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...tarkastuksen homekoiralla tai teetättää kuntotarkastuksen ja saada niistä selkeän raportin. Voimme myös yhdistää koirakartoitukseen kuntotarkastuksen. Mikäli on tarvetta, teemme myös rakenteen sisäisiä mittauksia ja tarkastuksia.
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An ethics lesson for USA Today's "queer" bullies
by Michelle Malkin
Creators Syndicate
Copyright 2018
This week, I did something that USA Today's executive leadership apparently hadn't done lately: I read the newspaper's "principles of ethical conduct for newsrooms."
It's pretty highfalutin. The media manifesto of virtue, posted online, applies to all employees "working with any news platform, including newspapers, websites, mobile devices, video, social media channels and live story events." Whether writing online or covering breaking developments, USA Today's journalists are supposedly committed to:
–Seeking and reporting the truth in a truthful way.
–Serving the public interest.
–Exercising fair play.
–Acting with integrity.
Now, let's compare the lofty rhetoric with low-blow reality. On Sunday, 21-year-old University of Oklahoma quarterback Kyler Murray won the Heisman Trophy. He gave a gracious, emotional speech that celebrated his faith in God, respect for his fellow athletes, love of family, lifelong work ethic and team spirit.
"I've worked my whole life to fulfill my goals, but at the same time, I know there's a higher power looking down on me. He enables me to do all things. For that I'm grateful — for the many blessings that God has blessed me with," Murray humbly told reporters.
But one reporter wasn't interested in covering the actual news of the Heisman winner's triumph. He was interested in sabotaging it. Within hours of the press conference, USA Today sports writer Scott Gleeson penned an article attacking Murray for posting "tweets using an anti-gay slur." Murray and family awoke Monday morning to a barrage of character smears slamming his "homophobic" posts from six years ago — when Murray was 14 or 15 years old and jokingly called his friends "queer." Google is now clogged with wall-to-wall coverage of his teenage antics from CNN to "The Today Show" to every sports outlet and his hometown Oklahoma newspaper.
Gleeson's hit piece reeks of deceptive vigilantism, not journalism. After noting that Murray had a "Saturday to remember," Gleeson wrote that "the Oklahoma quarterback's memorable night also helped resurface social media's memory of several homophobic tweets more than six years old."
Who "resurfaced social media's memory?" Why, it was Gleeson himself! By creating an illusion that Murray's schoolboy tweets were the subject of any scrutiny and outrage other than Gleeson's own, USA Today gave us a shining example of the manufacturing of fake news. Ain't misleading passive voice grand?
Indeed, Gleeson's own biography is one of a social justice advocate dedicated to identity politics propaganda. "My enterprise and human interest work on the LGBT movement in sports made me an APSE award finalist in 2016 and a USBWA award winner in 2017," Gleeson boasts. Was he aiming for another award with his ambush of Murray? Gleeson certainly got his new scalp and paraded it prominently, with aiding and abetting by USA Today's silent, AWOL editors. Within hours of publication, Murray had apologized.
Gleeson's new headline blared:
"Kyler Murray apologizes for homophobic tweets that resurfaced after he won Heisman Trophy."
On Tuesday, I wrote to USA Today's editor in chief Nicole Carroll and executive editor for news Jeff Taylor with the following questions:
How does Gleeson's article comport with USA Today's stated principles of ethical conduct for newsrooms?
Specifically, how did the piece "serve the public interest," "exercise fair play," exhibit "fairness in relations with people unaccustomed to dealing with news media," observe "standards of decency" and demonstrate "integrity"?
And have there been any executive leadership discussions about the piece since its publication and widespread public backlash?
The editors have not responded yet. In the meantime, I have more questions.
How does lying in wait in for unknown months or years (when Gleeson could have "resurfaced" the old tweets at any time) and publishing a smear in the middle of the night before giving Murray a chance to respond comport with the newspaper's promises that:
"We will be honest in the way we gather, report and present news — with relevancy, persistence, context, thoroughness, balance, and fairness in mind.
"We will seek to gain understanding of the communities, individuals and issues we cover to provide an informed account of activities.
"We will uphold First Amendment principles to serve the democratic process.
"We will reflect and encourage understanding of the diverse segments of our community.
"We will provide editorial and community leadership.
"We will treat people with respect and compassion.
"We will strive to include all sides relevant to a story.
"We will give particular attention to fairness in relations with people unaccustomed to dealing with the news media.
"We will act honorably and ethically in dealing with news sources, the public and our colleagues.
"We will observe standards of decency."
Will the editors respond publicly to criticism and address readers and employees so that their actions match these words?
"We will explain to audiences our journalistic processes to promote transparency and engagement.
"We will correct errors promptly.
"We will take responsibility for our decisions and consider the possible consequences of our actions."
Tick tock.
Update: I received the following response late yesterday not from the executive editors I addressed, but from assistant managing editor Peter Barzilai and "ethics and standards" editor Manny Garcia:
Good evening Michelle,
We appreciate you reaching out. We have covered Kyler Murray extensively this fall leading up to his Heisman Trophy win. We reported on Murray's tweets after they were circulating on social media and he'd been named the Heisman winner on Saturday night. We then followed up the next morning with his apology where he acknowledged the statements were inappropriate. As the Heisman Trophy winner, we were reporting the news as it happened because he is a public figure.
Thank you,
Peter Barzilai and Manny Garcia
Translation: Double down.
Michael D. Tanner
Recently, The Daily Beast reported that when President Trump was briefed early last year about the future consequences of the federal debt, he replied bluntly, "Yeah, but I won't be here."
It would be easy to shake our heads at yet another example of the president's inability to think beyond the present. But Trump is hardly alone in his disregard for our looming debt crisis; with characteristic pithiness, his dismissive response expressed the basic attitude of most Washington lawmakers.
Lawmakers and President Trump must look beyond their own immediate political prospects to imagine the country they'll leave behind.
