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In 1981 Jim Lehrer and Robin MacNeil interviewed Margaret Thatcher, then prime minister, about the civil war in El Salvador. Plus Judy Woodruff talks to George Shultz and James Baker, two former secretaries of state who worked closely with Thatcher. Kim Campbell, Canada's first and only female prime minister, also weighs in.
Read the Full Transcript
We return to Margaret Thatcher and delve into our program's archive.
When she sat down with the NewsHour's founders, Robert MacNeil and Jim Lehrer, they got a taste of the steely resolve of the Iron Lady when they asked her repeatedly about the news of that day, the civil war in El Salvador. The U.S. and Britain backed the military government in its fight against left-wing guerrilla groups.
Here are excerpts from that 1981 interview.
Good evening from Washington.
British Prime Minister Margaret Thatcher finished two days of talks today with President Reagan and U.S. officials impressed, she said, with the striking similarity between our aims and policies. Mrs. Thatcher is the first major allied leader to visit the new president.
Earlier this afternoon, Jim Lehrer and I discussed some of these issues with Mrs. Thatcher at Blair House.
A short while ago, it was announced that you are delaying your departure from Washington in the morning to have a special unscheduled second session with President Reagan.
Has something urgent arisen, or something special, or what?
PRIME MINISTER MARGARET THATCHER, Britain:
No, I think it's a lovely idea, my husband and me to go around to the White House to say goodbye and to say how very much we have enjoyed the trip.
We were afraid that maybe something had come up on El Salvador or something like that. But that's not the case, right?
I don't think we would be so ham-handed as to do that way if it had.
In your conversations with the president, Secretary Haig and others, with those full — were the full range of options that could be employed to stop this outside interference, were they gone over with you?
Actually, the proportion of questions I have had on El Salvador from interviewers far exceeds the proportion of time we spent on discussing this particular matter.
Now, why didn't you spend more time talking about El Salvador?
Because there were a lot of other things to talk about as well.
It's not that important then in the total scheme of things?
No, I think you're trying to grope for something, which, if I might respectfully say so, some meaning that isn't there.
Well, we don't want to devote a fantastic amount of time to it, but I would like to grope …
I would like to grope a little further.
Well, grope away.
I assure you I'm very good, you know, at giving you the answer I want to give.
I'm sure you are.
Well, for more on the legacy of Margaret Thatcher, I'm joined by two former secretaries of state who worked extensively with the British prime minister.
George Shultz served under President Ronald Reagan. James Baker served as secretary of state under President George H.W. Bush.
We welcome you both to the NewsHour.
And, Secretary Shultz, let me begin with you.
You were in that position for seven years under Ronald Reagan. So you worked with her as much as, if not more than, anyone else in government at that time. What was she like?
FORMER SECRETARY OF STATE GEORGE SHULTZ, United States:
She was very clear, very well-informed.
She was — loved to have a good discussion. She didn't like it if you toadied to her. She liked it when you stood up and argued. And so that's what I did. Your interview clip with MacNeil and Lehrer reminded me of a time when she had been in Camp David. And I flew down with her to Andrews Air Force Base to see her off.
And, at the base, there was a news interview. And she stood there. And reporters would ask these questions, and she would say, now, that's not a very good question. If you had formed it like this, then that would be something of a question worth answering. And here's the answer to the question you should have asked.
She did that a few times. And then there weren't any more questions.
Well, Secretary Baker, you, of course, not only interacted with her in the first Bush administration as secretary of state. You, of course, were also White House chief of staff, treasury secretary under President Reagan. So you interacted with her in several different capacities.
What do you remember about her?
FORMER SECRETARY OF STATE JAMES BAKER, United States:
Well, I remember how strong and determined a leader she was.
I remember what a great friend of the United States she was. I remember how she in effect led a conservative revolution in a number of countries by being elected in 1979 in the United Kingdom, just before Ronald Reagan was elected in 1980 in America, and you had the election of conservative leaders in Germany with Helmut Kohl, and Canada with Brian Mulroney shortly thereafter or contemporaneously therewith.
And so it was quite a — quite a conservative revolution in governments around the world. I agree with what George said. She really didn't mind it at all if you argued with her, if you engaged or jousted with her on policy. And we did — we had to do that as well from time to time.
I never will forget an instance in the Oval Office when we were trying to convince her that we should go to the United Nations to get a resolution of force authorizing the ejection of Iraq from Kuwait. We didn't have the support of the Congress. We had a Democratic House and a Democratic Senate. And it was our view that if we got the rest of the world behind this effort, we could then get the American Congress, which proved to be the case.
But she didn't want to go to the U.N. because she was afraid that we might go for the resolution and not get it. Of course, our plan was never to bring it up unless we knew we had the votes to get it. But I never will forget her sitting there. After 45 minutes of discussing this issue, she turned to President Bush and she said, oh, George. She said, let's just go do it.
Well, I can understand that.
Her view was that Article 51 of the U.N. Charter gave us the authority. And it probably did. But we needed the political support. And we wanted to have and were able to ultimately to achieve that unprecedented international coalition to kick Iraq out of Kuwait.
Secretary Shultz, what was she like in those situations? What was she like as a partner, as someone who I assume the administration agreed with much of the time, but maybe not all the time?
Well, she was a person with whom you could really discuss a subject in depth, because she had done her homework. She had thought about the things that we were interested in.
And so you always could learn something from talking with her. And you could see that her mind was open to learning whatever you had to say. Every time I went to the Soviet Union, I shared with her directly what impressions I had. And whenever she had any contacts, she let us know right away what her observations were.
So she was really an excellent partner. But she could also give you what-for. I remember when the big Reagan-Gorbachev meeting in Reykjavik took place, at that meeting we talked about the possibility of a world free of nuclear weapons. And I had hardly gotten back to Washington when I was summoned to the British ambassador's residence, practically summoned, to meet with Margaret.
And you remember she used to carry a little handbag. Well, I learned that there's a verb in the British language called to be handbagged.
She said, George, how could you sit there and allow the president to talk about a world free of nuclear weapons?
I said, but, Margaret, he's the president. Yes, but you're supposed to be the one with his feet on the ground. But, Margaret, I agreed with him.
Oh, boy, did I get it.
But she had very clear views and she made them known to you.
Secretary Baker, what was her influence on President Reagan and on President — the first President Bush? To what extent did she make it easier, especially for President Reagan, to deal with the Soviets, to open the end of the Cold War?
Well, she made it — I think she made it much easier with both President — for both President Reagan and President Bush to do so by early on commenting, you know, that after she met with Gorbachev, she said, you know, this is somebody that I think we can do business with.
Well, that made it a lot easier for a Republican president to engage with the Soviet Union, something that the very conservative base of the Republican Party wasn't enthusiastic about. But if you had the Iron Lady saying this is someone we can do business with, it made it a lot easier for both of those presidents to engage.
But, you know, we have mentioned a couple of instances where there were minor disagreements. For the most part, everything was pretty much seamless between Prime Minister Thatcher and both of those presidents, Reagan and Bush.
