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- Europe
- Belgium
- Switzerland
- Ireland
- Denmark
- France
- Germany
- Italy
- Netherlands
- Spain
- Sweden
- Norway
- United Kingdom
- Portugal
- Africa
- Sudan
- South Africa
- Ghana
- Botswana
- Kenya
- Nigeria
- Somalia
- Egypt
- Uganda
- Cameroon
- Asia
- Thailand
- India
- Philippines
- Singapore
- Taiwan
- Japan
- Malaysia
- South Korea
- Lebanon
- Caribbean
- Jamaica
- Puerto Rico
- North America
- United States
- Canada
- Mexico
- Central America
- Costa Rica
- Guatemala
- Oceania
- Australia
- New Zealand
- Latin America
- Argentina
- Venezuela
- Brazil
- Colombia
- Guyana
- Ecuador
- Global
Yumi Zouma – Bruise
Having completed their trilogy of EP's last year, New Zealand outfit Yumi Zouma have shared a brilliant new standalone single in the form of 'Bruise'. The club-ready track is a slight change of direction from the indie-pop trio's signature sound, yet those pop nuances we've come to love and adore remain stronger than ever. The infectious melodies and soothing tones of vocalist Christie Simpson add a soft and hazy touch to the electronic-led production propelling the track forwards.
Azadi.mp3 – Summer In The Crypt
London-based producer and singer Azadi.mp3 shares intoxicating and captivating new EP in the form of 'Summer In The Crypt'. Combining sparse, crisp electronic beats with smooth R&B infusions, the three-track EP opens with the mellow 'My Imaginary Friend' and 'Honeydew' which showcases the singer's soothing tones whilst closer 'Bloodletting' encompasses a more explorative aesthetic as well as a killer verse from 24Carot.
Kaytranada – BUBBA
Montreal based beatsmith Kaytranada returns with stellar sophomore album 'BUBBA', the magnificent follow up to 2015's '99.9%'. Bringing the heat once more, the renowned producer enlists another star-studded line up for this latest project, with tracks featuring COLORS alumni Charlotte Day Wilson, Kali Uchis, Masego, VanJess, SiR and more. Across the album's seventeen songs, Kaytranada lays down his signature bouncy instrumentation that's packed with groove and bite for the respective vocalists to work their own magic, but also holds his own on stand out cuts like 'Scared to Death' and 'September 21'.
Bad Gyal – Zorra
Spanish singer/producer Bad Gyal shares new dancehall-infused single 'Zorra'. With Sickdrumz and Scott Storch on production duties, the track is set alight with a fiery beat which serves Bad Gyal with the perfect backdrop to work her magic with those silky smooth vocals. The accompanying music video, which is directed by MANSON (a collective made up of Pau López, Gerardo del Hierro, and Tomás Peña) captures the track's fierce and powerful aesthetic.
emawk – tea
New York based songwriter emawk follows up his exceptional 'vintage' EP with another delicious slice of soulful sounds in the form of 'tea'. Having caught our attention earlier this year with the stunning 'Later', emawk rounds off the year with the soothing atmospherics of 'tea'. Soundtracked by gentle guitars and a subtle electronic beat, it's emawk's soul-stirring vocals that steal the show once more, showing why he's one of the most exciting voices around.
Matt Ryder – 50FT
16 year-old Birmingham based singer and producer Matt Ryder bursts onto the scene with his exceptional debut EP titled '50FT'. Featuring previously released singles 'Hours' and 'Further', the seven-track project captures the newcomer's magnificent songwriting over brooding, atmospherics productions that showcase Ryder's versatility and prowess. With '50FT', Matt Ryder shows why he's one to watch in the years to come.
De Rien – Chimes
German based artist De Rien shares 'Chimes', the dazzling new single which follows up previously released debut 'Cali'. Soundtracked by crisp electronics and soothing synths, the track captures a dream-like soundscape as De Rien's falsetto-laden vocals further add an element of sweetness. Having played in several classical orchestras and jazz ensembles over the years, De Rien's exploration into the world of soulful electronica is off to a great start with 'Cali' and 'Chimes'.
Aaron Childs – Every Single 1
Los Angeles based singer, songwriter Aaron Childs shares new single 'Every Single 1'. an infectious groove-inflected jam that shines from start to finish. Having released his eclectic debut EP 'My Way' a couple of years ago, the rising artist has since signed to taste maker label GODMODE where he dropped the exceptional 'Tangerine' last year. With 'Every Single 1'. Childs impresses once more with his sweet sounding vocals gliding across the cheerful instrumentation that's tinged with hints of jazz.
Tsar B – Rome (Solve You)
Belgium based singer, songwriter and producer Tsar B teases new EP with her dark and intoxicating single 'Rome (Solve You)'. Since introducing herself with the dazzling 'Escalate' back in 2015, Tsar B has gone onto release a slew of stellar releases in the form of her brilliant self-titled EP and stunning debut album 'The Games I Played' last year. With 'Rome (Solve You)' (which comes accompanied with a video game inspired visual by Lion Beach), the singer teases a new EP, and with that, impresses once more with her gorgeous, silky vocals traipsing across the haunting soundscape.
Caribou – You and I
Canadian-born, London-based artist Dan Snaith aka Caribou marks his return with the fantastic 'You and I'. the dazzling single from forthcoming new album 'Suddenly'.An absolutely roller-coaster of a track, the single opens with a twinkling synth-laden soundscape as Snaith's dreamy tones enter the foray, that's before the track takes an unexpected turn and bursts into an amalgam of textures and colours. In contrast, the track's lyrics echo darker shades as Snaith sings about dealing with the passing of a loved one. Check out the single here and look out for 'Suddenly' which is out February 22nd.
Killertunes – Gbedu & Things
Nigerian AfroBeats star Killertunes drops his highly anticipated new EP 'Gbedu & Things'. Having worked with the likes of Mr Eazi, Wizkid, DJ Spinall as well as COLORS alum Tiwa Savage, the producer steps into the spotlight with his first solo body of work which features five vibrant and eclectic tracks that entice and invigorate. Setting the scene beautifully with the cheerful '11:11′, the entire EP is a continuation of Killertunes' wondrous sounds that'll have you up and moving from the get go.
Lido Pimienta – No Pude
Colombia-born, Toronto-based artist Lido Pimienta returns with her first new music since 2016's 'La Papessa' in the form of 'No Pude'. The spectacular single comes accompanied by an other-worldly and utterly vibrant music video directed by Fitto Segura. A mixture of squelchy and sharp electronics coalesce to serve as the ideal backdrop for Pimienta's slick vocals to gloss over with ease.
Tim Shiel – Right in Front of You (ft. Braille Face)
Melbourne based producer Tim Shiel returns with his first non-soundtrack song in five years with 'Right in Front of You', a collaboration with Braille Face. A whirling of woozy sounds that intertwine and coalesce to create an entirely immersive atmosphere, 'Right in Front of You' is narrated by Spirit Level label-mate Braille Face's endearing tones while Sydney producer Anatole lends his fabulous trumpet.
Where is Maps – Never The Same
Consider yourself introduced to Swedish newcomer Max Nilsson aka Where Is Maps who steps into the spotlight with a dazzling single in the form of 'Never The Same'. The infectious pop song serves as the lead single to his forthcoming debut EP which is out on December 17th via new label Dreams Never Die. Listen as Nilsson's alluring vocals sweep across the bright soundscape that boasts groovy guitarlines, subtle synths and a killer beat.
Låpsley – Ligne 3
London based singer, songwriter and producer Låpsley returns with another gorgeous song in the form of 'Ligne 3'. Taken from her forthcoming new EP (out December 6th) titled 'These Elements', the track follows up lead single 'My Love Was Like The Rain', her first taste of new music since releasing her stunning debut album 'Long Way Home' back in March 2016. On 'Ligne 3', Låpsley's endearing vocals rise above the sombre soundscape as she sings about a profound breakup and how it isn't always as simple when it comes to falling out of love.
RIMON – Hypnotizing
Emerging Dutch singer and COLORS album RIMON shares new single 'Hypnotizing', another delectable and soulful slice of magic. Following the release of 'Dust' and 'Close' with J Rick earlier this year, the rising artist shines once more on 'Hypnotizing'. Produced by FNMLAS who pens a striking trap-inspired beat sprinkled with delicate piano chords to complement RIMON's exquisite vocals.
clipping. – The Deep
Originally released in 2017, Los Angeles based trio clipping. share 'The Deep', alongside two previously unreleased recordings in the form of 'Aquacode Databreaks' (ft. Shabazz Palaces) and 'Drownt'. Encompassing a futuristic sound, the experimental Hip-Hop group, comprised of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes, work their magic across the three tracks which encompass shape-shifting sci-fi soundscapes.
Keynes Woods – Spiritual Healing (ft. Just John & So Loki)
Toronto's Keynes Woods links up with fellow MC's Just John and So Loki on blistering new single 'Spiritual Healing', the first taste of his upcoming new EP. Having released a slew of standalone singles in the form of 'Threat' (which he performed for COLORS), 'Avarice', 'Groovy' and 'Water In The City', Woods delivers another spectacular cut that features his sharp and confident lyrics over an eerie and utterly captivating beat. Check out the track here and look for Keynes Woods' debut project 'Kongo KANE' which is out February 2020.
ThatKidMaz – Glow Up (ft. Jordan Dennis)
Up-and-coming Melbourne artist ThatKidMaz teams up with rising rapper Jordan Dennis on hard-hitting new single 'Glow Up' which follows up his striking debut single 'No Vibe'. With production from Duan who pens a classic Hip-Hop beat, the simplistic soundscape allows ThatKidMaz and Jordan Dennis to fire off their killer verses which shine from start to finish. The empowering track, which is about Maz's journey navigating the world in search of ways to channel his individuality, also comes with a great music video directed by Nick Rae.
Koffee – W (ft. Gunna)
Jamaica based artist Mikayla Simpson aka Koffee teams up with fellow COLORS alum and rapper Gunna on blistering new single 'W'. Serving as the follow up to the rising star's debut project 'Rapture' (which is now nominated for a Grammy for Best Reggae Album), 'W' is another fiery track which showcases Koffee's slick delivery as she implores the listener to focus on the wins and not the losses. Check out the track and Matt Baron directed video here and if you haven't already, be sure to check out both Koffee and Gunna's COLORS sessions.
Rina Sawayama – STFU!
London based singer/songwriter Rina Sawayama unleashes 'STFU!', her nu-metal inspired lead single from her forthcoming (as yet untitled) debut album. The sprawling cut is written alongside long time collaborator Clarence Clarity who pens a fierce and powerful guitar line whilst Sawayama is a force to be reckoned with. Her vocals offer a bite as she sings about the discriminatory comments she's experienced as a Japanese woman growing up in the West. Check out the equally arresting music video and look out for Sawayam's album which is out next year via Dirty Hit.


