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by Tong Zhang | 4th July 2020
The Online Filmmaking School MZed offers a MZed Weekend Sale for the MZed Pro and MZed Pro Premium membership and discount on many courses. The sale is for the 4th of July Weekend and is open now. Learning never stops, especially for film and video professionals. MZed is a very useful online filmmaking school where you can find many useful courses about film and video creative skills. What's on sale? During this weekend, you can get huge discount on MZed, this include: MZed Pro 12 month membership $199 (instead of $299) MZed Pro Premium Membership, which inclusive all features of Pro Membership plus one of the premium courses lifetime for $300 (instead of $399) Discounted price on many courses such as "The Art & Technique of Film Editing" from Tom Cross, "Master the Moment" from Ray Roman and "Filmmaking for Photographers" from Philip Bloom. MZed, MZed Pro and MZed Pro Premium MZed is a online filmmaking school where you can get yourself educated about filmmaking and photography from the top professionals. The platform offers courses not only practical skills such as cinematography, lighting, editing and audio skills, but also some theoretical education which helps you to bring your filmmaking knowledge to the next level. MZed Courses can be purchased as single course, which means you will have the access to the course anytime, anywhere, and for a lifetime long. MZed also offers a subscription, which called "MZed Pro Membership", it allows subscribers to access ALL courses in their MZed Pro Library. It also allows subscribers to access future new courses and content, and use their iOS App to learn courses on the go. The MZed Pro Premium membership offers all the features which included in the MZed Pro Membership plus ownership of one of the Premiums Courses for lifetime. The Premium Courses include "The Art & Technique of Film Editing" by Tom Cross, "Master the Moment" by Ray Roman and "Filmmaking for Photographers" by Philip Bloom. To know more about the MZed Online Filmmaking school, we made a interview with owner Scott Emerton a while ago, you can watch it here: MZed – Online Education for Filmmakers – A Talk with Owner Scott Emerton Conclusion: Through this Weekend from 3rd of July to 6th of July, you can get yourself the MZed Pro, MZed Pro Premium membership or many courses for a discounted price. It's definitely a very good opportunity for any film and video professional who wants to get the best knowledge from the top professionals on a discounted price. Have a look on their website! Are you an MZed Pro member or are you considering to join? Let us know your thoughts in the comment section.Read more
by Jeff Loch | 20th May 2020
Pond5, one of the biggest marketplaces for footage and music, just announced that it expanded its distribution rights and legal coverage for all royalty-free media they sell. In short, it means that now, when you purchase any media file on Pond5, you can use it across all media, forever, and with a worldwide distribution. While this is good news for buyers, what does it mean for content creators? Let's take a closer look. Image credit: Pond5 Pond5 and Distribution Rights Pond5 has just announced an update to its "Standard" license that extends the distribution rights and legal coverage for all the royalty-free media the platform sells. From now on, any individual or company that purchases an image, a video, a 3D model, a sound effect, a piece of music from Pond5 can use it across all media, forever, and with a worldwide distribution. To make it short, if you purchase anything on Pond5, you can do nearly whatever you want with it – except selling it as your creation, of course – without any additional rights to pay. For Pond5 and the users, this is a big deal, because you no longer have to deal with licensing terms and various extra fees. On top of that, Pond5 also includes $15,000 in legal coverage free-of-charge for a completely worry-free experience. Pond5 even describes this new "Standard" license model as "the smartest and most risk-averse purchasing decisions possible." But, what does it mean for content creators that are selling their footage or music on the platform? Image credit: Tingey Content Creators Distribution Rights While I understand what Pond5 is doing here regarding distribution rights and legal coverage, I'm not sure this is the way to go for filmmakers or musicians selling their creations on the platform. Let me try to explain what I mean in simple terms. Usually, even if it's harder to understand for the "final client," there are different levels of licenses for a specific reason. Indeed, let's say you're working on a commercial, and you decide to purchase a license for a song from an artist. To me, it seems logical that the licensing fee won't cost you the same if your commercial ends up only on YouTube or if it's broadcast all over the world and during the Superball. If a company or individual purchases a worldwide "exclusive" license for any royalty-free media, the creator gets more money out of its work, instead of a "standard" license that pays the content creator less. With this new Pond5 model, creators will probably earn less money, while their footage can be used on any type of project. What's your opinion about this new Pond5 distribution rights model? Do you already sell stock footage, pictures, or music on a marketplace? Let us know in the comments below!Read more
by Jakub Han | 21st April 2020
Anamorphia is an interesting video created by Josh Yeo who runs the MAKE.ART.NOW. Youtube channel. It is a review of VAZEN 40mm f/2 1.8x Anamorphic lens for Micro Four Thirds, but features such a high production value, that we decided to feature it on cinema5D. Read on to find more about the "[email protected]" project and the video's backstory in a short interview with Josh Yeo. Anamorphia – Behind the scenes. Source: Josh Yeo Anamorphia – More Than Just a Lens Review When we came across a Youtube video called Anamorphia, we were really amazed by its incredibly high production value. The video is basically a review of an anamorphic lens for Micro Four Thirds cameras – the VAZEN 40mm f/2 1.8x (for more information about the lens, check our VAZEN 40mm review article with sample footage). Anamorphia is, however, so much different from all the other lens reviews out there, that we decided to write about it. The video was made by Josh Yeo, who has been running a Youtube channel called MAKE. ART. NOW. for over two years now. Anamorphia features an interesting story, which even had to be modified to reflect current COVID-19 lockdown situation (more on this later). When watching the video, it definitely reminded me of many scenes from Marvel's Iron Man (and other movies), where protagonist Tony Stark was talking with J.A.R.V.I.S. all the time. [email protected] – Finding a Cure for COVID-19 What is definitely worth mentioning, is the important message at the end of the video. Josh started participating in the [email protected] initiative, which uses the available computing power of registered users for simulating protein dynamics, including the process of protein folding and the movements of proteins implicated in a variety of diseases. Screenshot form Anamorphia. Source: Josh Yeo Insights from this data are helping scientists to better understand biology and possibly help find vaccines or cures earlier. The project has gotten a lot of attention lately as the whole world races to find an effective vaccine for COVID-19. If you happen to have some unused computing power, you can join the project as well. Anamorphia – Interview with Josh Yeo I contacted Josh and asked him a few questions about Anamorphia. I think the resulting backstory is quite interesting. cinema5D: How much work did you put into this project in total (From pre-production to the final upload)? Josh: I started the project early in February 2020, with test shots with this lens and figuring out the story. This entailed riding through the financial district in Los Angeles on Sunday evenings when it is the most empty of car and foot traffic. I was mostly looking for interesting buildings that give the future tech vibe. I was also testing what the lens was particularly good at — this was the first time I had worked with an Anamorphic lens so I wanted to see what the big deal was about and make sure I got the information right. "Is anamorphic more than just lens flares and cinemascope"? The shooting and editing, the whole piece took a little over a month in total, including pre-production and post. Anamorphia – Behind the scenes. Source: Josh Yeo I took about a week or two off in between as the world started crumbling around me and I was stuck with no way to finish the story. I felt It was grossly irresponsible of me