text:
The "post-racial" President Barack Obama can't seem to get enough of shoving race in Americans' faces, and now the community organizer-in-chief aims to ensure race is on everyone's mind every day in their neighborhoods, towns and villages.
Just two weeks after the U.S. Supreme Court ruled, 5-4, in Texas Housing v. Inclusive Communities, that federal housing law allows challenges to zoning laws, lending regulations, and other practices that could impact minority groups – even without the intention to discriminate – the Obama administration has issued a final rule – known as the Affirmatively Furthering Fair Housing Final Rule – in a press release. Ultimately, the rule will ensure the move of low-income individuals into higher income neighborhoods at the direction of the federal government. Any obstacles to the initiative are sure to be attributed to racial discrimination.
Breitbart News' Senior Editor-at Large Joel Pollak explained how devastating the majority's decision is:
The Court has now affirmed one of the federal government's most abusive tactics: the threat of racial discrimination lawsuits. And the biggest losers, Alito points out, are the poor, because now local efforts to improve poor neighborhoods can be blocked by lawsuits alleging racial discrimination when the rent is raised.
Justice Anthony Kennedy, once again writing for the majority in the decision, said that "unconscious prejudice" exists for which he apparently believes forced government diversification of neighborhoods is the cure.
"The Court comforts itself by claiming that racial quotas still cannot be used to integrate communities," Pollak wrote. "In fact, it has weaponized racial quotas in the hands of the federal government."
"Unfortunately, too many Americans find their dreams limited by where they come from, and a ZIP code should never determine a child's future," said Julian Castro, U.S. Department of Housing and Urban Development (HUD) secretary. "This important step will give local leaders the tools they need to provide all Americans with access to safe, affordable housing in communities that are rich with opportunity."
"By encouraginga [sic] balanced approach that includes targeted investments in revitalizing areas, as well as increased housing choice in areas of opportunity, the rule will enable program participants to promote access to community assets such as quality education, employment, and transportation," the HUD press release states.
The Washington Post was beside itself with excitement about the new HUD rule:
Now, on Wednesday, the Obama administration will announce long-awaited rules designed to repair the law's unfulfilled promise and promote the kind of racially integrated neighborhoods that have long eluded deeply segregated cities like Chicago and Baltimore. The new rules, a top demand of civil-rights groups, will require cities and towns all over the country to scrutinize their housing patterns for racial bias and to publicly report, every three to five years, the results. Communities will also have to set goals, which will be tracked over time, for how they will further reduce segregation.
"This is the most serious effort that HUD has ever undertaken to do that," said Castro. "I believe that it's historic."


text:
The Ahkh was a time of conflict that raged before the Vulcan Reformation and the Sundering.
This period in Vulcan's history was an intense war between the Vulcan people and the Duthulhiv pirates that descended upon their world. It was declared after the initial meeting was made between Vulcan dignitaries and the "aliens" where the Orion forces attacked the inhabitants viciously. This act resulted in what Vulcans referred to as "the" War, relegating all previous conflicts to mere tribal feuds and unified the world against this new threat to all Vulcans.
During the conflict, psi-talents were used that caused ships to fall apart, alien pilots getting locked into suicidal courses and the destruction created being sent to the worlds of Duthul and Etosha which clearly stated that all future invaders would face death.
The time of the Ahkh would form a future schism in Vulcan society as it convinced Surak's student, S'task, that pacifism would not protect them from the universe around them. This schism brought about an exodus from many Vulcans that would later form the Romulan race. (TOS novel: Spock's World)

subset: commoncrawl


text:
Pictures and Videos from our Cone wood Splitter
Cone splitter Roli - our smallest shows his power.
The Cone splitter Roli is our smallest modell. But you should not underestimate him
Attachments for the cone splitter
We have designed a quick-change system for the ROLI Series. With diverse attachments transforms the cone splitter quickly into a machine with true multiple benefits.
Our biggest Splitter in Action
12 hydraulic motors working in the machine. An intelligent transmission controls power and speed depending on the particular situation. . Its field of application is the professional production of biomass.
Fair report from Austrofoma 2011
On the Fair Austrofoma we presented our cone splitter live! By the way you will also get some interest informations about our company.
Model-specific special engines
The specially developed transmission guarantee an obove-average power transfer!
Extremely robust cone-aligning
The extremely robust cone-aligning ball bearings ensure maximum longevity.
Machine adopted working
The cone splitter does the splitting of the wood – not the carrier machine.
Number of Models
Satisfied costumers
Export country
Years of experience
Configure your Cone Splitter now
Just a few simple questions are separating you from your personal cone splitter, which is perfectly tailored to your needs!


