrawl


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You'd think the New York Post would've had to search long and hard to find a columnist as conservative as the farther-than-far-right Ray Kerrison. But as it turns out, the perfect replacement was right (or was that left?) down the hall in the form of movie critic Rod Dreher. Once known as a mild, evenhanded writer, Dreher, whose column Mayor Giuliani cited during the "Sensation" controversy, has proved himself as easily riled up as Steve Dunleavy. "This is a great time to raise a glass to moral outrage," Dreher wrote in a recent column. Cheers!
"Lolita is not a great film, but it is an exceptional film, a believable film, an erotically potent and morally responsible film."
"There she is, Mi-i-iss Amer-ri-caaa -- the slut!"
-- on the new rules for the Miss America pageant
"Thompson devotees and admirers of Gilliam's arresting, more-is-better visual style will find the movie a fairly potent stimulant."
-- on Fear and Loathing In Las Vegas
"Give 'em Hell, Rudy! . . . Keep making these supercilious snotty-tots sweat."
-- on "Sensation"
"Their insane, coke-fueled rampages lead to a reckoning that highlights how suicidal this culture's inability to forgive is."
-- on The Wounds
"They should spend the rest of their lives as part of a jailhouse harem."
-- on the men accused of kicking a woman in the stomach until her unborn child died
"Casts a harsh light on the way inflexible social tradition can deform minds."
-- on Leila
"Remember the bad old days, when girls who got pregnant outside of marriage were forcibly married?. . . Turns out folks back then were onto something important."
-- on single motherhood


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Monday, January 10, 2011
Monday, January 3, 2011
Happy New Year
In the coming weeks,I plan to show my process of painting a ceramic tile mural . It is a process that consists of painting with a medium that doesn't dry- so you have to be careful to not wipe off the painting as you are doing it. It is fired in a kiln and painted in layers until completed. It requires a lot of planning-and is a fun challenge. This is something that I am working on at this time.
I also plan to paint some on canvas-I have several planned from old photos of people-mainly children that I may do in sepia tones in oils. I also plan on melting more glass-just because it is fun. So, call them resolutions, if you want-I just call it fun:)
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I may not be an expert when it comes to love and relationships but with fresh heartbreak under my belt (more on that later..maybe!), I can safely say I have learned a lot during my 11 years of dating the opposite sex.
I wholeheartedly believe that that's the beauty of love though. Each relationship – even the bad ones that you look back on with regret – teach you something. And these things you learn stay with you as you go through life and meet the right person! So even the bad relationships are good for you in a way.
Here's some things I've learned in my 11 years of dating.
Let me be entirely clear about this, I have learned time and time again that if a man uses the words 'my ex is/was a psycho' when you first meet, chances are HE IS THE PSYCHO or it's just an excuse to cover his past, present and future tracks. Ah yes. It's so easy to see through rose-tinted glasses to believe that an ex that is being 'too friendly' and 'just won't get the hint' despite him apparently insisting to her multiple times that it's over. You'll believe him until evidently months or years down the line you've unwillingly become 'that' ex, sending him perfectly understandable messages about why he has suddenly started seeing someone else after dumping you to be single and why he won't answer you when you deserve an explanation. Yep, I'm sorry to say this ladies, but if a guy tells you his ex is psycho, it's probably because he's leading her on whilst moving in on you and wants an excuse to cover up the fact that he's clearly breaking her heart and her messages are just a repercussion of that. Stay well clear, else soon enough you'll be labelled that 'psycho ex'.
You just can't. Yes, life would be easier if they loved you as much as you love them. You can be the perfect partner by being romantic and supportive but people can't help how they feel. Much like when you friendzone someone, you don't want to hurt them and you wish they didn't feel that way or you felt the same way but sometimes you just can't force things.
I was about three weeks into my uni relationship when I realized that my boyfriend at the time was a) a player and b) would never fully commit to me. But lo and behold, he was hot, he showed no signs of straying and I thought maybe I'd finally tamed him. I was wrong. If I'd listened to my instincts, I would have avoided nearly two years of stress. I mean I don't regret the relationship but it taught me that I should have listened to that gut feeling from the get go.
If you're like me, you may find it hard to walk away and want to fight for everything. This rarely has good outcomes for me but I'm proud of this part of me. I'm proud to be the one in the relationship who will always stand up and fight for it to keep going. That said, when it gets to the point when I know it's no longer worth fighting for, I then walk away. My point is that relationships aren't black and white: someone may do something to hurt you but if you know they/the relationship is worth working through, then screw what everyone else says and give it your all.
It's very easy to consume yourself entirely in a relationship. Partners often become best friends too, so it's no surprise when relationships with your other friends get put on the back burner for a bit. I'm very guilty of giving my all – in fact, often too much – to a relationship and this is definitely a bad habit. Of course it's good to want to put your other half first sometimes, especially if they make you happy, but you should always remember to take time for yourself too. Don't let your own goals suffer for their priorities – compromise is such an important word in a relationship for example. Don't give up your hobbies – I gave up my pole dancing classes when I met Vincent because travelling back to Luton every Thursday just wasn't convenient for me at the time, but now I regret it and wished that I'd kept that regular weekly thing for just me. So, to conclude, go with the flow and definitely fall head over heels for someone and spend as much time as you like with them if it feels right. But remember to keep something for yourself too.
They tend to happen when you least expect it so if you're single and looking for a relationship, try taking the back burner and not looking for one. Concentrate on yourself for a bit first and you'll hopefully soon find that someone will come along when you're not looking. That said, it's never fun to be lonely either and if you want to not-look-for-the-relationship-you-actually-want, dating is always a good shout. Why not try online dating with Cambridge dating sites, dating in Manchester, and Aberdeen dating sites in search of single men in Nottinghamshire or to date Hertfordshire singles? Whether you're after just dating, a bit of fun or something more, you're bound to find someone looking for the same thing online. And, who knows, maybe one of those dates will turn into an unexpected relationship..!
However, whether or not I learn from these mistakes and lessons is a whole other kettle of fish…!
Do you have any fail-safe advice or knowledge you've picked up on since dating? Let me know!


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A 31-year-old man has been arrested in an anti-drug operation in Sha Tin today, police said.
At about 1:00am this morning, officers intercepted the man at Pok Chuen Street. He was then found carrying 375 grams of cocaine, worth about HK$450,000 in estimated market value, and arrested on suspicion of drug trafficking.
The suspect is being detained for further enquiries.
Today's Standard


