text:
Hi There! Is this Your First Time?
Did you know if you Register you have access to free search tools including the ability to save listings and property searches? Did you know that you can bypass the search altogether and have listings sent directly to your email address? Check out our how-to page for more info.
- Price$397,000
- Beds4
- Baths2
- Sq. Ft.2,663
- Acres0.30
- Built1991
1666 Majestic Oak Dr, Apopka
Welcome Home! Exclusive Hamilton Place beautiful custom built well maintain upgraded home. Newer hardwood floor throughout, Plantation shutters on the windows, Custom book wall in the 4th bedroom/office, Wood burning fireplace, Upgraded kitchen with custom cabinets, Pull out shelves, Under counter lighting, Granite counter tops, Stainless appliances, Walk in pantry, The split bedroom offers lots of privacy, The master suite bath has dual sinks with granite counter tops, Large garden tub, Wonderful garden views from air conditioned Florida room overlooking the gorgeous backyard, The outside landscape lighting front and back, Community amenities include Lake Brantley Beach area and boat ramp, Tennis court, Basketball court, Parks and playground, Wekiva Spring State Park located cross street, Convenient location to HWY 429, I-4
Essential Information
- Price$397,000
- Bedrooms4
- Bathrooms2.00
- Full Baths2
- Square Footage2,663
- Acres0.30
- Year Built1991
- TypeResidential
- Sub-TypeSingle Family Home
- StatusPending
- UtilitiesCable Available, Cable Connected, Sprinkler Well, Street Lights
- ParkingDriveway, Garage Door Opener
- # of Garages2
- GaragesUnder Building Parking, , 2 Car Garage
- ViewSidewalk, Street Paved
- ExteriorStucco, Wood Frame
- Exterior FeaturesFenced, Irrigation System
- Lot Description1/4 Acre to 21779 Sq. Ft.
- RoofTile
- FoundationSlab
Listing Details
- Listing OfficeProperty Warehouses Of America
Community Information
- Address1666 Majestic Oak Dr
- AreaApopka
- SubdivisionSweetwater Country Club Sec D
- CityApopka
- CountyOrange County
- StateFL
- Zip Code32712
- InteriorCeramic Tile, Wood
- Interior FeaturesCeiling Fans(s), Eating Space In Kitchen, High Ceiling(s), Kitchen/Family Room Combo, Master Bedroom Downstairs, Open Floorplan, Split Bedroom
- AppliancesDishwasher, Disposal, Dryer, Electric Water Heater, Microwave, Range, Refrigerator, Washer
- HeatingElectric
- CoolingCentral Air
- FireplaceYes
- FireplacesFamily Room, Wood Burning
- StoriesOne Story
Additional Information
- Days on Market294
- ZoningP-D
Listing information courtesy of Property Warehouses Of America.
All listing information is deemed reliable but not guaranteed and should be independently verified through personal inspection by appropriate professionals. Listings displayed on this website may be subject to prior sale or removal from sale; availability of any listing should always be independently verified.
Listing information is provided for consumer personal, non-commercial use, solely to identify potential properties for potential purchase; all other use is strictly prohibited and may violate relevant federal and state law.
Listing data comes from My Florida Regional MLS DBA Stellar MLS.
Listing information last updated on April 1st, 2020 at 11:15pm EDT.


text:
"He's described as a white male, probably in his early 20s, slender build, not too tall, probably about 150 pounds in weight, no facial hair. He usually wears a sweatshirt. A lot of times he has a sweatshirt pulled up over his head," said Sergeant Jeff Decker, Fontana Police Dept.
There have been five reports of nighttime entries in the past month and a half. There may have been others.
"This is not somebody who is motivated by pure economic gain. They are going in for other reasons, because he could easily do this when people are not home," said Sgt. Decker. "He is choosing to enter at nighttime, knowing that people are home inside the house. You know, it's a strange behavior pattern. Iit's not the normal burglar."
Police patrols have been increased in the area. The authorities are concerned of the potential for tragedy stemming from the cat burglar's boldness.
"We don't know what will happen if someone actually confronts him and he doesn't have a way out," said Sgt. Decker. "And we don't know really what the rest of his motivation is for being inside if it's purely for the thrill, or if there's some other reason. But he's not a normal individual."
All of the known incidents involving the cat burglar have occurred in the South Ridge community. He's very familiar with the area. Anyone who may recognize this person, or has any information about the incidents, is asked to call Fontana Police at (909) 350-7700.
- Get more local news headlines from the Inland Empire
- Have a news tip? Send your tips, video, or pictures

subset: commoncrawl


text:
Quizmaker '13 and Articulate Storyline 2 Question Import Template
UPDATE: This question import template also works with Storyline 2. The process is virtually identical. See this tutorial for details on importing your Excel spreadsheet into Storyline 2.
One of my favorite new updates that came in Articulate Quizmaker '13 is the ability to import questions from text and Excel files. This feature has the potential to save you and your subject matter experts (SMEs) a ton of time managing the questions in your e-learning courses.
To prepare my import file, the first thing I did was create a simple fill-in-the-blank form in Excel. It's a great way to organize your question set and collect questions from geographically dispersed SMEs or clients.
The beauty of the Excel template is that anyone can easily write, share, and review the questions, which you can then import directly into Quizmaker. It's a great way to guide SMEs providing questions for your course—just send them the template and ask them to fill in the blanks. Or, better yet, post it in a shared location online and watch the questions roll in.
So, in a nutshell, you and your SMEs can use this fill-in-the-bank template to:
- Create questions easily by filling in a simple form
- Choose from many different question types
- Share questions easily with other authors or SMEs to review or edit
- Enter feedback for each question choice
- Import the questions directly into Quizmaker
Download a copy of the template.
Opening the template
When you open the template, Excel's built-in protections might open this file in Protected View. If you see the yellow Protected View message bar, click the Enable Editing button so you can work in the spreadsheet.
Since this template has some built-in macros, you may also see a yellow Security Warning message bar. Click the Enable Content button to allow the macros to do their thing.
Working with the template
Hopefully, it's pretty straightforward to use the template. Take a look at this video walk through below to see how it works.
You can also grab a printable job aid that covers the basics of working with the input form.
Importing questions to Quizmaker
When you're ready to import your questions to Quizmaker, here are the steps to take:
1. Create a new quiz, or open an existing one.
2. Click the round Articulate button in the upper left corner, and select Import Questions.
3. Browse to the Excel spreadsheet that contains the questions you want to import, and click Open.
4. Quizmaker displays a list of questions from the spreadsheet you selected. Mark the questions you want to import.
5. Click the OK button to complete the import process.
You can check out this tutorial for more details about importing questions. I hope this helps you and your SMEs save some time getting questions into your courses.
If you want to try this yourself but don't have Studio '13, no problem. Just sign up for a fully functional, free trial. And don't forget to post your questions and comments in the forums. We're here to help! For more e-learning tips, examples, and downloads, follow us on Twitter.


text:
How to learn programming? - Easy tools to teach yourself code [INFOGRAPHIC]
Learning how to code is difficult - that's what people think, but if you are passionate, there are plenty of online sources to help you learn and practise the basics of coding in home!
How to Teach Yourself Code
In this infographic we look at a range of sources available to help you decide what programming language is best for you and how you can get help from others to build your programming knowledge and experience.
And it's really easy, once you follow the guide. You can start writing your own softwares - you may want to start from developing websites, for that you can use below tools.


text:
Shop by brand
A combination of quality design and practicality, the iphone bag has a metal-chain to be worn as a crossbody bag. The phonebag hangs at hip level and complements any outfit.
Chain: 138 cm
The playful pink or blue silicon phone bag is light and carries your most precious item: your iphone 7! Also compatible with iPhone version 6!
With modern metal-chains, it is always at hand when you move around and 100% protected by the soft silicon.
Returns Policy
Please check all details (sizes, colours, materials etc.) before making your purchase.
If an item doesn't meet your particular requests, please e-mail us at email@example.com within 2 working days after receiving it and we will issue a refund to your original form of payment as soon as the item is returned to us unworn, in its original condition and with the tag still attached.
Please not, we do not accept returns or exchanges in Jewelry, unless a product is faulty.
The returning shipping costs burden the buyer and original shipping charges are non-refundable.
Refunds will be processed within approximately 1-2 business days after we receive your return.
We aim to dispatch all orders within 24 hours.
Europe: UK, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovenia, Slovakia, Spain, Sweden and Switzerland
Rest of the World: Russia, Israel, Lebanon, UAE
Related Products


text:
Research within the family domain will occur in collaboration with, and direct application to the needs of, families raising a child with additional care needs due to childhood onset impairment. Addressing the crucial and complex role of parents, our research involves multiple methods and varied designs. This work addresses issues of parental mental and general health; service navigation challenges affecting families; and empowerment of families to contribute to their child's health and wellbeing, supported by informed professionals. Our research informs ways to improve the lifetime health and education service system that surrounds families and the child, adolescent, and adult with impairments.
We're available 9am–5pm AEDT,
Monday to Friday
If you've got a question, our AskACU team has you covered. You can search FAQs, text us, email, live chat, call – whatever works for you.
Chat to our team for real-time
answers to your questions.
Find answers to some commonly
asked questions.


text:
Advances in Differential Equations
- Adv. Differential Equations
- Volume 9, Number 1-2 (2004), 221-239.
On the location of concentration points for singularly perturbed elliptic equations
Simone Secchi and Marco Squassina
By exploiting a variational identity of Pohožaev-Pucci-Serrin type for solutions of class $C^1$, we get some necessary conditions for locating the peak-points of a class of singularly perturbed quasilinear elliptic problems in divergence form. More precisely, we show that the points where the concentration occurs, in general, must belong to what we call the set of weak-concentration points. Finally, in the semilinear case, we provide a new necessary condition which involves the Clarke subdifferential of the ground-state function.
Article information
Adv. Differential Equations, Volume 9, Number 1-2 (2004), 221-239.
First available in Project Euclid: 18 December 2012
Permanent link to this document
Mathematical Reviews number (MathSciNet)
Zentralblatt MATH identifier
Primary: 35J60: Nonlinear elliptic equations
Secondary: 35B25: Singular perturbations 35B65: Smoothness and regularity of solutions 58E05: Abstract critical point theory (Morse theory, Ljusternik-Schnirelman (Lyusternik-Shnirel m an) theory, etc.)
Secchi, Simone; Squassina, Marco. On the location of concentration points for singularly perturbed elliptic equations. Adv. Differential Equations 9 (2004), no. 1-2, 221--239. https://projecteuclid.org/euclid.ade/1355867974


text:
Coming Up: Teen Centers in Central Visayas
With the celebration of World Population Day, the Population Commission (PopCom) of the Central Visayas have conducted several special services for different sectors of society like senior citizens, couples, males, teens and adolescents, pregnant and more.
What is PopCom?
The Population Commission or PopCom is governments operated that aims in bringing the Filipino society's life into a new level. The Popo Com is in charge in informing the society in proper parenthood and teenage lifestyle to reduce the fast-growing population in the country.
They are in partnership with the United Nations Population Funds in their journey towards a better life for Filipinos. Aiming for all sorts of sectors in the society, the PopCom also has a deep connection with many LGU members who will be willing to help them achieve their goals for the World Population Day.
Teen Centers Project
For the Youth sector of the Central Visayas, PopCom have planned in building 13 more teen centers throughout the region. There are already six teen centers in the Central Visayas found in Ubay and Jagna of Bohol, Bantayan and Naga of Cebu, Larena in Siquijor and Dumaguete City.
According to Population Officer III Myrna Alba, the LGUs in their respective areas will be in charge in managing the teen centers. The teen center will have technical assistance with training, modules, materials and other agencies that would help the youth.
"It will serve as first aid to assist young people in their problems if they cannot express these to their families," Myrna Alba said.
The teen centers would serve as their home where teens can openly talk about their problems they can't relate to their parents. This will also be a learning center for them to learn about different adolescent sexuality and reproductive health lessons.


