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That's right, it's another funny Jurgen Klopp story.
With Liverpool having beaten Leicester and Chelsea in the Premier League and made it through to the next round of the EFL Cup , the Reds manager was understandably in high spirits when he welcomed reporters for a press conference ahead of the weekend meeting with Hull City.
Then again, when isn't he?
As seen in the video above, the German was beaming that trademark smile when a reporter asked him about his goalkeeping dilemma for the Hull game .
With Simon Mignolet having been replaced by summer signing Loris Karius for the EFL Cup win at Derby, plenty are eager to know whether Klopp will keep faith with the former Mainz stopper at the weekend.
But when a reporter quizzed Klopp on it, he ended up tripping over his words and calling the Belgian keeper 'Smignolet.'
Cue Klopp's beaming smile, friendly put down and a tale from his days in Germany.
Recalling a friendly match he took charge of against Bayern Munich - presumably when he was a lot more flustered than he is now - Klopp said he once told his players to 'be aware of the quality of 'Pizzarazu'.
Now that, kids, isn't actually a Pokemon, but a mixture of the former Bayern and Chelsea forward Claudio Pizarro and World Cup winner Bixente Lizarazu, a combo 'which would be a fantastic player' according to Klopp.
He's probably right. He's always right.
Don't you just want to be his friend?


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Who needs a Utah Real Estate Purchase and Contract Form?
According to Utah law, real estate licensees must use this form to acknowledge the transaction of the real property from its owner (Seller) to another person (Buyer).
What is the Utah Real Estate Purchase and Contract Form for?
The Utah Real Estate Purchase and Contract is a legally binding agreement about sale and purchase of real property between two parties - Buyer and Seller. This Contract outlines terms and conditions, rights and obligations of the parties, and all the other provisions relevant to the deal.
Is the Utah Real Estate Purchase and Contract Form accompanied by other forms?
The seller is obligated to provide a number of documents, labeled "Seller Disclosures", to the buyer:
- a written property condition disclosure for the Property, completed, signed and dated by Seller;
- a Commitment for Title Insurance
- a copy of any restrictive covenants (CC&R's), rules and regulations affecting the Property;
- a copy of the most recent minutes, budget and financial statement for the homeowners' association, if any;
- a copy of any lease, rental, and property management agreements affecting the Property not expiring prior to Closing;
- evidence of any water rights and/or water shares
- a written notice of any claims and/or conditions known to Seller relating to environmental problems and building or zoning code violations;
Other documents can also be provided with the seller's consent if the buyer considers it necessary.
When is the Utah Real Estate Purchase and Contract Form due?
There isn't a specific deadline for completing the contract; it normally depends on the particular situation and the consent of both parties. As a rule, it is signed sometime in advance for the seller to leave the property and for the buyer to weigh the decision and get prepared for the move-in. Therefore, the transaction's closing date is discussed and agreed on by the parties to the contract individually.
How do I fill out Utah Real Estate Purchase and Contract Form?
The form is filled out by the real property licensee and it states the following information:
- the buyer's and seller's details
- information about the property
- price and financing
- closing and possession date
- insurance
- contract deadlines
- offer and time for acceptance
Where do I send Utah Real Estate Purchase and Contract Form?
The form is completed and kept by the parties and realtors involved in the deal.

subset: commoncrawl


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Graduate Certificate in Health Care Administration
Colorado Christian University
Program Details
Professsionals with MBA degrees, or those with health care experience, may complete the graduate-level certificate program through CCU's College of Adult and Graduate Studies. The 12-credit Graduate Certificate in Health Care Administration focuses on courses in health care policy, economics and finance, health care laws, and strategies for improvement.
Applicant must:
- Already possess an MBA with interest of working in the health care industry
- Or already have a position of leadership and management in health care but are new to health care systems, regulations and industry expectations
School Accreditation Statement
The Higher Learning Commission


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Terri Fields
Illustraed by Laura Jacques
This is a book for my boys! They love anything with big teeth. Sylvan Dell offers much more than just a book to read. I love how they have learning activities at the end of the book like how animals use adaptations, where do the animals live throughout the world, and a design your own animal activity.
There are additional links online to a free teacher guide. The one for the Most Dangerous can be found HERE . 44 pages of ideas and activities, you can make this into a unit study on all things dangerous!
Some of these animals you wouldn't consider when thinking about competing for the worlds most dangerous animal trophy. The winner may surprise you :)
This book is great for ages 4-8. Would make a wonderful summer project to delve into the world of dangerous animals!
I received a copy of this book in exchange for an honest review.
Check out other great books at Sylvan Dell Publishing


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This week's CMYLK pairs Colourlovers palettes with three paintings by California-born artist Oona Ratcliffe, whose work is represented by gallery nine5 in New York City's Soho neighborhood. Ratcliffe's acrylic splashes of color are actually abstracted, or broken, topographies that begin as pencil drawings. She describes her paintings, which exhibit bold splashes and splatters as "saturated with color areas organized into disparate energetic structures."
2 Comments
joanne ratcliffe on 02.16.2014 at 15:45 PM
Go Oona!! They are beautiful images. I love your color sense. It's terrific. Joanne
trish dorsey on 10.03.2014 at 22:35 PM
Hi, I see that Joanne Ratcliffe commented. I have a few pieces of art that I think were the work of Joanne. Do you know her? Could you give her my email address so that I can send her photos? Thanks.


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Big D in the Big Apple
Locals attend NYC's spring Fashion Week and share their thoughts with us.
director of shows for Fashion at the Park and associate producer at Tuleh and Oscar de la Renta at New York Fashion Week
"I was so surprised with Tuleh. The designer, Bryan Bradley, has added clean lines and unexpected prints to the collection. I really think we are missing Tuleh in the Dallas market. Carolina Herrera is always one of my favorites. It was breathtaking. Oscar de la Renta is always classic and beautiful, very Jackie O. inspired. It was such a privilege to be a part of something like this. My dream, as a little girl growing up in South Africa, was always to do what I did during Fashion Week. I really feel like one of the luckiest people in the world."
|photography courtesy of Neiman Marcus
fashion director, Neiman Marcus
"I loved the animal prints at Zac Posen. And the lurex short cocktail dress—just right for the girls in Dallas."
owner and buyer, V.O.D.
Attended: Alexander Wang, Camilla Staerk, Elise Overland, Zero Maria Cornejo, and Jeremy Laing. "We thought Zero looked the best and liked a lot of pieces from Elise Overland. We definitely loved the trouser for the season. The color palette was great—lots of watercolor hues, watered-down greens, blues, and putty grays. Leather was huge. We loved the leather leggings and the perforated leather shrugs at Zero. Dresses are all about length now, which we think is a chic and sophisticated look. We have invested in floral prints, one-piece jumpsuits, and plaids. We also picked up Kimberly Ovitz and Organic by John Patrick for spring."
|photography Paul Wilmost Communications
owner and founder, Bag Snob
"Fuchsia and lime-green crocodile totes by Nancy Gonzalez are a must-have come spring."
women's buyer, Stanley Korshak
"The young American market looked really strong. It was so great to see vibrant color and design from a fresh perspective. The American market has not looked this good since the late 1990s. We have a good crop of new American designers who are putting out mature collections. Chris Benz was fantastic, and I love the walking shorts and skirts throughout the collection. He will be added to our mix at SK for spring 2009."
|photography courtesy of Getty Images
president of Henry S. Miller Interests Inc., which manages Highland Park Village
Attended: Carolina Herrera, Luca Luca, Ports 1961, Marc Jacobs, Tory Burch, Vera Wang, Naeem Khan, and Ralph Lauren. "As always, Ms. Herrera's collection was elegant, wearable, and ultra-feminine. I especially appreciated the more whimsical pieces, as they were unexpected and showcased her unparalleled attention to detail. I loved the color palette at Ralph Lauren. The Moroccan light fixture set the tone for the show. You expected exciting and exotic and were not disappointed."
women's buyer, LFT
Favorites: Calvin Klein, Donna Karan, Ruffian, Rachel Roy, Sari Gueron, and Jason Wu. "Donna did what she knows best: draping. Her collection, as she calls it, was 'bathrobe chic.' I couldn't imagine anything more comfortable and easy. You can't forget the jumpsuit for spring, and Donna Karan's was the best. [Ruffian's] Brian and Claude had a softer feel for spring. They did an amazing combination of fabrics and color within the collection. Jason Wu used lots of color, fuchsia, violet, red, and yellow. It really made the collection feel flirty and whimsical. It was a beautiful combination of clothes for the uptown and downtown girl." New for LFT this spring: Donna Karan, Rachel Roy, Zac Posen handbags, and Nicholas Kirkwood for Pollini shoes
|photography courtesy of Zero Maria Cornejo
Dallas shopper
Attended: Alexander Wang, Zero Maria Cornejo, and Carolina Herrera. "I loved everything about Alexander Wang's show. When the lights dimmed and the music blared, I was on the edge of my seat with excitement. Watching Erin Wasson on the front row groove to the music just added to the energy. I went to Alexander Wang's after-party. It was full of beautiful people, great music, including live entertainment by female rapper Foxy Brown. As far as spring fashion is concerned, I'm happy to know that anything goes. Short shorts, long dresses, skinny cropped pants, unique tops, and awesome accessories. Lots of great color—more solids rather than print. "


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Shot concurrently with a "raising awareness" documentary on child prostitution in Southeast Asia (by the tellingly named Priority Films), Holly snatches images out of soiled Cambodian red-light districts, slips figures on sex trafficking into its screenplay, and numbers a reformer heroine and an unrepentant pederast evildoer among its characters.
The titular Holly (Thuy Nguyen) is an abandoned preadolescent Vietnamese with her virginity on the auction block; Patrick (Ron Livingston), the Westerner's entree into her universe, is an unmoored American expat who suddenly grabs onto the idea of saving her. Livingston initially seems unable to shoulder his share of the movie — his pale, undistinguished handsomeness suggests something undercooked, and as a boozy card sharp, he doesn't exude enough attrition — but shades of ambiguity gradually suggest depths beneath his blankness. And though the storytelling is haphazard, artistry often transcends mere good intentions. Director Guy Moshe scavenges color from the torn fringes of Phnom Penh, and the composer Ton-That Tiet provides a spare score, laying bleary sadness over the art-house muckraking.