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Welcome back to an already incredibly eventful and exciting term!
As you all know by now, I have taken the reins for Julius House from Ben Vink for Term 2 and sent him packing on a well deserved sabbatical. Fear not, he shall be back! In the meantime, any questions or concerns regarding your son or the House, please feel free to contact me via email (email@example.com) or Mr Vink's cellphone number.
Term Two has already seen the wrap up of a number of full school and inter-house competitions – from Cross Country in Week 2, Our House the Musical in Week 3, and the Haka Competition last week, to a variety of inter-house sport rounds including volleyball and debating competitions. The boys have shown intense involvement in all of these events and been proud advocates for Julius. Read on to find out more!
Check out the 'Upcoming Key Dates' page for what's happening in the rest of the term – the boys will largely be focussing on the House Music competition in Week 9 as well as a number of Winter Tournaments this term. We also have the annual CBHS vs CC rugby match on Upper this week and you're welcome to come support our troops – Thursday 2nd June, 2.40pm kick off. Reports are coming out this term, and you will have a chance to speak to classroom teachers at the end of the term.
Cross Country – Monday Week 2
Our boys performed valiantly on Monday of Week 2 in all age groups for the annual Cross Country race around Hagley Park. Cool autumn conditions didn't dull the spirits of those participating, and even lads with injuries cheered from the sidelines. Jonty Gallagher had a stand out performance, winning the U14 race so quickly that I missed the photo opportunity at the finish line! He now travels with four other Julius boys to the Secondary Schools Cross Country Competition on Tuesday Week 5.
Zach Gallagher placed third in the U15 race, George Coull placed fifth in the U16 race and Hunter McKenzie pushed hard for third place in the over 16 category. Our Year 13's made an exceptional effort this year, with four boys in the top 11 placings: Hunter McKenzie (3rd), Jack Beadel (9th), Munro Hall (10th) and Thomas O'Neill (11th).
Jonty, Zach, Hunter, Henry Eglington and Gus Morrow (both Y9) will all be travelling to the Secondary School Comp this week. We wish them luck and I congratulate all the boys on their efforts this year. What a way to start the term!
Our House the Musical – Week 3
Music, magic and a multitude of MADNESS was the highlight of Week 3 this term, with an exceptional number of Julius boys on stage and off for the musical mayhem of Our House! The cast, crew and band have put in an exorbitant number of hours to make the show a thriving, exhilarating, thumping success and I know I still have 'Baggy Trousers!' and 'Welcome to the Lion's Den!' still playing in the back of my mind… And not that I'm biased or anything, but I think our lads were fantastic!
Jack Crossland starred in the lead role of Joe's Dad (amazingly, his first major role in a school production at CC!), and Benji Clark played up the comedy of Joe's best mate, Lewis, showing off his exceptional physicality in combination with Devereaux Roberts. Sam Mackay played the sleazy Mr Pressman while Alex Hlavac pumped up the chorus in a variety of roles. Harry O'Neill was an integral and hard-working Assistant Stage Manager, with Simon Brown ensuring the smooth running of the set as a stagehand. Jamie Hutton (saxophone) and George Murray (keyboard) worked tirelessly to deliver the 80's Madness music in the onstage band. Angus Wheelans also made an appearance, helping with the Front of House team.
I was lucky enough to be involved throughout the process and spent the production week with the boys backstage, perfecting hair, makeup and moustaches with a fab team of Rangi Ruru and Christ's students in the makeup department, led by Pip Stephenson, and including Freddie Allen – an artist in the making!
I'm sure I have left out someone, and if so, apologies! The show was an incredible success – thank you to everyone who came out to support the boys and the Drama Department. I think you'll agree it was a night well spent. The Julius gathering prior to the Thursday show was a great way to get everyone together and chat about the upcoming events. I am so appreciative of the support shown that night – thank you!
We look forward to taking these talents forward into House Music (Week 9) and House Play (Term 3), as well as (fingers crossed!) a Junior CC Production.
Inter-House Haka Competition – Thursday Week 4
The annual Inter-house Haka Competition has become a proud, immersive cultural experience for the boys of Julius. We have won the competition the last two years running and this has instilled a great sense of mana in the boys. They pass on the words and actions of our school haka with intensity and accuracy to ensure the next generation maintains the traditions of Julius House. The Y12 and 13 students have been great role models this year, ensuring verbal accuracy and definitive actions that help create a haka they can all be proud to perform.
After weeks of preparation and practice, Julius House was awarded second place at this year's Inter-house Haka Competition. While we could not manage a three-peat, we are still proud of the positive comments from the judges and the narrow loss to Corfe House this year. Jon Ashcroft was awarded second-best kaiarataki (leader of the haka), with Reid Edmond (Corfe) winning the overall honour.
We shall rise again in 2017.
Inter-house Volleyball & Debating
We are currently in the midst of a series of inter-house sport competitions, the latest being debating and volleyball.
The valiant debating team, led by Jack Crossland, made a significant effort against the well-practiced Richards team in the first round, and Somes in the second, losing both debates narrowly by only a point or two against these experienced debaters. Benji Clark, Hunter McKenzie, Simon Brown and Ben Kent spoke very well with detailed arguments and proved debating is still alive and well in Julius.
The Senior House Volleyball team, made up largely of Year 11 students, along with Hamish Duggan and Jon Ashcroft (both Y13), have slaughtered their opponents in the competition so far. The latest victory on Tuesday, Week 4, saw Arthur Allen, Henry Foster, Jisu Kim, Han Young Kim, Mitch Ball and Thomas Berg, coached by Hamish Duggan, beat a very imposing Y13 School House team two sets to none in the semi-final. We now await a date for the final and it looks to be a fantastic game! Stay tuned…


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Spinach Latkes
2 cans of either diced or plum tomatoes
1 egg
1 can of potatoes or a few boiled potatoes
2 handfuls of fresh spinach or really a can would probably work (but I think it is nasty looking)
1/4 cup flour
bread crumbs
salt and pepper
mozzarella cheese
Parmesan cheese
olive oil
canola oil
1 squirt of lemon juice or 1/4 teaspoon zest
Preheat oven to 450
1. Coat a baking dish with olive oil and place the tomatoes inside. "Roast" the tomatoes in the oven until the skin in blistered or until you are ready for them (if you do this then just before they are finished turn off the heat and just let them sit in the oven to stay hot)
2. Place all of the spinach in a food processor and grind to a paste. If you don't have one just chop it as finely as possible.
3. Mash the potatoes and once finished add in spinach, egg, some parmesan cheese, salt and pepper. Stir. Mix in bread crumbs until the mixture holds together.
4. Make into patties and coat with flour.
5. Fry in a large skillet until lightly browned or for 3-5 minutes on each side.
Serve on the tomatoes and grate mozzarella cheese on top.
warning: These latkes will be very green, but tasty!
Brainy Brownies from the sneaky chef's website
6 tablespoons unsalted butter
3/4 cup semisweet chocolate chips
2 large eggs
2 teaspoons vanilla
1/2 cup sugar
1/2 cup Purple Puree
1/4 cup plus 2 teaspoons Flour Blend
1/4 cup rolled oats, ground in a food processor
1 tablespoon unsweetened cocoa powder
1/4 teaspoon salt
cooking spray
optional extra boost: 1 cup chopped walnuts
Preheat the oven to 350 degrees
Spray the bottom of a 13 by 9 or 9 by 9 inch baking pan
Melt the butter and chocolate chips together in double boiler or in the microwave (checking often) Remove from heat and let cool. Meanwhile in another bowl, stir together the eggs, vanilla, sugar, Purple Puree. Combine the purple egg mixture with the cooled chocolate mixture.
In a mixing bowl, stir together Flour Blend, cocoa powder, oats and salt. Add this to the chocolate mixture and blend thoroughly. Mix in the chopped nuts, and pour the entire thing in the baking dish.
Bake for 30-35 minutes, until toothpick comes out clean. Allow to cool completely in pan before cutting or eating.
Purple Puree
1 1/2 cups raw spinach
3/4 cup fresh or frozen blueberries (NO syrup or sugar added)
1/2 teaspoon lemon juice
1-2 tablespoons of water
Put in at food processor or blender and smash it together until it is as smooth as possible.
Makes just enough for the brownies.
Flour Blend
1 tablespoon and 1 teaspoon flour
1 tablespoon and 1 teaspoon wheat flour
1 tablespoon and 1 teaspoon wheat germ
Mix together and makes just enough for the brownies.
I really loved these brownies and Phil didn't know that all of that stuff was in there until I told him and then he didn't really believe me. This recipe can be found at www.thesneakychef.com under the free recipes. I haven't tried the others but going off of this one the others are probably wonderful too. The brownies were fudgy and had little different texture but I think that it was the chocolate chips because mine got too hard before I baked it and they were all lumped together.


