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Sure Slowpoke, I did respond to them.
Hi Monica-
I was looking up some things about the Emmental, which brought to my attention that there are some nice distractions in Trubschachen. I'd certainly not want you to miss your bus(es), but I thought I'd mention them, in case there was a gap in your busy schedule that day.:
The commune ( die Gemeinde) of Trubschachen has a nice website, unfortunately, not in English.
However, the pictures on the hjome page are nice, and some of it is easy to understand.
"Unser Dorf" means Our Village
Under Leben und Arbeiten (Life and Work) you can find:
www.trubschachen.ch/le ben-arbeiten/grundversorgu ng/gastronomie-hotellerie/
( gastronomy and hotels).
One of the inns pictured there is the well known "Bären", dating back to the 1400's, maybe earlier:.
Unfortunately, they say:
Mittwoch und Donnerstag ganzer Tag geschlossen">>
"Quietdays - Wednesday and Thursday, closed the entire day."
There is a huge factory that makes cookies...Kambly. They have tours, etc., (The Kambly Experience) which won't fit your schedule, but, you'll probably find the packages in stores all over Switzerland. Some of their products are available in the small cafe near the Folk Museum ( das Heimatmuseum), which has a cafe, a show ceramics "factory" (die Schautöpferei) and shop, and the museum.
Once again, the website is not in English.
The museum was built in 1783, as an outbuilding, and there are two or three pictures if you click on "Heimatmuseum."
.I mention it because of your interest in local/rural culture. I would not make a trip there specifically to see it, but, it is worth the short walk from the station if you have some time to spare. ( Unlikely, I'd guess, but, you never know.)
This map shows the location, relative to the station:
Just FYI....
Hi Slowpoke
That was so very thoughtful of you, as always, to have kept my interest in mind. I was able to translate those websites into English and simply loved that place.
I will be in Trub on Wednesday, 11th Sept, and as you mentioned that the Bären will have its quiet days on Wednesday and Thursday so I'll miss experiencing this historical place.
I will try my utmost best to visit Kambly or the museum since they are so close to the station. Thanks for the map.
<<"I will try my utmost best to visit Kambly">>
I'd pick the museum. Somehow, I don't put visiting a cookie factory - even if it is a Swiss cookie factory - high on my priority list for a first trip to Switzerland, unless I have a young child with me. I just mentioned it so you'll know what it is.
www.kambly.com/en/676/ Products.htm
Sure Slowpoke, I'll take your suggestion on board regarding the museum. Deep down I think I too knew it'd be the museum, thank you for confirming it for me.
Hi Swiss11. I too am a single lady from Canada who will be travelling through Switzerland in Sept. 2019. I'm still in the planning stages and like yourself, am overwhelmed with all the details. I have to be in Budapest in October to hook up with a river cruise and therefore plan to travel through Austria as well. I will be flying into either Zurich or Geneva depending on the cost and convenience of the flight but it is looking like Zurich will be my choice and I think Tuesdays seem to be the cheapest day to fly. Not sure how the Swiss franc compares to your Australia dollar but for a Canadian, my dollar is only worth about sixty cents making Switzerland very expensive for me. However, at any cost, Switzerland has been a life long dream and I am going anyway. I have found decent accommodations there are so high for a single person and so much cheaper for 2 people sharing. Wouldn't it Be exciting if we met at the airport and travelled together? I, like you, am only requiring something clean and simple and yes, with a roof too. If you're interested in this arrangement, we could share our personal emails to exchange details. I have already done a lot of research on the country and am a wealth of information as far as sightseeing goes. If you are more interested in travelling alone, I understand and wish you an exciting time in Switzerland. Maybe we'll meet there anyway. Wouldn't that be something? Cheers and happy travels.
Hi Cathy60 -
Welcome to My Swiss Alps.
For a lot of good reasons, we ask people to start a new thread when they first post.
From the Forum Rules:
www.myswissalps.com/fo rum/rules
<<"You can either create a new thread or add a post to an existing thread. In most cases, creating a new thread is best if you want to ask a question. Post to an existing thread if you can answer a question posted there, or if your question is very close related to the discussion.">>
It makes it a lot easier to find in the future, especially if you are adding to a very long thread.
<<"Your posts can be read by everyone, so do not post private data of yourself or others. (e.g. e-mail addresses and phone numbers);">>
However, the Forum does not make it easy to respond to a particular person, as do some forums, so I guess that the only way to set up a conversation is what you have done. Perhaps the moderators have a suggestion.....
<<" I have found decent accommodations there are so high for a single person and so much cheaper for 2 people sharing.">>
Many but not all Swiss accommodations charge by the person, not by the room. In part, this is because room costs usually include breakfast, and, many inns have a variety of facilities that might be used by a guest.
Hostels in Switzerland are very clean, generally quite nice, and constantly get good reviews. They are not just for "Youth."
You might check this link, as well as the listings under the name of a specific town in that section of the forum:
www.myswissalps.com/ac commodation
Hi Cathy60
Good to know that you too are fulfilling your dreams. I'm a very independent person and irrespective of my fears of travelling alone, I love my own company and with all my due respect to you, I would like to travel on my own. I don't like sharing accommodations, had to live in dormitories for 17 years whilst completing my education and sacrificed every bit of myself when I was married for 21 years but now I don't mind splurging on myself. I deserve the very best for what I have experienced. I try my level best now to throw myself out of my comfort zone all the time so that I am able to befriend all my fears. It's tough but worth it.
I wish you all the very best for your travels. Take care and stay blessed!
Hi Cathy -
There are some good suggestions for inexpensive lodging in this excellent trip report:
www.myswissalps.com/fo rum/topic/a-perfect-first-trip-in-early-october
Thank you for responding to my email and I thoroughly understand. I can almost share the same story. Hope you really enjoy your travels and stay safe and blessed. Cathy60
Hi Monica,
I re-opened this thread on your request so you can post again.
Hope you're good. It's been pretty busy for me both professionally and also at the personal front. Dad wasn't keeping too well so went to visit him in India for about 10 days. It's hard to witness parents' frailty and our helplessness to be with them in their hour of need.
I was going through our notes and felt I'll need your guidance to plan my days in Wengen. I will arrive in Zurich on the afternoon of 8th Sept and would reach Hotel Bellevue in Wengen late in the evening. I'll need to plan for 9th and 10th Sept.
Keeping in view the jetlag, I don't know how much hiking I'd be up for on the 9th Sept. You had recommended the Männlichen to Kleine Scheidegg trek in one of your posts. I could walk from Wengen to Kleine Scheidegg and if I'm too tired as Kim mentioned in her document, I could "chicken out" and take the gondola to Mannlichen.
Would you recommend that I trek from Lauterbrunnen to Stechelberg and then perhaps to Murren on the 10th or would you recommend something else?
Look forward to your suggestions.
Kind Regards
I and my family have watched our elders decline. It is harder when you are thousands of miles away, than for us, when our families here were/are a few hours apart, but it is always hard.
And, if they find the cultural changes occurring in India, and the issues arrising in Modi's campaign, to be meaningful for them, it is even harder to be away from them.
Without time at the moment for a thoughtful answer, I'll simply say that ...with your constraints... I'd definitely take the cableway to Männlichen and walk to KS on your first day.
At KS, you can assess your energy level and make choices.
Thank you for your kind words, it's always hard to see our parents and loved ones deteriorate. It's a reminder at the same time to take full responsibility of our own life and to step up on the plate of maturity.
Would love to hear from you when you have more time. Thanks for your suggestion about KS.
Hi Arno
I'm sorry I thought I'd thanked you for reopening my thread, my bad!
Thank you so much, appreciate your endeavour.
Hi everyone,
This thread is open again as more information will follow.
Hi Monica-
I just got back from a couple of weeks in Switzerland, and stayed at the two inns we have discussed for your trip.
I am posting my quite favorable comments in the accommodations section of the Forum, where they will be more obvious for future users. I'll first do the one in the Emmental - Bären Ranflüh, and then the Engel in Sachseln in a second later post in Accommodations.
I was quite pleased with both of them. However, the Bären in Ranflüh was a wonderful and special surprise.
I'll note that room #9, in the front on the street side, where I stayed, has those nice views across the valley and across the street and is worth asking for.
Also, in a previous post, I cautioned about not missing the last bus to Ranflüh at 1846, if you visited Trub and returned via Trubschachen. I fact, there is train service fom Trubschchen to Zollbruck, about 1 km from Ranflüh, at 1914 and 2014, via change at Langnau, taking about 30 minutes to Zollbruck. The walk , from Zollbruck station, although uphill by about 10 meters or so, is only slightly more than 1 km.
If you have to or wish to resort too that, and are not too tired after a long day, that is another option for you. Even with light baggage, it would be fairly easy. It does ofer a safety factor if you miss the 1846 bus
Here is the first link, about the Bären Ranflüh.
www.myswissalps.com/fo rum/topic/a-particularly-nice-small-inn-in-the-emmental
I'm working on another post about the other inn we discussed....Gasthof Engel, in Sachseln.
I'll post it in accommodations.
It was lovely to hear from you and I was really touched that you thought of getting back to me about the inns. Past six months have been so exhausting and I'm hanging by the thread for two more days before we have a 2-week break from school here. Your post brings back the excitement that awaits in September! I'll be revisiting your plans in the next two weeks, during my break, to work on the minute details of the trip. I'm so grateful to each one of you on the forum, and especially to you, for all the guidance for this trip.
Glad to hear that you are keeping busy.
I was relieved to find the "escape hatch" that I described via train to Zollbruck, because your Emmental excursion will rely on careful timing and heavy use of the buses to do all that you want and yet not end the day with no way to get to your inn.
You will love the inn in Ranflüh. You will appreciate the inn in Sachseln.
Quickly search our entire website here. We have a lot to offer!
All you need to know about traveling by train, bus or car in Switzerland.
Hand picked Swiss hotels and other accommodations are right here.


