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There is growing interest among embedded vision developers in adding AI/ML technology to their designs to give them the intelligence needed to run applications like object counting or presence detection. However, supporting AI/ML in embedded vision applications can be challenging, particularly as embedded vision applications trend towards increasing complexity.
CrossLinkPlus devices are low power FPGAs featuring integrated flash memory, a hardened MIPI D-PHY and high-speed I/Os for instant-on and flexible on-device programming capabilities, while bringing ready-to-use IPs to accelerate video bridging application development.
The pieces are falling into place for the Virtual Reality (VR) market. As designers move to higher bandwidth designs, integrate higher resolution displays, reduce system latency, and improve gesture and head tracking, they are beginning to deliver truly immersive experiences to VR users. And as new technologies mature and more systems come to market, industry analysts are beginning to quote some compelling numbers.
Change is constant for embedded video system designers. Over the last few years designers have seen systems that incorporate mobile application processors with an entirely new level of capability, the adoption of new standard interfaces originally developed for the mobile consumer market, and the introduction of a new generation of lower cost image sensors and displays.


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Studied and practiced Yoga for more than 10 years with renowned teachers of different styles of yoga, including Ashtanga, Vinyasa, Dharma Mittra and Jivamukti in North and South America, India and Europe.
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text: Hey brother! J, Pixar. Not just like the name in computer animated films but really just films in general. From incredibly original stories to lovable characters, to outstanding attention to detail, all coupled with the ambition to take every movie somewhere it's never gone before So, today we are going to discuss the top 10 hardest to animate characters or features from Pixar films *Intro music* J in the early days of Pixar the shorts actually included an Easter egg that was always there but people really didn't know to look for. The easter egg was always the same, but also always extremely different and that was in every Pixar short there was always an experiment. What I mean by that is all of the Pixar shorts usually included something that they were trying to animate but the technology wasn't quite there yet for a feature-length film; for example the short Geri's game was premiered before A bug's life featured number 10 on our list: Humans Geri's game was Pixar's first stab at animating humans in a worthwhile way. Now of course we saw humans in Toy Story but even though Andy has extreme importance to the plot of the movie, he really doesn't have that much screen time. The difficulty and cost of animating humans is the only confirmed reason we have as to why we don't see Andy's dad in Toy Story. The actual quote from Lee Unkrich is: "Human characters were just hideously expensive and difficult to do in those days and Andy's dad wasn't necessary for the story" Just how expensive do you think hideously expensive is? also I do think that there's another reason why we don't see Andy's dad and that reason is polio. Full video by clicking the card But back to animating humans In the early days it was so hard to get enough detail in to make the humans look realistic and they just kind of looked plastic and what we got as a result is Toy Story Up next at number 9 is Sully's hair All 2.3 million of them 2.3 million individual hairs! And that was back in 2001 by 2013 when Monsters U came out it was all the way up to 5.4 million Now you could be thinking and I'm sure the animators at Pixar were hoping the same that by the time Monsters U came out at least we had Sulley wearing clothes, so that should cut down on the difficulty of animating a little bit, right? But unfortunately that's actually wrong. They had to account for all of the movements that Sulley was going to have and at any point in time the wind could blow in the movie and lift his shirt, and you'd still have to have hair underneath So, in true Pixar fashion you have to animate all of it Just in case Although it is worth mentioning that sometimes they can get away without animating something, for example in Ratatouille, none of the humans have toes Moving on to number eight, first we had humans, then we had hair, let's just put them together with human hair, specifically Violet's from The Incredibles I actually found this completely shocking but Violet's hair in The Incredibles was actually the most difficult to animate feature of the entire film. This seems especially surprising when you consider Monsters Inc came out three years before The Incredibles and Sully's entire body is covered with hair so, what made this in particular so difficult? And if it was so difficult Why was it necessary? And when I say difficult, when they started production on this movie they didn't even know if it was possible, but they just rolled with it and eventually figured it out. What's crazier is the reason why it's so difficult is actually quite simple: her hair is long. Getting long hair specifically 400,000 strands of hair to kind of behave naturally is incredibly difficult to accomplish and prior to this movie it just hadn't been done. In fact every character prior to Violet, either had very limited screen time, short hair or it was tied up in some way. But then, why was it so necessary? Well, because of Violet's character. Throughout the entire movie, she's very symbolically hiding behind her hair. Of course by the end of the movie she finally pulls it back and gets the guy. Spoilers. Up next is number 7: Mud Pixar has been known over the years to find very creative ways to figure out how to animate something, for example the green army men in Toy Story, they actually nailed a pair of tennis shoes to boards and just kind of walked around to see what it would look like. Or they would watch elephants walk to figure out how to make Arlo walk, or keep rats in the studio, so they can figure out their movements and behaviors, or put one of their animators in a full chef's outfit and douse him at water to see how their clothing would look. But possibly the coolest of the breakthroughs was with mud. Well, in Cars 3 three we see it in all of the scientifically proven states of mud. Which according to Sigmund Mud, a fictional scientist I made up for this sentence, includes 1: wet, 2: kind of wet, 3: kind of dry and 4: dry. The crew really had to get their hands dirty to make this a reality. John Rish, the set designer asked the following questions: What about this material? Did we need to get across? How would we simulate it and recreate its physics? How does it move? How does it break? How does it interact with the characters? Basically they cracked it by playing with mud. And on that note we'll move on to number six: trash bags. Sometimes the thing that's difficult to animate is the main character. Sometimes it's trash bags. In Toy Story 3, the animators came into the project knowing that hair again was going to be a bit of a challenge on Lotso, but what they didn't expect to be difficult was the trash bags. According to the film's producer Darla Anderson "It's very difficult to create all those organic shapes. Garbage bags have to fold in and tumble out of the garbage trucks and go up the conveyor belts. The challenge was figuring out how to light the bags realistically and feel in keeping with the environment without being distracting." Animators actually ran into a very similar issue when animating cars in well Cars. In this instance, they actually had to make them less reflective than real cars are, otherwise it would just be hugely distracting to the audience. Like I said sometimes it's the main character and sometimes it's trash bags. But when it's the main character, it's number 5: Joy. If you look closely at the emotions you can see that their physical embodiment is almost bubbly. When the crew first took a stab at animating Joy, they spent eight months trying to nail the process and eventually scrapped it saying that it was taking too much time and getting too expensive. But when chief creative officer John Lasseter at Pixar saw the animation of Joy He insisted that all of the emotions have the effect. Production designer Ralph Edelson of the project said "You could hear the core technical staff just hitting the ground, the budget falling through the roof" But it was all good. They found a way to make it work sometimes. They find a way to make it work and sometimes they figure it out too well which brings us the number four: water Pixar has broken boundaries on animating water over and over again and when they started back in Finding Nemo they weren't sure if they were gonna be able to do it well enough and they ultimately were able to do it so well they actually had to dial it back a little bit so they didn't cross over into the uncanny valley. A term in psychology that actually applies to animation that refers to the line between animating something so well that people appreciate it and animating it too well to where it actually seems out of place. Although they do take the animation of water to the extreme at "The good dinosaur", where the crew again got their feet wet by going Whitewater Rafting and bringing GoPros to better understand how to animate a raging river. One GoPro in particular was knocked free from the raft and later recovered and the footage of it being swept away was invaluable in animating Arlo getting sucked under by the river. Up next at number three is Coco, with guitar strings and skeletons. Coco will not only be visually stunning but also feature some real significant breakthroughs in animation. Let's start with skeletons, which immediately posed a huge issue to animators in terms of just basic facial expressions. Wait to figure out how to give them personality without skin muscles and noses or even lips. But then of course Pixar takes it one step further with all of the skeletal structures, also representing key story elements. For example the more remembered that character is, the more pristine, the bone structure color and paintings. Characters who are less remembered are yellowed, battered and chipped. Making things even more difficult yet was putting clothes on skeletons, where believe it or not the problem was having animated clothes getting caught on the animated skeletons. Pixar basically had to create a new and improved cloth simulation process that actually allowed digital tailors to a better animate the clothes. In addition to putting clothes on skeletons we have Miguel playing the guitar. This is impressive because he is actually playing the guitar, with all of his fingers moving independently and actually playing the notes as they would be played. This is not only difficult to animate but shows an incredible attention to detail and would not have been possible without number two: Hank Hank the septopus. Sometimes you solve the problem by figuring it out, sometimes you solve it by omitting a leg Hank is considered the single hardest to animate character in Pixar history for a lot of different reasons. Reasons number one through eight: Octopuses have a lot of legs. Reason number nine: the way they move is freaking weird. One single scene in Finding Dory, when we first meet Hank took the animators two years to complete. The almost liquid movements of Hanks arms are so significant in the field of animation we've already seen Pixar use it again twice: First in Lou the Pixar short and again with Dante's tongue at Coco. And finally that'll bring us to number one: Luxo Jr. Luxo Jr. Is an incredibly simple animation now. At the time it was unheard-of, it was impossible. John Lasseter's first short took early and huge steps toward the world of animation as we know it today. Using computer software to calculate shadows and how they would appear over characters instead of hand shading them. It was huge not only in the field of computer animation but in traditional animation, as well it showed artists that computers weren't going to be this thing that swept in and basically took all of their jobs but rather a new tool in their kit that they could use to take their craft to a whole new level. And personally I find that amazing, but guys for my question of the day: What is your favorite Pixar movie moment or character? Be sure to leave your thoughts in the towels section down below. These socks are amazing! Guys, as always, thanks for watching, be sure to like this video and subscribe to the channel if you haven't already. If you'd like to see our ranking, you can click right here for the movies or right here for the shorts. But J, that is all I've got for you today, man. I will see you on Tuesday


