text:
Gilkey Organization's investment focus
is centered around real estate
opportunities in key Florida locations and
within market niches which will be the
beneficiaries of Florida's economic
recovery over the coming 3-5 years.
Building upon its foundations of
development experience, market
intelligence and real estate advisory
services throughout Florida, Gilkey
Organization will pursue investments that
link its key financial partners with
emerging growth opportunities,
distressed assets and properties in need
of new capital sources.
Our capital partners will work with
Gilkey Organization as we identify,
purchase and add value to real estate in
Florida. Gilkey Organization has
developed market criteria for identifying
properties that will fill a specific market
niche or location advantage, and create
successful returns on investment in the
coming years.
Gilkey Organization's unique
qualifications include: a broad strategic
view of multiple regional markets in
Florida: a keen understanding of economic and growth drivers in the state; and, an extensive knowledge of Florida entitlement issues. Specific areas of expertise include:


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Ira Lacher reflects on the stakes for presidential candidates, nearly a year before the Iowa caucuses. -promoted by Laura Belin
"It gets late early out here."
Yogi Berra is credited with that observation about the final month of the baseball season, when the lower-in-the-sky sun of early fall casts longer shadows over more of the field.
Managers will tell you a win in April is just as important as a win in September. But when you don't win in September, you have fewer opportunities to make up those losses.
Heading into March, there are about eleven months to go before Iowans tell the world why so-and-so should be the Democrat to oppose Donald J. Trump. Eleven months may seem like a long time. There are unanticipated world and national events to come, revelations to be made, gaffes to occur.

subset: commoncrawl


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Discover A-list secrets to being and feeling beautiful from one of Hollywood's hottest hairstylists. Ken Paves shows the way to making the most of "what you've got, on your own terms," demonstrating different looks through interviews and photographs of several "real women." In makeover sections, Ken duplicates the highly regarded work he's done on Oprah, The Biggest Loser, and other TV shows and reveals insider hair-care hints from how to blow dry your hair the right way and get the most flattering cut to time-saving styling tips and quick fixes in an emergency. This is an intimate book that will hearten and inspire every woman.
Apr 04


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Before we get stuck in, let me give this post a bit of context.
This post is made up of a mixture of #ContentClubUK responses, and my own commentary on some of the points made by other freelancers. Credit where credit is due – they've done the leg work.
If you haven't come across it – #ContentClubUK is a weekly Twitter chat where, for 30 minutes, a squad of amazing freelancers respond to 3 questions and share their (always) incredible advice.
On Tuesday July 16th 2019, I took a turn to host the chat.
After initially um-ing and ah-ing over which questions I would ask, I decided to roll with the theme of briefs.
*Queue underwear jokes*.
And just so that no one turned up and embarrassed themselves…
A near disaster averted for someone, I'm sure. (Just kidding)
Luckily, no one came armed and ready to discuss their favourite type of under garment.
Instead, of course, the trusty #ContentClubUK folk came equipped with their humour, their expert advice, and their best tighty-whitey gifs.
But enough chat about undies.
You're likely reading this post because you want a better understanding of the ins and outs of a high-quality copywriting brief.
You're probably keen to take heed of the advice of other freelancers that will show you how to avoid falling into the pitfalls of a poorly constructed brief.
You're maybe even here because you're not too sure how long you should be spending on the brief stage.
That's great! Because you're in the right place.
This post will answer three main questions:
Q1| What are the features of a quality brief?
Q2| How much time is it worth spending on the brief stage?
Q3| What are some of the pitfalls of not having a quality and thorough brief?
But, just before we jump in and get you clued up on briefs…
…what's the point of a brief?
The brief stage of any project is the initial communication between you – as the copywriter – and your client. It's the time spent gathering the important details of the project, and it's the opportunity to set the boundaries and the expectations of what the job entails.
The brief is the foundation that will eventually set the project in motion.
Not only that, but it becomes your point of reference throughout the content creation process.
Done right, and it will guide you with all the right information you need to do the job well. Done poorly, and you'll be blindly guessing and fumbling every step of the way.
So, ready to get your briefs on fleek?
Let's do this.
Q1 | What are the features of a quality brief?
For the first question, I figured the best way to get the #ContentClubUK party started was to define what a good brief looks like, and what features constitute a quality brief.
And my fellow freelancers did not disappoint.
Here's just a handful of their awesome responses:
Alright, a lot to unpack here.
The thing that stands out most in these answers is that a quality brief should cover a lot of ground – and that there's no pants emoji. What's that all about?!
Joking aside, the brief is the opportunity to initiate an open and friendly communication channel with your client – where you find out more about their business or company, what their values and goals are, and how you – as the copywriter – fit into helping them on their way to achieve that.
Chris Guiton (@WealdenWordsmi1) raises a great point in his answer. He explains that a quality brief should be "something that balances aspiration with deliverability".
This sits at the very essence of how a good copywriter can benefit their client's business.
A quality brief should promote a balance between being able to deliver realistic results while helping your client's business achieve their marketing goals, and successfully reach out to their target audience.
Ed Callow (@EdCallowWrites) also touches on an important point in his response. Sometimes, in respect to their marketing strategy, a client may not be completely sure what exactly it is they need a copywriter to do to move their business in the right direction.
After all, they're considering hiring you because you're the one who's proficient in this department.
As copywriters, we should allow the brief stage to be an opportunity to encourage the discussion of new ideas – and if the client open to it, give them the chance to process and reconsider other options that they feel may be more effective for their business.
To summarise what a brief should include, I've created a list.
Here's a checklist of the features of a quality brief…
While this list covers a lot of different bases, it's by no means fully comprehensive.
Writing it out made me realise just how many different components there are to consider when preparing a project brief.
My advice would be: don't delude yourself and think you can just 'wing' the brief. It's a guaranteed way to miss crucial details that you're only going to have to spend time going back to the client and getting later. And to be completely honest, who knows how long that may take?
The take-away here is to make sure that you have a brief that prompts you to collect as much of the information as you can, as early on into the project as possible.
Which, by the way, provides a nice transition onto the next question…
Q2 | How much time is it worth spending on the brief stage, and why?
For Question 2, I asked about how long a brief should take.
I wanted to get a better understanding of how worthwhile other freelancers feel the brief stage is.
To no surprise, everyone unanimously agreed that spending time on the brief stage is pretty, damn, important.
Think I'm a 'liar, liar pants on fire'? (Last underwear joke, I promise).
I'll let these answers do the talking:
Okay, no need to get your map and torch ready – the answer to this one is loud and clear.
What matters here isn't necessarily the amount of minutes and hours you spend constructing a brief. What really matters is that both you – as the copywriter – and your client are comfortable and confident with the details of the project, and what's expected on both sides of the exchange.
The brief should take as long as it needs to make sure that everyone is on the same page.
Which leads us on nicely to the final question…
Q3 | What are some of the pitfalls of not having a quality and thorough brief?
While it's important to talk about the features that you should include if you want your brief to be thorough, it's as equally important to know why it's important to get it right.
For Question 3, I asked about some of the headaches that come as inevitable symptoms of a poorly constructed brief.
To get a more definitive idea of this, my fellow freelancers dipped into their own experiences and highlighted some of the frustrations they've confronted when the brief hasn't been up to scratch.
Take a look at these answers:
Yikes. Any one of those situations sounds like a complete nightmare.
The thought of confusing, directionless and unfocused work; full re-writes; no motivation to get the work done; speaking to the wrong audience/markets; producing 'meh', sub-par work; and potentially disappointing your clients are all reasons enough to want to get the brief right.
So, to sum this post up…
Briefs are an absolutely essential part of the writing process.
A lot of the success of a brief (and from there, the project) rests on how good the initial communication is between you and your client.
To make the most of the brief stage, it's crucial to know what questions to ask, in order to prompt your client to give you the all-important information that will make your job much easier during the writing process.
Remember to spend as much time as is needed to ensure that both you and your client are as comfortable and as confident in what's expected from both parties. That way, everyone is on the same page.
To conclude this post, I'll say this:
I'll bet there's never been a copywriter who's regretted being too thorough at the brief stage – and now we know there's a good reason for that.
What? Isn't this post enough for you?
Okay, I'll bite.
Here's 3 superb brief-related resources to keep you going:
- @MegRFreelance's awesome blog post about 'Starting from scratch: Things your copywriter will want to know'
- @amyboylanwrites' insightful post that explains 'How a strong copywriting brief can boost your business'
- @copywritemattrs' handy guide that outlines 'The secret to mind-blowing copywriting? A detailed copywriting brief.'
Let me just finish on a massive thank you for reading this #Write52 post. It has been awesome to have you here.
I also want to take this as an opportunity to credit everyone who provided amazing responses to these #ContentClubUK questions – there were way too many good ones to include them all in this post. If you'd like to get involved, #ContentClubUK is held every Tuesday at 11am GMT.
If you're still not sure what #Write52 is, read this and this. That should help clear things up.
As well as that, Ed has been working to compile all of the #Write52 posts each week in a handy email newsletter – which you can sign up to here. Be sure to do that, and you won't miss a trick.


