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By Kaitlyn Duchien | Contributor
Feminism is a dirty word that carries negative connotations. Feminists are man-haters. Feminists don't wear bras in public. Feminists aren't grateful for the privileges they already have as women in society.
At least, that's what many assume about feminism.
In reality, feminism is simply the belief that women and men are both human beings with equal value and worth.
Feminism should really be called "gender equality" because it advocates for both men and women to have the freedom to be whoever they want to be. Society places individuals in boxes based on their gender: girls are sweet and gentle, whereas boys are energetic and rambunctious. Girls cry when they are sad, boys get mad.
While these cultural norms may seem innocent, they gradually build walls around individuals, trapping them into "acceptable" molds and hindering them from achieving their fullest potential. Every time a little girl hears "You're so pretty" instead of "You're so smart," she internalizes the belief that her physical appearance is more valuable than her intelligence. When a boy is told to stop crying when he falls down and scrapes his knee, he is taught that his emotions must be concealed to protect his masculinity. Subtle comments throughout childhood gradually define identity and result in adults who live in prescribed roles that limit their personal expression.
When I was in middle school, other kids teased me for getting good grades. I was often called a nerd or a teacher's pet and shamed for my academic achievements. However, none of my male classmates were ever bullied for their successes. They were congratulated by classmates and praised by teachers. As a result, I learned to diminish my skills and downplay my accomplishments in order to be more liked by others. I still do this as an adult. And I see this pattern of behavior exhibited in the workplace.
This past summer, I interned at an insurance company in Fort Wayne and realized there is much more involved in the gender pay gap than a simple salary difference. When I asked my female colleagues why they never pursued a promotion when they were equally or even more qualified than their male peers, they consistently responded in two ways. Either they downplayed their successes and claimed they really weren't qualified, or said they couldn't take the extra work commitment because they had kids or aging parents to care for at home. My guess is they gradually developed this behavior over years of being told their worth comes from being a good wife and mother, that too much intelligence is unflattering and that a girl who takes initiative or authority is bossy. Thus, while the gender pay gap may be partially influenced by sexist employers, the majority is due to the willing decisions of women themselves who have been conditioned to take a subordinate role in the workplace and in society as a whole.
So what can we do to reverse this cycle of role restriction? Start small. Acknowledge the power of words and the unspoken meanings behind them. Recognize when subtle sexism happens and stand against it. Speak on behalf of the little girl who is called bossy because she likes to take charge of situations. She may become a future CEO. Refuse to let "boys will be boys" be an excuse when young men rate a woman based on her physical appearance. They may become sexual offenders because they never learned this behavior is unacceptable. Do not fall prey to the bystander effect: the belief that someone else will do something to fix the problem, so therefore it is not your responsibility to act. It takes small actions by many people to shift the ideology of an entire society.
Let's create a world where feminism is no longer a dirty word but simply a movement that celebrates the equal dignity and worth of men and women alike.


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Inner Conflict
I hit the bag with what feels like pillows on my hands. Every massive swing does not generate the thud that I am looking for. Searching for feeling somewhere in my trunk. NOTHINGNESS Looking for access, for the flood gates … Continue reading
Posted in Coach's Corner Tagged Boxing, Conflict, heavy bag, ownership, philosophy, Responsibility, seattle boxing, seattle fitness, seattle gym, sports, woman business owner, work 4 Comments
To be a boxer- you have to be comfortable with searching for failure- you have to be excited to see your inefficiencies -you have to be motivated to look for all that is wrong because that is your work. It … Continue reading
Posted in Coach's Corner Tagged box, boxer, boxon, canvas, Choice, clues, emotional intelligence, focus, functional patterns, gloves, gym, outcome, repsonsibility, seattle boxing, Seattle boxing gym, task 2 Comments
Decision making
…perhaps the biggest problem lies in the way that individual decisions accumulate into big effects. – David R. Montgomery- King of Fish. The Thousand Year Run of Salmon Each thought begets a word, intelligible to the brain— taking shape in … Continue reading
Posted in Coach's Corner Tagged Arcaro, boxing gym, breathe, Creative writing, creativity, fight, fisticuffs, forza italia, functional patterns, guide, indigenous, nature, seattle boxing, Seattle boxing gym
Living a skilled life
I was 17 when I took the job at the nursing home. I was living a lost life and the nursing aid job, sports and high school studies kept my head barely above water. My senior year I worked night … Continue reading
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Who do you spend time with? How do they make you who you are? James Altucher calls this your 'scene.' As Jim Rohn put it, you are the average of the five people you spend the most time with. As … Continue reading
When I was a junior in high school I had a basketball coach who told me the reason I couldn't move laterally was because I weighed too much. He then told my dad to enlist me in a diet program … Continue reading
Posted in Coach's Corner Tagged anatomy trains, Barry sanders, basketball, Boxing, boxing training, functional patterns, seattle boxing, Seattle boxing gym, sports, tensegrity
To truly hold oneself accountable is a major task. I see a million places I let myself off the hook. Where I'm so lazy and not wanting to do the work. Accountability is being brutally honest- It's having standards beyond … Continue reading
Posted in Coach's Corner, self awareness Tagged accountability, Boxing, boxing gym, central area, coach, coaching, disengage, engage, fillers, gym, honesty, realization, rest, seattle boxing, Seattle boxing gym, self awareness, standards, work ethic 2 Comments
Boxers know, footwork is our foundation. It doesn't matter what you do if you do it with a faulty foundation. Your connection to the ground will dictate your flexibility, your force, your spacial judgement, your maneuverability, and overall efficacy. Do … Continue reading
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subset: commoncrawl


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Procedure for Achieving Employee Engagement
As soon as you establish a new business venture, you have a lot of management load to carry on your back so that you can ensure everything runs smoothly so that it can flourish. You will, therefore, spend a lot of time supervising the employees, watching the cash flow as well as determining the profit margin of this great company. You should know that the employees are the ones to determine the fate of your venture and for sure you need to strategize on how to deal with them. If you want to register good results in your establishment, you should take some time to evaluate the dedication of every worker so that you can be convinced of their good job. If you notice that your workers are derailing in the job, you can boost their engagement accordingly to increase the chances of success. Here is the procedure for enhancing ultimate employee engagement.
To start with, you are supposed to engage into a fruitful conversation with the employees, and for sure they will inform you on their business ideas about the progress of the venture, and so you will benefit. This means you will gather enough data to help you make informed decisions and find a perfect platform for making things change if they are going wrong. Again, you should listen to the employees anytime they approach you so that you can be convinced of their effective service delivery when you all resume to the normal job operations of the venture.
Secondly, some of these employees might be enriched with great knowledge on how to improve the performance of the company through their engagement. The moment you consult the workers in your establishment they will help you to get the business to another level because they can come up with ideas that will ensure you succeed as a whole. You should understand that all these employees will come with different ideas on how to run the business, and so you need to choose the ones that put your venture at a better position for success.
As the manager, you are advised to host some gatherings that integrates the workers and make them render the best services ever. It is wise you set your focus on diverse issues so that you can apply the one which renders the best for the company.
You are supposed to work with the employees on the first line because everything depends on them. You need to absorb some practices that benefit the company indirectly, and it mainly involves motivating them to work.
Researched here: Continue Reading


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Text:Â John 13:1-17
Now before the festival of the Passover, Jesus knew that his hour had come to depart from this world and go to the Father. Having loved his own who were in the world, he loved them to the end. 2The devil had already put it into the heart of Judas son of Simon Iscariot to betray him. And during supper 3Jesus, knowing that the Father had given all things into his hands, and that he had come from God and was going to God, 4got up from the table, took off his outer robe, and tied a towel around himself. 5Then he poured water into a basin and began to wash the disciples' feet and to wipe them with the towel that was tied around him. 6He came to Simon Peter, who said to him, "Lord, are you going to wash my feet?†7Jesus answered, "You do not know now what I am doing, but later you will understand.†8Peter said to him, "You will never wash my feet.†Jesus answered, "Unless I wash you, you have no share with me.†9Simon Peter said to him, "Lord, not my feet only but also my hands and my head!†10Jesus said to him, "One who has bathed does not need to wash, except for the feet, but is entirely clean. And you are clean, though not all of you.†11For he knew who was to betray him; for this reason he said, "Not all of you are clean.†12After he had washed their feet, had put on his robe, and had returned to the table, he said to them, "Do you know what I have done to you? 13You call me Teacher and Lord—and you are right, for that is what I am. 14So if I, your Lord and Teacher, have washed your feet, you also ought to wash one another's feet. 15For I have set you an example, that you also should do as I have done to you. 16Very truly, I tell you, servants are not greater than their master, nor are messengers greater than the one who sent them. 17If you know these things, you are blessed if you do them.
About thirty years ago, there was a country song with these lyrics:
Oh Lord, it's hard to be humble
When you're perfect in every way
I can't wait to look in the mirror
Cause I get better lookin' each day
The lyrics are three decades old, but they could almost be the national motto in the 21st century. Humility is modest behavior, self-restraint, and putting others first. It is, as some have said, not thinking less of yourself, but thinking of yourself less. Unfortunately, humility seems to have been forgotten as one of our national virtues. From preening politicians and actors to athletes posing in the end zone or yelling at the crowd after a slam dunk, examples of humility seem to be in short supply.
Humility is a Biblical virtue. The story of Adam and Eve in the Garden of Eden reminds us not to think that we know as much as God. The Old Testament prophets reminded the people to think of themselves less and to put God and other people first. Jesus taught not to make a show of our giving. Jesus taught us not to pray in such a way as to become the center of attention (always a challenge for a preacher). Jesus scolded his disciples who wanted to be at his right hand in glory. Jesus' life was one of self-giving. The Apostle Paul described Jesus' humility in his Letter to the Philippians. He said that Jesus "emptied himself†and humbly accepted death on a cross.
Christians have since Jesus' time identified humility as one of the important components of the Christian life. If you are thinking about joining a monastery, you have to take a vow of humility. Even if we do not practice humility as often we should, it is still a Christian value. For the next few minutes, let's think about humility.
It seems to me that humility is based on understanding who we are. We need self-awareness to be humble. We need "to see ourselves as others see us,†as Robert Burns wrote. And it's a difficult task.
My few attempts as jail ministry have been pretty bad. I do not have gifts in that area. But I did learn some things, other than to work in other ministries. It seems that in Shenandoah County, the county police make a habit of arresting innocent people for no good reason, the commonwealth's attorney likes to prosecute those innocent people, and the judges like to send those innocent people to jail. Or at least that what's some prisoners told me. I have to believe that they would have a better chance to lead productive lives when they are released if they could be more self-aware. We may not be prisoners, but lack of self-awareness is a problem for all of us in some way.
As Christians our self-awareness starts with acknowledging that we are all sinners in need of redemption. All of us are in some way and to some degree separated from God, from each other, and from God's creation. The best of us is still a sinner.
This is the one of the starting points of Christianity. If we are not sinners in need of redemption, we don't need a redeemer. We have no need for Christ if there is nothing in our lives to redeem. There would be no reason for God to become human if humans were perfect.
Realizing that we are sinners in need of redemption has a leveling effect. It helps us see that we are not so far above other folks as we sometimes think. We're sinners; they're sinners.
If self-awareness is part of cultivating humility, then so is understanding that there are things we just can't know. In a place like Charlottesville, a lot of us know a lot in our field. It's tempting to think that we know a lot in every field. But even really smart people can be not so smart outside their area of expertise. Sometimes we can get really surprised.
In the late 1800's a brilliant physicist named Lord Kelvin supposedly said, "There is nothing new to be learned in physics.†Within a few years, quantum physics began to emerge and physics has certainly never been the same since. There is considerable question whether Lord Kelvin actually said those words, but I'm sure that other people had that thought. Lord Kelvin was once quoted in a newspaper as saying there would never be a practical application for an airplane. Even the smartest of us are limited in what we can know.
Remembering that we are limited in what we can know should give us some humility, particularly about other people. It helps us see that the people who we have problems with are carrying their own burdens, and those burdens may be hidden from us. I can't tell you how many families I've admired and thought, "Wow! That is a family of wonderful people†only to discover that there were problems in that family just as there are in my family. A little humility about how we judge others is always in order.
If we are limited in what we can know, we are also limited in what we can do. How many times do we think that we can fix other people? I wonder how many marriages start off with the new husband walking down the aisle thinking, "Give me a few months and I'll have a perfect wifeâ€? Or the new wife walks down the aisle thinking, "This guy has potential; let me whip this billy goat into shape, and I'll have a perfect husband.â€
Human beings can change. There wouldn't be any reason to have churches, preachers, counselors, or teachers if we couldn't. But we can't change each other. We can change ourselves with God's help, and God can change us, but we can't change another person. How much human conflict and heartache are caused by husbands thinking they can change their wives, wives thinking they can change their husbands, parents thinking they can change their children, children thinking they can change their parents, pastors thinking they can change their congregations, or congregations thinking they can change their pastors? We can help, we can teach, we can encourage, we can model, but change each other? Not a chance. There are some things that we have to leave to God because they are out of our range of ability and knowledge.
Jesus showed us a different way. He taught and modeled true humility. Today's story from the Gospel of John shows Jesus' humility. In John's version of the Last Supper, Jesus stops in the middle of the meal to take off his outer robe, put a towel around his waist, and wash the disciples' feet. Jesus must have shocked the disciples by taking the role of a servant. It was the custom then for well-off people to have their servants wash the feet of guests before meals. Jesus placed himself in the role of a servant: quite a contrast from the king of kings and Lord of lords. Then he invited us to imitate him.
To Jesus, serving others puts meat on the idea of humility. True humility often shows itself by service. It was gratifying to me to see so many of our members practicing Christian hospitality and service during these last two weeks as we housed forty-five homeless men in our fellowship hall. Some of the men were difficult, occasionally surly or not always gracious or well behaved. That's OK. Our job was to serve them and treat them with dignity, and I'm proud of how our members were able to do that.
This story shows us another side of humility. It's a comic story to see Peter resist Jesus: "Don't wash my feet, Lord. That wouldn't be right.â€
Jesus told Peter, "If I can't wash your feet, then you can't have any part of me.â€
"Well, OK. Wash my feet, my hands, my head. I could use a manicure and a pedicure, and, you know, my neck's been awfully stiff lately.â€
Sometimes, humility shows itself as taking the role of a servant and serving others. Sometimes, humility shows itself as allowing others to serve us. That's been a hard lesson for me, and I suspect it may be a hard lesson for some of you. I always want to show that I can take care of myself, which is, by the way, the opposite of humility.
True humility is a way of life; it is a way of putting others first. It is a way of remembering that we are not God. True humility is submitting to God's grace. True humility is a calmer way of life. It's an easier way of living than always trying to be on top, be number one, and fix every problem. I have a feeling that Jesus would look at the way we live and say, "Chill.â€
If your inner control freak is screaming to get out and fix everything that's messed up, chill. If your inner egotist is about to explode out of your cranium, chill. If your tongue is burning because your inner critic is dying to tell people how just how badly they've screwed things up, chill. Give God and God's grace a chance to work.
© 2014 Ed Winkler


