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Variations Upon a Theme: Optimus Prime and the Mimetic Faculty
"OPTIMUS PRIME is the strong, wise and compassionate leader of the AUTOBOTS. Dedicated to protecting all life, he fights unceasingly to defeat the DECEPTICONS. Firmly believes in the ultimate righteousness of his mission, so he will willingly sacrifice himself to save the life of others. Carries a blaster rifle as well as the AUTOBOT Matrix of Leadership, an honor bestowed millions of years before his journey to Earth. A seasoned veteran and scholar, OPTIMUS PRIME is respected throughout the universe as a champion of peace."
"If he had been on Earth, he would be a doctor, a mechanic, a scientist and a warrior. But on Cybertron there is no difference between these professions. So Optimus uses his skills to heal and repair - which are the same things to Autobots - to improve the world around him and, if necessary, to fight. Both in power and intelligence, he has no equal. He has the personality of an Abraham Lincoln. He can be immensely kind and his compassion extends to all that lives, including the creatures of Earth. Yet he will battle unceasingly to protect the weak and defend what he believes in. To accomplish this, Optimus knows that the Decepticons must be defeated for all time."
(Sources: Back of Hasbro Optimus Prime toy box, 1984; and Marvel Comics character description, 1984)
"Nature creates similarities. One need only think of mimicry. The highest capacity for producing similarities, however, is man's. His gift of seeing resemblances is nothing other than a rudiment of the powerful compulsion in former times to become and behave like something else. Perhaps there is none of his higher functions in which his mimetic faculty does not play a decisive role."
(Source: Walter Benjamin, "On the Mimetic Faculty," Reflections, page 333)
National Guardsman Changed His Name to a Toy
A member of Ohio's 5694th National Guard Unit in Mansfield legally changed his name to a Transformers toy.
Optimus Prime is heading out to the Middle East with his guard unit on Wednesday to provide fire protection for airfields under combat.
"On Sunday, we were announced as the best firefighting unit in the Army National Guard in the entire country," said Prime. "That was a big moment for us."
Prime took his name from the leader of the Autobots Transformers, which were popular toys and a children's cartoon in the 1980s.
He legally changed his name on his 30th birthday and now it's on everything from his driver's license, to his military ID, to his uniform.
"They razzed me for three months to no end," said Prime. "They really dug into me about it."
Prime says the toy actually filled a void in his life when it came out.
"My dad passed away the year before and I didn't have anybody really around, so I really latched onto him when I was a kid," he said.
(Source: Vic Gideon, WKYC NBC News, March 19, 2003)
"What is transformation, if not mastery over fate's mastery?"
(Source: Michael Taussig, Defacement, page 242)
Variations Upon a Theme (I), vector file, Michael Demers
Optimus Prime, the heroic leader of the Autobots, alien robots capable of transforming themselves between sentient machination and familiar object, waging war against the evil Decepticons who too don the attire of mimesis in a grand struggle spanning millennia and galaxies...
But what is it about the myth of this particular character, Optimus Prime, which enchants so to the point of taking his name? Why is Optimus Prime fascinating enough to warrant 20 years of his existence as a popular and profitable toy, with nearly 60 variations to his name? What type of strange magic has occurred, by which an arrangement of molded plastic and screws, stickers and paint, has itself "transformed," as Taussig says, giving itself "mastery over fate's mastery?" (1999).
In 1984, Hasbro and Takara, two related toy companies based in the United States and Japan (respectively), released a joint venture first generation of transforming robot machines - The Transformers. The line included an array of figures, armies of the "Heroic Autobots" and "Evil Decepticons," which, when manipulated by bending the different parts of their "bodies" into specific positions, changed from looking like humanoid robots (with arms, legs, hands, faces with eyes, etc.) to looking like various machines or objects.
Of all the initial toys/characters, the one of central importance here is Optimus Prime. The leader of the Autobots, it/he changed from "robot" to "semi-truck" with "trailer," a Kenworth K Series cab-over-engine type (though it/he was never referred to as such - it would take 20 years for the Transformers to merge with the corporate world to produce robots capable of changing into Dodge Vipers, Mazda RX-7s and Jeep Wranglers). According to his bio, Optimus Prime was "strong, wise and compassionate," who held in his chest the Leadership Matrix, a magical construction which, in essence, made Optimus Prime the type of leader he was (read: his authority and the respect he warranted via his authority). Handed down to outstanding Autobots for millennia, the Matrix of Leadership was, perhaps more than any other element or attribute, the thing which separated Optimus Prime from the other Autobots. This was no accident. If we view the Matrix of Leadership as a type of Maussain mana unit, we see that the prestige and honor accorded Optimus Prime is derivative of his having the character to carry the passed-down Matrix while at the same time has his character invigorated by the act of being the bearer of the Matrix. "The Polynesian word mana," writes Marcel Mauss, "itself symbolizes not only the magical force in every creature, but also his honour, and one of the best translations of the word is 'authority,' 'wealth'" (1990 edition). Just as the physical toy demands the character applied to it to function, so does Optimus Prime rely on this character to supply him with the Matrix which in turn supplies him with his character. This mutual dependence and inability to account for one without the other sets the mythology apart as a thing which, in essence, has no beginning or end - it is as it always was, in a way, disallowing for any entrée for us to be a part of the same mythology (as we come late to the party). The only way for us to have a piece of this myth is to buy the physical representation of it in the form of the toy - the toy which, not coincidentally, will require the myth of the character to function as a profitable object, just as the myth will require the object so that it has something concrete to apply itself to. Like the snake with its tail in its mouth, no real beginning or end, just a muddled point of entry.
Later that year, 1984, the myth component was introduced as the Transformers toys were given explicit character and personality when Rhino Video released "The Transformers" cartoon and Marvel Comics released its monthly edition of the same name. Because of the cartoons and comic books, for the first time these molded pieces of plastic had more than a subjective reading of character traits from the backs of the toy boxes to aid in the formulation of their thoughts and actions. As a nine-year old in 1984, I remember my own attempts to replicate the voices ascribed to the toys via the cartoons. I remember playing with friends, being told and in turn telling that Optimus Prime would not attack Megatron from behind, he just would not do that - and we all understood why, though not necessarily why we understood. The cartoons and comic books had shown us how these toys talked, how they acted, what phrases they favored (Optimus Prime: "Autobots, roll out!"). Without these directions, the toys were individual pieces of interest. Alliances between factions and ways of enacting epic battles were, in a sense, impossible. Play, with these directions, became a larger, more complex and organized event - an event which encouraged and even necessitated the further (and continued) purchase of other characters. In a manner of a consumptive self-organizing system, the exhibition of affluence via acquired knowledge necessitated the further consumption of the physical product (this notion of affluence in knowledge follows those as described by Jean Baudrillard when he addresses the "man who drives the 2CV" who "no longer bedazzles" with his expensive purchase: "What he does is more subtle: he super-differentiates himself, super-distinguishes himself by the manner of consuming, by style. He maintains his privilege absolutely by moving from conspicuous to discreet, super-conspicuous, consumption, by moving from quantitative ostentation to distinction, from money to culture." [1998 edition])
Herein lays a vitally important shift, perhaps the key to understanding the phenomenon: Optimus Prime, the toy, is an arrangement of plastic and metal. It is an object which looks like a "semi truck," looks like a "robot." It is an "it," not a "he." Optimus Prime, the character, is a "he." He is an ephemeral non-entity, a myth, in that he is not "real," though he does change into a vehicle, he is a robot, he is the heroic leader of the Autobots. Throughout this exercise, I take careful aim to keep these two, where and when possible, clearly separated. For it is in the act of joining the two distinct "things" together, the "it" and the "he," that the final "transformation" in all of this occurs. This is the magic, and the rub, in that these two mutually dependent aspects come together so easily.
