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The bombshell lawsuit Bryan Singer that accuses the "X-Men" director of repeatedly sexually abusing a 17-year-old boy claims that Singer didn't just rape the plaintiff, but was part of a "sordid sex ring" involving influential Hollywood figures and underage boys.
Singer vehemently denied the accusations in the lawsuit filed in Hawaii federal court by now 31-year-old Michael F. Egan III, suggesting that the suit was brought forth now "in an attempt to get publicity" because the latest "X-Men" movie hits theaters May 23.
"The claims made against Bryan Singer are completely without merit," read a statement from Singer's attorney, Marty Singer. "We are very confident that Bryan will be vindicated in this absurd and defamatory lawsuit."
One of Egan's lawyer is Michael Herman, who represented five men who said they were sexually abused by Elmo puppeteer Kevin Clash when they were minors. Clash eventually resigned from "Sesame Street" and claimed the sexual encounters were consensual and that the defendants were of the age of consent.
Here are some of the shocking allegations Egan has made against Singer, according to the lawsuit, which was filed Wednesday:
1.Singer used his power as an influential director to manipulate Egan into performing sex acts on him and vice versa.
"A Hollywood mogul must not use his position to sexually exploit underage actors," the suit says.
2."Drugs, alcohol, threats and inducements" were used to sexually abuse Egan.
The alleged sexual assault caused Egan to suffer "catastrophic psychological and emotional injuries," according to the suit.
3.Singer was not the only high-powered Hollywood player involved
Singer was "part of a group of adult males similarly positioned in the entertainment industry that maintained and exploited boys in a sordid sex ring," the lawsuit claims.
4.Singer was involved in "infamous and degenerate parties" at an estate in Encino, Calif., where boys had sex with men.
"Plaintiff never freely, voluntarily, and knowingly consented to these sexual interactions, and often resisted them," the suit says.
5.Singer allegedly plied Egan with alcohol by the estate's Jacuzzi and forced Egan to perform oral sex on him. Egan resisted and Singer allegedly made him perform oral sex on him outside of the pool before sodomizing him.
6.Egan was flown to the Paul Mitchell estate in Hawaii, where Singer allegedly gave him cocaine, Ecstasy, Xanax, Rohypnol, pain pills and alcohol. The director allegedly promised Egan acting roles, but threatened to withdraw the offers if Egan didn't perform sex acts.
7.During the Hawaii trip, Singer allegedly forced Egan to inhale cocaine and drink alcohol before Singer performed oral sex on Egan. He then allegedly forced Egan's head underwater so the boy could give him oral sex. Singer then allegedly took Egan to his room and anally raped him.
8.The night after the previous allegations, Singer forced Egan to perform oral sex and anally raped Egan in the shower.
Egan "did not freely and voluntarily consent to participate in these sexual acts," according to the suit.
9.Singer allegedly anally raped Egan three times in Hawaii
One of the instances was "so painful that plaintiff became tearful," the suit claims.
The lawsuit does not seek a specific dollar amount in damages, but said the alleged pain caused by Singer was "an amount exceeding $75,000." Check out the full lawsuit below:


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Watch Interview with Michael Corbett
An interview with Michael Corbett, Tennessee's top captive regulator, is now live and featured on Canoe, an exciting new on-line content platform created by the Self-Insurance Institute of America, Inc.
To view this the interview, go to www.siiacanoe.org and then search under the "Interviews" tab on the landing page.
In addition, we are pleased to announce that Director Corbett will be speaking at TCIA's Annual Conference, scheduled for June 17-19, 2019 in Nashville. Complete conference information can be found at www.tncaptives.org.


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No safari in South Africa is complete without viewing the magnificent "Big " These are the must-see animals, which all safari holidays must include a glimpse of. Your tour operator will be able to advise you on the best safari tours in the country to choose from in order to make sure you spot these animals during your African vacation. Apart from the big five, there is also the famous "Ugly " and "Little " you should try to get a look at during your safari holidays.
Naturally everyone wants to see the big five, so keep your eyes peeled when travelling in and around a game lodge in South Africa. The famous big 5 consists of the Lion, Leopard, Elephant, Rhino and Buffalo. You can request a guided tour of the game lodge you decide to stay at and the ranger or spotter will use their skills to track and sight the big five for you. If you are enjoying a self drive tour all you have to do is be patient. Make sure you stop at water holes and have a good look around. The big cats often prefer to be closer to their prey so you may even sight one of them near a herd of antelope or other buck. Remember that all Rhinos in South Africa are protected and one can really appreciate the beauty of these magnificent creatures in the wild.
