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Gustave Courbet
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(Redirected from Jean Désiré Gustave Courbet)
Jean Désiré Gustave Courbet (10 June 1819 – 31 December 1877) was a French painter who led the Realist movement in 19th-century French painting.
1840 - 1860[edit]
- We finally saw the sea, the horizonless sea – how odd for a mountaindweller. We saw the beautiful boats that sail on it. It is too inviting, one feels carried away, one would leave to see the whole world.
- In a letter to his parents (1841); as quoted in Image of the Sea: Oceanic Consciousness in the Romantic Century, Howard F. Isham, publisher: Peter Lang, 2004, Chapter 'Waterworlds', p. 307
- Courbet is reporting his experiences of a boat-trip with a friend over the Seine to the port of Le Havre; he made also a sketchbook of this trip in the Summer of 1841
- In the coming year I must do a large painting which will definitely get me recognized for what I truly am, for I want all or nothing. All those little paintings are not the only thing that I can do.. .I want to do large-scale painting. One thing is certain, that within five years, I must have a name in Paris; that is what I strive for. It's hard to get there, I know.. .To move faster I only lack one thing, and that's money, in order to boldly execute what I have in mind. [very soon after this letter he attacked a canvas of eight feet high and ten feet wide]
- In a letter (10 March 1845); as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 2015,
- ..there's nothing harder in the world than making art, particularly when no one understands it. Women want portraits without shadow, men want to be dressed up in their Sunday best; there's no way out. To earn money with things like that, you'd be better of walking on a treadmill. At least than you would not be abdicating your convictions.
- In his letter (Paris, January 1846), as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 2015,
- It is the most wretched spectacle you can imagine. I won't fight for two reasons: firstly because I have no faith in waging war with guns and cannons, and it is not part of my creed. For ten years I have been fighting a war of wits. I would not be true to myself if I acted otherwise. Secondly, I have no weapons and I won't be persuaded. So you have nothing to fear where I am concerned
- In a letter to his parents, (June 1848); as quoted 'Gustave Courbet', by Georges Riat, Parkstone International, 2015,
- I've already done studies [for his large-scale painting w:The Burial at Ornans ] of the mayor, who weighs 400, the parish priest, the justice of the peace, the cross bearer, the notary Marlet, the assistant mayor, my friends, my father, the choirboys, the grave digger, two old revolutionaries from [17]'93...
- Remark to w:Champfleury, (End of 1849); as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 15 Sep 2015,
- It is not often that one encounters so complete an expression of poverty and so, right then and there I got the idea for a painting. I told them to come to my studio the next morning.
- Quote, (1850's) explaining to w:Champfleury and the writer Francis Wey; as quoted on Wikipedia; Masanès, Fabrice 2006, p. 31
- Courbet explains the start of his painting 'w:Stone-Breakers' [painted in 1849-50 / destroyed in the Allied Bombing of Dresden in 1945]; this painting was inspired by a scene Courbet witnessed on the roadside.
- ..in our civilized society I must lead the life of a savage. I must free myself even from governments. My sympathies lies with the people; I must go to them directly. I must draw my wisdom from them, and they must give me life. For that reason I have just embarked on the grand, independent and vagabond life of the bohemian.
- In a letter, (1850) to his friend Francis Wey; as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 15 Sep 2015,
- ..[ I ] painted the very people who had been present at the interment, all the townspeople. [Courbet pictured with his painting 'A Burial at Ornans' (1849/50) the funeral of his grand uncle which he attended in September 1848. People who attended the funeral became the models for the painting; no professional models]
- Wikipedia
- I heard the comments of the crowd in front of the painting of 'Burial at Ornans', I had the courage to read the nonsense that was printed regarding this picture and I wrote this article.. [in Le Messager de l'Assemblée]
- article in 'Le Messager de l'Assemblée' (25th & 26th February 1851); as quoted in 'Posterity', Musée-dOrsay
- In spite of being assailed by hypochondria, I have launched into an enormous painting 20 feet by 12, perhaps even bigger than 'The Burial', which will show that I am still alive, and so is Realism, as Realism exists.. .It is society at its best, its worst, its average. In short, it's my way of seeing society with all its interests and passions. It's the whole world coming to me to be painted..
- In a letter of Courbet to his friend w:Champfleury, (Autumn 1854); as quoted in 'Courbet Speaks', 'Courbet-dossier', Musée-dOrsay
- When I got back to Ornans, I spent a few days hunting. I quite like the subject of violent exercise.. .It makes the most surprising painting you can imagine. There are thirty life-size figures in it. It is the moral and physical history of my studio
- Letter from Courbet to Bruyas, (December 1854); as quoted in 'Courbet Speaks', 'Courbet-dossier', Musée-dOrsay
Realist Manifesto (1851)[edit]
- The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.
- Without expanding on the greater or lesser accuracy of a name which nobody, I should hope, can really be expected to understand, I will limit myself to a few words of elucidation in order to cut short the misunderstandings.
- I have studied the art of the ancients and the art of the moderns, avoiding any preconceived system and without prejudice. I no longer wanted to imitate the one than to copy the other; nor, furthermore, was it my intention to attain the trivial goal of "art for art's sake". No! I simply wanted to draw forth, from a complete acquaintance with tradition, the reasoned and independent consciousness of my own individuality.
- To know in order to do, that was my idea. To be in a position to translate the customs, the ideas, the appearance of my time, according to my own estimation; to be not only a painter, but a man as well; in short, to create living art – this is my goal. (Gustave Courbet, 1855) - note
- In: 'Realist manifesto', Gustave Courbet, (1851); as quoted at 'Nineteenth–Century French Realism', The Metropolitan Museum of Art, Heilbrunn, Timeline of Art History
- Courbet wrote his 'Realist manifesto' for the introduction to the catalogue of his independent, personal exhibition at the Pavilion of Realism outside the 1855 Universal Exhibition, echoing the tone of the period's political manifestos of those days
1861 - 1877[edit]
- [An artist must apply] his personal faculties to the ideas and the events of the times in which he lives.. .[A]rt in painting should consist only of the representation of things which that are visible and tangible to the artist. Every age should be represented only by its own artists, that is to say, by the artist who have lived in it. I also maintain that painting is an essentially concrete art form and can exist only of the representation of both real and existing things.. .An abstract object, not visible, nonexistent, is not within the domain of painting.
- In an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
- I have never seen an angel. Show me an angel, and I'll paint one.
- Quoted by Vincent van Gogh, in a letter to brother Theo (July, 1885); in The letters of Vincent van Gogh, ed. Ronal de Leeuw - Penguin, New York, 1996, p. 302
- I am fifty years old and I have always lived in freedom; let me end my life free; when I am dead let this be said of me: 'He belonged to no school, to no church, to no institution, to no academy, least of all to any régime except the régime of liberty.'
- In a letter of Gustave Courbet (1869); in Letters of Gustave Courbet, 1992, University of Chicago Press, transl. Petra Ten-Doesschate Chu, ISBN 0226116530
- Here I am, because of the People of Paris [ w:Paris Commune ], up to my neck in politics. President of the Federation of Artists, member of the Commune committee, city council delegate and delegate for Public Education: the four most important posts in Paris. I get up, I have breakfast, and I preside and sit on committees twelve hours a day. Now my head is starting to spin. But in spite of all this worry and trying to understand unfamiliar things, I am really happy..
- Letter to his parents (30th April 1870); as quoted in 'Courbet Speaks', 'Courbet-dossier', Musée-dOrsay
- Attendu que la colonne Vendôme est un monument dénué de toute valeur artistique, tendant à perpétuer par son expression les idées de guerre et de conquête qui étaient dans la dynastie impériale, mais que réprouve le sentiment d'une nation républicaine, [le citoyen Courbet] émet le vœu que le gouvernement de la Défense nationale veuille bien l'autoriser à déboulonner cette colonne.
- (In as much as the Vendôme Column is a monument devoid of all artistic value, tending to perpetuate by its expression the ideas of war and conquest of the past imperial dynasty, which are reproved by a republican nation's sentiment, citizen Courbet expresses the wish that the National Defense government will authorize him to disassemble this column.)
- In a letter (4 September 1870) to the Government of National Defense, (proposing that the column in the Place Vendôme in Paris, erected by Napoleon I - to honour the victories of the French Army - be taken down).
Quotes about Gustave Courbet[edit]
- sorted chronologicall, by date of the quote
1850 - 1860[edit]
- 'The Burial at Ornus' [wrongly cited in the catalogue of the Paris' Salon; it was: 'w:The Burial at Ornans'!] is a vulgar and blasphemous caricature, a signboard painting, which is full of hatred even for art; what a sad thing, in fact, when a true talent [Courbet!] tries to win the facile and extravagant applause of the nineteenth century through the exaggeration of ugliness.
- Philippe de Chiennevières, (January 1851) in 'Lettres de l'Art francais'; as quoted in 'Gustave Courbet', by Georges Riat, Parkstone International, 15 Sep 2015,
- There have always been two schools of thought in painting: that of the Idealists and that of the Realists.. .Monsieur Courbet belongs to the second school, but he differs from it in that he seems to have taken an ideal opposite to the usual ideal: whereas the straightforward Realists are happy to copy nature as they see it, our young painter, parodying for his own benefit the verses of Nicolas Boileau Despréaux, seems to be saying: 'Only the ugly is beautiful, only the ugly is likeable.' It is not enough for the people to be common; he selects his subjects and then deliberately exaggerates their crudeness and vulgarity.
- w:Théophile Gautier, (15th February 1851), in 'La Presse'; as quoted in 'Reception', 'Courbet-dossier', Musée-dOrsay
- I went to see the paintings by Courbet. I was astonished by the vigour and the relief of his vast picture; but what a painting! What a subject! The commonness of the forms would not matter; it is the commonness and uselessness of the thought which are abominable.. ..Oh Rossini! Oh Mozart! Oh geniuses inspired by all the arts, who draw from things only the elements that are shown to the mind! What would you say before these pictures?
- Eugène Delacroix in 'The Journal', 15th April 1853; as quoted in 'Reception', 'Courbet-dossier', Musée-dOrsay
- The landscape [in his painting 'The Bathers', painted by Courbet in 1853] is of an extraordinary vigor, but Courbet has done no more than enlarge a study exhibited there, near his large canvas; the conclusion is that the figures [the two bathers in the painting] were put in afterwards and without connection with their surroundings. This brings up the question of harmony between the accessories and the principal object, a thing lacking in the majority of great painters.
- Quote of Eugène Delacroix from 'The Journal' of 15 April 1853; as quoted in Artists on Art – from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 231
