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UC's Senior Management Team recently developed and adopted a Sustainability Framework.
This document establishes the approach that the University will take to meet its environmental commitments and to incorporate sustainability concepts into decision making at all levels, while staying within the University's resources.
The Framework covers approaches to teaching, learning and research, operations, and partnerships for sustainability.
AVC Māori and Acting Learning Resources Director Darryn Russell headed the Framework, and believes that "universities are uniquely poised to offer sustainable solutions to the problems of our day – notably climate change – something that is recognised throughout the higher education sector world-wide." He added that "having this Framework in place will focus attention on this fact and makes a firm statement that these issues are viewed as important within the UC community."
Key elements of the Framework include fostering research that will lead to a more sustainable world and offering opportunities for students to learn about and contribute to ways their disciplines can contribute to sustainability outcomes. It states a goal of being a "role model in our community for environmental leadership and sustainable practises", and that UC will draw on the special significance of Te Tiriti o Waitangi and commit to being good stewards of our environment.
There are lots of ways to get involved now that this Framework is in place, acknowledging that we have been on a sustainability journey as a university community for nearly twenty years.
For an idea of how the University is performing in the areas covered by the Framework, have a look at the 2017 Sustainability Report.
Get in touch with the Sustainability Office if you have any questions about how you can incorporate more sustainability practices and principles into what you do here at UC and in your everyday lives!


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Top Selling Tibet Tours 2020
Local Tibet travel tourism insider selected the top selling Tibet tours in 2018 for your Tibet travel season in 2019. Visit Tibet travel service team keep working hard to bring you the best value on all sorts of theme Tibet tours, trekking adventures, Kailash pilgrimages, photography, Tibet hotels, resorts, unique homes, car rentals, Tibet travel permits and more. From Tibet adventure travel and backpacking to honeymoons and family vacations, we've full solutions! So our huge selection of Tibet tour products will help you plan the perfect Tibet trip. Start planning your 2019 life time Tibet holiday tour now? Enjoy the booking and tour with Visit Tibet travel service!

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I don't know about you, but I can't count anymore the number of times I've seen this code pattern (in code snippets online as well as in production code): while not ADataSet.Eof do begin […] ADataSet.FieldByName('MyFieldName1').SomePropertyOrMethod; ADataSet.FieldByName('MyFieldName2').SomePropertyOrMethod; […] ADataSet.Next; end; … Continue reading
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A 6 mile linear walk from Barnham rail station to Arundel rail station in West Sussex, forming the second stretch of the Sussex Hospices Trail. The route heads north across flower farms and arable fields to reach Walberton, home of The Sussex Snowdrop Trust, before continuing through woodland and arable fields to reach Arundel where you will have chance to explore the cathedral and castle. You will enjoy a charming village, enchanting woodlands and a lovely stretch of the River Arun along the way. The return leg can be completed with a single 10 minute train journey.
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Tuesday 30th July 2013, 8.45 pm - 10.30 pm. Guided walk to see bats using bat detectors and moths using an illuminated moth trap. All welcome. Please bring a torch, if possible. Meet at Ham House PL2 2HE. There is car parking at nearby Tewkesbury Close.Booking essential. Contact John Randall on Tel: 01752 309857 Mob: 07753 432061 Email: firstname.lastname@example.com
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Offbeat Health
Understanding the types and benefits of blackhead extractor
Have you ever been a victim of excessive blackheads breakout? Blackheads is a common skin imperfection that mostly covers the…Read More »
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Since I began cooking do-it-yourself dog food for my two dogs years in the past, everybody has noticed and commented on how much better they appear, and I get requested what are you doing differently. The banker ( Emerald Benedict ) is just a step away from the fire and by no means strikes, permitting gamers to cut down on time spent strolling. The fire is eternal, so there isn't a need to worry about relighting it, saving stock area. On the draw back, Rogues' Den solely has a fire because the means to cook dinner, so it is just usable for cooking fish or meat, and it doesn't offer the good thing about reduced burning on a spread.
Freshly squeezed vegetable juices based round lots of green vegetables like celery, cucumber and spinach are very cleaning. You'll be able to add a small quantity of carrot, parsnip or beet root to sweeten your juice, or add some ginger or garlic to present it a warming effect. I all the time suggest that you water down your juice (about 50:50) so it is not too robust.
Another precaution with chrome steel entails cleansing techniques. Using steel wool is discouraged as metal particles could be left behind which then turn into rust. Corrosive cleaning agents could leave dangerous residue if not totally rinsed. And, like aluminum, some nickel leaching might happen when cooking acidic foods, especially in pans with scratches and pitting. This ends in growing an individual's nickel consumption.
Quickly warm pineapple in butter and brown sugar, then spoon the softened fruit over crumbled pound cake and dulce de leche ice cream. Once you have eliminated the sugar-laden foods from your weight-reduction plan, it's possible you'll discover that your taste buds change and the marginally sweet desserts that will not have cut it for you in the past will likely be more than satisfying as you reside out your new healthy candida weight-reduction plan life-style.
Wholesome meals do not need to be boring. Rachel Ama is within the kitchen with an thrilling one-pot dish that'll depart you stuffed with out feeling responsible – candy potato stew with pink cabbage slaw. On the end part of a recipe, cooking tips about alternative ways in doing the cooking methods are inserted. These permit cooks to experiment further and to re-create a dish in accordance to their taste. Cooking recipes will not be inflexible requirements. With a particular recipe, you may modify it and personalize it.


text: I see that other people share my experiences with the CZ550 & CZ602. Every CZ550 that I have had experience with has needed at least one full days work to make it reliable for dangerous game. Do not take me wrong I love the CZ550 after they have had a lot of work. My CZ550 required about three days work to make it smooth and reliable. My wife's required one full days work after it had been reworked by a well known competent gunsmith (no name mentioned). The CZ602s that I work on for Zimbabwe CAMPFIRE are rugged and smooth the only work that they require is from daily abuse, mostly lost parts or broken parts especially stocks. I have never experienced a M-70 (control feed) that need work, just use! If only CZ made their 550 in .404!


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Shannon Lake Real Estate & Neighbourhood Info
The epitome of the West Kelowna lifestyle. Shannon Lake is a beautiful area of West Kelowna with vibrant communities that are favourites among families, retirees and young couples. Living in Shannon Lake puts you close to all the amenities of West Kelowna, and you're an easy drive to Kelowna & Peachland.
Here's What Happened in Shannon Lake - January 2020
Life in Shannon Lake
The highlight of Shannon Lake is, of course, the lake itself, with its fun family fishing program that runs in the spring, a park, and walking trails. Neighbouring Shannon Lake Golf Course is also a favourite among locals and visitors, alike.
Shannon Lake residents have the opportunity to really slow down and enjoy the lifestyle. Walk the dog. Fish. Golf. Enjoy the playgrounds. Hike. Bike.
If you're looking to buy or sell in Shannon Lake, contact the Kelowna Real Estate Pros at Nyrose & Associates. We have the pulse on the neighbourhood and would love to help.
Email: firstname.lastname@example.com
Phone: 250-575-1946


text: BlackRock is pleased to celebrate Youth Art Month by presenting a series of exhibits featuring art by students from area schools. The second exhibit in the series showcases works by eighth grade students from the Barnesville School of Arts & Sciences located in Barnesville, MD. The exhibit runs from Friday, March 15 through Saturday, March 23 and includes selections of two- and three-dimensional pieces which represent a sampling of the art projects created by talented middle school students supported by their dedicated art teacher Sarah Eargle. Youth Art Month is an annual celebration emphasizing the value of art education, encouraging support for quality school art programs, and recognizing the valuable skills developed through the visual arts curriculum that are not possible in other subjects. Sponsored by the National Art Education Association, the theme for Youth Art Month this year is "Your Art, Your Story."


