text:
MTA Chairman: 'You Deal With A Free Speech Issue With More Free Speech'
CBS New York | September 27, 2012 3:20 PM
NEW YORK (CBSNewYork) – The Metropolitan Transportation Authority has announced a new disclaimer policy for controversial issue advertisements, just a week after losing a court battle to block one such advertisement.
The MTA had refused to run ads that compared Muslims to savages but a federal judge ruled against the agency, arguing that it would violate the First Amendment.
In response to the Jihad ad, a non-profit Christian group has announced it purchased advertising space in the New York City subway system for its "Love Your Muslim Neighbors" campaign.
Those ads are already running in several hotspots for religious tension across the country, according to the group Sojourners.
In a statement explaining the ad campaign, Sojourners president and CEO Rev. Jim Wallis said "when Jesus said, 'love your neighbor as yourself' he didn't add stipulations. He didn't offer any extra addendums or added qualifiers. Christians around the world need to put that into action as often as we can, especially where we see hatred like this."
The group has already placed the ads in Missouri, Tennessee and Wisconsin.


text:
Hassan, David (2011) The Social and Cultural Management of Sport: Contemporary Arguments Concerning the Case for Specificity. In: Managing Sport Business An Introduction. Routledge, London, pp. 24-44. ISBN 978-0-415-57028-2 [Book section]
Full text not available from this repository.
|Item Type:
|Book section
|Faculties and Schools:
|Faculty of Life and Health Sciences > School of Sport
Faculty of Life and Health Sciences
|Research Institutes and Groups:
|Sport and Exercise Sciences Research Institute > Centre for Sport in Society
Sport and Exercise Sciences Research Institute
|ID Code:
|Deposited By:
|Professor David Hassan
|Deposited On:
|09 Aug 2011 15:21
|Last Modified:
|09 Aug 2011 15:21
Repository Staff Only: item control page

subset: commoncrawl


text:
Albert is the simplest UK mobile invoicing and expensing app used by thousands of freelancers who find accounting software overly complex, and paper and spreadsheets too unorganised.
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Step 1. Your Client Freelancer uses Albert for their invoicing and expensing.
Step 2. They share their data with you from the app in one simple button tap.
Step 3. You receive an email with a Xero-compatible CSV file and a link to the invoice files.
Step 4. You can import the CSV file into your accounting software.
Step 5. Let your client send his data a few times per year to reduce your last-minute year-end work peaks.
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1. Download from the Apple App Store with this link:
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Want to hear more?
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text:
How Making Thrive Helped My Own Grieving Process/
When Toby from Zest approached me to be in Thrive, he knew the project would be close to home. Thrive was going to be about trauma, how it affects us and how to journey through it. At the time myself and my brother were looking after my mum who was sick with Cancer at home. I told him my mum was my top priority and I will let him know when I can. He would always check in on me and my family and never pressured me to do the show. Toby texted me on my birthday wishing me a happy birthday and sending his wishes and love to my mum. Unfortunately, the day after my mum passed away. A few days after I rang my Agent and Toby telling them I won't be discussing my acting options for a bit and I went into my mourning stage. Every day got harder. Every hour I'd want to cry. When the funeral passed I realised I can't just sit at home and do nothing. Mum always pushed me into doing what it is that I love and to never give up. So I picked up my phone rang Toby and said "I'm Ready!"
The research and development process of making the show really helped me face the death of my mum head on. At times it was really upsetting and one session I just burst out into tears and had to leave the room for a bit. Looking back on it now it really did help. I'm yet to thank everyone individually who was a part of the project for helping me. It's weird because, in all honesty, they treated me like a normal person, not like someone who just lost their mum and that really helped. Dan and Claire, who play Ashleigh and Ollie, lived with me during the R&D and they made it clear they'll be there to talk to me if I ever wanted to vent out. So I guess in writing I can say "Thank you to everyone who is apart of the Thrive project - I honestly have so much love for you all."
During this time period, Toby asked us to bring in items that meant something to us or that we would like to feature in the show. I brought in a Rubik's Cube that belonged to my mum. It became a major factor to the play for my character and the story itself. I read somewhere that it is almost impossible to even list a Rubik's Cube's list of moves. I think the same can apply to life. Our life is a result from the choices we make or decisions we are influenced into doing. Same with a Rubik's Cube. We turn the squares because we want to fix it. Not only do we want to fix it but we want it done quickly! - That is what I believe to be our biggest problem in life. We all want that quick fix. Patience is what we need in life and the Rubik's Cube taught me that. Each face has a new obstacle, each turn has a new challenge and when you think you're nearly there it takes you out of your comfort zone. Who ever said you can't feel down or messed up some days? I believe it's about embracing everything that is thrown in front of you, face it head on then live and learn for the future.
I believe everyone is different and unfortunately there isn't a step by step guide In how to deal with bereavement, but for me working on Thrive was a big part of it. In order to move forward you have to step back and honestly look at your options. Decide what it is you want from life, never forget the person/s you have lost and try to make them proud, but also make yourself proud! It might seem silly but it's okay to cry. I personally hate to show that I'm upset, but never feel ashamed that you are upset about negative experiences and loss, you have every right to be. I can feel myself getting upset as I write this, but the thought of my mum looking down on me and knowing I'm doing what I love gives me a warm feeling inside.
I really hope the audience can take away these real life feelings that Thrive shows us. It doesn't say everything is going to be fine and it definitely doesn't say everything will be terrible. But what I get from it, and I hope the audience can also get, is the true sense of belief! Believing that your dreams can come true. Pushing for more in life and not sitting back. Knowing that you yourself are unique. Never forgetting the people we have lost or the struggle we have been through, but to take all that in and Thrive on life.
I never went looking for specific help after my mum died but there is so much out there. Everyone is different and you have to find what is right for you. In our show the characters go and see Psychologist. This is one of many ways in which you can get help. Also, I believe this show can really help. It can definitely make you believe again, or even push you harder to what you want in life! Yes, parts of the play are upsetting, but like real life, parts of the show are also hilarious! It has that clever twist in emotions where in the end.......
Well, I guess you'll have to come see it :)


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After Charlottesville, Six Specific Conversational Strategies when Talking to Racism Deniers.
The recent tragedy in Charlottesville underscores the fact that now is the right time to change the race conversation by broadening it to include more white-on-white discourse. The only way that the 57% of whites who don't think racism against people of color is real will change their minds is if the other 43% of whites starts talking to them more effectively. These white-on-white conversations have more potential for moving racism deniers and skeptics because such exchanges are less effected by the racial anxiety inherent in cross-racial encounters. But how does a white ally make sure such conversations are productive?
The good news is that people who study the art of persuasion and dialogue have well-known principles about how make headway in expanding someone's viewpoint. These dialogue strategies are no guarantee, but they tend to do much better than the more common approach of simply repeating well-worn arguments loudly and passionately.
Guidelines for making progress with someone who doubts that racism is real:
1. Don't expect immediate conversions.
Think of yourself as involved in a multi-staged conversation campaign. Your goal is to keep the skeptic engaged in conversation so that, over time, you can help them discover that they have been in denial about the reality of racism. It's a marathon, not a sprint.
2. Don't argue with them.
Beliefs, especially about deep-seated issues like race, are like well-defended castles. Arguing only raises the drawbridges, excites the alligators in the moats, and puts the archers on the turrets. You need to take steps so that your skeptic relaxes and accepts that they are on a journey of discovery.
3. Be curious about their perspective.
Ask questions about their opinions, and be prepared to listen with no apparent judgement, even though this can be difficult. Most important, shift the focus from their opinions to the personal experiences that have shaped their opinions.
4. Connect and align with them by relating an experience that affirms their view.
Focus on building rapport and creating a sense of connectedness. After they tell an experience that animates their beliefs, offer an experience of yours that tends to confirm some piece (however small) of what they believe.
5. Introduce another perspective by relating an experience that challenges their view.
After you have affirmed their perspective with a supporting story of your own, offer another experience that leads to a different conclusion, specifically that racism is real and creates complexities.
6. Bring some facts to bear….at the right time.
Much later — probably even on different day — bring "objective facts" into the conversation. Bringing up too many facts too early will likely cause them to dismiss your facts as "fake news."
Using these guidelines is very different than the "spit the truth and drop the mic" approach to talking about racism that white allies often indulge in. These rhetorically sharp approaches rarely open the mind of racism skeptics.
How does this apply to right now?
To support the immediate opportunity to talk about Charlottesville we have created two conversational maps that white allies can use to guide exchanges with other whites who tend to deny that racism exists. (One of the guides is below, and an even more challenging one is on www.whiteallytoolkit.com.)
Conversation Guide:
Times When You Thought Another White Person's Views on Race Were Troubling
1. Recall 1–2 times when you had an encounter with a white person whose views on race were so bad that the racism skeptic you are talking to would also find them to be a problem.
a. Rehearse your stories out loud beforehand so they come out smoothly.
b. Figure out what it takes to get yourself in a non-judgmental listening mode. Do it.
c. Initiate the conversation.
d. Express regret about Charlottesville in terms of it being sad that Americans who care about their nation's future would be fighting and killing each other in the streets.
2. Raise the possibility that each of you may know others whose views on race you don't like, and that is it can be hard to know what to do when this becomes clear.
3. Ask them if they can think of a time when they learned a white person had bigoted views on race that troubled them.
4. Get them to talk about what they learned and did or said in response.
5. Tell a brief story about you having a similar experience.
6. Convey your misgivings about how to handle the fact that sometimes other whites have views on race that tend to undermine the America ideals of equality, fairness, and/or equity (use whichever of these admittedly different terms will least challenge them).
7. Ask for their perspective about what people should do to balance the need to create an inclusive America with the fact that everyone can have their own views.
8. Express appreciation for the conversation and your interest in talking further at some other point.
We think that white allies should look at engaging racism skeptics in their spheres of influence as an important part of anti-racism work; this work is too often avoided. We know that engaging people in this way is different and difficult but can yield significant and positive results. Our hope is that you try this conversational strategy with racism skeptics one-on-one, do some thinking about how well it worked, and report back to an on-line or in-person learning community of other white allies who are trying to engage racism skeptics so that minds are eventually changed.
Good luck!
Dr. David Campt and Rev. Ngozi Robinson are leaders of the White Ally Toolkit, a project dedicated to helping white people be anti-racist allies that have more effective conversations with people in their circle of influence who don't think racism against persons of color is a significant national problem. To learn more about the approaches to using findings from persuasion science to make dialogues with racism skeptics more effective, go to project Facebook page @whiteallytoolkit or the project website: whiteallytoolkit.com.


