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The fifth annual Musica Sacra St. Louis conference will explore "The Beauty of the Mass Ordinary" and "English Language Adaptations of the Mass Propers". Instructors include Dr. William Mahrt, Associate Professor of Music at Stanford University; and Dr. Horst Buchholz, Director of Sacred Music, Archdiocese of St. Louis.
The conference is open to all who have an interest in the history and application of music in the liturgy; music directors, choir directors, singers, liturgists, priests and deacons, religious, seminarians, etc.
For more information, click on the image, or grab the flyer, or read more at the Archdiocesan Office for Sacred Music, or call 314-614-7702.
Various publications in the past few years attest to a growing interest in the office of Compline, including Kenneth Peterson's Prayer as Night Falls: Experiencing Compline and The Song of Prayer: A Practical Guide to Learning Gregorian Chant. These, and other resources, will be part of a Paraclete Press table at the August 22-23 Gregorian Institute of Canada colloquium, itself dedicated to the office of Compline.
In addition to chant, workshop sessions will also introduce lesser-known but beautiful Compline-oriented polyphonic works, including a Salva nos by Palestrina. For more information about the colloquium, held in Regina, Saskatchewan, see www.gregorian.ca. The registration deadline is August 15, 2014.
Chant expert Scott Turkington is preparing a summer chant program for high-school students in July. Here's the news:
The summer of 2014 . . .
marks the 50th anniversary of the founding of the Church Music Association of America and its journal Sacred Music. This will be the focus of celebration at Colloquium XXIV in Indianapolis, June 30–July 6, 2014.
It is not as if this were a new society, even then, far from it. It was an amalgamation of the Society of St. Cecilia (1874) and the Society of St. Gregory (1913). In view of the importance music played in the Constitution on the Sacred Liturgy from the Second Vatican Council, church musicians of the two societies saw the need to join forces to take advantage of the directions the council had indicated for the integration of the treasury of sacred music with substantive participation of the people in the sacred action: the great heritage of Gregorian chant and classical polyphony should enhance the participation of believers in the action of Christ in the Mass, and this should form a precedent for the composition of new sacred music. And so at a meeting in late September 1964, at Boys Town, Nebraska, members of these societies together established the CMAA as a continuation of their groups.
Soon after, new directions in Catholic Church music emerged that were not entirely in accord with the prescriptions of the council: the use of styles borrowed from popular music and so-called "folk music"
Did you know you can receive graduate credit through Duquesne University's summer music program for participating in the 2014 Sacred Music Colloquium or summer Chant Intensive?
See the complete listing of all Duquesne's summer program's credit courses here.
Get complete details on the summer Chant Intensive. Registration ends May 1.
Get complete details on the Colloquium. Early-bird registration (with significant price discount) ends March 31.
Perhaps you are wondering why you should attend a Chant Intensive course.
Here is the goal of the course:
To develop the theoretical and practical skills necessary for Gregorian chant performance. As a participant in the Chant Intensive course, you will understand basic Gregorian chant theory according to the Solesmes and other methods, and be able to transfer this knowledge from the written page to live performance as a singer or conductor in liturgy.
This course is where you can learn how to be an effective singer and/or conductor of chant for your own program wherever you live. Since Vatican II, it is not so easy to find a chant expert in your hometown. Learning the finer points of singing and/or directing chant is a lonely goal if you don't happen to be lucky enough to have a teacher near you. This course allows you to gain the knowledge you need to either sing in a schola or start your own chant group as a director. Whether you just want to be able to sing the new English Missal chants effectively or you want to work toward the goal of singing the Latin propers from the Graduale, this course is for you.
While offering much information about the theoretical concepts, the course is geared toward live performance of chant. You will learn:
1. Reading the four-line staff ● Clefs ● Principles of Solfege ● Basic Neumes ● More complex neumes ● Bar lines
2. Introduction to Chant Rhythm ● Solesmes Method history and application ● Principles of Arsis and Thesis ● The Ictus ● Counting ● Alternative approaches Semiology overview
3. The Gregorian Modes ● Basic Modal structure: Finals, Dominants, Ranges ● The Major Modes ● The Minor Modes
4. Mass Ordinaries ● The Kyriale ● Mass settings in English
5. Mass Propers ● The Gregorian Propers ● English Alternatives
6. The Art of Psalmody ● Antiphonal singing ● Pointing the Psalms
7. Chant Hymns ● Singing the Divine Office
8. Mass preparation for June 12, 2014 (Duquesne University Chapel, 5:00pm) ● Ordinary of the Mass (Mass TBD) ● Propers for the Solemnity of Pentecost
Textbooks include the Gregorian Missal (Solesmes) and the Parish Book of Chant (CMAA).
If you have put off making the trip to take this course in the past, make this the year for intensively studying chant. Registration for Summer Chant Intensive is still open, so register today. The dates for this year's Summer Chant Intensive are June 9-12, 2014. The course will be held again at Duquesne University, in Pittsburgh. For more information about the instructors and details regarding registration, visit this page.
Details about college credit through Duquesne University's music department are available here. If you have other questions, write to us.
Registration for this event is now closed. For more information, write to us.
The CMAA Chant Intensive, now in its seventh year, is intended for beginning and continuing students and all who love and appreciate the central role that chant plays as the prayerful song of the Roman Rite – not only at cathedrals and Basilicas but also in every parish. The conference will both train and inspire toward the goal of continuing the renaissance of sacred music in our time, both in the ordinary and extraordinary forms of the Mass.
The Chant Intensive lives up to its name: though no previous experience with chant is required, attendees should be prepared for full immersion from the get go. You will learn or review how to read and fully navigate all aspects of traditional Gregorian notation (square notes). The course will also address correct Latin pronunciation, the sound and mystery of the eight Church modes; Psalm tones and their applications; questions concerning the rhythm of plainsong, and more.
Summer Chant Intensive 2014 will return to the Mary Pappert School of Music at Duquesne University in Pittsburgh, PA. Sessions begin on Monday afternoon, June 9, 2014, and will conclude with sung Mass in the University chapel on Thursday evening, June 12th.
The course will be taught by David J. Hughes (Men), St. Mary, Norwalk, CT and Arlene Oost-Zinner (Women).
DAVID J. HUGHES is Organist & Choirmaster at St. Mary Church in Norwalk, Connecticut, where he directs a professional choir for a weekly Solemn Mass in the Extraordinary Form of the Roman Rite (Missal of 1962), a volunteer choir for the Latin Mass according to the Roman Missal of 2002, and several children's choirs.
He led the St. Mary's Student Schola to sing chant and Renaissance polyphony for the primary English-speaking Masses in August 2011 at World Youth Day in Madrid; the students also sang for pontifical Masses at the Cathedral of Toledo, Extraordinary Form Missae cantatae at the Carmelite monasteries in Avila and Madrid, and for the Latin Masses sponsored by Juventutem.
Mr. Hughes is a member of the board of the Church Music Association of America, and has served as a chant instructor and the director of new music at the CMAA's annual Summer Music Colloquium. He is director of music for the annual Roman Forum Summer Symposium at Lake Garda in the north of Italy.
A native of Stamford, Connecticut, Mr. Hughes is a graduate of Yale College. Photo courtesy: Society of St. Hugh of Cluny.
ARLENE OOST-ZINNER is the director of the St. Cecilia Schola at St. Michaels Catholic Church in Auburn, Alabama, composer of the Parish Book of Psalms (CMAA, 2012); editor of Words with Wings (CMAA, 2012); and currently serves as director of programs for the Church Music Association of America.
Ms. Oost-Zinner has taught chant at all levels for the CMAA's Sacred Music Colloquium and at workshops around the country, and has trained under several chant masters in a variety of traditions of thought and practice. She is also an accomplished pianist and translator, and has written for the Catholic Answer, Homiletic and Pastoral Review, Inside Catholic, among other publications.
Late Tuition is $370, and includes all course materials, a continental breakfast and catered lunch on Tuesday, Wednesday, and Thursday; and dinner on Monday, June 9 and Wednesday, June 11.
Accommodations will be available in the dormitories at Duquesne University. The price for a single occupancy room is $50 per night; double occupancy, $40 per night, per person. A one time fee of $7.50 per person is required for a set of linens.
If you'd prefer to stay in a hotel, a special price of $134 plus tax is being offered by the Pittsburgh Marriott City Center hotel, which is just adjacent to campus. You must make your reservation before May 19. Click here to book a room at the conference rate.
On-campus parking is available in the Forbes Avenue Parking garage. The garage is covered and centrally located on campus. Guests may park in the garage on a cash basis or a parking permit may be purchased on the day of arrival. Weekday Parking: $12.00 per day; Evening and Weekend Parking (after 5 p.m.): $6
Duquesne University Campus Map
Public transportation from the Pittsburgh airport is available. Click here for details. Alternatively, a twenty-five minute cab ride from the airport runs about $30
Regular Registration has closed.
We've posted the Preliminary Schedule of events for Colloquium XXIV, to be held in Indianapolis, IN June 30 – July 6, 2014. Registration is open. Find more information about the event and plan to join us! We'll be celebrating the 4th of July together, including the city's wonderful fireworks display viewed from the 9th Floor of the hotel on the pool deck.
June 30-July 6, 2014
Indianapolis, Indiana
You are invited to experience the Sacred Music Colloquium, the largest and most in-depth teaching conference and retreat on sacred music in the world. Our 2014 program offers new and expanded opportunities for learning, singing, listening, and interacting with the best minds and musicians in the Catholic world today!
March 14-15, 2014
733 James I. Harrison, Jr. Parkway East
Tuscaloosa, Alabama 35405
Workshop is in parish hall behind church.
For Whom: General public, especially those with musical and liturgical interests.
What: Introduction to chant. Reading Gregorian notation.
The parts of the Mass (Ordinary and Propers).
Introduction to singing the Ordinary of the Mass in English and Latin.
Chant hymns and chant resources.
Optional extra:
Singing Mass propers at 5:30 p.m. Mass on March 15th.
When: Friday, March 14, 1:00 – 5:00 p.m.
Saturday, March 15, 9:00 – Noon
(Optional extra: Afternoon session from 1:00 to 3:15 and singing at 5:30 Mass.)
Chant Mistress: The workshop will be presented by Arlene Oost-Zinner, director of the St. Cecilia Schola Cantorum in Auburn, AL. She has served as director of programs for the Church Music Association of America since 2006. She has taught chant at all levels for the CMAA's Sacred Music Colloquium, the CMAA Chant Intensive, and at workshops around the country. She completed her studies in Gregorian chant at the Catholic University of America, and has participated in master classes under leading chant masters of international reputation. She has written for the Catholic Answer, Crisis, Homiletic and Pastoral Review, Inside Catholic, and other publications. She is the composer and editor of the Parish Book of Psalms (CMAA, 2012) and translator & editor of Words with Wings (CMAA, 2012).
Cost and Registration: Registration is a snap. Just call or e-mail Deacon Adrian Straley at (205) 553-5296 or email@example.com. At sign-in, pay $10.00 by cash or check (payable to Adrian Straley) for all materials & Saturday lunch. Space is limited, so sign up now.


