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Statement of Faith
- We believe that the Holy Bible as originally written is verbally and plenarily inspired and the product of Spirit-moved men, and therefore is truth without any admixture of error for its entire matter. We believe the Bible to be the center of true Christian unity and the supreme standard by which all human conduct, creeds and opinions shall be tried.
- We use only the King James Translation of the Scriptures in all official ministries of the church. This includes the Pulpit, Sunday School, 2:52 Clubs, Youth Work, Children's Church and Vacation Bible School as well as any other official church sanctioned ministry.
- (II Timothy 3:15-17; John 6:63; II Peter 1:19-21; Romans 2:12; I John 4:1)
- We believe there is one and only one living and true God, as infinite, sovereign Spirit, the Maker and Supreme Ruler of Heaven and Earth; inexpressibly glorious in holiness, and worthy of all possible honor, confidence and love; that in the unity of the Godhead there are three persons: the Father, the Son and the Holy Spirit, equal in every divine perfection, and executing distinct but harmonious offices in the great work of redemption.
- (John 4:24; Exodus 20:2,3; I Corinthians 8:6; Revelation 4:11; John 10:30; Ephesians 2:18; Matthew 28:19; Mark 12:30)
- We believe that Jesus was begotten of the Holy Ghost in a miraculous manner, born of Mary, a virgin, as no other man was ever born or can ever be born of woman, and that He is both the Son of God, and God the Son.
- (Genesis 3:15; Isaiah 7:14; Matthew 1:18-25; Luke 1:35; John 1:14; Hebrews 1:8)
- We believe that the Holy Spirit is a divine person, equal with God the Father and God the Son and of the same nature; that He was active in the creation; that in His relation to the unbelieving world He restrains the evil one until God's purpose is fulfilled; He bears witness to the truth of the gospel in preaching and testimony; that He is the agent in the New Birth; that He seals, endues, guides, teaches, witnesses, sanctifies, and helps the believer.
- (John 14:16,17; Matthew28:19; Hebrews 9:14; John 14:26; Luke 1:35; Genesis 1:1-3; John 16:8-11; Acts 5:30-32; John 3:5,6; Ephesians 1:13; Mark 1:8; John 1:33; Acts 11:16; Luke 24:49; Romans 8:14,16,26,27; Romans 15:19; Hebrews 2:4; I Corinthians 13:8)
- We believe in the personality of Satan, a created and fallen angel; that he is the unholy god of this age, and the ruler of all the powers of darkness, and is destined to the judgment of an eternal justice in the lake of fire.
- (Matthew 4:11; II Corinthians 4:4; Revelation 20:10; Isaiah 14:12-16)
- We believe the Genesis account of creation as being neither allegory nor myth, but the literal, historical account of the direct, immediate, creative acts of God without any evolutionary process; that man, spirit, soul and body, was created by a direct work of God and not from previously existing forms of life; and that all men are descended from the historical Adam and Eve, first parents of the entire human race.
- (Genesis 1 & 2; Colossians 1:16,17; John 1:3)
- We believe that man was created in innocence under the law of His Maker; but by voluntary transgression Adam fell from his sinless and happy state, and all men sinned in him, in consequence of which all men are totally depraved, are partakers of Adam's fallen nature, and are sinners by nature and conduct; and therefore are under just condemnation without defense or excuse.
- (Genesis 3:1-6,24; Romans 3:10-19; 5:12,19; 1:18,32)
- We believe that the salvation of sinners is divinely initiated and wholly of grace through the mediatorial offices of the Son of God who, by the appointment of God the Father, freely took upon Him our nature, yet without sin, honored the divine law by His personal obedience, and by His death made a full and vicarious atonement for our sins; that His atonement consisted not in setting and example by His death, as a Martyr, but was a voluntary substitution of Himself in the sinner's place, the Just dying for the unjust, Christ the Lord, bearing our sin in His own body on the tree.
- (Genesis 3:15; John 3:16; Jonah 2:9; Ephesians 2:8; Acts 15:11; Romans 3:24,25; Matthew 18:11; Philippians 2:7,8; Hebrews 2:14; Isaiah 53; I John 4;10; I Corinthians 15:3; II Corinthians 5:21)
- We believe in the bodily resurrection of Christ and in His ascension into Heaven, where He now sits at the right hand of the Father as our High Priest.
- (Matthew 28:6,7; Luke 24:39; John 20:27; I John 2:1; Hebrews 2:17; 5:9,10; 7:21)
- We believe that in order to be saved, sinners must be born again; that the new birth is a new creation in Jesus Christ; that it is instantaneous and not a process; that in the new birth the one dead in trespasses and sins is made a partaker of the divine nature and receives eternal life, the free gift of God; that the new creation is brought about by our sovereign God in a manner above comprehension, solely by the power of the Holy Spirit in connection with divine truth, so as to secure our voluntary obedience to the Gospel; that it is motivated and received by the gracious unwarranted love of God, and that its proper evidence appears in the Holy fruits of repentance, faith, and newness of life.
- (John 3:3,6-8; II Corinthians 5:17-21; I John 5:1; Acts 16:30:33; II Peter 1:4; Romans 6:23; Ephesians 2:1,5,8,9; Colossians 2:13)
- We believe that justification is the judicial act of God whereby He declares us to be righteous through faith in Christ Jesus; that justification includes the pardon of sin and the imputation of God's righteousness; that it is bestowed, not in consideration of any works of righteousness which we have don, but solely through faith in the Redeemer's finished work upon the Cross.
- (Acts 13:39; Isaiah 53:11; Zechariah 13:1,11; II Corinthians 5:18-21; Romans 5:1,9; 8:1)
- We believe that human repentance is a change of mind and purpose towards God prompted by the Holy Spirit; that it is characterized by Godly sorrow for sin as offensive to God and ruinous to the soul; and that true repentance is inseparably related to true faith.
- (Luke 13:1-3; 15:7; Acts 8:22; Romans 2:4; II Corinthians 7:10; Acts 20:21)
- We believe that faith in the Lord Jesus Christ and His finished work upon the Cross is the only condition of salvation.
- (Acts 16:31)
- We believe that sanctification is the divine setting apart of the believer unto God accomplished in a threefold manner: first, an eternal act of God, based upon redemption in Christ, establishing the believer in a position of holiness at the moment he trusts Christ as Savior; second, a continuing process in the saint as the Holy Spirit applies the Word of god to the life; third, the final accomplishment of the process at the Lord's return.
- (Hebrews 10:10-14; 3:1; John 17:17; II Corinthians 3:18; I Corinthians 1:30; Ephesians 5:25,26; I Thessalonians 4:3,4; 5:23; Ephesians 5:27; I John 3:2; Jude 24,25; Revelation 22:11)
- We believe that adoption is the gracious act whereby the Father, for the sake of Christ, places new believers into the honored position of mature sons. This contrasts with regeneration whereby the believer receives the nature of God and becomes a child of God. The full benefit of the position accorded by adoption as the sons of God awaits the glorification of the believer at the coming of the Lord.
- (Ephesians 1:5,13; Galatians 4:1-7; I John 3:1,2; Romans 8:23)
- We believe that all who are truly born again are kept or preserved by God the Father for Jesus Christ.
- (Philippians 1:6; John 10:28,29; Romans 8:35,39; Jude 1; I Peter 1:5)
- We believe in the unity of all true believers in the Church, which is the Body of Christ, which was established on the Day of Pentecost, and that all believers, from Pentecost to the Rapture, both Jew and Gentile, are added to this Church by the baptism of the Holy Spirit. We believe that this Church is manifested through the local church which is a congregation of immersed believers associated by covenant of faith and fellowship of the Gospel, observing the ordinances of Christ; governed by His laws; exercising the gifts, rights, and privileges invested in them by His Word; and that its officers are pastors and deacons, whose qualifications, claims, and duties are clearly defined in the Scriptures. We believe the true mission of the church is the faithful witnessing of Christ to all men as we have opportunity. We hold that the local church has the absolute right of self-government free from the interference of any hierarchy of individuals or organizations; that the one and only superintendent is Christ through the Holy Spirit; and that on all matters of membership, of policy, of government, of discipline, of benevolence, the will of the local church is final.
- (Ephesians 1:22,23; 3:1-6; 4:11; 5:23,24; I Corinthians 11:2; 12:12,13; Acts 2:41,42; 11:15; 15:13-18; 20:17-18; I Timothy 3:1-7; Colossians 1:18)
- We believe that Christian baptism is the immersion of a believer in water, under the authority of the local church, to show forth a solemn and beautiful emblem of our faith in the crucified, buried, and risen Savior, through Whom we died to sin and rose to a new life; and that baptism is a prerequisite to the privileges of local church membership. We believe that the Lord's Supper is observed in remembrance of the sacrificial death of Christ and should be always preceded by solemn self-examination.
- (Acts 8:36,38,39; John 3:23; Romans 6:3-5; Matthew 3:16; Colossians 2:12; I Corinthians 11:23-38; Matthew 28:19,20; Acts 2:41,42)
- We believe in obedience to the Biblical commands to separate entirely from worldliness and ecclesiastical apostasy and compromise unto God.
- (II Corinthians 6:14-7:1; I Thessalonians 1:9,10; I Timothy 6:3-5; Romans 16:17; II John 9-11)
- We believe that civil government is of divine appointment for the interests of good order of human society; that magistrates are to be prayed for, conscientiously honored and obeyed except in things opposed to the will of our Lord Jesus Christ, Who is the only Lord of the conscience and the coming King of kings.
- (Romans 13:1-7; II Samuel 23:3; Exodus 18:21,22; Acts 23:5; Matthew 22:21; Acts 5:29; 4:19,20; Daniel 3:17,18; I Peter 3:13-14,17)
- We believe in the imminent premillennial return of Christ for His Church, and that at that moment the dead in Christ shall be raised in glorified bodies, and the living in Christ shall be caught up to meet the Lord in the air before the seventieth week of Daniel. We believe that the Great Tribulation, which follows the Rapture of the Church, will be culminated by the revelation of Christ in power and great glory to sit upon the throne of David and to establish the millennial reign.
- (I Thessalonians 4:13-18; I Corinthians 15:42-44, 51-54; Philippians 3:20; Revelation 3:10; Daniel 9:25-27; Luke 1:30-33; Isaiah 9:6,7; 11:1-9; Acts 2:29,30; Revelation 20:1-4,6)
- We believe that there is a radical and essential difference between the righteous and the wicked; that only those who are justified by faith in our Lord Jesus Christ and sanctified by the Spirit of our god are truly righteous in His esteem; while all such as continue in impenitence and unbelief are in His sight wicked and under the curse; and this distinction holds among men and the everlasting conscious suffering of the lost in the lake of fire.
- (Malachi 3:18; Genesis 18:23; I John 5:19; Romans 6:17, 18, 23; 7:6; Proverbs 14:32; Luke 16:25; Matthew 25:34-41; John 8:21; Revelation 20:14,15)
The Gospel
We all like to receive good news. For instance, if someone were to offer you a million dollars, that would be good news, right? Friend, the Bible shares with us the best news anyone could ever hope for. In 1 Corinthians 15:51, Paul states, "I declare unto you the Gospel…Christ died for our sins!"
We all have a problem, and that problem is called sin. Every human (besides Christ) has broken God's Law.
- Romans 3:23 For all have sinned and come short of the glory of God.
- Ecclesiastes 7:20 For there is not a just man upon the earth, that doeth good and sinneth not.
Because we have sinned, and because God is a perfect Judge, we deserve God's righteous judgment for our sin.
- Romans 6:23 For the wages of sin is death…
- Revelation 21:8 But the fearful, and unbelieving,…and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death.
Though we each deserve God's judgment, Christ came to earth, lived a perfect life, and died on the cross in our place, taking God's judgment for our sins. Christ is the only way to meet God's standard for heaven and forgiveness of sins.
- John 14:6 Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me.
- 1 Peter 3:18 For Christ also hath once suffered for sins, the just for the unjust, that he might bring us to God…
- Romans 5:8 But God commendeth his love toward us, in that, while we were yet sinners, Christ died for us.
- 2 Corinthians 5:21 For he hath made him to be sin for us, who knew no sin; that we might be made the righteousness of God in him.
- Ephesians 2:8-9 For by grace are ye saved through faith; and that not of yourselves: it is the gift of God: Not of works, lest any man should boast.
Friend, just as you would call out and depend on someone to save you from drowning, you must turn from your sin in dependence on Christ as your only hope of salvation.
- Mark 1:15b …repent ye, and believe the Gospel.
- Romans 10:9b-10 …if thou shalt confess with thy mouth the Lord Jesus, and shalt believe in thine heart that God hath raised him from the dead, thou shalt be saved. For with the heart man believeth unto righteousness; and with the mouth confession is made unto salvation.
If you have received Christ just now as your personal Savior, or if you still have questions about what you read, please let us know! We would love to be a help in any way that we can.
Pastor Bryce Hager
Pastor Rick Pardee
Fellowship Baptist Church
The Bible
Fellowship Baptist Church believes that the canon of Scripture containing the sixty-six books of the Bible is the Word of God, and we accept by faith the presupposition that the Bible is true. We believe that God has preserved it (Matt. 5:18; Mark 13:31; Lk. 21:33), that it is complete (Deut. 4:2; Rev. 22:18-19), and has authority over all areas of life and doctrine (Deut. 29:29; Jn. 10:35; Heb. 4:12).
We believe that the Bible has ultimate authority because it always tells the truth (inerrant) (Deut. 32:4; Tit. 1:2), and furthermore, because of the character of God, the Bible cannot contain anything false (infallible) (Prov. 30:5; Jn. 10:35). The Bible has the power to change lives (Heb. 4:12) and the authority to demand holy conduct from every Christian (Lev. 19:1-2).
Fellowship Baptist Church believes that the Bible was preserved by God and that, while the original autographs no longer exist, the Masoretic Text of the Old Testament and the Received Text of the New Testament are the most consistent and accurate representation of the originals.
Furthermore, we believe that the King James Version is the most accurate English translation because of the precision, clarity, and literary quality in its use of the original texts in seeking word-for-word translation instead of the popular modern use of paraphrase in many versions. We use the KJV alone in our preaching and ministry.
Fellowship Baptist Church believes that God's plan for every Christian is that he lives the Christ-life on a consistent basis, is separated from the world and separated unto Christ in his personal lifestyle choices, and is evangelistic in his realm of influence, all under the enabling guidance of the Holy Spirit. This is God's definition of the normal Christian life.
Personal Revival
Sadly, most Christians do not live this "normal" life to which God has called them. Every believer, many times throughout his life, is in need of personal revival. We believe that revival is the renewing of the spiritual life that was displaced by the deadening effects of sin (Ps. 66:18; Rom. 6). The believer must confess all known sin to God, take the forgiveness and cleansing offered in 1 John 1:9, and submit again to the leadership of the Holy Spirit in his own personal walk with the Lord (Is. 57:15; Rom. 12:1-2). Only when this occurs can personal revival take place. The effects of personal revival will include conscious submission to the Holy Spirit's guidance in every area of life (Rom. 8:1-2), consistent joy (Ps. 85:6), a renewed prayer life (Mk. 11:24; Rom. 8:26; 1 Thess. 5:17), and a keen awareness of the need to give the Gospel to the unsaved (Matt. 28:18-20; Jn. 4:35).
Corporate Revival
Fellowship Baptist Church believes that corporate revival is possible today. We do not believe that it is a spontaneous act of God, but rather that it is God's action in response to a group of believers who come together in personal revival to seek for the general outpouring of the Holy Spirit on a specific place (Matt. 18:19-20). Revival comes when, as a whole, a group humbles themselves before the Lord, confessing unbelief, and claiming the promises of God through prayer (2 Chron. 7:14; Hab. 3:2). True revival is not always in the miraculous manifestations, for that can often be imitated humanly. True revival is God's work, God's way, in God's people, that results in clear answers to prayer, brings about Satan's opposition (Acts 4:29), and then clearly showcases God's victory over Satan in the lives of individuals and churches (Is. 64:1-9; Col. 2:15).
Fellowship Baptist Church believes that music is moral, and can be used to glorify God or gratify the flesh. Because God is holy, music must meet God's standard of holiness in order to please Him (Is. 6:3). The primary purpose for which God created music is to glorify Him. Satan's goal is to counterfeit true Christian music in order to deceive Christians into being like the world and thus hampering their usefulness for Christ (2 Cor. 11:14-15). Contemporary Christian Music and even "watered down" CCM is associated directly with the world and the glorification of man (i.e., the composer and artists), and is therefore in direct contradiction with God's standards (Example: The music used in worship of the golden calf, which counterfeited true worship [Ex. 32:18]). God does not accept this kind of worship and even judges it because it desecrates God's holiness in the sight of the world (Ex. 32).
Every Christian is commanded to walk in the Spirit (Eph. 5:18), and therefore he must be very careful not to accept music that is primarily sensual (appealing to the body) or soulish (appealing to the emotions) (Js. 3:15-16). Music should be evaluated on the spiritual nature of the music, words, composer, accompaniment, and performance (Rom. 12:2). If music does not meet the biblical standards of being separated from the world, honoring to Christ, and declaring Biblical truth, then it should not be used in either the ministry or the personal life of the believer (Eph. 5:18-19; Col. 3:16-17).
Hymnal: Great Hymns of the Faith
Choir and Specials: Conservative arrangements of hymns and spiritual songs. We specifically avoid music that either reflects the style of, or has been modified down from popular Sovereign Grace, CCM, or clearly worldly songs.
Separation from False Doctrine
Fellowship Baptist Church believes that both the Church and Christian must maintain doctrinal purity. Protection from false doctrine comes primarily from a personal study and application of God's Word (Ps. 119:9, 105). We will not associate with or support those individuals or organizations that openly violate the fundamental doctrines of the Christian faith (Rom. 16:17; Col. 2:8).
Separation from the World
As the world is, in its nature, opposed to God, we believe that every believer is to remain in the world, but not identified with the world (1 Cor. 2:12). The only way to be a clear testimony to the world while remaining holy is to remain separate in every area of life, including media, dress, relationships, and lifestyle choices (Phil. 4:8; 1 Jn. 2:15).
Separation unto Christ
Fellowship Baptist Church believes that it is possible for a person to be outwardly separated from the wickedness of the world, and yet have no true relationship with God (2 Tim. 3:5). We believe that, just as important as is it to be separated from the world, the believer must be separated to Christ (2 Pet. 1:15-16, 3:11). This involves a complete surrender to the will of God and the Word of God. A believer cannot avoid being in the world, but by living the Christ-life he is able to avoid being of the world (Jn. 17:15-17)


