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SAN FRANCISCO—Nearly 15 years ago, Remedy Entertainment released the hard-boiled action classic Max Payne to PC gamers, a game that received endless kudos for both its stress on story and its bullet-time action twists. After that, however, Remedy didn't do so much. Max Payne 2 came and went two years later, followed by a grueling wait for Alan Wake, whose take on horror was remarkably narrative-heavy (and, consequently, not so active).
The studio's next franchise, Quantum Break, has been hidden remarkably well since its 2013 reveal as an Xbox One game—meaning, it hasn't had an iota of its gameplay spoiled up until today, a mere five weeks ahead of its retail launch. Microsoft and Remedy made up for this information-starving by granting a pool of critics unfettered access to the game's first three hours at a San Francisco press event last week, which was enough time to make clear that this is definitely another Remedy-like game. Quantum Break focuses heavily on narrative while giving players some very noticeable, time-shifting twists to work with during battle scenes.
But while the game's hero has some flashy, cool-looking powers to play with, Quantum Break's stress on narrative elements already stood out as the bigger deal in this action-adventure game—mostly for worse.
Cover? We don't need no stinkin' cover
The first problem comes from Jack Joyce, the game's leading character. Unlike other Remedy games' namesakes, Joyce's personality is flat as a pancake—at least for the game's first few hours. This could change as the game unfolds, but players are otherwise stuck starting QB with an overwhelmed, terrified void of a human off of whom all the other characters bounce their crazy.
The rest of the cast does its best to step up, though in the opening passages, those cast members are limited to Joyce's old college friend Paul Serene, now a certified megalomaniac, and Joyce's brother Will, a conspiracy theorist who pants frantically about stopping an evil plot without ever telling us what the heck is going on.
After a old-friends-reuniting-under-strange-circumstances opening sequence, players are introduced to Joyce's new time-bending powers one at a time—and he's quickly forced to use them to kick some butt. Players get three major moves in all, which each recharge before they can be re-used: a "time-freeze" blast that can be aimed at enemies to stop them long enough to unload a bunch of bullets; a quick-dash that teleports players a few feet away and freezes time for a second when they re-emerge; and a temporary bubble shield.
These powers matter, because Remedy added a wonky cover system to the game that, in its current state, doesn't work. When in cover, Joyce isn't smart enough to peek to the sides to unload shots if an enemy's to the left or right. He just stands up and exposes himself to very painful bullets—until he starts bending time to his benefit, that is. Even in the game's preview state, however, this doesn't seem worth complaining about—because Remedy clearly wants players bouncing around and bending time during battles, which is more fun than repeating the same-old cover-shooter routine.
We wanted to do more time-bending and gun-blasting, but Quantum Break wants very badly for you to care about its story content—meaning, you're looking at a lot of slow, banter-filled passages between battles. Some of these are interspersed with fetch quests, jumping challenges, and simple puzzles that require use of your time-bending powers. With the exception of one cool puzzle, these spots otherwise felt pretty flat, and the juxtaposition of active and passive scenes felt too awkwardly paced for my tastes.
A bad guy with a heart of (fool's) gold
Had the preview session been shorter, I might have sung a different tune, as the slow content was hard to complain about when I first laid eyes on the gorgeous game. Remedy may lay claim to quite a few "best technology" gaming awards at year's end, thanks to QB's diverse world designs, shadow-and-light interplay, and unbelievably cool-looking time-distortion effects, and that's all capped off by a staggering amount of detail dedicated to Joyce's face, hair, and clothing rendering. At any time, you can spin the camera around and see a staggeringly realistic rendition of the game's hero, complete with the kinds of facial animation details you'd expect from pre-rendered scenes.
The same cannot be said for pretty much any other humans in the game. Quantum Break's cinema scenes emphasize this issue, because they look like they're rendered in the game itself, when they're actually pre-rendered within QB's engine with slightly more detailed models. Remedy seamlessly connects these to the game itself, so you can sometimes lose track of what's real-time and what's not, but zooming in on other characters' lifeless, plasticky faces in the game answers that question a little too well.
The uncanny valley does Quantum Break no favors here; the game edges so closely to photorealistic characters while in-game that any resulting visual issues look all the weirder.
Speaking of photo-realistic: QB's characters are all based on real-life actors and their performances, and that fact is reflected in full-motion, 22-minute videos that play out after each two-hour chapter. The scenes always kick off with players taking on the role of main baddie Paul Serene and making a decision that will reverberate through the rest of the game both in plot and in active content.
The first such decision forces the game's bad guys to take drastically different paths, which play out in the full-motion TV episode, but according to Remedy, these episodes all take place from the bad guys' perspective. If the first episode I watched was any indication, that was a really bad idea. There's nobody to like on Serene's side of the train tracks, since most everyone is either a heartless villain or a complicit member of a diabolical scheme.
Never mind that the episode I saw included one of the bad guys struggling with evil and defecting. In fact, that only made the filmed scene I saw more confusing, because I had no context as to how this guy could be ruthless enough to climb evil's ranks—yet heart-meltingly sensitive enough to see the error in his ways. Between that flaky premise and otherwise ho-hum action sequences and bad-guy snark, I didn't find much to look forward to in regard to Quantum Break's remaining videos.
Apparently, there are a lot of them, because Remedy promises "over 40" plot paths in the game based on both these end-of-chapter decisions and other in-game factors. As the game proceeds, huge chunks of plot in both the game and in video scenes are totally altered in a given playthrough. Between that fact and the copious number of lengthy e-mail conversations found scattered on the game's computers, Quantum Break has no shortage of world-building content—but what's the point if we don't care about the package as an interactive game? From what I've played thus far, the action sequences are infrequent; the need to poke around and find hidden "terminals" feels antiquated; and the characters I encountered in my preview play are uninspired, sci-fi-panic archetypes.
Remedy may very well have packed the rest of this game with more diverse bad guys, more interesting AI, more astounding battleground scenes, or the kinds of narrative twists that make replaying the malleable narrative portions all the more worthwhile. But for a game so obsessed with time, Quantum Break's early goings are in no rush to astound gamers from an interactive perspective. We'll be curious how the rest of the game shapes up when it ships on Xbox One and Windows 10 on April 8.


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The other day I was helping a friend take some stuff to Goodwill, furniture and stuff that she doesn't want to move to her new place when her current lease is up. Her daughter's boyfriend was helping load and unload the rental truck and after dropping it off he was gushing over my Mustang.
He just couldn't stop talking about how nice it is, and how it gets better gas mileage than his ten-year-old Honda Accord and has more power. It was his last two questions that really got me though.
He was watching me row through the gears from light to light and had to ask, "doesn't that get annoying after a while?" Um, no. I prefer it. It's more fun. Of course he thought that he just couldn't do it.
I was driving as I normally do, quickly, despite the early evening traffic. "So how many tickets have you gotten in this car?" Wait? What? Tickets? Um, none. I've had no tickets in the last 5 years, and in the 5 years before that I only got a ticket for expired inspection sticker. These are the merits of age. The older you get, the easier it is to avoid those things, despite driving a flashy car.

