text:
|Comments & References
|die prädestinationsgabe\ntwo decks, spectator remembers one and its position in one deck, then he counts down in second deck from position to previously predicted number, selection is there\nfriedrich w. conradi-horster\ndie prädestinationsgabe\nfriedrich w. conradi-horster\npredestination\n unknown 1896 der moderne kartenkünstler Friedrich W. Conradi-Horster
|Die Prädestinationsgabe
|Der moderne Kartenkünstler
|die prädestinationsgabe\ntwo decks, spectator remembers one and its position in one deck, then he counts down in second deck from position to previously predicted number, selection is there\nfriedrich w. conradi-horster\ndie prädestinationsgabe\nfriedrich w. conradi-horster 1896 der zauberspiegel Friedrich W. Conradi-Horster
|Die Prädestinationsgabe
|Der Zauberspiegel (Vol. 1 No. 11)
|change your mind?\nno. 27, one of two cards thought-of, replaced, found\ncharles t. jordan 1919/1920 thirty card mysteries Charles T. Jordan
|Change Your Mind?
|Thirty Card Mysteries
|the discard trick\ntwo cards chosen by fair cuts, spectator deals into piles and left-over cards are keys for selections\ncharles t. jordan\n"exact location" (juan tamariz, mnemonica) 1921 the four full hands Charles T. Jordan
|The Discard Trick
|The Four Full Hands (Issue Four Full Hands of Card Tricks)
|the challenge of the year\nlong distance location, one-way backs\ntheodore annemann\nchallenge of the year\ntheodore annemann\nthe challenging reversal\ntheodore annemann\nannemann's miracle\ntheodore annemann 1934 sh-h-h--! it's a secret Theodore Annemann
|The Challenge of the Year
|SH-H-H--! It's A Secret
|the automatic speller\nno-touch, procedure heavy\n unknown 1935 card manipulations Unknown
|The Automatic Speller
|Card Manipulations (Issue 4)
|sleight of foot\ndeck is kicked with foot and splits at selection, salt\n milton 1937 encyclopedia of card tricks Milton
|Sleight of Foot
|Encyclopedia of Card Tricks
|divination supreme\nout-of hand selection, one-way back\n unknown\nmexican divination\nedward marlo\nthe supreme reversal\ntommy tucker\ntheodore annemann 1937 encyclopedia of card tricks Unknown
|Divination Supreme
|Encyclopedia of Card Tricks
|long distance location\nedge one-way backs\n unknown 1937 encyclopedia of card tricks Unknown
|Long Distance Location
|Encyclopedia of Card Tricks
|challenge of the year\nlong distance location, one-way backs\ntheodore annemann\nthe challenge of the year\ntheodore annemann 1937 encyclopedia of card tricks Theodore Annemann
|Challenge of the Year
|Encyclopedia of Card Tricks
|a miracle\nout-of hand selection, one-way back\ntheodore annemann 1937 encyclopedia of card tricks Theodore Annemann
|A Miracle
|Encyclopedia of Card Tricks
|a problem in the fourth dimension\ndaub\npaul rosini 1938 greater magic Paul Rosini
|A Problem in the Fourth Dimension
|Greater Magic
|the spectator does it all\ncards are put in pocket and one selected, performer divines number of pocketed cards and selection\n unknown 1938 greater magic Unknown
|The Spectator Does it All
|Greater Magic
|name your favorite\nany card named, after riffle shuffle spectator goes through cards and performer stops him at named card\nrobert parrish 1939 do that again! Robert Parrish
|Name Your Favorite
|Do That Again!
|simultaneous magic\nfour decks, four people think of a card and later spell it (progressive spelling set-up)\n unknown 1939 more card manipulations Unknown
|Simultaneous Magic
|More Card Manipulations (Issue 2)
|bits of presto\narticle touched in other room, performer knows, same with card selection\nbarbara stanwyck 1939 the jinx 51-100 Barbara Stanwyck
|Bits of Presto
|The Jinx 51-100 (Issue 52)
|an incredible location\nspectator cuts to bridge\n unknown 1940 expert card technique Unknown
|An Incredible Location
|Expert Card Technique
|it must be magic\nspelling\n unknown 1940 expert card technique Unknown
|It Must Be Magic
|Expert Card Technique
|the mystic twelve\ncards pocketed and another remembered, performer divines position of selection and number of cards in pocket, reverse-count force\naudley walsh\nthe mystic twelve recall\naudley walsh\njon racherbaumer\nfield's zodiac card miracle\naudley walsh\neddie fields 1940 the jinx 51-100 Audley Walsh
|The Mystic Twelve
|The Jinx 51-100 (Issue 82)
|astro-vision\nspectator turns card end for end on his own, stripper deck\njean hugard\nfrederick braue 1941 the stripper deck Jean Hugard, Frederick Braue
|The Stripper Deck
|the professor's card trick\nmathematical\nkent arthur 1941 the jinx 101-151 Kent Arthur
|The Professor's Card Trick
|The Jinx 101-151 (Issue 148)
|the first miracle\ndaubed spectator, three variations\nedward marlo 1945 tricks with daub Edward Marlo
|The First Miracle
|Tricks with Daub
|just another miracle\ndistant daubed key card\nedward marlo 1945 tricks with daub Edward Marlo
|Just Another Miracle
|Tricks with Daub
|heaps\nas rusduck, spectator finds his own card, a lot of dealing, tantalizer\nrussell "rusduck" duck\nheaps again\njohn hamilton 1946 the phoenix 51-100 Russell "Rusduck" Duck
|The Phoenix 51-100 (Issue 98)
|in his hands\n\nj. stewart smith 1947 watch this one! J. Stewart Smith
|In His Hands
|Watch This One!
