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One of the most neglected steps in agency process is the creation of a solid starting brief. The brief should be more than just the basics of a general background document. A well-prepared brief is one that not only has input from the client, but includes a well rounded set of input from many internal partners, including account management, strategic planning, media planning and your creative department.
(Stop, hold on a sec. before we go any further, I need to interject - there is no one size fits all brief. It should be smartly written and cover the basics. It doesn't need months of development or thirty re-writes. Want the short cut? Cool, here are the basics... answer these questions; What's the goal? What's preventing you from getting there? Who do you need to talk to, to change the conversation? Why would they care? How are we going to get there? And what's our point of view? Ok, there's the short version, you now have the option to stop reading.)
Your strategic department plays a huge role in how this document is put together. Effective advertising and successful projects can trace a lot of their success from a great starting point. That starting point is a creative brief with sound strategies, presented during a productive kick-off meeting.
The brief is the document that outlines the projects framework, which includes the projects background, its objectives and strategic goals, relevant research and competitive environment information and current consumer information to the old fashion proposition and positioning statement, budget overviews, mandatories and basic timeline.
That sounds like a lot of information to cover, but in the end the document should be relevant, timely and fully cover the basics. It should also inspire the entire team so that they have the information they need to channel their creative efforts to produce solutions that not only serve the best interests of the client, but produces great work.
Most importantly, the creative brief should be a balanced document that is going to be helpful to the overall creative process. If there is too little information on the brief, stop the kick-off meeting. The same should go for having too much information on the document. The brief is not meant to be a doctoral thesis, if your agency is spending too much time creating the document, while it whittles away precious project time, you may need to take a step back and make adjustments.
Questions to answer on the brief may include;
Project Background
What's the background to this job?
What's the client asking the agency to do?
What's the competitive environment?
Who are the consumers?
Strategic Viewpoints
What's this specific project's strategy?
How does this fit in to the overall strategy (for the client or brand)?
What's the relevant research?
How does the agency perceive the product/brand?
Positioning / Position Statement
What's the agency being tasked to do on this job?
What's this brand's positioning?
How does this fit in with the overall corporate positioning?
The Task
What are the client's objectives for this project?
What are they expecting to accomplish?
What are the basics we need to communicate? What are the mandatories?
The Audience
Who are we talking to?
What do the consumers feel about the category, the brand, the product, the company and the competition?
What do we want the consumers to feel or perceive at the end of the project?
What do we want the consumers to do?
Where are we driving the consumers?
Why should the audience care about the positioning?
How should we communicate with the consumer? Tone, voice.
The Basics
What's the scope of the media?
What's the budget?
What's the timing?
Who's on the team?
And lastly, we should ask ourselves, does this brief make sense? Is this the right project we should be doing for this client at this time?
Alternate Agency Examples
(Condensing to get to the core)
BBH's foundation questions:
WHAT key business challenge does the brand face?
WHO are we trying to engage and what competes for their attention?
WHERE and WHEN will communication have most power?
HOW does the category engage creatively and how could we challenge this?
Practical considerations.
Crispin's foundation questions:
At a Glance
What is the most relevant and differentiating idea that will surprise consumers or challenge their current thinking of the brand?
What is the psychological, social or cultural tension associated with this idea? What makes our target tense about the idea?
What is the question we need to answer to complete this assignment?
Talk Value
What about the brand could help us start a dialogue between the consumers, around our target and/or within pop culture?
The Interactive Brief
How are consumers currently interacting with your brand?
What social objects will meet our interactive goal?
What impact or role do we want consumers to have in messaging, or content?
What kind of social currency does our target have? (To what extent do the target consumers share a brand experience as part of their everyday lives? )
Any recent metrics that could guide us, or that we should ignore?
What are the technology challenges we need to meet, challenge or innovate?
What role does content and storytelling play in this experience?


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what is opensource and why do i feel so guilty?
Last November I was invited to speak in Paris. I had just taken a new job with a company called Obvious and I was pretty confident that this was going to be my last talk – maybe ever.
I had been discussing/thinking about this idea of guilt for a while (in particular the feeling of guilt that comes with maintaining an opensource project) and felt like the venue that dotjs was providing made a lot of sense. I also thought the French would be sympathetic and less likely to boo me off stage – which was essentially true.
I think something which works really well in this talk (while simultaneously being something I should apologize for) is that I prepared a 1 ½ hour presentation and then tried to deliver it in 20 minutes… in the actual video you'll see about half way through the organizers turned off my 20 min countdown (I was the last talk of the day and in hindsight i think they were trying to get me to slow down).
This, coupled with my pretty intense jet lag from flying into Paris the day before, made me a frothing, emotional wreck… but i suppose it kinda works for the topic.
Anyways, if you watch it – I hope it's at least entertaining and that you'll have something new to argue about with your friends.
P.S. If you want to see the slides for this, checkout: http://fat.github.com/slides-os-guilt/

subset: commoncrawl


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WIPO: Text on Genetic Resources in Final Stages of "Relay"
Members of the World Intellectual Property Organization (WIPO) have agreed to move forward with a draft text on genetic resources, following a week-long meeting held in Geneva. The document is expected to be transmitted to the organisation's General Assemblies in September, which will in turn decide whether to convene a diplomatic conference on the subject - the UN body's highest level of negotiations.
Genetic resources - defined by the document as genetic material of actual or potential value - are commonly used in patentable inventions, such as pharmaceutical products. Traditional knowledge is often linked to genetic resources as "associated traditional knowledge," such as the healing properties of a plant, for example. Many biodiversity-rich countries and indigenous communities are concerned about the misappropriation of such resources and knowledge, which could be used to obtain a patent without their prior consent and without having adequate access and benefit-sharing mechanisms in place.
The Intergovernmental Committee on Genetic Resources, Traditional Knowledge, and Folklore (IGC) was created in 2000. Last year, WIPO's General Assemblies renewed the committee's mandate to work on text(s) for an international legal instrument(s) aimed at ensuring the effective protection of genetic resources, traditional knowledge, and traditional cultural expressions. The work would be divided into three thematic sessions to deal with the respective topics.
The last thematic session is scheduled for July, and will be extended in order to review and take stock of the draft text(s). Members will then make a recommendation to the September General Assembly, which will ultimately decide whether to convene a diplomatic conference. (See Bridges Weekly 15 October 2012)
This past week's session focused solely on genetic resources, an area in the IGC's work that has not witnessed the same progress as the two other areas. At the end of the session, IGC Chair Ambassador Wayne McCook of Jamaica compared the committee's work to a relay race - a sport his fellow countrymen excel in - reminding delegates that the most significant part is the change of the baton.
"[In a relay], much can be lost after much has been gained," he warned.
Countries still at odds over disclosure
Though the new consolidated document shows a cleaner text with agreement on some areas - such as certain definitions - this latest version remains riddled with brackets, due to members' disagreements over some key elements.
The biggest point of contention is over a mandatory disclosure requirement in patent applications regarding the origin of genetic resources and associated traditional knowledge. Proponents say that such a measure would prevent erroneous patents from being granted and ensure that adequate access and benefit-sharing provisions are in place.
In a statement supported by several delegations, Brazil suggested that the discussion focus on mandatory disclosure requirements and their basic elements. This, Brazil explained, would ensure that the instrument under discussion be consistent with the Convention on Biological Diversity and its Nagoya Protocol, which regulates access to genetic resources and the fair and equitable sharing of the benefits that arise from their use.
"We were told when we were negotiating Nagoya that the place to discuss disclosure is the IGC, so it is unacceptable that our negotiating partners are not willing to discuss it here," Namibia said.
The US, meanwhile, reiterated its view that it "do[es] not support the use of the patent system to ensure compliance with the disclosure of the source of genetic resources."
"In order to incentivise innovation the requirements placed on the patent applicant must not be burdensome," the US delegate added.
Joint recommendations stir up heated debate
Also during last week's meeting, the US, Canada, Japan, Norway, and South Korea re-submitted a proposal for a joint recommendation without a mandatory disclosure requirement that sets non-binding general guidelines for the protection of genetic resources and associated traditional knowledge. The proposal was presented at last February's IGC session, but had not been discussed in detail. (See Bridges Weekly 22 February 2012)
The US called the re-submitted joint recommendation a "confidence-building measure" to help the IGC move forward, saying that it captures key objectives and facilitates the establishment of mechanisms for protecting genetic resources and associated traditional knowledge.
However, the proposal was met with resistance by many developing countries. South Africa, for one, said they "welcomed the move towards confidence-building, but the content does not even meet the minimum requirements of the demandeurs," namely disclosure and a legally binding treaty.
Many countries also pointed to the lack of clarity regarding how the joint recommendation would fit into the negotiating process for an international legal instrument. At this stage, Nigeria said, discussing the joint recommendation could be considered an "unnecessary diversion of resources."
The same group of countries - with the exception of Norway - also presented a proposal for the terms of reference for a WIPO study on measures related to the avoidance of the erroneous granting of patents and ensuring compliance with existing access and benefit-sharing systems.
Another proposal by the same group called for a joint recommendation on the use of databases for the defensive protection of genetic resources and the associated traditional knowledge. Proponents say that databases would help patent examiners find relevant prior art and avoid the granting of erroneous patents. Many developing countries, however, see databases as only complementary to other measures, such as disclosure.
"How do the proponents of this measure see the databases populated if not through disclosure?," Namibia asked in the plenary.
The proposals were not included in the consolidated document. For the European Union, however, these other documents "remain relevant and on the table."
The next session of the IGC is scheduled for 22-26 April 2013 and will focus on traditional knowledge.
ICTSD reporting.