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Modern Warfare 2.41.61 Full Screenshot
A turn-based strategy game in which you command either the United States' military or China's military. As commander during a war that takes place in the East Asia, you control a modern military which is based on realistic units with high-tech armament. Using these units, you make strategic moves to bring your country to victory. Published by Dataware. ... read more
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Back to Focuson Cotton
Spray Carrier Rates and Nozzles Types Effect on Harvest Aid Efficacy
October 2018
By James A. Griffin
Ph.D. Graduate Student
Texas A&M University
College Station, Texas
Phone: 731-413-9825
Watch Presentation (11 min 29 sec)
for PC, Mac, and Articulate Mobile Player App (9.04 MB)
Video for Android (30.8 MB) | Video for iPhone (38.6 MB)
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For the best viewing experience on your PC, please use Google Chrome. For the best iPad viewing experience, you will be prompted to download the free Articulate Mobile Player app.
With the onset of Enlist and XtendFlex technologies, farmers have been regulated to use coarse to very coarse droplet tips. Farmers are also able to harvest more acres in a day's time allowing them to apply harvest aids over a smaller amount of time. In an attempt to keep up with harvesting ability, it is reasonable to assume farmers may reduce carrier volume rates. This presentation will cover the effects of reducing carrier volume and using coarse spray tips compared to traditional practices of applying harvest aids. This will assist farmers in making decisions about which nozzle tips and water volumes they should use to apply harvest aids and how pressure, water volumes, and tips affect spray patterns.
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© David Bruce Bryant-Scott and The Island Parson (brucebryantscott.wordpress.com), 2017-2020. Unauthorized use and/or duplication of this material without express and written permission from this site's author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to David Bruce Bryant-Scott and The Island Parson with appropriate and specific direction to the original content.
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Monthly Archives: June 2014
Sacrificing our Sons
The Problem of the Akedah In Genesis 22 we find the story of the Binding of Isaac, known in Hebrew as the Akedah. It is the part of the saga of Abraham in which God tests Abraham and says to … Continue reading
Posted in Uncategorized Tagged Abraham, Abraham Binding of Isaac, Akedah, Sacrifice, The Binding of Isaac, World War I Leave a comment
Against Bill C-36
So I am gathering signatures for this. Let me know if you want to add yours, eh? We, ordained ministers of various faith groups and denominations, wish to express our concerns regarding Bill C-36 "Protection of Communities and Exploited Persons … Continue reading
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The Island Parson: Not George Herbert
George Herbert (1593 – 1633) was a poet and priest of the Church of England. By all accounts he was a brilliant man. He came to maturity in the reign of James I, studied at Trinity College, Cambridge, and continued … Continue reading
Posted in Uncategorized Tagged Anglican, Anglican Church of Canada, Church of England, Country Parson, George Herbert, Priest 3 Comments


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Would you like to become one of our partners?
Our technological partners are software development companies specialising in the financial sector.
These solutions:
- Are internationally renowned.
- Provide differential value to clients in our market.
- Meet our extremely high service quality standards.
If your company and solutions meet these requirements, and if you are interested in the opportunity to partner with us, please ask us for more information.


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Ep. 5: The Calm Before the Storm
June 10, 2019
Aaand we're back! In the calm before the storm that is Summer Reading, Librarians Unhushed moseyed on down to City Hall to record this month's podcast. For June, we're chatting about our recent unlikely encounters with classic novels, a TSA snack screening, and so much more!


text: How many kids do you know who can build robotic spiders out of scrap metal, develop a substance that's stronger than steel, or crash a cyber-wizard's computer from an undetectable monitor? Well, that's Irma. Still, all she really wants is to make some friends and blend in for once, but no matter how hard she tries, Irma always seems to stand out. This laugh-out-loud middle-grade novel encourages readers to explore the STEM fields while never losing its sense of fun.


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Pagenation Home | KL | Penang | Malacca | Singapore | What's New Here | Photo Album
Masjid Arrahman is on Lontar 6; is on Batu Permata; is near Batu Raya; is near Minangkabau Dalam; is near Lontar 5; is near Lontar 7; is near Lontar 4; is near Menteng Atas Selatan 3; Masjid Arrahman is geographically located at latitude(-6.217 degrees) 6° 13' 1" South of the Equator and longitude (106.8425 degrees) 106° 50' 33" East of the Prime Meridian on the Map of Jakarta.
The locations related to Masjid Arrahman are represented by the an airplane flight paths route between two points and may not be nearest by road. For example, Masjid Arrahman is located 112 metres from Masjid. Masjid Arrahman is located 166 metres from Smu 43. Masjid Arrahman is located 177 metres from Masjid. Masjid Arrahman is located 332 metres from Rumah Sakit Budhi Jaya. Masjid Arrahman is located 430 metres from Sekolah.
Apartment Casablanca 0.6km, Apartment Casablanca 0.8km, Puri Casablanca 0.9km, are places to stay (hotel, service apartment, inn) located near Masjid Arrahman.
Carefour 1km, Pasar Rumput 1.1km, Mal Pasar Festival 1.1km, are places to shop (shopping mall, shop houses) located near Masjid Arrahman.
Proklamasi 1.6km, Museum Moh. Husni Thamrin 2.7km, Museum ABRI Satria Mandala 3km, are places of interest (attraction) located near Masjid Arrahman.
Smu 43 0.2km, Sekolah 0.4km, Sekolah 0.6km, are places of learning (school, college, university) located near Masjid Arrahman.
Cemetery 4.7km, are parks, playgrounds, open fields or commons located near Masjid Arrahman.
Masjid Arrahman
Kantor Lurah Manggarai Selatan
|Location Information
Masjid Arrahman
Masjid is about 0.9 km away.
Masjid is about 0.9 km away.
Masjid is about 0.9 km away.
Puri Casablanca is about 0.9 km away.
Hotel Clarion is about 0.9 km away.
The Park Lane is about 0.9 km away.


text: Contact Give us a call at 203-387-8489 or fill out the form below and we'll get right back to you! If you are a human and are seeing this field, please leave it blank. Fields marked with a * are required. How can we help you? * Consultation, please! I'm just the right person for your job opening I have a question I have feedback for you First Name * Last Name * Email * Phone Comments Check this box to allow the collection and storage of your data on this site. All data will be handled as outlined in this site's Privacy Policy. *


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Reward offered to help catch and convict robbery suspects in neighboring Dodge County
No weapons were believed to have been used in the commission of the crime and no one was injured. As this case is currently under investigation, no further details about the incident will be released at this time so as to maintain the integrity of the investigation.
Attached with this release is a photo of the two suspects involved. One male was wearing a grey sweatshirt, orange gloves, and blue jeans. The second suspect was wearing a grey/black hooded sweatshirt, black jeans and carrying a black and green duffel bag.
***UPDATE*** Reward Offered
The sheriff's office has learned that Sensations Lingerie is offering a $500 reward for credible information that will lead to the arrest and conviction of the perpetrator(s) in this robbery. The information must be new information that is not already known to the sheriff's office and should be significant enough to stand on its own as evidence in court.
Questions may be directed to Sheriff Dale J. Schmidt.