|heaps again\nspectator finds his own card, with just eight cards, sort of tantalizer\njohn hamilton\nheaps\nrussell "rusduck" duck\ndown & out\njohn hamilton 1947 the phoenix 101-150 John Hamilton
|Heaps again
|The Phoenix 101-150 (Issue 140)
|heart throb\nspectator thinks of number between five and twenty and remembers card at that position, another card is chosen, both found while spectator deals through the deck\neddie joseph 1947 heart throb Eddie Joseph
|Heart Throb
|Heart Throb
|the non-poker voice\nno-touch, suit\n unknown 1948 the royal road to card magic Unknown
|The Non-Poker Voice
|The Royal Road to Card Magic
|the mahatma marvel card trick\nlocation with spectator dealing and distant key card\n unknown 1949 tricks and stunts with playing cards Unknown
|The Mahatma Marvel Card Trick
|Tricks and Stunts With Playing Cards
|hands-off miracle\nno. 35, spectator cuts to, remembers bottom card, and replaces packet. magician is able to cut to selection. (salt location)\njoe barnett 1950 scarne on card tricks Joe Barnett
|Hands-Off Miracle
|Scarne on Card Tricks
|allerchrist card trick\nno. 63, mathematical\nbert allerton\nhenry christ\nallerchrist card trick\nbert allerton\nhenry christ\nallerchrist card trick\nbert allerton\nhenry christ\nzip code pip mode\nmarty kane\nmagic with added zip\nmarty kane\nwhy 2k?\nmarty kane\nfraps on craps\nmarty kane 1950 scarne on card tricks Bert Allerton, Henry Christ
|Allerchrist Card Trick
|Scarne on Card Tricks
|sorcerer's sevens iii\n\ncharles hudson\nfrom gergonne to gargantua\njoseph diez gergonne 1958 the cardiste Charles Hudson
|Sorcerer's Sevens III
|The Cardiste (Issue 5)
|stop!\nestimation of place spectator cuts to\nharry lorayne 1962 close-up card magic Harry Lorayne
|Close-up Card Magic
|a location\nposition of two free selections are divined, riffle shuffle method\nkarl fulves\nho-hum humdinger\njon racherbaumer 1968 epilogue Karl Fulves
|A Location
|Epilogue (Issue 3)
|future perfect\nmiraskill with face-up/face-down instead of red/black, previous selection found in odd-colored pile\nkarl fulves\nthe odd event\nkarl fulves\nimpromptu miraskil\njoseph k. schmidt\nfuture vision\nkarl fulves 1968 riffle shuffle set-ups Karl Fulves
|Future Perfect
|Riffle Shuffle Set-Ups
|3 by 3\nthree cards in packet divined, no-touch\njohn hamilton 1970 the pallbearers review vol. 5-8 John Hamilton
|3 by 3
|The Pallbearers Review Vol. 5-8 (Vol. 5 No. 10)
|super location\nfirst packets of seven cards are cut to as estimation demo, then challenge location\nwilliam alstrand\nharry lorayne\n"a card trick for experts" (william alstrand, hugard's magic monthly) 1971 reputation-makers William Alstrand, Harry Lorayne
|Super Location
|the mystic twelve recall\ncards pocketed and another remembered, performer divines position of selection and number of cards in pocket, reverse-count force\naudley walsh\njon racherbaumer\nthe mystic twelve\naudley walsh 1971 on the clock effect Audley Walsh, Jon Racherbaumer
|The Mystic Twelve Recall
|On the Clock Effect
|clear voyant\nstacked, spectator shuffles, "queen removal"-glimpse\n unknown 1972 million dollar card secrets Unknown
|Clear Voyant
|Million Dollar Card Secrets
|the non-telephone telephone trick\nsmall packet, spectator selects a card, does some rearranging and is left with card\nnick conticello\n1654\nken de courcy 1972 tarbell course in magic — volume 7 Nick Conticello
|The Non-Telephone Telephone Trick
|Tarbell Course in Magic — Volume 7
|some people think\ninterlocking chains\nsimon aronson 1973 kabbala — volume 2 Simon Aronson
|Some People Think
|Kabbala — Volume 2 (Vol. 2 No. 8)
|a location\nposition of two free selections are divined, riffle shuffle method\nkarl fulves 1973 riffle shuffle set-ups Karl Fulves
|A Location
|Riffle Shuffle Set-Ups
|the missing thought\nspectator sits on a card, looks at all the other cards, magician checks all the cards he receives on a pad, except the chosen one\npaul curry 1974 paul curry presents Paul Curry
|The Missing Thought
|Paul Curry Presents
|white line problem\nno-touch condition definition, spectator upjogs four-of-a-kind and then removes one, performer divines it, two handlings, using different red backs in one deck\nkarl fulves\nwhite line problem\nkarl fulves\nbinary star\nmichael weber 1975 the pallbearers review vol. 9-10 Karl Fulves
|White Line Problem
|The Pallbearers Review Vol. 9-10 (Vol. 10 No. 4)
|think of an ace\nno. 37, spectator thinks of an ace and removes it in his own hands, position of ace keys suit to performer\n unknown 1976 self-working card tricks Unknown
|Think of an Ace
|Self-Working Card Tricks
|hocus-pocus\nno. 45, three five-cards packets, spectator thinks of a card, deals out five packets, pockets the one with selection and performer extracts it\neddie joseph 1976 self-working card tricks Eddie Joseph
|Self-Working Card Tricks
|magic by proxy\nno. 50, phone rings to give position of selection\n unknown 1976 self-working card tricks Unknown
|Magic by Proxy
|Self-Working Card Tricks
|automatic placement handling\nno-touch\ngerald kosky 1976 self-working card tricks Gerald Kosky
|Automatic Placement Handling
|Self-Working Card Tricks
|in the nick of time\ntouching only before the selection is made, see p. 447 for additional crediting\nmartin a. nash\nthe blindfold stop trick\nroberto giobbi 1977 any second now Martin A. Nash
|In The Nick Of Time
|Any Second Now
|by any other name\nthe initials of a thought of card appear on a joker (glorpy)\npaul curry 1977 special effects Paul Curry
|By Any Other Name
|Special Effects
|no sleight card location\ntwo spectators each select a card with magician's back turned, they call out any cards and performer stops them at their selection\njohn cornelius 1977 innovative magic no. 2 John Cornelius
|No Sleight Card Location
|Innovative Magic No. 2
|easy as a-b-c\ntwo spectators recite the alphabet to locate a selection\nkarl fulves\nstranger than that\nallan slaight 1977 the magic book Karl Fulves
|Easy as A-B-C
|The Magic Book
|prime choice\n"two tricks" packet of thirteen cards, selection is the last one face-down after counting procedure\ngeorge sands\nlucky 13\ngeorge sands\nprime choice\ndr. jacob daley\ngeorge sands 1978 the chronicles George Sands
|Prime Choice
|The Chronicles (Issue 8)
|an old card trick made new\nspectator cuts off packet, remembers bottom card, shuffles and deal packet in three piles, card immediately named\njohn f. mendoza\nnew deal\nmichael weber 1979 close-up presentations John F. Mendoza
|An Old Card Trick Made New
|Close-up Presentations
|korem variation of telephone test\nbased on marlo's "telephone test" from ibidem #11, four phases\ndanny korem\nedward marlo\nthe 9999 miracle\nedward marlo 1981 the lost pages of the kabbala Danny Korem, Edward Marlo
|Korem Variation of Telephone Test
|The Lost Pages of the Kabbala
|from another deck\nwith two decks, one packet is cut and turned over, value of card on the face is used to count to a card, performer finds the card in second deck or in a pocket\njack mcmillen\njudson s. brown 1981 sleights & swindles Jack McMillen, Judson S. Brown
|From Another Deck
|Sleights & Swindles
|aroma cards\nspectator shuffles, makes three piles and follows a selection procedure, card apparently found by smell\nben harris\nwoody meltcher 1981 magic from which memories are made! Ben Harris, Woody Meltcher
|Aroma Cards
|Magic from which Memories are Made!
