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Our Best-Selling Spray Gun!
The Finishline® FLG-4 gun has been improved to spray and perform like no other gun in its class. Gun features high-grade stainless steel parts and a blue anodized finish for easy cleaning. Smooth comfortable trigger operation and lightweight design. Lay down beautiful finishes without breaking the bank.
FLG-670 Finish Gun Kit includes: 1-liter aluminum cup, air-adjusting valve, and 1.3, 1.5 & 1.8 mm tips for automotive finishes and primers. When using with waterborne material, we recommend DeKUPS™ disposable cup system. Requires air compressor hookup of 13 cfm @ 10 psi.
4-1/2" wide, 13" high, 8" deep.
Low overspray - Save up to 50% on materials.
WARNING - A respirator is required for use with this equipment (not included). See your safety supplier for proper protection.
First FLG-4 received leaked air at air cap when pressurized. Returned spray gun to TP for replacement. Replacement gun worked fine. Primer sprayed very well through 1.8 nozzle. A good gun for the price.
Just a fair gun I expected a littl better quality
Awesome gunWould recommend anyone to buyit
Sprayed one time with it and it sprayed very well. Take some time to get used to it as to which tip works best under paint/conditions. Watch which filter you use in the cup as I had problems with flow
Auto painting
I bought two, because I need one mask for dust and one for paint. I don't have to switch filters which is time consuming. I just switch masks.
The mask doesn't filter the fumes completely, it may be to small for my face which is probably my fault for ordering the wrong mask.
fits good, reasonably priced.
Just painted a Farmall tractor and this provided a great safety measure.
This thing is terrific. I do finish carpenty and have mixed small quantities of paint many times and wondered what to do with it when diverted for hours or even a day. I can keep this mix for quite a while. Gun is sooooo easy to clean out too. Takes tons of rags and thinner and time to clean pots but no more.
Ease of use
Great product
Great Awesome
Very useful instead of trying to prop gun up somehow. Very inexpensive.
Provides you with extra hand you need when you are mixing and loading your spray gun.
Good air flow
First let me say I have been happy with TP and still order a lot from them, but these fitting's will not stand up to heavy use, I spent $150 switching my whole shop over and the couplers repeatedly fail from daily use, they may be OK for hobbiest but not everyday, just threw them all in the trash and went back to Milton after a year of frustration.
We get much more flow for our Sprayer. Seems to be a great product.
I replaced all the connections on my hose leading to my Ingersol Rand 1/2 impact and the improvement was unbelievable. So I ordered more ends to change all my tools and hoses over to high flow. I am very happy!


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Search the Community
Showing results for tags 'fue hairline restoration transplant surgery'.
Found 1 result
FUE hair transplant restoration surgery of 2,895 hair grafts into the frontal area on Norwood 3 hair loss pattern with frontal balding and receding hairline on Italian/Middle Eastern man by Dr. Diep during 14 months follow up. 2,895 Hair Grafts Break Down: One hair grafts= 601 roots Two hair grafts= 1,389 roots Three hair grafts= 715 roots Four hair grafts= 190 roots Total hair grafts= 2,895 roots To view this client in more detail, please click on the following Youtube link:

subset: commoncrawl


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.....The COUPON FAIRY
~Hear all about the deals you can score right here in Clark County~
Thursday, June 10, 2010
Albertsons Doubles/Twice the Value Policy
It looks like Albertsons is implementing a new policy for it's "Twice the Value" or Doublers coupons. The new rule states only using 3 SETS of doubler coupons per shopping trip. And they are designating a shopping trip as going out to the car and coming back in. So you would be able to do 3 sets of doublers by putting the divider bar in between your 3 separate orders. Then purchasing and go out to your vehicle to drop them off. Then you could come back in and use 3 more sets in a a row. I think this is very generous of all our local Albertsons, so make sure and THANK them when you are using your doublers.
Thanks Fistful of Coupons!
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Welcome To Save 4X Times (SX4), For Mail And Printable Coupons, Canadian Online Flyers, Stores Flyers, Deals, Promotions, Canadian Contests, Sweepstakes & Free Stuff
Save money on grocery and purshaces and get the hottest deals of Canadian Stores with our 654 online flyers / circulars, mail coupons and printable discount coupons, canadian contests, sweepstakes, free samples & stuff and recipes in Canada !
Find here all Canadian Online Flyers, Stores Flyers, Deals and Promotions of Canadian Stores And Canadian coupons by checking our website.
In browsing our website you will have to reach these circulars online to find the best deals to match with your coupons when buying your products in these stores across Canada.
So Save Four Times More by browsing the Save X4 website ( SX4.CA ). 😉
SX4.CA is the website to visit before you go shopping to find flyers, deals, contests and canadian coupons !Edit


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A trekking holiday with Amazing Authentic Treks & Expedition is very much
a social occasion. A day never goes by without sharing a laugh
with your friendly Nepal trek crew, meeting other trekkers, or
lively conversations with the rest of the group at meal times.
On the trek we get up at daylight, laze in the sunshine after leisurely lunches, and enjoy a relaxed pace of life. Rest stops simply happen – perhaps because of a tempting teahouse at the top of a long hill, or to watch some grazing yaks. We are never in a rush, which means there's always plenty of time to relax and enjoy the many facets of Himalayan life that surrounds you. New and fascinating cultures, friendly and hospitable people, the word's greatest mountain range- it's a complete and totally absorbing experience.
Amazing Authentic Treks use spacious tents that you can stand up in – two people to a tent that can easily hold three. We provide high quality down – filled sleeping bags and two thick sleeping mats for a comfortable night's rest, however better to have and bring your own sleeping bag. A dining tent, complete with table and chairs and a toilet tent are set up at reach campsite. It's your job to do the walking and take the photographs – while our trek staff take care of all the camp duties and portage.


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This Heritage tour brings you through the architectural brilliance of Singapore's past and present as we visit colonial and cultural districts like, Chinatown, Geylang Serari Malay Village, Little India and many more.
Our programmes are crafted to maximise student learning, conducted by highly experienced facilitators who have undergone extensive training. Our programmes promote cultural immersion, with easy walking tours that are designed to reveal Singapore's personality and history.


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About Us
Imago Dei...
Helps agencies, organizations, and projects working to relieve
the plight of the broken people of Namibia:
To better organize themselves
To gain credibility
To attract financial resources
And meet the needs of the people of means and corporate citizens:
To simplify the process of contributing
To give them peace of mind that their contributions are spent effectively towards the causes they elect to support.
"Helping one person might not change the whole world, but it could change the world for one person"
To make a meaningful contribution to mending brokenness and restoring human dignity for the broken people of Namibia.
Dignity : Restoring human dignity in people.
Equality : Helping all people whatever their, colour, religion, age or gender.
Love : Loving and caring for people and serving them with respect and compassion.
Passion : Believing in what we do and doing it with enthusiasm and commitment.
Integrity : Being transparent, accountable, honest and ethical in everything we do.
Relationships : Building and managing relationships and synergistically promoting partnerships, collaboration and cooperation for the common purpose to help and assist projects and increasing their capacity and ability to serve the Community of Need.


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Retro Vintage Danish Farstrup Design & Tan Leather Lounge Chair Armchair 60s 70s
Laminated bent ply, genuine tan leather, brown fabric sling. H:80cm Seat H:35cm W:62cm D:74cm. Beautiful armchair in bentwood and genuine leather. Good quality, made by Farstrup Mobler, Denmark. We reserve the right to re-list the item/s if terms are not adhered to. Collection & Viewing: Collection can be made from our Bristol warehouse and viewings can be arranged by appointment only. Please accept by purchasing vintage items, this means that most items will show some signs of age related wear and previous use, anything beyond this will be detailed or pictured in our listings. We can assure you that every items condition will be described to the best of our teams ability. The item "Retro Vintage Danish Farstrup Design & Tan Leather Lounge Chair Armchair 60s 70s" is in sale since Wednesday, November 7, 2018.
This item is in the category "Home, Furniture & DIY\Furniture\Chairs". The seller is "modernistiks" and is located in Bristol. This item can be shipped worldwide.
- Custom Bundle: No
- Non-Domestic Product: No
- Modified Item: No
- Type: Office Chair
- Style: Modern
- Material: Leather


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File Manager helps you manage all your files efficiently! With an intuitive interface, File Manager allows you to handle any file or folder whether they are stored in your device, microSD card, or cloud storage accounts. With File Manager you can easily copy, move, rename, delete, find, share, explore, compress, and otherwise organize all of your files on any of your storages. More storage options, also with Clouds: Supports multiple cloud storage accounts such as Dropbox and Google Drive, all from a single app. Also explore your external storages like microSD cards and USB OTG drives (if supported). Save disk space by compressing files: Compress files to save space on your storage and extract compressed files in Zip, RAR, Tar, Tar.gz, Tgz, Tar.bz2, and Tbz formats. Applications manager: Manage and back up your installed Android apps and games, share them with friends, or free up some memory by uninstalling old software. Your smart file explorer: Search, open, rename, move
Downloads: 4,468+ (for Android)Report app for spam or abuse!
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This tool is for hacking Facebook accounts! It works really well! You can prank you friends with it!


