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Four Principles about Site-Specific Theatre: A Conversation on Architecture, Bodies, and Presence

Amid the flashing neon signs for Bally’s, the replica Eiffel Tower, and people dressed in oversized Spongebob Squarepants costumes, four figures dressed completely in white, with stark white makeup, move slowly down the Las Vegas strip. A small girl ignores the jumping fountains of the Bellagio behind her to stare in seeming wonder at these silent people progressing toward her. She reaches out and the person is real and present with her, reaching back. In this glittering city of spectacle a different form of spectacle has been momentarily introduced.