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Lifetime Legacy Collection Testimonial -What is itP
Lifetime Legacy Collection is a course training as well as tool that is developed by Tiz Gambacorta. It helps you build your service to the following level regardless of whether you are a rookie or an incredibly innovative online marketer.
You are mosting likely to obtain all the resource codes he used to build a multi-six-figure annually service on the run.
To start with, here are some concerns you require to ask yourself to see how Tiz Gambacorta's Life time Legacy Collection can assist you expand your business to the following degree
Just how much can I make when I have 131,977 cost-free visitors? The number of customers can I have at the rate of $5,000 every month? Just how much a lot more can I make with simply one item launch? Suppose I use among the email project templates I get? Just how much more money I can obtain from marketing affiliate items?
I recognize I am an introvert much like Tiz. What happens if I can use one of the sales funnels to get paid clients at the rate of S497, $797, as well as $4500 without chatting with any person?
I understand I procrastinate a lot. What happens if I can utilize the automated webinar script Tiz offered me as well as begin getting multiple S997 sales per month by doing the work simply once?
I enjoy to speak with individuals. What if I just merely make use of Tiz's phone manuscripts to ask customers to pay me for $5,000 to $10,000 each? What happens if I can get just two a month.
I require to offer material to my clients to win their heart. Suppose I utilize one of the Personal Label Legal Rights (PLR) products, include my name on it, as well as provide it to them as a customer gratitude gift?
Just how much will it worth to you if you have accessibility to devices, resources, rolodex, resource codes, and also themes from a man that has sold millions and millions of bucks well worth of items online?
With Heritage Collection, you will certainly obtain every devices, resources, design templates, and skill to develop a 6-figure a year service.
Secondly, are you a newbie, a tool marketing professional, a sophisticated online marketer, or a professional?
1) If you are a novice, you need to start with the standard actions. That's to develop your listing as well as to market affiliate items. Take a look at the Collection where it points out Done For You funnels.
Once you do, focus on the Web traffic Avalanche Plan.
Even more, you will also receive training sessions from among Tiz's leading close friends on how you can break out traffic from YouTube along with push-button traffic.
2) If you are an intermediate marketing professional, it is essential for you to concentrate on downloading the 2,555 Done For You projects Tiz has been utilizing to receive between 5200 to $600 each day net cash money selling affiliate products.
After that, you additionally require to download the Email projects in addition to use 2,555 email swipe data. This way, you are able to optimize your cash flow.
And also, Tiz also gave you the sales letters you can utilize in addition to sales funnels. So, use it to your benefit to make a great deal of cash beginning right away.
3) If you are an innovative marketer, download and install the Full Email Copywriting course Tiz has been utilizing to transform cold email clients into raving-fan consumers.
And also, get stuck into the webinar slide decks and also scripts Tiz utilizes to market his $50k/year High Ticket product packages.
Once you do, include your name to it, modify as necessary, after that incorporate it with PayPal or your seller account as well as start obtaining settlements.
Then, run them automated to make high-ticket passive revenue
This permits you to get the cash money that you require to construct your business
4) If you are a specialist, download and install the high-ticket training program plan, method sessions, call scripts, as well as live occasion sales duplicate, webinar, and also phone manuscripts Tiz made use of to shut individuals from a webinar and complimentary technique sessions.
Execute those promptly. Why? Those coincide manuscripts (Tiz didn't even change anything at all) Tiz used to maintain obtaining $3,000, $5,000, $7,500, or perhaps $10,000+ clients.
You will also receive a training session from Steven Essa– "The Globe's # 1 Webinar Professional" on The Fastest And EASIEST Method To Go From NO to a $11 \ 111J-ION Business
Plus, if you are extra right into a solution sort of organisation, download the Word by Word Training Slide Decks that enable you to market high-ticket products by means of ticketed live occasions at the rate of $3,000 to $50,000.
Ultimately, right here are several of the components inside the Lifetime Legacy Collection.
COMPONENT I: You'll own Private Tag Rights (PLR) to 32 Done For You Funnels proven to have generated several 6 numbers in income over the last 12 months. Pals as well as family will be stunned into silence thinking you have actually put in a lots of hard work to construct numerous advanced sales funnels from scratch, instead of minority clicks of a computer mouse it will really take– shh, it's our little secret! (WORTH: 532,000).
COMPONENT II: You'll have Private Label Legal Rights (PLR) to 47 High-Converting Done For You Sales Letters (incl. upsells/downsells). Conserve on your own the hundreds of dollars it costs to obtain skilled copywriters to do this for you as well as go invest that money on a 5 * high-end vacation instead. (WORTH: 547,000).
PART III: You'll have Personal Tag Legal Rights (PLR) to Done For You Joint Endeavor Pages (one for =each niche): Forex, Crypto and also Web Marketing. Get other individuals to advertise your products for you (utilize the very same type of web pages that James Altucher as well as Frank Kern use to generate millions of bucks in sales without needing to do the job on your own). (WORTH, $3,000).
COMPONENT IV: You'll have Exclusive Label Civil Liberties (PLR) to 82+ Done For You JV Affiliate Swipe Files– take advantage of these swipes to instantly enter the market resembling a MANAGER with tried and tested, enhanced, high-converting e-mails that will make JV partners determined to send individuals to your offers free of cost. (WORTH: 54,900).
PART V: You'll possess Personal Label Rights (PLR) to over 2,555 Email Swipe Files that you can simply copy/paste to begin promoting associate items so conveniently that your audience will think you are the best thing that ever before occurred to them and also see you as an expert in your field from the get= go (WARNING: these emails can quickly be made use of to manipulate individuals so please guarantee that you'll use them ethically). (VALUE: $25,000).
COMPONENT VI: You'll obtain access to all 28 Costs Products, Consisting Of Private Tag PLR Civil Liberty to 15 Forex and also Investing Products. You will possess every item that I have ever produced. PERIOD! Rather than spending the following 8 years developing these items from scratch like I did, you can take all that time, loan and initiative and placed it in the direction of something more delightful– expensive suppers with friends, a glass of wine tasting trips to Europe, helicopter trips over Las vega … as well as still have modification left in your pocket to hit the Gambling enterprises. (WORTH: 28,000).
COMPONENT WI: You'll possess Personal Label Civil Liberties (PLR) to 600+ Automated Email Sequences as well as Projects to utilize, modify as well as customize to develop effective and lovely relationships with your target market in addition to advertising items (set them up as soon as and allow them make sales for you while you tee up on the golf links) (WORTH: $60,000+).
PART VIII: You'll possess Private Label Civil Liberties (PLR) to 3 Method Session Landing Pages, Verification web pages, and also Funnels that I utilized to shut clients in between $3,000 as well as $12,000 in 45 minutes. If you want to be a trainer or professional, it is crucial that you have this in your back pocket for a consistent stream of paying clients that see you as the Yoda in your field as well as agree to pay top dollar for your time as well as focus. (WORTH: $6,000).
PART IX: You'll additionally obtain four 5-Figure Call Closing Manuscripts I have been making use of over the last eight years to close customers at any of my $3,000, $10,000 and $12,000 per year training programs. (It's my trump card to remove newbie phone sales anxiety and will showcase you to possible clients as well as clients alike as a positive communicator they will certainly beg to listen to and learn from). (VALUE: $6,000).
PART X: You'll own Private tag Legal rights to two (2) Forex & Investing Webinar Collection– open PowerPoint, start a display recorder and check out the manuscripts supplied aloud as you flick via the slides. Boom, you have a webinar. Being identified as a professional as well as aiding others address their troubles simply came to be easier than reviewing a bedtime tale to a drowsy toddler. (1-2 hours to webinar prepared) (Value $16,000).
COMPONENT XI: You'll obtain my $3,000 and $12,000 Annually Mentoring Program Scripts, Cheatsheets as well as More. This includes the product, the progression course, as well as the specific methods are utilized to dosage the sale. These 2 programs alone are accountable for 6 figures in sales per year and also what enabled me to reinvest those earnings right into real estate. This alone might permit you to reinvest those profits right into other big worth properties like property or supplies– this program is exactly how I had the ability to include premium London residential or commercial properties to my portfolio and exactly how you might as well. (VALUE: $50,000).
COMPONENT XII: You'll obtain a Full Email Copywriting Residence research study Training course turn cold email customers right into raving-fan consumers with email marketing. You can not get this program anywhere else besides on this web page. Become part of a pick team of people who are able to see what is inside this course– except you will not have actually joined at the $1,997 price others had to pay to aceacc it. (WORTH: $1,997).
PART XIII: You'll possess Personal Tag Legal Rights (PLR) to every Meeting I Have Actually Ever before Done from social media influencers to a few of the top names in the Online marketing and also self-help sectors, including top of the organization associate marketing professionals, ecommerce business owners, CEOs, New York Times bestselling authors, and a lot more. (VALUE:$ 10,000).
I can continue all the functions you will get from Tiz Gambacorta's Lifetime Legacy Collection as well as if.
I needed to describe it with one sentence, it will certainly be you will certainly get … WHATEVER.
Life Time Heritage Collection Review – Final Thought.
It is something that NO one wants to hear about this in all. As a matter of fact, I call this problem especially for those of you that don't obtain the Tradition Collection promptly.
You reached be the very first 777 individuals that order this Heritage Collection on Friday, June 16, 2019 at TWELVE O'CLOCK AT NIGHT PST.
You see, with his caliber, there is no reason for Tiz to retire especially as he dealt with several of the leading marketing experts in the market. He is making several 6-figures annually and also on his method to expand it to S1,000,000 per year.
As a result, Tiz has to limit the number of sales ONLY to an optimum of m licenses.
It additionally indicates that once all 77 licenses are taken, they will be off the market as Tiz has to focus on his wellness circumstance.
Given that this is a Tradition Collection, Tiz will certainly ensure that all his pals will certainly advertise including myself. Lifetime Legacy Collection
Actually, I can even count that it will certainly sell past 1,000 licenses in days.– Naturally, Tiz will JUST restrict broken people as he wants to ensure that he profits JUST a group of action takers before he leaves the Online marketing scene for good.