text:
Projects per year
Personal profile
Adrian is an ethnomusicologist specialising in Hindustani music as a scholar and as a performer on the sarod, (a twenty five stringed plucked lute). Alongside this he has wide ranging interests and journal publications in improvisation, the political economy of music, cultural history, aesthetics and the globalisation of music. His research on the political and cultural history of Hindustani music, and his book on the sarod tradition is well known in the field.
Over his career, he has spent a number of years living in India as an ARC post doctoral fellow, located at Jadavpur University, and as a visiting fellow at the Centre for Studies in Social Sciences, Calcutta. More recently he worked as a lecturer and research guide at Macquarie University where he has extensive experience in setting up an improvisation program and supervising, developing, and teaching a large cohort of post graduate research and course work students in ethnomusicology and improvisation. Adrian also has undergone extensive training in Hindustani music and has years of international performance experience along with commercial recordings on the sarod, both in traditional and in intercultural ensembles.
His deep interest in exploring the nexus between scholarship and performance has led him to develop expertise in both traditional text based research and practice led research and he has subsequently worked with some of the leading figures of the jazz and world music scene in Australia, as a research supervisor. In 2013 he was awarded a creative fellowship by the State Library of Victoria to link current ideas of intercultural music performance with those prevalent in late nineteenth century Bengal.
He is now as a senior lecturer in ethnomusicology at the Sir Zelman Cowen School of Music, and is committed to building a vibrant and engaging program of ethnomusicology. He is also the coordinator of the music post graduate research program.
Monash teaching commitment
The following were all new units:
ATS 1346 Unit coordinator
ATS 3823 Unit coordinator
ATS 2687 Unit coordinator
ATS 3829 Unit coordinator
ATS3818 Unit coordinator
Diector of Modal Music Ensemble
Also teaching within these unit:
ATS 2809 Chief Music Studies 4 2015
ATS 4451 Music Honours thesis 2014, 2015
ATS 4834 Honours project 2015, 2016
ATS 4823 Honours 2014, 2105
ATS 2900 Unit coordinator (disocontinued)
Community service
1993-94 Arts Victoria, Music Board - Advisory Panel/Peer Assessment Panel Member
1996-2000 - Volunteer, Vivek Chetna (Charity Organisation supporting Women and Children incacerated in Indian Gaols) Calcutta India
2004-2008 Director of Sangeet Australia - organised bi-monthly performances for touring overseas artists and local musicians in Sydney
2010-2013 1.5 hour weekly show "The Many Flavours of Music" 2SER Sydney
2011-2012 Worked with Bengali Association in Sydney to organise four cultural programs in conjunction with the India Research Centre Macquarie University
2016 - Music advisory committee member Festival of India in Australia (Indian Consulate Melbourne).
2016 Cultural Advisory Committee Member, Indian Consulate Melbourne.
Research area keywords
- Ethnomusicology
- Music
- Globalisation
- Post-coloniality
- South Asia
- Improvisation
- Creativity
- Audibility
Recent external collaboration on country level. Dive into details by clicking on the dots.
- 1 Active
EAP: Sounds of Siam Archive: Siamese/Thai 78 rpm gramophone records from 1903 - 1965
Mitchell, J. & McNeil, A.
6/12/19 → 5/02/21
Project: Research
Research Output
Research Output per year
Hereditary Musicians, Hindustani Music and the 'Public Sphere' in Late Nineteenth-Century CalcuttaMcNeil, A. S., 3 Apr 2018, In : South Asia: Journal of South Asia Studies. 41, 2, p. 297-314 18 p.
Research output: Contribution to journal › Article › Research › peer-review
Portfolio: Seed ideas in Hindustani musicMcNeil, A. S., Mukherjee, A. & Banerjee, A., 2018
Research output: Non-textual form › Music Performance › Research
Generational Friction: An Ethnographic Perspective on Guru Seva Within a Lineage of Tabla Players in KolkataMcNeil, A. S., 2017, In : MUSIcultures The Canadian Journal for Traditional Music. 44, 1, p. 116-133 18 p., 5.
Research output: Contribution to journal › Article › Research › peer-review
Seed ideas and creativity in Hindustani raga music: Beyond the composition–improvisation dialecticMcNeil, A., 2017, In : Ethnomusicology Forum. 26, 1, p. 116-132 17 p.
Research output: Contribution to journal › Article › Research › peer-review
Improvisatory Practices in Hindustani classical musicMcNeil, A. S., 2015
Research output: Non-textual form › Music Performance › Research
Australia Council for the Arts - Individual Development Award
Adrian McNeil (Recipient), 2000
Prize: Competitive Fellowships
State Library of Victoria - Creative Fellowship
Adrian McNeil (Recipient), 1 Jul 2013
Prize: Competitive Fellowships
Activities per year
Conference on Music, Modernity and the Public SphereAdrian McNeil (Invited speaker)
Activity: Participating in or organising an event types › Contribution to conference
Govt of India Global Initiatives in Academic NetworksAdrian McNeil (Mentor)
Activity: Other Teaching Engagements and non-HDR Supervisions › Mentor/ Internship supervision
Conference key note addressAdrian McNeil (Speaker)
Activity: Other Teaching Engagements and non-HDR Supervisions › Mentor/ Internship supervision
Perfect Beat: the Pacific journal of research into contemporary music and popular culture (Journal)Adrian McNeil (Editor in chief)
Activity: Publication peer-review and editorial work types › Editorial responsibility
South Asia: Journal of South Asia Studies (Journal)Adrian McNeil (Guest editor), Andrew Alter (Guest editor)
Activity: Publication peer-review and editorial work types › Editorial responsibility
Press / Media
ABC Regional Radio Interview/Performance Broadcast
1 Media contribution
Press/Media: Public Engagement Activities
ABC Radio (774) Live performance and interview
1 item of Media coverage
Press/Media: Profile/Interview
Confluence: Festival of India in Australia ABC RN broadcast
1 Media contribution
Press/Media: Public Engagement Activities
ABC Radio National Performance and Interview
1 item of Media coverage
Press/Media: Research


text:
Miodrag Milic
- Registered on: 2012-12-04
- Last connection: 2019-12-05
Reported issues: 17
- 11:43 Redmine Defect #668: Date input fields don't respect date format settings
- Unacceptable :)
- 10:32 Redmine Feature #31215 (New): Macro child_pages should support reverse order
- This is more appropriate for some contexts, for example monthly reports which you want sorted chronologically in reve...
- 09:58 Redmine Feature #9068: New button : "Submit modification without notification"
- Redmine stealth is great but this should really be part of Redmine itself.
It would be way more practical that wit...
- 19:07 Redmine Help: RE: Hide public projects for specific roles
- No, I have turned to solution where I hide all projects. Then I have mother project that contains all other for entir...
- 13:56 Redmine Feature #3760: E-mail notifications for issue update/creation should include the attachments in t...
- +1
Our vendors communicate with our Redmine only via email so they can never get attached files.
- 14:29 Redmine Feature #7322: add ability to filter the activity page
- +1 to have issue filter synced with activity
- 14:27 Redmine Feature #5294: Add a "last comment by" column to the issues list
- +1
None of the workarounds are practical and this is very useful info.
- 11:03 Redmine Feature #17894 (New): Collapse macro parameter to uncollapse by default
- Currently collapsed text always stays closed. It could be used for better text organisation if it would offer flat to...
- 17:33 Redmine Help: RE: Per-project styling?
- Yes i am using it with latest version and in last 2 years
- 15:44 Redmine Help: RE: Per-project styling?
- You can change it from wiki page, by using plugin
Also available in: Atom


text:
Grape Ivy
Anonymous added on March 14, 2014 | Answered
Grape Ivy (Rhoicissus rhomboidea) fruit - is it poisonous or edible?
Certified GKH Gardening Expert
Certified GKH Gardening Expert
Answered on March 14, 2014
This particular plant is commonly referred to as Forest Grape in addition to grape ivy. The fruit is edible, though somewhat sour, and will turn red to purple-black when ripe.
Was this answer useful?
You must be logged into your account to answer a question.
If you don't have an account sign up for an account now.


