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U.S. Department of Commerce · Bureau of Export Administration
Office of Strategic Trade & Foreign Policy Controls · Information Technology Controls Division
Update to Encryption Policy
September 1999
Questions and Answers
1. Why is the Administration revising its encryption export policy?
Last year the Vice President promised that we would continue to review our encryption policy and make the necessary updates to adjust it to national security needs and the global market for information technology. This Update fulfills the Vice President's promise and puts our encryption policy on a strong footing.
2. How broad is this update? How does it change existing export controls?
The Update represents a new framework for export controls that meet the needs of industry to be competitive in a global market place, while continuing to provide essential protections for national security. Any encryption commodity or software may be exported without a license after a technical review to commercial firms and other nongovernment end users in any country except for the seven state supporters of terrorism. Telecommunication and Internet service providers may use encryption commodities and software to provide services to commercial firms and nongovernment end users. Previous liberalizations for banks, financial institutions and other approved sectors are subsumed under this Update.
3. When will regulations be published to implement this update?
We plan to publish the implementing regulations by December 15, 1999.
4. With the Administration's announcement today, is the United States' encryption policy still consistent with the multilateral controls in the Wassenaar Arrangement?
Last December, Wassenaar made a number of changes to modernize multilateral encryption controls. Today's announcement will harmonize our encryption controls with those of our Wassenaar partners. Our encryption items will still be subject to a technical review and will include reasonable post-export reporting requirements.
5. How does this compare with what other exporting countries are doing with encryption?
We took careful account of our multilateral obligations and the licensing practices of our major trade partners in designing this Update. In particular, the Update helps make our regulations consistent with those being developed in the European Union, which permits the easy transfer of encryption items between EU member countries.
6. Will you consult with U.S. Industry?
We plan on consulting with Industry for input on business models and practices for reporting requirements, as well as suggestions and comments on the changes announced today. The Administration will continue its dialogue with U.S. industry on encryption policy.
7. Will exporters be able to "grandfather" encryption products that were previously reviewed in order to take advantage of the new export privileges?
Encryption items that were previously approved under a license exception or license will be, upon publication of the implementing regulations, eligible for export under most provisions of the license exception. We anticipate that another technical review will be necessary to release "retail" products of any key length to any end user under a license exception.
8. The Update does not mention industry sectors, such as banking, which were a major feature of last year's changes. Does this mean that the export policy for those sectors has been dropped?
Last year's release to industry sectors continues to be in effect, but the specific provision for banks, on-line merchants and other sectors have been subsumed in the larger release.
9. What does the term "without a license" mean?
This term implies that after a technical review, encryption commodities or software may be exported without the need for U.S. industry to submit an actual license application. For example, for items decontrolled under Wassenaar, no license is required after a technical review. On the other hand, encryption items exported to commercial firms and other nongovernmental end users are not being decontrolled but will be eligible for export after a technical review under a license exception, i.e., an unwritten licensing mechanism.
10. Since the majority of exports will now be eligible under a license exception, how long will the technical review take?
The average time for BXA to complete a technical review is about a month. This average takes into account delays for exchanges of technical information, and discussions between the company and government. We are working to streamline this process and shorten the time, and expect to shorten the average time, but some products could still need extensive review.
11. Why is the Administration still requiring post-export reporting when the Wassenaar Arrangement does not?
Last year, at the Wassenaar Arrangement, nations agreed to remove reporting requirements to each other; however, some nations still require reporting. On the other hand, some countries may not require post-export reporting because they must apply for individual licenses. Reporting helps ensure compliance with our regulations and allows us to reduce licensing requirements. All exports of encryption products greater than 64 bits will now require some reporting on a semiannual basis, unless the export is to a U.S. subsidiary. We will take into account business models and practices followed by industry in designing these reporting requirements and will consult with industry on how best to implement this part of the Update.
12. What kind of restrictions will there be on the end use of encryption exports? Exports previously allowed only for a company's internal use can now be used for communication with other firms, supply chains and customers restrictions on internal use. Companies will be able to communicate with their business partners, suppliers and customers to conduct their transactions.
13. Will Internet Service Providers and Telecommunication companies be able to purchase U.S.-made encryption products?
U.S. manufacturers will be able to export any U.S.-made mass market or retail encryption product to foreign Internet Service Providers and telecommunications companies outside of the seven State sponsors of terrorism without a license after a technical review. U.S. manufacturers will also be able to export any encryption product to Internet Service Providers and telecommunications companies without a license after a technical review for use by commercial firms or other nongovernmental entities.
14. What are "retail" encryption products?
These are product which do not require substantial support for installation and use, and which are sold in tangible form through independent retail outlets or products in tangible or intangible form, which have been specifically designed for individual consumer use. Retail encryption commodities and software of any key length may be exported without a license, after a technical review, to any end user located globally except the seven state supporters of terrorism. Our intent here is not to limit control of those encryption products that are sold in retail outlets. Telecommunication and Internet service providers may use retail encryption commodities and software to provide services to any recipient.
15. Are there restrictions on "retail" encryption products sold over the Internet?
Retail encryption products sold in electronic form, i.e., over the Internet, will be treated the same as the identical products sold at retail outlets.
16. Are there any re-export control restrictions on products above 64-bits?
License exceptions will allow exports as well as re-exports; however, there are some restrictions which will be identified in the new regulation, such as no resale, transfer or reexport to the seven state supporters of terrorism. Broad restrictions and prohibitions will also continue to apply.
17. How do the new reporting requirements affect previously issued licenses which did not require any reporting?
This update supersedes previous licensing policy. For example, if you were issued a license or an encryption licensing arrangement to foreign banks without the reporting requirement, the new implementing regulations will now require you to report on this class of end users for all shipments exported effective the date of the published regulation. The reporting requirements will be streamlined.
18. Can you provide a few examples where a license will still be required?
Licenses will still be required for exports of encryption technology, technical assistance, cryptographic application programming interfaces (CAPIs), source code and exports destined to foreign government and military end users.
19. Why are governments treated differently?
Under the new policy, exports to governments can be approved under a license. We wanted to retain this licensing requirement to ensure that foreign policy considerations are fully reflected in any export decision.
