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Tent/RV on Certified Organic Farm
Camp at the beautiful certified naturally grown, Bear Branch Farms, in Stayton, OR. Tree lined dry camping for shade. Great access to hunting, fishing, swimming holes, hiking waterfalls and so much more. Only an hour to Portland. Camping toilet required October through April. We have a Porta potty from late Spril through the end of September. Playground and picnic tables to
Camp at the beautiful certified naturally grown, Bear Branch Farms, in Stayton, OR. Tree lined dry camping for shade. Great access to hunting, fishing, swimming holes, hiking waterfalls and so much more. Only an hour to Portland. Camping toilet required October through April. We have a Porta potty from late Spril through the end of September. Playground and picnic tables to enjoy the farm :) All trash must be cleaned up before leaving. This is family friendly camping atmosphere so we expect respectful behavior from our guests.
- Check in: After 12PM
- Check out: Before 1PM
- Cancellation policy: Moderate
- On arrival: Go straight to camp
- Minimum nights: 1 night
- Accepts bookings: 18 months out Weeknight discount: 5% off
Offered on the Host's property or nearby.
A local swimming hole 5 minutes from the farm is bridge jumping, natural waterslides and a great area for families to gather an...Read more
Wildlife watching
We have lots of deer, wild turkeys and other birds and things that pass through the farm each day.
Natural features you'll find at Tent/RV on Certified Organic Farm in Oregon.
Silver falls water falls and hiking is world class and only 20 minutes from the farm
The vibe at Tent/RV on Certified Organic Farm
Places to see near Bear Branch Farms' Camping
If you stayed here and have some insider info for us, let us know!
Bear Branch Farm was there when we needed it after a crazy day on the road on our way to Portland. We met some friends in Salem at a local brewery (complete with food truck), then made the 25 minute drive to the campsite.
Janis had very accurate directions and we were able to find the property without a problem. She also messaged us right away with her contact info and welcomed us. Once you pass the white fence, you turn immediately left and there's a path/driveway cut into a field. We arrived at night so it was difficult to see the lay of the land but we discovered quickly that the ground was very uneven and the SUV with an attached trailer had a little trouble since the tall grass made it difficult to maneuver around dips and stumps and large branches in the grass. Beware if your vehicle has low clearance!
We only went in about a hundred feet and decided we'd just stop and camp there. There are small groves of trees along the path and they make for great tent camping. We had one tent for two of us while the other three shared the trailer.
It was quiet when we got there but around 2:30am a rooster woke most of us. Around 8 am some machinery (maybe chainsaw) started up at the house across the field. We hadn't noticed the house at night but its pretty obvious and relatively close during the day. As we were packing, an older Pyrenees dog wandered by and sniffed our stuff. He wasn't aggressive but he wasn't friendly either....he looked wary for us so we didn't bother him.
We packed up in the morning and enjoyed the Queen Ann's Lace and other wild flowers. We had a bit of trouble getting the SUV and trailer out. There were more holes and stumps than we realized so maneuvering was difficult. We managed it eventually but maybe some leveling of the main path and the turn-around at the end would really help travelers especially if catering to RVs, vans and trailers. Also there were a few wasp nests in the ground and a few of our party got stung as they directed the driver. Nothing serious, thankfully.
We really appreciated the place to stay and it was a very pretty location. I loved the tree groves and the combination of places to put vehicles and tents. There's also lots of space for multiple groups. The noise in the AM and the path/driveway condition could use some improvement for this be a repeatable stay or recommendation for us.
Thank you Janis!


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The YouTuber CJ So Cool's partner Royalty Johnson and his baby mama NiKee Lewis don't have a friendly relationship. Over the years, Royalty Johnson who is a social media star herself has been accused of being a gold digger by many of CJ's fans.
CJ So Cool is a YouTube star, he has an estimated Net worth of $3 million He is in a relationship with his long-time girlfriend Charlene "Royalty" Johnson. Together, CJ So Cool and Royalty are yet to have a child, though they look after four children. Three children are of Royalty's from her previous relationship whose name are Leonidas, Karnation, and J'aaliyah. And one is a daughter of CJ So Cool with NiKee named Camari.
Rocky Relationship Between CJ So Cool's Girlfriend and Baby Mama
Over the past few years, the relationship between Royalty and NiKee has not been that good. Some months ago CJ So Cool's baby mama NiKee Lewis went live on Facebook and blasted both CJ So Cool and his girlfriend Royalty. According to NiKee, she was also blocked by her baby father Cordero James Brady aka CJ So Cool on facebook.
It seemed like Royalty's insecurities was the main reason behind CJ putting NiKee on a blocklist. NiKee found out that she was on the blocklist when her daughter Camari had gone to stay with her father for the summer and couldn't call her. Before that, there was nothing wrong between CJ So Cool and his ex NiKee. In the video, NiKee accuses CJ So Cool of being a liar too.
Furthermore, CJ So Cool's estranged partner NiKee revealed that she took care of their daughter Camari till she was five. Till that time CJ was not even paying her the child support money. Despite that fact, NiKee always let CJ see his daughter Camari as she knows they share a good relationship.
Let's hope that whatever is between NiKee Lewis and Royalty Johnson, that thing will clear out soon.
CJ So Cool Arrested
When CJ So Cool was arrested, he asked his daughter Camari to lie stating she hates her mother NiKee so that CJ's girlfriend Royalty could take her from the 'Child Protective Services.' And that part also made NiKee furious. As far it goes, NiKee called CJ a neglectful father. Many fans believed that his partner. Royalty was the main reason behind that.
View this post on Instagram
Plus in the past, some texts of CJ revealed that he was cheating on his beau Royalty. But looking at them everything seems to be excellent at the moment.
For more News and Entertainment follow eCelebrityMirror.

subset: commoncrawl


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Lab Services
For your convenience, Sound Family Medicine offers laboratory services at all of our locations. For busy families, we understand accessibility is key so if weekends are best for you, see us at our walk-in clinics to have your sample taken. Many tests are run at our onsite labs, resulting in quick turnaround times for test results. For tests that cannot be run onsite, we partner with an outside reference lab. For our established patients, we accept and process lab orders from other facilities, ensuring that the results are returned to the ordering provider.
For a list of common tests and screenings, please read below.
For answers to some of our frequently asked questions about labs, check out our FAQ page and select the Appointments and Tests drop down menu.
Urine Testing
Drug abuse testing and urine toxicology collections are available at our 31st Ave clinic and 10th St clinic lab. A drug abuse test looks for amphetamines, barbiturates, benzodiazepines, cocaine, methamphetamine, methadone, MDMA, oxycodone, opiates, THC and alcohol. A urine toxicology screen tests for all of these as well as alcohol. You may be required to have a urine drug test performed to inform an employer, legal entity, athletic organization, etc. of whether or not you have used illegal substances or consume clinical medications. Results for a urine test normally take 2 to 3 business days for legal chain of custody and about 2 days for clinical drug tests. Our clinics have federal drug of abuse collection sites under US DOT guidelines and our staff are certified under these guidelines for collections.
Cholesterol Testing
Adults with normal cholesterol levels need to be screened every five years. For those with borderline or high cholesterol levels, or with other medical conditions including diabetes or atherosclerosis, your provider may recommend more frequent testing.
Diabetes Screening
Adults with high blood pressure should be screened for diabetes once a year. For your convenience, this can often be done at the time of a routine physical exam.


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Dural NSW
Easycare, Contemporary Living With Charming Rural Views
Easy-care family living with a touch of luxury and serene acreage outlook awaits with this as-new, two level residence from prestige builders Eden Brae. Flawlessly appointed, this is a home designed for sophisticated comfort, boasting a selection of living areas featuring open plan lounge and dining, family room with fireplace and chef's gas kitchen with granite bench-tops and quality appliances.
There is also a dedicated study and four ample bedrooms, including delightful master suite with extensive walk-in robes, indulgent ensuite and balcony with semi-rural vistas. A true entertainer, the rear of the home flows effortlessly to a choice of fully covered alfresco dining; a stunning "outdoor" room featuring built-in BBQ and an elegant free-standing pergola.
Beautifully and extensively landscaped with feature ponds, spa, gardening lighting, privacy hedges and lush level lawn; this exceptional property is just minutes from Round Corner village and a host of quality private schools.
- High ceilings, ducted a/c, ducted vacuuming, alarm system
- Designer interiors built without compromise, abundant natural light
- Excellent in/outdoor integration, has hosted 90 guests with ease
- Only 4 years old, still under builder's warranty
Stephen Giacomelli
02 9651 1666
0413 360 777


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Make your own wine
This activity consists in embodying an enologist for a day. It starts with a visit to the winery, where the one-day enology knows the production areas. Then we move to the designated place to perform the activity, the group of participants is divided into two groups, and they are assigned with a work table with the necessary elements to develop the experience.
Right after we pass to the tasting part. We provide the groups with three samples of our Gran Reserva wines, which they will mix to make their own wine. Each group is divided into winemakers, label designers and presenters of the new product.
Following, both groups must show the presentation of the new wine. The winner group will be determined by the perfect mix of flavor, design and presentation.
The prize is a bottle of our Gran Reserva line to each participant of the winner group.
Duration: 1:30 hours approx.
From 10:00 to 17:00.
Tour available upon prior reservation, groups of a minimum of 8 people.
- Tour to the winery.
- Make your own wine activity and materials (apron, pencils, sheets, wine, droppers, etc.).
- Tasting of 3 wines Gran Reserva
- Bottle of wine Gran Reserva to each participant in the winner group.
- Adulto: $29.000 / US $52*
Adults: $ 29,000 / US $52*
* Fee in USD valid only for foreign visitors.


