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The Role of Cardinals’ Portraits in Venice

The most powerful Venetian cardinals in the sixteenth century were arguably those
 stemming from the Grimani family. This chapter presents a detailed analysis of the
 MS Morosini Grimani 270 in the Biblioteca del Museo Correr in Venice, focusing
 on drawings that illustrate the appointment of Grimani cardinals, alongside their
 portraits. The iconographic derivation of these drawings from existing works of
 art will be explored through comparison with painted portraits and other visual
 representations of the Grimani cardinals, some previously unidentified. The
 possible function of the included cardinal portraits, and the historical scenes
 relating to them will be investigated, considering the role of images of cardinals
 within the dynastic strategies and histories of certain families.