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Love Orphanage, Haiti
Love Orphanage began with the huge heart of Gabriel Fedulus, a Haitian man who came to the rescue of orphaned children living in the streets of Haiti. This impoverished nation has no governmental rescources or systems dedicated to caring for their youngest victims of the Devastating earthquake of 2010, nor for these tender young victims of abject poverty who lose their families through death and/or abandonment.
Gabriel began by taking in 4 children, in a donated flat. Today Gabriel supports 19 children rescued from the trauma of loss and fending for themselves on the streets. The goal of Love Orphanage is to give the children a stable, Loving, permanent home; adoption out is not the goal. The number of kids rescued grew, and the family was stretched to accommodate needs for space, food and clothing. Abundant, however, was Love. Still, basic needs had to be met. Gabriel has invested his entire life savings to support the children, yet living conditions are primitive and until recently, none of the chilren had ever attended school. Schooling is considered to be a critical factor in climbing out of poverty.
Enter Ahaji Schreffler, who met Gabriel, her translator, while leading a Drexel University service trip to Haiti. Ahaji learned of Gabriel's orphanage, and asked to meet the children. Immediately Ahaji fell in Love wtih these beautiful Souls. She came home with a new mission: to do all that she could to improve the living conditions for the children of Love Orphanage. Ahaji used her personal savings to purchase land for a new home to be constructed in a safe region of the nation. She then founded We The Village, a non-profit, volunteer organization dedicated to raising funds and goods to construct a home on the donated land. Learn more at www.loveorphanage.org. And then along came Sami Milano, who learned of Love Orphanage from Ahaji, and decided that she wanted to make a difference in the lives of these kids by doing all that she could to support their education. As her Girl Scout Silver Award and Gold Award projects, Sami began her "Be a Difference Maker" campaign. Sami chose to raise awareness, involvement, funds and materials for Love Orphanage. In one year's fundraising, Sami spearheaded events that collectively raised enough funds to purchase books and supplies, and to send each child to school for two academic years! Difficulties arose when it was discovered that schooling was taught in formal French, not the native Creole that the children have spoken all of their lives. Sami coordinated fundraising activities to hire tutors to help the children to catch up academically and to learn the language of instruction. Meanwhile, Ahaji's efforts have raised initial funds to begin construction of the home on the land that she donated. A foundation is now complete! Many goals within the two streams of fundraising and involvement are coming together to support the multifaceted needs of these kids. I am honored to be a part of many of the activities geared toward supporting this beautiful family. I look forward to the ripples of Love that will move outward from each of these children whose tragic beginnings are being turned around through the power of Love.
This page will be used both to introduce readers to Love Orphanage and to post upcoming events in support of this Place of Light.
Olson is one of the 19 beautiful children of Love Orphanage. This year, my sibs and I decided that my Dad would Love it if we sponsored Olson's educational costs for a year in his honor. So Olson's education for one year is guaranteed; since last year's schooling costs and this year's have been paid already through Sami's fund drives, Olson is guaranteed to be schooled for at least three years! That's a great start, but we will continue to sponsor Olson for years to come. What a wonderful honorary family member he is. Meanwhile, my Dad has fallen in Love with this sweet Soul living across the world, and he was deeply touched at the privelege of Olson's sponsorship in his honor.
Opportunities to sponsor a child are easy. Whether as a gift for yourself or someone else, the ability to touch a life is deeply meaningful to both givers and receivers. Contributors can choose to direct funds toward living or schooling expenses. Single or ongoing monthly contributions can be arranged via PayPal through the Love Orphanage site. For our family, $20 per month (total-- for the whole gang!) secures Olson's schooling. If you'd like to check out giving options click on Olson's photo and you will land on a giving page at www.loveorphanage.org.

subset: commoncrawl


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At 7:00pm on Friday, November 15th, the UCSB Soccer team will take on the Matadors of Cal State Northridge. This will be the semifinal of the BIG West Tournament and it will be live on the air on KCSB FM 91.9 in Santa Barbara!
UCSB finished an incredible regular season by going undefeated in conference play and finishing as the Number 1 seed in the conference. The last time UCSB played Cal State Northridge was at Northridge and UCSB came away with an incredible 2-1 OT victory. The talent-laden UCSB squad will look to take care of Northridge tonight and move on to the Championship!
Daniel Moebus-Bowles and Elijah Bowin will have the call live from Harder Stadium. We are still in KCSB's Fund Drive so we will start the broadcast right at 7 PM and you can either click the link or listen live on the radio on KCSB FM 91.1 in Santa Barbara.
If you're using a text-only browser, you can click HERE for the webcast.
If you have one of those cool smartphone apps that lets you go to links by scanning those funky barcodes, we've got one here:
If you encounter any problems, feel free to email email@example.com.
Don't forget to like us on facebook and follow us on twitter! Get all the latest news and updates on our social media pages.


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By Patty Rhule
The new documentary "Inside Charlie Hebdo" depicts a fateful 2006 editorial meeting of the French satirical newspaper where staffers joke about the consequences of their decision to reprint Danish cartoons of the Prophet Muhammad.
On Jan. 7, 2015, al-Qaida terrorists stormed the Paris offices of Charlie Hebdo, killing 12 people, eight of whom were cartoonists, editors and writers at the newspaper. Their names appear on the Newseum's Journalists Memorial.
At the film's U.S. premiere at the Newseum Sept. 28, 2016, Véronique Brachet Cabut, the widow of slain cartoonist Jean Cabut, said the documentary shows "they knew the seriousness of what they were doing. They knew the risks. They have become famous for the sacrifices they made in the name of free speech. I hope you take from this film the way they worked together as friends and colleagues."
In much of the Muslim world, depictions of the prophet are forbidden. The terrorists who attacked Charlie Hebdo said it was revenge for the cartoons of Muhammad.
Cabut — his pen name was Cabu — drew the cartoon that appeared on the cover of the February 2006 edition of Charlie Hebdo that published the Danish cartoons. Cabu's cartoon took aim at fundamentalists, showing Muhammad with his head in his hands saying, "It's hard to be loved by jerks." That issue sparked a lawsuit in France by Muslim groups over free speech, which Hebdo won.
"The law could not be used to silence the cartoonists, so they were assassinated," Laurent "Riss" Sourisseau, current publishing director of Charlie Hebdo, said in a taped message.
Ann Telnaes, Pulitzer Prize-winning cartoonist for The Washington Post, said the film was "quite personal to watch. We can really identify with the back and forth they do," in the editorial process.
After the attack on Charlie Hebdo, a million people took to the streets of Paris, and supporters of free speech around the world marched under the rallying cry "Je suis Charlie! ("I am Charlie!")
Matt Wuerker, Pulitzer Prize-winning cartoonist for Politico, said "Charlie Hebdo and the stance the cartoonists and editors took did something that was magnificently grand: They stood their ground for free speech."
Charlie Hebdo was a provocative publication, skewering politicians and religious leaders with frequently outrageous cartoons and editorials. "The paradox is Charlie Hebdo was not selling much" before the attack, said Patrick E. Weil, Oscar M. Ruebhausen Distinguished Senior Fellow, Yale Law School. "It was fighting for survival."
Both Telnaes and Wuerker cited worrisome trends about satire today.
"Worldwide, there is a push for blasphemy laws," said Wuerker, adding that there is a movement on the other side of the political spectrum toward providing "safe spaces" on college campuses while discussing difficult topics. "Satire is getting squeezed by both sides."
The screening and program in the Newseum's Walter and Leonore Annenberg Theater was part of a partnership with the Aspen Institute's Washington Ideas Week.