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The TNT website is the place to find all the information you may need on TNT global express, logistics and international mail services. If you have any comments or feedback on anything about TNT, please feel free to fill out the form below. We are always ready to listen to you.
TNT is represented in Zimbabwe by a nominated Service Contractor. For more information about the TNT services available from Seychelles please contact:
Air Seychelles
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Cargo Terminal (Imports Area)
Pointe Larue
Tel: +248 4391496/98/99


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admincheat GiveWeaponSet <Weapon Set #> <Quality>
This command gives you a set of weapons. Tier options are:
The syntax for this Ark command is as follows:
|Weapon Set #
|The type number of the weapon set you wish to spawn (0-3):
|The quality of the weapons you wish to spawn, a number between 1-5 (5 being the highest).
Find more commands on our Ark command list.
Fill in the fields below to have the GiveWeaponSet command automatically generated, and customized to your liking.


text: The Metropolitan Police Service prides itself on delivering effective crime prevention advice for all of London's communities. This part of the site specifically targets the youth of London, delivering useful guidance on crime prevention and how to stay safe. The site also offers advice on matters such as internet safety, domestic abuse and drugs and alcohol.


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Looking for a Drug Crimes Defense Attorney in Tempe? – Robert Dodell
The broad category of drug offenses actually encompasses a wide array of conduct, including felonies as well as misdemeanors. Everything from possession to trafficking falls under this umbrella, as do substances ranging from marijuana to cocaine. Arizona witnesses more than 30,000 separate drug offense arrests annually and each case is zealously investigated, pursued and prosecuted by state or federal authorities across the state. Because sentences for such crimes can be extremely onerous, attorney Robert Dodell is committed to obtaining the best results in matters involving:
- Possession of paraphernalia
- Simple drug possession
- Prescription abuse and illegal possession of prescription drugs
- Manufacturing of drugs
- Possession with intent to sell
- Distribution of illegal drugs
- Trafficking in drugs
The laws in Arizona are quite vast in terms of drug offenses, and the prospective penalties faced by accused individuals depend largely on the substance at issue, the quantity involved, the suspected intent behind the defendant's activities and the defendant's criminal history. Distribution, cultivation, production and related crimes are considered to be the most serious offenses and therefore carry the most dire sentencing possibilities.
My experience defending against allegations of drug-related crimes enables me to offer the strongest possible advocacy on your behalf. I pledge to explore every angle of your case to identify and exploit all weaknesses in the prosecution's arguments. Working diligently from the start, I will do everything possible to secure the most favorable outcome attainable under your specific set of circumstances.
Everyone facing drug charges in Arizona is entitled to a vigorous legal defense, and Robert A. Dodell stands ready to provide precisely that. For unrivaled client service and a commitment to safeguarding your rights at what is certainly a most trying time, contact attorney Robert Dodell by calling 480-860-4321 or via email message. Call now and receive a free initial consultation.


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Transplant Patients Benefit From Exercise
People who receive transplants do not have to sit on the sidelines anymore. Recent studies have shown that exercise can help boost endurance and performance levels in transplant patients, even allowing many to participate in competitive sports.
In one study published in The New England Journal of Medicine in 1999, researchers found that heart transplant patients who participated in aerobic exercise programs had more endurance after six months than those who did not participate in a program. The researchers concluded that exercise training increases the capacity for activity. In another study published in the American College of Chest Physician's Journal in 1998, researchers found that lung transplant patients who trained on stationary bicycles had improved athletic performance.
People with transplanted organs may not have the same exercise abilities as people with their own organs, but researchers believe that the difference in performance is small. Many transplant patients are able to play competitive sports just as well as people who have their own organs, and the new organs show no limitations on their performance.
Here's the best place to obtain top-class remedies, medications at cheap costs. This no prescription online pharmacy recommends safe and affordable prescription drugs.


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The Mini Cabrio (convertible) has been a long time to come, we have seen what looked like the production of prototypes ready, outdoors in July last year and slightly camoflaged some models published in 2006. One can not help but to think that BMW delayed the release of the convertible variant of the mini-series, possibly due to strong sales of the first generation.
News from the Dutch magazine Autotelegraaf now production for the current generation will start in July this year. BMW leave a good gap to build the expectation (and reservations) for the new generation with the first models to come off the coast of the production in March 2009.
Read more (photo)!!
The new Mini convertible will be offered once again as one, Cooper and Cooper S and has a multi-functional soft-top opens in part to this feeling, sunroof, and the classic solution quite worked.
New Mini photo gallery:


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Hello! My name is Jason Becker & I am an Art Director in Scottsdale, Arizona. With a Bachelor of Arts in Graphic Design and over 20 years in advertising I would bring additional professionalism and creativity to your already successful company.
I've been living in Scottsdale, Arizona area since August 2015 and am currently as the Art Director for a national homebuilder based in Scottsdale, Arizona. Before moving I worked as Art Director at an Advertising Agency in St. Louis, Missouri. In my role I supervised and worked with staff photographers, copywriters and other graphic designers to develop the overall style of advertising campaigns including television commercials, rebranding, packaging, fundraising events and many other products. One of my duties was to conduct meetings & discussions with clients to develop the best approach and style to suit the product. I also worked within budgets and time lines to coordinate creative department activities and present preliminary designs for approval.
Thank you!


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Let's be honest. For many of us, talking about the sovereignty of God can get complicated and emotional.
Even though I believe in the sovereignty of God fully, I went through a time when the mention of God's sovereignty could bring me to tears… angry, confused tears. In the weeks following the sudden and horrific death of a loved one, God began to invite me to "come under His wings," to submit to His care, His comfort, His direction, His protection. And it was hard. It was hard because I did believe that God is sovereign, which means He could have stopped the tragedy that now marred my life. He could have protected or directed differently so as to avoid this pain, but He didn't. He let it happen.
Believing in God's sovereignty can be painful if you don't also trust His intentions.
In the days that followed I would learn to trust God's intentions more surely than I ever had before, but getting there required honest wrestling. God loves me and He is committed to my good, so much so that He would not let me hang onto a shred of doubt about His heart and intentions toward me. He initiated the wrestling match and promised me He was working something so purposefully good out of this when all I could see was loss and destruction. He met me in that wrestling match, dignifying every emotion, allowing me to say everything I needed to say to Him and through it all He is teaching me to fix my eyes on the joy that will be mine when His glory is reveled.
In this week's intro video we hear these words:
As I draw closer, the stakes raise higher and like all real things it's the ecstasy and the agony that rearrange me into someone true.
You've prepared a table before me, on it sits love and death, covenant and life—spilt and broken. Sorrow shared, promises spoken. Fear taunts, but every pulse of Your heart steadies me. I must stay close enough to feel it.
My eyes are fixed on the feast and that moment when I will raise my glass and say, "to the Fountain of Life, to the River of Delights…it was all worth it."
These words were born from my wrestling match with God and it has become my firm and unwavering conviction that He is Sovereign and His ways are good and the more I submit to Him even when its painful, the more I will be able to say one day, "It was all worth it."
Communion has become a reminder to me of this. Christ too had to submit to God even when it was painful. Remember how honestly he prayed in the garden of Gethsemane on the eve of his arrest and ultimate death sentence. Remember how he resisted the sin of not submitting to God to the point of sweating blood. Jesus knew it was within the Father's capability to do anything He wanted. Jesus knew the Father was sovereign. Jesus knows how hard it can be to submit to the suffering that will bring about the greatest good. Jesus also trusts the Father's intentions without question. He knows everything He does is full of goodness and love and justice, even when there are times of excruciating pain in order to bring about His good plan.
So whatever your thoughts are on the sovereignty of God, no matter what your story has been so far, no matter how you feel, just bring it all before God, hash it out with Him, be as honest as you can… I promise you, He is trustworthy.
To hear more about the beautiful doctrine of the sovereignty of God, watch Pastor Keith's riveting sermon here, and visit our page of more resources for further meditation and study here.


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Garden Tool Gift Basket
The Garden Basket is a lightweight collapsible basket. It has a sturdy aluminum frame, a water-resistant base, a convenient tool pocket on its exterior, a stain-resistant interior, and a unique folding inner frame that allows the basket to stand on it own and collapse fully for storing away.
The Garden Basket includes 1 small potting trowel, 1 rake, and 1 standard trowel all with looped straps at the end of each tool for hanging. It can be gift wrapped for any special occasion.
the gardening basket will arrive in a box, wrapped in a garden theme gift wrap paper. A practical and great quality gift for your gardening friend, family member or co-worker.


