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Automotivebranded BeanBag For Your Office Or Home — Volkswagen CrossFox
Automotive-branded Bean-Bag For Your Or Home
A lot of international and trendy companies in such as Vodafone Egypt or EFG are having gyms or 'chill-out for its employees since 'refreshing' and the batteries' is extremely important for a productive and effective employee.
One that should not be missing in gyms or chill-out areas, or in the offices itself, is a bean-bag. I even wish to see some of relaxing bean-bags at the international where one could relax for a from the long walks the company stands.
Bean-bags are not extremely comfortable when a movie at home or so, but they are extremely comfortable and refreshing for back when you change office-chair with such a every two-hours or so.
We at Auto Arabia tried out two of bean-bags, a red one and a black one, and I was than surprised by the comfort of bean-bag.
The first week I out this bean-bag during it was like I never wanted to it in again for the normal office-chair. I moved all the other office such as the scanner, printer and LCD next to the bean-bag. The only the bean-bag manufacturer, Black Design, should consider for his is to offer them also a or 'low office desk' would allow them to use the not only at home but also in the I am sure such a 'bean-bag de
sk' would be a best-seller.
business-partners even wanted to sit in the instead on the normal office
One unique advantage of such a bean-bag is that you can even add car logo or company logo on it. So, you use th e bean-bag at home, at the office, at an or even at the beach everyone see you logo.
Our conclusion: A must-buy for home or your office.
are three different bean-bag small, medium and large. start at 250 LE, whereas we recommend the size.
All Auto Arabia Facebook members and recipients of the Auto email newsletter receive a 10 % when purchasing the bean-bag or any product from Black Design.
Black Camel has previously supplied several car with three different of spare tire covers were successfully perceived customers and clients for their quality and creative designs. spare tire covers the designs and logos of 'www.daimlerchrysler.com.eg'. the anniversary of Jeep Egypt' and the 'New Cherokee' (Liberty)
The first two spare tire were based on sewing the on the covers, whereas the last one was a type. Looking back at the spare tire covers, Camel Design recommends the method as it proved to be more
Black Camel Design's list for the spare tire includes renowned and international such as Air France/KLM, Jeep Egypt (Camp Jeep), Chrysler (AAV), Safari Off-Road Egypt, Pacha – El Scheikh, Sinai-Joe Sharm, Hertz, Katameya Heights, El Covers, VW-Crossfox, Smart Car and
Black Camel Design's list for the spare tire and the bean bags includes other quality brands as leading local and multinational Mobinil, Emaar, Taema Panasonic, Satchi Satchi, International Hotels, Sanafir Castle Zaman, Palm Club, Goethe Institut, Rio de Al Ahram Beverages, Omar Henkel, Egypts Duty Shops, Cairo Hash Harriers, CAC, G-Mag Magazines, Egyptian LNG, Red Sea Adventures(Hurghada), Coca-Cola, Etisalat, Foods, Galaxy, Synovate, Timeline Interactive, CEMEX, Opencraft, Siemens, Sushi-Circle El Tagouris House and Verrino.
Black Camel Design its clients with bean floating bean bags, cushions, bags, cooling-water cooling bags, spare covers, beach umbrellas, banners, caps, T-shirts, shirts, mugs, pens and
For more info on the prices or the click www.BlackCamelDesign.com or get in touch the numbers below:
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Jay-Z killed himself to live.
At Moda Center on Thursday night, the 48-year-old rap monolith opened his set with a video of his face burning in effigy, an extension of the self-excoriation that frames this year's 4:44, the album he is ostensibly touring on. The show that followed was hardly funereal, but it did feel a bit like a resurrection—or at least a reminder, of who he is, what he's accomplished and what he's still capable of.
You wouldn't think a refresher would be necessary at this point. He's one of music's most towering figures, and if he'll never control the zeitgeist again, his legacy is ironclad. But hip-hop is very much a "what have you done for me lately" culture, and lately, the Jigga Man's teflon image has incurred some dents. His previous album, 2013's Magna Carta Holy Grail, suggested he'd lost the thread of his own rags-to-riches narrative, and the artistic airing-out at the hands of his wife painted him as both a heel and a fool.
But getting figuratively bludgeoned with a baseball bat—and literally assaulted by his sister-in-law—is apparently just the shot upside the head he needed. 4:44 isn't precisely an album-length apology for his indiscretions, but it is an album of deep emotional reckoning, where one of rap's greatest braggarts looks in the mirror and literally says, "Fuck Jay-Z." So far, it's brought critics (and Grammy voters) back on board faster than fans—tickets have moved slowly for this tour, and whole sections of the Moda's upper level were tarped off—but the creative rejuvenation makes this current tour feel like a comeback, even if, in truth, he never really went anywhere.
If the latest record is the product of a newer, more vulnerable Jay-Z, though, that wasn't exactly who showed up in Portland. "Effortless swag" is still his calling card. Dressed most of the night in a hoodie and sweatpants, he circumnavigated his octagonal stage, knocking out hit after hit with leisurely precision. He started with "Kill Jay-Z," the first track on 4:44, and by the time he reached "D'Evils," from his exalted debut, Reasonable Doubt, four songs later, he'd traveled back across two decades. Other stadium-sized rappers simply don't have the catalog to pull that off, and he did it with the casual ease (and appearance) of a dude on a morning stroll to the corner bodega.
With the in-the-round staging bringing him within spitting distance of the floor seats, it was about as up-close-and-personal as you could hope to get with someone of his stature. But in such a cavernous setting, the intimate new material still struggled to connect. He introduced 4:44's title track, a direct expression of contrition for his infidelity, as "the most uncomfortable song he's ever written," but performed on a retractable platform that placed him high above the audience, the nuance got swallowed up in the spectacle. Songs like that, the conversational "The Story of O.J." and the foggy cultural critique "Moonlight" were begging to be strung together into their own section of the set rather than getting dropped between the bangers—he really should consider a stripped-back theater tour, where he could dig into the pathos of those songs and place them in their proper context.
But if the venue felt too big to support the quieter moments, when it came to those old bangers, it barely seemed big enough. "99 Problems" is still a better arena-rock song than any actual rock band has mustered in a decade. (Of course, there's now some irony in hearing him gloat about his lack of girl problems while on his Sorry For Cheating On Beyoncé Apology Tour.) "Niggas In Paris" knocked so hard it even seemed to catch Jay by surprise—he had his band run back the intro so he could remove his jacket and get properly hype.
In all, he played more than 30 songs, and still didn't include everything he could have. (There was no encore, but he did end with the Linkin Park mashup version of "Encore," to which he attached a dedication to late frontman Chester Bennington.) It was a testament not just to the breadth of his career but the rare position he now holds. With hip-hop transitioning into middle-age, he's survived in the game long enough to become the first true "legacy rapper," an artist whose history transcends rap's recency bias and outweighs whatever future successes and failures might come his way. Simply put, there's no one else on his level. And while we might forget that sometimes, he'll surely keep coming back to remind us.
All photos by Sam Gehrke.

subset: commoncrawl


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The Cowboy's Little Plaything (Naughty Western Menage Romance Story)(First Time Stuffed)(Multiple Men)(Older Man Younger Woman Stories)(Taboo Lusty Historical Encounter)Age of Seduction
When youthful, pretty, and untouched Adele flees her home in the middle of the night – to escape her spiteful father – she hops aboard a stagecoach heading out west.
But danger soon strikes, as a band of raiders assail the wagon… She hears gunshots going off and the thunderous roar of horses circling all around her.
She awakes to find herself staring up at a few handsome, muscular, and rugged cowboys. Adele learns they saved her from the bandits – and as repaym


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You will need to have a PHP page to insert the Universal Email behavior. This is because the Universal Email behavior is done using server side code.
I think that's one of the reasons we have a solution pack for it. If you would like to see step by step documentation for it, you should post in the wishlist forum.


