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GridSpace 2.4.0 Tutorial
Welcome to GridSpace2! This document is meant as a tutorial for first-time users, providing basic information which will enable you to begin using the GridSpace platform in your research environment.
GridSpace2 enables users to develop and execute virtual experiments on the underlying computational and storage resources. If you are a scientist involved in computationally-demanding research activities then GridSpace2 may just be the right answer for you! Read on to find out how to begin using GridSpace2 in support of your research.
This document is divided into the following sections:
- A (very) brief introduction to GridSpace2
- What you will need
- Accessing the Experiment Workbench
- Your first experiment
- Basic Workbench features
- Advanced Workbench features
A (very) brief introduction to GridSpace2
The GridSpace2 platform was designed with simplicity of use in mind. We have extensively analyzed the ways in which scientists conduct their day-to-day research activities and tried to come up with a framework which closely mimics this experience while still providing access to powerful distributed computing architectures. Thus, GridSpace2 is founded on the following principles:
- The platform enables you to write experiments which assume the form of scripts.
- Scripts can be written using popular scripting languages, including Ruby, Python and Perl, as well as in the Unix shell (bash). No syntax changes are involved - your existing code can run as a GridSpace experiment without any modifications!
- The platform provides a range of specialized scientific packages which can be invoked within your experiment scripts - simply include the required library and send your data for processing. You can find the full list of the available packages on the the PL-Grid website.
- GridSpace2 supports exploratory programming: you can divide your experiment into so-called snippets, which are small, self-contained pieces of code. Each snippet can be written in a different programming language and you can freely compose snippets to form complex experiments.
- Naturally, GridSpace2 enables you to persist and share your experiments, as well as to securely store sensitive data using a handy wallet mechanism.
What you will need
Getting to know a new software platform is always a hurdle; however we've tried to reduce the learning curve for new users and enable them to hop right in and try their own hand at developing experiments using the GridSpace2 Workbench. You will probably be happy to hear that you do not need to install any software on your computer – all you need is the following:
- A Web browser. Most folks have one already. At the very least, there should be an installation of Internet Explorer available on your machine (if you're running Windows); otherwise we recommend Firefox which you can download from the Mozilla website.
- An Internet connection. We assume you have one, since you're reading this tutorial. :)
- A user account on some server - we call experiment host and this is the host where computation of experiment takes place. This can be either head node of the cluster where one can log in via SSH or more or less ordinary single computer
Accessing the Experiment Workbench
Simply point your browser to GridSpace2 Experiment Workbench instance, scroll down to the section labeled This installation of the GridSpace2 supports the following experiment hosts and select the machine on which your user account has been activated. The system will respond by displaying a login screen where you need to input your username and password. Once authenticated, you will be presented with the "Message of a Day" pop-up windows, which shows the custom information for users of the host left here by host administrators. After clicking anywhere outside the pop-up you see basic view of Experiment Workbench, which looks a bit like this:
Before we get into a discussion on what's important and what is less so, why not try your hand at writing and executing your very first experiment?
Your First Experiment
See the big blank area under the Snippet #1 label of your Workbench? This is where you should input your experiment code. Let's take the Workbench for a spin by writing a simple snippet in bash (the default choice, as indicated by the Bash 3.1 (or similar) label at the top of the snippet window):
echo 'Hello, world!'
Now position your mouse next to the Actions menu and select the image (this orders the Workbench to execute your entire experiment on the host machine and retrieve its results). You should see the following output in the console window:
[Snippet#1 Bash 3.1 29/03/2011 13:50:52] $ echo 'Hello, world!' Hello, world!
As you can see, the Workbench has executed your snippet and reported its results. Note that as long as the experiment remains in execution mode, a red square button will be displayed in the console window. This feature does not matter much for single-snippet experiments, but it will come in handy when developing additional snippets on the basis of the results of your initial snippet.
Speaking of multiple-snippet experiments, let's try adding another snippet to our experiment. Click the button next to the Actions menu. This will add another top-level snippet where we again can select an interpreter and enter the code we wish to execute (optionally, you can insert a new snippet before the current one by clicking Actions and selecting ). If you click the interpreter tab (which currently says Bash 3.1), the Workbench will display a list of available interpreters. Let's try selecting Ruby 1.8.6 (or any other version of Ruby) for a change. Once that's done, type in the following Ruby code:
puts 'Hello again!'
You can now execute the entire experiment from scratch by clicking . Alternatively, you might want to rerun only the first snippet in your code - to do this, go back to the first snippet window and click the button placed there. The general rule is thus: clicking in a selected snippet window will execute all snippets up to and including the selected one. In our example, executing your second snippet will output the following to your console:
[Snippet#2 Ruby 1.8.6 03/08/2010 13:56:51] >> puts 'Hello again!' Hello again! => nil
Since we're dealing with interactive Ruby, each line returns a value which is also echoed to the console (hence the nil value generated by the puts command).
Once your experiment is ready, you may want to save it. Clicking the button enables you to store the experiment in your home directory on your server account. Optionally, you can also specify a name, a description and some comments regarding the contents of your experiment (see here for a more involved description of experiment metadata). To save the experiment you just need to provide a file name and click OK. GridSpace2 serializes experiments in the form of an XML file. If you're curious about the serialization format, consult the final section of this tutorial.
Basic Workbench Features
The Workbench automates common actions associated with developing experiments. Let's take a look at what you may do with the Workbench:
Adding and removing snippets
Each snippet window contains a button labeled Actions where you can activate actions relating to the current snippet. This includes adding another snippet either as a direct successor/predecessor of the current snippet, or as a branch thereof. Note that the whole experiment may have a branching structure, where each snippet plays the role of a node and some snippets are treated as subcomponents of other snippets.
- To add a new top-level snippet, open the Actions menu and select the button.
- To add a new top-level snippet as the predecessor of the current snippet, open the Actions menu and select the button.
- To add a subsnippet, open the Actions menu and select the button.
You can also delete existing snippets by clicking the button in the Actions menu. The button will display a list of useful keyboard shortcuts.
Rerunning your experiment
To run all snippets up to the selected one, click the button in the appropriate snippet window. Snippets are always executed in a top-to-bottom fashion, beginning with the first snippet and ending with the final snippet in the current branch.
Saving your experiment
Once your experiment is ready, you can save it by clicking the Save Experiment icon in the experiment toolbar (). If this is a new experiment, the Workspace enables you to provide some metadata describing the purpose and usage of the experiment. Providing such metadata is optional, though it may enable your collaborators to rerun and extend the experiment with little difficulty (see here for a description of the metadata mechanism).
Saving the experiment serializes it to a file in the current directory on the UI machine, the contents of which are displayed in the left-hand panel in the Workbench. Experiment serialization is XML-based and covers all aspects of the experiment with the exception of any data declared as secret with the use of the wallet mechanism (see next section for a description of how GridSpace2 handles secrets).
Once serialized, the experiment may be reopened in the Workbench window or shared with other users of the platform. In order to open an existing experiment in the Workbench simply click the name of the experiment file in the File Management panel.
Naturally, you can also close the current experiment by clicking the x icon in its tab above the snippet window. If you wish to start a new experiment, click the + button adjacent to open experiment tabs and select New experiment (the New console option can be used to start an interactive console session instead).
Advanced Workbench Features
In addition to basic experiment operations, the Workbench also provides some advanced features which may prove helpful. You may want to make use of the following tools:
File management
The Workbench enables you to manage the contents of your UI home directory. This directory can be used to store experiments as well as any arbitrary files you may deem useful while working with GridSpace2. A sample view of the GridSpace2 directory browser is presented below.
The following operations are available in the browser:
- Return to your home directory:
- Navigate to parent directory:
- Refresh directory contents:
- Create a new file:
- Create a new directory:
- Toggle display of hidden files:
- Upload files from your PC:
Moreover, a pull-down operations menu is available for each listed file. You can access it by clicking the small arrow next to the selected filename. This menu contains the following options:
- Experiment: (Only available for experiment files) - Brings up another menu which enables you to open, run or view the experiment's contents in a separate window.
- Open with: Brings up another menu which enables you to open the selected file using a specific application. The list of available applications corresponds to the file extension: GridSpace2 provides a selection of customized openers for popular file formats (such as Jmol and JQplot).
- Make accessible to: Shares the experiment with users belonging to a selected group (Note: functionality not yet implemented – bear with us :).)
- Use path in snippet: Pastes the file path in the currently active snippet window.
- Use contents in snippet: Pastes the file contents in the currently active snippet window.
- Show link location: Obtains a qualified path to the selected file.
- Copy: Copies the contents of the selected file to a new file with a name which you can specify.
- Rename: Changes the name of the selected file.
- Delete: Deletes the selected file.
Secrets and credentials
Some experiments may require you to provide data which you would rather keep secret and protect against unauthorized access - for instance database passwords, personal information or security tokens required to access certain external resources. We will refer to such data as secrets.
The Experiment Workbench enables you to use secrets in your experiments and to store them in a secure way in a personal wallet. You can take advantage of either a local wallet, the contents of which are stored in a separate file in your home directory, or a centralized GridSpace2 wallet mechanism backed by a Remote Central Wallet service which can be accessed from any location (given proper security credentials). Moreover, we support storage of string-type data (basically text fragments) or entire files which are made available to your experiments on demand.
