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Now I realize that the Guidebook wasnt necessarily compiled by Kentaro Miura, and could have easily been done by some random Young Animal/Hakusensha staff or intern who just guestimated the stats
Now to be clear, I am fully aware that these sorts of statistics are generally largely insignificant in regards to how important they are to the narrative and character writing
even Miura himself likely doesnt put too much value in pedantically tracking exactly how much time passes in his story (which I found evident in some of the occasional date inconsistencies in my reread of the series).
Because of the above factoid, that means over the course of Volume 23 nearly 2 years of time must have passed, even if it is not explicitly stated (or even Miura not initially having planned/realized for that when writing those Episodes then).
Miura himself likely doesnt put too much value in pedantically tracking exactly how much time passes in his story (which I found evident in some of the occasional date inconsistencies in my reread of the series).
Based on even further tracking of the depicted lunar phases, the night when Guts and co. killed the Sea God, took place either 1 or 2 months after their departure from Vritannis. And depending on whether or not the night that Rickert and co. escaped Falconia is meant to take place on the same night as the death of the Sea God or not, it can be estimated that anywhere from 3-6 months (with 4-5 months being most likely IMO) have passed from Guts and co.'s arrival in Enoch Village to their arrival on Skellig.
...over the course of Volume 23 nearly 2 years of time must have passed, even if it is not explicitly stated (or even Miura not initially having planned/realized for that when writing those Episodes then).
It's actually pretty unlikely that any of that information was provided by Miura. Guts' height has changed almost every time it's been printed in Young Animal over the years. That doesn't strike me as something Miura would do. Anyway, the fact you decided to launch yourself into a deep analysis based on those numbers, even though you recognize that a good deal of them are anomalous, is puzzling to me.
I'm not sure what's statistical about this, you're mostly just guessing some characters' ages. Also, lunar phases and background foliage aren't super reliable means of estimating the passage of time. Don't take this badly, I appreciate the effort you went through, but surely you must recognize that yourself.
What inconsistencies?
Episode 311 perhaps contains one of Miuras most blatant and confounding timeline contradictions/inconsistencies, which is where Roderick states thats their previous encounter with Captain Bonebeard and his pirate crew (before they had been turned into Sea God tentacle-whiskers) occurred just a few days ago. This is impossible, regardless of whether Miura meant to meant to draw a waning crescent moon instead of a waxing crescent moon in Episode 290 (which makes the difference between the last encounter having been ⅝ of a month ago or 1⅜ months ago), as the Seahorses previous encounter with the pirates had to have occurred before the new moon (i.e. the night before the Blast of the Astral World occurred) which is more than half a month prior either way. So Rodericks statement just doesnt add up any way you look at it. So IMO the solution is to either ignore the veracity of the statement, assume Rodericks usage of the term just a few days ago applies to spans of multiple weeks, and/or assume that the Seahorse had some second off-screen encounter with the pirates after the Blast of the Astral World.
???? Not sure how you came to that conclusion.
Episode 311 perhaps contains one of Miuras most blatant and confounding timeline contradictions/inconsistencies, which is where Roderick states thats their previous encounter with Captain Bonebeard and his pirate crew (before they had been turned into Sea God tentacle-whiskers) occurred just a few days ago.
Because it's the only point in the manga where the passage of time is ambiguous enough for it to fit. As the amount of time that has passed since the beginning of Volume 24, based on numerous character statements and keeping track of the lunar phases/cycle, can at most be about several months.
Some of these things we can reasonably ascertain. Characters whose ages are explicitly stated, namely as you said, Guts and Charlotte. But I think it's a mistake to try to guess at other characters' ages based on these things, and to scrutinize the timeline based on moon phases, or to assign them months. I think once you try to force the available data to that granular a level, you run astray from how things are presented, and may run into some faulty conclusions. The passage of time serves, afterall, a storytelling element for Miura's world, which is presented to us in a format (comics) that doesn't align itself to a clockwork routine, given the nebulous passage of time between not only panels, but also episodes, chapters, arcs, etc.
I think for Year 1 of your chart, you should include Guts' travels as the Black Swordsman (encountering the God Hand, defeating the female apostle, snake apostle and the Count, etc).
While I agree with your assessment in terms of Miura probably not caring that much about keeping a regular calendar of events, I have to say, I've never heard or seen any inconsistencies. What are they...?
There's no reason to assume it was the same night. It could be any length of time.
Why Volume 23? The Kushan invasion began in Volume 17. Anyway, 1-2 years or so is consistent with Miura's reply to us in 2009, which added 1-2 years on top of the previously stated 2 years since the Eclipse, making Guts 22-23 instead of 21. Anyway, that only brings us to Volume 34 (time of publication of interview). More time could have passed since then.
That's not what he says (it's "a few days later"), and his name isn't "Bonebeard". You should read proper translations before you go and accuse the author of being inconsistent with your approximate extrapolations of what's what in the series. Also, more generally, maybe don't assume expressions in another language always equate perfectly to something in English.
Roderick: By the way, why were they on a ghost ship? They were real pirates before that.Roderick: But they caught up with us accompanied with monsters just a few days later
See Walter's post. When we got Miura's reply to our letter, it was perfectly consistent with what we had estimated until then. For all your analysis, seems you're kinda missing the big picture.
I was quoting the official Dark Horse translation (which I have bought all 37 volumes of) for both that line and the name (this site's translation for the pirate boss' "name", "the Bearded Skeleton" isn't that different IMO), and I think it's fair in general to consider the official Dark Horse English volumes a "proper translation". Also in regards to puella's translation of that line, I'm pretty sure it still basically means the same thing as the Dark Horse version: That it was "just a few days later" since their (the Searhorse and crew) previous encounter with the pirates when they were normal.
I'm not discounting Miura's letter, I'm just using it in conjunction with other in-text statements, which state that the Kushans had been occupying Midland for years "plural". But the only part of the manga where the majority of that time can pass is during Volume 23 (and I explain why it can't be applied/fit into Volumes 17-22 and Volumes 24-34 in my full analysis).
Anyway, I fail to see how the line implies any inconsistency. Roderick says they encountered the pirates and wrecked their ship (and sunk two of them), but that they'd somehow caught up with them mere days afterwards. This is consistent with what happens in the story. The pirates are defeated in episode 290, and they show up again in episode 308. The events that happen in-between (showing Ganishka's final stand against Griffith) occur over a single day. And it just so happens that we actually see the same moon crescent in episode 290 and 291. Then some time elapses between the moment Roderick and his first mate decide to stop at the Solitary Island and the moment they reach it (within episode 311). They weren't in sight of the island when they fought the pirates a second time, and it's reasonable to assume it took them a couple of weeks of travel to get there. I don't see what the problem is here.
Page 07Roderick: Vice-captain, I think there's an island nearby, right?Vice-captain: Yes, you're right.Vice-captain: There's a small island with only one desolate harbor.Roderick: We have no choice but to anchor there to check and repair our ship.
I'm not going to read your "full analysis", sorry. I don't have the time. But I'm really quite sure you've come to the wrong conclusion if you think two full years mysteriously elapsed during volume 23, without it ever being acknowledged in the story. So far, reading your explanations in this thread, it looks to me like a typical case of someone overthinking minor details and pulling far-fetched calculations while missing obvious clues in the story.
The next point in the manga that indicated the passage of time was be the Winter Journey Episodes 187 and 188 at the beginning of Volume 23. So based on the names of said Episodes (and depiction of the weather/environment in them) we can assuredly say that this part of the manga took place during the winter (presumably the same winter that the Birth Ceremony Chapter occurred during, as there is no evidence to assume otherwise). Though thanks to the first page of Episode 188, depicting a full moon we do know at least 1 month has to have passed since Griffiths incarnation (which also occurred during a full moon) at the end of the Conviction Arc, meaning were well into at least the middle of winter by said Episode.Now its after Episode 188 when things start to get a little tricky to determine the passage and/or Miuras timeline inconsistencies start getting noticeable. To explain how much time passes from between the end of Episode 188 to Episode 199 (or perhaps more accurately to the 17th page of Episode 196), Im going to have to jump around for a bit and reference some Episodes from later Volumes. Remember how earlier ago I said Episode 127 marked an important date/event in the Berserk timeline since it depicted when the Kushan Empire invaded Midland (and we were also able to establish that said event likely took place during the middle-to-end of Autumn)? Well this is where that event gets important in determining the rest of the Berserk timeline and how its arranged. Basically the Kushan Empire invaded Midland during the same year that Guts was forced to finish his wanderings as the Black Swordsman (which we determined was more accurately 2 years and a few month) and the Conviction Arc events occurred, lets designate this calendar year Year 2″, with Year 0″ referring to the calendar year that The Eclipse and Griffiths transformation into Femto took place in (which we have previously estimated likely occurred during the late spring-to-early summer). And thanks to two separate explicitly stated lines of dialogues from two separate characters in the manga (specifically from Volume 29 and Volume 32) and Kentaro Miuras letter to Skullknight.net (that was sent in March of 2009 and answered in April of 2009, the most recent Episode released then would have been Episode 301) we know definitively that the Kushan invasion/occupation of Midland (and later Holy See territories/countries) lasted years plural (so based on Miuras answer lets say 2 years). The two lines of dialogue in the manga supporting this estimation of time came from the characters: Mule Wolflame, in the Episode Homing (originally published in Young Animal as Episode 258, but when collected in Volume 29 was arranged as if it were Episodes 250, again for narrative purposes I assume), where he lectures Sonia to empathize with Princess Charlotte exclaiming, How tormented must she have been
by loneliness and anxiety, alone for years amongst the enemy? (and just for thoroughness this site's version of that line translated by Mizar was "For many years she's been all alone surrounded by the enemy, do you know how much she was tormented by feelings of loneliness and anxiety?") and Sir Owen, in Episode 285, where he chastises the other former Midland nobles, Whatever excuses we may offer
the truth is that we have spent these years away from our own land, hiding ourselves in various countries. (and for even more thoroughness this site's version of that line translated by puella was "Even though you made all these excuses...We cant deny the fact that for the past few years we've disguised ourselves as if we were from another country while leaving our own behind."). Furthermore, since the events of both of those episodes occur within a few-to-several days of each other and likely take place during the very beginning of spring (which Ill explain later in the analysis), said Episodes also have to take place in Year 5″ of our calendar, 2 years and 4-5 months after the Kushan invasion of Midland.So how does this relate back to how much time passes from between the end of Episode 188 to Episode 199 (or perhaps more accurately to the 17th page of Episode 196) and why does it make Kentaro Miuras depiction of the passage of time seem inconsistent/wonky? Well thats because those 2+ years of time passage during the Kushan occupation/invasion have to take place over the course of those 8-11 Episodes, a lot of it having to occur off-screen and/or literally between the pages of some of the Episodes with very little explicit indication by the narrative. And the reason why said span of Episodes is the only place the 2+ years of Kushan occupation can take place is because the events that take place during Enoch Village (during Volumes 24-27), which are explicitly stated to take place during the winter (meaning the winter of Years 4-5″ of our calendar), can at most occur 2-3 months before the events of Volumes 29-32.Addendum: And we can determine the specific dates of when the events of Volumes 24-27 took place since it was stated in Episode 236 that it had been close to a month since the party's escape from Flora's mansion and Guts needed downtime to heal. And then after the fight with the crocodile pishaca, at most 1-2 months could have passed from then to Guts and co.'s departure from Vritannis in Episode 278, based on the fact that Guts was still suffering from his not fully healed wounds (from his various fights in Volumes 26-28) while in Vritannis and as stated by Serpico in the Episode "Mother", it was still early spring then.
we also know based on Mule and Owen's statements had to be "years" plural after the Kushan's invasion of Midland
Now this creates an inconsistency since based on our earlier analysis, at this point in the timeline, Griffiths arrest (which would have taken place during the end of winter/beginning of spring during Year -1″ of our calendar), would have taken place about 4 years (if not a few months more if this takes place during autumn) ago not 3. Even if we were to say the events of Episodes 191-195 were still taking place during the middle of winter, it would only take a couple months off (meaning the most recent Griffiths arrest could have taken place would be 3⅚ years ago, and its hard to rationalize why one wouldnt round up to 4 in that case).
IMO the best way to rationalize/deal with this inconsistency/contradiction is either assume Miura wasnt keeping pedantically close track of his manga series chronology
If I understand you correctly, you're saying that the transition panels after Roderick's dialogue with his vice-captain on page 07 of Episode 311: ...are meant to imply a travel time of a couple weeks passed from the Seahorse's fight with the newly "tentacle-fied" pirate to their arrival on the island of the Sea God?
in order for Roderick's line to not be inconsistent that still requires one to then rationalize that the waxing crescent moon Miura drew on the last page of Episode 290 was an accident, and that Miura had actually intended to draw a waning crescent moon (since in the former case ⅞ of a month would have to pass just to get to the new moon that occurred the night before the Blast of the Astral World, while the latter case would still fit with Roderick's statement).