|tarot deca\nspectator finds his own selected card, major arcana\nphilip t. goldstein 1981 the talon Philip T. Goldstein
|Tarot Deca
|The Talon (Issue 7)
|bobby bernard's "crimp" sequence\nchallenge card location using crimp (card is selected and lost without magician touching deck)\nbobby bernard 1982 the coin and card magic of bobby bernard Bobby Bernard
|Bobby Bernard's "Crimp" Sequence
|The Coin and Card Magic of Bobby Bernard
|prime choice\nno. 31, packet of thirteen cards, selection is the last one face-down after counting procedure\ndr. jacob daley\ngeorge sands\nprime choice\ngeorge sands 1983 self-working number magic Dr. Jacob Daley, George Sands
|Prime Choice
|Self-Working Number Magic
|out of sorts\nthought-of card (from eight) found and named with back turned\nphilip t. goldstein 1984 thequal Philip T. Goldstein
|Out of Sorts
|no questions asked\nno. 28, location over phone\nrichard himber 1984 more self-working card tricks Richard Himber
|No Questions Asked
|More Self-Working Card Tricks
|last october\nno. 61, spectator pockets some cards and buries a selection in rest, card on top after some counting\n unknown\nthe custom card trick\ntom craven 1984 more self-working card tricks Unknown
|Last October
|More Self-Working Card Tricks
|2nd effect\nusing silent count (page 170) and stack\nedward marlo 1988 marlo's magazine volume 6 Edward Marlo
|2nd Effect
|Marlo's Magazine Volume 6
|opposite pockets\nchosen and thought-of card are named, no-touch, weird thought-of procedure, partial stack\nbrother john hamman\nhot pockets\npit hartling\nbrother john hamman\n殷果\n殷欣 (sion)\nliar's truth\nhelder guimarães 1989 the secrets of brother john hamman Brother John Hamman
|Opposite Pockets
|The Secrets of Brother John Hamman
|encounter\nduplicate found in second deck when number is counted down, "interrupted gilbreath principle"\nphilip t. goldstein 1989 fifth Philip T. Goldstein
|long distance\ncard chosen on other side of the room, risky force, position named\njohn scarne 1989 prototype John Scarne
|Long Distance
|hands off\nspectator remembers card, cuts off a packet, down-under deal, spreads card face-up, performer names selection\nkarl fulves 1989 easy-to-do card tricks for children Karl Fulves
|Hands Off
|Easy-to-Do Card Tricks for Children
|self control\nspectator cuts off pile and counts, remembers card at same position in rest while reverse-counting them, assembles everything, different revelations suggested\nsimon aronson 1990 the aronson approach Simon Aronson
|Self Control
|The Aronson Approach
|australian self-help\ninvolving counting, spelling, down-under deal\nalex elmsley\nmagician\npeter duffie\ntrek trick\nmarty kane\nv.d.\nmarty kane\nthe jack of death card trick\nmarty kane\nsurvivor tv series\nmarty kane\napart-hide\nmarty kane\nshowing the 7 dwarfs\nmarty kane\npassword\nmarty kane\nsuit per suit pursuit\nmarty kane\nkermit the leap frog\nmarty kane 1991 the collected works of alex elmsley — volume 1 Alex Elmsley
|Australian Self-Help
|The Collected Works of Alex Elmsley — Volume 1
|buried treasure ii\ndistant keys, performer stops at selection\nalex elmsley 1991 the collected works of alex elmsley — volume 1 Alex Elmsley
|Buried Treasure II
|The Collected Works of Alex Elmsley — Volume 1
|weight\nwith small packet, marked key card\nalex elmsley\nthe spellbinder\n unknown\nweight while i find it\nedward marlo\nalex elmsley\nguaranteed!\nroberto giobbi\nalex elmsley\ndavid solomon 1991 the collected works of alex elmsley — volume 1 Alex Elmsley
|The Collected Works of Alex Elmsley — Volume 1
|a martian chronicle\n\nkarl fulves 1992 deceptive practices Karl Fulves
|A Martian Chronicle
|Deceptive Practices
|magician\nthree spectators simultaneously select a card from packet from three to eight cards, spelling and down-under to locate it\npeter duffie\naustralian self-help\nalex elmsley 1993 card selection Peter Duffie
|Card Selection
|tale of the tape\nno. 44, tape recorder gives instructions from cassette to which a card is lost and found\n unknown 1995 self-working close-up card magic Unknown
|Tale of the Tape
|Self-Working Close-up Card Magic
|everybody's lazy\ntwo spectators and performer remember cards, performer names position of spectator's cards, spectator names number and there is performer's card, no-touch\nsimon aronson\nlocation sensing device\nmatt baker 1995 simply simon Simon Aronson
|Everybody's Lazy
|Simply Simon
|madness in our methods\nthree selections, fair conditions, no-touch and no card seen - alternative revelations\nsimon aronson 1995 simply simon Simon Aronson
|Madness in our Methods
|Simply Simon
|the pip stack\n"position information procedure" ace to king stack in deck, allows performer to know position of replaced selection\nsimon aronson 1995 simply simon Simon Aronson
|The PIP Stack
|Simply Simon
|einstein's favorite trick\nspectator locates his own card\nrichard vollmer 1995 semi-automatic card tricks — volume 2 Richard Vollmer
|Einstein's Favorite Trick
|Semi-Automatic Card Tricks — Volume 2
|jazzin - the trick that can be explained\nfinding a named card via improvisation\nmichael close 1996 workers number 5 Michael Close
|Jazzin - The Trick that Can be Explained
|Workers Number 5
|tele-mental\n\nbob king\njim steinmeyer\njon racherbaumer\ntelemental\nbob king\njim steinmeyer\njon racherbaumer 1996 five-star magic Bob King, Jim Steinmeyer, Jon Racherbaumer
|Five-Star Magic
|the short deck baffler\nchallenge location, card freely selected and shuffled, magician finds it\npeter duffie 1997 effortless card magic Peter Duffie
|The Short Deck Baffler
|Effortless Card Magic
|one-twenty six\ncut-deeper procedure for two selections\n unknown 1997 the fred braue notebooks Unknown
|One-Twenty Six
|The Fred Braue Notebooks (Issue 8)
|trek trick\n\nmarty kane\naustralian self-help\nalex elmsley 1998 the trapdoor — volume three Marty Kane
|Trek Trick
|The Trapdoor — Volume Three (Issue 70)
|the chosen few\na card created with a cut off pile by chosen a card for suit and counting for value, another spectator cuts to it\npeter duffie 1998 deck direct Peter Duffie
|The Chosen Few
|Deck Direct
