text:
Find the only way to complete the nine-digit line
Early research carried out in the 1800s, without the benefit of computers, showed there is only one way to plug the numbers 1 to 9 (no zero) into this expression...
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17 x 4 = 93 - 25 = 68
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1212 Jackson Street
Cincinnati, OH 45202
Cincinnati, OH 45202
Website: www.artacademy.edu
Location: Great Lakes IL IN MI OH WI
Location: Great Lakes IL IN MI OH WI
Learn what types of careers Art Academy of Cincinnati graduates can look forward to.
Art and Design Workers (6)
Librarians, Curators, and Archivists (3)
Other Production Occupations (1)
Postsecondary Teachers (3)
Primary, Secondary, and Special Education School Teachers (2)
School data was obtained from the US Dept. of Education's Integrated Postsecondary Education Data System (IPEDS). Data may vary depending on school and academic year.

subset: commoncrawl


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Results 1 to 6 of 6
Thread: learning to use macbook pro
- Member Since
- Feb 20, 2013
- Posts
- 1
learning to use macbook proHow do I search for apps such as Numbers, Notes etc?
- Member Since
- Nov 15, 2009
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- North Louisiana, USA
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- 2.8 GHz MacBook Pro 10.11, 8 GB mem, iPhone 6+
Give the built in search features a try. Do either of the following:
1. Use Spotlight - click the magnifying glass icon in the right corner of the menubar. When the window appears start typing the program name. When the right program appears press Enter/Return
2 Open the Applications folder at the main "root" level of your Mac's hard drive. The upper right corner of that Finder window should have a search box. Start typing the name of the program. As you type the results of your search appear in the window"Got Time to breathe. You got time for music." Denver Pyle as Briscoe Darling
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- Nov 29, 2010
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- Warrington, UK
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- PPC Mini, 10.4.11. Intel Mini, 10.6.8. MacBook Pro, 10.10.5. iPhone 3GS.
Applications that came with your Mac should be in the Applications folder. Notes is part of Mail, but you'll have to buy Numbers from the App Store.
- Member Since
- Feb 23, 2009
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- 1,345
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- 21" iMac * 2.8 Ghz Intel Core i7 * 16GB 1333 Mhz DDR3 * 1TB HD *AMD Radeon HD 6770M 512 MB
You could also invoke Launch Pad and enter a search there if you have Mountain Lion.
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- May 19, 2009
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- Waiting for a mate . . .
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You need to have Numbers, Pages etc actually on your Mac. Can you ®emember paying for and downloading them through the MAS or have you a older version OS where you got Pages, Numbers and Keynote on a install DVD ??
If you havnt got numbers on your Mac you need to click on the Big Blue cicle in your Dock with the Big A in it and its called the Mac App Store. Then in the top right search bar of that App you need to type Numbers, Pages and so on and buy it through your Apple ID, and not until then will it be downloaded onto your Mac.
UYour question is very vauge so a bit more info on your problem as well as your Mac Spes and what OS you are running is always helpful.
CheersDont forget to use the Reputation System if someone has helped you out !!!
Arguing with a zealot is only slightly easier than tunneling through a mountain with your forehead!!!!!
MoTM ☆☆☆
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Grizzly | Model: G9650
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Nice Surface Plate 1/25/2017
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Free Shipping on all products unless otherwise stated on the product page. (only in the Continental US)
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Product Code and Description:
SFG - Swingaway Footrest GelRaps - 2 1/2" x 9 1/2"
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Metal Tool Chest
Declutter Your Garage or Shed with this Handy Tool Storage Unit! The Ideal Solution to Orderly Storing All Your DIY and Home Maintenance Tools it Features an Easy to Maneuver Cabinet on Wheels and A Removable Top Chest. Just $129, Valued at $269
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Always find the right tool quickly and easily with a metal tool chest
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Daily Inspirations


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ParagonX9 - Chaoz Airflow
Credits & Info
- Uploaded
- Jun 11, 2009 | 6:12 PM EDT
- File Info
- Song
- 4 min 14 sec
- Score
- 4.33 / 5.00
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Author Comments
ParagonX9 - Chaoz Airflow (175 bpm)
I thought it was time for a new chaoz song, So here is Chaoz Airflow yay.
My second submission for '09. It has almost the same style as Chaoz fantasy,
so um CF fans should like this one aswell =] (atleast.. i hope XD)
Have fun!! =]
Rated 4 / 5 stars
I've been listening to your tracks and they're very home brewed if you will, I like it a lot! It hits right where I live. *points to heart* I was just wondering if it was possible for you to create a track that is a little heavier on the base of things, I think it would be most splendid to be able to incorporate your style, your approach with something heavier at the same time retaining your pace of choice as well as the somewhat whimsical feel to certain sections of your work. :D thats all I wanted to say! Cheers mate!
Rated 4.5 / 5 stars
i love it
i like the style of your music but i think its what holds you back?
i wouldnt really know.try other types of music and see how YOU like it not us lol
still amazing songs you make none the less
Rated 4.5 / 5 stars
its good and all but its a shame you succumb to the style that the retarded NG community wants you to be :(
Rated 5 / 5 stars
A good follow up to Chaoz Fantasy
Bravo! A very good entry into the Trance/Drum and Bass genre. You have melodies that are memorable of Chaoz Fantasy, but indeed tack on without being too repititive.
Rated 5 / 5 stars
More like Chaoz Fantasy II
I loved Chaoz Fantasy, and i love this one too, awesome job 5/5 10/10 :D
Downloaded and Favourited :D


text:
Event: Kalki Koechlin, Kajal Aggarwal, Hema Malini and many other celebs at the India International Jewellery Week 2011 Day 2.
Guest List: Kajal Agarwal, Kalki Koechlin, Hema Malini, Darsheel Safary, Kiran Juneja, Achala Sachdev, Nitin Mukesh
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HOT and SEXY Bollywood actress Malaika Arora Khan was spotted at Bandra.
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Bollywood actor Suniel Shetty's wife Mana Shetty was spotted at Korner House.


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EARLY YEARS Ole Hanson starts San Clemente in 1925, dubbing it the "Spanish Village." As he lays out his vision on 2,000 acres of virgin land halfway between Los Angeles and San Diego, he also builds a spectacular home for his family in 1927-28 on a bluff overlooking two of his gifts to the town, a 3,000-foot public beach and a fishing pier. His town is wildly successful … until the Great Depression pulls the plug. The bank forecloses on Hanson's home. It's offered for sale for $25,000 "for one who seeks the epitome of old Spain elegance and charm …"
WAR YEARS Ole Hanson dies in Los Angeles in 1940. From 1939 to 1942, the Casa is the Miramonte Beach Club, a membership resort. The former Hanson home is vacant for a time. In 1946 the Schuyler family buys the home and names it Casa Romantica.
THE FIFTIES Bandleader Fred Waring and his wife, Evalyn Waring, purchase the Casa in 1952. In 1956, the Whitehouse family buys the Casa and calls it Casa Blanca. Tom Sanford acquires it in 1958, and in 1959 George and Louise Welsh purchase the home.
THE WELSH YEARS For more than two decades they operate the Casa as a retirement home and resist offers by developers to buy the landmark to level it and build condos. In the 1980s, one developer proposes saving the house by building condos alongside but can't finance it.
RECOGNITION The San Clemente Historical Society appeals for community support to save the landmark and becomes the driving force that gets it listed in the National Register of Historic Places in 1991.
PUBLIC ERA In 1989 the city's redevelopment agency buys the Casa for $2.5 million. Now, what to do with it? A 1990 development plan for the Casa and the Pier Bowl stirs a public backlash. The firm wanting to partner with the city withdraws. A restaurant in the Casa is pondered. Meanwhile, from 1985 to 2000 Events by Design, a local business, hosts weddings at the Casa through lease agreements.
THE MILLENIUM After years of debate over what to do, the city forms a nonprofit in 2000 to restore the Casa as a cultural center. The foundation announces a $3 million fund drive. Over time, the costs rise. The first concert, by Karen Gallinger; and first exhibit, "Votes for Women: Unfinished Business" are in 2003. Fundraising continues. Weddings resume, but only as a sidelight to the Casa's cultural mission. In 2004 ground is broken for gardens. In 2007 an amphitheater opens. An evolving Casa Romantica hosts school groups, partners with other nonprofits, expands reach to audiences around Orange County, seeks to celebrate San Clemente's place in Southern California culture.
Sources: Sun Post News archives, Doris Walker's book "Heritage of San Clemente," Blythe Welton's "From Fishcarts to Fiestas," Lisa Merryman's book "Casa Romantica: A Spanish Home by the Sea"
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Kraftform Kompakt & VDE
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A new slant on art deco
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The article offers pieces of advice for retailers about the importance of providing the customers a good shopping environment.
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Discusses the importance of flooring, an aspect of the retail store that plays a huge role in the level of comfort the shopper feels. Reason shoes always feel more comfortable in the store than they do outside; Why furniture department is always carpeted; Shoppers' walking patterns in malls.
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Reports that the SoHo district in New York City is being populated by national chains as well as American and European fashion designers. New and prospective tenants include Old Navy Clothing Corp. and Gucci; Vacant galleries as main attraction of the place for retailers; Competition for leases.