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Three day week last week, five day week this week. My body feels the difference.
Lessons: We worked on our test prep lesson again this week. Four down, two to go, and then for third graders: the actual test. Reflecting on it, I realize that, yes, so much of what had to be done was to help kids with time management; composing paragraphs on a computer; typing; and so on. But there were emotional skills at work too, I realized. The task required a certain kind of endurance that we've had to build up over time. And it was a little hard to see the difference month by month, but easy to see the difference when you compared the first time with the fourth time. Students are just more able to work on a task for a long period of time. There are fewer complaints and requests for the restroom or water fountain. They just… got more used to it with practice. (And do not think for a second this is the computer lab alone. So much of the credit goes to third grade teachers, who have kids writing each and every day.)
I think about it like basketball practice. You start by practicing things that are not in and of themselves basketball, like running up and down the court, like passing and shooting and dribbling the ball, like pivoting in certain ways. Then you start putting those things together when they start to feel more automatic to you. You practice dribbling and running. You practice passing and shooting. Then, you actually start playing basketball. You scrimmage, you keep score. Finally, you're ready for the game. And yes, it is nice to win the game. But I was never good enough at basketball to make a difference in the score. For me, the victory was that I was able to do something that I wasn't able to do before – play basketball. It didn't really matter how I did compared to my teammates or other teams, because I was able to do it, so I got to wear a uniform and be on the court for a few minutes.
Anyway, that's also how I've been explaining it to students who ask, "Why are we doing this?" when we practice with prompts. So I've put a lot of thought into my metaphor.
Support: First, I appreciate when my colleagues come up with work-arounds for the problems that just continue to dog them. But, those often feel like an inconvenience or annoyance, especially over time. So it is extremely satisfying to find a better fix for that kind of issue. That happened on Wednesday. A first grade teacher had developed a work-around for the fact that a very specific program did not interact well with her Smart Board. Every other thing she did on the Smart Board worked as expected, but this one program with our reading curriculum would not respond to touch. It would still respond on the laptop, though. The issue was, the laptop and Smart Board are so far away from each other in her room, she had to have a student sit at her desk and click the right thing on cue. And it was workable, but she started to feel like the clicking student was missing lesson content, or at least wasn't experiencing the lesson content the way the other students were. So in I came. We tried a couple different things like updating firmware before I actually read into the particular program's running requirements. It mentioned which versions of Safari and Firefox you needed… we had been using Google Chrome. And, Google Chrome continues to be the most-often-used browser (we use G Suite for Education, after all). But, we tried everything all over again with Safari and it worked without a hitch.
Things I Did Well: I had a couple of days where my schedule just… fell in together nicely. One task or commitment wrapped up just in time for another to begin. It happened so conveniently that I should probably not take credit for it. Unless I did something to curry the favor of the schedule gods. Please keep loving me, schedule gods.
Things I Will Do Better: I do not understand why I love my bed so much, and yet I procrastinate so much before going to it. More sleep please.
Cold Prickly: I have a chronic illness. It is one that is extremely manageable, to the point of being almost forgotten about. But, my body will remind me when I start to stretch myself a little thin. Outside of school, I made a lot of commitments over the past ten or so days. I traveled out of state, marched in D.C., slept on a floor during my stay; I also hosted extra trivia nights to cover for other local hosts who couldn't. So I was dragging a little bit this week. I still haven't had to take more than one-half day of unplanned absences this year. (Yes, I've taken some time for appointments, and a personal day, but those were all planned ahead of time so I could make sure I rolled out the red carpet for my sub.) So I'm going to recharge my batteries this weekend and hopefully keep anything creeping up at bay.
Warm Fuzzy: A kid farted in class the other day, and her classmates laughed, but more importantly, she laughed to. "It happens a lot," she explained. "She does this all the time!" one classmate said. I felt such a kinship with all of them in that moment, because deep down, we were celebrating one of the fundamental truths of life:


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As the urge invaded, I decided to write a difficult, complex story. Seraphim is a story of abusive love, losing faith and renewal of faith in God and people. In the spring I begin to understand renewal, but am having difficulty reasoning 'how' my character might understand.
With difficulties of abuse (both physical and mental), being a young teen when she has a child and no financial means to support her child, Delaney's life is understandably complex and difficult. Brought up Catholic she has trouble believing God could be so cruel and harsh. She has done nothing wrong in her mind to deserve such punishment. Yet her husband, an older man, a sheriff (who knows and uses the law in his favor), continues getting his way with no repercussions whatsoever.
At this point I was getting confused – what possible reason would make her leave her husband after twelve years and what might make her realize it's up to her to change her life? I shelved my story and waited for something to 'click' which I tried to accept might be never.
Then what seemed like a normal occurrence, turned into guidance. I started reading The Forgotten God. My confusion has lightened. I am getting my questions answered by researching to understand.
I am discovering research is not only a way to get facts, but also to get the inspiration and emotions needed to write a good story. Be open for signs.