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It is, at one and the same time, a shining winter afternoon in the grey North with the rain coming down, and a baking noontime on the dusty red hills of the outback. It is 1930, and it is 2015. In Leeds the late sun streams through a window onto a jewellery chest carved of English yew, from which spills diamonds and gold… but we will leave that for now, and travel to one of the many beginnings.
As we said, it is noontime in Western Australia, one day in 1930. The foreman's clerk at the mine wipes sweat from his dripping hair as he runs down the splintered wooden stairs of the field office to meet the girl coming towards him with lunch in a basket. Her name is Anne, and he loves her. She brings up a hand to brush the matted locks from his forehead, and tuts at him again about wearing a hat. On her finger glints gold – local gold, from this very mine, purchased with many years savings and set with three matched diamonds. It is like the sun wrapped around her hand, and it represents a promise.
Anne and her clerk died childless, and her jewellery came to a beloved niece, who married a man from the cold North and travelled with him to the grey rocks of Scotland. The niece likewise grew grey, and the rings filled with the heat of the outback desert were passed on again, to a granddaughter, who photographs them against the low evening light one rainy day in February.
A simple story, and like many others… yes? The clerk's beloved passes the rings to the well-travelled niece and on to fanciful granddaughter. So it goes with many an heirloom.
Look closer. Look with different eyes. These rings are bound with a thousand threads, stretching off into yet further times and places.
Begin at that beginning again. Focus in on the hand on the clerk's cheek, with the rings glinting out like a sunbeam. See how red it is? See Anne's own face, burned, cracked and ochre as a goanna's hide. She was not made for these red rocks and russet dust, for the gum trees and ravines and the veins of wealth that run through the ground. The clerk's people are barely off the boat from Ireland , but even Anne, who considers herself Australian, is in the longer view a stranger here. Her blood did not rise in these hills. Anne's great-great-grandfather called himself an explorer – history does not record what the people who originally knew these ravines called him. And that is something of the point, is it not? The thread that runs through Anne's hand to Anne herself, to her blood, takes us through those early violent years when her ancestors claimed a land they thought was unused, like an adult taking from a child a toy which they do not believe is appreciated. Further than that, it runs over the sea to Scotland again, to the hard times when those who are soon to become 'explorers' and oppressors are oppressed in their turn by English words bandied in Parliament and in places of business, so Anne's earlier relations are forced to emigrate through lack of work. Some choose America – others burn for adventure and to use their skills in 'the wild', and so this thread is born.
So much for flesh. What about rock? The gold and the diamonds that cause the flash? The gold's thread begins close by – as mentioned, the clerk tried so very hard to get gold from his own mine, from a sentiment we can perhaps guess. But how did such a man afford such a ring? Is there more to this thread than the months of his labour and the sweat of his brow? Of course there is, as there always must be. The clerk's labour is less than it might have been, and his time worth more, because of currents that are sweeping through the world. After all, it is 1930, and big things are afoot. This is too wide for our little thread though, and so first we trace it to the pay office, where the clerk finds his weekly cheque a little fatter than it would otherwise have been and is thus able to afford a better ring. From the pay office we visit the manager's desk, and a note confirming that the mine's gold is selling at higher than expected prices, enabling them to pay just a little more. Then even further, to Perth, to the offices of the bank, where men in formal suits who ride the currents of the phantom 'economy' have noticed the price of gold rise little by little in the last years and months. How much further can this thread go? To London? New York? To Wall Street in October the year before, or even to the nominal entity known as the 'Great Depression' in years to come? But this is beyond our scope. We return.
The diamonds show their fire. They have come even further in their first leap – from the dealer in South Africa straight to the jeweller in a small street in Perth where the clerk had them set. But their extraction from the ground? That branches into still further threads – the man who dug them from the ground hundreds of miles north. The overseer, whose skin may or may not have mirrored the digger's own, who ensures the digger cannot keep the stones for himself. The mine owner who employs the overseer, and his family who purchased it and took ownership of what may once have been the digger's own home, own valley, and the circumstances that meant the stone would one day reach the surface in the digger's basket instead of lying undisturbed while he hunts on the land above. The battle that enabled the owner's people to wrest control of this place. The forces that acted on the owner's people so that they believed exploration and conquest were their path.
Threads, around a ring. The networks of the past and the future that hold the present in place. This is not a story – this is a web. The past is less a novel and more 'Choose-your-own-adventure', a mass of interlinking silk that, at one, distant point, converges on a windowsill in Leeds, three rings, a jewellery box, and the afternoon sun.


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Investing In Property Through Superannuation
Property has always been a popular form of investment amongst Australians. It has a perceived level of security as it is tangible and most investors have experience with property through home ownership.
With the current record low interest rates, investors have continued to increase their appetite for buying property. Housing finance has increased as have the number of building approvals. With the low interest environment, investors demand in property is likely to continue to drive some level of capital growth over the coming year.
Investments in property can be made either directly through the purchase of specific land or structures, or indirectly through either listed or unlisted property trusts. Trusts are an effective investment vehicle for Self Managed Super Fund (SMSF) trustees who want to create a diversified property portfolio, because direct property investments require significant funds, although structured borrowing arrangements can help.
SMSF Limited Recourse Borrowing Arrangements (LRBA)
There has been a great deal of discussion in recent months on borrowing by SMSFs since the Financial System Inquiry report release last December recommending to the Government to ban all borrowing by SMSFs.
The ATO has since released two interpretative decisions around how they apply the non-arm's length provisions to LRBAs involving loans from related entities to an SMSF. More recently the Government has announced that they did not agree with the Financial System Inquiry's recommendation to prohibit LRBAs by SMSFs. They do not consider the data sufficient to justify significant policy intervention. The ATO has been advised to monitor leverage and risk in the superannuation system and report back to the government after 3 years.
An SMSF is not prohibited from borrowing money if the arrangement entered into satisfies the conditions specified under the Superannuation Industry (Supervision) Act (SISA).
Section 67A(1) of SISA provides an exemption from the basic prohibition on SMSF borrowing where:
Borrowed monies cannot be used to improve an asset, therefore, you cannot borrow money to renovate an existing property or to develop land owned by the SMSF. However, trustees may make subsequent draw downs under an LRBA for the purposes of maintaining or repairing the asset subject to the LRBA. The asset can be replaced by another asset that the SMSF is allowed to acquire but only in very limited circumstances.
Single Acquirable Asset
When entering into an LRBA within your SMSF, it is important to ensure that all parties are aware of what is involved in terms of costs, documentation and compliance with SISA.
The trustees will need to review the fund's trust deed to ensure the borrowing is permitted and the fund's investment strategy should be reviewed to incorporate decisions about how the investment will be financed and through which lender. Some lenders prefer to deal with an SMSF that has a corporate trustee, therefore, a change of trustee may be required.
A security trust deed will need to be established (with a corporate trustee), this is the entity that will hold the asset acquired under an LRBA. The security trust deed is between the security trust and the SMSF. The security trust will be the legal owner of the asset and should therefore be listed on any contract documentation. The security trust is not seen as a separate entity for tax purposes and therefore no accounts or returns are maintained for the security trust.
When funding the purchase of the asset, the deposit must be paid from the SMSF and the SMSF should take out a cover note to insure the asset from the contract date. Payment on settlement will likely be made with the borrowed monies and the SMSF may wish to contribute additional funds.
All transactions in relation to the loan repayments, income from the asset and expenses incurred are made by or to the SMSF. Loan repayments need to be identified as principal and interest. Once the payment of the final instalment is made, the legal ownership of the asset must be passed to the SMSF.
An example of the LRBA structure is below:
Preservation Age Versus Age Pension
To gain access to your superannuation either as a lump sum payment or a pension payment you need to have met what is known as a 'condition of release'. Some of these include:
- Retirement after preservation age (refer below)
- Termination of employment after age 60
- Attaining age 65
- Permanent disability
- Terminal medical illness
- Upon death
In the 2015 budget announcement, the Federal government proposed changes to raise the pension age to 70 by 1 July 2035.This has created concern for Australia's middle age workers. However, the key concept that every Australian needs to be aware of is that 'preservation age' is different from 'age pension age'.
Your age pension age is the age that you first become eligible to claim the age pension. The current qualification age for the age pension is 65 years, increasing to 67 years by 1 July 2023.
Your preservation age is the age at which you can retire and access your preserved superannuation benefits which currently ranges from 55-60 years depending on your date of birth.
To access superannuation once you reach your preservation age you must also retire from the workforce. Those individuals who have reached preservation age, but have not yet retired, may still be able to assess their superannuation through establishing a Transition to Retirement (TTR) pension. Individuals turning 55 this year will need to wait until they are 56 now before being eligible to commence a TTR.
Currently the proposed legislation to increase the Age Pension age has not been passed through the Senate and appears unlikely to at this stage. Those in their 50's and 60's should take the opportunity of the generous tax rules and incentives around super and increase their retirement savings. Some strategies this age group should consider is looking into salary sacrificing into super while they are still working, review their insurance policy and needs as they may now be over insured as well as reviewing their asset allocations within their investment portfolio considering the extended date for retirement.
Managing Risk Of Trustee Incapacity
With an ageing population, the number of Australians living with dementia is a risk facing many families. Currently 3 in 10 people over the age of 85 and 1 in 10 people over the age of 65 live with dementia. According to Alzheimer's Australia, the number of cases of dementia in Australia is expected to increase to almost 900,000 by 2050. This can cause serious problems for SMSFs where a trustee loses capacity.
Under SISA, a person who holds an enduring power of attorney (EPOA) granted by a member may be a trustee, or a director of the corporate trustee, in place of that member without causing the SMSF to breach the legislation. However, on activation of the EPOA, the person holding the EPOA must formerly be appointed as a trustee, including consenting to be a trustee and signing the appropriate declarations and notification to the Australian Taxation Office.
A person's incapacity will give rise to important succession and estate planning opportunities and strategies. Taxation savings can result from the attorney cashing a superannuation benefit immediately prior to a member's death.
Where a person has lost capacity, their attorney will usually have full control over the person's financial affairs including their superannuation. In summary an attorney's powers allows:
- Cashing of superannuation benefits (if the member satisfies a condition of release)
- Moving the member's benefit from one superannuation fund to another. This action may also result in revoking a binding death benefit nomination (BDBN).
It is unclear whether an attorney is able to make a BDBN for the member. The favoured view is that this is not possible.
If you would like to print this information please click here for PDF formatDisclaimer
The information provided in this information sheet does not constitute advice. The information is of a general nature only and does not take into account your individual financial situation. It should not be used, relied upon, or treated as a substitute for specific professional advice. We recommend that you contact Brentnalls SA before making any decision to discuss your particular requirements or circumstances.


