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Santa Monica, Calif. – For 16 years, Bob Dylan has been in the public's mind, and for most of that time, he hasn't paid much attention to what the public thinks of him.
ldquo;He had a sublime indifference to what people thought," said John Hammond, who signed Dylan to Columbia Records in 1960. "I found him an irreverent son-of-a-bitch who was going to change the face of the music business. He had a marvelously cynical view of what was happening in America."
Dylan, who grew up in Hibbing before finding fame in New York's Greenwich Village, never has done anything conventionally.
He became a folk singer to play electric music. Then he recorded a country album in Nashville. Then he recorded an album of other writers' songs.
Next Dylan wrote an off-beat poetry book. He acted in a Sam Peckinpah movie. And he toured the world with a group he had played with 10 years earlier.
Then, on his next album, the protest singer sang about crumbling relationships. He led a minstrel-like troupe of pop stars and unknown musicians, and last year he made a ragged, prime-time television special of that tour.
Although Dylan's work has always been in the public eye, he has always been reclusive. His records have never arrived at periodic or even predictable intervals, and his touring schedule has been erratic. He would surface for a benefit for starving people in Bangladesh or controversial convict Rubin "Hurricane" Carter, then disappear for months.
It seemed that no matter what he did, Bob Dylan always fueled the mystique that has made him a near-mythical figure.
Dylan, though, has never worried about his public image or even his record sales. He has never been concerned about being a commercial artist or a famous person.
Now, the 36-year-old singer-songwriter is concerned because he has undertaken perhaps his most daring and ambitious project. He has produced, directed, starred in and paid for a four-hour, feature film called "Renaldo & Clara." And Dylan is concerned about recovering the reported $1.25 million he has invested in the highly personal and indulgent film.
Furthermore, he has shunned the conventional film industry distributing networks – which could have given Dylan considerable money – in favor of a distributing outfit set up by his younger brother, David Zimmerman, and other music business promoters in Minneapolis.
To cut advertising costs, Dylan, who has granted only one formal interview (to TV Guide before his television special last year) in the last nine years, has conducted a press conference and several interviews to promote "Renaldo & Clara," which opened to inauspicious reviews last week in New York and Los Angeles.
The movie was shot during Dylan's minstrel-like Rolling Thunder Revue tour in 1975-76. Although "Renaldo & Clara" contains 47 songs and a great deal of concert footage, it is essentially an autobiography in which Dylan deals with the myths and realities of his life.
He stars as Renaldo and his former wife, Sara Dylan, plays Clara. Other featured performers are Joan Baez, Ronee Blakely, Allen Ginsburg, David Blue and other members of the Rolling Thunder Revue.
The movie will open here Feb. 17 at the Varsity Theater.
Dylan is a man of few words. He says he is not "articulate in being able to explain things" but that his work speaks for itself.
Untalkative subjects are disconcerting enough to interview. But that was compounded even further because Dylan's oral expressions tend to be on more of a philosophical than a literal level.
Although he sometimes didn't directly answer questions, he seemed sharp and perceptive. After we were introduced, he immediately recognized that I had been backstage at a Minneapolis concert four months earlier, at which he and I weren't even introduced.
In his Santa Monica rehearsal hall, there were no sunglasses to hide his steel blue eyes. At times, especially when I asked a question or he was just finishing his answer, he would stare deeply into my eyes as if he were looking into my mind. His presence was undeniably powerful.
Often he would pause in mid-sentence and gaze off into space. He would seem to be contemplating something. But then he would stop speaking and wait for a reaction or another question.
At times, he would speak very slowly with long, contemplative pauses between words. At other times, he would complete his sentences seemingly without contemplation.
There was intensity to his style, just as there has always been to his singing. His conversation was as transfixing as his performance onstage.
At times, Dylan's manner and some of his answers made him seem distant. But, he made small talk about things back in Minnesota and, in the end, a certain warmth and unreluctant friendliness surfaced. Above all, the Marlboro-smoking, curly-haired guy in the white coveralls came across as a thinker, an observer, a man with a special vision.
Here are some excerpts from that conversation.
Q The film was supposed to open this week in New York, Los Angeles and Minneapolis, but the Minneapolis theater operators would not book the film until they saw how it did in New York and L.A. Did their attitude surprise you? Did you expect reluctance from movie operators?
A No. No. I had no expectations.