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A rejected Ausgrid deal is one thing, rising xenophobia is another
One comment resonated loudly across the well-read Chinese social media Weibo shortly after the AusGrid decision on Thursday: "Why bother reviewing, why not just say no Chinese company allowed to tender in the first place?"
That sentiment also sums up the concerns of the Chinese business community as well as many Australians who do business with the Chinese.
"If Australia doesn't want foreign investment, it should just say so," Chinese Australian business advisory Cross Border Management's CT Johnson said. "If it doesn't want investment from certain countries or companies, it should just say that. But inviting foreigners to bid on something and then pulling the rug out from under at the last minute? That's just bad for Australia."
Australia's rejection of Hong Kong-based privately owned Cheung Kong Infrastructure's $13 billion bid for Ausgrid signified more than just bad business – but a hypocritical attitude towards Chinese investments.
After a free trade agreement was signed a year ago,the Kidman farm sale was knocked back and major banks have stopped lending to Chinese property buyers.
"It's tough to explain with a straight face that, 'No really, the Chinese aren't being treated any differently'," Mr Johnson added.
Sombre message
"Long term, this will result in reduced investment from China. It certainly won't do anything to increase investment."
The leading Chinese business lobby group in Australia, the Australia China Business Council, has a sombre message.
"China is increasingly becoming our most important trading partner. However, uncertainty surrounding foreign investment could have adverse consequences on our bilateral trade relationship with China," ACBC national chief executive, and former ANZ and Telstra executive, Helen Sawczak said.
Gavin Zhang , the chief executive for Chinese-backed TWT group, which is building many inner-city Sydney apartments, warned the long-term impact of Ausgrid, just like the 4 per cent surcharge on foreign property buyers, would be significant.
"For sure, businesses would pull, because they don't think the government is supporting them," he said.
CBRE's Mark Wizel, who has dealt with numerous multimillion-dollar real estate deals with heavyweight Chinese clients such as China Southern Airlines, Power China and Fu Wah Group, was not only stunned by the government's inability to provide clarity about its decisions but was very concerned about future Aus-Sino relations.
Biggest concerns
"The inability for communication to be more transparent and consistent around decision making is no doubt giving off an impression around some form of fear of Chinese investment and Chinese people which can by some be described as xenophobia," he said.
But by far the biggest concerns came from ground level – from the many Chinese and Asian migrants, many of whom are Australian citizens, who were starting to worry about rising xenophobia in Australia.
"Chinese investors are afraid of two things. First, recent events have created a lot more uncertainty about the regulatory environment in Australia," Mr Johnson said.
"Second, they worry that this is the beginning of a bigger trend toward more nationalism. They start tying Ausgrid, the South China Sea, and comments exchanged between Olympic swimmers into an "us-them" narrative that's bad for business."
Separately, Race Discrimination Commissioner Dr Tim Soutphommasane warned, "We must hope that any public debate about foreign investment doesn't inflame or embolden xenophobia."
Many Chinese living in Australia have expressed a growing distrust for Australia's intentions in not just foreign investment but multiculturalism, tolerance and acceptance as seen last weekend when Channel 7 used the wrong flag for China on its medal tally.
"I think they are trying to get back at us because of the swimming," was one of the comments on social media WeChat.
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The right answers to our concerns and doubts often lie within each of us and surely they are not easy either to find or to focus on but sometimes life gives us some clues.
A few years ago, during a trip to Southeast Asia, through the great forests of Laos, I rediscovered the pleasure of knowing but, above all, of traveling with different eyes ... All this I owe to a book by Tiziano Terzani, "A Fortune Teller Told me ". In this book the writer says that in 1993 he found himself making a very important choice, which changed his way of traveling and seeing things forever.
In that year, in fact, he avoided flying rediscovering, in this way, the public transports of Asia which leave time to admire the landscape and to enjoy, perhaps, a new meeting despite the great slowness.
Taking Terzani and his choice as an example, I rediscovered the bicycle, understood as a means that gives the freedom to stop and contemplate what most strikes us but also to rediscover walking among the people, when a simple walk gives an unexpected encounter, the warmth of a smile, the culture of a country and the many facets that each of us have.
It is thanks to some journeys in the world that I began to explore my land, my wonderful region, with new and more curious eyes. A rich territory, like few other countries in the world, full of culture and tradition, with a luxuriant and uncontaminated nature and with thousand typical products that make the rest of the continent jealous.
Combining my great two passions, the one for travel and for photography, I was able to create MY guide of Veneto region! A guide characterized by many photos, places and history, recipes and traditions, beauties and sensations…. Because there is nothing more beautiful than creating something and being able to achieve it.


