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Oakland, CA Harp Lessons
Looking for private in-home or in-studio Harp lessons? Our Oakland teachers are ready to get you started. Find your teacher today!
Our online tools make booking, managing your schedule and paying for lessons easy and hassle-free.
Easily search and compare teachers in your area, including past student reviews and background checks.
If you're not completely satisfied, we'll help you find a new teacher or refund any unused lesson credits.
Why TakeLessons?
Our teachers have taught
lessons and counting!
Popular Harp Teachers near Oakland, CA
Check out some of our most popular teachers near Oakland, CA including San Francisco, San Jose, Sunnyvale, Palo Alto and Redwood City.
About Adrienne K.Close
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From the Beatles to Bach to the Beastie Boys
About Adrienne
"So Russell, what do you love about music?"
"To begin with...everything."
My musical background is probably like many other teachers - Masters of Music, 10+ years teaching experience, etc. Here are some characteristics that I think set me apart:
Broad Music Style and Interest - On any given day, I can listen to, perform, practice, or play everything from the Beatles to Bach to the Beastie Boys
Extensive Training - I studied with the Principal Harpist of the Philadelphia Orchestra and have performed with the prestigious Curtis Symphony Orchestra
Focused but Fun - I keep students on task but have a light hearted, humorous approach to teaching.
Adaptible - I've been teaching for over 10 years and believe I have a fresh approach to an outdated teaching method.
Communicative - I'm available anytime if you have any questions during your practice during the week. I accept text messages and videos. I support you at all times!
· Flute · Online
· Harp · In studio
· Harp · In studio
I cannot recommend her enough!
Adrienne K.
Adrienne K.
About Alexandra P.Close
View Full Profile
As a harp teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire both orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make
at least an hour a day commitment to practice. I teach mostly the ...
About Alexandra
A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.
Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.
Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).
In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.
Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.
*** Lesson Details ***
As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before.
I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don't worry about
your pace. In the end, lessons are about you personally and not someone else.
As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.
*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources.
*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.
PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
· Piano · In home
· Piano · In studio
· Harp · Online
Alexandra P.
Alexandra P.
About Lydia H.Close
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She wanted to share her gift of music with others and started teaching harp lessons when she was 17. Lydia was hired on as a teacher with a local professional music company and worked there for 4 years. During that time she continued her education and received the necessary training on how to effectively teach students of any age.
About Lydia
Currently Lydia is a full-time professional harpist and music teacher maintaining a studio of 40 students. Lydia has performed well over 800 times in Columbus and the surrounding areas and has recorded 3 CDs of her beautiful music. She is the principal harpist for the Cardinal Health Chamber Orchestra and also plays with the orchestra at Northwest Bible Church.
Lydia enjoys sharing the gift of mus
*** Lesson Details ***
14 years experience
2 optional recitals per year (Spring and Christmas)
Ages 4 through adult
· Harp · Online
· Piano · In home
· Harp · Online
Lydia H.
Lydia H.
About Chelsea L.Close
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I'm a professional harpist who graduated from Yale University with a B.A. in Music with extensive teaching experience in the United States and Belgium. I am offering harp lessons to students of all backgrounds, levels, and ages.
I am currently in the process of completing my Doctor of Musical Arts at the CUNY Graduate Center. I hope to transfer the skills and knowledge I have obtained from working with some of the most renowned harpists to my own students.
Teaching is a passion for me. Whether you are just taking lessons for fun, or whether you are serious about creating a future professional career, I will be equally attentive to your needs. I like to ensure that my students progress during the lesson, but not at the expense of having fun! I believe that a relaxed atmosphere is essential to the learning experience.
About Chelsea
· Harp · In home
· Harp · In home
· Harp · In studio
Chelsea L.
Chelsea L.
About Becca S.Close
View Full Profile
I am an experienced teacher who is committed to helping every student achieve their personal goals at the harp. I have worked with all ages and abilities and I'm excited to work with you! I am open to working on any type of music you'd like to and can also help you develop a better understanding of music theory. I earned my harp performance degree from the Lamont School of Music at the University of Denver.
About Becca
· Piano · In home
· · In home
· · In home
Becca S.
Becca S.
About Liudmila I.Close
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I am a very experienced harpist, holding over 20 years of experience. I have performed in over 4,000 concerts and have had the privilege of performing as the Principal Harpist at St. Petersburg Opera Theatre and Mariinsky Theatre in Russia. I also hold a Master's degree in Harp from the St. Petersburg Conservatory in Russia.
About Liudmila
1988-1992 St.Petersburg Conservatory Symphony Orchestra SPb, Russia
St.Petersburg Philharmonic Orchestra SPb, Russia
1992-1998 Mariinsky (Kirov) Ballet and Opera House SPb, Russia
1999-2017 The St.Petersburg Chamber Opera SPb, Russia
1988-1992 Music School for gifted children, piano
1992- 1994 High special music schoo
1995-present Private Instruction in Harp, Piano
· Harp · Online
· Harp · Online
· Piano · In studio
Liudmila I.
Liudmila I.
About Eleonora P.Close
View Full Profile
I'll work with you to get the best out of your potential.
About Eleonora
· Harp ·
She's a very knowledgeable and patient person as well as kind and available.
She has a great teaching method. The most important thing: she puts energy and passion in every thing she does.
She's the best harp teacher I could ever have!
· Harp · In studio
Thanks to her thorough preparation (always updated with the latest teaching methods) I was able to approach the harp in the best way and with great results.
I highly recommend her!
· ·
Harp lessons have been a great experience for Giulia thanks to Eleonora's patience and kindness.
Now Eleonora moved to California and for us this was a huge loss.
Eleonora P.
Eleonora P.
About Cindy Q.Close
View Full Profile
A graduate from Rice University's Shepherd School of Music, Cindy is a passionate harp teacher and performer who loves to interact with students. She has taught students in all levels in both English and Mandarin Chinese. Cindy first started harp with her grandmother, a well-known harpist in China, at their home in Beijing. Since she was young, she was greatly influenced by watching her grandmother teach at home. Cindy believes in giving young harpists a well-rounded music education, and she focuses on technique and musicality through her teaching.
About Cindy
On top of orchestral festivals, Cindy can be found performing around the world in the summers. Last year, she attended the World Harp Congress in Hong Kong, where she performed in a masterclass with Alice Giles and was a winner of the mock audition. She also performed chamber music, in Nantucket, MA, as a part of the Rossini Club. In 2014, Cindy attended and performed at the World Harp Congress in Sydney, Australia. Cindy was a participant of the Saratoga Harp Colony and the Young Artists Harp Seminar in 2013.
In 2014, Cindy made her solo
Cindy was offered a full-tuition scholarship throughout her undergraduate studies at Rice University. This past May, she received her Bachelor of Music degree with "Distinction in Research and Creative Works". Cindy is currently in her graduate studies with a full-tuition scholarship. In her spare time, she enjoys traveling, sewing, and discovering good food with family and friends.
Cindy Q.
Cindy Q.
About Pheobe S.Close
View Full Profile
I believe lessons should be fun and expansive journeys. I enjoy truly connecting with each student in a light, enjoyable atmosphere. Lessons are tailored to meet each student where they are at, while still pushing them at a rate that inspires them. Positive reinforcement and constructive feedback are always used, while negative criticism is not. I specialize in teaching proper harp technique designed to allow the player to play for a lifetime! If pain arises from playing students will never be asked to push through pain or discomfort. Rather, we will find a different approach that works. Lastly, I love working with students on pieces they really love. No piece of music is off limits! We can make any song work on the harp!
About Pheobe
I have been playing the harp since age six. While I am primarily a classical pedal harpist, I also love to play jazz, pop, folk, and contemporary music. I love teaching all of these styles as well, and students may choose to play either the lever harp or the pedal harp.
I have been blessed to have studied with some incredible teachers. Studying Salzedo Technique with Cynthia Otis, herself a former student of Carlos Salzedo, allowed me to develop strong and stable harp technique. I went on to study both jazz and classical with Felice Pomeranz at Berklee College of Music. From these experiences, I have developed a style of teaching that focuses strongly on technique while incorpora
Currently, I am completing a certification in Clinical Musicianship. I am thrilled to be learning about the endless healing components of harp music. I believe that music should be a source of joy, a belief that is ever present throughout her lessons.
· Harp · Online
· Harp · Online
I'm looking forward to practicing and our next lesson.
Pheobe S.
Pheobe S.
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Harp Lesson Reviews from Students
Students are raving about their Harp instructors on TakeLessons. Check out some of these recent reviews.
Expert in translating concepts tho
She passionately plays and teaches the harp. She's able to comunicate this passion to her students by inviting them to partecipate to harp festivals and competitions.
Eleonora Pellegrini is a guarantee!"
My daughter was 7 years old when she began taking lessons with Eleonora and she is still playing with great passion after 5 years. For us it is a joy to hear her playing. Thank you, Eleonora!"
Thanks to her thorough preparation (always updated with the latest teaching met
I highly recommend her!"
And they're not alone!
Our teachers have taught
lessons and counting!
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Harbor-UCLA Medical Center »
LAC+USC Medical Center »
Olive View-UCLA Medical Center »
Other Health Coverage Options
Los Angeles County Department Health Services (LA County DHS), financial workers can help you decide which program best fits your needs. Please bring the following documents with you, if you have them; a current California Driver's License or ID, Social Security Card and proof of income.
Children and Young Adults
Family Planning
Cancer Detection and Treatment
HIV And AIDS
People With Disabilities