to give the audience the message it's okay to break quarantine and take advantage of filming during all this. cinema5D: You started this project before the COVID-19 pandemic outbreak and you had to re-write and re-edit it, as you said, to reflect the current situation. What was your original idea and how complicated was to implement the changes? Josh: The original story idea was a simple challenge to myself, could I shoot a vlog like a movie? Could I do a one-man show, and also shoot it myself? Could I lean back on my roots as an actor and tell a story? Could I give the audience the information they would in a vlog, but thread a 'grounded in plausibility' theme through a semi imaginary circumstance? Could I convince the audience of the relationship between the two characters? Would they sense friendship and loyalty? I started the piece as it was shot, working on the drone and a package delivered. I didn't exactly know how I was going to end it, I had a few ideas – one of them entailed having the police chase me and have OTIS pick me up with a getaway vehicle… I did know that I wanted the drone to deliver the goods in an over-the-top way. Anamorphia – Behind the scenes. Source: Josh Yeo My writing to shooting process is a bit backward, or maybe circular is a better word. I don't write stories in advance, I tend to write and edit at the same time, allowing a more organic approach to storytelling. Often I go back and rewrite, re-edit, and reshoot. So I never had an official ending mapped out, just a few vague ideas that I would try out when I got there in the timeline. One thing I knew for sure was I had to have a point of failure in the story so that OTIS and the drone could save me in this ridiculously overt way, and allow me to continue on my path. Then the quarantine struck at that point I had shot about 3/4 of the film and had moved to pickup shots. I personally felt like the rug had been ripped from under me as this new life emerged of fear, anxiety and obsessing over the news. It felt wrong to tell the original story because of the message people might take away from it. "Does MAKE ART NOW, say it's okay to go outside and film"? I was torn. Do I abandon what I spent 2 weeks on and scrap it for later in time when it's more appropriate? Or do I reshape the message, to embolden a sense of participation in others? Would it even be possible inside the same film? Could I weave a real call to action and make the piece not about me, but about hope. Anamorphia – Behind the scenes. Source: Josh Yeo It took me a week of sleepless nights before the idea struck that I could be as reckless and carefree with my story as I wanted, as long as I awoke to the grounded reality. There is the terrible cliche in Hollywood that when you write yourself into a wall, you can always rely on a "dream sequence". I'm glad I got to experience that now in the youth of my career and not later when the stakes might be higher. Jakub: What software did you use for the whole post-production process (edit, animations, grading)? Josh: The edit was handled on Premiere Pro 2020 and the color grading was handled in DaVinci Resolve 16. I edited and color graded everything, I even did a few animations in After effects, but not much— as that program is still a bit new for me. Jakub: What was the biggest challenge of this project for you? Josh: I think the biggest challenge in making this film, if I'm honest, was working up the courage to put on the actor hat again. I was a failed actor in Hollywood, I never got any traction, never any real shot at doing what I had trained to do. I loved the training and I performed well in class, but I failed at auditioning and never booked a sizable role that would keep me pursuing the lost cause. When I left the acting scene back in 2016, it felt like a breakup, I felt like an utter failure. Anamorphia – Behind the scenes. Source: Josh Yeo I had spent 8-9 years, and tens of thousands of dollars chasing something that never really wanted anything to do with me, so I closed the door on it like you would on a cheating ex-girlfriend. So for me to then say "let's give it another shot" and put my head squarely on a chopping block, was a level of courage I had not worked up to yet. After all, If this experiment failed, there'd be only one person to blame. Jakub: Is there anything else you would like to say? Josh: I think this piece is an example of what working in layers can do. If you go back 2 years to my first Youtube episode, there are clearly some things that I did not get right, there are some cringe-worthy moments and overall sense of forced confidence. But if you watch a few more episodes you can see that layer by layer those things are getting ironed out. You watch a few more episodes you may see getting comfortable and experimenting with form, with different mediums of storytelling. You watch a few more episodes and you see I first introduce O.T.I.S. Let's be honest, it's a very cringe-worthy introduction, but it has some interest, it's new and fresh, but is in dire need of polish. I say all this because, as a one-man-show, you would think this MUST be some preternatural talent, but it's not. What I can do, you can do. It's just layers upon layers upon layers, no different than how a skilled carpenter would build a table, one step at a time. Don't believe me? Watch that first episode. In reference to the last sentence from Josh's last answer, I am putting a link to his first Youtube video from January 2018 right here. What do you think when comparing this to his latest project Anamorphia? What do you think about Anamorphia? How has the filmmaking art progressed on Youtube over the last few years? What are your favorite filmmaking Youtube channels? Let us know in the comment section below the article.Read more
by Jakub Han | 5th April 2020
MZed launched a special offer – for every purchased Pro membership (worth $299), you will get a free bonus Pro membership to gift out. The offer is valid for the whole of April and also for the past purchases made after March 15, 2020. MZed Pro Membership – Get One, Give One. Source: MZed MZed has been a useful source of online education for many filmmakers and photographers for quite some time now. There are plenty of courses available on MZed and, in reaction to a current difficult situation, some of the educators (like ARRI) are even offering discounts or free courses. MZed itself now launched a special offer for all education-hungry filmmakers out there. What is it about? Get One MZed Pro Membership, Give One Free The special offer from MZed is very simple – for an MZed Pro membership purchase, you will get another Pro Membership for free. The price of an MZed Pro membership for one year is currently $299. What are the advantages of the MZed Pro membership, you ask? The following video explains it quite well. When you buy an MZed Pro membership during April 2020, you will get an email with a unique discount code for one free MZed Pro membership. The email will have instructions for how to register the gift membership via their website. You can select anyone you want to receive the gift membership, as long as you have their email address. Then the recipient will receive an email with their login instructions and they'll be ready to get started with MZed Pro. An important thing to mention, is that MZed extended this deal for anyone who has joined the MZed Pro during the past two weeks. So if you purchased an MZed Pro membership between March 15-31, get in touch with MZed and they will supply you with a discount code for a gift membership. Furthermore, MZed is extending their commitment to donate 20% of all sales to the Los Angeles Regional Food Bank. Initially, they had the donation period going through the end of March, but they are now giving through all of April as well. MZed published the full terms of the Get One Membership, Give One Free special offer: Valid for new MZed Pro and MZed Pro Premium memberships purchased from April 1 – 30, 2020 (UTC). Upon purchasing a membership, you will receive a code to gift one MZed Pro membership (not MZed Pro Premium) free. Offer is not valid with any other promotion or discount, and not valid for customers paying via "EZ Pay" installments. Members who elect to cancel their membership using the 7-day money-back guarantee will also have their gift membership canceled. Gift memberships must be redeemed by May 14, 2020 (UTC), and cannot be used to extend an existing membership. Subject to all other terms of service. Are you an MZed Pro member or are you considering joining? Where do you get your online filmmaking education at? Let us know in the comment section below the article.Read more
by Andrew Collings | 18th March 2020