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There are few characters in world literature as evil as Shakespeare's Richard III. Yet, to see his evil unfold we run the risk of assuming that the evil will manifest itself in words and gestures that are too easily discovered. Richard's personality and actions belie this easy perception. And that is, perhaps, the genius of Shakespeare's artistic rendering of this evil. In many ways, Richard is the paradigmatic evil modern man. His power machinations, while wholly Machiavellian, exhibit spiritual qualities that Shakespeare's study points to.
Gloucester: Now is the winter of our discontent One can ask whether Richard is not simply a study of Machiavellian cynicism and vertu. Based mostly on the common understanding of Machiavelli's book, The Prince, this understanding sees the politician as a rapacious individual willing to go to any extreme to satiate his or her thirst for power. (I will not go into historigraphical studies that add a more nuanced reading of Machiavelli, especially his republican writings, as expatiated by Skinner and Pocock.)
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smooth'd his wrinkled front;
And now, instead of mounting barded steeds
To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber
To the lascivious pleasing of a lute.
But I, that am not shaped for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamp'd, and want love's majesty
To strut before a wanton ambling nymph;
I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them;
Why, I, in this weak piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun
And descant on mine own deformity:
And therefore, since I cannot prove a lover,
To entertain these fair well-spoken days,
I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be mew'd up,
About a prophecy, which says that 'G'
Of Edward's heirs the murderer shall be.
Dive, thoughts, down to my soul: here
Clarence comes. -- Act I, Sc. 1
I think there's much to the common-sense perception of Richard's evil. Its portrayal in art can be very powerful and chilling to see unfold. Yet, like much art, the freezing of evil in a moment or series of moments often exaggerates features of evil that make it grotesque and ultimately deceptive. As much fiction does, art can even sexify evil. This statement does not apply to fiction alone, though. Even news accounts can present evil in such a way that it takes on this attractive quality.
Simone Weil and Kierkegaard discuss this often overlooked tendency of literature. Without going into an analysis, I think Kierkegaard's statement about the "sympathetic antipathy" to the strange and weird makes sense. Writers can exploit this feature of the human psyche to varying degrees, depending on talent and ethical concerns. Kierkegaard himself uses the full panoply of fear and horror to create a spiritual space where the reader finds possibilities open up for different ethical and religious stances toward life.
Something of the horror that great artists can evoke is shown in the following speech of Richard III in Henry VI.
The entire production here is geared to heighten the terrifying aspects of the speech. While highly effective and aesthetically pleasing, the performance and production is so grotesque that it pulls one out of the ordinary in such a way that it is otherworldly. Obviously, this can be the purpose of art: to open up realms of possibility that give insight into our own and others' psyches.
Yet, the obverse of this type of production is that it makes evil or life in general so unreal that we cannot see evil in its mundane everydayness. This can go so far that, as Weil points out, evil becomes alluring and "sexy." From the Marquis de Sade to Anne Rice, the attraction of such artistic renditions obscures the ethical questions posed by the actions portrayed. Commenting on de Sade, for example, the Polish poet Czeslaw Milosz noted that his de Sade's work is effectively a manual on criminality.
For his part, Georg Lukacs theorized that the reason for much of this failure in ethics is the result of artistic presentation that disregards sociological, historical, and philosophical questions. For Lukacs, the realistic novel addresses these deficiencies. Basing him or herself on an understanding of historical awareness, the novelist can bring in elements that undermine the tendency of art to spectacle and moral indifference.
I will not go into the theoretical aspects of these questions in the following sections. Instead, I will look at the opening scene from Shakespeare's Richard III, specifically his opening speech. I will first do so from within the context of these comments. I will then end with comments by Kierkegaard that places the psychological type of Richard as indicative of an aspect of modern capitalist false consciousness. Read more!
Tuesday, January 15, 2008
"Now Is the Winter of Our Discontent" I
There are few characters in world literature as evil as Shakespeare's Richard III. Yet, to see his evil unfold we run the risk of assuming that the evil will manifest itself in words and gestures that are too easily discovered. Richard's personality and actions belie this easy perception. And that is, perhaps, the genius of Shakespeare's artistic rendering of this evil. In many ways, Richard is the paradigmatic evil modern man. His power machinations, while wholly Machiavellian, exhibit spiritual qualities that Shakespeare's study points to.
Monday, January 14, 2008
"Now Is the Winter of Our Discontent" II: Invisibility
The question about illusion and reality, the inside versus the outside of why a person acts morally or not goes back to Plato. In Republic, Glaucon--one of Socrates' questioners--asks the Greek wise man how we could ever know whether someone is really good. We can't really look into someone's soul--or whatever--after all, so how can we ever know that someone "means it" when they act justly? They might do something good, or apparently so, but that act could be part of a series of acts that end in something bad. After all, Hitler did bring Germany out of economic and social catastrophe, right?
Plato's question about the "really" good is further elaborated in the dialog when Glaucon asks about the nature of justice and suggests that if we could follow people "in imagination," we'd see that their motives were far from pure or sincere. Glaucon tells Socrates:
But as for the second point, that those who practise it do so unwillingly and from want of power to commit injustice--we shall be most likely to apprehend that if we entertain some such supposition as this in thought: [359c] if we grant to each, the just and the unjust, licence and power to do whatever he pleases, and then accompany them in imagination and see whither his desire will conduct each. We should then catch the just man in the very act of resorting to the same conduct as the unjust man because of the self-advantage which every creature by its nature pursues as a good, while by the convention of law1 it is forcibly diverted to paying honor to 'equality.' The license that I mean would be most nearly such as would result from supposing them to have the power [359d] which men say once came to the ancestor of Gyges the Lydian. -- Plato, RepublicThe allusion to Gyges refers to a man who discovers a ring that makes him invisible. Glaucon notes that people--everyone, it is assumed--, once released from social conventions and laws, would exploit this situation and commit forbidden and immoral acts.
The myth about the ring of Gyges is a variant of the proverbial fly-on-the wall. Were we to become flies and observe others, what hypocrisy and dissimulation would we find? Wouldn't we want to visit Ms. Goody-two-shoe's apartment and see whether she's as good as she puts out in public? In a world with stories of church leaders and good husbands who turn out to be serial killers, the shadowland that most people inhabit when it comes to dealing with their passions, faults, fantasies, and frailties belies the idea that people can act purely and without self-interest.
The relationship with how art depicts reality is pertinent here. The artist can plumb the imagination and bring to light those secret passions that others might not wish to see exposed. Great artists like Shakespeare portray the dialectic between act and motive, and the disjunction between the two becomes great art in their hands. While the question is a favorite theme of aesthetic theoreticians and even of artists like Borges, the relationship that the question has to morality is often elided if not disregarded altogether. Borges, for example, often takes his Schopenhauerian aesthetics for granted and simply sees the metaphysical conundrum posed by reality and fiction as subsuming ethical questions in the aesthetic experience of terror and paradox.
Shakespeare's Richard III (Earl of Gloucester) seems to be a complete study in this disjunction between reality and illusion. Richard is the Magus of reality--the sleight-of-mind artist who can divert attention from his true intent and put a dagger in the ribs as your attention is diverted. He is a master psychologist and knows how to play the heart strings of gullibility and vanity, disgust and shame, pride and cowardice. Yet it is too simplistic to characterize Gloucester's actions in only utilitarian terms. I will argue later that a Kierkegaardian analysis provides more insight into this character's actions. In this regard, I hope to elicit a broader perspective on Gloucester's brand of evil than the utilitarian or even the Machiavellian vs. Christian framework allows.
There is a chilling scene in Ian McKellen's portrayal of Richard that brings the "looking into the mind" of evil to birth in the viewer in a powerful way. The beginning words of the play are staged in such a way that--unlike in Olivier's version for example--we are moved from an objective, public speech listening to Richard speak to himself in the public restroom. The final words of the speech are spoken by McKellen in front of the public bathroom mirror.
The idea that this should occur in a bathroom is a stroke of genius on the director's part, I suggest. It displaces the viewer from the grand and mighty festivities of the jet set, omni-powerful and beautiful in the prior scenes and relegates it to the most plebeian space that everyone recognizes. The place where many of our bodily functions are in full display in all their disgust and privacy, where our full humanity exposes itself to us in its mundane shame and animality, where we can't hide from ourselves, is a powerful image.
This links to many subthemes that Richard's own rage at his humanity play on. In an extraordinarily powerful way, we see Richard, a man who has seen human disgust and shame at work in his very existence, reveal himself in his true milieu. In the place where we dread to tread, where we have to face ourselves in all our nudity and animality, Richard sharpens his plan and his blade of bitterness gleams brightly.
I have written before about the theme of disgust, especially in relationship to Martha Nussbaum's book on that subject. One of her theses is that disgust originates in a primitive reaction to our own humanity or animal nature. While it might seem that Richard has in some way transcended this disgust at his own deformity, I will argue later that it his rage at his own physical defects that drives him to destroy not only others but himself. This analysis will eventuate in a reference to Kierkegaard's work, The Sickness Unto Death, especially his schematic on despair.
The scene in the bathroom displays another feature. It comes while Richard speaks to his own image. Then in a truly harrowing gesture, he looks behind his shoulder, finally recognizing the presence of the observer--us. For me, at least, this scene is harrowing because I was sucked into the film convention that gives us the illusion that we, the audience, see them but they do not see us. The short moment of recognition that we have been seen by the observed object is disconcerting to say the least.
This gesture of recognition on Gloucester's part: does it make us confidants or co-conspirators? Are we to witness evil take place to learn its secret machinations or to live out in fantasy those secret desires for vengeance we might all harbor? On a deeper level, are we Gloucester's confreres because we ourselves not only find shame in our secret deformities--whether physical, psychological, or social--but also seek to avenge them on a world and a power, nature, that has made us so?
Gloucester is the epitome of illusion--of performing evil while doing apparent good. The scene depicted here clues us into the secret of Gloucester's intent. Like the fly-on-the wall we will witness evil as it unfolds, confidant to its inner workings, geared in to its windings and turns as it maneuvers through the world. The question becomes, however, whether we simply watch Richard's bloody deeds as though they are just another instance of a monster or whether we find in ourselves those same desires and deception that motivate his vast power project of illusion.
As witnesses to this project, we must decide how much the illusion redoubles itself in our own imaginations. Do we let the acid of the picture as it is etched in our souls reveal those secret reservoirs of resentment and revenge that we nurture so secretly and often unconsciously?
The idea of a nation of voyeurs and spectators goes back to Plato. In his famous allegory of the Cave, Plato describes the uninitiated and ignorant masses as living lives of passive spectatorship in a world populated by shadows. Philosophy breaks the chains of this slavery and ultimately leads the seeker to see the Real. Simone Weil update the allegory in political terms, likening the slaves to modern day film goers undergoing indoctrination via propaganda.
It is debatable that Shakespeare had such intentions in mind in his use of the soliloquy. It is not simply a literary technique in his hands, however, and in Richard III we find it used to powerful psychological effect. The fact that we watch Richard's evil plans unfold, as though looking over his misshapen shoulder, makes us complicit in a way that expands Aristotle's notion of catharsis in a profoundly disturbing way.
Kierkegaard analyzed the spectator society in depth. Basing his analysis on sociological concepts, he sees the spectator as a phenomenon endemic to modern capitalist false consciousness. Kierkegaard sees the psychological foundations for this in the human propensity to identify with others and thereby form self-identity. In modern society, the result of this is envy and much of modern psychological resentment and other ethical and moral behavior originates in this envious viewing.
The idea that we can be invisible to others, thereby losing ourselves in a world where moral culpability is lost has many sources. For Kierkegaard, Richard III epitomizes the modern self-conscious ego in its violent ferocity rebelling against the facts of environmental and genetic givenness. The existential situation we all face, in all our fragility, drives us to seek anonymity and invisibility from the stare of others. We seek to cloak ourselves in a secret world of envious self-deceit.
Richard's self-consciousness of his faults and his rebellion against the facts of his physical and social condition is simply the condition of the modern human writ large. For Kierkegaard, this complex of psychological, social, moral, and political concerns is schematized as despair. In the following, I will expand on this concept and describe further how Richard's actions render despair in a prototypical manner. Read more!
0 comments Links to this post Labels: deception, drama, evil, kierkegaard, richardIII, shakespeare
Sunday, January 13, 2008
"Now Is the Winter of Our Discontent" III: The Architecture of Despair
The idea of invisibility seems to be something primitive enough to the human psyche as to ask what it is that seeks to hide, from whom, and why. In the preceding sections, I noted that Shakespeare's Richard III exploits the chasm between what others see someone do and say and the underlying reasons or motives that might be impelling to do so. The notion of an interior space or thing existing apart from an external world has come under philosophical attack.
Without going into the details of this important debate, I will simply assume in the following that the chasm exists, in whatever way it does. In doing so, I will continue focusing on Gloucester, but this time from Kierkegaard's reflective psychology. This psychology breaks from the traditional notion of a separate entity that somehow exists apart from social, biological, and political forces active in human life.
[I]t is inconceivable that it has not already happened that by a generatio aequivoca [self-procreation] our generation has itself given birth to its hero, the demon, who ruthlessly puts on the dreadful theatrical piece that makes the whole generation laugh and forget that it is laughing at itself. Indeed, what other value does existence have than to be laughed at--when one has already attained the highest by the age of twenty. -- Kierkegaard, Fear and Trembling, trns. Hongs, p. 101Gloucester is a man eaten to the core by resentment and hatred of those whose image of him makes into a less-than-human stump of a man. Cursed by life itself with a deformity that moves others to laugh in secret, Gloucester marshals his formidable self-awareness and profound understanding of psychology to turn that comic effect he produces in others onto the laughers themselves. He attacks human hypocrisy and social convention, turning it on its head, gutting the seamy underbelly of self-deception and lies that people tell themselves.