Q Some people thought you might want to open the film in Minneapolis because haven't performed there since 1965.
A No. That's out of my hands – where I play.
Q Do you feel bad or guilty about not having played in Minneapolis in so long?
A No. No, you can't play everywhere. We might get there this year.
Q You lived the first half of your life in Minnesota. What does Minnesota mean to you?
A That's where I feel rooted, you know. I feel more familiar with the landscape, the people and the … earth, I think… I feel more at home there.
Q Do you get back very often?
A Yeah. Yeah, about every year I'll make it. I make it necessary to do that.
strong>Q I've always felt that the energy and rhythm of a performer's work often reflects the energy and rhythm of that person's environment. You've live in Minnesota, New York and now L.A. Do you think that applies to your work?
A I feel Minnesota more than I feel New York or L.A…. My work reflects the thoughts I had as a little kid that have become superdeveloped.
strong>Q Do you understand them better now?
A No. No, I understand them less than I ever did understand. Environment doesn't seem to affect what I do very much.
strong>Q What moved you to make "Renaldo & Clara"? Has it been with you a while?
A Yeah. The concept of the dream filtering into daily life, you know. It was the movie I hoped to make before I made any other movie.
Q Earlier you said your TV special last year, "Hard Rain," was made just for your audience. Do you feel that the film is just for your audience?
A Yeah. At this point in time, I don't know how large or small that audience is. I haven't been on the road for a while. I feel it's for people who are lined up with my particular kind of music and my particular kind of feeling. That's who it's for. A lot of people don't like Picasso or a lot of people don't like Ernest Hemingway or Proust. It's not for everybody as my thing isn't for everybody. There's no reason why it should be.
Q The movie doesn't really answer the question "who is Bob Dylan?" It just further fuels the mystique.
A There is no answer to who Bob Dylan is. It's a misleading question…Well, Socrates said, 'Know thyself.' We spend a lifetime finding that out. But the names don't necessarily mean something. We are underneath the name what we really are. Back there where the soul is, is who we really are…And like Woody Guthrie said, 'We're all one soul, anyhow.' So, it doesn't matter.
Q Does your work give that answer?
A Yeah. The whole stream of my work probably adds up to who Bob Dylan is.
Q When you create or write, do you do it for yourself or others? Is it basically self-expression or is it meant to be shared?
A I write for myself first…It's meant to be projected. Shared…That's something only God would know.
Q You said earlier that it doesn't matter to you how your audience interprets your work. Do you think some people have blown your work out of proportion?
A Yeah. Yeah, but not in any abominable way.
Q At various points in the movie, you come to grips with the portrayal of Bob Dylan as God, Bob Dylan the prophet of his generation.
A We're dealing with that subject like every man has to deal with that subject. Every man carries that around with him. It's not necessarily God. It's the concept of the all-purpose savior. The extension of God. What we're dealing with in the film is not God so much, bu the evidence of God.
Q Would it bother you if people didn't accept your work?
A Well…I'm out there pretty far…because of an audience and crowd that seems to accept it. Now, I'm there performing as a servant. The work comes through me. I perform it. It never actually occurred to me that it's actually me that's doing it. I'm a vehicle to express it.
Q When did you discover that there was this higher force?
A I learned that from Woody Guthrie… well…when you take a look at the things he's done, it occurs that only he himself couldn't be responsible for it. It's the life force that's coming from somewhere. This indescribable place.
Q Is there any underlying philosophy to what you are trying to do with your life and work?
A Yeah. Search for beauty.
Q Do you feel people are getting that message? Do you need that feedback to know?
A You can usually look into people's eyes.
Q You can't do that when an album comes out.
A An album for me isn't anything more than a collection of songs that I've written at a particular time. Songs I've written at a particular time. Songs I've written to be sung from the stage…not to go into a studio and make an album that has any type of message to send to people. It's just a collection of songs. It's always been that way for me. I don't take those things too seriously. I just put out one album after another…Songs aren't any good really unless they can be sung on stage. They're meant to be sung to people, not to microphones in a recording studio. You don't really get the full impact of it in the recording studio.
Q Is that why you have been so spontaneous in the studio?
A No…because I'm so impatient. I don't like hanging around studios. I'm not a technical wizard. I'm not interested in that aspect of the current recording, which the Beatles started with that Sgt. Pepper thing.
Q Do you keep up with pop music?
