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The Witcher (TV series)Wikipedia open wikipedia design.
|The Witcher
|Created by
|Lauren Schmidt Hissrich
|Based on
|The Witcher
by Andrzej Sapkowski
|Country of origin
|Original language(s)
|No. of seasons
|No. of episodes
|8 (list of episodes)
|Executive producer(s)
|Camera setup
|Running time
|47–67 minutes
|Production company(s)
|Original network
|Picture format
|Audio format
|5.1 surround sound
|Original release
|December 20, 2019 –
|External links
The Witcher is an American fantasy drama series produced by Lauren Schmidt Hissrich. It is based on the book series of the same name by Polish writer Andrzej Sapkowski.
Set on a fictional, medieval-inspired landmass known as "the Continent", The Witcher explores the legend of Geralt of Rivia and princess Ciri, who are linked by destiny to each other.[8] It stars Henry Cavill, Freya Allan and Anya Chalotra. The show initially follows the three main protagonists at different points of time, exploring formative events that shaped their characters, before eventually merging into a single timeline.
The first season, consisting of eight episodes, was released on Netflix in its entirety on December 20, 2019. It is based on The Last Wish and Sword of Destiny, which are collections of short stories that precede the main Witcher saga. Before the first season had been released, Netflix announced a second eight-episode season, to be released in 2021; production was scheduled to commence in London in early 2020.[9]
Cast and characters[edit]
- Henry Cavill as Geralt of Rivia, a magically enhanced monster-hunter known as a "witcher". Cintran princess Ciri is his destiny.
- Freya Allan as Cirilla "Ciri", the crown princess of Cintra, granddaughter of Queen Calanthe and daughter of Pavetta, who possesses magical powers. She is linked to Geralt by destiny before her birth.
- Eamon Farren as Cahir Mawr Dyffryn aep Ceallach, a Nilfgaardian army commander who leads the invasion of Cintra and the hunt for Cirilla.
- Anya Chalotra as Yennefer of Vengerberg, a quarter-elf sorceress whose path crosses with Geralt's on several occasions because of a spell.
- Joey Batey as Jaskier, a travelling bard who befriends Geralt and accompanies him on his path.
- MyAnna Buring as Tissaia de Vries, mentor to Yennefer and the Rectoress of Aretuza, a training academy for female mages.
- Royce Pierreson as Istredd, an adept sorcerer and historian who befriended Yennefer at Aretuza.
- Mimi Ndiweni as Fringilla Vigo, a sorceress who trained alongside Yennefer. She eventually leads the Nilfgaardian invasion alongside Cahir.
- Wilson Radjou-Pujalte as Dara, a refugee elf boy whom Cirilla befriends after the Slaughter of Cintra.
- Anna Shaffer as Triss Merigold, a sorceress, the court mage of Temeria and advisor to King Foltest.
- Mahesh Jadu as Vilgefortz of Roggeveen, a charismatic sorcerer who rallies the northern mages to halt the invading Nilfgaardian army in Sodden.
- Jodhi May as Queen Calanthe, ruler of the Kingdom of Cintra and grandmother of Princess Cirilla.
- Adam Levy as Mousesack, the court druid of Cintra and advisor to Queen Calanthe.
- Björn Hlynur Haraldsson as King Eist Tuirseach, husband to Queen Calanthe and step-grandfather of Cirilla.
- Lars Mikkelsen as Stregobor, resident mage in the town of Blaviken and the Rector of Ban Ard, the academy for male mages.
- Emma Appleton as Renfri of Creyden, a princess-turned-bandit nicknamed "Shrike," who leads a gang of brigands and has a bloody grudge against Stregobor.
- Maciej Musiał as Sir Lazlo, a Cintran knight charged with protecting Cirilla.
- Tobi Bamtefa as Sir Danek, a Cintran commander of Calanthe's royal guard.
- Therica Wilson-Read as Sabrina Glevissig, a sorceress who trained alongside Yennefer.
- Shaun Dooley as King Foltest, the king of Temeria, whose incestuous relationship with his sister created a daughter.
- Terence Maynard as Artorius Vigo, court mage from Toussaint and uncle of Fringilla.
- Judit Fekete as Vanelle of Brugge, a sorceress and one of the mages who fought during the Battle of Sodden Hill.
- Josette Simon as Eithne, the Queen of the Dryads of Brokilon Forest.
- Nóra Trokán as the Dryad General.
- Anna-Louise Plowman as Zola, Yurga's wife who offers Cirilla sanctuary in her rural home in Sodden.
Notable guests[edit]
- Mia McKenna-Bruce as Marilka, daughter of Blaviken's alderman.
- Amit Shah as Torque, a sylvan ("horned devil") that works for Filavandrel.
- Julian Rhind-Tutt as Giltine, the enchanter of Aretuza who brings adepts into their perfect physical forms after they graduate.
- Gaia Mondadori as Princess Pavetta, the daughter of Queen Calanthe and mother of Ciri.
- Bart Edwards as Urcheon of Erlenwald/Duny, a knight afflicted by a curse that transforms him into a hedgehog man until midnight, Pavetta's lover, betrothed by oath.
- Marcin Czarnik as Ronin Mage, an assassin sent to murder Queen Kalis and her baby daughter.
- Lucas Englander as Chireadan, a healer elf from the Redanian city of Rinde.
- Jordan Renzo as Eyck of Denesle, a virtuous knight.
- Ron Cook as Borch Three Jackdaws, a man who is actually the golden dragon Villentretenmerth.
- Ella-Rae Smith as Fola, a young sorceress in Aretuza.
- Francis Magee as Yurga, a travelling merchant in Sodden, rescued from monsters by Geralt.
- Frida Gustavsson as Ma/Visenna, mother of Geralt of Rivia.
The first season is based on The Last Wish and Sword of Destiny.
|Directed by
|Written by
|Original release date
|"The End's Beginning"
|Alik Sakharov
|Lauren Schmidt Hissrich
|December 20, 2019
Following Geralt of Rivia's battle with a kikimora in 1216, he enters the town of Blaviken and meets Renfri, a cursed princess-turned-bandit hunted by the wizard Stregobor, who thinks her evil for her birth during an eclipse. Stregobor lures Geralt to his hideout seeking to hire him to kill Renfri, but Geralt refuses. Renfri later offers Geralt a counter-proposal, but he refuses with an ultimatum: leave or die. She feigns agreement, but upon waking up the next morning, Geralt realizes Renfri will not stop until Stregobor is dead, and he rushes to stop her. After killing her men, he fights and fatally wounds Renfri, and her dying words told him of a girl in the forest who is his destiny forever. Stregobor arrives to take Renfri's body for autopsy. When Geralt opposes, the townsfolk force him to leave, urged on by Stregobor. In 1267, The kingdom of Cintra is conquered by southern neighbor Nilfgaard, and Princess Cirilla, also known as Ciri, is sent away by her grandmother, Queen Calanthe, to escape and find Geralt. Cirilla is captured by Nilfgaardian officer Cahir, but the sight of the burning city and castle trigger her powers, allowing her to escape.
Based on "The Lesser Evil" from The Last Wish.[10]
|"Four Marks"
|Alik Sakharov
|Jenny Klein
|December 20, 2019
In 1210, Hunchback Yennefer from Vengerberg of Aedirn is sold to Tissaia de Vries by her father. She is taken to Aretuza, for training in magic, but finds difficulty in the practice. She makes a friendship with Istredd, even revealing her quarter-elf heritage, a cause of her deformity. Unbeknownst to either, Tissaia and Stregobor were using Yennefer and Istredd respectively to spy on each other. Later, Yennefer witnesses Tissaia turning three students into eels to act as conduits powering Aretuza with magic. In 1223, Geralt is hired to investigate grain thefts in Posada and is followed by Jaskier the bard. They encounter a Sylvan named Torque, who knocks them unconscious and takes them to his mountain cave. There, Geralt meets Filavandrel, the elven king and urges he lead his people to better lands after being banished by the humans. Instead of killing them, Filavandrel frees Geralt and Jaskier, taking the former's words to heart. In 1267, Cirilla encounters Dara, a boy in the woods, who guides her to a refugee camp. Dara returns to save her as the camp is attacked by Cahir's forces, and she later realizes Dara is an elf.