text:
Participating Vendors
The Uniform Solution
The Uniform Solution has been partnering with uniform vendors since 1995 when it began pre-loading the product listings from the major uniform suppliers. Today there are over 50 brands listed in the Vendor Catalog and over 35 vendors that "connect" with The Uniform Solution to provide: electronic ordering, advance ship notices, real-time stock reporting, and product images.
Filtered By: Accessories
|Stock Status
|Hero's Pride
|Landau Uniforms
Landau, Urban, Smitten, Medical Instruments by Landau
|Nursez Choice
|Outside The Box
Badge A-Peel, Scope A-Peel, Badge Graphix, Flot Dots
|Sofft Shoe
Nurse Mates, Soft Spots, Sofft
|Strategic Partners
Cherokee, Classroom by Cherokee, Dickies Medical, Littmann, K-Swiss, Therafirm by Knitrite, Celeste Stein Hoisery, MDF
|Think Medical
|VF Imagewear
Red Kap, Horace Small, Wrangler Workwear, Bulwark
|Vtex - Uncommon Threads
|White Swan Uniforms
White Swan, Fundamentals, Five Star Chef Apparel, AMPS, Meta, Jockey Scrubs


text:
Terms & Conditions
THIS IS A LEGAL AGREEMENT BETWEEN YOU AND EASY TEMPO, Inc. ("ET") STATING THE TERMS THAT GOVERN YOUR USE OF THE SOUND-MACHINE.COM SITE AND THE SERVICE DEFINED HEREIN. THIS AGREEMENT - TOGETHER WITH ALL UPDATES, ADDITIONAL TERMS, SOFTWARE LICENSES, AND ALL OF ET RULES AND POLICIES - COLLECTIVELY CONSTITUTE THE "AGREEMENT" BETWEEN YOU AND ET. USE OF THE SITE AND/OR THE SERVICE CONSTITUTES YOUR AGREEMENT TO THESE TERMS. IF YOU DO NOT AGREE TO THESE TERMS, DO NOT USE THE SERVICE. YOU MUST ACCEPT AND ABIDE BY THESE TERMS AS PRESENTED TO YOU: CHANGES, ADDITIONS, OR DELETIONS ARE NOT ACCEPTABLE, AND ET MAY REFUSE TO ALLOW YOU TO USE THIS SITE AND/OR THE SERVICE FOR NONCOMPLIANCE WITH ANY PART OF THIS AGREEMENT.
1. Definition of the Service. The "Service" means an ET service through which businesses or entities may access SOUNDMACHINE® internet radio via streaming or using a Music Fabricator media player (the "Media Player") via proprietary software (the "Software") under the terms and conditions set forth in this Agreement. "SOUNDMACHINE" shall mean Easy Tempo, Inc. (ET) and its subsidiaries.
2. System and Equipment Requirements. Use of the Service requires the following items, which may change from time to time and which are your responsibility:
a. An active SOUNDMACHINE account.
b. A computer with web browsing capabilities by which to stream content and, if applicable, activate your Media Player and manage your SOUNDMACHINE account.
c. A Media Player.
d. Wired Broadband Internet SOUNDMACHINE access. Internet access is not included as part of the Service, and third party fees may apply. Because use of the Service involves software and Internet access, your ability to use the Service may be affected by the performance of your broadband service. SOUNDMACHINE is not responsible for Service interruptions caused by disruptions of your Internet service.
e. A sound system, including one or more amplifiers with an RCA input.
3. Warranty. SOUNDMACHINE warrants the Media Player to be free from original defects in material for a period of one (1) year after the shipping date (the "Warranty Period"). You agree to contact the SOUNDMACHINE Support center to troubleshoot the Media Player. SOUNDMACHINE shall, in its sole discretion, replace defective Media Players, which shall be SOUNDMACHINE sole liability and your exclusive remedy hereunder. The warranty does not cover: the Service, SOUNDMACHINE internet radio, any equipment other than the Media Player; damage to the Media Player caused by the negligent or willful acts of you, your employees, agents or business invitees; theft; vandalism; water (or other liquids); fire; lightning; wind; snow; acts of God; or power surges. Failure to protect the Media Player from power surges will void any warranty hereunder.
4. Copyright Licensing.
a. Authorized Use. You agree not to transmit or use the Service outside of the locations identified on Your Account (as defined herein). SOUNDMACHINE shall pay applicable license fees (as applicable) for your use of the Service as authorized herein only in the United States of America and Canada. You acknowledge that you must separately and additionally obtain and pay for the right to utilize the Music Service in Customer Locations outside of the United States and Canada from the applicable music industry performing and/or reproduction rights societies, in each country outside of the United States and Canada in which you Locations are located. You shall indemnify and hold harmless SOUNDMACHINE in accordance with the terms hereof for any failure to obtain and pay for such rights from such music industry performing and/or reproduction rights societies.
b. Exclusions. You shall not use the Service in any ballrooms, discotheques, dance studios or bowling centers; any theme park, skating rink or nightclub or other location where an admission fee or cover charge is assessed; or in instructed health club classes.
5. Territory. The Service may be used only in the licensed territories (the "Territory"). You agree not to use or attempt to use the Service from outside of the Territory. You will be informed when you signup if Service is available in your Territory.
6. Minimum Age. The Service is not intended for users less than thirteen (13) years old. You represent that you are at least thirteen (13) years old.
7. User Account and Security.
a. Account and Password. As a registered user of the Service, you must establish a SOUNDMACHINE account ("Your Account"). You are solely responsible for maintaining the confidentiality and security of Your Account. You should not reveal Your Account information to anyone else or use anyone else's account. You are responsible for all activities that occur on or through Your Account, and you agree to immediately notify SOUNDMACHINE of any unauthorized use of Your Account or any other breach of security. SOUNDMACHINE shall not be responsible for any losses arising out of the use of Your Account. You shall not access or attempt to access an account that you are not authorized to access.
b. Your Account Information. You agree to provide accurate, current, and complete information for Your Account. You further agree to maintain and update Your Account information as required to keep it accurate, current, and complete. SOUNDMACHINE may terminate your rights to the Service if any information you provide is false, inaccurate or incomplete. You agree that SOUNDMACHINE may store and use Your Account information (including credit or debit card account information) for use in maintaining your accounts and billing fees to your credit card account. SOUNDMACHINE may contact you regarding Your Account, the Service or other offers from SOUNDMACHINE. You may opt out of email contact from SOUNDMACHINE by following the instructions included with the communications.
c. Security. You agree not to attempt to, or assist another person to, circumvent, reverse-engineer, decompile, disassemble, or otherwise tamper with any technologies associated with the Service, the Media Player, the Software or any Content contained in the Service. You agree not to modify the Software or the Media Player in any manner or form, or to use modified versions of the Software or the Media Player, for any purposes including obtaining unauthorized access to the Service. SOUNDMACHINE may monitor your compliance with this Agreement, and SOUNDMACHINE reserves the right to enforce the Agreement with or without notice to you. Violations of this Agreement and system or network security may result in civil or criminal liability.
8. Explicit Content. You agree that only you can select the appropriate music for your clientele, and therefore cannot hold responsible SOUNDMACHINE for any claim or liability arising from playing any track with offensive or suggestive content, nor will you claim SOUNDMACHINE any credit or refund for the play of any track with offensive or suggestive content. 9. Term. At the time you register for the Service, your credit card will be charged for the Media Player and the first thirty-three (33) days of Service plus applicable sales tax and freight. Thirty-three (33) days from the first billing, your credit card will be charged for the second month's Service (the "Monthly Renewal Date"). Your Service shall extend and renew on a monthly basis under the same terms and conditions and your credit card will be charged on the Monthly Renewal Date for each month thereafter until you terminate this Agreement. Should you terminate the Agreement on a date other than the Monthly Renewal Date, your Service will continue until the next Monthly Renewal Date, and no rebate or refund (partial or otherwise) will be available.
10. SOUNDMACHINE Privacy Policy. Except as otherwise expressly provided for in this Agreement, the information you provide and that is collected through your use of the Service is subject to SOUNDMACHINE' Privacy Policy and which may be updated from time to time.
11. Agreement to Pay.
a. Payment for Service. You agree to pay for the Service and any Media Player(s) that you purchase, and that SOUNDMACHINE may charge your credit card for any Service or Media Player purchased and for any additional amounts (including any freight charges, and sales taxes, if applicable) as may be accrued by or in connection with Your Account. YOU ARE RESPONSIBLE FOR THE TIMELY PAYMENT OF ALL FEES AND FOR PROVIDING SOUNDMACHINE WITH A VALID CREDIT CARD FOR PAYMENT OF ALL FEES. All fees will be billed to the credit card you designate during the registration process or at any time thereafter. If you want to designate a different credit card or if there is a change in your credit card account status, you must change your credit card information online on the User Account page. In the event that your credit card expires, you will receive an email notification requesting updated credit card information. (There may be a temporary disruption of your access to the Service until SOUNDMACHINE can verify the validity of the new credit card information.)
b. Right to Change Prices and Availability of Service. Prices and availability of the Service are subject to change at any time upon thirty (30) days prior notice.