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See our Magnum Photos gallery on the English countryside.
June, Dan,
Isn't wondering who's gonna bone whom basically the only reason people watch soap operas at all? Or, really, the reason we keep tabs on our single friends' lives? Bone speculation makes the world a far more entertaining place.
A few loose odds and ends noted by our commenters:
When Matthew experiences what we have assumed to be nether-stirrings, he is in the midst of being wheeled around by Bates. Why, at this particular moment, would the heir to Downton suddenly be hit with a jolt of erotic desire? Dan, I know you've hazarded a guess that Matthew is fantasizing about that photo of the real-life Bates holding a puppy, which is totally plausible. But perhaps Matthew's recovery was more about a twitching calf muscle than a twitching love muscle?
While meeting with Lord Grantham, P. Gordon swipes a finger ever so fleetingly across his upper lip. Grantham is startled and demands to know where Gordon picked up the gesture, but Gordon pleads ignorance. Was this some sort of Skull and Bones secret signal? A Crawley family shibboleth? If it's the real Patrick, why would he pretend not to understand its significance? If it's an impostor, is he making a threat—letting Grantham know he has insider knowledge? Or are we meant to believe this was indeed Patrick, that the amnesia has blotted out his conscious memory of the finger-lip tic, and that his doing it now was simply an innocent, vestigial reflex?
I'm still angry at Sir Richard for how he's treating Mary, but I've taken solace in this thought: If Sir Dick gets his comeuppance, it might well involve some extremely caustic zingers from the dowager countess. Perhaps even a few admonitory shakes of her cane. I very much look forward to this possibility.
Wondering how Lady Sybil's hip is doing these days,


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Outside group files briefs in Mississippi Senate dispute
McDaniel seeks to overturn loss to Cochran
An Alabama group is filing legal arguments to support Chris McDaniel as he tries to overturn his Republican primary loss to Mississippi Sen. Thad Cochran.
The Mississippi Supreme Court granted permission Monday for Conservative Action Fund to file briefs. Justices say the group may participate in oral arguments Oct. 2, but only if it uses some time allotted to McDaniel.
The group's chairman, Shaun McCutcheon, has sent several emails since July calling Cochran's June 24 primary victory "illegitimate" and asking people to contribute money to Conservative Action Fund to support McDaniel.
However, the group does not show up on the Federal Election Commission website as either a direct contributor to the McDaniel campaign or an independent group spending money to promote him.
Cochran says he won the GOP nomination fairly.


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The KeraClub links patients, researchers and clinicians on the topic of keratoconus.
KeraClub, a community event for patients with keratoconus and their friends and family was co-hosted by Save Sight Institute, The University of Sydney and Keratoconus Australia at the Sydney Eye Hospital on 24th October 2019. This annual event brought together over 40 patients with keratoconus, clinicians and researchers.
The event was chaired by Ms Michelle Urquhart, an internationally lauded violinist who has keratoconus. The speakers included Professor Stephanie Watson, Dr Jim Kokkinakis, and patients with keratoconus, Ms Joy Alleyne and Ms Ana Sandoval.
Ms Michelle Urquhart speaking at the KeraClub 2019
Ms Joy Alleyne kicked off the evening with a rendering of her personal experience with keratoconus. She recounted her shock when she was diagnosed in her youth, and the difficult, yet worthwhile adjustment to living with contact lenses. She wore piggyback lenses (hard contact lenses over soft contact lenses), which proved "hard at the beginning but the vision with contact lenses is so good, there is no other way to compare it. With contact lenses, you have hand-eye coordination, peripheral vision, and depth perception." Additionally, she found wearing the lenses prevented her from rubbing her eyes. However, alongside their merits, the lenses came with a share of inconveniences: they were easy to lose, burdensome to clean, and finding an optometrist with experience in keratoconus management was a challenge. After sharing a wealth of experience with keratoconus and contact lenses, she advised, "Don't let keratoconus define you, you decide what you are going to be. There are times when things are difficult. I once hailed a truck instead of a bus by accident! You just have to do what you can to get around"
Joy's talk was followed by a presentation from Professor Stephanie Watson, the head of the Corneal Research group at the Save Sight Institute, a corneal surgeon and an innovator. Prof Watson detailed recent research, clinical care and current teaching activities conducted by her team at Save Sight Institute, an institute of The University of Sydney.
She acknowledged the contribution of Keratoconus Australia and its president Mr Larry Kornhauser as "a great source of support for keratoconus research and the KeraClub event since it started."
Professor Stephanie Watson speaking at the KeraClub 2019
In presenting her research on keratoconus, Prof Watson showcased a recent finding from her team. They found that younger people and those with more advanced keratoconus have the greatest risk of changes in the steepest part of their cornea. Dr Alex Ferdi, a PhD student in Prof Watson's research group, pointed to the importance of this work in helping clinicians decide who requires corneal cross-linking.
Prof Watson also reported on the progress the Save Sight Keratoconus Registry. This registry tracks outcomes of keratoconus using the real-world clinical data in over 2,600 patients. With sites in Australia, New Zealand and Europe, there is now data from over 23,000 patient visits. Clinicians receive benchmarking reports comparing the condition of their patients with other users of the registry. The registry system generates graphs 'on the fly,' which help monitor visual acuity, corneal shape and keratoconus treatments. Patients, too, benefit from the registry, as the graphs aptly illustrate their individual keratoconus journey.
Patient-reported outcomes are collected using the 'Keratoconus Outcomes Research Questionnaire' developed by Professor Konrad Pesudovs. Dr Himal Kandel's project found that this is a valid tool to measure the quality-of-life impact in keratoconus and the benefits of keratoconus treatment methods.
Prof Watson was pleased to announce the launch of the new "Optometry module" for the Save Sight Keratoconus Registry. This module developed with Dr Laura Downie, School of Optometry, The University of Melbourne, will track the continuity of care from ophthalmologists and optometrists for keratoconus patients, including contact lenses.
"Improving outcomes of people with keratoconus can't be done alone," said Prof Watson. "Collaborations within Australia and abroad for basic science, clinical and translational research and collaborations with registry users and stakeholders including patients with keratoconus and Keratoconus Australia, are all needed to deliver research that matters."
The insightful talk from Prof Watson was followed by an informative presentation from Dr Jim Kokkinakis. Dr Kokkinakis has over 30 years of experience of managing keratoconus patients with various types of contact lenses. He is an optometrist at The Eye Practice, Sydney, and an adjunct senior lecturer at the School of Optometry and Vision Science at the University of New South Wales. "Managing contact lens in 'extreme' conditions'" was a key topic on this year's event.
Dr Jim Kokkinakis speaking at the KeraClub 2019
Dr Kokkinakis highlighted that every keratoconus patient is unique: they have their own clinical profile, challenges, and expectations. He discussed common misconceptions, providing reassurance that people with keratoconus could do most things in contact lenses… aside from climbing Mt Everest! In addition to the broad range of capabilities, however, he underscored the risks of swimming or showering in contact lenses, rinsing contact lenses in tap water and sleeping in contact lenses.
Ms Michelle Urquhart shared her experience with scleral lenses. After undergoing corneal graft surgery, she now wears scleral lenses very comfortably.
"It's brightened up my life. I'm driving at night-time again; touring; playing music, reading all those tiny little dots on the page. I now feel I am a very fortunate person." – Michelle Urquhart
The final speaker, Ms Ana Sandoval, flew from Melbourne to Sydney for the event to share her experiences and meet other people who have lived with keratoconus over different phases of their lives. She stressed the emotional toll of living with keratoconus, stating, "I knew absolutely no one with keratoconus… and it felt so lonely… When I wore my first contact lenses, I felt I was missing out on so much… the leaves, flowers and every little detail."
Ana recently underwent cross-linking in both eyes. She affirmed that despite the pain and discomfort during the treatment, stabilising her keratoconus was worthwhile.
Panel Discussion at KeraClub 2019
The talks were followed by a panel discussion where participants actively engaged in discussions. The questions related to keratoconus risk factors, seeking appropriate services and managing keratoconus.
For the first time, the KeraClub was broadcast live this year making it accessible to the people who couldn't physically attend the event. The approach allowed us to have participants from Australia and abroad. Please visit our SoundCloud page to find this year's recordings.
Participants found the event advantageous, as it provided a forum to 'interact with people with up-to-date information on the latest advancements in keratoconus treatments and research developments."
Dr Himal Kandel, the Kornhauser Research Associate working at the Save Sight Keratoconus Registry, announced KeraClub as an established annual event, with next year's session being held early in 2020.
Dr Himal Kandel and Dr Alex Ferdi provided support for the educational segment of the meeting. Save Sight Institute staff, Janet Bunn and Becky Lim were of invaluable help during the informal social gathering.
Next year, KeraClub will be in its 5th Year. To ensure you don't miss out, click here to sign up for our newsletter now!


