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How do you do your scripts?
SpiderForest Creators
How do you do your scripts?
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Brown Recluse
Aug 02 2014, 9:47 pm
Brown Recluse
Aug 14 2015, 4:20 am
How do you do your scripts?
(and now in the forum I meant to put it in)
So, there's plenty of places discussing (and showing) art and WiPs, but not so much in the way of discussing the
of the comics. So, lets talk!
How far in advance to you write your scripts? Do you go strictly with what was written, or do you go with the flow? How do you lay out your script, if you do one at all? If you're a creative team, how do you divide the creation?
For instance, I'm the Writer for Bad Moon Rising, while MV does all the heavy lifting with the art and the website (seriously, she's awesome and I'm not sure why she puts up with me). I'm usually 10 to 20 script pages ahead, because I like to have a solid buffer in the event of a writing dry spell. It helps that when I'm on, I can knock out pages fairly quickly, and having the buffer also makes it easy to go back and tweak things without having to spring these tweaks on MV at the last minute.
I format things as:
Page #
Layout of Panels (though MV usually ends up figuring this out)
Panel #: Description of what's in Panel
Character: Dialogue
MV then takes what I've written down, makes it coherent, and arts it.
Spider Guest
Jun 08 2014, 9:35 am
Spider Guest
Aug 14 2015, 4:31 am
Re: How do you do your scripts?
Oooh! This is interesting.
I'm the creator of Lucifer's Playground, but I am pretty much a writer too. Currently, Lucifer's Playground is completely finished in writing. (yay!)
How we work on writing out the story is almost like doing a roleplay.
We write out the setting and then insert the character's name following the dialogue and then describe the actions they are taking. Of course to make it more clearly we do add the actions within the dialogue. Just in case.
Then when we finish a whole chapter we go back to it to see what we can fix.
Of course when the chapter is done with editing and all that, I then take it into story-boarding, (while my other partner relaxes.. Lucky!) and I figure out how I want to plan out the setting into the comic, such as how much of the dialogue/part of the chapter do I OR should I fit into an actual comic page.
Of course I don't strictly stick to what was written, when I feel like something would better added or crossed out, I do that.
I hope my explanation was somewhat clear. xD
Feb 02 2011, 10:07 am
Aug 14 2015, 7:53 am
Re: How do you do your scripts?
My scripting, such as it is, is adaptation of a novel's manuscript.
My process involves rereading the chapter and contemplating how best to put the script into play for the particular page I'm working on. I try to ensure that each page includes enough that there is a good stopping point before the page ends, so I am not breaking up important dialogue.
Specifically I try to hit some pause in conversation or action.
From there I sketch out the poses (Some of which don't work like I want and I have to rework them) and put in the tentative dialogue for the page.
I will often adjust, adapt, or downright change what's in the book to what I need in the comic, because the book tends to have more description that's not necessary, or I realize there's a better way to word or illustrate a given scene.
Just Call Me Darwin - Everybody does
Original Stories
This is mine. ☕
Jul 04 2009, 2:04 am
This is mine. ☕
Aug 14 2015, 10:05 am
Re: How do you do your scripts?
I had a notebook that I used for research notes, ideas that I liked (but maybe couldn't use yet), outlines for character motivations and other things that might not be explicit to readers right away, general chapter structures, etc. etc. Sometimes I'd write quick bits of dialogue that I wanted to put in sometime in the future, but didn't have a place yet.
Then I had my giant Word document where everything got scripted out. I mostly wrote straight through from the beginning in a very loose, bastardized screenplay-type format, but sometimes I'd skip ahead a bit if there was a section that I had really solid ideas for. This resulted in writing miles and miles ahead of what I was drawing, so sometimes by the time I got to a certain part of the script, I'd realize that I didn't want the scene to play that way anymore. Or, that something I thought was a good idea 3-5 years ago wasn't really seeming like a good idea anymore.
It also means that I have large chunks of the end of my indefinitely hiatus'd comic actually written. ::headdesk::
What I learned from this is that for future projects, I don't think I want to write quite so far ahead. I found it pretty hard to kill whole sections of dialogue that I didn't like anymore, just because I'd planned them so thoroughly in advance. I dunno, I think it's kind of a balancing act. Keeping the writing and drawing closer together might possibly result in a tighter product, at least for me. XD
teh hchano
it's a GIFt
Aug 05 2010, 6:49 pm
teh hchano
it's a GIFt
Aug 14 2015, 10:45 am
Re: How do you do your scripts?
I'm working a bit like Deni, since d*s was a novel first go round...and since said novel was kind of crap(i wrote the thing as a teen xD), when I'm adapting it to script, I'm basically...rewriting a lot of it, either reworking dialogue, or rewriting entire scenes, just to make them less crap old RP-esque scenarios and more believable lol...
like for example, Vix didn't find out she was a dhampir or what they were/could do till chapter 6, just before she stormed off to Jo's... she didn't even try to ask, she was just like oh cool I wonder what that means oh well, time for misadventures!! Lol...so I reworked her scene with Kou to have him help her out with that. (The scene previously was basically her asking him his life story and that's it lol)
But anyway, my scripts are literally ugly as hell, like this format:
Vix: (expression/action) blah blah spoken words
Jo: blah blah flirty blah
*elaborate actions, scene/background things, beat panels here*
Seth: blah blah hoommeewreckerrrr!!
And that's it. I dunno how to script in page breaks or specific panel stuff usually. I know generally where I want a page or panel break as I'm writing, but I usually don't know how much I'll want per page till I'm actually sitting and drawing it, so that part of make up as I go, and tend to end up tweaking the dialogue to fit or cutting it if it doesn't work/isn't needed anymore cos the art did the thang for me lol.
There are NEVER Too Many Men With Pointy Ears And Glowy Eyes
Jul 02 2009, 3:27 pm
There are NEVER Too Many Men With Pointy Ears And Glowy Eyes
Aug 14 2015, 10:47 am
Re: How do you do your scripts?
While I have the whole of my comic planned out in all the broad details, I tend to keep my script no more than about a chapter ahead of wherever I am at the time. This is partly because it takes time to write (and time is a precious resource that must be carefully apportioned out and monitored D: ) and partly because.... well, as Mitsu said, it can be nice to leave things open sometimes so I have wiggle room to change stuff around before drawing the scene. Part of how I've managed to retain an interest in my comic storyline for such an extended period of time is to keep evolving the story as I go; there's whole characters and story arcs in there now that wouldn't have existed if I'd scripted the whole thing in detail and stuck to it when I started. Frankly, I like it a lot better now than I would if I'd stuck to some of the early outlines.
Anyway! My scripts can be pretty freeform since I'm the one drawing them anyway; sometimes if a scene is super clear in my head I'll forego the script entirely and just go straight to thumbnails, but I do this less and less lately since I'm starting to hit the endgame of my storyline and all the plot threads are coming together, which means the scenes contain more complex moving parts and I want to make sure none of the gears go astray.
Here's a bit of one of my scripts:
[before K can react, Astrid moves his hand to touch Bethan's upper arm. Kiran recoils, grabbing his hand away and clutching at it with a horrified expression, and Bethan yelps and falls backwards]
B-- Aahh! [her upper arm is now trailing steam, similar to how her hand was earlier-- though only from a small section, and the rest of her arm is intact. Her alarm turns to puzzled curiosity/interest]
A-- Hmm. [peers at it]
K-- [rubbing at his hand as if a burn] Do you ever think before you do things?!
A-- I needed to test something.
K-- There are so many ways that could have gone wrong!
A-- Shh. [to Bethan] How's your arm?
The page this script goes with is
-- the dialogue on it didn't change very much, which is actually unusual-- normally it'll get tweaked at every stage of the process. Here's the order it normally goes in:
-Write out first draft of script in tiny notebook (mostly just blasting ahead, occasionally adding new lines in margins or crossing stuff out)
-Transcribe script draft into a typeset document in Google Drive [tweak dialogue]
[send typeset script to beta readers to check over]
-Print off script and use it to draw up thumbnails [tweak dialogue]
-Sketch out page (dialogue gets tweaked here too based on character expressions and stuff; sometimes I just get better ideas for lines once I see people's faces, haha)
-Ink, tone, scan, etc
-Letter page in Photoshop [tweak dialogue]
That's a nice thing about doing it all myself, I guess, that I can do these edits without worrying about anyone else. XD
Semi-Phenomenal Cosmic Powers
Jul 28 2012, 7:38 pm
Semi-Phenomenal Cosmic Powers
Aug 14 2015, 10:53 am
Re: How do you do your scripts?
Like this!
Okay, I'm a bit more organized than that nowadays.
Mitsukaiten wrote:
so sometimes by the time I got to a certain part of the script, I'd realize that I didn't want the scene to play that way anymore. Or, that something I thought was a good idea 3-5 years ago wasn't really seeming like a good idea anymore.
Hrggh, yeah, I have a really hard time with planning too far ahead (and getting to that point in the story and still thinking it's a good idea.) What I do is do super-loose thumbnailing and scripting on quarter sheets of scratch paper with ballpoint pen. Here's an example from last chapter:
I cannot do this in a Word document, I cannot do this in a sketchbook. Needs to be small, loose-leaf paper I got for free somewhere. Because the more it feels like trash, the less hesitation I have to throw away and redo a page/scene if it's not working. If I'm getting stubborn about wanting to keep it, I'll paper clip it and put it in an index card accordion file thing and come back to it in the future. The small size keeps it easy to stow in my purse to work remotely, shift one scene before another, or flip through lots of pages quickly.
In the process of paneling, I'll often think of better beats/jokes that follow the gist of what I wrote, but hit the characters a little better. In the example above, the focus was more on the ridiculous bureaucracy of the Kanites, but that didn't really tell anything about the characters other than Kazar doesn't like bureaucracy or phone support systems that don't actually want to help you (who does?)
So in the final version
, I still kinda kept the net result (no help from HQ, leaving Fed and Kaz to deal with planty-Sonia themselves) and gave Kazar/Fedros's relationship and characterization more focus. This will also often result in a couple more pages being added to make everything flow nicer.