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filmVISHAPPINTE VILI 1952 - The Hindu
ALL OUT ENTERTAINER Prem Nazir did full justice to his role
- Visappinte Vili is a 1952 Malayalam film directed by Mohan Rao and produced by Kunchacko and K. V. Koshi under the banner of K&K Combines. It stars Prem Nazir, Thikkurissy Sukumaran Nair, Kumari Thankam, Pankajavalli, Nanukuttan, Mathappan, S. P. Pillai and Baby Girija.
- Initial release: August 22, 1952
- Genres: Comedy, Drama, World cinema, Malayalam Cinema
Visappinte Vili - Wikipedia, the free encyclopediaen.wikipedia.org/wiki/Visappinte_ViliVisappinte Vili is a 1952 Malayalam film directed by Mohan Rao and produced by Kunchacko and K. V. Koshi under the banner of K&K Combines. It stars Prem
Visappinte Vili Directed by Mohan Rao Produced by Kunchacko
K. V. Koshi
Written by Muthukulam Raghavan Pillai Starring Prem Nazir
Thikkurissy Sukumaran Nair
Kumari Thankam
S. P. Pillai
Baby Girija
Adoor Pankajam
Music by P. S. Divakar Cinematography E. R. Cooper Edited by S.WilliamsProduction
companyRelease dates
- August 22, 1952
Country India Language Malayalam
Visappinte Vili (1952) - IMDbwww.imdb.com/title/tt0214285/Directed by K.J. Mohan Rao. With Thikkurisi Sukumaran Nair, Prem Nazir.
Director:K.J. Mohan Rao
Credited cast: Thikkurisi Sukumaran Nair Prem NazirEdit
STORY AVAILABLE @Visappinte Vili at the Malayalam Movie DatabaseAdd Full Plot | Add Synopsis
Mohan (Prem Nazir), the only son of the rich landlord of 'Lakshmi Bhavanam loses his father in childhood. The manager (Nanukuttan) manages to secure all the wealth of the family, throwing Mohan and his mother out on the streets. Soon, Mohan loses his mother also. Adopted by a kind hearted land lord of 'Ananda Bhavanam,' Mohan is brought up along with his children Venu (Thikkurissi) and Sarojam (Kumari Thankam) After the death of the landlord, Venu takes charge of the household.
Kamalam (Pankajavalli), the daughter of the wicked manager who cheated Mohan and his family, is married to Venu. Kamalam's lecherous brother Ramu, who is in love with Sarojam, plays all kinds of nasty tricks to get married with the support of Kamalam. But Sarojam, who is in love with Mohan, staves off his advances. Pressurised by his wife Venu expels Mohan from the house. Ramu and his gang beat up Mohan. He seeks refuge in a nearby estate.
Meanwhile, Kamalam hatches a plot for the marriage between Ramu and Sarojam. Venu is poisoned and Sarojam donates blood to save her brother. Venu is saved. He realises his mistakes and understands the misdeeds of his wife. Mohan returns to the village. Venu gives his sister in marriage to Venu bringing the film to a happy end.
The film had all the ingredients of a typical entertainer– songs, dances, comedy scenes etc. Though the story was absolutely unrealistic it did not in anyway affect its success. The dance dramas 'Swargavaathil' and 'Ramanan' that were included were added attractions.
Prem Nazir and Thikkurissi excelled in their roles. Kumari Thankam, the glamour girl of the time was the main attraction. The comedy team of S.P.Pillai, Adoor Pankajam, Muthukulam and Vanakkutti, were reduced to mere repetitions of the usual comic scenes.
The grand success of the film encouraged the producers to remake it in Tamil, 'Pashiyin Kodumai.' It had Prem Nazir, Thikkurissi and Kumari Thankam in the lead roles along with other leading stars of Tamil cinema like M .S .Draupadi, and Madhuri Devi in important roles. The success of the Tamil remake paved way for a Telugu dubbed version titled 'Aakali Piluppu.'
The Malayalam film had 12 songs penned by Abhayadev and tuned by P. S. Divakar. Some of the songs became super hits and a few have stood the test of time. Though noted actor Jose Prakash made his debut as playback singer in the film 'Shariyo Thetto,' released in 1953, 'Vishappinte Vili' was the first to be released. A duet 'Chinthayil neerunna jeevitham…' sung with Kaviyoor Revamma turned a super hit. Another duet sung by A.M.Raja and P.Leela, 'Mohiniye, enn athma Mohiniye…' was also very popular.
Will be remembered: For the songs, 'Chinthayil neerunna… and 'Mohiniye enn athma Mohiniye…' Also, Jose Prakash's first released film song was in this movie. It will also be remembered as the film in which Ambika, who later went on to reign supreme as heroine in the late 50s and early 60s, made her debut.Photography by E.R.Cooper and editing by P.V.Varghese enhanced the quality of the film. It ran to full houses for weeks and months.
Old is Gold: Visappinte Vili (1952)oldmalayalam.blogspot.com/2009/01/visappinte-vili-1952.htmlJan 17, 2009 - Visappinte Vili (1952). Cast: Prem Nazir, Thikkurissi Sukumaran Nair, Muthukulam, Nanukuttan, S.P.Pillai, Kumari Thankam, Pankajavalli, ...
Chinthayil Neerunna - YouTubewww.youtube.com/watch?v=jjfN6KHFsbgAug 22, 2012 - Uploaded by Muraleedharan BalakrishnanMovie: Vishappinte Vili Year: 1952 Lyrics: Abhayadev Music: P S Divakar Singers
: Jose Prakash ...
Vishappinte Vili [1952] | വിശപ്പിന്റെ വിളി [1952]malayalasangeetham.info/m.Details of the Malayalam Movie: Movie Name: Vishappinte Vili | വിശപ്പിന്റെ വിളി , Composer: PS Divakar | പി എസ് ദിവാകര് , Lyricist: Abhayadev ...
VISHAPPINTE VILI; KULIREKEETUNNA KATTE - YouTubewww.youtube.com/watch?v=E6M88o_4a5YJul 3, 2013 - Uploaded by sunny78rpmmusic1952 Malayalam Film-Vishappinte Vili (partially worn-out record)
AMMA 1952);C K REVAMMA & GOKULAPALAN;varoo nee ...www.youtube.com/watch?v=zGwn3yXC8SkJul 17, 2013 - Uploaded by sunny78rpmmusicAMMA 1952);C K REVAMMA & GOKULAPALAN;varoo nee;N 73011;OJE .... Song: SWAYAMVARA ...
Vishappinte Vili - Chinthayil Neerunna - YouTubewww.youtube.com/watch?v=A0nlAFpYuFAFeb 16, 2015 - Uploaded by Surabhi MusicMovie: Vishappinte Vili,Year: 1952, Song: Chinthayil Neerunna Music: PS ... Sandhya Vihalam ...
Vishappinte Vili - Mohiniye En aathma - YouTubewww.youtube.com/watch?v=axVVc6ozZNkFeb 16, 2015 - Uploaded by Surabhi MusicMovie: Vishappinte Vili,Year: 1952, Song: Mohiniye En Aathma Music: PS ... Sandhya Vihalam ...
Chinthayil Neerunna - YouTubewww.youtube.com/watch?v=jjfN6KHFsbgAug 22, 2012 - Uploaded by Muraleedharan BalakrishnanMovie: Vishappinte Vili Year: 1952 Lyrics: Abhayadev Music: P S Divakar Singers
: Jose Prakash ...
VISHAPPINTE VILI; KULIREKEETUNNA KATTE1952 Malayalam Film-Vishappinte Vili (partially worn-out record)
Vishappinte Vili - MalaranikkaadukalMovie: Vishappinte Vili,Year: 1952, Song: Ramanan [Sangeetha Naatakam] Music: PS Divakar,Lyrics: Abhayadev Singers: AM ...
Vishappinte Vili - Chinthayil NeerunnaMovie: Vishappinte Vili,Year: 1952, Song: Chinthayil Neerunna Music: PS Divakar, Lyrics: Abhayadev,Singers: Jose Prakash ...
Vishappinte Vili - Mohiniye En aathmaMovie: Vishappinte Vili,Year: 1952, Song: Mohiniye En Aathma Music: PS Divakar, Lyrics: Abhayadev, Singers: AM Raja,P Leela ...
Vishappinte Vili - Karayaathen OmanakkunjeMovie: Vishappinte Vili,Year: 1952, Song: Karayaathen Omanakkunje Music: PS Divakar, Lyrics: Abhayadev, Singer: Kaviyoor ...
Chinthayil NeerunnaMovie: Vishappinte Vili Year: 1952 Lyrics: Abhayadev Music: P S Divakar Singers: Jose Prakash, Kaviyoor Revamma.
History of Indian Cinema: - Google Books Resulthttps://books.google.co.in/books?isbn=9350836513Renu Saran - 2014The film titled Visappinte Vili alsohad Prem Nazir, then anovice. Thikkurissywas the person who coined Prem Nazir's screen name whose actual name wasAbdul
Manu Murali - Manu Murali shared Prem Nazir's photo.https://www.facebook.com/manu.murali.167/posts/173345282799919Nithya Haritha Nayakan (Ever Green Hero) of Malayalam cinema. ... He got his career break with Visappinte Vili (1952), his second film, made for K&K ...
Abdul Khader Bio | Abdul Khader Career | MTV - MTV.comwww.mtv.com/artists/abdul-khader-00/biography/His first film was Marumakal (1952), directed by S. K. Chari and produced by Paul Kallungal. He was credited Abdul Khader itself in this film. He got his career ...
Imprints On Indian Film Screen: ADOOR PANKAJAMimprintsonindianfilmscreen.blogspot.com/2013/04/adoor-pankajam.htmlApr 7, 2013 - Her first film was 'Premalekhanam'(1952) but 'Visapinte Vili(52) directed by Mohan Rao, which was ... While acting in films also Adoor Pankajam was active with Ballet dance troupe and drama troupe which ... Visappinte Vili
Prominent Indian Personalities: KAVIYOOR REVAMMAprominentindianpersonalities.blogspot.com/.../kaviyoor-revamma.htmlJul 19, 2012 - Parameswari''' was another solo song of Revamma in that film. ... In the debut film 'Marumakal'(1952) of Prem Nazir also Revamma was a ...
Ambika (old Actress) - Profile and Biography | Veethi
left to right : Ambika, Padmini, Ruth Woodman, Lalitha, Sukumariwww.veethi.com › People › CinemaMar 28, 2014 - Udaya Studio's 'Visappinte Vili' in 1952 directed by Kunchacko marked her ... Thus Ambika too reached film industry following the steps of ...
Early life
Nazir was born in Chirayinkeezhu in the princely state of Travancore, to Akkode Shahul Hamid and Asuma Beevi. His mother died when he was very young. He completed his formal education from Kadinamkulam Lower Primary School, Sri Chithiravilasam School, S D College (Alappuzha), and Saint Berchman's College (Changanassery). By the time he completed his education, he had become an experienced drama artist. It was on the sets of his second movie, Visappinte Vili (1952), that Abdul Khader was renamed Prem Nazir by Thikkurussi Sukumaran Nair.
Entry into cinema
Prem Nazir had his acting debut as Shylock in the play The Merchant of Venice (1951), when he was a student at SB College, Changanacherry. He won the best actor award for this role in the play directed by Sheppard. His first film was Marumakal (1952), directed by S. K. Chari and produced by Paul Kallungal. He was credited Abdul Khader itself in this film. He got his career break with Visappinte Vili (1952), his second film, made for K&K Combines (Udaya Studio) by Telegu director Mohan Rao. PremNazir started his career when drama was the most popular visual medium and film making at its infancy. He started acting for the Excel Productions (Udaya Studio) and most of his films were for the Udaya and Merryland Studios.
Rise to stardom
With the arrival of Nazir, there was a new screen personality, a new debonair actor who could be the heart throb of the youth. Prem Nazir acquired the halo of a romantic hero and a loyal following. His tear-jerkers were very popular with women audiences and soon made him a darling of the masses. He soon became the first real star of Malayalam cinema. Another factor that helped Prem Nazir's instant rise — as it had the rise of his contemporaries in other regional film industries — was the continuing reign of mythologicals and devotionals. Costumed musicals, filmed start-to-finish within the confines of a studio, contributed their own. All such films for a long period kept him before his fans, nourished his romantic image and provided him unlimited scope for rehearsing and refining his talent in essaying diverse roles. Since the bulk of South Indian cinema was theatrical visually and aurally, Prem Nazir's stage background and his extraordinary command of Malayalam helped him win the hearts of his audience.
Golden years
In the late 50s, Nazir drew attention by playing movies with themes based on social and religious injustices in the society. From 1956 to 1976, Prem Nazir rode high at the crest of a tidal wave of popularity and also gave his best to Malayalam cinema. Nazir catapulted to the row of the finest actors of India with the film Iruttinte Athmavu (1967). Playing a demented youth — Velayadhan, Prem Nazir discovered his prowess as a dramatic actor of great intensity. Many critics have evaluated this role as his masterpiece, and as one of the finest onscreen performances ever. Written by M. T. Vasudevan Nair, the film provided Malayalam cinema with a new direction; that of the low budget film. One could see a lot of the pre-occupations of the scenarist, who carried the touches of human relationships through all of his subsequent films whether as screenplay writer or director. In spite of its large number of studio shots and overall theatricality, the film was so culturally rich that many of the episodes would become archetypes for future Malayalam film makers dealing with family drama. It depicted the story of an imbecile (finely portrayed by Prem Nazir) in a joint family with remarkable sensitivity and seriousness of purpose.
During his peak time, Nazir gave life to many characters and enjoyed a wide popularity among all sects of the society. He has played historical characters based on Vadakkan Pattukal. Aromalunni, Kannappanunni, Thacholi Ambu and Padayottam are some major films in this genre. Although the actor faced criticism for playing such roles as his physique was least suited for it, he still enjoyed a huge fan following among the audiences. He was well known for his roles as Hindu deities like Rama, Krishna and Ayyappa. In his movies, Nazir was well known for essaying the eternal romantic hero and the good guy who would bash up the villains without remorse.
Even though Nazir could not regenerate after the mid-1970s, he maintained his superstardom till the beginning of 1980s. In 1979, 39 of his films got released; a record. He also holds the record for having acted in the most leading roles – about 700 films (with 85 heroines; another record). Another record is for the most enduring screen team along with actress Sheela. They played opposite each other in 130 movies by 1975. Although Sheela is known as the lucky mascot of Prem Nazir, his movies with other heroines like Jayabharathi and Sharada were also big successes at box office. Prem Nazir pairing with comedian Adoor Bhasi was a sure-fire laugh riot. The void left by this duo is yet to be occupied. Nazir's association with playback singer K. J. Yesudas was perfect for the audience. Even today many consider the Nazir – Yesudas combination of song sequences remains the best ever on screen. He is quite popularly described as Nithyaharithanayakan (The Evergreen Hero), which do justice to the fact that he was acting as the hero in his elder years as well. Senior Malayalam cine actress Kaviyoor Ponnamma has revealed that Prem Nazir was a very good singer, and had training in Carnatic music.
Late career
By the beginning of 1980s, Nazir himself moved into supporting roles. He mostly played supporting roles with the then super stars Jayan, Sukumaran and Soman. In 1981, he played a major supporting role in Mohan's Vida Parayum Munpe that earned him the Kerala State Special Jury Award. This shift, from a super romantic hero to character roles, gave him many powerful characters during the mid-1980s. His last completed film was A. T. Abu's Dhwani (1989), in which he co-starred with Jayaram. His last release was Priyadarshan's Kadathanadan Ambadi (1990), in which he co-starred with Mohanlal. In one of his last interviews, he had expressed a desire to direct a film with Mammootty and Mohanlal in the lead.
Personal life
Prem Nazir was a teetotaller. He was not only a fine actor but also a good human being. He tried his hand in politics and had joined the Congress Party but he never contested elections. He was also a social reformer and with a helping mentality to others. He helped with money to some public needs in and around Chirayinkeezhu. e.g.:- Koonthalloor School, Chirainkeezhu Hospital, Palakunnu Library etc. Nazir also wrote a book on the film characters he essayed, Enne Thediyetha Kathapathrangal.