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1.3 Rating | 1604 Views |
Title: Some Fun At The Beach
Added 2012-06-17 04:17:00
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From Progarchives.com, the ultimate progressive rock music website
| 302 ratings | 29 reviews | 22% 5 stars
Excellent addition to any Write a review |
Studio Album, released in 1969 Songs / Tracks Listing 1. Father Cannot Yell (7:01) Search CAN Monster Movie lyrics Music tabs (tablatures)Search CAN Monster Movie tabs Line-up / Musicians- Malcolm Mooney / vocals
Artwork: Wandrey's Studio and to Quinino for the last updates Edit this entry |
CAN MP3, Free Download (music stream)
Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s
- Father Cannot Yell Monster Movie, 1969
- ''Don't Turn The Light On'' Leave Me Alone Soundtracks, 1970
- Oh Yeah Tago Mago, 1971
- Pinch Ege Bamyasi, 1972
Buy CAN Monster Movie Music
Monster Movie Mute (Artist Intelligence) 2008 | Audio CD | $8.13 $5.50 (used) | |
Monster Movie by Can Mute U.S. | Audio CD | $149.00 | |
Monster Movie by Mute U.S. Mute U.S. | Audio CD | $78.51 | |
monster movie live: live at burg norvenich 7.25.1969 LP BB | Vinyl | $29.99 | |
Monster Movie-Live Import Imports 2014 | Vinyl | $19.97 $28.76 (used) | |
MONSTER MOVIE(reissue) SONY MUSIC ENTERTAINMENT JAPAN | Audio CD | $22.50 |
More places to buy CAN music online
- DOUG LARSON IMPORTS — Buy prog rock music and rarities (Free shipping on orders over 10 cds)
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CAN Monster Movie ratings distribution
(302 ratings)
Essential: a masterpiece of progressive rock music(22%)Excellent addition to any prog rock music collection(51%)Good, but non-essential (22%)Collectors/fans only (3%)Poor. Only for completionists (2%)
CAN Monster Movie reviews
Showing all collaborators reviews and last reviews preview | Show all reviews/ratings
Collaborators/Experts Reviews
SPECIAL COLLABORATOR Prog Folk
You Doo Right although relatively fun and quite repetitive does not stand too many repeated listenings and the shorter numbers lack the genial quality of the Tago Mago era. Still a good lp
To me, if you're new to CAN, I suggest you try "Tago Mago", or "Future Days" to hear CAN at their best, before you come here.
SPECIAL COLLABORATOR Honorary Collaborator
Mooney is Can's version of Syd Barrett; his voice is unmistakable, he's headed for a breakdown, and his early contributions are dismissed by many fans. Sure, I prefer Damo's energy, but this album just wouldn't be the same without Mooney's ragged wail. Many rockers have expressed romantic desperation, but none have approached the level he reaches on "Mary Mary" or "Outside my Door". Orgiastic, playfully dark, and unabashedly honest, this is the Krautrock version of bands like COMUS- wonderfully primal, especially compared to the idealized realms and complicated structures of typical prog.
Instrumentally, CAN's albums have rarely been a venue for highlighting the members' respective virtuosities, and "Monster Movie" is no exception. It's more about what you can do with sound than about how well you can play; CAN has nothing to prove, except that they can sound like nobody else before or since...and the best part is that it's all real; there's an immediacy and unbridled feel that most avant-garde lacks, as well as a compositional restraint that owes more to impeccable musical understanding than lack of chops. They could make a tape loop rock, and that's really saying something.
Even if you ignore the historical details (this album started the career of one of the most unique and influentual bands in rock, as well as the entire subgenre of Krautrock), this is a wonderful album. It bashes the preconception that anything avant-garde can't be fun, or that anything fun has to be silly. The music here is equally suited to drugged-out dancing, contemplative appreciation, or getting full-on naughty. Five stars is a bit too much, even for fans, because CAN just isn't for everyone ( at their best, and they had more to offer than just this album)...but "Monster Movie" should be thoroughly enjoyable for anyone who doesn't have too many preconcieved notions of what music should be.
SPECIAL COLLABORATOR Honorary Collaborator
SPECIAL COLLABORATOR Honorary Collaborator
This album is unique. It's quite incredible that this was recorded in 1969, as it feels completely timeless, and yet has an appeal for every generation. It will never sound like "old" music, yet it is the most basic and primaeval expression of music you could hope to hear. The raw energy and cyclically repetitive rock would have you believe that you were listening to some punk garage band from the streets, rather than a group of students of one of the most influential composers of the 20th Century and a free-jazz drummer.
But why would a free-jazz drummer instilled with the motto "Never Repeat" decide to move to the opposite of this lofty ideal?
Why would students of the very latest compositional techniques that were influential on every electronic group of the late 1960s, not to mention the Beatles and their experiments that led to outstanding albums like "Revolver" and "Sergeant Pepper", decide to produce music so apparently minimal and initially empty-sounding?
Communism, Anarchism, Nihilism.
You may be surprised at how much you recognise in this (and other) Can albums, as their back catalogue has been plundered again and again by bands in search of inspiration.
It's the primitive grooves that strike at the very heart of musical consciousness that do it - drum beats and cymbal splashes extracted from the soul of the human tribe, underpinning stalking bass lines that demand movement - and if you don't move to the bass, it does the movement for you. This is bass that is felt long before it is heard - and it's high in the mix, as Can were rather partial to bass.
Then we have the screaming layers of guitars and keyboards putting a crystalline icing on a fat cake, but in between, we have the vocalisations of Mooney, the hoarse- larnyxed chanting that rarely attempts anything so pretentious and arty as singing - but when he does, the effect is quite disturbing - a kind of Klaus Meine in baggy trousers, although I have to say that I have never been keen on hearing nursery rhymes used in rock songs no matter what the sought effect.
There is no point looking for structure in Can's music, so an open mind is required from the word go. Comparisons are often made of the music of P/I/L, Talk Talk, Primal Scream and Radiohead to Can - and it is from that perspective that the best appreciation will be made; If you're looking for riffs, then look elsewhere. If constant change and virtuosic displays are what you crave, then you won't find it here.
Indeed, "Outside My Door" is closer to some of the earlier White Stripes material - stripped-down essence of Blues Rock - albeit wrapped up in a Stranglers-like shell of heavy keyboards, thick bass lines and aggressive, punky vocals that hearken back to the Velvet Undeground. Oh, and THAT groove, that surpasses even the Ozric Tentacles in its groovetasticness.
The album is wrapped up with the 20-minute megalith of "Yoo Doo Right" that is the piece-de-resistance in every aspect. The vocals are rawer, the bass is bassier, the keyboards and guitars are stripped back almost beyond essence, and the drums produce the heartbeat of the earth - the self-same rhythms produced by Ug the caveman when he realised that whacking a rock with another rock made other people want to dance, and altering these just slighty would induce a rapt state in the dancers.
In fact, Liebezeit strips it right back to Ug's very first impacts, about halfway through the piece.
So how exactly is this progressive rock?
Everyone who knows anything about Prog Rock makes the distinction between rock music that is progressive, and music of the Prog Rock genre.
Monster Movie fits neither description comfortably - it is in a category more or less of its own, but at its very heart, it is a number of very lengthy jam sessions edited down in the studio - one of the techniques Stockhausen imparted, and indeed, a technique that would not have been possible without the innovations of that composer.
And that is the key: It is composed, but feels completely improvised because it is composed entirely from improvisations.
I got "Monsta Moovy" from a friend of a friend of my father (who also got involved me into LED ZEPPELIN, JETHRO TULL and UK…and most of Classic Prog after all) 5 years ago. The album sounded pretty heavy, rough (almost proto-punkish) and stony. Psychedelic chimings like "you do right" or "Mary Mary so contrary" hypnotized me as well, and I got used to this mentally damaged stuff. I thought it was the most insane CD I ever experienced – what a fool I've been! There were 2 months left before my first introduction into KC, so I was happy and unaware ;). And, despite some over-repetitive moments (even for Krautrock), this album still works well for me. If you wanna "do tha legal trip", you must check this one out. You won't regret anyway.
It opens with "Father Cannot Yell" that features a relentless beat and throbbing bass as Karoli plays over top with his fuzzed out screaming guitar melodies. Amazing ! Mooney stops singing and joins the groove 3 minutes in with vocal melodies. "Mary, Mary So Contrary" is based lyrically on the nursery rhyme. It's slower paced with Mooney's incredible vocals leading the way, as Karoli again grinds out melodies over top. The song builds in intensity until the vocals stop 3 1/2 minutes in. This song so moves me. How can something so simple be so emotional ? A brilliant display of guitar work on this one. "Outside My Door" opens with a 60's feel to it. Hmmm, this is 1969 right ? Harmonica sounds fill the air as Mooney almost speaks the lyrics. He then starts to sing as he and the song becomes more passionate. Some ripping guitar follows with out of control vocals.
"Yoo Doo Right" is a side long suite at over 20 minutes in length. The drums pound slowly as gentle guitar comes in followed by soft vocals. This hypnotic, repetitive melody starts to build. "Once i was blind, but now I can see now that your in love with me." The guitar 3 minutes in is killer ! Check out the drumming of Liebezeit 6 1/2 minutes in. Experimental sounds come in. Percussion and reserved vocals only 8 1/2 minutes in. The song rebuilds like it did in the beginning. Incredible. "You made a believer out of me babe". The vocals stop after 12 minutes as the guitar, bass and drums play on for about 3 minutes until vocals return. Nice.
The Can doo right on this one. I am more partial to their earlier stuff. These guys sure can groove though. As inpraiseoffolly says, this came out the same year as "In The Court Of The Crimson King". A very significant record not only in the Krautrock genre but in progressive music period.
SPECIAL COLLABORATOR Honorary Collaborator
First of all the description of Krautrock as repetitive fits well here. It doesn�t matter though as this is the whole charm IMO. Can builds a lot of things on the rythm as the songs develop even though the basic structure never seems to change. It has a kind of hynotic effect on me and I would really have liked to have seen this band live after enjoying a good joint. I have to be in a special mood to really appreciate Monster Movie, but once the mood is right this is fantastic.
The first song Father Cannot Yell caught my attention instantly with the almost punk like vocals and the repetitive rythm which builds to a climax. Mary, Mary so Contrary and Outside my Door are also great Krautrock songs. Repetitive rythms but pretty melodic and varied anyway. The last song last for 20+ minutes and can be a hard one to swallow when you are new to this genre, I know it took me a while, but patience is rewarded in this case. You doo Right is a great repetitive jam like song. So much happens in this song. Malcolm Mooney sings in a lot of different ways and the guitar and keyboards make sure you�re never bored even though it�s almost the same rythm throughout the whole song.
Well what can I say ? I�m sold. This is really great music in my ears. What makes it even better for me is that I had expected something awful and got something ( beautiful wouldn�t be the right word here) special instead fully deserving the 4 stars I will rate it. This might even be upgraded to a 5 in time. Highly recommendable album from Can.
Note the beautiful cover art. Crazy stuff.
This album, Can's second release (since their first album Delay wasn't released until 1981) is a really interesting mix of experimental and acid rock. Many others have said that there is a punk flavor in Malcolm Mooney's voice and I would happen to agree with them. The opening song Father Cannot Yell is a great piece and really sets the tone for the rest of the album. However, there are a few things that bring this album down for me. The first is that I don't think the rhythm section of Holgar Czukay and Jaki Liebezeit is quite up to par in comparison to some of Can's later releases. It's not quite the same energy and I just don't enjoy it as much, which is bothersome as these two guys make up half the backbone of Can for me. While Mooney is a talented singer, I prefer the sound of Damo Suzuki's voice. It's simply a matter of taste for me. The third and final aspect of the album I find weak is on the 20 minute epic You Doo Right. Some of the parts of the song seem to go on a little longer than I would prefer. I also don't think it's as well polished as some of the later large improvised pieces they would later create.
All in all though, I used to think this album was no better than 2 stars. But I finally appreciate the sound of Mooney's voice enough that I can bump this up to 3, but barely. I'd advise starting with some of Can's later albums, especially the classic Damo ones.
This is the classic krautrock album. Released in '69 it was a very quick German answer to the American/English psychedelia. At this stage of the band I wouldn't call CAN a highly technical achieved group of musicians, but they had spirit! Somehow they managed to drop all common vocal styles and just had Malcolm Mooney speak or sing like a drugaddict punk vocalist. The guitars are acid like and punching. No Gilmour-like melodies, but hard rock in it's most hard form. Organ's are present but never seem to take a leading role. The Drummer Jacki Liebezeit is one of my favourite drummer's ever and he doesn't disappoint me at this debut of CAN. The basslines are the main reason for some people calling this music psychobeat, It sometimes repetitive just out of pitch loops can take you into a world of imagination. The rhytm part of the band can be seen as very progressive, for the American psychedelic scene had never been focussed on this musical element.
The controversial element of this record is the great difference of side one and side two. Side one contains of three of the best songs they ever written, side two in one long jam that some might find boring. I myself don't listen to side two as much as side one.
Father Cannot Yell starts the record with a direct meet and greet with the described psychobeat rhythm-session. They keys sound like an explosion and the guitar are screaming. It is a very tense song of which I can see why people don't like it at first spin.
Mary, Mary, so contrary. One of the finest touchy songs of Can. Based around one basic theme we are being thrown in true emotions of despair. Catchy in a dark way. I really love the guitarlines that are so spacey on this song. Great!
Outside my Door is the first less dark song. It has a great main riff with such a cool sounding harmonica. It somehow reminds me of Interstellar Overdrive. The vocal parts are a bit more poppy, like a constant growl of Jim Morrison, still this is a great piece of psychedelia.
Yoo Doo Right (side two) is as I said a jam-session. The main themes are beautiful and some parts are spacey and progressive. The whole doesn't make me shiver though, I would have rather had something like side one. But still is this a new concept of song-recording and therefore interesting for the real progressive fans. They would go in the studio to do a jam for hours and pick some part and put it on the lp.
Conclusion. A true classic with a five star side one and a 3 star side two. This makes four stars! But don't miss on this if you are interested in Krautrock or psychedelic music!
SPECIAL COLLABORATOR Honorary Collaborator
I think this music probably unites (rarely?) fans of vintage psychedelia and progressive rock with those also interested of roots of artistic punk and rhythm music related to the forthcoming paths of Krautrock scene. Maybe this factor added to sincerity, personal solutions and cool aesthetics have earned this group to become a real cult classic act with wide reckoning? I also liked Mooney's vocal presence on this band much; I understood he was hiding from Vietnam drafts, and hat to quit the performing as he grew concerned of being caught from a gig. I have seen amazing videos from forthcoming line-up's gigs with Mr. Damo Suzuki, but the studio recordings still wait for further listening. "Future Days" might be my next try, unless I should find much more live material from the band's 1970's career.
SPECIAL COLLABORATOR Prog Metal Team
Father Cannot Yell is another example where these Germans have written rock history: droning rhythms, dissonant guitars, weird sonic experiments with organs and electronics, and the anti-tuneful but affecting croon of Malcolm Mooney. The influence of this sound would spread through all following decades. Starting by infecting early Hawkwind in the 70's, then post-punk and avant-rock like Sonic Youth in the 80's, then both post-rock and drum and bass in the 90's and many many more.
Mary Mary is entirely different. It reveals the Velvet Underground as one of their main influences. It's a more melodic track that doesn't sound at all like the anarchistic opener. Outside My Door is another peek at their origins: the psychedelic rock from 66-67. Interesting to hear where they were coming from and where they ended up when the track gradually evolves into their own sound: harsh, anarchistic and aggressive.
The main beast on this album is evidently You Do Right. With its 20 minutes it further expands the groundbreaking aspects of the opening track. Even though it's not easy to enjoy, it's essential to work your way through some Can albums. And this one should definitely be one on the list.
Some ultra acid feel are experienced while you're listening to "Outside My Door". A dark psyche trip, a complex human experience. A musical battlefield.
Now, I can hardly feel great emotions while listening to this "Monster movie". Fun at best (but not for long), this album doesn't hold too many catchy items. The second side long "Yoo Doo Right" doesn't really bring any background to story.
I quite like the sub-title of "Certif1ed" review: "The Dinosaur of Prog vs the Monster of Punk". You et it all with this!
I rate it with three stars for its historical value. No more.
Unfortunately, there are a few things that pop out on further listens that have come to irritate me. The first is a realization of just how little actually happens in these tracks. There are some blistering moments from Karoli, yes, but they occur at a far lesser frequency than they would on subsequent albums, and I'm really hard-pressed to think of many especially interesting moments, technically or atmospherically, that come out of Schmidt's keyboards. Furthermore, while the rhythm section certainly seems perfectly solid on this album, there's never a time on the album where I can step back and go, "Wow, now that is the Can rhythm section in action." In short, the group seems like a decent jam band here, but it's difficult for me to convince myself that they're that much more than that with this album.
This problem, as well as the little issue of Mooney as vocalist, manifests itself most openly and plainly in the 20-minute "Yoo Doo Right." At first, it seems like a pretty cool track; Mooney bellows out a small set of lines with passion, the band holds steady with a fairly hypnotic pattern behind him, and it seems like this is a classic in the making. But then it starts to become clear that the band, after laying a solid foundation, is going absolutely nowhere with this jam, and when you look at the clock and realize there are 15 minutes left in the track after seeing it's going nowhere, that makes for some rather discomforting listening. Furthermore, while Mooney's lines seem kinda hypnotic and resonant at first, there comes a point after a while where all he's doing is softly creaking them out in the background over and over and over again, as if he's not even paying attention to the rest of the band and isn't muttering to help the track but instead is muttering only because he can't get himself to stop. It's not enjoyable, and it's not interesting, so why should I want to listen to this track in its entirety again? I sure can't think of a reason.
The three tracks on the first side noticably better, fortunately, though still not quite at the "Classic Can" level. "Father Cannot Yell" features Karoli's and Czukay's fiercest, loudest, most pumping and best attacks on the album, and even Mooney sounds ok for the most part, even kinda helping things out whenever he climaxes into his "and the father hasn't been born yet hasn't been born yet" shtick. There's also that cool part where he starts making wordless "uh" vocal sounds in rhythm to the rest of the band, helping the band in kind of the same way Suzuki would later on. Yup, if there's a reason to buy Monster Movie, it's gotta be "Father Cannot Yell."
The band's cover of "Mary, Mary So Contrary," meanwhile, is rather lovely, if overlong. There's no real catharsis to be gained from it (unlike on much of the next album), and Mooney yells too much as the track goes on, but Karoli's guitar wails have a painful beauty all their own, so dismissing the track altogether would seem like a mistake to me. And finally, the side-closer, "Outside My Door," kinda sounds like what Barrett-era Pink Floyd would sound like if they decided to bring in a harmonica as a primary instrument, and except for Mooney's ugliness at the end, it's a nice piece of astral garage-rock (!).
Still, positives aside (and there are quite a few of them, to be sure), this is a really rough beginning for "The Can" (as they called themselves at this point). Some actually consider this to be the band's peak, but I can't buy that notion at all; there are simply not enough strong manifestations of the traits that would make Can so renowned, and there aren't enough quality "supplemental" traits to make up for the lack of the primary ones. If you're getting into Can's early period, this should be the last album you pick up. It's historically significant, yes, but not that much more.
SPECIAL COLLABORATOR Prog Metal Team
Unlike my two previous experiences this album sounded much more like a product of the experimental rock music of its time. The closest resemblance would be that of The Velvet Underground, although, by this time, John Cale had already departed for then band taking most of the avant-garde sound with him. Still, Monster Movie has its fair share of originality with much longer compositions and groovy instrumentation Can created a completely different aura around them that will later be associated with the Krautrock-movement of the late '60s and early '70s.
The album kicks off with one of my all time favorite Can compositions titled Father Cannot Yell. This is everything that one would come to expect out of experimental rock, except for the energetic performance from Malcolm Mooney and Michael Karoli that kicks it up a notch and create one of the most trippiest, while energetic, performances of their career. Unlike most of the later Can material, this track can actually be enjoyed without the need of any vision enhancing pills!
The two other tracks on side one aren't really as exciting. Mary, Mary So Contrary sounds like a typical Lou Reed song from that period and had it not been for the underlying guitar work, that even features an excellent guitar solo, the whole performance wouldn't actually be all that interesting for a 6+ minute track. Outside My Door is just a straightforward Proto-Punk composition that almost sounds like a the Doors song, except with a guitar! At times it almost seems like the band is making fun of the Doors and their style but I might be just imagining it.
The album's side two is completely occupied by a 20+ minute jam called You Doo Right. This is where Can show what they go for and will continue to pursue over the next few years. According to Wikipedia the performance originally consisted of a six-hour long improvisation that was edited down to its current format. The music incorporates an almost hypnotic rhythm with Malcolm Mooney reading excerpts from a love letter over it. I'll leave my description at that since words can't describe the energy this track transmits through the speakers.
Monster Movie might at times sound like a product of its time but make no mistake since this album is definitely one of the corner stones of the Krautrock-movement and is a must-have album to fans of the genre and anyone who wants to broaden their music horizons. To me and everyone else its simply an excellent addition to any prog rock music collection!
***** star songs: Father Cannot Yell (7:00)
**** star songs: Mary, Mary So Contrary (6:19) You Doo Right (20:28)
*** star songs: Outside My Door (4:08)
SPECIAL COLLABORATOR RIO/Avant/Zeuhl Team
However, while in 1969 bands like Amon Duul were making recordings of their trips, Can even being on the same line were already making music. "Father cannot yell" is initially based on a major chord, with a hippy flavour, but it falls slowly into a more paranoid environment. The song is driven mainly by guitar and bass, but the keyboard's stuff behind is already playing krautrock.
"Mary Mary So Contrary" (not quite) is a regular song. What makes it acid is the high pitched guitar (I'm not sure that it's not a keyboard). A psychedelic song based on three chords. A violin instead of the high-pitched background sound would have made it suitable for Curved Air, maybe.
"Outside My Door" starts rock-blues. Try to imagine Johhny Rotten singing instead of Mooney. The punks hasn't invented anything. Unlike some punks CAN can play, too. The screamed final is great. The heavy side of krautrock.
Now the side long track: "You Doo Right". I don't know if it's only me, but I think there's the story of the 60s in this song. The melody has some of Velvet Underground. Something makes me think to the west-coast psychedelics, but the background is totally mittel- european. At least for the first 5 minutes, then it becomes totally hypnotic and repetitive with bass and drums providing the base for the variations brought by keyboard and guitar. Then suddenly stop! Just drums and voice to make it restart. What appears clearly is that it's not just a long improvised jam session like Amon Duul were used. We have a long track with a structure and different moments. It sounds acid and improvised but it's a band's choice. At minute 12, more or less, the instrumental section is bluesy. Here is when the repititions are totally hypnotic. It's a sonic mantra that seems to go ahead forever. "Man you got to move on..." here I see the stoned live perfromances of Jim Morrison and the crazyness of early Gong at the same time. It's a pity that the spacey keyboard enters only in the last minute and just to introduce the distorted guitar. A disclaimer: don't use while driving.
MONSTER MOVIE can get rather uneven on its first side. The opening track is a garage/psych thriller that features the most interesting vocal breakdowns on any album in the middle of the track. ''Outside My Door'' does its job as a rocking track, but ''Mary, Mary So Contrary'' doesn't really work. It's tempo is too lulling and the vocals can get rather irritating (repeating Mary over and over and over...). I want to point out that I agree with the many Velvet Underground comparisons, mainly in Karoli's guitar sound.
The typical progster might wonder what ''Yoo Doo Right'' might be seeing that it's over twenty minutes long. It really is nothing more than a sidelong jam with little changes in structure other than a bizarre drum solo over the jam (very uncharacteristic of Liebezeit) and a spot where everything drops out except Mooney and a poorly recorded rim shot(?). ''Yoo Doo Right'' isn't horrible, but by the end of the jam, I'm looking for the exit signs. And it seems like Karoli and Schmidt disappear from the track about 2/3 of the way in. Interesting to note is that the liner notes of the CD version say that this jam is acutally an edited version of the original jam which ran for twelve hours.
MONSTER MOVIE laid the groundwork for what the band was to become in just a short time. I actually like most of what is going on here, but I feel like the songwriting/jamming is not up to par with what came later and the Velvet Underground nods are too unrefined. I'd recommend those new to CAN to seek out TAGO MAGO first and then come back here if satisfied. Nothing really mindblowing, but it's an experience worth sitting down with.
COLLABORATOR PSIKE Team
It seems that mainman and bassist Holger Czukay picked up a bunch of influences when he visited New York City in 1966 and returned to Germany transfixed by the possibilities of a new sounding rock form. By blending the minimalism of Steve Reich with the psychedelics of The Velvet Underground with some healthy doses of blues, free jazz and world music he succeeded in creating a new music form that would become a major influence in not only the nascent Krautrock scene but on such disparate genres as post-punk, indie rock and even some electronic artists.
This album has a unique sound all right even within CAN's own discography. It is mostly high energy hypnotic funk and rock with the focus on repetitive drumming. I find this a very interesting experience with the weak link possibly being Malcolm Mooney's less than outstanding vocal abilities. The final track 'Yoo Doo Right' which clocks in at 20:27 on the album is actually the edited version. The original was a 6-hour improvisation. I can only imagine what kind of mass quantities of drugs that must have been consumed to sustain such a thing for that long!
Latest members reviews
Can's 60's debut is one of the few first albums by a band that I can safely say is my favorite of said band's discography. I've never been a huge fan of krautrock- most of what I've heard is pretty disjointed, most likely because of me listening to things like Organisation which I absolutely ... (read more)
Report this review (#1356874) | Posted by aglasshouse | Thursday, January 29, 2015 | Review Permanlink
Everytime I heard of Krautrock the first thing to come in my mind is Monster Movie cover art. This is the definition of the "kraut rock" term for me, maybe because it was my first german prog album. Two points led me to curiousity about this record: 1- The giant robot at the cover. I really ... (read more)
Report this review (#1058243) | Posted by VOTOMS | Friday, October 11, 2013 | Review Permanlink
Monster Movie, the first Can album to be released. What a thing this is- I am a big fan of Suzuki's schizo-mumble, but Mooney is at least as good, though he sounds a bit more "traditional" than Suzuki. As for the music, Monster Movie is as original and shocking as the other Can tunes. "Father Cannot ... (read more)
Report this review (#261031) | Posted by Neurotarkus | Friday, January 15, 2010 | Review Permanlink
A friend of mine, an artist, looked at my acoustic guitar. It missed a string and was not in tune. He asked me to join his project. A collash that would include musical elements. My guitar would suit perfectly. He said that all sound is music. There would be someone, me?, playing some stupid riff ... (read more)
Report this review (#89235) | Posted by pirkka | Friday, September 8, 2006 | Review Permanlink
This Can album took me by surprise by how good it is, yes it does get a little reptitive, but it was early days and already they were pioneering song writing. 1969 was a big and very innovative year for prog; Frank Zappa's Hot Rats left his mark and influence on other prog albums throughout th ... (read more)
Report this review (#74254) | Posted by Cheesecakemouse | Thursday, April 6, 2006 | Review Permanlink
You can probably fault this album as far as "compositional complexity" goes -- no monster keyboard solos ala Emerson or Wakeman or any of that rubbish. But in terms of "sheer enveloping sound" and GROOOVE it's a stone classic. So much of the great 80's underground/indie-postpunk owes a deb ... (read more)
Report this review (#54330) | Posted by | Tuesday, November 1, 2005 | Review Permanlink
Can, among other characteristics, is one of the few bands which have more than one (in this case, two) debuts. And this one is the second by recording, first by release date. Listening to Delay 1968, one may understand why Monster Movie was released instead of it, and still keep on wonderin ... (read more)
Report this review (#49825) | Posted by Bilek | Monday, October 3, 2005 | Review Permanlink
The first official LP is for me absolutely great! Every song is very oryginal and interesting. First - Father Cannoy Yell. Very claystrofobic interesting work with trans rythms and great vocal interpretation of Malcolm Mooney (I htink it's most interesting element of early CAN, that schizofrenic, ... (read more)
Report this review (#23203) | Posted by | Monday, April 11, 2005 | Review Permanlink
Fantastic first album from this most influential German band. The only full album that Malcolm Mooney sings on, it makes you wish he'd made more with them. Outside My Door is the standout track for me. ... (read more)
Report this review (#23195) | Posted by | Saturday, January 10, 2004 | Review Permanlink
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On the second trip last weekend, we went to Pistachio & Pickle, a new supper club in the east end of London ran by Matt & Steve – (Events Organiser and Artichet) by day. We met Matt at Bob Bob Ricard in the summer when Eat Like A Girl arranged a Blogger's dinner and since then, he often helps us in the kitchen at our supper club so it was wonderful to stop by to be fed by someone who calls himself 'stuffyaface' on Twitter and to support a new friend.
Matt is bold, loud, quirky, sunny and full of beams – no matter what pressure he is under. Matt quickly does things, just like setting up the supper club – everything falls into place with him and it's really nice to be around him. He has great positive energy and Steve is just well buff, innit!
Matt has told me how his real passion is with Indian cuisine so we jumped at the chance of coming to a (late) Diwali celebration at this new supper club venture. Matt, Indian food and supper club = wicked combination.
Poppadoms & (Matt makes his own) Pickles |
Matt and Steve laid out a long banquet table over a modern chandelier, with name cards, candles and the like. We were joined by Vintage Macaroon (who was taking an intense tour of London foodie places before she departs, Hungry In London, DNAequalsfood and Gina, among some of Matt & Steve's friends. This supper club had a real feeling of eating at a friend's dinner party with the singular long table and how Matt & Steve placed everybody in-between each other so that we could integrate with people we do not know. The atmosphere was really lovely and intimate – knowing how cold and miserable it was outside, we were in for a warm feast.
Steve served food at a regular pace while Matt calmly worked away in the kitchen. Everything flowed, like in a really good restaurant, great food, fantastic service and wonderful company. It would be rare to get anything of this standard in a conventional restaurant. And the food, o my, it just kept coming and coming, every dish presented beautifully and was of excellent quality.
Bonda & Dumplings |
Lentil Soup |
"English Night" – Fish Fingers & Salad Cream |
Kush |
We all loved Matt's take on it, with his home made salad cream and if Matt could get Kush to attend every dinner – it would be fantastic! Kush is one of those great personalities who finds laughter in absolutely EVERYTHING!
Woodpigeon, Panch Phoron Potatoes, Coconut Carrots & Lingonberry Masala (inspired by a trip to Ikea and their gorgeous Lingonberry sauce with the meatballs – yum) |
Homemade Paneer with Tomato and Onion Pickle |
Bebinca Cake & Pistachio Kulfi (one of the most wonderful desserts I have ever eaten and I am not a dessert person) |
Chai & Gulab Jamun |
Stuffyaface Matt |
Puppy Copper bouncing around |
£35 Donation per person
Excellent Value. Fantastic Food
Not just saying it because he is our friend! Seriously.... Good!