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The Cinder Storm of Language
By Darran Anderson.
Drawing In Ash, Will Stone, Salt Modern Poets, 2011.
'What's wrong with the modern world?' is a question that can only really be answered with another question, namely 'where do you start?' We live in a time, in the West at least, that has seen the curious death of authentic experience. In the Middle East and elsewhere, they've more pressing concerns than such indulgent existential witterings but that doesn't make it any less real or, more accurately, less unreal for us. Osip Mandelstam was an unwitting oracle when he wrote in the epigram that would send him to the gulag, "We live not feeling the earth beneath us." Similarly, the words carved on the headstone of the poet Keats have proved prophetic, "Here lies One / Whose Name was writ in Water." As it was for him, it's a thousand times more so today.
In recent years, there's been a revival of interest in Modernism, the reasons for which are illuminating. It's not just disenchantment with a conservative literary present, a sense of unfinished business, unexplored
possibilities or that the movements of Expressionism, Dada, Surrealism et al have never been fully explored on these shores beyond a few intrepid outsiders. A further crucial reason is that it seems the last gasp of the authentic. Today, we are grasping for roots. Postmodernism, the internet, social networking all offer us a wealth of things, particularly when used in a focused way but while they give they also take away. There is a loss, as well as a gain, in making the world smaller, in the medium usurping the message, in living in an perpetual present, in avoiding any definitive position or belief through irony, kitsch and continual criticism, in making information and music infinitely accessible, opinions anonymous, communication, friendship and cultural discourse reduced to clicks of buttons. We know where this has led us and it turns out that life in the ether, in the spectacle isn't as satisfying as we'd dreamt. Things we held precious previously lose substance. Life incrementally loses meaning. The Zeitgeist is more ghost than spirit. There's that old Native American belief that every photograph steals a piece of your soul, similarly every tweet, every bit of narcissitic self-revelation online causes something to wither and die inside. So we harbour a revolutionary nostalgia for times when words, whether in art, in letters or everyday speech, had weight. When a literary work could be as fragmentary and chaotic as modern life (Ulysses, Apollinaire's Zone, Vertov's Man with a Movie Camera, The Wasteland) but have monumental stature, even if the stature was composed of, as in Eliot's famous phrase, "These fragments I have shored against my ruins." For even in these ruins, you could at least attempt to make a stand.
It is in these very ruins that Will Stone's extraordinary new poetry collection Drawing In Ash begins. But how did we get here? The book is introduced with a quote from Nietzsche's Thus Spake Zarathustra, "You must be ready to burn yourself in your own flame: How could you become new if you had not first become ashes?" This sentiment would be repeated in Nietzsche's late poem 'Ecce Homo' which was poured over by a generation of misfits, lunatics and artists in the first decades of the 20th Century, among them Otto Dix (who carried a copy with him in the trenches, the way others did the Bible), the young brilliant (and doomed) poet Georg Heym and most notoriously Gavrilo Princip who quoted it again and again, psyching himself up to assassinate Archduke Franz Ferdinand, instigating the Great War in the process. It enflamed a young generation about to be decimated, the heady boldness of it, the threat of iconoclastic fervour and rebirth through some act of creative self-immolation. Nietzsche boasted of philosophising with a hammer. Reading the quote, you already know Drawing In Ash will not be the toothless mannered execrably smug fare that sadly dominates much of contemporary verse. Instead this is poetry as time travel, psychogeography, cinema.
It begins then among the ruins. We are welcomed in by our guide like Virgil in the Inferno but with the sinister warmth of a carnival barker or a devil. We return as if in some dream to the past, not a mythic past but, as will be the case again and again in the collection, a historical one, reminding us that we are separated from the most horrific events, events unimaginable by the sane settled mind, simply by the thin veneer of space and time. Others are not so lucky and one day our luck may run out, "imagine the hardest winter / imagine the longest scream / unable to fade, for that is how / this generation lived…"
In a fragmented world, in any world, we can be sure only of one thing, the solid undeniable force that is death. It's effectively the only thing left that we cant cheapen, infantilise, degrade or patronise. It remains irrespective of capital or ideas. We cannot reduce it but, at best, merely postpone, ignore and in some cases sanitise. It is unconquerable. It is this that ties us to the past and in a way to our humanity. We have the fact that we are going to die in common with each other as with our ancestors (in a sense it is perhaps even more terrifying now because, given health and infant mortality advances, it's more unfamiliar than ever and thus more taboo). In an ever-changing world, death's the one thing you can rely on, that wont let you down. All through Drawing In Ash Stone is drawn to this theme, haunted by mortality and yet fascinated by it, he returns again and again – the Holocaust, the Black Death, cholera epidemics, suicided writers. Walter Benjamin stricken and outdone by the sun and his pursuers on a mountain pass, Montaigne fleeing the plague, the body of Walser lying in the snow. Mortality is there in the fatalism of 'Chopin In Scotland' ("the doctors last conspiratorial whisper"), in 'The Fears of Charles Baudelaire', "my cloak the broom / sweeping me down every
spiral staircase / and out under the dripping ironwork / of days" (the poet fantasising which way he will die and we the audience knowing that he does not see what's coming), in the defiant helplessness of "climbers darkly frozen, all of us / pinned on the ice wall of history / unable to go forward, unable to go back / but signalling." It watches us all the time while we only catch glimpses of it, "the discreet surveillance / of death."
All this makes the book sounds like a collection of funereal dirges, poetry to slit your wrists to. On the contrary, it's never depressing and remains an enthralling read, sustained by a palpable sense of momentum. Whilst far from a barrel of laughs, there is grim gallows humour to be found and also an awareness that the terrible finality raises the pitch of life to a level immortality could never attain. It may glance into the dark but there is always something that glimmers there to be found. The vividness and strangeness of Stone's imagery and language ensure the book never seems overwrought. Whether it's "tumbrels trailing tar by torchlight," "each rooted on his receeding floe / and the last hard sellers of hope / slip with seals into dark water," "the waiting hooks of stars" or "horizon islands, peninsulas steering / the ghost boom of a ship in distress" this is a grand celestial pessimism, labrynthine and incandescent in comparison to say Larkin's grubby net-curtain twitching semi-detached bleakness.
It is Stone's willingness to pursue the monumental, sometimes in Hubblescope, sometimes in a microscopic setting, along with his consumate skill as a poet (and an admirable absence of 'I' – the most overused word in the lexicon) that mark it out as a book that towers above the vast majority of his contemporaries. It is this willingness to go there, to take the risk of wrestling with the big themes with no obtuse language for its own sake that makes Drawing in Ash authentic and a book of rare qualities. History, for Stone, is there to be explored, not just simply in books but in location. His poems roam through space and time, the 'poet as archaelogist' would be a fair analogy except what Stone finds is never entirely dead nor contained in the past like some insect locked in amber. Rather history is alive through the poet's powers of temporal flux and it reveals as much about 'now and us' as 'then and them'.
There are many remarkable moments in this collection, chief among them 'The Extinction Plan,' an exploration of why or at least how society stumbles onwards with dazzling images from the past, "In order to go on, Schubert pens, / Munch paints Death and the Maiden. / Strindberg runs through the Latin Quarter / brandishing his hands, black and burned / from experiments with sulphur." It is a poem which defies analysis or to which the best analysis would be to simply read and bask in it, but there is one notable observation. Stone is a master of the pressure drop, the sudden jolt change of scene, the sudden looming into view of a startlingly original image that stays with you, long after the poem has finished; "in one dive billions of krill find God. / Ghostly, like a low gas flame…"
Historical episodes mark the book. 'Nietzsche At The End' is set during the philisopher's bedridden twilight years, his mind eaten away by tertiary syphilis (or the outside chance that it was all an elaborate ruse, an internal hermetic exile inside his own skull). For a decade the most brilliant European mind of his times lived, or rather subsided in a near-vegetative state, in a hinterland between life and death. Stone imagines his internal monologue, a colossal intellect trapped and turning inwards on itself. There are enigmatic strangely touching pronouncements ("What is my heart? A pebble in a black pool / on the side of the mountain / that never sees the sun") and dark predictions; what those to come would do and claim falsely in his name, that his radical philosophy of betterment would be warped to give intellectual creedence to the most squalid philistinism and butchery under the Nazis. He saw it all, seer that he was, his realisations captured chillingly by Stone, "And the stupidity that must come, / clockwork monkeys beating the skin drum / and my face seen again / beneath the ice…"
Another interim period of desperate reflection is marked in 'Sometimes This Genius Grows Dark' which spans the period after Vincent Van Gogh had shot himself in the chest, staggering back from the fields where he was painting to the inn where he would die, past "dark riders driving on horses, / flaming cypresses, windmills." As the poem continues it becomes more surreal, Stone's imagery, always his strongest point, becomes otherworldly and cryptic, morbid and seraphic, conjuring up the deathbed visions of the artist. Beguiling stunning scenes emerge at the close of many of these poems that you never entirely understand but in that lies a rare enchanting poetic power.
In Christ on the Cross – Delacroix, Stone's command of language and sculpting of time and setting is evident. The disorientating violence of the poem seems as devastating as we presume the passion and crucifixion of the Christ really was, "Above the broad bow of ribs / head hard back, taut, stiffened / like a strapped-down lunatic". There is no glory here, no promise of resurrection or grace, only horror, the extinguishing of all hope and what it is to utterly destroy a human being. The obscene disparity between his message and his fate is expressed here as in the painting itself. And yet it is a small detail that gives the poem it's power. Stone has a fascinating knack for seeing that other things happen (akin to Auden's Musée des Beaux Arts), almost out of sight but parallel to the main events, glimpses that make the scene eerily real and also suggest that he's rebuilt the entire world this happened in and not just a two-dimensional alterpiece or grotto, "the light on its way but too far behind, / delayed at a bend in the river." Again it's his perception that is the standout quality, the widescreen element. He sees an infinitely bigger picture. Even in these vignette's of mortality, there's always a three-dimensional depth. They are more windows you look through than paintings you look at. In doing so, Stone proves his creative ancestors are more characters like Grünewald or Brueghel than 'the Movement' or any such poetry school, for want of a better word.
The mid-section of Drawing In Ash's triptych focuses on the Holocaust, a notoriously difficult subject to write about, that comes with immense crushing responsibilities. The writer is stuck between the risk of intrusion, of turning it into melodrama and the grim authority of those who survived (and those who didn't) like Paul Celan, Primo Levi, Robert Desnos. Stone's poems are harrowing as you'd expect but also deft. He knows not to fictionalise or sentimentalise, he knows he doesn't need to. The subject is such that you can step back, you must step back and let the terror of fact take over. Let the voice that says 'this really happened' act as an undercurrent. In the title poem, we are presented with a real-life event in which the head of the SS Heinrich Himmler briefly faced the stark reality of his orders, "He staggered back, turned pale, / was almost sick and at that moment / I was obliged to step forward / until his composure was regained." In another poem 'The Clip' we watch, in the mind's eye, "Heydrich in colour… turning pages / roll calls of death, perhaps / the Wannsee guest list / or his wife's purchases" (the latter a nod perhaps to Brecht and Weill's 'Ballad of the Soldier's Wife'). Himmler a failed chicken-farmer and Heydrich the only blonde-haired, blue-eyed Aryan in the first rank of the Third Reich. Both competing mass-murderers. There seems an awareness here that such figures can be pathetic and terrible simultaneously. The Aristotelian either/or logic that has pervaded (and cursed) Western Civilisation is redundant. Arendt was only half-right, evil is indeed banal, it is also sadly in it's own way extraordinary, seductive. In the abdication of human empathy, there can be found great savage power and sometimes a perverted logic, some hyper-twisted work ethic that spurs them on. These were 'civilised' educated composed men and they excelled, implementing genocide on an industrial scale. The thought that they were not hell-spawned devils is anathema to most. It's the dark secret nightmare of the Enlightenment, recalling Goya, another seer, who sketched 'The Sleep of Reason Produces Monsters'; they reasoned this.
In this same way, most of these poems tell us as much about now as the past. Things happen elsewhere ("somewhere the eye of a shark swivels"), our present, the here and now is not absolute, it is tenuous. The poems, looking back, are reflected images of ourselves from the feral voyeurism of 'Inside The Ampitheatre' to the gentrified nightmare of 'Loss Of Habitat.' In 'Repeat Offenders,' a bead is drawn on the enemy, "the sprawling empires" and "gaudy stalls" that the herd instinct perpetuates. "Herd that none will bring down / off whose tough bark the axe-heads / of bold individuals harmlessly glance" and against this the doomed creative outsider, it's a Romantic idea but an enticing one.
As with Stone's earlier collection Glaciation, the threat of apocalyptic ruin hangs over proceedings. Time lays waste to all. The ruins he explores in 'The Towers Of Castillon,' 'Fallen Aqueduct' and 'The Tower Of St Trophime' are not just the remnants of fallen civilisations but glimpses of our own future. Shelley obsessed on this (in his masterpiece Ozymandias), that time slowly but profoundly erodes all triumph and tragedy, that all human endeavour no matter how lofty or tyrannical will be undone. It's in Stone's remarkable image the "cinder storm of language", the broken white devils and scattered tombs of the cemetery of Ukkel. The tombs of saints and princes are ransacked, the elements attack everything ('Before The Roman Remains'). After mankind, in a mere handful of millenia, all trace of our existence will be destroyed (bar perhaps the Voyager Golden Record, footprints and junk on the moon, underground nuclear sacrophagi). Skyscrapers and hard drives are more finite than stone pyramid slabs and buried papyrus. In Drawing In Ash what is left from Ancient Rome is the theatre of slaughter – the Coliseum. From the mock-Olympian Third Reich that was supposed to last one thousand years; indestructible flak-towers remain like mausoleums in obliterated cities. These haunt because they are portents.
Why then continue if it's all doomed? Well what other option is there? Stone acknowledges this, describing the Sisyphean search for knowledge, "I cannot help but read and imagine / read and imagine, read and imagine / like the endless filling of a cistern. / It's how I measure the depth of a cavern." Then there is the distraction or torture of matters of the heart, the imploded romance that is nihilism pervades the collection, "your heart's slow slave ship…" "sowing new life / to tumble more beautifully into the abyss." At times, you can see occasional traces of Stone's predecessors, particularly those he's translated, the unsettling masque of Georg Trakl in 'The Shriek' ("Crows grown sleeker… wild men run into the woods") or Georg Heym in 'Last Hours In The Flak Tower' ("a furious giant hand / tearing up rubble, searching…"). Nevertheless it's Stone's own enviable voice that resounds thoughout, at his best the effect is unlike anything else in contemporary verse (at least since the early books of Ted Hughes); 'Montaigne's Flight', 'I Am Charles Meryon', 'The Silence' amongst the high points of one of the most truly exceptional collections of poetry I've ever read.
It's also a collection that gets you thinking. Poetry's oddness, it's peripheral status could weirdly be the saving of it. In a time when everyone is shouting 'look at me' and profit is squeezed from every possible avenue, an artform that is inherently cultic, that relies on introspection, in which time is not a resource to be depleted but is slowed down if not suspended, an artform that makes no sense in any rational practical capacity, that manifestly does not sell and is written and read by the unhinged (present company excluded), that goes against everything the world is increasingly becoming, it is a strange form of sanctuary. It will take weighty poetry though, not dithering collections on weeds or birds, not '1001 Poems for Best Man Speeches' or associated drivel and not compromised condescending attempts at poetry for the masses, whoever they are ("difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings" as Geoffrey Hill rightly stated). Not poems that are content to be on the same level as gardening or knitting but poetry that is on a par with music and cinema. Poetry, in effect, like this.
Since the death of the mighty poet and translator Michael Hamburger there has been a vacuum here for advocates of visionary, vital, mysterious poetry that looks to Europe and the past for ways to push things forward. Stone is one worthy successor. The traditional blights of English verse are almost entirely absent, indeed are obliterated; gentility, domesticity, the patronising urge to dumb down or conversely to elude and exclude through highbrow language. Instead this is a full-spirited timely reminder that there is poetry to be found beyond the kitchen sink, the nursery and the countryside. There are whole worlds and entire histories out there to be explored.
Darran Anderson challenges you to a duel at dawn at a place of your choosing. If he lives, he will be reading at Neu! Reekie! this Friday in Edinburgh.
First published in 3:AM Magazine: Wednesday, May 25th, 2011.


