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3 days before the Christmas, I was very unpleasantly surprised, when I was denied boarding a Continental Airline flight for China, even though I did all the right things, I booked the ticket one month in advance, called the airline twice within two weeks before the flight to confirm the seat, and arrived at the airport early. This is called Involuntary Bumping. It is caused by an airline overbooking, or selling more tickets than there are seats on a plane. Having just been through this horridness experience, I believe that this standard practice should be banned all together.
Overbooking is a standard practice and perfectly legal. Many airlines regularly overbook busy routes by as much as 200 percent. Bumping occurs when there are more passengers with confirmed reservations who show up for a flight than there are seats on the plane. If agents are unable to find enough volunteers, they will begin to involuntarily bump a few unlucky passengers, based on a variety of factors, like the time the passenger arrived for the flight, the amount they paid for their ticket, and their frequent flyer status.
Every year, over 1 million passengers are bumped by the nation's ten largest airlines, 50,000 of them are bumped involuntarily, like me.
On the surface, most airlines overbook their scheduled flights to a certain extent in order to compensate for "no-shows" or empty seats, but in fact airlines sell their seats to highest bidders to maximize their profit, they are taking advantage of an outdated law enacted about 30 years ago. By law, all bumped passengers are entitled to some form of compensation, but the law sets the compensation limit to $400, adjusting for inflation, $400 in 1978 is worth approximately $1200 in todays dollars, or, conversely, $400 today was worth approximately $130 in 1978.
The dirty secrete of overbooking is that airlines typically sell the least expensive tickets first and the most expensive tickets last. Overbooking does not occur because airlines have sold more discount tickets than intended months in advance; those are limited in supply and almost always sell out. Flights become overbooked when more people buy high-price tickets than expected in the days immediately prior to the flight. Airlines are not concerned only with filling planes, but also with earning revenue. Current overbooking regulations give airlines a strong incentive to increase their percentage of high-revenue seats by reselling their discount seats. Just as every empty seat is lost revenue, so is every seat sold at a discount. Giving a $200 or $400 travel voucher is often less expensive for the airline than turning down a last-minute sale to a business traveler paying a much higher price.
Lets see what I get for $400 compensation, first I had to stand in lines after lines for about 5 hours to get my alternative flight arranged and get the $400, and I did not have any time to have any food or break for about 12 hours straight. Instead of direct flight to Beijing from the east cost (Newark Airport), I had to fly to the west cost (Los Angeles) first, boarded a different airline flight to Beijing, and arrived at Beijing a day later. I missed the original connecting flight in Beijing and had to waste another 6 hours in Beijing for a different connecting flight, a total delay of about 24 hours. Because of all these stress, I felt ill on my arrival, I was sick for about one week out of my two weeks vocation.
When I checked in for my first flight for Newark at 7am in the Washington Dulles Airport, the airline refused to issue me boarding pass for the 12pm connecting flight from Newark to Beijing, and obviously it already knew at least 5 hour before hand that I will be bumped. Instead of informing me and offering me the alternative travel plan early, they mislead me and led me stranded in the Newark for about 8 hours. This makes me really mad, because it will be much easier for me to take the alternative flight to Los Angeles from Dulles than from Newark.
At about same time I was bumped, thousands of travelers in Brazil were also suffering the same fate as I over Christmas because of overbooking. Brazil prohibited national airlines from overbooking flights over the New Year holiday.
Overbooking allows airlines to take your money, then deny you what you bought. Lets look at this analogy, if Best Buy took $10,000 from me for a 62 inch branded Plasma TV, but instead they forced on me a 50 inch (connecting flight verses direct flight) different branded (different airline) Plasma TV plus $1000 compensation, on top of that I had to come back again to pick up that 50 inch TV (my 24 hours delay). This is, in fact, exactly what airline did in my case. This is outright fraud, corporate profits are an important thing, but not at expense of its customers. The first would be to stop denying that it's fraud to overbook. Compensation needs to be made to make this experience tenable, or indeed ban it altogether.
JetBlue has proved that airline can do better without overbooking. Rejecting a practice most airlines have used for years to help fill planes, JetBlue doesn't overbook its flights. Yet it flies with a smaller percentage of empty seats than its competitors just 20% in September, 13 percentage points better than all of its bigger competitors. JetBlue's policy has drawn little notice, but it is an example of fresh thinking that has helped make the 3-year-old carrier one of the most successful start-up airlines in a generation. "People want to go to the airport knowing they have a seat," says CEO David Neeleman. "We also don't want our people to get beat up when customers find out the plane is overbooked. ... We have lots of stress in this industry, and trying to figure out who to bump only adds to the stress of these jobs." The airline made all tickets non-refundable. Passengers have to call the airline in advance if they are going to miss their flight. If they do, they can rebook a flight on another day for a $25 charge. JetBlue officials believe passengers holding non-refundable tickets are more likely to show up for their flights to avoid rebooking fees. Since JetBlues last-minute price is not a large multiple of its average cost, it does not make economic sense for the airline to overbook. This is because the profit made on a last-minute JetBlue ticket is unlikely to cover the cost of damages owed to the passenger that JetBlue will be forced to bump to accommodate the new ticket sale.
Has anyone had same kind of experience? You can share your experience here. Lets work together to ban this practice. Say NO to airline overbooking.
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Like Bill Murray's character in Groundhog Day, it seems that average mutual fund investors are condemned to grossly underperforming the market year after year.
Indeed, in its soon to be released annual Quantitative Analysis of Investor Behavior (QAIB) report, Boston-based Dalbar has the unpleasant Phil Connors-style duty of reporting the same conclusion year after year — and this report, Dalbar's 20th, offers a bracing conclusion:
"Attempts to correct irrational investor behavior through education have proved to be futile. The belief that investors will make prudent decisions after education and disclosure has been totally discredited. Instead of teaching, financial professional should look to implement practices that influence the investor's focus and expectations in ways that lead to a more prudent investment decisions."
Though 2014 marks QAIB's 20th edition, Dalbar's first report dates to 1984; as a result, Dalbar now has 30 years of data measuring the effects of investor decisions to buy, sell and switch into and out of mutual funds.
"The results consistently show that the average investor earns less — in many cases, much less — than mutual fund performance reports would suggest.
(The QAIB references index returns because of their wide acceptance, whereas equity fund returns can be calculated in very different ways, Dalbar informs ThinkAdvisor.)
So over the 30 years from QAIB's inception to the 2013 market close — a period encompassing the crash of 1987 and subsequent market booms and busts — equity fund investors earned an average annual return of 3.69% compared with the S&P 500's 11.11% return.
In last year's robust equity markets, the average equity fund investor saw large gains — with average performance of 25.54% — but those results fell far below the S&P 500's 32.41% return.
A "silver lining," says Dalbar, is the improvement seen since the severe return-chasing behavior of the dot-com era:
"In 1999 the long-term annualized return of the equity market was 2.5 times that of the average equity mutual fund investor (18.01% vs. 7.23%)."
But whether then or now, the essential problem is that investors tend to sell after experiencing paper losses and return to investing after markets recover their value.
"The devastating result of this behavior is participation in the downside while being out of the market during the rise," Dalbar says.
Given the persistence of this performance gap, this year's edition of the Dalbar report focuses on ways that financial advisors can help investors avoid losing money through poor timing decisions.
"After enormous efforts by thousands of industry experts to educate millions of investors" that Dalbar says have been "ineffective," the consulting firm recommends four key best practices for financial professionals: set expectations below market indexes, control exposure to risk, monitor risk tolerance, and present forecasts in terms of probabilities.
The first strategy derives from the idea that inappropriate investor actions stem from inappropriate expectations.
Since the market is a zero-sum game in which every trade's winner is balanced by a loser, and furthermore since institutional market participants have advantages over retail investors, Dalbar asserts that "the average investor cannot be above average."
The second strategy is to emphasize capital preservation through purposeful allocation of some portion of the portfolio to lower-volatility investments. Says Dalbar:
"The market of 2008 was a time when capital preservation became more obvious and highly appreciated. In this year the average equity mutual fund investor lost over 40% of their value, again trailing the market. Mutual fund investors that were invested in asset allocation funds that utilized varying degrees of capital preservation strategies beat the market that year."
The S&P 500 lost 37.72% in 2008, better than the average equity fund investor who lost 41.66%. By contrast, the average asset allocation fund investor lost 30.53%.
To facilitate risk control, Dalbar recommends that advisors utilize alternative reporting schemes that reframe investing in relation to client goals rather than average market returns.
"Explicit, reasonable expectations are best set by agreeing on a goal that consists of a use of funds, a dollar amount and a date. Progress to meeting that goal is then tracked, showing how much the investor is ahead or behind the established goal…Linking the investment to a personal desire keeps the attention focused on that desire and avoids the distraction of market volatility that leads to bad investment decisions," the Dalbar report states.
A third best practice is for advisors to monitor risk tolerance, understanding that it is not rational, homogenous or stable. Investors' tolerance is filtered through their experience and the experience of others; it can vary depending on the purpose of various funds, for which reason Dalbar recommends multiple asset allocations; and new experiences and new purposes can change a previously established risk tolerance, requiring constant monitoring on the part of the advisor.
Finally, Dalbar says it is wrongly assumed that specific asset classes carry a constant level of risk, whereas various predictive conditions result in widely varying probabilities.
For example, over the past 25 years, there was a 10% chance of a 1% loss in the next month following one up month but a 19% chance following two down months. Moving around various time predictive conditions, time frames and asset classes will yield vastly varying percentages.
"Ultimately, this confusion sets the stage for investors' irrational action when a market correction occurs," states Dalbar, adding that "the cure for this dilemma is truth.
"The truth is that the numbers are not hard but each has a probability of occurring. Measuring and assigning a statistical probability enables the investor to make a rational choice among investments based on the probability of reward."
The sophistication this requires highlights the futility of investor education, which Dalbar says has involved the presentation of ambiguities and instruction in "an arcane language to uninterested consumers."
Moreover, such efforts serve "to transfer responsibility from the expert to the unwitting neophyte" that "relieve the expert of any responsibility" — an approach that may successfully defend against litigation or arbitration but which does not improve investor decision making.
"Investors generally have two interests, one is making money and the other is not losing it. Trying to explain the difference between a stock and a bond is unconnected to those interests," Dalbar states, concluding:
"The future success in the investment business will belong to those who manage prudently and relieve investors of the burden of learning the business themselves."
Reached by ThinkAdvisor, Dalbar's president and CEO Lou Harvey had this to say about this year's QAIB:
"It is astounding that after all the evidence of failure to teach investors to make prudent decisions, the belief still remains that more spending on education and disclosures will eventually work," Harvey said. "It seems that there has to be a massive lawsuit before we abandon the practice of requiring novices to make complex investment decisions."