subset: commoncrawl


text:
Jump to navigation Jump to search
All users should use only
Directories that must be used
All users should use only
~/packages for storing packages builds and
These directories are excluded from backups and all other directories are automatically backed up.
Creating chroots and building packages
Devtools 0.9.10 has build helpers that can be used.
/usr/bin/extra-x86_64-build /usr/bin/multilib-build /usr/bin/staging-x86_64-build /usr/bin/testing-x86_64-build
This can be used to _create_ and build packages. Chroots are created by default in /var/tmp/archbuild. To build packages that depend on each other you should use makechrootpkg directly.
$ sudo extra-x86_64-build $ sudo testing-x86_64-build
$ sudo makechrootpkg -cr /var/lib/archbuild/extra-x86_64 -- -i
next package
$ sudo makechrootpkg -r /var/lib/archbuild/extra-x86_64
Packager && Makeflags
Add ~/.makepkg.conf with PACKAGER information
PACKAGER="Name <email>" MAKEFLAGS="-j5"
Connecting to sigurd or gerolde from brynhild
On your local system add this:
$ cat .ssh/config Host pkgbuild.com Hostname pkgbuild.com User youruser ForwardAgent yes
Generating rebuilding list when soname is bumped
Available in repo-tools.git (https://projects.archlinux.de/repo-tools.git/) and available on brynhild:
$ sogrep <repo> <soname> $ sogrep extra x264.so.107


text:
New Trailer For 'Prometheus' Arrives, Astounds and Conquers
A new trailer for the Ridley Scott helmed 'Prometheus' is online and it effortlessly paints the film as the blockbuster to beat this summer. It also makes it pretty clear that most definitely takes place in the 'Alien' universe, even if it's not necessarily a full-on 'Alien' prequel. We took an in-depth look at the new trailer and have broken it down, scene-by-scene...
There are two things immediately taken away from the new trailer for 'Prometheus'. First, the film looks huge and not necessarily in expense (although it looks plenty expensive). It looks like it has a cosmic, sweeping scale, the likes of which isn't too common in most modern science fiction films, which tends to be earthbound. Secondly, the film looks terrifying, seemingly showcasing the same combination of scares and sci-fi that made the original 'Alien' one of the greatest genre films of all time. How long has it been since we've seen a big budget summer blockbuster that was also a horror film? Too long.
You can watch the trailer embedded below and we've also done you the kindness of going through the trailer with a fine toothed comb and picking some of the most intriguing images. If you don't want to go in as fresh as possible, do yourself a favor and stop scrolling. If you want to toss around speculation as to what the heck is going on in every frame of this thing...well, what are you waiting for?
And now, onto the potential spoilers! You've been warned!
Hmm...what exactly are we seeing here? Some sort of strange infection, traveling through the body of an unknown character? Whatever it is, it looks nasty.
One thing this trailer does exceptionally well is sell 'Prometheus' as a big movie. It's been a long time since we've seen a horror movie on a scale this large.
Ah, here's our titular spacecraft. Those three thrusters definitely fit the aesthetic seen in the 'Alien' universe.
Is this a stasis pod, redesigned post-iPod? It sure looks like it. That's Elizabeth Shaw (Noomi Rapace), probably sleeping through an extended space voyage.
Here's an even better shot of the Prometheus, landing on what we can all safely assume is LV-421. It doesn't look nearly as desolate as it will in later films. Perhaps something catastrophic will render it uninhabitable like we see in 'Alien'?
Here is Michael Fassbender, doing his usual job of making normal men feel terribly inadequate.
There are lot of vehicles on display in this trailer which means: 1. Plenty of potential merchandising opportunities! And 2. Plenty of vehicles to get into horrible wrecks, presumably.
We saw this room in a previous trailer. It should look very familiar to you...
We love the sci-fi tech on display here, particularly these nifty aerial scanning orbs.
There is something moving in that bowl...but what?
Here's Charlize Theron, doing her Charlize Theron thing. The trailer spends no time establishing characters, so we currently remain in the dark as to what she's doing onboard the 'Prometheus.'
Another angle in that familiar room. Someone is bound to make what can best be described as the "Kane error."
It wouldn't be an 'Alien' film without sticky residue!
What exactly is Fassbender examining here? The contents of one of those cylinders seen earlier, perhaps?
Remember when Ridley Scott told all of us that this was not, by any circumstances, an 'Alien' prequel?
I have no idea what's going on in this shot, but man, it sure looks pretty.
People springing for their lives, seen from the point of view of a personal camera of some sort. This definitely gave me an 'Aliens' vibe, oddly enough.
It wouldn't be an 'Alien' film unless our heroine became sweaty, terrified and distressed!
To repeat: this film looks huge!
Who is this guy? Is it just me or does his body vaguely resemble a Xenomorph? And what's he doing?
Well, he certainly doesn't look friendly.
Here's the Space Jockey chair, but where is the Space Jockey himself?
You really can't tell in the still, but something icky is attacking the person in this pod. Facehugger?
If it's frightening enough to scare Idris "Stringer Bell" Elba like this, then we can't imagine what it will do to a normal person's psyche.
Huh. More of that odd infection from the starting moments of the trailer...what is this?
This could be a huge spoiler by itself, so we're choosing to not speculate further.
Is this the storm that renders LV-421 uninhabitable? Maybe. Perhaps. We don't know.
Ah-ha! Here's the Space Jockey. Seeing him looking new and shiny is pretty disconcerting.
And that's it for baseless speculation! 'Prometheus' hits theaters on June 8.


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Programs & Events
- This event has passed.
April 20, 2018 @ 12:00 pm - 2:00 pm
An event every week that begins at 12:00pm on Friday, repeating until April 27, 2018
Winter Studies 2018 Session 1$225 – $250
Winter Studies 2018 Session 1
February 16, 2018 @ 1:00 pm – 3:00 pm
Recurring Event $225 – $250
How to 'Read' a Film II – A Study of Directors
Dr. Mark J. Schenker, Dean of Academic Affairs, Yale College Former Lecturer in English
Fridays, February 16 – April 27
You are registering Section #1 from 1-3pm
CLICK HERE to register for Section #2 from 4-6pm
(no class March 30; save May 4 for make-up snow day)
$250 (members $225); no refunds after January 15, 2018
Join Dr. Mark J. Schenker for a second series of lectures on "How to Read a Film," which continues and extends the course he offered in Winter Studies 2017. Film fans of all stripes will be able to deepen their enjoyment and understanding of film as they view ten classic movies of the 1940s and 1950s by three great Hollywood directors. Through a combination of lectures and the showing of ample excerpts from each film, Dr. Schenker will help participants see that common-sense attention to basic details of how a film functions as a work of art—that is, as an artifice, something artificial—can reveal aspects of the cinema that do not require knowledge of film theory.
The focus will be on films in the context of each director's style and sensibility, with four movies by Billy Wilder (1906-2002), three by John Huston (1906-1987), and three by Howard Hawks (1896-1977).
Billy Wilder Films
Double Indemnity (1944) • Sunset Boulevard (1950) • Stalag 17 (1953) • Witness for the Prosecution (1957)
John Huston Films
The Maltese Falcon (1941) • The Treasure of the Sierra Madre (1948) • The Asphalt Jungle (1950)
Howard Hawks Films
His Girl Friday (1940) • The Big Sleep (1946) • Rio Bravo (1959)
Dr. Mark J. Schenker, who holds a Ph.D. from Columbia University in English and Comparative Literature, is a Senior Associate Dean and Dean of Academic Affairs in Yale College. His fields of concentration are Victorian and Modern British Literature, and he has taught courses on these and other topics at Columbia University, New York University, Trinity College and Yale College. For more than 30 years he has lectured and led book discussions at libraries and other venues throughout Connecticut. In 2001, the Connecticut Humanities Council presented him with the Wilbur Cross Award for Outstanding Humanities Scholar.
Space is limited so sign up early.