Yet, if we don't stem the rising tide of red ink it will pose an intolerable burden for our kids and grandkids. But to be fair to lawmakers, they're not wrong: The bill for our profligacy won't come due until well after the next election. Our children and grandchildren don't vote. And anything done today to fix the problem — raising taxes, cutting spending, reforming entitlements, etc. — will anger one group or another of Americans who do vote.
Because most lawmakers indulge such a short-sighted, self-interested stance, however, the federal deficit will exceed $779 billion this year and top $1 trillion in the next. The national debt now exceeds $21 trillion. And it will get worse. The federal debt will double as a percentage of the economy within the next 30 years. Within the next 75 years, the debt could exceed a phenomenal 600 percent of GDP, according to the Committee for a Responsible Federal Budget.
Interest on the debt is already the fastest-growing portion of the federal budget, and as interest rates begin to rise, it will skyrocket even faster. Within the next five years, interest on the debt is expected to be larger than the defense budget. By 2050, it will exceed Social Security spending, and, by 2070, it will exceed spending on Medicare, Medicaid, and Obamacare combined. No matter what your political perspective or policy priorities, that can't be an enticing prospect.
Yet the Trump administration and its congressional allies continue to pursue a policy of increasing both domestic and defense spending, protecting entitlements, and reducing taxes. (One can at least claim that the tax cuts have increased economic growth in the short term: Despite the cuts, revenues are still up by roughly 1 percent this year.)
Now we are approaching yet another government showdown. Congress has only been able to pass seven of the required twelve appropriations bills it must pass by December 21 to avoid a partial shutdown over Christmas, although the remaining five are expected to be rolled into a single spending measure. Bipartisan negotiations have broken down, after an Oval Office meeting Tuesday between Trump and Democratic leaders went nowhere.
And what has led to this impasse? Is Congress debating how to control spending or reform entitlements (or even tax policy)? No. They have already agreed that this funding bill will increase spending substantially. Instead, they are fighting over whether spend an additional $5 billion on the president's border wall.
The dirty little secret of Washington is that very few lawmakers actually care about the deficit or the debt. Occasionally it may provide a useful cudgel with which to beat the opposing party. But no one is going to do anything about it without a president who cares more about the country he will leave behind for his successors than about his present-day approval ratings.Michael Tanner is a senior fellow at the Cato Institute and the author of Going for Broke: Deficits, Debt, and the Entitlement Crisis.
Tanja Porčnik and Visio Institut
With the rise of nationalism, populism, and hybrid forms of authoritarianism, freedom has been for years under assault in many parts of the world.
Unsurprisingly, among the countries with the most substantial deteriorations in freedom in recent years are Turkey and Poland, both experiencing evident weakening of the rule of law, contracting religious freedom, and attacks on freedom of expression.
Today we are releasing the fourth annual Human Freedom Index, the most comprehensive measure of freedom ever created for a large number of countries around the globe. The report documents global freedom on a continuing decline since 2008, the earliest year for which a robust enough index could be produced.
Freedom has indeed taken root in various societies, and it is also spreading in numerous countries around the globe.
On a country level, we have seen the most significant deteriorations during this time in Greece, Brazil, Venezuela, Egypt, and Syria. Also, notably, Russia's rating fell from 6.53 in 2008 to 6.27 in 2016; Hungary's rating fell from 8.05 to 7.74; Argentina's score dropped from 7.04 to 6.47; and Turkey's rating decreased from 6.92 to 6.47 (between 2011 and 2016, Turkey's rating decreased even more markedly, falling from 7.22 to 6.47).
On a positive side, countries that saw improvement in their level of human freedom most since 2008 are Côted'Ivoire, Angola, Zimbabwe, Taiwan, and Lesotho.
Freedom has indeed taken root in various societies, and it is also spreading in numerous countries around the globe. Notably, New Zealand tops the Human Freedom Index rankings this year, followed by Switzerland.
Both outperform Hong Kong, whose ranking and ratings continue to drop in light of ever-increasing interference and perceived interference by mainland China in Hong Kong's policies and institutions, including infringements on freedom of the press and the independence of the legal system.
Other selected countries rank as follows: Australia (4th), Canada (5th), the Netherlands and Denmark (tied in 6th place), Ireland and the United Kingdom (tied in 8th place), and Finland, Norway, and Taiwan (tied in 10th place), Germany (13), the United States and Sweden (tied in 17th place), Japan (31), France and Chile (tied in 32nd place), Italy (34th), South Africa (63rd), Mexico (75th), Indonesia (85th), Argentina and Turkey (tied in 107th place), India and Malaysia (tied in 110th place), Russia (119th), China (135th), Pakistan (140th), Saudi Arabia (146th), Iran (153rd), Egypt (156th), Iraq (159th), Venezuela (161st), and Syria (162nd).
The freest countries in Eastern Europe include Estonia (ranked 14 globally), Lithuania (20), the Czech Republic (21), Latvia (23), and Romania (24). The least free country in the region is Belarus (128) preceded by Russia (119), Ukraine (118), Moldova (75), and Greece (61) (see Figure 1).
Figure 1: Human Freedom in Eastern
Eastern Europe as a region has less freedom than North America, Western Europe, Oceania, and East Asia, but more than Latin America &the Caribbean, Caucasus & Central Asia, South Asia, sub-Saharan Africa, and the Middle East and North Africa (see Figure 2).
The most significant improvement in freedom since 2008 occurred in East Asia (0.11) and sub-Saharan Africa (0.11), while the largest deteriorations in freedom occurred in the Caucasus and Central Asia (−0.25) and the Middle East and North Africa (−0.58), the least free region.
Figure 2: Human Freedom Score by Region
(2016) and Changes (2008-2016)
Figure 3 shows that within Eastern Europe, the most significant improvement in freedom since 2008 occurred in Macedonia (0.16), Estonia (0.09), and Slovenia (0.08), while Montenegro (-0.21), Hungary (-0.15), and Poland (-0.10) saw the biggest deteriorations.
Figure 3: Human Freedom in Central and
Eastern Europe (2008-2016)
Of the 12 major categories that make up the index, all except three saw some deterioration since 2008.