The staff writers of Cinema5D are a diverse bunch, scattered liberally around the world. While our collected experiences can never be representative of all working professionals, we can provide a window into the state of affairs in our communities during this Coronavirus outbreak. Photo by Ben Hershey on Unsplash Johnnie Behiri Life in Tokyo slowed down just a bit (Some companies from our industry asked their workers to work from home), but all in all, Japanese people are aware of natural disasters and handling the situation in an admiring way. No panic, no selfishness, but rather solidarity and respect! Shops, restaurants, public transportation, where ever you look you see people out and about. Nino Leitner The reason why I wore a mask on my shoot last week wasn't the Coronavirus – it was the fact that we were shooting in a metal foundry. In terms of managing cinema5D, we were hit by the cancellation of NAB in April as well as the total grounding of all flights out of Europe and into the United States. It's a financial hit mainly because of the costs of the flights for the entire team as well as our accommodation, most of which we can't get the money back on. Nevertheless, we immediately changed plans and moved into trying our "Virtual Show" to still be able to present a lot of valuable video content about new products around the dates when NAB was supposed to happen. (Stay tuned for more on this, we are currently working hard in the background to put this into reality.) Shooting-wise, I was working on two documentary projects which were about to be finished when the total curfew in Austria was announced this past Sunday. I was shooting on the day when we learned that our subsequent shooting day would be canceled because gatherings of more than 5 people are now prohibited in Austria to prevent the fast spread of the virus. It's weird how things are changing overnight, completely unprecedented, yet it feels like the people are taking the measures by heart and it mostly went without problems. I wrapped one of the documentaries by shooting the remaining 4 interviews via Skype conference, filming the host in a studio with the director sitting by, in a 3-person crew where everyone kept a distance. Very strange experience but I think if there are any documentary shoots to come in the near future, they will be shot in the same way. Every day it feels more and more like the world won't be the same after this global health crisis is over … both economically but also socially (luckily, people are discovering solidarity with others and there's a strong sense of "we're all in this together"). Jeff Loch I'm living in Lyon, France, which is the third most significant town in the country. We are now in quarantine. You can't go out without authorization or you get a ticket, $40 at the moment, soon $150. Streets are empty, quite a strange feeling, but life goes on, and I still can go to my office as I meet nobody. As of now, the quarantine is set for 15 days, but they can extend it. It's a tough time, but the least we can say is that French people are not the most disciplinary out there. I saw a lot of people outdoor, enjoying the sunny weather, thinking it might not hit them. But the country is going a bit crazy, people are rushing to buy tons of food even if we have plenty of stocks in the supermarkets and in the country for months, at least until this summer. I do hope the government will start limiting how much toilet paper people can buy. French people hate when the government told us to do something, even if it's in our interest to do so. I can still go to my office at the moment and work on some personal projects, but I don't know for how long? Time will tell us, we all try to stay really positive even if times are hard and we don't know how we are going to pay the bills, but it's the same for everybody. As Freelancer, we don't have any help from the government at the moment. Florian Gintenreiter Far-reaching quarantine measures have brought Austria to a standstill regarding film- and video production and most other businesses. Even a week or two before the lockdown, jobs have been cancelled left and right. I lost jobs worth thousands of Euros in a matter of days. The government seemingly tries very hard to support micro-, small- and medium businesses with tax- and social security payment reliefs. They also promised actual financial help to keep one-man-bands in business. It remains to be seen whether freelancers in the media business will be helped. I will now try to land some gigs offering »crisis communication« videos both filmed and animated to my clients and see if a little stream of income can be generated this way. Jakub Han I am located in Vienna, Austria. Our country currently has over 1.000 confirmed cases and the government closed all institutions and shops except supermarkets, pharmacies, posts, banks, and gas stations. Now, people are also asked to stay at home and only leave their homes for important reasons, like work which cannot be done from home, groceries shopping, and helping other people. I currently don't have any shoots planned. Those few that I had planned were cancelled or postponed. I hear from lots of colleagues from the industry, that they are basically in the same situation. Everyone hopes for some kind of financial help from the government in the near future. Andrew Collings I was married on March 8th in Tampa, Florida, where I live and work. I had tapered down my gigs leading up to the wedding under the assumption that work would resume as normal shortly afterwards. That has turned out to not be the case at all. While we have not been hit as hard as larger, international cities such as New York or San Francisco, the city is emptying out (as are the shelves of every major store). Filmmaking work, both remote and local, has dried up completely. Most work here is in events, weddings, corporate, or commercials – all of which are drying up quickly. There was some hope that the government would step up and provide temporary relief or assistance, but at this point that seems unlikely. I continue to look for gigs and odd jobs, but with little success so far. There isn't much to do but hold on and ride this out. Graham Sheldon Like most of us, all my projects were cancelled or postponed here in California. I've been struggling a bit to transition into more writing and streaming (definitely easier for me to talk to a room of people versus a webcam), but I'm making small steps there. We have a very tight knit filming community here and most seem to be keeping in touch with an eye towards a future where we'll have a lot of work to deliver all at once when agencies and networks get back to work. Hopefully things change for the better in a month because I don't know many freelancers in the film and tv worlds that are able to work from home for months on end. cinema5D continues to dedicate itself to helping filmmakers in this time of crisis, in whatever ways we can. You can read learn 7 ways to stay productive, or prepare for our virtual trade show! How are you weathering this storm? Let us know in the comments below!Read more
by Jeff Loch | 16th March 2020
If you're a student or educator and your school is currently closed due to COVID-19, Adobe is helping to facilitate distance learning. Indeed, until May 31st, higher education and K-12 institutional customers can request an "at-home" access for their students and educators, at no additional cost. Let's take a closer look at it! Image credit: Adobe Adobe Creative Cloud "At-Home" Access Schools and universities are closing all over the world due to COVID-19. Students and educators have to stay home. To help in this particular situation, Adobe has announced that it will extend the access to all its Adobe Creative Cloud desktop applications. Higher education and K-12 institutional customers can request an Adobe Creative Cloud "at-home" access for their students and educators, at no additional cost. This Adobe Creative Cloud "at-home" access applies worldwide and is valid until May 31st, 2020. Of course, if your school/university opens its doors sooner, you'll no longer have access to it. So how does it work? First, your institution must be an Adobe customer with an active Device, Shared Device License, or Serial Number plan. Second, the school's IT administrators have to complete a form which is available on Adobe's website here to request an Adobe Creative Cloud "at-home" access. Image credit: Adobe Adobe Connect Following the Adobe Creative Cloud "at-home" access, the company claims that: We also know that delivering engaging experiences through distance learning is a new paradigm for many teachers and faculty. Through our community, we've curated resources to help educators and school leaders discover inspiring projects, best practices, and new ideas so they can continue to drive valuable learning in virtual environments. Adobe also has a vital role to play in schools, businesses, and government agencies. Earlier this week we began to offer free 90-day access to Adobe Connect, our web conferencing solution, until July 1, 2020. This offer gives users the ability to join meetings, trainings, and virtual classrooms from the safety of their homes. To learn more, please check out the Adobe Connect blog here. Even if you are not an Adobe customer, you can still enjoy Adobe Connect with up to 25 participants. It is free for up to 90 days if you sign-up for a trial license between now and July 1st. Both of these initiatives show that Adobe is committed to helping people going in this COVID-19 pandemic time. Is your school closed due to COVID-19? What do you think about this Adobe Creative Cloud "at-home" access? Is your school using Adobe software? Let us know in the comments below!Read more