text: Posted on February 4, 1999November 5, 2017 by iang Barking up a dead tree A delicious combination of "Barking up the wrong tree" and "Flogging a dead horse". Idiom Mashup at its finest, courtesy of Simon Albon. Post navigationPrevious post: The best thing since sliced wheelsNext post: Resistance is fertile


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Dr. Shute's Class
Dr. Shute's 4th Grade Class
40 Book Challenge & Homework
Class Needs & Wants
Star Student!
CCSS Language Arts Grades 4
CCSS Math Grade 4
4th Grade Links & Resources
Intervention Strategies
Tens Club Word List
CCSS Writing Grade 4
CCSS Listening & Speaking Grade 4
Language Arts Resources - Island of the Blue Dolphins
CA Historical Figures
lease see the list below for Room 20 year-long needs & wants. Thank you for all your generous donations throughout the year:
100 page composition books (Walmart or Target)
Printer ink - HP 74 and HP 75
hypoallergenic baby wipes - large box
Neon colored copy paper
glue sticks (30)
fine tip black felt pens (30)
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I had 'gone dark' for a while, and it was good to be back in the world. I'd been in the studio for a very long time, largely cut off from social media, news, events, people, even the stream of life. I had profound realizations, and… read more
Latest Posts
Commissioned work – Abstract Painting "In Hiding" work in progress.
Here are a few photos of my latest work. It is a commissioned piece, a 16 x 16 gallery wrapped canvas prepped with many layers of white gesso to smooth out the canvas cross stitching, which gives me the ability to create a lot more detail.
Herald of a Golden Age – work in progress
HERALD OF A GOLDEN AGE BART BAIRD 2016 Here is Herald of a Golden Age work in progress pics.. … read more
Semblance of Autumn – work in progress
Semblance of Autumn was one of my most ambitious pieces. I spent a lot of time on this one, almost a mad obsession. I started with a somewhat calculated splattering of blue, and then the red, and finally the yellow. Working primary colors… read more
Harbinger – work in progress
Harbinger, one of my most viewed of my artworks, is also one of my personal favorites. Everything went smooth, and it was the first painting that I took a few photos of the work in progress. …the piece took several hours to produce. Like all my pieces, it took an enormous amount of work… read more
Backstory – part two
Part II His story as an artist began over forty-two years ago. It has culminated to this point where it has reached its most vivid, vital role and reaches deeper into the roots of his soul than ever before. He feels an extreme connection to what he does and feels that the universe works through… read more
Backstory – part one
Part I Bart is an abstract artist. His need to create is because of the need to bring something new into the world, that once did not exist, something that is now is a part of this world, tangible, full of color, intricacy, intrigue, beauty. And it is an extension of him. It… read more
Visual Psychotropics
I've named this series Visual Psychotropics. The definition: affecting mental activity, behavior, or perception, as a mood-altering drug. In this case, the art as a psychotropic. This process involves many stages. Over the years, it has become a carefully planned, meticulous process, involving two or three colors of different viscosities, acrylic, in this… read more


text: James Cameron is the Treasurer for the Brightpoint Health Board of Directors. A 30-year tenured healthcare and service human services executive, James currently serves as the CEO of Ridgewood Bushwick Senior Citizens Council, a community based organization in Brooklyn. This agency, with revenues of over $120 million per year, is a leader in the development and management of affordable housing, housing for the elderly, youth and education programs, and homeless prevention and empowerment services. It operates nine senior citizen centers and serves over 1500 home delivered meals a day. The organization also operates a Skilled Nursing Facility Home Care Company and Assisted Living Program. James, a retired Colonel of the US Army, serves on a number of other not-for-profit boards.


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Corporate earnings are heading for a fifth straight quarter of declines, dragged down mostly by energy companies' struggles with low oil prices and a tepid global economy that threatens to throttle sales growth in many industries.
US companies as varied as hamburger chain McDonald's Corp. and Honeywell International Inc., a maker of gas-processing equipment and cockpit controls, have slashed costs and bought back shares to help earnings. Amid a worldwide sales slog, European pay-TV operator Sky Plc and South Korea's Hyundai Heavy Industries Co. are crimping expenses to boost profit, Bloomberg reported.
John Carey, a Boston-based fund manager at Pioneer Investment Management Inc., calls it earnings engineering, and he's seen it before. Companies have grappled with a lackluster economy for several years as the US manufacturing recovery sputtered, the world economy slowed and oil prices fell to $50 a barrel from more than $100 in 2014.
"There hasn't been a lot of what you might call real, honest earnings growth through sales and business improvement and expansion of operations," said Carey, whose firm oversees about $240 billion of equities and fixed income worldwide. "They just keep digging deeper into the hat and finding hidden rabbits and new ways to generate earnings."
The global economy is forecast to expand 2.9% this year, according to the average estimates of economists surveyed by Bloomberg. That's the lowest rate since 2009, with the US, European Union, China and Mexico all expected to post slower growth this year from 2015.
With about two-thirds of Standard & Poor's 500 Index members having reported, earnings have declined 3.3% from a year earlier and sales have slumped 0.5%. Excluding results from energy companies, earnings have risen 1.1% and sales have gained 3%.
Wisdom Demands Caution
Asia and Europe have fared worse. With 294 companies on the MSCI AC Asia Pacific Index having announced results, earnings have plummeted 19%. In Europe, profits have dropped 14% with results in from almost two-thirds of companies on the Stoxx Europe 600 Index.
With the third quarter in full swing, there are reasons to remain cautious, said Mark Luschini, chief investment strategist at Janney Montgomery Scott LLC, which manages $54 billion. Operating profit margins for the S&P 500 fell below 12% for the first time since 2010 and may deteriorate further as wage pressure begins to kick in.
"There's been margin decay over the last couple of years, and I expect we're going to continue to see that more if we see hiring and wage gains occur," Luschini said. "That will only put further pressure on margins in the absence of top-line revenue growth."
In the second quarter, oil producer ConocoPhillips posted a loss of $1.1 billion, its fifth straight. Caterpillar Inc., the large maker of earth-moving equipment, lowered its forecast for 2016 sales and earnings for a second time after posting a 16% decline in second-quarter revenue.
Lapping Weakness
At the Sony Corp. earnings per share dropped 76% in the three months ended June on an 11% decline in sales. Profit at Mitsui OSK Lines Ltd., Japan's second-largest shipping company by market value, slumped 89%.
The earnings decline for S&P 500 companies probably hit bottom with the first quarter's 6.7% drop. Profits are expected to resume growth this quarter, although a big reason is that companies will lap profit weakness that began a year earlier, said Jill Carey Hall, a US equity strategist with Bank of America Corp.
For General Motors Co., Brexit "has put a strain" on the UK auto market. Coupled with the weaker pound, that could hurt revenue by $400 million in the second half of this year, Chief Financial Officer Charles Stevens said. At Ford Motor Co., CFO Bob Shanks said Brexit will cost his company about $200 million this year, rising to $400 million to $500 million in 2017.
UK broadcaster ITV Plc, known for the drama series "Downton Abbey," is aiming for cost savings of £25 million ($33 million) in 2017, including job cuts, as it prepares for what it described as uncertainties in the economic outlook following the country's vote to leave the EU.