Fine, if you don't have the time to read my full analysis post, then I'll explain in detail here why the approximately two years span of time the Kushans occupied Midland for, only could have passed over the course of Volume 23, using the relevant paragraphs from my full analysis post
Dude... This is seriously overboard. Mule says 3 years, but you're calling foul because it could have been 3 years and a few months? This is a good example of what Aazealh was saying earlier: You're leaning too heavily on the details and not seeing the full picture Miura is painting.
I think instead of writing 22 pages (which I just discovered, btw), it may be more helpful for people to understand things if you listed the explicit times that time advanced, and what scene was associated with it as a form of reference (a month since X, says Schierke; a year since X, says narrator). I also don't think there's much value in assigning events to individual months. Laying them out in sequence makes sense, but assigning them arbitrary months makes the data look more complicated and nonauthoritative than it needs to be.
It's truly a monumental effort you've undertaken -- one I've certainly never done. But I think instead of writing 22 pages (which I just discovered, btw), it may be more helpful for people to understand things if you listed the explicit times that time advanced, and what scene was associated with it as a form of reference (a month since X, says Schierke; a year since X, says narrator). I also don't think there's much value in assigning events to individual months. Laying them out in sequence makes sense, but assigning them arbitrary months makes the data look more complicated and nonauthoritative than it needs to be. But maybe you've already considered that and landed on this format anyway?
100% agreed. That would actually be much more useful and valuable. If you could provide such a listing, Theozilla, it'd be a much better use of your time. And I bet you it'd be used as a reference for years to come.
Miura probably has the elements of time in his head, how old characters should be, how much time has passed since X, etc., but those things arent always going to line up when you start counting leaves and individual moon cycles. Blatant inconsistencies are problematic of course (though even after reading the exchange you had with Aazealh, I still dont see anything like that), but no serial work should be expected to able to reproduce that level of consistency with time, given how fluid such a concept is in fictional works -- particularly a serial. I'll say it again, the passage of time in fiction is not an atomic clock, and shouldn't be treated as such. It is a fluid buffer for events that allows them to develop before the next event.When Miura writes that Charlotte is 17, hes not saying that so people will go back and start counting the times they saw the moon since the last time we heard her age. He says shes 17 because he wants the character to have aged a distinct duration of time. Keeping track of that information, the part that has been dictated, is the only information of consequence when it comes to these things, and the only information that we can lean on with any sense of authority.
I'll have to check the Japanese volumes, and I can't because I'm at work, but in general, you should know that pluralities aren't usually defined in Japanese.
See Walter's post. I don't have time to get into the nitty gritty right now, and to no one's surprise I agree with him on this. I'd also like to point out that weather and seasons aren't nearly as clean-cut as you make them out to be, especially for people in different parts of the world. Altitude, among other things, can make a big difference.
Regarding the Volume 23 thing, I've read your portion for this, and I still don't agree. The passage of time could have been interspersed across a number of periods between Vols 22-23, during which no explicit time duration is given. You could say it's "the same winter" but we don't know. The sum of the following periods could encompass 1 month or 1 year of travels, bringing us back to the same winter, another winter or the following spring:
* Between Guts and Casca traveling from Albion to Godot's place
* Between Griffith departing the Hill of Swords to invading Shet(It was likely several months, given that Miura was still intent on joining the Dreamcast game's story to Berserk's story, and this is when the game would have occurred, according to a Miura comment in YA.)* Between Shet and the time we pan back to Guts' storyline, where he's battling possessed snowmen.
* Between 195 and 196, when we pan back from Mule's perspective to Guts and his new party (in reality, this is a leap between Guts' perspective in 191 and his perspective in 196). And that's just from focusing my attention on that portion of the series. There are probably many more time holes that could account for year(s) passing since the Kushans invaded the continent that all add up to 1+ years.
Dude... This is seriously overboard. Mule says 3 years, but you're calling foul because it could have been 3 years and a few months? This is a good example of what Aazealh was saying earlier: You're leaning too heavily on the details and not seeing the full picture Miura is painting. When the number of moons or leaves don't add up to 4 years, and Miura says otherwise, guess which one we're supposed to be paying attention to?
Yep. No one ever says "I'm 25 years and 9 months old". No one says "3 years and 4 months later". Overthinking these things leads nowhere fast.
Yeah perhaps it's not necessary to chastise him over that negligible 6 months!
It implies time passes. Could be two hours, two weeks, two months, two centuries.
Why do you keep talking about a new moon in the night before the Blast of the Astral World? Because Elise says it'll be "a night when the moon can't be seen"? Because... like... what about fucking clouds? You can't be serious.
Raban: If the dream these kids had is one of those oracles, most of the citizens sleeping tonight are having the same oneRaban: Though they can't believe everything, they'll keep it in their mind if something happens during the night with the new moon
Episode 291 shows a crescent moon, like I've already told you. Do you seriously expect that Miura would miss such a thing? This is an example of misinterpreting a story element to an extent where it completely skews everything else.
Well...what you're describing is kinda what already constituted my original tumblr post in a sense (that I linked to in my first post). I listed and discussed and linked/referenced ... every explicitly stated (as well as stuff I felt was implicitly stated/inferable) passage of time. It just ended up getting really long regardless.
I actually don't assign any specific month to a date in my original post either, I just listed the calendar months in the visual aide calendar-table graphic I created because I was splitting the year up into 12 months and was going with established precedence for calendar formatting (I made the graphic after I had finished writing my original post). The months December, January, and February could easily just have been labelled "Winter Month 1", "Winter Month 2", and "Winter Month 3", and so on with the other months, and it would have served the same purpose I was using them for.
(and while not super important to narrative progression, I don't see how the crescent moon/full moon differences that I mentioned with in Episode 264 and 261, which take place on the same night, is not an example of a blatant (albeit relatively unimportant) inconsistency. Which again, is not meant to be taken as a sleight against Miura's storytelling ability).
Okay, but since both Dark Horse and skullknight.net translated the aforementioned lines with "years", I hope it's understandable why one would assume the plural translation was accurate/significant.
And to reiterate I am not trying to "chastise " Miura for anything, if I haven't made it clear enough with my self-deprecation, I fully aware of how ridiculously detailed-oriented/pedantic my analysis is/was, but seeing how detailed-oriented I could get my analysis down to was part of my original goal.
It's useful information, but it's not presented in an easily digestible fashion, and the chart doesn't list sources, so it requires us to double check every little thing. As it is, I'm probably one of the only people to bother reading half of that massive report.
I take lots of notes about Berserk, too (you should see my podcast notes over the past four years, they're complete monsters...), but I don't publish them, because who would bother reading them? If you want the information to be useful to people, it should be condensed into something that can be understood at a glance. A list, a flow chart, whatever makes sense for the project. I'd recommend cutting back on the explanation and exposition and just isolate the instances when time passage or dates were explicitly stated in the manga. That would be an incredibly useful chart that could be backed up without all this back and forth.
That was your intent, but it leaves the impression you are insisting that events happened within an exact time frame (when for the most part, no such time frame exists in the series), requiring you to make arbitrary decisions about what happened when, which lowers the credibility of the thing. That's why I suggested removing them -- to simplify the data you're presenting, and remove any impression of trying to assign arbitrary time frames to it.
When you said there were inconsistencies within Miura's work, my ears perked up. I was interested. What could it be, what might it imply? But then I examined what you were actually digging your fingers into, and I was completely deflated. You're referring to the full moon as seen in the not-entirely-sane pontiff's God-Hand-influenced waking dream, right? The one where the feathers fill the room as soon as Mule and Sonia burst into his tent? I think that was a dramatic and dream-like effect (for someone who has just been illuminated by a vision from a higher being). Because what you think of as an errant crescent moon was actually seen twice (once in 257 and once in 261). Between that consistency AND the context for the pontiff seeing the full moon (a dream), I'm inclined to go with the crescent being the real one. But really... what's actually at stake in this argument...?
It's totally understandable. But Dark Horse has been known to screw things up from time to time, and translations on SKnet during that period (pre-2006) weren't very reliable either. I was just noting it because so much of your suppositions hinged on those small lines. But as it turns out, they were right -- it's years. (何年も).
And it's our role as the reviewers of your data to say that sometimes you need to step back from your data and examine the bigger picture. When Mule said 3 years, that's what Miura intended. A range of 3~4 years isn't an "inconsistency" when we're dealing with a serialized fiction, as I've said a number of times now. As much as you've undertaken (and it's quite a project!) to accurately weigh the time that has passed, at the end of the day, I think you have to admit that it amounts to fuzzy math, trying to navigate on a cloudy night with no compass. And that's all we can expect when we're in this territory.
I think maybe I will take you up on that advice and try to do that sometime in the future (though probably not the immediate future, I just finished one reread/skim through, I need to take a break before doing so again).
Well...what you're describing is kinda what already constituted my original tumblr post in a sense (that I linked to in my first post). I listed and discussed and linked/referenced (which is why I didn't copy-past it in its original format because I know linking to scans is against forum rules) every explicitly stated (as well as stuff I felt was implicitly stated/inferable) passage of time.
Yes, but I think one can reasonably argue some of those passages of time are are more unlikely than others (which is what my analysis was primarily concerned with inferring)
Because right after Elise's line, Laban says this: That's why I keep on referring to the night before the Blast of the Astral as evidently occurring during the night of a new moon.
Just to be clear, it's not like linking to a page that links to scans is allowed. You can't just game the system like that.
Also, the point is to get the references without the commentary and with minimal guessing, like what Walter has just done. The least subjective it is, the better. That's not a knock against you personally, it's just that the more one overthinks it, the less useful and pertinent it becomes. Which is in part because, as it's been said, trivial details aren't meant to be used as consistent indications of the passage of time.
You can argue that it's not been two millennia, sure. But taken just by itself, there's nothing making 3 days more likely than 3 weeks. All we know is that some time has passed. And that's also the case for many other occurrences. Telling you this is the only reason I posted in the thread to begin with. Between two full moons shown on the page, there could have been 0 days, 29 days, or any amount of time afterwards. The indications that govern all the others are what's written on the page.
It took me an hour, using your notes as a guide, to find the right episodes. I took screengrabs of each instance for validation, but because they are scans, I won't be sharing them online.
Episode 257: Waxing crescent moon (2 weeks since they were at the beach)
Episode 295: New Moon (>4 weeks since full moon)
Episode 316: Next sighting of a full moon, meaning >1.5 months have passed since they departed Vritannis
⁵: We last see the group in the ocean being led by the merrows, at that time it had been ~2 months since they left Vritannis. But the time distance between that and their arrival on Skellig cannot known.
I hope you dont mind but I also have some additional suggestions of explicitly stated references to time passing and/or character ages, that I think could be useful to add to the reference list (as well as a couple of questions/comments of clarification for a few entries).
Episode 129: Rickert & Erika: Havent had any word from Guts in 2 years/Puck: dialogue states that it is winter.
Episode 33: Narrator: 1 month passes between the Queen of Midlands funeral and Guts leaving the Falcons.Episode 203: Serpico: Comments on it being winter then.Episode 253: Serpico: It is already spring in Vritannis.Episode 333: Rickert: States it's early spring right now when he arrives at Falconia.
I appreciate that, but I'm trying to keep this as digestible and concise as I can. And honestly, I don't think other characters' ages are particularly useful in determining the timeline of the series, which is what I was mostly focused on here, and why I skipped most of the ones you listed. I also tried to skip references that were redundant, only including them when they confirmed an otherwise offhand reference to time passage. And in general, I don't think the declaration of seasons is particularly informative for when things happen, except in the instances where we have no other bearing to rely on. Usually we get more descriptive time passage text that will trump the less relative ones.
Hmm, do you mean the little song that Puck sings? I don't know if I'd count that one as definitive. I think he's just singing that because it's snowing, and given that Godot's place is on a mountain, I don't feel so confident about including it.
And the reason why I also included references to character ages was because that was originally half of my initial goal when I was first writing my initial tumblr post.
So like out of curiosity, would you at least agree that of the most recent Episodes, Guts, Charlotte, and Farnese are about 24+, 22~23, and 21+ years respectively?That's fair, I suppose.