|under test conditions\nstack\nrichard osterlind 1999 dynamic mysteries Richard Osterlind
|Under Test Conditions
|Dynamic Mysteries
|five card stud\nchosen card is located by the use of a down-under deal and by spelling the locator card\ndoug canning\nsteve beam\ngene castillon's " computer telephone mystery" in "the linking ring" june, 1999. 2000 semi-automatic card tricks — volume 3 Doug Canning, Steve Beam
|Five Card Stud
|Semi-Automatic Card Tricks — Volume 3
|found by coincidence\nspectator uses some cards of sixteen-card packet to find his selection with down-under deal, then reverse faros until down to one brings mate of the top card of another packet\npeter duffie\noracle\nkarl fulves 2000 new inspirations Peter Duffie
|Found by Coincidence
|New Inspirations
|the nine card problem\nsmall packet spelling discovery, no-touch\njim steinmeyer\nvariations on "the nine problem"\ncushing strout\nsigned deal\nramón riobóo\nthe nine card problem\njim steinmeyer\nwayne dobson 2002 impuzzibilities Jim Steinmeyer
|The Nine Card Problem
|the full deck problem\nnine card problem version with deck\njim steinmeyer\nfurther than that and the lie detector\ncushing strout 2002 impuzzibilities Jim Steinmeyer
|The Full Deck Problem
|remote view - the sequel\ntwo consecutive challenge locations\nlewis jones\njack avis\n"remove view" (lewis jones, cardiograms) 2002 ahead of the pack Lewis Jones, Jack Avis
|Remote view - the sequel
|Ahead of the Pack
|the jack of death card trick\ninvolving spelling, down-under deal, presentation\nmarty kane\naustralian self-help\nalex elmsley 2002 semi-automatic card tricks — volume 4 Marty Kane
|The Jack of Death Card Trick
|Semi-Automatic Card Tricks — Volume 4
|overthrow\ncut deeper force applied to red/black alternating set-up\nkarl fulves\nan alternate detection\ntheodore annemann 2003 latter day secrets Karl Fulves
|Latter Day Secrets (Issue 8)
|repeat after me\ntwo decks, spectator cuts and remembers face card, then replaces, cuts behind back, both decks spread face-up, performer and spectator each push out three cards, one must be selection, performer's cards are added and counted down to in his deck, it matches spectator's selection\nkarl fulves\n"he only thinks" (eddie clever, magic in the modern manner, orville meyer, 1949)\nback story\nkarl fulves 2003 off the books Karl Fulves
|Repeat After Me
|Off The Books (Issue 3)
|untouchable\n\nkarl fulves 2003 off the books Karl Fulves
|Off The Books (Issue 5)
|edge of mind\nspectator cuts off packet and hides it, card at same position is remembered, deck dealt into eight piles, selection named and packet with it pointed to\nkarl fulves 2003 off the books Karl Fulves
|Edge of Mind
|Off The Books (Issue 5)
|back to sands\npacket cut off, all cards except one eliminated, last one is selection, (co-)prime number principle\npeter duffie\nrobin robertson 2003 card conspiracy — vol. 2 Peter Duffie, Robin Robertson
|Back to Sands
|Card Conspiracy — Vol. 2
|utility cutter\ncutting six piles, three face up and three face down with the rolly polly controlly, knowing how many cards are face up, as a control\nsteve beam 2004 semi-automatic card tricks — volume 5 Steve Beam
|Utility Cutter
|Semi-Automatic Card Tricks — Volume 5
|apart-hide\ninvolving counting, spelling, down-under deal\nmarty kane\naustralian self-help\nalex elmsley 2004 semi-automatic card tricks — volume 5 Marty Kane
|Semi-Automatic Card Tricks — Volume 5
|mixology\nspectator memorizes card and its position, gives riffle shuffle, performer names new position, shuffle tracking presentation\nkarl fulves 2005 combo ii Karl Fulves
|Combo II
|self-made trap\ncard chosen from face-up deck with ten-twenty force, turns out to be sandwiched by odd-backed cards\nkarl fulves 2005 latter day secrets Karl Fulves
|Self-Made Trap
|Latter Day Secrets (Issue 10)
|variations on "the nine problem"\nsmall packet spelling discovery, no-touch, gives different ways to present it (tarot cards etc.)\ncushing strout\nthe nine card problem\njim steinmeyer 2005 on the other side of the mirror Cushing Strout
|Variations on "The Nine Problem"
|On the Other Side of the Mirror
|6. plain moe\n\nronald a. wohl (ravelli) 2006 penumbra Ronald A. Wohl (Ravelli)
|6. Plain Moe
|Penumbra (Issue 10)
|7. the red card force or prediction<br>8. a red herring! (or two!)\ncard force in which the spectator shuffles, cuts off a pile and remembers the first (or third in no. 8) red card\nronald a. wohl (ravelli) 2006 penumbra Ronald A. Wohl (Ravelli)
7. The Red Card Force or Prediction
8. A Red Herring! (Or two!)
|Penumbra (Issue 10)
|your secret number\nusing the two packet principle, with variations - impossible - single selection - doubly impossible - two selections - the not-so-secret number\nsteve beam 2006 semi-automatic card tricks — volume 6 Steve Beam
|Your Secret Number
|Semi-Automatic Card Tricks — Volume 6
|color suit and value\ntwo selection are found by spelling and down-under deals\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Color Suit and Value
|Semi-Automatic Card Tricks — Volume 7
|triple lie detector\ntwo selection are found by spelling and down-under deals, spectators can lie while spelling\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Triple Lie Detector
|Semi-Automatic Card Tricks — Volume 7
|alternative names\nspectator locates his own card in a pile, spelling and down-under deal\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Alternative Names
|Semi-Automatic Card Tricks — Volume 7
|police profiling\nfour spectators locate their chosen court card in a pile, spelling and down-under deal\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Police Profiling
|Semi-Automatic Card Tricks — Volume 7
|deck brand\nspectators chose a deck from a different brand, shuffle spell brand and after procedure find their selected cards, spelling and down-under deal\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Deck Brand
|Semi-Automatic Card Tricks — Volume 7
|yes or no?\nspectators chose a card and then have to answer questions by spelling, after down-under deal they locate their cards\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Yes Or No?
