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Please note: All of our events are currently being run virtually until it is safe for us to get together in person again!
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Innovation Series Event: It takes more than just Big Data – Evolving Solutions for Pharma and Healthcare
May 13, 2013 @ 5:30 pm – 8:00 pm$45
ONLINE REGISTRATION IS CLOSED – at the door registration begins at 5:30pm
Big Data and associated measurement technologies promise to revolutionize pharma and healthcare. These new innovations have the potential to greatly improve patient care. Large scale measurements of biological state, smart phone/miniature sensor based measurements and remote monitoring of patients, and EHRs are few of these aspects that are evolving rapidly. However, the challenges of adopting these technologies are also great. New solutions and platforms in these sectors have to take into account the long product development and evolution cycles. Diverse stakeholders add to the complexity.
Hear from our panelists who are sourcing innovation as well as innovating internally in these sectors to improve patient care. Key discussion topics include:
- How can these transformative technologies help improve patient care?
- What are the key opportunities and changes that help Pharma operations?
- What are the key problems to adoption and utilization?
- How will innovators position themselves in this market as it matures over the long development and evolution cycles required?
Todd Cozzens, Partner, Sequoia Capital @sequoia_capital
Felix Frueh, PhD, Entrepreneur-in-Residence, Third Rock Ventures
Craig Lipset, Head of Clinical Innovation, Pfizer – @CraigLipset
Matthew Trunnell, CIO, Broad Institute @broadinstitute
Yaron Turpaz, VP Informatics & Information Sciences, AstraZeneca
Event Background Material:
- 5:30-6:00pm Registration & Snacks
- 6:10-8:00pm Event
- 8:00-9:30pm After party upstairs in the R&D Pub , 4th Floor of the MIT Stata Center – Thanks to our event sponsors:
Please note that we ask that you give us 24 hours notice if you wish to cancel your registration. We will not issue refunds with less than 24 hours notice.
Need to cancel a registration? Contact us.

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Shutter Speed is the amount of time that the shutter is open. The length of time that your image sensor 'sees' the scene you're attempting to capture. Shutter speed is measured in seconds – or in most cases fractions of seconds. The bigger the denominator the faster the speed (ie 1/1000 is much faster than 1/30). To "Freeze" action (sports, children playing, etc.), use a higher shutter speed. For lower light situations, a slower shutter speed may be better, but may cause blurring.
This photo was from a few weeks ago at the Wheel of Death during the Renaissance Festival in Tampa, FL.
"Freezing" the guy in mid air at 1/800th of a second at f/3.5 ISO 1250.
Please visit my website at www.TheePhotoNinja.com
Find me on facebook at www.facebook.com/theephotoninjaphotography
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Police are searching for the person responsible for dumping copies of the Quran in campus toilets at the University of Texas at Dallas. A student found two copies of the Islamic religious text in the men's restroom at the campus' student union and reported the incident immediately to campus police.
The books were believed to be deposited in the toilet around 6 -7 pm. Police have been reviewing security footage to identify the person responsible. UT Dallas junior and president of the campus' Muslim Student Association, Mohammad Syed, says he's shocked by the story. He's known the campus to be a welcoming environment and has nothing but good things to say about it. READ MORE


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Marine modelling
Tim Colmer has been the Production Controller at GTL for twenty years, and one of his main interests outside work is making radio-controlled model boats. He has always liked boats, and nearly forty years ago at the age of 15 he bought a copy of a model boat magazine in which there was a free plan to make a radio controlled semi-scale model police launch, which sparked his interest.
He made the launch, Bobby, but used a small lead acid battery to power it, which subsequently leaked and ended up dissolving the boat as it was made of balsa wood! Undaunted, Tim made another one, Bobby ll, (pictured at the back of the photo) but this time used nickel cadmium batteries.
He also constructed a model power boat powered by a 'glow' engine, a small internal combustion engine. This went well, in fact too well as it was overpowered and rather uncontrollable. Tim decided that he preferred scale or semi-scale sized, more realistic boats.
At around this time the art department at Tim's school was having a major clear out and among the things which were destined for the skip was a 12 inch wide, 53 1/2 inch long wooden 'plug', which was actually for making a female mould for fibre glass boat hulls. Tim rescued this from the skip and took it home. Elsewhere in the art department were some basic drawings of the model that was meant to be made from the mould, but he wasn't allowed to take those and they were too large to copy, so he painstakingly traced them by overlaying tracing paper.
At this stage life took over and the plug sat in the attic at Tim's parents' house, and subsequently in the attics of his next two houses, for thirty years, as he had neither the time or the space to do anything with it. Then in 2010 he went to a model boat show and his enthusiasm was rekindled, slightly to the alarm of his wife who was a bit dubious about where they were going to display a finished nearly five foot long boat.
By this stage Tim had a good sized workshop in the garden so was able to begin work on turning the plug into the hull, using various tools inherited from his father, including a wood turning lathe, bandsaw and pillar drill. Obviously the plug was never intended to be a model so as well as needing extensive restoration, a good deal of modification was required in order to make it into a workable hull.
The plans showed that the boat was the Motor Trawler Thorina, launched in 1946 by Cooke, Welton and Gemmell of Beverley, Yorkshire, for Thornton Trawlers Ltd of Fleetwood, and registered at Hull (H318) in 1946. She was built as a typical large far water side-winder trawler to work off the coast of Iceland before the cod wars. In 1947 Thornton Trawlers went into liquidation and she was sold to N.V. Visscherijonderneming of Holland. In 1964 she was sold to Claridge Trawlers Ltd of Lowestoft and reregistered as St Georges (LT402). In 1980 she was chartered to Eon Productions at Pinewood Studios in London for the James Bond film 'For Your Eyes Only' in which she was disguised as a Maltese trawler and fictitiously mined and sunk in the Ionian Sea. On completion of the film she returned to fishing out of Lowestoft until 1984 when she took on water while fishing in heavy weather and was subsequently scrapped. It is rumoured that when the owner of Claridge Trawlers found out how much the model cost for the sinking scene in 'For Your Eyes Only' he said it would have been more economical to have sunk her for real!
Tim took three years on and off making Thorina, and did a lot of research, including spending ages freezeframing the Bond film to get information which wasn't on the drawings. Luckily, one of Tim's other hobbies is silversmithing and jewellery-making, and he was able to use his silversmithing tools for making boat parts and cutting and soldering. Thorina is powered by a 12 v motor with a two to one reduction gearbox to give scale speed. One compromise to scale is the working bow thruster which aids manoeuvrability in a heavy model - she weighs 20 kg. She has working lights and an engine sound module, and the accessories are either scratch built or purchased and modified. Tim is continually adding further details, and on his current list are lifebelts, galley chimneys, a battery box, deck lights, funnel logo, flags and more rigging. The rigging for the shrouds and ratlines was all made from fishing line and equipment and was extremely fiddly to make. He always adds crew as well, preferring to avoid the Marie Celeste look!
Thorina, which is pictured on our newsletter cover, has been featured in 'Marine Modelling Magazine' in 2015 and has also been displayed at several boat shows. One problem which occurred on her completion was where to store her. Tim's wife vetoed his suggestions of the sitting room or the dining room and Thorina eventually ended up in the study on a specially constructed shelf to support her weight.
While building Thorina, Tim joined a model boat club locally to enable him to sail her on a boating lake when she was complete. He experimented with control systems to get the right combination of speed controller and motor which resulted in several mid-lake stoppages requiring assistance from other boats to push Thorina back to shore - it's a deep lake so it's important never to sail alone unless you want to have an impromptu swim.
Recently Tim also completed a 1:20 scale Springer tug (pictured at the front of the photo) which is a class of vessel widely used on rivers in America for a multitude of different applications. It's not based on one particular example but all the features are taken from a variety of Springer tugs. The lights and radar operate and the crane slews and elevates. It has already been useful for rescuing other boats stuck on the boating lake, and so far it's sailed on four occasions and performed five rescues, including two boats which sailed into trees and one which stalled in the middle of the lake, so it's proved rather useful. Tim named it 'Daniel' after his son, who wasn't, unfortunately, very pleased to have a tug named after him and would have preferred something a bit faster and more glamorous!
Tim has recently bought a radio controlled model yacht for sailing in the boating lake. He enjoys making boats but sailing them under wind power calls for more skill than motorised models. Future projects include an all-wooden yacht from a kit, and a catamaran which will probably be constructed as an oceanic research or salvage vessel with an interchangeable superstructure so it can be used for laying courses for yacht races. The hull for this one is 1 1/2 feet by 2 1/2 feet so where this one will end up being displayed is still very much under discussion . . . . .