Lions prefer the savannah areas and it may take some time before you spot them lying in a grassy patch or you may be lucky enough to have them wander along the roads during your safari. Don´t forget to keep looking in the tree´s whilst enjoying a Kruger National Park tour or Pilanesburg safari, you might just be fortunate enough to spot a leopard! Elephants and the water buffalo are magnificent creatures and you may just see them at a waterhole or grazing calmly next to the road.
All animals in the national parks of South Africa, such as the Kruger National Park, all private game reserves and the Pilanesberg are wild and care should be taken at all times. This is especially so when enjoying a self drive safari holiday. Never get out of the vehicle and avoid hanging out of car windows.
Apart from the big five, there are many other animals you may also have the privilege of spotting during your Africa safari holiday. These include the Zebra, Antelope, Giraffe, Cheetah and so on. The list is virtually endless! One must also not forget about the smaller animals, some of which have fondly been classified into the "Little Five"
The smallest of the little five is the tiny Ant Lion. This small creature can easily be spotted by the small cylindrical holes it creates in dry, soft sand. The Ant Lion lies and waits at in the middle of its sandy cone for an unsuspecting insect to fall into the hole, after which it quickly grasps its prey. Take time during your African safari to stop at a safe place where you may have spotted these "nests" and use a fine stick to trick the Ant Lion into thinking you are its prey - you may be lucky enough to see one!
The Buffalo Weaver is a noisy character and you can easily spot a nest in the fork of a tree. The nests are known to appear somewhat unkempt and untidy and may be very large. You will probably hear a Buffalo Weaver before you spot its nest during your safari holidays!
If you are extremely lucky you may spot the small Elephant Shrew. These shy creatures have a long snout, similar to the trunk of an elephant. They feed mostly on insects and are tremendously rare to see - you will probably spot a real Elephant before you spot an Elephant Shrew during your safari tour! The Rhinoceros Beetle is one of the little five, and is a large beetle with two large horns on the insects head. These horns are used for fighting with other beetles.
The Leopard Tortoise has a distinctive pattern on its shell - with black and yellow spots - much like a Leopard, making it quite easy to distinguish when compared to other tortoise species you may come across during your safari tour.
Apart from the majestic and amazing animals you will encounter during your safari holidays, one must remember that South Africa is blessed with a rich diverse assortment of animals and amongst these you may find the "Ugly Five". These creatures have lovingly been classified because of their unique characteristics and trying to seek them out during your family safari will certainly prove to be much fun!
First on the list is the large scavenging bird - the Vulture. It plays an integral part in the food chain and they can be seen feeding on the old carcases of dead animals. Their feeding patterns often cause the feathers on their heads to stop growing as they constantly reach inside the carcass of a dead animal to feed. Another "ugly" bird on this list is the Maribu Stork - which also feeds on carrion. The top of its head is bald apart from a few old-looking grey feathers and it has an extremely wrinkly appearance.
The Hyena is also classified as one of the "ugly five". If you are lucky enough to spot some big cats feasting on a kill, it may only be a matter of time before the scavenging Hyenas show up on the scene to get their share of the meal. These animals may be very vocal and are especially active at night. You may hear their laughs, yells and howls whilst in bed at your safari lodge during your South African Safari.
The wildebeest and warthog are the last two animals on the ugly five list. This is probably because of their very unique and distinctive features. The wildebeest with its hair like mane and long snout, and of course the warthog with its large tusk and snout. Regardless whether you are fortunate to view all of the big, small and ugly five during your South African safari, you will certainly be amazed with all the creatures and magnificent landscapes you do come across during your family holiday and tour in South Africa.
<< Back to Interesting Africa Travel Information
Journey into Africa tours and safaris are famous for being affordable, fun, providing once in a lifetime safari adventures and safaris that dreams are made of.. With African Journeys from Journey into Africa you are spoiled for choice when choosing your Africa Safari.
African Sky Safaris & Tours is a South African Tour Operator. We have over the years hosted a great number of international visitors on private guided tours in South Africa and safaris in South Africa, Botswana, Namibia and Zambia. We are committed to providing our clients with exceptional service both from the office and while on safari or tour.