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Victor A. Pestoff earned his B.A. in political science from California State University at Long Beach; and defended his Ph.D. in political science at Stockholm University in 1977. He taught for nearly 20 years at Stockholm University, became docent at Helsinki University in 1985 and was a Research Fellow at the Faculty of Economics in Kanazawa, Japan in 1998. He became full professor in political science at Södertörns högskola in 1999 and was appointed Professor of Political Science at Mid-Sweden University in Östersund in 2002. He became Professor Emeritus in 2008 and is now part-time Professor at the Institute for Civil Society Studies, Ersta Sköndal University College in Stockholm, Sweden. He is currently undertaking a comparative project on cooperative health and eldercare in Japan, together with Prof. Yayoi Saito, Osaka University and several other Japanese colleagues. He is also a founding member of the EMES Research Network on Social Enterprise.
Dr. Pestoff began his academic career by examining the relations between party systems, popular movements and voluntary organizations in three Nordic countries with his Ph.D. in 1977. For 35 years thereafter he explored the political and democratic aspects of voluntary organizations, cooperatives, third sector organizations and the social economy. He has published reports and articles on Swedish consumer organizations and consumer influence; many articles and two books on Swedish cooperative movements; articles and reports on Swedish business interests organizations; articles on the negotiated economy in Scandinavia, several articles and a book on the transformation of the public sector in Central and Eastern Europe, two books on the third sector and welfare state and two edited volumes on the co-production of public services. His latest books, A Democratic Architecture for the Welfare State (2008) and New Public Governance, the Third Sector and Co-Production (2012) appeared with Routledge. Many of his articles and books are translated to other languages.
Selected Publications:
1977: Voluntary Associations and Nordic Party Systems. A Study of Multiple Membership and Cross-Pressures in Finland, Norway and Sweden; Stockholm: Studies in Politics; ISBN: 978-91-628-7820-7.
1984: Konsumentinflytande och konsumentorganisering. Den svenska modellen; Stockholm Finansdept.: Ds Fi 1984:15; ISBN: 91-38-08541-0.
1988 & 1989: Näringslivsorganisationerna och politiken i Sverige; Stockholm: TCO, DDD; ISBN: 91-7168-367-4.
1991: Between Markets and Politics: Co-operatives in Sweden; Frankfurt & Bolder: Campus Verlag & Westview Press; ISBN: 3-593-34400-9/0-8133-8294-7 + 4-7710-0892-2.
1993: HIV/AIDS Directory – Organizations and Activities/ Handbok – Organisationer och aktiviteter; Stockholm: Dept. of Business Administration & Folkhälsoinstitutet (together with Dagmar v. Walden Laing); ISBN: 91-88564-01-0.
1995: (ed.) Reforming Social Services in Central and Eastern Europe – An Eleven Nation Overview; Krakow: Cracow Academy of Economics; ISBN: 83-903900-0-0.
1998: Beyond the Market and State. Social enterprises and civil democracy in a welfare society; Aldershot, Brookfield, Sidney & Singapore: Ashgate; ISBN: 1-84014-575-7 + 4-8188-1307-9.
2004 The development and future of the social economy in Sweden, in the Third Sector in Europe, A. Evers and J-L. Laville (eds), Cheltenham, UK & Northampton, MA: Edward Elgar.
2005 Globalization and Swedish Business Interests Associations in the 21st Century, in Governing Interests: Business association facing internationalization, W. Streeck, et al. (eds), London & New York: Routledge.
2006 & 2008 Citizens & Co-production of Welfare Services. Childcare in eight European countries; Ch. 2 in Co-production. The Third Sector & the Delivery of Public Services; Pestoff, V. & T. Brandsen (eds), Public Management Review, v. 8/4, reprinted in 2008, London & New York: Routledge and paperback in 2009. ISBN 10: 0-415-43963-9 & 13: 978-0-415-43963-3.
2008: A Democratic Architecture for the Welfare State; London & New York: Routledge; ISBN: 0-415-47595-2 (hbk), 0-203-88873-1 (ebk).
2009 Towards a Paradigm of Democratic Governance: Citizen Participation and Co-Production of Personal Social Services in Sweden, Annals of Public and Cooperative Economy; v. 80/2: 197-224.
2009 Public governance and the third sector: opportunities for co-production and innovation – (with T. Brandsen), The New Public Governance – New Perspectives on the Theory and Practice of Public Governance, Osborne, S. (ed.), London & New York: Routledge.
2009 Improving Social Inclusion at the Local Level through the Social Economy – Final Report on Poland, Paris: OECD (together with M. Mendell, A. Noja & E. Clarance).
2010 Social Accounting and Public Management: Accountability for the Public Good – Conclusions; Ch. 26 in Social Accounting and Public Management: Accountability for the Public Good; Osborne, S. & A. Ball (eds); London & New York: Routledge.
2011 The Winds of Change: The Consumer Cooperative Movement in Sweden & Cooperatives and Democracy in Scandinavia: The Case of Sweden, Nordic Civil Society at a Cross-Roads: Transforming the Popular Movement Tradition; Wijkström, F. & Zimmer, A. (eds) Nomos, Baden-Baden.
2012 Co-Production and Third Sector Social Services in Europe – Some Crucial conceptual issues, Ch. 2 & New Public Governance, Co-Production and Third Sector Services in Europe – Crowding in and crowding out, Ch. 19 in New Public Governance, Co-Production and Third Sector Services; Pestoff, V., T. Brandsen & B. Verscheure (eds.); London & New York: Routledge. ISBN: 978-0-415-89713-6 (hbk), 978-0-203-15229-4 (ebk).
2012 Hybrid tendencies in consumer co-operatives: the case of Sweden; in The Co-operative Model in Practice. International perspectives; McDonnell, D. & E. Knight (eds), University of Aberdeen: CETS.
2012 Co-production and Third Sector Social Services in Europe: some concepts and evidence; Voluntas,
Forthcoming 2013 Hybridity, Co-production and Third Sector Social Services in Europe; American Behavioral Scientist,
Forthcoming 2014 Introduction (with Defourny, J. & L. Hulgård); Social Enterprise and the Third Sector. Changing European Landscapes in a Comparative Perspective; Hulgård, L., J. Defourny & V. Pestoff (eds); London & New York: Routledge.
Forthcoming 2014 Hybridity, Innovation and the Third Sector: the co-production of public services; in Social Enterprise and the Third Sector. Changing European Landscapes in a Comparative Perspective; Hulgård, L., J. Defourny & V. Pestoff (eds); London & New York: Routledge.


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News story
Appointment of Her Majesty's Ambassador Designate to Lebanon
Hugo Shorter has been appointed Her Majesty's Ambassador Designate to Lebanon
Hugo Shorter has been appointed Her Majesty's Ambassador Designate to Lebanon in succession to Tom Fletcher who took up another appointment outside the FCO. He will be assuming his post initially as Charge D'Affaires with immediate effect.
|Full name:
|Hugo Shorter
|Laura Shorter
|One daughter and two sons
|2012 – 2015
|FCO, Head, Europe Directorate External
|2007 – 2012
|Paris, Counsellor, Europe & Global issues
|2004 – 2007
|Brasilia, Deputy Head of Mission
|2001 – 2004
|FCO, Deputy Head North East Asia & Pacific Department
|2000 – 2001
|Private Secretary to Minister of State
|1998 – 2000
|FCO, Head, Trade Policy Section, EU Department-External
|1994 – 1998
|UKDel NATO, Second, later First Secretary
|1992 – 1993
|Attachment to École Nationale d'Administration, Paris
|1990 – 1992
|FCO, Desk Officer Spain & Portugal, Southern European Department
|Joined FCO
Further information
Follow the Foreign Office on Twitter @foreignoffice
Media enquiries
For journalists
Email firstname.lastname@example.com
Newsdesk 020 7008 3100
Published 3 September 2015


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Australian designer Steven Khalil has been synonymous with elegant, couture bridal gowns. His bespoke gowns reflect the unique tastes of the bride, but are always distinctly Steven Khalil. The 2015 Bridal RTW collection is a beautiful blend of exquisite fabrics, classic silhouettes (in the form of the sweeping ball gowns) and swoon-worthy lace and embellishments. What's more, the collection has several inspiring sleeved gowns that are simply drop dead gorgeous.
Have a look for yourself here 🙂
Images via Hello May Magazine.


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I have been reading Our Daily Bread and using "The Holy Bible" application (highly recommended) to starts plans. I particularly like Rick Warren's because they are not overly preachy and helps to relate to daily life.
ANYWAYS! Sometimes, I find meaning words/verses/phrases and I do a screenshot of them. But somehow, an idea struck me today and I thought, "Why not just do a weekly Sunday thing?" Just in case the phone dies and the screenshots disappeared *choy!*
Been having this dull ache in my tummy for a week. It's uncomfortable but tolerable. It hurts the most after meals. Meh.
As I continue to ask for wisdom this week, I also wish for strength to resist temptation, to persist. No Type A personality.
Lord, let me see beyond my circumstances and put my hope in You.
All authority and power are Yours.
Remind me of Your goodness, and let me rest in Your love.
– ODB, 20 March 2015
Help me not take shortcuts to satisfaction, Lord.
Help me to run to You and Your Word for the strength to fight the enemy.
I'm confident that You will be there for me.
God's road is not easy, but it leads to eternal satisfaction.
– ODB, 18 March 2015
Are any of you wise and understanding? Show that your actions are good with a humble lifestyle that comes from wisdom.
– James 3:13 CEB
That last verse. Wisdom and being humble. I pray for that.
Happy Sabbath, all!