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The title refers to an infamous audio tape featuring then-GOP candidate Donald Trump as he detailed his unusually aggressive approach to flirtation "Grab 'em by the pussy.", not only that, the artwork plays on the different meanings of the word pussy, and the fact that it is often used in a form of a punchline, and has a negative meaning, referring to someone who is weak.


text: September 23, 2010 Happy Dogs Love Happy Jack By Ryan Hamre Happy Jack's Flexenhance was specially formulated to help pets with arthritis, hip dysplasia and numerous other bone and joint problems. The active ingredients, Glucosamine and Creatine, are natural "building blocks" which actually help reverse the damage caused over time to joints, bones and cartilage and improve your pet's flexibility and mobility. Glucosamine is essential in helping the body regenerate connective tissue and helps reverse damage. Creatine is the energy enhancing component that increases strength and flexibility in muscle fiber. Flexenhance is recommended by professional breeders and veterinarians. Contact: Happy Jack, (800) 326-5225; www.happyjackinc.com. GET THE NEWSLETTER Join the List and Never Miss a Thing. Sign Me Up


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A fantastic opportunity to meet he creator of Nginious, Oliver Ullrich & brand ambassador, Georgia Braid. These guys are flying in from Switzerland to present this evening at Trippets; the least we can do is pair their four fabulous gins with four delicious dishes from our kitchen.
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Home > Optical > Telescopes > Optical Accessories
The Celestron X-Cel LX 18 mm Eyepiece is a high quality eyepiece for planetary viewing.
Bar Code: 050234934251Part Number: 93425-CGLBrand: Celestron
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by Louis J. Prosperi | Release Date: May 4, 2018 | Availability: Print, Kindle
When we think of Imagineering, we think of Disney theme parks. But Imagineering is a creative process that can be used for nearly any project, once you know how it works. Lou Prosperi distills years of research into a practical how-to guide for budding "Imagineers" everywhere.
The Imagineering Process is a revolutionary creative methodology that anyone can use in their daily lives, whether at home or on the job. Prosperi will teach you first how the Disney uses the Imagineering Process to build theme parks and theme park attractions, and then he'll show you how to apply it to your own projects, "beyond the berm."
You'll learn how to begin as the Imagineers begin, with an evaluation of needs, requirements, and constraints, and then you'll delve into the six stages of the Imagineering Process: blue sky, concept development, design, construction, models, and the "epilogue," where you hold your "grand opening" and assess the effectiveness of what you've built.
From there you'll see the process in action through a selection of interesting case studies drawn from game design, instructional design, and managerial leadership.
At the end of your master class, you may not be a bona-fide Imagineer, but you'll be thinking like one.
Pre Show: A Bump Along My Journey into Imagineering
Part One: Peeking Over the Berm
Chapter 1: What Is Imagineering?
Chapter 2: An Overview of the Imagineering Process
Chapter 3: The Creative Process and the Power of Vision
Part Two: The Imagineering Process
Chapter 4: Prologue: Needs, Requirements, and Constraints
Chapter 5: Blue Sky
Chapter 6: Concept Development
Chapter 7: Design
Chapter 8: Construction
Chapter 9: Models
Chapter 10: Epilogue: Openings, Evaluations, and Show Quality Standards
Part Three: The Imagineering Process Beyond the Berm
Chapter 11: Another View of the Imagineering Process
Chapter 12: A Trip to the Moon and Birthday Parties
Chapter 13: Imagineering Game Design
Chapter 14: Imagineering Instructional Design
Chapter 15: Imagineering Leadership and Management
Post Show: Final Thoughts
Appendix A: My Imagineering Library
Appendix B: The Imagineering Pyramid
Appendix C: The Imagineering Process Checklist
When I first read The Imagineering Pyramid by Lou Prosperi, I was struck anew by the realization that many of us are now leading themed lives in one form or another. This notion first occurred to me in 1991, shortly after I moved from Cleveland to Florida to pursue a career in the entertainment industry. Time magazine did a cover story on Orlando, which inexplicably featured a picture of the "California Crazy" architecture of Dinosaur Gertie's ice cream stand at Disney-MGM Studios—I could think of plenty of other images that would have better supported their thesis, but at least the art of themed design was getting some national attention. The point of the story was that many of the longstanding principles of themed entertainment were starting to make their way out of the theme parks themselves and into the so-called "real world."
Orlando was understandably ground zero for this movement that was not yet a movement. In addition to the 20-year old Walt Disney World and nearby Sea World, Universal Studios Florida had just opened its gates the year before, sending Orlando well on its way to becoming the unofficial theme park capital of the world. The article pointed out how theme park design flourishes could now be found outside the berm, so to speak, in the form of lushly landscaped roadways, carefully manicured gardens, picture-perfect manmade lakes capped with elaborate water features—even streetlights that suddenly possessed a lot more "character."
Beyond these little design touches that elevated and enriched every civic environment in which they appeared, themed nighttime entertainment districts like Church Street Station and a new contender called Pleasure Island were transporting guests to another time and place for a few hours, providing a form of themed entertainment that had been previously confined to gated attractions. Planet Hollywood's debut later that year, combined with the existing Hard Rock Café, launched the themed restaurant craze that would continue for the rest of the 1990s, resulting in popular chains such as Rainforest Café, Jimmy Buffet's Margaritaville, and Bubba Gump's. Heretofore "ordinary" places were becoming extraordinary, bringing small doses of theme park idealism and escapism into our everyday lives.
Perhaps the pinnacle of this movement, at least in central Florida, was the creation of the town of Celebration just outside the gates of Walt Disney World. Celebration replaced Walt Disney's bold vision of EPCOT with a conscious return to the simplicity and innocence of the past, opting for small-town America over a city of the future. In a way Celebration was still very much infused with the spirit of Walt Disney; it's just that its residents would now be living on Main Street, U.S.A. instead of Tomorrowland.
Everything from the center of town to the residences themselves were seemingly envisioned by a motion picture production designer, which actually made Celebration feel a lot more like a studio backlot than a real town in which real people lived and worked. Yet people flocked there from all over the world, most of them desperately seeking the idyllic existence they knew and loved from the theme parks. They wanted more of that Main Street idyll—all day, every day, if possible. They truly wanted to live the dream.
In the decades to come the principles of themed design would manifest in many different areas of our daily lives: planned communities, shopping centers, urban renewal projects—you name it and it was getting an experiential redesign or an aesthetic facelift to elevate the "guest experience" from the mundane to the sublime. And the magical makeovers were no longer confined to central Florida. David Caruso's Grove and Americana complexes in Los Angeles are what you would get had Walt Disney himself ever set his sights on traditional shopping, combining dining, retail, and residential into compelling mixed-use destinations that transported its various constituents to other, better places. On the opposite coast, Disney itself helped spur a successful and equally controversial transformation of Times Square from a decaying urban wasteland into a family-friendly fantasyland in the heart of the city. Granted, I've spoken to more than a few New Yorkers who prefer the old wasteland, but everyone's idea of ideal is different.
In the early 2000s I contributed essays and exercises to The Imagineering Way and The Imagineering Workout, two books that not only encouraged people to infuse their daily lives with magic, but also gave them pointers on how to do so. Those books were one of my first indications that the principles of themed design were starting to transition from commercial enterprises to personal applications, both in the home and at the workplace. This multi-decade evolution has now taken us from the theme park to the real world to our personal and professional lives.
This creative migration has been one I've followed with great interest, and so I was delighted to see Lou key into this movement and demonstrate how the principles of themed design can be applied to our everyday endeavors and help make the mundane magical, the ordinary extraordinary, and help enrich the stories of our lives. And now he's taken an even deeper dive with The Imagineering Process, and I'm honored that he asked me to pen a foreword to a book that explores a creative evolution that has done so much to enrich the lives of so many.
The Walt Disney Company, NBCUniversal, and countless other owners and design firms will continue to do what they do so well in the theme park and resort space, creating unparalleled immersion and escapism for their guests. And a small army of restaurateurs, retailers, and real estate developers will continue to apply similar principles to their various real-world endeavors, creating little pockets of magic to help enhance our everyday lives. But now this movement has reached the individual—it has reached you—and I hope you will join it because a little creativity can help make your life better, brighter, and more fun. Why settle for the ordinary when the extraordinary is only a little dreaming and doing away?
So I hope you will read this book and come away from it energized, inspired, and motivated, because after all, if you can dream it—well, you know the rest.
Over the last several years, creativity has become a buzz word in business. A Google search for "creativity in business" returns hundreds of thousands of hits. In his Creativity Works column on January 6, 2017, William Childs tells us that his "search on 'books on creativity' revealed that there are over 1.8 million of them." If you read business books, blogs, or websites, you can't help reading about the value being placed on creativity in the modern workplace. In a blog post called "Creativity Creep" from September 2, 2014, on The New Yorker website, Joshua Rothman describes this phenomena when he writes:
Every culture elects some central virtues, and creativity is one of ours. In fact, right now, we're living through a creativity boom. Few qualities are more sought after, few skills more envied. Everyone wants to be more creative—how else, we think, can we become fully realized people?
Simply put, creativity has never been more in demand. In his Creativity Works column on January 3, 2017, Childs notes:
We now find ourselves experiencing what is known as the creative age. It's the age of new ideas, new processes and innovative thought as a way to drive change and solve the complex challenges we face.
In the same article, entitled "The New Age of Innovation," Childs writes:
While creativity is now being taken seriously as an economic driver, more work needs to be done before creativity is given the full status it deserves. The old stereotype of creative people sitting around on their beanbag chairs looking for meaning through the incandescent glow of their Lava Lamps still lingers.
Quoting Richard Florida, author of The Rise of the Creative Class, Childs adds:
If you are a scientist or engineer, an architect or designer, a writer, artist, or musician, or if your creativity is a key factor in your work in business, education, health care, law, or some other profession, you are a member of the new creative class.