It works for me, but I'd love to learn a more organized system that would make sense to a proofreader, if only to get feedback on the direction of the story before I draw everything. Very curious to hear how other writers work to see if I can knick their techniques.
This is mine. ☕
Jul 04 2009, 2:04 am
This is mine. ☕
Aug 14 2015, 11:03 am
Re: How do you do your scripts?
I was never able to consistently do storyboarding. XD
I came from more of a writing background (e.g. grew up writing pretty much all day every day until I went to college, then wrote a novel that I've been sitting on for a few years because reasons), so doing comics was a bit of a later development. My first real one was my senior project in college, which makes "Cetiya" my second one. So I've always leaned reeeaaally heavily on the scripting side, and largely half-assed the visual drafting.
If anything, I think what I did was close to a variant of Delphina's scrap-paper approach. When I *did* thumbnail out a page, it was either somewhere in that spiral-bound notebook next to my research notes, or it was on the back of a worksheet that I got at a seminar or a conference that I was bored at. I have a collection of worksheets from my time in Japan that just have random panel sketches and page layouts all over the back. *snrk*
(I've tried drafting pages on sketchbook paper, but it always felt awkward and kind of wrong.)
PhD in Villainy
Feb 04 2012, 2:08 pm
PhD in Villainy
Aug 14 2015, 2:13 pm
Re: How do you do your scripts?
I don't actually write Supervillainous. Everything is mental. I conceptualize a story arc, think of a few good jokes, and develop each strip as I go. I lose a joke or good line occasionally this way, but it sure keeps things fresh from a creative standpoint.
Fixer of Plots
Feb 01 2012, 5:25 pm
Fixer of Plots
Aug 14 2015, 2:46 pm
Re: How do you do your scripts?
I start with what I want to say.
What is my theme for this chapter? Who is the main character for this episode? What arc are they going through in this section? What other members of the cast can relate to this arc? Is there a way that they can help each other through the arc, or act separately as clone characters to each other? Does one fail while the other succeeds?
Once I have an idea of what the focus is, I'll usually outline the arc(s). Only then do I start writing. If all goes well, I'll usually have a script for a chapter done in 1-4 days. If it doesn't, then I have to throw all of my planning out the window and say "Okay, fine, we'll just dotter around here for a month until you show me which way you want to go, ye Unconscious Mind."
Then comes re-writing, where I try to make sure my theme is articulated clearly at the beginning and hits home at the end, weed out Darling dialog and scenes, make sure my dialog is reinforcing the theme and character arcs throughout, etc.
This process has evolved as I've gained more skill as a writer. The more I learn, the longer my writing takes. I still struggle to be overt enough with my themes, and to keep my plots a little more contained. I tend to over-complicate, which often leads to bad storytelling. A good writer's job, in my opinion, is to communicate. If everything is too cryptic or obscured or just too tangled up, it obscures the message, which ultimately dampens the emotions of a piece. And if the reader feels no emotion, then communication has failed. Maybe someday, I will learn to tell simple stories that make the readers cry, laugh, and spend hours musing on all the more complicated things it inspired, but didn't feel the need to say.
- 3 siblings unraveling the mystery behind their mother's death. Fantasy/Adventure
Editing, Coaching, & Illustration
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Breaker of Hearts
Aug 27 2013, 11:34 pm
Breaker of Hearts
Aug 14 2015, 10:48 pm
Re: How do you do your scripts?
For FM I pretty much... don't script. If I'm really in the mood to plan I might scribble some thumbnails, but I'm so prone to reworking dialogue that I don't really bother trying to write it out beforehand. Half the time I'm too lazy for thumbs and dive right into sketching the pages. Occasionally the scene won't work out and I regret this, but that hasn't stopped me yet.
But for other projects I'll sometimes sketch some rough 'panels' and start tossing dialogue in. They're not quite thumbnails since the panels are just a vertical thing... I guess it's most similar to storyboards? But yeah I can't write scripts without drawing the characters apparently.
Here's a
storyboardish example
one that's more scripty
man I have so many of those things for that story....
art blog
Flameproof Writer's Ego
Jul 03 2009, 8:47 pm
Flameproof Writer's Ego
Aug 15 2015, 7:53 am
Re: How do you do your scripts?
I have gone through so many scripting methods over the years...
At the moment my scripting looks something like this:
- I have a character arc in mind for the overall story: that is, I know who the characters are going to end up being, and I have an idea of the things that will need to happen to get them there. For my purposes the setting seems to count as a character, or maybe the uber-character, one whose arc everyone else is (unconsciously, usually) serving.
- At some point in my mental noodling I come across very specific changes that the character needs to go through to become who I see them becoming. Usually this is a choice.
- I start brainstorming, just throwing ideas on paper or screen, figuring out what series of events need to happen to put the character in a position where they must make that particular choice.
- Eventually the brainstorm hits a tipping point and I go through mining it for scenes and breaking those out into something resembling an outline (at this point I'm using a mix of Scapple and Scrivener for outlining). Basically a sequence of lines like "Riley interviews Nash, who insists Louie was a mob hit but leaves nervous." As these points go down, I start to see the consequences, the things that would naturally result from the choices and actions of the characters. Those get outlined too.
- Then more brainstorming, usually on paper, as I try to figure out the actual conversations and actions and interactions involved in that single dry line.
- Then I take my brainstorm back to the computer and break things down into scripts in Scrivener. My rule of thumb for scripts is that
must change on each page. It can be small or big: it can be a new piece of information, a shift of attitude, a decision. But I hate pages that are basically "ahahaha, this is just setup actually, come back in a week!" If I have to do double-page updates to get to the change, that's what I do. I also try and get some kind of punch into the last panel -- usually a joke or a cliffhanger, depending on what kind of page it is. So I'm looking for those changes and punches when I decide what constitute a page.
- I break things into panels based on shifts -- of scene, of character position, of expression, whatever. I usually do a fair bit of rewriting dialogue at this stage too.
- Then it's just the messy business of figuring out how to do panel layout, rendering the panels, and rewriting the dialogue AGAIN until it actually fits in the panels. I am too damn wordy.
- Rinse, lather, repeat.
Basically, I write plots like a rock hits a windshield... there's the impact point, that pivotal choice or change, and then plot events grow up around it, spiderwebbing backwards into the events needed to reach that point and forwards as the consequences (good and bad) of the choice spin themselves out. This is a STUPID WAY to build stories. It would be incredibly inefficient even if it were as neat as I've laid it out here, which it isn't. I don't in the least recommend it unless you can't plot any other way, which, as it happens, I apparently can't. But it does work -- at least, it works when I don't have chaos and health issues waylaying me every damn week....
There are NEVER Too Many Men With Pointy Ears And Glowy Eyes
Jul 02 2009, 3:27 pm
There are NEVER Too Many Men With Pointy Ears And Glowy Eyes
Aug 15 2015, 9:15 am
Re: How do you do your scripts?
I write plots like a rock hits a windshield... there's the impact point, that pivotal choice or change, and then plot events grow up around it, spiderwebbing backwards into the events needed to reach that point and forwards as the consequences (good and bad) of the choice spin themselves out.
That is a really cool bit of imagery for it.
If I die, I die.
Dec 28 2008, 5:18 pm
If I die, I die.
Aug 15 2015, 10:42 am
Re: How do you do your scripts?
I don't script. I have an outline of events that happen and do the dialogue on the page sketches. So I guess I storyboard, because I do toss out quite a few page sketches (though I do 'em digitally so it's not so big of a deal) with tester dialogue on them. But yeah, I don't write anything more detailed than an outline and maybe the odd bit of dialogue to keep it in my mind, and then as I get to a chapter, I usually expand on the descriptions of what goes on per page a bit more, but I rarely write the dialogue in advance. I write it as I sketch it.
Custom fantasy cartography
Gordi ❤
Aug 03 2013, 5:00 pm
Gordi ❤
Aug 15 2015, 11:43 am
Re: How do you do your scripts?
I have pretty much the whole story plotted out in bullet points minus like one section in the middle-end, and I have up to the end of chapter 6 scripted. I do change some of the dialogue as I make the pages, mostly I
take away
rather than
. When I finish chapter 6, which is what I consider the end of "phase 1" of the story, I'll probably take a tiny break to script out the chapters for phase 2.
I sometimes do my scripts in full-out script format, but usually I get a bit lazy, and I figure no one but me will see it, so it doesn't need to be perfect. And it ends up looking like this:
[Adrienne's room, interior]
Leon: Hey bb
Adrienne [surprised]: Uh wtf
[Leon approaches]
Leon: U want sum lovin
So yeah. That's pretty much it!
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text:
Out of date meat sold in shops, door-to-door fish salesmen pushing sub-standard goods on vulnerable customers and dead snails found in frozen vegetables are among the food-related gripes raised by Scots consumers in the past 18 months.
A report published today by Citizens Advice Scotland found that more than 1,000 complaints relating to food and drink had been raised by shoppers north of the Border since August 2015.
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Foreign bodies in food was the next most common complaint type. While most related to processed foods such as ready meals, juices or frozen foods – a consumer in Dumfries and Galloway discovered a dead snail in a bag of frozen vegetables while he was cooking it – there were also some fresh foods that contained foreign bodies or pests.
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Related Information for Celtachor Celtachor began in the early months of 2007 in Dublin, Ireland with Stephen Roche and David Quinn. A year of writing the first demo was plagued with problems and it was never to see the light of day. The band take its numerous influences from black, doom, and folk metal, The Main focus was to bring the Mythology of the Irish saga's to life from the grief of the Son's of Tuireann to the Life and Death of Cu Chulainn, The band see themselves as the narrators of the legends of the ancien.. read more