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text:
Braun Just Made a Stop Motion Film Using Facial Hair
Brand Teams Up With Aardman to Show Off Styling Tools
Editor's Pick
Braun teamed up with animation studio Aardman to make its latest online spot, and the result is more akin to a music video than an ad for razors.
The film, created by BBDO's global content arm Flare BBDO, uses stop motion animation to take the viewer through an array of shapes, patterns and designs created in facial and body hair using Braun styling tools. The spot, set to a new track by electronic dance artist Gramatik, features over 50 men, inculding some Instagram influencers, such as male models Andrea Hamman, Chris John Millington and Luke Ditella, who are known for their facial hair.
Director Will Studd explained some of the challenges of the project in an interview on Aardman's website: "There were a lot of "firsts" for me with this project.....It was the first time I had worked with beards as my canvas so there was a lot of research into hair density, hair tightness, and hair growth patterns. It was also the first time I had ever changed the physical appearance of my models by cutting their hair."
You can see more about how it was done in a Behind the Scenes film.
Most Popular
- Date
- May 23, 2016
- Agency:
- Flare BBDO
- Brand:
- Braun
- Client:
- Braun
- Director:
- Will Studd
- Production Company:
- Aardman
- Creative:
- Jeremy Tribe
- Creative:
- Prabhu Wignarajah
- Director, Marketing:
- Alessandra Dolfini
- Producer:
- Stephanie Owen
- Agency Producer:
- Christina Hermann
- Production Manager:
- James Whetherly
- Production Coordinator:
- Caroline Hague
- Storyboard Artist:
- Matt Lloyd
- Consultant Stylist:
- Sean Holmes
- Stylist:
- Chris Foster
- Stylist:
- Ryan MacGregor
- Stylist:
- Yaseen Sumum
- Animator:
- Justin Smith
- Director, Photography:
- Sam Morris
- Director, Photography:
- Jeremy Hogg
- Camera Assistant:
- Joe Maxwell
- Camera Assistant:
- Beth MacDonald
- Camera Assistant:
- Adam Cook
- Studio Manager:
- Nathan Sale
- Electrician:
- Andy Woodland
- Rigger:
- Craig Atkinson
- Engineer:
- Lew Gardiner
- Makeup Artist:
- Grace Kingsley
- Runner:
- Sam Horton
- Ben Toogood
- Post Production Supervisor:
- Jim Lewis
- Head of Post Production:
- Bram Ttwheam
- Post Production:
- Jon Biggins
- Post Production:
- Spencer Cross
- Post Production:
- Fernando Lechuga
- Post Production:
- Neil Scholes
- Post Production:
- Daniel Binder
- Post Production:
- Gary Kelly
- Post Production:
- Benito Sanz
- Editor:
- Dan Hembery
- Editor:
- Ben Craske
Need a credit fix? Contact the Creativity Editors


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Sunday, 26 March 2017
Avengers #157. The not quite so dark knight returns.
I was motivated to do this because it dawned on me that, although I have it, I don't think I've ever read it.
How could I allow this oversight to continue?
I couldn't.
So, here goes.
The first thing that leaps out at me is that the inside front cover is a full page ad for the 1976 King Kong remake.
It's the ad where Kong's straddling the twin towers of the World Trade Centre while plucking jet fighters from the air. You know? The one that makes it look like it's a movie that's a million times better than it actually is and makes it look like Kong himself is going to be totally awesome?
It only goes to prove how advertising can lie to us.
As for the Avengers story, the first thing that strikes me about that is that it's drawn by Don Heck.
I must confess there've been times in my life when discovering that a story's drawn by Don Heck has been enough to send me into a dizzying combination of depression and indignation.
But now, oddly enough, separated from the publication of this comic by almost exactly forty years, seeing his work here makes me feel strangely warm, fuzzy and nostalgic. I can't deny it, there's something psychologically fulfilling about seeing him work again on the strip whose pages he did so much to grace in its early years.
It's got to be said that it's not Heck at his best - but, then, nor is it him at his worst.
I suspect this may be down to the inking of Pablo Marcos who manages to add a touch of polish and tidiness to the pencils that helps to hold them together in a way that some other inkers failed to do in this era.
The script is by Gerry Conway, so I started this tale assuming that someone's girlfriend was going to die.