I agree. I believe everyone is creative, even the people who tell you that they "don't have a creative bone in their body". In their book Creative Confidence: Unleashing the Creative Potential Within Us All, authors Tom Kelley and David Kelly refer to the idea that creativity is something that applies only to some people as "'the creativity myth.' It is a myth that far too many people share." They also tell us:
Creativity is much broader and more universal than what people typically consider the "artistic" fields. We think of creativity as using your imagination to create something new in the world. Creativity comes into play wherever you have the opportunity to generate new ideas, solutions, or approaches.
In The Creative Habit: Learn It and Use It for Life, renowned choreographer Twyla Tharp writes:
Creativity is not just for artists. It's for business people looking for a new way to close a sale; it's for engineers trying to solve a problem; it's for parents who want their children to see the world in more than one way.
So now you might be saying, "Okay, I agree. Everyone is (or least can be) creative. That still doesn't help me actually be creative. How do I do it?" Good question.
I think for many of us the challenge lies in finding the right model of how creativity and the creative process work so we can apply it in our own fields. This book is my attempt at providing just such a model. But before we get to that, I want to briefly look at something that lies at the heart of creativity and that plays a major role in the creative process: ideas.
I believe ideas hold a unique place in regard to creativity. Ideas are at the same time the most important and the least important part of any creative project. I know, that seems like a paradox, but bear with me.
Ideas are the most important part because every creative project starts with an idea. Good ideas are the basis for all successful creative projects. Consider the following:
Of course, good creative ideas aren't limited to those related to Disney parks:
Many people (myself included) believe in the importance of ideas, and there is no end to the books, blogs, and websites that offer tips and techniques to help us "be more creative" or "generate new ideas." But generating ideas is not all there is to creativity. It's important, to be sure, but it's only one aspect of the challenge of employing our creativity. Ideas are only a part of being creative, and in some ways (here comes the paradox) they are the least important part. What's equally (or perhaps more) important is how we follow through and develop our creative ideas, or as expressed by Guy Kawasaki in his November 4, 2004, Forbes article, "Ideas are easy. Implementation is hard."
If you talk to people in traditionally "creative" fields (writers, artists, designers, etc.), ideas are never an issue for them. Most have more ideas than they could possibly implement in their lifetimes. Generating ideas is the easy part; it's the execution of those ideas that's difficult. The real work is in taking ideas and bringing them to life. Even the best ideas in the world can't execute themselves, and without someone to execute them, even the best ideas in the world have little chance of becoming a reality.
I said earlier that I believe the challenge for many of us lies in finding a model for the creative process—an example that we can look to for concepts and principles that can be applied across a variety of creative fields.
Where can we find a model or example of the creative process? I think one of the best places to look is Disneyland and other Disney theme parks. More specifically, I believe one of the best models for creativity is found in the design and development of Disney theme parks, a practice better known as Imagineering.
As we'll look at in more detail in the first part of this book, Imagineering was born from the blending of expertise from a number of fields, and just as the first Imagineers adopted techniques and practices from animation and movie-making to develop the craft of Imagineering, we can borrow (and steal) principles, practices, and processes from Imagineering and apply them in other creative endeavors.
I know of few better examples of creativity than Disney theme parks and Imagineering, and I'm not alone in this belief. Garner Holt and Bill Butler of Garner Holt Productions (the world's largest maker of audio-animatronics) write: "Disneyland is still the ultimate expression of the creative arts: it is film, it is theater, it is fine art, it is architecture, it is history, it is music. Disneyland offers to us professionally (and to everyone who seeks it) a primer in bold imagination in nearly every genre imaginable."
I've been a fan and "student of Imagineering" since my first visit to Walt Disney World more than 20 years ago. Even back when I was first learning about Imagineering, I recognized the value it could serve as an inspiration for the creative process, as I wrote in the following review of the first book in my Imagineering Library, Walt Disney Imagineering: A Behind the Dreams Look at Making the Magic Real:
This lavish coffee table book opens the doors on one of the most secret of divisions of the Walt Disney Company, namely Walt Disney Imagineering. These are the people that design, build, and create the various attractions at Disney theme parks and other locations (such as the Disney Store and DisneyQuest). This book explores the process by which the Imagineers conceive, design, and create Disney magic. Anyone interested in the creative process and imagination can benefit from reading this book, if for no other reason than as a source of inspiration for what is possible.
I've been amassing a collection of resources about Imagineering since that first visit to Disney World, trying to learn all I could about how the Imagineers work. In my search to learn as much as I could about this subject, I've identified a set of principles and a process that I believe can serve as a model for the creative process in a variety of fields. I call this set of concepts the Imagineering Toolbox.
The Imagineering Toolbox contains two main types of tools. The first is a set of principles focused on developing and communicating our ideas that I've organized into what I call the Imagineering Pyramid. This was the subject of my first book, The Imagineering Pyramid: Using Disney Theme Park Design Principles to Develop and Promote Your Creative Ideas. More specifically, that book looked at fifteen principles the Imagineers use as part of their design process and how those principles can be applied to other creative fields. What the Imagineering Pyramid doesn't address is the process Imagineers use to develop their ideas into real-world parks and attractions. That's the focus of this book, and is the second type of tool in the Imagineering Toolbox. The Imagineering Process is a simple process that can serve as a model for developing nearly any type of creative project, from a simple homework assignment to a fully immersive theme park attraction such as Expedition Everest at Disney's Animal Kingdom.
The rest of this book is divided into three primary parts:
Part One: Peeking Over the Berm looks at the origins of Imagineering and the meaning of the word itself, as well as an overview of the Imagineering Process and the evolution of the process. This will give us a foundation on which we can expand in later chapters. We'll also look briefly at the idea of having a "vision" and how that fuels the creative process.
Part Two: The Imagineering Process, the heart of the book, examines the process used by Walt Disney Imagineering in the design and construction of Disney theme parks and attractions. This section contains chapters devoted to each stage in the Imagineering Process. For each stage, we'll look at how it's used by Disney Imagineers, the goals of each stage, and how each can be leveraged in other fields.
Part Three: Imagineering Beyond the Berm explores how to apply the Imagineering Process to a number of specific fields, including game design, instructional design, and leadership and management.
Following Part Three is a Post-Show chapter in which I share some final thoughts, and a few appendices. Appendix A contains a list of the books, DVDs, and other resources in my Imagineering Library (as of this printing, anyway—it doesn't stay the same for long). Appendix B provides an overview of the Imagineering Pyramid, and Appendix C contains a checklist of questions based on the Imagineering Process that you can use when bringing your creative ideas to life.
Lou Prosperi worked in the game industry for 10 years as a freelance game designer and writer, and product line developer at FASA Corporation, where he worked on the Earthdawn roleplaying game. After leaving FASA, Lou went to work as a technical writer and instructional designer and has been in that role for the last 20 years, providing user and technical documentation and training for enterprise software applications. He currently manages a small team of technical writers and curriculum developers for a small business unit of a large enterprise software company.
Lou has been interested (or obsessed depending on who you ask) in Disney parks since his first visit to Walt Disney World on his honeymoon in 1993. A self-described "student of Imagineering," Lou has been collecting books about the Disney company, Disney parks, and Imagineering for the last 12+ years. He rarely passes up an opportunity to add new books to his Disney and Imagineering libraries, and is nearly always thinking about his next trip to Walt Disney World. Lou lives in Wakefield, Massachusetts, with his wife and children.
Theme Park Press is the world's leading independent publisher of books about the Disney company, its history, its films and animation, and its theme parks. We make the happiest books on earth!
Our catalog includes guidebooks, memoirs, fiction, popular history, scholarly works, family favorites, and many other titles written by Disney Legends, Disney animators and artists, Mouseketeers, Cast Members, historians, academics, executives, prominent bloggers, and talented first-time authors.
We love chatting about what we do: drop us a line, any time.
The Unauthorized Story of Walt Disney's Haunted Mansion The Ride Delegate 501 Ways to Make the Most of Your Walt Disney World Vacation The Cotton Candy Road Trip The Wonderful World of Customer Service at Disney Disney Destinies Disney Melodies The Happiest Workplace on Earth Storm over the Bay A Historical Tour of Walt Disney World: Volume 1 Mouse in Transition Mouseketeers Down Under Murder in the Magic Kingdom Walt Disney and the Promise of Progress City Service with Character Son of Faster Cheaper A Tale of Two Resorts I Saw Ariel Do a Keg Stand The Adventures of Young Walt Disney Death in the Tragic Kingdom Two Girls and a Mouse Tale Ears & Bubbles The Easy Guide 2015 Who's the Leader of the Club? Disney's Hollywood Studios Funny Animals Life in the Mouse House The Book of Mouse Disney's Grand Tour The Accidental Mouseketeer The Vault of Walt: Volume 1 The Vault of Walt: Volume 2 The Vault of Walt: Volume 3 Who's Afraid of the Song of the South? Amber Earns Her Ears Ema Earns Her Ears Sara Earns Her Ears Katie Earns Her Ears Brittany Earns Her Ears Walt's People: Volume 1 Walt's People: Volume 2 Walt's People: Volume 13 Walt's People: Volume 14 Walt's People: Volume 15
We're always in the market for new authors with great ideas. Or great authors with new ideas. Whichever type of author you are, we'd be happy to discuss your book. Before you contact us, however, please make sure you can answer "yes" to these threshold questions:
We specialize in books that have some connection to Disney or theme parks. Disney, of course, has become a broad topic, and encompasses not just theme parks and films but comic books, animation, and a big chunk of pop culture. Your book should fit into one (or more) of those broad categories.
There's never a guarantee that any book will make money, but certain types of books are less likely to do so than others. They include: hardcovers, books with color photos, and books that go on forever ("forever" as in 400+ pages). We won't automatically turn down these types of books, but you'll have to be a really good salesman to convince us.
Writing books and publishing books should be fun. The last thing you want, and the last thing we want, is a contentious relationship. We work with authors who share our philosophy of no drama and zero attitude, and the desire for a respectful, realistic, mutually beneficial partnership.
If you said "yes" three times, please step inside.