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Dramatic bird-motif items are depicted by glyphs from many centuries in the past depict how the winged ones of the tropical forest-lands were an integral component of the garb worn by ruling lords and shamen of the Mayan culture, which was at a peak recognized as being extant about 15 centuries ago. This culture of central America obviously attributed a profound importance to birds.
Birds had an obvious role with the deity figures attributed to the leaders of the local tribes.
This status is vividly shown by stone glyphs which adorn temples of the classic Mayan period at locales then known as Naranjo, Uaxactun, Yaxchilan, Yucatec and other places at what is presently known as Yucatan, southern Mexico or Guatemala, and elsewhere places in the vicinity.
Bird ornamentals were an integral aspect of the glorious headdress worn by Mayan lords. One scholarly work noted that the ceremonial attire "worn by the Maya true man and his cohorts was often so elaborate that it was difficult to think of their moving through the jungle while wearing it."
Several depictive bird hieroglyphics represent a period of profound importance for birds. The winged ones had an unsurpassed role in mystical and ceremonial life of these ancient people, based on the exquisite studies by scholars of the ancient times who could decipher symbology to something of meaning for ready understanding by others of lesser understanding.
Their work indicates the vitality of birds in the culture, as shown by studied glyphs. Prominent birds such as quetzals, macaws, guans, pelicans, eagles, owls, vultures and other bird types prominent enough to be depicted by bird glyphs meant to be permanent messages.
Two exquisite glyphs are denoted from Naranjo, in northeast Guatemala.
Feather covered shaman with associated glyphs.
Feather adorned shaman.
At Uaxactun in northern Guatemala, a shamen is depicted with a macaw atop his head:
Several glyphs from Yaxchilan, on the Usamacinta river, along the boundary of southern Mexico and Guatemala, prominently indicate the role of birds for the lords and shamen.
Several smaller glyphs with a bird motif are also known from this locality.
Birds are also depicted in other representations from the great Mayan culture when it was at a peak of native culture:
Harpy Eagle representation.
Ocellated Turkey representation.
Representations of the screech owl of Yucatan.
Macaws representations.
Quetzal/Vulture representations.
Additional glyphs noted in the history of the Mayans can be appreciated and somewhat understood by spending some time at the library and researching the topic. It is a rich history of ancient times when birds had a role of importance that is unsurpassed, and otherwise.
The vital importance of birds in the life of the people continued. It is readily shown by what may be the first bird guide in the American continent a thousand years later. In a few centuries the bird-feather headdress, and other birdly items, were of vital ceremonial importance to each of many Indian tribes, especially on the plains of northern America.


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The portraiture of suffering, shame, pride and bulged bodies in uncertain times.
Hello everybody!
This week I have been working on a new project. A completely different thing from my regular practice of creating intricate Fabulous Poufs designs.
This week I decided to take part on one of probably the biggest demonstrations of my home country about violence against women. On sunday April 24th, several feminist organisations and women in Mexico demonstrated in various cities against a mind-blowing wave of violence in Mexico.
I would like to briefly explain how it all happened for me.
(Last) Tuesday. Morning.
My daughter is at nursery and I have plenty of time (finally! tears in my eyes…) to grab my brushes and quietly work on a watercolour I had left unattended. Looking for something to listen while I worked, the name of Kara Walker popped. "Who is she?" – sorry Art world, I've been a mum and I have no shame on telling that I have been living in a Cbeebies world.
I looked into A Sublety of the Marvelous Sugar Baby exhibition and a talk at Harvard came along. I started watching it.
Her creative process explaining on how she came up with this installation was so clear and inspiring. Most of all, I really loved to hear from her thatshe could not escape being political and talk about race.
And then I thought…
Where are the renown Mexican artists talking about political issues and making a statement of the current problems that our country is dealing with? Women's rights? Students being killed by the military, journalists shot in the head for being outspoken? On-your-face-shameless Political Corruption? Where is that work that speaks up? How come that an opportunity to make the most out of the public international spaceis not being taken?
I thought it was time to take part, at least from this side of the world and start a project on women's issues because I experienced it on every single day when I lived in Mexico City. I was one of thousands of women, many more before me, dealing with sexual harassment, filthy words whispering in your ear, struggling every morning on what NOT to wear to provoke men on the street. I even had somebody taking photos of my legs and under my skirt. Oh yes, I had experienced all that.
After all this time working on a more European style for my Poufs, I was very happy to rediscover Pre-hispanic art. Something that definitely was closer to home and my heart. Finding the classic iconography of Mexican skulls (calaveritas) and Day of the Dead imagery was certainly everywhere. Indigenous costumes with wide skirts and colourful broad shirts. But then I found these female figurines of Tlatilco, from Central Mexico that they struck me rather interesting to compare with the European goddess figurines from Ancient art.
I wondered about the shape of the Mexican female body… Do they match with what we see on TV shows, on advertising campaigns for beauty products, hair products? You must know that more than half of these advertising images we grow up with in Mexico are rammed with tall, slim and blond white women.
What do I see in these photographs? Wide faces, long dark hair, dark lips, dark race. Mexican women.
Pledging for justice.
Crying out for justice.
Standing for their rights, for their jobs, for their daughters.
This has been a very fulfilling exercise and I certainly do not see myself giving up anytime soon.
#24A #VivasNosQueremos #NoesNo


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My blog is on air
After several request from my colleague Per I have started this blog.
I don't know what he expect of this blog other than some comments on software development - because that's what I can deliver.
I am primarily developing software in the Java programming language so expect this blog mainly to contain Java topics.


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Life is full of ups and downs and at Hintlesham Golf Club we are here for you through the happiest of times to the more sombre occasions. Our professional and experienced events team has a wealth of experience in planning and managing all manner of events including funeral receptions, christenings and naming ceremonies, and can offer advice and support when planning a family occasion.
We can accommodate small and intimate gatherings through to larger receptions for up to 200 guests. Our extensive function menus offer many alternatives for family receptions. Our finger buffets and afternoon teas are a popular choice for such events, alternatively we can provide reception drinks and canapés.
If you have any special requests we will do our utmost to accommodate your requirements.
Our discreet and compassionate team will be on hand every step of the way to make sure you have all you need to celebrate your loved one at this difficult time.
Hintlesham Golf Club offers a peaceful and tranquil setting for both small and intimate gatherings, through to larger funeral receptions for up to 200 guests.
Celebrating the arrival of a new member of the family is an occasion to remember and Hintlesham Golf Club is a delightful venue for a reception after a religious ceremony or service or as a venue for a non religious naming ceremony.


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The Livingston Baker Archive contains a vast array of archives, maps, photographs, publications, films and videos. Categories include agriculture, business, cemeteries, churches, clubs and societies, dairy companies, education, electricity, fire services, homesteads, houses, hospitals, newspapers, police, photographers, ports, post offices, publications, railways, surveys, town and community halls, transportation, whaling, military and reference book collection.
The Livingston Baker Archive at Aotea Utanganui is dedicated to providing best practice in museum standards for the care of archives, records and photographs. We are committed to providing excellent customer service and responding to research enquiries in a timely manner. To let us know how we can help, please contact the Museum with your enquiries email@example.com
Information & Reproduction Guidelines
Read through this Information & Reproduction Guidelines booklet for services and for what's in the archive.
The Patea Mail (1875-1941)
We have newspapers including the Patea Mail from April 1875 to December 1941 on microfilm (1890, 1900, 1901 not included). The Papers Past website has the Patea Mail from 14 April 1875 – 30 December 1903 (3395 issues) available for viewing here. More editions of the Patea Mail will be added in 2016.
Image Ordering Service
To order photographic images from our heritage collections please download and complete this form containing relevant pricing, reproduction guidelines and services Image Service – Order Form
A4 Black & White (Gray Scale) $0.50
A3 Black & White (Gray Scale) $1.00
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A4 B/W on photographic quality paper $20.00
A3 B/W on photographic quality paper $30.00
A4 Colour on photographic quality paper $25.00
A3 Colour on photographic quality paper $30.00
DIGITAL REPRODUCTION CD/DVD/USB Flash Drive (not supplied)
Per Image (300-500ppi TIFF or JPEG file) $1.00
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*For the transfer of all digital files we use Dropbox document management system. This allows our customers to download larger files from the cloud-based system with ease via an email link send after payment is made.
The first thirty minutes are free, then $20.00 per thirty minutes thereafter. Contact the District Archivist for an appointment email@example.com
Normal delivery times for image orders is approximately three weeks. For larger orders (over 10 images) a longer timeframe must be allowed for processing, which should be factored in when placing your order.
Aotea Utanganui does not hold copyright on all the materials in its collections. Where a current copyright holder is identified, prior permission should be obtained from the person(s). Some of the material included in Aotea Utanganui's archive and on its website are reproductions from originals held at other institutions or in private collections. Requests of this kind will be forwarded to the original owner of the item if identified. While every effort is made to ensure that the collection items are free of restrictions and available for public use, it is the users' responsibility to clear copyright and to meet any other requirements placed on the item by the owner, donor or creator of the original.
Any reproduction of Aotea Utanganui images should be acknowledged to Aotea Utanganui and must be credited as follows: Aotea Utanganui Museum of South Taranaki Collection (REF#). This reference number will be the file name attached to your photo(s) and should be used at all times.
Commercial reproduction fees will be charged in addition to the costs of creating copies. These fees apply only to the use of the material in commercial or profit-making ventures. Fees may also apply to archives from the collection published in any format (book, magazine, website, film, television). Prices below are per image/item.
Book Chapter, Illustrations, Magazines, Periodicals, Websites, & Newspapers $35.00
Book Covers and Jackets $200.00
Exhibition Usage $80.00
Greeting Cards, Postcards and Calendars $100.00
Reproduction Prints (Negotiable)
Advertising and Publicity $200.00
Contact Us
Archives research is available by appointment between 10am and 4pm Monday and Tuesday; other times may be available by arrangement. For further information please contact:
T: 06 278 0555 or 0800 111 323, E: firstname.lastname@example.com