Prem Nazir's younger brother Prem Nawaz (Abdul Wahab) also acted in a few films. Although he was the first in the family to begin acting in movies, he later began producing films – Agniputhri, Thulaavarsham, Poojakku Edukatha Pookkal, Neethi and Keni to name a few. Prem Nawaz's only son, Prem Kishore has also had a stint with the industry by acting in two Malayalam films – Vacation and Thaskaraputran. Prem Nawaz has the distinction of acting in the first ever colour film made in Malayalam – Kandam Vechu Kottu. Prem Nazir's son Shahnawaz acted in a few films as well but could not succeed like his father.
Prem Nazir has three daughters viz. Laila (married to Engineer Rashid of Trivandrum & settled at Calicut), Rasiya (married to Mr.Hashim, Businessman from Kannur & settled at Chennai) – both elder to Shanawas. The youngest daughter is Rita (married to Doctor Sharafuddin of Punalur & settled at Muscat). Shanawas's wife Aisha (Malaysia) is the daughter of the eldest sister of Prem Nazir Late Suleikha Beevi.
Download Thikkurissy's finest movies listThe first film he produced and acted in was "Sthree" (1950), but the one that stabilised his stature as an actor, was "Jeevitha Nauka," (1951). Made by K and K Productions and directed by K. Vembu, it starred him along with B. S. Saroja in the lead. A roaring hit and a trendsetter, "Jeevitha Nauka" was further dubbed into four languages including Hindi. The next year he acted in "Navalokam" based on a social theme along with Miss Kumari as his heroine. The year 1952 witnessed another big hit "Visappinte Vili") in which he teamed up with Prem Nazir, an aspiring novice then, was an instant success and the two went on to make an impressive pair in a couple of films.Thereafter it was films and films all the way, which established Thikkurissy's stature as a mature and much-sought-after actor.Having penned the story, screenplay, dialogue and lyrics for "Shariyo Thetto", the next year, besides appearing in the pivotal role and directing it, he created a unique record, which has not been surpassed so far.He had been a lyricist for several films which include "Sthree'... "Palunku Paathram", "Devasundari", "Urvashi Bharathi", "Poojapushpam" and "Balloon".While he pursued a predictable pattern in screenplays, he had a penchant for punchy dialogue that went well with the audience. He tinged his lines honeydew of romanticism adding pinch of erotica for extra effect. Noted for its choice of words and subtlety of expression, 'Kaarkoonthal Kettinethinu Vaasanathailam , from "Urvashi Bharati" ranks at par with the finest piece in Malayalam.
Among the movies scripted by him are "Sree Ayyappan", "Muthalali" and "Aana Valarthiya Vanambadi". He donned the director's mantle for many a successful film including "Nurse", "Poojapushpam", "Saraswati", "Chilampoli", "Achante Bharya" and "Urvashi Bharati". As far as acting goes, he was at home with any type of role, benign or bizarre, majestic or macabre. Whatever the part, he plunged himself heart and soul into its interpretation. For him, acting was not an act of imitation but an intimate art of innovation and improvisation. This was exactly why he could associate himself with avant-garde as well as mainstream films evincing equal flair and felicity in both.
It was a kind of exploration! Thikkurissy comes to life every time you watch him play a character on screen. School master, Decent Sankaran Pillai.... and many more, he played them all. The great actor may be gone but his films shall live forever.
As somebody remarked a movie actor never dies for he shall always live in his movies. So will Thikkurissy.
He also evinced a keen skill in oratory and earned considerable fame as an eloquent speaker and his speeches were noted for their literary flavour. This ability to engage and enthrall audiences stood him in good stead when he embarked on the acting vocation.He was also responsible for naming personalities and organisations that made their mark.Renowned director Priyadarsan was christened by him. So was the great Prem Nazir. Mohanlal's Production company was named 'Pranavam' by Thikkurissy. There are many institutions including Barbershops to Business Hotels, which he has inaugurated.
Thikkurissy Sukumaran Nair
- Thikkurissy Sukumaran NairPoet
- Thikkurissy Sukumaran Nair was a Nagercoilite born Malayali Indian poet, playwright, script writer, lyricist, orator, film director and actor, though he is best known as an actor in Malayalam cinema. Wikipedia
- Died: March 11, 1997, Thiruvananthapuram
- Spouse: K. Sulochana Devi (m. ?–1997)
Thikkurisi Sukumaran Nair, Malayalam Actor - Indianetzonewww.indianetzone.com › ... › Indian Movies › Indian Movie ActorsAug 14, 2014 - In 1952, he performed in Navalokam with a theme of social significance ... His major acted films are Jeevithanauka, Navalokam, Visappinte Vili, ...
16 Oct 1916
Thikkurissy Sukumaran Nair was a Malayali Indian poet, playwright, script writer, lyricist, orator, film director and actor, though he is best known as an actor in Malayalam cinema. He is the recipient of Padmashri from the Government of India, which is one of the highest civilian honors in India. In a career that spanned about 47 years, he acted in over 700 films. He is considered to be the first movie star in Malayalam cinema.
Early life
Sukumaran Nair was born on 16 October 1916 in the village of Thikkurissy, then a part of Travancore. Thikkurissy, the village is now in Nanchinadu, Kanyakumari district, Tamilnadu. He was born in an aristocratic family to Mangat C. Govinda Pillai and N. Lekshmi Amma. He was proved a good writer and orator even when he was schooling in Marthanda Varma School.
He wrote his first poem at the age of 8 and his poem was published for the first time whe he was 14 in Dhakshina Bharathi. His poems were collectively published as a book named Kedavilakku when he was 20 . His parents wanted him to secure a government job, but he launched his career in writing and arts even before he completed his studies. Incidetly, his sister L. Omanakkunjamma was the first female magistrate in India and the first female I. A. S. officer from Kerala.
He launched his career as a playwright. His plays Mareechika and Kalakaran were hugely successful. He then went on to write 3 more plays tilted Sthree, Maya and Sariyo Thetto which revolutionised the professional play scenario in Malayalam. He replaced the melodramatic romantic musicals that ruled the roost till then, with dialogue centred prose plays having themes of realism and social importance.
He entered into the Malayalam film industry in 1950, which was at its early years with only about 10 films produced till then. He debuted in the film industry with the film adaptaion of breakthrough play Sthree with the same title. He produced the film and played the pratogonist as well. But, the film failed to make much impact at the box-office, the film scene in Kerala then being ruled by Tamil and Hindi films.
Thikkurussy's next film Jeevithanauka(1951), produced by K and K Productions and directed by K. Vembu was a turning point in Malayalam film history. The film which dealt with the theme of ego clashes in a joint family was a big commercial success and is being touted as the first superhit in Malayalam film history. The success of the film also made Thikkurissy the first superstar of Kerala.
Jeevithanauka was dubbed into 4 languages including Hindi. In 1952, he acted in Navalokam with a socially significant theme along with Miss Kumari, who would later become the pet of the masses after the success of Neelakkuyil(1954). Navalokam did not make it big at the box office, but Thikkurissy cemented his superstardom with a big hit in the same year. The film titled Visappinte Vili also had Prem Nazir, then a novice.
Thikkurissy was the person who coined Prem Nazir's screenname whose actual name was Abdul Khader. In 1953, another landmark film of his titled Sariyo Thetto was released. The film was a film adaptation of his play in the same name. The film had him handling the story, screenplay, dialogues, lyrics and dircetion departments besides playing the pivotal role. With that Thikkurissy established himself as an inseparable element of Malayalam film industry.
He was credited with lyrics, screenplay and direction in many films. The 13 films for which he was the lyricist includes Sthree, Palunku Paathram, Devasundari, Urvashi Bharathi, Poojapushpam and Balloon. He wrote story and screenplay for the films Swami Ayyappan, Muthalali and Aana Valarthiya Vanampadi.
He directed the films Sariyo Thetto, Poojapushpam, Achante Bharya, Palunkupathram, Saraswati, Nurse and Urvashi Bharathi. His major acting ventures are Jeevithanauka, Navalokam, Visappinte Vili, Iruttinte Atmavu, Swayamvaram, Umma, Bhakthakuchela, Nadi, Thulabharam, Maya, Abhijathyam, Surveykkallu, Avanazhi and Aryan.
Thikkurussy coined screen-names of many actors in Malayalm cinema. Actors who were renamed by Thikkurissy include
Prem Nazir; actual name: Abdul Khader
S. J. Dev (stage actor and father of Rajan P. Dev); actual name: Devassia
Madhu; actual name: Madhavan Nair
Personal life
Thikkurissy married 3 times in his life. His first wife was Sarojini Kunjamma, who belonged to an eminent family in Karuvatta, Alappuzha called Samudayathu Kurup. They couple has 2 daughters. The first one, Shyamala Devi Kunjamma alias Lekha is an executive engineer in Eranakulam. Their second daughter Geethambika Kunjamma is a housewife in Pujappura, Thiruvananthapuram.
After parting ways with his first wife, Thikkurussy married play actor Ambalapuzha Meenakshy Amma. The couple had a son name Rajahamsan, who now lives in Chennai. The second marriage also didn't last long and Thikkurussy got married to K. Sulochana Devi, who was a singer and dancer. This marriage however was successful and lasted 41 years till his death. Thikkurissy had a daughter from this marriage named kanakasree.
She, like her father was interested in poetry and took name as a good poet. Thikkurussy had a personal tragedy when Kanakasree died due to an accident Thikkurissy Sukumaran Nair passed away on 11 March 1997 in Thiruvananthapuram, Kerala due to kidney failure.
JOSE PRAKASH | "Who see me"
Jose Prakash – (real name K. Baby Joseph) - (14 April 1925 – 24 March 2012)oozeeme.blogspot.com/2014/05/jose-prakash.htmlMay 6, 2014 - Jose Prakash was in the British Indian army before entering the film industry. Like other actors of that age he was not a theatre or stage artist.
Malayalam cinema diary: Malayalam Films 1952malayalamcinemadiary.blogspot.com/2009/.../malayalam-films-1952.ht...Nov 17, 2009 - Malayalam Films 1952. Amma Suhruthe Athma Santhi Athma Sakhi Visappinte Vili Marumakal Premalekha Alphonsa Kanjana Achan.
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Malayalam Songs: Old Malayalam Songshitsmalayalamsong.blogspot.com/2011/05/old-malayalam-songs.htmlYear: 1952 | Musician: PS Divakar | Lyricist: Abhayadev 01 Chinthayil Neerunna | Jose ... Visappinte Vili - Movie Songs Download Link, 4Shared Publisher: ...
Old Malayalam Songs
PrasannaOld Malayalam Movie Songs
Year: 1950 | Musician: Jnanamani | Lyricist: Abhayadev
01 Agathamay Madhukalam | ?
02 Bharathamatha Paripoornam | Jayalakshmi
03 Ganamohana Hare | ML Vasanthakumari
04 Jathi Vairam Neethi Rahitham | ML Vasanthakumari
05 Kalaniketha Kerala | ?
06 Kayikasourabhyam | Radha Jayalakshmi
07 Sukrutharaga | Prasad Rao, Radha Jayalakshmi
08 Thakarukayo Sakalamen | ML Vasanthakumari
4Shared Publisher: Napie
SasidharanOld Malayalam Movie Songs
Year: 1950
Musician: Kalinga Rao | Lyricist: Thumbaman Padmanabhan Kutty
01 Alayum Maname | ?
02 Anandame | Kaviyoor Revamma
03 Azhalerum Jeevitham | Mohanakumari
04 Kanne Nanam | Kalinga Rao, Mohanakumari
05 Madhura Madhuramee | ?
06 Neeyam Chandrane | Vaikam Mani, Kaviyoor Revamma
4Shared Publisher: Punchappadam
Old Malayalam Songs
Movie: Chechi
Year: 1950 | Musician: GK Venkitesh | Lyricist: Abhayadev
01 Chirakaala Manobhavam | Kalinga Rao, Mohanakumari
02 Chudu Chinthathan | Kalinga Rao, Mohanakumari
03 Nee Maathraminnu | Mohanakumari
04 Varika Varika | Kaviyoor Revamma, GK Venkitesh
Movie: Nallathanka
Year: 1950 | Musician: V Dakshinamoorthy | Lyricist: Abhayadev
05 Aanandamennum | Augustine Joseph
06 Ammathan Prema Soubhagya | P Leela
07 Imbamerum Ithalakum | Vaikam Mani, P Leela
Movie: Nirmala
Year: 1948 | Lyricist: G Sankara Kurup
08 Arabikkadalile | TK Govindarao | Musician: PS Divakar
09 Neerile Kumila Pole | TK Govindarao | Musician: EI Warrier
4Shared Publisher: Napie
Visappinte Vili
Old Malayalam Movie Songs
Year: 1952 | Musician: PS Divakar | Lyricist: Abhayadev
01 Chinthayil Neerunna | Jose Prakash
02 Mohanane En Athma | Mehboob, P Leela
4Shared Publisher: Samshayalu
Old Malayalam Movie Songs
Year: 1953 | Musician: V Dakshinamoorthy | Lyricist: Abhayadev
01 Anuragamritham | Gokulapalan, P Leela
02 Ariyathe Kinakkalail | AM Raja, Kaviyoor Revamma
03 Kanna Neeyurangu | P Leela
04 Kanna Neeyurangu | AM Raja
05 Oru Navayugame | AM Raja,Kaviyoor Revamma
06 Snehame Lokam | Ghantasala
4Shared Publisher: Punchappadam
NeelakkuyilOld Malayalam Movie Songs
Year: 1954 | Musician: K Raghavan | Lyricist: P Bhaskaran
01 Ellarum Chollanu | Janamma David
02 Engine Nee Marakkum | Kozhikode Abdul Khader
03 Kadalasu Vanchiyeri | Kozhikode Pushpa
04 Kayalarikathu | K Raghavan
05 Kuyiline Thedi | Janamma David
06 Manennum Vilikkilla | Mehboob
07 Unarunaroo | Santha P Nair
4Shared Publisher: Pournami
Prem Nazir (1926–1989)
Prem Nazir is considered to be the biggest star in Malyalam film history. He graduated from St. Berchman's College in Changanassery, Kerala. He started acting for the Excel company and most of his films were for the Udaya and Merryland Studios. He portrayed the ideal male in most of his films. See full bio »
Died:(age 62)
1990 Kadathanadan Ambadi
Payyappilly Chanthu Gurukkal
Payyappilly Chanthu Gurukkal
1989 Lal Americayil
1988 Dhwani
Rajasekharan Nair
Rajasekharan Nair
1986 Ayalvasi Oru Daridravasi
Adithya Varma
Adithya Varma
1985 Dheivatheyorthu
1985 Mukhyamanthri
1985 Neerariyum Nerathu
1985 Orikkal Oridathu
1985 Oru Naal Innoru Naal
1985 Ozhivukalam
1985 Sannaham
1985 Shatru
1985 Snehicha Kuttathinu
1985 Uyirthezhunnelppu
1985 Vellarikka Pattanam
1985 Manya Mahajanangale
1985 Oru Sandesam Koodi
1984 Alakadalinakkare
1984 Amme Narayana
1984 Ente Nandinikkutty
1984 Inakkilly
1984 Kadamattachan
1984 Kurissu Yuddham
1984 Makale Mappu Tharu
1984 Manase Ninakku Mangalam
Damodara Kurup
Damodara Kurup
1984 Manithali
1984 Ningalil Oru Sthree
1984 Oru Thettinte Katha
1984 Piriyilla Naam
1984 Poomadathu Pennu
1984 Vanitha Police
1984 Vellam
1984 Vikatakavi
1983 Aashrayam
1983 Adhipathyam
1983 Adhyathe Anuragam
1983 Angam
1983 Attakkalasam
C. K. Balachandran
C. K. Balachandran
1983 Bandham
1983 Bhookambam
1983 Deepaaradhana
1983 Ee Yugam
1983 Ente Katha
1983 Himam
1983 Justice Raja
1983 Karyam Nissaram
1983 Kodumkattu
1983 Mahabali
1983 Marakkillorikkalum
Madhavan Thampi
Madhavan Thampi
1983/II Mortuary
DySP Rajashekhara Menon
DySP Rajashekhara Menon
1983 Passport
1983 Prasnam Gurutharam
1983 Prathigna
