text:
GPU Caps Viewer v1.8.6 Dives Deep on OpenCL Support
One of the great problems of both CUDA and OpenCL is that Windows doesn't offer information about them in any Control Panel application. Therefore, developers don't have a simple way to know whether their installed GPU support CUDA or OpenCL. GPU Caps Viewer v1.8.6 is a simple and free utility that solve this problem.
This utility offers detailed information about the graphics cards and the GPU (short for Graphics Processing Units) installed in a computer. When you run GPU Caps Viewer, is displays a window with many tabs.
The GPU/CPU tab shows details about the graphics card and GPU type and clock, amount of dedicated video memory and speed, number of cores, SM/SIMD, and information about the installed drivers. Besides, it provides basic information about OpenGL, OpenCL and NVIDIA CUDA support, as in Figure 1.
Figure 1: GPU Caps Viewer displaying information about the GPU, including the OpenCL version and compute devices.
In this case, the system offers one OpenCL compute device, with the following information for the version:
OpenCL 1.0 ATI-Stream-v2.0.1 - CU: 8 @ 1729MHz (CPU)
It means that the CPU offers support for OpenCL 1.0 through ATI-Stream v.2.0.1 and it will work with the 8 logical cores running at 1729 MHz. This information doesn't consider the dynamic overclocking capabilities offered by modern microprocessors, it just displays the nominal frequency discovered by the detection engine. If you want to learn more details about dynamic overclocking, you can read my previous post "Measuring Speedup is Challenging with Intel Turbo Boost Technology".
The GPU Computing section summarizes the capabilities supported by your GPU and the installed drivers, it shows three checkboxes. In this case, the OpenCL(CPU) checkbox is the only one activated because OpenCL is supported at the CPU level but not at the GPU level. This happens because the video card driver isn't updated to activate OpenCL support for the GPU. Therefore, you have to make sure that you have the right video card driver because OpenCL isn't going to take advantage of your GPU parallel processing capabilities.
The OpenCL tab offers more detailed information about the OpenCL support. It offers a dropdown list with all the CL platforms available in the system. This way, you can select the desired platform and see the information about it displayed in the window, as in Figure 2.
Figure 2: GPU Caps Viewer displaying detailed information about the OpenCL support. In this case, only the CPU is going to work with OpenCL.
The number of CL devices should be at least 2, the CPU and one GPU. When you select the GPU in the second dropdown list, GPU Caps Viewer should display GPU in Type and it will provide information about the compute units, clock, version and driver, as in Figure 3.
Figure 3: GPU Caps Viewer displaying detailed information about the OpenCL support. In this case, there is a GPU that is going to work with OpenCL, providing 30 compute units running at 1,242 MHz.
Besides, GPU Caps Viewer offers many OpenCL demos in their CPU and GPU versions. You can run them to test your OpenCL GPU capabilities. They take advantage of the multiple compute units to render real-time effects, as in Figure 4.
Figure 4: Figure 4. GPU Caps Viewer running the 4D Quaternion Julia Set OpenCL GPU demo.


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Release Date: 2003 |
He plays the "Seven Nation Army" line on guitar.
[quote=Review]For any guitarist of any genre, one has to just sit back and love hearing him hit the high notes on the upper reaches of the fret board[/quote] I'm pretty sure those really high notes are a result of an octave pedal.
Solid review.
Album Rating: 3.0Good review. I don't listen to this often but there are some really standout songs- Black Math, There's no Home for you Here, Hardest button to button.
Good review, it's about time you had another one Official, I was getting lonely. :p
Album Rating: 3.5Well, I couldnt let you get comfortable Kripes.
Sorry if this review isnt up to my usual standards, I'm trying to cut down on length and make it like the big guns' reviews.
Album Rating: 3.5It's not conformity it's becoming one of the elite.
Neway I didnt really dissect this album like I have my other ones. Therefore, I suppose I didnt have too much to say.
More comments are appreciated.This Message Edited On 12.04.05
one of the best records in 03, IMO. jack white is pretty much amazing
Album Rating: 3.5I dont know I wouldnt say that. It hurts a little bit, many of the songs have no melodic value whatsoever.
Album Rating: 3.5Thank you, kind sir.
For White Stripes fans, what should I get next, White Blood Cells or GBMS?
my friend somehow thinks that he is tr00 indie because he listens to this band.
good review.
Album Rating: 3.5Oh yeah these guys are "real indie". Besides their multiplatinum albums, u cant get more indie than these guys.
Review White Blood Cells.
Album Rating: 3.5Well I'll have to buy it first, I mean as a good buy for my next White Stripes Album.
I really dislike the White Stripes. I know a lot of people say this just because it's cool to hate this band but honestly I just don't think their music is any good.
Good review as usual.
GBMS sucks, get white blood cells
Album Rating: 3.5really? Ok cool. I thought GBMS was their best supposedly, but the consensus seems to be WBC
Get Behind Me Satan is a hundred times better than White Blood Cells, which is basically the same thing as their first four albums.
Don't listen to them.This Message Edited On 12.22.05
i reckon this one is their bestalbum, girl you have no faith in meidicine and hardest button to button are the good tracks, well written though, shows your opinion boldly
Good review. I love this album...it is one of the white stripes greatest. (besides "white blood cells")
Album Rating: 5.0This is their masterpeice (their debut comes in at a close second). Absoulutely stunning.
Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