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Thinair Modern Beds USA
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subset: commoncrawl


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Candidate Care
At Pohlen Partners, we are committed to working closely with our candidates to understand capabilities and career aspirations. We engage with individuals to support career decisions and enable appropriate representation, providing a distinctive candidate experience.
Determination to achieve this is demonstrated by our investment in research on Candidate Experience in New Zealand, with the resulting themes applied in our everyday interactions.
These results were compared to global information with a summary in our News items for your reference.


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ALERT: All Ecology offices are closed to walk-in service through at least April 8. For more information please visit our COVID-19 response page. See also the Washington state COVID-19 page.
Some businesses are required to submit a plan to reduce hazardous substance use and dangerous waste.
Note: SecureAccess Washington (SAW) will have a new look as of Aug. 3, 2018. Your data, login information, and services will remain the same.
We will contact you if you're required to submit a plan. Regulations for planning are under Chapter 173-307 WAC.
Opportunities to voluntarily:
Regular planning helps measure these efforts over time. Our Toxics Reduction Specialists also use the data to help your business turn these opportunities into results.
Your plan is due September 1 each year. We will contact you if you're required to submit a plan.
TurboPlan is a web tool that guides you through your plan. It can chart your data over time, showing trends in production, hazardous substance use, waste, and energy use.
Some facilities may qualify to use an Environmental Management System instead of completing a plan. This alternative is intended for facilities who have this in place. We recognize the value of these management systems and encourage facilities who qualify to use them.
This document explains the requirements and how to apply: Environmental Management System (EMS) Alternative to Pollution Prevention Planning.
If you need more help, contact your regional office to speak with a Toxics Reduction Specialist.


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A native of North Wildwood, New Jersey, Captain Mike O'Leary graduated Cum Laude from Drexel University with a Bachelor of Science degree in Electrical Engineering and earned a commission as an Ensign from the University of Pennsylvania NROTC unit in 1994. He was designated a Naval Aviator in 1997 and assigned to V AQ-129 at NAS Whidbey Island, Washington, for fleet replacement training in the EA-6B Prowler.
Captain O'Leary reported to the "Zappers" of VAQ-130 and CVW-3 aboard the USS ENTERPRISE (CVN-65) and USS HARRY S TRUMAN (CVN-75). From 1998-2001, while participating in two overseas deployments, he supported Operation SOUTHERN WATCH, Operation DESERT FOX, and Operation ALLIED FORCE.
In 2001, Captain O'Leary reported to NAS Whidbey Island as a flight instructor and training Landing Signal Officer (LSO) with the fleet replacement squadron, VAQ-129 "Vikings." In the fall of 2003, he reported to Naval Command and Staff College at the Naval War College in Newport, RI. He earned his Master of Arts in National Security and Strategic Studies and Joint Professional Military Education (JPME) Phase One.
In 2005, Captain O'Leary reported to NAS Whidbey Island to join the "Shadowhawks" of VAQ-141 and CVW-8 for his Department Head tour. While on deployment with USS THEODORE ROOSEVELT (CVN-71) and supporting Operation IRAQI FREEDOM, he participated in the first ever dual-sited, simultaneously-sustained combat operations from aboard the aircraft carrier and from ashore Al Asad Air Base in Iraq. Following this deployment, he made an expeditionary deployment to MCAS Iwakuni, Japan in support of U.S. Pacific Command's requirements.
In 2007, Captain O'Leary reported to the Joint Warfare Analysis Center (JWAC) in Dahlgren, VA. While serving as an action/liaison officer and team leader, he deployed in support of Operation ENDURING FREEDOM to Bagram Air Base, Afghanistan.
In April 2010, Captain O'Leary reported to VAQ-136 as Executive Officer and Commanding Officer and joined the Carrier Air Wing Five (CVW-5) and USS GEORGE WASHINGTON (CVN-73) team home ported in Atsugi Japan as part of Forward Deployed Naval Forces (FDNF). Following the Great East Japan Earthquake in March 2011, Captain O'Leary acted as a liaison officer (LNO) in support of Humanitarian Assistance and Disaster Relief operations for Operation TOMODACHI and the voluntary evacuation of U.S. family members. In February 2012, he led the squadron through a Home Port Change from NAF Atsugi, Japan to NAS Whidbey Island, WA and executed the transition to the EA-18G "Growler."
In November 2012, Captain O'Leary reported to the Navy Staff (OPNAV Nl) in Arlington, Virginia working for the Chief of Naval Personnel (CNP) as the Chief Strategist NlZ. In July 2014, Captain O'Leary reported to National Defense University (NDU) and attended the College of International Security Affairs (CISA) where he earned a Master of Arts in Strategic Security Studies with a focus on Counter Terrorism and JPME Phase Two. In July 2015, Captain O'Leary reported to the Office of the Secretary of Defense working for the Director of Operational Test and Evaluation (DOT &E).
In June 2017, Captain O'Leary assumed command of Naval Support Activity South Potomac (NSASP).
Captain O'Leary has accumulated over 2,500 flight hours and 700 carrier arrested landings. His awards include the Meritorious Service Medal, Defense Meritorious Service Medal, Strike Flight Air Medal (six awards), Navy Marine Corps Commendation Medal (two awards, one with a combat V), Navy and Marine Corps Achievement Medal (three awards), Humanitarian Service Medal and various unit awards and campaign medals.