I do remember one occasion — George will remember this — when we were about to invade Grenada, first time the United States had used force since the Vietnam War, military force. And we, therefore, were holding it pretty close. We called the prime minister the night before the operation was to go down. And I was on the phone taking notes while President Reagan talked to her.
He told her that, tomorrow morning, we're going to invade Grenada. Well, that was a commonwealth country. And she thought we should have called her while we were developing the plans, not after they were in train, in effect. And she said, Ronnie, this is — this is notification, not consultation.
She wasn't a happy camper. But that just shows you, I think, that she was — she felt free to speak her mind.
But, for the most part and in most instances, she was 100 percent with the United States on practically every issue.
Secretary Shultz, how much did it matter that she was a woman?
Well, she was a very attractive woman.
So you were certainly aware of that. But it — you didn't sort of feel, I'm dealing with a woman and there's something special about it. She was just a straightforward person.
But I would like to make a comment on the attitude toward the Soviets. She and Ronald Reagan shared something that wasn't widely shared, but made a big difference. They were both very tough-minded. But they both thought that if you kept the pressure on long enough, change would come to the Soviet Union.
That's the underlying significance of the remark Jim quoted on Gorbachev is somebody we can do business with, that you didn't just sit there and assume nothing could ever change. You sat there and you had a hard line, but at the same time, when we saw the opportunity to develop change, we seized it.
And, as Jim indicated, that wasn't the view of a lot of conservative people. But the view that change could come turned out to be right. And she and Ronald Reagan shared that view.
And so, Secretary Baker, how much of that was her legacy, the legacy — what is the legacy that she leaves?
Well, I think she — I really think it's not a stretch to say that she changed the arc of history.
She certainly did as far as the U.K. is concerned. And I think working with President Reagan and working with President Bush 41, she changed the arc of history as far as the world is concerned. I mean, you think about the developments that took place during that, I guess, 10-year period. She came in, in '79. She left in '90, 11 years.
Look at the change that took place. It was fundamental change in many, many — with respect to many things around the world. And so I don't think it's a stretch to say that she changed the arc of history. I had the privilege of dealing with her not only in diplomatic and political matters, international political matters, but also economic matters, because I was treasury secretary for almost four years while she was prime minister. And I dealt with her in that capacity.
And, of course, she left a legacy there as well, particularly in the U.K., where she emphasized the private sector and got rid of the oppressive influence of the trade unions.
And, Secretary Shultz, that was a controversial part of her legacy. How much did that affect how you were able to deal with her? How did that affect her, the criticism she was facing at home?
She didn't seem to be bothered by it.
And, of course, the ultimate test is, she got reelected. So, if you win, maybe people are criticizing you, but you have the majority with you. And I agree with Jim wholeheartedly that she changed the arc — she, with Ronald Reagan together, changed the arc of history.
And I would put it in one word: freedom. That was her tagline, freedom, freedom at home for markets to work, freedom abroad for countries to find their way and to have respectable, responsible elected governments.
Well, we are so pleased to have both of you join us this evening, former Secretaries of State George Shultz and Jim Baker.
Thank you.
Thank you, Judy.
And, as we have said, of course, Thatcher was the first woman to head a major Western power.
One woman who watched her closely and later became Canada's first and only female prime minister is Kim Campbell. She took office two-and-a-half years after Thatcher resigned.
Welcome to the program.
FORMER PRIME MINISTER KIM CAMPBELL, Canada:
Thank you.
Prime Minister Campbell, we heard Secretary George Shultz say that the fact that Margaret Thatcher was a woman didn't really have a great deal, if anything, to do with how she was seen by him and by others who dealt with her. How did you see her, as someone who came along in politics shortly thereafter?
Well, it's interesting.
The summer of '93, when I was traveling Canada as a newly minted prime minister, little old men come up to me, ooh, you're going to be our Maggie Thatcher. And it was very clear that she had created a constituency for female leaders in some very interesting places.
And I think that every woman who wants to lead, every woman who is leading today owes her a debt because she just drop-kicked all of the stereotypes about women as leaders, you know, out of the ballpark. She was tough. She was able to see things through. She was also remarkably feminine, a very lovely looking woman.
And watching the old clips of her, it's kind of touching to be reminded of what a lovely woman she was. And she also was a modern politician. She took steps to lower the tambour of her voice. And when Saatchi & Saatchi offered to remake her image, she did, because when she was a young member of Parliament, she was accused of being too much of a clotheshorse.
So, she allowed herself to become sort of dowdy. And then when she became prime minister, she always looked great. But she really just I think opened up a space for women in other countries to be credible as leaders. There were things you didn't have to compromise anymore, that this notion that you could not be tough and still be feminine, that there would be somehow some way that you weren't really a woman if you wanted to lead a country or if you were prepared to send people into battle, it just wasn't the case.
And she just established that once and for all.
Saatchi & Saatchi, you refer to, of course is the advertising public relations firm she consulted when she was running for prime minister.
Are you saying, though, that women in politics around the world look to Margaret Thatcher?
Well, whether they look to her themselves or not — and she's controversial and people have different views. I was a graduate student in London in the early '70s when the power used to go off for six hours a day because of the miners' strike.
And, actually, how she dealt with that was brilliant. She didn't take them on when there weren't stocks of coal. She waited to build up stocks of coal, so she could take them on and not have the disruptions in power, which were — it was outrageous.
So, some people didn't like that toughness. Some people may be more left-wing than she or have different policy choices. But I think the credibility of a woman leading, particularly when you have to make difficult decisions on security issues, Margaret Thatcher prepared that way.
And so I think we all owe her a debt, whether we would have done as she did or not. And, you know, she had no role models. Who did Margaret Thatcher have to model herself upon? There wasn't anybody. And she kind of made her own way. And a lot of the criticism of her in Britain was also class criticism.
She had an upper-class education, but she was a lower-middle class girl. And she led a party that had a lot of people from privilege. In fact, the current Conservative prime minister is often accused of being too upper-class and has to be kind of a regular guy to dispel that.
So …
But she broke through so many social barriers in Britain, not just the gender one.
So, what do you see ultimately as her legacy?
Well, I think there's no question that she changed the power structure in Britain.
You know, it amuses me in the United States when people talk about, you know, President Obama is a socialist, and I want to buy them a dictionary, because you don't have any socialists in this country. But the class war in Britain and the power of unaccountable people, you know, Scargill, the leader of the miners' union, was bent on destroying the government.
And she kind of shifted that, so that the Labor Party is a very different party now from what it was then. She really helped to remake the political configuration in Britain to make it a much more, I think, centrist, constructive, but with ideological choice.
And I think that, as the decades go on and people look back, they will see that it was a salutary re-jigging of the political debate in Great Britain. But also she was a great meritocrat. She have didn't get anything that she didn't work for. She didn't get her position by privilege or family connections. And she opened up the meritocracy.
She had Jews in her Cabinet. She brought around her people who were successful, self-made people. And she made it acceptable to be successful in Britain, which was very difficult in that kind of class-ridden society that looked down on people in trade and et cetera.
So I think her effect on British society is still being felt. And I think it was a healthy one.
Still being felt and still being discussed.
Former Prime Minister of Canada Kim Campbell, thank you.