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This is a great technique to learn so you can finish a painting in just one sitting. It also allows for better blending and softer edges, which will give your painting a more realistic feel. As discussed below, you'll want to pre-mix the colors you'll be using and really analyze your subject to determine lights and darks before you start. Choose a larger canvas size for your alla prima painting so you don't get hung up on tiny details. An 11" x 14" or 18" x 24" canvas will be fine.
Here are the topics we'll be discussing:
Key Points For Alla Prima Painting
Exercise Two: Look At Impressionist Paintings
Exercise Four: Paint Alla Prima
As we talked about before in Oil Painting Methods and Techniques, alla prima is Italian for "at once." Even though the name is Italian, this method of direct painting was made popular by the Dutch artist Frans Hals in the 16/17th centuries (he was born 1580 and died 1666). Alla prima painting involves completing a painting all in one sitting, or a few sittings, as long as your paint is still wet when you return to work on it (the technique is sometimes also called "wet-into-wet" in reference to the paint).
Key Points For Alla Prima Painting
While it's a really lovely way to paint, some thought must go into it before you start laying down colors. Oil paint will stay wet for a long time, allowing you to move things around and blend over several hours or sometimes even days, but that same quality can make things turn to mud—by mud I mean brown or neutral colors that you don't necessarily want—really quickly, so it's best to consider your painting first then paint it second. For example, if you are painting a face and think the general color of the face is yellow + white and you paint the whole thing that color, any color you add on top isn't going to be the color you want it to be since oil paints stay wet. If you add burnt sienna on top, you're not just adding burnt sienna—you're adding burnt sienna plus your yellow and white mixture. If you add purple, it won't be purple. Because the paint is wet and purple and yellow are opposite each other on the color wheel, the mixture will just make mud. In order to keep your paints from turning to mud, remember these points:
- Make sure the paint you're applying is thicker (fatter) than the wet color underneath.
- The thicker your paint, the lighter your touch should be. Pushing the brush too forcefully will blend the paint in with the layer underneath. Dropping it in with a light touch helps it stay on top rather than blending in with the paint under it.
- Don't fuss! Once you've laid in a brush stroke–just leave it. If you keep stroking it instead of leaving it alone, it causes your brush stroke to lose its definition. Once you've set down a stroke, leave it alone (unless it's wrong—then carefully scrape the paint off using a palette knife and try again).
You will premix your paints before you start painting so you have your colors at hand when you need them. Remember that to try and get every color exact is almost impossible—there are thousands and thousands of colors on any one thing at any given moment. Don't drive yourself mad trying to premix every single color exactly! Alla prima painting focuses primarily on three values—light, midtone, and shadow. Try to match those three tones to the object you're painting from. For example, if you were painting a blue vase, you would take a stab at mixing the right blue midtone using your palette knife or a brush. After you've mixed the color, pick up some of it with your knife or brush and hold it up to your blue vase. It's the right color when the brush seems to disappear into the background. If your color doesn't match yet, compare the color you've mixed to the color you're trying to replicate. What does your color need? Is it too warm or too cool? Does it need to be brighter or more neutral? Keep mixing until you get the right color. Remember your color theory! Once you get the right midtone color, you can add white to make it lighter and a dark neutral or the complementary color to get the shadow value.
Paint on a toned surface. Tone your canvas first with a neutral color like burnt umber or raw umber. Squeeze a little paint onto your palette and mix it with your solvent until it is runny. Brush this on to your canvas then use a rag to rub it in. If it's too light after you've done this, you can add more of your thinned out paint and do the process again.
Why a toned canvas? It's too hard to gauge tonal relationships when the surrounding color is as light as it gets. Same thing goes if the background is too dark.
Start painting dark to light. When you begin your painting, start painting in the shadow areas first. It's easier to lighten an area that's dark than it is to darken an area that's light. If you add white during the beginning stages, you'll never be able to get a nice, deep darkness.
Work large to small. Start with the most general areas first. If you're painting a portrait, don't start with the eye. Start with the general tones of the face. Squint your eyes to see shadows and light better and don't get hung up on details. That will come towards the very end of your painting. Start with your biggest brushes, then use your medium sized-brushes to refine smaller areas then at the very end, you can use small brushes. But still, try not to go too small. The point with alla prima is to be gestural and loose. Nothing is going to be a hard, exact line. You'd be amazed at the level of detail the human eye can perceive from a few, well-placed, broad strokes.
Watch this video of Zimou Tan painting alla prima and you'll see how he paints in the darks first, very broadly—then works continually smaller and smaller, lighter, and lighter until the portrait is complete.
Even though he's not working on a toned canvas, he does start to put in some color in the background relatively early on, before he starts any detail work. You can see he is using a fairly large brush (look at it in comparison to the size of the canvas). Notice how once he begins refining the portrait, the tones don't really change since he established them in the beginning of the painting. He's simply adding more paint and making his marks smaller and smaller as he goes along.
Side note:
PLEASE don't think you need to paint like this right away. I don't know Zimou Tan personally, but I'm sure he has been doing this for many, many, years. Some artists reach their peak at a young age while others take a lot of time to mature. Don't judge yourself too harshly. Remember what Michelangelo said on his deathbed: I am still learning. It's not a race, it's not a competition. Enjoy the process. If it were easy, everyone would be a master, but it's not. Keep doing it because you love it—that's exactly what made all the great masters great. Giotto tried and tried and tried to master perspective. He sort of got it. But his discovery led to other artists working at it and perfecting it.
Every stroke counts in alla prima. This sounds scary, but don't let it intimidate you. Just try to make your best guess with every daub of paint you lay down. The point here is to really, really look at what it is you're painting. You should ideally spend more time looking than you do painting. I like to think about this economy of brushstroke as the "lowest common denominator"—1/2 and 4/8 are equal but one expresses itself in 2 parts and the other in 8. The one in 2 parts is no less accurate than the one in 8 parts, it's just cut up into bigger pieces. Apply this to your painting and try to be accurate and economical with your brushstrokes.
Carefully consider your strokes and paint choices. You can always go back if you don't like something you've done, but try to get it as close to right on your first try.
The direction of your brushstrokes is also very important an can help to animate the painting. They imply movement and emphasize the gesture of your hand. Look at any van Gogh painting to see what I mean!
Remember that shadows are not black. Shadows are just areas where the light is being blocked. This does not mean they're black or brown. Shadows are cool colors, so make sure you have some cool tones on your palette before you start working. If your entire palette is warm, you'll have a tough time making things look dimensional.
Warm tones come forward, cool tones recede. Remember your color theory when working alla prima. Put some warm colors and some cool colors on your palette before you start working. If it helps you to remember which are which (sometimes it's confusing), consider putting your warms on one side of your palette and your cools on the other side.
Stand while you paint. This is so you can keep backing up and looking at both your subject and your painting to make sure you're getting things right. If you're sitting too close to your canvas, it's easy to get into sniggly little details instead of looking at the overall picture, so by the time you're done, you've got one really great looking grape while the rest of the cluster looks like it's floating in space—at an angle. Trust me, you need to be able to stand back to really notice the things that are happening in your work.
If you need to sit, use a hand mirror to look at your painting with your back facing the painting. This optically doubles the distance you're seeing your painting from. Back up enough so that you can see both your painting and the still life setup at the same time so you can analyze the differences between the two and see where you need to work on your painting.
Squint your eyes. Doing this will help you focus on major shapes and values instead of getting caught up in small details.
Edges are either hard or soft. When two contrasting shapes meet, they produce an edge that is either hard or soft. Make a note of which edges are which and try to match your brushstrokes to what you're seeing. This will add more visual interest and tension (don't worry, tension is a good thing) to your painting.
Add highlights last. Shadows and darkest elements first, then midtones, then once you're happy with those, proceed to your lighter colors. Highlights should be the very very last thing you add—once you're happy with everything else.
Exercise Two: Look At Impressionist Paintings
Open an art book with good reproductions of impressionistic painting and find one painting to study. Look at it up close so that it breaks down into a beautiful, abstract arrangement of colors. Now set up the book and step back from it—a remarkable illusion should occur. Those abstract swatches of color will arrange into a representational painting.
If you don't have access to art books (either at a book store or a library), you can look online. Try WikiArt.org and search for the term "impressionism".
Examples From Famous Painters
These two paintings, by artists 200 years apart, will show you the potential of alla prima painting. They are masters—inspiration to keep working on the technique!
Exercise Three: Watch A Video
Watch this 13-minute time-lapse video of a 2.5 hour session of alla prima:
Although David Jon Kassan is not starting with the darkest darks, he is leaving those areas blank as he identifies and paints midtone values. If he were to paint them with the same flesh tone he is using on the cheeks and forehead, he'd never be able to get them as dark as they are when he finally paints them in (I'm looking at under the nose, specifically). Sometimes—and I've done this plenty of times—while painting alla prima, it's easier to paint the parts you can identify clearly first. I know, I'm contradicting my earlier statement of "paint the darks first" but not entirely. Sometimes you'll identify the shadow first (e.g. "Oh, that's clearly cerulean with a touch of raw umber") so you'll paint that first. Other times, you may identify a midtone first—"that thigh area has a lot of green tones"—so you'll paint that first. Kind of how the guy in the video is skipping around his canvas—he's identifying and painting the colors he's seeing as he sees them. You don't have to start at the top of the head and work your way down. You can start by the left eye and move to the mouth then the neck then the right eyebrow—wherever you feel confident in the painting, go there. Don't neglect everything else though and don't get hung up on detail work. That's not what this is about.
Look at a close up of one of Frans Hals' pieces:
Can you see how loose his brushstrokes are? He's not going back and refining everything to be perfectly smooth and I think this is an important lesson. You can let people see your brushstrokes. They are as personal to you as your fingerprint.
Here's the actual painting:
(Historical note: This painting was looted by the Nazi party during WWII and retuned to its rightful owner in 1999. It along with 249 other paintings were absorbed into museum collections in the years between WWII and 1999 when they were finally given back.) http://news.bbc.co.uk/2/hi/europe/278106.stm
Here's another example by American painter George Bellows:
Loose brushwork. Now look at the whole painting:
Crazy, isn't it??
The most important thing about painting alla prima:
What do you have to lose? A few hours, a cheap canvas and $2.00 worth of paint. Don't fret thinking that this will never go into the National Gallery. Don't worry if no one likes it. Don't worry if you don't like it. It's all part of the learning process. It's hard, I know, but the more you mess up, the more you learn about what works and what doesn't.
I found this quote recently I think might help you as you start to paint your alla prima painting, whatever it may be of:
"The greatest fear in the world is of the opinions of others, and the moment you are unafraid of the crowd, you are no longer a sheep, you are a lion. A great roar arises in your heart—the roar of freedom."
Be a lion! Don't worry about how it looks in the end. Don't worry about anything. If you're happy while you're doing it, that's what matters.
Exercise Four: Paint Alla Prima
Set up a still life for yourself that you will paint in the alla prima method. Make it simple—you don't need a lot of stuff going on to make it interesting. In fact, pick out one piece of fruit. An apple, a pear, a fig, a lemon—whatever you have on hand—and place it on a white or beige colored napkin. Set it up so you can see it while you're standing at your easel and light it from one side using a desk lamp, clip-on light, or other light source. You can use any size canvas for this project, but make sure you give yourself enough room to use your bigger brushes and not get too hung up on details, so no smaller than 8" x 10". A standard 11" x 14" or 18" x 24" canvas will suit this exercise well.
Send us a photo of your completed alla prima painting by using our submission form and it could end up on our blog!