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Here are examples of stock we have previously sold on this site. Below you will find Sea Service Pistols, Brown Bess, pistols by Richards, Henry Nock and other items by the finest Gunmakers.
39" Barrel Brown Bess Musket, .75" bore with very clear inspectors mark, British Proof marks and Heart Mark acceptance stamp of the British East India Company. Matching barrel and stock number 1090. Lock in excellent working order with EIC Rampant Lion mark and inspectors mark. Post 1809 throat hole flintcock. All correct regulation brass furniture of buttplate, recessed sideplate, ramrod pipes, fore end cap and triggerguard. Sling swivels fitted. Stock stamped with armoury number. Barrel is excellent externally polished armoury bright with clear proof/acceptance marks. All Lock parts are original, the lock is pitted but clean. All original brass furniture and sling swivels with nice patina. Stock in good condition with normal handling marks.
Like others we have sold, this particular Brown Bess was in use late into the 20th century for ceremonial purposes in a North West province of India. The stock was darkened and the steel polished to achieve maximum effect on parade. A genuine and original EIC Bess.
Continental Flintlock Sea Service pistol, circa 1810-1825, 15.75" overall, .70 bore 9" round barrel with strong Liege Proof mark. Brass butt cap with steel lanyard ring, brass trigger guard,fore end cap and barrel escutcheon. Rounded lockplate with inspectors mark, swan neck cock. Stock with makers mark. This type of Sea Service pistol was extensively used not only on the European Continent but also saw service with packet boats and customs vessels around the English coast and the rest of the world.
A very original sleeper with pleasing overall patina. No structural damage to stock but as is usual with these pistols which saw hard use, there are numerous handling marks.
A Very Good Regulation Light Dragoon Flintlock Pistol by H Nock. 15½" overall, 16 bore 9" round barrel with proof marks and feint Ordnance inspection mark towards breech. Border engraved rounded lockplate signed H NOCK on tail and Crown over GR, border engraved cock, regulation furniture including lobed butt cap, brass trigger guard, side plate and ramrod pipe. Replacement ramrod. Stock with inspectors Crown mark on sideplate and further feint Crown mark to rear of lock plate. This is a very good example of a Regulation Light Dragoon pistol by one of the best gunmakers of the period.
Very good all original metalwork with crisp barrel proof marks. Excellent lock and markings. Stock is very good with normal handling marks but none of the normal splits.
An original and sleepy flintlock pocket or muff pistol by Richards. Border engraved action marked RICHARDS on one side with floral engraving to the other side. 32 bore 2" long turn off barrel. Rounded breech with London proof marks. Folding trigger. Border engraved ring neck cock. Sprung frizzen with engraved sliding safety. Walnut flat sided butt with silver escutcheon engraved with flowers. Overall length 6 1/2".
A real sleeper untouched with no restoration. Would grade up with a gentle clean. Metalwork is lightly pitted. Mechanically sound with working safety. Very little shrinkage to wood which has the normal handling marks but no splits.
Joseph Egg, nephew of Durs Egg, is perhaps best known for his exquisite over and under flintlock and percussion Baby Eggs which rarely come onto the market and attract high prices. The period during which Joseph Egg made flintlocks in his own name was relatively short. He may have made a few (not Baby Eggs at this time) from his own premises in Great Windmill Street in 1800 but this was short lived as he formed a partnership with Henry Tatham the following year which lasted until 1814. At this time he recommenced trading in his own name from his shop at 1, Piccadilly on the opposite corner of Coventry Street/Haymarket - in fact directly opposite where his uncle Durs Egg had his premises between 1786-1804 (an Aberdeen Steak House in more recent times!).
Joseph Egg remained at 1, Piccadilly between 1814 - 1834 (his sons took over in 1835), it was during this period that he made his Baby Eggs, drawing upon the experience of the over and under flintlocks made in the Tatham and Egg period. The pistol being sold here was made soon after he recommenced work in his own name (shortly before the Battle of Waterloo) as within a few years his production of pistols soon switched to percussion with the exception of over and under pistols and cased duelling pistols which he continued to make in flintlock form for fashionable clients.
The pistol is 15 inches overall with a 9 inch barrel of Carbine bore (.65). The barrel is round but with a top flat which runs the whole length of the barrel. The barrel has a blade style fore sight with a V shaped rear sight and is marked London on the top flat. A captive stirrup ramrod is attached. The original lock has a roller frizzen with a semi rainproof, slightly raised pan. The finely engraved lockplate, which is signed in full JOSEPH EGG LONDON, has a sliding safety and characteristic 'wheat ear' border engraving. The throat hole flintcock has matching engraving with a squared off top jaw. The frizzen has matching border engraving. The fine engraving is matched on the tang and the trigger guard which also depicts a curled serpent. The walnut stock has a beautifully diamond chequered fish tail shaped butt with the characteristic Egg diamond with a cross in the centre of each diamond. Very original and in sleepy condition. The metalwork has an even patina with the lockplate (excellent action) in particularly good condition. The barrel has a small area of pitting between 5-6 inches down the barrel which from our experience is often caused by being kept in a holster. The wood is in very fine condition with very crisp profiles particularly around the lock and the barrel with the diamond chequered butt being a superb example of its type.
Flintlock Mail Coach Blunderbuss with top sprung bayonet by Dunderdale Mabson and Labron of 25 Russell Street, Birmingham circa 1820 (Heer Der Neue Stockel Vol I, p.317: English Irish and Scottish Firearms Makers by Merwyn Carey p.26). 17" flared brass barrel measuring 1.5" internally at muzzle with octagonal breech section engraved on top flat under spring bayonet RIC'M'ND - YORK MAIL COACH. Full length Waters patent top sprung bayonet released by sliding catch on tang. Good quality all original lock with swan neck cock with border engraving, roller frizzen and border engraved lockplate engraved Dunderdale Mabson & Labron. Engraved brass triggerguard with acorn finial, brass ramrod pipes and barrel bolt escutcheons, engraved brass sideplate and brass buttcap engraved with a stand of arms. Iron ramrod and walnut stock.
Brass barrel in excellent condition. Good patina to brass triggerguard, ramrod pipes, barrel bolt escutcheons and buttplate. Steel parts with minor pitting commensurate with use and age. Working lock. Spring bayonet mechanism worn but original and in working condition. The stock is in very good condition considering its use with very minor losses and handling marks, small wood loss at top of tang, one small inset repair on reverse of stock and a very minor fracture forward of lock.
An unusual Mail Coach variant which was used for the Mail Coach between the busy Georgian market town of Richmond and York in the second quarter of the 19th century. It is unusual to have the towns named rather than a number on the barrel. Numbers are the norm but can be confusing as they often do not relate to a route number but are now thought in some cases to relate to the sequential number of manufacture.
1846 Regulation Issue Sea Service Percussion Pistol. With 6" long, 25 bore barrel with various proof and ordnance inspectors stamps & captive ramrod. Lock marked with Crown over VR, Tower 1846. Walnut stock with regulation brass mounts complete with belt hook with inspectors stamp & iron lanyard loop on butt.
Normal handling wear to stock with excellent barrel and markings. Original lock in excellent condition.
A good quality Flintlock Box-Lock Pocket Pistol by Durs Egg of London, circa 1800. 50 bore turn-off barrel 1.8 inches long engraved with a slender band of foliage around the breech. Rounded breech signed D EGG LONDON on one side and engraved with long ribbon and starburst on each side under frizzen, border engraved action finely decorated with a differing trophy of arms on each side, thumbpiece safety-catch engraved with a starburst and also locking the frizzen, ring-neck cock engraved with a serpent on each side, folding trigger within a foliage engraved border. Sprung roller frizzen with fine heart and border engraving. Tang and trigger guard screw heads engraved and finished in line which is always a good sign of quality. Finely figured walnut flat sided butt. Tower private proof marks. Overall length 6 inches.
Good even patina to all metal parts, crisp proof marks and engraving, some minor pitting. Some wear to London signature on frame. Trigger correctly unfolds when action is cocked but is a little loose when folded back in recess. Sliding safety engages correctly at half cock. Sprung frizzen tight and excellent working condition. None of the normal stock shrinkage between frame and butt. Some minor handling marks to butt.
An above average condition pistol by one of the best gunmakers of the period.
25 Bore Percussion Coastguard Pistol of regulation type by George H Daw with regulation brass mounts. Plain barrel with proof marks and signed in full along the top (signature worn but looks like GEORGE H.DAW 57 THREADNEEDLE STREET LONDON). Tang incorporating a rear sight. Lock plate with border engraving and "George H Daw". Iron lanyard loop and captive stirrup ramrod.
Plain barrel with good but slightly pitted surface - see photograph, central barrel inscription is worn. Mechanically sound with working stirrup captive ramrod. Stock is complete and in overall good condition with minor bruising. Iron parts in good condition with some minor pitting.
A good quality pair of 48 bore flintlock pocket/muff pistols by W Richards circa 1815. Smooth bore 1.5" turn off barrels with crisp proof marks. Engraved throat hole flintlock boxlock actions marked W Richards and London with sprung frizzen and sliding safety. Slab sided walnut grips. Overall length 6.25". The good quality and date of these pistols indicate that the W Richards may be the early production of Westley Richards.
Very good condition. Stocks are good with virtually no shrinkage next to action and a few minor handling marks. Mechanically sound. Wood to metal fit excellent. Grey patina to all metalwork with minor staining. Crisp proofs. Barrels very good tight fit but unscrew easily.
Rare Swedish Model 1704 Flintlock Pistol dated 1711. Tapering sighted .650 calibre, 16 bore three stage 14" barrel with excellent ordnance proof marks and date of 1711 within rectangular stamp. Original regulation lock and triggerguard with impressed marks. Original trigger, ramrod pipe, ramrod and side nails. Blackened stock with non original butt cap. Overall length 20.75". The market price at auction for a Swedish 1704 Model flintlock is circa £3,500 - £4,000. See Thomas Del Mar auction 27 June 2012, Lot 447, price inc commission around £3,850 (please note that the photo for the 1704 pistol was shown with lot 446 by mistake). A mint example of this pistol is held by the Swedish Army Museum.
This is a restoration project due to the non original buttcap which is just a plain nasty later replacement! Nevertheless, the original parts on this pistol are a rare find. The stock looks like a Swedish period replacement. The stock for these Swedish pistols was invariably made from a light wood (possibly Arctic Birch like some of their Brown Bess?) and then darkened so splicing in a long eared buttcap is possible without detracting from the overall excellent condition of the rest of the pistols all original metal parts which have a smooth grey patina. Minor pitting to lock and triggerguard. Lock all original and mechanically sound with wear to the pan.
A finely made steel and brass Miniature Wheel Lock Puffer Pistol made in the late 20th century in the Nuremberg style of circa 1630. All steel stock in the style/shape of miniatures made by the renowned period miniaturist Michael Mann of Nuremburg (1590-1630) - see this link for an example. Stock is very finely hand engraved with animal heads on each side, serpents at muzzle fore end, grotesque masks, wreaths, tendrils and seated figures holding a helm (for identical engraving see Art of the Gunmaker by Hayward, plate 62b - a sheet of period designs for wheel locks circa 1657 by C. Jacquinet). Staged brass barrel with octagonal breech section, touch hole and engraved top flat, barrel length 2.15 inches. Finely made lock with enclosed finely grooved wheel and sprung loaded dog which has engraved eyes to the jaws. Sliding steel pan. Puffer style butt with steel ball enclosed in a brass wire cage. Brass and steel ramrod. Brass trigger guard enclosing twist engraved steel trigger. Overall length 4.6 inches.
Please note : Wheel Lock mechanism is in working condition but one chain link only is fitted which limits winding up the wheel to slightly less than a quarter of a revolution of the wheel (full size wheel locks wind to around half to three quarters of a turn). Pan is manually pulled back over grooved wheel after winding up wheel and dog/hammer is moved from safe fully reclined position to resting on top of sliding pan. Pulling trigger slides pan forward by means of a cam in the internal mechanism and wheel rotates slightly. A pin is supplied for deactivating the internal mechanism completely but it has been removed as the breech plug extends into the barrel covering the touch hole so the pistol cannot be fired. A key for winding the lock is present. Ramrod is slightly bent but if it was completely straight then it would be loose in its housing.
A unique piece of craftsmanship. This would have taken hundreds of hours to make and is the modern equivalent of an apprentice piece. The engraving is the best we have seen on such a miniature.
Excellent and Rare Original Joseph Manton Case for a Flintlock, Caplock, Tubelock or Patchlock Shotgun or Rifle (all were being made by Joseph Manton in 1820 - see The Mantons, Gunmakers by W Keith Neal and D H L Back). All original lining and complete with all original furniture, lock and key. Original label for 11 Hanover Square dates the case as made between 1820-1825. Case is made to take a 30" barrel. Original cases in this condition are becoming extremely scarce.
Internal dimensions are 30.5 " long, 8" wide, 2.25 " deep.
Totally original and excellent condition with all compartments intact and even the lift out ribbon for the stock. Some foxing to label and some handling marks to case lid.
A fine cased 20 bore double barrel shotgun by William Smith of London serial number 2583 for June 1818 converted from flintlock to tubelock by Charles Moore of London circa 1825. 28" barrels with flat central rib signed in gold W SMITH, LONDON with tube lock platinum lined touch hole breech fitted by Charles Moore engraved with central starburst and platinum poincons signed C MOORE, LONDON, PATENT. Original brass tipped ramrod with captive worm. Border engraved locks with fine foliate engraving signed C Moore, London. Stock with finely checkered wrist, barrel channel with feint matching serial number of 2583 and stock makers stamp of EA. Escutcheon on wrist of stock with initials and crest of Sir Thomas Hanbury. Matching engraved furniture including tang and trigger guard with double triggers. In original William Smith case with excellent condition typical blue Smith lining and very good original Smith of Leicester Square label - one of the best labels of the period. Case with fitted contents including 3 piece cleaning rod, working Hawksley Stag and Leaves flask, Sykes patent shot belt with Irish charger, powder measure, tin containing very rare tubes for lock under lockplate compartment and a patent collapsible gilt stirrup cup in matching blue velvet lined watch style case. Case has a compartment lid marked Mr Smith 26th June 1818.
Fine barrels with good original colour, excellent bores and gold inlaid makers signature with no gold losses. Sharp engraving to lockplates and furniture. Excellent stock with some handling marks but fine condition with sharp checkering. Case lining original with some period modification when converted to tube lock. Flask has no significant dents, tubes in excellent condition. Gilding in stirrup cup faded but would clean to fine condition.
This a beautifully balanced rare high quality Charles Moore tube lock conversion of a William Smith flintlock probably originally owned by a member of the Hanbury family who passed it down to Thomas Hanbury 1832-1907, later knighted and amongst other claims to fame, donated the 60 acre gardens at Wisley to the Royal Horticultural Society in 1903. Hanbury made his fortune in China buying up large tracts of land in China from 1853 onwards and became the largest property owner in Shanghai. His shooting exploits are covered in his published letters see page 102 and pages 104-105. A biography of his interesting life, La Mortola, also mentions that 'Thomas was a keen shot and spent many hours roaming Common (Clapham) with a gun shooting rabbits'.
25 Bore 1840 Tower Marked Percussion Coastguard Pistol with regulation brass mounts. Lock with "V.R." crowned and "Tower 1840". Full walnut stock with worn inspectors marks. Iron lanyard loop and captive stirrup ramrod. Plain barrel complete with proof marks. Plain barrel with good even patina, ordnance view and proof marks. Mechanically sound with working stirrup captive ramrod. Stock is complete and in overall good condition with some original and good inlay replacement around the lock plate. Belt clip is missing.
Colt 1851 Model Navy Revolver. .36 calibre, s/n 183052 manufactured in 1865. Superb ivory grips which may not be original to pistol but are definitely period so do not contravene CITES regulations. It is now difficult to find period ivories in good condition and whilst around 250,000 model 1851 Navy were made it is also becoming increasingly difficult to ship these revolvers across borders due to shipping and other restrictions.
Generally worn overall in appearance although mechanically sound. No cylinder scene but matching number on cylinder. All matching numbers except wedge. Rammer looks to have been chemically cleaned and could be improved. Brass backstrap and triggerguard with approx 5-10% original silver finish. Ivory grips excellent with minimal shrinkage. New York address on barrel is worn but clear except the letters ddr in address.
A mid 18th Century silver mounted Scottish Skean Dhu. Overall length 7.2" with part serrated 3.8" blade with excellent large hand cut Cairngorm stone on top silver mount. Traditional carved wood with metal pins between silver mounts. The dealer who supplied this Skean Dhu stated he obtained it, together with a pistol and sword, from a family on one of the Scottish Islands who in turn said that it had reputedly belonged to a family member from the 1745 Jacobite Rebellion. The construction of the scabbard can clearly be seen due to its condition and indicates that mid 18th century origin would not be inappropriate.
Leather scabbard shows age wear and heavy use - good on one side but split on the other side. Bottom chape is missing. Blade is pitted and stained. Tip damaged.
A late 18th century brass barrelled flintlock blunderbuss with spring bayonet. Two stage brass octagon to round bell mouth barrel 14.5" long with banded intersection, top flat engraved "Dublin Castle" with 12½" top spring bayonet released by a thumb catch on the breech tang (action requires new spring). Border engraved stepped lockplate with flat swan neck cock, roller frizzen, lockplate signed "DENNING". Strong working action with all original parts. Walnut fullstock with slight damage to stock and tang around mounting screw. Brass mounts, including flower engraved trigger guard with acorn finial, engraved butt plate tang, ramrod pipes and side nail cups. Original horn tipped ramrod with iron worm. Overall length 30.5".
Henry Denning is recorded in Heer Der Neue Stockel as working in Sherborne Dorset circa 1797. Whilst it is possible that is was made in Dorset for Dublin Castle, the characteristics of this blunderbuss indicate a slightly earlier date so it may well be that Henry Denning worked in Ireland before moving to Sherborne. There is a link between a Henry Denning and Earl Digby of Sherborne Castle as a local Henry Denning metalworker is known to have completed iron gates at the castle circa 1789-1790. Edward Digby 2nd Earl Digby was also Baron Digby of Ireland 1793-1856 preceded by his brother Henry Digby. The other explanation is that the engraving may be spurious but it looks period.
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Choose your city
Delhi NCR
₹835 / 500 gm
₹1193 / 500 gm
What is Sea Bass?
Sea bass is a perch like fish with a more or less elongated body and small scales. It has a wide mouth and a straight edged or rounded tail. It is known for its mild flavor and has white, flaky flesh, with varying amount of body fat. Nutritionally although a rich source of protein, it provides low calorie addition to the diet hence recommended for the calorie conscious individuals. It's a good source of vitamin B6 and minerals like phosphorous, magnesium and potassium.
What does it taste like?
Fish flesh is firm and lean with a meaty texture, mild delicate flavour, has white flaky flesh and thus recommended as steak.
Sea Bass recipes: Grilled Sea Bass with Garlic Butter, Oven Roasted Sea Bass with ginger and lime sauce.
Sea Bass is known as: Kalanji,Khajura, Koduvai Meen, Panduguappa, Giant Sea Perch, Bekti, Asian Sea Bass
Nutritional Facts:
Serving Size: 100g
*Percent Daily Values are based on a 2000 calorie diet. Your daily values may be higher or lower depending on your calorie needs
Chemali narimeen, Nair meen, Nuddee meen, tanad, koduva, kolen,Painee meen, Koduvai, Kodusa Keduwa, Koduwa, koduva, Painee Meen,Pandu Chepa, Pandu Meenu, Pandu Koppa, pandu goppa,Koliji, Mudar menu, koleji,Koliji,Keliji ,Bekkut, Durruah,Gariyu,Khajura,Jiteda, Fitadar, Khajuri,Bekti Koral, River snapper, Chonak(chonak), Tamoshi, Englishmans fish,Sarah, Nai sarah Dangri ,Khajura Fish,Bhetki Fish,Barramundi,Asian Sea Bass,Bass Fish,Betki,Lates
We Serve the Finest Seafood, Responsibly!