by Jeff Loch | 16th March 2020
The Coronavirus pandemic continues spreading all over the world, and like a lot of other industries, the filmmaking branch received a significant punch in the stomach. Indeed, most of us are getting jobs canceled/postponed, and we don't have a lot of things to do for – at least – the next couple of weeks. Instead of seeing the glass half empty, I'm trying to see it half full, and here are 7 things you can do as a filmmaker while all jobs are down to prepare the future better. Like most filmmakers, I'm in the same boat as you: all my upcoming shoots are getting canceled one after another. As a freelancer for close to ten years now, it's the first time I'm left with close to nothing to do. That's life, there is nothing we can do about it, except waiting for better days to come as soon as possible. Instead of lying on my couch and watching Netflix all day long, I decided to give you some ideas of things you can do to stay productive. Indeed, when we are working day-in-day-out on projects, there are a lot of things we don't take time to do. So while we have some empty days in front of us, let's make good use of these! Image credit: Jakob Owens 1. Clean and Organize Your Gear That's probably the number one thing we neglect as filmmakers. You are using your camera, lenses, lights, and so on every day, but we don't take as much care of it as we should. Take some time for "Spring cleaning" all your camera equipment, so when shoots come back, you'll be ready. Also, it's a beautiful occasion to start thinking about how to organize, store, transport, and pack your gear more efficiently. Image credit: Jakob Owens 2. Clean Install Your Computer and Archive Projects Something I'm thrilled to have time to do finally is cleaning my computer and doing a fresh install of my system. I have postponed this task on my main editing machine for two years. Indeed, there are good reasons for that: you're always working on a project, your computer has to get the job done, and you don't have three days to fully re-install all your software/plugins. It's a fantastic opportunity to format your main editing machine. Also, you can seize this opportunity to clean your hard drives, archive projects, and make some space, so when gigs come later on, your system will be fresh with plenty of gigabytes available. Image credit: Kevin Ku 3. Work on a New Reel It's early 2020, and most of us probably didn't update our showreel yet. Or, if you're like me, you've not put a new reel online for more than a year. The good news is, you now have a couple of hours to cut a fantastic reel for the year to come, seize that opportunity! Image credit: Blaz Photo 4. Keep Learning Things Filmmaking is a very demanding job. At the end of twelve hours working days, reading a book, or trying new techniques is usually not the number one thing you want to do. While as a Freelance, you should always keep learning new things and perfecting your craft, we often don't know how to stand back and lift one's head up from the track. If you always wanted to read a specific book, watch some video tutorials about new software, or even start to learn woodworking, this pandemic offers you plenty of time to do so. Image credit: Jakob Owens 5. Personal Projects and Branding And what about this own project you've been sitting on for months? It could be a beautiful thing to stop thinking and start working on something you have in mind for some time. Also, if you've been lazy posting content on your social networks, you can enjoy that free time to prepare some content that you'll post during the next few months. Don't stop being creative, and start doing things that have been waiting on the sideline for too long. Image credit: Lucas Favre 6. Workout and Family Time During "normal times," we all have excellent excuses for not doing any workout. I guess the number one loophole is "I don't have time to exercise." Well, now you have, so let's run, do some pushups at home, or any sport you like. Getting in shape before work comes back is a good idea. Also, a great thing to do is to spend time with your friends and family. By spending time, I don't necessarily mean physically – Coronavirus pandemic, remember – but you can call/write/Skype your loved ones or some friends you've not been talking to for a long time. Image credit: Drew Coffman 7. Chill Finally, take some time to chill and relax. I've seen too many Freelance filmmakers doing burnouts because of the crazy day-to-day job we do. For how long didn't you take any days off? The "grind all days until I make it" culture that you constantly see on social media is burning us from the inside. You don't have to feel guilty for taking breaks. And in the end, we don't have any other choice in this Coronavirus pandemic situation, so breathe, enjoy, and stay safe. And you, what are you doing to keep yourself productive during this Coronavirus pandemic? Are your shoots down? Do you have any other tips you want to share? Let us know in the comments below!Read more
by Rin Ehlers Sheldon | 7th February 2020
Charter is a masterfully made film from Swedish director/DP duo Amanda Kernell and Sophia Olsson. This film has the grip of a chase movie, the psychological tension of great suspense, the urgency of a fugitive film…and yet still manages the heart of a great family drama. This movie puts the audience inside a mother's spontaneous abduction of her children during a terrible custody battle. Read on to learn more about the film's cinematographer Sophia Olsson and how she achieved its bold look in some truly challenging circumstances. Name: Sophia Olsson Film: Charter (dir. Amanda Kernell) Category: World Cinema Dramatic Camera Body: Alexa Mini Optics: Cooke Anamorphic cinema5D: How did you find your love of cinema? SO: I've had the passion for film since I was a teenager, especially when I found the smaller art house cinemas in Stockholm, Sweden, where I grew up. These cinemas screened films from many different countries in the world, and that was a completely new experience for me—watching films I hadn't had the chance to see before. This was way before internet. No streaming and nor Imdb existed. Imagine! Later on, I studied film science for a year, and there I got to see films on the big screen almost every day. So many of those still remain as my inspiration. Ane Dahl Torp appears in Charter by Amanda Kernell. Image Courtesy of Sundance Institute | photo by Sophia Olsson. cinema5D: Any in particular that you'd like to mention? SO: Hard to say…there have been so many, and they are always changing, but one of the early films that has stayed (an inspiration) for example, is the film Happy Together by Wong Kar-Wai and DoP Christopher Doyle. It really got to me in so many ways. The beginning of that film is very smart and strongly told—the way you get to know the characters and story in a captivating and truthful way…just in the first 10 minutes! Another one is L'année Dernière à Marienbad from Alain Resnais and DoP Sacha Vierny. The absurdity of scenes and the playfulness of how it's being told is always inspiring to watch. Again and again. cinema5D: So then how did that love of global cinema translate into a career in cinematography? SO: I started with still photography and then moved over to film. When I started with film, I was doing everything, and then I got into Valand Film at Gothenburg University, formerly Högskolan för Fotografi och Film. I studied directing for three years. I never felt completely comfortable with directing, but I really tried to for those years. After I had finished my studies there, I shot a short film, and that was totally different. I got the feeling of being in the right place—that I just belonged, and I felt calm. It was so obvious. After that, I ́focused on cinematography. I then went to another film school, The National Film School of Denmark, and I had the same feeling there—finally, at the spot where I needed to be. (I spent) four great years