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Attachment and the Novel
Course Number: ENGL 197
Prerequisites: Check on GOLD
Advisory Enrollment Information: This course cannot be repeated and is limited to upper-division English majors only.
General Education Areas Fulfilled: Check on GOLD
Catalog Course Entry: ENGL 197
Quarter: Winter 2020
Instructor: Young, Kay
Day(s): W
Time: 11:00 AM - 1:20 PM
Location: HSSB 2202
We'll discuss theories of attachment, separation, loss from the perspective of developmental psychology and psychoanalysis in relation to 4 novels by contemporary women authors: *Sula* by Toni Morrison; *My Brilliant Friend* by Elena Ferrante; *Bel Canto* by Ann Patchett; and *The History of Love* by Nicole Krauss. Our focus will be how the novel comes to terms with and for the emotional stories of our lives.


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Gabriele Sciacca has been appointed the new Manager of Communications and Public Relations at Telecom Italia America Latina, the company whose chairman is Paolo Dal Pino. He will be working closely with Head Office Media Relations manager Massimiliano Paolucci, who is taking over interim responsibility for the TIM Press Office.
Milan, June 30, 2005


text:
M&G Investments appoints Italy director
M&G Investments has boosted its Italian team with the appointment of Manuel Pozzi as investment director.
Based in Milan, Pozzi will work closely with London's investment teams, reporting to Neal Brooks, head of Business Management. With over 16 years of industry experience, Pozzi will focus on analysing key business and market issues as well as defining strategic portfolios, working with M&G's leading multi-asset, bond and equity investment teams.
Before joining M&G in 2011, Pozzi has been portfolio manager at Banca Passadore and Banco Desio.
Pozzi has a degree in Economics at Bocconi University in Milan.
Matteo Astolfi, country head of M&G in Italy, said: "Manuel's extensive experience and deep knowledge of the markets further qualify our customer service offering, allowing us to take the best possible advantage from the opportunities on the market."
"The strengthening the team is accompanied by the growth of our business and confirms M&G's willingness to be even closer to Italian consultants, private bankers and distributors," Astolfi added.
Since the opening of the Italian office in 2014, M&G's Italian team has grown steadily, with 22 professionals today.


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TTS-ILLUSTL1-N - Illustrator Level 1
Course Description
Explore the basic skills that will allow you to take advantage of Illustrator's powerful tools. In this class, you will manipulate the various palettes and navigate through the Adobe Illustrator® environment. You will also create and modify paths using special drawing tools, and draw and edit geometric objects. You will apply fill and stroke attributes, colors, gradients, and transparency to objects and paths. You will also use layers to manage complex illustrations, enter and format type in an illustration, and create eye-catching type effects. Finally, you'll prepare Illustrator files for print and the Web.
See specific content information below in the section "Attend and You Will Learn."
Who Should Attend
This course is intended for students who want to explore the basic tools and features of Illustrator for creating professional page layouts and designs.
Attend and You Will ReceiveParticipants who successfully complete this course will receive a certificate of completion from NC State University
An understanding of the Windows operating system.
Attend and You Will Learn / Expected Outcome
Attend And You Will Learn
Introduction to Illustrator
- Evaluating graphics scalability
- Navigating, viewing, and measuring graphics
- Customizing the user interface
Creating Documents Containing Basic Shapes
- Creating documents
- Saving documents
- Drawing basic shapes
Creating Graphics Containing Customized Paths
- Drawing paths
- Modifying paths
Creating Graphics Containing Customized Text
- Inserting text
- Flowing text along a path
- Inserting bounded text
- Threading text
- Applying text styles
- Inserting typographical characters
Customizing Objects
- Importing and linking graphics
- Altering the appearance of objects
Customizing Basic Shapes
- Applying strokes
- Filling shapes
- Applying gradients
- Applying graphic styles
- Distorting text with text envelopes
Preparing Documents for Deployment
- Updating text
- Wrapping text
- Hyphenating text
- Optimizing content for print
- Optimizing content for the Web
- Optimizing content for PDF documents


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Parent Election to the Board 2019
The Board of Directors has the following 3 positions open for the upcoming 2019/2020 school year. All Board terms are for four years.
One parent-elected position.
Two Board-appointed positions. Board appointed positions are determined in May following the parent election.
Nomination/registration for the parent-elected position is now open until March 29th. Online voting will take place April 12th - April 26th with results to be announced at the 7th May Annual General Meeting. Parents can find more information about the work of the Board, the role of a Board member and the election process including registration and registration forms HERE.
Anyone considering this opportunity or who would like to understand in greater detail the work of a Board member is invited to attend an Information Session About Board Service on Wednesday 27th March at 6.30pm, B7, room G015 (Conference Room in the Admin Building).
The Board of Directors encourages all parents to consider putting themselves forward for election. The deadline for receipt of application forms is Friday 29th March at 12 noon. If you have any questions, please contact Maeve O'Donovan, Board of Directors Administrator, firstname.lastname@example.com.
Please consider joining us on the Board.
Ngo Thi Quynh Hoa
Board Vice Chair


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Lagerstroemia Infinitini® Magenta Crapemyrtle Description
Infinitini® Magenta crapemyrtle (Lagerstroemia indica) lights up the summer landscape with deep pink blooms. It's hard to beat crapemyrtle for bright blooms, and plenty of them, and the Infinitini series from Proven Winners is superlative even in this category, thanks to its dwarf, shrubby habit. It doesn't need pruning to maintain its compact, dense shape.
Infinitini crapemyrtles were developed in central Pennsylvania and have proven hardy even in USDA zone 6. They are some of the most cold-tolerant crapemyrtles to date! They may die back to the ground in colder areas, but they come roaring back from the roots and go on to bloom fabulously later in summer.
Special features: Dwarf shrub, Long blooming, Deer resistant, Fall color, Fast growing
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Quick Facts
- Botanical name: Lagerstroemia indica 'G2X133143'
- Common name:
Crapemyrtle, Crape myrtle, Crepe myrtle
- Zone:
- Sun exposure:
Full sun (min. 6 hrs/day).
- Delivery:
See schedule
- Ship form:
Starter quart
- Soil type:
Any well-drained soil.
- Soil moisture:
- Height x width:
2-4' tall and wide
- Flower color:
Bright pink
- Foliage color:
- Season of interest:
- Uses:
Hedge, Edging, Flower gardens, Specimen, Containers
- Cannot ship to:
- Patent:USPP 27,452
More Info, How-To's, Videos and more
As low as $As low as $As low as $
Soil: Moist but well-drained soils are best. Can tolerate some dryness once established.
Light: Full sun (6+ hrs/day).
Water: Average.
Space: Plant at least 4' apart.
Fertilizing: Little needed. If desired, fertilize in early spring, once the ground has thawed, with a granular rose fertilizer. A second application may be made in late spring/early summer as well.
Winterizing: A good 2-3" layer of mulch is recommended, USDA zone 6.
Maintenance: Blooms on new wood, so can be safely pruned in spring, though it is rarely necessary, thanks to its tidy, dwarf habit. Dead wood can be removed in spring, once new growth has begun to emerge and it's clear where any dieback may have occurred.
ReviewsBe the first to write a review