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The Blue Morpheus Camp was full of awesome people. They are based out of Seattle and are really chill. I was introduced to them by a friend I met last year and was glad to get to hang out.
At Burning Man last year, I always wanted to go out on an art car, but it never happened. So when I got the opportunity to go this year, I was really excited. Little did I know what type an adventure we were in for. It started off as normally as Burning Man can be. We went to this party at the Hotel Ashram Galactica, which was this amazing camp decked to the nines. It had a cool meditation dome with bells and chimes and pillows all around. The full bar was a separate 50×100′ tent that was absolutely slammed. They had these tents that were more like rooms with antique furniture and decorated very elegantly. Ashram Galactica had it goin' on!
From there we headed toward Opulent Temple and noticed the winds starting to pick up. We didn't stay at Opulent long as the winds were getting stronger and stronger and decided to start to head back to camp. At this point it got really nuts. The temperature was in the low 50's, but the wind was gusting easily at 60mph. And here I was on top of this art car riding the storm like Lt. Dan in Forrest Gump. Visibility was nearly zero. Peds and bikers would dart in front of the headlights then disappear just as quickly. Eventually one of the passengers got off and guided the Morpheus using lasers like runway lights.
When we got back to their camp an hour later, all the passengers were completely covered in dust. It was awesome! I went back to check on my camp, and thankfully it was still there. One of my supports to my shade structure broke, but that was the only damage. I wrapped it in duct tape and it was good to go. All in all, it was a fun and unforgettable night atop the Blue Morpheus. I can't wait to chill with these folks next year!
The Blue Morpheus Camp was full of awesome people. They are based out of Seattle and are really chill. I was introduced to them by a friend I met last year and was glad to get to hang out.


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Investigators in Tennessee have tied a missing Indiana woman to their murder investigation 33 years after her disappearance. New Year's Day in 1985, a young woman was found dead near Jellico, along Interstate 75, in Campbell County, Tenn. Police believed the woman had been murdered several days prior to being located along the highway. Campbell County is on the border of Tennessee and Kentucky. In 1985, investigators were unable to identify the young woman until decades later Tennessee Bureau of Investigations (TBI) agents saw a post about 21-year old Tina Marie McKenney Farmer's 1984 disappearance posted on a missing person's… Read More
Tag: Pennsylvania
For the last two weeks, the family of a missing Norristown mother have been fearing the worst. Jessica Guidici, 32, had been missing for eight days when authorities finally listed her as missing. In her absence, four children were left without a mother. The longer family went without hearing from her, the more concerned they grew, as no one in the family who has spoken out about Guidici's disappearance made any indication she would leave her children of her own free will. Their concern was only compounded by the circumstances surrounding the last confirmed sighting of Guidici. She was last… Read More


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This Scooby Doo river game is an enjoyable romp as you flee the Ghost of Christmas Future down a river using a gondola. Don't ask us why, you just
do right? Get a grip. Any how, control your gondola as it
makes its way down the river using your arrow keys and avoid obstacles at all costs or water will get into your gondola and you will slow down, making it easier for the ghost to catch you. If water gets in hit your space bar repeatedly and Scooby Do will bail out the water using his bucket. See if you can get to the end of the river without being caught!
If you enjoyed this
Scooby Doo river game, why not check out and play our other free
online Scooby Doo games.
River Rapids
Guide Shaggy and Scooby Doo through a series of interactive action and logic based puzzles!
Play Game >
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In another of our Scooby Doo games help Scooby and Shaggy escape from a cave in a submarine.
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Scooby DooGames


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More info here:
http://www.rfactorce...D=Longford 1967
It's supposed to be released for GTR2 (P&G!) as well.
On a related note, rather a lot of historical tracks we know from GPL (or that were supposed to be in the works at some point) have recently been released for rF as well. Some are definitely better than others, there are some quickie conversions out there. But I'll mention some of the better ones which I've been able to test myself:
- Brno65 Hi-Res
- Dundrod 1950 Hi-Res
- Hockenheim 67
- Solitude (Hi-Res update in the works)
- Tulln-Langenlebarn (released with permission by SergioLoro)
- Mosport67 (quickie but quite decent)
- Summit Point, Aldo Scribante, Clermont65 (ditto)
- The Ring 67 (aka 'The Mother' or 70sNurburgring)
- Monza10k (with & without banking) is out there too, now
- Linkoping/Sviestad/Kinnekulle/Gellerasen are all good little tracks in rF,
- Salzburgring74, Westwood 1990, Glen and Zandy67 (all decent quickies)
- Kyalami (Kyalami79 for the 79 Mod) is good,
- as is Reims67 in the GTL conversion,
- Fuji 67 - 93 by VLM, ditto,
- Mainz-Finthen 89 is a different layout from the GPL track but very good nonetheless,
- Rouen by Virtua_LM is a masterpiece, at least as good as 'our' old GPL version.
I'm guessing most of these can be converted (or have been converted) to GTR2 etc without too much trouble, although I've little experience in that respect.
Regards, Rudy
(GPLRank: -40)
Edited by Rudy Dingemans, Jul 15 2010 - 05:10 PM.


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Swimming at your leisure centres
We operate five swimming pools in North Lincolnshire and offer a wide range of swimming sessions.
- Ancholme Leisure Centre – five lane, 25 metre pool with separate teaching pool.
- Axholme North Leisure Centre – four lane, 25 metre pool opened 3 January 2019.
- Baysgarth Leisure Centre – four lane, 20 metre pool.
- Riddings Pool – six lane, 25 metre pool.
- The Pods – eight lane, 25 metre pool with separate teaching pool.
Swimming is great fun at any age. Whether you want to learn to swim, improve your technique, get fit or just have fun, we're sure you'll find a session you enjoy.
Check out our centre pool timetables below and give swimming a try.
Our pools are also available to hire during advertised times for children's parties, galas and swimming events. If you would like further details or to book, please contact the centres directly and ask to speak to the Duty Manager.
- Casual swim (per 40 minutes) – Adult £4.00, Junior £2.60, Active concessionary card adult £3, Active concessionary card junior £1.60
- Under 3's casual swim (per 40 minutes) – Free
- Fun splash (per 40 minutes) – Adult £4.50, Junior £2.85, Active concessionary card £3.50, Active concessionary card junior £1.85
- Lanes – Adult £4.00, Junior £2.60, Active concessionary card adult £3, Active concessionary card junior £1.60
- Sports swim (in conjunction with anther activity) – Adult £2.80, Junior £1.80, Active concessionary card £1.80, Active concessionary card junior 80 pence
- AquaVibe £5.50
- Family swim (two adults and up to three children) £9.50
- Family fun splash (two adults and up to three children) £10.50
Please note: All children must be accompanied by an adult swimmer during our family swim sessions and normal swimming supervision ratios apply.
Water based activities are great fun especially for young children. However water is hazardous and careful supervision is essential.
The following rules are in place to help us maintain safety:
- A responsible adult aged 17 and over must accompany every child under the age of four-years-old.
- A responsible adult aged 17 and over must accompany children aged between four and seven years inclusive, with no more than two children to every adult.
- Children aged eight and over can swim unaccompanied.
What type of swimming sessions are available?
As a quick guide the following types of session are available:
- Adult and child: Session designed specifically for pre-school children and parents. All sessions must be booked in advance as places are limited.
- Adult and toddler casual swim: Casual swim for adults and toddlers
- Adult lessons: For adults who would like to learn how to swim or improve their swimming technique
- Adult swim: Casual swim session for adults
- ADHC swimming lesson: Swimming lesson for children with disabilities
- Casual swim: An unprogrammed swimming session that is open to all users (unless age group stated)
- Energize: A programmed holiday activity for children aged between five and 16 years
- Family casual swim: A session specifically for families. All children must be accompanied in the pool by an adult
- Family funsplash: A family only session with floats in the pool
- Funsplash: Fun pool session with toys and floats
- Lanes: A session for serious swimmers
- Private hire: Pool hired for private booking
- Reserved for parties: Pool available to hire for parties
- Schools: Pool closed for school swimming lessons
- Snaps club: Swimming lesson for children with disabilities
- Summer Daze: Free casual swimming session for children aged 16 years and under.
- Summer Daze families only: Family casual session where children aged 16 years and under can swim for free. Children must be accompanied in the pool by an adult.
- Swimlincs Minis: Swimming lessons for children aged four months to three years and their parent or guardian.
- Swimlincs pre-school: Swimming lesson programme for children aged three to four years.
- Swimlincs: Swimming lessons for children aged four years plus and covers non-swimmers through to advanced levels.
- Training lane: A session designed for serious swimmers where the use of training paddles and fins is permitted, in addition to kickboards and pullbuoys.
- Wobstacle Wipeout: Action packed fun on the giant inflatable obstacle course. Suitable for children aged eight to 15 years
Autumn Half Term – 19 October to 27 October 2019
Christmas – 20 December 2019 to 6 January 2020