1983 Yuddham
1982 Aadharsham
1982 Aakrosam
Rajashekharan Thampi
Rajashekharan Thampi
1982 Aarambham
1982 Anga Chamayam
1982 Anguram
1982 Champalakadu
1982 Dhrohi
1982 Idiyum Minnalum
1982 Ivan Oru Simham
1982 Jumbulingam
1982 Keni
1982 Maruppacha
1982 Mayilanji
1982 Mazhanilavu
1982 Paanchajanyam
1982 Padayottam
1982 Ponmudy
1982 Postmortem
Fr. James / Deputy Superintendent of Police
Fr. James / Deputy Superintendent of Police
1982 Raktha Sakshi
1981 Adima Changala
1981 Ariyappedatha Rahasyam
1981 Attimari
1981 Charam
1981 Choothattam
1981 Ellaam Ninakku Vendi
1981 Irattimadhuram
1981 Itha Oru Dhikkari
1981 Itihasam
1981 Kaahalam
1981 Kaattu Kallan
1981 Kadathe
1981 Kodumudikal
1981 Paathira Sooryan
1981 Parvathi
1981 Raktham
1981 Sanchari
1981 Sankharsham
1981 Thadavara
1981 Thakilu Kottampuram
1981 Theekkali
1981 Vida Parayum Mumbe
1981 Thenum Vayambum
1981 Zakhmi Sipahi
1980 Agni Kshethram
1980 Air Hostess
1980 Anthappuram
1980 Chandrahasam
Rajan (as Premnazeer)
Rajan (as Premnazeer)
1980 Dwik Vijayam
1980 Ethikkara Pakky
Ithikkara Pakki
Ithikkara Pakki
1980 Lava
1980 Mr. Micheal
1980 Naayattu
1980 Pralayam
1980 Theekkadal
1980 Theeram Thedunnavar
1980 Love in Singapore
1979 Indradhanush
1979 Iniyum Kaanaam
1979 Irumpazhikal
1979 Kathir Mandapam
1979 Mamangam
1979 Manava Dharmam
1979 Ormayil Nee Maathram
1979 Pambaram
1979 Pichathy Kuttappan
1979 Prabhu
1979 Sarpam
1979 Tharangam
1979 Thirayum Thiravum
1979 Vellayani Paramu
1979 Vijayanum Veeranum
1979 Ward No. 7
1978 Aana Paachan
1978 Amarsham
1978 Ashtamudi Kayal
1978 Bharyayum Kamukiyum
1978 Ee Ganam Marakkumo
1978 Gaandharvam
1978 Kadathanattu Maakkam
1978 Kalpa Vriksham
1978 Kanal Kattakal
1978 Lisa
1978 Mudhra Mothiram
1978 Nivedhyam
1978 Paadasaram
1978 Prarthana
1978 Raju Rahim
1978 Sathru Samharam
1978 Thacholy Ambu
1978 Vilakkum Velichavum
1978 Yagaswam
1977 Acharam Ammini Osaram Omana
1977 Akshaya Paathram
1977 Anjali
1977 Anugraham
1977 Aparaajitha
1977 Aparadhi
1977 Aval Oru Devaalayam
1977 Chathur Vedam
1977 Hridhayame Sakshi
1977 Innale Innu
1977 Kanchana Sita
1977 Kannappanunni
1977 Lakshmi
1977 Mini Mol
1977 Mohavum Mukthiyum
1977 Muttathe Mulla
1977 Panchamrutham
1977 Parivarthanam
1977 Randu Lokam
1977 Rathi Manmathan
1977 Saghakkale Munottu
1977 Samudram
1977 Soorya Kanthi
1977 Sujatha
1977 Thuruppu Gulam
1977 Varadhakshina
1977 Veedue Oru Swargam
1977 Vishukkani
1976 Aayiram Janmangal
1976 Agnipushpam
1976 Ajayanum Vijayanum
1976 Ammini Ammavan
1976 Amrudha Vahini
1976 Chirikudukka
1976 Chottanikkara Amma
1976 Kamadhenu
1976 Kanyadanam
1976 Light House
1976 Mailanum Mathevanum
1976 Ozhukkinethire
1976 Paarijatham
1976 Panchami
1976 Pick Pocket
1976 Prasadam
1976 Pushpa Sarem
1976 Rajayogam
1976 Seemantha Puthran
1976 Themmadi Vellappan
1976 Thulavarsham
1976 Vanadevatha
1976 Vazhi Vilakku
1975 Aaranya Kaandum
1975 Abhimanam
1975 Ashthami Rohini
1975 Ayodhya
1975 Babu Mon
1975 Chattambi Kalyani
1975 Cheenavala
1975 Chief Guest
1975 Chumadu Thangai
1975 Hello Darling
1975 Love Marriage
1975 Manishada
1975 Neela Ponman
1975 Padmaragam
1975 Palaazhi Madhanam
1975 Picnic
1975 Pravaham
1975 Priyamulla Sophia
1975 Pulivalu
1975 Rasaleela
1975 Sammanam
1975 Sindhu
1975 Soorya Vamsam
1975 Thiruvonam
1975 Thmamara Thoni
1975 Tourist Bungalow
1974 Arakkallan Mukkallan
1974 Aswathy
1974 Chakravakam
1974 Chanchala
1974 Chandrakantham
1974 College Girl
1974 Durga
1974 Honeymoon
1974 Neela Kannukal
1974 Nellu
Raghavan Nair
Raghavan Nair
1974 Night Duty
1974 Pancha Thanthram
Rajendran / Shekhar / Jaidev
Rajendran / Shekhar / Jaidev
1974 Pattabhisekam
1974 Ponthen Aruvi
1974 Rajhamsam
1974 Rehasya Rathri
1974 Saptha Swarangal
1974 Sethu Bandhanam
1974 Suprabhatham
1974 Thumbolarcha
1974 Ayalathe Sundari
1973 Achani
1973 Agnathavasam
1973 Angathattu
1973 Azhakulla Saleena
1973 Bhadradeepam
1973 Chukku
1973 Darshanam
1973 Dharmayudham
1973 Divyadharsanam
1973 Football Champion
1973 Interview
1973 Ladies' Hostel
1973 Manase
1973 Pacha Nottukal
1973 Padmavyooham
1973 Panchavadi
1973 Panitheeratha Veedu
1973 Pavangal Pennungal
1973 Police Ariyaruthe
1973 Ponnapuram Kotta
1973 Poymughangal
1973 Thaniniram
1973 Thenaruvi
1973 Thiruvabharanam
1973 Thottavadi
1973 Urvashi Bharathi
1973 Veendum Prabatham
1973 Kaalachakram
1972 Aadhyathe Katha
1972 Anveshanam
1972 Aromalunni
1972 Brahmachari
1972 Devi
1972 Gandharava Kshetram
1972 Manthrakodi
1972 Manushya Bandhangal
1972 Maram
1972 Maravil Thirivu Sookshikkuka
1972 Maya
1972 Mayiladum Kunnu
1972 Miss Mary
1972 Nirthasala
1972 Omana
1972 Postmane Kananilla
1972 Punarjanmam
1972 Pushpanjali
1972 Sambhavami Yuge Yuge
1972 Taxi Car
C.I.D. Nazir
C.I.D. Nazir
1971 C.I.D. Nazir
C.I.D. Nazir
C.I.D. Nazir
1971 Ernakulam Junction
Madhu / Vikraman
Madhu / Vikraman
1971 Kalithozhi
1971 Lanka Dahanam
1971 Moonupukkal
1971 Muthassi
1971 Neethi
1971 Puthanveedu
1971 Shiksha
1971 Sumangali
1971 Ummachu
1971 Vilakkuvangiya Veena
1970 Ambalaprav
1970 Amma Enna Stree
1970 Anatha
1970 Aranazhikaneram
1970 Dattuputhran
1970 Ezhuthatha Katha
1970 Kakka Thamburatti
1970 Kalpana
1970 Kurukshetram
1970 Lottery Ticket
1970 Mindapennu
1970 Moodalamanju
1970 Nazhikakallu
1970 Nizhalattam
1970 Othenente Makan
1970 Palunku Pathram
1970 Pearl View
1970 Rakta Pushpam
1970 Saraswathi
1970 Tara
1970 Thurukkatha Vathil
1970 Triveni
1970 Vivaham Swargathil
1970 Vivahitha
1969 Aalmaram
1969 Adimagal
1969 Anaachadanam
1969 Ballatha Pahayan
1969 Jwala
1969 Kadalpalam
1969 Kalli Chellama
1969 Kannoor Deluxe
1969 Kootu Kudumbam
1969 Mooladhanam
1969 Mr. Kerala
1969 Nadhi
1969 Padicha Kallan
1969 Poojapushpam
1969 Rahasyam
1969 Rest House
1969 Susie
1969 Virunnukari
1969 Danger Biscuit
1968 Agni Pareeksha
1968 Anchu Sundariakal
1968 Asuravithu
1968 Dial 2244
1968 Inspector
1968 Kayal Karayil
1968 Kodungalluramma
1968 Laksha Prabhu
1968 Love in Kerala
1968 Paadunna Puzha
1968 Punnapra Vyalar
1968 Thirichadi
Kuttappan / Venu
Kuttappan / Venu
1968 Thulabharam
1968 Velutha Kathreena
1968 Vidyarthi
1967 Agniputhri
1967 Ashwamedham
1967 Balyakalasakhi
1967 Bhagya Mudra
1967 Chitra Mela (segment "Apaswarangal")
1967 Cochin Express
1967 Collector Malathy
1967 Kaanatha Veshangal
1967 Kasavuthattam
1967 Kottayam Kola Case
1967 Kudumbam
1967 Naadan Pennu
1967 Nagarame Nandi
1967 Ollathu Mathi
1967 Paathira Pattu
1967 Pareeksha
1967 Pooja
1967 Ramanan
1967 Swapna Bhoomi
1967 Udhyogastha
1966 Anarkali
1966 Iruttinde Athmavu
1966 Kadamattathachan
1966 Kalithozhan
1966 Kalyana Rathriyil
1966 Kanaka Chilanga
1966 Kanmanikal
1966 Koottukar
1966 Kunjali Marakkar
Antonio / Narayana Nair
Antonio / Narayana Nair
1966 Pennmakkal
1966 Pinchu Hridhayam
1966 Poocha Kanni
1966 Priyathama
1966 Saraswathy Sapadham
1966 Station Master
1966 Sthanarthy Saramma
1966 Tilottama
1965 Bhoomiyile Malakha
1965 Chettathi
1965 Devatha
1965 Inapravugal
1965 Jeevitha Yaathra
1965 Kaliyodum
1965 Kathirunna Nikah
1965 Kavya Mela
1965 Kochumon
1965 Kuppivala
1965 Mayavi
1965 Murappennu
1965 Muthalali
1965 Odeyil Ninnu
1965 Porter Kunjali
1965 Rajamalli
1965 Rosy
1965 Shakuntala
1965 Thankakudam
1964 Althaara
1964 Ayesha
1964 Bhargavi Nilayam
1964 Devaalayam
1964 Karutha Kai
1964 Kudumbini
1964 Kutti Kuppayam
1964 Pazhassi Raja
1964 School Master
1963 Chilamboli
1963 Kaattu Mynah
1963 Kalayum Kaminiyum
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1963 Snapaka Yohannan
1962 Kaalpadukal
1962 Laila Majnu
1961 Gnana Sundari
1961/I Krishna Kuchela
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1960 Seeta
1960 Thilakam
1959 Sahodari
1958 Chadarangam
1958 Lilly
1958 Mariakutty
1957 Devasundari
1957 Jailpully
1957 Padatha Paingili
1956 Atmarpanam
1956 Avar Unarunnu
1956 Manthravadi
1955 Aniyathi
1954 Avakashi
1954 Avan Varunnu
1954 Balya Sakhi
1954 Kidappadam
1954 Manasakshi
1953 Tandri
1952 Achan
1952 Marumakal
1952 Visappinte Vili
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Alternate Names:Prem Nasir | Premnazeer
Did You Know?
Trivia:Given the title of "The Evergreen Hero of Malayalam Cinema". See more »
Is jag mein garibon ka--Bhookh(1947)--Geeta Dutt - YouTube
Is jag mein garibon ka--Bhookh(1947)--Geeta Dutt
www.word.photoimage[2011-09-01 by oldhfmfan] Geeta Roy, Shamshad Beghum -Yeh haseenon ke male : Film - Bhookh (1947), MD: Anil Biswas Lyrics: Dr Safdar 'Aah
Buy Hindi Movie BHOOKH-1978- VCD
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Song Synopsis & Promotional Booklets of Film Bhookh ...
osianama.com/cine-ssb-1105062CINE.ssb/ India/ The Osian's Collection. Song Synopsis Booklet Bhookh.1947; India. Banner Rang Mahal Ltd.; Producer Safdar Ah. Director Safdar Ah ...
Song Synopsis & Promotional Booklets of Film Bhookh ...
osianama.com/cine-ssb-1105062CINE.ssb/ India/ The Osian's Collection. Song Synopsis Booklet Bhookh.1947; India. Banner Rang Mahal Ltd.; Producer Safdar Ah. Director Safdar Ah ...
Bhookh 1947 Movie News, Wallpapers, Songs & Videos ...
www.bollywoodhungama.com/moviemicro/cast/id/539016Read Bhookh 1947 movie latest news, download wallpapers, listen songs, watch videos and get latest updates for Bhookh 1947 at Bollywood Hungama.
Release Date
- 1 Jan 1947
- Family Drama
Star Cast
- Sheikh Mukhtar
- Husna
- Kanhaiya Lal
- Agha
- Abu Baker
- Narmada Shankar
- Kiran
Hindi Film Songs - Bhookh (1947) | MySwarmyswar.com/album/bhookh-1947Bhookh (1947) by Anil Biswas - Complete information including lyricist, singers and other credits, ratings and user and critic reviews, complete songs listing, ...
BHOOKH(1947) - YouTubewww.youtube.com/watch?v=my09qgqXTzQJul 26, 2013 - Uploaded by Jitender SiwachAANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR ...
- More images for film (Bhookh)(1947)
Bhookh - HindiGeetMala.nethindigeetmala.net/movie/bhookh_1947.htmLyrics and video of songs from Movie / Album : Bhookh (1947); Music by: Anil ... Film cast: Sheikh Mukhtar, Husna, Kanhaiya Lal, Agha, Abu Baker, Narmada ...
Song Heading Singer(s) Music Director Lyricist Movie / Album Actor(s) Is Jag Me Gareebo Ka Nahi Koi Thikana
3.00 - 1 votes
Geeta Dutt Anil Biswas Safdar Aah Bhookh (1947) Video Playlist of all the songs of this movie from youtube Advertisements
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The original video of this song is available from youtube.
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No Lyrics are available right now. The lyrics will be added in due course.
Lyrics of this song is also available in Hindi.
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Bhookh (1947)
Film cast: Sheikh Mukhtar, Husna, Kanhaiya Lal, Agha, Abu Baker, Narmada Shankar, Kiran Singer: Geeta Dutt, Shamshad Begum, Anil Biswas Lyricist: Safdar Aah Music Director: Anil Biswas Film Director: Safdar Aah External Links: Bhookh at IMDB
List of Bollywood films of 1947 - Wikipedia, the free ...en.wikipedia.org/wiki/List_of_Bollywood_films_of_1947A list of films produced by the Bollywood film industry based in Mumbai in 1947: Contents. 1 Top grossing films; 2 A-B; 3 C-D; 4 E-I; 5 J-L; 6 M; 7 N-R; 8 S-Z ...
Aankh Mein Kyon Ashq Geeta Roy Film Bhookh 1947 Md ...mp3.mjtlink.com/.../aankh_mein_kyon_ashq_geeta_roy_film_bhookh_...Download Aankh Mein Kyon Ashq Geeta Roy Film Bhookh 1947 Md Anil Biswas Lyrics Safdar Aah mp3 just click button Play or Download to get free music ...
Dekho Hara Hara Ban Hawa San San Anil Biswas ...mp3.mjtlink.com/.../dekho_hara_hara_ban_hawa_san_san_anil_biswas_...Download Dekho Hara Hara Ban Hawa San San Anil Biswas Shamshad Begum Film Bhookh 1947 mp3 just click button Play or Download to get free music ...
pobieramy.eu/.../aankh-mein-kyon-ashq-geeta-roy-fil...Translate this pagePobierz AANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR AAH w jakości 320 kbps !!! - bez logowania - za
Remembering Anil Biswas, The Singer | Songs Of Yore
www.songsofyore.com/remembering-anil-biswas-the-singer/Jul 7, 2014 - Knowledge about film songs can be clearly divided into before and after .... Saare jag mein pet ka dhandha from Bhookh (1947), lyrics Dr ...
Conversations Over Chai: The Legends: Shamshad Begum ...
anuradhawarrier.blogspot.com/.../legends-shamshad-begum-part-2.htmlJan 31, 2012 - The film was the 'adult' debut of Nargis, born Fatima Rashid, and .... was Yeh haseenon ke mele albele in 1947, for a film called Bhookh (Anil ...
Bhookh | atul's bollywood song a day- with full lyricsatulsongaday.me/tag/bhookh/13 hours ago - Once again in 1947, Anil Biswas and Safdar Aah came together in the film Bhookh-47. This too was a film depicting the oppression of poor by ...
Anil Biswas - Geeta Dutt - Musical Association with Various ...www.geetadutt.com/anil.html... but whatever she has sung for him represents the very best of hindi film music. ... "Yeh haseenon ke mele albele" with Shamshad Beghum in Bhookh (1947).
Bhookh 1947 Reviews, Trailers, Videos, Watch Now ...www.filmiclub.com › Movies › BollywoodBhookh is a 1947 Indian Bollywood social film released on 1947. The film is directed by Safdar Aah. Check out this page for more updates on Bhookh.
Routledge Handbook of Indian Cinemashttps://books.google.co.in/books?isbn=1136772847K. Moti Gokulsing, Wimal Dissanayake - 2013 - Performing ArtsThe gathering momentum of the freedom movement also influenced film ... ho,' songs of Bhookh (1947) like 'Saare jag men pet ka dhandha' and 'Is jag men ...
Is jag mein garibon kaBhookh1947Geeta Dutt - MyOdia.netmyodia.net/search/Is+jag+mein+garibon+kaBhookh1947Geeta+Dutt.htmlIs jag mein garibon ka--Bhookh(1947)--Geeta Dutt. (02:25). Jee bhar ke ... saray jag mae peet ka dhanda,,,anil biswas,,film bhook. (02:39). Jinki naigaho ne ...
BHOOKH(1947) - YouTubewww.youtube.com/watch?v=my09qgqXTzQJul 26, 2013 - Uploaded by Jitender SiwachAANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR ...
ANIL BISWAS- SHAMSHAD BEGUM-FILM- BHOOKH(1947)www.youtube.com/watch?v=AkPLCWvP4sIJul 7, 2014 - Uploaded by Jitender SiwachMD-ANIL BISWAS LYRICS-SAFDAR AAH A TRIBUTE TO ANIL BISWAS (7 JULY 1914 -31 MAY 2003)
Is jag mein garibon ka--Bhookh(1947)--Geeta Dutt - YouTubewww.youtube.com/watch?v=J56h4mHwAM0Nov 13, 2011 - Uploaded by tomdick0705harryThis song is from the Movie Bhookh(1947), sung by Geeta Dutt... Music ... ke male : Film - Bhookh ...
Geeta Roy, Shamshad Beghum -Yeh haseenon ke male : Filmwww.youtube.com/watch?v=ZwqPV7VP7RUSep 1, 2011 - Uploaded by Parag SanklaGeeta Roy, Shamshad Beghum -Yeh haseenon ke male : Film - Bhookh (1947), MD: Anil Biswas ...
DARD APNA - SINGER-? - FILM- ATOM BOMB(1947) MD-A ...www.youtube.com/watch?v=5O3AtLDE9agMar 8, 2013 - Uploaded by Jitender SiwachAANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR ...
GEETA ROY-BHOOK-1947-Is Jag Mein Gharibon Ka Nahin ...www.youtube.com/watch?v=kc6ilD14IEMMar 12, 2015 - Uploaded by JAVED RAJA- Melody is Always QueenAANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR ...
Bhookh - YouTubewww.youtube.com/watch?v=T-8qrAfha3IJun 8, 2013 - Uploaded by kcabroadcastingAANKH MEIN KYON ASHQ- GEETA ROY- FILM- BHOOKH(1947) MD- ANIL BISWAS LYRICS- SAFDAR ...
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Geeta Roy, Shamshad Beghum -Yeh haseenon ke male : Film - BhookhGeeta Roy, Shamshad Beghum -Yeh haseenon ke male : Film - Bhookh (1947), MD: Anil Biswas Lyrics: Dr Safdar 'Aah' Sitapuri.
Is jag mein garibon ka--Bhookh(1947)--Geeta DuttThis song is from the Movie Bhookh(1947), sung by Geeta Dutt... Music by Anil Biswas...


