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Thalamic hematoma with intraventricular hemorrhage and acute communicating hydrocephalus : MR CSF Flowmetry
Hypertensive patient with sudden left sided weakness.
Patient Data
Age: 40 years
Gender: Male
From the case: Thalamic hematoma with intraventricular hemorrhage and acute communicating hydrocephalus : MR CSF Flowmetry
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Axial T1
- A right thalamic mass lesion is seen with intermixed signal intensity; predominantly hyperintense T1 with isointense core as well as mild heterogeneously hyperintense T2 signal. The lesion shows restricted diffusion of its rim (met Hb signal). The lesion measures 4 X 3.5 X 3.5 cm in its maximal AP, CC and TS diameters respectively. The lesion is seen surrounded by mild vasogenic brain edema with mild compression of the 3rd ventricle and moderate supratentorial as well as infratentorial hydrocephalus with peri-ventricular T2/FLAIR hyperintensities.
- Small intra-ventricular blood sedimentations are seen within the occipital horns of the lateral ventricles as well as within the 4th ventricle (best appreciated in the GRE sequence).
- MR CSF flowmetry shows Hyper-dynamic CSF flow across the cerebral aqueduct with opposed flow in the systole and diastole as well as type IV signal void across the cerebral aqueduct in the axial and sagittal T2 images.
Case Discussion
Right thalamic early to late subacute hematoma with intraventricular hemorrhage as well as communicating supra- and infra-tentorial hydrocephalus with transependymal retrograde CSF permeation.
- 1- Zafar A, Khan FS. Clinical and radiological features of intracerebral haemorrhage in hypertensive patients. J Pak Med Assoc. 2008;58 (7): 356-8. Pubmed citation
- 2- Vereshchagin NV, Peresedov VV, Shirshov AV et-al. Thalamic hypertensive hemorrhage. Zh Nevrol Psikhiatr Im S S Korsakova. 2001;97 (6): 16-8. Pubmed citation


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It wasn't that long ago when we were bringing you a review of the ZTE Nubia 5, and now we're already looking at the arrival of the next Nubia models, the 5s and 5s mini. Today at the CES we went looking to check out the hardware, and ran into the Nubia 5s at ZTE's booth.
The handset features what ZTE calls "professional-grade photography hardware," consisting of a 13-megapixel Sony RS sensor and an iris with f/2.0 aperture. It's capable of recording 4K video (to give you something to play back on one of the many, many 4K TVs hanging out at the CES) and offers users advanced manual controls. To help you see all your pretty pictures in crystal clarity, the phone sports a five-inch 1080p Sharp-made display.
That sounds fine, but what's the actual experience like? Let's take a look:

subset: commoncrawl


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An eight-minute stretch of the third quarter was all the Knicks needed to turn a double-digit deficit into an insurmountable lead.
Tim Hardaway Jr. scored a career-high 38 points, including 12 during a 28-0 run in the third that sent the Knicks to a 108-100 victory over the Toronto Raptors on Wednesday night.
Kristaps Porzingis added 22 points and 12 rebounds for the Knicks, who outscored the Raptors by 41-10 in the decisive period.
"At halftime we had some strong words for each other, we talked about stuff we wanted to do better and we came out in the second half looking like a different team," Porzingis said.
Kyle Lowry scored 25 points and DeMar DeRozan had 18 for the Raptors, who had their four-game winning streak snapped.
The Raptors shot 0 for 13 from the field during the Knicks' run, which began with Enes Kanter's layup with 10 minutes 28 seconds left and didn't end until CJ Miles hit a 3-pointer with 2:23 remaining.
"They came out and overcame our energy, lack of energy, with their energy, and just put us on our heels," Raptors Coach Dwane Casey said. "We couldn't make a shot, short-arming it, missed a couple of layups. They're coming out, scored what, five straight baskets, and again, you let a team like that get momentum as hard as they're playing, you put yourself in a hole."
The Knicks trailed by 59-48 at halftime and were down by 62-52 after Lowry's two free throws with 10:47 left in the third quarter. Kanter added 5 more points during the run, while Courtney Lee contributed 7 of his 15 points.
The Knicks took their biggest lead at 89-69 on Doug McDermott's jumper with two seconds left in the third quarter.
The Knicks still led by 18 when the Raptors went on a 12-0 run of their own to cut the deficit to 94-88. But Porzingis converted a 3-point play with 5:25 left to end the run and also hit the next bucket, and the Knicks put it away soon after when Hardaway made a 3-pointer.
"I'm just taking what the defense gives me," Hardaway said. "If I see a lane, I'm just penetrating as hard as I can and trying to make the right play at the basket."
"I'm just playing off the big fella," he added, referring to Porzingis. "You've got to keep him happy."
Toronto led most of the first half and DeRozan's layup with a second left put the Raptors up by 11 at halftime.
"They came out aggressive in the third quarter," DeRozan said. "We came out in a funk. We couldn't make a basket and couldn't get a stop, and they took advantage of it. It happens. It's the NBA. Some team, some nights, have to go through it."
Hardaway and Lee each had game highs of seven assists.
Joakim Noah has not dressed in all five games the Knicks have played since he was activated after his 20-game suspension. He is currently in the second year of a four-year, $72 million contract. … The Knicks are 10-2 when scoring at least 100 points this season. They are 4-0 when holding opponents to less than 100.


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Francsico García Paramés notes that economists who focus on near-term forecasting are generally useless to investors. But principles of Austrian economists — and a long-term view in general — can provide insights outside the mainstream.
Political Theory
"If the self is the real property of the individual, force may be employed to repel the force that would take from an individual this special bit of property in himself."
Global Economy
"The biggest problem, not only economically but also politically, is the debt problem. It is unimaginable, how this madness of creating more and more debt and just pushing the economy by inflating the money supply will end."
Legal System
Federal criminal prosecutions ought to be abolished and left to the states. But until that happens, abolishing the federal death penalty is a good place to start.
StrategyPolitical Theory
Jeff Deist reviews Michael Malice's The New Right in the forthcoming September/October issue of The Austrian.
Philosophy and MethodologyValue and Exchange
Other psychic factors being equal, it is to everyone's self-interest to maximize his monetary income on the market. But this maximum income can then be used for either "selfish" or for "altruistic" ends.
The EntrepreneurEntrepreneurship
For centuries, entrepreneurial talents in China were diverted to military wars, political struggles, and government services. But now things are changing.
Booms and BustsBusiness Cycles
Even if business people learn to expect easy-money caused bubbles and busts — this would still not prevent the formation of a boom-bust cycle.