text: Frances (DeGori) Farrelli Formerly of Sewickley Frances (DeGori) Farrelli, 90, a resident of Concordia at Villa St. Joseph, Baden, passed away peacefully on Sunday, September 29, 2019. She was born December 8, 1928, in Sewickley, Pa., to the late Charles and Mary (Lolli) Giammaria. She was a longtime active member of St. James Catholic Church, Sewickley. Frances enjoyed playing bingo, cards, the Pennsylvania lottery and the slot machines. She loved cooking and baking for her family and friends. Preceding her in death, in addition to her parents, were two husbands, Leo DeGori and Thomas Farrelli, and two sisters, Pauline (Polly) Giammaria and Josephine (Josie) Polacek. She is survived by two sons, James P. (Jeannine) DeGori of Leetsdale and Leo J. (Cindy) DeGori of Economy; three grandchildren, James (Megan) DeGori and Adrian DeGori, all of Leetsdale and Jaymie DeGori of Conway; five great-grandchildren, James, Isabella, Natalie, Gianni, and Marco DeGori; a sister, Eleanor Shemelya of Ariz.; and numerous nieces, nephews, great-nieces and great-nephews. At Frances's request, there was no public visitation. Private burial will take place in St. James Cemetery. Arrangements were entrusted to the JOHN SYKA FUNERAL HOME INC., Ambridge. Online condolences may be made at www.sykafuneralhome.com.


text:
20 Tithe & Offering Messages for Any Occasion
Looking for new tithes and offering messages? Use these prompts and scripts to strengthen your appeal and increase giving.
September 14, 2020
Check out these church offering statistic results from a survey we conducted of over 1,000 church leaders.
September 10, 2018
Your church's offering is an act of worship.
It's a time for your congregation to respond to God's grace in their life by giving toward his work in your church.
This act of worship is rooted in the gospel and described and exemplified in both the Old and New Testaments. In fact, the Bible mentions offerings more often than preaching in the Bible.
Not only is the offering an act of worship, but it's also an ideal time for you to talk with your church about tithing in the Bible. Throughout the year, you'll have—at a minimum—52 opportunities to help your church understand what the Bible says about money. These small moments can add to up a big influence in your church.
As for your church, how you handle your offering, you may…
Regardless of how your church handles the offering, it is an essential time you can use to help unleash generosity in your church.
To help you maximize this time, we set out to learn more about what church leaders actually think about the offering. We surveyed over 1,000 church leaders from a variety of churches and denominations across the world.
We expected many of the results we received, but we were surprised by a few of the finding. Below are the results of our survey.
Feel free to talk about these findings with your church staff or share it online.
If you're interested in learning practical ways you can improve your church's offering, be sure to read this post written by Tithe.ly's CEO, Dean Sweetman: Do These 11 Things to Improve Your Church's Offering. And check out the church giving statistics we've published based on thousands of churches using Tithe.ly.
There are a number of churches who have been blessed with resources, and talented artists and creatives. They create amazing and beautiful sermon series, websites, print collateral, and their social media accounts look like they could be run by Fortune 500 companies.
March 30, 2016
Use this guide when rolling out a mobile giving solution to your church for the first time or going through a technology upgrade. The 5 Tips Outlined in this post will greatly improve sucess.
June 27, 2015


text:
Playstation 3 Super Slim System 12GB (Deck Only) (Playstation 3) (Pre-Played - System)
$ 69.99
Replacement game system deck only. Does not include wires or joystick.
Did your old system finally quit working on you? Instead of buying an entirely new system, replace only the game unit itself and save by reusing your original plugs and controller! All systems have been cleaned, tested and factory reset.