|Semi-Automatic Card Tricks — Volume 7
|diamonds\nseveral spectators select a diamond card and after spelling and down-under deals they find their selections again\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Semi-Automatic Card Tricks — Volume 7
|good-bye\nspelling of words and down-under deal to find selections\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Semi-Automatic Card Tricks — Volume 7
|password\nspelling and down-under deal, password theme - dow show - sniper - the web - snail mail\nmarty kane\naustralian self-help\nalex elmsley 2006 semi-automatic card tricks — volume 7 Marty Kane
|Semi-Automatic Card Tricks — Volume 7
|mix master\nspelling and down-under deal, theme is mixing cards\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|Mix Master
|Semi-Automatic Card Tricks — Volume 7
|the king of swing\nspelling and down-under deal\nmarty kane\nunder your spell\ntom daugherty\nspelling foretelling\nmarty kane\npart three - using 6 target cards\nmarty kane 2006 semi-automatic card tricks — volume 7 Marty Kane
|The King of Swing
|Semi-Automatic Card Tricks — Volume 7
|no-touch card location\nspectator cuts near center and remembers card\nkarl fulves 2007 word play Karl Fulves
|No-Touch Card Location
|Word Play
|somebody stop me\nspectator cuts to card and loses it, then deals the cards, performer stops him at selection, no-touch\nasi wind\nthe most impossible stop trick\narmando cheung\nsomebody stop me\nasi wind 2007 chapter one Asi Wind
|Somebody Stop Me
|Chapter One
|14. not so plain moe\ncard fairly chosen, spectator deals face down and performer stops him at selection\nronald a. wohl (ravelli) 2009 penumbra Ronald A. Wohl (Ravelli)
|14. Not So Plain Moe
|Penumbra (Issue 11)
|remotacaan\nno-touch, card selected instead of named, impromptu\nken krenzel 2009 relaxed impossibilities Ken Krenzel
|Relaxed Impossibilities
|automacaan\n100% no-touch, card selected instead of named, impromptu, possible over telephone\nken krenzel 2009 relaxed impossibilities Ken Krenzel
|Relaxed Impossibilities
|new deal\n"two tricks with your new toy", spectator cuts to a card, performer divines and locates it\nmichael weber\nan old card trick made new\njohn f. mendoza 2009 memorease Michael Weber
|New Deal
|eleven roads to heaven\neleven cards, one selected with dealing procedure, located, no-touch\njim steinmeyer 2010 subsequent impuzzibilities Jim Steinmeyer
|Eleven Roads to Heaven
|Subsequent Impuzzibilities
|the password fallacy\nnine card spelling trick using thought-of word to locate card\njim steinmeyer 2010 subsequent impuzzibilities Jim Steinmeyer
|The Password Fallacy
|Subsequent Impuzzibilities
|a universal password\ntwelve card spelling trick using thought-of word to locate card\njim steinmeyer 2010 subsequent impuzzibilities Jim Steinmeyer
|A Universal Password
|Subsequent Impuzzibilities
|1654\ncard chosen from quarter of deck, spectator finds it himself via down under deal\nken de courcy\nthe non-telephone telephone trick\nnick conticello\nholding pattern\nkarl fulves 2010 prolix Ken De Courcy
|Prolix (Issue 7)
|never touched\nno touch card location\nchris westfall 2013 calculated chaos Chris Westfall
|Never Touched
|Calculated Chaos
|the nine card problem\nsmall packet spelling discovery, no-touch\njim steinmeyer\nwayne dobson\nthe nine card problem\njim steinmeyer 2013 more look no hands Jim Steinmeyer, Wayne Dobson
|The Nine Card Problem
|More Look No Hands
|chicagoism\npacket, spelling, also over phone\njim steinmeyer\neddie joseph\n"jasonism" (eddie joseph, sphinx sept. 1946) 2014 treacherous impuzzibilities Jim Steinmeyer, Eddie Joseph
|Treacherous Impuzzibilities
|invoking margery\n\njim steinmeyer\neddie joseph\n"india calling" (eddie joseph, card bonanza, 1950) 2014 treacherous impuzzibilities Jim Steinmeyer, Eddie Joseph
|Invoking Margery
|Treacherous Impuzzibilities
|a study in scarlet and black\nas phone effect\njim steinmeyer\neddie joseph\nalan stockwell\n"the tobba mystery" (eddie joseph, dumbfounders with cards, 1951) 2015 devilish impuzzibilities Jim Steinmeyer, Eddie Joseph, Alan Stockwell
|A Study in Scarlet and Black
|Devilish Impuzzibilities
|hot pockets\ncard stopped at and card thought-of in relation to the thought-of card, both removed, performer divines both\npit hartling\nbrother john hamman\nopposite pockets\nbrother john hamman 2015 semi-automatic card tricks — volume 10 Pit Hartling, Brother John Hamman
|Hot Pockets
|Semi-Automatic Card Tricks — Volume 10
|time after time\nthree spectators mix a selection in a third of the deck each, it ends up on top eventually\ntomas blomberg\n"the third time's the charm" (jack parker, genii, june 2007)\ngenii, april 2008 2015 blomberg laboratories Tomas Blomberg
|Time After Time
|Blomberg Laboratories
|annemann's miracle\nmagician locates card while standing far away from spectator, does not touch the deck at all\ntheodore annemann\nthe challenge of the year\ntheodore annemann 2017 the secret of the butterflies Theodore Annemann
|Annemann's Miracle
|The Secret of the Butterflies
|somebody stop me\nspectator cuts to card and loses it, then deals the cards, performer stops him at selection, no-touch\nasi wind\nsomebody stop me\nasi wind 2018 repertoire Asi Wind
|Somebody Stop Me


text:
Rules regulating engine swapping are not make/model specific. The simple rule is that a vehicle must have all emissions components that were present when it was manufactured, which may include:
Read more information about emissions tampering regulations.
All vehicles used on the public highways are required to meet all of the state equipment laws and requirements; therefore, reconstructed or rebuilt vehicles which are using the public highways are also expected to meet all of the state equipment laws and regulations. Reconstructed or rebuilt vehicles in many instances fail to meet state requirements and, therefore, are not legal for use on the public highways.
All reconstructed or rebuilt vehicles (sand or dune buggies or hot rods) must comply with inspection requirements for the class of motor vehicle it is being inspected as, such as car, truck, motorcycle, or motor-driven cycle.
Be sure to check reconstructed or rebuilt vehicles for all required items of inspection with particular attention to the lighting devices. Head lamps shall be of a type acceptable by the Department. No modifications are allowed that will change the original design or performance of any lamp. Only acceptable automobile head lamps may be used on cars and trucks. Either the 7-inch head lamps or both dual head lamps (type 1 and type 2) may be used. Only acceptable motorcycle head lamps may be used on motorcycles, motor-driven cycles, and mopeds.
All lighting devices must be of an acceptable type that meet Department standards and must comply with the mounting heights as specified in the inspection requirements.
The year model of a reconstructed vehicle will be the same year in which it was reconstructed and not the year of original manufacture. Therefore, the inspection requirements would be for the model year of the vehicle (same as the year of reconstruction) or the year model of the engine itself, whichever is the later model.
Motor vehicles used for competitive racing, such as modified stock cars, dragsters, and hot rods may be inspected. When such a vehicle is presented for inspection, all rules and regulations regarding the inspection of the vehicle will apply. This applies to brake requirements, exhaust systems, as well as any other item required in these provisions.