Based on "The Edge of the World" from The Last Wish.[10]
|"Betrayer Moon"
|Alex Garcia Lopez
|Beau DeMayo
|December 20, 2019
In 1213, Yennefer and Istredd become lovers while finishing their training. While Yennefer has the chance to transform her body into her ideal image during graduation, the Brotherhood of Sorcerers discuss the allocation of their newly initiated to their respective kingdoms. But through Stregobor's scheme, Yennefer is assigned to Nilfgaard instead of her preferred Aedirn due to her elven blood. Realizing what happened, Yennefer angrily breaks up with Istredd, knowing only he could have told Stregobor about her blood. Having missed graduation, Yennefer undergoes the painful transformation to be beautiful at the cost of her fertility. Wearing her new body, Yennefer charms Aedirn's King Virfuril into taking her as advisor, sending Fringilla to Nilfgaard instead. In 1247, Geralt enters the kingdom of Temeria to investigate a monster, assisted by Triss Merigold, King Foltest's sorceress advisor. He identifies the monster as a Shtriga, a creature born from a curse he later discovers was placed by the courtier Ostrit who learned about the affair between Foltest and his sister, Princess Adda. Using Ostrit as bait, Geralt battles to contain the shtriga until dawn, which lifts the curse. In 1267, Cirilla enters a dense forest in a trance as Dara follows to help.
Based on "The Witcher" from The Last Wish.[10]
|"Of Banquets, Bastards and Burials"
|Alex Garcia Lopez
|Declan de Barra
|December 20, 2019
In 1233, having served Aedirn for twenty years, Yennefer escorts Queen Kalis of Lyria when they are ambushed by an assassin. The assassin follows them through multiple portals, killing Kalis. Although Yennefer escapes with Kalis's newborn daughter, the baby dies from a thrown dagger. In 1253, Geralt accompanies Jaskier to the betrothal feast of Princess Pavetta, Queen Calanthe's daughter. Urcheon of Erlenwald (also named Duny) interrupts to demand Pavetta's hand through the Law of Surprise, having saved her father years earlier. Urcheon suffers from a curse that transformed him into a hedgehog/man creature. Despite Pavetta's acceptance, Calanthe refuses and a brawl ensues. When Calanthe tries killing Urcheon, Pavetta activates her power, unleashing a maelstrom until Geralt and Mousesack intervene. Wanting her daughter happy, Calanthe marries Duny and Pavetta, which lifts Duny's curse. Duny, thankful for Geralt's aid, insists he take a reward, so Geralt jokingly invokes the Law of Surprise for something Duny has but doesn't yet know. The crowd then immediately learns Pavetta is pregnant with Duny's child. In 1267, Nilfgaard's forces resume their pursuit of Cirilla with Mousesack as their prisoner. Meanwhile, Cirilla and Dara encounter Queen Eithne and her Dryads in Brokilon Forest, while Cahir and Fringilla track Ciri's location.
Based on "A Question of Price" from The Last Wish, and "Sword of Destiny" from Sword of Destiny.[10]
|"Bottled Appetites"
|Charlotte Brändström
|Sneha Koorse
|December 20, 2019
Several years after Pavetta's betrothal, Geralt and Jaskier discover a Djinn and accidentally release it. Initially, it seems that Jaskier is the Djinn's 'master' but then he falls seriously ill. Geralt seeks help from the nearest healer, the elf Chireadan, but as they need a mage to heal Jaskier, Chireadan reluctantly refers them to Yennefer. Although Yennefer cures Jaskier, her plan is to use him to capture the Djinn to grant her wish of regaining her fertility. As Jaskier uses his last wish, nothing happens and it's revealed that it is Geralt, not Jaskier, who actually has the wishes. Geralt realises the Djinn will kill Yennefer, so he uses his third and final wish to save her (but the wish itself is not revealed). The Djinn leaves. Now free and safe, Geralt and Yennefer act on their attraction and have sex. Yennefer asks what his third wish was, but Geralt does not answer as he has finally fallen asleep. Cahir hires a doppler to assume the identity of Mousesack by copying his form and memories, then kills him. Later, Eithne allows Ciri to stay in Brokilon, but "Mousesack" arrives requesting Ciri and Dara leave with him.
Based on "The Last Wish" from The Last Wish.[10]
|"Rare Species"
|Charlotte Brändström
|Haily Hall
|December 20, 2019
Geralt, Jaskier, and Yennefer are invited to join a dragon hunt by adventurer Borch and his two bodyguards Téa and Véa. Yennefer's knight joins the party along with a band of dwarves and Reavers, professional monster hunters. After camping overnight, the party finds the knight dead and the Reavers have departed. The dwarves take their party to a mountain shortcut, but the bridge gives way. Borch's group sacrifices themselves rather than endanger the party. Geralt and Yennefer reconcile before reaching the dragon's den, but find it dead with Téa and Véa alive guarding the dragon's egg. Borch reveals himself as Vilentretenmerth, a golden dragon. The five of them defend the egg from the Reavers. Borch later pays off the dwarves with dragon teeth, and Geralt reveals to Yennefer his third wish bound their fates together. Believing her feelings for Geralt to be artificial, Yennefer declares that she can't be with him and leaves. Hurt, Geralt snaps at Jaskier, blaming him for all of his misfortunes and hopes that they never meet again. Dara grows suspicious over "Mousesack", so Ciri questions him and the doppler reveals himself. In the scuffle, Dara is knocked out as Ciri escapes, but is captured by Cahir. "Ciri" reveals itself as the Doppler and fights Cahir before escaping. Dara frees the real Ciri, but leaves her. Cahir and Fringilla plan their next move.
Based on "The Bounds of Reason" from Sword of Destiny.[10]
|"Before a Fall"
|Alik Sakharov & Marc Jobst
|Mike Ostrowski
|December 20, 2019
With Nilfgaard poised to invade Cintra, Geralt decides to invoke his Law of Surprise: Ciri. Calanthe offers up an imposter for Ciri, but Geralt is not fooled and is imprisoned by Eist. After visiting Istredd, Yennefer returns to Aretuza with the sorcerer Vilgefortz. When he announces his intention to rally mages to oppose Nilfgaard, she declines. The Brotherhood votes to remain neutral, but Tissaia, Vilgefortz, Triss and other mages resolve to fight. Tissaia convinces Yennefer to join. Nilfgaard invades, sacking the city and breaching the castle. Calanthe wants to send Ciri away with Geralt, but he has escaped his cell and is nowhere to be found. Ciri fends for herself after escaping Cintra. Later, she is discovered by her old friends who suddenly turn on her, and her powers activate.
Based on "Something More" from Sword of Destiny.[10]
|"Much More"
|Marc Jobst
|Lauren Schmidt Hissrich
|December 20, 2019
Yennefer and the mages reinforce the strategic keep of Sodden Hill, aiming to prevent Nilfgaardian forces from invading the rest of the Northern Kingdoms. Having escaped from Cintra and searching for Ciri, the girl who is his destiny, Geralt encounters a merchant burying the bodies of dead refugees. He defends the man from undead monsters, but is wounded and loses consciousness. Ciri is awakened by the woman she met earlier and discovers the dead bodies of her harassers around her, killed in gruesome ways. The woman takes her to her farm. The Nilfgaardians launch their attack, with both sides utilizing magic and inflicting heavy casualties on each other. Tissaia attempts to talk down Fringilla, but Fringilla disables her. Vilgefortz fights Cahir, but loses and is thrown down a hill. Geralt wakes to find himself on the merchant's cart en route to the man's farm. When Vilgefortz wakes up, he kills a Northern sorcerer, revealing himself to be a turncoat. When Nilfgaardian soldiers begin to overrun the fort, Yennefer channels a massive stream of fire, then seemingly disappears. In his delirious state, Geralt dreams about his mother Visenna, who abandoned him as a child in order for him to be made into a witcher. He later arrives at the same farm, and upon hearing the woman talk to the man about Ciri, heads into the forest. Seeing a vision of Geralt, Ciri wakes up and wanders into the forest, where she and Geralt finally meet, and hug each other.