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Andy Murray routs Roger Federer for Olympic gold
Issued on: Modified:
Andy Murray beat Switzerland's Roger Federer to claim Olympic gold in the men's singles tennis on Sunday, winning 6-2, 6-1, 6-4. The victory was welcome relief for the Brit, who has lost three Grand Slam finals against Federer.
AP - Roger Federer settled for silver when he lost in his first Olympic singles final against Andy Murray, who had Centre Court at Wimbledon rocking Sunday as he won a gold for the home team.
The result was a royal rout. Murray swept nine consecutive games, breaking Federer's serve four times in a row, and won 6-2, 6-1, 6-4.
The victory marked a breakthrough for the Scotsman, who has lost all four of his Grand Slam finals, three against Federer.
For Federer, the drubbing marked another Olympic disappointment. Playing in the games for the fourth time, he sought a victory to complete a career Golden Slam but still earned his first singles medal.
From the start, there was no doubting fans' loyalty. Fans waved Union Jacks throughout.


text: In the hustle and bustle of wedding season, it was so much fun to take portraits for this sweet little family of three. Their beautiful, curly-haired 13 month old stole the show! Her mama initially scheduled this milestone session to document her daughter turning one. My own daughter is 4 now, and while I'm loving this age, I do miss the days of pudgy arms and heavy cheeks. My own daughter's first year of life was simultaneously the longest and shortest year I've ever experienced. Nothing makes me happier than when clients make it a priority to document this fleeting time. Because let me tell you, those arms will grow long and lean, and those baby cheeks will thin. I hope that for this mama, these photos will always take her right back to this moment in time.


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11x14 "The Golden Lyre"
sold out
11x14 "The Golden Lyre"
This artwork, based off of Annie Stegg Gerard's original oil painting "The Golden Lyre", is professionally printed on a heavy stock semi gloss card stock paper.
Paper Size: 11x14
Image Size: 11x14
The artwork comes packaged in a re-sealable clear plastic sleeve, and is shipped in a cardboard photo mailer. The image is signed by Annie Stegg Gerard.
Please do not hesitate to contact us for any questions or special requests♥
Add To Cart


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If you want people to pay attention to you in this very busy, loud and overwhelming world then there is one thing you need to make sure you always do - PROVIDE VALUE.
People will only make time for things they really WANT, so it's your job to understand your audience enough to have figured out what they want.
Can you describe your audience? Every audience is different and you need to take the time to really figure out who your audience is. Understanding who makes up that audience, what they like, what they don't like and what they would like from you is critical in creating the kind of content that can help you build relationships that turn your audience into customers.
Once you've figured that out, creating and sharing content that can connect with your audience becomes a lot easier.
Not every audience is looking for the same kind of information. Make sure that everything you share has some kind of connection back to who you are and who your audience is.
Think about why they followed you in the first place. What would people expect the content to look like coming from your brand? Make sure your content doesn't go too far off from that.
Things that people value tend to fall into three main categories:
- You're teaching them something,
- You're entertaining them, or
- You're giving them tools and knowledge.
Nobody likes to follow a brand that is only trying to sell to them. That's valuable to the brand, not to the audience. Make sure that you're giving your audience something they want or can use so that when you do post some sales posts - and you definitely should - they think so highly of you they're far more inclined to buy.
People don't want information that has nothing to do with them or that they can't relate to.
- If your main audience is young women about to get married, interesting articles about retirement doesn't make sense.
- If your main audience is men who want to home brew their own beer, then funny cartoons about being a new mom doesn't make sense.
- If you promised tips and tricks to help them do something better, just sharing things you're selling isn't going to convince them of anything other than that you're pushy and too sales-y.
- If you sell hammers, make sure that you talk about the hammers, and the things you can do with the hammers.
Where and how do they want to receive information?
Where do your people like to hang out? If they're on Instagram, creating podcasts is never going to work well for them. If they're on YouTube, they want video, so you want to make sure you're creating video.
If they love really clean design you're going to be creating different things than if they really like stories. The more you understand what format they like to receive content in, what they want to know, and where they want to receive it, the more likely your content will hit the mark and connect with them.
Spend some time thinking about your content and what you're giving to your audience that they would value. Then share some examples (good and bad) of what you've seen or done that relates to giving an audience value in the comments.
If you'd like help finding ways to share content online so people are ready to pay attention, come and join my free Facebook Group - The Biz Studio Community. There's a free cheat sheet in the files section with templates to use to highlight the benefit and value of your content when you share it (because even more than providing valuable content, you need to also make sure you're telling people what you're sharing and how it's valuable).


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What comes to mind when you think of Valentine's Day? There are so many perspectives! Some of us go all out with treats and decorations, while others of us attend Singles Awareness Day parties. Some of us are disinterested in the commercialization of love, and others find it charming to dedicate a whole day to the idea.
Whatever your thoughts on Valentine's Day, I am challenging you to take another perspective. What if you could decide it was a day to practice self-love? What if you declared a cease-fire on all that negative self-talk? What if you stopped the hustle, and allowed yourself to just be where you are?
It might feel self-indulgent, decadent even, to take this time just for yourself. But, a gentle reminder: you cannot give to others what you yourself do not have. If you truly want to give love to others, you must first love yourself.
5 ways to love yourself on Valentine's Day
1. Take yourself out on a date! This is so important, regardless of your relationship status. Really sit down and think about what you'd like to do- what makes you feel fully alive? What do you value? For example, my idea of a great self-date is going over to the Minneapolis Institute of Art and then having coffee at Spyhouse. Just thinking about it makes me excited!
2. Give yourself permission to re-evaluate some friendships. Some people come into our lives for seasons, and others are around longer. Are you holding onto some friendships just for the sake of longevity? If a relationship is toxic (read: you feel worse after spending time with this person), it's time to take a good long look at your reasons for staying.
3. Practice yoga! It's no secret that yoga is wonderful for your mind and body. But sometimes it can feel painful to be in savasana when that to-do list is racing through your mind. Lean into that discomfort. Notice what feelings emerge. Allow yourself to tend to your mind and body during a solo yoga practice.
Maybe you're not exactly feeling the love this Valentine's Day. Try this lovely sequence by Yoga with Adriene:
4. Write down your thoughts. Even a few moments of journaling can be eye-opening. The act of putting your thoughts down on paper forces you to slow down. This way you can really notice the quality of your thought life. Is your inner voice is more critical or compassionate?
5. Start prioritizing your mental health and make an appointment with a counselor. You don't need to be experiencing a crisis to benefit from counseling. Think of it like preventive maintenance, or going in for an annual physical!


text:
Meet Maganizo - a small town boy who makes it big in the international development, health, and IT world. We were pretty enthralled by his origin story and wanted to share it with you as well. Enjoy!
Why should we care about data in global development? What does data-driven decision-making really look like? Meet Marty, from the Bill & Melinda Gates Foundation. He has some pretty solid ideas on how we can change the way global health programs work.
Think data is boring? Check out the lighter side of how data is making an impact in people's lives around the world. Each week Cooper/Smith staff will talk with movers and shakers in global development about the future of data and how to make sense of the mounting datademic.
This episode features origin stories of the Cooper/Smith staff, why we wanted to make a podcast in the first place, and our sometimes comical approach to getting it done. For more insights, follow us on twitter, Facebook, and Instagram with @coopersmithorg. Thanks!


text:
Regular price
• Materials: .925 Sterling Silver, Desert Tortoise Variscite • Size: 8 with wide band • Dimensions: Ring Face - 2.125 x 1.125 in.
*Wide bands tend to fit a bit more snug, so I recommend going up by a 1/2 size. For example: if you usually wear a size 7, go with a 7.5.
Rings can be sized UP 1/4 or 1/2 size free of charge. Simply include this request in the notes at checkout. To resize any larger than 1/2 size or for a smaller size, purchase of the Ring Resizing Fee along with the ring you wish to resize is required at checkout.
One of a kind. Ethically handmade.