text: December 20, 2018December 20, 2018 Adrian Luxmoore Preparing for marble floor tile installation The marble tile is being staged in the nave prior to installation. Steel railing has been installed in the walkway behind the pews in the gallery. Marble tile is being staged ready to be laid in the chancel Getting the tile up the steps the old fashioned way Steel railings installed behind the gallery pews Air conditioner vents have been removed from the top of the chancel walls Share this:TwitterFacebookLike this:Like Loading... Related

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text: Lou Myers, Mr. Gaines on "A Different World" Dies At 77 Brandon Caldwell February 20, 2013 News Lou Myers, best known for playing Mr. Vernon Gaines on the hit 80's show A Different World has died according to the president of his non-profit organization. He was 77. Myers suffered from pneumonia and was hospitalized last December but was released on New Years. He went back to the hospital following a collapse at his home and stayed there. Doctors were able to revive him after his heart stopped yesterday but they couldn't save him once more. Myers died at the Charleston Medical Center in West Virginia. He is survived by his son and 95-year old mother. He will be given a military burial. Watch one of his best scenes during the "Mammy Dearest" episode here (2:30). [via TMZ] Share this:TweetShare on Tumblr


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For those who aren't familiar with Glossier, they are the American cruelty free skincare and make up brand that sent British girls up and down the country into a beauty induced euphoria when they announced shipping to the UK in October 2017. Since that fateful day, they now ship to a number of countries outside of the US on their way to global domination, making everyones wishes including mine come true.
Many parcels later I am one of those girls who could rabbit on all day about how much they love the brand. In that time I have become somewhat of a self confessed Glossier expert, and still let out a little squeal of excitement every time they announce a new product. Enter their latest offering, the Milky Oil Waterproof Makeup Remover.
Sister to the Milky Jelly Cleanser, but this time with waterproof mascara removing abilities, the make up remover comes in a convenient 100ml bottle (hello hand luggage) that once again delights my obsession for great packaging. At £10 a bottle it would be easy to disregard it as a case of style over substance, however I am here to tell you that's not the case. We all know we should be ditching the make up wipes for good in a pledge not only to help our environment but our skin too, and I hope this Glossier Milky Oil review proves to you that this product is the answer.
Simply shake the bottle and then squeeze a few dabs onto either a cotton pad or muslin cloth (extra environmental hero points) and wipe over the areas of make up you wish to remove. I wear Urban Decay Perversion Mascara every day, and it can be an absolute pain to get off at the end of the day, however since using the Milky Oil make up remover I have found it glides off in just a few rubs, along with the rest of my make up. My skin is left feeling fresh and product free, occasionally I follow up with a swipe of Milky Jelly Cleanser, however it has been left somewhat redundant on my make up shelf since this little baby came along.