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Detroit based Amp Fiddler is a celebrated soul/funk musician who has shared stages and studios with everyone from Prince and George Clinton to Primal Scream and underground Detroit producer Moodyman. Amp also played a pivotal role in bringing Slum Village to global attention, and was a friend and collaborator with their producer, the late J Dilla. His warm, expansive mellifluous music takes stylistic cues from all these encounters, but emerges as earthy, supremely relaxed, and rooted in the funk and soul that Amp feels most connected to. And, as he suggests, it is music for the head as much as food for the heart and soul.
Harper Court has great bars/restaurants/shops for before/during/after the show including Aloha Poke Co., Chipotle, Connect Gallery, Ja' Grill, Jolly Pumpkin Pizzeria & Brewery, Native Foods, Porkchop, Roti Modern Mediterranean, Sir & Madame, Starbucks, and Vanille Patisserie. Or check out The Promontory, Chant, Pizza Capri, Rajun Cajun, Nando's PERi PERi, BBQ Supply Co., and many more.


text:
Yet another Magia i Miecz issue...
Short story
Review of Rejkon 2000 - Polish miniCon in Warsaw
On popularity of Werewolf: the Apocalypse in Poland.
Interview with creator of De Profundis :)
As name suggests...
Preview of rumours about Exalted.
Short article about IP rights for Ravenloft acquired by White Wolf
Six ideas, no less.
About savoir-vivre in polish fandom.


text: Give your kitchen, dining room, or family room an instant blast of color with these cheery bright choices. Printed on gallery-quality canvases, each photographic selection pops on a dark background. The canvases are then secured over 3/4"-thick wooden stretcher bars and clear-coated for long-lasting indoor or protected outdoor display. Sawtooth hangers included no frame needed. 16" x 8"


text:
The journey continues. Round 2 started yesterday. I am currently at my in-law's house relaxing in bed. It's a pretty sweet set up really. Speaking of sweet set-ups... You should have seen my little chemo booth yesterday at the hospital. Mike and I came totally prepared. Just our second go at this and we've already got it figured out! We had my computer with season 2 of "Chuck", double earphone jack, snacks, specialty coffee, lunch- it was great! I was in at 1pm and didn't get out until 4:30pm. It was 45 mins less than last time, but I still saw most people who came in after me leave before me. It makes me kind of jealous. Why do I have to sit there for so long? Aren't there any other colon cancer patients doing the same type of chemo as me? What's with that?! I guess it doesn't make much of a difference if I'm in the hospital or not though. I felt pretty tired and yucky yesterday, so it's not like I would have been doing anything different than sitting in a chair or laying in bed. Last night was especially bad. Pretty nauseous and shaky. Felt like I had a really bad flu; the type that makes you want to curl up in a ball and cry. I took my breakthrough nausea drugs, which didn't help much, so I ended up taking gravol, which not only took away the nausea but knocked me out for the rest of the night too! I'm taking 4 different nausea drugs (thank the Lord that they exist because this would REALLY suck if I was vomiting constantly). They work in different parts of the brain. Who knew that a bunch of different parts of your brain could make you nauseous?
My last post was quite a while ago. The last thing I wrote was that I wasn't doing too well emotionally. It's been a couple weeks of ups and downs. I spent so much time preparing mentally for my first chemo session that I didn't take the time to actually FEEL my emotions during the process. I believe that is what came out on days 4, 5, and 6 of the last round. I mean, I wasn't feeling great and perky physically during those days either. Funny though, by day 7 my energy and positive mind set had pretty much returned. I became tired a bit more easily than normal, but it wasn't too bad. My energy returned just in time to help out the day before we started shooting our film "Coerced". It was a wonderful thing to look forward to after my first round. Nothing better to pull you out of an emotional slump than living your passion.
We shot the film Friday and Saturday. All went relatively smoothly. There's always hiccups, but we had such an amazing team that any problems were dealt with swiftly. It's pretty incredible working with a core group that you can totally trust and that work so well together lending their own specific strengths. Where one person may falter, another can step in and use their talents and abilities. It makes me proud to call these people my colleagues and friends. One of the best parts of the whole shoot is that my Mom was on set! Mom graciously stepped into the role of 'caterer', taking on the giant task of feeding a group of 30-40 people 3 meals a day, plus snacks, for 2 days. It was really special having my Mom there in the mix of my own set. She got to see me in action as an actor and producer. She got to see what my work is and the people I work with. It was really exciting for me to be able to share that with her. Not to mention, she now gets a credit on the film! That's always the best part; watching your name pass by on the screen ;)
This past week was spent in post production (editing, musical score, etc...), which was headed up by Katherine, who also directed and wrote the film. Most of my time this week was spent preparing for round 2 of chemo. My Mom went home on Tuesday morning (just in time for a nice Valentine's dinner with her hubby!), so I've returned to my Mommy duties. It was scary, but I'm able to lift Gwen now and my port-a-cath seems like it has healed up finally, so I'm not uber paranoid that Gwen will hurt me. I put Gwen to bed by myself on Thursday evening! I'm very proud of myself. lol. It's so nice to return to the everyday activities and find that I can actually do them.
I feel like my mind set in preparation for round 2 has been that of a boxer, a fighter. I had to visualize what was about to happen. I had to steel myself for the next few days. Chemo isn't a good time. I don't look forward to it. In fact, I don't even want to do this again, but.... I have to. 10 more times. This takes some great mental strength to step into something that every fibre of your being wants to never experience again. I will be so thankful when this is all done. God willing, I will never have to do this chemo thing again. So, a lot of energy was spent preparing myself for this round, both internally and externally. Thus, the sweet set-up in the chemo room. If I'm going to do this, I'm going to make it as comfortable as possible. Mike and I also scored some more Skylanders (a video game with tiny creatures that are transported into the game), so that we can play when I don't have the energy to do anything else. I have books, movies, TV series (all graciously donated by friends) to keep me busy and occupied over the next few days. I didn't even have the energy to watch TV last night though, so I just laid there listening to relaxing music until I felt like I could sleep. If it weren't for the fact that I felt so bad, it would have been a very nice time. Like I said, all I can do is make it more comfortable for myself. So, I will continue to do that. I will continue, I'm sure, to have my ups and downs, but I can be confident in the fact that my eternal positivity will prevail. Don't feel too bad for me. I can get through this and will...with a smile on my face :)


text:
Gateway Hotel, Your New Address
Everyone is talking about the new Gateway Hotel!
Have you been back yet? Gateway Hotel recently introduced a brand new point of view in a 360-degree redesigned property that defined a totally innovative design concept. This summer, discover contemporary-cool in our newly renovated rooms at Gateway Hotel.
From 1 July to 30 September 2014, book your stay on our hotel website 21 days or 14 days in advance for two consecutive nights or more to receive a discount on our Best Available Rates as well as special privileges including complimentary buffet breakfast for two at Three on Canton and a free room upgrade to next category. If you book 21 days in advance, enjoy a 20% discount. For bookings made 14 days in advance, you will receive a 10% discount. The earlier you book, the more you save!
Upon arrival to our newly renovated Gateway Hotel, you will be given a limited edition travel pack when you return to Hong Kong.
Other benefits:
- Welcome fruit
- Daily local newspaper
- Free local calls
- Late check-out at 4pm (subject to availability)
Travellers are invited to experience the enhanced facilities and luxurious rooms at Gateway Hotel. Book your stay in advance at www.marcopolohotels.com. For enquiries, please call Reservations at (852) 2113 3115 or email us email@example.com.
Terms and Conditions
- The above offer is subject to availability and advance reservations are required
- The above offer is applicable to a minimum of two nights' stay
- Free room upgrade to next category is not applicable to Suite and Continental Club Suite
- The above offer is available via online booking through our hotel website only
- First night payment is required and is non-refundable
- All rates are subject to a 10% service charge
- Failure to arrive at the hotel will be treated as a no-show and no refund will be given
- Cancellation policy applies
- lOther terms and conditions may apply
- All matters and disputes will be subject to final decision by Gateway Hotel


