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It's on like Donkey Kong.
You wanted that fast buck
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Your child plays various games and activities intended to entertain and gross them out.
Zoodles 11.8.7 Copyright (c) 2014 Inquisitive Minds, Inc. All rights reserved.


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Casino operators are preparing their Capex budgets right now. I know they're scared. Gaming revenues are down considerably and September was one of the worst months ever. Most importantly, senior managements are very worried about liquidity and covenants, particularly in the first half of 2009. Slot Capex comprises the largest part of maintenance Capex and is the easiest to delay.
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Aspiring Alices Enjoy the Mad Hatter's Tea Party
May 10, 2019
by David S. Morin
In the story of "Alice in Wonderland," Alice is quoted as saying "I suppose I ought to eat or drink something or other; but the great question is 'What?'" Well, the Hudson Historical Society helped Alice and held a Mad Hatter Tea Party at the Hills House on May 5. Attending the party were Alice and the Queen of Hearts from Wonderland who were joined by the young partygoers. The aspiring Alices arriving in costume enjoyed Tea served along with Crumpets and other delicious deserts. Each merrymaker had a headdress made to match their attire and photos with Alice.


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Deep State Vows Payback After Trump Disrupts Millions in Illegal Drug Trafficking Cash & Kickbacks From Syria!
Source: LINK
High-placed federal law enforcement sources dropped a bombshell, claiming the renewed push to impeach the president is rooted, in part, in President Trump's move to pull the United States out of the conflict in Syria — and stop untold millions in dirty cash from flowing into the deep state's pockets.
"This isn't about the Kurds, it's about the cash," one FBI source said.
And that cash is no chump change; it's millions and millions of dollars flowing into the coffers of crooked politicians and deep-state pockets worldwide.
Federal sources paint a dark picture here, alleging crooked politicians and their benefactors are fuming. For years, it is alleged, deep state players have been raking in millions in illicit profits through the manufacturing and distribution of narcotics in Syria.


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Years ago I authored a series of blog posts:
- Can you help identify this painting?
- Request for Help Identifying a Painting
- Need Help Identifying A Painting? Revit3D.com to the rescue...
Ever since then, I get requests from It's Alive in the Lab readers when they need help identifying a painting. I rely on Google Image Search. The best chance for success exists when the supplied image is a straight-on shot that encompasses the entire painting without the frame. Sometimes Google returns a match, but many times it does not.
Here are two images where Google came up empty. By any chance, do you recognize them?
Can crowd-sourcing outperform artificial intelligence? Let's find out. If these look familiar, please let me know at [email protected] or post a blog comment. Thanks.
Painting forensics is alive in the lab.


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BISE DG Khan Board 9th Class SSC Part 1 Past Papers past papers
BISE DG Khan Board 9th Class Past Papers
The past paper is an examination paper from a previous year or previous years, usually used either for exam practice or for tests such. Exam candidates get 2019 past papers valuable in test preparation. Some organizations responsible for holding exams have made past exam papers commercially available by either publishing the papers by themselves or licensing a publisher to do the same. Previous year question papers 2019 are to assess student's brilliance and capabilities. DG Khan Board 9th Class Past Papers will help you to have an idea about the main exam.
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Home |
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Adana Turkey
Adana is a major agricultural and commerce center and one of the larger cities in Turkey. It is located on the Seyhan River, about 30 kilometres inland from the Mediterranean Sea in the south-central Anatolia region. It is the administrative seat of the Adana Province and it is the fifth most populated city in Turkey. Adana lies in the heart of Çukurova, a geographical, economical and cultural region that covers the provinces of Mersin, Adana, Osmaniye and Hatay. This particular region, which is mostly a large flat stretch of fertile land, is among one of the most agriculturally productive areas in the world. The Adana-Mersin metropolitan area lies in the core area of Çukurova and, with a population of around 2.87 million inhabitants, it is one of Turkey's major business and cultural centres. The metropolitan area stretches over 100 kilometers from east to west, 25 kilometers from north to south, and includes the cities of Mersin, Tarsus, Adana and Ceyhan. It is the fourth largest metropolitan area in Turkey and one of the country's leading centres of commerce and culture.
Adana Şakirpaşa Airport in Turkey
Adana Şakirpaşa Airport in Turkey
Turkish: Adana Şakirpaşa Havalimanı is the main airport located in the city of Adana which is in the Adana Province of Turkey. Adana Airport was originally opened to serve as one of the dual purpose civil-military airports of Turkey in 1937 and it first started to be used as a civil-only airport in 1956. It is located approximately 3.5 kilometers from Adana's city center. Adana Şakirpaşa Airport is situated in an area of 2,105,510 square meter and has an annual capacity of 3,000,000 passengers. The airport is serviced by Turkish Airlines (THY), Pegasus, Onur Air, AtlasJet, FlyAir, SunExpress, and AnadoluJet Airlines. In 2010 it handled 2,841,220 passengers with 2,417,680 being domestic passengers and 423,540 being international passengers. Transportation to and from the airport is by Bus, Shuttle or Taxi and there is also a VIP transfer services available. Passengers arriving at Adana Airport are offered a few different options for traveling into the heart of city. All flights to Adana Şakirpaşa Airport operate through two main terminals designated as Domestic and International. Upon arrival, passengers will find a full range of facilities and services available to satisfy their travel needs. A variety of restaurants, cafeterias and bars offer a place to relax while enjoying tasty meals and refreshing beverages.
Region: Mediterranean
© Copyright 2000- The Ethos Group in Partnership with Özalp Turism San. Tic. Ltd. Şti. - All Rights Reserved.


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Our friends left yesterday and the official Mini Cooper tour has ended. Symone, Annie, Dorothy and I are exploring on our own. Yesterday we visited Vence and a chapel conceived by Henri Matisse and had lunch at a sidewalk cafe in Vence. Last night we dined in Saint Paul de Vence. Today we will venture into Nice to the Chagall museum. Hopefully we'll meet up with Dirk later on and talk about those that left us!
The place is amazing.


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British journalist Laura Bates founded an online project called Everyday Sexism and wrote a book with the same title. Kishwar Desai is an Indian journalist and writer. She has written several novels including Witness the Night which won the Costa Award for Best First Novel. The writers talk about their work to Peter Florence, Director of Hay Festival.
Simultaneous translation from English into Spanish
Spanish society's recent massive political and economic challenges represent one of the all-time lows of Spanish culture. Glaring problems in the field of education coupled with infrequent public debates, especially on television, demonstrate the need for 'high culture' to be promoted more than ever. Spain's present and Spain's future depend to a large degree on acknowledging Spain's past and realising what Spanish culture has to offer the rest of the world. Other problems cannot be overcome without actively promoting Spain's great culture. Writer and politician César Antonio Molina and philosophers Javier Gomá and Gabriel Albiac talk to the Director of ABC, Bieito Rubido.
The publishing house Ivorypress presents its latest book Havana, Autos and Architecture which is inspired by various trips British architect Norman Foster made to Havana, the capital of Cuba. It also focuses on the Cuban passion for classic cars. This event features Mauricio Vicent,who wrote the book, film director David Trueba, architect Norman Foster and the founder and director of Ivorypress, Elena Ochoa Foster.
Simultaneous translation from English into Spanish.
Etgar Keret is an Israeli writer of award-winning stories, comics and novels, which have been translated into over 30 languages. Intensive research over a seven-year period into his family background gave rise to his latest novel The Seven Good Years, which is a reflection of Etgar's own life story and at the same time a reflection of current Israeli society. Etgar Keret discusses his work with author Marta del Riego, Features Editor at Vanity Fair.
Simultaneous translation from English into Spanish
Luis García Montero, winner of the 2003 National Critics' Prize for La intimidad de la serpiente, presents his latest novel Alguien dice tu nombre, and talks to rock-star Miguel Ríos.
The internationally famous writer Péter Esterházy is well-known for his work Harmonia Caelestis, which tells the story of his aristocratic ancestors during the Austro-Hungarian Empire, when Haydn composed music in his family's palace. The grandson of the last prime minister of the Austro-Hungarian Empire talks to the grandson of the last Emperor, HM Georg von Habsburg. Chaired by Arpad von Lazar, Emeritus Professor of the Fletcher School of Tufts University (USA) and member of the advisory board of IE University and the Hungarian Academy of Sciences.
Simultaneous translation from German into Spanish
The story of the frigate Mercedes and the return of its treasures to Spain has caught people's attention over the last few months. But one question remains unanswered. Why has Spain still not managed to set up a major scientific study of the galleon and its treasure? Carlos León, archeologist, technical director of the exhibition The last voyage of Mercedes; writer Mari Pau Domínguez, author of Las dos vidas del capitán, and lawyer José María Lancho, specialist in underwater archeological heritage, talk to Jesús García Calero, director of the culture section of ABC newspaper.
2.30pm, Screening: Yi Dai Zong Shi (The Grand Master)(Karwai Wong, 2013. Duration: 125 minutes)
Journalist and author Nativel Preciado discusses her latest novel Canta solo para mí, which won the 2014 Premio Fernando Lara de Novela. The novel depicts the journalistic profession in Spain in the 1970s, a very turbulent period during which huge changes took place. This provides the backdrop for a passionate love story. She talks to writer Fernando Delgado.
The British Council, which is in partnership with the British Academy of Film and Television Arts (BAFTA), presents this programme which is dedicated to the promotion of the best British short films. Three sessions have been programmed on Friday 26, Saturday 27 and Sunday 28 September, which will last for a total of 120 minutes.
Original version in English with Spanish subtitles
The latest Jaime Gil de Biedma Poetry Award winner, Fermín Herrero, talks to the poet and director of the Norte de Castilla paper, Carlos Aganzo, and journalist Teresa Sanz. They also recite extracts from Gil de Biedma's work. De Biedma was one of the key authors of the 1950s generation.
Writer and journalist Juan José Millas tells us how he went about writing his novel La mujer loca, a game of mirrors in which the author is also the protagonist. Is this reality or imagination? Is this journalism or a novel? A woman's life can be the subject of highly extravagant fiction. Millás talks to journalist Marisol Teso.