text:
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Our offers vary but are typically between 25 and 70 times the monthly income generated by your oil and gas properties, dependent upon certain evaluation parameters and diligence conclusions. Prior to us mailing hand selected letters of interest, UNI Royalties has a geological team, which develops a decline curve analysis based on historical production for each producing unit that we offer to purchase. Our Analysis allows UNI Royalties to easily determine the value of each oil and gas royalty owner's interest and make a fair bid whether the interest is large or small. We make a market in both producing and non-producing Mineral, Royalty and Overriding Royalty interests in properties nationwide. Our goal is to offer a fair market price and provide an easy means for owners to liquidate their Oil & Gas Royalty Interests using Current Commodity Pricing.


text:
Rudolph Rassendyll, Rudolf V's identical distant cousin, is asked to risk his life and impersonate the would-be king when his relative is kidnapped before his impending coronation. If Rudolf V isn't present at the ceremony, he will forefit the crown to his younger brother. Complications ensue when Princess Flavia, the cousin's betrothed, begins to notice a "personailty change" in her fiance.
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10 years earlier 10 years later 80s 90s action Adaptation adventure aliens Animation Based on Animated Series based on book based on comic based on comic book based on tv series Based on video game batman biopic Book christmas comedy comic adaptation comic book crime Crossover DC DC Comics Disney drama epic family fantasy Game History horror Idea-for-TV kids Live Action live-action martial arts Marvel Marvel Comics Music Musical mystery reboot remake romance Sci Fi sci-fi science fiction scifi Sequel Spy Superhero supervillain suspense teens thriller videogame adaptation war western


text:
Hearing Room 2 | 4:45pm–6:00pm
Presented By: Zone Books
What does finance capital have to do with democracy? This conversation between Ivan Ascher and Wendy Brown will explore how capitalism has changed in recent decades, and what the effects are on principles and practices of freedom, equality and popular sovereignty. Is there any hope for democratic renewal in a world dominated by finance and its imperatives? How might we need to think beyond Marx, and beyond democracy, both to grasp our present and to envision more just and sustainable futures for humanity and the planet?
IVAN ASCHER teaches political theory at the University of Wisconsin, Milwaukee. He is the recent author of The Portfolio Society: On the Capitalist Mode of Prediction (Zone Books, 2016).
WENDY BROWN teaches political theory at the University of California, Berkeley. She is the recent author of Undoing the Demos: Neoliberalism's Stealth Revolution (Zone Books, 2015).


text:
the future of libraries in the digital age
Members: 196
Latest Activity: Jan 31, 2018
Started by Robyn Case. Last reply by Nicole Collins Oct 15, 2013.
Started by Lanto Rak. Last reply by Diane Greiner Oct 31, 2012.
Started by Farid Bazmi Dec 1, 2011.
This year I've added a Virtual Learning Commons site and am encouraging teachers to use it as an online space for collaborative learning. I want to learn to better format pages to improve the appeal and functionality of the VLC. Hope to learn how to improve by participating online to the precoference or Library 2.013 conference.
Can anyone suggest resources on how to write a libguide? I have been asked to assist with writing and am not sure where to begin.
Has anyone done a comparison between Follett, Mackin and B&T for their ebook shelves? I am thinking I need to do that soon and compare them with GVL and OverDrive. Still not sure which way to go for Fic and NF digital/audio content.
I will compare price, content, supported devices, single/multiple checkouts, website ease of use, appealing to end-user, compatibility with catalog, hosting fees, grade levels...any other suggestions?
Here's the link I found it on. Thanks, Elizabeth.
Christine, What is Libra? Can you give us the website? I tried to google it but without the address, I'm just getting a bunch of sites about astrology. Thanks!
Hello...has anyone used Libra? I'm looking to import an excel spreadsheet (videos used by teachers) to this nice FREE site.


text:
Divya Music School offers DM Live Core - Online Violin Training Lessons from best Violin Gurus - top rated Violin teachers in India for learning to play Violin musical instrument.
The flexible online music classes with Violin playing online instrumental music lessons facilitated on Skype is the best option for learning Indian Violin at home, offering affordability and convenience to the Violin instrumental music students all over the world.
Divya school of music offering DM Live core online music lessons is promoted by the top music school in India - Divya sangeet (music) vidhyalaya, as the best sangit - online international music education center in India conducting Violin learning hobby lessons for the global music students.
Divya Music Center:
B - 360, Vasant Kunj Enclave, New Delhi - 110 070, India
Website: http://www.musiclessonsonline.in
Email Us On: email@example.com, email@example.com
Mobile Number: +91 90131 21421
Phone Number: +91 11 6565 2377
Fax Number: +91 11 2612 5677


text:
Bill Hibbard wrote:
To create your own scene graph depiction, you need to at least apply the scaling of the ScalarMaps. And if any CoordinateSystems are involved, you also need to apply their coordinate transforms. I strongly suggest building your wire frame as a Gridded3DSet with manifold dimension = 1. Bill
hi Bill,i tryed out your suggestion with the Gridded3DSet. The problem is, that what i get is totaly different from what i need. The data have a structure (given by the connecting list), that have to be exactly displayed on the screen. So the question is how to get the scaling from the ScalarMap? I can't find any method to get the scaling. I tryed out the getMatrix() method from the ProjectionControl, but the result is also wrong. Can you explain me how to get the scaling?
visad archives:


text:
CASTLETON, Vt. – Hosting New England Hockey Conference quarterfinal action for the third consecutive year, the Castleton University women's ice hockey has been tabbed the three-seed to start the league tournament. The Spartans will face the No. 6 the University of Southern Maine in a rematch of the regular-season finale from a week ago.
During that game, Castleton picked up a goal in the first period before blowing the contest open in the middle frame. Three scores by Chanel Tvergyak, Ali Stevens and Maeghan Vasile, respectively, followed up Lisa Kilroy's first-period score.
Kilroy and Stevens continue to lead the Spartans, racking up 10 goals apiece as well as 16 and 19 points in order. Joining them are Aimee Briand and Hannah Rose with 37 combined points thus far.
Between the pipes, Alexis Kalm picked up her record-breaking fifth shutout of the 2017-18 season against Southern Maine. Following a slow start to the season, Kalm has been close to unconscious over her past 12 appearances. To this point the sophomore has a .918 save percentage and a 2.23 goals-against average.
Earlier in the season, the Spartans picked up a 4-1 victory and paired with their 4-0 win from last weekend, earned the season series sweep over the Huskies.
Leading offensively for Southern Maine are Julia Ormsby and Rylie Binette. The junior (13) and freshman (11), respectively, have combined (24) for nearly one-third of the team's 70 points scored.
Defensively, Whitney Padgett and Britney Evangelista have split time in the goal with the latter putting up a higher save percentage, while Padgett has a lower goals-against average.
Elsewhere in NEHC quarterfinal action, No. 2 UMass-Boston will host No.7 Salve Regina and No. 1 Norwich welcomes No. 8 New England College at 3 p.m. In evening action, No. 4 Plymouth State faces No. 5 the University of New England at home.
@CastletonSports | IG: castletonsports | FB: Castleton University Athletics