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Watch these great how-to make sushi videos. Here, you'll find sushi and recipe techniques that will have you creating the best sushi that you have tasted. These sushi videos include how to make Tiger Rolls, Tuna Rolls, California Rolls, and other fun videos like how to properly eat Sashimi.
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Sushi – How to Make a Tiger Roll
Watch this video to learn how-to make a Tiger Roll.
Sushi – Tuna Rolls
This how-to sushi video will show you how to make great Sushi Tuna Rolls.
Sushi – How to Make a California Roll
Ah, being from San Francisco, I love the California Roll. Learn how to make a California Roll from this video.
How to Eat Sushi – Sashimi
Not only should you know how to make sushi, you should know how to eat it! Sashimi etiquitte? You bet…watch this video.
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I've always had trouble with those dern chopsticks. Learn how to eat Sushi using chopsticks.
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Bring home the amazing flavors of your favorite sushi joint with easy-to-prepare pickled sushi ginger, also known as "gari."
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How to Make a California Roll
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Richard Cummings
Get your copy of his latest book entitled Obvious Conclusions, stories of a Midwestern emigrant influenced and corrupted by many years living in San Francisco and abroad. It just received its first outstanding review "...reminiscent of David Sedaris or Augusten Burroughs" on Amazon UK.
Latest posts by Richard Cummings (see all)
- WhatsApp Web: The Ultimate [and quick] 2020 Guide - April 5, 2020
- How to use Google Translate [The Ultimate 2020 Guide!] - April 2, 2020
- Golf:How To Improve Your Short Game in 2020 - March 12, 2020


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Weymouth seniors have fun outings planned for July.
WEYMOUTH -- Eileen Frank, volunteer at Weymouth Elder Services, sends news of a bunch of outings and activities in July. Weymouth Elder Services and the senior center are located at 182 Green St.
July 11 at 8:15am. Castle Island/Sullivan's Lunch. Bus departs senior center at 8:15 to pick up passengers at home. Leaves beach at 2:30 for return trip. Transportation donation $7 plus cost of your lunch at Sullivan's. Please sign up and pay at reception desk
July 12, from 1-3pm, Olde Kids on the Block, this 16 piece swing band that revives the big band sound of the 30s, 40s & 50s. Professional retired and semi retired musicians will transport you back to that era and will have you dancing, humming, and tapping your feet. Cost $6. Coffee, tea pastry included! Please pay for this event at the door. Seniors from surrounding area Senior Centers welcome.
July 14, 8:15 am Nantasket Beach & Jakes Seafood, Transportation $7 – Beach free! Plus cost of your lunch, 12:00 lunch at Jake's Seafood. Bus departs at 8:15 from senior center to pick up passengers at home. Leaves beach at 2:30 for return trip. Please sign up and pay at reception desk.
July 21, Edward M. Kennedy Institute for the United States Senate, is dedicated to educating the public about the important role of the senate in our government, Entry is $12; Transportation donation $10; bring extra money if you would like to eat at the on- site cafeteria. Leave 9 am from the senior center, return home 3 pm. Sign up and pay at reception desk. 50% of this trip is non-refundable if we cannot fill your seat. Max people 26.
July 31, Weymouth Elder Services Statehouse Artists Display and tour compliments of Rep James Murphy. Elder Service buses will depart from the Senior Center at 10 am. A guided tour will be given at the State House to see all of our artist's displays, followed by a short ceremony and complimentary lunch. Bus leaves State House approx. 1:15. This trip is free and reserved for our Weymouth Elder Services artists. Limit 26. Please sign up with the main office and drop your art work off at the senior center by July 26


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Make Room Whiteboard Sessions will be four unique and focused intensives throughout 2020 designed for Lead Pastors and senior-level leaders of medium to larger-sized churches. We'll dive into specific topics that we get a lot of questions about from friend churches.
Here's what you can expect in each session:
- Hear the story of building The Life Church and what Pastors John and Leslie are learning through the process.
- Experience one of our major events alongside The Life Church staff and team.
- Receive valuable lessons on the successes and failures learned from 23 years of building the church.
- Acquire strategies that you can personally apply to the success of your church.
- Connect relationally with our team as well as other pastors and church teams.
Details of each session are below! We'd love to have you at each one, but you and your team can also choose to be a part of any number or combination. Each Whiteboard Session costs $175 for the lead pastor and $125 for each additional team member you bring with you (up to 4). This also covers all meals during Whiteboard Sessions.
If you have any questions about the sessions or registration, please feel free to reach out directly to our team at email@example.com.
Culture Carriers | January 29-30
Developing a Healthy Team and Leadership Culture
In this Whiteboard Session, we'll be discussing what our team culture looks like and how to create a team of "culture carriers" within your organization. We'll cover the following topics and more:
- Discover culture shaping attitudes.
- Create a strong staff and team environment.
- Develop an effective leadership pipeline.
Schedule: Please plan to arrive on Wednesday in time to attend our special Big Wednesday Service at 7p, followed by dinner. The Whiteboard Session will take place all day Thursday with dinner and fun to follow that evening, so please do not plan your departure until Friday.
Success Begins This Weekend | TBD
Effective and Excellent Weekend Experiences
In this Whiteboard Session, we'll be exploring weekend experiences and all that goes into planning and executing a relevant, Spirit-filled service. We'll cover the following topics and more:
- Make weekend services a top priority.
- Plan out a yearly strategically based calendar.
- Design worship, preaching, teams and service flows.
Schedule: This Whiteboard Session begins Monday morning and concludes with a dinner together at 6p. Please do not plan your departure until Tuesday. We would love to have you and/or your team with us to experience all aspects of our weekend services on Saturday and Sunday. If that is possible for you, please let us know and we'll be happy to host you.
Breaking Barriers | June 17-18
Growing Your Church Through Every Season
In this Whiteboard Session, we will discuss the specific growth barriers that are currently impacting your church and brainstorm effective strategies to break through them. We'll cover the following topics and more:
- Focus on developing a guest friendly environment.
- Discuss practical steps to create diversity.
- Develop a next generation culture.
Schedule: Please plan to arrive on Tuesday in time to attend our Axis Nation Conference service at 7p, followed by dinner. The Whiteboard Session will be split between Wednesday and Thursday so that you can also experience some of the daytime Conference sessions and evening services. Please do not plan your departure before 5p on Thursday. You are also welcome to join us for the closing conference service on Thursday evening if you would like.
This Whiteboard Session would be an ideal opportunity to bring your next generation team to experience the Axis Nation Conference. There will be special opportunities for youth pastors to connect into specifically designed youth pastor development sessions.
Making Money Work | October 1-2
Accelerating Your Vision Through Financial Planning
In this Whiteboard Session, we'll be unpacking all things financial. From budgets to banks, we will look at it all. We'll cover the following topics and more:
- Build a culture of generosity.
- Develop a clear strategy for high capacity givers.
- Budget for growth.
Schedule: Please plan to arrive on Thursday in time for dinner together at 6p. The Whiteboard Session takes place all day Friday including our Zoe Women's Conference Friday at 7p, so please do not plan your departure until Saturday. The Zoe Women's Conference runs from Friday evening at 7p through Saturday at 3p and you're welcome to stay for it all. We would also love to host your wife and any of your team who would like to experience the conference—just let us know and we'll assist you in getting them registered!
"I've learned so much from my time at Make Room and implemented organizational changes because of it. We broke 1,000 in attendance at Easter and I believe that the infrastructure and cultural values I learned at Make Room made that possible."
"Big conferences can make it very difficult to connect with people, but Make Room is a much more intimate setting and everyone is available to connect and answer questions one-on-one. Any pastor looking to grow their church needs to experience Make Room."
"Make Room has given me permission to lead with clarity and authenticity to strategically execute the vision for our church. Thanks to what we learned at Make Room, we've moved from 'cookie cutter church' to a unique experience for the people in our region."


