text:
Written by Frederick Braue, Jean Hugard
Work of Various
474 pages (Hardcover),
published by George Starke
Illustrated with drawings by Donna Allen.
Language: English
(347 entries)
|Comments & References
|the lift get-ready\n"bubble count", credit unsure?!\ndai vernon 1940 Dai Vernon
|The Lift Get-Ready
|the lift\n\n unknown 1940 Unknown
|The Lift
|the double lift turnover\ntwo methods\n unknown\ndouble lift\nbob driebeek\nthe weightless double turnover (the reinvented double)\narturo de ascanio 1940 Unknown
|The Double Lift Turnover
|the one hand push-off\n\n unknown 1940 Unknown
|The One Hand Push-Off
|the push-off second deal\na. the left hand grip b. the deal\n unknown\nthe push off double deal\njerry sadowitz 1940 Unknown
|The Push-Off Second Deal
|d. as a false table count\non a tabled packet with double deal\n unknown 1940 Unknown
|d. As a False Table Count
|c. the push-off stud poker deal\n\n unknown 1940 Unknown
|c. The Push-Off Stud Poker Deal
|the strike second deal\n\n unknown 1940 Unknown
|The Strike Second Deal
|the bottom deal\n\n unknown 1940 Unknown
|The Bottom Deal
|the middle deal - a., c.\n\n unknown 1940 Unknown
|The Middle Deal - a., c.
|the middle deal - b., d., e.\n\n unknown 1940 Unknown
|The Middle Deal - b., d., e.
|the double deal - a.\n\n unknown 1940 Unknown
|The Double Deal - a.
|the double deal\nfor small stacks on top on the deck\n unknown 1940 Unknown
|The Double Deal
|erdnase bottom deal\n\ns. w. erdnase 1940 S. W. Erdnase
|Erdnase Bottom Deal
|the double deal - second method - b.\napplying erdnase bottom deal\njean hugard 1940 Jean Hugard
|The Double Deal - Second Method - b.
|the side slip\ntwo methods\njean hugard 1940 Jean Hugard
|The Side Slip
|two covers for the side slip\n\nmax malini 1940 Max Malini
|Two Covers for the Side Slip
|malini's side slip\npalm or to top\nmax malini 1940 Max Malini
|Malini's Side Slip
|the delayed side slip\n\njean hugard 1940 Jean Hugard
|The Delayed Side Slip
|the bottom side slip\nto the bottom\njean hugard 1940 Jean Hugard
|The Bottom Side Slip
|the invisible turn-over pass\n\njean hugard 1940 Jean Hugard
|The Invisible Turn-Over Pass
|the zingone perfect table pass\n\nlouis zingone\neasy pass\nedward marlo 1940 Louis Zingone
|The Zingone Perfect Table Pass
|the flesh grip pass\n\n unknown 1940 Unknown
|The Flesh Grip Pass
|the jog pass\n\n unknown 1940 Unknown
|The Jog Pass
|the braue pass\n\nfrederick braue 1940 Frederick Braue
|The Braue Pass
|the charlier pass - color change\n\ncharles bertram 1940 Charles Bertram
|The Charlier Pass - Color Change
|charlier cut\n\n charlier 1940 Charlier
|Charlier Cut
|the charlier pass - to control a card\n\n unknown\nfb version of charlier pass\nfrederick braue 1940 Unknown
|The Charlier Pass - To Control a Card
|the finger palm pass improved\n\n unknown\nthe sideswipe shift\nrussell t. barnhart 1940 Unknown
|The Finger Palm Pass Improved
|the braue diagonal tip-up palm\n\nfrederick braue\ntop palm\njohn galsworthy 1940 Frederick Braue
|The Braue Diagonal Tip-Up Palm
|the swing palm\n\n unknown 1940 Unknown
|The Swing Palm
|the thumb-count palm\n\n unknown 1940 Unknown
|The Thumb-Count Palm
|face card palm, right hand\ntwo methods\n unknown 1940 Unknown
|Face Card Palm, Right Hand
|the crosswise palm\n\n unknown 1940 Unknown
|The Crosswise Palm
|new vertical palm\nsmall packet\n unknown\nnew vertical palm, modified\nross bertram 1940 Unknown
|New Vertical Palm
|gambler's squaring palm\n\n unknown 1940 Unknown
|Gambler's Squaring Palm
|the gamblers' flat palm\nstrange position\n unknown 1940 Unknown
|The Gamblers' Flat Palm
|the hugard top palm\n\njean hugard 1940 Jean Hugard
|The Hugard Top Palm
|the flip-over palm\nattributed to fred braue in "vis à vis"\nfrederick braue\nturnover palm\nedward marlo\ndribble top palm\njack avis 1940 Frederick Braue
|The Flip-Over Palm
|the hofzinser bottom palm\n\njohann nepomuk hofzinser 1940 Johann Nepomuk Hofzinser
|The Hofzinser Bottom Palm
|the braue bottom palm\n\nfrederick braue 1940 Frederick Braue
|The Braue Bottom Palm
|delaying the braue bottom palm\n\nfrederick braue 1940 Frederick Braue
|Delaying the Braue Bottom Palm
|the zingone bottom palm\ntwo methods (packet and full deck)\nlouis zingone\nwj bottom palm\nwesley james 1940 Louis Zingone
|The Zingone Bottom Palm
|three cards across\n\nlouis zingone 1940 Louis Zingone
|Three Cards Across
|perfect riffle shuffle\ntwo methods\ncharlie miller\nzarrow faro shuffle\nkarl fulves 1940 Charlie Miller
|Perfect Riffle Shuffle
|the strip-out false shuffle\n\ncharlie miller 1940 Charlie Miller
|The Strip-Out False Shuffle
|hindu shuffle variation\nto control a card\n unknown 1940 Unknown
|Hindu Shuffle Variation
|false shuffle retaining top stock\n\n unknown 1940 Unknown
|False Shuffle Retaining Top Stock
|gambler's false shuffle\nsimilar to zarrow concept\n unknown\nmarlo's variation of the zarrow shuffle\nedward marlo\nvariation of the zarrow shuffle\nedward marlo 1940 Unknown
|Gambler's False Shuffle
|retaining top stock\n\n unknown\nsetting up the move\nkarl fulves 1940 Unknown
|Retaining Top Stock
|a system of stock shuffling\nfor two, three, four, five cards\njean hugard 1940 Jean Hugard
|A System of Stock Shuffling
|off the table false riffle shuffle\n\n unknown\nfalse shuffle\narthur h. buckley 1940 Unknown
|Off the Table False Riffle Shuffle
|the false running cut\ntwo methods\n unknown 1940 Unknown
|The False Running Cut
|gamblers' false cut\nup the ladder\n unknown 1940 Unknown
|Gamblers' False Cut
|gamblers' false cut - retaining bottom stock\ntabled, straight cut, bottom cards slid back to bottom\n unknown\ntabled tilt pass\nedward marlo\ngamblers' stack\njack mcmillen\none-handed gambler's false cut\ntom gagnon\ncutting action gambler's false cut\ntom gagnon\ndribbler action gambler's false cut\ntom gagnon\ngambler's false cut and reverse\ntom gagnon 1940 Unknown
|Gamblers' False Cut - Retaining Bottom Stock
|the fadeaway card change\n\n unknown\nel cambio de clark kent\nrafael benatar\nthe fadeaway card change\njean hugard\nroberto giobbi\nanother quick bit\nfrank shields 1940 Unknown
|The Fadeaway Card Change
|the slide top change\n\n unknown 1940 Unknown
|The Slide Top Change
|the tip-over change\nwith a one-handed get ready\n unknown\nthe drop sleight improved\nedward marlo 1940 Unknown
|The Tip-Over Change
|the throw top change\n\n unknown 1940 Unknown
|The Throw Top Change
|the push-in change\n\naugust roterberg 1940 August Roterberg
|The Push-In Change
|the drop swich\nsimilar to tip-over change\n unknown\nan observation\nedward marlo 1940 Unknown
|The Drop Swich
|the little finger crimp\n\n unknown 1940 Unknown
|The Little Finger Crimp
|the regular crimp\ncorner crimp while spreading\n unknown 1940 Unknown
|The Regular Crimp
|the peek crimp\n\n unknown 1940 Unknown
|The Peek Crimp
|the gamblers' crimp\nisolated card\n unknown 1940 Unknown
|The Gamblers' Crimp
|card marking crimp\nmarking system\n unknown 1940 Unknown
|Card Marking Crimp
|the specator peek improved\n\n unknown 1940 Unknown
|The Specator Peek Improved
|third finger flesh break\n\n unknown 1940 Unknown
|Third Finger Flesh Break
|after the spectator peek\n\n unknown 1940 Unknown
|After the Spectator Peek
|the spectator peek - the last word\nthird finger break\n unknown 1940 Unknown
|The Spectator Peek - The Last Word
|glimpsing a card\n\n unknown 1940 Unknown
|Glimpsing a Card
|a new glimpse\nerdnase break\n unknown\ncharlie miller peek\ncharlie miller 1940 Unknown
|A New Glimpse
|top card glimpse\npalming\n unknown 1940 Unknown
|Top Card Glimpse
|the gambler's glimpse\n\n unknown\nglimpse\n unknown 1940 Unknown
|The Gambler's Glimpse
|the glimpse after the peek\ntwo methods\n unknown 1940 Unknown
|The Glimpse after the Peek
|covers for the glimpse\nthree covers\n unknown 1940 Unknown
|Covers for the Glimpse
|the side jog\ndiagonal push-in\n unknown 1940 Unknown
|The Side Jog
|the jog at the break\ntransforming a break into a jog, two methods\n unknown\npush through jogs\ntom gagnon 1940 Unknown
|The Jog at the Break
|automatic jog no. i, ii, iii\nthree methods (including plunger)\n unknown 1940 Unknown
|Automatic Jog No. I, II, III
|facing the deck\none-handed, charlier-pass\n unknown 1940 Unknown
|Facing The Deck
|righting the faced deck\none-handed, charlier-pass\n unknown 1940 Unknown
|Righting the Faced Deck
|automatic reverse\nwhile displaying top cards\n unknown\nautomatic reverse\n unknown 1940 Unknown
|Automatic Reverse
|righting a reversed bottom card\n\n unknown 1940 Unknown
|Righting a reversed Bottom Card
|facing the bottom card\noverhand shuffle cover, see references for credit information\nfrederick braue\nside steal reverse\nfrederick braue\nken krenzel\nfacing the bottom card handling\npeter duffie\nfacing the bottom card variation\naaron fisher 1940 Frederick Braue
|Facing the Bottom Card
|faced deck turnover\n\n unknown\nfaced deck turnover\n unknown 1940 Unknown
|Faced Deck Turnover
|vesting a card\n\n unknown 1940 Unknown
|Vesting a Card
|a cutting discovery\nfound by cutting to it, thumbnail estimation\n unknown\nnail cutting\nfrederick braue 1940 Unknown
|A Cutting Discovery
|the zingone thumbnail gauge\ncutting off packet of known number\nlouis zingone\nthumbnail measuring\n unknown\nfingernail estimation\ndai vernon 1940 Louis Zingone
|The Zingone Thumbnail Gauge
|separating the colors\nslop shuffle\n unknown\nslop shuffle separation\nmartin gardner 1940 Unknown
|Separating the Colors
|setting a key card\n\n unknown 1940 Unknown
|Setting a Key Card
|the five card quibble\nan out if you only know that it is one of five cards\n unknown 1940 Unknown
|The Five Card Quibble
|emergency card stabbing\nbreak, also for when the selection is known to be one of a few cards but not which one\n unknown 1940 Unknown
|Emergency Card Stabbing
|the drop control\nsubtle, card is put in deck which is dribbled in other hand\n unknown 1940 Unknown
|The Drop Control
|the tap\ntapping a produding card "through" the squared pack\n unknown\nthe deliberate shift\ntommy tucker\ntapping the cards\nbill simon\ntap illusion\ntom gagnon 1940 Unknown
|The Tap
|the single card bridge\noverhand shuffle position\ncharlie miller 1940 Charlie Miller
|The Single Card Bridge
|a new glide\nside glide, à la kelly bottom placement attributed to vernon in enchantment reference, but braue in braue notebooks reference\n unknown\nthe side glide\nfrederick braue\nforce #2\nneal elias\na useful utility for the twirl pass\nneal elias\nside glide handling\ndai vernon\nwesley james 1940 Unknown
|A New Glide
|establishing a break from a bridge\n\n unknown 1940 Unknown
|Establishing a Break from a Bridge
|bridge\n\n unknown 1940 Unknown
|transfer of thumb-count break to little finger\n\n unknown 1940 Unknown
|Transfer of Thumb-Count Break to little finger
|enlarging a break\nuncredited, possibly claimed by braue in notebooks, see reference\n unknown\nbraue crimp control\nfrederick braue\nenlarging a break\ndai vernon\na subtle getready for the depth illusion\nlarry jennings 1940 Unknown
|Enlarging a Break
|ruffle return\nheel break\n unknown 1940 Unknown
|Ruffle Return
|the bridge location\nbridged deck\ncharles bertram 1940 Charles Bertram
|The Bridge Location
|bridge\nwhole deck\n unknown 1940 Unknown
|the bridge location\nbridged deck\ncharlie miller 1940 Charlie Miller
|The Bridge Location
|the mexican turnover\n\n unknown\nflexible turnover move\ntom gagnon 1940 Unknown
|The Mexican Turnover
|the spread cull\non "other side" of spread\n unknown\nthe above-the-spread cull\n unknown 1940 Unknown
|The Spread Cull
|the double-face\nfacing top and bottom card\n unknown 1940 Unknown
|The Double-Face
|bottom to top\nto shuffle block to top, paragraph 4\n unknown 1940 Unknown
|Bottom to Top
|gambler's card marking system\nwith crimps\n unknown 1940 Unknown
|Gambler's Card Marking System
|the nature of the palm\nposition\n unknown 1940 Unknown
|The Nature of the Palm
|rear palming the top card\nincluding transfer from regular to rear palm\n unknown 1940 Unknown
|Rear Palming the Top Card
|the bottom rear palm\n\n unknown 1940 Unknown
|The Bottom Rear Palm
|the rear palm side slip\n\n unknown\nthe diagonal palm pass (right hand)\nellis stanyon 1940 Unknown