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"Just because two or more naked bodies get together in a lust-crazed frenzy doesn't guarantee earth-shattering orgasms that are satisfying to the mind and spirit."
The interview below was conducted through email with author/artist/non-conformist, Jess C Scott. This is the first interview with the author that centers on the sexual themes in her projects.
When Jess was 21, she digitally published EyeLeash: A Blog Novel, a coming-of-age novel featuring authentic sexting segments. Following the publication of EyeLeash, Jess continued exploring sexual themes in anthologies like 4:Play, Naked Heat and Primal Scream. The topics in these erotic anthologies cover straight sex, LGBT sex, incubus/succubus sex, as well as "factual fiction" (in which Jess draws on certain personal experiences as she was growing up in Asia)—which makes for an alternately refreshing, tantalizingly hot, and completely mind-blowing bibliography.
Jess was a participating author in the 2012 Singapore Writers Festival Fringe: Origins of Desire program. The SWF Fringe sought to explore the historical as well as socio-cultural significance of desire and sexuality in literature.
The Wilde Trilogy is Jess's latest project: a psychological thriller about evil twin serial killers. While the project is less erotically-charged than her earlier works, the twins' sexual impulses and what they do with their bodies and lives are still pivotal to the plot. It may end up being the project which marks Jess's transition into the mainstream market.
At what age did you start to become curious about sex?
Jess: I can't remember a time that I wasn't really curious about sex. I was fortunate not to have experienced any childhood sexual abuse, though I was aware from a very young age about sex and relationships. It was based on the way adults would talk about or mention the subject, often in hushed tones, or whispers and brief smiles (or some other kind of emotional cue, whether positive or negative). I would always notice those nuances.
My curiosity in terms of lust skyrocketed during my late teens and early twenties. I wasn't extremely promiscuous, which in some ways maybe made things harder (with the conflict between my mental and physical "selves").
I think I'll always be curious about sex. Right now my curious impulse is less helter-skelter than in the past. I have noticed that the sexual and creative/artistic impulses can be very closely connected, which is something I've always found intriguing.
What was your 'sexual awakening' like?
Jess: I had various "interesting" and very intense (often one-sided) crushes throughout my early teens. I chanced upon Anaïs Nin's Little Birds when I was sixteen. It really opened up my mind and was exactly what I was searching for in terms of "sexual literature." Her portrayal of sex was non-gimmicky, and not superficial or shallow. It was rich and complex yet very relatable all at the same time. Her work had a huge impact on me as a person and as a writer, because it got me to consider that some of my paranoid precautions were—maybe—there for a reason. I went up and down for many years on the subject of casual sex versus intimacy. During my own sexual awakening, I respected my need and craving for a deeper kind of intimacy (over casual sex), as difficult as it got to be at some points.
How much of your work is fact and how much of it is fiction?
Jess: It's roughly a 50-50 balance. My novella, Jack in the Box, is probably the story that's the least fictitious (followed closely by EyeLeash: A Blog Novel).
I like combining the two together, so that nobody else really knows whether I'm drawing from experience or imagination. That way there's a little bit of tension and mystery to keep things interesting.
Why write about sex at all?
Jess: On a personal level, I enjoy writing about sex because I loathe superficial depictions of sex and relationships. In a more general sense, the sexual force is one of the most (if not the most) powerful things a person can experience. The way a person approaches the subject, and how they deal with and define their own sexual identity, is a huge part of their character and personality. To not explore this sexual force would feel a little strange, from a creative standpoint.
On some of your product pages, you mention that your erotic fiction focuses on 'psychosexual' themes, not porn. What prompted you to use that term?
Jess: It was only in 2013 that I wrote a concise blog post on the fundamental difference between erotica and porn. When I first ventured into the publishing scene in 2009, I assumed it was pretty clear-cut that erotica was erotica (with social value and/or some kind of artistic or literary merit), while porn was porn (focused on explicit scenes and arousal / commercial aspect). It took me several years to realize that there practically isn't any differentiation in the mainstream marketplace at the moment, between sensuous erotica (as an art form) and pornographic reading material (where explicit scenes are a "must" for the reader who's seeking and gets stimulated by visual or textual porn).
What's your favorite piece of art—writing or drawing—that you've done? What about the least favorite?
Jess: I don't really have a favorite piece of writing (in terms of books or eBooks I've produced), because I am often most enthusiastic with the project I'm currently working on. I do have a least favorite thing I've written (the second and third books of my as-yet unfinished Cyberpunk Elven Trilogy—this is a non-erotic project), and I'm glad I put those aside instead of rushing their publication. The storyline is so weak and pathetic that I'm starting over.
For some reason, I was following some genre conventions (which I didn't really want to follow, in my heart) when writing the first drafts for the second and third installments in that trilogy. It feels much more liberating and fulfilling to scrap those and start afresh.
I've treated drawing as a hobby since I turned sixteen. My favorite drawing is probably the one titled "Emperor."
It was the first drawing I did in 2013. I didn't draw anything throughout 2012 (I only realized that after I'd done the "Emperor" pencil drawing). There are some drawings I've done which I don't think are anything fantastic, though I don't hate them. I like to do my best (in terms of effort, intent and "spirit") and not be overly-concentrated on achieving absolute perfection all the time.
I like drawing as it's helped me develop an eye for design (for laying out blog posts, designing book covers, etc.). If I had to recommend just one book on drawing, it's John Ruskin's The Elements of Drawing!
Will you write any other erotic-themed books? I see you have some psychological/crime thriller and urban fantasy material lined up.
Jess: I would like to, and do have plans to continue working on books with a strong psychosexual theme. I am more likely to categorize those works as "contemporary fiction" or "psychological/psychosexual fiction," for reasons I listed in the second question in the previous part of this interview. Contemporary fiction is an extremely broad genre, so I did want to work in some other genre(s) that were more niche-focused (such as crime fiction, or urban fantasy).
My future erotic-themed books are more likely to be focused on the social/psychological aspect rather than actual sex scenes. I was partly driven to write erotica in my early 20's as a result of my own internal issues and various neuroses, which I'm glad to have gotten out of my system.
With regards to my upcoming psychological thriller featuring evil twin serial killers, there is sexual tension in the project. Presented in a non-explicit way. I like working in the crime genre because it allows me to explore taboo subjects in a more acceptable manner.
What do you think the cultural and social landscape of sexuality will look like, in a few years' time?
Jess: If we look back in history, things have not really changed that much at the core. There will always be some level of crime and corruption; there will always be some level of confusion and/or denial; there will always be shallow and mindless forms of entertainment.
I am an optimist at heart though. Whatever the current cultural and social landscape of sexuality might be, I don't think it's completely hopeless (not yet, at least) for a person to define their identity and sexuality on their own terms. In my case, it took a number of years of intense soul-searching to navigate my way around some of the issues and subjects surrounding sexuality (sexual orientation; casual sex versus intimacy; deciding whether there was a 'type' I was interested in; sexual wants versus needs). I was in my own world quite a lot of the time, trying to figure things out. But I think it worked out all right because I have a better idea now of my sexual self, and how I choose to express myself sexually and/or creatively.
If more people develop an individualistic, autonomous approach to sexuality, people will slowly be able to discover a more lasting and satisfying truth about themselves, instead of trying to find the answers by consuming the latest popular thing that's trending in the media.
Does dying scare you?
Jess: Not really—I normally live everyday like it's going to be my last. So I would have few regrets if I was told I was going to die within a minute or so. I think sex and death are very closely associated, along with topics like money, murder, power, suicide and homicide. Astrologically-speaking, these are quintessential 8th house subjects (the 8th house being the "house of taboo"). I have Pluto conjunct Venus in Scorpio 8th house, so I guess that does explain (at least to an extent) my high level of interest in these subjects.
As Mark Twain said:
"The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time."
Thanks to Jess and SexIs for this rollicking interview!
jessINK / @jesscscott