Along the way, we discover that he's not really the Black Knight. He's just the now-soulless statue of him, which has been brought to life by an unnamed villain and, thinking he's the real Knight, is out to gain vengeance on the Defenders and Avengers for leaving him to stand around as a statue for the rest of eternity.
From what I can gather from the dialogue, he's not long since been revived and seems to already be thinking that he and not the Vision should be the Flake in the Scarlet Witch's 99. Given that he and the Vision are effectively the same character and that Marvel heroes can't deal with a problem without hitting it, I suspect this can only end in fisticuffs.
But that'll clearly have to wait for a later issue.
As will the identity of the true villain of the piece. Tragically, in this issue, we're never told who animated the statue. All we see is a hand that I don't recognise. I will therefore assume it belongs to either Kang or Ultron because, well, it's an Avengers story.
All of which, I suppose, proves there's a merit to simplicity when it comes to story-telling.
And that's basically it. I've fulfilled my duty and finally got round to reading a thing that had been unread for so long. It was a pain-free experience and I thoroughly recommend reading unread things, to everyone who views this post.
10 comments:
- joe said...
I just finished reading the entire run of the Defenders which I acquired in bargain bins over the last several years. After forty years, I was really expecting to find out who was behind that hand, but no luck. Apparently, it was never revealed in an actual story, just in an Official Handbook entry on Dane Whitman, and Avengers writers have chimed in on this site (http://www.marvunapp.com/Appendix2/blackknightstatue.htm) to confirm that it was indeed Ultron all along.
- 26 March 2017 at 20:53
Strange that wasn't resolved by later writers, not least because it doesn't look like Ultron's arm - how come Kurt Busiek never wrote an epic Avengers arc explaining how the Space Phantom was behind it all?
Don't know if 157 was some sort of fill-in, or whether Conway got the push (staff plot maybe?) but if I recall correctly Shooter started writing the Avengers with the next issue.
Which is just as well as it became the only A-list Marvel superhero comic that was any good in the late 70s (the X_Men being still an obscure off-beat bimonthly). Odd, because Shooter - and David Micheline - never seemed particularly impressive writing anything else.
- 26 March 2017 at 21:48
- Steve W. said...
Thanks for the info, Joe. It's nice to know my Ultron/Kang instincts were right all along.
- 26 March 2017 at 22:11
- Steve W. said...
Sean, I remember very little of the Shooter era. I think my main memories are of that weird Ms Marvel pregnancy storyline and Ultron's Oedipus Complex.
- 26 March 2017 at 23:15
Forgot about all that, Steve - I think I missed it at the time...
Mainly I was thinking of Korvac and the Guardians of the Galaxy, and the period when John Byrne was drawing the comic (although having said that, the Gyrich storyline with the government insisting the Falcon had to join the Avengers - political correctness gone mad! - seems somewhat iffy too).
Didn't Starlin's annual with Thanos and Warlock come out around the same time as Shooter's early issues? That was pretty good...
- 27 March 2017 at 01:24
Those annuals came out in '77, IIRC. I think the issue discussed here predates it, maybe by a year, maybe less.
I agree that that King Kong remake was a real dud, but it featured a young Jessica Lange, who was a delight to behold.
- 27 March 2017 at 05:20
The original 1933 King Kong is still the best despite its' primitive special effects. I first saw it on BBC 1 in December 1976 - which means that in two years time we'll be as distant from 1976 as 1976 was from 1933 !!
- 27 March 2017 at 14:47
- Charlie Horse 47 said...
Sean, though perhaps simplistic by today's standards's shooters run on the Legion of superheroes that he wrote as a teenager was very enjoyable for me to read when I finally went back and read it. that being said I happened to read it in the comic book format not in an archive version and I tend to think reading the original comics is more profitable experience than just reading the archives if you're able to do that. Thanks!
- 27 March 2017 at 16:53
Ah well, I'm not much up on the Legion, Charlie, so you might well be right there.
Agree about old comics v. collected editions, at least were possible. As it happens I'm judging those late 70s Avengers on memories of how they seemed at the time - I shudder to think how they'd stack up on a modern re-read.
- 27 March 2017 at 18:55
- TC said...
I loved the Legion, and the Superman Family comics in general, in the Silver Age, but I "shudder to think how they would stack up on a modern re-read." Matter-Eater Lad, Comet the Super Horse, Beppo the Super Monkey, and Bouncing Boy did not seem so whacked out when I was eight.
They got King Kong right in 1933. The remakes were pretentious bores.