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Product Description
Unidrive SP (Servo Mode)
High Performance Servo Drive for Continuous Duty Applications
- Torque: 0.72Nm to 136Nm
- Supply: 200V / 400V / 575V / 690V
Unidrive SP can control a wide range of industrial motors. In Servo mode, the drive operates as a high performance servo amplifier, matched to the Unimotor FM range and optimized for continuous duty applications, due to its high continuous output rating.
Typical continuous duty applications are printing, winding and labeling.
Three Option Modules in Each Drive
Each Unidrive SP can accept up to three SM option modules to allow the drive to be customized to your servo applications, option modules allow motion control, additional encoder feedback and I/O to integrated.
Onboard Motion and Positioning
Control Techniques' SM-Applications and SM-EZ Motion option modules enable high performance motion / positioning controllers to be integrated within the drive. The position control loops operate at high speed and are synchronized to the drives internal current and speed loop, eliminating delays, which maximizes control performance.
Advanced Registration
SM-Register is designed to provide a flexible, high performance solution for programmable motion requiring high speed registration features. It is ideal for applications such as printing, packaging and cutting machinery.
Connectivity to Servo Networks
SM option modules allow Unidrive SP to connect to a wide range of high speed servo Fieldbus and Ethernet networks for centralized motion control. Networks include EtherCAT, SERCOS, Profibus, SLM and CANopen.
Integrated Servo Features
Unidrive SP has integrated features that make the product ideal for high performance servo applications:
- Integrated universal encoder interface, able to accept a wide range of encoder types, including incremental, high resolution SinCos and absolute SSI encoders. Additional encoder interfaces can be added through option modules
- On Size 0, 1 and 2, the drive has space for an optional integrated braking resistor with thermal protection. the rating is suitable for the majority of servo applications
- High resolution analogue input for precision control – Bipolar differential analog, 16bit plus sign, 250uS update.
On-board Safety
Unidrive SP's Safe Torque Off (STO) is a functional safety feature which complies with EN/IEC 61800-5-2 SIL 3 and is built in to the drive as standard. When the Safe Torque Off function is active, the drive output is disabled with a high degree of integrity.
- Certified by BGIA and TUV
- Allows the drive to become part of the machine safety system
- Reduces user cost in machine safety controller designs that must comply with EN/IEC 62061 up to SIL 3, EN ISO 13849-1 up to PL e, EN 954-1 category 3 and EN 81-1 for elevators
- Eliminates one or more power contactors
- Eliminates feedback checking arrangement
- Drive can be powered continuously.
Safe Torque Off can form part of an EN 954-1 Category 4 system by adding additional control circuitry.
There are varied illnesses such as cancer which have no cure. However, there are companies that sell prescription medicaments to patients who need them at low costs. Different remedies are used to treat Klebsiella infection. There are lot of medicines for each ailments. Levitra is a drug set to treat few conditions. What do you already know about buy Cephalexin online? What is the most considerable information you must read about ? More information about the problem available at . Like all other medications, Levitra is secret accordingly of it's active ingredient. Sure, sexual problems can help melancholia and, even more importantly, reaffirm the joys of living. Prescription medications can help us, but they can also come with dangerous side effects. It's significant to mind that not all remedies are really useful. Along with their valuable effects, most remedies, notwithstanding, have unwanted aftereffects although mostly not everyone experiences them. Do not give Levitra or any physic to anyone under 18 years old without medicinal advice.


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Studio over the water
Our work in progress today involves floating flip-flops and wet legs! Laura seized the calm tide and fine weather this...Read More
Our work in progress today involves floating flip-flops and wet legs! Laura seized the calm tide and fine weather this...Read More
We are meeting the organisers of the Cheshire Wildlife Trust's Living Seas event tomorrow to hand over our flotsam weaving....Read More
Did we mention we have a free flotsam weaving workshop this Sunday for Cheshire Wildlife Trust's Discover Living Seas event?...Read More
One week to go until we run our free flotsam weaving drop in workshop for the Cheshire Wildlife Trust's Discover...Read More
Exciting news this week! We are delighted to be involved with the Cheshire Wildlife Trust's Living Seas event on Sunday...Read More
This week we are delighted to show you our brand new virtual tour. We had Dave Burke from HDR360 come down...Read More
This week's treasury post is based on wonderful new friends we met this week, the Heswall and District Soroptimists International...Read More
The Flashback today is to some old photographs of Laura and Shore Cottage. Since appearing on George Clarke's Amazing Spaces...Read More
Thursday is Spotted on the Three Things blog and today we couldn't help but spot the tide as...Read More
Flashback to October 2012 and a stormy day. With a storm potentially heading to the UK on this weekend we...Read More
Today is Flashback Friday and we have three pictures of Shore Cottage for you. This illustration is dated 1938 and...Read More
Saturday is 'Likes' on the Three Things blog and we have just spent the whole day in our new studio...Read More
This week we are hard at work stocking and styling our new studio. We hope to make it an inviting...Read More
Today's Flashback Friday comes courtesy of a Mr Ian McBroom who very kindly sent us the old photos of the...Read More
This week we have spotted some pretty unusual cloud formations here in Thurstaston. Yesterday we woke to find North Wales...Read More
We can reveal the bird based commission Kris was working on was a customisation of the reclaimed parquet flooring for...Read More
Today's finds are all objects we have repurposed as methods of display here at Shore Cottage. Sea-worn beach glass collected...Read More
Flashback Friday and a recreation of a photograph for you. This is an old photograph (about 1900) of Shore Cottage...Read More
Flashback Friday today so we've 'dug up' these images from 1983. Sue and John Barnes bought the derelict pair of...Read More


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POST MALONE To Release New Music By The End Of The Year?
Brianne Constantino
Posted at
Great news, Post Malone fans! Months after the release of his chart-topping record Beerbongs & Bentleys, the American rapper is now hinting at possibly releasing new music before the year ends.
The "Better Now" artist took to Twitter to tease fans about the upcoming project which he hopes to release before 2018 comes to a close.
Trying to put out a new body of work before the end of the year but we all know how that goes wish me luck k— Beerbongs & Bentleys (@PostMalone) November 21, 2018
Post Malone's recent work includes the song "Sunflower", a collaboration with Swae Lee which will be part of the Spider-Man: Into the Spider-Verse soundtrack.
Me and @PostMalone got a song in the new SPIDER MAN movie 🎥— Swae Lee Lee Swae (@goSwaeLee) October 15, 2018
🌻🌻Sunflower 🌻🌻 COMING SOON pic.twitter.com/4lZOtM6wXe


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CyberSec in Algebra LAB
Algebra LAB
We organise a two day event with a special event for Cyber Security in financial institutions, a round-table discussion on "Education for Cyber Security", and a hackathon (competition in ethical hacking).
Activity website: https://www.algebra.hr/lab/dogadanje/listopad-mjesec-kiberneticke-sigurnosti/
Time & Place
25 Oct 2018 09:00
26 Oct 2018 00:00
Visoko uciliste, Algebra Croatia
Target Audience
Cybercrime is a costly affair to financial institutions. A digital defense attacks and breaches daily causes resource suffocation, brand image destruction and loss of corporate secrets. Financial institutions have to deal with cyber threats every day. We bring you experts from CSIS Security Group (CSIS), a company providing services saving global financial institutions millions of dollars. They will present two case-studies, in which they demonstrate their exceptional threat intelligence and how your company will benefit with increased awareness, education about the current threat picture, the latest intelligence within the field and supreme forensics.
CSIS is the leading independent provider of cyber security services in Europe. They are credited by Gartner Group for their threat intelligence capabilities and are the preferred cyber security provider to some of the world's largest financial services and enterprise organisation, as well as a trusted advisor to law enforcement agencies. CSIS collaborates with Europol-European Cybercrime Centre and European CyberSecurity Group (ECSG).
10:00 - roundtable discussion "Education for Cyber Security" (state secretary Bernard Gršić, Dean of Algebra University dr.sc. Mislav Balković, and experts in CyberSec: dr.sc. Robert Kopal, dr.sc. Slaven Smojver, dr.sc. Tonimir Kišasondi, dr.sc. Leo Mršić, Ivica Ostojić, Ivan Maglić)
18:00 - Hacking Night - hackathon in ethnical hacking (prize for the winners: 20.000 HRK, which is roughly 2.500 EUR)


text: Marine Air Wing. A USMC organization that provides combat ready expeditionary aviation forces capable of short notice world wide deployment to MAGTFMarine Air Ground Task Force. A principal United States Marine Corps organization that combines air-, land-, and sea-borne forces to conduct a wide array of military operations and humanitarian responses anywhere in the world. Comprised of a CE, ACE, GCE, and LCE. May take the form of a MEB, MEF, or MEU., fleet, and unified commanders.