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Seeing as that it is Halloween, I couldn't let this opportunity pass by without talking about some of the greatest monsters to ever appear in comics. Now, I'm going to put these in order, but it's kind of arbitrary, isn't it? So don't take it too hard. I'm also going to leave out a lot… Continue reading Monsters in Comics
Category: blog
Friday Review: Hip Hop Family Tree Vol. 1
I've been meaning to start this series for some time now, so it's about time I got here. The first volume is an in depth look at the hip hop scene from the mid 70s to 1981, the founding years of hip hop. This is something that I know next to nothing about. So, not… Continue reading Friday Review: Hip Hop Family Tree Vol. 1
How to Read Comics
This one is a little tough for me. I've been reading comics for so long, and have read so many, that I often take it for granted that reading comics isn't an inherent ability. But I get asked a lot "how do you read comics?" This question always takes me by surprise, even though you… Continue reading How to Read Comics
Wabbit Season
As Easter is nigh upon us, let's reflect on something special: rabbits. Yes, comics are an interesting and wild thing, and because of that, I can list of a few very special characters who are giant rabbits. I mean, when else would I make this list? I would be remiss if I didn't take this… Continue reading Wabbit Season
The Doom Patrol
OK, so it's not often that I write about super heroes. But the Doom Patrol is no ordinary group of comic book capes. I mean, that's pretty much their whole thing. Being weird, you know? Now, usually, I talk about some aspect of making comics, or the business stuff, or some such thing, but today,… Continue reading The Doom Patrol
Autobiographical Comics
I'm getting ready to start work on the third issue of my auto bio comic Bearded Comic Book Enthusiast and thought that, as such, this week would be a good time to reflect on the genre. This is a vastly different genre than the mainstream super hero comics because, as you might have noticed, most people are… Continue reading Autobiographical Comics
Comics Vs. the World
We live in a tough world. But I imagine it's always been that way, just with a different set of circumstances. Because of this reality, from time to time, I find myself wondering just what use it is to make comics. In this world, what is the purpose of putting pen to paper? Drawing scenes… Continue reading Comics Vs. the World


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Information overload. It's something we all suffer from on a daily basis. A decade ago you probably didn't have to cope with hundreds of emails a day. Now it has become normal, but there is not suddenly more time in the day.
This is the challenge facing companies that are selling products or services that are well known and are discussed online. Everyone used to have discussions about their favourite cola drink, or favourite snack, or which phone company they really dislike, but those conversations were generally private and lost into the ether once complete.
Now they are being captured online as people chat more openly about their life in various social networks – a great opportunity for companies to see which products people are talking about and to potentially target a highly receptive audience.
But it also leads to an immense amount of data that someone has to sift through. If I Google the phrase "Coca Cola" I can see more than 156,000,000 results – and that is presumably with a lot of repeated references automatically removed by Google.
A new study exploring the implications for marketing chiefs highlights this problem. 82% of them still use traditional market research tools and only 40% have really explored how to use the online world to market their products.
Consumer brands like Coca Cola are using intelligent online interactions heavily, but a huge number of companies you might expect to be more visible online are just not there – overwhelmed by the sea of chattering voices.
I'm not sure of the answer, but it is clear to me that customers appreciate it when brands interact during a negative discussion – people complaining about a product.
This proactive interaction is an area of customer service that is going to develop fast so those who do feel overwhelmed need to start taking some steps to explore what is going on. If they wait until the competition has mastered the art of online conversations then it will be too late for them to start.


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Switching from breast to bottle
So my little guy is coming up for four months now, so I'm starting to think about the next stages of his development. He's been completely breastfed right through, aside from a couple of days of formula top-ups in his very early days for weight loss issues. I have never intended to breastfeed for longer than about six months for various reasons, although the health visitors keep trying to change my mind, but that's another story. At six months he'll be moved onto solids, but when and how would you do the switch to formula? I'd planned to do it gradually over the course of a few weeks so he'd be having both for a time. Should I start changing over fairly soon or wait until he's started on solids? Would changing at the same time as having solid food just freak out his system too much? He was perfectly happy having the formula top-ups when he had them, so hopefully he won't object to formula now, and he's had several bottles of expressed milk so I know he can take a bottle. I'd just like the transition to go as smoothly as possible.
I wouldn't start it at the same time as weaning in case he isn't keen on one or the other or gets an upset tummy. You might be better off starting it a few weeks before. I'd start with half a bottle a day and then build up. I know you said he has had formula in the past but he may not take to it again so you could do a half and half with EBM if that's the case until he gets used to it0
As Garfield said, I'd do it at different times. I wanted to bf for six months and then gradually switch to formula. He started on solids at 5 and a half months and at 6 months I introduced a nighttime bottle. What helped me make the switch was a good stash of breastmilk in the freezer as I was able to defrost 6oz per day, give a bit on cereal in the morning and then the rest from a cup during the day. All his other milk feeds were formula. That lasted a month and now he's 7 months and the stash is gone he's completely on formula. Doing it that way I don't think he really noticed at all. Hope that all makes sense??? Good luck with the switch!0
Slightly different as S was mix fed from the start so no issues re the bottle but I basically built up from one bottle a day to eventually replacing them all over about 6 weeks u til 6 months. Kinder on your boobs to srop slowly too.
Good luck, hope he takes it ok0


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I open the door.
Hey, the air feels different today…
Goose bumps and freckles!
It's not September!
Fall is taking cuts in line!
Summer is slipping.
No Summer! Don't get mad!
I did not bring the school bus.
See, I'm still barefoot!
Hey, who turned off all
the crickets? I'm not ready
for summer to end. (Guyku)


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Bitcoin and other cryptocurrencies (blockchain backed virtual coins) has experienced crazy hype in the past months. However, with high price higher risk comes into the picture.
On 15th Jan 2018 South Korea announced plan to ban bitcoin and other cryptocurrencies. The price of almost all coins plummeted. By the time of this writing, the price of bitcoin has dropped from the high $14,261 to $10,762 (USD), almost 25% drop within 2 days.
Medias and financial institutions has released warnings regarding cryptocurrencies collapse. Investors must take note that while in the past months many have made a great fortune out of cryptocurrencies, they are in fact one of the investment instruments with the highest risk in history.


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3032 Crossing Anna, TX 75409
Gently nestled on over an acre of land in a gated & secluded community conveniently located just West off 75, this brand new custom masterpiece sprawls over 3300 sq ft boasting an inviting entry flanked by elegant dining & handsome office spaces and followed by spacious family room that opens to chef & entertainer's delight kitchen equipped w gas range, electric fireplace & abundance of cabinet & counter space. Master retreat has a dreamy bath w a freestanding soaker tub, luxurious shower & endless double sinks vanity. 3 roomy guest BRs plus a flex space - perfect for media, playroom, gym. Oversized 3 car garage w staircase to attic decked for storage. Large covered patio. Front & side landscaping included.
Contact Martha Williams Group about this property
•Garage Door Opener
•High Speed Internet Available
•Separate Shower
•Separate Vanities
•Walk-in Closets
•Ceramic Tile
•Eat-in Kitchen
•Natural Stone/Granite Type
•Walk-in Pantry
•Cooktop - Gas
•Plumbed For Gas in Kitchen
•Vent Mechanism
•Water Line to Refrigerator
•Central Heat-Gas
•City Water
•Individual Gas Meter
•Management Fees
This listing 3032 Crossing, Anna, TX 75409 is a residential listing with 3 full baths, 4 bedrooms and approximately 3,318 square feet on a lot of 48,787 sqft (or 1.12 acres). 3032 Crossing was built in 2019. 3032 Crossing is located in Anna and in ZIP Code 75409. It has been listed on our site since 2019-10-04 13:10:19.Note:
All room dimensions, including square footage data, are approximate and must be verified by the buyer.
The information contained herein is furnished by the owner to the best of his/her knowledge, but is subject to verification by the purchaser, and agent assumes no responsibility for the correctness thereof. The sale offering is made subject to errors, omissions, change of price, prior sale, or withdrawal without notice. In accordance with the Law, this property is offered without respect to race, color, creed, national origin, sex, familial status or disability. This is not intended to solicit property currently listed.
Anastasia Riley
Ebby Halliday, REALTORS-Frisco
Results received from this calculator are designed for comparative purposes only, and accuracy is not guaranteed.
(877) firstname.lastname@example.com Visit Our Website
When you decide to buy a home or refinance your mortgage, your search should start and end here. At Prosperity Home Mortgage, LLC, we strive to create an extraordinary customer experience through the efforts of knowledgeable and caring mortgage professionals where relationships are valued, and the focus is on treating every client as if they were the only client. Choose a lender you can trust to find the mortgage loan that best suits your needs.
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In spring 2007 the Lange Nacht der Museen (long night of museums) in Berlin was cancelled for the first time.
There was no reason to do without it, we thought and started the first
and opened - like usually at the Lange Nacht der Museen - our studios for our neighbours in the Kiez (neighbourhood) and night art enthusiasts.
I equipped one of the two long corridors in our floor with the first prototype of my interactive comic-strip installation.
The camera was installed in the middle of the corridor. It took time up to that point until our visitors got it and interacted with the supposed film.
Lange Nacht ohne Museen, Berlin 2007