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Players always make a lot of noise when it comes to their fantasy football selection because they want their favorites to be part of their teams. Since football has always been for them, they want their teams and their idols to be on the same street. When selecting the player of your choice, however, certain elements must be taken into account. Read on and discover some tips to make the selection easier.
Fantasy Football Player Ranking
Everyone has always been very enthusiastic about the ranking of fantastic footballers. As I said, that distinguishes professionals from amateurs, because real men will do everything in their power to succeed in a match. In the first few weeks of the season, you'll see how others make a name for themselves from the start. In addition, some start poorly, but can stand out in the middle towards the end of the season. It's always a game for everyone until the end of the season.
Fantasy football statistics
As with rankings, each player's stats are critical to the team. If the team has more powerful players, it is safer to say that it has better chances of reaching the top. However, some tried to compliment and return the weaknesses of the other person. This can sometimes be risky, but the benefits are much greater. Owners should pay attention to who they bring to the field and when they are used to play.
Global Player personality
Although rankings and statistics are two very important elements in the choice of fantasy football, players still need to have an idea of the player's personality. He should be able to represent the team and the owner as he wishes. Players often think it's useless, but it's not. It is they who build their name and that of their team. It is natural that their reputation and that of the team be preserved.
These three things are just a few of the fantastic football tips to consider before turning into awesome football shots. You can always go online or ask friends about other things about this sport.It does not matter if you are a normal person or a shareholder of a team.


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My Trading Journal: GENERAL trading Journal - New Trading System In The Making
How are you and how is your trading.I hope you will be good in your health and wealth.I saw your analysis in GBPJPY and you are looking Bullish but i think it will come down till 141.70 because its over bought and it will take correction first a close above 143.20 will lead the pair towards 144 and 144.50.
Zahir1986 Trading Journal
usdx bullish retracement signal. in the major time frame on monthly time frame usdx is still seems really in bearish trend domination, so i think that this bearish trend will still continue to have their market domination, how ever in the daily time frame i start seeing some bullish retracement signal, there is a bullish candle stick that is start making it's moves from support area which i assume indicates a support rejecting the price and the price unable to break and it means the bearish trend is not yet able to continue their trend domination, that mean there will be some bullish retarcement and for me it is a great option to wait for usdx price on resistant area and once again try to sell usdx.
amiron56 (12-08-2019), fadilah (12-08-2019), saad00786 (12-08-2019), Shabnam424 (12-08-2019), SweetRose (12-08-2019)
I think it will be better to monitor the dollar's index and wait for the last bottom level on the hourly chart to be broken because it is definitely bearish in the long term, but the possibility of a correction during this week is very likely, but this does not encourage buying because it involves some risk
I have already depended on the dollar for trading in this period because the analysis of the pairs may be somewhat deceptive
Daily analysis of major and cross pairs, metals and oil
Click here to subscribe
Below is my Journal Update
Hello my dear friends and family and friends and colleagues how are you I hope you have a good day. I hope you all are fine and making good posts. yes I am agree with you that US indexes is going to be bearish and the prices of US indexes are going towards downsides and it's better for those who wish to make a trade of sell in the US indexes. So keep studying the US indexes if you are interested to trade in this.
Eur-usd trading plan for next week market, on the h4 time frame showing a weak bullish signal but i think this bullish power will not make a huge impact to the movement of eur-usd pair next week, more likely eur-usd will still in bearish trend domination, as i see on the daily time frame the last candle stick pattern is still showing strong bearish domination and also showing strong bearish power, in the h4 time frame clearly we can see that the price has been able to break support area on 1.10630 price level so i think this indicates that the bearish power have a big possibilities to continue their domination in the market.
Angelina17 (12-08-2019), Johnn (12-08-2019), Lazy Millonaire (12-08-2019), saad00786 (12-08-2019)


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Top » leaf » Japanese Green Tea(Houji-Cha)¡¡150g /package set of 6 packages
150g /package set of 6 packages
"Houjicha" is Bancha or Sencha that is roasted in high heat for stronger aroma, and popularly served after meals. It has a refreshing flavor with little bitterness.
*This is a standard style of tea serving. You can enjoy changes in the amount and temperature of water and the amount of tea etc.
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Due to the low stagnation temperature of DualSun panels (80°C), we recommend using multi-layer piping for the solar circuit. Multi-layer piping allows to reduce costs. Nonetheless, it is important to well-insulate the pipes and the seals and protect them from UV radiation by using insulation with an anti-UV surface.
The use of copper and stainless steel piping is of course also possible, though copper is expensive and difficult to install, and the corrugated surface of stainless steel pipes can trap air in the circuit.


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Home > 3-4 years > Pretty in Pink
The totally gorgeous pink and white Aurora Starlight Unicorn, Lolly, will make the perfect magical companion for any child! The beautiful detail on this toy make it truly fantastic, with its lovely pink mane, brilliantly bright eyes and terrific pink hooves, ears and horn. Sparkle Unicorn's body is perfectly designed to sit and is fabulous to cuddle. All these features really do make Lolly Unicorn a great gift for any child!
Brand: AuroraSize: 7"Age: 0+
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Days Without End
Just finished this novel today by Sebastian Barry and it is a memorable story beautifully written about two young men who meet in the wicked west before the civil war. Teens when they meet they become cross dressers in a mining town which for a living they dance with the men of the town. They fall in love and spend their lives together winding up in fighting in several wars including the Civil one which is told in brutal descriptions. One of the young men takes to dressing as a woman more and more and they even get married. The twists and turns are many and the author creates a vivid landscape of the 19th century frontier. The sex is there but is as lyrical and brief as the many storms and traumas that they face "and then we quietly fucked and then we slept" pretty much sums it up. The language is plain yet poetic and the passing characters and scenes stay with you. This would make one hell of a film if the right director took it on.


