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So this weekend just been there was the 2nd major WHFB event in Wellington of the year. As with the first one (Runefang) it was a Mighty Empires campaign instead of a tournament (I believe that is the NEXT event-Call to Arms 2400pts...). I personally think that the campaign event is the way to go. It has all the "seriousness" of a tournament, but with all the lolz and fun that WHFB is all about. Big ups to Pete Dunn for a) organising it; b) putting all the campaign stuff together; and c) running a campaign instead of a tournament.
So as with the last event I was in the R.O.Man team with the father/son combo of Neil and Peter who were using Bretts (minus Heroic Killing Blow that I think he missed all event) and Woodies (Peter's first ever run with woodies in 8th...).
The Event was 2000 points with 3 "sideboards" of 100 pts that you could buy with campaign gold. You had to buy your core first, then special, then rare. I took 10 scouts (never again!) and 10 Great Swords (totally worth it!). As a team we also had a "mission". Ours was to a) survive; and b) hold 2 of the 3 coastal tiles. This meant we had a weekend of games vs Skaven, Lizardmen, and the Chaos Alliance (Dark Elves, WoC, DoC).
Also-N00b moment for me-on day 1 brought my woodie army book instead of my Empire, and day 2 I forgot my camera...sigh.
My list:
Lvl4: Light-scroll
W.Priest: HA, Sh (general)
W.Priest: HA, 2hw
BSB: FPA, opal Amulet, charmed Shield.
2x46 Halberds: FC with 5 Free Company detach (the Sisters of Sigmar)
30 Halberds: M, SB
10 xbows
30 Flagellants
2 cannons
5 Pistoliers: M
GAME ONE vs High Elves. Traditional punch up.
SO game one I got to choose my opponent of the High Elf players. I chose to play Hugh instead of rematch Glen from last time-not because I wanted to avoid Glen-but because Hugh brought a dragon, and my cannons were eager to go monster hunting! (+ plenty of games left for the rematch).
Hugh's list was something like:
Prince with stubborn, 4+ ward, Sun Dragon
BSB on Stead with 2+ As, 5+ ward, Gw usual stuff
Lvl2: High magic, +1 spell
36 sea guard: FC
9 Silverhelms: FC-the UoU cold blooded item
5 Dragon Princes
Lion chariot
2 Eagles
SO, a very fast list with lots of targets and armour to make life fun for the men with feathered hats.
Turn 1
The HE got first turn and moved their flanking force up hard. This worried me as it meant I only had 1 turn with the cannons before the Dragon got his nom nom nom on.
In the magic phase, I stopped Drain magic, before the shield of Sapphery was IF'ed onto the dragon...yay. Snake Eyes was rolled on the miscast table, but the mage dodged the warp.
In the empire turn my troops slowly started their trap move. I made a mistake with the pistoliers. Instead of pushing up to kill the eagle, I moved them to make the charge impossible. Sounded smart, but I forgot about the dragon princes charging through the xbows. I got the big pha's off (better hitting me on 4's not 3's). The shooting phase was awesomeness x1000000. The mighty dragon is felled, the prince frustrating survives haha. The xbows also then put 2 wounds on the lion chariot.
Turn 2
So as expected/realised in my shooting phase, the DP's and the Eagle charged my xbows.
The mage, not having had enough fun last time, decides to IF the shield AGAIN, and takes a wound for the trouble. The sea guard then let off a volley, killing a unit of my sisters. As you can expect, the xbows died, and everything overran into the pistoliers...though buying my cannon another round of shooting...
The empire movement phase was me setting more traps/bad ideas for the high elves. This meant entering the forest (but not enough to lose steadfast). However, this forest was a stupid forest-but hey, I can't remember failing re-rolling ldship 8 tests...*cough* can opener vs Woodies *cough*
I wanted to trap the silverhelms in a combat they could not win, and then Combat res them into submission. The other side of the battle was a little more "tactical" as I needed to get the flank of the sea guard to have any hope at all of winning vs them.
My magic phase was fruitful. I got speed of light off and also unbreakable on my general. Shooting was very fruitful. The cannon saved my the pistoliers finished off the lion chariot, while my other cannon, decided to grape shot FOR THE VERY FIRST TIME and killed an eagle for its efforts. Not bad, not bad. In the combat, as you can expect the pistoliers went squish and the cannon found itself in combat with an eagle and some DP's.
Turn 3
So the high elves, not being a stupid bunch, retreat. Well, the Silverhelms turn around and "redeploy" to help the sea guard...but exposing a juicy flank to my halberds.
In the magic phase the silverhelms get the shield-though the mage had finally learnt how to temper the winds of magic, and cast it safely. The sea guard in the shooting phase open up on the other unit of sisters, but only manage to kill 4. The remaining sister, holds firm. The cannon dies a sorry death. The eagle reforms to try chase my mage, and the DP's overrun to hunt the mortar (not really needed TBH-hadn't hit anything all game!).
The flagellents with nothing to do, reform to play "catch the prince/make sure his ldship is miles away from where it is needed".
Repeat for the rest of the game. The general and his merry men, seeing the golden opportunity to wrap this game up quick, decide that it would be tactically "better" to hang out in Sherwood Forest for another turn...sigh. At this point I could see the game slipping away from me. I try to position my 2 blocks as best I could.
My mage get's pha's up for some much needed anti-shooting.
Turn 4
The high elves, seeing the opportunity charge...and the sister flees haha. The Sea Guard redirect into the horde to get their chop on. The Silverhelms, on the craziest of angles, could see me, and were thankfully in my front; they also joined the fun.
I dispel the shield on the Sea Guard, and the stubborn spell fails to cast...phew! Now I'm thinking I've probably lost as my other blocks are nowhere near the situation to support me, and my "flanking unit" is still frustratingly in the front arc of the seaguard (wanted 1 more turn before the charge). The only good thing was that Pha's was still up. The DP side show resulted in a dead mortar. The real funfest however was a bit of a blood bath. I managed to pull the BSB from his horse to his grave, and scare the sea guard. However, the highelf onslaught was too much and I lost combat by 4. I picked up my dice, pleaded to Sigmar, and rolled snake eyes! Praise Sigmar! Then to my surprise, the Sea guard reformed into a steadfast block-giving my "flanking" unit the flank! I suspect my opponent didn't see this as was more worried about my magic phase making me unhittable (understandably), so when deep for steadfast not wide for killy.
So In charge the halberds. My General's unit decides it is time to get into the action, swift reform, and walk up to the silverhelm flank. My mage then fluffs....looks like this war will have to be won with the sweat from the brow and the might of the feather and cod piece of the Empire grunts...REAL WAR. Needless to say, the combat was a rip roaring success. I win 3, the seaguard are run down by the flanking halberds-who overrun into the silverhelms-who held due to the cold blooded item thingie.
Turn 5.
The other cannon fluffs a grapeshot and dies. I scroll the stubborn spell and pull the silverhelms apart with combat res-running them down.
With no chance of either side catching any other unit we call it there. Adding up the points, I was 764 points up. This also meant we could steal a tile from the highelves (which we did).
A fun game, and great to see the dragons being used. Didn't do much in this one, but I hear in the later games it did much nom nom nom. Nice.
GAME 2 vs Lizardmen. Meeting Engagement.
So into game 2. My team was in last place (we lost the other 2 games), so we took the "all or nothing" card. This was changed since last time-instead of getting 1 point for a loss, you get none, but get an extra point if win.
For this game I annoyingly had to set up first. As I may have moaned in earlier posts, this gives the 2nd player a HUGE advantage-even if they go 2nd. Anyway-I was determined to win this one and prove to myself that it was do-able. To make it more "fun" the Lizardmen team chose the "elite army" card = one player gets their elite choice sideboard for free. As I had cannons, I was up against an extra 100 points of fun.
So my opponent Reid had a list that looked something like this:
Slann bsb-banner of discipline. +1 dice per spell, extra spell, if my mage within 24 = discard all 6's, 4+ ward, 2+ ward vs ranged. Life
2 scar vets on coldones.
2 blocks of saurus
2 cohorts
2 Salamanders
Ancient Stegadon (cannon target #2 of event)
3 terradons (sideboard)
So rolling for deployment, only my mortar failed to start on the board (not that it does much anyway). I deployed as boring and defensively as I could.
The lizardmen rolled for their deployment-only 1 cohort was off the board. They deployed like this:
Turn 1:
I got first turn. My movement was to bring my flag into the forest (another stupid one) and to move the pistoliers up to frighten the terradons. I my magic phase, put the net on the slann. Shooting was rather eventful. My pistoliers did 5 wounds to the terradons-leaving 1 fustratingly still alive (and re-growable). The cannons opened up. They killed all the crew on the ancient steggy and only managed a frustrating 2 wounds on the beast itself.
The Lizardmen turn got off to a good start. The cohort moved on to flank my blocks (well 2 or 3 turn's away flanking). The surviving terradon moved up along with the steggy and the sallys. The scar vet saurus "death star" charged the pistoliers-who killed one lizard with S&S before dying a squishy honourable death.
This good start however came crashing down around them when the slann failed a strength test, and 2 wounds got past the 2+ ward AND had no magic phase for the effort as well. Best. Net. Result. Ever.
The sallys then ominously failed to flame the flagellants... (two 2's for range)
Turn 2.
The flagellents declare a charge on the sallys who flee. The flagellants then promptly fail a re-rolling ldship 10 test to redirect into the Ancient steg. One of the sister units was JUST within charge range of the sallys-so declared another charge, making the sallys flee some more. Good.
In this magic I gave the Flagellants ASF, and banished the last terradon. The lizards, sore from last time, save everything to stop the net. The cannons opened up on the ancient steggy, and took another wound from the hefty beast-this was looking like a job for the crazy men.
The Lizard turn started with the ancient steggy charging into the flagellants-hoping for some life buffs to keep it going. The sallys rally and stuff moves up
The slann starts by giving its froggy self a throne of vines before s6 MMissiling the sisters-killing 4. The survivor holds. I throw everything to stop flesh to stone on the ancient, who had regained 1 wound from the lore of life (slann had also healed itself 1 wound). In the combat, 3 flaggellants are trampled to death before 2 martyr themselves so the ancient steggy's head can be mounted in the local shrine as a gift for Sigmar.