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The twins who accused Facebook's Mark Zuckerberg of stealing their idea have announced plans to launch a Bitcoin fund.
Cameron and Tyler Winklevoss plan to sell $20 million of shares, each worth a fraction of a unit of a Bitcoin, according to a filing with the US Securities and Exchange Commission.
"The shares are intended to provide institutional and retail investors with a simple and cost-efficient means, with minimal credit risk and using the trust's proprietary security measures, of gaining investment benefits similar to those of directly holding Bitcoins," reads the filing.
Devised by Satoshi Nakamoto four years ago, Bitcoin is a virtual currency system that can be used to purchase a range of goods and services.
The currency's value has been extremely volatile in recent years, soaring as high as $266 before plummeting to $45.
Bitcoins are 'mined' by computer experts carrying out complex equations. Special computing equipment is now necessary to solve these cryptographic problems, and only 21 million Bitcoins may exist at a time.
The Winklevoss twins, both former Olympic rowers, are well known for their high-profile legal dispute with Zuckerberg, which was depicted in the 2010 movie The Social Network.
Watch a trailer for The Social Network below:


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normally we should be able to install plugin from netapp for NFS VAAI support using the VSC console. I managed to do it for some hosts, then i started to update my hosts to latest build and from this moment i could no longer install the nfs vaai plugin for hosts using vsc. All hosts were updated to VMware ESXi 5.0.0 build-914586. Update manager could not help, vsc could not help… What helped :
1) download from netapp website the zip bundle
2) put it directly to host for example
3) using esxcli install it, so ssh to your esxi host
cd /vmfs/volumes/your_datastore_where_the_zip_is
/vmfs/volumes/2d1303c2-270be8c4 # esxcli software vib install -d file://$PWD/NetAppNasPlugin.v18.zip
Installation Result
Message: The update completed successfully, but the system needs to be rebooted for the changes to be effective.
Reboot Required: true
VIBs Installed: NetApp_bootbank_NetAppNasPlugin_1.0-018
VIBs Removed:
VIBs Skipped:
4) Reboot host
5) Let's party !!! vaai is now [ON] 🙂
You can then check if everything is correct
1) esxcli software vib list -> check for netapp part
2) vmkfstools -Ph /vmfs/volumes/your_datastore -> check for : "NAS VAAI Supported: YES"
3) check in vSphere client -> configuration/storage if this datastore has now Supported value in Hardware acceleration
4) After installation you should see file in here on your esxi host:
After host reboot you should see file in here on your esxi host:
When troubleshooting plugin installation using netapp vsc, you can check log : /var/log/esxupdate.log to see why in your case it is not installing it correctly
3 thoughts on "VAAI NFS Netapp plugin for vSphere unable to install using VSC"
Awesome Post!!! I am running the exact same build of ESXi and was wondering why the VAAI Plugin was not installing. Thanks for your assistance. Worked Perfectly.
great post , Only Part that is not working is " altbootbank/NetAppNa.v00″ I do not see this file. Also even though vmkfstools -Ph output shows vaai supported when i tried to do storage vmotion it still does not make any difference. I thought this suppose to offload the copy operation.
Viral patel


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This year, JFK Arboretum and Memorial Park at New Ross celebrates 50 years since it opened to the public and to mark this special anniversary, the Office of Public Works has announced a programme of talks, tours and entertainment for all the family with free admission to the arboretum from Wednesday 5th of September to Sunday 9th of September.
The programme of celebrations coincides with the ever-popular Kennedy Summer School and the OPW and Summer School have joined forces to present some memorable events at the arboretum over the course of the five days.
The highlight will be a special Gala Dinner to celebrate the 50th anniversary and to close the Kennedy Summer School at which President Michael D Higgins will be the Guest of Honour and Keynote Speaker. Due to popular demand, this event is now sold out. However, there will be two days of free, family events on the Saturday and Sunday including a Family Discovery Trail, live circus and music acts and special guided tours.
The OPW has also developed a new interpretation space at the visitor centre for visitors to learn more about the special historic landscape and important plant collection throughout the arboretum.
This room will be officially opened by Minister Kevin 'Boxer' Moran at 12noon on Sunday the 9th of September and all are welcome to attend. This will be followed by a special talk by Dr. Matthew Jebb of the National Botanic Gardens Glasnevin who has responsibility for JFK Arboretum. His talk will focus on why John F Kennedy was honoured with an arboretum and the significance of the plant collection which has developed over the last 50 years. This talk is free and all are welcome.
In a statement, Kevin 'Boxer' Moran TD, Minister for the OPW and Flood Relief said, "This is a significant milestone for the JFK Arboretum and Memorial Park and we look forward to President Michael D Higgins joining us for what promises to be a wonderful conclusion to a thought-provoking and stimulating few days".
The wonderful guides at JFK Arboretum will be on hand to take visitors on very special tours of the arboretum at 11 am, 2 pm and 4 pm offering a unique insight into the 50-year history of the place and the plant collection which has developed over this time.


text: TSL services Request for proposal Transport category: Road transport Railway Air transport Sea transport I agree to process my personal data indicated on the form by Omida S.A. Gdynia,al. Grunwaldzka 472 B street, 81-80-309 Gdansk, for cooperation at the e-mail address indicated in the form or by phone on the number provided by me, in accordance with the Act of July 18, 2002 on the provision of electronic services (Journal of Laws of 2013, item 1422). I agree to the processing of my personal data by Omida S.A. in order to send marketing content to my e-mail address given above in the form. The administrator of your personal data is Omida S.A. How we process your personal information can be found in our Privacy Policy I declare that I have read the Privacy Policy. Send


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Twitter Updates
- I actually sat down this week and wrote something. Sharing in case you haven't seen it yet. steakandabible.com/2019/04/22/by-… steakandabible.com/2019/04/22/by-… 11 months ago
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- People around the world have been praying for Pastor Andrew Brunson's freedom. Today those prayers were answered. H… twitter.com/i/web/status/1… 1 year ago
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Tag Archives: Europe
Thoughts about the Refugee Crisis from a Pastor on the Front Lines
The refugee crisis in Europe has been in the headlines for months and probably won't go away anytime soon. A couple of months ago I interviewed some people living in Hungary, about the situation. One of my contacts was Calvary … Continue reading
Posted in Christian Life, In The News Tagged balance, calvary chapel, conflict, Europe, fear, Hungary, love, love thy neighbor, Middle East, pastor, phil metzger, refugee crisis, refugees, terrorism, war Leave a comment
'Ordinary Heroes' of Hungary
This week WORLD published this story I wrote about the refugee and migrant crisis impacting all of Europe.
Posted in In The News, My journalism Tagged Eastern Europe, Europe, Hungary, Keleti, Middle East, migrants, migration, refugee, relief, suffering, World Magazine 3 Comments
Normal is the Watchword
I've been back in the U.S. for almost two weeks and my life is starting to return to normal. Starting to. I did have a nightmare last night that I was running late getting a taxi to the airport. I still … Continue reading
Posted in Bookshelf, Christian Life, Discernment, Personal Reflections, Photographs Tagged Beth Moore, challies, christianity, decision making, discipleship, Europe, Fighting for the Faith, Matthew Vines, mystery novel, One Way Love, Ordinary Grace, podcast, sexuality, Tullian Tchividjian, vacation 1 Comment