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I've changed my tactics slightly while designing this level, so that I can essentially design and test simultaneously. I'm trying to keep level layouts varied and involve new challenges for the player with each level, but it's been difficult to judge the success of drastic changes on paper. So my new process is: draw, test, redraw, test, create!
The kanji for "blue" which I've based the level 3 layout on is: 青, which gives the opportunity for a lot of long horizontal platforms. Unfortunately, I ended up with a lot of these after creating the level based on the kanji for "orange": 橙 (it doesn't look like it has many horizontal lines but I ended up putting a lot of emphasis on the small lower section on the right hand side!) The long, straight parts of the previous level are pretty much the most boring game sections I've made so far, so I really wanted to avoid them this time round.
I started off with this level mock-up, which like all of my other level designs has ended up looking nothing like the original kanji! The blue patches are "onsen" hot springs, which are the unique little features in this level. In Japan, accommodation and bathing facilities are often placed near onsen, so I've placed the buildings near the hot springs. I've also tried to avoid placing buildings in the level's four corners, which seems to have inevitably happened in levels 1 and 2. This level is unique however beacause I've only placed one cave, which is larger than all previous cave levels and connects more parts of the level. It's difficult to see in the mock-up, but I've placed grey squares where the entrances and exits are located. My main concern with the mock-up is that there are still a lot of long, straight platforms, but at this point I printed the design to work out the rest on paper.
When I printed the layout this time I didn't join the two pieces of A4 paper together, so I've ended up with two halves which were really easy to scan! You can see the detail in this design much better than in my previous photos. The level starts in the bottom left-hand corner, where the warp door object is. I've got a few more tiles to create for this level, mainly where the onsen are. The structures around the onsen are based on this image from Onsen No Tengoku (Onsen of Heaven) in Hakone. The travel guide describes the site as "slightly run-down but remains atmospheric", which I though fit in perfectly with my rural setting.
In this design, I've added a section to one of the long horizontal platforms to break up some of the length and add more rises and falls. The idea was to place obstacles where there are large gaps between the platforms, however I had to change this idea again when it came to testing because some of the scaling didn't work well- this is main disadvantage to designing on paper with no grid! After drawing up the design, I roughed out the platforms in Game Maker to test the changes and jump distances between platforms etc. I've spaced out a lot of level more than usual to make the path less decipherable, and it seems to have worked pretty well. I've since added a lot more detail to this first half of the level, using my new blue-coloured tileset! You can see the platforms in the room editor in this screenshot:
The solution to the problems with lots of straight horizontal sections seems to be the obvious answer. I've made the lengthy run seem less "lengthy" by adding jumps that create thinking points for tactical evasion, as you can see here in a section which original consisted of one long horizontal platform. When making a platformer, think with platforms.
The second half of the level is still incomplete, I've simply added in the basics of the platforms for testing. I drew up the rest of the level today, so this should be filled in soon. There are still some platform changes to be made.


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US-Ökonom und Nobelpreisträger Paul Krugman nennt die haushaltspolitische Expertise der Neokonservativen eine Schande für die Wissenschaft. Die Republikaner lebten in einer anderen Welt. Insbesondere glaubten sie noch immer an das Axiom der Reaganomics, dass Steuersenkungen für Milliardäre das inländische Wirtschaftswachstum beflügeln könne und so die Steuerausfälle ausgleichen könnten. Krugman ruft den US-Präsidenten dazu auf, mit derlei Parteiideologie sachgemäß und unversöhnlich zu verfahren und keine faulen Kompromisse zu schließen.
"When the proposal was released, it was praised as a "wonk-approved" plan that had been run by the experts. But the "experts" in question, it turned out, were at the Heritage Foundation, and few people outside the hard right found their conclusions credible. In the words of the consulting firm Macroeconomic Advisers — which makes its living telling businesses what they need to know, not telling politicians what they want to hear — the Heritage analysis was "both flawed and contrived." Basically, Heritage went all in on the much-refuted claim that cutting taxes on the wealthy produces miraculous economic results, including a surge in revenue that actually reduces the deficit.Paul Krugman: Let's Not Be Civil. The New York Times, 17. April 2011.
By the way, Heritage is always like this. Whenever there's something the G.O.P. doesn't like — say, environmental protection — Heritage can be counted on to produce a report, based on no economic model anyone else recognizes, claiming that this policy would cause huge job losses. Correspondingly, whenever there's something Republicans want, like tax cuts for the wealthy or for corporations, Heritage can be counted on to claim that this policy would yield immense economic benefits."
Instruktiv diese politische Ortsbestimmung von "neo-konservativ" in einem US-Wörterbuch:
"NEO-CONSERVATIVE. The exact opposite of a conservative. Neo-conservative are the Bolsheviks of the Right. Like the Bolsheviks, they appear in restrainend groups driven by a simple ideology. They seek practical ways to achieve real power in order to make revolutionary changes. These 'practical ways' usually involve creating a misunderstanding over the 'revolutionary changes' to follow.
The first step in the advancement of a Bolshevik movement is the establishment of intellectual respectability. (...)
It is not unreasonable to place thema among the last true MARXISTS, since they believe in the inevitability of class warfare, which they are certain they can win by provoking it while they have power."
John Ralston Saul: The Doubter's Companion. A Dictionary of Aggressive Common Sense. The Free Press New York, London, Toronto, Sydney, Tokyo, Singapore. 1994. ISBN 0-7432-3660-2.


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Call us to come out for a no-obligation consultation of your catch basins.


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- Stocks To Watch
Dow Breaks Record, Nears 14,300
- Order Reprints
- Print Article
The Dow Jones Industrial Average reached a record high Tuesday, surpassing its intraday (and previous all-time) high of 14,198.1, and trading at 14,265 at the latest. The index surged up just over 100 points in early trading, and is now up 140 points, a roughly 1% gain on the day. Barring a late-afternoon swoon, it's safe to say the bell will see a new closing high, surpassing 14,164.53 set on Oct. 9, 2007.
CNBC's take on the record is quite hopeful:
Though market participants are usually quick to brush off the breaching of psychological landmarks, this one could be different after more than a decade of market trips to the top - and then back to the bottom again.
"With the Dow getting to all-time highs, is this signaling the end of the lost decade?" said Jim Paulsen, chief market strategist at Wells Capital Management in Minneapolis. "Maybe not. It didn't last time. But you wonder in some sense if that is the significance to this."
As previously noted,
we're a ways off the inflation-adjusted high
-- but lets not spoil the moment. This has been a long time coming, hasn't it?
WSJ's Jim Browning
on what a Dow record high can mean:
But (and there always is a but):
Unfortunately, bull markets tend to be getting long in the tooth by the time they hit record territory. There were exceptions, but the median bull market had less than two years to go after that first record.
The Dow usually had real gains left—a median of 28%, according to Ned Davis. If the current bull market matched that, the Dow would pass 18000 before topping out, up from 142219 in early trading Tuesday. While most of the gains would be over, those remaining 4,000 points certainly would be worth having—assuming this bull market is typical. Still, anyone who waits until after the record to buy should be aware that the end may be nearer than the beginning.


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At The Great Care Company, we're proud of the care services we have the privilege of providing to our lovely family of clients. We believe that home care is more than just a service, it's an opportunity to make a positive change to someone's life and that's exactly what we aim to do.
So we went to meet Eileen at her charming home where we presented her with a beautiful bouquet of flowers as a little thank you for giving us her time to chat about her experience with us.
Of course first things first, so Tanya our wonderful carer, put the kettle on (she makes a fantastic cup of tea) which set us up nicely for a chat about The Great Care Company and our home care services.
Our Day With Eileen
Eileen is a delightful and interesting lady who began telling us about her career before retirement 30 years ago. Eileen worked for the council when it was Great Grimsby Borough Council she said: "I used to do the expenses for the councilors as in those days the councilors didn't get paid, only expenses."
We went on to talk about why and how she chose The Great Care Company to support her. Eileen said, "I wanted to find a company who valued and treated their staff well as my previous care provider didn't see this as a priority, so I sought someone who would be more caring."
"My Daughter went through everyone in Lincolnshire and she found you, in Louth, where she was so delighted with your explanations and the help she received from you that she immediately made arrangements to meet your staff."
"The first member of staff who came to me was very helpful but now I have Tanya and she's even more helpful." Tanya makes me feel very safe and secure. She helps me in the bath and out again. Tanya really has made my life much better and much happier because she's been such a good friend."
Eileen told us, with a smile on her face, that when Tanya knocks at the door and says "How are you?" I reply with "all the better for seeing you!" and they smiled at each other nodding. It was lovely to see the special relationship that they'd clearly formed together.
Why Eileen Prefers Home Care...
We asked Eileen why she chose home care and not a residential home and her reply was that "I like being surrounded by all my own things, family photographs and things that have belonged to people before me and above all its home." She went on to say "a care home wouldn't be the same to me" and we have to agree with Eileen it's a homely home with a lovely atmosphere. Eileen added "It's lovely to be able to invite my family around and they can call on me anytime."
We asked if Eileen had a message for anyone looking at home care or searching for a provider. She said "look no further than The Great Care Company, they're so helpful, so homely and so caring. I've been so satisfied and if I had to describe the company in 3 words I'd choose Caring, Friendly, in fact Wonderful!"


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M HKA – the Museum of Contemporary Art Antwerp – is one of the eight major institutions of the Flemish Community.
The museum keeps its finger on the pulse of current events in contemporary art both at home and abroad. Located in the avant-garde city par excellence, M HKA houses a rich and diverse collection which it displays in frequently changing presentations both inside and outside the museum.
M HKA is a dynamic meeting place for art, artists and culture lovers alike; every year, it presents a versatile exhibition program that is supplemented with numerous artists' talks, performances, lectures, book presentations, walking talks and activities for young and old. Also, every Thursday, the museum is open at night until 9 p.m.
The M HKAFE, M HKA's welcoming cafeteria, is the ideal place for a drink or a delicious lunch.
Another initiative housed at M HKA is Cinema Zuid.
In the building of the FotoMuseum – where Cinema Zuid has made its home since 2009 – daily film screenings are organized in two state-of-the-art viewing rooms.
Cinema Zuid brings the history of cinema to life with its series of screening sessions such as Film Histories, Series and Matinees. The history of the medium is constantly being rewritten, forgotten films are rediscovered, supposedly lost films are recovered, classics are reissued, silent films are given new music ... Cinema South provides a rich movie experience, put into context through numerous introductions, lectures and seminars.