text:
I Going To A City For Months Facebook
I Going To A City For Months Facebook
I Going To A City For Months Facebook
But, you can also do this with a lagusing a voice or text submission system like Rhinospike and Lang8, and get natives giving you what works back. Well target similar people based on their Facebook data and browsing history. Learn More Sell tickets to yourevents Refer people to a ticketing website to purchasetickets Prominently highlight ticket link in the event and drive ticket sales through Facebook ads that are optimized for website conversions Sell tickets directly throughFacebook Sell tickets on Facebook If youre an event organizer that uses Official Events through Ticketmaster or Eventbrite, you can sell tickets directly on Facebook through the Facebook Official Events API. During the event, give updates and rally latecomers. show more Hi there, thanks for reading. I've found that there are events on meetup.com, on Couchsurfing's meet-up pages, on Facebook if you search for events in your city, where people informally get together to talk about what they are passionate about. To create ads that increase awareness and drive event responses, click Get More Responses. It worked great, and soon after this I got more popular as the photographer, since nobody else at the time was putting photos online! This tip is harder now (everyone and their dog can upload photos online in an instant), but there are many other things you can do to help make people's parties run better. I made myself the official campus photographerand went around with that camera and no actual photography skillsand amazingly having a full hand meant that nobody would push drinks at me any more. There are actually infinite ways to practise your target language without [.] Why learning a language is like learning a musical instrument written by Benny Lewis Here I am, at the starting stages of speaking a language once again, and I'm reminded of how it felt taking a similar first step into playing the piano and other instruments I've learned. 17 answers Politics 3 days ago Is Mariah Carey a cute person? 62 answers Celebrities 2 days ago What is the BEST dental insurance company & plan without a long waiting period for root canals? 11 answers Dental 2 days ago At oil temp light is flashing on 2001 Subaru Forester. What's going on? I started my car and noticed the oil was really low so i added about 3/4 quart. BackSign UpCreate a Page for a celebrity, band or business.English (US)NederlandsFryskPolskiTrkeDeutschFranais (France)EspaolPortugus (Brasil)ItalianoSign UpLog InMessengerFacebook LiteMobileFind FriendsPeoplePagesPlacesGamesLocationsCelebritiesMarketplaceGroupsRecipesSportsLookMomentsInstagramLocalAboutCreate AdCreate PageDevelopersCareersPrivacyCookiesAd ChoicesTermsHelpSettingsActivity Log Facebook 2018. Facebook Events About Facebook Events Success Stories . Learn More Drive ticket sales through website conversions Create these ads by clicking Boost Event from the event page on desktop or mobile and then selecting Increase Ticket Sales. Made me so many friends! Another fun one was when I was in Valencia (the first time when I was 21), I managed to find a tandem bike for a really good price. Learn More Set a specific date & time Your event should be tied to a specific date and time so people can discover it. Amazingly, it turns out strangers don't want to bite your head off, and you get pleasantly surprised the vast majority of the time and your confidence comes across as a charming character trait and people want to get to know you better. And my dumb *** just listens and feels sorry for her. I started my car and then the light popped on flashing rapidly. This makes it easier for people to buy tickets and unlocks the ability to create ads optimized to drive ticket sales. .. And my dumb *** just listens and feels sorry for her. It was about -3 at the time. When I was at Burning Man, I handed out free ear-plugs (a tub of 200 of them cost me $10) since it was a noisy event and sleeping was hard. I take anti psychotics. Otherwise your first attempt could be to make a friend with someone totally unsuited to hanging out with you, and how poorly it goes can intimidate you and deflate your ego for the rest of the night. Increase awareness & sell tickets withads Drive awareness through event responses Create these ads by clicking Boost Event from the event page on desktop or mobile. The most important thing that I think about before I approach anyone new& is nothing. Remember, all you need to do is include an address for your event when you create it. Kinja is in read-only mode. Special Feature 1 of 5 How much do you tip? Do you give the garbage staff or mail/package delivery people on your route a winter holiday tip or gift? asked by Yahoo Answers Team Special Feature 2 of 5 Fresh air, an inspiring team, a good bossWhats important for you to succeed professionally? What factors create a good work environment? asked by Yahoo Answers Team Special Feature 3 of 5 Share your most anticipated launch of the year! What movie or TV show are you most excited for in 2018? asked by Yahoo Answers Team Special Feature 4 of 5 Winter gift-giving season is upon us! Do you prefer wrapping gifts in bags, wrapping paper, or another option? asked by Yahoo Answers Team Special Feature 5 of 5 Dog trainers everywhere- share your tips! How do you help train a puppy not to bite? asked by Yahoo Answers Team . When I go up to new people I faked being confident so many times, that now I kind of am. I find people's peer pressure to drink is not as much that they need you to drink, but they don't see you doing something or having fun, and want to change that. Visuals with a smaller ratio can appear cut off or incomplete. If only it worked like that! Whats most important is to not let mistakes hold you back. Avoid text in your visual 5a02188284
huong dan nhan code gunny qua facebook
facebook hidden profile viewer 2013
facebook contest free app
download facebook hacker v1 .9.rar
download facebook chat in nokia 3110
latest facebook for android download
firefox facebook like.php
rubare password facebook gratis
facebook insights daily like sources
facebook video call forensics


