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Mouvement, regard et son dans la Newest Sappho


In Greek Archaic poetry song, dance, music and text interact through multisensorial emotions (empathy, pleasure) and synaesthesias (sound/sight/movement), represented and perceived in textual devices and real or imaginary performances. In a group of poems in the Newest Sappho (frs 15, 16, 16a, Kypris Song) eros prevails, connecting the audience/readers and ego, as feeling, thinking, and acting subjects. Frs 9, 17, 18, and the Brothers Song are more about public rituals, journeys, and family relations. Fr. 5 is composite: impulses of love share characteristics with addresses to deities or parents. These texts all have a unique sound-and-dance style, as confirmed by Sappho’s frs 1, 31, 44-44a, 58-59, 94, and this sensorial approach may support a transdisciplinary and sensitive conception of philology, by enhancing our appreciation of poetry as embodied experience: simultaneously emotional, aesthetic, cognitive, and intersubjective.