Turn 3
The flagellants, with a movement of 8 and having just killed an ancient steggy, charge into the saurus block with the 2 scar vets (sorry forgot to take a photo of this). My mage, overwhelmed by the winds of magic unleashes an IF net on the slann (didn't note down the result, but nothing died/no wounds taken-probably lost rest of powerdice). In the shooting phase, my cannons do nothing-one misses the sallys, the other misfires. My mortar and xbows kill 3 skinks and do 2 wounds to a krox on the advancing cohort.
In the combat, the flagellants kill 13 saurus. The lizards kill 8 in return, lose by 5 and run in a very un-cold blooded way. They are run down by the flagellants who power on through into the Slann.
The Cohort then charges the xbows. S&S does 3 wounds to the krox, killing 1.
The Sallys and the other saurus block turn to face the Flaggellant/Slann combat.
In the magic phase, the Slann AGAIN fails their strength test. Wow. The shooting phase is a bit more productive as the lurking cohort opens up with many javelin shots at the sisters and kills them many times over. The flagellants vs Slann combat = 2 wounds on the Slann who holds. The xbows kill3 skinks from the cohort, before running off the board to the pub, leaving a cannon to it's fate.
Turn 4.
So in the back field I start to move my halberds to engage the cohorts. I dispel the throne and fail to cast net again. The Shooting phase results in a mortar misfire (the other cannon still trying to repair itself). Combat however is a lot more productive as the Slann is killed by many flagellant fails. This is where I made a "mistake" (the flagellants were toast either way). I queried the initiative of the sallys-who are I4. With this in mind I figured the sallys would charge to wipe me out before I struck –completely forgetting that they are really there to destroy at range + I did not realise the movement + shoot range of the sallys. So I make the decision to reform to face the sallys instead of the saurus block (who were the obvious choice for the charge).
The cannon also dies-no cohort overrun L
So as I should have seen the Saurus charge the flagellants and the sallys move the flame the halberds. In the pic note that the sallys are out of halberd charging arc.
Shooting results in 24 dead halberds OUCH. I believe I flee (as somehow appear in next photo a bit further back...) In the combat I martyr 2 and kill 4 saurus (from 7 wounds). 4 flagellants die in return.
Turn 5
So my Halberds magically appear back from where they were last pic-must have rallied or something.
Also please note how far away the top cohort unit is from the halberds-not really a flanking threat...I cast unbreakable anyway as a precaution (more worried about more flame!)
So having been told to make this the last turn the lizardmen throw caution to the wind and declare a charge from the cohorts onto the halberd flank. Needing a double 6-and they make it OMG. Then with a 3 dice magic phase they dispel the unbreakable. From the last photo please note the "auto off the board" if the halberds flee.
The sallies flame the other unit. We don't bother rolling it-I just pass a panic test haha.
In the tense last combat, I kill 3 skinks, who kill 5 of me in return. Losing by a lot, I close my eyes, ask for more of that Sigmar luck the unit has last game and pass my break test!
Adding up the points I won by 907. I say "I won", but what I really mean was that my flagellants won the game.
A good game, and finally won the mission setting up first. Yay for flagellants striking first due to initiative and kicking ass (Despite depleting their own reserves in the process). Even though they finally died at the end, they more than got their points back many times over.
As a result of the game, we take a coastal tile from the lizards and get a bonus point due to all or nothing.
Game 3 vs High Elves. Grudge match vs Glen-straight up fisty cuffs.
Round three and I see on the board a match up vs High elves-even though we had no opposing tiles. This could only mean 1 thing: Grudge match vs Glen. I quickly consulted my team mates and got myself the match.
We were even assigned to the same gaming board we played on last time (gross super bouncy GW gaming board: look fantastic, horrible to roll lots of dice on!).
His list was:
Prince on foot with GW, 4+ ward, 2+ armour in a unit of 20 swordmasters: FC and banner of sorcery.
Lvl4 with Shadow
Lvl2 with life
BSB on foot with stuff
40 spears
10 archers
5 DPs
5 Reavors
1 Eagle
So super fast flank and solid infantry line-my Flagellants and those Swordmasters were NEVER going to meet if I could help it!
So we set up
The High Elves got first turn. Their turn started with a long range charge attempt from the swordmasters on the pistoliers. A S&S reaction kills 1 swordmaster-and they fail to reach the Pistoliers. The fast flank moves up. At this point I gave the reavors a challenge-they have to lap my army haha.
The magic phase saw wither fail to cast, me letting flesh to stone cast on the spears (my lvl4 losing concentration), then ominously, a failed casting of Dwellers...Shooting kills 1 pistolier and puts a wound on one of the cannons.
My turn got off to a great start with the pistoliers finding themselves march blocked. The rest of my army moved to engage the blocks; I opt to set the flagellants against the archers.
In a small magic phase, I get pha's up.
Shooting was not much of a show-the mortar decides to blow up and I kill 6 spears and 1 Swordmaster with the cannons. Xbows fire daisies at the swordmasters, and the pistoliers kill 3 reavors.
Turn 2
The tit-for-tat around the dance floor continues. The eagle (marched blocked) and Reavors move around the forest to get behind my lines. The DP's charge my pistoliers, who kill 1 with S&S.
The rest of his army stumbles up, querying how to deal with the road blocks. I then dispel Flesh to Stone before his lvl2 IF's Dwellers killing 22 Halberds from the general's unit. Lvl2 and lvl4 take a wound each for the effort.
Shooting fails to do anything and the DP's butcher the pistoliers.
My turn starts with an awkward decision; I have to 5 wide the general's unit to keep them combat effective. Gross. Sensing plenty of turns left in the game, I opt to bide my time. In the magic phase, I get a big Time warp up and also make the general's unit unbreakable. The xbows kill 2 swordmasters, and the cannons kill 7 spears.
Turn 3
The DP's, eager for more blood declare a charge on the xbows, who sensibly flee, drawing the DP's into comfortable charge range of the support halberd unit.
A 4v4 magic phase seemed promising for me until the lvl2 IF'ed Dwellers AGAIN, killing 19 halberds + the W.Priest in the 2nd halberd unit. Sometimes life just isn't fair. However the lvl2 dies for the effort and the lvl4 takes another wound.
Seeing a game winning flank charge from the flagellants on the spear block, it was only suiting that they fail to make it haha. Oh well. To make up for it my support halberds charge into the DP's. My sisters move to block the swordmasters from supporting the DP's if everything goes wrong. I then IF Time warp-once again to keep the Elves honest. The cannons manage a frustrating 2 wounds on the eagle. In the combat, my CRes wins the day-the halberds running down the DPs and getting into position for a good charge on the lvl4 in the building.
Turn 4
So the combat starts...with the eagle failing a charge on a cannon. The swordmasters and the spears both charge their road blocks. I scroll and dispel the magic phase. Long range fluky shooting puts a wound on my lvl4. The sisters are cut down (though not before doing a bit of damage despite forgetting the +1 attack). The swords overrun into the general's halberds-getting an "unusual situation" charge. The Spears reform to face off with the flagellants. I was a little annoyed with the swordmaster overrun –my halberds were just a wee bit too far forward. Oh well.
So time for my counter charge...kinda. The support halberds charge the lvl4 in the building-Glen forgot to move him out (therefore balancing out my halberd mistake). Rolling a massive snake eyes for my magic phase I try to cast light of battle on the general's unit...and fail to cast. Sigh. The cannons then open up, killing 2 archers, and finishing off the eagle. The lvl4 dies a horrible death. The swordmasters+prince butcher 14 halberds who manage to kill 4 in return. A quick look over my notes and I confirmed what I suspected-the unbreakable from the general had NOT been dispelled. Woot for writing battle report notes!
Turn 5
Turn 5, and reavors finally make it into a cannon. The magic phase results in a hasty dispelling of the unbreakable prayer. The archers fail to wound the cannon on 2 wounds. The cannon combat is fantastic. The reavors kill 2 crew, and the remaining crew kills 1 in return, and then holds. Noice. My notes for the swordmaster combat go like this:
"swordmasters kill heaps = snake eyes".
I guess you all know what that means....SUPER FEATHER HATS AND CODPIECES FTW
My turn 5 and the combat starts proper. The flagellants and halberds co-charge the spear unit. I Then get a big phas and a big timewarp up. The spearelves manage to kill 2 halberds and 5 flagellants before the flagellants kill the Spears to an elf. The BSB kills a token flagellant, then dies with a failed break test. In the other combat, super BSB defensive kit = I actually win the combat! Sadly the Prince and his body guard were having none of that and held.
Turn 6
Not much to say really, The Prince cuts down the BSB and the cannon holds 2 rounds of combat woot!
HOWEVER. Super fluky archer shooting (long range, moved, through units, through terrain) kills my lvl4. SUPER FUSTRATING. But thems the breaks.
I had a chance to charge in and do heroic stuff to the swordmasters, but a quick math thingie in my head told me that I did not have the bodies in the unit (thank you dwellers) to absorb the wounds and CRes out the sword masters + no W.Priest for hatred, so the game ended like this:
Valten and the Prince shook hands and called it a day.
Post battle adding up the points resulted in a draw. If the lvl4 hadnt died to super shooting, it would have been a win as I was up by just under 100 points. However, the game felt like a draw. There was a crucial failed charge from the flagellants (needed a 5 to get in) that could have pulled the game my way in a big way. Had that charge got off I suspect I could have taken the Spears in 1 or 2 rounds of CC, allowing my halberds to grind down the swordmasters. But oh well-should've, could've, would've.
A fantastically fun grudge match though. Glen has very quickly become one of my top 3 favourite opponents in WHFB + I also super fan boi his painting skills haha. He also made noises of resurrecting his Vampire Counts army. If that is true (and if you're reading Glen DO IT), I can't wait to take on the hordes of zombies, skeletons, grave guard etc with the might of my feathered hats, super cod pieces, spiky halberds and black power.
I'll get him next time though...
Day two to follow shortly :)