In order to include a secret in your experiment, you need to:
- Upload your secret to one of the two available wallets and assign a name to it;
- Tell the Workbench that your experiment requires a secret with a given name.
In fact, the latter step is optional unless you intend to share the experiment with other developers who may not have access to your personal secrets (note that secrets registered with the GridSpace2 wallet mechanism are never shared with external users, even if you save your experiment and then distribute the resulting file).
Let's start by uploading a secret to your user wallet. Clicking the button next to your login name (in the top right-hand corner of the screen) will bring up a window where you can manage your secrets. Each secret is described by the following properties:
- Name: in the context of your experiments, the secret will be available as an environmental variable with the specified name.
- Payload: this is the actual string representing your secret data.
- Storage method (each secret can be stored either in the local wallet or the Remote Central Wallet).
- Optional description.
To add a new secret, click the Add a new secret button in the manager window. You can store either a string (line of text) or an entire file (which you select from the local filesystem by pressing Browse...). Once a secret is added, it can be referenced in your experiments by its name (see below).
- The wallet icon represents the type of storage in effect for a given secret
- means local wallet
- means Remote Central Wallet
- The button displays the current value of the secret.
- The button allows you to modify the secret value.
If you wish to remove a secret from your wallet, click the button next to its name.
Having uploaded the necessary secrets to your wallet, you can use them in snippets by adding the formula <SECRET:STRING:secret_name> or <SECRET:FILE:secret_name>, where secret_name is the name of the secret in the wallet. Requesting the secret as a STRING will simply paste the payload of the secret in your code, whereas requesting it as a FILE will instantiate a file with the specified name in your local secrets directory (~/.gs2/.local_secret_directory or ~/.gs2/.remote_secrets_directory, depending on whether the secret is string- or file-based). In this case, the above invocation will be replaced by a qualified path to the secret file when your snippet is executed. For instance, if the value of secret_name was SECRET, the following code in bash:
echo 'This is my <SECRET:STRING:secret_name>'
will yield the following result:
[Snippet#1 Bash 3.1 24/08/2010 14:06:32] $ echo 'This is my SECRET' This is my SECRET
However, if you would rather spawn a file with this secret's payload as content, you would need to type:
echo 'My secret is in <SECRET:FILE:secret_name>'
will yield the following result:
[Snippet#1 Bash 3.1 24/08/2010 14:06:32] $ echo 'My secret is in /home/myuser/.gs2/.local_secret_directory/secret_name' My secret is in /home/myuser/.gs2/.local_secret_directory/secret_name
Instead of typing <SECRET:STRING:secret_name> (or <SECRET:FILE:secret_name>) directly in the snippet code, you can select a secret to be used in the snippet from the list available after clicking the icon in the snippet header. The list contains all the secrets stored in your wallet (either local or remote) and the secret already declared for the current experiment (appearing in this or other snippets contained in the current experiment). A new secret can be added through the form at the bottom of the panel. It will be present in the experiment scope, and the user will be prompted for its value when the experiment starts. If you now serialize and share the experiment with other developers, your secrets will not be automatically shared. Instead, the recipients of your experiment will require a secret with an identical name to be present in their wallets before they are able to run your experiment.
Sharing experiments
GridSpace2 enables you to pack up your experiment and share it with other members of your team. To share an experiment, all you need to do is save it in your account – this will generate an experiment file which you can then download and send to any of your collaborators. Upon receiving an experiment file from you, the recipient may upload it to his/her Workbench (by using the file management tools described here, then open the experiment and execute it.
Note that any secrets which are part of your experiment are not saved along with the experiment file. Rather, GridSpace2 expects the recipient to have access to secrets with identical names inside his/her Workbench instance.
WebGUI mechanism
With the WebGUI mechanism you can interweave your experiments with rich web user interfaces. This feature can be used to fetch extra data from the user while presenting intermediate results of an experiment run which is blocked until the user submits requested information. Another use case that can be implemented with this mechanism is fine-grained flow control of the experiment. In this case, at each step of an experiment the user may be presented with a question (with additional data rendered, if necessary). By answering these questions, the user can guide experiment execution.
In order to use the WebGUI mechanism, a set of required libraries needs to be downloaded to your account. This step can be accomplished with standard Workbench tools. Use a bash snippet to execute the following code (compliant with
if [ ! -e _webguimodule.so ] then wget http://dev-gs.cyfronet.pl/~daniel/webgui/_webguimodule.so fi if [ ! -e webgui.py ] then wget http://dev-gs.cyfronet.pl/~daniel/webgui/webgui.py fi
Let us now look at a simple example in which we will request a title and a rich-text block from the user, The following Python experiment accomplishes this goal.
import webgui import json result = webgui.process_query("http://localhost/rest/webgui/render", "{webguiDocType: 'request', label: 'Sample Input', data: [{name: 'title', label: 'Title', pref: 'text'}, {name: 'text', label: 'Sample text', pref: 'richTextArea'}]}") jsonResponse = json.loads(result) title = jsonResponse['data']['title'] text = jsonResponse['data']['text'] print "Title: %s, text: %s" % (title, text)
The first two lines are Python imports which enable the WebGUI module and JSON processing library. Next, we use the WebGUI mechanism by calling the
process_query method with the external web application address (in this case, this is the basic address of your Workbench instance with the
/webgui path added), and the JSON definition of the web application. When called, the experiment script blocks and the user is presented with a web interface. Data provided by the user is assigned to the
result variable. The last four lines extract the response (also in JSON format) and print a suitable output message.
Web interfaces used by WebGUI are simple external web applications that integrate with experiments by using JSON objects. It is therefore possible to implement your own graphical user interface and use it within your experiment. For reference, a sample web application is shipped with the Experiment Workbench. It enables composing a simple application by providing a JSON description according to the format described in the next paragraph. For your own web applications, you may need to create you own communication protocol, keeping in mind that user interaction proceeds in a typical request/response fashion (similar to the example described above). The web application has to accept POST requests with the following request parameters:
id- unique identifier of the current request/response exchange (generated) by the WebGUI library
json_request- JSON request document
respond_to- address which should be used by the web application to send back user data
gs2SessionId- cookie value (with the name=value form) to be passed back to the EW server in a form of a request cookie
Response data should be returned to the WebGUI application by sending a POST request to the given
respond_to address with the following parameters:
id- identifier of the current dialog (sent to the web application in the previous POST request)
json_response- JSON response with user/application data
Additionally a cookie with the session id should be sent. The cookie's value can be obtained by reading the
gs2SessionId parameter from POST request.
The out-of-the-box WebGUI user interface lets you construct a simple form-like web interfaces by defining a set of form widgets which are stacked vertically on the final web page. You can choose from the following widgets (defined in the
pref element of the JSON definition):
label- read-only text block; displayed text is defined by the
text- one-line text input
textArea- multiple-line text input
richTextArea- multiple-line rich text input
radio- set of radio buttons
check- set of check boxes
select- drop-down selection list
If applicable, a default value for a given input can be defined by using the
value (for
richTextArea and
radio inputs) or
values (for
check and
select inputs) elements. Each input is decorated by a label which can be defined by using the
label element. For inputs with multiple selection values
options element should be used (see below).
Some examples
Let us assume that the developer wants to use the out-of-the-box WebGUI web application to request user gender (via radio inputs, with the female option checked by default), age (via single-line text input) and CV (via rich text input). The following JSON definition would be valid:
{webguiDocType: 'request',\ label: 'User data',\ data: [{name: 'gender', label: 'Gender', pref: 'radio', options:[\ {label: 'Male', value: 'male'}, {label: 'Female', value: 'female'}], value: 'female'},\ {name: 'age', label: 'Age', pref: 'text'},\ {name: 'cv', label: 'CV', pref: 'richTextArea'}]}
Depending on the provided data the following response will be assigned as the return value of the
process_query method:
{"webguiDocType":"response", "data":{"gender":"female", "age":"25", "cv":"short cv"}}
In custom web application, the response/request message bodies need to be composed by the experiment creator. It is, however, recommended to use the JSON notation for all messages sent to and received from the uer.
Experiment metadata
The button placed at the top of the experiment window brings up a menu which enables you to manipulate experiment metadata and define its properties. Experiment properties consist of the following items:
- Experiment creator and creation date
- Experiment name
- Experiment description
- User manual
- Comments
Most of these properties can be manipulated by the Workbench – a sample properties window is presented below.
GridSpace2 provides a handy tool with which to prepare experiment manuals (if needed)- clicking Add manual displays another window where you can type your experiment manual with the use of basic formatting tools. Once you're satisfied with the properties you have defined for your experiment, click OK. These properties will be serialized along with the experiment and stored in the experiment file.
Management of interpreter gems
A "bare-bones" interpreter may often be insufficient to run a given script – developers frequently make use of external modules and libraries, provided by their own collaborators or third-party developers. In GridSpace, such modules are called gems (akin to the Ruby concept of a scripting gem). Gems can be imported and installed, whereupon they become available to experiment developers and can be invoked in GridSpace experiments – provided you're using the correct interpreter.
To install a new gem, you need to know its name. Go to the Gem management panel (click Gems management below the file management panel), select the tab which corresponds to the scripting language you wish to use, and type in the name of your desired gem (or part thereof). GridSpace will automatically scan public repositories and present a list of available gems. For each gem, the following options are provided:
- Display a description of the selected gem
- Install the selected gem (+)
- Uninstall the selected gem, if already installed (-)