there, and then I was out working. Ane Dahl Torp and Tintin Poggats Sarri appear in Charter by Amanda Kernell, Courtesy of Sundance Institute | photo by Sophia Olsson. cinema5D: You've collaborated with director Amanda Kernell before on Sami Blood— a film, I have to tell you, has stuck with me since Sundance 2016! Were you excited to work together again? SO: When Amanda wanted us to continue working together for Charter, I wanted to of course! Amanda is great in so many ways. Her scripts have a drive and no scene is left to chance. Her characters are complex and very different. At the same time, there is room for reflection and precise detail. Her directing and choice of actors are very well thought out. Yet, at the same time, she's very intuitive on set. cinema5D: What about Charter in particular attracted you to the project? SO: The number one reason was director/writer Amanda Kernell. I guess that's it. Then, we got the great production designer Sabine Hviid on the project as well, and the three of us had a strong and intense collaboration that I hope we will have many times more. We were insisting on finding the best locations, which took time, and finally we did. But we found or built locations that really served the story, and that enhanced the relationship within the family and all the emotions and phases they go through. Sophia Olsson on a location scout in Tenerife, Spain in the Canary Islands. cinema5D: You and Amanda seem to have the ideal Director/DP relationship. Do you have advice for others on how to reach that kind of collaboration? SO: I would say it goes both ways. Listen to each other's ideas. Be patient. Try to have the time to talk through the script and be open. Nothing has to be final right away. If you know early on that you will work together, I would say to invite the cinematographer before the script is finished to have her/his view on the story. That can be very helpful in the making of the film. cinema5D: Before the script even! Wow. What else did you and Amanda do in pre-pro to prep the look? SO: Amanda and I go through the scenes thoroughly to find the focus of each scene, what we want to achieve and how we think the transitions should be between the scenes. When we have the locations, we go there and walk it through to see if it ́s working. We write shotlists but very seldom storyboards. Floorplans though, are very (beneficial) for the crew and for ourselves to remember the scenery and shots we've planned out. We had a close collaboration as well with production designer Sabine Hviid about colors, style, fabrics, reflections and so on—especially when it comes to the difference between the cold wintery North of Sweden and the warmth in Tenerife. Ane Dahl Torp and Sverrir Gudnason appear in Charter by Amanda Kernell, Courtesy of Sundance Institute | photo by Sophia Olsson. cinema5D: What made you go with the Mini and the Anamorphics? Why that combo? SO: We really liked the texture of the Cooke Anamorphic for what we wanted to achieve. The family in the film is in a nightmare situation, and we therefore wanted the film to have a touch of something surreal, but just a touch. After tests, the Cooke Anamorphic were the ones that fit that expression the most. The softness and ability to have information in the blacks without becoming bland…they keep the dark side dark, but still not too contrasty or crushed blacks. The Cooke Anamorphic doesn't have that strong of an anamorphic effect, but at the same time, you can sense there is something strange. It still breaks up the colors and "straightness" of the feeling of reality, which we wanted to achieve. cinema5D: Is there any strategy during principle photography that you and Amanda employ that you find to be consistently successful? SO: Amanda has a lot of rehearsals with the actors before filming, and that is very helpful for us. We can see if our thoughts are working or not. Sometimes we have planned our shots before the rehearsals and sometimes the other way around. cinema5D: What about your interaction with the camera department and G&E? SO: I really like a collaboration where you can be open and honest. That helps the creativity grow further. The collaboration with my gaffer Per Olsson is great. He gets ideas from our talks about the feeling of the scene for how to solve the lights, not only technically, but creatively. I trust him fully. In general with my crew, (I make sure they know) we're in this together and (ensure) we ́re kind to one another. Ane Dahl Torp and Troy Lundkvist appear in Charter by Amanda Kernell, Courtesy of Sundance Institute | photo by Sophia Olsson. cinema5D: There are so many scenes in the water for this movie…Most people who have worked on an indie crew know what that means for the workload on those shoot days. Did you guys have some underwater housing? Did you shoot from a boat? How did all of that go down? SO: We did have underwater housing for the shots in the pool and when the mother and son are swimming in the sea as well. I was operating. On the last scene in the film, when the mother is swimming in the sea at night, there we had a scuba diver operating. The underwater housing we had was pretty big and heavy. It was fine to operate when I was underwater, but as soon as I was above (the surface), it was very ungainly and difficult to operate. But we made it work with some homemade solutions. The scene at the end at night, out on the sea—we used a boat, and it was very difficult. I would do it differently, if I had to do it again, because it got complicated, and we had to work very fast—which is difficult in water. It was very cold for Ane Dahl Torp, the lead actress. We had to stress the shoot because of the danger for her health. She is such a champion. Ane Dahl Torp and Troy Lundkvist appear in Charter by Amanda Kernell, Courtesy of Sundance Institute | photo by Sophia Olsson. cinema5D: There is such a strong color story in this film. Is involvement in post something you negotiate into your contract? SO: It is. I was at the grading with Amanda and colorist Dylan Richard Hopkin. We had 10 or 11 days, and Dylan did a fantastic job. This film is a deep exploration of complicated choices, which puts the viewer inside the protagonist's dilemma. If you happen to be in Switzerland, Charter will drop in cinemas on March 13, 2020. The rest of the world will have to wait for news of international distribution. Fingers crossed. Until that fine day, you can take in Sophia's work on Amanda Kernell's first feature Sami Blood on Amazon Prime.Read more
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text: 1030Terradue CAS version 1.4.02020-07-12T07:06:22Z0.028 secASA_IM__0PENVISAT ASAR Image Mode source packets Level 0 (ASA_IM__0P)The ASAR Image Mode source packets Level 0 data product offers Level 0 data for possible images processing on an other processing site. It includes some mandatory information for SAR processing. The Image Mode Level 0 product consists of time-ordered Annotated Instrument Source Packets (AISPs) collected while the instrument is in Image Mode. The echo samples contained in the AISPs are compressed to 4 bits/sample using Flexible Block Adaptive Quantisation (FBAQ). This is a high-rate, narrow swath mode so data is only acquired for partial orbit segments and may be from one of seven possible image swaths. The Level 0 product is produced systematically for all data acquired within this mode. This product provides a continuation of the ERS-SAR_RAW product.ENVISATASAR2002-10-18T08:07:37.387Z2012-04-07T18:20:55.040ZPOLYGON((-180 -90,-180 90,180 90,180 -90,-180 -90))Radar Imagery, Solid Earth (Tectonics/Seismic Activity), Water (Water Management), Natural Disasters (Oil Slick), Land (Topography/Mapping,Soil,Vegetation) Ocean and Coast (Ocean Currents and Topography,Ocean Waves,Coastal Geomorphology)Open AccessN1 (ENVISAT)Approx 25mx25m (after focusing)Level 02011-01-21T11:05:29.511Z2015-11-02T14:11:33.691ZASA_IM__0CNPDE20100514_174005_000000172089_00256_42895_0569.N1KSPT_L0/4303 PDHS-E185828759428952562010-05-14T17:40:05.817Z2010-05-14T17:40:22.097Z2010-05-14T17:59:27.000ZMULTIPOLYGON(((65.485205 29.541085,66.25531 29.664231,66.015852 30.803632,65.249429 30.68113,65.485205 29.541085)))89ASAR Image Mode source packets Level 0 (ASA_IM__0P) :: ASA_IM__0CNPDE20100514_174005_000000172089_00256_42895_0569.N1 :: Kandahar :: Afghanistan :: Western Asia :: Baluchistan :: Pakistan :: Indian Subcontinent :: 14 May 2010ASAR Image Mode source packets Level 0 (ASA_IM__0P) covering Kandahar, Afghanistan, Western Asia, Baluchistan, Pakistan, Indian Subcontinent in 14 May 2010 at Orbit Number 42895 (track 256) in the ascending mode2014-10-02T20:00:28.000Z2014-10-02T18:00:28.505Z2014-10-04T00:00:25.870Z585V/V IS6ASCENDINGKandahar; Afghanistan; Western Asia; Baluchistan; Pakistan; Indian Subcontinent