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If you are looking for something limited and handmade, then look no further as Love Oberre is an up and coming brand who specialises in just that. Love Oberre were so lovely to gift me a couple of their chokers! I was so excited when I received them, and they are really one of a kind! The use of interesting textures of fabrics and lace makes for something truly special, it's even more special as you know that your piece is handmade which means there is not a duplicate that will match yours.
I think that these chokers will be a great addition to your wardrobe, and they would also make the sweetest gifts for your friends and family too!
Thank you so much to Love Oberre for sending these to me!


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|When you think of a prickly cactus plant you don't usually think about flowers. You usually think about sharp needles.
Some of our cacti have bright and beautiful flowers.
Click any picture to enlarge it.
Click here to see more cacti. . .
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One of the immediate things I noticed when I was visiting Toronto in July, was the joy of overhearing little snippets of conversation. This isn't a new phenomenon in my life. After eight years in Germany, I noticed it every time I visited the UK. But in Toronto I kept a list of my favourite overheard snippets.
My favourite meat is lamb. And steak.
I'm not even from here.
You want it back or not?
Oh yeah, I'm getting you back for that.
It's such a like dumbass thing.
I'm like where did you do her?
Oooohhh yeah! Crazy loud.
It got like 85 tweets and 95 Facebook likes.
It's like large and like…. Y'know.
Hey we'll go to the Wide Open after the game eh? Coz like sometime the Blue Jays players go there.
He eats like a bucket of KFC every day.
I'm telling you, like, no joke, it's on.
Fuckin' stupid blondie arsehole cunt.
I just feel like we have something so special.
I have my period so it hurts.
That's where my brother-in-law lives. He's getting better, but I still don't like him.
All I wanna do is go training and drink beer.


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EVAK Glass Food and Herb Storage Container - 24 oz
Air takes out the freshness...so EVAK Glass Food and Herb Storage Containers take out the air. Unlike other glass containers with air-tight lids, the twin valve system on the EVAK's lid evacuates the air inside the container as it's closed, keeping your food fresher for longer - yet the lid pulls up easily for opening. No buttons or levers - just simply push down and pull up - and no more trapping stale air in with your precious food and herbs, sapping them of their flavors and smells. Perfect for coffee, tea, dried fruits, granola, herbs, and more. Holds 24 oz (middle size pictured).
EVAK Glass Food and Herb Storage Containers are made from the highest quality borosilicate glass and stainless steel, so that's all that touches your food and herbs. The handle is made from super-strong ABS with LFGB European-grade silicone gaskets and valves and features a low profile for storage anywhere. Glass is dishwasher-safe; wipe handle clean.
EVAK Glass Food and Herb Storage Container Specs
- 5¾" H x 3.6" diameter
- Holds 24oz / 3 cups / ¾ quart / 709 ml / ½ lb of coffee
- Manufacturer: Prepara
This product is shipped from one of our warehouses in Northern California. Orders placed after 12 p.m. will typically ship the following business day. To see an estimate of our delivery times, click here.
Returns & Replacements
Products can be returned for a refund within 30 days of receipt if unused and in original packaging. Returns are paid for by customer unless product is defective or damaged, in which case Real Goods assumes responsibility. Please use Fedex, UPS, or USPS with tracking, for returns.
Returns of solar panels, inverters or other large ticket items will incur a re-stocking fee of up to 20%. Freight shipping is non-refundable.


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Tuesday, 21 August 2012
Runner Bean, Apple and Shallot Salad
4 comments:
- Josordoni said...
That looks very yummy Danny, I love runners, and they make a splendid salad. I prefer mine cooked, they are a little too squeaky when raw for my taste, but I love the idea of mixing with apples and shallots. My garden apples are just coming ripe, still good and sharp, so they would be perfect for this. I'll let you know how I get on with this, with the beans a bit cooked.
- 21 August 2012 at 11:04
- Craftilicious said...
Have you tried nemaslug? It's some kind of slug parasite that you scatter and it gets in their blow holes and kills them - keeps you slug free for weeks. http://www.nemaslug.org.uk/ I used it once when it first came out and it did work for me.
Runner beans are my fave veg too - I just love them cooked and served with butter though. I have my mother's ancient bean slicer which is falling to pieces so now I know you can get the proper ones (not those round ones which are rubbish) I'm off to get another one - no way I'd slice the buggers by hand! Definately go to give the salad a go.
Hope your crop stays blight free :(
- 21 August 2012 at 11:44
- Dom at Belleau Kitchen said...
Ah yes. The slug. We used nematodes too but they didn't work this year. My suggestion is to train a hedgehog to stay in your patch. They love a nice juicy slug. Nice salad but I must say my favourite runner bean dish is runner beans and gravy... heaven!
- 21 August 2012 at 17:51
- Kavey said...
2012 shall be remembered as the year of the slug... the little BASTARDS!
- 23 August 2012 at 11:27


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The MK Low F Whistles strikes a superb balance between the full-bodied tone of its bigger brothers and the playability of the higher whistles.
MK Pro Low F Tuneable Whistle Black Coloured Body
The MK Pro Low F Tuneable Whistle is one of the finest Low F whistles in the world. Furthermore the tone and playability are second to none producing great air flow and balanced back pressure, as a result this makes it a pleasure to play and own.
Launched in 2003 from a workshop near the banks of Loch Ness Scotland. The MK Pro has since become a firm favourite with musicians around the world. The tone, playability and appearance have set it apart from the crowd. MK have Avoided corner-cutting processes like moulding, casting or pressing. Consequently it is simply just down to superb craftsmanship and design that has made this such an incredible instrument.
The MK Pro Low F tuneable whistle is undoubtedly many players' favourite key. The MK Low F strikes a superb balance between the full-bodied tone of its bigger brothers and the playability of the higher whistles. It is most of all at home in the following keys:F, Dm, Bb, Cmod Mixolydian Mode, Gm. And finally at a push you can play in the keys of: C, E
What we say about the MK Pro Low F Tuneable Whistle:
You will not only enjoy hearing and playing the MK Pro Low F tuneable whistle, but in addition, you will certainly stand out from the crowd due to this beautiful Black coloured body finish.
There are no reviews yet.
Only logged in customers who have purchased this product may leave a review.
Colour Black
No blocking / clogging
Smooth fit brass tuning slide
Raised walls around fipple window to give a full-bodied tone
Tapered airway for best balance of air requirement and back pressure
Ergonomic finger-hole positions
Anodised finish for durability
Each one is individually tested
Comes with fabric case