text:
How To Stretch Your Canvass/
by Tilly Troelstrup
Email: firstname.lastname@example.com
How to stretch your canvass. No, that's not a typo. This post is not about the kind of canvas on one of the studio tables you own. This is about another canvas, your body. Incase you're disappointed, here's a link for how to stretch the other canvas, too!
Truth is in the Practice
Follow along visually with the two image albums and descriptive captions (links below).
Morning Stretch Routing Images
Studio Stretch Routine Images
Many of us have attended programs of all kinds in an attempt to learn the reality of maintaining a studio practice and most of us are finding the truth is in the practice. We learn studio protocol from our eclectic grouping of mentors and as a result much of what we know is a sacred unwritten text book of passed down information. We spend countless hours learning the proper positioning of our hands for a certain pass on the wheel, or a flick of the wrist for a mark on the surface or a glaze effect. How much time do we spend learning (or being taught) to make sure our bodies can keep up with the demanding tasks we are perfecting?
As aspiring artists, especially the younger generations, we should heed the warnings of those that have come before us. But what if they never come? What if our mentor hasn't yet experienced the sneaky developing issue and therefore hasn't a reason to encourage caring for your body before the pain starts? Because, we all know it's important but knowing and doing are two different things.
Well, I'll tell you what happens: we pass on the ignorance until one day we're around a table of peers, old studio mates and mentors and everyone is complaining about "getting old." I have already found myself around this table and I can't help but wonder, what are we as a community of makers really doing to stop the pain? Everything I know about caring for my body in the studio I learned outside the studio.
Respecting Your Body
The truth is that often there were warning signs of our pains. We just didn't get the message in our brains. A hip pain could be your body's last attempt to tell you that your ankle needs to be addressed; a headache could be a pinched nerve in your lower back begging for you to focus on your breathing more; and a shoulder twitch? Well, that might just be a shoulder twitch, but it could also be a finger crying out for a break!
I'm not an expert, just a health enthusiastic and maker. Slip trial is my most common process and my hands aren't too happy about it. In order to get the most out of my time in the studio I really have to listen to my body, but sometimes it's tough to know what it's telling me. Truthfully, It's hard to convince myself that a stretch session in the morning/during my studio work will wake me up and better prepare me for my days ahead of me. But, (drum roll) it will!
I spoke with some fellow artists and my friend Trevor Mason, a classically trained musician specializing in double bass, has a clear mind set about this stuff and he really summed it up best:
"As musicians and artists, we need to be incredibly in tune with our bodies are saying to us. We cannot simply practice until it hurts. While I understand the desire to keep going, a break before the pain helps increase our practice time and we are more likely to achieve our goals. In general, pain should never be a constant within our practice time, regardless of the craft. While physical pain may be a part of our work, constant pain creates a sense of fear and avoidance and may lead to giving up the work."
What Can You Do?
Be honest with yourself! I try not to remain too proud of the active person I was many years ago. So, as much as I want to get up and crush a five miler like I use to, I know that'll only last two days before I'm back to hitting snooze. Instead, I follow the most beautiful rule of life: K.I.S.S. (Keep It Simple Stupid).
Simple is still preventative, simple can still save you. I love simple! Being a nomadic artist means I have great excuses not to keep up with demanding routines. I bet you do, too. So forget those and let's stick with the low demand. For example, I have three preventative tasks I do everyday:
1. Drink 2 nalgenes or 64 fl. oz of water
2. TAKE BREAKS and stretch for at least twenty minutes
a. 5-10 minutes in the morning
b.two 5-10 minute breaks during my studio work (I set two alarms instead of waiting for pain to tell me to take a break)
c. write a to do list for the following day (PM; at the top of this list is always tasks 1 & 2)
This not difficult to accomplish to do list. It's takes up about 2% of my daily work. I follow a few simple rules: I take my breaks to stretch or write a to do list and also use that time to get in a chunk of water drinking...that's it!
I do not stretch and do my to do list in the same break, since I need to be sitting for that. The point of a break is to get your body into the opposite of the position you were just in. Likewise, I don't get off the wheel and then go sit and hunch over my to do list. If you're in the same position as your work position, it's not a break. I throw water into my to do list because staying hydrated is difficult for me, and water to the body is like oil to your car. This way I'm sure to get my dosage in. For his breaks Mason says,
" I am most concerned about my posture and my hands, always looking for any tingling sensations as these can be signs of carpal tunnel or tendonitis...I break every fifty minutes for ten minutes. These breaks are to stretch my back, hands, shoulders and neck. The break is clean, I leave my practice room, stretch, and clear my head."
The break may seem interruptive on paper, but it is doing wonders for his body's longevity and helping him to get the most of his time spent practicing.
A great way to incorporate something new into your life is accountability. So, if this stretching thing is a new facet of your practice you'd like to try, (especially if keeping a routine is a failed past time of yours) Write it down! Share your goals! Share this post! Get people in on it with you. Not only will it encourage others but the funny thing about talking/writing goals down is that it often leads to doing. That's the beauty of accountability.
Ready, Set, Break!
Below I have included easy to follow photos of my 5-10 minute morning stretch routine (link). I also gathered stretches for during the studio (link) from fellow artists that are working for long, balanced lifestyles and practices. Look over these, read the descriptions and modify for yourself. Most of these stretches are about breathing and getting oxygen to the chest and muscles. Since so much of our studio work leads to us literally forgetting to breath, these stretches can make your studio day twice as effective! The point of stretching is not to reach crazy PR's but to keep your body flexible and warm for the tasks at hand. Make it simple for yourself- Print these photos and post them up in your studio to declare a "Stretch Station" and encourage others to join you or take a break and use my face as a dart board, it'll still make you think about stretching!
Above all friends, remember, making art is only a part of what we do. The key to a balanced and successful practice is to remain a student of life. We all fall off the health wagon but it's never going too fast for you to jump back on. So, if this post has you rolling your eyes, trust me, you need to stretch your canvass.
Be sure to check me out on Facebook and Instagram and let me know how your stretch game is going!


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Melody's New World, Kelly Melody
For Kelly of Melody's New World, Health and Safety is more than filing cabinets and shuffling paperwork. And when you have 200 staff and 25,000 people through your doors every week, it has to be. Focusing on culture, real people and making common-sense decisions, PeopleSafe has become Kelly's solution to tidying all the loose ends and making Health and Safety easy to manage in her business.


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I was called to the Bar of England and Wales in 1996.
I am based at Ropewalk Chambers in Nottingham and live in Nottinghamshire, but travel nationally through England and Wales, attending courts and visiting clients.
For most of my career, I have had a special interest in costs and funding. I have advised upon and argued costs cases in the county court, High Court, Court of Appeal and Supreme Court, as well as other tribunals including the Lands Tribunal.
I am recognised by Chambers and Partners as a Leading Junior in the field of costs.


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Pie and cake lovers can be as divisive about their dessert preferences as dog and cat people, but chefs are finding new and old ways to court both factions.
"It's all about comfort food. They want something that reminds them of home, but is a little different," says Eric Wolitzky, executive pastry chef for the seven different concepts within Atlanta's Fifth Group Restaurants. "You can't do 'just' a cobbler, or you risk being compared to Grandma's. You have to distance your dessert from the original." One way he does this is by adding a small amount of miso to his cobbler crumble to cut through the sweetness. "It makes it a little more flavorful, so you want to take one more bite."
The dessert category is considerably broader than it was 20 years ago. The options for small bites, shareable desserts, handhelds, spoonable deconstructions and mash-ups abound, giving restaurants more options to fit their brand and operations, and giving consumers greater selection. Providing them with the classics they crave with modern touches sets you apart from the crowd.
Differentiate, but don't Alienate
According to Datassential, unique and classic pie varieties are all trending upward on restaurant menus. Additionally, the average number of cake and cheesecake varieties offered in restaurants has grown across every segment but fine dining over the past nine years. Regardless, the classic slice remains a centerpiece to any dessert selection.
"I am a true believer in the slice of cake. And the slice of pie," says Wolitzky. "But it has to be craveable. You have to want to take one more bite. When you mess around with something and add too many components, it becomes too much." He prefers cakes to have layered elements that make sense. "When I take a bite into a slice of cake, there's got to be something going on inside of it," he says. The gluten-free flourless chocolate cake at Fifth Group's Alma Cocina concept has a crunchy toffee caramel on the bottom, and the cake itself is lightened up through the use of egg whites. It's topped with crema and finished with a chile-spiced, cinnamon "Rice Krispie" for added crunch.
There are simple ways to maximize flavor without adding a lot of extra steps or cost. For example, Wolitzky pre-roasts his fruit to bring out the most flavor before tossing it in the pie crust, which also cuts down the final cooking time. Chef Vijay Sadhu at Cook Hall in the W Hotel Dallas, plans to make a red velvet cake with house-pickled beets to capitalize on the color, plus the sweet and the sour notes. Tandem Coffee and Bakery in Portland, Maine, utilizes both coconut and regular milk in the custard of the Maine Coconut Cream Pie to enhance the flavor and lighten up the consistency.
Applying gentle infusions of herbs and spices to crusts, toppings and creams is a way to surprise guests with something that otherwise looks traditional. Holly Ricciardi, founder of Magpie Artisan Pie Boutique in Philadelphia, tweaks her lime custard pie by infusing the whipped cream with fresh basil and layering it on top, and finishing it with a pistachio praline. "It sounds like it would be savory, but it comes out more floral and sweet," she explains. "Combined with the lime, it really surprises a lot of people." She also adds freshly ground pink peppercorn to apple pie for the citrus and spice notes that enhance the cinnamon and nutmeg.
"I like using unique ice cream flavors with simple pies and cake," says pastry chef Rachel De Jong of Nashville's 5th & Taylor. "It pushes the customer out of their comfort zone in a reassuring way. Star anise, sweet corn, fresh herb-steeped and tea-scented recipes are my favorite additions."
New Old Favorites
The term "old-fashioned" is on the rise on menus as diners continue to seek out nostalgic desserts, and that includes indulgent classics like Boston Cream and French Silk—which are both appearing on more menus according to Datassential.
For 30 years, pie and chocolate cake have appeared on the dessert menu of Shaw's Crab House, a restaurant under Lettuce Entertain You Enterprises, Inc., with locations in Chicago and Schaumburg, Ill. "Key Lime Pie is our No. 1 seller downtown; in Schaumburg, it's the Chocolate Layer Cake," says senior vice president Steve LaHaie.
"Eighty percent of our desserts are pie or pie-like, and we capitalize on fresh fruit," he says. The popular Key Lime and double-crust Shaw's Raspberry Pies are year-round offerings, supplemented by seasonal cobblers. The restaurants feature a two-fruit pear and cranberry cobbler in the fall, with the strawberry and rhubarb cobbler returning in spring, and peach and blueberry for summer.
Many pie flavors and ingredients can be easily converted to cake and vice versa.
"I love Boston Cream Pie, but I need my desserts to remain inherently French and in line with the brand," says Susan Dederen, vice president of culinary for La Madeleine, with more than 70 locations nationwide. Instead of making a pie with cake layers, they made it into a two-bite tart, focusing on the two major flavors: vanilla pastry cream and chocolate. "It has a crispy sugar-dough shell with a layer of pastry cream, a layer of dark chocolate ganache and some roasted almonds. It's a very simple dessert with simple, clean flavors," she says.
"Sometimes, we're searching for these new, hot ideas, and it's something much simpler that makes a big impact," says Dederen. When the Coconut Cream Cake LTO ran its course last year, the restaurant received so many comments that they had to bring it back. "It was so funny. It's such an old-fashioned style of cake, but people just love that flavor."
It's what you remember as a classic coconut cake for Easter. The coconut inside the cake is toasted to give it more flavor and combined with a pastry cream. Then the cake layers are soaked with vanilla syrup to keep everything moist. The entire cake is coated with a classic vanilla buttercream and sweetened, flaked coconut. "If you leave it out a little bit, it melts and gets nice and soft. It's very classic, with simple, clean flavors," says Dederen. "The texture and the icing really bring it together."
Old-school regional favorites are also making their way into new territory. Hot on the heels of Red Velvet, Hummingbird cakes are migrating north. It's part of the larger trend of the approachable, authentic and craveable American Southern dishes finding their way into other regions. The dense, sweet cake is made with pineapple, bananas and pecans and topped with cream cheese icing and even more pecans. It's a fun flavor combination that isn't intimidating or foreign. Representing another regional sweet, Big Sky Cafe in Cut Bank, Mont., serves a simple Amish cream pie, a custard-like vanilla pie dusted with cinnamon. Also called Hoosier pie, the dessert is native to Indiana.
"Our customers seem to be gravitating more toward custard pies than in the past," says Susan Bond, director of R&D for Legendary Baking. Owned by American Blue Ribbon Holdings, Legendary was spun off when the Baker's Square brand could no longer handle all the dessert demands in-house at their 40 locations in the Midwest.
"Custard pies are not the easiest to manufacture, ship and freeze," admits Bond. "So, we set it up in a kit. Baker's Square gets the custard in a pouch, and they bake the pie off fresh. It's a low-volume item, so inventory control isn't an issue."
Minis, Shareables and Flights
The slice does well enough on its own, but the smaller and shareable formats create an opportunity to stand out from the crowd and keep up with the larger trend of different-size portioning. At La Madeleine, 60 to 65 percent of the guests are female, and they love to mix and match and customize their experience. "A few years ago, we introduced a line of mini desserts, such as parfaits, tarts and Napoleons. Instead of cannibalizing a larger dessert, it created another occasion for somebody to grab a quick, sweet bite," explains Dederen.
The full cake slices are actually smaller as well. "We were cutting our 9-inch cake into eight slices, and we've dialed that back to a 10-slice cut. We have a lot of solo diners, and the size is more manageable. Plus, it's good for our value proposition; we don't have to charge as much," she says.
At Shaw's, the mini desserts and flights are among the best sellers on the dessert menu and are offered in different formats depending on the daypart. At lunch, the restaurant offers individual three-bite desserts, and a dessert sampler is offered at dinner. The sampler contains mini versions of the Key Lime Pie, Raspberry Pie, Chocolate Layer Cake and a mini crème brûlée. For brunch, mini versions of all the desserts are laid out buffet-style. "You can try several things, and they're not huge pieces. You don't feel as guilty," says LaHaie, highlighting a proven tactic for enticing interest in a sweet finish.
Mix & Match
Cakes and pies are being reformatted into other desserts, like doughnuts and milkshakes. According to data from Technomic's MenuMonitor, this transformation is especially prevalent at limited-service restaurants.
Magpie in Philadelphia blends up pie milkshakes using 10 ounces of a local vanilla ice cream and one full slice of any sweet pie. "Some are better than others," says Magpie's Holly Ricciardi. "The Butterscotch Bourbon is fantastic as a milkshake, but the lemon curd isn't—the citrus just doesn't hold up well. Fruits and berries turn out really, really well."
On The Menu: Cake and Pie Transformations
- Chocolate Cake Shake: Vanilla soft-serve ice cream blended with a slice of chocolate cake — Portillo's
- Peach Pie Doughnut: Yeast doughnut filled with peach-pie filling and topped with white icing, pie-crust crumbles and peach-flavored drizzle — Krispy Kreme
- The Pineapple Coconut Pie Sundae: Pineapple and coconut frozen yogurt swirl, topped with coconut shavings, pineapple chunks and graham-cracker crumbs — Orange Leaf
- Red Velvet Cake Concrete: Vanilla frozen custard mixed with a slice of housemade red velvet cake — Shake Shack
- Oreo Mud Pie Cricket Protein Milkshake: Vanilla-bean ice cream, Oreo cookie crumbles, Peruvian Chocolate Cricket Protein powder and chocolate and coffee flavors — Wayback Burgers