Variations Upon a Theme (I), vector file, Michael Demers
Hasbro, Takara, Rhino and Marvel all parlayed their individual investments into a larger structure through which they all mutually benefited. But that first generation of Transformer was just the start. Transformers: Generation One was followed by Generation Two, then the Headmasters/Powermasters line, the Machine Wars, Robots in Disguise, Beast Wars, Beast Wars II, Beast Wars Neo, the Beast Machines, Transformers: Armada, Transformers: Energon, and most currently Transformers: Universe [note that the Japanese versions of these generations are titled differently, but engage with the same characters. In fact, the early cartoons were produced in the United States and dubbed in Japan; the more recent cartoons the opposite. The toys are based on the same molds, with a very slight degree of coloration change due to difference in production methods]. Roughly every two years since 1984 the Transformers line has undergone its own transformation. Though not always extreme, each series has spawned its own new set of characters via new toys, new cartoons, new comics, etc. Yet over those 20 years, one thing has remained consistent: Optimus Prime as the leader of the Autobots. Many of the other players in the Transformers franchise have slipped in and out of the different editions, with Optimus Prime being the one consistent character.
And for the most part, Optimus Prime has remained some variant of a semi truck with trailer. During the Generation Two era, he went from resembling a Kenworth cab-over-engine type rig (of which the toy exhibited four different types of "truck," with ten color variations) to a Peterbilt long bonnet model (two different types, four color variations). In the Armada line he resembled more of a hybrid between semi- and monster-truck (eight different types, eight color variations). In Energon, the look of his truck form became more futuristic (for a total of three different styles - one type, two color variations and one significant change in size). Optimus Prime has also found form, though briefly, in a fire truck (twice), a small red car (just once), and a military dump truck (also, just once).
A difficult issue arises when we attempt to understand the importance of the semi truck in relation to Optimus Prime. Though Hasbro/Takara's reasons are unclear (nothing has ever been released concerning decisions in making specific robots specific objects), we might wonder if the choice of semi truck has anything to do with the popularity of late 1970s, early 1980s trucking culture (as exhibited in television shows like B.J. and the Bear or the series of Smokey and the Bandit movies). This theory might carry more weight were there more Transformers toys who utilized the semi truck as its variant form - however, this is not the case.
Instead, we are left to ponder the significance, not the decision, of the semi truck. If we step away to look at the toy itself (or toys in general), it is not difficult to see that these objects are first and foremost commodities made for consumption. Capital requires constant shifts in geographical space and consistent innovation in the methods of shifting in order to function at peak capacity. As David Harvey states, "Turnpikes, canals, railroads, electric power, the automobile, and air and jet transport have progressively liberated the movements of commodities and people from the constraints of the friction of distance" (2000). We could easily add the semi truck to the list.
Stepping back in, what we are presented with is a commodity posing as a toy posing as a robot posing as the ultimate mover of commodity, the semi truck - a multiplied version of mimesis, indeed - but not a satisfactory explanation to our initial enquiry. For that, we will have to look further at the character's other versions.
During the Beast Wars and Beast Machines eras, Optimus Prime was primarily some version of gorilla (six different types, with 14 different color variations total). He was also a bat (three color variations), a wooly mammoth (two color variations), and a lion (four color variations). Though these forms are not as commonly recognized as Optimus Prime - in fact, in these lines he went by the name Optimus Primal - all of the characteristics of the heroic leader, including the Matrix of Leadership, remain.
A quick note should be included regarding the "type" and "color variation" indications I've given. Taking the Headmasters/Powermasters version of the Optimus Prime toy as an example, we see that during that era the toy was one type (made from one mold) of "semi truck" (a Kenworth-type, derivative of the first Optimus Prime toy), but that there were three color variations available to it (the standard Optimus Prime - red, blue and silver; Nucleon Quest Optimus Prime -a black and silver model; and Fire Guts God Ginrai Optimus Prime - a red and orange variant), all released at roughly the same time. The importance here is that the three different color variations of this particular Optimus Prime toy were given three distinct characters - though they were all still Optimus Prime - and by way of mythologizing them, these three "different" Optimus Prime toys became necessary elements and necessary characters, to both the play- and collection-of the toys and the engagement with the myth that is the character. This further illustration of mutual interdependence is why, in the preceding paragraphs, I refer to the types and colors of Optimus Prime as both a toy and a character. In fact, there is not a single variant of any of the Optimus Prime toys that does not have some type of story or character-related justification for being. The mutual interdependence of Optimus Prime's constituent parts disallows such possibilities.
But for all of the confusion regarding the different types, color variations, eras, and lineages, and the apparent lack of interest for the entire Beast Wars line (as compared to the robot-to-vehicle/object sort, the robot-to-animal idea occupied about five of those 20 years), there may be something revealing about Optimus Prime as Optimus Primal.
Variations Upon a Theme (I), vector file, Michael Demers
We can see that when it comes to comparing this gorilla-self to his other animal selves, the gorilla (like the semi) is well into the majority of forms (five different types of gorilla, compared to one bat, one mammoth and one lion). Is there a key to this animal, above all others, that may shed more light on what Optimus Prime means to us?
Here we reintroduce Benjamin, with his statement that "The highest capacity for producing similarities...is man's. His gift of seeing resemblances is nothing other than a rudiment of the powerful compulsion in former time to become and behave like something else" [my emphasis] (1986 edition). And we reintroduce the Ohio National Guardsman's story as well. For what was this soldier doing when he legally changed his name to "Optimus Prime," if not, at the core of the issue, producing a similarity of myth within himself, transforming himself into Optimus Prime who in his turn transforms himself, from robot to semi truck to fire truck to gorilla to wooly mammoth to a shimmering sliver and gold "Flash Lioconvoy" who, by his own act of transformation, multiple transformations over the millennia, becomes as he had always been, the hero?
"Become and behave," says Benjamin. There must be more than a name to compel the National Guardsman, there must be an aspect of the Optimus Prime mythology that he found strength or solace in. For in his heart, Optimus Prime of Ohio must know that he has not truly undergone that divine transformation, that his skin is not silver, not bulletproof. Optimus Prime of Ohio believed in the Optimus Prime of Cybertron, believed in the myth, and not only related to the character of Optimus Prime (even if only because he needed to relate to the character), but was found "producing similarities."
Has Optimus Prime of Ohio found his nahual? As Taussig explains, "...nahual as related to the word for 'disguise' in the Nahuatl Indian language, nahual as the animal or meteorological 'familiar' or 'co-essence'..." (1999). But what if the "animal" familiar is not an "animal," per say, but a "robot?" Or, can we now return to Optimus Primal's gorilla form? For by now I think it has become clear that the National Guardsman has in fact enacted a "disguise" for himself - a "disguise" in that he is not something other than what he was before, but instead appears (if only to himself) to be other.
As we picture the National Guardsman, Optimus Prime, shipping overseas, going into battle, we once again hear Taussig's question: "What is transformation, if not mastery over fate's mastery?"
All of this requires an entrée to the transformation, turning into the disguise, a degree of viewed similarity between the thing becoming and oneself. Just as the purchase and enacted play of the toys allows for entrance to the world of the myth, so do the perceived parallels between robot-man-gorilla.
Gorilla. The most prominent animal of all the Optimus Primal versions.
"What are we to make," asks Taussig, "of the nature of the transformation between person and animal or, to put the question more accurately, of the double figure of person-animal represented by nahual?" (1999).
Looking for an entrance to the mythology that is Optimus Prime, in an attempt to transform oneself, we are left with few possibilities. Play with the toy, engage both the molded plastic body and the ephemeral mythology that is the character, making oneself part of a process that does not need you, but that does not exist until you actualize it. Alternatively, realize the similarities between form, note how human the robot looks, with his arms, feet, mouth. Yet for all of that, he is still steel, still hard, and still cold.
But something is happening - the robot's chest has just risen up, inverting itself. The shoulders have collapsed onto the arms, the lower body has just twisted around. What was once cold metal is now lush, dark hair! The robot's mechanical head has been replaced by a fleshy mouth, round, clear eyes! The bulky digits of the hands have been replaced by soft, long fingers... The robot, now gorilla, now so very close to human, closer than ever before... The distance standing between similarity and dissimilarity has been reduced to a thin, blurry line. We've moved from a relationship based on carbon-composition to one in which we share many of the same genes...
Gorilla. The most prominent animal of all the Optimus Primal versions, the one which most easily allows for the completion of the mimetic process of delineating associations. Our "gift of seeing resemblances" has come through in the clutch aided, in no small part, by Hasbro and Takara.