subset: commoncrawl


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Scotland - Grace of the Wild
Greycliff Music (2013)
Bill Leslie (along with wife Cindy and son Will) traveled to the ancestral home of the Leslie clan recently and despite this being Bill's third visit to Scotland, for some reason, he saw the land with new eyes and a deeper sense of appreciation, fondness, and love for this country of rugged beauty, friendly people, and landscapes that are truly breathtaking. As he wandered taking photos just before and after dawn, some of the songs on this CD began to take root and grow in his mind. Scotland - Grace of the Wild is the eventual end product that sprung from those early morning walks as well as other travels during that trip. All I can say is we are fortunate he decided to get up early each morning. Leslie has blessed us with what I think is his finest album to date, a recording to cherish through many playings.
Having reviewed several earlier recordings by this talented multi-instrumentalist (guitar, whistles, piano, organ, keyboards), I knew the artist had a special affinity for Gaelic/Celtic music (there are usually some Celtic-influenced tracks on each album). I have commented more than once on how he and the accompanists (always hugely talented) he plays with sometimes resembles the pioneering Celtic fusion group Nightnoise (one of the founding artists on Windham Hill). On Scotland - Grace of the Wild, this comparison to Nightnoise reaches its zenith. Not in any way as an imitation, but as an evolution, continuing the same music magic that Mícháel Ó Domhnaill, Billy Oskay, Tríona Ní Dhomnaill and Brian Dunning started with their band. It goes without saying that if you are a fan of albums such as At the End of the Evening and Shadow of Time, you will likely love this record.
Scotland - Grace of the Wild features fourteen tracks, five of them traditional and nine of them original compositions by Leslie. Taking over a lot of the piano playing duties is long-time friend Bill Covington (who also did the piano arrangement and co-produced along with Leslie and John Plymale; Plymale and Wes Lachot mixed the album, and did a splendid job). Joining Leslie and Covington (who, by the way, also plays accordion on the CD) are Jennifer Curtis (violin), Nancy Green (cello), Will Leslie (percussion), David Oh (cello) and Melanie Wilsden (oboe).
Most of the music on the album is low-key, sometimes somber and reflective, other times warm and romantic. There are a few sprightly moments here and there, e.g. the light-hearted traditional tune, "Ye Banks and Braes" and the last third of the original song "Jonathan" which is where the Leslies, joined by Curtis, Green and Covington tear it up, playing with an outpouring of joyfulness and good cheer. "Flowers of Edinburgh" (another traditional piece) features a subdued but noticeable jauntiness and the song sounds like it has been around for a long time with an almost Renaissance feel to it (a brief online search credits its origin to 1740).
Many selections capture, in music, the very essence of a country with haunting moors shrouded in fog, sheer, mountains of rock, mysterious lochs surrounded by rolling hills, castles which have stood for hundreds of years, and charming towns and villages. The focal point of much of the album is Bill Leslie's evocative whistle playing, and while all the participating players contribute at one time or another, it is the lilting tones of his whistle that resonate deepest.
I wish I had the space to detail every track, as all are worthy of mention. The title track is a gentle meditation on which every artist takes a turn in the spotlight (whistle, violin, cello, oboe) and then come together as a group, finishing with piano and guitar in the spotlight. "Loch Lomond" is emotionally rich and heartrendingly beautiful, featuring a particular nice piano arrangement by Covington. "Dunnottar" features ambient keyboards underneath a plaintive whistle melody accompanied by guitar, piano, accordion and violin (the latter which also takes the lead at times). The only solo number on the disc is the closing "Across the Moor" which brings the CD to a perfect ending, evoking the titular fog-shrouded landscape via deep echo on the Low D Michael Burke whistle and a subtle yet effective drone underneath.
One thing that has to be emphasized is how much of an ensemble affair Scotland - Grace of the Wild ultimately is. Leslie has always been an excellent band leader, never being selfish and hogging the spotlight, but giving everyone their opportunity to take over a song and put his or her stamp on it. While his whistle may seem to dominate the recording, it's only because the sound of the whistle is so deeply connected with Scotland and Leslie is such an expert player. Every single artist who is on this disc deserves credit, so if I have made it seem otherwise, my apologies. However, since Bill Leslie penned the originals, he does get an extra nod and tip o' the hat.
If you come to love Scotland - Grace of the Wild as much as I do, the only hazard you face is a hungry longing to travel there and witness its beauty and charms in person. Still, I suppose that's what our imaginations are for…traveling without traveling. With music this wonderful, all we need do is close our eyes.
NOTE: This CD will officially be released in mid-October. Links to sale outlets will be added to this review the album is available for purchase. Past Bill Leslie recordings have been available at Amazon, CDBaby and iTunes.


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Occasions 2017 and Sale-a-bration have begun! As always, demonstrators were able to pre-order during December, but with Christmas and a 2-week camping holiday, I've only really had a chance to play with it this week. I'm excited to share some projects I have made with some of the new products.
My sisters birthday was a couple of days ago, so first-up is her birthday card and co-ordinating gift packaging. I used the new Cupcakes and Carousels suite, which comprises of the stampset (Carousel Birthday), designer series paper stack and embellishment kit with the tassles, bows and ombre ribbon - don't you love it!!? My absolute favourite from the new catalogue.
Here's a closer look at the bag I made with the gift bag punch board. I used So Saffron cardstock, and sponged the edges of the bag and all of the DSP layers. The accesories add some lovely texture and detail.
The higlight of the card is this gorgeous horse who has been coloured with our new watercolour pencils on regular Whisper White cardstock, and blended with a blender pen. I love how it turned out.
I've partially stamped the ferris wheel image over the edge of the envelope for a nice finishing touch as well.
And in case you were wondering what was inside the gift bag... a pretty bracelet.
Next I have made a 12x12" scrapbook page of our New Years Eve celebrations, we had a lovely night celebrating with family at our bach, with games on the beach, a divine dinner, toasted marshmallows on the fire and fireworks. All the details of our holiday are included in my album on Project Life pocket pages, but I do like to include the occasional full page layout of special photos - these family shots qualify!
I have used the Cupcakes and Carousels paper-stack again, along with two parachutes from the Lift Me Up bundle of stamps and intricate dies. I created some texture with an embossed sheet of vellum paper and a couple of clusters of enamel shapes, which all match the festive theme. I also added two glasses of champagne, even though I was drinking regular sauvignon blanc and my husband had beer and the kids only had cordial! The girls are wearing their lovely new dresses they got for Christmas.
My nephew is turning one this month, so I wanted his card to a bit special. I used the same stamp bundle and DSP, but made a card-in-a-box to create a colourful funpark. My sister always keeps my handmade cards and displays them in her lounge, so I know this will be out on show for a while. Isn't it fun!
For the next card, I wanted to experiment some more with the watercolour pencils. This time I have used 3 colours to create a waterwash background on our watercolour paper with an aqua painter. This tool is much more suitable to blend large areas of colour, than the much smaller area of the 3 rainbow coloured parachutes which I used the thin brush on the aqua painter to achieve this look. The watercolour pencils are the exact colours of our Stampin' Up! colours, so for the background I have used Pacific Point, Bermuda Bay and Daffodil Delight. I had my husband in mind when I made this, as I created a replica of our house, but I have deliberately not included a sentiment, as I don't know what occasion this card will be for yet!
Tasty Trucks is a Sale-a-bration stampset that I earned for free when I bought the Cupcakes and Carousels bundle. I have again enjoyed watercolouring this one! I love how you can get different effects by using different tools (blender pen again here, due to the fine details) and using heavy vs light colouring and shading. The paper is regular Whisper White, but I did try it on Shimmer Paper as well, which also worked great and blended really easily.
Last but not least, I made a 3D treat truck for a fun school-holiday treat for my kids. I coloured two Tasty Trucks and made a joiner to secure them together and hold a few marshmallows. The kids really enjoyed this one! Look at all the yumminess!
This post doubles as an application to be a Display Stamper for OnStage Local in April, so some of the Stampin' Up!® team will be reading this - I hope that everyone enjoys what I have shared today!