subset: commoncrawl


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22 December 2009
Valve Is Not Interested In Machinima
"We are not interested in licensing our technology or IP for machinima. This includes providing copyright approvals."
Well, that about says it all. Valve has no interest in machinima. It is really unfortunate because the Source Engine is so amazing and they offer such great tools for creating machinima.
What does this mean for Source Engine machinima? Probably nothing. Most people will continue to do what they do until they are told directly not to do it. But this does change things for those of us who look beyond YouTube popularity as what we want to achieve.
Source Engine can make amazing machinima. However, you cannot do much with it other than put it on YouTube, hope for a lot of views and then maybe hope that those views lead to somebody taking interest in you.
And what if they do take interest in you, then what? You can't actually use the Source Engine to make anything for anybody to use. Even joining some festivals will prove risky because some ask for extensive copyright permissions. This means YouTube Partner and Revenue Sharing is out of the question as well. I still have no idea how machinima.com does it and Valve would not comment on the subject.
I don't want to give the wrong idea and make it sound like we are giving up Source Engine machinima after our first try or anything. We still love the engine and the machinima that comes out of it and of course still have Shelf Life chapters to work on, we just feel very disappointed in Valve and the lack of interest they have in machinima. There is clearly no real future with Valve or Source Engine machinima other than personal projects free to the community.
This may lead to people moving away from Source Engine machinima and toward alternatives with licensing options. We were just given the iClone software that looked great already but sounds even better now that we know where Valve stands on machinima. Who knows what else we will look into, Source Engine is all we have known up until now.
Well, that's the news from the Valve vs. Machinima front. Thought it might be interesting to some of you.
80 comments:
Sorry for your disappointment. It's not surprising though to older members of the machinima community who have seen Valve turn away many times from developing a real possibility for licensing their engine and growing a community. You aren't the only one that's gotten the cold shoulder. I know that doesn't make you feel better, but for some reason known only to themselves, Valve just doesn't want to deal with filmmakers who want to make money using the Source engine.ReplyDelete
It's part of the reason many people have moved away from game related machinima towards Moviestorm and Iclone.
Perhaps someone will break through their wall some day, but I don't think it will be very soon.
Good luck!
This is the first time I have heard this so definitely stated. You are right, some really wonderful machinima produced with this engine. It must feel like a real kick in the pants and I'm sorry. However, I am excited to see what you may be able to achieve in Iclone _Kate FoskReplyDelete
Wait hold on doesn't Valve love to and enjoy working with it's community e.g. mods. Well Machinima has a major community using valves game's and software. I tihnk Valve needs to have a look before they say no.ReplyDelete
- AnonymousDecember 23, 2009 at 4:11 AM
"for some reason known only to themselves"ReplyDelete
We can guess pretty easily, though.
Individual negotiations/contracts with a large number of small film-makers most of whose productions will not have significant commercial success are a poor return on investment for Valve, which is hardly short of avenues to make money.
If a game/engine software company does want to make money from licensing to machinima makers, I think they probably have to do it generically like Microsoft and Blizzard have tried to do. It's still not a sure bet, or a cheap or hassle-free process for them, though. Do we know / can we guess what the numbers are on Blizzard or Microsoft's efforts so far?
The Source machinima makers should collectively sue Valve for all of the eyeballs they have already acquired that helped someone purchase a Valve Source product.ReplyDelete
I estimate that at a 1:1 ratio, so that's millions of new customers.
Honestly we are not that surprised. But as Kate said this was the first contact we finally had with them and their answer was simply a short "no" more or less and that was a bummer.ReplyDelete
It won't matter to them much but I am not sure why they are so anti-community on this one. It is not like they are going to be hurt or loose money on it. I just think they figure it is not worth their time and money to spend the effort to come up with a license and/or contracts.
So this is just the most updated stance from Valve that apparently has not changed as Ricky stated. Also, these statements came from Source licensing department and their attorney so it is pretty much the final answer.
Who knows what it means for us or for the Source Engine community in general. I pointed them to our movie and told them everything we were doing and they did not tell us specifically to stop. I think they are just reserving the right to stop us at any time and say "we never said you can do that". But in the meantime they don't mind the free advertising as long as we are not getting much out of it.
Oh well, I guess Valve is just a corporation not interested in the machinima community around them, unless of course we can make some good money for them but machinima has not proven that possible yet.
- AnonymousDecember 23, 2009 at 1:44 PM
All the big game companies have this same stance, not just Valve.ReplyDelete
You're making them out to be a bad guy because they don't want you profiting from their IP, which I think is understandable.
If your reason for making machinima is to generate revenue, then I think you're in the wrong field.
No I don't really think they are bad guys. I just think it is unfortunate they are not interested.ReplyDelete
And we definitely are not in machinima to make money. We spent 2 years on and off of hard work to make Shelf Life before we knew we could even enter festivals and win awards so obviously we did not expect much of anything out of it.
That does not change the fact that we are disappointed in their response to us. Not surprised, just disappointed.
But yes, we always look to achieving greater things because it gives you motivation and hope, so there is a tiny bit of motivation kill actually knowing for sure where Valve stands.
Like the way this sounds:ReplyDelete
"You may generate, sell and redistribute your movies created with iClone and/or
CrazyTalk with full ownership and use-rights to the output media in Image or Video
format within the output guidelines of this agreement."
Yeah iClone! :)
Mabye one day Valve will finaly have a look and work with it's machinima community but until then its up to the Machinima Community to let these Companys know were here, and wanting to work with them and use there software.ReplyDelete
The Source engine is excellent for machinima, but its excellence isn't only because of the engine. It is also the assets, textures and so forth. For a machinima filmmaker to grow and submit their films to film festivals the important point to consider is copyright which all serious filmmakers must be aware of. IClone is an excellent option for filmmakers. The sad thing is that many games have gained popularity due to machinima films. I bought Half Life 2 not because I am a gamer but because I am a filmmaker. If many people like me decided not to buy games for the machinima potential, though that is a small percentage. The lack of machinima films also takes away sales marketing promotional potentials for specific games.ReplyDelete
This is Eddy from Smooth Few Films. We made a Counter-Strike: Source series known as Leet World as well as a well known Portal video called Day in the Life of a Turret using the Source engine.ReplyDelete
We stopped making Source machinima last year because of a response from Valve not too dissimilar to this one. For us, it became a fruitless exercise to sink so much time into something we knew that we could never own completely, particularly when Valve's position on it was so rigid. While I don't blame them for wanting to protect their IP, it does stink for filmmakers that are using their tools (some of the best available) to hone their craft.
My recommendation to Source filmmakers is to do a side project in Source to practice on what you love, but don't sink all of your time into it. Work on something that you own and can sell, because in the end, that's what'll help you follow your dreams as a creative person. Just my two cents.
Glad to see an official response posted. We've been telling our community this for about a year, and I think they just thought we were quitters, haha.
Hey Eddy, thanks for the comment. Of course we know Leet World and Day in the Life of a Turret, great work! Day in the Life of a Turret is one of my favorite videos, I have watched it many times. :) I was also impressed by your Web Zeroes series!ReplyDelete
But yeah, Valve is a bit of a bummer. We are committed to finishing Shelf Life and still love what can be produced from the Source Engine but we definitely are discussing what we want to do after Shelf Life. We want to work in a world where there is a least the option of doing something with your hard work, heh.
And I agree with you, Source Engine machinima needs to be a labor of love but not a commitment for all your spare time if you ever want to push your work to the next level.
You guys made great Source Engine machinima, made huge contributions toward quality machinima...and moved on. That sounds like a pretty respectable history to me!
Sadly not alone, nor the first.ReplyDelete
We basically got the same response from Valve back in the early 2000's, trying to get (Half-Life 1 based) Fake Science included on a televised Machinima documentary. Our entire segment was forced to be cut because of Valve's refusal.
Even with the Academy of Machinima Arts and Sciences representing us, and the greater community, Valve was completely resolute in their decision, "No Thanks."
- AnonymousJanuary 29, 2010 at 8:21 AM
im currently am learning the source engine tools so i can make awsome machinamas like the leet world i almost have the basic lip syncing down i still have to train my mike a little bit more though. as for profit i am not gonna make profit off of them if people wanna donate thats their own deal not mine cause i will not be markiting of of source machinamas.ReplyDelete
if you want to find me on youtube i have 2 accs kroutonjr which is my main yt acc and thelegiongmod which i made for my clan where i will upload most source vids that i havent made yet.
ps dont make fun of me for making rs vids its actually one of the few games i get get fps while recording also another reason why i havent started making source vids lol
- AnonymousJanuary 31, 2010 at 1:34 PM
i'm pissed as well, especally after seeing machinma making money off of source videos and even a few SMALL TIME channels! as in a few hundred views on a month old video kind of small?ReplyDelete
how the hell do they get revenue and not me?
- AnonymousApril 27, 2010 at 7:23 AM
Isn't the copyright issue mostly with the textures and models rather than the use of the engine itself? It seems to me that if that was taken care of, Valve would have no grounds for objection. Of course, that would mean that your animations wouldn't be directly related to the half-life universe but I think that's a fair restriction on Valve's part.ReplyDelete
Of course, I don't recall what the restrictions on the licensing for the engine use are but that's a licensing issue, not a copyright issue.
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I really enjoy to visit this type of post i have visited lot of post yours is the best one i have seen for ever.Good job.ReplyDelete
This comment has been removed by a blog administrator.ReplyDelete
All the big game companies have this same stance, not just Valve.ReplyDelete
You're making them out to be a bad guy because they don't want you profiting from their IP, which I think is understandable.
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If your reason for making machinima is to generate revenue, then I think you're in the wrong field.
- AnonymousSeptember 12, 2010 at 9:28 AM
i'm pissed as well, especally after seeing machinma making money off of source videos and even a few SMALL TIME channels! as in a few hundred views on a month old video kind of small?ReplyDelete
how the hell do they get revenue and not me?
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text:
Packaging at the Press--a Before and After Success Story
To get the line up and running, the firm stationed an operator at the press to monitor production from the four-out die developed to stamp the parts. However, a productivity-improving project quickly ensued; here's how it went.
A four-off tool running on a newly rebuilt Minster P2H mechanical press at Jagemann Stamping would exit the bottom of the die and be brought out by a shaker conveyor. The small, lightweight aluminum stampings would tumble into a shipping container and the press operator would weigh and seal each box, affix a label and stack the boxes onto a pallet. Any quality issues that arose would cause the firm to sort all of the boxes from a run.
Running four-out at 120 strokes/min., the operator would have to stop the press every 6 min. to change boxes.
|Parts exit a four-out die into four separate conveyor lanes and into individual boxes, simplifying parts sorting should a quality issue arise from one of the die sections.
The conveyor, from QC Industries, operates automatically, and the setup includes automatic parts counting as the boxes fill. The press control, an Omni-Link 5000 from Link Systems, runs the cell in the continuous on-demand mode, momentarily stopping the press as full boxes index a from the line and new empty boxes move into place. Then the control restarts the press—no operator intervention is needed.
Should the press experience a bad hit, the press stops immediately and a section of the conveyor lifts up to divert and deposit all parts in a scrap hopper, to prevent contaminated parts from being shipped. The press restarts when an operator clears the fault and addresses any problems with the die.
The result: The press now runs for 60 min. unattended, as a set of four boxes takes 26 min. to fill and the system can hold 16 boxes in queue. All the operator has to do, each hour, is move the full boxes and place new empties on the conveyor.
Quick Return
Results from adding the automated sorting and packaging setup to the end of the line have been impressive. According to Jagemann CFO Debby Berchem, the firm expects a payback in less than one year, due to reduced labor content per part, and ensuring that it ships no bad parts. In one recent case where one lane of the four-out tool experienced a quality issue, "we were able to separate out the containers with parts from the suspect lane," Berchem says, "and save thousands of dollars in sorting costs." MF
See also: Nidec Press & Automation, TCR-Integrated Stamping Systems
Related Enterprise Zones: Automation, Other Processes, Presses