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A couple of years ago, in 2010, Professor Bharath Sriraman edited "The First Sourcebook on Nordic Research in Mathematics Education" along with five researchers from the Nordic countries. This became a monumental book, and I was happy to contribute with a chapter. Now, professor Sriraman has recently finished what turns out to be an equally monumental piece of work: "The First Sourcebook on Asian Research in Mathematics Education". This impressive book includes a total of 79 (!) chapters with contributions from mathematics education researchers from China, Korea, Singapore, Malaysia, Japan and India. The publishers suggest that: "the book will serve as a standard reference for mathematics education researchers, policy makers, practitioners and students both in and outside Asia, and complement the Nordic and NCTM perspectives", and I believe they will be right about this. The chapters cover a wide range of topics in mathematics education, and the book presents comprehensive insights into research from this part of the world—both with a contemporary and historical perspective. Definitely a book to put on the wish list for anyone interested in mathematics education research!
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Food chain spits out altered soya beans
THE British company Iceland has become the first food retailer in the world
to promise its customers that its own-brand products will be free of genetically
modified organisms.
Iceland says it will use soya beans from suppliers in Canada and Brazil whose
beans have not been engineered to resist a herbicide. Beans grown in Canada will
come from stocks certified as unmodified. They will be transported in their own
containers to avoid contamination, and then processed in a dedicated British
plant that won't handle genetically modified beans. In Brazil, where genetically
modified beans are not yet available, the soya will be processed into oil and
lecithin before being exported to Britain.
Iceland has contracted the Iowa-based company Genetic ID to test products at
several stages, from raw beans through flour to finished products like biscuits
or pizza crust. The company claims its tests can ensure that even these end
products are 99.9 per cent free of genetically modified ingredients.
But some experts are sceptical that such testing can reliably detect traces
of engineered soya beans in highly processed foods. "The DNA may have degraded,"
says Janet Bainbridge of the University of Teesside, who chairs Britain's
Advisory Committee on Novel Foods and Processes.


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Jhett R. Nelson
Jhett Nelson is a corporate partner in the Houston office of Kirkland & Ellis LLP. His practice focuses on strategic and financial transactions for companies, investment funds and management teams, including mergers, acquisitions and dispositions; private equity transactions; capital raises; and joint ventures. He also often advises hedge funds in connection with their investments in the energy space and provides general corporate counseling on a variety of governance, commercial and securities matters.
Thought Leadership
Co-author, "Paring Risk in Private Equity," Oil and Gas Investor, 2016
Co-author, "Getting Energy M&A Done: Deal Terms Become as Dynamic as Markets," Rigzone, 2016
Co-author, "Profiting from the Fall," Private Equity International's Perspectives, 2016
Co-author, "Structuring Private Funds to Profit from the Oil Price Decline: Due Diligence, Liquidity Management and Investment Options," The Hedge Fund Law Report, 2015
Admissions & Qualifications
- 2009Texas
- The University of Texas at Austin School of LawJ.D.with Honors2009
- The College of William and MaryB.B.A., Finance & Public Policy2006


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Andy Charlwood, Professor of Human Resources at Leeds University Business School joins our upcoming Mission Critical HR Analytics Forum as the Chair for the event.
We are delighted to welcome Professor Andy Charlwood the role of Chair at this highly anticipated event. Andy is professor of human resource management and head of the work and employment relations division at Leeds University Business School. He has previously held academic positions at the universities of Loughborough, York, Warwick and Kent.
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Professor Charlwood will be bringing his exceptional expertise to this event, and we look forward to hearing his insights on many aspects of HR Analytics.


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"BP Spills Coffee" onto this messageboard!
Posted: Thu Jun 10, 2010 3:35 pm
You've seen it on UCBcomedy.com (http://www.ucbcomedy.com/videos/play/64 ... lls-coffee), you've read about it all over the World Wide Web/Twitterverse and NOW it's time to comment (or at least appreciate it for the awesome viral masterpiece that it is).
Keep spreading this vid like a non-deadly, yet still contagious disease (metaphorically speaking).