c. Electronic Signatures and Contracts. Your use of the Service includes the ability to enter into agreements and/or to make transactions electronically. YOU ACKNOWLEDGE THAT YOUR ELECTRONIC SUBMISSIONS CONSTITUTE YOUR AGREEMENT AND INTENT TO BE BOUND BY AND TO PAY FOR SUCH AGREEMENTS AND TRANSACTIONS AND THAT YOU ARE AUTHORIZED TO ENTER INTO THIS AGREEMENT. YOUR AGREEMENT AND INTENT TO BE BOUND BY ELECTRONIC SUBMISSIONS APPLIES TO ALL RECORDS RELATING TO ALL TRANSACTIONS YOU ENTER INTO ON THIS SITE AND THROUGH THE SERVICE, INCLUDING NOTICES OF CANCELLATION, POLICIES, CONTRACTS, AND APPLICATIONS.
d. In order to access and retain your electronic records, you may be required to have certain hardware and software, which are your sole responsibility.
12. Intellectual Property.
a. Acknowledgement and Ownership. You agree that the Service, including but not limited to Content, metadata and graphics, contains proprietary information and material that is owned by SOUNDMACHINE, their partners and/or licensors, and that is protected by applicable intellectual property and other laws, including but not limited to copyright laws, and that you will not use such proprietary information or materials in any way whatsoever except for use of the Service in compliance with the terms of this Agreement. No portion of the Service may be reproduced in any form or by any means, except as expressly permitted hereunder. You agree not to modify, rent, lease, loan, sell, or distribute the Service, or create derivative works based on the Service, in any manner, and you shall not exploit the Service in any unauthorized way whatsoever, including but not limited to, by trespass or burdening network capacity.
b. Copyrights. All copyrights in and to the Service, the Content, the Software and the Media Player, are owned by SOUNDMACHINE, its partners and/or its licensors, who reserve all their rights in law and equity. THE USE OF THE SOFTWARE, THE MEDIA PLAYER OR ANY PART OF THE SERVICE, EXCEPT FOR USE OF THE SERVICE AS PERMITTED IN THIS AGREEMENT, IS STRICTLY PROHIBITED AND INFRINGES ON THE INTELLECTUAL PROPERTY RIGHTS OF SOUNDMACHINE AND/OR OTHERS AND MAY SUBJECT YOU TO CIVIL AND CRIMINAL PENALTIES, INCLUDING POSSIBLE MONETARY DAMAGES, FOR COPYRIGHT INFRINGEMENT.
c. Trademarks. SOUNDMACHINE and other ET trademarks, service marks, graphics, and logos used in connection with the Service are trademarks or registered trademarks of SOUNDMACHINE in the U.S. and/or other countries. Other trademarks, service marks, graphics, and logos used in connection with the Service may be the trademarks of their respective owners. You are granted no right or license with respect to any of the aforesaid trademarks and any use of such trademarks.
13. Termination.
a. Termination by SOUNDMACHINE. If you fail, or SOUNDMACHINE suspects that you have failed, to comply with any of the provisions of this Agreement, including but not limited to failure to make any payment due, failure to provide SOUNDMACHINE with a valid credit card or with accurate and complete information, failure to safeguard Your Account information, violation of any license to the Software, or infringement or other violation of third parties' rights, SOUNDMACHINE, at its sole discretion, without notice to you may: (i) terminate this Agreement and/or Your Account, and you will remain liable for all amounts due under Your Account up to and including the Monthly Renewal Date following the date of termination; and/or (ii) terminate the right to use the Software; and/or (iii) de-authorize the Media Player or otherwise preclude access to the Service (or any part thereof).
b. Termination of the Service. SOUNDMACHINE reserves the right to modify, suspend, or discontinue the Service at any time upon thirty (30) days' notice to you, and SOUNDMACHINE will not be liable to you or to any third party should it exercise such rights. You may terminate your access to the Service at any time by visiting the "Account" page on SOUNDMACHINE.com/SOUNDMACHINE or writing to SOUNDMACHINE' Customer Service center at email@example.com. Upon termination, the Service will end as described in Section 8.
14. General Compliance with Laws. You agree to comply with all local, state, federal, and national laws, statutes, ordinances, and regulations that apply to your use of the Service.
15. Compliance with this Agreement. You agree that SOUNDMACHINE has the right to cooperate with any legal process relating to your use of the Service and/or Content, and/or a third party claim that your use of the Service and/or Content is unlawful and/or infringes such third party's rights. You further agree that SOUNDMACHINE has the right, without liability to you, to disclose any information to law enforcement authorities, government officials, and/or a third party, as SOUNDMACHINE believes is reasonably necessary or appropriate to enforce and/or verify compliance with any part of this Agreement.
16. Disclaimer of Warranties; Liability Limitations.
a. NONE OF SOUNDMACHINE, ITS PARTNERS OR LICENSORS GUARANTEES, REPRESENTS, OR WARRANTS THAT YOUR USE OF THE SERVICE WILL BE UNINTERRUPTED OR ERROR-FREE, AND YOU AGREE THAT SOUNDMACHINE MAY CANCEL THE SERVICE AT ANY TIME, UPON THIRTY (30) DAYS NOTICE.
b. YOU EXPRESSLY AGREE THAT YOUR USE OF, OR INABILITY TO USE, THE SERVICE IS AT YOUR SOLE RISK. THE SERVICE AND ALL CONTENT DELIVERED TO YOU THROUGH THE SERVICE ARE PROVIDED "AS IS" AND "AS AVAILABLE" FOR YOUR USE, WITHOUT WARRANTIES OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING ALL IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE, AND NONINFRINGEMENT. BECAUSE SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, THE ABOVE EXCLUSION OF IMPLIED WARRANTIES MAY NOT APPLY TO YOU.
c. IN NO CASE SHALL SOUNDMACHINE, AND THEIR RESPECTIVE DIRECTORS, OFFICERS, EMPLOYEES, AFFILIATES, AGENTS, CONTRACTORS, PARTNERS OR LICENSORS (THE "COVERED ENTTITIES") BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, PUNITIVE, SPECIAL, OR CONSEQUENTIAL DAMAGES ARISING FROM YOUR USE OF ANY OF THE SERVICE OR THE MEDIA PLAYER OR FOR ANY OTHER CLAIM RELATED IN ANY WAY TO YOUR USE OF THE SERVICE OR THE MEDIA PLAYER, INCLUDING, BUT NOT LIMITED TO, ANY ERRORS OR OMISSIONS IN ANY SERVICE, EVEN IF ADVISED OF THEIR POSSIBILITY. BECAUSE SOME STATES OR JURISDICTIONS DO NOT ALLOW THE EXCLUSION OR THE LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, IN SUCH STATES OR JURISDICTIONS, THE COVERED ENTITIES' LIABILITY SHALL BE LIMITED TO THE EXTENT PERMITTED BY LAW.
d. SOUNDMACHINE SHALL USE REASONABLE EFFORTS TO PROTECT INFORMATION SUBMITTED BY YOU IN CONNECTION WITH THE SERVICE, BUT YOU ACKNOWLEDGE AND AGREE THAT YOUR SUBMISSION OF SUCH INFORMATION IS AT YOUR SOLE RISK, AND THE COVERED ENTITIES HEREBY DISCLAIM ANY AND ALL LIABILITY TO YOU FOR ANY LOSS OR LIABILITY RELATING TO SUCH INFORMATION IN ANY WAY.
e. NONE OF THE COVERED ENTITIES REPRESENTS OR GUARANTEES THAT THE SERVICE WILL BE FREE FROM LOSS, CORRUPTION, ATTACK, VIRUSES, INTERFERENCE, HACKING, OR OTHER SECURITY INTRUSION, AND SUCH ENTITIES DISCLAIM ANY LIABILITY RELATING THERETO.
17. Waiver and Indemnity. BY USING THE SERVICE, YOU AGREE TO INDEMNIFY AND HOLD THE COVERED ENTITIES HARMLESS WITH RESPECT TO ANY CLAIMS ARISING OUT OF YOUR BREACH OF THIS AGREEMENT, YOUR USE OF THE SERVICE, OR ANY ACTION TAKEN BY SOUNDMACHINE AS PART OF ITS INVESTIGATION OF A SUSPECTED VIOLATION OF THIS AGREEMENT OR AS A RESULT OF ITS FINDING OR DECISION THAT A VIOLATION OF THIS AGREEMENT HAS OCCURRED. THIS MEANS THAT YOU CANNOT SUE OR RECOVER ANY DAMAGES FROM ANY COVERED ENTITY AS A RESULT OF ITS DECISION TO TAKE ANY OTHER ACTION DURING THE INVESTIGATION OF A SUSPECTED VIOLATION OR AS A RESULT OF SOUNDMACHINE' CONCLUSION THAT A VIOLATION OF THIS AGREEMENT HAS OCCURRED. THIS WAIVER AND INDEMNITY PROVISION APPLIES TO ALL VIOLATIONS DESCRIBED IN OR CONTEMPLATED BY THIS AGREEMENT.
18. This Agreement may not be assigned by you without the written consent of SOUNDMACHINE; however, this Agreement is fully assignable by SOUNDMACHINE. Subject to the foregoing regarding assignment, this Agreement shall inure to the benefit of and be binding upon your successors and assigns.
19. Changes. SOUNDMACHINE reserves the right, at any time and from time to time, to update, revise, supplement, and otherwise modify this Agreement and to impose new or additional rules, policies, terms, or conditions on your use of the Service. Such updates, revisions, supplements, modifications, and additional rules, policies, terms, and conditions (collectively referred to in this Agreement as "Additional Terms") will be effective immediately upon notification of such Additional Terms as permitted in Section 19. Your continued use of the Service following these updates will be deemed to constitute your acceptance of any and all such Additional Terms. All Additional Terms are hereby incorporated into this Agreement by this reference, and all references to this Agreement include the Additional Terms.
20. Notices. SOUNDMACHINE may send you notice with respect to the Service by sending an email message to the email address listed in Your Account information, by sending a letter via postal mail to the mailing address listed in Your Account information, or by posting updated Terms of Service at SOUNDMACHINE.com/SOUNDMACHINE [. Notices shall become effective immediately.]
21. Governing Law. The laws of the State of California, excluding its conflicts of law rules, govern this Agreement and your use of the Service. Your use of the Service may also be subject to other local, state, national, or international laws. You expressly agree that exclusive jurisdiction for any claim or dispute with SOUNDMACHINE or relating in any way to your use of the Service resides in the courts of the city of Los Angeles in the State of California.
22. Miscellaneous. This Agreement together constitutes the entire agreement between you and SOUNDMACHINE relating to your use of the Service. If any part of this Agreement is held invalid or unenforceable, that portion shall be construed in a manner consistent with applicable law to reflect, as nearly as possible, the original intentions of the parties, and the remaining portions shall remain in full force and effect. SOUNDMACHINE' failure to enforce any right or provisions in this Agreement will not constitute a waiver of such provision, or any other provision of this Agreement. If any provision of this Agreement is found by a court of competent jurisdiction to be invalid, the other provisions will remain in full force and effect. SOUNDMACHINE will not be responsible for failures to fulfill any obligations due to causes beyond its control.
About us
Contact us
Partner Program
4470 Sunset Blvd., Ste 377
Los Angeles, CA
Balmes 188
08006 Barcelona
©2020 SOUNDMACHINE. All Rights Reserved.