subset: commoncrawl


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The overall area of the rectangle if the rectangular cutout at the top were filled in is 12 * 26 in². The missing dimension is the bottom of the cutout, which is the horizontal overall dimension (26") minus the sum of the two top horizontal dimensions...
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Cooks, bakers, and culinary historians around the globe now have immediate online access to nearly 100 volumes in the UC San Diego Library's American Institute of Wine & Food (AIWF) Culinary Collection.
Countless readers have been delighted by Dr. Seuss's unmatched ability to craft catchy rhymes that are nearly impossible to forget. To help celebrate the life and work of this iconic American author, UC San Diego will host its annual birthday celebration for Dr. Seuss.
On February 7 and 8, UC San Diego will host the Cultured Data Symposium, bringing together experts from data science and the arts and humanities to examine the emerging relationship between data and culture.
Rarely seen art and illustrations by the late Theodor Seuss Geisel, better known as Dr. Seuss, will be on display at UC San Diego's Geisel Library on Friday, September 20 as the focal point of the 16th annual Dinner in the Library gala.
The UC San Diego Library is embarking on a new effort with the Texas Digital Library to co-create a blueprint for the first nationally Distributed Digital Preservation service for private and sensitive data.
New partnership joins university's data science hub with leading communications firm collaborating on establishing educational and research connections as well as increased opportunities for students
Four UC San Diego students are the recipients of the 2019 Undergraduate Library Research Prize. Now in its 13th year, the annual award recognizes the outstanding scholarly work of undergraduate students who demonstrate strategic use of Library services and resources.
The UC San Diego Library is one of 20 recipients of the Recordings at Risk award, designed to support the preservation of rare and unique audio content of high scholarly value through digital reformatting.
Developing how the heart forms and brain works. How to analyze sarcasm computationally. Harnessing computers to develop campaign rhetoric across the spectrum. Halıcıoğlu Data Science Institute announced innovative undergraduate research scholarship projects…
Highly-acclaimed historian and author Dirk Moses will make a presentation on "Inventing Genocide: The Contingent Origins and Meaning of a Concept" on Wednesday, April 10, at the University of California San Diego's Holocaust Living History Workshop.


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These forums have been archived and are now read-only.
The new forums are live and can be found at https://forums.eveonline.com/
DEVSWARM OP: CCP Should Give Goonswarm Trillions Of Isk Worth of Crap
Head of the Goonswarm Economic Warfare Cabal Pubbie Management and Exploitation Division.
There's a million angry citizens looking down their tubes..at me.
Leader of the Goonswarm Economic Warfare Cabal.
Creator of Burn Jita
Vile Rat: You're the greatest sociopath that has ever played eve.
CCP mostly sucks at their job, but Veritas is a pretty cool dude.
Official Representative of The Nullsec Zealot Cabal
CEO of Lanate Industries
Citizen of Solitude
This signature is under NDA. Sorry.
I am not Prencleeve Grothsmore.
Dodixie > Hek
Follow me on twitter


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Here's where you can enter in text. Feel free to edit, move, delete or add a different page element.
Mission Board:
Imam T. Bakare
Dep. Imam B. Sanusi
Executive Officers:
H. Olagoke /President
A. Sadauna/Vice President
S. Okeowo /Secretary General
T. Alaya/PRO
Masjid Rahmatillah
P.O. Box 40545
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text: Losing a Family Member – 5 Ways to Deal with it! 8th Oct 2018 Death is the absolute reality of life. At some point or the other, everyone loses someone they love. And it is indeed one of the most distressing phases of life. The very thought that you are never going to see […] Posted on October 8, 2018 by Anita Posted in Tips


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All Seeing Everything (Pink) Print


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Please Note: Shoes not included.