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>Toe Story
- At January 10, 2008
- By Susan
- In Uncategorized
- 0
Thank God (and thanks to everyone for their prayers) I was ASLEEP and didn't feel a thing. I woke up briefly and heard a saw or drill or something, and felt someone holding my leg, which was numb, so I went back to sleep. They started at 7 and were finished before 9 am. The doctor said everything went great, and indeed, my previously crooked big toe, which is peeking out the top of the cast, looks straighter. It has two pins inside (permanently) to hold it straight.
On the way home we picked up one of these Dry Pro thingies, so I don't have to use a garbage bag on my cast to shower. And then a latte, of course.
Back at home I set up recovery camp in the guest room… since hubby is still sick (but was well enough to take me to surgery) and we're kind of keeping different sleeping times right now…. It's not fair that he doesn't get to be sick by himself… I can't wait on him much now:-(
Beth was leaving for Knoxville Tuesday afternoon, so she was first to autograph my cast.
I've got a bowl of colorful
Sharpies waiting for visitors to add their creations!
In between naps and visitors (and homemade soups, thank you Anna-Sarah and Ellie!) I've been loving Haven Kimmel's novel, The Solace of Leaving Early. After reading her two wonderful nonfiction memoirs, A Girl Named Zippy and She Got Up Off the Couch, I thought the novel started slowly. But now I'm loving it. I find myself leaning one minute towards writing fiction and the next towards memoir as I devour these yummy authors. (Kimmel and Lamott right now.) Tomorrow I hope to put pen to paper again. Trying to think of my surgery recovery time as a writing retreat.


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Hey Girls, today i will show you VALLANI. BENTO HAIR.
1. What is the difference between Fitted and Bento?
The main difference between Fitted and Bento hair is that Bento hair has the ability to play animations. If you would like to use the Animate Hud, wear the Bento hair. Additionally, both the Fitted and Bento variants will work with physics layers, and adjust to your head shape.
collar: [Kres] Nasty Neon Collar - Queen Gacha
dress: Foxes - Cocktail Dress - Maitreya - Glitz Silver


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The Guthrie Theater's summer comedy is a hit.
The Twin Cities' largest playhouse has extended its well-received production of Karen Zacarías' "Native Gardens," a comedy of manners about old Anglo and new Latino neighbors. The show stars an acting quartet made up of New Yorkers Dan Domingues and Jacqueline Correa opposite Twin Citians Sally Wingert and Steve Hendrickson (all above in this photo by Dan Norman).
The 90-minute one-act, artfully directed by Blake Robison, touches on issues of race and class, immigration and horticulture, all in a funny and affecting way.
"Gardens" now closes Aug. 26.
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Comments will be reviewed before being published.


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Sigma?s New 85mm F1.4 EX DG HSM lens is a large aperture medium telephoto lens optimized for use with digital SLR cameras and is especially ideal for portrait and low light photography. Designed with SLD glass and a glass mold element excellent color correction is achieved for all types of aberrations and superior optical performance is ensured. It is equipped with a rear focus system that minimized fluctuation of aberration caused by focusing and the Super Multi Layer Coating reduces flare and ghosting even in backlight photography. HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus capability and the round 9 blade diaphragm creates pleasant out-of-focus highlights. It comes with a Petal-type hood to block out extraneous light. For digital cameras with an APS-C size image sensor, a dedicated hood adapter, which expands the length of the lens hood is supplied and enables the hood to block out extraneous light more effectively.
Lens Construction: 11 Elements in 8 Groups
Angle of View: 28.6
Number of Diaphragm Blades: 9
Mininum Aperture: f16
Minimum Focusing Distance: 85 cm / 33.5 in
Filter Size (mm): 77mm
Maximum Magnifications: 1:8.6
Dimensions (Diameter x Length): 86.4x87.6 mm/3.4x3.4 in
Weight: 725g / 25.6oz.


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The video player could not be built.
Do you want to chat with a missionary?
We are happy to answer any questions you may have. Start a chat or call us at 1-888-537-6600.
Hi I'm Karen Rose
About Me
Hi there, and thanks for stopping by. I'm a Philadelphia-born-Italian,-Catholic convert to The Church of Jesus Christ of Latter-day Saints, and have been a Mormon for nearly 30 years now. Wow. I'm a mother of two beautiful teenage girls, and find myself very much in the trenches of this mortal life seeking out the best of the best ways to influence and share God with the world--and living amore abundant life than ever. I believe that creating and loving is more important than accumulating and possessing, and that it's the motive beyond the ordinary moments and the grace that's sprinkled on our efforts that makes them extraordinary and allows us to feel God so close by. Motherhood is my magnum opus, and the rest of my comings and goings are accents--albeit and hopefully, signature accents--on my life's work. I've spun around in a few intersecting paths--graduate work in human and org development, women's studies, family policy crossing public affairs, training, and outreach. I presently work with a non-profit as VP of Public Relations and Marketing. I love jazz music, raising my girls and being raised by my girls, and serving in the kingdom. I love to write, being bathed in sunlight, attending the temple, dance, and am active as conservative political advocate... I have an insatiable desire to learn the best things, and that's a good thing, because I have a lot to learn as a draft in the hands of a God who is a Master Designer. God bless you in your spiritual journey. I'm Karen, and I'm a Mormon :).
Why I am a Mormon
I'm a Mormon, a member of The Church of Jesus Christ of Latter-day Saints, as a result of a long search for truth and my life's purpose. So, do you have your smoothie in hand? Okay, here goes... I still remember standing at the top of the stairs as a child wondering who I was and why I was on the earth. I hungered for that knowledge like no other, and I felt spiritually starved. I attended Catholic Church but asked what to them were unanswerable questions. I posed a few like these: "Well, who lived in heaven and took part in that war besides Jesus? (If there was a war in heaven, as taught, then there had to have been more than two people there, I reasoned.); Why do I have to confess the same sins twice?" and "How can God and Jesus be the same person?" I lived as if on a daily spiritual fare of milk and toast, not knowing there was a buffet table divinely set and beckoning me. Questions about the purpose of life sprung up as consistently as crocuses do in spring, any time I was willing to allow them to pop through the soil of my soul. At one particular point in my life, I began to despair that I would never know my purpose or theanswers to the questions of my heart. Without those answers, the desire to live waned. The world looked cold and senseless. How could I function from day to day without knowing 'why' I was functioning? I couldn't tick if I didn't know why I was ticking. Lacking some key to the universe, I sat despondently on the edge of my studio bed, staring at a bottle of sleeping pills. I thought about my circumstances. I had little impetus for moving forward from day to day. I was tired of fumbling for house keys in thecold, of working for work's sake, of studying theories spilled over in classes without a rod to evaluate them. So I planned to take my life. Just before popping the pills, though, my efforts were aborted– by a gentle but profound strain of impressions from a loving Father through what I now recognize as His Spirit. I was told, through those welcome whisperings, that "every moment oflove and every moment of discovery in my life had not been wasted" and that I "must have the courage to live on." I was also told, in fact spiritually guaranteed, that I would find the purpose of life. I accepted with confidence those impressions though I didn't quite comprehend their appearance on the screen of my soul. I spent the next months contemplating my life. On one remarkable occasion, as I was jogging around the neighborhood underthe exquisite light of a full moon, I received what I can only describe as an injection of truth–a stunning, indelible witness that God lived. I recall sitting down on the curb, sobbing, tears of joy. I was changed instantly. I felt loved and I felt an overwhelming inclination to love like never before. I knew there was a God which thing I hadn't known for myself just moments before. I knew, at last, I had a purpose. This was so delicious to taste. I longed to know more about God , his plan for me and my duty and responsibility towards Him and others. I borrowed a Bible from a Catholic Church, lay out in the field behind their rectory, and read through the New Testament for thefirst time. I marveled that this book had been preserved for me– and anyone else looking for truth. I particularly recall ponderingthe word, 'saved" and the atonement of Christ. I was filled to know that the Lord, who had just literally saved my life physically, had also died to save me spiritually. I knew that I had an advocate in whom I could completely trust. I then began to identify and list in my trusty silver notebook, points of doctrine Christ had espoused and the characteristics of his Church. I learned much from that first scriptural immersion. But three ideas particularly prepared me for the fullness of thegospel. First, I knew that we could become perfect even as God is, for the Savior Himself taught the doctrine of perfection to his apostles as recorded in Matthew 12:48. Second, I anticipated more revelation than the Bible for the Lord told His apostles (in Mark) that there was more to be revealed that they were not ready to bear. Third, I embraced the truth that there was only one, true way to salvation as the scriptures indicated: "one faith, one baptism." In fact, I envisioned a time when all quarrels among churches would end, and all denominations would be subsumed under the one true church. I decided to begin a search for thetrue Church, thinking, again, that it was, likely, not on the earth. After visits to dozens of churches–from Swedenborgian to Methodist–and reading through many books and pamphlets, comparing their teachings with those I learned in the scriptures, I always came up empty. No one, it seemed, scored on every point. There was always some disappointing deviation from what I learned from the scriptures to anticipate in Christ's Church. On another investigative visit to a Christian church, I found myself, again, disappointed. This time, I was on the brink of abandoning my quest altogether. It was too painful to think that so many who professed the Christ did not know the full truth about Him or about the ways He indicated we should administer his ordinances. Just then, on my way out of the building, I discovered an "anti-Mormon" brochure on a rack in the vestibule. As I was in the habit of collecting whatever I could grasp on various religions, I clasped it eagerly and tucked it away to read at home. When I arrived at the Baptist minister's home, where I was a guest, I began to devour this pamphlet. I read eagerly some of the claims of the Church, namely, that we could become more and more perfect as the Savior; that there was additional revelation than the Bible (something called a Book of Mormon and Doctrine and Covenants); that there was a code of health (which I 'd anticipated through the Spirit); and more. The critical comments seemed superfluous, and I recognized those "Mormon" claims as true from my own reading of the New Testament. I was electrified and knew I had found something more than a kernel of truth. I searched for a Book of Mormon and found one in a small library in Huntingdon Valley, Pennsylvania and took it home with a half gallon of ice cream. I dipped into both that night and hardly slept. I knew it was true. Before I found the book, I located in a different library a file of pamphlets on thepurpose of life left by a missionary whom I do not know but will one day kiss. In there, I found the purpose of life clearly explained. It thrilled me and I barely contained my emotion. It was all I could do to refrain from squeezing the whispering librarians stacking the shelves .I recognized it immediately as the truth. I eventually called the Church and entered the waters of baptism a short time later. And I must say that I feel like I've been eating lobster tails in drawn butter since. While the gospel has not meant a life exempt from challenge, pain, or struggle, it has meant a life filled with resources to work through those, and through the gift of the Holy Ghost received at baptism, I'm able to receive clear direction, comfort and peace in a real and active relationship with my Savior. I also not only have joy in my children on a continual basis, but a knowledge that ultimately, I can live with them forever and all of God's redeemed in His presence. My conversion story is available in one short video on youtube.com/moregoodfoundation and in two longer portions on www.mormonoutlook.com.
How I live my faith
Living my faith is a personal matter, between Heavenly Father, the Savior, and myself. I see myself each day, as mother, friend, employee, as in the service of God. I account to Him, work for Him ultimately, and do all that I do in that light and context, however imperfect my offer may be. I pray daily to know how to maximize the time I have, how to leave a legacy that will be of worth to my children and the rising generation, and how to do the most important things in His service for my family and for those who may not know God or His plan for them. If I feel I am less than my best, I repent immediately, and try again. I claim the blessings and promises the Lord has given me personally and in His word, and those guide my life. I strive to follow the promptings of the Holy Ghost and value those beyond words. I work with wonderful young girls in my neighborhood who are 9-11 1/2, and we meet together in my home every other week to talk, share our lives, discuss gospel principles in light of their lives and challenges, and to help them in their growth and goals as virtuous daughters of God. I love them and love my 'calling' or opportunity to serve in the Church. It is not a paid position--but the rewards are many and the joy is real in serving as we do in the Church through inspired calls. My girls and I also attend the House of the Lord weekly and reap a power and an endowment or gift of blessings that are beyond anything this world can offer. Can't get that peace and power, that confidence, that assurance that God is with you and hearing you and helping you from any Macy's counter or any trip to Barbados--lovely as a visit to both of those may be at times. Much love, Karenrose