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Great, you are still there. How is it going? Don't worry if there are setbacks, that's normal.
Today, you will start to complete your journey to personal freedom.
"The fourth agreement is about the action of the first three: ALWAYS DO YOUR BEST"
When I read this for the first time, I was concerned that Ruiz wanted us readers to push ourselves constantly to our limits. Like a super athlete aiming for the gold medal at the next Olympics. But this is actually not the case.
I understand it basically as an appeal to a consistent application of the first three agreements. "As you build the habit of the four agreements, your best will become better than it used to be."
Ruiz lays emphasize on the fact that our best varies: "Everything is alive and changing all the time, so your best will sometimes be high quality, and other times it will be not as good."
I see today lots of people at work and in their free time acting like crazy to achieve certain goals which were actually set by other people. Ruiz encourages us not to do that, and I love the example he gives about the meditation in the Buddhist temple: "You are not here to sacrifice your joy or your life. You are here to live, to be happy, and to love."
"Doing your best is taking the action because you love it, not because you are expecting a reward. Most people do exactly the opposite."
"If you take action just for the sake of doing it, without expecting a reward, you will find that you enjoy every action you do. Rewards will come, but you are not attached to the reward. (…) Doing your best really doesn't feel like work because you enjoy whatever you are doing"
Have you ever experienced a time when you were driven? When you did something and you forgot about time? When you couldn't wait to get up in the morning to start doing certain things?
Look deeper into these areas of your life, and you will find your destiny. Find out what you truly love doing, what you enjoy in your life, and what brings you happiness.
"You were born with the right to be happy. You were born with the right to love, to enjoy and to share your love. You are alive, so take your life and enjoy it."
For me one of the essential aspects in this chapter is "Say no when you want to say no, and yes when you want to say yes. (…) You have the right to be you. You don't need the acceptance of others. You express your own divinity by being alive and by loving yourself and others."
Think about this the next time when you have to make a decision. Think about what it is that YOU truly want. And think about how many times you find others or maybe yourself saying yes because someone else wants you to say yes – but not you yourself. Feel encouraged to say what you have to say. Each time you do this, you will gain more strength and become more powerful.
"The Four Agreements are a summary of the masteries of the Toltec. You transform hell into heaven."
It's in your hands to become a peaceful warrior of the Toltec way. It is up to you to take the conscious decision to transform your life into what you want it to be. You can contribute to transform the world around you. Or you decide to stay in hell.
I appreciate if you share your experience, either here in the comment section or in a personal note. I am curious to get to know the experience other people make with The Four Agreements. The little book with it's merely 140 pages had a massive impact on my life, and I highly recommend studying it rather than just reading a few posts on this blog.
Let me close by giving you something to ponder:
"To be alive is the biggest fear humans have. Death is not the biggest fear we have; our biggest fear is taking the risk to be alive – the risk to be alive and express who we really are."


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Cecilian Celebration: a Triumphant Boyce Revival
Reprinted from Fanfare Magazine (USA), September/October 2000 ©:
Cecilian Celebration: a Triumphant Boyce Revival BY BRIAN ROBINS
For those of us who have long trumpeted the merits of the man who is arguably England's greatest 18th-century composer, the news that ASV is to devote a series of recordings to William Boyce is cause for rejoicing indeed. Too long known for little more than his eight bright and breezy symphonies (themselves overtures to larger-scale works), Boyce demands and deserves far greater attention. Certainly, no one familiar with the splendid Hyperion recording of one of his masterpieces, the Serenata Solomon, is likely to argue with such a sentiment. For the new series, at present planned to run to four discs, we have the enthusiasm of the young British conductor Graham Lea-Cox to thank. Not only will Lea-Cox be the conductor throughout, but he is also responsible for preparing the editions used for the recordings. I gave an enthusiastic welcome to the first disc, the premiere recording of The Secular Masque in 22: I, not realizing at the time that it was more than a one-off (truth to tell, I'm not sure anyone did).
I tracked down Lea-Cox while he was making an extended visit to Italy, from where he agreed to talk about the project and the new recording. I first asked him how he had initially become interested in so neglected a figure as Boyce. He explained that it had been a process that had several stages, starting during his teens when he had a Karajan LP recording of the eight symphonies. "For all its faults stylistically, it was amazing. I practically wore it out." Later Lea-Cox became a chorister at Christ Church, Oxford, where, as he puts it, "we sang little bits of the sacred music here and there. He sort of lurked in my mind for some years." The early 90s found him working on 18th-century manuscripts for the Drottningholm Opera in Sweden, an experience that left him with an insatiable appetite for trawling through unknown manuscripts. "1 came across The Secular Masque at the Royal College of Music, and became absolutely captivated by it-it was just stunning. I remember the thrill when I got paper copies from the Royal College, and sat in a London square going through the score. From there I went on to read through all the manuscripts at the Bodleian Library in Oxford-the royal odes and so on. It soon became clear that this stuff was extraordinary and, of course, completely unknown except for a few scholars shouting to the wind that someone ought to be doing something about it. So I figured that somebody really should be doing something practical. We started with The Secular Masque, and I was very fortunate to have connections with a trust in London [The Spear Charitable Trust] to facilitate the project, because as you know such things are expensive, and record companies don't take them on lightly these days. But along with the Hanover Band Trust and ASV they took it on, probably because my enthusiasm was so great that I managed to wind them up too! So we did that and, because they are so little known, I wanted to do some of the earlier works like the two St. Cecilia Odes. I've just received the first edit of David's Lamentation over Saul and Jonathan, which IS the most incredibly moving piece. It's a very sensitive adaptation of the scriptures by John Lockman, the librettist of the present Ode. That will be issued in September on the third disc, which will also include the other Ode for St. Cecilia, a small but wonderfully joyous piece that is quite different to the Lockman setting."
Despite the wise words of the historian Charles Burney, in whose opinion Boyce was one of the few English composers who had neither "pillaged nor servilely imitated" Handel, posterity continued to view him as some kind of Handel clone. I asked Lea-Cox how he would answer such a charge. "It's simple ignorance, because people don't know his output. You just have to know his story .He was a generation younger than Handel, and of course in that situation nobody can entirely avoid influence. Boyce was a young 20-something-year-old who was hoping to obtain a royal appointment-any appointment at that stage, although he had the patronage of [Maurice] Greene and the Apollo Society. Handel was clearly the most successful and dominating figure on the scene. Therefore, a young composer who has political savvy in addition to being extremely talented is going to capitalize on something that is already extremely popular. Having said that, I think he has a voice of his own which is obviously from the High Baroque stable; but on the other hand you suddenly come across moments which you would swear are years ahead of their time. Formally he experiments with different structures; he's clearly aware of the changing tastes that took place during the 1740s, while keeping his feet firmly within the cathedral tradition, although he toyed with the stage. But The Secular Masque is an extraordinary piece, because Boyce took an exceptionally dense allegory by Dryden, and did much the same with the music.
The St. Cecilia Ode, on the other hand, is much more expansive. In that he gave more rein to looser structures which match Lockman's less-well constructed poetry." The text in fact is admirably suited to the purpose, offering many opportunities for colorful musical effects. As I pointed out to Lea-Cox, it is an accepted truism that the best poetry is not always the best servant of music. "Indeed. It's a very attractive piece of writing. I think the interesting thing about it is that he brought in so much of what was going on the world around him-scientific discovery, politics, and so on. By the way, there has been some comment on the fact that I made a distinction between alto and countertenor on this recording. I did it deliberately because John Church, who originally sang the part in the Dublin version we used for the recording, was a high tenor with an extraordinary range. It appears from the writing that Church must have had a voice that was even across the range, extending to at least a high E. I trawled the world to find such a voice, and there's one Australian by the name of Christopher Jones, but he wasn't available for the recording, so I ended up using two voices that I hoped would be sufficiently distinctive. "We're hoping to develop awareness of Boyce further with the last disc we're doing in September. That's going to be devoted to the Pindaric Ode 'Music rules the world above"], and one of the late royal odes. I particularly wanted to do something late, because the other pieces we've done are all early works. Those pieces will show us that the man didn't become a complete fossil although he did to some extent withdraw from the new movement, partly because he became profoundly deaf but also, I think, because he became profoundly disenchanted with all the political stuff going on in the theater with Arne and Garrick. He had got his royal appointment, and it is ; shame that he then spent the next 25 years writing occasional works that he knew were probably never going to be heard again-and, it has to be added, were probably not heard much at the time because even though the king and his retinue were in the room when these odes were played, I don' suppose they were quiet!"
BOYCE Ode for St CecIlia's Day. Graham Lea-Cox, cond; Patrick Burrowes (sop); William Purefoy (alt), Andrew Watts (ct); Richard Edgar-Wilson (ten); Michael George (bass); Ch of New College. Oxford Hanover Band (period instruments) .ASV CD GAU 200 (77:55)
In the wake of Scottish and Welsh devolution, considerable debate has arisen on this side of the Atlantic as to the nature of "Englishness." Authors and TV journalists have tramped the length an breadth of Britain in an attempt to find answers to this apparently complex question. I could provide them with a simple answer, although I fear few of them would understand it. It runs to five words: the music of William Boyce. Why? Because its robust boldness, breezy open textures, clarity, and direct melodic appeal somehow encapsulate the best (perhaps idealized) kind of "Englishness" with a concision unmatched by any amount of arcane philosophizing.
Those qualities and more are in plentiful evidence in the setting of Lockman's Ode for St. Cecilia's Day, composed for the Society of Apollo and St. Paul's Cathedral Choir in 1739. The following year the 29-year-old Boyce was offered the opportunity to present the work in Dublin, where it was a great success, subsequently remaining in the repertoire of the city's Philharmonic Society for some years. For the Dublin performance, the composer made some alterations to suit the needs of the soloists, interestingly the same singers who would be responsible for the premiere of Handel's Messiah just over a year later. It is this Dublin version on which Lea-Cox has based his performing edition.
The Ode is divided into two parts, each prefaced by its own overture. The three-movement piece that heads the work will be recognizable to those familiar with the symphonies as No.5 in D, while the splendid French overture that opens Part II was also included on the earlier disc as a fill- up. The chorus is restricted to the opening and closing vocal movements of each half, the contrast between the bounding extroversion of No. 2, "See fam'd Apollo" (Part I), and the more serious, solid mood of "Hail harmony," pointing up the change of emphasis effected in Part II. Here the text moves from the earlier celebration of the muses and Platonic love through to contemplation of the divine power of music to conclude with the voice of the saint herself urging the rejection of all but sacred love. Not the least remarkable feature of the solo sections is Boyce's handling of accompanied recitative, among which the "Mortal's in hymns of tuneful joy" (Part II) is particularly noteworthy not only for its length but also for the composer's response to the colorful character study of an array of varying instruments. The succeeding alto aria, "Music, gently soothing power," brings another highlight, the gracious lines of its outer section a supreme example of Boyce's ability to write instantly memorable tunes, while the contrasted central section broadens into a highly expressive climax. This recitative and aria, incidentally, elicit some of the most sensitive singing from Lea-Cox's countertenor/alto conjunction, although the voices of William Purefoy and Andrew Watts to my mind fail to provide the distinction of vocal timbre he was seeking.
The greatest single asset of the performance is unquestionably the communication of Lea- Cox's evident commitment and love for this music to his performers. As with The Secular Ode, : there is a sense of burning missionary zeal here that far outweighs any minor imperfections and rough edges (both choir and orchestra have one or two less than tidy moments). The soloists are all } accomplished, with Michael George in splendidly stentorian form in his martial aria "The hero whom a fair one fires," and treble Patrick Burrowes singing the words of the saint with tonal security and confidence. The sound could ideally have been a little more open, but allows the performance to make its full impact, the final chorus being resplendently reproduced. For Boyceans this issue is likely to prove not just a joyous event but a revelation, unveiling as it does the full glory of a work hidden away from its potential admirers for two and half centuries. Bravo to all concerned with this brave venture.
Fanfare September/October 2000