text:
Anyone who knows me well is aware I have somewhat of a mild obsession with anything related to Star Trek. I'll come clean and admit I've been to my share of conventions, participated in a Trek trivia challenge onstage (gulp!), bought one of those cardboard cutouts of one of my favorite Trek characters (I won't 'fess up as to which one!), and once interviewed William Shatner (Captain Kirk) himself.
This much intimate knowledge and fondness of a particular subject matter can be both a help and hindrance when it comes to reviewing a play. While it is easier to follow the story, it means my expectations run high.
Happily, there are plenty of redeeming things to enjoy about Space Trek: The Wrath of Ron, the latest parody by those charmingly nutty Prairie Dog Productions players. This time around, frequent Prairie Dog performer Tate McCullough takes the helm as both writer and director, assembling a cast of mostly familiar faces for a journey Trek enthusiasts will recognize we've gone on many, many times before.
Loosely, the story takes an abridged crew from the original Star Trek to the planet of Amazamada to answer a distress call from its women-led society. There, the Enterprise ... er, I mean the Jefferson Starship ... encounters the villainous Ron Sa-Raak (Fredrick Scott, sporting a Khan-inspired mullet 'do) and sidekick Mr. Roboto (Drew Hopkins, costumed suspiciously like the Wizard of Oz's Tin Man), who are plotting to steal the planet's dilithium crystals.
As with most Prairie Dog shows, the plot itself is incidental to the jokes along the way. The best way to enjoy the evening is to kick back and keep your eyes and ears attuned for the next pratfall or improvised bit of dialogue.
Saturday's performance on opening weekend, while generating plenty of laughs, was bumpy at times as actors occasionally fumbled punch lines, allowing some jokes to trail off with too much pause. It sometimes appeared as if too much improvising might be going on as performers struggled to rediscover where they were in the script. This will no doubt smooth out in the weeks ahead as actors discover which jokes work and which don't.
What does work are the over-exaggerated portrayals of Trek favorites. Jeremy Olsen as Captain Smirk is clearly having a ball channeling William Shatner's often over-the-top Kirk, mixed in with a little Elvis. Olsen delights in tearing Smirk's shirt open during a crisis and often yelling Ron Sa-Raak's name for no apparent reason.
Rob Tromp, who looks uncannily like his alter ego DeForest Kelley, aka McCoy, does a nice turn as sardonic Doctor McPoi, while McCullough himself fills the shoes of the ship's sometimes-Scottish engineer Mr. Snot, who delights that his ship's engines can reach a Trek-world-impossible Warp 11. Aimee Nell Smith, her hair up in a towel, proves adept at handling a remote control and filing her nails as communications officer Lt. Ohyoohoo.
The best of the bunch is Christopher Yandell's hilarious take on everyone's favorite alien-Spock, here called Mr. Schlock. Yandell, sporting pointy ears and Spock's straight black 'do, somehow doesn't crack a smile during the shenanigans going on around him, even while getting in plenty of funny jabs at Tromp's McPoi. His best line, delivered deadpan, comes when the crew first meets the Amazamadan women: "I'm the smart one."
Scott, while delivering a great evildoer laugh, misfires somewhat in his characterization of Ron Sa-Raak, coming across more like a Cheech-and-Chong-inspired caricature rather than an exaggerated Ricardo Montalban. Angela DeRisio and Carly Latimore, along with Smith in a second role, vamp up things nicely as the Amazamadan women, particularly in one of the show's musical numbers, "We're Not Deprived," done to Gloria Gaynor's "I Will Survive."
Other comedic highlights include a tribute to The Jeffersons, visits by E.T. and Alf, a great space walk sequence and some welcome mood music courtesy of house band Joey November.
Space Trek: The Wrath of Ron
Written and directed by Tate McCullough
7:15 p.m. Friday & Saturday April 1 to 30,
2 p.m. Sunday April 17
Prairie Dog Productions
3820 Cassia St., Boise
More info/tickets: 336-7383 or TicketWeb


text:
A former Kershaw County Sheriff's deputy accused of beating a handcuffed man faces 10 years in prison after being found guilty by a federal jury in Columbia.
The jury deliberated for almost two days before finding former deputy Oddie Tribble guilty Thursday of violating a detainees' civil rights after he struck inmate Charles Shelley more than 20 times with a metal baton in August. At the time, Tribble was taking Shelley to a county jail for a drug possession charge.
Tribble testified that while they were in transit, Shelley began threatening both the deputy and his family. Other passengers in the van also mentioned the threats. Shelley admitted on the witness stand last week that he "lost his head," but said he did not make the threats. After the van arrived at the Kershaw County Detention Center, surveillance video showed Tribble striking Shelley repeatedly with his baton.
Shelley said he suffered a broken leg during the beating. He was taken to a local emergency room immediately after the incident. Tribble was later fired.
The trial also featured testimony by SC Criminal Justice Academy instructor Bruce Hancock, who said officers are trained to handle threats.
The jurors were told they were to consider whether the 27 baton strikes by Tribble were "excessive force." The jury agreed that Tribble went too far.
Tribble's sentencing is scheduled for May. He faces up to 10 years in prison.


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Server management (DSmanager)
From ISPWiki
In the Web hosting business a dedicated server typically is the rental and exclusive use of an entire physical server that includes a web server, software, and the Internet connection. Dedicated servers are most often housed in data centers. Getting a dedicated server means you do not have to share system resources (such as CPU, memory and so on) with anyone else. Such servers are needed for web sites that may develop a considerable amount of traffic (for example, for those that handle up to 35 million hits a day). Normally, you have full control of your dedicated server, including root access and server administration. The server can be configured and managed remotely from a client's company.
See also Working with DSmanager.
This module can be used for your dedicated servers management. You can use a wide range of features, for example, you may add a new dedicated server or edit parameters of an existing one, grant or deny access to servers, reinstall the operating system that is installed on a dedicated server, manage its IP-addresses, etc.
- View the dedicated servers list
- List filter
- Add new server (this feature is not available for a dedicated server owner)
- Edit dedicated server
- Delete dedicated server (this feature is not available for a dedicated server owner)
- Recover the system
- Reinstall operating system on the server
- Reboot servers
- Enable server
- Disable server
- Manage dedicated server IP-addresses
- Server equipment (this feature is available only for dedicated server administrator)
- Switch to Dedicated Server (this feature is not available for a dedicated server owner)
View the dedicated servers list
- Id - dedicated server unique identifier.
- MAC - MAC-address of the network interface.
- Type - dedicated server type. You may add more types in the Dedicated server types module.
- Location - location of this server in the rack.
- Owner - name of the control panel user owning this server.
- Parameters - current state of this server:
- - server is disabled by Administrator.
- - server's label or its number in the rack.
- - server power is switched on.
- - server power is switched off.
- - server is connected to the network.
- - server is disconnected from the network.
- - server status is unknown.
- - server is connected to IPMI.
- - server is connected to the KVM.
- - installation in progress.
- IP-address - IP-address of the dedicated server network interface.
- Alias IP-addresses - additional IP-address of the dedicated server network interface. You can add more addresses in the [[]] module.
- Server Name - server name that will display on the list.
- Operating system - operating system installed on the dedicated server.
- Configuration - information concerning server configuration.
List filter
The Server list filter is intended for search for the information about a dedicated server by specific parameters. To initiate searching, click the "Filter" icon and fill out the form. The search can be carried out by its Type, Owner, Power, IP address, MAC address, Server name, Configuration, Location, OS installed or Notes.
Once the filter is set, on the control panel You can see the field with filter parameters and the "Remove filter" button. Clicking this button will cancel the filter.
Delete dedicated server
To delete a dedicated server, select it from the list and click the "Delete" icon. Confirm that you want to delete the selected dedicated server by clicking OK on the following form.
Recover the system
If you wish to recover the system, locate the dedicated server and click the "Recover" icon. Confirm that you want to recover the system by clicking OK on the following form. Once you are done, the server will be booted from the network disk.
Reboot servers
In order to reboot a dedicated server, select the one and click the "Reboot" icon. Confirm that you want to reboot the selected dedicated server by clicking OK on the following form.
Please note, if any of the dedicated servers was not rebooted, make sure that it is connected to the power switches.
Enable server
To enable a dedicated server, select it from the list and click the "Enable" icon. Clicking "OK" will connect all the selected servers to the network switch.
Disable server
In order to disable a dedicated server, select it from the list and click the "Disable" icon. Clicking "OK" will disconnect all the selected servers from the network switch.
Please note, you do not turn the server power off by disconnecting this server from the network.
Switch to Dedicated Server
Sometimes You may need to access the control panel as any user. To do so, select him from the list and click the "Enter" icon.
Once logged in, You may view and use the control panel as the selected user.
To return to your level, use the link next to the welcome line.