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Sweden's Göteborg International Film Festival has awarded director Babak Najafi the Startsladden Award - one of the industry's biggest prizes for a short film.
The Swedish director, whose Easy Money (Snabba Cash II) recorded 323,475 admissions domestically in 2012, won cash and services worth $108,000 (SEK 700,000) for The Day My Dad Was Shot (Gabriel och Lasermannen).
In the short, Najafi revisits 19-year-old Gabriel Aybar, whose father Isa was shot by the "Laser Man" serial killer in 1992. The director met the family for the first time in 1998 and the film sets out to discover what happened to the scared five-year-old who once talked about revenge.
Najafi said: "I was deeply moved by the event when it happened, and I am happy that I wasn't alone. I have carried it with me for 14 years, and finally got the opportunity to make a film about it."
The director's first feature, Sebbe, won Best Debut at the Berlin International Film Festival in 2010.
The competition is co-organised by the Swedish Film Institute and Swedish pubcaster SVT, which will air all entries (and the winner on Feb 11).
The Audience Prize went to Swedish director Katja Wik's Offerrollsretorik (Victim-Mentality Rhetoric), "a tragicomic portrait of women's victim-mentality rhetoric in everyday life".
Also supported by the Swedish Film Institute and SVT, Göteborg's Big Novella Film Award was given to Swedish director Niclas Larsson's Vatten (Water), about a 16-year-old girl who falls in "young unconditional love." The prize comes with a cheque for $31,000 (SEK 200,000).


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richw_82 wrote:Hello Mr President,
We're still trying to make up lost ground, but there's several of us that don't want to call it a day. There are still a few issues to be thrashed out as a result of what went on last year and more importantly a whole host of work to the aircraft that we're trying to fit in around the taxy run schedule for the coming year.
I'd like to see her fly, but as always, funding it all is the big thing. Thats why we're trying to make the old Shackleton work for a living this year by giving rides and letting her be used for photo opportunities and the like. I still believe she will flly.
Kind regards,
Rich W
Alanko wrote:Ultimately will WE963 require the sort of deep scrutiny and work that Just Jane is currently receiving? I don't know a whole lot about either airframe, so I'm not sure if the work on Just Jane is typical of the jump from ground runner to flyer?
Again, the mind runs away with mental images of the BBMF Lancaster, Just Jane and WE963 in formation...
Defendermad wrote:As I was in the area visiting friends on Saturday, we popped down to see WR963, as a friend had said on your Facebook page you were open, to find no one there! Rather dissapointing really, particularly as I live on the isle of Skye and this was a rare visit to the area! Anyway, we went onwards to Halfpenny green, and caught sight of one of your volunteers, didn't click at first, he had his black overalls on and Shackleton Preservation Trust high viz, but we couldn't find your stall, did we miss something?
Defendermad wrote:He said it says on your Facebook page you are open every Saturday 10-4, hence us just dropping by. Congratulations on your big day, I do hope it was the happiest day of your life! (Albeit one of the most expensive!), I await you getting WR963 taxying, there's a few of us wanting a ride! The chap at halfpenny green certainly looked the part! Perhaps he's the one that's missing something? Anyway, I'll keep an eye on hear for any news. Many thanks
Defendermad wrote:Over 3 months has passed and no news, I have looked on the Facebook pages now and they are disappointingly showing a lack of posts. I had high hopes for this project, it seems to be slipping away now, there used to be regular updates, now it seems things only happen when someone pushes a question. I have popped by a couple of Saturdays whilst visiting friends in the area, but nobody onsite, just a forlorn looking WR963.
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All these articles about what are the characteristics of a good leader or CEO always make me feel a bit sceptical. Sometimes even nauseous. It always strikes me, when I look into the history of a company and analyse its strategic development that they seem to need top people with widely different characteristics at different points in time.
Take my favourite little English company; the model train maker Hornby. When they were in trouble about ten years ago, its board appointed a tough guy: Peter Newey. He slashed costs, rigorously cut in their portfolio and fired a bunch of people. He wasn't the most popular guy on the block (he was wise enough not to live in the company's home town Margate; he might have ended up with a knife in his back) but – be it in hindsight – people also respected him: it was what the company needed at the time, and it is doubtful they would have survived without him.
But then Hornby hired a people guy: Frank Martin. The first thing employees told me about him was: "he is extremely good at managing relationships" (something Newey wasn't exactly renowned for; and that's a euphemism). And he was; he built superb relationships with suppliers, customers, retailers and investors. And the company flourished.
Yet, could he have done the tough turnaround job? Doubtful. He simply has other qualities. He too was the right man for the job at the time – just like Newey was.
You see the same thing at companies over and over again. Take Apple; in its early days, the energetic and charismatic Steve Jobs was exactly what the spawning company needed. However, when down-to-earth CEO John Sculley took over (much to the chagrin of Jobs), the company had one of its most profitable runs ever; Sculley didn't innovate, inspire bold new moves, or initiated great change; he focused on making money, and did that very well.
And that is what the company needed at that point in time. Later, when they needed to be pushed and driven into a new direction, Sculley could not give them one; it was Jobs' time again, to inspire, initiate and make the company grow. And again he did that very well. The same happened at the famous Swiss watch-maker Swatch: Ernst Thomke created the organisation that led to the emergence of the innovative Swatch; subsequent CEO Nicolas Hayek took the invention and relentlessly managed the organisation into a long streak of dominance and profitability. There is not one type of leader that fits all; different companies, at different times, need different people.
In the classic Harvard Business Review article "Managers and leaders: Are they different?" author Abraham Zaleznik's answer to this intriguing (and slightly provocative) question was an unambiguous "yes": Leaders inspire, are emotional, if not neurotic, and they are born that way. Managers are very different; they are rational, balanced, unemotional and easy to get along with (be it perhaps slightly yawning). And it is not that one is superior over the other; different firms, at different stages of their development, need someone who inspires and does extraordinary things. But at other times, you need someone rational and objective, and perhaps slightly boring. Such a person may never be "a leader", but is a damn good manager.
Sometimes we need to be inspired, take risks and dream up wacky things. Sometimes not. Banks come to mind. Sometimes, there is nothing wrong with a boring banker. Or a boring politician.
Tuesday, 13 January 2009
Managers and leaders: Are they different?
All these articles about what are the characteristics of a good leader or CEO always make me feel a bit sceptical. Sometimes even nauseous. It always strikes me, when I look into the history of a company and analyse its strategic development that they seem to need top people with widely different characteristics at different points in time.
11 comments:
Congratulations! This post was selected as one of the five best business blog posts of the week in my Three Star Leadership Midweek Review of the Business Blogs.
Wally Bock
- 1/14/2009
Thank you for this good discussion. It reminds me of companies that want all "A Players". It strikes me that it takes "A"s and "B"s to make a successful company, similarly to needing successful leaders as well as managers. I wish more people would take this approach instead of feeling it can only be one way or the other.
- 1/16/2009
- BISIKAY said...
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- 1/20/2009
- Richard Skaare ... said...
I agree with you on leaders are defined by needs at the time. However, for a learning portal I was building for a large Saudi client, I asked a dozen General Managers and above what they thought waa the differences between managers and leaders. One subsidiary president described a leader in a way that, i think, might describe both Scully and Jobs: "The leader thinks about how he can create a place where people can succeed. He thinks about change, about doing things better."
Richard Skaare
- 2/08/2009
I recently came accross your blog and have been reading along. I thought I would leave my first comment. I dont know what to say except that I have enjoyed reading. Nice blog. I will keep visiting this blog very often.
- 1/27/2010
- Sildenafil Citrate said...
I think that to some extend managers and leaders are different, they can have similar characteristics but their functions and goals can be slightly different
- 9/08/2010
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In 2013 Kevin Zraly begins his 37th year of teaching the Windows on the World Wine School.
With over 20,000 graduates, the class was named "The Best Wine School" in New York City by New York Magazine.
—2010 Gourmand Hall of Fame - Wine Books
—Robert Parker -- The Wine Advocate
- Michael Apstein of The Boston Globe
- Robert Bierck of Business Week Online
Copyright © 2004 - 2013 Kevin Zraly.
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On Deck: Oury Yarbrough
Age: 20
Home: Austin, Texas
Years riding: 3
Sponsors: Devotid Wakeskates, Pulldozer Winches, Anarchy Eyewear, Helium Wake and Cobian Sandals
Boat, PWC or Winch? Winch
Wake or sliders? Wake
Film or photos? Film(16mm)
Skateboard or wakeboard? skateboard lol
Inclines or boxes? box
Pool gaps or natural winching? Natural
Metal or rap? Rap
Home or away? Home
Fingerboarding or Tramp Skating? PSH c'mon you've seen my fingerboard setup
Mac or PC? Mac
Lake Austin or TSR? Lake Austin or my private winch park
Oury hails from the state of Texas, where everything is bigger. So when he is riding at Lake Austin, where he calls home, he works intensively to uphold the "everything is bigger" factor. He's been on the water most of his life and you can tell that when you see him drop something right off the first start-up roller. His consistency and power on a wakeskate will make you smile big "Texas style." This guy has a whole range of new and old tricks on lock and is stomping newer stuff each set. Oury has been on a big winching push for about the last year working hard on his first video parts in a couple films coming out next year. He has also been busting his ass, flying, driving and shredding his way to some of the big pro stops and doing very well along the way. When Oury isn't stalking the contest podiums he's dragging his Pulldozer winch or ski all over Texas and the country. I mean literally all over the country. I bet this guy has at least two nick-nacks from every gas station across the US in his bac pack. Oury is also a huge part of our team here at devotid wakeskates and is the perfect rider to have pushing our company and sport. He is currently working on his second pro-model bilevel wakeskate for 09. We cannot thank him enough for all he has done for us and wish him well in 2009.
oury and gabe paulson should have a contest to see who the ultimate albino wakeskater is