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/shrug, don't GAF. Just clarifying what I think WJ meant.[nt].....
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Self Help
By pramalkumarsamanta, 24th May 2016 | Follow this author
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Posted in WikinutHealthMind & SpiritSelf Help
Self Help is the inner strength of the body and mind of oneself to face the challenges encountered in life. Self Help makes the man self confident to overcome the difficulties faced in life without the help of others. A man can not prosper in life if he or she does not follow the principle of self Help on his or her own way.
Everybody wants success but not all achieve it. Success depends on his own strength but not on others. One who depends on his self interest to get the works done is self sufficient in mind and spirit. One of the reasons is that there are men who do not exert themselves, but depend on others . But self interest is the best incentive to work if this interest does not prompt us to do our own works for our own good, we cannot expect others to sacrifice their interests to bring that good to us. Moreover , a work done for others is not generally done so well as a work done by a person himself. Besides , dependence on others destroys self confidence and does not allow the faculties to develop .The result is that we fail in life. So the Self Help is the essential attribute in life to achieve success. Without it man can not proceed further in life. This attribute should be cultivated since school days. The school children should be motivated in such a way that they should not wait for their works done by others. It is needless to say that God helps those who help themselves. They should be given proper training so that they follow the principle of developing their self interest. to do the works. Thus they develop their self confidence to face the challenges in life. It goes without saying that those who do not follow the principle of self help are very lazy and ruin their career and does not achieve success in life .It is hard fact that there is none who can help him achieve success without his own efforts.
Why is self help so important in life?
Self help makes the man industrious in life. An industrious man knows how to achieve success without waiting for any body's help. Sustained effort to get the works done is the only motto. It may be safely said that a lazy man cannot prosper in life. He will falter and fail to the ground. He can not aspire for a glorious life. in future. Self help is the good habit to be cultivated in life so that he may pick up the right thread . Initially he may be puzzled and confused that he may not be able to finish the job. If somebody comes and helps him to steer clear the hurdles. Now he has to devote his own energy and efforts to overcome the difficulties. In this world it is very difficult to attain success in any field. Success can be achieved only by pursuing one's aim with steady application and indomitable courage , and without losing heart at failures. It is often seen that one success promptly and easily leads to another. When somebody acquires in any field of life and earns a name,,his progress in general,or success in life in all its various spheres,comes as a matter of course This holds good for men and women in all professions. It has to be borne in mind that success in life is not accidental .It can only be achieved through hard labour perseverance and resolution .
A well known story of Hercules and the carter gives us lesson of Self Help. A cart got stuck up in mud. When the bullocks failed to drag it out ,the carter prayed to Hercules for help. The God came ,but instead of doing anything himself , He told the carter to put his shoulder to the wheel . This was done and the cart moved on. Indeed no God or Goddess will come to our help if we do not help ourselves.


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For this artsy Saturday, I want to give you a taste of Spring. This picture was taken about a year ago at the Prophetstown State Park here in Indiana. It is beautiful to me because of its simplicity…
For this artsy Saturday, I want to give you a taste of Spring. This picture was taken about a year ago at the Prophetstown State Park here in Indiana. It is beautiful to me because of its simplicity…
For this artsy Saturday, I want to take simplicity to the edge. This is a picture of a floor in one of the sites I visited this summer uRV trips. I guess it is considered a parquet floor but I don't think I have ever encountered one like it. Being a woodworking guy it just fascinated me. For those who don't know what they are looking at, it is an end view of the 2×6 boards.
I thought I would make this post the epitome of simplicity. What 19th or early 20th century home could live without a 25 lb can of lard. If 25 lbs is not enough how about an 80 lb can? It goes really good on crackers I hear. I just love taking pictures of old time containers, these were found in Madison Indiana a few years ago.
I came across a blog site (The Drabble) the other day that spoke to my heart. Actually the site came across me by "liking" one of my very short posts. The words simple, yet evocative pieces that capture what it means to be human described the purpose of the site. Simple yet evocative says it all for me. It is hard to do both but when it is done successfully it is genius and many of the posts I reviewed on that blog did just that.
I have been on a "Simplicity" binge for about 5 years now. For me at least, life is just getting too complicated even in my retirement years. Everyone seems to be on a razor's edge now and can't see much joy in life. Since this is the only go-around we have if you waste your life with worry and fear it is indeed wasted and gone forever. It is definitely time for simplicity in my, and most others' lives.
Getting back to the theme of this post. Simple yet evocative, is something that is very difficult to do. One of my favorite sayings is from a folk singer legend Pete Seeger:
Any damn fool can get complicated. It takes a genius to obtain simplicity.
It is easy to make things complicated. Just look at all those yahoos inside the Washington DC beltway for evidence of that. We need folks who can take complicated and give us simple answers. That is what most of those who voted for the current president were hoping for but the rest of us knew he was just too flawed to actually live up to any of his hyper rhetoric.
We also need simplicity from ourselves. Your life is not really as complicated as you think it is. Millions and millions of people have faced the same struggles as you are and still found joy and happiness and that is what I personally intend to do for my remaining years.
I naively think I will take a serious crack at Simple yet evocative here on RJsCorner. I think that melds very well with my desire to write some prose. Simple yet evocative is difficult to achieve but I think I am up to it. How about you??
I loved the quote in the title above when I came across it recently on the CNN Channel's GPS. Too many people want easy-to-understand answers to all the problems around them. So when someone comes along and tells them that the solution to gross wealth inequity is to build a wall around the country they jump on board. When someone tells them that the answer to terrorism is to ban all Muslims and deport those citizens who don't take a loyalty test They say "yeah, yeah". In my mind the people who do that are just too lazy to take the time to understand the complexity of the issues. "Get rid of immigrants and all the jobs will come back." "Ban Muslims and there will be no terrorists in the good ole USA". HELL YEAH!!!
I have made it known several time on this blog recently that simplicity is one of my current goals in life. To lead a simple life free of stuff is the central part of it. But there is a difference between trying to simplify your life and thinking everything has simple answers. There are unknown connections between many things in life that make "simple" answers almost impossible.
A long time ago on PBS there was a series called Connections hosted by David Suzuki. It showed how many diverse things were connected in this world. It seems that almost everything interrelates with everything else. Nothing is isolated onto itself. The answer to wealth opportunity inequity requires serious contemplations and attacks. A big part of it is simply perception.
The appeal of simplicity in a complex world is enticing indeed…
The last few years the concept of simplicity has been a major theme for me. I have spent much of the last year decluttering my life and all the stuff I have unnecessarily collected. That included a closet of clothes never worn in several years and a 30×60 foot barn with decades worth of accumulated junk.
For some reason I now find it much more satisfying to live a cleaner life without so much stuff. I don't know if this is because I can see the end of the tunnel or if this has been a lifelong endeavor that is finally risen to the surface. Either way I am glad to welcome it into my world.
I searched out my photo library for what I think is the very idea of Simplify and came up with the following photo. Living simply does not mean living without beauty…