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Car Rental?
by jwestman, Thursday, January 06, 2011, 16:37 (3499 days ago)
If I rent a car using my Visa signature credit card that has full rental insurance coverage do I need to purchase any other insurance in Mexico? I've been to a couple of car rental web sites and they keep wanting to tack on $155 in insurance for two weeks.
Car Rental?
by ElAleman, Thursday, January 06, 2011, 18:25 (3499 days ago) @ jwestman
You should check with VISA if the coverage also is valid in Mexico.
As a general information, in Mexico there is no legal obligation to make an insurance contract. So at the end is your decision if you'll run the risk or in its case if the VISA Card covers Mexico.
Car Rental?
by Jo in Vancouver, Thursday, January 06, 2011, 22:35 (3499 days ago) @ jwestman
if you can search the OLD message board you'll get an explanation...something to the effect that yes your visa card will cover your insurance BUT if you are in an accident the police won't recognize your visa coverage...leading to many hassles. I checked a few years ago and visa advised that I get a letter from them specifying the coverage...in the end we just buy the mexican coverage and consider it part of the holiday expense
Car Rental?
by Craig aka the cruiseship guy, Friday, January 07, 2011, 07:19 (3498 days ago) @ jwestman
Your credit card will only cover the rental car. You need to purchase liability insurance (damage to other than your rental car). That is generally $10 -$12 a day. I have never rented in Zihua only Cancun and Cabo. Taxi's are cheap and parking is tough in Zihua.
Car Rental?
by Arizona Dawn, Friday, January 07, 2011, 22:10 (3498 days ago) @ Craig aka the cruiseship guy
I just want to share an experience that happened to us in P.Vallarta last year. We rented a car for a week while visiting, and weren't far at all from where we were staying. We were making a left turn and a girl turned left in front of us and we hit. We pulled over and she spoke no English, but we didn't think it would be a big deal becuase her car had literally hundreds of dents and it was so old...a heap, to put it mildly. Well, what a mess it turned out to be. They wound up towing OUR car away. The police were involved (she had a brother on the force) and we had to leave all our belongings in the car -- they allowed us to take nothing with us. The car rental place had to take over and get our belongings back, the police even paid a visit to our hotel room but they were not allowed in by the hotel staff thankfully (we weren't there)! The rental agency went to court for us, but we wound up having to pay a LOT of money for this mess so insurance is REALLY REALLY important. It's just not worth taking any chances. It could have been a scam -- those do happen sometimes, but it's better to be protected. We had been in PV 10 or 12 times without any problems at all, and then the one time...when you lease expect it!
Car Rental?
by jwestman, Friday, January 07, 2011, 23:03 (3498 days ago) @ Arizona Dawn
Thanks all! I think you've just convinced me to bite the bullet and buy the insurance. <smile> j


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Honest Prayers
Today's reading: Psalm 109:1-31
David does quite a bit of talking with God in Psalm 109. And once he begins talking, he truly lets go and tells God everything. It's a beautiful picture of prayer and how through prayer we can pour out our hearts to God. Notice David's words in verse 4 where in response to his troubles he states, "I give myself to prayer."
So is "giving yourself to prayer" a habit for you? Is it your custom to tell God everything that's on your heart when you talk with Him? What happens to your attitude and heart when you speak openly with God? Tami
Join the discussion on the P4 Blog
Powered by 4 is all about engaging God's Word and living it out--in community. So if it's encouragement you want or motivation you need, join the discussion on the P4 Blog--a place to weigh in on the daily scripture as well as share thoughts & questions.


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Fr., ATH, 6-3, 235, St. Louis, Mo. (Chaminade HS)
Highly-talented and driven athlete who has persevered despite having had his prep career derailed by injuries over the last three years … Despite not seeing the field for his senior season, was still ranked by Rivals.com as the No. 17 overall prospect at any position in the state of Missouri for the class of 2011 … As a freshman wide receiver, made 14 catches for 302 yards and 3 touchdowns, averaging a solid 21.6 yards per catch … Outstanding overall athlete who helped his school win a basketball state championship as a sophomore, when he averaged 9 points and 8 rebounds per game … High school coach – Doug Taylor … Parents – Terrence Staples & Robin Hannah … Has an interest in study computers and technology while at Mizzou … Lists hobbies as tinkering with computers and taking long walks … Chose Mizzou over Notre Dame, Iowa, Wisconsin, Kansas and Illinois, among others.
Wednesday, February 2, 2011
Brandon Hannah
at 12:00 AM
Labels: 2011 Signing Class, Brandon Hannah


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Change for Publishing Conference, Kathy Sierra and Tim O'Reilly discuss innovations in the publishing landscape from an author's perspective. They also touch on the principles of how Sierra successfully "creates passionate users" and how this energizes and increases her audience.
Kathy Sierra worked as a game programmer, interaction designer, and learning specialist (Sun Microsystems, UCLA Extension) before creating the best-selling Head First series for O'Reilly. She was the original creator of one of the largest software developer communities, javaranch.com.
Tim has a history of convening conversations that reshape the industry. In 1998, he organized the meeting where the term "open source software" was agreed on, and helped the business world understand its importance. In 2004, with the Web 2.0 Summit, he defined how "Web 2.0" represented not only the resurgence of the web after the dot com bust, but a new model for the computer industry, based on big data, collective intelligence, and the internet as a platform. In 2009, with his "Gov 2.0 Summit," he framed a conversation about the modernization of government technology that has shaped policy and spawned initiatives at the Federal, State, and local level, and around the world. He has now turned his attention to implications of the on-demand economy and other technologies that are transforming the nature of work and the future shape of the business world. He is the founder and CEO of O'Reilly Media and a partner at O'Reilly AlphaTech Ventures (OATV). He is also a founder and board member at Maker Media, which spun out of O'Reilly Media in 2012, and a board member at Code for America, PeerJ, Civis Analytics, and PopVox.
For information on exhibition and sponsorship opportunities at the conference, contact Sharon Cordesse.
For information on trade opportunities with O'Reilly conferences, contact email@example.com.
For media-related inquiries, contact email@example.com.
View a complete list of TOC contacts.


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This week, we had a correct guesser! Congratulations to Janelle Marr who correctly guessed that this house stands opposite the tennis courts/netball courts, just up from the Old School Hall on Berowra Waters Road.
The house is actually number 24 Berowra Waters Road and features in the first of our Self Guided Tour Brochures, The Berowra Waters Road Heritage Drive. Click on the image above for a look at and to print the tour brochure!
This, and more brochures will be available in the coming 'Museum Of Berowra', the virtual museum. Check back next Friday to learn more.


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WIMBLEDON NOTEBOOK / Eleni Daniilidou's win of a lifetime
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2005-06-22 04:00:00 PDT Wimbledon, England -- The women's draw lost more than a feared contender when Justine Henin-Hardenne was knocked out in the first round Tuesday. It lost the element of contrast.
Henin-Hardenne, upset by 76th-ranked Eleni Daniilidou 7-6 (8), 2-6, 7-5, is the only elite player to fashion a one-handed backhand and take pride in an all-court game. To the shock of a Court 1 crowd, her virtuosity wasn't enough against a powerful, 22-year-old player with a fondness for grass.
Henin-Hardenne needed treatment for a lower-leg injury at 2-3 in the third set. She said later, "It's something I've had for several days, and it kept me from playing any of the warm-up tournaments. It only got worse today, because on grass you have to be low all the time. Coming off the French Open (which she won, on clay), I couldn't find any rhythm on this surface."
Because of the lingering virus that forced her to miss last year's Wimbledon, Henin-Hardenne hadn't played a grass-court match in two years. Daniilidou, whose previous career highlight was representing her native Greece at the 2004 Athens Olympics, scored the win of her life -- and it seemed to come from nowhere. Daniilidou had been beaten in the first round of tournaments six times this year, including the Australian and French opens, with no victories over a top-30 player.
Major scare: Henin-Hardenne's exit was good news for Serena Williams, who figured to face the Belgian in the quarterfinals, but Williams nearly didn't make it past Tuesday. In a desperate struggle against an old Southern California neighbor from Compton, Serena was perilously close to elimination in a 6-7 (12), 6-4, 6-2 victory over Angela Haynes.
The 20-year-old Haynes, ranked No. 104, is among the many African American players who were inspired by the Williams sisters' rise to prominence.
"I was just a little kid when Serena started making a name for herself, but my brother and I used to hit with her and Venus in Compton," said Haynes. "What do I remember? That she really hated to lose. She didn't care who you were. And that's exactly how it was today."
Impressively, Haynes put her admiration aside and staged an all-out attack, her left-handed strokes often sending Serena off-balance. Although Williams was clearly superior at the end, it took three strokes of luck to get her through the second set.
At 4-4, Serena earned a break point when Haynes' backhand clipped the tape and fell back. Haynes appeared to have won the next point when a linesman called a Williams shot long, but the chair umpire overruled the call and had the point replayed (television replays showed the decision to be correct). Serena then finished off the break with a net-cord winner that Haynes was helpless to return.
Williams said Haynes' performance was "just great, unbelievable." Even Haynes didn't know where it came from. "That's not really my game," she admitted. "It was just my will. All desire."
Fading fast: As usual, Andy Roddick seems to be carrying the American men's hopes by himself. The second-seeded Roddick, a 6-1, 7-6 (4), 6-2 winner over Jiri Vanek in the first round, joins tournament longshots Justin Gimelstob, Taylor Dent and Kevin Kim as the only U.S. men remaining, with James Blake, Robby Ginepri, Vince Spadea, Paul Goldstein and Jeff Morrison having lost in the first round.
Roddick may have gotten a break when Ivo Karlovic, expected to be his second-round opponent, lost a four-hour, 17-minute, 5-set marathon to Italy's Daniele Bracciali 6-7 (4), 7-6 (8), 3-6, 7-6 (8), 12-10. Karlovic is a major grass-court threat, having upset defending champion Lleyton Hewitt in the first round of the 2003 Wimbledon, and he served 51 aces in defeat. Bracciali, ranked No. 120 in the world, lost to Chile's Adrian Garcia in the qualifying, but got into the draw as a "lucky loser."
On form: Defending champion Maria Sharapova, decked out in gold-flecked shoes, was an impressive 6-2, 6-2 winner against Nuria Llagostera Vives of Spain. "It was so amazing to be back, I was just smiling," Sharapova said. "I usually don't smile when I go out on the court, but I was just taking it all in, remembering last year. This is where magic happened. It was really good to feel that again."
Tuesday's highlights
Sharapova (2), Russia, def. Llagostera Vives, Spain, 6-2, 6-2.
Daniilidou, Greece, def. Henin-Hardenne (7), Belgium, 7-6 (8), 2-6, 7-5.
V. Williams (14), U.S., def. Birnerova, Czech Republic, 6-2, 6-4.
Hantuchova (20), Slovakia, def. Linetskaya, Russia, 3-6, 6-2, 6-2.
Granville, U.S., def. Koukalova, Czech Republic, 6-1, 6-2.
Panova, Russia, def. Raymond, U.S., 7-5, 6-3.
Roddick (2), U.S., def. Vanek, Czech Republic, 6-1, 7-6 (4), 6-2.
Nadal (4), Spain, def. Spadea, U.S., 6-4, 6-3, 6-0.
Henman (6), Britain, def. Nieminen, Finland, 3-6, 6-7 (5), 6-4, 7-5, 6-2.
Stepanek (14), Czech Republic, def. Ginepri, U.S., 6-7 (5), 6-3, 6-4, 6-2.
Coria (15), Argentina, def. Behrend, Germany, 6-1, 6-2, 6-2.
Tipsarevic, Serbia-Montenegro, def. Haas (19), Germany, 6-2, 2-1, ret.
Melzer, Austria, def. Ljubicic (20), Croatia, 6-4, 6-4, 6-4.
Bracciali, Italy, def. Karlovic, Croatia, 6-7 (4), 7-6 (8), 3-6, 7-6 (5), 12-10.
Today's TV
5 a.m. ESPN Classic; 7 a.m. ESPN2; 10:30 p.m. ESPN2