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Aphrodite Hills Rentals
3 bedroom property to rent: DIONE (B1)
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2 bedroom property to rent: DIONYSOS (B3)
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Booking Enquiries CONTACT US
Please note:
We operate a policy that we do NOT require a damage deposit as we trust that clients will take reasonable care of the property but we do expect that accidents/breakages may occasionally occur which we would appreciate honesty in reporting. The industry guideline is the complete opposite of our policy.
We wish to continue operating our 'policy of trust' to which we have to rely on the integrity and behaviour of those who visit.
Aphrodite Hills is an exclusive 5* resort in which it is expected that all guests, visitors and resort personnel conduct themselves in a manner that shows consideration, decency and friendliness to others and their properties at all times.
CANCELLATION POLICY: any refund remains at the owners discretion but bereavement/serious illness aside, as a guideline we intend to follow the following critique:
(so outside 6wks of the intended arrival date):
Deposits are deemed non-refundable except in the following circumstance:
50% of deposit amount will be refunded if flights are cancelled by airline and no other similar flights are obtainable.
(so within 6wks of intended arrival date)
If a client cancels the reservation after a full or final payment has been made and we can rent to another party for the same dates/rate then 50% of all monies paid would be returned. However the client understands and acknowledges that the owner has no obligation to re-reserve upon a client's cancellation. The reservation may be cancelled by the owner in the event the property is withdrawn from the client for whatever reason and in that event our liability to the client is limited to the rental paid to date and does not cover air tickets and other travel related costs.
If a client cancels due to flights being withdrawn by an airline and no similar alternative flights can be obtained at similar cost the amount of refund shall be at the owners discretion but to a maximum of 50% of all monies paid to date.


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.Look at this chart. The long term trend is toward a colder climate. Note the correspondence between warmth and great civilizations -- and between cold times and decline, fall, and dark ages. The only way we have kept civilization going during the chill of the last 800 years is by technological advancement.
click for larger image
The following chart, from Vostok Antarctic ice cores, shows the last 400,000 years as mostly ice ages, punctuated by brief interglacial warm periods. The start of the latest warm period about 11,000 years ago coincided with the birth of agriculture.
click for larger image
We should be lobbying Congress to produce more CO2, not less -- except for the fact that really and truly CO2 doesn't affect the climate much at all. Modern global warming "science" doesn't have anything to do with climate. It is all about political power and socialist utopianism.
I am not too concerned about the coming descent into the cold and dark. As my friend Jim Mizera used to say, "I wouldn't mind an Ice Age. Hunting was very good back then." Except of course the present level of human population is completely unsupportable as hunter-gatherers. Hunting of the "long pork" may become quite common.


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Sharp, bright scents of cranberry, cherry and berry. Spicy, forward and balanced, with plenty of fruit, good acidity, and some hints of pepper. Tastes young, but clean and fresh.
Paul Gregutt is a Contributing Editor for Wine Enthusiast magazine, a founding member of the magazine's Tasting Panel, and reviews the wines of Oregon and Canada. The author of the critically-acclaimed Washington Wines & Wineries—The Essential Guide, he consulted on the Pacific Northwest entries in current versions of The World Atlas of Wine and The Oxford Companion to Wine.Email: firstname.lastname@example.com.