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The Victorinox Swiss Army Knife Midnight Manager is a 2 1/4-inch pocket knife that combines the basic Victorinox Swiss Army Knife blade, scissors, nail file/screwdriver and bottle opener/wire stripper with an LED flashlight. This LED mini white light is powered by a 1.55 volt, 389 E watch-type button cell battery. The battery is available from Victorinox authorised retailers as well as from online and local electronics and general retailers. Changing it is a simple procedure that requires no special tools, and a fresh battery usually lasts 2 1/2 years.
- Skill level:
- Easy
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Things you need
- Victorinox Midnight Manager
- Paper clip
- New 389 E 1.55 volt battery
Show More
- 1
Insert the opened end of a paper clip into the hole on the lower right side of your Midnight Manager so that the old battery opens the cover and pops out into your opened hand. Hold the knife in your left hand and use your right hand to manipulate the paper clip - or vice versa if you are left handed.
- 2
Gently insert the new battery so that the positive side (top, marked with a plus sign) of the battery is facing down (the plus sign should face opposite to the cross emblem on the top of your knife).
- 3
Close the battery cover. Test the flashlight by depressing the shield emblem to turn it on.
- 4
Dispose of the old battery in an appropriate manner. Turn it in for recycling, if possible.
Tips and warnings
- Button cells are dangerous if swallowed. Dispose of the old cell promptly and keep old and replacement cells out of the reach of children and pets.