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Store Locator
S8 Note - This prescription item is Schedule 8 and can only be supplied on a script from a registered doctor in Queensland. Any prescriptions from any other state cannot be filled and will be returned in the mail
Pharmacist Only Medicine
Nature's Way Kids Smart Vita Gummies Multivitamin contains vitamins and minerals to help support kids growth and development.
Size: 60 Pack
Contains: Sugar, Gluten from Wheat (source: Glucose Liquid), Sulfites.
Storage Temperature: Below 25°C.


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You found me! I am the creator of everything on this website. My name is Katharina, but you can call me Kathi.
I am a graphic designer and illustrator based in Vienna, Austria.
I love clean and minimalist designs, but also playful and colourful illustrations. Have a look around my website to get an idea of my style. If you wish to contact me, you can do so here. I'd love to hear from you!


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First of all, I hope the bring your lunch to work challenge is going well! If you did it, figure out how much you saved, and reward yourself tomorrow by buying lunch!
When negativity is all around, staying happy and positive is a challenge. The unfortunate part is that you may have to create your own happiness and positivity to keep yourself on the happy track. The fortunate part, is when you create your own positivity you share it with those around you. You never know who needs a friendly hello, or someone to just not be rude or mean. Your actions are contagious, whether you choose to spread happiness or not is your choice. Why not try to make the world a brighter place? There's no telling how much you can change the course of events by choosing happiness.
We all have to find our own way to do this, one thing I try to do when I feel myself starting to spread negativity is reading happy quotes and stories. I'm a huge animal lover so cute pictures of puppies or happy rescue/reunion stories usually do it for me. Like this one:
This week do some searching to find a way you can perk yourself up to keep on spreading happiness and positivity! I promise you, it's contagious and you'll see the effects before you know it!