text:
There are times in one's life when one realizes that one has simply drawn too many lines for one's own good. Not in the above stanzel, of course, which has precisely the number of lines and squiggles necessary to evoke the horror of a fat, timorous Banker (played here by Karlos Marx) being done away with by a snappy, savage Bandersnatch, played here by a Hindustani monkey who spends his spare time inside a snake charmer's basket.
This business of lines without rest or pause makes a middle-aged cross-hatcher wonder at times: what's it all about, eh? One skips and hops one's way across a page and once one is done, good lord, there's another page! And another and another.
To those readers who come here regularly for a bit of snappy analysis and pithy tomfoolery concerning whatever page of my GN Snark happens to be up for it this week, this must all come as a bit of a surprise.
There are no deep thoughts behind the above stanzel. There is no meaning, hidden or otherwise, nor any subtle message. It's genuine Nonsense of the highest, inkiest, most linear order.
It's just a bunch of subcontinental monkeys and a possessed hookah shanghaing a Banker dressed up to look like Karl Marx until, like this rather depleted illustrator, fainting he falls to the ground.
Next week: more lines! Who would have thought it?
NB. Saturnalia is fast approaching and smart shoppers know that no child's stocking is properly stuffed without a copy of this artist's GN version of the Snark. Not only is it the best thing Lewis Carroll ever wrote but this version goes all out to furnish the little tykes with what one reviewer called a "Surrealist version of Where's Waldo."
And why not lavish a fresh copy of Martin Olson's Encyclopaedia of Hell onto any disaffected, black-clad gothic teenagers you are compelled to know? The LA Weekly has an excellent review of it here and even better, you can buy the full-color poster here. It sure beats having Kurt Cobain on the wall, mom and dad. Available from Feral House or even Amazon.