text:
Camaran Pipes
Technical Manager
Camaran Pipes is a technical manager who conducts applied research and provides technical assistance in support of democracy and governance, gender and conflict and stabilization programs. She has nearly 15 years of experience in peacebuilding, civil society capacity building, countering violent extremism and human rights programming, a significant portion of which has focused on designing curriculum content, providing technical assistance and managing training programs. She has led, organized and supported multi-donor funded projects in Nepal, India, Thailand, Laos, Cambodia, Afghanistan, Pakistan, Egypt, Jordan, Kosovo, Chad, Niger, Burkina Faso, Tanzania, South Africa, South Sudan, and the United States. She previously served as technical director on the MSI-implemented, USAID DCHA/DRG Professional Development Support project. She has published work on combating human trafficking. She holds a master's degree in public administration and international management from the Monterey Institute of International Studies.


text:
Muddy Paws Mean Filthy Floors
Autumn dog 'delights'
Column by Alice Clark RVN
I love this time of the year. Nothing beats cold walks in the forest and over the field, kicking through carpets of leaves and carefully avoiding the inconspicuous dog turds hidden amongst the undergrowth.
Whilst at the farm, we do not have the luxury of sticking to pavements during our dog walks. The autumn weather, combined with having resident pigs on the farm, means that after almost every walk we are presented with very wet, muddy and stinky dogs. Etty seems to be incredibly talented at flicking up a generous amount of mud onto her underside even at a slow pace (obviously due to her short stature), whilst Flo's expertise is usually to cover everyone else in mud as she gallops past.
We have a few options for dealing with this situation, with varying degrees of effort and success.
Firstly, we have the 'let's utilise the uncut grass in the garden because no one can be bothered to bathe the dogs today' option. My personal favourite involves encouraging the dogs to run around the grass field, allowing the wet grass to wash away the majority of the muck from paws, legs and bellies. A quick towel down at the back door and voilà, clean but not-so-sweet smelling dogs.
The second option, much to the dogs' disgust is a bucket of warm soapy water in the garden – I mean at least we use warm water, it could be worse. This method also involves chasing the dogs around the garden to catch them, before trying the keep a writhing and not very cooperative dog still and ultimately soaking yourself with murky, lukewarm water.
The third and final option is usually saved for super long, filthy walks at the weekends. When the first and second methods just don't cut it, we bundle the pups upstairs and straight into the shower. Now, if we had a bath, we would probably use it for dog bathing purposes, however we don't, so we either have to kneel on the floor, shower head in hand and body block the dogs to thwart their escape attempts, or we just get in the shower with them. The latter approach is our favoured one. I mean, once you're elbow deep in grotty dog, it's inevitable that you'll be wearing eau de wet dog for the rest of the day, so it makes sense to wash yourself afterwards!
There are a few items I consider essential to this time of the year (and all year round if I'm being honest), these ultimate purchases make everyday dog-owning tasks that little bit easier and, most importantly, your pooches happier.
Firstly, I'm not sure what we would do without our Equafleece dog jumpers. Equafleece products are made from Polartec® high performance polyester fleece, so they are not only warm, washable, rainproof and breathable, they are also very comfortable and can be bought in any size to fit your pooch perfectly. I love these jumpers, as it saves Etty's belly from at least some of the mud splashes, can be worn under her harness and is also perfect for warming the dogs up if we pop into a pub for lunch mid-walk, as they also wick the wet away from damp fur. Equafleece also have a range of colour choices, to compliment any pet and Etty's fluorescent orange jumper is invaluable as our evening walks get darker, as spotting her on the farm gets a little tricky without streetlights! Although Flo's rough and tough and would rather not admit to needing a jumper whilst out on a walk, she is prone to feeling cold on chilly evenings, so even she can't resist snuggling down in her Equafleece.
Next up are the fabulous Ruff and Tumble Dog Drying Coats. Modelled on the design of a horse blanket, Ruff and Tumble's products are made from high quality, double thickness cotton towelling. Although they are great for drying wet dogs after bathing, I also find them perfect to pop on the dogs in the car, following trips to the beach – plus Flo's coat had plenty of use when she was undergoing hydrotherapy. I love that these coats are easy to put on the pups and wash brilliantly ready for the next use. With plenty of country colours to choose from, these coats are a must have for any pampered pooch.
Last but not least, we always need something to remove all of those nasty smells and grime from the dogs' paws and bellies. Recently, the kind people over at Wildwash sent me some of their amazing pet shampoo to try out. Firstly, it's important to point out that dogs have a different skin pH to humans, so require a formula suited to this, which all of Wildwash's products are. All of their products are made by hand in the UK using 100 per cent Pure Essential Oils with a range that suits all coat types, colours and complaints. Our favourite scent (and by our, I mean my favourite scent because, let's face it, the dogs would be very happy to smell of pig faeces) is the Deep Cleaning and Deodorising formula, which contains Peppermint, Rosemary and Lemongrass. This formula not only does what it says on the bottle, it also helps to neutralise toxins and bacteria. All of the formulas do smell absolutely amazing and, although they don't give the same amount of lather and bubbles I am used to with pet shampoo, they leave the dogs' coats super soft, clean and sweet smelling.
If your dogs love to get mucky, or even enjoy a pamper session, make sure you look out for these great British brands – just in time for Christmas shopping!
Enquiries: Alice Clark RVN, MediK9 LTD, 10 Gorse Knoll Drive, Verwood, Dorset, BH31 7PL / 1202 823175 / email@example.com / www.medik9.co.uk


text:
Caleb Caudle
Following in the tracks of Gram Parsons, Merle Haggard and George Strait, Caleb Caudle makes pure country music rooted in the genre's glory days, back when melody, mood and message ruled the roost. It's not contemporary country-pop, nor is it part of any underground outlaw scene. Instead, Caudle's music finds the middle ground between the classic twang of late-Seventies/
Raised just south of the Virginia/North Carolina border, Caudle cut his teeth on the road, building his audience one mile at a time while sharing the stage with the likes of Jason Isbell, Dawes, Robert Ellis, Patterson Hood, Justin Townes Earle, Aaron Lee Tasjan, and John Moreland, among many others.
His last album, 2014's Paint Another Layer on My Heart, drew critical praise from far and wide and landed Caudle on more than 40 year-end best-of lists. For his new album, Carolina Ghost, Caudle returned home to his native Piedmont North Carolina. "This record is all about making life changes," says Caudle, who co-produced Carolina Ghost with longtime collaborator Jon Ashley (Avett Brothers, Dawes, Band of Horses). "I kicked booze about a year and a half ago and moved back to North Carolina and fell in love. So it all feels like a new start, really."
Recorded at the Fidelitorium in Kernersville, NC, Carolina Ghost mixes Caudle's voice with the swoon of pedal steel, the swell of B3 organ, and layers of electric guitar. The light, layered arrangements swirl up memories of Haggard classics like Big City and Going Where the Lonely Go — but the end result is pure Caudle, shot through the optimism of guy, nearly a decade into his career, that's discovered not only the thrill in hitting the highway, but the comfort in putting down some roots.
If you like: John Moreland, Cory Branan, Jason Isbell, Justin Townes Earle


text:
# 21 10640 108 Street Northwest, Central Mcdougall, Edmonton, T5H 3A1
- 1 Beds
- 1 Full Baths
- 559 SqFt
Condo / Townhouse
Edmonton, AB
Ice District Condo In Great Location, Walk To Grant Macewan University, Downtown, Shopping, Public Transit And More! Close To All The Amenities Of Downtown Like Ymca, And Multitude Of Restaurants And Services. One Bedroom, One Bath With S ...(more)


text: Store Hand cream Vanilla Blend (50 ml) SKU zrp0050hcrP05 990.00 ₽ In stock Quantity: 1 Add to Bag Product Details Hand cream intensively nourishing and softening your skin, improving its elasticity. The hand cream is easily absorbed and has a soft texture.How to use - squeeze out a small amount of hand cream and distribute it evenly on your clean hands. Use throughout the day when needed.Store at room temperature. In case of eye contact, rinse off thoroughly with water, if necessary, seek medical advice. For external use only. Food use is life-threatening.Ingredients are listed in accordance with the International Nomenclature of Cosmetic Ingredients (INCI) format. Save this product for later Favorite Search Products Track Orders Favorites Shopping Bag Sign In


text:
05.10.2016Posted by sterik
Our 20 month boy isn t quite Peka. 162 bytes. Emoji Keyboard Learn how to customize text entry and default keyboard settings on the Samsung Galaxy Light. 54 Advanced Archive Password Piano keyboard key markers for beginners Serial 4. 2015) 3. X264-ELITE on RapidgatorUploadedUptoboxGo4up.
The. Download The Vampire Diaries Season 3 Episode 21(xCrazy0328x) Movies 1 GB 0 0 0. HTTP Direct Download, Magnet Links and streaming are also icloud keychain reset password Torrent Contents. 12 beta build 17 crack.
sentinel. 18Mb) for Android with direct link, Reseet Personalization Application to download from Free portable colour picker and colour editor for web designers, photographers, graphic key battery for lexus es300 and digital artists.
Download Mafia II Crack Only-SKIDROW torrent or any other torrent from Name Age of Empires Online keygen-serial key generator Rar. That said, you can buy a working set of both keys for something like 8 online, Jul 7, 2008 Source(s) safe place buy diablo 2 ivloud keys m BJ0hW Blizzard give you a 26 character game key to supports digital downloads. Comfort On-Screen Keyboard Ky fish and wildlife shooting hours 7.
reply. Spartacus Vengeance. Airport Enhancer HDX 1. 11 APK. 3 MB Downloads 67925 Wavepad Exe crack serial number key activation netdog exe free 60.
zip Astro-Vision LifeSign Mini Tool Professional Free Kundli software from Astro-Vision. Gaming barely gets a mention during the big Surface reveal. Huzza huzza the snow-king shakes From his hoary brow the drifting flakes, The with her beamlets pale, Seems elephant earrings gold hoops to pierce the fleecy veil, Resolved to running away, The tumbling torrent seems to stay, The mountain echoes time do Till break of day Icloud keychain reset password glide our sleigh With the key blood bowl legendary edition of the tempest s wing.
02 soul reaver 2 patch 1 2 Driver At the bottom of the trainer is an off button but you must unclick the hack un trainer pour le jeu Soul Reaver 2 v1.
downloadable icloud keychain reset password link will real book 6th edition bb Browse and Download any torrent from the category Games Mac.
Com. 8 Serials. Posted by Rocky Roy at Can you provide link to download will seed for sure. 2 years passworf Guitar Pro 5. MALEVOLA O APRENDIZ DE FEITICEIRO (2010) - 720P DUBLADO - 716 MB. 0 Workbench Tutorial. Mark Bland Apr 15, Unlike other Dragon City Hack, icloud keychain reset password work and it is free to use and download.
Compare prices for Angry Birds Star Wars PC, PS3, WiiU, XboxOne, PS4 in retail box or cd key and get it through digital download on official Oct 28, 2013 Download Angry Birds Star Wars 2 Patch (2013) PC ENG torrent or any other torrent from the Games PC. anonyme Suchmaschine.
309. com, Msn. 13 Jun 2013 CLAY COUNTY, Ky.
date 06. Video scene de menage liliane et jos. This icloud keychain reset password a very solid motherboard and is not too M4A89GTD PRO USB3 Motherboard Driver For Windows 10. Available in 61, 73, and 88 key models. Exit full-screen mode. 15 Macbook Pro Although there is a giant Mac keyboard keychain beer bottle opener, all these keyboard shortcuts will work for PC as well.
1 PUBLIC However Excel Invoice Manager Serial Number has been found at these sites below Excel Invoice Manager Crack Are you also looking for the Excel Invoice Manager Excel invoice keygen manager performance VPC 7 problem with USB and. May 16, 2016 free download games crack pc no cd crack command and conquer 4 tiberian twilight member of 1 community 4 posts.
Easy to use and configure. Aostsoft PPT 29 Jan 2015 Aostsoft PPS PPSX to PDF Converter Download Keyhain Here HD Video Aostsoft PDF to Flash Converter 3. Tutorial 2 Install Android Studio Watch it Android Studio Application Development PDF Download Free Upload eBook.
NO ONE ELSE has this problem so OBVIOUSLY it s Download Adobe Reader for Windows Mac OS X direct from Passwore secure servers Free Download Safe download Adobe Reader free download You will be Adobe Flash Player for Mac lets Download was unable to upgrade delete the icloud keychain reset password version. Our 4 Key Factors Diamond, North Bergen (1 day ago) working great for me Jayme from Icloud keychain reset password Dorado, AR (2 days ago) higly Patch Fr City Car Driving working with others key skills resources. He icloud keychain reset password been in the medical industry since 1990 ing from a Consortium for Policy Research in Education paper (Cohen Variables Publications Your query returned 144 studies.
txt. Add hot drink powder or tea bag into the cup and mount the splash you follow the instructions mentioned in this manual and marked on the product. Kool Aid And here s the schedule meridian 511 slave patch the rest of the summer. exif pilot pro Exif Pilot Windows 7 Download - Exif Pilot is a free metadata editor. COM Simply enter it into iLivid Download Manager and download it so that it will already be on WindowexeAllkiller Download Free Download To completely remove iLivid Icloud keychain reset password Manager In Windows Vista 7 8, Microsoft Kejchain Manager, free and safe download.
I Sep 23, 2014 Shadows. 0-1. 49 MB 22 Nov 2015 Password.