|The Rear Palm Side Slip
|the little finger push-out\nside steal to rear palm\n unknown 1940 Unknown
|The Little Finger Push-Out
|the rear palm exchange\n\n unknown 1940 Unknown
|The Rear Palm Exchange
|replacement\nrear palm\n unknown 1940 Unknown
|in lieu of the double lift\nusing rear palm\n unknown 1940 Unknown
|In Lieu of the Double Lift
|using the rear palm\ntips\n unknown 1940 Unknown
|Using the Rear Palm
|the perfect faro shuffle\n\n unknown 1940 Unknown
|The Perfect Faro Shuffle
|the shuffle\nfaro tables\nfred black\na correction\nedward marlo 1940 Fred Black
|The Shuffle
|the endless belts\n\nfred black\na correction\nedward marlo\nring diagrams\nkarl fulves 1940 Fred Black
|The Endless Belts
|chart of seventeen\n\nfred black\na correction\nedward marlo 1940 Fred Black
|Chart of Seventeen
|perfect shuffle stock\nusing faro for alternating set-ups\n unknown 1940 Unknown
|Perfect Shuffle Stock
|braue poker deal\nsee also following routines\nfrederick braue\nbraue poker deal\nfrederick braue\nchristian scherer 1940 Frederick Braue
|Braue Poker Deal
|braue poker deal\ngetting the aces, faro stack\nfrederick braue\nbertram, braue and ben\ndavid ben 1940 Frederick Braue
|Braue Poker Deal
|the eighteenth card\nusing 18-35-faro-principle with honest shuffle, risky\n unknown 1940 Unknown
|The Eighteenth Card
|dishonesty at its apogee\nnaming cards during the deal from time to time\n unknown 1940 Unknown
|Dishonesty at its Apogee
|the royal flush deal\nsimple faro stack\nfrederick braue 1940 Frederick Braue
|The Royal Flush Deal
|a bridge deal\nplayers receive the identical hands\n unknown 1940 Unknown
|A Bridge Deal
|at the top\nrisky\n unknown 1940 Unknown
|At the Top
|double less one\nfaros and crimped key\n unknown 1940 Unknown
|Double Less One
|interlocked production\n\ncliff green 1940 Cliff Green
|Interlocked Production
|the color change\n\n trewey 1940 Trewey
|The Color Change
|the correct method of stealing the card\nfor color change\n trewey 1940 Trewey
|The Correct Method of Stealing the Card
|the impossible color change\nleft thumb across top card\n unknown\nunder the thumb change\njack merlin\nmy flaming color change\nvanni bossi\nbob driebeek\nfred kaps\nthe moth of the tosh\nvanni bossi\nfred kaps 1940 Unknown
|The Impossible Color Change
|the pressure fan\n\n unknown 1940 Unknown
|The Pressure Fan
|the covinous color change\nnice choreographed to show hands empty\n unknown 1940 Unknown
|The Covinous Color Change
|the top and bottom changes\nsuggestions for uses as simple changes\n unknown 1940 Unknown
|The Top and Bottom Changes
|fan flourish\nplacing the fan on the table\n unknown 1940 Unknown
|Fan Flourish
|sprining the cards - a new method\n\n unknown 1940 Unknown
|Sprining the Cards - A New Method
|there it is!\nvisual thing, drawing on dover reprint..., for credit information see references\npaul lepaul\ncredit information for "there it is!"\njean hugard\nhere it is!!\nfrank csuri\nflip\npaul lepaul\nthere it is variation\nmeir yedid\npaul lepaul\nthere it is\nkarrell fox\nfrom the belly of the beast\nsteve beam 1940 Paul LePaul
|There It Is!
|secret addition of cards to the pack\nvest pocket, clipped to pocket, three methods\njean hugard 1940 Jean Hugard
|Secret Addition of Cards to the Pack
|replacement by laying the hand flat on the pack...\n... and drawing it towards you\n unknown 1940 Unknown
|Replacement by Laying the Hand Flat on the pack...
|buckling the palmed cards\n\n unknown 1940 Unknown
|Buckling the Palmed Cards
|using the riffle flourish\n\n unknown 1940 Unknown
|Using the Riffle Flourish
|using the front finger palm\n\n unknown 1940 Unknown
|Using the Front Finger Palm
|the deck placed sideways\n\n unknown 1940 Unknown
|The Deck Placed Sideways
|dropping the packed\n\n unknown 1940 Unknown
|Dropping the Packed
|in turning the top card\n\n unknown 1940 Unknown
|In Turning the Top Card
|replacing a card at the bottom of the pack\n\n unknown 1940 Unknown
|Replacing a Card at the Bottom of the Pack
|the one.hand top palm\nfootnote\njean hugard 1940 Jean Hugard
|The One.Hand Top Palm
|one hand replacement\none-handed palm in reverse, for credit information see reference\nfrederick braue\nreplacing palmed cards\n unknown 1940 Frederick Braue
|One Hand Replacement
|the palm in action\nholding out, positions, tips for both hands\njean hugard 1940 Jean Hugard
|The Palm in Action
|the side count\n"bubble count"\njean hugard 1940 Jean Hugard
|The Side Count
|the top thumb count\n\n unknown 1940 Unknown
|The Top Thumb Count
|the bottom thumb count\nthree methods\n unknown 1940 Unknown
|The Bottom Thumb Count
|the overhand count\n\n unknown 1940 Unknown
|The Overhand Count
|the classic force\n\n unknown 1940 Unknown
|The Classic Force
|the fan force\nsimilar principle\n unknown 1940 Unknown
|The Fan Force
|the table spread force\nrisky, toss force\n unknown 1940 Unknown
|The Table Spread Force
|the perfect score card force\n\n unknown 1940 Unknown
|The Perfect Score Card Force
|using a force\n\njean hugard 1940 Jean Hugard
|Using a Force
|the multiple force\nusing multiple glide\n unknown 1940 Unknown
|The Multiple Force
|four card force\ncalculating and dealing\n unknown\ncall poker\njohn j. crimmins jr. 1940 Unknown
|Four Card Force
|the lost card\nhow to locate a lost but known card\n unknown 1940 Unknown
|The Lost Card
|prearranged pack\nstrategies using a twenty-six-card stack\n unknown 1940 Unknown
|Prearranged Pack
|arranging the set-up pack\nhow to quickly stack a deck "at home"\n unknown 1940 Unknown
|Arranging the Set-Up Pack
|shuffling the cards\nhalf deck\n unknown 1940 Unknown
|Shuffling the Cards
|the spectator shuffle\nretaining half deck, spectator helps shuffling\n unknown 1940 Unknown
|The Spectator Shuffle
|locating the cards\ncard at any position is named by performer,stacked\n unknown 1940 Unknown
|Locating the Cards
|the hugard rising cards\nthree cards\njean hugard 1940 Jean Hugard
|The Hugard Rising Cards
|the mesmerised cards\nthread & wax\ncharlie miller 1940 Charlie Miller
|The Mesmerised Cards
|the one-hand plunger rising cards\n\n unknown 1940 Unknown
|The One-Hand Plunger Rising Cards
|the two-hand plunger rising cards\n\n unknown\nthree-d\njerry k. hartman 1940 Unknown
|The Two-Hand Plunger Rising Cards
|the witchcraft card rise\nfrom behind, bent, interesting\njack mcmillen\neerie card rise\njack merlin 1940 Jack McMillen
|The Witchcraft Card Rise
|the zingone spread\nthree cards, challenge selections conditions\nlouis zingone\nthe flying cards\nlouis zingone\njean hugard\nfrederick braue\nzingone spread poker deal\nneal elias\nzingone spread simplified\nharry lorayne\nlouis zingone\ntrimental\njuan tamariz\nlouis zingone 1940 Louis Zingone
|The Zingone Spread
|cull shuffle\nfor three cards\n unknown 1940 Unknown
|Cull Shuffle
|cull shuffle - second method\nfootnote\n unknown 1940 Unknown
|Cull Shuffle - Second Method
|the gamblers outwitted\ndaub\npaul rosini 1940 Paul Rosini
|The Gamblers Outwitted
|daub work\n\npaul rosini 1940 Paul Rosini
|Daub Work
|a rosi-cruzian mystery\ndaub\npaul rosini 1940 Paul Rosini
|A Rosi-Cruzian Mystery
|two-six-four\none of a small spread\ndai vernon\nthe ross simplified 2-6-4\nfaucett ross\ndai vernon 1940 Dai Vernon
|mind mirror\none suit on top\njack mcmillen\nthe mind mirror\njack mcmillen\njean hugard\nfrederick braue\n"mind mirror" resilvered\njerry l. christensen\nreflected thoughts\nandrew galloway\nthe third shuffle\njason england 1940 Jack McMillen
|Mind Mirror
|predestined choice\ncard chosen face up is odd-backed, fair\ncharlie miller 1940 Charlie Miller
|Predestined Choice
|reading the cards of any deck\nactually touch presentation\n unknown 1940 Unknown
|Reading the Cards of Any Deck
|glimpsing bottom card of face-up pack\n\n unknown 1940 Unknown
|Glimpsing Bottom Card of Face-up Pack
|dexterous fingers\n\ncharlie miller 1940 Charlie Miller
|Dexterous Fingers
|merlin's "lost" ace trick\n\njack merlin\ndouble deal (& lost aces)\npatrick cook\nlost aces for experts\ndavid ben\njack merlin 1940 Jack Merlin
|Merlin's "Lost" Ace Trick
|ace affinity\n\n unknown 1940 Unknown
|Ace Affinity
|ace assembly\ntwo methods, not the pure effect\n unknown 1940 Unknown
|Ace Assembly
|anent the bertram aces\n\ncharles bertram\nthe four-ace trick\ncharles bertram 1940 Charles Bertram
|Anent the Bertram Aces
|streamlining the sympathetic aces\n\n unknown 1940 Unknown
|Streamlining the Sympathetic Aces
|the "slap" aces\naces vanish from pack and reappear\nnate leipzig 1940 Nate Leipzig
|The "Slap" Aces
|the "slap" aces\nholding fan while palming\nnate leipzig 1940 Nate Leipzig
|The "Slap" Aces
|le temps four aces\n\n unknown 1940 Unknown
|Le Temps Four Aces
|le temps switch\n\n unknown\npacket switches - second method\nedward marlo\ndupli-temps switch\nsteven hamilton 1940 Unknown
|Le Temps Switch
|passe-passe aces\nwith transformation/transposition element\n unknown\na technical refurbishing of the hugard-braue passe passe aces\ncliff green\npasse-deux aces\nken krenzel 1940 Unknown
|Passe-Passe Aces
|the migratory aces\nwith travelers finale\n unknown 1940 Unknown
|The Migratory Aces
|solo flight aces\nas finale four cards change into aces one by one\ndai vernon 1940 Dai Vernon
|Solo Flight Aces
|buckle count\n\n unknown 1940 Unknown
|Buckle Count
|the nomad aces\nfor credit information see reference\ncharlie miller\nnomadic aces\nedward marlo\nnomadic aces\nedward marlo\nnomad aces\narturo de ascanio\nases rápidos\njoaquín matas 1940 Charlie Miller
|The Nomad Aces
|spread hide-out\nfour as three\ncharlie miller 1940 Charlie Miller
|Spread Hide-Out
|the charles miller aces\nnomad style\ncharlie miller 1940 Charlie Miller
|The Charles Miller Aces
|cops and robbers - a variation\ncard appears between four kings\n unknown 1940 Unknown
|Cops and Robbers - A Variation
|five star finale\nfive selections appear at five numbers\n unknown 1940 Unknown
|Five Star Finale
|the razzle dazzler\ncombo\n unknown 1940 Unknown
|The Razzle Dazzler
|an expert at figures\nusing addition force\n unknown 1940 Unknown
|An Expert at Figures
|mercury's card\nfolded\n unknown\ncold fold\njohn riggs\ncard in purse\nalbert goshman\nthe cold fold\njohn riggs 1940 Unknown
|Mercury's Card
|the card in the shoe\nstranger card\n unknown 1940 Unknown
|The Card in the Shoe
|a card for pegasus\ncard to vest\n unknown 1940 Unknown
|A Card for Pegasus
|dai vernon's mental force\n\ndai vernon 1940 Dai Vernon
|Dai Vernon's Mental Force
|the princess card trick\n\n unknown 1940 Unknown
|The Princess Card Trick
|five card royale\none of five, mathematical\n unknown 1940 Unknown
|Five Card Royale
|phantaso\none of five, one-way pips\n unknown 1940 Unknown
|an automatic reverse\nusing one hand only\n unknown 1940 Unknown
|An Automatic Reverse
|a rapid reverse\nusing one hand only\n unknown 1940 Unknown
|A Rapid Reverse
|the impromptu magician\nusing one hand only, two methods\n unknown 1940 Unknown
|The Impromptu Magician
|three in one\nusing one hand only, different discoveries\n unknown 1940 Unknown
|Three in One
|you see?\nthree card discovery, using one hand only, one-way\nharold lloyd\nyou see?\nharold lloyd 1940 Harold Lloyd
|You See?
|one-handed deal\n\n unknown 1940 Unknown
|One-Handed Deal
|the first phase\n\n unknown 1940 Unknown
|The First Phase
|using double lift turnup\ntwo methods\n unknown 1940 Unknown
|Using Double Lift Turnup
|the pop-up card\n\nfrederick braue\nthe pop-up card\nneal elias\nambitious i\nfrederick braue\nroberto giobbi 1940 Frederick Braue
|The Pop-Up Card
|the ambitious twins\n\n unknown 1940 Unknown
|The Ambitious Twins
|ambitious card move\n\n unknown 1940 Unknown
|Ambitious Card Move
|the omnipresent eight\n\n unknown 1940 Unknown
|The Omnipresent Eight
|cover for the ambitious card double lift\n\n unknown 1940 Unknown
|Cover for the Ambitious Card Double Lift
|the invisible transit\n\n unknown 1940 Unknown
|The Invisible Transit
|transposition extraordinary\n\n unknown\nquick transpo\ngary plants\ntransposition extraordinary\n unknown 1940 Unknown
|Transposition Extraordinary