subset: commoncrawl


text:
Troup County School System (TCSS) is carefully monitoring the potential weather impact from Hurricane Irma with local emergency operation divisions. We are alert to possible changing weather conditions over the weekend and are working with our state and local emergency management systems.
As more information becomes available, we will make a decision about school closures to ensure the safety of our students, staff, and their families. Our course of action through the weekend is dependent on the track of the storm.
When a final decision has been made, we will notify the community through a One Call Now phone call, update the district and school websites, and update the TCSS Facebook social media channel. In addition, we will notify the local media through a news alert.
Georgia Emergency Management and Homeland Security Agency


text:
Sample program database softwareprojekty
Sample scope of Work in Java , my price is 15$. Looking for some one who already have it
Hi, 1) FIRST OF ALL; I'll work with people who can do the attached sample file. Please send a message if you complete the sample scene.. (Because of my previous experience, I need to this. I dont want to perfect works for sample scene.. Only you must show; you can do this job) So NO NEED TO "ONLY BID".. 2) Here is original game link: [zaloguj się, aby wyświetlić...
We are beginners in Flutter development and need some help. Develop a simple as follows. 1. We need a sample code of how we can play audio in the background (with a locked screen) for both android and ios within flutter, or in native code for both OS's.
I need some help with finding some leads.
My activity runs properly using live server but unable to run it on localhost, It also works using Google Chrome Postman. But, the api used never work on localhost.
...fairly large web-based data entry form I need to code (8 to 10 tabs with about 60 fields per tab) but I need a sample project to get me started that shows me how to hide/show fields, make fields required, validate fields, etc. The sample project only needs to have few tabs with a few fields on each tab. The data for the tab must be retrieved and
I want to Distribute free Sample Gift in US and I Need a Person in United States who can help 100 people to go on the Website and fill there Details to get there Free Gifts . Only Serious person who is having 100 Contacts in US will only Apply.
Hi All, I want a simple blueprint document for SAP eWM, so if you have one and you can share then comment only. Thank you Ammar
Theater drawing with 2 screen
Unisa Eurani is a womenswear brand and all of our patterns and first samples are done in house but we're looking for sewers who can sew individual samples to small amounts. Samples and patterns will be provided, we're just looking for individuals who can sew the pieces efficiently and in a timely manner. The samples will range from dresses, jackets, pants, and tops. Needed by: Jan 18t...
I need a logo designed and splash screen(welcome screen) for android education app.
We just need the following 2 functionalities, not the whole app, we will provide .psd of Table View, so table view has to be the same as provided PSD. 1) UITableview - Insert new row in middle of the tableview/list without reloadData() - All the list functionalities like Select row, Swipe left/right, Delete etc. has to be implemented - New entry will be added to the table or list with date w...
I need a sample project designed based on these apis. [zaloguj się, aby wyświetlić URL], [zaloguj się, aby wyświetlić URL] We need a very simple app that has a button that shows the video from connected camera through blackmagic device to show it in an image view. A button that stops the video in that view. And a button that
I want the edit like these 2 samples and color grade. [zaloguj się, aby wyświetlić URL] [zaloguj się, aby wyświetlić URL] Budget: $4 per video
...video and contact form, similar to sample URL. Upload webpage to our account on bluehost. Login credentials and Content for webpage will be provided. This is a single page project, we are looking at budget development. Upon successful completion we will provide more pages for different courses to be uploaded. sample URL: [zaloguj się, aby wyświetlić URL]
I need a sample program showing how to pass Arabic characters from C# program into a Delphi 7 program. Source code of both programs is needed + the exe files.
The project is related to Pharma industry.
I am a software engineer at c# and web. But I have no time to learn cordova. Sample project: Showing 2 images + 2 text. can be like and resume of a person. Setup and run at my pc using teamviewer or anydesk. learn how to use it.
I need someone who is talented with work illustrating and designing artistically. I need a board game box cover.
I would like you to demonstrate a invoking a sample and simple HTTP Cloud Function ( Google Cloud )
...experience in web service development I am having problems pro grammatically loading a login page that allows me to get a temporary key that is required. I need a simple, sample program that embeds two security codes into a web service call that then displays the appropriate login page. The code should written in VB.Net or C# and should be in a form that
...[zaloguj się, aby wyświetlić URL] A Sample has been given in the Post (Contest) We are Canadian (Special treatment to show our connection to Quebec, Montreal would be appreciated) It is an IT Firm which develops Software, Does SEO for local companies in Canada. QARI stands for French Term: agence québécoise
I created a basic powerpoint that is roughly 120 slides. Basically each slide is a sentence centered, with a few slides with pictures. I need you to use images from public domain such as [zaloguj się, aby wyświetlić URL] to make it more professional looking, or simply just make it nicer however you have done before. Please show me examples of previous experience with this and say powerpoint in ...
My project will implement a simple supply chain management process with 3 parties (buyer, supplier, and bank. The contract will have a simple work order (amount and price/unit, total price and insurance binder for supplier) between buyer and supplier. The bank will be able to see the contract and insurance binder. Tasks are initiate work order + work complete.
Looking for someone to create a sound for fl studio. Just a basic usable sample.
Google Smart Home Sample . This is nodeJS sample using Polymer, Express, Datastore. Apply Vue.js templates and design assets on it, and Google Fire Store DB. Vue.js templates and design resources will be provided. see live preview [zaloguj się, aby wyświetlić URL] Please visit the google sample site, It is already developed . Feel free to apply :) Test server
I need you to develop some software for me. I would like this software to be developed using C or C++.
One of our products [zaloguj się, aby wyświetlić URL], there are some .ddl files and sample codes which are downloadable from above link. As well the files and manuals are attached to this posting. We need to setup some sample codes / files so that the device will work error free in Ubuntu using Mono to communicate and set up singals
1. GET, POST,PUT,DELETE 2. Using NewtonSoft Json 3. Able to POST multiple record in one Jason 4. Pass the test on n [zaloguj się, aby wyświetlić URL]
...picture concept, questionnaire for a modern contemporary logo to be used for a medical biologic's distribution company. please recreate and do not use artwork provided, it is for sample look only, yours should be much better quality and look. Please note that if different items marked on questionnaire please use your artistic and creative mind to pick what
I just need logic without design for streaming in IOS
You have to create a program that will create an online check from a check image file. 1) Use a background check image 2) The user will enter his info and his customer info and his bank info. 3) Capture all required info such as Bank Name, ACH Number, Check No etc 4) This will be captured into a database. Using the Check: ================
...to be published. Also the illustrators name will be published on the book. and possible 2 other books. Here are the three birds I selected for the artists to draw for sample on one page for children's book to be published. FAIRY-BLUEBIRD of the Philippines! Draw the bird brooding over eggs in the nest on the limb in the tree in the tropical
I need an iPhone app. I already have a design for it, I just need it to be built.
I need a new website. I need you to design and build a website for my small business.
I need a developer that make for me a HTML/CSS code for a template that i have sample image in .JPG there are 27 images and 6-7 Pages.
to create face recognition software using matlab or python need it as soon as possible
...of a designer with a background in magazine editorial design and brochures. Preferably with experience working with luxury travel and hospitality brands. We have about 11 sample itineraries and 2 brochures that need to be redesigned. In addition, I will be redesigning the site and graphic mock-ups will be helpful to start this side of the project.
Hello, I need my old profile to be re-created and re-edited with a new style and new colour scheme of orange, black and white, to match the new company head letter in black and logo in orange. will need a minimum of 5 different samples of front page and second page samples in 36 hours.
Just sample codes consisting of a POJO model class, a servlet controller, a DAO interface and it's implementing abstract/concrete class and a jsp. The view will contain a simple form with text field for name and file promt for uploading photo. The same view page will display all the data from the database. The DAO stores fetches data from the database
Nuitrack SDK User Skeleton Tracking programming Sample mouse Android apk & source code program. Using Nuitrack SDK Computer vision programming, by [zaloguj się, aby wyświetlić URL] Want that you create a mouse functionality using virtual touch module of nuitrack. Hand movement will follow mouse pointer and grab will be click or hand goes z axis will replicate
...;qid=1547110571&sr=8-1&keywords=the+aghori%27s+curse - Select option - Look inside - on the book cover and scroll down to read the sample chapter. -After reading sign in to your Amazon account and write a positive and an unbiased review. -Take a screenshot of your posted review and attach it as your contest entry
Hello, I am a new designer starting a label and need a manufacturer to create minimum orders for a 12 outfit ready-to-wear collection. Please message me if you are interested in knowing further details.
Hello, to make ecommerce site, i have a sample
Hi. I need a US accent voice over. Need a short sample before starting it. hope its possible. Looking for ongoing work basis Best regards Ajay
Hello Yello, I need sample .NET Core2 Web application project View: DataTable with sorting / filtering / search / export and inline editing and storing to SQL database [zaloguj się, aby wyświetlić URL] Database Your Sample database with 7 columns (like on sample url) and data read/write to SQL database If you read description
I have some work, in an Excel spreadsheet.
Important note: ( your offer won't be considered without a sample (no 2 in the word file) I have a character already drawn using Corel Draw. First, I want my character to wear some clothes I have provided in 28 photos. Then I'd like to put this character in other 28 different photos and I may need to change the poses so the character may need to be
Important note: ( your offer won't be considered without a sample (no 2 in the word file) I have a character already drawn using Corel Draw. First, I want my character to wear some clothes I have provided in 28 photos. Then I'd like to put this character in other 28 different photos (some may be very simple and a few may be quite not simple). The clothes
Need a someone to code a sample DialogeFlow fulfilment in C# using V2 api and the [zaloguj się, aby wyświetlić URL] SDK provided. I just need a basic method that receives a request and sends a basic 'hello world' response back to DialogFlow free of errors