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Though a two-acre plot, owned by the Bharat Petroleum Corporation Ltd (BPCL), was earmarked at Irumpanam, the land allocation is stuck over the past two years thanks to red-tapism. The delay has forced officials to perform driving tests along the sides of the road, resulting in public protests and traffic blocks.
This is happening, despite the office being one of the busiest regional transport offices in Kerala. The number of vehicles registered in a single day in the office is nearly 400.
"The initiative to procure land for MVD was taken up by the then district collector M G Rajamanickam on a request made by the department. Though a 'puramboke' land was initially earmarked at Thuthiyoor, it was later cancelled after the plot lacked several requirements," said a senior MVD official.
The department later approached BPCL and the company agreed to provide the plot at Irumpanam under their ownership.
"When the land received administrative sanction from the transport commissionerate, BPCL demanded a two-acre land in return of their land. MVD has no provision to provide them land in return. It has to be dealt by the district administration and the state government. Though discussions were held many times, we could not reach a consensus on the matter," said Ernakulam RTO P H Sadiq Ali, adding that BPCL's land is good to conduct driving and fitness tests and even registration purposes.

subset: commoncrawl


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Yes, I know there are two number 36s. Why are there two number 36s? Because I made my list of the 55 best albums of 2008...then I went out and started listening to other albums from 2008 that I hadn't heard yet. Brilliant move, right? So, after really digging the Sleepercar album (Jim Ward from Sparta's new band), I felt compelled to include it. But since I had already posted the bottom of the list, I couldn't squeeze in anything new without screwing up the numbering system. Then I realized...I run the site and make my own rules. So I can do whatever I want.
Don't forget to send me your top 20 albums of 2008 and I'll compile a master list of the 111 best albums of the year!
The 11 Best Albums of 2008 (Part 2):34. Gnarls Barkley - The Odd Couple
35. We Are Scientists - Brain Trust Majesty
36. Vampire Weekend - Vampire Weekend
36. Sleepercar - West Texas
37. Fleet Foxes - Fleet Foxes (White Winter Hymnal - Daytrotter)
38. Dead Confederates - Wrecking Ball
39. The Faint - Fasciination
40. Okkervil River - The Stand Ins
41. Nine Inch Nails - The Slip
42. Cat Power - Jukebox
43. Cut Copy - In Ghost Colours
44. The Dirtbombs - We Have You Surrounded
Be sure to visit my Amazon Store to buy any of these great albums.


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Connecting with an adult from another country is an amazing experience.
Learning English can be challenging. You can help by joining a Conversation Team Activity
Our Conversation Team Activities provide local community members a chance to meet someone new while providing conversation practice opportunities for our adult students learning to speak, understand, read and write English.
Have you considered becoming a volunteer English teacher with Intercambio?
Would you like to experience how Intercambio is bringing communities together through English education?
In 30 minutes, we train you to have a meaningful dialogue and provide a comfortable space for our adult students to practice conversational English.
Please feel free to share this invitation.


text: james341 0 Report post Posted October 19, 2011 hey there my site url : www.skip-up.com i have 2 questions : 1. i have in my site "Register/Download now" page - is there a way after a user register using that page to hide it in the menu and show other page in the menu like support or something like that ? because i have the register form there and i don't want that a user that already registered to see the form i want him to see something else like support. 2. i'm using the universal side bar in my home page - feature page , for the sidebar login, but as you can see it take all the site width and it's not looking nice. is there a way to make it smaller and put some photos or text in the right to it? Share this post Link to post Share on other sites


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Meaning From Voices interview with Eleanor Longden – check it out …. click on title for more information and link to programme
First Aired 6-1-2012
Hearing voices is strongly connected with traumatic experiences, but are voices a brain malfunction or a creative strategy for protection?
UK psychologist Eleanor Longden survived a diagnosis of paranoid schizophrenia and went on to be a leading researcher around voice hearing, trauma, and dissociation. She is a pioneer in the movement to understand voices as a normal human experience — and truly help people by healing trauma.


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Minutes 23. 3. 2018
In today's Art Council meeting, we we briefly looked at the Art Action plan and discussed ways of promoting the Arts at Stapleford. These are some ideas that we will discuss further in later Art Council meetings.
- parade for the Spring fair
- parade through the village
- Art gallery open to the village
We also decided on our next Big Make project. Please see the flyer about this.
Finally we drafted and made notes for a letter to John Lewis asking them to judge our shoe competition and collected notes and quotes for the Artsmark newsletter.
We use cookies to track usage and improve the website.
Click here for more information.


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Postfix smtp_tls_policy_maps fingerprinting
It bothered me enough that I need to record it, and hopefully the path to a solution that others will follow.
(delivery temporarily suspended: Server certificate not verified)
Lesson: Document things properly, especially if it's something interesting, more so if the technology/thing you're doing is normally not what you do, and it's already taken you a long while to get it working properly in the first place.
Mind you, the above may be a difficult task when rushed to get a system out and the only way to confirm the installation is to break it apart and start from scratch
We exchange e-mail with an external organisation (duh!!) with regulatory standards that requires us to ensure e-mail sent to them is encrypted. We achieve this through the following:
- Certify that the server we're connecting to is theirs by using:
- using SSL certificates
- smtp_tls_policy_maps and
- fingerprinting
- Encrypt the traffic between the two sites using TLS
So, we follow the online Postfix TLS Support and smtpd_tls_fingerprint documentation and have it up and running with the basic configuration:
File extract: /etc/postfix/main.cf
smtp_tls_policy_maps = hash:/etc/postfix/tls_policy
File extract: /etc/postfix/tls_policy
example.com fingerprint fingerprint-digest-is-here
External Organisation used a 1 year self-sign certificate, it expires (as most eventually do) and no messages go through them. We get the below "cryptic" message in our logs:
(delivery temporarily suspended: Server certificate not verified)
Seems easy enough, we just need to re-do/fix our 1st step above for Certifying the connection.
- Get updated certificate from remote site
- Update the fingerprint
Load up the online documentation and follow it through.
Oooops, it doesn't work.
The logs laugh: /var/log/maillog
(delivery temporarily suspended: Server certificate not verified)
- The message is not sent (deferred) with the error message "Server Certificate not verified".
- The message is never sent, since the Server Certificate is never validated.
- Bypass certification and send e-mail. The short-term configuration is to not require the fingerprint to be 'certified'.
I'm sure I followed the steps correctly … (wrong)
Walk away from the documentation for a while, walk through it again with the presumption that you've screwed everything up so you need to take all your knowledge and check the basics (verify assumptions) as you go along.
- digest format
- fingerprint
- policy file
Digest Format
Verification of an SMTP server certificate fingerprints, uses a message digest.
Don't get trapped putting together fingerprints that are invalid, or unnecessary. Find out which fingerprint digest is supported by your configuration, and use that.
postconf | grep fingerprint
lmtp_tls_fingerprint_digest = md5 smtp_tls_fingerprint_digest = md5 smtpd_tls_fingerprint_digest = md5
The above configuration output shows we're using the MD5 digest format. It should be fine, but read the documentation about what it says may be the better choice digest for you.
[Ref: openssl x509]
After acquiring getting your SSL Certificate through some 'trusted' method, generate the fingerprint for the 'trusted' certificate in the following method.
openssl x509 -noout -fingerprint -md5 -in /etc/ssl/certs/example.pem
MD5 Fingerprint=fingerprint-digest-is-here
After comparing the above fingerprint-digest-is-here with what I have in the tls_policy file, it is obvious they don't look anything similar.
Policy File
With the above fingerprint, and digest we can fix the TLS Policy table such as the below:
example.com fingerprint fingerprint-digest-is-here
Remap the file to make sure the correct hashed version is active:
postmap /etc/postfix/tls_policy
Restart the server and things are coool.
postfix reload
But isn't that what the Postfix documentation says you have to do?
I guess it does, but for some reason the steps I took those days weren't the correct steps. And now that I've rehashed the already hashed, I hopefully will not mis-read the documentation the next time through.