text:
India-Pakistan Teams' Joint New Year Bash Cancelled
Kolkata: With the Indian cricket board allowing its players a day off on the New Year's eve, the proposed joint New Year celebration by the India and Pakistan cricket teams ahead of their game at the Eden Gardens here has been cancelled, a cricket official said Sunday.
"Though we had planned the joint celebrations, the same has been cancelled as team India players will be enjoying a much-deserved day off with their families in their respective homes on the New Year's eve," said Cricket Association of Bengal (CAB) treasurer Biswarup Dey.
Both the squads were slated to arrive in the city Monday for the second One-Day International to be played Jan 3, but now the hosts would arrive in batches Tuesday.
The Pakistan team would arrive as slated.
Meanwhile, Prime Minister Manmohan Singh, who was expected to be present at the match, is also likely to give it a miss in the wake of the gang-rape and death of a Delhi girl.
"The prime minister would be in the city to inaugurate the Centenary Session of the Indian Science Congress Jan 3, and we had plans to invite him for the match. But in the wake of the tragedy, he is unlikely to be present for the game," a CAB official said.
The CAB, however, has invited several former India players and captains, including Kapil Dev and Dilip Vengsarkar, for the second game of the three-match ODI series.
Source: IANS


text:
The Apache ActiveMQ Project is pleased to announce the availability of Apollo 1.0. ActiveMQ Apollo is a faster, more reliable, easier to maintain messaging broker built from the foundations of the original ActiveMQ. Apollo is the fastest and most robust STOMP server.
Apollo Features:
- Stomp 1.0 Protocol Support
- Stomp 1.1 Protocol Support
- Topics and Queues
- Queue Browsers
- Durable Subscriptions on Topics
- Mirrored Queues
- Reliable Messaging
- Message Expiration
- Message Swapping
- Message Selectors
- JAAS Authentication
- ACL based Authorization
- SSL/TLS Support and Certificate based Authentication
- REST Management API
Noteworthy changes since the last beta include:
- [APLO-120] - Add a —with-ssl option to the apollo create command to control if an SSL enabled configuration is created.
- [APLO-134] - LevelDB store should use a file lock so a broker instance get exclusive access to the store data.
- [APLO-135] - Add example to the distro that shows how you can boot up an embedded broker in a Java app.
- [APLO-109] - Apollo should run with assertions enabled by default unless APOLLO_ASSERTIONS=false is set in the env.
- [APLO-110] - Provide more information in case of authentication failure
- [APLO-112] - Support for TLS 1.2
- [APLO-118] - All configuration attributes which configure memory/disk usage sizes should support values like "1k" "2G" etc.
- [APLO-124] - call the LoginModule.logout method
- [APLO-125] - Client authentication error message
- [APLO-128] - Simplify the leveldb-store's log record format so that every record has a checksum which can be used to quickly validate all read data in case your paranoid about data corruption in your FS
- [APLO-130] - Allow acquired queue entries to get swapped. This is especially handy if the entry was already persisted anyways.
- [APLO-131] - Stores should track "storage schema version number" to detect when the store is incompatible with a new broker version.
- [APLO-136] - Support dots in a dsub name
- [APLO-141] - The connection screen displays 'transport: tcp' even though the connection came in over the tls port.
- [APLO-139] - Simplify the JSON encoding of the @class field
Further information:
Feedback is always welcome!


text:
The Wuggly Ump
Edward Gorey
AbeBooks Seller Since August 24, 1999Quantity Available: 1
AbeBooks Seller Since August 24, 1999Quantity Available: 1
About this Item
Bibliographic Details
Title: The Wuggly Ump
Publisher: Lippincott
Publication Date: 1963
Binding: Hardcover
Illustrator: Edward Gorey
Book Condition: Near Fine
Dust Jacket Condition: Near Fine
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text:
canaan wrote:ulf wrote:canaan wrote:What are your hopes for the tourney?
Hopes or expectations?
both. im not a pitt guy, but as ive said earlier in the season, this team is decent. if they can get their FT% up, they are a sweet 16 team. i think thats where they max out...which is a great season, no matter how they play against that sweet 16 team.
I missed this before. They're a sweet 16 team. So in other words, they'll be lucky to be in the the game at half in the first round?


text:
He scans the room with a passive expression, a subtle smile coming across his face when he lands on one that is familiar to him.
Fortney: De Grood's passive expression contrasts with raw emotion in courtroom
He scans the room with a passive expression, a subtle smile coming across his face when he lands on one that is familiar to him.
Yet save for one elderly man who enters midway during his appearance in court, Matthew de Grood's smiles are returned only with cold stares, some of those stares unbroken throughout the 10 minutes or so that he sits in the prisoner's box.
For the vast majority of those spectators on a tense Tuesday morning, it's the only ammunition they have against de Grood, who is accused of first-degree murder in the deaths of five young people just three months earlier.
Included in that packed courtroom are family members of victims Lawrence Hong, Zackariah Rathwell and Joshua Hunter, along with the close friends of Jordan Segura and Kaitlin Perras.
From grandmothers and uncles to pals since childhood, they sit together as one unified group, their devastation evident only moments earlier when many break down outside the courtroom's doors, some weeping openly, others hiding in the women's washroom as they wipe their eyes and try to pull themselves together.
"I didn't know it was going to be this hard," one elderly woman, a family member of one of the young men slain, tells me, apologizing for her outburst. "I just miss him. Any chance you have some tissues in your purse?"
It's hardly surprising, this spontaneous wave of emotion. This is, after all, the first time they have come face-to-face with the former friend who allegedly stabbed to death five promising young people on April 15, at what was a low-key gathering to celebrate the end of the post-secondary school year.
For the friends and family — at least two of the spectators here were at the party that turned from a feel-good evening into the scene of the worst mass murder in Calgary's history — one can hardly imagine what it took for them to get dressed and head to court, let alone how they have been coping after witnessing such horrors.
Still, they sit silently — aside from the occasional audible sob — while the wheels of justice turn slowly but carefully before them. As the slight, shackled 22-year-old prisoner watches on, it is agreed that de Grood be sent immediately to Alberta Hospital in Edmonton, for a 30-day assessment to determine his mental fitness at the time of the slayings. Last month, de Grood was found mentally fit to stand trial for five counts of first-degree murder, which means he can understand the process and instruct counsel, but still be mentally ill.
As the court is dismissed and a somewhat confused looking de Grood is whisked out of the courtroom, those spectators head out into the lobby and circle around court support staff that try their best to explain what just happened.
Downstairs, lawyers for both Crown and defence tell the gathered media what can be expected in the coming months. Allan Fay, lawyer for the accused, is peppered with a variety of questions, including how the accused and his family are doing. "He's nervous," says Fay of the young prisoner, whose mother and veteran police officer father visit regularly and continue to support him "100 per cent."
As Fay and crown prosecutor Neil Wiberg speak, those loved ones of the five young dead filter out another door. "We aren't sure what all of this means, but we had to be here," one extended relative — no one representing the victims wants to be identified — says as he heads out. "We know the court has to be meticulous, so it's going to be a long wait. We're just nervous about the outcome."
With the preliminary hearing set for next March, it will indeed be a long time before the legal chapter of this tragedy comes to a conclusion.
Fay offers an explanation for de Grood's strange courtroom demeanour. "That's more an effect of the medications he's on, he's desperately eager to please," he says of his client, whose silence is in contrast to his "no comment" remarks at his first appearance in May. "I think a lot of people, not knowing that, would think he's being inappropriate."
As for those here to bear witness on behalf of the dead, it will also be a long time before they speak out. Says one as he escorts a weeping woman out into the morning sunlight: "We'll have plenty to say, when this is all over."