text:
Neoclassical to Now opens in one week on Friday, February 14. This program offers a wide range of styles, from Neoclassical Serenade choreographed by George Balanchine, to Jorma Elo's contemporary Glow-Stop. Also featured in this program is the company premiere of Israeli choreographer Ohad Naharin's Minus 16. Each work differs dramatically from the others, and Ballet San Jose's dancers have to quickly adapt and move from one style to the next.
Transitioning into Minus 16, the dancers remove their pointe shoes and take on a very different style of dancing called Gaga. Pioneered by Ohad Naharin, Gaga is a "movement language" emphasizing sensation and pleasure in movement. This particular style of dance is very popular in Israel, especially in Tel Aviv, and it is the main style of dance taught at Batsheva Dance Company where Naharin is artistic director. Through Gaga, our dancers are learning and discovering new ways of moving, and according to Danielle Agami, assistant to the choreographer and one of the stagers for Ballet San Jose's performance, "some of them are beginning to understand Gaga. They have to break down the habits that have been ingrained through years of classical ballet training."
Read Naharin's bio below for more insight on this revolutionary choreographer, and come see Minus 16 being performed for the first time on the stage at the San Jose Center for the Performing Arts, February 14-16, 2014. Tickets are available at http://tickets.balletsj.org/ or 408.288.2800.
Ohad Naharin
Choreographer & Artistic Director
Ohad Naharin has been hailed as one of the world's preeminent contemporary choreographers. As Artistic Director of Batsheva Dance Company since 1990, he has guided the company with an adventurous artistic vision and reinvigorated its repertory with his captivating choreography. Naharin is also the originator of an innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company's training, and emerged as a growing force in the larger field of movement practices for both dancers and non-dancers.
Born in 1952 on Kibbutz Mizra, Ohad Naharin began his dance training with the Batsheva Dance Company in 1974. During his first year with the company, visiting choreographer Martha Graham singled out Naharin for his talent and invited him to join her own company in New York. While in New York, Naharin studied on a scholarship from America-Isreal Cultural Foundation at the School of American Ballet, furthered his training at The Juilliard School, and polished his technique with master teachers Maggie Black and David Howard. He went on to perform internationally with Israel's Bat-Dor Dance Company and Maurice Béjart's Ballet du XXe Siècle in Brussels.
Naharin returned to New York in 1980, making his choreographic debut at the Kazuko Hirabayshi studio. That year, he formed the Ohad Naharin Dance Company with his wife, Mari Kajiwara, who died of cancer in 2001. From 1980 until 1990, Naharin's company performed in New York and abroad to great critical acclaim. As his choreographic voice developed, he received commissions from world-renowned companies including Batsheva, Kibbutz Contemporary Dance Company, and Nederlands Dans Theater.
Naharin was appointed Artistic Director of Batsheva Dance Company in 1990 and has served in this role except for the 2003-2004 season, when he held the title of House Choreographer. During his tenure with the company, Naharin has choreographed over 20 works for Batsheva and its junior division, Batsheva Ensemble. He has also restaged over 10 of his dances for the company and recombined excerpts from his repertory to create Deca Dance, a constantly evolving evening-length work.
Naharin trained in music throughout his youth, and he has often used his musical prowess to amplify his choreographic impact. He has collaborated with several notable musical artists to create scores for his dances, including Israeli rock group The Tractor's Revenge (for Kyr, 1990), Avi Belleli and Dan Makov (for Anaphaza, 1993), and Ivri Lider (for Z/na, 1995). Naharin also worked with Ohad Fishof on soundtracks for Three (2005), Telophaza (2006) and Furo (2006) and with Maxim Waratt who composed music for MAX (2007) and edited and mixed the soundtracks for Mamootot (2003) and Hora (2009) and Sadeh21 (2011), The Hole (2013). Naharin also combined his talents for music and dance in Playback (2004), a solo evening which he directed and performed.
In addition to his work for the stage, Naharin has pioneered Gaga, an innovative movement language. Gaga, which emphasizes the exploration of sensation and availability for movement, is now the primary training method for Batsheva's dancers. Gaga has also attracted a wide following among dancers around the world and appealed to the general public in Israel, where open classes are offered regularly in Tel Aviv and other locations.
Naharin's compelling choreographic craft and inventive, supremely textured movement vocabulary have made him a favorite guest artist in dance companies around the world. His works have been performed by prominent companies including Nederlands Dans Theater, Ballet Frankfurt, Lyon Opera Ballet, Compañía Nacional de Danza (Spain), Cullberg Ballet (Sweden), the Finnish National Ballet, the Paris Opera Ballet, Balé da Cidade de São Paulo, Cedar Lake Contemporary Ballet (New York), Hubbard Street Dance Chicago, and Les Grand Ballets Canadiens de Montréal. Naharin's rehearsal process with Cedar Lake Contemporary Ballet during a restaging of Deca Dance was the subject of Tomer Heymann's documentary Out of Focus (2007).
Naharin's rich contributions to the field of dance have garnered him many awards and honors. In Israel, he has received a Doctor of Philosophy honoris causa by the Weizmann Institute of Science (2004), the prestigious Israel Prize for dance (2005), a Jewish Culture Achievement Award by The Foundation for Jewish Culture (2008), a Doctor of Philosophy honoris causa by the Hebrew University (2008), and the EMET Prize in the category of Arts and Culture (2009). Naharin has also been the recipient of the Chevalier de l'Ordre des Arts et des Lettres from the French government (1998), two New York Dance and Performance (Bessie) Awards (for Naharin's Virus at the Brooklyn Academy of Music in 2002 and for Anaphaza at the Lincoln Center Festival in 2003), the Samuel H. Scripps American Dance Festival Award for Lifetime Achievement (2009), and a Dance Magazine Award (2009).