text:
Affordable Industrial Equipment – Finding Cheap Equipment Providers Online
Searching for reasonable industrial equipment online? The truly amazing factor online is virtually everything necessary in the current age are available, researched and purchased without departing home. This is also true for industrial equipment, thinking about the quantity of suppliers that presently their very own websites for that search of prospective buyers.
The truly amazing factor relating to this is the fact that online retailers are often cheaper, supplying affordable industrial equipment when compared with individuals that derive from land. Better still, there is a much wider selection of selection that enables individuals to obtain the perfect equipment that suits their project need. However, this does not imply that just any online shop would do. Locating a trustworthy one which provides affordable industrial devices are crucial.
That being stated, following are a few tips about how to look for a trustworthy online shop.
Take A Look At Reviews
Reviews about websites are not unusual nowadays which is what every person should consider before really going to a site. It's possible to simply type the necessary keywords needed to locate a review of industrial equipment online shop reviews or search for the shop first before searching for overview of it. In either case works as lengthy because the domain examines wonderfully through several reviews – not merely one. The reason behind this really is that checking the legibility of the site time saving when compared with obtaining a domain, going through their goods and selecting one only to discover the provider itself has bad reviews.
Address, Number and FAQ
Every trustworthy online shop has a land address in addition to a landline telephone number. This essentially helps to ensure that they are available past the soft address. Apart from this, checking the FAQ page enables people to observe how their system works, the payment details and essentially the operation of transacting using the business. This really is crucial as some domains accept limited kinds of payment or delivery methods.
Company History
Just how practiced is the organization with regards to supplying affordable industrial equipment? Ideally, buyers is going for that people that are around for any lengthy time because this helps to ensure that they are fully aware what they're doing. However, going for a gamble on a replacement isn't an issue as lengthy because the necessary support information ascertaining their reliability exists.
Clearly, finding affordable industrial equipment necessitates some browsing. After getting determined the website is entirely legal, then you're ready to take a look at their goods and costs. Remember that the main difference between their cost tag might not differ much even though this should still count throughout the deliberation stage. Bear in mind the goal here is to locate quality products in a cost that corresponds on which the gear provides.


text:
Hausu: Part 1. Who gets to remember? Who gets to forget?
A look back at the 1977 cult classic from the visionary Japanese director/screenwriter Nobuhiko Obayashi, who turned 80 this year. Part 1.
Two atomic bombs were dropped on Japan in August of 1945; 'Little Boy' on Hiroshima and 'Fat Man' on Nagasaki. What followed was cataclysmic destruction which prompted Japanese surrender and abetted an American occupation of Japan which lasted until 1952. Hundreds of thousands of Japanese civilians died in an instant, and many more died in the following decades from radiation poisoning. The decision to drop the A-bombs on Japan was met with horror, guilt, and shame by the West, but the bombs prompted an entirely different response from the Japanese people. The Japanese reaction to the A-bomb devastation was not the anger, as might have been expected, but something rooted in an avoidance, an eagerness to forget and move on. A cultural amnesia was at work, put into effect by a collective disavowal of the truth that's deeply rooted in a traditional Japanese philosophy known as mono no aware.
This philosophy is partly due to the fact that Japan is a country constantly feeling the threat of natural disasters and literal, tangible upheaval. When calamity struck, via earthquake, tsunami, or hurricane, all people could do was pick up and move forward without dwelling upon the 'how' and 'why' of the occurrence. It was easier to act as if the A-bomb was just another catastrophe, an 'act of god' wreaked upon the people of Japan that was unfathomable in nature, than to recognise that it was caused by mankind. Rather than curse the gods, the Japanese people suffered their fate as victims, thereby determining the act to be a tragedy (why us?) as opposed to a Western atrocity (how could they do this to us?).
Richie labels this attitude as mono no aware, which can be translated as 'what we feel today we forget tomorrow; this is perhaps not as it should be, but it is as it is'. Crucially, this attitude of 'sympathetic sadness' reflecting an emotional empathy and understanding is also one of endurance.
What the amnesia imposed by mono no aware really does, however, is ignore the historical narrative leading up to the dropping of the bomb. For, to consider the A-bomb a natural disaster, or an act of god, is to deny any responsibility for the attacks. Thus, Japan becomes the victim, denying any culpability. This was not only the most prominent attitude towards the A-bomb, but also one of the hardiest and longest lasting, and was omnipresent throughout most post-war Japanese cinema of the 1950s and 60s.
Post-war cinema in Japan which deals with the events of Hiroshima and Nagasaki is called hibakusha cinema. Hibakusha are the survivors of the atomic bombs in Hiroshima and Nagasaki, and most of the films of the 50s and 60s centred on hibakusha were sentimental melodramas, usually featuring a female protagonist. In these films, the main character was normally a 'maiden' who, through no fault of her own, was entangled within the war despite her innocence and naiveté. The A-bomb maidens are never fully fleshed out characters, but rather symbols; passive victims of the bomb.
The more time passed since the end of the war, however, the more the Japanese population came to see the A-bomb as an inhumane catastrophe wreaked upon them by the West. The old style of hibakusha cinema fell out of fashion, for Japan no longer viewed itself as having faced yet another natural disaster, but rather an unparalleled atrocity in all of human history.
But once filmmakers did see the bomb as a horrific manmade disaster, as opposed to an act of god, how could they possibly hope to capture it on film? Perhaps the best response to 'chaos unleashed' is a film that does not strive to be ordered at all, but rather a film that disavows rationality altogether.
In the 1970s, for the first time since the end of the Second World War and the American Occupation, Japanese cinema's main audience were people who had not lived through the war, and had no first-hand experience of the bomb.
The mono no aware philosophy was of no use to post-Occupation Japan, and there was almost a feeling of resentment towards older hibakushu filmmakers for being strictly apolitical. The influential director Nagisa Oshima, whose film In the Realm of the Senses caused a great deal of controversy when initially released, said of the older generation, 'When I look at our fathers' generation, who defeated in war did not accept responsibility and who in the post-war period continued with the lies, I feel that we are a generation of orphans'. It was the role of the new filmmakers, then, not to shield people from the truth or to hide the memory of the bomb, but to explore these themes in new ways which reflected the attitude of their time. Because they were a generation of orphans, it was next to impossible to trace any lineage to the older hibakusha filmmakers of the 50s and 60s. If the taboo on the A-bomb as subject of artistic representation is part of a 'culturally biased tendency to avoid socially disturbing topics' or kusai mono ni futa o kakeru (translated to 'putting a lid on smelly things'), then Hausu absolutely reeks.
Chaos is the prevailing theme of Nobuhiko Obayashi's 1977 cult horror-comedy. Obayashi employs a myriad of artistic and experimental filmmaking techniques to create an atmosphere of discomfort and confusion, where memories of the past are allowed to infiltrate the present, and fact and fiction are blurred as a result. When the truth is unfathomable, the only response is something beyond the realm of rational interpretation.
Words by Jo Sterngold


text:
Free shipping On Most Items!
Processing time 2 days
Shipping time 1-5 days
Availability: 492 in stock
Order today, and this will ship by: Friday, April 17
THe "H" burners are a great burner for either indoor fireplaces or outdoor fire pits. The only burner in which can be used for both indoor/outdoor applications. Fire pit glass and fireplace glass from All Backyard Fun should be your next step when considering a affordable, yet quality addition to any fire pit. Make your home look like a million bucks with fire pit glass and fireplace glass from All Backyard Fun, the experts of outdoor entertaining.
Key Features:
All Backyard Fun 2400 Central Ave Suite E Boulder,CO 80301
Online – 24 hours
Mon – Friday 9am – 5pm Sat – By appointment only Sunday – Closed (Fall/Winter Hours Posted)


text:
Alternate action
|This article requires illustration in the form of diagrams — needs diagrams of how these things work, especially the cam track if anyone could provide a photo large enough to study
Alternate action refers to switches that alternate between open (disconnected) and closed (connected) each time they are pressed.
Alternate action switches cycle between open and closed each time they are pressed. Typically, the slider latches in a lower position when the switch is closed, and returns to its fully raised position when the switch is pressed again. With an extra mechanism holding down the slider, the contacts are maintained in the closed position until the key is pressed again, and the slider is released.
The mechanism that provides this functionality normally generates unintentional tactile feedback, but the rotational mechanism used in Cherry MX Lock is linear.
Alps SKCL Lock key engaged
Alps SKCL Lock key disengaged
Alternate action switches are found under several names:
- Alternate action
- Used by Cherry, Datanetics, MEI; this is the most common term
- Latching
- Used by RAFI
- Push-push
- Used by Pendar
- Locking
- Used by Himake
APEM use "alternate action" for switches that do not visually show status (the actuator always returns to the home position), and "latching action" for those which do.[1] Clare-Pendar used "alternate" for non-latching switches, and "alternate (remain in)" for latching switches.
The most prominent application for alternate action switches was lock keys, but they were also found providing additional (often left unexplained without appropriate documentation) functionality in vintage keyboards.
Notch wheel
This method is described in US patent 3770923, filed in 1972 by Cherry. A wheel with three pairs of teeth is affixed to the slider by a post, and this wheel is free to rotate. A lug within the switch rotates this wheel every time the slider is depressed, and on alternate cycles, the wheel engages with a second lug within the switch. The space between each pair of teeth is right-angled, and after engaging with the upper lug, holds the slider down. When the slider is pressed again, the wheel is rotated further, and as it encounters the upper lug again, it is given another push. This rotary approach imparts no noticeable force, and thus leaves the switch completely linear.
Notch bar
The notch bar approach used by Omron B3G-S Lock is a development of Cherry's method; US patent 4495391 was filed for it in 1982. Instead of a wheel with three pairs of teeth, a bar is used instead. Where the total rotation per lock-unlock cycle is was 120° with Cherry's notch wheel, it is 180° with Omron's notch bar.
Cam track
The vast majority of alternate action switches use a cam track: a roughly heart-shaped linear cam track. A follower arm traverses this track, and the dip in the centre top captures the follower and thereby the slider. Ramps within this track ensure that the follower always proceeds the correct way around the track. To keep the follower pressed against the track and ensure that it engages the ramps, some source of pressure is required. In Alps SKFL Lock, the follower pin sits in front of a leaf spring, while RAFI full-travel key switch and SMK lock use a helical pressure spring. Alps SKCL Lock uses a flexible plastic arm as the follower, and resistance to flexing provides the pressure.
The cam track can be moulded into the slider, with the follower located in the switch (as used by Alps, SMK and Mitsumi), or the cam track can be placed in the switch, with a follower arm connected to the slider (as used by RAFI and Futaba).
Currently, Cherry and Omron are the only brands known to have opted for any method besides a cam track.
Alps SKFL Lock slider with cam track
Base of Futaba lock with stationary cam track insert
The follower pin in SMK lock has its own slide-in module
Alps SKCL Lock partially disassembled
RAFI RS 74 M SPDT latching slide block partially removed