- [After leaving the w:Exposition Universelle (1855) ].. .I went to the Courbet exposition. He has reduced the price of admission to ten sous. I stayed there alone for nearly one hour and discovered a masterpiece in the picture, they rejected [the jury of the official Salon exhibition in Paris]. I simply could not tear myself away from the sight of it.. ..In [Courbet's painting 'The Studio'] the planes are well understood. There is atmosphere, and in some passages the execution is really remarkable, especially the tights and hips of the nude model and the breasts.. .The only fault is that the picture, as he painted it, seems to contain an ambiguity. It looks as though there were a real sky in the middle of the painting. They [The Salon-jury] have rejected one of the most remarkable works of our time, but Courbet is not the man to be discouraged by a little thing like that.
- Eugene Delacroix, a note of his Diary, (3 August, 1855); as quoted in Chapter 9: 'Courbets Studio of the Painter: in The Rhetoric of Realism, Courbet and the Origins of the Avant-Garde, Stephen Eisenman, London, Thames and Hudson 2002, p. 221
- Monsieur Courbet, too, [Baudelaire had previously been commenting on w:Ingres ] is a powerful worker, he has a wild and patient will; and the results he produces, results which for some have more charm than those of the great master of Raphaelesque tradition.. ..doubtlessly because they display a sectarian spirit, a butcher of faculties. Politics and literature, too, produce these vigorous temperaments, these protesters, these anti-Supernaturalists whose only justification is their sometimes salutary, reactive spirit. Providence, presiding over the interests of painting, gives them accomplices in all those who are tired or oppressed by the predominant, opposing idea. But the difference is that the heroic sacrifice that Monsieur Ingres makes for the honour of tradition and Raphaelesque beauty, Courbet accomplishes in the interests of external, positive, immediate nature. They have different motives when waging war on the imagination, and the two opposing obsessions lead them to the same immolation.
- w:Charles Baudelaire, (Paris, 12th August 1855) in 'Le Portefeuille'; as quoted in 'Reception', 'Courbet-dossier', Musée-dOrsay
- At the moment, Madame, in the avenue Montaigne, just near the Painting Exhibition, one can see a sign with the words: REALISM. G. Courbet. Exhibition of forty paintings. It is an exhibition in the English style. A painter, whose name has become widely known since the February Revolution, has chosen his most significant paintings, and has had a studio built to exhibit them.. .It is an incredibly audacious act, it is the subversion of all institutions associated with the jury, it is a direct appeal to the public, some are saying it is freedom.. .It is a scandal, it is anarchy, it is art dragged through the mud. Others are saying these are fairground pictures.. ..Courbet was considered a troublemaker because he produced honest, life-size paintings of the bourgeoisie, peasants and village women. That was the first point. People could not admit that a stone breaker was worth as much as a prince: the nobility objected to him according so many meters of canvas to ordinary people; only sovereigns had the right to be painted full length, with their decorations, their rich clothes and their official expressions. What? A man from 'Ornans' [were Courbet was born], a peasant in his coffin, dares to draw a large crowd at his funeral: farmers, people of low estate..
- w:Champfleury (1855), in: 'On Realism, Letters to Madame [w:George Sand]'; as quoted in 'Reception', 'Courbet-dossier', Musée-dOrsay
1861 - 1880[edit]
- ..a valiant fellow; he has a broad conception that one might adopt, but still it seems to me to be rather course in details..
- w:Eugène Boudin, in an entry of his Journal (Le Havre, 1860s); as quoted in Image of the Sea: Oceanic Consciousness in the Romantic Century, publisher: Peter Lang, 2004, Chapter 'Courbets Realism', p. 308
- I don't need to plead for modern subjects here. This cause was won a long time ago. After those remarkable works by Eduard Manet and Courbet, no-one would now dare to say that the present day is unworthy of being painted.. .We find ourselves faced with the only reality: in spite of ourselves, we encourage our painters to portray us just as we are, with our styles of dress and our manners.
- w:Emile Zola, in 'My Salon', (1868), The Actualists; as quoted in 'Reception', 'Courbet-dossier', Musée-dOrsay
- Courbet! and his influence was odious! the regret I feel and the rage, hate even, I feel for all that now would astonish you perhaps but this is the explanation. It's not poor Courbet whom I find loathsome, any more than his paintings work - As always I recognize the qualities they have - I am not complaining either about the influence of his painting on mine - there was none, and you will not find it in my canvases - There couldn't be; because I am too personal and I had many qualities that he did not have but which suited me well - But this is the reason why all that was so bad for me. That damned Realism made an immediate appeal to my vanity as a painter! and mocking all tradition cried out loud, with all the confidence of ignorance, 'Long live Nature!!' nature! My dear fellow, that cry was a great misfortune for me! - Where could you have found an apostle more ready to accept this theory, so appealing to him!. ..Ah my friend! our little band [artist-group around Courbet] was a depraved group! Oh! how I wish I had been a pupil of wIngres! .. .But I repeat I wish I had been his pupil! What a master he would have been - How soundly he would have guided us - drawing!
- Whistler, (c. 1869) in his letter to W:Henri Fantin-Latour; Repository: Library of Congress, Call-Number: Manuscript Division, Pennell-Whistler Collection, PWC 1/33/25
- In a great bare room (at Étretat, Normandy), a fat, dirty, greasy man [Courbet] was spreading patches of white paint on to a big bare canvas with a kitchen knife. From time to time he went and pressed his face against the window-pane to look at the storm. The sea came up so close that it seemed to beat right against the house, which was smothered in foam and noise. The dirty water rattled like hail against the windows and streamed down the walls. On the mantelpiece was a bottle of cider and a half-empty glass. Every now and then Courbet would drink a mouthful and then go back to his painting. It was called 'The Wave', and it made a good deal of stir in its time.
- Guy de Maupassant, (1870s): describing the way of painting by the later Courbet; as quoted in Image of the Sea: Oceanic Consciousness in the Romantic Century, publisher: Peter Lang, 2004, Chapter 'Waterworlds', p. 311
1880 - 1900[edit]
- If Courbet could only paint what he saw, he saw wonderfully, he saw better than anybody else. His eye was a subtle and assured mirror, where the most fleeting sensations, the most delicate nuances became clear. With this exceptional ability to see, came an exceptional ability to render what he saw. Courbet used paint thickly, but without harshness and without roughness: his pictures are as smooth as ice, and shine like enamel. He achieves relief and movement at the same time by using just the right shade; and this shade, put on flat with a palette knife, acquires an extraordinary intensity. I have never seen any richer or more distinguished use of colour, nor one that gains so much with age.
- w:Jules Castagnary (1882), in the 'Preface' to the catalogue for the posthumous Courbet exhibition, held at the Ecole des Beaux-Arts in 1882; as quoted in 'Reception', 'Courbet-dossier', Musée-d'Orsay
- A builder. A rough and ready plasterer. A colour grinder. He [Gustave Courbet] is like a Roman bricklayer. And yet he's another true painter. There's no one in this century that surpasses him. Even though he rolls up his sleeves, plugs up his ears, demolishes columns, his workmanship is classical!.. .His view was always compositional. His vision remained traditional. Like his palette-knife, he used it only out of doors. He was sophisticated and brought his work to a high finish.. .His great contribution is the poetic introduction of nature - the smell of damp leaves, mossy forest cuttings - into nineteenth century painting; the murmur of rain, woodlands shadows, sunlight moving under trees. The sea. And snow, he painted snow like no one else!
- Quote by Paul Cézanne from 'What he told me – II. The Louvre', in Joachim Gasquet's Cézanne, - a Memoir with Conversations, (1897 - 1906); Thames and Hudson, London 1991 p. 198
- These great 'Waves' – the one in Berlin ['The Wave' (La Vague), 1869] is prodigious, one of the marvels of the century, far more swollen and palpitating than this one [the painting 'Stormy Sea', Cézanne saw in the Louvre]; a muddier green and a dirtier orange [in 'The Wave' of Berlin] – a tangle of flying spray, a tide drawn from depths of eternity, a ragged sky, the livid sharpness of the whole scene. It seems to hit you full in the chest, you stagger back, the whole room reeks of sea-spray.
- Quote by Paul Cézanne, (in the Louvre, 1890's); as quoted in Image of the Sea: Oceanic Consciousness in the Romantic Century, Howard F. Isham, publisher: Peter Lang, 2004, Chapter 'Waterworlds', p. 313
1900 and later[edit]
- * But what an eye Monet has, the most prodigious eye since painting began! I raise my hat to him. As for Courbet, he already had the image in his eye, ready-made. Monet used to visit him [Courbet], you know, in his early days.
- Quote by Paul Cézanne from 'What he told me – I. The motif', in w:Joachim Gasquet's Cézanne, - a Memoir with Conversations, (1897 - 1906); Thames and Hudson, London 1991 p. 164
- Courbet is the father of the new painters.
- Quote by w:Guillaume Apollinaire (1913), (poet-spokesperson of French Cubism). in 'Les Peintres Cubistes' (1913); as quoted on Wikipedia
- A work of art must narrate something that does not appear within its outline. The objects and figures represented in it must likewise poetically tell you of something that is far away from them and also of what their shapes materially hide from us. A certain dog painted by Courbet is like the story of a poetic and romantic hunt.
- Quote by De Chirico (c. 1919) in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 440
- No painter before Courbet was ever able to emphasize so uncompromisingly the density and weight of what he was painting.
- w:John Berger, (1965), in The Success and Failure of Picasso, Penguin Books, Ltd. 1965. pp. 52-53; as quoted on Wikipedia: Gustave Courbet, note 50
- Courbet, whilst still using paint on canvas, wanted to go beyond [pictorial] conventions and find the equivalent of the physical sensation of the material objects portrayed: their weight, their temperature, their texture. What perspective towards the horizon meant to w:Poussin, the force of gravity meant to Courbet. (italics in original)
- w:John Berger, (1965), in The Success and Failure of Picasso, Penguin Books, Ltd. 1965. pp. 52-53; as quoted on Wikipedia: Gustave Courbet, note 51
- The task was to combine the two [ Cézanne's dialectical method revealing the process of seeing - Courbet by his materialism]. Followed up separately, each would lead to a cul-de-sac: Courbet's materialism would become mechanical; the force of gravity, which gave such dignity to his subjects, would become oppressive and literal. Cézanne's dialectic would become more and more disembodied and its harmony would be obtained at the price of physical indifference. Today, both examples are followed up separately.
- w:John Berger, (1965), in The Success and Failure of Picasso, Penguin Books, Ltd. 1965. pp. 55-56; as quoted on Wikipedia: Gustave Courbet, note 49
- On the left is the realist tradition of the 19th century, with its impulse to social description, radical criticism and meditation on things as they are.. ..culminating in Courbet at his mightiest [paintings] (The Studio, The Funeral at Ornans and a portrait of a trout that has more death in it than Rubens could get in a whole Crucifixion).
- Robert Hughes, reviewing exhibits in Paris' Centre National d'Art Contemporain, in 'Out of a Grand Ruin, a Great Museum' from TIME magazine (8 December 1986)