text:
Magda x
Sunday, 9 February 2014
Magda x
13 comments:
Piękne te Twoje Walentynki...ReplyDelete
Wow this is amazing - I love the background and the 'grid' work on top - so original and fabulous off to the link you posted to see the othersReplyDelete
Great work Magda! You're soooooo creative!!!ReplyDelete
Greetings, Saskia :)
Looks amazing!ReplyDelete
That's so beautiful - the grid looks amazing, and the colours are wonderful.ReplyDelete
Alison x
Jak zwykle pozostawiasz mnie w bezdechu...ReplyDelete
This is stunning! As always, I am amazed at how you can create such sophisticated and whimsical backgrounds. It's always a joy to browse through your blog and this piece was another fantastic creation!ReplyDelete
beautiful texture on your calendar pages!ReplyDelete
Wow, these really caught my eye! I'm fascinated by the grid you've created. Glue?ReplyDeleteReplies
Stripes are made from glue, spots - Crackle AccentsDelete

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Monday, December 5, 2011
3:49 PM | Posted by Shani - Wicked Princess | Edit Post
I've had this kit for awhile...and the colors are super bright, which I think a lot of people will like! It's a good sized kit. I hope you all enjoy! Completly FTU! :)
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9 comments:
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from Angelika from What is digital scrapbooking?
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My students loved this book. There was a lot of shouts of:
- Cool!
- As if!
- I would totally do that!
- That's a great idea!
The illustrations are great. We are doing 'elaborative detail' in writing right now and this book is a great example of ways to describe an object. I'll use it again!
Goodreads Summary:
Young Jack is giving an eye-opening tour of the car he'd like to build. There's a snack bar, a pool, and even a robot named Robert to act as chauffeur. With Jack's soaring imagination in the driver's seat, we're deep-sea diving one minute and flying high above traffic the next in this whimsical, tantalizing take on the car of the future. Illustrations packed with witty detail, bright colors, and chrome recall the fabulous fifties and an era of classic American automobiles. Infectious rhythm and clever invention make this wonderful read-aloud a launch pad for imaginative fun.