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Are driverless vehicles the end of the road for truckers?
Clip: 12/07/2018 | 8m 37s
The trucking industry has long faced a driver shortage, in part because of high risk, low pay and long hours. The rise of autonomous vehicles could alleviate that problem--but it could also eliminate jobs for a population of older men who lack college degrees and might have difficulty finding new work. Paul Solman explores the conundrum for our special Future of Work series.
Aired: 12/07/18Video has closed captioning.
The full episode is no longer available for online streaming. Why?
Please continue to enjoy extra(s) from this episode.
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Major corporate funding for the PBS NewsHour is provided by BNSF, Consumer Cellular, Leidos, Babbel, and Raymond James. Funding for the PBS NewsHour Weekend is provided by Mutual of America. For a complete list of funders for the PBS NewsHour and PBS NewsHour weekend, click here.


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Sing, dance and act in the very best of Broadway musicals, from classics to the most modern tunes, experience the magic of Broadway in your living room!
Game Features
- Experience the thrill of being in the spotlight!
- Dance, act and perform Broadway choreography with only your Wiimote.
- Sing along to the lyrics on-screen.
- Experience the feeling of performing live to an audience, getting standing ovations from them and rapturous applause.
- Experience the very best of Broadway.
- Features Broadway choreography with signature dance moves.
- Share a unique experience with friends!
- Share the fun and big show moments with friends and family.
- Recreate the most famous duets and ensembles with your friends!
Song List
- All That Jazz - Chicago
- Roxie - Chicago
- Time Warp - Rocky Horror Picture Show
- Cabaret - Cabaret
- Money, Money - Cabaret
- Dreamgirls - Dreamgirls
- One Night Only - Dreamgirls
- Luck Be a Lady - Guys and Dolls
- We're in the Money - 42nd Street
- One - A Chorus Line
- Supercalifragilisticexpialidocious - Mary Poppins
- You Can't Stop the Beat - Hairspray
- My Favourite Things - Sound of Music
- Bend & Snap - Legally Blonde
- Thoroughly Modern Millie - Thoroughly Modern Millie
- Little Shop of Horrors - Little Shop of Horrors
- Hair Medley - Hair
- Fame - Fame
- Ease on Down the Road - The Wiz
- Just Can't Wait to be King - The Lion King
- Out Tonight - Rent
- There's No Business Like Showbusiness - Annie Get Your Gun
- Born to Boogie - Billy Elliot
- Pinball Wizard - The Who's Tommy
- Diamonds are a Girl's Best Friend - Gentlemen Prefer Blondes
- Rich Man's Frug - Sweet Charity
When will my order be dispatched?
This item will usually be dispatched within 24 hours (Monday – Friday)*. Orders placed outside of these days will be dispatched on the next working day.
* Excluding UK public holidays
How will my order be sent?
Our standard delivery option is FREE in the UK via Royal Mail First Class, with large or high value orders sent via Parcelforce courier service. Delivery to Europe (from an additional £2 per item) and other Worldwide countries (from an additional £4 per item) are sent via Royal Mail International who work with trusted delivery partners to deliver to the destination country.
We also offer a guaranteed Special Next Day service* on this item for UK delivery at an additional cost from £5.95, which is guaranteed to be delivered before 1pm the following day or we'll refund the postage cost!
* Available until 3:00pm (Monday – Friday) excluding UK public holidays.
When can I expect it to arrive?
- UKDeliveries to destinations in the UK usually arrive within 1-2 working days after the order is dispatched with the vast majority arriving on the next working day.
- Europe
Deliveries to destinations in Europe take on average 3-5 working days, but times will vary depending on the import regulations and postal service in your country. Please check with your local postal service for an estimate on how long it takes to ship items from the UK to your country.
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Deliveries to destinations outside of Europe take on average 5-7 working days, but times will vary depending on the import regulations and postal service in your country. Please check with your local postal service for an estimate on how long it takes to ship items from the UK to your country.
If your order has not arrived by the expected delivery date this is usually no reason for concern - see our delivery help pages.
|PlayStation 3
|Release Date
|18th Mar 2011
|Age Rating
|Age 12+


text: Lucas Stone is a porn stud built like an NFL linebacker who brings that pounding power to the women lucky enough to share the set. Lucas stands at a whopping six foot five and has a massive cock that fits those burly proportions. Typically Aries, this former US Army soldier maintains his larger-than-life size lifting weights and practicing martial arts. But before you think this porn star is all brawn and no brains, you should know in his spare time he writes science fiction stories and plays chess online against his friends. Lucas Stone has shot some nasty scenes with Brazzers, and has a long-running series playing a black escort for MILFs at MOFOs.com In 2011 he was nominated for the AVN Best Male newcomer, and in 2013 AVN Unsung Male Performer, evidence that this hard-working porn star is starting to get the recognition he deserves.


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After dinner this evening with some of our fellow Geneabloggers, I was debating whether to post or not. I was super tired (still am really), but didn't post last night because Blogger was on the fritz. I reviewed my most recent blog post and it had some odd characters in it and comments missing, so I'm going to give the people at Blogger a little while longer before posting NGS Conference news. I don't want to get into a nice, long post to have it wiped out if the site goes down again.
Lots to talk about from classes to the exhibit hall, but it will keep a while longer. I hope to be back tomorrow! (And as I just went to tag my post I saw some more odd characters...anyone else still having issues?)