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Product benefits
StabilityDesigned to stay in place in very small waves (broken waves)
Breast supportThe frames and adjustable straps make for an excellent hold
ShapingThe push-up effect produces a more feminine neckline.
Quick dryingPolymer-based composition, making them quick to dry
Product feature
Your surf session for occasional practiceYou are learning to surf or surf only a few times a year, during your holidays or a surf trip. You stay where you can touch the bottom, in tiny waves or broken waves. You surf for the pleasure of being in the water and for the feeling you get from it. During your sessions, you often fall but you fall in waves that are not very powerful. We have designed a wide range of swimwear for you, to suit your occasional practice and your body shape.
Body shapeBalconet shaped swimsuits are particularly feminine. They produce a plunging neckline and make the bust more round and full. The ELO top with fixed cups and a push-up effect will add volume to your bust and produce a pretty neckline. These padded cups are adaptable. The push-up effect is more pronounced in A and B cups. The thin straps are adjustable and the back fastener is fitted with a flat buckle. The ELO is suitable for all bust shapes and sizes.
What are padded cups?Shaped cups built in to the swimsuit top are flattering for your bust and sculpt your breasts into a rounded shape without having visible seams and avoiding irritation as opposed to cut and stitched foam pads. Tribord has kept you and your comfort in mind by favouring the use of padded cups in most of its models. The padded cups may be removable and, if so, they let you go up or down a half size.
Adjustable padded cupsThis means that they can be adapted to the size of the cup: maximum push-up (cup A and B) and light push-up on larger sizes.
UnderwiringThis provides support around the breast for an optimal hold. Depending on the shape of the underwiring, we can create a selection of products that show varying levels of cleavage.
What is a push-up effect?These volume cups, which are built into the swimsuit top, push your bust upwards for a more feminine look, in which the two breasts join together to enhance your neckline. This is called the push-up effect.
Dry sizing and wet sizingTo ensure a perfect fit in the water, it is important to choose the right size while you are dry because once they are in the water, swimsuits become looser. We therefore recommend you buy the correct size. The swimsuit needs to fit snugly against your body in the fitting room, you should feel supported. The elastane contained in certain components used in the design of our swimsuits softens and relaxes in the water.
Product testing
CompositionMain fabric : 83.0% Polyester (PES), 17.0% Elastane Foam : 61.0% Polyurethane (PU), 39.0% Polyester (PES) Lining : 91.0% Polyester (PES), 9.0% Elastane Outer fabric : 80.0% Polyamide (PA), 20.0% Elastane
Cleaning adviceWash your swimsuit after purchase. Then rinse in fresh water after each use. If you want to machine wash your swimsuit, wash at 30°C with very little detergent and no fabric conditioner.
Product restrictionsNot recommended for regular use in chlorinated water.
Product catchlineWomen's lined balconet swimsuit top. Its fixed push-up style cups and underwiring ensure support, comfort and femininity.. Thin adjustable straps and back clip.
Lab testedThis product has been tested in use in Hendaye and has been subjected to numerous laboratory tests to guarantee the quality of use for which it was designed: tests on the fabric's elasticity and strength, colour-fastness when rubbed, washed, exposed to se


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Magento Integration to NCR Counterpoint
Integrate Your Point of Sale System with Magento Ecommerce
Our Magento Integration to NCR Counterpoint allows you to leverage the power and flexibility of the Magento Ecommerce platform to integrate directly with NCR Counterpoint.
Seamlessly Sync Inventory, Sales, and Customer Data
Update both product pricing and inventory quantities automatically, or you can allow Counterpoint to control and manage all aspects of your inventory. Virtually configure any type of product, category, manage inventory as well as report on customer sales and transaction history as well as handle taxes and shipping with ease.
Key Features of Our Magento v2.0 Integration
Magento Integration to NCR Counterpoint
Allow Magento Ecommerce to control both product pricing and inventory quantities within NCR Counterpoint, or you can allow NCR Counterpoint to control and manage all aspects of your Magento Ecommerce inventories online.
Gridded Items to Bundled Products
Map your gridded items and complex categories to Magento's bundled products and categories.
Sell Alternate Stocking Units Online
Sell alternate stocking units online with the option to "add to cart" based on unit qty/price.
Complete Inventory Synchronization
Let NCR Counterpoint manage your Magento inventory.
Customer & Sales History Reporting
Access web customers and their sales history from NCR Counterpoint or Magento.
Amazon & Paypal Payments Support
Amazon, Paypal and other forms of payment can be mapped to Counterpoint payment codes.
Multiple Image Sync
Handle multiple images for a single product and associate them properly between Counterpoint and your Magento ecommerce Items.
Class / Event Sales
A scheduled class or event with specific time slots can be added as an item within NCR Counterpoint to then sell on your website.
Complex Taxes & Shipping Scenarios
Configure our integration for virtually any shipping or tax scenario as well as create custom locations for shipping, receiving and different tax codes.
Sync Web Sales As Tickets
Allow website orders come into NCR Counterpoint as a ticket, rather than an order for better order management.
Advanced Pricing
Assign grid specific prices in NCR Counterpoint and that price will map correctly into variable/configurable products.
(Advanced Pricing in NCR Counterpoint Required)
Customer Group Pricing
Define group pricing such as wholesale vs. retail for multiple customer groups.
Need Pricing, a Demo or Have Questions?
Let's Talk About Your Project. Contact Us to Learn More!
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Our Integration Partner
The InteractOne team includes Certified NCR Counterpoint Technicians, Certified Magento Enterprise Developers, design specialists and eCommerce marketing experts to ensure a fully implemented and integrated eCommerce solution.
Learn More
Recent Articles
6 Advantages of Ecommerce Integration to NCR Counterpoint
The average yearly amount spent online by consumers is expected to be over $2000 by 2021. To keep up with this growing reliance on online commerce, integrating your point of sale system with your ecommerce site should be one of your major considerations. (Statista)


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Calabar's Wilson takes off for FSU
...To join main rival and friend Matherson at Florida college
Despite having one more year at high school, Calabar High School star Tyreke Wilson will be taking off for Florida State University (FSU) in July, citing he has nothing else to prove at Champs.
Wilson, 18, who started representing Calabar High in 2013, closed out his remarkable Champs career by capturing the blue ribbon 100m in a very good 10.21 seconds.
"Think I've done enough for Calabar and I've achieved everything I need to in high school track and field and academics. I will be taking up my scholarship in July," Wilson told the Jamaica Observer recently.
Wilson has been one of Calabar's main stars at Champs in recent times, winning the Class Three 200m in record time of 21.72 in 2014 and becoming the double silver medallist in the 100m and 200m in Class Two the following year, until an injury in 2016 limited his participation at the championships that year.
With seven CSEC subjects (English, English literature, social studies, principle of vusiness, history, integrated science and physical education) under his belt, Wilson will be studying sports therapy and management at FSU.
Wilson tells why he chose to enrol at FSU, even though the school is not a traditional sprinting powerhouse in the American collegiate circuit.
"I chose FSU because the school is well-rounded academically and sports wise. I visited the school last November and made my decision since then, even though I've gotten a lot of other college offers," Wilson pointed out.
Another of Jamaica's most talented sprinters in Jhevaughn Matherson of Kingston College will be joining FSU shortly.
"No it wasn't planned, but it was good news for both of us when we found out we were both enrolling," said Wilson.
Despite their rivalry over the years from 2013, Wilson noted that he and Matherson are good fiends.
"We are good friends. We've known each other since 2010 competing in parish champs, when I was running for St Catherine and him for St Mary," he pointed out.
Their biggest showdown was curtailed by the injury, once again, of Matherson in March, as prior to the 100m final, both had looked in superb form during their semi-final clash. Wilson went on to edge home in 10.39 to Matheron's 10.41, while looking across at each other and smiling, followed by an embrace after crossing the line.
Wilson's Calabar days are not quite over as he will be at the prestigious Penn Relays with an eye on the IAAF World Junior Championship in Finland in July.
Having won 100m bronze in 2017 at the IAAF World Under-18 Championship in Kenya, Wilson will be hoping to end his season somewhere near 10.10 seconds in what would have been a fulfilling season for him.
Now you can read the Jamaica Observer ePaper anytime, anywhere. The Jamaica Observer ePaper is available to you at home or at work, and is the same edition as the printed copy available at http://bit.ly/epaperlive
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text:
Zocdoc Answers
Medical questions & health advice by licensed doctors
"Do I have Irritable Bowel Syndrome (IBS)?"
I am 25 year old female, working in retail and standing 8h a day. My stomach is bloated and I experience lots of gases in the past 6 months. I tried dieting food, more home made and less processed, but it doesn't help. I am a vegetarian. The bloating makes me look like I'm pregnant :( It is very unpleasant, and I can't wear anything as it does not look nice. Also, it is very uncomfortable and sometimes its painful too. I stopped taking contraception but I do take Asthma medicine for the last 2 years. Also, I take vitamins regularly. I would sincerely appreciate your advise on this case.
The symptoms you describe sound very unpleasant and disruptive to your daily life. You should definitely see a physician to try and help identify what is causing your symptoms. If you start with your primary care physician, he or she may want to send you to a gastroenterologist (GI specialist). Irritable bowel syndrome is a not uncommon problem that does affect more women than men.
See a doctor who can help
Find Gastroenterologists near you
Unfortunately there isn't a cure for IBS, but working with your physician you can learn to identify triggers that aggravate your IBS. In many cases, patients with IBS stay away from certain foods (often things that are spicy, caffeinated, acidic). There are also some medications that can help with the most unpleasant symptoms. However, it is important to see a physician to help evaluate all of your symptoms in context, because there are many other things that can cause the symptoms you describe and it is important to rule them out before attributing your symptoms solely to IBS. Food allergies or lactose intolerance can cause gas and bloating. Celiac disease (being allergic to gluten) can also cause many of the symptoms you describe. Going over your entire history with a physician and possibly considering some additional blood work can be very useful in making sure that all of the options are considered.
Need more info?See a gastroenterologist today
Zocdoc Answers is for general informational purposes only and is not a substitute for professional medical advice. If you think you may have a medical emergency, call your doctor (in the United States) 911 immediately. Always seek the advice of your doctor before starting or changing treatment. Medical professionals who provide responses to health-related questions are intended third party beneficiaries with certain rights under Zocdoc's Terms of Service.