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There will be no cartoon published here this weekend because I don't feel like making one. Also, I'm busy. Don't worry, I still have plenty of ideas rolling around up there in my overactive cranium, but taking the time to sketch and ink one and then take it to the library to scan, put on my computer, and color, is something that I don't want to do today. Next week I'll have one for sure. 😛
Also, I hope to have time soon this week to start cranking out comics starring my cat and my dog, and their interactions. I'll publish that as soon as I can, I have a few strips planned out already.
Catch you on the flip side!
-James Clark II, cartoonist


text: Levitation Project 5:34:00 PM Eka - Wika (Me) This is Jedi's project. A cool photo, right? Haha Thanks to my oppa, Mega for taking this awesome pic :D more photos on Jedi's Facebook Share This Story Share on Facebook Share on Twitter Pin this Post Tags: teman, thanks, vacation Newer Post You Might Also Like 0 comments


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Mr. Schwartz has more than twenty-five years of experience in real estate transactions...
Phone: 212-818-8686View Profile
Graubard Miller is a 60-year-old general practice firm. The firm has several main areas: corporate, litigation, real estate, trusts and estates, tax, and employment law. Within the real estate department, our practice includes purchase/sale and finance of properties, commercial leasing, cooperatives and condominiums, landlord/tenant law, rent regulation, and real estate litigation.
Unlike commercial landlord/tenant matter that are more uniform, the rights and obligations of residential property owners and tenants often depend upon the regulatory status of the individual housing units, whose status may differ among apartments within the same building. For example, a building may have free market tenants living adjacent to rent-stabilized tenants and/or rent-controlled tenants. Some buildings may have units occupied by section 8 tenants. Certain buildings may have cooperative tenant-shareholders or condominium unit owners.
Some of the most common are: (a) summary proceedings based upon lease defaults--both commercial and residential; (b) summary proceedings to recover a regulated apartment for the owner's own use or use by an immediate family member of the owner; (c) summary proceedings to recover an apartment where a regulated tenant does not live in an apartment as his or her primary residence; (d) proceedings before the New York State Division of Housing and Community Renewal (DHCR) for luxury deregulation of a rent stabilized or controlled apartment; (e) complaints to DHCR of rent overcharge of a rent stabilized tenant; among many others.
The rights of commercial tenants are usually governed by their leases. For residential tenants, in addition to rights specified in the leases, the law implies within leases a warranty of habitability, i.e., that the premises are in habitable condition. The Real Property Law also provides certain rights to sublet or assign leases. Rent-regulated tenants (including ETPA tenants) generally have rights to indefinite renewal leases, potential succession rights, limits on rent increases, and a right to a continuation of a level of services, among others.
If a tenant fails to pay the lawful rent, the landlord must make an oral or written demand for the rent before it may commence a summary eviction proceeding in Court to recover possession of the apartment and unpaid rent. Similarly, written notices are required before an owner may commence most other eviction proceedings.
If a landlord or tenant is not complying with obligations under the lease or law and continues to do so, even after notice, it may be helpful to consult with counsel. These may include violations of substantial obligations of the tenancy as well as certain claims under the Rent Stabilization Law or the Emergency Tenant Protection Act.
It is often helpful to keep communications in writing. There is a record of what was said and when and less chance of the other side forgetting about the issue.
My email is email@example.com, and you can call me at 212-818-8686. Visit our new web site at www.graubard.com.
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Mr. Schwartz has more than twenty-five years of experience in real estate transactions...
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text: Rebel Reporters 01/13/2016 I feel very lucky to live in the age of information. If I was incarcerated just a few decades ago I would be screwed. Up until the 1990's a select few media conglomerates had a stranglehold on which news topics were covered, and which stories fell by the wayside. Now-a-days the mainstream media doesn't have a monopoly on "The Truth" because both sides of a story can be told, and eventually the real truth comes out. Youtube is responsible for overthrowing tyrants and starting revolutions during