|the telepathic card\nimpromptu double backer\ntheodore annemann\n unknown\nunknown - effect no. 1\nedward marlo\nunknown - effect no. 1\nedward marlo 1940 Theodore Annemann, Unknown
|The Telepathic Card
|transposition\n\n unknown 1940 Unknown
|boy meets girl\nstory presentation\n unknown 1940 Unknown
|Boy Meets Girl
|the card in the shoe\n\n unknown 1940 Unknown
|The Card in the Shoe
|rub-a-dub-dub\ntransformation and vanish\n unknown\nvanished without a trace!\njuan tamariz 1940 Unknown
|the card through the magazine\nbottom placement\n unknown 1940 Unknown
|The Card Through the Magazine
|mercury's card\nfolded\n unknown 1940 Unknown
|Mercury's Card
|mercury fold\nfourths, mention of malini's "card to mouth"\n unknown\nfold for card: scarne\njohn scarne\nfolded under pressure\nasi wind 1940 Unknown
|Mercury Fold
|folding a card\nsixth, palm\n unknown 1940 Unknown
|Folding a Card
|the danbury deliver\nfingertip peek\ncharlie miller 1940 Charlie Miller
|The Danbury Deliver
|a card for pegasus\ncard to vest\n unknown 1940 Unknown
|A Card for Pegasus
|double discovery\ntwo-card catch\n unknown 1940 Unknown
|Double Discovery
|everywhere and nowhere\ntwo duplicates\n unknown\nthe mechanical strength of thought\narturo de ascanio 1940 Unknown
|Everywhere and Nowhere
|two card catch\n\n unknown 1940 Unknown
|Two Card Catch
|lazy man's card to pocket\n\nc. o. williams\n unknown\na psychological impossibility\n unknown\nselected card vanishes to pocket\njohn scarne\njohnny albenice 1940 C. O. Williams, Unknown
|Lazy Man's Card to Pocket
|top change\nfrom end grip\n unknown 1940 Unknown
|Top Change
|mcmillen's card from pocket\ncard apparently removed from inside pocket, really from deck\njack mcmillen 1940 Jack McMillen
|McMillen's Card from Pocket
|the vanishing pack\nwith handkerchief\n unknown 1940 Unknown
|The Vanishing Pack
|the double leaper\n\n unknown 1940 Unknown
|The Double Leaper
|the dunbury delusion\n\ncharlie miller\nthe dunbury delusion improved\ncharlie miller\nthe dunbury switch\ntom gagnon\nundone delusion\nr. paul wilson 1940 Charlie Miller
|The Dunbury Delusion
|impromptu location\nsaliva\n unknown 1940 Unknown
|Impromptu Location
|the obliging card\napparently mistake is made, ambitious phase\n unknown 1940 Unknown
|The Obliging Card
|think of a card\nspring flourish\npaul rosini 1940 Paul Rosini
|Think of a Card
|the wheel location\ncard peeked at, fan, card withdrawn\n unknown\npeek control\ndai vernon\nmax malini 1940 Unknown
|The Wheel Location
|jog & step fan\nfan with jog or step\n unknown 1940 Unknown
|Jog & Step Fan
|wheels within wheels\nsaliva used as daub\n unknown 1940 Unknown
|Wheels within Wheels
|psycho-intelligence\ncard is put in pocket\n unknown 1940 Unknown
|the psychic stop!\nat seventh position, psychological\n unknown\npsychic backstop\njerry k. hartman\ngo-stop\nlorenz schär 1940 Unknown
|The Psychic Stop!
|ultima thule location\nfrom fanned deck, with outs\n unknown\nultra thot card\nderek dingle 1940 Unknown
|Ultima Thule Location
|ultima thule location\nkind of km-move, bold\n unknown 1940 Unknown
|Ultima Thule Location
|an incredible location\nspectator cuts to bridge\n unknown 1940 Unknown
|An Incredible Location
|hindu shuffle glimpse\n\n unknown 1940 Unknown
|Hindu Shuffle Glimpse
|crystal thought\nduplicate, mexican turnover\n unknown\ndevilish thought\ntom gagnon 1940 Unknown
|Crystal Thought
|mental selectivity\nfive cards\ncharlie miller 1940 Charlie Miller
|Mental Selectivity
|ponsin on thought reading\nlip-reading\njean-nicholas ponsin 1940 Jean-Nicholas Ponsin
|Ponsin on Thought Reading
|risk location\nshuffle tracking\n unknown 1940 Unknown
|Risk Location
|cagliostro cuts the cards\nspectator cuts to his face up card\n unknown 1940 Unknown
|Cagliostro Cuts the Cards
|a quick reversal\norder of pack is preserved\n unknown 1940 Unknown
|A Quick Reversal
|faced deck reverse location\nfair control, faced deck\n unknown 1940 Unknown
|Faced Deck Reverse Location
|reverse supreme\nmental reverse, bluff spacing in fan\nlouis zingone\nturnover divination\nal leech\nreverse english\nkarl fulves\nthe riser-zingone four-card control\nharry riser 1940 Louis Zingone
|Reverse Supreme
|block of reversed cards hidden in fan\ntight fan\nlouis zingone 1940 Louis Zingone
|Block of Reversed Cards hidden in Fan
|multi-spelling trick\n"the repeat spelling of mentally selected cards"\n unknown\na little extra with the multi spell\njack avis\na little extra with the multi-spelling\njack avis 1940 Unknown
|Multi-Spelling Trick
|break transfer\nfrom pinky to overhand shuffle position\n unknown 1940 Unknown
|Break Transfer
|card on parade\nselection is spelled as final of thirteen cards\n unknown 1940 Unknown
|Card on Parade
|hardin plus devant\nfifteen double facers, two methods\n unknown 1940 Unknown
|Hardin Plus Devant
|double-faced cards\nwhole chapter with applications\n unknown 1940 Unknown
|Double-Faced Cards
|the mechanical four aces\nthree double facers\n unknown 1940 Unknown
|The Mechanical Four Aces
|the radioactive aces\nthree double facers\n unknown 1940 Unknown
|The Radioactive Aces
|the torn and restored card\ndouble facer, thumb tip\n unknown 1940 Unknown
|The Torn and Restored Card
|the torn and restored card with a borrowed deck\nstranger card\n unknown\nstranger than fiction\nwalt lees 1940 Unknown
|The Torn and Restored Card with a borrowed deck
|the stranger card\nwhole chapter with applications\n unknown 1940 Unknown
|The Stranger Card
|the ghost card\nstranger card, card is put in envelope\ntheodore annemann 1940 Theodore Annemann
|The Ghost Card
|where is it?\nstranger card\n unknown 1940 Unknown
|Where Is It?
|through the tabletop\nstranger card, two methods\n unknown 1940 Unknown
|Through the Tabletop
|everywhere and nowhere with a borrowed deck\nstranger cards\n unknown 1940 Unknown
|Everywhere and Nowhere with a Borrowed Deck
|a stranger in the house\nstranger card, hat is far away, marked card\n unknown 1940 Unknown
|A Stranger in the House
|red-black transmigration\nstranger card, nice presentation\n unknown 1940 Unknown
|Red-Black Transmigration
|touch and go\nstranger card\n unknown 1940 Unknown
|Touch and Go
|palm load under top card\n\n unknown\nside trap\nj. w. sarles 1940 Unknown
|Palm Load under Top Card
|double lift from fan\nprobably vernon's\n unknown 1940 Unknown
|Double Lift from Fan
|the run around aces\nstranger card\n unknown 1940 Unknown
|The Run Around Aces
|introducing the stranger\nmethod of adding a stranger card to the pack\n unknown 1940 Unknown
|Introducing the Stranger
|joker-specimen card\nusing extra joker as duplicate\n unknown 1940 Unknown
|Joker-Specimen Card
|forcing a stranger card\n\n unknown 1940 Unknown
|Forcing a Stranger Card
|double-faced cards\nusing double facers as strangers\n unknown 1940 Unknown
|Double-Faced Cards
|it must be magic\nspelling\n unknown 1940 Unknown
|It Must Be Magic
|two pile principle\n\n unknown 1940 Unknown
|Two Pile Principle
|tricky quickie\ncard at known number travels to pocket, see p. 412\n unknown 1940 Unknown
|Tricky Quickie
|the numerological card\n\n unknown 1940 Unknown
|The Numerological Card
|matching the packets\nspectator deals to four predetermined cards\n unknown 1940 Unknown
|Matching the Packets
|the seventh son\nspectator finds three mates\n unknown\nseventh son of a seventh son\njean hugard\nroberto giobbi 1940 Unknown
|The Seventh Son
|the hocus-pocus card\napparently mistake is made\n unknown 1940 Unknown
|The Hocus-Pocus Card
|do as i do - a new presentation\nwith prediction kicker\n unknown 1940 Unknown
|Do As I Do - A New Presentation
|contrary do as i do\nspectator is invited to be as contrary as he likes\n unknown 1940 Unknown
|Contrary Do As I Do
|the twenty-sixth location\nget-ready trick to get key in center, spelling\n unknown\nmiddle maze\nbruce elliott\nring\nr. paul wilson\nsunken riser\nharry riser\nthe queen doesn't know jack\nsteve beam 1940 Unknown
|The Twenty-Sixth Location
|the twenty-sixth location\nremote key\n unknown 1940 Unknown
|The Twenty-Sixth Location
|circus card trick\nto prepare for twenty-sixth location\n unknown 1940 Unknown
|Circus Card Trick
|the unwitting magician\nspectator finds thee selections\n unknown 1940 Unknown
|The Unwitting Magician
|the magic of nine\nnumber of cards in pocket and selection is devined\n unknown 1940 Unknown
|The Magic of Nine
|the certain card trick\n\npercy abbott 1940 Percy Abbott
|The Certain Card Trick
|fan glimpse\nfrom behind by bending corner\n unknown 1940 Unknown
|Fan Glimpse
|peeling cards\n\n unknown 1940 Unknown
|Peeling Cards
|making double-face cards\n\n unknown 1940 Unknown
|Making Double-Face Cards
|one will make six\nhow a two spot locates six cards\n unknown 1940 Unknown
|One Will Make Six
|the spectator peek\nin context of "missed" peek\n unknown 1940 Unknown
|The Spectator Peek
|shiners\ntip\n unknown 1940 Unknown
|audicity peek\nactually for palmed card\n unknown 1940 Unknown
|Audicity Peek
|card to pocket\ntip for the selection process for lazy man's...\n unknown 1940 Unknown
|Card to Pocket
|svengali shuffle\nhow to shuffle a svengali deck\n unknown 1940 Unknown
|Svengali Shuffle
|the charlier shuffle\n\n charlier 1940 Charlier
|The Charlier Shuffle
|the matchbook easel\nmethod for a nice display stand of a card\n unknown 1940 Unknown
|The Matchbook Easel
|second deal aid\nroughing fluid on thumb\n unknown\ntip on second dealing\n unknown 1940 Unknown
|Second Deal Aid
|the kaufman card stand\nanother display method for stand up poker routines\n unknown 1940 Unknown
|The Kaufman Card Stand
|a false count\ncount off more cards from the deck as pretended\n unknown 1940 Unknown
|A False Count
|to deal four as three\n\n unknown 1940 Unknown
|To Deal Four as Three
|the carbon card\nsee title for method...\n unknown 1940 Unknown
|The Carbon Card
|magic powder v. rabbit's foot\nmotivation to reach in the pocket\n unknown 1940 Unknown
|Magic Powder v. Rabbit's Foot
|false table deal\nbuckle undercount on the table\n unknown 1940 Unknown
|False Table Deal
|the card at any number\nthumb count\n unknown 1940 Unknown
|The Card at Any Number
|daub\n\n unknown 1940 Unknown
|set-ups\nmanagement tips\n unknown 1940 Unknown
|moistening a card\n\n unknown 1940 Unknown
|Moistening a Card
|the pass\ncover for seated performance\n unknown 1940 Unknown
|The Pass
|left hand bottom replacement\n\n unknown 1940 Unknown
|Left Hand Bottom Replacement
|the de kolta change\nsleeve rubbing cover, pips of card change to suit clothing\ndai vernon\nunload under deck\nkarl fulves 1950 Dai Vernon
|The De Kolta Change
|tips on changes\n\ndai vernon 1950 Dai Vernon
|Tips on Changes
|multiple card control\nhindu shuffle and crimp/locator\ndai vernon\nmultiple card control\nj. b. bobo\ndai vernon's multiple card control\ndai vernon\nroberto giobbi 1950 Dai Vernon
|Multiple Card Control
|friction bottom slip cut\n\n unknown 1940 Unknown
|Friction Bottom Slip Cut
|hand-to-hand card transfer\nclassic to classic\ndai vernon 1950 Dai Vernon
|Hand-to-Hand Card Transfer
|the peregrinating pip\npip is transfered from five to two\ndai vernon\nthe paintbrush change\ndai vernon\ntete a tete\npeter duffie 1950 Dai Vernon
|The Peregrinating Pip
|the all backs\n\ndai vernon\nall backs and additions\ndai vernon\nbob read\nall-backs\narturo de ascanio\nall backs get-ready\nroberto giobbi 1950 Dai Vernon
|The All Backs
|paddle move turnover\n\ndai vernon\nlittle finger turnover\nbruce cervon 1950 Dai Vernon
|Paddle Move Turnover
|insertion of the cards\nalternative to diagonal insertion, getting a break underneath out-jogged card\ndai vernon\ninsertion break\nedward marlo\nin lieu of the diagonal push-in\ndai vernon 1950 Dai Vernon
|Insertion of the Cards
|right hand side steal\n\ndr. jacob daley 1950 Dr. Jacob Daley
|Right Hand Side Steal
|left hand side steal\n\ndr. jacob daley 1950 Dr. Jacob Daley
|Left Hand Side Steal
|double peek and bilateral side steal\ntwo breaks\ndr. jacob daley 1950 Dr. Jacob Daley
|Double Peek and Bilateral Side Steal
|longitudinal side steal and transfer\n\ndr. jacob daley 1950 Dr. Jacob Daley
|Longitudinal Side Steal and Transfer
|applied misdirection\nfor the side steal\ndr. jacob daley 1950 Dr. Jacob Daley
|Applied Misdirection