text:
Hide Forgot
From Bugzilla Helper:
User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:0.9.5+) Gecko/20011024
Description of problem:
When using a tcp socket with esound (private socket or public socket), the
sound is very choppy. There are repetitive snippets of noise over the top
of the normal sound.
This only seems to occur if I'm doing one of the following:
1. Playing something in xmms with the esound output plugin
2. Playing an Mp3 in mpg123
3. Getting the output of mpg123 via the -s (output to stdout) option, then
using the esdcat program to play this file.
If either of the following conditions are met there is no noise whatsoever:
1. Using esd with no options, or with the -unix option (unix-domain socket
2. Using esdplay (ie, it works correctly ALL the time if I use esdplay,
even with the -tcp option).
I have a Soundblaster 16 Value Edition. I am using devfs with /dev/dsp
symlinked to /dev/sound/dsp. Kernel is self-compiled 2.4.14.
Here are some version numbers:
$ rpm -q xmms esound mpg123
Version-Release number of selected component (if applicable):
How reproducible:
Steps to Reproduce:
1. esd -tcp
2. mpg123 -s something.mp3 | esdcat
Actual Results: Choppy sound. The mp3 can still be heard in between the
snippets of noise.
Expected Results: Just the sound of the mp3 on its own.
Additional info:
Created attachment 37482 [details]
Force the esound server to fill its data buffer before processing it
I've had a bit of time to look into this problem myself today, and I think I've
tracked down the problem. When esdcat (or any other client that uses esdlib)
sends data to the esd server it sends it in 16k chunks. The server reads this in
4k chunks. This wouldn't be a problem except that every fourth chunk it reads is
slightly less than 4k. The data buffer's length is then not a multiple of the
sample size (4 bytes for 16-bit stereo), and this mucks up the calculations for
The result is that every four chunks the server gets out of sync with the
client. We get noise until the server reads enough chunks (some shortened) until
it is once again in sync. The result is the pulsing noise I described before.
I'm not quite sure why Linux decides to shorten the read() call every fourth
chunk (which coincides with the end of the 16k write() in the client). However
in any case the server should be able to cope properly with read() returning
fewer bytes than requested.
I've attached a patch that gets around the problem by trying to fill the whole
4k buffer before processing it. I'm not really sure if this is the right
solution to the problem, but it seems to work OK.
The patch also fixes what I believe to be a small typo in a debugging statement.
Oh and also, sometimes the server goes continually into noise if the client is
stopped (with Ctrl+Z) and then restarted. I'm pretty sure this is a
manifestation of the same bug.
I mailed the upstream esound author (firstname.lastname@example.com) and asked for
his advice on this patch. Thanks for investigating the problem!
Elliot, Owen, do either of you feel you have an educated opinion on the
correctness of this patch?
If the input stream is non-blocking, it loooks fine; if it's
blocking, then this looks like it might cause things to block
unnecessarily. (I don't see why the kernel would give a partial
read though if there is more data available, so I'd guess it
would do nothing one way or the other if it is non-blocking.)
My guess is tha the real problem lies elsewhere in the way
ESD is managing the buffers it is feeding to the sound card.
Sounds plausible, the guy has done his homework. I can't evaluate it further
without testing it, which I assume you have already done.
If you do use the patch, please stick it into esound cvs and make a new release
instead of just putting the patch in the RH package.
Patch applied to 0.2.24 upstream release, incorporated into rawhide.


text:
Hello Wifers! The first order of business today is to give a big inappropriate invasion of your personal space hug to the new followers to ADITW, and thanks to the recent terrific comments and blog awards - I'm a total loser and I don't post blog awards here anymore because I'm essentially a lazy person, but I really appreciate the shout-out! You're all wonderful and I think about each of you in the shower.
Second order of business - Today was unusual in that I had a frustrating day at work. I REALLY want to rant about it, but I sort of have a policy regarding work-related blogging, in that it could be harmful to my employment, and I actually like my job. Conveniently, it is Whoreticulture Friday, so I'm going to rant about my day at work using metaphors. It's like a game! Yay! See if you can detect what is real, and what is a carefully hidden object of workplace rage!
So yesterday, we had an order for a bunch of condoms to go out to the hookers. The hookers have been asking for these condoms for a long time, and they've been finding it hard to work without them. Hookers are patient, but when they don't have the right equipment, they start losing money. When hookers start losing money, they call and start yelling, or worse, make Big Daddy call and yell. Because I really hate the yelling, I tend to try to see how we can get the condoms out the door faster.
I went into the condom distribution area, and Sushi, the main condom packer, said she was just overwhelmed because the order from our biggest hooker in New Hampshire was "too big an order" and Sushi and her people just couldn't build the condoms fast enough. Plus, there have been a few reports that the condoms are breaking, and that is REALLY pissing the hookers off. Of course, Candi, our New Hampshire hooker, had placed her order in December, and the Johns have been lining up, so she wants her damn condoms. Like yesterday. Keep in mind that there are about 60 other hookers who are also busy turning tricks after Candi, and they want their condoms too, even though they don't have as many as Candi. But Sushi is just overwhelmed by Candi's order, even though it's been on the board for 6 weeks and by my count, we already had 2/3 of the ticklers, ribbed for her pleasure, and ultra-thins available to ship.
So I go into the Trojan shop, and I say, "Hey Sushi, are you ready for a packing list for these condoms?" and Sushi says, "No, it's too big an order, we're not shipping Candi her rubbers" and I say, "Well we have to ship something to someone, because there are unwrapped glowsticks all over the Eastern Seaboard and I don't want my bitches getting STD's" and Sushi said, "Well I don't got nothin' to send" and I said, "Yes, you do. If Candi's order can't go out the door, then we're going to take a few condoms out of her order and send boxes out to five hookers in California and New Mexico because they only have one or two condoms each, and then we will at least get some hookers off our backs."
And we shipped five boxes of condoms, thus saving California and New Mexico from a horrible oubreak of viral hepatitis, as opposed to the ZERO boxes Sushi was planning on shipping. From a list of over 60 hookers who have no protection and rely on clean vajayjays to do their jobs, whose orders are now over 30 days.
What does Sushi do? She goes to Big Daddy and says she just can't produce the Trojan Magnum Ultra-Sensitive as fast as she should because I'm making her do too many things. I can totally see the logic - without me in the condom factory, we are shipping ZERO boxes, syphillis everywhere. With me IN the condom factory, we are shipping boxes, and at least some bitches aren't getting bacterial vaginosis.
So. If you end up with abnormal swelling, itching, and oozing in the next 30 days, don't blame me. Blame Sushi.
Thanks for the rant. I can now go to work with a smug smile on my face and spring in my step because I have vented all over the internets. And if you are a hooker, know I go to work every day to fight for your rights....to party.
Happy Whoreticulture Friday, and have a great weekend!


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Nicholas Smith (actor)
|Nicholas Smith
Nicholas John Smith
5 March 1934
Banstead, Surrey, England, U.K.
6 December 2015 (aged 81)
Sutton, London, England, U.K.
|Years active
|Are You Being Served?
|Mary Smith
|Catherine Russell
Nicholas John Smith (5 March 1934 – 6 December 2015) was an English actor. He was known for his role in the BBC sitcom Are You Being Served?, in which he played Mr. Rumbold, a manager at the fictional Grace Brothers department store.
Early life[edit]
Smith, the son of a chartered surveyor, attended a preparatory school and St. John's School, Leatherhead. He learned to play musical instruments, studied singing and trained as an actor at RADA. He then appeared in repertory theatres, on the West End stage, at the Bristol Old Vic and on Broadway.[1]
Smith's earliest TV roles were as a non-speaking extra in various ITV programmes. He had his first speaking role in the BBC's Doctor Who serial The Dalek Invasion of Earth (1964). Smith persuaded the serial's director, Richard Martin, to expand the role so that his character, Wells, appeared in three of the serial's six episodes instead of only one or two as originally scripted. This was followed by small roles in many other adventure series, such as The Saint, The Avengers, The Champions and Ace of Wands. In 1969 he made the cast list of one of televisions great period dramas, 'The First Churchills' in which he played the historical figure of Titus Oates.
Are You Being Served?[edit]
Are You Being Served? began with a pilot episode in 1972, with Smith playing Mr. Cuthbert "Jug Ears" Rumbold, the manager of the menswear and ladieswear departments in a large fictional London store called Grace Brothers.
Smith remained with the programme until the end of its run in 1985, as well as appearing in the spin-off film in 1977 and the sitcom's sequel, Grace & Favour (also known as Are You Being Served? Again! in the United States), in 1992 and 1993. Following the death of Frank Thornton on 16 March 2013, Smith was the last surviving member of the original cast of Are You Being Served?[2] The only other principal actor who survives is Mike Berry, who joined the cast as "Mr. Spooner" when Trevor Bannister left the series.
Other roles[edit]
From September 1972, in contrast to his contemporaneous work in Are You Being Served?, he also had a semi-regular role as PC Jeff Yates in the series Z-Cars. His last appearance as Yates was in February 1975. His film work included appearances in Salt and Pepper (1968), A Walk with Love and Death (1969), The Twelve Chairs (1970), dubbed in an Italian version of The Canterbury Tales (1972) directed by Pier Paolo Pasolini, and The Adventure of Sherlock Holmes' Smarter Brother (1975) as Hunkston, Sigerson Holmes' servant.
In 1979, he appeared in Worzel Gummidge as Mr Foster, the headmaster of the school.
In 1986 he played Sir John Treymayne in the British tour of Me And My Girl, a role played in the West End by his Are You Being Served? co-star Frank Thornton. In 1987 he joined the cast on And There's More and was paired up with Joan Sims for a number of sketches for each episodes as an old couple.
He appeared in the TV mini-series Martin Chuzzlewit. In 2005, Smith featured in a supporting role as vicar Clement Hedges in the Academy Award-winning film Wallace and Gromit: The Curse of the Were-Rabbit. In 2008, he appeared as a vicar in Last of the Summer Wine.
In 2010, he appeared in children's TV programme M.I. High as Professor Quakermass. Smith also wrote music and poetry.
Personal life and death[edit]
Smith was the father of actress Catherine Russell. He died on 6 December 2015 following seven weeks of hospitalisation for a head injury from a fall at his home in Sutton, London.[3][4]
Partial filmography[edit]
- Partners in Crime (1961) - Pawn Shop Assistant
- Those Magnificent Men in their Flying Machines (1965) - Fireman (uncredited)
- Salt and Pepper (1968) - Constable
- The Fiction-Makers (1968) - Bishop
- A Walk with Love and Death (1969) - Pilgrim
- The Twelve Chairs (1970) - Actor in Play
- The Canterbury Tales (1972) - Friar
- Baxter! (1973) - 1st Taxi Driver
- Frankenstein and the Monster from Hell (1974) - Death Wish (uncredited)
- The Adventure of Sherlock Holmes' Smarter Brother (1975) - Hunkston
- Are You Being Served? (1977) - Mr. Rumbold
- What Rats Won't Do (1998) - Chaplain
- The Ghouls (2003)
- Wallace and Gromit: The Curse of the Were-Rabbit (2005) - Reverend Clement Hedges (voice)
- Every Hidden Thing (2006) - Abel
- ^ Who's Who on Television Independent Television Publications Ltd (1970)
- ^ "Frank Thornton, Star Of 'Last Of The Summer Wine', 'Are You Being Served?' Dies, Aged 92". Huffington Post. 18 March 2013. Retrieved 18 March 2013.
- ^ "Are You Being Served? actor Nicholas Smith dies aged 81". BBC News. 7 December 2015. Retrieved 7 December 2015.
- ^ Farquhar, Simon (8 December 2015). "Nicholas Smith: Comic actor who excelled in Gilbert and Sullivan, best known as Mr Rumbold in 'Are You Being Served?'". The Independent. London. Retrieved 9 December 2015.
External links[edit]
- Nicholas Smith on IMDb
- Are You Being Served? A Celebration of Twenty-Five Years. Richard Webber with David Croft and Jeremy Lloyd. New York; Welcome Rain, 1998.
- Nicholas Smith(Aveleyman)
- 1934 births
- 2015 deaths
- 20th-century English male actors
- 21st-century English male actors
- Alumni of the Royal Academy of Dramatic Art
- English male television actors
- Male actors from Surrey
- People educated at St John's School, Leatherhead
- People from Banstead
- English male stage actors
- Accidental deaths from falls
- Accidental deaths in London
- British male comedy actors