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FRÉDÉRIC FEKKAI is a world-renowned hair guru with over 20 years industry experience and a best-selling hair care line that bears his name. A master of hair customisation, Frédéric's styling philosophy is to focus on the individual; a philosophy he continues to this day - whether creating hair looks for catwalk shows or celebrity clients. In London to introduce his new winter range, we asked Frédéric to share some of his expertise with us.
You've been in the industry for over 20 years, how do you stay inspired? I'm inspired by the endless possibilities of helping people. It's fascinating to develop products to help women manage the texture of their hair. Also technology, fashion and beauty are always moving so it's easy to stay inspired.
What should we all be doing to keep our hair looking great this winter? Firstly, make sure you are using the right shampoo. Don't use just one shampoo if your hair needs two - use one for the roots and one for the ends to get the best results before you condition. In February I have a new product coming out called Ironless Straightening Serum. It's perfect for this climate as it's a hair sealer that repairs the damage caused by moisture in the air and stops the hair frizzing.
What's your advice for looking after ageing/greying hair? It's important to know that hair, like skin, ages. Fight it gently. Use products that are specially formulated for ageing hair, something that improves the texture and smoothness.
What styles would you recommend for upcoming Christmas parties? For long hair, use large hot rollers to add bounce then brush out the curls gently with the fingers. What's also elegant and sexy is a chignon with some strands of hair pulled out around the temples to soften it, or a beautiful high ponytail is also really great. For short hair, try a different parting - wear it on the other side to your usual or in the middle. Or you could wear it all pushed back, you know, like with a YSL tuxedo - that's such a strong, sexy look.
The Fekkai hair care range is available at www.selfridges.com