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It seems that my offer to provide the free review does not work as people tends to be lazy even if it is like posting a website into a PR3 directory.
PR3 directory! where on earth do you find that for free. Plus the review is going so slowly, you will most probably end up in the first page for quite some time.


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Welcome to STI investment funds!
The Program helps investors who have idle money and no time for direct business investment to coordinate with STI so as to target to a certain income level from that idle balance.
The interest rate from capital contribution investment: See details at the fee for financial service interest rates
Income distribution method: At the end of the term
Service registration method: Direct subscription at the counter or Online subscription.
We are MLM site which are paying from new members deposits. We have 4 different plans to from. We have 4 level referral commission 5%-1%-1%-1%-1%. Minimum deposit is $50 and maximum is $10000. Payments: Due to security reasons, we will proceed your withdrawal manually within 24 housrs.
You can open deposit and withdraw your earnings using these electronic payment systems: Paypal, VISA, MASTERCARD. The list of electronic payment systems can be added at the suggestion of our clients. OUR BUSINESS: HOSPITAL SYSTEM , POLYCLINICS - REHABILITATION, SYSTEM PHARMACY, SYSTEM OF BEAUTY,SYSTEM REPAIR MOTORCYCLE, CAR, CAR WASH , CAR RENTAL, SYSTEM PRESCHOOL, UNIVERSITY, LINKS PROJECT ONLINE SERVICES, ELECTRONIC COMMERCE
- 3 How do I start investing with STI investment funds
- To start earning in our investment program you have to complete the registration form and then make your first deposit and wait for your first earnings. Check get started page to see how to register.
- 3 Are there any fees charged for participation in the program?
- We do not charge any fees for making deposits and withdrawals to our program .
- 3 Can I make money without investing ?
Yes. Especially for our users we have created an affiliate program where you can earn up to 5% on deposits made ??by referred persons. We have also second level 1% and third level 1% commission. The only thing you need to do is to invite your friends to our program using referral link. After they make a deposit, we will add automatically money to your account.


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See on Scoop.it – Bounded Rationality and Beyond
This lecture was presented as part of the University of Pennsylvania's "Year of Proof" program.
Mr. Gladwell is the author of four books, including The Tipping Point: How Little Things Make a Big Difference (2000) and Outliers: The Story of Success (2008). All four books were New York Times Bestsellers.
Gladwell's books and articles often deal with the unexpected implications of research in the social sciences and make frequent and extended use of academic work, particularly in the areas of sociology, psychology, and social psychology.


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Category Archives: Animals
Woodrow goes for a swim
Woody is usually white & very fluffy, especially after his bath, however today when Wilson went flying into the river after a stick, Woodrow followed! Then he wanted me to pick him up! Luckily it was not very cold today … Continue reading
A chilly Mothers Day
Spring has been springing, and I have been out in the garden recently for a few days without a coat, but not today! Temperatures down in the single figures again, a biting wind & drizzle on top. We felt very … Continue reading
Introducing Woodrow
I Haven't had a chance to post on here for ages, I've been doing a photography class & we have lots of homework, my youngest daughter is going to University in October & we've been visiting lots of different ones… … Continue reading
Another Blue Monday: A Blue Chicken
Here is another of my collection of blue photos for Sally's Blue Monday challenge This one I found on the Fourth Plinth in Trafalgar Square, originally intended for a statue of William the 4th on a horse, but remained bare … Continue reading
Cee's Fun Foto Challenge: Bare Feet
Dear Cee How on earth did you know I had just taken this photo? I haven't been able to blog for quite a while, I've hardly been able to keep up with the Weekly Photo Challenges, but this week I … Continue reading
Another type of 'Dreamy'
Any excuse to include a picture of Wilson! This Week's Photo Challenge; Dreamy
25 Days for Daloni – September 6th
I am collecting some jokes for my friends sister Daloni. The reason why is on my post for September the 1st Here's some I found for today….I thought I might be able to generate a few more on here? Please … Continue reading


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Google+ Collections, the company's effort at establishing its Google+ social network as more of a Pinterest competitor (since taking on Facebook didn't go so well), has launched today in the iOS version of the Google+ app. The idea with this newer feature is to allow users to congregate around their shared interests, like video games or cooking, for example. With Collections, any… Read More
from TechCrunch » Social http://techcrunch.com/2015/08/31/google-brings-its-interest-based-collections-feature-to-ios/?ncid=rss
via Superb Summers


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One-night stands are supposed to be with someone convenient, or wickedly persuasive, or regrettable. They aren't supposed to be with someone like him.
But after a crazy Vegas weekend celebrating her college graduation—and terrified of the future path she knows is a cop-out—Mia Holland makes the wildest decision of her life: follow Ansel Guillaume—her sweet, filthy fling—to France for the summer and just…play.
When feelings begin to develop behind the provocative roles they take on, and their temporary masquerade adventures begin to feel real, Mia will have to decide if she belongs in the life she left because it was all wrong, or in the strange new one that seems worlds away.
From Goodreads:
From the New York Times best-selling author of Beautiful Bastard, Beautiful Stranger, and Beautiful Player, Book Two of the brand-new Wild Seasons series that started with Sweet Filthy Boy - a story of friends, love, and lust.
Despite their rowdy hookups, Harlow and Finn don't even like each other... which would explain why their marriage lasted only 12 hours. He needs to be in charge and takes whatever he wants. She lives by the Want-something-done? Do-it-yourself mantra. Maybe she's too similar to the rugged fisherman - or just what he needs.
My Review:
Gah, these books! They're so enjoyable, and it was great to have this new series, connected to Beautiful Bastard, though we haven't gotten that connection yet, that we'll get it in Beautiful Stranger. I can't wait to see those connections!
The idea of three friends meeting a group of the opposite sex of the same number in Vegas, and all of them pairing up and marrying, well, interesting concept! Loved to read it, it was so hilarious and awesome! These characters made these books, though!
To stay married to a guy you just met, and then move to Paris for the summer, well, those are kinda impulsive choices. But they worked out in the end for these two, after they worked out some of the kinks!
Loved Harlow and Finn, they both had their demons, and they didn't always get along, but there was always a spark between them. And people aren't all happy with each other all the time, and the spark is the main thing!
Loved these books, they were so great to read, and I can't wait to read more!
Author: Christina Lauren
Series: Wild Season #1, 2
Read: March 22nd, 22nd, 2016
Source: Tuebl, Bought
Reason Why: Loved their Beautiful series, and this one's connected, plus they're Prequel & Sequel Challenge 2016 Books and WoW Books, and Dirty Rowdy Thing is a RR Book!
Publisher: Gallery Books
Published: May 13th 2014, November 4th 2014
Sweet Filthy Boy:
|5/5 Hearts
|5/5 Books
|5/5 Stars
Dirty Rowdy Thing:
|5/5 Hearts
|5/5 Books
|5/5 Stars