text:
Batch Brewing
Batch Lemon Fiasco Sour Ale
Country: Australia
Brewery: Batch
Style: Sour Ale
Format: 640ml Bottle
So customer, customer come and take me away cause we've been standing in this line for at least a day. Batch Brewery we be getting' along and when you get to the front you'll see Lemon Fiasco's on! So just take one home and may your mood be mellow, with the Lemon Drop hop present, no actual lemon in this fellow. Light bulbs around the fridge gon' flicker, a nice aromatic tartness hits the picture. One for you and one for your sister, who had to work tonight but loves this elixir. Everyone's a favourite one, present your feedback, all the bloggers say you need to be all up in that. Now everybody claps cause everybody is pleased, bum rush the bar and come order one from me!


text:
Enter SKYFALL Lodge
New Interactive SKYFALL Website Launched
Posted 13.02.2013
To mark the release of SKYFALL on Blu-ray and DVD, explore 007's ancestral home in a new Bond interactive website and discover new SKYFALL images, concept art, videos and interviews. Watch previews of the extras and new behind the scenes footage that explains how the Lodge was built (and destroyed).
Click here to visit SKYFALLLODGE.COM


text:
Talk about sweet nothings... The Adah silks from Arachne Silks put the bare into 'barely there'! And, it's half price until Wednesday...
If you're looking for an outfit that reveals just about everything, get your sweet lil ass down to Arachne Silks where Adah in chain is half-price as part of the 'midweek markdown' promotion. (There'll be a new outfit on markdown on Wednesday so don't delay.)
In the Adah box, you get a necklace, nipple rings, a very skimpy silks skirt, bracelets, armbands, anklets and earrings.
Slurl to Arachne Silks
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Eyes: IKON Ardent Eyes - Pewter (ML)
Background build: Elegance by Elysa


text:
Playing Mediaeval Dress-Ups
The scene: The Abbey Mediaeval Festival
The year: 2014, although looking around you might be confused – it could be any year from 1100 to 1600.
We arrive properly adorned – a lord, his lady and a young knight. The males of our party carry swords on their hips (security checked and approved) and wear cloaks on their backs.
We are not alone. In fact, we are surrounded by similarly dressed folk – a multitude of knights, lords and ladies, along with Vikings, gypsies, jesters, serfs, kings and even a plague doctor.
Banners wave. There is a castle in the distance.
Encampments are scattered throughout the site, many with a pig or lamb on a spit over a fire. We chat with blacksmiths and armourers, millers and cheesemakers, weavers and leatherworkers, furriers and falconers. They address us as "M'Lord" and "M'Lady".
The sounds of drums and bagpipes and other musical instruments we cannot identify are heard throughout the site. Cannon fire makes us all jump!
We attend a joust. Tumblers and jesters entertain the crowds until the main event. We gasp in awe as the Knights on horseback ride full tilt at each other. We laugh at the Herald's commentary, wave our joust flags and "Huzzah" until we are hoarse.
I admire a beautiful young Romani dancer and swoon over all the colours and textures in the Shavani encampment. Meanwhile the boys head off to watch knight skirmishes.
The Munchkin does some archery and attends Knight School. Hubby learns some Renaissance-style fencing using rapiers.
We drink mulled wine and Normandy punch – an ancient recipe, originally created by monks from an endless list of herbs, spices and fruits. It is delicious! Hubby gnaws on a lamb shank.
A full moon rises as the juggler winds up his act and the crowd disperses.
Our heads are spinning from all the sights, sounds, smells and tastes of a weekend of history-come-alive. The efforts of re-enactors, enthusiasts and volunteers are incredible.
The Munchkin may have lost the forge-welded ring that the blacksmith made especially for him (we were all very upset about that), but we will carry the memories for a long, long time.
Today I am grateful.


text:
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text:
About me
I live in the great city of Cambridge, working as a qualified automotive engineer. This doesn't mean I change oil and tyres. Engineering is all about design. At this point, people jump to the conclusion that I decide what shape the car should be and whether the headlights should be round. For those that don't know, engineering is the application of knowledge (eg. maths formulas, scientific discoveries) to create stuff for you and I to use everyday. Infact, my university course involved heavy use of maths as a tool for learning how things (cars) behave on planet earth.
However, I am now working with automotive software, isn't it great that cars are now complex computers on wheels? "Hmmm perhaps not… " I hear you say. Well despite a love for old cars with character, I do find working with current technology very fulfilling.
So, from a mechanical background in engineering, I find myself designing engine modelling software. It seems that 4 years of university took its toll- if I am not struggling with a problem for at least 10 hours a day (both work and home) I get anxious, fidgety and irritable!
I also enjoy climbing, cycling and snowboarding.


text:
Herculist Mega-Mail solo ad package review
Tweet I will leave links below for the Herculist Mega-Mail solo ad packages, that I talk about in this review video. These Herculist solo type ads have worked extremely well, Continue Reading →
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Tweet I'll let this video do the talking.. I really think you will be very excited. We use Leased Ad Space everyday, to drive more traffic to our Now LifeStyle Continue Reading →
Tweet A new day in marketing has begun, and I am extremely excited to be part of something that is going to be absolutely amazing.. Now Life Style is going Continue Reading →
Tweet Speed Feeder just launched and me and my good friend Seely Clark, decided to team up on this one.. Why you may ask? We plan on building a massive Continue Reading →
Tweet Did you hear the news..? The New personal blogs are available for all Leased Ad Space members..Your blog is ready..! In this video we will show you how easy Continue Reading →
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text:
Our World Tuesday
Sunday, 13 December 2015
A remake of my Treecreeper video......................................... with a sound track
Please give me your thoughts?
Our World Tuesday
Our World Tuesday
Posted by Andrew Fulton at 9:26:00 pm
5 comments:
- The Furry Gnome said...
Sorry, video didn't work for me. Picture's nice though.
- 14 December 2015 at 03:23
- The Furry Gnome said...
Oops, i was wrong, just to wait a long time. I should be more patient! Nice video of the creeper.
- 14 December 2015 at 03:25
- Merisi said...
Beautiful video, I can't even imagine how you managed to keep that busy little bird in focus!
Love the soundtrack, perfect. The video opened without delays, well done!
I would not have been too surprised if a woodpecker would have come out of the tree cavity at the top! ;-)
- 14 December 2015 at 09:39
- eileeninmd said...
Cool photo and video of the Tree Creeper. They are neat birds. Have a happy week!
- 14 December 2015 at 19:51
- HOOTIN ANNI said...
Wow awesome!!!
I've seen only ONE creeper in my few years of birding, the time I had no camera and my cellphone was in the car!!
Mine was a brown creeper.
Excellent post Andrew.
- 14 December 2015 at 21:01
Subscribe to: Post Comments (Atom)