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How to run to lose weight the figure and the legs
How to run: start Jogging to lose weight
Jogging is an effective method reducing weight, so it is very important to know how to run: to lose weight, it is necessary to consider some nuances. In addition to losing pounds, following these simple rules, you will strengthen the muscles and joints, improve the General physical condition of the human body, protect the immune system and be less stressed.
The basics
Running is one of the most useful and accessible to everyone sports.
Besides the fact that it's a completely free way of losing weight, regular exercise will benefit the body. Along with this there are practically no contraindications: even people suffering from flat feet, but wearing specially fitted shoes, running will benefit. It is important to remember how to run: to lose weight this way, you need to remember just two simple principles.
First: the average run should be about an hour. So long? During a 45 minute run, the body gets energy from glycogen (reserve carbohydrate). And only after this Continue reading
Elliptical trainer, exercise
Sessions on the elliptical trainer
Elliptical trainers for over 10 years delight us with their efficiency. Over this period they evolved from bulky, not always the most convenient machines in a compact and very popular trainers.
Now none of the gym is not complete without this equipment. And this is not surprising, because many people now prefer it during the cardio.
So what do we give classes on the elliptical trainer? First, this
equipment is one of the few that gives cardio, not have a heavy impact on knee and ankle joints. After all, with elliptical range of motion leg is constantly in a bent condition, which prevents an undesirable load.
Secondly, exercise on the elliptical trainer uses all major muscle groups (legs, buttocks, hips, arms, shoulders, chest and spinal cord). Continue reading


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2 term TV President David Palmer, aka Dennis Haysbert, thinks that his portrayal of the first black president on "24" has opened the door for Barack Obama's thus far successful run this year. In related news, the Cleveland Indians still haven't won the World Series despite Jobu showing Pedro Cerrano how to hit a curveball.
What's more likely, Haysbert having any effect on Obama's run or the Indians winning the Series? Sounds like a wash to me.


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Ritual: Practice A Week Of Complete Honesty
When we think about honesty, we typically think about objective truth. I've found it helpful to think of it as the ability to articulate the circumstances of our interpersonal lives, despite how complex they may be. This can be more difficult than objective truth, because it requires a sense of self-awareness that doesn't come naturally. It's easier to tell white lies because they let us avoid thinking deeply about why we make the decisions we make. Honesty forces you to know a little bit about the truth but a lot about yourself.
I came across this reflection on honesty recently, from a woman who has spent two years practicing a life without these kinds of lies (http://bit.ly/1lHCHDH). She talks about the internal transformation you go through when you eliminate even minor lies as a crutch in place of thoughtful explanation.
Two years is a strong commitment, though I suspect even just a week will help spark the kind of insight gained by being honest with ourselves and others.
Join the 19 others who have done so here on GOOD Magazine.


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The last item in the system to run my MVC is:
echo application->getContent()
My question is, sometimes I might get an "undefined variable" somewhere and I have no idea where it's coming from. So I tried
error_logging(E_ALL) and still dont get it in my logs, might be a server configuration, however..
In my views I had an undefined {{ api.fb.key }} variable, yet I get no error it just shows as empty. Because the key was an array which overwrites a config object. so I cast the array to
(object) ['key' => 'xyz'] -- however, the template doesn't show any error, is there a way to enable that?
What is the best way to display errors in Phalcon in development mode? I have Whoops installed, but that catches exceptions, not simple PHP undefined items or little warnings.


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Christmas in July with the CRAFT group7 comments Posted by Sharon's Place at 8:37 PM
Well a few months back our CRAFT group held a Christmas in July swap and we had to make of buy small gifts for our partners corresponding to each letter in the word Christmas and it was so much fun and amazingly difficult with some letters LOL
Well today I got my parcel from my partner Pam and boy did she spoil me ... I just love love love love everything thank you Pam :o))
I just had to show a pic of all the stuff and the list of corresponding letters ...so here they are :o))
C: Charm Pack...which I didn't get in the pic...was so in too much of a hurry!!
H: Handbag ... so gorgeous and so well sewn!!
R: Rita Raggs ... Just a real patriot cutie and all mine LOL!!
I: Indigo pouch... Love it will wear this one tomorrow :o))
S: Stash bags ... love bags and esp ooak ones just stunning :o))
T: Tote ... Oh I needed another tote so will go everywhere!!
M: Mini Quilt ... oh boy I just really fell head over heals for this one just no words here except I love it so much!!!!!!
A: Art thingy ...LOL she's going in my car!!
S: Scarf necklace ...that will get some use for sure with all this cold around and my fav colour too :o))
Well I really feel so spoiled thanks again Pam ... and if anyone wants to see what else Pam gets up to click on her name to have a nosy at her blog!!
Bjd doll face update6 comments Posted by Sharon's Place at 3:51 PM
Looks a bit better with hair LOL


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- Pray for essentials. It is not so essential to pray for good health. The important thing is that He give us the measure of health that will glorify Him.
- Do not pray that God will give us an easy path. Instead pray that he might give us grace sufficient to be overcomers for Him.
- Do not pray so much that God will answer our prayers as that God will keep us from being too busy to pray.
- Pray that God will remove hindrances, or that in battling them He might give us an unconquerable determination to go all the way with Him.
- It is not so important that God will bless our activities as it is to pray that God ensure and direct our activities.
- Do not pray for us as though we were saints, living on a high level, because we are missionaries. We are subject to temptation. Satan determines to hinder our testimony to rob our lives of power or make our witness futile. Pray that God will give grace and strength to resist temptation.
- Remember that we can become lonely, discouraged, irritable, sharp and impatient. Much missionary work can be done without really being on fire for the Lord. So we covet your prayers that we may live with our hearts aflame with compassion for the lost — aflame with the glory and love of Christ.
from Jim Koslowsky


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…only shooting stars break the, moooOOOoooold.
Ok enough Smash Mouth.
Let's focus instead on some glitzy gold holiday gift ideas that are bound to be a smashing success!
1. Gramercy Dress – Hunter Dixon by Hunter Bell because sometimes polyester + metallic = AMAZEBALLS // 2. Small Square Stud Earrings by Kate Spade New York — I mean, look at them! // 3. Golden Monogram Mug – Limited Edition at Anthropologie // 4. Layton Chronograph Watch by Michael Kors — Fashion meets function. // 5. Classic Link Bracelet by J.Crew — shiny gold sophistication. // 6. Girls' Graphic Notebook by J.Crew — perfect for girls of all ages. // 7. Collection Etta Sequin Pumps for J.Crew — or as Jenna calls em, Shiny Poines! // 8. 'Stroke of Midnight – Gold' Eye Kit by MAC // 9. Classique D Ring Bracelet by Fallon Jewelry — equestrian chic with a hint of glam never hurt no one.
Which items are your favorite? Let us know in the comments below!


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You found me :)
If you're here for content about big, scary feelings, go check out my latest project, The Big Feels Club. It's feel-osophy for people who are sad or scared a bunch of the time.
If you feel like having me coo gently in your ears, check out the six-episode memoir podcast I made with the ABC, No Feeling Is Final, about my experience of being suicidal. Subscribe on iTunes here.
And if you're here for stuff about art and money, check out Starving Artist, the podcast I made purely as an excuse to ask fellow creatives to give me all their money secrets.
You can find out more about me here, or just come hang out on the social medias (links below).


text: Dargaye Churnet penned Patent Claims Revisited (Northwestern Journal of Technology and Intellectual Property, August 2013) in an attempt to address shortcomings facing this country's patent system. The proposal bears some resemblance to the USPTO's request for patent application proposals, including the use of a glossary in a patent application. Churnet proposes a glossary in the form of a claim chart. Below is an excerpt of that claim chart. One of the potential issues with the glossary approach is that claim terms change during prosecution, whether by amendment or cancellation. When filing an application, where your claims start, is not necessarily what you have when claims are issued. Would a glossary of terms really help the understanding of patent claims? I'm not convinced either way yet.