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Department of Turbomachinery and Propulsion, von Karman Institute for Fluid Dynamics, B-1640 Rhode-Saint-Genèse, firstname.lastname@example.com
Department of Turbomachinery and Propulsion, von Karman Institute for Fluid Dynamics, B-1640 Rhode-Saint-Genèse, Belgium
Ensuring an adequate life of high pressure turbines requires efficient cooling methods such as rim seal flow ejection from the stator-rotor wheel space cavity interface, which prevents hot gas ingress into the rotor disk. The present paper addresses the potential to improve the efficiency in transonic turbines at certain rim seal ejection rates. To understand this process, a numerical study was carried out, combining computational fluid dynamic (CFD) simulations and experiments on a single stage axial test turbine. The three dimensional steady CFD analysis was performed, modeling the purge cavity flow ejected downstream of the stator blade row at three flow regimes: subsonic M2=0.73, transonic M2=1.12, and supersonic M2=1.33. Experimental static pressure measurements were used to calibrate the computational model. The main flow field-purge flow interaction is found to be governed by the vane shock structures at the stator hub. The interaction between the vane shocks at the hub and the purge flow has been studied and quantitatively characterized as a function of the purge ejection rate. The ejection of 1% of the core flow from the rim seal cavity leads to an increase in the hub static pressure of approximately 7% at the vane trailing edge. This local reduction of the stator exit Mach number decreases the trailing edge losses in the transonic regime. Finally, a numerically predicted loss breakdown is presented, focusing on the relative importance of the trailing edge losses, boundary layer losses, shock losses, and mixing losses, as a function of the purge rate ejected. Contrary to the experience in subsonic turbines, results in a transonic model demonstrate that ejecting purge flow improves the vane efficiency due to the shock structure modification downstream of the stator.
Static pressure of 3.5% Cax downstream of the vane trailing edge, transonic regime: (top) at the hub endwall (measured data has an uncertainty band of ±0.01×P01, with a confidence level of 95%) and (bottom) at the casing endwall
Computed radial velocity contour at the hub endwall and on the cavity slot, transonic regime. The comparison with experimental data measured in Ref. 4.
Computed and measured (23) pitchwise averaged spanwise Mach number distribution
Computed Mach number contour plot on blade to blade planes: (a) transonic case and (b) supersonic case
Computed Mach number contour and isosurface on a plane perpendicular to the axis (3.5% Cax downstream of the trailing edge): (a) transonic case and (b) supersonic case
Computed vane loading at the rear suction surface from numerical simulations: (a) boundary layer shape factor and momentum thickness evolution, (b) transonic case, and (c) supersonic case. The three plots share the same x-axis.
Loss coefficient contours at an axial plane 4.5% Cax downstream of the vane trailing edge: (a) subsonic, (b) transonic, and (c) supersonic regimes
Mesh and computational domain
Coolant flow path through the turbine
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As you may have read in the other articles in this section, using tea tree oil as a natural cure for yeast infections is best administered through topical application. This is because tea tree oil can be harmful if ingested, unlike other natural cures garlic and apple cider vinegar.
You may be wondering, then, how it is possible to treat a yeast infection in the mouth and throat, or what is more commonly known as oral thrush. Hopefully this article will answer any and all questions you have about how to use tea tree oil for oral thrush, but if you are still wondering about things or want even more detailed information, check out this great eBook!
Reasons Why a Yeast Infection Develops in Mouth and Throat
Oral thrush, or a yeast infection in the mouth and throat, occurs when the number of candida fungus overgrows and the good bacteria in your body is unable to bring it back down to its normal level. This can happen for a variety of reasons. Some of the reasons you may get a yeast infection are due to uncontrollable circumstances, such as having a weakened immune system due to chemotherapy, HIV, or Lupus. If you are suffering from one of these conditions, you should be sure to take your daily recommended dose of Vitamin C, as this will naturally boost your immune system and help it ward off yeast infections and other illnesses.
Other reasons for contracting a yeast infection may be due to your overall health and hygiene habits. For instance, if you frequently go to the gym but leave your sweaty socks on long after your workout is finished, you will likely contract a yeast infection on your feet, more commonly known as athlete's foot! In addition, if you are overweight or obese you may develop excess skin folds: the candida fungus loves warm, moist environments and these skin folds are perfect natural breeding grounds for this bad bacteria.
How to Treat Oral Thrush with Tea Tree Oil
For yeast infection outbreaks on the skin, tea tree oil can be applied topically or be used in a soothing bath. But what should you do for a yeast infection in the mouth and throat? Oral thrush is a particularly nasty type of yeast infection and you may exhibit several painful symptoms such as cracked skin in the corners of your mouth, problems swallowing, a bad taste in your mouth, and white patches on your tongue and side of your mouth that can bleed when you brush them away.
Thankfully you can use tea tree oil to alleviate these symptoms and get rid of the yeast infection once and for all. This is because the tea tree oil has natural antiseptic and anti-inflammatory properties which get to work right away at killing off the candida fungus and preventing it from replicating anymore.
How To Use Tea Tree Oil Mouthwash to Cure Oral Thrush
Recipe: Tea Tree Oil Mouthwash to Cure Oral Thrush
- one part tea tree oil
- One part water
- Dilute the tea tree oil in an equal amount of water.
- Being very careful not to swallow it, swish 1 tablespoon of the mixture around your mouth for 30-60 seconds, and be sure to gargle at the end if your yeast infection has spread to your throat.
- Spit out the entire tea tree oil mouthwash when finished.
- You should repeat this a few times a day to receive the maximum benefit.
The inside of your mouth can be quite sensitive, so dilution is absolutely necessary, and you may wish to dilute the mixture more if you find that this 50:50 ratio is still too strong.
By using tea tree oil as a mouthwash, you are ensuring that all affected areas of your mouth and throat are exposed to it and hopefully you will be cured in no time!
Pros and Cons of Using a Natural Cure for Yeast Infections in the Mouth and Throat
Throughout this article, and on this entire website, I have explained the many beneficial reasons for using natural cures and home remedies for yeast infections. By using natural and organic ingredients to cure your yeast infection, you are being gentle to your body and not putting yourself at risk for the many harmful and irritating side effects that prescription drugs and over-the-counter medications can cause. So head down to your local health food store and pick up some tea tree oil to cure yeast infections in the mouth and throat!


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Dear Monument Australia visitors, we are a self-funded, non-profit organisation, dedicated to recording monuments throughout Australia. Over time the costs of maintaining this website have risen substantially (in fact they are probably larger than those of many companies who exist for profit). In the past we have borne all the costs associated with maintaining the website but we are now having difficulties in paying the monthly expenses.
If Monument Australia is useful to you, please make a donation to keep this historical and educational resource available. Your help would be greatly appreciated.
Home » Themes » Disaster » Industrial
Miners MemorialPrint Page
The memorial lists the names of twenty miners who died at Captains Flat between 1938 and 1962.
In 1937, Lake George Mines built a 39 kilometre railway to Bungendore and with new drilling techniques and flotation plants reopened the whole area. Once again Captains Flat was successful. By the end of the 1930s it was second-only to Broken Hill as its mines produced vast quantities of gold, silver, lead, zinc (it was the most important of all the minerals being mined), copper and iron pyrites.
By 1962 this flurry of mining was over. The mine had many serious accidents over its period of operation, with men killed and injured. Statistically, one man died for every year the mines were in operation.
|Foxlow Street, Captains Flat, 2623
|GPS Coordinates:
|Lat: -35.590917
Long: 149.446233
Note: GPS Coordinates are approximate.
|Monument Type:
|Monument Theme:


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The Bodies
The bodies of the support group are:
- the general meeting
- the committee
- the advisory board.
The activities of the bodies are performed by its members in a honorary capacity.
The Committee
The committee members according to § 26 BGB are:
- President – Anke Heilmann
- Vice-President – Heike Isbruch
- Treasurer – Andreas Wähnert
It can be enlarged by up to two assessors.
The Advisory Board
For the specialized advice as well as for the support of inter-communication, the committee can appoint an advisory board.
Members of the advisory board are:
- PD Dr. med. Joerg Klepper
Medical Director – Department of Pediatrics
Medical Centre Aschaffenburg – Germany
- Baerbel Leiendecker
officially recognized dietician Department of Pediatric Neurology University of Essen - Germany
Note: You can find in-depth information on tasks and objectives of our charity in
our statues (in German only).


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New trains for inland rail will be too tall for bridges
Train tracks or bridges at 10 locations between Albury and Euroa will have to be replaced or altered to allow bigger double-stacked freight trains to run along the new inland rail system.
Six of the locations are in Wangaratta, including the Green Street overpass and two pedestrian bridges at the rail station.
Australian Rail Track Corporation staff were in the North East this week to start discussions with the community about the solutions.
The preference was to remove Wangaratta's pedestrian bridges at nearby Cusack and Docker streets, which are too low for the trains to fit underneath, and replace them with one higher bridge.
But the ARTC was open to residents' suggestions for the new location.
It also planned to reconfigure the tracks, moving one line from the eastern side of the station where the front entrance is located, to the western side at the back.
Level crossings were not an option, after the Victorian government ruled they were too dangerous and started working to remove them throughout the state.
ARTC senior project manager Dinesh Batra said the goal was to provide access for double-stacked trains under the bridges without acquiring any property and having minimal impact on the environment.
"Every structure is different, in every case there will be a different solution," he said.
"Local knowledge is very appreciated, sometime there are very good ideas."
Every structure is different, in every case there will be a different solution.ARTC senior project manager Dinesh Batra
The ARTC's preference is to lower the track underneath the Murray Valley Highway at Barnawartha and Beaconsfield Parade at Glenrowan.
Lowering the track by 1.5 metres at Glenrowan would minimise the impact on heritage issues in the area.
Residents who came out to talk to ARTC staff this week were generally happy with that option, but warned the ground became very soft and muddy during wet periods.
Works are scheduled to take place between 2020 and 2025.
The staff said they planed to conduct the work one track at a time, to prevent train service disruptions wherever there are double tracks.
Discuss "New trains for inland rail will be too tall for bridges"
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text: Men of the parish, the theme of the 10th Annual IGNITE Men's Conference is "10 Years of Building Your Faith". We have three tremendous speakers that will challenge all who attend. You can be a part of it on Saturday, March 24th at the SRC Arena for an amazing day that will have a lifetime impact on you. Sign up now for early pricing. Limited seating available. You can register for the conference online at http://www.ignitecatholicmen.org/ or contact parish captain Gregg Pawlowski at 607-648-3569, or firstname.lastname@example.com for more information.