Vehicles have to meet the emissions standards for the year the vehicle is assembled. Vehicle manufacturers have to certify that their vehicles meet EPA emissions standards. A lot of kit car manufacturers also comply with this requirement. If you purchase one of these kit cars, follow the instructions on assembly, including the emissions components. You should be able to pass an emissions test just like any other new car.
Just as the EPA does not allow an individual to reverse engineer a vehicle to defeat emission standards, they do not allow an individual to build a brand new "old" vehicle to bypass emissions standards. It is possible if you actually use old parts (like a 1965 engine, or complete 60s frame and powertrain) that the vehicle will be registered as that model year (replica), but this is a TxDOT issue. However it is registered, is how DPS inspection stations will test it.

subset: commoncrawl


text:
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04-21-2017Skullerz® Skoll Safety Glasses Flyer
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text:
There was something strange about the sky, when Dawn scrambled from the ashes. She didn't remember much, apart from the smell. A mixture of charred wood and soaked skin, preserved like porcelain in atomic winter. The farm lay torn around her, but tornados are rare in Alice Springs.
Michael was sleeping next to her, before the explosion, his body wrapped around hers, comforting and warm. "Mike?"
She had looked for him in the ruins of their home, a mangled semblance of their life together, scattered across the desert, in the creek of Endless Summer.
After finding a photo of Ben, the only thing left of a son two years dead; Dawn sat in the sand perfectly still. Remembering Michael, she managed to claw her way into their fallout bunker, threw on some old clothes her late mother had worn to a science fiction convention in the eighties. Her parents were eccentrics, but fortunately Michael saw past them, to a daughter who had escaped the loony gene.
"Michael?" Dawn screams as she runs back out into the creek. Michael doesn't answer. She shivers, despite the heat. Unusual colours break the sky, an aurora of lights, some of which are falling to the sand, shooting stars in the morning. "What the heck are they?" she whispers.
Something on the horizon, staggers, as if drunk, but it's too far away for her to see clearly. It looks like a man, dodging between the falling meteors. "Mike?" Her father's binoculars were amongst the stash of junk he'd piled into his bunker, before he was taken to the nut house. "Thanks Dad, at least you did something right!" She removes the lens caps; stuck to the ends by a twenty year vacuum, blows off the dust, and holds them up. "Bloody things are old!"
It's blurry; Her Dad never looked after his junk; but clear enough for her to see a man, limping, half running, arms flailing like he's fleeing from something. She gasps, as his left hand's hanging off, as if something's chewed it. "Michael!" His pyjamas are shredded and bloody. She drops the binoculars and starts sprinting towards him, aware he's spewing blood over the sand.
He loses his footing, but gets back up, waves and screams, "Dawn, get back, run!" She ignores him, can see his legs weakening, and remembers his arms around her, before they fell asleep, expecting to wake safely. They were planning on having another baby. Not that anything could replace Benny, but his absence is hard to live with.
Adrenalin pumping, she darts towards him, and through the frenzy, something appears over the hills. They're dots at first, and don't look real, differently shaped, unbelievably altered things, with parts torn off, and they're gaining on Michael. "Those aren't Boomers!" More figures emerge, but they aren't anything she's seen in Alice Springs. "Werewolves?" She screams, "Run, Mike!" and ignoring any fear she reaches him.
He has her Dad's old gun in the hand that still works, but curses as she grabs him. "I'm out of bullets!"
Something isn't right, his face has drained of colour, his voice is husky, but it's probably the pain. She takes his arm and helps him run towards the fallout bunker. They scramble down and Dawn throws on the bolts, turns the big wheel inside, locking them in airtight. The whole town laughed at this shelter when she was an Ankle Biter. She mutters, "No one's laughing now!" but jumps back as something pounds on the outside, "What is that? Was that what I think it is?" she asks.
Michael moans, and she turns on the lights. He staggers over to the weapons rack, clutching his arm, "Stay away from me, Dawn!" and she can see in his eyes, the same look there was when the doctors told him Ben was gone. Mike's a fighter, doesn't accept defeat. "Mike, what are you doing?"
He chucks the gun at her. "It bit me!"
"One of those things out there?" she asks.
He doesn't answer, takes hold of an axe, brown with rust, and with one strike attempts to chop his arm off below the elbow. It doesn't sever in one blow. He strikes again, chopping furiously. The noise of him screaming, makes the pounding outside vibrate, ricocheting around the bunker, like they're stuck inside a coffin with demented mourners outside trying to bash their way in. In a frenzy of pain the man Dawn held last night, takes a bottle of her Dad's old brew from a rack, unscrews it and pours it over the wound. Dawn takes another of her mother's dressing up outfits from the box, and tears it up, "Give me your arm, Mike!" She tries to wrap it tightly, but he pushes her away.
"Don't touch it!" His voice is deeper than before, he growls and takes out a cigarette lighter, setting the bleeding stump on fire. She holds him through the screaming, until he collapses. The last time they cried like this, was when they realised Benny wasn't coming back. Grief kept them together and denial guaranteed it stayed that way.
He points at the severed hand, "Look, that's why!"
Amongst the blood and bone, the fingers broaden; the nails lengthen and sharpen, as Michael's severed hand changes into something bestial. Mike takes the gun and passes it to his wife. "Dawn, load it up and get away from me!"
Dawn is good at ignoring anything she doesn't want to face, and begins to wrap his wound up tightly, giving him a kiss, as if they've woken up in bed. "Babes, you got it in time! Look what ever it is, whatever those things are, you're going to be fine!" she pleads.
He shakes his head; sweat pouring down his flesh and blood in his eyes. "Those things weren't dingoes, Dawn! I can't just get a rabies shot and a wooden arm!"
The severed hand looks gnarled and muscular, and course hair begins sprouting out of the back, making Michael pour the rest of the wine over it and light it up. They watch it burn, the barbecued hand, making them choke and move to the back of the bunker. The sound of clawed feet on steel, above their heads, shifts, following their sound.
Michael slumps against the wall, looking paler, a distance in his eyes that Dawn doesn't like. She lights a cigarette and places it in his mouth. "Smoke, love, relax, we got to get you to a doctor."
Michael starts laughing, making the scurrying above turn to scratching, as if whatever's there is hungry, digging through the metal of the bunker to get at them. "Doc's dead, the whole bleeding town's gone. It's just us, and those things out there."
He sounds as if he's got a cold, rubs his face, eyes yellowing, although Dawn hopes it's from loss of blood and nothing more sinister. He coughs up more of it onto his lap and it spatters over her hands. Through the sticky bits she can see his skin beginning to turn a bluish colour. "I'm not right love," he whispers, his voice sounding stranger with each breath.