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"Inconsistent" is the best word to describe UConn's 2011 football season. And "expected" might be the second-best word. The Huskies were a team in transition; they lost key players on offense, the coach bolted to Maryland without warning, and the new (old) guy, Paul Pasqualoni understands that programs aren't built overnight.
So, yes, there have been some rough patches. But there have been some bright spots, too. Most recently, last week's convincing victory over Rutgers. And now, despite it all, the Huskies, 5-6, are one game away from becoming bowl eligible. That may not seem like much of an accomplishment for a team that played in a BCS bowl a year ago, but given all the upheaval leading up to the 2011 season, it's a noteworthy accomplishment.
And Pasqualoni is just happy for the opportunity, which will only come if UConn can get past Cincinnati Saturday.
"There are no bad bowls," Pasqualoni said during his Monday conference call, according to the Hartford Courant. "I've never been to a bad one. I think they're all good. It gives you an opportunity to keep your team together, here at the end for the semester, when the academic thing is so important and you want to be around the kids as much as you can."
"The problem with not playing in a bowl game is you're out on the road recruiting and the kids are back on campus. So No. 1, it gives you a chance to take the kids in your program, which is critically important."
There's also the added benefit of the extra few weeks of practice the team wouldn't otherwise get.
"The adage of the rich get richer, you become better, more fundamentals [are taught], you learn about your personnel more, maybe you move some guys around, get a head start on spring practice with the younger guys," Pasqualoni said.
And while 10-15 extra workouts in December may not mean much, remember that this group is still learning new systems on both sides of the ball and the college game is a transient one: players are around for five years at the most and there is constant turnover.
To get back to our initial point: with one game left in the regular season it's fair to say that the 2011 Huskies have been inconsistent. But there are worse fates. Like, say, the University of Maryland's program, which hired Randy Edsall away from UConn in January. The Terps, who won nine games under Ralph Friedgen a year ago, are a two-win outfit under Edsall.
After Maryland was embarrassed by NC State last week, the Washington Post's John Feinstein wasted little time getting to the point: "Randy Edsall should be fired — today."
There's more, of course:
"He doesn't get it," Feinstein continued. "He didn't get it a year ago, when he didn't have the class to tell his Connecticut players in person that he was leaving. He didn't get it when he started spouting off about rules as if he had invented the idea of discipline."
So that happened. The Courant's Jeff Jacobs cited Feinstein's comments in a column about the differences between Edsall and Pasqualoni. UConn cornerback Blidi Wreh-Wilson had little trouble contrasting the two men.
"We're expected to be more of men and be able to take care of ourselves without having a lot of people in our face all the time," he said.
The lesson: even in big-time college athletics, there's more to the games than just winning. Pasqualoni understands this. And if that means starting the season 5-6, then that's a trade-off worth making.
Pasqualoni: 'There Are No Bad Bowls'
"Inconsistent" is the best word to describe UConn's 2011 football season. And "expected" might be the second-best word. The Huskies were a team in transition; they lost key players on offense, the coach bolted to Maryland without warning, and the new (old) guy, Paul Pasqualoni understands that programs aren't built overnight.


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Join our starter Pro plan if you are not sure what to get. It is our most popular plan. All our plans are 30-day exchangeable and refundable. Risk free.
Basic Plan:
Custom designed webpage on RCP Web site which can be used as an EPK for sharing with potential venues and hosts. If you have your own site already, this page will link back to your site as well.
1 Feature article in the Rock On Newsletter, a quarterly email publication sent out to RCP subscribers with show dates, band info, interviews club reviews, pictures of your band at gigs.
Gig Listings on the RCP "Upcoming Shows" Page.
Low 15% Booking fee for all gigs contracted through Rock Capital Productions.
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10 8 x 10 inch Printed Posters sent to the venue for your upcoming gigs
Event listing on Facebook on teh Rock Capital Productions Page, with cohost rights given to the band leader


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Hard Rock Music Archives
Instinct (1996-present): a Thrash Metal band from Roosendaal, North Brabant, Netherlands.
fter their mini-CD Instinctive Terror was released in the autumn of 1997, Instinct would make it to the finals at the European Emergenza rock festival, and qualified for the Dutch Metal Bash band contest. The MCD got them local interviews and a headlining spot with W.A.S.P. This Dutch metal band had only started a year earlier and, in 1996, they also turned down the opportunity to have their MCD distributed in Europe in favor of recording newer material to release their self-produced debut album Hate Of Mind in 1998, featuring the membership Bram Willems (vocals/guitar), Marco Jansen (guitar), Leon van Grizen (bass) and Stefan Maas (drums).
Artist Dashboard:
Artists Linked With This Article:


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Advertising Opportunities Provided by TERMIS
Please contact Sarah Wilburn, TERMIS Administrator, either by phone +1 (925) 362-0998 or email firstname.lastname@example.com to advertise today.
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- 365-day alphabetical listing, 50-word description, contact information, and one hot link to web site or e-mail - $295.00
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The following Banner Ad Specifications and Rules apply to termis.org websites and are subject to change:
- Placement is for 30 days and is on a first come first, served basis.
- termis.org banners are accepted in one size. Full banner size should not exceed 185 px X 185 px (15k max file size.)
- Banners are placed at the bottom (footer) of the page. The banner will provide a direct link to your company website.
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Advertise your organization in the TERMIS Newsletter, which is published quarterly.
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text:
Accuride Corporation to Host Call on March 7, 2013 to Discuss Fourth Quarter and Full-Year 2012 Resu
Accuride Corporation to Host Call on March 7, 2013 to Discuss Fourth Quarter and Full-Year 2012 Results
EVANSVILLE, Ind.--(BUSINESS WIRE)-- Accuride Corporation (NYS: ACW) , a leading supplier of components to the North American commercial vehicle industry, today announced that it will host a conference call to discuss the financial and operational results of its Fourth Quarter and Full-Year Fiscal 2012 on Thursday, March 7, 2013, beginning at 8:00 a.m. CDT. Accuride President and CEO Rick Dauch and Vice President and Chief Financial Officer Greg Risch will host the one-hour call. Accuride intends to issue a news release detailing the results on Wednesday, March 6, 2013, following the stock market close.
Analysts and investors may participate on the conference call by dialing (877) 261-8992 in the United States, or (847) 619-6548 internationally, and using participant code 34324637. A live webcast of the conference call can be accessed via the Investors section of the company's website - http://www.accuridecorp.com/investors. A replay will be available from March 7, 2012, at 10:30 a.m. CDT until 11:59 p.m. CDT, March 14, 2013, by calling (888) 843-7419 in the United States, or (630) 652-3042 internationally, using access code 34324637.
About Accuride Corporation
With headquarters in Evansville, Ind., USA, Accuride Corporation is a leading supplier of components to the North American commercial vehicle industry. The company's products include commercial vehicle wheels, wheel-end components and assemblies, truck body and chassis parts, and other commercial vehicle components. The company's products are marketed under its brand names, which include Accuride®, Accuride Wheel End Solutions™, Gunite®, Imperial™ and Brillion™. Accuride's common stock trades on the New York Stock Exchange under the ticker symbol ACW. For more information, visit the Company's website at www.AccurideCorp.com.
Accuride Corporation
Timothy G. Weir, APR, Director of Public Affairs, Communications & Marketing, 812-962-5128
Chad Monroe, Director of Corporate Development, 812-962-5041
KEYWORDS: United States North America Indiana
The article Accuride Corporation to Host Call on March 7, 2013 to Discuss Fourth Quarter and Full-Year 2012 Results originally appeared on Fool.com.Try any of our Foolish newsletter services free for 30 days. We Fools may not all hold the same opinions, but we all believe that considering a diverse range of insights makes us better investors. The Motley Fool has a disclosure policy.
Copyright © 1995 - 2013 The Motley Fool, LLC. All rights reserved. The Motley Fool has a disclosure policy.