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This is a weekly series of lectures by distinguished visitors and Penn State research faculty. These lectures are instrumental in focusing the interest of PMASS participants on various research areas both during their participation in the program and in their future selection of graduate programs.
Neural networks and labeled trees
Manfred Denker, Penn StateCoverings by systems of linear equations
Mihran Paikian, Penn StateBilliard table as mathematician's playground
Anatole Katok, Penn StateProbability puzzles
Victoria Sadovskaya, Penn StateCan you hear the shape of the drum?
Vadim Kaloshin, University of Maryland, College ParkGrouping and rearranging terms in infinite series
Joe Roberts, Penn StateWhat is a random number?
Jason Rute, Penn State
A short history of length
Joel C. Langer, Case Western Reserve UniversityPrime number theorem
Andrey Gogolev, Binghamton UniversityBezout's theorem
Karl Schwede, Penn StateGeometry and arithmetic of Apollonian gasket
Alexandre Kirillov, University of PennsylvaniaFractals and dimension
Victoria Sadovskaya, Penn StateProofs from the Book
Sergei Tabachnikov, Penn StateGame Theory 101: numerical modeling of life events
Eii Byrne, Penn State
The first digit
Amie Wilkinson, University of ChicagoCommutative and Noncommutative Symmetric Functions
Vladimir Retakh, Rutgers UniversityBeing right more often can make you more wrong
John Roe, The Pennsylvania State UniversityPhysical discoveries and proofs of mathematical theorems
Mark Levi, The Pennsylvania State UniversityLake fish population estimates and mixing properties
Jana Rodriguez Hertz, IMERL, UruguayThe Continuum Hypothesis
Jan Reimann, The Pennsylvania State UniversityThe Navier-Stokes equations
Eugene Wayne, Boston University
Morley's theorem
John Roe, The Pennsylvania State UniversityRamanujan, Fibonacci numbers, and continued fractions
George Andrews, The Pennsylvania State UniversityEquiareal dissections
Sergei Tabachnikov, The Pennsylvania State UniversityBilliard table as a mathematician's playground
Anatole Katok, The Pennsylvania State UniversityTheorems of Poncelet and Marden -- two of the most beautiful theorems
Vladimir Dragovic, MI SANU Belgrade/ GFM, University of LisbonThe bigness of things
Vaughn Climenhaga, University of Maryland visiting the Pennsylvania State UniversitySymbolic dynamics
Omri Sarig, The Pennsylvania State University