text:
The Well-Placed Weed
Season 4 Episode 7 | 56m 1s
Growing up in rural South Carolina, celebrated American garden designer Ryan Gainey developed a love of plants at an early age. After moving to Atlanta in the 1970s, Ryan began designing gardens in affluent neighborhoods and around the world. A contradictory character, offensive and tender, artificial yet truly authentic, Ryan was known for his love of beauty and the ability to create it.
Aired: 03/29/19
Expires: 05/12/20Video has closed captioning.
Problems Playing Video?
You are truly the public in public television and we need your support now more than ever.


text:
WASHINGTON (AP) - More than two dozen U.S. senators are calling on the nation's top intelligence official to make information public about the scope and duration of the National Security Agency's surveillance program.
In a letter sent Friday to Director of National Intelligence James Clapper, the bipartisan group of lawmakers also want him provide examples of how the bulk collection of phone records provided unique intelligence.
The letter from the 26 senators, organized by Democrat Ron Wyden of Oregon, says they are concerned the gathering of massive of amounts of data on the communications of ordinary Americans depended on secret interpretations of the Patriot Act.
The letter says those interpretations, along with misleading statements from U.S. intelligence officials, prevented American citizens from being able to evaluate the decisions their government was making.


text:
Abu'l Abbas al-Fadl ibn Hatim Al-Nayrizi
Born: about 865 in possibly Nayriz, Iran
Died: about 922 in possibly Baghdad, Iraq
|Main Index
|Biographies index
Al-Nayrizi was probably born in Nayriz which was a small town southeast of Shiraz now in central Iran. Certainly he must have been associated with this town in his youth to have been called al-Nayrizi. Little is known of his life but we do know that he dedicated some of his works to al-Mu'tadid so he almost certainly moved to Baghdad and worked there for the caliph.
The period during which al-Nayrizi was growing up was a turbulent one in the region in which he lived. Following the assassination of the caliph al-Mutawwakil in 861 there was a period of anarchy and civil war. The Caliph al-Mu'tamid and his brother al-Muwaffaq who was a military leader, reunited the empire from 870 but a rebellion was eventually put down in 883 only after many years of military campaigns by al-Muwaffaq and his brother al-Mu'tadid. Al-Mu'tamid died in 892 and, since al-Mu'tadid had forced him to disinherit his own son, al-Mu'tadid became caliph in that year.
Al-Mu'tadid reorganised the administration and reformed finances, and he demonstrated great skill and ruthlessness in dealing with the many factions that had arisen. There followed a period of great cultural activity, with Baghdad home to many intellectuals. Al-Nayrizi must have worked for al-Mu'tadid during his ten year of rule, for he wrote works for the caliph on meteorological phenomena and on instruments to measure the distance to objects. If al-Mu'tadid's reign had begun with political intrigue then it seemed to end in the same way, the general opinion being that, in 902, al-Mu'tadid was poisoned by his political enemies. Al-Mu'tadid's son al-Muktafi became caliph in 902 and ruled until 908. It seems likely that al-Nayrizi would continue to work in Baghdad for the new caliph since the same support for intellectuals in Baghdad continued.
The Fihrist (Index) was a work compiled by the bookseller Ibn an-Nadim in 988. It gives a full account of the Arabic literature which was available in the 10th century and in particular mentions al-Nayrizi as a distinguished astronomer. Eight works by al-Nayrizi are listed in the Fihrist. A later work, written in the 13th century, described al-Nayrizi as both a distinguished astronomer and as a leading expert in geometry.
Al-Nayrizi's works on astronomy include a commentary of Ptolemy's Almagest Ⓣ and Tetrabiblos. Neither have survived. He is most famous for his commentary on Euclid's Elements which has survived. The Leiden manuscript referred to in the title of [3] contains the revision by al-Nayrizi of the second Arabic translation of Euclid's Elements by al-Hajjaj. The translation by al-Hajjaj has not survived and the article [3] examines to what extent al-Nayrizi changed the translation, arguing that indeed he made considerable changes. The paper [4] looks at different manuscripts containing versions of al-Nayrizi's commentary, some in Arabic, one a Latin version.
In dealing with ratio and proportion in his commentary on the Elements, al-Nayrizi adopts concepts proposed by al-Mahani who had worked in Baghdad, probably before al-Nayrizi arrived there. Al-Nayrizi wrote a work on how to calculate the direction of the sacred shrine of the Ka'bah in Mecca (to was important for Muslims to be able to do this since they had to face that direction five times each day when performing the daily prayer). In this work he effectively uses the tan function, but he was not the first to use these trigonometrical ideas.
The article [2] is a translation into Russian of the short treatise by al-Nayrizi on Euclid's fifth postulate. In his work on proofs of the parallel postulate, al-Nayrizi quotes work by a mathematician named Aghanis. In [1] Sabra argues convincingly that Aghanis is the Athenian philosopher Agapius who was a pupil of Proclus and Marinus and taught around 511 AD.
Article by: J J O'Connor and E F Robertson
Click on this link to see a list of the Glossary entries for this page
List of References (4 books/articles)
See this mathematician on a timeline
Mathematicians born in the same country
Other Web sites
- Dictionary of Scientific Biography
- MathSciNet Author profile