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Online business building tips for busy Direct Sales Consultants in the Natural, Organic Beauty and Wellness Products
Thursday, April 14, 2011
Thinking of Starting a Skin Care Business from Home?
There are many ways to start a skin care business from home. Here are some pointers:
*You can make your own products from home and sell them at farmer's market, online, crafts, expos, and so forth. That was the initial start from some direct sales companies. The founders created their own skin care products right out of their kitchens.
*If making products isn't your thing, there are private label wholesale options. Google "skin care wholesale" and you'll see various companies offering private labels. In fact, one fitness company uses a private label company on their new skin care line.
*You can research direct sales and network marketing companies that offer skin care products. Most of the companies offer body care and wellness products in addition to skin care. You can start with the Direct Selling Association, direct sales directories, Better Networker for a list of companies, or just Google the keywords.
*Be an affiliate marketer for established companies. Nearly every well-known companies these days offer an affiliate program to encourage consumers to sell their products online. Affiliate programs are free to join.
There are many ways to start your own beauty business from home and this is just some of the ideas.
Whichever option you choose, be sure to choose one that is RIGHT for you. This means understanding your interest, your lifestyle, how much time you're willing to invest in your business, your skills, finances, and so forth.
A skin care business is big business because everyone uses some type of skin care and body care products. But that doesn't mean everyone is your target market.
There's a wide range in product types and prices. You also have mass competition from online, offline, infomercials, regular stores such as Target, grocery chains, and virtually everywhere you look, skin care products are sold.
But if this is something that you have a passion for and can get excited on a consistent basis, it can be a lucrative business for you. It's a cliche but true - do what really gets you excited and the success will follow.
There is no point in starting any business just because others are making money in it especially if it does NOT excite you. I've made this mistake before and the lesson I learned is that it's very difficult, long-term that is, to find the motivation to keep going when you're in a business that's not congruent with your interests and values.
**Need more help with starting or marketing your skin care business online? Sign up for your FREE 10-part Mini Course here --> http://www.janettestoll.com
6 comments:
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Angry atoms sparking in retaliation reflecting the atrocities of battle scars. Open wounds bleeding profusely, crimson life force congealing on the broken steps of the great temple. Dark matter threatens to spill, black veil and a freign of indifference in which to spike your soul, a souvenir for the jar collection. Nuclear reactor, what does the atom care anyway, good, bad their roles are predefined by human hands. They can be anything we curve their existence into.
Light cannot penetrate the obstacles of occurrence that dark matter shadow. So the atoms conspire to create a reflective surface, the continuum effect the great war of darkness a battleground of pain. The soldiers of broken esteem shooting constant rounds from guns of insecurity. But the atoms will not stop, the reflection must occur for the light to penetrate wholly.
Dispersed, a ritual cleansing of the soul. Once broken they can recreate their form. Anger energising the sparks of revelations a nuclear reactor sits inside, the button calling out.
Karen Hayward ©2016 image and words.


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Difference between revisions of "IP transaction"
(Changed to past tense.)
m (Taras moved page IP Transactions to IP transaction)
(No difference)
Revision as of 00:50, 15 March 2015
Sending bitcoins to an IP address was a convenient way of sending bitcoins to a Bitcoin address along with additional information.
- You contact the IP address to find out if they're actually running Bitcoin and accepting IP transactions. If not, no transaction occurs.
- Your additional information ("from", "message", etc.) is exchanged with the server.
- The server generates a brand new Bitcoin address and sends it to you.
- You send coins to this address in the normal way
Unfortunately, the implementation provided no authentication, so any "man in the middle" could have intercepted your bitcoins during the transaction. When they see that you're sending a Bitcoin payment by IP address, they pretend to be the actual destination and send back their Bitcoin address. You end up sending bitcoins to the wrong person. It's therefore no longer a good idea to send bitcoins in this way, especially if you're using a proxy.
This feature has been removed from Bitcoin Core as-of v0.8.0[1]


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Build the Lifestyle Motorhome You Desire With
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—Owen & Rosemary Moore
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Take the comforts of everyday living on the road with you. We'll customise every aspect to suit your needs from air-conditioning, water tanks, living space, retractable BBQ's, awnings, a stabilising system and much more. The only limit is your imagination.
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We'll help co-ordinate the creation of a fully self contained motorhome, with the practical features of everyday living. We're masters at making your design ideas a reality while utilising space efficiently with safety in mind.
Before and After
To the left, you'll see Keith's bus chassis they purchased from a wrecker. When they brought the bus shell to us for our motorhome conversions service, it looked like a skeleton frame that belonged to the scrap yard. We sat down with Mary and Ron to discuss their motorhome vision. After 9 months of design, detailing, engineering and colour work the impressive blue mobile home rolled out to on-lookers with all the features and comforts to allow them to enjoy a fabulous life on the road.
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We will build your new motorhome or caravan from scratch, or make additions and modifications to your current motorhome or caravan. Our friendly team will provide tailored advice and guidance on the best solution for you at a competitive price.
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Once you're on the road, you're not alone. You'll enjoy the peace of mind of knowing you have our after service support and care. We provide quality motorhome conversions, repairs and upgrades when you need them.
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Motorized Louvered Roof Patios By EX Design Group
Contemporary outdoor living spaces have evolved from the old concrete slab and charcoal grill to beautiful, multi-functional outdoor spaces for individual relaxation, family time and entertaining. Comfy furniture, fire pits, gas grills, kitchen amenities and creative lighting contribute to inviting patio and deck spaces.
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Attract more guests to your outdoor seating areas – a commercial louvered roof maximizes the amount of tables you can seat, regardless of the weather. Guests can enjoy the shade during peak sunlight hours, and stay dry and cozy even if it's raining outside. A louvered roof provides ambiance any time of day, ensuring that your guests have a wonderful experience.
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Would you dare to move out of your Comfort Zone? Are you ready to unlearn the old collective auto-subconscious-program.
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In the Sale Ring, Keeneland KY. Click to visit image source.
GLOBALLY in excess of 100,000 Thoroughbreds are produced each year, few of which in actual fact make it to the finish line.
Current statistics from The Jockey Club (2009) identify the USA as the most prolific country in terms of foal crops holding almost 30% of the world's foal population on a continuing annual basis; Australia, Ireland and Argentina follow with 15%, 9.5% and 7.8% respectively.
In fact, the top 10 breeding countries in the world comprise 87% of the total number of Thoroughbreds foaled each year. [1]
Over the last 6 decades (i.e. 1950-2009), in North America alone, the foal crop has quadrupled to massive proportions, particularly during the 1980's which saw the number almost double from the previous decade. [2]
The situation in NA is typical of the global picture where the quest for profit by the horse racing industry's influential investors has led to over-production of physically weak Thoroughbreds built for speed rather than endurance. Currently only about 35% are sufficiently robust and healthy to start racing. Breeding Thoroughbreds became a greed riddled business in the late 80's and continued through the 90's.
More recently, the breeding of Thoroughbreds has abated as a result of the sagging economy and its negative impact on sales.
According to The Jockey Club statistics, in North America there were 27,233 Thoroughbreds produced in 2010, down 15 % from 2008 with a further estimated decline of 10% in 2011. [3]
On a global basis the same trend has been observed for several of the major contributors to the foal crop, but not all. For example, Australian and Irish coverings are down by 11.5% and 20% respectively over the period from 2008 to 2010 while slight increases (i.e. 2% - 3%) have been estimated for France, Japan and New Zealand. [4]
Nonetheless, over-breeding remains problematic for the "unwanted horse" epidemic from both a North American and global perspective.
Depending on the country, in any given year on average only 60% to 65% of the Thoroughbreds foaled are destined for a career on the track of which even fewer make actually make it to their first race.
Even more sobering is that only 5% of these Thoroughbreds will go on to win a larger-pursed stakes race and a mere 0.2% will win a Grade I stakes race. [5]
The remaining "unremarkable" racehorses who equally push the limits of their endurance are consigned to lower grade races on cheap tracks without fame or glory.
These facts and figures make a profound statement of the global breeding industry.
Most importantly, what happens to the 35% to 40%, or more, of those who never see the track?
Secondly, given that most of these horses only race until the age of 6, the question as to their fate for the remaining 20+ years of their lives emerges.
The majority of those who don't make the grade are sold to slaughter, including foals.
Serena Miller witnessed what happens at Turners near Nantwich, Cheshire, one of two horse slaughter plants in Great Britain, where they carry out 'equine services' on Fridays.
Miller provided the following account to the Daily Mail (UK):
"I went in pretending to be a racehorse owner and was given a tour of the slaughterhouse by Valerie Turner, the owner's wife," she says.
"There were some very young thoroughbreds waiting to be killed. They were just babies. Shots were going off all the time, and they were petrified.
"They were shaking, weeing themselves, eating each others' necks. Their eyes were wild, they were wet with sweat and there was a stink of blood. I asked how long they had been there for, and I was told a week.
"A week waiting in terror to be shot. It was a sorry sight.
"I was told that their trainer had dropped them off on the way to the races." [6]
The prognosis for horses who make it to the racetrack is equally dismal. On average, two out of every three Thoroughbreds who come off the track — even those who are sound and healthy – are euthanized, abandoned or shipped to slaughter.
[1] Jockey Club Online Fact Book; Thoroughbred Racing and Breeding Worldwide; http://tiny.cc/cn5at .
[2] Jockey Club Online Fact Book; Annual North American Registered Foal Crop by Decade 1880-1999; http://tiny.cc/e2scc .
[3] Jockey Club Online Fact Book; Annual North American Registered Foal Crop by Year 2001-Apr 5, 2011; http://tiny.cc/f54im .
[4] International Federation of Horse Racing; http://www.ifhaonline.org/ .
[5] Mullane, Laura Anne; "Beasts of Burden: What happens to Thoroughbred racehorses after retirement"; Washington Post; May 30, 2010; http://tiny.cc/lukwc .
[6] Brennan, Zoe; "Why healthy foals – some just a day old – are being killed across Britain by a crisis-hit racing industry . . . ."; Daily Mail (UK); Apr. 9, 2009; http://tiny.cc/5thkg .
Part 1: The Statistics | Part 2: In the Shed | Part 3: In the Ring
Size : 155.61 Kb
Type : pdf


text: peter Give Thanks with a Grateful Heart Posted on July 27, 2014 1 Thes 5:16 Be joyful always; 17 pray continually; 18 give thanks in all circumstances, for this is God's will for you in Christ Jesus. We may have had a lousy day or a lousy week or a lousy year. Things may be going form… Read More