He grabs the gun, placing it in his mouth, "Get away from me!" he screams. The survivor in her staggers back as his face contorts, but she turns and dives towards him, grabbing the weapon as the shot fires, ripping a hole through the roof instead of Mike's skull.
She pushes him, screaming. "Don't you leave me on my own, Michael, like everyone else in my stinking life!" and then throws the gun to the floor next to a pile of her Dad's contraptions. The hole in the roof lets in sunlight from outside and Dawn can see shadows breaking the streams as the beasts prowl around above. Specks of black blood drip down from the hole and an eye peers through, making Dawn shiver. "It's not human!" It begins scratching, poking a clawed finger through and prying the metal, attempting to bend it enough to widen it.
"Don't look up, babe, look at me." Mike whispers, severing Dawn's delusions of survival.
She refocuses and says. "I've got to get help, distract those things somehow."
"There's nothing you can do! You should kill me and wait here for help." He growls, deeper than before, but isn't quick enough to counter Dawn's hunger to save him. She has an ottoman her Dad left, in his madness, full of tranquilisers and morphine and loads of apocalyptic paraphernalia that got the old man locked up. "Maybe Dad wasn't so crook in the head?"
She takes a tranquiliser and, finding a vein, injects it into Mike's good arm. Kissing him, she says, "We'll stay here till they leave and then I'll get help. You promise not to leave me?"
He nods, "My body's not going anywhere!" and glances at the chains she's using to tie his legs to the wall. "You don't believe I'll make it either," slipping into semi consciousness his last words are. "Kill me when I change."
The scurrying outside gets louder and the hole in the roof is bigger as she glances up, allowing two clawed fingers room to maneuver, scratching and bending the steel. The claws retract and an eye peers through. She shivers, as the pupil dilates, watching her, like a dingo, a quiet predator, seeing her fear, unblinking. It knows in time the hole will widen.
She grabs her father's gun and shoots point blank at the eye. There's a splatter and yelp and black pulpy goo spills down her arm as the thing recoils. There's a thud and the body blocks out the sunlight, closing the hole with the weight of its corpse. "I got it." She whispers, almost too frightened to breathe in case the others drag it off and begin digging their way in again.
The light on the ceiling swings back and forth, making the shadows in the bunker sway uncontrollably, turning Mike into a gruesome prerequisite, a blueprint for a beast that may not emerge. Dawn imagines her once loving husband, replaced by something monstrous, changed forever. Unlike with death, she'd have to endure the hope of his recovery, until the eventual realisation that he's not coming back. Like her old Dad used to say. "Everything ends."
The light stops swinging and the shadows ease, but Mike hasn't returned back to how he was before. His breathing is raspy and his skin covered with beads of sweat and a thin layer of hair, rapidly sprouting. His body contorts and he breaks from unconsciousness, letting out a snarl as his bones and muscles crunch, shedding his clothing with the bulk of his new form. When he opens his eyes they're the same yellow as the eye she shot through the hole in the ceiling. The man she told her secrets to and entrusted with her dreams, is vanishing and being replaced by something vile and dangerous, something her brain wants to kill. She remembers his last words "Kill me when I change." But her hands can't pull the trigger, despite leveling the gun at him. The chain's are strong and around both legs. She curses herself and switches the gun for another tranquiliser, loads and shoots. What he's becoming lashes out at her, trying to rip the chains from its legs. The chains tighten and the beast flies back against the wall with the force of his own aggression.
"We were supposed to start a new life, Mike." She screams, hoping something remains of her husband as he attempts to rip shreds out of her again. "Werewolves aren't real!" she tries to reason with herself. "It's daytime out there, there's no moon." She feels ridiculous, but shoots another dart into his neck, which does nothing to weaken him. "Mike!" she screams. "Listen to me!" It causes the chains to buckle, but not enough for it to break loose.
She can't reason with it. Can't feel safe locked up in her war bunker, a pretentious womb like structure meant to pacify the insane paranoia of her parents. It's just prolonging her torment. She begins to laugh at the absurdity, remembers the trails of misfortune nagging at her throughout her life, now encapsulated in this tomb. She points the gun at herself, contemplating suicide seriously for a few seconds. It would be quick.
Mike breaks loose and launches at her, but she aims at his head, shooting him down. There's a thud and a whimper and the werewolf's body lays motionless as she reloads, fear taking over from any residual love. And then she feels a great sense of remorse, as he remains on the floor, his body changes back to her husband. "Mike?"
She checks his pulse. There's nothing. He's gone, just like Ben and her Mum and Dad, her whole life cluttered with death, parading behind her, taunting her with cruel laughter. Death likes chasing Dawn. Ever since she was a small girl. It's played hide and seek, taking everyone she loves out one by one, denying her a family and now she's hiding from it in a bunker. For all she knows, she's the only woman left in The Creek of Endless Summer. Only it's not summer down in this dark stinking pit, and with no food or water and werewolves scratching around outside, Dawn sits down. She opens a bottle of her Dad's home brew and taking a large swig, contemplates the remainder of her life.
"I could stay here and get drunk." She whispers to Mike's corpse. He looks peaceful now, and she covers him with a blanket. Hoping he'll forgive her for not saving him. She wonders if his ghost can see her, if it's trapped down in the bunker. "Mike?"
She kisses him. His hair is dripping with sweat, and his face is icy cold. "I'm so sorry." She whispers. "I tried to save you but."
There's a scratching sound from above and light breaks through the hole she shot earlier. Clawed feet scratch around on the steel roof. The body of the fallen werewolf is dragged away. She can hear them munching on it. Another yellow eye peers through, studies her. "Oh crap!" She fires at it, missing feebly, through grief, making a new hole in the roof, where another set of eyes peer through. "Shit!" she screeches. "Get away from me!" she panics, and drags Mike's body away into the shadows, in an attempt to hide. It's too late, as the beasts push their claws through the holes attempting to dig their way inside. "It's never going to end." She whispers to Mike, stroking his hair, out of comfort, the last traces of hope still clinging to her like the dregs in an emptying bottle.
"That's it then." She decides. Taking another swig. Her Dad died ten years ago, although this stuff has been left to fester for a good twenty. "It's strong stuff." She says, still talking to Mike as if he's alive. "You're right. I'm good at blocking things out." She blocked out Mike's affairs, and her mother's suicide, her Dad's manic depression and Ben's disappearance. She blocked out the fact Mike looked at her differently after Ben died. As if it was somehow her fault.
She takes another few swigs, and imagines how she'd feel if she heard a helicopter up above. The sounds of gunfire, werewolves obliterated and turned into corpses, just like with Mike. She chuckles as her mind constructs a scenario; where soldiers stamp on the roof of her bunker and shout. "Is anyone alive down there?"