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Code Changes May Have an Impact
We're seeing the debut this season of a new set of NCAA Code Modifications. These Code Modifications represent changes the NCAA makes to the underlying USA Gymnastics Junior Olympic Level 10 Code of Points. Essentially, the NCAA inserts a different set of special requirements and compositional erquirements, while keeping execuation evaluation the same. We've covered these changes in a prior article.
In brief, the NCAA has reduced the base start value of routines on UB, BB and FX to 9.4, down from 9.5. Thus, gymnasts will now need an extra tenth of difficulty bonus on each event. However, the NCAA also created a few new bonus opportunities, effectively neutralizing some of the impacts of the decrease in base start value. For example, on UB, a single bar release earns an extra tenth of bonus. On BB, a B or higher acro directly connected to a C or higher dismount earns an extra tenth of bonus, as does a C or higher dance element connected to a C or higher dismount. We'll likely see the most impacts on FX and possibly BB. On the former, difficulty and quirks of the rule changes will impact routine construction. On BB, the extra tenth in required bonus and emphasis on smooth connections may cause some start value variances and incremental rhythm deductions.
On FX, a double flipping salto or E acro in the last pass earns an extra tenth of bonus. This has created an unintentional consequence: we are seeing a number of gymnasts now adopting two acro series instead of three in their routines. Because they can move an eligible skill (i.e., double back, front double full) to the second pass and earn an extra tenth of bonus, they can even meet the new difficulty requirements through two passes. For example, a gymnast with a back layout 1 1/2 twist to front layout full and a double tuck second pass now earns 0.5 in bonus from those two passes. Along with a required dance series bonus, the athlete can meet her required bonus through just two passes. Under last year's rules, this set of passes only earned 0.3 points. Because this bonus applies to two pass routines and is also NOT time restricted in the routine (e.g.. in the last five to ten seconds, ), the endurance value of the bonus was significantly cheapened.
The Second Year of the New Format
Last season, the NCAA deployed a new Regional format. There were just four regions, instead of six, and each Regional had a play-in round for two of the nine teams (Round 1). Two teams advanced from each Regional Semi Final (aka Round 2), and then two teams from each Regional advanced to the National Semi Final. Two from each National semi-final made it to the final "Four on the Floor" NCAA final. The format is in place for this season.
This format puts the emphasis on consistency and grace under pressure, while the former Code and lax scoring combined to enhance the rising parity in the NCAA. As a result, we saw some traditional super powers get left at home last season for the National Semi Final. Florida in particular, was among the early Championship contenders, and had enough problems on BB at Regionals to miss a trip to Nationals. This has happened in the past as well, but with stronger fields in each Regional (the top 16 teams, not the top 24), the important of a no-fall meet has increased. In fact, with such parity and the current scoring trends, even large steps on landings can really cause a team to fall behind. We'll see this season how teams have further adapted, if at all, to the new Code Modifications while preparing for the rigors of the new format. The Code Modifications could potentially reduce parity by providing more structural deductions in the routines, while at the same time some teams may rethink their approach to consistency and risk/reward.
Many Contenders
OU will seek to defend their National Title, but at the same time, there is no clear favorite for the title. UCLA returns a ton of talent, while Florida has relatively minimal losses and a deep and talented roster. LSU has a tremendous frosh class while new upstarts like DU will seek to take the next step A number of teams have lost key routines, and in a few cases, over half their lineups. Over first month of the competition, we'll see not only who is going to contend for the title, but even those that are going to challenge for a spot at Nationals. It will be an exciting and dynamic time.
That's enough about the big changes, let's check out what's happening with the teams! Here's our Preseason Top 25 Season Previews:
Link: Season Preview Capsules: Teams #1 to #12
Link: Season Preview Capsules: Teams #13 to #25