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6.5 Creedmoor 140gr Berger Hybrid Target – 20 Round Box
For match grade accuracy, look no further than the 6.5CM 140gr Berger Hybrid Target.
Component selection is only the start to our top quality ammunition. The Gorilla Ammunition manufacturing process ensures consistency by pairing proprietary high end linear loading equipment with state-of-the-art inspection equipment. This inspection equipment utilizes lasers and high speed photography to ensure only ammunition that meets our rigorous specifications makes it into the box.
Technical Specifications
- Caliber: 6.5 Creedmoor
- Projectile: 140gr Berger Hybrid Target
- Muzzle Velocity: 2640 FPS (22″ Barrel)
- Ballistic Coefficient (G1): 0.607
Small Arms Ammunition purchasing disclaimer: You must be 18 or older to purchase rifle ammunition. All ammunition is shipped via UPS ground. Always ensure you use the correct ammunition in a firearm in good working condition. It is the responsibility of the consumer to know and comply with State & local laws regarding the purchase and possession of ammunition. Please check your local laws before purchasing.


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Juniper Hotel Cupertino, Curio Collection by Hilton10050 S. De Anza Boulevard, Cupertino, California, 95014, USA TEL: +1-408-253-8900 FAX: +1-408-253-3800
Local Events & Attractions
Juniper Hotel Cupertino, a Curio Collection by Hilton offers easy access to golf courses, wineries, sports venues, high-end shopping and amusement parks. Enjoy complimentary shuttle service to destinations within a 5-mile radius (with advanced reservation). Corporate travelers will find Apple, Seagate and other major tech companies nearby, with McEnery Convention Center just 15 minutes away. Take advantage of California's weather with year-round festivals and farmer's markets, and visit the nature preserves for gorgeous views of the Santa Cruz Mountains. Shoreline Amphitheatre hosts big-name outdoor concerts, and the San Francisco 49ers play at Levi's Stadium, just 9 miles away. Feel like a day trip? Our Cupertino hotel is 40 minutes from Santa Cruz beaches and one hour from San Francisco.


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Bravo's "Queer Eye for the Straight Guy" features five homosexual men who makeover heterosexual guys. The show is popular, however, not primarily because of its gay-straight dynamic, but because it promotes an important value rarely practiced today.
In each episode the "Fab Five" visit their subject at his home and upgrade his choices in clothing, grooming, interior design, dining and culture. Before arriving, they go over his bio and discuss his reasons for seeking a makeover. Past subjects have included pack rats, longhaired throwbacks from decades past, inept dancers, the overweight, and an overalls-wearer. Their goals have been to become more independent, to ask a girlfriend to move in, to rekindle a 20-year-plus marriage, and to rejoin the dating scene.
The Fab Five approach each makeover with serious, calculated thought, always mindful of each guy's individual goals, personality, and manner of living. They share with us their thought processes and methods as they assist their subject in picking the appropriate threads, skin products, furniture, food and wine, or music.
For example, we watch Carson rummage through each guy's closet and determine he must update his wardrobe and add brighter hues ("colors show confidence," the fashion expert often states). Carson tailors the new clothesline accordingly, whether his subject is a Marine or a rocker he fits with rugged yet stylish looks, or an already model-like guy who he suggests wears "always elegant" black-and-white attire to propose to his girlfriend.
Thom, the interior designer, learns about how each guy uses his living quarters, and with modern furniture, rugs and paints he creates for him the appropriate space and ambiance. Thom often employs the standard decorating principle that uses colors from a single object, such as a lamp or bedspread, to play off the same tones he paints the walls.
Stylist extraordinaire, Kyan explains the various skin and hair products he expects his subject to use to achieve a cleaner, healthy appearance. He meticulously demonstrates to each guy the manner in which he should groom, explaining, for instance, such shaving principles as stroking slowly and with the grain.
While these experts take serious life's finer but nonetheless important details, they are incredibly humorous (though sometimes sophomoric), witty and upbeat as they go about their business. They thereby send the message that, far from being a burden, remaking oneself and maintaining the new look can and should be enjoyable, uplifting and self-fulfilling.
The Fab Five often note the confidence that the makeovers give their subjects. But this confidence reflects a deeper self-esteem that originally sparked each guy's desire for self-improvement. And such factors tie into what makes QE a hit.
QE's makeovers focus, not merely on an individual's immediate appearance, such as his clothes and hair, but on broader, important details, from the furniture he surrounds himself with to the brand of wine he picks for a special dinner. Thus, while the show evokes style, sophistication, elegance, and manners, it above all promotes the idea that it is important to have each aspect of your life reflect your goals, personality and lifestyle. The primary value QE promotes is that this all-encompassing integration leads to a better, improved person who assumes a positive, confident approach toward his life.
As Carson says in a tip he offers at the end of one episode, "Travel with luggage that represents your lifestyle. That way, everything that says 'you' from head to toe, travels in something that says you."
Unfortunately, both critics and fans of QE emphasize instead its gay-straight dynamic. Some critics crow that it promotes "stereotypes" of homosexuals — that all that gays think about is mousse and Gucci wears. The Fab Five, however, are intelligent sophisticates who project no such superficiality. This fact, in part, prompts some QE fans to see the show mainly as a vehicle to make Americans more "tolerant" of gays.
While the gay-straight dynamic does lend an interesting, sometimes thought-provoking social element to the show, QE is essentially about aesthetically-minded men with an eye for transforming an individual into a more complete, integrated person for his betterment.
Encouragingly, an appreciation for these high-minded values, too rare in America today, is the silent motor driving this show's success. QE embodies a manner of broader, integrated thinking about one's life that many individuals — gays and straights, women and men alike — fail to adopt, yet know it would benefit them greatly.
* This column was re-printed in the Living Resources Newsletter, published by Dr. Michael Hurd, in 2004.