Based on "Something More" from Sword of Destiny.[10]
Andrzej Sapkowski's The Witcher book series was almost adapted into a standalone Netflix film but Kelly Luegenbiehl, Vice President of International Originals at Netflix, dissuaded the producers. She recalled asking them, "How can you take eight novels and just turn it into a film? There's so much material here. Through a number of conversations, the producers got really excited about the idea of using the source material for a longer-running series."[11] In May 2017, Netflix announced the start of production on an English-language drama TV series based on the books.[12][13]
In December 2017, it was reported that Lauren Schmidt Hissrich would serve as showrunner on the show.[14] In April 2018, Schmidt Hissrich revealed that the script for the pilot episode was finished, and the first season would be eight episodes long.[15] In 2017, it was reported that Andrzej Sapkowski would serve as a creative consultant on the show, but in January 2018, Sapkowski denied any direct involvement.[16] However, he met with Schmidt Hissrich in April 2018[17][18] and in May 2018 she stated that Sapkowski was on the creative team of the project.[19] In August, Andrew Laws was revealed as production designer.[20] In December, Radio Times reported directors Alik Sakharov and Charlotte Brändström had joined the project.[21]
Netflix announced a second season on November 13, 2019,[22] with production set to begin in London in early 2020, for a planned release in 2021.[23]
The first season was told in a non-linear manner, spanning different time periods. Hissrich said this was inspired by Christopher Nolan's 2017 film Dunkirk.[24] She pointed out that Yennefer's story covers around 70 years and Ciri's only about 2 weeks.[25] Hissrich also said that Yennefer and Cirilla were given more prominence to allow the viewers to understand them better. By showing their backstories, along with Geralt's, "we get down to the soul of the story. It's the story of a broken family. It's a story of three people who are on their own in the world, really orphans all living in the margins of society who are determined to not need anyone, and yet of course they do."[26]
Hissrich said the story for the second season will build on the foundations of the first season, becoming more focused; the characters will interact with each other more frequently.[27]
In September 2018, Netflix announced that Henry Cavill would play Geralt of Rivia.[28][29] He was selected from more than 200 actors.[30] In October 2018, Freya Allan and Anya Chalotra were cast as Princess Cirilla and Yennefer of Vengerberg respectively, while Jodhi May, Björn Hlynur Haraldsson, Adam Levy, MyAnna Buring, Mimi Ndiweni, and Therica Wilson-Read also joined.[31] More casting was announced later that month, including Eamon Farren, Joey Batey, Lars Mikkelsen, Royce Pierreson, Maciej Musiał, Wilson Radjou-Pujalte, and Anna Shaffer.[32]
In February 2020, Netflix announced Kim Bodnia was cast as Vesemir, an experienced witcher and a mentor to Geralt.[33] Other additions included Kristofer Hivju, Yasen Atour, Agnes Born, Paul Bullion, Thue Ersted Rasmussen, Aisha Fabienne Ross, and Mecia Simson.[33]
In April 2018, Schmidt Hissrich revealed that the show would be filmed in Central and Eastern Europe.[34]
Principal photography for the first season began on October 31, 2018, in Hungary.[32] Much of the series was filmed at Mafilm Studios near Budapest; the outdoor set included the exterior of wizard Stregobor's household. The hall in Cintra was constructed at Origo Studios on the outskirts of Budapest. Fort Monostor (Monostori Erod), and the nearby forest was used for some exterior scenes in Cintra. The Battle of Marnadal was filmed in the hills of a village in Hungary, Csákberény. The village that was Yennefer's original home was filmed at the Skanzen Village Museum, an open-air site near Szentendre some 30 kilometres (20 mi) north of Budapest; this location was also used in scenes with Ciri in an area with a windmill. The production used the exteriors of Burg Kreuzenstein, a castle near Leobendorf, Austria, for the abandoned fictional castle Vizima, but the interiors were filmed at Origo Studios.[35]
In March 2019, production commenced on Gran Canaria, in the Canary Islands, Spain. Some scenes were to be shot on the islands of La Palma and La Gomera, as well.[36] Scenes of the Sorcerers' Aretuza Academy (Tower of the Gull) were shot on Roque de Santo Domingo in Garafía, an islet, and enhanced with CGI. However, the interiors used for the graduation ball were at the Kiscelli Museum in Óbuda. The museum was a monastery in the 18th century. This location was also used for the conclave of the Northern Mages. The Barranco de Fataga area on Gran Canaria island was used for some scenes of arid landscapes. When Ciri was traveling in the desert, the actress was actually in the Natural Dune Reserve of Maspalomas on Gran Canaria. Most of episode six was filmed on La Palma island.[37]
Filming of the first season concluded in Ogrodzieniec Castle in Poland. The ruins of this medieval castle, dating from the 1300s, were the backdrop for scenes including the fictional Vilgefortz of Roggeveen and Triss Merigold. The ruins were also included when shooting the Battle of Sodden Hill in the final episode of Season 1.[38][39] Filming for the first season wrapped in May 2019.[40]
Filming for the second season took place in London in early 2020, but was halted for two weeks in March due to concerns over the 2019–20 coronavirus pandemic.[41] Actor Kristofer Hivju confirmed he tested positive for the virus responsible, COVID-19.[42]
The original song "Toss a Coin to Your Witcher", composed by Sonya Belousova and Giona Ostinelli and sung by Jaskier (Batey) in the second episode, became a viral hit shortly after the series' release.[43] Users have created mods to patch the song into the video game adaptions of The Witcher.[44]
In April 2019, Netflix's Ted Sarandos told investors in an earnings call that the series would be released in late 2019.[45] The series premiered on December 20, 2019.[46]
Netflix released the first teaser for the series at San Diego Comic-Con on July 19, 2019.[47][48] The first full trailer was revealed at Lucca Comics & Games on October 31, 2019.[49][46] Netflix released a final trailer on December 12, 2019.[50]
Critical reception[edit]
The review aggregator website Rotten Tomatoes reported a 67% approval rating for the first season, with an average rating of 6.06/10, based on 85 reviews. The website's critical consensus reads: "Though the world of The Witcher at times feels only half-formed, Henry Cavill brings brawny charisma to a series teeming with subversive fantasy elements and dark humor."[51] Metacritic, which uses a weighted average, assigned the season a score of 53 out of 100 based on 17 critics, indicating "mixed or average reviews".[52]
In a positive review of the first season, Erik Kain of Forbes wrote, "If you're looking for an original dark fantasy with some horror elements, some bare skin and plenty of blood and gore (and monsters) look no further.",[53] while James Whitbrook of io9 said, "if you are willing to sit through those trudging opening episodes, punctuated by a cool fight here or an intriguing character scene there, The Witcher slowly but surely finds itself a fantastical slice of bloody, schlocky fun."[54] Conversely, Entertainment Weekly critic Darren Franich said, "my destiny is to never watch this borefest ever again", awarding the first season an F rating.[55] Franich drew criticism when he confessed to watching only the first, second, and fifth episodes.[56]
Author Andrzej Sapkowski, commenting favorably on the show, stated, "I was more than happy with Henry Cavill's appearance as The Witcher. He's a real professional. Just as Viggo Mortensen gave his face to Aragorn (in The Lord of the Rings), so Henry gave his to Geralt — and it shall be forever so." Sapkowski added, "I shall be happy if the viewers — and readers — take anything away, anything that shall enrich them in some way. Also, I sincerely hope to leave the viewers — and readers — hot. In every sense. Not tepid, not lukewarm."[57]
Audience viewership[edit]
According to Parrot Analytics, The Witcher, in its US debut, was the third most "in demand" original streaming series, behind Stranger Things and The Mandalorian.[58] Parrot's process measures "demand expressions", which is "its globally standardized TV-demand measurement unit that reflects the desire, engagement, and viewership of a series weighted by importance."[59] On December 31, 2019, Parrot Analytics reported that The Witcher became the most-in-demand TV series in the world, across all platforms.[60]
On December 30, 2019, Netflix issued a number of official lists, including the Most Popular TV Shows of 2019. The series was among the most viewed in the U.S. market, where The Witcher was ranked second among series.[61] On January 21, 2020, Netflix announced that the first season had been viewed by over 76 million viewers on its service, within its first month of release.[62] Netflix had recently changed its viewership metric, from 70% of an episode under the previous metric, down to two minutes under the new metric. The new metric gives viewing figures 35% higher on average than the previous one.[63] The 76 million views in its first month based on the new metric (at least two minutes or more) is the largest for a Netflix series launch since the introduction of the new viewership metric.[64][65]
Sales of The Witcher 3: Wild Hunt in December 2019 were 554% greater than those from December 2018, attributed to renewed interest in the series due to the show.[66]
Animated spin-off movie[edit]
In January 2020, Netflix announced an animated spin-off movie titled The Witcher: Nightmare of the Wolf, focusing on the origin story of Geralt's mentor and fellow witcher Vesemir. Lauren Schmidt Hissrich and Beau DeMayo are working on the movie, with production by Studio Mir.[67]
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- ^ Abdulbaki, Mae (December 23, 2019). "How The Witcher Was Inspired By Christopher Nolan's Dunkirk". CinemaBlend. Archived from the original on December 26, 2019. Retrieved December 26, 2019.