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- Home
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- Childrens Wall Decals | Have Courage and Be Kind
Childrens Wall Decals | Have Courage and Be Kind
Product Description
Childrens wall decals are a perfect way to boost the magic in a child's room.
"Have courage and be kind…where there is kindness there is goodness, and where there is goodness there is magic." -Cinderella
This Cinderella quote will inspire courage, kindness, goodness and magic while looking amazing over your little one's bed or crib.
Our childrens wall decals are original to Old Barn Rescue and are sure to add a beautiful touch to their bedrooms or playrooms.
Removable wall decals offer a wonderful solution for decorating an apartment wall.
This vinyl wall decal will come as one piece so that you don't have to apply each word or letter separately.
© Old Barn Rescue Company, LLC all rights reserved. All products, images, styling and text are copyrighted and intellectual property of Old Barn Rescue Company, LLC. DO NOT COPY


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In a stupendous feat of intellectual overproduction Žižek has created a fantasmatic critique of the present order, a critique that claims to repudiate practically everything that currently exists and in some sense actually does, but that at the same time reproduces the compulsive, purposeless dynamism that he perceives in the operations of capitalism. Achieving a deceptive substance by endlessly reiterating an essentially empty vision, Žižek's work—nicely illustrating the principles of paraconsistent logic—amounts in the end to less than nothing.For my part I have never been particularly sure about how seriously to take Žižek. In general I tend to see in his texts the sort of prankishness that Friedrich Nietzsche seemed to admire (and recognized explicitly in Twilight of the Idols); but I agree that some of the extremes to which he carries his pranks can be more than a little scary. Nevertheless, Gray may have missed the point of Žižek's book by associating it with the spoof article by Alan Sokal intended to put one over on the discipline of postmodern critical studies.
Friday, June 22, 2012
The Meaning of "Less Than Nothing"
The new (July 12) issue of The New York Review of Books has the highly reputable philosopher John Gray taking on Slavoj Žižek, with particular attention to Less Than Nothing: Hegel and the Shadow of Dialectical Materialism, which runs over 1000 pages. The title of the review is "The Violent Visions of Slavoj Žižek;" and, as might be imagined, Gray has a tendency to play up the irrationality of those visions. Thus, he concludes his article with the following "punch line" paragraph:
Basically, Žižek is trying to pull a metaphor out of one of the paradoxes of modern particle physics, which is the idea of surplus mass due to acceleration. Under this theory the electron has zero mass at rest, meaning that it only has mass when it is in motion. Žižek takes this as a metaphor for capitalism, because value is determined only through the "motion" of exchange. Thus, nothing "at rest" has any value (and may even have, as the book title suggests, negative value). It is hard to imagine that Žižek intended this as anything other than a metaphor to emphasize just how tenuous any "value metric" of capital itself must be.
There is nothing new about this. Niall Ferguson has said pretty much the same thing. He just said it in better mannered (and less rambling) language. On the other hand it is harder to chuckle when reading Ferguson as he moves towards taking himself more and more seriously. Žižek is definitely the right antidote for reading any author who takes himself/herself too seriously!
Posted by Stephen Smoliar at 1:10 PM
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WESTWOOD (CBSLA.com) — UCLA Police say a suspect wanted for an attempted sexual assault on campus remains at large Saturday.
Police said around 2:30 a.m. Friday morning the suspect grabbed a woman from behind at 310 De Neve Drive (Rieber Hall) and attempted to sexually assault her.
The suspect was interrupted by two passersby and immediately left the area.
On Saturday evening, KCAL9's Brittney Hopper talked to worried students and parents.
"It"s disgusting. I can't believe it's happening," said one student. "I hope they catch this guy," she added.
Surveillance pictures were taken of the suspect and students say posters with his image have gone up around campus..
"It's very worrisome to know that this could happen to anyone. It's not just a one time occurrence," said Errin Kaitel, a student.
A parent told Hopper she pays too much money for her child to go to UCLA knowing it could potentially be unsafe.
"I just think they should have more [security] people here. Watching. Security available for students. I mean that's my opinion as a mother," said Meredith Navarro McCullar.
Police aren't saying whether or not they believe the suspect is a student.
But they did say they believe the same suspect grabbed a second victim's buttocks at a nearby residence hall.
The suspect is described as a light-skinned 20-25 year old who is 5 feet 10 to 6 feet 1 inches tall and between 180-200 pounds. He has short brown hair with a thin mustache.
The man was seen wearing a blue tank top, blue jeans and tennis shoes.
Campus Police want to remind the community to walk with others at night and to call them if you see anyone acting suspiciously.
If you have any information regarding this suspect you are asked to call UCLA Police at (310) 825-1491 reference #13-1706.
You must log in to post a comment.


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Windows 8 Releases Kooky Ads in Asia — But in What Language?
Microsoft released a series of off-the-wall ads in Asia that promote its Windows 8 operating system using kooky visual analogies.
"Beautiful and Fast," above, shows three bare-faced women racing to apply a full face of makeup in 10 seconds. The final woman, apparently representing Windows 8's attractive and efficient interface, succeeds.
"The Power of Touch," below, shows three men in a watermelon-carving competition, with the last contestant — again, representing Windows 8 — producing an intricate carving of a bird using only touch.
"Multitask," below, shows two men playing the piano while simultaneously engaged in a ping-pong match with each other. The video is an apparent analogy for Windows 8's multitasking capabilities.
The approximately minute-long spots have attracted tens of thousands of views since getting posted to Windows' YouTube channel on Thursday.
Despite their popularity and creativity, however, it's unclear what language the actors are speaking in the ads. According to the The Seattle Times, some of the newspaper's staff members who speak Japanese, Korean, Mandarin or Cantonese say they're not speaking those languages. Microsoft declined to tell the Times what language the ads are in, saying only that "We created these online-only social videos for the Asian market, where they were well-received."
What's more, if you look closely, the audio doesn't match the movement of the actors' mouths. It's possible that Microsoft combined several Asian languages to create a hybrid one that would not target a specific market (therefore potentially isolating other markets), but would sound nonsensical to native speakers. Microsoft did not immediately respond to a request for comment.
What do you think the actors are speaking in the Windows 8 ads? Tell us in the comments, below.
Screenshot image courtesy of WindowsVideos via YouTube


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About Mind Recycling
My Journal
Mind Recycling is the idea that Life experience, and our reflection thereof fosters growth, exploration and evolution. When we recycle, we take parts from things already made and make it into something else, something different, ready to be used like new again. There are a lot of opinions, beliefs and information in our world taught to us and passed around as though they are concrete facts – never to be questioned, deconstructed or even changed. Just left to us as "reality."
Mind recycling is the process of questioning and deconstruction that may foster growth from one leading perspective to one of our own discovery. As we extract information from our own Life experiences, reflect upon them and delve into deeper understandings, we may find we can create something else, something different, ready to be used like new again – we are evolving.
I am a traveler. Even when I choose to stay in one spot for a while. I believe we are all just traveling here as we walk along in our journeys: cocreating and fulfilling our stories as we receive direction of where to go, what to do, whom to meet and how to be, ultimately fulfilling the grander story of knowing and understanding Who We Are.
Life is the greatest Love story never told, but lived. Here's what I have to share from mine…


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***NEWS ALERT: Click Here if you received one of our letters to replace your current Citizens Policy***
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- Return privileges expire 15 days from date of shipment.
- There will be a 15% restocking charge on all unwanted items.
- Shipping charges are non-refundable.
- Electrical items are non-returnable.
- All returns must be in the original packaging and merchandise must be in new/unused condition.
- Returns must be accompanied by a Return Authorization Number (RA Number) and a copy of the invoice.
Please contact a member of our sales staff for information about acquiring an RA Number at firstname.lastname@example.com


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GARDENDALE, Ala. (WIAT) — Adamsville police made a major marijuana bust early Tuesday morning.
Detective sergeant Chris Shaw says a tip helped lead them to the grow operation in Gardendale Tuesday morning. Marijuana plants and buds were seized from a home on Mountain Drive around 6 a.m.
Police say the operation was in full swing when they executed a search warrant at the house.
"This operation's been going for a while," Shaw explained. "Things were staged out about every 15 days. Plants from babies to mature."
One person was taken into custody and charged. Police say Edwin Bennefield was arrested and charged with drug paraphernalia and posession of marijuana in the first degree. Police say he lives in the 2200 block of Mountain Drive.