text:
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The Tree and Sea of Tears
The Silence Within us...and Between
And Then We Join the Circus
1. I was your tears for you.
2. I was there with your tears.
3. You filled me with your tears.
4. I had your tears inside me.
5. Your tears filled me.
6. I ran from your forest of tears, fearful I would be drenched.
7. I ran from your river of tears, fearful of wetting my new dress.
8. I swam through your tears to the other side.
9. Can we share tears?
10. Have you shed the perfect tear?
11. What does the perfect tear look like, that you shed?
12. Your tears followed and chased me.
13. Your tears blubbered down your face.
14. Your tears tried to choke me, but you choked them back.
15. Your tears ran down the block, streaking like The Emperor with no clothes.
16. I took a knife to your tears.
17. The Sun came out and dried out all the tears.
18. There was a tear drought.
19. You stood on my tears and stomped their life out.
20. You stomped the life out of my tears.
21. You used my tears like spit.
22. I tried to explain away my tears.
23. I tried to hide you in the embrace of my tears.
24. You peeked out from the cascade of my tears.
25. I tried to laugh away my tears.
26. I was shamed and said my tears had no meaning.
27. I thought to protect you with my tears in the forefront.
28. I used my tears for you like a mighty fortress.
29. If you could have wept your trail of tears, how different might I be?
30. I lied and said my tears were empty.
31. Why did you not weep your own tears but left them for me?
32. Unwell is a man without tears.
33. You said, "I feel like crying."
34. You shot down my tears like a sharpshooter with a practiced eye.
35. Tears are for the maudlin, he said.
36. You cut out my tears with a knife.
37. Do your tears flow alone, like alcoholics with their drinks?
38. Your tears do not mean I must love you.
39. Your tears will not bring my love to the surface.
40. Show your tears before clumps of dirt are heard.
41. Your tears hovered and lurked.
42. I felt guilty and ashamed, waiting for my tears to come.
43. I recoiled from myself, as my tears leapt to be seen.
44. I waited to see if the tears be cold or if the tears be hot, salty or fresh water.
45. I will shroud myself with tears and wait.
46. He put tears on his head like a lampshade and stood in the corner.
47. I saw your tears well up in your blue eyes as you panted for control.
48. You thought your tears silent, but I heard.
49. Were there more tears at Christmas, your birthday, or Easter, when He is risen?
50. Your tears leaked out at the seams in my garments.
51. I was eager to see your tears dance like Elvis in "Jail House Rock."
52. I thought of your tears spasmodically like Joe Cocker in mid song.
53. I tap danced on the stage round your tear drop puddles.
54. His face crumpled to torture before the tears squeezed out.
55. If I could save enough, I would decorate my house with tears.
56. My tears followed me, yapping and nipping at my heels.
57. I was Goliath, my tears were David.
58. You licked my tears and I felt nothing.
59. Are you protected behind your tears?
60. What protects you, your tears or their absence?
61. My tears streaked behind me as I ran.
62. You thought it was rain on the pavement, but it was my tears.
63. I shall grow old and withered, protected by my tears.
64. I am left with God and my tears.
65. A frozen tear, sharp as a knife's blade.
66. The kindness of winter sun, allowing the tears to remain.
67. The Remains of the Tears.
68. My tears keep the world at bay.
69. To your face I wept, as you turned it from me.
70. How shall I live without my tears?
71. My tears flowed with a stranger on the street.
72. She took my hand and walked with me, as my tears hit the sidewalk.
73. We were like Hansel and Gretel, with tears instead of bread crumbs.
74. The Witch wanted our tears captured in test tubes.
75. To shed the perfect tear, that's the goal.
76. Said tear shall be judged from all angles in the sunlight.
77. Shall said tear be found wanting, in all it's pulchritude?
78. The Guinness Book of most tears shed.
79. Who vies for that trophy?
80. You must shed your daily allotment of tears.
81. He makes his coffee with reconstituted tears.
82. Only love's first tears can awaken her.
83. I cannot slip and drown in your tears.
84. Ye shall know me by my tears.
85. He drank my tears, but it was merely for show.
86. When your tears come, don't call me.
87. I saw my tears, walking, in Central Park.
88. Do old tears die or just fade away?
89. He said he was brought to tears twice in his life,
90. But I did not believe him.
91. Good things happen to bad people all the time, she teared.
92. She cannot speak in words, only tears.
93. Your icy tears cannot wound me.
94. When my back was turned, you stole my tears.
95. He was sent to prison for tear stealing.
96. Your tears never moved me.
97. Without tears, what would you have done?
98. After you took my tears, you lied.
99. Sing Hosanna whilst the tears follow Him.
100. I can only go where tears are shed.
101. Set me on a shelf and watch the tears roll.
102. Humpty Dumpty fell while grasping for his tears.
103. He shook and blubbered like a baby, as his tears shot into the room.
104. My tears were both Daniel and the lion's.
105. Are tears only for behind closed doors?
106. Are tears only for the alone and lonely?
107. Should tears come out of the closet?
108. My tears came out of the closet.
109. What about yours?
110. My tears escaped from the closet.
111. My tears were chased out of the closet with a shout.
112. My tears were frightened out of the closet with an angry fist.
113. The pastor said, "Don't look at the hypocrisy in my tears."
114. Your tears were like the religious convert, zealous.
115. Your tears were languid, mine fervent.
116. Do tears want to be laughed away?
117. Should we laugh away our tears?
118. His tears growth was stunted.
119. The tears came and died with the gun shot.
120. I took my tears for a joy ride.
121. My tears swooped up and flew,
122. buoyed on the wind after you flung them out the window,
123. like a birds tears,
124. then crashed and scattered on the ground
125. like a dried floral arrangement and its tears.
126. Are tears to be welcomed or feared?
127. Do you wish you were tearless?
128. I watched a man weep, but there were no tears on his face.
129. I added my frozen tears to your drink and as you sipped, you grimaced.
130. Don't overload me with your tears, I cannot read that many at once.
131. Me and my tears? We went swing dancing.
132. My tears were lost, as they fell into the stream.
133. You gobbled my tears and waited for me
134. I heard she damaged her tear ducts to stop them.
135. She sprinkles the pan with tears, as she fries her morning eggs.
136. My tears do not seek beauty, though sometimes it is there.
137. I cannot let my tears begin, I'll stopper my eyes with hay.
138. I never use a pencil, my tears write for me.
139. I cannot cry for you, the tears you could not shed.
140. She lived her life submerged in a tub of tears, hers and yours.
141. It was a delicate ecosystem.
142. My tears have crossed many rivers.
143. Your tears threaded through her hair like gray hair through mine.
144. My tears hopped a freight ala Woody Guthrie.
145. My tears shopped for new clothes at Sears and Roebuck.
146. My tears had lunch at the automat and took the L train home.
147. I dreamed I fought your tears in my Maidenform bra.
148. Every day you were on your knees, I saw your tears.
149. Your tears were ground to powder, while you loved her.
150. He stomped your tears again and you let him.
151. You taught my tears.
152. You taught my tears to love.
153. I collected tears to feed my family.
154. I sowed tears.
155. I threw tears in the wishing well.
156. I wished, as I threw tears in a fountain.
157. I scattered tears and the crows ate them.
158. I harvested tears and gave my earnings to others.
159. I saw your brown eyes well with tears, but you would not let them cascade.
160. I harvested tears and gave them all away.
161. She sat on a shelf and I watched her tears collect.
162 .She took up a collection of tears just for me.
163. I saw the collection plate, it's bounty of tears for me.
164. One by one, my tears flew over The Cuckoos Nest.
165. My tears stuck their head in the oven with Sylvia.
166. My tears loaded their pockets with stones, on their way to the river.
167. " The waiting is over, Honey," my tears said to me.
168. His tears drove him to jump from a bridge.
169. Then they swam with the fishes, doing the fish stroke.
170. My tears took communion and invited the Jews.
171. My tears started a fire and kept me warm.
172. Your tears tied a yellow ribbon round the old oak tree and then they held me hostage.
173. Your tears gave me shreds of life.
174. Your tears gave me shreds of hope, but they shredded more.
175. Your tears are the blight of the world.
176. My tears were an abomination upon the earth.
177. Your tears watched, while my heart was crucified.
178. Sow your tears of anger upon the planet.
179. My tears wept small, for a small death.
180. My tears wept large, for a big death.
181. My tears were born in the dark.
182. My tears glow in the dark.
183. My tears went to kiss Gore Vidal, but thought better of it and returned home.
184. My tears and him? We tied the knot.
185. My tears were hungry and you gave them food.
186. You erected a temple for my tears.
187. My tears sat down by the side of the road,
188. And told God,
189. "Now, I need to be selfish."
190. Blessed are my tears for they are the poor in heart.
191. As a child my tears were childish.
192. My tears galloped off into the sunset,
193. and left you behind (alone).
194. Your tears lapped all up and looked for more.
195. As a tear I tearish was.
196. My tears gave up their tearish ways.
197. My tears see the mirror dim.
198. Face to face, our tears shall fully understand.
199. My tears abide by faith.
200. My tears abide through hope and faith,
201. Your tears, I hope, abide in love.
202. Your tears came to a fork, and made an error.
203. Your tears were lost in loss.
204. Your tears saw no healing in sight.
205. Your tears took a spin on the boardwalk and returned home with a sunburn.
206. My tears sang "How Great Thou Art"
207. Because they faithed it.
208. Your tears took a wrong turn and were submerged in sorrow.
209. Your tears saw no joy in sight.
210. Your tears carpentered for me, a set of twin dressers,
211. One for death and one for angry life.
212. Our tears carried these many years, both buoyed and sinking.
213. My tears begged, our tears begged, please release them.
214. My tears plodded, on the march of illness and debilitation,
215. not knowing it was the path to death.
216. My tears imploded, an internal grenade unpinned.
217. Then they exploded like an atomic incident.
218. They were not seen for many years.
219. My tears long to do-si-do with my dad like we did in yonder years.
220. My tears flung themselves on my father's corpse.
221. My father's tears fled on the way to his cremation.
222. My tears went to Grand Central and took the train north.
223. My tears sat in a bar,
224. at the bar,
225. alone,
226. on Thanksgiving Day.
227. My tears took to Central Park
228. and rode a horse,
229. Just like Jackie Kennedy.
230. Just like Marjorie Morningstar.
231. My tears healed my shattered dreams.
232. Your tears sucked my dream before it formed.
233. My tears gave me in equal measure, loss and healing.
234. My tears told me the only way to Redemption is through the dark.
235. My tears looked garish so you would know how I feel inside.
236. His tears ran afoul of the law for 20 years,
237. (His tears) were fouled whilst still living.
238. His father's tears ran afoul of the law,
239. not discovered, they died, and later, were fouled in death.
240. My tears hit joy, then anger, then sorrow,
241. where they remained.
242. His tears hit anger, then anger, then anger...
243. where they remained.
244. My tears escaped from silence and employed sound effects.
245. The sound of his tears was like breaking bones.
246. My tears do not accept endless sorrow.
247. His tears told the Catholics, "Put down your cocktail glass."
248. Her tears told me, I must not look at bars and taverns.
249. My tears jumped on that horses back and we didn't stop for three days.
250. My tears said, "I have a voice. I will not be silenced."
251. My tears said "You have no right to silence me."
252. Blessed are my tears, for they are the poor in spirit.
253. Blessed are my tears, for theirs is the Kingdom of Heaven.
254. Blessed are they who mourn my tears.
255. My tears shall be comforted and blessed.
256. My tears are the Meek, Blessed.
257. Meek, they shall inherit the earth.
258. There were pockets of warmth left in their
259. palms and underarms, when my tears died.
260. My tears were drunk, when they went to their Rolfing session.
261. Your tears played the piano, late at night, alone in the dark.
262. Your tears walked the hills and hid out, alone, in the forest.
263. Your tears ate too much at dinner.
264. Her tears were bulimic.
265. Her tears kept climbing into bed with strangers.
266. My tears tried to be anorexic, to no avail.
267. My tears watched you fall from a high place, or did you jump?
268. My tears shall never know.
269. My tears watched you go over the side,
270. the side of the bridge.
271. My tears cringed and crumpled as your sternum hit and cracked.
272. My tears drag this with them, the memory of that crack.
273. My tears shuffle and drag you, the memory of you.