Within the microcosm of the play, it is difficult to apply the ferocity of Gloucester's actions in their social, political, and individual dimensions. What is especially difficult is seeing how the individual act embodies these dimensions in such a way that we are for the most unconscious of their influence. Gloucester's self-consciousness can be frightening in this respect. Perhaps gaining insight from his position at the margins of society, as well as his being the brunt of jokes and ridicule, he
In some ways, Gloucester is the prototypical Shakespearean fool, a person who sees the hypocrisies and vanities of life and turns his insight into jokes and irony. While it is true that Gloucester laughs at existence, his immense Machiavellian skills and thirst for power turn his actions into a horrible and terrifying joke that would threaten to turn creation itself into a farce. He wants to harness that laughter and derision thrown at him throughout his life and turn it back onto others not simply as bon mots or fool's wit but siege engines undermining the foundations that support the very beliefs we tell use to organize and channel reality into easily understood concepts and values.
Something of the farce that Gloucester tries to make of life and the continuing joke he sees life as comes, I think, in the following scene depicting his death.
Gloucester has seen into the nothing, that abyss at the core of existence where all is allowed and nothing is real except the stand a human takes. It is Kierkegaard who has schematized these psychological processes. Contrary to much of western philosophy, Kierkegaard's analysis of self-formation in relationship to social, religious, and ideological constructs undermines the notion that these are somehow eternal. The self, or whatever it is that human consciousness of itself is to be called, is a task that finds no certainty in anything other than its own desire for or flight from the freedom to exist.
Gloucester demolishes the crutches and sophistry we depend on to keep ourselves from seeing that abyss or appropriating the responsibility to make ourselves who we are. For Kierkegaard, the tendency of most humans is to react in terror at the thought that the social conventions that support us are only provisional constructs. While we are attracted to this freedom, we also fear it and run as far away as we can in the opposite direction, grasping at every banister or jetsam and flotsam that might float our way to keep us from having to face this freedom. We then lose ourselves in innumerable ways in mindless and senseless behavior.
These remarks about Gloucester lead in a direction that some might find unexpected, at least from within the psychology of capitalism (more about this later) that Kierkegaard undertakes. That is, Kierkegaard takes this notion of absolute freedom as a preliminary stage in living an authentic life. Anything less is simply one or another form of self-deceit, according to Kierkegaard.
Kierkegaard recognizes the genius that is Gloucester. Yet, as he is more than willing to admit, this genius is demonic. It is so not because it's a dumb or ignorant person who has no self-awareness. Instead, it is a demonic genius that is self-aware not only of its foibles but of the very freedom and power that gives it this self-awareness.
For Kierkegaard, humans are bio-psychic assemblages which can be constructed in varying degrees of adaptation to the social and physical environments. What brings these pieces together, so to speak, is a sense or awareness that the freedom to put them together resides in the person whose various components--the biological, historical, and physical processes--form not just the world outside but our own attitude to that world.
For Kierkegaard, this self-awareness of the various sides to what is to be human is called the self. It is a recognition and understanding of the relationship between the physical and psychological sides of human being. A key aspect of this awareness is the need to maintain a balance between these elements. They represent not only the very biological processes known from empirical study but also the values and beliefs that one builds up based on experiences of limitation and freedom, dream and reality, possibility and necessity. This self attempts to balance the various needs, desires and memories into a viable being in pursuit of happiness.
But the self is not simply a combination of the physical and psychological. There is also the very background against which this self acts and finds itself. For the various elements described above will lead only to a fragmented being without a guiding pattern, without the love and friendship that complete the whole. This pattern or guiding pattern is the other in whose face I find myself being seen and recognized for who I want to be and believe I am. Much like the android in the movie Blade Runner, the creature wishes to know its creator. For humans, these are family. When they are left, those we look to to acknowledge us and to whom we look to gain status and patterns of molding our behavior are friends and heroes.
The disrelationship of any of these elements causes despair. This notion is often associated with situations where we have no recourse to attaining something, whether that be safety, health, or goods. For Kierkegaard, however, the spiritual dimension of despair relates to the entire relationship humans form with their world, others, and themselves. Since the self is a relationship of various elements, internal and external, despair can occur at any level. People exhibit more and more despair and therefore suffer more the higher one attains consciousness of the factors comprising the self and the responsibility you have in coordinating them.
I will discuss the notion of an image and the role in plays in forming the self in the following section. This is significant especially in the context of political and historical factors that contribute to who we are. In the process, I hope to show how Gloucester exhibits that type of despair that is prototypical in a capitalist society. Read more!
0 comments Links to this post Labels: anxiety, demonic, despair, kierkegaard, richardIII
Friday, January 11, 2008
"Now Is the Winter of Our Discontent" IVa: Despair and Tabula Rasa
The last section left open the question about how or why Gloucester might be in despair. Even were the schematic of anxiety and despair that Kierkegaard constructs true, whether Gloucester is in despair is highly questionable and counter-intuitive. Isn't he a dynamo of anger? Isn't he in constant motion to destroy and wreak havoc?
Granted, maybe, he acts like a man possessed by envy and hatred, even evil. His control of his circumstances and his manipulation of reality and illusion is immensely conscious and disturbing. But despair--doesn't despair mean someone who is the victim of circumstances rather than their master?
Laurence Olivier's portrayal of Gloucester emphasizes this world-domineering, Machiavellian Gloucester. In the following clip, you find the deformed Gloucester laying out his plan for assuming royal power in cold, almost clinical detachment. His passion rises to heaven but it is a the passionate outburst of a ravening objective beast that only humans can be.
Hence it is that there can be two forms of despair properly so called. If the human self had constituted itself, there could be a question only of one form, that of not willing to be one's own self, of willing to get rid of oneself, but there would be no question of despairingly willing to be oneself. This formula [i.e. that the self is constituted by another] is the expression for the total dependence of the relation (the self namely), the expression for the fact that the self cannot of itself attain and remain in equilibrium and rest by itself, but only by relating itself to that [p]ower which constituted the whole relation. Indeed, so far is it from being true that this second form of despair (despair at willing to be one's own self) denotes only a particular kind of despair, that on the contrary all despair can in the last analysis be reduced to this. If a man in despair is as he thinks conscious of his despair, ... and if by himself and by himself only he would abolish the despair, then by all the labor he expends he is only laboring himself deeper into a deeper despair. -- Kierkegaard, The Sickness Unto Death1This notoriously difficult statement from Kierkegaard's pseudonym, Anti-Climacus, contains an algebraic description of the despair that Gloucester manifests. As Kierkegaard notes, we often assume that someone in despair is a victim. They suffer at the hands of external events. They cry out from the depths for help. Whether by their own decision or by accident, they suffer pain and for no fault of their own. They suffer passively.
Yet Kierkegaard also says that those who act to mold and shape events can be in despair. 2 Counter-intuitively, it seems, a person in despair can indeed act from despair in a way that gives the impression, the illusion one could say, that they are in control of events. When I am in control I bring to bear the resources of the psyche to shape the world of things into a place where I find security and prosperity, shelter from mortality. The man of action, the usurper seems intensely in control and s/he is master of fortune, seducer of men and women, molder of history itself.
For sure, it's not uncommon to say that someone acts out of despair. If I face financial ruin, I might embezzle funds out of despair to save myself. Or I might kill myself to forestall further physical or psychological pain. This appears in Kierkegaard's quote above. Suicide is a way out for a self that is in disrelationship with the side of its social being, where it undergo the pain and suffering associated with social opprobrium.
Kierkegaard is keen to point out that it's the self--the process that relates the two sides of human being and attempts to balance them--that is in imbalance, out of whack. This being out of whack, though, occurs not simply because I am unrealistic by placing too much emphasis on imagined possibilities, for example, whereas my circumstances constrain and impose limitations. The imbalance occurs because the way that the self takes this fantastic being and relates to others outside my self in a fantastic way. And as long as I do so, I live in a fantasy world of my own creation.
The person considering suicide wants not just to be rid of their physiological being; they want to be rid of their self. In another place, Kierkegaard emphasizes that it is this self, what we have come to understand as our psychological side, that the suicide despairs over, not the physiological being per se. I despair of being the person I am, not who or what I want to be. I want to be happy but events overwhelm me. I want to be rich but I am poor. I want to be beautiful but I am not. Who I want to be, which ultimately means who I am, and the fact that I am not that person causes me to despair.
The monitoring and coordinating process, the self, can be conscious at various levels of awareness of those things that come into play to help me or derail me from being who I want to be. We can see this in the fact that things influence us in ways that we don't at first recognize. After these experiences we understand that we were not conscious of determining factors--whether psychological or external--things and their role in forming me.
After a crisis, for example, I see that I acted for reasons that were self-deceptive or short-sighted. While there are different levels or degrees of consciousness; while I can understand why I do what I do in varying degrees of rational and emotional clarity, I can never understand outside of space/time, as many scientists and philosophers trying to be scientists seem to imply we can. We cannot, contrary to della Miradola's ecstatic theo-philosophy become either angels or gods. This lack of ultimate distance is cause for despair. I realize that i do not have the control that i though I did in determining who I am.
We are always in time/space, always engrossed by the world, enmeshed in a play of various forces that encompass external and internal dimensions. Crises bring this inability to grasp the world in its entirety to the fore. In cases where these crises cause suffering or where what I thought might happen and what does actually occur clash, I find that the entity I call my self stands questioned to its core.
In cases of extreme crisis, where this rupture between self-understandings is most catastrophic, I find that I cannot abide the person I am or have become. I might therefore seek to be rid of the self that I am but don't want. The underlying assumption here is that there is a self that is given, a being that somehow exists before I was born. We are beings given, as noted, in biological, historical, and environmental factors.
We often forget about the givenness, the social, cultural, and other facts of our existence that determine how we think and act. The Enlightenment notion that I am born a blank slate, a tabula rasa, is so prevalent as an underlying assumption for how I relate to who and how I am that it informs what choices and decisions I can make in being who I am.
This conception of a self infinitely varied and changeable forms a foundation stone of the modern state and its cultural background. We grow up believing that all we have to do to be happy is to change ourselves, gain some means of self-transformation and thereby redefine myself, as the pop psychology so prevalent in consumer culture puts it.
In the context of Richard III, we see this notion of change and rebellion against the givenness in full play. Gloucester is a man who is misshapen from birth. Yet through intelligence, will, and imagination he has designed a plan to demolish all obstacles such as accidents of birth that stand in the way of his gaining the crown. He understands the variability of human nature, knows how to simulate love when he hates, feign sorrow when he exults over someone else's suffering, play the fool to distract from the knife that lays bare in his hand.
He will do anything and everything to attain power. Yet, if the preceding is correct, he is not simply an unleashed force of nature that does what it is naturally designed to do, as a Nietzschean might say, but is instead manifesting a state of being that is ultimately self-deceptive about itself.
In the next section, I will continue this discussion about despair, relating it to the Enlightenment notion of the tabula rasa and the politics of despair.
Friday, January 04, 2008
Underestimating the Xtians
Conventional wisdom of the talking heads is that Huckabee's win seems a fluke. Many of these commentators on the left, like Chris Matthews, say that unlike Iowa, the rest of the country has less evangelical voters. Therefore, Huckabee will not do as well and is probably just a one-hit wonder.
Chris Matthews laughed at Huckabee's lack of current affairs knowledge last night on MSNBC. I think Huckabee might have the last laugh here. For it seems that Matthews is as blind as a bat when it comes to understanding the breadth and depth of the evangelical population. For instance, just in April, the NYT reported:
Johnson and his fellow Christian right activists speak of "values voters," but most of these voters are evangelical Protestants. Evangelicals have a disproportionate part in what pollsters call the "God gap" between the two parties. They make up a quarter of the population—around 75 million people—and a far higher percentage of them are frequent churchgoers than are mainline Protestants and Catholics. Furthermore, the group as a whole has for a decade voted Republican in much greater proportion than the other two groups. In 2000, 68 percent of evangelicals voted for George Bush; in 2004, 78 percent of them did. Last summer, polls showed that the war in Iraq, corruption, and the administration's response to Hurricane Katrina had brought the evangelicals' approval ratings for Bush and the GOP down by twenty points in just two years. But on the last Election Day they turned out in their usual numbers, and over 70 percent of them voted for Republican congressional candidates. White evangelicals have, in other words, become the GOP's most reliable constituency, and they normally provide about a third of the Republican votes.Where do people like Matthews think all of these people live? I imagine that he and others think they are distributed throuout backwoods and rural America, so-called Red America. It is my experience, though, that the evangelical movement is far and wide and includes urban areas as much as those traditionally believed by the Left to be "religious."
Perhaps someone has done more in-depth demographic analysis of the geographical distribution of evangelicals. I am open to correction and perhaps will do some research on it myself in the next few days.
Matthews and others like him seem to have no clue about Huckabee's appeal. I think Howard Fineman gets it, He even coined a phrase that I imagine he will begin using in his articles, :the politics of intimacy." Huckabee is a charming, disarming person in his interviews. He diverts attention away from polarizing stereotypes and runs hits at the center of the humanity of his questioners.
This is a new take and powerful tack on how to deal with the media and seems especially suited to media-centered coverage. For now, I will coin my own term for Huckabee's approach. He is the "Being There" candidate. Much like Chauncey Phillips in the novel and film of that name, he evokes a sense of sincerity and disingenuousness that belies cynicism so rampant among the media pundits.
Update via Washington Note: Not exactly an objective view but effective anti-Huckabee ad.
Read more!