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One of the more important features that will arrive with Copter-3.4 (still in beta testing) is the Polygon Fence (the full list of features can be seen in the …Continue
Added by Randy on August 16, 2016 at 6:12am — 3 Comments
ArduPilot's Antenna Tracker firmware has been making some quiet progress over the past few months. They're all documented in the …Continue
Added by Randy on July 28, 2016 at 2:07am — 30 Comments
Copter-3.4-rc1 has been released for beta testing and can be downloaded using the Mission Planner's Install Firmware screen's beta firmware link. Some of the changes since Copter-3.3.3 are listed below.
1) EKF2 allows "boat mode" (attitude initialisation without gyro calibration)
2) …
Added by Randy on May 30, 2016 at 10:30pm — 25 Comments
The upcoming Copter-3.4 release will include terrain following support for mission commands using either Google earth altitude data or a Laser Range Finder. This is a demonstration video shot at a ski hill near my home in Karuizawa Japan of this new feature.
For this test I used a venerable 3DR IRIS with a …Continue
Added by Randy on May 13, 2016 at 11:30pm — 28 Comments
After months of testing by the beta-testing team and no significant issue during the soft release, Copter-3.3 has been released. You can load this version onto your vehicle using the…Continue
Added by Randy on October 8, 2015 at 9:58pm — 82 Comments
After months of testing by the beta-testing team, Copter-3.3 is ready for wider use. Similar to the Copter-3.2 release this is a "soft launch" meaning that for the next couple of weeks, we are asking users to load the new version using the Mission Planner's "Beta firmwares" link…Continue
Added by Randy on September 28, 2015 at 7:18pm — 82 Comments
Click here to skip the commentary and just see the vehicle flying.
The video above shows my first attempt (which was successful) to fly APM:Copter using a Linux board (…Continue
Added by Randy on June 3, 2015 at 12:00am — 23 Comments
For some tasks (like Search and Rescue and mapping) what you can do with one vehicle, you can probably do faster with multiple vehicles. To test how well it works in practice I tested…Continue
Added by Randy on May 3, 2015 at 8:21pm — 41 Comments
Warning: there was a period of about 12 hours after this blog was first posted where an older version (AC3.1.2) replaced AC3.2.1 for APM2. If you think you may have downloaded for the APM2 during these initial period, please check the version on your board by looking at the title bar of the Mission Planner (see…Continue
Added by Randy on February 11, 2015 at 1:00am — 97 Comments
We seem to have a lot of natural disasters here in Japan (eruptions, mud slides, earthquakes) and like everywhere else we are counting on UAVs to…Continue
Added by Randy on December 22, 2014 at 6:30pm — 9 Comments
ArduCopter 3.2 (aka APM:Copter) has been released as the default version replacing AC3.1.5. This is the exact same version that we invited all users to test two weeks ago. Users who wish continue using AC3.1.5 can find it under the "Pick…Continue
Added by Randy on November 24, 2014 at 8:56pm — 246 Comments
After months of testing, ArduCopter 3.2 (aka APM:Copter) is ready for widespread use and we invite all users to give it a try. In order to manage the support load at first it will be available only through the Mission Planner and APM Planner2's Beta Firmwares link. This link is visible from the regular "Install Firmware" page if you check…Continue
Added by Randy on November 7, 2014 at 2:18am — 225 Comments
As many probably know, this year's Sparkfun Autonomous Vehicle Competition (AVC) is similar to last year's except that a new challenge has…Continue
Added by Randy on June 17, 2014 at 5:04am — 46 Comments
AC3.1 is going out very soon and includes a new safety feature called GPS glitch detection. There's a wiki page about it but I'd like to highlight how it works because it's near the top of the list of safety issues. The method itself comes from …Continue
Added by Randy on December 14, 2013 at 6:42am — 30 Comments
As a follow-up to the rover drops #1 and #2 I spent a day with Assistant Professor Nagatani-san of…Continue
Added by Randy on August 22, 2013 at 7:40pm — 32 Comments
Two years after the March 11th tsunami in Japan that triggered the Nuclear disaster at the Fukushima power plant, there are still just over 300 thousand people who have not been able to return to their homes due to high radiation levels. The government has decided that radiation…Continue
Added by Randy on April 11, 2013 at 6:38pm — 11 Comments
As a follow up to an indoor test we did a about a month ago (blog post here), Assistant Professor Nagatani-san of Tohoku University, Izu-san of…Continue
Added by Randy on March 15, 2013 at 12:32am — 14 Comments
For those interested in using their multicopters to carry heavy objects you might be interested in the test that I performed today with Assistant Professor Nagatani-san of Tohoku university in Japan and Izu-san of…Continue
Added by Randy on February 11, 2013 at 8:48am — 13 Comments
I received a 2D laser range finder from the good people at Hokuyo more than 1 year ago. My plan was to try to use it to improve ArduCopter's altitude hold or collision avoidance but other priorities have taken up my…Continue
Added by Randy on December 25, 2012 at 9:32pm — 21 Comments
Most of the pro multicopter set-ups have feedback from the ESCs so the controller knows the status of the motors. This is useful for all kinds of reason including:
1. debugging the causes of crashes - the controller could log when a motor has stopped running.
2. allows faster and better reaction to a motor failure perhaps saving you from a crash at least for…Continue
Added by Randy on September 26, 2012 at 9:43pm — 23 Comments


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Public speaking terrifies some people. Not me. I love it, and I have done a lot of it over the years. I decided early on that getting familiar with the material and then speaking from the heart was the most satisfying way to do. I have seen other speakers who are so dependent on their notes that they would really freeze up and stumble if they lost their place. In my experience, one of the key differences is being in touch with your spirit guides as well as the spirit of the occasion.
More than once, I thought I knew the path my talk would follow, then I suddenly felt prompted to take it in a different direction. That did not throw me off. It felt good. I definitely picked up on something spirit wanted me to say.
This Friday, for example, I am speaking at the Celebrations Fair, at 3 pm. As I have been doing a little reading and thinking about it, mulling it over as I relax, a new thought suddenly came to me, and as a result, I will be doing something I have never done before in this talk. I will not say what it is until Friday. I have always felt that the energy of the talk must be held close to the heart until it is time to let it out.
There is magic in spontaneity. There is magic in the spoken word. Being connected to spirit keeps the presentation fresh. Yes, I know my material because I have had years of experience with it, but sometimes spirit has a suggestion for delivering the magic in a different way.
This talk will be different from others I have presented. It is all coming together in a very inspired and playful way, with gratitude, grace, magic and mystery.
I do not have notes, but I do have plenty of inspiration. My spirit guides are very active so I know they are preparing me for an especially good event. Knowledge is a ground for the seed to grow in, then comes the flow of the moment, the flash of insight and the arising of joy.
This path is a journey of discovery. Be prepared to embark not on fortune telling, but fortune creating. Fortunately, spirit speaks, and her words are enchantment. Her name is tarot.
Wednesday, September 1, 2010
Her Name is Tarot
Posted by Pan Dancing at 1:12 PM
Labels: abundance, aphrodisiacs, divination, energy, gratitude, psychic ability, relationships, romance, spirituality, storytelling, tarot, wisdom
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Crystalscapes 1 Poster
$ 45.00 Sold Out
This product is currently sold out.
Crystalscapes 1 is a dreamy gradient print on 24lb bond paper.
Measures 24" x 36"
Debbie Carlos is an artist / photographer based in Lansing, Michigan. Her photos attempt to capture objects at their moments of greatest clarity: In certain light, at a certain time of day, in a certain place. The method is to wander and notice. Moments of quiet strangeness, patterns of light and shadow, minute-by-minute surprises, changes that don't happen, something askew, something exactly in place, natural and artificial phenomena, are all sources of inspiration, and the subjects for her work.