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Lowell Ray HansonPrivate First ClassK CO, 3RD BN, 3RD MARINES, 3RD MARDIV United States Marine Corps 30 April 1948 - 21 August 1968 Stephenville, Texas Panel 47W Line 018 |
The database page for Lowell Ray Hanson
This Marine was mortaly injured Aug 16 1968 when a hand grenade was accidentally discharged killing two at the time of the incident and wounding several others including Ed Link, Elyson Taylor, and William Gooden. Surviving the initial blast, Lowell was rushed to an aid station by Elyson Taylor, his boyhood friend and fellow Marine who served together throughout most of their enlistment prior to this tragic event. Lowell was medevaced to the hospital ship REPOSE where medical personnel made a valiant effort to save Lowell, who succumbed to his wounds several days later.
Stewart Resmer |
A Note from The Virtual WallThe grenade accident occurred on 16 August 1968 and cost the lives of three men:
The point-of-contact for this memorial is one who remembers, Stewart Resmer email@example.com |
Top of Page www.VirtualWall.org Back to |
With all respect
Jim Schueckler, former CW2, US Army
Ken Davis, Commander, United States Navy (Ret)
Memorial first published on 22 Jan 2007
Last updated 01/26/2007

subset: commoncrawl


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Role of the C-terminal propeptide in the activity and maturation of gamma -interferon-inducible lysosomal thiol reductase (GILT).
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studied gene expression profile of brain lesions of a patient with Neuromyelitis optica by using DNA microarray; found marked up-regulation of interferon gamma-inducible protein 30 (IFI30), CD163 (show CD163 ELISA Kits), and secreted phosphoprotein 1 (SPP1 (show SPP1 ELISA Kits), osteopontin (show SPP1 ELISA Kits))
The cloning and characterization of porcine gamma-interferon-inducible lysosomal thiol reductase (GILT) are reported.
The protein encoded by this gene is a lysosomal thiol reductase that at low pH can reduce protein disulfide bonds. The enzyme is expressed constitutively in antigen-presenting cells and induced by gamma-interferon in other cell types. This enzyme has an important role in MHC class II-restricted antigen processing.
LycGILT , gamma-interferon-inducible lysosomal thiol reductase , interferon, gamma-inducible protein 30 , interferon gamma inducible protein 30 , gamma-interferon-inducible protein IP-30 , lysosomal thio reductase IP30 , lysosomal thiol reductase IP30 , interferon gamma-inducible protein 30 preproprotein , legumaturain , gamma-inducible protein 30 , gamma-interferon-inducible-lysosomal thiol reductase
336503 | Danio rerio |
420129 | Gallus gallus |
549950 | Xenopus (Silurana) tropicalis |
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65972 | Mus musculus |
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10437 | Homo sapiens |
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100174943 | Sus scrofa |


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Laodice VII Thea
Laodice VII Thea Philadelphus (Greek: Λαοδίκη ἡ Θεά καὶ Φιλάδελφος, "Laodice the goddess and brother-loving", born after 122 BC–?), was a Greek–Syrian princess of the Seleucid Empire and future queen of Commagene. She was the daughter of Greek–Syrian King Antiochus VIII Grypus and Greek Ptolemaic Princess Cleopatra Tryphaena (see Cleopatra VI of Egypt), a daughter of Ptolemy VIII Physcon.
Laodice married Mithridates I Callinicus, a prince and future king from the Kingdom of Commagene. The fathers of Laodice and Mithridates had arranged their marriage as part of a peace alliance between their kingdoms. Mithridates embraced the Greek culture. Laodice bore Mithridates, a son Antiochus I Theos of Commagene (c. 86 BC–38 BC). Antiochus became a prince and future king of Commagene.