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"Mental health days"
I'm not against them. But my son is only in Kindergarten. This year he wants to get the perfect attendance award. lol
This year we've had a lot of dr appointments and I usually just pick her up earlier then necessary so we can enjoy a little bit of quiet time together alone. It's hard for us with her 18 month old sister at home and the constant struggles from her ADHD and Anxiety to get to do things alone much. I do make sure she attends as many days as possible. The teachers even admit that school is way more overwhelming now then it was when we were their age
We do... If my children are having a bad day or had a rough night for any reason, they usually get to stay home. My oldest is in a private high school so she doesn't get many she would miss too much but if she needs one she gets one. If my younger two tell me they need a day off they get one if I can. I know not every parent can do that, because kids will lie to get to stay home but my kids have never done that, I am lucky that they are pretty understanding on what is important enough to stay home. My DS has perfect attendance so far this years and DD 6 missed a little at the beginning of the year when she got sick. My oldest missed a couple of days because she was being bullied and I refused to send her back until they fixed it. She only missed 2 days the whole year, and they did fix it.
My DD is only in K. But no, i don't see us doing this in the future. I think school days are SCHOOL days and she has the weekend to rest. I also do not call in sick to work just because i don't feel like going. Hell i didn't even call in sick when i had pneumonia and bronchitis.
I don't think it is a good idea to teach your children to slack on their responsibilities just because they don't feel like going. The world doesn't work that way...
not at all! i'm glad i'm not the only one. I ask my kids to study a lot and i put a lot of pressure on them because it's important for me that they do well but sometimes they need a break. I am very lucky because the kids and i talk about everything...and when i see that they have way too much on their plate i let them stay home for the day. We usually just stay at home and watch movies or read a book and go have lunch. Just like you, it doesn't happen offen...maybe 2-3 times a school year. everyone needs a break once in a while....