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26. Monkeys at the Zoo
Shegoes to the zoo. There are many animals at the zoo. She likes themonkeys. They have funny faces. They have long tails. They jump around alot. She goes to the monkey cage. There are six monkeys in the cage. She looks at them. She waves to them. She says hello to them.
27. He Is a Chocolate Lover
Heloves chocolate. He loves milk chocolate. He loves dark chocolate. Heeats chocolate candy bars. He eats chocolate fudge. He eats chocolatechip cookies. He eats chocolate cake. He eats chocolate cupcakes. Heeats chocolate ice cream. He eats chocolate pudding. He drinks chocolatemilk. He eats chocolate every day. Chocolate is the best!
28. The Circus Is in Town
She loves the circus. The circus has elephants. Elephants are so big. The circus has tigers. Tigers are so pretty. The circus has clowns. Clowns are funny. They drive funny cars. They wear funny costumes. They have funny faces. They make her laugh. The circus is in town this week. She tells her dad and her mom.
29. Is There Life on the Moon?
Themoon is in the sky. He looks at the moon. It is round and white. It isbright. It has mountains. It has valleys. It has rocks. It has dirt. Hethinks about the moon. He wonders about it. Maybe there is water on themoon. Maybe tiny animals live on the moon.
30. A Penny Collector
Shecollects pennies. She likes pennies. She likes their color. They arebrown. They are shiny brown. They are dull brown. Pennies areeverywhere. She finds them on the sidewalk. She picks them up. She takesthem home. She puts them in a jar. She has a big jar. It is full ofpennies.
مشخصات مدیر وبلاگ
عناوین یادداشتهای وبلاگ
دسته بندی موضوعی


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Donation made for every away shirt sold
Although there is now a bit of a gap before Millwall are next in Championship action, preparations are well underway already for the visit of Barnsley to The Den on Saturday 23rd November for our special 'Heroes In White' focus match.
The Lions requested special dispensation from the Football League to wear our all-white strip for the Barnsley game to show our support and help raise awareness and money for our club partner, Prostate Cancer UK.
Our Executive Lounge here at The Den will be decorated in white, including chair covers and flowers kindly donated by Classic Events and A.G Flowers respectively, whilst there will be a special one-off menu for the day too!
Not only that, but during the month of November Millwall will be donating £5 from every replica white shirt sold in our Club Shop and online, to Prostate Cancer UK.
If you want to find out more about our executive deals for the Barnsley game please click here
On the day of our game against The Tykes, representatives from Prostate Cancer UK will be in and around The Den, handing out information leaflets.
You can also get valuable information from their official website here
Keep checking millwallfc.co.uk over the coming days for details about further exciting initiatives and events.


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Linen Duvet Cover - Ash - Cultiver
Linen Duvet Cover - Ash - Cultiver
This Ash European Flax Linen duvet cover is the perfect mid zone gray that will pair with anything!. Superior quality is what Cultiver is all about ensuring you will have long life bedding with every purchase.
Available in Queen and King sizes, individual or as a set giving you the freedom to mix and match your bedding.
Each duvet cover is made from 100% linen woven from European flax pre-washed for softness and durability.
- Button closure at edge
Please be aware that the colour we call Black is not a solid black that you would see on less textured fabrics. As the linen is stone washed after dyeing, the colour becomes more muted and will look like a very dark charcoal in some lights.
Please note, our Natural coloured linen is not put through the same dyeing process as our other colours. As a result, there may be slight variations in our Natural colour between seasons, also, the fabric is more textured compared to our dyed colours.


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It is May 30, 2018 and Q has not posted since May 22, 2018. In Q's last post (May 22), we were warned about internal attacks and pointed back to a November 2017 post to reconfirm Q's identity. Bernie at Truth and Art TV reviews the November 9, 2017 Q Posts.
BackChannel 17 is now claiming to be Q. Bernie reveals how BackChannel 17 was busted for disinformation by STG Report back in April 2018. They were caught posting fake photos and disinformation. Bernie states that BackChannel 17 is a Clown misdirection.
Enjoy the video!
Hanna Jonasson, a member of Julian Assange's legal team, states that Julian Assange (JA) is not Q. Bernie reviews Q drops that connect JA, WL, Seth Rich, MS-13, and the Muller investigation. Q told us information about Seth Rich will be revealed in June. Is this "Julian Assange is Q" misdirection an attempt to add confusion to the June reveal?
If you would enjoy Q Updates, sent directly in to your inbox, complete the form to the right.
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CALGARY (Reuters) - Canada is committed to fast-tracking infrastructure investments in the province of Alberta that is reeling from the global slump in energy prices, Canadian Prime Minister Justin Trudeau said on Wednesday.
Canada stands ready to provide up to C$250 million to the province in the form of advance fiscal stabilization payments, said Trudeau, who spoke at a news conference with Alberta Premier Rachel Notley.
"We know these are challenging times for Alberta and Albertans, and I reiterate that the government of Canada is committed to being there for the people of this province," he said.
Trudeau said that he and Notley agreed Canada must get Alberta's resources to market in responsible and sustainable ways, but he stopped short of stating his government would back TransCanada's Corp's Energy East pipeline project, in the event that it clears the National Energy Board's review.
Energy East, which would take up to 1.1 million barrels of oil per day from Alberta and Saskatchewan to Canada's east coast, faces increasing problems as environmental and aboriginal groups ramp up protests.
Last month, the influential mayor of Montreal and leaders representing 81 nearby municipalities said that they opposed the project because of environmental and economic concerns.
TransCanada and Alberta's landlocked oil sands industry are looking to it to reach international markets after President Barack Obama rejected TransCanada's Keystone XL pipeline project to the United States last year.
Trudeau blamed the lack of movement on pipeline projects on his predecessor Stephen Harper's Conservative government, which had been in power for nearly a decade before Trudeau took office in late 2015.
The Conservatives had argued strongly in favour of Keystone XL, but Trudeau said their approach had marginalized community concerns and ignored environmental science, leading to a lack of headway on pipeline projects.
"A responsible government is a referee that ensures a level playing field so that everyone understands what is going on, and is not simply a cheerleader for projects because cheerleaders do not score goals, and for 10 years nothing got built," he said.
Reporting by Nia Williams and Euan Rocha; Editing by Sandra Maler and Andrew Hay


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Funeral Professionals can never EVER get enough education or stop learning. Just like any other profession we must stay current and knowledgeable to properly take care of our families, our businesses, and our co-workers.
There are so many of us that think we've "got it" and we have all the tools on our belts already. This could not be further from the truth. Those who've "got it" are the ones who will never accept change and will continue to do the same thing each and every single day for the rest of their career.


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Liberty of London "Strawberry Thief" bird and floral print bow tie.
Pomp and Ceremony bow ties are lovingly made in Toronto, Canada. All items are shipped in custom made letterpress packaging and are gift giving worthy.


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04 November 2012
archibald gets stuck in the duvet
21 comments:
I LOVE it! I had a nice chuckle,thank you. It looks like something silly my dog Coffee would do,although I'm sure she'd fall off the bed in the process. Great photo opportunity.ReplyDelete
Haha, that last picture is too funny! Poor, little dog.ReplyDelete
Aww! These pictures are too cute!ReplyDelete
his expressions are just too precious. totally looks like "but mom i didn't mean to!" and the one on the bottom looks like a serious heart to heart!ReplyDelete
hahahahahhahahahaha yes! Frenchies are just the silliest!ReplyDelete
too cute too cute. Love frenchies!ReplyDelete
This is so cute!!ReplyDelete
he couldn't be any cuter!ReplyDelete
He's so funny ! I love it when dogs do stupid things like that, couldn't love them more...ReplyDelete
Aw, too cute for words.ReplyDelete
Too cute! Dogs are the best!ReplyDelete
this is the sweetest thing!! hahaha. my yorkie likes to get under the covers too... but never INSIDE them!ReplyDelete
in the last photo it looks like robbie is asking archie why he did this. too funny!ReplyDelete
Oooh my gosh! Haha too cute :)ReplyDelete
xo Heather
LOL! Omg, this is TOO cute! love it.ReplyDelete
- AnonymousNovember 4, 2012 at 8:20 PM
This is hilarious. I am sitting in my room laughing right now. Gotta love the puppy-doos.ReplyDelete
Wow this gave me a good laugh. I love this post! Seems like frenchies have quite the personality for such little dogs. What a sweetheart! He's so precious. Love it.ReplyDelete
XO Jenna
hahahahaha oh my gosh this is so funny!!!! what a guy. oh, you gotta love dogs :)ReplyDelete
love these photos, they mad eme laugh so much. poor archibald.ReplyDelete
i never thought it possible for me to fall more in love with that sweet pup but i just did.ReplyDelete
Archibald is the cutest name ever. And way too funny are those pictures.ReplyDelete


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I have had my recent Replies moderated and upon inquiring "what's up?" I received the following response;
We have to have a moderation cue for new members. Active members are moderated if they tag other members or add links to posts. Unfortunately, the system won't allow us to modify certain criteria. We are happy for new and active members to post content and engage in the community. The moderation cue allows us to make sure that members are following the terms and conditions and alerts us to issues. If you notice you are being moderated on posts that don't contain links or tags with other members, please let us know so we can look into that.
Has anyone else experienced being moderated when they tag someone? Thank you
Ouch - this entire Post was moderated as well
Please note: your content was added successfully, but a moderator needs to approve it before it can be posted.
(can't figure out how to delete - I didn't see first Post - thought I didn't Post it - so added this one - apologies for duplication - thanks)