She'd answer. "I'm here! Please get me out of here!" and then she'd open the doors and be greeted by people in biohazard suits, who would march her past the bodies of dead ex werewolves, into the helicopter and she'd be flown out of the Creek of Endless Summer, to start a new life, somewhere else, somewhere far away from the memories.
No one's going to save her. Instead, Dawn sits in her mother's science fiction costume, drinking her Dad's beer, holding her dead husband and the photograph of Ben, as the hole in the roof gets bigger. The claws of werewolves scrape away the metal, and any hope she had of survival. Some people aren't meant to live happy lives. Death trailed her for a reason. She puts the gun in her mouth and pulls the trigger.


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Jim Jarmusch, Quentin Tarantino, John Cassavetes, Michel Gondry, Charlie Kaufman, Sofia Coppola are just a few names of established filmmakers who blew up on the indie scene. True artist who focus on the art of filmmaking rather than on the box office. The Manhattan Independent Film Festival discovers, supports and develops new talent in filmmaking, providing a platform for emerging and established filmmakers from around the world, and an unique focus on Manhattan Stories. Recognizing the important role independent films have in the history of filmmaking, storytelling, and culture, MIFF wants to help empower the next generation of artists. The Manhattan Independent Film Festival is an annual event showcasing independent films with an edge.
All screenings will take place at Videology on July 8 and 9, 2017. The Manhattan Independent Film Festival screenings runs in conjunction with the New York Film Week.
Award Categories:
Best Narrative Feature Film
Best Documentary Feature Film
Best Animated Feature Film
Best Narrative Short Film
Best Documentary Short Film
Best Animated Short Film
Best Underground Film
Best Experimental Film
Best Music Video
Best Manhattan Story
The Manhattan Independent Film Festival accept all forms and genres. All non-English language films must be subtitled in English. Entry, accept the 'guaranteed selection submissions', does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each. The festival has the capability to screen BluRay and DVD.
Screenings are scheduled during the Festival at the discretion of the Manhattan Independent Film Festival. Whilst every effort will be made to adhere to the published schedule, Manhattan Independent Film Festival reserves the right to make changes at any time for any reason. Manhattan Independent Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Manhattan Independent Film Festival is granted the permission to exhibit the film at the 2016 Manhattan Independent Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Manhattan Independent Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Manhattan Independent Film Festival is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.
The filmmaker holds the Manhattan Independent Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organisers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.


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You could go to Paris or a new city everyday if you had these glasses..
Organic Bedding for teenagers by Amy Butler now available at Bed Bath & Beyond. Great colors and styles.
Purple Alert! Look for the Magenta, Fuchsia and Purple in fashion and interior design, its on its way.
The new Roche-Bobois collection is amazing, decadent, sinful, gorgeous and I want every piece.
I'm going to have to remember to add purple to my usual black wardrobe...


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Researching Lisa Ackerley
Research the background of Lisa Ackerley using the links below. We hope you find this information useful!
|Did you know that in the 1881 UK census there were 435 people with the Ackerley surname? In that year Ackerley was ranked number 3144 for popularity in the UK.
The name Lisa means "consecrated to God" and is of Hebrew origin.
New to Family History? Check out our Getting Started page. Check out House Of Names to investigate the origins of the Ackerley surname or get a copy of the Ackerley family Crest (a great gift idea!).
Records of Lisa Ackerley on Ancestry
Ancestry is a major source of information if you are filling out your Lisa Ackerley family tree. Many large databases are available to search covering from births, deaths and marriages, military records, census records and immigration records with many other smaller collections too. Free trials are normally available and are a good way to fill out a lot of your tree quickly.
|Country Collection
|Ancestry.com Global records search results for Lisa Ackerley.
|Ancestry.com US records search results for Lisa Ackerley.
|Ancestry.co.uk UK records search results for Lisa Ackerley.
|Ancestry.ca Canadian records search results for Lisa Ackerley.
|Ancestry.com.au Australian records search results for Lisa Ackerley.
Sometimes you can run into a brick wall in your tree and you just don't have enough evidence to make that next step back in time. If you are lucky then you may find some previously undiscovered Lisa Ackerley ancestors. Additionally, the modern DNA test can give you a breakdown of your ethnic mix - you may be surprised at the results!
Have you reached a brick wall in your Ackerley Tree?
Birth, Death and Marriage Records for Lisa Ackerley and the Ackerley Family Tree
Birth, Death and Marriage records are often the best method of making the links to the Lisa Ackerley Genealogy that will form part of your family tree. Although records vary from country to country, they are normally the most formal record of a person's relations. From the sources listed below it will be possible to locate a birth record and, from that record, a birth certificate may be obtainable which is likely to list the names of the parents, therefore taking you back another generation. A marriage certificate may also list the names of the respective fathers of the bride and groom which may then help you to find them earlier in life on a census record enabling you to fill out more detail in the Lisa Ackerley family tree.
Search Parish Records for Lisa Ackerley at Find My Past.
Explore for the UK registered births, marriages and deaths of Lisa Ackerley using the FreeBMD database.
Check out Genealogy Bank for Lisa Ackerley records.
Explore MyHeritage for Lisa Ackerley information.
Study the LDS Database for records about Lisa Ackerley.
Research the Ackerley surname using fold3 Military Archives and view images of original Ackerley Military records.
|Did you know that there are currently 757 people with the Ackerley surname in the UK? Ackerley is now ranked number 3327 for popularity in the UK.
Ackerley Genealogy Databases
Another way to build your tree quickly is to use the research other people have already done. This can help to confirm or refute your own deductions - however, be wary of taking this data at face value as other researchers may not have been as meticulous as you. Always try to back up deductions with some definitive sources rather than relying too heavily on others.
Explore the WikiTree database for user contributed records for Lisa Ackerley.
Study MyTrees for information on the Ackerley family and people looking to contact living Ackerley relations.
Study One Great Family for Ackerley records submitted by people who are already researching the Ackerley Family Tree.
Find Lisa Ackerley from Ireland on findmypast.ie
Ackerley Forums
There are a number of forums which are dedicated to rearching particular surnames. These can be good places to share your findings and also to tap into the knowledge that others may already have. These can sometimes be a good way of finding living relations as these tend not to show up on the other sources of information for privacy reasons.
Research the Ackerley surname using Genealogy.com forums .
Miscellaneous Ackerley Databases
Explore the Ellis Island Database for information on Lisa Ackerley. This database contains over 25 million immigration records detailing passengers arriving in the United States of America.
Looking for information on a Lisa Ackerley in your family tree? Why not post a question here -
Other names that sound a bit like Ackerley
Family names can get corrupted over time, particularly where literacy was not as good. The following list contains some names that have similar sounds so you may want to also look at one or two of the more likely possibilites.Ackerilly Ackerland Ackerly Ackrill Aggarwal Agrelius Akerley Akrill Atcherley Azzarello