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Toos's daughter helping on the farm picking celeriac
Known also as celery root or turnip celery, this is a vegetable is a Mediterranean staple but slower to be loved here in the UK. But root veg seems to be having a moment this year – the sweet flavours released in chips, crisps and roasted wedges.
We have two celeriac growers…outdoor grown and left to mature in rich soil from Worthing and Biodynamic Organically grown celeriac from Toos in Cuckfield. Take your pick…
Either way, fresh celeriac is so much nicer than the shrinkwrapped supermarket varieties where the freshness has been lost, leaving only a dry bitterness – no wonder so many people don't like the flavour.
Why we should make the most of it
Celery, as a veg, is obviously low fat and high fibre but also contains B Vitamins and a healthy supply of minerals to support your immune system.
Sadly, when we looked up a description – it was described as a 'garnish for fine dining'… what a relegation for a veg that was even named by Homer in his Odyssey!
Storing Celeriac
Celeriac is a good keep but don't let it dry out. Wrap in a dampened paper towel to keep fresh – although you can still cook it when it is older, but it loses the fresh potent flavour.
When you use it, it can discolour quickly, so drop into a bowl of water with a dash of lemon juice or white wine vinegar.
Freezing Celeriac
Fine to freeze – Peel and chop into usable chunk sizes about 3cms or so. Blanch by cooking in boiling water for around 2 mins. Plunge into cold water immediately to prevent from further cooking.
Lay the celeriac on a tray and freeze in a single layer. That way when you transfer the frozen celeriac to a freezer back, they won't stick together.
Ideas for Partnering
- Mashed as a substitute for potato – mash with cream and pears for added sweetness. In fact, pears are a perfect partner for all forms of celeriac – gratins and roasts.
- Try Hugh Fearnley Whittingstall's celeriac ice cream with walnut praline. It sounds like it would be absolutely delicious with a nutty Mastic flavour? We will let you know when we've tried it!
- Cook with fennel and puy lentils for a layered aniseed flavour.
- Cook with game, pork or duck – the flavours partner well with richer meats.
- Try more celery based desserts with Sat Bains' Candied Vegetable Bread and Butter pudding or the exquisitely sounding Thyme meringue, Lemon curd, celery sorbet with celeriac crisps.
Roast Celeriac Wedges with Walnut and Kale Pesto
Serve the celeriac with the pesto spooned on top, or serve it alongside.
6 as a side dish
- 750g celeriac, peeled and cut into wedges
- extra-virgin olive oil
For the pesto:
- 200g kale, stalks removed and discarded
- 50g pecorino, grated
- 65g walnuts, lightly toasted and roughly chopped
- 10g parsley, leaves only
- 1 garlic clove, crushed
- 150ml extra-virgin olive oil
Preheat the oven to 200C/gas mark 6. Line a roasting tin with foil or parchment and spread out the celeriac wedges in a single layer.
Toss the wedges in some olive oil and seasoning. Roast for 40-45 minutes, until the wedges are tender and golden at the edges.
Meanwhile make the pesto. Cook the kale in boiling water for 5 minutes. Drain and put into very cold water so the colour stays bright. When the kale is cool, drain it again and shake out the water.
Keep back half of the pecorino and half the walnuts. Put the rest of the ingredients – except for the oil – into a food processor and pulse-blend, while you add the oil in a steady stream. You want a mixture that has texture so be sure not to blitz it too much.
Stir in the rest of the walnuts and the cheese and taste for seasoning. Serve the celeriac with the pesto spooned on top, or serve it alongside.