text:
It was a jarring note to begin a year of celebrating surfing — an image of a shark with its mouth wide open, looking set to devour a board like the one it was painted on.
But if it garnered attention for a cause, mission accomplished.
Tuesday morning at Duke's by the Huntington Beach Pier, the Rotary Club of Huntington Beach kicked off its Surfboards on Parade campaign with the first of 25 boards that will be displayed around town in the coming months to help fight skin cancer. Each board features the work of a different shaper and artist, and first up was a piece by Tim Stamps and the painter Wyland.
From the introductory comments by Daemon Clark, the director of Wyland Galleries, an onlooker could sense that the surfboard unveiled at Duke's would not be a generic tribute to surfing and the ocean.
"For this piece, he wanted to do something a little outside of the norm," Clark said before a group of Rotarians removed the black cloth from the board in the corner of the dining area. "He wanted to do something that commanded your attention, just like we need now attention for skin cancer victims."
Then the cloth fell, and viewers found themselves staring into the gaping mouth of a great white instead of admiring a lush beach scene. The fish jutted vertically out of the water in front of a blood-red sky and sunset, its head reared back and yawning like Jaws after a meal.
Musician Junie Bomba accompanied the unveiling with a series of notes on a conch shell, and the audience, possibly perplexed, paused a few seconds before breaking into applause. As cameras clicked and media closed in, some in the crowd speculated that the shark's cavernous throat occupied the spot on the board where a surfer's foot might rest.
Stamps, who had sent the shaped board to Wyland without any idea what the painter might come up with, saw the finished work for the first time along with the other guests. So what did he think?
"It's really cool," the Long Beach resident said between posing for pictures in front of the board. "It's the first time I've seen it. I think it's his normal type of style, but it's cool — it's new, and it's a whole new event that's going on. When it came off, I was pretty stoked."
Surprised too?
"I'm always surprised when I see an artist's work. You never know. And it looks good. I think it matches everything. You can read a lot into a shark, you know. It's pretty awesome."
OK, then, one possible reading?
"He's taking a bite out of skin cancer. That's what I think it means, anyway."
The Wyland-Stamps board sounded the opening note for Surfboards on Parade, a nearly yearlong event that will raise funds for the Hoag Family Cancer Institute as well as Rotary, the International Surfing Museum and the Huntington Beach Art Center. Future boards will go on view at the Hilton Waterfront Beach Resort, Hyatt Regency Huntington Beach Resort and Spa, Shorebreak Hotel and other locations; Mayor Pro Tem Joe Shaw announced Tuesday that City Hall will also play host to one.
Surfboards on Parade commemorates the 100th anniversary of surfing coming to Huntington Beach in 1914, when Hawaiian George Freeth visited the newly dedicated pier to demonstrate the then-obscure sport. Surfer Peter "PT" Townend, who was among the speakers Tuesday, paid tribute to the pioneer in his remarks.
"Right out here, the train stopped with George Freeth 100 years ago, and he went out here — I don't know if it was a day like today, because it's a beautiful day, right?" he said, gesturing out the window to the shore. "It might have been like that. But he went out there and rode the first waves, and that was the first surfer."
One contributor who didn't make the celebration at Duke's was Wyland, who was busy working on art shows in Hawaii, Clark said. It's not the first time the artist, whose full name is Robert Wyland, has left a mark on Surf City. In the late 1970s, he created a mural at the now-defunct nightclub the Golden Bear, and he supports ocean conservation through the nonprofit Wyland Foundation.
Clark, though, could vouch for the shark's meaning.
"He wanted, really, people to see the board," he said. "He wanted it to be bold, to really command attention for the cause of what this is all about," Clark said. "And that's what he thought — what would capture your attention or get your attention more than that kind of scene?
"Because he really wants people to look for and be aware of skin cancer, looking at their bodies and being aware of what their needs are, and he feels that that demands attention just like cancer demands attention."


text:
Sweden Gazetteers
|Sweden Wiki Topics
|Beginning Research
|Record Types
|Sweden Background
|Local Research Resources
A gazetteer is a published list of place names. Descriptions given in gazetteers vary according to the purpose for the publication. They were created for different reasons such as to be a postal guide or to document geography. Gazetteers may describe towns and villages, parishes, counties, provinces, rivers and mountains, sizes of population, and other geographical features. They usually include only the names of places that existed at the time the gazetteer was published. The place-names are generally listed in alphabetical order, similar to a dictionary.
Gazetteers may also provide additional information about towns, such as schools, colleges, and universities; major manufacturing works; canals docks, and railroad stations.
In Sweden each farm has its own name. Some farm names date back to the Viking age or early medieval times. There are also names for villages. In many areas of Sweden there weren't any villages at all, but only the individual farms. In many cases there are numerous farms and/or villages with the same name. A gazetteer helps to explain what a place is -- a farm, village, parish, county, etc.
In doing Swedish research it is important to pay attention to place names. Many people have similar names and it is often the name of the farm or village that helps identify an individual as being the relative.
A gazetteer can be used to determine which church parish had jurisdiction over a smaller place such as a farm or village. They are helpful in determining the county that has jurisdiction for the parish.
Being familiar with the names of nearby parishes and having a list of farms and villages within the parish may make it easier to understand and read the place names written in old handwriting.
In using gazetteers, remember that similar names were used in different areas of Sweden and more than one place may need to be checked. Modern spellings (after the spelling reform of 1906) may differ from the pre-1906 time period. Individual clergy and others wrote phonetically as they thought it should be spelled. Some places may not be included because they are obsolete, very small, or were simply omitted. Generally gazetteers can greatly facilitate genealogical research.
There are a number of Swedish gazetteers. The following gazetteers are useful in identifying specific place-names and are in different forms of media – book, CD/DVD, or website.
- Svensk Ortförteckning
- Geografiskt-Statistiskt Handlexikon Öfver Sverige
- Svenska Orter
- Svenska Ortnamn 1999
- Ortnamnsregistret
- Rosenbergs Geogrfiske Lexikon
- Sveriges församlingar genom tiderna (Swedish Parishes throughout time)
- Place names on the Swedish parish pages in the FamilySearch Wiki. (Type the name of the parish you are working in the search field, then click on the magnifying glass, from the hits list choose the parish you are working in.)
Swedish Villages and Farms
Johansson, Carl-Erik. Cradled In Sweden. The Everton Publishes, Inc., Logan, UT . 1995.
Your Swedish Roots – A Step by Step Handbook, Per Clemensson Kjell Andersson, Ancestry, Provo,Utah. 2004.


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Microsoft has released SQL Server 2005 SP3 Cumulative Update 9, which is Build 4294. I count 13 fixes in this build. There is no corresponding cumulative update for SQL Server 2005 SP2, since SP2 is no longer a supported service pack for SQL Server 2005.
Even though Microsoft CSS has recently changed their support policy so that they will give you limited troubleshooting support if you are on an "unsupported service pack", you really should be running SQL Server 2005 SP3 with a current Cumulative Update if at all possible. That way there is somewhat less of a chance of having an issue that causes you to have to call CSS, and if you do have to call CSS, they will be able to give you more extensive support.


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The Upside of This Cold Winter? Two Words – Ice Caves!
By most accounts, the winter of 2013-14 has been one of the coldest in recent years. Statistically it's actually not that much colder than normal, but with the 'polar vortex' and multiple bouts of snow storms across the south and eastern seaboards, it just SEEMS like winter is lasting forever.
One place that is welcoming the bitter cold temperatures is the Apostle Islands in northwestern Wisconsin on Lake Superior. Once or twice a decade, the weather stays so cold for so long, that Lake Superior will actually freeze over allowing tourists to walk across the lake to investigate the ice caves. This is one of those winters!
Over 35,000 visitors (including an old friend of mine and her boyfriend, who let me use her pictures) have made the trek to Wisconsin.
The ice caves are carved out of sandstone by waves from the lake, but become covered in hoar frost, icicles and ice formations during these cold winter months. People park a mile away and walk across the lake to the caves, where you can go at your own pace and actually walk another three miles! But if you go, go EARLY. By late morning/early afternoon, tourists have been parking a couple of miles away from the parking lot, making it a 3-4 mile hike just to get to the caves in the cold!
Local officials say Lake Superior hasn't had this much ice coverage in more than 20 years and they've never seen crowds of this size in the past. Check out these pictures below. You may want to book a late winter trip!