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Parma Ham with Seared Scallops and Gremolata
- 6 scallops in their shell
- 6 slices of Parma Ham
- 2 tbsp roughly chopped pine nuts
- 2 tbsp roughly chopped pistachios
- Salt and pepper
- For the gremolata:
- Finely grated zest of 1 lemon
- 1 garlic clove, crushed
- 4 tbsp finely chopped flat parsley
- 3 tbsp olive oil
1. Mix together all the ingredients for the gremolata and season to taste.
2. Season the scallops and cook on the griddle for 3 minutes a side.
3. Slice each scallop in half and place in a scallop shell, spoon over a little gremolata and then top with pine nuts and pistachios.
4. Finish with a slice of Parma Ham.
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Sermons (audio and some video)
Luke: "Portrait of the Christ" # 37 Luke: "Seventy Sent" (Luke 10:1-24, Ezekiel 28:11-13, Isaiah 14:1-15)Pastor Kelly Larson, May 15, 2016
Part of the Luke: Portrait of the Christ series, preached at a Sunday Morning service
Bishop Creek Community Church 5-15-16
Luke: "Seventy Sent" is #37 in a series entitled
Luke: "Portrait of the Christ"
Luke 10:1-24
Cast out of Heaven
The Greatest of Missions Begins. Luke 10:1-15
Heralds and Emissaries. Luke 10:16
Falling From Heaven Like Lightning. Luke 10:17-20
Ezekiel 28:11-13
Isaiah 14:1-15
Prayer of Praise. Luke 10:21-24
So,…Can we?
Luke 10:1-24
1After these things the Lord appointed other seventy also, and sent them two and two before his face into every city and place, whither he himself would come. 2Therefore said he unto them, The harvest truly is great, but the labourers are few: pray ye therefore the Lord of the harvest, that he would send forth labourers into his harvest. 3Go your ways: behold, I send you forth as lambs among wolves. 4Carry neither purse, nor scrip, nor shoes: and salute no man by the way. 5And into whatsoever house ye enter, first say, Peace be to this house. 6And if the son of peace be there, your peace shall rest upon it: if not, it shall turn to you again. 7And in the same house remain, eating and drinking such things as they give: for the labourer is worthy of his hire. Go not from house to house. 8And into whatsoever city ye enter, and they receive you, eat such things as are set before you: 9And heal the sick that are therein, and say unto them, The kingdom of God is come nigh unto you. 10But into whatsoever city ye enter, and they receive you not, go your ways out into the streets of the same, and say, 11Even the very dust of your city, which cleaveth on us, we do wipe off against you: notwithstanding be ye sure of this, that the kingdom of God is come nigh unto you. 12But I say unto you, that it shall be more tolerable in that day for Sodom, than for that city. 13Woe unto thee, Chorazin! woe unto thee, Bethsaida! for if the mighty works had been done in Tyre and Sidon, which have been done in you, they had a great while ago repented, sitting in sackcloth and ashes. 14But it shall be more tolerable for Tyre and Sidon at the judgment, than for you. 15And thou, Capernaum, which art exalted to heaven, shalt be thrust down to hell. 16He that heareth you heareth me; and he that despiseth you despiseth me; and he that despiseth me despiseth him that sent me. 17And the seventy returned again with joy, saying, Lord, even the devils are subject unto us through thy name. 18And he said unto them, I beheld Satan as lightning fall from heaven. 19Behold, I give unto you power to tread on serpents and scorpions, and over all the power of the enemy: and nothing shall by any means hurt you. 20Notwithstanding in this rejoice not, that the spirits are subject unto you; but rather rejoice, because your names are written in heaven. 21In that hour Jesus rejoiced in spirit, and said, I thank thee, O Father, Lord of heaven and earth, that thou hast hid these things from the wise and prudent, and hast revealed them unto babes: even so, Father; for so it seemed good in thy sight. 22All things are delivered to me of my Father: and no man knoweth who the Son is, but the Father; and who the Father is, but the Son, and he to whom the Son will reveal him. 23And he turned him unto his disciples, and said privately, Blessed are the eyes which see the things that ye see: 24For I tell you, that many prophets and kings have desired to see those things which ye see, and have not seen them; and to hear those things which ye hear, and have not heard them. (KJV)
Ezekiel 28:11-13
11Moreover the word of the LORD came unto me, saying, 12Son of man, take up a lamentation upon the king of Tyrus, and say unto him, Thus saith the Lord GOD; Thou sealest up the sum, full of wisdom, and perfect in beauty. 13Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. (KJV)
Isaiah 14:1-15
1For the LORD will have mercy on Jacob, and will yet choose Israel, and set them in their own land: and the strangers shall be joined with them, and they shall cleave to the house of Jacob. 2And the people shall take them, and bring them to their place: and the house of Israel shall possess them in the land of the LORD for servants and handmaids: and they shall take them captives, whose captives they were; and they shall rule over their oppressors. 3And it shall come to pass in the day that the LORD shall give thee rest from thy sorrow, and from thy fear, and from the hard bondage wherein thou wast made to serve, 4That thou shalt take up this proverb against the king of Babylon, and say, How hath the oppressor ceased! the golden city ceased! 5The LORD hath broken the staff of the wicked, and the sceptre of the rulers. 6He who smote the people in wrath with a continual stroke, he that ruled the nations in anger, is persecuted, and none hindereth. 7The whole earth is at rest, and is quiet: they break forth into singing. 8Yea, the fir trees rejoice at thee, and the cedars of Lebanon, saying, Since thou art laid down, no feller is come up against us. 9Hell from beneath is moved for thee to meet thee at thy coming: it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations. 10All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us? 11Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee. 12How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! 13For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: 14I will ascend above the heights of the clouds; I will be like the most High. 15Yet thou shalt be brought down to hell, to the sides of the pit. (KJV)
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Book Blended Sourcebook
Review of The Friendship Factor.
A sourcebook for negotiating andintegrating blended families.
The Blended Family Sourcebook: A Guide to Negotiating Change
by David S. Chedekel, Karen O'Connell
Our families are ever-changing but changes within the blended family must be negotiated and all family members must be integrated.
New families and new family concepts are a growing reality in our society. Stepparents form a new family; couples adopt or foster a child; parents with children of their own take in an elderly parent; grandparents marry and blend both adult stepchildren and step grandchildren into a family; grandparents start raising their own grandchildren.
It is not easy to merge all loved ones (and often some not so lovable) into a new family. Changes within the new family must be negotiated and all family members must be integrated for a successful blending.
This is a practical guide with proactive solutions for new family relationships. The authors, both experienced psychologists, address the factors that affect the blending process, including cultural, socioeconomic, and religious differences.
This positive reference manual also provides:
- Clear advice on when and where to seek professional help.
- A detailed list of resources.
- A set of guidelines to help with the blending process.
The Blended Family Sourcebook will help you make achieving peace within your own merged family a realistic goal.
CyberParent Recommended Reading for More Information:
GreenBuilding and Remodeling