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This is the best application that caters to the modern day problems. Be it a busy day, or a coffee shop, there can be a thousand reasons for one to misplace their most important possession. that is their phone. This application is a savior as it finds the exact location of the phone without any troubles and tracks your phone down wherever it is in the world! Find My iPhone is an application meant for the iOS operating system where it finds your phone wherever it is lost. If an individual loses his or her iPhone, Ipad, or Mac this application will let the user use any iOS device to find the lost item and protect the data.
Features of Find My iPhone iOS 11.5.2
The application has a number of features –
1. It is important to download this application, which is absolutely free for its customers and the application after downloading , and registration will simply find your lost device by locating it on the map, after which it
remotely locks it, plays a sound, displays a message or even, erases all the data from the device.
2. The Find My iPhone application can play a sound on the device even when the phone is set to silent making it really an important app
3. One can view the recent location history of the device while the application is in the lost mode.
4. There are provisions to view the battery charge. Hence the application is a complete success at the battery charge indication.
How to download Find My iPhone iOS 11.5.2?
This application can be downloaded from the link provided below-


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Association for Medical Education in Europe (AMEE)
12 Airlie Place
Dundee DD1 4HJ
United Kingdom
E: [email protected]
The AMEE Provisional Programme is released in December and participants start to register early in January. If you have attended previous conferences or if you are a member of AMEE, you will be among the first to receive a copy through the mail. If you haven't previously attended, please look at the programme on the website. The early registration deadline is 25 May, and you can save on the normal conference registration fee by registering early. Please make sure you register by 1 June at the latest if you have had an abstract accepted for the programme.
Although there is a wide range of preconference workshops, some topics are extremely popular and fill up quickly. Similarly, some of the ESME courses are very popular. Since places are strictly limited on both preconference workshops and courses, in order to maximise the value to participants, please book your place early to avoid disappointment.
Please check carefully the date and time of the preconference sessions you would like to attend. For example, if you select the ESME course this runs for both preconference days so it is not possible to attend any preconference workshops.
There are three abstract deadlines:
Submitters of Research and Doctoral abstracts are notified of decisions before end January to allow time to resubmit in another format if the original submission is not accepted. Submitters of all other abstract types are notified of decisions by end April.
For more information, please visit the Abstracts webpage
We recommend you reserve your hotel as soon as possible and by 31 May in order to get the best choice. All hotels have been selected for convenience in travelling to the Conference Venue and are either within walking distance or close to public transport.
Flights usually become more expensive the closer to the date of departure. Please remember that if you have had an abstract accepted, you will be required to present at any time from Monday morning (1015hrs) to Wednesday morning (1015hrs), and it will not be possible to tell you the time of your presentation until 6 weeks before the start of the conference. Due to the complexities of the programme, it is not possible to accommodate individual requests.
Don't forget that the first AMEE 2019 plenary session starts at 1730 hrs on Sunday evening, so make sure your travel arrangements allow you to arrive in time for the session.
The final programme contains a wealth of information including what's on, when and where it will take place. Because there are many simultaneous sessions the programme is very complex. The programme overview for each day which is given at the front of the final programme should help you to see all the sessions taking place at the same time so that you can choose what to attend. The overview is themed according to content, to help you to identify topics of particular interest. The final programme will be available in July.
When/where is your presentation scheduled? The final programme will be posted on the website early July and will be fully searchable and you can enter your name to find out when you or your colleagues are scheduled to present.
What is expected of you? Please see the final programme for full details of how the different type of sessions are organised, how long you will have to present and what you should do.
Short communications/Patil Teaching Innovation Award: Most short communication presenters prepare a PowerPoint presentation, although this is not obligatory. Please bring your PowerPoint with you, saved on USB memory device, and take it to the Speaker Preview room at least 2 hours and preferably the day before the start of your session. The technician will make sure the presentation is loaded onto the computer in the appropriate room.
Posters: If you have a poster presentation, please prepare your poster according to the instructions which will be sent to you in May, and which are also on the website. Additionally you might find useful the document 'Hints on preparing posters for AMEE conferences' . Please bring your poster with you – it should not be sent in advance. A board will be allocated on which you can mount your poster, and it should remain there throughout the Conference. Look for the session and number allocated to your poster in the final programme to see where your posterboard will be located.
ePosters: If you have an electronic poster (ePoster) presentation, you will receive instructions in June as to how to prepare and upload your electronic poster online in advance of the Conference. You will also be able to see how to present your electronic poster during the Conference.
Fringe: If you have a Fringe Presentation, please contact [email protected] a minimum of 8 weeks before your presentation with any specific requirements you may have.
If you have a conference workshop a representative from Worldspan will contact you personally to discuss your requirements.
A pdf of the Abstract Book will be on the website in mid July so that you can read and print out some of the presentations you would like to know more about. Abstracts will also be available on the conference app.
The AMEE 2020 webpages are regularly updated with relevant information which you might find helpful. If there is anything you think we have not covered adequately please let us know.
Your registration pack contains lots of useful items including programme (if requested during registration), name badge, conference bag and a travel ticket which can be used on the local transport network (if being provided).
It sometimes seems that you are just finding your way around the Conference venue and it's time to go home! Conference centres are huge, and may not appear to be very logically laid out, or the signage may be less than adequate. It's a good idea to look at the detailed plans in the programme as soon as you arrive, and try to work out the best route between sessions you wish to attend. Please try to arrive promptly for sessions to minimise disruption at the start of the session.
Demographic information reveals that 50% of participants at each AMEE conference are attending for the first time. For several years AMEE has organised an Orientation Session for new attendees, which takes place on Sunday from 1600-1700hrs and has proved very popular with good feedback. There are short presentations from the President, the General Secretary and the Operations Director on how you can get the most from conference attendance, and you can also find out a little more about what AMEE does and how you can become more involved if you wish. There is also the opportunity to ask any questions, and we end with some refreshments.
Participants frequently tell us there is too much choice and trying to decide what to attend is very difficult. If you are in a group from an institution, why not decide in advance who will attend each session and take notes on behalf of the group? You could then meet after the sessions, or wait until you get home to have further discussions. Some groups have said that this is an excellent faculty development exercise.
Chairpersons of short communication sessions are asked to keep strictly to time so that participants can move between sessions to hear specific presentations on different topics. However, it may be more fruitful to stay in one session and listen to all the presentations including any discussion at the end of the session. It can also be quite stressful moving between sessions since some of the rooms may be quite a distance from each other.
Details on how to sign up for workshops is given in the final programme and on the conference App. When the maximum number has been reached the door will be closed and there will be no further admission. We do ask for your cooperation in respecting the wishes of the workshop organiser, and not creating embarrassment for the student helper whose task it is to make sure numbers in the room are not exceeded.
We rely on participant feedback to help us select workshops for future conferences. Please complete the feedback form at the end of the workshop as this will help us make future selections.
Participants from over 100 countries attend AMEE conferences, making it a rich cultural mix. There will be many opportunities to meet others with similar interests, and there will also be many participants who don't know anyone else and would welcome someone to talk with. AMEE conferences are extremely friendly places, and we're frequently told that discussions over lunch and in the corridors are equally as important as the formal presentations. It is wonderful to see a number of collaborative workshops and manuscript submissions that have resulted from discussions at previous AMEE conferences, so make the most of the networking.
You will hear many good ideas from presenters, some of which might be applicable in your own situation. Take a few minutes at the end of the day to think what you might be able to apply to your own teaching, or maybe things that colleagues at your institution might be interested to hear.
Many presenters have handouts of their presentations, or summaries of their posters that can be very useful, and reduce the necessity to take detailed notes. You might also like to share these with colleagues once you return home. However, handouts tend to disappear rapidly, so get there early to make sure you get a copy.
If you need any help please ask at the registration desk for registration matters, at the accommodation desk for hotel issues, at the tours desk for tours and social events, or at the AMEE exhibition for programme-related issues. The Student Taskforce members wearing polo shirts will be strategically located throughout the venue and would be pleased to help.
Tweeting has been very successful at past AMEE Conference. If you hear a great presentation that gets you thinking, why not let your fellow participants know by tweeting using the official AMEE hashtag. You can follow AMEE on Twitter @AMEE_Online
Each year we receive a number of complaints from participants whose enjoyment has been spoilt by a few attendees who talk to colleagues or who take phone calls when others are presenting. We ask for your cooperation to keep talking to a minimum, and to wait until the question and discussion time to air your views.
There were a number of comments in the evaluation form from participants who were upset by other participants who took large numbers of photos during the sessions. This can be very distracting, particularly if you have a camera that beeps!
It is perfectly acceptable to move between sessions to hear presenters in other rooms. In this case we ask that you only leave the room at the end of a presentation, and try where possible to sit at the end of a row near the back
We know we don't always get it right, and your feedback is very important. Each year the Executive Committee spends a lot of time analysing the evaluation forms from the previous year's conference, and discussing what should be changed for the next year. The conference evaluation form will be online by the end of the Conference. Please take a few minutes to let us know what you thought, what you particularly liked and anything you didn't. In particular, we welcome your suggestions for speakers and topics for future conferences and really hope to see you again next year. If you have enjoyed the AMEE conference experience, please tell you colleagues about it.
Any more tips you would like to pass on? Please email [email protected] with your suggestions.
Design and Development by Blue2
12 Airlie Place, Dundee DD1 4HJ, UK
T: +44 1382 381953 • F: +44 1382 381987 • E: [email protected] • Scottish Charity: SC031618