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INJURY to Prestwich's opening batsman and strike bowler Ryan Stanbury took the shine off a convincing victory at Heywood.
The nine-wicket win moved the Heys Road men into top spot in the Greater Manchester League Premier Division.
Stanbury was a focal point of Saturday's victory, taking 2-20 and scoring 18 from 18 balls before retiring hurt.
"Ryan was lining up another big hit after launching a huge six into the car park in the previous over when his knee just seemed to collapse from under him," said captain Andy Bradley.
"He went to hospital to get it checked out and is having to go back for tests this week.
"At this point we don't know what the problem is but it did not look good."
Stanbury is expected to miss this weekend's matches, at bottom side Unsworth in the league and against Division Two Radcliffe in the first XI cup.
But while Bradley is concerned his star all-rounder could be missing for a number of weeks, he is confident the side will be able to maintain their fine early season form.
"We have players who have opened the batting and bowling in the past that can step up," he added.
"Obviously, we will miss Ryan and I hope he is back fit sooner rather than later, but we have great depth to the squad so in the short term we should be fine."
Bradley was given plenty of cause for optimism after watching his side bowl out Heywood for 117 then reach their target in 25 overs with the loss of just one wicket.
The captain's spin bowling was particularly effective on a turning pitch, helping him to figures of 5-20 from 15 overs. Sam Holden also weighed in with 3-26.
Long-time Prestwich opener Chris Thomas (19) was one of only two Heywood batsmen to reach double figures. Dominic Humphreys was the other, coming in at number three and grinding his way to 52 from 133 balls.
But wickets continued to tumble at the other end while Prestwich's tight bowling attack made scoring difficult.
"I think they managed only six boundaries in just less than 50 overs, so I was really pleased with our economy," added Bradley.
"We bowled really well as a unit, and while I was happy with my five wickets, the most pleasing thing was I only conceded 20 runs from 15 overs.
"James Wharmby did well again with the bat to make 35 and our pro Martin Walters hit 55 not out and looks to be on top, top form."
A second bonus point from their second win in two games put Prestwich into pole position in the Premier Division, level on points with Flixton at the top.
"It's obviously great to be up there, but I don't read anything into the table at this early stage," added Bradley.
"The table only really gives a true picture after the half way stage."
Bradley expects more good news this week, with plans in place for the first team to return to their home pitch, which was damaged by flooding over the winter.
He says Sunday's home cup tie against Radcliffe will still probably be reversed to the Racecourse Ground, but next Saturday's game at home to Bury should go ahead as planned at The Heys.


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Meditation And Distraction
I've been meditating for ten to fifteen minutes every day for the past two months. I have not missed a day since I started. I find it to be a wonderful practice which I enjoy and look forward to very much every day.
I am experiencing a number of benefits but the one I am most cognizant of is an increased ability to avoid distraction in a conversation or some other situation where I need to be focused.
I've always been good at being focused, sometimes to a fault. But I also find my mind wandering in situations where I am losing interest and that's obviously very bad.
At the core of my meditation practice, as it was taught to me, is bringing my mind back in focus and back to the breathing. It is that thing "snapping back into focus" that I do regularly in my meditation practice that has helped me so much with staying present throughout the day.
Meditation is like repetitive exercise of the focus muscle in the brain.
So if you are having trouble being present in situations you want to be but can't, I would strongly recommend trying meditation. It's helped me with this and I imagine it will help you too.


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Yesterday, Pete and I, his brother and Vicki, (his girlfriend) went to London for a Christmas meal. We had decided to have a fancy meal, but it's taken longer to arrange than it really should.
We started out at Louis Vuitton in Bond Street which is Vicki's favourite shop. Then on to Armani and Ralph Lauren. There were so many wealthy people there!
We saw a troop of Hollister models, around 40 of them, marching through the streets to hand out leaflets. I disliked this for several reasons. Firstly, they looked like a Hilter Youth rally - all dressed the same (red tops, turned up jeans and flip-flops). It looked badly judged to me with their cocky attitude eyeing girls and constant cheering. Secondly, they were all good looking 18-20 year old guys with the overall aim of saying to customers "I am better looking that you, therefore I am better than you. I get sex when I want it, I am confident, I will earn more than you because I am good on the eye and I wont have to try as hard to be successful". OK, I am exaggerating a lot, but the Hollister and A&F models/staff really wind me up with this elitist attitude, which is why I wouldn't shop there. I don't think they miss my custom.
After a few cocktails in Brownes, we headed for lunch as Goodmans restaurant - a fine dining steak establishment. The huge steak was tasty, perfectly cooked and extremely expensive. It's one of the most expensive meals I have ever had.
Then on to more shops, where I bought a suit, some walking and then to St Pancras station for more alcohol in the Champagne bar. It has warming fans under the table and heated seats! This is not my picture by the way...