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No woman is an island – and boy, don't I know it! I couldn't do everything I do without the help of my fabulous team. Read on to meet the helping hands behind the scenes at Redefining Mom:
Hayley Rissler – Community Manager
Hayley is the Community Manager for Team Redefining Mom. She's obsessed with providing top-notch support to students of Redefining Mom's courses. Helping people is core to who she is, so it fills her bucket when she gets to see others overcome obstacles. This love of service stemmed from growing up in her family's cookie shop and lunch cafe -- which means she can bake a mean cookie! In her free time, she enjoys working on her DIY & decluttering blog, watching TV, true crime, and escaping the Arizona heat by heading up to the mountains with her husband, Andrew, and toddler, Griffin.
Theresa Baretta – Operations Director/Manager
Passionate and purposefully productive, Theresa helps Redefining Mom run like a fine-tuned engine. With 15+ years of experience through diverse areas of business, she simplifies and streamlines processes and manages the moving parts of operations to keep them effortlessly flowing. A travel-loving, mom-of-two, when she's not creating and dreaming about systems, you can find her reading a book or karaoke-ing to the 90's tunes of Mariah Carey and Celine Dion.
Kate Danielle – Graphic Designer
Kate helps Boss Ladies with blogs and online businesses look fab and chic online with her graphic design services, DIY design tools, and Canva trainings. Kate graduated from Georgia College with a Mass Communications degree and minor in photography. Her most important titles are wife to Chris (a fellow entrepreneur), mom to an amazingly spirited daughter, and spoiler to her collie. Kate functions with a coffee in hand, Harry Potter on her bookshelf and a good wi-fi signal.
Rob Froese – Chief Dad & Strategy Consultant
Rob has over a decade of experience building out alliances within the technology sector. He's bringing his considerable knowledge around new business models and execution to Redefining Mom to help take our affiliate program to new heights. Combining this experience with a 'from the sidelines' viewpoint has allowed him to bring a fresh perspective to Redefining Mom. In his spare time, Rob enjoys drinking coffee and playing vinyl records.


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After a busy 2017 at the Strategy, Projects and Change desk at Morgan McKinley, we are beginning to see the contract market heat up in financial services as we progress into the New Year. Instrumental in driving much of the project roles last year was the MiFID II programmes which saw a great deal of hiring in the regulatory space.
However, as MiFID II has reached the implementation stage at the turn of the year, we expect to see a very different 2018 for regulatory projects. Unsurprisingly, we have seen an initial wave of Brexit related hiring, yet somewhat less headline grabbing but still significant in the projects space will be the Securities Finance Transaction Regulation (SFTR).
SFTR is born out the European Commission's concern on high risk activities moving from the regulated banking entities in the EU into unregulated 'shadow banking' entities. In broad terms, SFT's involve any transaction whereby securities are used to borrow money – which in the banking system mostly involves repurchasing agreements, whereby the ownership of securities temporarily changes in return for cash.
Given the nature of SFT's and their change in ownership, the EU aim to enhance transparency and oversight of the exchanges in order to better enable regulators to monitor risks to the financial system. In practical terms, this means that banks are required to implement transaction reporting requirements for SFT's in a style similar to that of EMIR. It will also introduce limitations on the reuse of collateral, whereby collateral providers must be informed of the risks and consequences of its reuse by the receiver.
Given the prevalence of MiFID II recruitment in the regulatory contract market in 2018, we expect to see much of the contract headcount shifted internally to SFTR programmes within financial institutions. Therefore it is doubtful we will see hiring on the same kind of scale as we did with MiFID II last year – yet we still expect it to play a significant part in the regulatory space. Certainly, we anticipate that candidates with transaction reporting backgrounds, particularly with EMIR experience, will be of great value to SFTR programmes throughout financial services.
If you would like to register your interest for SFTR opportunities, please contact the Strategy, Projects and Change team at Morgan McKinley by emailing your CV to firstname.lastname@example.com or alternatively call 0207 092 0264.


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Group submits petitions to fight Portland redevelopment plan
Group wants question on November ballot
A group concerned about the direction of the development in Portland says it has collected enough signatures to place a question on the November ballot.
Members of Save the Soul of Portland submitted 2,500 signatures at City Hall Monday morning.
The group is worried about plans to redevelop the former Portland Company Complex, which was recently purchased by CPB2.
Members said they don't want to stop the development. Instead, they want changes to protect views of Portland Harbor.
"Our main problem with it is the height issue. We are trying to protect, what, a third of an acre of property out of prime 10-acre waterfront property," said Anne Rand, of Save the Soul of Portland.
CPB2 owner Jim Brady said the referendum could put the project in jeopardy.
"Soul of Portland's referendum will not only kill the 58 Fore Street project but other thoughtful development as well, and in a time of housing supply issues and budgetary shortfalls, this referendum is both short-sighted and detrimental to all of Portland's residents," Brady said.
Last month, the Portland City Council approved a zoning change to allow the redevelopment of the former Portland Company Complex.
The referendum seeks to change Portland's rezoning process.


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Even in today's modern times, there are people in Texas who are deputized to protect ranchers from cattle...
We are your resource for Hill Country travel, things to do, places to eat,
places to stay, tourism, events, lodging, and we feature Texas Hill Country info
of all manners. Our Texas Hill Country magazine is the fastest growing
Hill Country
Magazine, and our
Texas Hill Country Facebook page is growing by over 1,000 fans per
day! We also print a beautiful, one of a kind
Map Poster of The Hill Country. We are born and bred in The
Hill Country, and we welcome you to our family.
Copyright © 2008 - Crafted with <3 | Terms of Service & Privacy Policy


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| 11.5°C Dublin
AS if the sight of their club embroiled in a High Court battle to depose their reviled owners was not humiliation enough, Liverpool's fans now face the prospect of a takeover by Peter Lim, a Singaporean billionaire and Manchester United fan.
Lim, revealed yesterday as the second "excellent" bidder in the running to buy the club before Liverpool's board opted to accept a £300m offer from New England Sports Ventures (NESV), is ready to make an improved bid, though he is likely to come into play only should NESV pull out or the club be plunged into administration.
Regardless of the outcome of the Royal Bank of Scotland's (RBS) court case against Liverpool's current owners today, both of those scenarios remain plausible and Lim -- who believed he was in pole position to land the club until NESV improved its offer at the 11th hour -- has clearly not given up hope of gazumping his rivals. Should he do so, his background is likely to prove unpalatable to supporters of his new club.
In 2002, Lim's company, Rowsley, signed an agreement with FJ Benjamin -- another firm in which the former stock trader, who has a personal fortune of around £1bn, has invested -- to open a string of United-themed bars and clubs, the Reds Cafes, throughout the Far East.
The 57-year-old's substantial personal wealth, though, will provide some solace. Lim, the son of a fishmonger, shared his two-bed council flat with 11 other family members as a child, but excelled at Raffles Institution school and was educated in Perth, Australia, before emerging in the late 1980s as the 'King of the Remisiers', Singapore's stockbrokers.
It is thought he made as much as $100m in just six years.
It was in the 1990s, though, that he built his fortune, retiring to become a private investor and spending $10m on a 5pc stake in Wilmar, an Indonesian palm oil business, in 1991.
That investment is now believed to be worth around $700m, propelling Lim to seventh on Forbes' Singapore rich list.
He has interests in fashion, real estate, logistics and agri-tourism, as well as investments and expanding the Red Devils' brand across the globe, but he is famed in his homeland more for his divorce and his legal battle with Raffles, who he successfully sued for defamation, winning record damages on appeal.
He retains an intensely low profile, giving interviews only to highlight his considerable charitable donations.
Of more interest to Liverpool fans, though, will be what he considers to be good investment. "The trick is to think long-term," he said. "You buy a good stock, leave it there for 10 years. Come 10 years, this dollar can be many, many multiples."
Meanwhile, it emerged yesterday that Tom Hicks and George Gillett have technically been in default on their £237m loan to RBS since April, leaving the club's holding company vulnerable to being declared insolvent and tipped into administration at any time since.
Today's RBS action, scheduled to be heard before Mr Justice Floyd at the Royal Courts of Justice, is the first step in a two-stage process that Liverpool chairman Martin Broughton hopes will allow him to complete the sale to NESV.
At the heart of the issue is the constitution of the Liverpool board and whether Broughton's fellow non-owner directors have the right to agree to sell the club despite the objections of its majority shareholders.
Hicks and Gillett, who believe the NESV offer undervalues the club, tried to block the sale last week by attempting to sack non-owner directors Christian Purslow and Ian Ayre who, with Broughton, formed a majority in favour of the deal.
Broughton rejected the Americans' intervention and continued to an agreement with NESV, arguing that the co-owners were in breach of legally binding undertakings they gave to RBS as a condition of the extension of their financing agreement with the bank in April.
At that time, according to Broughton and RBS, the Americans agreed that the chairman had the power to appoint the board and that they would not stand in the way of any reasonable sale.
The strength of those undertakings will be tested today by RBS which, as the recipient of the undertakings, has to bring the case. Administration remains a possibility, but RBS's decision not to call in the co-owners' loans for several months emphasises their reluctance to push the club over the edge.
The repayment date for those loans remains Friday, however, and at some stage RBS may be forced to make a difficult decision they have thus far avoided. (© Daily Telegraph, London)
Irish Independent


text:
Contact Us
How can we help you?
Thank you!
Thank you for your interest in our Community. You will receive an e-mail confirmation shortly. Please Click Here to return to the home page.
Come visit us!
Cambridge Villas15711 Dessau Road
Pflugerville, TX 78660
Phone: 512-990-2348 Fax: 512-990-2318
Office Hours:
Mon-Fri: 8:30 AM-5:30 PM
Sat-Sun: Closed