text:
Monday, June 7, 2010
My Open letter to the Mets...
12 comments:
I'm with you on this one. No Oswalt, please. We don't need another fading ace with a fading fastball.
Thing is, 36 will always belong to another lefty, Jerry Koosman!!!
I agree about the "36". It will always be Koosman to me also.ReplyDelete
I'll co-sign thisReplyDelete
- AnonymousJune 7, 2010 at 11:30 AM
I'm with you all the way on this one too Joe, love all your illustrations, thanks for posting them!ReplyDelete
- AnonymousJune 7, 2010 at 12:06 PM
Joe - Loving the look of yesterday's Francoeur art and this page as well. I love the diversity of styles that you've employed in the journal, and I especially dig this look!ReplyDelete
Wow! What can I say that hasn't been said already by the many followers except to say once again Joe Thanks for sharing these with us.ReplyDelete
Cliff Lee? I'll take him!ReplyDelete
Santana, Pelfrey, Lee, Niese, Dickey/Takahashi... :)
What would we have to give up for him?
What about Guthrie?ReplyDelete
I agree on the number 36 always belonging to Jerry Koosman (who used to live across the street from my parents during baseball season).ReplyDelete
Does anyone know what he's doing these days?
I just used 36 because that's his number on Seattle. I love Jerry! But as we can see, The Mets give cherished numbers to anyone. 21,20...etc.ReplyDelete
Wow on changing the banner because of what a commenter said. Respect to you, Joe.ReplyDelete
Also, it looks like it says "shits" in the banner when it really says "5 hits" but I won't ask you to change it...
I kid. I kid. Good stuff!
PS: I love how it's a little notebook. Makes it all the more homier!


text:
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Defenders of Wildlife wants to
Wildlife Services' Predator Control Program is the government's top wildlife killing machine; a program that operates
Wildlife Services' Predator Control Program is the government's top wildlife killing machine; a program that operates with a kill-first mentality, and usually without a second thought to resolving conflicts using proven non-lethal techniques. Their brutal, scientifically unfounded and outdated predator control program results in the killing of thousands of wild animals each year — including…
To protect all native wild animals and plants in their natural communities. Defenders employs…Read More
These animals belong to our land, they were here long before Europeans settled colonies here. The native people here, respected the wolves, and all the animals that roamed the country. The land that the wolves belong to is long since been encroached on by man. Even still, the wolf will retreat…Read More
Animals are breathing,thinking, feeling beings who deserve the right to BREATHE,THINK and FEEL!!!
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en el Zoologico en Baños de Ambato


text:
From: Saturday 14 March 2020
At: 9am
Where: Southwater Country Park
Email: firstname.lastname@example.com
Website: http://www.parkrun.org.uk/horsham/
It is a 5km run - it's you against the clock.
Every Saturday at 9:00am.
The event currently takes place in Southwater Country Park. See Course page for more details.
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Every week we grab a post parkrun coffee - please come and join us!
We aim to provide up-to-date and accurate information, but we will not accept liability for the accuracy or currency of the information provided by third parties. Listings of events on our website should not necessarily be taken as an endorsement of that event. See our disclaimer statement for further information.


text:
|Amid the beautiful eastern sea,
Sea View Koh Chang,
the resort for sea - lovers harmoniously blends modernity and convenience
among peaceful shady lines of coconut trees and several kinds of local
plants, along powdery white sand beach. Enjoy fresh seafood directly
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Step into our welcoming Grand Deluxe Sea View situated on clifftop of secluded resort and discover spectacular sea view across the bay. These spacious rooms are artfully designed in contemporary Thai style with beautiful silks and wood decoration and comes with en suite bathroom and large private balcony where you can enjoy stunning Koh Chang sunset while savoring a cocktail and intimate conversations with your loved one.
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Our Deluxe Family rooms provide an abundance of living space for a family of four. When not out exploring the city or the beach, the whole family can enjoy a movie together from the room's LCD television and DVD player. These spacious rooms designed in contemporary Thai style. Families can enjoy a tempting blend of space, comfort and wonderful view.
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Enjoy sunset cocktails and a wide selection of Thailand and International dish including brick oven pizza and seafood BBQ fresh from the ocean at Sunset Restaurant.
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Open daily: 7.00 am. - 10.00 pm.
|Sunset Terrace Restaurant
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text:
Viceroy63 wrote:I guess that a fair thing to do would be to take a snap using BOB and that way everyone with BOB can see the original position. I think?
As to that Auto-snapshot suggestion, I believe it was rejected. I am not sure though. Maybe some one else does?
Otherwise, I just love cookies and if you let me have them, I'll just eat em all up. LOL.
"Who stole the cookies from the Cookie Jar? > Number 3 stole the cookies from the Cookie Jar. - Who Me, Couldn't be..."
You can't take a snap with BOB. The image that team 2 took would not be the same image team 1 would see. It would in fact give away all of their positions.
I remember the suggestion chat. Another possible idea was to allow a round of wait time. IE you can start a game with the delay play option. If you pick this for your game then the first round is a "Snap" round, much like the first round of manual deployment. No attacks/drops/forts will be made in this first round. Instead each team would just take a snap and push a "team ready" or "end turn" button to signify to the computer that the team was ready and regular play could resume. This allows people to get a snap but doesn't increase delay for play as once both teams click the "ready" button it will go to round 2 (which was previously round 1)


text:
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text:
Halle Berry Cancels Oscars Appearance
The actress's injured foot is not well enough to attend the ceremony, PEOPLE has learned
The Oscars will be a little less glamorous this year.
Halle Berry, who was set to present at the 84th annual Academy Awards ceremony on Sunday, has canceled her appearance because of her broken foot, PEOPLE has learned.
Berry injured herself while shooting Cloud Atlas in Spain in September. According to the movie's studio, Warner Bros., the accident occurred while "walking in Majorca on a day off from filming."
But it turns out there was a little more to the story. A source told PEOPLE at the time that Berry was chasing after her 3½-year-old daughter Nahla, who was chasing after a goat across a stretch of rocky countryside.
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The 84th Academy Awards will air live from Hollywood's Kodak Theatre Sunday at 8:30 p.m. ET on ABC.


text:
Don't Pay For Your Credit Report
This month marks the one year anniversary of Congress granting consumers the right to one free credit report per year. You can get yours at AnnualCreditReport.com. Anyone else, including and especially FreeCreditReport, run by none other than credit reporting company Experian, asking for money, is a ripoff.
"Don't Fall For FreeCreditReport.Com" [The Red Tape Chronicles]
(Thanks to AcilletaM!)


text:
Currently viewing the tag: "long"
Colour & Light Box
by Misha on 24 February, 2013 · in UnRuley News, UnButtoned, UnStrung
Taking pictures of our articles just got a lot easier. And faster! Thanks to the spiffy light weight light box Ben bought last month. The cube is a soft white foldable material, very useful in small, confined craft spaces (hello! That would be me/us).
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December 20, 2019
- in Podcast
Scripture: Acts 12
Named after the founder of the class, Dr. L. Nelson Bell. Dr. Bell was a medical missionary to China, founder of Christianity today, and father of Ruth Bell Graham.
Taught by nationally recognized and respected Bible teacher Dr. John Akers, the class presents weekly Bible lessons based on the International Sunday School Bible Lesson Calendar. Lessons are taught once a week in advance of the schedule in order to help Sunday school teachers in their weekly preparation.