text: > -----Original Message----- > From: beowulf-bounces at beowulf.org > [mailto:beowulf-bounces at beowulf.org] On Behalf Of Geoff Jacobs > > Using OpenMP per node is going to be much less portable and > much more complex to implement. It's better to let your MPI > library handle things the smart way. At QLogic we're quite familiar with benchmarking with good OpenMP compilers (esp. the PathScale compiler, which used to be part of QLogic) and with various modern MPIs (InfiniPath MPI, MVAPICH, Open MPI, HP-MPI, Scali MPI), and I totally agree with the previous two answers. MPI developers pay a large and increasing amount of performance-tuning attention to the larger core counts, NUMA and SMP issues on cluster nodes. Even if you underwent the large effort to re-code an application for which you had the source to an OpenMP / MPI hybrid approach, it is as likely that you would reduce your application's performance as to improve it. That said, there is continuing interest in the Hybrid approach, and large SMP nodes will keep that interest going. A Google on "Hybrid OpenMP MPI" will provide you with some presentations and papers on recent work in this area. You will find that wins with the Hybrid approach are possible, but it is a lot of work, and by no means required, as you move towards clusters with multi-core CPUs. -Tom > > -- > Geoffrey D. Jacobs > > To have no errors > would be life without meaning > No struggle, no joy > _______________________________________________ > Beowulf mailing list, Beowulf at beowulf.org To change your > subscription (digest mode or unsubscribe) visit > http://www.beowulf.org/mailman/listinfo/beowulf >


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I've mentioned several smart phone apps over the last year. You've seen some of my screen shots of Civil War Trust's battle apps. Back in the summer I mentioned some others. Both Virginia and Tennessee have apps out there, hosted by their respective tourism departments, focused on Civil War history. Maryland Civil War Trails has their app. And there are numerous local history apps from places like Alexandria, Virginia.
Earlier this year Kentucky joined that trend with the Explore Kentucky History app. The first offering of the app focused on Civil War sites, and highlighted some of the state's historical markers.
The app offers what is becoming a "standard" suite social media connections (although limited to Facebook, Twitter, and email in this case) with the "share this" tag.
Now the Kentucky Historical Society is expanding the app beyond the Civil War. They've added a War of 1812 tour and plan to add in an Abraham Lincoln tour (of course) along with regional history focused tours.
I'll be the first to admit, a few years ago I was skeptical about the appeal of history themed mobile apps. I was off the mark. These apps are well received. I wouldn't say they will eclipse Angry Birds in terms of download counts. But with these apps gaining an audience, the days of the old travel brochure may be numbered. Is there a day when the historical markers will all be "virtualized" within an app?


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Lieutenant Colonel Suzanne C. Nielsen
External Researcher
Army Lieutenant Colonel SUZANNE C. NIELSEN is an associate professor in the Department of Social Sciences at the U.S. Military Academy at West Point. She is responsible for the International Relations Program and teaches courses in international relations and national security. She also chairs the Academy's Scholarship Committee, which selects and prepares cadets to compete for the Rhodes, Marshall, and other nationally-competitive scholarships. An intelligence officer by background, Lieutenant Colonel Nielsen has served in the United States, Germany, the Balkans, Korea, and Iraq. Her research interests include change in military organizations, civil-military relations, and strategy. Her books include American National Security, 6th Edition, which she co-authored, and American Civil-Military Relations: The Soldier and the State in a New Era, which she co-edited, both released by Johns Hopkins University Press in 2009. She contributed chapters to both volumes of The Future of the Army Profession and also published articles in Defence Studies, International Studies Perspective, Public Administration and Management, and Military Review. Her dissertation, Preparing for War: the Dynamics of Peacetime Military Reform, won the American Political Science Association's Lasswell Award for the best dissertation in the field of public policy in 2002 and 2003. Lieutenant Colonel Nielsen is a distinguished graduate from the United States Military Academy and an alumna of the National War College. She holds a master's degree in political science from Harvard University, a master's degree in strategy from the U.S. Army Command and General Staff College, and a Ph.D. in political science from Harvard University.
*The above information may not be current. It was current at the time when the individual worked for SSI or was published by SSI.
SSI books and monographs by Lieutenant Colonel Suzanne C. Nielsen
An Army Transformed: The U.S. Army's Post-Vietnam Recovery and the Dynamics of Change in Military Organizations
September 10, 2010
Authored by Lieutenant Colonel Suzanne C. Nielsen.
Drawing on the literature on military innovation and reform, the author examines an important case of military change: the transformation of the U.S. Army in the 2 decades preceding the Persian Gulf War of 1991. The findings of this study have significant implications for how the U.S. Army should think about implementing changes needed today to meet new strategic, economic, and technological challenges.
Political Control over the Use of Force: A Clausewitzian Perspective
April 01, 2001
Authored by Lieutenant Colonel Suzanne C. Nielsen.
The author addresses the issues regarding the ideal relationship between the commander and the statesman in time of war and the balance between political control and military operational expertise by examining what Carl von Clausewitz has to say about civil- military relations and the use of force. She looks in depth at Clausewitz s arguments, reviews his theoretical approach, and discusses four key implications of the basic idea that political purposes govern war.


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Found on Santa Fe Craigslist: Penthouse magazine collection ($10,000)
Yup. Ten grand for a stack of used, pre-Brazilian-wax porno.
Hate to sell:
I am selling my massive collection of Penthouse Magazines that I have been collecting throughout the years. My collection dates back 40 years so there is a total of about 480 issues that are in mint condition. I would like to beable to sell the entire collection all at once. I am asking $10,000 or best offer. I will consider separating the issues if the price is right. Thanks, hope to hear from you lol!