- 28 March 2017 at 04:37


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HCM CITY (VNS)— Doan Nguyen Duc, chairman of Hoang Anh Gia Lai Corporation, has rejected all accusations made against his company of deforesting and appropriating land in Laos and Cambodia by the NGO Global Witness, calling them "groundless."
The organisation recently released a report titled "Rubber Barons" – apparently a play on "robber barons" which refers to unscrupulous American magnates of the late 19th century — in which it says Vietnamese companies and international financiers are driving a land grabbing crisis in Cambodia and Laos.
It accuses Hoang Anh Gia Lai and the State-owned Vietnam Rubber Group of acquiring vast tracts of land in the countries for their rubber plantations, and devastating the environment and local livelihoods.
Duc told reporters and investors in HCM City yesterday: "After its report was published, we invited representatives of Global Witness and the media — including CNN and BBC, to which the organisation sent its press release — for a fact-finding tour of our projects in Laos and Cambodia, but it refused."
Global Witness only wanted to meet him in Viet Nam, he said.
"But what is the point since people should come to see with their own eyes the truth about our investments there," he said, adding he had offered to pay for the trip.
The report alleges that the firms have ignored environmental and social safeguards while overseeing the destruction of high-value evergreen and semi-evergreen forests and the seizure of people's land and livelihoods.
Duc said the governments in Laos and Cambodia had a very stringent process for providing land to investors that included investigation by local and central authorities before giving approval.
They also required guarantees that there would be no negative impacts on the life of local people, he said.
Before his company invested in the poorest Lao province, Attapeu, in 2008 its per capita income had been around US$200, and the figure has increased now to $1,200, he said.
Besides, HAGL spent more than US$30 million in the province, where it built a 200-bed hospital, schools, 2,000 houses, roads, bridges, and others, he said. Earlier, people there used to live in makeshift, not proper, houses, he said.
"No governments allow investors to do business in their country to cause hunger and poverty to their people.
"The governments in Laos and Cambodia want other investors to follow our business model."
As for allegations about HAGL illegally exploiting forests and bringing home timber, there is no possibility of bringing wood from overseas projects since wood from forests is owned by the country's government and has to be auctioned.
His company did not even participate in the auctions though they were profitable, he claimed.
But he had no intention of filing a suit against Global Witness, he said.
"As a large listed company, we always abide by the laws and regulations of countries where we do business, and we meet all the environmental criteria of Laos and Cambodia."
He promised to step up his company's environmental protection activities to world standards.
"We are well aware of the significance of environmental issues and have set up an environment working team in our company."
HAGL recently invited Bureau Veritas, a major global institution in testing, inspection and certification services, to assess the environmental impacts it causes, he said.
"We will also apply for an FSC (forest sustainability certification)."
HAGL, through its affiliates, has leased 27,000ha of rubber plantations and 10,000ha of sugarcane fields in Laos.It has another 14,000ha of rubber in Cambodia and 8,600ha of rubber in Viet Nam. — VNS


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Copyright © 2014 UNFPA REPUBLIQUE DU CONGO. Tous droits reserves.


text:
In his first six career starts, Winking at Thedude was highly competitive, registering one victory, two seconds, a third and a fourth. Then he spent 10 months on the sidelines, before returning at Gulfstream Park on April 14. In that race, when the gate opened, the 4-year-old First Dude gelding broke awkwardly and stumbled, and was never in the hunt thereafter. So, when he made his second start yesterday in a $47,000 allowance optional claiming race at a flat mile, he was ignored at the windows, going off at 36-1.
It turned out to be a big mistake by the wagering public. Winking at Thedude sat a comfortable trip in fourth place down the backstretch, and when favorite Vincero moved toward the lead on the turn, Leonel Reyes sent Winking at Thedude after the even-money choice and the two battled nose-to-nose the entire length of the stretch. After a long wait to sort out the photo, the First Dude gelding had won by half a nose and had his number put up, along with a win price of $75. At the wire, if your eyes were blinking, you missed Winking get the nod.
Winking at Thedude is now 2-2-1 in eight career starts and the $28,700 winner's check boosted his earnings to $82,800. He's his sire's 27th winner of 2019 as First Dude secured his position in second place on the Florida sire list.


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A briefing note issued earlier this month by the Department of Health proposes a new 'hub and spoke' model for NHS comms.
The model would support primary care trust clusters, emerging consortia and the NHS Commissioning Board, among others.