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Entertainment Agencies in Tallahassee, FL
Comprehensive list of Tallahassee, FL entertainment and management agencies, corporate event coordinators and private party planners.
Business Listings
We hope you will look our services over, and give us a call or E-mail us if we can assist you further. Here at Happy Trails Ranch we provide the finest western riding lessons this side of the Lone Star state, and plush acres and boarding for your favorite horse. Our ranch is a dream come true for any horse and rider! We offer fun birthday parties, field trip activities, and summer camps.
Be sure to catch the band at this year's Tallahassee Zoobilee 2008 - Bourbon Street Boogalee at the Tallahassee Museum. This is one party you definitely will not want to miss! Crooked Shooz has been entertaining crowds from Georgia to South Florida for the past twelve years.
We're committed to delivering work opportunities for talented local entertainers and filling the void for performance arts services necessary for the kids in our cities. Specializing in kids's costumed characters including clowns, magicians, jugglers, face painters, balloon artists, quick sketch artists, superheros, princess fariy tales, and cartoon characters.
Plan your daughter's birthday tea in Tallahassee's most unique party boutique! A tea celebration every princess deserves at least once in her childhood. Memories of a birthday she'll never forget. Fabulous favors she and her friends will treasure. A party where the moms have as much fun as their little girls. You sigh in relief because it's just what you hoped for.
J.Ssentric Entertainment is an independent production and recording facility. We pride ourselves in delivering quality service. In addition to production, we supply recording, video production, live sound and consulting services.


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Ever green Daphney.
My Daphney always has lots of flowers this year is no exception, but the leaves are falling off, and now the flowers are going a blackish colour.
Inspect the plant for pests. Neem Oil can be used to treat most pest issues.
Make sure the soil is well drained. Daphne hate to have soggy soil and can die of root rot very quickly.
If weather was very cold it can cause the roots to become susceptible to fungal root rot.
There are some 10 different viruses that can effect the Daphne plant. Use clean tools to prune any damaged plant material away.
If it is just a few branches, try applying a systemic fungicide.
If the entire plant is infected there is little that can be done.
You must be logged into your account to answer a question.
If you don't have an account sign up for an account now.


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So, I'm personally curious about everyone's experience with Weasyl's critique system (wherein you request a critique when you upload something, not necessarily the critique forum). I've had one of my requests critiqued out of the three or four requests I've made. I've gone though other requests and I've seen pictures with a good bit of views, but no critiques. I've gotten a bit curious as to why that is and it got me thinking about the various reasons people look at a request, but don't say anything about the work.
-I don't have the right type of experience to give this a good critique.
By this I mean, you click on a request and it's in a medium you're not familiar with. I honestly don't think this should really stop you from giving a critique based simply on what you see. If a person knows his medium enough, he'll be able to translate what you say into his technique. I work in pencil at the moment. If someone told me "It's a little light, can you darken it?" I'd look at what I have available and try to figure out what I can use to make the picture darker. Now, I'm not saying you shouldn't ask for advice (that's sort of the point of a critique after all) and hopefully someone will give you some tips in improving, but in the event that they don't, don't be afraid to take some notes and try figure things out for yourself (which is pretty rewarding in itself). If you're still stuck, someone on the internet probably has a tutorial video.
-Critique means Criticize, right?
Critiquing doesn't necessarily mean finding something wrong. I feel as if someone may look at something, try to find something wrong because that's what they think critiquing is (finding all the flaws) and when they can't, they just leave the page. Don't just point out flaws, point out things that work, things that an artist can carry over to future work. Do the way they mix colors work well; is their line work nice and clean? Tell them that. Knowing your strong points is just as important of knowing your weak points.
-Why does this need critiquing, exactly?
This sort of ties back into my previous point. Back in my college days, I got to see some pretty good art and to me, there was "nothing wrong with it." And sometimes, that may just be the case. However, people still want to hear your thoughts from a critical standpoint. "How does this look to you and do you think there's a way for it to look better? Is there something you would have done differently?" Sometimes, if I couldn't find something to improve, I may tell someone, "You know, this reminds me of so-and-so. Maybe you should check it out and see if that gives you anything helpful."
-But you'll hate me!
No one is going to hate you for giving your honest opinions. I think some people just feel shy about voicing their opinions and for some reason assume "If I say something wrong, this person will shout at me about it." I understand, I'm a pretty shy person myself and tend to think this. It's sort of silly though. This person is asking for help, so just give what you can. More than just "It looks so cute!" You're not just giving a passing comment here. Ask yourself "Why is this cute?" and just be honest about it.
-But, how do I write Critique!?
Critiquing really isn't hard (well, maybe I'm wrong in saying that considering that my major was Studio Art so I have a bit of experience). Okay, so maybe critiquing is a little intimidating. You know you're supposed to say more than "That's pretty, bro." but what more can you say? As above, ask "why?" This is how I learned to critique. Ask yourself "Why is this X?" Find out the "why" and tell the artist. This in turn may get the artist thinking about her process. "These colors are pretty because of how they swirl into each other really well. How did you do that anyway?" "Well, I..." And now you have a new technique you may want to try yourself. That's call "stealing like an artist."
This is essentially me just thinking out loud, really, trying to get into the mind of those who look at critiques, but don't critique things. There may be other reasons and I'd be glad to hear them and discuss them. I really do like the system in place and perhaps there's a way to get more people to reply to critiques. We just have to discuss it a bit to get there. It just sort of concerns me that I can get a critique easier out of my steam group than an art site.
So, what are your experiences? How do you feel about the system in place? What are the reasons people look at critique requests, but don't critique? Do you think there's a way to get more people to critique? Do you think the hit and miss of critiquing is just how things are?
Let's discuss.


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it work for this forum if branch of gov. says keep and give up and or report activity (opinion wanted)
what part of constition says when and where can gov. intercede my problem with this is in a forum ie:
A public meeting or assembly for open discussion
A public facility to meet for open discussion
not sure if this is where this goes move if you think
it should be.
my opinion
i know the terreorists have a foot hold but our basic rights can not
be superceded ( maybe the jobs we were paying, for should have been
done better in the 70s)
[forum] comes under 1st amendment
i think what we call gov. has run amuck {our fault}


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Bugs Clip Art
Price: $2.00
Bee, bookworm, butterfly, dragonfly, dragonfly with flower, lightening bug and Bookworm title . 7 images.
Graphics are 300 dpi PNGs with transparent backgrounds.
*Images only, no cutting files included.
Fun graphics for use in handmade craft items, digital scrapbooking, handcrafted cards and print and cut projects using a personal cutting machine.
The transparent backgrounds make it perfect for layering to create invitations, banners, tags, stationery, party decor and whatever you can imagine.
With our generous Terms of Use you can create finished items for resale.