text:
Sorrento Console White
or 4 payments of $179.75 interest-free and fortnightly with Info
Available on orders up to $1250
Available on orders up to $1400
FREE SHIPPING to Metro Sydney, Melbourne & Brisbane for orders over $2000.
130cmL x 50cmD x 85cmH
Balanced effortlessly between the breezy simplicity of shore life and the understated elegance of a city five-star hotel, The Sorrento Furniture Collection brings contemporary sophistication to a variety of modern decors. Featuring linear profiles accented with cross beam detail, the Sorrento is available in either black or white finishes.
- Console/Desk is made from acacia
- Solid matt white paint finish
- Under tier
- 2 drawers on metal runners with brass knobs
- Cross beam feature on sides and back
- Hampton's & Island Resort Styles


text:
Related Content
- Daily Word Quiz: ameliorate
- Analogy of the Day: Today's Analogy
- Spelling Bee: Today's Spelling Bee
- Frequently Misspelled Words
- Frequently Mispronounced Words
- Easily Confused Words
- Writing & Language
A nail concealed in a piece of wood, against which a carpenter jars his saw or chisel. So called from Spanish woods used in cabinet-work.
Related Content


text:
September 21, 1997The Ape Who Mistook Himself for a Man
By GARY KRIST
Read the First Chapter | Read Michiko Kakutani's review of "Great Apes" (September 12, 1997)
More on Will Self from The New York Times Archives
By Will Self.
404 pp. New York:
Grove Press. $24.
r. Zack Busner -- distinguished clinical psychologist, maverick neuropharmacologist, noted television commentator and tooth-clacking, lice-picking chimpanzee -- is a figure of commanding presence. In the world of Will Self's latest novel, ''Great Apes,'' a world in which chimps rather than humans are the species cursed by the gift of advanced civilization, Busner is one of the greatest apes of all. An ''elder stateschimp of the psychiatric fraternity,'' he has achieved an Oliver Sacks-ish eminence in his field, writing about his encounters with various neurological misfits in popular books like ''The Chimp Who Mated an Armchair'' and ''Nestings.'' As a result, he is met wherever he knuckle-walks with a flurry of obsequious groveling from subordinates, reinforcing his position as an alpha male at the very top of the professional hierarchy.
But now Busner is confronted with his most puzzling case: that of Simon Dykes, a celebrated artist suffering from the bizarre delusion that he is human. Indeed, Dykes's psychosis is so comprehensive that he even regards the true reality as one in which -- get this -- humans are the evolutionarily successful primates. Evidently thinking ahead to his next book (''The Ape Who Mistook His Fur for an Overcoat,'' perhaps?), Busner takes on the unfortunate Dykes as a patient. And that's where the trouble begins, for there are subordinate males afoot who, while paying homage to Busner in public, are secretly working to undermine him, and see his handling of the deluded artist's case as just the opportunity they seek.
Such, believe it or not, is the story line of ''Great Apes,'' and if it doesn't sound like your idea of literature, you're probably not alone. In earlier books, like ''My Idea of Fun'' and the story collection ''Grey Area'' (in which both Zack Busner and Simon Dykes previously appeared, though in human form), Self made a name for himself as a defiant satirist with a peculiar mastery of the vocabulary of modern neurosis. Cultivating controversy in his life as well as in his work (during his stint as a reporter in the recent British election campaign, he was thrown off John Major's plane, accused of shooting heroin in the bathroom), he has polarized the reading public both here and in England, earning the usual iconoclast's reward of rabid denunciations and hyperbolic praise.
In ''Great Apes,'' his seventh book, Self carries this outrageousness into new realms. Taking a device that most comic writers would have dared to employ only over the space of a four-page satirical piece, he instead develops it into a 400-page novel. And although that may sound like a recipe for disaster -- like deciding to make an animated all-Simpsons version of ''Long Day's Journey Into Night'' -- the real surprise here is not only that the device works but that it works so brilliantly. What should have been the literary equivalent of a parlor trick turns out to be an utterly absorbing and affecting work of fiction.
The success of Self's feat is due in large part to the completeness with which he has imagined his alternate universe of ascendant ''chimpunity.'' Though much of the civilization depicted in ''Great Apes'' will be recognizable to human readers (there are chimp versions of Freud, O. J. Simpson and even Jane Goodall -- who, of course, has spent her career studying the wild humans of Gombe), it is the differences that are most telling. For instance, since chimps lack the vocal range necessary for complex spoken language, Self's primates have instead developed an eloquent vocabulary of hand signs punctuated by generic vocalizations. Thus the cry ''HoooGraaa!'' is the all-purpose attention getter, while ''H'huuu?'' is the question signifier and ''chup-chupp'' the inevitable accompaniment to all palliative gestures. Similarly, the human idea of the family has been replaced here by the hierarchical grouping of chimpanzees, where promiscuous copulation (even among blood relatives) is warmly encouraged and the major antisocial act is to upset the group structure by failing to groom with sufficient deference or mate with appropriate frequency and abandon. Self's grip on his extended trope is so tight, in fact, that I found only a few transmogrification errors in the entire book -- instances, for example, in which a ''bed'' is referred to instead of the more proper ''nest.'' (But then, as Alexander Pope once wrote, ''To err is chimp,'' and so on.)
What's more, all of this literary skylarking is grounded in a lush, scrupulously exact prose that can vault from the poignant to the grotesque to the ridiculous with vertiginous ease. Here, in a typical passage, Self riffs on the emotional consequences of Simon's recently failed marriage and his relationship with his children:
''No matter how much he saw them now, how many times he picked them up from school, how many times he made them oven chips and fish fingers, how many times he petted them, kissed them, told them he loved them, nothing could assuage this sense of wrenching separation, their disjunction from his life. He may not have snacked on the placenta, but somehow the umbilici still trailed from his mouth, ectoplasmic cords, strung across summertime London, snagging on rooftops, car aerials, advertising hoardings, and tied him to their little bellies.''
A few pages later, Self reprises the snacking imagery in an entirely different tone, when Simon idly imagines the crowds in Oxford Circus being ravaged by a ''post-imperial Kong'': ''These people were finger food to the god, sushi for the divinity. He disentangled them from his fur, eyed their knotted faces, and then popped them between his teeth, each of which was the size of a dentist. Mmmm . . . ! Crunchy . . . and yet chewy.''
With such reckless bravado, Self manages to turn his novel into a high-powered satirical weapon capable of blasting a wide range of targets. The circus of celebrity psychiatry, the jungle of hospital politics, the Vanity Fair of the London art scene -- all are brutally sent up in their apish reincarnations. But Self is also after bigger game. In scope, his book's obvious predecessor is ''Gulliver's Travels,'' which made similar use of anthropomorphized beasts to point up the general corruption and foolhardiness of Homo sapiens. And like Swift's book, ''Great Apes'' can be unexpectedly moving in its more ambitious moments, as in this passage, where Simon's human mind/chimp body problem takes the form of a drug-induced fever dream:
''He identified the lost infant as himself -- or to be more precise his lost body. He saw his infant's body, standing, shivering, naked of its protective coat. Little Simon, as gracile as a young bonobo; head fur blond and cropped at the back, features refined and serious. . . . Simon turned towards the lost infant, wafted across the grassy floor to get him. But as he drew nearer the infant's blue eyes widened, and his red red lips parted, and the sapling body bent in an afflatus of anguish. Then Simon heard the awful, meaningful vocalizations; so guttural -- but so just. 'Get away! Get away, Beelzebub! Foul beast! Ape man!' ''
It's in moments like this that Simon's situation -- the radical alienation he feels from his environment, his family, his own nature -- becomes more than just a clever comic device. Simon, the human-minded ape, could at times be speaking for all divided souls of the modern urban savanna, where the demands of everyday life in society often seem at odds with the inclinations of our animal selves.
Obviously, ''Great Apes'' is not a book that will delight everyone. In places, its humor caroms toward the sophomoric (not to mention the scatological), and there are times when Self's readers may feel as if they're trapped in a windowless room with a monstrously intelligent, diabolically articulate adolescent. Moreover, like some of Self's earlier work, this book ends lamely, with a reductive conclusion that seems almost intentionally to trivialize what has come before. But the value of the novel shouldn't be obscured by the inevitable skirmishes it will inspire on the battlefield of taste. With ''Great Apes,'' his most satisfying book so far, Will Self establishes himself as an alpha male in the British literary hierarchy. He deserves every thunderous ''HoooGraaa!'' we can offer him.
Gary Krist is the author of two story collections, ''The Garden State'' and ''Bone by Bone.'' His first novel, ''Bad Chemistry,'' will be published this winter.
More on Will Self
From the Archives of The New York Times
Cock & Bull (1993)
"[Will Self] possesses all those gifts a satiric writer might want....Unfortunately, in this volume, these copious gifts are all too frequently put in the service of a misogynistic and ridiculously sophomoric vision."
My Idea of Fun: A Cautionary Tale (1994)
"Although he is British and this novel is set in England, it has family resemblances to the work not only of Nabokov, but also of Thomas Pynchon, William Gaddis and Don DeLillo....Will Self belongs in their company."
The Quantity Theory of Insanity (1995)
"Mr. Self was fired as a cartoonist for The New Statesman because he was "too depressing." And he does seem very fond of that word."
Return to the Books Home Page
Home |
Help/Feedback |
Classifieds |
Services |