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As for me, I have had photographs of myself up there. I don't bother putting up pictures of my cat, or anything else which I feel is immaterial at this stage, as I am simply trying to have the first swipe straight and things like that may come as a dialogue. However, I understand why you may want to set up photos of things besides yourself, as it Crystal Minnesota local bar sluts show a little more about you. If that is what you want to do, just be sure you have a few clear photos of yourself first, go for it.
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Main Problem This Person Should be Able to Solve: Loneliness? to? I looked at Lola, all eyes and waggy tail. " I know, " I said, " However, you no speaka de English. " Three Most Important Obligations: Think of interesting how to pick up local sluts Crystal MN to do, make me laugh, don't ask for sex.
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George and Margaretwere childhood sweethearts who married shortly after graduating from high school. Throughout the courtship and marriage, George acting like a dumper needing from the connection, leaving home and continually went out with other girls. Finally, Margaret reached her" martyr's tolerance limitation" and filed for divorce. Instantly, vocabulary and George's behavior became people with a dumpee. Margaret and George had switched roles.
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Badboy: Her: Great if you can remain- - with this your naughty life? Being shocked and fearful by saying, " Do not get me scared, " is simply pretense to resemble a good girl who has not done it. Remember I told you women are more naughty than guys, but they feign until the man opens upward, then they will Crystal Minnesota local milf sluts up also.
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Needless to say, whatever interest I had in her was extinguished, to not be reignited. Had she revealed that stuff in a suitable manner, face and over the years, that could have been a different story.
Whenever she sleeps with Mr. Great in Bed, she will feel the difference. One day, she'll wake and start crying, then state to Mr. Great, " I want to tell you something, but I am scared to say it" Mr. Great will correct his seat and encourage her to open up and he'll forgive her if it's something awful. With tears, she will tell him she cheated but could not find joy. Some Mr. Great will forgive, however, some won't. If a video of hookers who has already explored the sexual world matches Mr. Great, her exploration stops.
This time however, the thought of commitment didn't make me want to vomit. Was one of nervous excitement in place of the normal fight or flight reflex. It made me pleased to hear him say those words and I reacted accordingly.
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For a while now, every time I've spoken to anyone about good restaurants/pubs in The Cotswolds (and there are many) The Wheatsheaf in Northleach has cropped up. People are really rating this country pub in a small Cotswold town tucked away off the busy A40 from Oxford to Cheltenham.
So after a busy week at work and with little energy to cook but in need of good food to start the weekend, we thought it would be the perfect opportunity to find out for ourselves what all the fuss is about.
We arrived at The Wheatsheaf, pinching the last parking space (but no worries if you're not as lucky, you can find parking in Northleach square or lining the pretty streets) and were welcomed by a large party enjoying a drink in the sun trapped garden wearing the weirdest collection of colourful wigs. They were clearly having a good time so not a bad first impression.
The beautiful Cotswold stone building from the front is covered in lush green ivy which you can see peering in from the comfy windows seats inside. The interior isn't like your traditional country boozer, The Wheatsheaf is warm and stylish, with a mix of carefully picked antiques, classic touches and modern twists.
We arrived at 7.45pm for a pre-dinner drink before our table at 8.30pm, I think we were lucky to get a last minute table on what looks like a busy Friday shift. A much needed glass of Prosecco for me and a pint for Harry. The bar is well stocked with both local and trusted tipples and less known international beers on tap. My chilled glass of Prosecco was served in a beautiful vintage inspired champagne glass and we were handed the A La Carte Menus to browse. The menu was a mouth watering selection, easy to read under clear headings of Aperitifs, On Toast, Seafood, Starters, Mains and Grill. As delicious as my glass of Prosecco was I wish I had gone for the suggested Grapefruit Margarita, top of the delicious looking menu. After some discussion and trying to convince each other we could share we decided on our separate orders. Cheese soufflé and Ham Hock to start and Chicken and Sirloin for mains.
The food really was as good as people had been raving about. The cheese soufflé was light but covered in an indulgent cheese sauce with hints of green spinach running through. We probably could have shared the starter as be both begged each other to finish it off (it was my choice after all, so I won). Then mains, my chicken came on a bed of Panzanella Salad which was crunchy with croutons and veg but with a delicious zinging dressing. Harry was beaming after his steak, the best he's had in a long time, cooked perfectly and not a scrap left.
We were a little full for dessert but couldn't resist asking what a Marathon dessert was - of course, Snickers!! A hot chocolate fondant with peanuts hidden inside and a scoop of vanilla ice cream melting on top. We couldn't say no and I'm so glad we didn't, it was amazing!
We were a little full for dessert but couldn't resist asking what a Marathon dessert was - of course, Snickers!! A hot chocolate fondant with peanuts hidden inside and a scoop of vanilla ice cream melting on top. We couldn't say no and I'm so glad we didn't, it was amazing!
All the food was delicious. The atmosphere felt special but still relaxed so a perfect place to eat on any occasion and is obviously enjoyed by friendly locals, their dogs and visiting residents so a lovely treat just for a drink. I look forward to returning to The Wheatsheaf again, next time I'm excited to try their set menu served every Sunday-Thursday from 6pm in the back bar just off the pub garden. A 3 course set menu, including a steak all for £16. Bargain!
Have you eaten at The Wheatsheaf before? What did you think? Any other Cotswold pub recommendations?


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Tim Doughty, who was previously with Oldcastle BuildingEnvelope and Vistawall Architectural Products, is now client development manager for Georgia at Tubelite Inc.
Tubelite Inc. has announced that Tim Doughty has been named client development manager for Georgia, responsible for providing glazing contractors with storefront, curtain wall, entrance and daylight-control systems. Doughty joins Tubelite after almost 30 years of service with Oldcastle BuildingEnvelope and Vistawall Architectural Products. His career began as an architectural field representative before he was promoted to district sales manager and then to regional sales manager.