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What is a Local Network?
Local Networks are teams of Christians organized to represent and carry out the mission of the Disciple Nations Alliance (DNA) locally. The mission of the DNA is to help the Church rise to her full potential as God's principal agent in restoring, healing and blessing broken nations.
"Local" is defined by the members of the network. It may be city-wide, nation-wide or, in some cases, it may encompass a continental or sub-continental region.
What is the purpose of the Local Network?
Local Networks exist to carry out the mission of the DNA locally. They serve as the local expressions and points of contact for the DNA in their particular geographic locations.
Local Networks provide support to (not control over) a local, volunteer-based movement. To this end, they function largely "behind the scenes" and look for ways to add value to the larger local network.
The DNA is a network of peers. As such, its nature is non-hierarchical. Leadership is exercised as consensus building and service, not top-down command-and-control.
What do Local Networks do?
- Resource Distribution: Oversee the translation, contextualization and distribution of DNA training materials and other resources.
- Multiply Trainers and Practitioners: Train trainers and support practitioners by facilitating local Vision Conferences, follow-up conferences, training-of-trainers workshops, mentoring relationships and empowerment of new trainers and practitioners.
- Key Contact: Serve as a DNA point of contact for individuals, churches and organizations that want information and wish to engage.
- Communication: Develop and distribute a local newsletter that publicizes upcoming trainings, events and resources, as well as important stories, models or methods of church-based transformation.
- Convene: Organize local gatherings of church leaders, trainers and practitioners for the purpose of developing the network, nurturing relationships, providing encouragement, stimulating vision, and sharing stories and models.
- Strategize: Develop and support locally appropriate strategies for carrying out the DNA mission. This may involve multiplying trainers, supporting model churches, engaging on particular social/cultural issues, or working in particular vocational areas or social spheres. The more, the better.
What are the qualifications to be recognized as a Local Network?
- Be able and willing to carry out the six responsibilities listed above, under "What do Local Networks do?"
- Affirm and/or adopt the DNA's mission statement.
- Promote and be fully committed to the DNA's seven core truths in their entirety.
- Be fully committed to–and function in accordance with–the DNA's operating principles.
- Actively participate with other DNA Local Networks, both regional and global.
- Participate in the DNA Global Forum.
Local Networks will be represented on the DNA global website with a contact person and e-mail address.
Local Networks will be reviewed by the DNA Global Leadership Team every two years. Those that are inactive or no longer in alignment with the qualifications above will be removed from the DNA global website.
How are Local Networks formed?
It begins with individuals who sense God's calling and are deeply committed to the mission of the DNA, the seven core truths, and the operational principles. Typically, they will have attended a Vision Conference and will have begun to put the teaching into practice. They may be serving as trainers, practitioners, or both.
As such individuals grow in a particular geographic area, they are encouraged to form a local network and take ownership of the mission of the DNA locally.
This encouragement may come from a broader regional network or from the International Secretariat; however, formation is demand driven. Local networks form as there is a vision or passion on the part of local Christians to do so.
How are Local Networks structured?
Most Local Networks ascribe to this structure:
- A leadership team or steering committee: This is a small team of passionate, committed volunteers under compulsion to see the DNA vision advanced locally. They commit time, talent and resources to the cause.
- A coordinator or key contact person: This person convenes the leadership team and provides facilitative leadership. She or he serves as a point of contact for the larger DNA alliance. As with all leadership roles in the DNA, this person is characterized by responsibility and service, not by top-down authority and control.
- A "board of reference" or advisory council: This group is composed of prominent and respected church and organization leaders who support the DNA and agree to lend their names and influence to the movement. They provide credibility and connections to the local network.
Are Local Networks legally recognized organizations?
In some cases, yes; in some cases, no. If members of a Local Network believe forming a legally recognized organization is important to more effectively carry out their purpose, they may do so.
If a Local Network forms as a legally recognized organization, however, they must understand their role is to provide support to (not control over) a larger volunteer movement. To this end, the formal organization should be largely "behind the scenes" and should look for ways to add value to the larger local network.
The DNA is a network of peers. As such, its nature is non-hierarchical. Leadership is exercised as consensus building and service, not top-down command-and-control.
How are Local Networks funded?
Local Networks are responsible to raise the funds needed to carry out their mission. The International Secretariat does not raise funds for the ongoing operation of Local Networks.
Are Local Networks required to use the name "Disciple Nations Alliance"?
No, they may choose whatever name they feel is most strategic. However, the advantage of using the name "Disciple Nations Alliance" is that it helps identify the local network with the larger DNA global alliance.
Can there be more than one Local Network in a particular geographic area?
Preferably, no; but in some cases, there may be legitimate reasons to have more than one network in the same location. In such cases, it is critical that both networks collaborate and not compete. Again, carefully adhering to the DNA operating principles is vital.
What are Key Contacts?
Key Contacts are individuals who ascribe to the DNA's seven operational principles and seven foundational truths but may not yet have a team to qualify for a Local Network. They may carry out the DNA mission in their organizations, churches, neighborhoods and/or families.
What do Key Contacts do?
Key Contacts' names and e-mail addresses are listed on the global DNA website; they serve as the first point of contact for someone in their same country seeking to connect with the DNA locally, for the purpose of learning and/or collaboration. Key Contacts should continually refine their Biblical worldview and seek to grow the presence of the DNA in their spheres of influence.


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A Little Taste of NepalMarch 26, 2019
Nepal, Beautiful one day. Perfect the next.
Dear Friends,
It is just over three months since Christmas and it feels like yesterday. Not sure if it is the modern pace of life or my personal manic work and personal workloads. INA offers all of you a "window to the world we want to create". Therefore, every time we visit the projects you support, we want to share with you the amazing journey your support is enabling in the field.
Krystal Navez-John, INA's International Programs Manager, has been to Uganda and Ethiopia in the last 4 months, and has recently returned from Nepal. Catherine Middleton went to Allahabad, India in December, and just last month to Myanmar and the Philippines. I personally visited India and accompanied 4 Brave Women to Nepal in February this year.
Those of you who support those individual countries will receive special communications from us shortly about the amazing work that is happening on the ground. So much rich and positive impact is enabled through your generosity, that neither words nor photos can capture and do justice. So, apologies for giving only a taste of the immense, exciting transformation on the ground.
I accompanied 4 women in partnership with Brave Consulting to visit the project in Rukum in association with the Mission Hospital managed by the Human Development and Community Services (HDCS), a local Christian NGO. The support you give through appeals leverages 1:5 to the value of the Australian Government grant, as the Nepal project is through Australian Government funding. I shared quite a bit in my August 2018 Newsletter. However, this is still having a deep impact on me personally – just as it did on the women who visited.
The pristine beauty of the Nepali countryside is in stark contrast to the harsh living conditions in Chaujahari/Rukum where the Mission Hospital is based. The Mission Hospital is not easily accessible by paved roads. As I shared last year, we had to climb down a ravine, cross a suspension bridge and climb a high embankment on the other side while kind young men carried our luggage. The compassion and care at the hospital by the Director who has lived there for 10 years without proper holidays – serving both day and night – made us humble. The furthest village in the project is 2 days walking as no wheel transport is available. Yet the selflessness of the staff, health workers and community women were a real testament to resilience and the unconditional love of God for all humanity.
You will find more reflections below by some of the women who visited. I sincerely hope that all of you will be encouraged that your support is matching the Australian Government grant 1:5 and having such a wonderful social impact on some of the most vulnerable in Nepal.
God bless you,
PS – Just a little note for all ChildLink supporters. From now, please do not use your surname on communication with your Linked child. This is for everyone's safety – personally and digitally. I hope you understand.