My pleasure.
And, online, see the world's reaction to the passing of the British leader. And you can watch her 1981 conversation with the MacNeil and Lehrer. That's on our home page.


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Not to be confused with Final Fantasy VI, which was originally released in North America as Final Fantasy III.
Four souls shall be blessed with light, and so it shall begin...
The third entry in the brain-implodingly popular Final Fantasy series.
Kids will be kids, right? And if you tell them that a particular abandoned and unguarded cave is dangerous, you can pretty much expect the kids to wander in. This goes double if the kids in question are orphans and don't really have parental influences in their lives.
Little do the orphans know, they're about to stumble on a power that will change their lives, and force them to save the world. With the crystals of light sensing that darkness is about to take over, they find the first folks to come along to grant their powers - the four orphans. It's now up to these kids, so inexperienced that they're called Onion Kids (after the Japanese term negibozu, literally a green onion sprout but also meaning a callow youth), to save the world.
For a long time called the "lost" Final Fantasy, as it was never released anywhere outside of Japan for many years - even after all of the other pre-PlayStation games received at least one release. However, a remake, with more plot and characterisation, came out worldwide on the Nintendo DS, finally getting the game to a wider audience. And now, the DS version has been ported to iOS.
Ironically enough, in terms of gameplay, it's very much one of the most important games in the series, as several concepts in the series as a whole originate in this game. Moogles, summon magic, terrain effects... this game started many of them.
Has a character sheet.
- Affirmative Action Girl: Refia was the only one of the original Onion Knights to be given a gender change along with a name and personality.
- In the official manga for the original game, there was a female Onion Knight named Melfi.
- AFGNCAAP: Only in the Famicom version.
- All in a Row: More like Both In A Row, as guests will follow your party leader perfectly.
- Always Check Behind the Chair: Dances between Always Check Behind the Chair and Notice This. The DS remake lets you zoom-in using L/R, with spots hiding objects giving off a yellow-gold sparkle.
- A Child Shall Lead Them: King Alus of Saronia.
- Arbitrary Headcount Limit: Most notable in the DS version, where only three enemies can be onscreen at once.
- Badass Grandpa: Dorga and Cid.
- Bare-Fisted Monk: The Monk class.
- Bare Your Midriff: Refia's Thief outfit.
- Blow You Away: This is the first FF installment to feature Wind-element magic (Aero/Aera/Aeroga). Strangely, it is classified as White Magic.
- Breather Episode: This game brought in some much needed humor after Final Fantasy II.
- Bonus Boss: The guardians of the Dark Warriors, who will help in the final battle if freed. They are not completely optional in the DS remake, but the remake does add the Iron Giant.
- Bonus Dungeon: In addition to the various sidequest dungeons, as well as the DS-exclusive ??? bonus dungeon, which is a single tiny room with dragons as random encounters, no treasure and a Bonus Boss.
- Boss in Mook Clothing: The dragons in the Crystal Tower.
- Broken Aesop: The Dark Is Not Evil and Light Is Not Good message is undermined in the DS Updated Rerelease by extra lines in the pre-ending crawl going on and on about evil being defeated by "the light of hope." The Cloud of Darkness also applies, if only in name, though it's unclear what she was called during the flood of light.
- Canon Name: The manga adaption names the quartet Muuchi, Doug, J. Bowie, and Melfi. The DS remake names them Luneth, Arc, Refia and Ingus.
- Check Point Starvation: The final tower does this to you. After the last time you can save, you have to go up 8 or 9 floors of the Crystal tower, gaining experience all the way, and then you defeat a boss, get warped to the World of Darkness where you have to beat 4 more tough minibosses, get items, gain experience, defeat the final boss, and then watch the whole ending scene before you can finally save again.
- Contrived Coincidence: It just so happens that a guy who fell down a hole one day, his best friend in town, a girl they meet on a ship, and a guard who greets them at a gate are all the chosen ones, as well as orphans.
- Actually, it is later revealed that The four children were all passengers aboard Cid's ship, which was headed for the floating continent from the surface world, when they were babies. During the earthquake, all of their respective parents died, and Cid gave the children to various accepting foster parents after the crash. That is why they are all orphans and all live in the same area.
- Conveniently an Orphan: Lampshaded in the DS version.
- Cool Old Guy: Dorga and Cid both qualify.
- Cool Old Lady: Unei doesn't even let the party suggest she's too frail to come along and thinks nothing of blasting apart giant adamantine boulders. With her mind. And antimatter.
- Dark Is Not Evil: Present in the backstory, when the Dark Warriors have to save the world against abuse of the elemental powers of light. They also can help out your party if they are freed, showing that they're apparently not inherent rivals to the Light Warriors.
- Dual-Wielding: In a twist, everyone (except the bard) can do it. Yes, even mages, who can dual-wield staves. There's at least one viable strategy that involves dual-wielding shields.
- The opening FMV in the DS version even shows everyone doing it just because.
- One of the most famous pieces of the Amano concept art (now used as the background of the game's logo) is one warrior dual-wielding swords.
- Eleventh-Hour Superpower: The Sage and Ninja classes in the original. They're better balanced in the remake.
- Enemy Scan: The first game in the series with it, and intended to be required for a boss fight at one point.
- Fake Difficulty: Pseudo-random turn order. You're not likely to get enough Agility to make a difference on more than one party member, and the bosses where it really counts are pretty much all over the place on their attack order.
- Floating Continent: Unusually, that's where the game actually starts.
- Fire, Ice, Lightning: It's a Final Fantasy game. Of course this is in there.
- Foreboding Architecture: This game continues the Final Fantasy trend of "lots of stark crystal structures" at or near the end of the game.
- Get on the Boat
- The Ghost: Despite being mentioned as the main villain for most of the storyline, Xande is only seen in person when you battle him.
- Giant Space Flea From Nowhere: You didn't really think Xande was going to be the final boss, did you?
- Global Airship: Four of them. One of which is a submarine, and another which fires cannons at random encounters and is so massive that it doesn't actually land. Three out of the four, however, aren't that good at flying over mountains, which limits exploration a little. And the fourth cannot fly over every mountain, either.
- Gratuitous English: Roaming Sheep
- Guest Star Party Member: Characters who tag along will occasionally show up in battle to help.
- Healing Shiv: One of its earliest appearances. Of course, like all other weapons, they can be Dual Wielded.
- Healing Spring: The first appearance in the series.
- Hello, Insert Name Here: In the Famicom version, you name all four of the characters. Sometimes those four names appear in list form when a character is addressing everybody in the group; other times, only the character currently being used as your sprite is addressed. However, since you can use the Select key to rotate which of the four is your sprite, this can (depending on the translation) make some follow-up conversations a bit jarring.
- Hopeless Boss Fight: The Cloud of Darkness will kill most parties in the first round the first time you fight it.
- Bahamut near the beginning. You have to escape, not win, because although he's not dangerous your party will still be unable to kill him.
- Job System: Trope Codifier as far as the Final Fantasy series is concerned.
- Joke Item: The Gold Sword has an attack power of one, but can be sold for 10,000 gil.