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One Lovely Blog Award
Just a really quick post today to thank A Single Parent's Life for passing on a little blog love last week. In the Freshly Pressed madness, it's taken me a few days to get around to doing this, eek!
I was thrilled to see this award comes with just a few rules, so I can (and will) actually keep this brief!
The rules are:
1.Accept the award, post it on your blog together with the name of the person who has granted the award and his or her blog link.
2.Pass the award to other newly discovered blogs.
3.Remember to contact the bloggers to let them know they have been chosen for this award.
1. As above, many thanks to A Single Parent's Life for nominating me. When I first started blogging shortly before Christmas, someone I used to work with but hadn't seen for years sent me a message saying they had read and enjoyed my blog. I was so excited that someone had actually liked it and that one message was seriously my motivation for even continuing with it. Twelve posts, 3 blog nominations and one Freshly Pressed inclusion later, I have come to realise the real value of blogging, the opportunity to interact with the many wonderful people who have been reading and supporting my weekly rant. Reading the diverse stories and experiences that are shared by you all on WordPress brightens my day!
2. My favourite part of these awards is that they give me an excuse to sit on the couch reading blogs for an entire afternoon, and to discover wonderful new blogs! The blogs I would like to pass the One Lovely Blog Award onto are:
3. I'm on it!

subset: commoncrawl


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Asia Pacific has topped Google's first ever "YouTube Ads Leaderboard: Bumper ads" edition, which features the top 20 six-second bumper ads that people chose to watch in 2017.
Nine out of 20 brands on the leaderboard were from the APAC region - three from Japan, three from India, two from South Korea and one from Australia. According to the press statement, the only country with more entries than Japan and India is the US, with five.
YouTube added that the rankings are a "great accomplishment" for Asia Pacific as nearly one-in-three large advertisers worldwide are buying six-second bumper ads, and one in six in-stream impressions on YouTube nowadays are six-second bumper ads.
The release of the leaderboard comes as brands are increasingly using short-form stories to boost their video marketing. Bumper ads were designed with mobile in mind, for shorter sessions when people are on the go on in a hurry. The ranking is determined by an algorithm that factors in organic views, click-throughs and user creative ratings.
YouTube added that it has seen a 70% increase in the number of customers buying a six-second bumper ad from Q1 2017 to Q2 2017.
Here are the rankings:
1. Samsung #GalaxyS8Plus #GalaxyS8 - Pre-book offer
Client: Samsung | Creative: Cheil | Media: Cheil | Country: India
"The six-second edit helped us deliver the core message 'Unbox your phone' in the shortest possible time. It helped us build reach among our audience with desired frequency for recall and consideration," Ranjivjit Singh, chief marketing officer, Samsung India, said. Sagar Prabhakar Mahabaleshwarkar, chief creative officer of Cheil added that the bumper ad compliments the long form ads.
2. Mom's Touch 2017 2017 맘스터치 불사치킨 광고 '양' ver 5초
Client: Mom's Touch | Creative: W Camp | Media: W Camp | Country: South Korea
3. Géramont Sommer Genuss Limited Edition
Client: Géramont | Country: Germany
4. Good Knight Activ+ - Complete Protection for your family
Client: Good Knight | Creative: JWT India | Media: Mindshare Worldwide | Country: India
5. Corona I Jump Splash
Client: Corona | Creative: Anomaly | Media: UM | Country: Canada
6. Coca-Cola - [미닛메이드] 미닛메이드 스파클링_마초편
Client: Coca-Cola | Creative: Leo Burnett Korea | Media: Slate & Air | Country: South Korea
7. Duracell l Slamtone
Client: Duracell | Creative: Wieden+Kennedy | Media: Spark Communications | Country: USA
8. Scholl - Semelles ActivGel™ Quotidien 6s
Client: Scholl | Creative: In-house | Media: In-house | Country: France
9. Club Social - BUDDIES BumperAd
Client: Club Social | Creative: FCB | Media: FCB | Country: Brazil
10. Coolish - 松坂桃李出演 CM ロッテ クーリッシュ 「クーリズム2017篇」SHORT MOVIE
Client: Coolish | Creative: Dentsu | Media: Dentsu | Country: Japan
11. Does Your Bed Do That? | $899 - 6 sec.
Client: Sleep Number | Creative: In house | Media: HMI | Country: USA
12. *Hefty® Party Cups - Office Party :06
Client: Hefty Party Cups | Creative: Havas | Media: Rise Interactive | Country: USA
Client: Glico | Creative: Daiko | Media: Hakuhodo DY Media Partners | Country: Japan
14. Nike Air VaporMax
Client: Nike | Creative: In house | Media: Mindshare Worldwide | Country: USA
15. Gionee Selfiestan A1 Pre Book 6 Sec Hinglish HD Airvision
Client: Gionee India | Creative: Mullen Lintas | Media: Interactive Avenues | Country: India
"After our successful launch campaign, the challenge was to sustain interest. We decided Bumpers were the perfect reminder. If your message can be delivered in 6 seconds then, why not?" Nomit Joshi, director of marketing, Gionee, said.
"Bumper ads are a great frequency building tool for any campaign. We were convinced that a short, sharp message can do wonders to build top of mind recall. Progressive brands like Gionee saw this trend and have raised the bar," Rahul Marwaha, executive vice president from Interactive Avenues, added.
16. Strawberry & Cream Pancakes
Client: IHOP | Creative: Campbell Ewald | Media: Initiative | Country: USA
17. Ever wondered what life is like at the speed of Bolt? - Teaser
Client: Optus | Creative: The Works | Media: Amobee | Country: Australia
"Our audience has an insanely short attention span, so the whole campaign had to be instantly engaging and dynamic. The quick cuts and animated world created the perfect canvas for short, snackable content. Our one piece of advice is to create the campaign firstly for the small screen, not the big screen," Kristie Thistlethwaite, creative project leader, Works, added.
18. サントリー緑茶 伊右衛門 特茶 『みんなの声 #私と特茶』篇 6秒 本木雅弘 サントリー
Client: Suntory | Creative: Hakuhodo | Media: Hakuhodo | Country: Japan
19. Para Tudo Casas Bahia | Smart Tv 49"
Client: Casas Bahia | Creative: Wunderman | Media: Wunderman | Country: Brazil
20. Dina Tokio Tube Makeup Teaser
Client: Revlon | Creative: In House | Media: Mediacom | Country: UK
Do you have a favourite YouTube bumper ad? Share it with us!


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About Writer
30 yr old Aboriginal and Torres Strait Islander Health Worker Hutton from Shediac, enjoys kit cars, . and eating. In the previous year has made a visit to The Four Lifts on the Canal du Centre.


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Arsene XI
Arsene's Eleven is a candid DVD interview in which Arsene Wenger talks about eleven Arsenal players who helped make it happen, those who have made the most Arsenal appearances in their position under him. Eleven glorious years, eleven top players. Inside the mind of Arsene Wenger.
When an urbane Frenchman, Arsene Wenger, arrived in the Highbury Marble Halls to become Arsenal manager the (ignorant) tabloid headlines asked "Arsene Who?".
Eleven years later, Arsenal fans and football lovers worldwide have become accustomed to a style of football that has delivered numerous major trophies and is considered to be a true representation of the beautiful game at its poetic best.
Shipping & Delivery
Warnings and Disclaimers
Bend it Like Beckham
The daughter of an orthodox Indian family rebels against her parents' traditionalism and joins a football team.
About the Film:
A comedy, Bend It Like Beckham explores the world of women's football, from kicks in the park to freekicks in the Cup Final. Set in Europe, the film follows two teenagers with their hearts set on a future in professional soccer.
David Seaman - The Real Story
David Seaman, one of the most experienced football goalkeepers in England's national squad, has become a reluctant celebrity; his relationship with the media running hot & cold with journalists portraying him as both hero and villain, often within the one story.
A reflection of the man himself, David Seaman: The Real Story is spiked with humorous anecdotes interspersed with rare archival footage spanning an impressive 20 year career. This insightful documentary features the highs and the lows of Seaman's reign in England's National team and his 13 years with Arsenal, featuring candid interviews with those closest to him and his many supporters including David Beckham and manager of England Sven-Goran Eriksson.
Goal - The Dream Begins
Goal! is about Santiago Munez, a young man with a rough background who is offered the chance to trial with one of England's top football clubs (Newcastle United F.C.)
Goal II - Living the Dream
Goal II: Living the Dream is the second part of the football film trilogy Goal!
Goal! II carries on from Goal! in which Santiago Munez, who is now a successful footballer, gets transferred from Newcastle United to Real Madrid.
A film about an American teenager who faces an uphill battle when she fights to be given the opportunity to play competitive soccer.
Green Street - Hooligans
Green Street Hooligans is a film about an American college student falls in with a violent West Ham football firm (the Green Street Elite) run by his brother-in-law's younger brother and is morally transformed by their commitment to each other.
Mike Bassett - England Manager
Mike Bassett: England Manager is an English football comedy film following the fortunes of the manager of Division One football club Norwich City, Mike Bassett, who is appointed England manager.
The manager of England's national football unexpectedly succumbs to a heart attack, and suddenly the search is on for a replacement. Most people who seem qualified for the position have the good sense to turn it down, and so the responsibility falls to Mike Bassett, a scruffy and loud-mouthed lout whose claim to football fame is leading a previously undistinguished team to a league championship.
Bassett insists that England will win the World Cup under his leadership, but that's before he replaces his star player with a once-gifted footballer who has since developed a drinking problem, and hired a one-time car salesman as his assistant. After stunning losses to Poland and Belgium, Bassett goes from a favorite of both fans and the press to one of the most hated men in England; hoping to whip his team into shape, he subjects them to the high-tech training methods of eccentric Dr. Shoegaarten, which injures more players than it helps. Despite Bassett's ineptitude, England manages to qualify for the World Cup tournament thanks to group opponents Turkey losing their final game, and he flies to Rio with his team in hopes of somehow turning their bad luck around
Shearer The Legend
One of the greatest goalscorer in the history of the Premiership, Alan Shearer realized his boyhood dream when he signed for Newcastle United in the summer of 1996. It is a reflection on a decade of goals, goals, goals and Shearer himself talks exclusively about his football life and looks back fondly on the many great years at the club.
Thierry Henry Legend
An insight into Thierry Henry's career. This DVD features exclusive interviews with Henry and fellow Arsenal greats, highlights from stand-out games and every single Arsenal goal scored by the legend, Thierry Henry.
Soccer Superstars - Batistuta
World Cup Legends. Soccer Superstars - Gabriel Batistuta
Soccer Superstars - Gullit
World Cup Legends. Soccer Superstars - Ruud Gullit
Soccer Superstars - Platini
World Cup Legends. Soccer Superstars - Michel Platini
Soccer Superstars - Totti
World Cup Legends. Soccer Superstars - Francesco Totti
Soccer Superstars - Vieri
World Cup Legends. Soccer Superstars - Christian Vieri
Soccer Superstars - Zidane
World Cup Legends. Soccer Superstars - Zinedine Zidane
Soccer Superstars - Signori
World Cup Legends. Soccer Superstars - Giuseppe Signori
Soccer Superstars - Mancini
World Cup Legends. Soccer Superstars - Roberto Mancini
Soccer Superstars Vol 1
Get a limited edition of Soccer Superstars - Vol. 1 DVD today which includes world soccer stars like Signori, Batistuta, Shevchenko and more.