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Why Modern Learning?
Traditional learning solutions fail to engage employees or close skill gaps. Modern learners need streams of bite-sized content that are easy to create, absorb, and access. Delivered using a "just for me" approach that reinforces each rep's knowledge, this content supports the informal, on-the-job learning necessary to master new concepts and put them into practice. That's why we built Allego.


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By Rebecca Huff, Senior Staff Writer
Miami's campus security makes it possible for students to study in a safe and peaceful environment.
"[We want] to make sure nobody breaks in or nobody is on campus that shouldn't be on campus," said Chris Baker, a security guard for the regional campuses.
Baker has three associates and is on his way to earning degrees in political science and history at Indiana University East. He has been working at Miami for the past year.
Campus security isn't all about looking for illegal parkers. They are responsible for securing campus buildings and handling disorderly conduct complaints.
"Some people yell obscenities at us, they yell at the professors and faculty, too," Baker said.
The disruptions have been so severe that campus security has had to escort the student perpetrators out of the building.
Despite all the hassle Baker goes through, he still finds the job rewarding.
"My favorite part is being outside and keeping people out of handicapped spaces that aren't supposed to be there and keeping traffic cleared," Baker said.
Campus security works around the clock, every day, including holidays.
"If we weren't here, [students] wouldn't know if someone was hiding in the buildings, if their cars were being broken into or stolen," Baker said.
Campus security does not have the power to arrest offenders, but, Baker said, the officers are crucial in keeping the campus and students safe.


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Blue Star
People need priorities in life. Which is why I am happy to hop aboard all of the latest fads. Did you hear about Hula Hoops? That was in 1958 you say? Guess I need to pay more attention.
"Let's go catch Pokémon," said my daughter Flannery.
"Why just one?" I said. "Why not Pokémons, Pokémen, Poképersons ...?"
"They're the same singular and plural," she said. "Few have genders."
For full story, pick up a copy of the July 30 Commercial Record or subscribe to the e-edition.


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2x3: Ouroboros
Alice, Nick and the rest of the group inspect the crashed plane. In the meantime, Strand and Madison have an argument about his destination.
Datos sobre el episodio y opinión
We do not have a review about this episode yet, but... You can collaborate by writing your own review! You can upload it by clicking here
Caution: the comments section is located below this text. It is impossible for us to moderate everything said by the users due to high traffic volume. Please, if you did not watch the episode yet, be careful with spoilers


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Douglas County is named for Stephen A Douglas, who was a United States Senator from Illinois.
Created: February 9, 1854
County Seat:
Superior 1854 – present
County Courthouse – Superior
Location: 1313 Belknap Street / Hammond Avenue
Built: 1918 – 1919
Style: Classical Revival
Architect: Royer & Radcliff
Contractor: Fleischer Construction Company
Description: The building faces south and is a gray colored stone three story rectangular structure. The building is constructed with Bedford blue cut stone and Pavanazza marble. On the first story the stone facing is horizontal with arched windows. Along the south front are eight stone columns rising from the second to third story. A wide stone trim surrounds the roof line.
County Administration – Superior
Location: 1409 Hammond Avenue / Belknap Street
Built: 2000 – 2003
Style: Modern
Architect: D C Architects
Contractor: Reuben Johnson & Son, Inc. and Lakehead Constructors, Inc.
Description: The building faces north and is a four story concrete and glass structure. The building is called the "Government Center" and is connected on the south side to the courthouse. There is a high center atrium with county offices on the east side and Superior City Hall offices on the west side. The north entrance is recessed and has a lerge glass section above the entrance. The roof line is flat.
N – Saint Louis County, Minnesota and Lake Superior
E – Bayfield County
S – Washburn County and Burnnett County
W – Pine County, Minnesota, Carlton County, Minnesota and Saint Louis County, Minnesota
Photos taken 2007 and 2010


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Tinker Hanwei Blunt Early Medieval Sword
This sword is part of a collaboration between Michael "Tinker" Pearce and CAS/Hanwei. Based on an Oakeshott type XII design typical of the 13th-14th century. Suitable for combat reenactment. Hand crafted from marquenched 5160 high carbon spring steel with a full tang and recessed pommel tensioning nut to allow a dismountable hilt. The blade is marquenched to 50-53 HRC with the tang drawn back to 30 HRC. Solid steel pommel and crossguard. The grip is leather over a cord wrapped hardwood. Complete with black leather wrapped wooden scabbard with metal tip and throat. Ships with a blunt edge. 38 1/8" overall with 31 3/8" blade. Handle is 6 7/8" long. Weighs around 2 pounds 8 ounces. The blade is 2 3/16" wide at the base. 3" from the point it is 13/16" wide. The balance point is 4 1/8" from the base of the blade. The center of percussion is 22" from the base of the blade. A sharp version of this sword is also available. Replacement blades are also available.


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It took me more than two years of applying, but late in the summer before my senior year of college KLWN AM hired me. I had applied for every job imaginable. I ended up with the Saturday afternoon air shift from 1 p.m. to 5 p.m. followed by the 6 a.m. to 1 p.m. air shift on Sunday mornings, the shift from hell.
The station was owned by the Booth family. The old man, Arden, was pretty salty. His only contribution was poetry that he would record and that we played from time to time. The segment was called "Poetic License." To say his contribution to the daily broadcasts were awful would be an understatement.
Then there was his son, Hank. He was the general manager and I think he hated the job. Max Rife, a former assistant principal at Lawrence High once described Hank as a block off the old chip. Hank was a rather large man while his father was slim and trim.
The one think Hank loved was doing play by play for Lawrence High football. I had worked in proximity to Hank's football broadcasts for the last three years while working for Sunflower Cablevision. Hank would turn manic during his play by play, sometimes thrashing about the press box like a deranged dog, shouting so loud into the microphone that a radio wasn't always a necessity to pick up the broadcast. He would cry and wail for his beloved Lawrence Lions.
The AM station was a money maker but the FM station, which played AOR, raked in the cash. You couldn't tell it by the station's decor. It was in pretty shabby condition. Amazingly when I returned to work at the station during my years as a grad student nothing had changed. Not even the carpet.
I worked with some wonderful people at KLWN. There was Bob Newton, the beleaguered operations manager, Dale Martens, an all round nice guy in the newsroom, and then there was "Big Blue" Bob Neu. Bob and I did Lawrence High basketball together. More on that in a moment. Our first sports broadcast we did was from atop a crow's nest overlooking the football field at Wamego. It was a high school playoff game pitting McLouth against Wamego. Bob was a big guy. The two of us had to climb a rickety ladder and crowd into the crow's nest with a coordinator from the McLouth football team. It was crowded, cold, and scary.
The basketball season was amazing because it was the first year that Bob Frederick, the late, great K.U. athletic director, coached the Lions. I've never seen a team work and hustle so hard. The team was the embodiment of scrappy. I had gotten to knew Frederick, running with him time to time. The last game Bob Neu and I covered that year was on a late winter night in Hutchinson. The Lions were trying to play their way into the state tournament. The drive was an icy nightmare of with all manner of vehicles lining the highway ditches. Unfortunately the Lions fell short and our season was over.
Then there was the shift from hell. Getting up at 5:30 a.m. every Sunday morning was a challenge for a college senior with an active Saturday night social life. I would often go to work on two hours sleep and reeking of alcohol. By the spring I had added an internship at KMBC on Sundays that required me to be at the TV station at 2 p.m. So I worked from 6 a.m. to 10:30 p.m. on Sundays.
The Sunday shift had its own set of peculiarities. It required the operator to run both the FM and AM stations simultaneously. Part of it involved running back and forth between the studios, some of the programming could be run out of the FM studio through a crazy maze of patch panels that allowed the DJ to run both stations and air local church services. You could listen to the FM side through one side of your headset and the AM side through the other side.
On one particular Sunday the headset was broken. But I somehow forgot about the malfunctioning headset by about 11 a.m. when it was time to patch in the Plymouth Congregational service. I had dutifully opened my microphone and had given the station ID and patched in the Plymouth service and heard nothing. I patched and repatched still hearing nothing and started cussing up a blue streak. I was so angry and confused about what was happening. The four letter bombs were interrupted by Dale Martens pounding on the glass that separated my studio from the newsroom. He frantically pointed at the red light. My microphone was open and the church service had been there all along, I just couldn't hear it through the faulty ear phones.
Dale had only gotten more than a couple of calls about the language and I figured my goose was cooked. Monday came and went but nothing happened. A week passed and still no word about expletive filled Sunday service. It wasn't until two months later when Hank Booth called me into his office to query me about that particular Sunday. Hank gave me a stern lecture and told me not to let it happen again. I was shocked that I wasn't fired. My guess is that Hank probably saw the humor in the situation.
But my radio career was about to go on a 17 year hiatus because KMBC news director Ridge Shannon was ready to offer me a part time job. It was a job that allowed me to do a little bit of everything and would set me on a career path as a television news producer.