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Best of St Pete Beach
Bayfront Convenient Care Clinic - 6455 Gulf Blvd., St. Pete Beach, FL 727-367-5666
Bayway Medical Walk-In - Urgent & Family Medical Care. Day, Evening, and weekend hours. 5901 Sun Blvd, Suite 113. Phone 727-867-7910. At the INtersection of Bayway and Sun Blvd. This clinic is off the island, but very close. It is on the Pinellas Bayway, not far from the Don Cesar.
If you've stepped on a stingray, or if you have the symptoms of heat stroke, or any other medical problem, emergency or not, you'll want to stop by one of the above walk-in clinics to get the help you need.
St Pete Beach Weddings
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text: A shoe entitled "Passionate for Pink Cream" by Rhonda Voo is displayed at the Starker Auftritt: Experimentelles Schuh Design exhibit on March 27 at the Grassi Museum in Leipzig, Germany. The exhibition features 200 pairs of shoes, many of them designed for celebrities, that challenge traditional notions of shoe design. Joern Haufe, Getty Images"Mojito" by Julian Hakes is displayed at the Grassi Museum. The exhibition runs until Sept. 28. Joern Haufe, Getty Images"Marie Antoinette," left, and "Mina Harker" were designed by Barbara Zucchi. Joern Haufe, Getty ImagesA woman looks at "Nature Extends," a shoe designed for Lady Gaga by Jantaminian. Joern Haufe, Getty Images"Flashes" was designed by Jochen Kronier. Joern Haufe, Getty Images"Tongari Atama" by Gert van Gastel. Joern Haufe, Getty ImagesA museum visitor looks at a pair of shoes entitled "Straw Shoes" by Tabitha Gwyn Osler. Joern Haufe, Getty ImagesThe "Just Married" shoes, rear, by Sanemiko (designer Sanem Sevgen) and "Angora," designed for Madonna by Minna Parikka. Joern Haufe, Getty Images"Just Married" by Sanemiko (designer Sanem Sevgen). Joern Haufe, Getty ImagesShoes entitled "Ohne Titel" and "Marylin and Murrine" were designed by Luigi Bona. Joern Haufe, Getty ImagesA pair of shoes entitled "Cutlery," front left, designed by Lauren Johnstone, are displayed with "Shoebag," top, designed by Astrid Jansen, and "Brooms," designed by Sol Alonso. Joern Haufe, Getty ImagesA woman looks at shoes entitled "Stockings" by Shani Bar. Joern Haufe, Getty ImagesThe "Ohne Titel" shoes designed by Svenja Ritter. Joern Haufe, Getty ImagesA shoe creation entitlted "Mourning Cloak" was designed by Winde Rienstra. Joern Haufe, Getty ImagesA visitor looks at "Medusas Shoes" by John Breed. Joern Haufe, Getty Images"Irradiance" was designed for Beyonce Knowles by Jantaminian. Joern Haufe, Getty ImagesThe "Lady Gaga Shoe" was designed for Lady Gaga by Ben Naaem. Joern Haufe, Getty Images"Cow Girl" by Iris Schieferstein. Joern Haufe, Getty ImagesA Jeremy Scott design entitled "The Pink Poodle." Joern Haufe, Getty ImagesLike this topic? You may also like these photo galleries:Replay1 of 192 of 193 of 194 of 195 of 196 of 197 of 198 of 199 of 1910 of 1911 of 1912 of 1913 of 1914 of 1915 of 1916 of 1917 of 1918 of 1919 of 19Last SlideNext Slide


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Grilled Corn Salsa
- Total Time: 10 mins
- Hands-on Time: 10 mins
Once you master red and green salsa, try this robust salsa featuring fresh, frozen or grilled seasonal sweetcorn and beans. Loaded with veggies, raisins and tomatoes, this corn salsa adds a refreshing sweetness to each dip of the chip.
- 1 teaspoon Simply Organic Cilantro
- 1 teaspoon Frontier Organic Onion Powder
- 1/4 teaspoon Frontier Organic Garlic Powder
- 1/2 teaspoon Frontier Table Grind Sea Salt
- 1/4 teaspoon Frontier Organic Ground Cumin Seed
- 2 ears of fresh yellow corn (choose organic to avoid GMOs)
- 1 cup black beans, cooked and cooled
- 1 small yellow squash, diced
- 1 cup grape tomatoes, diced
- 1/2 green bell pepper, diced
- 1/3 cup golden raisins
1. Preheat an outdoor grill on low. Real wood charcoal tastes best, but gas works fine. Avoid instant-light briquettes as they make food taste like lighter fluid. Aim for low heat – if your grill lid has a thermometer built into the lid, it should read about 300 to 325 degrees.
2. Remove the husks and corn silk completely before placing the corn on the grill. Cook for 10 minutes or until the corn is bright yellow and kernels are tender.
3. Turn the heat up to medium-high (about 375 degrees) and continue to grill until the corn chars slightly. Allow the corn to cool before carefully slicing off the kernels.
4. In a medium bowl, combine the corn, squash, black beans, grape tomatoes, green pepper, raisins and spices. Stir to combine.
5. Refrigerate until ready to serve.
Yields 6-8 servings
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Candidate Jesse Saggus wants voters to know his experience as a Marine and from other jobs he has held has prepared him to become the county's next judge-executive.
If you currently subscribe or have subscribed in the past to the Carrollton Democrat, then simply find your account number on your mailing label and enter it below.
Click the question mark below to see where your account ID appears on your mailing label.
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Richard Dow |
UPDATE: Ex-Winnipeg cop convicted in sex assaults found dead in jail
A Winnipeg judge has reserved his decision in the sentencing of a former Winnipeg police officer who pleaded guilty to numerous sexual assaults earlier this year.
In May, Richard Dow pleaded guilty to 11 counts of sexual assault and one charge of simple assault in connection with a series of incidents involving a modelling business he ran.
At a sentencing hearing Aug. 24, the Crown asked for five years of prison time for Dow. Lawyer Marty Minuk said, "Mr. Dow was in a position of trust, and he violated that trust."
Dow's lawyers asked for a conditional sentence of two years less a day. They requested Dow serve his time in the community under a curfew, as well as perform 240 hours of community service.
They said negative media coverage has ruined and humiliated Dow and served as a punishment in itself. The lawyers said the 58-year-old's sexual assaults were "brief and low level," adding that he was an "all around good guy in the community." The defence further argued he was unlikely to reoffend.
Victim impact statements were also heard in court on Friday.
One of the victims told CTV News she is hoping for a stiff sentence.
"House arrest and community service is a joke, and it's actually a slap in the face," she said.
The victim was 21 years old when she was sexually assaulted by Dow.
"When you are that young, you feel super naïve and you have dreams. And there are definitely people out there who take advantage of it," she said.
The woman is now 32 and still waiting for justice to be served.
The judge in the case has reserved his decision until Sept. 13, extending a lengthy court process.
In May, Dow entered his guilty plea and had 13 other sexual assault charges stayed. The case against him centered on 20 victims who alleged Dow sexually assaulted them over a period ranging from 2000 to 2005.
The victims ranged in age from 17 years old to 23 years old and most were assaulted at photo shoots at Dow's home. Dow ran a side modelling agency while working for the Winnipeg Police Service.
On Friday, Dow was asked in court if he had anything to say. He told the judge he was humbled and extremely remorseful. He cried while saying, "I can only assure the court this will never happen again. I know I did wrong."
One of his victims said she doesn't believe Dow is sorry. "It made me sick to my stomach, actually," she said. "It's like tears of a crocodile. You're not upset that you stole the cookie out of the cookie jar, but you are upset you got caught."
In a separate case, Dow pleaded not guilty and was found not guilty of sexually assaulting an 18-year-old woman in May 2012, prior to this more recent trial involving 20 women.The maximum sentence for sexual assault is 10 years in prison.


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PHUKET: The Antinori family has been making wine for over six hundred years, since Giovanni di Piero Antinori became part of the Arte Fiorentina dei Vinattieri in 1385.
You are cordially invited for an exclusive wine dinner headlined by the leading Italian producers of fine quality wines of the Antinori winery, presented by Mr Jacopo Pandolfini on Tuesday, 10 May, at 7pm at the Mare restaurant of the Centara Grand Beach Resort, Phuket.
The exclusive menu is created by Fabrizio Crocetta, our Italian Chef. THB 1,900++ per person. For reservations, please contact 076-201234, ext 1400.
A grassroots development program recently announced that it will sell 50 hand-chosen Phuke...
The Phuket Gazette Co Ltd
79/94 Moo 4, Thepkrasattri Rd, T. Koh Keaw, A. Muang Phuket 83000, Thailand
Tel: 076-615244 Fax: 076-615240 [email protected]
Copyright © 2013 The Phuket Gazette Co Ltd. All rights reserved.