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Robotic function packages for entertainment, music
ABB Robotics in collaboration with Andy Flessas (aka andyRobot) of Las Vegas announced the availability of RoboScreen function packages starting in Q2 2013. The RoboScreens will be available in a range of sizes from diagonal screen dimensions of approximately 26 inches to 13.5 feet, and feature robot models from the IRB 120, ABB's smallest 6-axis robot, to the IRB 7600, ABB's largest model. Custom RoboScreens will also be available. The function packages include Autodesk Maya-based plug-ins to ABB's RobotStudio software, co-developed by Flessas and the ABB global software team. The Robot Animator PowerPac for RobotStudio can control standard ABB Robots, and the RoboScreen PowerPac is specifically applicable to RoboScreens. RobotStudio is ABB's simulation and offline programming software, and Maya is a 3D computer graphics software used to create interactive applications, including video games, animated film and visual effects. With the PowerPac plug-ins the software merges the features and benefits of a graphic simulation tool with application programming software, creating a fully simulated robotic motion program that can be downloaded directly to robot system to control the robots.
A custom designed mixing board similar to those used in live concert and stage productions will be available as an option to the RoboScreen function packages. The innovative system will merge with a Core Interface Module, creating a paradigm shift in the control and programming of robots in entertainment applications. The mixing board will allow entertainment industry personnel to control robots with equipment in which they are familiar, without needing formal robot programming experience; providing an integrated means to intuitively synchronize the robots with other stage or set elements such as lighting, sound, camera control and the movement of other props.
ABB Robotics
– Edited by CFE Media. See more on machine control.


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Don't Underestimate the Importance of a Curated Wine List
Over at the Amex OPEN Forum, Maggie writes about creating a thoughtful restaurant wine list. It seems obvious to say it, but the best way for restaurants to encourage customers to order wine with their meals is to make sure the wine complements the food. Check out the article and tell us what you think.


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Four Reasons haircare originated from Finland and is one of the fastest growing ranges in Scandinavia and now, you can buy it in the UK. When I first saw this hair care range I was in love with the cuteness – the packaging is fabulous. Fun but sleek too – I like!
Do you like? Four Reasons splits it's vast range up quite clearly so you can pick what is suitable for your hair (Volume, Colour Care, REpair, Clarifying etc). I was sent some samples to try – I was sent the Repair Shampoo and Repair Mist (a leave in conditioner) and two of the styling products….
The shampoo is great for parched hair like mine. However it does contain SLS – whilst my scalp can tolerate it to an extent, I find that day 2 it's itching a lot more than if I use a SLS free shampoo. So whilst my hair felt softer and stronger after using this shampoo, the SLS element makes it not too suitable for me. If you don't have a problem with SLS then it's a good try. To me it has a sort of non offensive floral smell.
The repair mist is surprisingly good – I used that and a small amount of hair cream and it seemed to contain my frizz bomb moments. Unless you have fine hair, I doubt this would be the only conditioner or leave in product you'd use – but I found it was a nice smoother nonetheless.
Now – something quite interesting! The Silver Mist is a product for blondes or people who get brassy hair. I get brassy hair from the highlights I have which I will tone down say once a week with a purple shampoo. Silver Mist is a leave in conditioner that you spray in – it's quite interesting because it means that you can perhaps skip the purple shampoo (which isn't great for my scalp).
The mist is a light purple colour. I tried using it on my hair and what I'd say is that the result isn't immediate. I noticed on my highlights it went from brassy, to a bit more orange, then the next time I used it, finally more ashy. So, whilst it must be different for everyone, it took a few uses for this to get the desired less orange look.
I didn't notice any conditioning properties though – even so I think it's a really handy product to have if you get brassy hair. (Use it on WET hair, the blow dry).
View the Four Reasons range here. Prices are reasonable (£8.95 for the shampoo and mist) and you can pay by Paypal.


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North Elba town Supervisor Roby Politi took his daughter on a drive up the Whiteface Mountain Veterans Memorial Highway recently and he wasn't pleased with what he saw.
Politi said it wasn't the views from the top of the 4,867-foot peak that bothered him; it was the road itself.
"It's deteriorating," he said. "They aren't taking care of it, and it's a state treasure."
The 5-mile stretch of highway, which opened to the public in 1935, was dedicated to World War I veterans by President Franklin D. Roosevelt. It was later rededicated to veterans of all wars by Gov. Mario Cuomo, and it was added to the National Register of Historic Places in 2008.
In 2010, a coalition of stakeholders - including the state Olympic Regional Development Authority, the town of Wilmington, Essex County, the state Department of Transportation and Adirondack Architectural Heritage - came together to spearhead improvements to the highway and other infrastructure on the mountain's summit, including the Castle and the Round House.
The News reported at the time that about $6.3 million would be needed to complete the improvements.
ORDA spokesman Jon Lundin said he hasn't heard from that coalition since it formed, but he noted that ORDA, which operates the highway, has been trying to make improvements.
"We've been working on what were the most damaged portions of the road," he said. "We set aside $200,000 from a NY Works grant for stone work at the castle."
Lundin said funds have also been reserved for repaving and re-grading, and ORDA has already spent about $120,000 to repave, re-grade and fix retaining walls at the Lake Placid Turn, a popular scenic overlook about two-thirds of the way up the highway where visitors can take in views of Lake Placid.
ORDA has also used a $334,000 grant from the state Office of Parks, Recreation and Historic Preservation "to offset the costs of road work and making sure the highway has been enjoyable for our passengers."
ORDA collects tolls at the beginning of the highway: $10 for one driver and a vehicle, $6 for each additional passenger and $6 for a cyclist. Lundin said those tolls don't come close to bringing in enough revenue for a complete overhaul of the highway, which he said would be in excess of $5 million.
Lundin said the state would need to take the lead on the project, and Politi agreed.
"ORDA collects the toll, but it's not ORDA's responsibility," Politi said. "They can't generate enough money from tolls to pay for the repaving of that road. The state of New York should get up there and take a look at it. They own it, and they need to look at it.
"You just can't let roads go; you can't let things fall apart."
Wilmington town Supervisor Randy Preston said ORDA's budget has been cut repeatedly and it can only afford "band-aid" fixes.
"I don't expect ORDA to be able to do it," he said. "I know (Gov. Andrew) Cuomo loves to vacation here. I'm sure if he saw it firsthand, he'd want to do something about it, too."
Politi said visitors to the highway are "so impressed with the place.
"I think if the governor went up there, he'd also be so impressed with what he has, and yet disappointed," he said.
Politi brought his concerns to the Essex County Board of Supervisors last week. He said he hopes that discussion will bring more attention to the issue.
Lundin said the highway is difficult to maintain because of the harsh conditions it's subjected to during the winter, but he added that in its current condition, it is safe for motorists and cyclists.
"If you're going down that road at 15 or 20 miles per hour, which you should be, it's not dangerous to the vehicle or the passengers," he said.