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The Royal Oak, Pewsey
Russell & Carolyn will provide you with a very warm welcome at the Royal Oak, a traditional village pub, and trust your visit will be a memorable one.
Offering a good selection of ales, lagers and ciders, as well as wines from as far afield as South Africa, The Royal Oak has many facilities including free wifi, pool, bar games, skittles, a large beer garden and a real log fire for those chilly winters nights.
From their kitchen comes a selection of traditional "Pub Grub" favourites, offering home cooked lunches, evening meals and Sunday Roasts using locally sourced produce.
Should you require accommodation while visiting Pewsey, The Royal Oak has two twin rooms available on a B&B basis.
Do go along and say hello – and experience the unique atmosphere of a timeless English village pub!
Directions to listing
Send Message to listing owner
Listing Title: The Royal Oak, Pewsey


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Ministry of Commerce and Industry Recruitment for Examiner of Trade Marks Job Postings in Mumbai. The eligibility for this job opening is the candidates having Degree in law. Eligible candidates should apply online in official handicrafts website. The link for notifications and how to apply Ministry of Commerce and Industry Jobs in Mumbai online is given at the bottom of this page.
Ministry of Commerce and Industry Job Recruitment Details:
|Org Name
|Ministry of Commerce and Industry
|Degree in law
|Job Location
|75 Vacancies
|Name of the Post
|Examiner of Trade Marks Posts
|Pay Scale
|Rs. 45000/-
|Last Date
About Ministry of Commerce and Industry :
The Ministry of Commerce and Industry is responsible for the formulation of policy, planning, development, export promotion and regulation of the textile industry in India. This includes all natural, artificial, and cellulosic fibers that go into the making of textiles, clothing and Handicrafts.
bigcommerce, commercial insurance, chambers, us, what is commerce, commerce subject, chamber of commerce, department, chamber, comerce, commerce dictionary, coc business, commercial insurance, the commercial bank, department of commerce website, chamber of commerce website, commerce website, dept of commerce wa, commerce bank manhattan ks, bigcommerce, commerce auto insurance phone number, business and commerce, department of commerce, commerce bank kansas, commerce bank st louis, commerce bank and trust, o commerce, commerce site, department of commerce wa, chamber foundation, commerce meaning, ministry of commerce, commerce definition, department of commerce, department of commerce du
Name of the Post:
Examiner of Trade Marks Posts
Degree in law of recognized university or equivalent
Two years' experience as an advocate.
Age Limit:
For Gen/ UR Candidates – 30 years
Relaxation (in Upper age limit) – 05 years for SC/ ST candidates
03 years for OBC candidates
Pay Scale:
Rs. 45000/-
Selection Procedure:
Last Date:
Interview Date:
05/03/2019 & 06/03/2019.
The Trade Marks Registry, Boudhik Sampada Bhavan, S. M. Road, Antop Hill, Mumbai – 400 037.
Free Whatsapp Job Alert:
To Join Free Whatsapp Job Alert Click here-> https://alljobopenings.in/free-whatsapp-job-alert/
How to Apply for Ministry of Commerce and Industry Job Recruitment:
- Official Notification of this Job -> https://alljobopenings.in/wp-content/uploads/2019/02/ministry-of-commerce-and-industry-75-examiner-of-trade-marks-posts-advt-details-application-form-252091.pdf
If you have any doubts please add this in comment area, we will try to clear your doubts as soon as possible.


text: NEW PROJECT IN CAS CATALÀ New residential project in Cas Català. This house has an exclusive location where we enjoy the vegetation and the sea at the same time. Share: Facebook Twitter Pinterest Tumblr Email Newer Post NEW PROJECT IN CAS CATALÀ Older Post ARCHITECTURE AND INTERIOR DESIGN GOING TOGETHER


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We are dedicated to providing the best possible customer service around. Whether you have a question about your vehicle or want to know more about us, we'd love to hear from you.
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Owner: David DeLeon
Phone: (732) 777-2007
Fax: (732) 339-0529


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The offered Elegent Digi Water Purifier is widely used in homes, offices, schools, restaurants etc to have easy access to pure water. It helps in reducing the turbidity and presence of inorganic components in the water. It is engineered with a TDS regulator to check the quality of dispensing water. It is high on efficiency and less on power consumption which results in its longer service life. The Elegent Digi Water Purifier is a compact product with easy installation. Moreover, its attractive design and smooth operation make it highly appreciated in the market.
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Oh please. These guys don't owe you anything. If you can't wait, go and flash another ROM. Stop whining. They aren't paid to do these things and they do this on their own free time. We should be thankful they even find the time to do it. Thanks, P...
Hey guys, i know it is nothing special, but i thought I would post this to provide ease for users to restore. Below you will find a download link for the stock rom, and just below here the instruction in order to restore, so here we go... To...
Just wanted to know if you guys are still rooting for Barnes & Noble and it's product development efforts. Check Engadget's hands-on videos here: Nook HD http://www.engadget.com/2012/09/26/barnes-and-nobles-nook-hd-7-inch-android-tablet-ha...
I wonder if anyone else aside from me has come across this thread. I discovered it when I was browsing the xda-developer's blog site. It's about running a script that supposedly fixes any android system's memory management. I did try it on my N...
I have updated the ADW Launcher with the latest version which is working much better than the previous version. With only this change, I have bumped the build number to 11102012. This will probably be the final version of MiRaGe for Nook Color bas...


text:
Photos: MSU football Green and White spring game
A link has been posted to your Facebook feed.
Interested in this topic? You may also want to view these photo galleries:
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Welcome to our live chat on all things Michigan State Spartans with Chris Solari.
If you have a question about MSU football, MSU basketball, Spartans in the NFL draft or NBA draft, leave your questions now.
Michigan State's Matt Allen early favorite to start at center for Spartans
Nick Ward's NBA decision key to Michigan State basketball production
Then at noon Wednesday, Chris will begin to answer.