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Today, 2 p.m.: Just Buffalo Studio Series reading and book signing featuring Craig Centre, Julie Symes Hall, Celeste Lawson and Alexis DeVeaux in celebration of the publication of DeVeaux's new collection of fiction "Yabo." An award-winning biographer and activist, DeVeaux is the author of "Don't Explain: A Song of Billie Holiday" (1988) and "Warrior Poet: A Biography of Audre Lorde" (W.W. Norton, 2004). Just Buffalo Writing Center, second floor, 468 Washington St. (at Mohawk Street).
Tuesday, 7:30 P.M.: Empire State College Appletree Series reading to celebrate the life and poetry of Jennifer Attaway (1973-2013), the Buffalo-based poet and educator who co-curated the Appletree Series for four years until her death last October of lung cancer. Attaway's students, friends and colleagues will read from her work. Reception to follow. Empire State College, Appletree Business Park, 2875 Union Road, Cheektowaga.
Wednesday, 7 p.m.: Reading and book signing by Buffalo-based writer and educator Ed Taylor, whose first novel "Theo" has just been released by the U.K.-based publisher Old Street. Taylor, the former director of Just Buffalo Literary Center, currently teaches literature and writing at Canisius College and SUNY Buffalo State, and is the associate managing editor of Starcherone Books. Talking Leaves Books, 3158 Main St.
Wednesday, 7:30 p.m.: Readings at the RIC Series featuring poets Perry Nicholas and Peter Siedlecki. Research and Information Commons, third floor. Daemen College, 4380 Main St., Amherst.
Thursday, 7 p.m.: "Ineffably Urban," a book talk and book signing with Miriam Paeslack, a professor in the Arts Management program at UB, and editor of a new anthology "Ineffably Urban: Imagining Buffalo" (Ashgate Publishing). Several of the other scholarly contributors to the anthology on Buffalo's unique perspective on the New Urbanism will be on hand to discuss their essays. Hallwalls Cinema, 341 Delaware Ave. (near Tupper Street).
Saturday, 10 a.m. to 5 p.m.: Dog Ears Bookstore and Café presents an "Irish Style" Book Fair featuring more than a dozen Buffalo-area authors and independent publishers. Highlights of the event will include storytelling and activities for children ages 4 to 9 from 11:30 a.m. to 12:30 p.m., an authors panel on the topic "Writing from the Heart" from 1 to 2 p.m., and an open reading session from 3 to 4 p.m. Irish music will be featured and Irish food will be available. Dog Ears Bookstore, 688 Abbott Road, Buffalo. For more information, visit dogearsbookstore.org/irish-style-book-fair/.


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At a glanceBrighten up your little one's outfits with our yellow cardigan.
Features and benefits for Mothercare Yellow Cardigan
- Bright yellow colour
- Cute crochet design
- Button fastening
- 100% soft cotton
- Machine washable for easy care
Our yellow cardigan features stylish crochet design, it's perfect for layering over pretty dresses and other outfits, to complete the look. The yellow colour will brighten up any look, and the button fastening will make dressing your little one easier than ever. The cardi is also machine washable, so you can pop it in the wash and it will be clean in no time at all.
Don't Forget...
... we stock a range of vests and t-shirts, to layer with this cardigan.
Fabric composition: 100% Cotton
Care instructions: Machine Washable
Safety warning: Keep Garments Away From Fire


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The time for pissing in your beer and drinking it up like a hot, pissy glass of warm, piss-beer is over. So put down your Gangs Of New York-urine-alcohol, and start fresh. Sports is just sports. It's means very little in this very large world...except on days when it feels like Mola Ram from Indiana Jones And The Temple Of Doom has ripped out your damned heart and lit it on fire. ANYWAY, enjoy Carl & Dave this morning (and every weekday morning) on Jersey's legendary WRAT, 95.9 FM at 6 AM (EST)!
News & Videos
Original articles, news, and videos!


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Kaufmann's Department Store
by Melanie Linn Gutowski
with the Senator John Heinz History Center
Foreword by Rick Sebak
Available in stores and online Nov. 13, 2017
Melanie Linn Gutowski is a writer, historian, and lifelong resident of the Pittsburgh area. She is the author of the 2013 book Pittsburgh's Mansions (Arcadia), and her other history writing has appeared in various local and national publications. She holds a bachelor's degree in history of art and architecture and a master's degree in professional writing.
Rick Sebak is a beloved Pittsburgh historian and host of WQED-TV's popular local history programs including Kennywood Memories, Things That Aren't There Anymore and NEBBY, the new crowd-funded show now airing its first season. He contributed the book's foreword.