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Product Features
Framed Carbon fat wheels are the ideal upgrade for the fat bike rider looking to increase performance and decrease rolling weight. These 80mm wide rims are full carbon and feature a unique double/single wall system. Through the middle of the rim there is a single thick wall of carbon to support spoke tension. A double wall system is used near the edges of the rim near the tire bead to reinforce durability and rigidity. These wheels are tubeless compatible. Leave behind those misconceptions about fat bikes being heavy with this lightweight addition, ideal for all season riding. Did we mention these wheels are HANDBUILT IN THE USA!? That equates to quality that cannot be beat.
These wheel sets are available in four different hub spacing and driver configurations. Please confirm compatibility before placing your order. Call Framed Bikes customer service at 866-956-5971 with any questions about compatibility.
Key Features of Pub Carbon Pro-X 150mm/190mm HG Wheel Set:
- Rim: PUB Carbon 80mm Single/Double Wall hybrid, black 660g
- Spokes: DT Swiss Competition 2.0mm - 1.8mm, black
- Nipples: DT Swiss Brass 2.0mm, silver
- Spoke Count: 32
- Lacing Pattern: 3 cross
- Hub: Framed Pub Hub, Black
- Weight: Rear 1180g +/- 5g.
- Weight includes hubs, spokes and rims
- Tubeless Compatible
- Disclaimer: Framed Bikes reserves the right to substitute parts and components based on availability at time of purchase. Every effort will be made to substitute with a part of equal or better quality than what is listed or pictured. Photo of product may vary from what is listed in specs, as well as what ships.
All Gear by: Pub


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7077 NE 7th AVE Portland OR
$352 per sqft
2017 build
- on site
House Pending Sale
We will be in touch soon to confirm your appointment. Questions? Call 1-800-241-3327 or contact us.
New LEED certified home by PDX's #1 builder in Woodlawn! Extremely energy efficient! Contemporary style w/ clean lines, modern, HWs thru-out main, gourmet kitchen w/ quartz counters, upgraded appliances! Master suite with walk-in closet & dual vanities. Fully fenced and irrigated. This style is extremely limited/rare, act fast! Photos are representational! Completion March 2017. Schedule a Private Showing
Listing courtesy of RMLS / Renaissance Development Corp.Year Built: 2017
SqFt Approx Total: 1589
SqFt Source: Floorplan
SqFt: 1589
Floors: 2
Senior Housing: No
Disability Access: No
Roof: Composition Roofing
Disability Access: Built-in Lighting, Natural Lighting, Garage on Main
Basement Foundation: Crawlspace
Exterior Construction: Cedar, Fiber Cement
Architecture Style: Contemporary, Mid-Century Modern
Disability Access: Yes
Year Built Source: Under Construction
Green Energy Cert Obtained: In Process
Green Energy Cert Type: LEED for Homes (Existing)
Green Energy Date: 2013-09-05
Green Energy Score: 55.00
Green Energy Type: Energy Performance Score
Main Level: 655 Sqft
Additional Features: Linseed Floor
Features: Air Cleaner, Garage Door Opener, Hardwood Floors, Owned Security System, Passive Solar, Tile Floor, Linseed Floor, Quartz, Lo-VOC Material
Additional Rooms: Utility Room
Other Room 1 Level: U
Master Bedroom Level: U
Kitchen Room Level: M
Family Room Level: M
2nd Bedroom Features: Wall to Wall Carpet, Closet
3rd Bedroom Features: Wall to Wall Carpet, Closet
Family/Great Room: Built-in's, Hardwood Floors
Additional Rooms: Utility Room
All Room Features: Built-ins, Eat Bar, Hardwood Floors, Pantry, Suite, Walk in Closet, Wall to Wall Carpet, Closet, Linseed Floor, Quartz
Kitchen Features: Eat Bar, Pantry, Quartz
Master Bedroom Features: Suite, Walk in Closet, Wall to Wall Carpet
Additional Room Features: Linseed Floor
Kitchen: 81 Sqft
Kitchen Length: 9
Kitchen Width: 9
Living Room Sqft
Dining Room: Sqft
Family Room Length: 14
Family Room: 308 Sqft
Family Room Width: 22
Master Bedroom: 154 Sqft
Master Bedroom Length: 11
Master Bedroom Width: 14
Bedroom 2: 110 Sqft
Bedroom 2 Length: 11
Bedroom 2 Width: 10
Bedroom 3: 110 Sqft
Bedroom 3 Length: 11
Bedroom 3 Width: 10
Upper Level: 934 Sqft
Lower Level: 0 Sqft
Other Room 1: Sqft
Other Room 2: Sqft
Other Room 3: Sqft
Short Sale: No
PriceType: List Price
Warranty Available: Yes
Terms: Cash, Conventional, FHA, VA Loan
Bank Owned: No
Third Party Approval: No
Seller Disclosure: Exempt
Possession: Close Of Escrow
State: OR
Subdivision: Woodlawn
Directions: From Rosa Parks Way, Head N on MLK, Head E on NE Morgan, S on NE 7th
Lot Size Dimensions: 50x50
Exterior Features: Fenced, Gas Hookup, Patio, Porch, Security Lighting, Sprinkler, Vinyl Window-Double Paned, Yard
Lot Description: Level
Tax ID: Not Found
Total Bedrooms: 3
Bedroom 3 Level: U
Bedroom 2 Level: U
Main Level Baths: 0.1
Partial Baths: 1
Full Baths: 2
Upper Level Full Baths: 2
Total Baths: 2.1
Upper Level Baths: 2
Main Level Partial Baths: 1
Pending Date: 2017-03-01
Days On Market: 15
Cooling: Heat Pump
Heating: Zonal, Mini Split, Ductless
Energy Efficiency: Zonal, Vinyl Window-Double Paned, Tankless, EnergyStar Appliances, Mini Split, Insulation and Ceiling Insulation
Heating Fuel: Electric, Gas
Hot Water Heater: Gas, Tankless
Sewer: Public
Water: Public
Kitchen Appliances: Built-in Microwave, Built-in Dishwasher, Disposal, Gas Appliances, Pantry, Plumbed for Icemaker, Free-Standing Range, Convection Oven, EnergyStar Appliance, Quartz
Elementary: Woodlawn
Middle School: Ockley Green
High School: Roosevelt
Spaces: 1
Parking: Driveway, Street
Garage: Attached
Provided by WalkScore™ Inc.
Date | Event | Price | % Change |
Mar 1, 2017 | Pending | $559,900 | — |
Feb 15, 2017 | Price Changed | $559,900 | 1.8% |
Feb 14, 2017 | Listed / Active | $549,900 | — |
Want email alerts when this home changes price or status?
3 |
Jefferson High School Public 9-12 |
Rosemary Anderson High School/Portland Oic Private 9-12 |
Holy Redeemer Catholic School Private K-8 |
St Andrew Nativity School Private 6-8 |
Rosemary Anderson High School/Portland Oic Private 9-12 |
* GreatSchools scores are based on a scale from 1 to 10, where 10 is above average.
The school service areas are not definitive and should only be used as guidance. GreatSchools Ratings provided by www.greatschools.org
The details on 7077 NE 7th AVE: This house located in Northeast Portland, Portland, OR 97211 is currently pending sale for $559,900. 7077 NE 7th AVE is a 1,589 square foot house with 3 beds and 2.5 baths that has been on Estately for 44 days. 7077 NE 7th AVE is in the Northeast Portland neighborhood of Portland and has a WalkScore™ of 71, making it very walkable. This house is in the attendance area of Woodlawn School, Jefferson High School, and Pursuit Of Wellness Education At Roosevelt Campus.
Listing Courtesy of: RMLS and Renaissance Development Corp..
The content relating to real estate for sale on this web site comes in part from the IDX program of the RMLS™ of Portland, Oregon. Real estate listings held by brokerage firms other than Estately are marked with the RMLS™ logo, and detailed information about these properties includes the names of the listing brokers. Listing content © 2017 RMLS™, Portland, Oregon.
This content last updated on 03/21/2017 14:51. Some properties which appear for sale on this web site may subsequently have sold or may no longer be available.
Copyright © 2017 Estately, Inc. Data displayed here has not been verified by Estately.


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Hi, is Skyrim a similar game to Fallout3? i like fallout and was thinking of buying skyrim just dont want to waste my money if its nothing like.
All Bethseda games have that "feel" to it, where you can tell the same company made the same game. But with Fallout and Skyrim, it's really Post Apocalyptic vs Fantasy. Skyrim also has a ton of stuff redone from previous Elder Scrolls games, so it's probably as different from Fallout as you could get.
Ok thanks MarioDragon, Is it similar in the way of collecting items, weapons etc and the way you discover new locations and missions like in Fallout? Thanks
Pretty much, yeah. You start out with practically nothing, and get better weapons and armor as you go. Quests are the same idea (and there's a whole lot more of them), and magic is something you obviously get to keep forever, you just need the Magicka to keep up with it.
Thanks again MarioDragon, really greatfull for the info
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text:
Holbein DUO Aqua Oil is an artist quality pigment in water-soluble linseed oil. It has all the characteristics and handling of a buttery soft traditional oil colour and finishes with the same texture and brush strokes. DUO eliminates the odour of solvent from the studio and brushes as stainless knives and palettes will clean up with water. To make Duo identical in every respect to its traditional professional grade, Holbein developed a unique additive which works as a surface active agent. Any residue of this additive loses its effectiveness once the oil colour is dry.
Because of its water-solubility, Holbein DUO Aqua Oil offers the opportunity for mixed media results which would be unavailable in a traditional oil palette. For example, DUO can be mixed with waterbased metallic, pearl and interference colours as well as watercolour, gouache or acrylic paints.
The most popular white, Titanium White is inert and non-reactive under most ordinary conditions. It has greater opacity than lead or zinc but tends to yellow in the short term. It is slower drying than lead but faster than zinc. It handles and mixes well, and its surface qualities may be strengthened by mixture with zinc oxide which also helps reduce the sometimes too intense tinting power inherent in titanium pigment.
Weight | 0.1200 |
To use with | Watermixable Oil |
Quality | Excellent |
Size : ml | 50 ml |