text:
Thoughts on Lost
I am not the expert. Not even close. I barely understand about the polar bears. And last night during a live chat on CTV.ca, I was clearly the token idiot they invited just to make sure that the really smart analysts had a f-cking moron to bounce off of. As noted, Doc Jensen at Entertainment Weekly and Nikki Stafford have the super intellectual answers and theories. Maybe they can answer for me what is Desmond? For some people it was the light. My most wanted however was the Desmond. Is Desmond an angel? Is Daniel Farraday's bitchass of a mother an angel? F-ck I hate that woman. She doesn't have to talk, I want to slap her anyway.
Some people are upset that the What is the Island question was never fully answered. But I prefer that the Island's purpose remains in the abstract. That's the point personal of the show. For me, the island is where you go to make it right, we should all be so lucky to get to go somewhere to make it right. The Island is the ultimate test, the one you have to complete to get to the sideways reality inside the church. Obviously Jack passed. People like Michael then would have failed. And Ben's still... working on it? I feel badly that he's still the one who keeps getting left out of the party. But I loved the look on his face when Hurley asked for his help. Benevolent Hurley gave Ben a job and this final kindness, sob!, is what Ben needs to find redemption, no matter how long, very long, it will take.
As for Sayid and Shannon – many of you thought it should be Nadia. Disagree. Nadia and Sayid were doomed from forever. In every version of reality, before crash, after crash, forward, backward, and sideways, Nadia and Sayid couldn't work. Which ultimately means it was wrong. And the Island gave Sayid a chance to find someone he could love properly. Just because Shannon's an annoying twat doesn't change the principle behind his ultimate fulfillment.
But for me, the ultimate love anchor of the series has to be Sun and Jin. Most people focus on the Triangle, Jack vs Sawyer, Kate vs Juliet. When Sun and Jin died, and then when they "remembered", this is when Lost is at its best. Sun happy-cries really, really well. Jack happy-cries in victory really, really well too. Did you see how emotional Matthew Fox was at the end during Kimmel? At the end it was all about Jack. The experts keep saying that Jack was supposed to die, always, in the pilot. And therefore all ends as it's supposed to. The experts also insist that the way they found themselves there, from beginning to conclusion, was all planned too? This part, I'm not so sure.
Alright, enough for now. We could keep at it, and it would never cover it all and my interpretations are novice at best. Am happy however to carry on this conversation offline. Email your thoughts, can't wait to read them. Click here for Doc Jensen and his preliminary analysis and here for Nikki Stafford's.


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A discussion of all things pets and the joy they bring, including news, tips, product reviews, fun stuff and more!
Thursday, July 24, 2008
Dog Dials 911
A Beagle named Belle started clawing at his owner when the owner started acting funny. Belle's owner was diabetic. When the owner's blood sugar fell and he passed out, Belle ran to the phone and called 911.
How could Belle do this? Well, Belle is a trained service dog - trained to help his diabetic owner. Dogs are able to sense high and low blood sugars. Dogs can smell many hundred times better than humans. When your blood sugar starts to rise, your breath starts to get a sweet smell to it. So you're able to tell the highness. But when you start to drop into the low, it drops into the seizure.
As a part of Belle's training - if she detects problems - she finds her owners cell phone and bites down on the #9 key. The phone then connects and Belle barks or whines into the phone. This alerts someone to call for help.
9 comments:
- jan said...
great as long as they don't learn to dial those 900 numbers...
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JOHNSON CITY, Tenn. (May 6, 2010) - Junior Paul Hoilman (Johnson City, Tenn.) was named to the 2010 CoSIDA Academic All-District 4 Baseball Team, announced the College Sports Information Directors of America (CoSIDA) and ESPN the Magazine on Thursday.
Hoilman, a math major, is one of five guys on the District 4 team with a GPA of 3.90 or better as Hoilman currently has a 3.93 cumulative GPA. Members of the All-District First Team are automatic candidates for CoSIDA Academic All-American, which will be announced May 25.
The Johnson City, Tenn. native is a five-time member of the ETSU Dean's list, and currently is ranked in the top 10 nationally in batting average (.458), hits (82), runs (66), doubles (21), home runs (19), RBI (67), slugging (.905), total bases (162) and on-base percentage (.554).
Hoilman was one of five first-team selections from the Atlantic Sun including Preston Hale and John Atteo of North Florida, Josh Holskey of Campbell and Tyler Cook of USC Upstate.
For more information on Buccaneer baseball or any other athletic news, please visit www.ETSUBucs.com.


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levelup necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 327 diseños de 66 diseñadores freelance.
LEVEL UP events & communication
We are a young, new event management and communication agency, born in November 2010.
Our business are:
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We need a logo to use everywhere!
Private companies - public administrations - restaurants - pubs - and anyone who needs to organize an event (also private citizen).
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Girl Scouts of Eastern Massachusetts is offering a "Kerry O. Key" program for Cadette Scouts and Juliette Scouts in grades 6-7-8 on January 8 from 6:30 to 9 p.m. at the Acton Congregational Church on Concord Road, in Acton.
If your Scouts LOVE American Idol and you love to be challenged this is the program for YOU! Choose a song from the book, create a performance, and sing your face off during this team oriented karaoke challenge!
Registration is closing soon.
Cost to register is $10.50 per Scout. Leaders and adult volunteers are free.
To register, visit www.girlscoutseastenmass.org/programs/search.html?id=6399


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"He now exists beyond the reason of the physical world, where no one in the mortal realm can threaten him. It would be akin to someone in a story challenging the one who wrote it. It cannot be done. To stand and confront the Falcon... One must also exist outside the story" - Skull KnightGoing off this description alone, Guts stands no chance at all currently
So let's just say if Guts were to strike Femto with the Dragonslayer, wouldn't it cause some harm to him because of its Astral properties it's acquired overtime?
I think that's the problem itself, Guts would need to land a strike, which I think, at his current level is near impossible. A God hand being is stupidly powerful, one would need more than crazy physical stats and an oversized sword. There'll be some form of upgrade for him on Skellig I think, so that may be the answer. Wether its going to be last one or not, remains to be seen.Right now he's at level where he possesses a serious challenge for Zodd and Grunbeld, but not beyond that. Even the most powerful apostle is nothing compared to Griffith and Guts is around that level.
What would Casca think ?
Ah yes, very good point. So let's just say if Guts were to strike Femto with the Dragonslayer, wouldn't it cause some harm to him because of its Astral properties it's acquired overtime?
True. I think we can safely say we all want to see what would Casca think about ALL of this so far, and not just moonlight boy
I feel Casca will be for Guts' quest for revenge of the Band of of Hawk and become a struggler like Guts.
He'd die, no contest. Skull Knight himself, the apex in terms of fighting ability, couldn't even touch Femto despite doing everything right, bear in mind the God Hand also have inhuman reflexes, Void and Femto both deflected SKs attacks. The only one that has come close to harming Griffith is , if SK cut off Rickerts hand and attached it to his sword to crate a sort of morning star, maybe he could slap Femto to death.
She's a struggler already.
Yes and the only reason Rickert got his glorious bitch slap in was because Griffith let it happen. Obviously he could have moved, caught his hand, made his head explode with a wink of the eye, etc. I am still a bit curious as to why Griffith allowed it. The only thing I can come up with is that maybe Griffith wanted Rakshas to attack Griffith since he was a potential threat to the peace in Falconia. However, I don't believe that Rickert could have convinced everyone that Griffith was a fraud even if he wanted to.
I'm sure that there will never be a time when Guts will be able to simply walk up to Griffith and defeat him in a one on one. His victory will be the result of dozens of events converging together. The most obvious being the Moonlight Child (who will likely play the greatest role), Silat and Rickert, the Skullknight and the many characters we've met on Skellig. I would say all of these elements in a certain combination with a bit (read. a boatload) of luck may be enough. However, they haven't begun to converge yet and we as the reader can't accurately guess how and when they'll work together and what will drive them towards each other again. Once all the business with Casca is finally sorted we'll have a clearer idea on how the group is going to progress in regards to Griffith. For now the immediate resolution of that plot point clouds the potential of the future plot.
It's well known that Femto is essentially Demon Jesus.
Anyhow forgive me if I am wrong but when people bring up Griffith at this point and the story and Femto I am not following.
Griffith's apostle form however seems to be very powerful as well though I doubt it is as powerful as Femto (an example of his power at least so far was him removing Zodd's horn, no big deal) but still a huuuge challenge. Thoughts?
I think currently what we have going on is a no win situation for Guts.