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Glad to hear things are going well for your enterprise. The ackerman angle is fixed, so the centerline of the outer tie rod relative to the lower ball joint will only move as required to stay on an imaginary line drawn between the lower ball joint pivot point and the outer tie rod pivot point. Since most R&P kits are designed to work with the stock geometry, the drop of the steering arm needs to stay the same as well. Moving the tie rod pickup towards the ball joint 1" is fairly conservative, but I certainly wouldn't move it in more than 1.5". Since you are reluctant to absorb all the risk on this, tell us how many sets you would have to produce to make it worth your while. Maybe you could take a deposit from the members? Alternatively, if I was to put up half the funding (assuming I can actually afford it), would you be willing to let me in on half the profits from this particular spindle design? I can provide drawings if you are willing to move ahead on this project.
I'm always up for new things. Send me a pair. I'll put them on DT. If I don't die from a spindle failure the next time the car makes an attempt...you can consider them fully tested.
So, bnickel suggests that the tie rod mounting point for an R&P spindle be moved 1.5" toward the pin and 1" outboard as opposed to the Granada/67-73 geometry. 69gmachine suggest 1-1.5" toward the pin. More opinions? Also should this spindle have a drop to it and how much. I think the spindle should be designed for a flange mounted caliper bracket. I assume that the bracket should fit a late model caliper designed for a large rotor (PBR on 13"?). 69gmachine, If there enthusiasm for this product, it will manifest itself here in the form of suggestions and answers to these questions. Then I can determine if a project is feasible.
I don't know where Bnickel came up with the 1" outboard, but that will give you virtually no Ackerman. That may be OK for a track only car, but you will hear a lot of complaints from the guys who drive their cars on the roads and have to turn at relatively slow speeds. If you draw a v with the apex at the center of the rear axle, and each of the lines intersecting the lower ball joint, the steering arm pivot point has to fall on this line to have 100% (sometimes called "true") Ackerman. The factory design has the intersection several feet behind the rear axle. If you draw lines from the lower ball joint through the steering arm pivots, you can see where they intersect. Since there is a slip angle associated with a moving tire that increases with speed, and Ackerman is intended to make the arc of the outboard tire wider than the inboard tire such that they both follow the radius of the turning arc, this benefit is intended only for relatively low speeds, such as manuevering in a parking lot. Make it match the factory angle and you'll have a lot more happy customers. It's been a while since I took my measurments, but I recall the factory design is somewhere around 11 degrees inboard of longitudinal. The PBR caliper is light weight, readily available and relatively inexpensive, so yes, a mounting pad for this caliper would be great. Last thing, Bnickel correctly pointed out that raising the pin and brake mounting points relative to the body of the knuckle will effectively lower the car, so there is no need or benefit in lowering it further by "dropping" it by making the overall height shorter than stock.


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She offers holistic therapies every Friday from 12.30 to 4.30pm at Chichester Clinical Massage on Basin Road.
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Get in touch to book.


text:
Thursday, 12 May 2011
If you can't make the rail at the Rio for this year's World Series then WSOP are offering what could be the next best thing. WSOP.com will be streaming the final table of 55 of the 2010 World Series on a five minute delay.
The WSOP.com coverage won't feature hold cards or commentary but will have the announcer relaying the betting action. In fact it will be just like standing on the rail, except you'll be looking at a computer screen rather than real life people."We are proud to provide video of the culminating action to a worldwide audience in real time," said WSOP Executive Director Ty Stewart. "This online initiative will complement our spectacular television package on ESPN and deliver even more of this year's WSOP to fans who want the most immediate coverage possible." Keep up to date with all the news from the poker world by following us on Twitter and Facebook.
Juicy Stakes has just launched a range of new online poker tournaments and is celebrating by offering a limited-time 50% re-load deposit bonus worth up to $100.
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The Winter Poker Championship Seefeld 2017 is set to kick off from February 16 and one lucky online poker player will be taking part after winning a prize package worth $4,000 into the Austrian extravaganza's main event at Intertops Poker on Sunday.
The Winter Poker Championship Seefeld 2017 is set to run from February 16 to February 26 and online poker players are being offered the chance to win a prize package into the Austrian tournament series' main event for as little as $3.30.
Sunday Six Max and Sundowner.
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Poker's unassuming killer steps back into the limelight.
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Pushing the envelope for a new poker generation.
Jeff KImber on fish.
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Dara O'Kearney looks at game thoery.
Dara O'K on bounty tournaments.
Rob Yong calls for competition.
A critical eye on the poker world.
Nick Wealthall on unconscious decision making.
Structure changes don't suit recreationals.