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Agricultural News
Scott Pruitt Resigns from EPAThu, 05 Jul 2018 15:03:13 CDT
The Administrator of the Environmental Protection Agency, Scott Pruit, has resigned. This was announced by a tweet from President Donald Trump. The President in a two part tweet said "I have accepted the resignation of Scott Pruitt as the Administrator of the Environmental Protection Agency. Within the Agency Scott has done an outstanding job, and I will always be thankful to him for this. The Senate confirmed Deputy at EPA, Andrew Wheeler, will on Monday assume duties as the acting Administrator of the EPA. I have no doubt that Andy will continue on with our great and lasting EPA agenda. We have made tremendous progress and the future of the EPA is very bright!"
Pruitt has been under continuous fire since taking the position by environmental activists and liberal Democrats- but has earned the praise of many in agriculture because of his efforts to dismantle WOTUS and many other regulations that were a problem for farmers and ranchers. At the same time, supporters of ethanol have been furious with him over RFS waivers to refineries who they claim were never intended to receive the small refinery break from using biofuels that is offered within the existing regulations.
Pruitt previously served as the Attorney General of Oklahoma and earlier this year spoke to the the Oklahoma Youth Expo in Oklahoma City. At that time, Radio Oklahoma Ag Network Farm Director Ron Hays talked exclusively with the EPA Administrator- and you can hear their conversation at that time by clicking on the Listen Bar below.
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All of our Women's hats and beanies from Dakine, Marmot, Outdoor Research, Screamer and Minus33 will keep you warm and fashionable, whether you're out on the trails or just hanging out with friends for a casual night out! Being based out of Hood River, OR (Dakine), Seattle, WA (Outdoor Research & Screamer), and Ashland, NH (Minus33), they know a thing or two about how to keep warm in the colder months.
7787 Nashville St Ringgold, GA 30736(706) 935-2658
Email Us At: email@example.com
© Copyright 2005-2019 Above The Ridge Outfitters, LLC.All Rights Reserved.
eCommerce Design by Greentree Designs


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our story
Jennifer + Philippa
We created Humble + Grace because we believe in bringing inspiring words, thoughts and mantras to everyday life. We want to move away from a culture that celebrates the 'screen life', to one that embraces a life in the present.
We can become lost in everyday stresses and become overwhelmed with it all. We know that all so well! We both left our stressful jobs after reaching a point in our health that was just too scary not to ignore. We took the jump and pursued something that we love, something that we believe in, and something we wanted to share.
When we source our ethical fashion, we always have you on our minds and hearts - to build a community of people who enjoy the simple joys of life, who want to slow down, and who want to remind the world to be inspired by the moment.
Within our collections, we hope that you find a style, a word, or a mantra that resonates with you and each time you wear a piece, you feel inspired to live in the moment.
finding mindfulness + love in our modern world
Humble & Grace


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SAN FRANCISCO (CBS.MW) -- Guitar Center gtrc said late Tuesday that its sales rose 18 percent in the fourth quarter, prompting the company to raise it forecast for fourth-quarter earnings. The musical instrument retailer said revenue came in at $396 million in the quarter, up from $335 million the year before. Same-store sales rose 10 percent. Guitar Center said it now sees Q4 earnings of 74 to 75 cents a share vs. its previous forecast of 69 to 73 cents a share. Guitar Center stock rose 14 percent to $34.73 after the bell.
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Aia I Ka Wai: Dialogues on [the Present and Future of] Hawaiian Music
The below is quoted directly from an emailed press release. For more information, please see contact information at bottom.
The series " ... aia i ka wai ... Dialogues on [the Present and Future of] Hawaiian Music" brings together stellar constellations of cultural and educational leaders in a collaboration of unprecedented scale. Join us in a series of dialogues to recognize accomplishments and envision new directions for studying, teaching, presenting and producing Hawaiian music in the 21st century.
The Hawaiian Renaissance of the 1970s solidified the foundation for the flourishing of Hawaiian performance traditions. Amidst the momentous transformations in the music and entertainment industries globally, and the vigor of Native Hawaiian cultural self-determination, we are at an opportune moment to reflect, imagine, and chart paths anew.
Series convenor Amy Ku'uleialoha Stillman* moderates five events that will facilitate interaction among invited participants and audience. Join in on exploring common goals for education and industry sectors to strengthen excellence in Hawaiian music.
Location: Kamakakūokalani Center for Hawaiian Studies, University of Hawai'i at Mānoa, 2645 Dole St. Honolulu, HI 96822
Time: 6:00-8:30 pm; preceded by musical performance from 5:00-5:45pm
Free admission and open to all. Parking is available adjacent to the Center.
Friday January 21, 2010: Assessing the Documentary Record. What accomplisments should we be celebrating, and what endeavors should we be initiating?
Participants: DeSoto Brown, Jay Junker, Michael Keany, Maile Loo-Ching, Puakea Nogelmeier, Ricardo Trimillos
Friday February 4, 2010: Producing Culture. What are the conditions necessary to support creative excellence?
Participants: Manu Boyd, Keala Chock, Ku'uipo Kumukahi, Michael Pili Pang, Cody Pueo Pata, Jordan Sramek
Friday February 25, 2010: Creating Culture. What is the place of creativity and innovation in a heritage tradition?
Participants: Snowbird Bento, Kekuhi Keali'ikanaka'oleohaililani, Nāpua Mākua, Taupouri Tangarō
Friday March 11, 2011: Nurturing the 'Ōhā. What kinds of knowledge could strengthen the production and scholarship on Hawaiian performance?
Participants: Leilani Basham, Keawe Lopes, Nola Nahulu, Jon Osorio, Aaron Salā, Kalena Silva
Friday April 1, 2011: Gathering the Seeds. What new 'ike have we generated about Hawaiian music and Hawaiian music studies? A summary and synthesis presented by series convenor Amy Ku'uleialoha Stillman. Note: this program will take place at the UH Mānoa Music Department, Choral Rehearsal Room (Rm. 36).
Major sponsorship for this series is provided by the Dai Ho Chun endowment at University of Hawai'i Foundation, the UH Mānoa College of Arts & Humanities, the Hawai'inuiākea School of Hawaiian Knowledge, and the UH Mānoa Departments of American Studies and Music.
* Amy Ku'uleialoha Stillman is the 2010-2011 Dai Ho Chun Distinguished Visiting Professor in the College of Arts & Humanities at UH Mānoa.
For further information:
Visit us at http://amykstillman.wordpress.com/dialogues/
Visit our Facebook Event page at "aia i ka wai -- Dialogues . . . "
Email Amy Ku'uleialoha Stillman at email@example.com


text: Janiff Ivulxtin is a Garundi venture-captain of the Grand Lodge in Absalom. Janiff maintains order in the lodge by overseeing everything personally and getting rid of agents quickly. He keeps a file of relatively safe but time-consuming jobs to keep new, untested agents from loitering. At the Grand Lodge, Janiff is the primary authority figure. He receives communications through a small, rotating, pass-through door.


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Trevor Neil's Free Monday Technical Analysis Surgery E-Learning Sessions – Skill: Using the MACD Effectively
Skill: Using the MACD Effectively
Gerald Appel's Moving Average Convergence-Divergence indicator is a favourite tool of many analysts. But how well do you understand it and its message? It's calculation is extremely simple but the interpretation requires knowledge and experience to understand what it is really telling you. How high is high? How do you define a Bullish or Bearish Divergence? Its wrong message when a security goes from a trend to flat. What should you use to supplement its message? In this session, Trevor will go deep into this powerful but subtle indicator.
Each month Trevor Neil presently live four times on subjects relating to market timing skills and theory. The Friday sessions are at 06.00am Singapore time, 10.00 London time and Noon NY time and on the Monday following at 11.00 London time for those who do not find Fridays convenient. They last one hour and are live and free and open to all. You will receive the session slides after the session. If you are interested to attend on of Trevor Neil's classes see www.betagroup.co.uk/course or if you would like him to present, share his experience and teach at your firm or to your group, wherever you are, see http://betagroup.co.uk/tailored-training/. This is a surprisingly economical option and the very best way to learn and profit from this skill.
This session is featured in Trevor Neil's courses: Technical Analysis in the Dealing Room. It can be part of your bespoke in-house course.
For over seven years one of the world's most experienced and well-known technical analysts has presented his Trevor Neil's Friday Technical Analysis Surgeries. Suited for all market participants, whatever their level and available at a time to suit you. Each session is live and interactive and lasts about an hour. There is an accompanying manual which is only available to attendees. Learn for free from Thomson Reuters only third-party provider of technical analysis courses. See www.betagroup.co.uk/courses for more information on his courses and to find out how to have him teach you and your colleagues in your office. You can book a call to discuss bringing Trevor to you and your colleagues HERE


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Responding to what is described as "malign activity," the U.S. Treasury Department's Office of Foreign Assets Control (OFAC) levied a new series of sanctions against 24 individuals and entities linked to the Kremlin on Friday.
The new sanctions follow similar measures taken by Washington in March against 19 Russians for alleged interference in the 2016 presidential election.
In a statement describing how the Kremlin "operates for the disproportionate benefit of oligarchs and government elites," Treasury Secretary Steve Mnuchin unveiled new penalties specifically targeting the Russian financial and energy sectors.
"The Russian government engages in a range of malign activity around the globe, including continuing to occupy Crimea and instigate violence in eastern Ukraine, supplying the Assad regime with material and weaponry as they bomb their own civilians, attempting to subvert Western democracies, and malicious cyber activities," Mnuchin said in a statement.
"(Russians) who profit from this corrupt system will no longer be insulated from the consequences of their government's destabilizing activities."
Under the new sanctions, the main assets of seven Russian oligarchs and 12 firms of which they own, 17 senior Russian government officials, and a state-owned Russian weapons company and its subsidiary bank have been frozen.
Those targeted for sanctions range widely: They include Russian President Vladimir Putin's son-in-law, as well as his bodyguard, billionaire aluminium magnate Oleg Deripaska, gold magnate Suleiman Kerimov, former Prime Minister Viktor Zubkov, and state-owned arms manufacturer Rosoboronexport.
"(The sanctions are) designed to communicate seriousness and really up the ante with Russia," said former Treasury Dept. adviser Elizabeth Rosenberg, now of the Center for a New American Security. "By naming a number of oligarchs and state entities, including in the energy sector, it's meaningful because they're aiming at sensitive industries in Russia that generate a lot of revenue."
The response from Moscow was swift: A Foreign Ministry statement said no foreign pressure would alter the method of Russian policy and sanctions would bring together the Russian people.
Denouncing the U.S. action, the Foreign Ministry statement continued and vowed a prompt reaction:
"Of course we will not leave this current and any new anti-Russian attack without a harsh answer, but first of all we would like to recommend that Washington discard illusions that we can be spoken to in the language of sanctions.""Having not waited for the desired effect of previous sanctions, Washington politicians have reached such absurdity that they are trying to hit our companies that have long maintained business ties with the United States, on which thousands of jobs depend there."
In tune with the Russian Foreign Ministry, Kremlin critic Alex Navalny lashed out at the new penalties as absurd:
"This is a path to nowhere. You can't intimidate Russia with this, let alone break it."
Despite Friday's action by the Treasury Department, White House Press Secretary Sarah Sanders told reporters President Trump seeks improved ties with the Kremlin and the sanctions have not altered plans to host Mr. Putin at the White House in the near future.
[BBC] [Reuters] [Bloomberg] [The Moscow Times] [Photo courtesy AP via ITV]