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Music at St. John's
Music is an integral part of the Sunday 11:00 a.m. service year-round. We have great organ music, congregational singing of hymns and psalms, all supported by the playing of our organist/choirmaster Gordon King on our Rieger Organ. (For details of the organ and it's history, click here.)
From late September to mid-June, St. John's Choir provides support to the congregational singing and anthems and chant that enrich the liturgy. During this time you can display the titles of the scheduled music for a particular Sunday by clicking on "11 am Eucharist with Music" in the Worship Services schedule, or, for a complete listing of the lSpring 2018 schedule, click here.
During the "choir season" St. John's Choristers, a group of children, receive musical training and contribute music for some services.
The St. John's Choir
Supporting the worship from the choir loft are about twelve men and women, amateur and professional singers, who are the St. John's Choir. Led by organist-choirmaster Gordon King, the choir aspires, through music seamlessly integrated with liturgy, to lift us to that place where we can feel the Divine presence. The choir is an integral part of the Sunday liturgy, as well as feast days during the Church year, in a season ranging from September to the feast of Corpus Christi in late Spring.
The choir's repertoire ranges from ancient Gregorian chant and polyphony to newly composed music. Our heritage is the Anglican tradition, including the English cathedral music repertoire, as well as music of American composers. Our music is chosen to integrate with other aesthetic aspects of the liturgy, to create an artistically and spiritually unified whole.
For men and women who sing and read music reasonably well, and are willing to commit to the choir's schedule, the choir is a fun and spiritually rewarding musical ensemble The choir sings Sundays and major Holy Days from September through Corpus Christi in late spring. The choir rehearses at 9:30 Sunday mornings. Six additional rehearsals are scheduled during the year.
For samples of our music:
The St. John's Choristers
St. John's Choristers provides free musical education for children on Wednesday afternoons and they, in turn, sing at the 11:00 a.m. Eucharist one Sunday each month. They learn about the traditions of music and liturgy and are trained according to the Royal School of Church Music , an English musical education program for children.
The program serves primarily neighborhood children although some come from surrounding areas. Children from all over the city are welcome.
In the program they learn new sacred repertoire, grow as musicians, and develop lasting friendships with one another. The young singers will also continue their studies in vocal technique, music theory, and composition.
The Choristers come from a diverse background of ages and levels of experience but have learned to sing with one voice.
Click here for Frequently Asked Questions about the Choristers
If you would like to introduce your child to the St. John's Choristers, please call the parish office at (212) 243-6192, and leave a message for choirmaster Gordon King or send him an email: firstname.lastname@example.com


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Agak menyedihkan bila orang yang kita harap akan bersama kita through thick and thin, tiba-tiba berubah. Berubah dari segi less caring, semua jadi less. Less spend time together. Semua dah jadi lain :(
I should prepare myself from the beginning to handle this problem. Sad huh? But that's life. I should be strong and be happy be unique. Be everything that i could think of.
You said you will never change, and you are you, you will still be the same no matter what. But you proves to me that, you've changed.


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China, is no stranger to controversies especially when it comes to stressing its new found status as a regional superpower. Its recent decision on November 23rd to declare a unilateral Air Defence Identification Zone (ADIZ) over the Japanese administered Senkaku (Diaoyu in China) islands, is another step in the same direction.
The declaration of the zone has several implications for China and the region at large. Primarily, this can be taken as the first real show of Chinese hegemony in the region. In some regards, China today represents a young teenager who has just started earning lots of money and has freedom to take his own decisions. In this spirit, he throws around his money to those whom he consider as weak to challenge him (and buy friends) and confronts those it considers as a threat. In the coming decade, we are bound to see many more such displays of strengths from the Chinese.
Secondly, it marks the shift of power in Asia from Japan to China. China was the reigning regional power till the 1850s while Japan started gaining in strength from 1920s and 30s onwards. The atrocities committed by the Japanese forces in China in the Second World War still looms large over any friendly dialogue between the two nations. The fresh calls to set up a hotline between Beijing and Tokyo are likely to go unheeded in China. Setting up such a line will imply that Beijing recognises Tokyo as its equivalent in the region, a scenario that China will not want.
Thirdly, why should China suddenly be so eager to stake claim over a group of uninhabited islands, which has long been administered by the Japanese? The real answer to this lies in the energy game- South China Sea is believed to have huge oil reserves, and naturally it draws the attention of energy hungry China. Political control over the Senkaku islands will strengthen its claims of sovereignty over the entire South China Sea. China has previously raised objections to Indian oil companies' explorations in the region in cooperation with the Vietnamese government, citing the same reason.
The one thing that China has apparently perfected is the timing of such events. The setting up of the zone comes along with other major events in region: the withdrawal of American forces from Afghanistan, the launch of Chinese lunar mission and Vice-President Joe Biden's planned visit to China.
The first event signifies the lesser American presence in the Asian geopolitical space- a vacuum that both China and India would be looking to fill in Afghanistan. China firmly wants America to recognise it as the Asian superpower without whose cooperation it cannot be expected to negotiate a deal in the region. While the launch of a lunar mission might look unrelated to the chain of events, it actually isn't so. The launch comes close to the launch of India's Mars mission and Chinese attempt to soft land on the moon's surface with Chang'e-3 lunar probe will be the first by any country (if successful) since 1976. In fact, the Chinese lunar plan envisages setting up a permanent base on the lunar surface in the next two decades, which even US has not envisioned in its space strategy so far. A testimony to increasing Chinese superiority over its American counterparts.
As a political analyst, one cannot help but admire the effectiveness with which the Chinese set the tone before a significant political meeting. The recent chain of events is directed towards Japan as much as it is directed towards the US Vice-President's visit. China remains one of the primary holders of US external debt which gives it enough cushion to flex its muscles before any important diplomatic dialogue.
How did the US react? The US responded by sending in B-52 Bombers over the zone, followed by South Korean and Japanese aircrafts. However, eventually the US asked its commercial airlines to comply with Chinese authorities while flying over the area – a de-facto recognition to the air defence zone. Was the US not back-stabbing long standing allies like Japan and South Korea by this decision?
The reality though is slightly more complicated. The US- China relation has reached a stage where both these superpowers need each other. President Obama wants a G2 in future comprising China and USA. China needs American market to grow in present times; America foresees China as the future market of its Shale oil exports. Another major point to note is that China has remarkably increased its geopolitical presence in the last decade. The recent US-Iranian deal could not have been possible without the Chinese playing a key role. US hopes China to play a similar role in controlling North Korea which quite clearly stated its nuclear ambitions. Besides this, the China-Pakistan angle can also not be ignored for safeguarding US interests in the region. In short, the US can today compromise the interests of its allies if the need so arises.
The entire chain of events however raises another major question- who actually is the super power of the 21st century? Perhaps it is best for the reader to decide.[/sociallocker]
You will love reading: China – An opportunity. Must read article Coal Block De-allocations.


text: Custom Search Somers Point We have found 5 items matching your search query. Sonesta ES Suites Somers Point The attractions near our hotel are endless: the Atlantic City casinos, boardwalk & Atlantic City beaches, Ocean City beaches & boardwalk and 14 area golf courses. We are near the Tangier out Details Pier 4 on the Bay Somers Point The Pier 4 Hotel on the bay is ideally located at Broadway Avenue & the bay in Somers Point, New Jersey. The hotel is located in the heart of the Jersey Shore's major dining and recreation Details Passport Inn Somers Point 8 Mays Landing Road. Somers Point, NJ 08244 (609) 927-2287 Details Economy Motel Somers Point 15 MacArthur Boulevard, Somers Point, NJ 08244. (609) 927-2514 Details Econo Lodge Somers Point 21 MacArthur Boulevard. Somers Point, NJ 08244. (609) 927-3220 Details 1 Page 1 of 1


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The Lens Boxes
Mary Bauermeister's lens boxes were the result of her chance find of optical lenses at an antique store in a Dutch village in 1961. Described by the artist as "a multi-dimensional circumscribbling of my interpretation of life" and filled with natural and found objects, drawings, and words, the lens boxes developed into her signature work during her decade in the U.S.
The lens boxes were first created in a horizontal format, to be viewed from above, with lenses within the box as well as on top of the glass so that viewers could manipulate them (see illustration). When Bauermeister first showed her boxes at the Bonino gallery on West 57th Street, visitors began to pocket the movable lenses as souvenirs. In response, she glued the lenses, which allowed the boxes to be shown upright on the wall, as three-dimensional, multi-layered pictures.
In the first half of the sixties, Bauermeister used a basic palette of black and white for the boxes. They became more colorful in the second half of the sixties, and toward the end of the decade she even worked with fluorescent colors.
Image: At the opening of Bauermeister's first exhibition at Galeria Bonino, guests move magnifying glasses and lenses on the surface of the artist's first lens box. Photo: Kerstin Skrobanek Archive


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12187-6-Wallet (Cuzdan)