Religion, Movement, and Rule of Law saw the most significant decreases in freedom since 2008, while Sound Money saw the largest improvement (see Figure 4).
Figure 3: Human Freedom in Central and
Eastern Europe (2008-2016)
Figure 3 shows that within Eastern Europe, the most significant improvement in freedom since 2008 occurred in Macedonia (0.16), Estonia (0.09), and Slovenia (0.08), while Montenegro (-0.21), Hungary (-0.15), and Poland (-0.10) saw the biggest deteriorations.
Of the 12 major categories that make up the index, all except three saw some deterioration since 2008.
Religion, Movement, and Rule of Law saw the most significant decreases in freedom since 2008, while Sound Money saw the largest improvement (see Figure 4).
With the Human Freedom Index, my coauthor Ian Vasquez and I aim to capture the degree to which people are free to enjoy fundamental rights such as freedom of speech, religion, association, and assembly, and also measures freedom of movement, women's freedoms, crime and violence, and legal discrimination against same-sex relationships.
In this context, the index ranks 162 countries based on 79 distinct indicators of personal, civil, and economic freedom, using data from 2008 to 2016, the most recent year for which sufficient data are available.Tanja Porčnik is President and co-founder of the Visio Institute, a think tank in Slovenia, and co-author of The Human Freedom Index. An adjunct scholar at the Cato Institute. isio Institut is an independent public policy think tank in Slovenia. Aiming for open, free, fair and developed Slovenia, the Visio Institut is publishing a ray of publications, while Visio scholars regularly appear in media and at public events.
Emma Ashford and A. Trevor Thrall
"The time is long overdue for a vigorous discussion
about our foreign policy, and how it needs to change in this new
era." -Sen. Bernie Sanders
"The United States needs a national security doctrine around which a consensus can be built — both between the Democratic and the Republican Parties and with those who share our interests and values overseas." — Gov. John Kasich
When the new members of the 116th Congress arrive in Washington next month, they're likely to find themselves focusing on a relatively unusual priority: foreign policy. And though Democrats promised during the midterms to challenge President Donald Trump's foreign policy, it's not just about opposition to the president. With a flurry of think pieces proposing roadmaps for new progressive, liberal, or conservative foreign policies, everyone's talking about the future of U.S. foreign policy. The most important of these debates are the ones inside the two political parties, as Republicans and Democrats attempt to build foreign policy platforms with an eye toward the 2020 election.
Curious to understand where the right and left are heading on foreign policy, we've held a variety of events at the Cato Institute to try and understand this question: a roundtable building on Patrick Porter'swork on the "liberal international order," events with notable critics of the existing foreign policy consensus, such as Harvard's Stephen Walt, meetings to explore potential areas of common ground between libertarians and progressives, and interviews with experts for Power Problems, our biweekly podcast.
The results highlight not only the internal debate inside the Republican Party, but also the growing demand inside the Democratic Party for a coherent alternative both to Trump and to the existing foreign policy consensus that he helped discredit. We also found evidence of an unexpected and potentially significant turn in U.S. foreign policy: a new bipartisan consensus on the need to confront and contain China.
'Hurricane Trump'
Though he's seemingly ignorant or indifferent to many of the issues in question, Trump at least deserves credit for reinvigorating the debate over the fundamental purposes of American foreign policy. As Peter Beinart put it, "in his incoherent and immoral way, he has challenged the assumption that the pursuit of unipolarity serves average Americans."
But while Trump has upended the traditional tenets of American foreign policy; as of yet, neither party has a coherent replacement. Nor is there any going back to the way things were before. As Jake Sullivanrecently told us, "Hurricane Trump has come in. He's destroyed a lot of the infrastructure of U.S. foreign policy and of the international order, and now we can't just build back the way we were before. We have to build back better."
If you're going to challenge Trump's foreign policy, there are two options: embrace the status quo or seek a new consensus. Both sides of the aisle have a status quo wing and a revisionist wing fighting to determine their parties' foreign policy future. These fights focus on six critical questions that will be fundamental to American foreign policy in the coming decades:
Little progress has been made toward consensus on either side of the aisle, and neither party has a clear objective. That in itself is not new — since the end of the Cold War, Democratic and Republican administrations have pursued a variety of vague goals in foreign policy, from "dual containment" to counter-terrorism to human rights. Often, the only uniting factor has been a belief in America's role as what former Secretary of State Madeleine Albright described as the "indispensable nation." Today, however, both Republicans and Democrats are openly questioning that assumption.
Republicans: The President Frames the Debate
On the Republican side, Trump has split conservatives into two camps. The status quo camp — perhaps better described as "status quo ante" — remains staunchly committed to the open internationalism and muscular American leadership of the Reagan era. Rooted in a firm belief in American exceptionalism, this approach emphasizes the defense of democracy and spread of American values.
Many of these true believers — once the guiding light of Republican foreign policy — are now on the outside. Just look at Bill Kristol, exiled to irrelevance by an increasingly Trump-dominated Republican party. Meanwhile, those still on the inside, like Sens. Marco Rubio or Lindsey Graham, continue to hold to their traditional views — for example, advocating for a humanitarian intervention in Venezuela — but routinely coopt Trump's language and support him in other areas in order to maintain access and influence.
Trump himself represents the second camp, promoting an illiberal, nationalist, and autarkic view of American foreign policy that dismisses long-held assumptions about alliances, free trade, and immigration. Though a few advocates have attempted to hang an intellectual framework on this viewpoint — chief among them Sen. Tom Cotton - it remains an instinctive, poorly theorized worldview.
At present, the president and his allies have the momentum in the battle to define conservative foreign policy. He may have failed to transform American foreign policy completely in his first two years in office, but there is no doubt that he has changed the terms of debate within conservative circles. Indeed, Trump's electoral success drew our attention to the fact that many voters believe America's traditional approach to foreign policy has not worked for them.