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Shipping calculated at checkout.
These gorgeous drop earrings are dripping with luxurious Austrian crystal and adorned with sweet, encrusted birds. the birds feature colored Austrian crystal eyes, adding a layer of detail and depth to is piece.
- Handmade in italy
- Nickle & Lead Free
- 18 Karat Gold Plated


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Press Articles / Company Mentions
Unconventional Ways People Landed Their Dream Jobs
If you need sound advice on how to land your dream job, there's plenty of it on the internet. Yet estimates show that more than 174 million people worldwide will be unemployed in 2020.
What defines high-quality links in 2019 and how to get them?
Links are a way for users to get relevant information on the internet. They are also a ranking factor for your pages. Of the 200+ ranking factors, Google is known to use, links share the top three spots with content and RankBrain.
Transition from High Street to Online Retailer
As the high street takes a pummeling in 2018 what are high streets doing to combat the loss of revenue to online retailing giants like Amazon and eBay?….
How AI Is Influencing SEO for A Better Search Engine Experience
What do you think is the average search numbers for Google per day? Can't think of a number, right? Well, the number is in the billions but what is more amazing is the accuracy of those searches.
Security Tips for Small Businesses to Detect Insider Threats
The majority of small businesses today have security measures in place to combat external threats. But threats that surface from within the company….
6 Ways to tell whether an SEO Agency will be effective
Search for an SEO agency and you'll get plenty of results, it's a competitive industry, and new companies seem to be popping up all the time….


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This exceptional house, built in 2015, combines a traditional look with modern style and an open layout to create what could be the perfect style synergy. While describing it, Stacey Friedman Lipkin, the real estate agent who has listed it for sale, said, "It's a combination of the openness the light and bright; it has that transitional feel that everyone seems to want these days."
There's something more than that, though. "It's a happy house," said Friedman Lipkin. "They have three young children. It's very kid-friendly, and great for entertaining."
The home's exterior, a combination of cedar and stone, offers a Hamptons look. Arched windows and the peaked roofline give it a warm, charming country feel. Inside, it boasts a large formal entryway, done in modern blacks, grays, and whites accented with hip pops of color. A swooping staircase runs up the right side of the two-story space, and textured ottomans sit on either side of the double front door. While most windows feature custom shades, those in the entryway are covered in heavy, full-length drapes.
"This residence is really the best of both worlds in terms of design," said Friedman Lipkin. "The openness, the high ceilings it's got everything." She noted that for the current owners one likes country, the other a more modern look the combination is ideal.
To the right of the entryway, a formal banquet-sized dining room makes good use of that traditional/contemporary blend. A textured ceiling gives way to gray walls with white trim; the contemporary dining chairs are a striking blue. The table seats 12 beneath an ultra-modern chandelier, while a distinctive tile-framed mirror lines one wall.
The butler's pantry is outfitted with dark cabinets and modern drawer pulls. A small refrigerator, a sink, and a gray-and-white tile backsplash complete the space.
From the dining room, an open archway leads into the large and inviting kitchen, which is done largely in whites and grays. Custom white cabinets are accented by granite countertops.
A huge center island, with seating on one side, is both functional and stylish, and sits under a reclaimed-wood coffered ceiling, from which industrial pendant lights hang. The room features the home's signature wooden floors. The appliances are all high-end, and there's bountiful storage.
An adjoining breakfast room features a round white table on a contemporary gray rug, with seating for six. An interesting industrial chandelier hangs over the table, while natural light floods the space through a series of French doors.
Although the family room is large, it manages to be cozy at the same time. A long modern sectional offers seating in front of the fireplace, and an enormous TV is mounted above the hearth. The walls and furniture are light-colored, though the rust and orange overstuffed throw pillows provide some splash. There are built-in shelves at one end of the room, and large windows, along with French doors on either side of the fireplace, keep the space bright and airy.
Next is the playroom, where large cushions and some kid-size furniture create a great space for kids. The nearby white and beige mud room has a cushioned bench on one side along with plenty of hooks and cubby spaces for storage.
A second staircase leads to the upper floor.
The library features dark built-in shelves and a bright coffered ceiling over contemporary furniture. Another interesting light fixture hangs over the desk, which offers views of the spacious yard. Two powder rooms complete the first level. The second floor is truly special. Its large and luxurious master bedroom suite includes a spa bath, a walk-in closet, and a unique hand-carved canopy bed.
The room is large, and the rest of its furniture is simple yet elegant. A tufted bench sits at the foot of the bed, facing a fireplace on the opposite wall. A tray ceiling with a chandelier and inset lighting completes the space. The large walk-in closet has a window seat and custom cabinets.
The master bath has a double vanity with stone countertops and reclaimed-wood cabinets. The large en suite boasts a jetted tub, a steam shower, and a heated floor. "It's a beautiful master bath," noted Friedman Lipkin. "They even added a diffuser [for essential oils]. I haven't seen that before."
There are four additional bedrooms on the second level, each with an en suite bathroom and cozy furnishings.
A little girl's bedroom is done in pink, with patterned accents in the rug and window coverings. The French-inspired furniture, including a soft loveseat, is offset by an ultra-modern Lucite crib. Another bedroom, done for twin baby boys, is finished in pale blue, and matching art deco-inspired cribs sit underneath an industrial chandelier.
A upstairs playroom, also done in light blue, is full of natural light flowing through a large window. For convenience, there's a laundry room located on this level.
The house's finished lower level is perfect for entertaining. A large and long recreation room features a pair of oversized leather chairs with matching ottomans at one end and an additional dining set sitting opposite. Farther down the room there's a large wet bar done in dark wood, with high-backed bar chairs and lit by pendant fixtures. A long beige couch, fronted by a modern cocktail table, sits across from the bar. Also on this level are a playroom, a game room, a gym, a storage room, and another bath.
Outside, the beautifully landscaped grounds feature an expansive bluestone patio.
"The backyard is very private, and all of it professionally landscaped," said Friedman Lipkin. "There's also landscape lighting it's very pretty at night."
The home is available for $2,950,000.
Prominent Properties | Sotheby's International Realty
Stacey Friedman Lipkin, Broker Associate
201.825.3600 (o) / 201.819.3552 (c) /


text: pskys2 Posted June 8, 2019 18 hours ago, Rosswoodford said: None of that was present. I had been a quality squad mate all day (and even after the DQ I took on the role of squad mom). It was absolutely a zero or hero run, I clipped the no shoot, so put 2 more in it and proceeded to not shoot the remainder of the stage Virginia count. (For good measure of course) I kind of figured as I've never seen such antics in the 40+ years of active participation in Practical Shooting, so I was making an attempt at humor or tongue in cheek hyperbole. Sounds like you got a bad deal. I'd think it might be worth a protest to overturn. But at a club match I try not to get overly excited. Good form though staying and helping out. I'd avoid squads with that particular RO, if it was me. Quote Share this post Link to post Share on other sites


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System Update Downloads
To update, you must first download the necessary files to your computer (see below for the proper update), and load them onto a USB Memory Device ("Flash Drive") initialized by your Sk Series (Including SKX), XK-1c or XK-5.
Please note! These updates may erase any saved preset data/settings in your Hammond and restore them to factory presets.
Consult the OWNER'S PLAYING GUIDE of your instrument
for information on how to store/save your personal settings.
Update Your Xk-5 Software to Release 3.3
First, Please refer your OWNER'S PLAYING GUIDE to learn how to update your Sk-5/A-3's System Software.
Update Your Skx System to Release 1.2
This System Update is for SKX ONLY! DO NOT attempt install this update on your Sk1/Sk2/Sk1-73 or Sk1-88!
First, Please refer your OWNER'S PLAYING GUIDE to learn how to update your Skx System Software.
Update your Sk-1/Sk-1-73/Sk-1-88/Sk2 Series Operating System to the Latest Version
First, Please refer to your OWNER'S PLAYING GUIDE to learn which "rev" of the SK Operating system is installed in your Hammond.
For more details, download the PDFs below.
- Quick Start to SK Operating System
- Troubleshooting a Failed Update
- Sk Supplement – Using the USB Port
Update Your Sk Series Keyboard
This System Update is for SK Series ONLY! Do NOT attempt install this update on your Skx!!