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GWS Giants 2019 Toddler's Home Guernsey
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Have your little one show their AFL pride with this GWS Giants 2019 Men's Replica Home Guernsey. This clean looking 2019 AFL Season Guernsey is a replica of what your GIANTS players will adorn during their home matches and has been manufactured by xBlades. Features include the GIANTS team logo on the chest this clash Guernsey also wicks away sweat, while the mesh airflow panels aid in enhanced breathability to keep you feeling cool and dry. The kit is constructed with 100% lightweight polyester to keep them feeling comfortable all season as the GIANTS seek AFL glory.


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A circus!! How adorable, check out these beautiful ideas from moms all over that have decided on this theme for their birthday boy or girl!
Fill your atmosphere with lots and lots of color to recreate your Circus atmosphere. You can use an array of airtubes or go with lots of balloons. This is a party for the senses, color for the visual, and for smell and taste, a pop-corn machine and cotton candy, for hear, carnival and circus music all the way, those distinctive tunes you hear at the circus will enchant kids but also adults, and for touch, how about renting lots of carnival games and decorations from www.hippojoy.com like custom made entrance ticket area, centerpieces, tent decoration, airtube decor, candyland table, 3d cakes and more….
Check out this fun ideas created by Kara, a fun mom who loves parties! Check her blog at Karaspartyideas.blogspot.com She is very creative and fun.
Here, airtube decoration. Ask for color availability. You can do so many creative things using these tubes!
And if you want to go with balloons, why not create a fun circus character at the entrance with balloons like this cute clown?
For a character host you can choose between clowns, Circus girl, fortune teller, jugglers, or Ring Master. He/She can help you directing all the games at the party.
Some fun games idea for this party are: Coin Toss, pinch the balloons for prizes, toss balls, dunking well, fishing and water gun competition.
For fun crafts, make your own clown face, face painting, make your own stilts (these are fun to do and to try on later, no worries, they are very safe too!), circus picture frames with picture opportunity.
For invitations, you can send in an admission ticket, create your very own Circus Tent invite or dress up your kid as a clown or Ring Master and send an e-invite!
For more Circus Party Ideas…


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by Elaine Scott
illustrations by David Clark
age range: 10 years old and up
Dollars & sense is a well written guide containing the information kids should know about money, and how to responsibly use it. Starting from bartering and others mediums of exchange before currency, it goes all the way to how to manage your own money, covering a great variety of concepts like economy, debt, loans, credits, interest, profits, checking and savings accounts, credit cards, investment, and many more.
I found the text accessible, accompanied by many pictures, fact boxes, and some graphics. I wish it were more colorful, since the white, black and green presentation gives it a more "serious" appearance than it seems to have been the main idea. But in the overall I liked the book and would recommend it.
I received this copy from the publisher via NetGalley in exchange for an honest review.


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It's a bit over a week into the crowdfunding campaign and we took off like a rocket! We couldn't be happier. But we're not there yet. Still 70% of the target to go and we're putting all our efforts into reaching that goal.
We can use all the help we can get, so if you can forward the crowdfunding link to your family, friends and business contacts, we'd be very grateful:
Remember, if you live in The Netherlands, Cinecrowd has ANBI-status so you get up to 150% fiscal deduction of your donation, whether you're a private person or a company. The details are on the Cinecrowd site, or ask and we'll let you know how it works.
Not only that, we have tempting rewards to offer you!
And don't forget to like the facebook page of the film and to share it with your facebook friends:
The campaign lasts until end of June and if we hit the target of 8000,- Euros this will enable me, the director, and my camera operator to visit Kenya one more time to shoot the last footage we need in order to finish this film.
In the meantime, here is a link to a short clip shot in 2012 in Kenya in East-Tsavo, illustrating the massive infrastructure destruction caused by climate change and the engineering solutions Peter Westerveld was planning to deal with the changing climate conditions:


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Back in the tennis coaching routine for the first time since guiding the Valley Stream South girls program for 13 years beginning in 1993, Pete DiThomas had a pretty good idea what the boys would bring to the courts this spring after splitting 14 matches last season.
"I worked as a supervisor for the boys matches last year and coached some of them in volleyball," DiThomas said. "Kristi Hinkelman coached boys tennis here a long time and did a fantastic job with the kids. She deserves a lot of credit. I inherited a great situation."
Spearheaded by their four first-time doubles combinations and competitive efforts at singles, the Falcons finished a strong 11-3 in Conference 3B and were in the running for the title until the final day of the regular season. Plainedge, which split tightly contested matches with South, went 12-2. Calhoun was third and Valley Stream Central rounded out what DiThomas said was a challenging top four.
"The top four teams were almost like a coin flip," he said. "If we played any of those other three 10 times, we'd each win five."
Plainedge, Calhoun and Central all edged the Falcons by 4-3 margins in their respective second meetings after South beat all three by the same score the first time around.
DiThomas' starting lineup included only two seniors — David Huang at No. 1 singles and James Lee at No. 2 singles. They both held their own against top competition, winning five and six matches, respectively.
"David was the backbone of the team," DiThomas said of Huang. "He was like having an assistant coach. His abilities and work ethic are great. He has a tremendous swing and he's the type of kid you'll see outside hitting balls during the winter when it's 35 degrees outside."
Lee is another tireless worker, the coach said, and was never intimidated by anyone. "He just went out and played hard every match," DiThomas explained.
At third singles, Justin Ocampo managed four victories and dropped a bunch of hard-fought three-set matches. He made the biggest rise of anyone in the program after playing third doubles a year ago. "He made a huge jump and performed admirably," DiThomas said. "He was clearly our most improved player."
While the Falcons held their own at singles, it was their dominant pairings that carried them, the coach said. All told, South went 47-9 in doubles and had double digits in wins in every spot.
The top tandem of freshman Richard Chau and eighth-grader Brandon Yeh finished a perfect 14-0. "They spend a lot of time on the court and it showed," DiThomas said. "They were without question the best in the conference. Both are candidates to move up to singles next year."
Junior Alex Quinn and freshman Adam Li went 10-4 at second doubles, junior Zane Amray and freshman Justice Holland went 11-3 at third doubles, and freshmen Oliver Trzcinski and Aoke Huang rolled up 12 wins at fourth doubles. Sophomore Ishman Hafiz was a key alternate.
"I was impressed with these kids right from the opening match when we beat Calhoun," DiThomas said.