Whether they agree with him or not, Republican political leaders have tended to toe the line. Their failure to challenge him (at least in public) on Russia, trade, and other issues has signaled to their constituents that Trump's views are their views. Thus, while it is too early to predict how this debate will turn out, the longer Trump serves, the likelier it is that "America First" will permanently reshape the foreign policy of the Republican Party, leaving it with little in the way of a coherent approach. As Bryan McGrath told us:
My problem is these days I don't know what a coherent Republican foreign policy is. I know what it was: American exceptionalism was smack dab in the middle of it. A strong, active role in the world from a position of leadership…I hear the administration talking about a strong military, but to do what? It's not like they wish to be involved in the world.
Democrats: In Search of a Strong Opposition
Among Democrats, the competing camps appear less polarized, but important, longstanding differences between the two remain. The status quo camp still advocates a Clinton-style liberal internationalist position — an approach similar to the Reaganite Republican status quo in method and results, if not necessarily in motivation. This view is less prevalent among likely candidates, and far more common in the Democratic foreign policy establishment - people like Sullivan or Michele Flournoy. By putting human rights and democracy promotion on center stage, the Clinton Democrats continue to embrace America as the "indispensable nation" and its responsibility to use military force in wide range of contingencies, from regional stabilization to humanitarian intervention.
Yet the progressive wing of the party is increasingly challenging these voices. These progressive leaders are more skeptical of the use of military force and American exceptionalism more generally. Though these progressives share with Republican "America First" advocates a distaste for the excesses of primacy, they generally offer a far more coherent and internally consistent alternative to the status quo. In some cases, they have even adopted the language of ongoing grand strategic debates: In a recent speech at the Cato Institute, for example, Rep. Ro Khanna argued that "if we want to lead in the 21st century, we have to return to a foreign policy of restraint."
Other progressives are interested in tying foreign policy more closely to domestic policy and attacking Trump-style kleptocracy at home and abroad — a campaign that undoubtedly plays well against the backdrop of the president's numerous conflicts of interest. In a recent article, Sen. Elizabeth Warren argued that "the United States can no longer maintain the comfortable assumption that its domestic and foreign policies are separate." Bernie Sanders, her potential 2020 presidential challenger, has likewise been promoting a new focus on global corruption and kleptocracy.
But the sharpest internal conflicts concern military intervention and free trade. As Dan Nexon described, "the coalition seems divided between two depressingly familiar alternatives: liberal internationalists of the kind associated with the Democratic establishment, and anti-hegemonists, who want to see the United States drastically reduce its pretensions to global leadership." Certainly, this coalition is increasingly dubious about billions of dollars in arms sales and unreliable partners, like Saudi Arabia. Yet on the questions of intervention and free trade, there is no clear consensus.
A Developing Consensus
Ultimately, it is too early to predict a winner on either side. If a new foreign policy consensus emerges, it could be radically different in its prescriptions or merely a reskinned version of the status quo — a kind of "primacy lite." A gradual evolution toward a slightly revised version of primacy is most likely in the Democratic Party, where the status quo and progressive wings enjoy a at least some common ground in their fight against Trump. A more radical future seems more likely on the Republican side, thanks to Trump's increasing control of the party and its electoral fortunes.
One worrisome forecast does appear to be increasingly probable, however. The conversations at our events and on our podcast suggest that thinkers on both sides of the political spectrum appear to be narrowing in on defining the threat from China as the new master narrative of American foreign policy. Call it great power competition or a "new Cold War" — the result is the same. As Sullivan put it, "There's a striking consensus on a much darker, much harder line on China that is not just about the Trump administration… it's pretty much across the Democratic Party as well."
Given the bitterness and polarization in Washington, not to mention the depth of the Democrats' opposition to Trump himself, the emerging consensus on China — across the domains of security, human rights, and international trade — is surprising. An optimist might suggest that enduring national interests are winning out over both intraparty and interparty squabbling. An inveterate optimist might even see the seeds of a new bipartisan grand strategy rooted in containing China, fighting the spread of authoritarianism, and more nationalist trade policies.
From a more realistic perspective, however, the growing consensus on China is troubling. Having identified China as America's biggest strategic challenge, neither party has identified a clear goal. Nor have they articulated how a new approach to China would provide a foundation for a broader vision of American foreign policy. Regardless of which camp triumphs, the risk of creating a self-fulfilling prophecy on China — through confrontation without purpose — is real. As both parties seek a new foil against which to frame American foreign policy, they may end up instead creating the incentives for further confrontation.Emma Ashford is a research fellow in Defense and Foreign Policy at the Cato Institute. A. Trevor Thrall is associate professor at the Schar School of Policy and Government at George Mason University and senior fellow in Defense and Foreign Policy at the Cato Institute.
Matt Daniels and Doug Bandow
As media and political leaders increasingly embrace dehumanizing stereotypes of ideological opponents, America risks drifting down a dark path. Apologists for Antifa label as "fascist" those with opposing ideologies and politics, while others deride half of the American electorate as "Demoncrats." Some may secretly cheer such insults. Doing so, however, starts our country down a well-trodden intellectual and emotional path embracing violence as an alternative to democratic values and fundamental rights.
One does not need to look into the past to find examples of what happens to divided societies. In the news recently are two nations that have institutionalized dehumanization and violence as social norms: China and Saudi Arabia.
The People's Republic of China is officially secular, while Saudi Arabia is known as the Holy Kingdom, hosting Islam's two holiest sites. Different in matters of theology, the regimes are similar in their disregard for human life, liberty, and dignity. Saudi Arabia dehumanizes women and dissidents; China punishes critics and subjugates its Uighur minority on a massive scale.
The language of dehumanization is beginning to creep into our collective consciousness — at both extremes of the political spectrum. This shoul
In its northwestern province of Xinjiang, the Chinese government has created concentration camps for its Uighur minority. These "re-education camps" are estimated to hold more than 1 million people. There have been numerous accounts online of their brutality. Consider some of the purchases made by those overseeing the camps: "2,768 police batons, 550 electric cattle prods, 1,367 pairs of handcuffs, and 2,792 cans of pepper spray." China's definition of "education" is certainly interesting.