text:
In the previous movie we began laying out the small volute for our Corinthian capital, but more importantly we talked about a concept that we'll be seeing again and again throughout the remaining movies, and that is building a spline path that our geometry will be generated from. In this movie, I want to talk about the second half of that process, and that is hosted points on the spline path and the profiles that will sit on those points to help us create the 3D forms. So the file I have on-screen here has the completed version of the path in it from the previous movie, and as you may recall it is a 2D spline drawn on that plane there to make the shape of the volute.
So now what I need to do is host profiles along this path that I can turn into a lofted 3D form. Now, to host profiles on a path, you need to create reference points. So, that'll be our first step here. So I'll go to my Point command, and I want to make sure that the Draw on Face option is chosen, and then I want to click directly on the spline. And I'll place one here, I'll place one maybe about here. Actually I'll place it right at the midpoint because that'll set it at 0.5.
I'll place another one right about here. And then the final one towards the end. Now, you could snap right to the end, but I like to back it off a little bit and then select the point and modify it. So, if you come over to the properties and you scroll down the normalized curve parameter right here you can modify that number to anything you want. So I'm going to set this one to one, and the one at the other end I'm going to set to zero. So that means I'll have a reference point at the start and another one at the end.
Now this one is already at 0.5, because we snapped to the midpoint. If it's not, you can change it to 0.5. And then this one I'll make about 0.84. Now there's nothing really special about the positions of any of these points. I just did some trial and error and I like the results that they give. So, if you want to vary those later, you can. What's important here is if we go to the 3D view, and we zoom in and we look at this, is that now we have this spline path, and hosted on that spline path we have several points, each of which defines a plane.
Those planes can, in turn, host geometry and that geometry will always be perpendicular to the path. And that's what we need to create a lofted form. So now, the way that we create the geometry on the path we're going to look at a few different ways to do that over the course of the next several movies. In this movie, we're going to look at the massing environment equivalent of using a profile. So if you think back to the traditional Family Editor, when you create a sweep, you can draw your sweep path and then you can load a 2D profile family in and use that profile family to shape your sweep.
2D profile families cannot be used in the massing environment. So what we do instead is we use a generic model family. And I've got one open right here, so I've named it PRF_FB, so profile, face-based. And it is a face-based 3D model family. However, as you can see from the 3D view here, I don't have any 3D geometry in it. I've just placed a model line, and the model line is just a simple circle.
So, with that closed shape, when I load that into my other family, it will function the same way as a profile would. So the massing environment won't let you use a 2D family, but it will use a 3D family that has model lines drawn within it. So it achieves the same end result. Now, what I've done in this family is, you know of course I've got my width, and I've got my depth, and you can see that I've got this circle that's kind of centered that way. But I've got a slight variation in here that I want to point out to you.
Notice here that I've got a parameter called Total Offset. So the Total Offset parameter actually allows me to shift the position of this circle off-center, and not only that, but I've built it in such a way that I can shift it either positive or negative. Normally you can't put a negative number in a dimension. If you do, it will fail. So what we do instead is, I've created this reference plane down here, and that reference plane I've set at a fixed distance away. In this case, I just chose the number two.
I chose two because I figured that we would never need to go more than two away from center. If you need to go more than two away from center just move this reference plane and increase this dimension. But this is now your anchor point, and then by doing the math, depending on whether it's a positive or a negative number in the offset field, the profile will either move closer or further away from this reference line. So let me show you that by going to Family Types, and here's Profile 1, here's Profile 2.
Notice that when I apply it it's still the same size, but it does shift a little bit further away. Here's Profile 3. When I apply that, it shifts even further away and it got a little smaller. And then finally, here's Profile 4, and when I apply that the furthest away and it gets the smallest. Now, notice that Profile 4 is using a positive offset multiplier, where Profiles 2 and 1 are using a negative Profile Offset multiplier. And so those numbers are multiplied by the part length and then that gets added to that negative offset value that's fixed at two, and that's what allows it to shift either up or down.
So I built it that way so that this profile can move around, and that's really the key that I wanted to outline here. By letting this profile move around, I will gain way more flexibility when I build my lofted shape from it back in the other family. Otherwise, I would have to go to a 3D spline. So by building this offset this way, I don't need a 3D spline. I instead am shifting the profile closer and further away from the 2D spline and I'm getting the same effect.
So let's go ahead and load this into the project, and it'll try and place itself here in the front view. That's not really what I want, so let me just cancel out of there and go to the 3D ortho view, and now let's see how we can place this into the project. I want to place one of these profiles on each of the four points. So, if I expand Families, expand Generic Models, and then finally expand my PRF_FB, I'm going to start with Profile 1, drag-and-drop it in.
Now it'll initially tell me that it can't place because there's no face, it's trying to place itself on a 3D geometry, I want to click the Set button here to set the work plane. And specifically where I want to set the work plane is on that point that's sitting down at zero. Once I do that, I can change the placement method to Place on Workplane, and now I can snap directly to that point. Now make sure you're getting snapping to the point. If you want to be sure, type SX.
That's the keyboard shortcut for Snap to Point. I'm still in the command. I'll come over here and change to Profile 2, click the Set Workplane again. The second point is the one here at 50%. I'll click it, Place on Workplane, and place that shape right there. Repeat for Profile 3, set the workplane on the 84% one, place on workplane, place it right there. And then, finally, Profile 4. Set, place that on the final one, and place it right there.
And again, make sure you're snapping to the point. So, as you orbit this around, notice that like if we spin it down to top here, notice that the profile starts off centered and slowly is moving it's way out as it spirals around. So now, all that remains to do is select the path, hold the Control key, and select each of those generic models. You should have five items selected over here, and I'll click Create Form. And just like that, it will create this 3D form, and because of that offset, you can see the way it wraps around and actually changes in the Z direction as well as in the X and the Y.
And without that offset parameter, you really couldn't do that with a 2D spline. So that's really the key variable there that makes this work. You could use a 3D spline, but as I say, it tends to be a little heavier. So you see this seam here? I don't really like seeing that. Now there's a neat little trick you can do to get rid of that seam. All you have to do is get this 3D form to participate in either a join or cut geometry operation with some other 3D form. Now I don't really want to join or cut this object with anything, so what I'm going to do is tip the model down so I can see the underside.
I'll come in here and draw a circle, and I want to draw it right on this workplane, so I'm going to set and pick that same reference point down there at the bottom. Then I can draw my circle, and I'll just draw it a random size there. I'll select that circle, and come over here to the drop-down on the Create Form button, and choose Void Form. And when I do that, it will suggest making a little cylinder there, and I want to choose either this or this, well I want it to engage the 3D form.
And do you see how it went up in there and it cut out a little hole underneath? But more importantly, that eliminates the seam. The final thing you want to do is, I don't want to see these ribs either. So I'll make a window around the entire model, or at least around all of the four circles. Make sure you don't get the overall 3D form. Go to Filter, check None, and I want to check just the four Generic Models.
It should say four here. If it says any other quantity, you need to deselect whatever that is, because you want only four. With those four generic models selected, I'll uncheck the Visible checkbox right there. Now here in the Family Editor they'll still be visible, but when you load this into other projects or families, they won't show up. And that completes the small volute. But more importantly, that gives you the complete process of how we're going to create so many of the forms that make up the Corinthian capital.
So in the previous movie we talked about creating that 2D spline path, and how to go about doing that. And then in this movie, we added the points along that path and then added profiles. Now, there's other ways we can add the profiles, so we'll see variations on this theme in later movies, but the essential process is the same. When you select all of the profiles plus the path and Create Form, you get a very organic 3D shape.
- Researching source materials and source drawings
- Sketching and modeling architecture
- Setting up the project in Revit
- Modeling overall forms
- Using system families
- Adding details such as columns and moldings
- Creating an interior model
- Rendering the project