- Hey, at least it's realistic. Gold's too soft and heavy to make effective weapon material.
- Infinity Plus One Equipment: Onion equipment.
- Katanas Are Just Better: Want to kill splitting enemies without them splitting? It's either a katana, or burn through all your magic.
- Leitmotif: One 4-man group has one.
- Lethal Joke Character: Geomancers definitely fall into this in the remake. Their effects are laughable for the first few levels - but when they do screen-clearing non-elemental attacks at higher levels for no cost, you'll wonder why you bothered with other classes. The Onion Knight class also behaves like this.
- There's a curious build to turn a Viking into this. Make one character a Viking, equip them with the best two shields and best armor you have, stick them in the back row, and continually have them use Taunt/Provoke. This attracts enemy attacks, absorbed by the Viking's high defense (and improves as the character's shield skill increases), freeing the other characters to wail on foes (though one of the other three is usually on "heal the Viking" duty). The strategy breaks down against attacks that hit the whole party, but works extremely well if the enemies lack those attacks.
- Level Map Display: The Sight spell displays a map.
- Lighter and Softer: It's not as dark and grim as its predecessor or its successor, but it does have its share of sad moments.
- Light Is Not Good: See Dark Is Not Evil, above.
- Luck-Based Mission: The final series of bosses (and Garuda) due to random turn order. Their offensive power necessitates a party-wide Curaja every turn, at least until this scenario happens...
Turn 1
Boss nukes the party, possibly killing someone (hope it's not your healer!)
Healer heals party.
Turn 2
Healer's Curaja goes off before boss attacks while everyone's already topped off.
Boss nukes the party, leaving everyone in the red or on the floor at the turn's end.
Turn 3
Boss attacks first this time, nukes the party before the next heal goes off.
Party Wipe!
- The Woman(?) Behind The Man: Cloud of Darkness is more or less controlling Xande's actions to institute her release.
- Magikarp Power: Several classes, most prominently the Onion Knight.
- Master of Unlocking: Thieves can unlock doors without using up Magic Keys.
- Money Spider: Most obvious when you go into Goldor's castle. As his Meaningful Name suggests, everything there, including the minions, are made of gold for you to harvest.
- Mortality Ensues: The great sage Noah awards each of his three students with a gift. Doga is bestowed with great magical power while Unei is given control over the world of dreams while she slept, and both go on to become renowned sages in their own right. Xande? He receives the "gift" of mortality. He doesn't take well to this snubbing.
- Mythology Gag: If you unlock the special Onion Knight class in the DS version, it starts with Luneth rescuing a group of 4 Onion Knights who also fell into the cavern you did. In other words, the 4 Onion Knights from the original game.
- In the DS version as well, the classes granted by the Wind Crystal are the six classes from the original Final Fantasy.
- Never Mess with Granny: Unei is this in spades.
- Nerf: The Sage and Ninja classes in the DS version.
- Nintendo Hard: Even moreso in the DS version, since engine limitations meant that they simply upped the stats of existing monsters rather than make you fight multiple groupings of them. Said monsters can often attack two or even three times per round, making bosses more dangerous. Oh, and one more little detail - THERE ARE NO SAVE POINTS, EVER. The only place to save your game is on the world map. Enjoy traipsing through a three hour dungeon with no save points and dying at the end!
- Moreover, with one or two exceptions, there are no healing points in the dungeons either. This isn't such a big problem with HP, as you can restore that with potions, but MP restoring items are much rarer. What this means is that you have to do each dungeon twice - one run to collect all the items and level up your characters, and a second run where you run from every random encounter to make sure you have enough HP and MP to face off against the boss.
- The final room in the World Of Darkness has random encounters with offensive power comparable to the most difficult of the four bosses you just fought -- except they're additionally capable of Back Attacking you, attacking three times to wipe out half your party and leave the other half in the red before you get the chance to input commands, then attacking three more times to finish you before any of those commands go off. And you thought WarMech was bad?!?
- Nonstandard Game Over: Trying to cross the swamp in front of Goldor Manor without the Levigrass Shoes causes your entire party to sink into the swamp.
- Not Completely Useless: A few classes fall into this. Scholar is most prominent because although the job isn't one that you'll be using all the time, at certain parts of the game their abilities can help you a lot.
- The Geomancer especially. They've been joke characters/shrugged off in other games with them, but in this game, they're actually feasible damage-dealers with just melee damage and their abilities are actually rather useful if a bit random. It's not uncommon for them to get Shadowflare and hit for damage near the cap in the middle of the game.
- Obi-Wan Moment: Dorga and Unei, among others.
- One-Time Dungeon: The floating Hyne Castle, which after finishing gets planted into a forest you're not allowed to get back to.
- One-Winged Angel: No matter how human an enemy looks, they WILL be a monster after the Fight Woosh. Cloud of Darkness is an inversion, in that it looks more human during the boss fight.
- Outside Context Villain: The Cloud of Darkness.
- Palette Swap: Aside from the monsters, the Onion Knights in the NES version. The other classes use the same sprite for all the characters, though.
- Pimped-Out Dress: Quite a few of the class outfits qualify.
- Summoner Refia is the most stand-out example-most elaborate job costume in the game, and the only one that really screams out "I am the female party member."
- Plotline Death: Several of the additional party members, although only a few (Elia, Dorga and Unei) stay dead.
- Powers as Programs: The job system, in its first Final Fantasy appearance.
- Power Crystal: Not worn, but sought out for new jobs.
- Power of the Void: Cloud of Darkness.
- Precursor Heroes: See above about the Warriors of Darkness.
- Prestige Class: Although jobs are more balanced in the DS version, each new set of jobs tends to be just plain better than the ones you had before. Better start grinding job levels again.
- Randomly Drops: Onion equipment, rare drops from dragons, which are rare Random Encounters in the Crystal Tower (and common encounters in the DS remake's ??? Bonus Dungeon).
- Recurring Riff: Several recurring Final Fantasy themes (the battle theme, Chocobo theme, the Prelude/Crystal Theme, the main theme) are found in this game.
- Respawning Enemies: The splitting enemies, spawning by being hit by melee attacks.
- The splitting enemies use up half their remaining HP when they split, however, so in the original you can split them enough to wipe them out with a magic attack.
- Royals Who Actually Do Something: Sara and Alus, who both help out your party several times on their quest.
- Sailor Earth: The Dark Warriors, of course!
- The Smurfette Principle: In the DS remake, one of the four orphans is a girl (Refia). In the original, they're apparently all male.
- The blue one does look very feminine, though.
- And just because they all look male doesn't mean they're all male.
- The blue one does look very feminine, though.
- Spell My Name with an "S": One of the final bosses, Zande(straight romanization)/Xande(DS translation)
- Squishy Wizard: Potentially averted and potentially played straight; the stats progression is influenced by which job you are when you level up, and your four characters begin with the exact same stats (well, they are the same job at that point). That means, on one hand, that if you juggle the classes around you can end with a very balanced party, but if you make the mistake of letting yourself be influenced by the concept art (or other RPGs) and dedicate Arc and Refia to the magic classes, you will be building the Squishy Wizards yourself.