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A Dream About Iron, Opiates, And Hiding
Entry posted by Jayne Dullahan ·
425 views
I used to dream a lot about living in a communal house, often it was made of glass or had a lot of windows. I haven't had a dream like that in a number of years. This morning I was deeply asleep, I must have been, not only because the dream was so vivid, but because I woke up flat on my back with my arms weirdly crossed over my chest, on the sofa. I haven't been able to sleep in my bed since Casha died.
I was in a giant old house filled with things, knick knacks, miscellany, everything, including a lot of things made of iron (I suspect because I have recently gotten very interested in the chemical properties of metals).
I moved into this house as a kind of outpost. With people I know. Although I have not one idea who the people were. I can't remember. And that is unusual for dreams like this. I do know that there were close people, possible family, kids and adults, and pets. The pets were of some concern, because they go outside (and once a pet is used to going outside, it is nigh impossible to convince them to stay inside again). I can't remember why we all moved into this house, except that it was somehow related to some sort of supernatural threat. I don't think it was zombies, it was more like people who had become part of some kind of tribe of supernaturally-enhanced spies...I seem to recall there was a very dignified, stern, tall, fairly hirsute but well-kempt older man who was fairly important in this group, there was something very ghost-like about him. They were dangerous and they were out to get ... "others"? I can't quite remember. All I remember is that living in this house was because of this, and one had always to be mindful of who or what was lurking outside the house. No one could go outside without proper protection... ammo, chemicals, antidotes (to what? I don't know). In the dream we spent time trying to avoid being captured, sucked in, devoured, and fighting these other things/people off. I for some reason was very hung up on this tiny gun I had or discovered, that at first was meant to hit precision targets, but had a weird kick that messed up your aim AND it turned out actually made the people/things STRONGER. I did a lot of hiding. There was one segment where there was a kind of Ophelia-like person, who was clearly a friend of mine but I've no idea who, that I needed to hide from... I had some kind of blanket over me, and that appeared to be enough... this lady swept through the room looking for anything and as long as I was covered (under a table, against a wall, covered) she had no idea I was there. Then there was the part with the pets. It's a bit of a jumble. I just remember we were beginning to get worried about pets being a target, and the possibility that they could even be used against us. There is a lot more around this but I can't get a clear picture of it... something about men I know, movies, paint, possibly opiate paint, one last chance, a lot of running. It became clear that they had implanted something in Casha's left forepaw, on the underpart of his leg. I had to get it out, it was urgently important that I get this thing out. I found the wound where they put the thing in, I had to reopen the wound and get it out. I don't understand anymore what it was. I just remember the experience, the panic, the conflict of feeling like I was doing what I had to do versus the pain of causing my friend, who is dependent on me, pain. I sort of understand what that was about but I don't get the rest of it. The context. It was all very graphic and very vivid. It was a weird dream.
Weirder than the one I had a few weeks ago where some guy, who was running along side my car, no matter how fast I drove it, shot me from behind in my chest... with a flat gold bullet that somehow only lodged itself in my skin. It hurt, it was numb, I remember telling everyone I came across in the dream they would have to excuse me, I had just been shot, I hate to be selfish or demanding but I was going to take a day for me and lay down and hope I recover alright. Which was a pretty weird and vivid dream, but not as weird as this one this morning.


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Who is responsible for my health?
With Obamacare debates in full swing passions are getting hotter and hotter and it's no wonder as the coming changes will affect everybody.
Reading and listening to different points of view and thinking about them got me to make a few of my own.
My points are not political though, just some philosophical observations from my twenty plus years working in health care. My experience was very diverse: working in a big research hospital and outpatient clinics both private and multi specialty ones. I also worked in a different pay systems-government paid socialized medicine, insurance paid clinics, private pay concierge type practices and a mixed pay of insurance and private pay. I came to one simple conclusion. No matter who reimburses for the healthcare expenses in the end, ultimately it has to be patient's responsibility to take care paying for their own expenses.
If one has insurance - great!
It means the person had good foresight and will have part or all expenses recovered. But insurance is just that - a reimbursement for unexpected expenses. Once upon a time in order to attract patients medical providers started to provide billing assistance. In my view that created a distorted three party business relationship which ultimately caused the healthcare crisis we are facing now.
Let me explain. We live in a free market system which is regulated by a universal law of supply and demand. Yet a huge part of the economy(healthcare) is artificially excluded from this basic regulation. Here we have a patient who is not concerned with the cost and expedience of care so long as it is covered by insurance, a healthcare provider who is paid not for providing the best possible care, but for the submitting to many insurance rules and policies and finally the insurance company who couldn't care less about patients health, quality of services and only concerned with reducing costs by finding ways to deny/reduce payments. Two most obvious results here are skyrocketing costs and free falling quality.
One most important thing missing here is responsibility. Once patient takes responsibility of paying for care this whole dynamics changes, as a paying customer patient holds health care providers responsible for containing ultimately costs, and for providing effective and expedient care and as paying client of an insurance company holds insurance responsible to fulfill its contractual obligations and reimburse for legitimate medical expenses. And most importantly responsible involvement in one's own care creates an incredible empowerment which contributes greatly to the healing process.