text:
The owners of Pour Coffeehouse, Deborah Armstrong and Tina Torres, opened their doors four years ago after leaving the corporate world behind. Their mission was to have a shop that allows visitors to sit back, relax and enjoy the coffeehouse vibe.
Pour Coffeehouse offers all the classics, such as coffee, teas, lattes and smoothies and features unique eats as well. Offerings include: breakfast sandwiches, an Apple Cheeser (apple butter, cheddar and provolone cheese, bacon on wheat bread), Breakfast Bombness (cream cheese, spinach, tomato, bacon, avocado, whole wheat muffin) and the customer favorite Caribbean Special (mustard, hot sauce, cheddar cheese, avocado, tomatoes, turkey, fried plantains, white bread, salt and pepper), which takes you from hot and spicy to a cool down to sweetness. Pour Coffeehouse offers a community feel and relaxed ambiance.
Pour Coffeehouse hosts a number of events, including: karaoke on the 3rd Thursday of the month, ladies' breakfast on the 3rd Saturday of the month and an intimate night with an artist the 4th Thursday of the month. The walls are adorned with local art work on display and available for purchase. Pour Coffeehouse embraces the community and participates in many community fundraising events and supports many local and social causes.
6811 S. Eastern Ave.
Unit 104-D
Instagram: Pourlv


text:
One thing that's obvious about A&E's "Bates Motel" is that the powers-that-be didn't skimp one bit when it came to recreating one of the most iconic locations in horror history. Check out these behind-the-scenes looks at the set design, writing, directing, and first episode of the show.
Read our "Bates Motel" review here.
A&E's "Bates Motel," from executive producers Carlton Cuse ("Lost") and Kerry Ehrin ("Friday Night Lights"), is a contemporary prequel to the genre-defining film Psycho and promises to give viewers an intimate portrayal of how Norman Bates' psyche unravels through his teenage years. Fans will have access to the dark, twisted backstory of Norman Bates and how deeply intricate his relationship with his mother, Norma, truly is.
The series stars Academy Award nominee Vera Farmiga (Up in the Air, The Departed), Freddie Highmore (Charlie and the Chocolate Factory, Finding Neverland), Max Thieriot (Disconnect), Olivia Cooke (Blackout), and Nicola Peltz (The Last Airbender). Season One also co-stars Nestor Carbonell ("Lost," The Dark Knight Rises) and Mike Vogel ("Pan Am"). "Bates Motel" is produced by Universal Television for A&E Network. Cuse and Ehrin serve as executive producers for Carlton Cuse Productions.
"Bates Motel" Episode 1.02 – "Nice Town You Picked, Norma" (3/25/13 air date):
Dylan (Thieriot) immediately begins causing trouble; the Bates (Farmiga, Highmore) are drawn into the secrets surrounding White Pine Bay.
For more info visit the official "Bates Motel" website.
Got news? Click here to submit it!
Go psycho in the comments section below!