- ^ [1] Archived December 26, 2019, at the Wayback Machine "The Witcher's confusing timelines explained"] 'Gamespot'
- ^ Hurley, Laura (December 5, 2019). "Why Netflix's The Witcher Doesn't Focus On Just Henry Cavill's Geralt In Season 1". CinemaBlend. Archived from the original on December 28, 2019. Retrieved December 26, 2019.
- ^ Russell, Bradley (December 23, 2019). "The Witcher Netflix showrunner teases season 2: "There's a stronger drive to the story"". GamesRadar+. Archived from the original on December 26, 2019. Retrieved December 26, 2019.
- ^ Whitbrook, James (September 4, 2018). "Henry Cavill Will Lead Netflix's Witcher Series as Geralt of Rivia". io9. Archived from the original on September 5, 2018. Retrieved September 4, 2018.
- ^ Tassi, Paul (September 4, 2018). "Netflix's 'The Witcher' Series Finds Its Geralt In Henry Cavill". Forbes. Archived from the original on September 5, 2018. Retrieved September 4, 2018.
- ^ Elderkin, Beth (July 23, 2019). "Here's Why The Witcher Auditioned 207 Other Guys For Geralt When Henry Cavill Was Right There". Gizmodo. Archived from the original on December 26, 2019. Retrieved December 26, 2019.
- ^ Petski, Denise (October 10, 2018). "'The Witcher': Netflix Fantasy Drama Series Casts Its Females Leads Ciri & Yennefer". Deadline. Archived from the original on October 11, 2018. Retrieved October 22, 2018.
- ^ a b Petski, Denise (October 31, 2018). "'The Witcher': First Look At Henry Cavill As Geralt Of Rivia; Netflix Rounds Out Cast As Production Begins". Deadline. Archived from the original on November 1, 2018. Retrieved October 13, 2018.
- ^ a b Shanley, Patrick (February 28, 2020). "'The Witcher' Casts 'Killing Eve' Alum in Key Role". The Hollywood Reporter. Retrieved February 29, 2020.
- ^ Lauren S. Hissrich [@LHissrich] (April 21, 2018). "WE'LL BE SHOOTING IN EASTERN EUROPE. Yes! This show couldn't exist anyplace else. Period. Also, I just spent ten days surrounded by Slavic eye-candy. I MUST come back, soon" (Tweet). Retrieved December 29, 2019 – via Twitter.
- ^ "The Witcher Filming Locations Guide: Where was The Witcher filmed?". Atlas of Wonders. December 26, 2019. Retrieved January 12, 2020.
The Witcher was filmed on location in Hungary, Austria, the Canary Islands (Spain) and Poland.
- ^ Navarro, Nora (March 2, 2019). "'The Witcher' se rueda en Gran Canaria" ['The Witcher' is shot in Gran Canaria]. LA Provincia (in Spanish). Archived from the original on April 18, 2019. Retrieved April 18, 2019.
- ^ "The Witcher Filming Locations Guide: Where was The Witcher filmed?". Atlas of Wonders. December 26, 2019. Retrieved January 12, 2020.
- ^ "The Witcher Filming Locations Guide: Where was The Witcher filmed?". Atlas of Wonders. December 26, 2019. Retrieved January 12, 2020.
- ^ Zagalski, Jakub (November 13, 2019). ""Wiedźmin": byliśmy na planie hitu Netfliksa. "Od początku chcieliśmy kręcić w Polsce"". teleshow.wp.pl (in Polish). Archived from the original on November 14, 2019. Retrieved November 14, 2019.
- ^ Haas, Dylan (May 31, 2019). "Netflix's The Witcher Series Officially Wraps Production". Paste. Archived from the original on June 4, 2019. Retrieved July 1, 2019.
- ^ Kanter, Jake (March 16, 2020). "'The Witcher' Becomes First Major TV Drama Made In The UK To Be Halted By Coronavirus". Deadline Hollywood. Retrieved March 17, 2020.
- ^ Thorne, Will (March 16, 2020). "'Game of Thrones' Star Kristofer Hivju Tests Positive for Coronavirus". Variety. Retrieved March 17, 2020.
- ^ France, Lisa Respers (January 1, 2020). "'The Witcher' has us singing 'Toss a Coin to Your Witcher'". CNN. Archived from the original on January 8, 2020. Retrieved January 6, 2020.
- ^ Good, Owen (January 5, 2020). "The Witcher 3 mods bring Henry Cavill and 'Toss a Coin' to life in the game". Polygon. Archived from the original on January 7, 2020. Retrieved January 6, 2020.
- ^ Crecente, Brian (April 17, 2019). "'The Witcher' Netflix Show Hits This Fall". Variety. Archived from the original on April 17, 2019. Retrieved April 17, 2019.
- ^ a b Gonzalez, Oscar (October 31, 2019). "Netflix's The Witcher begins streaming in December". Cnet. Archived from the original on October 31, 2019. Retrieved October 31, 2019.
- ^ Netflix (July 19, 2019), The Witcher | Official Teaser | Netflix, archived from the original on July 20, 2019, retrieved July 20, 2019
- ^ Morton, Lauren (July 19, 2019). "The first trailer for Netflix's Witcher series is here". PC Gamer. Archived from the original on July 20, 2019. Retrieved July 20, 2019.
- ^ "Netflix arriva a LC&G 2019". December 13, 2019. Archived from the original on October 17, 2019. Retrieved October 17, 2019.
- ^ "THE WITCHER FINAL TRAILER NETFLIX". www.youtube.com. YouTube. Archived from the original on December 12, 2019. Retrieved December 12, 2019.
- ^ "The Witcher: Season 1 (2019)". Rotten Tomatoes. Fandango. Archived from the original on December 18, 2019. Retrieved March 7, 2020.
- ^ "The Witcher - Season 1 Reviews". Metacritic. Archived from the original on January 1, 2020. Retrieved January 3, 2020.
- ^ "'The Witcher' Netflix TV Series Review: The Good, The Bad And The Monstrous". Forbes. Archived from the original on December 21, 2019. Retrieved December 22, 2019.
- ^ "The Witcher Takes Way Too Damn Long to Get Interesting, But It Gets There". io9. Retrieved December 22, 2019.
- ^ "Netflix's The Witcher is nakedly terrible: Review". Entertainment Weekly. Archived from the original on December 21, 2019. Retrieved December 21, 2019.
- ^ Garbone, Gina (December 22, 2019). "Netflix's The Witcher Showrunner Had The Best Response To Bad Reviews". CinemaBlend. Archived from the original on December 27, 2019. Retrieved December 26, 2019.
- ^ "How The Witcher Author Feels About Henry Cavill's New Netflix Series". CinemaBlend. December 21, 2019. Archived from the original on December 22, 2019. Retrieved December 23, 2019.
- ^ "Netflix's 'The Witcher' is one of the biggest shows in the US despite poor reviews from critics". Business Insider. December 28, 2019. Retrieved December 30, 2019.