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Today's post is by Stewart Bradley. He is a contributory writer associated with the Debt Consolidation Care Community and has written several articles for various financial websites. Though he holds his expertise in the Debt industry and has made significant contribution through his various articles, he has interest in budgeting, mortgage, insurance, short-term loans, investments, credit advice and more.
Are you someone who is looking for a way to cope up with your soaring debt obligations? Especially if you're aged between 18 and 25, you need to take utmost care of your finances so that you don't let the soaring credit card debt burden take a toll on your financial records and on your credit score. If you've started incurring debt but if you're still not in the red, you can take help of the credit counseling agencies as they're the ones who can let you repay your debt burden through effective budgeting and personal finance management.
However, if you've incurred a huge amount of debt and you're not able to cope up with the sky-high interest rates, you can take help of the financial services through which you can combine your debts into a single monthly payment and repay them through a stipulated period of time. Being a young adult makes you even more vulnerable to the financial scams and hence you need to know a lot on such programs. Here are some facts to consider.
1. It's a third-party payment system: Are you tired of juggling among different accounts? When you opt for a debt management plan through a credit counseling agency, you have to make a single monthly payment to the company instead of paying them in full. The payments will be stretched throughout a certain period of time and therefore you can conveniently manage to repay your bills. You have to make your payments to the company and they will disperse the funds to the creditors. Since you require making a single monthly payment, the stress remains low enough.
2. The debt consolidation agencies may differ in quality: With something that is as precious as your personal finances, you should be exceedingly careful about which company you work with. Look for the non-profit debt consolidation companies so that they offer you genuine professional help while helping you get out of debt. You should check the fee structure of the company, the way in which they report the credit bureaus, the interval within which they make payments to the creditors and the way they approach you. It is better to get help from the agencies that have your best interest in mind.
3. Consolidation is not always the best option for you: Although most debtors become attracted to the pitch of lower monthly payments and revised interest rates, this is not the most suitable option for all kinds of debtors. If you've racked up a huge amount of debt and you're not able to manage your multiple debt obligations, you can certainly take help of this option. But if you don't have a financial plan in mind and you're still practicing the bad financial habits, you shouldn't take help of the debt consolidation option.
Therefore, when you're a young adult and you're down with credit card debt, you can get help of the debt consolidation options. Weigh the benefits and the cons of taking help of such services and make timely payments to avoid a bad hit on your credit score.
If you are interested in contributing to this blog, please contact me at email@example.com


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Alina Petrisan was planning to teach common people to dance in an affordable way. She was planning to do many types of classes, different customer segments, both B2B and B2C. A new business model that integrated her big plans and crazy ideas was designed together with a new brand identity platform: AP.
Campaign Summary
The AP brand represents the central element of all the classes that stand AP in the common people lives: Alina, her charm, dedication and way of seeing life. AP represents the taste of your mood after the dance initiatives coordinated by Alina.
All the class categories align to the brand identity language represented by arrows that take you back to yourself, to your life-partner or to a brand new culture like the Scottish one... and then UP - to a higher and better life inspired by a "dancing" way of living.
The brand identity platform includes sub-brands suited to the targeted audience, having their own visual language aligned to the brand primary visual ID.
Target Audience
The AP sub-brands were targeting the following:
Kids Dance - targeting B2B - kindergartens and private primary schools Scottish Dance - targeting B2C - students, adults aged 28-45 y.o., expats; B2B - advertising agencies working with international Celtic brands (e.g. Jameson) Wedding Dance - Targeting B2C - couples getting married and looking for out-of-the-box choreographies Social Dance - Targeting B2B - event organizers, training agencies Therapy Dance- Targeting B2C - families of people with mental or physical disabilities; B2B - organizations that work with kids with autism or mental disabilities.
- 5 new types of dance classes
- 63 recurrent classes and a new engaged community
- 23 open class events
- over 400 different people have tried Alina's classes
Project title: Brand Identity
Brand: AP
Client: Alina Petrisan
Agentie: Kort Design
Andrei Carcea / Chief Designer
Ioana Korda / Concept & Content Designer
Shortlist Premiile FIBRA #1:
Shortlist FIBRA - Brand Identity / 3.5 PRINT - Brand identity


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The first pass attempt to Theo Riddick in his Broncos preseason debut resulted in an injury that is expected to keep him sidelined into the regular season.
Riddick, a seventh-year running back signed by the Broncos in training camp after being waived by the Detroit Lions, split out wide right on a fourth-and-short snap late in the first quarter Thursday night at Seattle when quarterback Kevin Hogan targeted Riddick on a quick slant. The pass was thrown ahead of Riddick, and when he reached out to secure it, Seahawks linebacker Austin Calitro drilled Riddick's right shoulder and jarred the football loose.
Broncos coach Vic Fangio told reporters Sunday he suspected the hit gave Riddick his shoulder injury with a recovery time that will "probably drag into the regular season." Riddick is expected to miss 6-to-8 weeks, a source told The Denver Post, setting up the most optimistic return date as Week 3 at the Green Bay Packers on Sept. 22.
The injury is a lesson in the unforgiving nature of NFL physicality. Riddick was signed by the Broncos a week ago Sunday and told reporters at the UCHealth Training Center after his first practice: "Denver was it for me. They're going to utilize my talents and strengths."
But Riddick hit the injury list four days later and now leaves the Broncos without a valuable offensive asset for a significant stretch.
Riddick, 28, was signed to become the Broncos' third-down running back as a versatile receiver from the backfield or slot. He tallied 50 or more catches in each of his last five seasons, with 14 career touchdowns receiving. It would appear his role in Denver's offense now momentarily shifts back to running back Devontae Booker, who served as the third-down back behind Phillip Lindsay and Royce Freeman last year.
Booker, 27, has 30-plus catches in each of his first three NFL seasons but only one career receiving touchdown. Booker has displayed continued confidence over his role on offense even in the wake of Riddick's addition to the roster. On Aug. 6, Booker said, "We just have to go out there and compete with each other every day."
An expansion of Lindsay's role in the passing game is another possibility to fill production during Riddick's injury absence. Lindsay hauled in 35 receptions for 241 yards and a touchdown as a rookie, but he spent much of the offseason refining his route running with the technical help of Broncos wide receivers. Lindsay was also a proven college pass catcher while at CU with 117 career receptions for 1,084 yards.
"I feel confident in what I do in my abilities," Lindsay said. "I can catch just as good as I can run. I run routes just as good as I can cut down the field."