text: UFDC Home myUFDC Home | Help | RSS <%BANNER%> PRIVATE ITEMDigitization of this item is currently in progress. Jackson County Floridan ALL ISSUES CITATION THUMBNAILS MAP IT! ZOOMABLE PAGE IMAGE Full Citation STANDARD VIEW MARC VIEW Permanent Link: http://ufdc.ufl.edu/UF00028304/00882 Material Information Title: Jackson County Floridan Alternate title: Sunday Floridan Portion of title: Floridan Physical Description: Newspaper Language: English Creator: Jackson County Floridan Publisher: Chipola Pub. Co. Place of Publication: Marianna Fla Creation Date: March 2, 2012 Publication Date: 08/8/2012 Frequency: daily (except saturday and monday)[<1979-1995>]weekly[ former 1934-<1955>]dailynormalized irregular Subjects Subjects / Keywords: Newspapers -- Marianna (Fla.) ( lcsh )Newspapers -- Jackson County (Fla.) ( lcsh ) Genre: newspaper ( marcgt )newspaper ( sobekcm ) Spatial Coverage: United States -- Florida -- Jackson -- Marianna Coordinates: 30.776389 x -85.238056 ( Place of Publication ) Notes Additional Physical Form: Also available on microfilm from the University of Florida. Dates or Sequential Designation: Vol. 8, no. 13 (Sept. 7, 1934)- General Note: "Independent." Record Information Source Institution: University of Florida Holding Location: University of Florida Rights Management: All rights reserved by the source institution and holding location. Resource Identifier: ltuf - ACA5476oclc - 33284558alephbibnum - 000366625lccn - sn 95047182 System ID: UF00028304:00882 Related Items Preceded by: Times-courier (Marianna, Fla. : 1947) Preceded by: Marianna Floridan Contact Us | Permissions | Preferences | Technical Aspects | Statistics | Internal | Privacy Policy © 2004 - 2011 University of Florida George A. Smathers Libraries.All rights reserved. Terms of Use for Electronic Resources and Copyright Information Powered by SobekCM


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Violation #1 Food Source
A. Approved Source
All foods used in retail food establishments must be obtained from commercial suppliers that are inspected by the proper health authorities (state or local health departments, USDA, FDA). Foods prepared in private homes are frequently implicated in foodborne outbreaks.
Non-commercial kitchens have limited capacity for maintaining food at proper temperatures, and due to their small size, they are conducive to situations that can result in cross-contamination. Controlled processing is required for the safe preparation of food for sale to the public.
B. Wholesome, Free of Spoilage
Foods that are spoiled or that are subjected to potential contamination are considered to be adulterated (i.e., contaminated) and are unfit for human consumption. Food establishments must dispose of all spoiled and contaminated foods.
C. Cross-contamination
Disease-causing bacteria can be transferred to food from utensils and equipment (e.g. meat grinders and cutting boards) that have not been properly cleaned and sanitized. Some disease-causing microorganisms can survive outside the body for considerable periods of time. Food that comes into contact directly or indirectly with surfaces that are not clean and sanitized is susceptible to such contamination.
Disease-causing organisms and chemicals may also be present on the exterior surfaces of raw fruits and vegetables. Washing removes a large amount of the organisms and/or chemicals present. A separate food preparation sink with running water, and which is indirectly drained to the sewer, is required in all establishments that serve raw fruits and vegetables.
D. Hazard Analysis Critical Control Point (HACCP) Plan
Retail food establishments must have an adequate Hazard Analysis Critical Control Point (HACCP) plan in place when performing specialized processes such as: smoking as a method of food preservation, curing food, using food additives to alter pH or Water Activity, using methods of reduced oxygen packaging, operating a Molluscan shellfish life-support system display tank for shellfish that are offered for human consumption, sprouting seeds or beans, as well as other types of specialized processing methods. These food processes present a significant health risk if not conducted under strict operational procedures. A retail food establishment that uses any of these specialized processes, including Reduced Oxygen Packaging (ROP) must have a HACCP plan that contains the information specified under Appendix G. Certain processes require pre-approval from the Department.
E. Date Marking
Retail food establishments that specifically serve food to highly susceptible populations must follow regulations related to date marking. A Highly Susceptible Population is defined as "persons who are more likely than other people in the general population to experience foodborne disease because they are immunocompromised, preschool age children, or older adults that obtain food at facility that provides services such as custodial care, health care, or assisted living, such as a child or adult day care center, kidney dialysis center, hospital or nursing home, or nutritional or socialization services such as a senior center."
Refrigerated, ready-to-eat, potentially hazardous food prepared or held in the facility for more than 24 hours must be clearly marked to indicate the date or day by which the food must be consumed on the premises, sold, or discarded when held at a temperature of 41°F or less for a maximum of 7 days. For food prepared in a food processing plant, facilities must adhere to the manufacturer's use-by date. For food prepared by the facility, facilities must follow the date marking of the first ingredient used in a recipe, per section 3-702 of the Regulations.
Facilities that operate using Reduced Oxygen Packaging (ROP) methods must meet labeling requirements detailed in section 3-607 of the Regulations.
F. Consumer Advisory for Service of Raw/Undercooked Animal Foods
Disease-causing agents are often found in raw animal foods. Individuals who choose to eat foods of animal origin that are not fully cooked are at an increased risk of acquiring foodborne illnesses. Food service establishments serving raw or lightly cooked foods of animal origin, such as medium-rare hamburgers, seared fish, raw oysters, lightly cooked eggs, etc., must inform customers who order these items of increased risk of foodborne illness. Advisory information can be on menus, on table tents, or other approved communication channels.
Types of Violations on a Restaurant Inspection Report
How to calculate inspection ratings


text:
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text: Rather than relying on a scripted voice over narrator, we felt that it was imperative to feature a real-life, living legend within the union construction industry — the man who instituted the notion of zero injury on a work site. Sarah flew to Houston to speak with the 88 year old Emmitt Nelson, who was enthusiastic to reminisce and retell the sequence of events that led to a concept that most folks take for granted. Justin sifted through the hour-long conversation and created the bones of our narrative. Embracing his cadence, vocal demeanor and expressions, Emmitt's story was about to undergo a very special treatment.