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Tables of Contents of Journals of Interest to Classicists
TOCS-IN provides the tables of contents of a selection of Classics, Near Eastern Studies, and Religion journals, both in text format and through a Web search program. Where possible, links are given with articles of which the full text or an abstract is available online (about 15%).The Toronto-based database project began to archive current tables of contents in 1992, and now contains ca. 185 journals, and over 45,000 articles
Link to resource: Tables of Contents of Journals of Interest to Classicists
Fulltext available: Journal Articles


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Is Your Conference Room Design Ready for the Next Decade?
Wellness lighting, hidden components, and other updates to your office technology
We've all been into that Dallas conference room that was less than impressive. Most of them shared some standard features: you could walk in and instantly notice the fluorescent light and antiquated furniture that heralded a bygone era of corporate life.
AV enthusiasts would notice deeper conference room design issues as soon as someone started using the room. We'll reveal some pain points that signal an office that you can leave in the 2010s and some quick fixes that will make your Texas office future-ready. Keep reading!


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Jeff Zhorne
Jeff Zhorne, MA, Grief Counselor and bereavement specialist, is founder and director of the Loss & Recovery Center and The Grief Program, an organization dedicated to guiding grieving people in resolving loss issues step-by-step to a richer quality of life. His professional experience in Greater Los Angeles includes training lay counselors at the AIDS Service Center, Caring for Babies with AIDS and Haven House for Battered Women. He has appeared as a guest in every major U.S. radio market including WLUP Chicago, WMC Memphis, WBGZ St. Louis, KRXO Oklahoma City and the No. 1 online radio program VoiceAmerica Network. As an educator in Grief Recovery and having experienced so many losses firsthand, including the tragic deaths of his two young children, Jeremy and Amelia, Jeff has gained the insight and sensitivity to effectively reach people suffering loss. He has presented workshops at The Compassionate Friends national conferences in 1997 and 2004, Parents of Murdered Children support groups, college classes and church congregations. Jeff was the designated counselor for Los Angeles radio program KTWV's Adopt-a-Family program and the primary referral for Rose Hills Memorial Park, the world's largest cemetery. His grief workshops have been underwritten by Santa Clarita City Hall and Lexus of Valencia. Currently he is in private practice in Valencia. The Grief Program receives referrals from Henry Mayo Hospital Behavioral Health Unit, The Michael Hoefflin Foundation, Hart High School, Valencia High School and various hospices and churches.
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Emphasizing institutional eye health and visual evaluations. Our unique portable system allows patients to be examined in the comfort of their own surroundings.
For those patients that require eyeglasses, we bring a wide variety of frames from which to choose. Appropriate measurements are taken to ensure the best visual function for the patient. Medi-Cal patients are completely covered for this benefit and also qualify for replacement glasses when they meet the qualifying guidelines, such as loss, breakage, or change in prescription. For patients with no insurance for glasses (Medicare rarely pays for eyewear), we contact the responsible party with a recommendation form that lists the various costs for frames and lenses through our private lab, pending their authorization. Medi-Cal fabrication of the glasses including engraving the patient's name on the side temple takes several weeks. (Expedited service available as requested.)
Types Of Payment Accepted
We accept Cash, Personal Checks, American Express, MasterCard, Visa, Discover,
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We participate with VSP, Medicare, Medi-Cal, and most Major Insurance Plans.
Check with our staff if you have other types of coverage.
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Our staff speaks Cantonese, English, Spanish, Vietnamese, Farsi, Korean and Armenian. (Japanese by special arrangement.)
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Sep 13, 2016 | 0 comments
Lancaster, PA (September 2016) – Pure Water Technology®, a leading supplier of bottleless water purification coolers and state-of-the-art water filtration systems, announced the opening of a location in Chambersburg, PA to support company growth.
The new office, located at 375 Floral Ave, Suite 112 Chambersburg, PA 17201, will bring Pure Water Technology's number of offices up to five, allowing them to provide more responsive service to customers in Chambersburg, Hagerstown, MD, Frederick, MD, and the surrounding counties.
The number of customers in these locations has increased substantially over the past year, and Pure Water Technology believes the new office will allow them to preserve the high quality of service for which the company is known.
"We are excited to finally announce news of our expansion into this region, which reflects the overall growth of the company," says John Burkholder, President of Pure Water Technology. "The new location will help us to keep existing customers serviced and satisfied, while allowing us to more easily work with new customers in this region."
Pure Water Technology's water purification systems are the most effective way to provide fresh, pure, oxygenated drinking water in the workplace to reduce costs for businesses and improve employee health and wellness. With locations in Lancaster, Exton, Allentown, Cockeysville (MD), and now Chambersburg, the company looks forward to continued growth.
For more information about Pure Water Technology, the Chambersburg Location, or their water purification systems, visit www.purewaterpa.com or call (888) 581-7873.
Since 2005, Pure Water Technology® has operated under the leadership of Pure Health Solutions, Inc. (PHSI®) providing fresh, pure, healthy drinking water by removing chemicals, bacteria, and parasites. PHSI's purification systems, along with their reverse osmosis membrane and activated oxygen injection, produce better tasting, healthier water to businesses and their employees.
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The Acting Room originally started in 2004 as a Los Angeles based professional acting class, taught by me, Kirsten Tretbar.
Using our original website to promote these weekly classes, we noticed that people were contacting us for help and asking questions from all over the country, as well as the world! With this in mind, we thought we'd better serve aspiring, and working actors alike, by relaunching The Acting Room website as a community-focused blog.
With this new blog platform we now hope to reach out further and connect with actors of all levels, types and ages. We promise to make The Acting Room a fun read and a great resource for all things acting. And we also hope that the experiences, stories and teachings published here will help take your acting, and your understanding of the craft, to a whole new exciting level.
About Kirsten Tretbar
Kirsten Tretbar is a well-known acting teacher and filmmaker, and former actress. She received her MFA in acting from USC, and acted professionally in LA for many years. In England, Kirsten produced TV for the BBC and ITV networks. She also headed the private production company for the Sultan of Brunei. In recent years, Kirsten produced several independent films with Independent Spirit Award nominee and brother, Eric Tretbar. Kirsten is also an award-wining documentary filmmaker with ZENITH, a feature doc which aired on NBC in 2003, and also won a prestigious Movieguide Award for "Best Documentary of 2003". When not teaching at Grinnell College, or producing films in Los Angeles, Kirsten lives in Kansas City.