text:
Dada Life has certainly made some big splashes in the digital pond lately with their revolutionary and unique productions. They're now back with a new one – White Noise / Red Meat! Borrowing from the incomplete nature of life, cowbell and cacophonous noise are the two main weapons in this anthemic track! Delivery made by Steve Aoki's Dim Mak Records along with three remixes from Bassjackers, PeaceTreaty and Alvaro, time to grab yourself a copy now!
Dada Life – White Noise / Red Meat (Incl. Remixes) [Dim Mak Records] – Beatport Link
13 Comments to "Release: Dada Life – White Noise / Red Meat (Incl. Remixes) [Dim Mak]"
In B4 Needs more Cowbell..
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Så Sjuuukt Fet!
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sooooft låt som fa-an
Håller med.
vad heter den första låten i den här soundcloud-länken?
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Bibliographic Details
Title: Drake's Plate of Brass. Evidence of His ...
Publisher: California Historical Society, San Francisco
Publication Date: 1937
Binding: Hardcover
Edition: First editions in book form.
Quarto. tan cloth, tan pictorial paper label printed in red and green, tan spine label printed in red. Illustrated with photographic reproductions and a folding map. Printed by Lawton R. Kennedy. The first volume contains a detailed historical discussion of the celebrated Plate of Brass by Herbert E. Bolton and Douglas S. Watson, with a bibliography of 100 works relating to Drake by Eleanor Bancroft. The second item, a sequel to the first, contains Frink's report of his electrochemical analysis of the Plate, which resulted in his conclusion that it was genuine.With:FINK, COLIN G. & POLUSHKIN, E. P. Drake's Plate of Brass Authenticated. San Francisco: California Historical Society, (1938). Quarto, green cloth with paper labels. Fine. California Historical Society Special publication number 13 & 14. [California Local History 4961, 4973. Evans 20, 21]. Spines and labels slightly sunned, bookplate on front free endpaper, else fine. Bookseller Inventory # 16573
Payment Methods
This bookseller accepts the following methods of payment:
AbeBooks Bookseller Since: 04 February 1998
Bookseller Rating:
We accept Visa, Mastercard, American Express, Paypal (email@example.com) and cheques
drawn in U.S. funds. All prices are plus applicable sales tax, and shipping cost.
We ship via UPS or USPS unless requested otherwise. For special or institutional
terms please contact us directly. All books are guaranteed to be as
described, and may be returned within 7 days of purchase, if in the same
condition as when received from us for a full refund. We will gladly answer questions via email at
Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. We ship in boxes and pack very well. We can also accommodate any special shipping requirements you have, or preferred carrier.
Store Description: At Randall House we deal in fine and rare books in many fields; this includes collectible books, limited edition books, and out-of-print books. From Shakespeare Folios to Carter's ABC for Book Collectors, from fine bindings to fine press books, from children's books to early Bibles, from incunabula to modern firsts, they are all part of what makes Randall House Rare Books the book collector's paradise. In addition to books we carry autographs, manuscripts, autograph letters, historical documents and ephemera. We always have a wonderful selection of original paintings, etchings, works on paper, and sometimes sculpture, of renowned artists on display. We also love to have visitors, so make sure to stop in when you are in the area!


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FOR SALE: Selling a beautiful spacious mobile home 93874
3 beds 2 baths 784 sqft
Home is located in a very quiet area with a full acre of land. Plenty of extra living space as the front
room has been enclosed and the flooring done. Very close to Disney, I-4, Champions Gate,
Contact: 267-774-5306
email any
phone ++(267-774-5306
Granbury, Texas, United States
210 NW 9th St . Granbury TX 76049
Ad ID: 501