- Stealth Pun: The Onion Kids. The Japanese word for onion can be read as a callow youth.
- Stripperific: The Cloud of Darkness barely wears anything but a few ribbons and a cape, setting the trend for many more female Final Fantasy characters to come.
- She only has the cape in her original Amano artwork, and she also gets it in Dissidia. In the original, she's just got zebra stripes and Barbie Doll Anatomy. And no legs.
- Averted by Refia, whose default outfit is possibly the most sensible one seen on a female FF character.
- Although played straight with Refia's Thief outfit.
- ... Aaaand played straight with Princess Sara's cleavage-enhancing, midriff-baring top. Seriously, that thing can't be comfortable.
- Technicolor Death.
- The Very Definitely Final Dungeon: The World of Darkness.
- Too Awesome to Use: Ninja Stars - they do a ton of damage, but they're so easy to run through.
- Ultimate Blacksmith: She shows up in the DS remake.
- Unscaled Merfolk: Kraken
- Updated Rerelease: The first one to be released outside of Japan.
- Useless Useful Spell: Although, in this case, it's more of a case of Useless Useful Classes. The bard, evoker, and many others simply do not have the statistical leanings and/or skills to survive later-game battles. Oddly, however, the Geomancer's skillset starts and stays insanely powerful, especially if you're lucky enough to consistently roll Shadow Flare.
- In the original Famicom version, the "Onion Knight" ultimate class didn't exist as a separate class -- it was just that the weak, no-abilities starting class "Onion Kid" got super-high stats at levels 90 and up, and was able to equip the ultimate Onion equipment, which granted huge stats bonuses itself. So the class becomes useless as soon as the first set of jobs becomes available -- unless you powerlevel, at which point it becomes the ultimate killing machine.
- Bard does get a single use -- their healing song is a free 10-20% party heal. This scales nicely until the later parts of the game, and when combined with the Dark Knight's self-damaging attack, works as a good 1-2 punch.
- Vendor Trash: The golden swords you find in Goldor's mansion are utterly useless for fighting with, but merchants will happily buy them from you for an extortionate sum.
- Video Game 3D Leap: The DS remake swapped sprites for full polygonal graphics.
- Weaksauce Weakness: Bahamut is very weak to a Dragoon wielding dual Gungnirs. How weak? OHKO weak. Can't recall if it's from a normal attack or Jump, though.
- We Win Because You Did Not: Subverted when the Earth Crystal guardian Goldor shatters the fake earth crystal.
- What Do You Mean Its Not Symbolic: Ur and Canaan are two towns your party visits very early on in the game.
- What Do You Mean It's Not Awesome?: Xande seems to disagree that mortality is more awesome than magical omnipotence or ownership of a dream realm.
- What Kind of Lame Power Is Heart, Anyway?: Mortality. Great Magus Noah gives his student Xande the gift of Mortality. Said gift ends up driving Xande completely insane as he ended up unleasing the Cloud of Darkness on the world.
- White Mage: The second appearance in the series as a job class.
- Who Wants to Live Forever?: This seems to be what Noah, Doga, and Unei feel as they all considered being able to die a great gift.
- Why Did It Have to Be Frogs?: Refia hates frogs and toads. Guess what the party needs to turn into in order to infiltrate a couple of dungeons? She even whimpers the second time it comes up. Somewhat ironic if you made her the white magic user, which means that she has to cast the Toad spell on the party.
- Yin-Yang Bomb: Cloud of Darkness, despite its name, is a living one of these. It has shown up as either darkness surrounding a core of light, or light surrounding a core of darkness.
- Zettai Ryouiki: Refia as a Devout and Scholar. And for bonus points, Scholar gives her Meganekko glasses and Girlish Pigtails.


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Ms. Danielle has been teaching for 7 years and loves that she gets to explore and learn alongside her students each day. With a Bachelor of Education completed in 2012, she has enjoyed a wide variety of teaching experiences, though her true passion lies in early childhood education. Most recently, she spent 2 years in an early intervention setting, before joining the team at Discovery Preschool for the past 4 rewarding years. She also works part-time as a behavioural support for families with children with special needs.
The ideologies of Reggio Emilia reflect Ms. Danielle's approach to child development and inspire her work each day. She is passionate about play and pursuing children's natural interests, which she strongly believes best support the developmental needs of her young students; fostering inquiry, confidence and an excitement for learning. She aims to help her students make connections to and appreciate the world around them through collaborative projects, community exploration, outdoor play and bringing natural materials into the classroom.
Ms. Danielle loves reading stories, imaginative play and creating music alongside her students and on her ukelele. She greatly values the cooperation that exists at Discovery Preschool between children, families and teachers, and looks forward to making new friends with each new year!
Miss Destiny has been working with children for almost 10 years and she feels she is right where she belongs. She is wonderfully sensitive to the needs and strengths of children. She is very observant, noticing when a child has made an achievement; she is quick to step in to celebrate/phrase. When she sees a child who is challenged by any part of a project, she can call on her background experience working with speech pathologists, occupational therapists, psychologists, physiotherapists and teachers, to find a great strategy to help that child find success. Miss Destiny loves being with the kids, and they love being with her. Parents find Miss Destiny approachable and cheerful. At those busy times before and after class, parents can find a friendly face to ask questions to, or to pass along any messages. Together with Ms. Danielle, this teaching team provides an exceptional experience for students and parents.