text: MOVIES SXSW: 'Broadway Idiot' Filmmakers 'Never' Saw Signs of Billie Joe Armstrong's Addiction (Q&A) 9:00 PM PDT 3/16/2013 by Joshua Stecker FACEBOOK TWITTER EMAIL ME Courtesy of Giant Noise "Broadway Idiot" The Green Day frontman was a mentor, father figure and even a softball teammate while performing with the cast of Broadway's "American Idiot." AUSTIN -- Green Day's Billie Joe Armstrong showed no signs of alcoholism and prescription drug addiction while making his Broadway debut performing in American Idiot in 2011, according to one of the musical's producers. In fact, the punk rocker, who returned to the stage Friday night in Austin at SXSW after a public meltdown in Las Vegas and a stint in rehab, was a mentor, father figure and even a softball teammate while performing to rave reviews in the critically acclaimed musical. In the documentary Broadway Idiot, which made its world premiere at SXSW on Friday night, director Doug Hamilton gives viewers an all-access pass to witness American Idiot's musical evolution, from early rehearsals and its pre-Broadway run in Berkeley, Calif., (which included The Newsroom's John Gallagher, Jr., who originated the lead role of Johnny) to Armstrong's turn as St. Jimmy during the show's closing weeks on Broadway. Hamilton and co-producer Ira Pittelman spoke to The Hollywood Reporter at SXSW about the genesis of the film, which started as your standard peek behind-the-curtain and evolved into the intimate story of Armstrong's journey from distant overseer to musical co-star. REVIEW: Broadway Idiot The Hollywood Reporter: How did this project develop? Ira Pittelman: Tom Hulce and I produced American Idiot from its inception, from texts between director Michael Mayer and Billie Joe to the very beginning. And we brought it to Berkeley and then to Broadway. So this is stuff that we would ordinarily do on a Broadway show. We'd do interviews with the cast and we'd put something on our website. You know, a "making of." But in this case, we weren't sure what we had. Doug is a really good friend and also the only person I know who's won three Emmys and worked on 60 Minutes for 10 years. So we called Doug and started talking about how crazy this was. Here's Billie Joe Armstrong, who was on the streets at fifteen, playing in warehouses, and from a really crazy world [of punk rock] now entering another crazy world [of Broadway]. It couldn't be more of a metaphor for something crazy. Doug Hamilton: I've been around a fair amount of theatre. I am a still photographer in theatre and so I've been "in the room" a lot and appreciate what happens in that room. But there was a certain moment where Billie Joe engaged. Where you suddenly saw that he was going to have this journey. And that felt like it was going to be a film. That was the tail of the tiger you could grab a hold of. At that point, we didn't know which way it would go. Was it going to be this creative tension wrought between this Broadway world and the punk world? But as we followed it, the story that emerged was Billie Joe's own experience with it and going from incredibly generous but very much removed, to falling in love with everything and ending up starring in the show. THR: At what moment did this change from a "making of" documentary to the story of Armstrong's personal journey? Pittelman: We knew there was going to be a clash of worlds, and that's why we produced it. But Billie Joe's story was something that evolved in a really cool way. Now that we look back in retrospect, it seems obvious, but we were able to see how that's connected and art really was taking place. And we got excited about it. Hamilton: There was a moment of engaging into what the story was that changed. [The producers] were collecting footage for their own purposes, but then at a certain point it was clear that this was something different. This isn't a processed thing, there's a story here. I wanted to tell the story from the inside. It's very rare to get that inside view. It hasn't been done before. Television and film work best when it takes you some place you never get to go. We never go "outside the room." We never go to the Broadway critic or go for analysis. Documentaries always have that. We had two big stories here: One is the actual process of making the musical and the other is Billie Joe's story. They're two different stories. The first part, Billie Joe is an observer of the process, and then, as the story developed, he becomes part of the process. And the film does that, too. It observes the process and becomes it. I showed this to Joe Mantello, who directed Wicked, and he said he loved that it captured the enthusiasm of what it's like to be in a show. You really feel that there's something incredibly special and unique about the world of theatre, and hopefully the film captures that. THR: Were there any reservations on Armstrong's part of participating directly with the documentary? Pittelman: No, because it didn't really happen [like that]. It evolved. Billie Joe's such a good guy, and there was such a close relationship between everyone from the show. Hamilton: The thing with Billie Joe is he's very comfortable in front of 100,000 people, but one-on-one with a camera is a different story. So he was, like with the Broadway show itself, a little bit removed at first. With the documentary, he went along with it at first but at a bit of a distance, then as time went on he became increasingly engaged. He had such an amazing experience with the show and felt so proud of it and so in love with all the company that he wanted to get that story out. But also, he started to engage more in the film itself. STORY: SXSW: Green Day Makes Triumphant Return to the Stage THR: There's some fascinating rare footage of Armstrong singing in his early teens. How did you find that footage? Hamilton: I showed Billie Joe some cuts at different stages and he loved it and was very supportive. I had originally found some footage of him as a 14-year-old singing holiday tunes at a hospital. I showed this to him, and he was a little hesitant, as we all would be if somebody showed pictures of us at fourteen, right? Then at the very end of the process, after we had mixed the film, he says, "I get it. It's wonderful. But I think I can do better. I think I can get you some footage that would be better." A couple weeks go by and he calls and says, "I've got something for you." He had gone to his cousin's and gotten this footage of him at 11-years-old singing, "Send in the Clowns." We had already mixed the film because we had the SXSW deadline, but we went back in and re-cut that part and remixed it and put that footage in the film. That's the perfect example of his arc, going from distant to engaged. THR: Both of you are aware that Armstrong came out in Rolling Stone recently about his alcoholism and prescription drug dependency. Were you witness to any of his problems while filming? Pittelman: Never. THR: You never saw any issues during a performance? Pittelman: Never. That's the kind of professional he is. Also, it's focus. It's three hours [a night]. [I never saw] anything like that. THR: Off camera or backstage, did he exhibit any type of crazy rock star behavior? Pittelman: He never once acted anything like a rock star. You know, the way you really know what kind of person somebody is on Broadway is you talk to the stagehands. You ask the stagehands about Billie Joe and they love the guy. Because he has no filter, he's all heart. THR: What was the cast's reaction when Armstrong joined the company? Pittelman: From a producer's point of view, it was mindboggling how he took over and became leader and very paternal. His wife Adrienne was there, too. Remember, this is a cast of young kids. Billie Joe even joined the cast softball team. They brought cookies if it was somebody's birthday and every single night Billie was on, he'd get there an hour before the warm-up and he'd have some fun costume on for when everyone came in. So he'd be in his pajamas one night and the next he'd be The Naked Cowboy and run out onto the street! He broke down all the barriers and inspired those kids three hundred percent from what they were. It was something to see. This was their music that they grew up with. That doesn't happen on Broadway. And then, as I said, when Billy came in, it just became about as tight as I've ever seen. PHOTOS: The Scene at SXSW: James Franco, Olivia Wilde, Snoop Lion Take Austin by Storm THR: Armstrong's performance as St. Jimmy garnered great reviews for a show that was already a critical favorite. The film documents his first rehearsals with the cast and his insecurities as a first-time Broadway actor, but when he made his debut the producers kept it a secret. Why was that? Hamilton: Right, Billie Joe came in and took over for [original cast member] Tony Vincent for a week and came back at the end [of the Broadway run]. Pittelman: We didn't tell anybody and Billie Joe didn't want us to tell anyone. The only thing Billie did was tweet about it one or two days before the first performance. Nobody knew how it would work out. The plan was if it didn't work out, we'd just quietly not do it anymore. And then he just blew the roof off! And that first time, there's about seven minutes before the St. Jimmy entrance, and the audience starts clapping. And then the count, "One-two-three-four!" And the theater levitates. Hamilton: We knew what was happening, though. He didn't want the press to come, but at this point he was engaged enough in the documentary that he was OK with us filming that rehearsal even though he was still really nervous about whether he could perform and whether he'd be any good. THR: One of the most revealing moments in the film happens early on when the cast performs one of Green Day's reworked songs in front of Armstrong and bandmates Tre Cool and Mike Dirnt for the first time. Mayer and music arranger Tom Kitt are both incredibly nervous. How much of a make-or-break moment was that for the musical? Pittelman: One of the ways to answer that question is we didn't know exactly what [the music] would be. So when we were working on it in rehearsal at Berkeley, we were watching, too. When we went into real performance mode at Berkeley, we really didn't know if this belonged on Broadway. As it turns out, the two people who were most enthusiastic and adventuresome about going to Broadway were Michael Mayer and Billie Joe. It's one of those crazy things in the artistic process that doesn't really make sense on paper. That day, when the band came to the rehearsal, that was magic because he really hadn't sat there like that. And the way he looks at his wife and she kisses him, he was overwhelmed. It really hit him like a ton of bricks how big his music really was and could be and what else was in there. That was a really emotional day. We all cried. Hamilton: On another level, I think the thing that the film does is tell the story of an artist willing to go into another world. And one of the things that comes through, and it relates to the discussion of how they did this production, is Billie Joe respects the creative process and he knows that if it's going to be good, he couldn't micro-manage it. So he gave them room to do stuff. He didn't turn it over from day one, though. Not until that scene where he can visualize what it's going to be. He knows he's in good hands because it's beautiful and he's thrilled. One of the things Mike Dirnt says is, "The only problem with being in Green Day is that we've never gotten to see Green Day." Their experience with the musical is that it let them see themselves. I think one of the reasons Billie Joe connected so much to this process is that it allowed him to see his music differently. To work with Tom Kitt, to take songs that just came from his heart orchestrated for a couple of guitars and drums and bass and have it sustain this change to this other world thrilled him as an artist. Pittelman: Billie Joe says in the film, which was really a great moment, "I've been waiting for this all my life and didn't know it." View the trailer for Broadway Idiot below. E-mail: email@example.com; Twitter: @joshuastecker FACEBOOK TWITTER EMAIL ME Joshua Stecker firstname.lastname@example.com @thr


text:
Some people wait until the last minute for everything – even getting ready for the Oscars.
Chrissy Metz, star of This Is Us, was spotted by the paparazzi picking out her special gown for the red carpet right before the event was about to start!
The 36 year old was seen buying and putting her brand new dress into her car just hours before the party.
It must've been so stressful to choose!
"It's exciting, but there's a lot to think about," she said at the Cadillac Oscars soiree at the Chateau Marmont.
"What am I going to wear? How am I going to do my hair? What about the shoes? What about the jewelry? I know this is a first-world problem, but there's a lot to think about," she added, visibly under pressure.
As fans may be aware of, although Metz has managed to get a little bit more comfortable with the Hollywood life, things have not been going too well between her and her boyfriend, John Stancil.
According to federal tax documents, Stancil has failed to pay no less than $40,442.98 in taxes from 2005 to 2007.
The boyfriend's struggle with money was made pretty obvious when he and Metz went on a very cheap date during Valentine's Day.
"I'm dating someone, but it wasn't like they came out of the woodwork just because I'm on the show," Metz stated in an interview for People Magazine in October of last year.
"It was just organic, and I'm grateful for that because I know it's difficult to be dating and in the spotlight and having things change."


text:
Before he appears in front of Goswami for the pre-recorded interview, the mayor will visit the Bombay stock exchange, which is Asia's oldest.
During the visit, Mr Johnson is expected to reiterate his desire to see the Indian government continue its efforts to reduce the bureaucracy that restricts some of its private and state-owned companies from listing on overseas exchanges.
He will also confirm that two of India's fastest-growing financial service companies are to establish London-based operations.
He will meet Indian business leaders for breakfast and hold discussions with some of India's wealthiest private investors.
Mr Johnson said: "I believe the time is ripe for India to deregulate and free up its successful public and private sector companies so they too can benefit from London's financial capacity and expertise.
"As well as helping to reduce the burden on the Indian taxpayer, it will also help boost the competitiveness of London's capital market to the benefit of every company listed here. Cutting away this red tape is a win-win for both India and London's respective economies."
The London mayor took a bicycle ride around the Gate of India in Mumbai after visiting the Bombay Stock Exchange
On Thursday he announced that two Bollywood films will be shot in London next year as part of a bid to bring the Indian film industry to the British capital.
He offered tax breaks, co-operation on clearing streets and spoke of "the huge audiences that Indian films have in London."
Producer Sajid Nadiadwala says he will film two film, including the latest in the hugely successful "Housefull" series in London.
Besides "Housefull 3" starring Akshay Kumar, Nadiadwala will shoot "Kick" in London.
Johnson's visit is part of a series of trips he plans over the next 18 months to China, Brazil and the Middle East to attract investment after the successful London Olympics.
Source: PA & AP