Propaganda posted throughout Xinjiang treat Uighurs (generally practicing Muslims) as subhuman. Painted murals include a man using a broom to sweep a pile of tiny Uighurs off the street, a cement-roller flattening a group of Uighurs, and an axe being driven through a group of flailing Uighurs. In all of these murals, collected by the BBC, Uighurs are painted only in black, or as extremely small (or both). Images are said to speak a thousand words, and these posters communicate even more. Rather than directly telling its people that Uighurs are less than human, the Communist Party of China paints these sadistic images. The hope is to leave the message subliminally imprinted in the minds of those who view them.
Meanwhile, Saudi Arabia has deservedly incurred the world's wrath for the horrific torture and murder of Jamal Khashoggi. Riyadh should face sanctions for this incomprehensible act of inhumanity. But the issue goes deeper: Does Saudi Arabia's royal family see any of the kingdom's inhabitants as fully human?
The regime has sustained a brutal campaign against Yemen, a war that has killed tens of thousands of civilians, and it has created a suffocating dictatorship that punishes any dissent. The government brutally killed and dismembered a dissenting journalist and refuses to afford women the basic human rights generally agreed upon by the rest of the world. It employs public stonings and other cruel modes of execution, considering these to be forms of public entertainment.
The language used both by Saudi Arabia and China when discussing people it views as "different" is demeaning. Both speak of people who have become "infected" by ideas deemed improper or dangerous. The language helps instill fear in the minds of the public, encouraging people to view government scapegoats as separate, different, threatening, and irredeemable. What is a so-called benevolent state to do, then, except quash threats posed by these "infected" people?
America is not there yet. However, the language of dehumanization is beginning to creep into our collective consciousness — at both extremes of the political spectrum. This should appall and shock us. But it appears that we are growing accustomed to it.
Both China and Saudi Arabia consider themselves exempt from global human rights standards. Their economic power causes much of the world to treat them as if they are exempt indeed. Perhaps America's internal embrace of the rhetoric of dehumanization has reduced our outrage against those regimes. Even worse, this process risks encouraging similar destructive assaults on the dignity and rights of American citizens.Matt Daniels, JD, Ph.D, is Chair of Law & Human Rights at the Institute of World Politics in Washington, D.C., and the creator of www.universalrights.com. Doug Bandow is a senior fellow at the Cato Institute and former Special Assistant to President Ronald Reagan. The views expressed are the authors' own.


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There either is or is not, that's the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it's red. But what colour it may be in memory, depends on the day. I'm not going to tell you the story the way it happened. I'm going to tell it the way I remember it.
The Lizzie Bennet Diaries is an innovative, original episodic video and social media series produced for the web. Adapting Pride and Prejudice to the modern era, Lizzie Bennet tells the classic Jane Austen tale from the point of view of an Elizabeth "Lizzie" Bennet who grew up in a world of cell phones, video cameras, and social media. The series was created by popular YouTube personality Hank Green and Streamy Award winning web video writer Bernie Su.
The holiday season is bringing more than cheer for actress Jessica Capshaw. The Grey's Anatomy star announced on Monday that she and her husband, Honest Company co-founder Christopher Gavigan, are expecting their fourth child. "The holidays have certainly arrived … All of our lives are being added to by the lights, the music and cheer!!" she captioned a photo of her family at a Christmas tree farm on Instagram. "This year our family has reason to further broaden our smile … baby number four is on the way!! I am a lucky, lucky girl…"
The quickest way to tell whether an actor is serious about his or her career is to look at their "headshot".Is it a professional photo? Or is it a snapshot taken on prom night? If you're using a snapshot, it's like showing up to race the Indy 500 in a VW Beetle. Nobody is going to take you seriously. I'm sorry, people… you can send me as much angry e-mail as you want about this, but it's true! Don't tell me you're destined to be a major Hollywood star but you cannot scrape together the cash to get professional headshots.
The Grinch from Dr. Seuss' How the Grinch Stole Christmas! The Musical stole the spotlight at the Empire State Building's 86th Floor Observatory December 14, 2012, to promote the musical's limited holiday engagement. Discover the magic of Dr. Seuss' classic holiday tale as it comes to life on stage. Featuring the hit songs "You're A Mean One, Mr. Grinch" and "Welcome Christmas," The Grinch discovers there's more to Christmas then he bargained for in this heart-warming holiday classic.
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(KWES) - When you call 911, it's supposed to be an easy number to dial. But for one girl, that wasn't the case.
After a tragic incident in Marshall, Texas, in 2013, companies in Texas, especially motels and hotels, will now have to be in compliance with a new law.
Senate Bill 788, or Kari's Law, was signed by Governor Greg Abbott last year after the tragic murder of a Texas woman. The law is named after Kari Rene Hunt who was killed by her husband, Brad Allen Dunn. He pled guilty for the murder of Hunt at a motel.
Hunt's daughter, 9, tried calling 911 four times from the motel room, not knowing she had to dial 9 first.
By September 1, all companies will now have phone lines where dialing 911 will give the caller direct access to a dispatcher.
If you're a business owner and can't configure your telephone system by September 1, you can request a waiver with Texas 911. However, business owners must call their phone line providers to to make sure that their phone can dial directly to 911.
We reached out to Ector and Midland County 911. They said there's no way in telling which exact businesses are in compliance. But they have been receiving very little calls from businesses inquiring about configuring their systems.
Now, you can save one life by just pushing three buttons.
Copyright 2016 KWES. All rights reserved.


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In Advance of His Upcoming Show at the Agora, ZZ Top's Billy Gibbons Talks About Making a '21st Century Blues Album'
Matt Wardlaw
October 10, 2018 at 3:49 PM
Blain Clausen
If time travel was a real thing, we'd go back in a second to catch the Worldwide Texas tour, which ZZ Top mounted initially in support of 1975's
album. They hit the road under that banner for the shows they played in 1976 and 1977. The concept was pretty simple — they wanted to take the Texas experience on the road with them and they spared no expense, fleshing the idea out in an elaborate fashion to the point that they brought a menagerie of live animals with them on the tour. Reportedly, they spent 140 thousand dollars traveling with the proper specialists to ensure that the animals were treated ethically and remained healthy.