274. My tears drag and shuffle, shackled at the ankles, with the memory,
275. The memory of you, the memory of your life,
276. My tears shackled at the ankles, shackled at the wrists, choked at neck's nape,
277. gasping and grasping with the memory of your death.
278. With the how of you dead.
279. My tears gathered your sweaters and placed them in a suitcase,
280. in my storage, there was nothing else to do.
281. My tears were in a rear end collision,
282. The rear was theirs.
283. My tears thought of you, while they swept the floor, with an industrial broom.
284. Our tears hunger and thirst for righteousness,
285. Blessed are they, to receive what they seek.
286. Our tears shall obtain mercy,
287. For blessed are the Merciful.
288. Our tears shall see God,
289. Blessed are they, the pure in heart.
290. In the morning, my tears were mourning.
291. My tears wandered in the desert for 40 days
292. and tried to make bread from Stone.
293. My tears refused the Kingdom of the World,
294. during hunger and starvation, for 40 days, stranded, in the desert.
295. My tears are surprised, at times, to still be living.
296. Yes, My tears, faltering, for 40 days refused, refused temptation,
297. but my tears do not always know what they want.
298. My tears said, "I'm packing up my love, and leaving home."
299. 40 days of hunger, thirst, starvation, blistered, oozing skin, my tears said,
300. "I want to live."
301. Some days, God only allowed my tears.
302. My tears snaked like a train, then circled back home.
303. My tears went to the movies and had popcorn.
304. My tears went to church and praised God.
305. My tears took a sip from the Big Dipper, then danced with Orion.
306. My tears smoked pot in the Caribbean with William F Buckley.
307. My tears wrote a better book than Norman Mailer, then grinned.
308. My tears dreamed of a big city and then went there.
309. My tears were generous to others.
310. My tears loved me.
311. My tears said, "I love you with all my tears."
312. My tears said, "You bore me now."
313. My tears said, "You must leave now."
314. Her tears lived a life brimmed with the unreal.
315. Her tears did not see what was.
316. Her tears sat by the door and waited for his return, abuse flapping on his coat tails.
317. Her daughter's tears sat and did same.
318. Their tears heard the bluebirds chirp while the sun shone.
319. Their tears wished to kill the sun.
320. Her tears wished to nap in a cloud.
321. Her tears faced her fears and took a risk.
322. Our tears rode our horses, until our faces burned,
323. in the sun.
324. Her tears slapped him, he stepped back.
325. A cloud dollop view pleased her tears,
326. they wondered where God was.
327. His tears were the richest I had known.
328. Whose tears died of wounds self-inflicted?
329. My ears watched as his life drained out,
330. they could only watch, my tears, the Tragedy.
331. Their tears rejoiced on their Wedding day.
332. They all danced a jig, them tears did.
333. Their tears rejoiced with the birthing of their first child.
334. Them tears danced more jigs.
335. My tears heard there was forgiveness before death.
336. My tears wish to leave death,
337. but are not allowed.
338. My tears watched as his tears tried to glide on skates.
339. My tears, mean, giggled, his ankle snapped.
340. My tears wondered, what more have I to say,
341. about you.
342. My tears were hurt, so, so hurt by your
343. spew of stones.
344. SOMETIMES my tears are just mad,
345. mad, ripped and pissed.
346. My tears hugged him with mad delight.
347. My tears were found in a Haystack.
348. Your tears will make me spit fire,
349. I'm a fire spitter.
350. My tears erased the smiles of snakes and cobras,
351. And rejected your intimidation and control,
352. Rejected and erased with an eraser greater than the Universe,
353. Because, My Tears believe in the Resurrection.
354. Our tears were found in a Fairy Tale.
355. Our tears were found in a Dream.
356. My tears were found weeping alone, in a Fairy Tale, Found in a Dream.
357. My tears saw that your tears were spurious,
358. Ahhh, mine were trenchant.
359. His tears made her in a dream, then left her.
360. Do not place your tears over me.
361. Your tears do not fit me.
362. He found her in his tears.
363. She thought her tears were safe from the barb wire of dreams.
364. Her tears were caught in that barb wire, with
365. thorns around her heart of dreams.
366. Her tears spun, and flung outward, Hallelujah, revolving on the Merry-go-round.
367. His tears wondered, what do you say, after you've said goodby?
368. My tears believe in the Hallelujahs of making wonder and glory spring from nothing.
369. His tears pondered, how to shed a tear after you've cried?
370. My tears believe in how close in the heart and of the flesh two can be.
371. His tears asked, what's a noise after you've shouted?
372. My tears believe that every day you should feel loved and adored.
373. His tears moved on to, how can one trip after you've fallen?
374. My tears search for the heart of miracles a hand can fashion.
375. Then his tears broke our hearts,
376. How can one love more, when love is so full?
377. His tears, those tears he so rarely shed, ('twas not safe), I know they rejoiced.
378. My tears were terribly unhappy, selling Girl Scout Cookies door to door.
379. My tears asked hers, was it the hand that hurt or the words that you heard,
380. That hurt you?
381. Did your tears bleed and bruise,
382. To the tune of the hand that hurt
383. or the words that you heard?
384. His tears said, I love you dearly, maturely and passionately, all at once.
385. His tears said, I am looking forward to loving you, as long as I can imagine.
386. His tears said, how full of Wonder you are and how much I desire you.
387. Her tears said, "Everybody loves me because I'm so awesome!"
388. And then, "Yeah! I'm so cute and weird"
389. Our tears lived with longing, waiting to be discovered.
390. Our tears lived in plain sight, where joy and sorrow hold hands.
391. His tears said, "I love to explore your skin."
392. Our tears said, "You must ignore the hypocrisy of the pastor,
393. God is good."
394. Our tears said, "You must ignore those self-serving people you find in church,
395. God knows who they are."
396. My tears said, Art is not about schooling, nor big words.
397. My tears sang, as did his, "Jesus loves me, this I know."
398. My tears said, "I painted your fall or jump from a high place,
399. with tears that reflected the pulchritude of your colors."
400. My tears have yet to cease for that fall or jump from a high place,
401. Oh Best Beloved, but they live a clandestine life,
402. hidden behind the veil of the tears of other's.
403. My tears said to him, "Well, yeah, but it's my water."
404. His tears said, "I love you in all possible ways."
405. Her tears said, "I need your approval, please?"
406. His tears said, Every little things 'gonna be alright.
407. Three little birds on my doorstep, My tears saw and heard ya.
408. His tears said unworthiness in the unconscious mind.
409. His tears said, The Good goes together with the perfect,
410. Only God can be the Master Caretaker.
411. My tears said to my tears, I laugh at you and love you.
412. Our tears sang, This is our story, this is our song…?
413. His tears said you must repudiate everything you have been told in the past about your pain.
414. His tears said, I plan on soaking up every molecule of your mind and body.
415. Her tears said, Well, What's the point of living?
416. All tears bright and beautiful.
417. His tears said, You must persevere until your pain is gone.
418. All tears great and small.
419. His tears said, They are part of the human condition.
420. All tears wise and wonderful.
421. His tears said, how crucially important the unconscious mind is.
422. The Lord God made them all, our tears, our tears, our tears, our tears, our tears.
423. My tears said, I like piles, jumbles, clumps and cascades,
424. so easy to pluck out a poem,
425. I just stick in my thumb and pluck out a poem.
426. Their tears said, We got married in a fever.
427. His tears said, I walk the line.
428. Her tears said, It's too late baby.
429. His tears said, I need you more than want you.
430. His tears said, I want you for all time.
431. Her tears sang, I had to break myself for something not mine, but I don't know the tune.
432. My tears were like a war ravaged country.
433. My tears, too, dreamed of elsewhere, to live in a place where things that happened, mattered.
434. My tears were ignorant, they lived what mattered.
435. My tears said to the world, Great loss creates wholeness.
436. My tears said, If I speak, you will see my coruscating soul.
437. My tears said, I loved you, but our time has passed.
438. His tears said, Let's go to the drive-in and make out.
439. My tears said, Our window is closed.
440. His tears said, Let's go to the beach and make out.
441. My tears said, You never touched me, or looked into my eyes, so now we can never be.
442. My tears said, Oh how I would have, but you did not.
443. Your tears said, I received a message from God on Facebook,
444. then he posted on Instagram.
445. My tears said, When I in Awesome Wonder,
446. then sings my soul.
447. Her tears said, I needed you to stop, but you did not.
448. My tears are at a loss…
449. now.
450. They're hemmed in, my tears, between numbers, words and the blank sides of a page.
451. How can my tears escape? With jungle vines and furtive lines-with back alley bombast and sarcastic, silly, sneering tones from my sinister sister Sally, who wouldn't know a ________if it hit her or smacked her in the head, till she dead? My tears have somewhere else to be, don't know where they are now, but they gonna get out, they gotta get out.
452. My tears need a escape route, some kinda protection, we ain't that, we ain't bein' that. That not we. How dare you say it be we.
453. My tears search for the peaceful stream of me.
454. His tears said, to her, I want someone to share in the misery and the glory.
455. My tears said, you taught me to accept that which I now reject.
456. My tears say, Can I be you instead of me, just for the day?
457. My tears said, I was not afraid of violence 'til violence came to me.
458. My tears said, You know what I am? I'm a sucker for color.
459. My tears said, my dad was happy, surrounded by broken machines,
460. Their tears needed his love, his tender loving love and care, and they responded.
461. My tears said, my dad didn't need a fixin' manual.
462. His tears said, I never met a machine I didn't like.
463. My tears said, my dad, (the great healer,) couldn't mend his broken heart.
464. Her tears, in tears, a stranger turned to me, crumpled hands covered her face,
465. my arms wrapped her petite frame, they longed to be longer.
466. Her tears, her words leaked through her hands, wet my chest,
467. Her tears raised a plea to the pastor, a daughter, possibly dying,
468. Our pastor inquired about the next fundraiser.
469. My tears witnessed, and they judged.
470. My tears said, I want to reach our heartbreak, to be together in the depths of that which we dare not name, nor dare to feel, and to sit there, as we hold each other in the dark, as we sit there holding, we're holding, and God flows in.
471. My tears said, we are quivering masses of, endless masses of feeling and flesh and, that's all my tears have to give, not my flesh, only to a few in this world will my tears give my flesh, our flesh, but my feelings, our feelings, those of my tears and I, we only have our feelings to give, at the end of the day, when the flesh quivers no more, all I had, all we had, were our feelings, to give.
472. My tears were just a baby, Lord, you know that. You were there, with my tears not even on their knees, they couldn't get on their knees, yet. My baby tears could lay and stay on their back, that was it, kicking legs, closed eyes, sleeping, spasmodic arm movements, curl, uncurl, toes, fingers grasp at nothing, you were there, Lord.
473. My tears ask, they ask you, does my dark show? Do you see it around my edges, leaking, pooling around me? Will you love me,
474. My tears, if you know, if you see my struggle to stay off my knees?
475. My tears grasp for the hand of God as they feel me sink lower, all our hands grasp for those of God, our tears hit the paper. Our tears pool, on the paper, like the dark around me.
476. Do you feel our tears spread out around you? Are your shoes wet, do you feel our tears seeping into the hem, the hem of your garment, the hem of His?
477. I say, to my tears, this cost me, this cost me to write this, to tell my tales to you, to look inside and expose the ugly. This cost me to be cloistered, alone, my eyes wet with tears, tears that I am not always sure are my own and others I am certain are not mine, they are not mine and I did not earn them, do you hear me say that? I did not earn them, they were foisted on me, or given to me with a smile and a laugh, with no sense of survival skills, no teaching of how to protect, no teaching from anyone, large, small, or old. Foisted tears and no survival skills and I must say, I must write, I must have eyes wet, in aloneness, cloistered in solitude, cloaked, holding the darkness within, as I let it seep out, in doses and ways the earth and those around me can tolerate, a slight singe, with no igniting the torch.
478. I say, to my tears, it's the endless battle of a lifetime, one which I cannot win.
479. It's a battle of tears I wage, I'm fighting a battle I cannot win, it's me against you, tears.
480. I don't know when it began.
481. There is no victor.
Apryl Miller
July, 2012-February, 2014