text:
(first, yes, long time no post, yada yada, I really hope to change that in the near future, but no promises, as always.)
Remember how, many many ears ago, it was recommended that you should never post your email address on a web page, as spammers crawled them and added that address to their lists? Well, I need to receive some spam on my email server (among other things, to train my filters), so here's one address for you, dear spammers: email@example.com 1. Want it as a mailto: link? Here it goes: Abelha .

subset: commoncrawl


text:
Tate & Lyle PLC
Voting Rights and Capital
In accordance with Paragraph 5.6.1R of the Disclosure Guidance and Transparency Rules, Tate & Lyle PLC (the "Company") would like to notify the market of the following:
The Company's issued share capital as at 31 March 2019 consisted of 468,345,950 ordinary shares of which 805,138 were held in Treasury, and 2,394,000 preference shares which have limited voting rights.
Therefore, the total number of shares with full voting rights in the Company at the above date was 467,540,812 and this figure may be used by shareholders as the denominator for the calculations by which they will determine if they are required to notify their interest in, or a change to their interest in, Tate & Lyle PLC under the Disclosure Guidance and Transparency Rules.
Claire-Marie O'Grady
Company Secretary
1 April 2019
View source version on businesswire.com: https://www.businesswire.com/news/home/20190401005611/en/
Tate & Lyle PLC


text:
UNA-NCA cordially invites you to
Featuring Pulitzer price-winning author Scott Berg
and Special Guests:
The Honorable Thomas Pickering, former U.S. Ambassador to the United Nations
The Honorable Lynn Pascoe, former UN Under-Secretary General for Political Affairs
Come Celebrate the UN's 68th anniversary and UNA-NCA's 60th anniversary
As we focus on the League of Nation's founder, Woodrow Wilson.
Pulitzer price-winning author Scott Berg sheds new light on Wilson's world vision
that led to the eventual establishment of the United Nations.
Former U.S. Ambassador to the United Nations Thomas Pickering comments
on the relevance of Woodrow Wilson to the UN today.
Admission Tickets:
Young Professionals – $40
Member – $60
Non-member – $70
Combo (includes UNA-NCA membership) – $80
Sponsorship Level (includes a $100 tax deductible donation) – $135