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Disabled Access Guide
Access Statement
The RBSA Gallery in Birmingham welcomes all visitors and we aim to provide the best possible access for everyone to enjoy our Gallery. Please find below a range of details about our facilities.
Find out about us through our films!
We have a film version of the access information below, which includes audio and BSL. View the RBSA Gallery Access Film here. We also have a film about our outreach activities, which can be viewed here.
What is the RBSA?
RBSA stands for Royal Birmingham Society of Artists. The RBSA is one of the oldest art societies in the UK and can date its history back to 1814. At present, it has approximately 250 Members and Associates – 'Member' and 'Associate' are the terms we use to describe artists who have been elected to part or full member of the Society. The RBSA is also an artist-led charity and is one of only a few art societies in the UK to own and run its own art gallery – which is called the RBSA Gallery. The RBSA Gallery has been based in its current location since 2000. The site is a converted jewellery factory and is located just of St. Paul's Square within Birmingham's historic Jewellery Quarter. The Gallery is open seven days a week and is free to visit. It provides a varied programme of exhibitions, workshops, and events to help support artists and promote engagement with the visual arts.
Opening Times
Monday 10:30 - 17:00.
Tuesday 10:30 - 17:00.
Wednesday 10:30 - 17:00.
Thursday 10:30 - 17:00.
Friday 10:30 - 17:00.
Saturday 10:30 - 17:00.
Sunday 13:00 - 17:00.
Closed on Bank Holidays. See website news, Facebook, and Twitter updates for any additional closures (e.g. extra days during Easter and Christmas).
Car Parking
Public Car Parks
+ There is a car park for public use within 200m (approx) from the RBSA Gallery.
+ The name of the car park is Newhall Street NCP Car Park.
+ The car park is located on Newhall Street.
+ Online parking information
On Street Parking
+ Meter parking is available in the St. Paul's Square area and is free on Sundays.
+ Blue-badge-holders can park directly outside the Gallery entrance, provided they show their badge clearly in the windscreen.
Getting to the RBSA Gallery
The Gallery address is 4 Brook Street – postcode B3 1SA – and is easy to travel to by train, tram, bus, car, or on foot.
For more details about how to find the RBSA Gallery, please see our How to Find Us page
Entering the RBSA Gallery
The pavement outside the Gallery is made using Victorian blue-brick pavers, which are in keeping with the heritage conservation standards of the area. The pavement is level with the double doors of the Gallery entrance, providing level-entry access for easy wheelchair access. The floors are level throughout the Gallery and are made of tiles or laminate. Each space is also well lit with a range of lights and spot-lights. The width of the door opening is 180cm (5ft 11in)
Ground Floor Gallery Facilities
The ground floor exhibition spaces include craft gallery cases, which display contemporary hand-made ceramics, textiles, and jewellery. There are also three display areas for solo shows of 2D and 3D work by RBSA artists. All craft and artworks on the ground floor are for sale and can be taken on the day of purchase.
The ground floor has a self-service café area, which provides hot and cold drinks alongside a small selection of sweet and savoury snacks. For something more substantial, there are several pubs and eateries around St. Paul's Square and visitors are welcome to eat food purchased from other venues within the RBSA Gallery café area.
Visitors can ask for information or assistance at the reception desk, which is designed to accommodate a wheelchair or chair, if needed. Staff members are also happy to bring items from higher shelves or plinths to the desk or café area for visitors to view more clearly at a lower level.
Just around the corner from the reception desk is a fully-accessible toilet. This includes grab rails, coloured walls to help improve the visibility of the fittings, and basic baby-changing facilities.
There is a lift located next to the reception desk. which is available for public use. The lift is a standard lift and not a disabled lift specific. The staff do not need to be noticed about using the lift. The lift door width is 80cm and the dimensions of the lift are 108cm x 140cm. (3ft 7in x 4ft 7in)
Fully Accessible / Disabled Toilet
There are accessible toilet facilities within the RBSA Gallery. The toilet is not for sole use of disabled people and is unisex. The toilet can used without a key. The width of the accessible toilet door is 94cm (3ft 1in) and the inside dimensions of the accessible toilet are 140cm x 247cm (4ft 7in x 8ft 1in). Wall-mounted grab rails are available and there is an emergency alarm.
Upper Floor Galleries 1 and 2
There are two upper floor galleries. The first floor gallery shows a range of exhibitions throughout the year - including the annual display of artworks and archive materials from the RBSA Collection. Gallery One also hosts the Society's annual Winter and Summer art workshops for adults, as well as a varied programme of artists demonstrations and talks.
In addition to standard monthly events, the Gallery can also design and deliver specific activities to suit group bookings. For example, we have delivered: handling sessions for visually-impaired groups, signed workshops for Deaf artists, and free guided tours for schools and art groups.
The Gallery spaces can also be hired and Gallery 1 is used regularly by local art societies for their group meetings.
The second floor gallery also shows a range of exhibitions. Larger shows, such as the RBSA Open and Prize exhibitions are often displayed across both floors. As its name suggests, Open exhibitions welcome entries from all artists throughout the UK. Each artist goes through a selection process and the selected artworks are included in the exhibition.
Prize exhibitions follow a similar process, but selection is made by a panel of guest judges, rather than Society members. Again suggested in the name - Prize exhibitions offer a range of prizes and usually include a first prize of one thousand pounds!The majority of the Artworks displayed in galleries 1 and 2 are for sale and can be taken at the end of the exhibition.
The RBSA Gallery also takes part in the Own Art Scheme, which is a scheme by the Arts Council that enables customers to purchase original works of art using an interest-free loan. This breaks the cost of a work into ten monthly installments, making it easier to afford.
Access for All
The RBSA Gallery is the home of the RBSA and we want as many people to visit and enjoy the visual artworks as possible - This is why we are working hard to improve our accessibility.
For more access information about the Gallery, see our film with BSL - Disabled Access Guide Video
For more information about outreach work, see our film with BSL and subtitles - RBSA Outreach
Getting Involved
As a charitable organisation without core funding, the RBSA Gallery relies on its Members, Associates and Volunteers to help run. The running costs are paid for through a combination of membership fees, sales of artworks, gallery hire and fundraising activities. This means every contribution made is vital to help the gallery stay open.
If you would like to enquire about booking a group visit or activity, please get in touch with us via 0121 236 4353 or email@example.com.
Thank you for your support. We look forward to welcoming you to the Gallery.


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Pokiri - Hindi version roaring at box office with Rs.38 crores collection in first week
Sensational super hit movie 'Pokiri' was directed by Puri Jaganath was remade in Hindi as 'Wanted' starred by Salman Khan as hero and directed by Prabhu Deva in which Prakash Raj is villain again. The film is produced by Sridevi Bony Kapoor .Sredevi faced some legal hurdle in financial matter jut before this film. Finally they are very happy with the way the film is doing at the box office. As for Bony Kapoor- the film has collected Rs38 Crs in the first week run of the movie. On the other hand, Prakash Raj who made his Hindi debut with this film is getting good applause per his extraordinary performance.
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CAKE Invites You To Our Drink & Draw on May 18th
Our next fundraiser event for CAKE 2016 is a Drink and Draw that will take place on May 18th from 7:00 PM to Midnight at The Owl, located at 2521 N. Milwaukee in Chicago. Admission to the event is $5.00, which includes entry to a raffle for some special prizes, and for every drink sold, The Owl will donate $1.00 to CAKE.The artists who will be participating in the event include:
- Mike Freiheit
- Krystal DiFronzo
- David Alvarado
- Gina Wynbrandt
- Tyrell Cannon
- More to be announced!
The Chicago Alternative Comics Expo [CAKE] is a weekend-long celebration of independent comics, inspired by Chicago's rich legacy as home to many of underground and alternative comics' most talented artists– past, present and future. Featuring comics for sale, workshops, exhibitions, panel discussions and more, CAKE is dedicated to fostering community and dialogue amongst independent artists, small presses, publishers and readers.The Fifth Annual CAKE will take place on Saturday, June 11 and Sunday, June 12, 2016, at the Center on Halsted, 3656 N Halsted Ave. in Chicago. For any questions about about CAKE, please email firstname.lastname@example.com.


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|Jessie by Licole Fashion
ANYWAY, that lead me to do my own little search on SLM and UGGGH! Still lots of paint-on system clothes for standard avatars. But there just isn't much in the way of mesh -- especially not outfits designed for Maitreya's Lara body (or for that matter Belleza or Slink).
Then I thought maybe I can make a standard mesh outfit work. And, tah-dah, with a little work on the alphas, I present to you Jessie from Licole fashion. Comes in the standard 5 sizes and as long as your shape isn't too far off, it's wearable with most mesh bodies. The cool part? It was only $10L.
The one drawback is the jacket texture (it's all one mesh) is really dark. While the detail is good, you have to be in bright light to appreciate it. My photo here shows how it actually looks under standard mid-day lighting. Enlarge, zoom in and see for yourself.
Heels are Sensure in black by Beck for mid feet ($50L) but you could get the original full perms template version for only $99L and make your own in any color for Slink, Maitreya or Belleza. They're sold as DX001 Firefly Shoes on SLM. Really, they're quite nice. I wish more shoe designers would make mid feet compatible shoes -- it's just so much more natural looking than high. Oh well. Personal annoyance of mine.
SLM link to outfit: Jessie Business Suit by Licole