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Please support DAC's Localgiving page and help us raise funds
DAC has joined Local Giving as a way of raising funds to help us deliver our services and support our talented group of Welsh Artists.
Please support us by making a donation on our page.
Currently Local Giving will "match fund" donations raised up to a maximum of £200 so your support, however small, will be doubled.
To support us please click on https://localgiving.org/charity/disability-arts-cymru/
If you have any ideas for fundraising events for DAC please email [email protected] or call 02920551040


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APSI Faculty
This year's institute will feature highly qualified College Board-endorsed consultants who will provide resources and share teaching strategies that have contributed to the success of their students. For more information about the faculty and courses, click on the sessions below.
Institute location:
- Waterfront Plaza Campus
- Art & Design (Doug Allen)
- Biology ( Kelcey Burris)
- Calculus AB (Jon Kawamura)
- Computer Principles (Rich Kick)
- English Language and Composition (Sherry Wynn Perdue)
- English Literature and Composition (Rebecca McFarlan)
- Environmental Science
- Human Geography
- Japanese Language and Culture (Yo Azama)
- Spanish Language and Culture (Julio Cabral)
- Statistics (Luke Wilcox)
JON KAWAMURA earned his B.S. in Mathematics from Willamette University and his M.S. in Interdisciplinary Studies from Western Oregon State College. Jon has taught high school mathematics since 1986 and currently teaches at West Salem High School in Oregon. He started teaching AP* Calculus in 1995 and has also enjoyed teaching AP* Statistics.
Jon started scoring AP* Calculus exams in 1999 and has served as a Table Leader for five years. He has worked as a College Board* Consultant conducting one-day workshops since 2004, and has done numerous 4-day AP* Summer Institutes throughout the Western States. In 2008, he was recognized with a Siemens AP* Teacher Award for Oregon. Jon is currently a member of the AP* Calculus Test Development Committee and also was a member of the AP Insight Committee.
REBECCA MCFARLAN is a National Board Certified teacher who for 39 years has taught English on both the high school and college levels. She has 33 years of experience teaching both the AP English Literature, AP English Language courses, and both AP Capstone courses. For the past 17 years she has been a reader and more recently a table leader for the AP English Literature Exam. Currently she teaches at Indian Hill High School in Cincinnati, OH. In addition to full time teaching duties, she serves as district Instructional Leader for grades 9-12 and ELA Program Leader for K-12. She is a College Board Consultant for AP English Literature, AP English Language, and AP Research. Over the past 20 years she has facilitated workshops both nationally and internationally. Rebecca has conducted several workshops in China focusing on both AP and PreAP English curriculum for Chinese students. For the past eight years she has served as a coach and mentor to other College Board consultants. She was recently appointed to College Board's Instructional Development Committee to help develop instructional materials for teachers of AP Literature. Rebecca co-authored the article "Bridging the Grammar Gap: An Interdisciplinary Approach" which appeared in The English Journal in January 2003. In 2004 she received the Martha Holden Jennings Master Teacher award. She developed three online workshops for AP Central, contributed to the AP Literature Mentor materials, and has worked on the development of several workshops.
ERIN REINER graduated from the University of Northern Colorado with her BFA in Visual Arts Education, including one semester taking art history and visual art classes at the University of Hawaii at Manoa. She has been teaching visual arts in public high schools since 2000 in Missouri, Texas, Florida, Connecticut and Colorado. Erin has taught Advanced Placement Art History since 2003 and is also experienced in distance education and virtual high school with the course. Erin was a reader for the AP Art History Exam in 2011 through 2014, became a Table Leader in 2015 and 2016, and then was promoted to Question Leader in 2017 and 2018. Erin started consulting for the College Board in 2014 and has ran four day Advanced Placement Summer Institutes and one-day workshops throughout the country. Erin has also ran art history programs throughout the district and state of Colorado, including organizing tours for art history students at the Denver Art Museum.
Erin loves working with and spreading her passion for art history to others including students in the classroom, adults at workshops, and art historians at the AP reading. Her teaching style is active, fun, and engaging, and she is always trying to expand the art history community. Her main desire is to get AP Art History into as many classrooms as possible, and make teachers and art historians feel prepared and passionate as well. She is constantly developing resources to empower her workshop participants, and shares around 500 files of content in order to help those just starting to teach the course up through those with decades of experience. Personally, Erin tries to travel to view art as often as possible, recent highlights have been walking the Camino across northern Spain in 2017 and visiting Mexico City in 2018. She is very excited to be returning for a second APSI to Hawaii.
KYLE VANDERWALL has taught AP US History for 15 years at Grandville High School in Grandville, MI. Over that span, the program has grown from 40 students enrolled to over 100. He has served the College Board in a number of capacities over the last several years. For the past eight years, he has participated in the AP Reading as both a Reader and Table Leader scoring the Long Essay and Document-Based Question. Kyle has lead numerous one-day and week-long workshops for the College Board in Hawaii, Texas, Colorado, Wisconsin, Minnesota, Illinois, Indiana, Ohio, Missouri, and back to his home state of Michigan. He was also an author of materials for AP US History Insight and the AP Online Professional Development modules, where he focused on developing strategies to help students and teachers understand the historical reasoning skills taught in APUSH. Additionally, Kyle has been an author of ancillary materials for multiple AP US History textbooks. Kyle completed his undergraduate work at Hope College, finished his first Master's Degree at Grand Valley State University and is currently enrolled in graduate study at Western Michigan University in the History Department where he is focused on nineteenth century political party developments and internal migration patterns in the United States. Kyle and his wife Ashley have three children, Theodore, George, and Eliza. They reside in Grandville, MI.
Course Description:
This weeklong workshop will focus on reaching a broad spectrum of background, experience, and confidence in teaching AP U.S. History. The primary goal of the course design will be to introduce new concepts and strategies aimed at helping your students be successful. Throughout the workshop we will spend considerable time analyzing the writing associated with the course and ways that you can help your students stay engaged in that process, while further developing a deeper understanding of US History.
While the writing will take up much of our time together, we will also take deep dives into the course framework, scope and sequence, and information relevant to the new resources provided by the College Board starting in Fall 2019. These new resources will provide teachers with the resources they have been asking for and we will devote time to them so teachers are better equipped to integrate them as part of their instruction. Classroom-ready activities for primary source analysis, secondary sources, and other requisite AP History reasoning skills will be an important part of our week, as well. Participants will also be given the opportunity to examine and score DBQs, LEQs, and SAQs so they feel more confident scoring their students' responses. Our time will be collaborative, active, and it will help refine your understanding of this course. If you have attended this session before, rest assured we will be going over new resources, activities, and strategies germane to AP U.S. History.
LUKE WILCOX is a math teacher and teacher leader from East Kentwood High School. Luke's teaching has been recognized with the Presidential Award for Excellence in Mathematics and Science Teaching and was most recently honored as the 2017-2018 Michigan Teacher of the Year. Each of these awards has provided him the opportunity to visit the White House. Luke has been teaching AP Statistics for 13 years. His students have consistently outperformed national averages with an overall 97% pass rate. He is an AP Statistics Exam reader in the summer and a consultant for the College Board. He has written questions for the AP Exam and just finished writing the Teacher's Edition for one of the widely used AP Statistics textbooks. Along with his colleague Lindsey Gallas, Luke has created www.statsmedic.com, a website dedicated to helping math teachers bring statistics to life.
Course Description:
This workshop will deepen understanding of AP Statistics in a collaborative environment. Big ideas include exploring and visualizing one and two variable data, sampling and experimentation, probability, random variables, sampling distributions, and statistical inference via confidence intervals and significance tests. Simulation is used throughout to increase understanding. We will explore and engage the content through activities that can be implemented immediately in the classroom. Old AP exam questions will be unpacked with a focus on the rubrics used to grade the questions.
SHERRY WYNN PERDUE is a writing center director, a writing and rhetoric faculty member, and an AP English Language and Composition consultant. She earned graduate degrees in English/American Studies (Michigan State University) and Educational Leadership (Oakland University) and attended the School of Criticism and Theory (then at Dartmouth College).
When she is not teaching or consulting with writers, Sherry is collecting data, developing training curriculum, mentoring one of the center's writing consultants, or presenting at conferences. In her fleeting spare time, she is composing a memoir, Married on a Monday—7 ½ Years Later—and other Quirky Tales of an Academic Storyteller.
Sherry's publications on evidence-based research in writing centers, the unique needs of dissertation writers, information literacy, and undergraduate research have appeared in The Writing Center Journal, Education Libraries, Journal of Academic Librarianship, and Perspectives in Undergraduate Research and Mentoring. In addition to composing her own scholarship, she has served as co-editor of The Peer Review, book review editor of WLN: A Journal of Writing Center Scholarship, managing editor of The Oakland Journal, and editor of Re-Visions: Journal of the Women's Studies Program at Michigan State University and The Oil Pipeline Monitor. For the last few decades, she has maintained WriteSpace, her own editing, ghostwriting, and consulting business.