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These remarks are from the CI Ontario Power Conference on April 17, 2013, during a panel discussion about the Ring of Fire and Northern Development: Addressing the Challenges of Generation, Transmission and Project Development in Northern Ontario.
Dr. Peter Telford
One of the many challenges for renewable energy, whether it be wind, solar or biomass, and why, with current technologies and economies, renewables will rarely be able to fully replace base-load power supplied by fossil fuels or nuclear, are the inherent limitations – the wind doesn't always blow, the sun doesn't always shine, biomass resources in their various forms are not always in abundant supply or in the right place.
In the past day and a half we have heard lots of references to wind and solar so I'll focus these brief remarks on biomass which, of course, is the principal interest of my company. This is not intended to be a promo for Peat Resources Limited but I'm happy if the name catches your attention.
Biomass can be many things – wood waste from the forest products industry, dedicated agricultural crops, waste generated by other farming or food processing activity, or my personal favourite, peat, which has been used to produce electricity in Europe for many generations. While they have obvious environmental advantages, there are also limitations to these types of bioenergy resources competing economically with traditional fossil fuels – especially in this current time of very low natural gas prices.
For example, if your forestry industry is not healthy, there is less wood waste available. Dedicated agricultural crops require enormous areas of farmland to produce sufficient volume. Sustainable harvesting of forests (i.e. chopping down trees) for wood to turn into fuel pellets is expensive and requires vast areas. As studies done for OPG showed, to produce enough wood pellets to operate the Atikokan Generating Station at full capacity requires sustainable harvesting of all the current forest management areas of northern Ontario. (Available wood pellets within economic transportation distance of Atikokan can support only 8% generation capacity.) In regions such as Canada, and specifically northern Ontario, peat is abundant. In fact, Canada contains about 40% of the world's peatlands. However, in order to satisfy environmental concerns and climatic factors, harvesting and processing costs can make it a premium fuel.
All of this is not to say that biomass does not have a place. Indeed it does, but I think we have to recognize that biomass energy, like wind and solar, requires special circumstances or niche markets in which to be successful. Ontario's Liberal government provided an example of "special circumstances" which overrode economics when it legislated the end of coal-burning or power in the province. As a result, wood pellets did not have to compete head-to-head with cheap coal; wind and solar received subsidies.
And that brings these remarks to the principal topic of this panel – the energy needs and options of northern Ontario and specifically the Ring of Fire mining area – because the North and its mining developments and its remote communities provide clear examples of special circumstance and niche markets in which biomass energy can contribute successfully.
Much of the far North, and especially the northwest, is not well served by traditional infrastructure. Discussions about a transmission line from Manitoba are decades old. Increasing line voltage capacity from east to west in northern Ontario will not happen soon. It will be many years before the provincial grid is extended sufficiently to small communities of the far northwest. Yet, the Ring of Fire mining developments are happening now. These remote activities are projected to need more than 30MW of power within the next few years. Proponents face costly options for provision of this energy if they continue to look at traditional sources such as grid extensions or diesel fuel that must be trucked on winter roads or flown to the sites.
In the same region, remote, mainly First Nation communities must rely on diesel fuel – usually flown in at huge cost – for heat and power.
Yet, many of the remote mining developments and many of the remote communities are located close to abundant biomass resources – especially peat which, if harvested sustainably, could provide much cleaner and lower cost heat and power. For the First Nation communities this would also contribute the added benefits of jobs, training and self-sufficiency.
So, here we have an obvious situation of special circumstances and niche markets in which renewable energy resources – in this case peat and perhaps other biomass – can be developed and applied successfully without compromising any environmental or economic factors. We need people in the north, and people thinking about the north and its resource developments, to think beyond the standard options for energy supply. People trying to promote renewable energy should recognize this as a real opportunity that doesn't require artificial incentives. The circumstances are the incentives.
Peter Telford
Peat Resources Limited
Suite 1310, 4 King St West
Toronto, ON
Ph 416 862 7885
[email protected]


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Needed Uniform's Items for Military Army and Military Parades In Some Europe Countries
Military uniforms is very important and a valuable thing with all the soldiers in the world. In some Europe countries; especially in England, there is a government department which only focuses on choosing the materials as well as the fabrics in order to have a splendid military uniform and a great royal parade performance. Most of the uniforms must have sash belt, epaulettes and bullion badge as the traditional and cultural items to make the uniforms more formal. In fact, there are the numerous of uniform companies which are in England, want to supply the military uniforms for royal army as well as England army; however, they must pass so many strict requirements in order to receive the acceptation. After accepted, they must supply the excellent fabrics with really good materials to help the soldiers can feel comfortable in all situations. Besides, there are also some dress uniforms which will be used in military parades. Unlike formal military uniform, these dress uniforms cannot include the military equipment like a gun or a knife because of its formal form in the parade, and the similarity between military and dress uniforms is that it must have epaulettes, bullion badge and sash belt on it. Nowadays, not only in the military, but also some designers have decided to put the epaulettes as a highlighted point in the designs, and it has attracted the numerous of customers; especially European men. Many men think that wearing the jacket which has epaulettes will make them look better and more attractive. Actually, in the other side, some adults which include men and women deciding to have a couple of epaulettes tattoos as a creative tattoo on their body, and it has become more popular since everybody likes its art.
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The Cartoon Brick House is where Hawk, Croc, Beth, Alli, and Jacky moved, after the defeat of Quagmire. At the end of Hawk & Croc Classic, Hawk and Beth moved to Justice City, Croc and Alli moved to Puerto Lagarto, Florida, and Jacky moved in with Ems. The fate of the Cartoon Brick House is unknown.
Community content is available under CC-BY-SA unless otherwise noted.


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PhD in United Kingdom.
1. Which country and university did you choose for your PhD and why?
I chose UK, University of Leeds as a) I already had my Master's degree from UK (MRes Nanomedicine, Newcastle University) and b) wanted to work specifically with mesenchymal stem cells and osteoarthritis with full funding. I was able to receive full funding with my supervisor's help in University of Leeds.
2. How the education system is different from your home country?
There are some major differences. With respect to a PhD, I notice the following differences.
A) In UK, full-time PhDs usually range from 3-4 years whereas in India they are usually 5-6 years long.
B) The attention paid to writing the thesis is much more in UK, while in India, the maximum effort is on doing the work/data collection/analysis. Personally, I think that both are equally important.
C) As UK takes writing very seriously, every student has a designated student space with their computers. This is usually not the case in India and there are communal desk spaces shared between large numbers of PhD students.
3. How smooth was your PhD years and how long did you take to finish it?
My PhD experience was extremely fulfilling and enriching, even in the final stretches of writing. My main supervisor was always supportive, encouraging and critical at the same time. I was also lucky to have colleagues who were extremely helpful. There were ups and downs in terms of some experiments not working and me personally having a roller coaster ride with the thesis writing bit, but PhD journey is overwhelming and it made me look at things with a very high level of scrutiny. Staying self-motivated and reminding myself that failure and success are both equally important was the key to staying focussed. My laboratory work was relatively smoother than my writing but from what I have seen in my experience in 4 different research groups, a PhD is not meant to be smooth. I faced maximum hurdles during my thesis writing but I have learnt plenty (and still learning) from the process. I will be finishing in 4 years' time.
4. Which scholarship did you apply for or was it self-sponsored?
I applied for the Leeds Institute of Rheumatic and Musculoskeletal Medicine (LIRMM) departmental scholarship from Faculty of Medicine and Health, University of Leeds in June 2015 and started my PhD on 1st March 2016.This was a fully funded scholarship and it covered my International tuition fees, PhD stipend and lab consumables.
5. What would you suggest for the students who are looking for a PhD abroad?
A few things for sure!
A) DO NOT DO A PHD WITHOUT FULL SCHOLARSHIP! I have met a few people here in Leeds who were self-funded. Please take out time, look for scholarships and talk to your potential supervisors about full funding! If nothing works out, take up a job to pump your profile and apply again next year. It is a lot of work and you must be paid for it!
B) University rankings are important but your supervisor is more important! Communicate your expectations from the PhD to them and see how they respond. If they respect your views and sound encouraging, then go for the next steps.
C) Pay attention to your motivation letters/statement of purposes. Universities want to hire people with vision and ambition. Speak to previous senior students in your field/University of choice.
D) It is not going to be easy. Make sure you choose a subject/topic you are willing to go through with for at least the next 4-5 years. There will be ups and downs but do not take them personally. Don't let success get to your head or a failure get to your heart. Be passionate, respect the process and always believe in yourself.


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Read about Peer Tutoring
Peer tutoring is as old as civilisation. Where people have needed to learn what foods to eat, how to cultivate crops or how to build structures for shelter, commerce or worship, informal cooperative learning has taken place.
We even see a form of structured peer tutoring in ancient civilisations. Socratic discourse, could be considered an ancient form of peer tutoring. This when two people discuss opposing ideas to determine which has more merit.
The idea of peer tutoring is that a more competent peer, but not a trained teacher, helps a peer complete work. It would be wrong to think of this as being a passive process of learner and teacher. There is evidence that tutors have much to gain in this process also. By having to deconstruct their understanding, and finding ways to explain it to a peer, tutors generally end up deriving more benefit from the process than tutees do!
Peer tutoring, a form of cooperative learning, is reported to have broad academic and socio-emotional benefits. The more structured forms of peer tutoring have been found to be the most effective. This is when there are set interaction patterns for both the tutor and tutee. There is also evidence to suggest that peer tutoring is effective when used to develop reading, rather than when used in other curriculum areas. So, by deciding to use peer tutoring in your classroom, you will be making an informed decision that has evidence of effectiveness.
A teacher's journey
In this article from The Guardian, read about a teacher's journey in the use of peer tutoring. In the article, a teacher talks about the Fife Peer Learning Trial.
You will learn more about the Fife Peer Learning Trial later in the course.