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Our Services
Contact Us
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CURA ACQUIRES ELECTROVERSAL LIMITEDJun 09 2017, 15:25 PM
|BASLIDON, ESSEX, 18 APRIL 2017 – Cura Technical Ltd, one of the UK's leading independent providers of technical support solutions to the Channel has acquired Electroversal for an undisclosed sum. Under the terms of this acquisition Cura, which is headed by Jason Williams, has acquired the whole Shareholding, along with Electroversal OEM warranty and services. According to Jason Williams, Managing Director of Cura Technical, "This acquisition for Cura provides us with the scale and reach to be a leading player in the UK market for managed services to our Channel partners. Electroversal has a long-standing experience and strengths that complement Cura's offering and strategy, its substantial logistics and strong service network will increase Cura's coverage and capacity to support its Channel clients across the UK & Ireland." Electroversal has over 35 years' experience in specialising in the repair and refurbishment of electronic office equipment. A varied range of unique services have been developed over these years which provide a complete repair solution for our channel partners and customers within the UK and Europe. The range of services include; Test, Diagnosis on PC, EPOS and AV Repair, network print servers, modifications, PDI, retrofits, refurbishment, Logistical Solutions and Inventory Management. All Staff at Electroversal will transfer to Cura Technical, whereby, Cura will continue to have its Helpdesk and Training Facility based in Essex, and will also have an additional 22,000 square feet of Workshop, Warehouse and Fleet Operations in Dunstable, Bedfordshire. "The maintenance industry continues to go through a period of consolidation and we have made our first acquisition this year which will allow our business to be in the strongest possible position," added Jason Williams. "With the additional Service offerings that Electroversal can provide, this will complement and enhance our capabilities in assisting our Manufacturer and channel partners delivering enhanced service, nationally and we will be embarking on a series of tactical acquisitions to continue to enhance our service capability in the UK & Ireland." #### About Cura: Cura Technical delivers technical support solutions and managed print services to channel partners, system integrators, outsourcers and facilities management providers. It also provides warranty support to a wide range of leading manufacturers and system integrators. For further information contact: Jason Williams Cura Technical Ltd 34 Hornsby Square Southfields Business Park Basildon Essex SS15 6SD Tel: 0345 811 2000 Fax: 0345 811 2001 Email: email@example.com
Sales: 0345 811 2000.
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Daith Sharpeye's muscles bulged as he pulled the bow of Athel Loren taut. He looked down the shaft to the melee below. Mortelis Bloodbough and Robert Schalmer were in trouble. The remaining beastmen were closing around them and they were outnumbered, he must cut down the numbers if they were to survive. His arm blurred as he fired a flurry of shots into the beasts below. The Ungor fell and the Gor took and arrow to the gut as he rained destruction upon them.
The Wargor stepped back, moving towards the Wargor that Mortelis had cut down earlier. It reached down and grabbed the Great Axe from the Wargor's dead fingers and held it aloft letting out a blood curdling roar that chilled the souls of the heroes. But Mortelis' mind was filled with vengeance and there was no room for fear. He tensed and his body and leveled his spear at the beast, his tattooed arm gleamed with sweat as he called back, 'Amin khiluva lle a' gurtha ar' thar!'
The Gor charged towards Robert Schalmer but he was prepared. He stepped to the side and ducked down beneath the Gor's swinging blade. With the Gor off balance, he made a viscous counter-blow striking the Beastman between the ribs.
Barlin "Grimbane" Duraksson and Lambeth concentrated fire upon The Four Horned Beast, both striking with solid shots but the beast stood strong.
Mortelis focused on the Gor, his body writhed in a dance of whirling death as he spun towards the beastman. The death blow was too quick too see but when the elf came to a stop the Gor just fell to the ground, blood spurting from its chest.
The Four Horned Beast charged into Mortelis Bloodbough, swinging his huge axe towards his head looking for the killer blow but Mortelis arched his body backwards and the jagged blade only sliced the air before him.
Meanwhile, Robert Schalmer looked up to the sky and for a second the world faded out around him. For this second he was there alone, in serenity, talking to Myrimida. And in his hour of need Myrmidia answered for the first time, her power filling his armour, blessing it for the battle.
Daith Sharpeye calmed his breath and took his time with his next arrow, looking for chinks in The Four Horned Beast's armour. After exhaling all the breath from his body and during that moment of stillness he released the shot . The beast saw the arrow fly and instinctively put up a hand. The arrow severed through his fingers and drove onward into his side, cracking a rib as it lodged in its body.
The Wargor swung for Mortelis but again the blow missed its mark.
Barlin "Grimbane" Duraksson's modified Hochland rifle rang out sending a plume of acrid blue smoke into the air. His shot struck the beasts skull, glancing across its forehead opening a large gash that poured blood into his eyes, turning the world red.
Lambeth let loose a crossbow bolt that also hit the four horned beasts head, shattering one of its horns and the beast's red eyes glazed a little as concussion set in.
Mortelis Bloodbough spat words at the four horned beast "You will fall this day beast.. The blood of my kin will burn your soul and you shall rot in agony" and he launched towards it with a tempestuous fury. The elf ducked low beneath the Beast's reach and struck from low, the point of his spear driving upward into Four Horned Beast's hip tearing muscle and snapping bone, the sheer force of the thrust breaking the spear in two as it found its resting place. The Beast twisted as it leg buckled, splitting his femoral artery and showering Mortelis in blood. As the creature fell it's mind knew only one thing: death. With an undying ferocity it swung out at Mortlelis, catching him across the chest with terrible force. The blow opened up a garish wound and sent him reeling backwards before crashing to the ground.
Seeing his friend fall, Robert Schalmer struck the Wargor with a solid cleave as Daith finished it off with a well placed shot.
Mortelis' head rolled to the side to view the ruin of his nemesis. His face faded to a look of calm as blackness engulfed him…
When he came to, his head was being cradled by Daith who was raising a healing poultice to his lips. Mortelis muttered a prayer to loec, Isha and the various elven gods. Each name of his kinband who fell in the battle and finally ending with the names of his fallen brothers and father. And with the final phrase. "Caemalleth I shall return to your side soon my love"
The others searched the cave and found many items of value that the beastman had acquired during the war. While the others ransacked the cave, Mortelis drew his dagger and proceeded to do two things. The first was to cut off the head of the four horned beast and the second was to throw it to one side. The necklace of elf fingers was removed and stowed. The bones to be returned to Athel Loren.
Back in the cave, Barlin "Grimbane" Duraksson and Lambeth race each other to claim items of value/chaos.
Just as they are returning from the cave, the heroes hear a wheezy cough from the undergrowth. The Middenheim Deserters appear from out of the trees. Their leader Leon, a large barrel chested man with a thick beard and the self styled leader of the gang, waved a grubby hand at the party. 'You are the ones looking worse for wear now, elf,' he said, 'Just hand over the beast's head and there will be no trouble.'
Mortelis said, 'And what will you do with the head?'
Barlin "Grimbane" Duraksson's eyes rolled and he thought, 'These are the diseased people who the others encouraged me to let live. Now, they want my 1000 gold head. And there will be not shutting Mortelis up once he starts'
Leon smiled at Mortelis, 'That's not your-' his words cut short as an explosion drowned out his words. Barlin's shot struck Leon in the shoulder, sending the others scattering for cover. Lambeth retreated to the safety of the cave while Daith fired an arrow into the deserters. The wounded Mortelis swooped in, striking a deserter before moving back to safety, Robert stood calm as gunshots and arrows whistled past him.
In the confusion Tobias grabbed the head and tried to make off with it but Daith, who was now out of arrows, moved to intercept. Finn shot an arrow at Daith, which stuck in his side. Wincing, Daith tugged the arrow out of his side and notched it to his bow, sending it back to Finn, striking him in the throat killing him instantly.
Robert moved to fight Horst. The man's rotton smell had got worse. horst coughed and began to gag. His eyes bulged and watered as he vomited a stinking green bile at Robert. Robert dodged back avoiding the puke and counter attacked fatally wounding Horst.
The fight was over swiftly and Tobias was cut down as he tried to flee with the head. The rest of the gang were eventually hunted down and slain.
Nursing wounds from their time in The Forest Of Shadows and with their mission complete the party made their way back to the safety of civilisation.