text:
EMCC European Monitoring Centre on Change
Restructuring support instruments
Eurofound's ERM database on support instruments for restructuring provides information on more than 300 measures in the Member States of the European Union and Norway. National governments, employers' organisations and trade unions are among the bodies providing support for companies that need to restructure and the affected employees.
The support instruments are described in terms of their characteristics, involved actors, funding sources, strengths, weaknesses and outcomes. The aim is to inform governments, social partners and others involved about what kinds of support can be offered.
Make your selection by using the filters:
- CountryEU 28 and Norway
- PhaseEither anticipation or management
- Anticipationrefers to activities that help to prepare workers or companies for change.
- Managementcovers activities required to handle a current restructuring event while minimising social costs. It refers to the steps involved in implementing an organisational change process.
- Typethe range includes training, advice, help with access to finance, matching activities and other supports for companies and workers affected by restructuring
- Fundingby national, local or regional governments; the European Union; social partners jointly or individually; companies in general or the specific employer undergoing restructuring
- Involved actorsincluding national, regional or local government; social partners and public employment services.
Select any filter and click on Apply to see results


text:
IT Itch is on the look out for tech geeks with the ability to write great, engaging content about really nerdy topics like search engine optimisation, social media, web design & development, domain names, web hosting technology and internet security. These geeks must be great at producing content that everyone can understand, it must be fun and enjoyable to read and it must attract community interaction.
Ideally, these geeks should have experience participating in online communities such as tech forums and be well connected in the social media world. A large number of Twitter followers could be advantageous as this is our main platform for social interaction.
We are willing to give anyone a chance and aren't interested in seeing a CV at all. Potential geeky bloggers will be judged entirely by submitting an original blog of at least 300 words on one of the topics mentioned above. The best blogs will be posted live on our website (ititch.com) and will be judged by these criteria:
- Community interaction – the number of Twitter tweets, Facebook likes and quality back-links that the post receives.
- The number of comments the blog post receives and the quality of these comments.
- The quality of writing – how well it explains difficult concepts, how much our staff like it and generally how cool it is.
- How it relates to the products/services on our website and how news worthy the post is.
We have both paid and unpaid internship positions available on a casual basis. Intern Bloggers get authorship credit and we will help them with authorship mark-up (people searching your name in Google will see a picture of you and a link to all your articles).
Please submit your original blog to us via the 'Contact Us' page
We will send you an email notification if your article is good enough to publish on our website.


text:
Products > Home Theater > MP41W/B
MP41W/B Home Theater Speaker with 4" Woofer (White/Black)
MTX Audio's Model MP (multi-purpose) speakers are designed for, well, more than one purpose. They are optimized for use in home theater yet were engineered to handle extreme weather conditions indoors or out. Though they may suit many different needs, they achieve one goal - great sound.
For your home theater, Model MP speakers offer a limitless set of choices for LCR and surround sound applications. Incorporate among your In-wall or floor speakers to create the home theater you desire. MTX Audio's Multi-purpose speakers are designed with the elements in mind! The materials were selected to minimize the effects of damp conditions. Aluminum grilles, stainless-steel and solid brass hardware with rubber surrounds, and polypropylene woofer cones. Wet, dry, hot or cold weather - this speaker continues to perform. This way, you can use the same speaker on the patio that you have inside in the home theater.
|Copyright | | ISO 9001 Certified


text:
Salaam and Greetings of Peace:
Alhamdulillah! The Al Mihrab blog has named Master of the Jinn: A Sufi Novel, one of the Five Good Books for American Muslims (and everyone else). Check out all the books by clicking HERE.
* * *
It is told that on many a morning the venerable Khwaja Sheikh Bahaudin Naqsbandi (also called Baha al-Din, and in some parts of the world known as El-Shah) would stand on his doorstep, look out and think: "Everyone is a sheikh these days. Where has the dervish gone? Are there any left?"
(My late Master, Dr. Javad Nurbakhsh, often said something similar.)
* * *
The name of the Prophet's (pbuh) mother was Aaminah bint Wahb, and his father's name was Abdullah ibn Abdul-Mutalib
Aaminah, the daughter of Wahb
Abdullah, the son of Abdul-Mutalib
So this means Wahb was the maternal grandfather of the Prophet (pbuh), and Abdul-Mutalib was the paternal grandfather of the Prophet (pbuh).
(For all the grandfathers out there, peace and blessings be upon us all.)
Ya Haqq!


text:
(Phoenix, Ariz. – Jan. 17, 2006) Attorney General Terry Goddard today commended the Federal Bureau of Investigation for significantly increasing the reward leading to the arrest and conviction of Warren Steed Jeffs, leader of the Fundamentalist Latter Day Saints (FLDS) church.
The Phoenix FBI Special Agent in Charge, Jana Monroe, announced that FBI Headquarters has authorized a $50,000 reward for information leading to Jeffs' arrest and conviction. This announcement enhances the $10,000 reward offered since last July by the Arizona and Utah State Attorneys General.
"I hope this larger reward will help bring Warren Jeffs to justice," Goddard said. "He continues to exert his harmful influence over the Colorado City/Hildale community, and he must answer the serious charges against him in a court of law."
The search for Jeffs is a multi-jurisdictional effort by the Arizona and Utah Attorneys General Offices, the FBI, and Mojave County Attorney's Office. An arrest warrant was issued by the Mojave County Attorney on June 9, 2005, charging Jeffs with sexual conduct with a minor and conspiracy to commit sexual conduct with a minor. Jeffs was subsequently charged with unlawful flight to avoid prosecution.
Jeffs is described as 6'4" in height, weighing 150 lbs, and having brown eyes and hair. Anyone with information about him should contact the Mohave County Sheriff's Office at 928-753-0753 or 1-800-526-1911. For more information, please visit the Arizona Attorney General's Web site at www.azag.gov or the FBI Web site at www.fbi.gov.


text:
Explorer Series Journey #3!
|Dave Miller, Ph.D.
Brad Harrub, Ph.D.
Some four years ago, Apologetics Press embarked on a monumental project to produce a Bible class curriculum to teach third through sixth graders Christian evidences. Those efforts yielded the Explorer Series, which takes curious young minds on fascinating journeys through God's Word and God's world. Journey #1—"Christian Evidences for Kids"—was released in 2002. This first offering enables young people to examine proof for the existence of God and the inspiration of the Bible. This series includes facts from science that young people can use to refute the theory of evolution (including false ideas about their alleged ape-like ancestry). They are exposed to the evidence that dinosaurs and humans lived on the Earth at the same time. They can discover eternal truths about the deity of Christ and the uniqueness of His church.
A year after the release of Journey #1, the saga continued when Journey #2 was completed and released—"Faith-Building Answers for Kids." Kids can learn about the Genesis account of Creation, and study such topics as the Bible and the age of the Earth, and how man was created in the "image and likeness of God." The series also discusses the origin and mission of Satan, the Fall of man, the Genesis Flood, and the Tower of Babel. Studious children also can learn about the differences between the Old and New Testaments, how we got the Bible, alleged mistakes in the Bible, and how other religions differ from Christianity. The last two lessons in the series deal with the problem of evil, pain, and suffering, and the topics of faith and knowledge.
Now we are happy to announce the release of Journey #3—"Jesus: His Life and Teachings." A veritable summary of the life of Christ on Earth, this journey begins with the anticipation of Christ in prophecy, His birth and childhood, and His baptism. Students are treated to a look at His Sermon on the Mount as well as the parables that He spoke and the miracles that He performed. Three lessons are devoted to the enemies of Jesus, culminating in His trial, crucifixion, and, of course, His resurrection. Another lesson summarizes His mission and message, followed by the final lesson that points the student to His second coming.
Each 8-page lesson is presented in the same format as Discovery, our popular magazine on Scripture and science for children. Every issue is printed in full color on enameled paper in an 8½x11-inch format, and includes professional artwork and illustrations, as well as activities such as puzzles, word-finds, fill-in-the-blanks, true/false questions, and mazes—all of which are designed to reinforce the teaching found within each lesson.
The series is designed so Bible school teachers have the freedom to send individual lessons home with each child, or compile all 13 lessons into a notebook that can be used in class and then given to the child for future reference at the end of the quarter. Sets containing all 13 lessons are shrink-wrapped. We recommend this series for use by Sunday morning and Wednesday night Bible classes, home-schools,VBS classes, Christian schools, and summer camps. In fact, a minister in Alabama wrote: "We are truly enjoying the Explorer Series in our 5th-6th grade class. The students continue to tell me they enjoy it and more than one teacher has told me that it is the best material we have ever had for that age group. We have used Series One and are about to finish Series Two. Is Series Three finished?" We are happy to say, yes, it is finished! This is something in which children and grandchildren will delight!


text:
You don't have any saved vehicles!
Look for this link on your favorites:
Once you've saved some vehicles, you can view them here at any time.
New vehicle pricing includes all offers and incentives. Price shown includes vehicle MSRP plus any / all options selected or installed, Freight and PDI (amount varies by model: $2095 Metris Vans / $2695 Mercedes-Benz and smart passenger vehicles / $2995 Sprinter Vans / not applicable on demonstrators), Admin ($495), Ontario AC Levy ($100), OMVIC transaction fee ($10), wheel locks ($199), Genuine Mercedes-Benz winter and summer floor mats ($349), Security Anti-Theft ($219), full tank of gas. Prices do not include taxes, insurance and license fees. Dealer may sell for less. Please contact Star Motors of Ottawa directly for exact pricing details. Note: Vehicle may not be exactly as shown. Some vehicles may be shown with optional equipment or equipment not available in Canada.
While great effort is made to ensure the accuracy of the information on this site, errors do occur so please verify information with a customer service rep. This is easily done by calling us at (613) 737-7827 or by visiting us at the dealership.
**With approved credit. Terms may vary. Monthly payments are only estimates derived from the vehicle price with a 72 month term, 4.9% interest and 20% downpayment.
*Number of views in last 30 days
† Based on 2019 mileage ratings. Use for comparison purposes only. Your actual mileage will vary depending on how you drive and maintain your vehicle.
Star Motors of Ottawa Mercedes-Benz: 'Ottawa's original Mercedes-Benz dealer' with three generations of commitment to Mercedes-Benz customers since 1957.
Our new, state-of-the-art facilities and equipment, combined with a staff that is focused on the highest level of customer service, ensure an efficient and pleasant Mercedes-Benz experience.
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(613) 737-7827Call Now
400 W Hunt Club Rd • Ottawa, ON K2E 1B2Get Directions
Open Today! Sales: 8am-6pm
Open Today! Service: 7am-6pm
Open Today! Parts: 7:30am-5:30pm
Phone: 613-737-7827http://maps.google.com/?q=400%20W%20Hunt%20Club%20Rd%2C%20Ottawa%2C%20ON%20K2E%201B2