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[ 2 ] Acrylic landscapes & seascapes, abstracts
1228 Princess Ave |
t: 250-380-6777 | e: firstname.lastname@example.com
Artist Statement
When I paint, I create a little piece of a new world. Sometimes I'm so excited at the way something turned out, I will keep looking at it and saying I don't believe I did this. It brings joy into my life and when I have the chance to share part of my world with others, it makes me realize even more why I paint.


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Bad Breath and Foul Smell Coming from the Nose
Bad breath (medically known as halitosis) is a condition characterized by foul smell coming from the oral cavity. The odor most commonly develops as a result of volatile sulfur compounds produced by bacteria originating from the oral cavity. However, if foul smell originates from the nose this is a specific case of halitosis. It develops due to certain medical conditions that generally affect the nasal cavity or sinuses. Infections such as sinusitis as well as infection caused by foreign bodies in nasal cavity are the two leading caused of foul smell from the nose. If the problem occurs the person should consult an ear, nose and throat specialist who will perform a thorough exam, identify the underlying cause and recommend the most convenient treatment.
Nasal Passage Blockage and Foul Smell Coming from the Nose
Nasal passage obstruction may develop due to several reasons. It is most common among young children who are prone to pick their noses and put different objects in their nasal cavities. The inserted object may remain inside the nasal cavity and cause blockage. This eventually leads to infection and infection is actually responsible for foul smell coming from the nose. Once the condition is confirmed the object is removed and infection treated adequately.
Furthermore, nasal blockage also affects swimmers who may accidentally inhale water and if there are bacteria they may be a source of infection and subsequent foul smell from the nose. And finally, the condition may develop as a consequence of blockage with food ejected while vomiting. No matter what causes the blockage of the nasal cavity it must be removed as soon as possible because this way infection and associated bad breath from the nose can be successfully prevented or treated.
Sinusitis and Chronic Atrophic Rhinitis and Foul Smell Coming from the Nose
Sinusitis is inflammation of sinuses, cavities located in the skull. Bacterial sinusitis leads to postnasal drip and production of pus. The pus drains through the throat and releases foul smell that can be detected while the patient is talking or even breathing. This is not a serious condition but requires treatment with antibiotics. It is essential to treat the infection completely and not allow it to become chronic. Once the bacteria are removed and pus properly drained the person will not emit foul smell any more.
Chronic atrophic rhinitis is another condition associated with foul smell from the nose. It is characterized by atrophy of nasal mucosa. The inner layer of nasal cavities becomes roomy and filled with smelling crusts. In this condition foul smell develops as a consequence of multiplication of microorganisms. In case crusts are remove there may be bleeding from the nose.