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Mueller's Mission: Rid the World Order of Trump
We've got Alan Dershowitz saying he's never heard of this. He's never heard of this kind of stuff before! Dershowitz... Grab sound bite No. 8. Actually, grab No. 7. Let's have Corsi first, Jerome Corsi. I can't believe that this whole investigation now circles around -- and again, I have to be very, very careful. I don't mean this to be insulting.
But this whole thing now circles around Mike Flynn and Jerome Corsi and maybe Roger Stone? Where are the Russians in this organization? Where are the Russians in this collusion? They aren't there. Anyway, here's Corsi. He was on with Tucker Carlson last night, and Carlson said, "You're saying that Mueller's people were intimidating you to get you to do what? What did they want you to do that you refused to do?"
CORSI: The key thing was that they wanted me to be the key link between... It was gonna be Roger Stone to me to Julian Assange and then they've had all their collusion together. It would be Roger Stone to Steve Bannon to Donald Trump and coordination with Assange. Except I figured out, on my own, that Assange had Podesta's emails. I never met Assange, I've never talked to Assange or emailed him, and I had no contact with anyone who is in touch with Assange. And the prosecutors refuse to believe this. So it led to grilling after grilling after grilling.
RUSH: Corsi says they want him to say that he is a link to Assange and that, therefore, this linkage from Stone to Bannon to Trump and Corsi in the middle here with Assange being the central figure and the Podesta emails, that's what Mueller is attempting to get witnesses to cop to. Corsi is saying he's not gonna cop to it, and Corsi says (paraphrased), "I wanted to go back and amend my previous testimony 'cause I know they're looking at process crimes.
"I wanted to make sure that I was not telling something untrue and they wouldn't let me change it." So they had Professor Dershowitz to comment on this on Fox News last night after Corsi, and Carlson says, "If Jerome Corsi claims that he's allowed to amend his testimony and then being threatened with prosecution for lying using the first unamended transcript of the testimony, does this pass the smell test with you, Professor?"
DERSHOWITZ: In 55 years of practicing criminal law, I have never heard or read of any case where a person was allowed to amend his testimony, and then corrected it, and was then threatened with indictment for the unamended original alleged lie. That just seems utterly unprecedented, if those facts are correct.
RUSH: So let me unpack this just to make sure that you know what Corsi is saying and what Dershowitz says he's never heard of. Corsi originally testifies to X, Y, and Z. Then Corsi wants to amend that and says, "I'm sorry. The first stuff I said wasn't quite true. I've had a refreshed memory or whatever," and he wants to amend X, Y, and Z to A, B, and C. Mueller says, "Well, okay. I'm gonna prosecute you for lying to me on X, Y, and Z!" Corsi's saying, "No, no, no! I'm correcting that. I'm fixing that.
"I'm coming to you and telling you that I've had a memory recollection, and X, Y, and Z is now A, B, and C." Mueller says, "Screw you! I don't care if it is. I'm still charging you with lyin' to me on X, Y, and Z." Dershowitz says he's never heard of that happening. He's never heard of a prosecutor going back and charging somebody with lying to them after the person has made the corrections and the amendments in what was said. It doesn't surprise me! I think there's a lot of stuff happening here that hasn't happened before.
I'm talking about tactics, prosecutorial tactics.
I think there's a bunch of stuff going on here that, in the world of practicing lawyers, may be unprecedented. 'Cause I think this thing has one purpose and one purpose only, and that is get rid of Donald Trump, however. If it's impeachment, if it's creating public demand that he go, if it's destroying his reputation, whatever, it's get rid of Donald Trump. The reason I bring this up is because I was having a chat back and forth last night with some people, Victor Davis Hanson among them. It's amazing -- outside of the daily narrative in Washington -- what actually is happening.
Let's take a look at this. Let's try put some of this in a proper perspective or context. We talked about Paris earlier. Paris is burning. People in Paris are livid over what they may or may not understand as communism, slash, liberalism. They are livid over the fact that they finally now know what dealing with climate change means. It means $7-a-gallon gasoline and higher. You have to ignore the media in all this. Trump owned the G20. Trump owned it! I don't care what kind of little nattering nabob news stories there were, he owned the G20.
Europe is in trouble overall. Every one of Trump's European critics is failing or discredited. Look at Macron and France. His economy is in shambles. He had to acquiesce to protesters and promise not to raise the gasoline tax for six months. Macron's polling data, his positives are 25 points lower than Trump's. Theresa May, U.K. Now, remember, Europe is utopia. Europe is our guiding light. Europe is our example to follow. Europe is where there is total sophistication, there is total understanding, there is total correctness. Europe should be our model.
Well, France is burning, Paris is burning, Macron is in shambles, Theresa May's weakness has screwed up Brexit. Her government's teetering and tottering here on the thinnest of margins. Because everybody in Great Britain doesn't want to get out of Brexit so they're trying to confuse it. They're trying to deny the express will of the British people by making the exit from Brexit such that Britain will be left standing alone with no allies. They're purposely trying to sabotage it. And the people of the United Kingdom want no part of it.
Angela Merkel. She's on the way out. She's alienated the Brits on Brexit. She's alienated us on NATO and making side deals with the Russians on a gas line. Eastern Europeans are mad at her on immigration because she screwed that up for every European country. Southern Europeans are mad at her because of the German situation with finance.
All of these people are on their way out, except for Macron. May may not make it, Macron is in deep trouble; Merkel is on her way out. And look at what Trump has been right on. He was right on all of these people being delinquent with their NATO contributions. He was right on this phony Paris climate change accord thing. He was right on the Iran deal. He was right on ISIS. He's been right on what's going on the Middle East. He's right on getting tough in China.
And the Europeans are dead wrong on all these things, and yet Europe is utopia, Europe is where we ought to be aiming for, Europe is the way we want to be. And Trump is outflanking every one of these European leaders that has spent time after time criticizing him. And what's the result of all this? Well, I'll tell you what the result is, and it has them so ticked off, I can't categorize it for you. The U.S. economy, defense, the energy sector, American foreign policy is in the strongest position vis-a-vis Europe in modern memory.
And nobody wants to notice because it's Trump that's done it. Nobody wants to notice because it's Europe. Europe should be showing us the way. Europe should be teaching us. Europe and the ChiComs on infrastructure. We should be following the ChiComs on infrastructure and Europe on immigration and transportation. They love Europe 'cause they love trains. Trains are really civilized, you know, trains are really sophisticated. Orient express and all this stuff, maybe a couple murders now and then, but still it's really cool to travel around on train. Plus it's saving the planet.
It's astounding the success all of these seasoned political professionals, all of these entrenched leaders in Europe and including the ChiComs, all supposedly gonna embarrass Donald Trump 'cause Trump, he's like a bull in a china shop. He doesn't know what he's doing, he doesn't understand policy, he's not very smart, he doesn't read, he doesn't portray any of the characteristics of an intelligent, educated person. And yet he's running rings around every one of his European critics.
They're barely hanging on or their big cities are burning or they're trying to defy the will of the people as in U.K. and Brexit. And in the midst of all this, those European leaders are hoisted on pedestals, and they are praised as great sophisticates, great intellectuals, great examples of the kind of global bipartisan leadership needed. And Trump is castigated as an imbecile who has no business being where he is or doing what he's doing.
See, the United States is not supposed to be outperforming any of these other European countries. We're supposed to be joining them. We're supposed to be downsizing. See, Obama had it right. We're supposed to be deemphasizing the United States in exchange for joining the global community. And Trump is saying the heck with that. I'm gonna Make America Great Again and the rest of these people ought to be making their countries great again. And if everybody did that, then everything would be great.
One man, one man against an entire class structure, which is largely what this is about, class, meaning Trump's from the lower class, middle class, lower class kind of mentality versus these elites and their super, hypereducation. They're much, much higher on the human scale. They're better people. Trump is just an embarrassment yet he's making fools out of all of them in their areas of expertise, policy. It's kind of like the same thing with the Never Trumpers. The Never Trump conservatives. They supposedly have devoted their lives to much of what Donald Trump is making happen, and they hate him, and they're opposing him. It doesn't make any sense.
Maybe they haven't really meant all of this. They really oppose what they believe happening, being implemented, because Trump is the guy doing it? Maybe they realize that Trump is demonstrating they're not really that necessary, that maybe you don't need to be subscribing to all these Never Trumper websites to learn what conservatism is. A guy who never even uses the word is doing more conservatism than any of these people have combined! It's amazing to look at this dispassionately and away from the daily soap opera narrative of the Drive-By Media.
This article originally appeared on Rush Limbaugh