Technical Questions
1. Does this update have any special product restrictions on any type of end user, such as the previous on-line merchant restriction?
No. This update eliminates all product-end user restrictions that were previously adopted in last year's update (e.g., recoverable products or on-line merchants). Now, any general purpose encryption product such as routers, firewalls, and other middleware products can be exported to any nongovernment end user.
2. Will there be any restrictions on the export of certain algorithms?
No. There will be no restrictions on the export of any algorithm, key space or key exchange mechanism.
3. Once I receive approval to export chips, toolkits, or executable or linkable modules, under a license exception, will the foreign finished product need a separate review?
No. We do not intend to impose a requirement to subject the foreign finished product to a technical review; however, there will be minimal requirements associated with certain exports of these products.
4. Will "retail" encryption products still be subject to "EI" controls or are they being decontrolled?
Encryption commodities and software of any key length that are determined to be "retail" after a technical review will be controlled for "EI" reasons as these products continue to be controlled in the Wassenaar Arrangement.
5. What about foreign nationals working in the United States?
Foreign nationals working in the United States no longer need an export license to work on encryption for U.S. firms. This extends the policy adopted in last year's update, which allowed foreign nationals to work for foreign subsidiaries of U.S. firms under a license exception after a technical review.
6. Will Encryption Licensing Arrangements (ELAs) be eliminated?
This update minimizes the need for U.S. industry to obtain ELAs; however, we will continue to allow industry to submit such licenses for a case-by-case review of any specific transaction.
7. How does the update to encryption policy affect the export of cryptographic application programming interfaces (CAPIs)?
Cryptographic interfaces are divided into two classes: Open Cryptographic Interfaces (OCI) and Closed Cryptographic Interfaces (CCI). OCI's are considered crypto-with-a-hole because they permit a customer or other party to insert cryptography into an encryption item. OCI's will continue to be reviewed on a case-by-case basis through the licensing process.
CCI's contain a mechanism (such as a digital signing key) that prevents a customer or other party from inserting cryptography into an encryption item. After a technical review of the binding mechanism, these products will be eligible for export under a license exception. If destined to a commercial enduser, the additional signing can take place under a license exception after a technical review. If destined to a foreign government or military entity, the additional signing requires a license.
We intend to discuss this issue with industry as we consult on the implementation of this regulation.
8. Is source code allowed to be exported under a license exception or does this policy only authorize the export of encryption object code?
Source code will continue to be reviewed under a case-by-case basis. This update will allow the global export of object code encryption software under a license exception.
Return to the EPIC Crypto Policy Archive


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Even RSBFS is not immune to a little mission-creep, as our last two "stocking stuffer" posts were Aprilia RS50's ! Anyway this late and low-mile if lightly documented RS125 looks like just the suggestion for your future ex- this holiday season.
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Aprilia's RS125 was introduced in 1992, and the 2009 came midway through the fourth generation. By this time the RS125 was an RSV1000R lookalike, with twin headlights, four-piston front caliper, and Piaggio ECU to help meet Euro-3 emissions. Power was great for a 125 at 28 hp, and alloy wheels were both 17's. The No.1 livery commemorated Jorge Lorenzo's 125cc championship.
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There are only a handful of actors in Los Angeles who straddle the fence of television and stage work as gracefully and successfully as Scott Paulin.
Paulin, 61, works steadily in episodic tv, most recently playing Stana Katic's father, 'Jim Beckett' on ABC's Castle. His television resume, acting and directing, totals nearly 100 credits, including series regular work on the short-lived but much decorated I'll Fly Away, and some powerhouse guest starring roles, most notably The Twilight Zone, directed by William Friedkin, and the original Amazing Stories, directed by Steven Spielberg.
But when asked where the actor-director's heart is, he does not hesitate. "Live theatre. It's where it all started."
Last year Paulin received rave reviews for his direction of the Open Fist's Getting Frankie Married – and Afterwards by the late Horton Foote, a long time friend and colleague. He closed out 2010 directing Conor McPherson's St. Nicholas, a one-man show starring Michael McGee. Earlier this year he teamed up with another long time chum, Nick Kazan, on Kazan's riveting and provocative Mademoiselle God at the Ensemble Theatre in Atwater Village. In all three cases, Paulin's reputation as an actor's director was on full display, bringing out captivating and honest performances from his casts.
Now he is set to open another significant stage play by yet another long time colleague. Opening tonight at the Open Fist Theatre in Hollywood is Sam Shepard's Curse of the Starving Class, the Los Angeles premiere of the newly revised Obie award-winning classic.
I caught up with Scott Paulin a few days ago in his westside neck of the woods, Santa Monica.
Lars Beckerman: How's life?
Scott Paulin: Life is good. It's sunny in Santa Monica, as it should be on opening night for Curse of the Starving Class.
LB: Why this play, why now?
SP: Well, Sam Shepard was a big part of the early days of my career. He was pretty responsible for some of the success I had getting started as an actor in the Bay Area. We did this play together, I played 'Wesley' in the Bay Area production of Curse of the Starving Class back in the mid 1970s – Sam didn't direct it but he oversaw the production – it was a tremendous experience, very successful, got me a lot of attention up there. I loved the play then. It's a play that takes place in Southern California, in the suburbs of Los Angeles, where I also grew up – the desert town of San Bernardino, which is similar to the setting of Curse, Duarte, just east of L.A. All of that made it very interesting to me. Not to mention the fact that Sam and I both had a great deal of success doing a film called The Right Stuff in the early 80s. So it just seemed like a really great fit for the Open Fist – and for me.
Scott played 'Deke Slayton' in the 1983 Oscar winning film The Right Stuff, opposite Shepard, Dennis Quaid, Scott Glenn, Ed Harris, and Fred Ward.
LB: The Right Stuff had a great cast. What a thrill to be a part of that group.
SP: Indeed. A really remarkable and life changing experience. Such great memories.
LB: And to be working with your friend from the Bay Area theatre scene on such a high-profile studio film must have been pretty sweet.
SP: Yeah. Sure was.
LB: Tell me about those San Fran days.