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by Josh T. Smith, Research Manager; Hane Crevelari, MA fellow at George Mason University.
Posted February 10, 2019 In Scholar Commentary
In his 2019 State of the Union address, President Trump outlined a moral duty to build a wall along the southern U.S. border to prevent illegal immigration. But it's not likely that he'll receive congressional approval or funding for it. Democrats included no funding for a wall in their recent budget proposal, and with only a few days left until the January budget compromise ends, it's likely that a return to a government shutdown is just around the corner…
CGO scholars and fellows frequently comment on a variety of topics for the popular press. The views expressed therein are those of the authors and do not necessarily reflect the views of the Center for Growth and Opportunity or the views of Utah State University.


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Calling All Ibiza Lovers
Julien Temple & Fatboy Slim (aka Norman Cook) are making a feature film about the amazing Island of Ibiza and want to include you in it!
Whether it is mobile phone clips from holiday gems or vintage found celluloid footage from your attic we are interested to see it all and use it to build the definitive story of this magical Island.
Show us your journeys to and from the Island by sea or air. Show us your beach days and club nights. From fincas to festivals, high spirits to spiritual enlightenment, send it in.
Only some material submitted may be included in the film (see our Terms and Conditions for full details).
Submit your videos here: ibizathesilentmovie.co.uk
Read more on the project here.
Facebook Comments


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DHA-MULTAN balloting will be held on 31-May-2017, it is to be noted that From 31 May to 2 June 2017, no allocation / transfer activity will take place in DHA Multan.
Source: DHAMULTAN.
Ramiz Imtiaz
Linkers Realty
For any query contact +92-335-1369927 | 021-35639700-2
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The Royal group has been a name synonymous with quality and credibility since its very inception. Our projects have always been received with great admiration for the innovative design, modern construction and exceptional planning. The Royal group strictly believes in winning and retaining the trust of all the valued customers through high quality work.


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In December 2009 ADI brought Baloo, Betty and Boo to safety in the UK just in time to enjoy their first Christmas of freedom at Lakeview Monkey Sanctuary. The 3Bs", who we rescued from a major European animal research laboratory, had been used in neurology experiments.
In January 2010 these three lucky monkeys were released into their purpose built outdoor quarantine enclosure for the first time. Later that year, in August, they were released into their brand new, and very large, permanent outdoor enclosure, with adjoining nighthouse, in the Sanctuary's woodlands.
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Geography Quiz Game 3D 1.1 APK Full.
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beauty And Hairdressing
If you are visiting Dartmouth on holiday, why not use a local hairdressing salon or beauty therapist for some well deserved pampering? They make the perfect visit after an afternoon of sightseeing and are just the thing before dinner with your partner. Here are some great reasons why you should choose one of these services:
Local beauty and hairdressing professionals are extremely qualified and have years of experience to ensure you receive the best possible treatments. They can offer advice on choosing suitable products for your hair and skin, helping to keep them in tip-top condition when you return home.
Many local beauticians and hairdressers offer competitive prices compared to spas and national chains. They might also have special deals on, saving you money in the process.
Perhaps the best reason for choosing a Dartmouth beauty or hairdressing service is to help you save time. Instead of spending hours in front of a mirror, a local professional can give you a great look in a fraction of the time - perfect if you're on a tight schedule and want to look your best for that family dinner or enjoying yourself at a nearby club.


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About the Author
David Hubler is the former print managing editor for GCN and senior editor for Washington Technology. He is freelance writer living in Annandale, Va.
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A Sunday evening memo ahead of a potentially chaotic commute urges agency heads to pivot to telework as much as possible.
As concerns over the coronavirus outbreak drives more agencies towards expanding employee telework, federal acquisition contracts can help ease some of the pain.
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Philippine home and garden decor report highlights creative mixed-media designs
Online report features 11 export suppliers offering home accents, storage solutions, lamps, planters and garden accessories, plus details on product pricing and supply market trends.
MAKATI CITY, Philippines – The Hinrich Foundation released the Philippines Sourcing: Home & garden decor report with the support of its partner in export development, Global Sources.
The online report provides import buyers with sourcing information on 11 verified export suppliers and profiles home accents, storage solutions, lamps, planters and garden accessories. It also features an overview of the industry, new product features, price guides and export data. A PDF of the report is available to download for free online.
Suppliers offer finely crafted, unique mixed-media designs
Philippine suppliers of home and garden decor are leveraging the variety of materials found in abundance locally to offer conversation or statement pieces.
Makers explore various combinations of materials to achieve a distinct look that will set their designs apart in the international market. In candle holders and picture frames, metal sheets or wires complement capiz shells. Wicker laundry baskets and other storage solutions made of abaca, water hyacinth and other natural fibers are supported by metal frames.
In addition, companies often adopt ethnic and tropical elements that distinguish products as being made in the Philippines. In lamps and storage solutions, this trend is reflected in the adoption of handwoven textiles as an accent or main material of the design. Wall art, hanging lamps and pottery feature patterns inspired by the culture of indigenous tribes.
"Products from the Philippines are characterized by sensibilities that evoke culture, art and nature," said Cherrilyn Baylon, export consultant of the Hinrich Foundation. "This is evident in home products inspired by sea animals such as sea urchins and jellyfish as well as in items engraved with patterns inspired by tribal communities."
Suppliers and products
Established in 1993, Cagayan de Oro Handmade Paper Crafts in Misamis Oriental uses paper made from wild grass, dried leaves, twigs and flowers to create stationery, gift packaging and lighting fixtures. Its collection of ceiling lamps includes models inspired by sea urchins, anemones and other marine life.
Enpekei International Inc., which was incorporated in 1995, offers handcrafted furniture and home decor. Cast stone figurines, planters and wall art are among the products of this company in Cebu province.
Metro Manila-based Patika uses stainless steel, aluminum wire and glass beads to create flatware, fashion jewelry and home furnishings. It has been in operation since 2002.
Besides Cagayan de Oro Handmade Paper Crafts, Enpekei and Patika, suppliers featured in the report are:
– Aerostone Inc., Cavite: Statues, planters and other garden ornaments made of reconstituted stone.
– Beyond Home Decor, Pampanga: Wicker and wire laundry and storage baskets.
– Designcraft Inc., Metro Manila: Ceiling lamps, candle holders and other home furnishings made from metal sheets and bars.
– Island RKOC Home Decors and Accessories, Cebu: Candle holders, photo frames, vases and other home accents embellished with shells.
– Lampara Trends Inc., Metro Manila: Handcrafted vases, trays and other home accents embellished with capiz shells.
– Red Slab Pottery, Tarlac: Terra-cotta planters and jars with distressed or carbonized finish.
– That One Piece Enterprise, Bulacan: Handcrafted lighting fixtures with paper lampshades.
– Weave Manila, Albay: Handwoven abaca carpets and rugs.
The report further shows:
– Between January and July 2018, the Philippines exported $52.9 million worth of basketwork, wickerwork, shellcrafts, tableware, statuettes and other items associated with the home and garden decor industry, according to data from the Philippine Statistic Authority (PSA).
– The US was the top importer of the products during the period, accounting for 55 percent of the total export value. Japan, the Netherlands, the UK and Germany were the other key destinations.
– Most of the surveyed suppliers intend to keep prices at current levels in the next six months. Companies planning to increase prices will cap adjustments at 10 percent.
Philippines Sourcing: Home & garden decor is one of a series of online Sourcing Reports covering emerging Asia supply markets. A full version of the report can be viewed here.
Other related Sourcing Reports available available on the New Sourcing Markets website are: Home decor, Indonesia and India; and Home textiles, India. The site also offers sourcing reports on other products and suppliers from India, Indonesia, the Philippines, Vietnam, Cambodia and Laos.Download the report