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AZIO MK MAC BT Keyboard ReviewPackaging & Accessories »
AZIO has this year been the supplier of new mechanical keyboards with typewriter-style keycaps to me - be it with the MK Retro or newer, crowdfunded Retro Classic that went further in that direction and offered a more premium experience. In a change today, we are looking at not just a wireless mechanical keyboard, but one that was and still is a MacOS keyboard as well. Do not dismiss it already on those grounds alone as we will take it through the paces to figure out how it ends up performing on a Windows PC, and thanks again to AZIO for providing a review sample.
The AZIO MK MAC BT is, as all MacOS products supposedly have to be, a predominantly white-colored keyboard, but I see it as a different color option than the usual black keyboards we get, so I am all for it. In addition, it comes with a white wrist rest and what appears to be a metallic frame we will get to in due time. Notice also the dedicated volume control key and wheel in the top-right corner and the form factor that will inevitably draw comparisons to the more popular Corsair K70 series of keyboards here. There are also MacOS specific keys on the bottom row here, as expected, so here too functionality will be tested to see how these fares in Windows. Let us thus begin the review with a look at the specifications below.
|AZIO MK MAC BT Keyboard
|104 keys ANSI, MacOS layout
|Aluminum frame/plate, ABS plastic bottom panel and keycaps
|Macro Support:
|1.06 kg / 2.3 lbs.
|Wrist Rest:
|Six-Key rollover USB
|Media Keys:
|Dedicated volume control with secondary function media playback control
|136 (L) x 442 (W) x 31 (H) mm
|Cable Length:
|6 ft / 1.8 m (Charging only)
|Switch Type:
|Kailh Brown mechanical switch
|Two years


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New reST Project with Sphinx
This tutorial describes how to create a blank Sphinx project for your own documentation.
- First of all create a dedicated directory for your documentation project
- Then, from the command-line, type
$ sphinx-quickstart
and follow the wizard:
Welcome to the Sphinx 1.1.3 quickstart utility. Please enter values for the following settings (just press Enter to accept a default value, if one is given in brackets). Enter the root path for documentation. > Root path for the documentation [.]: ENTER You have two options for placing the build directory for Sphinx output. Either, you use a directory "_build" within the root path, or you separate "source" and "build" directories within the root path. > Separate source and build directories (y/N) [n]: y Inside the root directory, two more directories will be created; "_templates" for custom HTML templates and "_static" for custom stylesheets and other static files. You can enter another prefix (such as ".") to replace the underscore. > Name prefix for templates and static dir [_]: ENTER The project name will occur in several places in the built documentation. > Project name: My First Project > Author name(s): Xavier Perseguers Sphinx has the notion of a "version" and a "release" for the software. Each version can have multiple releases. For example, for Python the version is something like 2.5 or 3.0, while the release is something like 2.5.1 or 3.0a1. If you don't need this dual structure, just set both to the same value. > Project version: 1.0 > Project release [1.0]: 1.0.0-alpha The file name suffix for source files. Commonly, this is either ".txt" or ".rst". Only files with this suffix are considered documents. > Source file suffix [.rst]: ENTER One document is special in that it is considered the top node of the "contents tree", that is, it is the root of the hierarchical structure of the documents. Normally, this is "index", but if your "index" document is a custom template, you can also set this to another filename. > Name of your master document (without suffix) [index]: ENTER Sphinx can also add configuration for epub output: > Do you want to use the epub builder (y/N) [n]: ENTER Please indicate if you want to use one of the following Sphinx extensions: > autodoc: automatically insert docstrings from modules (y/N) [n]: ENTER ... > intersphinx: link between Sphinx documentation of different projects (y/N) [n]: y ... A Makefile and a Windows command file can be generated for you so that you only have to run e.g. `make html' instead of invoking sphinx-build directly. > Create Makefile? (Y/n) [y]: ENTER > Create Windows command file? (Y/n) [y]: ENTER Creating file ./source/conf.py. Creating file ./source/index.rst. Creating file ./Makefile. Creating file ./make.bat. Finished: An initial directory structure has been created. You should now populate your master file ./source/index.rst and create other documentation source files. Use the Makefile to build the docs, like so: make builder where "builder" is one of the supported builders, e.g. html, latex or linkcheck.
Using the TYPO3 Template
HTML Output
Edit source/conf.py and search for entries html_theme and html_theme_path and put in the full path where you checked out the RestTools project:
# The theme to use for HTML and HTML Help pages. See the documentation for # a list of builtin themes. html_theme = 'typo3sphinx' # Add any paths that contain custom themes here, relative to this directory. html_theme_path = ['/opt/local/RestTools/ResourcesForSphinxAndDocutils/res/sphinx/themes/']
PDF Output
Edit source/conf.py. For LaTeX output, you need to change the document class being used, that is the last part of the entry latex_documents:
# Grouping the document tree into LaTeX files. List of tuples # (source start file, target name, title, author, documentclass [howto/manual]). latex_documents = [ ('index', 'MyFirstProject.tex', u'My First Project', u'Xavier Perseguers', 'typo3manual'), ]
That is, typo3manual instead of manual. The compiler will look for a class sphinxtypo3manual. The full tutorial on how installing the LaTeX resources is not yet available. If you have some knowledge of LaTeX, please check out the Makefile within RestTools/LaTeX and directory RestTools/LaTeX/fonts to convert TYPO3 fonts to a suitable format for LaTeX rendering.


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The Eagles PW AA Major team went undefeated throughout the round robin portion of the tournament and allowed only 2 goals against. The goaltending and defensive play was stellar in posting 3 shutouts and allowing only 3 goals against in 5 games! The Eagles beat the Jr Canes 2-1 in OT to capture the gold!
Tag(s): Home


text: My PayPal account was limited when I found an ad for a PayPal debit card on their website. I submitted the form, thinking that maybe it would be a nice convenience to have such a card. But PayPal used that application as an excuse to limit my account. That is the ONLY reason they gave me, that my application made them question my identity. The only "recourse" is for me to send them copies of my photo id, Social Security card, and a utility bill with name & address matching exactly the name on my PayPal account. No response other than sending them this information is possible outside the resolution center. From the resolution center, I sent them several requess, explaining that I cannot send them a utility bill because that doesn't come in my name (it is in my wife's name). I asked them as nicely as I could what to do about this in order to fix my account, and I also asked them why they used that excuse to restrict my account. They have not responded at all to my several requests. They haven't even acknowledged receiving them. Instead, they have sent me many computer-generated email requests demanding to know why they haven't heard from me (I have saved all of these emails). I have no other method of contacting them except for the one that they continually refuse to acknoledge. Their computer-generated requests I find offensive ("what is the problem?"). In the meantime, they refuse to let me access my own money; they continue to take out their fees when people send me money, but then they keep the money and won't let me access it. My PayPal account is very small; I am a disabled person who teaches students online for free; I created a PayPal donate button on some pages of my website for those who insist on helping me with my expenses. I have very little income and this little bit of help that I only occasionally receive helps me out. In fact, the only thing that is in my account currently is the amount left after PayPal took a fee from a $25 contribution. I have ideas that might lead to more contributions in the future. I want my money! I want PayPal to lift the restriction on my account, a restriction that I was given no good reason for. I want PayPal to respond to my communication whenever I go through THEIR channels and ask what it is I can do to fix my account.