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Well, this is not the first high profile case which made a mockery of the judicial system. Not long ago, we had this case of Jessica Lal's murder, where a politician's son, showed us how to play with the judiciary. An epic case of witnesses turning hostile! But atleast after a long fight, Jessica's family got justice...though not without the support of the masses and the media. The general resentment for the political class among the common people was an important factor in the courts re-opening the case and overruling the verdict. But, in Mr. Khan's hit and run case, I don't see anything like this happening. He enjoys the support of the huge (blind) fan base. Media won't pursue the case either, considering the money that is riding on him, and the influence he has. So basically, to the man who died that fateful night...Sorry bro...you messed up with the wrong man!
If you look at the hit and run case and the way it unfolded over the last 13 years or so, the topic of debate today should have been: Why the hell is it taking so long to give out the verdict! There were witnesses, and one was an on duty cop, who testified against him. It was his car, it was he who was behind the wheels, the cop who was accompanying him testified that Mr. Khan was under the influence of alcohol. But still, somehow, the evidence isn't strong they say! I mean...what else do you want? Do you want the man who died that day to come down to the courts to testify? The court had already dismissed the claim by Salman's driver, who tried to take the blame for the accident. He obviously was a stooge and dummy witness who lied under oath. So, here's a funny scenario: Salman wasn't driving, his driver was not even in the car when the accident took place, the cop and Kamal Khan (surprisingly no one cared to question Kamal Khan about the accident) were definitely not driving. Perhaps Chulbul Pandey had a self driving car way before Google even came up with the idea! We all know the shocking story of Ravindra Patil, the cop who was accompanying Salman on that fateful night. He was probably the only witness who didn't turn hostile. So, what does he get in return? He is pressurized to retract his statement, then he is arrested, fired from the police department, his family disowns him, ends up on roads with tuberculosis and dies. Well done! Great example set for those who even think of testifying against the big shots. In 2002, the court directed Mr. Khan to pay a compensation of 19 Lakh. If he wasn't responsible for the act, why was he made to pay at that time? A few months back, the court convicted and sentenced him for 5 years. But that didn't last long, when he got out on bail within a few hours of the sentencing. Well, for a common man, this bail approval would have taken god knows how long considering the way our judicial system works. But no...this is not a common man...this is Salman Khan! I was appalled to see the way people reacted to the imprisonment verdict! The twitter was filled with all kinds of crappy posts of fans and Bollywood supporting Mr. Khan. Some stupid singer went on to the extent of comparing the homeless people to dogs! Wow!! I understand that you want to be in the good books of Salman, but dude...are you even listening to what you are saying?
I know that many of the 'die hard' fans of Mr. Khan will not agree with what I say, they may ridicule this post. But it's okay. Deep down even they know what the truth is. What amuses me is that how could someone be so blind and show such an apathy towards the victim. There were tears for Salman, but no thought was spared for the victim! He has a heart of gold they say...and yet they forget that he is the same man who was accused of assaulting and harassing his past girlfriends...he is the same 'Bhai' who is being tried in the poaching endangered deer case in Rajasthan. And don't give me the bullshit about the 'Being Human' crap! It's like saying: It is okay if you kill someone as long as you follow up with some in front of the media social work. Wake up people! How can you be so blind! You need to distinguish the on screen Salman Khan from the off screen one. You need to separate the art from the artiste.
It is a sad day for Indian judiciary. It failed...it failed miserably. If you are a common man, please understand that no one gives a shit about your life. So, next time you see a fancy car driving towards you, be advised: please get out of the way....and no, even the footpaths aren't safe!
P.S.: A very heart touching post by a Hit and Run survivor, Charudatt Acharya.


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When the Maple Leafs calculated which Eastern teams who'd missed the playoffs posed the biggest threat this year, the Tampa Bay Lightning had to top the list.
Indeed, with its offence back in gear, six snipers now in double figures and a goal differential of plus-51 to make Leafs coach Mike Babcock green with envy, Tampa is a legit Stanley Cup threat again after an unforeseen hiatus last spring.
Toronto meets the Eastern Conference leaders for the first time on Tuesday, two days after being out-hustled, out-muscled and out-scored by the Western front-runners in Las Vegas. It was a game where their shaky defence was — to use Babcock's word — "exposed."
"We talked about that before (Sunday), these two teams have set the standard," defenceman Morgan Rielly said. "They're playing great hockey, two-way hockey. (Vegas) is a perfect example of a deep team with speed, size and skill and Tampa is very similar."
"(The Lightning) have a lot of firepower, it will be a good test," added the Leafs' top scorer, Auston Matthews.
Had this game been staged a couple off weeks ago, it might have favoured the Leafs, being at home, remarkably lucky with injuries and able to win most games without the concussed Matthews. But those numbers gradually turned, then they lost defenceman Nikita Zaitsev (suspected broken foot), centre Nazem Kadri (possible concussion) and spent the latter part of December on a road grind.
The 6-3 loss in Vegas was their seventh in the 10 games they played away from the Air Canada Centre in the month of December. And don't look now, but the Boston Bruins' recent run has helped them draw even with Toronto at 48 points.
Normally reluctant to fall back on mentioning the schedule, Babcock couldn't help going there the past few days.
"We've gone through a tough stretch, 14-4 in road games to home games, and came through that pretty good actually, so we just have to have to get re-grouped and get playing," the bench boss said.
The balance tips back to Bay Street starting Tuesday, with a cycle of a day off and a home game repeating through Jan, 10. Then comes a welcome five-day break.
Kadri should be back in the lineup at some point during the homestand and Babcock projects Zaitsev will be ready to return after the lengthy break.
Babcock will spend New Year's Day scrutinizing his club's breakdowns and getting a refresher on the road-tripping Bolts, who on Sunday blasted the Columbus Blue Jackets, 5-0.
"As good as (Vegas) is, Tampa is probably a touch above," Babcock said. "We're going to have to be ready."
"That's a team that's won the (28) games they have because they smelled the blood in the water," Blue Jackets coach John Tortorella said of Tampa Bay. "They certainly took it to us."
Goalie Frederik Andersen was one of the few Leafs to be on his game Sunday in Vegas, as all three defensive pairs had issues on the Golden Knights' first three goals. Now, Andersen and the mates must get ready for swooping attacks by Nikita Kucherov, Steven Stamkos, Brayden Point, Tyler Johnson, Vladislav Namestnikov and rookies Yanni Gourde and Mikhail Sergachev.
Andersen faced 30 shots on Sunday and gave up two of the three goals young Knights sniper William Karlsson used to turn the first hat-trick in Vegas history.
"These are two of the top teams and a good way of measuring ourselves," Andersen said. "It's going to be a quick turnaround to play Tampa on Tuesday."
Rielly was looking forward to a less hectic January, which includes only four road games and no more back-to-back sets until just before the all-star break at the end of the month.
"When you're travelling as much as we have (games in all four time zones), it can take a toll," the blue-liner said. "There are a lot of areas we can improve on. We go over those in our meetings. Now it's kind of crunch time (Tuesday marks the schedule's halfway point) and we have to start being better in a number of areas."
Welcome to 2018.


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"What sorrow awaits you who make your neighbors drunk! You force your cup on them so you can gloat over their shameful nakedness." Habakkuk 2:15 NLT
"What sorrow for those who get up early in the morning looking for a drink of alcohol and spend long evenings drinking wine to make themselves flaming drunk." Isaiah 5:11 NLT
"What sorrow for those who are heroes at drinking wine and boast about all the alcohol they can hold." Isaiah 5:22 NLT
"Come," they say, "let's get some wine and have a party. Let's all get drunk. Then tomorrow we'll do it again and have an even bigger party!" Isaiah 56:12 NLT
I meant that you are not to associate with anyone who claims to be a believer yet indulges in sexual sin or is a drunkard. Don't even eat with such people! (See 1. Corinthians 5:11)
Let me tell you again, as I have before, that anyone who is living the lifestyle of a sexually immoral person or who is a drunkard, or who engages in orgies, abuses drugs, or any other sins like these will not inherit the Kingdom of God! (See Galatians 5:19-21)
So, don't participate in the darkness of wild parties and drunkenness, or in sexual promiscuity and immoral living! (See Romans 13:13)
"Be careful how you live. Don't live like fools, but like those who are wise. Make the most of every opportunity in these evil days. Don't act thoughtlessly, but understand what the Lord wants you to do. Don't be drunk with wine, because that will ruin your life. Instead, be filled with the Holy Spirit!" Ephesians 5:15-18 NLT


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Selachohemecus benzi n. sp. (Digenea: Sanguinicolidae) From the Blacktip Shark Carcharhinus limbatus (Carcharhinidae) In the Northern Gulf of Mexico
Document Type
Publication Date
Coastal Sciences, Gulf Coast Research Laboratory
Selachohemecus benzi Bullard & Overstreet n. sp. infects the heart and kidney of the blacktip shark Carcharhinus limbatus in the northern Gulf of Mexico off Florida and Mississippi, USA. Specimens of S. olsoni Short, 1954, the only congener and only other named blood fluke reported from a chondrichthyan in the Gulf of Mexico, were collected from the heart of the Atlantic sharpnose shark Rhizoprionodon terraenovae from two new localities, Apalachicola Bay, Florida, and Mississippi Sound, Mississippi, USA. The new species differs from S. olsoni by having a larger body (1.4-3.8 mm long), robust tegumental body spines numbering 51-63 along each lateral body margin, a testis extending from the posterior caeca to the ovary, and a medial ovary with lobes. We amend the diagnosis of Selachohemecus Short, 1954 to accommodate it and provide a diagnostic key for all named chondrichthyan blood flukes.
Publication Title
Systematic Parasitology
First Page
Last Page
Recommended Citation
Bullard, S. A.,
Overstreet, R. M.,
Carlson, J. K.
(2006). Selachohemecus benzi n. sp. (Digenea: Sanguinicolidae) From the Blacktip Shark Carcharhinus limbatus (Carcharhinidae) In the Northern Gulf of Mexico. Systematic Parasitology, 63(2), 143-154.
Available at: https://aquila.usm.edu/fac_pubs/2552