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On Saturday, November 17, Tom Neilson & Lynn Waldron,storytellers & folk singers will be performing at Blue Heron Pond Studio in Brattleboro. Come be inspired. "This is very good music and very good politics." -Tom Paxton
Tom is a story teller who weaves an autobiographical sketch of satire and social commentary from his dairy farm roots to the Vietnam War, civl rights, liberation struggles in Central America and East Africa, boarder crossings pipelines, guns, breastfeeding, parenting, sexuality, reproduction, humanism, lost loves and more... Hear some songs at: http://tomneilsonmusic.com/
His work has resulted in his winnings several music awards that includes two Song of the Year Awards from Independent Musicians and a 2015 nomination for the United Nations Nelson Mandela Awards for lifetime achievement in peace and justice.
Last year he recived the Arab American Women Association Award for Global Education Through Performance Art.
Michael Stock of WLRN Miami, Florida says "Tom does a great job of reminding people of what is really important, and the power of folk music to say it"
Tom will tell you he is just a farm boy with a guitar who likes a good ball game and human rights.
This event is a fundraiser for peace sponsored by GRACE Cares's B4 Peace project, more info at www.gracecares.org.
Tom will be performing with his wife, Lynn Waldron, the 7 pm concert is at 773 Guilford St in Brattleboro. Vermont Storyteller & poet Namaya will open. Contact [email protected] for more info or call 802-254-8084.


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PDC Laboratories now offers Legionella testing!
PDC Labs is the environmental testing lab trusted for stormwater testing in Illinois. Our experts are well-versed in stormwater testing procedures and are dedicated to bringing pertinent and real-time data with regards to stormwater contamination. We have locations in Chicago, Peoria, and downstate in Springfield.
Stormwater is water from precipitation such as rain or melting snow that does not seep into the ground. This water flows from rooftops directly over paved areas, bare soil, and sloped lawns. As stormwater flows, the runoff collects and transports different substances including fertilizers, pesticides, salts, animal waste, various litters, oil and grease, and other potential pollutants. Stormwater testing in Illinois measures the amount of contaminants that are contained in stormwater runoff.
Stormwater testing in Illinois entails predicting when precipitation will be able to provide significant stormwater flow. It is for this reason that timing and preparation are needed in capturing an accurate representative stormwater rainfall sample. Providing timely, high-quality, and accurate stormwater data allows professionals to carefully study the constituents of the stormwater runoff, and identify whether a certain area needs attention when it comes to proper drainage.
PDC Laboratories uses modern, automated sampling and monitoring equipment to provide representative and accurate water quality data. Stormwater testing in Illinois involves an interdisciplinary approach to make sure that pollutants in runoff from surface water do not make their way through nearby water supplies that could contaminate water used for human consumption. We help make sure that runoff is diverted properly without causing any harm or damage to the environment.
You can count on PDC Laboratory's stormwater testing and other services, which include the following:
We have water testing labs in Illinois & Missouri. View our locations here.


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Merlin Photographic
Photography Services
Your wedding day is the biggest day of your life - I will make sure you have beautiful memories to look back on and cherish forever! Merlin Photographic offers only the finest quality wedding photography. If looking for a wedding photographer in Worcestershire, Herefordshire, Gloucestershire, West Midlands or any part of the UK you've come to the right place! I hope you'll enjoy viewing our wedding photography web site but please contact us if you have any questions or to check our availability for your special day.
There are many beautiful locations for your wedding photographs in Worcestershire, most of which I have covered. Depending on your wedding venue and of course the weather on your wedding day, I will suggest some excellent locations for your wedding photographs. Stone Manor Hotel, Stourport Manor Hotel, Clearwell Castle, Dumbleton Hall, Redhouse Barns are just a few of the wedding locations I have worked at. Please contact us for further details of our wedding photography services in and around Worcestershire and Herefordshire.
We are about giving you high quality images at affordable prices. We give you high resolution images on disk or USB memory stick if you choose leaving you free to get your album, prints or canvases made by anyone you wish. We can advise on the best places to go in Worcestershire or Herefordshire to get your images printed in high quality at reasonable prices. We tell the story of your big day with a set of beautiful wedding photographs. Contact us if you have any questions regarding wedding photography packages in Herefordshire or Worcestershire
Kidderminster based wedding photographer - from church weddings to civil partnerships, Merlin Photographic is a well respected wedding photographer who offers a quality and affordable service with a relaxed, friendly and professional approach. Comprehensive wedding photography packages can be tailored to suit your day and photography requirements. Personally designed contemporary and storybook wedding albums designed with your choice of photographs. Disc only wedding photography package also available.
For wedding photography we have a large range of albums with prices to suite every budget. And we also offer a disk-only service for wedding photography. We have worked at many wedding venues across the Midlands including the Stone Manor, Stourport Manor, Grafton Manor, Gainsborough house Hotel, Ramada Hotel Bewdley (now Mercure Kidderminster Hotel), The Granary and many more. We have covered a large number of weddings in Worcestershire, Herefordshire, Gloucestershire, Shropshire and the West Midlands.


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A Different Stay in Madrid
If you are in a situation to experience one of these amazing short stays in apartments in Madrid, there are a number of activities that can make your visit special and different. Therefore, we suggest you some different and original, but certainly fabulous things that this city has to offer.
Would you like to enjoy in flamenco? For starters, flamenco is perceived as a form of colorful and cheerful singing and dancing. In fact, it originated from Andalusian Gypsies, which was expressed through their performance. If what you want is to see and enjoy in authentic flamenco, go to a bar. You will find a lot of these bars in Madrid. Prepare yourself to stay awake until midnight, when you go out to enjoy in a flamenco show in which performers and dancers reflect the passion, power and grace that are contagious. There are purists when it comes to the "true" flamenco, but even for the most demanding tastes there are good places in Madrid, we recommend Casa Patas or the Coral de la Pacheca, but in reality, there are many tablaos in which you can learn and enjoy flamenco in Madrid.
If what you want is to enjoy contemporary art and creation, we suggest you to visit Matadero Madrid. This building, originally a neo-Moorish building, was the center of trade of the city. It has now become a place of contemporary creation, and some of its facilities are la Casa del Lector, la Central del Diseño, una Cineteca, una Nave de Música, las Naves del Español and the ship called Intermediae. The billboard remains diverse and attractive throughout the year. You should not limit your visit only to the traditional museums, as you should take into consideration this interesting proposal.
And if you are looking for gastronomic delight, we suggest you to try out traditional mantecados. The mantecado is a type of pastry or a typically Spanish bun. There are several cafes and bakeries in Madrid that offer them as their specialty. Enjoy the mantecados with cinnamon, almond, lemon or chocolate.
Finally, we suggest you to visit a place that is not the most common among tourists visiting Madrid, which is a shame. You should spend a day (or even a weekend) in the Royal Botanic Gardens. Its structured corridors will delight you with well-tended gardens, which will make you forget you are in a big, cosmopolitan city.
These are just some of the different alternatives available during your short stay in apartments in Madrid, a city that invites you to explore not only the traditional, but the new, the delicious, the exotic and the monumental. Indulge yourself and your family in visiting the city in relaxation and exploring different options offered by this city.