text:
Toyota will present at the Frankfurt Motor Show the series version Prius Plug-in Hybrid, the outlet powered derivative of the famous hybrid, and a seven-seater MPV version of the Prius called Prius+. Toyota launches the version of Prius powered from the outlet Toyota officially announced the debut of the new Toyota Prius Plug-in Hybrid at this year's edition of the ...Read More »
Honda Insight Facelift – World Premiere in Frankfurt
Honda refreshes its hybrid by excellence just two years after the launch. Honda Insight Facelift gets a more efficient drive train and aesthetic improvements to compete on an equal footing with the great rival Toyota Prius. Honda has published only nine days before the start of the Frankfurt Motor Show, the first image with the facelift that the Japanese manufacturer ...Read More »
Geneva 2011 Live: Toyota and its eternal eco offensive
Japanese manufacturer Toyota has put on stage at Geneva Motor Show 2011 the new Toyota Yaris Hybrid Concept, a model which will debut in the next half year and. Also it should not be overlooked the pre-series version of Toyota FT-86 II and the Toyota Prius+. As we have become accustomed in recent years, the Japanese at Toyota take the ...Read More »
Google has a new project: The car without driver!
Google proposed and tested the car without a driver. Google overcomes the limits of the Internet and takes advantage of the influence, the knowledge and the financial power to propose cars that drive without any intervention of the driver. This project is developed in collaboration with the universities Stanford and Carnegie Mellon and supposes the testing of six Toyota Prius ...Read More »


text:
Chicken- 250Gms
turmeric powder-1Pinch
salt- to taste
For stuffing:
Onion-2Cup (chopped)
Ginger paste -1Tbspn
Garlic paste-1Tbspn
Green Chilly-3(Chopped )
Garam masala-1/2Tsp
turmeric powder- 1/4Tsp
Red chilly powder-1-2Tsp
Coriander leaves- 1Handful
Curry leaves
Salt-to taste
Bread- 10Pieces
Bread Crumbs-1Cup
Cook chicken by adding turmeric powder and salt. Shred it.
For Filling
Heat oil in a pan. Add curry leaves, ginger paste, garlic paste, chopped green chilly, onion and some salt, sauté till onions are light brown color.Then add garam masala powder, turmeric powder and red chilly powder. Saute it for some time. Then transfer shredded chicken to it. Mix well and cook it for 3-5 mins. Finally sprinkle some coriander leaves, mix well, switch off the flame and allow it to cool.
Remove edges of bread pieces.Beat egg. Spread bread crumbs.Soak bread slices in milk, squeeze it. Place 2 Tbspn of filling in its center. Roll it, dip in beaten egg and roll in bread crumbs and keep it aside. Keep the Rolls in the refrigerator for 30 minutes for the coating to get firm.Heat oil in a pan and deep fry the rolls till golden color.Now our delicious chicken bread roll is ready to serve.
Your email address will not be published. Required fields are marked *
Name *
Email *
You may use these HTML tags and attributes:   <acronym title="">
      <q cite="">
  <acronym title="">
      <q cite="">


text:
- 2 winter squashes, cut in half & deseeded (I used delicata squash)
- 6 medium organic sweet potatoes, cubed & steamed until tender
- 2 Tablespoons organic non-dairy butter spread
- 2 Cups cooked quinoa (1 cup quinoa, 2 cups water) – I used organic red quinoa
- 1 lb organic extra firm tofu, sliced into tofu steaks (thickness depends on your preference)
- 1 Tablespoon Old Bay seasoning
- 1 bunch of organic kale (I had red organic kale on hand), washed & chopped
- Salt & pepper to taste
- Optional: 1 Tablespoon maple syrup (for the smashed sweet potatoes)
- Preheat your oven to 375 degrees. Place your squash face-down in a baking dish with filled with 1inch of water an steam until the squash is soft (about 20-30 minutes).
- On a greased baking sheet, lay your tofu steaks and sprinkle with Old Bay spice. Bake for about 15 -20 minutes on one side, then flip over and bake for another 15 minutes. Add salt & pepper to taste, if needed.
- While the squash & tofu are baking, steam your kale until tender. Add salt & pepper to taste.
- Using your steamed sweet potatoes, add your non-dairy butter spread and smash until your potatoes are creamy. Add salt & pepper to taste, plus maple syrup if desired.
- Once your squash is steamed, it's time to stuff those babies! Layer the bottom with your cooked quinoa. Add the steamed kale. Top with your smashed potatoes. Serve your tofu steaks on the side.
- Enjoy eating whole!