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Showing 3 of 3 results
We report on the measurement of two-pion correlation functions from pp collisions at sqrt(s)=900 GeV performed by the ALICE experiment at the Large Hadron Collider. Our analysis shows an increase of the HBT radius with increasing event multiplicity, in line with other measurements done in particle- and nuclear collisions. Conversely, the strong decrease of the radius with increasing transverse momentum, as observed at RHIC and at Tevatron, is not manifest in our data.
Two-particle correlation functions for like-sign and unlike sign pion pairs.
Two-particle correlation functions for like-sign and unlike sign pion pairs.
Two-particle correlation functions for like-sign and unlike sign pion pairs.
Average transverse momentum, including extrapolation to PT=0, for inelastic (INEL) events.
Average transverse momentum, including extrapolation to PT=0, for non-single diffractive (NSD) events.
Power law fit to spectrum for PT > 3 GeV.
On 23rd November 2009, during the early commissioning of the CERN Large Hadron Collider (LHC), two counter-rotating proton bunches were circulated for the first time concurrently in the machine, at the LHC injection energy of 450 GeV per beam. Although the proton intensity was very low, with only one pilot bunch per beam, and no systematic attempt was made to optimize the collision optics, all LHC experiments reported a number of collision candidates. In the ALICE experiment, the collision region was centred very well in both the longitudinal and transverse directions and 284 events were recorded in coincidence with the two passing proton bunches. The events were immediately reconstructed and analyzed both online and offline. We have used these events to measure the pseudorapidity density of charged primary particles in the central region. In the range |eta| < 0.5, we obtain dNch/deta = 3.10 +- 0.13 (stat.) +- 0.22 (syst.) for all inelastic interactions, and dNch/deta = 3.51 +- 0.15 (stat.) +- 0.25 (syst.) for non-single diffractive interactions. These results are consistent with previous measurements in proton--antiproton interactions at the same centre-of-mass energy at the CERN SppS collider. They also illustrate the excellent functioning and rapid progress of the LHC accelerator, and of both the hardware and software of the ALICE experiment, in this early start-up phase.
Pseudorapidity dependence of DN/DETARAP in Inelastic (INEL) and Non-Single-Diffractive (NSD) collisions. Note that the plot in the paper shows only statistical errors.
Pseudorapidity density for |ETARAP|<0.5 for Inelastic (INEL) and Non-Single-Diffractive (NSD) collisions.