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Large Harper Table Lamp with Shade
Overview & Details
- Modern museum-worthy interpretation of a gourd lamp with elegant tapered drum shade.
- Framed lamp base is sculpted of solid brass.
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- Large (7"W x 29¼"H).
- Lamp available in two finishes: Gold-Finished Brass and Silver Nickel-Plated
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Worthy of a modern art museum, our interpretation of a classic gourd lamp makes a stunning statement in the living room, bedroom, or anywhere. With graceful, clean, sophisticated curves, the brass sculpted framework of the Harper table lamp stands regally atop a black granite base. Tapered drum shade in tranquil Cream or sophisticated Black adds a luxurious aura. Lamp and shade are available in two sizes and two color options. Made in India. Available exclusively at The Company Store®.


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GhostBSD is a user-friendly BSD operating system built on top of FreeBSD. FreeBSD is known to be a solid, powerful, secure and stable server operating system, providing an excellent base for a desktop operating system.
FreeBSD seems to be aimed at more experienced or technically inclined users. As such, newcomers to the BSD platform can be confused, especially for those who lack the technical expertise required.
GhostBSD aims to provide a familiar workstation with all of the features and benefits of FreeBSD, combined with a twist that is the MATE desktop environment and a focus on user-friendliness. Available in both 32- and 64-bit versions, GhostBSD is suitable for newcomers, as well as experienced BSD users.
GhostBSD shares many of the same features as FreeBSD, including:
GhostBSD added a few extra features of its own, including:
The project has the following objectives:


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Virgin America Safety Video – Safety Dance
by Steve Anderson
Arguably already the coolest airline around, Virgin America increased its hip points with a new safety video that is fun, educational and exciting. You can't quite call the current selection of airline safety videos very exciting, now can you?
The new five-minute video includes a cadre of professional dancers as well as YouTube sensation Todrick Hall and So You Think You Can Dance alums.
Want to be a part of the next Virgin America Safety Video? You can win a dance spot! Click here for more info.


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Elmo's World is a segment on Sesame Street starring Elmo. It ran consistently from Season 30 (1998-1999) to Season 37 (and less regularly through Season 42). Each segment, or episode, runs approximately 20-minutes long following the same, basic format. Regular features include inserts featuring the Noodle Family, Elmo asking questions of a baby and email messages which feature other Sesame Street regulars. The segment takes place in a crayon-drawn apartment.
Each segment focuses on a specific topic - ranging from Balls or Jackets to Fast and Slow or Hands. The segments follow a series of skits and interviews centered on that topic. The skits and interviews are essentially the same every day, only changing the subject matter.
In a 2011 interview with the fan website ToughPigs, Kevin Clash revealed that the segment was no longer in production, and would be replaced by a new, 11-minute Elmo segment created by Joey Mazzarino and the writers, "Elmo the Musical," that debuted in season 43. Elmo's World remains as part of repeats of past episodes and a new section of Sesamestreet.org collects videos, games and merchandise based off the segment.[1]
One characteristic feature of "Elmo's World" is that every episode has the same segments, in the same order. Research has shown that the formula appeals to young children's attraction to ritual and routine, and that children's participation with the program increases with repetition.[2]
- Guess what Elmo's thinking about today: Elmo introduces the episode topic, which leads into a film montage of the subject.
- Dorothy has a question: Dorothy's bowl has a decoration related to the topic, Dorothy relays something factual about the subject and has a question.
- The Noodle Family: Skits featuring Mr. Noodle, his brother (known as Mr. Noodle's brother, Mr. Noodle), or his sister (known as Mr. Noodle's sister, Ms. Noodle), or any combination of the above, attempting to answer Dorothy's question through pantomime, but invariably get the process wrong, or fail to follow the instructions. With Elmo's help, they usually manage to figure it out. The segment is intended to be comical, demonstrating that the Noodles aren't all too bright.
- Kids and Baby: Kids answer Dorothy's question, followed by Elmo asking a baby with a prop related to the topic.
- Elmo Has a Question for You: Elmo asks the viewer to help him, often counting items in a CGI animation.
- Home Video/Video E-mail: During the first two seasons, home video footage shot by Elmo of other Sesame Street characters. Later replaced by video e-mail, in which Sesame Street characters demonstrate something related to the main topic.
- Quiz: Elmo asks different questions about the main topic, often with multiple choice answers, and kids, in voice-over, provide the answer. Usually, at least one Sesame Street character appears in each segment, except "Bananas". The segment usually begins with Elmo failing to open the drawer until it finally opens up on its own, often pushing him offscreen.
- Film Insert: Live action films, usually involving a child and their experiences with the subject. During the first season, it used a jigsaw effect at the beginning and end. It was later replaced by a crayon-wipe effect in the next season onward.
- TV: Animated segments, seen on a channel devoted to the topic, and usually featuring the Lecture Lady.
- Expert Interview: To learn more, Elmo talks with an expert, often an inanimate object related to the topic or activity. Book is featured in certain segments.
- Tickle Me Land: Usually occurring during the guest's speech, Dorothy imagines a version of Elmo as a specific animal or in an occupation/activity.
- Closing Song: Elmo and the guest(s) sing the topic word(s), usually to the tune of "Jingle Bells".
See List of Elmo's World episodes
Inside Elmo's World
As shown in the Elmo's World: Happy Holidays! home video special, Elmo's World takes place inside one of Elmo's crayon drawings, which explains the scribbly look and bright colors of the digitally-generated set. While Muppet representations of the day's topic have always appeared inside Elmo's World, it was not until the season 35 special The Street We Live On that major Muppet characters also visited Elmo's World in person. Most segments usually feature cameos by at least two other recognizable characters (one of whom usually appears in sequences where Elmo asks a yes or no-type question).
Elmo said in a video that he got help from all his Sesame Street friends, in crayoning his apartment. Chris claims that his pants got messed up in the process.[3]
The basic look of Elmo's World has been replicated by the Indian co-production's segment The Word of the Day, also hosted by Elmo.
- Elmo
- Dorothy (Elmo's pet goldfish)
- Mr. Noodle (Bill Irwin)
- Mr. Noodle's brother, Mr. Noodle (Michael Jeter)
- Mr. Noodle's sister, Ms. Noodle (Kristin Chenoweth)
Behind the Scenes
The idea for an Elmo-centered segment came just before the 30th season of Sesame Street. Research was showing that the average viewing age of the program was getting younger and was more popular with viewers under the age of three than ever before. Dr. Rosemarie Truglio, vice president of Education and Research for Sesame Street, attested that tests showed younger viewers were losing interest around the show's 45-minute mark. Producers came up with the idea for the original format to end around 45 minutes, and that a shorter, and very different styled, segment that was specially designed to engage the younger viewers, would air during the final 20 minutes of the show.[2] Judy Freudberg, Tony Geiss, Emily Kingsley, Cathy Turow, Annie Evans and Molly Boylan created and developed the concept along with Arlene Sherman.
Executive producer Michael Loman describes the format:[4] Template:Quote
The first episode of "Elmo's World", which was about balls, debuted on November 16, 1998 (in Episode 3786). "Elmo's World" has undergone a few changes since its conception. In the beginning, the same "Elmo's World" segment was repeated on all five shows for the week, but by the end of the inital season the practice was dropped. When the segment first appeared, Elmo introduced "Elmocam" home videos. In 2001, Elmo's computer began delivering video e-mails from other Sesame Street characters on the topic of the day. These computer segments replaced the home video portion of the show used in the first two seasons. Also, the film portions featuring kids were originally narrated by Elmo, but later on were switched to being narrated by the kids themselves.
Elmo's room is a simple raised set comprised for three walls (painted scenery flats) with crayon drawing designs. The episodes are produced outside of the regular seasons' production schedules.
Early on, many of the animated characters who interacted with Elmo were performed in real-time alongside the puppet through the use of motion-capture puppeteering. Rick Lyon served as motion-capture puppeteer for Elmo's drawer, shade and door when the segments first started. However the use of motion-capture performances was dropped as production got more complicated. Now, simple stand-ins and markers are used and the animated characters are added in post-production using traditional key-frame computer animation techinques.
Kevin Clash is Elmo's principal puppeteer for Elmo's World; for more complicated shots that show the use of Elmo's entire body, a puppet known as "Active Elmo" is used and additional puppeteers assist and are matted out along with Clash in the final shots. Matt Vogel, John Tartaglia and others have served as assistants.
The segments have also been broadcast as a standalone program (on Britain's Channel Five, the Australian Broadcasting Corporation and translated into Danish and Spanish, among others).
Bangladeshi co-production Sisimpur has a segment inspired by Elmo's World, Ikri's World. Instead of being inhabited by animate objects that are normally inanimate, Ikri Mikri's imagination features traditional Bangladeshi puppets. This segment also features a clown similar to Mr. Noodle that tries to answer Ikri's question through pantomime.
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Flagship Ventures Kicks-off its VentureLabs Entrepreneurial Fellowship Program
Fellows to embark on VentureLabs' unique exploration and venture creation process
Flagship Ventures, a leading venture capital and venture creation firm focused on healthcare and sustainability, announced the start of its fifth VentureLabs™ Entrepreneurial Fellowship Program, a unique opportunity for top graduate students to practice entrepreneuring in the pursuit of world changing venture opportunities.
Building on the success of last year's program, eight talented fellows were selected to work hand-in-hand with the VentureLabs team this summer to explore disruptive opportunities in the therapeutics, health technologies, sustainability and consumer spaces. "The team at VentureLabs has been perfecting and applying the discipline of entrepreneuring to the venture creation process for over a decade," said Noubar Afeyan, Managing Partner and Chief Executive Officer of Flagship Ventures. "Our Fellowship Program serves not only to scale our venture creation efforts, but also as a means to share our method of realizing entrepreneurial innovation, and to cultivate relationships with really talented and driven individuals."
The eight fellows include engineers and scientists pursuing PhDs, MBAs and Master's degrees with entrepreneurial and technical experience, ideal for solving the complex scientific and business problems that are explored as part of the summer fellowship. Fellows will participate in the VentureLabs process of parallel entrepreneurship and venture creation. "Our mission with the Fellowship Program is to bring together exceptional innovators from varied backgrounds to collaborate with our team in nucleating great companies, providing the fellows with a stimulating and challenging experience unlike any other," said Harry Wilcox, Chief Operating Officer and General Partner of Flagship Ventures.
Hundreds of applicants applied to the Fellowship Program from universities around the world. These fellows were carefully selected from top graduate programs and represent diverse technical and business backgrounds, skills and interests.
About Flagship Ventures
Realizing entrepreneurial innovation is the mission of Flagship Ventures. The firm operates through two synergistic units: VentureLabs™ which invents and launches transformative companies, and Venture Capital, which finances and develops innovative, early-stage companies. Founded in 2000, and based in Cambridge, Massachusetts, Flagship Ventures manages over $900 million in capital. The Flagship team is active in three principal business sectors: therapeutics, health technologies and sustainability/clean technology. Past successful Flagship portfolio companies include: Accuri Cytometers (acquired by Becton, Dickinson and Company), Adnexus (acquired by Bristol-Myers Squibb), Hypnion (acquired by Eli Lilly), AVEO (NASDAQ: AVEO), BG Medicine (NASDAQ: BGMD), Tetraphase (NASDAQ: TTPH), Receptos (NASDAQ: RCPT) and Morphotek (acquired by Eisai). Additional notable portfolio companies include: AeroDesigns, Affinnova, Agios, BIND Therapeutics, Joule Unlimited, Quanterix, and Moderna Therapeutics.
Learn More: http://www.flagshipventures.com
SOURCE: Flagship Ventures