text:
"Last week, I bought a new SSD and I'm trying to replace my old hard drive on my computer with this new SSD. Here is the question: I split my hard drive into four partitions for different hard drive, and I still want to keep them on my new SSD. So, I'm here to ask is there any easy way that can help me clone multiple partitions to new hard drive one time? I do not want to abandon my old data, please help me and thank you in advance."
Why you should want to clone multiple partitions to new hard drive?
Clone partitions to HDD/SSD is no longer a new problem to computer users. Part of them would like to clone several partitions to new HDD/SSD at a time to keep the old data safe. If you want to replace old hard drive with SSD, meanwhile, you do not want to lose the old data on the partitions, clone multiple partitions to new SSD is the best way to you. There are so many similar situations that you need to clone multiple partitions to new hard drive: free up system disk space without losing data; extend the storage space of your computer; duplicate important data to new hard drive; upgrade hard drive for better performance...
How to clone multiple partitions to new hard drive one time?
In the past days, users may create new partitions on the new hard drive and then copy each partition data to relative partition on the new hard drive. In this way, you will need to copy partitions one by one, which will take your lots of time. If you want to clone multiple partitions to new hard drive one time easily, the cloning software AOMEI Backupper can help you a lot. It allows you to clone multiple partition to new HDD/SSD in a few simple steps. Here you can follow the detailed steps:
Step1.Plug in the new HDD/SSD you prepared before, make sure it can be detected by your computer. Then, install and launch AOMEI Backupper. Click Clone -> Disk Clone.
Tips: If you want to clone your Multiple partitions on your hard drive, click Disk Clone, and it will clone several partitions on hard drive one time; if you would like to clone one single partition, click Partition Clone, it will clone the partition you selected only.
Step2.Select the hard drive with multiple partitions on as the source party.
Step3. Then, select the new HDD/SSD as the destination place.
Step4. Indicate the operations that will be executed. Click Start Clone, and it will be execute immediately.
- Edit partitions on the destination disk: if you are not satisfied the partitions on the hard drive, you can edit the partitions' size on your new hard drive.
- Sector by sector clone:if you check the box, it will clone every byte on your old hard drive no matter it used or not, which will take a lot of time and occupy more storage space.
- Align partition to optimize for SSD:this will improve the performance of your SSD after cloning. If you are cloning to SSD, check this box for getting a better performance.
AOMEI Backupper Professional is a powerful clone software for Windows 10/8/7. It supports you clone hard drive with multiple partitions, or clone system only, even a single partition. Besides, it is a great backup and restore software which you can use to backup and restore system, partition, disk, files/folders, etc. It has more editions like AOMEI Backupper Technician, which is designed for enterprise and server provider, provides charged technical service to clients with unlimited usage.


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I'm a bibliophile, in case you haven't figured that out yet. My first and truest friends were books, and I was always tucked away somewhere reading when I was growing up. I still own hundreds of books—many of which I've not yet read—and am always reading ten or fifteen at a time. It is a lifelong love.
It's only been in the last decade or so that I've discovered the spiritual journey books (some of which I've shared with you, Reader). They're quite a genre, as varied as their authors and the Divine that inspires them. But part of the reason I like them so is that, similar to but more than most other genres, you can't really just read them. These books require a certain heart to read them properly, or they don't make sense.
Say you get, by whatever way, a spiritual journey book. You can read it straight out and, if you're not ready for it, you will say, "Fine book; good points," and throw it back to the heap of all the world's books, thinking on it sometimes years later and remembering it disjointedly if at all.
Or you may get that book and begin it, the words sliding off of your unready heart to pool restlessly in your lungs, discomforting you with their inapplicability. You put a bookmark in and promise yourself to come back to it later, and days or weeks or months or even years pass as you move the book around and around, meaning to read it but living beyond and beside it. Dust gathers on this chronicle of someone else's ideas, someone else's Divine, while you are busy fleshing out your own.
And that's okay. Good, in fact, because you are not in a place where those ideas and that Divine make any sense to you; they are shadows yet, not more advanced than you but of an utterly different shape made in familiar candlelight by hands with too many fingers—or none at all. And they may always be that; I daresay there are a great many journey books that will never make sense to me, whose pages will always turn listlessly in my fingers because I am not meant to see that face of the Divine—or because we are not looking for the same divine at all.
But some—ah, some will wait for you, patiently bearing the weight of everything else on top as you become who you are, and then one day that cover will catch your eye again and you'll say, "I have a spare moment." You'll take the bookmark out from halfway through the first chapter and start over to remind yourself of this book already forgotten—and this time you are Ready. This time the words do not slide but dance on your heart, filling your lungs with an air you didn't know you wanted, this language you didn't know anyone else spoke like you, and even the parts you disagree with still make a certain kind of sense to you like words used in new and jarring ways.
You and that author have touched, ever so briefly, the same shade of Holy. You get to see that it can be done, that we are not chasing this ineffable God in isolation, that it must be real because someone else knows it to be so. It is an incredible experience of affirmation and encouragement.
I think it's a God-thing, that finding of those books when you're ready for them—and, maybe, writing one for others to discover when they're ready. In any case, it's why I have books like these; all books need their own time for you to spark yourself into the author, which is why I love reading, but these journeys especially need you to be ready to be grabbed by the soul, left panting in the breathlessness of Presence where two have gathered.
To everything there is a season,
A time for every purpose under heaven:
A time to be born,
And a time to die;
A time to plant,
And a time to pluck what is planted;
A time to kill,
And a time to heal;
A time to break down,
And a time to build up;
A time to weep,
And a time to laugh;
A time to mourn,
And a time to dance;
A time to cast away stones,
And a time to gather stones;
A time to embrace,
And a time to refrain from embracing;
A time to gain,
And a time to lose;
A time to keep,
And a time to throw away;
A time to tear,
And a time to sew;
A time to keep silence,
And a time to speak;
A time to love,
And a time to hate;
A time of war,
And a time of peace. (Ecclesiastes 3:1-8, NKJV)


text:
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7/6/2012 8:40:48 AM (0 comments) Add Comment
I had a IC-7000 HF mobile rig that I was running in the shack for a while. Never really grew a fondness to the radio. I traded it in for a Yaesu FT-897 and imiaditly fell in love with it. Several days later I put a 40 Meter Inverted L wire antenna and strung one end up in the tree trying to hide it.
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Department of Economics
Note: Keep visiting this link for more notification for interview from other departments.
Please PhD botany interview date?ReplyDelete
Plz physics m.phill interview date?ReplyDelete
Da qesa kho dera late shwa?ReplyDelete
plz biotech m.phil interview date?
plz biotech m.phil interview date?
plz biotech m.phil interview date?
we are requesting our director admission that please take action on those candidates , who only apply online but not submit their admission fee
Aoa. Plz confirm the interview date of education deptt. M.philReplyDelete
When will MS Botany interviews be.ReplyDelete
18th and 19th feb are mphil interview dates.
LL. M INTERVIEW DATE PLEASEReplyDelete
MS physics interview kala da dve kho pa website ndy wrkreReplyDelete
Plz tell about PHD Education Admission Interview Date?ReplyDelete
please let me know about the PhD Zoology interview date. thanksReplyDelete
M.s botany interview date pleaseReplyDelete
mphil biotech interview date pleaseReplyDelete
plz any update about interviewsReplyDelete
when will Ms Management science interview is there is any possibility who take 30 out 100.ReplyDelete
salam sir,
Kindly update about ph. Ds interviews
the deadline is coming 20th February but have no such time is mentioned as well as only islamic studies and economics are nominated here so plz guide us about the rest dept interviews
U don't reply
When is ma English result
Nan sok interviews la taly wo kna plzzz reply.ReplyDelete
Mphill physics wala paki sok shta.ReplyDelete
Phd managemnet sciences wala ??ReplyDelete
Sumra marks?ReplyDelete
This comment has been removed by the author.ReplyDelete


