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Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma”

After twenty years of published analyses on rap lyrics and flow, a divide between music-oriented and literature-oriented writing remains. It is only slightly hyperbolic to suggest that the former analyzes rap music as music without text while the latter analyzes it as text without music. This article begins bridging that divide by relating details of Kendrick Lamar’s rhythmic delivery to the meaning of his lyrics, focusing on the second verse of “Momma” from To Pimp a Butterfly (2015). In particular, I present methods for measuring and visualizing the alignment of syllable onsets (i.e., the flow) with events in the accompanying instrumental streams (i.e., the beat). Subsequently, in examining three lines of the verse, I document an analogy between flow-beat alignment and topics of vitality, moral rightness, and knowledge in the lyrics. In demonstrating one way in which rhythmic delivery can affirm the expressive meaning of lyrics, I hope to provide tools that enable hip hop scholars interested in rhythm, rhyme, and meaning to sometimes talk to each other rather than past each other.