text: Big Evil Robots have taken over the city. Get stopping the invasion of evil robots. This is more than a game to kill! You have to use your brain and discover the weaknesses of your opponent, only then will you be able to exterminate them all. Enjoy! // published 03/01/2016


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Level Playing Field encourages disabled supporters to leave feedback following their match day experience. They always pass the comments (good or bad) onto the club itself with their offer of help and advice if required.
We have recently received the following comments from a York City fan who is a wheelchair user:
"I previously ordered tickets over the phone directly from Wycombe and also requested a wheelchair car park space but was told it was on a first come first served basis.
Prior to match we had a meal at The Blacksmiths Arms, a Harvester pub.
Arriving at the ground we were shown to a disabled car park space, there weren't many left.
I collected our tickets from the blue pod in the car park. We bought a program from a seller in the car park. The club shop was accessible but we didn't go in.
On entering the ground a steward checked our bags & tickets and then opened some large doors for us to go through.
There were disabled toilets just inside the entrance but I never saw a refreshment bar.
There were about 5 wheelchair spaces each with 2 seats pitch side, in front of our own fans.
A steward checked to see if we were ok & said to call him if we needed anything, and then said if we wanted to move out of the sun, he would take us to other seats in a different stand.
Everyone from the fans to stewards were very friendly.
It did take us a long time to get out of the car park after the match, and the car park steward did warn us when we parked."
Level Playing Field – Promoting Good Access For All Fans | Level Playing Field provides expert Access Audits – designed specifically for sports venues- please click this link for more information <http://www.levelplayingfield.org.uk/access-audits>
PS We have also had great feedback about the Fulham game as well


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Rid your car seats of food spills
Try these no-sweat tips first before resorting to a car wash
Dec 7, 2017
Food is integral to any events, be it as big as an annual family reunion or a simple get-together of friends. Gatherings equate to free-flowing food. And free-flowing food equates to hours of preparation and transportation from one house to the venue.
Food items aren't going to drive themselves, so they're riding with you in your car. Stuffed in pieces of Tupperware and food containers that promise durability and non-sloppiness, they still somehow find a way to spill over (maybe you couldn't resist the urge to take a pinch from a savory lechon bathed in gravy, which is understandable). When transporting your contribution to the potluck or just simply eating your drive thru meals, sometimes we just have to accept that food spills are part of the package.
And if you find your car upholstery with food stains, try the following tips from The Kitchn first before going to a pricey car cleaning service.
Act fast and blot
Clean the spill as fast as you can so that it doesn't have time to set. If you're the driver, make sure to park first to avoid unnecessary accidents. Remove any larger pieces of food with your hands or paper towels, then use paper towels to blot spills. If needed, change towels as soon as they get saturated. Repeat until you've picked up as much of the food as possible.
Make your cleaning solution
If you don't want to buy a dedicated upholstery cleaner for fabric or leather interiors, you can make a 50/50 mixture of liquid dish soap and water.
Scrub with a brush
Dampen the brush (you can recycle an old toothbrush) with the mixture and scrub the stain. Don't soak the stain to avoid creating water marks.
Follow it with a microfiber cloth
This method is for rinsing off the cleanser. Moisten a microfiber cloth with clean water and scrub the spoiled upholstery. Repeat as necessary.
Dry the spot
If you have a handy hair dryer, use it to dry the area. Don't hold it too close to the upholstery, and maintain its low setting to avoid blistering. However, if you don't have a dryer, leave the window open and leave it to dry.
Header image courtesy of The Kitchn
Read more:
Five apps to help you clean your house and do your laundry
You may be forgetting to clean these household items
Use the 20/10 Method the next time you clean your house
TAGS: be car cleaning cleaning hacks fixture food spills nolisoliph
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Could you be the right family for Hiro?
Seven-year-old Hiro is a sweet and helpful little boy whose caregivers describe him as having a "sunny personality."
He came into care when he was just one day old, and has lived in his care center in China since he was a baby.
Hiro loves his friends, and has many interests and talents. He likes playing with remote control cars and Legos, loves working on art projects and also enjoys sports like soccer and rock climbing. He is confident and curious, imaginative and expressive. He likes to read and play games with his friends, and loves to help others.
Hiro has congenital heart disease and will need a family with the resources to meet his medical needs. Mostly, though, he just needs a loving, permanent family to support him as he pursues his interests and explores the world around him.
Could you be the right family for Hiro? For more information about this sweet and helpful boy, email firstname.lastname@example.com.


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The Second Circuit Court of Appeals sent Bank of New York Mellon's (BK) $8.5 billion settlement with Countrywide (Bank of America) over mortgage-backed securities back to state court this week.
Analysts see the ruling as good news for Countrywide and the Bank of New York Mellon, who fought with investors over the choice of venue for months. The case ties back to BoNY's decision, as trustee off loans in a securitized trust, to settle with Countrywide on behalf of RMBS investors over losses on loans originated by the closed lender.
Bank of New York Mellon and Countrywide agreed to settle last summer. But investors with loans in the trust pushed back, suggesting the settlement would rob them of an opportunity to represent their own interests.
The investor plaintiffs, who are suing under the name Walnut Place, had the original case moved from state court to federal court on the grounds that it's a class-action with multiple parties, making it qualified for federal jurisdiction. Analysts felt the move to federal court ended BNY Mellon's ability to hold investors to the settlement. Ever since then, both parties have been sparring over the appropriate jurisdiction for the case.
BNY Mellon secured victory the latest victory with the Second Circuit remanding the settlement dispute back to state court on the grounds that "the case falls within the securities exception to both original and appellate jurisdiction under the Class Action Fairness Act of 2005."
"We are gratified that the matter has been resolved on appeal," said Lawrence Grayson with Bank of America. "We believe the trustee acted reasonably in entering into the settlement agreement, and we look forward to completing the judicial proceeding to approve that decision."
Fitch Ratings said with the case back in state court, "approval (of the settlement) is likely to occur earlier, perhaps in mid 2012."
Barclays Capital analysts agreed, saying, "The move back to New York state court increases the likelihood of the settlement going through and pushes the timeline forward. We expect the cash payouts from the settlement to happen sometime in the first half of 2013 in our base case."


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Great Coffee
There is not much luxury to be had in life for £3.99. It wouldn't even buy you much of a box of chocolates, certainly not a bunch of flowers but it will buy you some wonderful coffee. 24 cups of it actually!
I love coffee. Let me explain.
Why I love coffee
Coffee gets me up in the morning , it fuels me when I am tired, its lovely after a meal or when having a great chat with Friends. Coffee is a good friend to me . Now cafes are expensive and a nice coffee can set you back a couple of £'s. So I'm all about drinking nice coffee at home and making it yourself. OOh yes, especially atasty cappuccino
Being invited to visit Taylors of Harrogate was a really lovely thing for me to do. Let me tell you about my day. First of all their were some delightful Betty cakes and coffee waiting for us on arrival that made my mouth water. Good coffee and scrummy cakes in a fabulous combination
After a good catch up with some old and some new bloggy friends Emily, Taylors coffee expert, gave us the low down on how coffee is made. It is long and complicated and I would never recount it correctly but it is amazing how much is involved in order to make fresh tasting fabulous coffee. We heard tales of pirates and laser beams shooting bad coffee beans and cherries and all sorts! Very exciting. Then we got to do some coffee tasting.
How to taste coffee
In order to tasre coffee properly you have to give it a REALLY BIG slurp off a spoon then a spit. Emily was a magnificent coffee taster, I just got the giggles. I could not make a noisy slurp for love nor money. These other bloggers as you can see were having a great try!
Here are Kate, Amanda Katie and Sally taking it all very seriously (ahem!)
After too much coffee we were all a bit buzzy so went out to the greenhouse to see some growing. It's such an interesting space and funny to see how something we take so much for granted comes into being.
Later Emily showed us how make a perfect cafetiere. Away with the coffee snobbery she declared simply pop in the coffee, pour on the water, stir it up, comeback 4 mins later, plunge and that's it. I really like Emily – she took all the mystique away! I now feel very confident about my cafetiere making skills.
I love that despite being seen as a luxury brand Taylors of Harrogate are not at all snooty about their coffee.They want everyone to enjoy it and feel confident making it. They have n ethically stance on coffee too and ensure their workers are paid and treated fairly.
A good idea
In order to help more people enjoy coffee Taylors of Harrogate have come up with a simply stupendous idea. They have put together four of their best coffees in exactly the right measures to use in an 8 cup cafetiere, sealed them and popped them in a box for you to use. This means you can't get your measuring wrong, you don't have to seal them , freeze then or rush to use them up.
One sachet does one pot. Job done. Simple and clever and take a lots of the worry away form making good coffee.
This rich roast selection includes a pack of Rich Italian, Hot Lava Java, Café Brasilia and After Dark.
Each pack is 45g – the perfect amount for an 8-cup cafetiere and foil packed for freshness. So far I like Cafe Brasilia best but I am enjoying the opportunity of trying a few without having had to buy for bigger boxes. Their coffee's sell everywhere but Taylors of Harrogate do have an online shop which houses their full range.
Great Cofffee – A little bit of luxury I can afford.
Have a peek here to discover the journey of a coffee bean


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Before volunteering with us for the first time, you must complete the volunteer application found below:
*Check box next to "Volunteer [Administrative\Street Outreach Ministry]" under Availability.
Please arrive between 9-9:15am. We will begin with opening prayer at 9:15am and head out around 9:45am.
When you arrive at The SVdP Women and Families Shelter (120 W Apple Street), you may enter through the side door into our administration office. It's a single door on the right side of the building, covered by a small awning with yellow handrails on either side. If you enter through the main entrance, ask the front desk staff to let you into the administration office.
Thank you for serving with us!
Contact Alexander Mingus with any questions:
[email protected]
Labre Volunteer
Labre Coordinator (2)


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About us
The goals of the Council for Religious and Life Stance Communities are defined in the statutes:
- To promote mutual understanding and respect between different religious and life stance communities through dialogue;
- To work towards equality between various religious and life stance communities in Norway based on the United Nations covenants on Human Rights and on the European Convention on Human Rights;
- To work, internally and externally, with social and ethical issues from the perspective of religions and life stances.
STL Grenland
Håvundveien 380, 3711 Skien
Tlf 93201909
Main Office Oslo, Norway
Rådhusgt. 1-3, 0151 Oslo
Tel 23081339