A Not really. All I really listen to is the music I've always listened to…country white blues or country black blues.
Q Many of your songs over the years have dealt with obligations to loved ones. How do you think your recent divorce will affect your work and life?
A Just because you're divorced doesn't mean you don't love…the person you're divorced from. It really doesn't affect that. Divorce is just a game of the material world. It doesn't really affect the reality of love one way or the other to me.
Q Do the songs still come easily?
A Some do, some don't.
Q You said earlier that you're concerned with maintaining the fire while recording a song in the studio. When you're onstage performance an old song, like say, "Blowin' in the Wind," the spark has to be different than the one that ws there when you created the song. Can you get a hold on how that has evolved?
A Yeah…easily. I can't explain. I've heard people say I don't write any stuff like I used to. Well, I don't know exactly what that means…because I've written so much different kind of stuff. Well, I don't write anything like I used to. Well, so what. I wrote those songs and they're still good. They are not like cars which you change the model every year. They are one of a kind and one of a kind only.
Q What do you consider your strengths and weaknesses?
A Well, my weaknesses are impatience…and over-anxiety. My strengths are determination and a sense of responsibility…integrity.
Q Are you happy?
A Now that we've finished the movie? Yeah. I was really happy we finished the movie.
Q No, in general?
A I don't look at life if I'm happy or not. I don't deal with it on those terms.
Q How do you deal with it?
A I deal with the moment.
Q How do you think you want to be remembered?
A I don't even know if I want to be remembered. If I do want to be remembered, it's a question of who. The people who have been inspired.
Q Have people done that to you?
A Yeah. People have done it to me. I'd like to do it. It's the only reward in this line of work…if someone carries it farther.


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Acute malaria (medical condition): A parasitic disease transmitted through mosquito bites....more »
See also:
»Introduction: Malaria
»Symptoms of Malaria
»Tests for Malaria
»Treatments for Malaria
These medical condition or symptom topics may be relevant to medical information for Acute malaria:
Acute malaria is listed as a "rare disease" by the Office of
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»Introduction: Malaria
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Acute malaria: Acute malaria is listed as a type of (or associated with) the following medical conditions in our database:
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text: Finally hauled all the tools I need to build 2 ships to PLANET Pluto (Yep, I am one of TH0SE astronomers) and THEN some under the truck. Getting up and down to the ground is a major thing for me. Nudder story. Going to replace the center support bearing and its associated u-joint. Done this(tried) Friday and realized I wouldn't get it before sundown and stopped. Resumed Sunday afternoon and it is the first u-joint in my life I didn't get OUT, let alone replaced in 15 minutes or less,


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The N.C. Rural Economic Development Center said Wednesday it will conduct a �timely, aggressive, and responsive� review of its grants after reporting in The News & Observer raised questions about how taxpayer money has been handled by the nonprofit organization.
The Rural Center�s board chairwoman, Valeria Lee, wrote in a letter to board members Wednesday that she would appoint an eight-person committee to address �the concerns of board members and the public� by July 31 about how the center awards, monitors and reports on its grants.
The committee will be headed by former state Rep. Carolyn Justice, a Pender County Republican who did not seek re-election last year.
The rest of the committee will be composed of members of the Rural Center board.
Attempts to reach officials at the center were unsuccessful after the announcement, which was made at the close of business Wednesday.
Lee wrote that the special panel will hire accountants to �determine compliance of grants� and will produce a report to document findings and recommendations. The full 50-person Rural Center board will meet in late July to �determine next steps and changes that might be considered as we move forward.�
Lee said the center is treating concerns seriously and wants to preserve the center�s integrity.
An N&O series, published Saturday and Sunday, found that the center broke its own rules on multiple occasions in awarding grants. The reports also detailed inconsistencies in claims of job creation by the center�s leaders as well as political influence surrounding some grants.
Some center leaders, including longtime president Billy Ray Hall, have described the N&O reports as inaccurate, expressing concern that they unfairly painted the organization�s overall work based on a small sample of grants.
The Rural Center says it has awarded more than $375 million in grants tied to job creation since 2004. It claims the creation of as many as 32,000 jobs from 2004 to 2012.