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My My My Key Lime Pie
- 3 oz. Blue Chair Bay® Key Lime Rum Cream
- .5 oz. Blue Chair Bay® Vanilla Rum
- 2 oz. coconut water
Rim martini glass with crushed graham crackers. Shake all ingredients together with ice, and strain into martini glass. Garnish with a lime wheel and a cherry. Now, time to cook up a real good tan.


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Be Well Center is based on the belief that our customers' needs are of the utmost importance. Gidget Goad is committed to meeting those needs. As a result, a high percentage of our business is from repeat customers and referrals.
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Art, Classically Speaking, Gardens, Fountains, Sculpture
The Decline of American Monuments and Memorials
The following is adapted from a lecture delivered on March 2, 2012, at Hillsdale College by Michael J. Lewis, Professor of Art, Williams College, which I found to be very interesting and hope you will also. It is long so I am breaking it up into two posts. It is well worth the read.
"This has been an extraordinary year for American monuments. The memorial at Ground Zero opened last September in New York. One month later came the dedication of the Martin Luther King, Jr. Memorial here in Washington, and soon to come to Washington, or perhaps not, is the memorial to President Eisenhower, which is to be a collaboration between architect Frank Gehry and sculptor Charles Ray. Each of these has been the subject of furious controversy, especially those in Washington.
"The King Memorial was criticized for engaging a sculptor from Communist China, who saw to it that Chinese rather than American granite was used for the structure, which accounts for its "Made in china" inscription. Even worse, the memorial managed to misquote the great man. Not only did he not say, "I was a drum major for justice, peace and righteousness," but his actual words were a hypothetical statement put in someone else's mouth. Worse still is the demeanor and expression of the sculpture. King was above all an orator, and in photographs he is invariably open in stance, speaking, gesturing, demonstrating, with his energy directed outward. Yet in the monument he is depicted with arms folded, utterly detached. Instead of inspiring warmth, there is the infinite aloofness of an idol.
"The proposed Eisenhower Monument has been criticized on opposite grounds. Instead of making its subject a 30-foot effigy, it turns him into a diminutive country boy. In an outdoor public space that is part formal civic plaza and part wooden urban park, columns in the background will support a wire mesh screen depicting images of the Kansas prairie of Eisenhower's childhood. And at the center will be the sculpture of Eisenhower as a dreamy country boy "looking out onto his future achievements", an unconventional depiction, given that there were millions of dreamy country boys and only one Supreme Commander of Allied Forces in Europe in World War Two.
"As different as the King and Eisenhower memorials are, the public's dismay in each instance has the same cause. These aren't the men we knew. It is not easy, of course, to make a succinct statement in sculptural form of the essence of a man's life. It is something American art has always struggled with, especially in our chronic divided loyalty between realism and idealism. But this is the least of the problems with the Eisenhower and King memorials. They fail fundamentally as monuments, not because they misunderstand the nature of their subjects, but because they misunderstand what a monument is, or should be.
"As traditionally understood, a monument is the expression of a single powerful idea in a single emphatic form, in colossal scale and in permanent materials, made to serve civic life. (Materials and size distinguish monuments from memorials, of which monuments are a subset.) But I suspect that if Frank Gehry were asked to define a monument, he would say something to the effect that a monument is not a thing but a process, an open-ended conversation in which various constituencies bring different interpretations to different forms. I have heard versions of this definition for decades. And it is simply not good enough.
"The spontaneous roadside memorials that mark the site of fatal traffic accidents are a relatively new phenomenon. As physical objects they are ephemera, but as a mass cultural phenomenon they are quite extraordinary, and they testify to a deep human need for memorials. It is a new form of folk art, and it is extremely conventionalized in its expression. For one thing, its repertoire of forms and materials is very narrow; crosses, flowers, hand-painted signs, and heartbreakingly, in the case of a child, stuffed animals. There is very little else, and no striving for originality. Their creators look for widely understood symbols, and they yearn for resolution and closure, they certainly do not aspire to an open-ended process.
"In a way, these anonymous roadside sculptors understand what many contemporary artists do not, that monuments, because they are public art forms, must be legible. And this requires a great degree of convention. Thus most traditional monuments are paraphrases of a few ancient types; the triumphal arch, the temple, the colossal column, and the obelisk. Since the 1930s, it has been fashionable to disparage this as architectural grave-robbing, and to argue that we should create our own forms.
"But these forms are timeless, not simply ancient. After all, the arch is nothing more than a space of passage, made monumental; an obelisk or column is the exclamation point raised above a sacred spot; and a temple is a tabernacle, the sacred tent raised over an altar. These ideas are permanent, and it is not surprising that the one successful work of contemporary public art, the Vietnam Memorial, took its form from one of the most ancient, the mural shrine, the wailing wall.
"It is because of their ability to transcend time by connecting to primal human activities; passage, gathering, shelter, that the best monuments never look dated.
To be continued….
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A "Victorian Mayhem Steampunk Convivial".
That is what is promised on Sunday in celebration of the 125th anniversary of the commissioning of the Victorian Beam Engine in Markfield Park.
As well as music and markets, the free event will apparently feature "snail racing, tea duelling and costumed ostrich racing". The Engine itself will also be steaming.
Sunday 14 July, 11am to 8pm, Free, Markfield Park. See Markfield Beam Engine and Museum or Friends of Markfield Park.


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A second-skin fit seamless knit legging.
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text: Craig Thompson's Blankets is a human story told with beautiful, flowing linework, and is usually the first graphic novel that I'll give to someone new. But a lot of bookies have already read that, so the nominee is Thompson's new book. Applying the style of Blankets to a fable rooted in Islamic tradition, this sensual love story is frequently named the best graphic novel of 2011.