text:
Wednesday, December 2, 1998 Published at 16:42 GMT
World: Americas
Compensation battle over Nixon archives
The Nixon archives are a historian's dream
A court hearing is getting underway to decide how much the estate of the late Richard Nixon should be paid in compensation from the US government for the seizure of his presidential archives.
The estate of the disgraced ex-president is seeking up to $250m for a massive body of records including some of the most famous evidence of the Watergate scandal.
When "Tricky Dicky" quit the White House in 1974 he left behind 42 million pages of documents, plus 3,700 hours of secretly recorded tapes and thousands of photographs.
All presidents have considered their papers to be their personal property after they left office. Since Herbert Hoover, all but Mr Nixon donated them to government-run presidential libraries.
Archives seized
But when Mr Nixon resigned to avoid impeachment over Watergate, congress passed a law seizing the materials he left behind and putting them in the custody of the National Archives and Records Administration.
There, anyone can read and handle documents bearing Mr Nixon's own handwritten - and sometimes undiplomatic - comments. But no one has heard most of the tapes, which, under court order resulting from additional Nixon-generated litigation, are being cut to remove personal comments.
But he later won his case in an appeals court, which ruled he was entitled to collect for the value of the materials plus interest.
However, Mr Nixon died in 1994 before the case could be finally settled.
Compensation hearing
At the new hearing before a district court in Washington the two sides are set to argue over the size of compensation.
The government is expected to argue that Mr Nixon's heirs are entitled to nothing - and that the collection is worth far less than has been claimed.
Major documents would be worth more he testified.
One photo expert has put a $12m value on the "commercial exploitation" of the secretly recorded White House tapes.
He cited the commercial success of the "All the President's Men" book and movie about Watergate as evidence.
The government argues that commercial values are not relevant since Mr Nixon originally intended to put his collection in a presidential library rather than make money from it.
The ex-president's will provided that daughters Julie Nixon Eisenhower and Tricia Nixon Cox should receive some of the proceeds from the archive, with the remainder going to the Richard Nixon Library and Birthplace at Yorba Linda, California.


text:
Rainer Neske is working with the Forum on Geopolitics on a series entitled 'German Geopolitics Today'. Born in Münster, Germany, in 1964, Mr. Neske is Chairman of the board of Trustees of the Frankfurt School of Finance & Management, a member of the Management Board of the non-profit Hertie Foundation and also a member of the Advisory Board of Deutsche Vermögensberatung AG. Furthermore, he is a member of the Supervisory Board of Save the Children Deutschland e.V.
Until June 2015, Mr. Neske was a member of the Management Board and the Group Executive Committee of Deutsche Bank AG. As the Global Head of the business division Private & Business Clients, he had global responsibility for the Private & Business Clients corporate division, operating under the brand names Deutsche Bank, Postbank and Berliner Bank.
Mr. Neske studied Computer Science and Business Administration at the University of Karlsruhe. He joined Deutsche Bank in 1990 and initially worked in a number of management positions, primarily in the Information Technology area. In 1999, Mr. Neske was appointed a senior executive of Deutsche Bank 24 AG. In 2001, he became Deputy Spokesman. In March 2003, he became Spokesman of the company's Management Board. At the same time, he was made a member of the Group Executive Committee (GEC) of Deutsche Bank AG. On April 1, 2009 Mr. Neske was appointed to the Management Board of Deutsche Bank AG.


text:
Have I, ?
You'll forgive me.
I'm sick on living life. It's busy on the inside
and I haven't a moment too soon.
But I'll write you a fine letter! before
too late is too much
and the incestuous shoes of my room
go walking
go drinking, without me
I'll write you; but when
I have thinking to spare.


text:
Guinness Ladies Hockey Club
Based in Iveagh Grounds, Crumlin, Dublin 12
Our 1st team play in Division 6
Our 2nd team play in Division 10.
Kit colours are red top, blue skort and white socks.
About Us
Players at Guinness Ladies Hockey Club all share a passion for having fun and playing great hockey.
Our aim is to continually improve our game, to evolve as a club and to work hard to achieve success for both our teams.
We strive to be as welcoming as can be to all involved and most importantly to have fun both on and off the pitch.
We welcome players of all levels and experience (including beginners) to join at any point during the season.
All members will receive full training by our experienced coach.
If you are interested in getting fit, trying a new sport and making new friends in a fun and friendly environment, please contact us further at firstname.lastname@example.com or call Lynn on 086 815 3663
We are on Facebook and Twitter and Instagram
Be sure to like us and follow us for the most up to date news!
Our Men's Section- St James Gate are also online, check out their Facebook page and Twitter
We have junior hockey every Saturday at 6pm in the Iveagh Grounds- open to kids of all ages, get in touch for further details or pop down to give it a go (hockey sticks can be provided).


text:
Tales of the Stop author thoughts: Wren Handman
At the end of September, Silverstring Media released Tales of the Stop, an anthology of short stories that I edited to accompany my project Azrael's Stop. It features stories from ten different authors [including a new story I wrote] about the various people that visited the Stop during the course of Azrael's Stop that I couldn't get to in the main story.
I decided I wanted to ask each of the authors a few questions about why they decided to join me in this experimental journey. Today I present the first of these, a few questions with Wren Handman, who wrote This, At Least, Is My Story.
Lucas: What attracted you to Azrael's Stop that led you to writing a story for Tales?
Wren: Writing fiction is an incredibly solitary activity, but I think one of the things that inspires many writers (certainly something that inspires me) is reading or watching something really amazing and thinking, 'I want to be part of that; I want to DO that.' Usually we can only achieve that in a very metaphorical sense. We can write our own TV show because we love watching TV; we can write our own book because we adore reading. But getting to dive into someone else's world, to play in the fantastical boundaries of another person's imagination, is a really exciting extension of that drive that's pushing us all.
Lucas: Have you ever written content for pre-existing settings before? What was it like to do so now?
Wren: This is my first experience writing fiction in a pre-existing setting. I have done work on a very collaborative TV show whose world mostly existed before I got there, so it isn't the first time I've worked with clay that's already been fired, so to speak.
I think the biggest challenge with a project like this is the terror of not living up to what came before! You have this incredible thing to work with, and you don't want to twist it out of shape; but you also want to bring new colours and dimensions to it, so it's a tricky line to walk.
Lucas: How did you choose what to write about for your story? How much was it affected by the existing Azrael's Stop story or world?
Wren: I really wanted to do something that was unique, and that the other writers involved in the project wouldn't already have thought of. So when I read the setting package that you had given me, I was sort of looking for the blank space — the stories that were hinted at but not quite told, the shadows behind the words. I wanted it to be very much a product of what was there, but not obvious.
Lucas: Your story uses really interesting POV and stylistic writing. Why did you choose to write it like that?
Wren: One of the most exciting things about Azrael's Stop, to me, is it's experimental storytelling. It isn't just about 'here's some fiction, there you go.' It weaves together music, fiction, Twitter stories; it plays with form and length. So I knew that I would be able to do something here that maybe wouldn't be allowed in a more traditional setting, and that got me really excited. To be honest the form came quite quickly from the idea of the Void, of that erasure. What would the world be like if we lost our sense of time, our ability to distinguish the 'now' from the 'then'? That was a fascinating question to me, and I couldn't wait to try it out.
And I'm glad she did; This, At Least, Is My Story is one of the more innovative in the anthology and early on gave me a lot of confidence that I was putting together something really cool.
You can read it and the others in Tales of the Stop — it, Azrael's Stop, and the official soundtrack that accompanies it are available now for digital download. [And you can read more of my own thoughts about the project at Chuck Wendig's blog, here.]
Get all three in all available formats and for a bundled discount price at the Silverstring Media store or itch.io, or get them at:
Page 1 of 2 | Next page


text:
In this novel, a Texas psychologist helps individuals and families in crisis while an IRS audit looms and her own 20-year marriage falters.
Dr. Addy Conrad is a Fort Worth marriage and family therapist in practice for 10 years. She sees patients in her second-floor, tree-surrounded office with the aid of Paula, her office manager, and Dumplin', her Shih Tzu therapy dog. Her patients include Michael, a handsome sex addict whose arrogance disguises his underlying pain, and the Barnetts, a stressed, dysfunctional family dealing with what turns out to be the mother's dissociative identity disorder. For her own support, Conrad turns to Dixie, her warm, motherly hairstylist; Dr. Endicott, her graduate school supervisor; and Sebastian Courtney (called Seb), her fashion-challenged friend, therapist colleague, and "intellectual idol." Addy has three children with her husband, Brad, but he tells her he wants a divorce, saying they've grown apart. As if that weren't enough, a hostile IRS agent examines the Conrad finances with a fine-toothed comb, and a man appears to be watching Addy, perhaps stalking her. It all demands much more than just listening in a chair. "Psychotherapy is a naked event," says Addy. "The client is stripped, but so is the therapist." Foster (What Women Want....Really!, 2015, etc.), a psychologist in private practice, opens up the therapist's vulnerability, an intriguing focus. The author expertly shows the tightrope Conrad must walk to prevent her own reactions from interfering with providing proper care. Michael, for example, awakens sexual attraction, dislike, and fear. Addy must be on her guard and remember that he's a smooth talker, while still giving him the benefit of the doubt. It's unfortunate, though, that Foster makes dissociative identity disorder—that Hollywood favorite—a centerpiece. Stirring emotion through this dramatic cliché (and the horrific abuse associated with it) is a little misguided, and fails to effectively represent the usual conditions that bring people into therapy, such as depression, anxiety, and addiction. Addy's nuanced understanding and compassion provide balance, thankfully.
An absorbing, behind-the-scenes look at the mind and work of a therapist.