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In-between a busy schedule of duty, Lagos State Commissioner of Police, Edgal Oluwole Imohimi, fielded questions in a 20-minutes interview espousing his strategy for policing the Mega City. In the end, he tasked Lagosians to show more interest in their own security, while complementing the Police Force.
Below are excerpts from the interview:
Q: Can you first introduce yourself?
Ans: My name is Imohimi Oluwole Edgal, and I am the Commissioner of Police, Lagos State.
Q: How has the job been?
Ans: Tasking, but generally quite interesting. Of course, policing is my profession. In other words, policing is what I do. It's a job I have passion for, so irrespective of the challenges that I face in policing a cosmopolitan economic nerve centre like Lagos, I am still forging ahead because I derive joy from what I am doing. Also, I am getting the needed co-operation and partnership from both the government and the people of Lagos State.
Q: What is the crime statistic of Lagos now?
Ans: When I took over as the Commissioner of Police Lagos State sometime in September last year (2017) – I am an officer that believes in statistics because I am an operations officer. I have been Assistant Commissioner (Operations); Deputy Commissioner (Operations), and you know that we keep statistics in operations. Mind you the statistics we have might not be 100 percent accurate because not all crimes are reported, but it's up to 70%. And with 70% you can make analysis and projections. So, between September last year and 15th of January 2018, I can tell you categorically, confidently that the crime rate in Lagos has reduced by well over 35 percent.
Now let's look at the major crimes. Let's take robbery first. Violent robberies, highway robberies, snatching of cars. From our statistics, it's been a long time we recorded any major robberies or snatching of vehicles at gun point in Lagos from September last year. The issue of residential robberies, too, is dwindling, because we adopted the concept of community policing and safety partnership. We recognise partnership as one key element in community policing. I have already put that to action. What I did, especially on the issue of residential robberies, is to insist that communities within Lagos State set up local vigilante groups.
These vigilante groups were already there, but were not cohesive. They were not under any general authority, so they were not effective. So what we have done now is to place them under the DPOs. The operatives were profiled, after which the DPO added armed policemen to them, for patrols at night between 12 midnight and 5am. That is the period that residents are sleeping and they need police protection. That has helped to reduce residential robberies.
The major problem we are having now is cultism and proliferation of drugs; drug abuse. We have started to tackle that at the community level.
I visited Isolo/Mushin area few days ago for a Town Hall meeting. That was the problem they reported to be having. We sat down together to proffer solution to the situation. We designed both short term and long term solutions. We are going to implement all. Recently, we raided, for the first time, the notorious Akala. I ordered a raid on the notorious Akala. Well over 500 hoodlums were arrested. They were forcefully arrested because they were armed and they attacked the policemen that raided the place.
Marijuana and other hard drugs worth over N50million (street value) were recovered from Akala. I obtained a court order and I burnt it at Olusosu.
So we are fighting it. Unfortunately we allowed this problem to fester for too long, to the extent that they have now become a major community problem – cultism, drug proliferation and substance abuse. Small kiosks you see here and there are drug shops – people sell drugs to our children.
But what I am telling community leaders, religious leaders, ethnic leaders and other eminent persons within our society is that, we must take our community back from hoodlums.
These leaders must partner with the police to do so. Don't forget that the community dwellers naturally know their people more than the police. They are the people that know where all the drug joints are located. That's why I believe in partnership.
Q: Talking about partnership, how are you relating with other security agencies?
Ans: We are relating very well. Yesterday we had the Lagos State Security Council meeting. That council is chaired by the governor. Membership of that council consists of the Police, Army, Air Force, Navy and the DSS.
The purpose of having that meeting on a monthly basis is to review co-operation among security agencies; reviewing the joint task forces that we have already, and forging new partnerships.
In so doing, we create channels, process and share information; turn them to intelligence for appropriate actions. In fact, that's the secret behind the peace in Lagos.
So we have clear, demonstrable and functional partnerships between all the security agencies.
For example, when we had the problem of fuel tankers blocking major roads in Lagos – Apapa-Tin Can axis; the hue and cry by people in that area and all that, we sat together in the Lagos State Security Council meeting and formed a Task Force which had all the security agencies. I co-opted the traffic agencies such as LASTMA, and FRSC officials to join the Task Force. You can see that they have brought the situation to a tolerable level.
In our fight in Ikorodu, I have been sharing intelligence, and most times doing practical activities with the DSS operatives. Once in a while, the military joins us. So it has been a joint effort of all the security agencies.
Of course, the police will always be at the forefront, because we are in charge of internal security, but have the needed co-operation from other security agencies.
I think what is going on in Lagos should be replicated everywhere in this country. In modern day Nigeria, and with the dynamic nature of crime, no agency can do it alone.
Q: Professionally, what do you do with a tip off?
I have started another round of Town Hall meetings. I have been declaring it everywhere I go, that it is 'Operation Know Your Neighbour'. The basis of Operation Know Your Neighbor is to encourage citizens to pass on credible information to the security agencies. So basically, tipoff is about passing on information. That's the bottom line.
I've come to realise that people are not taking the desired interest in their security. They are not particularly concerned about how their communities are being policed. It's only when there is a problem that you hear them cry out. But these problems started bit by bit, until they blossomed.
So, we must confirm any information, any tipoff we get from members of the public. Without prejudice whether it's genuine, correct or not, we verify every information we receive. We try as much as possible to confirm any tipoff we receive. That is the strategy in Lagos now.
Q: What' your operational supervision arrangement at the Divisional and Area Command levels?
Ans: Another very important aspect of what you do to ensure that you succeed in crime fighting has to do with levels of supervision. In the Force today, we have various levels of supervision. On the field, you have the office of the Area Commander. It is his responsibility to supervise the divisions under his Area Command.
So in Lagos now, every night an Assistant Commissioner of Police who is an Area Commander is the Command Incident Duty Officer. It is his responsibility to mobilize the Area Command Incident Duty Officers who are themselves the Divisional Police Officers. It is a rotational arrangement amongst them within that Area Command.
It is the responsibility of the Area Command Incident Duty Officers to now supervise the Divisional Incident Duty Officers. I structured that arrangement because I realized that from the Headquarters, we will be deceiving ourselves to think that we can effectively police the State. No, that's not possible. I mean, where will you start from? Is it Epe, Badagry, Ikorodu or where?
So, you must get the officers involved, and that's what we have done.
What has that translated to? At the end of his tour of duty, the Assistant Commissioner of Police who is the Command Incident Duty Officer will file a report to my office. That report will show that he visited ABC Pin-down Point, XYZ Division; he made the following corrections. And where he sees a serious matter that requires my attention, he underlines it for emphasis. If he cannot send me a hard copy report, he must do so via text message or WhatsApp message. In so doing, our men a closely supervised. But I did not end it there, because I believe that supervision should not be left for us alone.
We have also instituted Community Policing and Safety Partnership, which is anchored on trust and confidence. You cannot build partnership with people who had lost their confidence in you. At a point – except we are deceiving ourselves – the police actually lost the trust and confidence of members of the public, for many reasons. In Lagos we are building it up. In all the Town Hall meetings that I have been attending, you need to see the crowd that has been turning up. They want a reassurance that, 'we can work with you if you people will be professional in your conduct'.
So what I did was to set up a Citizens Complaints Hot Centre. As Assistant Commissioner of Police here, I had approached Governor Ambode and requested for an Intelligence Laboratory, because Lagos did not have Intelligence Lab where information could be processed and converted to actionable Intelligence.
The governor graciously provided us space at the Government House in Alausa, where we set up the lab.
I have also set up what I call Citizens Complaint Centre. In that Center we have 10 dedicate hotlines and I have been going round the State giving out those telephone numbers to members of the public. Those numbers are for members of the public to report Police misconduct, misbehavour and unprofessionalism.
So, if you go to the police station to report an incident and a junior rank there takes you to one corner and says bring money before the incident is taken. Don't argue with that policeman, just step aside and call any of those 10 numbers to report the matter.
To make it easier, in that Citizens Complaint Centre, we have duty officers who speak the major languages – Yoruba, Igbo, Hausa, and of course, English Language. So if you cannot speak English, there is always somebody to attend to you in any of those Nigerian languages.
Q: What motivates you?
Ans: Passion for policing. I've always been passionate about policing. I believe that everybody has his core area of interest. Mine is policing.
When I graduated from the university and completed youth service, my family asked me what I wanted to do next. I told them I wanted to join the Police Force. Everybody was a bit taken aback. That was about 31 years ago. Then, there were opportunities in several other sectors – banks and so on and so forth.
So, I have a passion for police job. I didn't come into the Police Force by accident. That's what has been keeping me going.
Q: How do you unwind?
Ans: I play golf, and I like dancing.
Q: What type of music do you like?
Ans: Every type of music. But I prefer upbeat music, be it secular or religious – it all depends on the function or the location.
Q: Before we started, you tried to say something about religion. What was that you wanted to say?
Ans: No, it's your partner who said it seemed that I was using juju to catch cultists in Ikorodu and I said that the biggest weapon of a policeman is his holy book – Bible or Quran, depending on his faith. This our uniform has immunity from whatever juju you can think of. If any principality should fear anything at all, it should fear the authority in this uniform.
Gratitude: I want to thank the government and people of Lagos State for the support they are giving me, my officers and my men. Truly, without their support, we will not record the successes we are currently recording.
Secondly, I beg Lagosians to continue to remain vigilant. Where they see something untoward, they should say something.
And finally, like I told them in the Town Hall meeting we held in Area G. I asked them a question, and I believe I have challenged their consciences: Do you know your neighbour?