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View courses in
COM JO 100: Introduction to Journalism
This course introduces the field of journalism to students. It will acquaint students from COM and across the university with the journalism profession and will include instruction in writing, editing, and journalistic practices in addition to an overview of the news industry. Two credits.
COM JO 250: Fundamentals of Journalism
Undergraduate Prerequisites: COM CO 201.
Required of journalism majors. The goal is for students to acquire fundamental newsgathering and writing skills needed to thrive as journalists working in any medium. The course is based in the classroom, but students are expected to learn and adhere to professional newsroom standards. The course focuses on essential practices and principles that apply to reporters, photographers, bloggers, producers and editors across all media formats. The class emphasizes news judgment, storytelling and reporting skills, as well as writing clearly and quickly. 4 cr, either sem.
COM JO 301: Editorial Design
This is a studio course where students learn the elements of design. Students design a newsletter and sample pages for a magazine on topics of their own choosing. Students design with required Adobe Creative applications. This course covers the principles of typography, composition, and visual language and encourages creative/innovative ideas. All projects will be portfolio pieces. 4 cr, either sem.
COM JO 303: Visual Journalism
Required of journalism majors. An introductory course designed to provide students with a basic working knowledge of the media required for professional journalism, including photography, sound, video, and editing for production of multimedia packages. No previous experience in visual media is required.
COM JO 304: Online Journalism
Undergraduate Prerequisites: COM JO 303.
This course introduces students to reporting, writing and creating multimedia journalism for the web. Students learn how to create stories using a variety of media. They learn which elements -- text, stills, audio, video, and interactive graphics -- are best for delivering a story and engaging an online news audience. Students also learn the basics of the tools needed to create multimedia journalism packages and practice using them to report news online. Four credits, fall and spring semesters. Pre-req: JO 205/JO 303
COM JO 305: Basic Photography for Non-majors
Students learn the fundamentals of digital photography, from the basics of image capture to processing finished photographs and introduction to their use in digital media. No previous experience in photography is required. Four credits, fall and spring semesters.
COM JO 309: Feature Writing
Undergraduate Prerequisites: COM JO 310.
The course invites students to refine their reporting and writing skills in projects that will showcase their mastery of the craft. Projects will span a variety of lengths, deadlines, and forms. Prerequisites: COM JO 200, 205 and 210. Four credits, fall and spring semesters.
COM JO 310: Beat Reporting
Undergraduate Prerequisites: COM JO 250.
Required of all Journalism majors. Students advance their reporting skills by learning to cover a city neighborhood or a community beat. Students branch out across the city and suburbs to cover courts, crime, education, local and state politics, and other essentials of community reporting. Students develop their own sources and story ideas with the goal of professional publication in the Boston University News Service or another news site. The purpose is to hone your reporting skills, develop sources, and build both competence and confidence. Students produce stories, photos, audio and video for the Web. Class is run like a newsroom, and students are encouraged to show enterprise. 4 cr, either sem.
COM JO 312: Photojournalism I
Undergraduate Prerequisites: COM JO 303.
An introductory course for students interested in pursuing a career in photojournalism and visual reporting. Students photograph assignments to the standards of professional news outlets and advance their skills in digital photography for use on websites and in publications. Prerequisites: COM JO 205. Four credits, fall and spring semesters.
COM JO 351: Reporting With Audio and Video
Undergraduate Prerequisites: COM JO 250 or COM JO 303.
Learn how to find, write, shoot, and edit news packages, broadcast on television or the internet. Taught by veteran journalists in a newsroom complete with the latest digital technologies. Four credits, fall and spring semesters. (Prerequisites: COM JO 200 and 205.)
COM JO 357: History of U.S. Journalism
Required of Journalism majors. This course surveys the evolution of the American news media, beginning with newspapers in 1704 and continuing through the telegraph, photography, radio, and television before taking up the Digital Revolution now sweeping through journalism. Students examine press freedom, censorship, changing definitions of news, and changes in the business model underlying journalism. Based on that history, we also examine the enduring values and principles of journalism in the U.S. and consider emerging business models. Recommended to be taken before JO525. 4 cr, either sem.
COM JO 403: Magazine Writing and Editing
Undergraduate Prerequisites: COM JO 250 and COM JO 310.
Students learn to research and write lengthy articles of national magazine quality. Students also learn editing skills. Four credits, fall and spring semesters. (Prerequisites: COM JO 200 and COM JO 210.)
COM JO 411: Professional Journalism Internship
Undergraduate Prerequisites: Rising junior status; a 3.0 GPA in COM; completion of JO250 and either JO303 or JO357
Valuable on-the-job practice of journalism skills. Provides student with portfolio of professional work. The student works 150 hours per semester or summer at the internship. Assistance in placement; instructor must approve project. Comprehensive paper, employer evaluation, and portfolio required at end of semester.
COM JO 412: Professional Journalism Internship
Undergraduate Prerequisites: Junior standing; at least 3.0 in COM; completion of JO250 and either JO303 or JO357
Graduate Prerequisites: .
Valuable on-the-job practice of journalism skills. Provides student with portfolio of professional work. The student works 150 hours per semester or summer at the internship. Assistance in placement; instructor must approve project. Paper, employer evaluation, and portfolio required at end of semester. Credit variable, every semester. (Undergraduate Prerequisites: Rising junior status; a 3.0 GPA in COM; completion of JO200/250 and JO205/303.)
COM JO 413: Broadcast Journalism Internship
Undergraduate Prerequisites: Junior Standing; at least a 3.0 in COM; completion of JO250 and either Jo303 or JO357
On-the-job observation and training at a news website, television, radio station or network. Employer and student evaluations required at end of semester.
COM JO 431: Enterprise Reporting
Undergraduate Prerequisites: COM JO 351.
Students produce in-depth video reports similar to those seen on network TV news magazine programs, news websites or, local television series. Includes a review of job trends in the field and advice on producing a resume reel or website. Four credits, spring semester. (Prerequisite: JO 351.)
COM JO 435: Online Radio Newsroom
Undergraduate Prerequisites: COM JO 351.
For students who like the teamwork and adrenaline of a real newsroom. Students produce a half-hour LIVE news show on the student radio station, WTBU, during each class. Students report, write, produce and engineer all the news sports and commentary on deadline. Students use social media to report stories and upload content to the Boston University News Service website. Student file stories frequently and programs from NPR, BBC, WBZ, and other radio news outlets will be critiqued. Four credits, fall and spring semesters. (Prerequisite: COM JO 200.)
COM JO 437: Special Studies
Current offerings: Basic Research Methods, offered in the fall, covers on-line reportorial and research techniques. Sampling the Media, offered only in the spring, covers all aspects of the media.
COM JO 451: Television Newsroom
Undergraduate Prerequisites: COM JO 351; and consent of instructor.
Students produce a weekly half-hour newscast, broadcast on cable TV and the Internet, with live coverage and video reports about local, national and international news as well as sports highlights and the weather forecast. Students rotate positions weekly, using a television studio and control booth, collaborating to broadcast a fresh, informative and accurate newscast while facing the daily deadlines of a working newsroom. Four credits, fall semester. (Prerequisites: COM JO 200, 205 and 351.)
COM JO 490: Directed Studies
Undergraduate Prerequisites: consent of instructor.
Graduate Prerequisites: consent of instructor.
Students work with faculty on individual research, professional training, or special studies. Variable credits, either sem.