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The Larger Hope: The First Century of the Universalist Church in America, 1770-1870
Unitarian Universalist Association, 1979 - Universalism - 1009 pages
Includes photocopies of the unedited versions of Miller's two-volume history of the Universalist Church in America (published in 1979 and 1985), together with a photocopy of the last version of volume one edited by Carl Seaburg. Also includes negatives of photos used in the volumes.
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This second and final volume of Miller's exhaustive history of Universalism continues the story of the Universalist Church up to its merger with the Unitarians in 1961. In the first volume ( LJ 12/1 ... Read full review
Organizing and Uniting a Denomination
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BURLEY, Idaho — Pacific Ethanol plants in Burley, Boardman, Ore., and Stockton, Calif., have started making ethanol for the first time utilizing beet-derived sugar.
New storage and handling infrastructure was installed at all three facilities to accommodate the refined beet sugar, which Amalgamated Sugar Co. forfeited to the federal government in lieu of repayment on temporary loans through the USDA's Commodity Credit Corporation.
In late November, Amalgamated began shipments to Pacific Ethanol that will total roughly 125,000 tons of forfeited carryover sugar from the 2012 crop — equal to production from 27,000 acres, and about 15 percent of Amalgamated's sugar output for the year.
Low sugar prices have led U.S. sugar companies to forfeit a combined 382,000 tons of sugar from a 9-million-ton 2012 U.S. crop. Most of the forfeitures will be used for making ethanol, according to Jack Roney, American Sugar Alliance director of economic and policy analysis. Roney said the industry hasn't experienced widespread forfeitures since 2000. Only a small, experimental amount was used then for making ethanol in Minnesota and North Dakota plants.
"What we're seeing now is really the first time any significant volumes of sugar, both beet and sugar cane, are going to ethanol," Roney said.
Snake River Sugar Co-op Chairman Duane Grant said Amalgamated takes out low-interest, nine-month loans through the USDA program, using sugar as collateral, on behalf of its growers so they aren't forced to sell sugar at harvest to repay bills. Sugar prices have dropped by 60 percent in the past 18 months, enticing companies to simply forfeit some of the sugar used as collateral rather than repaying the loan rate of 24.09 cents per pound.
Grant and Roney attribute the depressed market to Mexican growers dumping low-priced sugar on the U.S.
"The fact that there are forfeitures taking place all across the U.S. to the CCC just demonstrates that sugar prices are extremely depressed and the government has been ineffective in its efforts to manage the sugar supply as directed by Congress," Grant said.
Paul Koehler, vice president for Pacific Ethanol, said throughout the next nine months his company will blend up to 15 percent finished sugar in with its corn-based ethanol feedstock.
"Sugar is the easiest thing to make ethanol out of," Koehler said, adding corn requires the addition of enzymes to convert starches into sugar. "It fits really conveniently. It's a good solution for USDA, for sugar producers and for ethanol producers."
Koehler said the new infrastructure could prove useful in the event of future sugar forfeitures. He said his company and Amalgamated have also been discussing options for making ethanol from byproducts of sugar processing.
While Roney would welcome any new markets for byproducts, he sees little future for beet sugar in ethanol production, outside of emergencies. He noted the government has received just 4-6 cents per pound for sugar sold for making ethanol.
Looking forward, Amalgamated's 2013 crop set yield records at better than 36 tons per acre, but Grant expects the crop will produce "about our normal amount of sugar" because the high tonnage was offset by low sugar content, averaging just 15.9 percent.