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AA Battery Dykehead
The possible site of World War II anti-aircraft battery may lie to the south of Dykehead, and area which lies approximately 1 kilometre west of Chapleton on the A726 road, halfway between East Kilbride and Strathaven.
The only information provided in the record comprises of the name and location.
In the absence of any further details, it may be considered possible that this location was a proposed, but never uses, as it lies only two miles southwest of of Limekilnburn, which was the site of two AA batteries, one from World War II AA Battery Limekilnburn Thorniehill and one from the Cold War, AA Battery Limekilnburn Viewfield.
Aerial imagery from online applications does not appear to show any trace evidence, indication of remains, or related structures in the surrounding area as much of the land appears to be fields, so any details may have been ploughed out.
The existence of this site remains uncertain, unless further historic details are found, or we receive any further information
External links
Related Canmore/RCAHMS and ScotlandsPlaces (SP) entries:-
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text: Sheer is a seductive and subtle way to show some skin, when done correctly. In this look, I decided to do sheer on my legs. Looking back at this look, I actually wished I pulled the pants up a bit more over my navel for a more polished look. None the less, this look is great for a fashion office, first date or even a night out on the town. This look is super versatile and can easily be taken from day to night. As per usual I kept my accessories to a minimum with only a chain necklace and septum ring. If you're a petite gal like myself and is not comfortable with a super long pant leg, you can hem the pant leg by tying a knot on each side, then tuck in. This will give you a Princess Jasmine kind of look. Finished the look with my fave sandal heels. If you're feeling style inspired, shop this look below.


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Blog by Steve Laug
The next pipe on the work table came to me from the estate of a Vancouver pipe smoker whose widow left them with RJ Clarke's Pipe Shop after he died. I was asked to clean them up and sell them for the shop as it has since closed. The photos below show both pipes as they were when I brought them to my work table. It is an interesting looking piece – kind of a checkerboard pattern of rustication and smooth around the bowl. Nice grain on the smooth portions and on the left side of the shank. The right side and half the top and bottom sides of the shank are rusticated. The bowl was heavily caked with a lava coat on the top of the rim. It was hard to tell how the inner and outer edge of the rim actually looked until the bowl was reamed. The rusticated portions were filled in with dust and debris. The stem was under-clocked and had tooth chatter and marks on the top and underside near the button. The tenon was threaded and had a three hole stinger that was intact. It had promise but it was very dirty. Since it was an English made Kaywoodie I did a bit of research to refresh my memory regarding the English branch of Kaywoodie. On Pipedia I found just a short line in the Kaywoodie write up that referenced the London office. It read; "By 1938 Kaywoodie had opened an office in London to meet worldwide demand. Kaywoodie of London was jointly owned with another famous pipemaker, Comoy's of London."
On Dad's Pipes (https://dadspipes.com/2016/01/24/smartening-up-an-english-kaywoodie-standard/) I found that Charles Lemon had done some research as well: There's not much information out there about English-made Kaywoodies. Production started in about 1938 as a joint venture between Kaywoodie USA and Comoy's of London. This relationship lasted until the early 1970's when Comoy bought out its partner. According to Pipedia, Comoy continues to produce a few pipes marked as Kaywoodie. My guess is that this particular English Kaywoodie dates from the 1960's.
On Pipephil's site (http://www.pipephil.eu/logos/en/logo-kaywoodie-notus.html) I found a photo and listing for the same pipe as the one that I was working on. The following screen capture shows the stamping that is the same as the one I am working on. I took photos of the stamping on the shank to show how it matched the stamping in the screen capture above. The top photo shows the topside of the shank and the second the underside of the shank. The pipe is a shape 155.When I went back to the States after Christmas to visit my parents and brothers I took a box of these pipes to Jeff to clean up for me. He reamed this old Chessman with a PipNet pipe reamer and cleaned it up with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy's Oil Soap and a tooth brush to clean off the grime in the rustication and the heavy overflow of lava on the rim top. He cleaned up the internals of the shank, mortise and stem with pipe cleaners, cotton swabs and alcohol to remove all of the oils and tars in the pipe. When it came back to Vancouver it was a quite different pipe. I took photos of it before I started the restoration. I took photos of the rim top and the stem to show their condition. Jeff was able to clean out the bowl completely and the rim top. He removed the tars and lava to reveal a little darkening on the top toward the back of the bowl and the damage to the inner edge of the bowl. The stem scratches and light tooth chatter on both sides near the button. It was also slightly under clocked.I heated the stinger with a lighter to soften the glue and realigned the stem properly. That took care of the under clocking problem.I worked over the edge of the rim with a folded piece of 220 grit sandpaper to remove the damaged portions of the inside edge of the rim. It took a little work to remove the damage.I rubbed the bowl down with Before & After Restoration Balm to deep clean the rusticated briar patches in the Chessboard squares, half the shank and the smooth briar squares, rim and half the shank. The product works to clean, enliven and protect the briar. I hand rubbed it with my fingers and worked it into the rustication with cotton swabs. I wiped it off with a soft cloth. I buffed the bowl with a horsehair shoe brush to polish it. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. I set the bowl aside and worked on the stem. I sanded out the tooth marks and chatter with 220 grit sandpaper until both sides were smooth at the button.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the vulcanite. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I put the stem back on the pipe and worked it over with Blue Diamond to polish out the remaining small scratches. I gave the bowl several more coats of Conservator's Wax and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The finished pipe is shown in the photos below. This uniquely finished Kaywoodie has the shape and look of an English made pipe and with the restoration has been brought back to life. This one is going to a friend to keep the memory of the pipeman from whose estate it came. The dimensions of the pipe are Length: 6 inches, Height: 1 1/2 inches, Outside diameter of the bowl: 1 3/4 inches, Chamber diameter: 3/4 inch. Thanks for walking through the restoration with me as I worked over this English made Kaywoodie. It was a pleasure to work on this one.