- ^ "Analysts Say Netflix's 'The Witcher' Was The Third Biggest Streaming Original In Its US Debut". Forbes. Archived from the original on December 30, 2019. Retrieved December 30, 2019.
- ^ "Netflix's 'The Witcher' dethroned 'The Mandalorian' as the biggest TV series in the world". Business Insider. December 31, 2019. Archived from the original on January 1, 2020. Retrieved January 1, 2020.
- ^ "'Stranger Things 3,' 'The Witcher,' 'When They See Us' Among Netflix's Most Popular TV Shows in 2019". Variety. December 30, 2019. Archived from the original on December 31, 2019. Retrieved December 31, 2019.
- ^ Hayes, Dade (January 21, 2020). "Netflix Calls 'The Witcher' Biggest New Show, Reveals Viewership Stats For 'You' & '6 Underground' As It Explains Ratings Methods". Deadline Hollywood. Retrieved January 23, 2020.
- ^ Spangler, Todd (January 21, 2020). "'The Witcher' on Track to Be Netflix's Biggest TV Show Premiere Ever, Company Claims". Variety.
- ^ Gartenberg, Chaim (January 21, 2020). "Netflix reveals that 76 million people watched at least two minutes of The Witcher". The Verge. Retrieved January 24, 2020.
- ^ "Netflix's New Ratings Math Sacrifices Clarity for Flashy Numbers". The Hollywood Reporter. January 23, 2020. Retrieved January 24, 2020.
- ^ Parlock, Joe (February 14, 2020). "The Witcher 3 sales were up 554% thanks to the Netflix show". PC Gamer. Retrieved February 14, 2020.
- ^ Darcy, Ann Darcy. "Everything We Know About 'The Witcher' Animated Film Coming to Netflix". cheatsheet.com. Retrieved March 12, 2020.
External links[edit]
- The Witcher on IMDb
- The Witcher on Netflix
This page is based on a Wikipedia article written by contributors (read/edit).
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.


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October 10, 2018
News Briefs
Coated glass helps Toronto tower rise out of historic setting
High-performance bent and flat glass helped Hariri Pontarini Architects create an undulating modern glass tower in Toronto, while still meeting the building team's performance requirements.
» Read more
Wooden roof at Montréal clubhouse enhances golfing experience
Designed by Architecture49, the clubhouse for Golf Exécutif Montréal, located in Québec, is a green oasis. The building's curve, echoing the driving range, harmonizes with the setting while meeting the needs of golfers.
Diamond Schmitt-designed Ontario rec centre used new delivery model
The $37-million Trafalgar Park Community Centre project is one of the first in Canada to use the integrated project delivery (IPD) model. Under this arrangement, client, architect, and contractor operate as a team to apply lean construction principles to design, fabrication, and construction.
A metal wall baseboard for commercial buildings
Schluter-Systems' DESIGNBASE-SL is a top set wall baseboard providing a modern and stylish alternative to traditional baseboards in commercial buildings and condominiums.
» read more
Revealing the greenest schools in Canada
Winning schools in Ontario and Alberta incorporate solar energy, greenhouses, beekeeping, and gardening in their sustainability efforts.
Submissions invited for OAA's SHIFT Architecture Challenge
The challenge asks Ontario architects to show how architectural thinking can promote social equity, reduce isolation, or embody social justice.
Where do we go from here?
When it comes to developing interior signage for a commercial building the most important choice is a well-designed system of modular informational signs.
Say goodbye to common basement wall problems
There is one thing you can count on with basements: given enough time, cracks will appear. The go-to repair is crack injection, but there is a high failure rate since the repair itself does not keep the wall from moving, which is often what causes these cracks. The only way to avoid this is by applying a permanent structural solution such as carbon fibre on top of the injection.
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Grand Valley Chapter discusses cannabis use in the workplace
CSC Regina tours football league's new headquarters
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Concrete floors: Flatness vs. smoothness
Addressing noise concerns in restaurants
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We've made a playlist ideal for enjoying in your favourite coffeeshop… Find out more about the featured artists and bands in this blog.
Enjoying Your Coffeeshop Vibes...
With a love for pop, rock, electronic & urban music I decided to create a playlist that featured some of my favourites to listen to while enjoying a nice hot esspresso. It's an eclectic playlist with my personal picks from these artists Spotify releases.
Listen & follow the playlist here
Read more about each of them below!
My Favourite Coffeeshop Artist & Bands...
Matthew Finch
Using genres crossing folk, americana and rock music, Matthew tells stories through songwriting, performing live gigs around Birmingham, UK.
We made a charity song & music video with him when we started out back in 2015. You can watch it here.
Find out more: https://matthewfinchmusic.net/
Alt-pop music from myself with the new name ALXD.
With a different direction in sound from my previous projects, ALXD will be dropping new tunes in 2019 and beyond. This project aims to follow the flow of energy and see where the music takes it. Influenced by my eclectic tastes from the 90s, 00s & current sounds, expect something alternative.
Find out more: https://alxdmusic.com/
James T. Wilde
Indie Pop artist James T. Wilde creates a sound inspired by the likes of Bowie, Queen, Bon Jovi & the 90's brit-pop era.
We reviewed his latest release here...
Find out more: https://jtwildemusic.com/
Darla Jade
The Staffordshire born singer has kick-started her career by performing at Festivals, Holiday Parks, Corporate Events, Hotels, and Weddings. We met her perfoming at one of our live events back in 2018.
Her latest music delivers electronic vibes with haunting vocals. We know she has a bright future ahead…
Find out more: https://darlajade.uk/
'A gifted new London artist', Tom Robinson, BBC 6 Music
Recognised as much for her spellbinding music as for her mesmerising stage presence in outfits she creates herself by hand; merging fashion, dance & sonics in every live performance.
A prolific songwriter outside of her solo project, she's had successes in the UK Club Charts, rising to #13 in summer of '17 with 'Making Shapes'.
Adding to that an outspoken Ambassador for UK Music & The Featured Artists' Coalition, she is a force of nature.
Find out more: http://www.iameckoes.com/
Emma McGann
Penning infectious pop melodies from a young age, Emma McGann grew up with the likes of Alanis Morissette & Imogen Heap on repeat. Small-town girl Emma has since molded those melodies into bold, colossal anthems of fearless, new-pop brilliance, earning recognition from fierce female forces in the industry including Kylie Minogue, Nancy Sinatra and Beth Hart.
Her journey has seen her evolve from touring independently across schools in the U.K. to gaining BBC R1 airplay & BBC Introducing features on air and at U.K. festivals, nominations for various awards in the U.S. including two Shorty Awards and an iHeartRadio Music Award. McGann has also amassed over 10.8 million views across her music livestreams to date.
Find out more: https://www.emmamcgann.com
Having been likened to Chvrches, Rae Morris, and London Grammar, Lycio are vocalist and lyricist Genie Mendez, keyboardist Charlie Kellie and drummer Alex Lowe.
All three members are multi instrumentalists, allowing for an exciting, collaborative and democratic writing process. Live they masterfully combine the incredible vocals of Mendez, electronic textures and music technology with 100% live performance - injecting that 'human feel' back into contemporary music.
Find out more: https://www.facebook.com/lyciomusic/
James Reidy
If you're a fan of bluesy-pop lyrics and guitars... You'll love James Reidy.
With a sound reminicent of James Bay and artsits of simlar ilk, his single 'Alone' is a powerhouse of a ballad and really showcases what this singer-songwriter can do.
We hope to see more from this up and coming Birmingham artist in the future.
Find out more: https://www.facebook.com/jamesreidymusic/
Naomi Dawes
An up and coming singer, songwriter, producer and performer from Birmingham UK.
She spent 2018 recording, producing and mixing her debut EP Muse which arrived early 2019. She has a unique sound, biographical pop lyrics, and can woo audiences with her sultry voice.
We love her sound and can't wait to hear what she does in 2020.
Find out more: https://www.facebook.com/NaomiDawesMusic/
Andy Jenkins
Playing regularly around the West Midlands, songwriter Andy Jenkins writes original music with honesty and emotion ranging from the personal to the political.