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One interesting footnote to the Fed's decision today to introduce quantitative thresholds--that it expects to keep rates low at least as long as unemployment exceeds 6.5%, their inflation forecast doesn't exceed 2.5%, and long term inflation expectations are well anchored--relates to the fiscal cliff.
The fiscal cliff creates a risk to the outlook that is unusually sizeable in a short timeframe. First, while some of the cliff is phased in over time (a "fiscal glide"), there are significant upfront effects that will be reinforced by potentially sharp moves in financial markets. This suggests the pass-through to the real economy would be rapid. Also, whatever the eventual outcome, uncertainty due to the fiscal cliff is highest over the next few weeks or months. This is not a combination that monetary policy is well designed to address. With interest rates at the lower bound, evidence that successive rounds of quantitative easing are having a diminishing impact on the economy, and the long lags through which monetary policy feeds through to the economy, the Fed has limited short-term ability to buffer the economy if we go off the cliff. But there will still be a monetary policy offset through changing expectations of future policy. If we go fully off the cliff, and growth plunges, the yield curve should flatten (bond prices rise) on revised expectations of easy-for-longer monetary policy and safe-haven flows, providing a brake against the worsening of financial conditions that would result. Conversely, a good deal brings forward expectations of the timing of the recovery.
What's different now? The new approach creates automatic adjustment by markets. Now when a shock hits the economy, we change our forecast and reset expectations accordingly; we don't need a confirming change in guidance from the Fed. Chairman Bernanke emphasized this point in today's press conference.
Yesterday I blogged about the seeming disconnect between how NY and DC look at the fiscal cliff. My bottom line was that while there was an upside to markets if a comprehensive deal was agreed that included the debt limit, the markets may be underestimating the risk of outcomes that leave the debt limit unaddressed and cause substantial uncertainty to persist into 2013. This is still the case, but if the Fed's new approach and the clarity it provides results in a stronger or quicker market response, then monetary policy may be a more effective buffer against a negative cliff shock. In any event, it will be an early test of the new approach.
More on:


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THIEL Loudspeakers have been in the marketplace for over 30 years. Longevity is fantastic, but having the universal respect of serious audiophiles all over the world is even better. Jim Thiel, the company's co founder, chief engineer, and namesake sadly passed away in 2009. With a humble beginning, THIEL started in a garage in 1977. Fast forward to 2010 and THIEL now offers a full line of high performance loudspeakers for two channel home audio and home theater. They are all designed and manufactured in the USA at the company's 35,000 square foot facility in Lexington, Kentucky.
I have heard so much buzz about THIEL speakers over the years, but I never actually heard a THIEL speaker until an opportunity came to demo the MCS1. Jim Thiel was a major proponent of time and phase coherent designs. He believed in the dynamic driver design and set about to improve it. By all accounts, he was constantly pursuing design ideas that would consume his thought process until something tangible appeared; quite the tireless perfectionist. I once attended a demonstration of Wilson loudspeakers conducted by Dave Wilson, the company's founder. When asked what other speaker designers he admired, his answer was immediately "Jim Thiel". He went on to say that Thiel started his designs with solid engineering principles behind them.
The THIEL loudspeaker under review is the MCS1 ($2300 each, MSRP). Interestingly, it was designed to be in either a very high-end home theater set up or in a state of the art two channel set up. The speaker can be mounted on custom stands either horizontally or vertically. Ideally, a set of five MCS1's can be used as front, center, and rear channel monitors. I used the MCS1's as fronts in my home theater set up briefly, then as my two channel system for about a month. The pair arrived in a beautiful medium wood finish at a weight of 61 lbs each; yet they felt vastly heavier. Not surprising, as another element of the design is an aluminum enclosure, to combat cabinet resonance. The MCS1 has one of the most inert cabinets I have seen, barring mega priced speakers for the Maseratti crowd.
One of the MCS1's most innovative design features is a coaxial tweeter/midrange driver where the two drivers' diaphragms share the same voice coil. According to THIEL, this technique allows the elimination of the midrange/tweeter section of the electrical crossover network as the drivers' structure provides a mechanical crossover. THIEL says the coaxial mounting results in greater coherence regardless of listener position. The MCS1 uses a 1-inch aluminum dome tweeter and a 3.5-inch aluminum diaphragm midrange. It has a rating of 90db efficiency and a 4ohm nominal load. There are two small ports in the front, above and below the driver array.
The physical appearance is quite stunning. The MCS1 is shaped like a long rectangle. As noted, the wood finish was second to none. (When ordering, there is a choice of around a dozen finishes.) It is a third taller than my Harbeth Compact 73ES, and a bit less wide. It has two high quality binding posts in the rear. The speaker grille is securely fastened and sonically transparent, according to THIEL, so I left it in place for the entire review period. THIEL also strongly recommended 50 hours of break in before any critical listening. I adhered to this advice, leaving them for 4 days straight in my home theater set up with a mix of the HD cable channel Palladia, which features 24 hour music videos and concerts, and various discs playing.
Set Up: Home Theater.
After the 50 hours break in period, I spend a few days listening to music and watching movies and TV in my home theater set up which consists of Paradigm Monitor Series 9 Fronts and a Monitor series Center, and Paradigm Atoms in the rear, with a PSB sub. Immediately, within minutes, I noticed a clarity to the dialogue and a depth to ambient sounds and music that the Paradigm Monitor 9's could not touch. Perhaps that's not surprising if you consider the price difference. The Paradigm's run $1000 per pair, and the center channel round $500, while the MCS1's are $2300 each. My wife, who is a huge movie buff, also commented on the clarity of the dialogue and texture to the overall presentation. The 90db efficiency is a blessing since my Cambridge Audio receiver offers a modest 80 wpc, but works well with the 94db efficient Paradigms. Suffice to say, if money was no object, I would run, not walk to my nearest THIEL dealer to buy 5 of these for the living room in a Rosewood finish. My wife would be very happy.
Set Up: Two Channel:
This may sound strange, but I could not wait to get them into my main listening room, as I thought they were "too good" for home theater. I felt their real potential would be unleashed in conjunction with my Audio Research tube gear and Naim CD player. According to THIEL, they like the tweeter of the MCS1 to be roughly 28 inches from the floor. As I did not have the custom stands that are made by Sound Anchors for THIEL on hand, I stacked up several blocks of acoustically friendly myrtle wood so that the tweeter was at the recommended height, slightly toed in, applied some Blu Tak and hit play.
From the start, the MCS1's were a pleasure to listen to; coherent, musical and transparent. They offered more resolution than my Harbeths and bit more ambient detail. The soundstage was slightly wider, but not by much. The phantom center image was immaculate, rock solid, and very holographic. This is exactly what you hope for. The Harbeth offers a bit more midrange warmth, as the MCS1 was a bit more extended on top. But to my surprise, the two speakers were not cut from entirely different cloths. More surprising is that despite being higher resolution and better with low level detail retrieval, they were not the least bit fatiguing to listen to. On the contrary, my listening sessions were no shorter than with my reference setup and lasted well into the evening.
I spun my usual eclectic assortment of discs to see if the THIEL favored any particular genre. It was not the case. Since it really straddles the neutral line, it was at home with classic rock, jazz, folk, and electronic music. It was open for business regardless of what my musical whims were. I was on a bit of a Tim Buckley kick during the review period. Buckley's middle period was heavy on close miked vocals, acoustic guitar, and percussion, with a lot of room sound thrown in. The MCS1 drew me into these albums. Buckley's music is very deep and soul searching, and I was glued to my chair listening to the MCS1 present his voice and guitar in a gorgeously dimensional, human performance. It was tough to tear my self away.
The MCS1 had excellent bass definition, weight, and articulation. Bass guitar was muscular, taught, and defined. Acoustic bass was also appropriately weighty, and limber. It was easy to tell the difference between electric bass and the woodier tones of stand up acoustic bass. I pulled out an oldie but goodie CD, Emerson, Lake, & Palmer's Brain Salad Surgery with its heavy percussion and huge bass notes, and fantastical interludes especially in "Still…You Turn Me On". As a matter of fact, this tracked helped illustrate how coherent the MCS1's were. There are alternating passages of shimmering acoustic guitar, mellow vocals, and a heavy section with bass, electric guitar, and keyboards. The transition between parts was completely believable, and also showed me the MCS1's had sublime dynamics in its arsenal.
After about a month with these speakers I can honestly say I have a world class design in my system. The MCS1's are fast, taught and precise as well as lush, warm, and soulful when they need to be. There is no overhang, smearing of transients, or exaggeration of any of the frequency spectrums. Often, "just to keep 'em honest", reviewers like to point out a few flaws, real or perceived in a component on loan for evaluation. I don't think I can accommodate. These are just great sounding speakers. With my back to the wall, my only nit pick would be the odd shape obligates the purchase of the custom stands from Sound Anchors and they are certainly not cheap. I will say they are made immaculately, and Sound Anchors is definitely not a fly-by-night company. Also, the speakers are heavy. Moving them around was a tough job. If that is my biggest complaint, then things could be much worse.
Driving the MCS1's on the 4ohm tap of my Audio Research VS55 tube amp proved to be an easy task allowing plenty of juice, dynamics, and bass control. Of course, the more room around the speakers, the better they may image. Even with only 2 or 3 feet around the sides and back, they sounded terrific. I'm not an absolutist, and I have heard speakers with thin walled cabinets as well as speakers with non resonating cabinets sound superb in the right set up. I do believe that non resonating cabinets can project a soundstage a bit further into the room, since most of the energy is not being dissipated. If not partnered with the accommodating electronics, this can be a bit fatiguing. Resonating cabinets can "breathe" a bit more, although this may be a problem at very high SPL's. The MCS1's were unique in that they were utterly glare free, on the contrary, they offered heady mix of transparency and beauty in their presentation.
I really believe that at $2300 per speaker, this is a tremendous value. When you take into consideration they are designed and made entirely in the USA, in the state of the art THIEL factory in Lexington, that there are a dozen or so superb finishes available, it really calls into question the need to spend as much or more on one of those other brands. I'm sure you can name a few THIEL competitors who have moved production overseas and claim to use exotic materials and such. Of course, geopolitics aside, all that would not mean much if the speaker did not sound damn good. There is 33 years of engineering in this product, and Jim Thiel's legacy is without question, second to none. The THIEL customer service group is also superb. I had very fruitful correspondences with them and they could not be more helpful with set up questions. The fact that they offer a 10 year warranty carries much weight for me. If you don't think warranties mean much, think again. My CD player has some transport issues after just two years. No sweat. The 5 year warranty means I will be able to sleep at night as the unit will go in for repair at no cost to me.
I am intrigued enough that I may hit the THIEL marketing rep up for a pair of floor standers further up the line to review. My expectations would be high for sure. But I know I'd better hit the gym, as they are sure to be even heavier. But I shudder to think how much better they could be than the MCS1's, considering how well they performed in my listening room. If you are considering a world class, high performance pair of monitors in the $4000-$5000 range, the THEIL MCS1 should be on your audition list. If you are putting together a home theater system a cut above the rest, these are a must hear.