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Jailed at 17, just-released Palestinian plans a quiet life
Round after round of celebratory automatic gunfire punctuated the night early Wednesday as the bus carrying 21 long-serving Palestinian prisoners made its way from Israel's Ofer Prison, near the West Bank city, to the Muqata, or government headquarters in Ramallah.
All the men were jailed for killing or being involved in killing Israelis or Palestinian collaborators, and their sentences ranged from 17 to 28 years. They were released as part of peace negotiations.
Several thousand Palestinians who were dancing, singing, chanting and waving Palestinian flags broke into cheers as the 21 men made their way to a stage where Palestinian Authority President Mahmoud Abbas waited to receive them.
The excitement was palpable as the exhausted men reunited with their families after being released just after midnight.
Haza'a Muhammed Saadi, from Jenin in the northern West Bank, was No 10 on the list of prisoners to be released.
Saadi was jailed for life in 1985 as a 17-year-old for his alleged part in killing two Israeli schoolteachers. Othman Bani Hassan, who was No 9 on the prisoner list, was his co-defendant accused in the killings.
"I haven't seen my son for 15 years. I've been too ill to travel, to make the arduous journey to the Israeli jails where he was imprisoned as he was moved around," Um Haza'a, or "Mother of Haza'a," told McClatchy. "I haven't slept all night. I was too excited and also worried that maybe in the end he wouldn't be released – and that I might not be able to recognize him after all these years."
One of Haza'a's three sisters, Samira, 51, said words couldn't describe how happy she was to see her brother, whom she hadn't seen in two years, when she'd last visited him in prison.
"His release came as a bit of a shock. I never imagined we'd be reunited again as a family after he spent nearly 30 years in prison. His original sentence meant he was going to die there," she told McClatchy.
All the members of the family whom McClatchy spoke to denied that Haza'a had killed the two Israelis, saying he'd attempted to but had failed.
Haza'a, 45, said he wanted to put the past behind him and that he looked forward to a quiet life and hoped that peace between Israel and Palestine would become a reality.
"I was young when I did what I did, and I now support peace between the people of Israel and Palestine. It was 1985, before the 1993 Oslo peace accords with Israel, and there was a lot of tension in the West Bank due to the Israeli occupation," Haza'a told McClatchy.
"I believed I was fighting for my country and my people. God willing, the future will be different."
While there was joy in the Muqata, with Palestinians celebrating the release of the prisoners, most Palestinians in Ramallah remained skeptical that any real progress can be achieved in peace negotiations.
A number of people McClatchy spoke to said they were bored with the whole issue, and several said the negotiations were just a repeat of earlier peace talks in which nothing was achieved.
Palestinian President Abbas worked the prisoner release for as much political mileage as possible in an attempt to show his people he'd achieved something from the Israelis as a result of the peace talks.
He's failed to get Israel to stop building settlements in East Jerusalem and the West Bank during the negotiations. In fact, Israeli Prime Minister Benjamin Netanyahu announced on Wednesday morning the acceleration of four new settlement projects in East Jerusalem. Israel also has refused to agree to discuss the borders of a future Palestinian state.
As nationalist songs boomed from loudspeakers Wednesday, members of the Palestinian Authority's media team enthusiastically handed out posters of Abbas to anybody who'd take them. Several people declined, and in some cases those who accepted passed them on to others. One person hung a poster on a tree branch.
It was clear they were there to celebrate the release of their fellow Palestinians, not the achievements of Abbas. Most of those released are middle-aged men who are unlikely to return to fighting Israel. Meanwhile, more Palestinians are being arrested each day.
The Muqata's eruption of happiness was a bubble within Ramallah, itself a bubble within the less-prosperous West Bank. Palestinians have more pressing concerns, including the fading hope of achieving independence and the dire shape of the economy in the West Bank, compared with relatively prosperous Ramallah.
Problems harvesting olives due to attacks by Israeli settlers are threatening the livelihoods of about 80,000 Palestinians. On Tuesday, settlers cut down and poisoned more than 600 olive trees in the village of Einabus, near Nablus, in the northern West Bank.
The United Nations Office for the Coordination of Humanitarian Affairs said that from January to October last year, Israeli settlers damaged or destroyed more than 7,500 olive trees in the territory.


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I am on a self love journey.
A life long journey of undoing the damage that society and life has done to my idea of beauty and what it really means to me.
Here is that journey documented by some amazing photographers.
Book them, They are worth your time. I promise. Their info is listed with their photo album.
To book me a shoot, Click Book me.
Love Yourself.
Be Yourself.
To book a shoot with Leah James click "Book Me" at the top of this page. To book any of these amazing photographers click on the album and read their bio. We would love to work with you.


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Horse Racing by Arthur Frank
Award-winning photographer, Arthur Frank, provides a stunning look into thoroughbred racing with photographs taken in the United States, France, and Ireland along with a powerful introductory essay by New York Times sportswriter Joe Drape in this new book simply titled Horse Racing.
This collection of 168 color and black and white photographs capture the beauty and excitement of one of the world's most popular sports, the Sport of Kings. Images start by following the development of thoroughbred race horses from their days as foals, through training sessions and ultimately to the competition for which they were bred, all of which strikingly portray the athleticism of these extraordinary animals.
Also highlighted are the unique relationships between the horses and those individuals who bred them, own them, train them, care for them, ride them and bet on them. As the photographer is more interested in the sport of horse racing then with celebrity or any specific event, the book offers a unique humanistic depiction of the sport and concludes with a tribute to the winners and loser.
Arthur Frank is a sports photographer who has been photographing equine sports and activities for over 20 years. His photographs have been widely published and exhibited and are in numerous governmental, corporate and private collection. His previous photography book was Cowboy Up. Arthur lives in New York City.
Joe Drape is a sportswriter for The New York Times who has won two eclipse awards for excellence in reporting and has written a number of books on horse racing and football. Joe also live in New York City.
Schiffer Publishing, Ltd. is based in Atglen, PA on the Schiffer Book Farm. The company is known for publishing high quality Antique, Arts, Architecture, Lifestyle, and Military History books, as well as a successful line of children and ghost books. Schiffer Publishing is always looking for people to write books on new and related subjects. If you have an idea for a book, please contact them at [email protected]
This title and over 4,500 Schiffer titles can be purchased at www.schifferbooks.com your local bookseller, and numerous online retailers.
Book Details
Illustrations: 168 b/w and color photos
Page Count: 192
Hard Cover
Price: $39.99


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Project Description
Wat Pong Sanuk
Viharn Phra Chao Pun Ong within Wat Pong Sanuk is a jewel of Mahayan Buddhist architecture in the Lanna Kingdom.
Its towering three-tiered roofs speak very lively of its Lanna and Burmese heritage, with some sprinkling of Chinese influence, too.
Being a cross-shaped viharn makes it also the only one of its kind in Thailand.
Although what makes it truly special is totally hidden from view.
Up until November 2004, Wat Pong Sanuk and Viharn Phra Chao Pun Ong were in a sorry state. See the old viharn.
The damages from World War II, the decades of neglect that followed and the vandalism done on the roof of the viharn that allowed rain and moisture to enter and decay the structures, Viharn Phra Chao Pun Ong was falling apart.
Several well-intentioned repairs did not fully help either and added new structures that were not in the original build.
The turn for the better came when the Pong Sanuk community, professional architects from Chiangmai University, sponsors and UNESCO banded together to save the wat and the viharn.
Restorations were started in November 2004 and completed in February 2008.
In short, what we see today is the result of the pitching in by the various stakeholders to save Wat Pong Sanuk and Viharn Phra Chao Pun Ong – and that makes the results very special.
"The participation of community members in the maintenance and repair of religious structures has a long history in northern Thailand. The Wat Pongsanuk project helped to revive these practices… This is a positive development for future projects in the region, as well as for the preservation of Thailand's fast disappearing heritage assets more generally."
Pongsanuk, which literally means 'community of fun' is actually derived from a place of the same name in Chiang Saen District of Chiang Rai Province.
Residents from that area moved to Lampang some 200 years ago and established Pongsanuk community in this province.