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How Your Phone Affects You
February 14, 2018
Filed under Features
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People who sleep near their cell phones could be negatively affecting their health. Smartphones let off electromagnetic radiation whenever they're on, which could potentially be dangerous. During the day, the same radiation is being let off, but the difference is that during night, phones can lead to nightmares, inability to sleep, and waking up several times.
The World Health Organization stated that electronic devices in general are bad for bodies. The only problem is that people are too attached to their cell phones to put them in another room or even across the room. Many people use their phone as an alarm in the morning, or are afraid of missing important texts or calls.
Phones have the ability to alter the human biological clock and certain cardiac rhythms. Not only that, but a teen in Texas recently reported a fire that was caused by her Samsung Galaxy S4. She woke up to a smoking smell coming from her mattress and pillow. She placed her phone under her pillow the night before and it overheated.
During the summer of 2015, Bank of America released a report that surveyed 1,000 consumers, ages 18 and above and were asked about using their smartphones in bed. A reported 71 percent of the responders claimed that they slept with or next to their phones.
Some advantages of not sleeping next to phones could include falling asleep faster, being less attached to smartphones during the day, being more alert during day hours, your safety would be protected, there would be more time available, and lastly, minds would be less cluttered.
During the night hours, put your phone on airplane mode, disconnect it from the internet, or turn it off if your phone stays on your nightstand. To be available for calls, place the phone several feet away from your bed.