text:
Paramount to a new five-year tuition model the Board of Regents unveiled in November is its predictability and reliability — meaning regents will set rates just once a year and won't make late, last-minute changes should lawmakers enact cuts or appropriate less funding than requested or expected.
With that in mind, regents on Tuesday announced they aren't planning to consider the first of two required readings for 2019-2020 tuition rates during their meeting next week because they don't know enough about the state's budget or funding for its public universities and special schools.
"However, as the Legislature continues its consideration of state appropriations, it is possible that tuition could be added to the agenda if more information becomes available," according to a Board of Regents news release Tuesday. "If tuition is added, it will be done so no later than 24 hours prior to the meeting, as required by state law."
If it's not added to the upcoming agenda, and the funding picture remains too hazy for the board's tuition-setting comfort, regents will call a special meeting for the rates' first reading in either late April or early May — depending on when they know more. That will allow the board to consider final approval of fall rates during its June 4-6 meeting, as planned.
The board needs more information on state appropriations before setting rates for the fall because its new tuition model hinges on the degree of legislative support.
For the University of Iowa and Iowa State University, the board is following a "guardrails" model that limits base undergraduate tuition increases to 3 percent if the state fully funds the regents' appropriations request.
On the other end of the tuition rate range is the base increase should lawmakers provide no additional funding. In that case, UI and ISU costs will go up 3 percent, plus the projected Higher Education Price Index, which this year is estimated at 2 percent.
And should lawmakers partially fund the board's appropriation request, the base resident undergraduate rate increase would fall somewhere between that three to five-percent range.
The model doesn't include a scenario for funding cuts — like the ones lawmakers enacted recently, prompting the public universities to freeze faculty pay, nix some scholarship programs, halt new campus construction for a period, and close some centers.
And the model looks different for University of Northern Iowa, which has a different student-body makeup and peer group of lower-cost regional institutions.
Because Iowa students pay lower tuition rates, and UNI boasts a majority in-state students, it generates less in tuition revenue than ISU and UI — a gap it can't make up by hiking rates because that would hurt UNI's ability to remain competitive among its peers.
Thus, resident undergraduate tuition at UNI will remain frozen if lawmakers fully fund its 2019-20 appropriations request, according to the board's tuition model. It's unclear if or how much UNI rates would increase if lawmakers fall short of UNI's funding request.
The board in September 2018 approved an appropriations request for the 2020 budget year seeking $18 million more in general university state support. That would be split $7 million to both UI and ISU and $4 million to UNI — with all three campuses vowing to use the money on student financial aid.
Gov. Kim Reynolds in January proposed giving the regents all the money they asked for — welcome news to a Board of Regents that in recent years saw state aid slashed by more than $40 million. But lawmakers haven't wrapped their budgeting process — leaving too many unknowns for the regents.
"One of the key elements in our new model was that tuition would only be set one time, so we may have to wait," Board of Regents President Mike Richards said in a statement. "We want predictability for our students, and once we have enough information we will set tuition rates."
The board last summer increased resident undergraduate rates about 4 percent at UI and ISU — bringing the total cost to $7,770 and $7,740, respectively. It increased those base rates at UNI about 3 percent to $7,665.
Including base tuition rates, mandatory fees, room and board, and other expenses, the estimated cost for a resident undergraduate student to attend UI, ISU, and UNI is $22,101, $21,172, and $20,836, respectively.
• Comments: (319) 339-3158; email@example.com


text:
This innovative title looks at the history of the Web from its early roots in the research projects of the US government to the interactive online world we know and use today.
Fully illustrated with images of early computing equipment and the inside story of the online world's movers and shakers, the book explains the origins of the Web's key technologies, such as hypertext and mark-up language, the social ideas that underlie its networks, such as open source, and creative commons, and key moments in its development, such as the movement to broadband and the Dotcom Crash. Later ideas look at the origins of social networking and the latest developments on the Web, such as The Cloud and the Semantic Web.
Following the design of the previous titles in the series, this book will be in a new, smaller format. It provides an informed and fascinating illustrated history of our most used and fastest-developing technology.
UK Delivery (click here for full details)
Courier orders placed before 2.30pm Monday - Friday will be delivered next working day.
European and International delivery (click here for full details)
The following brands are not able to be shipped outside of the European Economic Area: Patagonia, Red Wing, Carhartt WIP, Filson
Returns Policy
60 Day Returns - If you are not happy with your purchase you can return it to us within 60 days (14 for sale items) of receipt for a refund or exchange,
To return your purchase for a refund or exchange, please click here for full details.
Payment can be made online by any credit or debit card, or by Paypal.
Our site uses the latest 128 bit SSL security, complying with and exceeding all necessary security requirements to protect your details. We do not store any sensitive information (card number, etc).
SSL encrypts your order online to avoid any decoding of that information of anyone other than the necessary processing parties. To check the security of your connection, look at the status bar of your browser window after accessing the server. If you see an unbroken key or a closed lock then, depending upon your browser, SSL is active. You can also double check by looking at the URL line of your browser - while accessing a secure server the first characters of the address will change from HTTP to HTTPS.