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Eve Crusatto is a normal 17 year old. It's her first...
My Badboy
- by itsjustchloeee
- Rating:
- Published: 24 Feb 2016
- Updated: 19 Jul 2016
- Status: In Progress
Chloe is a nineteen year old girl who enjoys partying with her friends all night long. But what happens when one of her regular one night stands turns out a little differently than she had expected? What happens when she finds out she has been lied to her whole life?
Join MovellasFind out what all the buzz is about. Join now to start sharing your creativity and passion
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Richard C. Casey – 2004
Category:Federal Judges
Number of Pages:7
Date Created:January 5, 2006
Date Uploaded to the Library:September 16, 2014
Donate now to keep these documents public!
See Generated Text ∨
Autogenerated text from PDF
Government Act 1978 Rev.1/2004 FOR CALENDAR YEAR 2004 U.S.C. app. 101-111) Person Reporting (Last name, First name, Middle initial) Casey, Richard Court Organization United States District Court Date Report 5/1112005 Title (Article III Judges indicate active senior status; magistrate judges indicate full-or part-time) District Judge (Active) ReportType (check appropriate type) Nomination, Date Initial (!) Annual Ffnal Reporting Period 1/1/2004 12/31/2004 Chambers Office Address United States District Court 500 Pearl Street New York, 10007 the basis the infonnation contained this Report and any modifications pertaining thereto, is, opinion, compliance with. applicable laws and regulations. Reviewing Officer NOTES: The instructions accompanying this form must followed. Complete all parts, checking the NONE box for each part have TCJ)Ortable infrmation. Sign last page. POSITIONS).:.;,{R_eJiortilig,_itlfd-qiiIY, seepp.,n filing instructins) NONE (Norpo!i>Dsitiici.) NAME ORGANIZATION/ENTITY Meber, Board ofDirtors Guiding Eyes for the Blind Member, Board Directors Catholic Charities Commllllity Services Member, Board Directors National Center for Disabilities Services :::r;:: Member American Association the Sovereign Military Order ofMiiifu :ic::ir II. AGREEMENTS. (Reporting individual only; see pp. 14-16 offiling instructions) NONE -(No reportable agreements.) ,..,,0c.:1% t-> r;; c::.> -ri rrt ,....., ...... c::>


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On Nov 26, 2007, at 10:21 PM, Mark Nottingham wrote: > > This makes it much easier to talk about the structural changes > without reading the documents line-for-line. There is little value in discussing editorial issues with people who haven't read the documents in question. If such matters are on the agenda, the preparedness of the attendees is valuable information. Your response also elided the question concerning 2616. I don't think many people in the IETF have read the whole thing. - RobReceived on Tuesday, 27 November 2007 10:46:16 UTC
This archive was generated by hypermail 2.3.1 : Tuesday, 1 March 2016 11:10:44 UTC


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I hope that I am not embarrassing you with this mail because you did not expect it or know me before. But kindly rest assured that I have irresistible urge to write it believe me , the mail is an indication of love for you and happiness I shall always wish you .I am emanuela lexis. 25 years old Daughter of late Mr. and Mrs. Jason lexis.
My late father was very wealthy cocoa & coffee dealer my mother died when I was a baby and my father was poisoned to death by his business members .before his death my father told me that he made the next of kin of a fund, he deposited the sum of $3,500.000.00 million us dollars only he deposited in one of the big banks in our country here,
I went to the bank and confirm that my father really make me the next kin of this money , Now I want to transfer the money into your account in your country because the people that killed my father is after my life now to make sure that our family are drastically whipped off. Infact as I am writing to you now I am in hiding here .please if you can help to save my life and transfer the this fund to your account .
I am deeply interested to offer to you 30% from the total money that is involved for transferring it into your own designated account again i will hand this money over to you to invest it for me wisely ,as you know , this is the highest confidence and trust any person can repose on the other especially when it is considered that we did not know ourselves before then you are expected to display high degree of maturity , responsibility , and understanding in handling this information so that our family enemies will not know that I am around .In getting me through your information .
I will give you every detail about the bank here for the transfer to carry on to your account. After you have indicated your interest and willingness to help me out through my private mail box:email@example.com
emanuela lexis.
My main blog can be found at ZOQY BLOG
Thursday, 5 May 2011
email@example.com = Scam
Posted by Zoqy at 10:43
Subscribe to: Post Comments (Atom)


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Not sure what has happened in the past 48 hours, but whenever I right single click on a picture or music file I get this noitfication:
The NVIDIA Display Panel extension cannot be created.
Possible reasons include:
Version mismatch. Reinstalling display drivers may solve this problem.
Now does this require a complete Windows re-install? How about a "Repair Install" Or where do I get the drivers from to re-install them.


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SurveyGold - Key Benefits and Features
The combination of a SurveyGold application and SurveyGold subscription provides the following:
Create web surveys quickly and easily
- SurveyGold requires no programming or web skills.
- Quickly and easily create your surveys via the SurveyGold application that runs on your computer using intuitive and familiar techniques you already know. In contrast to SurveyGold, web-hosted solutions create surveys using proprietary form layout tools offering a considerably slower experience in a web browser.
- Collect responses automatically into the SurveyGold software for viewing, analysis and reporting.
Unlimited web Surveys
All SurveyGold users can create and conduct unlimited web surveys. Users with a Basic or Standard SurveyGold subscription can collect a limited number of responses per survey. Premium and Ultimate subscribers can collect unlimited responses per survey.
Deploy your web survey Easily to Our Website, Any Website or Social Network
The SurveyGold web survey form is a single file that can be easily distributed in a variety of ways. You can place the file on your website, our website or any website. For private surveys within your organization you can even deploy the web survey form via a network file share, folder, CD, USB drive or collaborate server such as SharePoint™. You can place the file on your website, our website, or any other website. Use SurveyGold to distribute your web survey to Digg, Facebook, LinkedIn or Twitter.
White Label Web Surveys
All SurveyGold web surveys have "white label" features that can emphasize your organization's branding by directing respondents to a link on your website, including your own logo, color and style elements in the web survey form, and even a custom "thank you" page.
Create and conduct the same survey online, offline, On Paper
Conduct your survey via the web, in-person, over-the-phone, on paper, as a field survey, or via kiosk at the same time. Easily coalesce survey responses from all of these sources into your SurveyGold application for viewing, analysis and reporting.
Access Your Web Survey via Scannable QR Code
SurveyGold can easily create a QR code making it easy for respondents with smartphones and tablet computers to access your web survey.
View/filter results and publish reports of survey results
View 2D/3D graphs and cross-tabs, means and weighting indexes. Graph color schemes for qualitative, sequential or divergent data. Create filtered and memorize subsets of responses based on how a respondent answered a question or a date range. Publish reports via Word™, PDF, or HTML. Create filtered views of respondents based on responses and date ranges. Convert data to Excel™, SPSS™, and more
Access your survey data forever
Regardless of your SurveyGold subscription level, you can access any survey data you have collected into your SurveyGold application for all of your surveys and response data including responses from your web surveys conducted in the past. This is because SurveyGold delivers web survey responses to the SurveyGold application on your computer. In contrast, web-hosted solutions lock you out of your data unless you maintain an active subscription to access your survey responses.
Convert responses to other data formats
Convert responses to Excel, SPSS, HTML, text to enable further survey response analysis using other tools.
Share surveys and results With Others
Provides the ability to share surveys and results between you other SurveyGold users. This makes it possible for a single survey author create and deploy a survey to multiple surveyors using multiple computers (e.g., tablets) and then collect responses from those different computers back into a unified set of response data. The ability to share responses with other SurveyGold application users in real-time is also available with an Ultimate subscription.


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Ohman, 32, had a 5.84 ERA in 21 appearances for the Los Angeles Dodgers in an injury-shortened 2009. For his big league career, which spans parts of seven seasons and 324 appearances, Ohman has held left-handed hitters to a .204 average.
"I think it's always good to have experience in your bullpen," Orioles manager Dave Trembley said. "This gives us another left-handed situational guy to look at. I wanted to have another lefty in the bullpen besides [Mark] Hendrickson. Now we have some options, and we'll go to spring training and figure it out. But I like Ohman's track record. He's done it. It's a plus for us if it works out."


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Fahrenheit 451
How does Mildred react when Montag confronts her?
part one
part one
The next morning, Millie robotically goes about her daily routine, not recalling the previous night's episode. When Montag attempts to discuss the issue, Millie reacts with dismissive disbelief, eager to return her attention to the diversions of the seashell radios constantly inserted in her ears and the people on the three-wall television, whom she calls her "family".