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|BIO / RESUME/ William Larson grew up in Western New York attending public schools throughout his secondary education. He entered the State University of New York at Buffalo in 1960 and subsequently participated in their European Studies Program in Siena, Italy, where he lived with an Italian family for a year. It was a turning point for him and triggered a lifetime interest in travel that resulted in several extended residencies in Rome as well as a month-long Habitat for Humanity build in Bieus, Romania. He moved to Chicago in 1966 to study photography at the Institute of Design, IIT, where he worked with Aaron Siskind and Wynn Bullock, and received his MFA in 1968. In the time immediately after graduating he worked commercially for Feldkamp-Malloy, a prominent photography studio in Chicago where he assumed a variety of production responsibilities. In 1968 Larson was hired to establish the photography program at Tyler School of Art, Temple University. Within a five-year period, the program expanded to include a graduate division and it soon gained national attention as one of the top photography programs in the country. Larson was one of the first to establish a formal color program as part of the core photography curriculum. In 1988, he was appointed Director of the Graduate Photography / Digital Imaging program at Maryland Institute College of Art where he remained until retiring in 2006. Larson's work involves a range of techniques, strategies and media, reflecting his link to the Bauhaus philosophy. Much of his work focuses on the challenge to resolve, rationalize, or conceptualize "time" through the essentially static medium of photography. Early experimental work includes his landmark Figure in Motion, where he adapted a Hasselblad to function as a slit camera. Other experimental work includes Fireflies, his pictures made with state-of-the-art FAX technology in the late 1960s. These were electronic montages that included photographic, text, sound, voice, and music elements. Produced using the coded program of the Graphic Sciences DEX 1 Teleprinter, they were some of the first ever images produced by an artist where the image was generated digitally, not unlike the computer to follow 40 years later. In the 1970s, Larson was selected to participate in both the SX-70 and 20 x 24 Polaroid pilot programs. In 1980, he was artist in residence at the University of Arizona where he produced a notable documentation of the urban landscape, images highlighted in Sally Eauclaire's seminal book New Color/New Work. His pictures captured the quirky beauty of Tucson and later the idiosyncratic musings of a nomadic, cross-country photographic venture. In the 1990s, Larson began producing videos in which he, once again, re-calibrated his thinking to integrate his long tenure of picture-making with the medium. He received a PEW Fellowship in 2001 for his early video work. His work has been exhibited at the Los Angeles County Museum of Art, the Whitney Biennial, and the ICA in Philadelphia, among other venues, and is in numerous collections around the world, including the Museum of Modern Art, the J. Paul Getty Museum, and the Metropolitan Museum of Art.
He is represented by Gitterman Gallery, New York.
Larson has two children, Erika and Michael, and currently resides in Philadelphia with his wife Sally. He is also an avid fly fisherman.
2001 Pew Fellowship in the Arts
1995 N.E.A. Policy Panel
1994 N.E.A. Peer Panel for Individual Artists Fellowships
1993 Aaron Siskind Foundation Fellowship
1992 National Endowment for the Arts Fellowship
1988 Pennsylvania Council on the Arts (also in 1983)
1986 National Endowment for the Arts Fellowship
1982 Guggenheim Fellowship
1981 Governor's Award for the Arts
1979 National Endowment for the Arts Fellowship
1979 Polaroid Corporation (SX-70 Program)
1979 Polaroid Corporation (20×24 Program)
1971 National Endowment for the Arts Fellowship
"P(re)Vision: The Works of Jim Campbell," Maryland Institute College of Art. November-December 2004
"Situated Realities," Maryland Institute College of Art.Twenty-six international digital artists; February 1-March 17, 2002. Traveled to Art Center College of Design, Pasadena, CA and Minneapolis College of Art and Design
The J. Paul Getty Museum, Los Angeles
Metropolitan Museum of Art, New York
Cleveland Museum of Art
Internacional Electrographic Art Museum, Cuenca, Spain
Museum of Modern Art, New York
The Morgan Library & Museum, New York
Amon Carter Museum of Art
Baltimore Museum of Art
University of Chicago Museum of Art
National Gallery of Canada, Toronto
Ackland Art Museum, University of North Carolina at Chapel Hill
Allen Art Museum of Oberlin College
Sprint Collection, Kansas City, Missouri
Smithsonian Institution, National Museum of American Art
Allentown Art Museum, Pennsylvania
DeCordova Museum, Lincoln, Massachusetts
Chrysler Museum, Norfolk, Virginia
International Center of Photography, New York
Museum of Art, Princeton University
The Addison Gallery, Phillips Academy, Andover, Mass.
National Gallery of Art, Sydney, Australia
Museum of Art and History, Freibourg, Switzerland
Philadelphia Museum of Art
Museum of Art, Rhode Island School of Design
Los Angeles County Museum
University of Exeter, American Arts Documentation Center, England
New Orleans Museum of Art
University of Hartford Museum, Connecticut
Kalamazoo Institute of Art, Michigan
University of Tennessee, Knoxville
Photographic Archives, University of Louisville
High Museum of Art, Atlanta
International Museum of Photography, George Eastman House
Center for Creative Photography, Tucson
San Francisco Museum of Art
Sun Valley Center for the Arts and Humanities, Idaho
The Hallmark Photographic Collection
Los Angeles County Museum of Art, "Light Play: Experiments in Photography, 1970 to the Present," Feb. 8 – June 18, 2017
Hong Kong International Photo Festival, Hong Kong Heritage Museum, "What Do You Want For Tomorrow?," Aug. 10 – Sept. 26, 2016
The Morgan Library & Museum, New York, "Sight Reading: Photography and the Legible World," February 19 – May 30, 2016
Gitterman Gallery, New York, "William Larson: Fireflies," April 29 – July 2, 2015
Phoenix Art Museum, "One-of-a-Kind: Unique Photographic Objects from the Center for Creative Photography," April 11 – Oct. 25, 2015
Gallery 339, "It's a Long Way to Tipperary," Feb. 6 – Feb. 28, 2015
Museum of Fine Arts, Houston, "Shadows on the Wall: Cameraless Photography from 1851 to Today," Aug. 31 – Nov. 30, 2014
Ackland Art Museum, University of North Carolina at Chapel Hill, "PhotoVision: Selections from a Decade of Collecting," Sept 19, 2014 – Jan. 4, 2015
CEPA Gallery, Buffalo, NY, "Transformational Imagemaking: Handmade Photography Since 1960," Sept. 16 – Nov. 10, 2014
Center for Creative Photography, Tucson, "Made in Arizona, Photographs from the Collection," Aug. 18-Nov. 25, 2012
Metropolitan Museum of Art, "Naked before the Camera," April 4-Sept. 9, 2012
339 Gallery, Philadelphia, "William Larson: The Cut /," Nov. 18, 2011 – Jan. 28, 2012
Silver Eye Center for Photography, Pittsburgh, "Keystone.1: Pennsylvania Photography Biennial," June 27 – Aug. 27, 2011
Higher Pictures, New York, "The Students of Harry Callahan and Aaron Siskind at the Institute of Design," Sept. 25 – Oct. 30, 2010
Museum of Art, Rhode Island School of Design, "Presence through Process," Jan. 15 – June 20, 2010
Philadelphia Museum of Art, "Common Ground: Eight Philadelphia Photographers in the 1960s and 1970s," 2009
Amon Carter Museum, Fort Worth, "Masterworks of American Photography," May 25-Sept. 2, 2008
339 Gallery, Philadelphia, "Philadelphia Masters," Dec. 15, 2007-March 8, 2008
Metropolitan Museum of Art, "Hidden in Plain Sight: Contemporary Photographs from the Collection," April 5-Sept. 3, 2007
Stephen Daiter Gallery, Chicago. "From Fair to Fine: 20th Century Photography Books that Matter," Nov. 3-Dec. 29, 2006
The Richard L. Nelson Gallery, University of California, Davis. "Still Moving: Selected Video by Photographers," Sept. 28-Dec. 10, 2006
Philadelphia Museum of Art, "Mavericks of Color Photography," July 30-November 27, 2005
Fine Arts Center Galleries, University of Rhode Island, Providence. One-Person Exhibition, Nov. 4-Dec. 12, 2004
Howard Greenberg Gallery, New York, "Seven from the Seventies," June 17-July 31, 2004
Center for Creative Photography, University of Arizona, Tucson, "Center of Things," April 3-July 18, 2004
Philadelphia Museum of Art, "The Faceless Figure: Photographs from the Permanent Collection," Jan. 18-June 13, 2004
The Renaissance Society, University of Chicago, Museum of Art. "Movement," Sept. 15-Oct. 14, 2003
The Photography Gallery, London. "Overnight to Many Cities," April 3-May 20, 2002
The Museum of the Art Institute of Chicago. "Taken by Design: Photographs from the Institute of Design 1937-1971," Mar. 2-May 12, 2002. Book published; traveled to:
San Francisco Museum of Art
Philadelphia Museum of Art
Arcadia University, Philadelphia. One-Person Exhibition. Mar. 26-April 30, 2002
Chrysler Museum of Art, Virginia. "An American Century of Photography: From Dry Plate to Digital," Feb. 27-May 19, 2002
303 Gallery, New York. "Overnight to Many Cities," May 31-June 13, 2001
Los Angeles County Museum of Art, "Drawn from Photography," May 17-Aug. 14, 2001
Delaware Art Museum, Wilmington. "An American Century of Photography, From Dry-Plate to Digital, The Hallmark Photographic Collection," Feb. 9-April 22, 2001
Philadelphia Museum of Art, "Works from the Collection," May 1-Aug. 20, 2000
Visual Studies Workshop, Rochester, NY. One-Person Exhibition. Mar.18-May 13, 2000
J. Paul Getty Museum, Los Angeles. "The Color Tradition," Oct. 26-Jan. 30, 2000
CEPA Gallery, Buffalo. "William Larson: Selected Electronic Works 1969-99," Sept. 17-Dec. 17, 1999
Center for Creative Photography, Tucson. "Bodies of Work: Series and Obsessions from the Center for Creative Photography", Jan. 20-March 21, 1999.
University of Maryland, Baltimore. "Digital Media Art," Nov. 3-Dec. 18, 1998.
Los Angeles County Museum of Art, "Flora," May-August, 1998.
Contemporary Museum, Baltimore. "Mysterious Voyages," Feb. 7-Mar. 10, 1998.
Florida State University, Tallahassee. "Gun As Image," Feb. 21- Apr. 6, 1997. Catalogue published.
Allentown Art Museum, Allentown, PA. "The Photography Collection in Review," Jan. 19-March 23, 1997.
International Center for Photography, New York. "25 Years of Light Gallery," 1996.
Atrium Gallery, University of Connecticut, Storrs. "One Person Exhibition, Sept. 3-27, 1996. Catalogue published.
Center for Creative Photography, Tucson. "Recent Acquisitions, 1992-1996," March 17 – April 10, 1996.
Krannert Art Museum, Champaign, IL. One-person exhibition, Nov. 17, 1995 – Jan. 21, 1996. Catalogue published.
University of Rhode Island, Kingston. One-person exhibition, Oct. 13 – Nov. 10, 1995.
Rhode Island School of Design, Providence. One-person exhibition, Sept. 11 – Oct. 6, 1995.
Metropolitan Museum of Art, New York. "Recent Acquisitions," May 15 – June 30, 1995.
Gallery 494, New York. "Pride and Prejudice," curated by Shari Diamond, March 30 – April 22, 1995.
Hong Kong Centre for the Arts, "International Tutor's Exhibition," March 18 – April 10, 1995.
Boston Center for the Arts, "Image Interrupted," curated by Darcy Alexander, Feb. 15 – March 26, 1995.
Yale University, "Traditional and Contemporary Emblems," Jan. 13 – March 5, 1995. Catalogue published.
Joseloff Gallery, University of Hartford, "Beyond the Label," Oct. 24 – Nov. 18, 1994. In conjunction with the Society for Photographic Education Conference.
Maryland Art Place, Baltimore. "Theatre du Monde." One-person exhibition, March 26 – May 7, 1994. Catalogue published.
Center for Creative Photography, Tucson. "Image and Text," Jan. 15 – Feb. 28, 1993.
Institute of Contemporary Art, Philadelphia. "Artists Choose Artists," Oct. – Jan., 1991. Catalogue published.
Alfred University, New York. "Another View: A Selection of Contemporary Prints," Sept. 12 – 30, 1990.
Southern Alleghenies Museum of Art, "Hard Choices/Just Rewards," Aug. 21 – Sept. 27, 1989. Pennsylvania Visual Art Fellowship Exhibition.
Center for Creative Photography, Tucson. "Extending the Boundaries of Photography," Sept. 20, 1988 – Jan. 21, 1989.
Bard College, New York. "Sequence (con) Sequence." Feb. 10 – April 15, 1989. Book published.
University of Maryland, Baltimore. "Frames of Reference," Oct. 11 – Nov. 16, 1989. Catalogue published.
City of Baltimore, Artscape 1989. "Social Signs," July 13 – Aug. 15, 1989. One billboard image installed at 1300 Mt. Royal Avenue.
Los Angeles County Museum. "Art and Photography, Interactions Since 1946," Sept. – Oct., 1987. Ten photograms; traveling exhibition; book published.
Philadelphia Museum of Art, "Recent Acquisitions," Oct. 10 – Nov. 3, 1987.
Institute of Contemporary Art, Philadelphia, "William Larson, 1969-1985," May, 1985. Catalogue published.
Munchner Stadtmuseum, Munchen, Germany, "The Nude in Photography," Jan. 1 – April 4, 1985.
Museum of Modern Art, New York, "Recent Acquisitions/Color Photography," Aug. 18 – Nov. 15, 1984.
Museum of Modern Art, New York, One photograph installed in Permanent Collection Gallery, 1982-1983.
Princeton University, New Jersey, "New Technology: New Art," March 1 – 20, 1983.
Franklin Institute, Philadelphia, "Lenseless Photography," May 12 – Nov. 30, 1983. Invitational Group Show; two electro-carbon prints.
Southern Illinois University at Carbondale, "Contemporary Color Photography," March 23 – April 10, 1983.
International Museum of Photography at George Eastman House, Rochester, NY. "Color as Form: A History of Color Photography," 1983. Traveling exhibition.
Center for Creative Photography, Tucson. One person exhibition, Jan., 1983.
Light Gallery, New York. One person exhibition, Oct. 14 – Nov. 10, 1981.
Museum of Modern Art, New York. "The Still Life," (historical survey), Oct. 8 – Dec. 15, 1981.
Corpus Christi State University, Texas. "Beyond the Valley of Photography," April 3 – May 16, 1981. Four person exhibition.
Edinboro State College, Pennsylvania. "The Constructed Photography," April 22 – May 30, 1981. Three person exhibition: Cummings, Toth, Larson.
Whitney Museum of American Art, New York. "Biennial Exhibition 1981." Three color photographs; catalogue published.
Light Gallery, New York. "Polacolor: Survey of Color and Scale in Recent Polaroid Photography," Oct., 1980. Traveling exhibition; catalogue published.
Gallerie Rudolf Kicken, Koln, Germany. "American Color Photography," June 11 – Sept. 6, 1980. Catalogue published.
Institute of Contemporary Art, Philadelphia. "Street Sights," April – May, 1980. One of a group of photographic posters for public exhibition in the metropolitan buses.
Freedman Gallery, Albright College, PA. "Presences: The Figure and Manmade Environments," Feb. 24 – March 20, 1980. Catalogue published.
Los Angeles Institute of Contemporary Art. One person exhibition, April, 1980.
Franklin Institute, Philadelphia. "New Spaces, The Holographer's Vision," Sept. 26 – March 21, 1980. Catalogue published.
International Museum of Photography, Rochester, NY. "Electro Works," Nov. – Dec., 1979. Book published.
P.S. 1, New York. "The Altered Photograph," (24 walls, 24 curators), April 22 – June 10, 1979.
Light Gallery, New York. One person exhibition, Sept., 1979.
Santa Barbara Museum of Art, CA. "Attitudes: Photography in the Seventies," May 12 – Aug. 5, 1979.
Everson Museum of Art, Syracuse, NY. "Alternative Imaging Systems," Feb. 19 – March 21, 1979. Catalogue published.
Bard College, New York. One person exhibition, Feb. 12 – March 3, 1979.
University of Hawaii. "Spectrum: New Directions in Color Photography," Nov. 15 – Dec. 30, 1979. Catalogue published.
Pittsburgh Filmmakers, PA. One person exhibition, Oct. 3 – 31, 1978.
Museum of Modern Art, NY. "Mirrors and Windows, Photography Since 1960," July 28 – Oct. 2, 1978.
San Francisco Camerawork Gallery, CA. One person exhibition, July 11 – Aug. 21, 1978
M.I.T. Hayden Gallery, Cambridge, MA. "American Color Photography," April 11 – May 30, 1978.
Rhode Island School of Design Museum of Art, Providence. "Spaces," curated by Aaron Siskind, April 11 – May 30, 1978. Six person exhibition; book published.
Los Angeles Institute of Contemporary Art. "Artworks/Bookworks," Feb. 28 – March 30, 1978, printed matter and small edition.
Light Gallery, New York. One person exhibition, Feb. 1 – 25, 1978.
M.I.T. Hayden Gallery, Cambridge, MA. "Eye of the West: Camera Vision and Cultural Consensus," Oct. 14 – Nov. 30, 1977.
Indiana University Museum. "Contemporary Color Photography," Sept. 4 – Oct. 8, 1977; six photographs.
International Museum of Photography, Rochester. "Locations in Time," Feb. 18 – April 10, 1977; two photographs.
International Art Festival at Arles, France. Aug. 8 – 15, 1977; six color photographs.
University of Oregon, Eugene. One person exhibition; Feb. 1 – 27, 1977.
Southern Illinois University. One person exhibition; Feb. 14 – 28, 1977.
Light Gallery, New York. One person exhibition; Feb. 9 – March 1, 1977.
Art Institute of Chicago. One person exhibition; April 17 – May 2, 1977.
Philadelphia Museum of Art. "Three Centuries of American Art," April 10 – Dec. 31, 1976; book published.
Philadelphia Museum of Art. "American Family Portraits," Feb. 28 – Dec. 31, 1976.
Cornell University. "Photo/Synthesis," April 21 – June 16, 1976; catalogue published; two electro-carbon prints.
Vision Gallery, Boston. "Larson, Gowin, Michaels, Callahan," Jan. 17 – Feb. 20, 1976.
St. Mary's College. "Generative Imagery," Jan. 31 – Feb. 26, 1976; ten electro-carbon prints; catalogue published.
University of South Dakota, Vermillion. One person exhibition; Jan. 25 – Feb., 17, 1976.
University of Tennessee, Knoxville. One person exhibition; Jan. 25 – Feb. 17, 1976.
Philadelphia Print Club. "Three Philadelphia Photographers (Larson, Gowin, Williams)," Sept. 5 – 23, 1975; portfolio/color photographs.
U.C.L.A. "Summer Faculty," July 21 – Aug. 3, 1975; 12 photographs.
NOVA at Park Center, Cleveland. "Twelve Photographers," May 13 – June 6, 1975; six electro-carbon prints; catalogue published.
Gallery Optica, Montreal. "The American Presence," (Larson, Gowin, Callahan, Newman, Sommer), May 12 – June 9, 1975.
Northeastern University Art Museum, Boston. "New Directions in Photography," March 3 – 30, 1975; thirteen pieces.
University of Hartford, CT. "Photography: A Sense of Timing," Feb. 2 – 28, 1975; six color photographs.
Light Gallery, New York. One person exhibition; Dec. 10 – Jan. 4, 1975.
Harvard University, Cambridge. "Photography Unlimited," Sept. 13 – Oct. 30, 1974; catalogue published.
Rochester Institute of Technology, NY. "Straight Color," March 15 – April 15, 1974; five photographs.
Southern Illinois University, Carbondale. "Synthetic Color," March 3 – 29, 1974; catalogue published.
Archetype, New Haven, CT. "Projections," March 10 – 31, 1974.
California State University at Humbolt. "Variety Show II," Feb. 25 – March 15, 1974.
Columbia College, Chicago. One person exhibition; Sept. 25 – Oct. 25, 1973.
Akron Art Institute, Ohio. "Images: Dimensional, Moveable, Transferable," Oct. 1 – Nov. 10, 1973; five electro-carbon prints; catalogue published with introduction by Larson.
Hudson River Museum, Yonkers. "Light and Lens," June 30 – Sept. 16, 1973; catalogue published.
Light Gallery, New York. One person exhibition; March 3 – April 28, 1973.
Museum of Contemporary Crafts, New York. "Sewn, Stitched and Stuffed," April 18 – June 14, 1973; catalogue published.
Texas Tech University, Lubbock. "Invitational Contemporary Photography," March 3 – 24, 1973; six photographs.
Museum of Modern Art, New York. "Unique Photographs, Sculpture Multiples," Nov. 15 – Jan., 1973; six mixed media pieces.
Photokina, Cologne, Germany. "Sequences," Sept. 23 – Oct. 1, 1972; two photographs.
State University of New York, Potsdam. One person exhibition; Nov. 17 – Dec. 22, 1972.
Philadelphia Museum of Art. "The Expanded Photograph," Sept. 29 – Oct. 1, 1972; catalogue published.
San Francisco Art Institute. "Sequence," Aug. 29 – Oct. 1, 1972; twenty photographs.
Pennsylvania State University, University Park. "Beginnings," March 10 – April 9, 1972; ten color photographs; catalogue published.
Moore College of Art, Philadelphia. "Portrait Photographs," March 10 – April 14, 1972; one electro-carbon print; catalogue published.
Museum of Contemporary Crafts, New York. "Photo/Media," Sept. 23 – Jan. 1, 1972; eight pieces; catalogue published.
Memphis Academy of Arts, Tennessee. "Photography Invitational 1971," March 1 – 31, 1971; five color photographs; catalogue published.
San Diego State College. "Photomedia U.S.A.," April 15 – May 15, 1971; six color photographs; catalogue published.
University of Exeter, Exeter, England. "American Contemporary Photography," April 1 – May 30, 1970; three color photographs.
Maryland Institute, College of Art, Baltimore. One person exhibition; April 27 – May 22, 1970.
West Texas Museum, Lubbock. "Colorprint U.S.A.," Nov. 2 – 23, 1969.
Museum of Modern Art, New York. "Portraits in Photography," Aug. 15 – Sept. 25, 1969.
George Eastman House, Rochester. "Vision and Expression," Fall, 1968; book published.
"The Photographer in the Garden," pub. by the Aperture Foundation, 2018
"Transformational Imagemaking: Handmade Photography Since 1960," Robert Hirsch, pub. by Focal Press, 2014
"Light and Lens: Photography in the Digital Age," edited by Robert Hirsch, pub. by Elsevier's Focal Press; 2007
"Handbook of the Photographs Collection," pub. by The J. Paul Getty Museum, 1995, pg. 227
"Taken by Design: Photographs from the Institute of Design, 1937-71." Pub. by the Museum of the Art Institute of Chicago, 2002.
"Photomontage," Stephen Golding, pub. by Rockport Pub., Inc., MA, 1997. Color reproductions.
"Album," published by l'ecole des loisirs, Paris, 1996. Color reproduction, pg. 172.
"Kobe Aid Fund: World Photo Art Exhibition and Auction," 1996. Color photograph, pg. 249.
"An American Century of Photography, From Dry Plate to Digital," pub. by Abrams, 1995.
"Photographing in the Studio," G. Kolb, pub. by Brown and Benchmark, 1993. Reproductions.
"Photography at the Dock," edited by Abigail Solomon Godeau, pub. by University of Minnesota Press, 1991. Reproductions.
"Artists Choose Artists," published by the Institute of Contemporary Art, Philadelphia, 1991. Reproductions.
Museum of Modern Art Calendar, 1991, New York, one color photograph.
"Decade by Decade," pub. by Center for Creative Photography, Tucson, edited by James Enyeart, 1990, pg. 86-86.
"Photography and Art," pub. by Abbeville Press, edited by Grundberg and Gauss, 1990, pg. 131.
"The Creative Camera," pub. by Davis Publishing, NY, edited by N. Howell – Koehler, 1989, pg. 108.
"Postmodern Currents," pub. by UMI Press, edited by M. Lovejoy, 1989, pg. 121-123.
"Sequence (con)Sequence," pub. by Aperture, NY, edited by Julia Ballerini, 1989, pg. 60-62.
"Photography and Art, Interactions Since 1946," edited by Grundberg and Gauss, pub. by Abbeville Press, NY, 1987, pg. 29, 115, 118-19, 131, 249.
"American Images, Photography 1945-1980," edited by Peter Turner, pub. by Penguin, 1985, pg. 207.
"American Photography," pub. by Abrams, edited by J. Green, 1984, pg. 149, 154, 159, 160.
"Aperture," pub. by Aperture Inc., Millertown, NY, No. 94, color portfolio, "Tucson Gardens."
"New Color/New Work," pub. by Abbeville Press, NY, edited by Sally Eauclair, color portfolio, 1984, pg. 115-125.
"Exposed and Developed, Photography Sponsored by the National Endowment for the Arts," pub. by The Smithsonian Institution Press, edited by Merry Foresta, 1984.
"20th Century Photographs From the Museum of Modern Art," pub. by M.O.M.A., 1983, pg. 96.
"The Gallery of World Photography," (Volume: New Trends) pub. by Shueisha Publishing Co., Tokyo, 1983.
"The Gallery of World Photography," (The Human Figure), pub. by Dai Nippon, Tokyo, 1983.
"Contemporary Photographers," pub. by St. Martins Press, Inc., NY, pg. 434-35.
"Aperture," pub. by Aperture, Inc., Millertown, NY, "The New Vision, Forty Years at I.D.," fall, 1981.
"Photo Freibourg 81," pub. by Museum of Art of Freibourg, Switzerland, pg. 130.
"Whitney Biennial 1981," pub. by Whitney Museum of American Art, pg. 119.
"Big Pictures, Little Pictures," pub. by Gravity Press, 1979, Monograph/Polaroid work by William Larson.
"Photo Art Process," pub. by Davis Publications, Inc., 1980, pg. 17.
"One of a Kind," pub. by Polaroid Corp., Cambridge, MA, color portfolio, 1979.
"Photokina Bilderschauen," pub. by Koln, 1978, pg. 157.
"Photo Freibourg 78," pub. by Museum of Art of Freibourg, Switzerland, pg. 40-41, 157.
"Innovative Printmaking," by Thelma Newman, Crown Publishers, Inc., New York, 1977, pg. 260-61.
"Who's Who in American Art," pub. by J. Cattell Press, 1978, Tempe, AZ.
"Spaces," edited by Aaron Siskind, pub. by R.I.S.D. Museum of Art, 1978, portfolio.
"The Photography Catalogue," pub. by Harper and Row, 1977, pg. 192, 152.
"Fire Flies," Gravity Press, Philadelphia, 48 pg. Monograph/transmitted images by William Larson.
"Three Centuries of American Art," pub. by Philadelphia Museum of Art, 1976, one photograph and biography.
Picture Editor for "Moholy-Nagy Photographs," pub. by Clairmont Colleges, CA, 1975, pg. 70, monograph.
"Photographer's Choice," pub. by Addison House Foundation, MA, 1975, color portfolio.
"Photography, A Handbook of History, Materials and Processes," Holt, Rinehart and Winston, Inc., 1974, one photograph, pg. XIII.
"Light and Lens," pub. by Morgan and Morgan, Inc., 1973, four photographs, pg. 60-61.
"The Art of Photography," Time-Life Library of Photography, 1971, two color photographs, pg. 171-72.
"The Great Themes," Time-Life Library of Photography, 1970, All photographs for chapter on the nude (served as photographer consultant on this chapter), pg. 144-45, one photograph, portfolio section, "The Portrait."
"Vision and Expression," George Eastman House, 1968, Nathan Lyons, editor, one photograph, pg. 134.
Dear Dave, Vol. 26, Fall 2017 / Winter 2018, "Fireflies: Fax Machine Images: On William Larson," by Charles H. Traub.
The New York Times, June 19, 2015, "William Larson 'Fireflies,'" by Martha Schwendener
The New Yorker, May 18, 2015, "William Larson"
Collector Daily, May 1, 2015, "William Larson Fireflies @ Gitterman," by Richard B. Woodward
The Hopkins Review, Johns Hopkins University Press, winter, 2012. "William Larson Film on Film: Seven Photographs"
The Getty Conservation Institute Newsletter, Vol. 22, No.3, 2007, "The History and Conservation of Digital Prints: Research in Progress," by Martin Jurgens, pg. 5.
Photonews, Nr. 2/07, February 2007, Hamburg, Germany, "William Larson, Die Stille der Bewegten Bilder," by Denis Brudna. Six photographs, pg. 14-15.
Exposure, Vol. 36:1, 2003. "Flexible Images: Handmade American Photography, 1969-2002," by Robert Hirsch. One photograph, pg. 31.
ArtForum, Sept., 2002. Review: "William Larson at Arcadia University Art Gallery," by Eileen Neff. One photograph, pg. 207.
New Art Examiner, pub. by Chicago New Art Association, Vol. 22, No. 2. Article: "Theatre du Monde," by Bill Gaskins. One photograph, pg. 40-41.
European Photography, Vol. 10, No. 4, 1989, pub. by Kurt Schumacher – Weg, West Germany, Illus. pg. 50.
Photo Review, Vol. 11, No. 4, pub. by Photo Review Inc., Langhorne, PA. 1988, portfolio, pg. 17-20.
Journal of the Texas Photographic Society, pub. by University of Texas, Winter 1988, pg. 24-25.
European Photography, pub. West Germany, two photographs, pg. 27 – 28, 1986.
Art News, pub. by Art News Assoc., NY. Article by A.D. Coleman, pg. 156, 1986.
LACPS Newsletter, pub. by Los Angeles Center for Photographic Studies. Cover Image, April 1980.
Modern Photography, pub. by ABC Magazines, March, 1980, pg. 78.
Artweek, Oakland, CA. Review, "Image as Information Carrier," by Mark Johnstone. One photograph reproduced, April, 1980.
Modern Photography, pub. by ABC Magazines, Inc., NY February, 1978. Color photograph in article: "Flash Pros Pick the Portables," pg. 95.
Camera, pub. by C.J. Bucker, Lucerne, Switzerland. Color photograph in article: "Second Generation Color," by Allan Porter, July, 1977.
AfterImage, Visual Studies Workshop, Dec., 1976, pg. 4, 5, and 18. Feature article: "William Larson: Time and Structure," by Skip Atwater.
Artweek, Oakland, CA. Review/Tension Through Color by David Featherstone.
Philadelphia Art Exchange, pub. by The Art Institute of Chicago, 1977. Portfolio of original work.
Underwear, pub. by The Art Institute of Chicago, 1976. Portfolio of original work.
American Poetry Review, pub. by World Poetry, Inc., Philadelphia, 1976. One photograph, pg. 25.
Newsweek. Featured in article: "New Frontiers in Color," by Rourke and Davis, pg. 56-60, April 19, 1976 issue, photograph of artist and one color photograph.
Camera, pub. by C.A. Bucher, Lucerne, Switzerland. One photograph in special issue: "The Best of Camera," December, 1975.
Untitled 9, pub. by The Friends of Photography, Carmel, CA, 1975. One photograph, pg. 17.
Philadelphia Magazine, pub. by Municipal Publications, Inc., August, 1973. One photograph in article on Philadelphia artists, pg. 104-105.
Craft Horizons, Vol. 33, No. 2, April, 1973. Article: "Sewn, Stitched and Stuffed." Cover and one photograph, pg. 30-31.
Modern Photography, pub. by Billboard Pub., Inc., February, 1972, special issue on sequential imagery. Three color photographs, pg. 78-79.
Camera, pub. by C.A. Bucher, Lucerne, Switzerland. One photograph in special issue: "Sequential," October, 1972, pg. 143.
Fox, pub. by Shiryoku, Inc., Boston, Vol. 1, No. 1, January, 1972. Two color photographs.
Technical Photograph. Three photographs and article: "Photo/Media," Dec., 1971, pg. 20, 21, and 28.
Craft Horizons, Vol. 31, No. 6, Dec., 1971. One photograph and article: "Photograph as Media," by D. Hare, pg. 15.
Photographic Applications in Science, Technology and Medicine. One photograph and article: "Photo/Media," by R. Lehmann, Nov., 1971, pg. 19.
Modern Photography, pub. by Billboard Publications, Inc., Vol. 35, No. 9, Sept., 1971. Four photographs, pg. 68.
Psychiatry and Social Science Review, New York, Vol. 5, No. 4, 1971. One photograph, pg. 8-9.
Prism International, International Journal of Literature, Vol. 10, No. 2, University of British Columbia, Canada, fall, 1970. Cover photograph and seven b/w photographs, pg. 63-70.
Modern Photography, pub. by Billboard Publications, Inc., Vol. 35, No. 4. Article: "The Human Figure in Motion," by photographer with illustrated pg. 78-81, April, 1971.
Mundus Atrium, A Journal of International Literature and the Arts, pub. by Ohio University Press, Spring, 1971. Cover and three photographs with article by artist.
Modern Photography Annual, pub. by Billboard Publications, Inc., 1979. Four color photographs, pg. 118-119.
Camera, pub. by C.A. Bucher, Lucerne, Switzerland, April, 1970. Eleven photographs, includes article about artist and article written by artist, pg. 36-43.
Art in America. Article: "Photography as Printmaking and Sculpture," by Peter Bunnell, Sept./Oct., 1969, and one color photograph, pg. 56-61.
Playboy Magazine, pub. by Hugh M. Hefner, Inc., Vol. 15, No. 10, Oct., 1969. One color photograph commissioned illustration for article, pg. 149.
Woman Annual 1968, pub. by Ziff-Davis, Inc., NY. Two photos, pg. 133.
Popular Photography Annual 1968, pub. by Ziff-Davis, Inc., NY. One photograph, pg. 119.
International Harvester Today, pub. by International Harvester, 1968. Commissioned illustration for article. Three photographs, pg. 10-11.
Modern Photography, pub. by H. Kappler, NY, Sept., 1966. One photograph, pg. 71.