Would Optimus Prime of Ohio have been able to take upon himself the mantle, or commune with his nahual were Optimus Prime not a humanoid robot? How much easier is the transformation when his alter ego is predicated upon something closer to his natural constitution? These are tricky questions, not least because of Taussig's warning: "The concept of the nahual is confusing and we are advised to proceed with caution and not mistake the word for reality" (1999). Back to the rub, this is what makes the entire phenomenon so interesting - for we aren't really talking about "reality," other than the physical properties of the molded plastic which comprises the Optimus Prime toy. The other half of the equation is found in a strange netherworld of "unreality," whatever that term means, in which the stories are generated and then applied to the concrete objects in front of us, through which the actualization of the entire process unfolds. "But how could such a concept not be confusing," asks Taussig, "for surely this is its point" (1999). Indeed. If we were to stop and think about the strange, magical and manipulative way in which the two parts of the Optimus Prime equation function (interdependent plastic object and ephemeral myth), could we ever look at toys as innocent and fun again? How tempting would it be to banish the toy to the back of the closet, facing the wall so as not allowing it to watch you, thrown between the Ouija board and other types of supernatural creepy thing?
Variations Upon a Theme (I), vector file, Michael Demers
Yet for all of this, the form of the semi truck (especially the first model, as it will become the standard by which subsequent editions will be based) deserves closer attention. Though the aspect of semi truck should not, as stated prior, be taken as a key to unlocking the questions we've encountered thus far, there are still important aspects to how this toy looks when in "robot" and "truck" modes. I am speaking here to the more "human" looking aspect of this object, an aspect that the "gorilla" form of the toy operated through, and at the same time I wish to illustrate how issues of consistency in form and shape over the years have added to the myth that has been generated for the toy and the character.
When the very first Optimus Prime toy is in "robot" mode, it stands approximately six inches tall. The upper "body" is made of plastic and die-cast metal, and is painted red. There are "smokestacks" on both of the outer "arms," and blue plastic "fists" that fit into the ends of the "arms." The "head," in blue and silver with yellow "eyes," sits centered on the top of the boxy "body." The "legs" extend down from the "torso," on two silver plastic beams, and extend further down in blue plastic, with the "feet" being folded out extensions of the "legs." Two "gas tanks" are found on either side of the outer "thigh" area. That this object can be turned into a "truck" is made more evident by the visible "tires" on the outer "legs" (four), and the "tires" mounted to the side of the object's "hip" area. But the most striking feature (and, second to the way the "head" and "face" are constructed, most consistent aspect to the look of the toys) are the "chest" and "stomach" sections. This is clearly the easiest area to recognize as "semi truck," with the "robot" "chest" being the "cab" and "window" sections of the "truck," its "stomach" area the "grille," and below that a silver "bumper," ending at the lower "torso."
Changing the "robot" into the "semi truck" is, compared to later models, relatively simple. The "head" is folded back into the hollow "cab" of the "truck." The "arms" are bent back (think of trying to make one's shoulder blades touch), with the "forearms" folding forward, tucking into the cavity around the "rib" area (with one's shoulder blades touching, think of bring your forearms back in and forward to rest above your hips). The blue plastic "fists" come out of the ends of the "arms," and reveal holes as "headlights." The "legs" simply bend back (think of sitting down in a chair, but with your legs bending in the hip socket in the opposite direction), and the "feet" fold back parallel to the "legs," leaving an unobstructed path for the "tires" on the "legs" (now the back part of the "truck," where the "trailer" attaches) and on the "torso" area (now the "cab" of the "truck").
As just mentioned, the striking elements of consistency between the numerous forms and versions of Optimus Prime/Primal over the years have been in his head and chest area. The head can best be described as thus: A large blue "helmet" surrounds the top, sides and back of the "head." Two large antenna-like structures rise from either side, attaching to two round and protruding headphone-like areas. There is a silver crest on the "forehead" area, smaller at the top and growing larger toward the bottom where it meets at the yellow "eyes." The "eyes" and the structure they sit on (what would be the "face") are set back from the "helmet," with a silver angular face-plate type shield in front of what would be the "mouth."
This look, with very slight deviations in the length of the side antenna, width of mouth shield and/or mouth in mouth shield, length or width of the forehead crest, and shape of the eyes, pertains to an overwhelming 54 of the 60 different Optimus Prime/Primal versions. The chest and abdomen structure (truck cab windows and grille), again with very slight deviation in overall shape, pertains to 40 of the 60.
And this consistency is most striking: even when the physical transformation via manual manipulation of the Optimus Prime toy from "robot" to "semi truck" changes (as it does between generations, for example), with the "chest" being the "cab" in some cases, or the "feet" and "legs" forming the "cab" in others - even when what will be the "robot chest" is, in "truck" mode, the "truck undercarriage," the "robot chest" still looks like the "cab" of "semi truck," when it isn't really the "cab" of the "semi truck" anyway - in which cases a retooling of the model for the toy includes faux "window" and "grille" areas. In other instances the standard look of the "windows" and "grille" are nothing more than stickers. In these events, the toy actually has two sets of "cab windows" and two sets of "grille."
Again, why all this trouble to keep Optimus Prime looking the same, all while deliberately trying to make him look constantly different?
Franz Boas and A.L. Kroeber both remark about a two-tier system to objects, wherein a conventional form is altered, by which the object changes in appearance. Though both thinkers took different approaches to understanding this phenomenon (and differed in who or what they saw doing the altering to the conventional form), the idea of a two-tier system of object-ness is mutually shared (see Boas, The Principles of Ethnological Classification and Kroeber, Three Centuries of Women's Dress Fashions: A Quantitative Analysis).
In our study of Optimus Prime, we see the two-tiers in action: The conventional form (the "robot" to "vehicle" or "animal") is changed roughly every two years, with size, shape and color adjustments. The interesting aspect to this two-tiered system is not (in this case) the change, but rather what remains constant, the conventional form. Whereas Kroeber studied fashion spanning 300 years while indicating that "sociological stress and unsettlement seem to produce fashion strain and instability" (1940) (read: the Revolutionary War, the Napoleonic Wars and World War I as possible explanations for shifts in fashion), a similar exploration of global duress relative to the many forms of Optimus Prime would fail. Inherent differences in the secondary functions of the two commodities, clothing and toys, is one problem. Having 20 years worth of data (as opposed to Kroeber's 300) is another. However, if we seek to relate the structural component of Optimus Prime to the myth of Optimus Prime, it becomes apparent that the conventional form and its aspect of consistency provide a reliable, stable foundation on which to build the second-tier. In other words, Optimus Prime may change his look from time to time, but he is still, in the end as in the beginning, Optimus Prime. And perhaps this stability in the character and myth of Optimus Prime continues to aid the National Guardsman...
But what about that face?
Variations Upon a Theme (I), vector file, Michael Demers
Certainly the issue of stability as found in the conventional form of the Optimus Prime "head" aids in maintaining the established character of the myth. The second-tier is still constantly acted upon (by forces this study has not found), but essentially the consistency of the "head" serves the same purpose as that of the "chest." Yet the very fact that this "robot" has a humanoid "head," and that it so resembles a person wearing a helmet, may be of paramount importance.
If we do, as Benjamin has repeatedly told us, seek to form similarities - and if our analysis of the importance of Optimus Primal as gorilla has any merit - then would not the relationship (real or assumed) between his face and ours allow for the final step in our own process of mimetic transformation? For isn't that what playing with the toys is really all about? Becoming Optimus Prime to play Optimus Prime? Need this even be said for the National Guardsman?
Is it as Taussig says? "It is the face of transformation - not of animals into men but of double-men, transforming men, whose metamorphosing capacities are established through zoomorphic physiognomics". "Why double-men?" Taussig asks. He answers, "They are the sign of prehistory..." (1999).
Once again we are forced to consider the cyclical, never-ending-never-beginning nature of the phenomenon and the magic it entails. Optimus Prime with the Matrix of Leadership, handed down to him from before time, waging a war against the Evil Decepticons since prehistory, always changing yet always remaining the same. Like the snake with its tail in its mouth, one muddled point of entry.
And the magic of it all, the seamless merging of plastic and myth, the mutually dependent relationship between those mutually dependent parts and the consumer of that sum, finding themselves in a strange nether-world where a physical reality is negated for an ephemeral one, willingly making that leap of faith into the comfortable-and-unknown.