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Making insurance much easier and better value for our customers
Our strategy supports our aspiration to be the leading personal and small business general insurer in the UK.
We aim to achieve this through continuing to invest in firm foundations for the Group. This will enable us to serve our customers, efficiently and flexibly, with a range of products and services which meet their diverse long-term needs.
These foundations, which cover data and technology, culture and capability, and risk and capital management, are in our view the building blocks of a successful insurer.
Building on these foundations also allows us to develop products for the future and to continue to evolve our products and services to meet changing customer needs.
We're home to the leading household names in insurance; Direct Line, Churchill and Green Flag to name just a few. And you could be part of the reason people continue to love them.
We work hard. But there's more to life here than that. Learn about our environment, our people and our benefits.
With a vast array of brands, services and products on offer, we need a diverse range of people and skills to keep things running smoothly. Find out where you can fit in.
There's a wide range of roles on offer – from customer service and sales, to marketing, HR and everything in between. Find the job to suit you and apply here.
©2013 Direct Line Group


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Bokura Living
Alternative Titles: We Are Living, We're Living
Authors: Inami Hajime
Koudou and Takashi are lovers. But there's one cause of uneasiness. Koudou is just a popular guy. One day, that uneasiness struck home!! A man who says he likes Koudou appears in front of Takashi…?!
Status: Ongoing
Released: 2005
Rating: 10 (3 Votes) Rate it!
Read Bokura Living Manga Online
- Bokura Living Chapter 3 May 20, 2012
- Bokura Living Chapter 2 May 20, 2012
- Bokura Living Chapter 1 May 20, 2012
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covering letter
Rozpočet ₱440-1200 PHP
I need a covering letter for my apllication for security consultant
8 freelanceů na tento projekt zveřejnilo nabídku v průměrné hodnotě ₱766
Hi! I'd be pleased to review and enhance your cover letter or write it for you. To optimise it, it would be good to receive thejob posting that is relevant to your career. This will help me tweak your letter. Wh Další
Hi, I have done similar projects in the past. I would like to use my experience to serve you better. You can trust my sincere indulgence both in quality and time frame. If you will give me a chance, I will ensure that Další
Hi employer, I like your project's theme and I wish to write on it.I have 2.5 years of article/report/website content/CDR/short story writing experience and hence I think I am very much suitable for the job. I pr Další
Hi, I'm interested to help with your project. I assure you that I'm efficient and I prioritize clients needs. I hope we could work together and share great ideas!


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Welcome to the new forum
i am heading to the beach. i am heading to the "semi scary" suburbs of northern va to find good beer. do i go to wegmans, which would be gainesville for me, or the total beverage near the fair oaks mall. which is a better choice for six pack and single selection, as well as best price, because i will choose one only to hit. thank you for your help. or do those stores have websites to see selections? i never thought of that. darn it.
Bell's Oberon is good, but for that category (American pale wheat ale), Lagunitas Little Sumpin Sumpin is my favorite.
Quote from: James Ford on April 09, 2011, 05:23:55 pmBell's Oberon is good, but for that category (American pale wheat ale), Lagunitas Little Sumpin Sumpin is my favorite. ford, you done me wrong.i tried the Lagunitas Little Sumpin Sumpin ale this weekend. ewww. ya hear me? EWWW. ok, fine, it wasn't horrible, but definitely not my type of wheat ale. is it even a wheat? hard to tell over those 64 IBU! wheats should be smooth, not bitter, IMO. then again i'm generally not a fan of very hoppy/bitter beer so this shouldn't have been a surprise to me. should have read the label. seriously, is it a wheat?also tried port city's optimal wit. pretty good, an above-average offering in the wheat dept, but oberon is still the newbie that's doing it for me at the moment.
Someday you'll grow into a real man and enjoy hoppy beer.
Until then you're on Jag's non-hoppy beer drinking team.
Quote from: James Ford on May 09, 2011, 08:15:54 pmUntil then you're on Jag's non-hoppy beer drinking team. at least we agree on something
So we were at Whole Foods in Fairfax the other day (the best bar in the DC area), and were in the enviable position of having to choose from all of these hoppy imperials, all above 9% abv, at $4/12 oz draft.


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The current era of Cloud Security is officially over. Today marks the day that Cisco has completed its acquisition of CloudLock. Together, we will establish a new bar for cloud security platforms that are simple, open, automated, effective, and, most importantly, enable people and their businesses to accelerate their secure journey to the cloud.
From its inception in 2011, CloudLock has taken a fundamentally different approach to cloud security. While others were allocating resources towards protecting people and businesses from the dangers of the cloud, CloudLock focused on enabling the secure adoption of cloud by leveraging the cloud's greatest strengths—infinite and ubiquitous resources—to overcome its biggest hurdles, including perceived dangers, and inability to apply traditional infrastructure-centric security controls.
CloudLock's commitment to transform cloud security from "protecting from the cloud" to "secure enablement in the cloud" has been backed by a culture of endless pursuit of growth and improvement. Being a CloudLocker has meant pushing your individual and collective boundaries and being entrepreneurial at every stage of our existence.
Today, we join Cisco to accelerate our vision and transformation of cloud security. Cisco and CloudLock were drawn to each other by a set of shared values, with a similar approach to problem solving based on simple, open, automated, and effective security solutions. Both organizations put our customers first. The combination of pioneering thought and execution leadership, massive investment, and an exceptional track record led us to join forces. Together, we will provide customers with the industry's most comprehensive cloud security solution.
Personally, I cannot be more excited to lead CloudLock on this next major chapter in its life, while also leveraging the immense braintrust and operating power of one of the world's largest security organizations, leading the way on a global level. We've never been better positioned to deliver for our customers and invest in our platform. While our mission remains the same, our ability to execute on that mission has, to say it modestly, significantly improved:
- From dozens of go-to-market executioners to thousands of security specialists and tens of thousands of dedicated go-to-market professionals in every geography.
- From dozens of CloudLock enabled partners to hundreds of thousands of Cisco partners that are helping customers address their security needs every day.
- (Most importantly) From 160 amazing, talented CloudLockers who wake up every morning eager to tackle the toughest problems on the planet in an endless pursuit to make our customers successful, to well over 70,000 welcoming Cisco team members that do the exact same thing for customers.
We are proud of what we've built, and are excited to take the next step in our journey on the solid foundation CloudLock and Cisco have now created. We're looking forward to expanding our reach and helping more and more organizations accelerate their secure cloud journey.
As the legendary Blue Angels like to say, we're not perfect and we know it, we will continuously work to improve from here, and mostly, we are glad to be here. #gladtobehere
We are CloudLock! We are Cisco!


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Rangers 4 Albion Rovers 1
In a game arranged to provide game time for the extended Under 20 squad a four goal blitz in the opening quarter-hour ensured Rangers won the game.
On four minutes Max Ashmore's pass sent Amin Abaradan through on goal and he was tripped on the edge of the box. The free-kick was right of centre and Max Ashmore placed a low shot into the far bottom corner. Rangers doubled their lead seven minutes later and it was a solo effort from Jordan Gibson, showing great skill to dribble through the centre of the Rovers defence and dink the ball past the keeper.
Just before the quarter-hour mark Aidan Wilson sent Serge Atakayi down the right, he went past the full back and cut the ball back to Max Ashmore on the edge of the box who passed the ball to Sam Jamieson and his shot slipped under the keeper's dive low at his left hand post. Within sixty seconds Max Ashmore passed inside the right back sending Lewis White to the byline. his centre was turned past the keeper by a Rovers centre back for an Own Goal.
Rangers missed a great chance to score a fifth just before the break, Serge Akatayi hit the byline on the left before cutting back on the defender, he picked out Max Ashmore arriving on the penalty spot but he blazed his shot over.
Half-Time:- Rangers 4 Albion Rovers 0
Rangers had an early chance in the second half with Serge Akatayi attacking down the right and leave two defenders in his wake as he hit the byline, when he cut the ball back to Max Ashmore a goal looked certain be he shot straight at the keeper from around eight yards. The visitors pulled a goal back on the hour, the move started down the right and when the ball was played inside a one-two on the edge of the box sent their attacker through to shoot past Brian Kinnear.
As the final quarter-hour approached Rangers missed another great chance, Ursene Mouanda's pass sent Amin Abaradan clear, he continued deep into the penalty area but shot straight at the advancing keeper.
Rangers 4 Albion Rovers 1
Rangers Squad:- Kieran Wright (Gk), Brian Kinnear (Gk), Ursene Mouanda, Lewis White, Jamie Barjonas, Aidan Wilson, Trialist (6), Serge Atakayi, Jordan Gibson, Amin Abaradan, Max Ashmore, Sam Jamieson, Lewis Mayo, Matthew Shiels.