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Max began dancing under Risa Kaplowitz, Director of Princeton Dance and Theater (PDT) Studio in Princeton, N.J. He began performing at age 12 with Princeton Youth Ballet. In 2014 Max began studying at American Ballet Theatre's Jacqueline Kennedy Onassis School after winning a full scholarship through Youth American Grand Prix. He trained at the JKO School from 2014-2017, first under Franco De Vita and then Cynthia Harvey. While at the JKO school, Max performed Jeremy McQueen's original work, Garden of Dreams, at the Ballet Across America Gala. He performed the Paquita Grand Pas de Deux and George Balanchine's La Source at JKO's year-end performance. In 2016 Max was awarded the prestigious Northern Trust Scholarship. Max spent his summers at PDT, Orlando Ballet School, the Chautauqua Institute, and American Ballet Theatre, N.Y. He also studied at the Amsterdam International Summer School, IBStage in Barcelona, and International Ballet Masterclasses in Prague.
Ian J. Bethany is from Long Island, N.Y. He started dancing as a tap and jazz student at Robert Mann Dance Centre. He started ballet at Tap to Pointe Dance Center, continuing at the Frank Ohman School of Ballet, the School of Ballet Chicago, Ballet Academy East, and Pacific Northwest Ballet School. With Ballet Austin, Ian has been featured in George Balanchine's Agon and Allegro Brillante, Nicolo Fonte's Lasting Imprint, Annabelle Lopez Ochoa's Requiem for a rose, Gabrielle Lamb's Dovetail, Bradley Shelver's The Last Just, Stephen Mills' Carmina Burana, The Magic Flute, and The Nutcracker, as the Master of Ceremonies in Mills' Cinderella, in the Bluebird Pas de Deux in The Sleeping Beauty, as the White Rabbit in Septime Webre's Alice (in wonderland), and as Peter Pan in Paul Vasterling's Peter Pan. He has performed with project-based company Performa/Dance, ZACH Theatre, Zilker Theatre Productions, has sung with the Austin Opera and does numerous juggling gigs around Austin. Ian has choreographed and taught for the Ballet Austin Academy, the ZACH Theatre Pre-Professional Company, for Harmony School of Creative Arts, and for Agni Entertainment.
Orlando Julius Canova began his ballet training with Lawrence and Sarma Rosenberg at the Anaheim Ballet School. At age 16 he moved to New York City to train at the School of American Ballet. There, he received a full tuition merit scholarship and was sponsored by Debbie Allen. Orlando furthered his ballet training with Miami City Ballet School. In 2001, Orlando became an Arpino Apprentice with the Joffrey Ballet of Chicago and in 2003 he joined as a full company member. While at Joffrey, Orlando played the part of apprentice in Robert Altman's movie, The Company.
At Ballet Austin Orlando has danced lead roles in The Nutcracker, Cult of Color: Call to Color, Truth & Beauty: The Bach Project, Romeo & Juliet, Nine Sinatra Songs, silence within silence and The Magic Flute. He has worked with such choreographers as Stephen Mills, Twyla Tharp, KT Nelson, Dominic Walsh, Nicolo Fonte, Sonya Delwaide, Toni Bravo, Michelle Thompson, Reginald Harris, and Annabelle Lopez Ochoa. Orlando has also had the pleasure of dancing for Molly Lynch's National Choreographers Initiative in 2012 and 2013. There he worked with Darrell Moultrie, Melissa Barak, Val Caniparoli, Frank Chavez, Kitty McNamee, and Susan McCullough. In addition, Orlando teaches dance at the Ballet Austin Academy, the Butler Center for Dance & Fitness, Saint Mary's Hall, Austin City Ballet, and Alamo Heights High School.
Growing up in Pittsburgh, Penn., Carr received his first 12 years of ballet training at the Pittsburgh Ballet Theater School. After graduating high school, he continued his training at Canada's National Ballet School in Toronto, where he had the privilege to work with choreographers including James Kudelka, Toer van Schayk, and Rudi van Dantzig. Carr moved to Austin in 2006 to attend Ballet Austin's trainee program and joined the main company in 2008 after one season as an apprentice. Since joining Ballet Austin, he has been featured in Stephen Mills' Light/The Holocaust and Humanity Project, premiered as The Beast in Mills' Belle REDUX / A Tale of Beauty & the Beast, and has been featured in works by George Balanchine, Twyla Tharp, Lar Lubovitch, Pam Tanowitz, Pontus Lidberg, Nicolo Fonte, and Jennifer Hart. Carr recently appeared in visual artist Rodney McMillian's film Untitled (neighbors), part of McMillian's first solo exhibition Against a Civic Death at The Contemporary Austin. Carr also serves as the associate director to local contemporary dance company Performa/Dance, founded in 2014 by Carr and local choreographer Jennifer Hart. Performa/Dance continues to expand its reach and produce dance for the Austin scene and has been recognized with several Austin Critics Table Awards.
Katherine is originally from St. Paul, Minn. She began her pre-professional training at Minnesota Dance Theatre under Lise Houlton. She became an apprentice with MDT in 2013, where she danced works by Loyce Houlton, Lise Houlton, Elliot Feld, and Emery LeCrone, among others. In 2014, she was invited to attend the School of American Ballet. While at SAB, she participated in multiple Choreographic Institute's where she originated roles by Dana Genshaft and Peter Walker. She also appeared in SAB's annual Workshop performance in Jerome Robbins' Fanfare as well as George Balanchine's The Four Temperaments. As an apprentice with Ballet Austin, she has had the opportunity to dance works by Stephen Mills, Michelle Thompson, Thang Dao and Septime Webre. Most recently, she appeared in Jennifer Hart's Fellow Travelers with Performa/Dance.
Born in Frankfurt, Germany, and raised in Atlanta, Georgia, Constance trained until age 17 under Gigi Hyatt and Janusz Mazon. At 17, she was invited to study year-round at the School of American Ballet in New York City. There she performed George Balanchine's Serenade, Western Symphony, and Valse Fantaisie during the school's Workshop performances, and was featured in a 2015 PBS "Live from Lincoln Center" national broadcast. She was repeatedly invited to dance in the annual New York Choreographic Institute and to participate as both dancer and choreographer in SAB's Student Choreographic Workshop. In 2015 she began her apprenticeship with Ballet Austin, and in 2017 was invited to join the main company. At Ballet Austin, she has particularly enjoyed dancing the principal couple in Stephen Mill's Touch, George Balanchine's Allegro Brillante, and was honored to join the company in their month-long tour of China. She is thankful to her parents, whose love and sacrifices made her career possible, and she dances to glorify God and magnify His beauty.
Originally from Lafayette, La., Hailey began her ballet training at The Ballet Studio and later Lafayette Ballet Theatre. She has attended the summer programs of American Ballet Theatre (NYC), Houston Ballet, Pacific Northwest Ballet, Boston Ballet, The School of American Ballet (SAB) and Ballet Austin. At 15, Hailey was awarded full scholarship to study year round at SAB where she then trained for three years. While at SAB, she performed in the Student's Annual Workshop performances. She had the pleasure of performing Dance of the Little Swans in George Balanchine's Swan Lake, Danses Concertantes, The Four Temperaments and Jerome Robbins' Fanfare. She also participated in SAB's Student Choreographic Workshop and was selected to participate in lecture demonstration programs for New York public schools. Hailey joined Ballet Austin II in 2016 and was promoted to the main company in 2017. She would like to thank her parents for their continued support.
James Fuller is from Irvine, Calif., and was trained at Ballet Pacifica Conservatory. In 2004, James received a Youth America Grand Prix scholarship to study at the Boston Ballet School, where he completed his final year of training. James apprenticed with Oregon Ballet Theatre for a year before enrolling at Harvard University. At Harvard, James performed works by choreographers such as Paul Taylor, Martha Graham, George Balanchine, and Alvin Ailey. In the summers, James studied modern dance with the Paul Taylor Dance Company, American Dance Festival, and Beijing LDTX. James directed the Harvard Ballet Company in 2009 and graduated in 2010 with a Bachelor of the Arts in Philosophy, a secondary field in dramatic arts, and a language citation in Urdu-Hindi. Since joining Ballet Austin, James has performed in original works by Stephen Mills, including Luminaria and Though the Earth Gives Way, danced in Balanchine's Allegro Brillante, performed with the National Choreographers Initiative, and choreographed for Houston City Dance.