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Moog Reports Year End Results '18
November 2nd, 2018
East Aurora, NY -- Moog Inc. (NYSE: MOG.A and MOG.B) announced today financial results for the fourth quarter and fiscal year ended September 29, 2018.
Fourth Quarter Highlights
- Sales of $701 million, up 8% from a year ago;
- Earnings per share of $1.14;
- Adjusted earnings per share of $1.28, up 20% from a year ago;
- Adjusted operating margins of 11.1%, up from 10.7% a year ago;
- Tax rate of 26.7%;
- $56 million cash flow from operating activitites
Full-Year 2018 Highlights
• Sales of $2.71 billion, up 8% from a year ago;
• Earnings per share of $2.68;
• Adjusted earnings per share of $4.57, up 17% from a year ago;
• Adjusted operating margins of 10.9%, up from 10.0% from a year ago;
• Tax rate of 47.4%;
• $102 million cash flow from operating activities, including $85 million of incremental pension contributions;
• Initiation of a quarterly cash dividend program in June.
Segment Results
Total Aircraft Controls segment sales in the quarter were $304 million, up 7% year over year. Military aircraft sales increased 16%, to $148 million. Military OEM sales were 15% higher, at $96 million, on increased F-35 production activity. Military aftermarket sales increased 18% driven by B-1B, F-18 and V-22 repair activity. Commercial aircraft revenues in the quarter were unchanged, at $156 million. Sales of OEM products to Boeing were off 13%, at $60 million, mostly the result of volume reductions on legacy aircraft. Airbus OEM sales were flat. Commercial aftermarket sales increased 25%, the result of Boeing legacy repairs and Airbus A350 initial provisioning spares.
Full-year Aircraft Controls sales were $1.2 billion, up 6%. Military aircraft sales of $572 million were 10% higher than a year ago. Military OEM sales increased 13% on very strong F-35 sales. Military aftermarket sales of $190 million were 4% higher on B1-B and F-18 repair activity.
Commercial aircraft sales increased 3%, to $622 million. Strong aftermarket sales, up 28% to $152 million, offset lower OEM sales. Boeing OEM sales were down 6%, to $238 million, driven by softer legacy program sales. Airbus OEM was off 2%, to $152 million
In the quarter, Space and Defense segment sales were $154 million, up 10% year over year. Space sales were 15% higher, to $53 million, attributed to NASA's Space Launch System and Orion Crew Vehicle programs. Defense sales were 8% higher on strong sales of missile controls, security and naval applications. Space and Defense sales for the year increased 10%, to $581 million. The results for the year were driven by most of the same factors as the quarterly results. Space sales were up 15%, to $215 million, the result of strong demand for space avionics products and increased launch vehicle activity at NASA. Defense sales were $366 million, an increase of 7% from a year ago, on funded development work and components used in a variety of markets.
Industrial Systems segment sales in the quarter were $243 million, up 8% from year ago. Sales of industrial automation products increased 15%, to $111 million, helped by the acquisition of Brno, a large motor company based in the Czech Republic. Simulation and test sales increased 5% and medical pumps and associated products were up 4%. Energy sales were mostly unchanged.
Full-year Industrial Systems sales were $935 million, 11% higher, with sales increases across all major markets. Excluding currency effects and acquisitions, organic sales accounted for about one half of the sales increase. Industrial automation sales were $431 million, up 14%, with the recent acquisitions of Rotary Transfer Systems and Brno contributing significantly. Energy sales were 13% higher on increases in exploration and power generation. Medical pumps and associated products were up 9%.
Consolidated year-end 12-month backlog was $1.5 billion, up 22% from a year ago.
Fiscal 2019 Outlook
The Company provided its initial projections for fiscal 2019.
• Forecast sales of $2.88 billion, up 6%;
• Forecast earnings per share of $5.25, plus or minus $0.20, up 15% on adjusted 2018 earnings per share;
• Forecast full year operating margins of 11.7%, up from an adjusted 10.9% a year ago;
• Forecast cash flow from operations of $280 million;
• Forecast tax rate of 26.0%.
"Q4 was a good finish to the year, with sales up 8% and adjusted earnings per share above the high end of our guidance," said John Scannell, Chairman and CEO. "Overall, fiscal 18 was a good year. U.S. tax reform and our exit from the wind pitch control business were both drags on our results, but the underlying operations strengthened from fiscal '17 and we had healthy margin expansion. We're planning to build on that performance in fiscal '19. We're projecting 6% sales growth to $2.88 billion and a 15% increase in earnings per share above our adjusted fiscal '18 results."
In conjunction with today's release, Moog will host a conference call beginning at 10:00 a.m. ET, which will be broadcast live over the Internet. John Scannell, Chairman and CEO, and Don Fishback, CFO, will host the call. Listeners can access the call live or in replay mode at www.moog.com/investors/communications. Supplemental financial data will be available on the webcast web page 90 minutes prior to the conference call.
Moog Inc. is a worldwide designer, manufacturer, and integrator of precision control components and systems. Moog's high-performance systems control military and commercial aircraft, satellites and space vehicles, launch vehicles, missiles, automated industrial machinery, marine and medical equipment. Additional information about the company can be found at www.moog.com.
Cautionary Statement
Information included or incorporated by reference in this report that does not consist of historical facts, including statements accompanied by or containing words such as "may," "will," "should," "believes," "expects," "expected," "intends," "plans," "projects," "approximate," "estimates," "predicts," "potential," "outlook," "forecast," "anticipates," "presume" and "assume," are forward-looking statements. Such forward-looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. These forward-looking statements reflect the Company's current views with respect to certain current and future events and financial performance and are not guarantees of future performance. This includes but is not limited to, the Company's expectation and ability to pay a quarterly cash dividend on its common stock in the future, subject to the determination by the board of directors, and based on an evaluation of company earnings, financial condition and requirements, business conditions, capital allocation determinations and other factors, risks and uncertainties. The impact or occurrence of these could cause actual results to differ materially from the expected results described in the forward-looking statements. These important factors, risks and uncertainties include:
• the markets we serve are cyclical and sensitive to domestic and foreign economic conditions and events, which may cause our operating results to fluctuate;
• we operate in highly competitive markets with competitors who may have greater resources than we possess;
• we depend heavily on government contracts that may not be fully funded or may be terminated, and the failure to receive funding or the termination of one or more of these contracts could reduce our sales and increase our costs;
• we make estimates in accounting for long-term contracts, and changes in these estimates may have significant impacts on our earnings;
• we enter into fixed-price contracts, which could subject us to losses if we have cost overruns;
• we may not realize the full amounts reflected in our backlog as revenue, which could adversely affect our future revenue and growth prospects;
• if our subcontractors or suppliers fail to perform their contractual obligations, our prime contract performance and our ability to obtain future business could be materially and adversely impacted;
• contracting on government programs is subject to significant regulation, including rules related to bidding, billing and accounting kickbacks and false claims, and any non-compliance could subject us to fines and penalties or possible debarment;
• the loss of The Boeing Company as a customer or a significant reduction in sales to The Boeing Company could adversely impact our operating results;
• our new product research and development efforts may not be successful which could reduce our sales and earnings;
• our inability to adequately enforce and protect our intellectual property or defend against assertions of infringement could prevent or restrict our ability to compete;
• our business operations may be adversely affected by information systems interruptions, intrusions or new software implementations;
• our indebtedness and restrictive covenants under our credit facilities could limit our operational and financial flexibility;
• significant changes in discount rates, rates of return on pension assets, mortality tables and other factors could adversely affect our earnings and equity and increase our pension funding requirements;
• a write-off of all or part of our goodwill or other intangible assets could adversely affect our operating results and net worth;
• our sales and earnings may be affected if we cannot identify, acquire or integrate strategic acquisitions, or if we engage in divesting activities;
• our operations in foreign countries expose us to political and currency risks and adverse changes in local legal and regulatory environments;
• unforeseen exposure to additional income tax liabilities may affect our operating results;
• government regulations could limit our ability to sell our products outside the United States and otherwise adversely affect our business;
• the failure or misuse of our products may damage our reputation, necessitate a product recall or result in claims against us that exceed our insurance coverage, thereby requiring us to pay significant damages;
• we are involved in various legal proceedings, the outcome of which may be unfavorable to us;
• future terror attacks, war, natural disasters or other catastrophic events beyond our control could negatively impact our business; and
• our operations are subject to environmental laws, and complying with those laws may cause us to incur significant costs.
These factors are not exhaustive. New factors, risks and uncertainties may emerge from time to time that may affect the forward-looking statements made herein. Given these factors, risks and uncertainties, investors should not place undue reliance on forward-looking statements as predictive of future results. We disclaim any obligation to update the forward-looking statements made in this report.
Ann Marie Luhr
+1 716.687.4225


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Nina Dobrev's Sexy Top Knot At Leonardo DiCaprio's Gala — How To
Nina Dobrev brought effortless glam to the French Riviera when she attended the Leonardo DiCaprio Foundation Gala with a twisted high bun top knot and sun-kissed makeup look. Get the details on recreating her latest look!
Nina Dobrev, 26, stunned with a tousled updo while in St. Tropez for Leonardo DiCaprio's 2nd annual Foundation Gala at Domaine Bertaud Belieu. Nina, who's always one to watch at star-studded events, wore a metallic embellished white gown from the Reem Acra Pre-Fall 2015 collection with matching metallic accessories.
While Nina has been wearing her long hair in volumized waves or sleek straight styles as of late, the actress never shies away from an intricate braid or updo style. Her latest high bun was a classic look that can quickly and easily be recreated in three steps:
1) Brush your hair so that it's free of any knots, and mist dry hair with a texturizing spray like Bumble and Bumble Thickening Dryspun Finish to add volume and grip to your hair.
2) Use your fingers to pull your hair back into a ponytail at the crown of your head and secure with an elastic.
3) Twist your hair into a knot, using bobby pins to anchor it into place and spraying more texturizing spray for hold.
Nina Dobrev's High Bun — How To Get Her Top Knot At Leo DiCaprio's Gala
Nina kept her makeup equally as simple and classic for the summer with bronzed skin and coral lips and cheeks. For her pop of summery color, use Stila Aqua Glow Watercolor Blush in Shimmering Lotus, whose waterproof formula can be used on cheeks and lips. Finish the look by defining your eyes with black liner and coats of black mascara.
We thought Nina looked stunning, as always, but what did you think of her latest look, HollywoodLifers?
— Marissa DeSantis