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The most powerful tool in the world today is the human mind. Take away the ability of a man to use his mind and you are left with a mere shell of a man. A casual look into various professional fields today will reveal that the issue of training to optimize output is extremely important. Corporations routinely spend a fortune to ensure that their staff get the very best training. What is the reason for this? The answer is simple, they want to have the very best minds performing their assigned jobs. The same corporations headhunt and recruit directly from universities for the exact same reason. This is not to say that academic excellence is the be-all and end all, because it is not. It is just a baseline, but even at that, it shows that the human mind is the most powerful tool as well as the most sought after tool in the workplace today.
What is even more important is the fact that you can develop your mind power to a high degree, make the most of your talents and accomplish your desired objectives in life. The history of man is a reflection of the diligence and power of the subconscious mind. Man has tried throughout his time on this planet to better his lot and conquer not just his immediate environment but other planets as well and in an attempt to do so, he has had to develop and use his mind power. The development and use of mind power can be outlined in three steps. You can call them shortcuts. They will give you an idea of what the path is like.
- Realize that there is no such thing as impossible. Impossible is the word the average person might have uttered had the Pharaohs presented their plan to build the pyramids to the public the way things are done today. Luckily, the word impossible did not exist in their dictionary.
- Study the lives of those who have achieved greatness through using their mind power. This is easily one of the most powerful shortcuts as it offers a critical insight into the mindset of these great men. If you can get insight into their minds, you might be able to figure out how they reason and think.
- Dream big. In this regard, I mean you have to look beyond the ordinary even when, as it will sometimes, seem ridiculous. The truth is, the most astounding discoveries and accomplishments once looked ridiculous but are acknowledged today because the men behind them stood their ground and believed in their dream.


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Performance Details
Event 5000 Meter Run
Mark 17:19.87
Meet Wendy's Invitational
Place 4th
Race/Results Page Boys Frosh/Soph JV
Round Finals
Team Apex
Native Country USA
Season XC 2017
Level HS
Meet Date Oct 7, 2017
Date Added Oct 8, 2017
Grade 2020
Timing FAT
Personal Best? No
Season Best? No
Venue McAlpine Greenway Park, Charlotte, NC, USA
No comments on this performance. Add a comment


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Press release
Salford gang jailed for failed smuggling bids
Members of a gang from Salford have been jailed after attempting to smuggle Vietnamese migrants into the UK through the Eurotunnel.
The group were behind 2 foiled bids to hide migrants inside hire vans and drive them to the UK from France. Both attempts, on 15 June and 21 June 2014, were thwarted when Border Force officers searched the vehicles and discovered the stowaways.
At Manchester Crown Court on Friday 9 September, the 5 were sentenced to a total of 7 years and 8 months imprisonment after pleading guilty to conspiring to facilitate illegal entry into the UK.
Ben Thomas, of Immigration Enforcement's crime team for the North West, said:
This shameless gang plotted to bring desperate people into the UK illegally purely for their own financial gain.
Thanks to the vigilance of Border Force officers, both attempts to breach the UK's immigration controls, made less than a week apart, were prevented. Our subsequent investigations led us to the group's ringleader and have ensured that all those involved in the conspiracy have been brought to justice.
We work closely with Border Force to prevent people smuggling, and this investigation demonstrates that the criminal gangs behind this trade will be caught and put before the courts.
On the first occasion, Border Force officers carrying out checks at the UK Border in Coquelles, France, searched a Ford Transit van which was due to travel on the Eurotunnel to Folkestone.
Officers discovered 11 Vietnamese nationals (8 men, 2 women and a child) in the back of the vehicle. The van's occupants, Wayne and Caroline Parker, were both arrested.
On the 21 June at the same location, officers discovered 4 Vietnamese nationals (2 men and 2 women) hiding underneath camping gear in the back of a Ford Connect van. The vehicle's occupants, Lee Twamley and Lauren Wall, were both arrested.
The 4 migrants found on 21 June were all also part of the group discovered on 15 June. All 15 were refused entry to the UK and handed to the French authorities.
Investigators linked the 2 smuggling attempts after examining mobile phone records of those arrested. The main organiser of the operation, Terry Robinson, was arrested in May 2015.
The full list of those sentenced, and their sentences, is:
- Terry Robinson, 27, of Church Avenue, Eccles, was jailed for 3 years
- Lee Twamley, 46, of Charlton Avenue, Eccles, was jailed for 20 months
- Lauren Wall, 27, Roberts Street, Eccles, was jailed for 1 year
- Wayne Parker, 45, of Whittle Street, Worsley, was jailed for 2 years
- Caroline Parker, 44, of Whittle Street, Worsley, received a 16 month suspended sentence
Border Force officers use high-tech search equipment to combat immigration crime and detect banned and restricted goods that smugglers attempt to bring into the country.
They use an array of search techniques which, in addition to sniffer dogs, includes carbon dioxide detectors, heartbeat monitors and scanners (as well as visual searches) to find illegal stowaways, drugs, firearms and tobacco.
Anyone with information about suspected immigration abuse can contact Crimestoppers on 0800 555 111 anonymously or visit www.crimestoppers-uk.org.
Notes to editors
- Arrests are carried out by trained immigration officers who carry out operations at businesses and private addresses, acting on intelligence received from the public and other sources. All intelligence is protected.
- Custody pictures of those sentenced are available on request.


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Donald Sutherland on The Hunger Games Interview (Video)
Donald Sutherland Shares His Hunger Games Excitement and Talks President Snow's Added Scenes
Donald Sutherland's enthusiasm for The Hunger Games was contagious when we spoke with him at a recent junket for the movie in Beverly Hills. The veteran actor was so engrossed in the book and his character, President Coriolanus Snow, that he and director Gary Ross actually created two new scenes featuring The Capitol's ruler. He also talked about the emotional impact he knows the final scene between Katniss and Rue will have on audiences and why he thinks the book and film can be a call to action for young people. Watch our interview and check out The Hunger Games when it hits theaters on March 23.


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* Brian McBride <email@example.com> [2003-08-06 12:29+0100] > > It seems that there is some concern about XMLLiterals denoting octet > sequences. As I understand things, RDFCore doesn't feel strongly that > the denotation MUST be octet sequences. Pat has layed what we really > care about in: > > http://lists.w3.org/Archives/Public/w3c-rdfcore-wg/2003Jul/0452.html I'd missed that 1st time around. Nice summary. > > I suggest we accept Pat's suggestion and reconsider the denotation of > XMLLiterals. I have seen three suggestions, as I recall: > > A) be a bit vague about XMLLiterals really are - just define their > essential properties I can live with this, something along lines of http://lists.w3.org/Archives/Public/w3c-rdfcore-wg/2003Jul/0452.html > B) have them denote XPATH nodesets Slight nervousness - which version of XPath? http://www.w3.org/TR/xpath20/ isn't done yet, but when it is, folk might be dissapointed if RDFCore has just gone to REC with a normative reference to the ageing 1.0 Xpath. > > C) have them denote a pair (uri, lex form), where uri is the uri of > rdf:XMLLiteral. > > Concern has been expressed about A being to vague. Others have > responded saying thats normal - integers are defined in terms of their > properties. > > Concern has been expressed that XPATH nodesets are too vague, we don't > really know that they are and are thus no better than A, but are in some > way worse. Cannonicalization does define an equality relation on them Some sympathy there. > > I have heard a private concern expressed about C, that if we did that, > shouldn't we treat all datatypes that way. Further, that this does > guarantee that there are no other ways of denoting the same pair with > another, posibly user defined datatype. > > How do we choose? If you have a preference and rationale, it would be > good hear it. I have no strong view (except lately I keep running into use cases for properties-of-literals, but that I guess is water under the bridge...). DanReceived on Wednesday, 6 August 2003 07:48:13 UTC
This archive was generated by hypermail 2.3.1 : Wednesday, 7 January 2015 14:54:07 UTC


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Independent Living Scotland
7th - 8th October 2015
Drive will attend the first ever Independent Living Scotland Exhibition!MORE INFO
Excitement at launch of new Scottish exhibition promoting independent living
Scotland's leading disability lifestyle and independent living event offering you the widest variety of inspiration, innovation and choice!
Scottish exhibition organiser, QD Events, are delighted to announce the launch of a new event with the twofold aim of offering advice, support and information for individuals living with disability or a long-term condition, and providing learning, product knowledge and networking opportunities for healthcare professionals in Scotland.
Independent Living Scotland, which will take place in Hall 3 of Glasgow's SECC on the 7th and 8th October, will bring together people with disabilities, their families and carers along with healthcare professionals to test and compare the latest products on the market, network and gain advice on what is new and identify which product is best suited for each individual need.
Drive are delighted to be attending the first ever Independent Living Show, along with the other 100+ leading companies, charities and associations you'll find exhibiting at Independent Living Scotland this October.
Show Opening Times:
Admittance is free of charge to all visitors providing they have registered their details in advance at www.independentlivingscotland.org
Wednesday 7th October: 10am – 4pm
Thursday 8th October: 10am – 4pm
Don't forget to visit Drive on STAND D40!! See you all there.
Register for FREE tickets at www.independentlivingscotland.org