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More At:http://www.fool.com/News/mft/2003/mft03053004.htm?ref=btpRocky Road for Detroit's Big Three By LouAnn Lofton (TMF Bling)May 30, 2003 The big three U.S. automakers -- General Motors (NYSE: GM), Ford (NYSE: F), and DaimlerChrysler AG's (NYSE: DCX) Chrysler division --report their May sales this coming Tuesday. From the looks of it, many people skipped their chances to cash in on fat rebates or zero-percent financing, leaving the automakers in the uncomfortable position of weighing the costs and benefits of even deeper incentives.Incentives during the first two weeks of May averaged $4,400 a vehicle, according to an article on USAToday.com. That's an astonishing amount -- but it doesn't seem enough to entice buyers. Did American auto shoppers listen to our own Robert Brokamp, who detailed the pitfalls of such "deals" early last month? Perhaps...
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Student computer accounts allow access to UFV computers and network files while on and off campus. Access to any computer on all campuses is restricted to currently registered UFV students.
Appropriate Use of Computing and Network Resources (14) is the policy that governs your use and access to UFV computers and network. When using computers, please follow any posted rules or regulations in labs and report inappropriate computer use to IT Services.
Please, also be aware of UFV's copyright rules when photocopying.
|Fall / Winter
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|Sun 12-6 pm
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You can print or photocopy using your Campus Card. Load money to your card at the Campus Card office, Library PHIL station or the Abbotsford or Chilliwack UFV Bookstore.
IT Services lab monitors take part-time shifts in the fall and/or winter semesters at the Abbotsford G210 drop-in lab as well as at the Abbotsford and Chilliwack library labs.
In the summer semester, limited shifts are available at the Abbotsford G210 lab.
Learn more about the IT Computer Lab Monitor position and application process.


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1. Wilson JE, Pendleton JM: Oligoanalgesia in the emergency department. Am J Emerg Med 7:620, 1989.
2. Jantos TJ, Paris PM, Menegazzi JJ, Yealy DM: Analgesic practice for acute orthopedic trauma pain in Costa Rican emergency departments. Ann Emerg Med 28:145, 1996.
3. Reichl M, Bodiwala GG: Use of analgesia in severe pain in the accident and emergency department. Arch Emerg Med 4:25, 1987.
4. Jones JS, Johnson K, McNinch M: Age as a risk factor for inadequate emergency department analgesia. Am J Emerg Med 14:157, 1996.
5. Todd KH, Samaroo N, Hoffman JR: Ethnicity as a risk for inadequate emergency department analgesia. JAMA 269:1537, 1993.
6. Lewis LM, Lasater LC, Brooks CB: Are emergency physicians too stingy with analgesics? South Med J 87:7, 1994.
7. Paris PM: No pain, no pain. Am J Emerg Med 7:660, 1989.
8. Sacchetti A, Schafermeyer R, Gerardi M, et al: Pediatric analgesia and sedation. Ann Emerg Med 23:237, 1994.
9. Menegazzi JJ, Paris PM, Kersteen CH, et al: A randomized, controlled trial of the use of music during laceration repair. Ann Emerg Med 20:348, 1991.
10. Ward KR, Yealy DM: Systemic analgesia and sedation for procedures, in Roberts JR, Hedges JR (eds): Clinical Procedures in Emergency Medicine. Philadelphia, WB Saunders, 1998, pp 516-531.
11. Bailey PL, Pace NL, Ashburn MA, et al: Frequent hypoxemia and apnea after sedation with midazolam and fentanyl. Anesthesiology 73:826, 1990.
12. Wright SW: Conscious sedation in the emergency department: The value of capnography and pulse oximetry. Ann Emerg Med 21:551, 1992.
13. Council on Scientific Affairs AMA: The use of pulse oximetry during conscious sedation. JAMA 270:1463, 1993.
14. Szeto HH, Inturrisi CE, Houde R, et al: Accumulation of normeperidine, an active metabolite of meperidine, in patients with renal failure of cancer. Ann Intern Med 86:738, 1977.
15. Hupert CP, Yacoub M, Turgeon LR: Effect of hydroxyzine on morphine analgesia for the treatment of postoperative pain. Anesth Analg 59:690, 1980.
16. Chudnofsky CR, Wright SW, Dronen SC, et al: The safety of fentanyl use in the emergency department. Ann Emerg Med 18:635, 1989.
17. Rosow CE, Moss J, Philbin DM, Savarese JJ: Histamine release during morphine and fentanyl anesthesia. Anesthesiology 56:93, 1982.
18. Wright SW, Chudnofsky CR, Dronen SC, et al: Comparison of midazolam and diazepam for conscious sedation in the emergency department. Ann Emerg Med 22:201, 1993.
19. Swanson ER, Seaberg DC, Mathias S: The use of propofol for sedation in the emergency department. Academic Emergency Medicine 3:234, 19
20. Chudnofsky CR: Group TEMCSS: Safety and efficacy of flumazenil in reversing conscious sedation in the emergency department. Acad Emerg Med 4:944, 1997.
21. Sklar DP: Joint commission on accreditation of healthcare organizations requirements for sedation. Ann Emerg Med 27:412, 1996.
22. American College of Emergency Physicians: Clinical policy for procedural sedation and analgesia in the emergency department. Ann Emerg Med 31:663, 1998.
23. Task Force on Sedation and Analgesia by Non-Anesthesiologists: A report by the American Society of Anesthesiologists task force on sedation and analgesia by non-anesthesiologists. Anesthesiology 84:459, 1996.
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This guide will help millions of people understand this condition so that they can take control of their lives and make informed decisions. The ebook covers information on a vast number of different types of neuropathy. In addition, it will be a useful resource for their families, caregivers, and health care providers.


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Sea Shells On The Seashore
This course has no current classes. Please the waiting list.
Do you love sea shells and fossicking at the beach? Got a collection of shells at home gathering dust? Join us and create a beautiful mosaic shell mirror, picture frame or sculptural object. Inspired by her recent trip to Germany, Virginia visited some of the extraordinary shell grotto palaces and is bursting with sea shell creativity to help you bring your ideas and pieces to life. Materials provided or bring your own treasures to play with.
Virginia will supply mirror, wooden frames and seashells but if you have your own collections gathering dust please bring them along.
What to bring
- Own refreshments and lunch
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text: Hey everyone! We're finally back! It's been a though year for us and to make it even worse we lost the previous domain (the.com one) and we had to move to another host and start everything from scratch! We're currently uploading all the photos to the Gallery so in a few days you'll be able to navigate through thousands of Merritt photos. As for the Ravenswood screencaptures, those were lost so we'll have to re-do them but no worries we will! We're so happy to be back and so excited for Merritt's upcoming series The Royals that was already picked up for a second season!


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A Book Review on any BookOne book review of each book
The 3 faults of my live
The first thing you notice about Chetan Bhagat's books is the fact that this writer is writing about Indians and for Indians. Bhagat's new and third book "The 3 Errors of My Life" has all these characteristics. He has Govind as a hero with his love and astuteness for account and dealings, Ishan, for whom crime is the key factor in his live, and Granny, the child of a clergyman and faithful companion, who is prepared to do whatever his boyfriends play for.
This book is built on actual occurrences. Dramatically enough, Bhagat received an e-mail from Govind, who had taken many tablets and wrote to him while he waited for the hug of the fatal insomnia. This book is loose on the three errors Govind made in his lifetime.
The next thing is a mixture of crime, faith, business, affection and fellowship. With the help of Granny's familiy, he and his buddies set up a sport store on the grounds of the Shrine. As Ishan trains young guys in crime and Ishan' s brother Vidya, who also conquers his hearts, is teaching mathematics, the store thrives.
Ali, a children's champion, then encounters Ishan with a hyperreflex conditioning that makes him shoot every single shot for a six. Muhammad Ali shows the talents Ishan never had and Ali's fate becomes his own. Gran nymphs die and saves Ali and Ishan learns of Vidya and Govind, a treason he does not forgivethe.
Those incidents led him to his deathbed and that is when he wrote the e-mail to Bhagat. Not when the New York Times calls him the best-selling English-language novelist in the land, or when he exceeds the sought-after number of two million bookstores, but when someone decides to recall him in his final moments, then it goes beyond the wild.
"The" 3 faults of my life" is simple and has the qualities that make you want to see the book jacket in one session. This book's price is just right for the right group - youngsters. Like Bhagat's former "One Nocturnal @ Call Center, this book also has the Masala, the emotions and the tempo to turn into a possible rock-bus.