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Search results for "National Architectural Accreditation Board"
Woman Up!
Here are some scholarships and resources for women in architecture
A new initiative targets fair labor practices for architects
"The project aims to provide potential employees with a robust tool for gaining a sense of which firms will treat them fairly, with respect, and support their development as architects, while giving certified JustDesign firms an edge in attracting the best possible designers."Planning to release its inaugural list in December of this year, the organization will deploy its operation in two phases; first, solicit nominations online from employees themselves, then certify that the nominated firms comply with "best labor practices." The initial employee nominations will survey issues such as "labor conditions pertaining to flexibility, agency, fair pay, salary transparency, employee diversity, and family-friendly policies." While the website and its associated documents are light on the specific methodologies to be employed in phase two of the process, or indeed who will be evaluating the firms, the ambition of this program is to cultivate a field that is symbiotically beneficial to workers and employers alike. JustDesign.Us is endorsed by a handful of groups, mostly academic in nature, however has not yet recruited professional organizations such as The American Institute of Architects and The National Council of Architectural Registration Boards. The nomination process is not meant to be punitive and will only review positive employee questionnaires, celebrating firms that excel in fair treatment of their employees not shaming companies that underperform in this regard. Nominations for the first round of review are due by July 15.
Architecture on the Range
South Dakota State University Department of Architecture gains accreditation
Parting Ways
Frank Lloyd Wright School of Architecture will keep accreditation
Honoring Millar
SCI-Arc and Woodbury University both launch new architectural scholarships
Prairie House Rules
Frank Lloyd Wright School works towards independence from Frank Lloyd Wright Foundation
The Scottsdale, Arizona–based Frank Lloyd Wright School of Architecture is currently working toward achieving independence from the Frank Lloyd Wright Foundation to maintain its accreditation as an institution of higher learning.
Architecture schools are required to be accredited by both the Higher Learning Commission (HLC), usually as part of a larger university, and the National Architectural Accrediting Board (NAAB). The HLC is responsible for overseeing overall standards of degree-issuing institutions in 19 states, while NAAB is only concerned with architecture schools. In 2010, the HLC updated its bylaws forcing all institutions of higher learning to be separate from any other larger institution, which does not have education as its primary mission. The Frank Lloyd Wright School is a division of the Frank Lloyd Wright Foundation, meaning the school is not in line with the HLC's current policies.
In a recent decision by the HLC, the school's application for "Change of Control, Structure, or Organization," a requirement for its continued accreditation, was denied. Working closely with the school, the HLC has asked for an updated application by November 30, which will be reviewed at its February board meeting.
"The response from HLC was never a matter of a disagreement with what was previously submitted. In consultation with their staff, we now understand the areas where they would like to see us flesh out our previous submission," remarked Frank Lloyd Wright Foundation president and CEO Stuart Graff in a statement to the press. Graff and school dean Aaron Betsky have met with the HLC in order to understand the commission's concerns and recommendations for their upcoming application. Both Betsky and Graff are confident the school is on the path to accreditation as an independent institution.
It is important to note that the school has not lost its accreditation, which is good through 2017, but it must prove that it is independent before that accreditation expires. The HLC's criterion for accreditation dictates that "the governing board of the institution is sufficiently autonomous" and "the institution's resource base supports its current educational programs." This separation from the Frank Lloyd Wright Foundation greatly affects the school's funding, much of which has come from the Foundation. In 2015 the school successfully raised $2 million dollars in order to become financially independent.
The school has been an accredited institution of higher learning since 1987, and first became accredited as an architecture school in 1996. The school's NAAB accreditation is good through 2023. The Frank Lloyd Wright School offers a three-year Master of Architecture degree, which students pursue while splitting the year between the school's Scottsdale, Arizona, and Spring Green, Wisconsin, campuses.
Going Global
U.S., Australia, and New Zealand reach reciprocal architecture license agreement
- 6,000 hours (approximately three years) of post-licensure experience in the home country.
- Validation of licensure in good standing from the home authority.
- Citizenship or lawful permanent residence in the home country.
- Licensure in the home country not gained through foreign reciprocity.
Students given more flexibility with architectural programming by NCARB
Milstein in the Balance
Having just won final approval from Ithaca's Planning and Development Board, OMA-designed Milstein Hall, the planned expansion of Cornell's College of Art, Architecture, and Planning (AAP), has hit another roadblock, along with most other construction projects on campus. Due to university-wide financial constraints, President David Skorton has put all university building projects under review. In this context, a group of professors and alumni have called for Milstein to be shelved, while AAP faculty, students, and alumni are lobbying for its survival. Meanwhile, the school is facing a deadline from the National Architectural Accreditation Board (NAAB) to upgrade its facilities.
"We're not calling it a freeze. Most projects on campus are being evaluated, including Milstein," said Tommy Bruce, vice-president for university communications. "Projects must meet two criteria. They must be essential to the mission of the university, and they must have all funds aligned." Deans and department heads have been asked to submit detailed reports demonstrating how each project meets these criteria. Decisions are expected at the beginning of April.
In a January 30 letter to The Cornell Daily Sun, 25 faculty members and alumni questioned the project, given the estimated 27 percent decline in the university's endowment. "The financial crisis faced by our university renders the extraordinary expense of the chosen design (circa $60 million, before it has even gone to bid) very difficult to justify," they wrote. "The extravagant expense of Milstein threatens more pressing financial needs for core functions of research and teaching, contributes to a greater financial burden on students and their families from projected tuition increases, and threatens more employee layoffs." In addition to the cost of the project, the letter questioned its aesthetics and sustainability, as well as its high-profile design team.
On February 11, one of the signatories of the letter introduced a resolution to include Milstein in the university-wide "construction pause." The resolution was struck down, as the administration already considered the project on hold.
AAP students and faculty, however, defended the necessity for the project's going forward. Dean Kent Kleinman argued that the project is essential for the school to maintain its accreditation. A spokesperson for NAAB confirmed the dean's claim. "We have not gotten a satisfactory response from them in regards to their facilities, to date," said Cassandra Pair, an accreditation manager at NAAB. "This is something we can no longer ignore."
Though the project appears to meet Bruce's criteria of being "essential to the mission" of the school, the second measure, having "all funds aligned," is more complicated. Dean Kleinman, who declined to be interviewed for this article due to the pending decision, estimated the project will cost $52 million, and told The Cornell Chronicle that AAP has raised nearly $30 million for the project and plans to borrow $12 million more, leaving the university to pick up the remaining $10 million (or $18 million, depending on which total cost estimate is used).
OMA is reticent about the situation. "All we can do is explain our intentions," said Shohei Shigematsu, director of OMA's New York office. Still, they acknowledge the present climate is difficult for their design. "Every project begins in a particular moment. If we started the project today, the design would turn out differently," he said. "It's an issue of bad timing, but the issue is not as black-and-white as some people seem to think."


text:
Soirée with the Mummies
6pm Friday 31 March 2017
Location: Powerhouse museum
On Friday, the catered 'Soirée with the Mummies' includes a short presentation on "How to read an Egyptian coffin" and a guided tour of the exhibition: EGYPTIAN MUMMIES: EXPLORING ANCIENT LIVES.
- NESA Accredited event.
- Introduction and welcome by Dean of Arts, Prof Martina Mollering
- Entry into the exhibit
- Guided tour
- Presentation on how to read a coffin
- Networking with lecturers and colleagues.
- Selection of canapés
- Choice of beverages including sparkling wine, red & white wine, light & full-strength beer, soft drink


text:
Showing 1-20 of 36
By: Allen, Phillip ;
Price: £9.70
Publisher: Ebury Press: 1992
Seller ID: 65082
Condition: Used - Very Good
160pp inc numerous illus, cloth, jacket, 31.5x27cm Shelf wear View more info
By: Anon ;
Price: £8.00
Publisher: Ordnance Survey: 1963
Seller ID: 40955
Condition: Very Good
Single-sided, coloured relief, folding cloth-backed paper map, laminated card covers, edges creased, internally v.g. but slight wave to bottom fold View more info
By: Anon ;
Price: £13.50
Publisher: Ordnance Survey: 1950
Seller ID: 40960
Condition: Very Good
Single-sided, coloured, folding paper map, card covers neatly dated at top, edges creased, internally v.g., slight marking on creases View more info
By: Anon ;
Price: £85.00
Publisher: Gall and Inglis: 1910
Seller ID: 40962
Condition: Very Good
Single-sided folded coloured cloth-backed paper map about 24x30 inches, in blue printed boards with Street Index and list of main attractions. One small tear to bottom of centre crease and marginal staining and foxing - no marking to the map area. The map is undated but shows Tower Bridge (1894) and the London Underground Railway network looking much like the 1908 map of the same. View more info
By: Anon ;
Price: £5.00
Publisher: Ordnance Survey: 1972
Seller ID: 40907
Condition: Very Good
Card covers, single sided folded paper map. 8vo - 7¾" - 9¾" tall Minor wear to cover View more info
Price: £170.00
Publisher: Phoenix House Limited: 1953
Seller ID: 66482
Condition: Good
Part 1: 13pp+ 20 plates, Part 2: 11pp+ plates 21-40, Part 3: 11pp+ plates 41-62, Part 4: 12pp+ plates 62-84, all vols half cloth, cardboard slipcases, 46x31cm All vols ex ref library, shelf wear, internally very good clean and bright Part 1: Hampshire, Isle of Wight, Dorsetshire, Devonshire, Cornwall, Somersetshire, Wiltshire, Gloucestershire, Herefordshire, Monmouthshire Part 2: Kent, Sussex, Surrey, Berkshire, Middlesex, Essex, Suffolk, Norfolk, Hertfordshire, Buckinghamshire Part 3: Cambridgeshire, Bedfordshire, Oxfordshire, Worcestershire, Warwickshire, Northamptonshire, Huntingdonshire,... View more info
Price: £7.00
Publisher: Department of Geography: 1970
Seller ID: 50013
Condition: Very Good
3rd ed, 30pp, inc. b/w figs, spiral bound, landscape folio back cover top corner curled, spine sunned View more info
By: Canterbury Archaeological Trust ;
Price: £17.00
Publisher: Canterbury Archaeological Trust: c.1980
Seller ID: 61875
Condition: Very Good
unpaginated 4 page introduction, inc. 5 loose folding maps in card folder, A4 Cover lightly tanned, minor creaseds to cover from shelf wear View more info
Price: £10.00
Publisher: IGDA Officine Grafiche, Novara: 1983
Seller ID: 62367
Condition: Very Good
Tourist Guide: 61pp inc. numerous b/w & colour photos, card, 24x14cm. Map: large colour map, comes in a cover with tourist guide tourist guide - small creases on cover, cover edges curled, internally clean. map - condition very good View more info
Price: £8.70
Publisher: English Heritage: 2010
Seller ID: 66891
Condition: Very Good
Fold out coloured map, laminated card cover, 21.5x14cm folded Shelf wear View more info
By: Glanville P ;
Price: £17.00
Publisher: The Connoisseur: 1972
Seller ID: 45830
Condition: Very Good
212pp, inc 69 b&w & coloured maps, cloth, jacket clipped, in matching slip in case, folio jacket bottom edge chipped Reproductions of nearly seventy contemporary maps, over a third of them in colour, illustrate dramatically the evolving topography of London since Roman Times. View more info
Price: £97.00
Publisher: Somerset Record Society: 1981
Seller ID: 65118
Condition: Used - Very Good
37pp introduction booklet + 13 folding maps in board slipcase, 25.5x16.5cm Previous owner label on slipcase, shelf wear View more info
Price: £37.00
Publisher: Royal Irish Academy: 1979
Seller ID: 59493
Condition: Very Good
104pp, inc. b/w & coloured maps, cloth, 42x33cm light foxing on page edges, previous owner signature in ink on title page View more info
By: Madras Survey ;
Price: £47.00
Publisher: Madras Survey: 1936
Seller ID: 66061
Condition: Good
Double sided coloured map, card covers, 28x11cm Previous owner signature on front cover, shelf wear, map edges tanned View more info
Price: £27.00
Publisher: Society of Antiquaries of London: 1958
Seller ID: 57281
Condition: Very Good
18pp + folding colour map, card, 4to View more info
Price: £12.70
Publisher: Society of Antiquaries of London: 1958
Seller ID: 53316
Condition: Good
18pp + folding colour map, card, 4to card cover edges foxed & faded, tears on the edges of the map repaired, slight adhesion to the sellotapes View more info
Price: £6.00
Publisher: English Heritage National Monuments Record: 2005
Seller ID: 61687
Condition: Very Good
colour photos, laminated card page edges bumped View more info
Price: £9.70
Publisher: Ordnance Survey: 1962
Seller ID: 63270
Condition: Used - Very Good
55pp, lg. folding map, card, 4to covers edges bumped/curled, internally clean Covers the area south of a line from Morecambe to Scarborough. View more info
Price: £11.70
Publisher: Ordnance Survey: 1962
Seller ID: 62982
Condition: Very Good
55pp, lg. folding map, stapled binding, card, 4to cover edges bumped, internaly clean Covers the area south of a line from Morecambe to Scarborough. View more info
Price: £27.00
Publisher: Ordnance Survey: 1950
Seller ID: 66792
Condition: Very Good
27pp + 1 fold out map mounted on cloth, card cover, 16x22cm Shelf wear View more info