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Welcome to the official blog for the Plugin Review Team.
The review team acts as gate-keepers and fresh eyes on newly submitted plugins, as well as reviewing any reported security or guideline violations.
Quick Links
The review team acts as gate-keepers and fresh eyes on newly submitted plugins, as well as reviewing any reported security or guideline violations.
Quick Links
Everyone interested is encouraged to join Slack and follow the public blog to participate in any discussions there. Once the plugin repository revamp is complete, we plan to begin accepting new members.
Whether or not you are a plugin reviewer, everyone is welcome to report plugins with security issues or ones that violate the plugin guidelines to the team. To do this, email
email@example.com with a descriptive subject line and a clear explanation of the issue. If you're reporting a security issue, please do your best to explain how someone can reproduce the issue. You can include screenshots or attach PDFs or zips if needed.
Keep in mind, many email clients strip suspect content (even when sending) so code examples should be attached as ZIP files or PDFs.
Remember to test vulnerabilities as both an admin and an author (or lower), as some users have elevated privileges when it comes to posting unfiltered html intentionally.
At this time, we are not accepting new reviewers due to technical issues. While the new directory platform has solved most issues, we have no way to give people the right amount of limited access to emails via SupportPress. To that end, we are in the process of moving to a new system, however we do not have an ETA.
The best thing you can do right now is properly report any plugins with issues to
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Contribution days are where a group of interested people can help review plugins. As the system is limited, right now we can, as a group, review plugins. Alternately we can go through the handbook and make edits and provide fixes.


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Behind the Watch Face
Financial imperatives and the changing nature of luxury brands and how they are positioned means transparency in the watch market is ever more under the spotlight
Column courtesy of Mr WatchMaster
We are pleased to bring you the first in our new exclusive series, 'MrWatchMaster Thinks' that invites leading figures from the horological world to share their fascinating views on current and future issues affecting the watch industry. We are delighted that Dr James Nye begins our series with his thoughts on how not everything is what it seems, with his insights on transparency in the watch market.
I wear a number of different horological hats, being associated with different museums, societies and such like. One hat is that of being a liveryman of the Clockmakers Company, which since inception has been under an obligation, deriving from its Royal Charter, to protect the horological trade, most especially in London, but by extension in the UK. With respect to that obligation, the Company has focussed efforts over the last two years on encouraging the trade—and especially the wristwatch trade—to be more transparent in its marketing. There is a widespread interest in the renaissance of the British horological trade, but this is potentially at risk from the practices of both British and non-British participants in the market. It's a complicated story, with a long historic backdrop worth exploring.
Sometimes, things are exactly what they seem to be. On other occasions, there's a large difference between appearances and reality. The current watch market offers opportunities to observe both sets of circumstances. Take the tacky end first. We have the familiar trope of the inexpensive fake Rolex sold on an exotic beach, or to visitors in distant cities, in bargains struck between buyers and sellers who clearly each know what they are doing. Despite superficial similarities between the fake and the real thing, nobody is fooling anybody in the trade.
Roll back the clock two centuries and there was perhaps a very much less clear situation in one particular and large trade in watches we have come to know as 'Dutch forgeries', where both the words 'Dutch' and 'forgery' are very much open to contest. The subject of ground-breaking new research by Dr Struthers of Birmingham City University, here was a situation in which large numbers of watches were effectively passed off as being London made, despite being produced elsewhere. But there are huge subtleties involved, in that participants in the illicit business involved elements of the London trade. At more than one level, things were not what they seemed.
The watch market, from its earliest form, long before wristwatches, right up to date, can offer risks for the unwary. Whilst the vast majority of watches now made have little intrinsic value, there is a very visible market in luxury watches—watches whose value bears no relation to their ability to tell the time, and this too has been a feature of watches stretching back into the past. And this is precisely where risks lurk for the unwary—if something is highly specialized, sought-after, maybe highly individualised, there is the opportunity for parallel markets to emerge (the elegant boutique market for the real thing, and the back-street market for the knock-off) but far more dangerous is the temptation for unscrupulous people to capitalise on less than perfect knowledge in the marketplace—as the Prince of Morocco has it, 'All that glistens is not gold'.
The financial aspect of horology, like so many industries, has changed radically over a century. Not only the working conditions have changed (becoming safer), but relative wages have risen. It is hard to sustain the image of the tortured handcraft worker producing exquisite work in appalling circumstances in the modern watch world. If employees are expensive, watch companies are in addition also committing to eye-watering expenditure on modern machinery capable of operating to the finest tolerances. The relative cost of making high-end watches probably remains high for manufacturers. Over decades, their market has also evolved. It was a century or so ago that European buyers were supplanted by waves of wealthy Americans. Between the wars, Breguet on Place Vendome would become used to serving the wealthy element of Stein's 'lost generation.' But in more recent times colossal wealth has emerged in Asia, supporting all manner of luxury markets, from wine to watches. Thus the watch manufacturers have had to adjust to the different demands and preferences of changing groups of buyers over time. The public relations machinery of watch branding, which becomes ever more sophisticated just as in other industries, has to try to maintain desirability and mystique—each brand seeking its own special marketing edge.
It is a common feature of luxury goods that a brand or label will operate at different levels; there will be a prestige cuvee, a couture line, some aspect of the brand which is pitched at the very top end with relatively limited sales to the wealthiest clients, but such a strand offers significant legitimacy and allure to the balance of the range, pitched at a larger client base, who can afford a luxury product, but not ultimate luxury. The grandest complication watches sell in small numbers, but support the sales of countless other less expensive watches from the same house. Zooming the camera right back, there are other important elements, such as national branding. In the distant past, London and the UK held leading positions in the international horological markets—an advantage that was slowly squandered through a failure to innovate and invest, with first American and then Swiss manufacturers moving into poll position.
The Swiss have spent more than a century cementing a reputation for a national industry. Whilst Asia utterly dominates the watch industry in terms of absolute volumes of units supplied, it is nevertheless Switzerland that currently predominates by value of sales, in view of the Swiss dominance of higher-end watch production. Despite accounting for as little as 2.5 per cent of global watch production, the Swiss watch industry exports more than CHF 20 billions' worth of watches each year, and the industry is the second largest Swiss exporter, by value, after pharmaceuticals. It is clear that from a strategic point of view, the Swiss watch industry and its economic success is a matter of national importance for the Swiss government, and this underpins the success of individual Swiss brands in securing favourable international terms.
Yet it is interesting that arguments rage within Switzerland as to the qualification for 'Swissness'. Whether the test is one based on value of component parts, or a percentage of components parts, or some other measure over time, there will always be firms that test the limits, seeking to reduce costs to a minimum through the sourcing of parts or labour from non-Swiss and less expensive locations. At the same time, other firms will see a marketing edge in maximising their Swissness and may then shout loudly about how misleading their sharper compatriots are when they operate close to the wind. In the UK we have had the unedifying spectacle, now many years ago, of a decision that allowed a firm to claim watches as 'Made in England' on the basis that they were 'deemed to have been manufactured or produced in the country in which they last underwent a treatment or process resulting in a substantial change.' It appears to have been successfully argued that, in essence, 'assembly' was a substantial change. Does this stand up to scrutiny?
Cars are sophisticated devices requiring servicing through their lives in order to continue to perform efficiently. Yet servicing does not mean entire disassembly, whereas in the case of a watch, entire disassembly and re-assembly are routine operations in the proper care of a watch if it is to have a long and useful life. The making of a watch and its assembly are quite distinct concepts. The working up of an underlying design, and the bringing of it to fruition through precision engineering, seem to lie closer to the heart of the 'making' of a watch, rather than assembly, or perhaps the re-finishing of raw components.
This view was bolstered significantly through the widely reported action of the US Federal Trade Commission (FTC), which issued guidance in 2015, mainly targeted at the Shinola company, making it clear that to qualify as 'Made in USA' a watch required manufacture in the USA, and not just assembly. When Shinola appeared to ignore the terms of the guidance, the FTC took further and direct action, compelling Shinola to make changes in the claims it makes in its marketing. From a regulatory point of view, it would appear the US has taken something of a lead on transparency in the watch industry.
Turning to the big issues in the minds of observers of the watch industry, there are two main areas of focus. One relates to the degree to which watch production is carried out in-house by any given brand, and the other relates to the desire to link brands with historic centres of watchmaking, such as Switzerland, the US and Britain. The Swatch Group's decision to cease the supply of parts and movements to third parties has been widely reported and discussed over many years since it was first announced, and the matter remains far from closed as Swatch finds itself with perhaps more of a battle on its hands than it anticipated. That is a story for others to tell. But the underlying philosophy, to which the decision relates, reflects, in part, a wider industry obsession that has emerged in the last few decades, and that is with 'in house' production.
In England, in the 19th and just into the 20th century, a single high quality pocket watch might have involved the input of more than 30 individual specialists (frame makers, dial makers, train makers, escapement makers, springers, gilders, engravers, case makers, hand makers and many, many more). There was a strong division of labour and it was a perfectly well accepted business practice for the ultimate retailer of the watch—the controlling mind in the whole operation and the equivalent of the modern 'brand'—to have its name on the dial, movement and case of the finished product.
Traditionally, the Swiss watch industry has also relied since the turn of the twentieth century on a division of trades, in which it has been standard practice for ébauches manufacturers to supply the final maker with raw movements, and for the 'assortiment' (mainly the escapement) also to be sourced separately. More recently, the major Swiss brands have come to value greatly the public relations value of being able to claim that all the production of their watches is carried out 'in house'. A well-known example is the case of the Rolex Daytona—a classic Rolex model—for which the movement was traditionally sourced from Zenith, but is now made by Rolex.