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Opening and Amplifying in Accordance 10
Accordance has always offered two distinct ways to access any resource. You can simply open it, in which case you'll get a new window showing the beginning of that resource; or you can amplify to it. Before you can amplify to a resource, you must first select a word or verse reference you want to look up in that resource. For example, if I select a word like "Heaven" in a Bible text, and then amplify to an English Bible dictionary, that dictionary will automatically open to the first article which mentions heaven. As I said, Accordance has always let you choose between simply opening a resource or amplifying to it. How you do each of those things has changed somewhat over the years.
Way back when we first introduced tools such as commentaries and dictionaries in Accordance 2.0, you opened such resources by opening a new tool window from the File menu. To amplify, you could choose the resource you wanted from the Amplify menu or the Amplify palette. The Amplify palette was a vertical palette with buttons representing each kind of resource. You selected the text you wanted to look up, then chose the resource you wanted from one of those pop-up menu buttons.
The Amplify palette could only be used to amplify a selection. If you chose a resource from that palette without first selecting some text to look up, you would get an error message. We soon found, however, that users wanted to be able to open a specific resource from the Amplify palette, and they were frustrated that they couldn't.
In version 3 or 4, we added another palette called the New Window palette that could be used to open resources without having to amplify to them. This palette was horizontally oriented and contained most of the same buttons as the Amplify palette. By having two separate palettes, we kept the open and amplify functions clearly separate, but we also doubled the number of buttons, and people would sometimes get confused as to which palette to use.
In version 6, we overhauled the interface to adapt to OS X's new look and feel, and we reduced clutter by combining the functions of the New Window and Amplify palettes. Here's a rather fuzzy pair of screenshots from an old article I wrote about those changes.
Note how the New Window and Amplify palettes (left) were replaced with a single Resource palette (right). If you selected some text to look up before choosing a resource from the palette, Accordance would amplify to that resource and search for your selected text. If you did not have any text selected to look up, the resource you chose from the Resource palette would simply be opened. If you ever wanted to override the selection and just open a resource, you could hold down the Control key on your keyboard or right-click.
In general, this was a great improvement, but the double function of the Resource palette did confuse some users. If you had text selected and didn't know it, you could try to open a resource from the Resource palette and be surprised to find that it had performed a search you didn't intend. Over the years we made improvements to try to alleviate this kind of confusion, but ultimately, we recognized the need to separate the open and amplify functions once again.
Accordance 10 therefore clearly distinguishes opening from amplifying, while avoiding undue clutter or duplicating interface elements. If you locate a resource in your library, you can always open it by double clicking its name or book cover. If you have text selected, you can also click the Amplify button which appears when you hover over that resource. This way, even when you have a selection, you can always choose between opening and amplifying.
Likewise, you can use the Toolbar to open and amplify. Selecting a resource from the New item will open it. Selecting a resource from the Amplify icon will search it for the currently selected text. You can also use the Amplify menu of the menu bar.
By making resources accessible through the Toolbar and Library, we've eliminated the need for the Resource palette altogether. Even though the Amplify/Resource palette has been a central feature of the Accordance interface since the very beginning, I've been pleasantly surprised at how few long-time users have complained about its removal. Most of you have quickly adjusted to these new ways of accessing resources, and we hope the clear distinction between opening and amplifying is making Accordance much easier and more enjoyable to use.
Archived Comments
Mark Nigro
I've had no trouble adjusting to the new ways we open and amplify to/from texts and resources in v.10. The change is perfect! And for the infrequent occasion that I might want to open or amplify without my 'Library' pane open, I've got the 'New' and 'Amplify' icons in a custom toolbar. Couldn't be happier!
Kevin Soars
Thank you David for another very clear and helpful teaching. I know that it must involve quite some time and work for you but I do look forward to more of your teachings to help me (and others) to get more and more used to Accordance 10.


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I'm trying to build a app that uses Facebook SDK for Android 3.0. But when I'm trying to call
It just simply gives me a SessionState with CLOSED_LOGIN_FAILED, and LogCat is:
12-16 00:03:40.510: W/fb4a:fb:OrcaServiceQueue(4105): com.facebook.orca.protocol.base.ApiException: remote_app_id does not match stored id
I have searched StackOverflow with "remote_app_id" and the results are the "Bundle ID" in iOS, but I don't know what does the "remote_app_id" means in Android. I have already set the package name and the activity name in my Facebook app settings. I have no idea of the reason of the error.


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Most action videogames give you some set of superhuman powers — jump like a rabbit on meth, absorb more bullets than a Kevlar vest, etc. — then let you run wild. Quantum Conundrum flips the script: Your character is as normal and powerless as can be, a small child who can barely jump a foot off the ground and doesn't even have the leverage to pick up a kitchen chair.
What you can do is change the world around you. Quantum Conundrum, released on Thursday for PC (reviewed) and coming later to Xbox 360 and PlayStation 3, is a puzzle-platforming game that asks you to switch between different "dimensions," each of which changes the physical properties of the world around you. The "fluffy" and "heavy" dimensions make everything lighter or heavier, the slow-motion dimension makes the world move at a 10th the speed and the reverse-gravity dimension causes things to float up instead of fall down. By using combinations of these simple switcheroos in thoughtful and unexpected ways, you can solve seemingly impossible puzzles even with your utter lack of physical prowess.
Quantum Conundrum is the next brainchild of Kim Swift, lead designer of the breakout hit puzzle game Portal. It's easy to draw surface comparisons between the two: They're both first-person puzzle games based around altering the laws of physics, both with a humorous disembodied voice guiding you through the process (in this case, it's your mad-scientist uncle, whose crazy mansion you're currently trapped in).
But in playing Conundrum it's clear that there's a significant difference. Portal was largely about the ah-ha moment: The instant when the seemingly impossible puzzle suddenly makes sense. Once you had the key insight, executing on the plan wasn't especially difficult.
It seemed to me, playing through it, that Conundrum was more about execution than insight. It wasn't that tough to figure out what to do, since there were only four possible dimensions to flip through. Combining them together simultaneously isn't an option, although the tougher puzzles involved stringing them in a row — pick up a chair in the fluffy dimension, throw it, switch to slow-motion, jump on top of it, and ride it across a gap, to name a simple example.
Conundrum's challenge seemed to stem more from actually doing these things — riding objects while carefully avoiding obstacles, manipulating gravity to make things go where you want them to, etc. You can be a smart aleck, but you also have to be in possession of some good gamer reflexes to get through the challenges.
Then again, I got multiple desperate emails from other writers who were hopelessly without insight on puzzles that I skimmed through. So your experience may vary.
Quantum Conundrum is a joy to play for many reasons. The puzzles are cleverly designed so that even once you think you have a handle on how the dimensions work, they introduce new wrinkles that you might not have considered. The design and writing are very Saturday-morning cartoon — bright and earnest, appropriate for gamers of all ages with just a touch of black humor here and there.
If it has a flaw, it's that it doesn't quite tackle the thorny problem of first-person 3-D platforming very well. It's difficult to jump and land on a small object in 3-D space. Most first-person games assiduously avoid making the player do that, but many of Quantum Conundrum's puzzles are based around precision jumps onto things that are below your field of view. Most of my deaths resulted from not being able to pinpoint where I would land. A forgiving checkpoint system and fast restarts mean that this doesn't really become a frustration, just a noticeable imperfection.
Quantum Conundrum's rabbit hole doesn't go too deep. I was done in a little under 6 hours, and the game's final challenges didn't put that different of a spin on the dimensional flipping. There may only be so much one can do, design-wise, with this quartet of reality shifts. It is still, though, a novel and original concept, executed cleanly and with style — in short, the ideal to which videogames should aspire.
WIRED Clever, original concept, surprising puzzle designs.
TIRED 3-D platforming, thinner puzzles at game's end.
$15, Square Enix
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Bureaucrat exploring the intersection of Technology,Society and Soul. Government 2.0 Advocate, Open Gov believer, Open Source enthusiast, Father, Husband. *** A Knowledge sharing initivative. Opinions are personal ********
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How To Buy A Softball Bat
No matter the softball league you play in, buying a bat is a personal decision. New technology has delivered bats
that not only enhance performance but also are tailored to an individual player's strengths. It is essential that you
select a bat that fits your unique body configuration and skill level--height, weight, and hitting strength.
Understanding Bat Materials
The world of bats now offers a large variety of choices in materials. These can be broken into two primary
categories--aluminum and Graphite/Titanium lined. Virtually no
softball bats are made of wood any longer. Each provides its own unique characteristics.
Graphite/Titanium lined
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Determine What Bat Fits Your Body
There are some standard rules of thumb in selecting the appropriate bat length. The charts below offer some
guidelines based on age and weight and height:
Using your age as a guide, use the chart below to determine the bat length that fits your body.
Height and weight
Determining the Right Bat Weight
Understanding Bat Technology
Bat technology may seem a little confusing but it's not rocket-science. There are three essential elements to a
bat: barrel size,bat taper and grip.
Barrel size
Bat taper