And then the real magic: all of the elements in all of the equations which go into making Optimus Prime the "thing" that it/he is, working in the same manner - just as they are worked upon in the same manner - on both the player of the toy and the National Guardsman from Ohio, the believers of the myth and the magicians alike, each undergoing their own transformations.


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Practice News
This week marked an unusual return to school. Whether in person, through remote learning, or some combination of the two, this has certainly been challenging for both families and schools alike.
As pediatricians, we use the updated CDC recommendations to determine the need for COVID-19 testing. Current testing is based on a child's symptoms plus exposure risks that include: close contact with a COVID-19 positive person, the current level of COVID-19 in the community, and potential exposure risks from travel. Please read the CDC policies on screening students K-12 for COVID-19, and pay close attention to the return-to-school recommendations.
Since school has started, it has come to our attention that if a child is sent home from school with any symptoms of illness, some schools are requiring clearance from the child's pediatrician, AND a COVID-19 test in order to return to school. Although this requirement for a COVID-19 test for every student before they return to school may not align with the CDC recommendations and the clinical decision making of physicians, we understand that schools have made these rules to keep everyone safe in a very challenging environment. If your child is sent home from school due to a symptom of illness, we will support you through the return to school process as required by your school.
Appointments are available at Pediatric Associates for a medical provider in our office to evaluate your child if they are sent home from school. We are unable to write a note to clear your child unless we see and evaluate them in person. Right now, COVID-19 testing is not yet available in our office. We are on a waiting list for a shipment of rapid COVID-19 tests that can be performed as a nasal swab in our office with results in 15 minutes. Unfortunately, we do not yet know when this shipment will arrive but will keep you posted on our website.
Returning to school is therefore a 2-step process: a visit to the pediatrician plus an off-site COVID-19 test (see bottom of post for COVID-19 testing sites). Current test results are typically available within a minimum of 24 hours and your child must remain at home in quarantine while awaiting test results.
We will continue to do our very best to support our families through this back to school transition and will keep you updated as recommendations and requirements change over time.
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May 2023
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subset: commoncrawl


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Alternative species (click on the thumbnail to see the card)
Scientific name
Hypostomus plecostomus
Acipenser plecostomus
Common name
Common pleco
Suckermouth catfish)
Origin: South America
Biotope: Amazonian
The male has more developed pectoral fins. The female is usually lighter than the male
400 L / 88 imp gal / 106 US gal
T°: 20 à 28°C or68 to 82°F
pH: 6 to 8
Hardness: 1 to 15°dGH
35 cm (14")
15 to 20 years
Living zone
How to feed the Common pleco?
The common pleco is omnivorous, essentially vegetarian. It will accept without difficulty bottom pellets based on spirulina but a contribution of fresh food will be a real plus: salad, cucumber, green beans, zucchini, spinach... Vary its diet by offering worms or shrimps.
What kind of behavior does the Common pleco have?
The Suckermouth catfish is a rather peaceful fish that evolves mainly at night. Sometimes it can pursue its roommates to defend its territory, especially other Loricaridae. As it gets older, the Pleco becomes more and more aggressive and territorial. Therefore, think carefully before adopting it!
Who can live with the Common pleco?
Because of its large size and peaceful nature, associate the common pleco with large species such as Scalars or Oscars. It is also one of the only fish compatible with piranhas.
In contrast, avoid cohabitation with other bottom species like Corydoras that could be hurt by this depth giant.
Cohabitation with goldfish is impossible.
How to breed the Common pleco?
Breeding is quite difficult to achieve in the aquarium (most farmers use ponds provided for this purpose). The Suckermouth catfish lays clusters of hundreds of eggs (200/300) in recesses or cavities. Roots or PVC pipes can be used as laying surfaces. Opt for a pH of 6.5 and a good brewing.
It is the male who takes care of the eggs by ventilating them and sorting them (it removes the moldy eggs). At birth, the fry measure 5 mm (0.2 inches) and their growth is very slow (count several months for a few centimeters).
The young feed on the algae of the aquarium, so you need a good reserve!
Its aquarium
Its aquarium
Which aquarium for the Common pleco?
As for all bottom species, install a non-cutting substrate, if possible large enough grain size (otherwise your sand will be scattered in the water each time the fish moves). Provide enough free space for it to move around at its ease.
Also add big roots and flat rocks to the aquarium because the Suckermouth catfish likes to rest in the shade or in cavities during the day (make sure however the stability of your decoration, even if you stick the rocks between them).
Plantation side, you do not risk anything until the Pleco reaches 10/15 cm or 4/6 inches. Once this size is reached, it may be difficult to maintain proper planting because the Pleco tends to be destructive. You can in this case pass on a vegetation composed of tough and very firmly anchored plants (as the Anubias for example).
The common pleco produces a lot of waste. Regularly vacuum excrement and change 30 to 50% of the water a week.
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Its mouth in the shape of a suction cup allows it to fix itself to the windows and the decoration. It scrapes the micro-algae found on these supports. It is for this reason that it is often sold as a «cleaner». Yet, nocturnal, territorial and huge, this fish is poorly adapted to most aquariums. In addition, its ability to scrape algae fades with age. Indeed, it will eat seaweed only during its youth.
As with all fish, its purchase should be motivated by interest in its species, and not for their so-called «function», which is in most cases quite limited. Nothing will replace the maintenance work of the aquarist!
The common pleco is a fairly robust fish and accepts a wide range of water parameters.
There are golden and brown forms of this species.
As it is sold rather small, it is often confused with the Ancistrus. Indeed, it is quite difficult to differentiate between these species when the individuals are young. Plecos do not have the spines found on the Ancistrus' heads. They are also much bigger. Other differences are at the tail, dorsal fin and head shape:
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Mil & Madison, WI FRANCHISED TERRITORY!!!! THIS IS A FRANCHISE!!Low overhead, low initial investment, Home Based Franchised Business Opportunity!The Most Qualified Potential Buyer is one who is:Physically activeHandy and enjoy fixing thingsPatience with clients and situationsMany of these franchise Buyers are or were in executive or management roleA "people-person"This is a niche franchise business centered around on-site and virtual "repair estimating" and furniture repair and restoration. This business model has both business-to-business and business-to-consumer components. As part of a nation(international)-wide franchise system, franchisees will receive extensive one-on-one training conducted by Master Craftsmen.National advertising is conducted by the franchisor's marketing team, highly active in the household and business moving industry. They maintain strong relationships with a multi-layered and dedicated clientele.TWO STREAMS OF INCOMEFranchisor's services include conducting in-home and commercial-facility repairs. Many of their clients rely on them to provide inspections and repairs associated with insurance and moving damage claims. Franchisee/franchisor training includes a thorough explanation in all aspects of the claims handling process. Franchisee will have access to several revenue streams including property damage repairs, fire, smoke and water damage repairs, hospitality industry maintenance, and others.This franchise is also locally and nationally recognized for being the best in the industry!!!!This franchisor team can legitimately boast over 50 years of furniture restoration arts experience.Franchisor's minimum standard is excellence!!!!!!!!Franchisor provides a large protected territory, three weeks of in-depth, one-on-one training, an array of specialty tools and the necessary chemistry to start earning as soon as training is completed.Requirements for a potentially successful new franchise owner:1. Good communication and people skills2. Being handy and having good problem-solving skills3. Have good report writing skills or have an assistant who doesFranchisor provides:1. Exceptional personalized training and business development mentoring on all aspects of furniture restoration and related repairs.2. Access to a new generation web-based reporting and invoicing platform at no extra cost to franchisee.3. Both technical and management support is always available from franchisor's headquarters.ANY FINANCIALS THAT MAY BE PROVIDED IN THIS ADVERTISEMENT AND OR THAT MAY BE ASSUMED FROM THIS ADVERTISEMENT IS APPROXIMATE AND FOR DISPLAY PURPOSES ONLY. BY INQUIRING ABOUT THIS ADD, YOU – THE POTENTIAL BUYER - ACKNOWLEDGES THAT YOU - THE POTENITAL BUYER - ACCEPTS FULL RESPONSIBILITY FOR ALL AND ANY VERIFICATION FOR AND OF ANY INFORMATION IN THIS ADVERTISEMENT. BUYER AGREES TO NOT HOLD BROKER AND OR BROKER'S AGENCY RESPONSIVE FOR ANY MISTAKES.(ALL INFORMATION SUPPLIED IN THIS AD IS FROM THE SELLER AND MUST BE VERIFIED BY THE BUYER, AND ONLY DIRECTLY WITH THE SELLER. FURTHER, BUYER ACCEPTS FULL RESPONSIBILITY FOR VERIFICATION OF ALL INFORMATION GIVEN IN THIS ADVERTISEMENT INCLUDING, BUT NOT LIMITED TO, FINANCIAL INFORMATION, FACILITY INFORMATION, COMPETITION INFORMATION, GROWTH AND EXPANSION INFORMATION. BUYER UNDERSTANDS AND ACCEPTS THE FACT THAT ALL INFORMATION IS APPROXIMATE AND OR ESTIMATED AND THEREFORE CANNOT BE RELIED ON TO MAKE AN OFFER TO PURCHASE THIS BUSINESS. FURTHER, BUYER(S) ACKNOWLEDGES THAT BUYING A BUSINESS INVOLVES RISK AND THAT BROKER(S) DOES NOT GUARANTEE FUTURE SUCCESS OR PROFITABILITY. BUYER(S) ACCEPTS SOLE RESPONSIBILITY FOR THE DECISION TO BUY A BUSINESS AND AGREES TO RELY SOLELY ON BUYER(S)'S OWN INDEPENDENT INVESTIGATION OF THE BUSINESS BEING PURCHASED. BROKER(S) SPECIFICALLY ADVISES BUYER(S) TO SEEK INDEPENDENT PROFESSIONAL ADVICE FROM BUYER(S)'S OWN TRUSTED ADVISORS SUCH AS BUT NOT LIMITED TO ATTORNEY, ACCOUNTANT/CPA, BUSINESS CONSULTANTS, ETC. PRIOR TO MAK
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KALI - Pet Sleeper Blanket with RuffTrek Sherpa
- Half Blanket/ Half Bed
- Throw it on the ground and give your pup a soft place to lay, or cover them up on a cold night to stay warm!