SP: Sam was something of a fixture in the Bay Area theatre scene in the early 1970s. He was around a lot. I guess he had just come back from London, and he and his wonderfully eccentric wife were well-known to everybody in the Bay Area. He was writing plays for the Magic Theatre. He'd done some early stuff with them when he was living in New York and then he came west and kind of became their playwrite laureate where he wrote some of his best stuff.
LB: So you played 'Wesley' back in that 1970s production. Now that you're a little more mature do you find yourself relating more to the father character of 'Weston?'
SP: I do. It was interesting to realize that I've never seen the play. I'd never seen any scenes except the ones I was in. I guess I just wasn't that actor who hung around watching other actors rehearse. I had never seen this play live before I took it on this time. And as a result, when I started working on the part of 'Weston' with Kevin McCorkle, I found all sorts of stuff that resonated in my own life. The 'Wesley' character, straight out of high school, is very far from where I am now in my life. Although I still love that role. And fortunately, we were able to find a wonderful young actor named Ian Nelson to play him in this production. Could not be happier with the work he's doing. In fact the whole cast is just really, really good.
LB: Tell me a little bit about your relationship with your wife, Wendy Phillips. Is she your number one collaborator?
SP: She is, in every part of my life, my number one collaborator. She is my aesthetic backup. The truth of it is, it is important to me at some point in the process of directing to have her come in and iron out my mistakes.
Scott and Wendy worked together in the 1986 Emmy Award winning mini-series A Year in the Life. Wendy is currently teaching film at USC's graduate school.
LB: What conversations are you hoping to spark with your audience leaving the theatre after Curse of the Starving Class?
SP: Funny you ask, because last night after the preview a couple came up to me, and had noticed in the program note that Sam had revised the play, some minor changes, nothing really all that significant – shortened the play a little bit. And they wanted to know how much had he changed or updated the play to make it fit today's socio-economic climate. And the truth is, he changed none of that. It was this way from the beginning. This whole notion that real estate is an investment that can never go wrong. And of course all of the personal issues of a family facing bankruptcy. A family that can no longer hold itself together culturally because it has lost its footing economically. All of those things I would love to find that people were talking about in the lobby after the show.
LB: What's next for you, Scott? Do you have your eyes set on another piece?
SP: I have my eyes set on a vacation with my wife. After that, I will be helping produce at the Open Fist this summer with their annual First Look Festival. And probably be back next season doing something at the Open Fist. I hope.
LB: Thanks so much, Scott.
SP: You bet, Lars.


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|School Rumble Chapter 001
|Chapter Info
|Volume 1
|Release date
|May 16, 2003
|Easy Rider
Plan1 From Outer Space is the first chapter of the manga School Rumble, forming part of Volume 1.
Tenma is assigned into the same class as her love interest, Karasuma, but finds out that he is transferring. She writes him a "love letter" but forgets to sign it. Despite Tenma not successfully confessing to Karasuma, he decides to stay for the year.
New SemesterEdit
Tenma Tsukamoto looks up into the sky and ponders the mysterious word, "suki." It's the start of a new semester for her as a 2nd-year high school student and she's determined. She and her younger sister, Yakumo walk together to school and upon arrival, Tenma spots Ooji Karasuma, who is revealed to be the person she has fallen in love with. As it's the start of a new semester, classes will be changed and she wonders if they will be grouped into the same one.
Many students gather at the class listings' boards, including Tenma and Yakumo. Yakumo informs Tenma that she is in Class 2-C. She notices that her sister is nervous and asks if she should look for Karasuma's name for her. Tenma suddenly regains her courage and finds Karasuma's name in the 2-C section as well. She privately celebrates her small victory but overhears him say that he's transferring in two days.
At home, Tenma is determined to do something about the situation, however, she becomes distracted for the next 8 hours with cleaning, doing laundry, and cooking. Near the end of the day, she considers giving up and going to sleep, but quickly snaps out of it. She comes to the conclusion that she would rather do something and regret it later than regret doing nothing, so she decides to confess her feelings.
Tenma sits at her study and attempts to write out her feelings, but is unable to get herself write "suki" in the letter. She continues to struggle into the next day and her letter eventually becomes a long scroll.
At school, Tenma puts her "love scroll' in Karasuma's shoe locker. She is not confident about the scroll, but as she walks away, takes comfort in knowing that she put all her effort into it.
After school, Tenma goes back to the shoe lockers and hides behind a wall while she spies on Karasuma reading her scroll. It takes him until dusk to finish reading the scroll and to Tenma's dismay, he decides to read it a second time. After he finishes reading it the second time, Tenma nervously waits for his reaction and he simply states that there was no name left. Tenma doesn't take the reaction well and falls into a fit of despair.
The next day, Tenma overhears classmates saying that Karasuma decided to delay his transfer. He didn't give a detailed reason as to why, only that someone asked him to.
In order of appearance:
- This chapter's title is a parody of an American film titled Plan 9 from Outer Space, which is a film celebrated for its amusing ineptitude.
- "Suki" means to love, like, or admire.
- This chapter is adapted into episode 1 of the first season.


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This tutorial lasts about an hour. You will also receive a pdf which will also give you step-by-step instructions on how to paint the flowers and a template for the design.