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Bob Bashara is expected in court Tuesday for a pretrial hearing in connection with the murder of his wife Jane Bashara.
Watch: Courtroom video: Judge's decision to try Bob Bashara
After five days of testimony in September, Bashara was arraigned on a first-degree murder charge. He is set to go to trial March 3.
Jane Bashara was found strangled to death on Jan. 25, 2012, inside her SUV that was parked in a Detroit alley, a few miles from the couple's home.
Joseph Gentz, a handyman who worked for Bob Bashara, has pleaded guilty to killing her, but saying he did so at her husband's behest.
Bob Bashara already is serving up to 20 years in prison after pleading guilty to trying to hire someone to kill Gentz in jail.
Read: Daughter: Bob Bashara had porn habit
Read: Bob Bashara's mistress says relationship had lies
Uncut video: Jane's best friend takes stand during Bashara prelim
SPECIAL COVERAGE: Jane Bashara Murder Investigation
Copyright 2013 by ClickOnDetroit.com. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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|20 Sep 2011
Anybody had any issues with FF hanging and drivers crashing/recovering? Had it 3 times today(driver crash) and FF hanging all the time!
|My System Specs
|20 Sep 2011
280.26 whql
|My System Specs
|20 Sep 2011
Windows 10 Pro. EFI boot partition, full EFI boot
|My System Specs
|20 Sep 2011
260GTX 192 core, all specs are in the spec sheet (my system specs)
|My System Specs
|20 Sep 2011
Latest NVIDIA ForceWare Video Drivers Windows 7
Latest NVIDIA ForceWare Video Drivers Windows 7
|My System Specs
|20 Sep 2011
Windows 7 Home Premium 64bit
Deus Ex HR. I get the driver stopped responding error alot. But its also much more than that with this game.
Started with the newest patch. Its constantly freezingand/or locking up my system, often forcing a hard reset.
If Im lucky, and am able to CTRL+ALT+DEL (which isnt always the case) and close it out, theres a a message the display driver stopped responding.
I can not play more than 10 minutes before it does this.
Other than that 1 game, no issues at all for me.
But, I have been trying the BETA driver lately & it seems better for Deus Ex.
An occasional C2D after a couple hours or so, but much better than lockups/freezing every 10 minutes or so.
So far, everything else in the BETA driver is working very well for me too.
|My System Specs
|21 Sep 2011
Latest NVIDIA ForceWare Video Drivers Windows 7
Latest NVIDIA ForceWare Video Drivers Windows 7
Official WHQL NVIDIA 280.26 Display Driver Feedback Thread For NVIDIA Geforce Desktop/Notebook/ION GPUs - NVIDIA Forums
|My System Specs
|21 Sep 2011
It didn't work, still getting driver stopped responding and firefox hangs, having to resort to chrome at the moment.
|My System Specs
|22 Sep 2011
sorry for Treble post, spoke to Nvidia customer care, here's what they had to say in live chat
[09:09:40 AM] Sen: Try changing it to "Windows Classic", sometimes it works.
[09:10:07 AM] David Best: oh god, that looks bad
[09:10:30 AM] Sen: Try that as a troubleshooting, not permanent
[09:11:04 AM] David Best: i'm just testing it now, bit of youtube surfing
[09:11:08 AM] Sen: Also what is the model number of your motherboard?
[09:11:42 AM] David Best: hang on, lemme fetch it
[09:12:05 AM] Sen: Sure, take your time.
[09:12:08 AM] David Best: Evga NF78-CK-132-A 3-Way SLI
[09:12:37 AM] David Best: i've also upgraded the BIOS recently as well
[09:13:44 AM] David Best: BIOS version is 2.053.L4 and the date is 12/30/2009
[09:14:10 AM] Sen: Okay.
[09:15:16 AM] Sen: Is the "Windows Classic" working for this case?
[09:15:33 AM] David Best: seems to be, i've been on a few sites and it seems to be quite stable
[09:17:54 AM] Sen: I checked with NVIDIA technicians, and they say this works.
[09:18:25 AM] David Best: shall i just keep it on classic until the next set of WHQL drivers come out?
[09:19:09 AM] Sen: Yes. It seems that will be the best.
[09:19:14 AM] David Best: i have a feeling it's not NV problem, it's all pointing toward Mozilla
[09:19:39 AM] Sen: Please give me 3-4 minutes, I am trying to contact NVIDIA technical team internally.
[09:19:49 AM] David Best: ok, take your time
[09:19:51 AM] Sen: Surely this is not an NVIDIA issue.
[09:24:11 AM] David Best: any luck?
[09:24:58 AM] Sen: I am sorry.
[09:25:12 AM] Sen: No other way as of now.
[09:25:19 AM] Sen: I got another information that...
[09:25:57 AM] Sen: Last week of Sept, NVIDIA is going to release WHQL version.
[09:26:28 AM] Sen: It will carry more fixes. So, please update as early as possible.
[09:26:36 AM] David Best: that's good news, hoepfully it should at least make it a bit more stable, but nevertheless, i'll be contacting Mozilla and ask about an update on their side as well
[09:26:39 AM] Sen: Also I am always here for your help anytime.
so until the next set of WHQL drivers are out in about a week, i'm sporting this sexy theme:
|My System Specs
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These drivers are VERY BETA, use at your own risk! However, I have noticed a slight increase in performance (Versus the 186.18 Drivers) in the Crysis Benchmark as well as the Counter-Strike: Source stress test. I haven't tried 3DMark or any of that jazz yet. DOCUMENTATION FROM THE GURU3D...
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Bit of a single topic this week. Still, some interesting things.
[...] for many, it was liberating to find that, on the web, you could explore your true nature and find fellow travelers without shame.
But as paranoia grows about the NSA reading our emails and Google tapping into our home thermostats, it's increasingly clear that — rather than providing an identity-free playground — the web can just as easily capture and preserve aspects of our identities we would have preferred to keep hidden. What started as a metaphor to describe the complexly interconnected network has come to suggest a spider's sticky trap.
Code is not Literature: An interesting disucssion of the notion of 'reading code', and how 'reading' is really the wrong way to look at it.
It was sometime after that presentation that I finally realized the obvious: code is not literature. We don't read code, we decode it. We examine it. A piece of code is not literature; it is a specimen.
I've always been very curious about the idea of sitting down and reading code, since it's a common exhortation to those trying to improve their skills. However, my brief forays have always been fruitless, largely because I did try to understand the challenge as reading, not examination.
My most successful and rewarding instances of 'reading code' have been delving deep into systems I don't understand with a debugger and a notebook. Debugging problems in code I've never seen before is often a part of my day-to-day, and lately, part of my leisure time too!
On the Matter of Why Bitcoin Matters: An interesting and measured take on bitcoin from Glenn Fleishman.
Bitcoin shows a path for massively more secure, reliable, and sensible ways to store value and move it around. As a currency, I have little faith that it will become a replacement for dollars, euros, or renminbi. As a model for a future payment and transaction system, I believe it's already shown its value.
The CS Mindset: A discussion on why we teach CS, and what we hope students will learn from their CS courses.
With this skill comes something else, something even more important: a discipline of thinking and a clarity of thought that are hard to attain when you learn "how to think more methodically and how to solve problems more effectively" in the abstract or while doing almost any other activity.


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Cameron Loeb
Cameron Choi Loeb has been ardently involved with Only Make Believe since 2012; she has served as the Junior Board president from its formation in early 2017. Her volunteer work for OMB has included: Buddying with the children, and organizing/hosting numerous costume collectives where she leads volunteers through the process of making costumes for the kids which are instrumental in furthering part of OMB's mission, facilitating the children's active participation in their own entertainment .
After graduating from New York's storied Bronx High School of Science, Cameron studied fashion design at London's Central Saint Martins. She currently works as a costume designer for both feature films and television projects. In addition to her many U.S. credits (which include Saturday Night Live, HBO's Girls, and Sleep No More), she has designed internationally for Arab X Factor, Lebanon, as well as for the infamous variety acts staged at The Box in London,.
Cameron currently resides and creates in her hometown of New York City, with her rescued dog (and soulmate) Buddy.
Christina DiStefano
Christina is the Associate Director of Emergency Services at NYU Langone Health. She holds a Bachelor of Arts degree in Health & Societies from the University of Pennsylvania and a Master of Public Health in Healthcare Management from Columbia University's Mailman School of Public Health.
Juliana Lopez
Juliana is an arts professional working in NYC. Graduating from Skidmore College in 2014, Juliana studied Studio Art and Art History, experiencing firsthand the positive power of creative expression. Currently, Juliana works as a Project Manager at Artsy, a tech company focused on making art world accessible to anyone with an internet connection. Juliana is excited to bring her love of art and theater to OMB's Junior Board.
Lee Ford
I am Boston native and a New York resident, working in creative advertising. I believe every child should experience the magic of simply being a child. I am excited to be a part of an orgnization, which makes that a reality for children in need. I am a representative of the PR committee and I am excited to spread OMB far and wide: @leeford_
Rachel Johnson
Rachel is the Administrative Director of programming for Hassenfeld Children's Hospital of New York at NYU Langone Health where she supports development and implementation of key programs in quality, safety, and patient and family experience. Rachel holds a Masters in Health Administration and a Bachelors of Science in Policy Analysis and Management from Cornell University.
Kyle Yoder
Vice President
Kyle Michael Yoder is an artist, scientist, and advocate living in New York City. He holds a degree in Cognitive Science from Yale University, where he completed his thesis research on the psychology and neuroscience of performance and creativity. In addition to his current work as a freelance actor, writer, and director, he is the Artistic Director of Lyra Theater, a theater company dedicated to producing and supporting the next generation of artists in NYC. He also serves as the Founding Executive Director of the Megan Marie Yoder Foundation for Sustainability, a nonprofit that exists to promote environmental and economic sustainability. His sister, Megan, inspires him every day.
Dash Hammerstein
Dash Hammerstein is a prolific musician and composer based in NYC. As well as producing music for video content, he regularly plays live in the city. When he's not engaged in music he can be found biking, cooking and the occasional trip to the cinema.
Kristen Perry
Kristen graduated from Bucknell University in 2013 with a degree in Business Management. She began her career in Finance at the Royal Bank of Scotland (RBS) as a part of their training program, working in both the Investment Banking Division and Fixed Income Sales & Trading. In 2015, Kristen joined Goldman Sachs and currently works on Structured Products Sales desk in Fixed Income Sales & Trading.
Maggie Gremminger
Maggie Gremminger is thrilled to be a member of the OMB Junior Board. Originally from Kansas City, Maggie has embraced the opportunity to align with non-profits that match her passions. While she has participated in numerous theatrical & musical productions in, Maggie currently enjoys her current role on the marketing team of the health food brand, Hilary's. She believes that the kid inside each of us should call upon the power of imagination to better the world around us!
Rachel Schwartz
Rachel Schwartz is an avid theatre fan and awards show aficionado living her dream everyday as the Manager, Special Projects at the American Theatre Wing, which is now celebrating its 100th year as one of the nation's leading arts non-profits. She graduated magna cum laude with a degree in Theatre Arts from Northeastern University and had an illness in childhood that resulted in several hospital stays, making the OMB mission doubly close to her heart. She is a born and raised native Queens resident, Stagedoor Manor alumna, lifelong Yorkie owner, and 1990s nostalgia guru.
Carrie Rooke
Carrie is Senior Director of Operations in Network Integration at NYU Langone Health. She is responsible for managing quality performance for shared savings contracts through two clinically integrated physician networks. Carrie holds a Bachelor of Arts from Dartmouth College, and a Masters of Public Health in Healthcare Management from Yale School of Public Health.
Grace Hammerstein
Grace is a producer in post production in NYC. She is a Skidmore College graduate and has a passion for storytelling. Grace grew up with OMB and is excited to see how it will flourish in the hands of a younger generation!
Lacy Karl
Lacy has been volunteering for Only Make Believe in multiple capacities since 2008. She owns and operates her own event planning company, The Party New York. She currently resides in Manhattan with her husband, Stephen. In her spare time she enjoys, travelling, cheering on The Mets, being a buddy for OMB, and spending time at her home in Greenport, New York.
Molly Sinsheimer
Molly Sinsheimer joins the Only Make Believe junior board with a passion for the arts and a love of theater. Her past work at NBC, Second Stage Theater, Saratoga ArtsFest, and her time at Stagedoor Manor solidified the value she places on creativity. Currently, Molly works at Fueled, a mobile app design & development agency in SoHo. She is a project and accounts manager, helping first time startups and larger brands strategize and develop their digital presence.