text:
155 South Main Street
Suite 100
Providence, RI 02903
Suite 100
Providence, RI 02903
401.457.6706 | |
firstname.lastname@example.com | |
Download Vcard | |
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*Licensed by the State of Rhode Island
James Prescott is a Partner in the Firm's Providence office. He has over 30 years of experience in public accounting, working with companies ranging from small family businesses to publicly traded companies. He specializes in auditing and financial reporting that includes experience with public stock offerings (IPOs) and SEC regulations.
Mr. Prescott also has extensive audit experience with not-for-profits and governmental entities.
Professional & Civic Affiliations
- American Institute of Certified Public Accountants (AICPA)
- Rhode Island Society of Certified Public Accountants (RISCPA)
- RISCPA Legislation and Ethics Committee, Member
- RISCPA, Past President and Board Member
- WaterFire Providence, Treasurer
- Statewide Affordable Housing, Inc., President
- Literacy Volunteers of America - Rhode Island, Former President
Practice Focus
Manufacturing & Distribution
Pension Plans
Real Estate Investment Trusts
Non-Traded SEC Filers
Professional Services
Government Contractors
Bachelor of Arts
St. Michael's College
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6103 Questions & Answers
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Corvus Gold Discovers New 11 Kilometre Copper and Gold System at Gerfaut Project, Quebec
October 30, 2012
Highlights include: Rock samples with up to 23.6g/t Gold; and 3.9% Copper
Vancouver, B.C……..Corvus Gold Inc. ("Corvus" or the "Company") - (TSX: KOR, OTCQX: CORVF) announces results from the initial exploration program on its newly acquired Gerfaut Project in Quebec.  Gold mineralized rocks were found over an 11 kilometre strike length with several areas of outcropping copper and gold mineralization outlining a major new discovery (Figure 1).  Multiple styles of mineralization were encountered including gold with base metals, silver-lead mineralization and copper only stockwork mineralization (Figure 2, Table 1).  On the basis of these positive results, the claim position has been expanded from 24 km2 to 75 km2 and plans have begun for an aggressive 2013 exploration season, including additional surface exploration work and a discovery phase drill program.
Corvus CEO Jeff Pontius commented, "These very positive results, together with the results reported by Khalkos Exploration Inc. to the north, the extensive mineralized Cape Smith (Raglan) belt directly to the south and historic drilling by Falconbridge Limited during the mid-1990's, leads us to believe that this unexplored region of northern Quebec has the potential to host major new copper and gold deposits. Corvus' first mover position in this new and emerging mineral belt has given it a unique opportunity to acquire some of the most prospective ground in the belt in one of the best mining jurisdictions in the world. Gerfaut could represent another major discovery for the Corvus exploration team and produce significant downstream growth potential for our company as we augment our future anticipated production profile."
Table 1: Representative selected rock grab samples from different styles of Gerfaut mineralization, Main block.
Sample ID |
Mineralization Style |
Gold (g/t) |
Silver (g/t) |
Arsenic (ppm) |
Copper (ppm) |
Lead (ppm) |
Zinc (ppm) |
Bismuth (ppm) |
Tellurium (ppm) |
Polymetallic |
23.6 |
5 |
56500 |
1020 |
11800 |
9400 |
3 |
3 |
Polymetallic |
14.3 |
4 |
31200 |
261 |
1925 |
1920 |
2 |
2 |
Polymetallic |
3.3 |
15 |
1135 |
15850 |
6 |
120 |
104 |
32 |
Polymetallic |
2.6 |
2 |
58500 |
3060 |
6 |
45700 |
27 |
17 |
Silver-lead |
0.3 |
609 |
3 |
62 |
38000 |
19 |
1685 |
45 |
Silver-lead |
0.2 |
330 |
4 |
84 |
21600 |
8 |
938 |
25 |
Silver-lead |
0.8 |
272 |
2 |
165 |
13800 |
3 |
1235 |
52 |
Silver-lead |
0.4 |
245 |
2 |
73 |
17800 |
70 |
783 |
27 |
Copper only |
0.1 |
13 |
9 |
38800 |
4 |
349 |
4 |
1 |
Copper only |
0.1 |
5 |
1 |
18150 |
6 |
209 |
0.2 |
1 |
Copper only |
0.0 |
16 |
14 |
16550 |
15 |
523 |
1 |
6 |
Copper only |
0.1 |
10 |
9 |
11800 |
8 |
634 |
1 |
4 |
The Discovery
The 2012 exploration program has outlined a number of possibly intrusion-related mineral occurrences which could reflect the district-scale zoning of a very dynamic copper-gold system. Gold mineralization occurs in massive sulphide veins and with disseminated arsenopyrite in shear zones.  Silver mineralization occurs with galena in quartz veins while copper occurs as chalcopyrite in the form of replacement patches or in high temperature veins associated with pyrrhotite and/or pyrite.  The overall size of the alteration system and areal extent of mineralization is significant. At present, it is not clear as to precisely what genetic gold depositional model to apply, although it will likely be a combination of structural and stratigraphic controls.
On the basis of these initial positive results, the claim position has been expanded to both the north and the east to cover the extensions of mineralization and an additional block, called the Contact Block, was staked to the northeast of Gerfaut (Figure 4). Â Initial results from 25 selected rock grab samples collected on the Contact Block returned 10 samples containing greater than 0.1% copper including one with 0.5% (the minimum copper grade was 0.004% and the average of all 25 samples was 0.12%).
Figure 1:Â Gerfaut claim block showing distribution of gold mineralized rock samples encountered. Â Black diamonds indicate soil sample locations. Â Black triangles are rock samples with no gold. Â Background image is total magnetic field intensity which highlights the structural continuity of the target zone. Â Gold grades of selected rock grab samples are indicated.
Figure 2: Gerfaut claims showing distribution of copper in rock samples.
Figure 3: Gerfaut claims showing distribution of gold in traditional soil samples. Â The intensity of the gold anomaly may be dampened by the till dilution of the bedrock response, particularly in the NE portion of the property, however, rock outcrop sampling has confirmed that even low level gold in soils may reflect the presence of mineralization.
Figure 4: Location of the extended Gerfaut claims relative to the regional nickel exploration play and the Khalkos Exploration Inc. copper-gold discovery.
About the Gerfaut Project, Quebec
The Gerfaut property is located in the Paleoproterozoic trans-Hudsonian orogen of northern Quebec.  Gold and copper mineralization is hosted in meta volcanic and meta sedimentary rocks of the Parent Group.  The property was discovered in 1995 by Falconbridge while prospecting for nickel in the region.  In 1996 Falconbridge drilled two holes, both of which encountered gold mineralization including 5.8 metres of 4.27 g/t gold in PAR96-01.  In 1997 Falconbridge optioned the property to Exploration Boréale Inc. who conducted ground geophysical surveys and collected a number of mineralized rock samples over the property but did not do additional drilling.  Eventually the core claims reverted to Les Resources Tectonic Inc. ("LRT").
The Gerfaut Project is being explored under a joint venture agreement with LRT, in which the Company can earn a 60% interest by incurring $565,000 on exploration and making payments to LRT of $225,000 over 5 years. After having earned its initial 60% interest, the Company can earn an additional 20% by incurring an additional $3,000,000 of expenditures over 3 years.  LRT will retain a 2% Net Smelter Return, of which the Company can buy back 1% for $1,500,000.  Following the Company having earned its 60% or 80% interest, as applicable, the parties will enter into a joint venture in which each party will be required to contribute its proportionate share of ongoing expenditures. If either participant should dilute to a 10% or lesser interest, its interest will automatically be converted to a 3% Net Profit Interest.
The newly staked claims are owned 100% by Corvus and are not subject to the joint venture with LRT.
Qualified Person and Quality Control/Quality Assurance
Jeffrey A. Pontius (CPG 11044), a qualified person as defined by National Instrument 43-101, has supervised the preparation of the scientific and technical information that form the basis for this news release and has approved the disclosure herein. Mr. Pontius is not independent of Corvus, as he is the CEO and holds common shares and incentive stock options.
The work program at Gerfaut was designed and supervised by Russell Myers (CPG 11433), President of Corvus, who is responsible for all aspects of the work, including the quality control/quality assurance program. Â On-site personnel at the project log and weigh all samples prior to sealing and shipping. Â Quality control is monitored by the insertion of blind certified standard reference materials and blanks into each sample shipment. Â Sample shipments are sealed and shipped to ALS Chemex in Val d'Or, Quebec. Â Preparation and assaying may be done in ALS facilities in Val d'Or, Sudbury or Vancouver. Â ALS Chemex's quality system complies with the requirements for the International Standards ISO 9001:2000 and ISO 17025:1999. Â Analytical accuracy and precision are monitored by the analysis of reagent blanks, reference material and replicate samples. Â Finally, selected pulps are forwarded to an ISO compliant third party laboratory for additional quality control.
About Corvus Gold Inc.
Corvus Gold Inc. is a resource exploration company, focused in Nevada, Alaska and Quebec, which controls a number of exploration projects representing a spectrum of early-stage to advanced gold projects. Corvus is focused on advancing its 100% owned Nevada, North Bullfrog project towards a potential development decision and continuing to explore for new major gold discoveries.  Corvus is committed to building shareholder value through new discoveries and leveraging noncore assets via partner funded exploration work into carried and or royalty interests that provide shareholders with exposure to gold production.
On behalf of
Corvus Gold Inc.
(signed) Jeffrey A. Pontius
Jeffrey A. Pontius,
Chief Executive Officer
Contact Information:Â Â Ryan Ko
Investor Relations
Email: firstname.lastname@example.com
Phone: 1-888-770-7488 (toll free) or (604) 638-3246 / Fax: (604) 408-7499
Cautionary Note Regarding Forward-Looking Statements
This press release contains forward-looking statements and forward-looking information (collectively, "forward-looking statements") within the meaning of applicable Canadian and US securities legislation. All statements, other than statements of historical fact, included herein including, without limitation, statements regarding the anticipated content, commencement and cost of exploration programs, anticipated exploration program results, the discovery and delineation of mineral deposits/resources/reserves, the potential for the Company to produce any minerals in the future, business and financing plans and business trends, are forward-looking statements. Although the Company believes that such statements are reasonable, it can give no assurance that such expectations will prove to be correct. Forward-looking statements are typically identified by words such as: believe, expect, anticipate, intend, estimate, postulate and similar expressions, or are those, which, by their nature, refer to future events. The Company cautions investors that any forward-looking statements by the Company are not guarantees of future results or performance, and that actual results may differ materially from those in forward looking statements as a result of various factors, including, but not limited to, variations in the nature, quality and quantity of any mineral deposits that may be located, variations in the market price of any mineral products the Company may produce or plan to produce, the inability of the Company or any of its joint venture partners to obtain any necessary permits, consents or authorizations required for its or their activities, the inability of the Company or any of its joint venture partners to produce minerals from their properties successfully or profitably, to continue its projected growth, to raise the necessary capital or to be fully able to implement their respective business strategies, and other risks and uncertainties disclosed in the Company's latest Annual Information Form and filed with certain securities commissions in Canada. All of the Company's Canadian public disclosure filings may be accessed via www.sedar.comand readers are urged to review these materials, including the technical reports filed with respect to the Company's mineral properties.
Caution Regarding Adjacent or Similar Mineral Properties
This news release contains information with respect to adjacent or similar mineral properties in respect of which the Company has no interest or rights to explore or mine. The Company advises US investors that the mining guidelines of the US Securities and Exchange Commission (the "SEC") set forth in the SEC's Industry Guide 7 ("SEC Industry Guide 7") strictly prohibit information of this type in documents filed with the SEC. Readers are cautioned that the Company has no interest in or right to acquire any interest in any such properties, and that mineral deposits on adjacent or similar properties, and any production therefore or economics with respect thereto, are not indicative of mineral deposits on the Company's properties or the potential production from, or cost or economics of, any future mining of any of the Company's mineral properties.
This press release is not, and is not to be construed in any way as, an offer to buy or sell securities in the United States.


text:
Join Professor Jibin Park's AP Microeconomics online course to help you prepare for the AP exam or ace your college course. Learn economic ideas from real world examples and focus on understanding complex graphs with Dr. Park's clear explanations. The course also contains a full step-by-step walkthrough of an AP Microeconomics test by Dr. Park who has been grading the AP for 7+ years.
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Atlanta in Fulton County, Georgia — The American South (South Atlantic)
Historic Mt. Gilead
Methodist Church
Erected 1956 by Georgia Historical Commission. (Marker Number 060-111A.)
Marker series. This marker is included in the Georgia Historical Society/Commission marker series.
Location. 33° 40.164′ N, 84° 30.926′ W. Marker is in Atlanta, Georgia, in Fulton County. Marker is on Fairburn Road SW 0.1 miles north of Redwine Road SW, on the right when traveling north. Click for map. Marker is at or near this postal address: 3150 Fairburn Road SW, Atlanta GA 30331, United States of America.
Other nearby markers. At least 8 other markers are within 5 miles of this marker, measured as the crow flies . Mt. Gilead M. E. Church (about 300 feet away, measured in a direct line); Dry Pond (approx. 3.7 miles away but has been reported missing); Site: Utoy Post Office (approx. 3.8 miles away); Third Division 23rd Corps Attack / Second Division 23rd Corps Attack (approx. 4 miles away); Site: Old Red Oak P.O. 1864 (approx. 4.1 miles away); Confederate Entrenchments: 1864 (approx. 4.1 miles away); The Embattled Ridge (approx. 4.2 miles away); Historic Owl Rock Church (approx. 4.2 miles away). Click for a list of all markers in Atlanta.
Categories. • Churches, Etc. • War, US Civil •
Credits. This page originally submitted on , by David Seibert of Sandy Springs, Georgia. This page has been viewed 575 times since then and 15 times this year. Photos: 1, 2, 3. submitted on , by David Seibert of Sandy Springs, Georgia. • Craig Swain was the editor who published this page. This page was last revised on June 16, 2016.