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!! History Commons Alert, Exciting News
BATF agents attempt to force entry through a second-floor window of the Branch Davidian compound. At least one of the agents depicited will be shot in the firefight. [Source: Asian Celebrities (.com)]The Bureau of Alcohol, Tobacco and Firearms (BATF) launches its long-planned raid on the Branch Davidian compound near Waco, Texas (see 5:00 A.M. - 9:30 A.M. February 28, 1993). About 9:30, the BATF forces arrive at Mt. Carmel, the location of the Davidian compound. Two National Guard helicopters, which had been scheduled to create a diversion in the rear of the compound so as to allow the cattle trucks carrying the BATF agents to arrive unseen, are late in arriving, and fail to carry out their mission. The raid commanders are out of radio range and unable to abort the raid or modify the deployment of agents. Moreover, as some agents will later tell the New York Times (see March 27, 1993), only squad leaders can communicate with their team members, so communications are difficult, and when a squad leader is shot—and one will be shot in the first few minutes of the raid—that leader's squad can no longer receive or send information. [New York Times, 3/27/1993] BATF Agents Advance, Shots Fired - At least 70 agents wearing bulletproof vests, helmets, and army gear emblazened with "ATF Agent" in yellow and white letters, emerge from the trailers and race towards the buildings in groups. Davidian leader David Koresh opens the front door and shouts: "What do you want? There's women and children in here!" (Some reports say Koresh is unarmed; others say he is dressed in black and carrying an AR-15 semiautomatic rifle.) The lead agent, Roger Ballesteros, brandishes a search warrant and shouts: "Police! Get down!" and Koresh closes the door. Moments later, BATF agents, including Ballesteros (see January-February 1994) and John Henry Williams, and Texas Ranger David Byrnes will report that the Davidians shoot first; Davidians will claim the opposite. One BATF agent will later report that a fellow agent actually shoots first, at a dog he feels is threatening him, but later that agent will retract the claim. A team of agents with a battering ram is slated to burst through the main doors. Two teams of BATF agents with ladders mount to the roof of the first floor and break into windows on the second floor, where they believe the weapons are stored. The ladder and battering ram teams all encounter heavy fire, and several agents are hit, including one on the roof who manages to hobble to a ladder and slide down. Davidians rain bullets from the upper windows onto the agents. One BATF team manages to force entry into the compound, but is unable to advance. Most of the agents are pinned down behind vehicles. The two sides exchange heavy gunfire. [New York Times, 3/27/1993; Newsweek, 5/3/1993; Dean M. Kelley, 5/1995; Dick J. Reavis, 7/19/1995; PBS Frontline, 10/1995; LMPD Arcade, 2009] A federal law from 1917 mandates that federal agents use what is called the "knock and announce" approach—in essence, a federal law enforcement agent must knock on a door and announce himself and his intentions before entering. Ballesteros and his fellow BATF agents do not follow this legal provision, though the law does have several exceptions that may apply in this instance. A later House investigation will find the BATF's choice not to "knock and announce" reasonable under the circumstances. [House Committee on Government Reform and Oversight, 8/2/1996] Helicopter Activity - Two of the three helicopters land after taking fire. [Newsweek, 3/15/1993] Philip Chojnacki, the agent in charge, rides in one of the helicopters; he is almost struck by a Davidian bullet in the first minutes of the raid. [New York Times, 3/27/1993] The House investigation will find that Chojnacki's presence in the helicopter essentially takes him out of the communications loop with the raid commanders and team leaders before the beginning of the raid, and deprives him of any opportunity to learn that the Davidians are planning an ambush. [House Committee on Government Reform and Oversight, 8/2/1996] Catherine Mattison, a Davidian who will escape the April 1993 conflagration (see April 19, 1993), will say in 2003 that she saw gunfire from the helicopters. "They were shooting when they came in," she will recall. "I went upstairs to my room and all of a sudden I could see three helicopters in V-formation firing. David's rooms were in the back of the building and that's where they were firing. I didn't realize that for three months afterwards because of all the shock and commotion but they were trying to kill him right then." [Guardian, 10/28/2003] Mattison's allegations are unconfirmed; testimony from a number of agents will challenge her account, and videotape from the raid shows no gunfire from the helicopters. The helicopters are on loan from the National Guard, and are expressly forbidden to engage in any role save as observational. [House Committee on Government Reform and Oversight, 8/2/1996] Machine-Gun Fire - Reflecting on the raid 10 years later, BATF agent Bill Buford will say: "But before I even got out of the trailer, I could hear machine guns, and I knew we didn't have any.… I'm an old Vietnam vet, and I can tell you—the firing was intense." Buford is wounded in the gun battle. "The one thing we had not planned for was to be pinned down by fire right out in front of the building," Buford will add. "We did not anticipate we would come under such heavy fire, nor did we anticipate we would have such heavy casualties." Buford will say that after the botched raid, the BATF will all but abandon such "insertion"-type assaults, and rely instead on surrounding a building and negotiating with the inhabitants. [Waco Tribune-Herald, 3/16/2003] Failure to Follow Manual - Ballesteros will later testify that no particular agent was assigned to announce their identity and the purpose of the raid. "We basically all announced," he will say. He will admit that according to the BATF manual, "[o]fficers are required to wait a reasonable period of time to permit the occupants to respond before forcing entry," and the agents do not follow that mandate. He will testify that the agents expected resistance, but not gunfire, and had not planned for that contingency. BATF agent Kenneth King, one of the two "ladder" team members who attempt to force entry through the second-floor windows, will also testify that the agents did not plan for gunfire, and were unprepared for such a heavy level of resistance. Later testimony also shows that some of the damage suffered by the agents may have been from "friendly fire"; one BATF agent is wounded by what later proves to be a 9mm hydroshock bullet, the ordnance being used by the BATF assault teams. [Dean M. Kelley, 5/1995]
Entity Tags: Catherine Mattison, Kenneth King, David Byrnes, John Henry Williams, David Koresh, Branch Davidians, Roger Ballesteros, Bill Buford, Philip Chojnacki, US Bureau of Alcohol, Tobacco, Firearms and Explosives
Timeline Tags: 1993 Branch Davidian Crisis