An Austinite by birth, Oliver was raised in southern Vermont and received his early training at the Brattleboro School of Dance and Burklyn Ballet Theatre. He graduated from the SUNY Purchase Conservatory of Dance with a BFA - Ballet Concentration and was given the award for Outstanding Senior in Modern Dance. While at Purchase, Oliver danced in works by George Balanchine, Merce Cunningham, Lar Lubovitch, Nicolo Fonte, John Heginbotham, and Gabrielle Lamb. Immediately after graduation, he joined the Lar Lubovitch Dance Company in New York City. Since joining Ballet Austin, Oliver has been featured in works by Stephen Mills, Lar Lubovitch, Pontus Lidberg, Pam Tanowitz, Septime Webre, Jimmy Orrante, and Nelly van Bommel. In the summer of 2017, he toured Thang Dao's award-winning duet We Circle the Night to the Danza in Arte a Pietrasanta Festival in Italy. Oliver was recently a performer in Rodney McMillian's Untitled (neighbors) as part of Against a Civic Death funded by the inaugural Susan Deal Booth Art Prize exhibited at the Contemporary Austin. He is also a member of Performa/Dance, an Austin-based dance company directed by Jennifer Hart and Edward Carr.
Courtney Holland was born and raised in Toronto, Canada, and at the age of 11 began her professional training at Canada's National Ballet School. After graduating from NBS in 2010, Courtney moved to New York City to continue her training at the Dance Theatre of Harlem on a full scholarship. In June 2012, she was a finalist at the Valentina Kozlova International Ballet Competition. She was awarded a full scholarship to the Banff Centre's Professional Dance Program where she appeared as a guest artist in the Arts Summer Festival, performing George Balanchine's Concerto Barocco and Christopher Wheeldon's Souvenirs. In 2013, Courtney joined Charlotte Ballet II where she performed works by George Balanchine, Dwight Rhoden, Sasha Janes, Mark Diamond and Jean- Pierre Bonnefoux. There she had the privilege to perform featured roles in The Nutcracker and the role of the Autumn Fairy in Cinderella, under the direction of Kennedy Center Honoree Patricia McBride. Since joining Ballet Austin in 2016, Courtney has had the pleasure of dancing several of Stephen Mills' ballets as well as works by Septime Webre and Pam Tanowitz. She enjoyed performing Justin Peck's In Creases and was featured in Paul Vasterling's Peter Pan as Tinker Bell. Courtney feels very blessed to have the love and support of her family and is excited for her third season with Ballet Austin.
Paul Martin began his ballet and dance training in West Des Moines, Iowa, under the tutelage of Hank and Beth Adams. With their guidance, Paul was able to earn scholarships to notable summer intensive programs to include the Kansas City Ballet School, Nutmeg Conservatory, San Francisco Ballet School and Ballet Austin. In 2014, Paul received a scholarship to study full time at the Kansas City Ballet School. This program enabled him to advance his training and culminated in a performance opportunity with Kansas City Ballet II. Since joining Ballet Austin II in 2015, he has been able to perform lead roles as The Judge in Nick Kepley's Season of Innocence and The Prince in Nelly Van Bommel's Snow White. Additionally, he has performed in Jennifer Hart's Spaces and in Stephen Mills' The Nutcracker and Touch. Paul has found artistic joy and growth working with Ballet Austin and looks forward to joining the main company for the 2017/18 season.
Grace Morton is from Seattle, Wash. She received her early training from Vivian Little and Mary Reardon, school directors of Dance Fremont. In 2010 she began training under the direction of Damara Bennett in Oregon Ballet Theater's professional division. She had the chance to tour to Korea and performed in company productions of George Balanchine's The Nutcracker and Nicolo Fonte's world premiere of Petrushka. As a member of Ballet Austin II, she enjoyed performing featured roles in Stephen Mills' Luminaria, Jennifer Hart's Wavemakers, and Nelly Van Bommel's Snow White. After joining the company, Grace has performed roles in classical ballets such as French in Stephen Mills' The Nutcracker, Puss 'n Boots in The Sleeping Beauty, and Four Little Swans in Swan Lake. She has also had the pleasure to appear in George Balanchine's Agon, Stephen Mills' One/the body's grace, Gabriel Lamb's Dovetail, James Gregg's The Space Between, and Jennifer Hart's To Here. Grace has danced in project-based company Performa/Dance, and appeared in Zilker Theatre Production's presentation of Oklahoma! as Dream Laurie. She is also a teacher in the Ballet Austin Academy.
Originally from Roseville, Calif., Kevin began his dance training at The Hawkins School of Performing Arts. He then went on to train at the San Francisco Ballet School for six years, with teachers such as Lola De Avila, Jean-Yves Esquerre, Parrish Maynard, and Jeffrey Lyons. Kevin then joined Ballet Austin II, and later the professional company. He has enjoyed dancing in roles such as Mercutio in Stephen Mills' Romeo and Juliet, the Dodo Bird in Septime Webre's ALICE (in Wonderland), as well as other works by Lar Lubovitch, Pam Tanowitz, Pontus Lidberg, and Justin Peck. Kevin has also worked with the Austin-based company Performa/Dance under the direction of Jennifer Hart and Edward Carr.
Preston Andrew Patterson was born in Atlanta, Ga., and began his dance studies at the Ballethnic Academy of Dance. At age 17 he attended the School of American Ballet and later the National Ballet School of Canada. As a member of Ballet Austin, Preston Patterson has had the privilege of performing in Stephen Mills' Wolftanzt, Light / The Holocaust & Humanity Project, Belle Redux / A Tale of Beauty & The Beast, George Balanchine's Allegro Brillante, the Peasant Pas de Deux from Giselle, and the Blue Bird in Petipa's The Sleeping Beauty.
Elise Pekarek is originally from the Chicago area and began her early ballet training with the Judith Svalander School of Ballet under the direction of Judith Svalander and Greg Begley. Since joining the company in 2011, Elise has been honored to have been featured in several works by Stephen Mills' as well as Annabelle Lopez-Ochoa, George Balanchine, Lar Lubovitch, Pam Tanowitz, Septime Webre, and Jimmy Orrante. She participated as a dancer in the National Choreographer's Initiative in 2017 and 2018. Elise has also performed in Austin-based projects such as Michelle Thompson's Illusory Impressions as well as with Performa/Dance, directed by Jennifer Hart and Edward Carr. In 2017, she performed Thang Dao's award-winning duet, We Circle The Night, for the Danza in Arte a Pietrasanta festival in Pietrasanta, Italy. Elise teaches classes for Ballet Austin's Pilates Center.
Chelsea Marie Renner, originally from Bozeman, Mont., received her early training from Ann Bates of Montana Ballet and Campbell Midgley of Queen City Ballet. Since joining Ballet Austin's main company, Chelsea has enjoyed performing principal roles in Stephen Mills' The Nutcracker as the Sugar Plum Fairy, and Paul Vasterling's Peter Pan as Wendy. She has also enjoyed performing in Stephen Mills' Light / The Holocaust & Humanity Project, The Magic Flute, Kai, Hamlet, and as Rosalyn in Romeo & Juliet, along with George Balanchine's Agon, Nicolo Fonte's Lasting Imprint, and works by Nelly van Bommel, Gregory Dolbashian, Gabrielle Lamb, Jimmy Orrante, and Pam Tanowitz. In June of 2013, Chelsea was honored to travel to Washington, D.C., to perform Stephen Mills' Hush for Ballet Across America III at The Kennedy Center, and in September of that year joined the company in Israel for a three-city tour of Light / The Holocaust & Humanity Project. Chelsea was the first recipient of the Sarah and Ernest Butler Scholarship in 2006. When not in the studio, Chelsea loves spending her time with her 3-year-old son, Landon, her husband, Aaron, and running her home-based skin care business with Rodan & Fields. Chelsea would like to thank Aaron, her parents, and her grandparents for their endless love and support.
Leanna Rinaldi was born in Fort Bragg, N.C. Her family moved to Nolensville, Tenn. where she began taking dance classes at age 3. She trained at Franklin School of Performing Arts until age 11 when her family relocated to Frisco, Texas. She continued her training there at Chamberlain Performing Arts under the direction of Kathy Chamberlain. She attended summer intensives at the School of American Ballet and Miami City Ballet School. After graduating high school and completing her second summer at MCB School, she received a scholarship for the year-round program in 2011. As a student, Rinaldi was given many opportunities to dance with the company and was hired as a company apprentice in 2013 and promoted to the corps de ballet there in 2014.