His acoustic-based sound reflects eclectic influences from the Beatles to Beck, with varied stops in between.
Find out more: https://andyjenkinsmusic.co.uk/
Call Me Unique
Singer, songwriter, and guitarist 'Call Me Unique' infuses the sounds of jazz, soul, futurebeats, and scat-singing.
Influenced by the sounds of Lauryn Hill, Ed Sheeran, Ella Fitzgerald & Lisa "Left-Eye" Lopes. Renowned for her love of scatting and eclectic performance approach, her vibe truly is "unique".
She is a Birmingham favourite and an artist we always love to see live... Check out the link for more info on her.
Find out more: http://www.callmeunique.com/
Esther Turner
Birmingham's Esther Turner fuses energetic pop and dance influences in her recordings and live shows.
She's supported a number of high profile acts including Ed Sheehan, The Jacksons and Boyzlife. Plus, In 2019 Esther has achieved BBC introducing WM Track of the Month and best pop act at The Birmingham Music Awards.
She has a great up beat sound and puts on an awesome live show. We can't wait to see what comes next for this rockstar of an indie artist.
Find out more: http://www.estherturner.co.uk/
Are you a singer-songwriter wanting to grow your music career?
Find out how we can help...
About the Author:
Alex Dudley is an award-winning entrepreneur, record producer, musician, software developer, inventor, husband and father to three kids with a passion for collaborating with other singer-songwriters.
Currently based in Hollywood, Birmingham. Alex has been involved in various aspects of the music industry for over 15 years.
He studied Sound Production at the University of Wolverhampton under the mentorship of renowned Birmingham engineer & producer Phil Savage. Alex later went on to obtain his Master's degree in Audio Technology and founded dAudio Music Group in 2015.
Alex's accolades include the Studley High School Musician of the Year in 2004 & dAudio Music Group winning the BAA Graduate Start-up of the Year award in 2017.
Want to discuss your next project with Alex? Book in for a quick chat now!


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This page is for community organisations who have partnered with Web Access Waikato to distribute Spark Jump modems.
I'll keep links here to our partner documents so you can always find the most up to date version.
This links to a Google folder containing our Partner docs
24 Sep 2018
Skinny need to update the firmware inside the modems that we're distributing.
Info from Skinny that will be sent to our families explaining how the update works for them
The Skinny help desk will manage this directly with families who already have modems in use at home, but it's up to us to update modems that we have on hand.
Web Access Waikato want to make this as easy as possible for our partners to upgrade the modems you have on hand. We will either visit you and upgrade your stock and we can ship replacements to you. Please contact us with the number of modems you have on hand and I'll sort out a plan.


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We primarily focus on revenue. We enjoy the process of creating, implementing, and analyzing cross-functional strategies that enable a brand to achieve business objectives with legitimate results.


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Contact Us
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Melbourne's Most Results Oriented Health Specialist
It has been said, that without your health nothing else matters; here at Eagle Health we have found that to be true. So, we take your health very seriously indeed. For the various ailments that befall our lives at some point such as crippling arthritis, cancer, diabetes 2, increases in weight, heart problems, chronic fatigue, IBS, poor gut health and digestive issues to name just a few, there is a solution. We are not saying it's easy, just that there is a solution. A very simple yet very effective solution.
Why would you want to use us, is the first question you will ask?
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2019 was yet another busy year in the area of international sanctions. We analysed sanctions data in order to ascertain what it can tell us about priorities in foreign policy. We found that:
- Sanctions volatility reached a peak in 2019, primarily driven by an increase in updates to OFAC sanctions.
- OFAC both intensified its use of pre-existing sanctions regimes in 2019 and also diversified, adding numerous new regimes.
- The EU and other regulators have not followed suit, with increasing divergence in list size and priorities between OFAC and other major global sanctions programs.
To address the expanding scope of sanctions requirements, while tempering compliance costs and avoiding penalties, sanctions compliance practitioners need fast access to accurate data and sophisticated screening technology from a trusted source.


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Why green? What value does it give to property developers as a company and does it help with a company's bottom-line or public perception?
Six of the best
In a "power talk" concurrent session that forms part of the upcoming Green Building Council South Africa Convention, happening from the 16th to 18th of October at the CTICC, six of the leading local property developers will engage on green trends and what their motivations have been to integrate them into the way they do business.
On this charged discussion panel is Rudolf Pienaar of Growthpoint, Richard Thomas from Nedbank, David Green from the V&A Waterfront, Jurgens van Huyssteen from Menlyn Maine, Martin Evans from the Brydons Group and David Savage from the Abland Property Group.
"There are clear environmental benefits for building green as well as a compelling business case. Going green is not just about the environment, the bottom-line benefits of building and operating green buildings are particularly important considering South Africa's rising energy costs and water scarcity – coupled with lower risks, improvements to employee productivity and ultimately, better investment returns and higher property valuations," says Brian Wilkinson, CEO of the Green Building Council South Africa.
Globally, property owners and developers face the challenge of 'future-proofing' their buildings. Going green is now broadly regarded as the smart choice which takes account of sustainability, responsible investment requirements, aesthetics and critically, profitability.
The Responsible Investment Mega Trend
Both the Responsible Investment Code, that most of the major Asset managers have signed up to, and the King Code of Governance, require that organisations record and report on their actions in respect of, amongst others, environmental sustainability. The effects of this will be long reaching and profound – an organisation that performs badly in respect of their sustainability initiatives will be punished in terms of the ultimate measure – their share price.
Asset managers are including so called ESG (Environment, Social, and Governance) requirements in their investment mandates and, by definition, poor performers will suffer as investment moves to better performers.
So there is a wonderful "virtuous triangle" in respect of commercial property development and management. By adopting environmentally sustainable practices in their property portfolio, i.e. green building practices, they benefit in three major ways:
• They are being responsible in terms of the bigger picture of climate change mitigation
• They are being shrewd investors – green building has a proven and significant economic business case
• Their Share Price will attract a premium as investors shift to the better performers in respect of ESG.
"Could there be a more compelling argument?", concludes Wilkinson.
What else to expect
This year is designed to maximise peer to peer networking and exposure to the key influencers in the global and local sustainable building space., as the local council hosts the World Green Building Congress in parallel. The 2013 programme is designed to strike a captivating balance between big picture sustainability and the more technical aspects of sustainable building and communities. This premier event is complemented by a world-class exhibition of sustainable innovation.
Who else is coming
Amongst those eagerly anticipated in the 2013 programme line-up are: Gunter Pauli, entrepreneur, author and initiator of the Blue Economy concept; Cameron Sinclair, the co-founder and CEO of Architecture for Humanity; Jason Drew, an entrepreneur, passionate environmentalist and visionary who advocates for the sustainability revolution; and Lewis Pugh, an ocean advocate, pioneer swimmer and explorer who was named as a Young Global Leader by the World Economic Forum.
Global counterparts, Richard Fedrizzi, founding chairman of the US Green Building Council and current Chairman of the WorldGBC and Romilly Madew, CEO of the Australian Green Building Council – voted as one of Australia's top 100 most influential people in 2012, are also part of the programme. A refreshing local addition is Dion Changa respected trend-spotter and the duo of Justin Smith and Alex Kuzma who share their work on the Woolworths good business journey.


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In late 2011, a group of encore leaders from Boston attended a conference in San Francisco. Building on their common interest but recognizing that travel to the west coast was an inefficient way to meet, the group convened Encore Boston Network (EBN) as a way to connect their efforts and to promote the growth of encore opportunities in our region.
EBN was officially launched in 2012. With support from Encore.org and the Tufts Health Plan Foundation, the network infrastructure was put into place in 2013 and 2014. Membership quickly grew to 50 leaders, organizations, advocates, researchers, policy makers, program operators and others.
Meetings focused on knowledge sharing and developing best practices. An Encore Expo, held at Boston College in 2015, connected 35 organizations offering encore opportunities with a sold-out crowd of more than 200 encore seekers.