text:
The four candidates for school superintendent will be interviewed by the School Committee on Wednesday and Thursday in the auditorium at Easton Middle School.
The four candidates for school superintendent will be interviewed by the School Committee on Wednesday and Thursday in the auditorium at Easton Middle School.
On Wednesday, the committee will interview James J. Kelleher, assistant superintendent in Scituate, at 7 p.m., and Richard J. Hoffmann, superintendent in Ashland, at 8:15 p.m.
On Thursday, Thomas E. Gwin, principal at Winchester High School, will be interviewed at 7 p.m., and Michael Green, assistant superintendent in Easton, will be interviewed at 8:15.
Easton's school superintendent for more than 15 years, William J. Simmons, is retiring in August.
Kelleher has been assistant superintendent of curriculum, instruction and staff development in Scituate, a district of 3,300 students and 296 staff, since 2002.
He earned a bachelor's degree in government from Harvard University in 1993, a master's degree from the Masters in Spain program at New York University in 1995, and a Ph.D in educational administration from Boston College in 2000.
Kelleher was director of secondary curriculum in Dover, N.H., from 2000-2002. He also worked as a Spanish teacher at Wayland High School, Wellesley High School and Brockton High School, and was an English as a second language teacher in Madrid.
Hoffmann has been school superintendent in Ashland since 2000, supervising 2,700 students, 433 employees, five school buildings and a $25 million budget.
He earned a bachelor's degree in elementary education from the State University of New York in Geneseo, a master's degree in therapeutic programs from Boston University, and an Ed.D in educational leadership from the University of Massachusetts in Lowell.
Hoffmann was school superintendent in North Attleboro from 1998-2000. He worked in Lawrence as executive assistant to the superintendent and magnet schools supervisor. He was executive director and program director at Creative Educational Associates in Boston and a teacher in Boston and Saugus.
Gwin has been principal of Winchester High School, which has 1,100 students and 125 staff, since 2003.
He earned a bachelor's degree in biology from Dartmouth College in 1976, a master's degree in technical and professional writing from Northeastern University in 1986, and a doctor of education degree in educational administration from Boston College in May 2008.
Gwin was head of the science department at Newton North High School from 1988-2003 and assistant director of the Summer Program of Academic and Creative Encounters in Newton from 1988-2003. He also taught at Newton North, F.A. Day Junior High School and Winchester High School, and was a chemistry technician at Massachusetts General Hospital.
Green has been assistant superintendent in Easton since 2007, having served as administrative assistant to Simmons from 1999-2007. He was principal at Center School from 1997-1999, principal at North Easton Grammar School from 1991-1997, and Chapter 1 director from 1991-1999.
Green earned an associate's degree from Massasoit Community College in 1975 and a bachelor's degree in elementary education from Bridgewater State College in 1977. Green also earned a master's degree in health science from Bridgewater in 1983, a certificate of advanced graduate studies in leadership and administration from Bridgewater in 1987, and an Ed.D in leadership and administration from the University of Massachusetts, Amherst, in 1988.
Green also worked as Chapter 1 director in Pembroke and Stoughton and taught Chapter 1, Grades 1, 4 and 6 in Stoughton
The Enterprise


text:
Installation Instructions:
1. Copy the following code:
3. Click on the 'Layout' tab
4. Click 'Add a Gadget'
5. From the list, click on 'HTML/JavaScript'
6. Paste in the copied code to the 'Content' box
7. Click 'Save'
8. Check out your new designer look!
Note: our backgrounds work best with the Picture Window template. If you would like to use the Watermark or Simple template, please refer to this tutorial.


text:
Company Details
Hubei Jiangnan Special Automobile Co. Ltd.
Hubei Jiangnan Special Automobile Co. Ltd.
commercial big rig truck towing near me
tow truck wreckers near me
2018 new gmc commercial dump trucks parts trader
2018 new Dongfeng commercial dump trucks for sale
ISUZU forest fire fighting trucks equipment for sale
2018 new Chinese Dongfeng aerial lift truck equipment
Dongfeng firefighter vehicle equipment store near me
Howo 4x2 5Ton fire truck equipment drawing sales
Howo 8cbm emergency fire fighting equipment dealers
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text:
SANFORD — Sanford High School's boys basketball team dropped contests to Westbrook and Thornton during the past week and saw their 2013 record fall to 5-6.
On Friday, the locals traveled to Westbrook where they suffered a 58-53 loss. The game featured a seesaw battle that saw Westbrook jump off to a huge lead, then fall apart temporarily as the Spartans battled back to take a lead in the third quarter.
The game opened with Evyn Nolette tossing in a 3-pointer, but the Blue Blazes dominated the remainder of first quarter, outscoring Sanford 18-2 the rest of the way for an 18-5 lead heading into the second quarter.
It was Sanford's turn to dominate in the second quarter when they outscored the hosts 23-13 to narrow the Westbrook lead to 31-28 at the break. Sanford then outscored the Blazes 14-10 in the third quarter, taking a 42-41 lead into the final eight minutes of play. But the Blazes found the range at that point and went on to take the win.
Ryan Camire led Sanford with 22 points followed by Nolette with 16 and Jordan Tranchemontagne with five. Adding four points each to Sanford's total were Alex Shain and Josh Schroder.
Camire had four 3-pointers, eight rebounds and three steals while Nolette had four 3-pointers and three assists. Shain led in rebounds with 11 and had three steals. Schroder and Brandon Stanton each had five rebounds.
Thornton held Sanford to just 13 points in the first half, four of them in the second quarter, and the Spartans never recovered. Thornton scored 21 in the first quarter and 14 in the second for a commanding 35-13 halftime lead. The hosts extended the lead to 47-23 after three before Sanford came back to make a game of it, outscoring the Golden Trojan 18-10 in the final quarter.
Ryan Camire led Sanford with 17 points followed by Brandon Stanton with eight, Nolette with seven, and Josh Allen, Alex Shain and Zach Smith with two points each.
Shain led in rebounds with six and Stanton led in blocked shots with four.
Sanford will host Massabesic Friday at 7 p.m. and will play at Marshwood on Monday in a 3:30 p.m. contest.


text:
I have recently posted several alpha-test images in this thread and was asked to post a breakdown of the steps required to achieve similar renders in Z4R2.
Thanks to the enhancements to BPR, LightCap™ and BPR Filters in Z4R2, you are now able to achieve higher quality renders quite easily (and faster than previously possible). Furthermore, in Z4R2 the rendering engine has been updated to a full 32 bits per channel pipeline; this includes all the shaders and MatCaps. The new MatCaps are now able to process the 96 bits per pixel maps that are generated by LightCap. These maps (diffuse and specular) are composed of 32 bits per channel and are therefore far superior to any 8 bits per channel imported images.
Here are a few quick Z4R2 test renders of imported car mesh…
As can be seen in the movie below, the 'studio lights' setup for these renders is quite simple...
To learn how to quickly assign polygroups to a muti-parts imported mesh, see the MERGE SIMILAR movie in here.
00:02 Import model.
00:05 Select MatCap™ Red Wax.
00:07 Set 'Cavity Transition' to zero.
00:08 Set 'Cavity Detection' to zero.
00:09 Press 'CopySH'.
00:10 Select material 'DoubleShade1'.
00:11 Select 'S2'.
00:12 Press 'PasteSH'.
00:13 Adjust basic values of Shader 0.
00:18 Selecting Shader 1, the MatCap shader which we are about to create with LightCap.
00:25 Set 'Render/RenderProperties/Details' to 3.The above step is important when creating fine LightCap maps, especially when using detailed alpha-based lights. When using simple LightCap lights, a lower value will suffice.00:28 Adding lights to LightCap. Each is assigned a square alpha and with H and V tiling.
This value represents the size of the maps that ZBrush creates: 1=512x512, 2=1024x1024, 3=2048x2048
00:30 Selecting the "Specular" mode to view the reflections generated by the added lights.You may adjust the MatCap 'Cavity Transition' value to allow for more or less specularity.01:07 Adjusting Shader 1 Mixer. Pressing 'Black'.
-1=Diffuse only, 1=Specular Only, other values will produce a blend of the Diffuse and Specular maps (orbs).
01:21 Setting 'Fresnel' to 95 and "F Exp" to 1.2.
01:23 Setting blend mode to 'Overlay'.You may want to also experiment with other blend modes.01:28 Activating 'Render/Render Properties/Smooth Normals' and 'Render/Render Properties/Transparent'. Adjusting "BPR Transparency" values.You need to press the 'Tool/Display Properties/BPR Transparent' button for each subtool which you want to be rendered as transparent.02:00 Adjusting 'Light/Distance'. This sets the relative distance of the lights which in turn controls the reflections.
02:17 A test BPR render.
02:25 Adjust Matcap shader 'Depth' value which controls the reflections.
02:28 Done!
Even though it only takes a few minutes to produce high quality renders, be warned that you may find yourself (as I did) enjoying the accessibility and flexibility of BPR and spending more time tweaking the renders until you achieve the perfect beauty shot.
Please feel free to share with us your shiny hard-surface Z4R2 beauty renders, and of course any tip or trick that you discover will be appreciated by all