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77 Civil Engineers Businesses in Rhodes:
Argyrou E. Eleftherios Athanasiadis Geor. Bonis Nikolaos I. Chatzinikolaou Nikolaos K. Christopoulos Konstantinos Damianos Tsampikos Diakogeorgiou Georg. K. Diakomichalis Vasileios Eleftheriou Efstathios K. Fanarakis Georgios Filippakis G Eleftherios Flevaris I. Savvas Gardounis Fotis Georga Panagiota Georgallidis Anastasios Th. Irakleidis Aristot. K. Kaka Evaggelia Kalamaras Emmanouil Kalligeros Michalis Kampastanas Theod. & Sia Ee Kampouropoulos G Aristeidis Kanakis G. Loukas Kanakis Panag. M. Kantis F Georgios Kechagias Emmanouil Kladogeni Dimitra M. Kladogenis K Mich Kladogenis Michail Kladogenis Tsampikos Koliadis A Theodos Konstantinidis Minas Konstantinidis Filimon Kopsias Nikon I. Kourtis S Georgios Koutris Styl. Th. Kyriatsoulis M Vasileios Lerias Ioannis K. Leventi Maria Linardos Stamatis Louka Sevasti Makrakis G Nikolaos Malliotakis Pantelis Mantikos Nikolaos Maroullakis Chrysostomos Maroullakis S Chrysostomos Myrisis Giannis Nikolaou Fotis Nikolikou A Panagiotis Nikolopoulos Georgios Nikopoulos Athanasios I. Oikonomou Nikos Orfanos Antonios - Andreas Otheitis Stavros Palaiou Kalliopi Panagiotas Marios Papacheimonas A Vas Papakonstantinou Aristea Paraskevas Timotheos Patounas Georgios Pissadakis Michail - Ktiriodomiki Poulakis Georg. Prassas A Georgios Psarompas Georg. S. Raisakis Emmanouil Sfyriou P Kosmas Skiadopoulos Konstantinos G. Stratigeas Th Nikolaos Tavernaris Emmanouil Techner Ate Toutsis Tzanis Tsakiris Tsampikos & Sia Ee Tsigkras Ilias Tsigkras K Ilias Tsimpouki S Aggeliki Varvaris Panagiotis I. Vrouchos K-glynos G-mpratitsis M Oe Zannetakis Ioannis
Other Types of Businesses in Rhodes:
Accountants - Accounting Offices Advertising - Tourist Brochures Photography Advertising Agencies Advertising Items & Gifts Agricultural - Gardening Equipment & Tools Agricultural Engineers Agricultural Enterprises Agricultural Products, Equipment & Supplies Agronomists, Topographers Air Conditioning Air-Fresheners Airline Companies Airports Alcohol Producers and Merchants Alcohol- Wine - Beer - Liquor Producers Alehouse Alignments - Wheel Balancing Allergy Experts Alternative Treatments Aluminium Manufacturers Aluminium Products & Constructions Amusement and Theme Parks Anesthesiologists Antennas Antique Dealers Antismoking Centres Apiary Supplies & Products Architects & Architectural Offices Armed Forces Aromatherapy Products & Herbs Art Galleries Art Painters Art Works & Objects Artists & Art Agencies Asphalt & by-Products Associations - Unions Audio Visual Equipment & Systems Auditors Auto Spare Parts & Car Accessories Automation Instruments & Supplies B2B Bacteriological - Clinical Laboratories Bacteriologists - Clinical Pathology Bakeries Bakery, Restaurant & Patisserie Equipment Baloons Banks Bathroom Equipment & Accessories - Sanitary Ware Batteries Beauty Salons & Weightloss Centres Beer Producers and Merchants Bicycles Biological - Ecological Products Blocked Pipes Clearance Boarding Houses Boiler Manufacturers Boilers & Circulators Book Binders Bookbinding Equipment & Supplies Bookstores Bottled Gas: Industrial, Medical Boutiques Bowling Centres & Billiard Parlors Brake Parts Bread & Pastries Building Contractors Building Iron Building Refurbishing - Restoration Building Tools & Materials Buildings - Decorative Supplies & Hardware Business Consultants Business Directories Cafes - Coffee Bars & Bars Camping Sites Candle Makers Car & Motorcycle Exhausts - Catalytic Converters Car & Motorcycle Repair Shops Car Alarms & Stereo Systems Car and Motorcycle - Electrical Repairs Car Body Repairers & Painters Car Care and Repairers Car Dealers Car Radiators & Car Radiator Parts Car Rentals Car Repair, Service Station & Garage Machinery & Equipment Car Upholstery Car Washers Carburetors Cardiologists Carpenters - 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Architectural Design Drawing & Painting Supplies Dress Makers - Seamstresses Dried Fruit & Nuts Driving Schools Dry Cleaner & Laundry Machinery & Supplies Dvd - Cd E-Commerce Ear, Nose & Throat Specialist - Otolaryngologist Economists - Financiers Electric Motors Electric Tools Electrical & Mechanical Engineers Electrical Appliances - Repairs & Service Electrical Installations Electrical Supplies Electricians Electricity Suppliers Electronic & Video Games Electronic Video Games-Rental Electronics Elevators Embassies Embroidery Employment Agencies Enamellers Energy - Renewable Sources Energy Inspectors Engineers - Consulting Engineers - Electronic Environmental Works Consultants Event - Exhibition - Conference Planners and Suppliers Fabrics (General) Farm Chemicals Fashion Stylists & Dress Designers Fast Food Faux Bijoux Fencing Fencing Wire Fertilizers Films - Safety & Solar Filters Fire Extinguishers – Fire Safety Fire Service Fish Fisheries Fishing Equipment Flags, Cups, Trophies & Badges Floors - 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Stores - Wholesale Wire Wood Carving - Church Furniture Woven - Bamboo Furniture Writers - Authors Yachts - Pleasure Boats


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by Charles McDonald
Superheroes come in all shapes and sizes. From Spider-Man to the Hulk to Superman to Captain America, superheroes come with their unique strengths and weaknesses. However, the most infallible heroic creation of them all is none other than Aaron Donald, the extraterrestrial wrecking ball who bears the Rams' Millennium Blue and New Century Gold 16 times a year.
Donald is a bit different than most superheroes. He wasn't created with sugar, spice, and everything nice. He doesn't have to work within the confines of the established system to vanquish opposing offensive lines. Since being drafted with the 13th overall pick in 2014, Donald has routinely taken a baseball bat, sledgehammer, and brass knuckles to NFL offenses. This season under defensive coordinator Wade Phillips has been no different, and Phillips is allowing Donald to play a style of freelance football that has made him more dangerous than ever.
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In one-gap schemes, front-seven defenders slide into their run fits like a game of Connect Four. Each defender is assigned a gap that he is being trusted to hold in the event of a run play.
Seeing it laid out with the diagram makes it a bit easier to get conceptualize the responsibilities of each front-seven defender. Phillips has an interesting way of employing run fits. Phillips is known for catering to his defensive talent (as any good coach does) and he treats Donald in the same manner that he treated J.J. Watt in Houston.
Look at the alignment of the linebacker Mark Barron behind Donald (between Seattle's right guard, No. 75 Oday Aboushi, and right tackle, No. 76 Germain Ifedi). He's not "in" a gap, he's stacked behind Donald so that he can read and react according to Donald's movement. Phillips doesn't want to restrict a dominant defensive player to the confines of the scheme, he allows truly special players to have some wiggle room with the defensive maneuvers they'd like to make. Whichever gap Donald takes, Barron will just take the opposite.
Barron's read doesn't even matter on this play. Donald takes one step up the field into the B gap before violently stepping back into the A gap, tossing Aboushi, and slinging Eddie Lacy down for a 4-yard loss.
What's crazy is how simple Donald makes the entire play look. He's able to rid himself of a 300-pound offensive lineman and whip down a 250-pound running back in about three seconds. That otherworldly athleticism (he ran a 4.68-second 40-yard dash at 285 pounds) allows him to be a devastating pass-rusher as well.
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When Donald (99) is presented with a "two-way go" opportunity, he is essentially impossible to block. He has the opportunity to rush either the A gap or the B gap on this play against the San Francisco 49ers, the game-clinching sack on an exciting Thursday night bout in Week 3.
Once the center turns towards Michael Brockers (90), Donald gets to pick which lane he's going to rush. Donald is on an island against 49ers right guard Brandon Fusco (63). After the Fusco lunges to get his hands on Donald, Donald dances around the guard and takes down Brian Hoyer for the sack.
Those are two plays in which Donald gets to freelance a bit and pick the gap he's going to shoot. When Donald plays more within the traditional structure of defensive alignments, he's still just as devastating. Take this sack against Blake Bortles in Los Angeles' Week 6 game against the Jacksonville Jaguars.