Ten men and one woman, survivors of the Branch Davidian debacle near Waco (see March 1, 1993 and April 19, 1993), are tried for an array of crimes allegedly committed during the initial federal assault on the Mt. Carmel compound (see 5:00 A.M. - 9:30 A.M. February 28, 1993) and the ensuing siege (see August 7, 1993). (Fourteen other survivors face no charges.) All 11 are charged with conspiring to kill federal agents "with malice aforethought," and for aiding and abetting such killing. A twelfth defendant, Kathryn Schroeder, pleads guilty to a lesser charge and testifies for the government. Some of the defendants also face charges such as using or carrying firearms in the commission of a violent crime. Ten lawyers represent the defendants. The trial takes place in San Antonio and lasts for seven weeks. Trial testimony casts doubt on the government's tale of a vicious, unprovoked attack on the agents of the Bureau of Alcohol, Tobacco and Firearms (BATF) who raided the compiund, and the cool, entirely professional response of the BATF and FBI. [Dean M. Kelley, 5/1995; Houston Chronicle, 4/21/1997] The defendants accuse the FBI of persecuting them for their unorthodox religious beliefs and for not respecting their constitutional right to bear arms. [Conway and Siegelman, 1995, pp. 244] Bullet Holes in Door - Attorney Jack Zimmerman, who represented Davidian Steve Schneider and who met with Schneider during the siege, testifies that he saw the double front door of the compound riddled with bullet holes on the outside, presumably from shots fired by the BATF during its February raid. The door was not recovered from the compound after fire destroyed much of it, even though it was made of steel and presumably would not have vaporized in the flames. Texas Ranger Fred Cummings, who testifies about the details of the Rangers' search for evidence after the fire, cannot explain what happened to the door, though he does acknowledge that FBI and BATF agents had access to the area between the time that the fire subsided and the time the Rangers took over. Presumably, the defense is trying to give the idea that either FBI or BATF agents absconded with the door in order to conceal evidence. Zimmerman also testifies that he saw eight or nine bullet holes in the roof that "caused the building material to be pooched in or down" showing that "the rounds came from above the ceiling down into the room." Evidence that would confirm or disprove this claim was destroyed in the fire. BATF agent Roger Ballesteros, the agent assigned to lead the assault on the compound through the front door, testifies that he emerged from the cattle trailer carrying the assembled agents and charged for the front door, in full SWAT gear and carrying a shotgun across his chest. Balesteros testifies that Davidian leader David Koresh opened the door and asked, "What's going on?" (Koresh and the Davidians were aware that an assault by federal agents was underway.) Balesteros testifies that he shouted: "Police! Lay down! Search warrant!" though he admits not mentioning these statements when he discussed the raid with Texas Rangers afterwards. He says bullets, fired from inside the compound by the Davidians, began spraying through the door moments later, and one struck him in the thumb. Asked how he knows that, he says that he saw holes in the door and splinters of wood pointing outward. The door, as established earlier, was steel and not wood. Davidians Had Guns for Business Purposes, Gun Dealers Say - Testimony from gun dealers shows that the Davidians were acting as gun dealers themselves, buying and selling weapons for profit at gun shows. The prosecution introduces into evidence dozens of guns found in the ashes of Mt. Carmel that had been illegally converted into fully automatic weapons (see May 26, 1993); some of these weapons are proven by their serial numbers to have been sold to the Davidians by the testifying gun dealers. Photographs of engine lathes, a hydraulic press, and a milling machine show that the Davidians had the equipment to modify legal firearms to make them into illegal versions of those weapons. However, the prosecution fails to unequivocally prove that the illegally modified weapons were modified by the Davidians. Two heavy .50-caliber guns are introduced into evidence, along with the appropriate ammunition, but the defense argues that it is not illegal for citizens to own such guns, nor could it be proven that those weapons had been fired. Unable to Escape - The FBI has always maintained that it took steps to ensure that any Davidian who wanted to leave the compound during the last assault could do so. Tarrant County medical examiner Dr. Nizam Peerwani, testifying about the condition of the bodies found, notes that some Davidians, such as Schneider and Koresh, died from close-range bullet wounds in the head, indicating that they had no intention of trying to escape. However, several women's bodies were found in the hallway leading to the trapdoor access to the underground school bus at the north end of the building that had been constructed as a tornado shelter. Apparently the women were trying to leave, but they could not because the trapdoor had been buried by debris from the collapsing of the wall pushed in by a tank prior to the fire. All of the children who died in the conflagration, and many of the women, were found in a cinderblock room used for cold storage of food. The room, located under the four-story guard tower, was the strongest and safest area of the compound, furthest from the gas and the FBI armored vehicles. Around 30 bodies were recovered from that room; many, especially the smaller children, were covered with blankets, sleeping bags, and extra clothing, apparently due to attempts by the women to protect the children from the gas and fire. When the room collapsed in on itself, the tower fell on it. Those inside the room died from suffocation, blunt trauma from debris impact, close-range gunshot wounds, and/or smoke and fire. Gas, Armored Vehicles - FBI agents testify that hundreds of canisters and "ferret rounds" containing CS gas were "inserted," or fired into, the compound. Some of the ferret rounds bounced off the frame walls, but many entered through windows and other openings. FBI testimony shows that the Davidians began to fire at the agents, or their armored vehicles, after the gas was introduced. When the Davidians began shooting, agents testify, they abandoned the plan to slowly and measuredly introduce gas into the compound over a matter of hours, and began firing gas into the compound as quickly as possible. The order to use CEVs (combat engineering vehicles) to push in walls of the compound were given in order to allow observers to see inside. The CEVs also pressed forward through the compound towards the guard tower (where, unbeknownst to the agents, the women and children were gathering to escape the assault). By that point, the original plans for a gradual and careful assault had been all but abandoned. Fire - The government prosecutors introduce a plethora of evidence that shows the Davidians themselves set the fires that eventually burned the compound to the ground. High winds aided the spread of the flames. The defense claims that Davidians did not start the fires, but instead the tanks and CEVs knocked over Coleman lanterns, being used for light because the FBI had cut the electricity to the compound. Prosecutors play audiotapes and enter transcripts of the Davidians allegedly making preparations to set the compound afire, obtained through electronic surveillance. Voices on the tapes and in the transcripts say such things as: "The fuel has to go all around to get started," "Got to put enough fuel in there," "So, we only light 'em as they come in," or as a slightly different version has it, "So, we only light 'em as soon as they tell me." The defense argues that if the Davidians indeed poured lantern fuel or other accelerants through the compound, they were doing so in an attempt to stave off the incoming armored vehicles. Defendant Graeme Craddock told a Texas Ranger that he was ordered by one Davidian, Wayne Martin, to pour lantern fuel on any tank that came in through the wall and to light it—a last-ditch tactic that might result in the defenders' death as well as the attackers'. Testimony shows that the FBI had alerted the Burn Unit at Parkland Memorial