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ScalaCamp #6
6th ScalaCamp is already on Wednesday next week!. This time there will be talks by two core members of Akka team who both work for Typesafe:
- Konrad Malawski
- Heiko Seeberger
VirtusLab is a proud co-organizer of ScalaCamp. We are happy that we can support community in Kraków.
We also would like to thank Typesafe, Inc. for devoting time of Typesafe experts to share their knowledge.
We also invite you to celebrate Akka's 5th birthday with us – 23.07, after the ScalaCamp, everybody is invited for an unoficcial celebration with beer.
We are Looking forward this and further meetings of Kraków Scala User Group!


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Claim your writing time.
Want to get ahead on your writing project? We're running intensive write-in sessions on Monday afternoons, providing you with a creative writing space and time (plus caffeine) to help you put pen to paper – or fingers to keyboard – and get those words written.
Write-in: $20/session (includes free coffee)


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FEATURING: Susan Seubert
What do the words "Creative Community" bring to mind for you? How do you feel is the best way to utilize members in a Creative Community?
Working together to create things that have layers of meaning incorporating an exchange of ideas. Creativity can be greatly enhanced through sharing concepts.
How did you discover your creativity?
I don't think that creativity is a discovery. To me, it is something that is inherent in everything that one does, from figuring out strategies for simple things like grocery shopping to making photographs of the mundane and finding beauty in those things.
Name the biggest challenge you have had in growing your business. How did you solve it?
When growing my business, I've always drawn a comparison to surfing. When you surf, everything has to come together just right in order to capture that perfect wave. Understanding ocean mechanics, pausing to really look at the water and analyzing whether you can paddle out and not drown! Looking to see where the wave will break and paddling hard to either go for it or take a pass so that you don't drown. It's a great way to strategize.
What was your first "Big Break" in your profession?
Winning an Alfred Eisenstadt Award immediately put me in to the ranks with the big dogs. It was immediate and long lasting. My next big announcement will come in February and will be equally impactive on my career.
What's in your backpack/handbag/tote right now?
EO Organic Hand Sanitizer, iPhone 6s, Fine Point Sharpie and a small notebook, my Sony RX 100 III, BOSE noise cancelling ear buds, iPod Mini pocket sized wallet and some tropical spf 15 lip treatment.
Top 3 Tips you would give someone starting out in your creative profession:
1) Don't be afraid to go to the top first
2) Always be open to learning anything and everything
3) Don't try to be ahead of the curve technologically - find the sweet spot where you're not too up front (so you don't get burned by a bad product) and not too far behind so that you remain current. If it were surfing, be in the pocket!
Who are you following right now on Instagram for inspiration and why?
I don't follow many people because, frankly, I find Instagram to be pretty overwhelming. I follow mainly my clients because I want to see what is driving their social media so that I can be sure to stay current with visual trends.
What is your MOTTO in life?
Be yourself despite the urge to follow the creative herd.
What is your guiltiest pleasure?
Sitting on the beach, staring at the ocean.
If you were on an island and could only bring three things, what would you bring?
Since I live part time on an island in the Pacific, I can't possibly answer this question.
What do your parents think you do?
My mom is a retired attorney and my father is a retired nuclear physicist. They both play classical music and my mother is also a Russian scholar. Try filling those shoes!
They are well aware of what I do and how hard I work and how difficult it is to navigate today's world, particularly, as a photographer, I am considered fungible.
Their moral support, although not financial, is indefatigable and for that I am extremely fortunate.
What would be your Networking Do's & Dont's>
Do: Introduce yourself
Don't: Be a pest about it
Do: Be friendly
Don't: Assume that since you've worked with someone once that you are BFFs
Do: Talk about your accomplishments
Don't: Talk about your accomplishments as though you are a goddess
Do: Ask people about themselves
Don't: Immediately respond with, "me too!"
Do: Send hand written cards and targeted emails
Don't: Bombard people with promos
Do: Promote yourself
Don't: Promote yourself to clients who have no interest in working with you
And perhaps the most difficult in the modern world of creatives -
Do: Be wholly yourself
Don't: Try to be something that you're not.
Full Name: Susan Seubert
Profession: Photographer
Industry: Travel
Website: www.sseubert.com
Facebook: https://www.facebook.com/seubertphoto/
Instagram: @susanseubert
Twitter: @susanseubert
LinkedIn: https://www.linkedin.com/in/susanseubert
Please contact member directly for information about production, permission and usage.
All images are copyrighted.