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Donald is responsible for rushing the B gap against left guard Patrick Omameh (77) on this play. His natural leverage (Donald is a hair under 6-foot-1) allows him to get underneath the left guard's pads on his way to the quarterback. "Hands above eyes" is a key requirement to successful defensive line play. It establishes the hands in a position of power and allows the lower body to drive the offensive line back into the pocket.
After Donald establishes his leverage and begins to drive the guard into Blake Bortles' lap, he turns the corner like an edge rusher to swipe the ball out of Bortles' hands. Donald gets his hand in the perfect position to force a strip sack, but Omameh ends up recovering the ball. The lane integrity to stay in the B gap led to this near-turnover against the Jaguars.
Donald can also play within structure against the run.
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This play features more standard run fits by Donald and the gang. Like the first play against the Seahawks, every defender is responsible for a gap. Defensive linemen in one-gap schemes have what's called a "triangle read." The read key is the offensive lineman whom the defensive lineman is stepping towards, and the pressure key is the offensive lineman that's in play for a double-team or a backside scoop block. On this particular play, the pressure key (Ifedi, 76) is trying to reach the defensive end, so Donald only has to worry about his read key (Aboushi, 75).
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Again, Donald makes mincemeat out of Aboushi. Once the ball is snapped, he holds firm in his run fit without getting too far up the field. Typically, defensive linemen are taught to get a yard or so up the field and hold that position so they don't allow an opportunity for a big gain on the back end.
Donald waits for the ballcarrier (J.D. McKissic) to declare which gap he's going to hit, then accelerates toward the end of the line of scrimmage for a tackle for loss. The ease in which Donald is able to accelerate from a holding position on an offensive guard to a sprint to take down a running back seems pulled out of a video game.
Whether it's within structure or when he has the freedom to freelance a bit, Donald is an absolutely dominant force on the interior of the Rams' defense.
Donald is going into the last year of his contract. He held out for all of training camp and the Rams kept him on the sidelines in Week 1. It'll be interesting to see how Donald's contract situation unfolds throughout the season and into the offseason, but he's arguably the best defensive player in the league right now. Whatever the insane amount of money he receives, he will be worth every single penny. Truly dominant forces like Aaron Donald are nearly impossible to come by. May God have mercy on the offensive linemen he faces for the remainder of 2017.
16 comments, Last at 31 Oct 2017, 11:37pm
1 Re: Film Room: Aaron Donald
He and Wade are why I think the Rams match up pretty well against the Patriots.
2 Re: Film Room: Aaron Donald
yes, defensively. them and jaguars btu cant trust J. Goff or B. Bortles against Pates even with Pates defense beign shaky
3 Re: Film Room: Aaron Donald
Eh, I don't think its just Donald. Brockers emerging this year really helps the cause. In previous years, I'd expect the Pats to just double team Donald (as far as they can) on every snap. But Brockers has shown this year that if you leave him one-on-one with a guard, he can wreck an offense's plans pretty thoroughly too. Having Quinn as the RDE and Donald as, primarily, the LDT makes things difficult for an offense - Quinn is good enough to worry most LTs, so they want the option of a double team, and its basically impossible to have a double team on a RDE and LDT without keeping a TE in to block.
I still think if we played the Pats (or a similar elite offense) our secondary isn't good enough to stop them. I imagine they'd just nickel and dime down the field with quick passes and make the DL pretty irrelevant. Since we swapped up the safeties (cutting Mo Alexander and putting John Johnson in to start) we have definitely improved (especially against the run), but I don't think our CBs are good enough to consistently a good offense without a lot of help from the DL. And Goff and the offense isn't good enough yet to trust us to hang with a great offense in a shootout.
I reserve the right to change my opinion after week 11, when we play the Saints. If we can hang with them I'll feel more confident (although we'll be in the middle of a Vikings/Saints/Texans run, so maybe I'll no longer be confident that we can make the playoffs).
4 Re: Film Room: Aaron Donald
Wow. That first clip is Marvel material.
In the two SBs, the Giants DB's were only decent and that's all they needed to be. Even with Welker in the slot, there just wasn't enough time for Brady to get the ball off. Guys like Donald who can generate inside pressure are pocket passers' worst nightmare.
The Pats lost Hightower for the season (again). His shoulder issues are almost certainly the reason he didn't get better offers in free agency. I'm almost certain that the Pats tried him at OLB to start the season was to protect that shoulder. It will be interesting to see how the defense goes without him.
8 Re: Film Room: Aaron Donald
i really don't understand the pats this year- you have a 40 year old quarterback and an offensive line that has been extremely effective in the short passing game; why the hell have you decided this is the time to switch to a deeper passing game that subjects your quarterback to a beating (almost suspect Belicheck knows you'll have to take Brady out on a cart, and he's forcing his hand a little bit)? I understand that edelman's loss is huuuuuge, and the other guys can't replicate what he did for them, but this approach seems unsustainable (watch them run the table and win the super bowl again). in this matchup, with how they've played this year, i'd take the rams
6 Re: Film Room: Aaron Donald
Woah, steady on now. I admire the progress the Rams are making, but projecting them to reach Super Bowl seems to be getting slightly ahead of ourselves.
7 Re: Film Room: Aaron Donald
As is projecting the Pats to be there.
9 Re: Film Room: Aaron Donald
hypothetically, i agree. one of the things baseball stat guys have observed that i think transfers in general is that a characteristic of greatness is that they do things sooner than they ought to be able to (seahawks finished #1 in dvoa in wilsons first year and won the SB the next, steelers went 15-1 Rberger's first year and won SB the next, pats won SB in BBs second year, tb12 first year starting) if the 'learn to win' cliche is true in any sport, it's basketball, and even then not always (and it's really 'earn the respect of the refs' in that case)
11 Re: Film Room: Aaron Donald
Over the last 40 years, Belichik is the only guy I'd put on the same plane as Wade, in terms of defensive scheming, and I really like the Rams personnel. I'm not saing they are prohibitive favorites in the NFC, or even necessarily favorites, but this is a roster with outstanding talent, and it is now extremely well coached, after years of being coached very poorly, in larfe measure
12 Re: Film Room: Aaron Donald
Agree about the coaching and the talent on the roster, but given they have already lost at home to the Seahawks I don't think they can be considered favorites for their division, let alone the NFC. Seattle is flawed alright, but is still a strong team overall.
13 Re: Film Room: Aaron Donald
Comment was partly eaten...
Over the last 40 years, Belichik is the only guy I'd put on the same plane as Wade, in terms of defensive scheming, and I really like the Rams personnel. I'm not saying they are prohibitive favorites in the NFC, or even necessarily favorites, but this is a roster with outstanding talent, and it is now extremely well coached, after years of being coached very poorly, in large measure due to Fisher deciding to retire in about 2013, while still getting paid, and still supposedly working. I would not be surprised at all to see the Rams be on an upward trend all the way to February.
14 Re: Film Room: Aaron Donald
Do you really trust Goff? A Qb isn't prohibitive to winning the sb, but having a qb you can trust is pretty important. I don't trust Goff, even with McVay coaching and scheming the hell out of the offense. I feel like, down the line, a good defense will expose a schemed player eventually.