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A first-of-its-kind subsea training academy is marking its first six months by expanding its range of courses in response to industry demand.
Aberdeen head-quartered company Ashtead Technology invested almost £500,000 in the state of the art academy last year in order to meet global demand for improved competency in the configuration, operation and maintenance of increasingly sophisticated equipment required in more complex subsea oil and gas projects in deeper waters and hostile locations around the world.
Since its launch in October 2014, the academy has delivered 21 courses to leading subsea companies including Subsea 7, Saipem, Bibby Offshore, Harkand, DOF, Nautronix, Canyon and UTEC Survey and has welcomed delegates from both the UK and overseas.
Ross MacLeod, business development director at Ashtead Technology said: "We are able to demonstrate tangible returns on investment in training. Well-trained people will get things right first time, every time, even on the most complex project. This saves costs and reduces risk. As the subsea industry continues to adjust to a lower oil price environment, our customers must have the skills and competency to ensure systems are properly configured, operated and maintained as efficiently as possible.
"We are providing engineers with an insight into the equipment they use offshore, from deployment to fault-finding to repair through practical, hands on training that our delegates have told us is much needed. We have been encouraged by the excellent customer feedback received over the last six months."
In direct response to this feedback, Ashtead Technology has been developing new course material. This includes Pipe and Cable Tracking Systems; Attitude, Heading Reference and Motion Sensing; Multibeam Sonar and Swath Bathymetry Systems; and Hydrographic and Geophysical Survey Systems.
The courses available at Ashtead Technology's purpose-built facility cover the basics and the more complex functioning of offshore survey equipment, acoustic positioning and motion sensing systems, hydrographic and geophysical survey equipment, cable and pipe detection and tracking systems and ROV sensors and multiplexors, with the latter proving the most popular course to date.
In addition to these regular standard courses, Ashtead Technology is able to design tailor-made courses to meet specific needs of individual customers. Tim Sheehan, commercial director of Ashtead Technology, said: "We recognised a need for high quality training to meet the required competences and to bridge the gap between manufacturer's training and company's training programmes. By investing in the best facilities, trainers and training materials we have developed a range of courses which will give delegates the skill set needed to work with the latest systems available in the market and to deliver benefits to their employers which are a necessity in the current market environment."
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Many people are asking how to configure Live Cams for viewing their personal webcams attached to either a PC or Mac. This post will discuss the particulars for getting a webcam working with a Mac.
Before we begin, let's make it clear that the webcam will be viewable in Live Cams but there will not be any audio and it is not a two-way video chat of any sort. The app is designed to be a viewer only and is supposed to provide home-security on your iPhone.
Let's begin!
Step 1 – Download and install EvoCam
Go to http://www.evological.com and download the trial version of EvoCam. Run the installer and diagnose any problems by checking the Evological website for details. Launch EvoCam. Unfortunately this software costs $30 and comes with a 30 day trial.
Step 2 – Configure your video sources in EvoCam
Choose File, New Window from the EvoCam application menus. If the video window does not automatically connect your camera (iSight or otherwise) then you will need to use the Video Settings button to configure your device.
Step 3 – Enable the built-in webserver
EvoCam does not automatically broadcast the video that it captures. To enable this feature you will need to go to the "Server" tab in the video window and then enable the built-in webserver. You may assign a username and password to the server if you press the "Advanced" button.
Step 4 – Find out the host and port that is being used by EvoCam
When you enable the built-in webserver the application will show a URL that contains your host and port. The host is the set of numbers after the http:// and before the colon. The port is the number after the colon.
Step 5 – Test the URL in Safari on your iPhone/iPod Touch
Launch Safari on your mobile device and enter the full URL that you see in the step above. If there aren't any firewalls active and the port is opened on your router you should see the EvoCam html page load. If the connection fails then you will need to open your firewall or turn it off so that traffic can go from the internet to your PC. Repeat this process until you can get Safari to connect to EvoCam. If Safari can't connect then Live Cams will also fail. This is by far the most common area for people to struggle with because of various software and hardware firewalls and router issues.
Step 6 – Launch Live Cams and add your camera
After Live Cams launches, click "Add Camera" and scroll down until you find the EvoCam option. Select it by touching the word EvoCam. On the next screen that loads you will enter:
1. The name that you want to assign to the camera.
2. The host (your router IP or DNS name). This is the number shown in EvoCam which is in the form xxx.xxx.xxx.xxx and does NOT include the http:// or the ":"
3. The port shown in EvoCam. This is the number after the colon (8080 in my example screenshots)
4. Leave the username and password blank unless you assigned a password in EvoCam.
5. If you have multiple cameras configured you will need to adjust the camera number accordingly, otherwise leave it to the default value of 1.
Save the camera and check your private cameras in Live Cams to see if the video appears in the thumbnail. Touch the thumbnail to go to the video screen. If there are any error messages you can adjust the settings and try again by touching the "gears" icon in the application to edit the settings.
This should give you video from your home webcam, but most people will have problems with step #4. I will update this blog with some additional pointers as I see what issues people are commonly running into. If you wish to view your camera while on cellular networks or remote wifi connections you will need a dynamic DNS account instead of the IP address you entered above.
Free accounts are available at www.dyndns.org and you would simply enter the name (like mywebcam.dyndns.info) instead of the IP address in Live Cams.


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text:
Type of media Film
Approved Running time 115m 35s
Release date 19/02/2016
Ratings Info strong bloody violence, very strong language, drug use, sexualised nudity
Genre(s) Drama
Director(s) John Hillcoat
Cast includes Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Aaron Paul, Norman Reedus, Woody Harrelson, Kate Winslet, Clifton Collins, Jr., Michael K. Williams, Teresa Palmer, Gal Gadot, Luis Da Silve
Summary TRIPLE 9 is a crime drama about a gang of criminals and corrupt policemen involved in planning the release of a Russian mob boss from prison.
Cut This work was passed uncut.
- 15
Ratings info
Ratings info publication date 09/02/2016
Note: The following text may contain spoilers
TRIPLE 9 is a crime drama about a gang of criminals and corrupt policemen involved in planning the release of a Russian mob boss from prison.
- Violence
Strong violence includes suffocation with a plastic bag, shooting in the body and head, slashing with knives, and injury by explosive devices. The use of bullets and blades causes bloodshed, and there are also images of bloody injury in the aftermath of violent incidents, including sight of decapitated heads.
- Language
There is infrequent very strong language ('c**t') and frequent strong language ('f**k', 'motherf**ker').
- Drugs
There is sight of hard drug use, including the snorting of cocaine and smoking of crack cocaine.
- Nudity
There is a scene set in a lap dancing club, with shots of breast and buttock nudity.
- Title
- Year
- 2016
- Distributor(s)
- Entertainment One UK Ltd
- Classified date(s)
- 14/01/2016
- Main language
- English
- Submitted run time
- 115m 35s
- Approved footage
- 10402+8
- BBFC reference
- Registration number