- Gold + white southwest pattern on the outside and you can choose from our super durable RuffTrek Sherpa or plush sherpa on the inside
Approx. 40" x 30"
** Machine wash on gentle/ delicate cold (for added protection place blanket in garment bag, or pillow case during wash cycle) lay flat to dry **


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PseudoPod 730: The Smell of Night in the Basement
The Smell of Night in the Basement
by Wendy N. Wagner
I looked up when Carlos came in with a girl, two Domino's pizzas, and a bag of marijuana gummies. It was a big basement, finished in places, dirt in others, a kind of half-assed bathroom in the corner with no walls or a door for privacy. You got used to smelling somebody drop a deuce or rinse blood out of their hair in the utility sink.
They said they were vampires. Sometimes I believed them and sometimes I didn't, but I didn't really care. I got enough to eat. There was always plenty of drugs and dancing and people to fuck. The screams bothered me sometimes, but not so much I wanted to leave the basement or Luca. Not that he would have let me leave. (Continue Reading…)


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Developing students' intrinsic motivation for learning in a local community and beyond, while supporting creative and personal forms of expression as a way of preserving the individual experience and
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Developing students' intrinsic motivation for learning in a local community and beyond, while supporting creative and personal forms of expression as a way of preserving the individual experience and diversity can be a challenging task. Respond to the following prompt with this issue in mind:How can you develop students' intrinsic motivation for learning with a global mindset? How can you assess your students' development as global citizens while nurturing personal creativity and diversity? How can you incorporate your prior readings and activities around Education for Sustainable Development (ESD) as a strategy for developing both the connection to the local community, while still engaging and respecting the diversity of all learners in today's classroom?. This reflection should be personalized, it should have examples relevant to the class situations it should be at least 500 words. cite at least three sources.
auböck, R. (2006). Citizenship and migration – concepts and controversies. In Bauböck R. (Ed.), Migration and Citizenship: Legal Status, Rights and
Political Participation (pp. 15-32). Amsterdam: Amsterdam University Press. Retrieved from http://www.jstor.org/stable/j.ctt46mvkf.6
- The article discusses that migration highlights the political core and the boundaries of citizenship. You must log into Moodle and navigate to the link to access this material from JSTOR.
Dighe, A. 2000. "Diversity in Education in an Era of Globalization." in Learning Societies: A Reflective and Generative Framework. Edited by M. Jain. Udaipur,
Shikshantar: The People's Institute for Rethinking Education and Development. Retrieved from http://www.learndev.org/dl/VS3-00q-Diversity.PDF
- This article examines that globalization is reinforcing and perpetuating the existing unequal relationships of power and income between the advanced and developing World, and creating massive upheavals in communities. Thus, the rapid changes that are now occurring in all countries are requiring that knowledge and skills be updated continuously.
McGavin, K. (2017). (Be)Longings: Diasporic Pacific Islanders and the meaning of home. In TAYLOR J. & LEE H. (Eds.), Mobilities of Return: Pacific
Perspectives (pp. 123-146). Australia: ANU Press. Retrieved from http://www.jstor.org/stable/j.ctt20krz1j.8
- This article describes experiences of diasporic Pacific islanders journey "back to home" and the different consequences and impacts upon identity, sense of belonging, and 'home'. You must log into Moodle and navigate to the link to access this material from JSTOR.
Tavangar, H. S. (2009). Growing up global: Raising children to be at home in the world. Ballantine Books. URL: https://books.google.com/books?id=F5-HCHWkW1IC&printsec=frontcover&dq=Tavangar,+H.+S.+(2009).+Growing+up+global:+Raising+children+to+be+at+home+in+the+world.+Ballantine+Books.&hl=en&sa=X&ved=0ahUKEwigz6zO07DcAhUk7IMKHXc2DBYQ6AEIODAD#v=onepage&q&f=false
- Read-xi-xvii. Introduction-Make Yourself at Home in the World. This book describes a North American family life in West Africa and explores issue of identity, self, and others in feeling at home in world.
Veenkamp, T. (2007). People Flow revisited: Constructive management of changing patterns of migration. In Jandl M. (Ed.), Innovative Concepts for Alternative Migration Policies: Ten Innovative Approaches to the Challenges of Migration in the 21st Century (pp. 37-46). Amsterdam: Amsterdam University Press. Retrieved from http://www.jstor.org/stable/j.ctt46msqg.7
- This is "People Flow Report" of changing patterns of migration with its opportunities and challenges.
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County seeking promoter to stage events on public land
Dutchess County is seeking an events promoter who can serve as a liaison with organizers of concerts, festivals and other gatherings that would be held at county sites and generate revenue.
According to County Executive Marc Molinaro, the county later this month will put into motion a formal search for event planning and management promoters.
Ideally, Molinaro said, the county would work with one promoter who would handle any logistics associated with an event, with the county receiving a fee for the use of any number of public sites. These locations include Dutchess County Airport in Wappinger; Bowdoin Park in Poughkeepsie; Dutchess Stadium in Fishkill; Wilcox Park in Milan; and the William R. Steinhaus Dutchess Rail Trail and Harlem Valley Rail Trail.
Launching this initiative to use county sites to generate revenue by hosting events will be the inaugural Hudson Valley Oktoberfest Oct. 4 at Dutchess County Airport. The German Oktoberfest celebration will feature German food, German and American craft beers and entertainment from noon to 6 p.m.
The Oktoberfest will be hosted by the Mid-Hudson Civic Center, which is located in downtown Poughkeepsie. The county will receive $10,000 in rental fees for the event and the Mid-Hudson Civic Center will be responsible for staffing, insurance, security, traffic control, emergency medical services and all other logistics and costs.
Tickets for the Oktoberfest cost $10 in advance and $15 at the gate. VIP tickets are available for $50. Visit www.hvoktoberfest.com. for information and to purchase tickets.