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The Reserve Bank of India has imposed a monetary penalty of Rs. 5.00 lakh (Rupees five lakh only) on Adarh Urban Co-operative Bank Limited, Sirohi in exercise of powers vested in it under the provisions of Section 47(A)(1)(b) read with Section 46(4) of the Banking Regulation Act, 1949 (As Applicable to Co-operative Societies), for violating the Know Your Customers (KYC) norms and Anti Money Laundering (AML) directives of Reserve Bank of India.
The Reserve Bank of India had issued a show cause notice to the bank in response to which the bank submitted a written reply. After considering the bank's reply in the matter, the Reserve Bank of India came to the conclusion that the violation was substantiated and warranted imposition of the penalty.


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Nov 2, 2012
Little Ballerina
3 comments:
- AnonymousNovember 2, 2012 at 9:19 PM
I think of you so often and sweet Anna. praying that He will sustain you in this "in-between" time of waiting for the results. thankful for His future grace; He will give you the grace that you need tonight, tomorrow, and every day in the future. much love!ReplyDelete
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Print Management
Print management is not just about buying print as cheaply as possible but about achieving the best possible quality within budget. That means working with clients and their designers to ensure that both the concept and its execution are achievable. At Sleeman Creative we have a long established reputation for delivering the best balance of cost and quality possible.
We achieve this by matching the right supplier to your job, not just trying to make that job fit one company's capabilities. Whether it is digital printing, sheet-fed litho, web-offset, silk screen or specialist finishing we only use top quality producers.
From initial print estimates to the finished product we will oversee every aspect of your job from concept to fulfilment. We press pass all of our work to ensure that the end quality matches our and your clients' expectations.
Our experience is not limited to the UK, but covers Western Europe, Eastern Europe, Scandinavia, Middle and Far East. This includes case bound books, magazines, catalogues, brochures and even packaging.
We also undertake supplier audits, staff training and mediation between you and your suppliers where there is an unresolved problem.


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New registration statistics released by the Kennel Club reveal that the Skye Terrier, which is one of the most vulnerable of Britain's native dog breeds - and more rare than the Giant Panda - has fallen to a record low of just 17 puppy registrations in 2013, as foreign breeds continue to thrive.
The annual registration statistics for 2013, which have been released ahead of Crufts, where more than 200 pedigree breeds will be on show, has seen a 59 percent drop on 2012 registrations for the breed. It is estimated that there are less than 400 of the breed left in this country, making it the rarest of Britain's vulnerable native breeds, alongside the Otterhound.
The Kennel Club's list of vulnerable native breeds monitors those native dog breeds whose numbers are below 300 puppy registrations each year, which is thought to be a suitable level to sustain a population. An 'at watch' list monitors those between 300 and 450 registrations per annum that could be at risk if their numbers continue to fall.
In total there are 25 vulnerable native breeds, including the Cardigan Welsh Corgi, Dandie Dinmont Terrier and Deerhound, and eight 'at watch' breeds, including the Irish Setter and the Pembroke Welsh Corgi.
Sue Breeze, a Kennel Club Assured Breeder of Skye Terriers, who won the Best in Group at Crufts last year, said: "As somebody who adores this breed, I am terrified by this new record low in their numbers. The simple reason that Skye Terriers are in decline is that people don't know they exist. It's that basic.
"We need to find ways that we can protect the breed or they won't be around for future generations to enjoy. Winning Best in Group at Crufts last year led to a lot of enquires about the breed, but there weren't many pups available and we've all been too scared to breed in recent years, for fear of the pups not having homes to go to."
The shift in fashion, from native to foreign breeds, can be seen in the Kennel Club's top ten registered breeds of 2013, with the French Bulldog knocking out long term British favourite, the Cavalier King Charles Spaniel. Registrations of the French Bulldog, owned by the likes of Jonathan Ross, Reese Witherspoon and Hugh Jackman, have increased by 50 percent since 2012, with 6,990 registrations in 2013. This is an increase of over 1,000 percent in the last ten years. Four of the top ten breeds in the UK are now from overseas.
The increase in popularity of foreign breeds comes as the Kennel Club prepares to recognise the Hungarian Puli, Picardy Sheepdog and the Griffon Fauve de Bretagne for the first time, on its Imported Breeds register, taking the number of dog breeds recognised by the Kennel Club to 215. These are three of only five new breeds to be recognised in the past five years.
There are now 138 breeds which have originated overseas since the Kennel Club opened its registers in 1874, when there were just 43 breeds. There will also be two new breeds competing in their own classes at Crufts this year – the Eurasier and the Catalan Sheepdog, which have moved from the Import Register to the Breed Register and so become eligible.
Caroline Kisko, Kennel Club Secretary, said: "The Skye Terrier and other vulnerable breeds, which normally don't register on people's radars, will get much needed profile at Crufts, both in the show rings and the Discover Dogs area.
"Of course, there will be imported and foreign dog breeds celebrated at the event as well – including those that have only just come into the UK – but we want Crufts to help people to remember our forgotten breeds. We register 213 breeds of dog and not just the ten or twenty obvious ones, so people should do their research and find the breed that is truly right for their lifestyle.
"The plight of many of our native breeds is largely down to shifts in fashion and awareness. Some breeds, such as the French Bulldog and the Chihuahua, which have some very high profile owners, are thriving and the Labrador Retriever continues to maintain its top spot on our list of most popular breeds. But many of our oldest breeds simply do not have that profile. People need to ensure that the dog that they choose is right for them and that they go to a responsible breeder."
If people are interested in Skye Terriers they should contact the Kennel Club or the Skye Terrier Breed Club.
25th February 2014
For journalists who would like further press information, images or interview requests click here.
Notes to editors
The Kennel Club
The Kennel Club is the largest organisation in the UK devoted to dog health, welfare and training. Its objective is to ensure that dogs live healthy, happy lives with responsible owners.
It runs the country's largest registration database for both pedigree and crossbreed dogs and the Petlog database, which is the UK's biggest reunification service for microchipped animals. The Kennel Club is accredited by UKAS to certify members of its Assured Breeder Scheme, which is the only scheme in the UK that monitors breeders in order to protect the welfare of puppies and breeding bitches. It also runs the UK's largest dog training programme, the Good Citizen Dog Training Scheme and licenses shows and clubs across a wide range of activities, which help dog owners to bond and enjoy life with their dogs. The Kennel Club runs the world's greatest dog show, Crufts, and the Discover Dogs event at Earls Court, London, which is a fun family day out that educates people about how to buy responsibly and care for their dog.
The Kennel Club invests in welfare campaigns, dog training and education programmes and the Kennel Club Charitable Trust, which supports research into dog diseases and dog welfare charities, including Kennel Club Breed Rescue organisations that re-home dogs throughout the UK. The Kennel Club jointly runs health screening schemes with the British Veterinary Association and through the Charitable Trust, funds the Kennel Club Genetics Centre at the Animal Health Trust, which is at the forefront of pioneering research into dog health. The new Kennel Club Cancer Centre at the Animal Health Trust will contribute to the AHT's well-established cancer research programme, helping to further improve dog health.