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|Dynamic Resources Corporation (DRC) and Dynamic Measurement LLC (DML) were both founded by H. Roice Nelson, Jr. The following summarize Roice's background:
here for February 2011 Geophysical Society of Houston Article,
here for January 2008 CSEG Recorder Interview, and
here for July 2003 The Leading Edge Article.
P.O. Box 382
Barker, TX 77413-0382
phone: 281.579.0172
fax: 281.579.2141
cell: 713.542.2207
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|Business Management:
|Investors will drive the recruitment and establishment of the management team for DML.
Dr. D. James Siebert: Chief Meteorologist at Fox News Houston. Jim is a co-founder of DML and has become actively involved in packaging and explaining DRC AMI and TMI investment opportunities.
cell: 832.423.2355
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cell: 972.765.2590
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Queen 2013
Plot: A Delhi girl from a traditional family sets out on a solo honeymoon after her marriage gets cancelled.
Story: None
Did you know: This is the 2nd National award Kangana Ranaut recieved for best actress. Before she has got National award for best supporting actress for Fashion for the portrayal of super model.
Release date: 7 March 2014
User Votes: 8.4
Countries: India,
Stars: Kangana Ranaut, Rajkummar Rao, Lisa Haydon, Jeffrey Ho, Marco Canadea,
MPAA Rating: Unknown
Runtime: Not Available
Oscars: None
Watch Queen Movie
Related movies to Queen


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Lord grant me eyes to see
Love, peace and harmony
The best in me and in others
The beauty that fills the world
The smile of a happy child.
Lord grant me eyes that see
My blessings of health
As my greatest wealth
A tomorrow filled with hope
Joy that comes with the morn.
Lord grant me eyes to see
The beauty of the butterfly
and the grace of the bumblebee
The rainbow in my tribulations
Let my eyes look and see.


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Obama pays tribute to 9/11 victims, nation remembers
Sept. 11 - President Barack Obama observed the 12th anniversary of the September 11, 2001 attacks, events that continue to weigh heavily over the country.
NATURAL SOUND PACKAGE -- NO REPORTER NARRATION STORY: President Barack Obama laid a wreath and delivered remarks at the Pentagon on Wednesday to remember the 12th anniversary of the September 11, 2001 attacks. The attacks, in which hijacked airliners were flown into New York's World Trade Center and the Pentagon in Washington, triggered a global fight against al Qaeda extremists and their affiliates that continues to this day. Before going to the Pentagon, the president observed a moment of silence on the South Lawn of the White House. With first lady Michelle Obama, Vice President Joe Biden and Jill Biden by his side, he stood still for a moment at 8:46 a.m., the moment the first plane hit the World Trade Center. Just 12 hours earlier, Obama had given a nationally televised address to a war-weary nation about the possible need for military action against Syria if diplomatic initiatives fail to get Syrian leader Bashar al-Assad to give up his chemical weapons. At the Pentagon, the president acknowledged the decade of conflict that has followed September 11. He paid tribute to the four Americans, including the U.S. ambassador, who were killed in an Islamist militant attack on a U.S. diplomatic compound in Benghazi, Libya, last September 11. Americans remembered the 12th anniversary in memorial services across the nation, including in Pennsylvania, Iowa, Nebraska, North Carolina and New York . U.S. service members stationed in Afghanistan also commemorated the twelfth anniversary of 9/11 at memorial services. "I can't believe it's been twelve years," said Captain James Garrett from Bagram Air Force base in Afghanistan. "I remember like it was yesterday."


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In Honor of Teacher Appreciation Week
Most people would agree that teachers don't go into the profession because they expect to get rich. The work requires passion and the drive to serve all students. Wayside Schools' Altamira Academy in Austin is fortunate to have just such a person—Coach BJ Alzaid, or Coach A, as the kids call him.
BJ has served as the P.E. and health instructor on the campus since its inception in 2015. Over the years, he has worn many hats as the campus has evolved from a brand new Pre-K to second grade campus, to today when he serves students through fourth grade. In addition to his teaching duties, Coach A plans our Veteran's Day celebrations; seen great success providing support for academically struggling students; coordinates a school-wide field day every year; establishes and coaches the first basketball teams on campus; is a role model and mentor to students and he has been a strong advocate for charter schools. He has undertaken all of this while commuting from San Antonio to Austin daily.
Coach A has been instrumental in rallying, empowering and coordinating parents on campus to use their voices to support public charter school students. He has encouraged them to contact legislators about the inequities public charter schools face and he has worked to help dispel some of the myths that surround our schools. Coach A refuses to accept any credit for these efforts and always feels like there was more he could have done to ensure that everyone knows about the good work being done at public charter schools, in spite of the more stringent accountability measures and vastly lower resources these school are provided with to accomplish this work
While he's never one to seek the limelight or glory, Altamira, Wayside schools and charters across the state are lucky to have Coach A in their corner.
-Michelle McCurdy, Proud Wayside Altamira Parent
The views expressed in this blog are those of the authors and do not necessarily represent the views of TX Charter Revolution


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Why is it that I have been gifted with these periods of great loneliness in life. It is only in the times of loneliness that I produce my best work. Place that in juxtaposition against the desperate need to interact in order to gather and glean the material upon which the production while be built. Up and down in measure, the cause of all I know and value.
- Current Music: - Last.fm -