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Gita & Green in a Gigabyte World: Green Drinks January Forum
- 10 January 2019
- 19:00 - 21:00
- WeWork @ Hunan Road, Shanghai
Artificial Intelligence (AI) developments in recent times have proven that an intriguing concept such as human intelligence is programmable. This has enabled machines and robots handle many activities with better precision than humans. Inventions like robotics, autonomous vehicles, smart contracts and artificial TV anchors indicate that there is no limit to such future possibilities with AI.
Given the rapid developments in the AI space, it would be valid to ask: Can AI pose an existential challenge to humans in future?
Interestingly, possible answers to this question not only stem from technology, but through other sources such as the physical environment we live in, and the philosophical discourse we learnt through Gita ('Bhagavad Gita').
Environment and Philosophy have taught us much before than technology that "consciousness" is a more challenging and existential concept that defines human life, than "intelligence" that can be programmed into machines.
Join us at the 117th Green Drinks Monthly Sustainability forum for an exploration of AI technology (Giga-byte world), through lens of philosophy (Gita), and the abstract world of physical environment we live in (Green).
About the speakers
Dr. Srinivas Yanamandra
Background: Dr Yanamandra is Chief, Compliance at the New Development Bank (NDB) Headquartered in Shanghai. NDB is established by BRICS member countries to mobilize resources for infrastructure and sustainable development projects in BRICS and other emerging economies and developing countries. Srinivas is responsible for operationalizing the compliance function, monitoring the implementation of compliance policy framework and institutionalizing the compliance culture across the organization.
Srinivas has more than 15 years of experience as a compliance officer in Indian banking industry with hands-on expertise relating to various aspects of banking regulation, including governance, risk management, prudential reporting, risk based supervision and digital banking. Srinivas is a qualified accountant, a Fellow of International Compliance Association, UK and a Certified Anti Money Laundering Specialist (USA). He holds a doctorate degree (2013) from the University of Manchester, UK.
[TED Talk] Kai-Fu Lee on 'How AI can save our humanity'
Background: Dr. Kai-Fu Lee has a unique perspective on the global technology industry, having worked extensively between the US and China, and has been in artificial intelligence research, development and investment for more than 30 years. He is one of China's top technology investors, undertaking early pioneering work in the field of artificial intelligence and working with multiple US technology giants. Lee is the Chairman and CEO of Sinovation Ventures, managing a $1.7 billion dual-currency investment fund. Sinovation is a leading technology-savvy investment firm focusing on developing Chinese high-tech companies. Lee also serves as president of the Sinovation Ventures Artificial Intelligence Institute.
Prior to founding Sinovation in 2009, Lee was the President of Google China. Previously, he held executive positions at Microsoft, SGI and Apple. He is a Fellow of the Institute of Electrical and Electronics Engineers (IEEE), and he was Vice Chairman of the Committee of 100 and named one of the 100 most influential people in the world by TIME Magazine. He is the author of seven best-selling books in Chinese, launching his new book AI Superpowers internationally in fall 2018, and has over 50 million followers on social media.
Event Details
|10 Jan 2019 7:00 pm – 9:00 pm
|WeWork @ Hunan Road, 328 Hunan Road, Near Gaoyou Road, Shanghai
|Shanghai Library Line 10 Exit 3
|View on Baidu Maps View on Google Maps


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AMPTV, the Armenian national broadcaster has unveiled the candidates for the forthcoming edition of Depi Evratesil.
A total of twelve acts will partake in the 2020 Armenian national final- Depi Evratesil, scheduled to be held in Yerevan on Saturday 15 February and will be broadcast live on AMPTV's Channel 1 and official website.
The Armenian broadcaster received a total of 53 valid applications for Eurovision 2020. Hereafer a professional jury consisting of Naira Gurjinyan, Anita Hakhverdyan, Lilia Nikoyan, Ruben Babayan, Vardan Hakobyan, Tigran Danielyan, David Tserunyan ( Head of Armenian Delegation at ESC), Karen Tataryan and Anush Ter-Ghukasyan (Head of Armenian Delegation at ESC)shortlisted the entries to twelve.
Depi Evratesil 2020 Candidates
- Athena Manukyan
- Tokionine
- Erna
- Miriam Baghdsaryan
- Agop
- Karina EVN
- Vladimir Arzumanyan
- Hayk Music
- Arthur Alek
- Gabriyel Jig
- Eva RIDA
- Sergey & Nikolay Harutyunov
Armenia in Eurovision
Armenia debuted at the Eurovision Song Contest in 2004 and is yet to win the competition. The country's achieved its best result in the event in 2008 (Sirusho) and 2014 (Aram Mp3) when it placed 4th in the Grand Final.
Armenia has partaken in the contest 13 times and has competed every year since its debut with the exception of 2012 when the country decided to withdraw from the competition.
The Armenians have enjoyed much success in Eurovision, garnering a total of 7 top 10 placings in their 13 year Eurovision history.
In 2019 AMPTV opted for an internal selection in order to select the Armenian Eurovision representative and entry for Tel Aviv. Srbuk flew the Armenian flag at the 2019 Eurovision Song Contest in Tel Aviv with her entry Walking Out, despite an extraordinary performance Armenia failed to qualify to the Grand Final for the second consecutive year.


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Comedy Magician Dewayne Hill-Serving Your Area
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Catalyst Arts Entertainment
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Ricky Roo & Friends Puppet Shows
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San Francisco CA -Hooper the Fun Hypnotist Corporate Entertainment
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In San Francisco, California, corporate entertainment Hooper the Fun Hypnotist performs a clean and funny comedy hypnosis show for all ages. His background in improv and stand-up comedy ensures that the laughs never stop. Besides corporate shows, Hooper entertains at many fairs and festivals through
Elite Tarot
21 miles from Pleasant Hill, CA
**Offering In-Person and Zoom Events*** From black-tie galas to birthdays, corporate events to celebrations, premieres to wedding receptions, Eve of Elite Tarot entertains your guests with unique, fun, and above all, professional and positive tarot card readings. Featured as one of the nation's to
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Until Further Notice
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Quintessential Alt-Rock Garage band blended with Seasoned Musicianship. UFN plays both original songs and multi-genre covers. Some of their influences are: Paramore, Red Hot Chili Peppers, 21 Pilots, Wolfmother, Green Day, MCR, Franz Ferdinand, and so many more. We provide all of the necessary sou
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The Magic Entertainment of John Gardenier
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Ash K., Magician
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Magic Circus
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Edie Bea's Travelling Tea Party
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Peachy's Puffs
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Fancy Faces is a premiere, full-service face and body painter, ready to make your event something to remember (and everyone will want a new profile pic!). Great for startups, bridal or baby showers, birthdays, product launches (we can paint shot girls with your logo!) and more.
Celebrity Hypnotist TerranceB - San Francisco
22 miles from Pleasant Hill, CA
Celebrity Hypnotist - He'll Make You Laugh Like it Or Not!
Fast Response
My Cigar Roller - San Francisco
22 miles from Pleasant Hill, CA
We provide highly skilled Cuban Cigar Rollers to perform cigar rolling demonstrations at high end events worldwide. Our approach is very unique, elegant and interactive. We teach your guests the history of the cigars, the difference between Cuban and non-Cuban cigars, the different types of cigars a
Amazing Hypnotist James Kellogg Jr. - San Francisco
22 miles from Pleasant Hill, CA
About The Show This show is a fast paced roller coaster ride of fun. Completely choreographed to music, it allows audience members to venture into the fascinating world of the subconscious mind, whose boundaries are only that of imagination. The volunteers are the stars of the show! It's like ge
Dueling Pianos San Francisco by 2 Grand Entertainment | Weddings & Dueling Pianos in San Francisco
22 miles from Pleasant Hill, CA
2 Grand Entertainment's professional pianists perform music for wedding ceremonies in the San Francisco Bay Area. After your wedding ceremony we are proud to offer many show options for a truly unforgettable party. Our piano show options include Piano Blast, Dueling Pianos and Great Pianos. All thre
Cartoon Guru
23 miles from Pleasant Hill, CA
Jon Casey is a Bay Area Caricature Artist with over 12 years of experience. From Corporate functions to Birthday Parties, Jon Casey is available for any event. Illustration, Gift Caricatures drawn from photos, and special requests are all available!
NW Corporate Comedy
23 miles from Pleasant Hill, CA
First class clean hilarious physical comedy show with the funniest plate spinning routine and straight jacket escape on a unicycle you have ever seen.