Hospital early that morning to be prepared to receive burn victims, and asked for directions as to how to land helicopters bearing burn victims at the hospital. FBI agents wore fireproof suits for the assault. And a helicopter carrying a Forward-Looking Infra-Red (FLIR) camera circled over the complex, ready to photograph any outbreak of fire. The FBI maintains that it was prepared for fire, but had no intention of actually causing a fire. The defense notes that the FBI did not initially bring up fire-fighting equipment to the compound. A government witness, arson investigator William Cass, says that films taken at the time of the fire show fire starting almost simultaneously at 12:11 p.m. The strong winds, aided by the holes punched in the walls by the CEVs, helped the fire engulf most of the compound within five minutes. The defense shows an earlier portion of the FLIR video showing a flash or flare of heat in the gymnasium area taking place at 12:08 p.m. Cass testifies that he has never seen that video. Observer logs show that two reports of fire in the gym were made at 12:11; Cass testifies he has never seen those logs. The logs were handled by Paul Gray, chief of the arson investigating team. The defense shows that Gray often testifies on arson incidents on behalf of the BATF, and his wife works in the BATF's Houston office. Gray's final report claims that CN tear gas is not flammable and would have actually impeded the spread of fire; testimony shows that the assault did not use CN tear gas, but a very different substance, CS gas delivered by a rather flammable propellant. In 1995, a surviving Davidian will confirm that the sect members, and not the FBI, actually set the fires (see August 4, 1995). In 1999, the FBI will admit to firing pyrotechnic gas canisters into the compound, but will deny that the devices started the fires (see August 25, 1999 and After). In 2000, a prosecutor will be charged with hiding evidence about the canisters from the defense and from a subsequent government investigation (see November 9, 2000). Verdicts - The jury finds the defendants not guilty of the two most serious crimes, conspiracy to murder federal agents, and aiding and abetting such a conspiracy. The jury convicts five defendants of voluntary manslaughter, defined by Judge Walter Smith as acting "in the sudden heat of passion caused by adequate provocation." Two defendants are convicted of firearms charges. Seven defendants are convicted of using and carrying firearms "during and in relation to a crime of violence," convictions set aside by the judge because of the jury's failure to convict the defendants of guilt in committing those crimes of violence. (The judge later reinstates those convictions.) In all, four are acquitted of all charges and seven are convicted of various crimes. Davidians Renos Avraam, Brad Eugene Branch, Jaime Castillo, Livingstone Fagan, and Kevin A. Whitecliff receive 10-year sentences for voluntary manslaughter, and additional 30-year sentences for using a firearm in a violent crime. Craddock receives 20 years for possessing a grenade and using a firearm in a violent crime. Paul Gordon Fatta receives a 15-year sentence for possessing and conspiring to possess machine guns, though he was not present during the siege. Ruth Riddle is convicted of using or carrying a weapon during a crime. And Schroeder, who cooperated with the prosecution, is convicted of forcibly resisting arrest. [Dean M. Kelley, 5/1995; Houston Chronicle, 4/21/1997; Associated Press, 4/19/2006]
Entity Tags: Fred Cummings, US Bureau of Alcohol, Tobacco, Firearms and Explosives, David Koresh, Wayne Martin, William Cass, Federal Bureau of Investigation, Steve Schneider, Brad Eugene Branch, Branch Davidians, Ruth Riddle, Walter Smith, Renos Avraam, Graeme Leonard Craddock, Jack Zimmerman, Jaime Castillo, Roger Ballesteros, Kathryn Schroeder, Livingstone Fagan, Kevin A. Whitecliff, Paul Gray, Nizam Peerwani, Paul Gordon Fatta
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The Smoky Mountain area is known for having a rich and artistic history. Quilting dates back to the very first settlers who made their way to the Smokies, and today, the art of quilting is preserved at the Pigeon Forge Quiltfest event, A Mountain Quiltfest.Continue Reading
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Based on the second novel in Veronica Roth's young adult dystopian Divergent series, Insurgent, directed by Robert Schwentke, picks up as Tris (Shailene Woodley) and Four (Theo James), now fugitives on the run, are hunted by the leader of the power-hungry Erudite elite, Jeanine (Kate Winslet). In a search for allies and answers and racing against time, the fearless duo must find out what Tris's family sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices, Tris faces one impossible challenge after another, as they unlock the truth about the past, and ultimately the future, of their world.
The following post is a review of the film only. You can read my review of the book on its own here or my comparison of the film to the book here.
Divergent was one of my favourite films of last year, and I was super excited to have another young adult dystopian world to throw myself into. I watched the first film before reading the book (something I usually try to avoid), but after reading Roth's first instalment in her trilogy, I quickly realised that the books were so much better than the films.
Eager to catch up, I soon began reading this second instalment in the trilogy, but it didn't take me long to question whether it was heading in the right direction or not.
Divergent did well to set this brilliant dystopian world up, especially with the huge competition that the film has had with the likes of The Hunger Games and The Maze Runner. But, despite the comparisons that were doomed to be made, Divergent excelled on most levels: it had great leading characters, a well-crafted future world, a bit of romance, a lot of intrigue, and enough action to make for both a fast-paced read and an enticing viewing. Yet Insurgent falls flat on most of these levels.
Just like the first film, Insurgent is full to the brim of action; there's just as much fighting and shooting, and even more violence than its predecessor, which is what made Divergent stand out, for me. Whilst the book itself is quite uneventful, what the film does well is to turn up these levels of action, with plenty of nifty visual effects to support them.
The performances are all on top form, as is to be expected, with the excellent addition of Naomi Watts as Evelyn. But, as much as I love Shailene Woodley, her character in the book becomes more unlikeable as the trilogy goes on, making her selfish acts more and more difficult to admire as she becomes more willing to act on her own behalf and let everybody else take the fall and added guilt. Theo James is great, too, but his character is also weakened by Tris' actions, as he spends more time having to pick up the pieces of her mess than getting to be the tough, sexy, mentor that he was in the first film.
My main flaw with the book was that this romance got in the way and that we started to see Tris as a much weaker character as she spent more time sat by herself crying or worrying about Four than making any memorable act of courage. Insurgent really needed to see her step up and deal with her situation full on, but, instead, it all gets too much for her, and she's more likely to be seen having a meltdown than doing anything worthwhile. Thankfully, the film avoids many of these scenes and does well to portray Tris as a much stronger character than the one she reads as. The film even completely avoids the fact that she's scared to shoot a gun, just to get around the matter.