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The Heat's 2012 NBA Championship was not only historic for giving LeBron James his first championship. A member of the University of Michigan's Fab Five also finally netted a ring for the first time thanks to Juwan Howard. To celebrate yesterday inside the AAA, Howard dusted off some of his college dance moves and reintroduced the cabbage patch.
Here's the full video of Howard talking about his time at Michigan:
If you're in ADHD mode though, here's the money shot, complete with LeBron and Wade backup moves.
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Howard and his 1991 Michigan teammates, Chris Webber, Jalen Rose, Jimmy King and Ray Jackson, helped redefine the game of college basketball with their style and attitude in probably the closest thing the college hard court saw to what happened on the University of Miami gridiron in the '80s. Though, the team never managed to hoist the trophy, and none of the players slipped a ring on their fingers in their time in the NBA. Well, until now.
Howard's move are nothing new, he also broke them out at his time in Michigan.
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Sand coloured light wear mac with front waterfall cut. Size UK 12.
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David Pack, current Utah National Parks Council Scout Executive and former head of LDS BSA Relations from 2007-2012, made an eloquent argument for camping in the 2012 Ensign, when he said:
"By the second night around the campfire, you have the most teachable, ready-to-learn, ready-to-listen-to-the-Spirit young men you will ever see. You won't see them that way in priesthood meeting or at home or at school or on activity night.As a result, there will be an opportunity around that campfire for testimony bearing and teaching that will sink deep into their hearts and that they will remember for a lifetime." ~ David C. Pack, Why I Love 50 Mile Hikes, Ensign, June 2012
Aside from the spiritual effect of being outdoors, there's another reason that Scouts are "outdoor animals".
We know that Scouting is only effective when it's youth led, and the outdoors provides the perfect environment for practicing youth leadership.
Let me take the monthly campout as an example, and describe some ways that it fulfills the need perfectly:
- Campouts are similar enough from month-to-month for boys to learn and apply lessons from their previous experiences, but different enough that they always present a new challenge.
- The outdoors provides immediate consequences, but typically not long term ones. As a result, mistakes become effective teaching moments, without any permanent impact.
- A weekend campout requires just the right amount of planning for boys to handle.
- A campout has enough moving parts that a youth leader can learn when and how to delegate, but not too many that they are overwhelmed.
- Weekend camps are generally inexpensive enough one per month is achievable with a modest budget.
- A weekend camp requires minimal adult supervision, so the youth can really run the show.
- Weekend camps provide ample opportunity for activities that build confidence and help youth to accomplish hard things.
Author: Mat Greenfield l Council Trainer, Utah National Parks Council
This post was made public on Tuesday, January 15, 2013 at Scouting Liahona under the title, "It's not Scouting without the 'outing'."


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- Home
- Discover Douglasville
- City History Continued
City History Continued
Native Americans
Beginning before recorded history a variety of peoples called this area home, including the Mississippian, Woodland, Creek, and Cherokee Native Americans. In 1734, General Oglethorpe took Creek Native Americans to London as a publicity stunt for the new colony of Georgia. By 1800 the area was primarily settled by Lower Creek and Cherokee: the two groups' continued hostilities caused the U.S. Government to draw a boundary line separating them with the Cherokee on the north and the Creek on the south. It crossed the future railroad approximately one mile east of mid-town Douglasville.
Native American-White relationships had been strained for many years, with savage and abhorrent acts committed by both sides time and again. However, the beginning of the end of widespread Native American
settlements in Georgia occurred in July, 1829 when gold was discovered on Cherokee land. The wild influx of squatters strained the relationships beyond breaking.
Trail of Tears
President Andrew Jackson signed the Indian Removal Act in 1830. It specified that all tribes east of the Mississippi cede all land to the government and vacate by 1836, but many of the Cherokees did not go. In the winter of 1838-39, thirteen thousand Cherokees were forcibly marched west under fearsome conditions. The infamous expulsion of the Cherokee resulted in the death of over 4,000 on the journey.
Douglas County
In 1828, Campbell County was created, with the seat of government being Campbellton on the Chattahoochee River. To reduce the size of the County (a trip to the county seat could take 2 days), the Legislature created Douglas County out of parts of Cobb, Campbell, and Carroll Counties in 1870. An election was held to choose officials and select the new county seat. Although the largest group of voters chose a location at the center of the county, the newly-elected leaders had their own view of the vote, and chose Skint Chestnut near the railroad right-of-way. After a 4-year wrangle, the State Supreme Court ordered that another election be held and the Skint Chestnut location was upheld.
Georgia Western Railroad
The Georgia Western Railroad had purchased and surveyed their right-of-way from Atlanta to Birmingham by 1860. The outbreak of war halted construction, and after bankruptcy and several ownership changes, the newly named Georgia Pacific Railway Company finally began construction in 1881. Regular service to Atlanta began May 15, 1882, and the road to Birmingham was completed in November 1883.
Downtown Douglasville
The core area of downtown Douglasville is listed on the National Register of Historic Places as an historic district; an outstanding example of a turn-of-the-century southern railroad town. The majority of the buildings are one- and two-story brick structures dating from the mid-19th century into the early to mid-20th century. Most are of Victorian era commercial design set flush with the sidewalk. Styles of the buildings include Victorian with details of the Romanesque, Italiante, and Queen Anne periods. Many of the doorways and windows have Gothic arched openings and hooded windows. The dominant landscape feature is the railroad right-of-way running east-to-west through downtown.
While downtown continues to host a diversity of professional, retail, and government functions, the construction of Interstate 20 through Douglasville several miles to the south of downtown drew much of the retail shopping activity into corridors perpendicular to the interstate highway at the locations of exits for state highways 92 and 5. Arbor Place, a 4 million square foot regional mall at the intersection of Interstate 20 and


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Why it Matters: Most districts maintain a positive fund balance, and it is a sign of fiscal distress if the fund balance is negative. Districts typically find it beneficial to keep the fund balance from declining too greatly as this inhibits their ability to cope with unexpected circumstances in either the revenue or expenditure stream. (n057) (o103)
Data Source: The school district financial data comes from two sources. Historic data is provided by downloads from the Michigan Department of Education, Center for Educational Performance and Information (CEPI) Financial Information Database (FID). Future data is loaded by the respective school district financial department. (n040)


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I had such an amazing experience getting my haircut at SFNY that I had to write a post talking more about it.I was introduced to SFNY through a newsletter email and I became curious to try it right away. The salon is a new concept created by the celebrity stylist Scott Yance. He created SFNY with the goal to offer a more private, enjoyable and worthwhile experience. He works only with appointments, and the service is completely exclusive.
Before I went to the salon, I was already impressed by the care of the SFNY's team when their concierge emailed me asking my food and beverage preferences, and also offering assistance arranging my trip to the salon. When I arrived at the salon, I was warmly welcomed by Scott who is so incredibly nice and attentive! He gave me a little tour at the luxurious workspace, and then he sat with me and we talked about my hair. However, he was also interested in getting to know me and our conversation made me very comfortable, which made me relax and trust him to cut my hair – instead of my usual little nervous.
At the end, I was extremely happy with my haircut and I also left the salon in such a great mood! Not just because my hair looked great, but it was such a chill and fun time hanging out with Scott. I felt like I was with a friend, catching up and having a good time. I definitely recommend SFNY and will be coming back.


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I am a realist, also known as a pessimist. My worst-case scenarios dress themselves as facts of reality so I listen to them. But by the grace of God, I married an optimist. I fell in love with a man who can find a sunny disposition in the most thunderstorm cloud of circumstances and this has been God's way of building my character.
We work together, create together, walk through messes and successes together. At our lowest points, I have been fraught with worry and fear. He will join me there for a few minutes and then he will make a joke, do a dance or offer to pick up donuts.
At our highest points, I have been nitpicky about all of the details that could have gone better and will mentally move on to the next thing without taking the proper amount of time to revel in a present good moment. He will laugh, smile until his cheeks hurt, and suggest we do something to celebrate until I have no choice but to give in.
This made me wonder why I can't just be happy sometimes. Why is my good never good enough to me? Why am I always looking for a way to raise my already unrealistic expectations for myself? What's up with that?
Having Matt in my life is teaching me to go ahead and get happy. To remember, I've been tormented with love so long, experienced plenty of heartbreak. To remind myself, I'm just a human being with flaws and imperfections and that doesn't make me unworthy of love.
I don't know if that little girl of divorced parents needs permission to go ahead and get happy or what. I don't know if all the years I spent trying to integrate myself into the lives of people I wanted to love me, made me feel like there was some bar just a couple of feet shy of my reach and that I would never meet up to its standard.
Experiencing hard times is the lot of every human being, but this doesn't mean that I can't shush my realist/pessimist brain when necessary and enjoy the good times when they come. Life will bring plenty of hurts, but I will also experience many great firsts, opportunities to laugh and smile until my cheeks hurt.
I think God wants me to go ahead and get happy. Just because I'm a full-fledged grown adult doesn't mean I don't need God to show me I'm okay, to be my dad, to prove to me that I don't have to keep chasing this unrealistic bar, to show me he's proud of me, pleased with me, to depend on him to teach me how to simply be myself and be content with that.
So before I critique myself or other people, I'm learning to take the time to be thankful, to say thank God I made it. To say thank you to this amazing Jesus I've given my life to. I don't have to try so hard to be an insider. I don't have to press my cheeks up against the window of someone else's family, cool kids table, home.
I have home with God, in conversations with friends, in the love of family, and in my own soul. When I remember this, I feel less of a need to prove myself. I can finally stop trying to figure out what's wrong with me and just live, love, and enjoy being loved.
My daily realist/pessimist prayer is that God would help me to lean on his grace and learn to go ahead and get happy.