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Only hotels in Kenwood are listed below. Explore our guide for inexpensive and discount hotel/motel rates in or near Kenwood, OH for your corporate or personal leisure travel. We show the best Kenwood Ohio hotel/motel rooms. Review the Kenwood hotel list below to find the perfect lodging. We also have a map of the Kenwood hotels. Group booking? Search Kenwood Group Hotel Discounts
The Kenwood center point is around the area of Deer Park and the area of Jewish Hospital.
How should we direct your call?


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NEW YORK, Nov. 13, 2012 – Today, Vimeo opened the preview phase of its upcoming pay-to-view service with the release of six movies. This slate of films—handpicked by the Vimeo staff— illustrates Vimeo's flexible suite of features for creators to sell their films directly to their audiences worldwide with control over pricing, viewing periods, release geography and bonus content features.
Viewers that buy access to pay-to-view movies will find them automatically downloaded to their "Watch Later" list so they can access the films immediately on any device — including smart phones, tablets, popular connected TVs with Vimeo's apps and many others.
The movies cover a range of topics, from Javier Bardem's passion project Sons of the Clouds addressing human rights in the Western Sahara, to an exploration of the trials and tribulations of the creative process through the eyes of artist Wayne White in Beauty is Embarrassing. In addition to empowering both established and emerging creators, Vimeo's pay-to-view service promises to bring even more unique, quality content to Vimeo's 85 million monthly viewers.
"Our goal is to provide an open and flexible platform that allows all creators and content owners to earn revenue directly from their audiences," said Vimeo CEO, Kerry Trainor. "We're really excited to offer this selection of high quality movies in our preview, and we look forward to working with creators worldwide whose stories have a clear home on Vimeo."
The pay-to-view service is one of two different monetization options that Vimeo announced for video creators in September. Tip Jar, available now, empowers video creators to crowdsource revenue directly from their viewers for completed works. Vimeo will release the open pay-to-view service to all Vimeo PRO members in early 2013.
The full list of movies includes:
- Sons of the Clouds: The Last Colony
- Compelling documentary that brings to light the political and human rights issues facing the people of the Western Sahara.
- Director: Alvaro Longoria
- Price: $5.00
- Access period: 1 week
- Availability: US & Canada
- We Are Legion: The Story of Hacktivists
- Documentary that takes us inside the complex culture and history of Anonymous.
- Director: Brian Knappenberger
- Price: $4.99
- Access Period: 48 hours
- Availability: US
- Beauty is Embarrassing
- A funny, irreverent, joyful and inspiring documentary featuring the life and current times of one of America's most important artists, Wayne White.
- Director: Neil Berkeley
- Price: $5.00
- Access Period: 1 week
- Availability: Worldwide
- Sunny
- Action sports film featuring Tom Wallisch and Parker White (among others) skiing on both mountains and in urban areas in places like the dark northern landscapes of Scandinavia, Alaska, Japan and British Columbia.
- Director: Josh Berman/ Level 1 Productions
- Price: $5.00
- Access Period: 30 days
- Availability: Worldwide
- Jeremy Jones' Further
- Explores some of the world's most remote mountain terrain while continuing Jones' mission to camp deep in the backcountry and on the summits of unridden lines to access nearly vertical spines and wide-open powder fields.
- Director: Teton Gravity Research
- Price: $9.00
- Access Period: Two months
- Availability: Worldwide
- Shut Up and Play the Hits
- Captures both the once-in-a-lifetime event of LCD Soundsystem's last concert and serves as an intimate portrait of front man James Murphy as he navigates the 48 hours surrounding the show.
- Director: Will Lovelace, Dylan Southern
- Price: $6.99 in UK
- Terms: 72 hour access
- Availability: UK
For more information about Vimeo's new pay-to-view service and how to view the movies, please visit vimeo.com/movies. To view the launch video or the blog post, please visit, https://vimeo.com/53099696 and https://vimeo.com/blog/post:532
About Vimeo
Vimeo® is the home for high-quality videos and the people who love them. Vimeo's mission is to empower and inspire people around the world to create, share and discover videos. As one of the world's largest creative networks, Vimeo reaches a global audience of more than 85MM each month. Founded in 2004 and based in New York City, Vimeo, LLC is a subsidiary of IAC (NASDAQ: IACI)