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Rhyme AsylumOctober 10th, 2006
Max C caught up with the Rhyme Asylum collective for an extensive chat about their background, influences, EP and their thoughts on the UK scene's current state.
Rhyme Asylum are what happens if you suffocate the Wu-Tang Clan's collective vision with a straight-jacket and carry it kicking and screaming through the circles of Hell.
When members of the collective are not savaging other battle emcees in the Jumpoff.tv Street battles they can be heard on undergound mixtapes and their myspace page destroying beats with their infernal verses. Easily one of the most lyrical and fresh sounds on this increasingly stale 'scene', Rapnews.co.uk attempted to explore the dark minds behind this lethal sanitarium of rappers.
To everyone who has not heard of Rhyme Asylum please introduce yourselves.
Whuttup! Rhyme Asylum is a hip-hop group based in London formed of Possessed, Skirmish, Plazma, Psiklone and Leatherface on the beats.
How did you guys end up forming a crew together?
The crew was formed in 2000 by Possessed and Skirmish in secondary school. Those two have been a part of the crew from day and it initially had a few other people from their school in but was less serious and more just an outlet for their new found hunger to rap. They left school and Possessed and Skirmish continued to hold down the Rhyme Asylum movement on their own. We met Plazma, who was just 14 at the time through friends and began to hit up anywhere with open mics and ciphers to be smashed, primarily Deal Real on Friday nights.
In 2004 we hooked up with Psiklone at Deal Real and put him in the clique. We knew Leatherface for a while and he was on the same kinda vibe so soon after he joined as well and that's Rhyme Asylum. There's been a lot of progression in the crew over the years but we're at our strongest with this roster of artists and have cemented together perfectly so this is how were looking for shit to stay.
Everyone fits cohesively with the RA sound yet brings their own thing to the table. It's important to all of us that everybody is a strong artist in their own respect so we can feed off of each other creatively and also 'cause one thing we don't wanna have in the crew is weak links!
You've been dropping tracks on a couple of mixtapes and some on your Myspace page. What is the plan onwards from this point?
Yea we hit 'Character Assassins' Volumes 1 and 2 and the 'Whatever The Weather' mixtape and these tracks are on our Myspace alongside 'Dawn Of A New Species' which was up on HipHopGame. A lot of people have been asking where they can cop that track and we are about to drop a 12" on Beer and Rap Entertainment with 2 unheard tracks and 'Dawn' as a bonus track on the
flip. We're currently working on our debut EP as well.
With respects to the EP, is the tone of the release going to be solely battle rhymes or are there other concepts lurking about?
We hate being categorised as 'battle rhymers'. First of all people have only heard a handful of things so it's far too early for people to be trying to pigeon hole us. We're just on a raw tip. Labelling us as 'battle rap' allows people to undermine something they're threatened by or don't understand and our lyrics aren't intended for a battle environment at all. The fact we are inspired by other MCs who have been pigeon holed in this category and spit lyrically means people try and define us the same way.
Another thing people tend to mention is that they used to be on the 'battle' or 'cypher' rap tip but are trying to be musical. There is a huge difference between doing something and doing it with the degree of skill we feel we're pushing to, so just because you spat a simile don't mean you can chat shit to us! We're just doing us, and the amount of time we put into our beats and rhymes, it's definitely music. Subject matter doesn't give people a license to be musical by default so if you're not executing your shit properly, that's not an excuse for your wack bars. Go and learn to play the guitar or something!
Anyway, with regards to the EP there will be some different tracks on it and I think a lot of surprises for our fans and for sceptics — but don't expect a story about 'taking my chick to the movie but not having enough cash to afford popcorn' or cheesy club anthems.
Your use of words on all of your tracks has a distinct and frequently epic tone. What is the point of your style of battle rap on track – what effects are you trying to achieve?
Well aside from them not all really being 'battle raps' we just try to take our lyricism to a next level. Each emcee has a different style and focuses on different parts of the art but we ultimately write what we like to hear ourselves — metaphors, punchlines, imagery and references towards shit that we find interesting or fascinating – with as little babble as possible.
In our rap we're not limited by anything, the resulting effect that we want to achieve is reaching a next level. We also don't just say things because they rhyme or for the sake of saying them (allow the silly forced multis). To us, every single line, whether it is a setup or whatever, is an opportunity to say something ill. There is of course a competitive element to hiphop and its like were constantly trying to be not only iller than everyone else but as ill as we can be ourselves.
Where do Rhyme Asylum's influences lie? Are they solely just in rap?
Nah, we take influences from everywhere, from things we experience and learn in life, from films and from books mainly. Hiphop wise, we all like a lot of different shit but find a common ground with rappers like Big Pun, Big L, Canibus, Eminem, Copywrite, Nas, Ill Bill, Diabolic and Vakill to name a few. We influence each other greatly as well.
We like that hard-hitting 'boom bap' style of beats from the classic producers like Premo, Pete Rock, RZA etc but still we try to avoid shit sounding dated. Havoc, Alchemist, Stoupe and Necro are definitely influences towards our sound.
I guess our influences tie in with the whole 'battle rap' thing. At the end of the day the hiphop we feel most is either lyrical rap with witty lines from people like Bis, Big L, Em, or straight up spitting shit from Wu-tang, DITC, Boot Camp Click etc. Back in the day being the dopest and proving your skills as an artist could be more important than trying to deliver a social or political message which seems to be a lot of other peoples motive these days.
That's all good but we're just trying to keep our music sounding raw, straight to the point and consistent and we're not looking to enter into something thinking like we have to have one 'track about a girl', or a 'double time track' or a 'story'. That's not what spitting is about to us 'cause it feels too contrived. Our objective is to be as tight as possible and basically better than everybody else with whatever it is that we do.
Honestly, what are your views on the present UK scene? Do you find it an original and inspiring place to be?
The UK scene is a good place to be as an upcoming act because of opportunities to prove yourself. Like there are bare open mics to reach and usually ciphers popping off after jams which is an invaluable tool to hungry artists coming up in the game and has the organic elements of hiphop that the American scene seems to have lost these days. Places like Speakers Corner in Brixton are dope for this but since the end of Deal Real in-stores shit has started to become stale on that front.
When we first got into this, it was fresh, new and inspiring but as time's gone on and we've improved the scene just seems monotonous and boring these days. There is a lot of stupid 'politics' in the game right now but we're just here to rap and make ill music, trying not to get sucked in by all the bullshit.
This is gonna sound like a cliché but its like the majority of British rap seems to follow the paths of either spaced out babble vibes or straight up road shit and were not really on either of those things. There's a couple people on our kind of shit here but it tends to be American underground rappers who inspire us, as more are on that lyrical tip (although most of them are wack these days as well!)
It's infinitely harder on the wider scale when you're from the UK, but people like Immortal Technique, Non-Phixion and Jedi Mind Tricks prove that you can keep your music raw and credible yet have a huge fanbase on the underground and make it financially profitable.
Do you see yourselves making a significant impact on the UK scene?
Hopefully… We'll have to wait and see! But we're not about to start being on people's dicks just 'cause they got a rep. We have respect for the people that laid the foundations but at the same time we're more interested in skills than how long you've been down for or how many times you've been in your bredrin's magazine.
First and foremost we're just trying to do shit for us, and for those who are interested in hearing what we're coming with and there's definitely more space for that in the scene. We are deadly serious about what we do so I think it is inevitable that we will make an impact on the scene whether people like it or not!
Since Possessed has been garnering a lot of attention recently in the Jump Off '2 On 2 Street Battles' and on his Kiss FM freestyle appearance it made sense to direct some questions his way as well.
You have been recently getting a lot of exposure through the Jumpoff 2 on 2 battles with Reain. How have you been finding the whole thing? Who do you rate amongst the emcees (UK and US)?
Possessed: I entered the Jumpoff shit for exposure and to burn some emcees. I was really feeling the whole street battle vibe and the freestyle element of battling that Jumpoff have progressed to and they have come along way since just doing the arena battles which were dominated by wack emcees and a dumb crowd. I was glad to be part of the 2on2 tournament because it was a challenge. I was impressed by the Freestyle Masons obviously, and also G-Dash and Truth. I the US I was feeling Hesaurus/Illmaculate and Mad Illz/Parable.
You tore up your Kiss FM appearance with some sick freestyles. How was that and do you have any plans to crash the radio station again?
Possessed: Yeah, that was fun and I'm always down for tearing up radio if the opportunity arises.
Tell the people a little bit about the Freestyle Masons. How did you guys come together? Are there going to be any projects coming out of that?
Possessed: I've known Reain since day and have been rapping with him for time. He's on of the original people that's been trying to work on wordplay and shit with me. I met Stig at Kung Fu and Respek Ba after the Spin The Mic battles and as we were all keen freestylers and began to cipher together it was a natural progression into becoming the Freestyle Masons. Hopefully there will be a project soon but at this moment in time I am concentrating on the Rhyme Asylum EP
Any shout outs from Rhyme Asylum?
Aiiiiite…. Safe to Jericho and Rap News for the interview, shouts to OddJob. Freestyle Masons, S.I.N Army, Whatever the Weather, Beer and Rap Entertainment, Speakers Corner, Indrid Kold, Budgie, S-Type, Hot Off Da Block and everyone who supports our shit. We get a lot of good response from heads on our Myspace site and that shits appreciated so hit us up if you feel what were doing!
Also big up all the people that try to hate on us. It's touching that you care so much. Check us at Myspace.com/Rhymeasylum Look out for the 12", EP and plenty more shit to come! Peace out, Rhyme Asylum.