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- Your current position:
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International Conference
Picturesque Modernities. Architectural Regionalism as a Global Process (1890-1950)
30 November – 2 December 2016
Location: German Centre of Art History in Paris and INHA Paris
Coordinator: Michael Falser
Organizers: Cluster of Excellence "Asia and Europe in a Global Context" (Global Art History, project D18 "Picturesuqe Modernities"), German Centre of Art History in Paris, CRIHAM/Department of Art History and Archaeology at University of Poitiers, the Centre André Chastel (CNRS/University Paris-Sorbonne) and the Association d'Histoire de l'Architecture (A.H.A.).
The conference aims at defining different transnational/transcultural approaches in a global historiography of architectural history by setting the different European colonial contexts (within and outside Europe) within the first half of the 20th century in relation to each other. This can also help to conceptualise the recent inter-related effects between globalisation and decentralisation where the notions of the global and the local are often enmeshed simultaneously in contemporary architecture.
Research Symposium and Celebration
The Pleasure of Challenging Representation – Writing Global (Art) History
10 February 2016
Location: Karl Jaspers Centre for Advanced Transcultural Studies, Heidelberg University, Room 212, 9:00-16:00 (Symposium) and 16 c.t. (Celebration)
Coordinators: Franziska Koch (Global Art History, Heidelberg University) and Jennifer Pochodzalla (Global Art History, Heidelberg University)
Organizers: Cluster of Excellence "Asia and Europe in a Global Context" and Heidelberg Institute for European Art History
The symposium The Pleasure of Challenging Representation – Writing Global (Art) History takes stock of current research approaches in the related fields of global (art) history focusing on comparative and cross-disciplinary perspectives. Seven years after the foundation of the first chair of global art history in the German-speaking countries, held by Monica Juneja at Heidelberg University, the symposium invites prominent scholars and collaborators to critically revisit the local and global reception as well as the methodological relevance of its transcultural research agenda. They dialogically explore the "pleasure of challenging representation" in its double sense: the (art) historian's methodological task to challenge representation – be it textual or visual – and the additional demands that result from representations of artifacts, concepts, and cultural practices that do challenge historiography because they circulate and take on new meanings across time and cultural divides. Thus, a more flexible and reflexive definition of conventional research units when addressing the "global" in (art) history is being called for.
The symposium is followed by a surprise program jointly organized by colleagues, students, and friends celebrating the academic achievements of Monica Juneja on the occasion of her 60th birthday.
International Conference
The Picturesque Eye. Investigating Regionalist Art Forms in late Empires
3-5 December 2015
Location: Austrian Museum of Folk Life and Folk Art, and Austrian Academy of Sciences, Vienna/Austria
Coordinator: Michael Falser
Organizers: Cluster of Excellence "Asia and Europe in a Global Context" (Global Art History, project D18 "Picturesuqe Modernities"), the Austrian Museum of Folk Life and Folk Art, and the Institute of Culture Studies and Theatre History of the Austrian Academy of Sciences. In association with the DFG-Research Group "Transcultural Negotiations in the Ambits of Art", Institute of Art History at the Freie Universität Berlin.
Did late colonial/imperial regimes use engagement with peripheral cultures and the staging of regional art forms as a strategy to stabilise central governments? What role did the academic disciplines and the techniques and media involved, such as photography, film, book publications, museums and exhibitions, play in any such strategy? And, which institutions and individual actors can be considered to be the driving forces behind such actions? This English-language conference applied a transcultural approach and focuses both on European peripheries (looking primarily at the territories and crown lands of the late Austro-Hungarian Empire) and overseas colonies (looking primarily at Asia) in the years between 1900 and 1950.
Read more
For the Programme (Flyer), click here
For the Programme (PDF), click here
For the Abstracts (PDF), click here
International conference and kick-off event for the "Research Network for Critical Transcultural Perspectives on Artistic and Visual Practices"
Present's disjunctive unity. Constructing and deconstructing histories of contemporary cultural and aesthetic practices
26 – 28 November 2015
Location: Haus der Kulturen der Welt, Berlin
Organizers: Birgit Hopfener (East Asian Art History, FU Berlin), Franziska Koch (Global Art History, Heidelberg University), Kerstin Schankweiler (African Art History, FU Berlin) in co-operation with Annette Bhagwati and Kirsten Einfeldt (Haus der Kulturen der Welt, Berlin)
The international and cross-disciplinary conference Present's disjunctive unity. Constructing and deconstructing histories of contemporary cultural and aesthetic practices will critically discuss the concept of "the contemporary" in art and culture. The historicity of the concept is not a singular one given the many cultural contexts and places, often entangled and involved in its different constructions: these transcultural histories of contemporaneity and their differences are (in-)formed by specific socio-political conditions and geo-political power structures. The conference strives to develop appropriate categories for the different historiographical genealogies that shape concepts of "the contemporary" around the globe.
In addition to the public programme with ten speakers and a talk featuring two artists the conference hosts closed workshop sessions that allow early career researchers to elaborate on specific sub-themes of the topic in relation to transculturality. Participants are asked to support the kick-off of the "Research Network for Critical Transcultural Perspectives on Artistic and Visual Practices" at the end of the event.
Read more
International Symposium
"(In)Direct Speech. 'Chineseness' in Contemporary Art Discourse and Practice. Art Market, Curatorial Practices and Creative Processes"
16 - 19 March 2015
Location: Artistic Studies Research CentreFaculty of Fine Arts – University of Lisbon
Organizers: Franziska Koch (Global Art History, Heidelberg University) and Rui Oliveira Lopes (CIEBA/FBAUL)
The international symposium (In)Direct Speech. "Chineseness" in Contemporary Art Discourse and Practice. Art Market, Curatorial Practices and Creative Processes is the first jointly organized event by the Faculty of Fine Arts' Artistic Studies Research Centre of Lisbon University, represented by Rui Oliveira Lopes, and the Cluster's Chair of Global Art History of Heidelberg University, represented by Franziska Koch. It will take place from 16 to 19 March 2015 at Lisbon University and includes the launch of the International Research Network for Modern and Contemporary Chinese Art.
Read more about the focus of the symposium, the programme, the research network and visit the conference website for further insights.
"Art Histories and Terminologies"
5-7 February 2015
This workshop is the second in a series of three events (Berlin 2013 and Florence 2016) which are conceived within the cooperation of the Chair of Global Art History with the Max Planck Institute of Art History in Florence. MPI's research unit of Forum Transregionle Studien (Berlin) with Prof. Dr. Gerhard Wolf (director of MPI) and Dr. Hannah Baader, and the fellows of its post-graduate programme Art Histories and Aesthetic Practices (Kunstgeschichte und ästhetische Praktiken) are invited to Heidelberg to discuss their research and related terminologies.
For the workshop homepage here.
"Von Atlantis bis heute"
7 September 2014 - 1 March 2015
How people cope with disasters illustrates a comprehensive exhibition organised by Prof. Gerrit J. Schenk and Prof. Monica Juneja as a result of their research project D17 "Images of Disasters". The exhibition takes place at the Reiss-Engelhorn Museums of Mannheim from September 7, 2014, to March 1, 2015. The show demonstrates how human beings respond to the violence unleashed by extreme natural events. It investigates culturally formed patterns of action and collective strategies of coping, as individuals, societies and world-views are exposed to the most elemental of borderline situations.
The exhibition features some 20 catastrophic events whose thematic range extends from the ancient myth of the lost city of Atlantis to present day climate change. About 200 objects, many of which have never been shown before, and simulations are displayed over an exhibition space of 1,000 square metres. The transcultural focus of the exhibition brings to light a repertoire of images and representations of disasters in world history, both famous and less-known, which seek to domesticate calamities and contain them as icon. The multimedia and interactive dimensions of the exhibition are part of this process of domestication.
Visit the Exhibition Website
Visit the Museum Website (German)
Re-Thinking Artistic Knowledge Production: distributed creativity - global media cultures
23-24 May 2013
Organizer: Symposium of the DFG-network "Medien kollektiver Intelligenz" in co-operation with the Cluster Professorship Global Art History at the Cluster "Asia and Europe in a Global Context: The Dynamics of Transculturality".
The production of knowledge in artistic or aesthetic practices has recently been discussed in relation to scientific research. While contemporary art takes over scientific methods and practices, it still leaves the question open whether or not aesthetic practices should be judged differently from scientific experimentation and what exactly the outcome of artistic knowledge is. The aim of the symposium is to re-think aesthetic knowledge production from a new vantage point, focusing on the importance of distributed creativity and globally entangled media cultures.
"Kulturerbe - Denkmalpflege: transkulturell"
29 September-1 October 2011
Das Konzept von "Kulturerbe" ist in seiner Entstehungsgeschichte ein Produkt der europäischen Moderne, das sich ab der zweiten Hälfte des 18. Jh. mit dem Prozeß territorial bezogener Staatenbildung und nationalkollektiver Identitätskonstruktion formierte. In der Theorieüberlagerung der geisteswissenschaftlichen Disziplinen von (Kunst-)Geschichte und Archäologie zusammen mit jener der Architektur und den sich ausbildenden Restaurierungswissenschaften erhielten materielle, v.a. immobile Kulturgüter mit der "Denkmalpflege" ihre schrittweise institutionalisierte Schutzinstanz.
Die Konzeption des Kulturerbes wurde v.a. im Rahmen des Kolonialismus auf außereuropäische Kulturen übertragen und nach dem Zweiten Weltkrieg in ihrem Rechtsstatus internationalisiert. Seit den letzten vier Jahrzehnten wird sie, ausgehend von einem postkolonialen und ethnisch-pluralisierten Hintergrund, unter dem Schlagwort der sog. "Globalisierung" neu verhandelt. Dabei geraten die bisher mehrheitsfähigen Gründungscharakteristika von Kulturerbe in eine zunehmend konflikt- und spannungsgeladene Schieflage, in der ein methodischer Perspektivwechsel, ein Paradigmenwechsel zu diskutieren ist. Neue Aushandlungs- und Sichtweisen bzw. Zugangs- und Anwendungsformen bezüglich des Konzepts von Kulturerbe geraten damit auch in das Blick- und Aufgabenfeld von Denkmalpflege und angewandtem Kulturschutz.
Eine Möglichkeit sich den veränderten Sichtweisen auf Definitionen und Formationen von Kulturerbe zu vergewissern, bieten jene kulturwissenschaftlichen Zugangsformen, die sich unter dem Fokus der sog. "Transkulturalität" zusammenfassen lassen.
Lecture Series
Multi-Centered Modernisms
Summer 2010
The Lecture Series "Multi-Centred Modernisms" in summer 2010 are part of the project D13 of the Chair of Global Art History and included, above others, lectures on Tibetan contemporary art (Claire Harris), world art (Stanley Abe), Buddhist art (Hiroyuki Suzuki) and global art (James Elkins). They concluded with a panel discussion "Institutions, Markets, Publics - contemporary art practice in Asia and Europe". Some lectures are published in the Cluster's E-journal "Transcultural Studies".
Inaugural Lecture
"Das letzte Abendmahl in der roten Wüste - wandernde Bilder, asymmetrischer Austausch?"
29 January 2010
Monica Juneja's Inaugural Lecture "Das letzte Abendmahl in der roten Wüste – wandernde Bilder, asymmetrischer Austausch?" in the Alte Aula of Heidelberg University (January 29, 2010).
Summer School 2009
Objects on the Move
The Summer School 2009 was organized by Prof. Monica Juneja and discussed "Objects and the Move". The summer school course programme spanned over four days and combinesd insights in the research of renowned experts in the form of lectures with more interactive elements such as seminars and excursions. The scholars represented a wide range of backgrounds in line with the Cluster's own focus on interdisciplinary research. The keynote talk was given by Richard H. Davis, Professor of Religious Studies at Bard College, New York. See the programme (PDF).
Public Lectures
Monica Juneja
Partisan spaces, braided histories - narratives within and about Modernism and contemporary art from South Asia, paper at conference History and Allegory of the Present, Kunstakademie Nürnberg, 5-6 December, 2013 (invitation accepted).
Wanderndes Erbe und die Kräfte der Erinnerung, Keynote lecture at conference Das Erbe der Anderen, Universität Bamberg, Bamberg, 14 November, 2013 (invitation accepted).
Going global in Mughal India – a digital muraqqa, paper at conference, Franklin Humanities Centre, Duke University, Durham, North Carolina, 7-8 November, 2013 (invitation accepted).
Impulsreferat Art History beyond Europe, paper at conference Areas and Disciplines: Lessons fron Internationalization Initiatives in the Humanities, Social Sciences and Area Studies in Germany, Forum Transregionale Studien, Berlin, 18-19 October 2013 (invitation accepted).
Beyond Humanism. Austro-German Weltkunstgeschichte and the endeavour to write non-eurocentric histories of art at the fin de siècle, paper at conference Reviewing Indo-German Cultural Contacts in the 21st Century, Humboldt-Kolleg, New Delhi, 23-24 September, 2013.
Material encounters: Can peripatetic objects challenge the disciplinary frame of art history, Keynote lecture at conference Chinese Art and Material Culture in a Global Context, Universität Leiden, Leiden, 18 September, 2013.
Das Gewebe der Sehnsucht – indische Miniaturmalerei und ihr Nachleben in der Gegenwartskunst, guest lecture, Museum für Völkerkunde, Hamburg, 1 September, 2013.
Podiumsgespräch mit Julia Blehm anlässlich der Ausstellung Vom Zeigen und Sehen, Pedro Wirz: tropical, Dortmunder Kunstverein, Dortmund, 15 August, 2013.
Material Encounters – Mythical Worlds. Peripatetic Objects in the Making of Europe, Keynote lecture at the international Summer School Europe from the Margins, Universität Basel und Graduate Interdisciplinary Network for European Studies, Menton, 17 June, 2013.
Jenseits des Sagbaren? Trauma, Grenzerfahrung und ästhetische Praxis im Werk von Zarina Hashmi und Nalini Malani, guest lecture at Heidelberger Kunstverein, Heidelberg, 13 June, 2013.
The loss and gain of place – contemporary art in a translocal perspective, Panel discussion with Jörg Scheller, Salon Suisse the 55th Biennale in Venice, Venice, 1 June 2013.