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[AS3] FFilmation
The FFilmation Engine is an AS3 isometric programing engine, focused mainly on game development. The aim of the project is providing a robust development platform, where game designers can work on the game's details and forget about the render engine. It is intended to be really usable from a "real production scenario" point of view. This means:
¬ Have a programming interface as small and easy as possible, no matter how complex the internal code is. From a software engineering point of view, the OO structure may not be as correct and clean as it could have been. It is not messy, but several decisions where made that improved performance and simplicity at the cost of breaking some "good OO programming" conventions,
¬ Rendering performance is a major concern when designing all the algorythms. Some of them have been rewritten 4 o 5 times from scratch until one fastest enought was found. If it doesn't perform well, it is not usable,
¬ Graphic designers should be able to work on the application's ( game or not ) environments without any programming skills, visually, and with almost immediate previews of what they are doing. Using the engine should be fun to some degree. If you have this terrific engine and adding a wall to your dungeon means you have to write 10 lines of OO gibberish, lazyness will eventually win you over. If art directors can draw and place the walls and lights an floors and enemies and see them appearing onscreen, you have more chances of reaching your deadline.
List of features :
¬ One engine capable of handling several isometric scenes of different complexities,
¬ Create scenes from human-readable XML definitions, allowing easy edition of the scene's topology and contents,
¬ Graphic media can be split into several external resources and loaded when an scene needs them,
¬ Flat textures. Paint your grahics directly into flash. Walls, floors and celings are edited as 2D graphics and projected by the engine. Elements and animated characters can be animated via flash timeline, no need for complex programming,
¬ Dynamic lighting, global lighting, real-time shadow projection. Multiple lights from multiple sources affecting the same objects,
¬ Bump-mapped surfaces,
¬ An extendable material interface. MovieClip materials, autotiled materials, procedural materials,
¬ Automatic zSorting of all surfaces and objects,
¬ Built-in collision detection. No need to program complex coordinate comparisions, simple listen to COLLISION events generated by the engine,
¬ Basic AI API helpers such as "is character A visible from character B's position ?".
¬ FFilmation documentation
¬ Google Code
¬ MIT License
¬ http://ffilmation.googlecode.com/svn/
FFilmation Editor


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The white, round coaster Linéa (9 cm, Set of 4 pcs.), made from pure, untreated New Zealand virgin wool, not only protects your table from unsightly glass rings, but also gives it an elegant and luxurious charm through its clean and honest design. Myfelt coasters are dirt and water repellent.
Delivery time: 4–7 working days
Size: Ø 9 cm
Height: 1.5 cm
Weight: No
Material: New Zealand virgin wool
Purely natural product
5-Year Warranty
Certified by GoodWeave


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$1,575—$1,795 1—2 bed 1000 Chinquapin Avenue, Carlsbad CA, 92008
from $1,575 1—2 bed
1000 Chinquapin Avenue, Carlsbad, 92008
Commute to Downtown Carlsbad
The rent at Elan Beachpointe Apartments ranges from $1,575 for a one bedroom to a $1,795 one bedroom. Apartments in this building are about 2% less expensive than the Carlsbad average.
This apartment is in Carlsbad. Nearby parks include Chase Field, Chase Field and Brierly Field.
Elan Beachpointe Apartments has a Walk Score of 54 out of 100. This location is Somewhat Walkable so some errands can be accomplished on foot.
Elan Beachpointe Apartment Homes for rent in Carlsbad, CA is a beautiful coastal community that offers the charm of a European village coupled with easy access to miles of beaches and parks perfect for walking, jogging, cycling, and just enjoying the beautiful picturesque beaches. Our residents enjoy world class resorts and spas, sandy beaches, and picture perfect Pacific sunsets.The community offers unique floor plans in junior one bedroom, one bedroom loft, and two bedroom apartment home with fully equipped kitchens, designer ceiling fans, floor to ceiling mirrored closet doors, vaulted ceilings, sky lights, assigned garage or carport parking, personal patio or balcony, sparkling pool with BBQ and open area for entertaining, on-site laundry facility, and friendly on-site staff with full-time emergency Maintenance to meet all your maintenance needs. Elan Beachpointe welcomes cats and dogs; please see our pet policy as some restrictions may apply.Come and experience the unique qualities that provide you with a relaxed seaside village and a lively modern coastal city. Perfectly situated between the glamour of Los Angeles and the laid-back lifestyle of San Diego, your possibilities for fun, flair, and thrills are endless. Enjoy major retail shopping and dining at the Carlsbad Premium Outlets, take a ride to Carlsbad State Beach, or visit one of the many lagoons, Batiquitos, Agua Hedionda, or Buena Vista. The good life awaits you at Elan Beachpointe where coastal living is an everyday vacation!
Carlsbad, California, 92008
Some errands can be accomplished on foot.
A few nearby public transportation options.
Some bike infrastructure.
Explore how far you can travel by car, bus, bike and foot from Elan Beachpointe Apartments.
Elan Beachpointe Apartments has some transit which means a few nearby public transportation options. Car sharing is available from RelayRides.
Bus lines:
0.1 mi
0.7 mi
View all Carlsbad apartments on a map.
Popular apartment searches include pool, fireplace and fitness.
Search for homes in Carlsbad or find a Carlsbad real estate agent who knows walkable neighborhoods. Links will open on our partner site Redfin.com.
Elan Beachpointe Apartments is in the city of Carlsbad, CA. Carlsbad has an average Walk Score of 30 and has 105,328 residents.


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The 6 God is feeling under the weather. Drake was sick enough that he had to postpone dates of his Aubrey & the Three Amigos tour and he took to social media to explain.
Two shows in Miami that were scheduled to go down this weekend got axed, and will go down in November nstead.
Drizzy took to Instagram to essentially tell his fans, My bad.
"I just wanted to say how sorry I am about these two Miami shows," read Drake's message on Instagram. "I got so ill so fast and I had never experienced anything like that in my life. Unlike other show cancellations or date adjustments due to production issues this one fell on me and I just want to apologize because I hate letting down anyone who come [sic] to share these moments with us."
No word on what exactly Drake was suffering from but he seems to be on the mend. Tickets for the postponed Sept. 21 and Sept. 22 shows will be honored on Nov. 13 and Nov. 14, respectively.
View this post on Instagram
Due to circumstances beyond our control, the 'Aubrey and The Three Migos' dates in Miami on September 21st & 22nd will be postponed until November 13th & 14th. Tickets for the September 21st show will be honored on the November 13th date and the tickets for the September 22nd show will be honored on the November 14th date.


text: Polyester satin is available with us in four colors: white, ivory, silver grey, and black; all are washable and suitable for dry cleaning and ironing. Satin has several variants and finishes: cut edge or woven edge and single face or double face. Because of its softness, poly-satin is perfect for all kinds of textiles, underwear, clothing, scarves and even for baby clothes. Each label is individually cut and can be processed directly.


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Bohemian Paris : Picasso, Modigliani, Matisse and the Birth of Modern Art.
New York: Grove/Atlantic, 2002. First Printing of the First US Edition. A Fine copy in a Fine dust jacket. Paris is a mythical city, a capital of the arts synonymous with some of the most legendary events in world culture. This reputation has never been so richly deserved as at the beginning of the twentieth century, when fauvism, cubism, dadaism, and surrealism were born in a heady atmosphere that gave way to the modern sensibility. In Bohemian Paris, Dan Franck leads us on a magical exploration of the city and its hotbeds of artistic creation. He introduces erudite and eros-obsessed poet Guillaume Apollinaire; the painter Amedeo Modigliani, generous to a fault even when starving; the opportunistic but brilliant Jean Cocteau; rival geniuses Henri Matisse and Pablo Picasso. We encounter American writers Ernest Hemingway, F. Scott Fitzgerald, and form-breaking modern writer and salonist nonpareil Gertrude Stein. Painters and writers, sculptors and poets, they lived like characters in a Balzac story, working, loving, and struggling against a backdrop of extravagant parties and dire poverty. With a novelist's verve and a historian's skill, Dan Franck paints this remarkable time, capturing the beauty and vitality distilled from these artists' lives, which became the cornerstones of great art. Item #26023
Price: $75.00


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SLAS Christmas party 2016
The Christmas party this year will be something completely different. We have so much talent on show that we are reluctant to let it all fade into memory. Instead we will present the programme as podcast which will be preserved for future presentation on our website and possibly beyond. The programme is shown in the attached brochure and, while this includes a contribution by the former Lord President, Lord Gill who is currently serving on the Supreme Court panel at Westminster, Lord Gill's contribution will not be included in the podcast and the only opportunity to hear this will be by joining the live, studio audience at the Royal Faculty in Glasgow.
We had asked Lord Gill to address the question of the separation of the powers within the constitution before that issue was raised in the context of Brexit before the Supreme Court and, as a result, we are particularly interested to hear the comments of Lord Gill.
Members and guests attending the event will be invited to contribute to the podcastable outcome by responding, for example, to applause etc., prompts and by generally assisting the production of the programme. We shall convene a short rehearsal before the programme begins.
Sheriff Alf Vannet has delighted us in the past with his lively insight into the legal process and we have asked him on this occasion to address the long standing question as to who has the harder task and the greater intellect, the judge or the advocate – not that that is a guarantee as to where Sheriff Vannet's remarks may take us on the night.
However, it is Christmas after all and we will include some classic Christmas and other music from the Finnish Glasgow Laulu Choir singing a cappella and from Kathleen Burgess who was trained at the now Royal Conservatoire of Glasgow.
The ticket price includes a finger buffet and refreshments and we hope that the Society's membership will support the excellent value of this bold endeavour in large numbers.
Those interested in attending the event should have their applications with the Secretary by 5pm on Monday 12th December 2016.
This event was duly delivered and is currently under construction as a prospective podcast.
There are currently no comments for this article.