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Thomas Stevens has to be the ultimate adventure rider and one of the most interesting characters in cycling. Since I've been on my share of adventure rides, I can relate. He rode his 50-inch highwheeler around the world starting April 22, 1884, in San Francisco. His journey took him across the U.S. to Europe, the Middle East, Africa, China, and Japan.
Now you can read his two-volume book — Around the World on a Bicycle — and it won't cost you a penny-farthing. Here's how. Just download a Kindle application for the PC, available online. Then download volume 1 and volume 2 online, no charge.
I advise doing this sooner than later because who knows how long it will be before Amazon starts charging.
Tom was British so the language of the time was a bit stilted, but it gets better as you read along. It's a fascinating read. I was disappointed he didn't offer much detail on the U.S. leg as compared to the European tour a year later. You can probably piece together a fairly close approximation of the roads he traveled just by reading.
Tom rode through Wyoming along what is today Interstate 80. It must have been a lonely ride. What's amazing though is to read about how many people he did meet back then in the Wild West. The West had pretty much been settled with the railroad going through. He spent a lot of nights at housing used by the railroad workers.
Reading about the adventures of Thomas Stevens is a great way to enjoy the holidays.


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Back to the Future Part II
Back to the Future
Sniper: Ghost Shooter
Zoolander 2
Zombie Killers: Elephant's Graveyard
A Green Story
Mama, I Want to Sing
The Roommate
Blood and Concrete
Magic Man
The Hessen Conspiracy
Love N' Dancing
All Billy Zane photos
All Billy Zane films
Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more! Stay in the know with the latest movie news and cast interviews at Movies.com.
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To submit your event, please click here to email us. We will post your event as soon as possible. If you need further assistance, please call 410-827-9312.
- This event has passed.
September 19, 2019 @ 11:00 pm - 11:30 pm
|Recurring Event (See all)
An event every day that begins at 11:00 pm, repeating until November 1, 2019
Apr 13-Nov 1 – EXHIBIT-Deconstructing Decoys: The Culture of Collecting… what makes a decoy collectible? CBMM, St. Michaels. www.cbmm.org or 410-745-2916.


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While not strictly an 091 Labs-affiliated event, this was announced first on our mailing list and we will have several members attending. Anyone interested in the forest, the castle or photography is very welcome to attend (and your kids too), no matter your level of photographic advancement. Full details from photowalk.ie follow:
No better chance to photograph a ruined keep in a mysteriously misty, wet and rainy forest (because really, when isn't it wet, rainy or misty here) is to be found than in Galway City on July 2 coming, from 10am-3pm. Attractions in the forest include the marvellously-intact Merlin/Doughiska Castle, the ruins of crofters huts and other buildings. And trees. Lots of trees.
Where are we meeting?
At the Supermacs opposite the entrance to Merlin Park, at 10am (map).
I have children. Can I…
Yes! Children are absolutely welcome to come to this photowalk.
The plan:
The plan for the day calls for a relaxed photowalk: Meet at Eyre Square, travel to the forest, take photographs, walk around and travel back to the city for either a late lunch or drinks. Photographers on all levels and interests are very much welcome to this event!
How to get there:
Galway's Merlin forest, castle and hospital are long-established institutions that are easily accessible to travelers from both Dublin and Galway City. The hospital is served from Eyre Square by the #4E bus and is located on the main Dublin road just inside of city limits.
If you are travelling into Galway on the M6 motorway, exit left at the terminus and take the right hand exit of the next roundabout (map).
Contact details:
Email firstname.lastname@example.com, tweet @bhalash or call me (Mark) on 086 190 8088 for information, suggestions or directions on the day.