It is based on local teams that draw on 'good understanding of local context'. These would then be supported by a nationwide network of specialist hubs to provide additional back-up in areas such as marketing, digital, engagement, media relations and production.
However, LGComms national chair David Holdstock stated that this is a 'worrying development', suggesting it will make it harder for collaboration between public sector communicators.
NHS director of comms Colin Douglas said: 'The key thing is about how we get local public sector comms teams providing support to commissioning consortia and PCTs.
'These healthcare groups would expect to be working very closely with comms teams in other local public sector organisations. We are still in development of this model.'
The plans have been put forward to health experts to get their views. NHS chief executive Sir David Nicholson is said to be supportive.
Andrew Harrison, Director, Hanover
The idea of local comms teams servicing multiple NHS organisations is sensible. It matches the NHS reorganisation and, potentially, it makes a flexible resource of the best comms talent available to the whole NHS.
Government plans to publish mountains of local clinical performance data also mean the NHS needs good local comms more than ever.
It could learn a lot from established agencies, and over time there is no reason why social enterprises and more tenders for local agency support could not emerge.
The new teams will need to be mindful of conflicts of interest, in case they end up representing both sides of a hot local issue.


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Our lesson today is about how to deal with
that slow spinny topspin. I'm Alois Rosario from PingSkills and with Jeff Plumb we are
going to show you how. We are going to cover three techniques The
first one is to use soft hands and block the ball. Our second technique is to punch the ball. And our third technique is to counter topspin
the ball. The slow spinny topspin often comes after you give your opponent a push or a chop and force them to really lift that ball with a lot of
topspin. So to get the ball back down on the table
we need to counteract that topspin. The topspin is going to make that ball fly high up in
the air. We need to just turn the bat over and keep your hand and wrist nice and soft. So my bat is just angled over the ball so that it's directing the ball down on to the table rather than up into the air. The softness in your hand acts like a cushion. If your hand is really hard all the spin is going to be absorbed into the rubber and fly
out. So the softness just cushions the spin a little bit and makes the return a little
bit softer. When the ball is shorter on the table you
need to make sure that you get a little bit closer to the net. So that you are getting to
the bounce of the ball, otherwise the ball is coming up here and becomes very awkward. The principle on the forehand is very similar to the backhand so keeping your hand nice and soft and counteracting the amount of spin by turning you bat over the ball slightly.
Remember if you're moving in for the short ball on both the backhand and the forehand
for left handers we move our left foot in. For a right hander you move your right foot
in for both backhand and forehand. If the ball is coming at a reasonable depth
you just need to be nice and stable with your legs. Our second option is to punch the ball. With the punch you're generating a little bit more speed. To make the punch you need to start
with your bat up quite high, because from here you are going to come through in a straight
line. With the punch your contact is very flat, you don't want to bush the ball at all,because
that just slows down the contact. So we start up high, we come through nice and flat and
we want to keep the ball on the bat a very short amount of time so that it's just a real
fast contact on the ball. We want to also try and contact the ball at
a high point. From a high point we have a direct line onto the table.
If you contact the ball low it's very difficult to get that direct line without going into
the net. So from up here we have a direct line to punch the ball straight down onto the table. The principles of the forehand punch are very similar. Start with your bat up high and punch
straight through the ball. Our third option in dealing with that slow
spinny loop is to counter topspin the ball. To counter topspin the ball our starting position
is up at a similar height to our block and our punch. Now though we are going to contact
the ball with topspin by brushing over the top of the ball.
So our angle needs to be turned forward, so we are spinning over the ball. And the same with the forehand spinning over the ball. Because our opponent has given us a lot of
topspin we don't need to lift our stroke at all. Off a block or a back spin ball we might
need to lift our stroke to lift the ball over the net.