Tracking the Routes of Vision in early modern Eurasia, paper at international conference Die Routen der Kunst/ Itineraries of Art, Kunsthistorisches Institut der Freien Universität Berlin, Berlin, 22-25 May, 2013.
Reflections on Art History's shifting geographies, guest lecture, Kunsthistorisches Institut der Universität Zürich, Zürich, 21 May, 2013.
Vision as bodily praxis – dance and the aesthetics of the image in North Indian painting, paper at conference Dancing with Images – Images of Dance. An international workshop in honour of Gerhard Wolf, Kunsthistorisches Institut, Florence, 19 April 2013.
Global boundaries, local frontiers – Islamic art and the museum, paper at international conference Histoire partagée pour une Europe sans clivages, Europarat, Strasbourg, 21-22 March, 2013.
Migrant images and cross-fading views – vision in South Asian art, paper at panel Überblendungen. Zur Dynamik von Referenzsystemen (16.-20. Jh.), Schweizerische Geschichtstage, Fribourg, 7-9 February, 2013.
Art in the Age of Uprising, paper at panel for the India Art Fair, New Delhi 1-3 February, 2013.
Asymmetrie als Potential – der materielle Umgang mit kulturellen Grenzen, paper at Heidelberger Kunstverein, Heidelberg, 8 December, 2012
Art Histories – Kunstgeschichte und ästhetische Praktiken, impluse paper, Forum Transregionale Studien, Wissenschaftskolleg Berlin, Berlin, 23 October, 2012.
Bells of Justice – A Eurasian Story, paper at the Annual Conference, Cluster Asia and Europe, Things that Connect – Pathways of Materiality and Practice, Heidelberg, 10-12 October, 2012.
Cut, paste and reconfigure – bringing home mythical worlds, paper at Summer School, Cluster Asia and Europe Seeing Matter(s): Materiality and Visuality, Heidelberg, 27 July-7 August, 2012 .
Beyond the global/local divide: Art History and the transcultural topographies of Modernism, paper at conference Global Integration and Cultural Diversity. Humanities at the Threshold of Modernization and Globalization, Jacobs University, Bremen, 5-7 June, 2012.
Urban imaginaries, rural utopias – Modernism and the idea of locality, paper at conference Between Global Aspirations and Local Realities: India's cities in interdisciplinary perspective, New Delhi, 26-28 March, 2012.
Art history as transcultural praxis – a response to Finbarr Barry Flood, Objects of Translation. Material Culture and the Medieval "Hindu-Muslim" Encounter, papter at conference Coomaraswamy Prize Panel, Association of Asian Studies Annual Conference, Toronto, 15-18 March, 2012.
Beyond backwater arcadias – globalized locality as a site of cosmopolitan practice, paper at international conference Universalisms in Conflict, Akademie der bildenden Künste, Vienna, 9-11 March, 2012.
Art history's new atlas of belonging, Guest Lecture, International Summer Academy of Fine Arts, Salzburg, 29-30 July, 2011.
Itinerant images: thoughts on a cultural geography of visual practices in pre-modern Eurasia, paper at international conference, Das europäische Mittelalter im Geflecht der Welt, Humboldt University, Berlin, 25-28 May, 2011.
The interstices of "civilization" and "despotism" - the uses of knowledge about India's architectural past during early colonialism, paper at conference "Rebirthing" Angkor? Heritage between Decadence, Decay, Revival and the Mission to Civilize, Heidelberg, Karl Jaspers Centre, 2-4 May, 2011.
Kartographien der Sehnsucht – die Kunst des indischen Subkontinents zwischen Nation und globaler Moderne, Guest Lecture, IFA Galerie, Stuttgart, 19 May, 2011.
Der globale Blick auf die Kunstgeschichte – eine Antwort auf Hans Belting Florenz und Bagdad. Eine westöstliche Geschichte des Blicks, Guest Lecture, University of Mannheim, 7 April, 2011.
Can the world be made home? Art history and the "will to globality", Guest Lecture, Jacobs University, Bremen, 29 March, 2011.
The breast-feeding mother as icon and source of affect in visual practice, paper at conference Looking within / Looking without: Exploring Households in the Indian subcontinent through time, Jawaharlal Nehru University, New Delhi, 24-27 February, 2011.
Between kitabkhana and glass house – art as a space of cosmopolitan courtliness in early modern North India, paper at international conference, Leisure and the State in Asia, Boston University, 5-7 November, 2010.
Kunstgeschichte und kulturelle Differenz – Erweiterung oder Paradigmenwechsel, Guest Lecture, Institute of Art History, Free University, Berlin, 12 October, 2010.
An art historian's homage to M.F. Husain, paper at symposium The World is my Canvas – for M.F. Husain on his 95th birthday, Museum of Modern Art, Doha, 22-23 September, 2010.
Memorializing religious violence? Monuments and Encounters between Hindus and Muslims on the Indian subcontinent, paper at international conference Religious Violence in Transcultural Contexts: Historicizing Traumatic Experience from the Middle Ages to Modern Times, Hebrew University, Jerusalem, 14-15 September, 2010.
Art History and the Challenge of Transcultural Mobility. Reconfiguring Vision in Early Modern Eurasia, Guest Lecture, Centre for Area Studies, Berlin, 15 July, 2010.
Globale Kunstgeschichte und die "Bürde der Repräsentation", Guest Lecture at the Summer Academy Global Studies: Kunst und Medien heute, ZKM, Karlsruhe, 20 June, 2010.
Defining Boundaries between Europe and Asia – Islamic Art and Asian Contact Zones, Guest Lecture, University of Basel, 24 April, 2010.
Last Supper in Red. Biblical themes, icon and affect in North Indian visual culture – a longue durée approach, paper at international conference Le dialogue culturel en Asie et au-delà: histoire, écriture et pratiques (XVIe-XXe siècles), CNRS, Paris, 17-18 December, 2009.
Beyond likeness: self-portraits and shifting conceptions of the artist between Europe and South Asia during the transition to modernity, Guest Lecture, Netherlands Institute of Advanced Studies, Wassenaar, 10 December, 2009.
Transculturation and the challenge to make art history global – travelling eastwards from Florenz und Bagdad, International Conference Horizonte – Grundbegriffe einer globalen Kunst- und Bildwissenschaft, Institute of Art History, University of Munich, 12-14 November, 2009.
Entangled visualities and transcultural art history – A response to Hans Belting's Florenz und Bagdad. Eine westöstliche Geschichte des Blicks, Guest Lecture in the series Mapping Trans-Culture – Critical Perspective on Transcultural Studies, University of Heidelberg, 9 November, 2009.
Asian contact zones and a global history of art, paper at conference Global Asias, Penn State University, 22-24 October, 2009.
Plato plays music to the animals: interpictorial practice as a dimension of transcultural visuality, paper at Annual Conference of the Cluster Asia and Europe Flows of Images and Media, Heidelberg 7-9 October, 2009
Visualizing emotional states in North Indian painting, Guest Lecture, Max Planck Institut für Bildungsforschung – Geschichte der Gefühle, Berlin, 8 June, 2009.
Monument, image, body. Entangled trajectories of "heritage" and "art" in colonial and postcolonial India, Keynote Address, International Conference Local histories, global heritage, global heritage, local histories: Colonialism, history, and the making of heritage, German Historical Institute, London, 16-18 May, 2009.
Die Welt unter den Füßen. Fremde Objekte, der imperiale Körper und visuelle Praxis an den nordindischen Höfen der Vormoderne, Maria Bindschedler Gastvorlesung, University of Berne, 26 March, 2009.
Wechselnde Blicke. Visualität, Raum und Ästhetik an den Schnittstellen zwischen den Kulturen, Guest Lecture, Zentrum zur Erforschung der Frühen Neuzeit, University of Frankfurt, 14 January, 2009.
Michael Falser
Representing heritage without territory – The Khmer Rouge at the UNESCO in Paris during the 1980s. 2nd International Angkor Worshop "Rebirthing Angkor?" Heritage between Decadence, Decay, Revival and the Mission to Civilize. Cluster of Excellence "Asia and Europe", Heidelberg University (8-10 May, 2011)
Whose Heritage - The Translation of Angkor Vat for the Universal and Colonial Exhibitions in France (1889-1937), Guest Lecture, Manolis House Phnom Penh, Cambodia (February 16, 2011)
Angkor Vat liegt in Europa! Ein transkulturelles Statement zum "Europäischen Kulturerbe-Siegel". International Conference Europäisches Kulturerbe. Bilder - Traditionen - Konfigurationen. Universität Kassel (8-9 October, 2010)
Krishna and the plaster cast. A transcultural perspective on material culture translation in the case of the reproduction of Angkor Vat, Cambodia. European Association for Southeast Asian Studies (EUROSEAS), Conference 2010, Götheburg, Schweden. Panel: Material Culture and Memory, (26-28 August, 2010)
From a French exhibit back to the real thing: Re-enacting the Khmer temple of Angkor Vat in a transcultural perspective. International Workshop Asian Countries as Exhibited at World Expositions: Revisited in a Global Historical Perspective. International Institute for Asian Studies (IIAS), Leiden University, Netherlands (2-3 July, 2010)
Colonial Gaze and Tourist Guide. The Making of the Archaeological Park of Angkor in the French Protectorate of Cambodia. International Angkor Workshop "Archaeologising" Angkor? Heritage between Local Social Practice and Global Virtual Reality. Cluster of Excellence "Asia and Europe in a Global Context", Heidelberg University (2-5 May, 2010)
Franziska Koch
- Creating a Collective Artist(ic) Genealogy with Photographs. From the First Exhibition of "The Stars" (1979) to "Ai Weiwei in New York" (2011), paper for the symposium of the DFG-Network "Media of Collective Intelligence" and the Cluster "Asia and Europe in a Global Context," "Re-Thinking Artistic Knowledge Production. Distributed Creativity - Global Media Cultures," Heidelberg, May 23, 2013.
Some thoughts on George Didi-Huberman's exhibition "Atlas. How to carry the world on one's back?" and the 'atlas principle' as curatorial approach, panel discussion with Matthias Bruhn and Sven Externbrink, Jour Fixe of the Cluster "Asia and Europe in a Global Context" (co-convened by Research Areas A, B and D), Heidelberg, June 9, 2011.
Sharing contemporary Chinese art online? Art collections, transcultural education and the participatory potential of the WWW, initiatory meeting of the applied DFG-Researchers Network "Medien der kollektiven Intelligenz", Konstanz University, Konstanz, November 12, 2010.
The virtualization of Chinese contemporary art: countering the modernist museum and educating a Chinese internet audience?, in the framework of the panel Exhibitions – mediating the transcultural flow of art concepts and museum practices (co-conceived with Melanie Trede, Cathrine Bublatzky, Patrizia Kern), "2nd Annual Conference: The Flow of Concepts and Institutions, Cluster of Excellence 'Asia and Europe in a Global Context'", Heidelberg, October 7, 2010.
Die Ausstellung als Dispositiv? Mahjong. Gegenwartskunst aus der Sammlung Sigg und die Positionierung des Sammlers, Colloquium "'Transformationen des Visuellen' - Strukturiertes Promotionsprogramm der Philipps-Universität Marburg", Ernst-von-Hülsen-Haus, Marburg, July 7, 2010.
Posing and disposing of a transcultural body and a transboundary biography: the Swiss collector Uli Sigg and his collection of contemporary Chinese art on display, joint international conference "Transcultural Bodies – Transboundary Biographies. Borderscapes in Asia and Europe" of Zurich University and Heidelberg University at the Indira Gandhi National Centre for the Arts (IGNCA), New Delhi, February 23 , 2010.
Introductory remarks: The visual contagion of 'China' - questions of agency, media, and cultural politics and (Dis-)Playing "Mahjong". Uli Sigg and the Power of Private Collectors in the Global Canonization of Chinese Contemporary Art, international conference "Negotiating Difference. Contemporary Chinese Art in the Global Context", co-organized with Birgit Hopfener, Juliane Noth and Jeong-hee Lee-Kalisch (Free University Berlin), House of World Cultures, Berlin, October 24, 2009.
Past Events (Archive)
Apr 09, 2020 - Jan 01, 2007
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Folks, some of you have asked if we were trimming our forums since there are no sports at the moment. We're going to keep everything open on the forums to provide a sense of normalcy here. It's our hope Gator Country can be a place of comfort for you during these crazy times. Be safe my friends and take care. -Ray and the GC staff. GO GATORS IN AL KINDS OF WEATHER!
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Coronavirus in the United States - news and thoughts
Discussion in 'GatorNana's Too Hot for Swamp Gas' started by GatorNorth, Feb 25, 2020.
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How Does Drug Rehabilitation Work?
Drug rehabilitation can last for just a few months; rehab is not just about a 90-day fix. It is a recovery that will need you to go through a process that progresses through several series of stages.
Detoxing, which can be managed by consulting your physician is always the initial phase of a drug rehab program. However, trying to overcome the chemical dependence is just the start if your treatment, it is important to note that if you need to recover from an addiction, you will need to have a long-term commitment in order for you achieve your recovery. This will enable you to rebuild your physical as well as your mental health.
Clearing the drugs from your system
This is basically done to remove drugs and alcohol from your body, it can also help your body in coping with the symptoms of withdrawal as well identifying and treating the health conditions that are existing in your body.
Rehabilitation will help you to become a very strong and sober person, physically, mentally as well as emotionally, hence you will be able to live a life that is drug-free and be able to build a strong relationship with people at all levels.
To get the detox services, you can go to an outpatient treatment center, the residential rehab facility, hospitals or an emergency room. While undergoing rehabilitation, you might experience some symptoms of withdrawal or cravings that are very hard or just very impossible to tolerate.
This is because your body is just starting to adjust to the nonexistence of drugs, it is important that one detox in a setting that is medically supervised, this is because, they will be able to get the services like the intravenous fluid replacement, the pharmaceutical therapy as well as nutritional therapy hence they will be in a position to recover from the withdrawal effects faster.
Outpatient therapy is just as effective as the inpatient therapy, no matter how you used or how long you have been using your drug.
Social detox is basically aligned to intensive counseling as well as group therapy, hence, this will help you in getting through first phases of withdrawal, and this can be achieved by getting or failing to get the medical services. After your body is totally free from those substances, you should now be focusing on your recovering; you can now undergo your next rehab phase.
Finding the best rehab environment plays a very essential role in your recovery journey, you should ensure that you choose a facility that can support sobriety. Outpatient rehab is normally cheaper than the inpatient rehab, but it is important to note that outpatient is not meant for everyone, it is, therefore, important that you go for inpatient if:
Your withdrawal systems are very severe
You have gone through some complications with past withdrawal
You have a psychological disorder
The effectiveness of the rehab can be increased if one is removed from the social distractions, all temptations and things that might trigger his or her urge to use drugs or drink.