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Speakers: Jake Collins, Director of Marketing Intelligence, University of Pittsburgh Medical Center; April Weitzel, Senior Manager of Digital Analytics, University of Pittsburgh Medical Center; Michale Christensen, Analyst, Business Operations and Analytics, Domo
Accelerate your ability to adapt and win by uniting around data. Hear from April Weitzel, Senior Manager of Digital Analytics for University of Pittsburgh Medical Center, Jake Collins, Director of Marketing Intelligence at UPMC, and Michael Christensen, Domo Analyst, to learn how the team at UPMC developed an analytical decision engine that gives them the ability to transform how they work together by connecting all of their people, data and systems, and deliver maximum impact throughout the funnel.
In this session you'll learn:


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Founded in 1961 the Israel Festival presents outstanding international theatre performances, contemporary dance and classical music, along with outstanding original Israeli works and open to the public street performances. Attended by over 35,000 people, the Israel Festival is one of the city's most important and beloved cultural assets, advancing education, empowering community and strengthening tourism and the economy.
The eclectic programming of the Festival attracts varied audiences from Jerusalem and beyond, and is a dynamic hub for students, professional artists and culture lovers, greatly enriching the city's cultural landscape.
Hosting leading international artists and engaging emerging and established Israeli artists, the Israel Festival provides an important platform for inter-cultural encounter and dialogue, and is vital to a modern, dynamic and pluralistic Jerusalem.
Past festival participants include Bill Forsythe, the Kirov Ballet, Peter Brook, Complicité, Zakir Hussein, Daniel Barenboim, Laurie Anderson, Boris Charmatz, The Trisha Brown Dance Company, Robert Wilson, Lucinda Childs, Romeo Castelluchi, Jan Fabre, Philippe Quesne, Angelica Liddel, Ensemble Modern, Julien Gosselin, Xavier Le Roy, Doris Uhlich, Wang Chong, Marlene Monteiro Freitas. Israeli artists featured in the past include the Kaveret Reunion, Shalom Hanoch, Eyal Weiser, Yossi Yizraeli, Yonatan Levi, Adina Bar-On and many more.
Beyond inspiring, memorable performances, participating artists conduct master classes and artist talks. As part of these encounters, the festival collaborates with leading art academies, professional guilds and independent artists. The presentation of iconic and ground-breaking artists propels a lively local-global discourse amongst the artistic community, cultural consumers and the general public.
The Israel Festival is an active member of the Israel Cultural Organization Forum, the Silk Road Festival Association and the European Festival Association and Is the recipient of the EFFE Label of Excellence.
The artistic program for 2019 reflects on current issues and expressions of identity, while exploring the boundaries of artistic creation and the separation of "artist" and "viewer", "self" and the "other."
Performances will be held at the Jerusalem Theater, the Tower of David, the Museum for Islamic Art, a City Hall rooftop, Eden Tamir Music Center in Ein Kerem, and Zik Studio in Beit Nekofa, creating an inclusive, unique and inspiring artistic landscape for both performers and audiences.
This year international program includes works by Jefta Van Dinther, Deborah Hay, Philippe Quesne, Steven Cohen, Martin Zimmermann, Robyn Orlin, Marcelo Evelin, the Cullbergbaletten, and the Song of Goat theater group, alongside a string of Israeli premieres from Clipa Theater, Elad Theater, Zvi Sahar and Itim Ensemble, Zik theater group, The Great Gehenna Choir, The Revolution Orchestra and the DAVAI theater group.
The 2019 Israel Festival kicks off with a special open-air concert and After Party at the Jerusalem Theatre, featuring a sizzling lineup of leading musicians and producers in the israeli beat scene under the artistic direction of Gilad Kahana. Atar Mayner on the DJ table, Dor 3, RASTA HAI, Damsel is Depressed, Eden Dersso, DIGITAL MONX – the intriguing new group of Ori Kaplan and Tamir Muskat (Balkan Beat Box), Itamar Ziegler, Ron Bunker, and Tom Darom featuring Tomer Yosef, Gili Yalo, Eden Dersso, ELISEE, A-WA and Gilad Kahana himself for a wild concert-party of rap, hip hop, Africa and tropical bass. A tribal gathering for a celebration of beat freedom.
A Greeting from the
Festival Director
We are delighted to present the 58th Israel Festival artistic program and invite you to enjoy the finest contemporary works created for the stage in Israel and around the world.
Join us for two and half weeks of extraordinary shows that explore, provoke, entertain, move, and inspire. The Israel Festival is a call for adventure. Come to two, three, four shows or more – we promise a voyage like no other!
Culture offers a unique opportunity for encounter and dialogue, allowing us to meet "the other" and gain insight into their world while shedding new light on ours. Indeed, we believe that one of art's most critical roles is to break through the real and imaginary barriers between people, communities and nations, and to serve as a bridge between them. In the face of growing attempts to narrow the freedom of artistic expression for fear that the exploration of controversial issues might give a voice to varied ideological opinions, the Israel Festival artistic program is committed to unwavering independent curatorship driven by a steadfast strive for artistic excellence.
We thank the Ministry of Culture, the Jerusalem Municipality, the Jerusalem Foundation, the Israeli Lottery Council, the foreign embassies, corporate sponsors and private donors who share the Festival's values and support our efforts to realize our vision of enriching the cultural landscape, widening the artistic discourse, and contributing to the multicultural character of Jerusalem and to peace between the nations.
Thank you to the board members.
Thank you to the most professional and dedicated festival staff in the world.
Thank you to all the participating artists and performers.
And thank you, dear audience, for joining us on this fascinating journey.
See you at the festival!
Eyal Sher
General Director
A Greeting from the
Festival Artistic Director
To our returning visitors – glad you are here; to new ones who are joining us – happy to meet you.
In these times, it seems that we have to talk about identity – what it does to us and how it affects us, what are the forces that dominate this discourse and where they lead it, and where culture stands and what role it plays in all this.
Many of the shows we chose for the 2019 Festival will examine these issues, directly and implicitly, and try to turn the spotlight on the multiple social and personal voices that exist at the core of identity and the debate that surrounds it. Some of the artistic voices in the festival program touch on the desire to look at wider group experiences; other voices turn to look at the personal and the private; and all of them transform familiar concepts, delineating aesthetic boundaries that underscore what it means to be individuals who sometimes try to blend in with the crowd, and sometimes try to imagine our inner self shining in the dark of night.
We invite you with love to share our 2019 voyage. Vital turbulences guaranteed.
Itzik Giuli
Artistic Director
The Israel Festival Team
The Israel Festival was founded by the late Aaron Zvi Propes. The Festival is supported by the Ministry of Culture and Sport, the Jerusalem Municipality, the Jerusalem Foundation, embassies, private and public foundations and corporate partners.
The Israel Festival Team:
Eyal Sher, General Director / Aviva Nir-Giladi, Assistant to the General Director / Itzik Giuli, Artistic Director / Miri Menirav, Producer / Adi Sheffi, Marketing Director / Shira Vitaly, Programming Associate & Artists Relations / Merav Kedar, Sales Director / Dina Ashkenazi, Account Manager / Gavriel Goodman, Acting Producer / Maayan Navon, Production coordinator / Leah Stora, Content Coordinator
Board Members:
Dan Halperin, chairman; Idit Amichay, Yehezkel Beinish, Yitzhak Ben-Nissim, Yoram Braverman, Nili Cohen, Orly Doron, Hanna Hertzman, Jonathan Livni, Ziv Nevo Kulman, Ruta Peled, Barry Swersky, Anat Tzur, Micha Yinon
Audit Committee: Prof. Leah Achdut, Adv. Ruth Horn
Public Relations: Ora Lapidot, Adi Tzoref-Feldman / Public Relations Russian Sector: Sofia Nimelstein / International Public Relations: Lydia Weitzman & Caroline Shapiro /
Graphic Design: The League – Koby Levy & Michal Zur
Website: RSVP – Niv Farchi, Sagi Banduil, Nof Harari, Khalil Jarban
Digital Media & Social Media: 6 Degs – Eyal Bason, Analog – Yuval Haring
Video Editing: Yair Moss
Writing: Shira Vitaly
Copy editor: Gal Kusturica
English translation: Maya Shimony
Russian translation (website): Leah Greenspan, Anna Irovich
Arabic translation (website): Sectors, Metanes Farah
Box office: Bimot
Accounting: Avraham Bechar & Co. / Internal Auditor: Ofer Sassover, CPA / Legal Counsel: Adv. Tamar Fineberg