text:
Republican Sinn Féin Poblachtach - Cork - Easter Commemoration Report - 18:32 Apr 09 1 comments Easter Rising Walking Tour 17:53 Jul 21 0 comments The War of Independence: Separating fact from folklore 13:52 Mar 27 0 comments Vol Frank Morris 02:24 Sep 24 1 comments Historian Caught in Ambush Row [Kilmichael Ambush - Tom Barry and Peter Hart] 14:03 Aug 27 5 comments more >>User Preferences
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Could the fire at the Europe?s largest munitions depot be Ben Hodges?s fault? Sat Mar 25, 2017 01:30 | Scott Human Rights in Irelandwww.humanrights.ie#Strike4Repeal: Strike Against the Citizens? Assembly? Wed Mar 08, 2017 07:51 | Máiréad Enright Reflections on the Citizen?s Assembly (4): The Presentation of Dr. Dónal O?Mathúna Sun Feb 26, 2017 20:19 | GuestPost Hague Justice Journal: Call for Papers Mon Feb 20, 2017 11:13 | GuestPost Reflections on the Citizen?s Assembly (3): The Presentation of Dr. Joan McCarthy Tue Feb 14, 2017 14:01 | GuestPost Reflections on the Citizens Assembly (2): The Presentation of Bobbie Farsides Tue Feb 07, 2017 05:44 | GuestPost Cedar LoungeFor lefties too stubborn to quitAnother extension? 22:54 Mon Mar 27, 2017 | WorldbyStorm That other SBP poll this weekend. Brexit plans, an Election on foot of Kenny resigning as FG leader,... 15:30 Mon Mar 27, 2017 | WorldbyStorm The ?we? in I! 12:49 Mon Mar 27, 2017 | guestposter Starry Plough, No. 9 1972 ? Official Sinn Féin 03:21 Mon Mar 27, 2017 | WorldbyStorm Another blow for The Social Democrats 00:07 Mon Mar 27, 2017 | irishelectionliterature Dublin OpinionLife should be full of strangeness, like a rich paintingNotes for a Book on Money and the Irish State - The Marshall Aid Program 15:10 Sat Apr 02, 2016 The Financial Crisis:What Have We Learnt? 19:58 Sat Aug 29, 2015 Money in 35,000 Words or Less 21:34 Sat Aug 22, 2015 THE WRATH OF KANE: BANKING CRISES AND POLITICAL POWER 09:32 Fri Jan 30, 2015 ALWAYS THE ARTISTS: WEEK THREE OF THE BANK INQUIRY 23:11 Thu Jan 22, 2015 |
Easter 2016 - The Irish Republic 100 Years On.
national |
history and heritage |
Sunday March 27, 2016 01:23 by T
External Related Links:
See also:
1916, left republicanism, anarchism and class struggle | Revolutionary Experiments In Ireland 1917-1923 | Reclaim the Vision of 1916 |
Ireland 2016 | Official Centenary Programme
POBLACHT NA hÉIREANN Comments (4 of 4)
by Rudy Eckert Sat Jan 14, 2017 10:30
The perusing of the declaration by Patrick Pearse outside the General Post Office (GPO) on Sackville Street (now called O'Connell Street), Dublin's fundamental avenue, denoted the start of the Rising. The announcement was displayed on a comparative autonomy decree issued amid the 1803 insubordination by Robert Emmet.
by Scholasticus Sun May 29, 2016 07:17
I worry somewhat about the import of the post by T. In the UK during the long 19th century the trades unions and other social movements agitated for basic schooling, along with other things like decent salaries & working conditions, child welfare, pensions, voting rights and the rest. In Ireland, the religious orders founded by men and women from the late 18th century onwards edged out the sporadic underground efforts of the wandering hedge schoolmasters, and overtook the efforts of the 1831 national school initiative by the colonial government. The gradual growth of literacy among the Irish peasantry was to help raise political consciousness among the population, especially from the 1879-82 period of land agitation led by Parnell and Michael Davitt. In the wilderness of North Leitrim a young peasant boy, Sean MacDiarmada, got a basic national school education and on his own initiative sought tuition in Irish language from a teacher in Glangevlin in nearby Cavan. Primary school boys and girls around Ireland got involved in the Gaelic League (a voluntary educational movement), the co-op movement and the nationalist political project. Some of them took part in the events of 1916. I imagine that in England, Scotland and Wales the educational efforts of the national school government system, combined with church schools and the educational efforts of trades unions, helped the intensification of popular agitation for social improvements. Without widespread basic schooling and the availability of public libraries (Michael Davitt and James Connolly did a lot of spare time research in libraries) the social movements of 19th century Britain and Ireland would never have borne so much ultimate and piecemeal fruit.
by T Sun May 29, 2016 00:21
It looks like you missed the context of question posed about Carnegie influence in Ireland.
by Don Fri May 27, 2016 11:08
Carnegie one of the richest men in America, paid for the construction of over 100 libraries in Ireland which even today would represent a massive infusion of charity. Money like that is not spent without something in return Rather than make a sweeping insinuation about the Carnegie Trusts and the financing of libraries, you might read some basic information http://www.historyireland.com/20th-century-contemporary...land/ Details how libraries were funded, and notes that in addition Carnegie endowed numerous Church organs in both RC and CoI parishes. It really takes the biscuit, that conspiracy can be found in the provision of library services and books. I have no connection with Carnegie, but the library in Dun Laoghaire features in some of my earliest memories |


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Product Highlights
The black Yamaha FGX730SC is an acoustic/electric steel-string guitar that features a cutaway body and 14th fret neck joint designed for easier top-fret access, and a sound well suited for a variety of musical styles. The guitar is constructed with a solid spruce top, rosewood back and sides, a 25.6"-scale nato neck with a rosewood fingerboard, a rosewood bridge, and a gloss finish.
For electronics, it features an A.R.T. 1-way pickup system (System 56) that faithfully reproduces the dynamic sound produced by the body of the guitar. This system functions using two undersaddle piezo pickups, one for the bass strings, and one for the treble strings; these signals are then summed to create a full-spectrum signal. The pickup system provides a 3-band graphic equalizer with an adjustable middle frequency band (80 Hz to 10 kHz) and volume control. Additional features include a built-in chromatic tuner and a battery check indicator.


text:
Encouraging results in French EPODE Pilot towns
The highlight of the recent Congress of French EPODE Towns, held in Vitré on 27–28 May 2010, in the presence of Mme Roselyne Bachelot, Minister for Health and Sport (pictured left with Dr JM Borys), was the presentation of encouraging results for the prevalence of childhood overweight and obesity.
Editorial by Dr Jean-Michel Borys,
Director EPODE and EEN
Data collected from twenty-three thousand children
In the eight French EPODE pilot towns of Asnières-sur-Seine, Beauvais, Béziers, Evreux, Meyzieu, Roubaix, Royan and Vitré, more than twenty-three thousand children, in age groups 4–5 through to 11–12, had their height and weight measured annually between 2005 and 2009 by school health professionals (school nurses and doctors).
Analysis of the data was carried out by the Centre of Biostatistics at the Lille University Regional Hospital Centre. The data were first analyzed globally and then the location of the schools was taken into account, i.e whether they were in deprived or non-deprived areas.
Significant achievements in French EPODE pilot towns
While recent data available in France at national level show an overall stabilization in the prevalence of childhood overweight and obesity, results from the French EPODE pilot towns show a significant decrease in overweight and obesity: 9.12% between the years 2005 and 2009, i.e. a reduction from 20.6% in 2005 to 18.8% in 2009 (p<0.0001). Prevalence in overweight decreased from 15.8% in 2005 to 14.4% in 2009 (p<0.0001) and prevalence in obesity decreased from 4.8% in 2005 to 4.4% in 2009 (p=0,056).
What has become apparent from recent French national-level data, however, is the difference indicated in the varying socio-demographic characteristics of families, with children from disadvantaged households showing an increase in the prevalence of overweight and obesity. Interestingly, an encouraging development in EPODE pilot towns indicates that children who attend schools located in deprived areas, rather than showing an increase in the prevalence of overweight and obesity, as shown at national level, show instead a downward trend of 2% (non-significant, p=0.3845) in the prevalence of childhood overweight (including obesity): from 23.7% in 2005 to 23.1% in 2009.
Without establishing a direct cause-and-effect relationship, the results of these eight EPODE pilot towns demonstrate an encouraging overall decrease in childhood overweight and obesity. This gives further indication of the necessity to continue the development and application of EPODE methodology in countries at local and national level, so that the growing health problem of overweight and obesity in children can continue to be addressed.
Thoughts for the future
It has become apparent from the data collected that from the earliest age, continued action in the prevention of the development of overweight and obesity in children is essential. Similarly, with children where the prevalence of overweight and obesity remains high in less advantaged populations, action targeting this particular group remains a priority. These actions need to be adapted to further encourage input from the actors involved who are familiar with the daily life of families participating in EPODE.
The data collected was shared and discussed during the third EEN Board Meeting in Stockholm, Sweden on 11 July 2010. The meeting ran in parallel with the International Congress on Obesity (ICO), which also took place in Stockholm.
EEN Newsletter N°5 – September 2010