Sir Lantz-Balloon Artist
23 miles from Pleasant Hill, CA
Master Balloon Artist can make thousands of incredible balloon creations really fast.
A Merry Heart - San Francisco
24 miles from Pleasant Hill, CA
Standup Comedy: It's Hard To Be A Hick in a Hi-Tech World features Philip transformed into three different "relatives"; Clean Comedy + Roasts; Also, Patticakes the Clown, Rufus the Elf, etc performing comedy illusion + face-painting/balloon sculptures and more.
Mark & Marlo - Comedy In High Definition®
24 miles from Pleasant Hill, CA
It's more than comedy, it's more than juggling, it's more entertainment than you'd expect from two performers…it's Comedy In High Definition®. Mark and Marlo have been featured on multiple national television shows such as the Late Show with David Letterman, America's Got Talent, Who Wants to Be
Singing Telegrams Now
24 miles from Pleasant Hill, CA
Singing Telegrams Now Provides Party Entertainment and Singing Telegram services for special occasions like birthdays, graduation, corporate events, anniversaries, holidays … You name it! We have dozens of characters and celebrity impersonator, which are sure to make your special occasion entertaini
Delorean Rental
25 miles from Pleasant Hill, CA
Rent a Delorean Time Machine for your next party or event. Perfect for Birthdays, Weddings, Corporate Events, Graduations, Photoshoots, Commercials and much more. No event is too big or small! Available Nationwide.
Colorful Party Face Painting
25 miles from Pleasant Hill, CA
I offer professional face painting and simple balloon twisting for birthday parties, corporate events, grand openings, celebrations and much more. I use FDA compliant face paints and glitters designed for the face, not paint from craft stores! I bring everything needed for your event so you don't h
Fortune Kookie Fun
26 miles from Pleasant Hill, CA
Fortune Kookie has been performing and entertaining audiences of all ages since 1999. She is an official entertainer for the San Francisco Chinatown Autumn Moon Festival. Her high standards produce quality face painting, balloon sculptures, and astrological act that surpasses other entertainer
Chaz & Co.-Multi-Instrumentalist, Soloist & DJ.
26 miles from Pleasant Hill, CA
Chaz & Co.-is a Multi-Instrumentalist/Soloist & DJ.with state of the art high-tech equipment along with sony laptop for dj,ing.. & 2 additional ipods & background track..i provide a cordless mic ..small projector for karaoke..and or corporate presentations..i performs all styles of music from classi
City Mystic
26 miles from Pleasant Hill, CA
As a professional Tarot reader I've worked with Google, Youtube, Square, Origins, Bloomingdales and countless weddings and private parties. I bring a fun and accessible approach to Tarot to all of my events allowing your guests to feel comfortable and enthusiastic about their reading experience. I f
The Magic of Chin-Chin
26 miles from Pleasant Hill, CA
The Magic of Chin-Chin is an International Champion Magician and San Francisco's 3-Time 'Stage Magician of the Year'. Offering full service magic entertainment from a 'Las Vegas Style' Stage Illusion Production Show to strolling magic for ALL events!
Action Caricatures by Bill
27 miles from Pleasant Hill, CA
Bill is versatile artist with a background in Marvel Comics. For over 25 years, he has drawn caricatures at parties and events in NYC, AZ, NV, and now the San Francisco Bay Area. - Corporate events, weddings, and parties - Friendly, flattering caricatures - 11x14 card stock paper- perfect size
L'Artiste a la Carte
30 miles from Pleasant Hill, CA
We offer Caricatures, Face Painting & Glitter Tattoos
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I'm taking my first ever stint of Long Service Leave this year – it's been a long time coming.
The family and I are heading off to Europe and the UK for the Grand Tour in the coming months. A full month away from work and school commitments in the close immediate vicinity of one another is either going to make or break us! I'm hoping for the former but assume we will encounter some close to breaking moments along the way too. Let's face it, we're a normal family, and normal families aren't perfect. 🙂
I've only had a week off during this school holiday break (I no longer get regular school holidays) and I've spent time planning the trip. It's been a really interesting experience on many levels.
Level 1:
I've realised that this is the kind of thing normal people do. (Normal people who've worked for a long time and have access to Long Service Leave)
They plan their lives. They devote time to something other than their work. They don't focus on trying to keep abreast of change and what it means for education.
Hmmnnn… quite the revelation. Will have to ponder on that more in the months to come.
Level 2:
I've also been booking accommodation through Airbnb, and it's been quite the positive experience. For those of you unfamiliar with the service, airbnb is a site that enables you to book accommodation from people who offer rooms, apartments and even whole houses up for rent.
I registered on the site so that I could make bookings and they are pretty thorough in their review of who you are. I needed to provide verification of identity by providing my mobile number, my driver's licence details (photo evidence) and linking to my Google+ account so you can bet I was checking that this was a https site. For many people out there who remain sceptical of the Internet, this would be a turn off. I accept that a site like this needs to ensure the people using it to make bookings are who they say they are, but my level of comfort using the Internet is different to many people's comfort levels.
You can select a city and browse for accommodation options at the price point you nominate. When you find something you like you put a request through to the owner explaining traveller details and they decide whether or not to allow you to book their accommodation. Once approved, you begin a dialogue with the owner about the booking. I've made four different bookings thus far, and each time approval has come in from the apartment owners in under two hours.
You have access to a dashboard that outlines your trip details, your inbox (for communication with the home owners) your profile and account details. I've downloaded the App to my Nexus 7 and it's a clean mobile interface providing the same detail. I was able to swipe through pics of the apartments we've rented to show my friend Helen the other day while we had a coffee. Nice.
The really nice thing is the dialogue with the owners. This is personalisation of the travel experience. Another disruptive innovation that will turn the already fractured travel industry on its head. Interestingly, I feel more connected to the Airbnb accommodation than I do to the hotel accommodation we have booked on this trip. The hotel booking experience seems clinical, compared to the Airbnb experience that feels like you've begun a conversation.
Price wise, the deals seem pretty good. I've managed to secure what looks like really lovely apartment accommodation options in city centres where hotel pricing was out of range for our budget. We have access to cooking facilities, washing machines and clothes dryers – things that will assist us in keeping costs down – important when it's a family of four travelling!
Level 3:
Planning a trip like this and doing it all yourself is time consuming. I needed the week off to get my head around it all.
I set up a Google Doc with a table of three columns with the headings 'Date/Location', 'Where we are staying', 'Where we are going'. As I make bookings, I add all the details to this Doc so that it becomes our go to itinerary. I'm including the cost of everything and I've now transferred those details to a spreadsheet so I can tally accommodation, train/car hire and sightseeing costs. I'll have my Nexus 7 with me as we travel and I'll be accessing the Doc through the Google Docs app (and yes, it will be printed out as a hard copy too for emergency access if I'm out of power on the Nexus).
I find myself constantly checking dates and referring back to the itinerary Doc verifying that everything is in sync. Heaven help me if I've mucked something up because it's going to mess up everything if I have! I did book access to the Eiffel Tower on the wrong date after refreshing the booking page and not realising the date had changed. The official booking site won't provide me with a refund, so, if you know of someone travelling in Paris on Sunday July 20th 2014 (next weekend) then get them to contact me and I'll send them four Lift entrance tickets with access to the 2nd floor of the Eiffel Tower at no charge. 🙂 (Reading the site suggests they may ask for proof of identity – maybe if I provided a cover letter explaining the situation they would let be be used by someone else? Sure hope so.)
Thinking of using Google's Tour Builder as well to map the trip out and share it with family and friends so they can follow where we are on certain dates. Will be fun to have a play with that if I can find the time.
Level 4:
TripAdvisor is my friend. 🙂
It really is. I need to know what I'm thinking of doing is the right option, and more often than not there is a forum thread on TripAdvisor dealing with exactly my query. I quite simply love you 10% of the population who make the effort to help other travellers out with your reviews and honesty. You're enacting the true ideals of the Internet, making a place of relevance for the population of the world.
Note to self: Do the same on your return. Add to forums. Create a thread if necessary.
So there you have it. Am I looking forward to this trip? You betcha. Can't wait.