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Connection strong for Jameis Winston, Auburn's Dameyune Craig
- Dameyune Craig and Jameis Winston built a strong bond a year ago at Florida State
- Craig moved on this year and is the co-offensive coordinator at Auburn%2C his alma mater
- %22My main man%2C%22 Winston said of Craig. %22I still love that man today%22
NEWPORT BEACH, Calif. — Maybe nobody has ever had more of a roller-coaster combination of controversy and greatness in a freshman season of college football than Florida State quarterback Jameis Winston, who on Dec. 5 found out he would not be charged after a highly publicized sexual battery investigation and on Dec. 14 became the youngest player to win the Heisman Trophy.
Perhaps less known is that his 2012 season, when he redshirted, was also full of ups and downs.
"We had our battles," Dameyune Craig, who recruited Winston and was the quarterbacks coach at Florida State in 2012, and this year is the co-offensive coordinator and wide receivers coach at Auburn, told a small group of reporters Saturday at the BCS championship game media day.
"He wasn't on the right track at first. That really bothered me. We had to get that fixed."
What was broken?
"Stuff like coming to meetings on time," said Craig, who was a star quarterback at Auburn in the mid-1990s. "He was late for a team dinner. One time he got into it with a guy on the bus. They had a misunderstanding about where he could put his bags his first time traveling. He said some things to the bus driver I didn't like.
"I just wanted him to grow up. I told him, 'Everybody's watching you. You're going to be the starting quarterback at Florida State at some point. You can't start next year. You have to start now. You have to be a leader on the field. You have to be a leader off the field. You have to carry yourself in a certain way.' I talked about the responsibility he had as being the starting quarterback and how that was going to be a lot different than everybody else."
Then it dawned on Craig that maybe he was pounding too hard on Winston, and he backed off just a little.
That's when something clicked inside Winston, and he approached Craig with an apology.
"He said, 'Coach, you're right. I really need to change some of the things I'm doing,' " Craig said.
Since then, Craig said, he's seen the leadership potential blossom in Winston. Even amid the investigation in November, Craig saw Winston continue to display a positive attitude and provide strong leadership as he went about setting records in his first season as the Seminoles' starting quarterback.
Craig, who had his hands full coaching his Auburn receivers as the Tigers were in the midst of a turnaround from 3-9 to 12-1 in head coach Gus Malzahn's first season, stayed in constant touch with Winston all season – until this week, that is.
"Jameis handled it a lot better than you might imagine," Craig said of the investigation. "It bothered him, but it didn't bother him. It's like Jameis said; he knew he didn't do anything wrong, so he didn't have anything to worry about.
"I didn't get into great detail with him about it. But I wanted him to have my support and know that if he needed anything, I was there for him. A lot of times, he bottles his emotions up. He doesn't like people to see him sweat. But deep down inside, I know the things that really get to him and the things that don't get to him."
This kind of closeness was evident early on, when Craig was able to pry Winston, a huge prep football and baseball star from Hueytown, Ala., out of the state, where both Nick Saban's Crimson Tide and Auburn came after him hard.
Winston's choice to follow Craig to Florida State was a bitter pill to swallow for Alabamans. For Craig, it was both another triumph in his growing reputation as a premier recruiter and also a rough period for his reputation within the state.
"People in Alabama didn't like me," Craig said. "I went from being one of the most loved persons in Auburn football to one of the most hated persons in the entire state. The Alabama fans already didn't like me. When the Auburn fans stopped liking me, it kind of hurt. That bothered me. But you have a job to do."
His job was to make Winston both a quality young man and a quality quarterback. He was given credit for that work publicly when Winston, in receiving the Heisman, poignantly pointed out Craig's influence.
"My main man," Winston called Craig in his Heisman speech. "I still love that man today."
Winston invited Craig to the ceremony in New York, but he was unable to attend. He watched it on TV with a group.
"If I hadn't been around a lot of people, I probably would have started crying," Craig said. "It was really emotional for me. He didn't have to do that. That said a lot about him as a person. For him to share the brightest moment of his life with me meant a lot to me."
Actually, Winston's Heisman was just part of the plan Craig laid out when Winston came to Florida State.
"When I recruited him, I told him he would win not only one but two Heisman trophies," Craig said. "The kid is special. He's once in a lifetime. He's blessed with a lot of talents."
The decision after last season to leave Winston and Florida State wasn't easy for Craig. But a promotion, a return to his alma mater and a chance to work with Malzahn proved too much to resist.
Winston was stunned.
"It was a shock to me at first because we were close," Winston said. "But I was happy for him at the end of the day, even though I was sad he left. I was happy for him because that was his dream job. Obviously he got paid a lot and he played for Auburn and that's something he wanted to do. I know his family, and I know it was big for them, too."
Craig's departure resulted in a deeper relationship between Winston and Florida State head coach Jimbo Fisher.
"When Dameyune left, I called Jameis in," Fisher said. "We got back to like I was an assistant coach again. We hit it right off. ... Dameyune and Jameis always had a bond. But that's life, you move on."
And now Craig and Winston, who will always be linked, will be on opposite sides of the field on one of the biggest nights of their lives.
There will be mutual respect and affection, Craig said, but absolutely no conflict of interest.
"It shocks me when people ask me how I'm going to feel in this game," Craig said. "How do you think I'm going to feel? I want to win this football game."


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Westminister College
NSF Scholarship Recipient
Jenna Huston is a senior computer science and mathematics double major from Westminster College in New Wilmington, Pennsylvania. Jenna is a co-captian of the women's varsity golf team as well as the campus chapter president of Habitat for Humanity. She is the recipient of the the J. Miller Peck Computer Science Scholarship, the Dr. Warren D. Hickman Scholarship, and the Harriet Jackson Sarver Scholarship. Jenna chose to major in computer science after her high school teacher encouraged her to keep taking the high school level classes. Jenna likes that programming gives a new challenge every day.
"I am one of the only females in computer science at my school, so it is important to be able to connect with other people that are similar to me. Also I can bring back encouragement to the few other females at school."


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Pheasants Nest Detention Pond
Brookings, SD
The Pheasants Nest Detention Pond Project was identified in the City of Brookings Drainage Masterplan and ranked as a top three priority drainage project by the City Council because of the potential benefit to downstream residents. The purpose of the detention pond is to regulate peak stormwater flows and reduce sediment loads entering the existing downstream open channel drainage system. The plan included regrading the entire 10.5 acre lot which created room for a future dog park, construction of a two-phase storm water detention and sedimentation pond, and an outlet flow control structure, installing native grasses, trees, and wetland flora, and pedestrian walkways. Two rain gardens were also included to handle direct runoff from the adjacent street before entering the pond. Since there was an existing wetland onsite, a 404 wetland permit application was submitted to South Dakota's Regulatory Office and the pond construction work was authorized under an Army Corps general permit.View Project
FEMA Map Revision: Unnamed Tributary to Skunk Creek
Hartford, SD
FEMA approved the Letter of Map Revision (LOMR) prepared by Banner for the City of Hartford, SD for a 3.3 mile length of unnamed Tributary to Skunk Creek through the City and a small surrounding area in Minnehaha County. Hartford is developing at a rapid pace and in order to protect the public near this flooding source, the City elected to hire Banner to perform a detailed study. The City's floodplain mapping was previously a Zone A approximate Flood Insurance Rate Map (FIRM) with no official Base Flood Elevations (BFEs) identified. The LOMR revised the 100 year (1%-annual chance) boundary, added BFEs (Zone AE), and a 500-year (0.2%-annual-chance) boundary. This project was unique because of the accelerated timeline. The first FEMA map was submitted 4 months after the design contract was awarded. During this time, survey crews collected topographic data for the area and engineering staff conducted hydrologic and hydraulic models that were used to create the maps for the FEMA submittal. After the additional data requests were received from FEMA during their review process, a preliminary LOMR determination approval was made within 6 months. When the required 90 day appeal period concluded, the map became effective. This was a fast-track project especially considering the length of stream revised.View Project
Rand Road Drainage Channel - Phase II
Rapid City, SD
The City of Rapid City constructed a new drainage channel in an area of highly unstable soils. The existing channel was severely degraded and undersized. The purpose of the project was to reduce sediment transport (improving Storm Water Quality), reduce localized flooding to area businesses, and conveyance of storm water.View Project
Twin Lakes Emergency Drawdown
Brookings County, SD
Twin Lakes and Lake Sinai have historically been a closed drainage basin. Brush Lake drains to Twin, and Twin drains to Lake Sinai when and if they meet their natural outlet elevations. In the summer of 2011, the lake water levels finally reached their natural outlet elevations and began to flow to a Tributary to the Big Sioux River. A roadway embankment exists across the Lake Sinai natural outlet, which prompted the Brookings County Drainage Board to retain Banner to analyze options meeting county highway drainage standards. Banner recommended installing four culverts through the county road to relieve lake levels above the natural outlet elevation. Recommendations of culvert improvements for the downstream roadway crossings were also conducted and brought to the drainage board for their consideration.
As Twin Lakes was discharging over its natural outlet, its water level was above the US Hwy 81 centerline which caused safety and damage concerns for SDDOT. Additionally, the SDDOT retained Banner to help secure a Brookings County drainage permit for the emergency drawdown of Twin Lakes to a reasonable water level. The drainage permit included a hydraulics and hydrology study for the lake systems to analyze the impacts of a 90-day drawdown of Twin Lakes while taking into account the potential for several different scenarios of weather patterns. An EPA SWMM watershed model was created to run scenarios and assist in recommending a reasonable drawdown rate. The downstream impacts from Twin Lakes flowing to Lake Sinai and from Lake Sinai downstream to the Big Sioux River were addressed in the study and presented at County Drainage Board hearings. Pumping and siphoning were temporary alternatives investigated for the drawdown. Ultimately, due to cost, SDDOT opted to install a more permanent solution which could be used in the future if a Permanent Drainage Permit with Brookings County and SD DENR is pursued in the future. The drawdown from Twin Lakes successfully occurred without adverse impacts downstream.View Project
Columbia Circle Drainage Channel Improvements
Sioux Falls, SD
Richmond Estates 2nd Addition in northwest Sioux Falls was constructed in the mid 1980's. Over the years, continual degradation of an existing stream channel which flows in the backyards of residential lots created concerns with shallow sanitary sewer crossings. Scour issues at the downstream end of storm drain outlets feeding the drainage channel between Bahnson Avenue and Sycamore Avenue north of 3rd Street also necessitated action by the City to resolve the drainage channel issues. Banner Associates was contracted for the design of grading, storm sewer and sanitary sewer improvements. Numerous permanent utility and temporary construction easements were necessary to complete the work. The design incorporates a low flow pipe to carry trickle water through the area, two rock drop structures to dissipate energy within the drainage channel, and reestablishing safe and protected sanitary sewer crossings in the area.View Project
Pierre Comprehensive Drainage Study
Pierre, SD
The City of Pierre has experienced flooding problems in their drainage ways and storm sewers throughout the city. Banner was retained to perform a study to define the current flooding problems for the entire City of Pierre and evaluate improvements necessary to alleviate the flooding. Banner was responsible to collect field data, perform field reconnaissance of the drainage area, storm sewers and associated facilities, perform detailed computer modeling to determine the flood flows for various drainage basins throughout the city (HEC-1), determine flood elevations (HEC-RAS) for open channel drainage ways through the city, and perform detailed computer modeling of the storm sewer system and culvert pipes. Banner was also asked to recommend alternative drainage improvements to reduce flooding and subsequent damage. This task also required detailed computer modeling to determine the effectiveness of the proposed improvements. Alternatives, cost estimates and financing plans were developed to present this information for further consideration by the City of Pierre. Banner was also involved in assisting the City of Pierre in conducting public meetings to disseminate information regarding the study to the public and receive input and suggestions.View Project


