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Euzhan Palcy's Feminist Filmmaking: From Romance to Realism, From Gender to Race

The films of Euzhan Palcy illustrate how the codes of dominant narrative cinema can be subverted to serve an overtly progressive ideological function. In Rue Case-Nègres and A Dry White Season, Palcy turns cinematic realism into an aesthetically and politically radical strategy. In particular, the undermining of the conventional narrative of romance decentralizes gender in order to emphasize the centrality of racism and racial conflict.