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It means communication error only for circuit breakers. It doesn't mean any H/W error or logic error on your devices / ED networks.
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We keep up to date on the latest rules and laws surrounding the car buying process; it's fundamentally in our interest to be 'in the know'. As such, we are well aware of the rules around GAP insurance selling which were brought into force on September 1st. To cut a long story short, dealers need to provide customers with the following before selling GAP:
- Total premium of the contract to the customer separate from any other price
- Significant features and benefits as well as significant and unusual exclusions or limitations
- Whether or not GAP is sold in connection with finance and that GAP insurance is sold by other providers
- Policy duration
- Whether or not the GAP policy is optional or compulsory
- When the GAP contract can be concluded – i.e. two clear days between proposition and purchase.
In addition, this information must be provided clearly and in a durable (paper or email for example) medium to the customer – it should also be specifically drawn to the customer's attention.
Funny, then, that a GForcer in the process of purchasing a nearly new car from a well-known franchised dealer received a message stating that they could have GAP insurance for £9 per month on top of their finance, and would they like to agree to it today. Now whilst there is still the follow-up to happen within the dealership at the point of handover, this anecdotal tale does seem to suggest that there are underhand tactics going on.
It may well have been the Sales Executive's intention to spell out the necessary information to our colleague as per the guidelines, but equally, it's not good form to call a customer, before they've even properly bought the car, to approach them with a GAP proposition. There's also the potential issue of auditing; if the proper process was found not have been followed, the FCA is likely to come down on the dealer like a ton of bricks. Certainly, the FCA has a history of implementing rules and making an example of a business that doesn't follow them as a warning to others.
Various industry commentators have stated (accurately or otherwise) that GAP sales in September either fell or remained flat. Dealerweb noted an 11% decline in dealer sales, however AutoWeb stated that there was no discernible impact. It can be noted, however, that in a poll by AM Magazine, 45.5% of respondents to an online survey thought that the FCA rules on GAP would 'decrease sales significantly'.
What this pulls into focus is the sales process. Sale of goods act, FCA finance regulations, GAP insurance selling; all of these are potential pitfalls for the unwary, or simply the chancers. And in an industry which does excel at customer service, but is still trying to shake off its poor image, it's imperative that process is there, correct, and fit for purpose.
As mentioned, most dealers have taken into account all of the regulations to which they need to comply and are abiding by them – providing a genuinely excellent customer service. But there is no shortage of irony that a salesperson would push GAP insurance on someone buying a nearly new car, who works for a specialist automotive agency.


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Projects per year
OR-constrained (ORC) graphical user interface layouts unify conventional constraint-based layouts with flow layouts, which enables the definition of flexible layouts that adapt to screens with different sizes, orientations, or aspect ratios with only a single layout specification. Unfortunately, solving ORC layouts with current solvers is time-consuming and the needed time increases exponentially with the number of widgets and constraints. To address this challenge, we propose ORCSolver, a novel solving technique for adaptive ORC layouts, based on a branch-and-bound approach with heuristic preprocessing. We demonstrate that ORCSolver simplifies ORC specifications at runtime and our approach can solve ORC layout specifications efficiently at near-interactive rates.
|Original language
|Title of host publication
|Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems
|Place of Publication
|New York, USA
|Association for Computing Machinery
|Number of pages
|ISBN (Electronic)
|Publication status
|Acceptance date - 16 Jan 2020
Publication series
|CHI Conference on Human Factors and Computing Systems
|ACM Press
|ISSN (Electronic)
- 1 Active
Centre for the Analysis of Motion, Entertainment Research and Applications (CAMERA)
Cosker, D., Campbell, N., Fincham Haines, T., Hall, P., Kim, K. I., Lutteroth, C., O'Neill, E., Richardt, C. & Yang, Y.
Engineering and Physical Sciences Research Council
1/09/15 → 28/02/21
Project: Research council
Cite this
Jiang, Y., Stuerzlinger, W., Zwicker, M., & Lutteroth, C. (Accepted/In press). ORCSolver: An Efficient Solver for Adaptive GUI Layout with OR-Constraints. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (Vol. 2020-April, pp. 1-14). (CHI Conference on Human Factors and Computing Systems). Association for Computing Machinery.


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Copyright 2004-2020


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Lifft Slings 2 way stretchy wrap
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Agency insights.
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Reading Time: 3 minutes If you're a business owner, I'm sure you've received the persistent sales emails with the subject line "Free Website Audit…Read More
Reading Time: < 1 minute TJA CMS (Celebrity Meditation Service). For April Fools, our team created a series of meditations guided by recognizable voices. While…Read More
How to treat your own organization like a client.
Reading Time: 2 minutes The shoemaker's children go barefoot. This old idiom essentially means we neglect the things closest to us. As an agency,…Read More
It's time to start thinking about recovery marketing.
Reading Time: 3 minutes Plan your comeback. When you're in the thick of a crisis, it might be all you can do to deal…Read More
How TJA stays accountable while working from home.
Reading Time: 2 minutes Navigating new territory as a small business. We're all in these uncharted waters together. Thousands of employees with little to…Read More
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Reading Time: 3 minutes In an industry where "fast" is often hailed as "good," slowing down and taking the time to meet in person…Read More
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Reading Time: 3 minutes In good company. TJA has the good fortune to welcome inspirational individuals into our fold. They share their hard-won knowledge…Read More


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Stabroek News and Kaieteur News chronicled myriad of these excesses and they paid a harsh price initiated by the Jagdeo regime. That is why it boggles the mind that the same Stabroek News and.
Lookbook Example Real-Time Personalization Examples & Ideas for E-Commerce – This look book features 18 different examples of real-time personalization on e-Commerce sites, giving you the inspiration you need to bring your online shopping experience up a notch! With this look. There's a picture from the new high summer 2020 Drake's lookbook where a young model, a
Who asserts must prove – I am perturbed by an article published online via websites and social media platforms as well as in (yesterday's) edition of the Kaieteur.
he who asserts must prove. In this regard, when.
Dr. Hinds, through his unfettered access to the Guyana Chronicle and Kaieteur News, has written on a wide variety of issues as it relates to Guyana. In some instances, there were studied attempts.
carving through a plateau—the same thing it's been doing for some 2 million years. Angel Falls, Venezuela Kaieteur Falls, Guyana.
GHRA urges removal of mining from essential services – It also said a Kaieteur News report also highlighted the lively nightlife at Puruni Landing involving women trafficked from Venezuela. The GHRA said the withdrawal of personnel from the.
Kellough's foundry of words—torrents, sometimes—orchestras of forest—as in "kaieteur falls"—Magnetic Equator's preface/precipice—itself a translation through the linguistic sound.
I am perturbed by an article published online via websites and social media platforms as well as in the today's edition of the Kaieteur News under the caption, "Justice Singh doesn't think.
With host Alfredo Ballesteros at the helm, 'Hola Guyana,' currently the country's sole Spanish/Latin radio programme, hit the airwaves some six months ago on MEGA 102.1 FM and has since.
I write with reference to the Kaieteur News article of May 24th captioned, `It's court's jurisdiction to probe election irregularities, not GECOM – Nandlall'. I respectfully contend that.


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British PM Boris Johnson offers visas for millions in Hong Kong
About 350,000 people in Hong Kong currently hold British National (Overseas) passports, which allow visa-free access to Britain for up to six months, British PM Johnson wrote in an editorial piece published Tuesday. Johnson said Britain would offer millions of Hong Kongers visas and a possible route to UK citizenship if China persists with its national security law.
Disclaimer : Mytimesnow (MTN) lets you explore worldwide viral news just by analyzing social media trends. Tap read more at source for full news. The inclusion of any links does not necessarily imply any endorsement of the views expressed within them.


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