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Noah Earle was born in Topeka, Kansas, "a good place to dig potatoes." Surrounded by a musical family, he absorbed various strains of influence. His musical involvement began in early childhood when he would listen to the traditional country and country-gospel music that his family would play and sing at their gatherings. Between the ages of about 5 and 18 he underwent classical training for piano, voice and fiddle (his grandpa said "never let anybody call it a violin")he age of 10, he had decided that he wanted to write songs, like his uncle and grandfather. Throughout this time, he was also exposed to blues and jazz by his dad and uncle, both of whom performed in a number of bands. From these surroundings Noah has emerged as a formidable solo artist, displaying unmistakable talent through his deft and varied guitar style and an agile, soulful approach to his singing.
Others have been quick to recognize Earle's talent. In 2006 he won the solo category of the Kansas City Blues Challenge and was a finalist in the International Blues Competition in Memphis. Most recently, he was chosen as a New Folk finalist at the renowned Kerrville Folk Festival in 2007.
Earle's first release for MayApple Records, Postcards From Home, found him focusing his songwriting solidly in the Americana vein. His second, This is the Jubilee, which is being released in January of 2010, represents an evolutionary leap toward greater confidence and stylistic originality.


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Goodridge G-Stop Brake Lines Reviews They do the job... Reviewed By Jerry G (Pinckney, MI) Reviewed for a 1997 Chevy Corvette —8/21/2008 10:28 PM Pedal was firmer after the install...dealer installed for me during brake fluid flush. View More Reviews
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text: Thesaurus I'ye-Ab'arim (2 Occurrences)I'ye-Ab'arim. Iye-abarim, I'ye-Ab'arim. Iyim . Multi-Version Concordance I'ye-Ab'arim (2 Occurrences). Numbers 21:11 They traveled ... /i/i'ye-ab'arim.htm - 6k Iye-abarim (2 Occurrences) Iyim (1 Occurrence) Bible Concordance I'ye-Ab'arim (2 Occurrences)Numbers 21:11 They traveled from Oboth, and encamped at Iyeabarim, in the wilderness which is before Moab, toward the sunrise. Numbers 33:44 They traveled from Oboth, and encamped in Iye Abarim, in the border of Moab. Subtopics Related Terms Links Bible Concordance • Bible Dictionary • Bible Encyclopedia • Topical Bible • Bible Thesuarus |


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Five Roads From Beltane
by Susan Horsnell, Margaret Tanner, D'Ann Lindun, RaeAnne Hadley & Allison Merritt
An Interactive Western
Release Date: October 7
Amazon US
Join the Fan Group
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I have continued writing and my list has now grown. With Love; Now & Forever and Shadows, both paranormal romances though with different personalities and twists. The sequel to Mechanics of Murder, A Wrench in the Plan, was completed in January of 2011 and was released in the spring of 2012.I know my Dad would be proud. My contemporary romance, Love's Everlasting Song, is a sweet tale where hopes,dreams and occasionally fairy tales do come true.
I usually have 5-7 novels in the works and plan on writing for many more years! My stories are not sexually graphic because I believe each readers experience and imagination are usually more erotic and more sensual than what I will put into words and I ALWAYS have to have a happy ending! Life is meant to be fun, enjoy the journey!!!


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Major Community projects that are completed and no longer being worked on
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A revolutionary on-calc 83+/84+ compiled programming language that use a syntax similar to TI-BASIC, much easier than ASM, but practically as fast. Project by Quigibo. Use this section to discuss the project development and to ask or give help. This sub-forum is also available directly from axe.omnimaga.org. A programming help sub-forum is available in the help section here.
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Events for February 19, 2017
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Hours after Esteban Santiago opened fire Friday at the Fort Lauderdale-Hollywood International Airport, retired New York Police Department Rob O'Donnell took to Twitter to share a startling revelation he had gleaned from viewing a picture from the scene.
This picture, which quickly went viral courtesy of O'Donnell's tweet, showed a local police officer standing tall and proud, ready to serve and protect the people at the airport.
But it was who specifically the officer was protecting that piqued the retired cop's attention.
"Ft Lauderdale: I see black/white/latino/male/female/child/adult all with one thing in common," he wrote. "A Police Officer risking all to protect them." Take a look:
Ft Lauderdale: I see black/white/latino/male/female/child/adult all with one thing in common. A Police Officer risking all to protect them. pic.twitter.com/efUdWzj9IJ
— Rob O'Donnell (@odonnell_r) January 7, 2017
Speaking with the Independent Journal Review after the tweet went viral, O'Donnell explained what had prompted him to share the poignant message.
"As of late, supporting the police has become unpopular and the trolls and the false narrative pushers seem to have been allowed the louder voice via the mainstream media," he said. "Are we 100 percent perfect? Absolutely not. But because 0.02 step out of line, why are we all police the targets?"
"This is exactly what the BLM and such are against: profiling," the retired officer added. "Why is that stereotype OK but the fact via the FBI, that a black male is nine times more likely to commit a violent crime, and that his victim is most likely to be black, not?"
Likewise, why do the media ignore evidence showing that "(t)he police use force mainly to protect human life, the use of force against unarmed suspects is rare, and the use of force against black Americans is largely proportional to their share of the violent crime rate," as reported by National Review?
The answer was because the media had a narrative — a false one, at that — it wanted to sell the public. And judging by some of the negative responses O'Donnell received (reader discretion advised), it was clear that far too many Americans had bought into it.
Have a look:
@jmac12120 I should give extra extra credit to a guy doing the bare minimum requirement for his job ?
— Tangerine Lingerie (@FiveSecondPose) January 7, 2017
O'Donnell had a response for this as well.
"(N)o department policy ever states to open yourself to imminent physical danger, but law enforcement all over this country do hundreds of times daily," he noted. "Look at Dallas, we were being protested and once the shots rang targeting us, the police, we shielded and protected all lives."
Please share this story on Facebook and Twitter and let us know what you think about what this retired New York Police Department officer realized while viewing a picture from the airport shooting scene.


text:
Monday, June 27, 2011
Dodgers File for Bankruptcy
News from the west coast, Frank McCourt's Dodgers have filed for bankruptcy. The filing puts a halt on all legal action concerning the Dodgers.
McCourt will argue that this will prevent a takeover from Major League baseball, though the court may decide differently.
The court may in fact order the sale of the team. Perhaps auctioning it off similarly to the Texas Rangers sale.
2011 Payroll,
Frank McCourt,
LA Dodgers
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Rush County Economic Development Rush County Courthouse 715 Elm, LaCrosse, Kansas 67548-0326 |
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Quilt Square 1-Zachary Marcelle
/We have lost a wonderful and courageous friend but he shared his organs and was a hero in the end.
Read MorePlease scroll to see a close-up photo of each square in detail. Each square is created and submitted by the heroes' families, and then volunteers assemble the quilts.
We have lost a wonderful and courageous friend but he shared his organs and was a hero in the end.
Read MoreI would like to take a moment to take a moment to tell you a little bit about an amazing young man, that had it not been for his love for others and extreme generosity you may not have had a chance to know.
Read MoreWe thank Phillip for the Gift of Life.
Read MoreWe know Jordan lives on through you his recipients. He will forever live on in our hearts!!
Read MoreDonating his organs was the last thing that Putt did to "putt" smiles on his recipient's faces; we as a family will forever smile knowing even in the end, he was willing to give his last to see a smile.
Read MorePaul was a gentle, calm person, not letting things upset him. He was a perfectionist, and there wasn't anything he could not do or fix, and he was always ready to help others with whatever he could.
Read MoreWe miss him very much but have comfort in knowing he lives on as he has given the ultimate gift of life, organ donation.
Read More"FOR THOSE WILLING TO GIVE THE GIFT OF LIFE"
Read MoreThe Louisiana Organ Procurement Agency (LOPA) is an independent, not-for-profit organ and tissue recovery agency. LOPA's Core Purpose is Making Life Happen. We save and heal lives through organ and tissue donation.
About LOPA | News | Professionals | Careers | Contact
Louisiana Organ Procurement Agency
Making Life Happen
3545 North I-10 Service Rd., Suite 300, Metairie, LA 70002 | 1-800-521-GIVE (4483)
© Copyright 2017, Louisiana Organ Procurement Agency. All rights reserved.


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graffiti wall abstract creative
Very cool work. Welcome to Art and Ink. So nice to have you.
Thank you so much, I am concentrating on getting sharper images! but thank you for the feedback :)
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