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Sunday, December 31, 2017
#16 More CW!
Posted by Buckles at 12/31/2017 05:04:00 AM
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Welcome to Buckles Blog. This site is for the discussion of Circus History all over the world.
Posted by Buckles at 12/31/2017 05:04:00 AM
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January 31, 2013 05:00 ET
MISSISSAUGA, ONTARIO--(Marketwire - Jan. 31, 2013) - Outraged at the Ontario Liberal government's deep cuts to social programs and the recent attack on the democratic rights of education workers, Mississauga community members will be gathering on Thursday, January 31 for a public town hall meeting. The forum will provide an opportunity for local residents to discuss the impact of job loss and public service cuts in their communities and develop plans to pressure local members of parliament.
The meeting will address local concern about the fact that almost 16 percent of Mississauga's population are struggling on low incomes and one in five children are living in poverty. The unemployment rate in Mississauga continues to be slightly higher than the provincial average, with 6.5 percent of the population looking for work. However, the impact of cuts is being felt across most income levels. A recent report from the Ontario Common Front revealed that fully 40 percent of Ontario families have seen their incomes stagnate or fall over the last decade, as Ontario's social program funding lags behind every other province by nearly every measure.
"In communities across the province, families are falling further behind because of Liberal Government's cuts to vital services and social programs, while corporate tax cuts continue to starve Ontario's economy of $15 billion annually," said OFL Secretary-Treasurer Nancy Hutchison. "Struggling families here in Mississauga are right to demand fairness and equity from the Ontario's new Premier, Kathleen Wynne. Investing in jobs, protecting services and safeguarding workers' democratic rights is the only way to prevent a double-dip recession and address rising inequality."
"An unacceptable number of families are living in poverty and falling through the cracks of our economy because of government cut backs," said Brampton-Mississauga and District Labour Council President Motilall "Sarj" Sarjoo. "In the meantime, the private sector is sitting on an abundance of cash and not investing in the province to create more jobs."
The Mississauga town hall is one in a series of regional meetings taking place across Ontario: "Labour and community groups have come together to launch an Ontario Common Front against cuts to jobs and services. We are building partnerships in every community - from Windsor to Mississauga to Thunder Bay," said Hutchison. "It is time for the people to start setting the agenda."
For more information, visit: www.ofl.ca/index.php/campaigns/democraticrights.
The Ontario Federation of Labour (OFL) represents 54 unions and one million workers in Ontario. Visit www.OFL.ca and follow the OFL on Facebook and Twitter: @OFLabour and SidRyan_OFL.
OFLNancy HutchisonSecretary-Treasurer(647) 403-9799 (cell)Brampton-Mississauga & District Labour CouncilMotilall Sarjoo (SARJ)416-709-6352OFLJoel DuffCommunications Director416-707-0349 (cell)firstname.lastname@example.com (ENG/FRENCH)
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Today's spotlight post is all about living your dream. Cynthia Cosco founder, owner and winemaker at Passaggio Wines has epitomized the phrase "dreams really do come true". After 15 years of a law enforcement career in Virginia, Cynthia decided to call it quits and move west to explore her fervent love for winemaking. Eight years later armed with four proprietary wines, a hands-on, experiential resume that would rival all dream seekers and the self-satisfaction of living your dream; Cynthia Cosco tells us how it all happened as this week's Vintner in the Spotlight.
South Florida Food andWine.com: For those who have not heard of Passaggio wines, tell us a bit about your wine and how you got started.
Cynthia Cosco: I left a 15-year law enforcement career in Virginia to pursue my passion of winemaking. I moved to CA in 2004 and launched Passaggio Wines in 2007. My wines are all made to drink with food. My passion is to bring wonderful friends, great food, and awesome wines together.
South Florida Food and Wine: Where does the name Passaggio come from and what does it mean?
Cynthia Cosco: Passaggio means "passage way" in Italian. It's a tribute to my family who moved here from Italy in the early 1900's.
South Florida Food andWine.com: If you had to classify your wine, what type is it? And why did you choose this classification?
Cynthia Cosco: That's a very good question. I have had a lot people wanting me to raise the prices on my wines. I try to keep the prices on my wines so that it's accessible to everyone. It would be nice to be noted as a cult wine. When I sold out of the Passaggio Rosé last year people were asking for it and willing to pay a higher price. Wish I had had more of it…LOL
South Florida Food andWine.com: Tell us about the different wines within the Passaggio portfolio,
Cynthia Cosco: There are 4 different wines in the Passaggio portfolio. The flagship wine is the Unoaked Chardonnay. This wine is made in all stainless steel with no malo-lactic conversion. It is very clean and crisp with lots of complexity. The next wine is the Pinot Grigio. This wine is also made in all stainless with no ML conversion. It very fruit forward and made to go well with food. The Passaggio Rosé is what I call my "fun wine." The label Rose Colored Glasses is a different label than the Chardonnay and Pinot Grigio. This is a dry Rosé yet very fruit forward with balanced acidity. It's great with food or just sipping on the deck with friends and family. My new adventure in 2011 was making a Pinot Noir. I teamed up with Robin White who helped source these great grapes. The Pinot Noir is a fruit forward Pinot with great complexity. I think it's going to be a stellar wine – wait until you see the label for this wine! It will be released sometime in November.
South Florida Food andWine.com: What is your most memorable wine moment to date?
Cynthia Cosco: There are so many moments, but when I think back to the start of this journey, it would have to be my very first harvest. It was with Chateau St Jean in 2004. I can still remember the smells, the sites, and tasting the fruit from when it was harvested through its fermentation process. What an awesome memory to have. Harvest has become the most exciting time of year for me.
South Florida Food andWine.com: What is the most challenging thing about being a vintner/entrepreneur?
Cynthia Cosco: The most challenging thing for me is marketing and selling. I have embraced social media for marketing and along the way have met some of the most wonderful people. Selling the wines is also very difficult for me. I love to give wine away…LOL
South Florida Food andWine.com: Where can your wines be purchased?
Cynthia Cosco: Right now my wines can be purchased at "Graces Table", a wonderful restaurant in downtown Napa. You can find them in "Bacchus Wines Made Simple" and "Darren's Restaurant" in Manhatten Beach, CA, "Uncorked Hermosa" in Hermosa Beach, CA, "Wine Seller" in Apple Valley, CA, "Il Vecchio Restaurant" in Pacific Grove, CA, "Wine Styles" in Torrance, CA . They are also distributed in Kentucky. You will be able to taste and purchase them soon in the DogPatch tasting room in San Francsico and on the new Passaggio Website.
South Florida Food andWine.com: Who is the one person you would love to share a bottle of your wine with and why?
Cynthia Cosco: wow…it's hard to choose only one person. I love to be surrounded by my closest friends and family to share wine with. They are the ones who have held me up along this journey and encouraged me to pursue my dreams.
South Florida Food andWine.com: It's your last day on earth, what would your quaff and meal be?
Cynthia Cosco: My last meal would have to be my Aunt Mary's homemade rigatoni with a glass of Italian Barolo.
South Florida Food andWine.com: What was the last restaurant you ate at and did you order your wine?
Cynthia Cosco: As a matter of fact I met a dear friend for lunch at Graces Table in downtown Napa and we ordered the Passaggio Rose Colored Glasses with our fish tacos.
South Florida Food andWine.com: Other than your own wine, what is your quaff of choice?
Cynthia Cosco: There are so many…I love searching for those boutique wines that are hard to find. There are so many out there that people just do not know about. I live in an area of the country where I am blessed to be able to find them. My favorite wines to drink are Pinot Noir and Unoaked Chardonnays. If you get a chance check out Mer Soleil Unoaked Chardonnay.
Visit Passaggio Wines
Love the South Florida food scene? Check out our newly published book (Globe Pequot Press, $14.95), Food Lovers' Guide to Miami & Fort Lauderdale
Girl Power, Interviews with Female Chefs, Vintners and Entrepreneurs


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Norma (dazu passend)
By Eva Berendes
Francesca Gavin
Francesca Gavin is a prolific arts writer and curator. Based between Berlin and London as Visual Arts Editor of Dazed & Confused and Art Editor of Twin, Gavin is also the curator of the Soho House art collection. Internationally recognised, she possesses a global outlook, having put together permanent displays of art previously in Berlin, Miami, New York, New York and London. She has also written five books including "The Book of Hearts", "100 New Artists" and "Hell Bound: New Gothic Art".
- Size
- 50 x 70 cm
- No of editions
- 60
We ship in 48 hours and if you are unhappy with your purchase, returns are free. (more info)
About Eva Berendes
Eva's artworks include all shapes and sizes
"I think of my practise as painting in an expansive sense, which involves a deep relationship between architecture, the object and the body of the viewer."
Eva Berendes' work is marked by a systematic use of colour against a backdrop of geometry. Whether it is a series of steel rods that are welded together before lacquer is applied on top, or steel grids adorned with chain, rope and textiles, her work creates spatial experiences that relate not only to the site where work is installed, but also to the scale of the viewer who observes the work. Berendes has created a series of posters for Absolut Art. They are inspired by specific sections of brochures that come from the supermarket adjacent to her studio. Previously used in the artist's larger sculptural works, the posters investigate how cheap and pragmatic design is connected to the abstract spaces where the store's products are displayed.
Our Frames
Our frames are off the wall
German crafted professional grade frames in black and white individually crafted for Absolut Art and chosen by the curators and artists to best fit the artworks.
The frames are magnetic so they are super easy to use - you can switch out your prints in a matter of minutes.
- 6 millimeter aluminum frames
- UV proof plexiglass
- Magnetic open / close
Certificate of Authenticity
Certified in style
All our artworks comes with a signed certificate of authenticity that is your guarantee.
Keep it safe, it's valuable. And beautiful!
More from Eva Berendes
More suggestions for youBrowse all artworks
Bird #100 (Phoenicopterus Ruber) by Erik Berglin
New Untitled (Blue Portrait) by Hector Frank


text: Select an international website Zoover.at Zoover.be Zoover.ch Zoover.co.uk Zoover.com.tr Zoover.com.ua Zoover.cz Zoover.de Zoover.dk Zoover.es Zoover.fr Zoover.gr Zoover.hu Zoover.it Zoover.lt Zoover.nl Zoover.no Zoover.pl Zoover.pt Zoover.ro Zoover.ru Zoover.se Home Destinations Accommodations Add review Add review Add photos Home Add review Germany Baden-Württember Sinsheim Accommodations Sinsheim Reviews (0) Photos & videos (27) Accommodations (1) Attractions (12) Weather forecast Map Tips (0) More Question and Answer (0) There are currently no reviews for Sinsheim Weather 2° / 8° 26 Mar 2019 Weather forecast and climate... - Find Hotels Deals From € 89 Find the best deal Find the best deals Most visitors found the best deal for Sinsheim with: 1 Booking.com Check price tip More suppliers Collapse Sort by Zoover recommends Rating Reviews Distance from center 1 Accommodation Germany, Baden-Württember, Sinsheim Location Radius: Select 2 km 10 km 20 km 50 km Country Germany Region Baden-Württember Destination Sinsheim Search within results: 7 click Add review Hotel: Sinsheim **** Sinsheim, 1.9 km from center Germany Baden-Württember Sinsheim Hotels Hotels in Stuttgart Hotels in Rust Hotels in Baiersbronn (Black Forest) Hotels in Heidelberg Hotels in Freiburg Hotels in Titisee-Neustadt (Black Forest) Hotels in Baden-Baden Information about Sinsheim Weather Sinsheim Map Sinsheim Photos Sinsheim Videos Sinsheim Question and Answer Sinsheim Nearby destinations Rauenberg Hilsbach Hirschhorn am Neckar Michelfeld (Angelbachtal) Zuzenhausen Neckarsteinach Eppingen Are you looking for a well-reviewed accommodation for your holiday in Sinsheim? Below you are able to find all accommodations in Sinsheim. read more Are you looking for a well reviewed accommodation for your holiday in Sinsheim? Below you are able to find all accommodations in Sinsheim. You are able to find reviews about 1 Hotel in Sinsheim. To find your perfect accommodation, please use the filters on the left side. On top of that you will find 27 vacation photos of Sinsheim on Zoover. - - Less text