"That one known as the Worldwide Texas romp was a truly ambitious undertaking to be sure. Of course, the requisite road crew, guitar techs, drivers, sound people, were all aboard not to leave out our fave-rave animal wranglers and a snake sitter," Billy Gibbons recalls now in an email interview. "The amazing thing is nobody — people and beasts alike — sustained any lasting damage. We reconnected with the guy who handled the buzzard quite recently and, yes, the bird is still the word. That old vulture is still hanging in!"
To stick with the "old vulture" concept for a moment, Gibbons himself is still moving ahead full throttle, even as the "Little Ol' Band from Texas" moves closer to celebrating its 50th anniversary in 2019. He continues to work on a flurry of projects and is consistently on a concert stage somewhere. Recently releasing
The Big Bad Blues
, his second solo album, Gibbons plays at 6:30 p.m. on Sunday, Oct. 21, at the
Agora Theatre
True to the title, the album is big, bad and chock full of the blues.
"We wanted to make a 21st century blues album, and yet we didn't really know initially what that meant," Gibbons says. "Let's face it — Muddy Waters and Howlin' Wolf can hardly be replicated. The path we took, thereafter, was one where we adhered — more or less — to the formatted constraints of the blues and settled into the resources at hand to explore new sonic vistas. So, it sums up as 'something old, something borrowed and something most definitely blue.'"
Producer Joe Hardy has been working with Gibbons and the members of ZZ Top since 1986's
. He co-produced
, the initial solo excursion from Gibbons, which came out in 2015, and returns to reprise that role as co-producer on
The Big Bad Blues
while also playing bass on the new album.
He paints a colorful picture of the Foam Box, the band's longtime studio in Houston, where he and Gibbons recorded the new solo album. He first worked there during the pre-production sessions for
"It's in an office park that if you saw it, it's a trailer trash office park. I mean, it's like metal buildings, but then once you walk inside, it's like, holy moly, because it's full of African art," he says in a separate phone interview. "Billy is quite a fan of art in general, especially African art, but also local artists and all of that stuff. We've actually built more of a studio out of it. Back then, it was probably more like a rehearsal joint, shag carpet and just beer cans and cigarette ashes on the floor. But now, it's more like a proper studio, although still, from the outside, you know, nobody would think to rob it, because it just looks sad. But inside, it's great."
The album is a perfect mix of both blues standards and Gibbons originals. While it can sometimes feel like an awkward shoehorn job when artists try to mix the two, the songs from Gibbons fit seamlessly alongside the legendary covers. As Hardy reveals, and as one might expect, they put a lot of thought into the song choices.
"Billy is encyclopaedic in his knowledge of, especially blues music. I mean, he can talk for two hours and I've heard him do it before. Two hours without an uh, or a hmmm, or an anything. It just sounds like he's reading from an encyclopedia entry, but he's not," Hardy says. "That's just what's in his brain. We both are especially big fans of Bo Diddley. That's our main go-to. But it's hard, because he's done so much stuff. I mean, he's been covered so many times. George Thorogood kind of made a career out of doing that sort of stuff. And you know, you want to get obscure enough that it hadn't been covered to death, but not so obscure that people don't recognize who the original artist was."
The weary sigh that Gibbons lets out after the initial vocal line on Muddy Waters' "Standing Around Crying" is an important accent point that underlines the mood of what he's trying to get across. There are lots of these little moments of emotion scattered across our favorite albums that make the songs feel more real.
"It's just the sound of humanity. I guess we could program machines to do it but they don't exhale except when code tells them to do so," Gibbons says. "Those exclamations between verses, like with Otis Redding or when Keith sings endearingly on 'Happy' are those special moments that bind us as human consumers of sounds."
One thing that comes across quite clearly, is the reverence that Gibbons has for the material. When he's testing out a vocal sound or a guitar line in the studio, he goes straight to the standards.
"We truly enjoy those numbers and play 'em for recreation. Joe Hardy, being the sly, shy guy he is, encouraged this kind of in-studio jamming and, unbeknownst to me, was rolling tape. Again, we just do a kind of adaptation of songs we interpreted early on; it would be, ahem, "fool-Hardy" to try to recreate them," Gibbons says. "Bo Diddley and Muddy Waters were our singular sonic souls; we're just glad they're still with us in more than just spirit."
"Second Line," one of the originals on the album, as Gibbons details, draws inspiration from a location that remains near and dear to his heart.
"The ZZ recording studio down in Houston always remained quite close to New Orleans," he says. "The Crescent City has long been a destination for everybody wanting to groove and let loose. As a kid, the goal was to: a. get a license; b. get a car; and c. drive that car to New Orleans and drop into some music. We recorded
there, and I took up an extended residency a while back so it's like home, albeit a funky and kinda strange home," he explains. "It just seemed like the NOLA second line thing belonged on an album titled
The Big Bad Blues
The passion that Gibbons still has for what he does is very evident. And just in case it's not clear, he's doing this because he wants to. He certainly doesn't have to, brushing away any insinuations that what he's doing here is work.
"We don't call it 'work' per se as we're still very much in it toward sonic explorations and side trips," he says. "Some might call this a busman's holiday, but we dig riding the bus and going to the usual and not-so usual spots down and around. If we learn something along the way, it's a definite bonus to the ongoing experience."
Hardy agrees.
"You know, he's pushing 70. I think he sings better now than he did when he was 30 or 40 or 50," Hardy adds. "He's at the top of his form, which is unusual. My voice has gotten more wavery as I get older, and that happens to a lot of people. There is no autotune. And we will use distortion as an effect, like in a breakdown or something. But in general, it's just Billy singing. There's no reverb; there's no nothing."
Besides the current tour, you'll find Gibbons making a guest appearance on William Shatner's forthcoming Christmas album,
Shatner Claus — The Christmas Album
. The two pair up for a memorable rendition of "Rudolph The Red-Nosed Reindeer."
"Hanging out with Captain Kirk is still quite surreal," Gibbons says. "[My] next move is to request the opportunity get beamed up or beamed down…the question is, 'Where to?" That will certainly be a memorable experience. As far as the Star Trek series goes, I liked those furry and mischievous Tribbles. Hey, that's ZZ!"