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Ellucian honored its top 2018 partners at the Partner Forum held in conjunction with the EDUCAUSE Annual Conference. Read the article here.
Campus software and services provider Ellucian named TouchNet Partner of the Year at its Partner Forum reception during the EDUCAUSE Conference. Read the article here.
The Ulyngo multi-channel marketplace, which enables students to complete various campus-related commerce transactions online, is the newest addition to the TouchNet Ready Partner Program. Read the article here.
The National University of Ireland Galway (NUI Galway) has selected Ellucian CRM Recruit to enhance analytics and reporting capabilities for their recruitment and marketing initiatives. Read the article here.
Institutions are opting for an omnichannel approach to payments across campus. Read the article here.
Upgrading to a comprehensive commerce platform helps Texas State take a complete approach to campus commerce with TouchNet. Read the article here.
The Cougar Card Advisory Committee plans to centralize the capabilities of the multiple cards students use to one "Campus Smart Card," expanding the card's purview to cover the functions of the Cougar Card and Metro Q-Card as well as allow students to access parking and transportation and purchase items from vending machines. To read the full article, click here.
Ellucian and TouchNet have expanded their partnership with the launch of Ellucian OneCard VIP by TouchNet, a cloud-based campus ID card solution that communicates in real-time with Ellucian ERP systems. Ellucian OneCard VIP delivers a platform for transactions and access on campus that simplifies student life, maintains student access privileges and enables payments campus-wide via one card or app. For more information, click here.
Providing technology enabled, software driven solutions to the higher education market worldwide
Atlanta & Kansas City, Mo. – Global Payments, Inc. (NYSE: GPN), a leading worldwide provider of payment technology services announced the international expansion of its TouchNet business. TouchNet provides a technology enabled, software driven solution for colleges and universities that centralizes and manages campus commerce. To read the full press release, click here.
Lenexa, KS – Monday, April 25, 2016. TouchNet today received the much-anticipated news that the merger of Global Payments Inc. (NYSE: GPN) and Heartland Payment Systems, Inc. (NYSE: HPY) has been finalized. The combined organization will be one of the world's leading providers of payment technology services, serving more than 2.5 million merchants globally. Based in Atlanta, Global Payments provides a broad range of products and services for enabling all types of merchant payments across a variety of distribution channels in markets around the world.
TouchNet is a wholly owned subsidiary of Heartland Payment Systems and is now part of Global Payments. "We are delighted to be part of this expanded payments organization," remarked Dan Toughey, Senior Vice President, TouchNet. "The additional resources and expertise available to us will help TouchNet continue to be the leader in financial technology solutions for colleges and universities."
For more information, see the Global Payments news release.
Ellucian™ and TouchNet® today announced availability of a centralized payment system that will help institutions of higher education streamline their accounts receivable and payments processes. Campuses throughout the world will now be able to offer synchronized and secure payment processing through a new payment engine, the Ellucian Payment Center by TouchNet. click here.