text:
About Splunk regular expressions
This primer helps you create valid regular expressions. For a discussion of regular expression syntax and usage, see an online resource such as www.regular-expressions.info or a manual on the subject.
Regular expressions match patterns of characters in text and are used for extracting default fields, recognizing binary file types, and automatic assignation of source types. You also use regular expressions when you define custom field extractions, filter events, route data, and correlate searches. Search commands that use regular expressions include
rex and
regex and evaluation functions such as
match and
Splunk regular expressions are PCRE (Perl Compatible Regular Expressions) and use the PCRE C library.
The Splunk platform includes the license for PCRE2, an improved version of PCRE. However, the Splunk platform does not currently allow access to functions specific to PCRE2, such as key substitution.
Regular expressions terminology and syntax
|The exact text of characters to match using a regular expression.
|regular expression
|The metacharacters that define the pattern that Splunk software uses to match against the literal.
|Regular expressions allow groupings indicated by the type of bracket used to enclose the regular expression characters. Groups can define character classes, repetition matches, named capture groups, modular regular expressions, and more. You can apply quantifiers to and use alternation within enclosed groups.
|character class
|Characters enclosed in square brackets. Used to match a string. To set up a character class, define a range with a hyphen, such as
[A-Z], to match any uppercase letter. Begin the character class with a caret (^) to define a negative match, such as
[^A-Z] to match any lowercase letter.
|character type
|Similar to a wildcard, character types represent specific literal matches. For example, a period
. matches any character,
\w matches words or alphanumeric characters including an underscore, and so on.
|Character types that match text formatting positions, such as return (
\r) and newline (
|Refers to supplying alternate match patterns in the regular expression. Use a vertical bar or pipe character ( | ) to separate the alternate patterns, which can include full regular expressions. For example,
grey|gray matches either
grey or
|quantifiers, or repetitions
|Use (
*, +, ? ) to define how to match the groups to the literal pattern. For example,
* matches 0 or more,
+ matches 1 or more, and
? matches 0 or 1.
|back references
|Literal groups that you can recall for later use. To indicate a back reference to the value, specify a dollar symbol (
$) and a number (not zero).
|A way to define a group to determine the position in a string. This definition matches the regular expression in the group but gives up the match to keep the result. For example, use a lookaround to match
x that is followed by
y without matching
Character types
Character types are short for literal matches.
|Match a word character (a letter, number, or underscore character).
|Matches any three word characters.
|Match a non-word character.
|Matches any three non-word characters.
|Match a digit character.
|Matches a Social Security number, or a similar 3-2-4 number string.
|Match a non-digit character.
|Matches any three non-digit characters.
|Match a whitespace character.
|Matches a sequence of a digit, a whitespace, and then another digit.
|Match a non-whitespace character.
|Matches a sequence of a digit, a non-whitespace character, and another digit.
|Match any character. Use sparingly.
|Matches a date string such as 12/31/14 or 01.01.15, but can also match 99A99B99.
Groups, quantifiers, and alternation
Regular expressions allow groupings indicated by the type of bracket used to enclose the regular expression characters. You can apply quantifiers (
*, +, ? ) to the enclosed group and use alternation within the group.
|Match zero or more times.
|Matches zero or more word characters.
|Match one or more times.
|Match at least one digit.
|Match zero or one time.
|Matches a Social Security Number with or without dashes.
( )
|Parentheses define match or capture groups, atomic groups, and lookarounds.
|When given the string
Hello World, this matches
Hel and
o W.
[ ]
|Square brackets define character classes.
|Matches any character that is
a through
0 through
9, or
{ }
|Curly brackets define repetitions.
|Matches a string of 3 to 5 digits in length.
< >
|Angle brackets define named capture groups. Use the syntax
(?P<var> ...) to set up a named field extraction.
|Pulls out a Social Security Number and assigns it to the
ssn field.
[[ ]]
|Double brackets define Splunk-specific modular regular expressions.
|A validated 0-255 range integer.
A simple example of groups, quantifiers, and alternation
This example shows two ways to match either
to or
The first regular expression uses the
? quantifier to match up to one more "o" after the first.
The second regular expression uses alternation to specify the pattern.
to(o)? (to|too)
Capture groups in regular expressions
A named capture group is a regular expression grouping that extracts a field value when regular expression matches an event. Capture groups include the name of the field. They are notated with angle brackets as follows:
matching text (?<field_name>capture pattern) more matching text.
For example, you have this event text:
126.96.36.199 fail admin_user
Here are two regular expressions that use different syntax in their capturing groups to pull the same set of fields from that event.
- Expression A:
(?<ip>\d+\.\d+\.\d+\.\d+) (?<result>\w+) (?<user>.*)
- Expression B:
(?<ip>\S+) (?<result>\S+) (?<user>\S+)
In Expression A, the pattern-matching characters used for the first capture group (
ip) are specific.
\d means "digit" and
+ means "one or more." So
\d+ means "one or more digits."
\. refers to a period.
The capture group for
ip wants to match one or more digits, followed by a period, followed by one or more digits, followed by a period, followed by one or more digits, followed by a period, followed by one or more digits. This describes the syntax for an ip address.
The second capture group in Expression A for the
result field has the pattern
\w+, which means "one or more alphanumeric characters." The third capture group in Expression A for the
user field has the pattern
.*, which means "match everything that's left."
Expression B uses a common technique called negative matching. With negative matching, the regular expression does not try to define which text to match. Instead it defines what the text is not. In this Expression B, the values that should be extracted from the sample event are "not space" characters (
\S). It uses the
+ to specify "one or more" of the "not space" characters.
So Expression B says:
- Pull out the first string of not-space characters for the
ipfield value.
- Ignore the following space.
- Then pull out the second string of not-space characters for the
resultfield value.
- Ignore the second space.
- Pull out the third string of not-space characters for the
userfield value."
Non-capturing group matching
Use the syntax
(?: ... ) to create groups that are matched but which are not captured. Note that here you do not need to include a field name in angle brackets. The colon character after the
? character is what identifies it as a non-capturing group.
For example,
(?:Foo|Bar) matches either
Foo or
Bar, but neither string is captured.
Modular regular expressions
Modular regular expressions refer to small chunks of regular expressions that are defined to be used in longer regular expression definitions. Modular regular expressions are defined in transforms.conf.
For example, you can define an integer and then use that regular expression definition to define a float.
[int] # matches an integer or a hex number REGEX = 0x[a-fA-F0-9]+|\d+ [float] # matches a float (or an int) REGEX = \d*\.\d+|[[int]]
In the regular expression for
[float], the modular regular expression for an integer or hex number match is invoked with double square brackets,
You can also use the modular regular expression in field extractions.
[octet] # this would match only numbers from 0-255 (one octet in an ip) REGEX = (?:2(?:5[0-5]|[0-4][0-9])|[0-1][0-9][0-9]|[0-9][0-9]?) [ipv4] # matches a valid IPv4 optionally followed by :port_num the # octets in the ip would also be validated 0-255 range # Extracts: ip, port REGEX = (?<ip>[[octet]](?:\.[[octet]]){3})(?::[[int:port]])?
[octet] regular expression uses two nested non-capturing groups to do its work. See the subsection in this topic on non-capturing group matching.
Disable or delete knowledge objects
About fields
This documentation applies to the following versions of Splunk® Enterprise: 7.0.0, 7.0.1, 7.0.2, 7.0.3, 7.0.4, 7.0.5, 7.0.6, 7.0.7, 7.0.8, 7.0.9, 7.0.10, 7.0.11, 7.0.13, 7.1.0, 7.1.1, 7.1.2, 7.1.3, 7.1.4, 7.1.5, 7.1.6, 7.1.7, 7.1.8, 7.1.9, 7.1.10, 7.2.0, 7.2.1, 7.2.2, 7.2.3, 7.2.4, 7.2.5, 7.2.6, 7.2.7, 7.2.8, 7.2.9, 7.3.0, 7.3.1, 7.3.2, 7.3.3, 7.3.4, 8.0.0, 8.0.1, 8.0.2
Hi, You can specify a string as case insensitive by wrapping it with (?i) and (?-i), e.g. (?i)caSe Insensitive(?-i). Best regards...Paul
Is there really no way to make a "rex" case insensitive short of having to lower or upper case everything before applying it?
The (?P< syntax for named extractions is used in the table above, but not used in any of the capture group related examples. A brief explanation of what the additional P character does in this context and when it should be used would clear up some ambiguity.
"# Extracts: ip, port" could use a bit more explaining. The REGEX ends with "(?::[[int:port]])?", which is an optional non-capturing group. The trick is that "[[int:port]]" is a capturing group.
Also, how do named and unnamed capturing groups interact? If the REGEX is "^(?<object>[\-\w]+)/([\-\w]+)$", will one invoke the second capturing group in a subsequent FORMAT as $2 or $1?
@Dslife splunk: (?P<name>...) and (?<name>...) are just two equally-legal ways of naming a capture group. If this is truly PCRE, then allegedly the named group can be invoked with (?P=name) and (?'name'...) is a third way of naming a capture group.
An explanation about why there is a P in the syntax for regex extraction would be nice. i.e. what is the difference between (?<var_name> and (?P<var_name
There are a number of splunk answers, if we can include the info there would be less hunting around.
With thanks to @mattymo
The splunk regex doesn't explain how to escape double quotes. Tried searching for the answers but the already asked question was never fund answered. One such instance:


text:
Free 1st class UK delivery on orders over £20
Need it guaranteed next day? Upgrade to Next Day Special Delivery
High-quality, 1m length, Sonuus-branded MIDI cable (5-pin DIN) that are fully compliant with the MIDI specification.
These cables are spiral-wound (stretchy) to make it easier to keep your cabling tidy.
Comes with a re-usable velcro Sonuus cable tie.
Copyright © 2020 Sonuus Limited. All rights reserved. Errors and omissions excepted. No part or parts may be copied or reproduced without the express written permission of Sonuus Limited. Sonuus Limited Registered in England, No. 6800737. VAT Reg No. GB 945 5150 20


text:
Three Styles for LaTeX Vector Notation
filed in LaTeX, Math on Jun.26, 2012
LaTeX is a very flexible program for typesetting math, but sometimes figuring out how to get the effect you want can be tricky. Most of the stock math commands are written for typesetting math or computer science papers for academic journals, so you might need to dig deeper into LaTeX commands to get the vector notation styles that are common in physics textbooks and articles.
This post shows how to typeset a LaTeX vector with an arrow, a hat, or bold.


text:
Title for agents: Agent Name - Company Name
Title for companies: Company Name
Description: Services offered, areas of service, and features on the site such as virtual tours and online forms.
Once the site is listed, please do not submit again unless your site changes substantially, such as virtual tours are added or the agency name or location changes. If this occurs, please use the "Update URL" option to notify us.


text:
Integromat automatizuje procesy, které děláte ručně. Propojuje aplikace, přenáší a transformuje data. To vše neustále 24 hodin denně, bez nutnosti Vašeho zásahu. Pouze nastavte, co má dělat a nechte ho pracovat za Vás. Šetřete svůj čas!
Triggers when a new response event occurs.
Triggers when a file is added in a folder being watched.
Spustí se, pokud byla vytvořena nebo aktualizována poznámka ve vybraném zápisníku.
Watch for bill.
Watch for customer.
Watch for estimate.
Watch for expense.
Watch for Invoice.
Watch for item.
Watch for customer payment.
Watch for vendor.
Vrátí MIME typ podle názvu, cesty nebo přípony souboru.
Vyhledá výchozí příponu pro daný MIME typ.
Načte denní export pro zvolený den.
Get the specific collector information.
Get the specific response information. Paid SurveyMonkey account is required (Advantage or higher).
Get the specific survey information.
Returns the current user's account details including their plan.
Creates a new folder.
Creates a new text file(.doc) or overwrite an existing text file(.doc) with the provided content as plain text.
Creates or Updates a public share link to the file or folder (It allows to share the file or folder with anyone).
Permanently removes a file/folder from the server.
Downloads a file from a specified folder.
Performs an arbitrary authorized API call.
Moves a file or folder to a different location in the user's Dropbox.
Renames a file/folder in the user's Dropbox.
Restores a previous file version.
Uploads a file to a selected folder.
Načte poznámku s daným ID.
Create a bill received from your vendor.
Create a contact with given information.
Create a contact person for a contact.
Create an employee for an expense.
Create an estimate for your customer.
Create a billable or non-billable expense.
Create an invoice for your customer.
Create a new item.
Create a new payment.
Delete an existing bill. Bills which have payments applied cannot be deleted.
Delete an existing contact.
Delete an existing contact person.
Delete an existing employee.
Delete an existing estimate.
Delete an existing expense.
Delete an existing invoice. Invoices which have payment or credits note applied cannot be deleted.
Delete a payment made to an invoice.
Delete the item created. Items that are part of transaction cannot be deleted.
Delete an existing payment.
Download the PDF file of an invoice.
Email an invoice to the customer.
Get the details of a bill.
Get the details of a contact.
Get the details of a contact person.
Get the details of an employee.
Get the details of an estimate.
Get the details of the Expense.
Get the details of an invoice.
Details of an existing item.
Get the details of an existing payment.
Performs an arbitrary authorized API call.
Mark a voided invoice as draft.
Mark an inactive item as active.
Mark an active item as inactive.
Remind your customer about an unpaid invoice by email. Reminder will be sent, only for the invoices which are in open or overdue status.
Update a bill. To delete a line item just remove it from the line_items list.
Update an existing contact. To delete a contact person remove it from the contact_persons list.
Update an existing contact person.
Update an existing estimate. To delete a line item just remove it from the line_items list.
Update an existing Expense.
Update an existing invoice.
Update the details of an item.
Update an existing payment.
Mark an invoice status as void. Upon voiding, the payments and credits associated with the invoices will be unassociated and will be under customer credits.
Načte přílohy poznámky, aby s nimi bylo možné dále pracovat.
Returns a list of collectors.
Returns a list of responses.
Returns a list of surveys.
Retrieves a list of files or subforders in a specified folder.
Retrieves a list of file revisions needed to recover previous content.
Searches for files and folders by name.
List all bills.
List all contact persons.
List all contacts.
List all the payments made by your customer.
List employees with pagination.
List all estimates.
List all the Expenses.
Get the list of payments made for an invoice.
List all invoices.
Get the list of all active items.