15 Re: Film Room: Aaron Donald
Lousy quarterbacking has been tolerable on occasion in the past, and there is a nontrivial chance that he won't be lousy. Llike I said, I'm not even claiming that they should be seen as NFC favorites; just that it would not be a big upset.
16 Re: Film Room: Aaron Donald
You can consider Goff as the equivalent of David Carr with a Wade Philips defense. Sounds like enough to lose a conference championship or SB.
5 Re: Film Room: Aaron Donald
Didnt the rams use donalds 5th year option? I think theyve got another year to sort his contract out but yeah they do need to pay the man.
10 Re: Film Room: Aaron Donald
yeah, but he held out already- don't want to end up with a kirk cousins situation with a generational talent


text:
It's apple season, so this was a natural choice for the sweet recipe. This is another recipe from Linda Majzlik's book A Vegan Taste of Eastern Europe. A minus side in the book is that nearly everything is measured in grams. I prefer measuring in dl/cups, and we've converted grams to desilitres here, and we used fresh yeast instead of dry. Our cake looks a bit silly, because we baked it in star shaped tin. The cake would be even better with bigger amount of apples.
Hungarian Apple Cake
3,5 dl wheat flour
50 g margarine, melted
0,75 dl brown sugar
2 apples (we recommend using more!)
1/4 package (12g) yeast
0,75 dl soy milk
1 tsp brown sugar
1 tsp cinnamon
Mix the flour and 0,75 dl brown sugar in a bowl. Peel, core and grate one apple and add it with margarine to the pot. Combine well. Warm the soy milk to lukewarm and dissolve yeast in it. Add it to the bowl and knead to form a nice soft dough. Cover with a towel and allow to rise an hour. Knead again and put in a greased cake tin, pressing it out to fill the tin. Cover with a towel and let rise 40 minutes. Peel, core and slice the other apple. Arrange the slices on the cake and press them lightly. Mix 1 tsp brown sugar with 1 tsp cinnamon and sprinkle on top. Cover with a foil and bake 20 minutes in 200 Celsius degrees. Remove the foil and bake 10 more minutes. Carefully remove from the tin onto a wire rack to cool before slicing.


text:
Then Along Came Jumper
I walked into the Satellite Art Show on March 16 at about 5:00p and was taken aback at the grandness and uniqueness of each of the 30+ exhibits all of which told their own story.
It was a weird and wonderful place. I enjoyed the exhibits, but I was there to see a gentleman by the name of Ben Workman.
Workman, who grew up in Corpus Christi, always knew there was something... different.. about him. He was picked on and bullied his whole childhood. He learned to hide the fact that he was a gay man in certain circles for fear of discrimination.
In 2011, he suffered from sexual discrimination while on the job at the U.S. Department of Veterans Affairs after a co-worker "outed" him.
While fighting for his right to be not singled out for being homosexual, fighting through two U.S. Equal Employment Opportunity Commission (EEOC) Actions, he remembered being at a breaking point. It was that point where the persona of Jumper Maybach entered Workman's life.
Jumper Maybach is an artist. He is a painter, he is an activist and he is a clown.
When Workman channels Maybach, he can do some amazing artwork.
In fact, Jumper Maybach has painted over 600 paintings in the last 8 years and has been compared to a modern day Jackson Pollock. But unlike Pollock, Maybach is producing art and becoming an advocate for anti-bullying and LGBTQ+ Pride.
His art has shown and sold in several countries and was the Official Artist of Pride Houston 2018 where he launched a series entitled "The Pride Collection: INTROSPECTION."
Perhaps more than this, he had the chance to meet Pepe Serna (Scarface) who, when learning about the Workman/Maybach story decided it needed to be told. In 2015 the Jumper Maybach Story was produced.
It is currently in post-production as they are shopping it around to different distributors.
Maybach hopes that his story can serve as a beacon of hope, a story of overcoming bullying and negativity. He hopes that this story can reach people where they are and let them know that whomever you are on the inside is good enough and you should embrace yourself and be proud of who you are.
We had a chance to talk top Jumper a bit about the impetus of his creation and his mission as a champion for the LGBTQ+ community and those who have been discriminated against for just being themselves.
Find out more about Ben Workman / Jumper Maybach at jumpermaybach.com.
Sean Claes is the owner of Austin's INsite Magazine and has been a freelance entertainment writer since 1996.


text:
On October 30, 2015, hundreds of yogis, instructors, sponsors, vendors and volunteers united on center field at Chase Field, home of the Arizona Diamondbacks, for the inaugural Yoga for Hope under the stars – the only public event on centerfield green grass, making for a unique and unforgettable experience.
Join us in November 2016 as we gather once again to help City of Hope fight cancer. Founded in 1913, City of Hope is one of only 45 comprehensive cancer centers in the nation, as designated by the National Cancer Institute and is a world leader in the research and treatment of cancer.
Yoga for Hope benefits the Natural Therapies Cancer Research Program at City of Hope. Natural products have been the source of some of the most effective treatments for cancer and other life-threatening illnesses. City of Hope scientists in the Natural Therapies Cancer Research Program are committed to providing patients and their families with the best possible treatments and quality of life. By working together across disciplines, scientists are discovering cancer-fighting agents from herbs, fruits and vegetables and translating them into powerful, less toxic therapies. Learn more.
People being treated for cancer, HIV/Aids and diabetes count on City of Hope to find cures through innovative research and new therapies. City of Hope is dedicated to healing the whole person and when you participate in Yoga for Hope, you are part of this mission. Thank you to all of our sponsors and participants for your support!
We've reached 39% of our $50,000 goal!
We will have a great line-up of donation classes leading up to Yoga for Hope. Please keep checking the donation class schedule for updates as new classes are being added all the time.
Be sure to like our City of Hope Phoenix Facebook page, follow City of Hope Phoenix on Twitter and follow City of Hope Phoenix on Instagram for the latest event updates.


text:
Key Difference Feb12/13
- There were 52,995 attendances at all types of A&Es during Feb 2013, a decrease of 1,598 from the previous year.
- The Ulster Hospital was the only Type 1 A&E to see an increase, at this it was only 6 patients.
- The Craigavon Area and Children A&E both seen over 300 less patients than
- Antrim Area seen a drop of 114 patients on comparison yet more patients had to wait over 4 hours for treatment.
- The new South Western Hospital only seen 2,216 attendances for an acute hospital of this size there could be concerns raised for the training status of this facility.


text:
Women's Silver Plated Blue Fancy Jasper with White Tassel Bracelet - Silver (8)
Browse all deals at Target
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* This offer may contain time-sensitive information and offers. Please check with Target to confirm actual price & availability.
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text:
Having problems with your Canon PowerShot SD750 / IXUS 75 Digital Camera ?
Same problem I need help uploading my pictures to my computer. Communication error
Answers :
Reload ur driver for camera
Repair Help & Product Troubleshooting for Canon PowerShot SD750 / IXUS 75 Digital Camera
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Same problem I need help uploading my pictures to my computer. Communication error
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Communication error when uploading pictures on computer
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