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It's officially December, and we are counting down the days until this year's HoHoTO!
We're just over two weeks away from the event – be sure to pick up your ticket ASAP so you don't miss out (and if you do so before Thursday, December 12 you'll be entered in our early bird giveaway!)
We've got a few new faces to add to our "nice" list this week, so we're sending big thanks, warm fuzzy feelings, and ample HoHoTO love out to this week's new sponsors.
Reindeer – DevTO
Snowflake – Homestars
Photobooth Sponsor – JustEat.ca
If you're not convinced to sponsor HoHoTO and the Daily Bread Food Bank yet, maybe hearing from one of our awesome week three sponsors will help:
"This year is DevTO's 3rd year to support HoHoTo and we wanted to continue our tradition of supporting local charities such as The Daily Bread food bank. As you know DevTO gets a ton of support from the community and we feel like especially during this season we can also do our part by supporting this initiative on behalf of the whole DevTO community; including all our generous sponsors, venue providers, speakers and all our attendees. HoHoTO is proof that when people come together they can deliver something really awesome. We hope to see other organizations take HoHoTO as an example of how we all can support charities and communities in a tangible way throughout the year." –DevTO
Sounds like sentiment you agree with? Then head over here for more information about the sponsorship packages we have available, or shoot me an email at firstname.lastname@example.com with any questions you might have.


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Collection Information
Size: 9.4 linear feet
Summary: The records of Owen Gallery measure 9.4 linear feet and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Artists represented include Thomas Hart Benton, Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, John Sloan, and others. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibitions files; inventory and sales records; printed material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986, when the gallery was established, is research related to an artwork's provenance.


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This new technique involves placing a small, special suture under the skin through a tiny needle hole. These sutures hold the skin in the desired location in much the same way as surgical techniques. After the procedure the skin quickly flattens out with its own natural tension. Local anesthetic is all that is required for the procedure allowing the patient to resume normal activities immediately.
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About non-surgical lifts Utah
Loose or wrinkled skin that has been stretched by age and exposure has been treated in the past with surgery. Traditional "face lifts" undermine (separate) the skin and then pull it towards the ears to make it tighter. The excess skin is cut away and the edges are sutured together. Permanent scars in the hairline and in front of the ears are necessary for this correction. A well-done facelift can last ten years before needing to be redone. Surgical face-lifts are still common but don't do much for thin skin and can look artificial and stretched. It requires a number of weeks to look normal enough to go into public and facelifts that don't meet expectations or have complications are still irreversible.
The first real breakthrough with any sort of non-surgical face-lift was the development of "Aptos Threadlifting" in Russia by a plastic surgeon named Sulamanidze. The treatment was brought to the United States just a few years ago under the name "Featherlift".
Surface was one of the first clinics in North America to offer this treatment. However, there is a drawback. With a Featherlift procedure, the skin is attached or held in place by another area of skin. Since skin is subject to stretching and laxity, the correction is not as strong as a surgical lift where the deep fascia laysers are sutured in place.
The desire to have a truly non-surgical facelift that offered dramatic results prompted the development of Pointé Face Lift.
Pointé Lifts offer a surgical result without surgery.
With Pointé Lifts, the temporal area (forehead) face and neck are the most common treatment areas. The procedure is performed through a tiny needle hole hidden in the hairline. The needle hole is so small (about the thickness of a pencil lead) that suturing is unnecessary to close it. The procedure usually takes about an hour and the patient is ready to go. There is no down time for healing or recovery with temporary soreness lasting two or three days. Patients describe immediate post treatment feeling as wearing a ponytail that's too tight and experience a tension headache for the first 24 hours that can be treated with aspirin.
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BBC Programme Spain
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Next →
Assignment - Spain's hard times
In Spain's hard times it's families who are supporting the unemployed.
Baroque! - From St Peter's to St Paul's - Episode 2
Waldemar Januszczak focuses on the route of the pilgrimage to Santiago de Compostela.
Cash in the Attic - Series 15 - Phillips
Lorne Spicer and the team meet a couple in Luton preparing to sell up and move to Spain.
Heart And Soul - Song Of The Scallop
Song of the Scallop considers the history and mythology of the humble mollusc.
Living in the Sun - Series 3 - Desert Riders
Carole and Robert Edgar risk everything they have to set up a horse-trekking business.
Living in the Sun - Series 4 - Game Show
British expat Chris Hanson gambles everything on a wacky gameshow he has invented.
Michael Portillo: Digging up the Dead
How Spain is exhuming bodies from mass graves, the legacy of Franco's dictatorship.
On Hannibal's Trail - Barca! Barca! Barca!
The brothers cycle along Spain's east coast and watch a match at Barcelona's Camp Nou.
Sun, Sex and Holiday Madness
Greg James joins hedonistic Britons heading to the party capital of Magaluf, Mallorca.
The Real Hustle - Series 7: On Holiday - Episode 8
Paul plans to ruin tourists' holidays by selling phonecards that cost customers a fortune.
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$20.00 Double Fan
Pierce G, 2014 34" 6" EM Re Root beer pink base with large patterned eye of multicolors of purple, raspberry, charcoal above a green throat, sepals have patterning with blue shadowy watermark, edged in raspberry.Tet Sev , 40 buds, 6 branches, ((Butterfly Cove × Tet. Texas Kaleidoscope) × Tet. Cosmic Kaleidoscope)


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The level of care you provide to your residents is extremely important to us. Therefore, quality assurance and quality control procedures are an integral part of the development of our products. We hope you never have to use our warranty service, but if you do, we promise to address your request in a timely and professional manner. All of our products are covered and serviced under our MedaCure hassle-free warranty program and all parts are in stock and available for immediate delivery.
Our professional staff is expertly trained in a broad range of healthcare products.
Our service and dedication to our clients are unsurpassed.
Our goal is to offer the most advanced quality product at the absolute lowest price.
We continuously conduct research to bring you innovative products that deliver exceptional results and maximize the health and wellness of the patient. The ongoing research and training of our team guarantees that our professional knowledge is at the forefront of the latest developments in health and senior care.
We are a manufacturer of Durable Medical Equipment and supplies. We specialize in meeting the needs of our clients which include Nursing Homes, Long Term Care Facilities, Hospitals and Home Care Distributors.
Our products are designed and developed with a team of professional technicians, nurses and specialists that know the industry, understand the products and the needs of your residents. We offer unique and exclusive features that will help improve the level of care in your facilities. In addition, we will customize and private label product based on your specifications. Our team will design a high quality product that is cost effective and specific to your needs. Please call us to discuss your requirements.
MedaCure's distribution centers are strategically located throughout the USA to guarantee quick and on time delivery where and when you need it.
MedaCure - Durable Medical Equipment © 2019 | All Rights Reserved


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|Posted by HALO Award on August 2, 2018 at 5:50 PM
The 2018 HALO Award RFP was released on June 7th, eligible to nonprofits in and serving Los Angeles County. On July 12th, The Carl & Roberta Deutsch Foundation received a total of 40 applications, of which 21 are new applicants and 19 are returning applicants, all hoping for support to build and/or strengthen their current volunteer programs.
Thank you to all the organizations who applied for and those who forwarded it across their networks!
Want to see how the 2018 stacked up? Here's a snapshot:
*Applicants were asked to select all that applied; responses represent duplication in numbers.
Stay tuned for the announcement of the 2018 HALO Award winners in November!
Categories: HALO Award


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Nearly 90 children drown inside the home every year. Learn how to prevent these tragedies.
Every year, nearly 90 children drown inside the home, and two-thirds of these deaths occur in the bathtub. A child can drown in as little as 2 inches of water, and it happens quickly and silently. Every one of these tragedies is preventable.
Watch and Share this Video on Youtube
Related Resources
Pool Safely:
Nearly 400 children die each year because of pool and spa-related drownings. Learn the simple steps you can take to save lives.
The Safety Guides, Safety Alerts, and Neighborhood Safety Network posters listed below are available to download from CPSC's website.
CPSC Safety Alerts and Neighborhood Safety Network posters are not available to order. If you would like to use these safety publications, they are free to download and print.
View all CPSC safety publications.
Mattresses have increased fire resistance due to federal standards. That means more escape time for your family if there's a fire.
Check toys and other children's products for plastic film coverings and remove them. The film can be a choking hazard.
Toys with strings and straps can strangle kids. Don't give them to young children.
Keep marbles, small balls and uninflated balloons away from young children, who can choke on them.
How much do you know about the dangers that button batteries pose to children? Take the button battery safety quiz.
Never tie string, cords, necklaces, toys or anything around a child's neck. They can strangle. Kids and cords of any kind don't mix.
Children can strangle in baby monitor cords. Keep all cords out of arm's reach of babies and toddlers.
Babies can suffocate, get trapped in or fall�from adult beds.� The safest place for baby is a crib or play yard.
Use the safety harness whenever your child in a stroller. If not secured with the safety harness, your baby can slip through the opening between the seat and the tray and strangle.
Air mattresses aren't for babies. They are too soft and could cause babies to suffocate.
Did you know that thousands of kids are injured every year by falling from shopping carts? Safety tips for injury-proofing your child in a shopping cart.�
Use these safety devices to protect your children.
Keep your baby safe in your home with these safety tips and use the growth chart to track your baby's progress.�
If you put your baby to sleep in a playpen, leave out the soft bedding.
Throw a baby safety shower for your friend who's expecting and help her make her house safe for the new arrival.
Prevent fires and burns. See and be seen. And make sure costumes are fit for safety.
Keep your baby safe by getting rid of hazardous products.
September is Baby Safety Month. Follow us all month long for CPSCs top baby safety tips
Keep these top tips in mind to create safe spaces for a baby in the home.
A child can swallow a button battery and suffer chemical burns in as little as two hours.
All strollers and carriages made after Sept. 10, 2015 must meet new federal requirements for overall safety.
New standards are in place for play yards to keep babies safe.
Get unsafe products out of your home. Log on�to SaferProducts.gov to report an unsafe product to CPSC and�to search for recalls and incident�reports.
Bare is best. Never add pillows, quilts, comforters or cushions to your baby's crib, bassinet or play yard.
Make Sure your grandchildren are greeted with a safe home when they come for a visit.
Make safety your business. Do not resell recalled products. It's against the law.