text:
The 4.7m double racing water slide is perfect for fun in the garden and is sure to keep the kids entertained.The slide features two lanes so you can race each other on the included inflatable boogie board style sliders.The game comes complete with a hose connector for your garden hose pipe to feed the in built sprinklers to reduce friction and gain the all important speed.
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Sleeps | 8 |
Bedrooms | 3 |
Bathrooms | 2 |
Space | sq. ft. |
Property type | house |
Minimum Stay | 7 nights |
Lock in your week for the Summer of 2017 as we get booked every year. Brand NEW Kitchen and Living Room! New TVs. Perfect Location in LBI!!!! Beach Haven Crest.
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We usually go some place different every summer, but everyone, including the teenage boys, loved our LBI vacation so much we decided to return to LBI this summer. We stayed at the same house. It is perfect because it's a single family house, great location, plenty of space for everyone, two full bathrooms, and storage for bikes and beach stuff. We especially loved all the upgrades they did. The owner Kevin is an absolute pleasure to work with. We love being close to the bike path, takeout from Pinky Shrimp is a favorite, we discovered the Chicken or the Egg this year (go before 8am for breakfast and just order take out for dinner - two hour wait any other time, but you'll understand why - so good). Our boys are already asking if we're going back next year! If you want a relaxing vacation, in a beautiful home away from home, this is THE place to go. There is plenty to do or plenty of nothing - whatever you choose. This house is prettier than the pictures - very comfortable, close to the beach (which allowed us to go back and forth and leave our things) and far enough away from the busy parts of LBI but close enough to pick up dinner, get ice cream at Barry's, or play mini golf.
We traveled to LBI with two teenage boys. Our vacation was perfect! Kevin is a pleasure to work with. He responded to my emails within 1-2 days. The house was terrific. Spacious, clean, comfortable, and filled amenities. The indoor shower was only used once as we all fell in love with the outdoor shower. The family room is great, but it is not accessible from inside the house. Instead, you need a separate key to access it. This was not an issue for us, but it may be for families traveling with younger children and plan on using it as part of the upstairs living space. The deck is wonderful - spacious and comfortable. A table umbrella would have been a great though to help shade us from the morning and afternoon sun. The house is located in a quiet neighborhood, close to the beach. Our area of the beach actually felt like a little neighborhood since many of the same people came each day. We usually headed to the beach in the late morning, left our things to head back to the house for lunch, and spent the rest of the afternoon enjoying the surf and sounds and simply relaxing. Beware, the beach patrol showed up around 2 pm each day checking for beach tags!! We all brought our bikes and enjoyed riding on the bike path instead of the busy boulevard. The boys would ride over to the bay each evening to watch the sunset. Favorite restaurants on the island include Wally's (breakfast) and Tuckers. Our favorite was Pinky's - right around the corner from the house. We would bring our take-out meals back to the house and enjoy dinner on the deck or over to the bay and eat while watching the sunset. We would definitely recommend this wonderful beach house and hope to stay there again. I would note though, as a first time LBI-er, I did not realize how packed the local supermarket would be when we arrived on Saturday. Next time I will bring a cooler with some basic necessities to get us through till Monday!!
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Price incl. VAT | £6.20 |
Price excl. VAT | £5.17 |
Hairdryer Sencor SHD 6400B brown-black color is most appreciated when traveling thanks to its low weight and folding handle, which allows for easier storage. It stands out for its quality, attractive design and ease of operation. Travel hairdryer has two speeds and two degrees of temperature adjustment for ideal combination for your hair type. At low temperatures there is a gentle flow of air at high temperature to strong. Abrasion and damage to the dryer is equipped with rubber protective side buffers.
The big advantage dryer is cold air function, which allows you a quick fixation and modeling hairstyle. Long cable will ensure comfortable handling, there is also a practical hanging loop for hanging dryer. Dryer propulsion is provided by a DC motor. The hairdryer with folding handle is the right choice for the care of your hair and leave on the road.
Additional information:
Black / brown
Sencor was founded in 1969 in Japan. The name "Sencor" means "a thousand hearts" in Japanese. The company currently distributes its products in more than 25 countries, with extremely diverse offerings in consumer electronics, tablets and phones, office equipment, electronics, cars, and products for the home and kitchen. Sencor is known for dependable quality and attractive design at a reasonable price.
Specifications can be changed without notice. Images are for illustrative purposes only. Retail Price (MSRP) means the manufacturer's/supplier's suggested retail price.
Link to Manufacturer's Website: Enter link to the external review


text: My characters are all located on Silverlode. They range from early 20s to 65. I have the Moria and Mirkwood expansions. He is a Master Jeweller and I have around 23 gold across my characters. Here's my main: i.imgur/hWHUx.jpg If you want more information or pictures of other characters, feel free to ask. I have a few Creeps as well.


text:
orient oneself
Definition of orient oneself
: to find out where one is The hikers stopped to orient themselves by looking at their map.
Word by Word Definitions
: east
: east
: a pearl of great luster
: oriental
: lustrous, sparkling
: radiant, glowing
: to cause to face or point toward the east
: to build (a church or temple) with the longitudinal axis pointing eastward and the chief altar at the eastern end
: to set or arrange in any determinate position especially in relation to the points of the compass
Seen and Heard
What made you want to look up orient oneself? Please tell us where you read or heard it (including the quote, if possible).


text:
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Dustin Brown black Tennis strings - String reels
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Free For All A place for thoughts and ideas that are out of place anywhere else. |
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07-02-2004, 08:18 PM | #1 (permalink) |
Posts: n/a
shit balls cock ass mother fucker that hurts...
I was mowing the lawn today and the mower got caught in the fence and for the life of me I could not get the mower out of this chain length fence. Since it wasn't my fence I went and got a metal saw and sawed the mother fucker free.
ANyway, later I was filling the mower with gas and spilt it all over my hands. So I went and washed my hands off but I had a major booger in my nose so of course I went for the pick. Immediatly my nose started burning and every breath I took only made me more sick. I feel to the ground screaming like a little girl and wimpering for the pain to stop. It's now a half hour later and my nose is still fucking burning. I've tried water and soap but to no avail. I'm not smoking weed or cigars for like a week. |
07-02-2004, 08:26 PM | #3 (permalink) |
Join Date: Mar 2002
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you should compile all these great stories into a Real Corona Reader.
the drunk in japan story, that funny one about the time you were trapped in the snow with spyder and had to eat him to survive, that time you got arrested for smuggling... |
07-03-2004, 03:17 AM | #4 (permalink) | |
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Oh yeah, RC its the 4th tomorrow so you are going to have to smoke, sorry |
07-03-2004, 03:49 AM | #5 (permalink) | |
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Re: shit balls cock ass mother fucker that hurts...
at work i was smart enough to get two (yup, i made the same mistake twice within about 30 minutes) second degree burns on my arm from the extremly hot exhaust housing
fuck the monkeys |
07-03-2004, 03:54 AM | #6 (permalink) |
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oh yeah and if you are making a real corona reader dont forget the one where he got into a fight drunk at a bowling alley by accident and got a concussion
fuck the monkeys |
07-03-2004, 09:25 AM | #7 (permalink) |
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Yesterday i had to pass a kidney stone want to talk about pain holy shit that hurt. But that sucks you got gas in your nose.
Excuse me while i light my spliff, good God i gotta take a lift, from reality i just cant drift, thats why im staying with this riff Mr. Bob Marley |
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