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- You're wondering if or worried that you might have a problem. The very fact that something is making you wonder if your alcohol or drug use is a problem is usually a good indicator that it is. Whether it's "just a feeling" or something more – for example, you occasionally drink to the point of passing out or went through your prescription of Vicodin far too quickly – don't ignore it. Pay attention to those worrisome thoughts – they may save your life or at least steer you away from disaster down the road.
- Others have expressed concern about your alcohol or drug use. If someone who loves you or knows you well has expressed concern about your alcohol or drug use, don't be too quick to write them off. Chances are they have your best interests at heart and don't want to see you destroy your life.Even if you disagree or think they're blowing things out of proportion, consider the possibility that they may be right. While some people do have family members or close friends who are prone to judging or lecturing, the vast majority of people will only broach such a sensitive subject with you if they feel it's necessary.And if several people have expressed concern, well, let's just say the writing's on the wall that you most likely need alcohol and drug treatment.
- You're hiding your use from close friends or loved ones. Perhaps you're justifying this because you don't want others "in your business", or you feel your loved ones would be judgmental. But if you feel the need to be secretive about your use, that's typically a red flag that you have a problem. Granted, if you're using illegal drugs (which suggests a problem in and of itself), hiding the fact is not uncommon. But again, the very fact that you're willing to engage in illegal activity and risk serious legal problems is an indicator that something is seriously wrong.Perhaps you find yourself using alone, using when your spouse or family or roommate has gone to bed, or locking the bathroom or bedroom door when you're using. If someone dares interrupt you or violate your privacy, you feel irritable or get angry at them. The question to ask yourself is, why the need for all the secrecy and privacy if you don't have a problem? Your answer to that should give you a lot of clues regarding whether or not your need alcohol or drug rehab treatment.
- You use alcohol or drugs to cope with stress or numb painful feelings. Mental health professionals, as well as drug and alcohol specialists, refer to this as "self-medicating". Whenever alcohol or drug use becomes a "need, that's a telltale sign that there's a problem. Additionally, using a substance as a means of coping often turns into a vicious cycle. Each time you feel better after drinking or using, it reinforces the pattern.On top of that, substance use problems create other problems in your life – relationship problems, health problems, legal problems, and / or financial problems. With each new problem comes even more stress, and an increased need to use (or self-medicate) even more. This vicious cycle can easily spiral completely out of control.Pay attention to what you tell yourself every time you use or take a drink. If you often find yourself saying "I need a drink" (or something similar) whenever you feel stressed, that's a red flag that there's a serious problem brewing.
- Your performance is suffering. If you're experiencing a decline in your performance at work, at school (if you're a student), or in your parenting, (or any other area of your life), that's a strong sign that your alcohol or drug use is a problem. In some cases, the decline is gradual – and harder to spot. In others, it can be fairly rapid.Drugs and alcohol can impact your ability to think clearly. They can also disrupt your sleep, making it difficult to be alert and focused during the day. If you're noticing – or others (like your boss) are commenting on – a decrease in your ability to perform, take heed before there are inevitable consequences.
The five signs listed above are significant, but there may be others as well. While each of these could be due to other things as well, they often accompany substance abuse problems and support the need for alcohol or drug rehab treatment:
- Memory problems
- Neglecting responsibilities
- Changes in sleep or appetite (that can't be appropriately attributed to something else)
- Neglecting your personal hygiene or appearance
- Borrowing money or selling possessions to buy drugs or alcohol
- Doctor shopping
- Mood swings
- No longer engaging in activities that you once enjoyed
- Withdrawing from family and friends
- Frequent injuries or accidents
- Feeling the need to lie or be evasive
Having an alcohol or drug problem doesn't make you a bad person. It doesn't mean you are weak, undisciplined, or lacking in morals. Admitting that you need help is hard, but you deserve to live a life that is fulfilling and unencumbered by alcohol or drug problems. Alcohol or drug rehab treatment is available if you're willing to acknowledge the signs and take that first step.


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Twin Solitude by Leif Vollebekk
This is a hauntingly beautiful album from the Quebecois songwriter. Twin Solitude is more ambient than North Americana or Inland, turning away slightly from Vollebekk's earlier, more Dylanesque instrumentation.
"The Fourth Industrial Revolution: what it means, how to respond" by Klaus Schwab (World Economic Forum)
Schwab writes, "The First Industrial Revolution used water and steam power to mechanize production. The Second used electric power to create mass production. The Third used electronics and information technology to automate production. Now a Fourth Industrial Revolution is building on the Third, the digital revolution that has been occurring since the middle of the last century."
Schwab predicts that modern computer systems and digital connectivity combined with emerging technologies will usher in a Fourth Industrial Revolution characterized by "a symbiosis between microorganisms, our bodies, the products we consume, and even the buildings we inhabit."
This kind of revolution would seriously disrupt the way we live and work. What is this likely to mean for food and beverages? More and better integration with technology as we've seen at Atlanta's Huge Cafe? More self-service or partial automation, which could both alter and reduce the role of bartenders and baristas? Or more coffee served by robots a la San Francisco's Cafe X, eliminating human service altogether?
The Advanced Genius Theory: The Life of Pablo and Kanye West by Ryan Bassil (Noisey)
Bassil offers an alternate response to the question of whether Kanye West is a genius. Invoking a theory originally conceived to explain the later work of Lou Reed, Bassil suggests that Kanye West is actually becoming an "advanced genius," transcending his earlier work by not creating more of the same but not creating the exact opposite either.
"The Turning Point I Feared" and "Make or Steal" by James Hoffman (jimseven)
There are two common avenues of growth in the specialty coffee industry (though this applies to many other industries too): by capturing a greater market share by taking customers from competitors or by growing the industry and welcoming entirely new customers. Hoffman warns against the former and advocates the latter, claiming that growing the industry and making space for oneself is a slower but more sustainable route.
"Conscious Consumerism Is A Lie" by Alden Wicker (Quartz)
Here's a compelling opinion piece on why voting with your dollar is perhaps admirable but inconsequential in the face of systemic moral hazards and environmental threats. Wicker argues that conscious consumerism fails to achieve its big picture goals and instead deplete's consumers buying power and political will while diverting our attention from more meaningful issues. The more I reflect on this argument, the more important it seems.
"Weird Twitter: The Oral History" by John Herrman and Katie Notopoulos (Buzzfeed)
This is an amusing and interesting glimpse into the loose-knit online community of pseudonymous comedians known for their brand of surrealist, sometimes absurdist humor.
"How Netflix Is Deepening Our Cultural Echo Chambers" by Farhad Manjoo (The New York Times)
Manjoo observes that with the growing popularity of content streaming, our viewing habits are becoming more personalized and therefore television shows are becoming less ubiquitous. This is lessening the role of TV in unifying us in shared cultural experience. Despite charges of TV's banality, broadcast TV as cultural unifier is likely to be seen as a distinctly mid- to late-20th century phenomenon.