All we really needed from this second instalment was the answer to one question: what is the information that Jeanine is trying to hide? With a whole novel to build up to this one big reveal, very little is actually disclosed, and it's not until the very end that we find out that something much bigger, whatever that may be, is going on. Unfortunately, what is revealed in Insurgent is what we already guessed from the end of Divergent. We all knew that something was happening outside of the walls, and there's very little else that we're told on top of that.
Whilst this instalment only had the purpose of answering one question, which it still manages to mess up, the film does well to fill in the gaps, ensuring that enough is happening to distract us from not being told the only thing we wanted to know.
But with so many changes from the book, which I will go into shortly, the Insurgent film manages to completely change the context it has in the rest of the trilogy. Roth is the first person to admit that there was too much plot going on in this instalment, with very little progression being made, but the way this adaptation has been handled means that Allegiant is already off to a bad start.
This second instalment doesn't feel as original or adventurous as the first, but there's still a lot of decent action to keep you entertained. The book may not be overly exciting, but this film adaptation picks up on its flaws, even if it does completely change the context of the instalment in the rest of the trilogy. Changes aside, the film is enjoyable to watch, but it all seems to be going downhill quite quickly.


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Wolcott, CO
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Vail Valley
Weddings in Wolcott, CO
A scenic wedding in Vail or Beaver Creek is a storybook experience. Tie the knot in this most stunning of Colorado settings.
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Rappel with Safe & Personalized Guides
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Rappelling with Apex Mountain School opens the door to adventure. It's an activity for groups and individuals of all ages, abilities, and fitness levels. The location is easy to access and offers amazing vistas. Apex's professionally-trained guides will ensure your safety and offer the chance for a once-in-a-lifetime experience. No experience necessary, and all equipment is provided. Call today to learn more about rappelling...
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Whether you're drafting your first-ever query letter or have written a whole bunch of them, the truth remains the same: query letters can be tough. Each manuscript is different. Heck, each query letter is a little different! Even when you're querying the same manuscript to multiple people you still need to take the time to... Continue Reading →
Closed to Submission
This post is brought to you by the one and only, Lisha Cauthen. Your manuscript is shiny and happy. You've done your research and found the perfect agent for you, your novel and your career. https://www.youtube.com/watch?v=iCQ0vDAbF7s But there's a problem--the agent is closed to submissions. https://www.youtube.com/watch?v=xbfMlk1PwGU Do you give up? Not necessarily. If you're convinced... Continue Reading →
Additional Tips for Formatting Your Email Submissions
So, Lisha talked about how to format your email sample chapters and I must say, she is good! But, I said I would do a post about emailing your picture book submission so here's a few more tips about email submissions. They aren't really picture book specific because it's basically the same no matter what... Continue Reading →
11 Red Flag Phrases to Avoid in Your Query Letter
This post is brought to you by the one and only, Lisha Cauthen. Agents/editors are busy people. And they read fast. Very, very fast. You might even say he/she skims a query letter to see if it merits the engagement of her/his whole brain. And if he/she sees any one of a set of toxic... Continue Reading →
Format Your Email Sample Chapters
This post is brought to you by the one and only, Lisha Cauthen. You can understand why agents/editors want First Contact with their potential authors to be through a safe, clean email. With the volume of correspondence they receive from strangers, the likelihood of viruses arriving in attachments is high. https://www.youtube.com/watch?v=EaPpa-eoxi4 Fine. So I took... Continue Reading →
Back to the Query Basics: Spelling, Punctuation, and Syntax
This post is brought to you by the one and only, Lisha Cauthen. Been a long while since we talked about the nuts and bolts of query-letter writing. Today, let's discuss a very simple step that if skipped, will sink your chances of getting an agent: CHECKING YOUR SPELLING, PUNCTUATION, AND SYNTAX First, use Spellcheck.... Continue Reading →


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Holded has limitless integration capabilities, either through API or the multiple integrations already available.
Designed to be agile and organised, Holded is as beautiful as it is user-friendly.
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How to Create an Effective Elevator Speech
An elevator speech sells an idea, promotes your business or markets you as an individual. It's as essential as a business card and allows you to say who you are, what you are, what you do or are interested in doing, and how you can be a resource to your listener. Its purpose is to give people enough material to make them want to learn more about you. You can even use it at the beginning of an interview to give the other person enough info to make sense of you.
Here's an example. "Hi, my name is John Daly, and I teach etiquette, protocol and social skills, mostly to teens. What it does is turn their direction to a path of success. I'm teaching it in all the Santa Barbara Unified School District high schools, but I'd like to see this taught in every school in America. Might we discuss how this can make a difference in your school?"
According to Pepperdine University: Elevator speeches evolved during the early days of the Internet explosion when web development companies were courting venture capital. Finance firms were swamped with applications for money, and the companies that won the cash were often those with a simple pitch. The best were those that could explain a business proposition to the occupants of an elevator in the time it took them to ride to their floor. In other words, an elevator speech that worked was able to describe and sell an idea in 30 seconds or less. Today, if you don't have an elevator speech, people won't know what you really do.
To write a solid elevator speech, Pepperdine's Graziadio School of Business and Management recommends that you know your audience, know yourself, outline your talk and then finalize it.
Know Your Audience
Before you do anything else, research your audience. An elevator speech needs to clearly target the people to whom you are going to speak. Generic pitches are doomed to failure.
Know Yourself
If you want to convince anyone, you have to specifically define what you are offering, what problems you are capable of solving and what benefits you bring to prospective contacts or employers. So, answer the following questions:
» What are your key strengths?
» What adjectives come to mind to describe you?
» What are you trying to sell or let others know about you?
» Why are you interested in the company or industry the person represents?
Outline Your Talk
Start with bullet points. No detail is necessary at this juncture. Just write notes to help you remember what you want to say. Address points like 1) Who am I? 2) What do I offer? 3) What problem can I solve or contributions can I make? 4) What do I want the listener to do after hearing my speech?