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Not to state the obvious but, it's still raining. Sluicing down the road and up your trouser leg. Bullets on tin. Sloppy brown water washing ever closer to your back door. My yard keeps flooding. The drain is full of flotsam and jetsam and cat shit and squirrel droppings. I'm taking to it with the ostrich approach. Yesterday, still nauseous from the weekend and hungry for nothing in the kitchen I ventured out to buy a loaf of bread from the high-in-saturates bakery at the end of my road wearing oilskins. I peeked out from under the hood at the sea; last week a sapphire, sparkling blue, now a hoary, angry beast. A giant tongue threatening to eat up the city. I returned with wet knees and a black pudding and egg Danish pastry that merely compounded my displeasure with self-loathing. Fucking rain.
The summer has been a nightmare of unpaid bills, unofficial overdrafts and bank demands. This is what happens when you get fully saddled by your ex lover with a mortgage you can't afford and should never have taken out in the first place. I had to sell Scruffy-but-Handsome into slavery in order to feed us and he's borne it very cheerfully. Last week he even came home in a fit of confusion, saying he was (and I quote) "enjoying" his new job.
"Well, I mean. You don't have to do another ski season," I said.
The company he's working for is a big hitter in the world of Google. He's been seduced with a shiny new laptop and a bit of novelty into climbing the slippery pole and now seems to know everything there is to know about Google's algorithm. His boss seems to think the sun shines out of his arse because, unlike the rest of the staff, he has more than four brain cells to rub together and one or two original ideas.
"It's just that I'm quite good at it," he said as he folded his clothes and put them in the cupboard, "And they're moving me along quite quickly, giving me more responsibility and they've said I could go quite far in the company."
Oh yes. That old chestnut. They pounce on you with this speech during the first three enthusiastic months. The time when you're doing actual, real work; months before you start losing the will to live and just staring blankly at your screen for an hour every morning, then going for an extra long shit or a wank in the toilets.
"Well, you've got youth on your side, I suppose," I said, trying to be encouraging. I was sitting on the floor with my back to the wall, not a little shocked by this u-turn. "…if you feel like you'd be passing up a great opportunity."
That was last week when the sun was still shining. Since then every morning has been a little colder, a little darker. The duvet has been a smidge more difficult to extricate oneself from. We'll see whether his mood changes when the rains come, I thought.
About ten days ago I went and met my new boss. I have, you see, managed to land myself the golden fleece of season jobs. The private gig. A recommendation from a friend, E who had the position last winter. It felt odd dressing smartly for a chalet bitch interview. Should I go for smart, prim and professional? I wondered, Or buxom serving wench bending over you with the cheese board of an evening? In the end I cut a line right down the middle; smart grey dress, just ever so slightly too low cut, with a blue and red check suit jacket and low, brown heels. After the first few questions (why did I want the job, could I ski, could I cook?) he eyed me apprehensively from behind his desk. I got the impression he was out of his comfort zone and wondering if there was anything else left to say. Impetuous, these rich types. If they like the look of you, the cut of your jib, etc, in the first five minutes you've usually got the job regardless of whether you can cook, or even handle a bottle of bleach.
"I've brought a list of questions," I said. "I spoke to E about what you like to eat and I've made a menu plan,"
"I've brought a list of questions," I said. "I spoke to E about what you like to eat and I've made a menu plan,"
"Oh thank God," he said, looking relieved and swiping it from my hand. "Good. Ask me questions. This is great," he waved it at me. "How very organised of E to draw this up, isn't she great?"
I bristled and bit back the urge to tell him it was me, actually. Mustn't seem petulant or pushy, at least not at this stage.
The search is now on for a chalet co-bitch. Being a tip-top cook with bags of experience SbH could, of course, take the job. However, in my experience, working in a chalet 24/7 with your lover is about as good for your relationship as tattooing each others' names and the first night you shagged to your foreheads. You're guaranteed to part company shortly thereafter and have to live with the regret for the rest of your days. Anyway, you'd think, being that the job entails living in a luxury ski-in-ski-out chalet that's going to be empty for seven weeks of the season, eating like a king, and driving a brand new Porche Cayenne, that most people would sell their arses for it, but finding someone to work with has been murder. So just in case anyone out there is interested:
Required. 1 x skiing / snowboarding male (I loathe working with girls). Must be very good in kitchen, over 23, neat, tidy, non-stinky ski-bum type, able to drive and preferably nice to look at, please, if you can be at all. Sense of humour essential.
If you know of anyone who fits the description point them my way…
And I leave you with news the Skater Boy (you're not going to believe this) has realised his lifelong dream and bought his own chalet. It's most alarming to think that you, yes you, could be booking a ski holiday at this very establishment, as we speak. Take your own sanitizer and hide your toothbrush and your prescription medication, that's my advice. More alarming still is the fact that he's given up the weed and started going to the gym; suddenly become all motivated and responsible, or is at least doing a great impression of it. Even better, being on the receiving end of CV applications from hopeful seasonnaires keen to enter his employ has been giving us a really good guffaw or two...
"I shouldn't laugh," he said to me on Skype, "But this job application came in to me today:
"That's special," I replied.
"She works for ASDA and has 4 GCSE's."
"Defo take her on...a dream employee."
"It's quite sweet really.... I feel bad."
"Me too."
"She's probably some poor, spotty oik of a checkout girl who's seen the film 'Chalet Girl' and is dreaming of a better life."
At that moment, SbH suddenly came in from work, grumbling loudly. He commutes by bicycle along the seafront and the wind had blown his hair into a vertical shock. He was drenched.
"What was I thinking?" he bellowed, shaking water off like a dog climbing out of a pond. "It's too warm, too flat and too wet."
"I concur," I said brightly, giving him a towel and a kiss. I never doubted him for a second of course.


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2000 Dutch US 38 metre
- Description
- View Full Specifications
- Year:
- 2000
- Hull Material:
- Aluminum
- Length:
- 124'
- Engine/Fuel Type:
- /
The Northland 38 is a superior long-distance cruiser and spectacular pleasure yacht with futuristic details. Its the Flagship of the United Shipyard fleet, designed to set new world standards in comfortable quality and style. A masterpiece from the Designer and Naval Architect Willem de Vries Lentsch from Holland and crafted by the well/known United Shipyard Dutch Yacht builders to meet critical classification standards for steel and aluminium shipbuilding. Guests will love the spacious and lavishly decorated staterooms, salon, dining room and other sumptuously furnished areas. All facilities for efficient operation have been incorporated in this naval design. In all technical respects too, this magnificent ship is designed and built by the most advanced techniques. The powerful propulsion, twin Caterpillars 1050 HP engines gives the cruiser a top speed of 15 knots. Cruisers of this class are uniquely customized, reflects the individuality and preferences of her Owner, who consequently brings his influence to bear on the creation of this unique motor yacht right from the very first moment. Dutch US 38 embodying the highest standards of Dutch craftsmanship, is now available world-wide for those that only the best will satisfy. The building of the Northland 38 has been entrusted to the United Shipyard. The Yard, having an experience over 30 years, specializes in the construction of displacement-high speed aluminium watercraft for Defence and civilian duties. United Shipyard?s highly qualified personnel can meet the strictest classification requirements. Owner and guests total 10 and a crew of 6. There is a wealth of options as standard equipment and specification. This motor yacht with this preliminary specification has an estimated launching date before the end of 2008 and is constructed to class: Lloyd's 100 A1 - MCA .
Additional Specs, Equipment and Information:
Designer: Willem de Vries Lentsch
Hull Shape: Deep Vee
LOA: 124 ft 0 in
Beam: 26 ft 2 in
Dry Weight: 551156 lbs
Engine Options
Engine Option 1: 2x Caterpillar 1050 HP
Number of single berths: 10
*This price is based on today's currency conversion rate.
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National Style Pattern Printing Button up Long Sleeve Chic Designer Shirts for Men
- Sellerrenewingyourmind.us
- List PriceUS$34.24piece
- Sale PriceUS$34.24piece
- ShippingFree Shipping
- Ratings
Product Description
Attention: Please note that you should place your order in US size, however the tags inside the items will show in Asian size.
Product Item: Men Chic Shirts
Material: 50% Polyester + 50% Cotton
Collar: Turn-down Collar
Sleeve: Long Sleeve
Thickness: Regular
Pattern: National Style Printing
Color: Red, Orange, Yellow, Purple, Brown
Tag Size: M, L, XL, 2XL, 3XL
US Size: S, M, L, XL, 2XL
Occasion: Casual, Fashion
Season: Spring, Summer
Gender: Men
Package includes:
1* Men Chic Shirt
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Disclaimer :
About Size:Size may be 3cm/1.5 inch inaccuracy due to hand measure.These measurements are meant as a
guide to help you select the correct size. Please take your own measurements and choose your size
accordingly.we cannot accept responsibility for incorrect purchases.
About Color:The precise color of the clothing items may vary depending on the specific monitor,the settings
and the lighting conditions.The items colors depicted should only be used as an approximate guide