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Home > Journals > TCL > Vol. 23 > No. 2 (1978)
Volume 23, Spring 1978, Number 2
Editorial Board
The Demise of Public International Law
John Kuhn Bleimaier
Science and the Law
William J. McGill
The Moral Dilemma of St. Thomas More
Rt. Rev. Msgr. Theodore E. McCarrick
Roemer v. Board of Public Works, Maryland: The Supreme Court's Evaluation of the Religious Mission of Catholic Colleges and Church Expectations
Vincent R. Vasey, S.M.
Zoning for the Elderly and Family Rights
Ralph J. Libsohn
The Felony-Murder Rule: In Search of A Viable Doctrine
Jeanne Hall Seibold


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Whitewater, Wis., Sept. 17, 2017 – Sophomore Jesse Rubin netted the game-winner for the second-straight day as the No. 1 ranked and defending national champion Washington University in St. Louis women's soccer team posted a 1-0 victory at No. 8 University of Wisconsin-Whitewater Sunday in Whitewater, Wis.
WashU improved to 6-0 and ran its unbeaten streak to 20 games dating back to last season, while Whitewater suffered its first loss and fell to 4-1-2. The Bears are 9-0-1 against ranked teams the last two years.
"We played a very good team today who came out fast. We were on our heals for the first 20 minutes," said 10th-year head coach Jim Conlon. "We finally settled the ball down in the second half and got some great opportunities."
Rubin, who scored the game-winner against Illinois Wesleyan on Saturday, received a flick from classmate Jessica Kovach and buried a shot from 15 yards out in the 81st minute. The game-winner for Rubin was her third of the season, tops in the conference and third in NCAA Division III.
WashU had a 5-1 advantage in shots in the opening half, including a pair of opportunities by Kovach in a four-minute span. Kovach hit the crossbar at 13:04, and then her header at 17:09 went over the bar.
UW-Whitewater played the final 52 minutes of the match a man down after a red card by Marie Lesperance.
Freshman goalkeeper Emma Greenfield made one save and faced six shots in the shutout victory. WashU outshot UW-Whitewater 15-6, and each team had four corner kicks. The Bears also had an 11-1 advantage in shots on goal.
WashU hosts Fontbonne University (1-5) on Wednesday, Sept. 20, in the Wydown Showdown. Game time is set for 7 p.m. at Francis Field.
BEAR NOTEBOOK: WashU leads the all-time series with UW-Whitewater 3-1 … All four games between the two teams have been decided by one goal.