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Seeing the elephant
How a centuries-old parable improved our product design process at MailChimp
Recently I was walking through the office at MailChimp when our CEO, Ben Chestnut, approached me. "How's it going, Todd?", he asked. "Design team doing well? Working on new things?" I responded by offering a progress report on all the various projects the product design team was currently working on.
"Sounds good," he said. "But remember…make sure everyone can see the elephant."
I responded with a blank stare.
Elephant? What elephant? We may have a fondness for primates and certain household animals, but elephants were completely new. After some quick Google searching, I found what he was referring to.
Ben's "elephant" was an allusion to a centuries-old parable you can find in multiple cultures and religions. You may have heard a version of the story at some point in your life, but here's the general idea.
An elephant is surrounded by a group of curious blind people. Each person is touching a single body part — trunk, tail, ears, and so on.
The group gets together thereafter, compares notes, and are shocked by what they find. Everyone has a different impression of the elephant. The descriptions offered by each participant is completely different. As a group they're incapable of describing the elephant because no one is able to see every part.
To put this story in terms of software, the elephant is the product. Each blind person is an individual or team responsible for a particular part of the product (e.g., accounts, billing, on-boarding, integrations, etc). The more complex the product, the bigger the elephant, the more magnified the problem.
Spreading the elephant
Following my impromptu interaction with Ben in the hallway, I couldn't escape the elephant. I kept thinking about it, rehashing its cautionary tale, and marveling at how perfectly it captured our quest for cross-team design consistency and awareness.
I shared the elephant story with all the designers on my team. The story also spread to other departments inside MailChimp. Within a couple of weeks I found myself in meetings hearing other people talking about "the elephant".
The elephant story "stuck" — as the Heath brothers would say — because it took an abstract idea and wrapped it with a clever, visual narrative.
Seeing the elephant
Getting back to the original question, what prompted the elephant story in the first place? My answer to our CEO's question was focused on deliverables, deadlines and roadmap Gantt charts. All fine and good, but in his world those were all givens. For him the greater challenge had less to do with detail and more to do with our goals as a business and the overarching user experience of our product.
Meaning, if everyone on the design team is working on a particular part of the product, how do we avoid working in isolation? How do we ensure our product has a consistent, clear experience through and through? How do we ensure one designer isn't working on something that conflicts with the work of another? How do we encourage designers normally focused on detail to think more broadly to help identify opportunities and generate new ideas?
The product design team at MailChimp continues to explore solutions, but here are a few things we've been trying.
- Draw the elephant — As obvious as it sounds, before anyone can describe part of the elephant they have to have a mental picture of the elephant itself. What is our overarching business strategy for the future? How do we intend to grow and expand our customer base? How does our product compare competitively, and how do we intend to expand the product to meet customer needs? Where do we see ourselves in two years, or more? Who is responsible for answering these questions is less important than ensuring everyone is able to answer them. Nobody is expected to keep every moving part in their brain, but everyone should at least be able to describe the elephant's outline.
- Encourage openness and visibility —For many designers, submitting incomplete work to a public forum can be painful. It's incredibly easy (and I speak from experience) for a designer to confuse the value of their creative output with how they are valued as an individual. Like any creative field, design is messy, frustrating, and open for personal interpretation, so designers tend to keep work under wraps until their confidence is sufficiently strong to withstand blowback. That's okay in late-stage design phases when details matter, but too much fidelity too early can be detrimental to ideation and exploration. Create open environments and opportunities for large and small collaborations. Ideas generated for one area of a product may solve a design issue in another.
- Fully utilize prototyping and communication tools —Design teams today are drowning in tools. It's an embarrassment of riches. The challenge facing most teams today is figuring out which tool or combination of tools allows everyone to see and discuss the elephant and all its requisite parts. At MailChimp we've been trying a variety of tools, and thus far have been relying on Invision prototypes and boards, as well as communication channels like HipChat and Slack to notify everyone on the team of changes, updates and comments. These spaces and channels offer persistent cross-team collaboration while also providing senior leaders and managers visibility into our process.
- Schedule repeat design critiques and stand-ups — Digital tools and devices are helpful, but nothing beats personal interaction. Schedule as much time as possible (without it becoming disruptive) for people to share work and be exposed to what's happening outside their immediate purview. Try to find the right balance of scheduled team meet-ups in addition to smaller collaborative sessions that benefit from fewer participants.
- Watch for patterns, overlaps and dependencies — When design ideas are shared, encourage everyone to follow the invisible breadcrumbs lurking underneath. Does this idea overlap with another? How will these modifications affect external dependencies? What will need to be edited, added or removed in order to support this new approach? Chasing rabbit holes to their termination point may be time consuming, but are absolutely necessary to ensure what's good for one section of a product doesn't harm another. If someone spots a design change that affects their work, encourage them to speak up, ask questions, and work together to find a solution.
- Involve engineering early and often — Pretty prototypes and mockups aren't worth a damn without solid back-end engineering. Everything may as well be vapor. At MailChimp we've structured our product teams in such a way so designers collaborate amongst themselves and with engineers to inform and improve the design process before a single line of code is written. This ensures design ideas are not only technically feasible, but scalable. By the time a design is marked "complete" the engineering team has been involved every step of the way.
- Keep an eye on the horizon — It's easy to get caught up in what's happening in the day-to-day slog. Throughout the ideation process, encourage yourself and those around you to question whether the work you're creating is contributing towards the product's broader goals and initiatives. Ask yourself how much functionality is truly necessary — from a design, user experience, and engineering perspective — to meet your short term objective without ignoring your more complex, long term product goals.
By now the elephant and I are great friends. Not a day goes by without someone (including me) bringing him into a conversation. The real takeaway from this story — for me anyway — is how powerful goals can become when they're wrapped with some kind of mental hook. Like an advertising jingle you can't drop, or a catchy chorus that keeps looping in your brain, the elephant story stuck and brought everyone together.