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Approximately 200 Grade 4 learners at Muzomuhle Primary School in Diepsloot in Johannesburg were involved in a tunnel vegetable garden building project at their school on 6 September to celebrate Arbour Week. The vegetable tunnel will go a long way towards supplementing the feeding scheme run by the school and the Diepsloot SafeHub, which is situated on the school property and provides a safe environment and facilitated activities for more than 2 000 learners from Grades R to seven.
The veggie tunnel project is a Miss Earth South Africa initiative, in collaboration with Nedbank, which donated the vegetable garden, and is supported by Tsogo Sun, which is the official venue and accommodation partner to Miss Earth SA, as well as a partner in the Safe Hub together with AMANDLA EduFootball and the Oliver Kahn Foundation.
Miss Earth South Africa empowers 40 young women ambassadors each year through environmental education and community-driven programmes to reduce the destructive impact on our natural heritage. Says Ella Bella Leite, Director of Miss Earth SA, "This year Miss Earth's theme has been concentrated on the reduction of waste. Through the #WasteStopsWithMe campaign we've educated, helped to change behaviour, and created awareness about the crisis we are facing in waste management. We're in need of a complete change of behaviour, with everyone doing more to reduce waste in the form of household and corporate waste, food waste, and energy and water waste. We all need to play our part."
The learners, together with Miss Earth ambassadors, the Tsogo Sun Volunteers and project facilitators, set up the vegetable garden within the tunnel, filling up black bags with soil, planting seedlings, and placing them in the 7X3m tunnel. Vegetable tunnels protect vegetables from pests and harsh climatic conditions, while also saving up to 80% of water that would have otherwise been used in normal open-air gardening. The day's activities also included an educational session by the Miss Earth SA organisation with the grade 3, 4 and 5 learners at the school being educated on the role they can play in minimising pollution and waste.
Candy Tothill, Tsogo Sun's GM of Corporate Affairs, says the group is proud to be a part of this initiative. "This project is but one of the many we undertake in partnership with the Miss Earth SA Leadership Programme as part of our efforts to create awareness about the environmental issues facing our modern-day society. Instead of planting trees in Diepsloot this Arbour Week, we opted to install vegetable tunnels to help alleviate hunger and malnutrition in this vulnerable community, while also educating the learners on reducing waste and protecting the environment. Tsogo Sun has a strong environmental sustainability focus within our business strategy and we're committed to growing awareness about practical environmental interventions so that each individual can take responsibility for their roles in reducing negative impact. Through the effective Miss Earth SA leadership programme, which we wholeheartedly support through a long term partnership, our efforts are extended and multiplied so that we can reach more communities."
Tsogo Sun has been actively working with the Diepsloot community for the last four years, running programmes for young people that include life skills and job readiness training delivered through the group's arts, sports and chess programmes, as well as environmental projects that address energy, water and waste education. "Diepsloot is situated close to Montecasino and Tsogo Sun head office, and many of our employees are local residents. We are intent on playing an active role in communities such as this one, which is in close proximity to our operations and where the quality of the infrastructure impacts on the lives our people. Through our various citizenship programmes that address the needs of the community, entrepreneurs and the environment, we hope to continue to make a measurable difference in people's lives," says Tothill.
Mr JR Ramarumo, Principal of Muzomuhle Primary, says, "The new vegetable tunnel promises to deliver both tangible and intangible benefits, providing the youth of Diepsloot with living proof of how investing time, energy and resources today, while at the same time minimising your impact on the environment you are dependent on for sustenance, will bear fruit – or in this case vegetables – in the future."
Tsogo Sun's portfolio includes over 90 hotels and 14 casino and entertainment destinations throughout South Africa, Africa, the Seychelles and Abu Dhabi. For further information, visit tsogosun.com, follow on Twitter and Instagram @TsogoSun or like on Facebook /TsogoSun.


text: The name says it all for this basket. It is every bit of "grand" with a fantastic assortment of "deluxe" products. Product manufacturers include Robert Rothschild Farm, Northwoods Cheese Company, Trophy Nut Company, and JM Golden Gourmet Popcorn Company to name a few. Dips, cheese, sausage, chocolate, popcorn, nuts and cookies are included in the treats to "wow" the recipient. This basket is the perfect gift for an individual or enough to share!


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Volunteer with Us for Commercial Property Tax Reform!
We are looking for volunteers for our Make it Fair campaign. We are talking to voters about Commercial Property Tax Reform and protecting Laney College, Chinatown and Eastlake from increased threats of gentrification. This campaign is about holding corporations accountable! Learn more about our state and local efforts to amplify power and bring resources to our low-income, immigrant and communities of color.
Join us as we talk to Oakland voters on our Volunteer Door-Knocking Days: October 28thand November 4th. Email firstname.lastname@example.com for more information.


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Lightforce performance is now available in next generation LED format driving lights with tough pressure cast aluminium construction, two pack DuPont® automotive coating, rugged impact resistant hard coated polycarbonate lens for durability and a water proof rating to IP68 standard. This LED series driving light sets new performance benchmarks for durability and performance, available in spot or combination beam patterns. The LED180 utilizes 7 10w high output LEDs tuned within deep reflectors to produce unparalleled performance in its class. Multiple mounting options are available using the included reversible composite mount, fitted with two pin waterproof Deutsch connector with loom adapter included.
Here are some similar items you might be interested in
- With up to 94% efficient reflectors producing smooth well balanced beam patterns for increased distance, volume and intensity combined with high grade Cree US chipsets resulting in superior performance.
- Multiple finned high pressure cast aluminium housing finished in UV-resistant two-pack DuPont® automotive coating, ensures the light is going to stay looking great.
- Pulse width modulation circuitry ensures maximum efficiency by fully controlling voltage to the individual driver assemblies, resulting in lower power consumption and prolonged LED life.
- Multiple mounting positions with the supplied composite mounting bracket that is fully reversible, plus we have included two positions on the housing itself.
- Military waterproof membrane pressure equalization filter with mechanical lock that positively seals into the housing ensuring long term reliability as it does not require adhesive to hold in place.
- Proprietary sealing of the lens to the housing ensuring dust and waterproof integrity to IP68 standard, submersible to 3 meters.
- Hard coated scratch and impact resistant Polycarbonate lens for long term reliability.
- DEUTSCH connector with custom made dual injected molded strain relief fitted to military specification grade cable. Matching connector supplied as standard for integration into your existing harness.
- Clear clip on filter comes standard for additional protection.
- Available in spot and combination beam patterns (specialised combinations can be made to order by our Custom Built division).
- High pressure cast aluminium body with DuPont® two-pack automotive coating
- IP68 Rated to protect against moisture / contaminant ingress
- Hard coated, scratch and high impact resistant Polycarbonate lens
- Clear filter included
- Custom fabricated dual injected moulded strain relief connector, fitted to military specification grade cable
- Military specification waterproof membrane with mechanical seal
- Submersible to 3 meters (9ft 10)
- Over, under and reverse voltage protection
- Pulse width modulation thermal management circuitry
- Protected against electromagnetic (EMC) and radio frequency (RFI) interference
- Unique three point reversible mounting system included
- Top mounting point on housing for optional stay bar fitment
- Deutsch waterproof connectors
- RoHS certified
- 3 Year warranty
- Power: 70W (7 x10w Cree chipsets)
- Raw Lumens: 5180
- Input voltage range: 10-36V DC
- Current draw: 4.8A @ 13.2v
- Color temperature: 5000K
- LED Lifespan: 50,000+ hrs
- Input cable length: 450mm (17.72)
- Operating temperature -40°C to 63°C (-40°F to 145°F)
- Dimensions 181mm (W) x 196mm (H) x 97mm (D) 7.12(W) x 7.72 (H) x 3.82 (D)
- Weight including mount 2.1kg (4.6lb)
Installation Notes
Parts Included
1 x Lightforce 180mm LED Driving Light
1 x clear filter
1 x mount
Mounting hardware
Matching 2 pin Deutsch waterproof connector
Instruction Sheet
Warranty3 Year Warranty.