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when a woman is giving a man head, he pulls out, and nuts in her eye. Upon doing this, she will let out some sort of grunt of disapproval, and at this point he kicks her in the shin. This poor girl, being pissed and hurt, will hobble after your laughing ass.
dude,i gave your sister an angry pirate, and thats why she's limping a little...(don't ask why she's walking like she has a stick up her ass... thats a whole different story dude.)
by j money May 17, 2004
When a man is receiving head while standing and his partner on their knees. Just before he ejaculates in his partners mouth, he pulls out and shoots his load in his partners eye. This will cause his partner to shut the eye with the semen in it. When the partner jumps up in anger, the man when kicks his partner in the shin, causing the partner to jump up and down holding the kicked leg and screaming "ARRRGHH!" in pain.
I got back at that cheating bitch by giving her the angry pirate just before I broke up with her!
by Balls of Steel December 05, 2004
The act of recieving oral sex while standing up right, ending with the reciever not only shooting his sperm rocket into one of the giver's eyes, but also kicking the giver in one of his/her shins, thereby hindering the giver with a "peg leg" and a defunct eye.
Avast! While giving Scott an angry pirate, I ordered him to walk the plank. ARRRRRR
by Red Beard October 18, 2003
When a man (or even woman in some cases) is recieving oral sex and pulls out of their partners mouth, only to ejaculate into their eye. The reciepient of the ejaculation will then stand up and cover their eye with their hand. During this, the opposite partner will then kick their now sightless partner and run off like a wuss as the poor cripple hobbles after them.
Last night my boyfriend thought he'd be a punk smart-ass and give me an angry pirate. That pussy ran off like a little girl and you know I chased after him. I caught his goddamn ass and kicked him in the nuts, so now he's chained up in my basement.
~FYI: True story.~
~FYI: True story.~
by Lori-SPED May 14, 2007
Girl is giving you blowjob but you tell her you don't want to finish her mouth (play the nice guy angle). Instead, you hold her head close as you finish in her eye (right eye preferable). As she stumbling around like a drunken hobo, you kick her in the shins really hard. As you're running away, peek over your left shoulder. If you've done everything right, you should see an angry pirate!
Yargh! I gave your sister the old angry pirate last night!
by Xtrminatr August 22, 2005
This is a Caribbean method. First get your girlfriend to give you head, but before youre done, squirt her in her eye with- you know- causing her to lose vision... then when she stands up, kick her in her shin. Watch her hold her eye and hop on 1 leg- AARGH!!!
She didn't like the parrot for her birthday after the angry pirate incident
by Sultan O'Saints April 23, 2005
The act of having sex with your female partner and at the point of ejaculation aim and shoot your sperm in her eye. She will then grab her eye, at which point you kick her in the shin. She will hop around the room holding her eye and shin and screaming like an angry pirate.
Got down and dirty with the missus last night and gave her an angry pirate, she wasn't happy!
by Dickie Brooks October 05, 2007
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5 Behaviors That Make You Trash
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My latest PJ Media column is called, 5 Behaviors That Make You Trash. Here's an excerpt from the column.
People aren't trashy because of who they are, they're trashy because of how they behave. That means the cast of Jersey Shore, Perez Hilton, and the Kardashians didn't pop out of their mama's wombs wrong. To the contrary, they all had to learn how to be as trashy as a Louisiana landfill. Now trashy people have always been around, but the difference is that in our "any attention is good attention," 15-minutes-of-fame society, a lot of people consider "trashy" to be an asset if it gets more people looking in their direction. Having every eye in the room on you isn't worth it if the word "trash" is going through every head at the same time. The good news is that it's easy to avoid the sort of behavior that gets you labeled as trash.
1) Profanity in Public.
Last time I was in D.C., I was in a cab with a female friend and the cabby was playing rap music. Five minutes into the ride, the music got dirty. A song comes on that actually referenced "p*ssy," at which point I, his paying customer, had to actually ask him to change the station. Later that weekend, when we were on the metro, we had someone playing loud music in the back of the train. Of course, since it was D.C., maybe he had just arrived from some country that doesn't have headphones – but I doubt it.
Trending: The 15 Best Conservative News Sites On The Internet
It's just as grating when people curse in public or get loud in a restaurant. Are these backwards idiots not aware there are other people in the room? How about a modicum of courtesy to other human beings who are sharing space with you? Nobody wants to hear you rant on your cell phone, yell across the table to your cousin, or hear about how much you hate the F-ing Panthers. Pretend like you weren't raised in a barn and show a little class.
Once again, you can read it all here.
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Decoding da Vinci
Season 46 Episode 21 | 53m 41s
Leonardo da Vinci was a Renaissance genius. Not only did he paint masterpieces of art, but he was an obsessive scientist and inventor, dreaming up complex machines centuries ahead of his time, including parachutes, armored tanks, hang gliders, and robots. On the 500th anniversary of Leonardo's death, with the help of biographer Walter Isaacson, NOVA investigates the secrets of Leonardo's success.
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Multi-group CFA with ordinal, complex...
Mplus Discussion
Confirmatory Factor Analysis
Joel Nigg
posted on Monday, February 02, 2009 - 3:57 pm
I am running a two group CFA with the goal of determining whether the factor loadings are equivalent in the 2 groups. The indicators are ordinal. (The fit is marginal with RMSEA at .096 on first run). Because I have missing data and type=complex (sibling and twin data), I cannot use the specification NOMEANSTRUCTURE. My two questions (1) because of this, am I requiring "too much" of my model by requiring both equivalent factor loadings and equivalent mean structure? (2) Is there any alternative to relax the model without beginning to relax path coefficients or factor loadings? Or am I mis-apprehending the analysis..(could be)
Thank you as always!
Linda K. Muthen
posted on Monday, February 02, 2009 - 5:15 pm
See pages 398-401 of the Mplus User's Guide to see our suggestions for testing measurement invariance. See also short course handouts for Topics 1 and 2.
Joel Nigg
posted on Thursday, February 05, 2009 - 7:29 pm
Thank you--that is just what I needed to get going. I now see the options I think.
The theory I want to test is that the factor loadings are equal across two groups (population heterogeneity). I would like to relax the means (thresholds?) for the indicators and the factors, as the theory does not require those to be the same across groups (and even predicts they should differ).
I realize (p. 389) that the variances are already released for the latent variables (using delta paramaterization). However, I am not clear what it means to release the scale factor.
It seems like the reduced model for categorical indicators described on p. 399 (and illustrated in Ex 5.16) is releasing the factor loadings (which I don't want to release) as well as the thresholds, while holding constant the scale factors.
I realize that you point out in the manual that it is mathematically necessary to release these parameters together. However, I am not sure that this is testing my theory. Can you clarify that or point me to an alternative?
(my indicators are 3 level ordinal)
Thank you as before.
Linda K. Muthen
posted on Friday, February 06, 2009 - 3:41 pm
With continuous outcomes, it makes sense to look at only factor loading invariance because means do not need to be included in the model. This is not the case with categorical outcomes where thresholds and factors loadings determine the basis of categorical data modeling, the item characteristic curves. With categorical outcomes, thresholds and factor loadings should be looked at in tandem. With categorical outcomes, you theory should be about item characteristics curves rather than factor loadings or factor loadings and intercepts.
The scale factor is one divided by the standard deviation of the latent response variable.
Yoon Oh
posted on Wednesday, June 17, 2015 - 6:46 pm
Linda, I have a question about your previous post (Feb.06, 2009) about measurement invariance with categorical outcomes. You said that "with categorical outcomes, thresholds and factor loadings should be looked at in tandem." But I found many studies testing first the equality of factor loadings only and then testing the equality of factor loadings and thresholds. These studies used categorical variables. I'd like to hear your thoughts about this approach. Thanks.
Linda K. Muthen
posted on Thursday, June 18, 2015 - 5:58 am
With binary items, the model is not identified when factor loadings and thresholds are not freed in tandem. See the Version 7.1 language addendum on the website with the user's guide where we describe the models to use for testing for measurement invariance.
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Mantras to Invoke and Honor the Power of the Divine Feminine
Presented here are invocations of the feminine, dynamic/power aspects of divinity, using many of the most revered mantras of the Vedic tradition. This CD is the companion to the book Shakti Mantras. CLICK HERE for information on the book Shakti Mantras.
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David Risley necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 20 diseños de 16 diseñadores freelance.
Looking for a professional logo for the online learning site which is part of http://www.pcmech.com. Logo name should be "PCMech University" and be ready for use on the web and in print.
Desired Color Scheme:
something suitable for a technology audience
Accepted File Formats:
Standard Web Formats (.jpg, .gif or .png); Vector Formats (.eps, .pdf or .ai); Layered Formats (.psd or .tiff)
Existing membership site can be found at http://edu.pcmech.com. This membership site is going to be re-branded as "PCMech University". I need a logo to be created for the new design. The logo should be ready for integration with a web layout as well as use in print.
The word "PCMech" comes from my primary site, http://www.pcmech.com. The existing logo for this site, I believe, used "Zero Twos" as a font. I would like the logo for PCMech University to dovetail visually with the logo for PCMech in that we use a similar font for the PCMech portion of it. The rest of it can have any look.
Obviously, the site will be a tech site, but is educational so the logo can have that kind of theme to it. I am looking for creativity on the logo, and won't say more than that. The "PCMech" portion of the logo should be given visual priority as that is the brand.
Ultimately, I need an entire new layout for this site. I would like to offer the winning logo designer the option to create the rest of the site design for the membership site. I would like to also have the designer perform future work as needed for pcmech.com. Designer should have an understanding of how to graphically design for a technology site.
Please design this logo with the idea of future work in mind. Sitepoint didn't provide an option for posting the whole job, so I guess I'll have to split it up as such.
I will need the high-res, layered file (PS) sent to me as well as a finalized JPG or PNG image (layered merged).
I see that some entries have taken the existing layout at http://www.pcmech.com and re-designed a header for it. This is NOT what I need. This membership site is going to be separate, and you can see the existing site at http://edu.pcmech.com. Please do not submit any re-designs of pcmech.com.
Secondly, I prefer the "pcmech" portion of the logo to use the same font as I currently use for "pcmech" at the top of both sites. This is a branding thing.
Lastly, I like the idea of the seal, guys. Again, let's just make use of the proper font for "pcmech". Thanks.
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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Jim Sheridan (born 6 February 1949) is an Irish film director. A six-time Academy Award nominee, Sheridan is perhaps best known for his films My Left Foot, In the Name of the Father, Get Rich or Die Tryin' and In America.
Sheridan was born in Dublin, the son of Anna and Peter Sheridan, an actor and railroad worker. Sheridan was initially educated by the Irish Christian Brothers and later graduated from University College Dublin. He immigrated to Canada and then New York City in 1981.
In 1979 Jim, or Shay Sheridan wrote two plays, the first, an Irish begger's opera, called "The Ha'penny Place" was staged in the Project Arts Theatre, and the second, a piece of agitprop theatre called "The Last Post" was staged nearby in Connolly Hall. Interestingly, an actor called Jer O'Leary, a long time friend and political associate of Jim, appeared in both these plays, and went on to appear in small parts in almost all of Sheridan's pictures. In 1989, he directed My Left Foot, which became a critical and commercial success and won Daniel Day-Lewis and Brenda Fricker Academy Awards. He followed that with The Field (with Richard Harris) in 1990; then with In the Name of the Father in 1993, a fictionalized re-telling of the case of the Guildford Four. In 1996 he co-wrote Some Mother's Son with Terry George. The Boxer (with Daniel Day-Lewis) was nominated for a Golden Globe for best film drama in 1997. In 2003, he released the semi-autobiographical In America, which tells the story of a family of Irish immigrants trying to succeed in New York. The film received positive reviews and earned Samantha Morton and Djimon Hounsou Academy Award nominations. In 2005 he released Get Rich or Die Tryin', a film starring rap star 50 Cent. He is connected with the upcoming film Artemis Fowl and is rumoured to have written the screenplay and has been asked to direct it.