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Donald F. Seidel, 92, passed away Friday, December 4, 2015 in Virginia Beach, VA.
Don was born in Milton, Pennsylvania on October 6, 1923 to the late Sue Pollock Seidel and Ralph B. Seidel. He was predeceased by his wife of 60 years, Elizabeth H. Seidel, three sisters and two brothers. Don is survived by one son, George W. Thomas and wife Alix of Mission Viejo, CA and two daughters, Donna S. Hopkins and husband Ronald and Linda S. Taylor and husband William Jones, all of Virginia Beach, VA.
He also leaves to cherish his memory three grandchildren, Tina L. Hopkins (Mark) of Chesapeake, VA, George D. Thomas (Vanessa) or Birmingham, AL, and Chrystal Thomas of Cypress, CA. Also, six great-grandchildren: Victoria L. Hopkins of Virginia Beach, VA, Tyler and Vanessa Coronado of Chesapeake, VA, Alora and George S. Thomas of Birmingham, AL and Savannah Thomas of Cypress, CA. Don also has a sister, Jeanne Schuman of Williamsport, PA and a sister-in-law, Paula Curtis of Virginia Beach, VA. He also had many nieces and nephews who loved him dearly.
Don was a proud Navy WWII veteran with many years of honorable service. After retiring from the Navy, he went to work for the Atlantic Division Naval Facilities Engineering Command in Norfolk, VA. He retired from there in December of 1986 with a combined total of 44 years of government service.
Don loved dining out with his special WWII veteran friends, all proudly wearing their WWII caps and had the honor of having many meals paid for them by total strangers. Don was born a yankee but became a southerner by marriage.
Don's son, daughters, and grand and great grandchildren will dearly miss him, always love him, and never forget him.
The family would like to thank the staff of The Memory Center in Virginia Beach, VA for their dedicated care and loving commitment to the treatment of Alzheimer's.
In lieu of flowers, memorial donations may be sent to the Alzheimer's Association, 6350 Center Drive, Suite 102, Norfolk, VA 23502.
A visitation will be held Wednesday, December 16 at 10 a.m. and a funeral service at 11 a.m. at Woodlawn Funeral Home, 6309 E. Virginia Beach Blvd, Norfolk, VA. Burial and reception to follow. Condolences may be sent to the family at www.woodlawngroup.com.
To view the full list of Southside Daily obituaries, click here.
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Monday, December 5, 2016
7:30 | Registration & Breakfast
8:30 | Opening Remarks
8:45 | Identifying, Assessing, Insuring, and Defending Against Cyber Risks
Using advanced analytics to identify and assess cyber risks | The cyber insurance application | protection through cyber insurance | Possible protection through other insurance | The timeline and legal response to a data breach
Eli Nelson, Director, The Claro Group LLC
Michael A. Santulli, Associate, ICA Risk Management Consultants
Vince Vitkowsky, Partner, Seiger Gfeller Laurie LLP
Courtney Stout, Counsel, Davis Wright Tremaine LLP
Daniel J. Healy, Partner, Anderson Kill PC
9:45 | Tackling the Demons Within—The Latest Hot Spots for Internal Investigations
FCPA | New DOJ policy on individual accountability, cooperation and independent investigations (Yates Memo) | Cyber security/internal investigations | Personnel management and decisions | Navigating the differing views of the constituencies | Impact of NYSDFS regulations | Whistleblowers | Tackling the cost of responding | Corporate ethics | Action planning
Bob Cusumano, Partner, Crowell & Moring LLP
John Wood, Partner, Hughes Hubbard & Reed LLP
Colby A. Smith, Partner, Debevoise & Plimpton LLP
Jeff Bauer, Assistant General Counsel, Investigations & Litigation, Huntington Ingalls Industries, Inc.
10:45 | Break
11:00 | Directors & Officers — The Job, The Exposures and The Strategies
What do you share with the board? | Preparing boards in the current regulatory environment | Impact to corporate boards, directors and officers and the insurance industry | Effects on coverage, claims and underwriting | Areas of exposure for directors and officers | Reasoning behind landmark decisions and why they are important | The increased litigation companies face in the securities field | Fall-out from proposed mergers or acquisitions | Emerging claims of cybersecurity
Julie Myers Wood, Chief Executive Officer, Guidepost Solutions LLC
Steven R. Chabinsky, General Counsel & Chief Risk Officer, CrowdStrike Inc.
11:45 | Towing the Compliance Line, Avoiding the Sanctions Pit
Julie Myers Wood, Chief Executive Officer, Guidepost Solutions LLC
John Pisa-Relli, Managing Director of Global Trade Compliance, Accenture
12:30 | Lunch
1:45 p.m. | Government Investigations—From Response to Insurance Coverage
Best practices to consider in response to a government investigation | Internal investigation | Requests for testimony and documents | Working with outside counsel and other consultants | Insurance coverage | Types of policies | What triggers a claim | Notice requirements —timing your claim | Potentially divergent insurance interests | Policy exclusions | Maximizing coverage
Jan A. Larson, Partner, Jenner & Block
Murray Sacks, Of Counsel, Miller Friel PLLC
Deirdre G. Johnson, Partner, Crowell & Moring LLP
Christopher R. Ryan, Deputy General Counsel, K12 Inc.
2:30 | Managing Burgeoning eDiscovery
Overview of the changes to the Federal Rules of Civil Procedure | Update regarding recent e-discovery cases | Predictive coding and other strategies for reducing the cost of e-discovery
Christopher Paskach, Managing Director, The Claro Group LLC
Darwin Johnson, , Senior Project Manager Practice Support, Blank Rome LLP
Edward Rippey, Partner, Covington & Burling LLP
Karlena Schwing, eDiscovery Attorney, Information Governance Counsel
3:15 | Break
3:30 | The Shifting Employment Landscape—Why Having Policies Is Not Enough
This panel will discuss hot employment issues and the best defense for employers. We will explore how employers can mitigate the risks when it comes to issues such as accommodation requests, transgender issues and harassment.
Hot employment issues |Best defenses for employers | Mitigation | Accommodation requests | Transgender issues | Harassment
Stefani Schwartz, Member, Schwartz Simon Edelstein & Celso LLC
Dominick Cirelli, Deputy General Counsel, Coface North America
Matthew F. Nieman, Principal and Office Litigation Manager, Jackson Lewis P.C.
4:15 | Protecting Confidential Information: Corporate Counsel's Ethical Obligations
Electronic communications | Human error in the digital age | New email rules and obligations
Peter Norman, Co-Founder, Winnieware and Reply to Some
5:15 | Adjourn
Return to Main Page
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More than 250 varieties of conifers, magnolias, and other cultivars comprise the Arboretum.
When dinosaurs first became numerous in the late Triassic Period, nearly all of the major groups of vascular plants except the angiosperms were in existence. Conifers, cycadophytes, ginkgoes, ferns, and large arborescent horsetails dominated the landscape. By the mid-Jurassic Period, conifers had become more diverse and many of their fossils have been assigned to modern families such as Araucariaceae, Pinaceae and Taxodiaceae.
Angiosperm pollen and leaves first appeared in the fossil record about 140 million years ago in the early Cretaceous Period. By about 90 million years ago, several modern families of flowering plants are represented by good fossil material. These families include the Lauraceae (laurel), Magnoliaceae (magnolia), Platanaceae (sycamore), Buxaceae (box), and Calycantheaceae (sweet shrub).
By the end of the Cretaceous Period, many modern plant families existed with the last dinosaurs, including:
Some unusual species
• Cedar-of-Lebanon
• Giant-sequoia
• Incense-cedar
• Plumyew
• Monkey Puzzle Tree
• Hibba Arborvitae
• Alpine Totara
• Lacebark Pine
• Modoc Cypress
• Yezo Spruce
• Southern Magnolia
• Anise Magnolia
• Yulan Magnolia
• Weeping Katsura
• Persian Ironwood
• Fragrant winter-hazel
• Oriental Sweetgum
• Chinese Sweet-shrub
• Coral Beads
• Juglandaeceae (walnuts)
• Cercidiphyllaceae (katsura)
• Berberidaceae (barberry)
• Moraceae (mulberry)
• Fagaceae (beech)
• Ulmaceae (elm)
• Menispermaceae (moonseed)
• Illiciaceae (anise tree)
• Aristolochiaceae (pipe vine)
Our goal is to grow representatives of as many of the Mesozoic Era plants families as we can within our zone 6 site. The initial plantings established a "backbone" of hardy conifers and then the collection was filled out with dwarf and slow-growing conifer cultivars. Currently, there are more than 200 different kinds of conifers in the collection. Recent plantings have focused on trees and shrubs from the Cretaceous angiosperm families. The largest gera collections are pine, juniper, charmaecyparis, arborvitae, and magnolia.
The "Arboretum of Evolution" which began to take form nearly 30 years ago is very young, but is growing into an important asset for the Park and for educators.
A map of the arboretum is available at the park. It identifies the locations of collections and gardens which are listed here.
Fir Collection
Within this area of the park there are Douglas firs, Nikko Fir, Nordmann firs, and concolor firs.
Arborvitae Wall
The name of these conifers means "tree of life" because some of these conifers can live up to 300 years. Among other plants that form the wall is the Hiba arborvitae (Thujopsis dolabrata 'Variagata").
Cedar Collection
Within this collection are the Lebanon cedar, Deodar Cedars, Blue Atlas Cedars, and the California incensecedar.
Pine Grove
"White Mountain' white pine, Blue Jay, Himalayan pine, Bosnian pine, 'Pendula' white pine and a 'Waterii' Scots pine grow within this grove near the entrance sidewalk.
East Side Conifers
At this location, the plantings include the Japanese cedar, which is a member of the redwood family, the 'Oregon Blue" Lawson cypress, a weeping Alaskan cedar, Hinoki false cypress, and a "Chinese fir."
Rock Garden
Among the exposed ledges are plantings of junipers, false cypresses, small arborvitae, dwarf firs, and flowering plants such as lavender and thyme.
Plaza del Sol
Near the entrance to the Exhibit Center are Japanese umbrella pines, recognizable by their plastic-looking foliage.
Southeast Collection
Plantings in this location include the bald cypress, American sycamores, black gum, willow oak, pawpaws, sweetbay magnolia, Carolina allspice, and a persimmon. Close by is a giant sequoia (Sequoiadendron giganteum) which can grow to 300 feet in its native habitat in California, and a "Hazel Smith" cultivar. Four Dawn Redwoods and a golden larch are also located in this area.
Spruce Collection
Within this area are Hondo spruce, Oriental spruce, Serbian spruce, and a Black Hills spruce.
East Asian Garden
The rare and unusual species in this planting include the Chinese swamp cypress, a weeping katsura tree, a "kew" ginkgo, and a thicket of yellow-grove bamboo.
London Plane Trees
Lining the entrance drive are hybrids of American and Eurasian sycamores.


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Jason Onks, oboist & repairman
Professional instrument repair in Smyrna, Tennessee.
Midwest Musical Imports
They sell and rent instruments, supplies, music.
Forrests Music
They sell instruments, supplies, music. My students have had success with their "green" oboe reeds.
RDG Woodwinds
They sell instruments, supplies, and music. My students have had success with their oboe reeds and they sell "practice" cane.
Jeanne Inc
Sheet music and accessories for oboe and bassoon.