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Silence can be golden and talk doesn't have to be cheap — all you need is the right actress to pull it off.
As is common at year's end, when the air is rife with Oscar buzz, film pundits often suggest potential nominees that might be overlooked by the Academy or under-promoted by studios and distributors.
But as I look down my list of memorable female performances that should by all rights earn awards attention but are more likely to slip through the cracks, they tend to fall into two categories. Haunting, nearly wordless displays of outward emotion or dialogue spoken with a special flair and passion that command our attention.
Here are five of each type that deserve to be seen, even if they don't quite make the Oscar cut.
The Shh-ining Stars
Mia Wasikowska in Tracks
After packing Oscar heat for months, Reese Witherspoon's Wild — the true story of a woman's soul-searching trek along the 1,100-mile Pacific Crest Trail — arrives in theaters on December 5.
Too bad it has overshadowed Wasikowska's similar though more artfully told tale, which involves a nearly 2,000-mile journey across the dry and dusty terrain of Australia's outback. Tracks offers a more meditative, often silent version of the grueling, real-life hunt for inner peace and enlightenment. But instead of Witherspoon's patented pluck as Cheryl Strayed, Wasikowska's standoffish yet no less determined Robyn Davidson embraces her challenge with a pricklier-than-thou attitude that isn't afraid to alienate others. Plus, she has superior co-stars to engage with: four feisty camels and an ever-loyal black dog.
Marion Cotillard in Two Days, One Night (opens December 24)
Depression is a timely topic these days, including at the movies. And few have more reason to feel overwhelmed by life than Cotillard's Sandra. Her Xanax-popping Belgian factory worker and financially strapped mother of two is near the end of her sick leave when she learns her co-workers have voted to have her laid off rather than lose their on-the-job bonuses. Instead of loudly railing against the unfairness of her situation, the already frail and barely coping Sandra must summon the strength to personally plead her case to each one of her colleagues over the course of a weekend and convince them to change their votes. Cotillard relies on her body language and facial expressions more than any words to convey her reactions to each encounter, allowing us to share in both her despair and gratitude.
Agata Trzebuchowska in Ida
Newcomer Trzebuchowska gives a near-silent performance worthy of Garbo or Gish in this haunting black-and-white Polish drama about a young novitiate at a nunnery in the early 1960s who is about to take her vows. During a visit with her only living relative, her caustic and world-weary aunt, she learns about her family's tragic past — including the fact she was born Jewish. More given to prayer than sharing her feelings, the delicate, demure, and devout Ida relays her reactions to the outside world in the subtlest of ways: a flash of her eyes, a flicker of a smile, a look of concern or caring, a barely audible laugh, a sudden grimace. The result is mesmerizing to watch, deeply felt, and quite powerful.
Grace Gummer in The Homesman
Hilary Swank is getting most of the Oscar talk for this female-driven Western. But at least one of the three mentally disturbed women she escorts back East to seek help for her condition makes a considerable impression on screen despite meager dialogue. That would be Gummer (Meryl Streep's middle daughter) as young pioneer wife Arabella Sours, who falls into a near-catatonic state after losing three infant children to diphtheria. When she does speak, such as her oddly cheery "Goodbye!" that accompanies her farewell wave as the wagon takes off to Iowa, the effect is quite chilling. She might constantly clutch a rag doll as a poor substitute for her maternal loss, but Gummer is allowed to expose Arabella's surprising fierceness at times as well.
Scarlett Johansson in Under the Skin
Last year, all Johansson needed to seduce Joaquin Phoenix in Her was her irresistible grit- and honey-coated voice as a computer operating system. Now it is her body that beckons as an alien temptress who invades rural Scotland and lures male victims into her lethal trap with barely a word. Most critics were either transfixed by her minimalist performance, which included casual nudity, or confused. But few came away without a reaction. "As the ultimate fembot-fatale, Johansson is deceptively good in a role that demands sparkly, seductive animation one moment and dispassionate blankness the next," wrote Ann Hornaday of The Washington Post. A near-silent role that turned into a talker? Give that woman a nomination already.
The Chatter Queens
Jessica Chastain in Miss Julie (December 5 in New York and Los Angeles)
It seems as if Chastain has a wealth of chances this season to be in the running for an Oscar, what with her choice work in The Disappearance of Eleanor Rigby, Interstellar, and A Most Violent Year. And Liv Ullmann's movie adaptation of the often-revived Strindberg play can be off-putting in its unduly staginess, which barely allows her actors to take even the slightest break from their breathless monologues. But Chastain adds another revelatory portrayal to her ever-widening collection as the often-capricious, dangerously flirtatious, imperiously demanding yet ultimately tragic 19th-century lady of the manor, who is like a lonely exotic bird locked in a gilded cage. The push-pull sexual energy between her and Colin Farrell as the valet who worships her can't help but set off sparks, even if the movie itself ultimately fizzles out.
Shailene Woodley in The Fault in Our Stars
Whatever faults there are in this blatant tear-jerker about two teens who fall in love while attending a cancer support group, the remarkable Woodley, with her vintage, Debra Winger-like handling of naked emotion, is definitely on the plus side. Who else could sell a line like this so deftly: "I fell in love the way you fall asleep. Slowly, and then all at once." This is a rare young-adult romance that is as much about sharing thoughts as swapping kisses. Woodley came thisclose to a supporting actress Oscar nomination for 2011's The Descendants, if only for her ability to silently scream underwater. Now she should be in the race for turning potentially cloying dialogue into verbal gold.
Tilda Swinton in Only Lovers Left Alive
Swinton, who pocketed a supporting Oscar for her corporate monster in 2007's Michael Clayton, puts those dull Twilight bloodsuckers to shame as Eve, an absolutely fabulous vampire with runway cool and a wicked way with a droll quips. It's a rare treat to eavesdrop on her conversations with her undead paramour, played by Tom Hiddleston, as they endlessly discuss his days of hanging out with scientific greats Newton and Tesla, as well as literary lights Byron and Mary Wollstonecraft. "I'm a survivor, baby," her creature of the night declares. And we believe it as they toast each other with stolen hemoglobin from a blood bank.
Carrie Coon in Gone Girl
May every aghast audience always get such an engaging and honest character to cling to while lurid events unfold onscreen. As tomboyish Margo Dunne, twin sis of Ben Affleck's none-too-bright suspected wife-killer Nick Dunne, Coon acts as a reality check for her often clueless brother, whose wife Amy has gone missing. She also slings some of the script's best lines during their heart-to-hearts, such as, "Just because I don't love Amy doesn't mean I don't care about her. I'm really scared." And, after she hears that Nick described Amy as "complicated" to the police: "Nick, everyone knows 'complicated' is code for bitch." As the one warm individual in the film, it is hard not to cheer a little when she shows up in a scene.
Gugu Mbatha-Raw in Beyond the Lights/Belle
What a year this alluring, British-born actress is having as she quickly soars to the next level in her career after standing out in two very disparate roles. On the one hand, she skillfully handles a costume drama as a real-life 18th-century mixed-race noblewoman in Belle. On the other, she summons comparisons to Whitney Houston in The Bodyguard and Diana Ross in Mahogany with her electric depiction of a Rhianna/Beyonce-inspired singing sensation in the showbiz saga Beyond the Lights. In both cases, she plays women whose destiny has been controlled by others for too long.
But by the end of each movie, her characters speak their minds quite forcefully. For Belle, Mbatha-Raw delivers a withering speech to the upper-crusty white woman whose son wants to marry her: "My greatest misfortune would be to marry into a family who would carry me as their shame, as I have been required to carry my own mother. Her apparent crime to be born Negro, and mine to be the evidence. Since I wish to deny her no more than I wish to deny myself, you will pardon me for wanting a husband who feels 'forgiveness' of my bloodline is both unnecessary and without grace." As for Noni in Beyond the Lights, she boldly takes a stand with these words: "Everybody says I'm special 'cause I have this voice, but I'm just saying what everybody else wants me to say. I need to say something."
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COMPASS - March-April 2018
"Camping with the Birds"; Return of the River Otter; Birding America XII; photographing Bald Eagle nests.
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Never doubt that a small group of thoughtful committed people can change the world. Indeed, it is the only thing that ever has. Margaret Mead, anthropologist
"Camping with the Birds"; Return of the River Otter; Birding America XII; photographing Bald Eagle nests.
BIRDING AMERICA XII - Saturday, March 10, 2018. Description, roster of speakers, complete registration form. Don't miss this exciting all-day symposium for birders of all levels. Beginning birders are encouraged to attend.
What birds do to survive the winter; announcement of Birding America XII coming on Saturday, March 10; late fall bird walks and events.
Details of the Chicago Audubon annual Bird Seed Sale--quality seed for excellent prices; information about Chicago Audubon's first seed collection events--to take place at Camp Pine Woods in Glenview; details of October's "Big Month" bird walks and species counts.
Chicago Audubon Declaration of Support for the Paris Climate Accord; article about the dangers of fishing line for birds; winners of the Second Annual Chicago Audubon photo contest.