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One minute
On the Boat
While leaving Nesodden on Sunday, I played a little with fxCamera on the boat. Here are a couple of the pictures. There is also a new version of WordPress for Android available, and I'm testing it to write this entry. The previous version wasn't able to upload pictures for some reason, and if there are none in this entry either, someone's got to go back to the drawing board and fix some bugs.
Update: Or I have to set the correct permissions on the server. Oh, well. At least now it works.
92 Words
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A 40 year old widow
Submitted on: 27 Fév 19
Category: Anal,Films (DDL) (⊗ -18 ans),Hairy,Pornstars
Submitted on: 27 Fév 19
Category: Anal,Films (DDL) (⊗ -18 ans),Hairy,Pornstars
A 40 year old widow
At just 40 years old, Alexis sees her well-ordered life suddenly tip over. She has just lost her husband Dorian in a tragic traffic accident… And also learn that he had been living a double life for many years.
At her husband's funeral, she will meet Cassie, his mistress. Between a feeling of hatred and guilt, Alexis is going to face the unspoken fantasies of her late husband, with Cassie by her side.
The narrative of Cassie's sexual experiences, where her totally unbridled practices with several men were only intended to satisfy Dorian's voyeuristic deviations, is going to plunge Alexis into confusion. Was she too wise to please him?
This strange friendship that the two women will develop will push Alexis to ask herself questions that only lust will answer.
Whether it is by braving the morality with Tony, Dorian's best friend, by letting herself go to perversions that she would never have imagined, or by taking part with Cassie in mysterious orgies organized in the greatest secrecy by fans of boundless enjoyment, she will draw a line on the past and understand that at 40 years old, life can still offer many exciting adventures.
Scene: Blowjob, Handjob, cowgirl, reverse cowgirl, missionary, doggy style,Cum in Mouth,Facial,Swallow,Oral,Cum on tits
https://turbo.to/ea9351mpfkm0/_MarcDorc … _.mp4.html
http://uploaded.net/file/5puhwe89/_Marc … VIDEO_.mp4
https://rapidgator.net/file/667a5bb0b81 … _.mp4.html
http://www.filefactory.com/file/1likrug … VIDEO_.mp4


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New for 2020! We are excited to announce that all our guest bedrooms are currently having a major makeover! Call back soon to see the results. You will not be disappointed!
Our Lanhydrock room is homely and comfortable with stunning sea, coastal and countryside views. Enter the peaceful and well tended garden via the balcony.
Lanhydrock, our king sized double room, is extremely popular, and a favourite of our returning guests.
Well-equipped with a mini-bar, tea and coffee making facilities, flat-screen TV / DVD player and ample storage space this lovely room is also complemented by a modern en-suite shower room.
A private door opens onto a balcony with steps that lead down into the beautiful garden.
Here you can choose from one of the many quiet seating areas where you can relax and read a book or simply enjoy the view. A haven of peace and tranquility.
- Sea Views
- Free Wi-fi
- Bathrobes
- Private patio door into garden
- En suite Shower room with underfloor heating….
- Luxury Cole & Lewis Toiletries
- Tea and coffee making facilities
- Well-stocked Mini bar / fridge
- Flat Screen Digital Smart TV
- Alexa Dot / Radio Alarm
- Hair Dryer
- Local Information packs
Checkout our other rooms below...
In the words of Tina Turner, "Its simply the best!" Comfortable room, great views, delicious breakfasts but above all excellent hosts, thank you for making us feel so welcome!Helen & Roger
Share us with your friends...


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Matt Grevers was struggling to keep his head above water in a deep pool of backstrokers when a coach from the Netherlands offered him a preserver.
It was a plane ticket to Amsterdam, with a connection to the Olympics in 2004 or 2008. All Grevers had to do was reach out and grab it.
Grevers, who was born outside of Chicago, was eligible to compete for the Netherlands because his parents are Dutch. He thought long and hard about it, imagining himself draped in the blue and orange of his parents' homeland and competing on swimming's grandest stage for a country not really his own.
"I talked about it with my parents," Grevers said recently while relaxing after a meal with his mother, Anja; father, Ed; and two older siblings, Andy and Carolyn. "We almost got in contact with a coach over there."
His mother, a swim coach, interjected. "The Dutch team really invited him over," she said. "They were offering him airfare and a four-star hotel."
How tempting it was. Especially after 2004, when Grevers placed seventh in the 100-meter backstroke at the United States Olympic trials in Long Beach, Calif., with a time that turned out to be faster than the seventh-place swim in the preliminaries at the Games in Athens.
At the Olympics, each country is limited to two swimmers in the 100 backstroke. With four Americans — Aaron Peirsol, Michael Phelps, Ryan Lochte and Randall Bal — ranked among the top seven in the event's history, Grevers's road to Beijing was all uphill.
Still, he could not bring himself to go Dutch. Grevers, 23, has always been one to stay close to home. Coming out of high school in 2003, he chose Northwestern over the traditional swimming powerhouses. He left Chicago this year for Tucson with great reluctance, and then only because he knew he needed to race alongside world-class swimmers every day if he wanted to fulfill his Olympic dream.
In the end, it was not hard for Grevers to reject the route taken by others like the N.B.A. center Chris Kaman, who was born in Michigan but will compete in Beijing for Germany, the ancestral home of his great-grandparents, after recently gaining his German citizenship.
"I sometimes like easy routes," Grevers said. "But this is one challenge that I did want to undertake. I wanted it to mean something if I swam in the Olympics. I didn't want to just get handed a spot. A lot of people I've known will just try to represent a country they're barely related to. I don't think that's the true spirit of what the Olympics are all about."
Instead of changing allegiances, Grevers switched events. After 2005, he channeled most of his energies into the 100 freestyle, where the top six finishers at the trials earn Olympic berths for relay purposes.
"I kind of wanted to give up the backstroke," Grevers said. He was indignant when his coach at Tucson Aquatics, Frank Busch, entered him in the 100 backstroke at this year's United States trials in Omaha.
"I said, 'What are you doing?' " Grevers recalled. "I didn't want to swim it. He told me to use it as a warm-up for the 100 free."
Everybody at the family table chuckled. The idea of the 100 backstroke being a throwaway event was funny, given what happened next. Grevers, racing in the TYR Tracer Rise instead of the more acclaimed Speedo LZR Racer favored by Peirsol and Lochte, advanced to the final and touched out Lochte for second, finishing in a personal-best 53.19 seconds to Lochte's 53.37. At 6 feet 8 inches, Grevers has 6 inches on Lochte, and ultimately his longer reach proved the difference.
"I like touching people out and laughing about how their head might be ahead of mine and my arms still get them," Grevers said.
Peirsol won and lowered his year-old world record to 52.89. Bal finished fourth. Phelps was entered in the event but scratched to conserve his energy for the freestyles, individual medleys and butterflies.
"When I touched the wall, I looked straight at my family, and they were going nuts," Grevers said.
"That image will be in my head forever. It's probably one of the happiest moments of my life."
It surpassed by a mile the memory of the day he broke his first national age-group record, in the 50-yard backstroke at a meet in Chicago when he was 10, and received a standing ovation from the crowd.
In a recorded interview that appeared on the giant scoreboard at the Qwest Center during breaks in the trials, Grevers described that as his best moment in swimming.
He was not through updating his highlight reel. Two nights later, Grevers placed fifth in the 100 freestyle to earn a spot as an alternate on the 4x100 freestyle relay. Even after earning a second berth on the team for Beijing, Grevers was having a hard time processing that he will be known forevermore as a United States Olympian.
"It still hasn't sunk in," Grevers said.
It boggles his mind to think that in 2004, he sat with friends and watched the Netherlands beat out the United States for the silver medal in the 4x100 freestyle relay in Athens and daydreamed about how that maybe could have been him on the medals podium, representing the Netherlands.
And now here he is, four years later, a member of the relay team that will try to bring the gold back to the United States.
"I'm proud of him," Anja said. "We are Dutch-born and raised, but he chose the U.S. and we are behind him all the way."