Europe and the UK, brace yourself. The Luca family is heading in your direction sometime soon.


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Rising Singer TATUM LYNN Opens Up About Her Brand New Debut Album, Favorite Artists and Much More!
Get to know the 19-year-old rising singer-songwriter Tatum Lynn!
Just last week on September 27th, she released her debut LP 'With Me.' On this collection, Lynn delves into suicide, heartbreak and more. Her voice shifts from breezy to soulful with undeniable grace. The result is an emotionally charged but brightly textured brand of pop music, equally built on bubbly melodies and deeply heartfelt lyrics.
Tapping a top-shelf list of collaborators — including Jon Levine (Dua Lipa, Alessia Cara, Andy Grammer), Lauren Christy (Rihanna, Bebe Rexha), John Fields (Demi Lovato, Jonas Brothers, P!nk), Andrew Wells (5 Seconds of Summer, Meghan Trainor), Stephan Moccio (Miley Cyrus, The Weeknd, Avril Lavigne, Celine Dion) and Michael Bland (Prince) — Tatum shares everything from feel-good dance tracks to life-affirming anthems to soul-stirring ballads, revealing the rare balance of thoughtful sensitivity and carefree spirit at the heart of her music.
At just 19, Tatum already has a long history of philanthropic endeavors, having founded the first of her non-profits at just 15 years old, Music As Therapy — a nonprofit dedicated to providing music therapy and musical instruments to kids in special-education classrooms throughout Arizona — and also Aztec Strong — a 300+ member suicide prevention club in her hometown. Tatum teamed up with a group called Teen Lifeline, and spearheaded an effort to have its suicide-hotline number printed on the back of every student ID in her district.
WATCH the infections, game show-themed lead single for "Later Baby XOXO": https://youtu.be/0VZzn8ICwzU
Learn more about Tatum Lynn in the following All Access interview:
What does a typical day look like for you? What do you have scheduled the rest of today and this week?
Trying to fit in workout each morning and if I'm lucky, having time to treat myself to an acai bowl.
Answering fan posts and working on social media. As an independent artist social media is one of the most cost-effective ways to share your music.
I have been and will be visiting radio stations and TV stations. Trying to get my message out.
Working my nonprofit Music As Therapy and my friends at Gigi's Playhouse.
Finishing my day with ice cream or cookies because I have the biggest sweet tooth known to man.
Now that we are more than half-way through the year, how has 2019 been treating you? What are some goals that you have had for yourself this year? How close are you to reaching them or did you already? What are you already excited about for 2020?This year so far has been a wild ride. From getting to work with many amazing producers and writers, to traveling and performing each week, you could say it has been a nonstop ride for sure.
In November I have the privilege to emcee for the 5th year in a row the "Music From The Heart" Rock Band Showcase for teens and youth with special needs. There are three shows that day showcasing 15 bands. My nonprofit is proud to sponsor three of the bans.
This year's goals were primarily to finish and get my debut album, "We Me" released and start sharing my messages with the world. We are just about to release it and I couldn't be more excited for everyone to hear my story!
I am most excited to start touring in 2020. I absolutely love performing life and can't wait to meet and perform for new people!
Growing up, how important was music in your life? Can you recall the moment when you decided that you wanted to be in this industry? Was it an easy or difficult choice to make?
I have always enjoyed singing and performing, but where I really got the bug was when I sang the national anthem at 15 at an Arizona Cardinals football game. To hear the roar of 65,000 people is something I will never forget.
It's always hard to make big decisions like this but in my heart, I believe I have a message to deliver that is important to me. So, I am going to deliver that message and I am hoping that it will touch the hearts of those that need it!
Was there ever a time when you thought about doing something else? If you weren't a musician today, what else could you see yourself doing? Would you be as fulfilled in life?
I have thought about working as a music therapies and working my nonprofit full-time. I am the happiest when I am singing and brightening someone's day, so I would be singing as a music therapies to special need children and young adult. I was doing this as a volunteer before I started singing professionally and loved every of it minute.
What has been the biggest surprise so far about making music your career?
That it's a hard business and the work you put in each day can be challenging but it is important and worth it in the end!
What has been an unexpected or welcome challenge to it all? What has been the best part about it all?
The amount of work that is involved is marking your music through social media. Coming up with posts and communicating with my fans sometimes gives me anxiety. I just try to be myself and hope that my fans appreciate that! I have issues I deal with and problems each day just like them so if they can learn from be on how to deal with these issues we can learn together. The best part of this is that I my music and message can touch so many people with today's technology.
Let's talk about your forthcoming debut album, "With Me." What was it like putting this collection together? Did anything surprise you about the overall process? How will you celebrate the release of the album on September 27th?
The biggest surprise was that took a long time to put this album together. There was a 14-month time period where I worked on the album and was not able to share my music with anyone. I wasn't going to school and I always had to explain myself that I was working on music and wasn't just loafing off.
I am going to be working on promoting the album through the 27th through the rest of this year until I start touring. So to celebrate, I will probably go treat myself to a acai bowl, cookies or ice cream!
What was it like working with all the different collaborators on this album? How did you get the chance to work with all of them on it?
Working with the song writers and producers was probably the most amazing experience. My manager, Ryan Wyler introduced me and help put together my team. When we were writing, we would get together and spitball ideas and have so much fun working together. I learned so much and will be forever grateful.
How do you think your single, "Later Baby XOXO" prepares listeners for the rest of your album? What was the inspiration for this track?
Later Baby, XO is meant to be a fun track that you would want to sing along and blast with your friends. And every girl needs a break up song right? But what I love about Later Baby, XO is that it's not just about a breakup. The main message is to move on and that "forgiveness means to let go." I think it prepares my listeners for deeper topics I will be talking about in my other songs on the album. Beyond thankful for Lauren Christy and Andrew Wells in creating this fun, catchy and uplifting song
Where can people see you perform next? Do you have any fall tour dates scheduled yet?
I will be promoting my album the rest of the year and hopefully will have the 2020 tour dates in the next 45 days. My next live performance will be in Napa Valley in Live in the Vineyard concert on October 31st!
How do you think you have grown as a musician since you first started making music?
I started recording when I was 15 and now I am 19, so you could say I have had the time to learn about my voice and the music I want to be singing! I've had the chance to learn more about myself as an artist.
How do you feel about social media? What has social media done for your career so far?
I have learned that social media plays a huge part in an artist career. It's the best place to gain and talk with your fans. I still believe that social media does not define a person and sometimes you can worry too much about the responses. Even though I am 19 and probably should be an expert at social media by now, I am still learning each day on what's the best way to use it as a platform for my career!
I would love to know more about your involvement with different charities. How did you first get interested in them? Can you talk about a few of them that are important to you these days?
There are two in particular that my nonprofit "Music As Therapy" works with, Higher Octave Healing and Gigi's Playhouse. Both work with special need children and young adults. If you spend time with special needs children, you will come to realize that they are like angles from God. They love unconditionally and when they hear music, they receive the same joy that you and I do. Also, their families are wonderful as well. They are some of the most dedicated and loving parents you will ever meet. When you make their children smile, they smile.
Music As Therapy also works with nonprofits like TeenLife Line, who help trouble teens and young adults struggling from depression and thoughts of taking their own life.
Who are some of your favorite artists or rather, what musicians have continued to inspire you and your music? Who would you absolutely love to work with in the future?
I have always loved Justin Timberlake. He is a triple threat with his song writing, dancing and even acting. He is an artist that inspires me to be more than just a singer! I would love to work with Shawn Mendes and not just because I have always had a celebrity crush on him, but he is an amazing singer and performer that truly loves his fans.
If you had an unlimited budget and your schedule was free, what would your dream music video look like?
Oh I would LOVE to do a music video in Santorini Greece!! On the beach or even looking over the clear waters would be beautiful. This answer may or may not have been inspired because I just recently watched The Sisterhood of the Traveling Pants and it is my dream vacation, but that video would be amazing!
Where would you love to hear a song of yours played?
Everywhere! The other day some of my friends said that Later Baby, XO was being played at an amusement park and I was so excited!
At the end of the day, what do you hope people take away from your music?
I like to deliver positive messages of hope, love and that you are not alone. I want to share a positive vibe that hopefully helps them get through their day and toughest times.