In 2016, with support from The Boston Foundation, we launched the Gen2Gen Boston campaign to connect people over 50 with youth-serving organizations. EBN incorporated as a free-standing nonprofit in 2017, and expanded our resources by co-developing 10 Steps for Engaging Adults 50+, a best practices guide for nonprofit leaders.
In 2018, we partnered with United Way of Massachusetts Bay, Inspiring Service and Empower Success Corps to create Connect for Good, the most advanced online guide to volunteer opportunities in the country and designed to support the special interests of people over 50.
In 2019, EBN shifted its focus to welcome individual encore seekers as members, recognizing the value of bringing them together into contact with each other but also with organizations and others who need their help. We also launched Encore Circles to connect individuals who share common interests in social causes or community needs.
Longevity & demography
The demographic picture has shifted and that requires all of us to think differently about people over 50 and how we work & contribute. Watch this 4-minute video to learn why.
Encore Boston Network is a regional coalition of organizations and professionals dedicated to engaging the talent of people over 50 in our area. But we are part of an international movement with the same purpose. The Encore Movement was sparked by the thought leadership and innovative programs of Encore.org and its founder, Marc Freedman, a renowned social entrepreneur.
Encore movement
The many organizations that were spawned by or are aligned with the encore movement, including Encore Boston Network, are organized into the Encore Network, a global coalition that connects and strengthens the work of local and regional leaders.
Age-Friendly Communities
Developed by the World Health Organization in 2007, this framework identifies 8 essential features in a checklist that communities can use to assess their strengths and deficiencies and plan for improvements.
Engaging people over 50 in social purpose work and volunteer opportunities links to 3 of the 8 essential features:
Civic participation and employment
Respect and social inclusion
Social participation
Age-Friendly Communities can look to Encore Boston Network as a resource for making improvements in these categories. We welcome inquiries and can offer ideas, approaches and connections for expanding civic engagement and work options for people over 50.
United Nations Sustainable Development Goals
Also known as the Global Goals, these are a universal call to action to end poverty, protect the planet and ensure that all people enjoy peace and prosperity. They tackle the root causes of poverty and unite us in making positive changes for both people and the planet. These goals provide a social purpose framework for people over 50 who want to make a difference in their communities and in the world beyond.


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We are being brainwashed all the time. Fortunately for us, the brainwashing is not focused and we are capable to resist. How to fight manipulators effectively? We will discuss below. For further reading you are welcome to visit here, here, here, here, here, here, here, here, and here.
Who tries to manipulate us?
Brainwashing is so common, that we stopped noticing it. We are being brainwashed by everybody we know.
Politicians and activists want us to take a stand and vote, not necessarily for what benefits us.
Salesmen are after our wallets. They want us to buy stuff we do not really need and then recommend all of our friends also buy some.
Our friends and family are not so obvious. When they try to make us do things, they might actually believe they take care of own our interests.
Were people always so manipulative?
In ancient times people used to be much more direct. They did not see many people, and those people they knew could use direct force or authority. People did what they had to do. If you want to see how direct were people 100 years ago, simply learn the history of advertisement.
The manipulative individuals were a cautionary tale, something that people had to be warned about. Today nobody will warn you of manipulations, as they are self-evident and ubiquitous.
Rhetorics as a sign of manipulation
One of the things common to manipulation is the usage of rhetorics. If you are expected to be true to yourself, there is no reason to supply anything beyond information and emotional support.
When somebody wants us to step out of the comfort zone, they will probably use rhetorics. They will use all the tricks in the book to move us. There will be great storytelling, compelling context, refined language and so on. Our greed and fear will be addressed with limited times deals, successful role models and empathic language.
True motives
To be fair, very similar tools will be used by those whose only wish is to entertain themselves and us, and by those who want to motivate us to achieve our goals. We should always try to find the motives, the reasons for the use of particular language. The motives are typically pretty clear once we move beyond the rhetorics.
Honestly, it can be very difficult to look for the hidden motives, when we are emotionally overwhelmed or when we read at the speed of machine gun. It makes sense to take timeouts to clear the thoughts in this case.
To fight or let go
Just understanding that we deal with manipulation is not enough. Rhetorics move us either way. The reasoning behind the rhetorics will also be compelling. Moreover, the messages will repeat and occasionally pass our guard.
If the consequences are not very bad, we might as well go with the rhetorics and let it motivate us. Otherwise, we should probably find the rhetorics of the opposing side: be it minimalism, political satire or financial planning. Fortunately, there is equally strong rhetorics pro and con each major decision. It is best not to handle the compelling reasoning on our own without proper support.
Memory quirks
If we decide to handle rhetorics on our own, we need to face our own memory quirks. The memory may act against us. If we get the same message over and over, it will look more reasonable and believable, because we already were exposed to it before. This is how brainwashing works: it finds cracks in our armor that we do not notice. The more and better we remember, the more vulnerable we become to the one-sided storytelling. Thus it is crucial to learn both sides of every controversy to keep the freedom of choice.
Implicit bias
One of the things that rhetorics may establish is bias. We may have stereotypes embedded in us as associations. Even if we understand mentally that these stereotypes are plain wrong, we still need to fight them each step of the way. I am ashamed of the stereotypes embedded in me when I was a child. Everybody is. Cultural norms change. We can be super liberal and accepting, yet our first automatic reaction will be influenced by early stereotypes. At the very least it will be slower, as stereotypes and values collide.
Times of vulnerability
We are especially susceptible to brainwashing in certain times of weakness. Childhood is the longest period of weakness, and our education may contain a huge amount of brainwashing. Any religion most of us have including atheism is probably a result of such brainwashing. I think the mature response is questioning anything that cannot be proven one way or another.
Various cults use the periods of great personal crisis: loss of a loved person, loss of social status, severe depression or existential status. During times of weakness, we look for strong people who appear to have all the answers. If we feel pain, we may need something to forget.
When we are strong and overconfident we may do another kind of mistake, trying to experiment with things that should not be touched. For example, when traveling people tend to take gambles they would not take at home. If we get a promotion at work, we are likely to buy something we do not really need as a reward.
The biggest issue with this risks: results of impulsive actions tend to follow us for life.
Figures of power
Another aspect of weakness is something a regular person feels near someone with power. The president of the United States can say whatever he wants, and we will treat it as something meaningful, either truthful or at least worth mentioning. The leader of most cults is a strong charismatic figure, and the leadership itself is a symbol of power.
Near the figures of power, we always feel weak. We do not ridicule the ideas of our parents, even when these ideas look ridiculous. In fact, if our parents will ask us to vote some way in elections or choose a specific diet we will seriously consider it. Even though we know they have no relevant experience. Ridiculous… Yet, this is true for all of us.
Is rhetoric art of manipulation?
In ancient times the ability to formulate yourself when addressing public was a form of art. It was taught in schools and respected. People used it as a form of self-expression and expressing complex cultural ideas, thoughts that changed civilization forever. Consider Cicero and his speeches…
Now, how would we react if in times of our deep humiliation someone we trust and respect gives us a speech? Like the figure of Uncle Ben in Spiderman. This speech if rhetoric is not a form of art, but a form of influence. It cuts deep into one's sole and generates stereotypes. It can be filled with unconditional and unreasonable love or hate, and we will feel obliged to reciprocate.
Rhetorics in books
Anything we see many times eventually feels credible, no matter how stupid it is. Most people think the time machine can be created because they see time travel in science fiction. If they are smarter they may cloak this superstition with some interesting remarks about the event horizon of the black holes, quantum phenomena or wormholes. If we read too many books that formulate a certain line of thought we will start to feel it. In Stockholm's syndrome, hostages develop a psychological alliance with their captors. When we read a book, our attention is captivated by the author, and we often start to identify with his values. I think reading the books of enemies is dangerous because of our instinctive need to identify with the author. At the very least, this will make us question our basic responses.
Emotion as rhetorics
Quite often the rhetorical behavior of the author is caused by a deep emotional need not backed up by scientific information or ability to act. When we choose to read a book that resonates with our emotions, we are vulnerable to mirror some of the author's views. If someone asks us to feel empathy, we are pressed to feel it. The emotional manipulations are hard to avoid, as no amount of reason can neutralize them. We can use sports or meditation, but probably no reason. Emotions tend to be even more contagious, as people in our social circle often share the same emotions. Thoughts are not facts. A strong emotional response is not a deep truth, it is a warning sign.