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Warning: The following recap contains major spoilers from Wednesday's season finale of Supernatural. Read on at your own risk!
The CW capped off its Wednesday night of "Sacrifice" with the Supernatural season finale — but it wasn't just the Winchesters who lost something.
RELATED | Fall TV Schedule 2013 — What's On When? And Against What?
Turns out Metatron is a lying bastard. He doesn't want to close the gates of Heaven. Instead, as payback for ruining the paradise God gave the angels and forcing him out, he wants to expel all of them and send them to Earth. Naomi finds this out after kidnapping the scribe and, after a season of treachery and threats, makes a pretty impassioned plea to Cas. She even promises to accept him back into the fold if he'll stop this plot. But when he visits upstairs, he finds that Naomi has been killed by Metatron, and the angel has big plans for Cas, as well. He strips him of his essence and tells him to live his life, get married and have a family. Then when he dies and his soul comes to Heaven, he wants to hear the story.
As Cas is sent back down to Earth as a human(!), Dean is trying to heed Naomi's other warning: That Sam will make "the ultimate sacrifice" and die if he completes the trials. While the elder Winchester has been helping his angel buddy, Sam's been trying to cure the King of Hell. The brothers manage to get him in their grasps through a clever pair of demonic handcuffs. They quickly set up shop in a church so Sam can purify his blood by confessing his sins and get to work on Crowley. At first, it appears the blood injections are having no effect. The two ward off an attack from Abaddon, who wants a regime change in Hell, after which it's back to business for Sam. Crowley can't believe they're back to step one after they've been in a foxhole together. He starts bringing up… HBO shows. Hasn't Sam ever heard of Band of Brothers? How about The Pacific? Does he never watch HBO in all those motels?
RELATED | Supernatural Season 9 Spoilers — Misha Collins to Return as Series Regular
Hannah on Girls "needs to be loved. She deserves it" just like we all do, Crowley says, rambling on until a confession that inspires a look of surprise and confusion from the both of them. "I just want to be loved."
This demon cure might actually be working because Crowley is turning into a needy, human HBO subscriber! Alas, Dean shows up and begs his brother not to go through with it because he will die.
Sam's blunt response: "So?" He reveals that when he was in confession his greatest sin was how many times he let Dean down. He's forced him to turn to an angel and a vampire. Dean insists that's not true. He points out that he killed Benny to save him, and that he's willing to let Crowley and the demons walk for his brother's life. But Sam doesn't know how to turn off the trials and collapses in agony as a shower begins above them. However, this is no rainy storm. These are angels falling to Earth.
Finally, some choice lines:
Cas: "You really think it's wise to be drinking on the job?"
Dean: "What show you been watchin'?"
Metatron on God: "Larger than life, gruff, bit of a sexist – but fair."
And let's not forget Dean's look of surprise upon seeing Cupid's match for the burly bartender.
Supernatural fans, grade the emotional hour below and then hit the comments to back up your pick! Are you looking forward to a human Cas? Do you think Crowley will still be cured? And was Dean and Sam's heart-to-heart worth all the brotherly issues this season?


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When the first Down album was released, it hit me like a ton of bricks. I was not expecting it in any way. I was all for the all-star lineup since I was a huge fan of Phil Anselmo and Pepper Keenan. They were so raw and true to what they believed. Seeing them live was amazing. They just poured it on track after track. With following released, their songs lost their charm. Whereas I was a fan of every song on the debut release, I was really only psyched for Ghosts Along the Mississippi and New Orleans is a Dying Whore on the follow up. With Down III, I was not psyched for any of them. If I was to do a dream Down concert, it would consist of the two aforementioned songs and the debut album.
Now, we move into 2012, with the release of Down IV Part I – The Purple EP.
Levitation starts off the album right way. It is classic Down hearkening back to the distinct sound of Bury Me in Smoke, but teeters off a little for the verse sections sounding more like something off of Down III. Regardless of which time span it sounds more like, it is a very solid song that I can get into. The break is a typical rocking Down sound.
We then move into Witchtripper, which we have all heard a million times by now. This is still a very good song and keeps getting better with each listen. The remainder of the songs pretty much follow the same flow where the songs are good in their own way, but do not seem to do anything that would make we really want to hear them live. Open Coffins has the depth of Anselmo's multi-tracked vocals and The Curse has deep, dark riffing.
Overall, The Purple EP is sort of what I expected, which is solid songs, but nothing groundbreaking going on here. I am not hating on the album since I enjoy it more than 95% of what is coming out these days, but when you have set such a high bar for the fans, they are bound to feel let down when an album is just good and not great.
Down IV Part I – The Purple EP Track Listing:
01 "Levitationâ€
02 "Witchtripperâ€
03 "Open Coffinsâ€
04 "The Curse Is a Lieâ€
05 "This Work Is Timelessâ€
06 "Misfortune Tellerâ€


text: On Thu, 2 Jan 1997, Anthony Fok wrote: Hi:) Thanks for that info, i cant believe i missed it:) now all we have to do is figure a way to modify the "On Thu, 2 Jan 1997, Anthony Fok wrote:" above ;-) foka >Hi there! :) foka > foka >On Thu, 2 Jan 1997, Fundamental wrote: foka > foka >kaneda> On Thu, 2 Jan 1997, Boris D. Beletsky wrote: thanks michael A wise man will make more opportunities than he finds PJ Bailey -- TO UNSUBSCRIBE FROM THIS MAILING LIST: e-mail the word "unsubscribe" to email@example.com . Trouble? e-mail to email@example.com


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RGV Tour Overview
At the end of every golf trip I think to myself... "What if I didn't have to stop playing golf? What if I could just drive down the road and go to the next golf course? The next state? Just never stop playing golf?" For years that has been my dream.
I have decided that the time to live the dream is now. I have resigned from my sales position, I have purchased a recreational vehicle (RV), and turned it into a recreational golf vehicle (RGV). and I am touring the country playing golf. I will be raising money for the First Tee and I am inviting you to join me.
Yes, that's right, I quit my day job to play golf every single day. Over the next year it will be my goal to play golf in every single state. I will be looking to play everywhere, the local gems, the top 100's, the quirky par 3 courses, the local municipalities, and putt putt tracks. I am starting the Recreational Golf Vehicle Tour, or the RGV Tour. It is going to be glorious.
At the beginning of The RGV Tour, I took the local Seattle news by storm and gave em the full rundown. Check it out here.
The First Tee Greater Seattle
The best part about the RGV Tour is that I will be raising money for a worthwhile cause, The First Tee of Seattle. The First Tee of Greater Seattle positively impacts the lives of young people by building character, instilling life-enhancing values and promoting healthy choices through the game of golf. It wasn't until I was older that I realized that golf has taught me some invaluable life lessons. Everything from my relationships to my finances has changed for the better because of golf. With all that the game of golf has given me, I feel it's important to help others to learn these lessons early on. The First Tee is the perfect charity for that. My goal is to present a check for $10,000 at the season ending check ceremony.
UPDATE: 7 Months into the journey, The RGV Tour has met it's original goal of $10,000. Goal has been re adjusted to $20,000
DOUBLE UPDATE: With only days remaining, The RGV Tour has reached it's secondary goal of $20,000. The check presentation ceremony is below
You are Invited
The second best part about the RGV Tour is that it is coming to your town. I am inviting you to join the Tour and you don't have to go to Q School to get your RGV Tour card. All you need is a passion for the game and a 9 iron. Just consult the schedule and send me a message l and I will do my best to bring the RGV Tour to you.
After we golf our socks off, you will be invited to sign The RGV Tour guest book with other legends of the RGV Tour. Upon signing, you will automatically be entered to win the season long grand prize. The details are still being sorted out, but it will be grand.
UPDATE: 2018 scheduling has been closed.
The Recreational Golf Vehicle
At 26 feet long, the recreational golf vehicle will serve as the RGV Tour headquarters for the next 12 months. Now, leaving behind your home and no longer having a mailing address can be scary, but this ride should ease the pain. The Tour bus is complete with a mini golf library, a rooftop driving range, and is stocked full of golf balls and energy bars. It is #GOLFPARTY headquarters.
UPDATE: The Recreational Golf Vehicle has been updated with a secondary launch vehicle. The RGV now comes with a Phat Scooter on the rear end of the ride. It's a scooter that doubles as a golf cart and it is radical. You just strap your golf clubs on the back of the scooter and go. It's not easy being the coolest person on the golf course, but this sweet rider will get you there.
The RGV Tour Podcast with PJKoenig
I have also transformed the RGV common areas into a portable podcast studio. Please find me on the RGV Tour podcast with PJKoenig. We will go behind the scenes as I golf like a maniac and talk golf with fellow RGV Tour pros, my favorite golf brands, and various special guests.
RGV Tour Profiles
Yeah, the courses on The RGV Tour are great, but it is the people that breathe life into the RGV Tour. They are Generous, hilarious, wise, and highly skilled. If you find yourself on these pages, you are a legend of the Tour and a hero in my heart.
The Schedule
The tour stops will be plentiful, yet flexible. While I have a tentative schedule for the states, I believe the magic resides in this spirit of exploration and adventure. The goal of the RGV Tour is to explore the places and people that make up the American golf landscape.
As your Founder and Commissioner, I welcome you to The RGV Tour!!
Tour Tracks
The Tour is off and rolling hard. You can check the progress and hone in on my location here.
UPDATE: On February 1st, 2019 the final putt of the RGV Tour was holed at Bandon Dunes. It was a 3 footer for par and it was dead center. Over the past year, I have golfed hard and laughed harder with 793 of you. The people and places of The RGV Tour will always hold a special place in my golf heart.


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