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A major report for the Department for Transport reveals that 'psychological' traffic calming works. Painting the road different colours, taking out white lines or planting things in the way of sight-lines on corners can be used to make roads look narrower, or bumpy or windy. Drivers then feel less safe and drive more slowly - a principle adopted most radically in one town in the Netherlands which abolished all signs and road markings.
The four-year study by the Transport Research Laboratory found that many optical tricks were successful in slowing speeds: in simulator tests all speeds fell when the measures were introduced, some by an average of more than 4mph; and in one test in Latton, Norfolk, average speeds fell by up to 8 mph, and the speeds of faster drivers by even more.
The most successful measures, likely to be used in future, were using red bricks to make the road look narrower and small areas 'built out' into the road with trees, shrubs or wooden posts, said the report.
The findings were welcomed by road and safety groups as the future of traffic calming. This 'has been refined over the years, it's a lot more sophisticated now with speed cushions, chicanes and mini-islands. This is the next advance,' said Roger Vincent, spokesman for the Royal Society for the Prevention of Accidents.
Interest in psychological traffic-calming measures has been growing for a few years: in Britain, London's Kensington and Chelsea council is discussing taking all 'road furniture' off Exhibition Road. Central white lines have been successfully removed in some Norfolk villages, and lines before roundabouts are painted more closely together so drivers feel they are driving faster.
Importantly for politicians and safety campaigners, focus groups and questionnaires also found that psychological measures were much more popular than physical obstacles like humps and cushions.
Janet Kennedy, the main author of the report, thinks this is because the tricks draw on elements of real roads, such as country lanes, where many motorists naturally drive more slowly.
'Residents usually welcome speed-reducing measures such as road humps, but drivers forced to reduce speeds by artificial means tend to resent it,' she said. 'Drivers tend not to resent having to slow down on a winding country lane or at a hump-back bridge.'
The report says it is vital that the psychological measures do not actually increase risk, for example from vehicles hitting trees, and they work best when used with physical traffic calming. It also admits the need for more tests to see if they are still effective after several years, rather than just months.
However, a Department for Transport spokesman said it was so confident in the results that next year it would issue advice to local authorities on when, where and how the measures work best.
'This research is positive but we realise these things won't necessarily work everywhere, and local authorities will still be the ones to determine the best option for them,' said the spokesman.
A Freight Transport Association official said another advantage would be to break up monotonous roads which can make drivers drowsy.
Kevin Delaney, the RAC Foundation's head of safety, said removing central white lines from roads through villages had been very successful in reducing speeds and accidents, and many more rural and urban roads could benefit from similar changes.
'It has to be done thoughtfully but sometimes if you remove some of the certainty it does make the roads a little bit safer because it does put the onus back on the driver,' he said.
So does it work?
Driving sensibly has never been my forte and I was quietly sceptical when, as the Observer guinea pig, I was asked to test the new, psychological, traffic calming measures at the Transport Research Laboratory simulator in Bracknell, Berkshire. The test involved 'driving' through rolling countryside interrupted by villages with differing measures. Here are the results:
Village 1
No calming measures
The first village bought out my usual village driving technique: stare at the speedometer, sit religiously at the 30mph line and refuse to go a fragment under. This is not a DVLA recommended technique.
My speed: 30 mph
Village 2
Redbrick 'narrowing'
Much to my surprise, this measure instantly slowed me down. Not knowing where to find the edge of the road made me drive towards the centre. The fear of other vehicles coming in the opposite direction immediately reduced my speed.
My speed: 27-28 mph
Village 3
Tree 'buildouts'
These forced me towards the centre, and fear of hitting a tree brought my speed down further. It took my eyes off the speedo by worrying more about what was in the road - which can only be a good thing.
My speed: 25 mph
· Dan Selinger
Read on ...
Transport Research Laboratory - for a copy of the report.
Department for Transport - with facts and figures on road safety.


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Portraits of a Troupe: Introducing PurgARTorium with AcrOdance
This is the first part from a project I did a few weeks ago, with the extremely talented team from Acrodance.
AcrOdance by Anna Omiridi is a brilliant combination of acrobatics and creative dance. Acrobatic routines are integrated seamlessly into choreographies with emphasis on guided improvisation. The main concept of this approach is that movement and exercise, as creative expressions, hold a significant role in human lives and help in structuring positive self-awareness and knowledge of oneself. Thus strengthening your body and building your muscles will allow you to experience mental uplift.
I have to say that during this cooperation, all performers responded with unlimited energy, drive and professionalism; this comes as no surprise since their chosen discipline demands these virtues unconditionally. And I have to admit I much prefer working with dance/performance artists for exactly this reason. It should also be mentioned that the Acrodance team has a lot of experience with photographic projects, having collaborated with a a considerable number of local and international photographers.
Concerning the project, our concept was that of an ensemble of performers that find themselves trapped in a series of travels inside a type of purgatory, where they have to reenact their routines in a dreamy/symbolic setting, in order to purify and absolve themselves from prior sins. The whole project was shot on location, during a 3-day trip (which was also very reminiscent of that of a travelling troupe).
Here is the first installment for this project, featuring portraits of our actors. Please enjoy and stay tuned for much, much more, in weeks to come
Concept and styling: AcrOdance by Anna Omiridi
Makeup and hair styling: Lina Dolora Eisenberg
The Acrodance team:
Anastasia Delta
Iliana Thalassinou
Anna Omiridi
Triantafyllos Omiridis
Stefanos Papathanasiou
George Spyropoulos
Mariliza Chrysikaki
Gear report: all photos were shot on location, using only a plain wall as background and a small softbox/flashlight combination. All shot with the X-Pro2 and XF 35mm f1.4 lens.
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India Marie Knowles
For as long as I can remember there has been an artist within eager to break free and express herself. Occasionally I have found an outlet for my high need to create, but jewelry making has captured my imagination as nothing I have tried before. Since retiring from my private practice as a licensed professional counselor in 2002, what I began as a hobby has evolved into an addiction and is now a small business. Most of my work incorporates semiprecious gemstones and sterling silver or 14K gold-filled wire and findings. I also enjoy using lampwork and other handcrafted beads.
Most recently, however, bead embroidery has become my obsession. Gemstones, small freshwater pearls, tiny seed beads and bugle beads lend themselves to unlimited designs and color. I love allowing the patterns to evolve as I work rather than utilizing a plan. Pieces that are asymmetrical in design almost always prove to be gratifying to me, as I like seeing the final coming together of seemingly disparate components.
It is always a joy to see people wearing and apparently enjoying pieces I have made, and I am especially pleased when items are purchased as gifts. A song by Harry Chapin entitled "Mr Tanner" comes to mind when I consider my work. Mr. Tanner, the owner of a dry cleaning shop, loved to sing but was panned by critics in his first New York concert. The line, "He did not know how well he sang; it just made him whole" is a poignant theme in the song. As I look at the works of other jewelry artists, I do not know how well I create; it just makes me whole.
Items are available for viewing and/or purchase at
Columbia Art League in Columbia and Missouri Hawthorn Galleries in Springfield, Missouri, or by appointment (contact info below).
contact info:
Tel: 573-449-7754