text:
Published on December 10, 2017
Author: davco_online
Source: authorstream.com
slide 1: Buy Floor Coating Supplies: Buy the Best Coating a concrete floor is not about decorating the surface only but it is about protecting your floor as well as the entire structure of the building also. A floor regardless of its location needs an overall protection in the first place only for the safety of the entire structure eventually. It is the floor which needs maximum attention at the time of construction. It is because it is that portion of the entire building which is most in use or sometime abused than that of the other part of any residential or commercial or industrial building. Floors including the inside walls usually get damaged and affected from extreme moisture in weather. The Bathroom floor has a major exposure to water which makes prone to damage the floors. Finest Manufacturers Therefore since last 20 years the structural and chemical engineering organisation and the renowned building material's manufacturer ParexGroup concentrated on evolving and developing more effective floor coating materials and methods across the world. There are so many materials have developed and methods are adopted to protect the floor from deterioration or contamination that significantly increased the life expectancy of the slide 2: same. Besides some other common issue related to floors like easy skid protection chemical resistance easy maintenance etc. are well settled by developing high quality and effective floor quoting chemicals. Buy the Finest Item To meet the need of the time and fulfil the commitments towards the industry the famous Parex Group Singapore had accentuated on the research and Singapore manufactured many of the unique and multipurpose floor coating materials which are best for use in different kind of floors under the brand name of DAVCO. Among the floor coating manufacturers in Singapore the Parex Group's products are well appraised dependable and found reliable by the community of contractors and Engineers for its quality product. Buy Davco DAVCO is a well-known and most popular brand also for its liquid waterproofing system. To get the complete satisfaction guaranteed safety and reasonably set price buy floor coating supplies from DAVCO only. These are the most accredited products and therefore gaining market around the world rapidly. There are varieties of water proofing items and other water-resistance materials available with the floor coating supplies best for use into different spheres. Buy floor coating supplies available with DAVCO and products that can provide a seamless waterproofing system and ultimate bondage. Unique properties of floor coating chemical of DAVCO Easy to mix a water based supplies Waterproof therefore does not swell or inflate Resistant to mildew and other bacterial growth. Non-corrosive if exposed to certain chemical grease and fats as well Non-flammable Available in various colours


text:
Hello everyone! How you do? I found about your community by joining your GMR server. I literally don't know anyone here, and i'm still a newbie on your servers, but still, i sure hope i can make some good and long lasting friendships in here.
Well, i guess that's it! Sorry for keeping it so short. Thanks for reading and have a good day/night!


text:
Use this dash cam mount for a second vehicle or to replace a damaged or lost mount.
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Triumph opens more showrooms to rev up big bike sales
Auto & Audio November 11, 2017 12:43
By The Nation
Triumph Motorcycles is expanding its sales network with five new showrooms in Thailand, in an effort to maintain leadership in the local big bikes market.
The new Triumph showrooms are in Lop Buri, Chiang Rai, Pattaya, and Rama V and Vibhavadee in Bangkok, said Chakrapong Santirat, general manager of Triumph Motorcycles (Thailand) Co Ltd.
He said the new showrooms in Lop Buri, Chiang Rai and Rama V are already operational, while the Pattaya showroom will be opened this month and the Vibhavadee showroom is scheduled to open in December.
With the new showrooms, Triumph will have 14 sales outlets in the country. The British marque has a 48-per-cent share in the big bikes market and is the market leader.


text:
24th April 2011 - Upper Penang Road (10am - 6pm)
28th April 2011 - KDU College Penang (12pm - 5pm)
3rd May 2011 - Disted College Penang (12pm - 5pm)
6th May 2011 - Red Box 1st Avenue (12 pm- 7pm)
7th May 2011 - Penang Time Square (12pm - 9pm)
8th May 2011 - Red Box Gurney Plaza (12pm - 10pm)
*Choose any location which is convenient for you to audition.
4th & 5th June 2011 - Penang Time Square (6pm - Late)
Terms & Condition
1. How long do I/we have to perform?
You are given TWO (2) minutes of set-up / preparation time and FIVE (5) minutes to perform your item. The 5-minutes starts after the 2-minutes set-up time is over, or as soon as you are ready to perform, whichever comes first.
2. How many songs/dance routine do I/we need to perform?
The presentation item must be ONE (1) continuous piece of music. It can be a medley/mash-up of different songs, but there must not be any break between the songs.
3. Can I join more than once?
You may, but it has to be a different team-member set-up. For example, you may join once as an individual/soloist performer, a second time with a partner (e.g. duet singing), a third time in a full band, and a fourth time with a dance crew. You may also perform in more than one band/crew. Kindly note that the organisers reserve the right to delay your following appearance, to allow space for other participants who are waiting for their turns. This may affect your team members' schedule, so do plan accordingly or make your next appearance in a different Audition venue! :)
4. Can I join once as a solo drummer, and again as a solo guitarist/violinist/etc.?
No. It must be a different team-member set-up. The same applies for duo/band/etc. The competition goes by WHO is performing, not what is being played/performed. You are however, encouraged to be CREATIVE in your presentation, such as swapping multiple instruments for one piece of music, mixing dance and vocals, etc.
5. Can I join once as an individual dancer and again in a group dance.
Yes, you may.
6. Do I/we need a name?
Soloists & duos are welcomed to go by their real names. Nicknames are permitted. A team with three or more members will need to provide a name for the team.
7. What is the maximum number of members allowed in this competition?
You are only allowed to have a maximum number of 7 members in your dance group or band.
8. Can I/we play two or more items?
This depends on the available time. If there are no other participants waiting for their turn, you may be invited to perform another item. However, it has to be a different item (different song/music/piece). You may NOT repeat the same performance. At the end of your performances, you will be asked to choose ONE (1) of the performed items to be uploaded for voting on Facebook. Please note that permission to perform more than one item is at absolute discretion of the organisers. Appeals will not be entertained.
9. Do I/we need to register before the Audition?
It is an open audition. This means that participants are welcomed to drop by and sign-up on the spot. However, if there is a queue building up, registered participants will be given priority for their preferred time-slot. It is better if you register early with the organizer.
10. Which Audition venue should I attend?
Feel free to choose any location/date which is convenient to you. You may only perform at one venue (unless you're playing in a different band/set-up -- refer toQuestion #3), but do come and give your support at the other venues! :)
11. Can I/we join again in different Audition venues?
If it's the same team-member, dance group, dance act or set-up, no.
12. How will the competition be judged?
There will be no judges for the Audition stage. Performances will be recorded on video and posted on Facebook for public voting. You may Share the video on your Wall and encourage friends to vote by clicking 'Like'. 25 entries with the most votes / 'Like's will qualify to proceed to the Finals stage on 4th & 5th June 2011 at Penang Times Square. The Finals will be judged by a panel of Judges based on intonation, rhythm, quality of tones, and stage presence for band and choreography, originality, synchronization, stage presence and confidence for dance. (note that the judging criteria may change)
13. What do I/we need to bring?
Each venue will be equiped with a 5-piece drumkit, 1 bass amp, 1 keyboard, 2 guitar amps, 3 vocal microphones and a CD player. Please bring your own guitars and backing tracks (if any) in regular Audio CD. Backing tracks MUST be free of the the instrument/vocal that you are performing. Dancers are allowed full song/music track. :)
14. Can I bring my own snare/cymbals/amps/keyboard?
You may, but please be reminded that you are only allowed 2 minutes of set-up time. Incomplete set-up will eat into your performance time, so we highly discourage any time-consuming changes.
15. Is there an age limit for this competition?
No, this talent search is open to all age groups.
16. Do i have to pay for this competition?
You do not have to pay for the audition round but if you are selected as the top 25 finalist to perform in Penang Time Square, you are then required to pay RM50 for processing fees.
17. How do i register early if i do not want to register on the spot?
You may send an email to firstname.lastname@example.com. Follow the format below:
Contact Number:
Individual / Group (If group, How many members?):
Email Address (preferably facebook):
Acts (Dance, Singing, Band Performance):
Choice of Audition Venue:
Once sent, pls sms your name to Chris @ 016-4329747.
*Miss calls will not be entertained*


text:
Proceedings of International Science Foundation Brainpower Forum, 1958
Download Record
International Science Foundation
Glasgow, Roy S.
Heming, H.M.
LaCauza, Frank E.
Foley, Paul Jr
Frey, Austin R.
Cotton, Mitchell L.
MetadataShow full item record
[A]t the invitation of Rear Admiral Earl E. Stone, USN, then Superintendent of the U. S. Naval Postgraduate Scrnol, approximately sixty leaders in industry, government, and education met in Monterey, California, October 24-25, 1956, for the first conference of the !SF Brainpower Forum. This conference served to highlight the fact that we had not effectively utilized all sources of scientific manpower which were presently available. At the recommendations of the Forum partici- pants, the International Science Foundation initiated a continuing pro- gram in the area of scientific manpower and suggested that several of its members set up projects which would provide answers to some of the problems considered at the 1956 conference. As a matter of first priority, it was decided to give consideration to the gains that might be realized by giving recognition to and seeking better utilization of retired or senior professional manpower. The 1958 conference was held to give Forum participants an opportunity to report on projects in the area of senior scientific manpower that were conducted as a result of suggestions made at the 1956 conference. Among the NPS participants: Roy S. Glasgow, Dean; Captain H. M. Heming, USN, Director, Engineering School; Frank E. LaCauza, Academic Chairman, General Line and Naval Science School; Captain Paul Foley, Jr., USN, Chief of Staff; Dr. Austin R. Frey, Chairman, Department of Physics; Mitchell L. Cotton, Assistant Professor of Engineering Electronics
Held August 6-8, 1958, U.S. Naval Postgraduate School, Monterey, California
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