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Difference between revisions of "Cross-compiling tools package guidelines"
(→Hows and whys)
(Added outdated tag and hint to use crosstool-ng.)
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[[Category: Package development (English)]]
[[Category: Package development (English)]]
== Important ==
== Important ==
This page describes a proposal, not an accepted approach!
This page describes a proposal, not an accepted approach!
Revision as of 13:59, 5 March 2012
The idea of creating cross compiling tools packages seems to be abandoned. You could however use crosstool-ng and complile you own toolchain easily. crosstool-ng can be find on AUR.
This page describes a proposal, not an accepted approach!
Building a Cross Compiler
The general approach to building a cross compiler is:
- binutils: Build a cross-binutils, which links and processes for the target architecture
- headers: Install a set of C library and kernel headers for the target architecture
- gcc-stage-1: Build a basic (stage 1) gcc cross-compiler. This will be used to compile the C library. It will be unable to build anything almost else (because it can't link against the C library it doesn't have).
- libc: Build the cross-compiled C library (using the stage 1 cross compiler).
- gcc-stage-2: Build a full (stage 2) C cross-compiler. Can be built
The source of the headers and libc will vary across platforms.
Package Naming
The package name shall be prefixed with the word cross-, followed by architecture name and the package name itself shall come at the end.
Thus, cross GCC for MIPS shall be cross-mips-gcc.
File Placement
To prevent file conflicts, place everything into /usr/lib/cross-<target>. The only exception to this rule are executables, that shall be placed directly into /usr/bin/ (however, to prevent conflicts here, prefix all of them with architecture name).
./configure would have at least following parameters:
_target=<your-target> # e.g. i686-pc-mingw32 _sysroot=/usr/lib/${_target} ... ./configure \ --prefix=${_sysroot} --sysroot=${_sysroot} \ --bindir=/usr/bin
This is PKGBUILD for binutils for MinGW. Things worth noticing are:
- specifying root directory of the cross-environment
- usage of
${_sysroot}variables to make the code more readable
- removal of the duplicated/conflicting files
# Maintainer: Allan McRae <email@example.com> # cross toolchain build order: binutils, headers, gcc (pass 1), w32api, mingwrt, gcc (pass 2) _target=i686-pc-mingw32 _sysroot=/usr/lib/cross-${_target} pkgname=cross-${_target}-binutils _pkgname=binutils pkgver=2.19.1 pkgrel=1 pkgdesc="MinGW Windows binutils" arch=('i686' 'x86_64') url="http://www.gnu.org/software/binutils/" license=('GPL') depends=('glibc>=2.10.1' 'zlib') options=('!libtool' '!distcc' '!ccache') source=(http://ftp.gnu.org/gnu/${_pkgname}/${_pkgname}-${pkgver}.tar.bz2) md5sums=('09a8c5821a2dfdbb20665bc0bd680791') build() { cd ${srcdir}/${_pkgname}-${pkgver} mkdir build && cd build ../configure --prefix=${_sysroot} --bindir=/usr/bin \ --with-sysroot=${_sysroot} \ --build=$CHOST --host=$CHOST --target=${_target} \ --with-gcc --with-gnu-as --with-gnu-ld \ --enable-shared --without-included-gettext \ --disable-nls --disable-debug --disable-win32-registry make || return 1 make DESTDIR=${pkgdir}/ install || return 1 # clean-up cross compiler root rm -r ${pkgdir}/${_sysroot}/{info,man} }
Hows and whys
Why not installing into /opt? There would be no need for fooling around with non-standard executable naming etc.?
- Two reasons:
- First, according to File Hierarchy Standard, these files just belong somewhere to /usr. Period.
- Second, installing into /opt is a last measure when there is no other option.
What is that out-of-path executables thing?
- This weird thing allows easier cross-compiling. Sometimes, project Makefiles do not use CC & co. variables and instead use gcc directly. If you just want to try to cross-compile such project, editing the Makefile could be a very lengthy operation. However, changing the
$PATHto use "our" executables first is a very quick solution.
- You would then run
PATH=/usr/bin/cross/arch/:$PATH makeinstead of


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|The Argus, Monday 5th February, 1894, p. 1
SEABROOK - On the 3rd inst., at Tough-street, Hawthorn,
Charles Stephen, second son of W.J. Seabrook, aged 19 years.
The following year two In Memoriam notices were published.
|The Argus, Monday 4th February, 1895, p. 1
SEABROOK - In loving remembrance of Charles
Stephen, second eldest son of William John and
Mary Seabrook, who died at Ravenswood, Tough-
street, Hawthorn, on 3rd February, 1894
SEABROOK - In loving memory of my dearly-beloved
brother, Charles Stephen Seabrook, who died on
February 3rd, 1894.
Charlie's gone from his home below'
sad it was to hear the blow;
But now he's in the realms above,
Trusting in our Savour's love.
(Harry Seabrook)
My first thought was to look up where Tough Street was in Hawthorn. A quick search on google maps revealed no such address. I remembered that a previous family street in Melbourne had had its name changed so wondered if that was also the case with Tough Street.
I send an email to the Hawthorn Historical Society and was pleased to receive this message from Elizabeth a few days later.
Tough Street is now called Yarra Grove. It was originally named after Alexander Tough who lived at number 18 from 1876.
Yarra Grove runs between the end of Yarra Street and Evansdale Road Hawthorn.
|Google map showing location of Tough Street which has been renamed Yarra Grove.
A look at Google street view reveals a mixture of new houses and some very large old properties and a terraced group on Evansdale Road bordering on Yarra Grove.
Now that I have located the street, I need to find where I can find Ravenswood. A search on Trove for Ravenswood Tough street turned up an interesting find.
Now that I have located the street, I need to find where I can find Ravenswood. A search on Trove for Ravenswood Tough street turned up an interesting find.
TOUGH - On the 23rd inst. (accidentally), at his
mother's residence, Ravenswood, Evansdale-road,
Hawthorn, James Campbell Tough, second youngest
beloved son of Margaret and the late Alexander
Tough, aged 22 years.
This death notice says that Ravenswood was in Evansdale Road. Were there two Ravenswoods?
|The Argus, 1 February 1902, p. 3
RAVENSWOOD, TOUGH-STREET, two-storey
eight-roomed brick house, on land 72ft x
293 ft.
A beautiful position, on the bend of the Yarra.
|The Argus, 2 May 1903, p. 2
TRUSTEES' REALISING SALE by PUBLIC
To Wind-up Estate,
Of that BRICK TWO-STORIED BALCONY
RESIDENCE Known as
(Three minutes from Railway Station),
For ABSOLUTE SALE
containing Nine Very Spacious and Lofty Rooms
(21 x 15 &c.), Grand Entrance-hall,
Bathroom, Pantry, Laundry, Outhouse, &c.
Having a Frontage of 72ft. to Tough-Street by the
Splendid Depth of 293ft. to the River.
The Seabrooks either didn't own Ravenswood as Charles Seabrook's father William didn't die until 1914 and the above advertisement says the sale was winding up an estate or they purchased and sold to another buyer in the interim.
Of course these finds have left me with more questions.
- Exactly when did the Seabrooks live at Ravenswood?
- How do I solve the confusion about the two addresses for Ravenswood?
What turned out to be a very simple death notice has led to a reasonable amount of research.


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Book Your Room
Events Calendar
More to celebrate than just tulips.
We are known internationally for our annual Tulip Time Festival, but take a closer look at what other amazing events are going on! Join us for our authentic Dutch WinterFest to kick off the holiday season, our twice-weekly farmers market (mid-May to early December), Fall Fest in mid-October, and many additional seasonal celebrations. Check out the calendar below to see what's happening during your visit.
Click here to download our weekly calendar
Browse Events
What's happening in Holland
Kollen Park
Kollen Park at the corner of 12th St. & Kollen Park Dr. Holland, MI 49423