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If you're searching for the top affiliate programs or niches to try in 2019 and you haven't found one yet, don't worry. You're not the only one. It's a tough task. Especially when you consider this … Over 80% of brands offer affiliate marketing programs that'll help you make money
How To Build A Passive Recurring Revenue Stream With The Kinsta Affiliate Program
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How To Monetize Your Film Blog
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8 Quick Things To Maximize Your Affiliate Marketing This Sales Season
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How To Use ThirstyAffiliates To Link Internally To Boost Traffic To Your Money Pages
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Earn $5,000+ With Cloudways Affiliate Program
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How To Start Your First Affiliate Website
Starting an affiliate website is a great way to make money online. It's especially great because it feels awesome to make money while creating a resource that people actually get some value from. If you haven't explored it yet, creating affiliate marketing websites is a legitimate business model that can
Affiliate Interview: Marco Famà of Time Lapse Italia
I met Marco a number of years ago via ThirstyAffiliates (he's a happy customer) and after helping him with a few things and chatting back and forth a number of times we became fast friends. I've always been fascinated with his website, not only because of his beautiful time-lapse photography,
The Power Of Reciprocation In Affiliate Marketing
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Affiliate Interview: Charles Ngo (How To Be An Asian James Bond)
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If you're thinking about building a hotel website with a real-time property reservation system, you are probably not even considering that it can be done without tech help and with a modest budget.
The hospitality business market is overwhelmed with proprietary software for accommodation reservation. And their marketing agencies spread the myth that even non-complex hotel websites require months of development to accommodate expansive booking software.
However, I've been working with WordPress for almost two years now and can safely say that it's a perfect content management system not only for publishers, but also for savvy business owners of hotel establishments of all sizes.
A fully functional hotel site with direct bookings activated does not have to take up lots of time and cost lots of money.
WordPress is an affordable, powerful and secure open-source software that has brought website content management to everybody. So far, it powers 28% of all websites on the net. Imagine, you can create a visually perfect hotel website with properties listings and switch on direct online bookings without any (or a little) tech help.
Just to make things clear, I'm talking about wordpress.org self-hosted websites (when you are the only boss on your site.)
Why you can rely on WordPress
Here are a few more reasons to back my claim that WordPress CMS is a great cost-effective solution for a hospitality business:
It means that WordPress is a highly powerful, flexible, and secure system to run any type of a website.
Lots of renowned websites, such as The New York Times, BBC America and TechCrunch are powered by WordPress.
Moreover, it is used by a lot of governments across the world. It is 100% scalable – it powers many small and massive websites.
If we speak about hospitality-centric business and user-friendly tools, WordPress vendors offer lots of ready-made customizable hotel site designs (free and paid themes) as well as hotel reservation functionality (plugins). Plugins can be used on any WordPress theme.
The variety of designs and plugins give hoteliers freedom of choice and customization within one content management system.
This is one of the main reasons for this article – to serve the needs of on-budget hoteliers.
Not including the expenses on a WordPress website itself (which is around $350 per year for a domain, hosting and design), the cost of the reservation functionality plugins varies from $30 to $90 per year. Sometimes a hotel-dedicated WordPress theme includes the reservation software by default, so you have lot of options to cut down expenses.
Compare to the proprietary software, where the charge is around $500-$1000 yearly for a reservation software only (and the price may increase depending on a number of rooms, for example).
It's worth mentioning that you may not even pay for the WordPress plugin on a regular basis (each year/month) and still use its functionality (however, you won't receive updates and support), because you own it. This is generally impossible with subscription-based reservation software providers that offer you tools you'll never own.
WordPress is growing in terms of content management simplification. The main aim is to give you the option to edit all content fully visually with no coding required.
For example, the property reservation plugins don't lock you down, giving you more customization freedom than the vast majority of the proprietary software. Developers may tweak the booking functionality with the custom code if required, while the code of the proprietary software is generally closed for editing.
Managing hotel reservation software on WordPress, in most cases your job will be to upload your texts, media content and click all needed buttons to set up the system.
For example, you'll need to tick the boxes "Accept payment through PayPal", "Confirm bookings manually", etc. to make it work.
Even if you hire a developer to set up the system for you, it won't be a hassle for you or your staff to manage live reservations.
WordPress reservation plugins for hotel accommodations come with built-in e-commerce tools: you'll simply need to choose the plugin that offers the needed payment gateways. Generally, guests can pay for your accommodation online or after arrival (you choose which options to provide them with). The security of your payments also depends on many reasons as with any other software: whether your domain name uses the security certificate (https), what ways to protect the site you use, etc.
Though your hotel establishment is a local business (easier SEO, that is), proper default SEO tools are a need to help you fill the site with your local keywords and descriptions. Unlike many proprietary software for hotels, WordPress gives you a full control over website optimization, with a huge choice of free plugins for advanced SEO.
Proper SEO will be one of your best friends in your fight against OTAs.
But what about drawbacks, I hear you ask?
In the imperfect technical world, the hoteliers who use WordPress can face the following obstacles:
What's the process of building a hotel site on WordPress? A bird's-eye view
Regardless of the CMS, each website requires hosting space and a domain name, which is a cost.
To build a hotel website with WordPress, you'll additionally need to download the free WordPress software, choose a theme (customizable site design – free or paid), and find a property reservation plugin (generally paid).
So, the hotel site design itself is a theme, the online bookings system is a plugin, and WordPress is a free content managements system to customize and handle a theme and a plugin.
Basically, there are two alternative ways to start a hotel site on WordPress:
Free themes can be found on the official WordPress repository (they are free because of less features and no support), and the paid ones anywhere on independent WordPress shops or marketplaces. The same for plugins.
You may check my latest comparison of popular WordPress hotel booking plugins with all pros, cons and up-to-date pricing, so it's easier for you to consider all nuances.
Additionally, there are several important things to consider when choosing a room reservation plugin:
Overall, WordPress is a progressive, sustainable and powerful platform with a great community and free knowledge bases behind it, so you can safely rely on it with your hospitality business website. So, are you ready to test the waters and reduce expenses?
This was a viewpoint by Ann Taylor, a WordPress blogger.
Image by BigStock
Source: www.tnooz.com