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There is no denying that the life of a child with cerebral palsy (CP), as well as that of his/her caregiver, is full of tough and challenging moments. However, with the proper help and support, your child can win many battles and grow stronger by the day, which will give you confidence and peace of mind in caring for your child.
Children with cerebral palsy can grow to become happy and healthy independent adults, too!
Cerebral Palsy (CP) is not a disease. It is a neurological disorder that starts during infancy or childhood and that affects motor function,
in other words, muscle control, coordination and movement.1
It is one of the most common disorders that originates at or before birth1,
with a worldwide incidence of 2 to 2.5 per 1000 live births.
Although cerebral palsy (CP) is a lifelong disability, with the proper treatment and management, a child with CP can live a happy, healthy life.
As confusing as it may sound, the truth is that
the exact causes of cerebral palsy (CP) are not always known.1
Multiple causes and certain risk factors have been shown to have a link with cerebral palsy.
These causes may all affect normal brain development, resulting in various types and degrees of CP.1
Whatever the case may be, know that it is normal to have feelings of guilt when your child is diagnosed with CP.
However, remember that you are not responsible for your child's diagnosis and that you are not alone, as most parents go through these emotions when first learning of their child's diagnosis.
There are many different types of cerebral palsy (CP), which vary in the parts of the body that are affected, the type of impairment and the severity of mobility limitations.
Quadriplegia, or bilateral CP, affects all 4 limbs and occurs in about 23% of cases.
Diplegia affects both legs and occurs in about 38% of cases.
Hemiplegia, or unilateral CP, affects one side of the body and occurs in about 39% of cases.1
The severity of mobility limitations in cerebral palsy can differ greatly from one child to the next.
Each child with CP is unique, with varying abilities and disabilities.
Nonetheless, severity can be generally classified depending on the type
of motor function impairment and the part of the body that is mostly affected.
Hypotonic infants can sometimes be described as "floppy," due to decreased muscle tone.
Some signs of hypotonia include a floppy head, feeling limp when held and flaccidity
at joints, among others.2
The severity of CP mobility limitations can also be categorized into 5 different levels,
according to the Gross Motor Function Classification System (GMFCS).3
Each level clearly describes the child's current physical abilities and whether equipment
or mobility aids are or will be needed in the future.
Children walk at home, school, outdoors and in the community. They can climb stairs without the use of a railing. Children perform gross motor skills such as running and jumping, but speed, balance and coordination are limited.
Children walk in most settings and climb stairs holding onto a railing. They may experience difficulty walking long distances and balancing on uneven terrain, inclines, in crowded areas or confined spaces. Children may walk with physical assistance, a hand-held mobility device or used wheeled mobility over long distances. Children have only minimal ability to perform gross motor skills such as running and jumping.
Children walk using a hand-held mobility device in most indoor-settings. They may climb stairs holding onto a railing with supervision or assistance. Children use wheeled mobility when traveling long distances and may self-propel for shorter distances.
Children use methods of mobility that require physical assistance or powered mobility in most settings. They maywalk for short distances at home with physical assistance or use powered mobility or a body support walker when positioned. At school, outdoors and in the community children are transported in a manual wheelchair or use powered mobility.
Children are transported in a manual wheelchair in all settings. Children are limited in their ability to maintain antigravity head and trunk postures and control leg arm movements.
It is important to recognise the diversity in CP cases and to remember that
every child with CP is unique, requiring personalised, tailored care.
Sometimes, children with cerebral palsy (CP) are diagnosed several months following birth or even years later.
You may or may not have noticed some early signs of CP, which you will find listed below.
Either way, it is always advised to seek medical advice from a healthcare professional, in case of any doubts or concerns.
Some early signs of CP may include:1,2
Bear in mind that not all children with CP will display all of these signs.
David will discuss cerebral palsy management, from diagnosis to adulthood.
→Check here to go to The Journey section.


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JVC has launched its first pocket HD video camera – JVC PICSIO GC-FM1, the small, high-performance camcorder that can shoot 8MP stills and 1080P full HD video, featuring Image Stabilizer to ensure your videos are smooth and steady.
According to JVC, the videos are recorded in the widely-used MPEG-4 AVC/H.264 format and stored as .MOV files that require no conversion aimed for easy sharing to Youtube/iTunes.
Main Features Of JVC PICSIO GC-FM1:
- 2-inch color LCD display and 4x digital zoom
- 8 Megapixel 1/3.2″ CMOS image sensor
- Records 1080P HD video at 30fps
- Stored as .MOV files for easy transferring to iTunes/YouTube
- Simple and easy operation
- SD/SDHC memory card slot supports up to 32GB
- HDMI out (Mini), AV out and USB 2.0/1.1 connectors
- Available in Black Ice, Blue Steel and Purple Passion colors
The new stylish, ultra-compact JVC PICSIO GC-FM1 pocket camera which measures 53 x 97 x 17 mm and weights in at 95 g is available now for approximately $200.
Watch the promo video of JVC PICSIO GC-FM1 below.