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The sole Executive Director of Morgan Wallace is Bevan Wallace.
Bevan is a Fellow of the Institute of Financial Professionals, New Zealand (Inc), a Chartered member of the Institute of Directors and a member of the Law and Economics Association of New Zealand (Inc.). He is a former Chartered Accountant (1982-2012). He is Chairman of Efficient Market Services Limited, the operator of USX, the Unlisted Securities Exchange, an Independent Trustee of the IHC Foundation and a former Director of Blis Technologies Limited, a developer and supplier of advanced probiotics. He holds a Master of Commerce with First Class Honours in Economics and Accountancy (University of Canterbury), 1981.
Bevan has been involved in value-based reporting processes, state-owned enterprise commercial value audits and scoping studies and valuation-related issues in the electricity, health, agricultural, transport and technology sectors at both the industry and enterprise level.
Bevan has worked with many companies on planning reviews, identifying and valuing property rights, pricing strategies, introducing value based-financial systems, performance measurement and investor communications. He has been involved in scoping numerous businesses pursuant to strategic reviews, valuation and sale and purchase negotiations. Bevan has also acted as an expert in valuation and investment management issues and in judicial proceedings and regulatory reviews.


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Basket Quotes
Zach's very limited as a basketball player. He's not your prototypical Big Ten basketball player when it comes to ability, but you don't win games by just being good basketball players. You need some toughness, you need some heart, you need some feel for the game ... and he gives you those things. - Dan Monson
You've got to understand what he means to our basketball team. We're one of the youngest teams in America. He's the heart and soul of our team. You take away the heart and soul of our team and we still played those top 10 teams tough without him. So we can't complain about that. That's the breaks of the game -- injuries. - Rick Pitino
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Archives for the month of: February
Lake Association Update January 24, 2012
Posted on February 8, 2012:
Posted on February 8, 2012:
After a warm start to winter it is nice to see some ice rinks and ice-fishing huts out on the lake. We had a good meeting January 9th with approx. 20-25 members coming out. Some great questions and ideas came out of the meeting that we are following up on. As an example we are: […]


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The who, what, when and how
Cycling's governing body says all 180 riders expected to start the Tour de France - plus one - underwent planned pre-race blood tests Thursday.
The International Cycling Union (UCI) said nine riders from each of the 20 teams were tested along with Quick Step sprinter Tom Boonen. The Belgian rider has appealed to French sports authorities in hopes of overturning a ban by Tour organizers after Boonen tested positive for cocaine twice in less than a year.
The blood tests are part of UCI's anti-doping program known as the "biological passport." It provides individual profiles of riders' blood parameters. Officials from the tour, France's anti-doping agency and the UCI say that this will be the most tested event in the sport's history.
Last year, six riders, including third-place finisher Bernhard Kohl of Austria, tested positive during the race or in postrace retroactive testing. Kohl since has retired from the sport and has said that doping was still prevalent in the peloton and that it was impossible to win without the aid of performance enhancers.
Here is an overview of this year's testing:
WHO AND WHEN: More than 500 tests will be conducted during the three-week race. Fifty riders have been targeted for testing, a list that includes race favorites but also riders whose blood profiles have raised suspicions of drug use.
Riders will give two blood samples two days before the race begins, and those samples will be stored for potential future testing. Eight to 11 riders will be tested daily, based on their performances. Other riders will be tested at random.
WHAT: Last year, several riders were caught using the next-generation blood booster, CERA, which some competitors thought was undetectable - until they were caught using it. This year, officials from France's anti-doping agency and the cycling union say they will test for other drugs riders might think are undetectable. Officials will be screening for more common drugs, too, like testosterone.
Anti-doping officials will be on the lookout for riders using performance-enhancing methods like blood doping through transfusions. Scientists are able to detect when a rider uses someone else's blood to increase the amount of oxygen-carrying red blood cells, but there is still no test to determine if a rider has re-infused his own blood.
HOW: Since the "passport" program began in 2008, about 850 riders have given urine and blood samples so a profile of their normal biological values can be compiled. Those profiles are tracked over time. Profile variations might indicate that a rider has used performance-enhancing drugs or methods. The strategy is not to look for the drugs themselves, but the body's telltale reactions to those drugs.