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Next Saturday, the Vardy Community Historical Society will hold their spring celebration at the Church/Museum from 11 am to 4 pm. Lunch is from noon to 1, and they have music, an old tractor show, apple butter making, and so on. The Melungeon Historical Society will have a table there. Becky Nelson and helpers will be there with a table, a banner, information handouts about MHS, and applications for membership. Everyone is invited.
The Melungeon Historical Society was formed early in 2008 by a group
of Melungeon researchers and descendents to collect and preserve
historical records that pertain to the Melungeons and/or their
kinfolks and descendents.
MHS will use documented family genealogy, documented historical
research and documented DNA research conforming to recognized
professional and scholarly standards to compile and prepare records,
to establish and maintain a website and/or blog to keep members
informed, and to sponsor and encourage educational meetings,
gatherings, lectures, and activities in genealogy and history. The
Melungeon Historical Society will be a membership organization, and
those interested in joining should contact Becky Nelson at
Applications for membership will be reviewed by our Membership
Committee and upon acceptance and dues paid, (check or Money order
only, payable to MHS, please do not send cash) members will be
entitled to newsletters, the latest information on Melungeons, a list
serve chat group, discounted or no fees for programs, voting and
nominations for the 2 at-large members of the board. Dues will be due
at 1 year intervals. If an application is not accepted, the
check/money order will be returned. Members are encouraged to send
documented charts of Melungeon family lines, on which you can furnish
data along with your application, data submitted will become the
property of the society for the intent of publication.
We look forward to a new era in Melungeon research and welcome all
who share our desire to preserve our Melungeon heritage.
Wayne Winkler
MHS President


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Due to Fire, Dollars Fast Foods will be closed for the next few months whilst damages are being fixed. The shop will also undergo major refurbishment, so we ask our long standing clients to please be patient.
Dollars Gas who is a major distributor of LP Gas 24 hours per day to the Restaurant & Industrial trade will still be trading!
Dollars Food Inc. is well recognised in the food industry for its outstanding food. Featured on M-Net as the makers of the best Gatsbys in the Cape.
Dollars Fast Foods65 Albert Road, Salt River. Tel: 021 448 1843 Cell: 083 453 email@example.com
Web site designed and maintained by © AshiharaOnline 2000 - 2018


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How old do you have to be to drive?
You must be 18 & older for the ATVs, 18 & older with a full driving license to drive the Mucky Ducks, and 21 & older with a full license to drive the Polaris RZRs. No exceptions.
How many passengers fit in my vehicle?
Our buggies can seat 2. Our Mucky Ducks can seat up to 4 (or 950lbs) and there are no passengers on the ATVs.
How long is my experience going to take?
The Mucky Duck experience is about one hour. The ATVs are two hours from start to finish including safety briefing & safety course. The buggies are 5 laps of our 2 mile course, which most complete in under an hour. Our introductory Archery lesson is an hour and a half. Clay Shooting takes around 1 hour. Fishing is available for either 4 or 6 hour trips.
Do we have to go through the safety briefing if we are experienced riders?
Yes. We take safety very seriously and anyone coming onto the property must attend so you know exactly how we work and what we expect, as well as what you can expect during your ride.
How fast can we go on our experience?
Different experiences move at different speeds with various factors such as weather, terrain, experience and others in the group, etc. Safety is always our primary concern in everything we do, so we don't focus on 'top speeds'. We ride at a speed we feel the guest is capable and comfortable with. That being said, The Mucky Ducks while capable of over 20 mph, don't usually need to travel at that speed, considering the terrain, and ATVs and Buggies move at various speeds according to the factors listed above.
What should I wear and are there showers/changing rooms?
You want to wear clothes you aren't worried about getting dirty as well as close-toed shoes. If you are riding the Mucky Ducks we recommend a hat and sunglasses. Helmets and goggles are provided for ATVs and Buggies. We do not have showers available so bring swimsuits and take a dip in the lake to rinse off.
Is it safe if I am not experienced?
Yes. Most of the people who come to see us are inexperienced. All experiences come with their own personally tailored safety briefing with a guide who will also familiarize you with your equipment. If you can drive a car, you can drive our equipment but if at any point in time, you feel you are unable to operate it or are at all uncomfortable, let our guides know and they will help you.
Do I need reservations?
Yes, we are open 7 days a week and require reservations to ensure we have the necessary amount of vehicles and team members at your disposal.
What happens if the vehicle breaks down?
In the unlikely event your vehicle breaks down, your guide will make sure you are safely brought back to the reception area and placed on new equipment, if applicable.
What if I have an accident?
Unfortunately, accidents can happen and while we cover the cost of any breakdown related repairs, you will be responsible for any and all damages from your accident you will be offered medical assistance and asked to pay before you leave the property a deposit for repairs.
Will I see any animals?
There is always the possibility of seeing Florida's native birds such as Egrets, Woodpeckers, Wood Warblers, White Tailed deer and possibly Vultures, Tree Frogs, Bass, Spiders, Snakes and maybe even Alligators.
What if I do not want to drive?
If you would like a guide to drive you, let us know when you make your reservation. If you just want to come and watch others in your group feel free to hang out under the shelter.
Can we switch drivers along the route?
You cannot switch drivers on the ATV but you can switch once during the Buggy or Duck rides as long as the driver is qualified and is at least 18 with a full license. The guide will tell you when it is safe and possible. Tell the guide before you set off and they will assist you.
Should I tip the guide?
Tipping is customary throughout Florida, and if you have a great time with us, it's an awesome way to thank your guide for their hard work. Of course, tipping is always at your discretion, never expected but always appreciated 15% is around the normal amount.
Can I bring food on to the property?
We do not sell food other than snacks and soft drinks. You can bring a simple picnic if you wish but no BBQ;s or alcohol whilst you are using any of our equipment.
Can I bring my own vehicle and use the trails?
You may not bring your own vehicle to use on our trails.


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Classic Birchwood ski boat / speedboat ca. 1968. The
boat was restored by fibreglass experts Jago Developments Ltd and the deck resprayed in 2K
turkish blue – the hull is still original gelcoat. After 15 years of use there are marks
and blemishes, but the boat still looks lovely and attracts attention. There are only 3 or 4 of these boats still
in existance. The boat handles extremely well for it's size and the '59 hull
design – I have been out in a Force 4 – has a soft ride and is very
dry too. Top speed, without any modification to the motor and
propellers, is around 39mph (36knots). We have used it on CMBA sea
rallies (it has won prizes) and for water skiing (it has a tiny wake) in Italy and France. The hull is rated to 52mph and 85hp. Healey
Marine Sprite moulds were used by Birchwood / Interglass to make their Thunderski / Thunderball models when Donald
Healey stopped building the Sprite in 1962. The Healey Sprite was a copy of the
successful Glasspar G3, with some modification to it's sponsons. This Birchwood
Thunderski version (announced at the '68 Earl's Court Boat Show) was a more practical 4 seater than the 2
seater Sprite. The boat is fitted with:3 cylinder rare short shaft 6H3 Yamaha 60hp outboard, dated 1989. Motor was rebuilt with a new 70hp block in 2013. Included in sale are an extra, matched, set of 70hp carburetors and reed block assembly, plus 3 Yamaha 'K' propellers (2x 17 pitch & 1x 19 pitch). Autolube removed, but all the original parts will be supplied with the motor. Spare upper lid / cowl and lower 60hp cowling. Recently winterised (see pic above).Yamaha 703 electric start controls plus loom + spare remote parts + 3 sets of spare keys.4 seats – back to back GRP moulded seats have removable / washable custom vinyl / padding.Bilge pump – float switch and manual. Newish leisure battery and battery master cut-off switch.Boat is on a 2009 600kg bunked and galvanised De Graaf trailer with new 145×10 radials and a recent hub / bearing service. 4 jet-ski fenders and assorted hand made mooring lines. Speedo works. Rev counter was never wired in. New Ducksback cover. More pics to follow. Viewing recommended. Collection from GL16, GLOS.
Current Price: £3500.00
This Classic Speedboat / Power Boat – 1968 Birchwood Thunderski Runabout boat is located in Coleford, GL16 8JG and is being sold on eBay by mtbigbag.