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Oddworld's Inhabitants: Raymond Swanland, Production Designer [Hosted by Oddworld.com] Date: December 2003 Interviewer: Oddworld.com Interviewee: Raymond Swanland
Oddworld's Inhabitants are as diverse as the world they've worked together to create. Here's where you'll find interviews and other informative articles spotlighting the many creative folk that work at Oddworld Inhabitants. Be they headline players or behind-the-scenes heroes, the Inhabitants profiled here all share Oddworld's ceaseless dedication to bringing you the best worlds and games that you've ever experienced.
Raymond Swanland, Production Designer
Q: What's your background?
Raymond Swanland: Haling from the smog infested lowlands of southern California, I had the good fortune to move to San Luis Obispo (The current home of Oddworld Inhabitants) at the age of twelve. Upon my graduation from the local high school, my dreams of working in motion pictures left me destined to return to the overpopulated filmmaking metropolis from which I came. Without a plan to break into Hollywood, nor the desire to swim with the sharks, I bided my time at the local universities and polished my portfolio for my inevitable attempt at feature film success. Through my haze of my celluloid dreams, I nearly missed a small start-up video game company with no exploits but a lot of potential, right here in my hometown. By a once-in-a-lifetime stroke of luck, I found myself within the halls of Oddworld Inhabitants with a trembling portfolio under my arm. More than six years later, my history with Oddworld is still being written.
Q: Who are your biggest influences? Why?
Raymond Swanland: Artistically, I've always looked to fantasy illustrators for inspiration. In the works of Dave McKean, Ralph Mcquarrie, Michael Whelan, H. R. Giger, and countless others, I found combinations of style and subject matter that inspired me in a way the classics never could. Yet, the influence of other mediums has been just as profound. Whether it's Star Wars (the original trilogy, mind you!) and Lord of the Rings playing over my shoulder as I sketch, or the music of Beethoven and Nine Inch Nails in my ears as I paint, nearly any art with passion and intensity is a profound influence of mine.
Q: Why did you decide to go into the video game industry? Why Oddworld?
Raymond Swanland: I ended up in video games quite out of luck and happenstance. Before I ever heard of Oddworld, I always perceived video games as narrow-minded and shallow as far as the art was concerned. I thought that animated and feature films were the most diverse and impactful mediums for modern commercial art. Yet, when I first laid eyes on the halls of Oddworld, covered with myriad sketches and paintings, it was obvious that complexity and conceptual depth were as present in this industry as any other, maybe more so. My creative compass told me I needed to look no further.
Q: What do you like to do when you're not at work?
Raymond Swanland: I've always enjoyed hiking, mountain biking, sliding down the occasional snow covered hill, but I would be lying if I didn't admit that I go home most nights and do the same things I do at work every day; drawing, painting and writing. Though I try to balance the digital behind-a-desk art of my workday with welding torch and metal shop, it's pretty much all digital art around the clock for this bohemian.
Q: What CD are you currently listening to? What books are you reading?
Raymond Swanland: My current distraction of choice is Radiohead's Hail to the Thief, but just in case that made me sound too cool and edgy, I'm pining for Dave Matthews new solo album. When I crave words over melodies, I've been touring the classics one by one. I just finished Oscar Wilde's The Picture of Dorian Gray, which really struck a chord with me, it's definitely among my favorites. Now, I've finally worked up the courage to dive into Melville's Moby Dick and I can understand why it is so famous … and so infamous.
Q: What kind of a place is Oddworld?
Raymond Swanland: Despite how much it's grown since I've been in residence, Oddworld is still a small company that feels like a second family, complete with mutual respect as well as endearing dysfunction. Wouldn't have it any other way.
Q: What is a typical day like for you?
Raymond Swanland: In my many years as an Inhabitant, whether I deserve it or not, I've gained a certain degree of autonomy that allows me to look at the tasks in front of me and attack them at my discretion. In the course of a typical day, I shift between many jobs, from sketching designs for game levels to art direction in the CG department to retouching characters for the Marketing department. I come to work each day with a long-term schedule, but allow the day to come together fluidly, based on other people's needs and my own changing inspiration. A job with this much freedom is a real gift.
Q: If you could change jobs with one of the other Inhabitants who would it be and why?
Raymond Swanland: Truthfully, if I were to change jobs with anyone at Oddworld, it would be Michael Bross, the composer and sound designer. Music and sound are such a completely different discipline than the type of art I do everyday, but certainly no less creative. I would find the different medium endlessly exciting and challenging.
Q: What at Oddworld are you most proud of?
Raymond Swanland: I've long been something of a self-taught lone wolf when it comes to my art. Years of working in a production environment at Oddworld have brought me to realize that some of the best work can come from collaboration. I can't express how proud I am to work alongside those who have taught that lesson to me and learned it with me.
Q: Many fans are still upset with Oddworld's decision to develop for the Xbox exclusively. Any comments?
Raymond Swanland: A strength and a handicap Oddworld has always had is its insistence on the highest quality. Xbox is the superior console on the market at this time. Though we sacrifice the quantity of exposure compared to the PS2, we gain the opportunity to continue developing imagery at the highest standard of the console market. Can't say it wouldn't be cool if the Xbox sold a few more units though.
Q: What advice would you give someone trying to break into games? What type of education does someone need to do your job?
Raymond Swanland: An effective production designer needs a well-rounded background in all the basics of two-dimension art. A disciplined knowledge of lighting, color and perspective are absolutely essential in visualizing ideas at the conceptual stage. On top of that, a knowledge of three-dimensional sculpture or modeling can greatly enhance a sense of shape and form. Schools that focus on design (such as Art Center in Pasadena, CA) offer great curriculums with an overview of these basics as well as an environment in which you can learn from people that have worked in the industry. Yet, teaching yourself these fundamentals and practicing them in the work place (as was my road) can also lead to a similar result if you learn better under the pressure of a commercial deadline. In the end, the most important discipline for a production designer is to truly be observant of the world around us. No matter how strange or whimsical a design challenge may seem, nature and human civilization have most likely created things far stranger. The more we hone our ability to process the world we live in, the easier it becomes to play God on paper.
Q: Who is your favorite Oddworld character? Why?
Raymond Swanland: Abe is certainly my favorite character to come out of Oddworld. Abe embodies true innocence and kind-heartedness without being a hallmark card. His dark history has done nothing to dampen his childlike unconditional generosity. In fact, the terrible things Abe has seen have caused him to appreciate the simple gifts of life like freedom and friendship all the more. Abe says that brew glass is half full and I believe him.
Q: Can you tell us anything about the new game or what you are working on right now?
Raymond Swanland: As a production designer, my job shifts constantly through the course of the game. With most of the character designs and basic environmental motifs well established up to this point, the design process becomes much more interactive with the game designers. Now is the time to create very specific details within each level of gameplay, from entire fortresses all the way down to mailboxes. Also, the time has come to create refined illustrations of characters and environments in preparation for magazines and other press. Yet, my favorite chores, by far, are those I do for the cinematics. The ways in which the story is coming together in the movies and in gameplay blows my mind. Just wait and see.