Billy Gibbons, 6:30 p.m. Sunday, Oct. 21, Agora Theatre, 5000 Euclid Ave., 216-881-2221. Tickets: $31-$53,
Billy Gibbons
Agora Theatre
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[Player Ratings] Arsenal 0-2 West Ham: Cech Has Debut To Forget For Sloppy Gunners
Arsenal slumped to a disappointing 2-0 defeat to West Ham at the Emirates this afternoon with summer signing Petr Cech enduring a debut to forget.
The Czech international was at fault for both goals as strikes from Kouyate and Zarate sealed a deserved three points for the visitors.
Here are my ratings from the game:
Cech 4/10 | Very disappointing debut. At fault for both goals on a day to forget for the former Chelsea stopper.
Debuchy 6/10 | Was given a few problems by the impressive Payet at times and struggled to have any impression going forwards.
Mertesacker 6.5/10 | Made a superb early interception to deny Sakho a certain goal and was solid in the air.
Koscielny 4.5/10 | A rare off day. Has to share the blame for Kouyate's goal as he made no attempt to track the midfielders run. Didn't look himself all afternoon.
Monreal 4.5/10 | Shocking defending allowed Kouyate a free header to open the scoring.
Coquelin 5/10 | Worked hard and put his foot in but his passing was way off today.
Ramsey 5/10 | Another who's radar seemed to be off. Unfortunate to give away the free-kick which led to the opener.
The Ox 6.5/10 | Almost scored with a stunning volley and was our most dangerous player. However, he sloppily gave away possession on the edge of the area which gifted the Hammers a second goal.
Ozil 5/10 | Failed to take advantage of some promising situations and couldn't break down a resolute West Ham defence.
Cazorla 5/10 | Switched positions throughout the 90 minutes but nothing seemed to work as he couldn't get a grip of the game.
Giroud 4/10 |Wasted several decent openings to get on the score-sheet, which only highlights the need for a world class striker.
Walcott 4/10 | Couldn't have any positive influence on the game.
Sanchez 5/10 |Understandably the Chilean looked a little rusty but he was still a threat after coming on.
This was certainly a shocking start to a new season which promised so much before kick off. The key now is to respond quickly and that means three points are a must away at Crystal Palace next weekend.
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As reported by Censor.NET citing 112 Ukraine TV channel, this was announced by MoD speaker on ATO-related matters Colonel Andrii Lysenko at a briefing.
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One Ukrainian soldier killed, two wounded in Donbas in past day amid 20 attacks by Russian proxies, - JFO center
Russian mercenaries' sniper kills Ukrainian soldier Dmytro Darii in Donbas. PHOTO


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1. James Bond – The James Bond series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. The latest novel is Trigger Mortis by Anthony Horowitz, published in September 2015, additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny. The character has also adapted for television, radio, comic strip, video games. As of 2017, there have been twenty-four films in the Eon Productions series, the most recent Bond film, Spectre, stars Daniel Craig in his fourth portrayal of Bond, he is the sixth actor to play Bond in the Eon series. There have also two independent productions of Bond films, Casino Royale and Never Say Never Again. In 2015, the franchise was estimated to be worth $19.9 billion, the Bond films are renowned for a number of features, including the musical accompaniment, with the theme songs having received Academy Award nominations on several occasions, and two wins. Other important elements which run through most of the films include Bonds cars, his guns, the films are also noted for Bonds relationships with various women, who are sometimes referred to as Bond girls. Ian Fleming created the character of James Bond as the central figure for his works. Bond is an officer in the Secret Intelligence Service, commonly known as MI6. Bond is known by his number,007, and was a Royal Naval Reserve Commander. Among those types were his brother, Peter, who had involved in behind-the-lines operations in Norway. Aside from Flemings brother, a number of others also provided some aspects of Bonds make up, including Conrad OBrien-ffrench, Patrick Dalzel-Job and Bill Biffy Dunderdale. The name James Bond came from that of the American ornithologist James Bond, a Caribbean bird expert and author of the definitive field guide Birds of the West Indies. He further explained that, When I wrote the first one in 1953, I wanted Bond to be a dull, uninteresting man to whom things happened. When I was casting around for a name for my protagonist I thought by God, is the dullest name I ever heard. On another occasion, Fleming said, I wanted the simplest, dullest, plainest-sounding name I could find, James Bond was much better than something more interesting, like Peregrine Carruthers. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, likewise, in Moonraker, Special Branch Officer Gala Brand thinks that Bond is certainly good-looking. Rather like Hoagy Carmichael in a way and that black hair falling down over the right eyebrow
2. James Bond (literary character) – Commander James Bond, CMG, RNVR, is a fictional character created by British journalist and novelist Ian Fleming in 1953. He is the protagonist of the James Bond series of novels, films, comics, Fleming wrote twelve Bond novels and two short story collections, although the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously. The Bond character is a Secret Service agent, code number 007, residing in London but active internationally. Bond has a number of traits which run throughout the books, including an enjoyment of cars, a love of food and drink. There have also other authors who wrote one book each, Kingsley Amis, Sebastian Faulks, Jeffery Deaver, William Boyd. Additionally, a series of novels based on Bonds youth—Young Bond—was written by Charlie Higson, as spin-offs from the literary works, there was a television adaptation of the first novel, Casino Royale, in which Bond was played as an American agent. A comic strip also ran in the Daily Express newspaper. There have been 26 Bond films, seven actors have played Bond in these films, the central figure in Ian Flemings work was the fictional character of James Bond, an intelligence officer in the Secret Service. Bond was also known by his number,007, and was a Royal Naval Reserve Commander. During World War II, Ian Fleming had mentioned to friends that he wanted to write a spy novel. It was not until 1952, however, shortly before his wedding to his pregnant girlfriend, Ann Charteris and he finished work on the manuscript in just over a month, completing it on 18 March 1952. Fleming went on to write a total of twelve Bond novels, the last two books—The Man with the Golden Gun and Octopussy and The Living Daylights—were published posthumously. Among those types