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Full The Cokeville Miracle in Top Video FormatNow you can enjoy The Cokeville Miracle in HD quality with duration 94 Min and has been aired on 2015-06-05 and MPAA rating is 9.
- Original Title : The Cokeville Miracle
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- Year of movie : 2015
- Genres of movie : History, Drama, Family,
- Status of movie : Released
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- Language of movie : English,
- Durationof movie : 94 Min
- Average vote of movie : 4.2
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- Translation of movie : EN,EL,NL,
- Cast of movie :Nathan Stevens (David Young), Jasen Wade (Ron Hartley), Caitlin E.J. Meyer (Penny Young), Mason D. Davis (Ben Robbins), Joshua Cooper (John Miller)
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Free The Cokeville Miracle in High Definition Format with movie synopsis "On May 9, 1986, a small ranching community in Wyoming experiences a divine intervention when a couple detonates a bomb inside a crowded classroom." in High Quality Video. Play full The Cokeville Miracle in Best Quality by viewing the download link.
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Tags: miracle, tragedy,


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Brian Jones
Brian Jones Poems
- Sorry I Love You Sorry I love you the way that I do Sorry ...
- Thinking Of You From hight mountian peaks Looking down on ...
- Lost Love looked upon me Deep within my eyes It has grabbed...
- You Being Born I saw you born. It was remarkable. You shot ...
- For You The suffer you go through The pain that you ...
- I Will Love You Until the end of all time Until the sun will...
- If You Were A Flower If you were a flower, which one would ...
If you were a flower was written several years ago and I had not done much writing since. All it takes is one good person, some trouble, some sort of strife something to make you put pen to paper again. I had found that and lost it as well.
I have others that i cannot bring myself to post on here. But these that are newer, are alot better. I also have a few in the works as ... more »
Click here to add this poet to your My Favorite Poets.
Comments about Brian Jonesmore comments »
Chris Ent
absolutely incredible. As if you wrote it from my heart
Sorry I Love You
Sorry I love you the way that I do
Sorry for everything I put you through
Sorry, your love I couldnt renew
Sorry our days were just too few
Sorry for all that I did
Sorry, my love was never hid
Sorry that 'us' you rid
Sorry I would do whatever you bid
Sorry I still love you
Sorry I am feeling so blue
Sorry I thought our love grew
Sorry you did what you had to
Sorry for my love for you
Sorry we were not true
Sorry we are through
Sorry our love you outgrew
PoemHunter.com Updates
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Henry Wadsworth Longfellow
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Huge European 18th C. Lobster Claw Powder Flask
|( ID: ea1060 )
A massive 10" long lobster claw mounted as a powder flask. In the 18th and early 19th centuries novelty powder flasks were made from a variety of different materials including whole small tortoises and in some cases oversized lobster claws. This example likely dates to the late 18th- mid 19th C. and is mounted with pewter or white metals mounts. Very decorative example and normally found without the smaller claw this example retains the whole claw. ...
Price: $3,500
Showing 1-1 of 1 (1 Page(s))


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About four years ago, we introduced you to a new partnership with SPARK Ohio. The SPARK (Supporting Partnerships to Assure Ready Kids) program–an initiative started to ensure children and parents are ready for Kindergarten. The program is a collaboration between schools, families and the community in nine Ohio counties and almost 40 schools! In the last five years, we have expanded our role with SPARK to include three school districts, seven parent partners, and an office space for all parent partners in four school districts. As you can probably see, we are still very excited about this partnership!
The program is grant-funded and operated through the Early Childhood Resource Center in Stark County. It is free and open to any family of a 3 or 4 year old (depending on the nature of the program) living within the boundaries of the school where it is "based." A parent partner visits the home of each family at least once a month to work on learning goals ranging from letter knowledge to using scissors correctly. It could also include social, emotional, and behavioral skills like the child dressing themselves or doing an activity independently. It is all based on several assessments the parent and parent partner complete during the initial visits.
Once the assessments are complete, the parent partners begin visiting once a month to work on a specific story and extension activities. It is essential parents participate as the SPARK parent partner models these skills for parents to replicate on a daily basis. They begin with a story (which they will get to keep) and end with a series of extension activities that can and should be done throughout the month until the next visit. During the bulk of the lesson, they are working a variety of skills that are important for children to know prior to Kindergarten, such as literacy, counting, and fine motor skills.
SPARK's goal is to help improve parents' abilities to educate their children and help them become more engaged in the process as a family.
The results speak for themselves: SPARK children score higher on state testing than children who were not in the program–even years after they graduate the program. By the end of the program, most children and parents show growth in all assessments. SPARK children show significant growth in areas like story recall, letter recognition, spelling, and applied problems. For more SPARK Results, click here.
The Stark County District Library provides parent partners in the Canton City School District, Plain Local School District, and Sandy Valley Schools. This year, nearly 300 children graduated from SPARK in Canton City, Plain Local, and Sandy Valley. We are so proud of our graduates! (In Stark County, you will also find SPARK in Perry Local Schools, Canton Local Schools, Massillon City School District, Minerva School District, and Alliance City Schools.)
If you have a child in preschool (or preschool-aged), visit SPARK's website for more information to see if there is a program near you and how to enroll.


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Marley Eternit uses cookies to track usage. By continuing to browse the site you are agreeing to our use of cookies. To find out more about cookies and how to manage them, take a look at our cookie policy.
Marley Eternit does not recommend foot traffic directly on the roof tiles or covering. Cracks or micro-cracks can occur on the roof covering if roofs are trafficked without appropriate access equipment. British Standard BS 8000: Part 6: 1990 'Workmanship on building sites' states that any roof or vertical work in slating or tiling should be 'treated as fragile'. The standard recommends that an adequate number of crawling boards and ladders should be used when accessing completed areas of roof, using packing between boards and tiles to avoid damage.
The use of high powered jet washes is not recommended as it can damage the surface of the slate or tile, thus reducing its expected life considerably.
Cracked or broken tiles are an unfortunate and common occurrence, especially on lower level roofs and usually a result of maintenance traffic, such as window cleaners. It is highly recommended that cracked tiles are replaced as soon as convenient, taking care not to damage adjacent tiles during replacement or when accessing the roof. It is important to ensure that anyone accessing your roof utilises suitable crawl boards and cat ladders to spread weight and reduce point-loading which often leads to the damage of tiles. Click here to find a local roofing contractor.
In common with all construction materials, roof tiles or slates gradually change in appearance over time through the action of natural weathering. these include:
The growth of lichen, algae and moss on the surface. The accumulation of fine dust deposited from the atmosphere. The chemical and mechanical action of rain and run off water. The chemical effects of prolonged exposure to sunlight.
Given the complexity of weathering and the influence of local exposure conditions such as aspect, air purity and average relative humidity, it is not possible to predict with certainty the time period over which such colour change will occur or the outcome at any particular point in time.
Moss and lichen tends to flourish in rural areas or where trees are nearby and where there are shady, damp conditions. Steeper pitched roofs are less likely to support moss and lichen growth as they shed water more quickly than low pitched roofs. By contrast, north facing and shallow roofs tend to remain damper longer and attract the growth of mosses and lichens.
In normal circumstances, the growths are not harmful to the tiles or slates. However, in some extreme cases this growth may affect the drainage of water down the roof. In such cases, they should be removed to avoid possible water ingress into the roof space. There are several methods for the removal of moss and lichen:
If unsure, you should contact the Marley Eternit technical department for further details.
Technical Support


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BATON ROUGE, La. — The Expert Panel on Diversion Planning and Implementation, a group organized by The Water Institute of the Gulf to advise the state of Louisiana on river diversion projects on the Mississippi and Atchafalaya rivers, has issued its initial report. Panel members made recommendations on data collection, project modeling, the types of simulations and experiments that should be ...Read More »
Home » Tag Archives: John WellsVirginia Institute of Marine Science


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Modeled after a gentlemen's club in London, the Johnnie Walker Blue Store is an immersive pop-up that recently launched in the city of Milan. The lounge-inspired space is located within a glass house-like structure in the middle of a public square in the Italian fashion capital.
The Johnnie Walker Blue store pop-up in Milan features an elegant interior design marked by plush leather couches and rich wood furniture that makes the space feel refined. The bar inside the Johnnie Walker Blue experience allows visitors to get expert advice from a professional bartender on hand, trained to illuminate the luxe product's best uses. The interactive guide also serves to teach tips and tricks that will make everyone feel like a connoisseur.
Sophisticated Clubhouse Pop-Ups
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Star-Studded Scotch Parties
Cloud-Connected Liquor Bottles
Sleek Whiskey Tastings Kits
Winter-Themed Whiskey Pop-Ups
Drink-Shaped Whiskey Displays
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The Johnnie Walker Blue Store is Modeled After a Gentlemen's Club
- By: Rebecca ByersFeb 3, 2016
References: retaildesignblog.net
References: retaildesignblog.net