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The names of the judges for the National Holstein Show and National Red & White Holstein Show at the 2018 Royal Agricultural Winter Fair have been released by Holstein Canada.
Congratulations to Jamie Black who will be judging the Holstein show and Jack Lomeo who will be judging the Red & White Holstein show. Stay tuned for more information and details as they come available.


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This is the product page for: Printed Tiered Chuck On Midi Dress With Matching Scrunchie
Image carousel, press Enter to cycle through the images, press the Z key to zoom in and out of an image. Once zoomed in, use WASD keys to pan around image.
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The Toronto Maple Leafs visit the surging Sabres, looking to knock off Buffalo for the first time in the New Year. The Sabres are coming off a huge 3-goal comeback just two nights ago as they look to nail down a playoff spot. Check out who Captain Canuck thinks will win.
E. Zack Lee


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Files coming soon.
This is our Fine Dining Italian Restaurant, serving Chef Anton's extraordinary and unique style of cuisine, infused with other cultural influences creating an original, one of a kind menu. Its inviting ambiance from the moment you walk through the door and enter the dining room gives you a cozy, warm nostalgic sensation of a small Italian countryside village restaurant. Its intimate yet classically modern design with a full open kitchen view is perfect for couples and friends to enjoy dinner together.
Copyright © 2018 DONNA'S PIZZA - All Rights Reserved


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Valley Partnership Panel Event
Valley Partnership, the valley's premier advocacy group for responsible development, is hosting a breakfast panel event on Friday, February 16th, with experts in the field of commercial real estate and development. The panel will discuss and answer questions about speculative development in downtown Phoenix. Wendy Riddell will moderate the panel. Find out how to RSVP here.
What/When: Valley Partnership's Friday Morning Breakfast on Friday, February 16, 2018 at 7:30 a.m. (Program begins at 8 a.m.)
Where: Phoenix Country Club, 2901 N. 7th St., Phoenix
Registration: Members: $50 / Non-Members $75 / Onsite add $10
Panel: Keith Earnest, Vice President, VanTrust Real Estate; Adrian Evarkiou, Partner, Boyer Company; James Wentworth Jr., Principal, Wentworth Properties, Wendy Riddell, Co-Founder of Berry Riddell


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BY FR. LOREN CONNELL, OFMWhat Easter looks likeLast week art teacher Cedric Michael Cox of St. Francis Seraph School in Over-the-Rhine asked first- through fifth-graders to take crayons in hand and create an Easter image. We've been posting some of their artwork on our Facebook page. Today we're sharing some of our favorites.
Please pardon an old man's journey back in time. I remember making little nests of straw and putting them around the yard on the Saturday afternoon before Easter. I also remember setting out little baskets with artificial grass on the dining room table. By Easter Sunday morning the Easter Bunny had filled those baskets with candy, and the first order of business was for my little brother and me to check them out (and sneak a jelly bean if Mother wasn't looking).
Then we each took a larger basket outside to see what the Easter Bunny had left in those straw nests. We usually found two or three brightly colored eggs in each one. When John was real little, he had no sense of an egg shell's fragility; and half the eggs in his basket would be cracked by the time we got to the last nest. Breakfast usually consisted of coffee cake or sweet rolls and, of course, some of the eggs that we had just gathered. The red and purple ones always tasted better than the green or orange ones, but they all definitely tasted better than hens' eggs.
When it was time to take a second look at the candy. Anyone who knows anything about Easter candy knows that, aside from licorice jelly beans, dark chocolate eggs with coconut fillings are just about the best that can be had. My last remaining task was to convince John to trade his dark chocolate coconut creams for my milk chocolate bunnies or marshmallow chicks. The diplomacy might not have won me a Nobel Prize, but it usually succeeded. What else was a 6-year-old to do?
Nothing profound in these reminiscences, but after leading the community in prayer all week, if I ever did have anything profound to say, little is left of it by now. Enjoy your licorice jelly beans and your dark chocolate creams, coconut or otherwise!
(From the parish bulletin of St. Aloysius, Detroit.)
(A statement of support for the people of Brussels from the Union of Friars Minor of Europe, UFME)
"I will make you a light to the nations, that my salvation may reach to the ends of the earth." (Isaiah 49.6)
As we prepare to celebrate the paschal mystery, the heart of.our faith, the dramatic news that reaches us from Brussels shows with stark evidence that violence and hatred are still the cause of death and suffering to many innocent people.
On behalf of the friars of UFME, we strongly condemn these criminal acts committed against humanity, and we wish to express the closeness of the Friars Minor of Europe to the entire population of Brussels, ensuring our spiritual closeness and prayers for the victims of attacks and their families.
"If the mystery of evil is unfathomable, then the reality of Love poured out through Him is infinite." (Pope Francis)
Dismissing the temptation to give in to discouragement, it is necessary to affirm our faith in Peace, in Goodness and in Mercy.
On Easter Sunday we will hear from the voice of the Risen One: "Peace be with you". This is not a simple wish, but the precious gift that Lord offers to His disciples. Peace is the gift that we want to seek strongly from the Lord - who St. Francis called "our guardian and defender" - for Europe and for the whole world.
– Sabino Iannuzzi, OFM, Presidente UFME
Gerard Manley Hopkins: "Let Him Easter in us!"Next week, from Sunday, Aug. 16, through Wednesday, Aug. 19, the seven Provincial Councils of the U.S. Provinces The coming days are filled with rituals, both sacred and secular. We will wash feet, venerate the cross, bless fire and water. We will no doubt eat a few colored eggs, perhaps a chocolate bunny (or two), or a few jelly beans. Personally I will avoid the Peeps! Families often have rituals, too, and many will visit, attend Mass, Are Easter and mercy related themes? Perhaps being an Easter people means not only singing alleluia, but being and doing mercy. Would that I could make mercy-ing a constant ritual in my life!provide Easter egg hunts for the kids, and share a traditional meal. I have a couple of personal rituals I like to honor. When I can, I like to watch one of the Jesus movies; one of my favorites is Franco Zeffirelli's Jesus of Nazareth. I like to read a couple of poems which have spoken to me in the past, especially John Shea's Easter Morning, where, reminiscent of the Emmaus story when the disciples felt their hearts burn within as Jesus walked with them, he calls Jesus the "arsonist of the heart." He describes the resurrection with the phrase, "My Father's laughter fills the silence of the tomb." I always recall Gerard Manley Hopkins' The Wreck of the Deutschland and his line, "Let Him Easter in us!" The words and images make my heart flame a bit, too!
I have always appreciated how Hopkins makes Easter a verb, a dynamic, a process. This year I have also been thinking about Easter in the light of Pope Francis' Year of Mercy. In an interview in the fall of 2013, Francis reflected on the first word in his Latin motto: Miserando atque Eligendo. (Though translated in slightly different ways, it is taken from a homily by St. Bede the Venerable on the calling of St. Matthew: because he saw him through the eyes of mercy and chose him.) Francis noted that it was a bit difficult to translate, so he invented a new Spanish word to explain it: misericordinando, which might be translated in English, if there were such a word, as "mercy-ing." I think he was trying to emphasize that mercy, too, is a verb, an action. It is a way of living, a way of being in the world.
— Fr. Jeff Scheeler, OFM
03/23/16 eNews Notes
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Archives at bottom
This Easter falls during a special jubilee Year of Mercy. The Prophet's call to "remember not the events of the past" demands that we forgive and set aside old hurts and injuries. All too often we can keep our own brothers imprisoned in the past. Something they did or said which may have offended us years ago continues to define our relationship with them. If we are to move into God's future, and become the type of brotherhood called for in our world today, we must leave these hurts behind. The Risen Jesus empowers us to forgive. (Cf. John 20: 22-23) Let us heed the voice of St. Francis: "There should not be any brother in the world who has sinned, who after he has looked into your eyes, would go away without having received your mercy." (Letter to a Minister, 9) Yes, brothers, as Pope Francis urges us: "It is time to return to the basics and to bear the weaknesses and struggles of our brothers and sisters. Mercy is the force that awakens us to new life and instills in us the courage to look to the future with hope." (Pope Francis, Misericordiae Vultus, 10)
– Fr. Michael Perry, OFM
From the Minister General's Easter Letter 2016,
A Franciscan cord is represented in the design of the new archives.
Participants in the Egg Roll receive a souvenir egg.
One performance left for this year's Passion Play.
Send comments or questions to: email@example.com
2014 • Third Quarter
2014 • Fourth Quarter
2015 • First Quarter
2015 • Second Quarter
2015 • Third Quarter
2015 • Fourth Quarter
2016 • First Quarter


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Our experienced staff of culturally competent Master's level clinicians offer an array of strength-based outpatient and in-home services for children, adults and families who are impacted by foster care and adoption, including:
• Individual, family and group therapy
• Support groups for parents, children, teens and families
• Adoption preparation and disruption prevention services
• Office and community-based services
This program offers comprehensive clinical and case management support for the adoptive family. The program includes an in-home, at the agency and community based component for individual, family and group counseling.

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