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Irish Stew. Generous chunks of seared beef cooked slowly with herbs, carrots, onions and potatoes in a hearty broth. Cup: $6 Bowl: $7
Lobster & Sweet Corn Chowder.Fresh sweet corn, carrots, onions, celery, potatoes, bacon and delicious lobster in spicy creamy chowder. Cup: $6 Bowl: $8
Kilkenny's Potato Soup. The house favorite! A creamy blend of potatoes, leeks, carrots, and onions. Cup: $4 Bowl: $5
Charleston Chowder. A classic blend of potatoes, onions, bacon, and fresh water clams in creamy chowder. Cup: $5 Bowl: $6
Kilkenny's House Salad. Dinner salad with mixed greens, tomatoes, red onion, and croutons and choice of dressing or Traditional Caesar Salad. $5
St. Canice Spinach Salad.Fresh crisp spinach topped with red onion rings, hard boiled eggs and croutons. $6
Blackbog Chicken Cobb Salad. Crisp lettuce, bacon, avocados, black olives, tomatoes, eggs, onions, red peppers, cheddar cheese and your choice of grilled, blackened, fried or buffaloed chicken. $9
Castlefield Curried Chicken Salad. Tender chicken and curry salad on a bed of mixed greens, Roma tomatoes, sliced red onions and toasted almonds. $8
Half Sandwich.Your choice of half a Reuben, RLT, Curried Chicken Salad, Turkey and Swiss or Ham and Pimento sandwich.
Side Salad.Your choice of House Salad or Caesar Salad. For Spinach Salad add: $1
Cup of Soup. Your choice of Potato Soup or Clam Chowder. For Irish Stew or Lobster Chowder add: $1
Butter Slip Burger. A half pound of fresh ground beef cooked juicy and served on a grilled Kaiser roll. 1/4 lb. hamburger: $8 1/2 lb. hamburger: $11
Meat: American bacon, Rasher. $1 Cheese: Irish cheddar, Swiss, American, Blue cheese, Pepper Jack, Cream Cheese. $1 Vegetables: Grilled onion, jalapeño, or mushrooms. $1
Curried Chicken Salad.Tender chicken and curry salad served on marbled rye. $8
Kilkenny's Wrap. A choice of our St. Stephen's, Caesar or Spinach salads served with chicken, shrimp or salmon and choice of dressing wrapped in a flour tortilla. $10
Ryelanes Reuben. Thick sliced corned beef with sauerkraut and Swiss cheese, grilled on marble rye with choice of 1000 Island or English mustard cream sauce. $12
High Street Ham and Pimiento Sandwich. Smoked deli ham topped with Pimiento cheese, lettuce, tomato, and onion on toasted wheat bread. $9
The"RLT. Irish bacon (rasher), crisp lettuce and Roma tomato on grilled marbled rye with mayonnaise. $9
High Street Ham and Pimiento Sandwich.Smoked deli ham topped with Pimiento cheese, lettuce, tomato, and onion on toasted wheat bread. $9
King's River Fish and Chips. Beer battered Icelandic Cod fried golden, served with crisp potato wedges and tangy tartar sauce. $9
Fettuccine O'Fredo.Fettuccine pasta with creamy O'Fredo sauce and choice of grilled or blackened chicken, shrimp or salmon. $10
Guinness BBQ Baby Back Ribs. A half rack of our tender, fall off the bone baby back ribs, served with fresh sautéed vegetables and choice of one side. $11
Coolgrange Grilled Chicken Breast. Chicken breast grilled or blackened, served on rice pilaf with choice of Orange marmalade, Irish whiskey mushroom or Stone fruit salsa. Served with fresh sautéed vegetables and choice of one side item. $10
Spinach Tortellini. Half moon shaped spinach pasta filled with a creamy blend of cheeses, choice of grilled or blackened chicken, shrimp or salmon. $11
Thomastown Tenders. Five chicken tenders, fried golden and served with Irish chips. $9
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|product name: Sulwhasoo Perfecting Cushion Brightening (#No.21 Medium Pink) (15x2g) (#No.21 Medium Pink)
|item no.: 108223314008
|brand: Sulwhasoo
|function: ConcealingHydratingBrightening
|category: Liquid Foundation
|product size: 15x2 g
|country of origin: Korea
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Mesa mā´sə [key], city (1990 pop. 288,091), Maricopa co., S central Ariz., in the irrigated Salt River valley; inc. 1883. Electronic components, fabricated metals, aircraft, and machine tools are among its various manufactures. One of the fastest-growing U.S. cities, Mesa's population has more than doubled since 1980. Tourism is important, and the citrus and farm products of the area are packed and processed in Mesa. The Mormons who founded the city in 1878 used old Native American irrigation canals for farming in the Salt River valley. In Mesa are the Mesa Art Center, a Mormon temple, and the chief agricultural experiment farm of the Univ. of Arizona. The Chicago Cubs baseball team also has a spring training camp there.