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Just ONE HOUR to get out: France bulldozes Calais 'Jungle' mosque, church and school
A MOSQUE, church and school have been bulldozed after migrants in the Calais Jungle were given just one hour to scramble from the makeshift shanty town.
Bulldozers have demolished a mosque, church and school in the Calais Jungle
Volunteers and refugees rushed to save possessions and clear out shelters as French authorities began tearing down the places of worship and a school.
More than 1,500 migrants have been evicted after the French government decided to create a 100-metre buffer zone between the Jungle and the nearby road to protect lorries from attacks.
The demolition of the church and mosque in the buffer zone has sparked outrage among refugee charities, who claim the buildings were torn down despite local authorities promising to not touch places of worship.
Charity groups also criticised the lack of notice from local authorities, who gave just one hour's notice before sending the bulldozers in which were heavily guarded by police.
Help Refugees, a migrant charity working in the Jungle, posted on Facebook: "Sad to report that the Church has now been demolished despite the Prefecture promises to not touch places of worship.
The area was heavily guarded by police as bulldozers demolished shelters
There was just time for a last minute prayer before the machinery tore in
"There was just time for a last minute prayer before the machinery tore in.
"The pastor stood by in dignified silence, clutching the remaining cross from the Church roof."
Christian Salomé, director of the charity group L'Auberge des migrants, said: "It had been agreed that the church and mosque would stay.
"By destroying [these places of worship], the authorities are overlooking charities and fuelling the conflict with migrants, many of whom are religious people who use these places."
some of the humanitarians believed the police when they said they'd spare the church... never trust the cops! #ACAB pic.twitter.com/8qAdrPum9Q— Calais Solidarity (@calaisolidarity) February 1, 2016
the police defend the bulldozer as it destroys the church #ACAB #calais pic.twitter.com/VGS23pc1Cr— Calais Solidarity (@calaisolidarity) February 1, 2016
An Orthodox church and "five or six mosques" are left in the Jungle, according to Mr Salomé.
The charity director also claimed the places of worship were not in the security buffer created by local authorities.
French authorities have been demolishing parts of the Jungle to create a buffer zone
The Pas-de-Calais prefecture said: "There was a mosque and Evangelical church among the buildings and shelters in this 100-metre buffer zone, which were in the middle of the area and were emptied this morning."
The mosque held daily services with up to 300 people in the Jungle, according to Help Refugees.
Unrest broke out in the Jungle after French authorities started tearing down parts of the squalid shanty town which is home to more than 4,000 migrants desperate to reach Britain.
Residents living within the 100-metre buffer are being moved from tents and makeshift shelters into more permanent faculties.
Migrants were given just an hour to clear the area
Many refused to move from the camp into new accommodation because they felt it would ruin their chances of crossing the English Channel.
The new £20million-shipping containers, kitted out with bunk beds, heating and electricity, have been criticised for being prison-like.
Volunteers and refugees have been attempting to move the makeshift homes out of the buffer zone before the arrival of the bulldozers.
Sad day in #Calais today. Mosque and Church bulldozed w/out warning. This was b4 and after. #whenwillitstop pic.twitter.com/sKSnpbbwJV— HelpRefugeesUK (@HelpRefugeesUK) February 1, 2016
Christian man stands silently holding a cross that was part of his church in Calais camp as bulldozers destroy it pic.twitter.com/MbssVxEUT6— HelpRefugeesUK (@HelpRefugeesUK) February 1, 2016


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How to Choose the Right Email Archiving Solution for Your Organization
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Ever since we designed the world's first on-premise email archiving solution, we've been passionate about providing organizations with secure, reliable and cost-effective compliance, eDiscovery and governance solutions for long-term storage and agility of unstructured data. It is our mission to simplify retention, retrieval and dynamic monitoring of corporate email, social media and mobile communications and provide better search and information governance capabilities for administrators, compliance officers and end users.
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Our innovative enterprise email archiving solutions helped shape the information archiving industry while our holistic design philosophy, experience and expertise led us to become the industry leaders we are today. With Jatheon, your organization will have the much-needed safety net in the world of ever-changing and ever-stricter compliance and public records legislation.
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Compas Suite
Full set of tools and applications for large multinational ship management operations.Read more
Compas Cloud
Flexible package capable of upscaling or downscaling operations according to customer needs.Read more
At Net Vision we understand that no system is great if it is not effective and does not deliver the expected results.Read more
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Thome implemented Compas to achieve higher efficiency in data collection and distribution, and better time management.Capt. Michael Elwert, HR Director
Thome Ship Management
Compas allows easy and flexible information handling capacity for all aspects of modern crew management.Capt. Tushar Mohile, Vice-President, Marine Personnel
Wilhelmsen Ship Management
Introduction of Compas marks a strategic move to streamline existing business procedures and phase out various manual tasks of manning agents.Warren Gibbs, IT Director
Uniteam Marine


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Kenya Airways 'could require $500 million bailout'
Kenya Airways, the East African nation's nationwide provider, bumped into extreme head winds final week reporting a file loss. The finance minister now says the airline may have a half a billion greenback bailout.
Kenya Airways mentioned its pre-tax loss had grown from four.86 billion Kenyan shillings ($48 million) to 29.71 billion shillings ($293 million) within the ending in March 2015.
Final week the airline introduced it had chosen the African Export-Import Financial institution in Cairo to advise it on elevating capital and arranging a $200 million bridging mortgage.
Nonetheless, Kenyan finance minister Henry Rotich informed the Reuters information company on Tuesday (04.08.2015) Kenya Airways could require a $500-600 million bailout.
Last figures would depend upon a turnaround plan being ready by Mckinsey and Seabury consultants, who had been employed by the airline, he mentioned.
A DW correspondent in Kenya, Alfred Kiti, says there's public outrage over the provider's losses and a few individuals have even recommended that the federal government ought to take it over. However Evanson Mwaniki, chairman of the airline's board of administrators, mentioned making a state-owned enterprise wasn't the reply.
"We had been there earlier than and we didn't earn a living. We made cash after privatization," he mentioned.
Kenya Airways was privatized in 1996 and is partly owned by AirFrance-KLM. In accordance with the Kenyan newspaper Each day Nation, the federal government possesses a 29.eight % holding.
New planes and fewer vacationers
Kenyan Airways' money owed have been brought on by a mix of recent planes purchases and a droop in passenger numbers. Vacationers are staying away from Kenya's palm-fringed seashores and safaris following a spate of deadly assaults by Islamist militants.
"We had progress of the fleet which was not matched by income progress," mentioned the airline's finance director Alex Mbugua. The "progress of fleet" was the acquisition of Boeing 787 Dreamliner planes which started in 2013.
Amongst Kenyans tweeting help for the provider was Kenya Airways shareholder and proprietor of Capital FM, Chris Kirubi.
Kenya Airways has been hit by competitors from Gulf carriers, a lack of 5.78 billion shillings from hedging in opposition to fluctuations within the worth of crude oil, and by the Ebola outbreak in West Africa.
Nonetheless, Nairobi based mostly financial analyst Rufus Mwanyasi sounded an optimistic observe. "If we return to 2002, the corporate confronted related challenges and so they had been capable of get out of it."
Kamanda Morara, an analyst with Shanti Analysis Restricted, informed Each day Nation the airline may survive if its money owed had been restructured, pointless property disposed and prices reduce. But when collectors demand what the airline owes them, then Kenya Airways must wind up.


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The causes of the 1917 Russian Revolution were the long-term effects of poverty, industrial revolution, ineffective rule and growing political unrest. As a result, World War I became the catalyst that sparked the revolt.
As of 1916, three-quarters of the Russian population had been freed from serfdom in 1861 but were deep in debt to the government. This subsistence peasant class grew increasingly resentful of rich landowners who tried to control them, and many relocated to cities in order to find work in the newly developed manufacturing industry. What they found were overcrowded urban areas with dismal living conditions, poor wages and brutal working conditions.
The ineffective tsar not only failed to understand his country's impoverished conditions, but he also ignored the need for reform and created more resentment by eliminating any type of freedom of expression. Lacking an organized government that could address the problems, educated members of the growing middle class became increasingly politicized and began organizing and protesting in solidarity with the peasants, workers and disenfranchised soldiers. The advent of World War I served to further underscore the tsar's failures, as limited Russian resources were diverted to aid the war effort, resulting in an open revolt against the aristocracy.