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Dear main character,
I apologise for not having thought of you much lately. I know I should give you a name, but honestly I feel sorry for you and what I'm about to put you through.
This is the start of a letter I wrote to the main character of my novel for young adults. I find that having to do exercises like this in class, even though I often don't want to do them (especially not with a time limit) they are helpful when it comes to thinking about the novel I want to write as a whole. Perhaps one of the most difficult things to think about in your novel is the main story problem, what does your main character want and need most of all? You might think you know, but the problem you think of could be too small to last your character an entire novel. At the moment this is my problem, what can I set as my main characters problem?
But I need to think about the story idea as a whole; right now my story idea is a mess. Writers have this problem a lot. I'm not the sort of writer who plans out a story before they write it, I write scenes from different parts of my stories and stitch them together later. I'm not sure if I should try to write it because the more enjoyable you find writing your story the better. If you get bored when you're writing, you should stop. Readers will notice if you get bored, especially young readers who don't have the patience to read something boring; they'll just stop and find a different book.
I guess the main dilemma is self motivation; getting to write what needs to be written.
'The best way to start writing is to start writing (are you surprised?) Do not be self-conscious as you write down the first sentence that comes to mind. You may want to consider "free writing" initially. Once you have written a few paragraphs you can go back and then start judging your work.'
Read more at: How to Get Motivated to Write eHow.com http://www.ehow.com/how_4669185_motivated-write.html#ixzz1KV8Z8LS5
By Elizabeth Azzopardi


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SANdBLASTING returns with a new release : after the extremely successful
"Adrenaline" treatment, Luca Torasso produces a conceptual limited box concept based on
the DNA mutations of human organisms, involving in this outing
artists like AMBASSADOR 21, :BAHNTIER//, CRIMINAL ASYLUM, kETvECTOR,
GREYHOUND, MEZIRE, SINO Re-build projects, Wuornos Aileen, ZX 81 and many others….
19 new and unreleased tracks, more than 2 hours of pure industrial, rhythmic noise, breakcore,
dark ambient and power electronics for one of the most devastating release of this year.
The box contains a postcard for informing the souNSDTerrorist laboratories about
any form of DNA Mutations, a sticker, a pin and a bouns CD.
Produced by Luca Torasso, mastered by Eric Van Wonterghem and Justin Bennett.
Listen to the tracks on lastFM!
More about SANdBLASTING:


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Innovative package gettings from the greatest in download catalogs! Use the called for package groups, find out the hottest versions of the featured apps, and obtain immediately! Do not toss away an option to acquire the greatest apps: apply SoftEmpire directory to test apps for free of charge. Have a look on the website of free utilities and software program trial versions. Select among Windows and Linux services programs, acquire controllers, softwares for fun, and all other varieties of tools for your laptop or digital devices!
iToolSoft Blu-ray DVD to PC Ripper is a two-in-one software product owning all the functions of Blu-ray to PC Ripper and DVD to PC Ripper. It enables you to rip and convert Blu-ray discs and DVDs to PC WMV, and rip Blu-ray and DVD audio to PC WMA and MP3 with marvelous quality. You can enjoy your favorite Blu-ray/DVD movies on multiple devices. The powerful Blu-ray DVD to PC ripper also provides multiple settings including selectable audio, subtitle and angle, checking disc info, and so on.1. Supporting various source file and target file formats
Different input video formats are suitable for ripping with iToolSoft Blu-ray DVD to PC Ripper including common DVDs, IFO files and ISO files. Many output formats, both videos and audios, are supported as well such as *.asf, *.avi, *.dv, *.vob, *.mov, *.mp4, *.mpg, *.rm, *.dat, *.wmv, *.ts, *.aac, *.ac3, *.aiff, *.m4a, *.mp2, *.mp3, *.ogg, *.ra, *.au, *.wav, *.wma all of which can be played on your PC. All these possibilities mentioned above constitute a large part of the endless potential of this ripper.2.Selectable file settings a.Customizable file sizes
You are allowed to set flexible file sizes according to your own requirements by fixing the starting and ending time. b.Multi-format conversion for one file It can rip and convert one file to various suitable formats for simultaneous output by adding profiles. Or you can clone or copy the title and choose several formats for output. c.Splitting options You can clip or split the target files in terms of file size and length in order to rip or get the exact segments you like.3.Convenient operation a.Converting Blu-ray discs & DVDs to PC in background
iToolSoft Blu-ray DVD to PC Ripper can be run in the background, which will let the CPU resources allocated proportionally to keep all the running programs smooth. b.Post-conversion
After the whole ripping process is finished, you can exit the program, shut down your PC, hibernate or just stand by.
Wondershare DVD to MP4 converter for Mac is one of the first DVD to MP4 converters for Mac OS users to rip DVD to MP4 files for playback on iPod, PSP, Apple TV, iPhone and other popular MP4 players.
Cucusoft iPod Video Converter Suite pro is an all-in-one iPod video Conversion solution. This suite includes "Cucusoft iPod Video Converter" and "Cucusoft DVD to iPod Converter".
With this program you can easily burn a PPT presentation to a DVD. It can burn multiple files and will keep all effects and transitions of your presentation. Offers customization which will enable you to adjust the parameters of the output DVDs.


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Star Trek: The Next Generation (1987)
7 mistakes in Datalore
Starring: Brent Spiner, Denise Crosby, Gates McFadden, Jonathan Frakes, LeVar Burton, Marina Sirtis, Michael Dorn, Patrick Stewart, Wil Wheaton
Other mistake: In this episode, when Riker makes his log entry, he says the stardate is "4124.5, " the 4-digit style of stardates from The Original Series, rather than the 5 digit style used in The Next Generation.
Character mistake: At the end of the episode, after Lore has been defeated, Picard asks Data if he is O.K. Data replies, "I'm fine." One of the plot points of this episode is that Data cannot use contractions.
Suggested correction: That characteristic was not added to the character until season two. In the first season, Data uses contractions on a number of occasions.
It's still a mistake, even if it wasn't part of season 1 scripting. Just because we only learn later that Data doesn't use contractions, doesn't make this mistake invalid. We learn Data was specifically constructed that way and hadn't been able to use contraction since being created, which means all of season 1 he shouldn't be using contractions.Bishop73
Continuity mistake: Near the end of the episode, right after Lore fires the phaser at Dr. Crusher, Data tackles Lore and knocks the phaser out of Lore's hand. The phaser flies towards the cargo transporter and when it impacts, it breaks in two. You can see a piece of it go flying off to the left. Then shortly after when Data throws Lore onto the transporter pad and Lore picks up the phaser, it's in one piece again.poehitman
Continuity mistake: As Lore opens a channel, there's a blinking red light over the key he uses that disappears after the angle change.Movie Nut
Join the mailing list
Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.


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Then I saw a new Heaven and a new earth, for the first Heaven and the first earth had disappeared and the sea was no more. I saw the holy city, the new Jerusalem, descending from God out of Heaven, prepared as a bride dressed in beauty for her husband. Then I heard a great voice from the throne crying, "See! The home of God is with men, and he will live among them. They shall be his people, and God himself shall be with them, and will wipe away every tear from their eyes. Death shall be no more, and never again shall there be sorrow or crying or pain. For all those former things are past and gone." (Rev. 21:1-4 JB PHILLIPS)
I remember today my pastor, Shane Simmons, a man whose life greatly affected mine, a man loved by those who knew him, blessed by those who sat under his preaching, and mourned by those who look for the day they will see him again.
Suzanne D. Williams
Suzanne Williams Photography
Florida, USA
Suzanne Williams is a native Floridian, wife, and mother, with a penchant for spelling anything, who happens to love photography.