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Product Description
COLOUR: Brushed wash.
DIMENSION: Dresser - 838(H) X 1050(W) X 450(D) / Mirror - 1000(H) x 1000(L) X 50(W).
MATERIAL: Acacia hardwood.
- Metal frame.
- 2 Doors / 2 Drawers construction.
- Hand pull drawers.
- Metal extension runner drawers.
ORIGIN: Imported.
GUARANTEE: 12 month's warranty.
PACKAGING:Fully assembled.
CLEANING: Wipe clean with a damp/dry cloth.


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Shy Lindsay Fleming has just summoned up all her courage and come out. All she's ever wanted is to be accepted for herself, but though her best friend, Myra, is okay with her sexual orientation, many of her high school friends are not. Her parents don't understand at all, leaving Lindsay angry and confused. During the Christmas season, Lindsay attends a meeting for the "newly out," but she leaves when that turns into a disaster. On her way home, she saves a young woman from being mugged - by four red-skinned aliens!
The woman, Jonephra ("Call me Jo") is a resident of the planet Carinna, located in another dimension. The red-skinned men, known as "Marauders," are a mean, ruthless bunch who stole jewels that power Jo's home world, and she's on a mission to get them back. Turkel leads the band of heartless pirates, and they'll kill anyone who gets in the way of their looting and pillaging. Lindsay is reluctant to get involved, but she agrees to help Jo, who she is attracted to. Jo is tall and self-confident, and Lindsay thinks Jo might like her, but she feels so shy and awkward. Will she be able to shed her shyness and gain enough confidence to win Jo's heart? Even more risky: will Lindsay survive the dangerous Marauders, find the jewels and return them before Jo's planet runs out of reserve power?
Publisher: Regal Crest
Cover Artists:
Pairings: F-F
Heat Level: 1
Romantic Content: 3
Ending: Click here to reveal
Character Identities: Lesbian
Protagonist 1 Age: 18-25
Protagonist 2 Age: 18-25
Tropes: Coming Out / Closeted, First Time, InstaLove / Love at First Sight
Word Count: 67500
Setting: Tacoma, Washington and various alien worlds
Languages Available: English
Series Type: Continuous / Same Characters
Lindsay assessed Nicole. Short, a bit chubby, with a pretty, oval-shaped face and a head of unkempt red hair, she got no positive or negative vibes from her. This meant a resounding no in her book. She'd always figured that liking someone would come down to the Wow Factor, like a wave breaking over a rock. For her, there had to be some kind of affinity present, a feeling, something which said "maybe". She didn't hear any "maybe" and no Wow Factor was present.
Nicole made the initial introductory conversational overture by explaining that she'd come out at eighteen, entered university, and tried a few relationships which didn't work out. "I'm twenty now. I just hate bein' alone, y'know? Then I heard about this group. Cindy's already with someone, so she's trying to get me set up."READ MORE
Nicole took Lindsay's hand and pulled her into the kitchen. Not knowing what to expect, Lindsay stood in the dimly lit room and saw the knowing look on the other girl's face. She got a slight shock when Nicole kissed her on the cheek. Flustered, she pushed the other girl away--gently. "I, uh, I thought we'd talk first--or something."
"Why talk?" Nicole asked.
Lindsay felt a moment of panic knife through her. This experience wasn't what she anticipated. She turned to leave, but Nicole seized her wrist in a surprisingly strong grip and thrust her hand under Lindsay's sweater and then her blouse, searching for her breast. Lindsay gasped. "What are you doing?"
"What you want." Nicole's cold clammy hand sent a very unpleasant feeling through Lindsay's body. She tore herself away from the other girl, ran into the den, snatched up her coat and bag, and disappeared through the front door into the cold night air. Lindsay was way beyond feeling embarrassed. Her feelings verged on humiliation.
Lindsay ran until she couldn't get enough air in her lungs to keep going. She stopped near an alleyway and leaned against a wall. The brick, hard and unyielding, supported her physically. Mentally, though, she felt crushed and defeated. "This was supposed to be my night," she muttered and quickly wiped away hot tears of shame. She hoped she'd find someone special. It didn't have to lead to romance, not right away, but she thought maybe she'd find a life-friend like Myra--only not straight.
What to do now? She didn't have a cell phone--she'd never owned one--and no way to get home. She plodded dispiritedly down the block. A few couples passed by, glanced in her direction, and continued on their way. They had their own lives and looked happy enough. Holidays had a habit of putting people in a festive mood. Pausing in front of a movie theater, she checked out the flicks. Nothing piqued her interest. Suddenly she very much wanted to go home, and started walking in the direction of the bus station. Home meant a warm room, hot chocolate, and above all, safety. Her boots, heavy clodhopper things, ate up the pavement. "What a friggin' disaster," she muttered to herself. And then a rotten evening swerved into the realm of the incredibly weird.COLLAPSE
Lindsay Versus the Marauders is an action-packed, young adult story filled with adventure, danger and a bit of romance. J.S. Frankel has done a great job developing this story, which features two strong female protagonists: Lindsay and Jo. Lindsay and Jo are sympathetic and intriguing characters. Frankel has created strong, yet vulnerable women who are placed in extreme situations.
Lindsay has been having a tough time. The 18-year-old has recently told her friends at school and her parents that she is a lesbian. Most of her friends, except for her best friend have abandoned her. Her fellow athletes tried to kick her off the swim team, and her mother has recently died. Lindsay is searching for love and acceptance.
When readers meet Lindsay, she is attending a small "coming out" party and is molested by a woman. As she runs away from the party, she finds herself in the middle of a street fight in an alley. This is not a typical fight. The red-skinned, humongous man-like monsters are attacking a young woman who is brandishing a steel pipe.
Jonephra (Jo) is having a rough day, too, based on the creatures that are following her and trying to kill her. The Marauders followed her to Earth hoping to find a stone she has hidden from them. Jo is on a quest. She needs to find a choosok to save her planet.
Lindsay is understandably freaked out, confused and skeptical.
Jo has been traveling around the universe looking for a choosok, which is a mandatory power source needed to keep the people on her planet alive and the dome intact. But the power source is not the only thing Jo needs. She needs acceptance, friendship and love. In this, Jo and Lindsay have a lot in common.
In this book, Frankel creates alternate worlds and extraterrestrials that are intense and varied. The science-fiction elements of the story are well done and creative.
Through dialogue and descriptive prose, Frankel shows readers worlds that they could never encounter on their own. And, of course, as with most young adult books, there are some underlying important lessons. Jo and Lindsay are both treated as outcasts because of their sexuality. Jo's home planet is stark and dreary and in danger of being destroyed and a lot like Earth in some aspects.
This is the first book in a trilogy, and the ending primes the reader for more adventures. The focus of this first book is the adventure, but the budding romance of Jo and Lindsay is promising. Frankel has established a strong bond between the two protagonists, and this reader is looking forward to reading the rest of their adventures. While Frankel twists reality in this science-fiction adventure, his writing conveys a multi-dimensional realism and vulnerability.
This is basically a story of a young woman who's just come out and is looking for a girlfriend. Wish granted--sort of. Lindsay meets her soulmate in Jonephra, a young woman from the planet of Carinna, and the adventure begins from that point on.
Love doesn't always come around, and when it does, it isn't always from around here.