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The premier of Adventure Time with Finn and Jake is almost here and to tell you the truth I can wait to see the first episode that is due to air on April 15, 2010. Over time I will be uploading various characters from the animated series just so that all you fans will have the opportunity to find and use a tutorial on your favorite character. This tutorial is going to show you "how to draw Rainicorn", step by step. I hear tell that the rainicorn's name is going to be "Lady Rainicorn", but I could be wrong. As of right now there is almost no 411 on the character. All I can tell you for this brief description is that Princess Bubblegum owns a rainicorn, and that they are fantasy creatures that are supposed to be half rainbow and half unicorn hybrid. The description of this unusual animal is pretty simple. The body is long, slender, and colorful having the head of a unicorn, and the body of a arched rainbow filled with colors. The tutorial itself is wicked easy and you should no problem at all following this lesson on drawing a rainicorn. The best part is the end when it is time to color in the drawing. Anyways, that does it for me and for this description. I shall return with some other cool tutorials, so stay tuned in. Peace out people, and happy drawing!
DragoArt members upload artwork and drawing tutorials! They are also allowed to leave comments on tutorials, profiles, etc. Many more features, as well; it's way better than just being a boring guest! Register Now!


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The fourteenth in our series of features telling the story of the creation of Doctor Who, and the people who made it happen.
Production is progressing on the new series due for transmission on BBC Television in the Autumn. With key production personnel in place, attention has moved on to casting the main characters in the show.
July 1963 was mostly cool and changeable as production at Television Centre in west London continued on the new television drama, which by now had a name, Doctor Who. Producing a television drama is a complicated thing, with so many departments needing to work together and so many people all needing to make sure their part of the puzzle would fit into the whole picture. One of the most important parts of the whole is design. Design in Television is vital, especially in science fiction drama where new worlds and future landscapes need to be created. The requirements for the new programme were enormous and producer Verity Lambert thought she was not getting the best out of the BBC design department.
Lambert had been pressing the Design Manager James Bould and Head of Design Richard Levin to allocate a designer to the new series since the end of June, but it was not until Wednesday 10th July that Lambert was finally given a name. The first four episodes would be designed by Peter Brachacki. That day, Lambert and Associate Producer Mervyn Pinfield had a meeting with Brachacki. It was not a total meeting of minds as it was obvious Brachacki was not keen on working on the series. He could spare them half an hour and announced he would be unavailable for the next two weeks.
This was something that worried Lambert, and after reflecting on the situation, on Wednesday 17th July, exactly 50 years ago today, she sent her boss, Donald Wilson, a memo outlining her concerns and expressing a wish that the production should not suffer 'because of a lack of effort from the Design department'. Wilson took up the matter and wrote to the Head of the Design department.
If the circumstances are as reported in Miss Lambert's note, it seems to me that this project, which is designed to run 52 weeks, is not getting the necessary attention. We are constantly being asked for earlier information to help in design problems; the information is available, and has been available for some time. I would like to ask you now that one designer for the whole project of 52 weeks be agreed with Miss Lambert, with whatever assistance may be required, because we shall wish to maintain the same style of design throughout, however varied the stories may be.Music is another vital element in a television drama and Lambert was determined to try something different on this series. On Friday 12th July she made enquiries about commissioning the French electronic music composers Jacques Lasry and Francois Bascher to provide the title music for the series. Their group, Les Structures, were known for creating music using such techniques as glass rods mounted in steel.
By the middle of July, Script Editor David Whitaker had refined the original concept document, making significant changes to the character structure. Whitaker made clear in his changes that the main cast would be forbidden from interfering with history. The character of the Doctor was now described as 'over sixty' rather than 'about 650' and his granddaughter, Susan, was to be a 'sharp intelligent girl who sometimes makes mistakes because of inexperience'. He made notes on the spaceship that would feature in the programme.
Doctor Who has a 'ship' which can travel through space, through time and through matter. It is a product of the year 5733 and cannot travel forward from that date (otherwise the Doctor and Sue could discover their own destinies), the authorities of the 50th Century deeming forward sight unlawful. This still enables Ian and Barbara (and the audience) to see into environments and existences far beyond the present day. The ship, when first seen, has the outward appearance of a police box, but the inside reveals an extensive electronic contrivance and comfortable living quarters with occasional bric-a-brac acquired by the Doctor in his travels. Primarily, the machine has a yearometer, which allows the traveller to select his stopping place. In the first story, however, the controls are damaged and the ship becomes uncertain in performance, which explains why Ian and Barbara, once set upon their journey, are never able to return to their own time and place in their natural forms.The actual scripts for the first 10 episodes, now confirmed at a duration of 25 minutes, were still being worked on by Anthony Coburn. He signed the formal contract on 8th July and would be paid £225 for each episode. The contract made it clear that the concept of Doctor Who and its four main characters would remain the copyright of the BBC and not belong to Coburn. Coburn's fee would be paid in 12 instalments.
The story structure for those first ten episodes was also outlined by Whitaker.
The first story of four episodes, written by Anthony Coburn, begins the journey and takes the four travellers back in time to 100,000 BC to mid-Palaeolithic man, and it is in this story that the 'ship' is slightly damaged and forever afterwards is erratic in certain sections of its controls.
The second series of six episodes, written by Anthony Coburn, takes the travellers to some time approximately near the 30th Century, forward to the world when it is inhabited only by robots, where humanity has died away. The robots themselves, used to a life of service, have invented a master robot capable of original thought but, realising the dangers, have rendered their invention inoperative, even though it means they must sink into total inertia. The travellers, unaware of this situation, bring the robots and then the new invention 'to life' and face the dangers inherent in a pitiless computer.
The second series of six episodes, written by Anthony Coburn, takes the travellers to some time approximately near the 30th Century, forward to the world when it is inhabited only by robots, where humanity has died away. The robots themselves, used to a life of service, have invented a master robot capable of original thought but, realising the dangers, have rendered their invention inoperative, even though it means they must sink into total inertia. The travellers, unaware of this situation, bring the robots and then the new invention 'to life' and face the dangers inherent in a pitiless computer.
SOURCES: The Handbook: The First Doctor – The William Hartnell Years: 1963-1966, David J Howe, Mark Stammers, Stephen James Walker (Doctor Who Books, 1994)


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President Obama is looking forward to meeting four supporters—maybe even you?
If you can picture yourself there, then you better hurry up! This is the last Dinner with Barack of this campaign, and there's not much time left.
Donate whatever you can, and you'll be automatically entered for a chance to sit down for dinner with the President.
If that didn't sound good enough, we'll even fly you out—with a friend!
No purchase, payment, or contribution necessary to enter or win. Contributing will not improve chances of winning. Void where prohibited. Entries must be received by September 25, 2012. You may enter by contributing to Obama for America here, by signing up for Quick Donate here, or click here to enter without contributing or signing up for Quick Donate. Three winners will each receive the following prize package: round-trip tickets for winner from within the fifty U.S. States, DC, or Puerto Rico to a destination to be determined by the Sponsor; hotel accommodations; and dinner with President Obama on a date to be determined by the Sponsor (approximate retail value of all prizes $4,800). Odds of winning depend on number of entries received. Promotion open only to U.S. citizens, or lawful permanent U.S. residents who are legal residents of 50 United States, District of Columbia and Puerto Rico and 18 or older (or age of majority under applicable law). Promotion subject to Official Rules and additional restrictions on eligibility. Sponsor: Obama for America, 130 E. Randolph St., Chicago, IL 60601.