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If a student or employee of Gardner-Webb University or a visitor to the Gardner-Webb campus believes he or she has been discriminated against based on a disability or has a complaint or concern regarding accommodations/services, the student, employee or visitor has the option of bringing the concern to the staff of the Noel Center for Disability Resources. If the issue cannot be resolved at this level, the grievant may file a complaint following the grievance policy as outlined below.
Notice of Non-Discrimination
Gardner-Webb University prohibits discrimination on the basis of disability for faculty staff students and visitors. Gardner-Webb University has adopted an internal grievance procedure providing for prompt and equitable resolution of complaints by any member of the Gardner-Webb University community alleging any action prohibited by Section 504 of the Rehabilitation Act of 1973 (§29 U.S.C. 794) of the U.S. Department of Education regulations implementing the Act, and the Americans With Disabilities Act, 1990 Title II & III (§42 U.S.C. 126). Section 504 and the ADA, Sections Title II & Title III prohibit discrimination on the basis of disability in any program or activity receiving Federal financial assistance. The Law and Regulations may be examined in the office of Dr. Cary F. Poole, Associate Vice President for Title IX Compliance and ADA Coordinator, 303 Tucker Student Center, 704-406-2155, email@example.com, who has been designated to coordinate the efforts of Gardner-Webb University to comply with Section 504 and the Americans With Disabilities Act ( ADA).
Any participants, beneficiaries, applicants, or employees, including students, staff, faculty, and visitors who believe they have been subjected to discrimination on the basis of disability (or who are unsatisfied with accommodations provided by Dr. Cary F. Poole) may file a grievance under this procedure. Current law prohibits retaliation against anyone who files a grievance or cooperates in the investigation of a grievance. The ADA Coordinator should be notified immediately if anyone associated with the grievance procedure is subjected to retaliation as a result of that person's participation in the grievance process.
Gardner-Webb University has both informal and formal mechanisms in place to resolve concerns about disability discrimination, denial of access to services, accommodations required by law, or an auxiliary aid they believe they should have received ("disability-related issues"), such as:
- Disagreements regarding a requested service, accommodation, modification of a University practice or requirement, or denial of a request
- Inaccessibility of a program or activity
- Violation of privacy in the context of a disability
Informal Process
Gardner-Webb University encourages anyone with concerns about a disability-related issue to first discuss the matter with Dr. Cary F. Poole, Associate Vice President for Title IX Compliance and ADA Coordinator, 303 Tucker Student Center, who will attempt to facilitate a resolution. Individuals are not required to pursue the informal process first and may engage the formal grievance process as their first step if preferred.
The Noel Center can be reached at: email@example.com.
If Dr. Cary F. Poole, 303 Tucker Student Center, is not successful in achieving a satisfactory resolution, within ten working days, or as expeditiously as possible, from the date the disability-related issue is raised, or the complaint is against the Office itself, a formal grievance may be filed as described below.
The purpose of the informal process is to make a good faith effort to resolve the issue quickly and efficiently; however, the individual may ask to implement the formal process at any time during the informal resolution or instead of the formal resolution.
Formal Grievance
A formal grievance must be filed with the ADA Coordinator within 21 working days of the date of the Informal decision, if applicable, or within 30 calendar days of the occurrence of the disability-related issue. The grievance must be in writing and include the following:
- The grievant's name, address, email address and phone number
- A full description of the situation
- A description of the efforts which have been made to resolve the issue informally, if any
- A statement of the requested remedy, e.g. requested accommodation
If the grievance involves confidential medical information, the ADA Coordinator will maintain the confidentiality of that information and will not release that information without the individual's permission, except as allowed by law.
The ADA Coordinator will review the grievance for timeliness and appropriateness under this grievance procedure and notify the grievant if the grievance has been accepted.
The ADA Coordinator either commences an investigation or will select a trained investigator who will promptly initiate an investigation. The investigator will be an individual who is trained on disability or civil rights issues. In undertaking the investigation, the ADA Coordinator or investigator may interview, consult with and/or request a written response to the issues raised in the grievance from any individual the investigator believes to have relevant information, including but not limited to faculty, staff, students, and visitors to Gardner-Webb University. All parties will have an opportunity to provide the investigator with information or evidence that the party believes is relevant to his or her grievance. All parties involved will receive a fair and equitable process and be treated with care and respect. The investigator will respect the privacy of all parties.
The investigation will be completed within thirty calendar days of the filing of the written complaint. At the request of the grievant, the ADA Coordinator will determine whether the formal grievance process can and should be expedited.
Findings and Notification
Within 10 working days, or as expeditiously as possible, of the completion of the investigation, the investigator will make a recommendation regarding appropriate actions to be taken. The investigator will summarize the evidence that supports the recommendation, and the grievant will be advised in writing of the outcome of the investigation.
Within 10 calendar days, or as expeditiously as possible, of receiving the determination from the ADA Coordinator, the grievant or the party against whom the grievance is directed, if any, may appeal the determination. To appeal, the party must file a written request for review with the ADA Coordinator. The written request for appeal must be based on the grounds of improper procedure, or new evidence that was unavailable at the time of the investigation. The ADA Coordinator will refer this appeal to the Appeal Board if the individual appealing the decision establishes standing for the appeal consideration.
The ADA Coordinator will provide the person appealing with a copy of the appeal written decision within 10 calendar days of the filing of the appeal. The appeal decision will be the final determination of the Gardner-Webb University.
The individual also may file a complaint with the U.S. Department of Education, Office of Civil Rights, at any time before, during or after the University's ADA Coordinator grievance process.
Complaints may be directed to the following areas:Complaints related to faculty or academic personnel:
Ms. Carmen Butler
Associate Dean of Undergraduate Advising
Tucker Student Center
Ms. Pam Scruggs
Associate Athletics Director and Senior Women's Administrator
Lutz-Yelton Convocation Center
Ms. Frances Sizemore
Associate Director of Human Resources
Webb Hall
Ms. Sarah Currie
Vice President of Student Development and Dean of Students
Tucker Student Center
Ms. Annie Freeman
Assistant Vice President for Undergraduate Admissions
Dover Campus Center
Dr. Elizabeth Pack
Dean, The GOAL - Degree Completion Program
Graduate House
Dean, Gayle Bolt Price School of Graduate Studies
Graduate House
Associate Vice President for Title IX Compliance and ADA Coordinator
Tucker Student Center
This document was adapted from Grand Canyon University's Grievance Policy. ATIXA extends thanks for allowing the adaptation of their policy.


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I don't do photography myself, but I did take a class once. But if you want to know my opinion on what you posted then I think they're pretty good. The picture with the bubbles was really neat and I liked the angle you used with the ferris wheel.
Looks like you like to experiment with different view points and lighting, I think your doing a good job.


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Preschoolers are always interested in learning more about themselves. In an All About Me theme, kids can think about their interests and the things they can do. These activities can help your preschoolers learn more about their emotions and their body parts.
Activities for All About Me Theme
1. All About Me (Pre-K Pages)
2. Walk the Line Outdoor Movement Game (Pre-K Pages)
3. Body Reflexes Action Game (Pre-K Pages)
4. Dental Health Science Experiment (Pre-K Pages)
5. I Am Special in Preschool (Teach Preschool)
6. Learning About the Skeleton Inside You (Teach Preschool)
7. X is for X-ray (Teach Preschool)
8. Emotion Word Cards (Prekinders)
9. All About Me Writing Activity (Educators' Spin On It)
10. Erase Me Rhyming Activity (Growing Book by Book)
11. Self Portraits (Confidence Meets Parenting)
12. All About Me Math Race (Still Playing School)
13. Marvelous Me! Activities (Mom to 2 Posh Lil Divas)
14. Handprints in Preschool (Fun-a-Day)
15. Exploring Emotions Activity with Sensory Play (Little Bins for Little Hands)
Activities for All About Me Theme
16. Exploring Fingerprints (Buggy and Buddy)
17. Exploring Emotions Game (Sunny Day Family)
18. Making Interactive "All About Me" Books (Growing Book by Book)
19. Where Is the Heart? Body Parts Identification Game (Still Playing School)
20. "I Ain't Gonna Paint No More" Body Part Game (Still Playing School)
21. Identifying Emotions with Self Portraits (Still Playing School)
22. Shadow Art Outdoor Science (Rhythms of Play)
23. Books to Help Kids Understand Their Feelings (Rhythms of Play)
24. Movement Game (Mom Inspired Life)
25. About Me Science Activity Book (Stir the Wonder)
26. Foot Painting (Stir the Wonder)
27. About Me: What I Like to Wear (A Little Pinch of Perfect)
28. B Is for Body (A Little Pinch of Perfect)
29. My Body Ziplock Bag Book (I Can Teach My Child)
30. Photo Puzzles on the Light Table (Where Imagination Grows)
You may also want to explore names with these Names Activities.
Follow my Emotions Pinterest Board for more great ideas!


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Quote For The Day #1
Post: #1
Quote For The Day #1
One of my all time favourite quotes, author unknown unfortunatly.
We are born with two eyes in front because we must not always look behind, but see what lies ahead beyond ourselves.
We are born to have two ears-one left, one right so we can hear both sides, collect both the compliments and criticisms, to see which are right.
We are born with a brain concealed in a skull then no matter how poor we are, we are still rich, for no one can steal what our brain contains, packing in more jewels and rings than you can think.
We are born with two eyes, two ears, but one mouth for the mouth is a sharp weapon, it can hurt, flirt, and kill. Remember our motto: talk less, listen and see more.
We are born with only one heart, deep in our ribs, it reminds us to appreciate and give love from deep within.
~Author Unknown
they try and they try but everything that they do
is the ghost of a trace of a pale imitation of you


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Christmas Open House Now-Dec 3rd.
Beautiful Gifts, Decorations & Ornaments. Product Samples, Crafts $10 off $50 purchase, Prize drawing and Free Ornament with purchase all week; stop by to see gus.
Order custom Fruit & Gift Baskets for family & friends.
Soups today are Stuffed Pepper and Broccoli Cheese. Daily soup list at hucksmarket.com
Deli Specials for Dec 1st-7th
German bologna $2.99
Lacey Baby Swiss $3.99
Fall crafts 50% off
Hours: M-F 9-6:00, Sat 9-5 & Sun 11-5