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I AM writing this letter as a lover of modern art and design, an admirer of both modern and historic architecture, a practicing craftsman/designer working in the stone industry as a stone carver/ mason and letter cutter and as somebody who has visited art galleries across the world.
As a young art student in the late 1970s I regularly visited the old Middlesbrough Art Gallery in Linthorpe Road. The excellent permanent and visiting exhibitions continually inspired and challenged me, and in my opinion was one of the best small collections of 20th century British art in the country.
The combination of unassuming location, limited financial resources and good taste and judgment, resulted in a truly impressive permanent collection, a daring and challenging Drawing Biennale and a series of ground-breaking sculpture exhibitions and commissions in the '80s.
Thankfully, it wasn't attempting to be London's Hayward or Bristol's Arnolfini.
I mention all this after returning to Middlesbrough to visit the new mima and to make the following observations.
The architecture and design is stunningly beautiful and a bold civic statement, however the ultimate success of modern design depends on the quality of detail and finish of the materials - the daring stonework is compromised by a disappointing finish.
However my main criticism is not of the building, but of the gallery's contents - or lack of.
Where on earth is the permanent collection - the pencil drawings by Stanley Spencer and Wyndham Lewis alone would not only shame the current exhibitions, but may also ignite and inspire the people of Middlesbrough.
Great art has the ability to mould/shape/change/stretch people's understanding and perceptions in spite of the exhibition space. It does not need book and coffee shops - it feeds off and depends on inspired people.
Austere and clinical gallery spaces need to be filled with bold, beautiful, challenging, daring works of art - both old and new.
GARY NEWTON, Canterbury, Kent


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Sesa Goa to produce 10 MT iron ore
Sesa Goa to produce 10 MT iron ore from Liberia in phase-I
Vedanta group firm Sesa Goa is targetting to produce 10 million tonnes of iron ore in the first phase of production from Liberia's Western Clusters project on the back of higher-than-estimated reserves.
"Drilling is going on full swing, every where we are getting positive signs. By the end of 2013-14 financial year, we will make the first shipments. We have divided the project into two phases and in the first phase, production target is of 10 million tonnes (MT)," Sesa Goa Managing Director P K Mukherjee told PTI.
The Goa-based iron ore miner had acquired 51 per cent stake in project in Liberia (in West Africa) last year for about USD 90 million (Rs 411 crore). This was the first overseas acquisition of the company.
Mukherjee added that the reserves at the Liberian project are likely to be three times higher than original estimates of one billion tonnes and the company would ramp up production from the project by up to 30 MT in the second phase.
"The reserves are higher, may be three times more than original estimates... During the second phase, it (production) would get ramped up to 30 MT. The second phase production will begin 2-3 years after 2013-14, so by 2015-16 or 2016-17 it should happen," he said.
The iron ore miner, which had begun exploration of the asset during April-May this year, is planning to invest Rs 400-450 crore on the project this year.
The Sesa Goa MD, however, said that capital expenditure plan for the project is still underway and this year's money will largely be spent on payment to the local government, exploration, equipments and other related studies for the project.
"This financial year, we are expecting total cash flow of Rs 400-450 crore (on the project) but that does not mean it is the total capex. The total capex will be much higher," he said, adding that a decision on capex will be taken by December.
Talking about Sesa Goa's plans to set up a steel mill in Jharkhand, Mukherjee said that the company is looking to sign a memorandum of understanding (MoU) for the project with the state government in a month's time.
The company, which is planning to set up a steel plant of 1.5 MT per year capacity in the mineral-rich state, has started acquiring land for the project on its own, he said, though he did not reveal the investment plans for the project.


text: It snowed about six to eight inches today, and I gotta say… I didn't really mind. Probably because I didn't have to shovel any of it (bonus of working late, I guess. And MAD PROPS to Jamie), and because traffic wasn't too bad (ooo look! another bonus of working late). But overall, I love the snow — especially this time of year. I was lucky to catch some of these flakes in focus as they fell today. It's quite lovely around these parts right now.


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What's In A Name?
Names are powerful things.
Judas, Jezebel, Chedarlaomer were some of the choices before and during the time when the good Lord walked here. Then came Fred, Alice, Barney, and Myrtle. Now-a-days its Haydee, Shakina, and Bryson, not to mention (the late Frank Zappa's kids) Dweezil and Moon Unit.
The Indians had it right. Squatting Dog, Running Dear, Fornicating Bear. Descriptive, unforgettable, yet not pretentious. The old joke about the guy trying to pick up the girl by asking, "what kind of men do you like?," is a good one. When she answered that she preferred native American Indian men, Jewish men, and good old southern redneck boys, he answered: 'Let me introduce myself...My name is Running Bear Goldstein but my friends call me 'Bubba.'"
When my kin over in Alabama couldn't agree on a name for their first boy they named him "Son." Them Injuns ain't got a thing on my people.
I saw two beautful young ladies one night on the news who had a super name thing going on. They were twin sisters whose apartment had caught fire, and were being interviewed by a reporter. Their names: LaTonya, and LaZonya (pronounced just like the Italian dish). Funny, she didn't look Italian on TV.
Then there's the well known tale of mothers naming their kids after Jello products ("Orangello," and "Lemonjello"). Or, the one about a mom who named her kid "Placenta" after an experience in the birthing room. Or, the mother who looked at her newborn fresh back from the hospital nursery and exclaimed her dismay that someone had already named her baby. What she was reading was in fact the tag on the portable crib which identified her little girl as "Female" (she pronounced it, "Fuh-Mah-Lee").
Also, I attended a high school graduation not long ago. Twin brothers graduated that day with the last name Williams. One was (and I am not joking) "Telly Savalas Williams" (as in the original Kojak), and the other was, "Isaac Hayes Williams." I loved it. Two great young men. Very mannerly and polite. Their names will help them go far.
Then, there's my wonderful brother-in-law. He is a III in a line with the name, Polye (pronounced "Po-Lee") Marvin. We call him Marty. His dad was known simply as "PM."
To top it all, my wife's second cousin teaches second grade in Memphis. This is no joke. On her first day in the classroom she looked at the roll and a little boy's first name came up as (forgive me but it's true), "Shithead." Shocked, she called his last name, invited him to the front, and asked him quietly how to pronounce his first name. Very proudly and innocently he said out loud, "Shu-Theed". She said she was SO relieved, and that eventually "Shu-Theed" became her star student and teacher's pet.
Goes to show you never know when the good Lord is gonna' fling a blessing on you.
LIB John Brown


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Jen's life is finally settling into a rhythm: She wakes up, goes to work, helps her new clients, goes home, watches a cooking video, and goes to sleep. But when a murder rocks the life of one of her newest clients, how will Jen react? Is there more to the situation than just Jen Walters, lawyer, can handle? Will she need the HULK to get herself out of this jam?
Hulk #3
Written by: Mariko Tamaki
Art by: Nico Leon
Cover by: Jeff Dekal
Page Count: 23 Pages
Print Release Date: February 22 2017
Age Rating: 12+ Only


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GETTING to the FA Cup final feels as sweet as it did the first time, insists cup semi-final hero Didier Drogba.
The Chelsea striker can't help scoring at Wembley and his appetite is not about to diminish with a third final appearance since the new stadium opened for business in 2007.
"It's always good and to know we will be back here is fantastic," said the Ivorian, who scored the goal which set the Blues on their way to their 3-0 semi-final win over Aston Villa.
He also scored in last year's semi-final at Wembley as well as in the wins in 2007 and 2009, not to mention the Carling Cup final in 2008.
"I don't decide if I'm going to score again here, though I'm very proud that I did. But the most important thing is that we are again in another final.
"It won't be easy, but we are here again. As a kid, you always dream about big stadiums and big games. I've seen some FA Cup finals before when I was in France where French players like Cantona and Anelka did well and when I come here, I want to do the same."
Drogba says achieving a Double is something that inspires him and he wants to savour the satisfaction of landing both the league and FA Cup in the same year.
"Here in England, the Double is something really special and winning the FA Cup final is something unbelievable," he said.
"We won the league already and I know the feeling and I want to do it to see if there's a difference winning both instead of only one.
Drogba added of the 3-0 semi-final win over Villa: "The team has responded well since the game against Inter Milan. We are playing well and today, even if we had a difficult first half, we won the game."