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Business Directory Search
Call us to make an appointment with one of our doctors to talk about your visual needs, eyeglasses, contact lenses or specialty lenses.
31 Bobby Bland Way
Leitchfield, KY 42754
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A camp, conference and retreat center with 160 acres of wooded lakefront property.
833 Hickory Grove Rd.
Leitchfield, KY 42754
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Everyone needs a helping hand from time to time. Associates in Counseling provides mental health services for children, adults, couples and families.
124 E. White Oak Street
Leitchfield, KY 42754
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Braddocks Campaign
Narrativesof the French and Indian War
Bergen op Zoom, 1814
The Scarlet Pimpernel Volumes 3 & 4
The Supernatural and Weird Fiction of Catherine Crowe
Wellington's Army
and many others
W. S. Sims and Burton J. Hendrick
Date Published: 2013/01
Page Count: 340
Softcover ISBN-13: 978-1-78282-043-7
Hardcover ISBN-13: 978-1-78282-042-0
Victory snatched from imminent defeat
This book by the American, Admiral Sims will be a revelation to many. The British public had no idea that by the time America entered the First World War on 6th April, 1917 the Allied cause was on the brink of falling to the might of Imperial Germany. No plan had been conceived to ensure that vital materials would reach Britain by sea without them falling prey to the omnipresent U-Boat menace. Thousands of tons of essential war supplies were going to the bottom of the Atlantic Ocean each week and serious Allied analysts believed that Britain would last less than four months before surrender was inevitable. Given what we now know of the great German land offensives of the final phase of the war, the consequences for the Allies, without a solution to the issue of maritime supply, could have been catastrophic. The solution came in the form of the creation of the convoy system and its effectiveness was due in no small part to the addition of the U. S. N. destroyer fleet to support the activities of the Royal Navy. This book describes how the German U-Boat threat was finally overcome and how this impacted on the Allied victory. Sims also gives much operational detail including the activities of the deadly decoy's, the 'Q' ships, and the operations of the 'King Cobras' of the undersea war—the anti-submarine submarines.' This is the view and account of a senior officer in a position to experience and describe for posterity the strategic and tactical issues of the anti U-Boat campaign and it describes in detail the many methods and types of craft employed together with anecdotes, reports and eyewitness accounts of the action on and under the waves. Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.


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Uh oh, you're stepping into HunkaButta territory. You could spark a photo blogger turf war...Posted by: Dav at June 8, 2003 03:15 AM
Shibuya, ROCKS!Posted by: Eddie at June 8, 2003 12:23 PM
Uh oh, you're stepping into HunkaButta territory. You could spark a photo blogger turf war...
Maybe with a giant infusion of talent and a couple of decent cameras I could maybe just consider competing with hunkabutta in my next lifetime. But i doubt it.
Maybe with a giant infusion of talent and a cellphone I could just maybe consider competing with tokyotidbits in another lifetime.
But i doubt it.
But still, Shibuya ROCKS.
Never ending source of amusement.
Hello, Mie!!
This is Joyce from HK, and I am currently working in Taipei, Taiwan. I have been looking at your site for quite a while which is introduced by my friend, Eddie who you know, well, your neighbourhood!!!
The pics you post about Shibuya I am very interested in them since I will spend my time in Tokyo on my own in July. It would be nice if you could tell me more about Shibuya or show more pictures of Shibuya in your site when you pass through again.
I am also expecting my blog site to be done. Before it is done, maybe I can also share my Taiwanese travel experience with you that you can find the link mentioned, but you may need to register to get in though.
Cheers V^0^V
My gosh, the world continues to shrink. Everyone knows everyone!! Sure, I'll try to take more of Shibuya, but my camera really stinks quality-wise so it's hard.
James, I saw your video handy-work. I *know* you could put something together very cool. I'm waiting!!
Bonjour! Interesting thread. If you have time : Mark paintingPosted by: painting at April 26, 2004 07:17 AM