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To order our 2019-nCoV products with priority shipping, click here.
Every experiment needs controls to guarantee results. The performance of your next generation sequencing experiments can be tracked using synthetic DNA fragments. Read about the applications of gBlocks Gene Fragments as sequencing controls.
Next generation sequencing (NGS) has found wide applicability, including determining and characterizing unknown sequences, detecting changes and variability in known sequences, and quantifying gene expression. One of the greatest advantages of NGS is the ability to sequence and analyze large numbers of samples simultaneously.
During library prep, the DNA extracted from each sample is first fragmented, either mechanically or enzymatically, and then ligated with known index sequences. Several sample libraries, each tagged with unique index sequences, can then be pooled or multiplexed for sequencing. As many as 20,000 indexes can be designed for high-accuracy multiplexing [1].
Yet, sample processing on a high-throughput scale presents cross-contamination and sample swapping risks that result in data analysis errors and misassigned reads [2, 3].
Use of plasmids and synthetic oligonucleotide fragments have been recommended as spike-in controls for NGS applications, to identify swaps and contamination, as well as to measure and validate assay parameters [2–6].
gBlocks Gene Fragments are linear, double-stranded DNA fragments that can be custom-designed as spike-in controls for NGS. These controls, subject to the same experimental conditions as the target sequence, can be used in sample tracking, measuring assay parameters, quality control analysis, and validation.
The sequence of gBlocks fragments, which are 125–3000 bp in length, can be designed to be completely non-homologous to the target DNA sequence or resemble the target in terms of library insert length and GC content. These controls can also contain specific sequences such as primer binding sites or other regions of interest present within the target sequence.
When using these fragments as spike-in controls, gBlocks can be re-suspended to a specific copy number (or a known concentration) and added to samples either before DNA extraction, after fragmentation, or after library prep. It is essential to measure the concentration or copies of the control added to samples to ensure that the gBlocks fragments do not overwhelm target sequencing data.
This article discusses some ways that you can incorporate gBlocks controls in your whole-genome and targeted sequencing applications.
Cross-contamination or sample swaps during processing and library prep could result in misassigned reads [2–6]. To mitigate this risk, a unique gBlocks control fragment can be spiked into each sample and used to track the presence of its associated target DNA sequence during data analysis to identify any cross-contamination events.
Controls for sample tracking can be added to samples either prior to DNA fragmentation such that the gBlocks fragment is subject to the same fragmentation conditions as the target DNA, or controls can be added after fragmentation, as long as the gBlocks lengths are similar to the mean fragment size. Alternatively, gBlocks can also be spiked in after library prep (but before pooling) by designing indexes and flow-cell attachment sites into the gBlocks sequences themselves.
Design considerations:
Sample tracking can also be used when detecting single nucleotide polymorphisms (SNPs) by amplicon sequencing techniques, such as the rhAmpSeq system. Here, gBlocks controls can be designed to encode the region flanking the SNP, while a known barcode or mutant sequence can be incorporated in place of the SNP as a marker. This barcode or mutant sequence differentiates control reads from that of the target.
Design considerations:
For hybridization capture-based targeted sequencing approaches, such as those employing xGen Lockdown Probe Pools, gBlocks controls can be used to test capture efficiency and detect if there is any bias in capture. These synthetic controls with the sequence of interest can be spiked into samples before library prep at known concentrations or copy numbers and quantified post-capture by qPCR to measure relative capture efficiencies for target vs. control sequences. Controls can also be designed to represent different experimental conditions (e.g., a range of GC content: 20%, 40%, 60%, and 80%) and measure capture efficiencies within the range.
Controls used in amplicon sequencing can indicate differences in amplification rates across targets of different lengths and GC content. Each gBlocks control is spiked in at a known copy number and amplifies simultaneously with the target sequence. Controls can also be quantified to normalize inputs across multiple targets before sequencing.
Controls can also be used as a quick-check to assess the rate of amplification errors that may be introduced during library amplification. Errors or mismatches in gBlocks control reads of a known sequence can be compared to potential errors introduced in target reads. Here, the control sequence should not be homologous to the target, but it should be representative in length and GC content.
In addition, controls can also help in assessing adapter ligation efficiencies by qPCR prior to sequencing. The gBlocks controls can be designed to be in the same size range as the mean fragment size of the target DNA post-fragmentation. Control fragments can be spiked into the fragmented target DNA sample before the end-repair and A-tailing steps of library prep, for use with TA-ligation adapters such as TruSeq™-Compatible Full-length Adapters.
From platform adapters to our portfolio of xGen products for targeted sequencing, IDT delivers innovative, high performing NGS products to enable you to increase your discovery power. Consider using gBlocks gene fragments for sample tracking, quality checks, or as controls to test different experimental conditions in your next NGS assay. Learn more about customizing the design of gBlocks fragments and calculating copy number by visiting the product page.
Unnati Dev, MBIOT, Synthetic Biology Applications Specialist, IDT.
Published Aug 5, 2019
TruSeq is a registered trademark of Illumina, Inc., used with permission. All rights reserved.
Review other DECODED Online newsletter articles on NGS applications.
Sequence-verified, double-stranded DNA fragments to simplify cloning or genome editing.
Gene fragments from 200 to 3000 bp shipped plated, or in suspension and ready for use.
© 2020 Integrated DNA Technologies. All rights reserved. Trademarks contained herein are the property of Integrated DNA Technologies, Inc. or their respective owners. For specific trademark and licensing information, see www.idtdna.com/trademarks.


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A forum about Atari 16/32 computers and their clones. This forum is in no way affiliated with Atari Interactive.
Moderators: Mug UK, Zorro 2, spiny, Greenious, Sorgelig, Moderator Team
Sorgelig wrote:i hear the difference, but it's unclear if sound go through the same route or not. Maybe something outside of MiSTer distorts it.
JamesF wrote:I don't think it is the job of the equipment downstream to apply filtering to the SPDIF signal, it should income "ready" for reproduction, aa filtering already applied.
JamesF wrote:Sounds the same, still has some reflected lower harmonic content.
atatat wrote:Sorgelig, what's the difference between IO Boards 5.5 and 5.5XL?
It's just longer with two more mounting holes?
crocky wrote:My Disk and USER LEDs are flashing alternatively and MiSTer isnt booting - what does this mean?
Sorgelig wrote:crocky wrote:My Disk and USER LEDs are flashing alternatively and MiSTer isnt booting - what does this mean?
it means Menu core is working and you at least should see the video on HDMI.
BeoWolff wrote:The YPbPr signal coming from my IO board has a few big problems.
1. The image is a bit bright and is washing out some light greys and making them look completely white. This is especially noticeable on the "Gray Ramp" test on 240p Test Suite on the NES. Setting the palette to "NES Classic" seems to help a tiny bit, but it's still a big problem.
2. The OSD main menu is very distorted for some reason.
3. The image is blurrier than it should be. Looks better than composite, but not nearly as sharp as YPbPr should be.