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I'm working on scripts to add and update user's directoryURI setting for a CallManager 9.1.2 server. But I am getting AXL errors saying the hostname can contain only alphanumeric characters. Problem is the hostname should be the domain name with periods. Works via native CUCM Admin pages, but not via AXL. AXL read out is below...
REQUEST: <?xml version="1.0" encoding="UTF-8"?> <SOAP-ENV:Envelope xmlns:SOAP-ENV="http://schemas.xmlsoap.org/soap/envelope/" xmlns:ns1="http://www.cisco.com/AXL/API/9.0"><SOAP-ENV:Body><ns1:updateUser><userid>Test1</userid><directoryUri>firstname.lastname@example.com</directoryUri></ns1:updateUser></SOAP-ENV:Body></SOAP-ENV:Envelope>
RESPONSE: <?xml version='1.0' encoding='utf-8'?><soapenv:Envelope xmlns:soapenv="http://schemas.xmlsoap.org/soap/envelope/"><soapenv:Body><soapenv:Fault><faultcode>soapenv:Server</faultcode><faultstring>Invalid format for directoryUri. Valid format is username@hostname. Hostname can only contain alphanumeric characters.</faultstring><detail><axlError><axlcode>5003</axlcode><axlmessage>Invalid format for directoryUri. Valid format is username@hostname. Hostname can only contain alphanumeric characters.</axlmessage><request>updateUser</request></axlError></detail></soapenv:Fault></soapenv:Body></soapenv:Envelope>
Tried encoding the period in HTML format. Works with Test1@mydomain, but always fails when adding .com to the end. Any ideas? Similar results on later 9.X or 10.X code?
Got the same problem in my testing as well.
Looks like a bug to me, since the schema indicated this is a string type.
Will check with AXL team to get confirmation
Verified this does work on version 10.5.1.10000-7. Not sure if fixed on recent patch for 9.1.2 yet.
Confirmed by AXL team. The issue is applicable only for 9.x and 8.x branches and not been integrated to the releases yet.
The Bug ID is: CSCuo67622


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God's Supreme Revelation
Our text tonight could well be described as the thesis of the book of Hebrews, which is so important from an apologetic standpoint. The author of Hebrews wastes no time, starting right at the beginning, pointing out that Jesus is worth following above all things. He urges believers to maintain consistency in the pursuit of Christ. Jesus is better, and He alone is worthy of our passion for His righteousness.
Topics: Faithfulness, Grace, Jesus Christ, Obedience, Power, Supremacy of Jesus, The Church, Worship


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Frame erection begins on £500M south coast power station
Working on behalf of Morgan Sindall, Elland Steel Structures has begun the erection of 1,250t of structural steelwork for the IFA..
Working on behalf of Morgan Sindall, Elland Steel Structures has begun the erection of 1,250t of structural steelwork for the IFA..
Manchester Victoria station redevelopment was a challenging project within an existing live railway station with work taking place around a..
A new vehicle export terminal, which is part of a £50M investment by Associated British Ports (ABP) in The Port of Southampton, has been..
A new multi-purpose community venue forms a central element of the larger heart of Slough regeneration project. The three-level Curve..
Morgan Sindall Construction & Infrastructure has been appointed to design and build a £28M steel-framed sports facility for..
Port owner Associated British Ports (ABP) is looking for a project team to build another car storage facility at the Port of Southampton...
A bespoke steel-framed training complex is being built for the Civil Nuclear Constabulary near Sellafield. Martin Cooper reports. Charged..
Forming an important part of Slough's town centre regeneration, the long-awaited £22M Curve learning centre has opened to the public...
Eight steel composite bridges are being installed as part of the A1 upgrade in North Yorkshire. As the only section of non-motorway on the..
Manchester Victoria railway station, once labelled Britain's worst, has formally reopened following a £44M facelift. As well as..


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Yes, I think a break up letter is a good idea especially for couples in a long distance relationship.
Most people would say that it's unethical or inappropriate but for me, a break up letter is more practical. As I said, this is especially for couples who are in a long distance relationship and wanted to get out from it as soon as possible.
Being in a long distance relationship as I always say is hard. It's never easy to be far away from your loved one even if it's only for a short period of time. More so if the reason is work and your partner needs to work overseas or you have to work abroad.
Lot's of people I know would tell me that people who work abroad live their lives like they are single even if they are married in their home country. I'm not stereotyping. I know there are still a lot of loyal people out there. But for you who are reading this, I know you know what I'm saying.
And let's face it, trust or loyalty is the number one issue ldr couples have to struggle with. We couldn't really judge a person who can't stay loyal because there is always a reason behind our actions justifiable or not. And on his or her part, I'm sure it's not really that easy to tell his or her bf or gf, "I'm sorry, I've fallen for someone else."
A breakup letter comes in handy to save your face. I'm sure the one dumped would say it's a cowardly thing to do but yeah, someday, it will all be clear and forgivable.
I had an LDR before and our breakup was really awful. It was devastating for me. He gave up on me and I couldn't do anything because he is so far away. I kept thinking maybe if I chose to stay with him abroad then maybe, we are happy together until now.
It was kinda hard to move on when you don't have that closure, you know, talk in person and be civil with one another. But I know I have to move on and forget about the closure because if I have to wait for something that doesn't have assurance that it will happen, then I will be wasting a lifetime.
And I want to be happy. I want to be free. I want to free myself from whatever it is that is dragging me down.
And after so many years, at a time that I am happy and in love, he called me up. I didn't know how he got my number. I was surprised. He had his vacation and yes, we had that closure.
It felt great. I felt given importance to. It was nice to know that yes, this person loved me. Though a breakup letter would suffice. Only if he just wrote me a breakup letter, explaining his side, apologizing, wishing for my happiness, I think that would be enough for me.
And it's funny that another ex of mine vibered me just today. I remembered writing a breakup letter for him before. He is perfect but yeah, not just the perfect one for me. We stayed friends for a time but we lost contact with each other.
I was surprised to hear from him again and we are both happy for each other. I don't know where this topic is leading to lol but I hope you get my point.
Whatever the reason for your breakup, show some respect and put a good end in your relationship because you'll never know the impact of a breakup to your ex. Your ex – the one you loved and cared for at one point in your life.
So if you can't do it in person, write a breakup letter or call or whatever. The important thing is you did something and don't just disappear. Aright? Thanks for reading! 🙂