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Welcome to Redialled.com
Clean and Clear information
Clean and Clear information
Having a tow bar, fitted to the back of your vehicle is useful for towing with your vehicle. When you compare the cost of a tow bar with that of a tow dolly, in most cases it is cheaper. With the help of a tow bar, you can connect and reconnect for towing the vehicle easily and quickly. The towing methods you should use mainly depend upon the weight of your vehicle. This means that a tow bar can be advantageously used to pull all types of vehicles from trailer to caravans and all other types of vehicles. Since towbars are highly useful, more and more people have started using them.
If you have a tow bar in your vehicle, such as one from Speedy Towbar, you can tow a newly purchased used vehicle home conveniently. But, while buying a tow bar, you should check if it fits your vehicle perfectly. You should also ensure to check whether the tow bar you buy comes with a guarantee period. If you buy it from a reputed dealer, you can be sure that it will be of a high quality. The elements of a tow bar are the tow bar, safety cable set, tow bar wiring, base plate kit, etc.
There are several types of tow bars such as Swan neck tow bar, Flange type tow bar, detachable tow bar, etc. While attaching a tow bar to your vehicle, you should be careful. It should be very carefully plugged in. It should also be plugged in on a smooth surface. There should be two people while handling a self-aligning tow bar. This is because it has to be set up and fitted perfectly. When you travel, you should check if the accessories of a tow bar are with you. Another advantage of towing a vehicle is that you make a saving on gas also.
Tow bars Gold Coast are made of ridged bars that are molded (read more about Towbars available on the Gold Coast here http://speedytowbars.com.au/towbars.html). One end should be attached to the bumper of the vehicle. The other end is connected to the ball hitch. Before using it, you should check whether it is in a good condition. For towing vehicles, it is not enough if you have an ordinary vehicle license. You should pass another driving test if you want to tow a vehicle using towbars Brisbane. If you're located in Brisbane, and in need of a towbar, http://speedytowbars.com.au/towbars/ are know to provide a pretty good service. When you go on a long trip or are touring in a far-off place, you will find these Brisbane towbars highly useful. When you have a tow bar with you, you can use it for towing another vehicle by attaching it at the back of your vehicle. If your vehicle has to be towed, you should attach the tow bar on the front side of your vehicle and tow it.
Experts suggest that you should have a solid stabilizer along with your tow bar. This stabilizer will help to regulate the movement at the point of articulation. Your trailer will not "snake" if this stabilizer is used. For reducing the instability of the trailer, you can also take another step. You should ensure to distribute the weight of the trailer's load above the axle. This means that the weight of the trailer's load is distributed over the central area.


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Join Australia's largest independent design and innovation consultancy for a one-day immersive bootcamp where you will learn both the theory and the practical tools to bring your ideas innovation to life.
Taught by Customer Led Innovation and Design experts, Jodie Moule and Cordelia Hewitt of Symplicit, the workshop will teach you key skills in turning research into insights, insights into ideas and then how to bring your ideas to life so you can test and learn early to help justify implementation. The bootcamp will demystify design thinking, whilst teaching creativity as a professional capability.
Because of the collaborative, practical approach we take, this bootcamp is useful for marketeers, brand strategists, consultants, project managers, or senior executives who want to create impactful change in their organisation. The bootcamp guides participants through the evolution in creation and iteration using a case study approach to explore unique problem spaces in service, organisational, and product design.
The goal is to arrive at some solid design options while creating a shared understanding across the team. You will also learn the hands-on techniques to make attendees successful at introducing Customer Led Innovation principles and strategies into your organisation – helping you create a framework for ongoing success.


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Personal coaching for healthy food- and lifestyle habits
Fields with an asterisk (*) are mandatory.
To take part in the Smarter pregnancy research you can sign up with your smartphone, PC, tablet or Laptop. This can be done anywhere at any time, and only takes a few minutes.
Fill in your personal details and study ID code, which can be found on your consent form.
To complete your registration you will have to have read the patient information leaflet and have signed the consent form with your Health Visitor.
Once you have agreed to take part in the study you can register to the Smarter Pregnancy programme in the health centre. You can also log in and register from your smart phone, tablet, laptop or computer.
For this research we will also ask you if you would like to take part in a short interview at the end of the study. This is optional and you will be given a thank you gift if you do take part.
After activation you will fill out the screening questions, and then will be registered to take part in the Smarter Pregnancy programme, which lasts for 6 months. You will be emailed when you need to fill in the questions.
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Terms and conditions
The Erasmus MC provides information and services through different communication methods. The Erasmus MC has certain details of you in case you want to make use of these. The Erasmus MC uses your details carefully. The processing of details complies with the law and regulations that is applicable to the protection of personal data, including the law on personal data protection. The employees of Erasmus MC, who use your data, are bounded to professional secrets as described in article 457 of book 7 of the Civil code.
Erasmus MC will not share personal details with third parties, unless lawful obligation exists, but even so your express permission has to be given. In privacy declaration, information is given about which details get registered and their use. To be clear a differentiation is made between personal, visitors, screening and coaching data..
Personal details
In some cases we will ask for your personal details during our services. Following data will be used per example a name, address, e-mail address and date of birth.
Personal details get destroyed
Your personal details will get destroyed:
Visitors details
While participating in the Smarter Pregnancy programme visitors details will be registered. These include for example date of registration for your membership, duration that you are logged in, online behaviour, IP-addresses and URL's can be used for:
Screening and coaching details
Users instructions
Smarter Pregnancy contains questionnaires with personal details of the male and female partners.. As user you are made aware to be careful with these questionnaires and filled in details. The basic details of Erasmus MC are not to be distributed, used or copied without written permission of Erasmus MC. Besides usernames and passwords which are being used to access the programme www.slimmerzwanger.nl are to be kept a secret. When the user notices any irregularities in using the content of www.slimmerzwanger.nl , is the user asked to immediately notify firstname.lastname@example.com.
We would like the point out that the wife has to fill in the first screening within 2 weeks, if not the membership will expire. Furthermore it is important to know that screenings, of which you will be notified, on the following weeks 6,12,18 and 24 are preferable to be filled in immediately. Only after filling these in can the coaching programme continue.
I have read the information on the programme on the website and I understand what the programme includes.
We make use of cookies to access parts of the programme that are only accessible for users. These are only used to control access and to simplify the use of the programme.You can install your browser to block cookies or to give you a warning when cookies are being made.
I would like to sign up for the Smarter Pregnancy programme and I accept their terms and conditions.
Thank you for registering with Smarter Pregnancy, do let us know if you have any comments regarding the study.
ErasmusMC developed the self-help programme Smarter Pregnancy, to allow those planning a pregnancy to improve their diet and lifestyle for their child. This is relevant both before and during the pregnancy.
Having a healthy child is what is desired by many couples. Unfortunately 80% of people have an unhealthy diet and lifestyle. This is bad for fertility, pregnancy and health of your baby.
The programme consists of a screening stage via the website and personal coaching through SMS and E-mail on your mobile phone, in your own time and accessible from anywhere.
You will receive seasonal recipes to help you to eat healthy, varied and delicious food.
Being healthy before conception can help to keep you healthy during pregnancy
Check with your health care provider which vitamins and nutrients are best for you whilst trying to get pregnant


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GraphicRiver Hands Holding Poster 10019195
Stock Vector \ Characters \ People
Advertise \ Promotion \ Holding \ Cardboard \ Poster \ WhiteHands \ Presentation
Stock Vector - Hands Holding Poster 10019195 by macrovector @ GraphicRiver
Stock Vector \ Characters \ People
Hands holding cardboard advertise promotion poster realistic vector illustration. Editable EPS and Render in JPG format
Layered: No; Graphics Files Included: JPG Image, Vector EPS; Minimum Adobe CS Version: CS.
Cinema Poster Illustration; Scales Icons; Family Icons; Social Doodle Like; Creative Background with Dartboard; Documentation Concept Flat; Veterinary Icon Flat.
Keywords: advertise, advertisement, announcement, billboard, blank, border, business, card, commerce, commercial, communication, copyspace, display, document, empty, finger, hold, idea, information, letter, message, minimal, office, page, person, presentation, presenting, promotion, show, white.