were his brother, Peter, whom Fleming worshipped, sir Fitzroy Maclean was another figure mentioned as a possibility, based on his wartime work behind enemy lines in the Balkans, as was the MI6 double agent Dušan Popov. Distinct similarities between the protagonist in The Life Line, Mark Chalmers and James Bond have been highlighted by spy writer, Nigel West. On another occasion Fleming said, I wanted the simplest, dullest, plainest-sounding name I could find, James Bond was much better than something more interesting, like Peregrine Carruthers. Exotic things would happen to and around him, but he would be a neutral figure—an anonymous, after Fleming met the ornithologist and his wife, he described them as a charming couple who are amused by the whole joke. In the first draft of Casino Royale he decided to use the name James Secretan as Bonds cover name while on missions, Bonds number—007—was assigned by Fleming in reference to one of British naval intelligences key achievements of World War I, the breaking of the German diplomatic code. One of the German documents cracked and read by the British was the Zimmermann Telegram, which was coded 0075, facially, Bond resembles the composer, singer and actor Hoagy Carmichael
3. Daily Express – The Daily Express is a daily national middle market tabloid newspaper in the United Kingdom. It is the title of Express Newspapers, a subsidiary of Northern & Shell. It was first published as a broadsheet in 1900 by Sir Arthur Pearson and its sister paper The Sunday Express was launched in 1918. As of December 2016, it had a daily circulation of 391,626. The paper was acquired by Richard Desmond in 2000, hugh Whittow has served as the papers editor since February of 2011. The papers editorial stances are often seen as aligned to the UK Independence Party, in addition to its sister paper, Express Newspapers also publishes the red top newspapers the Daily Star and Daily Star Sunday. The Daily Express was founded in 1900 by Sir Arthur Pearson, Pearson, who had lost his sight to glaucoma in 1913, sold the title to the future Lord Beaverbrook in 1916. It was one of the first papers to place instead of advertisements on its front page along with carrying gossip, sports. It was also the first newspaper in Britain to have a crossword puzzle, the Express began printing copies in Manchester in 1927 and in 1931, the publication moved to 120 Fleet Street, a specially commissioned art deco building. Under Beaverbrook, the newspaper achieved a high circulation, setting records for newspaper sales several times throughout the 1930s. Its success was due to its aggressive marketing campaign and a vigorous circulation war with other populist newspapers. Beaverbrook also discovered and encouraged an editor named Arthur Christiansen who, at an early age, showed talent for writing. Christiansen became editor in October 1933, under his editorial direction sales climbed from two million in 1936 to four million in 1949. The paper also featured Alfred Bestalls Rupert Bear cartoon and satirical cartoons by Carl Giles which it began publishing in the 1940s, on 24 March 1933, a front page headline titled Judea Declares War on Germany was published by the Daily Express. During the late thirties, the paper was an advocate of the appeasement policies of the Chamberlain government. The ruralist author Henry Williamson wrote for the paper on many occasions for half a century and he also wrote for the Sunday Express at the beginning of his career. In 1938, the moved to the Daily Express Building. It opened a building in Glasgow in 1936 in Albion Street
4. Pierce Brosnan – Pierce Brendan Brosnan OBE is an Irish actor, film producer, and activist who after leaving comprehensive school at age 16, began training in commercial illustration. He then went on to train at the Drama Centre in London for three years, following a stage acting career he rose to popularity in the television series Remington Steele, which blended the genres of romantic comedy, drama, and detective procedural. After the conclusion of Remington Steele, Brosnan appeared in such as the Cold War spy film The Fourth Protocol. In 1994, Brosnan became the actor to portray secret agent James Bond in the Eon Productions film series. He lent his likeness for Bond in the video games James Bond 007, Nightfire and James Bond 007, during this period, he also took the lead in other films including the epic disaster adventure film Dantes Peak and the remake of the heist film The Thomas Crown Affair. In 1996, along with Beau St. Clair, Brosnan formed Irish DreamTime, in later years, he has become known for his charitable work and environmental activism. He was married to Australian actress Cassandra Harris from 1980 until her death in 1991 and he married American journalist and author Keely Shaye Smith in 2001, and became an American citizen in 2004, holding dual citizenship in the U. S. and Ireland. He has earned two Golden Globe Award nominations, first for the television miniseries Nancy Astor and next for the comedy film The Matador. Brosnan was born in Our Lady of Lourdes Hospital in Drogheda, County Louth, Ireland, the child of Thomas Brosnan, a carpenter. He lived in Navan, County Meath for 12 years and considers it his home town and he went to Primary School in St. Annes Primary School, Navan. Brosnans father abandoned the family when Pierce was an infant, when he was four years old, his mother moved to London to work as a nurse. From that point on, he was brought up by his grandparents, Philip. After their deaths, he lived with an aunt and then an uncle and he was educated at Elliott School, now known as Ark Putney Academy, a coeducational secondary school with academy status in South West London. According to Brosnan, Childhood was fairly solitary, I grew up in a very small town called Navan in County Meath. He left when I was an infant and I was left in the care of my mother and my grandparents. To be Catholic in the 50s, and to be Irish Catholic in the 50s, and have a marriage which was not there, a father who was not there, consequently, the mother and she took the bold steps to go away and be a nurse in England. Basically wanting a life for her and myself. My mother came home once a year, twice a year, Brosnan was brought up in a Roman Catholic family and educated in a local school run by the de la Salle Brothers while serving as an altar boy


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Having problems with DVD Fab Platinum. I keep getting the same error. It tells me during the burn process, Failed to burn DVD. Do you want to burn again? I have tried different dvds from different manufacturers. Does anyone know if this is a registry problem or what the problem could be?
DVD Fab Failed to burn DVD Do you want to durn again? error
gregjr1 #1
dstavers #2
I get the same error message all the time, but in fact, the burn completes just fine 9 out of 10 times. So before you assume the process failed, check your DVD in a player.
beef_barley #3
An option could be to burn manually.