Originally from the Chicago area, Ashley received her pre-professional training from Sherry Moray. She began her career with Alabama Ballet under the direction of Wes Chapman and Roger Van Fleteren. Since joining Ballet Austin, her personal highlights have been dancing the roles of Giselle, Odette/Odile, Juliet, and Ophelia in Stephen Mills' Hamlet, receiving an Austin Critic's Table Award for her performance. Ashley had the honor of originating the role of Pamina in Mills' The Magic Flute, as well as premiering many of his contemporary works, and touring with the company to China, Israel, Italy, Slovenia, The Joyce Theater, and The Kennedy Center. She has also danced the principal pas de deux in Balanchine's Agon, Lar Lubovitch's Dvořák Serenade, and Pontus Lidberg's Stream. Ashley has made guest appearances with National Choreographer's Initiative, Dominic Walsh Dance Theater, and Performa/Dance. She is an alumna of St. Edward's University, and a private yoga instructor with specialization in Restorative yoga and Ayurveda. When she is not dancing or teaching, Ashley enjoys spending time with her new baby boy. She would like to thank her husband, Joshua, and her family for their generous support.
Morgan Stillman began his ballet training with Project Ballet in Fort Wayne, Ind., and attended Jacobs School of Music at Indiana University. In 2014, he joined Nevada Ballet Theatre and performed principal and soloist roles in James Canfield and Balanchine repertoire. Morgan joined Ballet Austin's professional company in 2017.
Brittany Strickland is originally from Winston-Salem, N.C. She attended the North Carolina School of the Arts (now the University of NCSA) from 2001-2007 where she trained under Melissa Hayden, Nina Danilova, and Kee-Juan Han. With NCSA, Brittany was privileged to perform George Balanchine's Serenade at the Hollywood Bowl as well as performing featured roles in The Nutcracker, La Fille mal Gardee, La Sonnambula and Jardin Anime. Following graduation she continued her training with Ballet Austin under full scholarship. With Ballet Austin II she was privileged to perform featured roles in works such as Thang Dao's Quiet Imprint and Stephen Mills' Touch as well as performing with the company in Mills' Coppelia and his world premiere of The Firebird. Since joining the company, she has enjoyed performing in works such as Mills' The Taming of the Shrew, The Nutcracker, Carmina Burana, and Light / The Holocaust & Humanity Project. In her free time, Brittany also teaches in the Butler Center for Dance & Fitness.
Originally born in Stavropol, Russia, Maxim was raised in an orphanage until the age of 5, when he was adopted by two loving and caring parents. He began his training at the Marin Dance Theater in 2008 under the direction of Margaret Swarthout. In 2014, Maxim began studying at the San Francisco Ballet School with a full scholarship under Patrick Armand, where he danced the lead roles in Balanchine's Serenade and in John Neumeier's Yondering. He also performed in San Francisco Ballet's performance tour of Cinderella in Washington D.C., as well as character roles in Swan Lake, and The Nutcracker. Maxim joined Ballet Austin's Butler Fellowship program for the 2017/18 season, was promoted to Ballet Austin II the following season, and makes his professional company debut in 2019/20.
Jaime Lynn Witts is originally from Bucks County, Penn., where she received most of her training from Maxim Ponomarenko, Oleg Briansky, and Mireille Briane. She attended summer programs at CPYB, Boston Ballet, and Ballet Austin. There, she continued her studies with Truman Finney in Ballet Austin's Trainee program before joining Ballet Austin II. Since joining the company, Witts has performed in works by numerous choreographers including Stephen Mills, Thaddeus Davis, KT Nelson, Nicolo Fonte, Sidra Bell, Viktor Kabaniaev, Nelly van Bommel, Loni Landon, Jennifer Hart, Annabelle Lopez Ochoa, Gabrielle Lamb and Gina Patterson. She has enjoyed performing principal roles in George Balanchine's Allegro Brillante and Agon,Swanhilda in Coppelia, Lilac Fairy in The Sleeping Beauty and Kate in The Taming of the Shrew, for which she earned her second Austin Critics Table Award. Most recently she has made her premier as the title role in Mills' The Firebird. Witts has also had the honor of performing the role of The Survivor in Mills' Light / The Holocaust & Humanity Project in Austin and on tour in Miami and Israel. When she is not dancing, Witts enjoys spending her time off with her daughter, Evaline.
Joined Ballet Austin II in 2019
Sabrina is from Needham, Mass. She began her ballet training at age 7 at
Boston Ballet School and continued there until 2013 when she attended
Phillips Academy Andover. Most recently she was a trainee at Orlando Ballet and then Boston Ballet. She attended summer programs at Pennsylvania Ballet, San Francisco Ballet, Burklyn Ballet Theatre, Orlando Ballet, Houston Ballet, and Boston Ballet. Her professional experience includes featured roles
in The Nutcracker for Jose Mateo Ballet Theatre.
Joined Ballet Austin II in 2019
Danielle is from Littleton, Colo. She received her early training at Belliston
Academy of Ballet. She attended summer intensive programs at Pacific
Northwest Ballet, Boston Ballet, and Miami City Ballet. She continued
training at Miami City Ballet's pre-professional program from 2014-2017. While there, she had the opportunity to perform Balanchine's Western Symphony and Valse Fantaisie. Upon graduating from Miami City Ballet, she joined City Ballet of San Diego as a company dancer before joining Ballet Austin. Some of her most recent performing highlights include Balanchine's The Four Temperaments, Serenade, and dancing the role of Clara in Elizabeth Wistrich's The Nutcracker.
Joined Ballet Austin II in 2019
Harrison is from Concord, N.H. He received his early training from Eastern Ballet Institute before joining the pre-professional program of Boston Ballet School in 2014 and then the Boston Ballet Trainee Program in 2017. He attended summer programs at Bolshoi, School of American Ballet and Boston Ballet. His professional performance experience includes roles in Nikko Nissinen's The Nutcracker, John Cranko's Romeo and Juliet, and August Bournonville's La Sylphide.
Joined Ballet Austin II in 2018
Jasmine is from Chicago, Ill., and began dancing at age 3. Her preprofessional training began at Judith Salvandar Ballet and continued at Faubourg Ballet under the instruction of Tatyana Mazur. She attended the summer programs of Complexions, Bolshoi, Ballet Chicago, and the Joffrey. Jasmine has worked with choreographers such as Shannon Alvis, Sean Aaron Carmon, Ronn Stewart, Aaron Rogers, and Preston Miller. Her Ballet Austin II credits include roles in the Grand Pas from Paquita, Joshua Manculich's Menagerie, Jimmy Orrante's Ugly Duckling, and Stephen Mills' The Nutcracker and Giselle.
Joined Ballet Austin II in 2018
Born in El Paso, Texas, Dylan began dancing at El Paso Performing Arts
at age 8. He joined his high school dance team in 2012 and danced with
The University of Texas El Paso's dance team through his junior and senior years. Dylan started pursuing ballet seriously in 2014 with Champion Dance Studio under Andree Harper and Ouisa Davis and continued his training after graduation at the University of Arizona. His Ballet Austin II credits include roles in the Grand Pas from Paquita, Joshua Manculich's Menagerie, Jimmy Orrante's Ugly Duckling, and Stephen Mills' The Nutcracker and Giselle.
Butler Fellow: 2017-2019 | Joined Ballet Austin II in 2019
Megan is originally from Brookfield, Wis. She began her ballet training at
Milwaukee Ballet School at age 4. In 2005, Megan began studying at Pacific Northwest Ballet under Nicholas Ade. In 2013 she attended The University of North Carolina School of The Arts under Susan Jaffe through high school graduation. She spent her summers at Ballet Austin, Boston Ballet, and Next Generation Ballet. At Ballet Austin she has performed in Raymonda Pas De Dix, Jordan Moser's Mouthwings, Grand Pas from Paquita, Alexa Capareda's Klein Blue / The Void, Jimmy Orrante's Ugly Duckling, and Stephen Mills' The Nutcracker and Giselle.
Joined Ballet Austin II in 2017
Elizabeth is originally from Staten Island, N.Y. where she began her
training with Ellen Tharp and Staten Island Ballet. She went on to train
at The Rock School for Dance Education before moving to Houston to attend the Houston Ballet Academy. In 2014 she joined Houston Ballet II prior to dancing with Texas Ballet Theater for two seasons and before eventually joining Ballet Austin II. Her Ballet Austin II credits include
Balanchine's Valse Fantaisie, Jennifer Hart's Murmuration, Grand Pas from
Paquita, Joshua Manculich's Menagerie, Jimmy Orrante's Ugly Duckling, and Stephen Mills' The Nutcracker, Giselle, and Not Afraid of the Dark.
Joined Ballet Austin II in 2018
Born in Fremont, Calif., Isabella trained at San Francisco Ballet. At 15
she continued at Ballet San Jose under José Manuel Carreño where she performed in the U.S. premiere of Alicia Alonso's Giselle. At 17 she joined The New Ballet Studio Company under Dalia Rawson Hughes. In fall 2017, she was a trainee with Smuin Ballet. Summer training included Joffrey Ballet Chicago, National Ballet of Cuba's Yoira Esquivel Brito and Amparo
Brito, and Ellison Ballet. Her Ballet Austin II credits include the Grand
Pas from Paquita, Joshua Manculich's Menagerie, Jimmy Orrante's Ugly
Duckling, and Stephen Mills' The Nutcracker and Giselle.
Joined Ballet Austin II in 2019