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Finding the right wine is a lot like dating: exciting, fun, and often complicated. How do you find the perfect wine? Is it going to be a one-night affair or a long-term relationship?
The Boston Wine Expo, taking place Saturday and Sunday, is a little like speed dating. Instead of looking for an ideal mate, the chase is for the perfect wine that suits your mood, palate and budget. Considering wine and food are most enjoyable when shared with another, I recommend taking a date to the Expo. The experience is certain to inspire many more oenological and gastronomic adventures together.
Considering the breadth and depth of the Expo – the Grand Tasting features 300 wineries and 1,800 wines - it's as if the gates of a foodie's wonderland were being flung open. Full of high expectations, you hope to find that "special one" to bring home and possibly introduce to your close friends and family. With all these choices, your most daunting challenge is how to get the most out of the experience.
Jonathon Alsop, founder and executive director of the Boston Wine School in Allston, advises going into the Expo with a focus. You may want to seek out a particular type of wine you like, such as a Châteauneuf-du-Pape, and primarily taste that variety of wine with some room for deviation and exploration.
Wesley Narron, chief wine ambassador of City Wine Tours, advises checking out new and unfamiliar wines. At a past Expo, he was persuaded by a colleague to try a Hungarian wine, which is not typically known as a fine wine-producing region. Despite some initial resistance, he was pleasantly surprised.
In addition to considering new and familiar wines with an open mind, your opinion of a wine depends upon the right food pairing. You'll find plenty of inspiration on how to incorporate wine into your own cooking from the demonstrations by celebrity chefs Jody Adams, Barbara Lynch and Ming Tsai, along with other notable chefs from top Boston restaurants.
Considering the large scope of the Expo, get to know a particular varietal of wine by taking one of the many "à la carte" seminars. There are even sessions devoted to artisanal spirits and beer for those who can't live on wine alone. Among the "non-wine" seminars, the "On the Rocks" Mixology Competition in the "Action Kitchen" on Saturday promises to be especially lively.
The Boston Wine Expo is just one of the many ways to dive deeply into the pursuit of wine appreciation. As with all meaningful and passionate relationships, the oft-repeated truism applies: you get out of it what you put into it. Consider the Expo as one of the many pleasing adventures in a long and satisfying journey.
Boston Wine Expo
WHEN: Feb. 15-16, 1 to 5 p.m.
WHERE: Seaport Hotel & World Trade Center, 200 Seaport Blvd., Boston
INFO: www.wine-expos.com; 617-385-5368
After the Expo
After a day seeing, smelling, swirling, swishing, sipping and spitting out (a necessity in this prodigious wine-tasting event) dozens of wines, sit back and relax at the end of the day. Here are a few ideas for you and your date to consider.
A Wine Dinner
The Aura Restaurant at the Seaport Boston Hotel hosts a wine dinner featuring Chief Winemaker Randall Grahm.
WHEN: Saturday, Feb. 15 at 7 p.m.
TICKETS: $85 per person, plus tax and service
INFO: 617-385-4300; www.wine-expos.com/Content/Wine-Makers-Dinners/3/
A Post-Wine Expo Party
For a smaller scale food and wine tasting experience, the Boston Wine School hosts a very unofficial Expo after-party with wine tastings, food pairings and music. It's a "Pay Your Age Wine Night" to Benefit GLAD.
WHEN: Saturday, Feb.15, 6:30-10:30 p.m.
WHERE: 1354 Commonwealth Ave., Allston
TICKETS: $21 plus an additional contribution based on your age
INFO: www.eventbrite.com/e/ex-post-expo-pay-your-age-wine-night-to-benefit-glad-tickets-9012555797?aff=localendar
Wine Classes
To continue your wine education, take a class at the Boston Wine School. The convivial and intimate setting, knowledgeable instructors, wide selection of wines, and the delicious food accompaniments take the intimidation out of learning about wine. Their "Wine 101" class goes for four Thursdays and gets you started on a lifelong wine adventure. Visit www.bostonwineschool.com for a schedule.
Wine Tours
City Wine Tours brings wine education to the table with wine and food samplings at local restaurants and wine shops. Led by "wine ambassadors," you can sample small plates, learn about a variety of wines and get a behind-the-scenes view of kitchens and wine collections. City Wine Tours leads tours in Back Bay, Harvard Square, North End, and South End neighborhoods. For more information, visit www.citywinetours.com
Mara Littman is founder of BostonDateNight.com. See more of her original Date Night itineraries at BostonDateNight.com and follow her on Twitter @bostondatenite.


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Mick Jagger and Sting Join Campaign Against Scottish Secession
This September, Scottish voters will take to the polls to decide whether they should continue as part of the United Kingdom or branch off as their own separate country, and a growing list of celebrities from England, Wales and Northern Ireland have banded together to make their case for maintaining the status quo.
The campaign, dubbed Let's Stay Together, boasts a petition with more than 15,000 signatures attached — including a list of "over 200 great names" whose ranks include Sting, Mick Jagger, David Gilmour, and ex-Roxy Music member Bryan Ferry, among many others. (The organizers have also put together a Spotify playlist, which you can stream while reading the supporters' names.)
Let's Stay Together is the brainchild of historians Dan Snow and Tom Holland, who strike a delicate tone on the campaign's website, writing that "We believe that most people in England, Northern Ireland and Wales don't want Scotland to leave the UK, yet respect the right of the Scots to decide this for themselves." They add, "We believe that the key missing message is a positive, emotional one: not telling the Scottish electorate what to do or what not to do, but telling them how we feel about Scotland, about being part of the UK and about our collective place in the world." (To that end, one of the video clips on the site is titled 'Scotland, You're My Best Friend.')
Organizers of the pro-independence campaign, Yes Scotland, have issued a response to Let's Stay Together's chorus of celebrity voices, assuring them that there's "no need to worry — we aren't moving anywhere after a Yes vote" but adding, "It may have escaped your notice, but many people are struggling to make ends meet, to find well rewarded employment, to pay fuel bills or even feed their families. All this despite the fact we live in one of the world's wealthiest countries. A Yes vote gives us an opportunity to change all that. We're sure you'll understand!


text:
29 Home Care Services
for Seniors
Monmouth Beach, NJ
Caring.com offers a free service to help families find senior care.
To help you with your search, browse the
170 reviews
below for homecare agencies in
Monmouth Beach.
On average, consumers rate home care in Monmouth Beach
out of 5 stars.
To speak with one of our Family Advisors about senior care options and costs in Monmouth Beach,
(855) 863-8283.
Caring.com offers a free service to help families find senior care. To help you with your search, browse the 170 reviews below for homecare agencies in Monmouth Beach. On average, consumers rate home care in Monmouth Beach 4.6 out of 5 stars.
To speak with one of our Family Advisors about senior care options and costs in Monmouth Beach, call (855) 863-8283.
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Helpful Articles
- Hiring a Caregiver for In-Home Help
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- Cost of In-Home Care by State
- 8 Creative Ways to Pay for In-Home Care
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If you're choosing a caregiver for an aging parent or loved one, you've probably heard the advice that your caregiver should be licensed and bonded. The implication is that being licensed and bonde...
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Thanks for the thumbs' up y'all (your checks are in the mail!) Please send loans NOW, 'cause service after 25 knots may vary.
Real Estate Financing Services for all...
All Off-Topic items not related to kiting can be posted here. Please post all For Sale items in the Classifieds Ads section.
Moderator: BayAreaKite
Forum rules
Please post all For Sale items in the Classified Ads section. Thank you.
Get on it!
In light of the first emergency rate cut since 2001, I felt obligated to bring this off-topic subject up once again. After a 75 basis-point drop in the federal funds rate this week, we may be in for some savings across the board. Let me know if you need some mortgage analysis, I'd be glad to help. And, to the kiters I've assisted in recent months, a hearty handshake and "thanks for the opportunity to earn your business!" See you on the water!
(Do it now before the season starts. By then your priorities will be straight again!)
New company website here...
Click on the "Loan Officers" tab and if you'd prefer direct e-mail I can be reached at email@example.com.
Go bigga'
I know, I know... two days in a row on this subject? Crazy.
Meanwhile, if your mortgage balance is between $417K and $625K I have some good news for you-- the recent economic stimulus package agreed to by the Treasury and the House of Representatives will redefine the conforming loan limit in certain high-cost areas. That's us! Prefer conforming rates to jumbo rates? I know I do!
(Thanks for the recent kiter inquiries-- my audience has grown overnight with this change. Gotta' jumbo loan? Call me! To the folks I heard from yesterday, get those mortgage statements faxed over.)
Go bigga'
Dave, faxed my recent staement in and waiting for the paperwork back from you. Between the fact that rates dropped and you're offering refi loans to all BAK members with no points and no fees whatsoever, I'm stoked! I'm hoping to save about $300/month and take out about one million in equity. Oh, that's one million in VND, not USD.
Ollie, get some sleep will ya'?! You WILL be saving money now that the market has a little push. Your loan package was sent yesterday. And yes, I do consider kite-budgets when helping to negotiate fees. New kites for all! (Don't spend the full $1M on kites though, they depreciate too much.)
Elli, yes, this change is long overdue IMHO since Bay Area buyers rarely got to take advantage of conforming loan pricing. I've seen downturns before, hang tough, your values will eventually rebound and low rates don't hurt.
Man, all this biz-talk has me needing a session. Alameda perhaps?
Go bigga'
We gotta get in touch as well, but I am waiting a little longer to see what will happen with the credit markets...I anticipate quite some more fed cuts in the next months. Any idea when the non conforming limit will be lifted? That would be huge.
Thanks for this info,
Charlie, Yuri, nice effort today. A was hopin' for a little more wind though...
Tim, if all goes well we should have this legislation into law by as early as mid-February. Thus, the urgency. Yes, the Fed may ease again but it is the ANTICIPATION of that event that has these rates dropping. Bankers are like lemmings to the sea. One wiff of a turnaround and the party's over. PM me when the time is right.
Go bigga'
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text:
In his latest post on the ThinkPHP blog, Andreas Uhsemann steps through a simple conversion he made from using a MySQL database with his application to using PDO on an Oracle system.
At first, one would notice that nothing was happening at all. Just a white screen, and no entries in the error log. Even if one turns on error messages explicitly (you never know the current php.ini settings) with error_reporting(E_ALL), nothing is changing.
He had the connection all set up (manual tnsnames entry and all), but there was something wrong and he couldn't see it. After changing the error reporting level (to no avail), he went for PDO's error handling. The result was an "invalid character" error from the extra semi-colon on the end of the statement.