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Help Wanted
You're not doing it right.
You're not doing it right.
hahaha xD great as always
your username doe.
It means GaMERDoG! RUUUUUUUUUUUUUN!!!!!!!!!
one fish for every RIP
I am just surprised the chickens didn't kill him first
Egoraptor version:
– I can't touch 'em because I'm allergic!
– Why are you raising them if you're allergic?
– Just do it, muthaf***a!
xD. He has to post more awesome series videos :(
You're right, we need more Sequelitis first.
AWESOME! I wanted to do the same thing! lol
Wow. Just an hour after I introduce someone to this comic, a new update. I need to introduce more people to this comic!
…oh, wait, he's like the fourth person now.
Doesn't matter, must continue showing this comic to people!
Such a good comic.
But you know it's actually impossible to kill those Cuccos, right?
And that when you try to kill them, they eventually start attacking you. What a nasty surprise.
In Phantom Hourglass, you can pick them up and rnu into the water >:)
I meant Run*
you can do that in minish cap too. does NO ONE realizes this sidequest is from minish cap!?
Actually, this side quest was from Ocarina of Time. It was an awesome way to earn rupees as child Link because every time after she gave you the bottle, she always gave you fifty rupees.
Have you tried being a cat?
Exactly. But, as they say, in soviet Russia, cookos killed by you.
in one game there's an OP magic rod that doesn't even use the magic meter and can one-shot a cuckoo without making them angry
this alone just made my night xD
Thank you for making comics like these! It's the only thing that gets me and my brother to get along!
Well, she never sayd what type of help she wanted! XD
Your comic (and apparently the ask-blog too) has been translated into Russian by these guys:
Best way to catch the damn things
This made me laugh so much I had to share it on Facebook, very funny : D
Lol, i laughed hard too. *still laughing a little*
I'm going to share this on facebook too!
(… once i figure out how …)
This is just awesome =D
I always wondered bout that crazy cuccos lady lol~
reap what you sow crazy chicken lady~
be glad he didnt just throw the chickens at you~
just to see you squirm~
Mmmmm chicken
*cuccos* sry typo
That's no typo.
Do you even know what a typo is?
Oh! Oh!! I know what you should do! Do one on the new Deadpool game coming out next year! That would be AWESOME!!!!!!
wow… nice *gives gamercat a 1-UP* now you don't have to deal with the evil ones
xD BAHAHAHAHAHAHAHA!!!!!!! That's what you get little cuccos!! Try escaping again and see what happens!
I don't know if i'm the only one who thinks this but, you should do a strip off of the lords of the rings games. It'd be so cool, i think ^-^
Come on continue wif gamercat im getting bored or join up wif nerfnow with gamercat, and nerfnow also make comics of games too.
Will you ever have art prints of your strips available for purchase? I would love to get nice prints as gifts for people!
Oh gamercat your imagination and drawing patters are simply astounding. now to talk normal your suff is so frikkin awesome! it was my b-day yesterday and i was crossing my fingers that you might post a comic. hope you post one soon! ~Rorogi55
Did the artist die again?
So cute^~^ I love Zelda
I can think of a suitable reward. (Insert XXX rated comment here)
revenge of link…MUHAHAHAHAHAHAHAHA!!!!!!!!!!!!!!!!!!!!!!!!!!!!
how did he not die from that?
Hah, so good. If you start selling prints you really should do one of the lower-left panel in this comic.
When I tried to kill one of those cuckoo's they all started attacking me. It was funny cause me and my bro would time each other to see who could survive longest.
i still have cucco in my teeth
You are sooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo fake.
Well, at least that person's trying.
This is so hilarious :D
Im assuming she gave him the glass bottle since we see him with one later or did he just find another one?
I think he did it 100% correct, those chickens or whatnot were planning something sinister!
Pfft. Whaddaya mean? She never said ya had to bring 'em back ALIVE. Specificity, woman!
I'm surprised no one remembers how she's allergic..
……. she gets…..
………………. Goosebumps.
i HATE that freaking sidequest! minish cap is still great tho :)
Never send a cat to fetch some chicken.
he is the one.
That's not the way to do it?
I'M not gonna bring them back to you unless I can eat them.
Well? Wheres mah reward?
I wish it was that easy (without feeling like you released hell on the world)!!!
her face XD
Never trust a cat to fetch your chickens for you unless of course you want them killed.
this is why the cats cant play that type of missions
because is really obvius, no?
Hey, at least I got your weird-named chickens!
That's how my cats look at me when they bring me dead birds.


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Medium brown above with contrasting reddish tail. Dark spots on breast do not continue all the way down belly like Wood Thrush. Found in wooded areas; often hops on the ground or skulks in dense patches of shrubbery. Winters further north than other thrushes; many stay in the U.S. Listen for its beautiful song that is higher pitched than other thrushes with a steady introductory note; also gives low "chup" call note.
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Comprehensive life histories of North American breeding birds
Life histories of all species breeding in Mexico, Central America, and South America


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The Easy8051 v6 development system is a fully contained board for designing and testing 8051 projects using the AT89 family of microcontrollers from Atmel. It has several MCU sockets for various chip packages: DIP14 (two pinouts), DIP16, DIP20, DIP28, DIP40, PLCC32, and PLCC44. An AT89S8253 MCU in DIP40 is included.
Never install more than one chip at a time!
This system includes an on-board programmer that connects to your PC via USB cable. Many devices are on the board (or can be). It has space for a 128×64 graphical LCD (optional) and for an alphanumeric 2×16 LCD (optional). It has a 2×16 non-backlit display, a 4×4 keypad, and port expansion for add-on modules.
Note: The picture shows the two optional displays (with blue backgrounds) plugged into the board for illustration purposes. See the Optional Recommended Products list at the bottom of this page to add those displays to your order.
Board dimensions: 26.5 × 22 cm (10.4 × 8.6 inches)


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Ross Video Appoints Kenneth Ostmo Regional Sales Manager – South Central USA
News Release
For Immediate Release
Iroquois, ON, Canada – April 2, 2009 – Ross Video announces the appointment of Kenneth Ostmo, as Regional Sales Manager for South Central USA.
Mr. Ostmo will be based in Tulsa, Oklahoma and will report to Kyle Luther, National Sales Manager for USA. He will be responsible for managing Ross Video sales in Texas, Oklahoma and Arkansas.
"Kenneth is going to be a great addition to our sales team bringing a diverse background to Ross," said Kyle Luther. "His experience in the broadcast industry will make an immediate impact to the South Central region."
"I am looking forward to sharing my expertise with customers and the rest of the Ross sales team," said Kenneth Ostmo. "My knowledge of the industry and my belief in Ross products will aid me in offering a superior customer experience."
Mr. Ostmo began his career in broadcasting working in a number of Midwest television stations and as a freelance artist in commercial production, sports, news acquisition and cable television programming. Before joining Ross he worked as a sales manager for two equipment manufacturers and broadcast integrators. Mr. Ostmo is a member of the Society of Broadcast Engineers.
About Ross Video
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Ross Video Media Contact:
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Public Relations Coordinator
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Fax: +1 613-652-4425
E-mail: email@example.com
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text:
Alan Palmer '11 was one of three Crimson players to be named to the 2011 ICSA All-Academic First-Team. (Photo courtesy of Gil Talbot)
CAMBRIDGE, Mass. –The Intercollegiate Sailing Association announced its 2011 All-Academic teams and three Harvard sailors have been selected. Alan Palmer '11, John Stokes '11 and Meghan Wareham '11 were all named to the ICSA first team.
This award recognizes the most accomplished sailors from the 2010-11 academic year for their efforts on the water and in the classroom. It requires that student athletes must have a junior or senior standing with at a 3.5 grade-point average on a 4.0 scale and be a regular contributor as a starter or reserve. This year's group is made up of eight first-team members and 10 honorable-mention recipients.
"We have dedicated students with high standards," Mitch Brindley, ICSA President said regarding the awards.
All three athletes were key components in helping the Crimson place third nationally in 2011. Palmer skippered Harvard's ICSA/Gill Coed Dinghy National Championship, while Stokes and Wareham were key players in Harvard's runner-up showing in the B division.
Each coed sailor also helped the Crimson place second in the ICSA Eastern Dinghy Championship Semifinal and fourth in the New England Dinghy Championship. They competed in five of Harvard's top-three finishes in 2010-11, including victories at the Sharpe Trophy; Owen, Mosbacher & Knapp Trophies and the Southern New England Team Race Intersectional. Each athlete also earned All-New England. Palmer secured All-America honorable mention last season as well.
All three Harvard athletes graduated in 2011, as Palmer graduated with a degree in applied mathematics, Stokes in linguistics and Wareham studied history and literature.


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LCHS presents 'I Never Sang for My Father'
Send a link to a friend
[January 09, 2013]
For this year's winter play, the
Lincoln Community High School Department of Fine Arts will present
"I Never Sang for My Father." The play will open on Thursday, Jan.
24, at 7:30 p.m. in the LCHS auditorium. Additional performances are
scheduled for Friday, Jan. 25, at 7:30 p.m. and Sunday, Jan. 27, at
2 p.m.
Cast members in leading roles are Ryder Mills as
Gene, Josh Meador as Tom, Tegan Follis as Margret and Jacqueline
Keysear as Alice. Additional cast members are Justin Broom, Elijah
Chapman, Logan Keysear, Ryan Crawley, Kendall Katz, Olivia Graue,
Shelby Harrison, Alissa Harvey and Joella Vermeire.
The play is directed by Laura Schonauer and Samantha Prack.
Assistant directors are Kendall Katz, a senior, and Haley Welch, a
Set construction was designed and completed by Brock Bless and
Bradley Miller.
[to top of second column]
Crew members are Lia Shurtz, Devin Biggs, Alyssa Harpin, Rebekah
Harpin, Cassy Harpin, Jade Dean, Madison Bishop, Livvie Muck, Brock
Bless, Bradley Miller, Ryan Crowley, Logan Keysear and Antoinette
The cost of admission is $5.
[Text from file received from
Devin Biggs]
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