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Oink! Moo! Cock-a-doodle-doo! Stitch these sweet farm animal designs on linens, home décor, or garments, and bring a smile to the face of your favorite "down on the farm" person! (Or maybe "urban" farm person!) These designs are sized for the 4x4 hoop and are approximately proportioned to each other so that they may be used in a whole farm group scene. The grouped animal photo below shows the proportions of the designs in relation to each other. Color charts are provided in the zip file download as a PDF document, and PDF design templates to print are included as well.
This design set is dedicated to Dot Hawkins, who loves tending to her own sweet flock of chickens and their beautiful "Cecil-built" chicken coop!


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How many times have you been traveling or looking through a home decorating magazine and seen an amazing color that you'd love to use on your walls? Did you jump in and do it or did fear hold you back?
The selection of paint color for our walls, the largest area of color in our homes, is the decorating challenge that causes the most angst for my clients. This decision may be less daunting if a few rules of thumb are followed.
While painting is one of the first things we 'install' or do in a redecorating project, it is always one of the last things we select. Since wall color needs to be guided by the color of the floor (the second largest area of color in any room), cabinetry, art and the fabrics in the room, it is usually a mistake to paint before selecting these design components because it can limit choices. Remember that printing and materials limit fabrics and flooring to about 250 different colors. However, paint can be mixed in literally thousands of different shades. It's much easier to match a paint to a fabric than a fabric to an existing shade of paint of the wall.
The first step in the color selection is to gather the small paint chips from your paint store. Or, your decorator can bring a full set of larger paint chips to your home to begin the process. When the possibilities have been narrowed to 3 or 4, it's time to apply them to your walls for a real visual test—the most important step in the decision process. The samples should be painted about 3' wide and extend all the way down to the base trim, ideally on walls that get good natural light. It only costs a few dollars to get a small paint sample from paint or hardware stores and it's the best few dollars you can spend.
If there is a particularly dark corner in the room, it is a good idea to paint a smaller square of each color there to see whether that area looks too dark at night. Apply two coats to each of the squares so that the existing wall color doesn't bleed through. After the paint is dry, study your squares in morning, afternoon and evening light. Take your time….you will live with this decision for quite a while.
After you've made your decision, you must then decide upon the finish of the paint. The general rule of thumb is that the rougher the texture of the wall, the flatter the paint surface needs to be. The greater the sheen, the more obvious any blemished will appear. My personal favorite finish is eggshell. I find it to be the perfect balance between easy cleaning and subtle light reflection.
Monochromatic color schemes in a room tend to provide a more serene ambience, while a room with highly contrasting colors will create energy and a sense of excitement. Accent walls are a simple way to add a splash of color without committing to a whole room of a strong hue. Ideally, accent walls will start and end at inside corners or another area where the transition is subtle.
And don't forget the 5th wall, your ceiling. There is no rule that says all ceilings have to be white. Especially if you have crown molding, consider a shade for your ceiling that is just a step or two lighter than your walls. If you are a little more daring, choose a color from a different palette altogether. I recommend choosing light shades for the ceiling since colors that are viewed horizontally are much darker than those viewed vertically. Lighter colors tend to have a feeling of moving away, so lighter colors can make the ceiling look taller. The color of your walls will say a lot about how the room will feel, so be sure it's a color than makes you happy and smile every time you walk into your Resort at Home!


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Sorry for my absence, Nesters! I'm busy scurrying about for the baby shower tomorrow! EEK! But I wanted to remind you that its the last day of the Monet Giveaway!
Head over right here and enter! You would win this GORGEOUS necklace by Monet!
So hurry up and head on over because the contest ends at midnight tonight!!
<3 Enjoy your weekend, Nesters!