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Throwing an invitation back into the faces of the inviters
By Marzeus von Hemelen, 28th Oct 2015 | Follow this author
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Posted in WikinutWritingDrama
Some people have practised evil and division-sowing into an art form. That would be Mary and Harrison.
Throwing an invitation back into the faces of the inviters
Mother has been working herself silly on the music for Elmarie's school concert music arrangements. Mother with her limited knowledge of technology actually managed to do all sorts of tweakings to music and songs and wrote them on CD's. Well sort of; in the end she couldn't quite manage to write all the songs onto a CD without getting some errors.
But anyway, this coming weekend Elmarie and her two children shall fly from Cape Town and come visit. Probably not as much to visit as it is to come get the music from Mother, that is after she put Mother to work even more to make even more changes. With Elmarie there's usually no end in sight until the very last minute.
So anyway, Mother is quite excited about her children and grandchildren coming to visit. So now she's all abuzz with plans on who must sleep where and what can we do and how the lunches and dinners will work and what they will be etc.
Even finer details are important to her. What shall she prepare to eat? A big piece of lamb butt, or shall we have have a barbeque, or what?
She decides a nice, delicious leg of lamb shall do just the trick.
Of course, the grandchildren must all play together, as they love to, so Mother and Father calls Harrison to arrange it all. Harrison in his usual enthusiasmless way aranges some time or other sort of vaguely.
Father talks on the phone with Harrison and arranges that Harrison and his wife Mary, if she's available and not out on a wedding shoot, can visit on Saturday afternoon and evening, and even sleep over if they so desire.
Anyway Harrison says he'll discuss it with Mary and maybe they'll come. Harrison never sounds like he has enthusiasm when arrangements are made, and he usually doesn't stick to any arrangements and either come hopelessly late, or not at all.
Fast forward to tonight. Mother and I are eating at John Dory's. We love the Hake and Chips special for R33, see? Well we take it with salad and hot vegetables instead of the chips.
I have a most delicious cup of coffee with cream. Quite good!
Father joins us a little later. Mother and I try to find out what mood he's in, because usually when he comes back from Harrison's, where he likes to visit, there's a lot of hatred and frustration for us in his heart, because Harrison and Mary like to rile him up against us.
He usually tries to hide it because he doesn't like destroying the good atmosphere, but oh dear, tonight he just openly says that Harrison and Mary say there is no way in hell they will come visit on Saturday to eat the nice leg of lamb and have a good time together.
They unashamedly have thrown Mother and Father's invitation back into their faces, saying that especially Mary and therefore Harrison too have sworn an oath that they will never, ever, ever attend any family events if Marzeus is anywhere near it.
I must say they are getting quite childish now, and with that I mean they have gone beyond childish into just plain evil and cruel. Mother and Father are getting on in years, and we should really make use of all the opportunities to be together as a family, but of course these two decided if they make a point, even a point about things that don't concern them, and nobody falls in line with their thinking, they will impose sanctions and bannings against the entire family.
Well I can see how Harrison and Mary have worked themselves into a corner now where being evil and meanspirited is really all the defence they have now, whatwith Harrison having made an attempt on my life in what can only be described as an evil demon possessed moment, and Mary and her insane outburst and being unable now for some years to contain her extreme jealousy of some illusion she has in her head of what life is like for Petros and I. Plainly put, she believes we don't suffer enough and have too easy lives. The fucking whore she is. She has no idea and doesn't deserve to know anything further about us.
But of course the reasons are all just what I hear on the surface, because they never have the guts to come talk to me. This entire ugly thing developed behind my back, and they seem to deliberately do it that way because they know their evil agendas will never be tolerated by me.
Another thing of course that drives her and now Harrison mad too, is the love between Mother and I. We have a very strong bond, and also have a partnership together in business.
For some reason this makes Mary openly hateful of Mother, and Harrison through evil, cruel letters has been trying to break Mother's spirit into pieces for months. If she dares love her children and he doesn't like it, Harrison will just destroy her, he decided.
It used to boggle my mind why he has taken this insane stance against nature, but he always did insinuate that Mother doesn't love him very much and so it seems he decided if she doesn't love him enough to his liking, nobody else will receive her love either.
So, Harrison and Mary having made total asses of themselves, and having so exposed themselves as evil, petty, superficial and greedy rubbish, they absolutely refuse to face me now, and shall not come to any family gatherings where I am present.
Well maybe it's for the best, because it can probably only turn really, really ugly now that they don't have a screen of everybody in the dark to hide behind anymore - everybody know their game now.
So I can only suspect they can only turn really dangerous now.
Visit MarzeusVonHemelen.Com


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Our Life Force Protein is a new paradigm in protein supplementation. Five vegan blends in a proprietary protein base of organic anti-oxidant fruit seeds and hemp hearts enhanced with organic herbs, pollens, medicinal mushrooms and super-greens. And 2 new grass-fed whey blends with colostrum for added nutrient density.
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Spectacularly located above Shelly Beach in Manly, major alterations and additions were undertaken to this simple Californian bungalow.
The existing masonry structure was reworked and linked via a kitchen service core to the new lightweight living spaces. The new elements cantilever out into the views, hovering over the beach.
Interlocking skillion roof forms admit northern light deep into the plan and create a dynamic interplay of forms within the main living area as the upper study hovers overhead.
The arrangement of rooms allows for a variety of experiences within the one house, with the sometimes harsh sun and wind of the northern rooms overlooking the water contrasting with the sheltered living spaces on the south. These southern rooms open to a lush courtyard, where dense planting creates privacy from the street.


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Pocket Squares
Here at Fab Ties we have a large collection of pocket squares, or handkerchiefs as they are otherwise know. These include plain pocket squares and patterned pocket squares for all occasions.
Looking to make your look even more stylish with a particular colour of pocket square? Don't worry, we stock a wide variety of different colours and shades of pocket squares sure to be your perfect accessory.
Why not pair your pocket square with a corresponding bow tie or neck tie? Check out our range of fantastic neck attire here, all available with free UK delivery.


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Portable Air Scrubbers Air Filtration System Construction Renovation Remediation
New!! Introducing the ContractAir series of portable air scrubbers!! (so new it's not even on our website) 🙂
Ultimate protection against mold, asbestos, dust, and chemicals.
Compact. lightweight and versatile – offers advanced protection, air filtration against dust, ultra-fine particulate and chemical pollutants.
High efficiency unit, removes dangerous airborne contaminants, reduce the health risks, create a safe work environment and protect sensitive equipment.
- drywall cutting, and sanding
- concrete cutting and finishing
- asbestos and lead removal
- mold abatement
- household renovatios
- painting
- demolition
- welding
- floor sanding and staining
- thermal spray insulation
3 Modes – Flexibility
- negative pressure environment
- positive pressure environment
- recirculation environment
- Standard inlet and discharge grills for recirculation mode
- Optional 10″, 12″ and / or 14″ diameter duct collars with air tight quick-clamps connection
- Compression clamps provide quick and easy filter access
- Compression gasket for filter access panels guarantee proper sealing
- Heavy duty casters and lifting handles make the unit easy to maneuver
- Corrosion resistant and maintenance free motorized impeller
- Energy efficient and whisper quiet operation, less than 62 dBA
- Standard filter sequence: 2″ MERV 8 pre-filter and 12″ 99.97% HEPA filter
- Nominal airflow: 1500-2000 CFM with standard filter sequence
- Control panel with variable speed control, circuit breaker, on/off switch
Available options:
- 2″ or 12″ deep chemical filter, up to 120 lbs, 26 custom blends available
- 12″ deep MERV 14 filter
- 12″ deep ULPA filter (99.999% efficiency for particles down to 0.12 microns
- 2″ deep HEPA filter (99.97% efficiency for particles down to .3 microns
- Unit mounted pressure gauge to monitor filter condition
- Adjustable legs for floor mounting 2 – 17″ (5-43cm)
- Kit for ceiling hung installation
- Custom remote controls
Call us, toll free: 1-800-626-0664, for help in choosing the right air filtration, portable air scrubber for your needs.


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Abnormal movement (seizures) is the main symptom of epilepsy. They occur due to unusual electrical activity in the brain. But not all people who have seizures suffer from epilepsy. Epilepsy consists of several disorders that can cause repeated seizures. Pseudoseizures are non-epileptic seizures. They are not caused by irregular electrical activity in the brain. They can be caused by stress or philological issues. Because they look similar as the true seizures, it is very hard to diagnose epilepsy. If a patient doesn't react on epileptic drugs and his EEG readings are normal, he doesn't have epilepsy. A patient who experiences provoked seizures, may not need a treatment. They are caused by: low blood sugar, high fever, drug or alcohol abuse, low blood sodium or trauma.
Epilepsy affects about 0.5% and 1% of the population. Just in the US, 2.5 million people have epilepsy. Also, 9% of the Americans will experience a seizure during their life. Epilepsy occurs due to abnormal electrical activity in the brain. Brain cells communicate through electrical impulses. In a case of a seizure, they send or receive abnormal impulses, which causes abnormal movement. In that case, brain cells create an ''electrical storm''. They can be in the whole brain or just within a specific part of the brain. This depends on a type of epilepsy.
Seizures are just symptoms. There are several types of them. It is important that a doctor diagnose the type of epilepsy, not just a type of seizures. In order to control seizures, a patient must take special drugs. Also, a diet, used along medications is useful. If drugs don't help, a patient may need a surgery.


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From our offices in the UK, Germany, America, Canada, Mexico, Hong Kong, Singapore, Australia, China, Russia, South Africa, and across Europe we deliver negotiation training and consulting services to over 50 countries worldwide. If you require further information on how we can help you and your teams make the most of every negotiation, or simply need to ask us a question - just call, email or complete the form.
Level 10
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Singapore 049145


text: NC-SARA Home > About > Accreditation > Accreditation Palmer College of Chiropractic is approved by the National Council for State Authorization Reciprocity Agreements (NC-SARA) to offer distance education in the member states and territories. Supervised Field Training Experiences Through participation in NC-SARA and compliance with statutory regulations related to preceptorships in individual states, Palmer College is approved to offer limited, supervised field experiences in 49 U.S. states and the District of Columbia to eligible students. Individual state regulations are subject to change without prior notice and the College does not guarantee locations for field training experiences. The states in purple on the map below show the locations currently approved for student preceptorship. All campuses offer an Intern Preceptorship Program. ExpandCollapse All AccreditationNational Board PerformanceCatalogNC-SARACollege ProfileCompletion RatesFinancial Aid RecipientsStudent Body DemographicsConsumer Information