Illusion of freedom
Are we really free? Not when our focus is captive. It is very hard to detach when we read a great book, or our friend asks for our attention. This is a good thing, as long as a part of us is watching and asks critical questions.
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Surah Iklash ka Wazifa for love marriage
At the time of marriage, a pair of the couple make promises which they will fulfil until their last breaths.
Promises such as living together, never cheat each other, never betrayal each other, never lie to one another, never bring any third person in between their relation, prohibition of any extramarital affair, any other person such as man and woman in a married couple's life Marriage relation is not easy to maintain for a lifetime. It takes a lot of efforts, adjustments, compromises, sacrifices. These are some secondary factors which are essential to keep a marriage.
But to make a marriage successful and happy. A couple needs to require love, care, honesty, support, attraction to each other. Such factors are crucial and relevant for a marriage.
As it said, marriage is not a play of dolls, where once want to play the game and use another person. Where once wish to quit the game when you get fed up. But when it comes to true love and wants to stay with one another for a whole lifetime. You can make your marriage successful if you have consent for it. People fall in love, but many less of them wants to get married. As nowadays people fall in love then quite their relationship after a few months.
It said that lucky are those who get married to their loved ones. Yes, you may be fortunate if you marry the person whom you love and in return, that person also likes you back. When you decide to get married, you may face a lot of problems such as your family may not agree with your choice. A person whom you want to get married is not right for you. In Islam, love marriage prohibited. We all know that it writes in the holy book of Qur'an that a man and woman couldn't stay together before their wedding. Which means if you fall in love, then you stay together before your marriage.
Islam religion does not permit those who want to get married in a love marriage relationship.
We bring a solution for you where you may able to convince your parents and family for your love marriage, and they also agree to you quickly.
● Wear clean, fresh or newly washed clothes.
● Recite durood Shareef thrice before the beginning of wazifa and at the end of wazifa again recite it.
● Read this dua for at least 313 times and pray to mighty Allah to agree with your parents for your marriage.
● Now you may see results within 11 days
The following is the Surah Iklash ka Wazifa for love marriage
Yaa Sataroll Ayubee Yaa Saba Biill Asbabii Iyyakaa Naa Buduu Waa Iyyakaa Nast Ain Yaa Hayyoo Yaa Kay Yum Birah Matikaa Astagizz
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We're taking a look inside Copy A Millionaire and/or Automated Paydays. Something fishy is going on with this company and we're trying to find out if it is worth the investment.
LinkedIn is not just for mindless drones (i.e., employees). In fact, the site can become your best tool for finding work-at-home jobs. Here are some ways how.
The final part in the short series, Becoming an Entrepreneur
In this review of the social dieting site DietBet, I bet (twice!) that I can lose weight in 30 days. The pressure is on…do I win?
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In a world of many similar and competing products, sometimes it's more efficient to tinker with customer perception than fuss over added features and benefits.
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Vantage Volante
7.0 Liter V8
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Body Style: Convertible
Exterior: York Red
Interior: Fawn
The car on offer here is a restored, 1985 Aston Martin V8 Volante with a 7.0 Liter Big Bore X-PACK Secification --York Red with Fawn leather with Burgundy piping, Beige carpeting and a Tan Mohair top. With the upgraded 7.0 liter V8 engine, 5-speed manual gearbox and only 18,000 miles from new; this Aston checks all the boxes for collectibility. This original European Specification V8 Volante has been in long term since 1999. This V8 Volante was converted to a Prince of Wales (PoW) specification; front valance, 16 Ronal factory wheels and a ZF manual 5-speed gearbox. In 2001 the car received a full glass-out, bare metal repaint ($33,600) in its correct original color, and all chrome was re-plated and trim refinished per factory spec; the car still looks fresh. At the same time a new interior was completed by Coachtrim LLC ($23,000) featuring new, correct, Connolly hides and Wilton carpeting throughout. Completing the restoration work the interior wood trim was refinished and the audio system was upgraded. In 2004 the original engine upgraded to 7 liter X-PACK specification. The $49,000 engine build was comprehensive including a 4340 billet crankshaft, ported and polished cylinder heads, custom ground camshafts, custom forged JE pistons, custom Carrillo connecting rods, ceramic clutch and 4 bolt mains. Carburetors were upgraded and jetted to X-Pack specification and a custom ignition system installed. Large bore custom headers and a large bore custom exhaust compliment the build. To manage the increased torque of the new motor the differential carrier bolts were strengthened and a 3.73 posi differential was installed. This Volante has been a two-time Greenwich Concours participant and is accompanied by an impressive catalogue of long time ownership maintenance and restoration records in addition to the factory books, jack and tools. Among the most impressive vintage Aston Martins on the market today, this Volante will be a great addition to any collection.


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FS#11955 - Corrupted metadata as of r29350
Opened by Luca Leonardo Scorcia (LucaLeonardoScorcia) - Monday, 21 February 2011, 00:04 GMT
Last edited by Andree Buschmann (Buschel) - Monday, 21 February 2011, 21:36 GMT
Hello. I want to report that metadata display is broken on r29350 on my FuzeV2. It shows some random buffer, sometimes text, sometimes GUIDs, sometimes 'boxes'. The problem is not present in r29348.
Rebuilding the database fails with data abort at 30800530 address 0x646c6f47. I checked the map file and 30800530 is inside strlen.
Monday, 21 February 2011, 21:36 GMT
Reason for closing: Fixed
Additional comments about closing: Submitted with r29372
I reviewed the parser this morning, but I will need some additional time to check the handling when replaygain data is contained in the tag.
If I do not have a proper solution this evening I will reject my change to ensure svn Trunk is working fine. In this case I will re-open
Sorry for the inconvenience...
1) revert r29349 -> fixes the error in svn
2) implement trimming inside parsegenre() -> saves buffer as intended
3) implement trimming inside parseuser() in case of "ALBUM ARTIST" -> saves buffer as intended
4) correct trimming inside parseuser in case of !"ALBUM ART" and !CONFIG_CODEC == SWCODEC -> error in svn


text:
Elizabeth Daiker, M.I.B
Title: Part Time Faculty
Dept/Program: Department of Finance
Email: email@example.com
Dept/Program: Department of Finance
Email: email@example.com
- Master of International Business Studies, University of South Carolina
- Bachelor of Science, Business Administration, Miami University of Oxford, Ohio
Professional & Academic Experience
Professional Experience:
- Retirement Plan Consultant, ALERIS INTERNATIONAL, Beachwood, Ohio, April 2014-June 2014
- Worked as a contractor with the Retirement Programs Manager to manage heavy work volume during a corporate acquisition.
- Verified retirement plan activity during parallel payroll system testing and live integration of the newly acquired division.
- Audited and approved weekly payroll and recordkeeping files for all company divisions.
- Reviewed delinquent 401(k) loans and worked with payroll department and record keeper to correct.
- Retirement Plan Specialist, SKYLIGHT FINANCIAL GROUP, Brecksville, Ohio, August 2008-October 2012
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- Senior Client Services Consultant, SCHWAB CORPORATE SERVICES, Brecksville, Ohio, April 2003-June 2005
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- Senior Client Manager/Vice President, KEYBANK, Cleveland, Ohio, August 1999-October 2002
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- Section Manager, KEYBANK, Brooklyn, Ohio, June 1997-August 1999
- Responsible for managing and training an eleven-person operations team servicing over 100 defined contribution plans.
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- Coordinated defined contribution plan processing within Nestle and with the plan record keeper.
- Taught plan educational seminars for employees, including explanations of plan provisions, investment options and regulatory issues.
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- Benefits Consultant, HEWITT ASSOCIATES, Lincolnshire, Illinois, January 1993-March 1994
- Performed administrative consulting for several large defined contribution plans
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- Trained and supervised a six-member audit team as a contractor
- Researched, compiled and reviewed employee retirement benefits records.
- Worked with human resource and benefits departments to obtain needed data, while working under and meeting strict deadlines.


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