Dianetzy is originally from Puerto Rico. Her early training began in Puerto Rico at Escuela Julian E. Blanco, Conservatorio de Ballet Concierto de Puerto Rico, and Escuela de Danza de Siglo 21 before being accepted to the School of American Ballet in 2016. At SAB she has performed works by George Balanchine, Justin Peck, William Forsythe, and Sofia Bianchi. Other
performance experience includes Don Quixote with Ballet Concierto de
Puerto Rico.
Joined Ballet Austin II in 2019
Eliza is from Boulder, Colo. Her training includes the Houston Ballet
Academy Professional Division and Boulder Ballet School, with additional
summer training at San Francisco Ballet, IBStage Barcelona, and Kansas City Ballet. While in Houston she performed in the world premiere of Stanton Welch's The Nutcracker. She was most recently a member of Milwaukee Ballet II where she performed works such as Balanchine's Serenade and
Milwaukee Ballet's productions of Michael Pink's Dracula and Swan Lake.
Joined Butler Fellowship Program in 2019
Born and raised in New York City, Malena received her training at Ballet Academy East under the direction of Darla Hoover. While at BAE, Malena performed in Balanchine's Valse Fantaisie, Walpurgisnacht, and Scherzo à La Russe, as well as Bournonville's Tarentella from Napoli, The Sleeping Beauty, and various works by Alan Hineline. Malena attended summer programs at Central Pennsylvania Youth Ballet, Boston Ballet, Royal Danish Ballet, and most recently Ballet Austin. Malena is thrilled to be joining Ballet Austin as a Butler Fellow for the 2019-2020 season.
Joined Butler Fellowship Program in 2018
Born in New York and raised in Bennington, Vt, Ellis began her early dance training at Berkshire Dance Theatre. From 2015-2017 she trained at Boston Ballet School, where she performed in Mikko Nissinen's The Nutcracker and several student showcases. She then trained at Ballet Academy East under the direction of Darla Hoover, where she performed in George Balanchine's Walpurgisnacht and Scherzo à la Russe, as well as August Bournonville's Napoli. Ellis' Ballet Austin performances include the Grand Pas from Paquita, Jennifer Hart's Once 'Round The Sun, and Stephen Mills' The Firebird and The Nutcracker.
Joined Butler Fellowship Program in 2019
Isabella is from Los Angeles and trained at the Marat Daukayev School of Ballet for 15 years. She was a 2016 National YoungArts winner in Dance - Ballet. Isabella consistently placed in the top 3 in the Youth America Grand Prix Los Angeles Regionals, qualified to the New York City Finals, and was awarded the 2015 Los Angeles Youth Grand Prix. She attended summer programs at Ballet Austin, School of American Ballet, San Francisco Ballet School, and Academie Princesse Grace (Monaco). Her most memorable roles include Sugar Plum Fairy in The Nutcracker, Kitri in Don Quixote, and Medora in Le Corsaire.
Joined Butler Fellowship Program in 2018
Chloe was born in Idaho Falls, Idaho. She began her training at Utah Metropolitan Ballet and competed in the YAGP regionals in San Francisco, Seattle, Denver, San Diego, and Phoenix consistently placing in the top three in both contemporary and classical ballet. Chloe attended the NYC American Ballet Theatre summer intensive from 2012-2015 and earned the ABT National Training Scholar award. She attended ABT's Jacqueline Kennedy Onassis School of Ballet from 2015-2018. Her Ballet Austin credits include Jimmy Orrante's Ugly Duckling, Grand Pas from Paquita, Jordan Moser's Mouthwings, Alexa Capareda's Play, and Stephen Mills' The Nutcracker and Giselle.
Joined Butler Fellowship Program in 2018
A native New Yorker, Eva began her training at The School at Steps. At 10, she joined the School of American Ballet and performed with the New York City Ballet in Balanchine's The Nutcracker and A Midsummer Night's Dream, Peter Martins' Swan Lake, and as a guest with the Royal Danish Ballet in Napoli. Later she joined Manhattan Youth Ballet performing classical, Balanchine, original, and student choreography. Eva spent the majority of her first season as a Butler Fellow addressing an injury, but during her recovery, she wrote blogs detailing the history and backstage secrets of Ballet Austin productions.
Joined Butler Fellowship Program in 2018
Lucia is from Rochester, N.Y. She trained at the Draper Center for Dance Education under Jamey Leverett and as a trainee with the Rochester City Ballet under David Palmer. From 2016-2018 she studied with the San Francisco Ballet School under Patrick Armand. During that time she danced works by Balanchine and Helgi Tomasson and participated in multiple student choreographic pieces as both a choreographer and a dancer. In her first season at Ballet Austin she danced the Grand Pas from Paquita, Jennifer Hart's Once 'Round the Sun, Jimmy Orrante's Ugly Duckling, and Stephen Mills' The Nutcracker and Giselle.
Joined Butler Fellowship Program in 2019
Born in New Jersey, Rebecca started dancing at age four. In 2014, her family moved to Plano, Texas where she trained at Royale Ballet Dance Academy under Angela Sham. In 2016 - 2019, Rebecca attended The University of North Carolina School of the Arts, under Susan Jaffe, and performed in Larry Keigwin's Kingdom, Paquita, and numerous roles in The Nutcracker. During college breaks Rebecca trained at Chamberlain Performing Arts, under Kathy Chamberlain. She attended summer intensives at CPYB, Boston Ballet, Kansas City Ballet, Pittsburgh Ballet Theatre and Ballet Austin.
Joined Butler Fellowship Program in 2019
Originally from Greenwood, Ark., Shane received his prime classical training from Midland Festival Ballet under the direction of Susan Clark and was most recently an apprentice at Boulder Ballet. Growing up, he was a member of Regional Dance America where he was awarded many scholarships to attend ballet schools from all over the country.
Joined Butler Fellowship Program in 2019
Born and raised on Cape Cod, Mass., Isabelle began dancing intensively at the age of 11 under the direction of Laura Faria Sciortino in the intensive division at Turning Pointe Dance Studio in Falmouth, Mass. There, Isabelle was able to perform excerpts from classical ballets including The Sleeping Beauty, Raymonda, The Nutcracker, and Paquita in addition to having contemporary ballets and solos choreographed on her. Isabelle was privately coached by Laura Sciortino and Yves de Bouteiller for participation in various ballet competitions including YAGP and the Connecticut Classics in which she was awarded the silver medal.
Joined Butler Fellowship Program in 2019
Originally from San Clemente, Calif., Samantha started her pre-professional training at the Orange County School of the Arts. She then studied at the University of North Carolina School of the Arts, under Susan Jaffe, where she performed roles in The Nutcracker, Serenade, Les Sylphides, and Paquita. Samantha then spent a year training in Ballet West's Academy before being given the opportunity to join Ballet Austin's Butler Fellowship Program. She has also attended summer courses with American Ballet Theatre, Boston Ballet, Ballet West and the artEmotion Choreographic Workshop, as well as Ballet Austin over the course of her training.
Joined Butler Fellowship Program in 2019
Kathleen is from Falls Church, Va. She received the majority of her training at Washington School of Ballet where she performed works by Septime Webre, Alonzo King, George Balanchine, and August Bournonville. Her summer study included Boston Ballet, Kennedy Center Ballet Master Series, and BalletMet. Most recently, Kathleen was a trainee at BalletMet where she performed in Gerard Charles' The Nutcracker, Balanchine's Serenade, and Edwaard Liang's Don Quixote.


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DeAngelo Hall knows a thing or two about intercepting Bears quarterbacks. Back in 2010, Hall tied an NFL record for most interceptions in a game when he picked off Cutler four times. The Redskins won that contest 17-14.
Fast forward six years and Hall was watching Washington play Chicago from his couch at home. Hall was voted a defensive captains this year but suffered a season-ending ACL tear back in September. That didn't stop him from talking trash on Twitter, though.
With his team traveling to face the Bears in a must-win game, Hall texted members of the Washington secondary with some words of advice. And it paid off: the Redskins finished the game with five interceptions.
In the postgame locker room, safety Will Blackmon shared what Hall had said.
"He told us, it's not about X's and O's, that's just a game plan. For us, at the end of the day we just have to go out there and play together and be on the same page," Blackmon said. "So that was a text that he sent to us before the game and we executed."
Blackmon finished the game with one interception. Cornerbacks Bashaud Breeland and Josh Norman had two picks each.
"As far as today, [Hall] just told us to go out there and do what we do," Breeland said. "As long as we're playing together we got a good chance of winning this game."
He was right. The Redskins beat the Bears 41-21.
MORE REDSKINS: The story behind Kirk's Christmas suit