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- nbna8630Asked on December 01, 2017 at 12:57 PM
We are experiencing an issue with not receiving email notification when the form has been submitted. But when we log into jotform, the notification shows that we have received responses. Please advise, thank you.
- aubreybourkeAnswered on December 01, 2017 at 02:49 PM
I see there was one email to user "Pandora" that didn't get through. Is this the email you are referring to?
You can check your email history on this page:
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abusive relationships, animal death, anxiety, aunt, Australian film, Australian Horror, Babadook, babadook cockroaches, babadook dog, best horror, book horror, bullying, child abuse, child actor, child horror, childhood, children, children's book horror, dead husband, death, depressing, depression, dog, explain the babadook?, fear, Horror 2014, insomnia, is the babadook real?, is the mom crazy babadook, Jennifer Kent, kid babadook, kids, monster under the bed, mother son relationship, mum babdook, Murder, nurse, nursery rhyme, nursing home, parkinsons, pet, pet murder, psychological, sedatives, sisters, small cast, social services, son protects mum, The Babadook 2014, tooth, what does the babadook look like?, what does the babadook mean, what is the babadook?
If it's in a word
Or its in a look
You can't get rid of
The Babadook
The Babadook is not a film I want to review; I want to analyse it. This film will be wasted on so many. Those who can't be bothered to think, who want easy answers, cheap scares and who value effects above meaning. This isn't an easy film – emotionally or intellectually. But it is very rewarding if you invest time and thought. If you aren't capable of that – bugger off and leave this film for those who believe horror can have a soul.
Amelia is an exhausted woman, widowed 6 years previously she struggles to raise her son Samuel, whose obsession with monsters causes him to become aggressive, isolated and afraid.
A mysterious children's book appears on Samuel's bookshelf. The images display a disturbing creature, the Babadook, terrorising and ultimately murdering a family. After reading the story mother and son begin to experience disturbing supernatural events.
This is a psychological horror film filled with symbolism. Much is left open to interpretation. For me, this is clearly a story about grief and while the supernatural element is central, how you interpret it is largely immaterial to the central theme.
At the film's core are the mother and son and their relationship. Amelia is a faded, brittle character when we meet her. Outwardly gentle and caring, you sense immediately the fragility and uneasiness beneath the strained exterior. She is exhausted, drifting through the world – filmed at times in dreamlike sequences of bright light, she is disconnected and lost. She is dressed in faded colours, old fashioned nursing uniforms and linen nightdresses. She has been relegated to the role of carer – as a mother, in her job and even in her few personal relationships (think of Gracie, her neighbour).
Samuel is a complex character – terrified of the monsters he obsesses over, he is also determined to protect his mother. Wilful, angry, prone to tantrums, screaming fits and aggression, his behaviour leads to greater isolation for Amelia as her sister and female peers reject her.
Amelia's sister Claire is initially one of her few sources of support. But Claire is frustrated by her sister's continuing grief and refuses to go to her home as she finds it 'depressing'. She clearly dislikes Samuel, dismisses him as a problem child who needs therapy and eventually confesses that she loathes being around him. Samuel scares her prissy daughter Ruby with stories of the Babadook and eventually pushes the girl from a tree as she taunts him for having no father. Much of what she says has clearly come directly from her odious mother.
Amelia's relationship with her sister is key to understanding the film and Amelia's isolation. Amelia is expected to have stopped grieving, to have raised a normal child and to be continuously productive and caring. She suppresses her grief. Locks it away in the cellar of her house with her husband's posessions and refuses to let her son in. As she tells her sister in anguish – she never speaks of her husband – and so we see that she is acutely aware of the demand that her depression must stop.
In reality, it seems Amelia has never even begun the grieving process. Widowed on the same day she became a mother, her emotions are clearly a submerged maelstrom. Only Gracie, her neighbour, encourages her to discuss her grief and Amelia coldly rejects her prompting.
Gracie is a beautiful character, an elderly woman with Parkinsons, she clearly loves Amelia and Samuel deeply and her sensitive, fragile portrayal moved me to tears in the scenes where she tremulously but bravely reaches out to Amelia.
So what is the Babadook? In the story book he's a ghoul who enters a home and terrifies a family, before possessing the mother who murders her child. But he's also something even worse, he's something that never leaves. He wants to terrify and torment. He's a primal terror from childhood, like the monster under the bed.
Is the Babadook 'real'? There are clear implications that the Babadook is a manifestation of Amelia's psychosis. We discover that she used to write children's books and there are visual hints she may have written the Babadook (charcoal blackened fingers). In the story book we see the implication that the Bababook gets under the skin of others. We could interpret this literally as posession or as Amelia personifying her abusive and destructive split identity.
If we believe it is psychosis then we're witnessing a folie à deux with Samuel interpreting and processing his mother's abusive episodes as posession by a monster. When in her 'psychosis' Amelia is not his mother but a hostile, supernatural force intent on their destruction. He begs her when in her lucid state not to "go away" and not to "let it in."
If the Babadook is a supernatural force, then it is essentially Amelia's grief given form. When she pulls back the clothes to look at the real face of the Babadook – Amelia is horrified. We never see its face – but as it fleas to the cellar, the Babadook's scream is distinctly female. It is Amelia's voice.
This is what the film is about. The corruption at the heart of Amelia. Just like the cockroaches that infest her home, so the Babadook scuttles across the ceiling and creeps about in the shadows, chattering like an insect. But the Babadook is really inside Amelia – whether a psychosis or supernatural, it doesn't really matter. The Babadook is the embodiment of everything she has suffered: of the feelings she has to deny. Her grief is overwhelming, it repeats over and over – reliving the last moment's of Oscar's life. Isolated and criticised by everyone around her (except Gracie and Samuel) she has to suppress everything.
She is failed by everyone – most markedly by her sister who chooses to condemn rather than help her and loathes her nephew instead of viewing him as a child who needs help. Amelia is abusive to her son, she has perhaps been so many times in the past. His obsession with monsters and tendency towards aggression (he strangles and fights his mother in his sleep) suggests this is not the first incidence of abuse. And much like Claire, rather than helping Amelia and Samuel, the school and social services push her closer to the edge.
The film's ending is an uneasy one – but I think, ultimately, positive. When she feeds the subdued creature worms in the dark, Amelia is acknowledging the power of her grief but attempts to soothe and tame it. The message is clear – demanding that a person let go of their grief is not only unrealistic and cruel – it is destructive. Amelia and Samuel needed support, instead they received either pity or condemnation.
Gracie alone makes any lasting positive impact on their lives – and she herself is frail and vulnerable. But unlike Claire, she loves Samuel and sees him as a person, not a problem. She recognises that like his father he "sees things as they are." And what he sees is that the Babadook is not his mother – it is something else. Even devoid of a supernatural element, the Babadook is not Amelia – because when the Babadook takes over, Amelia is not there.
Yes – her feelings of anger towards her son are real; her wish that he had died instead of his father is real; her rage is very real – but we can't condemn her for it. These are th emotions no one could admit to. And she cannot deal with the ferocity and power of these emotions – especially in an environment where she is suppressed and condemned. And so out comes the Babadook.
At the end of the film – we know the Babadook can never leave – and we see the remains of the dog buried in the garden to remind us how violent and cruel the Babadook can be. We cannot forget what is lurking in the darkness of the cellar. But at the same time – we know Samuel, Amelia and Gracie will support each other – they are strong and they are people who love deeply. Amelia can never defeat the Babadook (her grief) but she can acknowledge it, fight it and soothe it.


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White & Lime had a fabulous time presenting at Karen Millen in Canary Wharf this month. Not only did we get to talk to an inspiring group of professional women, we also got to shop beautifully cut tailoring from the Karen Millen A/W 2015 Collection. The cocktails were flowing as guests enjoyed manicures from LeSalon and skin pampering courtesy of Balance Me. I was asked to talk about Clear Head Coaching: Read on to discover our three top tips on how to boost concentration, stay focused and up your productivity levels at work.
1. Pay attention to your state
When I'm under pressure, I focus hard. I become glued to my seat, enjoying the feel of relentless productivity. But then, gradually and subtly, my state changes. Research shows that the brain works best in 90 minute bursts. I know that I'll get a better outcome from the day if I remember to stop every 90 minutes and take a quick break. But sometimes when I feel overwhelmed, I tell myself that there's no time to take a break and this is when I end up frazzled. I become tired, irritable and start to blame the world around me.
It is important to get into the habit of regularly pausing to take note of our mental and physical state. When we pay attention to the state we're in, when we are mindful, we listen to the wisdom of the body and we take responsibility for our own wellbeing. It can be powerful to get into the habit of asking ourselves 'What's my stress number on a scale of 1-10?' and 'What do I need?'
2. Prioritise wisely
We all fall into the trap of prioritising according to who is screaming the loudest. The urgent stuff comes with an adrenaline rush and we get a buzz from all the rushing around. The danger of this is that we fail to differentiate between the things that are urgent, and those that are important.
Important work is that which will have the greatest impact on our key goals. In the heat of the moment, when adrenalin is pumping, it's easy to lose our judgment about this. If we don't step back and question what's really going to have the greatest impact, we get lost in the tsunami of distraction that is 21st century corporate life.
3. Do one thing at a time
Multi-tasking is the biggest myth of our time. It dilutes the quality of our work and makes us tired. If you want to boost productivity you are better off focusing on one task at a time. Read more about why multitasking is a draining and destructive habit here.
It is always rewarding to open up space for conversation at the end of a session. So what do high-flying city women really want to know? Even women at the top sometimes struggle with saying no. As women we are brought up to want to please, but obviously it is impossible to be able to please everyone all the time. Two main questions echoed throughout the group: 1. How can I say no without seeming incompetent or unable to cope? 2. How can I say no without sounding harsh? This leads on nicely to one of our next topics, the art of saying no. Watch this space.


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Big Tree Foundation
The Big Tree is a symbol of community. It is a place where people gather, tell their stories and discuss the future. We would love to hear from you, so please feel free to contact us in any of the following ways:
Phone: +27 21 705 9298
Fax: +27 86 574 5959
Mail: 57 4th Avenue, Fairways, 7800
Email: firstname.lastname@example.com
Skype: victor.sables
Find us on FaceBook: Big Tree Foundation
Bank Details:
Account Name: Big Tree Foundation – Donations
Bank: Absa
Branch: Heerengracht
Account Number: 407 075 5811
Branch Code: 632005
SWIFT Code: ABSA ZA jj
Reference: Your name and surname