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Sonus faber, a speaker manufacturer with a 34-year heritage and now part of the McIntosh Group, is based in Arcugnano, Italy, where all design and manufacturing take place. I have heard numerous demos of Sonus faber products and have always come away impressed. I recall, at various audio shows and audio stores, appreciating their non-fatiguing, laid-back, organic sound. But those auditions were snapshot listening sessions, in unfamiliar settings. Lucky for me, I now had an opportunity at an extended audition period with the Il Cremonese ($45,000/pair) from Sonus faber's premium Reference line of speakers, which also includes the Aida ($120,000/pair) and Lilium ($70,000/pair). Sonus faber offers speaker lines at a wide variety of price points, including more entry-level products like the Chameleon B bookshelf speaker we reviewed last year.
In 2015, Sonus faber developed a 300-year tribute to Antonio Stradivari, the iconic Italian violin designer/craftsman, and his creation, the Cremonese violin, which he produced in 1715. To honor the famed luthier, Sonus faber produced the Il Cremonese speaker. Notable design cues give hint to the violin, such as speaker grilles that are an elaborate set of strings that reach from top to bottom on three sides of the speaker. It looks very cool. Two wood facets of the rhombus column have horizontal, three-inch-spaced black lines that further reinforce the violin theme.
Common for Sonus faber is the belief that speakers should be built with the same materials used in the manufacture of musical instruments--specifically, the violin and lute. As such, this speaker is described as a wood, five-sided rhombus or diamond-shaped column that features non-parallel cabinet walls, with a back-tilt posture. I could argue that it actually has six sides, since the rear of the speaker has a flattened three-inch-wide panel where the two rear larger sides meet, but that's just me being picky. For the purpose of this discussion, we can go with the five-sided narrative. A departure from the company's traditional all-wood design is an upward-angled top with a glass insert, and a horizontal plinth, both made of black anodized, CNC-machined aluminum that offers structural strength and vibration control. Sonus faber refers to the metal top and plinth as damper shelves, which assist in the quest to diminish (if not eliminate) distortion and increase linearity.
Exquisitely finished, decorative wood panels are attached on two sides of the five-sided structure, immediately to the right and left of the front speaker baffle. Sonus faber offers two finishes: high gloss natural or red stained walnut. I am partial to natural walnut, so I felt fortunate when my samples arrived in that finish. Not only are these panels' fit and finish amazing, but they also enhance the strength of the cabinet. The front baffle is home to the tweeter, midrange, and two bass drivers, surrounded by Italian leather upholstery.
The remaining two rear sides of the column are also covered in leather, and the outer side of each speaker is where two sub-bass drivers are positioned. These drivers are meant to face the sidewalls when you position the speakers in your room. The leather-finished surfaces get the aforementioned stringed speaker grilles. I was really torn between using the ingenious grilles or sticking with the luxurious leather. I ended up splitting my time between both options.
Sonus faber refers to its tweeter as an Arrow Point Damped Apex Dome, which is 28mm (1.1 inches) in diameter and handles the audio spectrum of 2,500 Hz and above. Designed by Sonus faber, the driver has a neodymium motor, which creates linearity. A mechanical interface helps decouple the tweeter from the cabinet; it sits in its own complicated maze-like wood enclosure, further enhancing its flat frequency response.
The midrange driver covers the bandwidth from 250 to 2,500 Hz, and it is another Sonus faber design using a neodymium magnet motor system. It is a 180mm (seven-inch) diameter driver with a natural fiber cone made from a mix of cellulose pulp, kapok (a cotton-like substance from the ceiba tree), kenaf (a jute-like fiber from the tropical mallow plant), and other natural fibers encased in a clear coating that has damping characteristics. The entire driver is isolated from the front baffle and sits in its own acoustic chamber within the cabinet structure.
Twin 180mm (seven-inch) bass drivers, located just below the midrange driver, are given the frequencies from 250 down to 80 Hz, and they are constructed with an advanced foam core material and flanked by cellulose pulp outer shells. These drivers are of a long-throw motor design, and they share a reflex structure ported underneath the plinth. Special attention was given to ensure perfect blending with the midrange driver while retaining high definition and detail in the bass audio spectrum.
Sonus faber calls the sub-bass drivers "Infra Woofers"; as you might guess, they handle the frequencies below 80 Hz and represent the ".5" in the Il Cremonese's 3.5-way design. These drivers measure 220mm (8.7 inches) in diameter and are located in the lower portion of the outer rear surface of the five-sided column. With the same cone structure as the woofers, they blend well with one another. Continuing the theme of the other drivers, these sub-bass woofers are in their own reflex enclosure, which is ported underneath the plinth.
The crossover design goals are to improve volume and phase response in order to improve time delays, using the highest quality Mundorf capacitors and Jantzen inductors. The low-frequency impedance management creates an improved amplifier load.
Each speaker has four oversized spike structures on the bottom that use an updated version of Sonus faber's Zero Vibration Transmission (Z.V.T.) technology. Made of metal and synthetic polymers, the spikes are threaded into the plinth and decouple the speaker from the floor. If spikes are not appropriate for your flooring, Sonus faber provides protective, machined-aluminum discs upon which the spikes can sit. Four heavy-gauge speaker terminals allow for bi-wiring or bi-amplification.
The frequency response of the entire system is 25 Hz to 35,000 kHz, with an average impedance of four ohms. Sensitivity is 92 dB, indicating that the speaker is amplifier-friendly; however, Sonus faber recommends at least 100 watts per channel, but no more than 800 watts per channel. Note that the average impedance suggests that, on occasion, the speaker could create a lower load, which demands a high-quality amplifier.
At 57 inches tall, 15.68 inches wide, 24.5 inches deep, and 185 pounds, the Il Cremonese commands your immediate attention and will not go unnoticed.
The Hookup
The speakers arrived in a wooden crate, with the bottom side being a pallet to which both speaker columns were bolted. Each speaker has a reusable fabric bag. A one-piece foam crown connects and surrounds both speakers. Four walls and a top connect to each other with screws to form the rectangular wooden crate. My demonstration speakers were not new, but they were still in excellent condition--a real testament to their packaging.
I installed the Sonus faber speakers in my living room, replacing my existing Vienna Acoustics Schonberg speakers for the left and right channels of a surround sound system. I retained the existing center and left/right surrounds, which are also part of the Vienna Acoustics Schonberg line. I set my MartinLogan BalancedForce 210 subwoofer to play 80 Hz and below. At the time of this installation, I was working with a new two-channel amplifier from Bryston: the 14B3, rated at 600 watts per channel at four ohms--a perfect complement to the Il Cremonese. An NAD M27 powered the remaining channels, and an NAD M17 surround sound processor controlled the entire system. I used an Oppo BDP-105D for Blu-ray playback and VUDU movie streaming. I also streamed CD-quality TIDAL through a MacBook Pro, using the Chrome browser.
Once everything was connected, I performed a calibration to balance the new speakers. However, for the MacBook Pro input, I set my processor to its pass-through setting to leave the signal untouched.
Click over to Page Two for Performance, The Downside, Comparison & Competition, and Conclusion...