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
See more Encyclopedia articles on: U.S. Political Geography


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Release Details
WASHINGTON, D.C. - Today, the U.S. Consumer Product Safety Commission (CPSC) joined three child safety organizations at New York-Presbyterian/Morgan Stanley Children's Hospital to release "Safe Sleep for Babies," a new crib safety video aimed at helping all new parents avoid suffocation, strangulation and entrapment risks in the sleep environment. CPSC also is announcing three new recalls of dangerous drop-side cribs.
CPSC is collaborating with the American Academy of Pediatrics (AAP), Keeping Babies Safe (KBS), New York-Presbyterian/Morgan Stanley Children's Hospital, and renowned journalist and mom Joan Lunden to educate new and expectant parents and caregivers on crib safety while they are at the hospital or visiting their pediatrician's office. The video demonstrates how to keep babies safe and sound in cribs, bassinets and play yards.
"Nurses will not allow newborn babies to leave the hospital without parents having a safe car seat. I also believe that we need to make sure that new parents provide a safe crib, bassinet or play yard for their babies to sleep in," said CPSC Chairman Inez Tenenbaum. "By reaching new parents before they leave the hospital and again when they visit their pediatrician or health clinic, we hope to prevent deaths and ensure that all babies have a safe sleep."
This education effort is part of CPSC's Safe Sleep Initiative, a multi-pronged effort aimed at reducing deaths and injuries associated with unsafe sleep environments. In addition to this education effort, CPSC's Safe Sleep Initiative includes the development of new crib standards, warnings about drop-side cribs, sleep positioners, and infant slings, and the recall of millions of cribs in the past five years.
CPSC is aware of about 30 crib deaths and hundreds of injuries. Cribs are a leading cause of nursery product-related deaths. About one-third of the deaths result from structural failures of the crib from loose, missing, or detached hardware. The majority of deaths in cribs are attributed to the presence of extra bedding in the crib, such as pillows and comforters.
Moderated by Joan Lunden, CPSC will distribute this "Safe Sleep" video online and through its network of about 100 hospitals nationwide.
"By spearheading a comprehensive training program for health professionals on safe sleep practices and distributing the video to hospitals nationwide we will help educate new parents before they leave the hospital," said Joyce Davis, President of Keeping Babies Safe. "Also the video will be available at www.keepingbabiessafe.org"
"Annually we care for thousands of babies by ensuring their health and safety from the day they are born," said Dr. Herbert Pardes, President and CEO of New York-Presbyterian Hospital. "I want to thank CPSC, KBS and AAP for leading this important effort to equip parents with the information they need to provide their babies with a safe sleep." New York-Presbyterian/Morgan Stanley Children's Hospital plans to make the video available to all families as part of their parent education programs, and provide copies to hospitals in the New York-Presbyterian Hospital Healthcare System.
"The AAP is proud to have a long history of activism on Safe Sleep issues. For decades, the AAP has been involved in the development of safety standards for cribs and bassinets, warnings about unsafe crib accessories and bumpers, and helpful practices to keep babies secure," says AAP President O. Marion Burton, MD, FAAP. "The National Safe Sleep Education Campaign gives us a new avenue for educating new and expecting parent." AAP will promote the video to its 60,000 members and will feature it on AAP's parents-focused website, www.healthychildren.org, where it will be available for download.
"There is no greater concern for a parent than our children's safety," said Joan Lunden. "I am honored to be working with the CPSC, the AAP, and Keeping Babies Safe to bring this information to parents across America."