text:
If restoring the marriage isn't an option and with only a vague idea of what your legal rights are, you may make the mistake of starting with expensive, aggressive lawyers. That's not going to get you a peaceful divorce.
Or you may make the mistake of accepting unfair agreements because you are emotionally exhausted. A year or two down the road, when you are more emotionally together, you will be second guessing your fatigued choices, and that's not going to get you a peaceful divorce.
Or you may make the mistake of completing your divorce or legal separation with agreements on custody, support, assets & debts so lacking in detail that the court can't enforce them! So you and your ex will be haggling again and again over missing details and unclear boundaries. And that haggling sure isn't going to get you a peaceful divorce.
Because you have kids, it is vital to establish a peaceful divorce- a divorce as resentment-free as possible. Parents can accomplish that by avoiding the lingering emotional and financial damage of a lawyer-driven courtroom divorce, or one that is unfair and lacking enforceable detail because they didn't have experienced guidance.
Here are 3 Reasons to Call Family Matters To Get a Peaceful Divorce
#1: We've been settling complete divorces for 17 years at a fraction of the cost of an attorney-driven divorce.
The most positive possible choice to make right now is to use mediation to complete your Legal Separation or Divorce fairly and in enforceable detail.
The mediation process creates the opportunity to establish resentment-free agreements on every issue, such as; Custody, Financial matters, and Support matters. It is our goal to infuse a new level of communication, cooperation & compromise into your ongoing parent relationship.
Maybe that sounds like a tough hill to climb right now… Give us a call and ask how we would guide you through your most significant concerns, no matter how complicated or sensitive, to a peaceful divorce resolution.
Every case needs the details that we know to cover for your Judgement.
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- Sustainable Child Support & Spousal Support Amounts
- A Detailed, Durable Child Custody Schedule, including Holidays & Vacations
- Agreements on Additional Shared Costs for kids
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- A Fair Division of Pensions, IRA's, Deferred Compensation Plans
- Options to Continue Home Ownership
- Post Judgment Modifications
- Requests for New Orders
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- All Judicial Forms Produced
- Complete Divorce, Legal Separation or Action Filed with the Court
#2: We honor Your Rights under California Guideline Family Law and resolve every aspect of divorce fairly.
One or two years down the road, after the initial emotions have settled and lives have progressed, Parents need to be able to look at each other without lingering resentments or the sense that one got over on the other. Your kids need that. We believe that both of you do too.
A fair divorce equally balances between the separating parties. There is division. So both have to give. There are ongoing needs, so both have to share. California Guideline Law is the reference point for resolution. Mediation is the tool for blending it with over-all fairness.
#3: Family Matters Mediators are Skilled Family Counselors trained in Guideline Family Law.
Ironically, the very skills that a healthy marriage needs; communication, cooperation & compromise, are the same skills that you need right now to establish a fair, detailed, resentment-free divorce! How on earth can those skills manifest now if they derailed during the marriage? That's our job. To bring our years of counseling experience to mediation and guide even the most conflict-oriented case to a place where the children are able to maintain an uncomplicated love bond with both parents because their parents forged a peaceful divorce.
Let us guide you through divorce fairly and inexpensively.
We will file your complete divorce, including a durable Marital Settlement Agreement that you and your kids can rely on.


text:
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text:
Roche met an accident last Saturday night.
Sadly we don't have a 24 animal clinic in Seremban. I was at the airport and got a call from Calvin and told me that Roche went missing at the first place before he called me back again informing me that Roche is bleeding.
I speed up my car speed to 160 KM/H at the ulu road from Kg. L.B.J back to Seremban 2. I was so worried and overtake lots of cars. When I reached home, Calvin wasn't there. He went out with Hilmy to look for a human 24 hr clinic hoping that they could rescue Roche.
My heart stop beating when I saw Roche lay on the floor and her nose is bleeding. She couldn't walk and stand. My mom and siblings were cheering her up hoping she won't fall asleep. My tears dropped and begging Roche not to leave me this way.
It was 2 in the middle of the night, I tried to call my vet doctor but nobody answering the phone. I called to 103 hoping that somebody could tell me any of the 24 clinic around Seremban. Dissapointed that the 103 teller gave me the office number of my vet doctor's.
I was so nervous and scared. Roche is just a 4 months baby, how could anyone let the gate open wide? Luckily Irene went and get a laptop and started to google about 24 hours animal clinic around. And we got it.
Waiting to discharged her from the hospital.
Roche in the car. ;)
I really really appreciate the help from my family and friends. Thanks for Doctor Ee for concerning about Roche condition and thankfully that Calvin and Edward managed to discover where was Roche when she met the accident.


text:
The Medieval Pearl of Saint Paul de Vence
Once in Southern France, we dropped in to the picturesque little village of Saint Paul de Vence, high on the hilltop and having magnificent views on the surrounding area. The village of artists, like it's frequently called and pictured in numerous movies, as a lot of famous artists, from Renoir to Chagall, were frequent visitors and even residents of the village due to its charm and magnificent light. Marc Chagall has also found his final resting place in the calmness of the cemetery of Saint Paul de Vence.
Wandering its maze of narrow streets takes you back to the 16th century, admiring the beautiful facades of buildings, pressing yourself from time to time (if really curious) through so small openings that one would wish not to have had the overly rich supper the previous day and discovering a set of small tables and chairs in the least expected corners, asking you for a little cooling drink, a glass of cider or wine or for some homemade French pancakes (crêpes and galettes).
You can easily walk through the entire village, from Porte Royale to Porte Sud, with no possibility – unless you really want – to get lost. About in the middle of your way is the local little cemetery with the last resting place of Chagall, should you like to go to pay your respects.
Saint Paul de Vence is a perfect destination when you feel that for this particular day it's enough from beaching and crowds and you are in a mood for some wandering around and art admiring, as the place is full of little wonderful art galleries, one after another. And of course, you won't miss plenty of little shops selling local products and little restaurants and cafés, from more simple to 5-star luxury ones.
A final look at some of the village's ancient fountains, a postcard to keep a memory and you are well set to wave your goodbyes to this one of the most beautiful villages of Southern France and to continue your journey in the greenness of its hilltops.
How to get there:
It's a wonderful daytrip (or even half a day) from Nice, for example, where it's easily accessible by car, taxi/Uber or, most commonly, by public transport, as it leaves you free to enjoy your little glass of wine with no need to drive later. Take Bus no 400 from one of its stops on Promenade des Anglais or in the corner of hotel Le Méridien and you are well set. About 1-1,5 h (depending on the traffic) and you are there, bus ticket costing 1.5 EUR that can be obtained from the driver.
Until next time!