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Writing history...
Not 2009, but June 1962 and the furore concerns the third episode of a new sitcom called Steptoe And Son, ironically now held up as a paragon of good, wholesome comedy. But in its time, it was not without controversy.
Writer Ray Galton remembers how his rag-and-bone men caused offence: 'They are trying to remove this grand piano from this high-rise apartment. They get it as far as the front door and they get it wedged, so they just leave it. And as they walk away the young man says to the old fella, "Well dad, we've learned one thing today… what goes up can bleeding well stay there."
'There were questions asked in Parliament the next day and Mary Whitehouse had a go about the BBC broadcasting obscenities.'
So what does he think about standards now, in the wake of the Jonathan Ross and Russell Brand backlash? 'I just think it's unfortunate they did it,' he said. 'What made us laugh is that there were only two protests til someone pointed it out.'
His long-time collaborator Alan Simpson agrees: 'Yes, I just think it was a lapse of judgment more than anything else.'
But now, it seems, even Galton and Simpson's classic comedy is coming under renewed inspection as the BBC fears causing further offence. The duo are dusting down four of their vintage scripts, including the timeless Tony Hancock blood donor episode, for a radio season – and attracting the attentions of the taste scrutineers. 'They're already worried about certain aspects in the light of this Jonathan Ross thing,' Simpson adds.
If anyone knows about the cyclical nature of comedy, it's these two esteemed veterans. They pretty much invented sitcom as we know it, creating realistic scenarios for Hancock as early as 1955, when most comedians' radio offerings were knockabout variety affairs, based on their music-hall acts. Decades before Seinfeld was being hailed as a 'show about nothing', these two had their characters moping about the house, killing time, for half hours at a time.
Chatting in Galton's imposing but unpretentious house on the edge of Hampton Court, South-West London, this pair of septuagenarians remain modest about their own achievements – considering themselves almost jobbing writers who struck lucky.
But they certainly worked hard. 'We wrote more than 600 shows,' Simpson says. 'We were writing 40 a year at one time. Nobody told us it couldn't be done. We used to just go in and work day after day.
'There are a few clinkers in there now and again, but that goes for everything. Deadline is the biggest incentive for writing. You can't ring up and say, "There's nothing this week."
That scenario nearly happened to them only once: when it got to Friday night, the deadline for sending a Comedy Playhouse script to the BBC – but they hadn't thought of anything.
'We asked our secretary not to let anyone in,' Galton says: 'But then Graham Stark [the comedian and writer] arrived and we agreed to let him up. He showed us a story from the paper – just a few lines as a Stop Press – about two cars that had got stuck in a narrow road. We both jumped up and said, "That's it."
'We wrote the script in four hours non-stop the next morning. Alan did the typing and he couldn't move his arm for a week. It was called Impasse, and funny enough, that's one of the four we're doing for the radio adaptations.'
However, the job in hand today is to promote two DVDs of their lesser-known shows, released on Monday to mark 60 years of their comic partnership, which formed when they were both laid up at a tuberculosis sanatorium in Kent. The new releases are a sitcom they wrote for Les Dawson called Dawson's Weekly and a series of seven one-off Comedy Playhouses they created for ITV in 1977, featuring an array of stars such as Leonard Rossiter, Richard Briers, John Bird, Frances De La Tour, Patricia Hayes, Warren Mitchell and Arthur Lowe.
'It's a great shame there's very few of them still alive,' Simpson recalls of his cast: 'Arthur's dead, Leonard Rossiter's dead, Brian Glover's dead…
'Arthur was suffering from the beginning of narcolepsy at the time,' he adds. 'We'd be sitting around the rehearsal table doing the read-through, and when it was his turn, you'd look across the table at him and he'd nodded off. So you'd say "Arthur!" and he was straight back into it. It was just five-second cat-naps.'
'It was the second time we had worked with Arthur. In 1972, we were going to remake the entire Hancock oeuvre with Arthur Lowe playing the Hancock part, and in the Sid James part we were going to have James Beck, who played the spiv [Joe Walker in Dad's Army].
'We picked one of the scripts and adapted it for Arthur, and spent the first page explaining the relationship between Arthur and James Beck – he was his brother-in-law who had divorced, so that was the reason for them to be together.
'We made the pilot at Television Centre and it was sensational, and we were all ready to go and James Beck had appendicitis and went into the hospital and never came out. It turned out he was allergic to antibiotics and the more they did for him, the worse it got. He died within a fortnight, at 44.
'Arthur, said, "It all comes in threes you know, it all comes in threes. First Hancock's died, now James has died, I don't think I'm going to do this." So we didn't do any more.'
Ray interjects: 'I tell you what, we must find out from the BBC whether they've got a copy of that pilot. It's the Economy Drive episode we did, but it never went out.'
Fans shouldn't hold out too much hope, however. The corporation had a woefully poor record when it comes to keeping old recordings, which is why most of the early televised Hancocks are still missing. The reason, Galton says, is the same thinking that they as writers had: that it never occurred to them that they were creating anything of lasting value.
'We never thought that way at the time,' he says. 'It's the same reason the BBC wiped shows: they didn't think they had anything of importance there.'
They were innocent times compared to today's global market for content, with a thriving market for content from DVD firms, countless TV channels and internet video sites.
'The first time that we did anything like this was when three guys approached us from Pye Records and said they would like to put Hancock out on a long-player,' Galton says. 'We said, "yes, go on, go ahead." They said, "Do you own the copyright?" and we said, "Yes, but the BBC own the tape, so you've got to get permission from the BBC."
'The BBC said, "Yeah, all right." They didn't ask for any money, they just said they wanted a copyright printed on the LP, and that was it, in small type. Nobody realised there was a market.'
It came as a surprise to them both, then, to find out that the Les Dawson series – the only sitcom he ever did - had survived; especially as it has never been repeated on TV.
'ITV had a policy of not repeating anything in those days,' said Galton. 'So practically everything we did for Yorkshire Television, that was it, they were never seen again.
'I had great fears about the Les show,' Simpson adds, 'because we had no indication that they had it, until they said they were thinking of releasing it. Our experience of the BBC was that a lot of shows had been wiped, and as they had a policy of not repeating it, we thought maybe they don't exist any more – but fortunately they did.'
The show stemmed from an special Galton and Simpson had been commissioned to write for Dawson as ITV's entry in the 1974 Montreux international festival, called Holiday With Strings, also included on the DVD. 'In many ways Les was like Hancock, visually and with the misanthropic attitude,' Simpson says.
Despite that, the show lost out to The Goodies when it came to the prizes, but the series was still commissioned.
Simpson has another reason to recall that first one-off episode, as it marked the last time he ever flew, following an incident that sounds like something from one of their scripts. 'We were in Oslo and we got a phone call saying, "Get to Montreux immediately. It's a contender,"' he recalls. 'So we booked a flight to Geneva and it had to land at Copenhagen on the way. And we were sitting in Copenhagen Airport looking out at this aircraft we'd just landed on and there was this ladder up. The canopy on one of the engines had been taken off and there's a bloke on top of this ladder with a fucking great mallet, belting the life out of something in this engine. And they came on and said "now this plane is ready for take-off" and I thought: "I'm not doing this again…"
In his memoirs, Dawson said the show was the best thing he'd ever done, although critics at the time were less than enthusiastic. Galton said that Yorkshire TV wanted to do another series, but 'Les's agent had already decided he could make money at the one-hour sketch presentation show, so we never got around to doing any more.'
Dawson was a change for Galton and Simpson, who preferred working with actors than comedians.
'Actors never try to put things into the script,' Simpson says. 'They just learn their lines and do it. Les, of course, was the complete opposite. Like all comedians, he was forever looking for places to put in some of his wheezes. In the end, we got through to him that he didn't need it, but it wasn't his natural instinct. He was putting lines in like "face like a sackful of spanners" and the script didn't need it, it spoils it. In the end, he was intelligent enough – and got to trust us. He came to realise…
'That we were right,' Galton concludes his writing partner's thought. And, given the enduring appeal of the shows they created, history seems to have proved them right.
- Dawson's Weekly (Buy at Amazon) and The Galton And Simpson Playhouse (Amazon) are both released on Monday.
Published: 13 Jan 2009
Recent Interviews
Jon thinks it's like Seinfeld. I think The Only Way Is Essex
I never thought Britain's Got Talent was credible... until I entered it
As soon as they heard about this comedy, GCHQ spooks got in touch...
Each time we finish a series, we look back and go, 'Where did that come from?'


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It's been a while since Oracle started supporting OVM with Exadata Machine. It means you can virtualize your Exadata Machine using Oracle VM technology with no additional cost. Ideally, Oracle VM with Exadata machine should be use for database consolidation or isolation only but you are not restricted. You can use Exadata VMs to install other products like management or ETL tools but it's not recommend to run major applications like SAP or EBS. Currently Exadata VM are only certified to Oracle enterprise Linux, may be in future Oracle will start supporting other operating systems. Please see below diagram to compare quarter rack Virtualized Exadata Machine with Bare Metal.
Virtualized Exadata machine architecture can be significantly different than the Bare Metal one. With Bare Metal install, you have one Oracle cluster for whole Exadata machine, unless you physically partition your Exadata machine. With Virtualized Exadata Machine you have 1 management domain (domO) and at least 1 user domain (domU) on each node, depending on the number of VM clusters being deployed. Management Domain (domO) is automatically created with 4 vCPU, 8 GB RAM, with no Oracle GRID and RDBMS software installed in it. Each user domain (domU) should be sized carefully based on the databases you are planning to host in future. With virtualized Exadata install, you only virtualize compute nodes and share storage between them. This also mean that all the VM clusters will have their own dedicated ASM disks groups and physical disks.