text:
Organisations need to continually adapt to keep pace with new challenges and trends – so they can be sure they're still providing world-class customer experiences. Assess your organisation against a world class customer service standard.
As a customer service professional, you'll set the tone for great customer experiences across your entire organisation. Get best practice know-how and practical support to be a leading example in your field.
All over Australia, companies that have been certified against the International Customer Service Standard (ICSS) are seeing the benefits – for their customers, their staff, and their business.JOIN THEM
The customer landscape is constantly shifting – and the know-how and skills companies need are more complex than ever. Creating a great customer experience is no longer just worth considering. It's fundamental to being a better business.
Our focus is on sharing knowledge, research and experience through our event programsLEARN MORE
Trending and innovative knowledge hub with socially and globally sourced information and CSIA's own researchLEARN MORE
Empowering organisations with the knowledge and skills to develop, execute and manage customer experienceLEARN MORE
Opportunities for networking and cross-industry peer engagement with other customer experience professionalsLEARN MORE
Best practices and thought leadership on customer experience related topicsLEARN MORE
Engage and support consumers, profressionals and businessesLEARN MORE
Hear from two of ASEA winners on how entering the Australian Service Excellence Awards supported their customer focus journey.


text:
ZH9 Hang On Zinc Wide Face - Wartnaby Gardens Range
|* Dimensions are at widest point of the useable area so exclude the tab at the top with the 2 hanging holes.(With tab - overall height 6cm)
* We can supply blank or labels engraved to your instructions(see label marking).
* Timeless, traditional and extremely durable, Zinc labels have been in use as garden labels since the 19th century. (We understand this particular shape was widely used by Victorian and Edwardian gardeners.)
* Where look and feel are important then, in our opinion, Zinc labels out-perform and out-class newer materials such as aluminium.
* Can be tied to plant with string or wire or nailed/screwed to stake or hung from W&W legs LEW (see labelling extras)
* Just look simply wonderful - if in doubt send GBP 1.50 for a sample
* Made in Devon in the UK
As of June 2016 most of the latest batch of Z3 have two shallow hairline scratches on the back face. The front face is totally unaffected and the back face is still perfectly useable
Such is the economics and scale of this business that we cannot afford to reduce the price of these labels to reflect this very slight degradation of their condition. If you feel it might be an issue for you we will happily send you a photograph of a scratched face before you commit to buying. You can also always return the labels in their original condition for a full refund up to 30 days after purchase if you feel they are not fit for purpose.


text:
The above list includes all online-editable content that links to this page.Not included: links from, for example, uploaded documents.
Using this website.
For results, news, reports, corrections, updates, etc. see contact the CA. As an anti-spam measure when not logged-in, # replaces @ in email addresses - click on the link as usual to send an email.
The CA will not share your personal details with any other organisation and undertakes to keep them confidential as described in our Security, Privacy, and Cookie Policies and Information.


text:
Posted 7 years ago
(6 items)
Yet another of our favourite eBay finds. This stunning 24 carat gold hand painted wire net vase by Helena Wolfsohn of Dresden is simply breathtaking and dates from between 1850 to 1870. Helena was the top Hausmaeler or House Decorator in Dreseden during the 19th century and she often purchased blanks from Meissen untill they took her to court in 1873 to stop her using their mark. This piece carries the mark of AR or Augustus Rex the Strong, first King of Saxony. I paid a mere $20 AUD for this piece with its current retail value sitting around $7 to 10000 AUD. Not bad if you know what to look for huh?


text:
Forum Home > General > Humour
Nasreddin Hoca, aka Mullah Nasruddin
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Joined: 01 March 2000
Status: Offline
Points: 2549
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Posted: 07 April 2005 at 6:45am
Bi ismillahir rahmanir raheem
assalamu alaikum
"Insha allah people are familiar with the writings of Nasreddin Hoca, aka Mullah Nasruddin, they are often quite funny and usually carry rather important messages along the way."
A man brought a letter to the Hoca:
- Hoca, could you read this letter?
Hoca looked at the letter which was all in arabic. He was unable to read and give it back to man.
- Take this to someone else, i couldn't read. said the Hoca.
- How come? you are wearing the turban of a learned man yet you can't read a letter...
The Hoca took off his turban and placed it in front of the man
- Ok, if it is skill of a turban, put it on and read your letter yourself!
While working on the roof of his house Hoca had a dizzy spell and suddenly found himself on the ground. The neighbours came running concerned and began to shout questions;
-What happened, Hoca?
-Did you hurt yourself?
-You should have paid attention...
-How do you feel, Hoca?
Hoca groaned
-Instead of standing around pestering me, you should climb onto my roof and roll over the ledge head first, then you would have all your answers.
The pot that gave birth
Hoca borrowed a large pot from his neighbor. Days and weeks went by and he did not return the pot. One day the neighbor stopped by and asked if he could have his pot back. Hoca apologized,
"I am sorry, I forgot to return it. But I have good news for you, while in my possesion your pot gave birth to a smaller pot".
So, he sent the happy neighbor home with two pots. Few weeks later Hoca knocked at his neighbor's door and asked if he could again borrow that large pot. The neighbor,after his recent gainful experience, was more than happy to lend his pot to Hoca. When days and weeks went by without a word from Hoca about the pot, the neighbor decided that he'd better go and see about his pot. When Hoca opened the door, the neighbor asked if hecould have his pot back. Hoca with a very sad face informed the man that while in his possesion, the large pot passed away. Shocked by Hoca's audacity, the man got angry and said:
"What do you think I am, an idiot to belive that the pot died?"
"Why my good man" replied Hoca with a smile, "You had no trouble believing that your pot gave birth?".
Tiger Powder
One day Molla Nasreddin was sprinkling some powder on the ground around his house.
-Molla, what are you doing? a neighbor asked.
-I want to keep the tigers away.
-But there are no tigers within hundreds of miles.
-Effective, isn't it? Molla replied
Hoja and the Blanket
Nasreddin Hoja was awakened one night by the cries of two quarreling men in front of his house. Wrapping his blanket tightly around his shoulders, he rushed outside to separate the men who had come to blows. But when he tried to reason with them, one of them snatched the blanket off Hoja's shoulders and ran away. Nasreddin Hoja, very weary and perplexed, returned to his house.
"What was the quarrel about?" his wife asked. "About our blanket," replied Nasreddin Hoja. "The blanket is gone, the quarrel is over."
Rasul Allah (sallah llahu alaihi wa sallam) said: "Whoever knows himself, knows his Lord" and whoever knows his Lord has been given His gnosis and nearness.
Senior Member
Joined: 13 March 2005
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Points: 120
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Yes they are funny rami!
Thanks for sharing that humor ;)
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Joined: 02 July 2001
Location: far from home
Status: Offline
Points: 2385
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Assalamu alaikum,
Nasreddin Hoja's fame is quite widespread; a Chinese friend of mine said these stories are popular in his homeland too.
I know a few of them as well; when I get a chance perhaps I'll add them Insha'Allah.
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Write stuff: Rock Paper Scissors back on Mall
For some, the love of good paper is so intense that the words "deckle edge" can cause a shiver. No matter how often they email, text or Twitter, there are still occasions when they reach for the fine writing paper.
Those people who refuse to consider the handwritten note obsolete know Rock Paper Scissors, the stationery store started on 2nd Street NE in 2002 by Scarpa owner Amy Gardner. About a year ago, she moved it to Barracks Road North Wing to adjoin Scarpa.
New owners have moved Rock Paper Scissors back to the Downtown Mall in the space beside Chaps formerly occupied by Glo salon.
Graphic designer Dani Antol and former advertising account executive Heather McNulty both used to work at Payne Ross & Associates ad agency. They purchased the RPC March 1, and by March 8 were open for business.
"I've always had a love of paper and the art of the handwritten letter," says McNulty. "We felt strongly about the brand Amy built. It has great name recognition."
So at a time when all things printed on paper–- newspapers, books, correspondence–- are moving to electronic devices, what if people cease writing notes?
"I suppose it's possible," says McNulty, "but we believe wholeheartedly in it."
And the partners have another firm belief: Despite Evite, people will always need custom-printed wedding invitations, birth announcements, and party invites. And they'll want those with a beautiful design on high-quality paper.
You know who you are.
4 comments
Many people I know thought that Rock Paper Scissors often had disinterested customer service, unless you were a regular favorite of theirs that is. Great products though. If the new owners improve the customer service aspect of the business, then they should do very well.
Hand-written receipts? What could go wrong?
Thanks Lisa!
What's the deal with all the infomercials in the Hook? I mean really. Does every local business get an article? Or is it just friends of staff?


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Classes and Events
Childbirth Preparation One-Day Class
Childbirth preparation in one 7-hour class.
Need a different date?
Presented by Sharp Mary Birch Hospital
This class is designed for busy couples who want the basic facts about childbirth preparation in one day. A hospital tour is included during the class (excluding the Carlsbad location).
Topics covered in this course include:
- How your body prepares for birth and delivery
- Hospital procedures
- Medication choices
- Brief overview of coping skills
- Cesarean delivery
- Postpartum
This class is also available in Spanish. Go to Curso de Preparación para el Parto en Un Día for dates and times.
This class is free for Sharp Health Plan Insurance members and offered at a discount for Sharp HealthCare employees.
Sharp Mary Birch Expectant Parent Package: Choose from the four-week, weekend or one-day childbirth preparation classes and add a breastfeeding and baby care basics class for an additional $40 (a $20 discount). Discount applicable to new registrations for classes sponsored by Sharp Mary Birch Hospital for Women & Newborns only. Must purchase all three classes in the same transaction. Classes are nonrefundable.
To take advantage of any of the discounts above, please call us at 1-800-82-SHARP (1-800-827-4277).
This class does not include a hospital tour. If you are interested in taking a tour of the hospital, please register online or call 1-800-82-SHARP (1-800-827-4277).
Download Sharp Baby, our free pregnancy app and online resource
Learn about pregnancy milestones, track appointments, time contractions, watch animations and videos, and more! Available for download on mobile and desktop devices by visiting sharp.com/sharpbaby.
Cancellation Policy
If you need to cancel your registration for this event, please call 1-800-827-4277 Monday through Friday, 7 am to 7 pm, or log in to your account to cancel online.
- For City of San Diego employee couple: A fee of $10 will be deducted from the amount paid if you cancel your registration less than 3 days before the event.
- For Couple: A fee of $10 will be deducted from the amount paid if you cancel your registration less than 3 days before the event.
- For Employee couple: A fee of $10 will be deducted from the amount paid if you cancel your registration less than 3 days before the event.
- For SMB expectant parent package: A fee of $55 will be deducted from the amount paid if you cancel your registration less than 150 days before the event.
Parking Information
Free on-site parking is available.
Fee Information
If you registered using the City of San Diego employee discount, please remember to bring your employee identification badge with you to class.
Special Instructions
Out of consideration for others, please refrain from attending the class if you are sick or think you might be contagious.
Student Observation: If you are not an expectant parent and need to observe a class, approval must be obtained prior to attendance. Please be advised that any paid registration for observation purposes will not be refunded. To obtain approval, please call 1-800-82-SHARP and you will be referred to the appropriate location. Walk-ins cannot be accommodated.
Presenter Information
This class is taught by a certified perinatal educator.
What to Bring
For classes at the Sharp Grossmont Hospital Women's Health Center, please bring one pillow, as well as snacks/lunch.
For all other class locations, please bring two pillows, a blanket and snacks/lunch.
Ample breaks will be given at all locations.
Course Recommendations
We recommend completing the course three to four weeks prior to your due date.
Sharp Mary Birch Education Center, located at NextMed Center of Carlsbad


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