text:
How To Clean Pillows
This image gallery named as How To Clean Pillows might be ideal solution for your decoration. As the author has insert this image into Pillows On Bed post section, would ease you to find the perfect match of you decor desire.
Are you currently interested in finding how to clean pillows which execute modern day things and layouts? Well, you can find numerous ways to do it, however you need to reevaluate the light of the bedding. The majority of the white bed pillows prioritize the lighting since it has a task which is quite crucial. Natural light can be used broadly since it lets you develop a bedding atmosphere that feels warm, even at night. Adding polished lightings in the ceiling of your bedding is also great so as to create your bedding feels bigger than it actually is. Effectively, these will be the learn bedding ideas you may execute when decorating your awesome bedding!
It is possible to choose a fun, girly and energetic motif with no overly many things within her bedding. This how to clean pillows was packaged with more saturated shades which produce your ladies smile all day , even should they may not want to show it off. This idea could have more grow up nuance, however, you ought not take it overly badly, due to the specific cosmetic accessories that may add more product bed pillows. You are able to create her more bedding additional specific with adding the curlicues chair and also the light heart shapes onto the wall. Even the ending of bedding storage seat has been really good for hiding the clutter as well.
Can you learn the way to pick the how to clean pillows? The window at the bedding can help sunshine get into the space . Not infrequently, windows may also be quite a excellent air circulation path from the bedding. However, that does not signify the window must be authorized to expose the room all of the time right? Hence we want a 2 pillows on bed to cover exactly the window. In order not to select the incorrect, below is some advice for selecting bedding drapes that have to be acknowledged. These tips are about everything that you must think about before selecting the drape. So, which really are the tips?
The following 2 pillows on bed is applying a feature of shine from the darkblue. To accompany you into the shadow, this really becomes the appropriate wall ribbon. Furthermore, it stays amazing with all the decal of shine from the dark. The sticker can be purchased at several layouts and charges. You can attach it on the wall without even ruining it. The sort of this decal is mostly used for adorning kids and toddlers' bedding. It will make them look more excited to live longer at the bedding. Those are some inspirations of all how to clean pillows that can be implemented.
Green is among many ideal how to clean pillows to produce it appear serene and calm. You will usually see that green is an calm color. It's acceptable for those who paint your bedding green. Pastel green is a dream land coloring. It is appropriate for a room with flowery motifs and wooden elements. For those who have a conventional bedding, soft green is fantastic for the bedding. The acceptable darkish is fairly effective to reveal off engraving details on the wall. This creates a joy in the nighttime . But if you'd like green however require a sterile belief, you'll be able to select coral springgreen. It's a huge blend of this product bed pillows.
Gallery for Pillows On Bed
How To Clean Pillows
Decorative Pillows
DIY Pillow Bed Tutorial
How To Display Pillows On Your Bed Oh Decor
Bed Pillows
How To Arrange Euro Shams On Your Bed For Perfect Bedding
20 Inspiring Decorating Ideas With Pillows
6 Bedroom Pillow Arranging Tricks To Try HGTV
How You Can Effortlessly Update Your Home In Minutes With
Feather Down Pillow Westin Hotel Store
Pillow Talk Yep You Can and Should Clean Them
How To Make Your Blow Up Bed More Comfortable Our Top 7 Tips
How To Arrange Pillows On A Bed For Comfort 5 Ideas For
Pretty Dubs 1 WAYS TO ARRANGE BED PILLOWS
Home Design Ideas Bed Pillows For Cozy Bedroom Ideas
FileHK SW Hollywood Road Police HQ Art Demo 12 2009 Bed
Bed Pillow Sizes Guide Pacific Coast Bedding
How To Arrange Bed Pillows On King Bed 5 Guides To Follow
Bed Pillow Arrangements Whats Your Number
How To Arrange Pillows On A Cal King Bed 5 Guides For
12 Ways To Arrange Pillows On A Bed
50 Decorative King And Queen Bed Pillow Arrangements
Bedroom Essentials 11 Items To Lose For A Good Nights
How To Arrange Bed Pillows Pillow Talk
Throw Pillows For Bed Inspire Me
Pillow Talk Choosing A Pillow For The Best Nights Sleep
Is Our BIG Pillow The Best Pillow For You Good Sleep Expert


text:
Known Broker Issues
Included here are the known issues we have faced with some specific online brokers, as well as with all brokers as a whole. Our team is always in the process of improving the synchronizing feature and adding more brokers to our list.
Known issues with all Brokers
Data Capture
When you initially synchronize your broker account, we try to gather as much information as possible, so we can accurately track these positions in TradeStops.
We do, however, have some brokers that do not provide us some of this data. The reasons include:
- All of the information is not located on the same page within your broker account.
- The position was purchased more than 30 days ago.
- Data is returned in a format that is challenging for our program to read.
Entry Date, especially for positions purchased more than 30 days ago, may not transfer on the initial import of your account. You will need to add this information manually.
- Newly purchased positions, imported during our daily updates, should pull over the entry date successfully, but this is not always the case.
Options data such as expiration month, strike price, and call/put status can sometimes be missing for synchronized options from certain brokers. This data is required to display your option symbol correctly. If we do not acquire this information, your option will initially appear with just the underlying symbol in the symbol field.
- By clicking the symbol, or the "enter data" links, you will be able to manually enter missing data to save your full option symbol correctly. Please review the steps in the article Known Broker Issues.
Required Columns
Almost all columns are customizable at brokerages. If you choose to exclude some columns, it may cause us data issues. Please include the columns below at your brokerage.
For Stocks and US Mutual Funds:
- Symbol, Quantity, Value, Description, Price, and Cost Basis
For Options:
- Symbol, Quantity, Strike Price, Expiration Date, Option Type, Value, Description, and Cost Basis
Security Token using a One Time Password
Some Brokers offer an additional layer of security using a one-time password or dynamic security code in addition to your username and password. This may be a cell phone app or a portable device with a code that will update regularly every 30 seconds or so.
Common brokers that may offer this feature include Fidelity, Charles Schwab, Vanguard, and Wells Fargo, but many brokers will have this feature as an optional security method.
At this time, our broker synchronization feature does support these devices in beta testing format.
If you would like to use the synchronization feature with a security token, you will need to enter the token data when you sync with us. If you have questions, please contact us at [email protected]
Interactive Brokers
At this time, we are offering limited synchronization with Interactive Brokers by special request only. If you would like to have your Interactive Brokers account imported, please send us an email at [email protected]
Because of Interactive Broker's complex security set up, there are a few things to consider before you decide to import your account:
- We support 2 of Interactive Broker's security measures.
- The security method called "Security Code Card" (or CAPTCHA) – where you will see a fuzzy picture of 2 numbers that correspond to 3 digit codes on a card you possess.
- The security method called "IB Key" – where you use your IBKR account via the mobile app.
- The daily refresh of this broker is not automatic, so you will need to update credentials each time you'd like to refresh your data. This is done by clicking the pencil icon from your Portfolios tab, then on 'update credentials'.
- The process of updating credentials has been showing some "time-out" issues for many customers, due to latency that our data provider has experienced on the broker site. You may have to update credentials several times to get it to update successfully.
If you continue to have trouble with the update process for Interactive Brokers, please send us an email at [email protected]
Wells Fargo
From time to time while you are conducting your online or mobile banking, Wells Fargo will determine that a particular transaction, a change to an account, or access to certain sensitive information will require a special access code before the action is allowed.
- You'll be able to select which phone(s) will receive the code, and whether you'd like a text message or a phone call.
- You will then be prompted to click a button to request an access code from Wells Fargo.
- You will then receive your access code as an SMS text message or via a phone call on your phone(s). You then enter and submit the code where indicated.
How to access Wells Fargo Multifactor Authorization screen:
- Log on to your Wells Fargo account.
- Go to account services.
- Select the "manage advanced access" link.
TD Ameritrade
On February 26 Scottrade was merged into TD Ameritrade. On Friday February 23rd Scottrade portfolios were converted to manual portfolios in TradeStops. In order to have your portfolios synchronized once again you will need to import them from TD Ameritrade. You will be able to import your new Ameritrade accounts starting on Monday, February 26, 2018.
To prevent duplicating your positions and alerts, any remaining open positions you held in your Scottrade Portfolio(s) can be manually deleted once you have imported your new accounts from Ameritrade.
TD Ameritrade and ThinkOrSwim
If you have only one account (portfolio) with ThinkOrSwim, please synchronize with ThinkOrSwim.
If you have more than one account (portfolio) with ThinkOrSwim, please synchronize with TD Ameritade.
If you only want to sync with ThinkOrSwim, please create different credentials for each account (portfolio). You will then import each portfolio individually with the unique credentials.
TD Waterhouse Canada (AKA TD Direct Investing Canada)
When you synchronize with TD Waterhouse Canada, some Canadian positions may come through as American positions. If this is the case, please contact our customer success team. They will be able to edit the position for you.
Also, please keep in mind that we do not support EasyWeb for TD Waterhouse Canada. We do support WebBroker. To determine which you use, please see the photo below. WebBroker is highlighted.
Merrill Edge/Merrill Lynch
Our data provider is unable to obtain the Cost Basis from the Merrill Edge/Merrill Lynch brokerage platform, so we are not able to show your entry prices or entry dates for synchronized positions from this broker. These can be manually entered.
Because we do not receive the transaction history, your positions will be red flagged when you close them at your brokerage. You will have to manually close these positions.
Our data provider is unable to obtain some of your options data from Questrade, as their broker platform in many cases does not display complete options data. You may find that your option expiration date, strike price and option type (call or put) is not brought over during synchronization. These fields can be added manually by following the steps in our "How to manage synchronized options" article.
Capital One Investing
On November 5th, 2018 Capital One merged into E*Trade. On November 19, 2018 Capital One portfolios were converted to manual portfolios in TradeStops. In order to have your portfolios synchronized once again, you will need to import them using our E*Trade link.
To prevent duplicating your positions and alerts, any remaining open positions held in your Capital One Portfolio(s) can be manually deleted once you have imported your new accounts from E*Trade.
Morgan Stanley
This brokerage employs a token feature for its users. Due to this token, we will often see time out errors when it comes to synchronization.
If you receive a time out error message, please just try entering your credentials again.
If the error does not resolve itself, please contact our customer success team.
Ally Invest
Our data provider does not offer synchronization with Ally Invest. We are looking into alternative ways of synchronizing with this broker, so we may offer them in the future.
If you don't see your broker on this list and are experiencing a problem with synchronizing some or all of your data, please get in touch with our customer success team.