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The Addams Family (1973 TV series)
The Addams Family is an American animated sitcom adaptation of the Charles Addams cartoons produced by Hanna-Barbera Productions in 1973.[1] Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch respectively from the 1960s television series, returned in voice-over roles.[2]
|The Addams Family
|Animated sitcom, comedy horror
|Created by
|Charles Addams
|Developed by
|David Levy
|Directed by
|Charles A. Nichols
|Voices of
|Ted Cassidy
Jackie Coogan
Jodie Foster
Cindy Henderson
John Stephenson
Janet Waldo
Lennie Weinrib
|Country of origin
|United States
|Original language(s)
|No. of seasons
|No. of episodes
|16 (list of episodes)
|Executive producer(s)
|William Hanna
Joseph Barbera
|Iwao Takamoto
|Running time
|30 min.
|Production company(s)
|Taft Broadcasting
|Original network
|Original release
|September 8 –
December 22, 1973
|Preceded by
|The Addams Family
|Followed by
|Halloween with the New Addams Family
|Related shows
|The New Scooby-Doo Movies
The Addams Family consists of husband and wife, Gomez and Morticia Addams, their children, Wednesday and Pugsley, as well as Grandmama, Uncle Fester, Thing, Cousin Itt, and their butler Lurch. The Addamses are a close-knit extended family with decidedly macabre interests and supernatural abilities. No explanation for their powers is explicitly given in the series.
This series depicts the Addamses on a cross-country road trip, exploring the United States in their Victorian-style Creepy Camper that resembles their mansion. Along the way, they stop off at various locations and venues. They inadvertently cause mayhem wherever they go due to their unusual interests and mannerisms, their willingness to trust those who probably shouldn't be trusted, and their getting swept up in criminal schemes or problems without their knowledge.
Voice CastEdit
- Lennie Weinrib – Gomez
- Janet Waldo – Morticia, Grandmama
- Jackie Coogan – Uncle Fester
- Cindy Henderson – Wednesday
- Jodie Foster – Pugsley
- Ted Cassidy – Lurch
- John Stephenson – Cousin Itt
- Pat Harrington, Jr. – Various roles
- Bob Holt – Various roles
- Herb Vigran – Various roles
- Don Messick - Various roles
- Josh Albee - Various roles
- John Carver - Various roles
- Howard Caine - Various roles
Scooby-Doo! appearanceEdit
The Addams Family's first animated appearance was on the third episode of Hanna-Barbera's The New Scooby-Doo Movies, "Scooby-Doo Meets the Addams Family" (a.k.a. "Wednesday is Missing"), which first aired on CBS Saturday morning on September 23, 1972. John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy provided the voices for their respective Addams Family characters while voice actors were used to voice Grandmama, Wednesday, Pugsley, and Cousin Itt. The episode details the Addams Family in a mystery with the Scooby-Doo gang. The Addams Family characters were drawn to the specifications of the original Charles Addams comics.
The Addams Family get their own cartoonEdit
The first animated series ran on Saturday mornings from 1973–1975 on NBC. In a departure from the original series, this series took the Addams' on the road in a Victorian-style Recreational vehicle (RV) that resembles their house. This series followed the relationships of the original Addams cartoons in that Fester is Gomez's brother, and Grandmama is Morticia's mother. Many cast members from the original series and the Scooby-Doo episode reprise their roles in the series, with the exceptions of Astin and Jones whose characters were voiced by Lennie Weinrib and Janet Waldo. The show also introduces the Addams Family's animal companions Ali the alligator, Ocho the octopus and Mr. B the vulture who are often seen with their fellow pet Kitty Kat the Lion.
|Original air date
|"The Addams Family in New York"
|September 8, 1973
|The Addams Family are offered a bargain: New York City's Central Park. To help them clean it up, they free animals from the zoo, but the police come and the Addamses are about to be arrested when Gomez produces unexpected proof that he is in fact the rightful owner of Central Park. The park was bequeathed to an ancestor, Van Dyke Addams, and a deed confirms that it is to be passed on to his heirs. But the cops still have a hard time with Gomez's story.
|"Left in the Lurch"
|September 15, 1973
|The Addams Family go to Nashville in search of dinosaur bones, but find themselves caught up in a pop festival instead. Lurch is anxious about meeting his pen pal. He becomes a lead guitarist and vocalist for the group Freddie and the Frogs.
|"Boola Boola"
|September 22, 1973
|The rare Boola-Boola is said can be found in the Black Lake and the Addams Family have an exciting time when they join in on the search. But they have more to look for than the Boola-Boola when Ocho the octopus is kidnapped.
|"The Fastest Creepy Camper in the West"
|September 29, 1973
|Petroleum shortage promises to be a thing of the past via Uncle Fester's new invention — "Festerine" — but the Addamses are caught up outwitting Count Evil and the Race Ace. When they succeed at this task, they win a million dollars for their favorite course: Vulture Culture at The Ghoul School of Dracula University.
|"The Mardi Gras Story"
|October 6, 1973
|The Addams family enjoy all the fun and gaiety of Mardi Gras in New Orleans, but it is difficult to recognize them in their funny masks. Tensions mount when a couple of crooks masquerade as Fester and Gomez.
|"Follow That Loaf of Bread"
|October 13, 1973
|Thing finds himself in trouble when Morticia is baking Eerie Egg Bread and he falls into the mixture. The loaf of bread wins a national bake-off competition in Chicago before the Addamses figure out what is going on. Then, they embark on a desperate search for the loaf of bread containing Thing.
|"Aloha, Hoolamagoola"
|October 20, 1973
|The Addams Family experience an exciting Hawaiian adventure in which they are mistaken for a Stone Age tribe: the lost Hoolamagoola. Also, Ocho the octopus discovers an underwater cave.
|"The Reluctant Astronauts' Trip to the Moon"
|October 27, 1973
|The Addams Family wins a piece of land on the moon. Preparations arise for a visit to inspect their new possession, and their rocket blasts off with a little help from Uncle Fester. Then comes the problem of trying to find a place to land.
|"The Great Balloon Race"
|November 3, 1973
|A balloon race is attracting a lot of attention, but Professor Orville Byrd's balloon is sabotaged during its entire route from New York City to Los Angeles by the Nasty Brothers. The Addams Family decide to lend a helping hand to the imperiled professor.
|"Ghost Town"
|November 10, 1973
|Spooks are scaring everyone away from the Old Prospector's land and they try to scare off the Addams Family as well when they arrive, to no avail. The Addams family enjoy themselves by outspooking the spooks.
|"The Circus Story"
|November 17, 1973
|The Addamses visit a circus which they discover is "The Worst Show On Earth". They decide to help when Honest John tells them of its troubles with a rival circus stealing its workers.
|"The Addams Family at Sea"
|November 24, 1973
|The Addams Family take their first ocean voyage, but the sight of Ali the alligator and Ocho the octopus dancing has every passenger aboard spooked; so much so that they jump overboard. The crooked Lefty and Joe promptly steal all the valuables aboard as a result, but the Addamses are soon in hot pursuit of the thieves as they attempt a getaway in a speedboat.
|"The Voodoo Story"
|December 1, 1973
|Madame Hoodoo finds all her curses and spells fail miserably to frighten the Addams Family and things digress from bad to worse for her when her love potion backfires and Granny puts a blessing on her. She decides to go back to Haiti for advanced voodoo lessons.
|"The Roller Derby Story"
|December 8, 1973
|Wednesday Addams chooses to visit the Roller Derby for her birthday celebration, and the Addams Family are soon involved between the bitter rivalry of the Angels and the Demons, resulting in the Addams Family playing for the Angels and a gruesome battle of Demons versus Addams Family.
|"The Addams Family Goes West"
|December 15, 1973
|Following the trail of the great pioneers, the Addams Family go to the wide open spaces of the West and find themselves outsmarting such characters as Wyatt Burp, Silly The Kid and Badmouth Ben.
|"The Addams Family at the Kentucky Derby"
|December 22, 1973
|Pugsley wants a horse for his birthday celebration, so the Addams Family go to Kentucky to buy one. They choose a worn-out old nag named Bones, but Granny's cooking does her so much good that she becomes a fast runner again and is ridden by Pugsley to victory at the Kentucky Derby.
Public service announcementsEdit
Concurrently with their series, the animated Addams characters appeared in public service announcements for the Boy Scouts of America (featuring Pugsley as a Scout), the four nutritious food groups then promoted by the USDA, and forest fire prevention for the United States Forest Service.[3]
Broadcast historyEdit
- Telecast: NBC Saturday Morning September 8, 1973 – August 30, 1975
- Sept. – Dec. 1973, NBC Saturday 9:00–9:30 AM (EDT)
- Jan. – Aug. 1974, NBC Saturday 8:30–9:00 AM (EDT)
- Sept. 1974 – Aug. 1975, NBC Saturday 8:00–8:30 AM (EDT)
Home mediaEdit
On October 19, 2010, Warner Archive released The Addams Family: The Complete Series on DVD in region 1 as part of their Hanna-Barbera Classics Collection. This is a Manufacture-on-Demand (MOD) release, available exclusively through Warner's online store and Amazon.com.[4] The series is also available for purchase at the iTunes Store.
Gold Key Comics published a 3-issue The Addams Family comic book series between October 1974 and April 1975, boasting stories adapted from episodes of the animated series.
See alsoEdit
- ^ Perlmutter, David (2018). The Encyclopedia of American Animated Television Shows. Rowman & Littlefield. pp. 4–6. ISBN 978-1538103739.
- ^ Woolery, George W. (1983). Children's Television: The First Thirty-Five Years, 1946-1981. Scarecrow Press. pp. 7–8. ISBN 0-8108-1557-5. Retrieved 14 March 2020.
- ^ Rare Addams Family animated 1974 Smokey Bear Commercial, YouTube
- ^ "The Addams Family – Warner Formally Announces the Complete Series DVDs for the 1973 Animated Show". Archived from the original on 2010-10-17.
External linksEdit
- The Addams Family (1973) at TV.com
- The Addams Family (1973) on IMDb
- The Addams Family (1973) at Don Markstein's Toonopedia. Archived from the original on March 13, 2012.


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Creativity for Kids
Creativity for Kids was created by two women, Phyllis Brody and Evelyn Greenwald, in response to what they termed "turkey syndrome". After their children made hand-traced turkey's at their school, they felt like this activity resulted in too uniformed results, when uniqueness was the goal. While children have to follow rules in many areas, they believed art should be an area in which individuality was encouraged. 35 years later, their anti-cookie cutter, paint-by-number approach is a defining attribute in the brand.
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Why is My Milk Blue? China's Food Safety Crisis and Scale Politics
John Yasuda, Post-doctoral Fellow, Center for the Study of Contemporary China
Why is China's food safety system failing? Rather than explanations based on the country's level of economic development, corruption, and state capacity, I argue that China's food safety failures result from its inability to resolve disruptive "scale politics" as its governance system expanded to address new, widespread food safety risks. I reconceptualize "scale" as a function of size and heterogeneity across multiple levels and multiple dimensions (spatial, jurisdictional, temporal, managerial, knowledge-related, and network-related.) As the government attempted to scale-up its food safety system through the use of coordination bodies and model production bases, it failed to align the interests of stakeholders across these dimensions, which led to regulatory failure. More broadly, I suggest China's adaptive, informal mode of governance serves as a weak template for regulatory expansion. Policies formed at one scale negatively impact governing systems at other scales; and, local regulatory systems resist and are sometimes blocked from integrating with an evolving national food safety regime.


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British Academy Mid-Career Fellowship awarded to Dr Bridget Heal
March 25, 2013 Leave a comment
Dr Bridget Heal has been awarded a British Academy Mid-Career Fellowship for her project on 'Lutheran Visual Culture during the Age of the Renaissance and Baroque.' The project asks how and why German Lutheranism – a confession that of course derived its significance from the promulgation of the Word – came to value images so highly. The research covers the period from the mid-sixteenth century, an era of intense doctrinal debate following Luther's death, to the mid-eighteenth century. By then the role of images in Lutheran religious culture had been affirmed by the construction of splendid monuments such as Dresden's Frauenkirche (right). The project seeks to illuminate the ways in which religious identity was constituted and expressed during the early modern period, and to draw attention to the blending and cross-fertilization of religious traditions that the study of religious leaders and institutions tends to obscure.


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Discussion board where members can get started with Qlik Sense.
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