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Is there any information on research done on men who take Paxil and subsequent birthdefects of their offspring
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Are the Spanish half of the lyrics for this song written correctly? If not, can someone correct them for me?
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Joshua Tree Art Gallery Presents " AMERICAS "
Curated By Mike Mclain
September 10th - 25th, 2016
Opening Sept. 10th, 6-8PM
The morning after I was offered the chance to curate the September JTAG show I took a cross-country flight. Somewhere over the Midwest, restless and ready to just be there, I looked down through the clouds below. As I viewed the passing landscape, I reflected on the geographical diversity of the land, the sometimes-vast spaces between populations, and the sociopolitical variations that often occur regionally in this country. I considered that maybe there really is not one America, but many.
We each have an idea of national identity based on individual experience, background, and perspective. Is my America the same as yours? How do environment, cultural history, and point of view affect the way each of us sees this country? Is there such a thing as an American archetype, or does the dominant paradigm shift depending on individual interpretation?
For this show, I asked ten artists for work that expresses their individual American experience, raises questions about the culture and history that led us to be who we are as a nation, or represents a specific aspect of our collective identity. Though the work reflects disparate ideas, media, and processes, it is held together by that one central theme. Each artist brings a unique voice to a mix in which the components retain their singular identity while contributing to a cohesive whole. The resultant diverse exhibit reflects a variety of perspectives, creating a wide-angle view of this capacious land we call home.
Each of the artists in AmericaS has been asked to express their individual American experience, explore the culture and history that led us to be who we are as a nation, or provide a glimpse into a specific aspect of our collective identity.
The work of Tania Jazz Alvarez reflects her life growing up as a Mexican American in the greater Los Angeles area. Her paintings express a strong sense of heritage while acknowledging her community's vulnerability to prejudice and racial profiling.
Lee Balan provides a dystopian vision of America in the twenty-first century, where gun violence pervades, political turmoil is rampant, and Big Brother is right over our shoulders.
Ken Foto's images framing the detritus of our society speak to issues of consumerism and throwaway culture. His work also celebrates the exuberance of creativity that is at the center of the American ethos.
Cole James presents work that expresses her existence as an African American woman in contemporary society with a clear and honest voice. Through imagery and text she places her personal experience within a cultural framework.
In his National Enquirer series, Curt Lemieux gives us the reality T.V., tabloid culture that we as a nation seem to love. His altered magazine photos depict our fascination with celebrity, especially the joy we take in building them up only to tear them down.
Mike McLain has given us work that confronts our past as a slave nation, the white community's participation in that history, and the continuing legacy of racism in America. While we erase the symbols of our shame we cannot as easily be rid of the ideas that they represent.
Seth Pringle's installation represents the uniquely American phenomena of the yard sale. Using castaway signs from his neighborhood, he explores the DIY aspect of commerce and capitalism that can be found every weekend in communities across the land.
As an immigrant from Israel, Lidia Shaddow provides a different perspective than the other participants in the show. Her work explores English as a second language, combining the American cultural vocabulary with imagery, visual textures, and symbolism of her home in the Middle East.
Jessica Wimbley's Americana series investigates multiple histories and identities, specifically as it relates to American identity formation. The work incorporates images of astronomical objects and large areas of the night sky, microscopic pictures of melanin, and stem cells, continuing the micro/macro relationship within the work.
With an iPad as a reference, Joe Zaldivar creates aerial view maps of American cities, as well as street level renditions using the Street View function of Google Maps. The resulting work twists time and location both spatially and conceptually.


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Meet Ivaylo Kovachev – one of REDVERTEX's most talented and creative CG Artists. Ivaylo has been working in the CG industry for over 10 years. He brought his talent to REDVERTEX six year ago and has since worked on an impressive set of projects. As an Associate CG Artist at the REDVERTEX Studio Ivaylo has worked with companies like Callison RTKL and Broadway Malyan. He is good enough to produce 3D most of the time, but also often graphic design, maintenance of our website and Facebook account, marketing, as well as photo and video shootings.
His professionalism never falter!
Describe yourself in 3 words.
Me, myself & I.
If you had only one word to describe yourself, what would it be?
What is CG Artist?
A modern term for "magician".
How would you describe this job to a child?
It's like you are drawing a house with crayons, but instead using a computer.
How did you start working at REDVERTEX?
I was working as a Graphic Designer in Plovdiv. 6 years ago our director Dimitar Rashkov contacted me to come and discuss a move from 2D to 3D. I liked the studio, the idea, the atmosphere, and a week later I started working at REDVERTEX.
What were your first days at the REDVERTEX Studio like?
I was learning new things every day, even though we were 20-30 people at the time, you could acquire information from everyone.
When was the moment you knew that this was the job for you?
I was always interested in digital arts – photography, drawing, graphic design… once I started getting into 3D and showcasing my first renders in some web forums, one guy said "а new 3D collossus is coming". At this moment I realized I have the potential to make a living out of my hobby. And what better thing than making your hobby a job.
What motivates you? What is your muse?
The idea of life being too short to waste time, have doubts in my decisions or be afraid to follow my heart.
What would your colleagues say about you?
As one of my idols Steve Jobs once said: "Don't be trapped by dogma – which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice"… So you should ask them about that, as I don't think about what others would say.
Tell me something other people doesn't know about you?
I have a bachelor degree in Marketing, which has zero relation to CGI.
What are the three things you can't live without?
– My girlfriend.
– Football.
– Digital arts.
What are your hobbies/interests outside work?
My biggest passion since I was a kid is football – both playing and watching. Later I also found my love for extreme sports – rollerblading and snowboarding.
Furthermore I love photography and videography, recently I also got into drone photography which took my possibilities to new heights.
Music is also a big part of my life – I started going to concerts when I was 13 and it's one of my favorite feelings in the world.
Of course travelling – it lets you recharge, exploring new horizons, new ways of seeing life through different culture.
In the news story of your life, what would the headline say?
"The world is yours".
Tell me about Dubai Harbour? Is it an interesting project?
It is a very prestigious project for a very popular area of the city- between Palm Jumeirah and Dubai Marina, by the biggest developper in Dubai – Emaar.
The vision and scale for the projects in Dubai is always interesting – they "create" land in the sea when they need to (as in this case) and build on top of it. It's a different world over there.
What did you enjoy most about the project?
The location of the project, and that is surrounded by water.
What do you want to be when you grow up?
The creative adult is the child who survived, so I hope I don't grow up.
How many times does it take for you to listen to a song that you love before you actually hate it instead?
It never happened – I still listen to the music I liked in high school. The other way around is probably more possible – start loving a band that didn't get to me at first.
If you could only choose one song to play every time you walked into a room for the rest of your life, what would it be?
Rage Against the Machine – Guerrilla Radio.
How long does it take you to scroll through Facebook before giving up?
I never give up. 🙂
If I were to ask your current boss to tell me one thing you do that drives him crazy what would he tell me?
Probably not passing enough when we play football together. 🙂
Is there any question I haven't asked you that I should?
Every person is a galaxy of his own and as space is endless, so are the subjects to talk about with someone.


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The Minister of Power, Works and Housing, Babatunde Raji Fashola, yesterday paid a visit to the national secretariat of the ruling All Progressives Congress (APC).
Fashola, who was a first time visitor to the APC national headquarters in Abuja since his appointment as minister, experienced power outage during the visit. Very Ironic LOL. The power holding company in charge of Abuja has no respect oh.
The reason for the power minister's visit, who arrived some minutes before 2pm, could not be ascertained, but Daily Trust learnt that his discussions with the APC leaders revolved around party matters and governance.
Fashola, who did not speak to reporters, was seen off by the party's national secretary, Alhaji Mai Mala Buni, after the meeting.
Source: Dailytrust