Finalize the Speech
Take the outline and expand on your notes by writing out each section. Take each note you wrote and turn it into a sentence. Connect each sentence together with additional phrases to make them flow. Review what you have written and change long words into conversational language. Cut out unnecessary words. Try to target your speech to not exceed 90 words.
Elevator Speech Examples
» Do you remember about 10 years ago when the space shuttle Columbia was destroyed on re-entry? It turns out the engineers tried to warn NASA about the danger. But the PowerPoint slides they used were a complete mess and no one understood the danger.
That's what I do. I train people how to make sure their PowerPoint slides aren't a complete disaster. Students who attend my workshop can create slides that are 50 percent clearer and 50 percent more convincing, based on scores students give each other before and after the workshop.
I'm not sure if my training could work at your company. It really depends how much you use PowerPoint and what's at stake. Might we discuss it? Click here for more information.
• • •
» Hi, I'm John Doe, and I help businesses reduce their tax liability. Last year, after reviewing the books of one company, my suggestions reduced their federal and state taxes by 25 percent. I'm sure I could help your business save money as well. While some of my competitors charge an hourly rate, I use a flat fee so my clients know exactly what their costs will be. I am currently accepting new clients; may I send you some additional information? Click here for more information.
• • •
» It's so good to meet you. My name is Mary Smith. I have been helping women find their inner beauty for 15 years. The products I sell are only available through independent consultants and are not sold in stores. Our products pamper you and can make you look years younger. I have one client who is 67 years old and all her laugh lines disappeared after using our products. Can I interest you in a product brochure? Click here for more information.
This article was written by John Daly and published on Noozhawk.
John Daly is the founder and president of The Key Class, the go-to guide for job search success. Daly, who retired from the field of international special events, made the decision to give back to society in ways that could make it stronger and hence he created the curriculum of social skills and job readiness techniques.
His vision of a nationwide program encompasses classes not only for at-risk teens, but also for ESL students, high school, college and business school graduates, as well as returning veterans and job seekers, who also need this information to secure and keep the right jobs and a brighter future.
To read John's book, "The Key Class – The Keys to Job Search Success," click here.


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I have not been able to access any Webshot photos for over 5 days now. I've been asking others but it seems I was the only one .... not so. Finally a friend (thanks Carolyn) took pity on me and looked at the Webshots Blog and discovered:
Webshots blogs and discovered that many, many people are still not able to access Webshots. Lots and lots of complaints. So friend, it's not you or your computer but the area you are in. Here is an email address to get some help or answers. firstname.lastname@example.com or firstname.lastname@example.com
PLEASE take a moment and send webshots an email. I did and also told them I expect to see a credit on my account.
February 4, 2008
Webshots Problems
2 comments:
- Unknown said...
Has this happened to you in the past? I had issues like this with Zoomr last year and they never responded! So I moved all of my photos off to Shutterfly and Pixamo.
- February 5, 2008 at 9:56 AM
- SandyQuilts said...
Andrew no this has never happened in all the time I've been a paying member of webshots.
- February 5, 2008 at 10:05 AM
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This image property of Publisher,
scanned from my private collection
Title: Dish Rag Darlings
Author: Annie Potter
Publication Date: Booklet:1992
Publisher: Annie's Attic, Big Sandy, TX
Page Count: 11
Book Dimensions(ht. x w.): 11" X 8 1/2"
ISBN: None
SUMMARY- This is an interesting booklet for crocheted doll clothes over a wooden spoon/pop bottle doll. They're cute and decorative. You get some illustration with the instructions, but not much.
All contents of this site & copy; 2001-2009 Something Under the Bed®;
All Rights Reserved.


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Calling all thinkers, researchers, modellers, designers, experimenters, technologists, futurists and cynics!
How could the use of real-time information transform the management of Melbourne's streams and their catchments?
Drawing on collective insights, we will explore how real-time information can be used to protect or improve the values provided by Melbourne's waterways.
Free for RBMS members.
$10 for guests (payment via Eventbrite only)
Attendees must register beforehand.


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Imagine discovering that one of your favorite artists has written a song praising the thing you're nerdiest about.
That's the gift I got today. Ben Folds has offered his musical take on Rod Rosenstein and upholding the rule of law:
He had me at "God bless the bureaucrat, and the lawyer, too."


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$ 20.00
For just $20 enter for a chance to win this Brentwood Credenza!!
We are raffling off this sophisticated and contemporary console table worth over $3,600. This piece is stunning and features two bucket drawers, brass details, and blackened steel that came straight from Cleveland's manufacturing industry. It's the perfect addition to an office, dining room, entryway, or bedroom.
Add to cart to enter your name into the raffle!
Dimensions are: 60" L X 15" D X 28" H
- Winner will be chosen on 3/18
- Winner will be notified via email
- Dimensions: 60" L X 15" D X 28" H
- If chosen, winner must pick up piece in the Susie Frazier showroom


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Gemma and Lauren
From: £500
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Book Safely - confirm booking via Poptop to receive Money Back Guarantee
Media Files
5 Photos
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Price from: £500
Gemma and Lauren are a unique duo of vocals and violin, performing a variety of different genres to make your event a memorable occasion. Whether it be relaxed background music for a wedding ceremony or energetic music to get the party started. Available for hire across Europe, Gemma and Lauren can provide a variety of performance options to suit your event.
0 Reviews
- What is your competitive advantage (special features)?We're the only Electric Violin & Singer act in the UK that can provide such contrasting sets from classical to pop!
- What kind of events do you usually serve?Weddings, Festivals, Parties, Corporate Events.
- How long do you play for?We usually provide 2 hours of entertainment, 2x1hour, 4x30minute. However we can vary out sets to fit in with the clients wishes.
- Do you have your own PA and lighting?Yes, we have a PA system suitable for a crowd of 200. We're also both wireless so we can be roaming act if wanted.
- Do you have Public Liability Insurance and PAT tested equipment?Yes.
- How much space do you require?We don't require much space. We do require a power socket nearby and a small table for hear to sit on.
- My favourite tune is not on your list. Will you be able to play it?Absolutely! We love learning new songs!
- How many breaks do you take? How long are they?This is dependant on how long we're performing for at the event. Example - If we perform 2 x 45 minute sets we will require a 15 minute break inbetween.