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If there is one genre that has made a serious impact on UK underground music through it's revival in 2018 it has to be UK Funky, which through a combination of inclusions from top selectors and an internal need for more rhythmic influences within the scene has become a major influence across multiple underground genres.
You can quite easily compare the rise of UK funky to the rise of afrobeats and UK dancehall within the pop circuit, both of which rely on similar rhythmic expressions and vibrant percussive sections to give their overall compositions that extra zip of energy.
This rise in funky has led to a number of previously undersung producers moving to move of the forefront of the underground spectrum, influencing and energizing the scene around them as they go. There is no question that bassline as a genre is now starting to feed off the lively vibes of funky that have been injected into the scene, with more and more intricate drum loop designs and breakdowns finding their way into what would previously be kept as flat 4×4 rhythms.
One producer we feel has had a majorly positive influence on the scene for a multitude of the above reasons is none other than Ali McK, who's tireless work both behind the scenes and at the forefront have granted him respect and acclaim in the underground. Ali has without doubt been an influential face within the Lengoland online community, as well as being one of the head honcho's behind the incredibly forward thinking 'Articulate Sound', a label we have been major fans of since first saw it appear on the scene.
Ali himself as a producer is often found in the company of IYZ, another solid talent who's recordings are also pushing him to the top of the tree, bringing the pair some serious recognition in recent times. We recently covered the latest Articulate release which was entitled 'Articulate Flavours, Vol. 1', which you can read HERE
For now however, we are very happy to have grabbed Ali for an official charted listing, in which he lays down his top 10 tracks to play in the dance right about now.
Retrospect – Huntsman
These boys have only been making music together over the past year or so but they've smashed it from the get go, ones to watch for sure.
Doc Zee – They Don't Know
Another favourite of mine, Doc did wiley so much justice on his funky flip of Colder, sick to see it go out with the 1Forty guys too.
Distro & Negativ – Safari Brawler
All I can say about this collab is wow, the colab I didn't know I needed.
SNØW & Murder He Wrote – TBC
This one from these two is all types of mad, taken off MHW's brand new label 'Rhythm Athletic' he smashed it with this and the whole release too.
TSVI – The Cobra's Dance (ft. Luru)
TSVI is very well known for his drum fuelled tracks with weird analoguey techno influences but his latest album truly shows how sick he is, this one being my favourite if I had to choose.
Dismantle – Absorbed
I think More Time was probably one of the most consistent record labels in 2018, same for Dismantle in terms of quality too, pure heat.
Killjoy ft Shantie – Voices In My Head
When I first heard about this one I was mad excited to listen to it and it didn't dissapoint me one bit, everything you'd expect from these two legends and again put out by the big bad 1Forty.
Roska & Jammz – Don't Get Gassed
Love this one a lot, classic Roska vibes sprinkled with a nice Jammz flow.
Fork and Knife – Robotto
A perfect example of someone whos 'found there sound' right here, grimey/bassy/funky/tribal all in one with the F&K twist, always goes off in the dance and was so sick to hear Killa P go over it.
J.Kong – Duplicate
One of my favourite Articulate free downloads over the last part of 2018, sick drum beat coupled with huge 808's and choppy vocals.
Words: KXVU
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|Hayate in Danger! Complete Shutdown!!
|Episode Info
|Theme Song Info
|Episode Navigation
Hayate no Gotoku! Episode 38, title name as Hayate in Danger! Complete Shutdown!! (危うしハヤテ!機能完全停止!! Ayaushi Hayate! Kinō Kanzen Teishi!!?) aired on December 16th 2007, the English Animax dub aired on August 3rd 2009.
In Superintendent Kirika's lair, with all of the decorations for Christmas, Shion tells Kirika about some rumor that she had heard, then Kirika realized that she had all her wishes came true, except for one wish, in which she still wants Hayate. Meanwhile from far away, there was a mysterious person eating a banana. After the opening sequece, it was Christmas Eve, as Hayate, Maria, and Nagi were about to go to a Christmas party, but when Hayate wonders if Nagi is busy playing games, Maria tells him that Nagi shouldn't be playing on that day, because she knows that Nagi participated one year ago. Maria handed Hayate over the invitation from Mikado that she received, and as he looks at it, the invitation says that if Nagi doesn't participate, Mikado will send her embarrassing picture to the whole world, and that picture shows Nagi with her little cute black dress while holding a teddy bear. So Nagi had no choice but to participate since she fell into a trap. When Hayate looks closer at the picture, it shows a mysterious butler-like person, which Maria tells him that he was Nagi's former butler, Himegami. And then, Nagi appeared, with a coat that Hayate lent her before.
Nighttime has arrived, and the Christmas party, hosted by Mikado, was about to begin, and Mikado raised a toast to everyone's Christmas celebration. The party guests happened to be the relatives of the Sanzenin family, and Nagi tells Hayate that she snuck out of the party in order to meet him. Just then, Sakuya appeared and she tells Nagi that she can at least enjoy the party, and after Hayate made a Christmas joke, he stops her from getting hit by a paper fan. But suddenly, Gilbert appeared under the table and wants Hayate to lose to him by another year, since he became persistent. Hayate remembered the other day that he told Gilbert that anyone who wants the Sanzenin estate must defeat him first. Mikado walked to Hayate and asked him about his meaning of his life, while Gilbert wants Mikado to give the estate to him, until Sakuya called her butlers and took Gilbert away. Hayate responded to Mikado that he had his debts to Nagi, until Nagi tells Mikado to stop criticizing to Hayate and she takes Hayate out of the party. But before they left, Nagi gave Maria a present, since she knows that it's her birthday, although it is unexplained about it. Maria knows in her mind that Nagi still got a lot to learn before she truly loves Hayate. Meanwhile at the Loser Park, Nagi tells Hayate to not let Mikado get to him, and also that it hasn't snowed for a year. Nagi still remembers about last year and realized that the time has come for Hayate to accept her feelings. As Hayate talked about the starry skies, Nagi attempted to kiss Hayate on his mouth, but then, she was interrupted by an unknown noise. An unknown enemy appeared out of nowhere and he introduced himself as "Cyborg Butler", the last of the Dark Butlers. While Nagi wants to know about the confrontation between Hayate and Cyborg Butler, Cyborg Butler began to attack the both of them, only for Hayate to save her from the attack. Cyborg Butler attacked again and he punched Hayate in a face, and when Hayate was about to fight back, he suddenly became paralyzed by Jormungandr's glare. Hayate and Nagi were then confronted by Superintendent Kirika. Shion grabbed Nagi out of nowhere and Kirika used her snake spell to attack Hayate, by kissing him off screen while he was bitten by Jor. As Hayate got up, Cyborg Butler succeeded to hit Hayate, but Hayate was trying to fight back. Unfortunately, Cyborg Butler finished Hayate off with his ultimate attack. And then, Hayate fell to the ground, and he lost the battle. Shion took a picture of Kirika and Cyborg Butler on top of the defeated Hayate, and when Kirika tries to tell Hayate about a picture, she went to buy more sweets. As Shion follows Kirika, she ordered Cyborg Butler to finish Hayate with his giant golden hammer, while Nagi tries to save Hayate. Suddenly, Hayate and Nagi were saved by a mysterious butler. When Cyborg Butler was going to use his final attack, he tried to run away, until he got blasted by a mysterious butler. As Hayate passed out, Nagi knows that the mysterious butler happened to be Himegami, but he hid his identity known as "Princess God", though she still knows who he is.
At Hayate's dream, his parents appeared and they don't believe he is a butler. Hayate woke up and Nagi and Maria were worried about him not waking up. Hayate felt bad about letting Nagi down about the other night, but Nagi understood about everyone having bad days. Just then, Himegami was on a chair while Klaus yells at him about his banishment as a Sanzenin butler. Nagi woke Himegami up by hitting his head, only for him to hit her back. As Himegami tried to hide his identity, everyone knows who he really is, even with a mask. Maria tells Hayate that Nagi and Himegami were always fighting each other. Hayate made a tea for Nagi and Himegami, but when Nagi tried to drink the tea, she tells him that it's way too hot it burns her tounge. Then, Hayate accidentaly drops a hot water to Himegami, and when he dries him up, Hayate's mistakes were just begun. Hayate messed up his cleaning, his cooking, a bamboo collection, and he was getting lost while he was headed back home, which disappoints Klaus. Elsewhere, Ayumu starts to sell the Christmas cakes in a box, and when she got the feeling that something terrible happened to Hayate, a bunch of Christmas cakes in a box fell on her. Moving back to the mansion, Maria and Nagi want Hayate to take a day off, but when Hayate still wants to work, Nagi tells him that Maria will take care of the chores, so Hayate walked away. Nagi asked Maria if she is incapable of cheering Hayate up. Outside of the mansion, Hayate still wonders what is happening to him, Himegami appeared and he explains it to Hayate that Superintendent Kirika drained his butler powers during his battle. As Himegami threw Nagi's manga right in front of Hayate, Hayate asked him that did he watched over Nagi. Himegami explained to Hayate that Nagi is sad because of him and that he can no longer protect her, so he punched him in a gut so that Hayate must realize that he is weak. Before he left, Himegami then tells Hayate to leave the mansion.
Later that night, Hayate went back to his room and looked an envelope that was on his desk, and when he opened it, he saw a picture that he feared about it. Then, Maria asked Hayate if he can join her and Nagi for a tea, but when Maria entered Hayate's room, he wasn't there and she saw a letter of resignation, which means that Hayate resigned as Nagi's butler and left the mansion, in order to keep Nagi safe. What happens to Hayate remains unknown.
New Characters
- Cyborg Butler
- Akane Himegami (fully shown)
Cultural References


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