When our opponent has already put that topspin on for us we just need to come straight forward. So now we have three options, soft block, punch and counter top spin. The counter topspin is the most difficult for you to make because you're coming through with a fine
angle on your bat. So the contact becomes quite difficult. The other two, the soft block
and the punch are fairly similar in difficulty level. So out of your three options the soft block, the punch and the counterspin you need to
decide firstly what is comfortable for you and secondly what is going to be difficult
for me as your opponent. If I'm top spinning the ball and my opponent blocks it softly
it might be difficult for me because I've got to move forward to get to that ball. Similarly if I'm top spinning from quite close to the table and they punch the ball it might be
too fast for me and I might not be able to get to it. And the third option, if I topspin
and they counter spin it, well that is going to be difficult for anyone because the balls
going to come fast and the topspin is going to kick up and that is going to make it really


text:
Posts Tagged 'Quelino Ojeda Jimenez'
"Doing No Harm" in an Age of Medical Repatriations: Challenges and Opportunities for Health Professionals – Juliana Morris
June 20, 2012 1 comment
Juliana Morris
Harvard Medical School
How often do doctors cause harm to their patients when they discharge them from the hospital? For a sizeable group of immigrant patients who are "discharged" to their countries of origin each year, the answer may be: more often than not. The story of Quelino Ojeda Jimenez, an immigrant from Oaxaca, Mexico, who became quadriplegic after a fall at his roofing job in Chicago, Illinois, is case in point.
Categories: Recent Post "illegal" immigrants, "illegality" and vulnerability, access to health care, Advocate Christ Medical Center, Chicago, deportation, health insurance, hospitals, immigrant health activism, Immigration Reform, medical deportation, medical repatriation, Quelino Ojeda Jimenez, Secure Communities


text:
I bought How to Draw Comics the Marvel Way by Stan Lee and John Buscema when it came out in 1978, and I think it might still be the best how-to-draw book I've used. It covers a lot of territory in 160 pages - perspective, figure drawing, action, foreshortening, heads and faces, and composition. I found the last section, composition to be the most interesting.
I lost my first edition, but it has stayed in print so in 2010 I bought a new copy. As far as I can tell, it is exactly the same as the original.
Amazon has it on sale right now for


text:
Wednesday, 20 August 2014
On The Wrong Side?
Seems Too Frequently We Are.
Each passing day it gets harder to follow the ever spiralling downward imbecility of Western, post WW2, corporate backed political meddling. On the one hand National interests and keeping our streets safe is the mantra then multi-cultural imported barbarians the answer.
We seek regime change in Iraq, Afghanistan and Syria only to find the strong men vilified for their ability to keep the lid on monsters and psychopaths were part of a solution not the problem! We back to the hilt The Saudis, who repay us with unleashing the forces of Satan himself to terrify, brutalise and murder all and sundry in their wake.
To compound this pathetic inability to do anything sensible and constructive in world affairs, we pick a fight with Russia. One which necessitated placing the cousins of ISIS/IS, for they aren't much better than all the other potentates happy to bomb their own country's people into submission to their own greed for power and wealth.
Putin expressed the fears, now copied by Camoron, months later, of spill over from the Syrian conflict. Putin also remains the one world leader, hardened by the atrocities by Islamists in Chechnya, prepared to counter with force and strength the barbaric inability of the fanaticists. We just throw open our health services, benefits and houses to welcome the hordes into our midst. Hardly a Trojan horse when it's so blatant a stampeding herd of wild animals.
As for the awful death of the young American journalists, just as with Hitler, appeasement of a rampaging mad creature and monster is futile. Were these thugs and brain dead morons to face capital punishment, their joy of martyrdom could be met. All are then winners!
One important requirement is, however, necessary. That is the choice of "sides". For me Russia and Putin are head and shoulders above the Saudi Despots, any day. If we look to Iran and Syria rather than away from them, we are once more siding against Islamic State. Better erstwhile "friends" have nuclear weapons than the mad men of Islamic, unprecedented barbarity.
They'll get them soon enough so we should be looking to neuter that threat, sooner rather than later. Is their one Western politician with the cojones and character, strength, or intelligence to handle the destruction of the entire human race? Not in my book. How much does it cost to become a Russian citizen! Not such a massive multi-cultural cess pool as any Western Nation.
2 comments:
- Mike Spilligan20 August 2014 at 18:49
Another excellent post, OR. When I lived in Russia (more than a decade ago) there was a fee of US$10K for a foreigner's permanent residence permit - to acceptable individuals. If the latter phrase sound dubious it isn't really, but it did mean acting in a mature, responsible way - no arrests, no serious traffic offences, etc. I don't think getting Russian citizenship was realistic at that time; and I don't know about now.ReplyDelete
I continue to visit Moscow, once or twice a year, and it seems to me that there are more civic freedoms there than there are now in the UK.
Say what you like about Putin, he's a strong leader - and God knows we could do with one or two of those in the WestReplyDelete
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