In order to create a safe sleep environment for your baby, the video urges parents and caregivers to follow these crib safety tips below:
- Place infants to sleep on their backs
- Use a firm, tight-fitting mattress
- Never use extra padding, blankets or pillows under baby
- Remove pillows or thick comforters
- Do not use positioning devices – they are not necessary and can be deadly
- Regularly check cribs for loose, missing or broken parts or slats
- Do not try to fix a broken crib
- Place cribs or playpens away from windows and window covering cords to avoid fall and strangulation hazards
- Place baby monitor cords away from cribs or playpens to avoid strangulation
Today, CPSC also announced three new drop-side crib recalls. Go to: www.cpsc.gov
Important Message from CPSC: CPSC reminds parents not to use any crib with missing, broken or loose parts. Make sure to tighten hardware from time to time to keep the crib sturdy. When using a drop-side crib, parents should check to make sure the drop side or any other moving part operates smoothly. Always check all sides and corners of the crib for parts separating that can create a gap and entrap a child. In addition, do not try to repair any side of the crib. Babies have died in cribs where repairs were attempted by caregivers. Crib age is a factor in safety. At a minimum, CPSC staff recommends that you not use a crib that is older than 10 years. Many older cribs may not meet current voluntary standards and can have a variety of safety problems. Check if your crib has been recalled at www.cpsc.gov
Visit CPSC's Crib Information Center for more information on Crib Safety and Recalls.
The U.S. Consumer Product Safety Commission is charged with protecting the public from unreasonable risks of injury or death associated with the use of thousands of types of consumer products under the agency's jurisdiction. Deaths, injuries, and property damage from consumer product incidents cost the nation more than $1 trillion annually. CPSC is committed to protecting consumers and families from products that pose a fire, electrical, chemical or mechanical hazard. CPSC's work to help ensure the safety of consumer products - such as toys, cribs, power tools, cigarette lighters and household chemicals -– contributed to a decline in the rate of deaths and injuries associated with consumer products over the past 40 years.
Federal law bars any person from selling products subject to a publicly-announced voluntary recall by a manufacturer or a mandatory recall ordered by the Commission.
To report a dangerous product or a product-related injury go online to www.SaferProducts.gov or call CPSC's Hotline at 800-638-2772 or teletypewriter at 301-595-7054 for the hearing impaired. Consumers can obtain news release and recall information at www.cpsc.gov, on Twitter @USCPSC or by subscribing to CPSC's free e-mail newsletters.
Please use the below phone number for all media requests.
Phone: (301) 504-7908
Spanish: (301) 504-7800


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CUERO, Texas — Phylis Canion lived in Africa for four years. She's been a hunter all her life and has the mounted heads of a zebra and other exotic animals in her house to prove it.
But the roadkill she found last month outside her ranch was a new one even for her, worth putting in a freezer hidden from curious onlookers: Canion believes she may have the head of the mythical, bloodsucking chupacabra.
"It is one ugly creature," Canion said, holding the head of the mammal, which has big ears, large fanged teeth and grayish-blue, mostly hairless skin.
Canion and some of her neighbors discovered the 40-pound (18-kilogram) bodies of three of the animals over four days in July outside her ranch in Cuero, 80 miles (128 kilometers) southeast of San Antonio. Canion said she saved the head of the one she found so she can get to get to the bottom of its ancestry through DNA testing and then mount it for posterity.
She suspects, as have many rural denizens over the years, that a chupacabra may have killed as many as 26 of her chickens in the past couple of years.
"I've seen a lot of nasty stuff. I've never seen anything like this," she said.
What tipped Canion to the possibility that this was no ugly coyote, but perhaps the vampirelike beast, is that the chickens weren't eaten or carried off — all the blood was drained from them, she said.
Chupacabra means "goat sucker" in Spanish, and it is said to have originated in Latin America, specifically Puerto Rico and Mexico.
Canion thinks recent heavy rains ran them right out of their dens.
"I think it could have wolf in it," Canion said. "It has to be a cross between two or three different things."
She said the finding has captured the imagination of locals, just like purported sightings of Bigfoot or the Loch Ness Monster have elsewhere.
"I'm not going to tell you that's not a chupacabra. I just think in my opinion a chupacabra is a dog," said Schaar, who has seen Canion's find.
The "chupacabras" could have all been part of a mutated litter of dogs, or they may be a new kind of mutt, he said.
As for the bloodsucking, Schaar said that this particular canine may simply have a preference for blood, letting its prey bleed out and licking it up.
Chupacabra or not, the discovery has spawned a local and international craze. Canion has started selling T-shirts that read: "2007, The Summer of the Chupacabra, Cuero, Texas," accompanied by a caricature of the creature. The $5 shirts have gone all over the world, including Japan, Australia and Brunei. Schaar also said he has one.
"If everyone has a fun time with it, we'll keep doing it," she said. "It's good for Cuero."
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