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Unleashing Generosity through collaborative giving
Unleashing Generosity is a learning community that offers resources, coaching and inspiration for giving circles, donor networks, financial and philanthropic advisors, families and individuals.
What We Do
We offer coaching and consultation to help increase the membership and outreach of our Learning Community members. We also facilitate learning and collaboration among the members to enable them to share ideas for growing and retaining membership, increase their outreach to financial and philanthropic advisors, and strengthen their ties with NGOs, activists and leaders.
We inform philanthropic and financial advisors about the benefits of giving circles and other donor networks for their clients. We also offer advisor coaching and workshops (for CEU credits) on new trends in the field of philanthropy, and how donor networks and giving circles help unleash the generosity of people of wealth and their families.
We coach donors and their families on their giving strategies, tactics and methodologies. We have seen that joining giving circles or donor networks often accelerates people's leadership and generosity. It is inspiring to see collective work and wisdom shared, and to be part of giving money with others outside one's family.
Unleashing Generosity provides an introduction to a variety of donor networks and giving circles that each have a distinctive way of bringing donors together to support social and environmental issues. Every donor is going to have different preferences for the type of group that they will find enjoyable and comfortable. We enable people to find at least one network or giving circle that is a good match for their interests and values. Once we do an intake interview on the goals and issues that are important to you, we will refer you to our member networks, advisors and other resources.
Our goal is for you to find the best group of people to support and inspire you to make a greater impact on the issues you care about. Individual coaching is available by phone and email. Coaching and facilitation of intergenerational dialogues are also available for families.
If you are interested in any of these services we invite you to Join our Learning Community.
For more information about hiring us please contact:
Why We Do It: Our Theory of Change
Our goal is to increase the amount of resources for social change
by inspiring donors to give more
– and to give more strategically and joyfully.
Research shows that people who convene in networks accelerate their giving and creativity when they meet other donors and hear their stories. Their generosity is further stimulated when they build relationships with leaders of social change organizations and diverse community activists.
We know there are thousands of new donors, including the next generation of inheritors and high-earners, who could benefit from mentoring by an older generation ready to pass on their experience and contacts. Older donors also have much to learn from the innovative thinking and insights of younger donors and activists.
The voices of people directly engaged in social justice and environmental sustainability are a compelling factor in unleashing generosity. Diversifying and democratizing philanthropy is a key to directing more resources to these issues.
Therefore, in order to catalyze more resources for social change by inspiring donors to increase their giving, we have chosen to focus on four strategies:
Strategy 1 We connect financial and philanthropic advisors with donor networks so they can help their clients find the best match. Donor networks include giving circles, study groups, donor education initiatives, and advocacy collaboratives on a range of issues.
Strategy 2 We strengthen the ability of donor networks to attract new members and retain existing members. We are building and nurturing an international Learning Community of donor networks so they can benefit from each others' learning, participate in mentoring, and share stories, information and research.
Strategy 3 We foster relationships between donor networks and diverse social change leaders in order to accelerate the process of diversifying and democratizing philanthropy.
Strategy 4 We raise the profile of collaborative giving through traditional and social media.
What we do and why we do it


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Libre Physical Therapy offers pilates rehabilitation to help patients build strength, coordination, flexibility, mobility, and range of motion. Our team of experts offers personalized pilates rehabilitation programs to meet the needs and goals of each individual patient. Widely used as an exercise routine, pilates can be a great way to recovery from injury. Certain movements and stretches that are instructed by one of our physical therapists can provide pain relief, postural correction, and extend range of motion in patients suffering from a wide variety of injuries or diseases.
Patients that have certain health conditions or are experiencing excruciating pain should let their physical therapist know right away. To learn more about if pilates rehabilitation is the correct recovery program for your therapeutic needs, Contact our office today located at 311 NE 8th Street, Suite 104 Homestead, Florida.